WEBVTT - Sheléa

0:00:05.559 --> 0:00:14.840
<v Speaker 1>Well, say Ja valatic, we are the authorities all things

0:00:15.520 --> 0:00:20.880
<v Speaker 1>R and B ladies and gentlemen, what's going on? I

0:00:20.920 --> 0:00:24.360
<v Speaker 1>am tanked Valentine, and this is the R and B

0:00:24.520 --> 0:00:30.080
<v Speaker 1>money podcasting authority on all things, are all things, all

0:00:30.120 --> 0:00:33.680
<v Speaker 1>things R and Um. We have we have a treat

0:00:34.520 --> 0:00:39.080
<v Speaker 1>um um, we have a vocal gift. We have elite,

0:00:39.360 --> 0:00:43.320
<v Speaker 1>elite company um in the building. I mean just I mean,

0:00:44.520 --> 0:00:47.680
<v Speaker 1>I mean listen when when they were casting for the

0:00:47.720 --> 0:00:52.320
<v Speaker 1>Clark Sisters. If you know anything about the Clark Sisters,

0:00:53.000 --> 0:00:58.680
<v Speaker 1>who are gospel music royalty, but to any singer, they

0:00:58.680 --> 0:01:03.800
<v Speaker 1>are royalty pure. I don't care what religion you are. Um.

0:01:03.920 --> 0:01:06.320
<v Speaker 1>They had to go, they had to call this young

0:01:06.440 --> 0:01:10.320
<v Speaker 1>Lake ladies, gentlemen. R B music community makes them no,

0:01:15.800 --> 0:01:19.920
<v Speaker 1>thank you, thank you that year. Oh, we're gonna start there.

0:01:20.000 --> 0:01:22.679
<v Speaker 1>We're gonna start there. We're gonna start there. We're just

0:01:22.680 --> 0:01:25.520
<v Speaker 1>gonna get We're gonna celebrate you from the moment we

0:01:25.560 --> 0:01:30.120
<v Speaker 1>start here. You as a singer is just something different different.

0:01:30.240 --> 0:01:33.000
<v Speaker 1>Appreciate that I really do. And I think for me

0:01:33.400 --> 0:01:37.440
<v Speaker 1>it's like both of you guys. Um, you might not

0:01:37.480 --> 0:01:39.759
<v Speaker 1>remember the first time I met you. I know, you know,

0:01:39.840 --> 0:01:43.640
<v Speaker 1>but you guys have been nothing but supportive and so

0:01:43.760 --> 0:01:47.600
<v Speaker 1>kind and just so loving and supportable of what I do,

0:01:47.760 --> 0:01:50.160
<v Speaker 1>and so I just I just gotta thank you guys

0:01:50.200 --> 0:01:53.040
<v Speaker 1>for that, because you guys were so instrumental in like

0:01:53.080 --> 0:01:56.560
<v Speaker 1>those earlier years. Yeah, I feel like I'm like the

0:01:56.600 --> 0:02:06.360
<v Speaker 1>same classes like Obama. I haven't. I haven't sang doesn't

0:02:06.360 --> 0:02:09.560
<v Speaker 1>call me personally. Quincy Jones. You know when I saw

0:02:09.560 --> 0:02:14.720
<v Speaker 1>her at Quincy Jones house, I wasn't invited, but then

0:02:14.760 --> 0:02:17.720
<v Speaker 1>you took what you took over, No, you literally took over.

0:02:17.800 --> 0:02:23.200
<v Speaker 1>He started doing a Quincy Jones impersonation that everybody dying over.

0:02:24.440 --> 0:02:27.919
<v Speaker 1>Can I tell a story because I'm man, I got

0:02:27.919 --> 0:02:32.600
<v Speaker 1>the video, I got the video. Upset um with my

0:02:32.680 --> 0:02:39.359
<v Speaker 1>guy you know, um uh comedian. I know you're talking about.

0:02:39.600 --> 0:02:44.120
<v Speaker 1>I know his name, I said, okay, Chris Tucker. Yeah,

0:02:44.280 --> 0:02:49.919
<v Speaker 1>just the money talks himself, Chris Tucker, who was by

0:02:50.000 --> 0:02:54.200
<v Speaker 1>far one of one of the greatest comedians. Absolutely, Okay,

0:02:54.240 --> 0:02:57.920
<v Speaker 1>so this is starting, we'll start. There's going to my story.

0:02:58.080 --> 0:03:00.200
<v Speaker 1>So this is the I mean, no disres back in

0:03:00.240 --> 0:03:07.760
<v Speaker 1>the indusries. No, I'm not just because he's a nice guy.

0:03:07.800 --> 0:03:11.840
<v Speaker 1>Mine just comes straight. Yeah, we're having a good time

0:03:12.040 --> 0:03:17.040
<v Speaker 1>at at Quincy Jones. Yes, it's like you know, anybody

0:03:17.080 --> 0:03:20.440
<v Speaker 1>who's helped forge the foundation of R and B music,

0:03:21.040 --> 0:03:25.239
<v Speaker 1>It's there, right there there. It's it's crazy. And so

0:03:26.560 --> 0:03:30.040
<v Speaker 1>Chris Tucker gets on the mic and he starts doing

0:03:30.440 --> 0:03:35.800
<v Speaker 1>this Quincy Jones impersonation and I'm sitting back cut two guys.

0:03:35.800 --> 0:03:38.600
<v Speaker 1>I wasn't there. I wasn't. I wasn't even you know,

0:03:38.880 --> 0:03:43.000
<v Speaker 1>it's it's fine, uh as a plus one as I was,

0:03:43.600 --> 0:03:47.600
<v Speaker 1>I'm standing in watching him do this impersonation. And mind you,

0:03:47.960 --> 0:03:52.120
<v Speaker 1>I have been studying Quincy and trying to do a

0:03:52.200 --> 0:03:59.040
<v Speaker 1>Quincy impersonation only because of Jamie Fox, who does people.

0:03:59.160 --> 0:04:02.680
<v Speaker 1>So he started made me want to learn, so, you know,

0:04:02.680 --> 0:04:04.840
<v Speaker 1>I would try to do my quinc impersonation and study

0:04:04.960 --> 0:04:08.640
<v Speaker 1>how Fox would do it. Liked, And so Tucker started

0:04:08.680 --> 0:04:15.200
<v Speaker 1>doing this Quincy impersonation that I'm not excited about. That

0:04:15.400 --> 0:04:19.200
<v Speaker 1>I am not happy with, you know, and he's better

0:04:19.200 --> 0:04:22.680
<v Speaker 1>than this. So it's like a Michael Jackson Quincy Jacks.

0:04:22.920 --> 0:04:30.760
<v Speaker 1>I don't know what he's Good's good? H It wasn't authentic.

0:04:32.000 --> 0:04:35.760
<v Speaker 1>It's a cadence to its all of that, it's all

0:04:35.800 --> 0:04:38.240
<v Speaker 1>of that and when and I was sitting at the

0:04:38.279 --> 0:04:40.440
<v Speaker 1>piano when this was happening. Mind you, I had I

0:04:40.680 --> 0:04:42.479
<v Speaker 1>don't know what if I had just sang or I

0:04:42.520 --> 0:04:46.039
<v Speaker 1>was about to sing, and then grab the mic and

0:04:46.160 --> 0:04:48.359
<v Speaker 1>grab the other mic, the other one, the one that Quincy,

0:04:48.440 --> 0:04:50.800
<v Speaker 1>the one that Stevie had. Nobody knew I had the mic,

0:04:50.880 --> 0:04:53.520
<v Speaker 1>and I grabbed the mic and I started talking. You know,

0:04:53.560 --> 0:04:58.080
<v Speaker 1>you're really not doing me in justice man, you're talking,

0:05:01.240 --> 0:05:05.200
<v Speaker 1>so he he said, you know, he was like, I

0:05:05.240 --> 0:05:07.360
<v Speaker 1>was a real quickly listen, I was a real Quincy, right,

0:05:07.520 --> 0:05:10.400
<v Speaker 1>So we're going back and forth. And so what happened

0:05:10.520 --> 0:05:15.000
<v Speaker 1>was Quincy thought when I started doing my impersonation of him,

0:05:15.480 --> 0:05:20.320
<v Speaker 1>he thought that somebody had started playing a recording my

0:05:22.720 --> 0:05:25.520
<v Speaker 1>you know what I'm saying, playing just in search from

0:05:25.600 --> 0:05:28.839
<v Speaker 1>Quincy Jones, because he was saying things that like Quincy

0:05:28.880 --> 0:05:36.280
<v Speaker 1>would say, you know, you not solid, But they don't

0:05:36.320 --> 0:05:40.520
<v Speaker 1>happen right so quick quin because he sits in the

0:05:40.560 --> 0:05:43.159
<v Speaker 1>same so you have to circle around and get in.

0:05:43.520 --> 0:05:46.080
<v Speaker 1>But when I got to him, he said that that

0:05:46.200 --> 0:05:52.359
<v Speaker 1>was you huh got that shut out? He baest that

0:05:52.400 --> 0:05:59.359
<v Speaker 1>shut out man associates you up. Anyway, that was you

0:05:59.400 --> 0:06:02.520
<v Speaker 1>know that was. That was that was So that was

0:06:02.560 --> 0:06:04.840
<v Speaker 1>a really great night. That was a really great night.

0:06:05.000 --> 0:06:06.800
<v Speaker 1>And listen, I'm for happy to be in that space.

0:06:06.839 --> 0:06:09.680
<v Speaker 1>And I know you know you you you frequent those

0:06:09.720 --> 0:06:14.400
<v Speaker 1>spaces because um, like you just have a different a

0:06:14.520 --> 0:06:17.320
<v Speaker 1>different kind of gift man, like that's just out of

0:06:17.360 --> 0:06:20.680
<v Speaker 1>this world and to you know, to the Quincy jones

0:06:20.839 --> 0:06:28.839
<v Speaker 1>Is and Jimmy jam and musical to some of the

0:06:28.880 --> 0:06:32.920
<v Speaker 1>biggest people who have ever ever done it on every level,

0:06:33.360 --> 0:06:38.240
<v Speaker 1>like they look to you, which is I mean, it's crazy.

0:06:38.560 --> 0:06:42.440
<v Speaker 1>So we we we like to do we like to

0:06:42.520 --> 0:06:49.880
<v Speaker 1>start at the very beginning, like like when did you know?

0:06:51.120 --> 0:06:57.680
<v Speaker 1>Or when did somebody tell you you got something? Let's

0:06:57.720 --> 0:07:08.000
<v Speaker 1>start there and then work our way up to yeah, overseas, yeah, yeah,

0:07:08.320 --> 0:07:16.600
<v Speaker 1>the White House, Kennedy forget for a couple of times.

0:07:17.760 --> 0:07:19.480
<v Speaker 1>You know what I have to say, that's really quick

0:07:19.560 --> 0:07:21.560
<v Speaker 1>because I think we, I know, we come from from

0:07:21.640 --> 0:07:27.960
<v Speaker 1>very similar backgrounds. I can't remember what church. I say that,

0:07:28.040 --> 0:07:31.520
<v Speaker 1>because sometimes it can be very difficult for us to

0:07:31.600 --> 0:07:35.160
<v Speaker 1>talk about ourselves because we feel like that's not being humble.

0:07:35.760 --> 0:07:39.080
<v Speaker 1>And that's how I think we were raised right in

0:07:39.440 --> 0:07:43.960
<v Speaker 1>a way. And so it's like I have. I had

0:07:44.000 --> 0:07:45.760
<v Speaker 1>to almost It took a while for me to be

0:07:45.800 --> 0:07:49.480
<v Speaker 1>able to recognize you have this God's size gift because

0:07:49.600 --> 0:07:51.840
<v Speaker 1>God gave it to you. So it's okay for you

0:07:51.920 --> 0:07:54.440
<v Speaker 1>to lean into it as long as you continue to

0:07:54.480 --> 0:07:57.440
<v Speaker 1>like you know, give it right back. But you can't

0:07:57.520 --> 0:08:01.840
<v Speaker 1>like almost diminish your gift because you're diminishing God. So

0:08:01.920 --> 0:08:04.880
<v Speaker 1>it's I think, Yeah, we weren't always thought to raise

0:08:04.920 --> 0:08:08.640
<v Speaker 1>our hands and yes, exact mean and so you know,

0:08:09.160 --> 0:08:11.600
<v Speaker 1>like this platform, like you know, this is for you

0:08:11.640 --> 0:08:13.680
<v Speaker 1>to raise your hand and say, yeah, this is this

0:08:13.720 --> 0:08:20.200
<v Speaker 1>is what I do. Okay, So White House twice. You

0:08:20.240 --> 0:08:28.360
<v Speaker 1>don't look at who might not me? That's fine, fine, Yeah,

0:08:28.360 --> 0:08:32.440
<v Speaker 1>they're gonna go through your sec yeah the first time.

0:08:32.559 --> 0:08:33.959
<v Speaker 1>That's why I got the White House the first time.

0:08:34.080 --> 0:08:36.720
<v Speaker 1>Literally why somebody else, so many people could not pass

0:08:36.760 --> 0:08:41.240
<v Speaker 1>the background check. That's literally how it happened the first time. Okay,

0:08:41.240 --> 0:08:46.760
<v Speaker 1>So black a lot of going but going to the beginning,

0:08:47.760 --> 0:08:50.520
<v Speaker 1>what do you say a lot of things soups saying,

0:08:57.280 --> 0:08:59.720
<v Speaker 1>but you have to remember at that time under Obama,

0:09:00.040 --> 0:09:03.680
<v Speaker 1>it were it's like any any little tiny thing, it's

0:09:03.720 --> 0:09:07.480
<v Speaker 1>like you know, yeah, yeah, yeah, because they were it. Yeah,

0:09:07.520 --> 0:09:10.800
<v Speaker 1>that's a whole other conversation. But but yeah, at the beginning,

0:09:10.880 --> 0:09:16.080
<v Speaker 1>man the beginning beginning. You know, my earliest memory is music. So,

0:09:16.240 --> 0:09:18.439
<v Speaker 1>like my mom said, like a two years old, I

0:09:18.480 --> 0:09:21.480
<v Speaker 1>was harmonizing like and to me, like when I look

0:09:21.480 --> 0:09:23.600
<v Speaker 1>at somebody who's two years old, I was like, that

0:09:23.760 --> 0:09:26.040
<v Speaker 1>was scary they could find harmony like that. But I

0:09:26.160 --> 0:09:28.679
<v Speaker 1>was stay on there, no, you know, I was like,

0:09:28.760 --> 0:09:31.760
<v Speaker 1>I remember this little wooden piano that that my parents

0:09:31.800 --> 0:09:34.000
<v Speaker 1>had gotten me, and you know, I'll be making little

0:09:34.000 --> 0:09:36.080
<v Speaker 1>songs from my sisters around three or four years old.

0:09:36.120 --> 0:09:40.000
<v Speaker 1>So my earliest memories were music. But I say all

0:09:40.000 --> 0:09:44.240
<v Speaker 1>that to say my parents both very musical. Um in

0:09:44.280 --> 0:09:46.840
<v Speaker 1>the church. I just only saw them use it in

0:09:46.920 --> 0:09:48.760
<v Speaker 1>church and that was it. So I thought that's what

0:09:48.880 --> 0:09:50.800
<v Speaker 1>I would do. That was that I didn't really see

0:09:50.840 --> 0:09:53.760
<v Speaker 1>any you know, me having it as a career. I

0:09:53.840 --> 0:09:56.640
<v Speaker 1>just thought I would just serving church. And it really

0:09:56.720 --> 0:10:01.240
<v Speaker 1>wasn't until um, when I went a way to college.

0:10:01.240 --> 0:10:03.600
<v Speaker 1>I joined this this girl's group and that was like

0:10:03.640 --> 0:10:06.240
<v Speaker 1>my first taste of just like being in the student

0:10:07.600 --> 0:10:11.680
<v Speaker 1>It was it was like the gospel version of uh,

0:10:11.760 --> 0:10:18.559
<v Speaker 1>Destiny's Child, It's called forgiven and we were all hot. Yeah,

0:10:19.600 --> 0:10:21.920
<v Speaker 1>what I'm saying like we were, we were cute. We

0:10:21.960 --> 0:10:24.320
<v Speaker 1>were cute. We were four cute girls. And you know,

0:10:24.600 --> 0:10:27.880
<v Speaker 1>I say, because we were packaged that way, and um

0:10:27.920 --> 0:10:29.520
<v Speaker 1>we were we had a little deal on the table

0:10:29.559 --> 0:10:36.560
<v Speaker 1>for Blackground Records. But the Lord says, anyway, but how

0:10:36.600 --> 0:10:40.000
<v Speaker 1>does how does that work in gospel? Right? Because obviously

0:10:41.800 --> 0:10:44.240
<v Speaker 1>is that a thing where you're like you said, we

0:10:44.240 --> 0:10:47.800
<v Speaker 1>were packaged as a group that could sing, but also

0:10:48.200 --> 0:10:50.600
<v Speaker 1>because of what the group look like, is that a

0:10:50.679 --> 0:10:52.719
<v Speaker 1>thing in gospel of music? It can be, it can be.

0:10:53.679 --> 0:10:56.600
<v Speaker 1>And I think at that time too, it's like, you know,

0:10:56.800 --> 0:10:59.720
<v Speaker 1>that was just the and as we know in this industry,

0:10:59.720 --> 0:11:02.719
<v Speaker 1>people are always looking for the next what argument is,

0:11:03.360 --> 0:11:05.560
<v Speaker 1>so they're winning, we need a gospel version of that.

0:11:05.600 --> 0:11:07.840
<v Speaker 1>And then to me, Mary Mary came and that's what

0:11:08.000 --> 0:11:10.120
<v Speaker 1>even though it's just the two of them, it was

0:11:10.240 --> 0:11:15.640
<v Speaker 1>that kind of energy, beautiful, you know, vibrant, actually dressed

0:11:15.720 --> 0:11:19.640
<v Speaker 1>like sexy, which was like, you know, very difficult, so

0:11:19.760 --> 0:11:22.320
<v Speaker 1>you know, but but yeah, so that was really my

0:11:22.480 --> 0:11:26.000
<v Speaker 1>first taste of just being in what I would say

0:11:26.000 --> 0:11:29.040
<v Speaker 1>the industry of just going to the studio and writing

0:11:29.040 --> 0:11:32.480
<v Speaker 1>and producing and just that feeling just like Okay, this

0:11:32.600 --> 0:11:34.960
<v Speaker 1>is it, but you're not in Los Angeles at this point. No,

0:11:35.240 --> 0:11:39.079
<v Speaker 1>I'm going to school at this HBCU in Huntsville, Alabama

0:11:39.160 --> 0:11:58.520
<v Speaker 1>called Oakwood College Oakland University. Now yeah next week. They know,

0:11:58.679 --> 0:12:01.160
<v Speaker 1>you wouldn't want to feel out so like A and

0:12:01.360 --> 0:12:05.840
<v Speaker 1>M that whole. Yeah, I'm a product of the Bible Belt.

0:12:06.200 --> 0:12:10.680
<v Speaker 1>Wow yeah period. Yeah, yeah, that's where my career started.

0:12:10.720 --> 0:12:14.160
<v Speaker 1>Like promo shows, yea all through the Bible Belt in

0:12:14.240 --> 0:12:19.920
<v Speaker 1>a van, in a van staying at motails where you

0:12:19.960 --> 0:12:22.559
<v Speaker 1>walk into your room from outside were they're quite motels

0:12:22.640 --> 0:12:25.240
<v Speaker 1>or the hotels, but they don't have an hr M

0:12:25.280 --> 0:12:30.880
<v Speaker 1>one then you know, yeah, yeah I know the ones

0:12:30.920 --> 0:12:32.880
<v Speaker 1>you got you get it from outside? Yeah, you go,

0:12:32.960 --> 0:12:36.079
<v Speaker 1>you go upstairs and you yes, you get your key

0:12:36.120 --> 0:12:41.160
<v Speaker 1>from from your lady in the window. Yeah, even want

0:12:41.320 --> 0:12:45.240
<v Speaker 1>trouble there. Um. It was this the first time that

0:12:45.679 --> 0:12:51.559
<v Speaker 1>that you felt like you were, um being recognized on

0:12:51.600 --> 0:12:54.120
<v Speaker 1>that level like this, could you could have a career

0:12:54.120 --> 0:12:56.120
<v Speaker 1>in this like you were special in this place? It

0:12:56.200 --> 0:12:59.440
<v Speaker 1>wasn't so Interestingly enough, I always felt like I was special,

0:12:59.480 --> 0:13:02.640
<v Speaker 1>like my my gift was special. I knew that very

0:13:02.840 --> 0:13:06.120
<v Speaker 1>very young, but that didn't necessarily mean it had to

0:13:06.120 --> 0:13:09.120
<v Speaker 1>be a career, you know, but this was the first

0:13:09.160 --> 0:13:13.720
<v Speaker 1>time where it was like, Okay, there's nothing else I

0:13:13.800 --> 0:13:17.640
<v Speaker 1>even want to remotely do. This is it? And so

0:13:17.679 --> 0:13:20.040
<v Speaker 1>that was that was like a pivotal moment. But to

0:13:20.160 --> 0:13:22.560
<v Speaker 1>like say, like when I was more settled into like

0:13:22.760 --> 0:13:25.800
<v Speaker 1>I feel like what I can bring just this industry,

0:13:25.840 --> 0:13:27.160
<v Speaker 1>that was later on. I don't know if you want

0:13:27.160 --> 0:13:29.240
<v Speaker 1>me to skip to that moment, but that was that

0:13:29.280 --> 0:13:31.680
<v Speaker 1>was a little later on where I felt settled like

0:13:31.720 --> 0:13:34.400
<v Speaker 1>I don't care how long this takes. Already I know

0:13:34.400 --> 0:13:36.360
<v Speaker 1>where I'm where I'm supposed to be. But that was

0:13:36.400 --> 0:13:38.160
<v Speaker 1>a little later that there was. That was a pivotal

0:13:38.200 --> 0:13:42.440
<v Speaker 1>performance in a pivotal moment. So Forbidden Forgiven, which again

0:13:42.559 --> 0:13:56.439
<v Speaker 1>I like, I like forbidden Forbid Forgiven. It was four

0:13:57.080 --> 0:14:05.720
<v Speaker 1>and then given that's all, Hey we all got them. Um,

0:14:05.760 --> 0:14:07.640
<v Speaker 1>so what is it? What is in between that? Because

0:14:07.640 --> 0:14:12.160
<v Speaker 1>there's got to be there's a lot. It's a lot.

0:14:13.559 --> 0:14:17.400
<v Speaker 1>So the girls group didn't work out, you know, Um,

0:14:17.480 --> 0:14:19.720
<v Speaker 1>I think, you know, we were all super young and

0:14:19.800 --> 0:14:22.280
<v Speaker 1>had had different interests, and I think kind of looking

0:14:22.360 --> 0:14:29.080
<v Speaker 1>back in retrospect, I was I was such a intense person.

0:14:29.160 --> 0:14:31.600
<v Speaker 1>I think it was like a little overwhelming sometimes like

0:14:31.640 --> 0:14:35.440
<v Speaker 1>it was, Um, I was like, let's do this, Like

0:14:36.120 --> 0:14:38.400
<v Speaker 1>forget if I remember calling my mom my mom, and

0:14:38.440 --> 0:14:40.400
<v Speaker 1>I was like, I don't even want to finish college

0:14:41.080 --> 0:14:43.040
<v Speaker 1>because I already found it. Like this is it. I

0:14:43.040 --> 0:14:45.480
<v Speaker 1>don't I don't need to look any further. She was like, no,

0:14:45.520 --> 0:14:47.520
<v Speaker 1>we're not gonna do that. So I did get my degree.

0:14:47.560 --> 0:14:50.120
<v Speaker 1>I got my degree in music and this is piano.

0:14:50.200 --> 0:14:58.480
<v Speaker 1>I got it. I graduated kum lad from from from

0:14:58.520 --> 0:15:03.920
<v Speaker 1>Oakla College. Um but I you know it, I just

0:15:03.960 --> 0:15:06.880
<v Speaker 1>said this, this is it and and for me, I

0:15:06.920 --> 0:15:10.400
<v Speaker 1>just loved music that I kind of started more off

0:15:10.480 --> 0:15:14.240
<v Speaker 1>on the writing side, the writing and um so right

0:15:14.280 --> 0:15:16.360
<v Speaker 1>after I graduate, that's when I, you know, met up

0:15:16.360 --> 0:15:18.360
<v Speaker 1>with Jimmy Jim and Terror Lewis around the same time

0:15:18.360 --> 0:15:20.000
<v Speaker 1>that we can I'm trying to figure out how did

0:15:20.000 --> 0:15:22.920
<v Speaker 1>we connect. I'm not cusking through Harvey and Damon. Were

0:15:22.960 --> 0:15:27.240
<v Speaker 1>you like at the underdogs back in the day we met.

0:15:28.480 --> 0:15:31.000
<v Speaker 1>I'm not sure. I'm not I'm not all a ways sure,

0:15:31.080 --> 0:15:34.240
<v Speaker 1>but I mean it's possible because obviously I was part

0:15:34.280 --> 0:15:38.720
<v Speaker 1>of the underdogs with him. So but at that time,

0:15:38.760 --> 0:15:42.880
<v Speaker 1>I wasn't. I wasn't um, I wasn't working with him

0:15:42.920 --> 0:15:45.000
<v Speaker 1>at that time. I wasn't working with him at that No,

0:15:45.080 --> 0:15:51.280
<v Speaker 1>I remember you, you and Ronnie. I actually left the

0:15:51.360 --> 0:15:56.200
<v Speaker 1>Underdogs the second time because of Little Ronnie. Yeah, they

0:15:56.280 --> 0:15:57.840
<v Speaker 1>kicked him out. So I was like, yeah, I can't

0:15:57.880 --> 0:15:59.920
<v Speaker 1>kick my little home ye out because it's my guys

0:16:00.080 --> 0:16:04.200
<v Speaker 1>two thousand four. Sorry to that. I'm like, I'm like,

0:16:04.240 --> 0:16:07.280
<v Speaker 1>if if you're gonna kick him out, he comes with me. Yeah.

0:16:07.400 --> 0:16:11.640
<v Speaker 1>So literally, like little Ronnie came and lived at my

0:16:11.720 --> 0:16:13.560
<v Speaker 1>studio house. That was my studio house that used to

0:16:13.600 --> 0:16:16.840
<v Speaker 1>come to it before, and Ronnie was because he was

0:16:16.880 --> 0:16:18.840
<v Speaker 1>he wasn't from l a one from California. So I'm like,

0:16:18.840 --> 0:16:21.160
<v Speaker 1>listen to you figure it out. Yeah, you're with me,

0:16:21.280 --> 0:16:23.360
<v Speaker 1>you're my guy. So, oh my god, what was that

0:16:23.400 --> 0:16:29.400
<v Speaker 1>song that we did? What? Wait? What's gonna take to

0:16:29.600 --> 0:16:34.160
<v Speaker 1>wake up every day to love? It? Used to be happy?

0:16:35.080 --> 0:16:38.280
<v Speaker 1>I used to love hate. I'm dreading every day so

0:16:38.800 --> 0:16:44.120
<v Speaker 1>something to feeling change. Can't go home this way, it's

0:16:44.120 --> 0:16:49.040
<v Speaker 1>not the way I wanted. Nothing. School and wrong going right?

0:16:49.400 --> 0:16:54.400
<v Speaker 1>What are we doing wrong? Yeah? Now you're singing that

0:16:54.840 --> 0:16:57.800
<v Speaker 1>I don't even like the Jill notes, the first funny

0:16:57.880 --> 0:17:01.120
<v Speaker 1>thing is she sang a song that we wrote together.

0:17:02.120 --> 0:17:05.920
<v Speaker 1>But what I remember the most was when you came

0:17:05.960 --> 0:17:10.200
<v Speaker 1>and sang for me the first time you sang in

0:17:10.359 --> 0:17:15.560
<v Speaker 1>dr Ready for Love. Oh my god. I never forgot

0:17:15.600 --> 0:17:21.400
<v Speaker 1>that because I'm like, this is amazing, Like this is amazing,

0:17:22.680 --> 0:17:25.639
<v Speaker 1>and did I just do it? You played, you played

0:17:25.680 --> 0:17:27.879
<v Speaker 1>and sang and I was like this, I ain't never

0:17:27.880 --> 0:17:30.199
<v Speaker 1>seen thating like this, like I don't ever sing that,

0:17:30.320 --> 0:17:37.240
<v Speaker 1>Sonny to bring that back back, shout out my favorite

0:17:37.240 --> 0:17:40.080
<v Speaker 1>songs of all time. And I just remember you, you know,

0:17:40.119 --> 0:17:42.639
<v Speaker 1>because that's how people that don't know the music business.

0:17:42.840 --> 0:17:44.840
<v Speaker 1>It's kind of how it goes when you're gonna meet

0:17:44.880 --> 0:17:49.480
<v Speaker 1>somebody and you know, you showing your gift, you usually

0:17:49.560 --> 0:17:51.399
<v Speaker 1>just you know. And I think you might have asked

0:17:51.400 --> 0:17:53.639
<v Speaker 1>me like, okay, so what do you what? What songs?

0:17:54.240 --> 0:17:55.960
<v Speaker 1>You know? I mean, which is a whole another cheek

0:17:55.960 --> 0:17:58.159
<v Speaker 1>code that you guys have because you both play and

0:17:58.240 --> 0:18:01.239
<v Speaker 1>sing to be able to kind of be a little jukebox, right,

0:18:01.720 --> 0:18:05.560
<v Speaker 1>And I was just like this is insane, Like this

0:18:05.640 --> 0:18:07.960
<v Speaker 1>is literally insane. I'm going to find a song. You're

0:18:08.000 --> 0:18:11.000
<v Speaker 1>just saying I had some magical times. I have it

0:18:11.040 --> 0:18:14.560
<v Speaker 1>on a drive or somewhere. Yeah, Oh my god, I

0:18:14.840 --> 0:18:16.960
<v Speaker 1>could literally see your place now, like I remembered the

0:18:17.040 --> 0:18:19.440
<v Speaker 1>room and everything, like how it was where we would

0:18:19.520 --> 0:18:23.480
<v Speaker 1>where we would record the vocals. Wow. And then I

0:18:23.560 --> 0:18:27.200
<v Speaker 1>met you around this, Yes it was it was I

0:18:27.240 --> 0:18:30.080
<v Speaker 1>didn't know. I don't even know that. Yeah, and then

0:18:30.119 --> 0:18:33.960
<v Speaker 1>I met you around the same time. Um, underdogs. That

0:18:33.960 --> 0:18:35.840
<v Speaker 1>that's the thing. The underdogs. They would always just like

0:18:36.760 --> 0:18:38.720
<v Speaker 1>just sick me on anybody who would come through. So

0:18:38.840 --> 0:18:47.480
<v Speaker 1>like he was chewing some up when I started to sing,

0:18:47.800 --> 0:18:53.880
<v Speaker 1>and he said, I didn't chewt this gun. And then

0:18:53.880 --> 0:18:56.960
<v Speaker 1>he had assistant and he made him spit the gover

0:18:57.000 --> 0:19:05.480
<v Speaker 1>in his hand. I love you some stories outside, but

0:19:05.680 --> 0:19:07.840
<v Speaker 1>it was, oh my god, I would I will never

0:19:07.880 --> 0:19:11.680
<v Speaker 1>forget those early boves Greg. You were no different. And

0:19:12.200 --> 0:19:14.480
<v Speaker 1>um you came in one time and they were like

0:19:14.720 --> 0:19:18.440
<v Speaker 1>saying sings onthing for tank and I did never felt

0:19:18.480 --> 0:19:22.480
<v Speaker 1>this way for an at night and this was this

0:19:22.560 --> 0:19:34.879
<v Speaker 1>was the piano intro and um, I finished singing, and

0:19:34.880 --> 0:19:36.879
<v Speaker 1>I will never this was like, Member, I told you

0:19:36.960 --> 0:19:40.879
<v Speaker 1>that there was this pivotal moment for me from what

0:19:41.000 --> 0:19:44.720
<v Speaker 1>you said and the first thing you said was you're anointed,

0:19:45.880 --> 0:19:49.080
<v Speaker 1>And I remember thinking, what a weird thing to say

0:19:49.119 --> 0:19:53.280
<v Speaker 1>after I seeing what I considered to be a secular song.

0:19:54.600 --> 0:19:57.879
<v Speaker 1>And because again like the way I grew up, everything

0:19:58.000 --> 0:20:03.560
<v Speaker 1>is like there's sacred and then there's secular. There's no blurring,

0:20:03.640 --> 0:20:07.520
<v Speaker 1>no what we're talking. That's what it is, sacred insect

0:20:07.600 --> 0:20:12.399
<v Speaker 1>and secular. Never knew that, Okay, all right, yeah, we're

0:20:12.440 --> 0:20:20.880
<v Speaker 1>gonna bring my strether. It's glorious to have a knacker.

0:20:23.600 --> 0:20:27.000
<v Speaker 1>But so for me, that was that was like, that's

0:20:27.119 --> 0:20:30.720
<v Speaker 1>when I kind of had to start that introspection of

0:20:30.800 --> 0:20:36.520
<v Speaker 1>realizing that my gift was sacred, not what I what

0:20:36.720 --> 0:20:41.480
<v Speaker 1>song I sang, period, But it was when you said that.

0:20:41.520 --> 0:20:44.359
<v Speaker 1>I was like, that's such a weird thing for someone

0:20:44.400 --> 0:20:46.480
<v Speaker 1>to say you're anointed after but it was like you

0:20:46.640 --> 0:20:50.600
<v Speaker 1>felt the God in me and that's why you said that.

0:20:50.720 --> 0:20:53.000
<v Speaker 1>And then I realized, okay, this is this is not

0:20:53.119 --> 0:20:55.359
<v Speaker 1>something where you can turn and even further chicken a

0:20:55.400 --> 0:20:59.240
<v Speaker 1>step further. I grew up seventh Day to where you know,

0:20:59.320 --> 0:21:02.280
<v Speaker 1>you don't sing, you know, any do anything secular, like

0:21:02.320 --> 0:21:04.639
<v Speaker 1>on Friday night and Saturday. So like in the beginning,

0:21:04.680 --> 0:21:08.840
<v Speaker 1>I wasn't doing shows during that time. Because of that reason,

0:21:08.880 --> 0:21:12.600
<v Speaker 1>I thought of a sudden no shows or any nothing shows,

0:21:12.640 --> 0:21:15.399
<v Speaker 1>but no anything, just anything doing sessions. I would you would,

0:21:15.520 --> 0:21:17.600
<v Speaker 1>you wouldn't make you would? You would make it around

0:21:17.800 --> 0:21:20.280
<v Speaker 1>the other days. And so that was kind of the

0:21:20.320 --> 0:21:23.760
<v Speaker 1>beginning of when I said, and Kirk Whalem also was

0:21:23.760 --> 0:21:26.639
<v Speaker 1>was very instrumental in that and just helping me to

0:21:26.840 --> 0:21:30.840
<v Speaker 1>see that your your gift done. It doesn't turn off

0:21:31.119 --> 0:21:35.400
<v Speaker 1>the period doesn't it's it's you're a vessel and it's

0:21:35.440 --> 0:21:37.880
<v Speaker 1>about what you bring that the light through that vessel.

0:21:38.040 --> 0:21:43.920
<v Speaker 1>Struggle with that early early on because because of the teachings,

0:21:44.720 --> 0:21:49.520
<v Speaker 1>because of it always being pushed that you know, um,

0:21:49.720 --> 0:21:55.440
<v Speaker 1>secular music was you know, the gateway to hell. Yeah,

0:21:55.560 --> 0:21:59.240
<v Speaker 1>in a sense pretty much. And here I am in

0:21:59.240 --> 0:22:01.920
<v Speaker 1>this R and B place, you know, with this annoying thing,

0:22:01.920 --> 0:22:05.280
<v Speaker 1>with this calling on life. What am I doing here?

0:22:06.040 --> 0:22:07.760
<v Speaker 1>You know what I mean? And so it took a

0:22:07.800 --> 0:22:13.320
<v Speaker 1>while for me to accept that this was from him

0:22:13.320 --> 0:22:16.240
<v Speaker 1>and not from anybody else. This opportunity for me to

0:22:16.280 --> 0:22:19.760
<v Speaker 1>share my gift all over the world and to in

0:22:19.920 --> 0:22:25.159
<v Speaker 1>essence put my life on paper and then ultimately on record,

0:22:25.760 --> 0:22:29.760
<v Speaker 1>and it makes room for me. You know, it provides

0:22:29.800 --> 0:22:31.879
<v Speaker 1>me a place to live, it it provides food for

0:22:31.960 --> 0:22:35.400
<v Speaker 1>my family. I was like, that can only come from

0:22:35.400 --> 0:22:38.560
<v Speaker 1>one place. And it took me a while. I was

0:22:38.600 --> 0:22:42.440
<v Speaker 1>tormented for a while, you know what I mean. People

0:22:42.440 --> 0:22:44.159
<v Speaker 1>would say to me, you're a church boy, like you

0:22:44.280 --> 0:22:47.040
<v Speaker 1>like what you're doing out here, you know what I'm saying,

0:22:47.119 --> 0:22:51.320
<v Speaker 1>this club, and I didn't. I didn't necessarily fit in,

0:22:52.160 --> 0:22:55.200
<v Speaker 1>you know what I mean. But at a certain point

0:22:55.200 --> 0:22:58.480
<v Speaker 1>I just stopped trying to. I just accepted exactly exactly.

0:22:58.800 --> 0:23:01.240
<v Speaker 1>I feel the same way becau. You almost don't fit

0:23:01.280 --> 0:23:04.680
<v Speaker 1>in on either side because you recognize that there's more

0:23:05.400 --> 0:23:07.600
<v Speaker 1>for me. It was like, there's more that I want

0:23:07.600 --> 0:23:10.680
<v Speaker 1>to say, Yes, there's more that I want to There's

0:23:10.880 --> 0:23:14.080
<v Speaker 1>there's more ways that I want to express myself. So

0:23:14.320 --> 0:23:17.439
<v Speaker 1>it can't only be gospel. To me. Gospel is how

0:23:17.480 --> 0:23:20.160
<v Speaker 1>I live my life, the way I treat people. And

0:23:20.160 --> 0:23:22.560
<v Speaker 1>and that would be my response to every time someone say, oh,

0:23:22.560 --> 0:23:24.600
<v Speaker 1>you know you make sure you never stop singing for Jesus,

0:23:24.640 --> 0:23:28.760
<v Speaker 1>I'm like, it's really more about me. Let me, let me,

0:23:28.880 --> 0:23:35.800
<v Speaker 1>let me, let me, let me, let me right. So

0:23:35.840 --> 0:23:43.680
<v Speaker 1>it's kind of what I'm getting my own little layman

0:23:43.840 --> 0:23:50.440
<v Speaker 1>terms like musically mixed. Yeah, yeah, yeah, yeah. So it's like,

0:23:50.640 --> 0:23:54.080
<v Speaker 1>you know, you meet somebody who has one parent that's

0:23:54.119 --> 0:23:57.920
<v Speaker 1>one and whatever, and they gotta figure it out because

0:23:57.920 --> 0:24:05.200
<v Speaker 1>they don't true really fit either side. But when you're

0:24:05.240 --> 0:24:09.719
<v Speaker 1>really talented, eventually they all gravitate towards you. It's what

0:24:09.760 --> 0:24:12.920
<v Speaker 1>I found just watching even with Tank, where it's like

0:24:13.760 --> 0:24:20.679
<v Speaker 1>I'll see the church and the gospel singers and the

0:24:20.800 --> 0:24:24.880
<v Speaker 1>pastors be like, yeah, so it can take come perform

0:24:24.920 --> 0:24:28.959
<v Speaker 1>at the church. What would you like for him to pfor? Um,

0:24:29.880 --> 0:24:36.480
<v Speaker 1>I don't know if he has that selection, but what

0:24:36.480 --> 0:24:41.199
<v Speaker 1>what's wild? They'll ask for the song songs, for the

0:24:41.280 --> 0:24:46.960
<v Speaker 1>songs like so y'all won't win weak I've been you're

0:24:47.000 --> 0:24:52.000
<v Speaker 1>doing at the church banquets or where Like, it's like

0:24:52.640 --> 0:24:56.360
<v Speaker 1>it's just it it's so far away from the traditional

0:24:56.400 --> 0:24:58.639
<v Speaker 1>thing that has been taught, Like I feel like now,

0:24:59.040 --> 0:25:00.960
<v Speaker 1>you know, especially for the pastors that I that I

0:25:01.080 --> 0:25:03.400
<v Speaker 1>performed for man Keith Battles, who was a good friend

0:25:03.400 --> 0:25:06.280
<v Speaker 1>of mine, and not about a pastor Gray, like they

0:25:06.359 --> 0:25:09.680
<v Speaker 1>understand the reality of a thing. Yeah, Like when it's

0:25:09.680 --> 0:25:13.359
<v Speaker 1>time for them to lay down with their wives, Um,

0:25:13.520 --> 0:25:16.360
<v Speaker 1>they're not playing for Redhand and we love, we love

0:25:17.600 --> 0:25:20.240
<v Speaker 1>not for that they're not playing her. Frank, No, you

0:25:20.080 --> 0:25:30.879
<v Speaker 1>know you know what they're gonna they're some Yeah, they

0:25:34.880 --> 0:25:41.359
<v Speaker 1>they need you started. Yeah, And so it had to

0:25:41.359 --> 0:25:49.240
<v Speaker 1>be it's understanding that makes it, yeah, practical, it's human,

0:25:49.800 --> 0:25:53.000
<v Speaker 1>heavenly found that you're no earthly good understand what's happening

0:25:53.119 --> 0:25:56.640
<v Speaker 1>exactly exactly. And there there's and you know, there's been

0:25:56.720 --> 0:26:00.240
<v Speaker 1>so many people who have started in the church and

0:26:00.240 --> 0:26:04.040
<v Speaker 1>and to your point, yes, it's kind of mixed where

0:26:04.080 --> 0:26:06.119
<v Speaker 1>we're on one side and and there's another side. But

0:26:06.200 --> 0:26:09.199
<v Speaker 1>then there's also the people like us were on the

0:26:09.200 --> 0:26:11.880
<v Speaker 1>other side, who are people who just had the courage

0:26:12.320 --> 0:26:15.840
<v Speaker 1>to do more. So we're we I still understand that world.

0:26:15.840 --> 0:26:18.360
<v Speaker 1>I still very like when I played, you know, during

0:26:18.400 --> 0:26:21.840
<v Speaker 1>the Clark Cole, I very much knew that world and

0:26:22.080 --> 0:26:25.719
<v Speaker 1>just that whole ecosystem, you know, like it's it was.

0:26:25.800 --> 0:26:28.280
<v Speaker 1>It was very real to me. But I also know

0:26:28.359 --> 0:26:32.320
<v Speaker 1>the other side. And sometimes it's you having the courage

0:26:32.359 --> 0:26:34.040
<v Speaker 1>to say I want to do more. And that's why

0:26:34.119 --> 0:26:37.240
<v Speaker 1>I love Yolanda Adams, who she just does whatever she wants.

0:26:37.240 --> 0:26:38.879
<v Speaker 1>If they asked her to do a tribute to to

0:26:39.400 --> 0:26:42.400
<v Speaker 1>you know, Shaka Khan or you know she's gonna do that,

0:26:42.480 --> 0:26:44.879
<v Speaker 1>she's gonna do She's gonna do the Ray Charles. She

0:26:44.920 --> 0:26:48.120
<v Speaker 1>and I both did this my second White House show together.

0:26:50.600 --> 0:26:55.080
<v Speaker 1>DA is just I don't have a drink because this

0:26:55.240 --> 0:27:00.360
<v Speaker 1>is you know, but I'm I'm when she sings whenas

0:27:00.720 --> 0:27:05.959
<v Speaker 1>they actually sing together, I had to I had to

0:27:05.960 --> 0:27:10.240
<v Speaker 1>take a step back and and let the same Well,

0:27:10.280 --> 0:27:12.199
<v Speaker 1>we didn't, we didn't do a duet. We were on

0:27:12.240 --> 0:27:14.240
<v Speaker 1>the same we were on the same bill. So I

0:27:14.280 --> 0:27:17.520
<v Speaker 1>actually did a duet with Anthony Hamilton's we did the

0:27:17.600 --> 0:27:20.280
<v Speaker 1>right time that was that was a tribute to Ray Charles.

0:27:20.359 --> 0:27:26.000
<v Speaker 1>Yeah so um but yeah, no, I say all that.

0:27:26.240 --> 0:27:27.960
<v Speaker 1>I don't know what our original point. We've kind of

0:27:28.000 --> 0:27:31.600
<v Speaker 1>gone around. It's fine, but listen, this is here's here's

0:27:31.600 --> 0:27:37.320
<v Speaker 1>the other thing. So this is our show. We want

0:27:38.000 --> 0:27:42.400
<v Speaker 1>I see you as in the comments what they say,

0:27:42.680 --> 0:27:49.560
<v Speaker 1>they say it's irrelevant, irrelevant, it's not your podcast. So

0:27:49.760 --> 0:27:54.920
<v Speaker 1>we have whoever and we will talk about whatever we

0:27:54.960 --> 0:27:58.040
<v Speaker 1>want to. I love that love where we were yeah

0:27:58.200 --> 0:28:01.720
<v Speaker 1>about you being great. This is ultimately this is what No,

0:28:01.880 --> 0:28:04.120
<v Speaker 1>this is why we brought you here because of your

0:28:04.160 --> 0:28:08.399
<v Speaker 1>gift and what you do. Obviously we've known you for

0:28:08.600 --> 0:28:11.480
<v Speaker 1>years at this point and you know, throughout the years,

0:28:11.920 --> 0:28:14.320
<v Speaker 1>but we really we want to put the spotlight on

0:28:14.400 --> 0:28:18.080
<v Speaker 1>people we believe that are great, appreciate it flat out

0:28:18.680 --> 0:28:21.120
<v Speaker 1>and really and really talk about it and talk about

0:28:21.160 --> 0:28:24.119
<v Speaker 1>that journey of how they got there. I think you

0:28:24.160 --> 0:28:28.480
<v Speaker 1>were probably at we were getting off off the Girl

0:28:28.520 --> 0:28:34.800
<v Speaker 1>Group and talking about how we met, and so were

0:28:34.840 --> 0:28:39.400
<v Speaker 1>you signed to Jimmy Jimmy Terry Lewis. I was a

0:28:39.440 --> 0:28:42.760
<v Speaker 1>part of their writing camp, so yeah, it was almost

0:28:42.800 --> 0:28:47.280
<v Speaker 1>like I wasn't technically signed, but we were just I

0:28:47.320 --> 0:28:49.600
<v Speaker 1>was on all of their projects that they were doing.

0:28:49.600 --> 0:28:51.040
<v Speaker 1>So that's actually how I got like a lot of

0:28:51.080 --> 0:28:53.600
<v Speaker 1>my little you know, movie credits. So I would be

0:28:53.600 --> 0:28:55.840
<v Speaker 1>on a keeling the Bee and I would be you know,

0:28:55.960 --> 0:29:02.600
<v Speaker 1>doing backgrounds and my daughter's favorite movie shout out to

0:29:02.680 --> 0:29:06.720
<v Speaker 1>Kick I Love. She's been saying in the in the

0:29:06.800 --> 0:29:09.880
<v Speaker 1>in the news. Yeah she's incomparable. So yeah, let's just

0:29:09.880 --> 0:29:13.080
<v Speaker 1>start there. Um. But but yeah, it's so I got

0:29:13.120 --> 0:29:15.240
<v Speaker 1>Will and Grays to a lot of a lot of

0:29:15.280 --> 0:29:18.080
<v Speaker 1>different stuff that during that time, whatever they were on,

0:29:18.520 --> 0:29:21.280
<v Speaker 1>I was on, you know, whatever they were writing for whatever.

0:29:21.440 --> 0:29:23.800
<v Speaker 1>So that's actually when I don't know if you guys

0:29:23.800 --> 0:29:28.160
<v Speaker 1>remember the movie Jumping the Broom, So that was did

0:29:28.200 --> 0:29:33.000
<v Speaker 1>you want you wanted to be what character? Because I

0:29:33.040 --> 0:29:36.040
<v Speaker 1>was gonna ask could you give us what they call

0:29:36.080 --> 0:29:39.160
<v Speaker 1>it monologue? Is that what they call it? Yeah, okay,

0:29:39.480 --> 0:29:42.240
<v Speaker 1>my line. I was supposed to be the Ray character.

0:29:42.840 --> 0:29:45.240
<v Speaker 1>Oh you would have been funny that one. But he

0:29:45.360 --> 0:29:47.640
<v Speaker 1>was funny too. He was funny too. But you know

0:29:47.800 --> 0:29:51.840
<v Speaker 1>so much I'm doing so I'm doing the audition and

0:29:52.120 --> 0:29:53.479
<v Speaker 1>you know, I'm just being natural, you know what, I'm

0:29:53.960 --> 0:29:56.440
<v Speaker 1>grapes on the table and I saw like my you know,

0:29:56.640 --> 0:29:58.520
<v Speaker 1>see the grapes on me us the grapes probably grab

0:29:58.520 --> 0:30:06.920
<v Speaker 1>a grape to a grape. No no, I started dying

0:30:06.920 --> 0:30:23.760
<v Speaker 1>of the only men. And what's the that was looking

0:30:23.800 --> 0:30:28.680
<v Speaker 1>at me? No, no, used to be that was um

0:30:29.760 --> 0:30:35.880
<v Speaker 1>Um married to baby face. Tracy was looking at me

0:30:35.920 --> 0:30:43.200
<v Speaker 1>like did you grab my grape? Like not only were

0:30:43.200 --> 0:30:49.800
<v Speaker 1>they not community crazy, they were someone else's grapes. Yeah,

0:30:50.120 --> 0:30:55.360
<v Speaker 1>I'm still too much. Yeah you haven't been. I haven't

0:30:55.360 --> 0:31:02.160
<v Speaker 1>been in any of her movie. Sorry, I'm now talked

0:31:02.160 --> 0:31:06.920
<v Speaker 1>to man. Oh my god, you took her grape and

0:31:07.000 --> 0:31:09.440
<v Speaker 1>she said no thing. The grapes said no, thanks to me.

0:31:10.400 --> 0:31:12.920
<v Speaker 1>You took that, you took the role. Actually that was

0:31:12.960 --> 0:31:15.440
<v Speaker 1>like my I was getting more into the writing. Like

0:31:15.480 --> 0:31:17.320
<v Speaker 1>I said, I just loved I just wanted to be

0:31:17.520 --> 0:31:19.640
<v Speaker 1>just a part of the process. I didn't have to be,

0:31:20.360 --> 0:31:23.200
<v Speaker 1>you know, on stage. It was just writing and producing.

0:31:23.200 --> 0:31:25.400
<v Speaker 1>And so I learned so much during those years with Jimmy,

0:31:25.440 --> 0:31:28.240
<v Speaker 1>Jamin Terry and so my kind of like my big

0:31:29.120 --> 0:31:32.000
<v Speaker 1>I would say, like my big break was when I

0:31:32.040 --> 0:31:35.760
<v Speaker 1>was on Tick six's album, Um who I considered it

0:31:35.840 --> 0:31:39.160
<v Speaker 1>be like my brothers, and I was doing this song

0:31:39.200 --> 0:31:41.120
<v Speaker 1>called someone to Watch Over Me, And of course y'all

0:31:41.120 --> 0:31:50.160
<v Speaker 1>know Stevie Wonder love some some Take six you said, man,

0:31:50.200 --> 0:31:54.760
<v Speaker 1>I gotta I gotta accomplish something and stop it. I

0:31:54.800 --> 0:32:00.440
<v Speaker 1>don't know the guys, so um Stevie heard and he

0:32:00.560 --> 0:32:04.840
<v Speaker 1>was like, who is this girl? I want to meet her? Um,

0:32:04.880 --> 0:32:09.160
<v Speaker 1>you know, And so okay, I'll tell you guys that story.

0:32:09.160 --> 0:32:13.240
<v Speaker 1>That story's champagne on here because if not, she's probably

0:32:13.280 --> 0:32:17.560
<v Speaker 1>poured it all over me, all of it. Stee Wonder,

0:32:18.120 --> 0:32:32.120
<v Speaker 1>Stevie Wonder wants to know girl. It wasn't okay, But

0:32:32.440 --> 0:32:36.400
<v Speaker 1>I'm just tell you how off I was. Okay, So

0:32:37.200 --> 0:32:39.560
<v Speaker 1>I'll give a little background. As I told you, guys

0:32:39.680 --> 0:32:42.760
<v Speaker 1>would being with Jimmy and Terry, everybody would come through there,

0:32:42.800 --> 0:32:46.560
<v Speaker 1>you know. So I remember when Maurice White was and

0:32:47.000 --> 0:32:49.800
<v Speaker 1>I treasured these moments. I didn't realize how special it was.

0:32:50.120 --> 0:32:53.640
<v Speaker 1>I knew it was special. Teers win in Fire and

0:32:53.680 --> 0:32:55.640
<v Speaker 1>I remember I played and sings on me and he's like, girl,

0:32:55.640 --> 0:32:59.200
<v Speaker 1>you've got some chords. And I'm just like, just those

0:32:59.280 --> 0:33:02.400
<v Speaker 1>kind of moments would happened there all the time. So

0:33:02.520 --> 0:33:06.880
<v Speaker 1>I'm prefacing the story by saying that. So I go

0:33:07.080 --> 0:33:10.120
<v Speaker 1>and I meet Stevie and and up Stephanie, who still

0:33:10.160 --> 0:33:12.160
<v Speaker 1>works with him. I love her to death. I just

0:33:12.200 --> 0:33:15.520
<v Speaker 1>talked to her not too long ago. Um she wanted

0:33:15.560 --> 0:33:18.800
<v Speaker 1>to surprise him with me just showing up to the studio.

0:33:19.320 --> 0:33:23.120
<v Speaker 1>So I go to the studio and you know, Stevie

0:33:23.160 --> 0:33:25.000
<v Speaker 1>is he was in the middle of doing something, so

0:33:25.040 --> 0:33:27.400
<v Speaker 1>he was like recording something else. So I'm just kind

0:33:27.400 --> 0:33:32.080
<v Speaker 1>of like on the couch or somewhere waiting. So hour

0:33:32.160 --> 0:33:35.800
<v Speaker 1>goes by, another hour goes by, and I'm just like, yeah,

0:33:35.800 --> 0:33:38.640
<v Speaker 1>I gotta go, you know, I gotta go, Like I

0:33:38.680 --> 0:33:43.960
<v Speaker 1>have I got ship to do. Somebody tells Stevie I

0:33:44.040 --> 0:34:09.920
<v Speaker 1>was here. That's not part Please don't air this part. Okay,

0:34:09.920 --> 0:34:11.759
<v Speaker 1>but that's not even it. That's not even the bad part.

0:34:12.400 --> 0:34:14.920
<v Speaker 1>So so I talked. So I talked to them and

0:34:15.480 --> 0:34:30.279
<v Speaker 1>I was like, oh god, I was all on God man,

0:34:30.360 --> 0:34:34.600
<v Speaker 1>he protects babies and food. So so anyway, so I'm

0:34:34.640 --> 0:34:36.240
<v Speaker 1>like I'm meeting him. I'm just kind of like, okay,

0:34:36.320 --> 0:34:39.279
<v Speaker 1>cool I met. I met Stevie Wonder and so I

0:34:39.320 --> 0:34:42.040
<v Speaker 1>was just like they were like, oh. He was like, well,

0:34:42.200 --> 0:35:06.720
<v Speaker 1>you know, can you come by tomorrow? And I was like, no, okay, yeah,

0:35:06.880 --> 0:35:22.920
<v Speaker 1>I'm gonna cry. Oh god, Stevie don't work on Friday. Friday. No,

0:35:23.000 --> 0:35:25.319
<v Speaker 1>it wasn't even a Friday. That wouldn't make the worst.

0:35:25.760 --> 0:35:37.040
<v Speaker 1>It wasn't even Friday. So so I called my sister

0:35:37.480 --> 0:35:39.840
<v Speaker 1>and I'm like, oh, you know, I just met Stevie.

0:35:39.880 --> 0:35:41.799
<v Speaker 1>You know, he was busy all the time. I just

0:35:42.040 --> 0:35:45.520
<v Speaker 1>got to say hi, that's it. And she said, well

0:35:45.560 --> 0:35:52.239
<v Speaker 1>what happened? She said, you know, what do they say?

0:35:53.600 --> 0:35:55.520
<v Speaker 1>I said, you know, I got some thing to do.

0:35:57.800 --> 0:35:59.319
<v Speaker 1>I really I could make it back. She was like

0:36:00.680 --> 0:36:03.839
<v Speaker 1>Leia that she doesn't curse, but she would have said

0:36:04.239 --> 0:36:10.319
<v Speaker 1>that Stevie Wonder, that's Stevie Wonder. And I was like,

0:36:10.440 --> 0:36:14.959
<v Speaker 1>what if my time to borrow? The next day I call,

0:36:16.200 --> 0:36:21.319
<v Speaker 1>they don't answer. Yeah, So I just showed up. I

0:36:21.400 --> 0:36:23.160
<v Speaker 1>literally just showed up. I just went to the studio

0:36:23.960 --> 0:36:27.600
<v Speaker 1>and I will never forget. I can literally see where

0:36:27.640 --> 0:36:31.319
<v Speaker 1>everybody was sitting, and he was. He wasn't there yet,

0:36:31.360 --> 0:36:34.440
<v Speaker 1>and so when he came in, somebody must assess something.

0:36:34.480 --> 0:36:38.240
<v Speaker 1>And I laughed and he was like, you came back.

0:36:39.880 --> 0:36:47.239
<v Speaker 1>He recognized meeting just meeting me yesterday, and he's like,

0:36:47.320 --> 0:36:51.040
<v Speaker 1>you came back. And the rest is history. I mean

0:36:51.080 --> 0:36:55.719
<v Speaker 1>after that, we just connected so so deeply, and I

0:36:55.800 --> 0:36:58.359
<v Speaker 1>went I remember going to the piano and we were

0:36:58.440 --> 0:37:02.719
<v Speaker 1>just singing. And later on that um yere so that

0:37:02.760 --> 0:37:04.120
<v Speaker 1>was he was about to go on tour. So that

0:37:04.200 --> 0:37:06.719
<v Speaker 1>Christmas I sang for his House full of Toys, you

0:37:06.719 --> 0:37:09.400
<v Speaker 1>know the show he does every year. Um and I did.

0:37:09.440 --> 0:37:11.719
<v Speaker 1>Who could Imagine the King? And I just remember thinking like,

0:37:11.760 --> 0:37:14.479
<v Speaker 1>oh my god, am I really butt cheeked butt cheek

0:37:14.560 --> 0:37:17.080
<v Speaker 1>with Stevie Wonder. I'm sitting at the piano, He's like

0:37:17.120 --> 0:37:21.440
<v Speaker 1>sitting at the roads. And that was just kind of

0:37:21.480 --> 0:37:23.960
<v Speaker 1>the startup to be probably one of the most beautiful

0:37:23.960 --> 0:37:26.720
<v Speaker 1>friendships that I have in this world. And I tell people,

0:37:26.800 --> 0:37:31.399
<v Speaker 1>like everything that you think about him, you know when

0:37:31.400 --> 0:37:33.000
<v Speaker 1>you when you hear, like back to what you were saying,

0:37:33.000 --> 0:37:35.839
<v Speaker 1>how certain songs conjure up certain memories. You know when

0:37:35.880 --> 0:37:38.120
<v Speaker 1>you hear you know, you are the sunshine of my

0:37:38.160 --> 0:37:40.919
<v Speaker 1>life from my stree more, how it feels like light.

0:37:42.280 --> 0:37:47.760
<v Speaker 1>He really is like that, he is that light. And um,

0:37:47.840 --> 0:37:50.200
<v Speaker 1>you know I've never heard him we joke. I mean

0:37:50.200 --> 0:37:53.839
<v Speaker 1>we we talked with each other all the time, just

0:37:54.960 --> 0:37:58.240
<v Speaker 1>up on stage like just we have the most hilarious

0:37:58.600 --> 0:38:06.719
<v Speaker 1>let him your nah because it's just like this, there's

0:38:06.760 --> 0:38:13.200
<v Speaker 1>these rumors. No, well, I don't know. I haven't experienced

0:38:13.239 --> 0:38:15.839
<v Speaker 1>that with Okay, okay, I have every time we've been

0:38:16.880 --> 0:38:19.759
<v Speaker 1>that you ain't that close thing because you ain't well

0:38:21.200 --> 0:38:26.560
<v Speaker 1>Eve been driven driven now have a drive. We when

0:38:26.560 --> 0:38:28.960
<v Speaker 1>we had we had Ray Parker Jr. One and he

0:38:29.080 --> 0:38:31.799
<v Speaker 1>told the story about how like you know, they would

0:38:31.880 --> 0:38:35.879
<v Speaker 1>let Stevie drive in the open, like all the road

0:38:36.160 --> 0:38:38.600
<v Speaker 1>that kind of open, but you know, let him drive.

0:38:42.239 --> 0:38:46.640
<v Speaker 1>I fumbled my Stevie Stevie moment. What was yours? I

0:38:46.760 --> 0:38:50.680
<v Speaker 1>was so, I was so star struck. Yeah, and I

0:38:50.719 --> 0:38:53.760
<v Speaker 1>had sing Stevie songs for all sorts of weddings. Course,

0:38:53.880 --> 0:38:56.480
<v Speaker 1>of course, Stevie Wonder walks into my show I was

0:38:56.560 --> 0:38:59.560
<v Speaker 1>performing at Universal City Walk. Was there like a people

0:38:59.640 --> 0:39:01.960
<v Speaker 1>kings up? What was that up there? Yeah? Yeah it

0:39:02.080 --> 0:39:06.560
<v Speaker 1>was it was Stevie Wonder shows up and comes on

0:39:06.640 --> 0:39:10.160
<v Speaker 1>stage with me, and we sit down on my piano

0:39:10.680 --> 0:39:14.520
<v Speaker 1>and he starts playing and singing my song. And I'm

0:39:14.560 --> 0:39:18.560
<v Speaker 1>supposed to go back and sing his song with his

0:39:18.680 --> 0:39:25.200
<v Speaker 1>lyrics and play it, and I blank, I blank, I

0:39:25.200 --> 0:39:31.000
<v Speaker 1>don't know the words to Ribbing in the Sky. Yeah. Yeah.

0:39:31.400 --> 0:39:33.600
<v Speaker 1>Times he brought me a gift like a recorder and

0:39:33.640 --> 0:39:42.640
<v Speaker 1>a microphone and fumble first first football player. You know

0:39:42.640 --> 0:39:46.120
<v Speaker 1>you play football? I got and I never playing football.

0:39:46.400 --> 0:39:50.360
<v Speaker 1>It's crazy. I play football too. Back off in safety

0:39:50.360 --> 0:39:55.200
<v Speaker 1>on defense where I played in high school and college,

0:39:57.280 --> 0:39:59.680
<v Speaker 1>I mean, not like professional and you know I played

0:39:59.719 --> 0:40:04.319
<v Speaker 1>the Inner Murals. Yeah, so you're an athlete. It's putting

0:40:04.360 --> 0:40:07.360
<v Speaker 1>hands on you out here, just just tackling people. No back,

0:40:08.080 --> 0:40:18.759
<v Speaker 1>Yeah you're gone. Okay, I respect new rispect to another place. Yeah,

0:40:19.160 --> 0:40:22.560
<v Speaker 1>back and back and safe and say that means she

0:40:22.640 --> 0:40:25.680
<v Speaker 1>liked to hear people tap m yeah, click click, last

0:40:25.680 --> 0:40:31.640
<v Speaker 1>resort you know, yeah, Okay, So what does it ever

0:40:31.719 --> 0:40:34.120
<v Speaker 1>come to you? Do you ever? Do you ever sing

0:40:34.160 --> 0:40:36.720
<v Speaker 1>the lyric? Or does he prompt you like what happened?

0:40:36.920 --> 0:40:40.680
<v Speaker 1>Let's get off of my stuper because yours is way better.

0:40:41.640 --> 0:40:44.719
<v Speaker 1>You go from this amazing moment takes six Stevie comes

0:40:44.760 --> 0:40:48.719
<v Speaker 1>in now friendship and and then I don't hear. Then

0:40:48.719 --> 0:40:51.560
<v Speaker 1>I don't hear from them for years, from Stevie, from

0:40:51.600 --> 0:40:54.440
<v Speaker 1>Steve for years. And that's I always tell people, like

0:40:54.760 --> 0:40:57.919
<v Speaker 1>you don't reach Stevie, Stevie reaches you. And it wasn't

0:40:58.000 --> 0:41:02.160
<v Speaker 1>until I did, uh when Whitney passed, God rest her soul,

0:41:02.840 --> 0:41:06.480
<v Speaker 1>and I did. I literally was just at this one

0:41:06.480 --> 0:41:09.120
<v Speaker 1>of my dearest friends, Tony Shepard, I was at his

0:41:09.160 --> 0:41:11.279
<v Speaker 1>house and I was just at the keyboard and I

0:41:11.320 --> 0:41:13.600
<v Speaker 1>just went through like just some of my favorite songs

0:41:13.600 --> 0:41:16.640
<v Speaker 1>of hers, and it kind of went like semi viral,

0:41:16.840 --> 0:41:21.399
<v Speaker 1>like a lot of people like that where her dancers.

0:41:21.560 --> 0:41:25.400
<v Speaker 1>This is after she passed. Her dancers, singers, best friends, family,

0:41:25.440 --> 0:41:27.680
<v Speaker 1>they all reached out to me, and even her daughter

0:41:27.760 --> 0:41:30.279
<v Speaker 1>reached out Bobby Christina May. She also rest in peace,

0:41:30.320 --> 0:41:32.520
<v Speaker 1>and she was like, when I hear you sing, I

0:41:32.520 --> 0:41:35.560
<v Speaker 1>feel my mom's spirit with me and if my if

0:41:35.640 --> 0:41:37.799
<v Speaker 1>my mom was here, she would be so proud of you.

0:41:38.560 --> 0:41:43.279
<v Speaker 1>So somebody sent Stevie that and he they were like,

0:41:43.480 --> 0:41:47.239
<v Speaker 1>there's a there's this girl. She's like singing. Her name

0:41:47.320 --> 0:41:51.520
<v Speaker 1>is she Sho. He's like Chaliah. They're like, yeah, yeah,

0:41:51.560 --> 0:41:55.239
<v Speaker 1>that's it. So he calls me, and then after that

0:41:55.320 --> 0:41:58.479
<v Speaker 1>we just stayed connected, but you know, going through different lives.

0:41:58.480 --> 0:42:01.440
<v Speaker 1>He I think he was going through a divorce at

0:42:01.480 --> 0:42:03.799
<v Speaker 1>that time, you know, just different life, which I just

0:42:03.800 --> 0:42:05.319
<v Speaker 1>didn't hear from him for a couple of years. I

0:42:05.360 --> 0:42:07.120
<v Speaker 1>went through it afore, you know what I mean. So

0:42:07.800 --> 0:42:09.960
<v Speaker 1>I had to also learn to be very specific. I

0:42:09.960 --> 0:42:12.400
<v Speaker 1>remember Stevie asked me, he said, what do you want

0:42:12.440 --> 0:42:17.480
<v Speaker 1>me to do for you? Wow? And because I was

0:42:17.560 --> 0:42:21.359
<v Speaker 1>so afraid of coming off, how do you answer that?

0:42:21.640 --> 0:42:23.719
<v Speaker 1>Thank you for saying that? How do you answer that?

0:42:23.760 --> 0:42:25.360
<v Speaker 1>Because I didn't Hey, I didn't know how to answer that,

0:42:25.400 --> 0:42:28.120
<v Speaker 1>and be I didn't want to come across like so okay,

0:42:28.160 --> 0:42:30.200
<v Speaker 1>I need you to do this, this, this, this, and that.

0:42:30.880 --> 0:42:34.080
<v Speaker 1>I was just like, I just want you to just

0:42:34.800 --> 0:42:39.239
<v Speaker 1>you know, keep loving me. The way you do and

0:42:39.239 --> 0:42:41.920
<v Speaker 1>what I'm what I've learned now since then, guys need

0:42:42.000 --> 0:42:45.560
<v Speaker 1>you to be a little bit more direct and specific.

0:42:46.440 --> 0:42:48.440
<v Speaker 1>That was that was That wasn't That was weird. That

0:42:48.520 --> 0:42:52.439
<v Speaker 1>was a weird. But I didn't know what else to say.

0:42:52.440 --> 0:42:54.960
<v Speaker 1>I just because I didn't want to come across like

0:42:57.719 --> 0:43:03.520
<v Speaker 1>what you just said to me? Because he just asked,

0:43:03.560 --> 0:43:06.040
<v Speaker 1>he asked it, very very direct, what do you want

0:43:06.040 --> 0:43:09.000
<v Speaker 1>me to do for you? And you know, I think

0:43:09.080 --> 0:43:11.720
<v Speaker 1>when I look back at some pivotal moments in my career,

0:43:11.800 --> 0:43:14.360
<v Speaker 1>I'm very happy with where I am right now, but

0:43:14.400 --> 0:43:17.080
<v Speaker 1>I know a lot of people would have asked me

0:43:17.120 --> 0:43:19.600
<v Speaker 1>many times like I just don't understand why you're not

0:43:20.600 --> 0:43:23.279
<v Speaker 1>a household name or or this or that. I don't

0:43:23.280 --> 0:43:27.800
<v Speaker 1>know if it's because I answered Stevie that way, but

0:43:27.920 --> 0:43:30.759
<v Speaker 1>you know, I think sometimes in the past it might

0:43:30.760 --> 0:43:34.360
<v Speaker 1>have been a mindset that it was coming across, like

0:43:34.400 --> 0:43:38.400
<v Speaker 1>maybe perhaps I wasn't hungry enough, but I was, But

0:43:38.520 --> 0:43:42.840
<v Speaker 1>I just was doing it my way. And I still

0:43:43.040 --> 0:43:46.440
<v Speaker 1>feel confident in the way that I've done things. Um,

0:43:46.480 --> 0:43:48.839
<v Speaker 1>but I do look at right and left terms and

0:43:49.040 --> 0:43:52.040
<v Speaker 1>wonder if if I was a little bit more direct,

0:43:52.080 --> 0:43:53.879
<v Speaker 1>if that would have made a difference. Who knows. I mean,

0:43:54.640 --> 0:43:58.080
<v Speaker 1>the question I asked myself most is are you enjoying

0:43:58.080 --> 0:44:01.160
<v Speaker 1>what you're doing right now? And very yourself? Okay, so

0:44:01.239 --> 0:44:09.920
<v Speaker 1>before we get to yeah, I'll be seeing you on stage. Yeah,

0:44:12.760 --> 0:44:15.160
<v Speaker 1>who started off as just a session player. That's just

0:44:17.360 --> 0:44:20.840
<v Speaker 1>David Foster had a cable car at his house. A

0:44:20.840 --> 0:44:23.759
<v Speaker 1>cable car. Yeah, you know what that is? Absolutely so

0:44:23.840 --> 0:44:27.000
<v Speaker 1>obviously in San Francisco we have cable cars that will

0:44:27.080 --> 0:44:29.319
<v Speaker 1>take you from down the hill all the way up

0:44:29.320 --> 0:44:30.680
<v Speaker 1>the hill, and we're kind of known for that in

0:44:30.719 --> 0:44:34.719
<v Speaker 1>sanc went at his house. He just sounds malible one. Yeah,

0:44:35.320 --> 0:44:38.759
<v Speaker 1>it'll take it would take you from the grounds to

0:44:39.520 --> 0:44:42.640
<v Speaker 1>the house. I was I wasn't. I wasn't there during

0:44:42.680 --> 0:44:47.560
<v Speaker 1>that area that I need to know how that I'm

0:44:47.560 --> 0:44:49.880
<v Speaker 1>sure he can still know what it's like. It's like

0:44:49.920 --> 0:44:52.280
<v Speaker 1>he's kind of like my north Star. He and Ricky

0:44:52.320 --> 0:44:55.719
<v Speaker 1>Minor are kind of like Ricky Ricky Minor are like

0:44:55.840 --> 0:44:59.200
<v Speaker 1>kind of like my Norse. So so I meet Stevie

0:44:59.239 --> 0:45:03.080
<v Speaker 1>through takes It. I meet Ricky Minor through Stevie. Wonder

0:45:03.120 --> 0:45:05.400
<v Speaker 1>because he was m dying the show. He would always

0:45:05.400 --> 0:45:09.880
<v Speaker 1>empty all Stevie's Um housepel of Toy Show. Then I

0:45:09.960 --> 0:45:13.640
<v Speaker 1>meet Quincy Jones through Rickey Minor because he's doing some event,

0:45:13.800 --> 0:45:16.040
<v Speaker 1>and then me and q just hit off. I know,

0:45:16.080 --> 0:45:17.560
<v Speaker 1>I'm like going all over the place, but it's just

0:45:17.760 --> 0:45:19.520
<v Speaker 1>but that's like kind of like the branching out, like

0:45:19.600 --> 0:45:23.120
<v Speaker 1>that's how. And so then I met David Foster because

0:45:23.200 --> 0:45:27.879
<v Speaker 1>David and Stevie were um doing a record together that

0:45:28.880 --> 0:45:31.399
<v Speaker 1>probably won't see the life day, but it was such

0:45:31.440 --> 0:45:35.320
<v Speaker 1>a great record. It was like with the London Philmonic Orchestra,

0:45:35.480 --> 0:45:39.600
<v Speaker 1>like his his songs with the orchestra and um and

0:45:39.640 --> 0:45:42.719
<v Speaker 1>so I I sang um as I was I was.

0:45:43.440 --> 0:45:46.440
<v Speaker 1>Stevie brought me into to do that and so and

0:45:46.400 --> 0:45:52.319
<v Speaker 1>it's crazy he changed it to sixth eight. No, like

0:45:52.360 --> 0:46:02.360
<v Speaker 1>they just it. It was cold. It was amazing. I

0:46:02.360 --> 0:46:04.320
<v Speaker 1>mean I just actually just you know, she starts speaking

0:46:04.360 --> 0:46:10.640
<v Speaker 1>in language. She went to, we have a lot of

0:46:10.640 --> 0:46:13.920
<v Speaker 1>discussions in this whole R and B thing about you know,

0:46:13.960 --> 0:46:17.600
<v Speaker 1>the gifts, you know, who can who can't? Can they

0:46:17.680 --> 0:46:21.040
<v Speaker 1>really this that together? And then someone like yourself comes

0:46:21.040 --> 0:46:25.840
<v Speaker 1>on here without saying it, it just fully stamps like okay,

0:46:25.880 --> 0:46:29.160
<v Speaker 1>I'm different. Continue if I got to say it then

0:46:29.480 --> 0:46:31.799
<v Speaker 1>I already lost you know, you gotta you gotta know

0:46:31.840 --> 0:46:49.640
<v Speaker 1>it for yourself, you know, but damn, like it's it's

0:46:49.719 --> 0:46:52.359
<v Speaker 1>just incredible. So anyway that they were working on that question.

0:46:52.400 --> 0:46:55.640
<v Speaker 1>So that's how I met David, and I will never forget.

0:46:55.880 --> 0:46:59.000
<v Speaker 1>It was like one two in the morning and David

0:46:59.080 --> 0:47:00.319
<v Speaker 1>was on as well. You know how David gets when

0:47:00.360 --> 0:47:03.400
<v Speaker 1>he's about to leave somewhere, it's like you know, and

0:47:03.440 --> 0:47:05.799
<v Speaker 1>Steve was like, yeah, I wanted to sing something four

0:47:05.840 --> 0:47:07.960
<v Speaker 1>He's like, hey, well, just just a verse in a chorus.

0:47:08.040 --> 0:47:10.760
<v Speaker 1>This is Davidster. Just a verse of the chorus. I'm

0:47:10.760 --> 0:47:14.480
<v Speaker 1>about to go. So I go to the piano, played

0:47:14.480 --> 0:47:17.239
<v Speaker 1>some song and he was like, okay, very nice. I

0:47:17.239 --> 0:47:20.520
<v Speaker 1>remember I called my Dad's like, Dad, I just met David,

0:47:20.640 --> 0:47:23.880
<v Speaker 1>but I don't think I made an impact. And he's like, no,

0:47:24.280 --> 0:47:26.560
<v Speaker 1>he made it back. I was like no, Dad, he

0:47:26.719 --> 0:47:29.120
<v Speaker 1>was just kind of like shrugged me off, like okay, nice.

0:47:29.160 --> 0:47:33.040
<v Speaker 1>That was cute. That was nice. Ah, that's what you

0:47:33.120 --> 0:47:36.799
<v Speaker 1>said about maybe seven six seven months later, that's when

0:47:36.800 --> 0:47:38.640
<v Speaker 1>he called me. And that was at the first event

0:47:38.680 --> 0:47:41.040
<v Speaker 1>I did with him, and we had been we've been

0:47:41.080 --> 0:47:45.040
<v Speaker 1>touring together for years now. You know, he was on

0:47:45.160 --> 0:47:50.040
<v Speaker 1>my PBS special, I was on his Quincy Jones presentially

0:47:53.000 --> 0:47:56.720
<v Speaker 1>what you know what this is how I know she's

0:47:57.400 --> 0:48:00.719
<v Speaker 1>been hanging around all these high levels because this is

0:48:00.760 --> 0:48:08.359
<v Speaker 1>what they do. It's just it's just it doesn't you know. Yea.

0:48:10.520 --> 0:48:14.160
<v Speaker 1>I will never forget meeting with David Foston and realizing

0:48:14.200 --> 0:48:18.319
<v Speaker 1>that he was using a Grammy as a paperweight. Well

0:48:18.400 --> 0:48:21.200
<v Speaker 1>he's got sixteen of them, so he was using it

0:48:21.640 --> 0:48:27.799
<v Speaker 1>as a paper don't fly away. Yeah, I'm serious. Put

0:48:27.840 --> 0:48:31.200
<v Speaker 1>this somewhere with some lights on it. Oh no, trust

0:48:31.239 --> 0:48:34.600
<v Speaker 1>he's got he's got He's got all sixteen, all of

0:48:34.600 --> 0:48:38.080
<v Speaker 1>them all stacked up. But this day randomly, I don't know,

0:48:38.200 --> 0:48:44.600
<v Speaker 1>but it's literally, yeah, that's David for you. I love him.

0:48:44.880 --> 0:48:48.000
<v Speaker 1>And you know, just recently he you know, we we

0:48:48.040 --> 0:48:51.719
<v Speaker 1>had this conversation and he's like, I just see, you know,

0:48:52.239 --> 0:48:55.279
<v Speaker 1>your star rising. And because now it started getting a

0:48:55.280 --> 0:48:56.640
<v Speaker 1>little you know how it is with promoters to start

0:48:56.680 --> 0:48:59.799
<v Speaker 1>getting a little awkward. Because I was literally performing at

0:48:59.800 --> 0:49:02.520
<v Speaker 1>the same venues that I was doing with him, David

0:49:02.560 --> 0:49:05.840
<v Speaker 1>Foster and friends. So it was just like it started

0:49:05.840 --> 0:49:09.359
<v Speaker 1>getting weird, you know, and so it just meant that

0:49:09.400 --> 0:49:12.120
<v Speaker 1>it was just I needed to graduate. It was time

0:49:12.160 --> 0:49:15.759
<v Speaker 1>to graduate, and so we just all love and he

0:49:16.160 --> 0:49:18.640
<v Speaker 1>you know, he and Cat are doing their Dave and

0:49:18.680 --> 0:49:22.680
<v Speaker 1>Cat show, and that's I saw that. I saw the

0:49:22.760 --> 0:49:25.560
<v Speaker 1>problem for that when I was in Vega. Yeah. Yeah, yeah,

0:49:25.680 --> 0:49:28.440
<v Speaker 1>I was like, yeah, I have to I'm now headlining

0:49:28.480 --> 0:49:34.680
<v Speaker 1>my own show. So's it's it's just not working, you know,

0:49:35.239 --> 0:49:39.960
<v Speaker 1>not in a negative way. Yeah, yeah, right, Okay, Clark sisters,

0:49:40.200 --> 0:49:46.600
<v Speaker 1>Yeah yeah, let's get into it. Come on, yeah, I

0:49:46.680 --> 0:49:52.200
<v Speaker 1>want I want first phone call or Clark sisters, give me,

0:49:52.320 --> 0:49:54.719
<v Speaker 1>give me the whole thing. Well, first of all, I

0:49:54.760 --> 0:49:58.200
<v Speaker 1>didn't see myself as an actress, you know, at all.

0:49:58.239 --> 0:50:01.560
<v Speaker 1>So you hadn't done any acting before. Okay, I will

0:50:01.600 --> 0:50:04.040
<v Speaker 1>say this. I was I was. Um. I had a

0:50:04.200 --> 0:50:07.359
<v Speaker 1>small role in this actually very big movie was called

0:50:07.400 --> 0:50:12.200
<v Speaker 1>All the Way, and um it started Anthony Mackie and

0:50:12.360 --> 0:50:17.320
<v Speaker 1>he was he was Martin Luther King and Lyndon B.

0:50:17.440 --> 0:50:22.560
<v Speaker 1>Johnson was Brian Cranston. Actually eight Emmy nominations and all that.

0:50:22.600 --> 0:50:24.200
<v Speaker 1>But I just had like a little small role where

0:50:24.239 --> 0:50:26.439
<v Speaker 1>I was like singing live. I was singing live though,

0:50:26.920 --> 0:50:28.520
<v Speaker 1>so I was singing, so I kind of looked back

0:50:28.520 --> 0:50:31.239
<v Speaker 1>at that moment like that was kind of like foreshadow

0:50:31.280 --> 0:50:33.400
<v Speaker 1>and kind of preparing me for it because like, you

0:50:33.440 --> 0:50:35.520
<v Speaker 1>know how it is, you absolutely know, I see, you

0:50:35.520 --> 0:50:38.080
<v Speaker 1>know how it is with all these different takes and stuff,

0:50:38.480 --> 0:50:40.800
<v Speaker 1>so you know, over and over all these different angles.

0:50:40.800 --> 0:50:42.359
<v Speaker 1>So I was singing live, so I had to sing

0:50:42.400 --> 0:50:47.960
<v Speaker 1>live every single time, you know. So that was that

0:50:48.040 --> 0:50:51.120
<v Speaker 1>was cool. So that was like a small little role.

0:50:51.160 --> 0:50:54.480
<v Speaker 1>But again I didn't see myself as like, you know,

0:50:54.680 --> 0:50:58.200
<v Speaker 1>being really part of an ensemble cast. And so Christine

0:50:58.239 --> 0:51:02.279
<v Speaker 1>Swanson who was the director UM, she and I were

0:51:02.280 --> 0:51:05.680
<v Speaker 1>working on a completely different project just musically, and I

0:51:05.680 --> 0:51:07.319
<v Speaker 1>remember she came and she told me it's like I

0:51:07.440 --> 0:51:10.800
<v Speaker 1>just got signed on to direct UM the Clerk Sisters,

0:51:10.880 --> 0:51:14.120
<v Speaker 1>First Ladies of Gospel and UM at that time, well

0:51:14.160 --> 0:51:16.560
<v Speaker 1>it was called You Brought the Sunshine, and it wasn't

0:51:16.600 --> 0:51:19.960
<v Speaker 1>it was that's what it was called. And she was like,

0:51:20.040 --> 0:51:23.080
<v Speaker 1>you know, I can't make you any promises, but I

0:51:23.160 --> 0:51:24.680
<v Speaker 1>think you should just put your name in the hat

0:51:24.719 --> 0:51:27.480
<v Speaker 1>for it, like you know, try to you know, put

0:51:27.520 --> 0:51:31.560
<v Speaker 1>a self tape and and submit it. So I was like,

0:51:31.680 --> 0:51:33.759
<v Speaker 1>really you think, So I feel like that's that's like

0:51:33.800 --> 0:51:36.200
<v Speaker 1>a that's a big role. That's a you know, I

0:51:36.200 --> 0:51:38.200
<v Speaker 1>don't know, you started thinking of all the other people

0:51:38.320 --> 0:51:41.200
<v Speaker 1>that could play it instead, who looked more like her,

0:51:41.360 --> 0:51:44.680
<v Speaker 1>you know, just all of that, and um, she said,

0:51:44.840 --> 0:51:47.440
<v Speaker 1>just just do it, just do it. So I did it,

0:51:47.520 --> 0:51:51.480
<v Speaker 1>and they it wasn't a no, but it wasn't a

0:51:51.560 --> 0:51:55.120
<v Speaker 1>yes either, you know. So I keep working. I keep working,

0:51:55.160 --> 0:51:59.400
<v Speaker 1>I keep working, and I work with um Josie Josie Harris.

0:51:59.480 --> 0:52:03.080
<v Speaker 1>She's a great acting coach. And I remember I was

0:52:03.120 --> 0:52:06.600
<v Speaker 1>actually on on tour with Dave Kaz at the time,

0:52:07.320 --> 0:52:10.680
<v Speaker 1>and by the on a side note, twenty seven shows

0:52:10.680 --> 0:52:18.520
<v Speaker 1>in thirty days. Yeah, seven shows in thirty days cruise. Yeah,

0:52:18.960 --> 0:52:25.360
<v Speaker 1>but but but not it wasn't it was insane. And

0:52:25.400 --> 0:52:29.440
<v Speaker 1>so I remember one of the days I was just

0:52:29.560 --> 0:52:31.600
<v Speaker 1>so tryed. We were on our way to San Antonio

0:52:31.840 --> 0:52:33.640
<v Speaker 1>and that was going to be like one of the

0:52:33.920 --> 0:52:38.160
<v Speaker 1>days off, and Christine is like, I think you should

0:52:38.200 --> 0:52:44.560
<v Speaker 1>come to Detroit and just meet Karen, meet Kiara, you know,

0:52:44.920 --> 0:52:49.680
<v Speaker 1>just fill it out, you know, and I was just

0:52:49.719 --> 0:52:53.480
<v Speaker 1>like damn, like I'm so. I was just like when

0:52:53.520 --> 0:52:57.600
<v Speaker 1>you just have nothing, like just just fubes. So I

0:52:57.719 --> 0:53:01.040
<v Speaker 1>make my little ticket, used little my little miles, pay

0:53:01.120 --> 0:53:03.520
<v Speaker 1>for my way to get there, get my little hotel,

0:53:04.560 --> 0:53:06.720
<v Speaker 1>and I meet with him. I go to their church

0:53:07.040 --> 0:53:09.360
<v Speaker 1>and I meet here and we go to the piano

0:53:10.040 --> 0:53:12.799
<v Speaker 1>and I don't even know how anything literally came out,

0:53:13.120 --> 0:53:16.000
<v Speaker 1>but we start. I start playing you Brought the Sunshine

0:53:16.120 --> 0:53:20.560
<v Speaker 1>or no Miracle? I'm looking for miracle and we do

0:53:20.680 --> 0:53:25.200
<v Speaker 1>this duet and so Christine sends it to the producers

0:53:26.160 --> 0:53:30.360
<v Speaker 1>and they're like that that's care, that that's Karen, and

0:53:30.440 --> 0:53:34.359
<v Speaker 1>that's Derenda. So that's what says. So I tell people,

0:53:34.400 --> 0:53:37.160
<v Speaker 1>just on a side note, like you want everybody to

0:53:37.239 --> 0:53:40.520
<v Speaker 1>invest in you, you want people to take chances on you,

0:53:40.520 --> 0:53:44.560
<v Speaker 1>you have to bet on yourself first before anybody else,

0:53:44.640 --> 0:53:47.719
<v Speaker 1>will you know? Yeah, yeah, because I didn't have the

0:53:47.840 --> 0:53:50.880
<v Speaker 1>role then at all. You know, it wasn't a no,

0:53:51.600 --> 0:53:54.160
<v Speaker 1>but they weren't. I was, you know, I was really green.

0:53:54.239 --> 0:53:56.400
<v Speaker 1>So that's when really the work began. And I worked

0:53:56.400 --> 0:53:59.480
<v Speaker 1>my ass off, like you know, working with Josie, you know,

0:54:00.840 --> 0:54:03.839
<v Speaker 1>a couple of times a week for months, and by

0:54:03.840 --> 0:54:08.640
<v Speaker 1>the time they yelled action, it was more ready in

0:54:08.719 --> 0:54:11.080
<v Speaker 1>that moment that I've ever been for anything in my life.

0:54:11.640 --> 0:54:14.120
<v Speaker 1>Do you feel like the acting helped you as far

0:54:14.200 --> 0:54:17.560
<v Speaker 1>as being a performer as well, just your live performance

0:54:17.600 --> 0:54:21.560
<v Speaker 1>and just preparation, because obviously acting is a whole another

0:54:21.760 --> 0:54:25.640
<v Speaker 1>level of study. It's a different muscle. But Tank, I'm

0:54:25.680 --> 0:54:27.040
<v Speaker 1>sure you can back me up on it. It comes

0:54:27.040 --> 0:54:29.960
<v Speaker 1>from the same place because it's just storytelling and that's

0:54:30.000 --> 0:54:35.239
<v Speaker 1>what really helps happening into his acting. First of all,

0:54:35.239 --> 0:54:41.239
<v Speaker 1>I'm on TV one here, I'm not going to look

0:54:41.239 --> 0:54:46.040
<v Speaker 1>at this guy. They they just called me and give

0:54:46.080 --> 0:54:53.040
<v Speaker 1>me Roy. You know what I'm saying, I Tank, those

0:54:53.120 --> 0:54:54.960
<v Speaker 1>those movies that they give you the funny haircuts in

0:55:07.760 --> 0:55:21.279
<v Speaker 1>so down here, down there at the eyebrow, So what

0:55:23.600 --> 0:55:25.600
<v Speaker 1>I enjoy? Crap? Aren't you having a good time here?

0:55:27.719 --> 0:55:30.040
<v Speaker 1>I already knew what time it was with you guys,

0:55:32.239 --> 0:55:35.120
<v Speaker 1>so so yeah. I mean it literally is she said

0:55:35.719 --> 0:55:38.880
<v Speaker 1>when you sing, she said, you tell a story. And

0:55:39.040 --> 0:55:41.160
<v Speaker 1>that's why it's like for me, this is another little

0:55:41.200 --> 0:55:45.200
<v Speaker 1>site note Like I don't want somebody to say, damn girl,

0:55:45.280 --> 0:55:47.880
<v Speaker 1>you you you really can sing. I want them to

0:55:48.040 --> 0:55:51.759
<v Speaker 1>say I felt something. You made me sad, you made

0:55:51.800 --> 0:55:56.040
<v Speaker 1>me hopeful, You made huge difference, And there's there's a

0:55:56.120 --> 0:56:01.640
<v Speaker 1>there's a huge difference between being impressive and impactful. A

0:56:01.719 --> 0:56:03.840
<v Speaker 1>lot of people want to be impressive. You know, I

0:56:03.920 --> 0:56:05.440
<v Speaker 1>can do this run, I can sing this note, I

0:56:05.480 --> 0:56:09.000
<v Speaker 1>can do that, but it's not impactful. You're you're not

0:56:09.120 --> 0:56:12.759
<v Speaker 1>tapped into the story. There's no truth there. And so

0:56:13.760 --> 0:56:16.279
<v Speaker 1>that's one thing that I've always felt is what has

0:56:16.320 --> 0:56:19.560
<v Speaker 1>made me different is that people will always feel and

0:56:19.680 --> 0:56:23.239
<v Speaker 1>hear the truth in whatever genre I'm singing. And so

0:56:23.480 --> 0:56:27.120
<v Speaker 1>once I was able to just transfer that to acting,

0:56:27.400 --> 0:56:29.120
<v Speaker 1>it was like, all you're doing is just telling the

0:56:29.160 --> 0:56:33.160
<v Speaker 1>truth whatever is truthful to you in that moment. So

0:56:33.360 --> 0:56:35.439
<v Speaker 1>she said the first thing, she says, this story isn't

0:56:35.480 --> 0:56:39.040
<v Speaker 1>about Dorenda. This is a story about Chilia. You know,

0:56:39.280 --> 0:56:41.120
<v Speaker 1>you have to find, you have to find, you have

0:56:41.239 --> 0:56:46.160
<v Speaker 1>to find you in Dorinda. And so you know, it

0:56:46.320 --> 0:56:48.320
<v Speaker 1>was actually very easy to find myself because we have

0:56:48.480 --> 0:56:52.919
<v Speaker 1>very similar life experiences, blended family, you know, being raised

0:56:52.960 --> 0:56:56.120
<v Speaker 1>in the church, um, you know, just all of those dynamics,

0:56:56.200 --> 0:56:58.640
<v Speaker 1>and so it was very easy for me to be

0:56:58.719 --> 0:57:01.279
<v Speaker 1>truthful in that that moment. But I think, you know,

0:57:01.880 --> 0:57:05.640
<v Speaker 1>the wind was so many people that know her will.

0:57:06.080 --> 0:57:08.600
<v Speaker 1>They were like, I literally felt like I was looking

0:57:08.640 --> 0:57:11.160
<v Speaker 1>at Dorenda and I know her will and they're like,

0:57:11.239 --> 0:57:15.879
<v Speaker 1>but you literally became Dorenda did amazing, thank you, thank

0:57:15.920 --> 0:57:22.040
<v Speaker 1>you we got and then vocally that's a whole other thing.

0:57:22.200 --> 0:57:23.800
<v Speaker 1>It's like one thing to have her essence, but then

0:57:23.840 --> 0:57:27.720
<v Speaker 1>her voice is so specific. She's she you know, she

0:57:28.000 --> 0:57:31.760
<v Speaker 1>there's clarity, but then there's rasp. You know, she almost

0:57:31.800 --> 0:57:34.040
<v Speaker 1>sings like a horn player. And their style of run

0:57:35.560 --> 0:57:38.600
<v Speaker 1>it's jazzy, but then it's but it's it's very unique.

0:57:38.760 --> 0:57:46.080
<v Speaker 1>It's very unique. Her choices are are very very specific. Yeah. Well,

0:57:48.600 --> 0:57:51.600
<v Speaker 1>here in the R Money podcast, we want to we

0:57:51.640 --> 0:57:55.400
<v Speaker 1>want to get into your R and B mind. Want

0:57:55.440 --> 0:58:03.960
<v Speaker 1>to ask questions. Okay, all right, um, top five R

0:58:04.040 --> 0:58:10.920
<v Speaker 1>and B artists we need, we need. Don't be political.

0:58:11.480 --> 0:58:17.360
<v Speaker 1>I know there's everybody doing they're offering. Some people just

0:58:17.520 --> 0:58:20.400
<v Speaker 1>have a gift that strikes you different than that's true.

0:58:21.880 --> 0:58:23.720
<v Speaker 1>And see, and I think that all the people that

0:58:23.840 --> 0:58:27.000
<v Speaker 1>I really love you wouldn't necessarily say can you be

0:58:27.120 --> 0:58:29.800
<v Speaker 1>more specific? I mean I think R and B is

0:58:29.880 --> 0:58:33.360
<v Speaker 1>best I know, but like rmby now or like R

0:58:33.440 --> 0:58:42.800
<v Speaker 1>and B in THEE forever, what connects with you? Like

0:58:42.880 --> 0:58:46.320
<v Speaker 1>it's Stevie R and By, you know, And I'm just

0:58:46.440 --> 0:58:50.720
<v Speaker 1>saying He's everything, the Godfather. But do you feel like

0:58:50.840 --> 0:58:53.440
<v Speaker 1>it starts in R and B? You feel like it

0:58:53.520 --> 0:58:58.040
<v Speaker 1>starts Okay, absolutely, Okay, you feel Stevie, but you you

0:58:58.200 --> 0:59:01.680
<v Speaker 1>feel country artists, you feel you know, but there's a

0:59:01.720 --> 0:59:04.480
<v Speaker 1>different place. It is a different place. R and B

0:59:04.640 --> 0:59:07.000
<v Speaker 1>is a different Do you do you feel like Stevie

0:59:07.040 --> 0:59:09.560
<v Speaker 1>sings his gospel songs differently? Let me ask you this

0:59:09.640 --> 0:59:11.720
<v Speaker 1>as a whole other question really quick. Do you feel

0:59:11.720 --> 0:59:14.880
<v Speaker 1>like you sing gospel songs differently than you sing R

0:59:14.920 --> 0:59:17.840
<v Speaker 1>and B songs? Like is there a there a conviction

0:59:17.960 --> 0:59:23.280
<v Speaker 1>that you have when you sing gospel that you know? Well?

0:59:23.720 --> 0:59:25.800
<v Speaker 1>I mean every I think every song is different based

0:59:25.840 --> 0:59:29.200
<v Speaker 1>on the message, right, So I think the texture um,

0:59:30.160 --> 0:59:34.600
<v Speaker 1>the texture and tone it definitely has to match the moment.

0:59:35.160 --> 0:59:36.640
<v Speaker 1>You know what I'm saying. So I'm definitely not gonna

0:59:36.680 --> 0:59:40.439
<v Speaker 1>sing um when we the same as I sing Jesus

0:59:40.520 --> 0:59:43.120
<v Speaker 1>is the answer, right? You know what I'm saying. There

0:59:43.240 --> 0:59:48.000
<v Speaker 1>is there is a difference they're in delivery, yeah, you

0:59:48.040 --> 0:59:49.800
<v Speaker 1>know what I'm saying. And even where your mind is

0:59:50.000 --> 0:59:52.560
<v Speaker 1>when you're right right, when you're in that place. So

0:59:53.440 --> 0:59:56.000
<v Speaker 1>U But then like Whitney, who she would like she

0:59:56.040 --> 1:00:00.240
<v Speaker 1>would put oh, like in a dance something. You know

1:00:00.280 --> 1:00:05.440
<v Speaker 1>what I'm saying, just anywhere, so just drop that off.

1:00:07.080 --> 1:00:11.680
<v Speaker 1>It's very disrespectful, very rude. It's really really perfect, really perfect,

1:00:11.720 --> 1:00:17.040
<v Speaker 1>really rude. But whatever she disrespected then punched by a

1:00:17.120 --> 1:00:26.600
<v Speaker 1>Vocal Gifts podcast punch. I just wanted to just show

1:00:26.680 --> 1:00:30.000
<v Speaker 1>the illustration. But I you know, I say say, because

1:00:30.880 --> 1:00:38.160
<v Speaker 1>I question five, it has to be Stevie and to

1:00:38.280 --> 1:00:42.320
<v Speaker 1>me it also has to be a Retha side note.

1:00:42.320 --> 1:00:44.720
<v Speaker 1>I'm going to be making my Royal Albert debut in

1:00:44.800 --> 1:00:48.400
<v Speaker 1>London UM next month, doing a tribute to read the

1:00:48.480 --> 1:00:58.320
<v Speaker 1>Franklin with a full orchestra. And we wanted you here

1:00:58.760 --> 1:01:04.760
<v Speaker 1>because because this is this is you are necessary, right

1:01:05.560 --> 1:01:10.919
<v Speaker 1>and and and and the young girls growing up there

1:01:10.960 --> 1:01:14.160
<v Speaker 1>has to be a bar. There has to be a

1:01:14.280 --> 1:01:16.520
<v Speaker 1>level because what we grew up on, what we all

1:01:16.560 --> 1:01:21.320
<v Speaker 1>grew up on, there were bars, and those bars were mainstream,

1:01:22.200 --> 1:01:27.440
<v Speaker 1>yes they were. And now those bars for us or

1:01:27.560 --> 1:01:30.880
<v Speaker 1>for the coming up generation aren't so mainstream. They have

1:01:31.040 --> 1:01:35.960
<v Speaker 1>to look that's true for that for those inspirations. And

1:01:36.080 --> 1:01:39.120
<v Speaker 1>so you're necessary because you're such a gift and such

1:01:39.120 --> 1:01:46.000
<v Speaker 1>an inspiration that needs major platform display, major you just

1:01:46.160 --> 1:01:49.640
<v Speaker 1>you deserve it, so that these young ladies coming up

1:01:49.680 --> 1:01:53.720
<v Speaker 1>who want to be anything. I'm not even gonna limit

1:01:53.760 --> 1:01:56.600
<v Speaker 1>it to singing or right or who want to be anything,

1:01:57.240 --> 1:02:03.600
<v Speaker 1>can see that in you, because you know, keep going

1:02:05.080 --> 1:02:10.280
<v Speaker 1>Franklin Orchestra next month, next month. It's been sold out

1:02:10.400 --> 1:02:16.480
<v Speaker 1>for months now. I already don't don't don't play me

1:02:16.600 --> 1:02:18.680
<v Speaker 1>on this and be like okay, she she like, how

1:02:18.760 --> 1:02:27.200
<v Speaker 1>you guys do the name drop? They told me to

1:02:27.360 --> 1:02:32.920
<v Speaker 1>say everything. Okay, don't, don't, don't even do. They're like,

1:02:33.240 --> 1:02:36.680
<v Speaker 1>I do you want to tell him everything? Yeah? Okay,

1:02:36.720 --> 1:02:41.919
<v Speaker 1>I don't even told you everything. Read the Franklin. Okay,

1:02:42.000 --> 1:02:45.200
<v Speaker 1>this is R and B, R and B of all

1:02:45.440 --> 1:02:59.280
<v Speaker 1>time for you for me from me. Mm hmm. I know.

1:03:00.720 --> 1:03:04.800
<v Speaker 1>I want to say Marvin Gay because there's so much

1:03:05.280 --> 1:03:12.160
<v Speaker 1>deep storytelling the day. Look look at him trying to

1:03:12.560 --> 1:03:14.200
<v Speaker 1>try to get a part. I'll try to get the part.

1:03:17.800 --> 1:03:23.320
<v Speaker 1>I could see that, okay, Marvin God, this is so

1:03:23.760 --> 1:03:27.840
<v Speaker 1>hard because like all these names are like flashing before

1:03:27.880 --> 1:03:30.800
<v Speaker 1>my eyes. You know, Anita Baker, I remember, I remember

1:03:30.840 --> 1:03:33.240
<v Speaker 1>the first time I heard her record because I growing

1:03:33.280 --> 1:03:36.120
<v Speaker 1>up I could only listen to gospel music, so I

1:03:36.120 --> 1:03:39.080
<v Speaker 1>remember I was with my aunt in Lane this came on.

1:03:39.240 --> 1:03:44.880
<v Speaker 1>I was like, what is this? Like, what is this? Yes?

1:03:45.200 --> 1:03:46.440
<v Speaker 1>And how old were you at this point when the

1:03:46.440 --> 1:03:50.160
<v Speaker 1>first time you heard like secular music in a sense, Well,

1:03:50.600 --> 1:03:54.160
<v Speaker 1>what's the craziest? I would we would listen to Stevie though.

1:03:54.320 --> 1:03:56.240
<v Speaker 1>It was almost like Stevie and Whitney, like if they

1:03:56.280 --> 1:03:59.400
<v Speaker 1>were on TV, like we would watch that. But it

1:03:59.520 --> 1:04:04.160
<v Speaker 1>just wasn't like I don't, I didn't. I had to

1:04:04.200 --> 1:04:06.640
<v Speaker 1>play catch up. I had to play catch up later

1:04:06.760 --> 1:04:11.680
<v Speaker 1>on um. So yeah, four. Therefore, I would give a deal.

1:04:11.920 --> 1:04:18.520
<v Speaker 1>Imagine that people that can't sing and then Whitney, why

1:04:19.480 --> 1:04:24.200
<v Speaker 1>that's a great? Really, that's not just good, that's a

1:04:24.240 --> 1:04:27.320
<v Speaker 1>great because there's everyone you know this in my opinion,

1:04:27.800 --> 1:04:30.920
<v Speaker 1>they don't have any holes in their game. Everybody that

1:04:31.080 --> 1:04:35.080
<v Speaker 1>you name is legit. They can perform live, Yes, have

1:04:35.280 --> 1:04:41.120
<v Speaker 1>great songs, Like the artistry was amazing, Like that's special. Yeah,

1:04:41.320 --> 1:04:44.600
<v Speaker 1>that's special. There's were quick though, because I want you

1:04:44.680 --> 1:04:47.840
<v Speaker 1>to get your five first. I wanted to point out

1:04:48.600 --> 1:04:53.800
<v Speaker 1>because you spoke about going over to London selling out shows,

1:04:54.480 --> 1:04:56.920
<v Speaker 1>you know, starting off with David Foster and then being

1:04:56.960 --> 1:05:00.280
<v Speaker 1>able to do the same venues that he does. I

1:05:00.400 --> 1:05:03.080
<v Speaker 1>want to point out that that is of pure gift

1:05:03.320 --> 1:05:07.080
<v Speaker 1>and hard work more so than any kind of backing

1:05:07.720 --> 1:05:10.520
<v Speaker 1>or any kind of I caught some random song that

1:05:11.080 --> 1:05:14.720
<v Speaker 1>you know, blew up on TikTok are just caught a

1:05:14.760 --> 1:05:18.240
<v Speaker 1>wave on a radio like Because the other thing that

1:05:18.320 --> 1:05:20.919
<v Speaker 1>happens in our business is people think that there's only

1:05:21.040 --> 1:05:24.600
<v Speaker 1>one way to be successful or to have a career

1:05:24.840 --> 1:05:28.760
<v Speaker 1>in music, and you are the prime example that you

1:05:28.840 --> 1:05:33.439
<v Speaker 1>can be very successful going the route that you want

1:05:33.440 --> 1:05:36.680
<v Speaker 1>to go and taking the steps that you needed to

1:05:36.720 --> 1:05:38.840
<v Speaker 1>take for your career and how you want to see

1:05:38.880 --> 1:05:41.720
<v Speaker 1>your career. Because on the flip side of that, there

1:05:41.800 --> 1:05:47.120
<v Speaker 1>are artists who have had massive songs one too, maybe

1:05:47.160 --> 1:05:53.520
<v Speaker 1>a couple of few records that can't fill out a

1:05:53.640 --> 1:05:58.960
<v Speaker 1>hunted seater, two seaters, they can't go to London, they're

1:05:59.000 --> 1:06:01.760
<v Speaker 1>not going to be before warming in these special places,

1:06:03.160 --> 1:06:05.280
<v Speaker 1>and that just there needs to be a light on

1:06:05.400 --> 1:06:08.640
<v Speaker 1>that as well, because I think a lot of artists

1:06:08.720 --> 1:06:13.400
<v Speaker 1>get discouraged that if they don't have this type of

1:06:13.600 --> 1:06:17.400
<v Speaker 1>record that takes them somewhere, they'll never have a career.

1:06:18.160 --> 1:06:20.280
<v Speaker 1>And that's not the case at all. And you're to me,

1:06:20.400 --> 1:06:23.160
<v Speaker 1>your prime example of that because you're not chasing a record,

1:06:24.800 --> 1:06:27.520
<v Speaker 1>you're out here having a career, right, Thank you for

1:06:27.640 --> 1:06:32.360
<v Speaker 1>saying that. Yeah, very different and and just and it

1:06:32.400 --> 1:06:35.040
<v Speaker 1>should be applauded and it should and like Tank said,

1:06:35.280 --> 1:06:41.280
<v Speaker 1>there needs to be platforms that shine the light on that. Yeah,

1:06:41.640 --> 1:06:45.920
<v Speaker 1>hopefully we're hopefully we're one of them. Absolutely not. I

1:06:46.040 --> 1:06:49.680
<v Speaker 1>think you absolutely are. And you know, thank you for

1:06:49.840 --> 1:06:54.280
<v Speaker 1>saying that, because yeah, it's like the Frank's Not song,

1:06:54.360 --> 1:06:56.160
<v Speaker 1>just part of my head I did in my way,

1:06:56.640 --> 1:06:59.080
<v Speaker 1>you know, And I tell people all the time, like,

1:06:59.480 --> 1:07:03.760
<v Speaker 1>figure out what success looks like and feels more more

1:07:04.080 --> 1:07:07.840
<v Speaker 1>importantly feels like to you because as you said, we

1:07:07.920 --> 1:07:10.360
<v Speaker 1>can look at a lot of people's careers that it

1:07:10.520 --> 1:07:15.600
<v Speaker 1>looks very successful. Um. And it might even be successful

1:07:15.680 --> 1:07:19.880
<v Speaker 1>if you're looking at numbers. Um. But but how does

1:07:19.920 --> 1:07:23.960
<v Speaker 1>it feel? You know? I I still feel like that

1:07:24.120 --> 1:07:28.520
<v Speaker 1>two year old when I first you know, watching Mr Rogers,

1:07:28.560 --> 1:07:31.439
<v Speaker 1>I want to totally age myself. But watching Mr Rogers,

1:07:31.480 --> 1:07:40.240
<v Speaker 1>I'm thinking, who then is playing the piano? Who was

1:07:40.880 --> 1:07:47.200
<v Speaker 1>Mr Rogers? Yes, I was out it was Mr Rogers movie.

1:07:49.560 --> 1:07:53.840
<v Speaker 1>It was actually Mr Rogers. I heard somebody fact checked

1:07:53.840 --> 1:07:57.520
<v Speaker 1>me on that. But I'm pretty sure, but I still

1:07:57.640 --> 1:08:01.400
<v Speaker 1>that same kind of childlike love of for just what

1:08:01.640 --> 1:08:04.760
<v Speaker 1>I do. I still feel that way, and I'm grateful

1:08:04.840 --> 1:08:07.920
<v Speaker 1>for that that after all these years. Yes, do I

1:08:08.080 --> 1:08:12.720
<v Speaker 1>experience moments of frustration and disappointment. Absolutely, you know, even

1:08:12.760 --> 1:08:15.080
<v Speaker 1>if I wasn't doing music, we I would feel that

1:08:15.120 --> 1:08:17.960
<v Speaker 1>at some point. Um. But I love what I do

1:08:18.080 --> 1:08:21.120
<v Speaker 1>and I've been able to find out what my why is,

1:08:21.920 --> 1:08:26.000
<v Speaker 1>and it really is to touch people's hearts through music.

1:08:26.200 --> 1:08:28.800
<v Speaker 1>And so when I get somebody DM me and say

1:08:29.479 --> 1:08:32.240
<v Speaker 1>you know your song, you are enough. I listened to

1:08:32.320 --> 1:08:34.840
<v Speaker 1>that every morning before I go to work. I play

1:08:34.880 --> 1:08:38.599
<v Speaker 1>it for my kids. Some people even said I wanted

1:08:38.640 --> 1:08:41.200
<v Speaker 1>to end my life, but I had that own repeat

1:08:41.320 --> 1:08:45.080
<v Speaker 1>and literally I decided not to. That's the way, That's

1:08:45.160 --> 1:08:48.719
<v Speaker 1>that's my Grammy, that's that's you know, that's my awards.

1:08:48.800 --> 1:08:59.360
<v Speaker 1>You know. Do I want those things one day, Absolutely,

1:09:00.000 --> 1:09:02.280
<v Speaker 1>But that's not the pour of the why. And so

1:09:02.439 --> 1:09:04.719
<v Speaker 1>I think for that reason, I've been able to stay

1:09:04.800 --> 1:09:08.479
<v Speaker 1>true to what I do and and not be wavered

1:09:08.600 --> 1:09:13.880
<v Speaker 1>by any trend because I really love what I'm doing

1:09:14.080 --> 1:09:17.040
<v Speaker 1>right now. I've been able to find like just the

1:09:18.560 --> 1:09:23.240
<v Speaker 1>core of where that joy comes from. And that's something

1:09:23.320 --> 1:09:26.519
<v Speaker 1>that honestly that that is the highest level of success

1:09:26.600 --> 1:09:29.080
<v Speaker 1>to me, UM is to be able to do that,

1:09:29.200 --> 1:09:39.280
<v Speaker 1>and particularly words I'm sick of you, I'm sick of you, okay,

1:09:39.840 --> 1:09:46.040
<v Speaker 1>premaity sick of me O top five R and B

1:09:46.240 --> 1:09:50.040
<v Speaker 1>songs or R and B albums you can mix it

1:09:50.360 --> 1:09:53.360
<v Speaker 1>okay off the top. I already know, like I Want

1:09:53.439 --> 1:09:56.360
<v Speaker 1>you that album Marvin Gaye, I Want You like to me,

1:09:56.479 --> 1:10:01.960
<v Speaker 1>there's literally no skin it's it's such a beautiful body

1:10:02.120 --> 1:10:07.559
<v Speaker 1>of work. Um. In that same in that same vein,

1:10:07.640 --> 1:10:11.599
<v Speaker 1>I would have to say Maxwell, the first one Urban

1:10:11.640 --> 1:10:19.760
<v Speaker 1>Hank sweet to me, there's something so just connected about it. Um.

1:10:21.760 --> 1:10:25.880
<v Speaker 1>And then of course let's go back to Stevie and I.

1:10:26.240 --> 1:10:33.200
<v Speaker 1>It's either between Talking Book. Let's see there's okay, there's

1:10:33.240 --> 1:10:38.240
<v Speaker 1>this one album right before Talking Book. It he wasn't

1:10:39.160 --> 1:10:43.160
<v Speaker 1>it was like you could you started hearing him really

1:10:43.520 --> 1:10:50.320
<v Speaker 1>become Stevie. It wasn't that motown sound. And it's an

1:10:50.320 --> 1:10:53.439
<v Speaker 1>album called where I'm Coming From And that's to me

1:10:53.520 --> 1:10:58.080
<v Speaker 1>when he really started like going deep. And that's when

1:10:58.120 --> 1:11:00.200
<v Speaker 1>Talking Book was right after that. So I always like

1:11:00.560 --> 1:11:04.240
<v Speaker 1>that was like the pre Talking Book. UM, so I'm gonna,

1:11:04.240 --> 1:11:05.840
<v Speaker 1>I'm gonna, I'm gonna go out on a limb and

1:11:05.880 --> 1:11:07.599
<v Speaker 1>put that one because I feel like it was an

1:11:07.640 --> 1:11:11.400
<v Speaker 1>important album for his development. So where I'm coming from,

1:11:12.120 --> 1:11:13.560
<v Speaker 1>I don't know. It's top. I'm just trying to be

1:11:14.240 --> 1:11:19.639
<v Speaker 1>exotic with choices. Um. Okay, let's get some girls in there.

1:11:19.720 --> 1:11:26.240
<v Speaker 1>Let's see what's like that, like no skips. I don't

1:11:26.280 --> 1:11:28.080
<v Speaker 1>know why this one just came to me. Jill Scott

1:11:28.200 --> 1:11:31.800
<v Speaker 1>like that first album was just like it was just

1:11:31.960 --> 1:11:37.120
<v Speaker 1>it was so cohesive, you know, and I remember like

1:11:37.320 --> 1:11:39.920
<v Speaker 1>where I was, Like I always like look at records, like,

1:11:40.240 --> 1:11:42.960
<v Speaker 1>you know, do you remember where you were like in

1:11:43.200 --> 1:11:46.400
<v Speaker 1>during that time? Like I can see it. I can

1:11:47.360 --> 1:11:50.240
<v Speaker 1>so that, I would say, Jill, which I'm sure these

1:11:50.280 --> 1:11:54.240
<v Speaker 1>are like so not what people would expect me to choose. Um,

1:11:56.720 --> 1:11:58.760
<v Speaker 1>and then let's get some que in there. But that

1:11:58.920 --> 1:12:01.439
<v Speaker 1>was actually the jazz time. So no, it's okay, let's

1:12:01.439 --> 1:12:05.320
<v Speaker 1>see I'm talking about like his earlier earlier stuff like

1:12:05.400 --> 1:12:11.320
<v Speaker 1>Quintessential with that's jazz. Um, let's see did you join? Yeah?

1:12:11.439 --> 1:12:13.280
<v Speaker 1>But I don't know if if that's like my favor

1:12:14.720 --> 1:12:16.719
<v Speaker 1>but I do love that record that has set timber

1:12:16.800 --> 1:12:25.920
<v Speaker 1>on that. That's Moodies moved for love Brian and um, yeah, God,

1:12:26.280 --> 1:12:31.599
<v Speaker 1>I hate this because it really creates anxiety. I don't

1:12:31.600 --> 1:12:34.920
<v Speaker 1>want to like miss somebody. Okay, who are my top five?

1:12:35.479 --> 1:12:43.200
<v Speaker 1>I said, Whitney, Yeah, Anita Baker, Marvin Gay, Stevie and

1:12:44.080 --> 1:12:54.320
<v Speaker 1>read the Franklin Franklin mhm. Okay, I'm not gonna I'm

1:12:54.360 --> 1:12:58.200
<v Speaker 1>just gonna say this one because I just feel like

1:12:58.240 --> 1:13:00.920
<v Speaker 1>I should say and I do remember where I was.

1:13:01.920 --> 1:13:07.320
<v Speaker 1>Carl Thomas, Wow, I love Summarine. I mean that was

1:13:07.400 --> 1:13:12.920
<v Speaker 1>a very deep I wish all of those I meant

1:13:14.240 --> 1:13:18.479
<v Speaker 1>your body. I mean, I feel like that's a very

1:13:19.439 --> 1:13:20.960
<v Speaker 1>shout out to Carl talk. I wanted to do it

1:13:21.040 --> 1:13:24.120
<v Speaker 1>for that reason too, you know what I mean? That

1:13:24.280 --> 1:13:29.880
<v Speaker 1>is my guy. That is my guy. Yeah, I feel

1:13:29.920 --> 1:13:31.479
<v Speaker 1>like I should have. I feel like I wanted to

1:13:31.560 --> 1:13:35.840
<v Speaker 1>like shout that out. Okay, here we're going on R

1:13:35.920 --> 1:13:43.160
<v Speaker 1>and B Voltron. You're taking a vocal m Um, how

1:13:43.200 --> 1:13:49.920
<v Speaker 1>are we breaking down jay a vocal vocal performance style? Yeah?

1:13:50.000 --> 1:13:54.000
<v Speaker 1>If you're if you're putting together the perfect R and

1:13:54.080 --> 1:13:57.720
<v Speaker 1>B artists, who do you take the vocal from? Who

1:13:57.760 --> 1:14:00.160
<v Speaker 1>do you take the style from? Who do you take

1:14:00.240 --> 1:14:02.960
<v Speaker 1>the performance from and put it all together and a

1:14:03.040 --> 1:14:07.120
<v Speaker 1>performance and damn, dance moves can be different, right because

1:14:07.360 --> 1:14:12.080
<v Speaker 1>Rick James a great performer to Michael Jackson, dance different,

1:14:12.120 --> 1:14:13.360
<v Speaker 1>you know what I mean. Like, so it's like that's

1:14:13.400 --> 1:14:16.639
<v Speaker 1>a difference in performance too. You know, are how Mary

1:14:16.720 --> 1:14:22.200
<v Speaker 1>J Blige she get up there? Yeah? Yeah, but then

1:14:22.720 --> 1:14:26.960
<v Speaker 1>the cranky Baverly ain't doing no dance moves but he performing,

1:14:27.640 --> 1:14:35.719
<v Speaker 1>So yeah, these are okay. So the vocals I would

1:14:35.800 --> 1:14:41.120
<v Speaker 1>take from and this is all R and B. I'm

1:14:41.160 --> 1:14:46.680
<v Speaker 1>just gonna I'm just gonna say, Stevie, because only you

1:14:46.720 --> 1:14:52.200
<v Speaker 1>guys are like you, We don't need your explanations. But

1:14:52.520 --> 1:14:56.200
<v Speaker 1>I'm saying it's the impact because when I would tour

1:14:56.320 --> 1:14:58.599
<v Speaker 1>with him, I actually didn't mention this, but I toured

1:14:58.680 --> 1:15:01.760
<v Speaker 1>with him for a couple of years. We did. When

1:15:01.800 --> 1:15:03.559
<v Speaker 1>he did the songs in the Key of Life tour,

1:15:04.560 --> 1:15:09.200
<v Speaker 1>he lost one of his uh singers. They had, you know,

1:15:09.320 --> 1:15:12.000
<v Speaker 1>some health issues. So I stepped in and he was like,

1:15:12.080 --> 1:15:14.200
<v Speaker 1>I know, this is not what you do. I was

1:15:14.200 --> 1:15:16.200
<v Speaker 1>actually working on the album. He was like, but can

1:15:16.280 --> 1:15:19.120
<v Speaker 1>you just come with me, just help me finish this tour.

1:15:20.000 --> 1:15:22.680
<v Speaker 1>And so just watching him every night. I mean the

1:15:22.720 --> 1:15:26.519
<v Speaker 1>show would start with like loves and Need and then

1:15:26.600 --> 1:15:29.840
<v Speaker 1>he would literally do the whole album and track order

1:15:30.120 --> 1:15:36.360
<v Speaker 1>everything all the way too. Yeah, another star, So hearing

1:15:36.560 --> 1:15:40.479
<v Speaker 1>that every night, all of the nuances vocally that he

1:15:40.520 --> 1:15:43.879
<v Speaker 1>would have to do Summer solved all those key changes

1:15:44.600 --> 1:15:48.360
<v Speaker 1>and she's gone. You remember, it keeps going up, and

1:15:50.240 --> 1:15:55.120
<v Speaker 1>so I just feel like the vocal has to start

1:15:55.600 --> 1:15:58.560
<v Speaker 1>fair because it's it's just so pure and it's so

1:15:58.880 --> 1:16:01.800
<v Speaker 1>you know, it's such a universe her soul sound. I

1:16:01.960 --> 1:16:11.160
<v Speaker 1>haven't heard anybody who really can replicate that. Nobody's else.

1:16:11.240 --> 1:16:14.519
<v Speaker 1>It's the light, it's but it's not even it's not

1:16:14.600 --> 1:16:16.880
<v Speaker 1>because if you look, he doesn't really do a lot

1:16:16.960 --> 1:16:19.880
<v Speaker 1>of runs all the time, like he can't. It's not.

1:16:20.479 --> 1:16:23.040
<v Speaker 1>He's done that more in later years. It's not run,

1:16:24.080 --> 1:16:30.599
<v Speaker 1>it's it's the technique and how he attacks skip a note,

1:16:30.640 --> 1:16:35.479
<v Speaker 1>like just really real. It's subtle. Everything is real, subtle,

1:16:35.600 --> 1:16:40.439
<v Speaker 1>but it's still very difficult if you don't know placement

1:16:40.479 --> 1:16:45.600
<v Speaker 1>and know how to know where to put those little skips. Technician,

1:16:45.640 --> 1:16:49.880
<v Speaker 1>it's not easy. But he but he doesn't effortlessly. It

1:16:49.960 --> 1:16:52.960
<v Speaker 1>doesn't because he's not thinking. He's just he's just being

1:16:53.080 --> 1:16:56.400
<v Speaker 1>step Wonder is a style. He's a vocal Yes, yes,

1:16:56.720 --> 1:17:02.559
<v Speaker 1>it's his absolutely, which is where you get stokely, where

1:17:02.600 --> 1:17:06.840
<v Speaker 1>you get then I come along and follow Brian and

1:17:06.920 --> 1:17:10.960
<v Speaker 1>all them that that. Yes, yeah, you don't have to

1:17:11.000 --> 1:17:15.280
<v Speaker 1>explain Steve get I know I don't have, but I

1:17:15.479 --> 1:17:17.760
<v Speaker 1>just I just wanted to because to me, when you

1:17:17.840 --> 1:17:20.400
<v Speaker 1>were look in that audience and you would literally see

1:17:21.880 --> 1:17:26.240
<v Speaker 1>just the world, you know what I mean, like that

1:17:26.520 --> 1:17:30.200
<v Speaker 1>he's not he doesn't belong to any race. You know,

1:17:30.320 --> 1:17:40.720
<v Speaker 1>everybody feels like he's there. Yes, yes, those barriers him

1:17:41.080 --> 1:17:45.439
<v Speaker 1>putting a lines literally saying directly, like speaking directly to

1:17:45.560 --> 1:17:47.800
<v Speaker 1>the issues at hand. I mean I was at a

1:17:47.840 --> 1:17:52.880
<v Speaker 1>show where he was like, yes, yes, all lives matter, yes,

1:17:53.040 --> 1:17:57.280
<v Speaker 1>but right now black folks lives are in danger. So

1:17:57.400 --> 1:18:00.360
<v Speaker 1>that's why we have to say black lives matter. And

1:18:00.720 --> 1:18:02.840
<v Speaker 1>all y'all in here are black, so it should matter

1:18:02.880 --> 1:18:09.040
<v Speaker 1>to you. And nobody said nothing because Stevie said it.

1:18:10.240 --> 1:18:12.280
<v Speaker 1>You know, all y'all got a little black in you,

1:18:12.920 --> 1:18:16.040
<v Speaker 1>so it should matter to you. So that that's who

1:18:16.120 --> 1:18:19.320
<v Speaker 1>he is, and that's to me, his voice has attracted

1:18:19.520 --> 1:18:22.320
<v Speaker 1>literally every person from every walk of life. So That's

1:18:22.360 --> 1:18:26.519
<v Speaker 1>why I would start with the core voice being him

1:18:27.560 --> 1:18:37.080
<v Speaker 1>vocal steviemance performance meaning like just how hard they go pormance. Yeah,

1:18:37.080 --> 1:18:39.720
<v Speaker 1>would you take and put in in your R and

1:18:39.800 --> 1:18:42.280
<v Speaker 1>B artists, whether it be it doesn't matter whether they

1:18:42.400 --> 1:18:50.840
<v Speaker 1>dance or don't dance, doesn't matter. You pick the performance. Stop. Okay,

1:18:50.880 --> 1:18:57.200
<v Speaker 1>this is gonna sound really weird, but there is something

1:18:57.520 --> 1:19:06.080
<v Speaker 1>so magnetic and sensual and connected about Shot. The way

1:19:06.160 --> 1:19:11.920
<v Speaker 1>that she particulates or the way she performs exists, the

1:19:12.000 --> 1:19:17.559
<v Speaker 1>way but where she performed, it's like it's it's something.

1:19:17.760 --> 1:19:23.560
<v Speaker 1>It's just so it's mesmerizing. Can you imagine, Like I

1:19:23.680 --> 1:19:28.320
<v Speaker 1>know it's aware commendations. Stevie was like moving or like

1:19:29.680 --> 1:19:40.519
<v Speaker 1>but like that's bomb. I'm roll is just with whose style?

1:19:41.080 --> 1:19:44.759
<v Speaker 1>Who style? Style? Like what they look like? They're sweat

1:19:44.920 --> 1:19:48.080
<v Speaker 1>like the energy, So maybe I should have what they

1:19:48.120 --> 1:19:53.720
<v Speaker 1>wear like Yeah, I would say Leah only because it's

1:19:53.800 --> 1:19:57.200
<v Speaker 1>complimentary to like the thing, you know what I mean?

1:19:57.960 --> 1:20:02.120
<v Speaker 1>Very so yeah, yeah, great style. I mean so many

1:20:02.200 --> 1:20:06.760
<v Speaker 1>girls who followed that look and absolutely yeah wow yeah

1:20:08.280 --> 1:20:10.560
<v Speaker 1>she's hot right like that artist that R and B

1:20:10.720 --> 1:20:14.680
<v Speaker 1>artist has that the level of Stevie with like the

1:20:16.120 --> 1:20:20.719
<v Speaker 1>sensuality and connectedness of shade got the swag like Leah,

1:20:22.560 --> 1:20:34.840
<v Speaker 1>I sign it. Sure, that's so, that's so not probably

1:20:34.880 --> 1:20:37.800
<v Speaker 1>what I would have thought going into it, but that's

1:20:37.840 --> 1:20:40.479
<v Speaker 1>just what I felt right now. Yeah, what about I

1:20:40.600 --> 1:20:42.080
<v Speaker 1>just want to know really quickly. I'm sure you guys

1:20:42.080 --> 1:20:44.599
<v Speaker 1>have thought about it, like, what would you doing? You're

1:20:44.640 --> 1:20:55.519
<v Speaker 1>not doing it? Curious, Okay, fair enough, fair enough. We

1:20:55.640 --> 1:20:59.760
<v Speaker 1>have a part of the show. It is, we could

1:20:59.760 --> 1:21:02.800
<v Speaker 1>sit it to be a pretty important part of the show. Um,

1:21:03.479 --> 1:21:06.599
<v Speaker 1>it's card. I ain't saying on names. Will you give

1:21:06.680 --> 1:21:12.000
<v Speaker 1>us a story? Funnier fucked up? Are both? And the

1:21:12.120 --> 1:21:14.800
<v Speaker 1>only rule is you can't say the names of the

1:21:14.840 --> 1:21:16.960
<v Speaker 1>people that are in the story. Now, you can give

1:21:17.040 --> 1:21:20.080
<v Speaker 1>hints of who they may be. I mean, because you know,

1:21:20.360 --> 1:21:26.599
<v Speaker 1>you know everyone this is social media. But and it's

1:21:27.320 --> 1:21:29.760
<v Speaker 1>like I said, it's either funnier up or both. And

1:21:30.040 --> 1:21:35.639
<v Speaker 1>the only rule is you can't say their names. Okay,

1:21:40.000 --> 1:21:42.080
<v Speaker 1>you're a musician, you can start off one time a bank.

1:21:45.920 --> 1:21:53.559
<v Speaker 1>It's been a few band camps. I don't know if

1:21:53.600 --> 1:21:56.599
<v Speaker 1>it's a story, like it's not like a long drawn

1:21:56.640 --> 1:22:04.599
<v Speaker 1>out big story. But I was at Picular Studio and uh,

1:22:05.120 --> 1:22:09.840
<v Speaker 1>this particular, another artist walked in. I'm there, I'm just

1:22:10.000 --> 1:22:14.920
<v Speaker 1>chilling and and so this artist walks in and like

1:22:15.120 --> 1:22:18.200
<v Speaker 1>the whole like energy like shifts right. So I just

1:22:18.680 --> 1:22:22.479
<v Speaker 1>immediately like walk out. It's clear that, you know, my

1:22:22.680 --> 1:22:28.160
<v Speaker 1>presence is offending there. So I was told to me

1:22:28.280 --> 1:22:32.840
<v Speaker 1>later on that they were like, um, you know, who's

1:22:32.840 --> 1:22:35.280
<v Speaker 1>the I had like a high butt. Who's the girl

1:22:35.320 --> 1:22:40.240
<v Speaker 1>with the bun in her head? They're like, oh, no,

1:22:40.600 --> 1:22:45.640
<v Speaker 1>she's she's like she's an artist. She's not like just

1:22:45.760 --> 1:22:51.760
<v Speaker 1>some studio ret just chilling around like ittual sing and

1:22:53.479 --> 1:22:57.040
<v Speaker 1>so they heard. So I was actually walking in right

1:22:57.520 --> 1:23:02.960
<v Speaker 1>as that conversation was being had, and um, so they

1:23:03.000 --> 1:23:05.560
<v Speaker 1>tried to complay at all. I just like, oh, I

1:23:05.680 --> 1:23:07.800
<v Speaker 1>heard you're a great singer. I heard you what you

1:23:07.880 --> 1:23:13.479
<v Speaker 1>could sing? You know, so you know, sing something for me.

1:23:14.000 --> 1:23:30.479
<v Speaker 1>Expect to me to be like probably like I what's

1:23:30.560 --> 1:23:40.840
<v Speaker 1>wrong with you? Who's wrong with you? So? So no,

1:23:41.200 --> 1:23:44.960
<v Speaker 1>so I got to it. I gave that bit everything,

1:23:51.360 --> 1:23:55.080
<v Speaker 1>the whole. It just it just changed change. It was

1:23:55.240 --> 1:24:00.719
<v Speaker 1>like yeah, and then it was like all is love.

1:24:00.960 --> 1:24:04.280
<v Speaker 1>It was love, respect, you know, and endless. And I

1:24:04.600 --> 1:24:08.439
<v Speaker 1>get it. It's competitive, it's competitive and energy is energy

1:24:08.479 --> 1:24:10.360
<v Speaker 1>if you don't know, and you like your space a

1:24:10.400 --> 1:24:16.439
<v Speaker 1>certain way, just like who is this who is this girl?

1:24:17.880 --> 1:24:21.040
<v Speaker 1>To be here right here? I'm saying I need to

1:24:21.120 --> 1:24:35.880
<v Speaker 1>know we are not saying. Um. First of all, you

1:24:36.000 --> 1:24:41.599
<v Speaker 1>are absolutely amazing, um, from head to toe, spirit, everything

1:24:41.640 --> 1:24:44.839
<v Speaker 1>about you. Man. I just you know, we've we've always

1:24:45.600 --> 1:24:48.880
<v Speaker 1>been in awe of you, and we will continue to

1:24:49.000 --> 1:24:54.320
<v Speaker 1>be and prayerfully our platform will give others an opportunity

1:24:54.880 --> 1:24:58.960
<v Speaker 1>to be in that same awe. Thank you, that is

1:24:59.040 --> 1:25:05.000
<v Speaker 1>the goal. UM. We give you nothing but flowers. Thank

1:25:05.040 --> 1:25:12.599
<v Speaker 1>you for um you you had a beverage um, um

1:25:12.760 --> 1:25:17.720
<v Speaker 1>those other things having a beverage with us, um, and

1:25:17.840 --> 1:25:21.320
<v Speaker 1>thank you actually really like it too. Just giving us

1:25:21.439 --> 1:25:25.960
<v Speaker 1>a moment um of your time, telling us your story, um,

1:25:26.520 --> 1:25:30.479
<v Speaker 1>and sharing yourself with the world. You're awesome you and

1:25:30.600 --> 1:25:32.479
<v Speaker 1>I just have to say, just for what you guys

1:25:32.520 --> 1:25:36.080
<v Speaker 1>are doing, just for the culture, just for just the

1:25:36.160 --> 1:25:40.439
<v Speaker 1>integrity of music, specifically R and B music, thank you.

1:25:40.800 --> 1:25:42.920
<v Speaker 1>Thank you for what you're doing, and for just being

1:25:43.760 --> 1:25:45.960
<v Speaker 1>such a light in my life. You know, you guys

1:25:46.240 --> 1:25:49.560
<v Speaker 1>don't realize just how nurturing you were to me in

1:25:49.680 --> 1:25:53.720
<v Speaker 1>those years, you know, those earlier years and and even now,

1:25:54.040 --> 1:25:57.880
<v Speaker 1>just just your words of encouragement means something so so

1:25:58.120 --> 1:26:00.160
<v Speaker 1>deep to me. So thank you for just being who

1:26:00.240 --> 1:26:02.439
<v Speaker 1>you guys are. And I I want to see this

1:26:03.200 --> 1:26:05.800
<v Speaker 1>go just as high as it can go, because you

1:26:05.880 --> 1:26:08.400
<v Speaker 1>guys got something really special and I love your chemistry.

1:26:08.640 --> 1:26:10.600
<v Speaker 1>You know, I love being here. And I saw it

1:26:10.640 --> 1:26:12.120
<v Speaker 1>when I was just looking at clips just as well.

1:26:12.120 --> 1:26:15.479
<v Speaker 1>I was like, what am I getting myself into? I

1:26:15.640 --> 1:26:17.000
<v Speaker 1>was like, Oh, this is gonna be a good time.

1:26:17.200 --> 1:26:20.400
<v Speaker 1>But I've already loved you guys individually went together. You

1:26:20.520 --> 1:26:25.479
<v Speaker 1>guys have something really You are you are you are,

1:26:25.640 --> 1:26:28.120
<v Speaker 1>So thank you for giving me this moment just to

1:26:28.760 --> 1:26:48.400
<v Speaker 1>just share space with you, ladies and gentlemen. Valentine R

1:26:48.479 --> 1:26:50.719
<v Speaker 1>and B Money is the production of the Black Effect

1:26:50.800 --> 1:26:54.679
<v Speaker 1>podcast Network. For more podcasts from I Heart Radio, visit

1:26:54.800 --> 1:26:57.840
<v Speaker 1>the R Heart Radio, Apple Apple Podcast, or wherever you're

1:26:57.840 --> 1:27:00.680
<v Speaker 1>listen to your favorite shows. Don't forget to subscribe to

1:27:01.080 --> 1:27:03.720
<v Speaker 1>and rate our show, and you can connect with us

1:27:03.760 --> 1:27:07.320
<v Speaker 1>on social media via at R and B Money podcast

1:27:07.800 --> 1:27:12.040
<v Speaker 1>or at the Real Tank or at j Valentine H