1 00:00:00,040 --> 00:00:01,000 Speaker 1: My apple pie's here. 2 00:00:01,280 --> 00:00:03,680 Speaker 2: I am a cart of apple pie and ice cream 3 00:00:03,680 --> 00:00:04,680 Speaker 2: being delivered right now. 4 00:00:04,880 --> 00:00:06,800 Speaker 3: No, that is nothing missed up. 5 00:00:10,880 --> 00:00:13,080 Speaker 4: I should have warmed up before I did this interview. 6 00:00:13,360 --> 00:00:14,400 Speaker 5: I don't know I'd be singing. 7 00:00:14,680 --> 00:00:18,280 Speaker 6: We wanted to play it the dynamic like Fred Sanford 8 00:00:18,320 --> 00:00:22,239 Speaker 6: and esther On Sanford and Son and just had a 9 00:00:22,239 --> 00:00:31,680 Speaker 6: ball doing it. I missed additional sitcoms. 10 00:00:33,840 --> 00:00:36,440 Speaker 3: Welcome to Daily Variety, your daily dose of news and 11 00:00:36,479 --> 00:00:40,720 Speaker 3: analysis for entertainment industry insiders. It's Wednesday, October twenty ninth, 12 00:00:40,760 --> 00:00:43,720 Speaker 3: twenty twenty five. I'm your host, Cynthia Littleton. I am 13 00:00:43,760 --> 00:00:47,000 Speaker 3: co editor in chief of Variety alongside Ramin Setuda. I'm 14 00:00:47,000 --> 00:00:49,479 Speaker 3: in LA. He's in New York, and Vriety has reporters 15 00:00:49,520 --> 00:00:52,440 Speaker 3: around the world covering the business of entertainment. It's Power 16 00:00:52,479 --> 00:00:56,040 Speaker 3: of Women Day. This is Variety's super Bowl World Series 17 00:00:56,080 --> 00:00:59,840 Speaker 3: and NBA Finals all rolled into one. We're so excited 18 00:00:59,840 --> 00:01:02,960 Speaker 3: to celebrate five great stars tonight at our annual event 19 00:01:03,000 --> 00:01:05,600 Speaker 3: in Beverly Hills. We'll also be in the company of 20 00:01:05,720 --> 00:01:09,000 Speaker 3: ninety plus incredible women from the industry we love, who 21 00:01:09,080 --> 00:01:13,720 Speaker 3: were featured on this year's Women's Impact Report on today's episode, 22 00:01:13,720 --> 00:01:17,840 Speaker 3: we'll hear from two Variety superstars. Hailey Klugi and Jennifer 23 00:01:17,880 --> 00:01:21,200 Speaker 3: Dorn are dynamic duo of art and photography. They'll talk 24 00:01:21,240 --> 00:01:25,039 Speaker 3: about how they deliver varieties amazing power of women visuals 25 00:01:25,160 --> 00:01:28,040 Speaker 3: year after year. And Mark Malkin brings us an update 26 00:01:28,080 --> 00:01:30,560 Speaker 3: on season two of The Pit. He's got a just 27 00:01:30,640 --> 00:01:34,560 Speaker 3: for Variety red carpet rundown with Noah Wiley and Katherine Lenasa. 28 00:01:34,840 --> 00:01:37,040 Speaker 3: But before we get to that, here are a few 29 00:01:37,080 --> 00:01:40,200 Speaker 3: headlines just in that you need to know. Five trillion. 30 00:01:40,640 --> 00:01:41,040 Speaker 6: Wow. 31 00:01:41,280 --> 00:01:44,039 Speaker 3: That's their record setting market cap reached this morning by 32 00:01:44,080 --> 00:01:48,040 Speaker 3: AI chip maker Nvidia. Wall Street continues to swoon for 33 00:01:48,120 --> 00:01:52,120 Speaker 3: AI companies. It didn't hurt that CEO Jensen Hwang recently 34 00:01:52,160 --> 00:01:56,240 Speaker 3: said that the company is expecting five hundred billion dollars 35 00:01:56,240 --> 00:01:59,600 Speaker 3: worth of orders for its chips. The litigation between doctor 36 00:01:59,600 --> 00:02:02,400 Speaker 3: Phil when the creditors of his Merritt Street Media venture 37 00:02:02,440 --> 00:02:05,440 Speaker 3: has taken another turn. A bankruptcy judge has ordered the 38 00:02:05,480 --> 00:02:08,960 Speaker 3: company to go full Chapter seven liquidation in its proceedings, 39 00:02:09,240 --> 00:02:13,120 Speaker 3: no Chapter eleven reorganization for you, Phil McGraw. He is 40 00:02:13,280 --> 00:02:16,639 Speaker 3: not surprisingly planning to appeal the decision. My colleague Todd 41 00:02:16,639 --> 00:02:19,880 Speaker 3: Spangler has done a great job following this complicated process. 42 00:02:20,080 --> 00:02:23,200 Speaker 3: There's a thaw in the chilly relationship between Netflix and 43 00:02:23,240 --> 00:02:27,000 Speaker 3: AMC Theaters. AMC has agreed to book K Pop Demon 44 00:02:27,080 --> 00:02:30,640 Speaker 3: Hunters in three hundred venues as Netflix re releases the 45 00:02:30,680 --> 00:02:34,680 Speaker 3: animated musical Smash over Halloween weekend. The world's largest cinema 46 00:02:34,760 --> 00:02:38,000 Speaker 3: chain typically refuses to schedule movies from Netflix because the 47 00:02:38,000 --> 00:02:40,480 Speaker 3: two companies don't agree on the length of time that 48 00:02:40,520 --> 00:02:43,600 Speaker 3: a film should remain exclusively on the big screen. But 49 00:02:43,680 --> 00:02:46,480 Speaker 3: clearly the potential for K Pop Demon Hunters to turn 50 00:02:46,520 --> 00:02:49,480 Speaker 3: out the coin at the turnstiles this weekend was too 51 00:02:49,680 --> 00:02:53,440 Speaker 3: enticing for AMC to turn down. A lion of our industry, 52 00:02:53,520 --> 00:02:56,560 Speaker 3: John Malone has formally stepped down as chairman of Liberty 53 00:02:56,600 --> 00:03:00,160 Speaker 3: Media and Liberty Global. It's a big milestone for his companies. 54 00:03:00,320 --> 00:03:03,440 Speaker 3: But does Darth Vader really hang up his cape? Somehow? 55 00:03:03,480 --> 00:03:06,040 Speaker 3: I think his influence will still be felt. All of 56 00:03:06,080 --> 00:03:08,240 Speaker 3: these stories and so much more can be found on 57 00:03:08,320 --> 00:03:16,239 Speaker 3: Variety dot com. Right now, now we turn to conversations 58 00:03:16,280 --> 00:03:19,639 Speaker 3: with Friday journalists about news and trends in show business. Today. 59 00:03:19,680 --> 00:03:23,880 Speaker 3: We're joined by Hailey Klugi Variety's creative director and Jennifer Dorn, 60 00:03:24,040 --> 00:03:27,280 Speaker 3: Variety's visual director. They discuss how they game out the 61 00:03:27,360 --> 00:03:31,079 Speaker 3: multiple Power of Women covers every year. These are covers 62 00:03:31,120 --> 00:03:35,680 Speaker 3: that always shout a thousand words. Hailey Klugi, Variety's creative 63 00:03:35,720 --> 00:03:39,560 Speaker 3: director and Jennifer Dorn, Variety's visual director. Thank you both 64 00:03:39,600 --> 00:03:42,640 Speaker 3: for joining me. I appreciate you giving me your time 65 00:03:42,680 --> 00:03:46,560 Speaker 3: at the end of one of your longest processes for 66 00:03:47,200 --> 00:03:51,280 Speaker 3: creating the incredible photography and art direction and design that 67 00:03:51,560 --> 00:03:56,640 Speaker 3: really distinguishes Variety in our contemporary era. And nowhere do 68 00:03:56,720 --> 00:04:00,280 Speaker 3: we show off your great work more than in our 69 00:04:00,360 --> 00:04:05,000 Speaker 3: twice yearly Power of Women franchise, where we not satisfied 70 00:04:05,000 --> 00:04:08,160 Speaker 3: to have one cover, we have five covers. From the 71 00:04:08,440 --> 00:04:12,040 Speaker 3: visual and the artistic perspective, You too, are the drivers. 72 00:04:12,080 --> 00:04:15,560 Speaker 3: These five covers all have a theme. The wardrobe choices 73 00:04:15,640 --> 00:04:19,279 Speaker 3: and the visuals are meant for these covers to be 74 00:04:19,400 --> 00:04:22,880 Speaker 3: looked at as a tableau as opposed to an individual cover. 75 00:04:23,240 --> 00:04:25,320 Speaker 3: So there's a lot of work that goes on behind 76 00:04:25,360 --> 00:04:28,400 Speaker 3: the scenes to make them so gorgeous and suitable for 77 00:04:28,560 --> 00:04:31,719 Speaker 3: blowing up huge and putting in department store windows, as 78 00:04:32,040 --> 00:04:34,039 Speaker 3: we have done in the past, and it's just a 79 00:04:34,120 --> 00:04:36,440 Speaker 3: really moment of pride for variety. 80 00:04:36,960 --> 00:04:41,760 Speaker 7: Every group of honorees has their own personality. And I 81 00:04:41,839 --> 00:04:44,760 Speaker 7: do try to use the same photographer for all of 82 00:04:44,800 --> 00:04:48,599 Speaker 7: the covers, which sometimes can be challenging with logistics, but 83 00:04:48,920 --> 00:04:51,599 Speaker 7: this time our photographer Sammy Dason, and we were using 84 00:04:51,720 --> 00:04:54,440 Speaker 7: one location in Los Angeles, so it made it easy. 85 00:04:54,520 --> 00:04:57,080 Speaker 3: Hayley, what would you say are the particular challenges of 86 00:04:57,120 --> 00:04:59,640 Speaker 3: doing this times five for Power Women? 87 00:05:00,279 --> 00:05:04,480 Speaker 8: Biggest difference for Power of Women versus a traditional standalone 88 00:05:04,480 --> 00:05:07,200 Speaker 8: cover is were you looking at them in like a 89 00:05:07,240 --> 00:05:10,640 Speaker 8: holistic sense? Right? How are these five working together? So 90 00:05:10,720 --> 00:05:13,400 Speaker 8: in the past, we've had Power of Women in Nashville, 91 00:05:13,560 --> 00:05:16,039 Speaker 8: and our through line was that we wanted everyone to 92 00:05:16,080 --> 00:05:18,599 Speaker 8: have like their version of concert sheet, and that was 93 00:05:18,640 --> 00:05:21,760 Speaker 8: the through line. Or we did a Power of Women 94 00:05:22,400 --> 00:05:25,159 Speaker 8: New York where we shot them all in studio and 95 00:05:25,200 --> 00:05:28,039 Speaker 8: then they were all in black, so like leaning into 96 00:05:28,040 --> 00:05:31,480 Speaker 8: the New York all black uniform. So for this particular 97 00:05:31,520 --> 00:05:35,520 Speaker 8: group of women, we really wanted to lean into the 98 00:05:35,600 --> 00:05:37,480 Speaker 8: location of it all and that was kind of our 99 00:05:37,520 --> 00:05:40,880 Speaker 8: through line. So when I start to look at what 100 00:05:40,960 --> 00:05:44,039 Speaker 8: do these covers look like from a design perspective. I 101 00:05:44,120 --> 00:05:48,599 Speaker 8: inherit really wonderful photography that Jennifer produces, and then my 102 00:05:48,839 --> 00:05:54,520 Speaker 8: version becomes how are these posters? How are these pieces 103 00:05:54,560 --> 00:05:57,000 Speaker 8: of art? And certain respects And in this case we 104 00:05:57,040 --> 00:06:00,800 Speaker 8: really linked into kind of the architectural pieces of the hotel. 105 00:06:01,160 --> 00:06:04,440 Speaker 8: It's a really strong type or typeface that we're using, 106 00:06:04,680 --> 00:06:08,839 Speaker 8: grading a Gothic that really leans into the architecture. Because 107 00:06:09,279 --> 00:06:13,560 Speaker 8: the photography and the wardrobe is so feminine and soft 108 00:06:13,600 --> 00:06:17,400 Speaker 8: and beautiful. And to pair that with the strength of 109 00:06:17,680 --> 00:06:20,880 Speaker 8: what these women represent and also the strength of the 110 00:06:20,920 --> 00:06:23,920 Speaker 8: hotel as well, was fun. Always a fun pace to do. 111 00:06:24,760 --> 00:06:26,920 Speaker 3: Okay, I'm going to test myself here. I'm going with 112 00:06:27,080 --> 00:06:29,520 Speaker 3: no notes here in front of me. This year's honoree 113 00:06:29,600 --> 00:06:34,839 Speaker 3: are Jamie Lee Curtis, Kate Hudson, Nicole Scherzinger, Sidney Sweeney, 114 00:06:34,880 --> 00:06:38,200 Speaker 3: and Wanda Sykes. Folks, while you're listening, go to writea 115 00:06:38,240 --> 00:06:40,640 Speaker 3: dot com and gaze at these gorgeous photos. They are 116 00:06:40,720 --> 00:06:42,919 Speaker 3: not wearing the same outfit, but there is a sense 117 00:06:42,960 --> 00:06:45,919 Speaker 3: of a theme. How do you communicate that to the 118 00:06:45,960 --> 00:06:47,520 Speaker 3: people that are being photographed. 119 00:06:47,680 --> 00:06:50,080 Speaker 7: I will try to come up with a few sentences 120 00:06:50,160 --> 00:06:53,000 Speaker 7: and I send the same group of sentences to every 121 00:06:53,320 --> 00:06:56,880 Speaker 7: single person, and then I will elaborate on that because 122 00:06:57,040 --> 00:06:59,919 Speaker 7: everybody reads the same thing differently. 123 00:06:59,760 --> 00:07:00,839 Speaker 3: Right, very subjective. 124 00:07:01,000 --> 00:07:04,119 Speaker 7: Typically we do not get all of the honorees at once. 125 00:07:04,279 --> 00:07:07,599 Speaker 7: It's an evolution in terms of booking this. In this case, 126 00:07:08,040 --> 00:07:13,440 Speaker 7: we photographed Sidney and Nicole first, so I knew what 127 00:07:13,520 --> 00:07:15,760 Speaker 7: they were wearing, and as a result of that, I 128 00:07:15,840 --> 00:07:19,680 Speaker 7: knew what colors they had on. So when photographed the 129 00:07:19,720 --> 00:07:25,400 Speaker 7: other three honorees, I specifically referenced, please do not wear yellow. 130 00:07:25,640 --> 00:07:27,120 Speaker 7: So it can evolve over. 131 00:07:27,040 --> 00:07:30,920 Speaker 3: Time, Hailey. In conceiving the cover, we have five different covers, 132 00:07:30,920 --> 00:07:33,840 Speaker 3: since every variety cover has that big, beautiful masthead. I 133 00:07:33,880 --> 00:07:36,640 Speaker 3: love that flying via I always will. But within that 134 00:07:36,680 --> 00:07:39,760 Speaker 3: there's a lot of play and the particular poses that 135 00:07:39,800 --> 00:07:42,800 Speaker 3: you obviously take numerous setups and you have some choices, 136 00:07:43,400 --> 00:07:45,440 Speaker 3: what if you found are the keys to getting that 137 00:07:45,520 --> 00:07:46,960 Speaker 3: across In the cover, we. 138 00:07:47,000 --> 00:07:50,840 Speaker 8: Do shoot these women in multiple different setups, so we 139 00:07:50,880 --> 00:07:53,840 Speaker 8: get to play this fun matching game where we have 140 00:07:54,080 --> 00:07:57,880 Speaker 8: a beat and C for each woman and then we say, well, 141 00:07:57,920 --> 00:08:01,360 Speaker 8: be from this pair or from this shoot looks great 142 00:08:01,360 --> 00:08:03,040 Speaker 8: with a from this one, and we get to look 143 00:08:03,080 --> 00:08:05,720 Speaker 8: at it as this mix and match puzzle to find 144 00:08:06,440 --> 00:08:10,280 Speaker 8: that right configuration for the five of them. The thing 145 00:08:10,280 --> 00:08:13,280 Speaker 8: about Power of Women covers that's so special is that 146 00:08:13,360 --> 00:08:16,880 Speaker 8: we get to really rely on the strength of the 147 00:08:16,920 --> 00:08:20,880 Speaker 8: photography and go very minimal elsewhere. We have a logo 148 00:08:21,080 --> 00:08:23,480 Speaker 8: and we have their names and Power of Women, and 149 00:08:23,520 --> 00:08:26,840 Speaker 8: that's really the three pieces of it. But there's no 150 00:08:26,960 --> 00:08:30,160 Speaker 8: additional cover lines or decks. It's a very minimal cover. 151 00:08:30,800 --> 00:08:34,200 Speaker 8: And then for the inside of the design, similarly, we've 152 00:08:34,200 --> 00:08:36,800 Speaker 8: got a great group of designers here on our staff. 153 00:08:37,360 --> 00:08:40,160 Speaker 8: In the same way that Jennifer hires a female photographer, 154 00:08:40,240 --> 00:08:43,600 Speaker 8: I also have my female designers work on this package 155 00:08:43,640 --> 00:08:45,800 Speaker 8: as well, and so we get to look at it 156 00:08:46,080 --> 00:08:49,040 Speaker 8: the covers as posters, and then the inside also a 157 00:08:49,120 --> 00:08:52,840 Speaker 8: continuation of that story based on the type, the colors, 158 00:08:53,000 --> 00:08:56,200 Speaker 8: all those sorts of fun elements and bring this package 159 00:08:56,200 --> 00:08:57,360 Speaker 8: together for all of them. 160 00:08:57,520 --> 00:09:00,000 Speaker 3: I don't know how you topped yourselves. Every year. 161 00:09:00,040 --> 00:09:02,960 Speaker 7: Somebody's photographed all the time. You know, there's a lot 162 00:09:02,960 --> 00:09:05,880 Speaker 7: of trust. They come, they show up, they have their 163 00:09:05,880 --> 00:09:08,160 Speaker 7: photo taken, and then they leave and then they probably 164 00:09:08,160 --> 00:09:10,520 Speaker 7: cross their fingers that we're going to do right by them. 165 00:09:10,800 --> 00:09:13,200 Speaker 7: I take that seriously, and I know Heley does too, 166 00:09:13,320 --> 00:09:15,080 Speaker 7: so it's nice to see it all come together. 167 00:09:15,400 --> 00:09:16,880 Speaker 3: I can't wait for the two of you to see 168 00:09:16,920 --> 00:09:20,199 Speaker 3: your handiwork writ large. I really do love it. We 169 00:09:20,559 --> 00:09:23,040 Speaker 3: blow up all the covers big and it makes it 170 00:09:23,200 --> 00:09:27,680 Speaker 3: really feel like an event, and we are celebrating these 171 00:09:27,720 --> 00:09:31,120 Speaker 3: folks for the right reasons. They're all associated with charities. 172 00:09:31,400 --> 00:09:34,640 Speaker 3: It's a very big effort, and I am very happy 173 00:09:34,920 --> 00:09:37,800 Speaker 3: to shed some light for listeners on two of the 174 00:09:37,880 --> 00:09:41,480 Speaker 3: key women here that make this thing happen. It is 175 00:09:41,600 --> 00:09:45,200 Speaker 3: incredible work and we deeply, deeply appreciate it. 176 00:09:45,160 --> 00:09:45,800 Speaker 8: Hi Prie. 177 00:09:51,360 --> 00:09:53,959 Speaker 3: Now let's hear directly from a few Variety's Power of 178 00:09:54,000 --> 00:09:57,560 Speaker 3: Women on a Rees. Here's some fun clips from Sydney Sweeney, 179 00:09:57,800 --> 00:10:02,080 Speaker 3: Nicole Scherzinger, and Wanda Sykes. You heard short quips from 180 00:10:02,080 --> 00:10:05,120 Speaker 3: those three at the start of this episode. We'll start 181 00:10:05,160 --> 00:10:08,160 Speaker 3: with Sweeney discussing how she's using her star power for 182 00:10:08,280 --> 00:10:09,760 Speaker 3: good when it comes to producing. 183 00:10:10,280 --> 00:10:14,800 Speaker 2: When I'm involved as a producer on projects, I think 184 00:10:14,880 --> 00:10:18,760 Speaker 2: that for me, at least, the environment just I feel 185 00:10:18,760 --> 00:10:19,440 Speaker 2: more immersed in it. 186 00:10:19,480 --> 00:10:20,280 Speaker 3: I know everybody. 187 00:10:20,400 --> 00:10:24,080 Speaker 2: I have a deeper connection and relationship to people, and 188 00:10:24,400 --> 00:10:26,040 Speaker 2: I just want to make sure everybody's having a really 189 00:10:26,080 --> 00:10:30,800 Speaker 2: good time. I try to create activities for everybody, and 190 00:10:31,280 --> 00:10:33,000 Speaker 2: I love when people feel like a family when they're 191 00:10:33,040 --> 00:10:33,640 Speaker 2: working together. 192 00:10:33,840 --> 00:10:36,320 Speaker 3: Now, Sweeney recalls her work in the twenty twenty three 193 00:10:36,400 --> 00:10:41,040 Speaker 3: feature film Reality, about nsa whistleblower Reality winner, and that's 194 00:10:41,080 --> 00:10:43,920 Speaker 3: followed by her memories of the warm environment on The 195 00:10:44,000 --> 00:10:48,040 Speaker 3: Handmaid's Tale. Despite the brutality of the storyline, I. 196 00:10:47,880 --> 00:10:50,640 Speaker 1: Had to memorize so many lines for Reality. I think 197 00:10:50,679 --> 00:10:53,360 Speaker 1: that my brain doesn't remember a single thing that I said. 198 00:10:54,000 --> 00:10:57,080 Speaker 1: That movie was so intense because it was the actual 199 00:10:57,160 --> 00:11:02,559 Speaker 1: transcript from the interrogation, and so we had everything precisely 200 00:11:02,600 --> 00:11:05,400 Speaker 1: the same the whole movie in sixteen days, and we 201 00:11:05,400 --> 00:11:09,359 Speaker 1: were filming like ten to fifteen pages of just pure dialogue, 202 00:11:09,400 --> 00:11:12,600 Speaker 1: every single diy on site of Handmaid's Tale. 203 00:11:12,720 --> 00:11:15,000 Speaker 2: It was like they were playing Taylor Swift all the time. 204 00:11:15,080 --> 00:11:16,199 Speaker 1: We were singing dance. 205 00:11:16,280 --> 00:11:19,520 Speaker 2: It was such a good vibe, and I remember beinking, Oh, 206 00:11:20,080 --> 00:11:22,520 Speaker 2: this like this is how such should be, Like this 207 00:11:22,559 --> 00:11:25,920 Speaker 2: is just so much fun. Everybody's friends, the crew is incredible. 208 00:11:26,320 --> 00:11:27,640 Speaker 2: It was a really good environment. 209 00:11:28,320 --> 00:11:30,920 Speaker 3: Now we'll hear from Wanda Sykes on how the Chris 210 00:11:31,000 --> 00:11:34,560 Speaker 3: Rock Show kick started her TV career, and she reflects 211 00:11:34,559 --> 00:11:36,760 Speaker 3: on the process of writing for comedy. 212 00:11:36,440 --> 00:11:38,719 Speaker 6: Specials that was not just on the Chris Rock Show. 213 00:11:38,840 --> 00:11:40,760 Speaker 6: I was a writer on a Chris Rock show. I 214 00:11:40,840 --> 00:11:44,080 Speaker 6: started there. Then all the writers we just started ended 215 00:11:44,160 --> 00:11:47,960 Speaker 6: up casting ourselves in bits or a writer would. 216 00:11:47,720 --> 00:11:49,040 Speaker 9: Go, hey, I want you to do this bit. 217 00:11:49,160 --> 00:11:53,160 Speaker 6: We just used each other because we would write bits 218 00:11:53,240 --> 00:11:55,520 Speaker 6: and cast them. But then it was like we had 219 00:11:55,559 --> 00:11:58,920 Speaker 6: a crew, and you know, the producer was like, hey, 220 00:11:58,920 --> 00:12:01,319 Speaker 6: we have like five hour I was left with the crew. 221 00:12:01,760 --> 00:12:02,720 Speaker 6: You guys got anything. 222 00:12:02,760 --> 00:12:04,360 Speaker 9: We was like, yeah, let's do this, and we would 223 00:12:04,400 --> 00:12:05,760 Speaker 9: just do it ourselves. 224 00:12:05,800 --> 00:12:08,120 Speaker 6: And that's how it kind of started us getting in 225 00:12:08,160 --> 00:12:11,480 Speaker 6: front of the camera when people right, they go they 226 00:12:11,559 --> 00:12:15,320 Speaker 6: just named the character Wanda, and they want me. 227 00:12:15,520 --> 00:12:18,640 Speaker 9: Yeah, I know, okay, they want me. They're looking for me. 228 00:12:18,720 --> 00:12:31,880 Speaker 9: I could do this. This is easy. 229 00:12:34,120 --> 00:12:36,800 Speaker 6: Writing a special is a long process. You take the 230 00:12:36,880 --> 00:12:39,600 Speaker 6: material out, work on it, you see what works, what 231 00:12:39,720 --> 00:12:42,560 Speaker 6: doesn't work, and of course something big will happen in 232 00:12:42,600 --> 00:12:44,840 Speaker 6: the world, and then then you throw that out and 233 00:12:44,880 --> 00:12:47,640 Speaker 6: then you start writing towards what's going on. So it's 234 00:12:47,679 --> 00:12:51,240 Speaker 6: the fine line of trying to be current but also 235 00:12:51,559 --> 00:12:52,160 Speaker 6: making it. 236 00:12:52,080 --> 00:12:54,679 Speaker 9: Big enough where it'll it'll hold up. 237 00:12:54,960 --> 00:12:57,600 Speaker 6: I am working on a new special I am and 238 00:12:57,679 --> 00:13:00,600 Speaker 6: hopefully i'll shoot it next year. 239 00:13:00,720 --> 00:13:01,520 Speaker 9: Top of next year. 240 00:13:01,960 --> 00:13:04,920 Speaker 6: I test my jokes out on stage in front of 241 00:13:04,920 --> 00:13:07,720 Speaker 6: the audience. You'll lose friends if you become that comic 242 00:13:07,760 --> 00:13:11,959 Speaker 6: where you just, you know, running your material by them 243 00:13:12,080 --> 00:13:14,120 Speaker 6: all the time, or trying to sneak a joke in. 244 00:13:14,160 --> 00:13:16,200 Speaker 6: And like comics, we called each other out on it. 245 00:13:16,200 --> 00:13:18,600 Speaker 6: Did you just try a joke out on me? You know? 246 00:13:19,200 --> 00:13:21,199 Speaker 6: But I do have a couple of comic friends where 247 00:13:21,200 --> 00:13:23,520 Speaker 6: I can say, hey, let me ask you about this. 248 00:13:24,120 --> 00:13:26,959 Speaker 3: And here comes Nicole Scherzinger with memories of how she 249 00:13:27,080 --> 00:13:29,400 Speaker 3: learned to roar when she was a member of the 250 00:13:29,440 --> 00:13:32,680 Speaker 3: Pussycat Dolls girl group. After that, she dishes about how 251 00:13:32,679 --> 00:13:35,280 Speaker 3: she came to own the song right there. 252 00:13:35,640 --> 00:13:38,600 Speaker 4: How did I become the lead singer of the Pussycuddles. 253 00:13:39,320 --> 00:13:41,679 Speaker 4: Robin Anton used to say, there's a pussy Cat Doll 254 00:13:41,720 --> 00:13:46,720 Speaker 4: on everyone. There was an actual audition, they saw a 255 00:13:46,760 --> 00:13:49,720 Speaker 4: gazillion girls. I came in at the eleventh hour. I 256 00:13:49,840 --> 00:13:53,280 Speaker 4: was the very last person for them to see and 257 00:13:53,440 --> 00:13:55,560 Speaker 4: it was just because I heard it through the Grapevine 258 00:13:56,040 --> 00:13:58,200 Speaker 4: and I showed up at the record planned and they 259 00:13:58,200 --> 00:14:00,000 Speaker 4: didn't even want to see me. They had no time 260 00:14:00,160 --> 00:14:03,400 Speaker 4: for me because they were in their callbackstages. I walked 261 00:14:03,400 --> 00:14:06,960 Speaker 4: into this ginormous recording studio and they were like, you 262 00:14:06,960 --> 00:14:08,920 Speaker 4: can stop right there. What do you want to saying? 263 00:14:08,960 --> 00:14:12,520 Speaker 4: And I just sang a cappella an original song and 264 00:14:12,559 --> 00:14:14,520 Speaker 4: then they're like can you dance? And out of nowhere, 265 00:14:14,600 --> 00:14:17,160 Speaker 4: like I just whipped out a CD from my armpit, 266 00:14:17,280 --> 00:14:18,120 Speaker 4: I was like hit. 267 00:14:18,920 --> 00:14:19,560 Speaker 7: I felt like I. 268 00:14:19,520 --> 00:14:22,200 Speaker 5: Had a top hat on and I wrote I unleashed, 269 00:14:22,200 --> 00:14:24,120 Speaker 5: and I was wearing like of course it and everything 270 00:14:24,120 --> 00:14:26,640 Speaker 5: and ready to go. Because I have a theatrical background. 271 00:14:26,680 --> 00:14:29,960 Speaker 5: I played Vell Mkelly in college, so I just like 272 00:14:30,000 --> 00:14:33,600 Speaker 5: had my fishnets on and I had my corset on 273 00:14:33,720 --> 00:14:36,240 Speaker 5: and so it's a lot of years of hard work 274 00:14:36,640 --> 00:14:39,440 Speaker 5: that got me. But it was just the pussy cat 275 00:14:39,440 --> 00:14:41,800 Speaker 5: dolls unleashed, the doll. 276 00:14:41,640 --> 00:14:45,080 Speaker 4: Inside of me. I'm really grateful because I don't think 277 00:14:45,120 --> 00:14:47,400 Speaker 4: a lot of people know this, but they sent that 278 00:14:47,560 --> 00:14:49,440 Speaker 4: song to Innerscope for Mary J. 279 00:14:49,600 --> 00:14:50,080 Speaker 3: Blige. 280 00:14:50,520 --> 00:14:52,520 Speaker 4: She passed on it and I said, can I sing 281 00:14:52,560 --> 00:14:55,840 Speaker 4: it please? I remember I listened to it. I drove 282 00:14:55,920 --> 00:14:58,280 Speaker 4: up really late from the studio. One night, I was 283 00:14:58,320 --> 00:15:01,280 Speaker 4: in my driveway GOTOS two in the morning and I 284 00:15:01,400 --> 00:15:04,200 Speaker 4: just listened to it on repeat in my car in 285 00:15:04,240 --> 00:15:07,400 Speaker 4: the dark, and I just felt like, Oh, this song 286 00:15:07,560 --> 00:15:10,560 Speaker 4: just like speaks to my spirit, my soul. It's read 287 00:15:10,920 --> 00:15:13,000 Speaker 4: keep it right there. I love the way you got 288 00:15:13,080 --> 00:15:18,000 Speaker 4: it right there here. Oh oh oh e eh oh. 289 00:15:18,040 --> 00:15:20,040 Speaker 7: I like the way that you hold up body. 290 00:15:20,120 --> 00:15:21,280 Speaker 4: Now watch your mouth out. 291 00:15:21,360 --> 00:15:22,520 Speaker 7: I like it dirty. 292 00:15:27,160 --> 00:15:30,160 Speaker 3: Now here's a Just for Variety red carpet rundown with 293 00:15:30,240 --> 00:15:34,440 Speaker 3: Mark Malcolm. There's a lot of disgusting things happening in 294 00:15:34,520 --> 00:15:35,720 Speaker 3: season two of The Pit. 295 00:15:36,040 --> 00:15:39,320 Speaker 10: He's learned thanks Cynthia. The cast of The Pit is 296 00:15:39,400 --> 00:15:43,640 Speaker 10: teasing season two. Star and executive producer No Wiley tells 297 00:15:43,680 --> 00:15:48,240 Speaker 10: me that they've completed ten of the upcoming seasons fifteen episodes. 298 00:15:48,440 --> 00:15:50,520 Speaker 10: I'm really proud of the season. We've obviously said a 299 00:15:50,600 --> 00:15:54,640 Speaker 10: very hard by ourselves. We're competing with our own shadow. Now. 300 00:15:55,080 --> 00:15:57,520 Speaker 10: I caught up with Wiley and co star Katherine lanassa 301 00:15:57,680 --> 00:16:01,440 Speaker 10: Sunday at the Rape Treatment Center and STU Houses Annual Brunch. 302 00:16:01,880 --> 00:16:05,280 Speaker 10: Season two is set over fourth of July weekend. Our 303 00:16:05,280 --> 00:16:08,040 Speaker 10: prosthetic team has been working over time where you're gonna 304 00:16:08,040 --> 00:16:08,960 Speaker 10: be in for some treats. 305 00:16:08,960 --> 00:16:11,160 Speaker 3: It's fourth of July week and Americans heard themselves and 306 00:16:11,200 --> 00:16:12,080 Speaker 3: all Serzo is. 307 00:16:12,280 --> 00:16:15,200 Speaker 10: The NASA said just reading the scripts could prove difficult. 308 00:16:15,520 --> 00:16:21,120 Speaker 3: Thoroughly disgusting, thoroughly thoroughly disgusting, disturbing, heartbreak, gag news. This 309 00:16:21,160 --> 00:16:23,200 Speaker 3: is what we do every day at the pet For more. 310 00:16:23,120 --> 00:16:25,480 Speaker 10: Of my interviews with Wiley and l NASA, check out 311 00:16:25,480 --> 00:16:28,160 Speaker 10: my column Just for Variety at Variety dot com. 312 00:16:28,200 --> 00:16:30,560 Speaker 3: As we close out today's episode, here's a few things 313 00:16:30,600 --> 00:16:33,480 Speaker 3: we're watching for. The fortieth Annual Rock and Roll Hall 314 00:16:33,480 --> 00:16:37,280 Speaker 3: of Fame Induction Ceremony airs live November eighth on Disney Plus. 315 00:16:37,560 --> 00:16:40,600 Speaker 3: Highlights from the ceremony will air January first on ABC 316 00:16:40,800 --> 00:16:43,880 Speaker 3: and head to Hulu the following day. This year's inductees 317 00:16:43,920 --> 00:16:49,920 Speaker 3: include Bad Company, Chubby Checker, Joe Cocker, Cyndi Lauper, Outcast, Soundgarden, 318 00:16:49,960 --> 00:16:53,880 Speaker 3: and The White Stripes. Before we Go, congrats to Daniel Radcliffe. 319 00:16:53,920 --> 00:16:56,160 Speaker 3: He's heading back to Broadway as the star of the 320 00:16:56,160 --> 00:16:59,600 Speaker 3: solo play Every Brilliant Thing. It opens March twelfth for 321 00:16:59,720 --> 00:17:03,240 Speaker 3: thirteen week engagement at the Hudson Theater. Thanks for listening. 322 00:17:03,520 --> 00:17:06,600 Speaker 3: This episode was written and reported by me Cynthia Littleton, 323 00:17:06,960 --> 00:17:10,680 Speaker 3: with contributions from Hailey Cology, Jennifer Dorn, and Mark Malcolm 324 00:17:10,880 --> 00:17:13,720 Speaker 3: Stick Snicks hick Picks. Please leave us a review at 325 00:17:13,760 --> 00:17:16,239 Speaker 3: the podcast platform of your choice, and please tune in 326 00:17:16,240 --> 00:17:19,600 Speaker 3: tomorrow for another episode of Daily Variety and godspeed to 327 00:17:19,640 --> 00:17:21,479 Speaker 3: the Dodgers for Game five tonight. 328 00:17:21,600 --> 00:17:25,600 Speaker 4: Winning the Tony this year has been more than a 329 00:17:25,680 --> 00:17:29,000 Speaker 4: dream come true and answered prayer. I want to write 330 00:17:29,000 --> 00:17:31,399 Speaker 4: my own musical and show, and I want to do 331 00:17:31,560 --> 00:17:34,520 Speaker 4: more on world tours, a movie musical as well. There's 332 00:17:34,520 --> 00:17:36,280 Speaker 4: so many things that I want to do, get my 333 00:17:36,359 --> 00:17:39,960 Speaker 4: music out there and continue to try to leave my 334 00:17:40,040 --> 00:17:41,960 Speaker 4: imprint and make a difference in this world.