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Speaker 1: No, Willian doctor. Well, now I'm self conscious of how

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Speaker 1: we start episodes.

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Speaker 2: He should thanks welcome, just chill, just vibe, just gonna.

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Speaker 1: Don't know how to do that, man, Yo, what's what's probab?

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Speaker 1: It's not in my caucus DNA to just like relax.

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Speaker 1: You gotta relax, man, gotta relax. You've seen us dance

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Speaker 1: for very stiff. We know how to do that. What

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Speaker 1: we are back that we are good to see everybody. Yes, happy,

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Speaker 1: very very chill, very calm weekend.

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Speaker 3: Yeah, happy Father's Day to all of the fathers absolutely

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Speaker 3: out there.

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Speaker 1: Let's clap for the fathers that are here, the real.

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Speaker 3: Fathers, real fathers, not the ones that just have kids,

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Speaker 3: the real fathers.

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Speaker 1: Yes, yes, it seemed it was. Actually I was in

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Speaker 1: the city. It was kind of a calm Father's day.

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Speaker 4: It was a very calm father's day.

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Speaker 3: I was like moving around a little bit, and I

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Speaker 3: was like, well, it's no traffic, it's no restaurant, you

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Speaker 3: can walk right in.

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Speaker 1: Well the other day you can't do that, of course,

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Speaker 1: because I mean, if if the father has the choice,

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Speaker 1: because a lot of mothers will make Father's Day about themselves,

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Speaker 1: but if a father has a choice. It's not to

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Speaker 1: go to brunch no, Like, no, I don't want to

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Speaker 1: go pay for overpriced well and wait in line. No,

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Speaker 1: that's a Mother's Day thing because they want to go

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Speaker 1: out and be celebrated. The father wants to be left alone.

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Speaker 1: So that's that's why the streets are clear.

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Speaker 4: At the crib, little barber or something like that.

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Speaker 1: In the house, yeh, something that I'm not going to

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Speaker 1: have to pay for or wait in line for. Yeah.

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Speaker 1: I saw Demarics as being a great, great daughter.

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Speaker 5: Yeah the best.

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Speaker 1: She was only grilled. She was in the kitchen just

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Speaker 1: doing things that women are supposed to be doing. Grilling, Yeah,

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Speaker 1: grilling and chilling.

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Speaker 2: Grilled some stuff, cook some stuff. Or I know you

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Speaker 2: said father is like being left alone. But my dad

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Speaker 2: always wants to be with his kids on Father's Day.

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Speaker 1: So that's I met mortal. What MA was saying, like

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Speaker 1: left alone as far as don't plan activities that I

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Speaker 1: now have to do. We could be at the house,

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Speaker 1: like let's all kick it as a family and just

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Speaker 1: just chill.

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Speaker 2: Yeah, so he just he just wanted to spend time

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Speaker 2: with me. My older sister came over. We laid out

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Speaker 2: on the grass and dug our feet into the earth, grounded,

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Speaker 2: smoked some smoke some what they smoke smoke some weed.

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Speaker 5: I made dirty martinis. Cooked. It was great. He really

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Speaker 5: really loved his father's day.

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Speaker 1: That's dope. Yeah, he's such a great daughter.

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Speaker 2: Tomars, No, thank you. That's something I really took pride in.

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Speaker 2: You know, one day a year, it's all about him. Oh,

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Speaker 2: on his birthday, just one day day, one day.

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Speaker 1: Yeah. The rest of the man that gave you life revolves.

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Speaker 5: Around me every other day. Given life mad easy?

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Speaker 1: By the way, given life is not mad easy. What

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Speaker 1: are you talking about it?

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Speaker 5: It's nut every day.

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Speaker 1: That don't mean giving life. No, making life is not easy.

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Speaker 1: I watched what kid went through on that table. That

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Speaker 1: shit did not look east. Oh yeah no, but we're

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Speaker 1: talking about father. It's nothing is easy. That shit take

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Speaker 1: it easy?

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Speaker 2: Is one?

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Speaker 6: Two?

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Speaker 1: Three? Nah?

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Speaker 4: Not really though, it depends.

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Speaker 2: Nothing not easy.

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Speaker 1: No, I'm nothing mad easy.

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Speaker 2: Being a father is not easy, Like being a dad

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Speaker 2: is not easy. But like the life, the grays, the

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Speaker 2: life part is easy. You had them before Tomorrow life.

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Speaker 1: No, they started really popping out when Tomorrow was born.

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Speaker 1: I had like one or two.

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Speaker 5: Oh my god, it's mad of them now. Yeah, you

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Speaker 5: old as fuck. I never saw that before.

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Speaker 1: I'm telling you, that's what fatherhood does now.

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Speaker 3: But the grays really show when you've been outside in

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Speaker 3: the sun though was yeah, because that's like your version

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Speaker 3: of its tan and true.

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Speaker 1: When I do the just for men, I don't want

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Speaker 1: any judgments. I don't care. I'm not gonna hide it.

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Speaker 2: You canna buy it an orange though, No, you gotta

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Speaker 2: let Nah, you can't do that.

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Speaker 1: I think salt and pepper looks cool. I don't know

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Speaker 1: if ketchup in salt looks cool like, but it's like

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Speaker 1: it's like I think the salt and pepper little man

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Speaker 1: can get off and women find it very attractive. I

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Speaker 1: don't know if it's the same way with redheads. We

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Speaker 1: google redhead we look a little weird. That's all redhead

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Speaker 1: men with great And I've noticed every redhead that like

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Speaker 1: looks like me, like Bill b. We all get the

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Speaker 1: grays in like one single patch right here, and it

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Speaker 1: looks weird. I'm not against just dying the shit. I'm

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Speaker 1: really not you you would just for a minute, you

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Speaker 1: would die. Uh yeah? Is there other products? I mean,

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Speaker 1: it's just for men. The only one I don't know.

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Speaker 1: I've never had it talking about it, I've never don't.

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Speaker 2: I don't really I don't really like it either. You know,

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Speaker 2: you could just not have the beard.

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Speaker 4: Cut the beard off.

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Speaker 1: I would I would look like a petal no no, no,

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Speaker 1: to get the just from yeah, it's cut the beard off.

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Speaker 1: It likes, for everyone's sake, what you're up with.

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Speaker 2: Like this thing where like beards have become like a necessity,

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Speaker 2: Like I missed back in the day when people were

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Speaker 2: clean shaven in the face.

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Speaker 1: Like yeah, when you're in your twenties, yeah, no.

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Speaker 2: Even when you're your thirties and forties, Like if you

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Speaker 2: have a nice face, like why do you need a beard?

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Speaker 3: I just think it just looks a little weird if

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Speaker 3: you have like a full face of hair and then

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Speaker 3: like you shave it all off.

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Speaker 2: It's just a little like if you I mean, if

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Speaker 2: y'all face car hit, don't hit, like just say that.

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Speaker 1: But like, no, I have great bone structure. I'm like,

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Speaker 1: I look max pretty well. Like I watched what.

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Speaker 3: Man said, he has great bone structures.

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Speaker 2: I can't say it.

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Speaker 1: Making be his job harder. What's the clappical that that

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Speaker 1: that weirdo particular yeah, like what he's trying to achieve.

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Speaker 1: I I naturally have Like if you go to my

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Speaker 1: Instagram and look at my younger photos when I don't

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Speaker 1: have a beer, this is a chiseled this is yeah.

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Speaker 1: But I like my beard.

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Speaker 3: You got a chin like a jim carry me myself

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Speaker 3: and I.

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Speaker 6: Hank thought you had a weak chin. That movie is

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Speaker 6: so funny. We don't talk about me myself.

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Speaker 1: And ireen it up. Yea movie so fucking fucking classic man.

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Speaker 4: That is a classic.

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Speaker 1: Yo man. Yeah, I hope like that under that hair,

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Speaker 1: good man. No, I could pull off the no beer.

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Speaker 1: But I like my beard.

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Speaker 2: Yeah, I mean, but I'm just saying if it turns white,

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Speaker 2: like you really gonna die that shiit orange because what

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Speaker 2: if you can't match the exact color.

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Speaker 1: I mean, we'll cross that bridge out after my barber

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Speaker 1: puts it in my beard.

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Speaker 4: You gotta get like a like an armbre.

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Speaker 1: Don't break funnies, ran like.

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Speaker 4: An orange and kind of mix it together.

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Speaker 5: It me like a like an orange gloss to But

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Speaker 5: but you.

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Speaker 6: Know you do male ketchup, Yeah, mile ketchum ketcham mile.

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Speaker 1: Get a special sauce at every spot.

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Speaker 2: Color.

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Speaker 1: You gotta get the but I mean all like hair girls,

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Speaker 1: and all that comes from your mother's side, right, is

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Speaker 1: not what it is? Yeah, yes, you guys have seen

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Speaker 1: my mom. She doesn't dire hair. That red is chilling.

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Speaker 1: I have more grayses than my mom.

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Speaker 4: Really well, yeah, my.

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Speaker 1: Mom doesn't die of hair and she has still red hair,

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Speaker 1: like maybe one or two she'll pull out, but it's

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Speaker 1: not great. I don't know. I can't do it just

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Speaker 1: for me, I just I can't do it.

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Speaker 5: You don't get enhancements when you get your hair cut.

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Speaker 5: What enhancements?

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Speaker 2: What kind of enhancement like when niggas get this, oh

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Speaker 2: the spray, like you know when they when they clean

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Speaker 2: up the lines.

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Speaker 3: Fuck no, I I would choke my ball with his

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Speaker 3: clip acord if he ever tried to do that.

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Speaker 1: Did they make Beijing in Ginger?

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Speaker 5: I'm sure they do.

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Speaker 1: Yeah, getting the red Beijing would be.

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Speaker 6: Bro.

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Speaker 2: I was on a date with a man one time

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Speaker 2: and some black ship started like running down his face.

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Speaker 2: I was like, you got black stuff on your face?

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Speaker 5: What is that?

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Speaker 2: And then like my homegirl had to put me out,

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Speaker 2: like oh girl, he probably had enhancements in his hair,

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Speaker 2: like it was running out his face because it was hot.

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Speaker 1: Nah.

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Speaker 4: Never, I will never do no ship like that.

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Speaker 5: You so lucky you have such a good hairline.

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Speaker 3: I would never do that. Like enhancements, I wouldn't even

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Speaker 3: just from in my beard. I wouldn't even do that.

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Speaker 3: I'm not doing that.

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Speaker 1: Let's as someone that has a blessed hairline and no grace, Like,

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Speaker 1: you don't know what I got, what you're doing.

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Speaker 2: I has a couple of grades.

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Speaker 1: I got grades.

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Speaker 5: I definitely got just.

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Speaker 1: As about as compared to most of I'm actually have

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Speaker 1: less is the most people my age. I'm saying, I

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Speaker 1: can't speak for people that started graying and balding when

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Speaker 1: they were twenty two years old.

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Speaker 3: Yeah, that's that's a different type of struggle. Going bald

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Speaker 3: in your twenties is crazy.

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Speaker 1: I know a couple of it happens, so I really can't.

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Speaker 1: I feel like I can't judge them because I don't

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Speaker 1: know what that's like. I could never imagine being twenty

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Speaker 1: three and my hairline is back here. I wouldn't know

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Speaker 1: what to do. I may take some precautions and get

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Speaker 1: some enhancements.

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Speaker 3: I know a lot of that is genetics, but I

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Speaker 3: feel like like dudes it and like they didn't wash

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Speaker 3: in like condition to here.

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Speaker 4: They don't treat their scalps good.

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Speaker 1: A lot of it is thereditary, but yes, if you

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Speaker 1: don't take care of you, I can get it.

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Speaker 3: A lot of it is genetics, but I just I

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Speaker 3: just be feeling like, yo, bro, you don't wash, and

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Speaker 3: you don't scrub your scalp, you don't stimulate the fileicles

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Speaker 3: in your head.

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Speaker 4: It's a lot of things.

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Speaker 1: You wear that hat when we that hat is that hat? Yeah?

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Speaker 1: You play basketball hat like rim of the hat? Feel

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Speaker 1: yeah like you do.

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Speaker 3: I watched you do everything in that hat, like like

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Speaker 3: in the pool you went underwater. Yeah, like feel like

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Speaker 3: it's a lot of that. I know it's genetics, but

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Speaker 3: it's also a lot about lifestyles. Well yeah, look look

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Speaker 3: at the lining of your hat. That's also happening to

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Speaker 3: your scalp. So yeah, I hear you. The salt, the salt,

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Speaker 3: the salt brim.

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Speaker 6: Yeah, that's what happens if you don't sweat and it

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Speaker 6: drives up.

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Speaker 1: That happens.

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Speaker 5: I've never seen that ship in my life.

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Speaker 3: That's super normal with that. Yeah, that's when you're doing

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Speaker 3: like I don't know what activity you've done in the

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Speaker 3: hat where you sweat like that, like at that point,

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Speaker 3: just take the hat off.

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Speaker 4: Work.

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Speaker 2: That's disgusting. I've never seen that before.

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Speaker 1: That's me. Yeah, that's before I got the enhancements.

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Speaker 5: You don't get a dancements wore?

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Speaker 1: No, I don't. I don't even know what enhancement is.

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Speaker 1: If I go, will the spread.

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Speaker 2: Like when they're doing your hairline, Like you ever seen

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Speaker 2: the Dominicans in their hairline be mad crisp?

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Speaker 5: It's because they put a little longer.

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Speaker 1: And I know I've seen that happen at my barbershop,

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Speaker 1: but I don't think they make it in ginger. I've

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Speaker 1: never seen a Ginger get that before.

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Speaker 4: Yeah, I don't think I've ever seen either.

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Speaker 1: Like I don't think Travis Kelsey is going to his

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Speaker 1: barber and.

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Speaker 3: Maybe you and like belly Gan Cushington might change the

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Speaker 3: market on that.

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Speaker 1: He probably knows where the ginger Beijing is.

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Speaker 3: Yeah, because he gets like a he gets, you know,

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Speaker 3: shape up like the brothers.

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Speaker 2: So they've been giving it to kids. Now I'll be

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Speaker 2: seeing kids getting enhancements. You you don't, but a lot

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Speaker 2: of taken a lot of barbers.

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Speaker 5: Do it automatically for that people.

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Speaker 1: Airline giving other enhancements to their children, which I disagree with.

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Speaker 1: But are we going there that I go there? I

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Speaker 1: love going there. I'm fine with the barber. Can we

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Speaker 1: talk about the other enhancements that they're doing. We could

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Speaker 1: go there if you want to go there. We're not

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Speaker 1: going to go there. Let's stay in the hair world.

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Speaker 1: Is it just Nicki Minaj fans? Or is the Internet

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Speaker 1: really depressed about jay Z's hair? Everything jay Z these

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Speaker 1: days is like a topic? Am I just in a

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Speaker 1: barb algorithm? Today?

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Speaker 5: Is the Internet?

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Speaker 1: Because the outrage and caring After Beyonce put out this

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Speaker 1: seven minute video of how Hove took his locks out,

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Speaker 1: I feel like we're really in the move like the

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Speaker 1: movie Idiocracy. Like I cannot believe this is a topic today.

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Speaker 1: It's a topic. But is it just barbs? Or is

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Speaker 1: this like a topic with like saying human beings?

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Speaker 3: I feel well, saying is subjective, but I feel like

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Speaker 3: it's a topic only because obviously it's you know, two

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Speaker 3: of the biggest figures that we have from our culture,

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Speaker 3: two of the biggest figures and entertainment. And it was

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Speaker 3: a talking point because again, you know, when the whole

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Speaker 3: Roots Festival happened and Jay came out with the afro,

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Speaker 3: A lot of people were speculating whether it was a wig,

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Speaker 3: what happened to the wigs, and things like that. Beyonce

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Speaker 3: does have a haircare line now with Sacred, so I

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Speaker 3: think they took this as an opportunity to kind of like, Okay,

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Speaker 3: you know, we're going to show you that we use

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Speaker 3: the product ourselves. If we're not just selling the product,

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Speaker 3: we actually use it. And I think that this put

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Speaker 3: to rest a lot of the questions that people were

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Speaker 3: having to regarding Jay's hair on.

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Speaker 4: Stage that night, Like they just documented the hair journey.

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Speaker 1: Yeah, which I mean, I think was a brilliant marketing tool.

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Speaker 1: And I still don't understand how you guys are so

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Speaker 1: shocked and outrage that Jay Z and Beyonce sell things.

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Speaker 1: They said, look at them selling products. Yeah, I mean

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Speaker 1: they're a businessman and a businesswoman.

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Speaker 2: I said, everything is for content, everything is for capitalism.

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Speaker 5: Oh, welcome to America.

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Speaker 1: It's only the Carter's doing that. Speaking of we're signing

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Speaker 1: for our Patreon dot comports, Lash New Royal more. We

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Speaker 1: also have merch available as well. Shout out to boost Mobile.

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Speaker 1: But we're not those people. We don't sell what How

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Speaker 1: the fuck could Jay Z and Beyonce try to sell

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Speaker 1: hair care products and put out a video the fucking

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Speaker 1: nerve of these people.

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Speaker 3: But we need haircare, right, that's something that we need.

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Speaker 3: We need entertainment, we need music, right, they give us that.

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Speaker 2: Mind you. Everybody says that Sacred works like Sacred doesn't

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Speaker 2: get like that you. I use Sacred regularly.

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Speaker 1: I use that.

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Speaker 5: Inurisiing hair oil and I use the hair I love it.

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Speaker 1: Yeah, you see the difference in the I do.

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Speaker 2: They have really good their deep conditioner is great with

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Speaker 2: slip and this I'm not paid for this. This is

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Speaker 2: I was not given free Sacred products. I buy my

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Speaker 2: Sacred products and they expensive. I buy them.

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Speaker 1: But they they have like a good leaving moisture as

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Speaker 1: a conditioner.

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Speaker 2: Not they do, I'm sure, but I don't use that.

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Speaker 2: I can only speak for what I use, and what

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Speaker 2: I use is.

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Speaker 3: I need a good leaving a leather basket lab. They

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00:13:28,040 --> 00:13:30,080
Speaker 3: have a basket leather. That's a good leaving condition they do.

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Speaker 3: I need a good leaving after I washed my hair

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Speaker 3: and I you know, just let it.

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Speaker 1: The do the do products the DoD O Yeah, basket

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Speaker 1: lather as well.

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Speaker 3: D o ux and basket lad and basket bast Lave.

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Speaker 3: I've tried the condition.

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Speaker 1: Okay, did you guys see the seven minute video that

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Speaker 1: Beyonce put together. I don't think I saw the full

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Speaker 1: seven minutes, but I saw some clips of it. Yes, Wow,

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00:13:53,240 --> 00:13:55,120
Speaker 1: look at our attentions. Man, you saw clips of a

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Speaker 1: clip seven minutes? Yeah?

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Speaker 4: Saw a two minute video of it?

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Speaker 1: Well? Yeah, I mean. It started with Beyonce explaining why

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Speaker 1: Jay even started to grow his hair out was because

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00:14:04,080 --> 00:14:06,400
Speaker 1: Blue was feeling a little insecure about hers, so he

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00:14:06,440 --> 00:14:08,719
Speaker 1: went and did that because they have the same pir

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Speaker 1: texture and the show that you know it's beautiful, which

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00:14:11,440 --> 00:14:14,719
Speaker 1: I thought was great. Then discussing I think it was

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00:14:14,720 --> 00:14:17,000
Speaker 1: the seven years he's had growing his hair out, seven

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Speaker 1: or eight years, maybe a little longer than that, Beyonce

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00:14:21,160 --> 00:14:24,360
Speaker 1: was saying that Jay's father, his favorite team was a

340
00:14:24,360 --> 00:14:27,480
Speaker 1: Sixers and always had an afro, So for Philly, he

341
00:14:27,520 --> 00:14:30,440
Speaker 1: thought it'd be a good idea to pay tribute to

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00:14:30,480 --> 00:14:33,760
Speaker 1: his pops and do the fro respect, which the only

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00:14:33,800 --> 00:14:36,640
Speaker 1: barb comment I did actually laugh at was no, he's

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Speaker 1: told us his pops left like thirty fives. I saw

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00:14:38,800 --> 00:14:42,000
Speaker 1: that you can still honor your parent, even if you

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00:14:42,040 --> 00:14:44,640
Speaker 1: have disagreements with them when they were here, that's still okay.

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Speaker 4: You can still choose to honor your parent.

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Speaker 1: Yes, I'm sure Jay is still not the biggest fan

349
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Speaker 1: of his pops, but he is also discussed being at

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Speaker 1: his funeral and things of that nature. So no, I

351
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Speaker 1: didn't think it's crazy that he wanted to do that

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00:14:55,240 --> 00:15:02,040
Speaker 1: in Philly based off his family's lineage. Yes, but I

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Speaker 1: don't know, do you guys feel like this they did

354
00:15:04,360 --> 00:15:08,680
Speaker 1: this outside of the capitalistic portion of it. But to

355
00:15:08,760 --> 00:15:11,000
Speaker 1: reply to everyone saying there's no way he took his

356
00:15:11,080 --> 00:15:13,600
Speaker 1: locks out in that time, Yeah, I think I'm why,

357
00:15:13,720 --> 00:15:16,520
Speaker 1: I don't know anything that covered a lot of bases.

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Speaker 3: I think this video covered a lot of that, Like

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00:15:18,360 --> 00:15:20,200
Speaker 3: a lot of people that were you know, again they

360
00:15:20,320 --> 00:15:23,000
Speaker 3: on the side of you know, did he cut his hair?

361
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Speaker 4: Was it a wig? This whole time he's wearing a

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Speaker 4: lace front.

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00:15:26,480 --> 00:15:28,400
Speaker 3: I thought the people thinking that Jay would ever put

364
00:15:28,440 --> 00:15:30,360
Speaker 3: on the lace front wig for years and walking around

365
00:15:30,400 --> 00:15:35,120
Speaker 3: with it was absolutely hilarious. But yeah, I mean it's again,

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Speaker 3: I think that it's it ties in, it's a it's

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00:15:37,920 --> 00:15:41,240
Speaker 3: a product that obviously, you know, Beyonce and you know,

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00:15:41,320 --> 00:15:45,000
Speaker 3: the card's own but product that they also use, a

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00:15:45,040 --> 00:15:48,000
Speaker 3: product that works, a product that is great for your hair,

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00:15:49,000 --> 00:15:52,800
Speaker 3: especially for our type of hair. So why not document

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00:15:52,840 --> 00:15:55,840
Speaker 3: it and and show us that, you know, Jay, not

372
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Speaker 3: only are they selling it, but they're using it. Is

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Speaker 3: that it's actually a product that they use. So I

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Speaker 3: don't think it's nothing wrong with that.

375
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Speaker 4: Man.

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00:16:01,480 --> 00:16:04,160
Speaker 1: If it's a great product and it works, you know

377
00:16:04,200 --> 00:16:07,560
Speaker 1: what's the problem. Does he keep I know we had

378
00:16:07,560 --> 00:16:10,840
Speaker 1: this conversation already, but now that that the hair has

379
00:16:10,880 --> 00:16:14,080
Speaker 1: become such a talking piece and there is this this

380
00:16:14,200 --> 00:16:19,920
Speaker 1: video slash commercial slap lifestyle dud. Does he keep it

381
00:16:20,080 --> 00:16:22,080
Speaker 1: the hair out the throw? I think he keeps it

382
00:16:22,120 --> 00:16:26,000
Speaker 1: for a while. I think he keeps it pause pause.

383
00:16:26,800 --> 00:16:32,600
Speaker 1: I thought Jay looked great with the cornrows. He looks adorable, adorable.

384
00:16:32,120 --> 00:16:33,240
Speaker 5: He does like.

385
00:16:33,280 --> 00:16:35,080
Speaker 1: I don't know if that would really fit the reasonable

386
00:16:35,200 --> 00:16:39,200
Speaker 1: doubt blueprint thing. We were talking about it with the

387
00:16:39,280 --> 00:16:42,520
Speaker 1: Dark Caesar, but I thought Jay looked. The brains look great.

388
00:16:43,040 --> 00:16:47,320
Speaker 6: Cornrolls underfitted, yeah, fire, that's very ninety six to old

389
00:16:47,360 --> 00:16:48,920
Speaker 6: three ish.

390
00:16:49,360 --> 00:16:51,400
Speaker 1: Yeah, I think the corn rolls be cool.

391
00:16:51,560 --> 00:16:54,400
Speaker 2: God, can our favorite rapper please release some new music,

392
00:16:54,480 --> 00:16:56,680
Speaker 2: so people can stop talking about this fucking hair.

393
00:16:56,960 --> 00:16:59,800
Speaker 3: Like because if he released the music, they're gonna say,

394
00:16:59,800 --> 00:17:02,680
Speaker 3: see the hair. That's why he can't wrap the SAME's

395
00:17:02,760 --> 00:17:05,960
Speaker 3: the hair, paying too much attention to the hair. He's

396
00:17:05,960 --> 00:17:09,240
Speaker 3: focusing on too much moisturizer. The lyrics ain't landing the

397
00:17:09,280 --> 00:17:11,240
Speaker 3: same like. You know, they gonna find a way to

398
00:17:11,359 --> 00:17:11,959
Speaker 3: tie it all in.

399
00:17:12,040 --> 00:17:12,520
Speaker 4: You know that.

400
00:17:12,680 --> 00:17:13,080
Speaker 1: I saw that.

401
00:17:13,160 --> 00:17:16,520
Speaker 6: Jay also announced those two pop up shows.

402
00:17:17,080 --> 00:17:18,399
Speaker 1: Can we find the dates for those? There's one in

403
00:17:18,480 --> 00:17:22,280
Speaker 1: Dumbo and then one in downtown Manhattan. I didn't say that.

404
00:17:23,400 --> 00:17:28,640
Speaker 2: Yeah, oh my god, I don't never get to go nowhere.

405
00:17:28,680 --> 00:17:35,080
Speaker 1: Good only only we knew someone related, all right, I

406
00:17:35,119 --> 00:17:38,560
Speaker 1: mean nowhere. I told bigs I'm your brother. Now Manhattan

407
00:17:38,600 --> 00:17:41,159
Speaker 1: and Brooklyn June twenty fifth, So two pop ups in

408
00:17:41,200 --> 00:17:46,880
Speaker 1: one day. It's June twenty seconds. So that is this Thursday?

409
00:17:47,800 --> 00:17:52,919
Speaker 1: So much should we record early? What time should we need?

410
00:17:53,000 --> 00:17:53,840
Speaker 1: We're gonna do both with.

411
00:17:53,840 --> 00:17:55,760
Speaker 2: That shit gonna be like the Knicks parade, Bro, you

412
00:17:55,800 --> 00:17:56,800
Speaker 2: might as well stay home.

413
00:17:58,040 --> 00:17:59,719
Speaker 1: I never even think about going to shit like this.

414
00:18:00,440 --> 00:18:04,400
Speaker 1: No that the pop up stuff is it's a little

415
00:18:04,440 --> 00:18:06,600
Speaker 1: too He's gonna be acting. I don't even care. If

416
00:18:06,640 --> 00:18:10,640
Speaker 1: you having a fucking escort with security and you're on

417
00:18:10,680 --> 00:18:12,440
Speaker 1: the list, it's still going to be a nightmare trying

418
00:18:12,440 --> 00:18:13,000
Speaker 1: to get too that BITCHU.

419
00:18:13,119 --> 00:18:15,240
Speaker 4: Yeah, stay away from all of those types of events.

420
00:18:15,520 --> 00:18:16,879
Speaker 1: Yeah, I hear you. But I mean I think that

421
00:18:16,960 --> 00:18:18,840
Speaker 1: is cool that he's doing too pop ups some one day.

422
00:18:19,280 --> 00:18:22,919
Speaker 1: I mean he he had to after Cheap Teeth came out, like,

423
00:18:24,720 --> 00:18:27,399
Speaker 1: because that's career ending in my opinion, like you gotta.

424
00:18:28,560 --> 00:18:29,960
Speaker 1: After I heard it, I was like, damn, it's even

425
00:18:29,960 --> 00:18:32,040
Speaker 1: gonna show up to the Yankee Stadium shows, Like after

426
00:18:32,359 --> 00:18:36,360
Speaker 1: being humiliated that way, can you even show your face anymore?

427
00:18:37,640 --> 00:18:40,320
Speaker 1: I need somebody now, I'm thinking, is Cinnamon do do?

428
00:18:40,640 --> 00:18:41,520
Speaker 1: That's all I'm thinking about.

429
00:18:41,600 --> 00:18:43,560
Speaker 2: I need to I need someone to tell me if

430
00:18:43,640 --> 00:18:48,800
Speaker 2: Dame is in the most respectful way just trolling us

431
00:18:48,840 --> 00:18:51,760
Speaker 2: to hell because he likes the attention, or if something

432
00:18:51,840 --> 00:18:55,000
Speaker 2: is actually wrong because I don't know him personally, Because

433
00:18:55,000 --> 00:18:58,200
Speaker 2: there's no way that this is serious. So that's why

434
00:18:58,280 --> 00:19:01,920
Speaker 2: I'm confused. You can't have this much talent and knowledge

435
00:19:01,960 --> 00:19:03,680
Speaker 2: of talent and do shit like this. You gotta be

436
00:19:03,760 --> 00:19:07,639
Speaker 2: just be having fun and like being childish, or something's wrong.

437
00:19:08,520 --> 00:19:11,679
Speaker 3: Yeah, I don't know. Man, at this point, I'm you know,

438
00:19:12,560 --> 00:19:13,719
Speaker 3: I don't know. Like you said, I don't know if

439
00:19:13,720 --> 00:19:17,920
Speaker 3: it's trolling. I don't know if it's you know, any

440
00:19:17,920 --> 00:19:21,520
Speaker 3: type of seriousness to this. I think Dame is just

441
00:19:21,560 --> 00:19:23,399
Speaker 3: doing what you know, he wants to do. Anything that

442
00:19:23,440 --> 00:19:27,359
Speaker 3: he feels like doing, He's doing it. I just don't

443
00:19:27,359 --> 00:19:31,439
Speaker 3: see the point of it. I mean, that's more decide.

444
00:19:31,440 --> 00:19:33,840
Speaker 3: I'm on, like, you can have fun and live life

445
00:19:33,840 --> 00:19:35,440
Speaker 3: and you know, do the things that you like to do.

446
00:19:35,800 --> 00:19:37,320
Speaker 3: I just don't know why this would be one of

447
00:19:37,359 --> 00:19:40,199
Speaker 3: those things that you just say, you know what I'm saying, Like,

448
00:19:40,280 --> 00:19:42,560
Speaker 3: I just it's just like this, It's like why this

449
00:19:42,720 --> 00:19:46,640
Speaker 3: I just I don't understand it isn't an addiction.

450
00:19:46,920 --> 00:19:48,920
Speaker 5: An addiction to attention.

451
00:19:52,359 --> 00:19:55,200
Speaker 3: Yeah, I think I think wanting attention is a part

452
00:19:55,200 --> 00:19:59,160
Speaker 3: of it. I think that, you know, I think Dame understands,

453
00:20:00,280 --> 00:20:02,760
Speaker 3: uh that a lot of the times when he does something,

454
00:20:03,240 --> 00:20:05,960
Speaker 3: you know, the virality of it, it's gonna be everywhere,

455
00:20:06,000 --> 00:20:08,360
Speaker 3: It's gonna be clipped up everywhere, everybody's gonna be posting it.

456
00:20:08,440 --> 00:20:10,720
Speaker 1: Dame doesn't need to do this for this, No.

457
00:20:10,800 --> 00:20:11,520
Speaker 4: He doesn't need it.

458
00:20:11,560 --> 00:20:14,560
Speaker 1: Even if let's say hypothetically, because we don't know that.

459
00:20:14,560 --> 00:20:15,760
Speaker 1: I don't put that. I don't know if Dame is

460
00:20:15,760 --> 00:20:18,520
Speaker 1: addicted to attention. He doesn't need to do this to

461
00:20:18,560 --> 00:20:19,160
Speaker 1: get attention.

462
00:20:19,680 --> 00:20:23,960
Speaker 3: He doesn't need No, he doesn't need to do this again.

463
00:20:24,000 --> 00:20:26,359
Speaker 3: I just don't, you know, I don't see the point

464
00:20:26,400 --> 00:20:29,080
Speaker 3: of it. Like it's just pointless to me. And it's

465
00:20:29,200 --> 00:20:30,439
Speaker 3: it's embarrassing, honestly.

466
00:20:30,480 --> 00:20:33,080
Speaker 1: It's like, you know, I get it, you want to

467
00:20:33,320 --> 00:20:35,560
Speaker 1: do your thing and whatever you feel like doing, and

468
00:20:35,720 --> 00:20:38,640
Speaker 1: you know, I get all of that, but it's this

469
00:20:38,760 --> 00:20:40,240
Speaker 1: is this is this is.

470
00:20:40,119 --> 00:20:42,960
Speaker 3: Like cringe to watch, just like all right, man, Like

471
00:20:43,000 --> 00:20:45,440
Speaker 3: I get it. You and Jay obviously are in the

472
00:20:45,480 --> 00:20:48,639
Speaker 3: space where you will never be, you know, where you

473
00:20:48,720 --> 00:20:49,280
Speaker 3: once were.

474
00:20:49,760 --> 00:20:53,960
Speaker 1: I think we all know that the situation with him and.

475
00:20:53,960 --> 00:20:58,160
Speaker 3: Cam, you know, I think that's at a space now

476
00:20:58,200 --> 00:21:00,400
Speaker 3: where they may never be where they want to her.

477
00:21:01,720 --> 00:21:03,720
Speaker 3: But at the same time, I don't think a lot

478
00:21:03,760 --> 00:21:07,320
Speaker 3: of people even really care anymore. Like I don't think

479
00:21:07,320 --> 00:21:11,080
Speaker 3: people care if Cam and Dame are friends anymore. I

480
00:21:11,119 --> 00:21:14,240
Speaker 3: don't think people care if Jay and Dame are friends anymore.

481
00:21:14,760 --> 00:21:19,800
Speaker 3: I think that, you know, people are past that Dame

482
00:21:19,840 --> 00:21:23,560
Speaker 3: should be passed it as well. And to be fair,

483
00:21:23,600 --> 00:21:25,720
Speaker 3: you know a lot of the times when Dame is

484
00:21:25,760 --> 00:21:28,920
Speaker 3: talking about Jay in certain interviews, it's people bringing Jay

485
00:21:29,000 --> 00:21:30,800
Speaker 3: up asking them questions part of the story.

486
00:21:30,880 --> 00:21:32,119
Speaker 1: Yeah, so I get that.

487
00:21:32,640 --> 00:21:34,719
Speaker 2: He knows he's gonna be asked about that, though, because otherwise,

488
00:21:34,760 --> 00:21:35,960
Speaker 2: why are they interviewing Dame Dad?

489
00:21:37,000 --> 00:21:40,679
Speaker 6: Well, I mean there's other things, but having such a

490
00:21:40,680 --> 00:21:43,960
Speaker 6: significant part of your story be with a company you

491
00:21:44,040 --> 00:21:46,960
Speaker 6: started with another very famous person, of course it's gonna

492
00:21:46,960 --> 00:21:47,439
Speaker 6: get brought up.

493
00:21:47,480 --> 00:21:50,760
Speaker 2: But people are not bringing Dame on to talk about

494
00:21:51,200 --> 00:21:53,080
Speaker 2: just his past with he's had.

495
00:21:53,440 --> 00:21:54,760
Speaker 5: Dame has done a million interviews.

496
00:21:54,840 --> 00:21:57,000
Speaker 2: There's nothing else to interview Dame about that has not

497
00:21:57,080 --> 00:21:59,800
Speaker 2: already been said. When people are bringing Dame on for interviews,

498
00:22:00,040 --> 00:22:02,520
Speaker 2: it's to get a viral moment of him saying something crazy,

499
00:22:02,680 --> 00:22:05,080
Speaker 2: not probably like probably a three old story, or to

500
00:22:05,160 --> 00:22:06,720
Speaker 2: get like his real and death knowledge.

501
00:22:06,720 --> 00:22:08,240
Speaker 5: He's been interviewed by a million people.

502
00:22:08,440 --> 00:22:10,840
Speaker 2: What I'm saying is now, like Reese, like, at this point,

503
00:22:10,880 --> 00:22:12,440
Speaker 2: people are bringing you on for clickbait.

504
00:22:13,000 --> 00:22:15,680
Speaker 1: Yeah, there's not what I mean, But I think now

505
00:22:16,200 --> 00:22:19,120
Speaker 1: at this point, I think Dame is a participant in

506
00:22:19,160 --> 00:22:22,400
Speaker 1: that same strategy. You don't think. You don't think that

507
00:22:22,440 --> 00:22:26,080
Speaker 1: world star, I don't even know what to call. It

508
00:22:26,200 --> 00:22:29,120
Speaker 1: was not for clickbait because even Dame on cam capone

509
00:22:29,160 --> 00:22:33,919
Speaker 1: today said no one should take that seriously. He was

510
00:22:33,920 --> 00:22:37,119
Speaker 1: on were cam capone okay, which is a great YouTube

511
00:22:37,119 --> 00:22:40,359
Speaker 1: platform now to chempic copone. He was like, no one

512
00:22:40,359 --> 00:22:42,200
Speaker 1: should take it seriously, but also in the same breath

513
00:22:42,240 --> 00:22:44,600
Speaker 1: said it was a hit record and that Osquino made

514
00:22:44,600 --> 00:22:47,480
Speaker 1: a hit record and no direspect to Osquino whatsoever. I

515
00:22:47,520 --> 00:22:51,240
Speaker 1: actually didn't even mind Asquino's response over over the Drake beat.

516
00:22:52,640 --> 00:22:56,520
Speaker 1: But Dame, you've made hit records before. Don't call an

517
00:22:56,520 --> 00:23:00,920
Speaker 1: Osquino freestyle and cheap teeth. Yo. Everyone was asleep, so

518
00:23:00,960 --> 00:23:04,840
Speaker 1: we started making hit record. Yeah, troller, let me see

519
00:23:04,840 --> 00:23:10,600
Speaker 1: the sound scale controlling. He is trolling, But sometimes I think, Dame,

520
00:23:12,160 --> 00:23:14,919
Speaker 1: and this is just outside looking at I don't know.

521
00:23:16,160 --> 00:23:21,200
Speaker 1: I think he's starting to get into that like Batman

522
00:23:21,400 --> 00:23:25,320
Speaker 1: Dark Night theory about the Joker, Like, I think he's

523
00:23:25,359 --> 00:23:28,800
Speaker 1: really starting to become the character. Even if he thinks

524
00:23:28,800 --> 00:23:32,040
Speaker 1: he's trolling. I think he's can't even find the gray

525
00:23:32,080 --> 00:23:35,920
Speaker 1: area in his brain m hm, because at one point

526
00:23:35,960 --> 00:23:37,560
Speaker 1: he probably thought this was trolling, but while he was

527
00:23:37,600 --> 00:23:39,680
Speaker 1: performing that shit, I think he believed that this was hot.

528
00:23:40,960 --> 00:23:43,080
Speaker 1: Like I think he's starting to believe the character that

529
00:23:43,440 --> 00:23:46,280
Speaker 1: he's becoming with the trolling on the internet right, and

530
00:23:46,400 --> 00:23:49,480
Speaker 1: can't decipher the two things the way maybe he could

531
00:23:49,520 --> 00:23:53,280
Speaker 1: have when he was younger and was playing. I mean,

532
00:23:53,320 --> 00:23:56,199
Speaker 1: it's respectfully playing the media mogul that he was. But

533
00:23:56,240 --> 00:23:58,359
Speaker 1: he even admitted like he would turn on and become

534
00:23:58,400 --> 00:24:00,600
Speaker 1: the mogul when it was Timmy Yellipe, like that was

535
00:24:01,119 --> 00:24:02,800
Speaker 1: part of his strategy, which I thought was a good

536
00:24:02,840 --> 00:24:05,679
Speaker 1: strategy for people that may have been fucking with his company,

537
00:24:06,040 --> 00:24:08,159
Speaker 1: But he admitted that that was a character that he

538
00:24:08,200 --> 00:24:11,920
Speaker 1: would turn on. I think it's the same thing here,

539
00:24:13,080 --> 00:24:16,520
Speaker 1: but it's no longer the positive mogul that he was.

540
00:24:16,880 --> 00:24:19,399
Speaker 1: It is now the troll, and he's starting to believe

541
00:24:19,440 --> 00:24:22,400
Speaker 1: his own trolling, if that makes any sense. I think

542
00:24:22,440 --> 00:24:25,320
Speaker 1: he's lost himself in the character of trolling now as

543
00:24:25,320 --> 00:24:29,119
Speaker 1: opposed to losing himself in the amazing businessman that he

544
00:24:29,160 --> 00:24:31,560
Speaker 1: always has been. And I'm still saying, I think that's

545
00:24:31,560 --> 00:24:33,280
Speaker 1: the CEO country Club that she looked cool up in

546
00:24:33,280 --> 00:24:35,639
Speaker 1: the cats skills, that's fly to me, that's dope. And

547
00:24:35,680 --> 00:24:38,240
Speaker 1: I'm not saying Dane doesn't have other companies and isn't

548
00:24:38,240 --> 00:24:41,200
Speaker 1: a good businessman. I just think he's becoming a caricature

549
00:24:41,240 --> 00:24:44,280
Speaker 1: of someone that he would pull aside and say, what

550
00:24:44,320 --> 00:24:46,240
Speaker 1: are you doing? Yeah, what the fuck are you doing?

551
00:24:46,720 --> 00:24:50,000
Speaker 1: Because this isn't Land, Like, what's this for? Like when

552
00:24:50,080 --> 00:24:51,960
Speaker 1: Jay replied to everyone on stage it was a purpose.

553
00:24:51,960 --> 00:24:54,040
Speaker 1: People have been talking about me for a decade. I'm

554
00:24:54,080 --> 00:24:56,560
Speaker 1: about to reply to all you in one fucking minute.

555
00:24:57,520 --> 00:25:00,280
Speaker 1: Tiredy y'all talking? Here's my response. But not only that,

556
00:25:00,840 --> 00:25:03,080
Speaker 1: I don't think Jay watched this and was like, damn,

557
00:25:03,080 --> 00:25:04,480
Speaker 1: what am I going to say? I think he watched

558
00:25:04,480 --> 00:25:07,960
Speaker 1: this and what you know? I was right, thank god.

559
00:25:08,040 --> 00:25:10,399
Speaker 3: But not only that, then you have your artists that

560
00:25:10,560 --> 00:25:13,120
Speaker 3: is now chiming in on it, you know what I'm saying.

561
00:25:13,200 --> 00:25:16,200
Speaker 3: That's when it's like if it's just you know, hip

562
00:25:16,200 --> 00:25:22,359
Speaker 3: hop has always done that though, even Platform and he said,

563
00:25:22,400 --> 00:25:25,040
Speaker 3: which I know to be true from everyone else that

564
00:25:25,119 --> 00:25:27,640
Speaker 3: was run there when it was time to just nas Yeah,

565
00:25:27,920 --> 00:25:32,159
Speaker 3: everyone from State Property didn't know nas is. You're not

566
00:25:32,440 --> 00:25:38,960
Speaker 3: You're not comparing this. You're not comparing Nikki Licky dissing Jayson.

567
00:25:39,400 --> 00:25:42,240
Speaker 3: I'm just saying what I'm saying, taken artists back to

568
00:25:42,280 --> 00:25:44,760
Speaker 3: what I'm saying, what is this?

569
00:25:45,320 --> 00:25:47,560
Speaker 1: I don't know. I don't know that I had second

570
00:25:47,400 --> 00:25:50,959
Speaker 1: had embarrassment. And if you see the comments, it actually

571
00:25:50,960 --> 00:25:53,320
Speaker 1: shows the amount of respect everyone has for Dame dash

572
00:25:53,359 --> 00:25:55,520
Speaker 1: in his career because everyone is just shaking their head,

573
00:25:55,560 --> 00:25:59,240
Speaker 1: like damn, I don't even like seeing this. It's not

574
00:25:59,280 --> 00:26:03,760
Speaker 1: even people clowning, people disappointed, but it's so much respect.

575
00:26:03,800 --> 00:26:04,240
Speaker 4: We don't want to.

576
00:26:04,240 --> 00:26:05,639
Speaker 3: We don't even want to. We don't even care to

577
00:26:05,680 --> 00:26:08,040
Speaker 3: see or hear any of this anymore. It's at that

578
00:26:08,040 --> 00:26:09,879
Speaker 3: point now we're just like all right, man, we get it.

579
00:26:09,880 --> 00:26:12,240
Speaker 3: But it's like we we don't need the world star

580
00:26:12,359 --> 00:26:14,879
Speaker 3: on the radar, Like we don't need that.

581
00:26:15,240 --> 00:26:18,479
Speaker 2: I just see that people are motivated by different things.

582
00:26:18,520 --> 00:26:20,679
Speaker 2: And I don't even just want to make this about

583
00:26:20,760 --> 00:26:23,840
Speaker 2: Dame in life, because there's no way the person that

584
00:26:24,119 --> 00:26:28,200
Speaker 2: I came up with business wise becomes who he becomes.

585
00:26:28,840 --> 00:26:32,880
Speaker 2: And I'm okay doing this shit in public, like either

586
00:26:32,920 --> 00:26:35,720
Speaker 2: I'm going to disappear for forever or I'm going to

587
00:26:35,800 --> 00:26:39,600
Speaker 2: be motivated to come back and do my best to

588
00:26:39,840 --> 00:26:40,400
Speaker 2: like make.

589
00:26:40,320 --> 00:26:42,760
Speaker 5: A nigga respect me like I don't.

590
00:26:42,840 --> 00:26:43,280
Speaker 1: I don't know.

591
00:26:43,280 --> 00:26:46,600
Speaker 2: Maybe that's just my brain, but embarrassment motivates me. That

592
00:26:47,200 --> 00:26:50,600
Speaker 2: is just like nah, like I'm cool being a clown.

593
00:26:51,040 --> 00:26:54,639
Speaker 1: One of my favorite Combat Jack episodes ever was the

594
00:26:54,680 --> 00:26:57,280
Speaker 1: first Dame Dash one. It's one of one of my

595
00:26:57,280 --> 00:27:01,879
Speaker 1: favorite podcast episodes period, in all of podcast. I think

596
00:27:02,119 --> 00:27:07,120
Speaker 1: that Dame compared to the one that I'm looking at now,

597
00:27:09,200 --> 00:27:12,239
Speaker 1: is a contradiction of everything that he said in that

598
00:27:12,280 --> 00:27:19,920
Speaker 1: Combat Jack interview. I Dame was the most grounded, most intelligent,

599
00:27:20,880 --> 00:27:23,880
Speaker 1: I don't want to say non corny, but because Dame

600
00:27:23,920 --> 00:27:28,800
Speaker 1: has always been such a director of taste rightfully, so

601
00:27:30,720 --> 00:27:34,280
Speaker 1: I can't see how that same person with that taste

602
00:27:34,359 --> 00:27:38,199
Speaker 1: level that we all think is incredible could be Okay,

603
00:27:38,560 --> 00:27:43,400
Speaker 1: we're doing that. You know, it's a different lot. I admired.

604
00:27:43,600 --> 00:27:44,080
Speaker 1: A lot of this.

605
00:27:44,040 --> 00:27:46,800
Speaker 4: Goes against what Dame is about and has preached.

606
00:27:47,200 --> 00:27:51,040
Speaker 3: It's not tasteful, it's not cool, it's not fly, it's

607
00:27:51,119 --> 00:27:54,320
Speaker 3: not any of those things that Dame has sat back

608
00:27:54,400 --> 00:27:58,719
Speaker 3: for years and did a great job at curating. You know,

609
00:27:58,760 --> 00:28:01,960
Speaker 3: when it comes to being cool and fly, and you

610
00:28:02,000 --> 00:28:03,880
Speaker 3: know what I'm saying, Shit, that was tasteful and shit

611
00:28:04,320 --> 00:28:08,159
Speaker 3: creating something that was, you know, that something that people enjoyed,

612
00:28:08,240 --> 00:28:10,479
Speaker 3: Like this is the total opposite of all of those things.

613
00:28:10,800 --> 00:28:12,640
Speaker 3: So to see him doing it to me, that's why

614
00:28:12,640 --> 00:28:15,080
Speaker 3: I'm just like, while I get it, you at a

615
00:28:15,200 --> 00:28:16,959
Speaker 3: stage in life where you just want to do what

616
00:28:17,000 --> 00:28:20,080
Speaker 3: you want to do, it's still you know, it has

617
00:28:20,119 --> 00:28:23,680
Speaker 3: to be at a certain level of just like tastefulness

618
00:28:23,720 --> 00:28:25,800
Speaker 3: and cool and.

619
00:28:25,560 --> 00:28:27,600
Speaker 1: Like none of this is any of that.

620
00:28:27,800 --> 00:28:30,199
Speaker 3: So that's why I'm looking at it, like, you know,

621
00:28:30,280 --> 00:28:33,200
Speaker 3: I didn't even watch it, like you know, when you

622
00:28:33,560 --> 00:28:35,639
Speaker 3: watch something that somebody that you know, you just like, I.

623
00:28:35,640 --> 00:28:38,840
Speaker 1: Can't look at that, man, cause I just I watched

624
00:28:38,840 --> 00:28:40,440
Speaker 1: it twice because the first time I didn't believe it.

625
00:28:40,440 --> 00:28:42,760
Speaker 3: It's like second, you know what I'm saying, this was

626
00:28:42,880 --> 00:28:44,840
Speaker 3: like I can't watch Dame do that.

627
00:28:44,880 --> 00:28:45,040
Speaker 4: Man.

628
00:28:45,080 --> 00:28:46,920
Speaker 3: I got too much you know, love and respect for

629
00:28:47,040 --> 00:28:51,000
Speaker 3: Dame to watch things like that. Now I'll see like

630
00:28:51,040 --> 00:28:52,960
Speaker 3: the first couple of seconds of it and just laugh

631
00:28:53,040 --> 00:28:55,400
Speaker 3: and turn it off like like all right, man, this

632
00:28:55,440 --> 00:28:59,000
Speaker 3: is where you at. Like I don't want to you know,

633
00:28:59,080 --> 00:29:01,280
Speaker 3: It's just unfortunately, because again, Dame was somebody that we

634
00:29:01,320 --> 00:29:02,120
Speaker 3: always looked at.

635
00:29:02,400 --> 00:29:05,080
Speaker 1: That was just the curate of cool ship.

636
00:29:05,240 --> 00:29:07,120
Speaker 3: And you know what I'm saying, It's like, yeah, he

637
00:29:07,200 --> 00:29:08,840
Speaker 3: was one of the older guys that we looked at

638
00:29:08,840 --> 00:29:11,640
Speaker 3: that was just like, yo, he's he's aging in the way.

639
00:29:11,640 --> 00:29:14,160
Speaker 3: It was that okay, like you can age and still

640
00:29:14,160 --> 00:29:16,320
Speaker 3: be cool and still have style and still you know,

641
00:29:17,120 --> 00:29:19,280
Speaker 3: have taste and things like that. And this is just

642
00:29:19,360 --> 00:29:22,360
Speaker 3: like this is like the embarrassing uncle at the cookout.

643
00:29:22,440 --> 00:29:25,240
Speaker 3: That's just like he had too much corn liquor.

644
00:29:25,320 --> 00:29:26,000
Speaker 4: Like it's like.

645
00:29:26,760 --> 00:29:32,280
Speaker 3: Corner gotten his stashed, un gotten the stash, the mohe Yeah,

646
00:29:32,280 --> 00:29:33,560
Speaker 3: he had the grill going crazy.

647
00:29:33,880 --> 00:29:35,600
Speaker 1: You know what I'm saying. Like, it's just like it

648
00:29:35,640 --> 00:29:36,920
Speaker 1: almost feels like that. Man.

649
00:29:36,960 --> 00:29:38,240
Speaker 3: It was like come on, man, like you know what

650
00:29:38,240 --> 00:29:40,240
Speaker 3: I'm saying. We gotta love and respect for Dame, so

651
00:29:40,240 --> 00:29:42,200
Speaker 3: we don't want to we don't want to see him

652
00:29:42,240 --> 00:29:44,880
Speaker 3: go out like that. But yeah, I think it's at

653
00:29:44,880 --> 00:29:46,800
Speaker 3: that point where he just don't Dame was just like, fuck,

654
00:29:46,880 --> 00:29:47,640
Speaker 3: you don't give a fuck.

655
00:29:47,720 --> 00:29:47,880
Speaker 1: Man.

656
00:29:48,280 --> 00:29:50,120
Speaker 3: He's definitely in his I don't give a fuck. Ever,

657
00:29:51,800 --> 00:29:55,040
Speaker 3: he's all the way f he's all the way in. Yeah,

658
00:29:55,320 --> 00:29:57,560
Speaker 3: he's all the way I'm saying. He's the joker.

659
00:29:57,800 --> 00:30:00,160
Speaker 1: Yeah, he don't give a he's all the way in

660
00:30:00,160 --> 00:30:02,160
Speaker 1: his ledger, believing that he's the character.

661
00:30:02,400 --> 00:30:03,400
Speaker 4: Yes, like one.

662
00:30:04,320 --> 00:30:06,640
Speaker 1: And don't you don't realize that that's a movie. You're

663
00:30:06,640 --> 00:30:09,480
Speaker 1: not that character off the fucking screen, how my man said?

664
00:30:09,480 --> 00:30:12,240
Speaker 3: And uh and what's one of our favorite movies with

665
00:30:12,320 --> 00:30:14,120
Speaker 3: a with a Ben Stiller?

666
00:30:15,560 --> 00:30:16,600
Speaker 1: Uh? Which one?

667
00:30:16,720 --> 00:30:18,600
Speaker 4: Traffic Traffic Traffic thunder.

668
00:30:18,960 --> 00:30:21,400
Speaker 1: A dude playing a dude dresses another dude. No, no, no,

669
00:30:21,560 --> 00:30:25,040
Speaker 1: not even that. Would never go full retar. You never

670
00:30:25,120 --> 00:30:26,040
Speaker 1: go full retard.

671
00:30:26,080 --> 00:30:26,560
Speaker 4: You know that.

672
00:30:27,120 --> 00:30:28,320
Speaker 1: You never go all the way.

673
00:30:28,360 --> 00:30:28,479
Speaker 6: Bro.

674
00:30:28,560 --> 00:30:30,560
Speaker 3: You don't go all in on the on the character.

675
00:30:30,680 --> 00:30:32,800
Speaker 3: You don't do that because then you know you can't

676
00:30:32,840 --> 00:30:35,920
Speaker 3: come back. It's hard. It's hard to come back when

677
00:30:35,960 --> 00:30:38,240
Speaker 3: it's over. It's hard to be like, nah, that was

678
00:30:38,280 --> 00:30:40,480
Speaker 3: just a character I created, But you can't go all

679
00:30:40,560 --> 00:30:41,240
Speaker 3: the way.

680
00:30:41,200 --> 00:30:44,200
Speaker 1: He did go. He went simple jack on that whole freestyle.

681
00:30:44,800 --> 00:30:45,800
Speaker 4: This is what I'm saying.

682
00:30:45,840 --> 00:30:49,000
Speaker 3: You went all the way, you simple jack.

683
00:30:49,280 --> 00:30:52,520
Speaker 4: You went all the way, simple day, you all you

684
00:30:52,640 --> 00:30:53,080
Speaker 4: all in.

685
00:30:53,240 --> 00:30:55,520
Speaker 3: And that's why it's just like I can't I can't

686
00:30:55,520 --> 00:30:57,600
Speaker 3: watch that ship man, It's just it's embarrassing.

687
00:30:57,640 --> 00:31:02,960
Speaker 1: And then you know I mean, I would love to

688
00:31:03,520 --> 00:31:08,720
Speaker 1: do an episode with Dame if it was okay with

689
00:31:08,920 --> 00:31:11,200
Speaker 1: certain people that I respect, and I would never disrespect

690
00:31:11,200 --> 00:31:14,080
Speaker 1: them if they didn't want us to ever have them

691
00:31:14,120 --> 00:31:19,120
Speaker 1: on it. But I still do admire Dame, and maybe

692
00:31:19,120 --> 00:31:21,080
Speaker 1: there's a method to the madness that I'm not aware of,

693
00:31:21,120 --> 00:31:22,440
Speaker 1: and that is something I would like to talk to

694
00:31:22,560 --> 00:31:24,720
Speaker 1: about because I have that much respect for Dame Dash.

695
00:31:25,320 --> 00:31:27,200
Speaker 3: I'm the opposite. I want to talk. I want to

696
00:31:27,240 --> 00:31:28,280
Speaker 3: talk to Dame off camera.

697
00:31:29,160 --> 00:31:31,040
Speaker 1: I can, well, don't you have a way longer? I

698
00:31:31,040 --> 00:31:32,880
Speaker 1: don't know, don't you grew up with it?

699
00:31:33,000 --> 00:31:34,680
Speaker 3: Yeah, I don't want to talk. I want to talk

700
00:31:34,720 --> 00:31:38,040
Speaker 3: off camera. But that makes more understands, like what's up?

701
00:31:38,080 --> 00:31:38,280
Speaker 1: Man?

702
00:31:39,440 --> 00:31:42,120
Speaker 3: Like like you said, because maybe it's a method. Maybe

703
00:31:42,120 --> 00:31:45,600
Speaker 3: it's something that we don't know, and it's just like I,

704
00:31:45,680 --> 00:31:47,640
Speaker 3: once we get that part of it, it's like, okay,

705
00:31:48,040 --> 00:31:51,320
Speaker 3: a little more understanding that. I still think it's could

706
00:31:51,440 --> 00:31:53,760
Speaker 3: be done in a more tasteful way. I don't think

707
00:31:53,800 --> 00:31:57,600
Speaker 3: you have to be on Mike rapping and singing and dancing.

708
00:31:57,600 --> 00:31:59,040
Speaker 3: I don't think you have to be doing that, you

709
00:31:59,080 --> 00:32:01,720
Speaker 3: know what I mean? But you know I wanted I

710
00:32:01,720 --> 00:32:04,719
Speaker 3: would like to have a conversation with Dame off camera.

711
00:32:04,960 --> 00:32:06,960
Speaker 4: I don't it don't need to be on camera for me, Like,

712
00:32:06,960 --> 00:32:07,480
Speaker 4: I don't need that.

713
00:32:07,520 --> 00:32:11,320
Speaker 1: Okay, how would you feel if I reached out to

714
00:32:11,400 --> 00:32:13,840
Speaker 1: Dame myself and asked him to do Cheap Teeth on

715
00:32:13,880 --> 00:32:14,680
Speaker 1: my car? Is beautiful?

716
00:32:16,360 --> 00:32:18,400
Speaker 3: If that's what you want to if that's my journey,

717
00:32:18,400 --> 00:32:20,240
Speaker 3: if that's your journey, and that's what you see, you.

718
00:32:20,240 --> 00:32:21,560
Speaker 1: Know what I mean, Like that's what that's where you

719
00:32:21,600 --> 00:32:21,800
Speaker 1: see that.

720
00:32:22,760 --> 00:32:24,280
Speaker 3: You know I'm you know, I'm never going to step

721
00:32:24,320 --> 00:32:27,360
Speaker 3: on your Yeah, you can epe that if that's how

722
00:32:27,400 --> 00:32:29,680
Speaker 3: you feel. Like, listen, bro, you know what I'm saying.

723
00:32:29,920 --> 00:32:31,800
Speaker 3: Just just years from now, when we're doing the doc,

724
00:32:32,160 --> 00:32:33,880
Speaker 3: I'll say that like that was a terrible idea. I

725
00:32:33,880 --> 00:32:35,040
Speaker 3: told him that was terrible back there.

726
00:32:35,320 --> 00:32:37,959
Speaker 1: See that was a two track with world Star. You

727
00:32:38,000 --> 00:32:39,400
Speaker 1: know how musically you didn't want to get into the

728
00:32:39,400 --> 00:32:42,960
Speaker 1: stems bring a live Ben Yeah.

729
00:32:42,400 --> 00:32:44,280
Speaker 3: Yeah, yeah, you want the stems for it. You want

730
00:32:44,320 --> 00:32:46,240
Speaker 3: to go in there and like, okay, I get it.

731
00:32:46,240 --> 00:32:48,200
Speaker 3: You heard the synth on Cheap Ta. Yeah it needs

732
00:32:48,240 --> 00:32:50,520
Speaker 3: to be live. Yeah, they should have. They should have

733
00:32:50,560 --> 00:32:52,520
Speaker 3: turned that up. That part needed to be turned up

734
00:32:52,520 --> 00:32:55,160
Speaker 3: a little bit more. But yeah, man, I don't know. Again,

735
00:32:55,280 --> 00:32:58,480
Speaker 3: I still have a sense of you know, love and

736
00:32:58,560 --> 00:33:01,600
Speaker 3: respect for Dame. But again, I don't want to see

737
00:33:01,640 --> 00:33:03,640
Speaker 3: him doing shit like this. I just don't want to

738
00:33:03,640 --> 00:33:03,959
Speaker 3: see that.

739
00:33:04,680 --> 00:33:07,360
Speaker 1: I know you would never speak about it or even

740
00:33:07,520 --> 00:33:09,000
Speaker 1: admit that, you know, but I would love to see

741
00:33:09,000 --> 00:33:11,680
Speaker 1: the family group chat on days like this, just for

742
00:33:11,720 --> 00:33:13,880
Speaker 1: the last. It was nothing malicious, just for the last,

743
00:33:13,960 --> 00:33:15,680
Speaker 1: that's all. Yeah, it was. It was.

744
00:33:15,720 --> 00:33:17,560
Speaker 3: It was very interesting, to say the least. It was

745
00:33:17,600 --> 00:33:21,400
Speaker 3: a lot of oh okay, all right, yeah, all right.

746
00:33:22,320 --> 00:33:24,720
Speaker 1: I guess I just as a fan expected everyone to

747
00:33:24,760 --> 00:33:27,720
Speaker 1: age the way Biggs is because that's how I viewed

748
00:33:28,760 --> 00:33:33,320
Speaker 1: everybody from that era. No Big, who was Bigs? And

749
00:33:33,440 --> 00:33:35,800
Speaker 1: like how Big is aging right now?

750
00:33:35,840 --> 00:33:39,360
Speaker 3: Biggs has always shot away from attention. And for sure,

751
00:33:39,400 --> 00:33:42,479
Speaker 3: you know, he never wanted his notoriety. He didn't care

752
00:33:42,480 --> 00:33:45,520
Speaker 3: about that. He was most more so just you know,

753
00:33:46,000 --> 00:33:47,880
Speaker 3: behind the scenes. He always wanted to play that role.

754
00:33:47,920 --> 00:33:50,840
Speaker 1: But I'm saying, agent, I thought everyone would go stepped

755
00:33:50,840 --> 00:33:52,720
Speaker 1: out in front of the camera a lot later on,

756
00:33:53,000 --> 00:33:55,120
Speaker 1: you know, like you know recently, as you know, a

757
00:33:55,200 --> 00:33:56,440
Speaker 1: few years ago, he's got a lot.

758
00:33:56,360 --> 00:33:59,200
Speaker 6: Of I mean coming out he was launching new company.

759
00:33:59,200 --> 00:34:01,120
Speaker 6: He's like, you got to stop so he do you

760
00:34:01,200 --> 00:34:01,480
Speaker 6: know that?

761
00:34:01,520 --> 00:34:04,480
Speaker 3: But that was the first time in a long time

762
00:34:04,520 --> 00:34:07,280
Speaker 3: that a lot of people have even heard him really speak. Yeah,

763
00:34:07,400 --> 00:34:09,640
Speaker 3: for you know, a lengthy period of time and definitely

764
00:34:09,640 --> 00:34:12,359
Speaker 3: do interviews and shit like that. But nah, Bigs don't

765
00:34:12,400 --> 00:34:14,640
Speaker 3: care about that type of shit. He's definitely the you know,

766
00:34:15,120 --> 00:34:18,120
Speaker 3: ghost in the shadow. He'd rather play that role. Yeah, bro,

767
00:34:18,239 --> 00:34:19,919
Speaker 3: and Happy Fathers did it to Biggs as well.

768
00:34:20,360 --> 00:34:26,400
Speaker 1: Absolutely no yet. I finally got through to maw But

769
00:34:26,640 --> 00:34:30,719
Speaker 1: Ryan Page damars Kyle on the back. Boost Mobile is

770
00:34:30,760 --> 00:34:33,080
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771
00:34:33,080 --> 00:34:34,920
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772
00:34:34,920 --> 00:34:37,760
Speaker 1: got through the mall. He unlocked the savings with twenty

773
00:34:37,800 --> 00:34:42,040
Speaker 1: five dollars a month forever unlimited plan. It's a permanent

774
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Speaker 1: price with no contracts, no price hikes. You can keep

775
00:34:45,239 --> 00:34:47,120
Speaker 1: the phone you have in your pocket right now, Ryan,

776
00:34:47,840 --> 00:34:49,799
Speaker 1: the phone you have right and the number you can

777
00:34:49,880 --> 00:34:54,280
Speaker 1: keep it so stop overpaying and switch to a fair price.

778
00:34:54,400 --> 00:34:58,840
Speaker 1: I'm talking to you too, Kyle. Boostsmobile dot com right now.

779
00:34:58,680 --> 00:35:01,000
Speaker 3: Based on average annual single payment up at and T

780
00:35:01,120 --> 00:35:03,560
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781
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782
00:35:06,680 --> 00:35:15,359
Speaker 3: For full off of details, visit boostmobile dot com.

783
00:35:15,480 --> 00:35:19,080
Speaker 1: But while we're here, DeMars always adds this every episode.

784
00:35:19,120 --> 00:35:21,000
Speaker 1: I don't know how many more times I can apologize.

785
00:35:21,080 --> 00:35:22,240
Speaker 2: You never apologized?

786
00:35:23,560 --> 00:35:24,960
Speaker 1: Apologize you never apologize?

787
00:35:25,160 --> 00:35:26,440
Speaker 4: Was the apology? What happened?

788
00:35:26,480 --> 00:35:28,600
Speaker 1: What did I do young Young Miami? Oh?

789
00:35:28,840 --> 00:35:30,360
Speaker 4: We apologizing to Young Miami.

790
00:35:31,239 --> 00:35:34,680
Speaker 5: Suspend that I did because you did your fuck.

791
00:35:34,760 --> 00:35:38,560
Speaker 2: You did your little sarcastic thing that you do, like, yeah, nah,

792
00:35:38,719 --> 00:35:40,799
Speaker 2: it's to hit like yo, you think of Young Miami.

793
00:35:40,800 --> 00:35:43,720
Speaker 2: Don't want to grab me like that? That little sarcastic bullshit.

794
00:35:43,280 --> 00:35:43,640
Speaker 5: Did you do?

795
00:35:43,719 --> 00:35:48,359
Speaker 1: Respectfully? I think you mis understood what Maul and I

796
00:35:48,360 --> 00:35:50,719
Speaker 1: were talking about. We were not saying that that song

797
00:35:50,800 --> 00:35:54,919
Speaker 1: wasn't good. We were laughing at Joe and Jada. Yeah,

798
00:35:55,239 --> 00:35:59,800
Speaker 1: not the song, and we love Jada love of respect,

799
00:35:59,800 --> 00:36:01,680
Speaker 1: but I'm sure Jada's laughed at us before.

800
00:36:01,680 --> 00:36:04,200
Speaker 2: It's okay you're laughing at If it was a song

801
00:36:04,239 --> 00:36:06,759
Speaker 2: that you thought was fire and they were reacting like that,

802
00:36:06,920 --> 00:36:08,920
Speaker 2: you would have not laughed at them, that was the

803
00:36:08,920 --> 00:36:09,400
Speaker 2: point of it.

804
00:36:09,440 --> 00:36:13,719
Speaker 1: I was not expecting Joe and Jada to react to

805
00:36:13,760 --> 00:36:16,920
Speaker 1: the record the way that they reacted. So, if anything,

806
00:36:16,960 --> 00:36:19,200
Speaker 1: maybe I own apology to Joe and Jada, not to

807
00:36:19,280 --> 00:36:22,719
Speaker 1: Young Miami, because I've never said the song was bad.

808
00:36:23,040 --> 00:36:26,319
Speaker 1: It's clearly a hit but very catchy. We said that,

809
00:36:27,760 --> 00:36:32,360
Speaker 1: you said that, if all right, four years ago, if

810
00:36:32,719 --> 00:36:35,440
Speaker 1: Sexy Red came in here and played us a booty

811
00:36:35,440 --> 00:36:38,440
Speaker 1: whole Brown and Maul was standing on the couches when

812
00:36:38,480 --> 00:36:40,200
Speaker 1: she played it, am I allowed to laugh at all.

813
00:36:40,320 --> 00:36:42,560
Speaker 2: They did not stand on the couches. They just sat

814
00:36:42,600 --> 00:36:44,640
Speaker 2: up there and bobbed their head like we do to

815
00:36:44,840 --> 00:36:49,160
Speaker 2: music that we think is fire every day trash. Okay, yeah,

816
00:36:49,320 --> 00:36:51,480
Speaker 2: sure we've done into music we think it's trash too,

817
00:36:51,840 --> 00:36:53,680
Speaker 2: but we do that. We do that to music. We

818
00:36:53,719 --> 00:36:56,120
Speaker 2: think it's fire every day. But y'all don't say anything.

819
00:36:56,320 --> 00:36:59,399
Speaker 2: But it was a thing because you didn't like, you

820
00:36:59,440 --> 00:37:01,560
Speaker 2: didn't agree that the song was fired. That's why it

821
00:37:01,600 --> 00:37:02,960
Speaker 2: was such a thing that they were just sitting up

822
00:37:02,960 --> 00:37:04,680
Speaker 2: there nodding their head to the song.

823
00:37:05,680 --> 00:37:09,680
Speaker 1: I've never even seen Jada smile like that when Styles performs. Uh,

824
00:37:11,239 --> 00:37:15,439
Speaker 1: I like, I've never seen I've never seen Jada ear

825
00:37:15,480 --> 00:37:17,640
Speaker 1: to ear the way. Yes, we were laughing at that.

826
00:37:18,120 --> 00:37:21,640
Speaker 2: He's just said bobbing the said regular this is, this is,

827
00:37:21,640 --> 00:37:23,000
Speaker 2: but this. We ain't gonna get out of this mic and

828
00:37:23,040 --> 00:37:26,719
Speaker 2: be disingenuous. We're not gonna do that. I thought this,

829
00:37:26,800 --> 00:37:28,560
Speaker 2: So you thought the song was trashed. The fact that

830
00:37:28,640 --> 00:37:30,839
Speaker 2: they were bobbing to it, the fact that they were

831
00:37:30,840 --> 00:37:32,640
Speaker 2: bobbing to it like that, they bobbed the music all

832
00:37:32,680 --> 00:37:34,080
Speaker 2: the time, the fact.

833
00:37:33,920 --> 00:37:36,319
Speaker 3: That they were bob were laughing like Young Miami was there,

834
00:37:36,400 --> 00:37:38,279
Speaker 3: she looks good, like, You're not gonna be shit. Young

835
00:37:38,320 --> 00:37:39,840
Speaker 3: Miami ain't gonna be in a studio looking like that,

836
00:37:39,840 --> 00:37:40,440
Speaker 3: and we're gonna.

837
00:37:40,239 --> 00:37:43,520
Speaker 1: Like, nah, that's trash. No nigga's doing that. Everybody gonna do.

838
00:37:43,640 --> 00:37:45,520
Speaker 2: Every niggas gonna do the same thing, like, nah, that's

839
00:37:45,520 --> 00:37:48,920
Speaker 2: shit hard, Okay, if we change this horn. Apology to

840
00:37:49,000 --> 00:37:52,640
Speaker 2: Joe and Jada. They heard, they heard the potential for

841
00:37:52,680 --> 00:37:55,560
Speaker 2: the song. They did, and they were and they were

842
00:37:55,680 --> 00:37:57,000
Speaker 2: and they were right because of the Song.

843
00:37:56,880 --> 00:37:57,360
Speaker 5: Of the Summer.

844
00:37:58,400 --> 00:37:59,560
Speaker 1: Said it's a bad song.

845
00:37:59,600 --> 00:38:00,080
Speaker 2: It's a this.

846
00:38:00,080 --> 00:38:02,600
Speaker 1: ISCHII song of the Summer. It is this is the

847
00:38:02,600 --> 00:38:03,280
Speaker 1: song of the Summer.

848
00:38:03,320 --> 00:38:07,680
Speaker 2: Yeah, I think as the person who's outside crazy, that

849
00:38:07,840 --> 00:38:08,760
Speaker 2: is the song of the summer.

850
00:38:08,800 --> 00:38:11,520
Speaker 5: And I've been to multiple parties the loudest.

851
00:38:11,160 --> 00:38:14,440
Speaker 2: Reaction comes from that song from women and men are

852
00:38:14,520 --> 00:38:15,960
Speaker 2: like when you have a song of the summer that

853
00:38:16,040 --> 00:38:19,160
Speaker 2: the women and the men scream to the top of

854
00:38:19,160 --> 00:38:19,960
Speaker 2: their lungs.

855
00:38:20,440 --> 00:38:22,239
Speaker 5: It was niggas holding up go yard bags in the

856
00:38:22,280 --> 00:38:23,000
Speaker 5: party I was at.

857
00:38:23,719 --> 00:38:25,680
Speaker 1: Well, that's that's that's a large part what type of

858
00:38:25,719 --> 00:38:27,640
Speaker 1: party at I was at A I was a regular

859
00:38:27,719 --> 00:38:28,200
Speaker 1: hip hop party.

860
00:38:28,280 --> 00:38:32,200
Speaker 2: Niggas had like the go yard like side side bags

861
00:38:32,320 --> 00:38:35,560
Speaker 2: full of money and we're holding them up like it's

862
00:38:35,600 --> 00:38:36,160
Speaker 2: this is the song.

863
00:38:36,200 --> 00:38:37,760
Speaker 4: It's the party I don't want to be at, but

864
00:38:37,800 --> 00:38:38,439
Speaker 4: I believe you.

865
00:38:38,520 --> 00:38:39,920
Speaker 2: Yeah, that's the song of the summer.

866
00:38:40,840 --> 00:38:41,200
Speaker 1: Okay.

867
00:38:41,239 --> 00:38:42,400
Speaker 2: I thought it was gonna be sh Bang for a

868
00:38:42,440 --> 00:38:44,600
Speaker 2: while too, and she Bang does go off. But that

869
00:38:44,760 --> 00:38:48,480
Speaker 2: song not Dennis the way the.

870
00:38:49,480 --> 00:38:51,239
Speaker 5: Sing Jennis, shut the fuck up to me one more time?

871
00:38:51,320 --> 00:38:54,239
Speaker 5: Which one is that? Which? How does the course go?

872
00:38:55,400 --> 00:38:56,600
Speaker 1: Baby?

873
00:38:57,160 --> 00:38:59,440
Speaker 2: Yeah, it goes off. No, all of the Drakes Cole

874
00:38:59,440 --> 00:39:01,520
Speaker 2: album goes off. It's not about that. I'm talking about

875
00:39:01,680 --> 00:39:06,760
Speaker 2: the one that everybody in the establishment screams is spending

876
00:39:07,239 --> 00:39:08,880
Speaker 2: I'm telling you it's the song of the summer. The

877
00:39:08,880 --> 00:39:11,480
Speaker 2: way the Knicks respond to it is the way everybody

878
00:39:11,520 --> 00:39:12,160
Speaker 2: responds to it.

879
00:39:12,160 --> 00:39:12,560
Speaker 5: Outside.

880
00:39:12,760 --> 00:39:15,399
Speaker 1: You know, we agree with you.

881
00:39:15,440 --> 00:39:16,520
Speaker 5: No, nobody said you.

882
00:39:16,719 --> 00:39:20,880
Speaker 3: I said, it's.

883
00:39:19,000 --> 00:39:23,239
Speaker 1: A great record. It's between that Shebang, Janison and Cheap Thief.

884
00:39:23,320 --> 00:39:24,760
Speaker 1: That's those are the fourth of the Summer.

885
00:39:25,360 --> 00:39:29,719
Speaker 3: Cheap Catch just catching steam out there catching it's a

886
00:39:29,719 --> 00:39:31,680
Speaker 3: slow bird. Yeah, it's a slow bird. Cheap Thief is

887
00:39:31,680 --> 00:39:33,839
Speaker 3: a slow bird. It's gonna it's gonna catch seam. Wait

888
00:39:33,880 --> 00:39:35,359
Speaker 3: to let his fe fourth of July.

889
00:39:35,520 --> 00:39:36,960
Speaker 4: Oh god, watch what it does on.

890
00:39:36,920 --> 00:39:44,000
Speaker 1: The fourth That's what they were waiting on. Yeah, the

891
00:39:44,000 --> 00:39:45,600
Speaker 1: fourth of July when everybody's outside.

892
00:39:46,640 --> 00:39:48,560
Speaker 2: My point in bringing that up is, do you think

893
00:39:48,640 --> 00:39:52,279
Speaker 2: that reception changes the way that people hear a song,

894
00:39:52,520 --> 00:39:55,239
Speaker 2: Because some people can hear a song and be like,

895
00:39:55,280 --> 00:39:56,920
Speaker 2: I don't like that song, but then when.

896
00:39:56,760 --> 00:39:57,560
Speaker 1: They hear everybody.

897
00:39:57,760 --> 00:39:59,120
Speaker 4: I said it was very catch as soon as I

898
00:39:59,160 --> 00:39:59,360
Speaker 4: heard it.

899
00:39:59,440 --> 00:39:59,839
Speaker 1: Yeah, you did.

900
00:40:00,120 --> 00:40:03,600
Speaker 2: But a lot of people, a lot of people made

901
00:40:03,600 --> 00:40:05,359
Speaker 2: fun of Miami and said that it was a bad song.

902
00:40:05,440 --> 00:40:08,400
Speaker 2: And in the moment it became like a hit is

903
00:40:08,440 --> 00:40:10,439
Speaker 2: climbing up the charts. It's like it's her first top

904
00:40:10,480 --> 00:40:11,080
Speaker 2: forty song.

905
00:40:11,960 --> 00:40:13,560
Speaker 1: By the way, people can hate a hit. I just

906
00:40:13,560 --> 00:40:15,120
Speaker 1: want to make like know for sure.

907
00:40:15,160 --> 00:40:17,759
Speaker 2: But what I'm saying is people can change. I see

908
00:40:17,800 --> 00:40:21,839
Speaker 2: people change their reception on how good a song is

909
00:40:22,000 --> 00:40:23,439
Speaker 2: when it starts to become a hit.

910
00:40:23,840 --> 00:40:26,200
Speaker 5: Yeah, do you have you ever done that? Do you

911
00:40:26,200 --> 00:40:27,319
Speaker 5: think that you do that as well?

912
00:40:27,440 --> 00:40:32,560
Speaker 1: Oh, I mean before streaming, when you lived on the radio.

913
00:40:32,760 --> 00:40:35,360
Speaker 1: There's been plenty of songs that ended up being hits

914
00:40:35,400 --> 00:40:39,200
Speaker 1: that I'm not saying they programmed it into my brain.

915
00:40:39,280 --> 00:40:41,520
Speaker 2: But yeah, me and you have your argument about that

916
00:40:41,840 --> 00:40:44,160
Speaker 2: Taffy at the Hookah Lounge, and I told you howfy

917
00:40:44,200 --> 00:40:46,560
Speaker 2: Taffy is a horrible song. I don't care how how

918
00:40:46,600 --> 00:40:47,239
Speaker 2: famous it is.

919
00:40:47,560 --> 00:40:49,840
Speaker 3: I told you that with that Jello Ball record that

920
00:40:49,920 --> 00:40:51,040
Speaker 3: you thought was incredible.

921
00:40:51,239 --> 00:40:53,560
Speaker 5: I still think that's I like that song. I still

922
00:40:53,600 --> 00:40:53,879
Speaker 5: like that.

923
00:40:53,880 --> 00:40:54,760
Speaker 4: Shit is garbage.

924
00:40:54,800 --> 00:40:59,640
Speaker 1: That was got and that was just another terrible version

925
00:40:59,719 --> 00:41:02,239
Speaker 1: of that. But yeah, that first record was good.

926
00:41:02,360 --> 00:41:05,120
Speaker 6: That shit was trash, But that's I mean, hits can

927
00:41:05,160 --> 00:41:06,360
Speaker 6: be trash.

928
00:41:07,600 --> 00:41:09,799
Speaker 1: I agree with that. I agree with that in the

929
00:41:09,800 --> 00:41:14,320
Speaker 1: Hookah spot, like if somebody said, yes, musically laughy Taffy

930
00:41:14,400 --> 00:41:17,320
Speaker 1: is not. It's not all about the Benjamins. It's so horrible,

931
00:41:17,320 --> 00:41:20,600
Speaker 1: But the nostalgic part of it, the age I was

932
00:41:20,640 --> 00:41:23,480
Speaker 1: when it came out, the memories and moments I had

933
00:41:23,560 --> 00:41:27,040
Speaker 1: with that record, it makes it a good song to me.

934
00:41:28,040 --> 00:41:31,040
Speaker 1: It's not a good song though, Like if you hear

935
00:41:31,080 --> 00:41:32,640
Speaker 1: that in twenty twenty six, you're like, wait, this is

936
00:41:32,680 --> 00:41:33,560
Speaker 1: what the fuck I was listening to?

937
00:41:33,680 --> 00:41:35,680
Speaker 2: But that was and that was my point. Good music

938
00:41:35,760 --> 00:41:38,480
Speaker 2: is timeless, Like something could be nostalgic, but it's still

939
00:41:38,520 --> 00:41:40,200
Speaker 2: a bad song. It was a bad song that came out.

940
00:41:40,239 --> 00:41:42,319
Speaker 2: It's a bad song now, but it felt good. This

941
00:41:43,080 --> 00:41:46,120
Speaker 2: for you got laughy taffy. I was a kid, and

942
00:41:46,120 --> 00:41:46,840
Speaker 2: I knew that song was.

943
00:41:47,040 --> 00:41:49,760
Speaker 1: What that era of music and that era of fashion.

944
00:41:49,880 --> 00:41:51,239
Speaker 4: That was just a weird eerror for us.

945
00:41:52,160 --> 00:41:54,080
Speaker 2: The fashion the one thing I want to race off

946
00:41:54,120 --> 00:41:56,040
Speaker 2: the history books, like when my when our kids come

947
00:41:56,080 --> 00:41:57,080
Speaker 2: to us and like, mom, this.

948
00:41:57,000 --> 00:41:57,640
Speaker 1: Is what y'all was doing.

949
00:41:57,640 --> 00:41:59,040
Speaker 5: I'm like, just forget that, baby.

950
00:41:58,880 --> 00:42:01,120
Speaker 3: Yeah, that moment was who look back at that, like

951
00:42:01,200 --> 00:42:03,560
Speaker 3: just the fashion, the music around that time, two thousand

952
00:42:03,560 --> 00:42:07,680
Speaker 3: and five, two thousand and four six, like those years

953
00:42:07,719 --> 00:42:10,640
Speaker 3: right in there, it was we was just trying to

954
00:42:10,680 --> 00:42:13,560
Speaker 3: find the next wave, I think, but there was.

955
00:42:13,640 --> 00:42:16,880
Speaker 1: Even into nine when you get into the Ron Brown stuff. Yes,

956
00:42:16,960 --> 00:42:19,360
Speaker 1: in retrospect it was at the time I thought it

957
00:42:19,400 --> 00:42:21,360
Speaker 1: was bad. But to act like I don't have so

958
00:42:21,400 --> 00:42:23,960
Speaker 1: many fond memories in two thousand and nine of a

959
00:42:24,080 --> 00:42:29,240
Speaker 1: whole web star set of those songs, I would be lying,

960
00:42:29,360 --> 00:42:31,719
Speaker 1: you might have a fun You'll find footage of me

961
00:42:31,800 --> 00:42:34,359
Speaker 1: dancing to it. So I can't say it's I hated it.

962
00:42:34,520 --> 00:42:37,279
Speaker 3: No, that's but that's every that's every to me, that's

963
00:42:37,440 --> 00:42:39,640
Speaker 3: every eraror because I go back and look at a

964
00:42:39,640 --> 00:42:41,760
Speaker 3: lot of movies that I loved in the eighties now

965
00:42:42,440 --> 00:42:43,640
Speaker 3: some of the worst movies ever.

966
00:42:43,719 --> 00:42:46,960
Speaker 6: Go watch Independence Day with twenty twenty six brain so

967
00:42:47,000 --> 00:42:48,480
Speaker 6: it's always it happens.

968
00:42:48,520 --> 00:42:50,839
Speaker 2: But I think that that's different Independence that it's still

969
00:42:50,840 --> 00:42:51,640
Speaker 2: good by the way.

970
00:42:51,680 --> 00:42:54,680
Speaker 1: I think I think it is. But someone that didn't

971
00:42:54,800 --> 00:42:56,600
Speaker 1: live that time to watch it would look at this,

972
00:42:56,840 --> 00:42:57,359
Speaker 1: this is the worst.

973
00:42:57,640 --> 00:43:00,360
Speaker 2: Movies and music are different because I think that music

974
00:43:00,440 --> 00:43:02,799
Speaker 2: has the ability to be timeless.

975
00:43:02,440 --> 00:43:04,640
Speaker 5: Whereas with movies, the script can.

976
00:43:04,520 --> 00:43:08,640
Speaker 2: Be timeless, but the camera work keeps getting better and better.

977
00:43:08,760 --> 00:43:11,440
Speaker 2: So like you can watch even an animated film, you

978
00:43:11,480 --> 00:43:13,560
Speaker 2: go back and watch an old animated film, You're like, goddamn,

979
00:43:13,520 --> 00:43:15,680
Speaker 2: it look like they was drawing this shit with colored pencils.

980
00:43:15,719 --> 00:43:19,120
Speaker 2: Like it's shit just evolves over time. With music, I

981
00:43:19,120 --> 00:43:19,840
Speaker 2: don't think that's.

982
00:43:19,800 --> 00:43:24,440
Speaker 3: Like sand Lot is thomless, He's not times timeless.

983
00:43:24,320 --> 00:43:28,480
Speaker 2: When I'm because the nostalgia and the script of the movie,

984
00:43:28,520 --> 00:43:31,120
Speaker 2: like I said, can be timeless. But if the same

985
00:43:31,160 --> 00:43:33,279
Speaker 2: way when I went to go watch The Sopranos and

986
00:43:33,320 --> 00:43:35,120
Speaker 2: you was like, it's not gonna hit the same. No,

987
00:43:35,200 --> 00:43:37,960
Speaker 2: it's not, because not only is the timing different, the

988
00:43:38,000 --> 00:43:41,720
Speaker 2: way shit was shot and recorded is completely different. With music,

989
00:43:41,920 --> 00:43:44,600
Speaker 2: music is music, Like music can be timeless, but you

990
00:43:44,719 --> 00:43:46,359
Speaker 2: go back and watch an old movie and it's like

991
00:43:46,400 --> 00:43:48,560
Speaker 2: it looked like they recorded this ship on somebody fucking.

992
00:43:50,080 --> 00:43:51,600
Speaker 1: And what do we tell As far as camera work,

993
00:43:51,640 --> 00:43:53,920
Speaker 1: people to this day are still trying to bite everything

994
00:43:54,000 --> 00:43:54,879
Speaker 1: Scorsese does.

995
00:43:55,160 --> 00:43:57,799
Speaker 5: Yeah, I think you understand my point.

996
00:43:57,840 --> 00:44:00,120
Speaker 1: But even all right, we'll go animation, let's not and

997
00:44:00,160 --> 00:44:03,600
Speaker 1: go real people. It's Toy Story not timeless for sure.

998
00:44:04,160 --> 00:44:05,960
Speaker 1: Right now, Amara would watch Toy Story.

999
00:44:05,719 --> 00:44:09,360
Speaker 2: And enjoy, yes, but I'm comparing and comparing it to movies.

1000
00:44:09,440 --> 00:44:10,040
Speaker 5: I've made my point.

1001
00:44:10,040 --> 00:44:12,279
Speaker 1: If you don't understand you, I'm trying to understand it.

1002
00:44:12,600 --> 00:44:17,160
Speaker 2: My purpose is you can you When it comes to filmmaking,

1003
00:44:17,160 --> 00:44:19,319
Speaker 2: when it comes to the quality of cameras, when it

1004
00:44:19,360 --> 00:44:21,600
Speaker 2: comes to the way things are shot, things have changed

1005
00:44:21,640 --> 00:44:23,799
Speaker 2: over time, like you can make them. You can go

1006
00:44:23,840 --> 00:44:26,040
Speaker 2: and make an old movie that was already done, you

1007
00:44:26,080 --> 00:44:28,840
Speaker 2: can make it better to this day by filming it

1008
00:44:28,880 --> 00:44:30,719
Speaker 2: on a camera, on the fucking cameras that they film

1009
00:44:30,760 --> 00:44:31,759
Speaker 2: Game of Thrones.

1010
00:44:31,480 --> 00:44:35,040
Speaker 1: And compare music though, can you? Yeah?

1011
00:44:35,080 --> 00:44:39,360
Speaker 2: Absolutely, how outside of making it clearer, like making each clear.

1012
00:44:39,400 --> 00:44:42,920
Speaker 3: Just how just the the just the skill set of

1013
00:44:42,960 --> 00:44:46,720
Speaker 3: the artist these days, just the technology with recording music

1014
00:44:46,760 --> 00:44:48,880
Speaker 3: and mixing music, it's a lot different.

1015
00:44:49,000 --> 00:44:50,920
Speaker 2: The only thing I can think is the mix being different.

1016
00:44:50,960 --> 00:44:51,600
Speaker 2: That's the only thing I.

1017
00:44:51,520 --> 00:44:54,440
Speaker 1: Can I don't want Casino to be shot on Game

1018
00:44:54,480 --> 00:44:58,799
Speaker 1: of Throne cameras. That's where I guess I'm not trying

1019
00:44:58,800 --> 00:45:00,840
Speaker 1: to purposely be ob toose don't get your point in

1020
00:45:00,880 --> 00:45:04,120
Speaker 1: that regard. I wouldn't want a lot of the timeless

1021
00:45:04,160 --> 00:45:07,040
Speaker 1: movies that we watch to be shot on the technology

1022
00:45:07,040 --> 00:45:09,680
Speaker 1: we have now. Because even with some of the TV

1023
00:45:09,719 --> 00:45:12,680
Speaker 1: shows like Go with with the Power book series, like

1024
00:45:13,160 --> 00:45:15,880
Speaker 1: I like Raisin Kanan because they shot it in that

1025
00:45:15,960 --> 00:45:17,959
Speaker 1: film grade that they shot it in. If they shot

1026
00:45:18,000 --> 00:45:20,799
Speaker 1: it with real cameras, it looks kind of cheesy. I

1027
00:45:20,840 --> 00:45:23,680
Speaker 1: prefer when why Snowfall to me is so good is

1028
00:45:23,719 --> 00:45:25,759
Speaker 1: because they shoot it on the grainy shit with the

1029
00:45:25,800 --> 00:45:29,520
Speaker 1: new cameras. If they shot Snowfall the way they shoot

1030
00:45:29,520 --> 00:45:32,400
Speaker 1: two B movies with those, even though two BE movies

1031
00:45:32,400 --> 00:45:34,480
Speaker 1: they claim are cheap, those are the highest grade cameras

1032
00:45:34,480 --> 00:45:36,120
Speaker 1: you can use. If you shoot it that way, it

1033
00:45:36,120 --> 00:45:38,040
Speaker 1: looks cheap to me. It depends on it looks cheap

1034
00:45:38,080 --> 00:45:38,319
Speaker 1: to me.

1035
00:45:38,320 --> 00:45:40,319
Speaker 2: Well, it looks it doesn't fit the time because if

1036
00:45:40,360 --> 00:45:42,479
Speaker 2: you're talking, all of the shows you just talked about

1037
00:45:42,480 --> 00:45:44,480
Speaker 2: are shows that happened in the past, So if you

1038
00:45:44,520 --> 00:45:46,120
Speaker 2: want to film them, you have to film them the

1039
00:45:46,120 --> 00:45:47,560
Speaker 2: way that cameras looked in the past.

1040
00:45:47,600 --> 00:45:50,239
Speaker 1: So that's why I'm saying things are timeless, because you're

1041
00:45:50,280 --> 00:45:53,920
Speaker 1: trying to capture that time based off what we know

1042
00:45:54,120 --> 00:45:56,560
Speaker 1: in love with timeless movies like a Casino with Goodfellas.

1043
00:45:56,880 --> 00:46:00,239
Speaker 1: Lets you Raisin Kanaan is in the eighties, n let's

1044
00:46:00,239 --> 00:46:00,799
Speaker 1: shoot it that way.

1045
00:46:00,840 --> 00:46:02,120
Speaker 5: That leans into nostalgia.

1046
00:46:02,239 --> 00:46:04,200
Speaker 1: My only mom, But that's what I was saying. Nostalgia's

1047
00:46:04,200 --> 00:46:06,719
Speaker 1: why Laughy Taffy is a terrible song. But nostalgia was

1048
00:46:06,760 --> 00:46:07,479
Speaker 1: my original point.

1049
00:46:07,640 --> 00:46:10,239
Speaker 2: Yeah, but nostalgia doesn't make something good. Your memories that

1050
00:46:10,280 --> 00:46:12,600
Speaker 2: are attached to it make something good. Nostalgia doesn't make

1051
00:46:12,640 --> 00:46:16,160
Speaker 2: something good. The same way that Mall hates What movie

1052
00:46:16,200 --> 00:46:17,640
Speaker 2: is that one of the that we say is a

1053
00:46:17,640 --> 00:46:18,920
Speaker 2: class that He's like, he fucking hates it.

1054
00:46:18,920 --> 00:46:20,160
Speaker 1: What movie is that? Scarface?

1055
00:46:20,239 --> 00:46:22,600
Speaker 5: Scarface? Nostalgia terrible?

1056
00:46:22,840 --> 00:46:25,000
Speaker 2: Yeah, you know what I'm saying, Like nostalgia, it doesn't

1057
00:46:25,160 --> 00:46:27,320
Speaker 2: It doesn't make the movie better. It's your memories that

1058
00:46:27,360 --> 00:46:29,120
Speaker 2: are attached to it at the time that is attached

1059
00:46:29,160 --> 00:46:29,440
Speaker 2: to it.

1060
00:46:29,560 --> 00:46:31,120
Speaker 5: But the product is what the product is.

1061
00:46:31,239 --> 00:46:35,800
Speaker 3: Baby Boy might be better to Scarf.

1062
00:46:35,800 --> 00:46:37,319
Speaker 1: You hate Scarface, bro.

1063
00:46:38,880 --> 00:46:41,000
Speaker 3: Yo scar I mean, I get it, I get the

1064
00:46:41,040 --> 00:46:42,920
Speaker 3: nostalgia of it, But like you look at Scarf.

1065
00:46:43,840 --> 00:46:47,600
Speaker 1: What's the better scene the chainsaw in the bathtub or

1066
00:46:47,680 --> 00:46:48,839
Speaker 1: Tyree screaming in the womb?

1067
00:46:48,920 --> 00:46:57,360
Speaker 5: Come on, baby Boys a class dollars?

1068
00:46:57,760 --> 00:47:01,120
Speaker 3: Yeah, baby Boy is a classic baby Boys so quotable,

1069
00:47:01,520 --> 00:47:02,760
Speaker 3: he said, So what quotable?

1070
00:47:02,800 --> 00:47:05,520
Speaker 1: Oh yeah, yeah, definitely, But.

1071
00:47:05,440 --> 00:47:07,239
Speaker 2: That's another movie. Was baby Boy a good movie or

1072
00:47:07,280 --> 00:47:08,600
Speaker 2: is it where we just forced to watch it on

1073
00:47:08,680 --> 00:47:09,480
Speaker 2: beat so much that.

1074
00:47:09,600 --> 00:47:13,000
Speaker 1: Remember every word. That's a good movie. That's a good movie. Okay,

1075
00:47:13,000 --> 00:47:15,120
Speaker 1: I guess that The argument is can things be shitty

1076
00:47:15,160 --> 00:47:15,480
Speaker 1: and good?

1077
00:47:16,239 --> 00:47:19,080
Speaker 2: I think they can for sure? Can things be shitty

1078
00:47:19,080 --> 00:47:21,239
Speaker 2: and everything can be shitty and good? Shitty and inter

1079
00:47:21,440 --> 00:47:22,719
Speaker 2: Your relationship.

1080
00:47:22,200 --> 00:47:25,240
Speaker 3: Could be shitty and good with your fucking significant marriage. Yeah,

1081
00:47:25,480 --> 00:47:27,319
Speaker 3: you could have a shitty good relationship.

1082
00:47:27,480 --> 00:47:30,360
Speaker 1: Like all right, I'm not saying Friday is shitty whatsoever,

1083
00:47:30,400 --> 00:47:32,640
Speaker 1: but if you look at the production value between Friday

1084
00:47:32,640 --> 00:47:37,560
Speaker 1: after Next and Friday, drastically different budgets, Yeah, what's better Friday?

1085
00:47:38,360 --> 00:47:41,680
Speaker 1: I don't know. I love Friday. I think all three

1086
00:47:41,719 --> 00:47:44,080
Speaker 1: are amazing. But I'm just saying as far as even

1087
00:47:44,080 --> 00:47:48,200
Speaker 1: when you get a bigger budget, probably a better production crew,

1088
00:47:48,800 --> 00:47:51,160
Speaker 1: it still doesn't change the magic you had when you

1089
00:47:51,160 --> 00:47:53,920
Speaker 1: were making something that was less like with less money. Yeah,

1090
00:47:53,960 --> 00:47:56,120
Speaker 1: there's magic in that. Even it could be shitty, but

1091
00:47:56,680 --> 00:48:00,000
Speaker 1: at that time that's what worked. Yeah, and it's ingrained

1092
00:48:00,040 --> 00:48:03,800
Speaker 1: in our brains in fifteen years when I show Friday Toamora,

1093
00:48:04,560 --> 00:48:06,480
Speaker 1: and do I think She's gonna sit there like this

1094
00:48:06,520 --> 00:48:08,719
Speaker 1: is as great as you think it is probably.

1095
00:48:08,480 --> 00:48:15,480
Speaker 3: No Christmas story looked like a Christmas look like a Charlie.

1096
00:48:15,400 --> 00:48:18,960
Speaker 1: Ye, but there's like but I still feel like with

1097
00:48:19,080 --> 00:48:21,960
Speaker 1: movies when my dad showed me Animal House, What year

1098
00:48:21,960 --> 00:48:22,799
Speaker 1: the Animal House come up?

1099
00:48:23,760 --> 00:48:30,839
Speaker 3: Eighty two? Well before I was seventy eight, seventy eight, Well,

1100
00:48:30,880 --> 00:48:32,640
Speaker 3: I remember seeing it in fucking eighty three.

1101
00:48:32,680 --> 00:48:34,399
Speaker 4: I think the first time I saw eighty four.

1102
00:48:34,480 --> 00:48:37,880
Speaker 1: Maybe I watched it probably before I was a teenager

1103
00:48:37,880 --> 00:48:41,520
Speaker 1: because my pops was that type of father. But it's

1104
00:48:41,520 --> 00:48:43,399
Speaker 1: still checked out, like I loved it.

1105
00:48:45,320 --> 00:48:47,759
Speaker 3: Yeah, those movies like that, it don't matter how old

1106
00:48:47,800 --> 00:48:50,239
Speaker 3: you are, Like you go back and look at those movies, like, nah,

1107
00:48:50,239 --> 00:48:51,960
Speaker 3: this shit was funny, hilarious.

1108
00:48:52,040 --> 00:48:52,880
Speaker 4: Yeah, great movie.

1109
00:48:52,880 --> 00:48:55,120
Speaker 2: Because I think comedy is comedy like no matter what,

1110
00:48:55,160 --> 00:48:57,000
Speaker 2: except for I think that there are some types of comedy,

1111
00:48:57,080 --> 00:48:58,960
Speaker 2: just like music, that are like a fad and I

1112
00:48:59,040 --> 00:49:01,920
Speaker 2: kind of wanted to die like Will Farrow's lane of comedy.

1113
00:49:01,960 --> 00:49:04,120
Speaker 2: I'm so happy it's dying. And people are like, why

1114
00:49:04,160 --> 00:49:07,760
Speaker 2: is scary movie not selling? Because it's that that slapstick

1115
00:49:08,080 --> 00:49:10,120
Speaker 2: humor is just it's not timeless humor.

1116
00:49:10,480 --> 00:49:12,560
Speaker 6: No, I think with the have y'all seen the new

1117
00:49:12,560 --> 00:49:14,680
Speaker 6: Scary Movie? No, I want to go.

1118
00:49:14,520 --> 00:49:17,120
Speaker 1: I'm gonna see it, though, again because of the nostalgia,

1119
00:49:17,400 --> 00:49:20,560
Speaker 1: I think with the Wayne's Brothers, it was just too

1120
00:49:20,640 --> 00:49:22,360
Speaker 1: much of it. Like scary Movie. The first one was

1121
00:49:22,360 --> 00:49:25,839
Speaker 1: a classic and Don't Drink Juice in the Hood like

1122
00:49:26,280 --> 00:49:29,200
Speaker 1: classic this classic. Second it just kept doing it and

1123
00:49:29,239 --> 00:49:31,280
Speaker 1: it was like, we have enough of this. The second

1124
00:49:31,320 --> 00:49:32,560
Speaker 1: scary too much of the same.

1125
00:49:32,640 --> 00:49:34,640
Speaker 2: The second Scary Movie is the best scary movie.

1126
00:49:34,800 --> 00:49:36,799
Speaker 1: I like Scary Movie too, Scary. I can't remember the

1127
00:49:36,800 --> 00:49:38,160
Speaker 1: best third one Scary.

1128
00:49:37,840 --> 00:49:39,359
Speaker 5: Movie two is the best scary movie. Scary Movie.

1129
00:49:39,360 --> 00:49:40,960
Speaker 2: Three is the one that was focused on the ring

1130
00:49:41,280 --> 00:49:45,160
Speaker 2: they had, the corn fields, they had Shorty Sydney. Three

1131
00:49:45,360 --> 00:49:47,440
Speaker 2: was funny too. The best one is two. I think

1132
00:49:47,440 --> 00:49:48,120
Speaker 2: three is the second.

1133
00:49:48,480 --> 00:49:52,160
Speaker 1: Two is the one. Yes, two one, two is by far.

1134
00:49:52,440 --> 00:49:55,319
Speaker 1: This is six Jesus, I didn't okay. I checked out

1135
00:49:55,320 --> 00:49:56,080
Speaker 1: after three.

1136
00:49:56,360 --> 00:49:57,719
Speaker 5: After three, I did not see four and five.

1137
00:49:57,840 --> 00:49:59,680
Speaker 1: But again, it's too much of them. They did dance

1138
00:49:59,719 --> 00:50:01,839
Speaker 1: movie then they like they I get why they did it,

1139
00:50:01,920 --> 00:50:04,360
Speaker 1: like get it how you live? If I have a

1140
00:50:04,400 --> 00:50:06,680
Speaker 1: cult classic of this style, I'm gonna keep doing it.

1141
00:50:06,719 --> 00:50:08,960
Speaker 1: Sixty five percent popcornter.

1142
00:50:09,680 --> 00:50:12,040
Speaker 3: That's that's what you fas I'm just reading it twenty

1143
00:50:12,080 --> 00:50:13,480
Speaker 3: two percent tomato ometer.

1144
00:50:15,080 --> 00:50:17,000
Speaker 1: Yeah, that's She has asked what don't you like about

1145
00:50:17,040 --> 00:50:17,800
Speaker 1: Will Ferrell movies?

1146
00:50:17,920 --> 00:50:20,640
Speaker 5: Oh, I hate Will Farrell's branda of funny.

1147
00:50:21,200 --> 00:50:22,200
Speaker 1: I don't think Step Brothers.

1148
00:50:22,400 --> 00:50:27,600
Speaker 2: I hate slapstick humor. I think Step Brothers is watchable. Yeah,

1149
00:50:27,600 --> 00:50:32,680
Speaker 2: Step Brothers is goofy, overly stupid white frat boy humor.

1150
00:50:32,719 --> 00:50:34,720
Speaker 5: I don't think that it's twenty I don't.

1151
00:50:34,760 --> 00:50:37,680
Speaker 1: I would say Scary Movie is more slapstick than any

1152
00:50:37,760 --> 00:50:39,000
Speaker 1: Will Ferrell movie at all.

1153
00:50:39,040 --> 00:50:40,480
Speaker 5: But I just agreed that Scary Movie.

1154
00:50:40,480 --> 00:50:42,480
Speaker 2: I brought up Scary Movie in comparison to Will Ferrell

1155
00:50:42,480 --> 00:50:44,080
Speaker 2: because I think it's all the same type of humor.

1156
00:50:44,120 --> 00:50:46,719
Speaker 1: It's not that funny. I disagree there, Yeah, I don't.

1157
00:50:46,920 --> 00:50:49,760
Speaker 1: It's like Talent Talent Digga Knites isn't funny.

1158
00:50:50,000 --> 00:50:51,160
Speaker 5: I don't think I've seen Talada.

1159
00:50:51,600 --> 00:50:53,440
Speaker 1: He's a race card drog. You gotta see the classic

1160
00:50:53,480 --> 00:50:57,160
Speaker 1: you don't know the classics, Will pharaol, I probably, but

1161
00:50:57,440 --> 00:50:58,800
Speaker 1: I really really more slash.

1162
00:50:58,880 --> 00:51:01,359
Speaker 2: I really dislike Will Fara But Step Brothers, y'all act

1163
00:51:01,400 --> 00:51:02,799
Speaker 2: like it's the greatest movie in the world, and it's

1164
00:51:02,800 --> 00:51:03,439
Speaker 2: not that it's not funny.

1165
00:51:03,520 --> 00:51:06,920
Speaker 1: It's very funny. Anger Man is hilarious. It's not The

1166
00:51:07,080 --> 00:51:11,479
Speaker 1: other guys is a classic. You're not fucking with elf.

1167
00:51:11,560 --> 00:51:15,160
Speaker 5: It's just fuck. No Glory is fucking hilarious. It's just

1168
00:51:15,200 --> 00:51:16,760
Speaker 5: it's not my brand of humor.

1169
00:51:16,800 --> 00:51:20,280
Speaker 3: I don't like is very slapstick. You think old old school.

1170
00:51:20,360 --> 00:51:23,440
Speaker 3: The campaign is hilarious. We're not doing that the campaign.

1171
00:51:23,880 --> 00:51:25,920
Speaker 1: I don't think I laughed at the campaign, but it

1172
00:51:26,000 --> 00:51:28,960
Speaker 1: used to be funny until it became a reality. The

1173
00:51:29,040 --> 00:51:31,480
Speaker 1: campaign was super funny when it came out, and then

1174
00:51:31,520 --> 00:51:33,200
Speaker 1: we started living it and it's not funny anymore.

1175
00:51:33,280 --> 00:51:34,960
Speaker 5: Yeah, yeah, I think I laughed at the camp Semi

1176
00:51:34,960 --> 00:51:35,920
Speaker 5: pros Come on.

1177
00:51:35,920 --> 00:51:39,800
Speaker 1: Man with Wilson Pros classic. That's a classic. Dude kicking

1178
00:51:39,800 --> 00:51:42,239
Speaker 1: and screaming is fucking hilarious. It's not for me. Did

1179
00:51:42,280 --> 00:51:43,720
Speaker 1: you like the Austin Powers series.

1180
00:51:44,360 --> 00:51:46,440
Speaker 5: The Austin Powers series, and I did when I was

1181
00:51:46,440 --> 00:51:47,239
Speaker 5: a child.

1182
00:51:47,760 --> 00:51:50,360
Speaker 1: Go back to it. Me and my dad rewatched Austin

1183
00:51:50,400 --> 00:51:53,439
Speaker 1: Powers after taking like twenty years off. It's still checks.

1184
00:51:53,520 --> 00:51:57,920
Speaker 1: It's some of the best comedy writing ever. Awesome Powers.

1185
00:51:57,960 --> 00:52:01,600
Speaker 1: It's but I think because that again, that caricature of

1186
00:52:01,640 --> 00:52:05,600
Speaker 1: like Awesome Powers became like its own joke. Like I

1187
00:52:05,680 --> 00:52:08,440
Speaker 1: even hated when Hove did the hook on Blueprint two

1188
00:52:08,480 --> 00:52:11,279
Speaker 1: with an Austin Powers impression. It became so corny because

1189
00:52:11,320 --> 00:52:13,680
Speaker 1: everyone was doing that shit. I think we forget how

1190
00:52:13,760 --> 00:52:15,279
Speaker 1: genius that series is.

1191
00:52:16,040 --> 00:52:17,759
Speaker 2: I used to watch a lot of Awesome Powers, like

1192
00:52:17,800 --> 00:52:19,879
Speaker 2: I used to be obsessed, Like I used to quote

1193
00:52:19,880 --> 00:52:22,759
Speaker 2: the one with Beyonce, like when I was a kid,

1194
00:52:22,800 --> 00:52:23,359
Speaker 2: that was all we.

1195
00:52:23,280 --> 00:52:26,759
Speaker 1: Watched, which is kind of them are classics to.

1196
00:52:26,719 --> 00:52:28,719
Speaker 2: Me kind of slaps the humor, but not as I'm

1197
00:52:29,120 --> 00:52:30,240
Speaker 2: not as bad as well Pharaoh.

1198
00:52:30,280 --> 00:52:34,080
Speaker 5: I can't. I can't get jiggy with that shit. I can't.

1199
00:52:34,160 --> 00:52:34,840
Speaker 4: That's crazy.

1200
00:52:34,920 --> 00:52:40,279
Speaker 2: It couldn't listen. Hey, I like comedy. That's comedy, but

1201
00:52:40,360 --> 00:52:42,719
Speaker 2: being under the Raider as Radars comedy, you got to

1202
00:52:42,719 --> 00:52:44,000
Speaker 2: think about whether it was a joke or not.

1203
00:52:44,120 --> 00:52:45,560
Speaker 5: That's the type of comedy that I like.

1204
00:52:46,520 --> 00:52:48,360
Speaker 4: You like to think in your comedy.

1205
00:52:48,320 --> 00:52:50,240
Speaker 2: Like I like to I like you guys want to laugh,

1206
00:52:50,719 --> 00:52:54,600
Speaker 2: but even like, oh, I kid it, but overly silly

1207
00:52:54,600 --> 00:52:56,680
Speaker 2: shit doesn't make me laugh, Like I like you know

1208
00:52:56,719 --> 00:52:59,840
Speaker 2: what I'm saying, Like I like underhanded comedy.

1209
00:53:00,160 --> 00:53:03,000
Speaker 1: Walking around with with a samurai sword and having Randy

1210
00:53:03,120 --> 00:53:10,080
Speaker 1: Jackson sign it's hilarious to me. I like, anyway, that's

1211
00:53:10,120 --> 00:53:11,080
Speaker 1: fucking hilarious to me.

1212
00:53:11,320 --> 00:53:12,239
Speaker 5: But I think that's a boys.

1213
00:53:12,440 --> 00:53:15,359
Speaker 2: Boys tend to like comedy like like especially like when

1214
00:53:15,360 --> 00:53:17,080
Speaker 2: I was growing up, young boys were obsessed with it,

1215
00:53:17,280 --> 00:53:19,040
Speaker 2: like Borat and all of that ship like that was

1216
00:53:19,080 --> 00:53:19,759
Speaker 2: just like the.

1217
00:53:23,280 --> 00:53:24,719
Speaker 1: Intellectual comedy you could think.

1218
00:53:25,360 --> 00:53:26,520
Speaker 5: I think it's some I think it's.

1219
00:53:26,360 --> 00:53:29,560
Speaker 1: A Bora is not intellectual comedy.

1220
00:53:29,000 --> 00:53:32,200
Speaker 2: Intellectual, but it also has it also has.

1221
00:53:32,120 --> 00:53:34,399
Speaker 1: Slaps of course, so does Awesome Powers with Fat Baster

1222
00:53:34,520 --> 00:53:37,040
Speaker 1: taking a ship. Yes it has slapstick stuff in there,

1223
00:53:37,480 --> 00:53:40,960
Speaker 1: but that was political stuff too, of Belgium versus London,

1224
00:53:41,040 --> 00:53:45,400
Speaker 1: Like there's undercover comedy in a classic Bora.

1225
00:53:45,360 --> 00:53:47,479
Speaker 2: Was I think, Like I remember when I was younger,

1226
00:53:47,480 --> 00:53:49,960
Speaker 2: people thought that was the funniest movie on her.

1227
00:53:51,800 --> 00:53:53,799
Speaker 1: Yeah, that was like a big thing.

1228
00:53:54,040 --> 00:53:58,200
Speaker 3: We're the boy come out or me me David Biggs

1229
00:53:58,200 --> 00:54:02,000
Speaker 3: would just see that together six me Damon Biggs went

1230
00:54:02,040 --> 00:54:02,319
Speaker 3: to see that.

1231
00:54:02,560 --> 00:54:03,359
Speaker 1: We had the movies with.

1232
00:54:03,640 --> 00:54:04,720
Speaker 4: We went to go see that together.

1233
00:54:04,800 --> 00:54:08,000
Speaker 3: And bro, when I tell you, we went to a

1234
00:54:08,040 --> 00:54:09,160
Speaker 3: small It was a small theater.

1235
00:54:09,920 --> 00:54:12,000
Speaker 1: And can someone make an animation of this by the way,

1236
00:54:13,280 --> 00:54:13,960
Speaker 1: I swear to.

1237
00:54:13,920 --> 00:54:16,960
Speaker 3: God, it was a small theater in the East village somewhere,

1238
00:54:17,200 --> 00:54:20,200
Speaker 3: one of those small theaters. It maybe no more than

1239
00:54:20,239 --> 00:54:23,839
Speaker 3: maybe thirty seats inside the theater. Bro, when I tell you,

1240
00:54:23,920 --> 00:54:26,719
Speaker 3: we could not stop laughing at that ship from the

1241
00:54:26,840 --> 00:54:30,400
Speaker 3: beginning to the end, we was all in there literally crying.

1242
00:54:31,560 --> 00:54:31,960
Speaker 1: Class.

1243
00:54:32,080 --> 00:54:34,719
Speaker 2: That's a bout of a class bart as a classic movie,

1244
00:54:35,280 --> 00:54:37,080
Speaker 2: I got to back and watch it as an adult.

1245
00:54:37,239 --> 00:54:38,600
Speaker 5: I haven't watched it alone, and.

1246
00:54:38,520 --> 00:54:40,200
Speaker 1: We can agree that's intellectual comedy.

1247
00:54:40,040 --> 00:54:42,520
Speaker 5: Right, No intellectual comedy in it for sure.

1248
00:54:42,760 --> 00:54:46,160
Speaker 1: The entire concept of the movie exposing how Americans think

1249
00:54:46,239 --> 00:54:47,839
Speaker 1: is Yes.

1250
00:54:48,000 --> 00:54:50,040
Speaker 2: My point in bringing up bat is when I was younger,

1251
00:54:50,080 --> 00:54:53,440
Speaker 2: boys all tend to like the same type of comedy movie,

1252
00:54:53,880 --> 00:54:55,440
Speaker 2: like because that was the thing.

1253
00:54:55,480 --> 00:54:59,160
Speaker 1: That's why I like the borright impression is funny, but like, yeah.

1254
00:54:59,000 --> 00:55:00,920
Speaker 2: That's why I was like as a a girl, like

1255
00:55:00,960 --> 00:55:02,799
Speaker 2: I think I was just a girl that that shit

1256
00:55:02,920 --> 00:55:05,040
Speaker 2: is just borat is funny, But the rest of them

1257
00:55:05,080 --> 00:55:05,640
Speaker 2: ones out it.

1258
00:55:05,640 --> 00:55:08,880
Speaker 1: It's just like, Yo, the stars that had to align

1259
00:55:08,880 --> 00:55:10,680
Speaker 1: for him to pull that shit off. It, Bro, how

1260
00:55:10,680 --> 00:55:13,239
Speaker 1: do you end up and it's all actually real? Get

1261
00:55:13,280 --> 00:55:17,359
Speaker 1: picked up by three frat guys in a Winnebago and

1262
00:55:17,400 --> 00:55:19,560
Speaker 1: you're going to go see Pamela Anderson and put on

1263
00:55:19,600 --> 00:55:22,799
Speaker 1: the sex tape as if that's your wife and they

1264
00:55:22,960 --> 00:55:27,520
Speaker 1: have to break it to you. Like, how do the

1265
00:55:27,560 --> 00:55:29,839
Speaker 1: stars align for that? He got a new movie out

1266
00:55:29,840 --> 00:55:34,040
Speaker 1: on I want to say it's Netflix. Borat two was

1267
00:55:34,360 --> 00:55:34,799
Speaker 1: great too.

1268
00:55:35,680 --> 00:55:37,799
Speaker 3: It's a new movie on Netflix. What's the name of it.

1269
00:55:38,200 --> 00:55:40,200
Speaker 3: I started it the other night, but I think the

1270
00:55:40,320 --> 00:55:40,920
Speaker 3: game was on.

1271
00:55:41,920 --> 00:55:46,360
Speaker 1: All his characters are He's a genius, Ladies. First, the

1272
00:55:46,400 --> 00:55:50,440
Speaker 1: Alley g Show I watched before, Like yeah, when I

1273
00:55:50,480 --> 00:55:51,840
Speaker 1: was young, Like I used to sneak to watch the

1274
00:55:51,840 --> 00:55:55,080
Speaker 1: Alig Show. All his characters, you know, when he was

1275
00:55:55,200 --> 00:55:57,520
Speaker 1: Who's the gay one? I don't think I ever watched

1276
00:55:57,520 --> 00:55:58,759
Speaker 1: them when he did the full movie, but it was

1277
00:55:58,760 --> 00:56:05,640
Speaker 1: a character he had, Bruno Bruno he went to when

1278
00:56:05,640 --> 00:56:08,880
Speaker 1: I must have been in high school. God, before Bruno

1279
00:56:08,920 --> 00:56:11,479
Speaker 1: was a movie. He went to an Alabama football game

1280
00:56:12,200 --> 00:56:19,320
Speaker 1: as Bruno. It was like where the cheerleaders were. Yeah,

1281
00:56:19,920 --> 00:56:23,880
Speaker 1: he went to a rodeo as Borat to sing the

1282
00:56:23,960 --> 00:56:33,640
Speaker 1: national anthem and said, we support your war of terror. Yo.

1283
00:56:34,719 --> 00:56:37,440
Speaker 1: He does not get enough credit as a comedian bro No.

1284
00:56:37,600 --> 00:56:39,320
Speaker 1: He got some classic movies, Sasha.

1285
00:56:39,480 --> 00:56:43,720
Speaker 3: Sasha has some classic fucking movies for sure, without a doubt.

1286
00:56:43,920 --> 00:56:45,480
Speaker 1: And he's the only one that could get a lot

1287
00:56:45,520 --> 00:56:49,400
Speaker 1: of it was jokes off because he's Jewish. His Gabie,

1288
00:56:52,160 --> 00:56:55,560
Speaker 1: his Gabe, he adopted her. That's what they call it.

1289
00:56:55,640 --> 00:57:03,319
Speaker 1: A gaby. Oh my Gaby. Gaby is fucking nuts. We

1290
00:57:03,320 --> 00:57:05,960
Speaker 1: shouldn't we shouldn't say that. I feel like, you.

1291
00:57:06,120 --> 00:57:11,879
Speaker 3: Know, Gaby has to be like derogatory Bruno's Gaby. What's

1292
00:57:11,920 --> 00:57:13,799
Speaker 3: the thing Gaby is?

1293
00:57:14,000 --> 00:57:15,440
Speaker 5: It's from It's from Bruno.

1294
00:57:17,360 --> 00:57:19,840
Speaker 1: I have to watch the I watched the Bruno sketches.

1295
00:57:19,880 --> 00:57:21,000
Speaker 1: I need to see the movie. I don't think I've

1296
00:57:21,000 --> 00:57:23,080
Speaker 1: seen the movie. You've never seen Bruno the movie, I

1297
00:57:23,120 --> 00:57:26,960
Speaker 1: don't think. So what year to come out? On nine?

1298
00:57:27,760 --> 00:57:28,720
Speaker 4: You you've seen Bruno?

1299
00:57:29,400 --> 00:57:31,280
Speaker 1: No, I remember when he when he had his show,

1300
00:57:31,520 --> 00:57:33,680
Speaker 1: he would that character existed that. I'm saying, like the

1301
00:57:33,680 --> 00:57:36,280
Speaker 1: Alabama football shit. I don't know if I saw, Maybe

1302
00:57:36,280 --> 00:57:40,240
Speaker 1: I did. Gaby is fucking nuts. Gaby is hilarious. And

1303
00:57:40,280 --> 00:57:43,400
Speaker 1: he was a black, a black Gaby. He was on

1304
00:57:43,520 --> 00:57:52,840
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Speaker 1: We definitely want to give a rest in peace to

1337
00:59:40,320 --> 00:59:45,240
Speaker 1: the amazing producer Take Keith. Prayers to his loved ones.

1338
00:59:47,000 --> 00:59:49,720
Speaker 1: People I love and care for were very close to him.

1339
00:59:49,760 --> 00:59:53,800
Speaker 1: So I already know the impact that the last few

1340
00:59:53,840 --> 00:59:57,720
Speaker 1: days has had with his passing, So I do want

1341
00:59:57,720 --> 01:00:02,040
Speaker 1: to acknowledge that, you know, we give some prayers and

1342
01:00:02,040 --> 01:00:07,400
Speaker 1: condolences to everyone that was impacted by Take Keith passing away,

1343
01:00:07,800 --> 01:00:08,520
Speaker 1: which is all of.

1344
01:00:08,480 --> 01:00:11,160
Speaker 2: Us, like outside of his family and friends, which is

1345
01:00:11,200 --> 01:00:13,280
Speaker 2: all of us. I don't think there's ever been a

1346
01:00:13,280 --> 01:00:17,400
Speaker 2: time in the music industry when someone died and I

1347
01:00:17,480 --> 01:00:20,240
Speaker 2: was like, oh, music is about to change immediately, Like

1348
01:00:20,280 --> 01:00:23,280
Speaker 2: we've buried older artists and things like that, and yes

1349
01:00:23,360 --> 01:00:26,480
Speaker 2: we've missed. It's difference when somebody is a producer, right

1350
01:00:26,560 --> 01:00:30,240
Speaker 2: because they worked with so many different artists. All of

1351
01:00:30,320 --> 01:00:32,919
Speaker 2: hip hop is about to change. Like take Keith Ran

1352
01:00:33,040 --> 01:00:35,160
Speaker 2: hip hop. All of hip hop is about to change.

1353
01:00:35,880 --> 01:00:37,120
Speaker 2: I mean, it's insane.

1354
01:00:37,320 --> 01:00:42,200
Speaker 1: His sound was very much a signature to what current

1355
01:00:42,240 --> 01:00:47,280
Speaker 1: music is for sure. Shitty he brought. He brought back

1356
01:00:47,320 --> 01:00:50,840
Speaker 1: a lot of drums that I loved that were in

1357
01:00:50,920 --> 01:00:54,040
Speaker 1: hip hop that had disappeared for a fucking fifteen years.

1358
01:00:54,360 --> 01:00:58,040
Speaker 1: Take Keith brought that eight away and that bounce and

1359
01:00:58,160 --> 01:01:02,400
Speaker 1: snare shit back and a way that you know, ten

1360
01:01:02,880 --> 01:01:06,680
Speaker 1: Billboard records. Like I mean, when you knew his drop

1361
01:01:06,720 --> 01:01:08,600
Speaker 1: came on, you knew you there's no way you were

1362
01:01:08,640 --> 01:01:10,280
Speaker 1: not gonna like to be Yeah.

1363
01:01:10,560 --> 01:01:14,640
Speaker 3: I mean, aside from his obviously his musical talent and abilities,

1364
01:01:14,680 --> 01:01:17,440
Speaker 3: just you know, to at twenty nine years old so young,

1365
01:01:18,040 --> 01:01:21,360
Speaker 3: have so much life left to live. It is just

1366
01:01:21,520 --> 01:01:25,720
Speaker 3: sad and tragic, so yeah, I mean, you know, rest

1367
01:01:25,720 --> 01:01:30,760
Speaker 3: in peace, take Keith. Prayers condoless to his family, his friends,

1368
01:01:31,400 --> 01:01:34,760
Speaker 3: anyone that had, you know, any love love for him.

1369
01:01:34,840 --> 01:01:36,800
Speaker 3: I know this is a very tough time because again,

1370
01:01:36,840 --> 01:01:39,280
Speaker 3: twenty nine years old, it's way too young to be

1371
01:01:39,360 --> 01:01:44,400
Speaker 3: losing anybody. And again, you know, it's just just a tragic,

1372
01:01:44,480 --> 01:01:45,080
Speaker 3: tragic thing.

1373
01:01:46,040 --> 01:01:51,200
Speaker 1: Yeah, and I mean they haven't given much details about

1374
01:01:51,400 --> 01:01:54,360
Speaker 1: his death, so obviously we'll leave that part alone until

1375
01:01:54,360 --> 01:01:59,480
Speaker 1: the family wants to speak about everything. But yeah, I

1376
01:01:59,480 --> 01:02:01,760
Speaker 1: don't know that the stats of musicians that passed. I

1377
01:02:01,800 --> 01:02:05,240
Speaker 1: know there was that, the twenty seven the law of

1378
01:02:05,680 --> 01:02:09,320
Speaker 1: Jimmy Jani's job, that whole thing. But I feel like

1379
01:02:09,400 --> 01:02:12,600
Speaker 1: our generation within the last ten to fifteen years is

1380
01:02:13,840 --> 01:02:20,560
Speaker 1: it's been super tragic, whether it be violence, drugs, SU's like,

1381
01:02:20,680 --> 01:02:28,560
Speaker 1: it's been super unfortunate. And I know it's not everyone's

1382
01:02:28,600 --> 01:02:31,600
Speaker 1: going through their own thing, so it's not everyone's responsibility

1383
01:02:31,640 --> 01:02:34,479
Speaker 1: to micro manage everyone else's feelings or what they're going through.

1384
01:02:34,520 --> 01:02:40,200
Speaker 1: But when you are in this business, it can drive

1385
01:02:40,240 --> 01:02:43,680
Speaker 1: you to certain things that the average person may not

1386
01:02:44,360 --> 01:02:48,120
Speaker 1: deal with. So you do need to speak to the

1387
01:02:48,120 --> 01:02:51,800
Speaker 1: people you're closest with when they're at this level of success.

1388
01:02:52,360 --> 01:02:56,320
Speaker 1: I mean, as often as you can. It's something that

1389
01:02:57,480 --> 01:02:59,640
Speaker 1: it may not change anything, to be quite honest, but

1390
01:03:00,120 --> 01:03:02,440
Speaker 1: it's important to check on people. And I know we

1391
01:03:02,480 --> 01:03:04,400
Speaker 1: say that every time someone dies, and I don't think

1392
01:03:04,400 --> 01:03:07,800
Speaker 1: anyone should feel guilty about it, that they could have

1393
01:03:07,880 --> 01:03:10,680
Speaker 1: changed anything, but it is important to check on.

1394
01:03:10,640 --> 01:03:15,960
Speaker 3: People, especially you know, young people, and you know it's

1395
01:03:16,000 --> 01:03:17,520
Speaker 3: just a tough time for a lot of people, but

1396
01:03:17,960 --> 01:03:19,880
Speaker 3: young people these days seem to be having a very

1397
01:03:19,880 --> 01:03:20,360
Speaker 3: tough time.

1398
01:03:20,560 --> 01:03:25,560
Speaker 1: Yeah, it's a lot and granted, shit, you know, us

1399
01:03:25,560 --> 01:03:28,280
Speaker 1: being best friends. I'm on those people that sometimes when

1400
01:03:28,280 --> 01:03:29,920
Speaker 1: I'm going through something, you'll check on me and I'll

1401
01:03:29,920 --> 01:03:34,480
Speaker 1: be like, I'm fine. Yeah, But I think at this point,

1402
01:03:34,560 --> 01:03:37,160
Speaker 1: even if it's annoying with what you're saying, more with

1403
01:03:37,200 --> 01:03:39,800
Speaker 1: young people, maybe we need to be a little bit

1404
01:03:39,800 --> 01:03:43,040
Speaker 1: more nosy with certain people they say everything is fine,

1405
01:03:43,440 --> 01:03:44,920
Speaker 1: because I'm one of those people that are shut down too.

1406
01:03:45,800 --> 01:03:50,920
Speaker 1: And I get if you don't want to overstep with somebody,

1407
01:03:51,000 --> 01:03:54,000
Speaker 1: but that that's something I think we need to take

1408
01:03:54,120 --> 01:03:56,920
Speaker 1: extra precaution in twenty twenty six with the people around us,

1409
01:03:56,960 --> 01:04:01,720
Speaker 1: like yeah, it's yeah, people are going through a whole

1410
01:04:01,720 --> 01:04:04,440
Speaker 1: different mental thing post COVID than I think any generation

1411
01:04:04,560 --> 01:04:05,320
Speaker 1: ever had to go through.

1412
01:04:06,080 --> 01:04:08,320
Speaker 2: And I don't want this to be taken as this

1413
01:04:08,480 --> 01:04:09,920
Speaker 2: we are in reference to the depth.

1414
01:04:10,120 --> 01:04:15,080
Speaker 1: No, no, no, no, this is I'm just saying just in

1415
01:04:15,120 --> 01:04:19,200
Speaker 1: general of the people we've lost that are of notoriety

1416
01:04:19,400 --> 01:04:22,280
Speaker 1: and have contributed the way they have contributed to the

1417
01:04:22,320 --> 01:04:26,840
Speaker 1: culture that we love, that it's something that that I

1418
01:04:26,880 --> 01:04:31,720
Speaker 1: think just sending a text isn't really the strategy anymore.

1419
01:04:31,800 --> 01:04:34,480
Speaker 1: That's all with everybody.

1420
01:04:35,680 --> 01:04:37,720
Speaker 2: I've never texted somebody and said how are you and

1421
01:04:37,760 --> 01:04:40,680
Speaker 2: they were like, I'm am doing terrible like that.

1422
01:04:40,680 --> 01:04:42,560
Speaker 5: That rarely happens, Like everybody.

1423
01:04:42,320 --> 01:04:45,880
Speaker 1: Like I'm good, I'm fine, you know, yeah, And I

1424
01:04:45,880 --> 01:04:49,640
Speaker 1: mean I don't have the I guess the tactics of

1425
01:04:50,240 --> 01:04:52,520
Speaker 1: or the advice of what to do in that situation.

1426
01:04:52,760 --> 01:04:57,080
Speaker 1: But if that's your friend, just make sure that you

1427
01:04:57,080 --> 01:05:01,040
Speaker 1: don't let that I'm cool text just go That's all. Yeah,

1428
01:05:01,280 --> 01:05:06,560
Speaker 1: But shit, while we're here, rest in peace to Clyde Davis,

1429
01:05:08,320 --> 01:05:15,040
Speaker 1: legend in the music industry. I mean, Whitney, Alicia Usher, everybody. Yeah,

1430
01:05:15,040 --> 01:05:17,920
Speaker 1: I mean it's Clyde, everybody, Clive Davis and you know

1431
01:05:18,960 --> 01:05:22,200
Speaker 1: of course, it's always tragic when someone passes away, but

1432
01:05:22,480 --> 01:05:24,720
Speaker 1: I always like to highlight because even with my grandparents,

1433
01:05:24,720 --> 01:05:26,520
Speaker 1: they both made it to ninety one and ninety three,

1434
01:05:27,120 --> 01:05:29,760
Speaker 1: and yeah, it suck with my grandparents past, but I

1435
01:05:29,800 --> 01:05:32,040
Speaker 1: was very happy they had a full life like you

1436
01:05:32,160 --> 01:05:35,680
Speaker 1: lived till ninety four. So yes, rest and peace for sure,

1437
01:05:35,720 --> 01:05:39,520
Speaker 1: But let's acknowledge, like ninety four years of life is

1438
01:05:39,800 --> 01:05:43,400
Speaker 1: a beautiful fucking thing. Incredible, that's awesome. Congratulas that you

1439
01:05:43,480 --> 01:05:45,240
Speaker 1: lived ninety four years and got to see what you

1440
01:05:45,280 --> 01:05:49,640
Speaker 1: saw and contribute what you contributed to. Absolutely. Can I

1441
01:05:49,680 --> 01:05:54,760
Speaker 1: give a confession. I didn't know Clive Davis was white

1442
01:05:55,720 --> 01:05:59,160
Speaker 1: until I was like twenty five, So I want to say.

1443
01:05:58,960 --> 01:06:02,240
Speaker 5: Like, twenty men same.

1444
01:06:02,280 --> 01:06:06,440
Speaker 1: Clive ma I was working in the music industry. We're

1445
01:06:06,440 --> 01:06:08,960
Speaker 1: going to Clive Davis at the Gravy party. I thought

1446
01:06:09,000 --> 01:06:09,520
Speaker 1: he was black.

1447
01:06:10,160 --> 01:06:12,920
Speaker 2: There's another there's another white in the music industry that

1448
01:06:12,960 --> 01:06:14,720
Speaker 2: I just found out it was black, like ten years ago.

1449
01:06:14,800 --> 01:06:18,600
Speaker 1: Tommy Montola. No, we all knew Tommy White. You love

1450
01:06:18,640 --> 01:06:19,720
Speaker 1: Mariah Nah.

1451
01:06:19,760 --> 01:06:20,840
Speaker 5: I feel like everybody knew.

1452
01:06:21,560 --> 01:06:23,880
Speaker 1: One about Tommy Motola. Not everybody knew Tommy Motla. His

1453
01:06:23,960 --> 01:06:30,400
Speaker 1: name is Tommy Mottola Clive Davis. Clive is different Tommy Mottola.

1454
01:06:30,400 --> 01:06:31,720
Speaker 4: Five Davis could be a black man.

1455
01:06:32,640 --> 01:06:34,520
Speaker 1: Lays based in Nashville, Tennessee.

1456
01:06:35,120 --> 01:06:37,440
Speaker 2: The other big whites that are like white in the

1457
01:06:37,520 --> 01:06:39,000
Speaker 2: music industry, like as like, I.

1458
01:06:39,000 --> 01:06:40,960
Speaker 1: Don't think anyone thought Steve Bartles was black.

1459
01:06:42,080 --> 01:06:45,000
Speaker 5: No, it's a hip hop one that I was like.

1460
01:06:45,080 --> 01:06:47,160
Speaker 5: He white. I couldn't remember his name, but.

1461
01:06:48,240 --> 01:06:52,400
Speaker 2: No, like a like a like a executive executive. Yeah,

1462
01:06:52,520 --> 01:06:58,480
Speaker 2: and he's still active too. Leor you thought Leo Cohen.

1463
01:06:58,640 --> 01:06:59,840
Speaker 5: I didn't know Leon was white.

1464
01:07:00,040 --> 01:07:02,840
Speaker 1: There's no way I didn't know. There's no way, there's

1465
01:07:02,880 --> 01:07:05,880
Speaker 1: no white. I'm not gonna I'm not gonna make this

1466
01:07:05,920 --> 01:07:07,280
Speaker 1: a thing that you guys going to make it a

1467
01:07:07,320 --> 01:07:09,720
Speaker 1: thing about. But if you were to find a specific

1468
01:07:09,720 --> 01:07:12,720
Speaker 1: group of people and find the most stereotypical name of them,

1469
01:07:12,800 --> 01:07:16,480
Speaker 1: it would be Leor Cohen. Yeah. No, it's no founded

1470
01:07:16,520 --> 01:07:17,000
Speaker 1: black to me.

1471
01:07:17,440 --> 01:07:21,640
Speaker 6: Leon Okay, okay, it's not.

1472
01:07:21,920 --> 01:07:24,480
Speaker 5: It's Leon sounds black, yeah.

1473
01:07:25,160 --> 01:07:27,320
Speaker 4: Jim Leon Rose definitely sounds like a black man.

1474
01:07:29,600 --> 01:07:32,720
Speaker 1: Leon. Lets someone Yiddish say, not going to think it?

1475
01:07:32,720 --> 01:07:37,720
Speaker 1: It's black. Leon is the most black name ever, probably, nah, Leon.

1476
01:07:38,040 --> 01:07:41,640
Speaker 1: The only black name is leon is Lee Roy. Yeah,

1477
01:07:41,840 --> 01:07:43,760
Speaker 1: Jamal is the blackest name. No it's not.

1478
01:07:45,040 --> 01:07:45,560
Speaker 4: No, it's not.

1479
01:07:46,840 --> 01:07:49,240
Speaker 1: Jamal is not the because everyone calls me that in

1480
01:07:49,280 --> 01:07:49,640
Speaker 1: the street.

1481
01:07:51,120 --> 01:07:52,400
Speaker 2: Jamal is the blackest name.

1482
01:07:53,120 --> 01:07:56,840
Speaker 1: Jamal and j Kwan Ja Kwan and Jamal nothing nothing

1483
01:07:56,880 --> 01:07:58,439
Speaker 1: to like. Juan is a pretty If.

1484
01:07:58,320 --> 01:08:00,200
Speaker 2: You didn't, if your name wasn't Jamal, I think would

1485
01:08:00,200 --> 01:08:01,200
Speaker 2: think differently about that.

1486
01:08:02,320 --> 01:08:03,240
Speaker 1: It's a very stereotypical.

1487
01:08:03,400 --> 01:08:06,760
Speaker 2: Jamal is a stereotypic, typical, stereotypical black name. It's like

1488
01:08:06,800 --> 01:08:09,560
Speaker 2: the name like white suburban ladies would like in a movie.

1489
01:08:09,560 --> 01:08:11,120
Speaker 2: They would be like, Okay, Jamal and.

1490
01:08:11,320 --> 01:08:13,840
Speaker 3: They like I feel like, I feel like Andre is

1491
01:08:13,880 --> 01:08:15,560
Speaker 3: more stereotypical than Jamal.

1492
01:08:16,120 --> 01:08:23,240
Speaker 2: No, Jamal and Jamal and Ja Kwan are like hell yeah.

1493
01:08:23,920 --> 01:08:27,080
Speaker 1: Any anytime a racist person is making a hypothetical, they're

1494
01:08:27,080 --> 01:08:28,400
Speaker 1: gonna they're gonna.

1495
01:08:29,479 --> 01:08:30,920
Speaker 4: No way, no way.

1496
01:08:30,920 --> 01:08:32,839
Speaker 1: I don't think so he's biased.

1497
01:08:33,120 --> 01:08:35,040
Speaker 4: I'm not. I just don't think it's as stereotypical as

1498
01:08:35,040 --> 01:08:35,600
Speaker 4: you'll think it is.

1499
01:08:36,320 --> 01:08:38,679
Speaker 1: Don't quote me because I don't know that the actual history.

1500
01:08:38,960 --> 01:08:45,080
Speaker 1: But in my Irish a lot of people have the

1501
01:08:45,080 --> 01:08:50,120
Speaker 1: middle name Tyrone. Tyrone is a very but I'm telling

1502
01:08:50,120 --> 01:08:54,120
Speaker 1: you Tyrone. Oh, look up the Irish connection to the

1503
01:08:54,200 --> 01:08:57,120
Speaker 1: name Tyrone. I have a lot of older family members

1504
01:08:57,160 --> 01:08:59,760
Speaker 1: that have the middle name Tyrone. It has something to

1505
01:08:59,800 --> 01:09:02,599
Speaker 1: do the Irish culture. I don't know where it comes from,

1506
01:09:02,640 --> 01:09:05,000
Speaker 1: so please do not quote me. I'm not saying, but

1507
01:09:05,120 --> 01:09:07,000
Speaker 1: Tyrone is an Irish name somewhere.

1508
01:09:07,080 --> 01:09:08,799
Speaker 5: It means the land of Owen and Gaelic.

1509
01:09:09,560 --> 01:09:13,080
Speaker 1: Yes, it's a Gaelic word. Yeah. Like, if you go

1510
01:09:13,160 --> 01:09:15,360
Speaker 1: through my family tree, there's Tyronees in my family.

1511
01:09:16,520 --> 01:09:19,839
Speaker 4: That's hilarious. That was to me, the Irish Tyrone.

1512
01:09:19,880 --> 01:09:23,000
Speaker 1: That's funny. The conversation we would have the last three hours. Well,

1513
01:09:23,040 --> 01:09:25,800
Speaker 1: my dad was working. He must have been in Miami. Yeah,

1514
01:09:25,800 --> 01:09:27,439
Speaker 1: he was in Miami. He was and Coral Gables at

1515
01:09:27,439 --> 01:09:30,280
Speaker 1: the time. There was he was working on this boat

1516
01:09:30,439 --> 01:09:32,960
Speaker 1: and the whole time he was talking about this this

1517
01:09:33,120 --> 01:09:36,960
Speaker 1: guy Tyrone he works with works I get there. Straight

1518
01:09:37,000 --> 01:09:37,599
Speaker 1: from Ireland.

1519
01:09:37,720 --> 01:09:39,439
Speaker 5: That's crazy, that's funny.

1520
01:09:39,439 --> 01:09:42,040
Speaker 1: It's straight from Ireland. But I mean there was a

1521
01:09:42,080 --> 01:09:46,160
Speaker 1: lot of overlap in the West Indies with one. The

1522
01:09:46,200 --> 01:09:49,080
Speaker 1: dialects are very similar. One hundred Yes, Tyrone does.

1523
01:09:49,160 --> 01:09:51,320
Speaker 3: For being named Tyrone, and you're like a full white

1524
01:09:51,360 --> 01:09:52,559
Speaker 3: irishman is crazy.

1525
01:09:53,080 --> 01:09:56,200
Speaker 2: I go most stereotypical Black names. Jamorrow was the first

1526
01:09:56,200 --> 01:09:58,120
Speaker 2: one that came up, DaShan.

1527
01:09:58,240 --> 01:10:01,320
Speaker 1: But his is also from the ron and how he spells.

1528
01:10:01,000 --> 01:10:06,559
Speaker 2: It is like, yeah, Demetrius, Tyrone, Marquise, Darnell, malik in Terrell.

1529
01:10:08,640 --> 01:10:11,360
Speaker 5: Those are the name it most stereotypical black name.

1530
01:10:11,760 --> 01:10:12,760
Speaker 4: Jamal was number one.

1531
01:10:13,160 --> 01:10:15,759
Speaker 1: Was number one, Like it's almost become.

1532
01:10:15,560 --> 01:10:17,400
Speaker 5: A character of yeah, it's a racist.

1533
01:10:17,479 --> 01:10:18,479
Speaker 4: How many Jamals do you know?

1534
01:10:19,920 --> 01:10:21,200
Speaker 5: I know a lot of Jamal's.

1535
01:10:21,479 --> 01:10:24,000
Speaker 1: I would put it somewhere in the five five category.

1536
01:10:23,640 --> 01:10:26,120
Speaker 2: But that doesn't mean, like you can even if somebody

1537
01:10:26,120 --> 01:10:28,120
Speaker 2: knows none, that doesn't make it a less black name.

1538
01:10:28,160 --> 01:10:30,960
Speaker 2: I don't know any Shaniquas, but that's a stereotypical black

1539
01:10:31,040 --> 01:10:31,400
Speaker 2: name that.

1540
01:10:31,360 --> 01:10:34,000
Speaker 1: You know I do not know, and I don't think

1541
01:10:34,040 --> 01:10:34,679
Speaker 1: I know one.

1542
01:10:34,840 --> 01:10:35,559
Speaker 2: I don't know, not one.

1543
01:10:35,600 --> 01:10:37,240
Speaker 1: You don't know it's I don't know.

1544
01:10:37,960 --> 01:10:38,640
Speaker 4: How do you not know?

1545
01:10:38,720 --> 01:10:48,280
Speaker 1: I know it's shar Keisha. You know it's the videos.

1546
01:10:46,560 --> 01:10:53,040
Speaker 2: When I looked up stereotypical black female names, Latasha, Tamika, LaToya, Tanisha, LaToya, Keisha, Aliyah,

1547
01:10:53,040 --> 01:10:53,680
Speaker 2: and Lashanda.

1548
01:10:53,720 --> 01:10:56,080
Speaker 5: I know all of them.

1549
01:10:57,040 --> 01:10:59,760
Speaker 1: Paid peep. I was gonna say DMX and Cisco, but.

1550
01:11:01,120 --> 01:11:04,200
Speaker 2: Brenda, Laticia, Linda, Felicia. But a lot of them names

1551
01:11:04,200 --> 01:11:04,800
Speaker 2: weren't black.

1552
01:11:05,080 --> 01:11:07,240
Speaker 1: I don't think I know it. Shanik will yeah, I

1553
01:11:07,280 --> 01:11:07,920
Speaker 1: really don't think so.

1554
01:11:08,200 --> 01:11:11,880
Speaker 2: Jamal is Jamal is a very very stypical black name.

1555
01:11:13,520 --> 01:11:17,880
Speaker 2: But Leo R Yeah, I thought Leo was black. Bone

1556
01:11:17,920 --> 01:11:21,439
Speaker 2: Cuisha and Lauisha is crazy. Bone Cisha is not a

1557
01:11:21,439 --> 01:11:21,640
Speaker 2: real n.

1558
01:11:21,720 --> 01:11:23,840
Speaker 1: I don't think ship could be a real name. That's Google.

1559
01:11:24,640 --> 01:11:27,320
Speaker 2: H I saw a Bonequisha on Reddit, but the other

1560
01:11:27,360 --> 01:11:30,040
Speaker 2: ones was Google. Yeah, the ones are originally.

1561
01:11:29,720 --> 01:11:31,799
Speaker 4: I said, Google definitely got bone cueichhe up there.

1562
01:11:31,800 --> 01:11:33,639
Speaker 1: This but this, this is my problem with all those

1563
01:11:33,680 --> 01:11:37,880
Speaker 1: viral videos that they deprived us of. Where are they now? Like,

1564
01:11:37,960 --> 01:11:40,360
Speaker 1: don't make Sharkisha viral and then don't tell me ten

1565
01:11:40,439 --> 01:11:41,920
Speaker 1: years later what happened to her. We need to know.

1566
01:11:42,280 --> 01:11:44,200
Speaker 1: I need to know what Sharkish is doing. What you

1567
01:11:44,280 --> 01:11:46,639
Speaker 1: think Sharkisha Patrick beating the funk out of people?

1568
01:11:47,680 --> 01:11:52,280
Speaker 2: What is this Irish boy names Patrick Connor Sean?

1569
01:11:52,360 --> 01:11:54,320
Speaker 1: Are you Irish for real?

1570
01:11:54,800 --> 01:11:55,280
Speaker 2: You didn't know?

1571
01:11:55,760 --> 01:11:56,400
Speaker 4: No, I didn't know that.

1572
01:11:56,960 --> 01:11:58,960
Speaker 1: He put his pops in the chat. He looks just

1573
01:11:58,960 --> 01:11:59,439
Speaker 1: like my dad.

1574
01:12:00,840 --> 01:12:02,200
Speaker 2: Why seaman's ain't on there.

1575
01:12:03,040 --> 01:12:06,880
Speaker 1: Shame is kind of that's more of an older like

1576
01:12:06,880 --> 01:12:08,799
Speaker 1: if you get into some of the like my grandmother's

1577
01:12:08,880 --> 01:12:11,559
Speaker 1: name is Eileen, like that. They don't make aleens anymore

1578
01:12:11,600 --> 01:12:11,800
Speaker 1: I had.

1579
01:12:13,240 --> 01:12:16,639
Speaker 4: They don't make Isleens. Oh, Barbara, I'm least I've seen Barbara.

1580
01:12:16,960 --> 01:12:18,640
Speaker 1: You don't even know I went to I went to

1581
01:12:18,680 --> 01:12:21,080
Speaker 1: high school to Barbara. You did not go to high

1582
01:12:21,120 --> 01:12:26,120
Speaker 1: school with no grandmother norandmother grave.

1583
01:12:26,200 --> 01:12:28,120
Speaker 5: I went to school with a Barbera. I'm not making

1584
01:12:28,120 --> 01:12:28,400
Speaker 5: that up.

1585
01:12:28,439 --> 01:12:31,559
Speaker 1: Barbara, and you went with six to I went.

1586
01:12:31,400 --> 01:12:33,080
Speaker 5: To middle school and high school with her.

1587
01:12:33,320 --> 01:12:35,840
Speaker 1: Barbara. Yeah, shout out to bars she was real roal skinny.

1588
01:12:36,560 --> 01:12:39,320
Speaker 1: Hanging out with a Barbara and seven is crazy. Barbara.

1589
01:12:39,439 --> 01:12:42,920
Speaker 1: I thought the named after that grandparents. Well, my middle

1590
01:12:43,000 --> 01:12:45,519
Speaker 1: name is my grandfather's name, but it's not my first name.

1591
01:12:46,280 --> 01:12:47,880
Speaker 1: Don't name me after monkey. And on top of that,

1592
01:12:48,000 --> 01:12:51,840
Speaker 1: like Jamaican's took Eugene from us that used to be ours. Yeah, yeah,

1593
01:12:52,280 --> 01:12:54,960
Speaker 1: Trevor definitely took Trevor from him. There was a lot

1594
01:12:55,000 --> 01:12:56,800
Speaker 1: of Irish names that West Indians took now that the

1595
01:12:56,800 --> 01:12:59,280
Speaker 1: computity took them or where they we were.

1596
01:12:59,280 --> 01:13:01,960
Speaker 5: The name passed down through all types.

1597
01:13:01,720 --> 01:13:03,080
Speaker 4: Of the owners.

1598
01:13:03,520 --> 01:13:07,519
Speaker 1: Oh, I think you have very misguided version of the

1599
01:13:07,560 --> 01:13:09,320
Speaker 1: history between the Irish and the West Indies.

1600
01:13:09,439 --> 01:13:11,880
Speaker 2: Is But y'all ever thought that some of the people

1601
01:13:11,920 --> 01:13:13,960
Speaker 2: that conquered you and some of the names that you know.

1602
01:13:14,040 --> 01:13:17,720
Speaker 1: For sure, no in desert servants. And I trust me,

1603
01:13:17,760 --> 01:13:19,400
Speaker 1: I'm not the Irish guy that said, hey, we went

1604
01:13:19,439 --> 01:13:19,880
Speaker 1: through it too.

1605
01:13:20,000 --> 01:13:22,360
Speaker 2: You do, But no, there's a way are you gonna

1606
01:13:22,360 --> 01:13:25,160
Speaker 2: tell us Irish was slaves every time? He don't do that.

1607
01:13:25,600 --> 01:13:28,599
Speaker 1: They were. Yes, it's just a fact, but don't but don't.

1608
01:13:28,360 --> 01:13:29,160
Speaker 2: Say I'm not the guy.

1609
01:13:29,200 --> 01:13:30,600
Speaker 1: No, no, no, But I'm not one of those people that

1610
01:13:30,680 --> 01:13:32,600
Speaker 1: even still stands on the Yes. When we got to

1611
01:13:32,600 --> 01:13:35,040
Speaker 1: this country too, it was no shirts, no shoes, no

1612
01:13:35,040 --> 01:13:38,759
Speaker 1: Irish cool. But then after that decade we just became white.

1613
01:13:38,880 --> 01:13:43,639
Speaker 1: So I know, I'm not saying there's any comparison whatsoever.

1614
01:13:43,720 --> 01:13:46,280
Speaker 1: But the fact is a fact. And where the West

1615
01:13:46,280 --> 01:13:48,519
Speaker 1: Indian dialect is so similar to the Irish one is

1616
01:13:48,560 --> 01:13:51,360
Speaker 1: because they were in desered servants and slaves in the

1617
01:13:51,360 --> 01:13:53,439
Speaker 1: West Indies like Barbara Burst.

1618
01:13:53,479 --> 01:13:55,639
Speaker 3: In recent years, around three hundred new More girls were

1619
01:13:55,640 --> 01:13:57,360
Speaker 3: given the name Barbara Annual.

1620
01:13:59,600 --> 01:14:02,360
Speaker 1: Alone zero Barbara in her thirty.

1621
01:14:02,200 --> 01:14:04,640
Speaker 3: Zero point zero one percent of all newborn girls in

1622
01:14:04,640 --> 01:14:08,880
Speaker 3: the United States a name Barbara, zero point zero one percent.

1623
01:14:08,920 --> 01:14:10,519
Speaker 4: That's what I'm saying. You don't see barbers like that.

1624
01:14:10,640 --> 01:14:12,120
Speaker 1: What was your grandmother's names?

1625
01:14:13,960 --> 01:14:14,280
Speaker 4: Girty?

1626
01:14:15,479 --> 01:14:18,400
Speaker 1: Miss old names? Girty? That's such a grandmother.

1627
01:14:18,560 --> 01:14:21,320
Speaker 2: Now it's girty like a nickname, or like the full

1628
01:14:21,400 --> 01:14:22,320
Speaker 2: name Gerdy, like.

1629
01:14:24,560 --> 01:14:25,120
Speaker 4: Girty May.

1630
01:14:25,920 --> 01:14:30,360
Speaker 2: Oh, they love him, They love him May, Girdy May

1631
01:14:30,680 --> 01:14:34,200
Speaker 2: and now let it think about it.

1632
01:14:33,120 --> 01:14:35,920
Speaker 1: AND's we're also taken. You know, Irish and Jamaicans have

1633
01:14:35,960 --> 01:14:39,439
Speaker 1: way too much in common because my mother's Kathyenne everything

1634
01:14:39,520 --> 01:14:43,280
Speaker 1: and is Jamaican related. My mother's name is Kathyenne or.

1635
01:14:43,880 --> 01:14:48,120
Speaker 2: Trailer trash related, trailer trash whites love an Okay. They

1636
01:14:48,240 --> 01:14:50,000
Speaker 2: put in Brittany and t men.

1637
01:14:51,360 --> 01:14:54,200
Speaker 1: Anne and Lynn. Oh, No, Lynten to me is white

1638
01:14:54,240 --> 01:14:56,599
Speaker 1: trash and is not what lynten to me is white trash.

1639
01:14:56,800 --> 01:14:57,960
Speaker 4: Yeah, and had that ship together.

1640
01:14:59,240 --> 01:15:01,080
Speaker 1: If you put if your second name is Lynn, you

1641
01:15:01,240 --> 01:15:04,080
Speaker 1: one thousand percent of a poor white Yeah, Like, there's

1642
01:15:04,120 --> 01:15:05,720
Speaker 1: no way you did. You did not grow up on

1643
01:15:05,720 --> 01:15:08,200
Speaker 1: food stamps. If you're a white girl with the middle

1644
01:15:08,280 --> 01:15:08,759
Speaker 1: name win.

1645
01:15:10,200 --> 01:15:12,439
Speaker 3: Girl, What is this what is listen of this? These

1646
01:15:12,520 --> 01:15:15,000
Speaker 3: girl names saw the steepest all right, thank.

1647
01:15:15,280 --> 01:15:17,200
Speaker 1: Thank thank god, thank god. The order.

1648
01:15:19,880 --> 01:15:21,880
Speaker 4: May names at risk of going extinct.

1649
01:15:22,160 --> 01:15:24,639
Speaker 5: It was London and Milan for me. Ooh, they ran

1650
01:15:24,960 --> 01:15:26,200
Speaker 5: to the fucking round.

1651
01:15:26,920 --> 01:15:31,240
Speaker 1: Lee Apprecia, Ezra, Sash the new Roy Muldra. His sisters

1652
01:15:31,320 --> 01:15:31,760
Speaker 1: name is Londi.

1653
01:15:31,760 --> 01:15:36,400
Speaker 3: You better Jacob Gabriel Zie Ocean down two hundred and

1654
01:15:36,439 --> 01:15:42,400
Speaker 3: forty two spots, Ali nevercean I met Aria, Kylie, Kylie Wow.

1655
01:15:42,840 --> 01:15:46,320
Speaker 3: I like that name, Kylie Malaysia Goldie. I'm glad that's

1656
01:15:46,400 --> 01:15:47,400
Speaker 3: on the way out stop.

1657
01:15:47,560 --> 01:15:49,519
Speaker 1: But Goldie was always like a nickname for a grandma.

1658
01:15:49,680 --> 01:15:52,200
Speaker 4: Hallie Amayah Kinzy.

1659
01:15:53,479 --> 01:15:56,519
Speaker 2: A lot of Keana down one hundred and ninety seven spots.

1660
01:15:56,560 --> 01:15:58,160
Speaker 5: You'all better bring the Keana's back.

1661
01:15:58,280 --> 01:15:59,360
Speaker 1: Beta love Kea.

1662
01:15:59,520 --> 01:16:01,960
Speaker 3: Indeed, Regina is down one hundred and niney five spots,

1663
01:16:02,040 --> 01:16:08,320
Speaker 3: Avery Elsa, Kaylee, Lilly and Sienna, Dylon, Dallas, Dylan, I

1664
01:16:08,360 --> 01:16:15,000
Speaker 3: thought I was Daling Dylan Amal Nicole Oakland, Brindley the Lazy,

1665
01:16:15,280 --> 01:16:15,759
Speaker 3: the Laser.

1666
01:16:17,000 --> 01:16:18,880
Speaker 1: I think Brindley face. I like that.

1667
01:16:19,880 --> 01:16:20,960
Speaker 5: Peyton was a thing.

1668
01:16:22,800 --> 01:16:22,960
Speaker 6: Enough.

1669
01:16:23,560 --> 01:16:28,200
Speaker 1: If you guys are what would you guys choose just

1670
01:16:28,240 --> 01:16:29,960
Speaker 1: off the top of your head for your son and

1671
01:16:30,000 --> 01:16:30,640
Speaker 1: your daughter's name.

1672
01:16:31,640 --> 01:16:33,360
Speaker 5: I told y'all, and I see her. Y'all talked about

1673
01:16:33,400 --> 01:16:34,000
Speaker 5: me like the dogs.

1674
01:16:34,080 --> 01:16:35,240
Speaker 4: Yeah we did. I remember that.

1675
01:16:35,240 --> 01:16:37,840
Speaker 1: As soon as you said that about looking at I

1676
01:16:37,960 --> 01:16:39,960
Speaker 1: see you Carter my son name.

1677
01:16:40,360 --> 01:16:42,559
Speaker 5: I love the name Grayson. I have a cousin. Shout

1678
01:16:42,560 --> 01:16:44,479
Speaker 5: out to my cousin. I have a cousin named the Grayson,

1679
01:16:45,640 --> 01:16:45,880
Speaker 5: and I.

1680
01:16:45,920 --> 01:16:47,120
Speaker 1: Love his name. My son.

1681
01:16:47,200 --> 01:16:48,080
Speaker 4: I like the Grayson, the.

1682
01:16:48,160 --> 01:16:51,519
Speaker 2: Grayson an apostrophe and the Grayson. But everybody calls him Grayson.

1683
01:16:52,160 --> 01:16:53,160
Speaker 2: I always loved that name.

1684
01:16:53,720 --> 01:17:01,479
Speaker 1: What about Jama Probably jam going junior? Mm hm, probably what.

1685
01:17:01,600 --> 01:17:02,519
Speaker 2: A legacy leave.

1686
01:17:03,920 --> 01:17:05,800
Speaker 1: So that's that's a lot of Nike dunk shoes. He

1687
01:17:05,840 --> 01:17:09,160
Speaker 1: has to feel, man, it's hard feeling these ten and

1688
01:17:09,200 --> 01:17:14,040
Speaker 1: a half. If I was Knowlan is what I want

1689
01:17:14,080 --> 01:17:18,240
Speaker 1: to name myself. Norlyn Irish is fucking though. You don't

1690
01:17:18,280 --> 01:17:21,080
Speaker 1: like the name Nolan? No, why not too close to Dolan.

1691
01:17:21,280 --> 01:17:22,880
Speaker 1: We don't care about them. I never put those two

1692
01:17:22,880 --> 01:17:24,880
Speaker 1: and two together. Damn it. Now, I'm never gonna think that.

1693
01:17:25,240 --> 01:17:26,160
Speaker 1: Thank you for Nolan.

1694
01:17:26,280 --> 01:17:28,320
Speaker 5: Why did you like what you really like? Nolan as

1695
01:17:28,320 --> 01:17:29,639
Speaker 5: like a Nagher that was like, does it mean something

1696
01:17:29,840 --> 01:17:30,720
Speaker 5: like your grandparent name?

1697
01:17:30,800 --> 01:17:30,840
Speaker 6: No.

1698
01:17:31,120 --> 01:17:34,200
Speaker 1: Uh, my Irish uncle Anthony had a friend named Nolan.

1699
01:17:34,200 --> 01:17:36,200
Speaker 1: I just always thought it was a cool Irish Irish

1700
01:17:36,280 --> 01:17:40,000
Speaker 1: uncle Anthony has. Of course it's Anthony Anthony.

1701
01:17:40,120 --> 01:17:40,320
Speaker 4: Yeah.

1702
01:17:41,680 --> 01:17:43,400
Speaker 5: Amara and Nolan don't go together.

1703
01:17:44,320 --> 01:17:46,120
Speaker 1: But there there did it. They be different people like

1704
01:17:46,160 --> 01:17:47,439
Speaker 1: a Mars. But but they don't.

1705
01:17:47,479 --> 01:17:49,320
Speaker 5: But you have to say their names together a lot.

1706
01:17:49,600 --> 01:17:49,880
Speaker 1: You don't.

1707
01:17:49,960 --> 01:17:50,360
Speaker 5: Yes, you do.

1708
01:17:50,439 --> 01:17:51,840
Speaker 2: When you're name You're not gonna name one kid and

1709
01:17:51,880 --> 01:17:53,719
Speaker 2: name nothing like when you're naming kids, like I'm.

1710
01:17:53,600 --> 01:17:55,800
Speaker 1: With so and so and so saidhere the kids, Yeah,

1711
01:17:56,479 --> 01:17:58,519
Speaker 1: with the kids. How are the kids?

1712
01:17:58,640 --> 01:17:59,840
Speaker 4: How the kids like you?

1713
01:18:00,080 --> 01:18:02,720
Speaker 1: You got malland you guys learn to talk me. I

1714
01:18:02,760 --> 01:18:04,840
Speaker 1: love Nolan. I think it's a great name. I like Nolan.

1715
01:18:05,320 --> 01:18:05,960
Speaker 1: That's a nice name.

1716
01:18:05,960 --> 01:18:07,920
Speaker 2: I like how when we hear Omar like we gotta

1717
01:18:08,000 --> 01:18:11,640
Speaker 2: like guess her ethnicity, but like Nolan, we know automatically,

1718
01:18:12,160 --> 01:18:13,880
Speaker 2: not really Nolan.

1719
01:18:14,040 --> 01:18:17,439
Speaker 1: Nolan can be a black name. Nolan can definitely be

1720
01:18:17,479 --> 01:18:19,400
Speaker 1: a black name. I know, I know ifew Nolan's, you.

1721
01:18:19,479 --> 01:18:24,320
Speaker 2: Know a few Nolan's. Yeah, I've never heard that name before,

1722
01:18:24,640 --> 01:18:28,439
Speaker 2: Nolan outside of Christopher Nolan that's the only Nolan I know.

1723
01:18:28,560 --> 01:18:31,960
Speaker 1: Christopher Nolan crazy. Yeah, Nolan's is outside. You just got

1724
01:18:32,080 --> 01:18:36,880
Speaker 1: to go to Ireland to final or Queen's. Nolan is

1725
01:18:37,400 --> 01:18:40,000
Speaker 1: a great name if you like it. Do you guys

1726
01:18:40,040 --> 01:18:41,360
Speaker 1: want to know my confirmation name?

1727
01:18:42,120 --> 01:18:43,519
Speaker 4: What is what is a confirmation name?

1728
01:18:43,800 --> 01:18:45,479
Speaker 1: When you get confirmed in the Catholic Church? You picked?

1729
01:18:45,520 --> 01:18:51,000
Speaker 1: Oh yeah, it's Patrick, nice.

1730
01:18:50,880 --> 01:18:53,679
Speaker 5: Pat Pat Patrick? I mean Peach, what's yours?

1731
01:18:56,960 --> 01:18:58,560
Speaker 1: There's only like five picks that you can go with.

1732
01:19:02,040 --> 01:19:10,280
Speaker 1: Jerome Jerome is irishtudent me.

1733
01:19:10,520 --> 01:19:15,120
Speaker 3: No, white Jerome is crazy Irish. No, I know, but

1734
01:19:15,200 --> 01:19:17,559
Speaker 3: I'm just saying I've never seen a white Jerome before.

1735
01:19:20,000 --> 01:19:24,280
Speaker 3: Asian Asian druma is crazy. That actually sounds like a

1736
01:19:24,320 --> 01:19:31,000
Speaker 3: bit in rush hour. Yeah, your grandfather's name is Jerome. Yeah, yeah,

1737
01:19:32,680 --> 01:19:34,160
Speaker 3: oh that's the name that like. When you start to

1738
01:19:34,200 --> 01:19:36,080
Speaker 3: work there at seven eleven, they give you your name

1739
01:19:36,360 --> 01:19:37,240
Speaker 3: so everybody.

1740
01:19:36,920 --> 01:19:39,280
Speaker 1: Can say it. That's not true. Why you pick seven eleven?

1741
01:19:40,640 --> 01:19:40,760
Speaker 6: Right?

1742
01:19:40,840 --> 01:19:43,000
Speaker 1: A safe way? That wasn't racist, because that's not this

1743
01:19:43,080 --> 01:19:45,680
Speaker 1: the seven eleven stereotype is not Yeah no, that was

1744
01:19:45,720 --> 01:19:47,920
Speaker 1: progressivele more. They give you a name, just like the

1745
01:19:48,000 --> 01:19:51,280
Speaker 1: ladies at the nail salon. Listen, anytime you do customer service,

1746
01:19:51,320 --> 01:19:51,960
Speaker 1: that's not their name.

1747
01:19:52,240 --> 01:19:55,960
Speaker 3: No, or the nail salon, the lady that does your nails.

1748
01:19:56,479 --> 01:20:01,320
Speaker 3: You think you think her name is is Janis. Now,

1749
01:20:01,439 --> 01:20:03,679
Speaker 3: I can promise you that's not her name. I promise

1750
01:20:03,760 --> 01:20:04,519
Speaker 3: you that's not name.

1751
01:20:04,880 --> 01:20:05,640
Speaker 5: Now we know it's not.

1752
01:20:06,280 --> 01:20:08,960
Speaker 1: But no, Jerome is definitely Irish too.

1753
01:20:09,439 --> 01:20:11,160
Speaker 4: How did your grandfather land on Jerome?

1754
01:20:11,200 --> 01:20:14,280
Speaker 1: They named himself or when they gave him the job,

1755
01:20:14,360 --> 01:20:16,160
Speaker 1: they gave him a name tag that said Jerome on it.

1756
01:20:22,280 --> 01:20:24,400
Speaker 3: At school, they gave him the name like the principal.

1757
01:20:26,880 --> 01:20:28,960
Speaker 3: The teachers just started calling him Jerome and it stuck.

1758
01:20:32,560 --> 01:20:35,479
Speaker 3: I'm trying to figure out how your grandfather got the name.

1759
01:20:35,560 --> 01:20:39,240
Speaker 3: Is funny as your actually grandfather. How did they land

1760
01:20:39,280 --> 01:20:41,559
Speaker 3: on the name Jerome? Like who gave him the name Jordan?

1761
01:20:42,680 --> 01:20:46,960
Speaker 3: Names like their real names. Jerome is just funny though,

1762
01:20:47,920 --> 01:20:51,519
Speaker 3: that is funny as fun and the Asian Jerome? Wow, Okay,

1763
01:20:52,160 --> 01:20:52,840
Speaker 3: they're out there here.

1764
01:20:52,880 --> 01:20:56,200
Speaker 5: What about the barber I went to school with? I

1765
01:20:56,280 --> 01:20:57,320
Speaker 5: found her on Facebook.

1766
01:20:58,960 --> 01:20:59,559
Speaker 1: Here's my thing.

1767
01:21:00,040 --> 01:21:00,679
Speaker 4: Let me see.

1768
01:21:02,439 --> 01:21:06,639
Speaker 1: And this is fucked up to say Barbara beautiful girl. Yeah,

1769
01:21:07,920 --> 01:21:09,360
Speaker 1: maybe it's something wrong. Maybe it's something wrong.

1770
01:21:09,439 --> 01:21:09,600
Speaker 6: With me.

1771
01:21:09,880 --> 01:21:11,600
Speaker 1: If I saw a chick that I liked and we

1772
01:21:11,680 --> 01:21:14,240
Speaker 1: started talking and she said her name was Barbara, it

1773
01:21:14,280 --> 01:21:15,400
Speaker 1: would it would change things.

1774
01:21:15,640 --> 01:21:18,880
Speaker 3: Yeah, it would change things. I'm changing her name like

1775
01:21:18,920 --> 01:21:21,400
Speaker 3: the ladies at the Nails along, I know your name

1776
01:21:21,479 --> 01:21:22,320
Speaker 3: is not Barbara.

1777
01:21:22,120 --> 01:21:23,720
Speaker 1: And then I can't call her barb because then it's

1778
01:21:23,800 --> 01:21:28,720
Speaker 1: like no crazy stand. Yeah, it wouldn't work even if

1779
01:21:28,760 --> 01:21:29,920
Speaker 1: that was my soul name. I just don't think I

1780
01:21:29,920 --> 01:21:30,439
Speaker 1: could work though.

1781
01:21:31,439 --> 01:21:34,240
Speaker 2: Don't nobody really want to moan the name Rory either?

1782
01:21:34,280 --> 01:21:35,439
Speaker 2: Ain't nobody too fond of that?

1783
01:21:35,560 --> 01:21:40,799
Speaker 1: Ship? Like I will show you thousands and thousands, thousands

1784
01:21:40,840 --> 01:21:47,280
Speaker 1: of thousands of women, thousands flooded, thousands, thousands like y'all

1785
01:21:47,320 --> 01:21:51,160
Speaker 1: pop and ship thousands upon thousands fucking a thousand people

1786
01:21:51,280 --> 01:21:54,240
Speaker 1: is so gross. People do it. No, I know people

1787
01:21:54,320 --> 01:21:56,320
Speaker 1: do it. I'm not one of them, but not like

1788
01:21:56,360 --> 01:22:00,520
Speaker 1: one or two have that definitely done it before out

1789
01:22:00,560 --> 01:22:05,479
Speaker 1: of thousands? What they call you like daddy?

1790
01:22:05,760 --> 01:22:06,680
Speaker 5: Like because what I'm not.

1791
01:22:06,920 --> 01:22:09,439
Speaker 6: I've never been into that. Okay, so like Popy's fine,

1792
01:22:09,720 --> 01:22:12,800
Speaker 6: but mm hmm, it doesn't happen often to me.

1793
01:22:13,080 --> 01:22:15,679
Speaker 5: Yeah, he said, what's fine, Poppy?

1794
01:22:17,400 --> 01:22:20,799
Speaker 2: I'm never calling no Asian nigga, I mean, no Irish

1795
01:22:20,920 --> 01:22:21,479
Speaker 2: nigga poppy.

1796
01:22:21,880 --> 01:22:25,120
Speaker 5: That's crazy Irish poppy.

1797
01:22:26,120 --> 01:22:27,720
Speaker 1: What if I I mean, what if I was doing

1798
01:22:28,200 --> 01:22:30,320
Speaker 1: the poppy activity? What if he was poppy?

1799
01:22:31,520 --> 01:22:33,920
Speaker 5: So Daddy's okay as long as the Spanish.

1800
01:22:34,280 --> 01:22:37,240
Speaker 1: Yeah, I'm not saying I'm morally correcting that. I'm just

1801
01:22:37,280 --> 01:22:41,160
Speaker 1: telling you how my brainworks. Daddy's weird to me. Poppy

1802
01:22:41,240 --> 01:22:44,960
Speaker 1: is not so poppy. So poppy is logic. You're you're

1803
01:22:44,960 --> 01:22:46,840
Speaker 1: trying to find logic. I'm not going to give you logic.

1804
01:22:47,000 --> 01:22:48,240
Speaker 5: I'm saying, but poppy is the only thing that she

1805
01:22:48,280 --> 01:22:49,519
Speaker 5: can own is poppy. That's it.

1806
01:22:49,680 --> 01:22:52,519
Speaker 1: No, I like, I like when when women say my

1807
01:22:52,600 --> 01:22:55,599
Speaker 1: name when we have sex. He's laughed.

1808
01:22:59,200 --> 01:23:02,479
Speaker 4: I'm like, say my name when we're having.

1809
01:23:02,479 --> 01:23:04,120
Speaker 1: I get uncomfortable about sex with y'all.

1810
01:23:05,320 --> 01:23:09,240
Speaker 3: Do you you always about the sex conversations because y'all.

1811
01:23:09,120 --> 01:23:13,599
Speaker 1: Are great at it? Oh my god. Now I'm just yeah,

1812
01:23:14,280 --> 01:23:18,599
Speaker 1: now you you two freaky frogs. Yeah, y'all are grated.

1813
01:23:18,400 --> 01:23:21,880
Speaker 2: That only real freaky one over here. If we do

1814
01:23:22,000 --> 01:23:24,960
Speaker 2: a freaked out survey, Maral is definitely the most freeow one.

1815
01:23:26,840 --> 01:23:29,440
Speaker 1: That's what he says, or like what people think bonds

1816
01:23:29,479 --> 01:23:32,000
Speaker 1: like what he says, like on this podcast. No, I

1817
01:23:32,040 --> 01:23:34,919
Speaker 1: think Mall's not Mall just being a missionary.

1818
01:23:35,840 --> 01:23:37,720
Speaker 2: But I mean, like on this podcast, who talks about

1819
01:23:37,760 --> 01:23:39,800
Speaker 2: sex the most? Like who turns this podcast? And the

1820
01:23:39,800 --> 01:23:40,479
Speaker 2: horrible decision?

1821
01:23:40,520 --> 01:23:41,360
Speaker 1: Is it be more me?

1822
01:23:41,560 --> 01:23:41,600
Speaker 6: No?

1823
01:23:41,640 --> 01:23:43,320
Speaker 1: I think it's all three of us. It's one of

1824
01:23:43,360 --> 01:23:46,280
Speaker 1: those poles that I think with everybody here, I can

1825
01:23:46,360 --> 01:23:46,760
Speaker 1: promise you.

1826
01:23:46,800 --> 01:23:49,000
Speaker 6: That's not me or Rory might toss you the ball,

1827
01:23:49,040 --> 01:23:53,479
Speaker 6: but you, nigga, you talk about sex, we all do.

1828
01:23:54,880 --> 01:24:00,360
Speaker 3: Hey, he's shirtless? Who's shirtless? Ain't nobody coming on, Kyle?

1829
01:24:01,200 --> 01:24:03,439
Speaker 3: We'll be back after this break. Nobody's coming on this.

1830
01:24:03,479 --> 01:24:05,080
Speaker 1: Couch shirt No. We are going to take a break

1831
01:24:05,520 --> 01:24:08,040
Speaker 1: for a second. Get him back to talk about get

1832
01:24:08,120 --> 01:24:10,880
Speaker 1: him some merch. No man is sitting on this couch shirtless. Bro,

1833
01:24:10,960 --> 01:24:13,559
Speaker 1: that's not happening. We're gonna take a quick break. We're

1834
01:24:13,560 --> 01:24:16,000
Speaker 1: gonna talk about the Scissor and AI and get somebody

1835
01:24:16,160 --> 01:24:18,519
Speaker 1: something to with. Have our brother Kyle Deon coming on

1836
01:24:18,640 --> 01:24:20,880
Speaker 1: as well. We're gonna talk about all the sizzle comments

1837
01:24:20,920 --> 01:24:23,840
Speaker 1: over the weekend and get into some voicemails and other stuff.

1838
01:24:23,960 --> 01:24:25,920
Speaker 1: Here's a quick break. We'll get Kyle a shirt.

1839
01:24:27,120 --> 01:24:32,280
Speaker 4: Definitely mall.

1840
01:24:32,320 --> 01:24:36,600
Speaker 1: This episode is sponsored by Basque in Lather. I was

1841
01:24:36,680 --> 01:24:39,320
Speaker 1: always one of those people that would use whatever face

1842
01:24:39,600 --> 01:24:41,560
Speaker 1: wash or body wash I had, and that's what I

1843
01:24:41,560 --> 01:24:44,160
Speaker 1: would wash my beard with. Just figure soap is soap.

1844
01:24:44,040 --> 01:24:45,559
Speaker 4: That's just dry, flaky.

1845
01:24:45,880 --> 01:24:49,040
Speaker 1: I hate that. Chuse Collins tell now, Yeah, because I

1846
01:24:49,120 --> 01:24:52,479
Speaker 1: have the bask and Lather shower wash, I have the

1847
01:24:52,600 --> 01:24:56,400
Speaker 1: leaving conditioner, I have the beard oil. I even have

1848
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Speaker 1: the beard Bomb that I use as well. I love

1849
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1850
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1851
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1852
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1853
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1854
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1855
01:25:20,520 --> 01:25:24,080
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1856
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Speaker 1: sure your beard smells and looks amazing.

1857
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Speaker 3: The thing that I love about this most ory is

1858
01:25:28,880 --> 01:25:31,360
Speaker 3: that it is black owned and family operated. It's a

1859
01:25:31,400 --> 01:25:33,479
Speaker 3: headcare that started with family love. Shane and her mom

1860
01:25:33,840 --> 01:25:36,519
Speaker 3: research and formulated their own scalp and hair oil to

1861
01:25:36,560 --> 01:25:39,559
Speaker 3: stimulate growth and retain length, so that is very important.

1862
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1864
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1865
01:25:48,479 --> 01:25:49,639
Speaker 4: That's twenty percent off.

1866
01:25:49,560 --> 01:26:00,800
Speaker 1: At Basque and latherco dot com Cold Roryenmall. We are back.

1867
01:26:01,479 --> 01:26:05,720
Speaker 1: We are with a friend of the show. Probably one

1868
01:26:05,760 --> 01:26:08,040
Speaker 1: of the first live performers we ever had at a

1869
01:26:08,080 --> 01:26:13,960
Speaker 1: live podcast show, been on My Cars Beautiful. Yeah, he's

1870
01:26:14,040 --> 01:26:15,600
Speaker 1: kind of been part of our podcast and journey for

1871
01:26:15,880 --> 01:26:18,120
Speaker 1: quite some time. I feel like, you know, he's really

1872
01:26:18,160 --> 01:26:20,720
Speaker 1: a friend of the show. We are here with the very,

1873
01:26:20,880 --> 01:26:25,320
Speaker 1: very very talented Kyle Dion Studio audience makes so much noise.

1874
01:26:28,200 --> 01:26:34,320
Speaker 1: Solar Deluxe Now, I spent the morning of my Father's

1875
01:26:34,400 --> 01:26:37,960
Speaker 1: day with Omar having a Nature's Perfume on repeat that

1876
01:26:38,080 --> 01:26:41,360
Speaker 1: it is great. What's the record with Duckworth? That ship

1877
01:26:41,479 --> 01:26:46,400
Speaker 1: is fire too? Video is great? Yeah. Uh. Before we

1878
01:26:46,520 --> 01:26:49,759
Speaker 1: get to the child just kicking, he like I forgot cameras.

1879
01:26:53,320 --> 01:26:56,920
Speaker 1: Before we get to the scissor and AI stuff. I

1880
01:26:57,040 --> 01:27:01,320
Speaker 1: did want to ask you, do you feel like the

1881
01:27:01,520 --> 01:27:06,280
Speaker 1: Deluxe version is putting a pressure on y'all. What do

1882
01:27:06,320 --> 01:27:09,920
Speaker 1: you mean, I mean you added three records, Yeah, Solar.

1883
01:27:10,200 --> 01:27:12,720
Speaker 1: But I've seen a lot of people, including Scissor, who

1884
01:27:13,080 --> 01:27:16,360
Speaker 1: we're about to talk about, pretty much doing whole new

1885
01:27:16,400 --> 01:27:20,559
Speaker 1: albums under the same that's the West umbrella. Like I've

1886
01:27:20,560 --> 01:27:24,760
Speaker 1: seen that too. Do you see a spike in the

1887
01:27:24,920 --> 01:27:28,280
Speaker 1: streams when you add the deluxe? Like, is it a

1888
01:27:28,360 --> 01:27:30,599
Speaker 1: real strategic thing that artists actually have to do at

1889
01:27:30,600 --> 01:27:32,559
Speaker 1: this point is to do the deluxe and re release

1890
01:27:32,640 --> 01:27:34,759
Speaker 1: it just so it can get back in the algorithm.

1891
01:27:34,880 --> 01:27:39,720
Speaker 6: Absolutely so, I literally, like I like had a big

1892
01:27:41,080 --> 01:27:44,479
Speaker 6: back and forth with my label trying to convince them

1893
01:27:44,520 --> 01:27:47,400
Speaker 6: to drop a deluxe so that we could reinvigorate the

1894
01:27:47,520 --> 01:27:50,080
Speaker 6: album because I believe in the album so much, and

1895
01:27:50,320 --> 01:27:52,280
Speaker 6: I put every album that I put out, I've always

1896
01:27:52,320 --> 01:27:54,559
Speaker 6: done a deluxe for it. And you just see those

1897
01:27:54,720 --> 01:27:58,720
Speaker 6: like numbers just skyrocket because it goes into people's algorithms

1898
01:27:58,760 --> 01:28:00,760
Speaker 6: again and it's like a new thing.

1899
01:28:00,920 --> 01:28:02,240
Speaker 1: So it definitely helps.

1900
01:28:02,280 --> 01:28:05,280
Speaker 6: And then you know, you spend like Nigga spent like

1901
01:28:05,760 --> 01:28:08,800
Speaker 6: years working on one album and then you put it

1902
01:28:08,840 --> 01:28:11,400
Speaker 6: out and it's like three months and everybody's like, you know,

1903
01:28:12,840 --> 01:28:16,040
Speaker 6: so it's like doing that gives us a chance to

1904
01:28:17,040 --> 01:28:20,400
Speaker 6: really work what we've been working on for a long time.

1905
01:28:20,479 --> 01:28:22,320
Speaker 1: It's like this isn't easy. This is hard, man.

1906
01:28:22,760 --> 01:28:24,519
Speaker 6: It's like we put we put our whole life into

1907
01:28:24,600 --> 01:28:27,720
Speaker 6: it and it's just consumed and let go. Especially these days,

1908
01:28:27,760 --> 01:28:30,000
Speaker 6: there's not not people like a lot of people don't

1909
01:28:30,000 --> 01:28:32,640
Speaker 6: listen to albums anymore, you know. So it's like they

1910
01:28:32,680 --> 01:28:34,360
Speaker 6: consume albums like a single, you know.

1911
01:28:34,640 --> 01:28:37,160
Speaker 3: Not only that, a lot of artists don't focus on

1912
01:28:37,280 --> 01:28:40,200
Speaker 3: a complete Yes, they put out an album, yeah, but

1913
01:28:40,320 --> 01:28:41,520
Speaker 3: it's not is it cohesive?

1914
01:28:42,080 --> 01:28:43,759
Speaker 4: Is it telling a complete story?

1915
01:28:43,960 --> 01:28:44,760
Speaker 1: And a lot of people don't.

1916
01:28:44,840 --> 01:28:48,120
Speaker 3: A lot of artists just chase I can get singles exactly,

1917
01:28:48,360 --> 01:28:52,000
Speaker 3: you know what I mean. So the listeners move on fast.

1918
01:28:52,200 --> 01:28:55,720
Speaker 3: But it also has affected the way artists created as well.

1919
01:28:56,040 --> 01:28:56,720
Speaker 1: It's sad, man.

1920
01:28:56,800 --> 01:28:58,600
Speaker 6: It's like I'm like I always say it, like I

1921
01:28:58,680 --> 01:29:01,000
Speaker 6: wish I was an artist and a differ time, Yeah,

1922
01:29:01,080 --> 01:29:03,080
Speaker 6: because I feel like I would thrive way way more,

1923
01:29:03,240 --> 01:29:07,800
Speaker 6: not even like just visibly, but mentally. Yeah, it's a

1924
01:29:07,840 --> 01:29:09,840
Speaker 6: mental game to be an artist right now, It's really

1925
01:29:10,680 --> 01:29:12,599
Speaker 6: it can you can really get in a dark space?

1926
01:29:12,680 --> 01:29:15,960
Speaker 6: So yeah, answer wrapped the question back around. It definitely

1927
01:29:16,080 --> 01:29:18,960
Speaker 6: helps bring people like I've seen like we just dropped

1928
01:29:18,960 --> 01:29:20,400
Speaker 6: it a few days ago and people are like, I

1929
01:29:20,439 --> 01:29:22,519
Speaker 6: didn't know you dropped you know, Solar, I didn't know

1930
01:29:22,560 --> 01:29:25,160
Speaker 6: there was this album existed. Yeah, and now they're like, oh,

1931
01:29:25,360 --> 01:29:28,439
Speaker 6: because the algorithm plays and it doesn't come across people's things.

1932
01:29:28,520 --> 01:29:31,000
Speaker 1: Yeah, exactly. So it definitely helps, and I'm happy that

1933
01:29:31,080 --> 01:29:33,559
Speaker 1: it's out. Yeah, I guess it's case by case basis

1934
01:29:33,560 --> 01:29:36,360
Speaker 1: because I mean, I've even I mean when I say

1935
01:29:36,479 --> 01:29:38,479
Speaker 1: argue with my label, I just mean Britton as OD

1936
01:29:38,720 --> 01:29:43,120
Speaker 1: like it's hard label. But I don't know, I still

1937
01:29:43,200 --> 01:29:45,400
Speaker 1: have that old mentality and it's more of a fan

1938
01:29:45,600 --> 01:29:47,560
Speaker 1: rather than a creator, where I just like, I like

1939
01:29:47,720 --> 01:29:51,880
Speaker 1: that album. Yeah, I get Scissor doing the SOS thing,

1940
01:29:51,920 --> 01:29:53,760
Speaker 1: even if it was good business. I also get it

1941
01:29:53,800 --> 01:29:56,360
Speaker 1: to those records were from that time. Yeah, these records

1942
01:29:56,400 --> 01:29:59,479
Speaker 1: will either stay on a hard drive or it's gonna

1943
01:29:59,479 --> 01:30:00,920
Speaker 1: be a new sound. When I put that part of it.

1944
01:30:00,960 --> 01:30:02,280
Speaker 6: Too, like that's a part of it too, It's like,

1945
01:30:02,479 --> 01:30:04,639
Speaker 6: let's let's just you know, we can add to this story,

1946
01:30:04,720 --> 01:30:06,479
Speaker 6: like the stuff that didn't make it, that almost made it,

1947
01:30:06,600 --> 01:30:07,960
Speaker 6: like it's part of it too, Like I think it's

1948
01:30:08,120 --> 01:30:10,320
Speaker 6: I think deluxes are a great thing.

1949
01:30:11,000 --> 01:30:15,120
Speaker 1: I think it's good for artists these days especially all Right, Well,

1950
01:30:15,160 --> 01:30:17,080
Speaker 1: should I mean, should I put the four records we

1951
01:30:17,200 --> 01:30:18,960
Speaker 1: have out and do it? I thought it was different

1952
01:30:19,000 --> 01:30:19,559
Speaker 1: Deluxe tomorrow.

1953
01:30:19,640 --> 01:30:23,240
Speaker 6: Yeah, this nigga got so much songs with me. Not

1954
01:30:23,439 --> 01:30:28,880
Speaker 6: one has has touched anyone. But it's because it's actually

1955
01:30:28,960 --> 01:30:31,000
Speaker 6: out of respecting you so much that I want it

1956
01:30:31,080 --> 01:30:31,599
Speaker 6: to be perfect.

1957
01:30:31,640 --> 01:30:34,400
Speaker 1: Well, no, you're too much. It's funny. Wouldn't disrespect me?

1958
01:30:34,560 --> 01:30:39,800
Speaker 1: Because no exactly, I mean you don't like it, You're

1959
01:30:39,840 --> 01:30:42,160
Speaker 1: not the case. All right, million respect you so much?

1960
01:30:43,400 --> 01:30:46,640
Speaker 1: The song that we didn't well, the record I just

1961
01:30:46,720 --> 01:30:49,639
Speaker 1: put out with Lucky Day in Black Odyssey. I went

1962
01:30:49,800 --> 01:30:53,599
Speaker 1: on stream that night and I was just playing ship

1963
01:30:54,360 --> 01:30:56,960
Speaker 1: and Demarus was there and I played Million Dollar Touch.

1964
01:30:56,880 --> 01:30:59,160
Speaker 2: And my favorite song, where is the Fuck Is Wrong?

1965
01:30:59,400 --> 01:31:02,120
Speaker 1: I was like, good, So it's so good. Well, see

1966
01:31:02,120 --> 01:31:04,439
Speaker 1: this is why fake? Because you got you got. I

1967
01:31:04,520 --> 01:31:06,479
Speaker 1: put it in the sequence of the next album. He

1968
01:31:06,560 --> 01:31:08,519
Speaker 1: got three hitters on there. You know what I'm saying.

1969
01:31:09,200 --> 01:31:10,800
Speaker 1: You got you being fake?

1970
01:31:10,880 --> 01:31:12,880
Speaker 3: If you if you had the number one album breaking

1971
01:31:13,080 --> 01:31:16,200
Speaker 3: you being fake. I'm saying Rory's being fakes, be fake.

1972
01:31:16,240 --> 01:31:17,680
Speaker 3: If you had the number one album right now that

1973
01:31:17,720 --> 01:31:19,240
Speaker 3: sh would have been out, that song would have been.

1974
01:31:21,120 --> 01:31:26,000
Speaker 1: Would have been a music match, it would have been

1975
01:31:26,040 --> 01:31:27,879
Speaker 1: a Netflix Midnight.

1976
01:31:27,960 --> 01:31:28,519
Speaker 6: We know what it is.

1977
01:31:32,040 --> 01:31:34,360
Speaker 1: I uh see. The only way for me to make

1978
01:31:34,400 --> 01:31:36,240
Speaker 1: this point is going to make it sound like I'm

1979
01:31:36,920 --> 01:31:41,000
Speaker 1: talking down on cs Onsrong and Kirby are incredible artists

1980
01:31:41,040 --> 01:31:43,639
Speaker 1: but didn't have a big name at that time whatsoever.

1981
01:31:44,160 --> 01:31:46,240
Speaker 1: It just fit in a sequence. Million Dollar Touch did

1982
01:31:46,320 --> 01:31:49,320
Speaker 1: not fit in that album. It went from being what

1983
01:31:49,400 --> 01:31:52,240
Speaker 1: would have been the first single to the direction changing

1984
01:31:52,320 --> 01:31:54,080
Speaker 1: after I did the joint with Drum and Alex House

1985
01:31:54,720 --> 01:31:57,200
Speaker 1: to not even make an album. It went from being

1986
01:31:57,280 --> 01:32:00,880
Speaker 1: the first single to lead making that not even making

1987
01:32:00,920 --> 01:32:05,400
Speaker 1: the deluxe both both both of y'all, both y'all are

1988
01:32:05,439 --> 01:32:07,680
Speaker 1: being disingenuous because you know for a fact you're an

1989
01:32:07,720 --> 01:32:11,240
Speaker 1: incredible artist and you have been around the biggest artists

1990
01:32:11,280 --> 01:32:14,320
Speaker 1: in the world. There are incredible songs. Don't make that,

1991
01:32:14,520 --> 01:32:16,320
Speaker 1: and like, why the fun would that make it? Which

1992
01:32:16,400 --> 01:32:18,519
Speaker 1: is it doesn't fit into this. It doesn't mean in

1993
01:32:18,600 --> 01:32:22,160
Speaker 1: the world and your verse a million Dollar Touch, like

1994
01:32:23,360 --> 01:32:25,280
Speaker 1: it's it's unreal.

1995
01:32:25,040 --> 01:32:27,800
Speaker 4: Like it's too good, too good to even make that album.

1996
01:32:28,760 --> 01:32:30,519
Speaker 1: It's just stuff good to be out in the world.

1997
01:32:30,840 --> 01:32:32,479
Speaker 1: Things I can't say right now because I don't want

1998
01:32:32,479 --> 01:32:34,360
Speaker 1: to offend anyone. There's things I would have to switch.

1999
01:32:35,120 --> 01:32:37,800
Speaker 1: He took the record to a level that didn't match.

2000
01:32:39,920 --> 01:32:43,000
Speaker 6: It's unmatchable. He's just he's just heard that, Kyle, a

2001
01:32:43,040 --> 01:32:45,760
Speaker 6: bunch of music. It's unmatched, unmatchable. Yeah, we talked off

2002
01:32:46,000 --> 01:32:47,519
Speaker 6: so I can give my point and you guys will

2003
01:32:47,520 --> 01:32:49,120
Speaker 6: fully understand what the fuck I'm talking about.

2004
01:32:49,320 --> 01:32:49,640
Speaker 1: I don't know.

2005
01:32:49,800 --> 01:32:52,160
Speaker 6: I just know that there's there's more than that song

2006
01:32:52,280 --> 01:32:55,200
Speaker 6: that I have with you and bottled Up, Bottled Up.

2007
01:32:55,560 --> 01:32:57,560
Speaker 1: But we wanted Jojo on there. We still need to

2008
01:32:57,960 --> 01:33:00,960
Speaker 1: ye Jo, she's out here. Let's go finish bottle Up

2009
01:33:00,960 --> 01:33:03,280
Speaker 1: to us. That's she'll make the second album. Yeah, because

2010
01:33:03,400 --> 01:33:05,400
Speaker 1: Jojo Right, Look, you see what happens.

2011
01:33:05,720 --> 01:33:10,120
Speaker 6: Get jo that's going out? Did we not have a

2012
01:33:10,240 --> 01:33:12,960
Speaker 6: vision this na Like, you're so great, Kyle, You're so good.

2013
01:33:13,000 --> 01:33:14,920
Speaker 6: Get Jojo on it though it's coming out.

2014
01:33:17,280 --> 01:33:19,600
Speaker 1: We had a vision for that record and it was

2015
01:33:19,760 --> 01:33:21,720
Speaker 1: going to be a duet vision. Division we know what

2016
01:33:21,840 --> 01:33:24,400
Speaker 1: it is. What's changed don't do that because I sat

2017
01:33:24,439 --> 01:33:28,000
Speaker 1: in my mother's kitchen sending you cocaine eighties references for

2018
01:33:28,160 --> 01:33:30,200
Speaker 1: us to do bottled up And yeah, we had a

2019
01:33:30,320 --> 01:33:32,439
Speaker 1: goal and Jojo was the one that I think would

2020
01:33:32,439 --> 01:33:34,639
Speaker 1: have smoked it. She probably would have and it probably

2021
01:33:34,640 --> 01:33:37,880
Speaker 1: would have been out if she did. Leannola Harvis would

2022
01:33:37,920 --> 01:33:40,600
Speaker 1: kill that too. What Yeah, there's I'll send this to

2023
01:33:40,640 --> 01:33:44,360
Speaker 1: other people. Okay, we got an ombre joint to this far,

2024
01:33:44,400 --> 01:33:44,960
Speaker 1: I got ambre.

2025
01:33:45,880 --> 01:33:48,280
Speaker 4: Look look, Kyle, there went from Jojo tom Bre.

2026
01:33:50,000 --> 01:33:53,000
Speaker 1: Okay, so here I'm gonna defend myself even more. Me

2027
01:33:53,080 --> 01:33:56,400
Speaker 1: and Jozzy have a bunch of joints together. That won't

2028
01:33:56,400 --> 01:33:58,639
Speaker 1: make my second album because after my second album, which

2029
01:33:58,680 --> 01:34:02,120
Speaker 1: I've said I want to do EPs after I'm doing

2030
01:34:02,160 --> 01:34:07,920
Speaker 1: this why because the everyone has their own album cycles

2031
01:34:07,960 --> 01:34:11,120
Speaker 1: and schedules and it's really tough to release. Like even

2032
01:34:11,560 --> 01:34:13,240
Speaker 1: putting out the Leon Thomas joint, I had to put

2033
01:34:13,240 --> 01:34:15,120
Speaker 1: it out earlier than I wanted to because Leon was

2034
01:34:15,160 --> 01:34:17,680
Speaker 1: about to drop same ship with Missago and Freddy, Like

2035
01:34:17,720 --> 01:34:20,320
Speaker 1: I have to go off everyone's time in that regard.

2036
01:34:21,000 --> 01:34:23,800
Speaker 1: So I've worked with artists. Me and Sima got a

2037
01:34:23,840 --> 01:34:26,960
Speaker 1: bunch of joints. I want to set aside after the

2038
01:34:26,960 --> 01:34:29,000
Speaker 1: second album because I committed to the second album to

2039
01:34:29,160 --> 01:34:31,080
Speaker 1: not do that for a long time. I want to

2040
01:34:31,120 --> 01:34:33,559
Speaker 1: lock in. We both agree we're doing four joints together

2041
01:34:33,880 --> 01:34:36,080
Speaker 1: and we're putting out an EP on our time because

2042
01:34:36,120 --> 01:34:40,519
Speaker 1: I can't putting out a ten track album with fifteen artists.

2043
01:34:40,920 --> 01:34:43,840
Speaker 1: Hard is to get fifteen artists on the same release schedule. Yeah,

2044
01:34:43,960 --> 01:34:46,960
Speaker 1: it's a lot. It's too much. So I'm going into

2045
01:34:46,960 --> 01:34:49,040
Speaker 1: the EP world. So that's why I know. We joking.

2046
01:34:49,640 --> 01:34:51,439
Speaker 1: If Kyle thinks those records are not coming out, you

2047
01:34:51,520 --> 01:34:52,800
Speaker 1: out of your motherfucking.

2048
01:34:53,439 --> 01:34:56,559
Speaker 6: They're coming out, and they're not coming out. No music

2049
01:34:56,640 --> 01:34:58,400
Speaker 6: is definitely happen. I hope, I hope it comes out there.

2050
01:34:58,600 --> 01:35:00,479
Speaker 6: Just because you dress like a Guardian Age in New York,

2051
01:35:00,520 --> 01:35:06,599
Speaker 6: it's not me. I'm on here in Lie not Guardian

2052
01:35:06,640 --> 01:35:08,200
Speaker 6: Angel in New York. This nigga crazy.

2053
01:35:09,240 --> 01:35:11,920
Speaker 1: I don't even know what the Guardian Angels aren't you

2054
01:35:11,960 --> 01:35:15,559
Speaker 1: know the gard O? My god, what you see this picture?

2055
01:35:16,080 --> 01:35:19,160
Speaker 1: I have a I have a I have a mental

2056
01:35:19,680 --> 01:35:22,160
Speaker 1: image in my head. No, you've seen the Guardian Angels

2057
01:35:22,200 --> 01:35:31,880
Speaker 1: on New York. There you go right there. Yeah, nigga. Yeah,

2058
01:35:32,600 --> 01:35:36,320
Speaker 1: brought in New York. Oh my god, Oh yes, what's

2059
01:35:36,360 --> 01:35:40,640
Speaker 1: that one song? Me?

2060
01:35:41,880 --> 01:35:42,040
Speaker 6: Oh?

2061
01:35:42,720 --> 01:35:46,679
Speaker 1: What's it called? With a Jane's producers love?

2062
01:35:48,360 --> 01:35:52,080
Speaker 6: That was the first Onoe we ever did. Yeah, I'm unlucky, unlucky.

2063
01:35:52,479 --> 01:35:55,280
Speaker 6: And that one's fired too, and it's not out all right.

2064
01:35:55,160 --> 01:35:58,040
Speaker 1: And you know, my friend didn't have to say and

2065
01:35:58,120 --> 01:36:01,160
Speaker 1: that one and that and my friend.

2066
01:36:01,360 --> 01:36:03,439
Speaker 6: She said, she just told me recently she got any phone.

2067
01:36:03,479 --> 01:36:05,040
Speaker 6: She said, can you send me that old song that

2068
01:36:05,080 --> 01:36:06,840
Speaker 6: you send me that you do with Rory. She just

2069
01:36:06,960 --> 01:36:08,320
Speaker 6: likes to listen to it is her favorite, one of

2070
01:36:08,360 --> 01:36:09,040
Speaker 6: her favorite songs.

2071
01:36:09,320 --> 01:36:12,640
Speaker 1: Unlucky. I was like, yeah, yeah, yeah, you're sleeping on me.

2072
01:36:13,200 --> 01:36:15,880
Speaker 1: So what's new? Waet sleep all right? Sleeping on me

2073
01:36:17,479 --> 01:36:24,000
Speaker 1: songs for him? That's something Lauren b niggas Leon came.

2074
01:36:25,960 --> 01:36:28,280
Speaker 1: That was the first things single that came out. You

2075
01:36:28,320 --> 01:36:29,840
Speaker 1: see what I'm saying. I know this nigga for years.

2076
01:36:30,439 --> 01:36:33,599
Speaker 1: He got a Leon. He said, oh now, Bram award Win,

2077
01:36:34,040 --> 01:36:35,880
Speaker 1: you got a single you're putting me or Leon? Thomas

2078
01:36:35,920 --> 01:36:40,760
Speaker 1: eultfirst me, it's exactly no, I didn't hear you say

2079
01:36:40,760 --> 01:36:43,240
Speaker 1: it again. If you're putting out your singles it feature

2080
01:36:43,280 --> 01:36:46,639
Speaker 1: of me or Leon Thomas. I mean like me on Thomas,

2081
01:36:46,680 --> 01:36:48,760
Speaker 1: because like you, we're singers. I know. Yeah, that's what

2082
01:36:48,840 --> 01:36:52,120
Speaker 1: I'm saying. Your single will probably like strike with an

2083
01:36:52,120 --> 01:36:54,479
Speaker 1: Iron is hot listen.

2084
01:36:55,600 --> 01:36:58,040
Speaker 6: I I If I fuck with niggas, I'm gonna fuck

2085
01:36:58,080 --> 01:37:01,920
Speaker 6: with them, regardless of what like cloud they got in

2086
01:37:02,000 --> 01:37:03,599
Speaker 6: the moment I was fleeting.

2087
01:37:04,479 --> 01:37:06,920
Speaker 1: So it's like you're gonna pay me as that person.

2088
01:37:06,960 --> 01:37:07,680
Speaker 5: No, no, no, no, I'm not.

2089
01:37:07,720 --> 01:37:09,880
Speaker 6: I'm just I'm just saying. I'm just saying I'm gonna

2090
01:37:09,880 --> 01:37:11,760
Speaker 6: fuck with you, know, because you asked me the comparison, like,

2091
01:37:11,840 --> 01:37:13,240
Speaker 6: am I gonna drop with you? I'm gonna drop with

2092
01:37:13,320 --> 01:37:16,880
Speaker 6: Lee h I'm.

2093
01:37:15,600 --> 01:37:17,479
Speaker 1: Gonna put that one out. I like it more, you

2094
01:37:17,560 --> 01:37:19,679
Speaker 1: know what I'm saying, regardless of who's on it. So, yeah,

2095
01:37:19,840 --> 01:37:23,280
Speaker 1: when came out you right, I said, I'm putting this.

2096
01:37:27,080 --> 01:37:27,920
Speaker 4: You got some nerve?

2097
01:37:28,120 --> 01:37:28,639
Speaker 1: What you mean?

2098
01:37:29,000 --> 01:37:32,800
Speaker 6: What do you take that to a sensitive that that

2099
01:37:32,920 --> 01:37:34,599
Speaker 6: wasn't to you. I was just saying, like I'm saying,

2100
01:37:34,760 --> 01:37:37,080
Speaker 6: I got a hot record. I don't care if I

2101
01:37:37,160 --> 01:37:39,280
Speaker 6: really not that, but okay, if I got a hot

2102
01:37:39,400 --> 01:37:42,439
Speaker 6: record and the person on there is not like super

2103
01:37:42,479 --> 01:37:45,080
Speaker 6: super popping at the at the end, I got someone

2104
01:37:45,120 --> 01:37:46,640
Speaker 6: that's super popping and it's not as good as the

2105
01:37:46,680 --> 01:37:47,160
Speaker 6: other record.

2106
01:37:47,520 --> 01:37:50,840
Speaker 1: I'm gonna put the hot record my seconding. My second

2107
01:37:50,880 --> 01:37:56,400
Speaker 1: single was with Raheem and Shaun telmey mm hmm. I

2108
01:37:56,520 --> 01:37:59,240
Speaker 1: love them. Can we pull the room? Can we get

2109
01:37:59,280 --> 01:38:02,720
Speaker 1: the receipt of food? Like if they were popular or not?

2110
01:38:04,160 --> 01:38:05,599
Speaker 1: I want to hit a record, so I I didn't

2111
01:38:05,600 --> 01:38:07,880
Speaker 1: never heard you never heard any of that million dollar

2112
01:38:07,880 --> 01:38:09,559
Speaker 1: stuff about seventy five different beats.

2113
01:38:10,280 --> 01:38:10,880
Speaker 4: I never heard it.

2114
01:38:11,200 --> 01:38:13,760
Speaker 1: I never heard it. They're all good, buried it at

2115
01:38:13,760 --> 01:38:15,040
Speaker 1: the bottom of his like laptop.

2116
01:38:15,680 --> 01:38:17,200
Speaker 6: Gonna say for the live stream, it sound like a

2117
01:38:17,280 --> 01:38:18,719
Speaker 6: hard drive from twenty like seventeen.

2118
01:38:18,840 --> 01:38:22,000
Speaker 1: Yeah, that's crazy. No, it was real, real shit though.

2119
01:38:22,040 --> 01:38:24,599
Speaker 6: We we me and Rory just linked out the other

2120
01:38:24,680 --> 01:38:26,559
Speaker 6: day and we played like a bunch of our stuff

2121
01:38:26,600 --> 01:38:28,240
Speaker 6: in yeah the car and it was really really it

2122
01:38:28,400 --> 01:38:30,160
Speaker 6: sounds good, sounds great. It's really good.

2123
01:38:30,439 --> 01:38:33,360
Speaker 1: No, I'm excited. And yes, Kyle, I'm gonna did I

2124
01:38:33,479 --> 01:38:34,880
Speaker 1: not send you what I said?

2125
01:38:35,120 --> 01:38:38,320
Speaker 6: You said my favorite beat I've ever made? He sent

2126
01:38:38,360 --> 01:38:40,559
Speaker 6: me and I gave it to Kyle. He's said something.

2127
01:38:40,560 --> 01:38:43,400
Speaker 6: I see what I'm in LA. Yeah, I got you

2128
01:38:43,680 --> 01:38:44,559
Speaker 6: you still living in LA.

2129
01:38:44,680 --> 01:38:47,880
Speaker 1: I live in La. Yeah, I don't like it.

2130
01:38:48,439 --> 01:38:48,840
Speaker 6: I like it.

2131
01:38:48,880 --> 01:38:50,479
Speaker 1: It's home now. I've been there for like ten years

2132
01:38:50,800 --> 01:38:51,760
Speaker 1: from Miami original.

2133
01:38:51,560 --> 01:38:54,679
Speaker 6: Right from South Florida, from Cold Springs, Brown County, Brow County.

2134
01:38:55,120 --> 01:38:57,040
Speaker 1: Okay, do you want? I mean, I feel like the

2135
01:38:57,120 --> 01:38:59,679
Speaker 1: R and B scene is it was where you needed

2136
01:38:59,760 --> 01:39:02,160
Speaker 1: to and was Los Angeles. Do you feel that way now?

2137
01:39:02,280 --> 01:39:05,800
Speaker 1: I feel like, yeah, change, it's changed the way I

2138
01:39:05,840 --> 01:39:07,320
Speaker 1: still feel like. Yeah, I feel like what you think

2139
01:39:07,400 --> 01:39:09,639
Speaker 1: New York is like more New York.

2140
01:39:09,880 --> 01:39:12,680
Speaker 3: You think the energy overall in LA has changed post COVID. Oh,

2141
01:39:12,920 --> 01:39:14,479
Speaker 3: I think a lot of the energy in LA that

2142
01:39:14,600 --> 01:39:16,240
Speaker 3: was there before COVID is completely.

2143
01:39:15,880 --> 01:39:17,320
Speaker 1: And went away. Yeah, I agree with that, like after

2144
01:39:17,400 --> 01:39:19,720
Speaker 1: twenty nineteen, yeah for sure. But I don't know.

2145
01:39:19,760 --> 01:39:21,280
Speaker 6: I feel like La is like I guess I'm just

2146
01:39:21,360 --> 01:39:23,320
Speaker 6: comfortable there and I've been here for a week just now,

2147
01:39:23,360 --> 01:39:25,320
Speaker 6: and I'm like I can't wait to get back home.

2148
01:39:25,560 --> 01:39:28,240
Speaker 6: I don't know really, yeah, just like it's like it's

2149
01:39:28,320 --> 01:39:30,720
Speaker 6: just like a comfortble and it also is like chill. Yeah, yeah,

2150
01:39:30,960 --> 01:39:32,600
Speaker 6: like like more chill, and the New York is like

2151
01:39:33,280 --> 01:39:35,599
Speaker 6: Niggas is like I got like twenty eight thousand steps,

2152
01:39:35,960 --> 01:39:37,799
Speaker 6: Like I just you know, I want.

2153
01:39:37,720 --> 01:39:39,400
Speaker 1: My car, you know what I'm saying.

2154
01:39:39,680 --> 01:39:43,200
Speaker 6: Like, So it's it's a. It's a it's culture out here.

2155
01:39:43,280 --> 01:39:44,840
Speaker 6: It's fun to be out here and visit. But I

2156
01:39:44,840 --> 01:39:45,720
Speaker 6: don't know if I could live here.

2157
01:39:45,760 --> 01:39:49,960
Speaker 1: I mean, do you think you'll ever leave LA? I

2158
01:39:50,000 --> 01:39:51,000
Speaker 1: think it all be it.

2159
01:39:51,000 --> 01:39:53,519
Speaker 6: Will always be home base. But I could see myself

2160
01:39:53,600 --> 01:39:55,880
Speaker 6: like moving to New York for like a few months. Yeah,

2161
01:39:55,960 --> 01:39:57,679
Speaker 6: in the fall or the spring, not in the summer

2162
01:39:57,760 --> 01:39:58,599
Speaker 6: winter because it's brutal.

2163
01:39:58,920 --> 01:40:00,920
Speaker 1: Yeah. No, I hear that ball fall in New York

2164
01:40:01,040 --> 01:40:04,479
Speaker 1: is nice, Yeah, really pretty. This is gonna sound bad

2165
01:40:04,520 --> 01:40:06,280
Speaker 1: come from New York. Though. The music scene out here

2166
01:40:06,360 --> 01:40:09,000
Speaker 1: is not that great, especially R and B related, Like

2167
01:40:09,080 --> 01:40:11,800
Speaker 1: you're not. There's great, don't don't. Don't get me wrong.

2168
01:40:11,800 --> 01:40:14,840
Speaker 1: There's great musicians and great producers, but not to the clip.

2169
01:40:15,640 --> 01:40:18,040
Speaker 1: Even at this point where LA is people that moved out.

2170
01:40:18,200 --> 01:40:19,640
Speaker 1: You can't just walk into the studio the way you

2171
01:40:19,680 --> 01:40:21,760
Speaker 1: come in LA. Yeah, where you're gonna you're gonna see

2172
01:40:22,120 --> 01:40:24,679
Speaker 1: three bass players that played on Blonde just by accident,

2173
01:40:25,120 --> 01:40:27,120
Speaker 1: Like that's not that doesn't happen out here, and that's

2174
01:40:27,160 --> 01:40:29,639
Speaker 1: not gonna walk into quad. That's what rhymes. You want

2175
01:40:29,640 --> 01:40:31,840
Speaker 1: to bust the verse? We got the quad?

2176
01:40:31,920 --> 01:40:33,720
Speaker 6: Yeah, yeah, That's why I feel like LA is like

2177
01:40:34,200 --> 01:40:36,439
Speaker 6: more still like for music, like if you want to

2178
01:40:36,800 --> 01:40:39,040
Speaker 6: if you want to like collab and like be around

2179
01:40:39,120 --> 01:40:41,519
Speaker 6: people and be around a lot of talented artists.

2180
01:40:41,600 --> 01:40:43,040
Speaker 1: LA is like definitely where you should be.

2181
01:40:43,280 --> 01:40:45,920
Speaker 6: And then New York is like more like people come

2182
01:40:45,960 --> 01:40:47,600
Speaker 6: here and like the people are in the mix. But

2183
01:40:47,680 --> 01:40:49,400
Speaker 6: I don't feel like it's like if you want sessions

2184
01:40:49,479 --> 01:40:52,080
Speaker 6: and like you get inspiration out here, you get inspiration here.

2185
01:40:52,160 --> 01:40:55,080
Speaker 6: That's that's probably people look more fly for sure.

2186
01:40:55,320 --> 01:41:00,960
Speaker 1: People Yeah me, La look yeah, yeah, where are you

2187
01:41:01,000 --> 01:41:05,439
Speaker 1: guys at With what Scissa said over the weekend? Can

2188
01:41:05,479 --> 01:41:08,639
Speaker 1: we call it her finsta? Was it on her finsta?

2189
01:41:09,520 --> 01:41:18,080
Speaker 1: Know it's sciss a alternate page like that call it

2190
01:41:18,120 --> 01:41:20,720
Speaker 1: an a p Yeah okay, but not in the way

2191
01:41:20,840 --> 01:41:26,000
Speaker 1: like Kevin Durant has his Like we know that this Yeah, okay,

2192
01:41:26,160 --> 01:41:28,240
Speaker 1: got it. So I didn't know she had this other account,

2193
01:41:28,240 --> 01:41:30,240
Speaker 1: but I get it too. You want to keep Sciss'

2194
01:41:30,240 --> 01:41:32,040
Speaker 1: is a superstar. You want to keep that one just

2195
01:41:32,120 --> 01:41:34,360
Speaker 1: for announcements with stuff you do, whatever you want on it,

2196
01:41:35,439 --> 01:41:38,040
Speaker 1: so she was talking about AI. We had a kon

2197
01:41:38,360 --> 01:41:39,960
Speaker 1: on here. What was that last week? Yeah? I saw

2198
01:41:40,040 --> 01:41:44,640
Speaker 1: the Akon is a big advocate of AI, which I

2199
01:41:44,720 --> 01:41:49,000
Speaker 1: was kind of surprised by. He old. I mean, he's

2200
01:41:49,040 --> 01:41:51,800
Speaker 1: like older. But I feel like the older people are

2201
01:41:51,840 --> 01:41:54,479
Speaker 1: like excited about it. The older Like why is that?

2202
01:41:54,920 --> 01:41:57,320
Speaker 1: I don't know. I feel like the older producers and

2203
01:41:57,400 --> 01:42:00,880
Speaker 1: older like Timberlain is when on it. That's what I'm saying.

2204
01:42:01,120 --> 01:42:02,599
Speaker 1: I feel like it's like a thing, like they're all

2205
01:42:02,720 --> 01:42:04,400
Speaker 1: just like super excited.

2206
01:42:04,600 --> 01:42:06,040
Speaker 4: It might be the professor X of H.

2207
01:42:08,760 --> 01:42:13,200
Speaker 1: He might be. He might be the professor X of AI. Well,

2208
01:42:13,320 --> 01:42:14,680
Speaker 1: like the new song they just what he did with

2209
01:42:14,760 --> 01:42:18,360
Speaker 1: Chloe that was good Timlin. Yeah yeah, but I mean

2210
01:42:19,000 --> 01:42:20,880
Speaker 1: now I look at things in a weird lens with

2211
01:42:20,960 --> 01:42:26,960
Speaker 1: Timberland at this point. Why because of his stance on AI,

2212
01:42:27,560 --> 01:42:32,120
Speaker 1: I just don't I can't really take in his music

2213
01:42:32,160 --> 01:42:34,439
Speaker 1: at that point, Like it's really skewed my perception of Timberland,

2214
01:42:34,439 --> 01:42:36,160
Speaker 1: which which sucks because he's one of the greatest producers,

2215
01:42:36,479 --> 01:42:39,639
Speaker 1: especially with popping R and B. I love Timberline hip hop.

2216
01:42:39,680 --> 01:42:42,160
Speaker 1: I'm not the biggest tim fan, but when it comes

2217
01:42:42,200 --> 01:42:44,000
Speaker 1: to R and B like his collaborations with R and

2218
01:42:44,040 --> 01:42:46,280
Speaker 1: B artists. Ye, yeah, tim is is a goat to

2219
01:42:46,360 --> 01:42:49,519
Speaker 1: me in that regard, So yeah, I look at that

2220
01:42:49,600 --> 01:42:52,840
Speaker 1: ship different when someone takes that side. I think the

2221
01:42:52,840 --> 01:42:55,400
Speaker 1: conversation we had with ACoM was because I was telling

2222
01:42:55,479 --> 01:42:58,320
Speaker 1: him shit in pro tools, I love that I can

2223
01:42:58,439 --> 01:43:00,800
Speaker 1: use AI to take a two track and make stemps. Yeah,

2224
01:43:01,040 --> 01:43:04,840
Speaker 1: I think there's purpose in that. The stance that Sciss

2225
01:43:04,880 --> 01:43:07,800
Speaker 1: has taken is where I completely agree with her. Said,

2226
01:43:07,800 --> 01:43:10,360
Speaker 1: if you're a musician and you support this degenerate shit,

2227
01:43:10,920 --> 01:43:13,640
Speaker 1: you're disgusting and there's nothing you could ever say to

2228
01:43:13,720 --> 01:43:15,880
Speaker 1: me and make that okay. And she went on to

2229
01:43:15,920 --> 01:43:19,120
Speaker 1: say that every song that goes through these AI programs

2230
01:43:19,240 --> 01:43:21,000
Speaker 1: is from black artists. At the end of the day,

2231
01:43:22,200 --> 01:43:25,519
Speaker 1: rarely are they using white artists to teach AI anything.

2232
01:43:26,120 --> 01:43:30,640
Speaker 1: And the quipment that confirmed, I mean she has a

2233
01:43:30,720 --> 01:43:35,719
Speaker 1: bit more information than probably the average person in that regard.

2234
01:43:36,479 --> 01:43:40,160
Speaker 1: She found two hundred and thirty eight of her songs

2235
01:43:40,320 --> 01:43:44,360
Speaker 1: unreleased as well, that were used to train these AI models.

2236
01:43:44,960 --> 01:43:49,559
Speaker 1: And here's the problem. Diplo, who I think is an

2237
01:43:49,600 --> 01:43:52,920
Speaker 1: incredible producer DJ change the sound this, and that he

2238
01:43:53,040 --> 01:43:55,320
Speaker 1: has equity in a suno that just got sued by

2239
01:43:55,360 --> 01:44:01,679
Speaker 1: the US Musicians Union shit for putting in people's music

2240
01:44:01,800 --> 01:44:07,000
Speaker 1: without consent. To teach this AI shit. And when you

2241
01:44:07,200 --> 01:44:10,479
Speaker 1: start doing that, it becomes more disingenuous because I'm sure

2242
01:44:10,880 --> 01:44:14,639
Speaker 1: Diplo and Sissa probably have unreleased records together. I'm sure

2243
01:44:14,680 --> 01:44:16,640
Speaker 1: they probably got more records than him and I do

2244
01:44:16,720 --> 01:44:18,040
Speaker 1: that are that are never going to see the light

2245
01:44:18,080 --> 01:44:22,360
Speaker 1: of dead. And now that you have equity into this

2246
01:44:22,560 --> 01:44:26,639
Speaker 1: company that is not only taking catalog from Spotify without

2247
01:44:26,760 --> 01:44:30,760
Speaker 1: my consent, you are taking records that aren't even out

2248
01:44:30,880 --> 01:44:34,880
Speaker 1: because you have them. Yeah, And that's where this becomes

2249
01:44:34,960 --> 01:44:38,759
Speaker 1: completely fucking illegal to me, I think AI has tools

2250
01:44:38,880 --> 01:44:41,680
Speaker 1: that are great, but this is the real issue that

2251
01:44:41,720 --> 01:44:46,519
Speaker 1: I don't think Acon, Timberlind and everyone else doesn't understand

2252
01:44:46,560 --> 01:44:49,680
Speaker 1: why artists are so mad at this point, Like right

2253
01:44:49,760 --> 01:44:52,479
Speaker 1: now they're taking every because you don't even know the

2254
01:44:52,520 --> 01:44:55,320
Speaker 1: fine print when you upload to a DSP. At this point,

2255
01:44:55,880 --> 01:44:58,599
Speaker 1: they're taking his whole catalog and it's being put into

2256
01:44:58,640 --> 01:45:01,719
Speaker 1: a computer to be thought how to do the valsetto

2257
01:45:01,800 --> 01:45:06,479
Speaker 1: that he does. And to me, that's that's the real issue.

2258
01:45:06,640 --> 01:45:09,439
Speaker 1: Like I hear what Akon is trying to say Diplo

2259
01:45:09,560 --> 01:45:12,920
Speaker 1: even saying here, either adapt or die. I get that too,

2260
01:45:12,920 --> 01:45:15,960
Speaker 1: because at one point people hated electronic drummer scenes, they

2261
01:45:16,000 --> 01:45:18,599
Speaker 1: hated sampling. But we still find that in the purest way.

2262
01:45:18,920 --> 01:45:22,160
Speaker 1: But Diplo saying, sorry, you purists, you have to adapt

2263
01:45:22,200 --> 01:45:24,559
Speaker 1: or die. No, this is illegal. This is taking someone's

2264
01:45:24,600 --> 01:45:30,200
Speaker 1: actual intellectual property sampling. Anytime you took someone's intellectual property

2265
01:45:30,240 --> 01:45:34,439
Speaker 1: without permission, you was slapped right on the wrist for that.

2266
01:45:35,600 --> 01:45:39,839
Speaker 1: Sampling purest whatever you think is still legal. This is sampling,

2267
01:45:39,920 --> 01:45:45,120
Speaker 1: but now it's not illegal. This is sampling. AI is sampling.

2268
01:45:45,760 --> 01:45:46,479
Speaker 1: How are you taking it?

2269
01:45:46,560 --> 01:45:49,960
Speaker 3: If you're training it to study writers and voices and

2270
01:45:50,439 --> 01:45:51,800
Speaker 3: fluctuations and things like that.

2271
01:45:52,160 --> 01:45:54,599
Speaker 1: Like, I don't think it's sampling. I don't think it's stealing.

2272
01:45:54,920 --> 01:45:57,840
Speaker 3: I don't think it's People thought sampling was stealing, but

2273
01:45:57,920 --> 01:45:59,280
Speaker 3: you had to pay for it, so it's not stealing

2274
01:45:59,280 --> 01:46:00,439
Speaker 3: anymore because you're for it.

2275
01:46:00,920 --> 01:46:02,640
Speaker 6: Well, I feel like this when you, like, say, when

2276
01:46:02,680 --> 01:46:03,960
Speaker 6: you hear a sample, like you hear a sample in

2277
01:46:04,000 --> 01:46:05,800
Speaker 6: a song, like, oh, it's from a throwback song whatever,

2278
01:46:06,000 --> 01:46:08,439
Speaker 6: like whatever, it's something that's out, something that people know.

2279
01:46:09,280 --> 01:46:12,639
Speaker 6: These are these are these AI machines are are creating

2280
01:46:12,800 --> 01:46:16,840
Speaker 6: new material in design of an artist and how their

2281
01:46:16,920 --> 01:46:19,600
Speaker 6: inflections are and what they do. So it's not I

2282
01:46:19,640 --> 01:46:22,120
Speaker 6: don't I wouldn't compare it to sampling because it's something

2283
01:46:22,200 --> 01:46:24,840
Speaker 6: that is it's not created, and they can put it

2284
01:46:24,920 --> 01:46:28,000
Speaker 6: out as if it's brand new and kind of just

2285
01:46:28,120 --> 01:46:30,120
Speaker 6: it's I would, I would, I would say it's stealing.

2286
01:46:30,240 --> 01:46:32,439
Speaker 3: Well, a lot of artists put out samples that was

2287
01:46:33,160 --> 01:46:34,800
Speaker 3: deemed to be branded. It was like catch me if

2288
01:46:34,840 --> 01:46:36,760
Speaker 3: you can. They knew when they made it they were

2289
01:46:36,800 --> 01:46:39,479
Speaker 3: sampling in a record or song or you know, things

2290
01:46:39,560 --> 01:46:41,880
Speaker 3: like that. The reason why I'm comparing AI of sampling

2291
01:46:41,880 --> 01:46:45,080
Speaker 3: is because if they're taking two hundred and thirty eight

2292
01:46:45,240 --> 01:46:49,519
Speaker 3: scissor songs, yeah, they're taking her music that's already and unreleased.

2293
01:46:49,560 --> 01:46:52,160
Speaker 3: You're taking her music, you're putting it into a machine

2294
01:46:52,200 --> 01:46:54,200
Speaker 3: of program that is now studying.

2295
01:46:54,320 --> 01:46:56,160
Speaker 6: How to make a song like that, how to make

2296
01:46:56,200 --> 01:46:58,240
Speaker 6: a song like that. Like it doesn't use those songs,

2297
01:46:58,280 --> 01:47:00,639
Speaker 6: but it makes a song. So now every time they prompt,

2298
01:47:01,160 --> 01:47:04,080
Speaker 6: it's already studied what she did. So now they're gonna

2299
01:47:04,080 --> 01:47:07,799
Speaker 6: be like damn, like they're gonna do exactly what Sissa

2300
01:47:07,880 --> 01:47:10,439
Speaker 6: does in a different song that she's never made before,

2301
01:47:10,880 --> 01:47:13,720
Speaker 6: that no one's ever heard before, and like promote it

2302
01:47:13,840 --> 01:47:17,400
Speaker 6: as this brand new thing where it's like, you know,

2303
01:47:17,520 --> 01:47:19,960
Speaker 6: I just I feel like it's it's it's dangerous. There's

2304
01:47:19,960 --> 01:47:23,559
Speaker 6: there's no parameters, there's no like even like AI artists

2305
01:47:23,600 --> 01:47:26,560
Speaker 6: on Spotify and ship. Like I've seen people be like,

2306
01:47:26,600 --> 01:47:28,360
Speaker 6: oh I love this artist and there it's an AI

2307
01:47:28,560 --> 01:47:31,200
Speaker 6: artist and I'm like, there's a distinct tone to it too.

2308
01:47:31,240 --> 01:47:33,720
Speaker 6: You can actually like understand if it's an A song,

2309
01:47:34,000 --> 01:47:36,200
Speaker 6: but I'd be blocking them. I block all the AI

2310
01:47:36,320 --> 01:47:38,600
Speaker 6: artists even if there's ship sounds good. I'm like, I

2311
01:47:38,640 --> 01:47:40,280
Speaker 6: don't need that ship on my on my thing.

2312
01:47:40,479 --> 01:47:42,600
Speaker 3: I'm not against it, but can we get how we

2313
01:47:42,720 --> 01:47:48,600
Speaker 3: used to get the explicit uh advisory thing on an album.

2314
01:47:48,360 --> 01:47:49,920
Speaker 1: That's what I'm saying. We get that on an AI

2315
01:47:50,040 --> 01:47:54,639
Speaker 1: projects artist it's just say that and it doesn't.

2316
01:47:54,680 --> 01:47:56,800
Speaker 6: And that's where we need to like as things are

2317
01:47:57,160 --> 01:47:59,320
Speaker 6: you know, Timlin's saying, like you know it would or

2318
01:47:59,400 --> 01:48:02,600
Speaker 6: get lost whatever, as things are progressing, like we need

2319
01:48:02,720 --> 01:48:05,160
Speaker 6: to have some kind of parameters like those things like

2320
01:48:05,280 --> 01:48:08,360
Speaker 6: AI artists joy whatever. You know what I'm saying, it's

2321
01:48:08,439 --> 01:48:10,720
Speaker 6: like we need to let people know so we're not

2322
01:48:10,800 --> 01:48:13,600
Speaker 6: being bamboozo and fool because this is people's actual.

2323
01:48:13,640 --> 01:48:15,880
Speaker 1: I mean, it's mine, it's my actual life. It's really

2324
01:48:16,040 --> 01:48:18,960
Speaker 1: like it's really sad and like sick. So I'm with Sis.

2325
01:48:19,400 --> 01:48:21,439
Speaker 1: I totally understand her. And yeah, because even to the

2326
01:48:21,439 --> 01:48:25,880
Speaker 1: sampling point, like even when Diplo was saying, oh, it'll

2327
01:48:25,960 --> 01:48:30,679
Speaker 1: never replace my autistic brain that makes the great music

2328
01:48:31,000 --> 01:48:34,719
Speaker 1: that it makes, and it's with sampling you could catch

2329
01:48:34,920 --> 01:48:38,720
Speaker 1: the sample. Yeah, this prompt stuff is can I get

2330
01:48:38,760 --> 01:48:42,679
Speaker 1: a record like Snooze, which has studied Sisa and Leon's

2331
01:48:43,000 --> 01:48:47,479
Speaker 1: genius brains and can split something out that sounds nothing

2332
01:48:47,680 --> 01:48:51,200
Speaker 1: like it? I see I produce based off that, And

2333
01:48:51,320 --> 01:48:54,240
Speaker 1: to me, that's crazy. That's where I think Diplo is

2334
01:48:54,360 --> 01:48:58,600
Speaker 1: being completely disingenuous and at this point is taking advantage

2335
01:48:58,760 --> 01:48:59,799
Speaker 1: of the world that we're.

2336
01:49:01,200 --> 01:49:04,000
Speaker 6: Entering and taking advantage of black artists who make the

2337
01:49:04,040 --> 01:49:07,200
Speaker 6: world go round and make the best music in the world.

2338
01:49:07,680 --> 01:49:10,800
Speaker 6: And you got this white man over here stealing from

2339
01:49:10,920 --> 01:49:15,680
Speaker 6: black artists, black creatives, and it's just so it's just

2340
01:49:15,720 --> 01:49:19,040
Speaker 6: another you know what, we've seen this in history before.

2341
01:49:20,160 --> 01:49:20,640
Speaker 6: We've seen him.

2342
01:49:20,960 --> 01:49:24,639
Speaker 1: Nothing, that's nothing, just the latest form. Yeah, blue grass

2343
01:49:24,960 --> 01:49:28,360
Speaker 1: rock and roll, that's what it's called. Yeah, you take

2344
01:49:28,439 --> 01:49:30,400
Speaker 1: Chuck Berry and then you put it on a fucking

2345
01:49:30,479 --> 01:49:34,000
Speaker 1: nightly show. If you are creative, this is diplop. By

2346
01:49:34,000 --> 01:49:36,360
Speaker 1: the way, if you are creative, you need to adapt

2347
01:49:37,040 --> 01:49:40,120
Speaker 1: or just like give up and become an uber driver

2348
01:49:41,040 --> 01:49:45,639
Speaker 1: until everyone has waymo. Don't that means is a ride

2349
01:49:45,680 --> 01:49:49,200
Speaker 1: share thing? Yeah, it's like no drive car Uber self

2350
01:49:49,280 --> 01:49:51,600
Speaker 1: driving cars. Oh, it's the same thing. I like to

2351
01:49:51,600 --> 01:49:54,360
Speaker 1: compare it self driving. Yeah, driving, that's what he's doing,

2352
01:49:54,479 --> 01:49:57,920
Speaker 1: self driving Uber. Does Ford get paid when the self

2353
01:49:58,000 --> 01:50:02,320
Speaker 1: driver shit happens? No, they're using Tesla's Yeah, does Tesla

2354
01:50:02,360 --> 01:50:02,720
Speaker 1: get paid?

2355
01:50:02,880 --> 01:50:03,400
Speaker 4: Oh for sure?

2356
01:50:03,479 --> 01:50:06,599
Speaker 1: Does Eli get paid? For sure? That's his ip? Right absolutely.

2357
01:50:07,200 --> 01:50:09,360
Speaker 1: I know it's not cool or classy to speak like this,

2358
01:50:09,479 --> 01:50:10,960
Speaker 1: but I'm not going to candy coat the future. It

2359
01:50:11,080 --> 01:50:13,479
Speaker 1: is what it is. Sorry for bad news to my purists.

2360
01:50:13,640 --> 01:50:16,880
Speaker 1: There will always need a human mind and touch because

2361
01:50:16,920 --> 01:50:20,519
Speaker 1: AI will never suffer from bipolar disorder and autism like

2362
01:50:20,640 --> 01:50:23,240
Speaker 1: me and other creative people. Did he really put that

2363
01:50:23,280 --> 01:50:24,800
Speaker 1: emoji at the end? Yeah he did.

2364
01:50:26,880 --> 01:50:30,720
Speaker 4: No, AI did that. That's what it thinks bipolar.

2365
01:50:31,800 --> 01:50:35,120
Speaker 6: That's what it thinks about it. Yeah, man, this is

2366
01:50:35,280 --> 01:50:41,160
Speaker 6: this is actually it's really sick and it's scary, and yeah,

2367
01:50:41,439 --> 01:50:43,960
Speaker 6: I don't know. I'm like, I'm I've been talking about

2368
01:50:44,000 --> 01:50:45,799
Speaker 6: this with friends, I've talked about it online.

2369
01:50:46,520 --> 01:50:48,080
Speaker 1: I think it's I don't know where we're heading.

2370
01:50:49,040 --> 01:50:51,559
Speaker 6: I do. I do think though, that if you are

2371
01:50:52,200 --> 01:50:56,519
Speaker 6: an artist like Sissa or myself or a Frank or whatever,

2372
01:50:56,560 --> 01:51:00,560
Speaker 6: if you have this distinct distinctive sound, that even just

2373
01:51:00,720 --> 01:51:03,280
Speaker 6: like I think every artist you have a distinct sound

2374
01:51:03,320 --> 01:51:05,280
Speaker 6: about you, nothing AI is not going to be able

2375
01:51:05,320 --> 01:51:09,200
Speaker 6: to emulate, like exactly what you do. And I think that's,

2376
01:51:09,439 --> 01:51:13,120
Speaker 6: you know, that's the up for this. But I've seen

2377
01:51:13,120 --> 01:51:15,679
Speaker 6: I've heard AI songs and that shit sounds. They're spinning

2378
01:51:15,720 --> 01:51:18,479
Speaker 6: out songs and like in five minutes, it's like a

2379
01:51:18,560 --> 01:51:19,360
Speaker 6: full blown song.

2380
01:51:20,120 --> 01:51:23,559
Speaker 1: Bully by Kanye is great, I think with the Deluxe,

2381
01:51:23,800 --> 01:51:26,920
Speaker 1: I think he said he redid some of the vocals,

2382
01:51:27,520 --> 01:51:30,760
Speaker 1: but a lot of Bully is AI, which is sad

2383
01:51:30,840 --> 01:51:32,360
Speaker 1: to say as well. And it doesn't shock me that

2384
01:51:32,439 --> 01:51:34,040
Speaker 1: Kanye would do that because Kanye is always trying to

2385
01:51:34,040 --> 01:51:37,000
Speaker 1: do the next thing, next thing, and Kanye's actually not

2386
01:51:37,080 --> 01:51:39,360
Speaker 1: really a purist. If we're getting into the back Kanye's

2387
01:51:39,400 --> 01:51:41,720
Speaker 1: even admitted that he used backpack rap just to get

2388
01:51:41,800 --> 01:51:43,600
Speaker 1: on Like we know, I did not shock me that

2389
01:51:43,680 --> 01:51:46,479
Speaker 1: Kanye wants to use AI. But that's an issue when

2390
01:51:46,560 --> 01:51:49,960
Speaker 1: people like Diplo and Kanye and Simmerland are complying with

2391
01:51:50,040 --> 01:51:52,519
Speaker 1: this and this is the new standard. Because if I'm

2392
01:51:52,520 --> 01:51:55,680
Speaker 1: a young artist, if Kanye's using this shit, you think

2393
01:51:55,680 --> 01:51:57,720
Speaker 1: I'm not going to use that? Yeah, your fucking mind.

2394
01:51:57,880 --> 01:51:58,080
Speaker 4: Yeah.

2395
01:51:58,760 --> 01:52:00,679
Speaker 6: I think there's a difference between using as a tool

2396
01:52:00,920 --> 01:52:03,720
Speaker 6: and using it the way that Dipplo's using it. He's

2397
01:52:03,920 --> 01:52:08,120
Speaker 6: he's creating voice like they're like, it's a it's a

2398
01:52:08,600 --> 01:52:10,519
Speaker 6: it's a voice. It's like it's like you don't need

2399
01:52:10,640 --> 01:52:13,840
Speaker 6: to have a collaborator on your song anymore. If you're

2400
01:52:13,840 --> 01:52:15,759
Speaker 6: a DJ, you could just put it into an AI

2401
01:52:15,880 --> 01:52:17,840
Speaker 6: and it's a voice and you don't have to pay

2402
01:52:17,920 --> 01:52:20,080
Speaker 6: no artists, you don't have to do anything. You cut

2403
01:52:20,200 --> 01:52:21,760
Speaker 6: Like you just said, there's you gotta have a bunch

2404
01:52:21,800 --> 01:52:23,160
Speaker 6: of artists, you gotta clear it. You don't got to

2405
01:52:23,200 --> 01:52:27,519
Speaker 6: do that because they don't exist these that's it's it's helping,

2406
01:52:28,160 --> 01:52:30,760
Speaker 6: you know, in his benefit, it benefits him, so he's

2407
01:52:30,840 --> 01:52:33,439
Speaker 6: like get with or get lost. When it's like, bro,

2408
01:52:34,320 --> 01:52:36,840
Speaker 6: are you with the art? Are you with you know,

2409
01:52:36,960 --> 01:52:39,080
Speaker 6: it's like you're you're the problem, you know what I'm saying.

2410
01:52:39,120 --> 01:52:42,400
Speaker 6: And he's done a lot of collaborations with artists and

2411
01:52:42,479 --> 01:52:45,680
Speaker 6: singers and vocalists, so to even like speak that way,

2412
01:52:45,760 --> 01:52:48,240
Speaker 6: it's it's pretty heartless to me.

2413
01:52:48,280 --> 01:52:50,800
Speaker 1: I would say, have you been in any sessions with

2414
01:52:50,880 --> 01:52:54,760
Speaker 1: people that have sold their catalog? Yeah? Have you had

2415
01:52:54,800 --> 01:52:56,640
Speaker 1: that combo with him? Because I think now we know,

2416
01:52:57,680 --> 01:52:59,479
Speaker 1: you know, when COVID hit and people started selling them,

2417
01:52:59,520 --> 01:53:02,599
Speaker 1: we now know exactly. We ask on this podcast every

2418
01:53:02,720 --> 01:53:04,880
Speaker 1: day why I want to keep doing this? Now we

2419
01:53:05,040 --> 01:53:07,120
Speaker 1: clearly see. I do think they are going to regulate

2420
01:53:07,160 --> 01:53:09,519
Speaker 1: AI at some point. I think it's the wild ye

2421
01:53:09,520 --> 01:53:11,360
Speaker 1: West now and it is going to be regulated at

2422
01:53:11,400 --> 01:53:14,040
Speaker 1: some point. I think that's why people are buying these

2423
01:53:14,080 --> 01:53:17,040
Speaker 1: catalogs because at that point, if you regulate it, I

2424
01:53:17,200 --> 01:53:20,280
Speaker 1: own it, I could upload it to I could upload

2425
01:53:20,280 --> 01:53:22,560
Speaker 1: it a lot like let let them let them like

2426
01:53:22,640 --> 01:53:24,519
Speaker 1: learn if if Diplow is an investor in that and

2427
01:53:24,720 --> 01:53:28,160
Speaker 1: he partners with somebody that bought the Dreams catalog, that's

2428
01:53:28,200 --> 01:53:31,120
Speaker 1: our choice now to upload it to our program. Have

2429
01:53:31,240 --> 01:53:33,560
Speaker 1: you had any of those combos with people that that

2430
01:53:33,720 --> 01:53:37,040
Speaker 1: sold it, like you do realize what you did? Yeah,

2431
01:53:37,040 --> 01:53:37,960
Speaker 1: I mean we didn't.

2432
01:53:37,960 --> 01:53:39,920
Speaker 6: I even probably like early on, so it wasn't like

2433
01:53:40,040 --> 01:53:43,920
Speaker 6: a I wasn't as hot, but like, yeah, I think

2434
01:53:43,960 --> 01:53:46,439
Speaker 6: it's I think when you sell your catalog, it's like

2435
01:53:46,520 --> 01:53:48,840
Speaker 6: kind of selling like real estate, like you're like your home,

2436
01:53:49,680 --> 01:53:51,960
Speaker 6: and people do that for a bunch of reasons, and

2437
01:53:52,040 --> 01:53:53,600
Speaker 6: they get like a lot of money up front, you.

2438
01:53:53,560 --> 01:53:54,040
Speaker 1: Know what I'm saying.

2439
01:53:54,120 --> 01:53:57,400
Speaker 6: So and then as as time progresses to your catalog

2440
01:53:57,520 --> 01:54:01,639
Speaker 6: kind of goes down and equity I guess yeah, every

2441
01:54:01,840 --> 01:54:04,559
Speaker 6: every year, like people aren't streaming as heavily as when

2442
01:54:04,600 --> 01:54:06,479
Speaker 6: it came out, right, so people are like, oh, I

2443
01:54:06,520 --> 01:54:09,120
Speaker 6: could just sell this ship, you know. But now that

2444
01:54:09,320 --> 01:54:11,240
Speaker 6: that is a thing where it's like it can't go

2445
01:54:11,360 --> 01:54:15,880
Speaker 6: into the AI ship, I'm sure people are like, I hope,

2446
01:54:15,960 --> 01:54:18,760
Speaker 6: my I hope my catalog isn't being because you you

2447
01:54:18,920 --> 01:54:21,040
Speaker 6: literally you're you're part of the problem now.

2448
01:54:22,040 --> 01:54:25,000
Speaker 1: Yeah, Which it's interesting because I'm conflicted and a hypocrite

2449
01:54:25,439 --> 01:54:27,680
Speaker 1: at the same time because when everyone was doing that,

2450
01:54:28,560 --> 01:54:32,160
Speaker 1: whether it was the dream, should it be cock sellers.

2451
01:54:32,720 --> 01:54:36,960
Speaker 1: It wasn't be Cox. It was so Sean Garrett. I

2452
01:54:37,040 --> 01:54:40,360
Speaker 1: think sold his. I was on their side because I

2453
01:54:40,480 --> 01:54:42,080
Speaker 1: thought they were looking at it like, we don't even

2454
01:54:42,120 --> 01:54:43,800
Speaker 1: know how music is going to be valued in the

2455
01:54:43,880 --> 01:54:46,440
Speaker 1: next ten years. We can't even determine what a stream

2456
01:54:46,520 --> 01:54:48,960
Speaker 1: cost this and that I might as well take one

2457
01:54:49,000 --> 01:54:51,680
Speaker 1: hundred million liquid from my family at this point, I

2458
01:54:51,680 --> 01:54:54,920
Speaker 1: don't think AI. That's what I'm saying. Yeah, like I

2459
01:54:55,040 --> 01:54:57,840
Speaker 1: agreed with them at that point. Yeah, if I can't

2460
01:54:57,880 --> 01:55:01,000
Speaker 1: determine what my ship is even valued at all, I

2461
01:55:01,080 --> 01:55:04,040
Speaker 1: might as well take this money from my family because

2462
01:55:04,160 --> 01:55:06,280
Speaker 1: in twenty years it may not mean nothing, like it

2463
01:55:06,320 --> 01:55:09,160
Speaker 1: could be nothing. But now at this point, not to

2464
01:55:09,200 --> 01:55:12,760
Speaker 1: say I wouldn't take the money that they took. Now

2465
01:55:12,880 --> 01:55:18,360
Speaker 1: you realize, okay, this is to deter everything that artists

2466
01:55:18,400 --> 01:55:21,120
Speaker 1: even create. Every artist behind you that you respect is

2467
01:55:21,200 --> 01:55:23,800
Speaker 1: now going to have to battle a fucking machine while

2468
01:55:23,800 --> 01:55:27,600
Speaker 1: they're contributing to the machine that's going to put them

2469
01:55:27,600 --> 01:55:30,400
Speaker 1: out of business. Everything I make is now going into

2470
01:55:30,480 --> 01:55:32,840
Speaker 1: something that's going to unemploy me.

2471
01:55:33,640 --> 01:55:36,480
Speaker 6: I said, like a few months ago on my TikTok,

2472
01:55:36,520 --> 01:55:40,120
Speaker 6: I was like, maybe we can combat the AI shit

2473
01:55:40,480 --> 01:55:45,680
Speaker 6: like artists, if we maybe stop using auto tune because

2474
01:55:46,120 --> 01:55:49,920
Speaker 6: AI uses autotune and they can't they can't emulate in

2475
01:55:50,640 --> 01:55:54,440
Speaker 6: human voices. And that's what makes us human, is that

2476
01:55:54,520 --> 01:55:57,000
Speaker 6: we have imperfections. Even the greatest vocalists like Whitney Houston

2477
01:55:57,080 --> 01:55:59,760
Speaker 6: or whatever, there's nothing sounds like auto tune. It sounds

2478
01:55:59,800 --> 01:56:01,960
Speaker 6: like they're a human being. They're little, They're not one

2479
01:56:02,040 --> 01:56:05,360
Speaker 6: hundred percent on pitche all the time. And I feel

2480
01:56:05,360 --> 01:56:08,240
Speaker 6: like if we went back into that route like it

2481
01:56:08,480 --> 01:56:12,120
Speaker 6: was in the you know, nineties, early two thousands, where

2482
01:56:12,120 --> 01:56:16,080
Speaker 6: people were it wasn't default to use autotune, it could maybe,

2483
01:56:16,560 --> 01:56:16,800
Speaker 6: But what.

2484
01:56:16,840 --> 01:56:18,480
Speaker 1: I mean, where do you draw the line there? And

2485
01:56:18,520 --> 01:56:20,840
Speaker 1: we're definitely getting into like nerds territory? Yeah yeah, yeah,

2486
01:56:20,920 --> 01:56:23,760
Speaker 1: But like if you put dying on it, like if

2487
01:56:23,800 --> 01:56:27,520
Speaker 1: you melodyne, like, yeah, it's not even just autotune, Like

2488
01:56:27,560 --> 01:56:30,560
Speaker 1: even in the mix you're putting, I don't care if

2489
01:56:30,600 --> 01:56:34,040
Speaker 1: you're the greatest vocalist all the time, there's gonna be

2490
01:56:34,200 --> 01:56:36,840
Speaker 1: some type of filter when you mix something, So like,

2491
01:56:36,880 --> 01:56:39,360
Speaker 1: what is it just tune? You think it's just tune?

2492
01:56:39,400 --> 01:56:42,120
Speaker 6: Because I think I think, yeah, there's gonna be some

2493
01:56:42,320 --> 01:56:44,440
Speaker 6: kind of mixed there like you if you hear the

2494
01:56:44,560 --> 01:56:46,640
Speaker 6: song I want to dance with somebody, right, I want

2495
01:56:46,640 --> 01:56:48,720
Speaker 6: to dance with somebody. Yeah, it's mixed, but it's not.

2496
01:56:48,840 --> 01:56:51,720
Speaker 6: There's no autotune, so it's like it's a human voice.

2497
01:56:51,880 --> 01:56:54,480
Speaker 6: Even all the old old songs, like you know, Beyonce

2498
01:56:54,680 --> 01:56:56,360
Speaker 6: had songs, you know, back in the day when she

2499
01:56:56,440 --> 01:56:58,720
Speaker 6: was coming up too Like, it's like, no, there wasn't

2500
01:56:58,800 --> 01:57:00,920
Speaker 6: default autotune. It didn't s like a robocket and it

2501
01:57:01,000 --> 01:57:05,840
Speaker 6: sound like perfect pitch. But everyone's desensitized to auto tune now,

2502
01:57:06,040 --> 01:57:08,520
Speaker 6: so it makes it sound like nobody's using autotune. It

2503
01:57:08,640 --> 01:57:10,760
Speaker 6: makes it sound like it's just that's everyone's voice, but

2504
01:57:10,840 --> 01:57:14,320
Speaker 6: it's not. It's like now, without autotune, it it sounds

2505
01:57:14,400 --> 01:57:16,800
Speaker 6: like too pitchy, or it sounds like there's something wrong

2506
01:57:16,800 --> 01:57:18,640
Speaker 6: with this mix, or it sounds like and I'm I'm

2507
01:57:18,680 --> 01:57:20,960
Speaker 6: a victim of that. I've been, you know, I'm like,

2508
01:57:21,360 --> 01:57:24,080
Speaker 6: just because my ear is so desensitized with autotune.

2509
01:57:24,440 --> 01:57:27,280
Speaker 3: I think we're speaking from a very distinct part of

2510
01:57:27,360 --> 01:57:29,960
Speaker 3: this thing, like we are. When we listen to music,

2511
01:57:30,000 --> 01:57:35,200
Speaker 3: we listen to a very distinct things. We listen to pitch, tone, texture,

2512
01:57:35,760 --> 01:57:39,360
Speaker 3: things like that. I think that the average consumer, I don't.

2513
01:57:39,440 --> 01:57:40,760
Speaker 3: I just think they just want to hear good music.

2514
01:57:40,800 --> 01:57:43,000
Speaker 3: I don't think they are listening the way we listen

2515
01:57:43,920 --> 01:57:45,400
Speaker 3: music and shit like that. I think they want to

2516
01:57:45,440 --> 01:57:49,960
Speaker 3: hear a good beat, good melody, good rhythm, something that

2517
01:57:50,040 --> 01:57:52,680
Speaker 3: they can catch, a catchy hook that they can get

2518
01:57:52,760 --> 01:57:55,040
Speaker 3: on the first listen, and that really care about.

2519
01:57:55,240 --> 01:57:57,440
Speaker 4: When we listen to it, we're like, ah, it just sounds.

2520
01:57:57,840 --> 01:57:59,840
Speaker 4: You can tell that's fake, that's not this is AI this.

2521
01:58:00,320 --> 01:58:02,880
Speaker 3: I don't think the average consumer, average listener even gives

2522
01:58:02,920 --> 01:58:03,520
Speaker 3: a fuck about that.

2523
01:58:03,680 --> 01:58:04,120
Speaker 1: I agree.

2524
01:58:04,240 --> 01:58:07,280
Speaker 6: I think artists like Brent Faia's right, like he doesn't

2525
01:58:07,320 --> 01:58:09,600
Speaker 6: use autotune. A lot of his music is just like

2526
01:58:09,880 --> 01:58:15,000
Speaker 6: super dry vocal, imperfect vocal like and that's a style

2527
01:58:15,040 --> 01:58:16,440
Speaker 6: in its own, you know what I'm saying. And I

2528
01:58:16,480 --> 01:58:20,200
Speaker 6: don't think with all these AI, you know, artists, they

2529
01:58:20,240 --> 01:58:24,120
Speaker 6: can't emulate raw vocals because they're already like it makes

2530
01:58:24,160 --> 01:58:27,200
Speaker 6: it do autotune. It's like imprinted into their the way

2531
01:58:27,520 --> 01:58:30,280
Speaker 6: it's wired. You tell it for that, yet yeah, I mean,

2532
01:58:30,360 --> 01:58:32,280
Speaker 6: and not yet. You can't tell the AI to be like,

2533
01:58:32,720 --> 01:58:34,840
Speaker 6: be more human. You can't do that. You can't like, oh,

2534
01:58:34,880 --> 01:58:36,960
Speaker 6: there's a little texture there, are you're a little pitchy,

2535
01:58:37,120 --> 01:58:39,840
Speaker 6: it's gonna be one hundred percent on all the time,

2536
01:58:39,960 --> 01:58:40,680
Speaker 6: you know what I'm saying.

2537
01:58:40,760 --> 01:58:43,880
Speaker 1: So that's where my my debate was on TikTok.

2538
01:58:43,920 --> 01:58:46,520
Speaker 6: I'm like, maybe we can go in this direction where

2539
01:58:46,520 --> 01:58:48,880
Speaker 6: it's like we stop using tune so much and like

2540
01:58:49,000 --> 01:58:50,960
Speaker 6: maybe we combat it in that way.

2541
01:58:51,040 --> 01:58:51,760
Speaker 1: It's just one way.

2542
01:58:51,880 --> 01:58:53,480
Speaker 6: I'm just trying to think of ways because there's no

2543
01:58:53,600 --> 01:58:56,680
Speaker 6: regulations yet, and as an artist in twenty twenty six,

2544
01:58:56,760 --> 01:58:57,080
Speaker 6: I'm like.

2545
01:58:57,520 --> 01:59:00,280
Speaker 1: How can we, you know, make sure that we good.

2546
01:59:00,560 --> 01:59:02,360
Speaker 1: But I think that's kind of Scissor's point with the

2547
01:59:02,440 --> 01:59:04,680
Speaker 1: unreleased part, because I'm sure a lot of that stuff

2548
01:59:04,720 --> 01:59:10,400
Speaker 1: that was unreleased then that's crazy that they're of of

2549
01:59:10,600 --> 01:59:15,040
Speaker 1: it being raw vocals to teach. Like I'm sure, Sissy

2550
01:59:15,080 --> 01:59:17,720
Speaker 1: you you you're an incredible vocalist, but you've been in

2551
01:59:17,760 --> 01:59:20,120
Speaker 1: the booth when you writing something, it's going to be

2552
01:59:20,280 --> 01:59:22,360
Speaker 1: all over the place with raw vocals because you're writing

2553
01:59:22,360 --> 01:59:23,600
Speaker 1: at the top like demos.

2554
01:59:23,680 --> 01:59:25,920
Speaker 6: I don't know, not you, I'm sorry, no, no, no,

2555
01:59:26,240 --> 01:59:27,880
Speaker 6: not me. Not I'm saying like anyone. I think like

2556
01:59:27,960 --> 01:59:30,280
Speaker 6: everyone's always writing with tune, like you get the S seven.

2557
01:59:30,960 --> 01:59:33,120
Speaker 6: I saw the podcast mic now, but like, you get

2558
01:59:33,120 --> 01:59:34,760
Speaker 6: the S seven and you just throw some tune on that,

2559
01:59:34,800 --> 01:59:35,080
Speaker 6: and that's.

2560
01:59:34,960 --> 01:59:36,360
Speaker 1: How I'm crazy. This has become the pust.

2561
01:59:36,400 --> 01:59:38,120
Speaker 6: It's a podcast, man, I know it's Michael Jackson. Mike

2562
01:59:38,160 --> 01:59:38,880
Speaker 6: turns to a podcast.

2563
01:59:38,920 --> 01:59:39,000
Speaker 1: Man.

2564
01:59:39,040 --> 01:59:41,520
Speaker 6: I hate them seven every time somebody hands me this,

2565
01:59:41,560 --> 01:59:43,000
Speaker 6: and essially, I'm like, I don't want to use the

2566
01:59:43,040 --> 01:59:45,120
Speaker 6: podcast might I'm not using this really?

2567
01:59:45,400 --> 01:59:48,760
Speaker 1: I hate it on my voice. It's too warm. I like, like,

2568
01:59:48,920 --> 01:59:50,960
Speaker 1: you know, this is my favorite, Like before any artist

2569
01:59:51,000 --> 01:59:53,000
Speaker 1: gets in the booth and we're all writing, I love

2570
01:59:53,120 --> 01:59:56,680
Speaker 1: passing this mic around everybody in the studio. I mean,

2571
01:59:56,760 --> 01:59:58,920
Speaker 1: it was it. It does its purpose. But as for

2572
01:59:59,040 --> 02:00:02,080
Speaker 1: final vocals, I don't know, but yeah or was that

2573
02:00:02,560 --> 02:00:04,640
Speaker 1: yeah with Sissy, Like with the unreleased stuff, I still

2574
02:00:04,680 --> 02:00:08,720
Speaker 1: think you're gonna get the raw version of that that

2575
02:00:08,840 --> 02:00:13,960
Speaker 1: they can study, but doubts definitely crazy vocalists. She would

2576
02:00:13,960 --> 02:00:14,360
Speaker 1: say that too.

2577
02:00:14,600 --> 02:00:16,440
Speaker 6: I think Susan has a great voice and she has

2578
02:00:16,440 --> 02:00:19,320
Speaker 6: a distinct voice, but I think she's tune is part

2579
02:00:19,360 --> 02:00:22,480
Speaker 6: of her thing. So even like writing nowadays too, it's

2580
02:00:22,520 --> 02:00:25,720
Speaker 6: like are every artist is in there writing from melodies? Man?

2581
02:00:25,840 --> 02:00:27,440
Speaker 6: Like you put the tune on because maybe the tone

2582
02:00:27,440 --> 02:00:29,280
Speaker 6: will fluctuate you to a melody that you didn't really

2583
02:00:29,320 --> 02:00:30,920
Speaker 6: think of, and you're like, oh shit, that's kind of cool.

2584
02:00:31,120 --> 02:00:34,680
Speaker 6: Everyone's using tunes, so it's like nobody's sending raw vocals

2585
02:00:34,800 --> 02:00:37,240
Speaker 6: like to a producer so they can it's like having

2586
02:00:37,240 --> 02:00:39,560
Speaker 6: a filter on yourself, Like nobody's putting it up a

2587
02:00:39,680 --> 02:00:41,440
Speaker 6: picture that don't got no filter on Instagram.

2588
02:00:42,240 --> 02:00:45,680
Speaker 1: You know what I'm saying, Nobody, nobody's going on the Instagram.

2589
02:00:47,040 --> 02:00:49,520
Speaker 6: Hey listen, nobody's going on the Instagram app and taking

2590
02:00:49,560 --> 02:00:51,400
Speaker 6: a picture right on the Instagram app and posting it.

2591
02:00:52,280 --> 02:00:53,360
Speaker 4: They gonna kill you for that one.

2592
02:00:53,480 --> 02:00:56,280
Speaker 1: I do think that this obviously in Sciss's career. Yes,

2593
02:00:56,360 --> 02:00:58,880
Speaker 1: when she's even just writing, her settings are already there

2594
02:00:59,160 --> 02:01:01,920
Speaker 1: gas settings no matter if she's just chilling. But I

2595
02:01:02,040 --> 02:01:03,960
Speaker 1: do think it's probably more of the raw or vocal

2596
02:01:04,600 --> 02:01:06,680
Speaker 1: whether there's tune or not, that can be studied with

2597
02:01:06,720 --> 02:01:10,400
Speaker 1: the unreleased stuff, as opposed to just putting control through

2598
02:01:10,520 --> 02:01:11,880
Speaker 1: the system. Yeah, more or less.

2599
02:01:12,320 --> 02:01:14,760
Speaker 6: I think, Yeah, it's like it's it's I don't send

2600
02:01:14,880 --> 02:01:17,720
Speaker 6: I don't send my vocals raw because I'm like, again,

2601
02:01:18,040 --> 02:01:21,600
Speaker 6: it's like it's very vulnerable. I'm like, let's put something

2602
02:01:22,320 --> 02:01:25,080
Speaker 6: on your vote. Yeah, because it's a it's a it's

2603
02:01:25,080 --> 02:01:27,360
Speaker 6: a record. And that's why I was telling even though

2604
02:01:27,360 --> 02:01:28,880
Speaker 6: I could sing my ass off, I know I could sing,

2605
02:01:29,400 --> 02:01:31,760
Speaker 6: but it's it's a tool that you use in music

2606
02:01:31,880 --> 02:01:35,320
Speaker 6: to especially if you can sing where you don't have

2607
02:01:35,360 --> 02:01:37,040
Speaker 6: to go into the studio and be like I needed

2608
02:01:37,080 --> 02:01:38,920
Speaker 6: a warm up for thirty five minutes before and I

2609
02:01:38,960 --> 02:01:41,400
Speaker 6: could just make music, you know. So that's how I

2610
02:01:41,520 --> 02:01:44,480
Speaker 6: use auto tune, and like it's easy for me. It's

2611
02:01:44,560 --> 02:01:46,760
Speaker 6: it's versus a show. I don't use it on my shows,

2612
02:01:46,800 --> 02:01:49,760
Speaker 6: but yeah, I just want to be able to just

2613
02:01:50,320 --> 02:01:52,440
Speaker 6: write and create freely in the studio. And that's why

2614
02:01:52,480 --> 02:01:55,280
Speaker 6: I think every artist does I'm in twenty twenty six,

2615
02:01:55,400 --> 02:02:00,560
Speaker 6: especially how auto tune is so default. So yeah, I think, uh,

2616
02:02:00,880 --> 02:02:02,360
Speaker 6: I think it's a Yeah. I look at it as

2617
02:02:02,360 --> 02:02:04,360
Speaker 6: like a filter. It's like a little filter. And if

2618
02:02:04,400 --> 02:02:08,000
Speaker 6: you if you look really good, Instagram filter gonna look

2619
02:02:08,200 --> 02:02:08,720
Speaker 6: really good.

2620
02:02:08,600 --> 02:02:09,600
Speaker 1: On you, you know what I'm saying.

2621
02:02:10,000 --> 02:02:11,760
Speaker 6: And if you you know you don't look that good,

2622
02:02:11,800 --> 02:02:13,880
Speaker 6: you gotta go heavy around the Instagram filter, you know

2623
02:02:13,880 --> 02:02:15,680
Speaker 6: what I'm saying. So it's like I'm correlating in that

2624
02:02:15,800 --> 02:02:17,280
Speaker 6: sense just to make people understand, because I know this

2625
02:02:17,360 --> 02:02:20,680
Speaker 6: is really nerdy and techy, but yeah.

2626
02:02:20,600 --> 02:02:22,360
Speaker 1: That's that's how That's how I feel about it, because

2627
02:02:22,360 --> 02:02:24,320
Speaker 1: even like you know, I don't think people say Mary

2628
02:02:24,400 --> 02:02:26,920
Speaker 1: Jay is the greatest vocalist if she used tune in

2629
02:02:26,960 --> 02:02:30,720
Speaker 1: the nineties and it's it works so fucking good, like

2630
02:02:31,280 --> 02:02:37,320
Speaker 1: say not saying that. Sorry, I'm okay, sorry, you weren't

2631
02:02:37,320 --> 02:02:39,280
Speaker 1: at soundcheck in the Toronto who we do our live

2632
02:02:39,320 --> 02:02:41,160
Speaker 1: show that song eats. I'm not gonna lie. That song

2633
02:02:41,240 --> 02:02:46,920
Speaker 1: was fire, Okay. They gave us auto tune at our

2634
02:02:47,000 --> 02:02:50,760
Speaker 1: sound check in our Toronto show because we had the opener.

2635
02:02:52,160 --> 02:02:53,600
Speaker 1: I think we should do a live show all on

2636
02:02:53,680 --> 02:02:55,960
Speaker 1: auto tune. I think that'd be the worst. I did

2637
02:02:56,360 --> 02:02:59,680
Speaker 1: what you think you should do. We we had a

2638
02:03:00,000 --> 02:03:02,680
Speaker 1: warmer in Toronto and the tune was was already on

2639
02:03:02,800 --> 02:03:05,880
Speaker 1: the mics, so we stayed to do our regular I

2640
02:03:05,960 --> 02:03:07,800
Speaker 1: hate doing sound check for a podcast because it's like,

2641
02:03:08,080 --> 02:03:09,680
Speaker 1: you guys can do this by yourself. I don't. I

2642
02:03:09,720 --> 02:03:11,560
Speaker 1: don't need this. You don't need my voice to say check,

2643
02:03:11,640 --> 02:03:14,360
Speaker 1: check check. But the tune was still on and you

2644
02:03:14,440 --> 02:03:17,200
Speaker 1: hadn't gotten there yet. I sounded I wanted to do

2645
02:03:17,320 --> 02:03:19,760
Speaker 1: the whole the whole thing. The whole thing's fun.

2646
02:03:20,480 --> 02:03:21,440
Speaker 4: That's fucking hilarious.

2647
02:03:21,440 --> 02:03:21,760
Speaker 1: It's fun.

2648
02:03:21,800 --> 02:03:24,840
Speaker 4: I'm not doing no show a lot time. He does

2649
02:03:25,000 --> 02:03:27,160
Speaker 4: a comedy routine with auto tune the whole time.

2650
02:03:28,440 --> 02:03:31,360
Speaker 1: Oh no, what's oh? I know you're talking about on Instagram.

2651
02:03:31,400 --> 02:03:33,320
Speaker 1: He like go into the crowd and he's like, what's

2652
02:03:33,360 --> 02:03:39,360
Speaker 1: your name? Who's the He's from Chicago, famous, famous comedian.

2653
02:03:39,600 --> 02:03:44,720
Speaker 1: He's like a white guy, right, no, okay, oh there

2654
02:03:44,720 --> 02:03:46,800
Speaker 1: he is. Oh Hannibal all right, So he stole this

2655
02:03:46,880 --> 02:03:51,760
Speaker 1: from Hannibal Burrs. Mmm, but he stole the co Morgan Jay. Yeah,

2656
02:03:51,840 --> 02:03:55,160
Speaker 1: Hannibal Burrs ten years ago. I would go to his

2657
02:03:55,240 --> 02:03:57,080
Speaker 1: shows and he would always bring his tea pain set

2658
02:03:57,120 --> 02:04:00,240
Speaker 1: up and he closed his show by doing bits in

2659
02:04:01,000 --> 02:04:03,880
Speaker 1: auto too. So yeah, he definitely took that from Hannibal Burs.

2660
02:04:04,240 --> 02:04:06,880
Speaker 1: Another another AI person taking from Black People.

2661
02:04:08,280 --> 02:04:11,080
Speaker 3: Got another one history that it doesn't it just repeats itself,

2662
02:04:11,200 --> 02:04:11,920
Speaker 3: of course it does.

2663
02:04:12,800 --> 02:04:16,680
Speaker 1: It's crazy, man, it's sick. How are you feeling about

2664
02:04:16,680 --> 02:04:18,720
Speaker 1: the live show space these days?

2665
02:04:20,440 --> 02:04:25,320
Speaker 6: Man? I mean, the live show space is why I

2666
02:04:25,400 --> 02:04:28,839
Speaker 6: keep continuing to do this because I just love performing.

2667
02:04:29,520 --> 02:04:31,920
Speaker 1: It's one of my favorite things to do. I think.

2668
02:04:33,960 --> 02:04:36,360
Speaker 6: A lot of live shows, I feel like the bars

2669
02:04:36,400 --> 02:04:42,400
Speaker 6: in Hell, so like everybody can yeah, everybody's starving. Like yeah,

2670
02:04:42,400 --> 02:04:47,320
Speaker 6: I think people like really are really season seasoned and

2671
02:04:47,480 --> 02:04:52,360
Speaker 6: like really going hard at the art of performing live

2672
02:04:52,520 --> 02:04:56,000
Speaker 6: and how because it's just so eat Like the technology

2673
02:04:56,080 --> 02:04:57,920
Speaker 6: that you have now, like with the tune, mic and

2674
02:04:57,960 --> 02:04:59,840
Speaker 6: all these things, like you don't have to prep in

2675
02:05:00,080 --> 02:05:02,480
Speaker 6: be like fucking you know, make sure you got the

2676
02:05:02,520 --> 02:05:04,280
Speaker 6: lung capacities to make sure you're hitting every note. Make

2677
02:05:04,320 --> 02:05:07,280
Speaker 6: sure it's like throw some tune on there, let's go

2678
02:05:07,400 --> 02:05:10,040
Speaker 6: do this, boom out. It's like there's no kind of

2679
02:05:11,480 --> 02:05:15,440
Speaker 6: you know, I get a live show. And that's why

2680
02:05:15,480 --> 02:05:17,320
Speaker 6: I said earlier in this in this, in this on

2681
02:05:17,400 --> 02:05:18,640
Speaker 6: the show, I was like, I feel like I'm in

2682
02:05:18,680 --> 02:05:21,800
Speaker 6: the wrong different, wrong generation because I'm just like so

2683
02:05:22,800 --> 02:05:23,680
Speaker 6: I love performing.

2684
02:05:23,760 --> 02:05:24,520
Speaker 1: I love the art of it.

2685
02:05:24,640 --> 02:05:26,680
Speaker 6: I love like working hard and creating a show and

2686
02:05:26,720 --> 02:05:31,360
Speaker 6: an experience and you know, doing ship that tune can

2687
02:05:31,520 --> 02:05:33,720
Speaker 6: catch you know, like shit on the mic where you

2688
02:05:33,840 --> 02:05:35,560
Speaker 6: like go into a whole different key and then your

2689
02:05:35,640 --> 02:05:37,680
Speaker 6: key change and all of a sudden, I love the theatrics.

2690
02:05:37,720 --> 02:05:39,680
Speaker 6: I'm I'm so for that, and that's something that I

2691
02:05:39,800 --> 02:05:43,320
Speaker 6: really enjoy when I go see a person live. One

2692
02:05:43,360 --> 02:05:46,000
Speaker 6: of the one of the greatest live shows I've seen

2693
02:05:46,080 --> 02:05:50,480
Speaker 6: is Jazmine Sullivan. Shout out to her voice insane, just

2694
02:05:50,560 --> 02:05:53,320
Speaker 6: super talented and could just still a rumor. Her voice

2695
02:05:53,440 --> 02:05:55,240
Speaker 6: and mic and a light. That's all you need, you know.

2696
02:05:55,560 --> 02:05:58,960
Speaker 6: But now these days people are just throwing anybody up

2697
02:05:59,080 --> 02:06:00,520
Speaker 6: on the stage and it's like, oh, you got a

2698
02:06:00,560 --> 02:06:02,440
Speaker 6: little you got a little TikTok song, let's all your

2699
02:06:02,440 --> 02:06:05,400
Speaker 6: ass up on the stage, get youah, just just just

2700
02:06:05,520 --> 02:06:07,080
Speaker 6: burning them out. They don't even they don't even know

2701
02:06:07,120 --> 02:06:07,680
Speaker 6: what the fun they're doing.

2702
02:06:07,720 --> 02:06:10,880
Speaker 1: Headline rolling loud. Yeah, you're in your basement yesterday. They

2703
02:06:10,920 --> 02:06:12,280
Speaker 1: don't even know what the fun. You don't even know.

2704
02:06:12,760 --> 02:06:15,320
Speaker 6: You don't even know to not do this to thee Yeah,

2705
02:06:16,520 --> 02:06:18,320
Speaker 6: like no, kind of like it's just okay, Like oh

2706
02:06:18,400 --> 02:06:20,400
Speaker 6: it's okay. You got like you know, millions and millions

2707
02:06:20,400 --> 02:06:22,360
Speaker 6: of streams and stuff like you're good. You get up

2708
02:06:22,400 --> 02:06:25,840
Speaker 6: there and it's just like no training, No, never even

2709
02:06:25,920 --> 02:06:27,760
Speaker 6: really wanted it, never even wanted.

2710
02:06:27,600 --> 02:06:29,800
Speaker 1: To be on stage like that. They just never really wanted,

2711
02:06:29,960 --> 02:06:30,720
Speaker 1: never really wanted it.

2712
02:06:30,800 --> 02:06:32,360
Speaker 6: They're just like, oh, ship just fell into you know,

2713
02:06:32,560 --> 02:06:35,720
Speaker 6: people are working really hard and trying to like, you know,

2714
02:06:35,840 --> 02:06:39,040
Speaker 6: really perfect the craft of what it takes to be

2715
02:06:39,280 --> 02:06:44,040
Speaker 6: a live musician and artists, and yeah, it's just it's sad.

2716
02:06:44,160 --> 02:06:48,680
Speaker 1: Everything is sad. This whole episode sad. Everything is just so.

2717
02:06:49,080 --> 02:06:53,160
Speaker 3: Sad, Like if you never sang into a brush growing up.

2718
02:06:53,240 --> 02:06:54,120
Speaker 3: I don't think I trust you.

2719
02:06:54,840 --> 02:06:58,000
Speaker 1: I mean that my fan was the first off fan first,

2720
02:06:58,240 --> 02:07:02,160
Speaker 1: the first auto exactly. Let's make this even nerdier. I'm

2721
02:07:02,160 --> 02:07:04,840
Speaker 1: not going to ask you your top five favorite vocalists

2722
02:07:05,520 --> 02:07:08,880
Speaker 1: because I think you have such a beautiful valsetto. Who

2723
02:07:08,920 --> 02:07:11,960
Speaker 1: has the top five valsetto, top five falsetto?

2724
02:07:12,080 --> 02:07:17,800
Speaker 6: Yeah, damn, I mean I'm not gonna do five, but okay,

2725
02:07:17,880 --> 02:07:24,720
Speaker 6: I'll do like three, okay, D'Angelo mm hmm with you.

2726
02:07:28,320 --> 02:07:30,320
Speaker 6: I think Prince has a really good falsetto too.

2727
02:07:30,440 --> 02:07:31,160
Speaker 4: I agree with him.

2728
02:07:31,240 --> 02:07:33,440
Speaker 6: Yeah, And I don't think he's like he doesn't use

2729
02:07:33,480 --> 02:07:36,000
Speaker 6: it as a like, it doesn't symbolize him, like it's

2730
02:07:36,040 --> 02:07:38,120
Speaker 6: like he's not even known for his falset but yeah, but.

2731
02:07:38,200 --> 02:07:41,120
Speaker 1: He's when Prince gets in that baggage like it's like

2732
02:07:41,280 --> 02:07:41,720
Speaker 1: you can do it.

2733
02:07:41,800 --> 02:07:41,960
Speaker 7: You know.

2734
02:07:43,840 --> 02:07:47,320
Speaker 1: Who else? H Let's see, I know, I know Demerius

2735
02:07:47,440 --> 02:07:51,040
Speaker 1: is out the gate. She's losing her mind right now.

2736
02:07:51,280 --> 02:07:52,880
Speaker 5: Who do you think mine? Nice?

2737
02:07:53,400 --> 02:07:55,080
Speaker 1: I think you think Mariah anything, Bobal.

2738
02:07:56,280 --> 02:07:58,080
Speaker 6: There's this weird thing that I read online that I

2739
02:07:58,160 --> 02:08:00,760
Speaker 6: read somewhere that like women don't have set like it's

2740
02:08:00,880 --> 02:08:01,600
Speaker 6: like something else.

2741
02:08:02,080 --> 02:08:05,560
Speaker 1: But I don't know. Again it's nerdy ship, but I've

2742
02:08:05,640 --> 02:08:06,480
Speaker 1: read that, like it's.

2743
02:08:06,360 --> 02:08:08,960
Speaker 5: Like Ry isn't known for her false little for her, she.

2744
02:08:08,960 --> 02:08:10,680
Speaker 6: Has a great one. She's known for her, That's what

2745
02:08:10,680 --> 02:08:12,360
Speaker 6: I'm saying. I think she's known for her whistle. No,

2746
02:08:12,720 --> 02:08:13,720
Speaker 6: her whistle register.

2747
02:08:13,880 --> 02:08:16,840
Speaker 1: Reister no, but I hear you. But she also has

2748
02:08:17,120 --> 02:08:19,880
Speaker 1: she has a beautiful falsetto. But just that's not like

2749
02:08:20,000 --> 02:08:20,520
Speaker 1: she's known for her.

2750
02:08:20,880 --> 02:08:21,280
Speaker 6: I know that her.

2751
02:08:21,360 --> 02:08:24,960
Speaker 1: Yeah, her whistle ship is her go to physicology.

2752
02:08:25,000 --> 02:08:27,600
Speaker 6: True falsetto means like vocal cords do not close completely

2753
02:08:27,680 --> 02:08:31,760
Speaker 6: leaving and you know now why what While man falsettle

2754
02:08:31,800 --> 02:08:34,920
Speaker 6: produces a very dramatic tonal ship, female vocal cords are

2755
02:08:35,440 --> 02:08:37,440
Speaker 6: shorter and thinner to begin with. Because of this, a

2756
02:08:37,480 --> 02:08:40,680
Speaker 6: woman's transition to a falsettle sounds a much more seamless.

2757
02:08:41,880 --> 02:08:43,440
Speaker 1: That makes sense, Okay, So.

2758
02:08:43,520 --> 02:08:46,480
Speaker 5: It's like it's not as obvious when women are using falsettle.

2759
02:08:46,760 --> 02:08:50,680
Speaker 1: That's what we were, construction and breathing dust. Yeah, we

2760
02:08:50,800 --> 02:08:58,760
Speaker 1: are at war, just gunpowders. Oh your man. I would

2761
02:08:58,800 --> 02:09:00,960
Speaker 1: put the Dream up there, and I know that's why

2762
02:09:01,000 --> 02:09:03,720
Speaker 1: did I not say that? Actually, the Dream is one

2763
02:09:03,760 --> 02:09:03,960
Speaker 1: of my.

2764
02:09:04,080 --> 02:09:08,680
Speaker 6: Top changed Falsetto period changed. He changed my life because

2765
02:09:08,760 --> 02:09:12,120
Speaker 6: he was something. He's hit that album I listened to

2766
02:09:12,240 --> 02:09:14,600
Speaker 6: the middle school going into high school.

2767
02:09:14,720 --> 02:09:16,760
Speaker 1: What was it? Love, love and hate and some of that?

2768
02:09:17,360 --> 02:09:19,600
Speaker 1: Oh my god, I repe and he was in middle

2769
02:09:19,640 --> 02:09:21,560
Speaker 1: school when I came out ship man, I was in

2770
02:09:21,640 --> 02:09:23,240
Speaker 1: high school. I know he might have been the first

2771
02:09:24,320 --> 02:09:28,160
Speaker 1: AI version of Walsetto though you think so. He he

2772
02:09:28,320 --> 02:09:30,640
Speaker 1: did something that t Pain did with tune, but in

2773
02:09:30,680 --> 02:09:35,560
Speaker 1: a way different way. Dream could sing without tune. I'm

2774
02:09:35,600 --> 02:09:37,600
Speaker 1: not saying that, but he made his style at that

2775
02:09:37,720 --> 02:09:40,320
Speaker 1: time as a solo artist, because I've heard like his

2776
02:09:40,440 --> 02:09:44,560
Speaker 1: reference shit when he's using nothing, it sounds incredible, but

2777
02:09:44,640 --> 02:09:47,240
Speaker 1: that was his style, was adding so much tunes as

2778
02:09:47,320 --> 02:09:49,720
Speaker 1: wall setto that everyone tried to match it. Like I

2779
02:09:49,760 --> 02:09:52,160
Speaker 1: don't think you get Jeremih the same way you if

2780
02:09:52,200 --> 02:09:55,000
Speaker 1: the Dream doesn't exist the amount of kids from that

2781
02:09:55,200 --> 02:09:58,280
Speaker 1: style of music, it's the dream. Can I ask you

2782
02:09:58,320 --> 02:10:06,520
Speaker 1: guys something T Pain or Dream? Uh? Solo artists? Like

2783
02:10:06,640 --> 02:10:10,640
Speaker 1: who did the dream? Well? Yeah, dream? If you're adding

2784
02:10:10,680 --> 02:10:17,040
Speaker 1: in everything, what about culture like a cultural shift? T Pain?

2785
02:10:19,600 --> 02:10:22,680
Speaker 1: But dream? If you look into what he wrote that

2786
02:10:23,640 --> 02:10:26,720
Speaker 1: shifted the culture. That's why I'm asking what exactly you

2787
02:10:26,800 --> 02:10:29,680
Speaker 1: mean by like the dream T Pain as artists or

2788
02:10:29,840 --> 02:10:31,440
Speaker 1: as everything else behind the scenes.

2789
02:10:31,840 --> 02:10:34,240
Speaker 6: I guess it's just dream kind of and then everyone

2790
02:10:34,280 --> 02:10:36,240
Speaker 6: else when I guess like impact on the world.

2791
02:10:36,880 --> 02:10:37,280
Speaker 1: How about that?

2792
02:10:37,840 --> 02:10:38,400
Speaker 4: Oh, the dream?

2793
02:10:38,640 --> 02:10:40,960
Speaker 1: The Dream based off of the music that he's wrote

2794
02:10:42,960 --> 02:10:45,800
Speaker 1: for like other people too, Yeah if you add that in,

2795
02:10:45,880 --> 02:10:49,560
Speaker 1: but just artists, the artists like solo acts. T Pain

2796
02:10:49,680 --> 02:10:52,360
Speaker 1: is right there. I also think the Dream doesn't have

2797
02:10:52,440 --> 02:10:54,520
Speaker 1: the confidence that he has with his style as a

2798
02:10:54,560 --> 02:10:58,000
Speaker 1: solo artist. If Pain didn't do that. So did you

2799
02:10:58,080 --> 02:10:59,680
Speaker 1: like his new song? I think he just dropped one.

2800
02:11:00,840 --> 02:11:05,120
Speaker 1: I'm excited, Yes, I'm excited for the album the record School.

2801
02:11:05,520 --> 02:11:07,720
Speaker 1: I thought it was good. It was like a pre hooking.

2802
02:11:07,760 --> 02:11:09,600
Speaker 1: Then that's really like I was like, Oh, he's back

2803
02:11:09,640 --> 02:11:11,920
Speaker 1: a little bit. He's back a little bit, back a

2804
02:11:11,920 --> 02:11:16,240
Speaker 1: little I want I want nineteen seventy seven Dream at

2805
02:11:16,280 --> 02:11:21,120
Speaker 1: this point. I'm I wantat Class Car Dream.

2806
02:11:21,560 --> 02:11:24,680
Speaker 6: Yeah that song is class you know something of course,

2807
02:11:24,720 --> 02:11:27,839
Speaker 6: Oh my god, yeah that album that it's a classic.

2808
02:11:28,040 --> 02:11:32,280
Speaker 1: I just dreams success. I need a woman to like

2809
02:11:32,400 --> 02:11:35,360
Speaker 1: really hurt him. Yeah, I need him to have a

2810
02:11:35,480 --> 02:11:37,720
Speaker 1: very I need it. I need Dreams Iceman album at

2811
02:11:37,720 --> 02:11:41,280
Speaker 1: this point, because nineteen seventy seven was Iceman. I'm just

2812
02:11:41,320 --> 02:11:42,720
Speaker 1: happy to christ.

2813
02:11:44,120 --> 02:11:44,680
Speaker 4: Working together.

2814
02:11:44,840 --> 02:11:48,400
Speaker 1: Yeah, you still but needs he needs that as a

2815
02:11:48,440 --> 02:11:50,600
Speaker 1: solo act. He needs a kick in the ass in

2816
02:11:50,640 --> 02:11:53,400
Speaker 1: his personal life because he could make hit records all day,

2817
02:11:54,160 --> 02:11:56,840
Speaker 1: but when it's his ship. I like when Dream is

2818
02:11:56,920 --> 02:11:59,800
Speaker 1: hurt by a woman, like for for real, for real,

2819
02:11:59,880 --> 02:12:04,000
Speaker 1: now not be funsies in writing, Like listen, I told

2820
02:12:04,040 --> 02:12:06,720
Speaker 1: you I worked on nineteen seventy seven. We did the

2821
02:12:06,760 --> 02:12:08,640
Speaker 1: Long Gone video, and when he's putting the treatment together,

2822
02:12:08,800 --> 02:12:10,720
Speaker 1: he said, she wouldn't have said that, I said, this

2823
02:12:10,880 --> 02:12:12,400
Speaker 1: is make believe what you mean? She would have said that.

2824
02:12:15,640 --> 02:12:19,640
Speaker 1: She wouldn't have said that this is this is no

2825
02:12:19,760 --> 02:12:22,800
Speaker 1: I need that dream. Christina Million wouldn't have said that right,

2826
02:12:23,840 --> 02:12:26,800
Speaker 1: that's the dream I need right now. I'm looking forward

2827
02:12:26,800 --> 02:12:28,040
Speaker 1: to it, though I.

2828
02:12:28,080 --> 02:12:30,200
Speaker 6: Hate the people be like, oh, we need the artists

2829
02:12:30,240 --> 02:12:32,600
Speaker 6: to hurt because that shit hurts, I know, and we

2830
02:12:32,680 --> 02:12:33,200
Speaker 6: don't need that.

2831
02:12:34,360 --> 02:12:39,640
Speaker 1: Yeah, I agree with you. It's like damn, you know no,

2832
02:12:39,920 --> 02:12:42,360
Speaker 1: we talk about that often. It's it's very fucked up

2833
02:12:42,920 --> 02:12:45,960
Speaker 1: as fans, we do that, but I help your heartbreak soon.

2834
02:12:46,280 --> 02:12:47,480
Speaker 1: It's like, damn, bitch, I'm happy.

2835
02:12:47,480 --> 02:12:49,480
Speaker 3: It's just a different emotion that I think artists tap

2836
02:12:49,560 --> 02:12:52,480
Speaker 3: into when they're literally you could hear it in their voice,

2837
02:12:53,120 --> 02:12:56,240
Speaker 3: its tone, you to some real shit, Yeah, to put

2838
02:12:56,280 --> 02:12:57,680
Speaker 3: it through I mean, but that's what art is, right,

2839
02:12:57,720 --> 02:12:59,600
Speaker 3: It's supposed to be supposed to be pulling from a

2840
02:12:59,680 --> 02:13:00,920
Speaker 3: real experience moments.

2841
02:13:01,040 --> 02:13:03,200
Speaker 1: Yeah, you know what I mean. We we we get

2842
02:13:03,240 --> 02:13:05,640
Speaker 1: a very small taste of that in the podcast world.

2843
02:13:05,680 --> 02:13:07,680
Speaker 1: I had to go bury my friend and missed an

2844
02:13:07,680 --> 02:13:09,880
Speaker 1: episode and they said, you lazy fuck. I was like,

2845
02:13:10,160 --> 02:13:12,920
Speaker 1: I was at a funeral, Damn, what the hell talk

2846
02:13:12,960 --> 02:13:13,240
Speaker 1: about it?

2847
02:13:13,280 --> 02:13:15,800
Speaker 4: Talk about being at the fun gets crazy, Yeah, talk

2848
02:13:15,840 --> 02:13:16,160
Speaker 4: about it.

2849
02:13:16,520 --> 02:13:19,840
Speaker 1: Crown Mike fucking bare minimum By my friend was murdered. Yeah,

2850
02:13:20,440 --> 02:13:22,320
Speaker 1: you got to talk about it. You gotta talk about it.

2851
02:13:22,480 --> 02:13:24,680
Speaker 1: So then I started to look at that perspective like, damn,

2852
02:13:24,680 --> 02:13:26,520
Speaker 1: I shouldn't put that on artists. Yeah, and here you

2853
02:13:26,600 --> 02:13:29,120
Speaker 1: are and here you are, all right, Kyle, new album

2854
02:13:29,160 --> 02:13:31,120
Speaker 1: available now Please.

2855
02:13:32,080 --> 02:13:37,280
Speaker 6: I need to pay my phone bill. Go stream that baby.

2856
02:13:37,600 --> 02:13:39,240
Speaker 6: I need a new phone acts. I need your phone case.

2857
02:13:39,600 --> 02:13:42,880
Speaker 6: Help me out phone case, my phone case back up.

2858
02:13:43,000 --> 02:13:44,880
Speaker 3: Well, let us know next time you're back in the city, man,

2859
02:13:45,000 --> 02:13:46,880
Speaker 3: and you know, anytime you know, pull up on us, man,

2860
02:13:46,960 --> 02:13:47,760
Speaker 3: let us know what you're doing.

2861
02:13:47,920 --> 02:13:49,960
Speaker 1: Thanks, man, and don't don't stay in l A too long, man.

2862
02:13:50,080 --> 02:13:51,400
Speaker 1: So it's good to come back to me and get

2863
02:13:51,400 --> 02:13:54,040
Speaker 1: this energy when you come back. I appreciate you guys.

2864
02:13:54,080 --> 02:13:56,600
Speaker 2: Though, Let's have another last lab night. We'll go back,

2865
02:13:56,760 --> 02:13:58,360
Speaker 2: little what another last lab night?

2866
02:13:58,440 --> 02:14:00,600
Speaker 1: We gotta go back. You gotta go back, do it? Yeah,

2867
02:14:00,720 --> 02:14:01,120
Speaker 1: let's do it.

2868
02:14:01,240 --> 02:14:03,640
Speaker 7: What's more again? It's been a block all right, we

2869
02:14:04,680 --> 02:14:07,360
Speaker 7: were out, nigga. I gotta flight the cats, oh ships right,

2870
02:14:08,160 --> 02:14:11,920
Speaker 7: and I gotta I gotta show the clothes. Yeah, we'll

2871
02:14:11,960 --> 02:14:13,640
Speaker 7: talk to y'all soon. Be safe, be pleased.

2872
02:14:13,720 --> 02:14:19,960
Speaker 1: I'm that nigga. He's just ginger peace, no worry. I

2873
02:14:20,040 --> 02:14:25,000
Speaker 1: really wanted to do that. Worry you mom. So I know.

2874
02:14:25,480 --> 02:14:26,880
Speaker 1: So I was gonna, I was planning on doing that.

2875
02:14:26,920 --> 02:14:27,440
Speaker 5: I messed up.

2876
02:14:28,280 --> 02:14:29,200
Speaker 1: I wanted y'all to have that