WEBVTT - Damon Young: A Very Smart Brotha

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<v Speaker 1>This episode is sponsored by FX's Fleischman Is in Trouble,

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<v Speaker 1>starring Jesse Eisenberg, Claire Danes, Lizzie Kaplan, and Adam Brodie.

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<v Speaker 1>The strama tells the story of recently divorced Toby Fleischmann,

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<v Speaker 1>who dies into the world of app bass dating with

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<v Speaker 1>the kind of success he never had in his youth.

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<v Speaker 1>Then his ex wife disappears, leaving him with their two

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<v Speaker 1>children and no hint of her return. Effexus Fleischman is

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<v Speaker 1>in Trouble, streaming November seventeenth only on Hulu. Welcome to

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<v Speaker 1>p M Mood then No Talking Points, No Bullshit podcast

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<v Speaker 1>that takes you behind the curtain, off the red carpet,

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<v Speaker 1>and to the front lines of progress with change makers

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<v Speaker 1>and innovators that are doing the work to shift our

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<v Speaker 1>culture and expand and our social impact. I am thrilled

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<v Speaker 1>to welcome to p M Mood, the co founder of

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<v Speaker 1>the Very Smart Brothers dot com and the author of

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<v Speaker 1>What Doesn't Kill You Makes You Blacker? Damon, Young Damon.

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<v Speaker 1>Thank you so much for joining me. Oh thanks thanks

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<v Speaker 1>for having me. This is um This is a pleasure

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<v Speaker 1>in a treat breaking up, breaking up the monotone same

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<v Speaker 1>thing all day, every breaking up. Yeah, this is great.

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<v Speaker 1>We're breaking up the groundhogs a day. Um. So you

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<v Speaker 1>have a new book. Um, what doesn't kill you, kill

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<v Speaker 1>you make you see you blacker? Which apparently I'm gonna

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<v Speaker 1>need the T shirt, I'm gonna need the hat. I'm

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<v Speaker 1>gonna need a jacket. Um, I'm gonna need a mask

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<v Speaker 1>now for them. That says it. Um, tell me about

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<v Speaker 1>the title of this book and the theme behind it,

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<v Speaker 1>because for me now reading it and and and seeing it,

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<v Speaker 1>it has different feelings I'm sure from when you wrote

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<v Speaker 1>it until now when it's coming out. So tell me

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<v Speaker 1>about it. Um. So the book is about the an

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<v Speaker 1>anxiety and absurdity of existing more black in America. Um.

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<v Speaker 1>And so it's um the title actually, so there's it's

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<v Speaker 1>a funny story about the title because the original title

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<v Speaker 1>when I sold a proposal, and you know, with written

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<v Speaker 1>a proposal, told a proposal, and you did all of

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<v Speaker 1>that and actually had worked on it for for for

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<v Speaker 1>about a few months. M post proposal was Nigga the Roses.

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<v Speaker 1>And I want to make sure I'm pronouncing that right

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<v Speaker 1>because my accent maybe gets a little heavy sometimes and

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<v Speaker 1>I have a thick tongue. So people think I'm saying

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<v Speaker 1>Nigga in the roses because I've actually been printed transcripts

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<v Speaker 1>of interviews where people thought, that's it, Nigga in the roses, Like, no,

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<v Speaker 1>that's like a two put pro that's not. But um

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<v Speaker 1>so yeah, the original title was Nigga the roses, which

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<v Speaker 1>is a term that encapsulates the state of being where

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<v Speaker 1>you're professionally wondering how your race may have impacted your treatment.

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<v Speaker 1>So it could it could be something innoculous like you're

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<v Speaker 1>at a restaurant and the server you order breakfast food

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<v Speaker 1>and the server asks you if you want hot size

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<v Speaker 1>with your food, and you're thinking, like, who puts off

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<v Speaker 1>off some pancakes? Like she just this assumption And again

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<v Speaker 1>that's not. That's not like a dangerous thing for that

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<v Speaker 1>that is the thing. And then it could become dangerous

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<v Speaker 1>when you know you following a police and you're wondering, okay,

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<v Speaker 1>is this cop follow me in my car because I'm black?

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<v Speaker 1>And in the Bulk, I have a chapter about my

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<v Speaker 1>mom where I, um, you know, I talk about her.

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<v Speaker 1>He died it'll be seven years and in October, and

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<v Speaker 1>how I questioned whether her treatment because she died of

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<v Speaker 1>lung cancer. Would have been different if she were she

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<v Speaker 1>was black. So so again Nigga ne roses. That was

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<v Speaker 1>the concept, that was the title. And then my editor

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<v Speaker 1>at at Harpercollums talking to her people at Barnes Noble

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<v Speaker 1>and her people at Amazon, who were like, you know,

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<v Speaker 1>we love Damon, can't wait for his book, but I

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<v Speaker 1>don't We could carry a book with that title, but

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<v Speaker 1>I don't know if we get promoted the same way,

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<v Speaker 1>like we can't have Nigga on like seventy two point

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<v Speaker 1>on banner edge on the top of the page of

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<v Speaker 1>the site. Um. And and so I heard that, and

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<v Speaker 1>then you know, I had to think of a new title.

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<v Speaker 1>And I was actually on the plane the essencest in

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<v Speaker 1>twenty eighteen, UM, working on some of the working on

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<v Speaker 1>some of the dialog text and what doesn't kill You

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<v Speaker 1>makes you black or dis academy and um in that term.

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<v Speaker 1>Just if you're black in America right now, at this point,

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<v Speaker 1>you should recognize, you should know by now that respectability

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<v Speaker 1>is a fucking road right, and that there's no sort

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<v Speaker 1>of like behavioral deodorant that you can wear that you

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<v Speaker 1>can apply to get people to convince people of your

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<v Speaker 1>humanity or your citizenship, like anyone who needs us. So

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<v Speaker 1>they're convincing, it's proof that they can't be convinced or

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<v Speaker 1>why even try, And so what doesn't to make the

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<v Speaker 1>blacker is basically an acknowledgement of that and also saying,

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<v Speaker 1>you know what, if we want to survive, if we

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<v Speaker 1>want to survive, if we want to exist here, we

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<v Speaker 1>have to continue to embrace blackness instead of trying to simulate,

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<v Speaker 1>trying to, I don't know, flatten ourselves out, you know,

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<v Speaker 1>the then embracing the saunching and blackness is the way

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<v Speaker 1>to go. And that, let me ask you, because embracing

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<v Speaker 1>blackness means so many different things to so many different

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<v Speaker 1>black people, right. You know, there are sites that celebrate

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<v Speaker 1>there are all different kinds of sites melanin magic, black girl, magic,

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<v Speaker 1>black boy joy, all of these different types of things

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<v Speaker 1>that are set up to give us positive representation of what,

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<v Speaker 1>you know, what is considered a revolutionary act, which is

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<v Speaker 1>to be proud of being black, right instead of walking

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<v Speaker 1>around with your head bowed and literally stepping off the

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<v Speaker 1>sidewalk to make room figuratively and literally for other people.

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<v Speaker 1>So what does it mean for you when you say

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<v Speaker 1>that to embrace your blackness. Well, you know, I forgot

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<v Speaker 1>who it was with this quote. And I'm paraphrasing here,

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<v Speaker 1>but if there are forty million black Americans, than there

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<v Speaker 1>are forty million ways to be a black American? Right, um?

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<v Speaker 1>And and and also too, I I I try to

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<v Speaker 1>be very careful to to to articulate the idea that

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<v Speaker 1>the reality that you know, so do you have this

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<v Speaker 1>entire concept that that's pretty trendy now being unapologetically black?

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<v Speaker 1>You just you know, alluded to it. It's now your

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<v Speaker 1>question where you know you got to be unapologetically? This

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<v Speaker 1>is unapologetically that what does that look like? And I

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<v Speaker 1>recognize that for someone like me, I have more freedom

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<v Speaker 1>to say and do certain things than someone who maybe

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<v Speaker 1>worked at the bank does or some other sort of

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<v Speaker 1>corporate or more traditional you know, you know, job of environment.

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<v Speaker 1>And so are they are they less unapologized if they

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<v Speaker 1>can't go on Twitter and cust Donald Trump out like

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<v Speaker 1>I can, you know what I mean? And and and

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<v Speaker 1>that's and that's just not that's it's not true. And

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<v Speaker 1>I think that what I mean by that and what

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<v Speaker 1>anyone you know who who has like any sort of

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<v Speaker 1>understanding of history and just and just in the present

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<v Speaker 1>also and just just what that means, what has meant

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<v Speaker 1>to us. It just means not thinking of your blackness

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<v Speaker 1>as like a detriment or a lack of bithology, and

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<v Speaker 1>considering it to be this is, this is, this is

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<v Speaker 1>a positive, that this is a great thing. Now how

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<v Speaker 1>that great same manifest depends on who you are, depends

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<v Speaker 1>on your life. But you know, we we we're indoctrinated,

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<v Speaker 1>you know, with all of this messaging about you know,

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<v Speaker 1>black being bad, black being disease, black being wrong and

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<v Speaker 1>be not unapologetic. M extracts that, you know, abstracts that

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<v Speaker 1>anti blackness, and and once the astraction happened, then you're

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<v Speaker 1>free to be whoever you want to be. You know,

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<v Speaker 1>that attraction, that extraction is. It's difficult because you know,

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<v Speaker 1>even people, I mean, I still find myself maybe thinking

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<v Speaker 1>or doing things that I think to myself, you know

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<v Speaker 1>that there might have been some late in the air

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<v Speaker 1>blackness and there M I get really, you know, still

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<v Speaker 1>in this day age twenty twenty, even though it's a

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<v Speaker 1>fuckery every year, Um, it drives me insane, like hurts

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<v Speaker 1>my heart when I see headlines about young children still

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<v Speaker 1>being suspended for natural hair. The video that went viral

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<v Speaker 1>in twenty nineteen of the young black wrest who was

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<v Speaker 1>forced to cut off his locks so that he could

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<v Speaker 1>play in the championship match. Um the prescriptions that uh

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<v Speaker 1>A elementary school put out in a black neighborhood, policing

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<v Speaker 1>how parents were dropping their kids off. No no do rags,

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<v Speaker 1>no head scarves, no this that or the other thing.

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<v Speaker 1>And you know, friends that I've had that have attended

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<v Speaker 1>HBCUs have talked about the respectabild that that's the birthplace

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<v Speaker 1>in some in some aspects their words, not mine of

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<v Speaker 1>respectability politics, and other folks saying, well, then you have

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<v Speaker 1>to understand who created those HBCUs, right, Who who created

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<v Speaker 1>those those spaces. And even though we say that if

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<v Speaker 1>there are forty million black people, there are forty million

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<v Speaker 1>ways to be black, there is this mainstream way of

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<v Speaker 1>being black or what is accepted as black. I can remember,

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<v Speaker 1>you know, I grew up out East on Long Island

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<v Speaker 1>in New York. And you know, as part of when

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<v Speaker 1>I was growing up, very heavy grunge scene, punk scene, skateboarders,

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<v Speaker 1>like that's what I That's what I grew up around

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<v Speaker 1>in the suburbs. I remember going to college and being

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<v Speaker 1>told because of the music that I liked that I

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<v Speaker 1>wasn't black, right. I still get joked on in in

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<v Speaker 1>many ways because Depeche Mode was the first concert I

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<v Speaker 1>ever went to. Um and you know, and so it

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<v Speaker 1>it's like, is it worse that we sometimes within the

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<v Speaker 1>community do it to ourselves, or is it worse that

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<v Speaker 1>we are trying to move against the reflection that society

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<v Speaker 1>has for us that white and eurocentric is the best.

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<v Speaker 1>I mean, the thing about, you know, doing it to ourselves.

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<v Speaker 1>None of us are men to to to the Leviathan

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<v Speaker 1>of anti blackness, um. None of us are me in

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<v Speaker 1>the bad you know, um and and and it sus

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<v Speaker 1>all aspects of like wherever the sunshine in America? Anti

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<v Speaker 1>blackness of too, and and so it takes a lot.

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<v Speaker 1>It takes It takes some effort, It takes some some reading,

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<v Speaker 1>It takes some self examination. It takes them deconstructing to

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<v Speaker 1>be able to locate it, you know, and extract it.

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<v Speaker 1>I mean, if we I hate to use the cancer

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<v Speaker 1>analogy because you know, I don't want to be insensitive

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<v Speaker 1>to people who have had cancer, but I think of

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<v Speaker 1>it in a similar manner where it's a it's a

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<v Speaker 1>tumor that will continue to grow and men test size,

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<v Speaker 1>you know, unless you are able to do with singing it. So,

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<v Speaker 1>you know, hearing stories about younger black people who might

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<v Speaker 1>have been told they were weren't black enough for or

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<v Speaker 1>this or that. You know, I've heard that before. And

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<v Speaker 1>I understand that too, because because again that that definitely

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<v Speaker 1>definitely has happened, definitely does happen, but it's not I

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<v Speaker 1>think the danger and and and I think the dangerous

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<v Speaker 1>takeaway from that is to blame black people for that,

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<v Speaker 1>um just because again, anti blackness is it's everywhere, and

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<v Speaker 1>even some of the most you know, I don't know

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<v Speaker 1>even in them, even if some of the most unambiguously

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<v Speaker 1>pro black people and I'm saying pro black in quotations

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<v Speaker 1>have anti blackness kind of streams. And so the question,

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<v Speaker 1>I think or or the problem isn't necessarily black people

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<v Speaker 1>who you know, have these um have these like like

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<v Speaker 1>binaries of blackness, these really limited um and calculations of

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<v Speaker 1>what it means to be black. But the problem is

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<v Speaker 1>a greater you know, society, greater country um that has

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<v Speaker 1>forced those definitions on us and has forced that rigidity,

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<v Speaker 1>and it's also created an environment where we have to

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<v Speaker 1>fear for our lives and so and in order to

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<v Speaker 1>respond to that sort of danger, you do or say

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<v Speaker 1>certain things that people believe will protect you, right, And

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<v Speaker 1>so that's why you know, when you're talking about like

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<v Speaker 1>the HBCUs and people you know maybe be intot a

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<v Speaker 1>certain way and where those lessons came from, you do,

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<v Speaker 1>you know, have to understand or knowledge at least that

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<v Speaker 1>many of those architects came of age at a time

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<v Speaker 1>when it was legitimately life thread you just exist just

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<v Speaker 1>a little black yeah, and you know, yeah, those same

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<v Speaker 1>threats exist now, but it's it's it's just not the same.

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<v Speaker 1>This scale is not the same. And also there were

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<v Speaker 1>you know, they were very radical people then people who

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<v Speaker 1>would still be considered radical in twenty first into your context,

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<v Speaker 1>but the definition of radical chefs, I think, so what

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<v Speaker 1>might have been radical in nineteen twenty isn't going to

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<v Speaker 1>be radical and desotment twenty But it doesn't mean that

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<v Speaker 1>they aren't radical. You know, you're a father, and I

0:15:50.880 --> 0:15:53.280
<v Speaker 1>mean your Facebook posts give me life because I think

0:15:53.280 --> 0:15:58.920
<v Speaker 1>they're just so freaking hilarious. Um, what does it mean

0:15:59.280 --> 0:16:03.760
<v Speaker 1>for you, like when you were in the in the

0:16:03.840 --> 0:16:07.400
<v Speaker 1>early early stages of fatherhood, when you knew that you

0:16:07.440 --> 0:16:10.200
<v Speaker 1>were going to become a father, what are some of

0:16:10.200 --> 0:16:16.960
<v Speaker 1>the things as a black man right in America creating

0:16:17.640 --> 0:16:21.080
<v Speaker 1>this black family that came up for you that you

0:16:21.120 --> 0:16:23.760
<v Speaker 1>wanted to make sure that either you were going to

0:16:23.880 --> 0:16:29.320
<v Speaker 1>pivot away from or lean all the way into. Yeah,

0:16:29.440 --> 0:16:35.240
<v Speaker 1>it's um. So the last chapter mable Um is addressed

0:16:35.240 --> 0:16:39.800
<v Speaker 1>to my daughter sum who it's four years old now,

0:16:39.840 --> 0:16:44.200
<v Speaker 1>but when the book was published three yeah last year,

0:16:44.280 --> 0:16:48.520
<v Speaker 1>so yes, he was three. I'm a band Americum. And

0:16:48.720 --> 0:16:55.520
<v Speaker 1>the chapter is about just and I think you know

0:16:55.640 --> 0:16:59.160
<v Speaker 1>most parents have this where you have a child and

0:16:59.400 --> 0:17:02.760
<v Speaker 1>you wanted her out a way to give them all

0:17:02.840 --> 0:17:08.200
<v Speaker 1>the best parts of you while also kind of kind

0:17:08.200 --> 0:17:14.120
<v Speaker 1>of filtering out the bad part. You know, you want her,

0:17:14.359 --> 0:17:17.040
<v Speaker 1>you know, auto attributes that you believe to be the

0:17:17.040 --> 0:17:19.320
<v Speaker 1>one that you want to brag about, the ones that

0:17:19.440 --> 0:17:21.840
<v Speaker 1>you want to continue on. Those are the ones you

0:17:21.880 --> 0:17:24.720
<v Speaker 1>want her to have. What your children have in the

0:17:24.800 --> 0:17:29.960
<v Speaker 1>bad things, maybe the addictions or the anti blackness or

0:17:30.000 --> 0:17:33.200
<v Speaker 1>whatever that you consider to be a negative part of you.

0:17:33.200 --> 0:17:35.360
<v Speaker 1>You don't want your kids have that. But it's kind

0:17:35.359 --> 0:17:38.480
<v Speaker 1>of impossible to do that. You know your kids are

0:17:38.640 --> 0:17:42.160
<v Speaker 1>going to witness you, they're going to observe you, they're

0:17:42.160 --> 0:17:47.199
<v Speaker 1>going to um model themselves after you, and so you

0:17:47.280 --> 0:17:49.679
<v Speaker 1>just have to do the best job because possible to do.

0:17:50.560 --> 0:17:52.320
<v Speaker 1>They're rare in the right way, and teach her the

0:17:52.400 --> 0:17:56.000
<v Speaker 1>right way. And when you have a black child in America,

0:17:56.560 --> 0:18:01.439
<v Speaker 1>there's also the idea like, okay, so yeah, you know,

0:18:01.480 --> 0:18:05.520
<v Speaker 1>you teach your children that they could be whoever in

0:18:05.680 --> 0:18:11.920
<v Speaker 1>whatever they want to be. But if you also teach

0:18:11.960 --> 0:18:15.840
<v Speaker 1>your black child about America, about this four hundred of

0:18:15.880 --> 0:18:17.800
<v Speaker 1>year old behem, if that is going to do everything

0:18:17.800 --> 0:18:20.560
<v Speaker 1>you can for thank you for filling that. Those two

0:18:20.640 --> 0:18:25.640
<v Speaker 1>lessons might seem to contradict, right, It's like, on one hand,

0:18:25.640 --> 0:18:27.680
<v Speaker 1>oh yeah, Dad, You're you're saying I could do everything

0:18:27.720 --> 0:18:29.560
<v Speaker 1>I want to I could be everything I want to be.

0:18:29.960 --> 0:18:33.680
<v Speaker 1>But you're also saying America is a motherfuck the monster,

0:18:35.160 --> 0:18:38.120
<v Speaker 1>and it's it's gonna have its foot on my neck

0:18:38.440 --> 0:18:41.320
<v Speaker 1>for basically my entire life once once I came out

0:18:41.320 --> 0:18:44.880
<v Speaker 1>of toddlerhood, I'm gonna have its foot on my neck.

0:18:45.160 --> 0:18:49.120
<v Speaker 1>And so how did those in a chapter? I ask

0:18:49.200 --> 0:18:53.920
<v Speaker 1>myself it's like, how did those lessons for reconcile? And

0:18:53.600 --> 0:18:55.840
<v Speaker 1>and and you know, as a parent, what you do

0:18:56.080 --> 0:18:58.479
<v Speaker 1>is you just give your child as much information as

0:18:58.520 --> 0:19:03.240
<v Speaker 1>possible and you tell them that, you know what, Yes,

0:19:03.400 --> 0:19:07.320
<v Speaker 1>America is the way America is. But it's not going

0:19:07.359 --> 0:19:11.920
<v Speaker 1>to stop you. It's not going to prevent you from

0:19:11.920 --> 0:19:13.920
<v Speaker 1>being what you want to do, what you want to

0:19:13.960 --> 0:19:21.919
<v Speaker 1>do it. You know, I just it's I don't have kids,

0:19:22.000 --> 0:19:26.880
<v Speaker 1>but you know, when I see my friends who are black,

0:19:27.520 --> 0:19:32.800
<v Speaker 1>um preparing to give birth or or raising their kids,

0:19:33.400 --> 0:19:38.119
<v Speaker 1>it seems like there is this constant refrain, right, which is,

0:19:38.600 --> 0:19:41.879
<v Speaker 1>how do I protect them but make sure that like

0:19:42.119 --> 0:19:45.159
<v Speaker 1>their back is always straight right, and their chin is

0:19:45.200 --> 0:19:47.800
<v Speaker 1>always up, and their shoulders are always back, and they

0:19:47.840 --> 0:19:50.560
<v Speaker 1>know who they are, but they also know where they

0:19:50.600 --> 0:19:57.040
<v Speaker 1>are right. And I think that for many it is

0:19:57.080 --> 0:20:00.480
<v Speaker 1>just that constant push and pull. You know, one of

0:20:00.480 --> 0:20:06.920
<v Speaker 1>the chapters, I guess, the your Um opening one about

0:20:07.359 --> 0:20:10.760
<v Speaker 1>waiting to be called wanting looking to be called a

0:20:10.840 --> 0:20:16.560
<v Speaker 1>nigger and you're, you know, you're seventeen, and you're and

0:20:16.640 --> 0:20:19.560
<v Speaker 1>you're you know, reflecting on that and I remember the

0:20:19.600 --> 0:20:22.479
<v Speaker 1>first time that I was called a nigger, and I

0:20:22.560 --> 0:20:26.080
<v Speaker 1>was sixteen, and I was at school in a you know,

0:20:26.280 --> 0:20:31.120
<v Speaker 1>in my in my ap government in history class, and

0:20:32.200 --> 0:20:36.159
<v Speaker 1>I remember coming home and saying to my mother, I

0:20:36.200 --> 0:20:39.720
<v Speaker 1>don't understand how this happened, Like I thought that racism

0:20:39.840 --> 0:20:42.560
<v Speaker 1>was dead. And my mother looked at me and was

0:20:42.600 --> 0:20:45.240
<v Speaker 1>just like, oh, my god, I have done you the

0:20:45.280 --> 0:20:49.760
<v Speaker 1>greatest disservice. Right. That's why I will I will never

0:20:49.800 --> 0:20:52.199
<v Speaker 1>forget that for as long as I live, that she

0:20:52.440 --> 0:20:56.560
<v Speaker 1>was so appalled at the fact that she had reared

0:20:56.640 --> 0:21:00.120
<v Speaker 1>me and raised me in this wide ass suburb of

0:21:00.119 --> 0:21:03.840
<v Speaker 1>of Long Island. Uh. And I was supposed to then

0:21:04.119 --> 0:21:08.440
<v Speaker 1>just assume that, you know, I wasn't supposed to be

0:21:09.400 --> 0:21:11.919
<v Speaker 1>entitled like everybody else was. I wasn't supposed to have

0:21:12.000 --> 0:21:15.200
<v Speaker 1>the things that they have, um and think of myself

0:21:15.240 --> 0:21:17.400
<v Speaker 1>in the same way and carry myself in the same

0:21:17.440 --> 0:21:20.080
<v Speaker 1>way that they did. That like the world was my oyster.

0:21:21.359 --> 0:21:24.959
<v Speaker 1>And so when I was reading, you know, it's just

0:21:25.040 --> 0:21:28.840
<v Speaker 1>like what was the what was the feeling there? And

0:21:28.880 --> 0:21:30.680
<v Speaker 1>I loved and I love the way that you talked

0:21:30.720 --> 0:21:33.640
<v Speaker 1>about your your your parents and their use of the word.

0:21:33.680 --> 0:21:36.320
<v Speaker 1>And there's always you know, you go back and forth

0:21:36.359 --> 0:21:39.919
<v Speaker 1>between like the Oprah generation and the younger generations and

0:21:40.000 --> 0:21:43.600
<v Speaker 1>the interpretation um of the word and the phrasing and

0:21:43.680 --> 0:21:47.320
<v Speaker 1>hip hop and this that and the other thing. What was?

0:21:47.640 --> 0:21:51.600
<v Speaker 1>What was? Tell? Tell folks, who who are you know?

0:21:51.760 --> 0:21:56.520
<v Speaker 1>Picking up picking up the book about that chapter? Oh

0:21:56.560 --> 0:22:02.399
<v Speaker 1>when um my agent Karya McKinnon um first um brought

0:22:02.480 --> 0:22:07.240
<v Speaker 1>up first approachman um with the idea to invite a memoir,

0:22:08.920 --> 0:22:13.320
<v Speaker 1>m I kind of pushed back a bit because I

0:22:13.920 --> 0:22:19.280
<v Speaker 1>that wasn't my idea. My original idea for this book

0:22:19.320 --> 0:22:22.840
<v Speaker 1>would be a group of essays kind of similar in structure,

0:22:23.000 --> 0:22:27.119
<v Speaker 1>in form, and theme and content to how vsp is.

0:22:28.000 --> 0:22:30.840
<v Speaker 1>Where let's say you have one chapter that's that's like

0:22:30.960 --> 0:22:35.679
<v Speaker 1>a deconstruction of a white privilege, and then you have

0:22:35.720 --> 0:22:39.000
<v Speaker 1>another chapter that's like a really in depth book spas

0:22:39.200 --> 0:22:41.680
<v Speaker 1>or something, you know what I mean, another chapter about

0:22:41.720 --> 0:22:45.440
<v Speaker 1>Kanye or you know, there's a book of essays about

0:22:45.480 --> 0:22:48.119
<v Speaker 1>you know, different topics, some of them silly, some of

0:22:48.119 --> 0:22:53.399
<v Speaker 1>them not as silly, more sober but not really not

0:22:53.520 --> 0:22:56.800
<v Speaker 1>really connected to me, more connected to my five and

0:22:57.280 --> 0:23:01.479
<v Speaker 1>ability when connect to me. And she was like, you know,

0:23:03.280 --> 0:23:05.639
<v Speaker 1>I think that would be a great idea, but I

0:23:05.640 --> 0:23:07.840
<v Speaker 1>think an even better one for you is to write

0:23:07.840 --> 0:23:13.600
<v Speaker 1>the story about you, about your life and about you know,

0:23:13.640 --> 0:23:17.480
<v Speaker 1>all the vulnerabilities and anxieties and acts and insecurities and

0:23:17.560 --> 0:23:20.280
<v Speaker 1>all that that come with it. And then you can

0:23:20.280 --> 0:23:26.879
<v Speaker 1>insert those cultural and racial insight and observations into that narrator.

0:23:28.240 --> 0:23:32.600
<v Speaker 1>And so I agree because she's smarter than me and um.

0:23:33.080 --> 0:23:37.520
<v Speaker 1>And so when I when I first sat down to

0:23:37.560 --> 0:23:41.000
<v Speaker 1>write this book, first started thinking about it, that story

0:23:41.040 --> 0:23:44.359
<v Speaker 1>about my parents that's in that first chapter was like

0:23:44.440 --> 0:23:47.840
<v Speaker 1>I have, it's basically like the fullcirm of the book,

0:23:49.160 --> 0:23:52.879
<v Speaker 1>because you know, for people haven't read I start the book,

0:23:53.359 --> 0:23:57.480
<v Speaker 1>first chapter starts with a story where my parents are

0:23:57.560 --> 0:24:01.560
<v Speaker 1>like racial harassed. I like this deli Pittsburg, you know,

0:24:02.119 --> 0:24:06.880
<v Speaker 1>white boy behind a counter caused them niggers. My dad

0:24:06.960 --> 0:24:09.800
<v Speaker 1>fights them, my mom is there, and my grandmother's there.

0:24:09.880 --> 0:24:13.320
<v Speaker 1>They're throwing them like they're breaking glass. They're like there's

0:24:13.400 --> 0:24:16.920
<v Speaker 1>like there's olives everywhere and pepperoni, even ice cream. It's

0:24:16.920 --> 0:24:22.200
<v Speaker 1>like they basically cause a race ride. Okay, they get arrested,

0:24:23.440 --> 0:24:28.040
<v Speaker 1>but then they get let go by a black sergeant

0:24:28.240 --> 0:24:30.600
<v Speaker 1>or whatever who takes a look at them. It's like,

0:24:30.600 --> 0:24:32.400
<v Speaker 1>you know what y'all are racey harassed, so you could

0:24:32.440 --> 0:24:36.520
<v Speaker 1>go home, And I said, And my parents are the

0:24:36.560 --> 0:24:40.639
<v Speaker 1>sort of people who like their story, you know, so barbecue's,

0:24:40.640 --> 0:24:46.080
<v Speaker 1>birthday parties, wedding receptions, cook outs, whatever, They're always telling

0:24:46.119 --> 0:24:50.280
<v Speaker 1>the story about this time, this amazing story. And so

0:24:50.520 --> 0:24:53.479
<v Speaker 1>I'm like eight, nineteen years old here in the story

0:24:53.600 --> 0:24:55.920
<v Speaker 1>all the time. But I had never been called a

0:24:55.960 --> 0:25:00.080
<v Speaker 1>nigger before, but I kind of wanted to just I

0:25:00.160 --> 0:25:04.159
<v Speaker 1>would have a cool story, like my parents said, And

0:25:04.200 --> 0:25:06.600
<v Speaker 1>then it became like this sort of thing where it's like, yo,

0:25:06.760 --> 0:25:10.320
<v Speaker 1>what am I? And again, this is me as like

0:25:10.359 --> 0:25:14.000
<v Speaker 1>a eleven twelve an adolescent, as a young as a

0:25:14.000 --> 0:25:19.120
<v Speaker 1>as a young teenager, questioning whether I was like black enough,

0:25:19.880 --> 0:25:22.480
<v Speaker 1>whether white people considered me black enough to be called anager,

0:25:23.560 --> 0:25:26.879
<v Speaker 1>and then just the absurdity of like of even thinking

0:25:26.920 --> 0:25:29.560
<v Speaker 1>that and having that five and I'm a thinly called

0:25:29.640 --> 0:25:33.640
<v Speaker 1>one from seventeen. I wait for a bus, a city bus,

0:25:33.640 --> 0:25:36.520
<v Speaker 1>to take me somewhere in some white boy speeds by

0:25:36.640 --> 0:25:39.320
<v Speaker 1>the four that's fifty in, screams nigger out of his

0:25:39.359 --> 0:25:45.080
<v Speaker 1>passionate windows, and just keeps driving past. And you know,

0:25:45.280 --> 0:25:47.800
<v Speaker 1>when it happened, like a part of me wanted to

0:25:47.800 --> 0:25:54.000
<v Speaker 1>call like come back, whips lay now this is my moment.

0:25:54.680 --> 0:25:57.120
<v Speaker 1>And then you know, you go about your life. I'll

0:25:57.119 --> 0:25:59.200
<v Speaker 1>go about mine. I don't have a story, but he

0:25:59.280 --> 0:26:02.359
<v Speaker 1>just kept driving and and it just gone on me

0:26:02.920 --> 0:26:07.440
<v Speaker 1>right at that moment. How ridiculous it was too to

0:26:08.720 --> 0:26:15.160
<v Speaker 1>give any sort of of of any sort of weight,

0:26:15.800 --> 0:26:21.040
<v Speaker 1>any sort of prominence, any sort of important you know,

0:26:21.840 --> 0:26:28.280
<v Speaker 1>um of my racial identity um and basically or the

0:26:28.640 --> 0:26:31.680
<v Speaker 1>ridiculous sense of basing my racial identity on how white

0:26:31.680 --> 0:26:38.399
<v Speaker 1>people feel about right right right um and And so

0:26:38.920 --> 0:26:41.720
<v Speaker 1>that's the first chapter of the book. And I wanted

0:26:41.720 --> 0:26:43.960
<v Speaker 1>to make it first because one, it's you know, the

0:26:44.000 --> 0:26:48.359
<v Speaker 1>book is told in a chronological order, so that you know,

0:26:48.480 --> 0:26:50.520
<v Speaker 1>by the end of the booker you know, deals with

0:26:50.560 --> 0:26:54.440
<v Speaker 1>stuff that happens, you know, more in the present. But

0:26:54.640 --> 0:26:57.320
<v Speaker 1>also I want people to know what type of book

0:26:57.320 --> 0:27:01.200
<v Speaker 1>they were getting into, because that's a nigger in that

0:27:01.720 --> 0:27:06.640
<v Speaker 1>chapter probably twenty five tive and and and also get

0:27:06.720 --> 0:27:10.080
<v Speaker 1>the concept of one we called it mm hmmmm in

0:27:10.200 --> 0:27:13.400
<v Speaker 1>the absurdity, in the in the humor in your two

0:27:13.560 --> 0:27:16.680
<v Speaker 1>it's like, Okay, this is this is what I'm getting.

0:27:16.720 --> 0:27:19.040
<v Speaker 1>This is this is what I got into. Will read

0:27:19.119 --> 0:27:27.639
<v Speaker 1>this book, okay, damon Um. I also I have a

0:27:27.680 --> 0:27:31.080
<v Speaker 1>bone to pick with you because you said you said

0:27:31.119 --> 0:27:36.200
<v Speaker 1>something very violent in this book. You said that Darius

0:27:36.280 --> 0:27:41.920
<v Speaker 1>love Hall was trash, I mean, and I felt I felt,

0:27:43.400 --> 0:27:48.080
<v Speaker 1>I felt abused. I felt like you took what is

0:27:48.119 --> 0:27:54.480
<v Speaker 1>this sacred, sacred black film love Jones and turned it

0:27:54.480 --> 0:27:57.080
<v Speaker 1>into something awful. And I want you, I want you to.

0:27:57.200 --> 0:28:01.840
<v Speaker 1>I want you to explain yourself. I mean, it's it's

0:28:01.880 --> 0:28:04.719
<v Speaker 1>if it's all there in the fact. I mean. So

0:28:04.800 --> 0:28:09.320
<v Speaker 1>the to the movie starts, like, really, I don't you

0:28:09.400 --> 0:28:13.560
<v Speaker 1>just need to watch the movie. Oh, don't tell me

0:28:13.600 --> 0:28:16.560
<v Speaker 1>to watch my favorite movie. I have watched this movie

0:28:16.800 --> 0:28:21.719
<v Speaker 1>time and time again. In the first fifteen minutes. Okay,

0:28:21.760 --> 0:28:24.240
<v Speaker 1>So all right, So the movie starts. He's at what

0:28:24.359 --> 0:28:30.400
<v Speaker 1>the sanctuary, the name of the sanctuary. He meets Nina

0:28:30.440 --> 0:28:38.840
<v Speaker 1>at the bar Nana was it? Nina? Nina? Nina? Okay?

0:28:35.680 --> 0:28:44.400
<v Speaker 1>Play yes, thank you, thank you. Daniel Um meets Nina

0:28:44.400 --> 0:28:51.280
<v Speaker 1>at the bar, um for Twitter or whatever. She goes

0:28:51.280 --> 0:28:54.640
<v Speaker 1>back to her see he goes on stage. He reads

0:28:54.640 --> 0:28:59.000
<v Speaker 1>a poem that's addressed to her. Now, of course you're

0:28:59.040 --> 0:29:01.600
<v Speaker 1>watching that movie. It's like, holy shit, that's the coolest

0:29:01.600 --> 0:29:07.040
<v Speaker 1>thing ever that niggas John Blaze, Oh my god. But

0:29:09.120 --> 0:29:11.920
<v Speaker 1>no one could write a poem that quickly, No one,

0:29:13.520 --> 0:29:15.440
<v Speaker 1>and in the three minutes to talk from him being

0:29:15.480 --> 0:29:17.840
<v Speaker 1>at the bar to be him being offstage with the

0:29:17.920 --> 0:29:20.840
<v Speaker 1>instrumentation and everything that went along with it. So what

0:29:21.040 --> 0:29:25.320
<v Speaker 1>really happened, what likely happened, is that he wrote a poem,

0:29:25.400 --> 0:29:27.280
<v Speaker 1>he had already write a poem for some other woman,

0:29:30.920 --> 0:29:33.480
<v Speaker 1>met her. It's like, you know what, yeah, I'm gonna

0:29:33.480 --> 0:29:46.640
<v Speaker 1>substitute and substitute her out wrong, I mean, yeah, yeah, yeah,

0:29:46.680 --> 0:29:49.040
<v Speaker 1>that's that's definitely what we do. But you know, okay,

0:29:49.240 --> 0:29:51.560
<v Speaker 1>and then and then and then this is even worse.

0:29:52.400 --> 0:29:58.640
<v Speaker 1>And then he sees he shows that better crib. Yes,

0:30:00.400 --> 0:30:04.640
<v Speaker 1>and randomly did he get did he get her address

0:30:04.680 --> 0:30:10.560
<v Speaker 1>from her? Yeo, he got it from his homegirl who

0:30:10.560 --> 0:30:13.760
<v Speaker 1>happened to be working in a record store that she's

0:30:13.760 --> 0:30:17.160
<v Speaker 1>shopping in correct, which which I'm which I'm pretty certain

0:30:17.200 --> 0:30:19.680
<v Speaker 1>as a crime it is, I'm pretty suposed to that

0:30:20.040 --> 0:30:26.440
<v Speaker 1>also wrote oh yeah, crime go that that basically encasulates

0:30:26.520 --> 0:30:29.880
<v Speaker 1>every romantic comedy from like nineteen eighty five or like

0:30:29.880 --> 0:30:33.040
<v Speaker 1>two thousand and five. Correct a crime. But also romantic.

0:30:34.520 --> 0:30:36.920
<v Speaker 1>It's a lifetime special waiting to happen. I mean, it

0:30:37.080 --> 0:30:40.239
<v Speaker 1>is essentially what it is. But I mean, you know,

0:30:41.360 --> 0:30:45.520
<v Speaker 1>I had I grew up watching that movie and waiting

0:30:45.560 --> 0:30:50.240
<v Speaker 1>to find my sanctuary and waiting to find that click

0:30:50.680 --> 0:30:56.000
<v Speaker 1>of just slick ass, smart, brilliant, sexy, gorgeous black folk

0:30:56.480 --> 0:30:59.800
<v Speaker 1>just being black and fine. I mean, I love the movie.

0:31:00.160 --> 0:31:03.080
<v Speaker 1>I love the movie. I love The thing I love

0:31:03.200 --> 0:31:07.000
<v Speaker 1>most about the movie is how in love Karen Twitcher

0:31:07.240 --> 0:31:11.360
<v Speaker 1>is with his characters. Like you could tell that he

0:31:11.360 --> 0:31:14.760
<v Speaker 1>he loves these people. He loves the way they talk,

0:31:14.840 --> 0:31:17.280
<v Speaker 1>he loves the way and look, he loves the things

0:31:17.280 --> 0:31:21.280
<v Speaker 1>that they do, and that sort of love that's sort

0:31:21.320 --> 0:31:25.520
<v Speaker 1>of just infatuation with the with the characters. He's creating,

0:31:25.560 --> 0:31:29.080
<v Speaker 1>the characters, he's de picture he's depicting. It's it's visceral,

0:31:30.080 --> 0:31:32.080
<v Speaker 1>and it's one of those things that even you know,

0:31:32.160 --> 0:31:34.920
<v Speaker 1>twenty years after, you know, twenty years later, over twenty

0:31:35.000 --> 0:31:40.080
<v Speaker 1>years later, it's still you know, it's still sticks. It's

0:31:40.080 --> 0:31:43.400
<v Speaker 1>still like a vital part of that story, you know.

0:31:43.520 --> 0:31:46.920
<v Speaker 1>And so even though Darius probably should be in prison,

0:31:47.720 --> 0:31:52.680
<v Speaker 1>the movie itself, the movie itself was great, and yeah,

0:31:52.720 --> 0:31:56.560
<v Speaker 1>and I know it's it's it's it's cliche and it's

0:31:56.560 --> 0:31:59.800
<v Speaker 1>a little sacarana part, but I still watch it and

0:32:00.040 --> 0:32:05.160
<v Speaker 1>I feel now it's it's I gotta tell you, it's

0:32:05.200 --> 0:32:07.680
<v Speaker 1>still one of my favorites. But I could not help

0:32:07.720 --> 0:32:11.640
<v Speaker 1>but cackle out loud as you were basically telling me

0:32:12.120 --> 0:32:16.160
<v Speaker 1>that this this leading man is a stalker and is

0:32:16.200 --> 0:32:20.040
<v Speaker 1>a womanizer and belongs in jail. Um I it was.

0:32:20.120 --> 0:32:24.520
<v Speaker 1>It was peak damon for me. It was peaked Damon

0:32:24.640 --> 0:32:26.880
<v Speaker 1>Young when I can read and laugh all the way

0:32:26.880 --> 0:32:29.880
<v Speaker 1>out loud and be like this nigga is crazy. UM,

0:32:31.120 --> 0:32:36.760
<v Speaker 1>So damon. You know at um at the we're we're

0:32:36.800 --> 0:32:46.320
<v Speaker 1>in living in this extraordinary um extraordinary time, um where

0:32:46.960 --> 0:32:50.600
<v Speaker 1>we're living in the midst of this global pandemic that

0:32:51.680 --> 0:32:57.360
<v Speaker 1>is hitting us, hitting our community harder than it's hitting

0:32:58.280 --> 0:33:03.320
<v Speaker 1>any other community, and it is I think that the

0:33:03.440 --> 0:33:08.160
<v Speaker 1>virus in and of itself is exasperating just what it

0:33:08.200 --> 0:33:14.280
<v Speaker 1>really means to be living while black in America. All

0:33:14.320 --> 0:33:17.760
<v Speaker 1>of the things that we have said, researchers have told

0:33:17.840 --> 0:33:22.480
<v Speaker 1>us about, politicos have talked about, activists have fought about,

0:33:22.840 --> 0:33:28.840
<v Speaker 1>we're seeing play out where in fact, to your point,

0:33:28.880 --> 0:33:33.840
<v Speaker 1>when we opened up this conversation. Being black in America

0:33:33.960 --> 0:33:37.920
<v Speaker 1>is an extreme sport and in many ways you are

0:33:37.960 --> 0:33:42.200
<v Speaker 1>taking your life in your hands every single day depending

0:33:42.240 --> 0:33:47.479
<v Speaker 1>on where you are, what your social socioeconomic class is,

0:33:47.600 --> 0:33:50.840
<v Speaker 1>what your health status is, all of these different things.

0:33:52.080 --> 0:34:00.920
<v Speaker 1>How are you grappling with that understanding in this moment? Lee? Probably?

0:34:01.040 --> 0:34:03.719
<v Speaker 1>I mean, I don't know. Like I then, we were

0:34:03.800 --> 0:34:07.360
<v Speaker 1>joking beforehand before the call started about you know, you

0:34:07.400 --> 0:34:09.919
<v Speaker 1>ask how I was doing, Yeah, and I said that,

0:34:09.960 --> 0:34:13.400
<v Speaker 1>you know my response now it's like the stereotypical like

0:34:13.719 --> 0:34:18.920
<v Speaker 1>church mom, black church moll respond, black church grandma response.

0:34:19.040 --> 0:34:20.799
<v Speaker 1>It's like, yeah, I'm just you know, just taking it

0:34:21.280 --> 0:34:24.399
<v Speaker 1>one day at a time. It's one foot after the other,

0:34:24.560 --> 0:34:28.759
<v Speaker 1>and you know, every day at wake up every day,

0:34:28.760 --> 0:34:32.319
<v Speaker 1>open my eyes and the Good Lord, because that's how

0:34:32.320 --> 0:34:36.600
<v Speaker 1>I feel now. Yeah, like I you know, I um so,

0:34:36.640 --> 0:34:38.680
<v Speaker 1>I just wrote a piece actually for the Washington Post

0:34:38.719 --> 0:34:43.799
<v Speaker 1>today on Day's Friday, the What's the Day? The tenth

0:34:44.120 --> 0:34:49.640
<v Speaker 1>April tenth about just the absurdity of being told, you know,

0:34:49.680 --> 0:34:53.919
<v Speaker 1>if you're black that you know, if you go outside

0:34:54.360 --> 0:34:56.360
<v Speaker 1>and you're wearing a hoodie or you're wearing like a

0:34:56.440 --> 0:35:00.160
<v Speaker 1>math or anything, else that obscure is your face. You're

0:35:00.160 --> 0:35:02.840
<v Speaker 1>going to be thought up as a threat. You know,

0:35:02.920 --> 0:35:05.319
<v Speaker 1>you might get shot, you might get it cont calling,

0:35:05.400 --> 0:35:11.279
<v Speaker 1>you might get shot. Whatever. And now out they were

0:35:11.360 --> 0:35:18.319
<v Speaker 1>masks on ye and just that that that that I get.

0:35:18.400 --> 0:35:22.000
<v Speaker 1>It's irony. Actually it's it's it's an absurd and brutal

0:35:22.040 --> 0:35:25.600
<v Speaker 1>irony of you know, being just having this one thing

0:35:25.600 --> 0:35:30.520
<v Speaker 1>indocrinated into you. And then with this pandemic along with

0:35:30.600 --> 0:35:34.440
<v Speaker 1>all the other brutalities, along with all the other brutalities

0:35:34.480 --> 0:35:37.839
<v Speaker 1>that we have to experience. Now it's like, okay, now

0:35:38.000 --> 0:35:40.600
<v Speaker 1>you're telling me to wear a mask, and and and

0:35:40.680 --> 0:35:44.840
<v Speaker 1>the thing is and then there has been there's already

0:35:44.880 --> 0:35:49.360
<v Speaker 1>been reports of black people getting harassed by law enforcement

0:35:49.960 --> 0:35:54.560
<v Speaker 1>for wearing masks in public, like that's happening, Like there were, um,

0:35:54.760 --> 0:35:58.520
<v Speaker 1>there were two young black men who were harassed by

0:35:58.560 --> 0:36:00.960
<v Speaker 1>some police and Walmart kind of on the kind of

0:36:01.000 --> 0:36:05.440
<v Speaker 1>on camera because they were massed up and Walmart police

0:36:05.440 --> 0:36:09.640
<v Speaker 1>officer told them to leave the store. And so and

0:36:09.719 --> 0:36:13.000
<v Speaker 1>we also know that no, yeah, we have this national

0:36:13.080 --> 0:36:16.680
<v Speaker 1>mandate you know for social distancing, and implicit in that

0:36:17.000 --> 0:36:19.759
<v Speaker 1>is to kind of cattle on people who are not

0:36:19.920 --> 0:36:23.440
<v Speaker 1>social distancing. But what ends up happening is now you're

0:36:23.480 --> 0:36:28.359
<v Speaker 1>having white people called a police on black people who

0:36:28.400 --> 0:36:31.520
<v Speaker 1>are concerting in public. So you're just finding more and

0:36:31.640 --> 0:36:35.880
<v Speaker 1>creating unique ways for blackness to be criminalized. And so

0:36:36.120 --> 0:36:41.200
<v Speaker 1>along with us being uniquely vulnerable to this illness, we're

0:36:41.239 --> 0:36:45.520
<v Speaker 1>also uniquely criminalized when we're trying to protect ourselves from it.

0:36:48.200 --> 0:36:53.040
<v Speaker 1>I swear every day you can't win for losing um.

0:36:53.640 --> 0:36:58.680
<v Speaker 1>It's just extraordinary, extraordinary, And I you know, I must,

0:36:58.880 --> 0:37:03.319
<v Speaker 1>I must say to you that you're writing in so

0:37:03.360 --> 0:37:07.120
<v Speaker 1>many ways, in so many different times, has gotten me

0:37:07.239 --> 0:37:10.600
<v Speaker 1>through when there are bad headlines and I'm like, let

0:37:10.600 --> 0:37:14.399
<v Speaker 1>me go and see what he's saying, um, and go

0:37:14.520 --> 0:37:17.239
<v Speaker 1>to look at your latest writing, because you have such

0:37:17.280 --> 0:37:21.680
<v Speaker 1>a beautiful way of being able to um even in

0:37:21.719 --> 0:37:26.000
<v Speaker 1>the most even covering the most ghastly race relations, be

0:37:26.040 --> 0:37:30.360
<v Speaker 1>able to sprinkle in humor that brings my shoulders down

0:37:30.520 --> 0:37:33.839
<v Speaker 1>just a little bit, right. And and it's and it's

0:37:33.880 --> 0:37:37.759
<v Speaker 1>with that ease and the eloquent way in which you

0:37:38.920 --> 0:37:42.440
<v Speaker 1>put word to paper, I think is is so needed,

0:37:42.960 --> 0:37:48.759
<v Speaker 1>um and and so incredibly inspiring. The last question that

0:37:48.840 --> 0:37:53.480
<v Speaker 1>I ask folks on PM mood all the time is

0:37:53.719 --> 0:38:00.200
<v Speaker 1>about how you get in the mood to change the world.

0:38:01.280 --> 0:38:06.879
<v Speaker 1>How do you get yourself together? How do I get

0:38:06.920 --> 0:38:14.759
<v Speaker 1>myself together to change the world? Oh? Wow, Um, I

0:38:14.840 --> 0:38:16.600
<v Speaker 1>mean I eat. I eat a lot of grits and

0:38:17.000 --> 0:38:20.360
<v Speaker 1>bacon and eggs. I'm a big breakfast mood person. I

0:38:20.360 --> 0:38:23.399
<v Speaker 1>had a breakfast. We had a brunch wedding. Um, and

0:38:23.480 --> 0:38:28.799
<v Speaker 1>so I um, that's my fuel. I guess I could

0:38:29.000 --> 0:38:33.759
<v Speaker 1>eat even very healthy um in robots breakfast. That's how

0:38:33.760 --> 0:38:35.560
<v Speaker 1>I get That's how I get in the mood. I

0:38:35.680 --> 0:38:37.839
<v Speaker 1>love it. And then maybe then maybe I'll go listen

0:38:37.880 --> 0:38:41.680
<v Speaker 1>to some um, I don't know, I don't even know what.

0:38:41.840 --> 0:38:46.680
<v Speaker 1>Maybe listen to marmon, listen to What's going on? Mm hmmm.

0:38:46.840 --> 0:38:51.920
<v Speaker 1>That could play on on on repeat, on absolute repeat

0:38:51.960 --> 0:38:56.040
<v Speaker 1>these days. Damon, young author of What Doesn't Kill You

0:38:56.360 --> 0:39:00.080
<v Speaker 1>Makes You Blacker? You must pick it up, Damon, And

0:39:00.200 --> 0:39:02.880
<v Speaker 1>thank you so much for joining PM mood and for

0:39:02.920 --> 0:39:07.640
<v Speaker 1>the continued brilliance that you gift the world with. It's much.

0:39:08.840 --> 0:39:11.000
<v Speaker 1>Thank you, Thank you Danielle for having me. This is

0:39:11.040 --> 0:39:16.200
<v Speaker 1>great fun. And yes, thank you to funk away from everybody.

0:39:18.400 --> 0:39:23.040
<v Speaker 1>Correct correct, Thanks for listening to this week's PM Mood.

0:39:23.080 --> 0:39:28.120
<v Speaker 1>Just a quick announcement, my other political podcast, Woke af Daily,

0:39:28.480 --> 0:39:33.239
<v Speaker 1>is now on Patreon. You get me five days a week.

0:39:33.400 --> 0:39:37.799
<v Speaker 1>Forget this, folks, just five dollars a month. That is

0:39:38.400 --> 0:39:43.200
<v Speaker 1>five fresh shows a week for just five dollars a month.

0:39:43.280 --> 0:39:46.799
<v Speaker 1>Thanks for staying loyal and helping to support independent media,

0:39:46.880 --> 0:39:50.320
<v Speaker 1>and you can continue listening to PM Mood for free

0:39:50.760 --> 0:39:56.200
<v Speaker 1>every single week. Stay in the PM mood to change

0:39:56.200 --> 0:39:56.680
<v Speaker 1>the world.