WEBVTT - Goodbye Dylan McKay

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<v Speaker 1>It's nine O Gen one Engine with Jenny Garth and

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<v Speaker 1>Tory Spelling. We are here for a very sad episode.

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<v Speaker 2>Like happy, non smost be sad.

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<v Speaker 1>They played with our emotions. You guys, you're happy, you're sad.

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<v Speaker 2>It was a lot and it's Luke's last episode for

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<v Speaker 2>now eight for now, right now.

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<v Speaker 1>This is the middle of season six.

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<v Speaker 3>It's early middle. We're only on episode what ten ten? Yeah,

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<v Speaker 3>it's one of our three.

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<v Speaker 1>Most important characters is leaving the show just like that,

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<v Speaker 1>Like that.

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<v Speaker 2>That must be like TV history, except for like Susanne Summers,

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<v Speaker 2>which she suddenly just wasn't there in three's Company.

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<v Speaker 1>But I hated that. Yeah, I have so.

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<v Speaker 2>Many usual main character like if they're wanting out or

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<v Speaker 2>to move on or like it's the next season, come

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<v Speaker 2>back and they're not there. But like middle, it's not

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<v Speaker 2>even middle of the season, right, Like how is that? Even?

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<v Speaker 2>I don't know. I wish they had just like kept

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<v Speaker 2>Tony on longer and he would have left like mid season.

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<v Speaker 3>Okay, this is weird to say because it's so sad,

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<v Speaker 3>but he got a very dramatic, like real departure episode,

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<v Speaker 3>which we didn't get with Shannon because you know whatever

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<v Speaker 3>was going on behind the scenes, but it's like this

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<v Speaker 3>is a full just Luke episode that you and that

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<v Speaker 3>one scene by the car is just viral, like it's

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<v Speaker 3>on TikTok all the time.

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<v Speaker 1>And it leaves you wanting to see him more because

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<v Speaker 1>this episode was so good. He was so good in

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<v Speaker 1>this episode, and then he's leaving. It's just not computing

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<v Speaker 1>with my brain.

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<v Speaker 3>Who could have been a two parter? I had a

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<v Speaker 3>like would have been like I was watching it and

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<v Speaker 3>there's only twelve minutes left and she's alive. Still, It's like,

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<v Speaker 3>why did they not make this like a two hour

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<v Speaker 3>you know, nine oh two one zero special episode or

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<v Speaker 3>a two parter. It's like it's like they shoved so

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<v Speaker 3>much into one episode.

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<v Speaker 1>Right, Like there was a point in them in like

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<v Speaker 1>the three quarters of the way through, like the most

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<v Speaker 1>traumatic moment when I thought, oh, this is the end

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<v Speaker 1>of the episode and I need to go and watch

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<v Speaker 1>the next one immediately, But then it came back after

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<v Speaker 1>a commercial and showed more.

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<v Speaker 3>Just packed so much. They packed his departure there, the

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<v Speaker 3>funeral all into twelve minutes. I'm like, that's not enough

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<v Speaker 3>time for me.

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<v Speaker 2>To like, it's not fair for the audience. So this

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<v Speaker 2>it was in November, so it was sweet.

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<v Speaker 3>Jenny. I have a serious question for you right out

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<v Speaker 3>the gate, did you have any and I, because I

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<v Speaker 3>did have any sort of a hm that it was

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<v Speaker 3>Brandon and Dylan do that sort of real goodbye scene

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<v Speaker 3>and not you and Dylan.

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<v Speaker 1>Well, I felt like they were best friends, like even

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<v Speaker 1>though they had had ups and downs and it felt

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<v Speaker 1>weird for us as as yours sometimes like that they

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<v Speaker 1>didn't really love each other. But it felt natural to

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<v Speaker 1>me that it was Brandon. But I definitely feel like, wow,

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<v Speaker 1>you know, I feel like Kelly and Dylan had their

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<v Speaker 1>kind of like almost closure in the last episode. Yeah,

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<v Speaker 1>at the peach pit, but certainly not a goodbye. Oh

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<v Speaker 1>wait you guys.

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<v Speaker 2>And but you have to I wanted it. I wanted

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<v Speaker 2>you wanted it to. I really did I want it.

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<v Speaker 2>I want to bolind and those twelve minutes left, I

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<v Speaker 2>wanted Brandon and Dylan, and I want it Kelly and Dylan.

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<v Speaker 3>I agree. I could have used an extra scene of

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<v Speaker 3>Kelly going over to the house and having like a

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<v Speaker 3>real some sort of a real mon and like a

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<v Speaker 3>whole thing, and then we could have still had that

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<v Speaker 3>goodbye with the car and take care of the house,

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<v Speaker 3>and Brandon watching as he rode off on the motorcycle. Anyway, Sorry,

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<v Speaker 3>we've just got to the end. See you guys later.

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<v Speaker 1>Oh my god, No, we have to go back. We're

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<v Speaker 1>going back from the beginning and we're gonna do it next.

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<v Speaker 3>Oh, Jenny, excuse.

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<v Speaker 1>Just came out? Do you like that?

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<v Speaker 4>Yeh?

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<v Speaker 1>I don't know what are in me?

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<v Speaker 3>Are you a Savannah and Hoda?

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<v Speaker 4>Now?

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<v Speaker 1>I do watch a lot of Savannah iHeart podcasts. Listen

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<v Speaker 1>on the iHeartRadio app. All right, this is It? Season six,

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<v Speaker 1>Episode ten, one, Wedding and a Funeral Air November eighth,

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<v Speaker 1>nineteen ninety five.

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<v Speaker 2>Synopsis. Dylan and Tony are preparing for their private wedding

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<v Speaker 2>when Brenda sends him a loving letter from London. But

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<v Speaker 2>after their beautiful beachside ceremony, Bruno discovers his boss has

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<v Speaker 2>this sinister plot. Marchhett's Marshad's hitman makes a terrible mistake

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<v Speaker 2>and sadness sweeps across Beverly Hills when Dylan's bride pays

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<v Speaker 2>the ultimate price for her father's actions.

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<v Speaker 1>Directed by James Whitmore Junior, written by Steve Wasserman.

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<v Speaker 3>Tony marshetk kills so many people like that guy needs

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<v Speaker 3>to stop.

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<v Speaker 1>What is his malfunction?

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<v Speaker 3>Seriously, what's wrong with that?

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<v Speaker 1>Very weird intro like that. I was very scared by

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<v Speaker 1>the beginning of this episode, Like I thought, what show

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<v Speaker 1>am I even watching? With all these guns and weird

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<v Speaker 1>following people shots. I don't know, it just felt very

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<v Speaker 1>scary from the very beginning.

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<v Speaker 3>Yep.

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<v Speaker 2>Do you think it's odd that just Steve Washerman wrote

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<v Speaker 2>this episode, not just so they usually why their partnership.

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<v Speaker 3>Yeah, he wrote a good episode though it's very dramatic.

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<v Speaker 1>Mm hmm. And as we mentioned before, this is Luke's

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<v Speaker 1>Luke Perry's life fast episode until now he returns later

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<v Speaker 1>later later, thank goodness. He res.

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<v Speaker 3>So how did it start? Why am I blocking it out?

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<v Speaker 1>You're it started at the bridle shop with the girls.

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<v Speaker 3>Yeah.

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<v Speaker 1>Yeah, Tony pick out her wedding gown.

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<v Speaker 3>Which we don't see like she's just like okay, I

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<v Speaker 3>got it.

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<v Speaker 2>And then we see it go.

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<v Speaker 1>That was Yeah, that scene was like felt like a

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<v Speaker 1>lot of trouble for not a lot of importance.

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<v Speaker 2>Yeah, it's even more that they cut, like we couldn't

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<v Speaker 2>have gone all the way there for that, right, No.

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<v Speaker 3>They just had to set up. It's the wedding, it's happening.

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<v Speaker 2>We've only known her a couple months and.

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<v Speaker 1>We're her only her best friends.

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<v Speaker 3>Yeah, it's like kind of weird. Yeah, why you could

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<v Speaker 3>say she started college. I don't know, maybe she didn't

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<v Speaker 3>know anyone that went to see you. She immediately meets Dylan,

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<v Speaker 3>so I don't know.

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<v Speaker 2>Yeah, I can handle him, sure, And.

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<v Speaker 1>Then we find out that the that the hit is

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<v Speaker 1>still on from last week and they're really cooking up

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<v Speaker 1>a plan to kill Dylan. Like so the whole the

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<v Speaker 1>whole episode has that like tension in it, like when

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<v Speaker 1>something bad is going to happen. Because you know something

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<v Speaker 1>bad's about to happen.

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<v Speaker 2>You can even get excited about the wedding.

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<v Speaker 3>Taking murder so lightly.

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<v Speaker 1>I'm so nervous the whole time, Sar. But we there

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<v Speaker 1>was some levity and they tried to do you know,

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<v Speaker 1>like when the game comes over and kidnaps Dylan and

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<v Speaker 1>Tony and they throw them their bachelor and bachelorette parties.

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<v Speaker 2>I sucked.

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<v Speaker 1>I mean they were went through it through.

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<v Speaker 3>Because I want to talk about it. Everything we've had

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<v Speaker 3>go in order, going.

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<v Speaker 1>Order, Okay, well, Steve. First of all, we're going to

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<v Speaker 1>see uh Kasa Walsh, where Steve gives a toast and

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<v Speaker 1>tells Dylan that he has never seen him so happy,

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<v Speaker 1>which I ain't see.

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<v Speaker 5>You, guys.

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<v Speaker 1>When he's I've never seen you so happy? I was like,

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<v Speaker 1>is this him happy?

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<v Speaker 3>Right?

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<v Speaker 2>My mind went, I'm like, he's been happy with two girls,

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<v Speaker 2>and of course I immediately went to you, So I'm like,

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<v Speaker 2>he was really happy with Kelly, Like I got here

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<v Speaker 2>he was, you know, but yeah, and then his face

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<v Speaker 2>like he could.

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<v Speaker 1>Have felt like they were just building Tony up, building

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<v Speaker 1>Tony up. Everybody was like love Tony so much and

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<v Speaker 1>supporting her, and that's saying how amazing she was. Yeah,

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<v Speaker 1>that a really.

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<v Speaker 2>Interesting choice though in that scene, Like why do you

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<v Speaker 2>think Luke was so somber? Why do you play Dylan

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<v Speaker 2>so he didn't seem happy?

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<v Speaker 3>Mm hmmm because of all the drama getting to her,

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<v Speaker 3>like he finds out that who killed his father, like

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<v Speaker 3>he's grappling with all this. But can I really fast

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<v Speaker 3>tell you guys something that is that you might find interesting?

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<v Speaker 3>When I remember all of these episodes perfectly from when

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<v Speaker 3>they aired the first time, and I remember believing Dylan

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<v Speaker 3>and Tony were fully in love right Like, I was

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<v Speaker 3>like they they were Poppel's goals. It's love, it's real,

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<v Speaker 3>this is love. Now watching it, I'm like, this has

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<v Speaker 3>not been enough time. I don't see it. It's so weird.

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<v Speaker 3>It's so weird how and I'm like tripping out at

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<v Speaker 3>thirty years later whether I have different eyes, And I'm

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<v Speaker 3>so curious what other fans think. But it seems just

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<v Speaker 3>too quick, too rushed, And all I can think about

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<v Speaker 3>is they had to do this because Luke is leaving

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<v Speaker 3>the show. That's like all I can think of.

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<v Speaker 2>But if you didn't know now what you knew then,

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<v Speaker 2>like you know, you might go into it because you

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<v Speaker 2>knew he was leaving, you knew she's going to die,

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<v Speaker 2>you knew. I don't know. I definitely wanted to see

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<v Speaker 2>more of them.

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<v Speaker 1>Yeah, we all said it felt very rushed, the whole

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<v Speaker 1>thing from the leader. We probably felt that way in

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<v Speaker 1>real life.

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<v Speaker 2>We were like, oh, hi, hi.

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<v Speaker 1>Wait what huh? Okay?

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<v Speaker 3>Brings me to your point, Jenny, that they're building her

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<v Speaker 3>up so much because it's like they're having to try

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<v Speaker 3>to get the audience to be in on this, so

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<v Speaker 3>thank you know, thank you for pointing that out. I

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<v Speaker 3>think that's why, like, oh, we love her. I've never

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<v Speaker 3>seen you so happy. Oh this is the real thing.

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<v Speaker 3>Oh my god, you're like so that. We're like, oh

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<v Speaker 3>my god, they are the real thing. They're getting married. Ah, tragedy,

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<v Speaker 3>Like I don't know, it was a lot.

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<v Speaker 2>What if there was some like mix up and they

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<v Speaker 2>had to like push this episode up.

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<v Speaker 1>What do you know, Tor, what was the either the

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<v Speaker 1>catalyst or the impetus for for Luke to leave right then?

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<v Speaker 1>Do you remember, because like we said, Randa Jane, it's

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<v Speaker 1>I don't know if he will. It's odd, like have

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<v Speaker 1>it happened in the middle of the season like this,

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<v Speaker 1>and then also to create the storyline, this big dramatic

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<v Speaker 1>build up and this love affair so fast to get

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<v Speaker 1>it to happen by episode ten.

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<v Speaker 6>Well, what I don't know, But what I actually don't

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<v Speaker 6>understand is how he was able to leave because he

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<v Speaker 6>came onto the show late. Everybody signed six year deals.

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<v Speaker 6>Even if he came on when you guys did, this

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<v Speaker 6>would be in the middle of the sixth year, so

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<v Speaker 6>he would still be under contract. So somehow he got

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<v Speaker 6>them to let him out, let him out of his contract.

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<v Speaker 6>I was going to ask you, Tori, if you knew

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<v Speaker 6>what the background was, because I don't remember.

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<v Speaker 3>Another very personal question to ask you guys. You all

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<v Speaker 3>were not like the Friends cast, right, everybody was paid differently? Correct?

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<v Speaker 2>Correct?

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<v Speaker 3>I just don't know. And Randy, you could chime in,

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<v Speaker 3>like why did they not just offer him a truckload

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<v Speaker 3>of money to stay through the season.

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<v Speaker 6>I think that and I'm not one hundred percent sure,

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<v Speaker 6>but I think this corresponded to when his movie eight Seconds,

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<v Speaker 6>when he did it, or when it was coming out,

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<v Speaker 6>and I think maybe can.

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<v Speaker 3>We fact check that looking that up?

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<v Speaker 1>Yeah, it's being it was nineteen ninety four when that

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<v Speaker 1>movie came out.

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<v Speaker 3>What year is it now, nineteen ninety five? I don't know.

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<v Speaker 3>Maybe he was tired, maybe he was having a baby.

0:12:27.000 --> 0:12:29.800
<v Speaker 3>Was he having a baby? No, this has got to

0:12:30.120 --> 0:12:31.559
<v Speaker 3>figure out the timeline.

0:12:31.679 --> 0:12:34.200
<v Speaker 6>When did Buffy come out the movie?

0:12:35.200 --> 0:12:36.520
<v Speaker 1>Oh that's a good question.

0:12:36.559 --> 0:12:38.400
<v Speaker 2>I was before though, right, wasn't that like A.

0:12:38.400 --> 0:12:40.640
<v Speaker 3>Said, that was ninety two? Buffy was ninety two?

0:12:41.280 --> 0:12:42.839
<v Speaker 1>Sorry, you guys, we will work this out.

0:12:42.920 --> 0:12:46.199
<v Speaker 3>Yeah, we're figure this out going through the IMDb, like, oh.

0:12:46.080 --> 0:12:49.920
<v Speaker 2>You guys, there's a movie I haven't seen since it

0:12:49.960 --> 0:12:53.640
<v Speaker 2>came out, basically, and I'm trying to show my kids

0:12:54.000 --> 0:12:57.960
<v Speaker 2>movies from that made an impact on me from my childhood,

0:12:57.960 --> 0:13:00.720
<v Speaker 2>from the eighties, from the nineties, and we're looking. We

0:13:00.800 --> 0:13:03.000
<v Speaker 2>watched like the Goonies and like things like that, and

0:13:04.559 --> 0:13:07.600
<v Speaker 2>something Fifth Element came up and I was like oh,

0:13:07.640 --> 0:13:09.000
<v Speaker 2>and they're like, oh, we don't want to see sci

0:13:09.080 --> 0:13:10.920
<v Speaker 2>fi and I was like, yeah, I'm not big into SCIPI,

0:13:11.080 --> 0:13:14.359
<v Speaker 2>but I remember really liking this movie. It's very beautiful

0:13:14.480 --> 0:13:16.880
<v Speaker 2>and visual and there's comedy in it.

0:13:17.080 --> 0:13:17.840
<v Speaker 3>We should watch it.

0:13:17.920 --> 0:13:20.360
<v Speaker 2>I didn't remember, but it popped up for some reason.

0:13:20.440 --> 0:13:22.440
<v Speaker 2>I was like, Okay, let's just go with it. I

0:13:22.480 --> 0:13:26.480
<v Speaker 2>didn't remember that Luke is in it Fifth Element. Luke

0:13:26.679 --> 0:13:31.079
<v Speaker 2>is in Fifth Element. He's the opening scene and it

0:13:31.320 --> 0:13:33.760
<v Speaker 2>plays with this, which is why I'm like, oh, maybe

0:13:33.760 --> 0:13:36.520
<v Speaker 2>I should bring it up, because his look is exactly

0:13:36.600 --> 0:13:37.560
<v Speaker 2>how his look is here.

0:13:38.880 --> 0:13:41.200
<v Speaker 3>Well, that came out ninety seven, so maybe he was

0:13:41.400 --> 0:13:44.680
<v Speaker 3>shooting it, and Jenny was right. His kids were not

0:13:44.720 --> 0:13:46.800
<v Speaker 3>born till ninety seven, so it wasn't that.

0:13:49.000 --> 0:13:52.120
<v Speaker 2>Maybe that's like a big deal lucasoon movie and he's

0:13:52.160 --> 0:13:56.000
<v Speaker 2>like opening like, I feel like Luke.

0:13:55.840 --> 0:13:58.280
<v Speaker 1>Made up his mind, and one Sluke makes up his

0:13:58.360 --> 0:14:03.559
<v Speaker 1>mind about something, there's no real changing that. So they,

0:14:03.760 --> 0:14:06.400
<v Speaker 1>you know, they accommodated him because they loved him.

0:14:07.040 --> 0:14:12.160
<v Speaker 2>I feel hearing when Rebecca Gayheart came on. Maybe I

0:14:12.200 --> 0:14:14.040
<v Speaker 2>don't know, I'm just thinking this that she was coming

0:14:14.080 --> 0:14:16.040
<v Speaker 2>on for the whole season, Like.

0:14:19.240 --> 0:14:21.360
<v Speaker 3>I don't know, I feel like they knew this was

0:14:21.400 --> 0:14:22.160
<v Speaker 3>going to be the end.

0:14:22.280 --> 0:14:24.640
<v Speaker 2>They must have, but it's I don't know.

0:14:24.920 --> 0:14:27.280
<v Speaker 1>All right, let's jump back in because I really really

0:14:27.320 --> 0:14:31.479
<v Speaker 1>want to get into the beach bachelorette parties. Yeah, because.

0:14:33.520 --> 0:14:38.600
<v Speaker 3>Shorty Shorts.

0:14:38.600 --> 0:14:40.960
<v Speaker 2>How many parties we have had on this show?

0:14:42.120 --> 0:14:44.000
<v Speaker 1>How many bachelorette parties have we had it on?

0:14:44.120 --> 0:14:44.320
<v Speaker 2>Now?

0:14:44.480 --> 0:14:47.120
<v Speaker 3>I don't remember.

0:14:47.160 --> 0:14:50.360
<v Speaker 1>I can't remember between our real bachelorette parties or our

0:14:50.440 --> 0:14:55.000
<v Speaker 1>real baby showers. They are all like mixed together with

0:14:55.040 --> 0:14:58.360
<v Speaker 1>the Kelly and Donn's so funny.

0:14:59.200 --> 0:15:01.560
<v Speaker 3>That is so many do you ever, you guys, ever

0:15:01.600 --> 0:15:04.320
<v Speaker 3>tell a story and think it's real, but then realize

0:15:04.400 --> 0:15:07.920
<v Speaker 3>you just told a story that was a storyline.

0:15:07.560 --> 0:15:11.000
<v Speaker 1>No, but this one reminded me of of I guess

0:15:11.000 --> 0:15:13.520
<v Speaker 1>it was a bridal shower that I had at Tiffany's

0:15:13.520 --> 0:15:16.160
<v Speaker 1>house and we had there was a stripper there. Do

0:15:16.200 --> 0:15:16.720
<v Speaker 1>you remember?

0:15:17.240 --> 0:15:17.480
<v Speaker 3>Sure?

0:15:17.560 --> 0:15:20.440
<v Speaker 2>Do you do? You remember what I made for you?

0:15:21.440 --> 0:15:31.240
<v Speaker 1>Something in the shape of a man's you know, duh? Okay,

0:15:31.400 --> 0:15:34.160
<v Speaker 1>that's really cute. Was that before or after you gave

0:15:34.200 --> 0:15:36.120
<v Speaker 1>me the cat? No, that was after you gave me

0:15:36.160 --> 0:15:38.040
<v Speaker 1>the cat. That was a wedding present. That was the

0:15:38.040 --> 0:15:38.800
<v Speaker 1>wedding number one.

0:15:38.880 --> 0:15:43.720
<v Speaker 3>Yeah cat. I know we talked about it, but who

0:15:43.800 --> 0:15:44.400
<v Speaker 3>does that?

0:15:44.920 --> 0:15:45.320
<v Speaker 2>Sorry?

0:15:46.440 --> 0:15:52.640
<v Speaker 1>Okay, So the girls are smoking cigars? Hello what You were.

0:15:52.600 --> 0:15:55.320
<v Speaker 3>Way too good at it, Tori. You were way too

0:15:55.360 --> 0:15:57.040
<v Speaker 3>good at it. It made me think of your dad.

0:15:58.640 --> 0:16:01.800
<v Speaker 2>Oh my gosh, I feel like what girls smoked cigars?

0:16:02.440 --> 0:16:04.440
<v Speaker 3>I mean, why is fun?

0:16:04.920 --> 0:16:04.960
<v Speaker 6>No?

0:16:05.760 --> 0:16:07.960
<v Speaker 1>Goss? And those were some of the worst strippers I've

0:16:07.960 --> 0:16:10.120
<v Speaker 1>ever seen in my life. They just stood there and

0:16:10.320 --> 0:16:13.720
<v Speaker 1>just did nothing moved. They just jiggled their little LeMay

0:16:13.800 --> 0:16:15.400
<v Speaker 1>booties and that was it.

0:16:16.040 --> 0:16:17.840
<v Speaker 2>Should have just had Iron come over.

0:16:20.520 --> 0:16:22.040
<v Speaker 3>I do want to not forget to talk about all

0:16:22.080 --> 0:16:24.280
<v Speaker 3>the sunglasses in this episode, but we will do that

0:16:24.360 --> 0:16:24.720
<v Speaker 3>as well.

0:16:25.320 --> 0:16:27.240
<v Speaker 1>Yeah, I said, ooh to the cigars.

0:16:27.880 --> 0:16:29.240
<v Speaker 2>Yeah gross, She said.

0:16:29.520 --> 0:16:32.800
<v Speaker 3>Great bachelorette party though, because it was so like you

0:16:32.840 --> 0:16:34.120
<v Speaker 3>never moved off the couch.

0:16:34.200 --> 0:16:37.160
<v Speaker 1>No really, we just sat on the couch and then

0:16:37.200 --> 0:16:41.560
<v Speaker 1>we had tea and there was no like evidence of

0:16:41.640 --> 0:16:44.880
<v Speaker 1>why we were all acting so silly. Maybe the bottle

0:16:44.880 --> 0:16:47.440
<v Speaker 1>of champagne for one split second, but there was no

0:16:47.520 --> 0:16:51.080
<v Speaker 1>explanation as to your third bottle. Why everybody was so

0:16:51.440 --> 0:16:51.720
<v Speaker 1>good that.

0:16:53.560 --> 0:16:54.160
<v Speaker 2>You weren't.

0:16:54.880 --> 0:16:56.760
<v Speaker 1>You are the best when you play drunk like that.

0:16:57.800 --> 0:16:59.880
<v Speaker 1>Oh my god makes me laugh.

0:17:00.560 --> 0:17:03.560
<v Speaker 2>Ray had like a little bit of a cringe moment

0:17:03.600 --> 0:17:07.320
<v Speaker 2>because I was like, Wow, what is the time jump

0:17:07.680 --> 0:17:10.320
<v Speaker 2>till afterwards where Tony's gonna sleep over? And then Ray

0:17:10.400 --> 0:17:13.440
<v Speaker 2>comes because I was like, Donna's way too suddenly sober

0:17:13.520 --> 0:17:15.120
<v Speaker 2>because she was sober.

0:17:14.680 --> 0:17:20.960
<v Speaker 1>Yeah, AnyWho wasn't a very lively party. But going back

0:17:20.960 --> 0:17:23.480
<v Speaker 1>to the guys party, did you guys feel like Steve

0:17:23.560 --> 0:17:24.920
<v Speaker 1>looked hot?

0:17:25.880 --> 0:17:26.040
<v Speaker 5>You know?

0:17:26.480 --> 0:17:27.160
<v Speaker 3>I always do.

0:17:30.119 --> 0:17:37.800
<v Speaker 1>I don't know. I I'm having I'm having some wardrobe

0:17:37.840 --> 0:17:40.160
<v Speaker 1>issues with Brandon Walsh in this episode.

0:17:40.280 --> 0:17:41.359
<v Speaker 3>It's just those sneakers.

0:17:41.400 --> 0:17:44.439
<v Speaker 1>I just can't in the suit that's like a like

0:17:44.480 --> 0:17:48.200
<v Speaker 1>a zoot suit. It's like so long and big, just.

0:17:48.119 --> 0:17:53.480
<v Speaker 2>His shirt big like sleeves. I feel bad, but well,

0:17:53.560 --> 0:17:56.680
<v Speaker 2>like whatever, I didn't think anything could distract from Jason

0:17:56.760 --> 0:18:00.120
<v Speaker 2>Priestley's eyes, but his shirts do you can't.

0:18:01.200 --> 0:18:05.120
<v Speaker 1>You guys watch the break dancers in the Oh my god,

0:18:05.160 --> 0:18:06.120
<v Speaker 1>off topic.

0:18:06.400 --> 0:18:08.920
<v Speaker 3>It reminds me of his baggyess of his.

0:18:10.880 --> 0:18:13.520
<v Speaker 1>I don't wish it was that negative. But wasn't that

0:18:13.560 --> 0:18:16.359
<v Speaker 1>a one and done? There's no more break dancing in

0:18:16.400 --> 0:18:17.080
<v Speaker 1>the Olympics.

0:18:17.440 --> 0:18:19.560
<v Speaker 3>I think they should bring it back because we're all

0:18:19.600 --> 0:18:21.600
<v Speaker 3>talking about it. And I watched that one.

0:18:21.760 --> 0:18:25.040
<v Speaker 1>The one with the latesror but basically.

0:18:26.720 --> 0:18:28.840
<v Speaker 3>Bless her heart, let her out there and do her thing.

0:18:28.880 --> 0:18:31.280
<v Speaker 3>But it's the funniest memes of like that's me.

0:18:34.320 --> 0:18:37.960
<v Speaker 1>Anyway, Sorry, that's so off topic. Anyways, we go to

0:18:38.000 --> 0:18:40.640
<v Speaker 1>the Marshette mansion. Now we find out that Bruno doesn't

0:18:40.680 --> 0:18:43.080
<v Speaker 1>have anything. He doesn't have any idea of the hit

0:18:43.200 --> 0:18:46.880
<v Speaker 1>that Tony has put out on Dylan, and I left

0:18:46.920 --> 0:18:51.000
<v Speaker 1>my I was left wondering, is Bruno in love with

0:18:51.080 --> 0:18:54.119
<v Speaker 1>Tony in some sick weird is he like a second

0:18:54.280 --> 0:18:57.239
<v Speaker 1>father figure or Dyl he's supposed.

0:18:56.720 --> 0:18:59.119
<v Speaker 3>To be a second father. But you're not wrong, Jenny.

0:18:59.160 --> 0:19:01.560
<v Speaker 3>There's a hint of crewe creepy when he walks her

0:19:01.600 --> 0:19:02.000
<v Speaker 3>down the aisle.

0:19:02.040 --> 0:19:05.280
<v Speaker 1>I'm like, oh, too much, too close, I don't like you,

0:19:08.280 --> 0:19:12.360
<v Speaker 1>Walsh House. Brandon warns Dylan to drop his vendetta against

0:19:12.359 --> 0:19:15.879
<v Speaker 1>Tony Marshatt, and Dylan thanks Brandon for being the best

0:19:15.960 --> 0:19:17.640
<v Speaker 1>friend he has ever had.

0:19:20.480 --> 0:19:25.320
<v Speaker 2>This whole episode, I wanted, I wanted that friendship of Dylan.

0:19:25.400 --> 0:19:29.720
<v Speaker 2>I know a lot has happened that friendship, like Cliff whatever,

0:19:30.240 --> 0:19:37.200
<v Speaker 2>what season was that season one when he's falling, like yeah, yeah, yeah,

0:19:37.240 --> 0:19:40.159
<v Speaker 2>but there's like I don't know that. It made me

0:19:40.240 --> 0:19:44.440
<v Speaker 2>feel like youth, you show so much like you love

0:19:44.440 --> 0:19:46.440
<v Speaker 2>each other so much, and this is like you cut

0:19:46.480 --> 0:19:49.440
<v Speaker 2>forward and things have happened in life and you love

0:19:49.480 --> 0:19:52.679
<v Speaker 2>each other, but it's just different, and I don't know,

0:19:52.760 --> 0:19:54.720
<v Speaker 2>I want that old friendship back, and I just feel

0:19:54.720 --> 0:19:55.760
<v Speaker 2>like they don't like each other.

0:19:55.960 --> 0:19:59.800
<v Speaker 1>I wanted that glimmer of like something, the happiness for

0:20:00.040 --> 0:20:03.720
<v Speaker 1>ship in the eyes. Yeah, it's so angsty still even

0:20:03.760 --> 0:20:05.760
<v Speaker 1>when he's nobody the best friend I ever had.

0:20:05.880 --> 0:20:08.159
<v Speaker 3>And nobody's mind did what mine did that was like,

0:20:08.200 --> 0:20:10.640
<v Speaker 3>you're the best friend I've ever had and I stole

0:20:10.720 --> 0:20:11.600
<v Speaker 3>your girlfriend.

0:20:13.720 --> 0:20:16.160
<v Speaker 2>I mean, I guess that's the build up under the bye.

0:20:17.040 --> 0:20:19.520
<v Speaker 2>I don't know. I just kept feeling like this episode

0:20:20.000 --> 0:20:22.040
<v Speaker 2>and I know this isn't true, but it's how I felt.

0:20:22.040 --> 0:20:24.679
<v Speaker 2>I was like, are they mad at each other in

0:20:24.720 --> 0:20:27.200
<v Speaker 2>real life? Like is this coming through? Is there something

0:20:27.359 --> 0:20:30.040
<v Speaker 2>like Jason bummed Luke's leaving.

0:20:30.200 --> 0:20:34.240
<v Speaker 1>I don't know he was leaving, I know, but I

0:20:34.640 --> 0:20:36.719
<v Speaker 1>feel like they were never mad at each other like that,

0:20:36.880 --> 0:20:39.680
<v Speaker 1>Like I don't feel like Luke or Jason's like anything

0:20:39.680 --> 0:20:44.280
<v Speaker 1>in their personal lives ever was bad. Never, Like they're

0:20:44.359 --> 0:20:47.320
<v Speaker 1>so not girls. There was so no drama ever ever

0:20:47.440 --> 0:20:48.320
<v Speaker 1>hurt the guys.

0:20:49.160 --> 0:20:52.919
<v Speaker 2>This is true, so true. Men don't ever have drama.

0:20:52.960 --> 0:20:56.600
<v Speaker 2>It's so nice. But it's like, I don't know, I

0:20:56.600 --> 0:20:59.560
<v Speaker 2>don't feel anything between them.

0:21:00.200 --> 0:21:02.439
<v Speaker 3>Is there any chance they're doing the same thing with

0:21:02.600 --> 0:21:07.040
<v Speaker 3>Brandon and Dylan that they're dealing with Tony telling the

0:21:07.119 --> 0:21:11.080
<v Speaker 3>audience so much how we should feel. Tony's so great,

0:21:11.440 --> 0:21:13.600
<v Speaker 3>She's the best thing that ever happened. And it's the

0:21:13.640 --> 0:21:15.760
<v Speaker 3>same thing here, like you're my best friend, because they

0:21:15.880 --> 0:21:19.400
<v Speaker 3>ran out of time to actually build it back properly,

0:21:19.800 --> 0:21:22.399
<v Speaker 3>so it's like you're my best friend, I love you, buddy, or.

0:21:23.040 --> 0:21:27.120
<v Speaker 1>Like bot on this show, like they like you just said,

0:21:27.119 --> 0:21:30.119
<v Speaker 1>like they tell us how they we should feel, and

0:21:30.160 --> 0:21:32.000
<v Speaker 1>then you're like, oh, Okay, yeah, that's how I feel.

0:21:32.920 --> 0:21:34.920
<v Speaker 3>But wwany I build the actress.

0:21:34.960 --> 0:21:37.639
<v Speaker 2>We hold sry still the actress said no, no, But the

0:21:37.680 --> 0:21:40.800
<v Speaker 2>actors still have an opportunity to convey what they want

0:21:40.800 --> 0:21:47.720
<v Speaker 2>to convey. Something something I didn't see. I saw something

0:21:47.760 --> 0:21:51.720
<v Speaker 2>at the end from Loup Jason.

0:21:53.040 --> 0:21:54.640
<v Speaker 1>Yeah, I've yeah, I.

0:21:54.600 --> 0:21:58.240
<v Speaker 2>See what Brandon's Maybe Brandon's just like taking it real hard,

0:21:58.240 --> 0:21:59.920
<v Speaker 2>so he's showing nothing, repressing it all.

0:22:00.280 --> 0:22:01.440
<v Speaker 4>Mm hm.

0:22:01.480 --> 0:22:04.320
<v Speaker 1>Back at the beach house, Ray shows up unannounced once

0:22:04.359 --> 0:22:09.200
<v Speaker 1>again and literally threatens Donna once again because says, you

0:22:09.720 --> 0:22:12.000
<v Speaker 1>gonna make your life miserable. He did look cute.

0:22:13.240 --> 0:22:13.800
<v Speaker 4>I like you.

0:22:13.960 --> 0:22:16.600
<v Speaker 2>He just got the hair right on points. Now he's.

0:22:18.000 --> 0:22:20.920
<v Speaker 3>He's so threatening. It's like he can't take a hint

0:22:20.960 --> 0:22:22.440
<v Speaker 3>and just gets so threatening.

0:22:23.560 --> 0:22:28.120
<v Speaker 1>Gosh, what what kind of turmoil muss that guy? Ben?

0:22:28.920 --> 0:22:31.600
<v Speaker 3>He must have been Jamie Walters must have been so mad,

0:22:31.760 --> 0:22:37.399
<v Speaker 3>like why are they writing this rap for me? This sucks?

0:22:37.400 --> 0:22:40.280
<v Speaker 2>Got to just keep on going, you got to get through.

0:22:40.320 --> 0:22:41.359
<v Speaker 3>It just gets worse too.

0:22:42.240 --> 0:22:44.600
<v Speaker 1>We've seen this scene though, like three times now, like

0:22:44.640 --> 0:22:46.479
<v Speaker 1>Donna says, I've heard it all before.

0:22:47.280 --> 0:22:49.280
<v Speaker 2>Yeah, so if we see him tune or whatever.

0:22:49.440 --> 0:22:57.480
<v Speaker 1>Yeah, he's been singing the same song. So Kelly gives

0:22:57.520 --> 0:23:02.960
<v Speaker 1>Tony her blessing basically and tells her her advice, her

0:23:03.320 --> 0:23:07.399
<v Speaker 1>sage advice to move far, far away and never look back.

0:23:10.320 --> 0:23:11.720
<v Speaker 2>I mean, but that's going to happen.

0:23:12.320 --> 0:23:17.920
<v Speaker 1>Like oh, back at Dylan's house, Brandon reads a telegram

0:23:18.119 --> 0:23:22.440
<v Speaker 1>to Dylan from Jim and to have remember what were

0:23:22.480 --> 0:23:26.240
<v Speaker 1>the options back then? It acts they could have texted him.

0:23:26.840 --> 0:23:28.639
<v Speaker 3>No, well that would have been I don't know.

0:23:29.320 --> 0:23:32.679
<v Speaker 1>Now for sure, I guess no.

0:23:32.800 --> 0:23:33.679
<v Speaker 3>But it was a email.

0:23:33.800 --> 0:23:36.640
<v Speaker 1>I'm like, you know those like.

0:23:38.080 --> 0:23:41.280
<v Speaker 3>It was a separator. No, maybe could have emailed alough

0:23:41.320 --> 0:23:43.280
<v Speaker 3>I didn't get emailed till ninety seven and we're only

0:23:43.320 --> 0:23:44.159
<v Speaker 3>in ninety five.

0:23:44.760 --> 0:23:47.119
<v Speaker 1>Yeah, nobody really checked it back then, like if you

0:23:47.200 --> 0:23:49.199
<v Speaker 1>had a million, aren't like I gotta check every emails

0:23:49.240 --> 0:23:59.120
<v Speaker 1>two weeks, right, But it's interesting that scene, very forced.

0:24:00.560 --> 0:24:03.760
<v Speaker 3>The letter just didn't seem like what she would say

0:24:04.760 --> 0:24:07.240
<v Speaker 3>and Jim and Cindy would have said more. It was

0:24:07.280 --> 0:24:07.840
<v Speaker 3>like weird.

0:24:10.000 --> 0:24:12.720
<v Speaker 1>I know the people that were like Brandon, I mean, sorry,

0:24:12.960 --> 0:24:16.760
<v Speaker 1>I know that people that were Dylan Brenda really were like,

0:24:17.000 --> 0:24:21.919
<v Speaker 1>oh that's the best letter I've ever heard, you know,

0:24:21.960 --> 0:24:24.720
<v Speaker 1>they were so excited to have that connection back between

0:24:24.760 --> 0:24:40.760
<v Speaker 1>those two characters. Let's move on, okay. Brenda says she

0:24:40.800 --> 0:24:47.159
<v Speaker 1>will love him forever. Back at the beach house, Tony

0:24:47.240 --> 0:24:52.919
<v Speaker 1>pops in, Tony Dad, Yeah, Tony's dad. Tony pops in

0:24:53.440 --> 0:24:56.280
<v Speaker 1>to see his daughter getting ready for the wedding. It

0:24:56.320 --> 0:24:58.520
<v Speaker 1>was so odd for me to see him in the

0:24:58.520 --> 0:25:02.280
<v Speaker 1>beach apartment, Like they two just did not go together,

0:25:02.520 --> 0:25:04.200
<v Speaker 1>mister fancy pants.

0:25:04.240 --> 0:25:07.680
<v Speaker 3>Really good face acting, though, Jenny, really good eye acting,

0:25:07.800 --> 0:25:10.280
<v Speaker 3>because you're not down with that guy.

0:25:10.800 --> 0:25:13.399
<v Speaker 1>Oh, that's the thing with me and with Kelly, Like

0:25:13.480 --> 0:25:17.240
<v Speaker 1>I cannot hide my true emotions most of the time.

0:25:17.359 --> 0:25:20.160
<v Speaker 1>And if I and I'm also like a thing about

0:25:20.200 --> 0:25:23.320
<v Speaker 1>Kelly too, it's like super loyal. Like if somebody's hurt,

0:25:23.359 --> 0:25:25.520
<v Speaker 1>somebody that I love, there's no chance I'm going to

0:25:25.600 --> 0:25:28.160
<v Speaker 1>be fake with that person. And Kelly's the same way.

0:25:28.359 --> 0:25:30.200
<v Speaker 3>He did a good job. You did a good job

0:25:30.240 --> 0:25:33.080
<v Speaker 3>because you are very clear that you hate that guy.

0:25:33.359 --> 0:25:38.560
<v Speaker 3>You gave him one nary a smile, like a smirk smile.

0:25:38.760 --> 0:25:42.439
<v Speaker 3>As you leave the scene, You're like, he's a killer.

0:25:43.200 --> 0:25:45.840
<v Speaker 1>But anyway, He says that their marriage is made in hell,

0:25:47.320 --> 0:25:55.800
<v Speaker 1>which is pretty graphic and then Bruno steps in and

0:25:55.840 --> 0:25:57.720
<v Speaker 1>says that he's going to walk her down the aisle.

0:25:57.760 --> 0:25:59.800
<v Speaker 1>Where was he was he at the car? What happened?

0:26:00.119 --> 0:26:01.400
<v Speaker 3>He bopped in out of nowhere.

0:26:02.080 --> 0:26:05.359
<v Speaker 1>I guess he's the driver of Tony, but he was

0:26:05.480 --> 0:26:07.639
<v Speaker 1>just on the deck putting out pumpkins or something.

0:26:08.320 --> 0:26:12.640
<v Speaker 3>No, how did Tony evil Tony get home? If Bruno?

0:26:12.840 --> 0:26:15.399
<v Speaker 3>It was like, but that was the.

0:26:18.400 --> 0:26:21.560
<v Speaker 2>Like the framing of the face with her curls were

0:26:21.640 --> 0:26:22.760
<v Speaker 2>just perfect.

0:26:23.119 --> 0:26:25.560
<v Speaker 1>Yeah, she's always had the most amazing hair.

0:26:26.600 --> 0:26:27.679
<v Speaker 3>She's straight up gorge.

0:26:28.040 --> 0:26:31.600
<v Speaker 1>We go right into like literally it was just too

0:26:31.640 --> 0:26:35.480
<v Speaker 1>fast for me and we're getting married, you know, like

0:26:35.640 --> 0:26:39.880
<v Speaker 1>the beach wedding is happening. There was no I didn't

0:26:39.880 --> 0:26:41.800
<v Speaker 1>feel like there was enough build up to that big,

0:26:41.880 --> 0:26:45.760
<v Speaker 1>huge moment where she comes around the corner in her

0:26:45.760 --> 0:26:48.680
<v Speaker 1>wedding dress with Bruno on her arm.

0:26:48.720 --> 0:26:51.760
<v Speaker 2>Like as an audience member, you needed that build up

0:26:52.040 --> 0:26:55.320
<v Speaker 2>almost to like really be into it emotionally and it

0:26:55.480 --> 0:26:57.879
<v Speaker 2>just be like, oh, okay, here we go.

0:26:58.960 --> 0:27:02.479
<v Speaker 1>But I they did take their time with like the

0:27:02.520 --> 0:27:06.200
<v Speaker 1>close ups and the you know looking back at Brandon's

0:27:06.760 --> 0:27:11.119
<v Speaker 1>almost quivering lip, and you know, I felt like I

0:27:11.160 --> 0:27:14.680
<v Speaker 1>was like, is he going to cry his first of all,

0:27:14.720 --> 0:27:18.640
<v Speaker 1>his lips looked so luscious in that scene. Did you notice, Yeah.

0:27:18.480 --> 0:27:18.800
<v Speaker 2>I did.

0:27:19.359 --> 0:27:21.240
<v Speaker 3>His face, His face was just good.

0:27:21.359 --> 0:27:24.040
<v Speaker 1>We're talking about Brandon, this is we're to be talking

0:27:24.040 --> 0:27:28.280
<v Speaker 1>about Dylan. But I did believe that they loved each

0:27:28.280 --> 0:27:31.800
<v Speaker 1>other on the altar. That felt very real to me.

0:27:33.320 --> 0:27:37.040
<v Speaker 2>And they were really close. Luke and Rebecca were they

0:27:37.040 --> 0:27:37.720
<v Speaker 2>were good together.

0:27:38.440 --> 0:27:42.359
<v Speaker 3>Yeah, yes, I just needed twenty more episodes to really

0:27:42.400 --> 0:27:42.960
<v Speaker 3>believe it.

0:27:43.000 --> 0:27:44.080
<v Speaker 2>But whatever.

0:27:44.720 --> 0:27:49.120
<v Speaker 1>Then the wedding reception also comes. Everybody's just stready there,

0:27:49.160 --> 0:27:50.840
<v Speaker 1>Like I don't feel like there was enough time spent.

0:27:51.160 --> 0:27:55.040
<v Speaker 1>And I looking back on this, when we filmed this episode,

0:27:55.200 --> 0:27:57.680
<v Speaker 1>I can remember we had to go all the way

0:27:57.720 --> 0:28:00.800
<v Speaker 1>out to Malibu. Everybody was in the scene. It was

0:28:00.840 --> 0:28:03.280
<v Speaker 1>a big prep. Everybody had to get hair and make

0:28:03.359 --> 0:28:05.240
<v Speaker 1>up for so long because it was the wedding. We

0:28:05.359 --> 0:28:07.119
<v Speaker 1>got to get back to that in a second. But

0:28:07.840 --> 0:28:12.480
<v Speaker 1>it just felt like it flew by so quickly, agree

0:28:12.600 --> 0:28:16.239
<v Speaker 1>and without really anything super exciting happening other than them

0:28:16.240 --> 0:28:16.800
<v Speaker 1>getting married.

0:28:17.720 --> 0:28:20.560
<v Speaker 2>I remember it being super We were like there and

0:28:20.720 --> 0:28:23.160
<v Speaker 2>high up on the cliff and it was super windy,

0:28:23.640 --> 0:28:26.480
<v Speaker 2>and between takes the boys were all putting their jackets

0:28:26.520 --> 0:28:29.280
<v Speaker 2>on us because it was freezing.

0:28:29.520 --> 0:28:34.400
<v Speaker 1>And I remember helicopter popped by way Oh yeah, no way,

0:28:34.680 --> 0:28:37.200
<v Speaker 1>he was trying to see that before it was out.

0:28:37.880 --> 0:28:43.120
<v Speaker 3>WHOA. Why the choice to have the wedding private, Like

0:28:44.320 --> 0:28:45.840
<v Speaker 3>it was so weird because in my mind, I'm like, oh,

0:28:45.920 --> 0:28:47.520
<v Speaker 3>Dylan made that choice. But then I'm like, wait, this

0:28:47.600 --> 0:28:50.720
<v Speaker 3>is a TV show. I have to like have that moment.

0:28:51.360 --> 0:28:53.760
<v Speaker 3>Why the wedding with just the small amount, Like why

0:28:53.800 --> 0:28:56.680
<v Speaker 3>not do a big old wedding like you still plaid

0:28:56.680 --> 0:29:00.720
<v Speaker 3>the money. Nobody's there exactly, Like it wasn't product costs.

0:29:00.760 --> 0:29:04.720
<v Speaker 3>So that was weird, very weird.

0:29:04.960 --> 0:29:05.480
<v Speaker 1>Very weird.

0:29:05.520 --> 0:29:07.640
<v Speaker 3>I would have loved a shot of your face during

0:29:07.680 --> 0:29:09.680
<v Speaker 3>the ceremony, Like I don't know, I just feel like

0:29:09.680 --> 0:29:11.640
<v Speaker 3>there was so much this. First of all, this should

0:29:11.640 --> 0:29:12.560
<v Speaker 3>be two episodes.

0:29:12.760 --> 0:29:13.800
<v Speaker 2>It didn't make sense to do it.

0:29:13.880 --> 0:29:17.440
<v Speaker 1>Make it makes sense. Brandon gives a toast in front

0:29:17.440 --> 0:29:23.800
<v Speaker 1>of everybody, and Tony explains to Dylan that her dad

0:29:23.920 --> 0:29:28.040
<v Speaker 1>had a change of heart, that's why he wasn't there. Yeah,

0:29:28.720 --> 0:29:32.360
<v Speaker 1>and we never even see Kelly's face. We only see

0:29:32.360 --> 0:29:35.920
<v Speaker 1>her she's wearing sunglasses in that scene, which I thought

0:29:35.960 --> 0:29:36.920
<v Speaker 1>was weird.

0:29:37.480 --> 0:29:38.800
<v Speaker 3>It was dumb Collin.

0:29:38.600 --> 0:29:44.600
<v Speaker 1>There, Dumb Colin was there, Susan what's her name is Susan?

0:29:45.480 --> 0:29:50.520
<v Speaker 2>So windy and so I don't know. I feel like

0:29:50.520 --> 0:29:51.840
<v Speaker 2>everyone puts sunglasses on them.

0:29:51.880 --> 0:29:53.680
<v Speaker 1>Here's your chance to talk about the sunglasses.

0:29:53.680 --> 0:29:53.960
<v Speaker 2>Amy.

0:29:54.080 --> 0:29:57.920
<v Speaker 3>The the sunglasses in this episode, Like Steve's got sunglasses

0:29:57.920 --> 0:30:00.800
<v Speaker 3>on a lot, and they're all like pra and they're

0:30:01.040 --> 0:30:06.320
<v Speaker 3>really pronounced sunglasses. Brandon's got the niceties brown ones. I

0:30:06.640 --> 0:30:09.680
<v Speaker 3>got the best nineties back. And then at the funeral,

0:30:09.720 --> 0:30:12.000
<v Speaker 3>which we'll talk about, there's a lot of sunglasses. And

0:30:12.080 --> 0:30:15.720
<v Speaker 3>I felt like Kathleen doesn't wear sunglasses because she could

0:30:15.720 --> 0:30:19.239
<v Speaker 3>cry on cue. But the people that maybe warren't has

0:30:19.240 --> 0:30:21.840
<v Speaker 3>got crying sorry toy, we're wearing.

0:30:21.720 --> 0:30:25.960
<v Speaker 1>That has anything to do with the sunglassing of the actors.

0:30:26.240 --> 0:30:29.120
<v Speaker 3>So they really zoom in on Kathleen's face with her tears,

0:30:29.160 --> 0:30:31.400
<v Speaker 3>and I was like, oh, maybe that's because she can cry.

0:30:33.160 --> 0:30:34.520
<v Speaker 3>It really went down, do you.

0:30:34.600 --> 0:30:36.880
<v Speaker 2>Think so maybe she just didn't like the choices they

0:30:36.920 --> 0:30:40.120
<v Speaker 2>had for her. So she said yeah, but they would

0:30:40.120 --> 0:30:44.640
<v Speaker 2>come amazing sunglasses weren't. It was props, not wardrobe, which

0:30:44.920 --> 0:30:47.360
<v Speaker 2>still doesn't make sense to me. But they would like

0:30:47.680 --> 0:30:51.160
<v Speaker 2>put them out to you. So were rings were props weird?

0:30:51.640 --> 0:30:55.840
<v Speaker 2>And so most likely it wasn't like your character choice.

0:30:55.880 --> 0:30:59.720
<v Speaker 2>You weren't like, oh I love this like it was yeah,

0:31:00.120 --> 0:31:01.080
<v Speaker 2>not always great ones.

0:31:02.800 --> 0:31:06.440
<v Speaker 3>He does look amazing in this whole episode. Every single person.

0:31:06.720 --> 0:31:15.360
<v Speaker 1>Well, just take a moment for the hairdooes, Well that's

0:31:15.920 --> 0:31:19.000
<v Speaker 1>anyone for the wedding. You barely see it because she's

0:31:19.080 --> 0:31:22.040
<v Speaker 1>kind of just there. VAL's hairdo at the wedding.

0:31:22.240 --> 0:31:25.800
<v Speaker 3>Oh, you're right, it was kind of like mom hair.

0:31:26.960 --> 0:31:29.120
<v Speaker 1>It was a Walter special and you know what I

0:31:29.160 --> 0:31:33.080
<v Speaker 1>mean by that tour. Yeah, And the Donna's zig zag

0:31:33.200 --> 0:31:36.560
<v Speaker 1>part was not remember those like where you had to

0:31:36.600 --> 0:31:41.480
<v Speaker 1>have the I didn't hate that one, but I just tried.

0:31:41.520 --> 0:31:43.240
<v Speaker 2>I just tried to do one of those the other day.

0:31:44.120 --> 0:31:45.600
<v Speaker 2>It doesn't work so well when you're older.

0:31:47.120 --> 0:31:50.040
<v Speaker 1>It's a lot more work. And then Kelly's hairdoo was

0:31:50.120 --> 0:31:54.640
<v Speaker 1>like mom wind blown teased. I don't even know what

0:31:54.720 --> 0:31:55.560
<v Speaker 1>was happening up there.

0:31:56.080 --> 0:31:58.280
<v Speaker 2>Yeah, I think that there was all that wind they

0:31:58.280 --> 0:32:01.000
<v Speaker 2>had to keep coming in. Nothing was working. There's probably

0:32:01.000 --> 0:32:02.240
<v Speaker 2>a lot of sprain teasing.

0:32:02.360 --> 0:32:05.120
<v Speaker 3>Oh, I liked all the looks.

0:32:05.960 --> 0:32:06.560
<v Speaker 2>Did you ever.

0:32:06.480 --> 0:32:08.800
<v Speaker 1>Wonder I think it was at the wedding, you at

0:32:08.800 --> 0:32:12.720
<v Speaker 1>the wedding ceremony or the reception, But Dylan and Tony

0:32:12.760 --> 0:32:15.480
<v Speaker 1>were making out in one of the shots in slow motion.

0:32:15.640 --> 0:32:22.160
<v Speaker 1>Did anybody notice that? That's just maybe maybe I fell asleep.

0:32:24.440 --> 0:32:28.320
<v Speaker 1>Then we go back to Cassa Walsh where Joe is

0:32:28.440 --> 0:32:33.000
<v Speaker 1>there with Donna, and Brandon is there with Susan, and

0:32:33.120 --> 0:32:37.880
<v Speaker 1>Kelly is there with Colin. It's like in every room

0:32:37.920 --> 0:32:47.960
<v Speaker 1>there's a couple making out. It's so Weirdcasa Cathouse. But

0:32:48.000 --> 0:32:50.360
<v Speaker 1>we go back to to Tony and Dylan's house because

0:32:50.440 --> 0:32:54.240
<v Speaker 1>that's you know, he brings her through the door and he's.

0:32:54.160 --> 0:32:55.640
<v Speaker 3>Carrying the threshold.

0:32:55.920 --> 0:33:00.120
<v Speaker 1>She looks light as a feather and there's candles everybody

0:33:00.160 --> 0:33:02.440
<v Speaker 1>everywhere that his friends, I guess did they did?

0:33:03.200 --> 0:33:06.160
<v Speaker 3>Very like a fire hazard but beautiful. Yeah, who leaves

0:33:06.160 --> 0:33:10.800
<v Speaker 3>those all those candles going? You know, very shingled.

0:33:11.120 --> 0:33:12.760
<v Speaker 1>How did they know what time they were going to

0:33:12.800 --> 0:33:16.680
<v Speaker 1>be there too? How did that work out? I don't know?

0:33:16.880 --> 0:33:18.640
<v Speaker 1>But then the next morning and they wake up in

0:33:18.720 --> 0:33:22.360
<v Speaker 1>bed and all I could think was, at least he

0:33:22.440 --> 0:33:23.959
<v Speaker 1>got new sheets for his bride.

0:33:24.640 --> 0:33:27.800
<v Speaker 3>I thought the same. But it's four pm. All of

0:33:27.840 --> 0:33:30.560
<v Speaker 3>a sudden when they wake up, it's four pm.

0:33:31.200 --> 0:33:34.720
<v Speaker 1>They had a good night, what do you kisses were

0:33:34.800 --> 0:33:41.360
<v Speaker 1>really good? Yeah, good kissing definitely yea. Then the doorbell

0:33:41.720 --> 0:33:46.160
<v Speaker 1>their kisses me Amy, Amy.

0:33:46.040 --> 0:33:52.640
<v Speaker 3>I remember them being this super couple. Then now I'm like,

0:33:53.880 --> 0:33:55.040
<v Speaker 3>didn't we just meet her?

0:33:55.920 --> 0:33:59.960
<v Speaker 2>Right? But like the kissing, like there's the actual making out.

0:34:00.160 --> 0:34:03.280
<v Speaker 3>Did you they were a huge super couple, Like, oh

0:34:03.320 --> 0:34:05.840
<v Speaker 3>my god, Dylan and Tony.

0:34:05.760 --> 0:34:07.640
<v Speaker 1>You're not answering the question yet at all.

0:34:07.680 --> 0:34:10.000
<v Speaker 3>I remember all of it, that their kisses.

0:34:10.400 --> 0:34:12.799
<v Speaker 1>Did you feel the feels when you saw them?

0:34:12.880 --> 0:34:16.560
<v Speaker 2>Kisses when they were in bed and this time this

0:34:16.680 --> 0:34:19.360
<v Speaker 2>time not as much as writing in the room.

0:34:19.360 --> 0:34:22.440
<v Speaker 3>Really then then I was in and I don't know

0:34:22.520 --> 0:34:25.040
<v Speaker 3>if it's because I'm older, and I know I'm being annoying.

0:34:25.440 --> 0:34:28.000
<v Speaker 3>I want other people to say if they're experiencing the

0:34:28.000 --> 0:34:31.840
<v Speaker 3>same thing, because now it's just like these two are married.

0:34:31.880 --> 0:34:35.000
<v Speaker 3>I'm not even feeling it. It's so weird, like it's

0:34:35.040 --> 0:34:37.759
<v Speaker 3>just I'm feeling it a little bit like I'm okay.

0:34:37.800 --> 0:34:40.879
<v Speaker 1>It's like a little like there's part of me that's like, wait,

0:34:40.920 --> 0:34:43.920
<v Speaker 1>what huh, And then there's part of me that's like, oh,

0:34:43.960 --> 0:34:45.960
<v Speaker 1>I want Dylan to be happy. And if this makes

0:34:46.000 --> 0:34:48.600
<v Speaker 1>him happy and they can just walk around without shoes

0:34:48.640 --> 0:34:51.239
<v Speaker 1>on in the house, that's they must be close, you know,

0:34:51.320 --> 0:34:52.759
<v Speaker 1>like they must really love each other.

0:34:53.080 --> 0:34:55.480
<v Speaker 3>That thing is very odd.

0:34:55.600 --> 0:34:59.080
<v Speaker 2>I just didn't feel the chemistry the entire season that

0:34:59.200 --> 0:35:01.360
<v Speaker 2>much with them, but they also didn't give them much.

0:35:02.200 --> 0:35:04.560
<v Speaker 2>And I did feel it with the mid scenes, like

0:35:04.600 --> 0:35:08.120
<v Speaker 2>after they were married. I was like, oh, the physical chemistry.

0:35:08.120 --> 0:35:09.440
<v Speaker 2>I finally kind of felt it.

0:35:09.960 --> 0:35:14.080
<v Speaker 3>I think that's a very your observation is accurate. It's

0:35:14.160 --> 0:35:17.680
<v Speaker 3>all just a little hmhm and then you're like, oh, yeah,

0:35:17.680 --> 0:35:19.360
<v Speaker 3>I see it. No I don't, Yes, I do, No,

0:35:19.440 --> 0:35:19.799
<v Speaker 3>I don't.

0:35:20.400 --> 0:35:22.840
<v Speaker 1>I felt it more after they got married, Yeah.

0:35:22.880 --> 0:35:28.680
<v Speaker 2>Like yeah, and then yep, so Steve.

0:35:28.480 --> 0:35:31.719
<v Speaker 1>And Nat show up with a fancy breakfast and tuxedos on.

0:35:32.360 --> 0:35:38.000
<v Speaker 2>I was so pissed if like, it's my after my wedding,

0:35:38.120 --> 0:35:40.200
<v Speaker 2>Like it's the next day and I'm with my bride

0:35:40.239 --> 0:35:43.239
<v Speaker 2>and my friends show up, like I.

0:35:43.280 --> 0:35:46.880
<v Speaker 3>Gotta eat, but you know, it was four o'clock.

0:35:47.920 --> 0:35:49.959
<v Speaker 2>I know, but like, get us in the day.

0:35:50.680 --> 0:35:53.239
<v Speaker 1>How did how did Nat and Steve know to come

0:35:53.280 --> 0:35:54.960
<v Speaker 1>at four pm with breakfast?

0:35:55.000 --> 0:35:55.239
<v Speaker 2>Thank you?

0:35:55.320 --> 0:35:58.640
<v Speaker 3>I wondered that too, fully wondered that too.

0:35:59.000 --> 0:36:01.839
<v Speaker 1>Heiss bread us all day, I don't know, preakfast all

0:36:01.880 --> 0:36:04.640
<v Speaker 1>day at the peach bed, I guess.

0:36:06.360 --> 0:36:09.320
<v Speaker 3>Where she tries to find the cat because that was Czar.

0:36:09.920 --> 0:36:14.200
<v Speaker 1>Well the things, and it's Tony Marchett and he's asking

0:36:14.280 --> 0:36:17.040
<v Speaker 1>for Dylan to come over so he can give the

0:36:17.080 --> 0:36:22.240
<v Speaker 1>happy couple a big surprise. But he asks Dylan only

0:36:22.280 --> 0:36:27.399
<v Speaker 1>to come over great, which is a red flag, yeah,

0:36:27.440 --> 0:36:29.520
<v Speaker 1>because he he says, can you come over? I have

0:36:29.560 --> 0:36:31.040
<v Speaker 1>something I want to give Tony.

0:36:32.520 --> 0:36:37.120
<v Speaker 3>He's also a known murderer, so Dylan doesn't.

0:36:36.800 --> 0:36:40.600
<v Speaker 1>Want to go. He's like, no, thank you. But then

0:36:41.320 --> 0:36:48.720
<v Speaker 1>the Tony and Tonia, she says, you know, she's always

0:36:48.840 --> 0:36:50.880
<v Speaker 1>I'm thinking, oh, she's always going to do this, and

0:36:50.960 --> 0:36:53.319
<v Speaker 1>there the rest of their relationship, she's always going to

0:36:53.400 --> 0:36:57.600
<v Speaker 1>be trying to, you know, get what she had with

0:36:57.640 --> 0:37:02.080
<v Speaker 1>her dad back, never going to work for them.

0:37:02.200 --> 0:37:02.560
<v Speaker 2>Mm hmm.

0:37:03.480 --> 0:37:07.239
<v Speaker 3>And he's a known murderer that hates.

0:37:07.120 --> 0:37:08.919
<v Speaker 2>Dylan maybe and himm are so good.

0:37:09.600 --> 0:37:13.360
<v Speaker 3>He's like, who's not going? You know, I don't think.

0:37:13.280 --> 0:37:15.480
<v Speaker 2>So she shouldn't. She should have told Dylan.

0:37:17.080 --> 0:37:19.600
<v Speaker 3>Course, and Dylan should be like, I'm absolutely not going.

0:37:19.640 --> 0:37:21.799
<v Speaker 3>This guy murdered my father and hates me.

0:37:22.600 --> 0:37:24.120
<v Speaker 1>Yeah, and the cat is missing?

0:37:26.320 --> 0:37:31.400
<v Speaker 3>Can I just for one moment touring green guys when

0:37:31.400 --> 0:37:34.120
<v Speaker 3>they're eating breakfast and then they can't find the cat

0:37:34.200 --> 0:37:37.759
<v Speaker 3>And all she does is walk two steps and say here, kitty, kitty, kitty, kitty,

0:37:37.800 --> 0:37:40.239
<v Speaker 3>kitty kitty for a half an hour, like it was

0:37:40.239 --> 0:37:41.280
<v Speaker 3>so I was like the cat.

0:37:41.719 --> 0:37:50.840
<v Speaker 5>In trouble, like this the trouble, but also is that

0:37:50.960 --> 0:37:52.480
<v Speaker 5>the universal call for a cat?

0:37:52.600 --> 0:37:55.280
<v Speaker 1>I was wondering, you're kitty, kitty kitty.

0:37:55.320 --> 0:37:59.560
<v Speaker 2>I think where'd that?

0:37:59.719 --> 0:38:02.279
<v Speaker 1>You don't say here, doggy, doggy, doggy, dog you doggy?

0:38:02.560 --> 0:38:03.319
<v Speaker 2>What do you do with the dog?

0:38:03.480 --> 0:38:07.160
<v Speaker 3>Wasn't with the cat? Was also forced same thing that's

0:38:07.440 --> 0:38:10.960
<v Speaker 3>you're my best friend, You're they're meant to be, Tony's

0:38:10.960 --> 0:38:14.000
<v Speaker 3>the greatest woman on earth. This cat symbolism is like

0:38:14.040 --> 0:38:16.600
<v Speaker 3>it's all just a little hashtag trying too hard.

0:38:16.680 --> 0:38:21.439
<v Speaker 2>But something else you could have done besides a cat

0:38:21.520 --> 0:38:24.400
<v Speaker 2>missing to connect all of this to get.

0:38:24.400 --> 0:38:28.840
<v Speaker 1>Like also because yeah, Dylan don't give a you know

0:38:28.960 --> 0:38:33.719
<v Speaker 1>what about that cat, and so but then he ends

0:38:33.800 --> 0:38:38.000
<v Speaker 1>up saying you go, you go get talk to your

0:38:38.080 --> 0:38:41.640
<v Speaker 1>dad without me in the pouring rain in on your

0:38:41.640 --> 0:38:46.200
<v Speaker 1>wedding dock down poor to drive the Porsche.

0:38:46.760 --> 0:38:50.960
<v Speaker 2>Why would you ever let your woman go out so

0:38:51.000 --> 0:38:52.879
<v Speaker 2>you can rain storm and look for the cat.

0:38:53.560 --> 0:38:55.920
<v Speaker 3>There's no need to wear clocks in.

0:38:56.000 --> 0:38:58.279
<v Speaker 2>His T shirt because he's a little wet and just

0:38:58.320 --> 0:39:00.400
<v Speaker 2>sends her out in her raincoat.

0:39:00.520 --> 0:39:03.000
<v Speaker 3>Like, no one needs to wear the raincoat up with

0:39:03.040 --> 0:39:06.000
<v Speaker 3>the hat on while you're driving. You get in the car,

0:39:06.160 --> 0:39:07.200
<v Speaker 3>you take that down.

0:39:07.520 --> 0:39:09.280
<v Speaker 1>It's not raining in the car.

0:39:09.960 --> 0:39:13.720
<v Speaker 2>Yeah, I know, but I had a flash to Urban Legend,

0:39:13.880 --> 0:39:16.480
<v Speaker 2>which Rebecca Gayheart is in and she ends up being

0:39:16.480 --> 0:39:18.240
<v Speaker 2>the murderer and she wears the raincoat.

0:39:18.320 --> 0:39:23.040
<v Speaker 1>So maybe you just gave away the whole plot of

0:39:23.120 --> 0:39:23.680
<v Speaker 1>that movie.

0:39:23.719 --> 0:39:25.000
<v Speaker 2>Now I can't have Urban Legend.

0:39:25.320 --> 0:39:28.279
<v Speaker 1>She's the killer. Thanks a lot, like.

0:39:28.280 --> 0:39:31.080
<v Speaker 2>You were ever gonna watch it?

0:39:32.760 --> 0:39:35.279
<v Speaker 1>Okay, so this is none of this is making sense

0:39:35.320 --> 0:39:38.080
<v Speaker 1>to any the three of us. So it had to

0:39:38.120 --> 0:39:41.560
<v Speaker 1>be confusing to the people that watch are watching it

0:39:41.600 --> 0:39:44.279
<v Speaker 1>back with us, because yet in the moment back in

0:39:44.320 --> 0:39:46.480
<v Speaker 1>the nineties, it all felt so scary and right and

0:39:46.520 --> 0:39:49.640
<v Speaker 1>you were in it, But now looking back, you're like, wait,

0:39:49.680 --> 0:39:51.120
<v Speaker 1>what holds the old.

0:39:51.080 --> 0:39:53.960
<v Speaker 3>Phone off the hook? The phone's off the hook, so

0:39:54.000 --> 0:39:57.399
<v Speaker 3>Bruno can't get through because she's taken the phone off

0:39:57.400 --> 0:39:57.800
<v Speaker 3>the hook.

0:39:58.239 --> 0:40:00.600
<v Speaker 1>At the same time, there was this bi building like

0:40:01.400 --> 0:40:04.279
<v Speaker 1>mystery in this building, like I was getting more and

0:40:04.320 --> 0:40:06.040
<v Speaker 1>more on the edge of my sea, kind of feeling

0:40:07.200 --> 0:40:14.279
<v Speaker 1>true Ruth. But then, uh, what happens? Bruno calls the

0:40:14.320 --> 0:40:17.000
<v Speaker 1>peach Pit looking for Brandy because they know each other,

0:40:17.239 --> 0:40:17.680
<v Speaker 1>and what.

0:40:18.239 --> 0:40:20.680
<v Speaker 3>Because that's what you would do, like nobody has cell phones.

0:40:20.800 --> 0:40:23.759
<v Speaker 3>They do have cell phones. And also he's calling the

0:40:23.760 --> 0:40:26.920
<v Speaker 3>peach pit Nat and says, can I talk to Brandon?

0:40:26.960 --> 0:40:28.640
<v Speaker 3>And then he's like this is Bruno, Like why is

0:40:28.680 --> 0:40:31.239
<v Speaker 3>it Brandon? Like Bruno, who like who?

0:40:31.600 --> 0:40:31.640
<v Speaker 6>What?

0:40:31.800 --> 0:40:34.200
<v Speaker 1>Why are you calling me? But then he tells them

0:40:34.239 --> 0:40:36.399
<v Speaker 1>that there's a hit out on Dylan. Any races out

0:40:36.400 --> 0:40:36.680
<v Speaker 1>of there.

0:40:37.440 --> 0:40:40.240
<v Speaker 3>It's also no big deal that there's a hit out

0:40:40.280 --> 0:40:41.719
<v Speaker 3>on him, Like.

0:40:41.680 --> 0:40:44.839
<v Speaker 1>What who's ever heard that in their life? Like I

0:40:44.880 --> 0:40:45.880
<v Speaker 1>have a hit out on me?

0:40:46.120 --> 0:40:46.440
<v Speaker 3>That does?

0:40:46.480 --> 0:40:46.560
<v Speaker 6>This?

0:40:46.719 --> 0:40:50.080
<v Speaker 1>Not realistic? That's not I guess that's why this is

0:40:50.120 --> 0:40:50.640
<v Speaker 1>it if you.

0:40:50.560 --> 0:40:54.359
<v Speaker 2>Hear that you're in trouble. But like, I mean, they've

0:40:54.360 --> 0:40:57.480
<v Speaker 2>watched every movie. I'm sure Brandon, Yeah, what would you

0:40:57.520 --> 0:41:00.120
<v Speaker 2>have heard him say?

0:41:00.360 --> 0:41:05.160
<v Speaker 3>He's also not worried about there's men with guns but

0:41:05.320 --> 0:41:08.439
<v Speaker 3>I'm gonna run to the guy that has the hit out.

0:41:08.480 --> 0:41:10.719
<v Speaker 3>It's just very no one's.

0:41:11.920 --> 0:41:14.640
<v Speaker 1>Over, no Brandon, No, because why they don't. I don't

0:41:14.640 --> 0:41:18.120
<v Speaker 1>know why. Brandon races over and gets Dylan and they

0:41:18.280 --> 0:41:23.480
<v Speaker 1>rush out, but not soon enough because Tony is driving

0:41:23.480 --> 0:41:26.080
<v Speaker 1>with her hood up in the Porsche.

0:41:26.560 --> 0:41:29.759
<v Speaker 2>Wait, I have a question, but go back for a second. Sorry,

0:41:29.760 --> 0:41:32.680
<v Speaker 2>because you're right, Okay, okay, Why why do you think

0:41:32.960 --> 0:41:37.000
<v Speaker 2>maybe there's no reason here? When Brandon's pulling out and

0:41:37.080 --> 0:41:39.799
<v Speaker 2>leaving to race over there to Dylan. I thought it

0:41:39.840 --> 0:41:42.359
<v Speaker 2>was a clue they like zoom in on a license plate.

0:41:43.440 --> 0:41:43.799
<v Speaker 3>I don't know.

0:41:43.800 --> 0:41:47.000
<v Speaker 2>I just heard the back of his car like I

0:41:47.080 --> 0:41:49.480
<v Speaker 2>was like, is it going to be I thought like

0:41:49.520 --> 0:41:51.560
<v Speaker 2>there was going to be a mistake of cars or something.

0:41:51.600 --> 0:41:51.960
<v Speaker 2>I don't know.

0:41:52.239 --> 0:41:54.279
<v Speaker 1>Oh no, I was just worried he's going to run

0:41:54.320 --> 0:41:56.399
<v Speaker 1>over the people in front of him, like they were

0:41:56.400 --> 0:41:59.880
<v Speaker 1>crossing on the store to racing and it's raining and

0:42:00.080 --> 0:42:02.080
<v Speaker 1>never know if your breaks are gonna work, be careful now.

0:42:02.120 --> 0:42:04.600
<v Speaker 3>I throw a strange theory out, but I would love

0:42:04.640 --> 0:42:06.960
<v Speaker 3>to know. And Jenny, I don't know if you need

0:42:06.960 --> 0:42:11.680
<v Speaker 3>to plug your ears. Why isn't Jack McKay or the

0:42:11.760 --> 0:42:16.560
<v Speaker 3>FBI helping, Like, would they not like keep tabs on

0:42:16.640 --> 0:42:20.399
<v Speaker 3>Tony Marshette and know that he's planning to kill Jack

0:42:20.520 --> 0:42:23.200
<v Speaker 3>McKay's son, like it's of.

0:42:23.080 --> 0:42:27.680
<v Speaker 1>Course, were they not like investigating him actively at this point.

0:42:27.600 --> 0:42:29.800
<v Speaker 3>You would think they would be that's.

0:42:29.600 --> 0:42:30.680
<v Speaker 2>Why what's your name?

0:42:30.800 --> 0:42:35.440
<v Speaker 3>What's your christ blond lady Christine? Yes, well, and if it.

0:42:36.000 --> 0:42:37.680
<v Speaker 1>Turned into a cold case.

0:42:40.239 --> 0:42:42.040
<v Speaker 3>Okay, I don't want to run anything, but if Jack

0:42:42.120 --> 0:42:45.440
<v Speaker 3>McKay is in witness protection, then they have him in

0:42:45.560 --> 0:42:49.719
<v Speaker 3>witness protection to protect him from Tony Marshette, So they

0:42:49.719 --> 0:42:52.640
<v Speaker 3>would the FBI would always have eyes on Tony marchhett

0:42:52.680 --> 0:42:57.200
<v Speaker 3>as they're trying to catch him. It's fair, You're good.

0:42:57.760 --> 0:42:59.840
<v Speaker 1>Is Jack McKay is dead? So I don't know.

0:43:00.040 --> 0:43:01.920
<v Speaker 3>Banging on my door, I'll be right back.

0:43:02.080 --> 0:43:03.000
<v Speaker 1>Okay, pause.

0:43:03.440 --> 0:43:03.760
<v Speaker 5>Hello?

0:43:04.680 --> 0:43:10.239
<v Speaker 1>Did you just think she was wearing underwear? Amy just

0:43:10.280 --> 0:43:12.279
<v Speaker 1>got up in the middle of our podcast ends her

0:43:12.320 --> 0:43:15.200
<v Speaker 1>door and we it looked like she was just in

0:43:15.239 --> 0:43:18.360
<v Speaker 1>a T shirt and undies, which is kind of hot.

0:43:19.120 --> 0:43:19.840
<v Speaker 3>Yeah, it was.

0:43:21.719 --> 0:43:22.760
<v Speaker 1>Are you wearing pants?

0:43:23.640 --> 0:43:23.719
<v Speaker 6>Me?

0:43:24.280 --> 0:43:24.640
<v Speaker 5>Yeah?

0:43:24.920 --> 0:43:25.319
<v Speaker 2>I am?

0:43:25.719 --> 0:43:26.080
<v Speaker 6>Are you?

0:43:26.800 --> 0:43:33.040
<v Speaker 1>I am? There're sweatpants that I would never want anyone

0:43:33.040 --> 0:43:35.400
<v Speaker 1>to see me in, but I am wearing pants.

0:43:36.239 --> 0:43:36.680
<v Speaker 6>I am not.

0:43:42.040 --> 0:43:45.920
<v Speaker 1>Thanks for sharing that, mister Joviz. I really appreciate that visual.

0:43:46.600 --> 0:43:49.960
<v Speaker 3>Do you have underwear please say us always?

0:43:50.080 --> 0:44:01.719
<v Speaker 4>Yes.

0:44:03.239 --> 0:44:05.320
<v Speaker 3>I'm so sorry guys like banging on my door and

0:44:05.360 --> 0:44:08.359
<v Speaker 3>then he's trying to sell me bug Patrol. I'm like, bro,

0:44:08.719 --> 0:44:09.960
<v Speaker 3>I'm in a zoom.

0:44:10.320 --> 0:44:13.080
<v Speaker 1>What if I'm busy? We were just talking about you

0:44:13.120 --> 0:44:13.920
<v Speaker 1>and your panties.

0:44:15.080 --> 0:44:17.400
<v Speaker 2>Go away, there's mud happening.

0:44:19.560 --> 0:44:23.000
<v Speaker 1>Okay, wait, go get back into this. First of all,

0:44:23.080 --> 0:44:25.319
<v Speaker 1>Like I just said, you guys don't know what you're

0:44:25.320 --> 0:44:29.080
<v Speaker 1>talking about because Jack McKay is dead. Amy, You're what

0:44:29.120 --> 0:44:30.719
<v Speaker 1>you're saying is not making any sense to me.

0:44:30.800 --> 0:44:31.360
<v Speaker 3>It is to me.

0:44:32.040 --> 0:44:34.120
<v Speaker 1>Okay, well, Cory, is it to you?

0:44:34.640 --> 0:44:36.640
<v Speaker 2>Let her keep living the dream because it's not good

0:44:36.800 --> 0:44:39.600
<v Speaker 2>because then it's new to her and it's great.

0:44:39.719 --> 0:44:43.200
<v Speaker 3>I'll let Jenny the first years later.

0:44:43.360 --> 0:44:44.160
<v Speaker 2>But here's the.

0:44:44.120 --> 0:44:48.399
<v Speaker 1>Thing about my memory. I can I'm watching I watch

0:44:48.440 --> 0:44:50.439
<v Speaker 1>Breaking Bad from beginning to end when it came out.

0:44:50.520 --> 0:44:53.080
<v Speaker 1>I'm watching it again now and it's like it's the

0:44:53.080 --> 0:44:55.319
<v Speaker 1>first time I ever saw it. So that's the same

0:44:55.360 --> 0:44:58.160
<v Speaker 1>thing that's happening with this show. Never heard of any

0:44:58.239 --> 0:45:03.640
<v Speaker 1>of these things happening before. But Dylan and Brandon pull

0:45:03.760 --> 0:45:09.040
<v Speaker 1>up and Dylan drags her out of the car and

0:45:09.160 --> 0:45:13.480
<v Speaker 1>starts streaming, screaming and crying. Brandon, lik, what they did

0:45:13.480 --> 0:45:14.919
<v Speaker 1>to her? Look what they did to her.

0:45:15.480 --> 0:45:17.960
<v Speaker 2>There's no life of all the way they shot her,

0:45:18.080 --> 0:45:22.280
<v Speaker 2>you guys. I was like, her face wouldn't be recognizable totally.

0:45:22.440 --> 0:45:27.239
<v Speaker 2>I feel they were like right through the like wow,

0:45:27.400 --> 0:45:29.000
<v Speaker 2>Like I was kind of hoping they would have done

0:45:29.040 --> 0:45:32.640
<v Speaker 2>it from the side and she still looked beautiful. But

0:45:32.760 --> 0:45:34.160
<v Speaker 2>it's like, what does that other side look like?

0:45:34.920 --> 0:45:39.280
<v Speaker 3>No attempt to resuscitate. It's like Brandon stands there frozen.

0:45:39.320 --> 0:45:41.319
<v Speaker 3>No one's calling nine to one one. It's just like

0:45:42.080 --> 0:45:43.080
<v Speaker 3>they all just stand there.

0:45:43.080 --> 0:45:44.399
<v Speaker 2>They annihilated her.

0:45:44.840 --> 0:45:48.319
<v Speaker 1>They shot her, right, Yeah, that was like godfather shit

0:45:48.440 --> 0:45:48.799
<v Speaker 1>right there.

0:45:49.080 --> 0:45:56.080
<v Speaker 3>Yes, the ran guy in the car behind is just like, like,

0:45:56.120 --> 0:45:58.520
<v Speaker 3>wouldn't that completely freaked.

0:45:58.160 --> 0:45:59.120
<v Speaker 2>Out one of them?

0:45:59.239 --> 0:46:00.439
<v Speaker 1>Would you know them?

0:46:00.600 --> 0:46:02.960
<v Speaker 3>No? Nope, he is not hard.

0:46:03.120 --> 0:46:05.600
<v Speaker 1>He was the haughty guy that was in the passenger

0:46:05.640 --> 0:46:06.480
<v Speaker 1>seat earlier.

0:46:06.800 --> 0:46:07.680
<v Speaker 3>I don't think so.

0:46:07.760 --> 0:46:09.960
<v Speaker 2>When they when they kidnapped and like where are they going?

0:46:10.040 --> 0:46:11.920
<v Speaker 2>And the car pulled up Dylan's and there were the

0:46:11.960 --> 0:46:12.839
<v Speaker 2>two guys.

0:46:12.880 --> 0:46:15.279
<v Speaker 1>And it's you know, the random hitman we'd never seen

0:46:15.320 --> 0:46:17.640
<v Speaker 1>before all of a sudden, was there in headlines.

0:46:17.320 --> 0:46:20.840
<v Speaker 2>That because they both hinder in me, why didn't he

0:46:20.920 --> 0:46:23.800
<v Speaker 2>jump down and help her before Brandon and Dylan arrived.

0:46:24.160 --> 0:46:28.440
<v Speaker 2>That if it's not the case, that dude just sat there, Okay, correct,

0:46:28.520 --> 0:46:30.000
<v Speaker 2>So here's what I understood it.

0:46:30.320 --> 0:46:34.600
<v Speaker 3>They were supposed to murder him earlier the night of

0:46:34.760 --> 0:46:38.239
<v Speaker 3>the but then they got the Bachelor Bachelorette prty, so

0:46:38.320 --> 0:46:42.040
<v Speaker 3>that threw it off, so they had to rejigger the hit.

0:46:42.760 --> 0:46:46.040
<v Speaker 3>And now it's just the one dude who knows that

0:46:46.120 --> 0:46:49.160
<v Speaker 3>she's going to become that he pardoned me, that Dylan's

0:46:49.160 --> 0:46:51.600
<v Speaker 3>going to become driving down the hill to go to

0:46:51.640 --> 0:46:54.000
<v Speaker 3>see Tony and they're going to cut him off or

0:46:54.040 --> 0:46:58.479
<v Speaker 3>he and pow pow pow. But that random other car

0:46:58.640 --> 0:47:02.080
<v Speaker 3>is just a random guy that happened to be driving behind.

0:47:03.280 --> 0:47:05.760
<v Speaker 2>Why did he sit there.

0:47:05.960 --> 0:47:08.879
<v Speaker 3>Erect and then of course like Brandon and Dylon come

0:47:09.320 --> 0:47:11.640
<v Speaker 3>driving up right at the very moment. I mean, it's

0:47:11.680 --> 0:47:14.640
<v Speaker 3>all very crazy. And also get the license plate of

0:47:14.680 --> 0:47:18.799
<v Speaker 3>the hit the car the random guy could have been,

0:47:18.840 --> 0:47:21.440
<v Speaker 3>Like I saw the driver's license. It was a blue

0:47:21.560 --> 0:47:24.040
<v Speaker 3>you know whatever about ever or.

0:47:23.840 --> 0:47:26.359
<v Speaker 2>Like if you're gonna I don't know if you're gonna

0:47:26.360 --> 0:47:28.840
<v Speaker 2>sit there after something like that happens, like get the

0:47:28.840 --> 0:47:31.600
<v Speaker 2>hell out of there. Then like someone just shot the

0:47:31.640 --> 0:47:35.120
<v Speaker 2>person in front of you multiple times, back up and

0:47:35.280 --> 0:47:37.080
<v Speaker 2>get like go save yourself. What if they're going to

0:47:37.120 --> 0:47:38.880
<v Speaker 2>come around and get you because you were there, you

0:47:39.000 --> 0:47:41.080
<v Speaker 2>witnessed it. There shouldn't be any witnesses.

0:47:42.560 --> 0:47:45.640
<v Speaker 1>I feel like we've gotten over our skis with this storyline.

0:47:45.800 --> 0:47:50.239
<v Speaker 1>I feel like there's so many holes. Yeah, but it

0:47:50.360 --> 0:47:52.560
<v Speaker 1>had to happen, and it had to happen. It all

0:47:52.600 --> 0:47:56.280
<v Speaker 1>had to happen in this episode for some mysterious reason.

0:47:56.680 --> 0:48:03.040
<v Speaker 3>Squashiest episode of all time, squshiest. It's just so squashed

0:48:03.080 --> 0:48:04.520
<v Speaker 3>in everything.

0:48:05.440 --> 0:48:08.040
<v Speaker 2>Russia just out a word now too, I know.

0:48:08.520 --> 0:48:12.319
<v Speaker 1>I thought the same thing. Okay, at the funeral, Oh

0:48:13.680 --> 0:48:17.960
<v Speaker 1>that was rough, awful, awful, awful.

0:48:18.640 --> 0:48:20.080
<v Speaker 2>I could have done without the funeral.

0:48:21.800 --> 0:48:22.960
<v Speaker 1>I couldn't have what.

0:48:23.400 --> 0:48:24.760
<v Speaker 3>No, we had to have the funeral.

0:48:25.680 --> 0:48:29.040
<v Speaker 1>It was because no real feeling, Like didn't it feel real?

0:48:29.600 --> 0:48:29.839
<v Speaker 2>Yes?

0:48:29.920 --> 0:48:33.319
<v Speaker 3>And then you get that dramatic scene between Dylan and

0:48:33.560 --> 0:48:36.160
<v Speaker 3>Tony Man Tony.

0:48:36.239 --> 0:48:39.520
<v Speaker 1>And it's like it's like he wanted Dylan to shoot him,

0:48:39.600 --> 0:48:45.279
<v Speaker 1>to kill him. He did, but thank god Dylan didn't

0:48:45.280 --> 0:48:45.839
<v Speaker 1>take the bait.

0:48:47.800 --> 0:48:49.000
<v Speaker 2>That's a major line.

0:48:50.080 --> 0:48:52.640
<v Speaker 1>My father's gone, your daughter's gone, were even.

0:48:52.920 --> 0:48:56.880
<v Speaker 3>Although it doesn't feel even, because it feels like Dylan

0:48:56.960 --> 0:48:58.520
<v Speaker 3>got two terrible.

0:48:58.160 --> 0:49:02.080
<v Speaker 2>Things exactly, you would go to beach or the hells

0:49:02.160 --> 0:49:05.080
<v Speaker 2>like I forget, but never forget.

0:49:06.160 --> 0:49:06.720
<v Speaker 1>So true.

0:49:07.000 --> 0:49:09.480
<v Speaker 3>This is where I felt that you all had sunglasses on,

0:49:10.120 --> 0:49:12.279
<v Speaker 3>but yet Kathleen didn't so they could zoom in on

0:49:12.320 --> 0:49:13.000
<v Speaker 3>her team. Yeah.

0:49:13.040 --> 0:49:14.960
<v Speaker 2>Sorry, I was like, I think we did this scene already,

0:49:15.000 --> 0:49:19.680
<v Speaker 2>but yeah, and then he's like, the killing stops here

0:49:19.920 --> 0:49:22.040
<v Speaker 2>were stops? Now, what do you say?

0:49:22.360 --> 0:49:22.560
<v Speaker 6>Then?

0:49:22.600 --> 0:49:25.120
<v Speaker 1>Of course the gang all goes to the beach bit

0:49:26.160 --> 0:49:27.680
<v Speaker 1>and everyone is very They don't.

0:49:27.560 --> 0:49:31.640
<v Speaker 3>Keep it slightly right like they seem without that scene. Yeah,

0:49:31.640 --> 0:49:34.040
<v Speaker 3>they don't seem to be taking this as seriously as

0:49:34.160 --> 0:49:38.840
<v Speaker 3>you would think they should. Like their friend wife was murdered.

0:49:39.160 --> 0:49:43.919
<v Speaker 3>They're essentially all in danger, like right, and then they're

0:49:43.960 --> 0:49:46.480
<v Speaker 3>like she's leaving, and boy, are we gonna miss it?

0:49:47.080 --> 0:49:48.360
<v Speaker 1>Why are they in danger?

0:49:48.640 --> 0:49:52.480
<v Speaker 3>Because they all know that it's Tony Marchette, like one

0:49:52.520 --> 0:49:53.160
<v Speaker 3>plus one.

0:49:53.080 --> 0:49:55.799
<v Speaker 1>Is two, So Tony doesn't know that they know.

0:49:56.840 --> 0:49:59.240
<v Speaker 3>I mean, you don't have to be a rocket scientist

0:49:59.280 --> 0:49:59.839
<v Speaker 3>to figure this.

0:50:03.600 --> 0:50:07.120
<v Speaker 1>That's what I thought the only rocket scientists watched Beverly

0:50:07.160 --> 0:50:14.560
<v Speaker 1>Hillside like what Oh? And then you guys back at

0:50:14.600 --> 0:50:18.040
<v Speaker 1>Dylan's house when he finds trouble. The kiddy comes back

0:50:18.080 --> 0:50:20.200
<v Speaker 1>and Dylan starts to cry. I lost my ship.

0:50:20.920 --> 0:50:23.799
<v Speaker 3>That was good. The smelling the dress was not as

0:50:23.840 --> 0:50:26.800
<v Speaker 3>good for me. I'm just saying I don't want to

0:50:26.840 --> 0:50:28.280
<v Speaker 3>be judging because I love the whook.

0:50:29.040 --> 0:50:32.600
<v Speaker 1>I cried, we both. I cried even with the watching dress.

0:50:32.640 --> 0:50:35.920
<v Speaker 1>It was a little weird. The smelling other dress. I

0:50:35.960 --> 0:50:38.359
<v Speaker 1>hear what you're saying, but that's what you do when

0:50:38.400 --> 0:50:41.160
<v Speaker 1>someone dies, you want to smell them again.

0:50:43.120 --> 0:50:44.760
<v Speaker 2>So for me it worked.

0:50:45.520 --> 0:50:46.960
<v Speaker 3>The cat really worked.

0:50:47.239 --> 0:50:51.480
<v Speaker 1>And then when he was crying like yeah, that was

0:50:51.840 --> 0:50:54.280
<v Speaker 1>too much, just too much, I was like, what is happening?

0:50:54.320 --> 0:50:56.400
<v Speaker 1>This is just too much for it.

0:50:56.760 --> 0:50:57.160
<v Speaker 3>He went.

0:50:59.320 --> 0:51:02.560
<v Speaker 2>Back to wait tea shirts when you're happy.

0:51:02.680 --> 0:51:05.080
<v Speaker 3>The motorcycle is just so malicious.

0:51:05.120 --> 0:51:09.600
<v Speaker 2>He's so hot, Yeah.

0:51:07.960 --> 0:51:10.239
<v Speaker 1>He's packed, he's ready to leave. That poor cat is

0:51:10.280 --> 0:51:14.160
<v Speaker 1>strapped on the back of that motorcycle. The fuck that

0:51:14.320 --> 0:51:17.640
<v Speaker 1>is not normal. Well, no, that cat is going to

0:51:17.719 --> 0:51:25.319
<v Speaker 1>be traumatized and very wind blown, but he's taking the

0:51:25.360 --> 0:51:27.000
<v Speaker 1>cat with him, which is so sweet.

0:51:27.080 --> 0:51:28.680
<v Speaker 3>Gott he put his helmet onto.

0:51:30.080 --> 0:51:31.880
<v Speaker 1>And then he says he doesn't know if he'll be

0:51:31.920 --> 0:51:35.080
<v Speaker 1>coming back or not. And then he rides away and

0:51:35.160 --> 0:51:39.759
<v Speaker 1>Brandon is sad to see the car.

0:51:41.800 --> 0:51:44.400
<v Speaker 3>The shake hands, but then they held on. Did you

0:51:44.440 --> 0:51:48.200
<v Speaker 3>guys know that? I thought, I want to make shaking hands.

0:51:47.760 --> 0:51:49.759
<v Speaker 2>To part Brandon go back to the car, and then

0:51:50.200 --> 0:51:51.759
<v Speaker 2>them to look at each other, and I know that's

0:51:51.760 --> 0:51:54.880
<v Speaker 2>a chick moved to be like run it and embrace,

0:51:54.960 --> 0:51:56.520
<v Speaker 2>but like I want.

0:51:58.760 --> 0:52:00.719
<v Speaker 1>I didn't want to stop to each other.

0:52:01.280 --> 0:52:04.680
<v Speaker 2>Fine, not that, not that after the handshap at least

0:52:04.680 --> 0:52:06.440
<v Speaker 2>of each other like you like to do that.

0:52:06.800 --> 0:52:10.640
<v Speaker 1>It was a meaningful handshake because it was hand hug.

0:52:11.160 --> 0:52:14.560
<v Speaker 3>It was more it was it was a hand hug.

0:52:14.600 --> 0:52:17.560
<v Speaker 3>It went from shake never let this. It was I.

0:52:17.560 --> 0:52:20.279
<v Speaker 1>Really wanted more. I wanted more. I wanted more in

0:52:20.360 --> 0:52:21.040
<v Speaker 1>this more.

0:52:21.440 --> 0:52:23.000
<v Speaker 3>Like these are these are the it?

0:52:23.160 --> 0:52:26.080
<v Speaker 2>Guys like, I want more. If this is all we're

0:52:26.080 --> 0:52:28.399
<v Speaker 2>going to get as an audience member, and we don't know,

0:52:28.960 --> 0:52:31.239
<v Speaker 2>and this is all we're going to get because Luke

0:52:31.239 --> 0:52:34.359
<v Speaker 2>comes back with Jason, doesn't I know that's right. This

0:52:34.480 --> 0:52:34.680
<v Speaker 2>is it.

0:52:34.800 --> 0:52:37.799
<v Speaker 1>Really wanted Kelly and to have a goodbye there too.

0:52:37.880 --> 0:52:39.920
<v Speaker 1>Now I'm saying feeling what you were feeling.

0:52:39.960 --> 0:52:42.080
<v Speaker 3>I did pay and I also had a little bit

0:52:42.120 --> 0:52:45.879
<v Speaker 3>of like this is may I swear this is.

0:52:47.360 --> 0:52:47.520
<v Speaker 6>It?

0:52:47.800 --> 0:52:48.280
<v Speaker 2>Yeah?

0:52:48.360 --> 0:52:52.080
<v Speaker 3>I was like I don't want him leaving. Why sorry Tory,

0:52:52.160 --> 0:52:55.200
<v Speaker 3>but your dad couldn't solve this and be like, Okay,

0:52:55.360 --> 0:52:57.480
<v Speaker 3>we're gonna pay you a ton of money and you

0:52:57.640 --> 0:53:00.640
<v Speaker 3>come back each season for ten. Like it's just I'm

0:53:00.640 --> 0:53:04.760
<v Speaker 3>not happy at all. Right now, I'm not happy. I'm bummed,

0:53:04.800 --> 0:53:07.759
<v Speaker 3>and I know Brandon's leaving suit. It's just like I'm like, oh,

0:53:07.920 --> 0:53:09.920
<v Speaker 3>the shark is swimming.

0:53:09.520 --> 0:53:10.799
<v Speaker 2>To don't you say that word?

0:53:11.000 --> 0:53:12.800
<v Speaker 1>Don't you say it?

0:53:14.800 --> 0:53:16.280
<v Speaker 3>Take it back on.

0:53:16.320 --> 0:53:18.799
<v Speaker 2>You know what. To be honest, let's say if they

0:53:18.840 --> 0:53:22.200
<v Speaker 2>did have the Brandon Dylan scene and a Kelly Dylan scene,

0:53:22.560 --> 0:53:25.839
<v Speaker 2>I actually would would prefer the Kelly Dylan scene after

0:53:25.920 --> 0:53:28.040
<v Speaker 2>Brandon Dylan, Like that would have meant I would have

0:53:28.080 --> 0:53:31.160
<v Speaker 2>been like, oh, this is so good. That would have

0:53:31.280 --> 0:53:32.120
<v Speaker 2>just taken it home.

0:53:32.480 --> 0:53:32.640
<v Speaker 4>Yeah.

0:53:32.680 --> 0:53:34.920
<v Speaker 1>I would have wanted him to just see him hugging

0:53:35.080 --> 0:53:41.200
<v Speaker 1>someone and having that breakdown. Wow, what do you guys

0:53:41.200 --> 0:53:42.520
<v Speaker 1>think what do you give it? What do you give

0:53:42.560 --> 0:53:43.080
<v Speaker 1>this episode?

0:53:43.600 --> 0:53:45.880
<v Speaker 3>I just need to watch it, like a lot more times.

0:53:45.960 --> 0:53:47.920
<v Speaker 1>And I don't believe you have to think like I

0:53:47.960 --> 0:53:48.680
<v Speaker 1>thought for sure you.

0:53:48.760 --> 0:53:52.360
<v Speaker 3>Say, oh no, I'm a ten. I'm a ten plus.

0:53:52.400 --> 0:53:55.880
<v Speaker 3>This is like one of the best episodes of the

0:53:55.920 --> 0:53:59.160
<v Speaker 3>whole series. But at the same time, I'm so like

0:53:59.719 --> 0:54:04.560
<v Speaker 3>man mad and upset and like and then I'm like,

0:54:05.360 --> 0:54:09.120
<v Speaker 3>I want Luke Perry back, Like I'm just so there's

0:54:09.160 --> 0:54:12.160
<v Speaker 3>so many things that I have the episode feelings, and

0:54:12.200 --> 0:54:14.879
<v Speaker 3>then I have like all my feelings like it's just

0:54:14.920 --> 0:54:15.600
<v Speaker 3>a mess.

0:54:15.960 --> 0:54:17.680
<v Speaker 1>I'm a mess.

0:54:18.000 --> 0:54:21.040
<v Speaker 2>I was way more into it until you hold it

0:54:21.120 --> 0:54:25.080
<v Speaker 2>up like you you dissected it. Now I'm like, oh, yeah,

0:54:25.320 --> 0:54:26.760
<v Speaker 2>like it should have been better.

0:54:30.440 --> 0:54:37.760
<v Speaker 3>I was very sad, bordering on like depressed. Yeah, I mean.

0:54:37.640 --> 0:54:40.279
<v Speaker 2>I know it had to be done, and I know

0:54:40.360 --> 0:54:42.920
<v Speaker 2>he was leaving, But if I knew he was leaving,

0:54:43.160 --> 0:54:46.520
<v Speaker 2>I would have wanted I don't know, because a little

0:54:46.520 --> 0:54:49.879
<v Speaker 2>more of one scene to see his like flirty sexiness

0:54:49.960 --> 0:54:51.080
<v Speaker 2>and his eyebrow.

0:54:51.760 --> 0:54:54.680
<v Speaker 1>Wait, Chuck, why why why.

0:54:55.160 --> 0:54:56.440
<v Speaker 3>Why wasn't this two episodes?

0:54:56.680 --> 0:54:58.640
<v Speaker 2>Didn't let's get send a text to Chuck?

0:54:58.760 --> 0:55:02.960
<v Speaker 3>Why why why? Why? Like Why Why wasn't he there

0:55:02.960 --> 0:55:05.120
<v Speaker 3>the whole season? Why wasn't this multiple episodes?

0:55:05.160 --> 0:55:05.279
<v Speaker 5>Like?

0:55:06.000 --> 0:55:06.800
<v Speaker 3>What the help?

0:55:07.200 --> 0:55:09.400
<v Speaker 1>We need him on? We need to bring him in.

0:55:09.800 --> 0:55:12.120
<v Speaker 3>Yeah, I do think you're right, Jenny. We do.

0:55:12.400 --> 0:55:14.160
<v Speaker 1>We need answers me, Lauren.

0:55:14.239 --> 0:55:17.080
<v Speaker 3>Can you emails see if you can come on next week?

0:55:17.120 --> 0:55:18.160
<v Speaker 2>You can help us.

0:55:18.400 --> 0:55:20.920
<v Speaker 1>I don't need like a whole episode breakdown. I just

0:55:20.920 --> 0:55:24.319
<v Speaker 1>wanted to do why why Luke left? Why it was

0:55:24.400 --> 0:55:25.720
<v Speaker 1>so like rushed?

0:55:26.440 --> 0:55:26.720
<v Speaker 2>Yeah?

0:55:26.760 --> 0:55:28.400
<v Speaker 1>And why was just a storyline?

0:55:28.440 --> 0:55:29.560
<v Speaker 2>Can you make a shippen right now?

0:55:29.640 --> 0:55:29.759
<v Speaker 4>Though?

0:55:29.960 --> 0:55:33.640
<v Speaker 2>I don't think you so's deconstructed for the Hee says,

0:55:33.640 --> 0:55:34.720
<v Speaker 2>we need Larry Mullen.

0:55:35.120 --> 0:55:37.200
<v Speaker 3>Yeah, you need Larry because I think Chuck is gone

0:55:37.200 --> 0:55:37.800
<v Speaker 3>at this point.

0:55:37.960 --> 0:55:40.200
<v Speaker 1>Correct, All right, let's have Larry.

0:55:40.280 --> 0:55:43.520
<v Speaker 3>Let's have Larry. Yeah, I'm not happy today.

0:55:43.640 --> 0:55:45.600
<v Speaker 1>I can just I give it a ten too, but

0:55:45.719 --> 0:55:46.960
<v Speaker 1>it's a sad face ten.

0:55:47.280 --> 0:55:49.840
<v Speaker 3>Yes, a sad face ten. Thank you, Jenny.

0:55:49.920 --> 0:55:52.440
<v Speaker 2>Yes, Now, I just feel like I have to fit

0:55:52.480 --> 0:55:54.080
<v Speaker 2>in with you guys and give it a ten because

0:55:54.080 --> 0:55:55.480
<v Speaker 2>it's Luke's last episode.

0:55:55.520 --> 0:55:56.719
<v Speaker 1>You didn't feel like it was a ten?

0:55:57.800 --> 0:55:57.960
<v Speaker 2>Yes?

0:55:58.400 --> 0:56:00.160
<v Speaker 1>Did you feel like it was a nine?

0:56:00.440 --> 0:56:02.040
<v Speaker 2>I give it like a nine point seventy.

0:56:02.480 --> 0:56:06.160
<v Speaker 1>Okay, okay, Well, I just don't know what's going to

0:56:06.200 --> 0:56:08.720
<v Speaker 1>happen next week, how about you, guys. I mean next

0:56:08.719 --> 0:56:13.000
<v Speaker 1>week is season six, episode eleven, Offensive Interference.

0:56:13.040 --> 0:56:15.520
<v Speaker 3>I have a beef about next week, but I'll say.

0:56:15.360 --> 0:56:17.520
<v Speaker 2>That I have a feeling what this is about?

0:56:17.880 --> 0:56:19.120
<v Speaker 1>You do fall football?

0:56:19.800 --> 0:56:22.800
<v Speaker 3>Yeah, and it involves I can tell you, guys, because

0:56:22.800 --> 0:56:27.320
<v Speaker 3>your class ex boyfriend Ray Prue it decides to press

0:56:27.400 --> 0:56:33.440
<v Speaker 3>charges against your darling new boyfriend and it's bend it

0:56:33.480 --> 0:56:35.480
<v Speaker 3>off the team. It's just a massive.

0:56:35.520 --> 0:56:39.160
<v Speaker 1>You go from Dylan and Tony to Dylan leaving with

0:56:39.200 --> 0:56:42.920
<v Speaker 1>the cat to that thank you, I mean, where you'd.

0:56:42.680 --> 0:56:48.840
<v Speaker 3>Come back and the day I had no problem, damn it,

0:56:49.239 --> 0:56:52.279
<v Speaker 3>the show had to go on, I guess. Yeah.

0:56:52.320 --> 0:56:55.279
<v Speaker 1>Well, I hope you guys loved this episode as much

0:56:55.320 --> 0:57:00.279
<v Speaker 1>as we didn't. I mean did mm hmmm we did,

0:57:00.280 --> 0:57:04.680
<v Speaker 1>but we didn't. Yeah, tell us how you felt. We

0:57:04.800 --> 0:57:08.480
<v Speaker 1>need to hear some more comments from our omg ors

0:57:08.560 --> 0:57:11.520
<v Speaker 1>because we're all three of us are feeling all these

0:57:12.400 --> 0:57:14.640
<v Speaker 1>so many layers of feelings right now.

0:57:15.120 --> 0:57:17.880
<v Speaker 3>And if the thirty years it has changed how you

0:57:17.920 --> 0:57:20.160
<v Speaker 3>see it, because for me, I'm having a real problem

0:57:20.200 --> 0:57:20.440
<v Speaker 3>with that.

0:57:21.040 --> 0:57:22.320
<v Speaker 1>Mmm. Interesting?

0:57:22.320 --> 0:57:22.640
<v Speaker 3>Really?

0:57:22.800 --> 0:57:25.760
<v Speaker 1>Yeah, probably talk to us, tell us, tell us everything.

0:57:26.520 --> 0:57:28.840
<v Speaker 1>That's it for this week. You guys, we'll see you

0:57:28.880 --> 0:57:29.360
<v Speaker 1>next week.