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Speaker 1: In the morning. You in the morning. I'm talking right.

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Speaker 1: You know you're about to experience a morning showing like

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Speaker 1: any yo to the breakfast club. What you guys are

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Speaker 1: doing right now? That's the hump culture. Breakfast club is

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Speaker 1: my morning sick. I need it and I love it.

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Speaker 1: Something you like, You're really not popping until you do

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Speaker 1: the breakfast Club. Been waiting. Come to y'all, show man.

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Speaker 1: I know you gotta be a big time so let

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Speaker 1: me be up and here you gotta be you gotta

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Speaker 1: be big time. At La and Charlomagne the Guy the

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Speaker 1: breakfast club bitches take good morning Usa yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo. Good

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Speaker 1: morning Angela, yee, good money. Charlomagne the Guy, Peace to

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Speaker 1: the planet. Guess what day it is? Guess what day

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Speaker 1: it is? Yes, it's Wednesday. It's hump dam mid a

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Speaker 1: little week. Good morning, what's happening? Good morning till you?

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Speaker 1: What happened to Atime? Man? Good morning to Atime anytimes

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Speaker 1: telling the screets We spoke about that. Remember the movie

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Speaker 1: he just did, Oh he did a movie and everything.

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Speaker 1: I talked about it on the air and then he

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Speaker 1: hit us up like I didn't know he did a movie. Okay,

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Speaker 1: all right, slu the atime Man, I was riding in

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Speaker 1: this morning and listening to that Miguel four pack. Okay,

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Speaker 1: that a dealer cheek dropped on a clue what's it called.

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Speaker 1: What's that word called, cheek cheek? Yeah? Yeah, man dropped

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Speaker 1: on a clue bomb for Miguel Man. I love Miguel Man.

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Speaker 1: Miguel is incredible. And then you know, your your your

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Speaker 1: your title playlist just goes down, you know, random songs

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Speaker 1: that they started playing all type R and B records,

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Speaker 1: So they started playing old Miguel, like how many Drinks

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Speaker 1: in the Dawn. They didn't play Chris Brown Back to Sleep.

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Speaker 1: Then it hit me with Ari Lennox and Queen Nager.

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Speaker 1: Then he came with Beyonce Drunken Love, So you hold

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Speaker 1: Me this morning? That sounds like I'm not hardy. I

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Speaker 1: feel good. Okay, I feel good. Okay, that's when R

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Speaker 1: and B dust to It makes you feel good and

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Speaker 1: I feel you know, I never mind, but no. We

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Speaker 1: were having a debate on the Brilliant of his podcast

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Speaker 1: about Rihanna versus Beyonce and a versus twenty songs, twenty songs.

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Speaker 1: I think Beyonce got it. Yeah, I said Rihanna at first,

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Speaker 1: but I didn't say it with much confidence. But yeah,

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Speaker 1: you can't bet against Queen Bee, you know. I mean,

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Speaker 1: I'm a picket smith when free knows called it. But

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Speaker 1: you know, when you start handing the drunken loves and

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Speaker 1: the loves on top, like Rihanna got fourteen number ones,

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Speaker 1: I think she got the fourth most number ones ever.

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Speaker 1: But Beyonce got a lot of cultural smashes. Absolutely so

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Speaker 1: does Rito. But I don't know if it's it's it's

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Speaker 1: as much as Beyonce. Beyonce going to Destiny's Child catalog,

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Speaker 1: she would probably have to, yeah, I mean not she

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Speaker 1: wouldn't have to, but she probably would. She did. Yeah, yeah, yeah,

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Speaker 1: but you know, but I'm fresh off jumping out the

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Speaker 1: car listening to the surfboards though, So that's you know,

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Speaker 1: prison at the moment, right. You know that drunken Love

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Speaker 1: that I used to Man, I used to play drunken

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Speaker 1: Love so much up here. I used to come here

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Speaker 1: every day listening to drunk and Love. And we used

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Speaker 1: to be in his surfboard. Don't lie in me and

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Speaker 1: being our old board easy marine this morning? Have you

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Speaker 1: got nothing to do it? But so I really got

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Speaker 1: to do it? Butts up here, Jesus Christ, My goodness,

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Speaker 1: now front page news. What we're talking about. But let's

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Speaker 1: talk about this Johnson and Johnson vaccine. They have paused

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Speaker 1: the use of that vaccine over blood clock concerns. And

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Speaker 1: Hallom they paused Johnson's all the time for man, says

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Speaker 1: Johnson and Hallom. They paused it all the time. Okay,

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Speaker 1: all right, well this is for you, Bay ahead, drop

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Speaker 1: a clue, Bob, goddamnit. That's what I'm talking about. That's

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Speaker 1: how you start the morning. Our beautiful body is grinding

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Speaker 1: up in our club, my goodness, drunk and lie we

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Speaker 1: be yall night? Hey? You done? Hey? First of all,

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Speaker 1: nobody liked it like that. Okay, let me know when

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Speaker 1: you're done. I need you to be into it too.

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Speaker 1: I need you to be into it too like you

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Speaker 1: guys at Okay, I need to MENTI missy back, what's wrong? No,

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Speaker 1: I'm in drinking man. When we start, well, the US

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Speaker 1: Centers for Disease Control and Prevention in the US Food

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Speaker 1: and Drug Administration are recommending that the US paused the

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Speaker 1: use of Johnson and Johnson's COVID nineteen vaccine. They said

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Speaker 1: they were six reported US cases of a rare and

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Speaker 1: severe type of blood clot. One person is currently critical condition.

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Speaker 1: Another woman died. The six reported cases were, among them,

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Speaker 1: more than six point eight million doses of the Johnson

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Speaker 1: and Johnson vaccine. Now, what if you've got that vaccine?

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Speaker 1: Should you be concerned? Here's what doctor fault he has

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Speaker 1: to say. It appears that this adverse event occurs within

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Speaker 1: between six days and thirteen days. So if you're beyond

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Speaker 1: four weeks and you've had it a month or two ago,

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Speaker 1: I think you really don't need to worry about anything.

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Speaker 1: If you are in the timeframe of within a week

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Speaker 1: or two of having gotten vaccinated, this is a very

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Speaker 1: rare event. It's less than one in a million. Shod

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Speaker 1: that you still want to be alert to some symptoms

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Speaker 1: such as severe headache, some difficulty in movements, or some

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Speaker 1: chest discomfort and difficulty breathing. But like they said, one

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Speaker 1: in one million. Believe that. Stop listening to them. Yeah,

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Speaker 1: I mean, for from six people, you think they'll pause.

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Speaker 1: The whole exactly is that any of those symptoms like

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Speaker 1: he aches, abdominal pain, leg pain, shortness of breath within

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Speaker 1: three weeks after vaccination, then please contact your healthcare provider.

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Speaker 1: According to the statement that has been put out now,

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Speaker 1: as far as the effects on women, it feels like

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Speaker 1: it could be something how like birth control pills are related.

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Speaker 1: Is that hormonal? Here's where doctor faults. He had to say,

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Speaker 1: these are women of child bearing age. Does this suggest

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Speaker 1: that could be hormonal? Absolutely, and that's one of the

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Speaker 1: things that we want to investigate. There have been similar

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Speaker 1: types of phenomena that have occurred during pregnancy. Clotting abnimaladies

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Speaker 1: are known in women who take birth control pills, So

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Speaker 1: certainly there could be a hormonal aspect to this. Hey man,

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Speaker 1: I'm going back to what all the doctors told me

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Speaker 1: last party. All told me just wait at least a

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Speaker 1: year if you can. They said, when that first batchet

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Speaker 1: of vaccines come out, you know, don't be in a

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Speaker 1: rush to go get them. This is what doctors told me.

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Speaker 1: Doctors who that I use, not just black doctors, he's

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Speaker 1: the white doctors. Has occurred among women? Cases occurred, kay?

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Speaker 1: You All six of these cases occurred among women between

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Speaker 1: the ages of eighteen and forty eight, and symptoms did

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Speaker 1: occur six to thirteen days after vaccination. Now, you guys

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Speaker 1: brought up vaccine hesitation. Here is what doctor Fauci has

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Speaker 1: to say about that. Will this fuel vaccine hesitancy? Well,

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Speaker 1: certainly that is a concern. The question that is often asked,

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Speaker 1: does this have anything to do with the other vaccines,

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Speaker 1: the MR and as from MODERNA and from Faiser. You know,

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Speaker 1: absolutely not. There's no negative or adverse or red flag

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Speaker 1: signal coming from any of those vaccines, which is very

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Speaker 1: good news. In other words, they are very safe. What

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Speaker 1: I don't understand is what all these vaccines out there.

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Speaker 1: Shouldn't they pretty much have the same thing in them

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Speaker 1: because they fight in the same thing. Shouldn't it I

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Speaker 1: don't know. Ask doctor Faulchi, since you believe in him

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Speaker 1: so much. I mean, I don't I believe in the doctors.

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Speaker 1: And what the doctors? You have a doctor or my doctors.

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Speaker 1: My doctors took the vaccine. I took the vaccine, My

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Speaker 1: parents took the vaccine, my wife took the vaccine, my

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Speaker 1: daughter took the vaccine. Were all all right, you know

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Speaker 1: what I mean? But you don't know the long term impact,

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Speaker 1: you know. The CDC. The CDC is examining the case

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Speaker 1: of a woman who died after getting the Johnson and

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Speaker 1: Johnson vaccine in Virginia. She was forty five, forty five

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Speaker 1: years old. But we don't know the long effects of

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Speaker 1: actually getting COVID either. So it's it's you do it,

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Speaker 1: if you do it. That's true. But I know one thing.

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Speaker 1: You can't recall the vaccine after it's in your body.

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Speaker 1: I know that much, Okay, but I don't. I don't

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Speaker 1: think it lasts. I think it lasts up to a year.

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Speaker 1: But the vaccine, Yeah, so you gotta get it again

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Speaker 1: every years, just like the flu shot. I don't get

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Speaker 1: that either. All right, Well that is your front patents.

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Speaker 1: Haven't haven't gotten that either, Okay, all right, awkward, get

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Speaker 1: it off your chest? Eight play some more and b man,

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Speaker 1: I need him more. Hype man. That Chris Brown back

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Speaker 1: to sleep on for the screech one time. But that

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Speaker 1: Chris Brown play that. Don't play with him looking at

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Speaker 1: me when you play that record. Man allays talk to

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Speaker 1: Johnson's Where Johnson's Johnson one five one, this guy's horn

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Speaker 1: to get it off your chests. As the breakfast logal

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Speaker 1: morning the breakfast club. This is your time to get

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Speaker 1: it off your chest. Whether you're man from you on

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Speaker 1: the breakfast club, but you got something on your mind, Hey,

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Speaker 1: good morning, get it off your chests. Um. So I

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Speaker 1: work in the r I'm not a nurse nor a doctor.

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Speaker 1: I'm this registration, but I work in the yard. So

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Speaker 1: my opinion with the vaccine. UM, when people get to

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Speaker 1: vaccine is, of course we all know that they are

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Speaker 1: not approved by the FDA nor Medicare. I saw that.

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Speaker 1: That means people are I saw that. I was wondering

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Speaker 1: from people are getting these vaccines. Later on down the

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Speaker 1: line in shurance company is going to ask you did

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Speaker 1: you ever get to the vaccine? And that's gonna give

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Speaker 1: you fikey situations. The Medicare or adventurance companies are going

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Speaker 1: to decide if they're going to increase your prove you

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Speaker 1: or not cover you. And that's the team of Medicare.

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Speaker 1: Because all vaccines or medications have to be approved by

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Speaker 1: FDA and Medicare. Well, let me ask you a question.

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Speaker 1: I keep hearing people say that FDA didn't approve these vaccines,

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Speaker 1: but it's that true because how can they How can

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Speaker 1: they Paul, they didn't improve it. Well, it's an emergency maxine.

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Speaker 1: So that's two different things. Emergency and approval is it's

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Speaker 1: two different scenarios. Yeah, you approved the vaccines because they're

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Speaker 1: studies regarding it, like the flu shot. This years of studies,

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Speaker 1: which is vaccine. It's just a study. So like say,

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Speaker 1: for instance, when you get a sixty five years old

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Speaker 1: medicare asked you certain questions like is the government take

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Speaker 1: you for a research program for a vaccine or medication?

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Speaker 1: Well you get that when you're sixty five. They should

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Speaker 1: be asking that's that now and attaining us that now,

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Speaker 1: but they're not technically. So technically this round of vaccines

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Speaker 1: is all a bunch of guinea pigs. But you know

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Speaker 1: what it does sell? I looked at up right, I

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Speaker 1: went on the own website, the FDA dot govern says

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Speaker 1: the FDA has authorized three COVID nineteen vaccines for emergency use. Right,

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Speaker 1: that's what she just said, that it's for it's for

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Speaker 1: emergency use, but it's not. You can't use it still

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Speaker 1: in age is twelve to fifte twelve to fifteen. But

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Speaker 1: so I for emergency use, what does that mean? Because

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Speaker 1: it's still approved. Right, it's an emergency. I don't know.

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Speaker 1: This is for the experts. That's exactly why I'm not

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Speaker 1: taking that vaccine no time soon. Hello, who's this? This

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Speaker 1: is key from Houston man. Let's bro get it off

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Speaker 1: your chests. So it's two things I want to get

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Speaker 1: off my chests. First of all, Houston, man, we got

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Speaker 1: to get it together. We don't work together as an artist.

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Speaker 1: We don't do anything together like we're supposed to. Houston.

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Speaker 1: There's only one radio station. I'm not gonna say the

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Speaker 1: name of the other one, but they being truth, Yes,

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Speaker 1: we know that the Box Artist the truth. Yeah, yeah,

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Speaker 1: I think thank you for saying that. Charba Bain't, by

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Speaker 1: the way, but Charlotta Magine. By the way, I wanted

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Speaker 1: to bring something up because nine years ago you said

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Speaker 1: something about mister s and uh later, you've been passing

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Speaker 1: my butt cheeks. Man, I don't understand exactly what's going on,

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Speaker 1: but I hate and you said mister free passing it out.

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Speaker 1: You have been importingly, sir, I'm free. I've been free

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Speaker 1: but cheeks. We've been passing out but cheeks. I have

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Speaker 1: not passed out my butt cheeks. You get a butt cheeks. Okay.

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Speaker 1: I gave Envy a replica of some butt cheeks, but

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Speaker 1: I haven't passed outline. You are the open for your brother.

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Speaker 1: You'd be safe out there. Get it off. That's funny

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Speaker 1: as how to say you to open one for your

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Speaker 1: butt cheek because you just think of a big old Scott.

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Speaker 1: It crazy. Eight hundred five ain't five one on five one.

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Speaker 1: If you need to ben, hit this up now. It's

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Speaker 1: the breakfast club Go morning, the breakfast clubs. We want

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Speaker 1: to hear from you on the breakfasts. Hello. Who's this Joe?

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Speaker 1: This is Jamill calling from North Carolina. What's up, bro?

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Speaker 1: Get off your chess, hey man. I just wanted to

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Speaker 1: spread a little bit of positivity this morning. That's all.

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Speaker 1: What you got, What you got. I'm blessed back in

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Speaker 1: holly sleep. As my uncle Charla would always say, there

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Speaker 1: you go. All right. I want to thank God for

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Speaker 1: my life helping songs. I'm doing well today. I can't

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Speaker 1: complain at all. My family's doing okay, okay, And I

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Speaker 1: just want to say that I'm praying for this country

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Speaker 1: during this pandemic. The people have lost their lives to COVID.

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Speaker 1: The people that have lost their lives, the police brutality,

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Speaker 1: the people that have lost their lives to the match

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Speaker 1: shootings that have been going on these last couple of months,

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Speaker 1: and this company, UM Country, needs a lot of healing

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Speaker 1: and the company needs for our officials to step up

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Speaker 1: and do what they need to do in order to

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Speaker 1: make things that ain't happening. You ain't even got Yeah

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Speaker 1: when I see you and that one, Yeah, Rome has fallen, sir. Hello,

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Speaker 1: who's this? Hi? This is Karma Karma from Atlanta. Hey, Karma,

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Speaker 1: that's your real name. Yeah, that's my real name. Hey,

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Speaker 1: I just wanted to get off my said, um Charlomagne. Um,

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Speaker 1: you just really helped me. I just recently lost my

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Speaker 1: dad and I recently lost um one of my little

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Speaker 1: fur babies. And when we talked about when you talk

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Speaker 1: about mental health, it just made me realize that I

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Speaker 1: actually have to take it into consideration. I suffer from anxiety,

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Speaker 1: I already suffer from depression. And when I'm just hearing

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Speaker 1: about you talk about how you were able to just

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Speaker 1: sit down with sird therapists and just get it out

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Speaker 1: to wait and how you feel so much better, I

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Speaker 1: actually decided to just take the first step and I

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Speaker 1: hear y'all talk about talk space so much, and I

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Speaker 1: signed up, and um, I'm gonna try to suffer an

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Speaker 1: the cry, but no cry, feel your feels, cry, let

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Speaker 1: it out. It's fine. I just want the same job,

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Speaker 1: whichcause everything has I'm so difficult, and I'm trying to

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Speaker 1: start my business. I just feel like I have been

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Speaker 1: had and it's still I just want to thank you,

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Speaker 1: thank you so much. Well, we're sending you a lot

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Speaker 1: of healing energy this morning, a lot a lot of

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Speaker 1: a lot of healing energy. Man, and and and understand

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Speaker 1: that's what life is about, you know. I always say

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Speaker 1: I don't feel like there's any any anything is so

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Speaker 1: a good experience or a bad experience. Just one long process.

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Speaker 1: That's all. Life is one long process. But you I

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Speaker 1: promise you you will be fine when it's all setting done.

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Speaker 1: And well, just one more thing, Um, y'all are the best.

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Speaker 1: Just keep doing on what y'all doing. And I'm all

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Speaker 1: twenty three and y'all are in fun a single day.

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Speaker 1: So I love you too so much, thank you very much. Wow,

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Speaker 1: thank you. She's twenty three. I mean she's been on

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Speaker 1: she's been we've been on the radio since she was

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Speaker 1: thirteen thirteen years old. That's right, Lord, have mercy, get

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Speaker 1: it off your chests. Eight hundred five eight five, one

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Speaker 1: oh five one. If you need to vent, you can

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Speaker 1: hit us up at any time. We got rooms on

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Speaker 1: the way. Yes, And let's talk about Bobby Brown. He

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Speaker 1: is on the Red Table talk. The episode comes out today.

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Speaker 1: I'm gonna tell you what the topic of discussion is.

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Speaker 1: All right, we'll get into that. NeXT's the Breakfast Club.

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Speaker 1: Good morning, the Breakfast Club. Morning. Everybody is DJ Envy,

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Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club.

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Speaker 1: Now next hour, the Lucas Brothers will be joining us.

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Speaker 1: Lucas Brothers. They are wrote um Judas in The Blacks,

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Speaker 1: co wrote and co producer Very to the Black Masside.

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Speaker 1: They're twins. They're comedians. They wrote a bunch of things.

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Speaker 1: They have a special on Netflix. Yeah, two talented individuals.

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Speaker 1: I first met them back in the day when they

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Speaker 1: were writing for Friends of the People. All right, well,

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Speaker 1: we'll talk to them next hour. But let's get to

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Speaker 1: the rumors. Let's talk Bobby Brown. It's about report Angela Yee,

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Speaker 1: the Breakfast Club. You know, one thing people say a

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Speaker 1: lot is how does Bobby Brown deal with everything he's

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Speaker 1: had to deal with with all the tragedies and his family. Well,

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Speaker 1: he's on the Red Table talking that episode is coming

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Speaker 1: out today. It's been five months since the unexpected death

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Speaker 1: of his twenty eight year old son, Bobby Brown Junior,

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Speaker 1: And in the upcoming episode, he's basically talking about addictions

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Speaker 1: and controversies that have followed him for decades, the tragic

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Speaker 1: death of his son, and who he thinks is responsible

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Speaker 1: for the deaths of his ex wife, Whitney Houston, and

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Speaker 1: his daughter Bobby Christina Brown as well. Here is the teaser.

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Speaker 1: These kids today, they're trying different things. They're trying to

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Speaker 1: get as high as they can possibly get. That's a

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Speaker 1: real problem because they don't know what these drugs are

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Speaker 1: being mixed with these days. Right, There's been so many deaths,

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Speaker 1: specifically with pentanel. There's murderers out there right now that

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Speaker 1: are creating these these synthetic drugs that are killing these kids.

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Speaker 1: It's like the committed to murder. Oh yeah, that's gonna

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Speaker 1: be a sad one to watch it, but it is.

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Speaker 1: And the episode is entitled An Urgent Warning from Bobby Brown. Yeah,

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Speaker 1: I stand on the fact that you know, the best

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Speaker 1: messaging is just say no, and that right there is

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Speaker 1: just another reason to just say no. Like they got

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Speaker 1: GMO drugs. It's not the organic holistic drugs that we

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Speaker 1: grew up on. Okay, trust me. Being able to go

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Speaker 1: to you know, facilities in other countries and do organic,

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Speaker 1: pure drugs, that's a privilege. So I would encourage folks

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Speaker 1: to you know, get help with their addiction as opposed

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Speaker 1: to encouraging them to find safe spaces to do things

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Speaker 1: that we know it's going to kill them here in America,

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Speaker 1: just say no. But we also know addiction as a

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Speaker 1: disease and we don't want to shame people who are

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Speaker 1: struggling with addiction either. Something I just said, we should

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Speaker 1: folks to get help with their addiction. That's what we

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Speaker 1: should do. We should put more money into the treatment, right,

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Speaker 1: you know, but just saying no. That campaign has been

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Speaker 1: around since before we were born, and clearly it's not working.

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Speaker 1: So we got to make sure that there's all different.

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Speaker 1: I'ven used to get people help to think. I mean,

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Speaker 1: people are still using rugs to tell people don't use drugs.

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Speaker 1: Continue saying don't. You can't say hey, use drugs, but

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Speaker 1: just make sure that no, don't use drugs. People used

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Speaker 1: to say, don't don't smoke weed. Now we we just

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Speaker 1: legalized it is. But it's still a lot of people

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Speaker 1: who don't smoke Weedie, It's like it's a lot of

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Speaker 1: people who don't do drugs, right, but now we just

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Speaker 1: regulated right all right now, will killing anybody have y'all

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Speaker 1: I've never heard of somebody old imagine if you don't

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Speaker 1: know what it, ma'am man, but you're getting straight off

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Speaker 1: the street, that's right. It refer to me as ma'am

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Speaker 1: from now on, respectful. Thank you. Y'all have no understandming

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Speaker 1: of nothing that goes on all right now? Will Smith, no, ma'am,

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Speaker 1: does it not like George's controversial new voting laws. And

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Speaker 1: Will Smith and Antoine food Choi have pulled the production

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Speaker 1: of their new movie Emancipation, And that's in response to

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Speaker 1: those voting laws and voter suppression laws that are happening

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Speaker 1: in Georgia. So they felt compelled to move their film

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Speaker 1: production work from Georgia to another state. So they're the

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Speaker 1: first company that has said, the first production that has

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Speaker 1: says they're not going to do something in Georgia. Because

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Speaker 1: of this, as you know, there's been talk of protesting.

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Speaker 1: They said, at this moment in time, the nation is

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Speaker 1: coming to terms with its history and its attempting to

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Speaker 1: eliminate vestiges of institutional racism to achieve true racial justice.

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Speaker 1: We cannot in good conscience provide economic support to a

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Speaker 1: government that enacts regressive voting laws that are designed to

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Speaker 1: restrict voter access. So they're out of there all right now.

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Speaker 1: Because I know a lot of people that work on

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Speaker 1: those movie sets, and even with the Baseball and Major League,

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Speaker 1: I know a lot of people that work on the

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Speaker 1: stadium or our community are black folks in minority. So

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Speaker 1: the fact that they pull them from there, are we

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Speaker 1: really hurting ourselves. I don't think those big brands really care.

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Speaker 1: They got enough money to survive. But what's really hurting

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Speaker 1: is the fact that we can't work on those movie sets.

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Speaker 1: We can't be runners, we can't do we can't be

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Speaker 1: actors or actresses like that hurts us a lot more.

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Speaker 1: I think, yeah, you can in another in another city,

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Speaker 1: but just gonna be Atlanta people won't be Georgia people.

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Speaker 1: I mean, if they moved to New Yorker to be

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Speaker 1: New Yorker's work. It won't be Atlanta that needs it,

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Speaker 1: you know, I mean where it's mostly minorities in Alana. Yeah,

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Speaker 1: I don't have any proof to back this up, but

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Speaker 1: I do think it hurts us, you know, more than

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Speaker 1: it hurts you know, white people, because there's a million

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Speaker 1: other industries in Georgia. Film used to be the number

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Speaker 1: two industry in Georgia. I don't know if it still is,

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Speaker 1: but it's not like white folks are gonna gonna pull

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Speaker 1: out it. So I feel like we are the ones

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Speaker 1: who end up losing jobs and opportunities. But I don't know.

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Speaker 1: All right, now, let's talk about the French Prince of

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Speaker 1: bel Laire. Bellaire is the new show, but it's not

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Speaker 1: a reboot. During an exclusive interview with e news um

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Speaker 1: all finds a Ribero describes a new series. He said

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Speaker 1: it's in the reimagining of the original fresh Prince, and

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Speaker 1: he said the new series will be a whole new

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Speaker 1: look at the idea. He said, we sometimes there a

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Speaker 1: lot of things into one word. One concept. That reboot

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Speaker 1: would be taking the actual show and characters and bringing

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Speaker 1: it back. This is a totally different show, he said,

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Speaker 1: for starters. It won't be a fun, loving family sitcom. Instead,

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Speaker 1: it's a dramatize take on the story told in the

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Speaker 1: iconic theme song from The Fresh Prince of bel Air.

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Speaker 1: He said, it's based on the theme song. It's completely different.

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Speaker 1: So is it a prequel? Is it when Will was

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Speaker 1: living in Philly and he was getting in trouble which

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Speaker 1: called him to be shipped to bell Air in the

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Speaker 1: first place. Well, what he's saying is it's a whole

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Speaker 1: new show and it's based on the theme song. So

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Speaker 1: I don't know. But it's a drama, so it's not

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Speaker 1: even a comedy, and it's a whole different concept. Yeah,

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Speaker 1: because in the theme song, he was living in West Philadelphia.

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Speaker 1: He got into a fight with some people. His mom

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Speaker 1: got scared and shipped them off, which is actually dope, right,

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Speaker 1: because you would have to dig deeper, because I'm like,

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Speaker 1: just because of a fight you got shipped off to

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Speaker 1: bell Air. It had to be something really intense and

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Speaker 1: serious to ship them all the way across the country. Yeah,

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Speaker 1: So it's basically his journey from the streets of West

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Speaker 1: Philadelphia to the gated mansions of bel Air. With the

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Speaker 1: reimagined vision. They said, it'll dive deeper into the inherent conflicts, emotions,

421
00:22:58,400 --> 00:23:01,240
Speaker 1: and biases that were I supposed to fully explore in

422
00:23:01,280 --> 00:23:06,760
Speaker 1: the thirty minute sitcom format. Ready for that, all right now? DMX,

423
00:23:07,280 --> 00:23:11,040
Speaker 1: his versus challenger Snoop Dog, was actually on Fallon and

424
00:23:11,119 --> 00:23:15,040
Speaker 1: he was talking about some of his memories of DMX.

425
00:23:15,119 --> 00:23:17,239
Speaker 1: He talked about meeting him back in nineteen ninety four,

426
00:23:17,359 --> 00:23:22,359
Speaker 1: before most of the world even knew who DMX was.

427
00:23:23,080 --> 00:23:26,320
Speaker 1: And here's some of the stories that he told on

428
00:23:26,440 --> 00:23:30,800
Speaker 1: Fallon at a concert nineteen I think it was like

429
00:23:31,080 --> 00:23:34,600
Speaker 1: ninety ninety four. And then we went back to the

430
00:23:34,680 --> 00:23:37,359
Speaker 1: studio after that. He brought up a story that was

431
00:23:37,520 --> 00:23:40,119
Speaker 1: so deep and instrumental to our relationship. He was like,

432
00:23:40,240 --> 00:23:42,080
Speaker 1: when he first met me, I was like away from

433
00:23:42,160 --> 00:23:44,239
Speaker 1: him and he was saying, what's that man, what's up?

434
00:23:44,280 --> 00:23:45,920
Speaker 1: And I was like, get at me Dog? And he

435
00:23:46,080 --> 00:23:48,120
Speaker 1: was like, I took that and I made that into

436
00:23:48,200 --> 00:23:50,240
Speaker 1: my song get at Me Dog, because the way you

437
00:23:50,320 --> 00:23:52,280
Speaker 1: got at me and said that I was like that slip.

438
00:23:52,600 --> 00:23:55,680
Speaker 1: So that night inspired him to create that song get

439
00:23:55,720 --> 00:23:58,560
Speaker 1: at Me Dog, which was one of his biggest hood

440
00:23:58,640 --> 00:24:01,920
Speaker 1: records that he put out. Now, of course, he told

441
00:24:01,960 --> 00:24:05,040
Speaker 1: that story during versus, so maybe people didn't catch that story,

442
00:24:05,160 --> 00:24:08,000
Speaker 1: but always an interesting and good win. And thank god

443
00:24:08,080 --> 00:24:10,720
Speaker 1: that versus did go down because we had a chance

444
00:24:10,760 --> 00:24:13,840
Speaker 1: to see Dmax and Snoop together celebrating each other and

445
00:24:13,920 --> 00:24:16,240
Speaker 1: with some good viral moments from that. Here's what he

446
00:24:16,280 --> 00:24:18,480
Speaker 1: had to say about versus. It meant the world because

447
00:24:18,680 --> 00:24:20,879
Speaker 1: it gave the world a chance to see two dogs

448
00:24:21,280 --> 00:24:24,040
Speaker 1: that naturally loved each other celebrating each other in the

449
00:24:24,160 --> 00:24:27,160
Speaker 1: name of hip hop. You've seen a lot of interaction

450
00:24:27,240 --> 00:24:29,880
Speaker 1: between me and him, engaging in our songs. You've seen

451
00:24:29,920 --> 00:24:32,000
Speaker 1: a lot of conversations and a lot of love. And

452
00:24:32,080 --> 00:24:34,359
Speaker 1: we had got in the building with us that night,

453
00:24:34,600 --> 00:24:37,520
Speaker 1: and that makes me feel good about Dmax's transition, to

454
00:24:37,600 --> 00:24:39,479
Speaker 1: know that he's off to a better place and he's

455
00:24:39,480 --> 00:24:41,800
Speaker 1: finally got his Andrew Williams, Yeah, which is why I

456
00:24:41,800 --> 00:24:44,119
Speaker 1: don't understand when people say Dmax didn't get love and

457
00:24:44,160 --> 00:24:47,480
Speaker 1: folks waited until he died to sew him love. Absolutely, positively,

458
00:24:47,560 --> 00:24:49,280
Speaker 1: not he was getting loved before the verses, but the

459
00:24:49,400 --> 00:24:53,639
Speaker 1: verses absolutely provided Earl Simmons with his flowers X always

460
00:24:53,640 --> 00:24:56,600
Speaker 1: got love and he definitely always got love a pair

461
00:24:57,960 --> 00:25:01,120
Speaker 1: absolutely and in Drink Champs. He did Drink Champs last

462
00:25:01,440 --> 00:25:04,000
Speaker 1: this past February, and you know they definitely gave him

463
00:25:04,040 --> 00:25:06,640
Speaker 1: his flowers on Drink Champs. So yes, X God, Yeah,

464
00:25:06,680 --> 00:25:09,680
Speaker 1: DMX was an icon living Okay, So I don't think

465
00:25:09,760 --> 00:25:11,960
Speaker 1: that I don't think that people didn't show him the

466
00:25:12,040 --> 00:25:14,159
Speaker 1: proper respect everything that he was going through. I do

467
00:25:14,280 --> 00:25:16,919
Speaker 1: feel like people were super supportive and had a lot

468
00:25:16,960 --> 00:25:18,359
Speaker 1: of left for DMX because he had a lot of

469
00:25:18,400 --> 00:25:21,640
Speaker 1: love for people. All right, Well that is your room

470
00:25:21,680 --> 00:25:23,600
Speaker 1: of report, all right. Now we got front page news.

471
00:25:23,640 --> 00:25:25,720
Speaker 1: Next we were talking about, Well, let's talk about the

472
00:25:25,760 --> 00:25:29,640
Speaker 1: police officer who shot and killed Dante right and has

473
00:25:29,720 --> 00:25:31,920
Speaker 1: now resigned. Will tell you what her statement said and

474
00:25:32,000 --> 00:25:33,920
Speaker 1: what else is going on? All right, we'll get into

475
00:25:33,960 --> 00:25:36,920
Speaker 1: that next. It's the Breakfast Club. Good Morning, So Breakfast Club,

476
00:25:37,040 --> 00:25:40,680
Speaker 1: your morning's will never be the same. Mountain Dew his

477
00:25:40,720 --> 00:25:43,320
Speaker 1: partnering with HBCUs and an effort to uplift the next

478
00:25:43,359 --> 00:25:46,640
Speaker 1: generation of badass black innovatives and entrepreneurs with the Real

479
00:25:46,760 --> 00:25:50,760
Speaker 1: Change Opportunity fun pitch competition, empowering students to go out

480
00:25:50,840 --> 00:25:53,560
Speaker 1: and do is it? Mountain Dew dot com slash Real

481
00:25:53,680 --> 00:25:59,320
Speaker 1: Change to enter Hey morning. Everybody is DJ Envy Angelou Ye,

482
00:25:59,480 --> 00:26:02,960
Speaker 1: Charlemagne guy. We are to breakfast club. Good morning. Let's

483
00:26:03,000 --> 00:26:06,879
Speaker 1: get in some front page news. Where we start you

484
00:26:08,480 --> 00:26:11,920
Speaker 1: all right, Well, let's start with the officer who shot

485
00:26:11,960 --> 00:26:15,440
Speaker 1: and killed Dante right and the Brooklyn Center police chief

486
00:26:15,520 --> 00:26:19,280
Speaker 1: have both resigned. And this is in Minnesota. Police officer

487
00:26:19,400 --> 00:26:22,680
Speaker 1: Kim Potter resigned from her position Tuesday after shooting and

488
00:26:22,760 --> 00:26:24,680
Speaker 1: killing Dante Ray. We've been talking about this, you know.

489
00:26:24,800 --> 00:26:28,400
Speaker 1: She was part of that police department for twenty six years,

490
00:26:28,480 --> 00:26:32,240
Speaker 1: A twenty six year veteran. She submitted her resignation effective immediately.

491
00:26:32,320 --> 00:26:34,080
Speaker 1: Wrote a letter to city official. She said, I have

492
00:26:34,200 --> 00:26:36,720
Speaker 1: loved every minute of being a police officer and serving

493
00:26:36,760 --> 00:26:38,920
Speaker 1: this community to the best of my ability, but I

494
00:26:38,960 --> 00:26:40,840
Speaker 1: believe it is in the best interest of the community,

495
00:26:40,880 --> 00:26:43,639
Speaker 1: the department, and my fellow officers if I resigned immediately.

496
00:26:44,160 --> 00:26:46,320
Speaker 1: The mayor said, we did not ask her to resign,

497
00:26:46,600 --> 00:26:49,640
Speaker 1: that was a decision that she made, and they also

498
00:26:49,680 --> 00:26:51,520
Speaker 1: said later in the evening that they had not yet

499
00:26:51,600 --> 00:26:54,119
Speaker 1: accepted her resignation. They said, we're still working through our

500
00:26:54,160 --> 00:26:56,879
Speaker 1: own processes and making sure that we take the steps

501
00:26:56,880 --> 00:26:59,880
Speaker 1: that are necessary to accept the resignation. Let's just say

502
00:27:00,119 --> 00:27:03,080
Speaker 1: team is evaluating the current circumstances, which are very complex.

503
00:27:03,320 --> 00:27:05,880
Speaker 1: I don't I don't get it. I need somebody way

504
00:27:05,960 --> 00:27:07,639
Speaker 1: smarter than me to explain this to me. Can you

505
00:27:07,760 --> 00:27:10,440
Speaker 1: just resign in the middle of what it's supposed to

506
00:27:10,480 --> 00:27:13,000
Speaker 1: be an investigation? Resigned at anytime? But I'm wondering if

507
00:27:13,080 --> 00:27:17,000
Speaker 1: that resign gives her any benefits? Meaning does she make

508
00:27:17,080 --> 00:27:19,320
Speaker 1: sure she doesn't lose this? Does she automatically get this

509
00:27:19,400 --> 00:27:21,520
Speaker 1: if she resigns during this I'm just curious to watch it.

510
00:27:21,880 --> 00:27:24,200
Speaker 1: I would like to know if you resigned, you still

511
00:27:24,240 --> 00:27:26,040
Speaker 1: get your pension, Like, what does that mean? I don't Actually,

512
00:27:26,320 --> 00:27:28,600
Speaker 1: I don't know. I don't. I don't understand. Well, you know,

513
00:27:28,680 --> 00:27:31,400
Speaker 1: like they just said they have not yet accepted her resignation,

514
00:27:32,119 --> 00:27:36,280
Speaker 1: So we'll see what happens, you know. But that's the

515
00:27:36,320 --> 00:27:38,560
Speaker 1: information that we have. That's fine. Didn't the police chief

516
00:27:38,560 --> 00:27:42,040
Speaker 1: resigned to Yes, the police chief also resigned. Why did

517
00:27:42,080 --> 00:27:47,960
Speaker 1: the police chi right? They said, I don't blah blacklash

518
00:27:48,000 --> 00:27:49,600
Speaker 1: of him saying all the back saying it was a

519
00:27:49,640 --> 00:27:53,760
Speaker 1: mistake so quickly. They are sleeping in that white men

520
00:27:53,840 --> 00:27:58,719
Speaker 1: don't just resign when they're wrong. He probably collect Now

521
00:27:58,840 --> 00:28:01,080
Speaker 1: that's what it is. You have cops resign last year

522
00:28:01,080 --> 00:28:02,720
Speaker 1: and they said they didn't like the changes that were happening.

523
00:28:02,920 --> 00:28:04,719
Speaker 1: But why would he get fired the police chief? Why

524
00:28:04,760 --> 00:28:07,080
Speaker 1: would the police chief didn't get fired, that's my point.

525
00:28:07,119 --> 00:28:11,440
Speaker 1: But why if Johnston saying he resigned to keep his pension,

526
00:28:11,600 --> 00:28:15,320
Speaker 1: why why would he have gotten fired? Me? Like, why

527
00:28:15,400 --> 00:28:18,040
Speaker 1: deal with this? If fired? If I had got my pension,

528
00:28:18,080 --> 00:28:19,720
Speaker 1: why what would he get fired for it? Because he

529
00:28:19,720 --> 00:28:22,040
Speaker 1: didn't do the shooting. He didn't do anything. And yeah,

530
00:28:22,040 --> 00:28:23,280
Speaker 1: he said it was a mistake, but she said it

531
00:28:23,320 --> 00:28:25,520
Speaker 1: was a mistake, right, But I'm saying, why deal with

532
00:28:25,560 --> 00:28:27,679
Speaker 1: the headache? If you're older, you got your pension already,

533
00:28:27,760 --> 00:28:30,639
Speaker 1: just retire something deeper going on what I'm telling you.

534
00:28:31,320 --> 00:28:33,400
Speaker 1: I don't know what it is yet, we'll find out,

535
00:28:33,680 --> 00:28:37,560
Speaker 1: but you know what they were. So anyway, the Brooklyn

536
00:28:37,680 --> 00:28:40,280
Speaker 1: Center City Council on Monday, they did vote to fire

537
00:28:40,400 --> 00:28:42,719
Speaker 1: Potter and police Chief Tim Gannet, but they both submitted

538
00:28:42,800 --> 00:28:46,320
Speaker 1: letters of resignation on Tuesday. Oh okay, well that makes sense.

539
00:28:46,520 --> 00:28:48,120
Speaker 1: So they voted to fire him, so they probably was

540
00:28:48,240 --> 00:28:51,920
Speaker 1: gonna get fired. Okay, that makes sense. Yeah, so uh

541
00:28:52,040 --> 00:28:54,560
Speaker 1: there you have now. Dante Ray's father said that he

542
00:28:54,680 --> 00:29:00,360
Speaker 1: cannot accept the cop depends for killing his son. Abby

543
00:29:00,400 --> 00:29:04,800
Speaker 1: Wright said that this mistake just doesn't sound right. Do

544
00:29:04,920 --> 00:29:08,560
Speaker 1: you accept that explanation, mister Wright? I cannot accept that

545
00:29:09,000 --> 00:29:12,120
Speaker 1: I lost my son. He's never coming back. I can't

546
00:29:12,120 --> 00:29:15,920
Speaker 1: accept that a mistake. That's nothing, that doesn't even sound right.

547
00:29:16,320 --> 00:29:18,240
Speaker 1: You know, this officer that's been on the force for

548
00:29:18,640 --> 00:29:22,320
Speaker 1: twenty six plus, for twenty six years, I can't accept that.

549
00:29:22,840 --> 00:29:24,960
Speaker 1: I would like to see justice served and her held

550
00:29:25,000 --> 00:29:29,120
Speaker 1: accountable for everything that she's taken from us. Stout asking

551
00:29:29,200 --> 00:29:32,400
Speaker 1: stupid questions the parents who have lost people. Do you

552
00:29:32,520 --> 00:29:35,440
Speaker 1: accept that? Would you accept your child just being murdered?

553
00:29:35,640 --> 00:29:37,719
Speaker 1: His son is dead? Who the hell do they think

554
00:29:37,760 --> 00:29:40,360
Speaker 1: black people are? I sometimes wanted to do people understand

555
00:29:40,440 --> 00:29:43,200
Speaker 1: what death is when someone you love gets killed. Don't

556
00:29:43,200 --> 00:29:45,000
Speaker 1: ask me do I accept that? Don't ask me do

557
00:29:45,080 --> 00:29:47,240
Speaker 1: I forgive the killer. Don't ask me to make peace

558
00:29:47,320 --> 00:29:49,479
Speaker 1: with the killer. Let me feel this and go through

559
00:29:49,520 --> 00:29:51,960
Speaker 1: whatever emotion I want to do. I accept that. What

560
00:29:52,080 --> 00:29:53,600
Speaker 1: kind of question is that to ask a parent who

561
00:29:53,680 --> 00:29:56,400
Speaker 1: just lost the child? Well, that was Robbing Roberts on

562
00:29:56,440 --> 00:29:59,840
Speaker 1: Good Morning America talking to obviously Abby Wright, who has

563
00:30:01,400 --> 00:30:04,080
Speaker 1: as well. Ask Katie, right, But I think sometimes people

564
00:30:04,120 --> 00:30:05,880
Speaker 1: ask a question to be able to hear their parents

565
00:30:05,960 --> 00:30:09,000
Speaker 1: express how they're feeling. But do you accept that it's

566
00:30:09,000 --> 00:30:10,960
Speaker 1: a parent who just lost their child. They gotta be

567
00:30:10,960 --> 00:30:12,560
Speaker 1: a bit of question that I think that. Yeah, I

568
00:30:12,680 --> 00:30:16,240
Speaker 1: think the answer is pretty obvious when you ask that,

569
00:30:16,360 --> 00:30:18,520
Speaker 1: But it might be just asking that question to get

570
00:30:18,600 --> 00:30:21,200
Speaker 1: people to understand the emotion that comes with it and

571
00:30:21,320 --> 00:30:23,800
Speaker 1: hear that emotional response. Ask me how I feel. The

572
00:30:23,960 --> 00:30:28,000
Speaker 1: human eyes that ask me how I feel? I'd rather that,

573
00:30:28,320 --> 00:30:31,360
Speaker 1: all right, accept that that is your front page news,

574
00:30:31,600 --> 00:30:33,360
Speaker 1: all right. Now, when we come back, we have the

575
00:30:33,440 --> 00:30:38,160
Speaker 1: Lucas Brothers joining us. Lucas Brothers are comedian writers, producers.

576
00:30:38,560 --> 00:30:41,280
Speaker 1: They just recently co wrote and co produce Judas and

577
00:30:41,320 --> 00:30:42,920
Speaker 1: The Black Messiah. So we're gonna kick it with them

578
00:30:42,960 --> 00:30:45,240
Speaker 1: when we come back. So don't move. It's the Breakfast Club.

579
00:30:45,320 --> 00:30:52,400
Speaker 1: Good morning, the Breakfast Club Morning. Everybody is tj Envy,

580
00:30:52,560 --> 00:30:55,560
Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club.

581
00:30:55,600 --> 00:30:57,920
Speaker 1: We got some special guests with us today. That's right,

582
00:30:58,160 --> 00:31:01,680
Speaker 1: we got the Lucas brothers. Welcome it up, man, I'm

583
00:31:01,680 --> 00:31:04,560
Speaker 1: glad to see y'all still looking very military, even though

584
00:31:04,640 --> 00:31:07,120
Speaker 1: y'all nominated for an oscar. You know, you can't change

585
00:31:07,320 --> 00:31:09,640
Speaker 1: change it up too much. If y'all don't dress like

586
00:31:09,720 --> 00:31:12,000
Speaker 1: this is the Oscars, I'm gonna be disappointed. A right,

587
00:31:12,120 --> 00:31:15,000
Speaker 1: good points and that's the ware tuxedos man. Really. Yeah, well,

588
00:31:15,040 --> 00:31:18,240
Speaker 1: we might keep our military jackets over the Texas. You know,

589
00:31:18,960 --> 00:31:22,400
Speaker 1: which which one is Kenny, which one is Key? I'm Kenny, okay,

590
00:31:22,520 --> 00:31:24,840
Speaker 1: and maybe I'm Keith. Yeah, let's go back for people

591
00:31:24,840 --> 00:31:26,400
Speaker 1: that don't know who the Lucas brothers are. I know

592
00:31:26,480 --> 00:31:30,160
Speaker 1: you guys are from New New Jersey, So explain your journey, man,

593
00:31:30,400 --> 00:31:33,240
Speaker 1: it's been crazy. So we're born September thirteenth, nineteen eighty

594
00:31:33,280 --> 00:31:37,120
Speaker 1: five at um D and J Yeah, New Jersey during

595
00:31:37,160 --> 00:31:40,040
Speaker 1: the height of the crack epidemic, and uh, you know

596
00:31:40,280 --> 00:31:47,000
Speaker 1: it was turbulent upbringing. Yeah, drug war, drugs, killing, killing, eighties, nineties,

597
00:31:47,600 --> 00:31:50,040
Speaker 1: stealing cars and it was crazy. We were the car

598
00:31:50,160 --> 00:31:51,840
Speaker 1: jacking capital of the universe, you know what I mean?

599
00:31:52,800 --> 00:31:57,600
Speaker 1: What was that movie film? You know it made people mad,

600
00:31:57,760 --> 00:32:00,200
Speaker 1: you know, but it was still the only representation up

601
00:32:00,280 --> 00:32:02,480
Speaker 1: nor right, right, So we when our father went to

602
00:32:02,520 --> 00:32:04,840
Speaker 1: prison where we were like six or seven, he was

603
00:32:04,880 --> 00:32:07,200
Speaker 1: like caught up in that game and you know, doing

604
00:32:07,240 --> 00:32:09,840
Speaker 1: what he had to do to survive, got caught. And

605
00:32:10,000 --> 00:32:12,040
Speaker 1: so we kind of grew up but not kind of

606
00:32:12,440 --> 00:32:16,400
Speaker 1: single mom, you know, like that poverty, moving from like

607
00:32:16,520 --> 00:32:19,480
Speaker 1: different places and you know, seeing that we probably shouldn't

608
00:32:19,480 --> 00:32:21,680
Speaker 1: the scene when we were like when we were kids,

609
00:32:21,720 --> 00:32:23,960
Speaker 1: it was wow, it was wow. I struggled in high school.

610
00:32:23,960 --> 00:32:25,560
Speaker 1: He didn't really struggle on I was pretty good. He

611
00:32:25,640 --> 00:32:27,320
Speaker 1: was a pretty good student that wait a minute, see

612
00:32:27,560 --> 00:32:35,440
Speaker 1: there's no way and I'm struggling. You could just be like, yo, broh.

613
00:32:35,840 --> 00:32:38,200
Speaker 1: The thing is we hadn't seen sister sister yet, so

614
00:32:38,280 --> 00:32:41,360
Speaker 1: we didn't have like like a sitcom play that we

615
00:32:41,400 --> 00:32:43,520
Speaker 1: could do. So I was just like beast in class

616
00:32:43,800 --> 00:32:45,680
Speaker 1: and he was struggling. I was like, dude, just I

617
00:32:45,800 --> 00:32:47,600
Speaker 1: was struggling so much and he was doing so well.

618
00:32:47,640 --> 00:32:49,840
Speaker 1: I was like, I gotta turn it around because like

619
00:32:50,320 --> 00:32:53,280
Speaker 1: it's on me. Yeah. Right around my sophomore year, I

620
00:32:53,320 --> 00:32:56,480
Speaker 1: started to like shift and uh start studying heart and

621
00:32:56,600 --> 00:32:58,600
Speaker 1: we were able to get into college by the grace

622
00:32:58,680 --> 00:33:02,520
Speaker 1: of God, and we study philosophy in college, we thought

623
00:33:02,520 --> 00:33:04,640
Speaker 1: we were gonna get our pH ds in philosophy. Like

624
00:33:04,720 --> 00:33:06,560
Speaker 1: we were convinced that that's what we wanted to do.

625
00:33:07,000 --> 00:33:10,720
Speaker 1: You guys are the same major, and that's that's interesting

626
00:33:10,760 --> 00:33:13,760
Speaker 1: because you said your dad study philosophy in prison. Right, Yeah,

627
00:33:13,800 --> 00:33:24,480
Speaker 1: that's made up philosophy. So we staided philosophy. We're gonna

628
00:33:24,520 --> 00:33:27,800
Speaker 1: go to get our pH ds. But we you know,

629
00:33:28,320 --> 00:33:31,080
Speaker 1: we needed money, man, Like we were broken, Like, I mean,

630
00:33:31,440 --> 00:33:33,320
Speaker 1: philosophers don't make that much money. And then they were

631
00:33:33,360 --> 00:33:35,959
Speaker 1: telling us, like, graduate school for philosophy is tough. It's

632
00:33:36,000 --> 00:33:38,000
Speaker 1: hard to find a job. Eight years. I'm like eight

633
00:33:38,120 --> 00:33:41,160
Speaker 1: years for the philosophy. That's some philosophers do make money.

634
00:33:41,760 --> 00:33:48,400
Speaker 1: Philosopher Jackson made a lot of money until he didn't. Right,

635
00:33:48,560 --> 00:33:52,520
Speaker 1: Cornel was you know, he's a philosophy absolutely using it

636
00:33:52,560 --> 00:33:54,320
Speaker 1: for himself. So it could have been done. But we're

637
00:33:54,360 --> 00:33:57,720
Speaker 1: not Cornell West. We we thought maybe we can do

638
00:33:57,800 --> 00:34:00,480
Speaker 1: something a bit more practical. So we went to law school. Right.

639
00:34:00,920 --> 00:34:03,640
Speaker 1: I went to Duke, he went to NYU. He wasn't

640
00:34:03,680 --> 00:34:06,240
Speaker 1: passionate at all about it. I thought that I really

641
00:34:06,280 --> 00:34:09,399
Speaker 1: wanted to be a lawyer, but it just didn't work out. Yeah,

642
00:34:09,400 --> 00:34:10,960
Speaker 1: and then Right around that time in law school, I

643
00:34:11,000 --> 00:34:13,800
Speaker 1: started experimenting with drugs, Like I started smoking and I

644
00:34:13,920 --> 00:34:16,759
Speaker 1: started doing it adderall I was drinking and like I

645
00:34:16,960 --> 00:34:19,320
Speaker 1: was starting to like because the stress of law school.

646
00:34:19,360 --> 00:34:22,160
Speaker 1: I never felt anything like that before. And I'm from Newark.

647
00:34:22,200 --> 00:34:25,480
Speaker 1: I've seen that's violence. I've seen like people using drugs.

648
00:34:25,880 --> 00:34:27,960
Speaker 1: Didn't never want to touch a drugs. Then I get

649
00:34:27,960 --> 00:34:30,120
Speaker 1: to law school, I'm like, damn, I can't take this exam.

650
00:34:31,160 --> 00:34:36,120
Speaker 1: Didn't you do three years of law school almost finished?

651
00:34:36,160 --> 00:34:39,200
Speaker 1: Were almost finished? We did like with two years and

652
00:34:39,320 --> 00:34:41,400
Speaker 1: like ninety eight percent of about thirty year. We had

653
00:34:41,400 --> 00:34:45,040
Speaker 1: about two weeks left before our exams and we were like, okay, man,

654
00:34:45,080 --> 00:34:46,560
Speaker 1: we want let's go do standout. I want to go

655
00:34:46,600 --> 00:34:48,279
Speaker 1: back to the law school thing. Have you ever unpacked that?

656
00:34:48,400 --> 00:34:50,120
Speaker 1: Because you came up in the hood, so that seems

657
00:34:50,160 --> 00:34:52,320
Speaker 1: so normal with the fact that when you was in

658
00:34:52,400 --> 00:34:54,240
Speaker 1: law school you was like fish out of water kinda

659
00:34:54,400 --> 00:34:58,320
Speaker 1: that's exactly what. Yeah, it felt like Alice in Wonderland.

660
00:34:58,440 --> 00:35:01,120
Speaker 1: Like I had never seen people use drugs so openly

661
00:35:01,239 --> 00:35:04,080
Speaker 1: from like privilege. It's got what you as a black man, right,

662
00:35:04,120 --> 00:35:06,359
Speaker 1: because you see people in the hood, they're usually leaning

663
00:35:06,400 --> 00:35:09,640
Speaker 1: on drugs for for trauma reasons, right, and y'all y'all

664
00:35:09,680 --> 00:35:14,080
Speaker 1: doing it for fun, not going to jail exactly like

665
00:35:14,160 --> 00:35:18,080
Speaker 1: it blew our minds? How can they especially at law school,

666
00:35:18,080 --> 00:35:19,640
Speaker 1: you know these guys other people are gonna be right

667
00:35:19,760 --> 00:35:22,719
Speaker 1: policies right, laws, right, and they're breaking the rules, and

668
00:35:23,080 --> 00:35:25,640
Speaker 1: these policies are going to affect you know, black people.

669
00:35:25,680 --> 00:35:29,000
Speaker 1: So it was like a weird sort of situation where

670
00:35:29,040 --> 00:35:30,800
Speaker 1: you're like, how can I study this and know that

671
00:35:30,960 --> 00:35:33,800
Speaker 1: these these people are gonna write these laws that affect

672
00:35:33,840 --> 00:35:36,040
Speaker 1: my people, but they don't even care about the rules

673
00:35:36,080 --> 00:35:38,720
Speaker 1: of the laws. Get back to it. So y'all decided

674
00:35:38,840 --> 00:35:41,160
Speaker 1: not to finish law school, say after and stand up

675
00:35:41,200 --> 00:35:43,640
Speaker 1: and let's do comedy. Yeah, when you're working on comedy

676
00:35:43,719 --> 00:35:45,319
Speaker 1: or did some of the family gonna sa y'all funny,

677
00:35:45,360 --> 00:35:49,920
Speaker 1: I'll like listen nobody. I think it was just like

678
00:35:50,080 --> 00:35:51,719
Speaker 1: I went I did some stand up in New York.

679
00:35:51,840 --> 00:35:53,279
Speaker 1: I went to like a club. I did a club

680
00:35:53,320 --> 00:35:55,680
Speaker 1: and it was just I sucked, but I liked it.

681
00:35:55,800 --> 00:35:57,000
Speaker 1: But what makes you do that? But you know what,

682
00:35:57,080 --> 00:35:59,239
Speaker 1: let me try. I was losing my mind. I think

683
00:35:59,239 --> 00:36:01,720
Speaker 1: I was losing my mind, Like I was literally like drinking,

684
00:36:01,880 --> 00:36:05,279
Speaker 1: doing drugs. And I was like, get man, I'm not

685
00:36:05,719 --> 00:36:08,279
Speaker 1: I'm not gonna do this law school anymore. And I

686
00:36:08,480 --> 00:36:10,440
Speaker 1: was just losing. I was breaking up with my girlfriend

687
00:36:10,480 --> 00:36:12,279
Speaker 1: at the time. He was breaking up with me at

688
00:36:12,320 --> 00:36:16,000
Speaker 1: the time, and I was just like I was on

689
00:36:16,160 --> 00:36:18,160
Speaker 1: one man, Like it was crazy, but I was on

690
00:36:18,239 --> 00:36:20,160
Speaker 1: stage and that was the only time I felt normal.

691
00:36:20,360 --> 00:36:22,680
Speaker 1: And he went to his first show. No, he sent me.

692
00:36:23,080 --> 00:36:24,680
Speaker 1: He sent me a clip of it. You didn't even go.

693
00:36:25,239 --> 00:36:27,000
Speaker 1: I was in North Carolina. He was in New York, right.

694
00:36:27,040 --> 00:36:28,800
Speaker 1: He sent me a clip of his first show, and

695
00:36:28,800 --> 00:36:32,520
Speaker 1: I was like, yo, this is terrible, the worst set.

696
00:36:34,080 --> 00:36:35,840
Speaker 1: And I thought that I know, I knew he was

697
00:36:35,880 --> 00:36:38,319
Speaker 1: having like a crisis of mental health. And I was like, dude,

698
00:36:38,400 --> 00:36:41,040
Speaker 1: man like just do it a few more times, but

699
00:36:41,160 --> 00:36:43,080
Speaker 1: you know, get back to the books because this ain't

700
00:36:45,120 --> 00:36:47,239
Speaker 1: But he kept with it, like he still kept going

701
00:36:47,320 --> 00:36:49,759
Speaker 1: to the open mics and he still kept, you know,

702
00:36:49,880 --> 00:36:52,160
Speaker 1: trying to get better at it. So after like a

703
00:36:52,239 --> 00:36:54,920
Speaker 1: couple of weeks he called me again. It was like, yo,

704
00:36:54,960 --> 00:36:56,480
Speaker 1: I think we need to quit law school. I think

705
00:36:56,520 --> 00:37:02,160
Speaker 1: we need to And I was like, crazy, I want

706
00:37:02,200 --> 00:37:04,520
Speaker 1: to be a lawyer. And then put three years into this.

707
00:37:04,640 --> 00:37:07,759
Speaker 1: I'm not gonna just drop it for comedy. But he

708
00:37:07,880 --> 00:37:10,480
Speaker 1: was very persuasive. And then that's when I had that

709
00:37:10,640 --> 00:37:12,799
Speaker 1: moment of clarity, like, man, let's just do it. Let's

710
00:37:12,800 --> 00:37:14,919
Speaker 1: try it. So he wouldn't been a good lawyer, because

711
00:37:15,880 --> 00:37:17,560
Speaker 1: that's what I said. I used my three years of

712
00:37:17,640 --> 00:37:19,920
Speaker 1: legal education just to convince him to drop out of

713
00:37:20,000 --> 00:37:22,160
Speaker 1: law school. Now what did your mom say? Your mom,

714
00:37:22,360 --> 00:37:24,879
Speaker 1: you know, struggled to get you in good school, worked

715
00:37:24,920 --> 00:37:27,759
Speaker 1: hard for you. Yeah, she's so excited my boys about

716
00:37:27,800 --> 00:37:30,200
Speaker 1: to be attorneys. And he like, Mom, now we're dropping out,

717
00:37:30,239 --> 00:37:33,600
Speaker 1: we're gonna be what I mean, she thought we were

718
00:37:33,640 --> 00:37:36,600
Speaker 1: losing our minds. I mean, she knows like our whole story,

719
00:37:36,719 --> 00:37:39,439
Speaker 1: so she's familiar with our father not being there. She's

720
00:37:39,480 --> 00:37:41,319
Speaker 1: familiar with the drugs. So he's like, you know, maybe

721
00:37:41,360 --> 00:37:43,440
Speaker 1: you guys should go to therapy or something. Make sure

722
00:37:43,480 --> 00:37:45,040
Speaker 1: you think about what you're doing before you're doing it.

723
00:37:45,120 --> 00:37:47,360
Speaker 1: Just being a mom. But eventually, when she saw that

724
00:37:47,440 --> 00:37:50,080
Speaker 1: we were serious about it and we were made us happy,

725
00:37:50,360 --> 00:37:53,080
Speaker 1: he was he was completely on board, right dad. You know,

726
00:37:53,280 --> 00:37:55,200
Speaker 1: he thought that he's gonna get some free legal advice

727
00:37:55,600 --> 00:38:00,440
Speaker 1: right once we dropped out, he got upset. He's been

728
00:38:00,440 --> 00:38:02,520
Speaker 1: super supportive. I love how you said, my mom knows

729
00:38:02,600 --> 00:38:05,200
Speaker 1: our whole story, like people like my mom is my

730
00:38:05,320 --> 00:38:09,560
Speaker 1: day one? Oh really? I mean you can't lie to her,

731
00:38:09,640 --> 00:38:10,800
Speaker 1: like you know what I mean, You can't lie to

732
00:38:10,880 --> 00:38:13,120
Speaker 1: pretty much your mom. You can't lie to your mom.

733
00:38:13,239 --> 00:38:15,400
Speaker 1: She just sees right through that. We got more with

734
00:38:15,440 --> 00:38:17,560
Speaker 1: the Lucas Brothers when we come back. Don't move. It's

735
00:38:17,560 --> 00:38:22,480
Speaker 1: the Breakfast Club, Good morning morning. Everybody is DJ Envy

736
00:38:22,680 --> 00:38:25,480
Speaker 1: Angela Yee. Charlomagne, the guy we are the Breakfast Club

737
00:38:25,520 --> 00:38:27,880
Speaker 1: were still kicking it with the Lucas Brothers. Charlomagne, do

738
00:38:27,960 --> 00:38:31,600
Speaker 1: you think censorship artists, uh woke culture that we're in

739
00:38:31,760 --> 00:38:34,400
Speaker 1: right now, is that going to dilute the art? No?

740
00:38:34,800 --> 00:38:37,080
Speaker 1: I don't think so. I think that it's going to

741
00:38:37,239 --> 00:38:39,480
Speaker 1: make because even more, what's the way to look for

742
00:38:39,600 --> 00:38:42,440
Speaker 1: making us like I think I didn't creative? You have

743
00:38:42,520 --> 00:38:44,359
Speaker 1: to be creative. You have to be a little bit

744
00:38:44,440 --> 00:38:47,719
Speaker 1: more considerative because I think about it. Look, there was

745
00:38:47,719 --> 00:38:50,279
Speaker 1: a period when black face was like the top style

746
00:38:50,320 --> 00:38:52,520
Speaker 1: of comedy. People like and people like you can't do

747
00:38:52,600 --> 00:38:54,799
Speaker 1: black face anymore. I'm sure the people who were doing

748
00:38:54,840 --> 00:38:57,400
Speaker 1: black face were like, this is ruining comedy, this is

749
00:38:57,480 --> 00:38:59,680
Speaker 1: hurting the purity. But it's like, no, you just have to,

750
00:39:00,120 --> 00:39:02,399
Speaker 1: you know, adjust and make better comedy. I think that's

751
00:39:02,400 --> 00:39:04,719
Speaker 1: how evolution works. It's like you just have to if

752
00:39:04,800 --> 00:39:07,239
Speaker 1: people are like they don't make fun of trends or

753
00:39:07,239 --> 00:39:09,840
Speaker 1: don't make fun of gays, and now we can't do

754
00:39:09,960 --> 00:39:12,480
Speaker 1: those things. I think it makes our comedy pressure. I

755
00:39:12,560 --> 00:39:15,360
Speaker 1: think it makes it purer because now you're, you know,

756
00:39:16,160 --> 00:39:17,759
Speaker 1: got to be a bit more inventive. You gotta just

757
00:39:17,840 --> 00:39:20,160
Speaker 1: be a bit more creative and clever. But does it

758
00:39:20,280 --> 00:39:23,160
Speaker 1: really reflect reality, meaning like a should get a certain

759
00:39:23,200 --> 00:39:27,439
Speaker 1: type of license to reflect reality or right, if you're

760
00:39:27,480 --> 00:39:31,520
Speaker 1: not able to reflect reality without people offending people saying,

761
00:39:31,520 --> 00:39:33,480
Speaker 1: oh that that shouldn't be in the movie. It's offensive, Like,

762
00:39:33,600 --> 00:39:37,000
Speaker 1: but it's a movie. I'm trying to tell a story here, right, right, right, No,

763
00:39:37,440 --> 00:39:39,879
Speaker 1: I see what you're saying. I guess I just think,

764
00:39:39,960 --> 00:39:42,640
Speaker 1: like it's not just about you know, telling the freest

765
00:39:42,680 --> 00:39:44,640
Speaker 1: form of comedy, but it's also like a moral and

766
00:39:44,760 --> 00:39:48,680
Speaker 1: social component to the comedy that we do. Right again,

767
00:39:48,719 --> 00:39:51,360
Speaker 1: you can choose to be offensive, you can choose to

768
00:39:51,600 --> 00:39:53,600
Speaker 1: say whatever you want, but you have to be prepared

769
00:39:53,800 --> 00:39:56,520
Speaker 1: for the bass. Know, you can do whatever you want,

770
00:39:57,160 --> 00:39:59,799
Speaker 1: right So, but for us, it's like you still got

771
00:39:59,880 --> 00:40:01,920
Speaker 1: to take risk, but got to you have to. I

772
00:40:01,960 --> 00:40:04,560
Speaker 1: mean that's art. Art is risk taking. Yeah, I mean,

773
00:40:04,600 --> 00:40:07,319
Speaker 1: you guys are doing a remake of Revenge the Nerds.

774
00:40:07,360 --> 00:40:10,080
Speaker 1: I heard with Seth McFarlane right that movie would be

775
00:40:10,120 --> 00:40:15,520
Speaker 1: considered problematic, toxic, reinforcing great culture. It was problematic, you

776
00:40:15,600 --> 00:40:19,600
Speaker 1: know in the nineties, we didn't notice. How do you

777
00:40:19,680 --> 00:40:22,400
Speaker 1: remake that for this era, you know, times of change.

778
00:40:22,480 --> 00:40:26,320
Speaker 1: I feel like we have an opportunity to comment on

779
00:40:26,800 --> 00:40:29,239
Speaker 1: the film in the eighties, you know. I think that

780
00:40:29,440 --> 00:40:31,080
Speaker 1: like they did in twenty two Jumps dree or twenty

781
00:40:31,080 --> 00:40:33,160
Speaker 1: one Jumps dree R, they took an approach where it

782
00:40:33,280 --> 00:40:35,720
Speaker 1: allowed for them to, you know, create a new story

783
00:40:35,920 --> 00:40:38,400
Speaker 1: but also comment on the past. And I think that's

784
00:40:38,440 --> 00:40:39,880
Speaker 1: what we want to do because he that's my thing.

785
00:40:40,000 --> 00:40:43,640
Speaker 1: Nobody's acknowledging the shift in culture, right, right, there was

786
00:40:43,640 --> 00:40:46,279
Speaker 1: a shift in culture. The stuff that you used to

787
00:40:46,280 --> 00:40:48,439
Speaker 1: could have get away with the music, music, movies, whatever,

788
00:40:48,640 --> 00:40:51,759
Speaker 1: You just can't anymore. But we haven't acknowledged that. Yeah,

789
00:40:51,840 --> 00:40:53,520
Speaker 1: it's almost like we just started handing out retro after

790
00:40:53,560 --> 00:40:57,439
Speaker 1: speeding tickets, Right, it's weird. I think I think there's

791
00:40:57,480 --> 00:40:59,200
Speaker 1: been a shift in the number of things. I feel

792
00:40:59,239 --> 00:41:02,160
Speaker 1: like there's been a shift in science. We've we've gone

793
00:41:02,280 --> 00:41:05,879
Speaker 1: from you know, straight Einstein's sort of relativity to sort

794
00:41:05,920 --> 00:41:08,200
Speaker 1: of a quantum sort of perspective of science. And I

795
00:41:08,280 --> 00:41:10,680
Speaker 1: think that that's reflective of in the Internet, where everyone

796
00:41:10,760 --> 00:41:12,400
Speaker 1: has a point of view and everyone feels like their

797
00:41:12,440 --> 00:41:15,640
Speaker 1: reality is real. Like like everyone says we're speaking out

798
00:41:15,640 --> 00:41:19,120
Speaker 1: of truth. Everyone's truth is sort of legit. I mean,

799
00:41:19,239 --> 00:41:22,680
Speaker 1: even if it contradicts someone else's reality. And that's quantum,

800
00:41:23,040 --> 00:41:25,920
Speaker 1: you know what I mean. Like everyone's perspective is legitimate,

801
00:41:26,040 --> 00:41:29,920
Speaker 1: even even flat earths. Like if they believe it, why

802
00:41:30,040 --> 00:41:32,319
Speaker 1: is it not? You know, like they truly believe it's truth.

803
00:41:32,440 --> 00:41:35,080
Speaker 1: If you put forth evidence that you know their beliefs

804
00:41:35,239 --> 00:41:37,839
Speaker 1: are erroneous, they're still going to believe what they want

805
00:41:37,840 --> 00:41:40,920
Speaker 1: to believe. Right, So you're putting yourself at a disadvantage

806
00:41:40,960 --> 00:41:43,200
Speaker 1: trying to use reason to a person that doesn't even

807
00:41:43,280 --> 00:41:45,400
Speaker 1: use reason, Right, what do you think about putting their disclaimers?

808
00:41:45,440 --> 00:41:47,680
Speaker 1: You know, how they've been putting disclaimers like on movies

809
00:41:47,760 --> 00:41:50,680
Speaker 1: and TV shows just to get people like, Okay, this

810
00:41:50,880 --> 00:41:53,440
Speaker 1: was filmed during this time. I mean, I think that

811
00:41:53,560 --> 00:41:56,920
Speaker 1: that's a more effective approach than just completely banning something.

812
00:41:57,000 --> 00:41:59,600
Speaker 1: I mean, I think that maybe that works. But again,

813
00:42:00,040 --> 00:42:04,600
Speaker 1: I think we're assuming that audiences aren't intelligent. We're assuming

814
00:42:04,640 --> 00:42:07,920
Speaker 1: that they can't differentiate between what's offensive and what's not offensive.

815
00:42:07,920 --> 00:42:09,920
Speaker 1: It's and then you're gonna have a small minority of

816
00:42:09,960 --> 00:42:12,480
Speaker 1: people who go online and say take this down. But

817
00:42:12,880 --> 00:42:14,759
Speaker 1: I think what's happening now is people are being very

818
00:42:14,840 --> 00:42:18,719
Speaker 1: reactive to those minority of voices. Yeah, I feel like eventually,

819
00:42:19,080 --> 00:42:22,160
Speaker 1: hopefully that they'll be like a leveling out where we're like, Okay,

820
00:42:22,239 --> 00:42:24,520
Speaker 1: maybe we shouldn't be that reaction there, Maybe we should,

821
00:42:24,560 --> 00:42:26,840
Speaker 1: Maybe we should have some sort of due process in

822
00:42:26,960 --> 00:42:29,600
Speaker 1: assessing what we do with a particular piece of art,

823
00:42:29,719 --> 00:42:31,719
Speaker 1: because it's a very slippery slope. Like I even saw

824
00:42:31,800 --> 00:42:34,000
Speaker 1: what they did with a YG this weekend with the

825
00:42:34,080 --> 00:42:35,879
Speaker 1: meet the Fokker's record, right, and I think they took

826
00:42:35,880 --> 00:42:37,560
Speaker 1: it down, but then they put it back because they said,

827
00:42:37,560 --> 00:42:39,480
Speaker 1: if we take this down, and we're gonna have to

828
00:42:39,560 --> 00:42:43,239
Speaker 1: do this all across the boards, so many things people

829
00:42:43,239 --> 00:42:45,080
Speaker 1: could be offended by, Like it's like you can't go

830
00:42:45,239 --> 00:42:47,120
Speaker 1: down that role when it comes to art. I think

831
00:42:47,160 --> 00:42:49,960
Speaker 1: we need to make a distinction between offense and harm, right,

832
00:42:50,239 --> 00:42:52,520
Speaker 1: I think we need to. I think when we're assessing

833
00:42:52,600 --> 00:42:56,200
Speaker 1: how we limit someone's liberty, like is that exercise of

834
00:42:56,280 --> 00:42:58,960
Speaker 1: liberty harming the person or is it offending a person.

835
00:42:59,040 --> 00:43:00,680
Speaker 1: If it's harming, then I think we can take a

836
00:43:00,800 --> 00:43:04,000
Speaker 1: more proactive approach to the piece of art and maybe say, hey,

837
00:43:04,040 --> 00:43:06,120
Speaker 1: maybe we should consider taking it down if it's just

838
00:43:06,320 --> 00:43:08,480
Speaker 1: offending someone, Like I think you have a right to

839
00:43:08,520 --> 00:43:11,440
Speaker 1: be offended. I'm saying, I don't think that that offense

840
00:43:11,480 --> 00:43:15,120
Speaker 1: should equate to completely eliminate in a work of art.

841
00:43:15,160 --> 00:43:16,600
Speaker 1: I think we have to. I think we have to

842
00:43:16,680 --> 00:43:20,400
Speaker 1: be able to process offense and have honest conversations about

843
00:43:20,480 --> 00:43:23,200
Speaker 1: that which offends. But I think that that that shouldn't

844
00:43:23,280 --> 00:43:26,759
Speaker 1: result in, you know, a boycott of someone's work of

845
00:43:26,920 --> 00:43:29,800
Speaker 1: art that they've put years into, Like if it's harmful,

846
00:43:29,840 --> 00:43:33,280
Speaker 1: if it's causing violence, if it's like causing like blatant racism,

847
00:43:33,640 --> 00:43:35,680
Speaker 1: then you got like black face for example, that that

848
00:43:35,880 --> 00:43:38,080
Speaker 1: was harmful to black people. You know what I mean, like,

849
00:43:38,200 --> 00:43:40,920
Speaker 1: Birth of a Nation's directly harmful to black people, so

850
00:43:41,040 --> 00:43:42,840
Speaker 1: it should be removed. I mean, I don't think that

851
00:43:42,920 --> 00:43:45,240
Speaker 1: that's a problem. I don't. I don't have an issue

852
00:43:45,239 --> 00:43:48,000
Speaker 1: with that. But if it's just offensive, I'm like, yeah,

853
00:43:48,080 --> 00:43:50,120
Speaker 1: we gotta have thicker skin. They don't move. We got

854
00:43:50,160 --> 00:43:51,799
Speaker 1: more with the Lucas Brothers. When we come back, it's

855
00:43:51,840 --> 00:43:56,000
Speaker 1: the Breakfast Club more DJ Envy Angela Yee, Charlomagne the

856
00:43:56,040 --> 00:43:57,880
Speaker 1: guy we are to Breakfast Club. We're still kicking it

857
00:43:57,920 --> 00:44:00,759
Speaker 1: with the Lucas Brothers. Charlomagne, Judas the Black Side. Well,

858
00:44:00,760 --> 00:44:02,120
Speaker 1: first of all, you've done a lot more than us

859
00:44:02,160 --> 00:44:04,120
Speaker 1: in The Black Side. I remember aller friends of the People,

860
00:44:04,840 --> 00:44:10,200
Speaker 1: you know what I mean? You little round? Who else

861
00:44:10,280 --> 00:44:14,160
Speaker 1: was on that? Jermaine Fowler, Josh for Bennewitz. Yeah yeah,

862
00:44:14,520 --> 00:44:16,879
Speaker 1: Like if you think about it now, that show should

863
00:44:16,880 --> 00:44:19,120
Speaker 1: have been a hit. It should have been, but you know,

864
00:44:19,440 --> 00:44:22,040
Speaker 1: you know, sometimes things fell to launch. I mean you

865
00:44:22,120 --> 00:44:23,960
Speaker 1: think about Okay, see the Thunder. They had all the

866
00:44:24,040 --> 00:44:26,400
Speaker 1: talent in the world, they couldn't get a championship. I

867
00:44:26,400 --> 00:44:29,560
Speaker 1: don't remember when network that was true TV. How you

868
00:44:29,600 --> 00:44:41,200
Speaker 1: go from TV? The Oscar nominated I meant to say,

869
00:44:43,239 --> 00:44:45,320
Speaker 1: how do y'all go from that to Oscar nominated? What

870
00:44:45,400 --> 00:44:47,759
Speaker 1: are the steps? What's the process? It's a grind man like.

871
00:44:48,400 --> 00:44:50,719
Speaker 1: It was crazy for us because, like it was, we

872
00:44:50,840 --> 00:44:53,200
Speaker 1: were going to nowhere fast. Scotch Show gets canceled and

873
00:44:53,239 --> 00:44:55,799
Speaker 1: we were like, let's just go to Lucas. Lucas Bros.

874
00:44:55,840 --> 00:44:58,719
Speaker 1: Moving gets canceled. Like so we got two cancelations under

875
00:44:58,760 --> 00:45:02,640
Speaker 1: our belt with five years and we're so we escaped

876
00:45:02,640 --> 00:45:06,160
Speaker 1: from New York and humiliation in our minds and we

877
00:45:06,239 --> 00:45:07,959
Speaker 1: go to LA and we're like, all right, we're gonna

878
00:45:08,000 --> 00:45:10,640
Speaker 1: figure this out here. We're gonna you know, we're gonna

879
00:45:10,640 --> 00:45:13,040
Speaker 1: gonna figure out I act, We're gonna write something. Before

880
00:45:13,080 --> 00:45:15,800
Speaker 1: we went to LA, we were already like thinking about Judas.

881
00:45:15,920 --> 00:45:18,520
Speaker 1: You know, we were already right right right, really brainstorming

882
00:45:18,680 --> 00:45:21,000
Speaker 1: like some of the beats of the story or we're

883
00:45:21,040 --> 00:45:23,600
Speaker 1: just doing a lot of research. Around twenty twelve, twenty thirteen,

884
00:45:24,120 --> 00:45:26,239
Speaker 1: we started doing a ton of research about Happen. We

885
00:45:26,320 --> 00:45:28,800
Speaker 1: didn't know how to turn it into a film, but

886
00:45:29,200 --> 00:45:31,239
Speaker 1: we knew like, this is something that we would like

887
00:45:31,440 --> 00:45:33,719
Speaker 1: to potentially turn into a film. So we went to

888
00:45:33,960 --> 00:45:36,719
Speaker 1: LA with the goal in mind of either getting the

889
00:45:36,800 --> 00:45:39,680
Speaker 1: script deal to write, to write Judas, or to sell

890
00:45:39,880 --> 00:45:43,680
Speaker 1: pitch somewhere. We just we had ambitions going into Cali,

891
00:45:44,520 --> 00:45:46,800
Speaker 1: but we were still so focused on comedy that it

892
00:45:46,920 --> 00:45:48,640
Speaker 1: was sort of like a balance in act, trying to

893
00:45:48,960 --> 00:45:51,440
Speaker 1: get Judas made, but also trying to like, you know,

894
00:45:51,560 --> 00:45:54,440
Speaker 1: get our comedy career, you know, back on that. I'm

895
00:45:54,480 --> 00:45:56,520
Speaker 1: back back on track. So we're in La. We're pitching

896
00:45:56,560 --> 00:46:00,200
Speaker 1: the story around town, getting no traction. People like this

897
00:46:00,560 --> 00:46:02,319
Speaker 1: doesn't make any sense, It's not gonna make any money.

898
00:46:02,360 --> 00:46:05,760
Speaker 1: It's it's a period piece about a black revolutionary socialism.

899
00:46:05,800 --> 00:46:07,440
Speaker 1: What are you guys crazy? And we're like, yeah, all right,

900
00:46:08,640 --> 00:46:11,359
Speaker 1: we are crazy. So we we kind of went away

901
00:46:11,360 --> 00:46:13,720
Speaker 1: from the material for a bit, went back to comedy.

902
00:46:14,320 --> 00:46:17,960
Speaker 1: We were doing this pilot with Effects Killer Mike. It

903
00:46:18,080 --> 00:46:19,759
Speaker 1: was for him and that eventually went to Netflix and

904
00:46:19,920 --> 00:46:24,040
Speaker 1: go to Effects. So we did the pilot for Trigger

905
00:46:24,040 --> 00:46:27,440
Speaker 1: Warning for Effects and Shaka King was directing it, and

906
00:46:27,480 --> 00:46:30,799
Speaker 1: that's how we That's how we met Shaka and Uh

907
00:46:30,920 --> 00:46:33,200
Speaker 1: we knew that after we got rejected from all of

908
00:46:33,280 --> 00:46:35,279
Speaker 1: our pitches, we were like, I think we need to

909
00:46:35,320 --> 00:46:38,400
Speaker 1: work with a filmmaker who can can can take this

910
00:46:38,600 --> 00:46:40,680
Speaker 1: idea and make it into a film, And so that's

911
00:46:40,760 --> 00:46:42,799
Speaker 1: when we we're like, we gotta, we gotta, we gotta

912
00:46:42,880 --> 00:46:44,520
Speaker 1: reach out to Shock. And then we hung out with

913
00:46:44,560 --> 00:46:47,520
Speaker 1: Shocking in our apartment in Hollywood, listening to music, just

914
00:46:47,680 --> 00:46:50,600
Speaker 1: vibing on cinema, and we sort of pitched him our

915
00:46:50,719 --> 00:46:54,000
Speaker 1: idea and he said it was great, and we started

916
00:46:54,040 --> 00:46:59,239
Speaker 1: to develop a beefier outline. And then but simultaneously, We'll

917
00:46:59,280 --> 00:47:02,560
Speaker 1: bursting the other writer, and Oscar Nominee was, you know,

918
00:47:02,600 --> 00:47:05,680
Speaker 1: working on his own script, and Jamaine Fowler, our boy

919
00:47:05,719 --> 00:47:08,440
Speaker 1: from a full TP, he knew, he made the connection.

920
00:47:08,520 --> 00:47:10,279
Speaker 1: He knew Will, he knew that we were working on

921
00:47:10,400 --> 00:47:12,880
Speaker 1: our thing, and he just brought us all together. We

922
00:47:13,400 --> 00:47:15,920
Speaker 1: we used our story outline that we worked on with Shatka,

923
00:47:16,440 --> 00:47:20,200
Speaker 1: and so Shotka and Will went together and basically rewrote

924
00:47:20,360 --> 00:47:24,480
Speaker 1: will script using our story outline, and they wrote a

925
00:47:24,560 --> 00:47:27,800
Speaker 1: brilliant script and h it went. They sent it to

926
00:47:28,239 --> 00:47:31,760
Speaker 1: Ryan Coogler, but we didn't know that Shatka knew Ryan Coogler.

927
00:47:31,880 --> 00:47:34,600
Speaker 1: But once I mean once Ryan got it, that's when

928
00:47:34,680 --> 00:47:36,960
Speaker 1: things started to like pick up, because I loved the

929
00:47:37,000 --> 00:47:40,080
Speaker 1: script and he definitely wanted to make it, and he

930
00:47:40,120 --> 00:47:42,120
Speaker 1: wanted that to be his first project for on its

931
00:47:42,160 --> 00:47:46,080
Speaker 1: new production company in Proximity, and so things just started

932
00:47:46,120 --> 00:47:48,759
Speaker 1: to get crazy. Yeah, first it was like we were

933
00:47:48,840 --> 00:47:53,080
Speaker 1: nowhere and then Shotka Will, Ryan Charles, I'm like, what

934
00:47:53,200 --> 00:47:55,720
Speaker 1: the hot? All in a year that just started happening.

935
00:47:55,800 --> 00:47:58,680
Speaker 1: We were like what the uh? And then we went

936
00:47:58,760 --> 00:48:01,839
Speaker 1: out with you know, the script with Macro with Ryan

937
00:48:02,040 --> 00:48:05,680
Speaker 1: with Shocko or Will and us Macro financing half, Acro

938
00:48:05,800 --> 00:48:08,319
Speaker 1: financing half, and the white Man still saying no, white

939
00:48:08,360 --> 00:48:12,600
Speaker 1: Man still say still said we put on half the money.

940
00:48:12,640 --> 00:48:14,719
Speaker 1: It is gonna be a bidding war where we think

941
00:48:14,800 --> 00:48:17,319
Speaker 1: that you know, this is we got Khluia, we got

942
00:48:17,400 --> 00:48:19,640
Speaker 1: we got Keith, we have our stars, we have a

943
00:48:19,920 --> 00:48:22,680
Speaker 1: brilliant script, we have these great producers. And still you know,

944
00:48:22,719 --> 00:48:26,360
Speaker 1: it's a struggle. Think about that, all of that already

945
00:48:26,400 --> 00:48:33,160
Speaker 1: attached Daniel, Keith, Ryan money, Macro half money with Lucas

946
00:48:33,280 --> 00:48:37,080
Speaker 1: brothers and the White Man like, no, I don't think

947
00:48:37,120 --> 00:48:39,520
Speaker 1: people realize how hard it is to get a movie made,

948
00:48:39,719 --> 00:48:42,160
Speaker 1: and especially when you have a dream team like that

949
00:48:42,360 --> 00:48:45,080
Speaker 1: and you still can't get tracking, Like that's how hard

950
00:48:45,120 --> 00:48:49,520
Speaker 1: of it? And Ryan after Black Panthers, billionaire black panther,

951
00:48:49,719 --> 00:48:53,080
Speaker 1: the hottest producer in the game and still but fortunately

952
00:48:53,280 --> 00:48:56,160
Speaker 1: enough Warner Bros. You know, they they put up half

953
00:48:56,200 --> 00:48:58,319
Speaker 1: the money and they wanted to distribute it. They love

954
00:48:58,400 --> 00:49:01,920
Speaker 1: the script, was shoot it. They lit it, They let

955
00:49:02,000 --> 00:49:04,800
Speaker 1: us shoot it, and it just came out as perfect

956
00:49:04,800 --> 00:49:06,799
Speaker 1: as I thought. Why did Warner Brothers get it? I want,

957
00:49:06,800 --> 00:49:08,880
Speaker 1: I need, I need white people to understand how coolest

958
00:49:08,920 --> 00:49:10,279
Speaker 1: they can be. So I want to know why did

959
00:49:10,360 --> 00:49:15,480
Speaker 1: Warner Brothers get it over every other black executives, black exacts,

960
00:49:15,640 --> 00:49:18,800
Speaker 1: black exacts something they get it. Nigia really like he

961
00:49:19,080 --> 00:49:22,080
Speaker 1: was the key. What's her last man? I don't know

962
00:49:22,120 --> 00:49:26,360
Speaker 1: how to nag Kikendal. I think I may have mispronounced that,

963
00:49:26,440 --> 00:49:29,840
Speaker 1: but yeah, she's she's a brilliant executive, and she was

964
00:49:29,920 --> 00:49:32,080
Speaker 1: the one who sort of he saw the importance of

965
00:49:32,120 --> 00:49:34,600
Speaker 1: the film. She loved the script, and she was the

966
00:49:34,680 --> 00:49:38,600
Speaker 1: one who sort of just powered it through luth Nages.

967
00:49:39,640 --> 00:49:44,600
Speaker 1: That's why diversity matters. That's exactly why. Because you're telling

968
00:49:44,680 --> 00:49:47,919
Speaker 1: these stories and if you're sitting across from a group

969
00:49:47,960 --> 00:49:50,120
Speaker 1: of white people, they just don't even hear it. They

970
00:49:50,160 --> 00:49:53,160
Speaker 1: don't know the language. They don't know the why it matters. Why.

971
00:49:53,239 --> 00:49:55,080
Speaker 1: This is how we have to describe Fred Hampton. The

972
00:49:55,120 --> 00:49:58,360
Speaker 1: white people were like, Fred Hampton is the velvet underground

973
00:49:58,600 --> 00:50:01,239
Speaker 1: of civil rights leaders. You thought perhaps that they'll see

974
00:50:01,280 --> 00:50:06,399
Speaker 1: the connection. They did. It was like, you know, many

975
00:50:06,440 --> 00:50:08,200
Speaker 1: white executive problems, like Okay, Ryan Cooper is coming here

976
00:50:08,200 --> 00:50:13,080
Speaker 1: to talk about doing Black Panther Another Black Panthers that

977
00:50:13,200 --> 00:50:15,040
Speaker 1: was at Marvel. But maybe we could probably like try

978
00:50:15,080 --> 00:50:17,440
Speaker 1: to mess around it. Now. I see you twitted it

979
00:50:17,480 --> 00:50:20,040
Speaker 1: if you guys wouldn't ask as you are returned from

980
00:50:21,320 --> 00:50:23,279
Speaker 1: stand up and you're cutting off half your family. Yeah,

981
00:50:23,680 --> 00:50:25,759
Speaker 1: but we're gonna do that before. Yeah, I mean we

982
00:50:25,840 --> 00:50:28,040
Speaker 1: got to figure out how do we figure out who

983
00:50:28,040 --> 00:50:30,919
Speaker 1: we're gonna cut out? Yeah? Well what family members you got? North? Oh? Man?

984
00:50:31,719 --> 00:50:33,759
Speaker 1: Just the ones who haven't talked to me in years

985
00:50:33,840 --> 00:50:36,440
Speaker 1: and like hit me up for money. So like the

986
00:50:36,520 --> 00:50:39,480
Speaker 1: ones who like didn't know I existed, Like like, oh you,

987
00:50:39,640 --> 00:50:41,560
Speaker 1: I mean your cousin from your father's side, can you

988
00:50:41,719 --> 00:50:43,399
Speaker 1: let me buy all three hundred dollars like a man?

989
00:50:43,600 --> 00:50:46,560
Speaker 1: Get that? Yeah? Man, it's crazy, it's crazy. It's like

990
00:50:46,800 --> 00:50:48,880
Speaker 1: comfortable because they think you got money, because you got

991
00:50:48,960 --> 00:50:50,640
Speaker 1: a Oscar nominees, like, you don't get paid for this.

992
00:50:51,160 --> 00:50:54,000
Speaker 1: You gotta pay your way for always had to get

993
00:50:54,080 --> 00:50:57,320
Speaker 1: extra money for an ask A nomination. It's it's expect

994
00:50:57,360 --> 00:50:59,160
Speaker 1: you're close with your dad while he while he was

995
00:50:59,200 --> 00:51:01,040
Speaker 1: in jail. What you close with your dad? We were

996
00:51:01,239 --> 00:51:04,680
Speaker 1: close at first, you know, we went to go visit

997
00:51:04,760 --> 00:51:07,400
Speaker 1: them a bunch, and then we moved to North Carolina.

998
00:51:07,760 --> 00:51:11,200
Speaker 1: Our mom remarried, so we sort of became distant. We

999
00:51:11,239 --> 00:51:13,200
Speaker 1: grew a little distant because we couldn't visit them as

1000
00:51:13,280 --> 00:51:15,719
Speaker 1: much and we weren't really calling them, and that was

1001
00:51:15,800 --> 00:51:17,799
Speaker 1: like that must have been like five or six years.

1002
00:51:17,880 --> 00:51:20,000
Speaker 1: And then once he got out, we started to work

1003
00:51:20,040 --> 00:51:21,759
Speaker 1: on our relationship. But you know, it was a lot

1004
00:51:21,920 --> 00:51:24,520
Speaker 1: to unpack. I mean, yeah, you know, as we got older,

1005
00:51:24,680 --> 00:51:28,319
Speaker 1: we started to fill the ramifications of not growing up

1006
00:51:28,360 --> 00:51:31,360
Speaker 1: with a father, but a lot of anger ramifications of

1007
00:51:31,400 --> 00:51:33,360
Speaker 1: growing up with a father went to prison. So it's like,

1008
00:51:33,760 --> 00:51:36,000
Speaker 1: you know, you just have rage. You hate the law,

1009
00:51:36,080 --> 00:51:38,280
Speaker 1: you hate the government, you hate all that, and you're

1010
00:51:38,280 --> 00:51:41,440
Speaker 1: trying to figure out ways to cope, and uh, it

1011
00:51:41,560 --> 00:51:43,840
Speaker 1: was tough. It was tough. It's still tough sometimes to

1012
00:51:44,120 --> 00:51:47,279
Speaker 1: to to speak with our dad because of so much

1013
00:51:47,400 --> 00:51:49,040
Speaker 1: we missed out on so much, you know what I mean,

1014
00:51:49,080 --> 00:51:51,560
Speaker 1: And you can never forget how much you missed out

1015
00:51:51,600 --> 00:51:53,600
Speaker 1: on right, Like even like to this day, I go

1016
00:51:53,680 --> 00:51:56,120
Speaker 1: to the park and I see a dad like throwing

1017
00:51:56,239 --> 00:51:57,640
Speaker 1: the ball with their son, and I tear up a

1018
00:51:57,640 --> 00:51:59,279
Speaker 1: little bit. I'm like, man, it's kind of I wish

1019
00:51:59,320 --> 00:52:02,040
Speaker 1: I had that, Like it's it kind of sucks to

1020
00:52:02,200 --> 00:52:17,799
Speaker 1: know that. It's sad, man said right now, the way

1021
00:52:17,840 --> 00:52:26,880
Speaker 1: he continue you tear up father and sons. Man Like,

1022
00:52:26,960 --> 00:52:29,279
Speaker 1: I can't even like scroll on Instagram when I see

1023
00:52:29,320 --> 00:52:32,200
Speaker 1: people like saying, I'm like, girl, it just it's hurts.

1024
00:52:32,400 --> 00:52:39,239
Speaker 1: You want to shut up, shut up? You want to

1025
00:52:39,239 --> 00:52:42,279
Speaker 1: go place you might be in the make up for

1026
00:52:42,480 --> 00:52:45,719
Speaker 1: you know situation. I do have one final question. How

1027
00:52:45,760 --> 00:52:49,359
Speaker 1: do y'all maintain your own identity as twins? Oh that's

1028
00:52:49,400 --> 00:52:51,760
Speaker 1: a great question. That's a great question, a great question.

1029
00:52:52,680 --> 00:52:58,080
Speaker 1: We don't. No. You know what's crazy is that for

1030
00:52:58,160 --> 00:53:01,160
Speaker 1: a while we tried to like that aish I didn't right,

1031
00:53:01,239 --> 00:53:02,920
Speaker 1: just like I want to be Keith, he wants to

1032
00:53:03,000 --> 00:53:04,719
Speaker 1: be Kenny. We went to law school. We were just

1033
00:53:04,800 --> 00:53:06,600
Speaker 1: trying to do our own thing, and we just had

1034
00:53:06,680 --> 00:53:09,640
Speaker 1: a breakdown, and uh, I think we realized, like we're

1035
00:53:09,680 --> 00:53:12,359
Speaker 1: just stronger together. U. And why do you need an

1036
00:53:12,440 --> 00:53:15,120
Speaker 1: individual identity? Like why why do we why do we

1037
00:53:15,200 --> 00:53:17,320
Speaker 1: emphasize that so much? Like why is that such a

1038
00:53:17,400 --> 00:53:19,719
Speaker 1: thing that we place an importance on that it was

1039
00:53:19,760 --> 00:53:22,680
Speaker 1: supposed to be normal? Like normal normal is being a

1040
00:53:22,760 --> 00:53:24,960
Speaker 1: single ten of being an individual. And I think that's

1041
00:53:25,280 --> 00:53:27,879
Speaker 1: why people get so stressed out. Why is that normal?

1042
00:53:27,960 --> 00:53:30,440
Speaker 1: But everyone's like has a desire to get married. So

1043
00:53:30,960 --> 00:53:32,760
Speaker 1: are we to have a desire to have a family

1044
00:53:32,880 --> 00:53:35,040
Speaker 1: or we have it? So there's this notion that the

1045
00:53:35,160 --> 00:53:38,600
Speaker 1: individual supreme. But we rushed to these group identities so quickly.

1046
00:53:38,640 --> 00:53:41,239
Speaker 1: We have sports teams, we have our family, we have

1047
00:53:41,600 --> 00:53:45,880
Speaker 1: you know, religion, religion, any political part. We rushed to

1048
00:53:45,920 --> 00:53:49,239
Speaker 1: these eternity exactly exactly. So I think we have to

1049
00:53:49,360 --> 00:53:52,719
Speaker 1: readjust how we see what normal is. It's not necessarily

1050
00:53:52,760 --> 00:53:55,760
Speaker 1: about the individual, it's not necessarily about you know, willing

1051
00:53:55,840 --> 00:53:59,160
Speaker 1: yourself to greatness. It's really a community type thing. And

1052
00:53:59,440 --> 00:54:01,840
Speaker 1: I think that he and I kind of see that

1053
00:54:01,920 --> 00:54:05,600
Speaker 1: and we're like, we have a group identity, right right, right,

1054
00:54:05,920 --> 00:54:09,640
Speaker 1: And we just so happened to look exactly like weird group,

1055
00:54:09,719 --> 00:54:12,160
Speaker 1: but a group nonetheless. Well, I hope y'all win the

1056
00:54:12,200 --> 00:54:17,560
Speaker 1: Oscar man man. Y'all gonna give a phenomenal speech. I

1057
00:54:17,719 --> 00:54:19,400
Speaker 1: really think y'all will give a great speech. And I

1058
00:54:19,480 --> 00:54:21,239
Speaker 1: want to see y'all up there with the military Jack

1059
00:54:22,120 --> 00:54:26,080
Speaker 1: the military Jacke at least the pins something. I think

1060
00:54:26,080 --> 00:54:31,200
Speaker 1: we will keep our pens up. I'll keep the FREEHERI Lucas,

1061
00:54:31,719 --> 00:54:37,279
Speaker 1: it's the breakfast Club goal morning. She's filling the tea.

1062
00:54:37,640 --> 00:54:40,840
Speaker 1: This is the rumor report with Angela Yee on the

1063
00:54:40,960 --> 00:54:47,520
Speaker 1: Breakfast Club. All right, So Krondo Rondo drop part two

1064
00:54:47,760 --> 00:54:50,600
Speaker 1: of our interview sit down that we did last month.

1065
00:54:51,080 --> 00:54:52,680
Speaker 1: And in part two, and by the way, I just

1066
00:54:52,760 --> 00:54:55,040
Speaker 1: want to say, understanding is a word, because I know

1067
00:54:55,120 --> 00:54:58,080
Speaker 1: people were quoting that word. It's a It's a mixture

1068
00:54:58,080 --> 00:55:01,040
Speaker 1: of understanding and agreement. Thank you in the Urban dictionary.

1069
00:55:01,160 --> 00:55:06,120
Speaker 1: Stop me, it is now. And so one of the

1070
00:55:06,200 --> 00:55:08,759
Speaker 1: things that he talks about was his best friend, little

1071
00:55:08,800 --> 00:55:11,800
Speaker 1: Tim getting shot the night that they were in the

1072
00:55:12,080 --> 00:55:14,560
Speaker 1: parking lot. I look up and I've seen my parting

1073
00:55:14,640 --> 00:55:18,640
Speaker 1: on Wow. He got shot four times a couple of

1074
00:55:18,719 --> 00:55:21,440
Speaker 1: months before, right with a couple of incidents upen in

1075
00:55:21,560 --> 00:55:26,680
Speaker 1: my whole time he'd been shot five times. What he

1076
00:55:26,760 --> 00:55:28,600
Speaker 1: was telling me. What he was telling me was a

1077
00:55:28,640 --> 00:55:30,399
Speaker 1: lot of people didn't know that when Little Tim got

1078
00:55:30,480 --> 00:55:32,839
Speaker 1: shot in the parking lot that night, when King Vaughan

1079
00:55:33,000 --> 00:55:37,360
Speaker 1: was unfortunately tragically killed, people didn't know that he already

1080
00:55:37,400 --> 00:55:39,680
Speaker 1: had just recently been shot just a couple of months

1081
00:55:39,760 --> 00:55:42,240
Speaker 1: prior to this. So that, like I was saying earlier,

1082
00:55:42,280 --> 00:55:44,200
Speaker 1: there's been a lot of incidents that have been going on.

1083
00:55:44,360 --> 00:55:47,000
Speaker 1: He said. The only reason this one obviously is popular

1084
00:55:47,160 --> 00:55:49,320
Speaker 1: is because of who was involved, and because it was

1085
00:55:49,400 --> 00:55:51,560
Speaker 1: on video, and so a lot of people don't know

1086
00:55:51,640 --> 00:55:53,960
Speaker 1: what happens behind the scenes. Did he say he got

1087
00:55:54,040 --> 00:55:57,799
Speaker 1: shot nine times and five months. Yeah, if you've been

1088
00:55:57,840 --> 00:55:59,640
Speaker 1: shot nine times or five months, you need to give

1089
00:55:59,680 --> 00:56:02,120
Speaker 1: you a life to God. Okay, that means you never

1090
00:56:02,160 --> 00:56:04,080
Speaker 1: get a chance to heal from any gunshot wounds. Nine

1091
00:56:04,120 --> 00:56:06,600
Speaker 1: times and five months. But then he was in jail.

1092
00:56:07,200 --> 00:56:08,960
Speaker 1: He's been in jail and you know he's home now,

1093
00:56:09,040 --> 00:56:10,759
Speaker 1: but he was in jail after he got shot, so

1094
00:56:10,920 --> 00:56:13,200
Speaker 1: he was going through a lot while he was locked up. Also,

1095
00:56:14,120 --> 00:56:16,359
Speaker 1: you know, I haven't gotten shot now. There was also

1096
00:56:16,440 --> 00:56:18,839
Speaker 1: a rumor and people were saying that Krondo Rondo had

1097
00:56:18,880 --> 00:56:20,759
Speaker 1: looked like on the video he tried to take King

1098
00:56:20,880 --> 00:56:22,719
Speaker 1: Von's chain. Here's what he had to say about that.

1099
00:56:23,120 --> 00:56:25,279
Speaker 1: And there were other shootings going on, and that I

1100
00:56:25,520 --> 00:56:28,919
Speaker 1: knew was so many people shooting. Man, if you was there,

1101
00:56:29,480 --> 00:56:32,280
Speaker 1: you would be hurt from everything that's going on, because

1102
00:56:32,360 --> 00:56:36,080
Speaker 1: nobody really know. I see my partner shot up. Like

1103
00:56:36,360 --> 00:56:39,120
Speaker 1: a lot of people are saying that I was trying

1104
00:56:39,200 --> 00:56:44,439
Speaker 1: to take bro chain, like ma'am when they come to jewelry, ma'am,

1105
00:56:44,960 --> 00:56:51,239
Speaker 1: victory sixty thousand all of chain man like ma'am. He

1106
00:56:51,320 --> 00:56:53,720
Speaker 1: did come. He did come me, ma'am about nine hundred

1107
00:56:53,760 --> 00:56:56,279
Speaker 1: times during the course of the interview. It's why I

1108
00:56:56,280 --> 00:56:58,040
Speaker 1: don't mind young nigga business. I stay all of these

1109
00:56:58,080 --> 00:57:00,000
Speaker 1: young niggas where you feel me. I'm forty two years old.

1110
00:57:00,120 --> 00:57:02,399
Speaker 1: I am a sir. When you are a sir or ma'am,

1111
00:57:02,480 --> 00:57:06,720
Speaker 1: you have to carry yourself as such. All right. Well, anyway,

1112
00:57:06,760 --> 00:57:08,560
Speaker 1: he wanted to clear up that rumor because he was

1113
00:57:08,600 --> 00:57:10,840
Speaker 1: saying that he definitely was not trying to take anybody's

1114
00:57:10,880 --> 00:57:13,080
Speaker 1: chain in the incident. And he also said, now this

1115
00:57:13,239 --> 00:57:16,120
Speaker 1: was interesting that in that parking lot, he didn't even

1116
00:57:16,200 --> 00:57:18,520
Speaker 1: know that it was King Vaughan until the next day.

1117
00:57:19,160 --> 00:57:24,800
Speaker 1: I never in life, ma'am, never in life. Hey words

1118
00:57:24,960 --> 00:57:28,320
Speaker 1: with them every and at this point didn't know who

1119
00:57:28,360 --> 00:57:32,800
Speaker 1: it was either, Maam. I didn't know this was him, ma'am.

1120
00:57:32,920 --> 00:57:36,800
Speaker 1: I swater, God on my soul, ma'am. Like like, ma'am,

1121
00:57:37,280 --> 00:57:41,720
Speaker 1: this is a neighborhood. I did not know that was

1122
00:57:41,880 --> 00:57:45,080
Speaker 1: him to the next day. So wait a minute. When

1123
00:57:45,080 --> 00:57:47,920
Speaker 1: they got into the fight, he did, he didn't. I'm

1124
00:57:48,160 --> 00:57:53,480
Speaker 1: keeping my boy stayed out of young nigga business right. Well,

1125
00:57:53,520 --> 00:57:55,000
Speaker 1: you know, if you hear like the course of the

1126
00:57:55,080 --> 00:57:57,240
Speaker 1: whole interview is what he's saying is he takes lean

1127
00:57:57,320 --> 00:57:59,880
Speaker 1: every day. He was sleeping the car before the end

1128
00:58:00,000 --> 00:58:02,400
Speaker 1: didn't happened, and he wasn't even trying to go to

1129
00:58:02,480 --> 00:58:04,920
Speaker 1: the club, so he was while his friends were inside.

1130
00:58:04,960 --> 00:58:06,520
Speaker 1: He was staying in the car. He remained in the

1131
00:58:06,600 --> 00:58:08,440
Speaker 1: car because he hadn't planned to go there. He just

1132
00:58:08,520 --> 00:58:10,360
Speaker 1: wanted to stay in the car. A little tim said,

1133
00:58:10,400 --> 00:58:13,160
Speaker 1: I'm gonna stay outside with you. He didn't want to

1134
00:58:13,200 --> 00:58:16,120
Speaker 1: leave him. Man, we don't need no explanation, man, what

1135
00:58:16,440 --> 00:58:18,080
Speaker 1: is the earth? I'm just trying to make sure you guys,

1136
00:58:20,200 --> 00:58:26,320
Speaker 1: what are they doing versus what? Oh? Yes, ya got

1137
00:58:26,360 --> 00:58:30,040
Speaker 1: me in. But you know, he's going through TSD, Like

1138
00:58:30,120 --> 00:58:32,160
Speaker 1: he's had people come into the house to speak to him.

1139
00:58:32,240 --> 00:58:34,640
Speaker 1: It's a lot, you know, for him to have witnessed

1140
00:58:34,680 --> 00:58:37,640
Speaker 1: and gone through. So we wanted to tell his side

1141
00:58:37,640 --> 00:58:39,160
Speaker 1: of the story because there's a lot of people saying

1142
00:58:39,240 --> 00:58:41,919
Speaker 1: things that he feels like aren't true. So he wanted

1143
00:58:41,960 --> 00:58:43,560
Speaker 1: to tell from his side because he was there. So

1144
00:58:43,680 --> 00:58:45,680
Speaker 1: this is what he's saying. And right now we just

1145
00:58:45,800 --> 00:58:48,919
Speaker 1: know his side of what happened. Man, I feel like praying. Man.

1146
00:58:49,440 --> 00:58:51,520
Speaker 1: I ain't mess with y'all. I feel like praying. Man.

1147
00:58:51,680 --> 00:58:56,840
Speaker 1: I need to stage myself man. Okay, yeah, so that

1148
00:58:57,160 --> 00:59:02,800
Speaker 1: is your rumor reports, yes, ma'am. All right, man, I

1149
00:59:02,920 --> 00:59:08,000
Speaker 1: see y'all a young nigga business. Okay, that's just all

1150
00:59:08,040 --> 00:59:09,840
Speaker 1: of y'all out there. Yeah. I just I just I

1151
00:59:10,000 --> 00:59:11,680
Speaker 1: just pray. I mean, if you I think if we

1152
00:59:11,800 --> 00:59:14,240
Speaker 1: care about people's lives, and I don't think that he

1153
00:59:14,400 --> 00:59:17,440
Speaker 1: wants anything to happen. So that's the whole point of this, right, Like,

1154
00:59:17,560 --> 00:59:19,720
Speaker 1: we don't want to see more people get we don't

1155
00:59:19,760 --> 00:59:22,520
Speaker 1: want to see more people get killed. They do disrecords

1156
00:59:22,560 --> 00:59:24,680
Speaker 1: like that I don't a whole lot going lawns. It is.

1157
00:59:24,760 --> 00:59:29,640
Speaker 1: They do disrecords against each other. It's like a ny

1158
00:59:29,840 --> 00:59:34,520
Speaker 1: I just told y'all I need to see that man. Okay, well, sir,

1159
00:59:34,600 --> 00:59:37,640
Speaker 1: who are you giving a donkey too? Well, sir man,

1160
00:59:39,880 --> 00:59:43,600
Speaker 1: they's a dude named Kevin van Loving And and I

1161
00:59:43,680 --> 00:59:46,000
Speaker 1: have a feeling that you are going to love this

1162
00:59:46,840 --> 00:59:52,920
Speaker 1: story because it's about one of your favorite things. Almo, what,

1163
00:59:54,240 --> 00:59:57,560
Speaker 1: I don't know what you're talking about. Oh yeah, sure,

1164
00:59:58,160 --> 01:00:00,920
Speaker 1: I'm looking at you different after this story. Oh my goodness,

1165
01:00:00,960 --> 01:00:03,200
Speaker 1: all right, dunkey, today's up next. It's the Breakfast Club.

1166
01:00:03,280 --> 01:00:06,840
Speaker 1: Good morning, the Breakfast Club. Your mornings will never be

1167
01:00:07,000 --> 01:00:10,800
Speaker 1: the same. Angela here and the General Insurance has been

1168
01:00:10,840 --> 01:00:13,919
Speaker 1: helping people save money for nearly sixty years. They offer

1169
01:00:13,960 --> 01:00:16,520
Speaker 1: the quality coverage you deserve at prices you can afford.

1170
01:00:16,920 --> 01:00:19,240
Speaker 1: Make the right call and go with the General called

1171
01:00:19,280 --> 01:00:21,760
Speaker 1: eight hundred General or visit the General dot com sum

1172
01:00:26,520 --> 01:00:31,120
Speaker 1: Donkey of the day. I'm a Democrat, so being donkey

1173
01:00:31,160 --> 01:00:33,200
Speaker 1: of the Bay a little bit of a mixed club.

1174
01:00:33,320 --> 01:00:41,320
Speaker 1: So like a donkey. Now, I've been called a lot

1175
01:00:41,360 --> 01:00:43,360
Speaker 1: of my twenty three years that donkey of the Bay

1176
01:00:43,480 --> 01:00:47,200
Speaker 1: is a new wife. Yeah, donkey Today for Wednesday, April fourteenth,

1177
01:00:47,320 --> 01:00:52,840
Speaker 1: goes to a home inspecting Michigan named Kevin Wayne van Loving.

1178
01:00:53,320 --> 01:00:57,880
Speaker 1: What a name Van Loving. If this guy doesn't own

1179
01:00:57,960 --> 01:01:00,760
Speaker 1: in nineteen ninety two for the Econo line, I would

1180
01:01:00,800 --> 01:01:03,800
Speaker 1: be disappointed. Okay, at least in nineteen ninety seven Plumoth

1181
01:01:03,880 --> 01:01:06,320
Speaker 1: voyage and maybe a Voswagen eear old van. Maybe moral

1182
01:01:06,400 --> 01:01:09,960
Speaker 1: the story is he should drive nothing but vans. When

1183
01:01:10,040 --> 01:01:12,800
Speaker 1: your last name is van Lovin, you only have one

1184
01:01:12,960 --> 01:01:15,720
Speaker 1: vehicle of choice, and the license plate of that vehicle

1185
01:01:15,920 --> 01:01:21,080
Speaker 1: has to say Van Loving. Sneakers too. Okay, when your

1186
01:01:21,120 --> 01:01:23,120
Speaker 1: last name is van Loving, you can only wear vans,

1187
01:01:23,200 --> 01:01:25,280
Speaker 1: the old school black and white ones with the jash crap. Now,

1188
01:01:25,360 --> 01:01:27,400
Speaker 1: some would say that if you drive a van and

1189
01:01:27,520 --> 01:01:30,280
Speaker 1: wear Vans, that's the child sex offenders start a kid.

1190
01:01:30,560 --> 01:01:33,480
Speaker 1: I'm just saying, if you profile pedophiles, this kind of

1191
01:01:33,520 --> 01:01:35,800
Speaker 1: fits the description. But maybe I'm making all this up.

1192
01:01:36,000 --> 01:01:38,400
Speaker 1: This is probably a personal bias that I'm projecting, so

1193
01:01:38,560 --> 01:01:41,680
Speaker 1: never mind me. But back to mister van Lovin. Now,

1194
01:01:41,800 --> 01:01:44,520
Speaker 1: mister van Lovin is a home inspector and he was

1195
01:01:44,600 --> 01:01:47,200
Speaker 1: inspecting the home of a twenty two year old woman

1196
01:01:47,480 --> 01:01:53,080
Speaker 1: in Oxford Township. He was inspecting the property before a sale. Well,

1197
01:01:53,960 --> 01:01:56,560
Speaker 1: something in that house turned Kevin van loving on. I

1198
01:01:56,600 --> 01:01:59,120
Speaker 1: don't know what type of afro djak he used before

1199
01:01:59,120 --> 01:02:03,040
Speaker 1: he inspected that. Maybe he ate some chocolate, maybe some figs,

1200
01:02:03,600 --> 01:02:10,040
Speaker 1: some oysters, asparagus. Maybe something increased his lobido, his sexual function.

1201
01:02:10,240 --> 01:02:13,560
Speaker 1: Something got him so hot and bothered in that house

1202
01:02:13,800 --> 01:02:15,880
Speaker 1: that he had the pleasure himself right then in there.

1203
01:02:16,200 --> 01:02:18,800
Speaker 1: Let's go to WJBK Fox to Detroit for the report.

1204
01:02:18,840 --> 01:02:22,200
Speaker 1: Police before selling an Oxford Township couple let this man

1205
01:02:22,320 --> 01:02:25,280
Speaker 1: into their home on Gill Street for a routine inspection.

1206
01:02:25,640 --> 01:02:28,800
Speaker 1: They left, never suspecting the fifty nine year old man

1207
01:02:28,960 --> 01:02:33,880
Speaker 1: would allegedly fulfill his sexual urges with their child's Almo doll.

1208
01:02:34,120 --> 01:02:37,840
Speaker 1: The debsurbing sexual act revealed when movement in the child's

1209
01:02:37,920 --> 01:02:41,160
Speaker 1: room triggered the nursery camera. The ambag shows when Kevin

1210
01:02:41,280 --> 01:02:44,000
Speaker 1: van Leuven picked up the tickle me Elmo doll. The

1211
01:02:44,080 --> 01:02:46,880
Speaker 1: homeowner shocked when she was alerted on her cell phone

1212
01:02:47,080 --> 01:02:51,360
Speaker 1: after hitting record, she immediately contacted the Oakland County Sheriff's Office.

1213
01:02:51,520 --> 01:02:55,120
Speaker 1: Our deputies confronted him and initially he denied it, and

1214
01:02:55,240 --> 01:02:58,200
Speaker 1: then they told him it was on video, and then

1215
01:02:58,240 --> 01:03:02,440
Speaker 1: he apologized. He's been ard with aggravated indecent exposure and

1216
01:03:02,640 --> 01:03:06,480
Speaker 1: a misdemeanor charge of malicious destruction of property. But perhaps

1217
01:03:06,680 --> 01:03:11,600
Speaker 1: what's even more disgusting after abusing the doll, van Louven

1218
01:03:11,720 --> 01:03:15,560
Speaker 1: put it back. I never thought I would find someone

1219
01:03:15,600 --> 01:03:19,640
Speaker 1: who loves Almo more than Rashawn Casey aka dj Envy.

1220
01:03:20,720 --> 01:03:23,440
Speaker 1: I have so many questions. I know people say we

1221
01:03:23,480 --> 01:03:26,480
Speaker 1: shouldn't can't shame, We shouldn't shame people for what they

1222
01:03:26,520 --> 01:03:29,640
Speaker 1: are into sexually, but that's ps Okay, that's some twenty

1223
01:03:29,840 --> 01:03:31,320
Speaker 1: twenty one. I've been woke too long, and I need

1224
01:03:31,400 --> 01:03:34,720
Speaker 1: some sleep because I'm not thinking straight when i'm sleepy. Rhetoric, Okay,

1225
01:03:34,760 --> 01:03:37,280
Speaker 1: If I can't shame Kevin van loving for this, in

1226
01:03:37,400 --> 01:03:39,440
Speaker 1: the word shame needs to be abolished all together. Now,

1227
01:03:39,680 --> 01:03:43,200
Speaker 1: can I try to understand Kevin van Lovin? Sure, let's

1228
01:03:43,320 --> 01:03:46,680
Speaker 1: unpack this. How many times has Kevin Wayne van Lovin

1229
01:03:46,760 --> 01:03:48,960
Speaker 1: sat his ass in front of the TV and masturbated

1230
01:03:49,000 --> 01:03:51,680
Speaker 1: the session me screed? I wonder I also wonder if

1231
01:03:51,680 --> 01:03:54,560
Speaker 1: he sat down with a therapist or psychiatrist, Could he

1232
01:03:54,720 --> 01:03:56,960
Speaker 1: or she bring this back to something that happens in

1233
01:03:57,040 --> 01:04:01,760
Speaker 1: his childhood. I mean it's Almo, as in tickle me Elmo, right,

1234
01:04:02,240 --> 01:04:06,920
Speaker 1: and tickling equals flirting. I read somewhere, and by somewhere,

1235
01:04:06,960 --> 01:04:10,200
Speaker 1: I mean google that from adolescents and you're roughly seven

1236
01:04:10,240 --> 01:04:12,400
Speaker 1: times more likely to be tickled by somebody at the

1237
01:04:12,440 --> 01:04:14,680
Speaker 1: opposite sex. And the most common reason the tickle is

1238
01:04:14,720 --> 01:04:16,720
Speaker 1: to show affection. So maybe when he was a baby,

1239
01:04:16,800 --> 01:04:19,120
Speaker 1: as a young lad, he got tickled a lot and

1240
01:04:19,240 --> 01:04:23,400
Speaker 1: the thought of tickling turns him on. I don't know, Okay,

1241
01:04:23,440 --> 01:04:25,720
Speaker 1: So when you're a creature, that is the symbol of tickling.

1242
01:04:26,240 --> 01:04:28,280
Speaker 1: Maybe when you see that, you get turned on. When

1243
01:04:28,320 --> 01:04:31,200
Speaker 1: you see that, that that symbol of tickling, that is Elmo.

1244
01:04:33,080 --> 01:04:34,880
Speaker 1: A lot of people don't like tickling, but tickling is

1245
01:04:34,880 --> 01:04:37,080
Speaker 1: a physical expression to love. So maybe just maybe he

1246
01:04:37,160 --> 01:04:41,800
Speaker 1: saw Elmo and he wanted to show his love. Some

1247
01:04:41,960 --> 01:04:44,560
Speaker 1: people do tickle fights is for play, people's stage, tickle

1248
01:04:44,640 --> 01:04:47,240
Speaker 1: fights in the bedroom. Nothing I'm saying makes sense, does it?

1249
01:04:47,400 --> 01:04:51,400
Speaker 1: Of course not? Okay? God may not make mistakes, but

1250
01:04:51,560 --> 01:04:53,960
Speaker 1: humans do. But I hear stories like Kevin van Loven

1251
01:04:54,000 --> 01:04:56,560
Speaker 1: and I know they say, don't question God, but sometimes

1252
01:04:57,600 --> 01:05:01,880
Speaker 1: you have to recognize that I didn't give you the

1253
01:05:02,040 --> 01:05:04,800
Speaker 1: same brains he gave everybody else. Okay, there was certain

1254
01:05:04,880 --> 01:05:08,440
Speaker 1: periods in time that God was just creating anybody and anything,

1255
01:05:08,720 --> 01:05:11,200
Speaker 1: all right. Genesis one twenty six says God created man

1256
01:05:11,240 --> 01:05:14,800
Speaker 1: in his image according his likeness. Right. Well, humans, sometimes

1257
01:05:14,920 --> 01:05:16,720
Speaker 1: we just like to try things, or it gets the

1258
01:05:16,760 --> 01:05:18,960
Speaker 1: water to see what sticks. I think God did that

1259
01:05:19,040 --> 01:05:21,200
Speaker 1: when he was creating some humans. Some humans he just

1260
01:05:21,280 --> 01:05:23,840
Speaker 1: created with his eyes closed. Kevin van Loving might have

1261
01:05:23,880 --> 01:05:26,240
Speaker 1: been one of them. Okay, God made him and forgot

1262
01:05:26,280 --> 01:05:28,560
Speaker 1: about him, so didn't Mister van Loving all these years

1263
01:05:28,640 --> 01:05:32,040
Speaker 1: has been left to his own devices, wandering around life

1264
01:05:32,520 --> 01:05:36,600
Speaker 1: aimlessly by himself, without God's guidance, only to end up

1265
01:05:36,640 --> 01:05:40,200
Speaker 1: on Chesame Street masturbating next to Oscar Grounds trash can

1266
01:05:40,440 --> 01:05:44,160
Speaker 1: while Elmo just minding his business performing Elmo song hit

1267
01:05:44,240 --> 01:05:53,400
Speaker 1: that tune for me dramas Come on now, m Kevin

1268
01:05:53,560 --> 01:06:00,720
Speaker 1: van Loving is somewhere hut and parting right now. That's

1269
01:06:00,760 --> 01:06:04,880
Speaker 1: what does it for Kevin van Loving? Catchy? Okay, enough

1270
01:06:05,080 --> 01:06:10,600
Speaker 1: enough enough, okay, Kevin van Loving is reinforcing all the

1271
01:06:10,720 --> 01:06:13,400
Speaker 1: pedophile stereotypes. I told you driving the van and wearing

1272
01:06:13,520 --> 01:06:15,640
Speaker 1: vans is the sexist fend to start a kid. You

1273
01:06:15,760 --> 01:06:18,280
Speaker 1: know how many people Chris Hansen caught who fit that profile.

1274
01:06:18,520 --> 01:06:21,360
Speaker 1: And this guy, Kevin van Loving, Okay, you got caught

1275
01:06:21,480 --> 01:06:26,160
Speaker 1: sexually assaulting at Elmo Dall in a nursery. That sounds

1276
01:06:26,200 --> 01:06:30,320
Speaker 1: pretty pet old file to me. Okay, Elmo is three

1277
01:06:30,440 --> 01:06:33,640
Speaker 1: and a half years old. Do you know that three

1278
01:06:33,680 --> 01:06:37,880
Speaker 1: and a half years old? You sick bathter. This is

1279
01:06:37,880 --> 01:06:40,000
Speaker 1: what Kevin van Loving here has when drunken love plays

1280
01:06:40,720 --> 01:06:46,480
Speaker 1: why swerving on a swervin swerving on a big surfing

1281
01:06:46,720 --> 01:06:54,200
Speaker 1: and good. Please give Kevin van Loving Let really, Mark,

1282
01:06:54,240 --> 01:06:57,520
Speaker 1: give Kevin van Loving the biggest he huh heh heh

1283
01:06:58,160 --> 01:07:02,640
Speaker 1: you stupid mother? Are you dumb? Do it envy? Oh?

1284
01:07:02,680 --> 01:07:04,440
Speaker 1: You don't want to do the voice today? Huh? You

1285
01:07:04,640 --> 01:07:06,320
Speaker 1: want to play Elmo to day? Do you? I was

1286
01:07:06,320 --> 01:07:08,480
Speaker 1: gonna say, well, I'm just curious. You won't play a game.

1287
01:07:08,800 --> 01:07:10,480
Speaker 1: You want to play a game only if you do

1288
01:07:10,600 --> 01:07:13,840
Speaker 1: the voice. Ask me in the voice you are play, Yes,

1289
01:07:14,040 --> 01:07:24,280
Speaker 1: I do. Let's play a game of what Kevin van

1290
01:07:24,400 --> 01:07:29,040
Speaker 1: Loving Michigan home inspector walked into a nursery and a home,

1291
01:07:29,160 --> 01:07:32,640
Speaker 1: saw tickle me yamo dog and had his way sexually

1292
01:07:32,760 --> 01:07:39,000
Speaker 1: with it. Guess what racy Angela start with you, I'll

1293
01:07:39,040 --> 01:07:46,280
Speaker 1: say Caucasian? Okay, what makes you say this with such confidence? Um?

1294
01:07:47,160 --> 01:07:50,160
Speaker 1: I don't know. It's just what I wanted to be. Okay,

1295
01:07:50,760 --> 01:07:53,440
Speaker 1: uh Rashan. I want you to do. I need you

1296
01:07:53,480 --> 01:07:56,920
Speaker 1: to answer in the voice the whole time. Okay, Kevin

1297
01:07:57,040 --> 01:08:00,640
Speaker 1: van Loving Yes from Michigan, Home and factor. You're very

1298
01:08:00,640 --> 01:08:04,960
Speaker 1: familiar with home inspectress. Right, he was in a home inspecting,

1299
01:08:05,000 --> 01:08:08,920
Speaker 1: he was in a nursery, saw Elmo doll, had his

1300
01:08:09,040 --> 01:08:13,000
Speaker 1: way with the Elmo doll sexually. Jess what race he is?

1301
01:08:14,320 --> 01:08:23,240
Speaker 1: Let me chuck light? The hell did you Ben Dover

1302
01:08:23,400 --> 01:08:26,200
Speaker 1: like that? For the hell? Were you checking? Look like

1303
01:08:26,240 --> 01:08:29,040
Speaker 1: you wanted somebody to check you. Hell's wrong with you?

1304
01:08:29,400 --> 01:08:33,400
Speaker 1: I don't know. I don't put his muck shot up.

1305
01:08:33,400 --> 01:08:38,360
Speaker 1: Oh we don't. We're not donna revolve you both are right.

1306
01:08:38,439 --> 01:08:42,880
Speaker 1: This is absolutely a colonizer. Okay. This is the highest

1307
01:08:42,960 --> 01:08:46,080
Speaker 1: levels of caucasianary. Okay. The man he's was very heavy

1308
01:08:46,520 --> 01:08:50,080
Speaker 1: in this story. All right, all right, all right, thank

1309
01:08:50,120 --> 01:08:52,800
Speaker 1: you for that. You gotta register the sex offender when

1310
01:08:52,840 --> 01:08:55,160
Speaker 1: you do stuff like this. If you're Kevin van Loven,

1311
01:09:00,439 --> 01:09:04,360
Speaker 1: I'm sure. I'm sure that guy asked, well, it's a dog,

1312
01:09:04,640 --> 01:09:08,240
Speaker 1: so I don't think so. All right? Anyway, ask e

1313
01:09:08,640 --> 01:09:11,439
Speaker 1: is next eight hundred five eight five one O five one.

1314
01:09:11,479 --> 01:09:13,880
Speaker 1: If you need relationship advice, called ye Now it's the

1315
01:09:13,920 --> 01:09:22,799
Speaker 1: breakfast Club of the morning. The Breakfast Club. Need relationship advice,

1316
01:09:23,320 --> 01:09:26,760
Speaker 1: need personal advice? Just need real advice? Call up now

1317
01:09:26,920 --> 01:09:33,320
Speaker 1: for asking morning. Everybody is DJ Envy, Angela, Yee, Charlomagne,

1318
01:09:33,320 --> 01:09:35,200
Speaker 1: the guy. We are the Breakfast Club. It's time to

1319
01:09:35,360 --> 01:09:38,599
Speaker 1: ask yee. Hello. Who's this? Oh? Yeah, this is last

1320
01:09:38,680 --> 01:09:43,000
Speaker 1: week from Jersey. Good morning. What's your quest to fore? Um? Yeah?

1321
01:09:43,640 --> 01:09:45,799
Speaker 1: I just want to know what I should do about

1322
01:09:46,040 --> 01:09:50,559
Speaker 1: my relationship or right now I'm I'm going back and forth,

1323
01:09:50,640 --> 01:09:52,960
Speaker 1: back and forth. You know, I'm break up with my girl.

1324
01:09:53,360 --> 01:09:55,680
Speaker 1: She break up with me. You know, we both love

1325
01:09:55,720 --> 01:09:58,760
Speaker 1: each other. We're supposed to be getting married, but you know,

1326
01:09:59,040 --> 01:10:02,519
Speaker 1: we never really drink up within twenty four hours, you know,

1327
01:10:02,640 --> 01:10:06,080
Speaker 1: because we lived together, you know, so recently we just

1328
01:10:06,200 --> 01:10:07,920
Speaker 1: broke up. And I feel as though, is that you

1329
01:10:08,000 --> 01:10:11,080
Speaker 1: know I told our leases up? Should I just gonna

1330
01:10:11,200 --> 01:10:13,560
Speaker 1: keep going back and forth, back and forth. You know,

1331
01:10:13,720 --> 01:10:15,320
Speaker 1: but I really love her. I just don't know what

1332
01:10:15,400 --> 01:10:17,920
Speaker 1: to do. You know, what do y'all keep breaking up over?

1333
01:10:18,560 --> 01:10:23,080
Speaker 1: It's like I would say, it's miscommunication, a lot of miscommunication.

1334
01:10:23,240 --> 01:10:27,200
Speaker 1: One minute, it's like it feels like I'm coming off

1335
01:10:27,439 --> 01:10:31,120
Speaker 1: a little bit strong. When I calm that down, you know,

1336
01:10:31,320 --> 01:10:34,360
Speaker 1: and realize it is miscommunication, I'll talk to her right,

1337
01:10:34,439 --> 01:10:36,840
Speaker 1: But then she's already in the minds that has then

1338
01:10:37,320 --> 01:10:39,800
Speaker 1: you know, I'm coming off gonna I'm gonna come off strong.

1339
01:10:39,880 --> 01:10:42,360
Speaker 1: It's already in her head that it's gonna be an

1340
01:10:42,520 --> 01:10:44,320
Speaker 1: argument at the end of the thing, instead of this

1341
01:10:45,000 --> 01:10:47,800
Speaker 1: coming to an agreement, like all, we're gonna be at

1342
01:10:47,880 --> 01:10:51,760
Speaker 1: a middle ground and just work it out. Here's a

1343
01:10:51,800 --> 01:10:54,080
Speaker 1: couple of things that I think number when. Those are

1344
01:10:54,120 --> 01:10:55,960
Speaker 1: the worst when you're in a relationship and y'all are

1345
01:10:56,000 --> 01:10:58,599
Speaker 1: always breaking up every other day. First of all, your

1346
01:10:58,600 --> 01:11:01,160
Speaker 1: friends get sick of hearing about y'all. Get to give it.

1347
01:11:01,280 --> 01:11:03,280
Speaker 1: No one believes you. Y'all broke up. Oh, now y'all

1348
01:11:03,360 --> 01:11:05,679
Speaker 1: back together. I had to make a pact one time

1349
01:11:06,080 --> 01:11:08,920
Speaker 1: with a boyfriend that I had where we said, look,

1350
01:11:09,280 --> 01:11:11,760
Speaker 1: we all get into arguments because being in a relationship,

1351
01:11:11,840 --> 01:11:13,960
Speaker 1: part of that is knowing how to argue in a

1352
01:11:14,080 --> 01:11:16,320
Speaker 1: healthy manner, right, because you're not always going to agree

1353
01:11:16,320 --> 01:11:19,280
Speaker 1: on everything. Obviously, there's gonna be times when y'all need

1354
01:11:19,320 --> 01:11:22,240
Speaker 1: to figure out how to come together and work out

1355
01:11:22,320 --> 01:11:25,559
Speaker 1: issues that you might be having. That's just as important

1356
01:11:25,680 --> 01:11:28,040
Speaker 1: as being in a relationship is knowing how to healthily

1357
01:11:28,400 --> 01:11:30,760
Speaker 1: be able to argue and get over it and move on.

1358
01:11:31,320 --> 01:11:32,760
Speaker 1: And so one thing you should do is make a

1359
01:11:32,840 --> 01:11:35,160
Speaker 1: pact with each other that you're gonna stop this silly

1360
01:11:35,280 --> 01:11:37,360
Speaker 1: breaking up all the time just to get back together,

1361
01:11:37,680 --> 01:11:39,920
Speaker 1: because soon as you say I'm done, it's over. We're

1362
01:11:39,960 --> 01:11:43,400
Speaker 1: not together anymore. It just becomes this whole other issue.

1363
01:11:43,560 --> 01:11:45,000
Speaker 1: And y'all know it's not even too and no one

1364
01:11:45,080 --> 01:11:48,880
Speaker 1: even believes you guys, right, yeahs, I'll posted up one

1365
01:11:48,960 --> 01:11:52,760
Speaker 1: problem like, yeah, I'm single. Everybody's like, nah, I'm not

1366
01:11:52,880 --> 01:11:55,360
Speaker 1: believing you this time, or they like, oh, I can't

1367
01:11:55,400 --> 01:11:57,800
Speaker 1: believe it, because you know, you guys are mist for

1368
01:11:57,920 --> 01:11:59,720
Speaker 1: you will not mist for each other, but you know

1369
01:12:00,000 --> 01:12:03,519
Speaker 1: you speak perfectly for each other, right, So what y'all

1370
01:12:03,560 --> 01:12:05,320
Speaker 1: need to do is when you're not in the middle

1371
01:12:05,360 --> 01:12:07,840
Speaker 1: of an argument, discuss the things that you could both

1372
01:12:07,960 --> 01:12:12,320
Speaker 1: improve on within yourself and then for each other, and

1373
01:12:12,479 --> 01:12:16,160
Speaker 1: be receptive to hearing that criticism, because that's important. It's

1374
01:12:16,280 --> 01:12:19,000
Speaker 1: obviously y'all bump heads on things you need to figure out. Okay,

1375
01:12:19,520 --> 01:12:21,200
Speaker 1: if we get into an argument, orf we have some

1376
01:12:21,280 --> 01:12:23,719
Speaker 1: type of miscommunication, this is how we're going to handle

1377
01:12:23,800 --> 01:12:26,280
Speaker 1: it moving forward, so that y'all have a game plan

1378
01:12:26,400 --> 01:12:28,640
Speaker 1: because it is a team effort and it is a

1379
01:12:28,720 --> 01:12:31,360
Speaker 1: situation where y'all not always going to be smooth. But

1380
01:12:31,479 --> 01:12:34,200
Speaker 1: how do I handle it when things aren't smooth? And now,

1381
01:12:34,280 --> 01:12:36,400
Speaker 1: as far as your lease, when your lease is up,

1382
01:12:36,800 --> 01:12:38,560
Speaker 1: do you guys want to renew the lease? What is

1383
01:12:38,600 --> 01:12:42,599
Speaker 1: the discussion about that we were playing before about moving

1384
01:12:42,760 --> 01:12:44,479
Speaker 1: you know, out of the neighborhoods and stuff like that,

1385
01:12:44,640 --> 01:12:47,640
Speaker 1: and that's good, but now it's just starting come to

1386
01:12:47,720 --> 01:12:49,960
Speaker 1: the point where it's like, oh, should I just move

1387
01:12:50,640 --> 01:12:53,320
Speaker 1: by myself and handle what I got to handle? You

1388
01:12:53,560 --> 01:12:56,160
Speaker 1: by yourself and handle what you gotta handle. And then

1389
01:12:56,240 --> 01:12:59,280
Speaker 1: if it's meant to be that's literally yeah, and there's

1390
01:12:59,520 --> 01:13:03,439
Speaker 1: and y'all can still be together and not live together. Yeah,

1391
01:13:04,080 --> 01:13:05,840
Speaker 1: So if that's how you feel you want things to

1392
01:13:05,960 --> 01:13:09,080
Speaker 1: be then yes, like get your own places until y'all

1393
01:13:09,080 --> 01:13:11,000
Speaker 1: can get to the space where Okay, let's spend a

1394
01:13:11,120 --> 01:13:13,400
Speaker 1: year you in your place, I'm in my place while

1395
01:13:13,439 --> 01:13:15,360
Speaker 1: we have this lease, and then let's figure out if

1396
01:13:15,400 --> 01:13:16,920
Speaker 1: we're going to be able to move forward and move

1397
01:13:16,960 --> 01:13:19,000
Speaker 1: past these differences and figure out how we can come

1398
01:13:19,040 --> 01:13:21,360
Speaker 1: together and work through things and not break up every

1399
01:13:21,439 --> 01:13:24,160
Speaker 1: other day. It drives everyone around you crazy too. Yeah,

1400
01:13:24,640 --> 01:13:28,519
Speaker 1: it's driving me nuts. I'm to be honest. Yeah, so

1401
01:13:28,880 --> 01:13:31,320
Speaker 1: that's what I really think. And listen, so many people

1402
01:13:31,400 --> 01:13:33,880
Speaker 1: have that issue. Yeah, it's more so like, you know,

1403
01:13:34,360 --> 01:13:38,080
Speaker 1: I'll go into my separate little you know, side, and

1404
01:13:38,200 --> 01:13:40,599
Speaker 1: I'll get a little tax like, oh, come over here

1405
01:13:41,280 --> 01:13:43,280
Speaker 1: right quick, you know, let's I think we're going to

1406
01:13:43,360 --> 01:13:45,320
Speaker 1: talk about it, and it's just like more like a

1407
01:13:46,200 --> 01:13:50,280
Speaker 1: cuddle session, right And look, it's just to me, it

1408
01:13:50,360 --> 01:13:52,160
Speaker 1: seems like y'all love each other, you know, you want

1409
01:13:52,160 --> 01:13:55,320
Speaker 1: to be together, but the arguing is like dysfunctional how

1410
01:13:55,400 --> 01:13:57,600
Speaker 1: you'll communicate with each other. And that's the problem that

1411
01:13:57,680 --> 01:14:00,360
Speaker 1: y'all need to fix, because there's nothing normal about arguing

1412
01:14:00,439 --> 01:14:05,439
Speaker 1: and breaking up every other day. Yeah, thank you? All right,

1413
01:14:05,560 --> 01:14:09,080
Speaker 1: enough haling, all right? Ask ye, thank you eight hundred

1414
01:14:09,280 --> 01:14:11,559
Speaker 1: five five one oh five one. If you need relationship

1415
01:14:11,680 --> 01:14:13,720
Speaker 1: or any advice or any type of advice, hit ye.

1416
01:14:13,840 --> 01:14:19,200
Speaker 1: Now it's the Breakfast Club Morning some real advice with

1417
01:14:19,320 --> 01:14:25,880
Speaker 1: Angela yet ask ye morning. Everybody is DJ Envy, Angela, Yee,

1418
01:14:26,040 --> 01:14:29,040
Speaker 1: Charlomagne the God. We are the Breakfast Club. We're in

1419
01:14:29,080 --> 01:14:32,800
Speaker 1: the middle of asking yee Hello, who's this? This is Anna, Anna,

1420
01:14:32,840 --> 01:14:37,040
Speaker 1: what's up? What's your question for you? Hi? An issue

1421
01:14:37,040 --> 01:14:40,679
Speaker 1: with my relationship and it's been to where like, okay,

1422
01:14:40,920 --> 01:14:43,639
Speaker 1: I went through his phone, and then I stopped going

1423
01:14:43,680 --> 01:14:45,360
Speaker 1: through his phone, and then he would go through mind

1424
01:14:45,600 --> 01:14:47,960
Speaker 1: but then don't want me to go through his and

1425
01:14:48,479 --> 01:14:52,439
Speaker 1: I'm trying not to be a hypocrite and him, you know,

1426
01:14:52,560 --> 01:14:55,280
Speaker 1: he's a hypocrite. I don't understand. And it's become an

1427
01:14:55,360 --> 01:14:58,800
Speaker 1: issue and it's just like, do you not go through

1428
01:14:58,840 --> 01:15:01,719
Speaker 1: your up your significance? There's phone? We leave them alone,

1429
01:15:01,880 --> 01:15:04,000
Speaker 1: Like how would you like? Why are y'all going through

1430
01:15:04,040 --> 01:15:06,120
Speaker 1: each other's phone? Because it seems like a deeper issue

1431
01:15:06,120 --> 01:15:10,040
Speaker 1: than just touching somebody else's property and reading their personal messages.

1432
01:15:10,160 --> 01:15:12,360
Speaker 1: What is the reason behind that? That's what you really

1433
01:15:12,439 --> 01:15:15,439
Speaker 1: need to get at well. It has been issues like

1434
01:15:15,640 --> 01:15:18,320
Speaker 1: in the beginning, I did you know what might be

1435
01:15:18,360 --> 01:15:20,599
Speaker 1: something that might pop up and I'm looking, I don't

1436
01:15:20,640 --> 01:15:23,120
Speaker 1: look right, so I would go through it and then

1437
01:15:23,160 --> 01:15:25,640
Speaker 1: it would be a bigger issue that has happened, and

1438
01:15:25,840 --> 01:15:32,200
Speaker 1: it has been you know, infability not its just it

1439
01:15:32,240 --> 01:15:34,840
Speaker 1: didn't seem right to me. And so I feel like

1440
01:15:35,080 --> 01:15:38,040
Speaker 1: since that happened, it's just been more of an issue like, okay,

1441
01:15:38,080 --> 01:15:40,479
Speaker 1: can I trust you and everything else? Like I trust

1442
01:15:40,560 --> 01:15:42,639
Speaker 1: him now, I haven't been through a phone or anything

1443
01:15:42,640 --> 01:15:45,439
Speaker 1: like that. Everything's been okay, but it's being like, you

1444
01:15:45,600 --> 01:15:47,760
Speaker 1: don't down you know, he might just pop on my

1445
01:15:47,880 --> 01:15:50,719
Speaker 1: fault if he is not to be a problem, because

1446
01:15:50,760 --> 01:15:54,960
Speaker 1: like and you know, it's different. Couples are different, right,

1447
01:15:55,040 --> 01:15:57,599
Speaker 1: Like some people have access to each other's full access

1448
01:15:57,640 --> 01:16:01,120
Speaker 1: to each other's phones, no problem, and some people feel like, look,

1449
01:16:01,160 --> 01:16:03,320
Speaker 1: you don't know what me and my friends are discussing

1450
01:16:03,400 --> 01:16:06,000
Speaker 1: family members. I don't really need anybody going through my phone.

1451
01:16:06,040 --> 01:16:08,040
Speaker 1: And it's also a symbol of do you not trust me?

1452
01:16:08,120 --> 01:16:10,080
Speaker 1: Why are you going through my phone? It's not like

1453
01:16:10,200 --> 01:16:12,160
Speaker 1: you just use my phone because you forgot yours at

1454
01:16:12,200 --> 01:16:15,320
Speaker 1: home or anything like that. It's because there's trust issues.

1455
01:16:15,360 --> 01:16:17,080
Speaker 1: And that's what it really is that y'all need to

1456
01:16:17,160 --> 01:16:19,479
Speaker 1: work through, is the trust issues. The phone is just

1457
01:16:19,600 --> 01:16:22,280
Speaker 1: a symptom of that. But the real issue is y'all

1458
01:16:22,320 --> 01:16:24,719
Speaker 1: don't trust each other fully for some reason. He doesn't

1459
01:16:24,720 --> 01:16:28,160
Speaker 1: trust you, right and see, and that's the thing ago

1460
01:16:28,360 --> 01:16:30,639
Speaker 1: when he's going to phone, there's nothing in my phone.

1461
01:16:30,960 --> 01:16:32,760
Speaker 1: There's nothing to find on my phone because I don't

1462
01:16:32,800 --> 01:16:38,519
Speaker 1: love look at he is and it's like, ok now

1463
01:16:38,680 --> 01:16:40,479
Speaker 1: it may not be a big field, but you feel

1464
01:16:40,560 --> 01:16:44,720
Speaker 1: hiding some funny And that's where I don't like communication.

1465
01:16:44,800 --> 01:16:48,719
Speaker 1: Everything fall short even though we have right that little

1466
01:16:48,760 --> 01:16:51,600
Speaker 1: stuff that is being good, And you know, it's like

1467
01:16:51,680 --> 01:16:53,600
Speaker 1: a timper tat thing, like you found some stuff on

1468
01:16:53,720 --> 01:16:55,400
Speaker 1: his phone, So now he's trying to go through yours

1469
01:16:55,439 --> 01:16:57,080
Speaker 1: to see if he could find something so he could

1470
01:16:57,080 --> 01:16:59,599
Speaker 1: be like, well you did this, because maybe it'll take

1471
01:16:59,600 --> 01:17:01,519
Speaker 1: away some of the heat that's on him for stuff

1472
01:17:01,560 --> 01:17:03,760
Speaker 1: that you found on his phone. And you know, some

1473
01:17:03,840 --> 01:17:05,760
Speaker 1: people will tell you, what, if you go looking for something,

1474
01:17:05,800 --> 01:17:08,080
Speaker 1: you're gonna find something. But the true to the matter

1475
01:17:08,320 --> 01:17:10,320
Speaker 1: is if you're looking for something, it's because you think

1476
01:17:10,360 --> 01:17:12,320
Speaker 1: something is going on, right, because you wouldn't be doing

1477
01:17:12,360 --> 01:17:16,280
Speaker 1: this if you felt confident and secure. Yeah, so y'all

1478
01:17:16,320 --> 01:17:18,599
Speaker 1: need to figure out how do you feel confident and secure?

1479
01:17:18,880 --> 01:17:21,120
Speaker 1: And you need to discuss those things. What is it

1480
01:17:21,520 --> 01:17:23,639
Speaker 1: that you can do for me to make me feel

1481
01:17:23,680 --> 01:17:25,960
Speaker 1: more secure? What can he do that's gonna make you

1482
01:17:26,040 --> 01:17:28,160
Speaker 1: feel like, Okay, he's not doing anything. What are some

1483
01:17:28,280 --> 01:17:31,440
Speaker 1: of the steps that he needs to take? Really communication

1484
01:17:31,720 --> 01:17:35,240
Speaker 1: and making sure that you at least enlighten me or

1485
01:17:35,360 --> 01:17:37,400
Speaker 1: some of the things that's going on, regardless if it's

1486
01:17:37,680 --> 01:17:41,040
Speaker 1: hetty or if it's not like you know, it would

1487
01:17:41,040 --> 01:17:43,800
Speaker 1: be better for me to know about some of the things.

1488
01:17:43,840 --> 01:17:45,400
Speaker 1: So then when I actually see here, and let's say

1489
01:17:45,400 --> 01:17:47,200
Speaker 1: I see it, you know, I won't be upset about

1490
01:17:47,200 --> 01:17:50,560
Speaker 1: it because about it right over, explain everything to me.

1491
01:17:50,680 --> 01:17:52,639
Speaker 1: I don't care if it's a little I just want

1492
01:17:52,640 --> 01:17:55,120
Speaker 1: to know what's going on, who you're communicating with, who

1493
01:17:55,240 --> 01:17:57,800
Speaker 1: this person is, so that I feel comfortable and he

1494
01:17:57,800 --> 01:18:00,479
Speaker 1: should be okay with that. Have you told him that, Yes,

1495
01:18:01,800 --> 01:18:05,360
Speaker 1: we have kind of have been getting better, but it's just,

1496
01:18:05,560 --> 01:18:08,240
Speaker 1: you know, I don't know. I feel like it's for

1497
01:18:08,439 --> 01:18:10,960
Speaker 1: open relationship, you know, for us to be open for

1498
01:18:11,040 --> 01:18:12,920
Speaker 1: each other and everything else. I feel like, you know,

1499
01:18:13,040 --> 01:18:16,120
Speaker 1: a function shouldn't be a problem if I so, I'm

1500
01:18:16,120 --> 01:18:17,960
Speaker 1: going to ask you, can I go through I mean

1501
01:18:18,000 --> 01:18:20,080
Speaker 1: not to the moment and do your phone? You know,

1502
01:18:20,800 --> 01:18:22,519
Speaker 1: let me see your phone runs like it should be

1503
01:18:22,560 --> 01:18:25,880
Speaker 1: an issue of you standing over me and looking over me,

1504
01:18:25,960 --> 01:18:29,120
Speaker 1: like you being fuficient about it. Right, Well, maybe what

1505
01:18:29,240 --> 01:18:30,840
Speaker 1: y'all need to do is make a pact with each other,

1506
01:18:30,960 --> 01:18:33,679
Speaker 1: like if as long as you are fulfilling these things,

1507
01:18:33,720 --> 01:18:35,400
Speaker 1: because I'm sure there's some things that he needs you

1508
01:18:35,479 --> 01:18:38,360
Speaker 1: to do also for him, right right, it's a give

1509
01:18:38,400 --> 01:18:40,280
Speaker 1: and take. If you guys can be open and receptive

1510
01:18:40,320 --> 01:18:42,760
Speaker 1: to those things, then maybe you make an agreement. Let's

1511
01:18:42,800 --> 01:18:45,080
Speaker 1: not go through each other's phones anymore. Let's try to

1512
01:18:45,240 --> 01:18:48,599
Speaker 1: do this with trust and see what happens. Now things

1513
01:18:48,680 --> 01:18:51,120
Speaker 1: fall apart, then it might be you having to figure

1514
01:18:51,160 --> 01:18:52,960
Speaker 1: out is this a situation I want to remain in

1515
01:18:53,040 --> 01:18:55,479
Speaker 1: and staying if I'm not feeling secure. But let's work

1516
01:18:55,560 --> 01:18:58,000
Speaker 1: on trusting each other. And it's a process because y'all

1517
01:18:58,120 --> 01:18:59,960
Speaker 1: don't have trust right now and it might take away

1518
01:19:00,080 --> 01:19:02,400
Speaker 1: to build that backup. Thank you. And I had a

1519
01:19:02,479 --> 01:19:07,120
Speaker 1: question for the marriage been too, because how are you

1520
01:19:07,200 --> 01:19:10,960
Speaker 1: guys relationship blacks like, how do you mirrors blacks along, like,

1521
01:19:11,080 --> 01:19:12,760
Speaker 1: how did you guys get to the point where you're

1522
01:19:12,760 --> 01:19:15,120
Speaker 1: at with your wife shutting the hell up and listening,

1523
01:19:20,040 --> 01:19:25,240
Speaker 1: ain't laughing and trust me and trust me those phones

1524
01:19:25,320 --> 01:19:28,639
Speaker 1: have been gone through too. Yeah, my wife has access

1525
01:19:28,760 --> 01:19:30,759
Speaker 1: to my phone. Actually she pulled some stuff on Instagram

1526
01:19:30,800 --> 01:19:32,400
Speaker 1: for me, So I mean right now, but I'm just

1527
01:19:32,439 --> 01:19:35,040
Speaker 1: saying it was a process to get to that point. Um,

1528
01:19:35,200 --> 01:19:37,479
Speaker 1: when I grew up and I realized what I wanted

1529
01:19:37,720 --> 01:19:40,120
Speaker 1: and my wife is the love of my life and

1530
01:19:40,120 --> 01:19:42,439
Speaker 1: I don't want to do nothing stupid to hurt her. So, yeah,

1531
01:19:42,479 --> 01:19:44,160
Speaker 1: we have an open relationship where I opened. As far

1532
01:19:44,200 --> 01:19:46,280
Speaker 1: as our phones are concerned, I can leave my phone

1533
01:19:46,320 --> 01:19:48,080
Speaker 1: on accounter. She knows my past cold, she knows the

1534
01:19:48,080 --> 01:19:49,680
Speaker 1: past goals everything I know. The past goals to all

1535
01:19:49,680 --> 01:19:54,040
Speaker 1: her stuff too, Like it's I'm trying to get to

1536
01:19:54,320 --> 01:19:56,160
Speaker 1: that's where I feel like, you know, it shouldn't be

1537
01:19:56,200 --> 01:19:59,479
Speaker 1: a problem, like that's my problem that it feels like

1538
01:19:59,520 --> 01:20:02,320
Speaker 1: it's a when it came to stuff like that, And

1539
01:20:02,360 --> 01:20:04,240
Speaker 1: I don't want to problem because at one point I

1540
01:20:04,280 --> 01:20:07,320
Speaker 1: didn't even have to tassle on my fault. Right, But

1541
01:20:07,400 --> 01:20:09,160
Speaker 1: you said don't want him going through your phone? Right,

1542
01:20:09,600 --> 01:20:12,880
Speaker 1: I don't mean I never cared. That's about that's my thing.

1543
01:20:12,960 --> 01:20:15,320
Speaker 1: I never cared if you get or didn't. My issue

1544
01:20:15,400 --> 01:20:18,040
Speaker 1: is like you have on your phone. I don't even

1545
01:20:18,080 --> 01:20:21,479
Speaker 1: have a poom and then he has the necessary assword

1546
01:20:21,560 --> 01:20:23,879
Speaker 1: onto his Facebook. It's like, why do you have a passwords?

1547
01:20:24,840 --> 01:20:27,600
Speaker 1: Why so you're not concerning about his phone? Because I

1548
01:20:27,720 --> 01:20:29,400
Speaker 1: felt like you were saying you didn't want him going

1549
01:20:29,439 --> 01:20:31,640
Speaker 1: through your phone and he keeps doing it. Well, I

1550
01:20:31,680 --> 01:20:34,120
Speaker 1: don't feel like he should. My phone is I haven't

1551
01:20:34,120 --> 01:20:37,200
Speaker 1: been going through years. I don't care if you isn't

1552
01:20:37,240 --> 01:20:38,559
Speaker 1: the fact that I feel like it should be equal

1553
01:20:39,360 --> 01:20:42,080
Speaker 1: for that. I just don't want you to feel like

1554
01:20:42,120 --> 01:20:43,800
Speaker 1: y'all got to go through each other's phones. I want

1555
01:20:43,840 --> 01:20:45,360
Speaker 1: you to get to that point. But if you're using

1556
01:20:45,400 --> 01:20:47,439
Speaker 1: his phone and he's using yours, it's not because you're

1557
01:20:47,439 --> 01:20:50,840
Speaker 1: going through it. Yeah, that's true. Well, thank you so

1558
01:20:51,040 --> 01:20:53,000
Speaker 1: much for your health, and thank you guys. You guys

1559
01:20:53,040 --> 01:20:57,799
Speaker 1: have a wonderful morning. Peace right ask ye eight hundred

1560
01:20:57,920 --> 01:20:59,600
Speaker 1: five eight five one o five one. If you need

1561
01:20:59,640 --> 01:21:01,080
Speaker 1: a relationship of advice, you could hit you know, we

1562
01:21:01,120 --> 01:21:03,360
Speaker 1: got rumors on the way. Yes, and let's talk about

1563
01:21:03,439 --> 01:21:06,559
Speaker 1: Serena Williams and her new deal. All right, we'll get

1564
01:21:06,600 --> 01:21:08,560
Speaker 1: into that next. It's The Breakfast Club. Good Morning, The

1565
01:21:08,800 --> 01:21:23,559
Speaker 1: Breakfast Club. Listen, Oh, got its report? Breakfast Club. Russell

1566
01:21:23,680 --> 01:21:27,160
Speaker 1: Wilson and see Eira are going to be hosting NBC's

1567
01:21:27,240 --> 01:21:30,720
Speaker 1: Roll Up Your Sleeves TV special that's happening on Sunday. Now.

1568
01:21:30,800 --> 01:21:34,880
Speaker 1: There'll be influential people like Barack Obama, Joe Biden, Charles Barkley,

1569
01:21:34,960 --> 01:21:38,479
Speaker 1: Shaquille O'Neill, Doctor Fauci of course is involved, and they

1570
01:21:38,479 --> 01:21:41,200
Speaker 1: said it's going to educate viewers, raise awareness and dispel

1571
01:21:41,320 --> 01:21:44,479
Speaker 1: concerns surrounded the COVID nineteen vaccines. I don't know if

1572
01:21:44,479 --> 01:21:46,400
Speaker 1: this is the week to do that. When they're recalling,

1573
01:21:46,479 --> 01:21:51,759
Speaker 1: they recalling vaccines. How can you dispel rumors are people's

1574
01:21:51,800 --> 01:21:54,360
Speaker 1: fear around the vaccine when you're actually recalling the vaccine

1575
01:21:54,360 --> 01:21:56,519
Speaker 1: because it's doing things to people. For the Jonathan Johnathan one,

1576
01:21:56,520 --> 01:21:59,799
Speaker 1: at least the show will aim to inform and encourage

1577
01:21:59,800 --> 01:22:03,599
Speaker 1: these who have vaccination concerns to learn the facts. Now

1578
01:22:03,680 --> 01:22:05,960
Speaker 1: do you say on the show, all of them except

1579
01:22:06,000 --> 01:22:08,639
Speaker 1: for Johnson and Johnson. We can't speak for that, but mcdern,

1580
01:22:08,720 --> 01:22:10,559
Speaker 1: this is only about mcderna and father. Do you at

1581
01:22:10,600 --> 01:22:12,920
Speaker 1: least say that, do you acknowledge that at least? Yeah?

1582
01:22:12,960 --> 01:22:16,360
Speaker 1: I mean they kind of have to because it was recalled, right. Yeah,

1583
01:22:16,479 --> 01:22:18,679
Speaker 1: Doctor Fact he's on it, and he's already spoken about

1584
01:22:18,760 --> 01:22:22,759
Speaker 1: Johnson and Johnson being paused for now because of concerns

1585
01:22:22,760 --> 01:22:25,280
Speaker 1: about blood clots for women. By the way, all of

1586
01:22:25,360 --> 01:22:28,479
Speaker 1: it with all six people that had complications with women,

1587
01:22:29,640 --> 01:22:32,600
Speaker 1: So that Sunday all right. Serena Williams has inked a

1588
01:22:32,680 --> 01:22:35,720
Speaker 1: first look deal with Amazon Studios, and she spoke to

1589
01:22:35,800 --> 01:22:38,519
Speaker 1: Vanity Fair about it. I just signed a first look

1590
01:22:38,560 --> 01:22:41,680
Speaker 1: deal with Amazon Studios, and so we're working on to

1591
01:22:41,800 --> 01:22:45,040
Speaker 1: create some scripted and non scripted stuff and products and

1592
01:22:45,160 --> 01:22:49,280
Speaker 1: just bring really interesting stories that really touched the heart

1593
01:22:49,640 --> 01:22:54,679
Speaker 1: to the screen. Also doing a docuseries on yours truly,

1594
01:22:55,120 --> 01:22:58,799
Speaker 1: but just you know, kind of following following it around,

1595
01:22:58,880 --> 01:23:01,559
Speaker 1: but through my through my eyes and through my lens.

1596
01:23:01,720 --> 01:23:04,040
Speaker 1: And so I'm actually joining the EP credits on that

1597
01:23:04,160 --> 01:23:06,680
Speaker 1: as well. We're dropping a Clues Monster. Serena Williams, I

1598
01:23:06,760 --> 01:23:09,800
Speaker 1: love it anytime folks get money to create A'm all

1599
01:23:09,880 --> 01:23:13,479
Speaker 1: for it. She was actually talking to Michael B. Jordan

1600
01:23:13,640 --> 01:23:16,920
Speaker 1: during Vanity Affairs inaugural Cocktail Hour live event, and he

1601
01:23:17,000 --> 01:23:18,639
Speaker 1: gave her some tips too, if you want to check

1602
01:23:18,680 --> 01:23:21,960
Speaker 1: that out. All right, Bridgeton has been renewed first seasons

1603
01:23:22,040 --> 01:23:27,080
Speaker 1: three and four already buy Netflix. So yeah, season two

1604
01:23:27,160 --> 01:23:29,280
Speaker 1: hasn't even happened yet, but they've already renewed it for

1605
01:23:29,360 --> 01:23:31,519
Speaker 1: seasons three and four. In a statement, Shanda Rhyme said,

1606
01:23:31,560 --> 01:23:34,960
Speaker 1: from the first time I read Julia Quinn's delicious Bridgeton series,

1607
01:23:35,000 --> 01:23:37,599
Speaker 1: I knew these were stories that would captivate a viewing audience,

1608
01:23:37,880 --> 01:23:40,200
Speaker 1: but the evolution of this adaptation would not be a

1609
01:23:40,280 --> 01:23:44,559
Speaker 1: success without the many significant contributions of the entire Shondaland team.

1610
01:23:44,640 --> 01:23:47,639
Speaker 1: This two season pickup is a strong vote of confidence

1611
01:23:47,680 --> 01:23:50,040
Speaker 1: in our work, and I feel incredibly grateful to have

1612
01:23:50,200 --> 01:23:53,479
Speaker 1: partners as collaborative and creative as Netflix as Dope, because

1613
01:23:53,479 --> 01:23:56,840
Speaker 1: it helps you create such an intricate storyline, because you know,

1614
01:23:57,439 --> 01:24:00,280
Speaker 1: you know where you're going, you know many seasons you've got. Yeah,

1615
01:24:00,479 --> 01:24:03,840
Speaker 1: I mean, there's gonna be some surprises the next couple

1616
01:24:03,840 --> 01:24:06,800
Speaker 1: of seasons of British. You're on it. I didn't say that.

1617
01:24:06,840 --> 01:24:10,360
Speaker 1: I just sat. It's not happening. I have no faith

1618
01:24:10,400 --> 01:24:13,640
Speaker 1: in you, don't believe in you at all. You're a

1619
01:24:13,720 --> 01:24:16,560
Speaker 1: liar all right. Now, Javanti Davis had posted on his

1620
01:24:16,680 --> 01:24:19,400
Speaker 1: Instagram story, I don't know if y'all saw this, I

1621
01:24:19,439 --> 01:24:21,920
Speaker 1: can't stop cheating on my girl, and then he said,

1622
01:24:21,920 --> 01:24:25,240
Speaker 1: I'm effing retarded, all right. So those are the posts,

1623
01:24:25,880 --> 01:24:29,360
Speaker 1: and his girlfriend is NSSA rich girl Nessa, and she posted,

1624
01:24:29,400 --> 01:24:32,320
Speaker 1: I hate my lurking skills. I'll be finding exactly what

1625
01:24:32,439 --> 01:24:35,960
Speaker 1: I'm looking for, including the whole family and Grandma don't play.

1626
01:24:37,080 --> 01:24:39,479
Speaker 1: And then I guess it was revealed that it looks

1627
01:24:39,520 --> 01:24:41,599
Speaker 1: like from these posts that we're going back and forth

1628
01:24:41,720 --> 01:24:46,000
Speaker 1: that she's talking about Bernie Burgos's daughter, And so then

1629
01:24:46,040 --> 01:24:50,240
Speaker 1: Bernie Burgos's daughter actually went and was going back and

1630
01:24:50,320 --> 01:24:52,639
Speaker 1: forth on social media as well, So it turned into

1631
01:24:52,680 --> 01:24:55,080
Speaker 1: a whole big thing. But Javante wants people to know

1632
01:24:55,240 --> 01:24:57,840
Speaker 1: he was on snapchat that he is not cheating. Here's

1633
01:24:57,880 --> 01:25:04,320
Speaker 1: what he posted and now, just so nothing won't think

1634
01:25:04,320 --> 01:25:11,559
Speaker 1: I'm gonna here cheating what this? So he's sewing who

1635
01:25:11,600 --> 01:25:13,519
Speaker 1: he's with to show that he's not cheating. He also

1636
01:25:13,600 --> 01:25:16,080
Speaker 1: said that he's not the person that posted that. He

1637
01:25:16,200 --> 01:25:18,800
Speaker 1: said none of that BS was me, So I don't

1638
01:25:18,800 --> 01:25:21,120
Speaker 1: know if he's trying to say somebody else posted it.

1639
01:25:21,200 --> 01:25:22,920
Speaker 1: I don't know. No, are we sure she didn't get

1640
01:25:22,960 --> 01:25:25,360
Speaker 1: a hold of her of his password, you know what

1641
01:25:25,400 --> 01:25:27,560
Speaker 1: I mean, and got into his account the post that

1642
01:25:27,680 --> 01:25:30,920
Speaker 1: I'm just asking here, that's embarrassing. I don't know if

1643
01:25:30,920 --> 01:25:33,320
Speaker 1: I want to post that, Like if I'm the girlfriend

1644
01:25:33,360 --> 01:25:35,560
Speaker 1: I can't stop cheating on my girl, Yeah, what I

1645
01:25:35,600 --> 01:25:38,320
Speaker 1: want to post that? Then? And then it's the exactly

1646
01:25:38,400 --> 01:25:40,880
Speaker 1: Then it's the effort retarded part. After that, it's like

1647
01:25:40,960 --> 01:25:43,640
Speaker 1: she's doing that on purpose, like that's the point of

1648
01:25:43,840 --> 01:25:48,200
Speaker 1: to shame him. I don't know. I have no idea

1649
01:25:48,479 --> 01:25:51,400
Speaker 1: what happened. But he's saying it wasn't him. All right,

1650
01:25:51,520 --> 01:25:54,720
Speaker 1: that is your rumor. Okay, all right, well shout out

1651
01:25:54,760 --> 01:25:57,240
Speaker 1: to revote. We'll see tomorrow everybody else the People's Choice

1652
01:25:57,280 --> 01:26:02,280
Speaker 1: mixes up next. Let's go. Everybody is DJ Envy and

1653
01:26:02,280 --> 01:26:05,600
Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club Now.

1654
01:26:05,680 --> 01:26:07,599
Speaker 1: Shout to the Lucas Brothers for joining us this morning.

1655
01:26:07,800 --> 01:26:11,559
Speaker 1: Salute to the Lucas Brothers. Man brilliant, you know, talented

1656
01:26:11,640 --> 01:26:14,640
Speaker 1: individuals who are now OSCAR nominated. I mean, I just

1657
01:26:14,920 --> 01:26:16,680
Speaker 1: I just like to see people come up because I

1658
01:26:16,720 --> 01:26:18,920
Speaker 1: remember when they were doing Friends of the People on

1659
01:26:19,120 --> 01:26:21,760
Speaker 1: True TV with with my guy a little rel and

1660
01:26:21,880 --> 01:26:25,000
Speaker 1: Jermaine Foyler in the late great Kevin Barnett. And to

1661
01:26:25,080 --> 01:26:26,800
Speaker 1: see them, you know right in the movie. Now that's

1662
01:26:26,840 --> 01:26:29,920
Speaker 1: as Can nominated. You know, it's super inspiring. So salute

1663
01:26:29,920 --> 01:26:33,360
Speaker 1: to the Lucas Brothers. Man, New New Jersey Zone. All right,

1664
01:26:34,000 --> 01:26:40,479
Speaker 1: Bridge Cuty, All right, morning. Everybody is DJ Envy, Angela Yee,

1665
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Speaker 1: Charlomagne the guy. We all the Breakfast club. That's time

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Speaker 1: to get up out of here. Man, you guys have

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Speaker 1: a great day today. Also today I'll actually be doing

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Speaker 1: a live at one pm and I'll be with Coach

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Speaker 1: Jesse and it's called Save Our Moms, the Black Maternal

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Speaker 1: Health and Equity. So it's on the hills of the

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Speaker 1: first ever proclamation of Black Maternal Health Week that was

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Speaker 1: founded by Black Mamas Matter in twenty seventeen. And I'll

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Speaker 1: be talking to Coach Jesse, including some other very special

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Speaker 1: guests as well, be talking about these critical health issues

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Speaker 1: and what we can do to save our moms by

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Speaker 1: advancing health equity legislatively, in the healthcare system and personally.

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Speaker 1: So make sure y'all tune in for that at one

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Speaker 1: pm today. All right, Charlomage, you've got a positive note

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Speaker 1: for the people I do man. The positive note is

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Speaker 1: simply this. Setting boundaries isn't always easy or nice, but

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Speaker 1: it's necessary, spiritual and empowering.