1 00:00:00,320 --> 00:00:04,520 Speaker 1: The control Group depicts a nuclear catastrophe and the complete 2 00:00:04,519 --> 00:00:12,400 Speaker 1: annihilation of the human race. Listener discretion is advised. We 3 00:00:12,480 --> 00:00:17,200 Speaker 1: are receiving early warnings of a cloud of radioactive particles 4 00:00:17,239 --> 00:00:21,680 Speaker 1: heavy with strontium ninety located in the southwest and drifting 5 00:00:21,760 --> 00:00:25,680 Speaker 1: northeast across the United States. We will update you on 6 00:00:25,720 --> 00:00:28,480 Speaker 1: the location and severity of the cloud as we continue 7 00:00:28,480 --> 00:00:31,440 Speaker 1: to bring you bulletins from the National Office of Civil 8 00:00:31,440 --> 00:00:36,280 Speaker 1: Defense at Connell rad It is now believed that Montgomery, 9 00:00:36,560 --> 00:00:40,640 Speaker 1: already devastated by atomic radiation, has now fallen under the 10 00:00:40,680 --> 00:00:43,920 Speaker 1: control of rioters and looters who seem determined to burn 11 00:00:44,000 --> 00:00:47,560 Speaker 1: the remains of the city to the ground. Residents within 12 00:00:47,880 --> 00:00:50,320 Speaker 1: Eden Valley may notice the glow of the fires in 13 00:00:50,360 --> 00:00:54,880 Speaker 1: the southwest. We urge our listeners not to attempt to 14 00:00:54,960 --> 00:00:58,160 Speaker 1: leave the valley to aid family members or rescue personnel 15 00:00:58,240 --> 00:01:02,040 Speaker 1: in Montgomery's The fate of the city and its people 16 00:01:02,160 --> 00:01:05,680 Speaker 1: would appear to be sealed. I've never seen that. We'll 17 00:01:05,680 --> 00:01:10,600 Speaker 1: sit on fire before you heard what they said. Fallout 18 00:01:10,680 --> 00:01:13,600 Speaker 1: is coming noon and and your mom are out driving 19 00:01:13,640 --> 00:01:19,200 Speaker 1: around in it. How harmful could it be? Come on, 20 00:01:19,920 --> 00:01:24,080 Speaker 1: It'll be like looking at fireworks. You've got to stay close. 21 00:01:26,440 --> 00:01:29,400 Speaker 1: We'll take the radio. And if they say anything about 22 00:01:29,400 --> 00:01:35,400 Speaker 1: fallout being detective. It's such a Gemini. How how did 23 00:01:35,400 --> 00:01:54,800 Speaker 1: you know that? Forget it? Do you see it? Yeah? 24 00:01:55,440 --> 00:01:59,400 Speaker 1: How could you miss it? You have people in Montgomery? 25 00:02:00,280 --> 00:02:05,360 Speaker 1: Not really, I think there's any way to climb up 26 00:02:05,400 --> 00:02:10,480 Speaker 1: the cross that thing from up there? I bet you 27 00:02:10,520 --> 00:02:19,040 Speaker 1: could see the city in flames. There's a ladder around back. 28 00:02:20,600 --> 00:02:35,720 Speaker 1: Should we do it? I'm right behind you. Can you 29 00:02:35,760 --> 00:02:41,519 Speaker 1: see the city? No? Not really, I can see the flames. 30 00:02:43,600 --> 00:02:46,840 Speaker 1: They seem much closer than Montgomery. You think they're moving 31 00:02:46,919 --> 00:02:49,840 Speaker 1: this way? How should I know? Turn on the radio 32 00:02:49,960 --> 00:02:55,959 Speaker 1: for starters. Here your ticket, Keep hold of the ladder 33 00:02:56,040 --> 00:02:58,480 Speaker 1: so you can use your hands. If you feel me leaning, 34 00:02:58,560 --> 00:03:11,840 Speaker 1: You're fine us turn it on, saying old announcements. Stamm Guial, 35 00:03:19,720 --> 00:03:43,560 Speaker 1: Wait a minute, I had been company. I'm here. I 36 00:03:43,600 --> 00:03:51,960 Speaker 1: think I'm here, Nightingale calling quaisar one. Can you hear us? 37 00:03:53,520 --> 00:03:57,880 Speaker 1: Come in quasar one, I'm here. I'm here. Uh, something 38 00:03:57,960 --> 00:04:02,280 Speaker 1: must have gone wrong. I heard a stud but nothing happened. Oh, 39 00:04:02,520 --> 00:04:08,600 Speaker 1: something definitely happened. Zeb Tron says, you're there, I'm where 40 00:04:09,600 --> 00:04:13,960 Speaker 1: still on Helio's three but two hundred and fifty years 41 00:04:13,960 --> 00:04:22,080 Speaker 1: in the past. Look out your window, I can't there's 42 00:04:22,080 --> 00:04:26,560 Speaker 1: a layer of ice. Oh, that's a good sign testing 43 00:04:26,600 --> 00:04:32,680 Speaker 1: atmospheric conditions. Now, since you're determined to mother, how am 44 00:04:32,680 --> 00:04:35,360 Speaker 1: I able to talk to you? Zemtron will explain it, 45 00:04:35,440 --> 00:04:38,600 Speaker 1: But we don't have time and getting a signal from 46 00:04:38,600 --> 00:04:45,920 Speaker 1: her capsule and downloading everything I can, or her to 47 00:04:46,000 --> 00:04:48,719 Speaker 1: remain in the council so that I will have time 48 00:04:48,839 --> 00:04:54,400 Speaker 1: to no point on one, remaining in the consul allowed 49 00:04:54,520 --> 00:04:58,800 Speaker 1: time for the ghosts to recount. We won't be hearing 50 00:04:58,800 --> 00:05:01,800 Speaker 1: anything more from the ghost What does she mean by that? 51 00:05:03,200 --> 00:05:06,960 Speaker 1: The details of the mission are in my suit all light. 52 00:05:08,000 --> 00:05:12,000 Speaker 1: But promise me you'll remain in constant communication with me. 53 00:05:12,160 --> 00:05:15,440 Speaker 1: Fan Yes to few. It's important that you keep your 54 00:05:15,440 --> 00:05:20,400 Speaker 1: suit communicator on at all times. Okay, so just closing in, 55 00:05:21,080 --> 00:05:32,440 Speaker 1: tell me what you see three two one h This 56 00:05:32,520 --> 00:05:35,120 Speaker 1: is definitely a different place than where I was before. 57 00:05:40,720 --> 00:05:53,960 Speaker 1: There's atmosphere. Obviously, it's twilight, so the sky is warm. 58 00:05:54,000 --> 00:06:01,400 Speaker 1: I see bosings in the distance. You see lights, so 59 00:06:01,480 --> 00:06:08,480 Speaker 1: there must be people here. The destination is close. I 60 00:06:08,560 --> 00:06:12,039 Speaker 1: have the coordinates. I'm going to start walking towards it. 61 00:06:18,920 --> 00:06:25,000 Speaker 1: What is good? There's a large gray building, looks like 62 00:06:25,080 --> 00:06:32,440 Speaker 1: it's made of smooth stone. The windows there appear to 63 00:06:32,480 --> 00:06:36,800 Speaker 1: be bars on the windows. Whatever they have inside must 64 00:06:36,800 --> 00:06:40,960 Speaker 1: be very precious. The entire area is surrounded by a 65 00:06:41,040 --> 00:06:49,880 Speaker 1: tall fence, the fortress of some sort a treasury. How 66 00:06:49,920 --> 00:06:54,360 Speaker 1: will you get through? I am through, I landed inside. 67 00:06:55,240 --> 00:06:57,360 Speaker 1: I'm headed to the corner of the structure where an 68 00:06:57,360 --> 00:07:21,160 Speaker 1: opening is supposed to be. H. I don't think the 69 00:07:21,240 --> 00:07:25,480 Speaker 1: bars are for keeping anyone out. What do you mean 70 00:07:27,040 --> 00:07:32,640 Speaker 1: they're for keeping people in? It appears to be a prison. 71 00:07:34,320 --> 00:07:38,360 Speaker 1: I'm on the lower level. It must be a dungeon 72 00:07:38,480 --> 00:07:50,800 Speaker 1: of some sort. There are several barred cells, people sized cages. 73 00:07:53,680 --> 00:08:02,880 Speaker 1: I heard something. There's something in here with me. Stay still, 74 00:08:03,520 --> 00:08:13,200 Speaker 1: don't move. Mm hm oh what it's It's a small 75 00:08:14,640 --> 00:08:19,280 Speaker 1: it's a child. How can you be sure? I'm going 76 00:08:19,320 --> 00:08:23,080 Speaker 1: to try to talk to it. Hello, a little one. 77 00:08:24,440 --> 00:08:31,320 Speaker 1: I'm a friend. I don't mean to frighten you. No, no, no, 78 00:08:31,560 --> 00:08:35,600 Speaker 1: don't be frightened. I'm just like you. You want to 79 00:08:35,640 --> 00:08:43,280 Speaker 1: see okay, let me show you. Okay, I want what 80 00:08:43,320 --> 00:08:45,720 Speaker 1: are you doing? I want him to see my face? 81 00:08:45,920 --> 00:08:50,079 Speaker 1: So we won't be frightened. Here, not to remove your helmet. 82 00:08:54,360 --> 00:09:02,640 Speaker 1: It's funny. Feel It's okay, sEH, you mean me no harm. 83 00:09:02,679 --> 00:09:08,200 Speaker 1: I'm a friend. I come in peace. Friend. Do you 84 00:09:08,280 --> 00:09:14,080 Speaker 1: understand I'm going to reach out. Don't do that. I 85 00:09:14,080 --> 00:09:19,400 Speaker 1: wouldn't do that. That's it. You want to shake hands? Yes, 86 00:09:21,000 --> 00:09:29,520 Speaker 1: there you go? There there. Okay, I'm backing up. I'm 87 00:09:30,360 --> 00:09:35,000 Speaker 1: I'm backing up. Slow getting out. I'm going back to 88 00:09:35,040 --> 00:09:50,360 Speaker 1: the capsule. I'm ready. You're gonna back. I'm good. I 89 00:09:50,360 --> 00:10:01,800 Speaker 1: think I can do it. No, no no, no, no, no no no, 90 00:10:04,280 --> 00:10:07,880 Speaker 1: I see just get back inside. Belong to win? Where 91 00:10:07,960 --> 00:10:13,760 Speaker 1: is it? What? Where's the castle? There's more of them. 92 00:10:14,440 --> 00:10:20,800 Speaker 1: I can out fund them and find I have kicked 93 00:10:20,880 --> 00:10:34,840 Speaker 1: around me. I common peace, I mean you no harm. 94 00:10:34,840 --> 00:10:39,560 Speaker 1: When is stepping out from he has a wandering club 95 00:10:39,600 --> 00:10:49,360 Speaker 1: of some sword. Peace, I bring peace. One is carrying noisy. 96 00:10:53,160 --> 00:11:00,560 Speaker 1: It's making my hair stand up. Touch you please don't 97 00:11:00,600 --> 00:11:11,839 Speaker 1: make me hurt. Please? What happened? The suit suffered a 98 00:11:11,960 --> 00:11:17,400 Speaker 1: severear electrical shock? How serious? Bad? If it reaches the 99 00:11:17,480 --> 00:11:22,480 Speaker 1: suit central processor it's skirts, How will we know the 100 00:11:22,559 --> 00:11:25,560 Speaker 1: suit will clear the stag and then automatically we start? 101 00:11:25,640 --> 00:11:31,480 Speaker 1: Can we read her vital signs. Not yet, Come on one, 102 00:11:34,120 --> 00:11:40,760 Speaker 1: someone's coming down. Go down, go down. UN's back. Hurry faster, 103 00:11:41,000 --> 00:11:44,720 Speaker 1: stop pushing. You're gonna make me fall. I don't see 104 00:11:44,720 --> 00:11:49,200 Speaker 1: the dog. It's just my mom. Noon's not with her. 105 00:11:49,720 --> 00:11:54,600 Speaker 1: I don't know, Mom. We're over here. What are your 106 00:11:54,600 --> 00:11:58,560 Speaker 1: girls doing? Where's noon Na? Go inside, get our things 107 00:11:58,559 --> 00:12:01,600 Speaker 1: and bring them out. Listen to me, mother. I took 108 00:12:01,600 --> 00:12:05,320 Speaker 1: the radio and I climbed the top of them to 109 00:12:05,360 --> 00:12:07,720 Speaker 1: listen to the news, and we started to pick up 110 00:12:07,760 --> 00:12:10,439 Speaker 1: stations outside the back. Don't have time for that right now. 111 00:12:10,520 --> 00:12:14,040 Speaker 1: He's flying. They're all lying, lying about what. There's no 112 00:12:14,120 --> 00:12:18,880 Speaker 1: emergency outside the valley. Columbus, Montgomery, Atlanta, Birmingham. I heard 113 00:12:18,880 --> 00:12:23,360 Speaker 1: them all. Difficult for you, mother, It's not real. They 114 00:12:23,400 --> 00:12:27,520 Speaker 1: are killing people downtown. I heard the guns. We'll go 115 00:12:27,600 --> 00:12:29,280 Speaker 1: back up to the cross and you can listen to 116 00:12:29,320 --> 00:12:32,120 Speaker 1: it yourself. I don't want to listen to you want 117 00:12:32,160 --> 00:12:35,360 Speaker 1: to What do you want me to say, Becky? What 118 00:12:35,559 --> 00:12:37,760 Speaker 1: is it you're asking me to accept that The authorities 119 00:12:37,800 --> 00:12:40,680 Speaker 1: would tell us the rest of the country has been incinerated, 120 00:12:40,720 --> 00:12:44,959 Speaker 1: and and and and poison. But it's all just a joke, 121 00:12:45,640 --> 00:12:51,040 Speaker 1: a drill. You tell me and your father, Becky. Maybe 122 00:12:51,080 --> 00:12:56,600 Speaker 1: Daddy's not dead, Darling, Is that what this is all about? 123 00:12:56,760 --> 00:13:00,680 Speaker 1: He could be alive. You don't know that. You don't 124 00:13:01,160 --> 00:13:06,040 Speaker 1: know that, don't you? Dare pretend to know that he 125 00:13:06,120 --> 00:13:09,400 Speaker 1: works for the Civil Defense. If he's alive and well, 126 00:13:10,200 --> 00:13:13,080 Speaker 1: why wouldn't he say something? Why would he leave us 127 00:13:13,080 --> 00:13:16,400 Speaker 1: alone like this, letting us believe that he's dead. I 128 00:13:16,480 --> 00:13:18,920 Speaker 1: don't know. You guys need to stop arguing. You've got 129 00:13:19,000 --> 00:13:30,040 Speaker 1: bigger things to worry about. God, it's probably Munon. Does 130 00:13:30,080 --> 00:13:35,960 Speaker 1: Noonon know know what what we know? If he knows, 131 00:13:36,080 --> 00:13:40,040 Speaker 1: why wouldn't he tell us? What do you think, Mrs Langford? 132 00:13:40,800 --> 00:13:44,000 Speaker 1: Why would Noonan want to keep three women chained inside? 133 00:13:44,000 --> 00:13:48,679 Speaker 1: His basement? Was chained? I'll have to sleep. Maybe I 134 00:13:48,720 --> 00:13:52,320 Speaker 1: didn't see me. Don't let On get us back to me. 135 00:13:52,480 --> 00:13:55,800 Speaker 1: If I get a chancel, grab for his gun. If 136 00:13:55,840 --> 00:14:00,520 Speaker 1: I can't get it, something we gotta do this. Mother, 137 00:14:01,400 --> 00:14:04,360 Speaker 1: Just keep talking to him. Don't pretend to be asleep. 138 00:14:04,360 --> 00:14:18,320 Speaker 1: I don't want to be a Hello, Dory, Oh thank 139 00:14:18,440 --> 00:14:21,680 Speaker 1: god you're safe. I thought someone had hijack the truck. 140 00:14:21,760 --> 00:14:25,320 Speaker 1: Or are you okay? I'm fine? What are you doing 141 00:14:25,400 --> 00:14:30,000 Speaker 1: back up here. I I was worried about Becky. I 142 00:14:30,080 --> 00:14:32,400 Speaker 1: heard gunfire in town, and I panicked, and I thought, 143 00:14:33,600 --> 00:14:37,040 Speaker 1: I'm backing up your stuff. What it looks like you're 144 00:14:37,040 --> 00:14:43,160 Speaker 1: back your stuff? You want to leave? You don't have 145 00:14:43,280 --> 00:14:46,800 Speaker 1: to run away. No, if you want to leave, just 146 00:14:46,960 --> 00:14:49,840 Speaker 1: ask me. I'll take you where you want to go. 147 00:14:52,360 --> 00:14:58,840 Speaker 1: Please put down the gun. The gun. Oh no, no, no, Dory, Gosh, 148 00:14:58,960 --> 00:15:03,080 Speaker 1: you misunderstand I was. I was worried about you. I'm sorry. 149 00:15:03,160 --> 00:15:05,720 Speaker 1: I didn't. I thought someone, it's on the truck and 150 00:15:05,800 --> 00:15:07,960 Speaker 1: you in it. And then I get up here and 151 00:15:08,000 --> 00:15:09,600 Speaker 1: I see the truck, and I figured that I only 152 00:15:09,600 --> 00:15:11,480 Speaker 1: took my truck. And how they're taking over the bunk 153 00:15:11,600 --> 00:15:17,600 Speaker 1: or get shot and if anything happened to me, Becky 154 00:15:17,640 --> 00:15:21,680 Speaker 1: would be left all alone. What did what did you 155 00:15:21,720 --> 00:15:24,680 Speaker 1: expect me to do? What was you planning to do? 156 00:15:25,920 --> 00:15:29,560 Speaker 1: I came to get Becky and take her home. We 157 00:15:29,600 --> 00:15:34,120 Speaker 1: don't feel safe here safe. There's six inches of reading 158 00:15:34,160 --> 00:15:37,360 Speaker 1: forced concrete over our heads and and six inches of 159 00:15:37,440 --> 00:15:40,280 Speaker 1: sword on top of that. What do you mean safe? 160 00:15:41,680 --> 00:15:47,040 Speaker 1: It's safe from you? He's lying for When was I 161 00:15:47,160 --> 00:15:51,560 Speaker 1: anything but a gentleman? Uh? I asked your permission to 162 00:15:51,560 --> 00:15:55,840 Speaker 1: pay court to your daughter. I would I would never 163 00:15:56,440 --> 00:15:59,520 Speaker 1: do a thing to her, would you? And what did 164 00:15:59,560 --> 00:16:04,040 Speaker 1: I do? Ain't I been respectful? I know I ain't 165 00:16:04,120 --> 00:16:06,160 Speaker 1: much to look at it, but I am a good person. 166 00:16:06,280 --> 00:16:12,640 Speaker 1: Isn't that what matters? What's on the inside, Becky, Tell 167 00:16:12,680 --> 00:16:15,080 Speaker 1: her and make her understand that y'all need to stay here. 168 00:16:15,120 --> 00:16:20,040 Speaker 1: The fallouts coming down. We're inside now, that's it, noon 169 00:16:20,160 --> 00:16:23,640 Speaker 1: and we leave now, and you won't make it home alive. 170 00:16:23,840 --> 00:16:29,680 Speaker 1: We'll take her chances. So that's how it is. You'd 171 00:16:29,760 --> 00:16:35,440 Speaker 1: rather be dead than stay here with me? Gathering? No, no, no, no, 172 00:16:35,600 --> 00:16:38,560 Speaker 1: hold on a minute here, Becky. She don't have to 173 00:16:38,560 --> 00:16:41,400 Speaker 1: go if she don't want to. What it's her decision. 174 00:16:41,760 --> 00:16:45,120 Speaker 1: You're not serious, Becky, Come on now, maybe instead of 175 00:16:45,120 --> 00:16:46,920 Speaker 1: telling her what to do, you should let her make 176 00:16:46,960 --> 00:16:50,800 Speaker 1: her own. She's fifteen years old enough to choose. For 177 00:16:50,960 --> 00:16:55,320 Speaker 1: she's a child. I am not a child. Mother. It's 178 00:16:55,320 --> 00:16:58,280 Speaker 1: what I've been telling you for months. I'm a woman. 179 00:16:58,640 --> 00:17:01,200 Speaker 1: Shut your mouth with that kind of talk. You shut 180 00:17:01,360 --> 00:17:08,880 Speaker 1: your mouth. Let her choose. I'm her mother. Let her choose. 181 00:17:13,640 --> 00:17:16,080 Speaker 1: I would rather cut my own throat than stay here 182 00:17:16,160 --> 00:17:21,160 Speaker 1: with you. Noon In and Lorraine. I think now would 183 00:17:21,200 --> 00:17:28,160 Speaker 1: be a good time. What it is? So you put 184 00:17:28,240 --> 00:17:31,000 Speaker 1: them up to this? Shut up? I should have known 185 00:17:31,040 --> 00:17:37,240 Speaker 1: you're no count. Sit down, Dorry, give me the keys 186 00:17:37,280 --> 00:17:44,720 Speaker 1: to his truck. Mom, do it, I'll drive. Come here, Becky, 187 00:17:45,119 --> 00:17:48,920 Speaker 1: you hold the gun. No are you gonna shoot me? Becky? 188 00:17:49,800 --> 00:17:54,560 Speaker 1: If he moves pulled the trucker, don't hesitate You ever 189 00:17:54,600 --> 00:18:01,640 Speaker 1: shot a pump action twelve games before? No? Is it? Carton? 190 00:18:03,520 --> 00:18:08,320 Speaker 1: Is Sarah? Is there a shell in that chamber? Is 191 00:18:08,359 --> 00:18:12,600 Speaker 1: a safety? Own? Please stop talking. I'll go stare at 192 00:18:12,600 --> 00:18:17,440 Speaker 1: the truck. Never point a gun in a man now 193 00:18:22,080 --> 00:18:39,719 Speaker 1: head you make your call her, call him off his chase. 194 00:18:42,960 --> 00:18:55,200 Speaker 1: Don't know the funk? You don't. Blondie, come, gon't leave us. 195 00:19:00,160 --> 00:19:05,520 Speaker 1: I got hard. She's bread one. Can you hear me? 196 00:19:06,240 --> 00:19:13,480 Speaker 1: Come in? Ways are one. I'm inside of building, activating 197 00:19:13,520 --> 00:19:15,840 Speaker 1: me down a long corridor. If you can reach a 198 00:19:15,920 --> 00:19:19,000 Speaker 1: chest place and protect the hoobas but he died. I 199 00:19:19,000 --> 00:19:23,560 Speaker 1: don't think she's feels you were headed by Elden. There 200 00:19:23,680 --> 00:19:27,320 Speaker 1: nothing we can do. I'm trying. I'm trying to do 201 00:19:27,960 --> 00:19:35,679 Speaker 1: a thing to understand. I need no harm. Please, please, 202 00:19:36,640 --> 00:19:40,719 Speaker 1: I want you don't need to find my arms. I 203 00:19:40,720 --> 00:19:49,440 Speaker 1: am not your enemy. They have me strapped to a bed. 204 00:19:50,680 --> 00:19:55,560 Speaker 1: H Now they're pushing the bed, pushing me through your door. 205 00:19:59,119 --> 00:20:05,280 Speaker 1: It's a large there are other people here. Now wait 206 00:20:06,480 --> 00:20:16,359 Speaker 1: remember you turn animated a much smaller roam. I'm a 207 00:20:16,560 --> 00:20:25,640 Speaker 1: mathematical Supplisa's thanks, more serious. Thank we have any day? 208 00:20:27,040 --> 00:20:30,159 Speaker 1: Will you see your mother? Can you let me speak? 209 00:20:31,119 --> 00:20:35,200 Speaker 1: Will you listen? Allow me to wait? Mother? Mother activated 210 00:20:35,200 --> 00:20:42,680 Speaker 1: the translator, child sucking play, I'll be don't sin thinking 211 00:20:42,680 --> 00:21:00,359 Speaker 1: at amos samsa. My name is quiz all wine. I 212 00:21:00,480 --> 00:21:16,320 Speaker 1: come from another time. Wirrel that way. No, they're putting 213 00:21:16,359 --> 00:21:23,240 Speaker 1: some pa on my head, one side, one head, and 214 00:21:23,320 --> 00:21:29,840 Speaker 1: that they have what is wanted. Okay, caps they have tasing. 215 00:21:31,720 --> 00:21:42,200 Speaker 1: When my comples require require copy electrical. Give me a 216 00:21:42,280 --> 00:21:57,080 Speaker 1: chance to cool now that you're weird, give coming. No 217 00:21:57,200 --> 00:22:06,040 Speaker 1: one kill me. I don't want my baby. I don't want, 218 00:22:09,840 --> 00:22:18,680 Speaker 1: not even one year to hear me. No food that 219 00:22:20,080 --> 00:22:28,520 Speaker 1: your poor arms. You're gonna be fine, trying not to 220 00:22:28,600 --> 00:22:30,920 Speaker 1: touch your face. Now I have to get you to 221 00:22:30,960 --> 00:22:37,640 Speaker 1: a hospital. I want to go. Oh baby, I don't 222 00:22:37,680 --> 00:22:45,160 Speaker 1: think I need to walk. The family has painkillers. Take one. 223 00:22:45,920 --> 00:23:00,440 Speaker 1: That's it. Guess with here you're tune for you mm hmm. 224 00:23:02,520 --> 00:23:15,520 Speaker 1: Open your mouth until your head. Yeah. Can you swallowed that? Oh? 225 00:23:15,920 --> 00:23:27,560 Speaker 1: He swallowed m hm m hmm. Your house is still there, 226 00:23:28,640 --> 00:23:34,600 Speaker 1: the sweet We can't trust anything, he told us. How 227 00:23:34,880 --> 00:23:40,880 Speaker 1: we can't there. Well, I'll put you in my neck 228 00:23:41,840 --> 00:23:45,600 Speaker 1: and I'm care at least until we get to a 229 00:23:45,680 --> 00:23:55,920 Speaker 1: first aid station. H here we go, now ready? Oh 230 00:23:56,240 --> 00:24:02,200 Speaker 1: maybe you can do it. No you can't. You on 231 00:24:03,359 --> 00:24:11,000 Speaker 1: and leave it. Then lean over me. I don't care, babe, 232 00:24:11,960 --> 00:24:15,960 Speaker 1: I'm just like this. I'm gonna figure it down next 233 00:24:16,040 --> 00:24:25,359 Speaker 1: to mine. Let me carry you. Oh are you called sweetie? Yes? 234 00:24:26,280 --> 00:24:40,080 Speaker 1: I could never be women there eat sleep? You want 235 00:24:40,119 --> 00:24:46,600 Speaker 1: to sleep in your own bed, so he said, yeah, 236 00:24:48,280 --> 00:24:52,680 Speaker 1: I don't see why not like that. I think it 237 00:24:52,800 --> 00:24:55,240 Speaker 1: would do you a world of good. Do he to 238 00:24:55,400 --> 00:25:00,119 Speaker 1: be back in your bad hand, in your room, just 239 00:25:00,240 --> 00:25:19,760 Speaker 1: like before, like happier times. Oh we're home. I'm gonna 240 00:25:21,400 --> 00:25:24,440 Speaker 1: I'm gonna try and get you up the steps and 241 00:25:24,520 --> 00:25:29,000 Speaker 1: into your better Okay, just hold on to me the 242 00:25:29,080 --> 00:25:36,679 Speaker 1: best you can. I'm gonna take it nice and slow. Okay, 243 00:25:37,760 --> 00:25:42,680 Speaker 1: I'm gonna be easy. I'm gonna easier. Back onto the 244 00:25:42,720 --> 00:25:47,479 Speaker 1: bed and lie you back. This may hurt a little bit. 245 00:25:51,280 --> 00:26:08,280 Speaker 1: Ah your home, baby, you're cold. I'm gonna I'm gonna 246 00:26:08,320 --> 00:26:11,240 Speaker 1: make you a cup of tea if the guess is 247 00:26:11,280 --> 00:26:15,760 Speaker 1: still on them. Thank you a nice warm a cup 248 00:26:15,800 --> 00:26:20,760 Speaker 1: of tea with honey, and you can get a good sleep. 249 00:26:21,119 --> 00:26:26,960 Speaker 1: How does that sound here? Put this pill under your tongue. 250 00:26:29,800 --> 00:26:38,199 Speaker 1: You don't have to swallow it, just just let it dissolve. Now, 251 00:26:38,200 --> 00:26:44,520 Speaker 1: I'll bring a washcloth and get you cleaned up. I'm 252 00:26:44,560 --> 00:26:48,560 Speaker 1: gonna make a nice cup of tea for both of us, 253 00:26:49,400 --> 00:26:59,120 Speaker 1: honey and I. The kettle warms, I'm gonna I'm gonna 254 00:26:59,200 --> 00:27:01,399 Speaker 1: sit down and put my head down for just a 255 00:27:01,480 --> 00:27:09,120 Speaker 1: minute and close my eyes. I'm gonna rest, but only 256 00:27:09,200 --> 00:27:20,880 Speaker 1: for a moment until the water boils. Ah ah ah. 257 00:27:22,800 --> 00:27:26,359 Speaker 1: I'm Helen Huntley, and I thank you again for letting 258 00:27:26,400 --> 00:27:30,400 Speaker 1: me visit in your home, your community, shelter, or automobile. 259 00:27:31,119 --> 00:27:33,360 Speaker 1: A lot of you know me from my daytime talk 260 00:27:33,400 --> 00:27:36,359 Speaker 1: show that was broadcast every morning on w e A 261 00:27:36,720 --> 00:27:39,720 Speaker 1: l t V twelve right here in New Canaan. And 262 00:27:39,800 --> 00:27:43,080 Speaker 1: I've also been a radio personality for years on a 263 00:27:43,400 --> 00:27:47,159 Speaker 1: M eleven sixty. That's where you could always find me 264 00:27:47,720 --> 00:27:51,800 Speaker 1: when there wasn't a national emergency. Remember that, because this 265 00:27:52,000 --> 00:27:55,720 Speaker 1: will all be over soon. And when it is, I'll 266 00:27:55,760 --> 00:27:58,960 Speaker 1: expect you to change your dials to a M eleven 267 00:27:59,160 --> 00:28:02,280 Speaker 1: sixty and if you are fortunate enough to have a 268 00:28:02,359 --> 00:28:07,120 Speaker 1: working television channel twelve and this will be over soon. 269 00:28:07,640 --> 00:28:11,879 Speaker 1: I promise you that no bombs have been dropped on 270 00:28:11,920 --> 00:28:16,040 Speaker 1: American soil. It is all a hoax perpetrated by the 271 00:28:16,160 --> 00:28:22,680 Speaker 1: US government to test your what the hell and dangerous 272 00:28:22,760 --> 00:28:26,680 Speaker 1: experiment performed without your consent and at great personal riff. 273 00:28:26,760 --> 00:28:29,200 Speaker 1: Come m did you hear what she said? She said 274 00:28:29,240 --> 00:28:31,960 Speaker 1: there are no bombs something do such a thing? Will? 275 00:28:31,960 --> 00:28:37,240 Speaker 1: Would you be illegal to tell everyone? Test us? Quiet, 276 00:28:37,280 --> 00:28:42,800 Speaker 1: both of you. Let's listen channels. Do you think it's 277 00:28:42,880 --> 00:28:46,080 Speaker 1: true what she said? Do you really think there's no something? 278 00:28:46,560 --> 00:28:51,200 Speaker 1: Something's happening? Now? This is Johnny Cage. I'd like all 279 00:28:51,240 --> 00:28:54,560 Speaker 1: of you to remember that America can withstand enemy attack 280 00:28:57,160 --> 00:29:02,000 Speaker 1: community and learned the hip hours. It concerns a top 281 00:29:02,080 --> 00:29:05,520 Speaker 1: secret government operation that's being run by the Office of 282 00:29:05,680 --> 00:29:09,400 Speaker 1: Civil Defense and Connell Rad, the U S military, and 283 00:29:09,600 --> 00:29:13,000 Speaker 1: state and local government. They are all all right. I've 284 00:29:13,040 --> 00:29:15,920 Speaker 1: had about enough of this horse ship Robert soundly all 285 00:29:15,960 --> 00:29:19,840 Speaker 1: clear apples, wait and get the power back on. We 286 00:29:19,920 --> 00:29:22,360 Speaker 1: can't just stop it. Tell Connell Rad to sound the 287 00:29:22,400 --> 00:29:25,160 Speaker 1: all clear. The full scale evacuation to its that were 288 00:29:25,360 --> 00:31:00,480 Speaker 1: held in major cities. This is ex is h m hmm. 289 00:31:03,880 --> 00:31:11,560 Speaker 1: Can I come in? I made us some tea. Princess 290 00:31:13,880 --> 00:31:18,280 Speaker 1: Baby made you some tea? Do you want to try it? 291 00:31:20,240 --> 00:31:23,560 Speaker 1: Let me now, let me just just hold the cup 292 00:31:23,640 --> 00:31:28,000 Speaker 1: up your lips. See if it's something you'd like a 293 00:31:28,120 --> 00:32:00,000 Speaker 1: little taste up you. No, No, it's cold, baby m m. 294 00:32:09,160 --> 00:32:15,400 Speaker 1: The Control Group is a production of iHeart Radio, written 295 00:32:16,000 --> 00:32:22,320 Speaker 1: and directed by Brett Wood, recorded and mixed by Rob 296 00:32:22,800 --> 00:32:34,920 Speaker 1: gal featuring Tess Malice Kincaid, Alexandra Vicken, Hannah Berman, Minka Wilts, 297 00:32:35,640 --> 00:32:44,320 Speaker 1: Mary Kraft, Tim Habigger and Keith Brooks. Music composed and 298 00:32:45,040 --> 00:32:53,600 Speaker 1: performed by Rob Gaal. The executive producer is Ben Bolin, 299 00:32:54,600 --> 00:32:57,960 Speaker 1: Supervising producer Paul Decade.