WEBVTT - S2 E5: The Fortress

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<v Speaker 1>The control Group depicts a nuclear catastrophe and the complete

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<v Speaker 1>annihilation of the human race. Listener discretion is advised. We

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<v Speaker 1>are receiving early warnings of a cloud of radioactive particles

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<v Speaker 1>heavy with strontium ninety located in the southwest and drifting

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<v Speaker 1>northeast across the United States. We will update you on

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<v Speaker 1>the location and severity of the cloud as we continue

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<v Speaker 1>to bring you bulletins from the National Office of Civil

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<v Speaker 1>Defense at Connell rad It is now believed that Montgomery,

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<v Speaker 1>already devastated by atomic radiation, has now fallen under the

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<v Speaker 1>control of rioters and looters who seem determined to burn

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<v Speaker 1>the remains of the city to the ground. Residents within

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<v Speaker 1>Eden Valley may notice the glow of the fires in

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<v Speaker 1>the southwest. We urge our listeners not to attempt to

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<v Speaker 1>leave the valley to aid family members or rescue personnel

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<v Speaker 1>in Montgomery's The fate of the city and its people

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<v Speaker 1>would appear to be sealed. I've never seen that. We'll

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<v Speaker 1>sit on fire before you heard what they said. Fallout

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<v Speaker 1>is coming noon and and your mom are out driving

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<v Speaker 1>around in it. How harmful could it be? Come on,

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<v Speaker 1>It'll be like looking at fireworks. You've got to stay close.

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<v Speaker 1>We'll take the radio. And if they say anything about

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<v Speaker 1>fallout being detective. It's such a Gemini. How how did

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<v Speaker 1>you know that? Forget it? Do you see it? Yeah?

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<v Speaker 1>How could you miss it? You have people in Montgomery?

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<v Speaker 1>Not really, I think there's any way to climb up

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<v Speaker 1>the cross that thing from up there? I bet you

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<v Speaker 1>could see the city in flames. There's a ladder around back.

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<v Speaker 1>Should we do it? I'm right behind you. Can you

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<v Speaker 1>see the city? No? Not really, I can see the flames.

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<v Speaker 1>They seem much closer than Montgomery. You think they're moving

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<v Speaker 1>this way? How should I know? Turn on the radio

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<v Speaker 1>for starters. Here your ticket, Keep hold of the ladder

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<v Speaker 1>so you can use your hands. If you feel me leaning,

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<v Speaker 1>You're fine us turn it on, saying old announcements. Stamm Guial,

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<v Speaker 1>Wait a minute, I had been company. I'm here. I

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<v Speaker 1>think I'm here, Nightingale calling quaisar one. Can you hear us?

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<v Speaker 1>Come in quasar one, I'm here. I'm here. Uh, something

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<v Speaker 1>must have gone wrong. I heard a stud but nothing happened. Oh,

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<v Speaker 1>something definitely happened. Zeb Tron says, you're there, I'm where

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<v Speaker 1>still on Helio's three but two hundred and fifty years

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<v Speaker 1>in the past. Look out your window, I can't there's

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<v Speaker 1>a layer of ice. Oh, that's a good sign testing

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<v Speaker 1>atmospheric conditions. Now, since you're determined to mother, how am

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<v Speaker 1>I able to talk to you? Zemtron will explain it,

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<v Speaker 1>But we don't have time and getting a signal from

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<v Speaker 1>her capsule and downloading everything I can, or her to

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<v Speaker 1>remain in the council so that I will have time

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<v Speaker 1>to no point on one, remaining in the consul allowed

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<v Speaker 1>time for the ghosts to recount. We won't be hearing

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<v Speaker 1>anything more from the ghost What does she mean by that?

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<v Speaker 1>The details of the mission are in my suit all light.

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<v Speaker 1>But promise me you'll remain in constant communication with me.

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<v Speaker 1>Fan Yes to few. It's important that you keep your

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<v Speaker 1>suit communicator on at all times. Okay, so just closing in,

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<v Speaker 1>tell me what you see three two one h This

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<v Speaker 1>is definitely a different place than where I was before.

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<v Speaker 1>There's atmosphere. Obviously, it's twilight, so the sky is warm.

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<v Speaker 1>I see bosings in the distance. You see lights, so

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<v Speaker 1>there must be people here. The destination is close. I

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<v Speaker 1>have the coordinates. I'm going to start walking towards it.

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<v Speaker 1>What is good? There's a large gray building, looks like

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<v Speaker 1>it's made of smooth stone. The windows there appear to

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<v Speaker 1>be bars on the windows. Whatever they have inside must

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<v Speaker 1>be very precious. The entire area is surrounded by a

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<v Speaker 1>tall fence, the fortress of some sort a treasury. How

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<v Speaker 1>will you get through? I am through, I landed inside.

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<v Speaker 1>I'm headed to the corner of the structure where an

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<v Speaker 1>opening is supposed to be. H. I don't think the

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<v Speaker 1>bars are for keeping anyone out. What do you mean

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<v Speaker 1>they're for keeping people in? It appears to be a prison.

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<v Speaker 1>I'm on the lower level. It must be a dungeon

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<v Speaker 1>of some sort. There are several barred cells, people sized cages.

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<v Speaker 1>I heard something. There's something in here with me. Stay still,

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<v Speaker 1>don't move. Mm hm oh what it's It's a small

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<v Speaker 1>it's a child. How can you be sure? I'm going

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<v Speaker 1>to try to talk to it. Hello, a little one.

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<v Speaker 1>I'm a friend. I don't mean to frighten you. No, no, no,

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<v Speaker 1>don't be frightened. I'm just like you. You want to

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<v Speaker 1>see okay, let me show you. Okay, I want what

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<v Speaker 1>are you doing? I want him to see my face?

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<v Speaker 1>So we won't be frightened. Here, not to remove your helmet.

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<v Speaker 1>It's funny. Feel It's okay, sEH, you mean me no harm.

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<v Speaker 1>I'm a friend. I come in peace. Friend. Do you

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<v Speaker 1>understand I'm going to reach out. Don't do that. I

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<v Speaker 1>wouldn't do that. That's it. You want to shake hands? Yes,

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<v Speaker 1>there you go? There there. Okay, I'm backing up. I'm

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<v Speaker 1>I'm backing up. Slow getting out. I'm going back to

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<v Speaker 1>the capsule. I'm ready. You're gonna back. I'm good. I

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<v Speaker 1>think I can do it. No, no no, no, no, no no no,

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<v Speaker 1>I see just get back inside. Belong to win? Where

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<v Speaker 1>is it? What? Where's the castle? There's more of them.

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<v Speaker 1>I can out fund them and find I have kicked

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<v Speaker 1>around me. I common peace, I mean you no harm.

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<v Speaker 1>When is stepping out from he has a wandering club

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<v Speaker 1>of some sword. Peace, I bring peace. One is carrying noisy.

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<v Speaker 1>It's making my hair stand up. Touch you please don't

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<v Speaker 1>make me hurt. Please? What happened? The suit suffered a

0:11:11.960 --> 0:11:17.400
<v Speaker 1>severear electrical shock? How serious? Bad? If it reaches the

0:11:17.480 --> 0:11:22.480
<v Speaker 1>suit central processor it's skirts, How will we know the

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<v Speaker 1>suit will clear the stag and then automatically we start?

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<v Speaker 1>Can we read her vital signs. Not yet, Come on one,

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<v Speaker 1>someone's coming down. Go down, go down. UN's back. Hurry faster,

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<v Speaker 1>stop pushing. You're gonna make me fall. I don't see

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<v Speaker 1>the dog. It's just my mom. Noon's not with her.

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<v Speaker 1>I don't know, Mom. We're over here. What are your

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<v Speaker 1>girls doing? Where's noon Na? Go inside, get our things

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<v Speaker 1>and bring them out. Listen to me, mother. I took

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<v Speaker 1>the radio and I climbed the top of them to

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<v Speaker 1>listen to the news, and we started to pick up

0:12:07.760 --> 0:12:10.439
<v Speaker 1>stations outside the back. Don't have time for that right now.

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<v Speaker 1>He's flying. They're all lying, lying about what. There's no

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<v Speaker 1>emergency outside the valley. Columbus, Montgomery, Atlanta, Birmingham. I heard

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<v Speaker 1>them all. Difficult for you, mother, It's not real. They

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<v Speaker 1>are killing people downtown. I heard the guns. We'll go

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<v Speaker 1>back up to the cross and you can listen to

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<v Speaker 1>it yourself. I don't want to listen to you want

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<v Speaker 1>to What do you want me to say, Becky? What

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<v Speaker 1>is it you're asking me to accept that The authorities

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<v Speaker 1>would tell us the rest of the country has been incinerated,

0:12:40.720 --> 0:12:44.959
<v Speaker 1>and and and and poison. But it's all just a joke,

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<v Speaker 1>a drill. You tell me and your father, Becky. Maybe

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<v Speaker 1>Daddy's not dead, Darling, Is that what this is all about?

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<v Speaker 1>He could be alive. You don't know that. You don't

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<v Speaker 1>know that, don't you? Dare pretend to know that he

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<v Speaker 1>works for the Civil Defense. If he's alive and well,

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<v Speaker 1>why wouldn't he say something? Why would he leave us

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<v Speaker 1>alone like this, letting us believe that he's dead. I

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<v Speaker 1>don't know. You guys need to stop arguing. You've got

0:13:19.000 --> 0:13:30.040
<v Speaker 1>bigger things to worry about. God, it's probably Munon. Does

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<v Speaker 1>Noonon know know what what we know? If he knows,

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<v Speaker 1>why wouldn't he tell us? What do you think, Mrs Langford?

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<v Speaker 1>Why would Noonan want to keep three women chained inside?

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<v Speaker 1>His basement? Was chained? I'll have to sleep. Maybe I

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<v Speaker 1>didn't see me. Don't let On get us back to me.

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<v Speaker 1>If I get a chancel, grab for his gun. If

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<v Speaker 1>I can't get it, something we gotta do this. Mother,

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<v Speaker 1>Just keep talking to him. Don't pretend to be asleep.

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<v Speaker 1>I don't want to be a Hello, Dory, Oh thank

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<v Speaker 1>god you're safe. I thought someone had hijack the truck.

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<v Speaker 1>Or are you okay? I'm fine? What are you doing

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<v Speaker 1>back up here. I I was worried about Becky. I

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<v Speaker 1>heard gunfire in town, and I panicked, and I thought,

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<v Speaker 1>I'm backing up your stuff. What it looks like you're

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<v Speaker 1>back your stuff? You want to leave? You don't have

0:14:43.280 --> 0:14:46.800
<v Speaker 1>to run away. No, if you want to leave, just

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<v Speaker 1>ask me. I'll take you where you want to go.

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<v Speaker 1>Please put down the gun. The gun. Oh no, no, no, Dory, Gosh,

0:14:58.960 --> 0:15:03.080
<v Speaker 1>you misunderstand I was. I was worried about you. I'm sorry.

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<v Speaker 1>I didn't. I thought someone, it's on the truck and

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<v Speaker 1>you in it. And then I get up here and

0:15:08.000 --> 0:15:09.600
<v Speaker 1>I see the truck, and I figured that I only

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<v Speaker 1>took my truck. And how they're taking over the bunk

0:15:11.600 --> 0:15:17.600
<v Speaker 1>or get shot and if anything happened to me, Becky

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<v Speaker 1>would be left all alone. What did what did you

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<v Speaker 1>expect me to do? What was you planning to do?

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<v Speaker 1>I came to get Becky and take her home. We

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<v Speaker 1>don't feel safe here safe. There's six inches of reading

0:15:34.160 --> 0:15:37.360
<v Speaker 1>forced concrete over our heads and and six inches of

0:15:37.440 --> 0:15:40.280
<v Speaker 1>sword on top of that. What do you mean safe?

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<v Speaker 1>It's safe from you? He's lying for When was I

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<v Speaker 1>anything but a gentleman? Uh? I asked your permission to

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<v Speaker 1>pay court to your daughter. I would I would never

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<v Speaker 1>do a thing to her, would you? And what did

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<v Speaker 1>I do? Ain't I been respectful? I know I ain't

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<v Speaker 1>much to look at it, but I am a good person.

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<v Speaker 1>Isn't that what matters? What's on the inside, Becky, Tell

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<v Speaker 1>her and make her understand that y'all need to stay here.

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<v Speaker 1>The fallouts coming down. We're inside now, that's it, noon

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<v Speaker 1>and we leave now, and you won't make it home alive.

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<v Speaker 1>We'll take her chances. So that's how it is. You'd

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<v Speaker 1>rather be dead than stay here with me? Gathering? No, no, no, no,

0:16:35.600 --> 0:16:38.560
<v Speaker 1>hold on a minute here, Becky. She don't have to

0:16:38.560 --> 0:16:41.400
<v Speaker 1>go if she don't want to. What it's her decision.

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<v Speaker 1>You're not serious, Becky, Come on now, maybe instead of

0:16:45.120 --> 0:16:46.920
<v Speaker 1>telling her what to do, you should let her make

0:16:46.960 --> 0:16:50.800
<v Speaker 1>her own. She's fifteen years old enough to choose. For

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<v Speaker 1>she's a child. I am not a child. Mother. It's

0:16:55.320 --> 0:16:58.280
<v Speaker 1>what I've been telling you for months. I'm a woman.

0:16:58.640 --> 0:17:01.200
<v Speaker 1>Shut your mouth with that kind of talk. You shut

0:17:01.360 --> 0:17:08.880
<v Speaker 1>your mouth. Let her choose. I'm her mother. Let her choose.

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<v Speaker 1>I would rather cut my own throat than stay here

0:17:16.160 --> 0:17:21.160
<v Speaker 1>with you. Noon In and Lorraine. I think now would

0:17:21.200 --> 0:17:28.160
<v Speaker 1>be a good time. What it is? So you put

0:17:28.240 --> 0:17:31.000
<v Speaker 1>them up to this? Shut up? I should have known

0:17:31.040 --> 0:17:37.240
<v Speaker 1>you're no count. Sit down, Dorry, give me the keys

0:17:37.280 --> 0:17:44.720
<v Speaker 1>to his truck. Mom, do it, I'll drive. Come here, Becky,

0:17:45.119 --> 0:17:48.920
<v Speaker 1>you hold the gun. No are you gonna shoot me? Becky?

0:17:49.800 --> 0:17:54.560
<v Speaker 1>If he moves pulled the trucker, don't hesitate You ever

0:17:54.600 --> 0:18:01.640
<v Speaker 1>shot a pump action twelve games before? No? Is it? Carton?

0:18:03.520 --> 0:18:08.320
<v Speaker 1>Is Sarah? Is there a shell in that chamber? Is

0:18:08.359 --> 0:18:12.600
<v Speaker 1>a safety? Own? Please stop talking. I'll go stare at

0:18:12.600 --> 0:18:17.440
<v Speaker 1>the truck. Never point a gun in a man now

0:18:22.080 --> 0:18:39.719
<v Speaker 1>head you make your call her, call him off his chase.

0:18:42.960 --> 0:18:55.200
<v Speaker 1>Don't know the funk? You don't. Blondie, come, gon't leave us.

0:19:00.160 --> 0:19:05.520
<v Speaker 1>I got hard. She's bread one. Can you hear me?

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<v Speaker 1>Come in? Ways are one. I'm inside of building, activating

0:19:13.520 --> 0:19:15.840
<v Speaker 1>me down a long corridor. If you can reach a

0:19:15.920 --> 0:19:19.000
<v Speaker 1>chest place and protect the hoobas but he died. I

0:19:19.000 --> 0:19:23.560
<v Speaker 1>don't think she's feels you were headed by Elden. There

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<v Speaker 1>nothing we can do. I'm trying. I'm trying to do

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<v Speaker 1>a thing to understand. I need no harm. Please, please,

0:19:36.640 --> 0:19:40.719
<v Speaker 1>I want you don't need to find my arms. I

0:19:40.720 --> 0:19:49.440
<v Speaker 1>am not your enemy. They have me strapped to a bed.

0:19:50.680 --> 0:19:55.560
<v Speaker 1>H Now they're pushing the bed, pushing me through your door.

0:19:59.119 --> 0:20:05.280
<v Speaker 1>It's a large there are other people here. Now wait

0:20:06.480 --> 0:20:16.359
<v Speaker 1>remember you turn animated a much smaller roam. I'm a

0:20:16.560 --> 0:20:25.640
<v Speaker 1>mathematical Supplisa's thanks, more serious. Thank we have any day?

0:20:27.040 --> 0:20:30.159
<v Speaker 1>Will you see your mother? Can you let me speak?

0:20:31.119 --> 0:20:35.200
<v Speaker 1>Will you listen? Allow me to wait? Mother? Mother activated

0:20:35.200 --> 0:20:42.680
<v Speaker 1>the translator, child sucking play, I'll be don't sin thinking

0:20:42.680 --> 0:21:00.359
<v Speaker 1>at amos samsa. My name is quiz all wine. I

0:21:00.480 --> 0:21:16.320
<v Speaker 1>come from another time. Wirrel that way. No, they're putting

0:21:16.359 --> 0:21:23.240
<v Speaker 1>some pa on my head, one side, one head, and

0:21:23.320 --> 0:21:29.840
<v Speaker 1>that they have what is wanted. Okay, caps they have tasing.

0:21:31.720 --> 0:21:42.200
<v Speaker 1>When my comples require require copy electrical. Give me a

0:21:42.280 --> 0:21:57.080
<v Speaker 1>chance to cool now that you're weird, give coming. No

0:21:57.200 --> 0:22:06.040
<v Speaker 1>one kill me. I don't want my baby. I don't want,

0:22:09.840 --> 0:22:18.680
<v Speaker 1>not even one year to hear me. No food that

0:22:20.080 --> 0:22:28.520
<v Speaker 1>your poor arms. You're gonna be fine, trying not to

0:22:28.600 --> 0:22:30.920
<v Speaker 1>touch your face. Now I have to get you to

0:22:30.960 --> 0:22:37.640
<v Speaker 1>a hospital. I want to go. Oh baby, I don't

0:22:37.680 --> 0:22:45.160
<v Speaker 1>think I need to walk. The family has painkillers. Take one.

0:22:45.920 --> 0:23:00.440
<v Speaker 1>That's it. Guess with here you're tune for you mm hmm.

0:23:02.520 --> 0:23:15.520
<v Speaker 1>Open your mouth until your head. Yeah. Can you swallowed that? Oh?

0:23:15.920 --> 0:23:27.560
<v Speaker 1>He swallowed m hm m hmm. Your house is still there,

0:23:28.640 --> 0:23:34.600
<v Speaker 1>the sweet We can't trust anything, he told us. How

0:23:34.880 --> 0:23:40.880
<v Speaker 1>we can't there. Well, I'll put you in my neck

0:23:41.840 --> 0:23:45.600
<v Speaker 1>and I'm care at least until we get to a

0:23:45.680 --> 0:23:55.920
<v Speaker 1>first aid station. H here we go, now ready? Oh

0:23:56.240 --> 0:24:02.200
<v Speaker 1>maybe you can do it. No you can't. You on

0:24:03.359 --> 0:24:11.000
<v Speaker 1>and leave it. Then lean over me. I don't care, babe,

0:24:11.960 --> 0:24:15.960
<v Speaker 1>I'm just like this. I'm gonna figure it down next

0:24:16.040 --> 0:24:25.359
<v Speaker 1>to mine. Let me carry you. Oh are you called sweetie? Yes?

0:24:26.280 --> 0:24:40.080
<v Speaker 1>I could never be women there eat sleep? You want

0:24:40.119 --> 0:24:46.600
<v Speaker 1>to sleep in your own bed, so he said, yeah,

0:24:48.280 --> 0:24:52.680
<v Speaker 1>I don't see why not like that. I think it

0:24:52.800 --> 0:24:55.240
<v Speaker 1>would do you a world of good. Do he to

0:24:55.400 --> 0:25:00.119
<v Speaker 1>be back in your bad hand, in your room, just

0:25:00.240 --> 0:25:19.760
<v Speaker 1>like before, like happier times. Oh we're home. I'm gonna

0:25:21.400 --> 0:25:24.440
<v Speaker 1>I'm gonna try and get you up the steps and

0:25:24.520 --> 0:25:29.000
<v Speaker 1>into your better Okay, just hold on to me the

0:25:29.080 --> 0:25:36.679
<v Speaker 1>best you can. I'm gonna take it nice and slow. Okay,

0:25:37.760 --> 0:25:42.680
<v Speaker 1>I'm gonna be easy. I'm gonna easier. Back onto the

0:25:42.720 --> 0:25:47.479
<v Speaker 1>bed and lie you back. This may hurt a little bit.

0:25:51.280 --> 0:26:08.280
<v Speaker 1>Ah your home, baby, you're cold. I'm gonna I'm gonna

0:26:08.320 --> 0:26:11.240
<v Speaker 1>make you a cup of tea if the guess is

0:26:11.280 --> 0:26:15.760
<v Speaker 1>still on them. Thank you a nice warm a cup

0:26:15.800 --> 0:26:20.760
<v Speaker 1>of tea with honey, and you can get a good sleep.

0:26:21.119 --> 0:26:26.960
<v Speaker 1>How does that sound here? Put this pill under your tongue.

0:26:29.800 --> 0:26:38.199
<v Speaker 1>You don't have to swallow it, just just let it dissolve. Now,

0:26:38.200 --> 0:26:44.520
<v Speaker 1>I'll bring a washcloth and get you cleaned up. I'm

0:26:44.560 --> 0:26:48.560
<v Speaker 1>gonna make a nice cup of tea for both of us,

0:26:49.400 --> 0:26:59.120
<v Speaker 1>honey and I. The kettle warms, I'm gonna I'm gonna

0:26:59.200 --> 0:27:01.399
<v Speaker 1>sit down and put my head down for just a

0:27:01.480 --> 0:27:09.120
<v Speaker 1>minute and close my eyes. I'm gonna rest, but only

0:27:09.200 --> 0:27:20.880
<v Speaker 1>for a moment until the water boils. Ah ah ah.

0:27:22.800 --> 0:27:26.359
<v Speaker 1>I'm Helen Huntley, and I thank you again for letting

0:27:26.400 --> 0:27:30.400
<v Speaker 1>me visit in your home, your community, shelter, or automobile.

0:27:31.119 --> 0:27:33.360
<v Speaker 1>A lot of you know me from my daytime talk

0:27:33.400 --> 0:27:36.359
<v Speaker 1>show that was broadcast every morning on w e A

0:27:36.720 --> 0:27:39.720
<v Speaker 1>l t V twelve right here in New Canaan. And

0:27:39.800 --> 0:27:43.080
<v Speaker 1>I've also been a radio personality for years on a

0:27:43.400 --> 0:27:47.159
<v Speaker 1>M eleven sixty. That's where you could always find me

0:27:47.720 --> 0:27:51.800
<v Speaker 1>when there wasn't a national emergency. Remember that, because this

0:27:52.000 --> 0:27:55.720
<v Speaker 1>will all be over soon. And when it is, I'll

0:27:55.760 --> 0:27:58.960
<v Speaker 1>expect you to change your dials to a M eleven

0:27:59.160 --> 0:28:02.280
<v Speaker 1>sixty and if you are fortunate enough to have a

0:28:02.359 --> 0:28:07.120
<v Speaker 1>working television channel twelve and this will be over soon.

0:28:07.640 --> 0:28:11.879
<v Speaker 1>I promise you that no bombs have been dropped on

0:28:11.920 --> 0:28:16.040
<v Speaker 1>American soil. It is all a hoax perpetrated by the

0:28:16.160 --> 0:28:22.680
<v Speaker 1>US government to test your what the hell and dangerous

0:28:22.760 --> 0:28:26.680
<v Speaker 1>experiment performed without your consent and at great personal riff.

0:28:26.760 --> 0:28:29.200
<v Speaker 1>Come m did you hear what she said? She said

0:28:29.240 --> 0:28:31.960
<v Speaker 1>there are no bombs something do such a thing? Will?

0:28:31.960 --> 0:28:37.240
<v Speaker 1>Would you be illegal to tell everyone? Test us? Quiet,

0:28:37.280 --> 0:28:42.800
<v Speaker 1>both of you. Let's listen channels. Do you think it's

0:28:42.880 --> 0:28:46.080
<v Speaker 1>true what she said? Do you really think there's no something?

0:28:46.560 --> 0:28:51.200
<v Speaker 1>Something's happening? Now? This is Johnny Cage. I'd like all

0:28:51.240 --> 0:28:54.560
<v Speaker 1>of you to remember that America can withstand enemy attack

0:28:57.160 --> 0:29:02.000
<v Speaker 1>community and learned the hip hours. It concerns a top

0:29:02.080 --> 0:29:05.520
<v Speaker 1>secret government operation that's being run by the Office of

0:29:05.680 --> 0:29:09.400
<v Speaker 1>Civil Defense and Connell Rad, the U S military, and

0:29:09.600 --> 0:29:13.000
<v Speaker 1>state and local government. They are all all right. I've

0:29:13.040 --> 0:29:15.920
<v Speaker 1>had about enough of this horse ship Robert soundly all

0:29:15.960 --> 0:29:19.840
<v Speaker 1>clear apples, wait and get the power back on. We

0:29:19.920 --> 0:29:22.360
<v Speaker 1>can't just stop it. Tell Connell Rad to sound the

0:29:22.400 --> 0:29:25.160
<v Speaker 1>all clear. The full scale evacuation to its that were

0:29:25.360 --> 0:31:00.480
<v Speaker 1>held in major cities. This is ex is h m hmm.

0:31:03.880 --> 0:31:11.560
<v Speaker 1>Can I come in? I made us some tea. Princess

0:31:13.880 --> 0:31:18.280
<v Speaker 1>Baby made you some tea? Do you want to try it?

0:31:20.240 --> 0:31:23.560
<v Speaker 1>Let me now, let me just just hold the cup

0:31:23.640 --> 0:31:28.000
<v Speaker 1>up your lips. See if it's something you'd like a

0:31:28.120 --> 0:32:00.000
<v Speaker 1>little taste up you. No, No, it's cold, baby m m.

0:32:09.160 --> 0:32:15.400
<v Speaker 1>The Control Group is a production of iHeart Radio, written

0:32:16.000 --> 0:32:22.320
<v Speaker 1>and directed by Brett Wood, recorded and mixed by Rob

0:32:22.800 --> 0:32:34.920
<v Speaker 1>gal featuring Tess Malice Kincaid, Alexandra Vicken, Hannah Berman, Minka Wilts,

0:32:35.640 --> 0:32:44.320
<v Speaker 1>Mary Kraft, Tim Habigger and Keith Brooks. Music composed and

0:32:45.040 --> 0:32:53.600
<v Speaker 1>performed by Rob Gaal. The executive producer is Ben Bolin,

0:32:54.600 --> 0:32:57.960
<v Speaker 1>Supervising producer Paul Decade.