1
00:00:00,280 --> 00:00:04,640
Speaker 1: It's nine O Gen one Engine with Jenny Garth and

2
00:00:04,720 --> 00:00:16,800
Speaker 1: Tory Spelling. We are here for a very sad episode.

3
00:00:15,720 --> 00:00:19,440
Speaker 2: Like happy, non smost be sad.

4
00:00:20,320 --> 00:00:24,040
Speaker 1: They played with our emotions. You guys, you're happy, you're sad.

5
00:00:27,120 --> 00:00:31,560
Speaker 2: It was a lot and it's Luke's last episode for

6
00:00:31,680 --> 00:00:34,599
Speaker 2: now eight for now, right now.

7
00:00:34,600 --> 00:00:36,880
Speaker 1: This is the middle of season six.

8
00:00:37,520 --> 00:00:41,320
Speaker 3: It's early middle. We're only on episode what ten ten? Yeah,

9
00:00:41,479 --> 00:00:43,280
Speaker 3: it's one of our three.

10
00:00:43,479 --> 00:00:47,680
Speaker 1: Most important characters is leaving the show just like that,

11
00:00:47,800 --> 00:00:50,600
Speaker 1: Like that.

12
00:00:49,280 --> 00:00:52,920
Speaker 2: That must be like TV history, except for like Susanne Summers,

13
00:00:52,920 --> 00:00:54,800
Speaker 2: which she suddenly just wasn't there in three's Company.

14
00:00:54,920 --> 00:00:58,880
Speaker 1: But I hated that. Yeah, I have so.

15
00:00:58,840 --> 00:01:02,880
Speaker 2: Many usual main character like if they're wanting out or

16
00:01:02,880 --> 00:01:06,080
Speaker 2: to move on or like it's the next season, come

17
00:01:06,080 --> 00:01:07,880
Speaker 2: back and they're not there. But like middle, it's not

18
00:01:07,920 --> 00:01:12,119
Speaker 2: even middle of the season, right, Like how is that? Even?

19
00:01:12,600 --> 00:01:14,480
Speaker 2: I don't know. I wish they had just like kept

20
00:01:14,600 --> 00:01:18,480
Speaker 2: Tony on longer and he would have left like mid season.

21
00:01:18,920 --> 00:01:20,880
Speaker 3: Okay, this is weird to say because it's so sad,

22
00:01:20,920 --> 00:01:26,800
Speaker 3: but he got a very dramatic, like real departure episode,

23
00:01:27,080 --> 00:01:30,360
Speaker 3: which we didn't get with Shannon because you know whatever

24
00:01:30,440 --> 00:01:33,480
Speaker 3: was going on behind the scenes, but it's like this

25
00:01:33,640 --> 00:01:40,199
Speaker 3: is a full just Luke episode that you and that

26
00:01:40,400 --> 00:01:43,760
Speaker 3: one scene by the car is just viral, like it's

27
00:01:43,760 --> 00:01:45,480
Speaker 3: on TikTok all the time.

28
00:01:45,600 --> 00:01:48,600
Speaker 1: And it leaves you wanting to see him more because

29
00:01:48,600 --> 00:01:51,200
Speaker 1: this episode was so good. He was so good in

30
00:01:51,200 --> 00:01:55,200
Speaker 1: this episode, and then he's leaving. It's just not computing

31
00:01:55,240 --> 00:01:56,040
Speaker 1: with my brain.

32
00:01:56,360 --> 00:01:58,240
Speaker 3: Who could have been a two parter? I had a

33
00:01:58,680 --> 00:02:01,320
Speaker 3: like would have been like I was watching it and

34
00:02:01,840 --> 00:02:06,360
Speaker 3: there's only twelve minutes left and she's alive. Still, It's like,

35
00:02:06,800 --> 00:02:09,239
Speaker 3: why did they not make this like a two hour

36
00:02:10,000 --> 00:02:13,760
Speaker 3: you know, nine oh two one zero special episode or

37
00:02:13,800 --> 00:02:16,080
Speaker 3: a two parter. It's like it's like they shoved so

38
00:02:16,320 --> 00:02:18,400
Speaker 3: much into one episode.

39
00:02:18,280 --> 00:02:20,800
Speaker 1: Right, Like there was a point in them in like

40
00:02:20,840 --> 00:02:22,840
Speaker 1: the three quarters of the way through, like the most

41
00:02:22,880 --> 00:02:25,280
Speaker 1: traumatic moment when I thought, oh, this is the end

42
00:02:25,320 --> 00:02:27,720
Speaker 1: of the episode and I need to go and watch

43
00:02:27,760 --> 00:02:30,240
Speaker 1: the next one immediately, But then it came back after

44
00:02:30,240 --> 00:02:32,000
Speaker 1: a commercial and showed more.

45
00:02:33,240 --> 00:02:37,160
Speaker 3: Just packed so much. They packed his departure there, the

46
00:02:37,200 --> 00:02:40,720
Speaker 3: funeral all into twelve minutes. I'm like, that's not enough

47
00:02:40,800 --> 00:02:41,600
Speaker 3: time for me.

48
00:02:41,600 --> 00:02:45,880
Speaker 2: To like, it's not fair for the audience. So this

49
00:02:46,120 --> 00:02:47,840
Speaker 2: it was in November, so it was sweet.

50
00:02:48,480 --> 00:02:50,600
Speaker 3: Jenny. I have a serious question for you right out

51
00:02:50,600 --> 00:02:54,120
Speaker 3: the gate, did you have any and I, because I

52
00:02:54,160 --> 00:02:57,480
Speaker 3: did have any sort of a hm that it was

53
00:02:57,760 --> 00:03:02,720
Speaker 3: Brandon and Dylan do that sort of real goodbye scene

54
00:03:02,960 --> 00:03:04,639
Speaker 3: and not you and Dylan.

55
00:03:05,360 --> 00:03:10,560
Speaker 1: Well, I felt like they were best friends, like even

56
00:03:10,560 --> 00:03:13,320
Speaker 1: though they had had ups and downs and it felt

57
00:03:13,360 --> 00:03:16,240
Speaker 1: weird for us as as yours sometimes like that they

58
00:03:16,280 --> 00:03:19,880
Speaker 1: didn't really love each other. But it felt natural to

59
00:03:19,919 --> 00:03:26,520
Speaker 1: me that it was Brandon. But I definitely feel like, wow,

60
00:03:27,040 --> 00:03:29,799
Speaker 1: you know, I feel like Kelly and Dylan had their

61
00:03:30,400 --> 00:03:34,760
Speaker 1: kind of like almost closure in the last episode. Yeah,

62
00:03:34,760 --> 00:03:39,440
Speaker 1: at the peach pit, but certainly not a goodbye. Oh

63
00:03:39,440 --> 00:03:40,160
Speaker 1: wait you guys.

64
00:03:40,200 --> 00:03:42,400
Speaker 2: And but you have to I wanted it. I wanted

65
00:03:42,480 --> 00:03:45,840
Speaker 2: you wanted it to. I really did I want it.

66
00:03:46,600 --> 00:03:48,840
Speaker 2: I want to bolind and those twelve minutes left, I

67
00:03:48,880 --> 00:03:51,320
Speaker 2: wanted Brandon and Dylan, and I want it Kelly and Dylan.

68
00:03:51,440 --> 00:03:54,720
Speaker 3: I agree. I could have used an extra scene of

69
00:03:54,800 --> 00:03:57,600
Speaker 3: Kelly going over to the house and having like a

70
00:03:57,680 --> 00:04:01,600
Speaker 3: real some sort of a real mon and like a

71
00:04:01,680 --> 00:04:04,000
Speaker 3: whole thing, and then we could have still had that

72
00:04:04,440 --> 00:04:06,720
Speaker 3: goodbye with the car and take care of the house,

73
00:04:06,760 --> 00:04:10,880
Speaker 3: and Brandon watching as he rode off on the motorcycle. Anyway, Sorry,

74
00:04:10,920 --> 00:04:12,520
Speaker 3: we've just got to the end. See you guys later.

75
00:04:12,680 --> 00:04:14,480
Speaker 1: Oh my god, No, we have to go back. We're

76
00:04:14,520 --> 00:04:17,359
Speaker 1: going back from the beginning and we're gonna do it next.

77
00:04:18,400 --> 00:04:20,680
Speaker 3: Oh, Jenny, excuse.

78
00:04:21,800 --> 00:04:23,360
Speaker 1: Just came out? Do you like that?

79
00:04:23,640 --> 00:04:23,839
Speaker 4: Yeh?

80
00:04:24,960 --> 00:04:26,240
Speaker 1: I don't know what are in me?

81
00:04:26,600 --> 00:04:29,240
Speaker 3: Are you a Savannah and Hoda?

82
00:04:29,440 --> 00:04:29,600
Speaker 4: Now?

83
00:04:30,720 --> 00:04:36,960
Speaker 1: I do watch a lot of Savannah iHeart podcasts. Listen

84
00:04:37,000 --> 00:04:43,200
Speaker 1: on the iHeartRadio app. All right, this is It? Season six,

85
00:04:43,360 --> 00:04:47,640
Speaker 1: Episode ten, one, Wedding and a Funeral Air November eighth,

86
00:04:47,760 --> 00:04:48,800
Speaker 1: nineteen ninety five.

87
00:04:49,680 --> 00:04:52,800
Speaker 2: Synopsis. Dylan and Tony are preparing for their private wedding

88
00:04:52,839 --> 00:04:55,880
Speaker 2: when Brenda sends him a loving letter from London. But

89
00:04:56,000 --> 00:04:59,800
Speaker 2: after their beautiful beachside ceremony, Bruno discovers his boss has

90
00:04:59,800 --> 00:05:05,560
Speaker 2: this sinister plot. Marchhett's Marshad's hitman makes a terrible mistake

91
00:05:05,680 --> 00:05:08,840
Speaker 2: and sadness sweeps across Beverly Hills when Dylan's bride pays

92
00:05:08,880 --> 00:05:11,000
Speaker 2: the ultimate price for her father's actions.

93
00:05:11,560 --> 00:05:15,480
Speaker 1: Directed by James Whitmore Junior, written by Steve Wasserman.

94
00:05:16,440 --> 00:05:19,119
Speaker 3: Tony marshetk kills so many people like that guy needs

95
00:05:19,160 --> 00:05:19,760
Speaker 3: to stop.

96
00:05:20,600 --> 00:05:22,680
Speaker 1: What is his malfunction?

97
00:05:23,640 --> 00:05:24,960
Speaker 3: Seriously, what's wrong with that?

98
00:05:25,720 --> 00:05:29,480
Speaker 1: Very weird intro like that. I was very scared by

99
00:05:29,520 --> 00:05:32,279
Speaker 1: the beginning of this episode, Like I thought, what show

100
00:05:32,320 --> 00:05:36,160
Speaker 1: am I even watching? With all these guns and weird

101
00:05:36,520 --> 00:05:40,520
Speaker 1: following people shots. I don't know, it just felt very

102
00:05:40,520 --> 00:05:41,920
Speaker 1: scary from the very beginning.

103
00:05:42,200 --> 00:05:42,520
Speaker 3: Yep.

104
00:05:43,120 --> 00:05:46,080
Speaker 2: Do you think it's odd that just Steve Washerman wrote

105
00:05:46,080 --> 00:05:49,599
Speaker 2: this episode, not just so they usually why their partnership.

106
00:05:49,760 --> 00:05:54,120
Speaker 3: Yeah, he wrote a good episode though it's very dramatic.

107
00:05:55,040 --> 00:05:59,200
Speaker 1: Mm hmm. And as we mentioned before, this is Luke's

108
00:05:59,320 --> 00:06:04,560
Speaker 1: Luke Perry's life fast episode until now he returns later

109
00:06:04,680 --> 00:06:07,960
Speaker 1: later later, thank goodness. He res.

110
00:06:08,279 --> 00:06:10,279
Speaker 3: So how did it start? Why am I blocking it out?

111
00:06:10,600 --> 00:06:13,000
Speaker 1: You're it started at the bridle shop with the girls.

112
00:06:13,320 --> 00:06:14,320
Speaker 3: Yeah.

113
00:06:13,680 --> 00:06:16,040
Speaker 1: Yeah, Tony pick out her wedding gown.

114
00:06:16,320 --> 00:06:18,440
Speaker 3: Which we don't see like she's just like okay, I

115
00:06:18,440 --> 00:06:19,000
Speaker 3: got it.

116
00:06:19,680 --> 00:06:20,400
Speaker 2: And then we see it go.

117
00:06:22,440 --> 00:06:24,880
Speaker 1: That was Yeah, that scene was like felt like a

118
00:06:24,960 --> 00:06:28,520
Speaker 1: lot of trouble for not a lot of importance.

119
00:06:29,560 --> 00:06:32,200
Speaker 2: Yeah, it's even more that they cut, like we couldn't

120
00:06:32,240 --> 00:06:35,320
Speaker 2: have gone all the way there for that, right, No.

121
00:06:35,600 --> 00:06:37,920
Speaker 3: They just had to set up. It's the wedding, it's happening.

122
00:06:38,360 --> 00:06:40,520
Speaker 2: We've only known her a couple months and.

123
00:06:40,880 --> 00:06:42,800
Speaker 1: We're her only her best friends.

124
00:06:42,839 --> 00:06:47,200
Speaker 3: Yeah, it's like kind of weird. Yeah, why you could

125
00:06:47,240 --> 00:06:51,120
Speaker 3: say she started college. I don't know, maybe she didn't

126
00:06:51,120 --> 00:06:54,720
Speaker 3: know anyone that went to see you. She immediately meets Dylan,

127
00:06:54,960 --> 00:06:56,000
Speaker 3: so I don't know.

128
00:06:56,240 --> 00:06:58,160
Speaker 2: Yeah, I can handle him, sure, And.

129
00:06:58,120 --> 00:07:00,240
Speaker 1: Then we find out that the that the hit is

130
00:07:00,279 --> 00:07:05,960
Speaker 1: still on from last week and they're really cooking up

131
00:07:06,000 --> 00:07:10,240
Speaker 1: a plan to kill Dylan. Like so the whole the

132
00:07:10,280 --> 00:07:13,840
Speaker 1: whole episode has that like tension in it, like when

133
00:07:14,000 --> 00:07:15,960
Speaker 1: something bad is going to happen. Because you know something

134
00:07:16,000 --> 00:07:17,160
Speaker 1: bad's about to happen.

135
00:07:17,840 --> 00:07:20,280
Speaker 2: You can even get excited about the wedding.

136
00:07:21,240 --> 00:07:22,600
Speaker 3: Taking murder so lightly.

137
00:07:23,560 --> 00:07:29,920
Speaker 1: I'm so nervous the whole time, Sar. But we there

138
00:07:30,000 --> 00:07:31,960
Speaker 1: was some levity and they tried to do you know,

139
00:07:32,080 --> 00:07:34,680
Speaker 1: like when the game comes over and kidnaps Dylan and

140
00:07:34,720 --> 00:07:38,400
Speaker 1: Tony and they throw them their bachelor and bachelorette parties.

141
00:07:39,880 --> 00:07:40,520
Speaker 2: I sucked.

142
00:07:41,560 --> 00:07:42,840
Speaker 1: I mean they were went through it through.

143
00:07:43,200 --> 00:07:44,520
Speaker 3: Because I want to talk about it. Everything we've had

144
00:07:45,360 --> 00:07:46,200
Speaker 3: go in order, going.

145
00:07:46,120 --> 00:07:48,760
Speaker 1: Order, Okay, well, Steve. First of all, we're going to

146
00:07:48,840 --> 00:07:52,160
Speaker 1: see uh Kasa Walsh, where Steve gives a toast and

147
00:07:52,200 --> 00:07:54,600
Speaker 1: tells Dylan that he has never seen him so happy,

148
00:07:54,680 --> 00:07:56,680
Speaker 1: which I ain't see.

149
00:07:58,440 --> 00:07:59,160
Speaker 5: You, guys.

150
00:07:59,520 --> 00:08:01,560
Speaker 1: When he's I've never seen you so happy? I was like,

151
00:08:02,120 --> 00:08:05,440
Speaker 1: is this him happy?

152
00:08:05,680 --> 00:08:05,840
Speaker 3: Right?

153
00:08:06,200 --> 00:08:09,600
Speaker 2: My mind went, I'm like, he's been happy with two girls,

154
00:08:09,640 --> 00:08:12,600
Speaker 2: and of course I immediately went to you, So I'm like,

155
00:08:13,680 --> 00:08:15,480
Speaker 2: he was really happy with Kelly, Like I got here

156
00:08:15,720 --> 00:08:19,400
Speaker 2: he was, you know, but yeah, and then his face

157
00:08:19,560 --> 00:08:20,440
Speaker 2: like he could.

158
00:08:20,280 --> 00:08:26,080
Speaker 1: Have felt like they were just building Tony up, building

159
00:08:26,120 --> 00:08:29,000
Speaker 1: Tony up. Everybody was like love Tony so much and

160
00:08:29,400 --> 00:08:32,440
Speaker 1: supporting her, and that's saying how amazing she was. Yeah,

161
00:08:33,200 --> 00:08:34,480
Speaker 1: that a really.

162
00:08:34,320 --> 00:08:37,600
Speaker 2: Interesting choice though in that scene, Like why do you

163
00:08:37,640 --> 00:08:40,040
Speaker 2: think Luke was so somber? Why do you play Dylan

164
00:08:40,240 --> 00:08:42,200
Speaker 2: so he didn't seem happy?

165
00:08:43,040 --> 00:08:46,920
Speaker 3: Mm hmmm because of all the drama getting to her,

166
00:08:47,160 --> 00:08:50,160
Speaker 3: like he finds out that who killed his father, like

167
00:08:50,160 --> 00:08:53,080
Speaker 3: he's grappling with all this. But can I really fast

168
00:08:53,200 --> 00:08:56,040
Speaker 3: tell you guys something that is that you might find interesting?

169
00:08:57,559 --> 00:09:01,840
Speaker 3: When I remember all of these episodes perfectly from when

170
00:09:01,840 --> 00:09:07,160
Speaker 3: they aired the first time, and I remember believing Dylan

171
00:09:07,679 --> 00:09:10,760
Speaker 3: and Tony were fully in love right Like, I was

172
00:09:10,840 --> 00:09:15,600
Speaker 3: like they they were Poppel's goals. It's love, it's real,

173
00:09:15,760 --> 00:09:19,360
Speaker 3: this is love. Now watching it, I'm like, this has

174
00:09:19,400 --> 00:09:22,680
Speaker 3: not been enough time. I don't see it. It's so weird.

175
00:09:23,280 --> 00:09:26,319
Speaker 3: It's so weird how and I'm like tripping out at

176
00:09:26,360 --> 00:09:28,679
Speaker 3: thirty years later whether I have different eyes, And I'm

177
00:09:28,679 --> 00:09:32,760
Speaker 3: so curious what other fans think. But it seems just

178
00:09:32,920 --> 00:09:35,240
Speaker 3: too quick, too rushed, And all I can think about

179
00:09:35,320 --> 00:09:37,040
Speaker 3: is they had to do this because Luke is leaving

180
00:09:37,080 --> 00:09:39,040
Speaker 3: the show. That's like all I can think of.

181
00:09:39,160 --> 00:09:42,559
Speaker 2: But if you didn't know now what you knew then,

182
00:09:42,720 --> 00:09:44,559
Speaker 2: like you know, you might go into it because you

183
00:09:44,600 --> 00:09:46,280
Speaker 2: knew he was leaving, you knew she's going to die,

184
00:09:46,320 --> 00:09:51,680
Speaker 2: you knew. I don't know. I definitely wanted to see

185
00:09:51,720 --> 00:09:52,240
Speaker 2: more of them.

186
00:09:52,520 --> 00:09:54,920
Speaker 1: Yeah, we all said it felt very rushed, the whole

187
00:09:54,960 --> 00:09:58,040
Speaker 1: thing from the leader. We probably felt that way in

188
00:09:58,080 --> 00:09:58,840
Speaker 1: real life.

189
00:09:59,000 --> 00:09:59,959
Speaker 2: We were like, oh, hi, hi.

190
00:10:00,080 --> 00:10:03,120
Speaker 1: Wait what huh? Okay?

191
00:10:14,120 --> 00:10:17,320
Speaker 3: Brings me to your point, Jenny, that they're building her

192
00:10:17,440 --> 00:10:20,680
Speaker 3: up so much because it's like they're having to try

193
00:10:20,720 --> 00:10:23,040
Speaker 3: to get the audience to be in on this, so

194
00:10:23,559 --> 00:10:25,280
Speaker 3: thank you know, thank you for pointing that out. I

195
00:10:25,320 --> 00:10:27,720
Speaker 3: think that's why, like, oh, we love her. I've never

196
00:10:27,760 --> 00:10:29,199
Speaker 3: seen you so happy. Oh this is the real thing.

197
00:10:29,200 --> 00:10:31,040
Speaker 3: Oh my god, you're like so that. We're like, oh

198
00:10:31,040 --> 00:10:34,840
Speaker 3: my god, they are the real thing. They're getting married. Ah, tragedy,

199
00:10:35,200 --> 00:10:37,440
Speaker 3: Like I don't know, it was a lot.

200
00:10:37,880 --> 00:10:39,480
Speaker 2: What if there was some like mix up and they

201
00:10:39,480 --> 00:10:40,960
Speaker 2: had to like push this episode up.

202
00:10:41,120 --> 00:10:45,199
Speaker 1: What do you know, Tor, what was the either the

203
00:10:45,240 --> 00:10:48,839
Speaker 1: catalyst or the impetus for for Luke to leave right then?

204
00:10:49,559 --> 00:10:55,040
Speaker 1: Do you remember, because like we said, Randa Jane, it's

205
00:10:55,120 --> 00:10:57,920
Speaker 1: I don't know if he will. It's odd, like have

206
00:10:58,080 --> 00:10:59,760
Speaker 1: it happened in the middle of the season like this,

207
00:10:59,840 --> 00:11:03,880
Speaker 1: and then also to create the storyline, this big dramatic

208
00:11:03,920 --> 00:11:07,240
Speaker 1: build up and this love affair so fast to get

209
00:11:07,280 --> 00:11:09,600
Speaker 1: it to happen by episode ten.

210
00:11:10,240 --> 00:11:13,680
Speaker 6: Well, what I don't know, But what I actually don't

211
00:11:13,760 --> 00:11:16,560
Speaker 6: understand is how he was able to leave because he

212
00:11:16,640 --> 00:11:20,320
Speaker 6: came onto the show late. Everybody signed six year deals.

213
00:11:20,679 --> 00:11:23,160
Speaker 6: Even if he came on when you guys did, this

214
00:11:23,240 --> 00:11:26,120
Speaker 6: would be in the middle of the sixth year, so

215
00:11:26,160 --> 00:11:31,600
Speaker 6: he would still be under contract. So somehow he got

216
00:11:31,640 --> 00:11:35,760
Speaker 6: them to let him out, let him out of his contract.

217
00:11:35,880 --> 00:11:37,640
Speaker 6: I was going to ask you, Tori, if you knew

218
00:11:37,679 --> 00:11:39,480
Speaker 6: what the background was, because I don't remember.

219
00:11:41,200 --> 00:11:45,880
Speaker 3: Another very personal question to ask you guys. You all

220
00:11:45,880 --> 00:11:50,400
Speaker 3: were not like the Friends cast, right, everybody was paid differently? Correct?

221
00:11:50,559 --> 00:11:51,040
Speaker 2: Correct?

222
00:11:52,360 --> 00:11:54,240
Speaker 3: I just don't know. And Randy, you could chime in,

223
00:11:54,360 --> 00:11:56,400
Speaker 3: like why did they not just offer him a truckload

224
00:11:56,440 --> 00:11:57,840
Speaker 3: of money to stay through the season.

225
00:11:58,360 --> 00:12:01,760
Speaker 6: I think that and I'm not one hundred percent sure,

226
00:12:01,800 --> 00:12:08,360
Speaker 6: but I think this corresponded to when his movie eight Seconds,

227
00:12:08,960 --> 00:12:11,000
Speaker 6: when he did it, or when it was coming out,

228
00:12:11,080 --> 00:12:13,320
Speaker 6: and I think maybe can.

229
00:12:13,200 --> 00:12:15,199
Speaker 3: We fact check that looking that up?

230
00:12:15,440 --> 00:12:19,240
Speaker 1: Yeah, it's being it was nineteen ninety four when that

231
00:12:19,280 --> 00:12:20,040
Speaker 1: movie came out.

232
00:12:20,679 --> 00:12:24,360
Speaker 3: What year is it now, nineteen ninety five? I don't know.

233
00:12:24,400 --> 00:12:26,800
Speaker 3: Maybe he was tired, maybe he was having a baby.

234
00:12:27,000 --> 00:12:29,800
Speaker 3: Was he having a baby? No, this has got to

235
00:12:30,120 --> 00:12:31,559
Speaker 3: figure out the timeline.

236
00:12:31,679 --> 00:12:34,200
Speaker 6: When did Buffy come out the movie?

237
00:12:35,200 --> 00:12:36,520
Speaker 1: Oh that's a good question.

238
00:12:36,559 --> 00:12:38,400
Speaker 2: I was before though, right, wasn't that like A.

239
00:12:38,400 --> 00:12:40,640
Speaker 3: Said, that was ninety two? Buffy was ninety two?

240
00:12:41,280 --> 00:12:42,839
Speaker 1: Sorry, you guys, we will work this out.

241
00:12:42,920 --> 00:12:46,199
Speaker 3: Yeah, we're figure this out going through the IMDb, like, oh.

242
00:12:46,080 --> 00:12:49,920
Speaker 2: You guys, there's a movie I haven't seen since it

243
00:12:49,960 --> 00:12:53,640
Speaker 2: came out, basically, and I'm trying to show my kids

244
00:12:54,000 --> 00:12:57,960
Speaker 2: movies from that made an impact on me from my childhood,

245
00:12:57,960 --> 00:13:00,720
Speaker 2: from the eighties, from the nineties, and we're looking. We

246
00:13:00,800 --> 00:13:03,000
Speaker 2: watched like the Goonies and like things like that, and

247
00:13:04,559 --> 00:13:07,600
Speaker 2: something Fifth Element came up and I was like oh,

248
00:13:07,640 --> 00:13:09,000
Speaker 2: and they're like, oh, we don't want to see sci

249
00:13:09,080 --> 00:13:10,920
Speaker 2: fi and I was like, yeah, I'm not big into SCIPI,

250
00:13:11,080 --> 00:13:14,359
Speaker 2: but I remember really liking this movie. It's very beautiful

251
00:13:14,480 --> 00:13:16,880
Speaker 2: and visual and there's comedy in it.

252
00:13:17,080 --> 00:13:17,840
Speaker 3: We should watch it.

253
00:13:17,920 --> 00:13:20,360
Speaker 2: I didn't remember, but it popped up for some reason.

254
00:13:20,440 --> 00:13:22,440
Speaker 2: I was like, Okay, let's just go with it. I

255
00:13:22,480 --> 00:13:26,480
Speaker 2: didn't remember that Luke is in it Fifth Element. Luke

256
00:13:26,679 --> 00:13:31,079
Speaker 2: is in Fifth Element. He's the opening scene and it

257
00:13:31,320 --> 00:13:33,760
Speaker 2: plays with this, which is why I'm like, oh, maybe

258
00:13:33,760 --> 00:13:36,520
Speaker 2: I should bring it up, because his look is exactly

259
00:13:36,600 --> 00:13:37,560
Speaker 2: how his look is here.

260
00:13:38,880 --> 00:13:41,200
Speaker 3: Well, that came out ninety seven, so maybe he was

261
00:13:41,400 --> 00:13:44,680
Speaker 3: shooting it, and Jenny was right. His kids were not

262
00:13:44,720 --> 00:13:46,800
Speaker 3: born till ninety seven, so it wasn't that.

263
00:13:49,000 --> 00:13:52,120
Speaker 2: Maybe that's like a big deal lucasoon movie and he's

264
00:13:52,160 --> 00:13:56,000
Speaker 2: like opening like, I feel like Luke.

265
00:13:55,840 --> 00:13:58,280
Speaker 1: Made up his mind, and one Sluke makes up his

266
00:13:58,360 --> 00:14:03,559
Speaker 1: mind about something, there's no real changing that. So they,

267
00:14:03,760 --> 00:14:06,400
Speaker 1: you know, they accommodated him because they loved him.

268
00:14:07,040 --> 00:14:12,160
Speaker 2: I feel hearing when Rebecca Gayheart came on. Maybe I

269
00:14:12,200 --> 00:14:14,040
Speaker 2: don't know, I'm just thinking this that she was coming

270
00:14:14,080 --> 00:14:16,040
Speaker 2: on for the whole season, Like.

271
00:14:19,240 --> 00:14:21,360
Speaker 3: I don't know, I feel like they knew this was

272
00:14:21,400 --> 00:14:22,160
Speaker 3: going to be the end.

273
00:14:22,280 --> 00:14:24,640
Speaker 2: They must have, but it's I don't know.

274
00:14:24,920 --> 00:14:27,280
Speaker 1: All right, let's jump back in because I really really

275
00:14:27,320 --> 00:14:31,479
Speaker 1: want to get into the beach bachelorette parties. Yeah, because.

276
00:14:33,520 --> 00:14:38,600
Speaker 3: Shorty Shorts.

277
00:14:38,600 --> 00:14:40,960
Speaker 2: How many parties we have had on this show?

278
00:14:42,120 --> 00:14:44,000
Speaker 1: How many bachelorette parties have we had it on?

279
00:14:44,120 --> 00:14:44,320
Speaker 2: Now?

280
00:14:44,480 --> 00:14:47,120
Speaker 3: I don't remember.

281
00:14:47,160 --> 00:14:50,360
Speaker 1: I can't remember between our real bachelorette parties or our

282
00:14:50,440 --> 00:14:55,000
Speaker 1: real baby showers. They are all like mixed together with

283
00:14:55,040 --> 00:14:58,360
Speaker 1: the Kelly and Donn's so funny.

284
00:14:59,200 --> 00:15:01,560
Speaker 3: That is so many do you ever, you guys, ever

285
00:15:01,600 --> 00:15:04,320
Speaker 3: tell a story and think it's real, but then realize

286
00:15:04,400 --> 00:15:07,920
Speaker 3: you just told a story that was a storyline.

287
00:15:07,560 --> 00:15:11,000
Speaker 1: No, but this one reminded me of of I guess

288
00:15:11,000 --> 00:15:13,520
Speaker 1: it was a bridal shower that I had at Tiffany's

289
00:15:13,520 --> 00:15:16,160
Speaker 1: house and we had there was a stripper there. Do

290
00:15:16,200 --> 00:15:16,720
Speaker 1: you remember?

291
00:15:17,240 --> 00:15:17,480
Speaker 3: Sure?

292
00:15:17,560 --> 00:15:20,440
Speaker 2: Do you do? You remember what I made for you?

293
00:15:21,440 --> 00:15:31,240
Speaker 1: Something in the shape of a man's you know, duh? Okay,

294
00:15:31,400 --> 00:15:34,160
Speaker 1: that's really cute. Was that before or after you gave

295
00:15:34,200 --> 00:15:36,120
Speaker 1: me the cat? No, that was after you gave me

296
00:15:36,160 --> 00:15:38,040
Speaker 1: the cat. That was a wedding present. That was the

297
00:15:38,040 --> 00:15:38,800
Speaker 1: wedding number one.

298
00:15:38,880 --> 00:15:43,720
Speaker 3: Yeah cat. I know we talked about it, but who

299
00:15:43,800 --> 00:15:44,400
Speaker 3: does that?

300
00:15:44,920 --> 00:15:45,320
Speaker 2: Sorry?

301
00:15:46,440 --> 00:15:52,640
Speaker 1: Okay, So the girls are smoking cigars? Hello what You were.

302
00:15:52,600 --> 00:15:55,320
Speaker 3: Way too good at it, Tori. You were way too

303
00:15:55,360 --> 00:15:57,040
Speaker 3: good at it. It made me think of your dad.

304
00:15:58,640 --> 00:16:01,800
Speaker 2: Oh my gosh, I feel like what girls smoked cigars?

305
00:16:02,440 --> 00:16:04,440
Speaker 3: I mean, why is fun?

306
00:16:04,920 --> 00:16:04,960
Speaker 6: No?

307
00:16:05,760 --> 00:16:07,960
Speaker 1: Goss? And those were some of the worst strippers I've

308
00:16:07,960 --> 00:16:10,120
Speaker 1: ever seen in my life. They just stood there and

309
00:16:10,320 --> 00:16:13,720
Speaker 1: just did nothing moved. They just jiggled their little LeMay

310
00:16:13,800 --> 00:16:15,400
Speaker 1: booties and that was it.

311
00:16:16,040 --> 00:16:17,840
Speaker 2: Should have just had Iron come over.

312
00:16:20,520 --> 00:16:22,040
Speaker 3: I do want to not forget to talk about all

313
00:16:22,080 --> 00:16:24,280
Speaker 3: the sunglasses in this episode, but we will do that

314
00:16:24,360 --> 00:16:24,720
Speaker 3: as well.

315
00:16:25,320 --> 00:16:27,240
Speaker 1: Yeah, I said, ooh to the cigars.

316
00:16:27,880 --> 00:16:29,240
Speaker 2: Yeah gross, She said.

317
00:16:29,520 --> 00:16:32,800
Speaker 3: Great bachelorette party though, because it was so like you

318
00:16:32,840 --> 00:16:34,120
Speaker 3: never moved off the couch.

319
00:16:34,200 --> 00:16:37,160
Speaker 1: No really, we just sat on the couch and then

320
00:16:37,200 --> 00:16:41,560
Speaker 1: we had tea and there was no like evidence of

321
00:16:41,640 --> 00:16:44,880
Speaker 1: why we were all acting so silly. Maybe the bottle

322
00:16:44,880 --> 00:16:47,440
Speaker 1: of champagne for one split second, but there was no

323
00:16:47,520 --> 00:16:51,080
Speaker 1: explanation as to your third bottle. Why everybody was so

324
00:16:51,440 --> 00:16:51,720
Speaker 1: good that.

325
00:16:53,560 --> 00:16:54,160
Speaker 2: You weren't.

326
00:16:54,880 --> 00:16:56,760
Speaker 1: You are the best when you play drunk like that.

327
00:16:57,800 --> 00:16:59,880
Speaker 1: Oh my god makes me laugh.

328
00:17:00,560 --> 00:17:03,560
Speaker 2: Ray had like a little bit of a cringe moment

329
00:17:03,600 --> 00:17:07,320
Speaker 2: because I was like, Wow, what is the time jump

330
00:17:07,680 --> 00:17:10,320
Speaker 2: till afterwards where Tony's gonna sleep over? And then Ray

331
00:17:10,400 --> 00:17:13,440
Speaker 2: comes because I was like, Donna's way too suddenly sober

332
00:17:13,520 --> 00:17:15,120
Speaker 2: because she was sober.

333
00:17:14,680 --> 00:17:20,960
Speaker 1: Yeah, AnyWho wasn't a very lively party. But going back

334
00:17:20,960 --> 00:17:23,480
Speaker 1: to the guys party, did you guys feel like Steve

335
00:17:23,560 --> 00:17:24,920
Speaker 1: looked hot?

336
00:17:25,880 --> 00:17:26,040
Speaker 5: You know?

337
00:17:26,480 --> 00:17:27,160
Speaker 3: I always do.

338
00:17:30,119 --> 00:17:37,800
Speaker 1: I don't know. I I'm having I'm having some wardrobe

339
00:17:37,840 --> 00:17:40,160
Speaker 1: issues with Brandon Walsh in this episode.

340
00:17:40,280 --> 00:17:41,359
Speaker 3: It's just those sneakers.

341
00:17:41,400 --> 00:17:44,439
Speaker 1: I just can't in the suit that's like a like

342
00:17:44,480 --> 00:17:48,200
Speaker 1: a zoot suit. It's like so long and big, just.

343
00:17:48,119 --> 00:17:53,480
Speaker 2: His shirt big like sleeves. I feel bad, but well,

344
00:17:53,560 --> 00:17:56,680
Speaker 2: like whatever, I didn't think anything could distract from Jason

345
00:17:56,760 --> 00:18:00,120
Speaker 2: Priestley's eyes, but his shirts do you can't.

346
00:18:01,200 --> 00:18:05,120
Speaker 1: You guys watch the break dancers in the Oh my god,

347
00:18:05,160 --> 00:18:06,120
Speaker 1: off topic.

348
00:18:06,400 --> 00:18:08,920
Speaker 3: It reminds me of his baggyess of his.

349
00:18:10,880 --> 00:18:13,520
Speaker 1: I don't wish it was that negative. But wasn't that

350
00:18:13,560 --> 00:18:16,359
Speaker 1: a one and done? There's no more break dancing in

351
00:18:16,400 --> 00:18:17,080
Speaker 1: the Olympics.

352
00:18:17,440 --> 00:18:19,560
Speaker 3: I think they should bring it back because we're all

353
00:18:19,600 --> 00:18:21,600
Speaker 3: talking about it. And I watched that one.

354
00:18:21,760 --> 00:18:25,040
Speaker 1: The one with the latesror but basically.

355
00:18:26,720 --> 00:18:28,840
Speaker 3: Bless her heart, let her out there and do her thing.

356
00:18:28,880 --> 00:18:31,280
Speaker 3: But it's the funniest memes of like that's me.

357
00:18:34,320 --> 00:18:37,960
Speaker 1: Anyway, Sorry, that's so off topic. Anyways, we go to

358
00:18:38,000 --> 00:18:40,640
Speaker 1: the Marshette mansion. Now we find out that Bruno doesn't

359
00:18:40,680 --> 00:18:43,080
Speaker 1: have anything. He doesn't have any idea of the hit

360
00:18:43,200 --> 00:18:46,880
Speaker 1: that Tony has put out on Dylan, and I left

361
00:18:46,920 --> 00:18:51,000
Speaker 1: my I was left wondering, is Bruno in love with

362
00:18:51,080 --> 00:18:54,119
Speaker 1: Tony in some sick weird is he like a second

363
00:18:54,280 --> 00:18:57,239
Speaker 1: father figure or Dyl he's supposed.

364
00:18:56,720 --> 00:18:59,119
Speaker 3: To be a second father. But you're not wrong, Jenny.

365
00:18:59,160 --> 00:19:01,560
Speaker 3: There's a hint of crewe creepy when he walks her

366
00:19:01,600 --> 00:19:02,000
Speaker 3: down the aisle.

367
00:19:02,040 --> 00:19:05,280
Speaker 1: I'm like, oh, too much, too close, I don't like you,

368
00:19:08,280 --> 00:19:12,360
Speaker 1: Walsh House. Brandon warns Dylan to drop his vendetta against

369
00:19:12,359 --> 00:19:15,879
Speaker 1: Tony Marshatt, and Dylan thanks Brandon for being the best

370
00:19:15,960 --> 00:19:17,640
Speaker 1: friend he has ever had.

371
00:19:20,480 --> 00:19:25,320
Speaker 2: This whole episode, I wanted, I wanted that friendship of Dylan.

372
00:19:25,400 --> 00:19:29,720
Speaker 2: I know a lot has happened that friendship, like Cliff whatever,

373
00:19:30,240 --> 00:19:37,200
Speaker 2: what season was that season one when he's falling, like yeah, yeah, yeah,

374
00:19:37,240 --> 00:19:40,159
Speaker 2: but there's like I don't know that. It made me

375
00:19:40,240 --> 00:19:44,440
Speaker 2: feel like youth, you show so much like you love

376
00:19:44,440 --> 00:19:46,440
Speaker 2: each other so much, and this is like you cut

377
00:19:46,480 --> 00:19:49,440
Speaker 2: forward and things have happened in life and you love

378
00:19:49,480 --> 00:19:52,679
Speaker 2: each other, but it's just different, and I don't know,

379
00:19:52,760 --> 00:19:54,720
Speaker 2: I want that old friendship back, and I just feel

380
00:19:54,720 --> 00:19:55,760
Speaker 2: like they don't like each other.

381
00:19:55,960 --> 00:19:59,800
Speaker 1: I wanted that glimmer of like something, the happiness for

382
00:20:00,040 --> 00:20:03,720
Speaker 1: ship in the eyes. Yeah, it's so angsty still even

383
00:20:03,760 --> 00:20:05,760
Speaker 1: when he's nobody the best friend I ever had.

384
00:20:05,880 --> 00:20:08,159
Speaker 3: And nobody's mind did what mine did that was like,

385
00:20:08,200 --> 00:20:10,640
Speaker 3: you're the best friend I've ever had and I stole

386
00:20:10,720 --> 00:20:11,600
Speaker 3: your girlfriend.

387
00:20:13,720 --> 00:20:16,160
Speaker 2: I mean, I guess that's the build up under the bye.

388
00:20:17,040 --> 00:20:19,520
Speaker 2: I don't know. I just kept feeling like this episode

389
00:20:20,000 --> 00:20:22,040
Speaker 2: and I know this isn't true, but it's how I felt.

390
00:20:22,040 --> 00:20:24,679
Speaker 2: I was like, are they mad at each other in

391
00:20:24,720 --> 00:20:27,200
Speaker 2: real life? Like is this coming through? Is there something

392
00:20:27,359 --> 00:20:30,040
Speaker 2: like Jason bummed Luke's leaving.

393
00:20:30,200 --> 00:20:34,240
Speaker 1: I don't know he was leaving, I know, but I

394
00:20:34,640 --> 00:20:36,719
Speaker 1: feel like they were never mad at each other like that,

395
00:20:36,880 --> 00:20:39,680
Speaker 1: Like I don't feel like Luke or Jason's like anything

396
00:20:39,680 --> 00:20:44,280
Speaker 1: in their personal lives ever was bad. Never, Like they're

397
00:20:44,359 --> 00:20:47,320
Speaker 1: so not girls. There was so no drama ever ever

398
00:20:47,440 --> 00:20:48,320
Speaker 1: hurt the guys.

399
00:20:49,160 --> 00:20:52,919
Speaker 2: This is true, so true. Men don't ever have drama.

400
00:20:52,960 --> 00:20:56,600
Speaker 2: It's so nice. But it's like, I don't know, I

401
00:20:56,600 --> 00:20:59,560
Speaker 2: don't feel anything between them.

402
00:21:00,200 --> 00:21:02,439
Speaker 3: Is there any chance they're doing the same thing with

403
00:21:02,600 --> 00:21:07,040
Speaker 3: Brandon and Dylan that they're dealing with Tony telling the

404
00:21:07,119 --> 00:21:11,080
Speaker 3: audience so much how we should feel. Tony's so great,

405
00:21:11,440 --> 00:21:13,600
Speaker 3: She's the best thing that ever happened. And it's the

406
00:21:13,640 --> 00:21:15,760
Speaker 3: same thing here, like you're my best friend, because they

407
00:21:15,880 --> 00:21:19,400
Speaker 3: ran out of time to actually build it back properly,

408
00:21:19,800 --> 00:21:22,399
Speaker 3: so it's like you're my best friend, I love you, buddy, or.

409
00:21:23,040 --> 00:21:27,120
Speaker 1: Like bot on this show, like they like you just said,

410
00:21:27,119 --> 00:21:30,119
Speaker 1: like they tell us how they we should feel, and

411
00:21:30,160 --> 00:21:32,000
Speaker 1: then you're like, oh, Okay, yeah, that's how I feel.

412
00:21:32,920 --> 00:21:34,920
Speaker 3: But wwany I build the actress.

413
00:21:34,960 --> 00:21:37,639
Speaker 2: We hold sry still the actress said no, no, But the

414
00:21:37,680 --> 00:21:40,800
Speaker 2: actors still have an opportunity to convey what they want

415
00:21:40,800 --> 00:21:47,720
Speaker 2: to convey. Something something I didn't see. I saw something

416
00:21:47,760 --> 00:21:51,720
Speaker 2: at the end from Loup Jason.

417
00:21:53,040 --> 00:21:54,640
Speaker 1: Yeah, I've yeah, I.

418
00:21:54,600 --> 00:21:58,240
Speaker 2: See what Brandon's Maybe Brandon's just like taking it real hard,

419
00:21:58,240 --> 00:21:59,920
Speaker 2: so he's showing nothing, repressing it all.

420
00:22:00,280 --> 00:22:01,440
Speaker 4: Mm hm.

421
00:22:01,480 --> 00:22:04,320
Speaker 1: Back at the beach house, Ray shows up unannounced once

422
00:22:04,359 --> 00:22:09,200
Speaker 1: again and literally threatens Donna once again because says, you

423
00:22:09,720 --> 00:22:12,000
Speaker 1: gonna make your life miserable. He did look cute.

424
00:22:13,240 --> 00:22:13,800
Speaker 4: I like you.

425
00:22:13,960 --> 00:22:16,600
Speaker 2: He just got the hair right on points. Now he's.

426
00:22:18,000 --> 00:22:20,920
Speaker 3: He's so threatening. It's like he can't take a hint

427
00:22:20,960 --> 00:22:22,440
Speaker 3: and just gets so threatening.

428
00:22:23,560 --> 00:22:28,120
Speaker 1: Gosh, what what kind of turmoil muss that guy? Ben?

429
00:22:28,920 --> 00:22:31,600
Speaker 3: He must have been Jamie Walters must have been so mad,

430
00:22:31,760 --> 00:22:37,399
Speaker 3: like why are they writing this rap for me? This sucks?

431
00:22:37,400 --> 00:22:40,280
Speaker 2: Got to just keep on going, you got to get through.

432
00:22:40,320 --> 00:22:41,359
Speaker 3: It just gets worse too.

433
00:22:42,240 --> 00:22:44,600
Speaker 1: We've seen this scene though, like three times now, like

434
00:22:44,640 --> 00:22:46,479
Speaker 1: Donna says, I've heard it all before.

435
00:22:47,280 --> 00:22:49,280
Speaker 2: Yeah, so if we see him tune or whatever.

436
00:22:49,440 --> 00:22:57,480
Speaker 1: Yeah, he's been singing the same song. So Kelly gives

437
00:22:57,520 --> 00:23:02,960
Speaker 1: Tony her blessing basically and tells her her advice, her

438
00:23:03,320 --> 00:23:07,399
Speaker 1: sage advice to move far, far away and never look back.

439
00:23:10,320 --> 00:23:11,720
Speaker 2: I mean, but that's going to happen.

440
00:23:12,320 --> 00:23:17,920
Speaker 1: Like oh, back at Dylan's house, Brandon reads a telegram

441
00:23:18,119 --> 00:23:22,440
Speaker 1: to Dylan from Jim and to have remember what were

442
00:23:22,480 --> 00:23:26,240
Speaker 1: the options back then? It acts they could have texted him.

443
00:23:26,840 --> 00:23:28,639
Speaker 3: No, well that would have been I don't know.

444
00:23:29,320 --> 00:23:32,679
Speaker 1: Now for sure, I guess no.

445
00:23:32,800 --> 00:23:33,679
Speaker 3: But it was a email.

446
00:23:33,800 --> 00:23:36,640
Speaker 1: I'm like, you know those like.

447
00:23:38,080 --> 00:23:41,280
Speaker 3: It was a separator. No, maybe could have emailed alough

448
00:23:41,320 --> 00:23:43,280
Speaker 3: I didn't get emailed till ninety seven and we're only

449
00:23:43,320 --> 00:23:44,159
Speaker 3: in ninety five.

450
00:23:44,760 --> 00:23:47,119
Speaker 1: Yeah, nobody really checked it back then, like if you

451
00:23:47,200 --> 00:23:49,199
Speaker 1: had a million, aren't like I gotta check every emails

452
00:23:49,240 --> 00:23:59,120
Speaker 1: two weeks, right, But it's interesting that scene, very forced.

453
00:24:00,560 --> 00:24:03,760
Speaker 3: The letter just didn't seem like what she would say

454
00:24:04,760 --> 00:24:07,240
Speaker 3: and Jim and Cindy would have said more. It was

455
00:24:07,280 --> 00:24:07,840
Speaker 3: like weird.

456
00:24:10,000 --> 00:24:12,720
Speaker 1: I know the people that were like Brandon, I mean, sorry,

457
00:24:12,960 --> 00:24:16,760
Speaker 1: I know that people that were Dylan Brenda really were like,

458
00:24:17,000 --> 00:24:21,919
Speaker 1: oh that's the best letter I've ever heard, you know,

459
00:24:21,960 --> 00:24:24,720
Speaker 1: they were so excited to have that connection back between

460
00:24:24,760 --> 00:24:40,760
Speaker 1: those two characters. Let's move on, okay. Brenda says she

461
00:24:40,800 --> 00:24:47,159
Speaker 1: will love him forever. Back at the beach house, Tony

462
00:24:47,240 --> 00:24:52,919
Speaker 1: pops in, Tony Dad, Yeah, Tony's dad. Tony pops in

463
00:24:53,440 --> 00:24:56,280
Speaker 1: to see his daughter getting ready for the wedding. It

464
00:24:56,320 --> 00:24:58,520
Speaker 1: was so odd for me to see him in the

465
00:24:58,520 --> 00:25:02,280
Speaker 1: beach apartment, Like they two just did not go together,

466
00:25:02,520 --> 00:25:04,200
Speaker 1: mister fancy pants.

467
00:25:04,240 --> 00:25:07,680
Speaker 3: Really good face acting, though, Jenny, really good eye acting,

468
00:25:07,800 --> 00:25:10,280
Speaker 3: because you're not down with that guy.

469
00:25:10,800 --> 00:25:13,399
Speaker 1: Oh, that's the thing with me and with Kelly, Like

470
00:25:13,480 --> 00:25:17,240
Speaker 1: I cannot hide my true emotions most of the time.

471
00:25:17,359 --> 00:25:20,160
Speaker 1: And if I and I'm also like a thing about

472
00:25:20,200 --> 00:25:23,320
Speaker 1: Kelly too, it's like super loyal. Like if somebody's hurt,

473
00:25:23,359 --> 00:25:25,520
Speaker 1: somebody that I love, there's no chance I'm going to

474
00:25:25,600 --> 00:25:28,160
Speaker 1: be fake with that person. And Kelly's the same way.

475
00:25:28,359 --> 00:25:30,200
Speaker 3: He did a good job. You did a good job

476
00:25:30,240 --> 00:25:33,080
Speaker 3: because you are very clear that you hate that guy.

477
00:25:33,359 --> 00:25:38,560
Speaker 3: You gave him one nary a smile, like a smirk smile.

478
00:25:38,760 --> 00:25:42,439
Speaker 3: As you leave the scene, You're like, he's a killer.

479
00:25:43,200 --> 00:25:45,840
Speaker 1: But anyway, He says that their marriage is made in hell,

480
00:25:47,320 --> 00:25:55,800
Speaker 1: which is pretty graphic and then Bruno steps in and

481
00:25:55,840 --> 00:25:57,720
Speaker 1: says that he's going to walk her down the aisle.

482
00:25:57,760 --> 00:25:59,800
Speaker 1: Where was he was he at the car? What happened?

483
00:26:00,119 --> 00:26:01,400
Speaker 3: He bopped in out of nowhere.

484
00:26:02,080 --> 00:26:05,359
Speaker 1: I guess he's the driver of Tony, but he was

485
00:26:05,480 --> 00:26:07,639
Speaker 1: just on the deck putting out pumpkins or something.

486
00:26:08,320 --> 00:26:12,640
Speaker 3: No, how did Tony evil Tony get home? If Bruno?

487
00:26:12,840 --> 00:26:15,399
Speaker 3: It was like, but that was the.

488
00:26:18,400 --> 00:26:21,560
Speaker 2: Like the framing of the face with her curls were

489
00:26:21,640 --> 00:26:22,760
Speaker 2: just perfect.

490
00:26:23,119 --> 00:26:25,560
Speaker 1: Yeah, she's always had the most amazing hair.

491
00:26:26,600 --> 00:26:27,679
Speaker 3: She's straight up gorge.

492
00:26:28,040 --> 00:26:31,600
Speaker 1: We go right into like literally it was just too

493
00:26:31,640 --> 00:26:35,480
Speaker 1: fast for me and we're getting married, you know, like

494
00:26:35,640 --> 00:26:39,880
Speaker 1: the beach wedding is happening. There was no I didn't

495
00:26:39,880 --> 00:26:41,800
Speaker 1: feel like there was enough build up to that big,

496
00:26:41,880 --> 00:26:45,760
Speaker 1: huge moment where she comes around the corner in her

497
00:26:45,760 --> 00:26:48,680
Speaker 1: wedding dress with Bruno on her arm.

498
00:26:48,720 --> 00:26:51,760
Speaker 2: Like as an audience member, you needed that build up

499
00:26:52,040 --> 00:26:55,320
Speaker 2: almost to like really be into it emotionally and it

500
00:26:55,480 --> 00:26:57,879
Speaker 2: just be like, oh, okay, here we go.

501
00:26:58,960 --> 00:27:02,479
Speaker 1: But I they did take their time with like the

502
00:27:02,520 --> 00:27:06,200
Speaker 1: close ups and the you know looking back at Brandon's

503
00:27:06,760 --> 00:27:11,119
Speaker 1: almost quivering lip, and you know, I felt like I

504
00:27:11,160 --> 00:27:14,680
Speaker 1: was like, is he going to cry his first of all,

505
00:27:14,720 --> 00:27:18,640
Speaker 1: his lips looked so luscious in that scene. Did you notice, Yeah.

506
00:27:18,480 --> 00:27:18,800
Speaker 2: I did.

507
00:27:19,359 --> 00:27:21,240
Speaker 3: His face, His face was just good.

508
00:27:21,359 --> 00:27:24,040
Speaker 1: We're talking about Brandon, this is we're to be talking

509
00:27:24,040 --> 00:27:28,280
Speaker 1: about Dylan. But I did believe that they loved each

510
00:27:28,280 --> 00:27:31,800
Speaker 1: other on the altar. That felt very real to me.

511
00:27:33,320 --> 00:27:37,040
Speaker 2: And they were really close. Luke and Rebecca were they

512
00:27:37,040 --> 00:27:37,720
Speaker 2: were good together.

513
00:27:38,440 --> 00:27:42,359
Speaker 3: Yeah, yes, I just needed twenty more episodes to really

514
00:27:42,400 --> 00:27:42,960
Speaker 3: believe it.

515
00:27:43,000 --> 00:27:44,080
Speaker 2: But whatever.

516
00:27:44,720 --> 00:27:49,120
Speaker 1: Then the wedding reception also comes. Everybody's just stready there,

517
00:27:49,160 --> 00:27:50,840
Speaker 1: Like I don't feel like there was enough time spent.

518
00:27:51,160 --> 00:27:55,040
Speaker 1: And I looking back on this, when we filmed this episode,

519
00:27:55,200 --> 00:27:57,680
Speaker 1: I can remember we had to go all the way

520
00:27:57,720 --> 00:28:00,800
Speaker 1: out to Malibu. Everybody was in the scene. It was

521
00:28:00,840 --> 00:28:03,280
Speaker 1: a big prep. Everybody had to get hair and make

522
00:28:03,359 --> 00:28:05,240
Speaker 1: up for so long because it was the wedding. We

523
00:28:05,359 --> 00:28:07,119
Speaker 1: got to get back to that in a second. But

524
00:28:07,840 --> 00:28:12,480
Speaker 1: it just felt like it flew by so quickly, agree

525
00:28:12,600 --> 00:28:16,239
Speaker 1: and without really anything super exciting happening other than them

526
00:28:16,240 --> 00:28:16,800
Speaker 1: getting married.

527
00:28:17,720 --> 00:28:20,560
Speaker 2: I remember it being super We were like there and

528
00:28:20,720 --> 00:28:23,160
Speaker 2: high up on the cliff and it was super windy,

529
00:28:23,640 --> 00:28:26,480
Speaker 2: and between takes the boys were all putting their jackets

530
00:28:26,520 --> 00:28:29,280
Speaker 2: on us because it was freezing.

531
00:28:29,520 --> 00:28:34,400
Speaker 1: And I remember helicopter popped by way Oh yeah, no way,

532
00:28:34,680 --> 00:28:37,200
Speaker 1: he was trying to see that before it was out.

533
00:28:37,880 --> 00:28:43,120
Speaker 3: WHOA. Why the choice to have the wedding private, Like

534
00:28:44,320 --> 00:28:45,840
Speaker 3: it was so weird because in my mind, I'm like, oh,

535
00:28:45,920 --> 00:28:47,520
Speaker 3: Dylan made that choice. But then I'm like, wait, this

536
00:28:47,600 --> 00:28:50,720
Speaker 3: is a TV show. I have to like have that moment.

537
00:28:51,360 --> 00:28:53,760
Speaker 3: Why the wedding with just the small amount, Like why

538
00:28:53,800 --> 00:28:56,680
Speaker 3: not do a big old wedding like you still plaid

539
00:28:56,680 --> 00:29:00,720
Speaker 3: the money. Nobody's there exactly, Like it wasn't product costs.

540
00:29:00,760 --> 00:29:04,720
Speaker 3: So that was weird, very weird.

541
00:29:04,960 --> 00:29:05,480
Speaker 1: Very weird.

542
00:29:05,520 --> 00:29:07,640
Speaker 3: I would have loved a shot of your face during

543
00:29:07,680 --> 00:29:09,680
Speaker 3: the ceremony, Like I don't know, I just feel like

544
00:29:09,680 --> 00:29:11,640
Speaker 3: there was so much this. First of all, this should

545
00:29:11,640 --> 00:29:12,560
Speaker 3: be two episodes.

546
00:29:12,760 --> 00:29:13,800
Speaker 2: It didn't make sense to do it.

547
00:29:13,880 --> 00:29:17,440
Speaker 1: Make it makes sense. Brandon gives a toast in front

548
00:29:17,440 --> 00:29:23,800
Speaker 1: of everybody, and Tony explains to Dylan that her dad

549
00:29:23,920 --> 00:29:28,040
Speaker 1: had a change of heart, that's why he wasn't there. Yeah,

550
00:29:28,720 --> 00:29:32,360
Speaker 1: and we never even see Kelly's face. We only see

551
00:29:32,360 --> 00:29:35,920
Speaker 1: her she's wearing sunglasses in that scene, which I thought

552
00:29:35,960 --> 00:29:36,920
Speaker 1: was weird.

553
00:29:37,480 --> 00:29:38,800
Speaker 3: It was dumb Collin.

554
00:29:38,600 --> 00:29:44,600
Speaker 1: There, Dumb Colin was there, Susan what's her name is Susan?

555
00:29:45,480 --> 00:29:50,520
Speaker 2: So windy and so I don't know. I feel like

556
00:29:50,520 --> 00:29:51,840
Speaker 2: everyone puts sunglasses on them.

557
00:29:51,880 --> 00:29:53,680
Speaker 1: Here's your chance to talk about the sunglasses.

558
00:29:53,680 --> 00:29:53,960
Speaker 2: Amy.

559
00:29:54,080 --> 00:29:57,920
Speaker 3: The the sunglasses in this episode, Like Steve's got sunglasses

560
00:29:57,920 --> 00:30:00,800
Speaker 3: on a lot, and they're all like pra and they're

561
00:30:01,040 --> 00:30:06,320
Speaker 3: really pronounced sunglasses. Brandon's got the niceties brown ones. I

562
00:30:06,640 --> 00:30:09,680
Speaker 3: got the best nineties back. And then at the funeral,

563
00:30:09,720 --> 00:30:12,000
Speaker 3: which we'll talk about, there's a lot of sunglasses. And

564
00:30:12,080 --> 00:30:15,720
Speaker 3: I felt like Kathleen doesn't wear sunglasses because she could

565
00:30:15,720 --> 00:30:19,239
Speaker 3: cry on cue. But the people that maybe warren't has

566
00:30:19,240 --> 00:30:21,840
Speaker 3: got crying sorry toy, we're wearing.

567
00:30:21,720 --> 00:30:25,960
Speaker 1: That has anything to do with the sunglassing of the actors.

568
00:30:26,240 --> 00:30:29,120
Speaker 3: So they really zoom in on Kathleen's face with her tears,

569
00:30:29,160 --> 00:30:31,400
Speaker 3: and I was like, oh, maybe that's because she can cry.

570
00:30:33,160 --> 00:30:34,520
Speaker 3: It really went down, do you.

571
00:30:34,600 --> 00:30:36,880
Speaker 2: Think so maybe she just didn't like the choices they

572
00:30:36,920 --> 00:30:40,120
Speaker 2: had for her. So she said yeah, but they would

573
00:30:40,120 --> 00:30:44,640
Speaker 2: come amazing sunglasses weren't. It was props, not wardrobe, which

574
00:30:44,920 --> 00:30:47,360
Speaker 2: still doesn't make sense to me. But they would like

575
00:30:47,680 --> 00:30:51,160
Speaker 2: put them out to you. So were rings were props weird?

576
00:30:51,640 --> 00:30:55,840
Speaker 2: And so most likely it wasn't like your character choice.

577
00:30:55,880 --> 00:30:59,720
Speaker 2: You weren't like, oh I love this like it was yeah,

578
00:31:00,120 --> 00:31:01,080
Speaker 2: not always great ones.

579
00:31:02,800 --> 00:31:06,440
Speaker 3: He does look amazing in this whole episode. Every single person.

580
00:31:06,720 --> 00:31:15,360
Speaker 1: Well, just take a moment for the hairdooes, Well that's

581
00:31:15,920 --> 00:31:19,000
Speaker 1: anyone for the wedding. You barely see it because she's

582
00:31:19,080 --> 00:31:22,040
Speaker 1: kind of just there. VAL's hairdo at the wedding.

583
00:31:22,240 --> 00:31:25,800
Speaker 3: Oh, you're right, it was kind of like mom hair.

584
00:31:26,960 --> 00:31:29,120
Speaker 1: It was a Walter special and you know what I

585
00:31:29,160 --> 00:31:33,080
Speaker 1: mean by that tour. Yeah, And the Donna's zig zag

586
00:31:33,200 --> 00:31:36,560
Speaker 1: part was not remember those like where you had to

587
00:31:36,600 --> 00:31:41,480
Speaker 1: have the I didn't hate that one, but I just tried.

588
00:31:41,520 --> 00:31:43,240
Speaker 2: I just tried to do one of those the other day.

589
00:31:44,120 --> 00:31:45,600
Speaker 2: It doesn't work so well when you're older.

590
00:31:47,120 --> 00:31:50,040
Speaker 1: It's a lot more work. And then Kelly's hairdoo was

591
00:31:50,120 --> 00:31:54,640
Speaker 1: like mom wind blown teased. I don't even know what

592
00:31:54,720 --> 00:31:55,560
Speaker 1: was happening up there.

593
00:31:56,080 --> 00:31:58,280
Speaker 2: Yeah, I think that there was all that wind they

594
00:31:58,280 --> 00:32:01,000
Speaker 2: had to keep coming in. Nothing was working. There's probably

595
00:32:01,000 --> 00:32:02,240
Speaker 2: a lot of sprain teasing.

596
00:32:02,360 --> 00:32:05,120
Speaker 3: Oh, I liked all the looks.

597
00:32:05,960 --> 00:32:06,560
Speaker 2: Did you ever.

598
00:32:06,480 --> 00:32:08,800
Speaker 1: Wonder I think it was at the wedding, you at

599
00:32:08,800 --> 00:32:12,720
Speaker 1: the wedding ceremony or the reception, But Dylan and Tony

600
00:32:12,760 --> 00:32:15,480
Speaker 1: were making out in one of the shots in slow motion.

601
00:32:15,640 --> 00:32:22,160
Speaker 1: Did anybody notice that? That's just maybe maybe I fell asleep.

602
00:32:24,440 --> 00:32:28,320
Speaker 1: Then we go back to Cassa Walsh where Joe is

603
00:32:28,440 --> 00:32:33,000
Speaker 1: there with Donna, and Brandon is there with Susan, and

604
00:32:33,120 --> 00:32:37,880
Speaker 1: Kelly is there with Colin. It's like in every room

605
00:32:37,920 --> 00:32:47,960
Speaker 1: there's a couple making out. It's so Weirdcasa Cathouse. But

606
00:32:48,000 --> 00:32:50,360
Speaker 1: we go back to to Tony and Dylan's house because

607
00:32:50,440 --> 00:32:54,240
Speaker 1: that's you know, he brings her through the door and he's.

608
00:32:54,160 --> 00:32:55,640
Speaker 3: Carrying the threshold.

609
00:32:55,920 --> 00:33:00,120
Speaker 1: She looks light as a feather and there's candles everybody

610
00:33:00,160 --> 00:33:02,440
Speaker 1: everywhere that his friends, I guess did they did?

611
00:33:03,200 --> 00:33:06,160
Speaker 3: Very like a fire hazard but beautiful. Yeah, who leaves

612
00:33:06,160 --> 00:33:10,800
Speaker 3: those all those candles going? You know, very shingled.

613
00:33:11,120 --> 00:33:12,760
Speaker 1: How did they know what time they were going to

614
00:33:12,800 --> 00:33:16,680
Speaker 1: be there too? How did that work out? I don't know?

615
00:33:16,880 --> 00:33:18,640
Speaker 1: But then the next morning and they wake up in

616
00:33:18,720 --> 00:33:22,360
Speaker 1: bed and all I could think was, at least he

617
00:33:22,440 --> 00:33:23,959
Speaker 1: got new sheets for his bride.

618
00:33:24,640 --> 00:33:27,800
Speaker 3: I thought the same. But it's four pm. All of

619
00:33:27,840 --> 00:33:30,560
Speaker 3: a sudden when they wake up, it's four pm.

620
00:33:31,200 --> 00:33:34,720
Speaker 1: They had a good night, what do you kisses were

621
00:33:34,800 --> 00:33:41,360
Speaker 1: really good? Yeah, good kissing definitely yea. Then the doorbell

622
00:33:41,720 --> 00:33:46,160
Speaker 1: their kisses me Amy, Amy.

623
00:33:46,040 --> 00:33:52,640
Speaker 3: I remember them being this super couple. Then now I'm like,

624
00:33:53,880 --> 00:33:55,040
Speaker 3: didn't we just meet her?

625
00:33:55,920 --> 00:33:59,960
Speaker 2: Right? But like the kissing, like there's the actual making out.

626
00:34:00,160 --> 00:34:03,280
Speaker 3: Did you they were a huge super couple, Like, oh

627
00:34:03,320 --> 00:34:05,840
Speaker 3: my god, Dylan and Tony.

628
00:34:05,760 --> 00:34:07,640
Speaker 1: You're not answering the question yet at all.

629
00:34:07,680 --> 00:34:10,000
Speaker 3: I remember all of it, that their kisses.

630
00:34:10,400 --> 00:34:12,799
Speaker 1: Did you feel the feels when you saw them?

631
00:34:12,880 --> 00:34:16,560
Speaker 2: Kisses when they were in bed and this time this

632
00:34:16,680 --> 00:34:19,360
Speaker 2: time not as much as writing in the room.

633
00:34:19,360 --> 00:34:22,440
Speaker 3: Really then then I was in and I don't know

634
00:34:22,520 --> 00:34:25,040
Speaker 3: if it's because I'm older, and I know I'm being annoying.

635
00:34:25,440 --> 00:34:28,000
Speaker 3: I want other people to say if they're experiencing the

636
00:34:28,000 --> 00:34:31,840
Speaker 3: same thing, because now it's just like these two are married.

637
00:34:31,880 --> 00:34:35,000
Speaker 3: I'm not even feeling it. It's so weird, like it's

638
00:34:35,040 --> 00:34:37,759
Speaker 3: just I'm feeling it a little bit like I'm okay.

639
00:34:37,800 --> 00:34:40,879
Speaker 1: It's like a little like there's part of me that's like, wait,

640
00:34:40,920 --> 00:34:43,920
Speaker 1: what huh, And then there's part of me that's like, oh,

641
00:34:43,960 --> 00:34:45,960
Speaker 1: I want Dylan to be happy. And if this makes

642
00:34:46,000 --> 00:34:48,600
Speaker 1: him happy and they can just walk around without shoes

643
00:34:48,640 --> 00:34:51,239
Speaker 1: on in the house, that's they must be close, you know,

644
00:34:51,320 --> 00:34:52,759
Speaker 1: like they must really love each other.

645
00:34:53,080 --> 00:34:55,480
Speaker 3: That thing is very odd.

646
00:34:55,600 --> 00:34:59,080
Speaker 2: I just didn't feel the chemistry the entire season that

647
00:34:59,200 --> 00:35:01,360
Speaker 2: much with them, but they also didn't give them much.

648
00:35:02,200 --> 00:35:04,560
Speaker 2: And I did feel it with the mid scenes, like

649
00:35:04,600 --> 00:35:08,120
Speaker 2: after they were married. I was like, oh, the physical chemistry.

650
00:35:08,120 --> 00:35:09,440
Speaker 2: I finally kind of felt it.

651
00:35:09,960 --> 00:35:14,080
Speaker 3: I think that's a very your observation is accurate. It's

652
00:35:14,160 --> 00:35:17,680
Speaker 3: all just a little hmhm and then you're like, oh, yeah,

653
00:35:17,680 --> 00:35:19,360
Speaker 3: I see it. No I don't, Yes, I do, No,

654
00:35:19,440 --> 00:35:19,799
Speaker 3: I don't.

655
00:35:20,400 --> 00:35:22,840
Speaker 1: I felt it more after they got married, Yeah.

656
00:35:22,880 --> 00:35:28,680
Speaker 2: Like yeah, and then yep, so Steve.

657
00:35:28,480 --> 00:35:31,719
Speaker 1: And Nat show up with a fancy breakfast and tuxedos on.

658
00:35:32,360 --> 00:35:38,000
Speaker 2: I was so pissed if like, it's my after my wedding,

659
00:35:38,120 --> 00:35:40,200
Speaker 2: Like it's the next day and I'm with my bride

660
00:35:40,239 --> 00:35:43,239
Speaker 2: and my friends show up, like I.

661
00:35:43,280 --> 00:35:46,880
Speaker 3: Gotta eat, but you know, it was four o'clock.

662
00:35:47,920 --> 00:35:49,959
Speaker 2: I know, but like, get us in the day.

663
00:35:50,680 --> 00:35:53,239
Speaker 1: How did how did Nat and Steve know to come

664
00:35:53,280 --> 00:35:54,960
Speaker 1: at four pm with breakfast?

665
00:35:55,000 --> 00:35:55,239
Speaker 2: Thank you?

666
00:35:55,320 --> 00:35:58,640
Speaker 3: I wondered that too, fully wondered that too.

667
00:35:59,000 --> 00:36:01,839
Speaker 1: Heiss bread us all day, I don't know, preakfast all

668
00:36:01,880 --> 00:36:04,640
Speaker 1: day at the peach bed, I guess.

669
00:36:06,360 --> 00:36:09,320
Speaker 3: Where she tries to find the cat because that was Czar.

670
00:36:09,920 --> 00:36:14,200
Speaker 1: Well the things, and it's Tony Marchett and he's asking

671
00:36:14,280 --> 00:36:17,040
Speaker 1: for Dylan to come over so he can give the

672
00:36:17,080 --> 00:36:22,240
Speaker 1: happy couple a big surprise. But he asks Dylan only

673
00:36:22,280 --> 00:36:27,399
Speaker 1: to come over great, which is a red flag, yeah,

674
00:36:27,440 --> 00:36:29,520
Speaker 1: because he he says, can you come over? I have

675
00:36:29,560 --> 00:36:31,040
Speaker 1: something I want to give Tony.

676
00:36:32,520 --> 00:36:37,120
Speaker 3: He's also a known murderer, so Dylan doesn't.

677
00:36:36,800 --> 00:36:40,600
Speaker 1: Want to go. He's like, no, thank you. But then

678
00:36:41,320 --> 00:36:48,720
Speaker 1: the Tony and Tonia, she says, you know, she's always

679
00:36:48,840 --> 00:36:50,880
Speaker 1: I'm thinking, oh, she's always going to do this, and

680
00:36:50,960 --> 00:36:53,319
Speaker 1: there the rest of their relationship, she's always going to

681
00:36:53,400 --> 00:36:57,600
Speaker 1: be trying to, you know, get what she had with

682
00:36:57,640 --> 00:37:02,080
Speaker 1: her dad back, never going to work for them.

683
00:37:02,200 --> 00:37:02,560
Speaker 2: Mm hmm.

684
00:37:03,480 --> 00:37:07,239
Speaker 3: And he's a known murderer that hates.

685
00:37:07,120 --> 00:37:08,919
Speaker 2: Dylan maybe and himm are so good.

686
00:37:09,600 --> 00:37:13,360
Speaker 3: He's like, who's not going? You know, I don't think.

687
00:37:13,280 --> 00:37:15,480
Speaker 2: So she shouldn't. She should have told Dylan.

688
00:37:17,080 --> 00:37:19,600
Speaker 3: Course, and Dylan should be like, I'm absolutely not going.

689
00:37:19,640 --> 00:37:21,799
Speaker 3: This guy murdered my father and hates me.

690
00:37:22,600 --> 00:37:24,120
Speaker 1: Yeah, and the cat is missing?

691
00:37:26,320 --> 00:37:31,400
Speaker 3: Can I just for one moment touring green guys when

692
00:37:31,400 --> 00:37:34,120
Speaker 3: they're eating breakfast and then they can't find the cat

693
00:37:34,200 --> 00:37:37,759
Speaker 3: And all she does is walk two steps and say here, kitty, kitty, kitty, kitty,

694
00:37:37,800 --> 00:37:40,239
Speaker 3: kitty kitty for a half an hour, like it was

695
00:37:40,239 --> 00:37:41,280
Speaker 3: so I was like the cat.

696
00:37:41,719 --> 00:37:50,840
Speaker 5: In trouble, like this the trouble, but also is that

697
00:37:50,960 --> 00:37:52,480
Speaker 5: the universal call for a cat?

698
00:37:52,600 --> 00:37:55,280
Speaker 1: I was wondering, you're kitty, kitty kitty.

699
00:37:55,320 --> 00:37:59,560
Speaker 2: I think where'd that?

700
00:37:59,719 --> 00:38:02,279
Speaker 1: You don't say here, doggy, doggy, doggy, dog you doggy?

701
00:38:02,560 --> 00:38:03,319
Speaker 2: What do you do with the dog?

702
00:38:03,480 --> 00:38:07,160
Speaker 3: Wasn't with the cat? Was also forced same thing that's

703
00:38:07,440 --> 00:38:10,960
Speaker 3: you're my best friend, You're they're meant to be, Tony's

704
00:38:10,960 --> 00:38:14,000
Speaker 3: the greatest woman on earth. This cat symbolism is like

705
00:38:14,040 --> 00:38:16,600
Speaker 3: it's all just a little hashtag trying too hard.

706
00:38:16,680 --> 00:38:21,439
Speaker 2: But something else you could have done besides a cat

707
00:38:21,520 --> 00:38:24,400
Speaker 2: missing to connect all of this to get.

708
00:38:24,400 --> 00:38:28,840
Speaker 1: Like also because yeah, Dylan don't give a you know

709
00:38:28,960 --> 00:38:33,719
Speaker 1: what about that cat, and so but then he ends

710
00:38:33,800 --> 00:38:38,000
Speaker 1: up saying you go, you go get talk to your

711
00:38:38,080 --> 00:38:41,640
Speaker 1: dad without me in the pouring rain in on your

712
00:38:41,640 --> 00:38:46,200
Speaker 1: wedding dock down poor to drive the Porsche.

713
00:38:46,760 --> 00:38:50,960
Speaker 2: Why would you ever let your woman go out so

714
00:38:51,000 --> 00:38:52,879
Speaker 2: you can rain storm and look for the cat.

715
00:38:53,560 --> 00:38:55,920
Speaker 3: There's no need to wear clocks in.

716
00:38:56,000 --> 00:38:58,279
Speaker 2: His T shirt because he's a little wet and just

717
00:38:58,320 --> 00:39:00,400
Speaker 2: sends her out in her raincoat.

718
00:39:00,520 --> 00:39:03,000
Speaker 3: Like, no one needs to wear the raincoat up with

719
00:39:03,040 --> 00:39:06,000
Speaker 3: the hat on while you're driving. You get in the car,

720
00:39:06,160 --> 00:39:07,200
Speaker 3: you take that down.

721
00:39:07,520 --> 00:39:09,280
Speaker 1: It's not raining in the car.

722
00:39:09,960 --> 00:39:13,720
Speaker 2: Yeah, I know, but I had a flash to Urban Legend,

723
00:39:13,880 --> 00:39:16,480
Speaker 2: which Rebecca Gayheart is in and she ends up being

724
00:39:16,480 --> 00:39:18,240
Speaker 2: the murderer and she wears the raincoat.

725
00:39:18,320 --> 00:39:23,040
Speaker 1: So maybe you just gave away the whole plot of

726
00:39:23,120 --> 00:39:23,680
Speaker 1: that movie.

727
00:39:23,719 --> 00:39:25,000
Speaker 2: Now I can't have Urban Legend.

728
00:39:25,320 --> 00:39:28,279
Speaker 1: She's the killer. Thanks a lot, like.

729
00:39:28,280 --> 00:39:31,080
Speaker 2: You were ever gonna watch it?

730
00:39:32,760 --> 00:39:35,279
Speaker 1: Okay, so this is none of this is making sense

731
00:39:35,320 --> 00:39:38,080
Speaker 1: to any the three of us. So it had to

732
00:39:38,120 --> 00:39:41,560
Speaker 1: be confusing to the people that watch are watching it

733
00:39:41,600 --> 00:39:44,279
Speaker 1: back with us, because yet in the moment back in

734
00:39:44,320 --> 00:39:46,480
Speaker 1: the nineties, it all felt so scary and right and

735
00:39:46,520 --> 00:39:49,640
Speaker 1: you were in it, But now looking back, you're like, wait,

736
00:39:49,680 --> 00:39:51,120
Speaker 1: what holds the old.

737
00:39:51,080 --> 00:39:53,960
Speaker 3: Phone off the hook? The phone's off the hook, so

738
00:39:54,000 --> 00:39:57,399
Speaker 3: Bruno can't get through because she's taken the phone off

739
00:39:57,400 --> 00:39:57,800
Speaker 3: the hook.

740
00:39:58,239 --> 00:40:00,600
Speaker 1: At the same time, there was this bi building like

741
00:40:01,400 --> 00:40:04,279
Speaker 1: mystery in this building, like I was getting more and

742
00:40:04,320 --> 00:40:06,040
Speaker 1: more on the edge of my sea, kind of feeling

743
00:40:07,200 --> 00:40:14,279
Speaker 1: true Ruth. But then, uh, what happens? Bruno calls the

744
00:40:14,320 --> 00:40:17,000
Speaker 1: peach Pit looking for Brandy because they know each other,

745
00:40:17,239 --> 00:40:17,680
Speaker 1: and what.

746
00:40:18,239 --> 00:40:20,680
Speaker 3: Because that's what you would do, like nobody has cell phones.

747
00:40:20,800 --> 00:40:23,759
Speaker 3: They do have cell phones. And also he's calling the

748
00:40:23,760 --> 00:40:26,920
Speaker 3: peach pit Nat and says, can I talk to Brandon?

749
00:40:26,960 --> 00:40:28,640
Speaker 3: And then he's like this is Bruno, Like why is

750
00:40:28,680 --> 00:40:31,239
Speaker 3: it Brandon? Like Bruno, who like who?

751
00:40:31,600 --> 00:40:31,640
Speaker 6: What?

752
00:40:31,800 --> 00:40:34,200
Speaker 1: Why are you calling me? But then he tells them

753
00:40:34,239 --> 00:40:36,399
Speaker 1: that there's a hit out on Dylan. Any races out

754
00:40:36,400 --> 00:40:36,680
Speaker 1: of there.

755
00:40:37,440 --> 00:40:40,240
Speaker 3: It's also no big deal that there's a hit out

756
00:40:40,280 --> 00:40:41,719
Speaker 3: on him, Like.

757
00:40:41,680 --> 00:40:44,839
Speaker 1: What who's ever heard that in their life? Like I

758
00:40:44,880 --> 00:40:45,880
Speaker 1: have a hit out on me?

759
00:40:46,120 --> 00:40:46,440
Speaker 3: That does?

760
00:40:46,480 --> 00:40:46,560
Speaker 6: This?

761
00:40:46,719 --> 00:40:50,080
Speaker 1: Not realistic? That's not I guess that's why this is

762
00:40:50,120 --> 00:40:50,640
Speaker 1: it if you.

763
00:40:50,560 --> 00:40:54,359
Speaker 2: Hear that you're in trouble. But like, I mean, they've

764
00:40:54,360 --> 00:40:57,480
Speaker 2: watched every movie. I'm sure Brandon, Yeah, what would you

765
00:40:57,520 --> 00:41:00,120
Speaker 2: have heard him say?

766
00:41:00,360 --> 00:41:05,160
Speaker 3: He's also not worried about there's men with guns but

767
00:41:05,320 --> 00:41:08,439
Speaker 3: I'm gonna run to the guy that has the hit out.

768
00:41:08,480 --> 00:41:10,719
Speaker 3: It's just very no one's.

769
00:41:11,920 --> 00:41:14,640
Speaker 1: Over, no Brandon, No, because why they don't. I don't

770
00:41:14,640 --> 00:41:18,120
Speaker 1: know why. Brandon races over and gets Dylan and they

771
00:41:18,280 --> 00:41:23,480
Speaker 1: rush out, but not soon enough because Tony is driving

772
00:41:23,480 --> 00:41:26,080
Speaker 1: with her hood up in the Porsche.

773
00:41:26,560 --> 00:41:29,759
Speaker 2: Wait, I have a question, but go back for a second. Sorry,

774
00:41:29,760 --> 00:41:32,680
Speaker 2: because you're right, Okay, okay, Why why do you think

775
00:41:32,960 --> 00:41:37,000
Speaker 2: maybe there's no reason here? When Brandon's pulling out and

776
00:41:37,080 --> 00:41:39,799
Speaker 2: leaving to race over there to Dylan. I thought it

777
00:41:39,840 --> 00:41:42,359
Speaker 2: was a clue they like zoom in on a license plate.

778
00:41:43,440 --> 00:41:43,799
Speaker 3: I don't know.

779
00:41:43,800 --> 00:41:47,000
Speaker 2: I just heard the back of his car like I

780
00:41:47,080 --> 00:41:49,480
Speaker 2: was like, is it going to be I thought like

781
00:41:49,520 --> 00:41:51,560
Speaker 2: there was going to be a mistake of cars or something.

782
00:41:51,600 --> 00:41:51,960
Speaker 2: I don't know.

783
00:41:52,239 --> 00:41:54,279
Speaker 1: Oh no, I was just worried he's going to run

784
00:41:54,320 --> 00:41:56,399
Speaker 1: over the people in front of him, like they were

785
00:41:56,400 --> 00:41:59,880
Speaker 1: crossing on the store to racing and it's raining and

786
00:42:00,080 --> 00:42:02,080
Speaker 1: never know if your breaks are gonna work, be careful now.

787
00:42:02,120 --> 00:42:04,600
Speaker 3: I throw a strange theory out, but I would love

788
00:42:04,640 --> 00:42:06,960
Speaker 3: to know. And Jenny, I don't know if you need

789
00:42:06,960 --> 00:42:11,680
Speaker 3: to plug your ears. Why isn't Jack McKay or the

790
00:42:11,760 --> 00:42:16,560
Speaker 3: FBI helping, Like, would they not like keep tabs on

791
00:42:16,640 --> 00:42:20,399
Speaker 3: Tony Marshette and know that he's planning to kill Jack

792
00:42:20,520 --> 00:42:23,200
Speaker 3: McKay's son, like it's of.

793
00:42:23,080 --> 00:42:27,680
Speaker 1: Course, were they not like investigating him actively at this point.

794
00:42:27,600 --> 00:42:29,800
Speaker 3: You would think they would be that's.

795
00:42:29,600 --> 00:42:30,680
Speaker 2: Why what's your name?

796
00:42:30,800 --> 00:42:35,440
Speaker 3: What's your christ blond lady Christine? Yes, well, and if it.

797
00:42:36,000 --> 00:42:37,680
Speaker 1: Turned into a cold case.

798
00:42:40,239 --> 00:42:42,040
Speaker 3: Okay, I don't want to run anything, but if Jack

799
00:42:42,120 --> 00:42:45,440
Speaker 3: McKay is in witness protection, then they have him in

800
00:42:45,560 --> 00:42:49,719
Speaker 3: witness protection to protect him from Tony Marshette, So they

801
00:42:49,719 --> 00:42:52,640
Speaker 3: would the FBI would always have eyes on Tony marchhett

802
00:42:52,680 --> 00:42:57,200
Speaker 3: as they're trying to catch him. It's fair, You're good.

803
00:42:57,760 --> 00:42:59,840
Speaker 1: Is Jack McKay is dead? So I don't know.

804
00:43:00,040 --> 00:43:01,920
Speaker 3: Banging on my door, I'll be right back.

805
00:43:02,080 --> 00:43:03,000
Speaker 1: Okay, pause.

806
00:43:03,440 --> 00:43:03,760
Speaker 5: Hello?

807
00:43:04,680 --> 00:43:10,239
Speaker 1: Did you just think she was wearing underwear? Amy just

808
00:43:10,280 --> 00:43:12,279
Speaker 1: got up in the middle of our podcast ends her

809
00:43:12,320 --> 00:43:15,200
Speaker 1: door and we it looked like she was just in

810
00:43:15,239 --> 00:43:18,360
Speaker 1: a T shirt and undies, which is kind of hot.

811
00:43:19,120 --> 00:43:19,840
Speaker 3: Yeah, it was.

812
00:43:21,719 --> 00:43:22,760
Speaker 1: Are you wearing pants?

813
00:43:23,640 --> 00:43:23,719
Speaker 6: Me?

814
00:43:24,280 --> 00:43:24,640
Speaker 5: Yeah?

815
00:43:24,920 --> 00:43:25,319
Speaker 2: I am?

816
00:43:25,719 --> 00:43:26,080
Speaker 6: Are you?

817
00:43:26,800 --> 00:43:33,040
Speaker 1: I am? There're sweatpants that I would never want anyone

818
00:43:33,040 --> 00:43:35,400
Speaker 1: to see me in, but I am wearing pants.

819
00:43:36,239 --> 00:43:36,680
Speaker 6: I am not.

820
00:43:42,040 --> 00:43:45,920
Speaker 1: Thanks for sharing that, mister Joviz. I really appreciate that visual.

821
00:43:46,600 --> 00:43:49,960
Speaker 3: Do you have underwear please say us always?

822
00:43:50,080 --> 00:44:01,719
Speaker 4: Yes.

823
00:44:03,239 --> 00:44:05,320
Speaker 3: I'm so sorry guys like banging on my door and

824
00:44:05,360 --> 00:44:08,359
Speaker 3: then he's trying to sell me bug Patrol. I'm like, bro,

825
00:44:08,719 --> 00:44:09,960
Speaker 3: I'm in a zoom.

826
00:44:10,320 --> 00:44:13,080
Speaker 1: What if I'm busy? We were just talking about you

827
00:44:13,120 --> 00:44:13,920
Speaker 1: and your panties.

828
00:44:15,080 --> 00:44:17,400
Speaker 2: Go away, there's mud happening.

829
00:44:19,560 --> 00:44:23,000
Speaker 1: Okay, wait, go get back into this. First of all,

830
00:44:23,080 --> 00:44:25,319
Speaker 1: Like I just said, you guys don't know what you're

831
00:44:25,320 --> 00:44:29,080
Speaker 1: talking about because Jack McKay is dead. Amy, You're what

832
00:44:29,120 --> 00:44:30,719
Speaker 1: you're saying is not making any sense to me.

833
00:44:30,800 --> 00:44:31,360
Speaker 3: It is to me.

834
00:44:32,040 --> 00:44:34,120
Speaker 1: Okay, well, Cory, is it to you?

835
00:44:34,640 --> 00:44:36,640
Speaker 2: Let her keep living the dream because it's not good

836
00:44:36,800 --> 00:44:39,600
Speaker 2: because then it's new to her and it's great.

837
00:44:39,719 --> 00:44:43,200
Speaker 3: I'll let Jenny the first years later.

838
00:44:43,360 --> 00:44:44,160
Speaker 2: But here's the.

839
00:44:44,120 --> 00:44:48,399
Speaker 1: Thing about my memory. I can I'm watching I watch

840
00:44:48,440 --> 00:44:50,439
Speaker 1: Breaking Bad from beginning to end when it came out.

841
00:44:50,520 --> 00:44:53,080
Speaker 1: I'm watching it again now and it's like it's the

842
00:44:53,080 --> 00:44:55,319
Speaker 1: first time I ever saw it. So that's the same

843
00:44:55,360 --> 00:44:58,160
Speaker 1: thing that's happening with this show. Never heard of any

844
00:44:58,239 --> 00:45:03,640
Speaker 1: of these things happening before. But Dylan and Brandon pull

845
00:45:03,760 --> 00:45:09,040
Speaker 1: up and Dylan drags her out of the car and

846
00:45:09,160 --> 00:45:13,480
Speaker 1: starts streaming, screaming and crying. Brandon, lik, what they did

847
00:45:13,480 --> 00:45:14,919
Speaker 1: to her? Look what they did to her.

848
00:45:15,480 --> 00:45:17,960
Speaker 2: There's no life of all the way they shot her,

849
00:45:18,080 --> 00:45:22,280
Speaker 2: you guys. I was like, her face wouldn't be recognizable totally.

850
00:45:22,440 --> 00:45:27,239
Speaker 2: I feel they were like right through the like wow,

851
00:45:27,400 --> 00:45:29,000
Speaker 2: Like I was kind of hoping they would have done

852
00:45:29,040 --> 00:45:32,640
Speaker 2: it from the side and she still looked beautiful. But

853
00:45:32,760 --> 00:45:34,160
Speaker 2: it's like, what does that other side look like?

854
00:45:34,920 --> 00:45:39,280
Speaker 3: No attempt to resuscitate. It's like Brandon stands there frozen.

855
00:45:39,320 --> 00:45:41,319
Speaker 3: No one's calling nine to one one. It's just like

856
00:45:42,080 --> 00:45:43,080
Speaker 3: they all just stand there.

857
00:45:43,080 --> 00:45:44,399
Speaker 2: They annihilated her.

858
00:45:44,840 --> 00:45:48,319
Speaker 1: They shot her, right, Yeah, that was like godfather shit

859
00:45:48,440 --> 00:45:48,799
Speaker 1: right there.

860
00:45:49,080 --> 00:45:56,080
Speaker 3: Yes, the ran guy in the car behind is just like, like,

861
00:45:56,120 --> 00:45:58,520
Speaker 3: wouldn't that completely freaked.

862
00:45:58,160 --> 00:45:59,120
Speaker 2: Out one of them?

863
00:45:59,239 --> 00:46:00,439
Speaker 1: Would you know them?

864
00:46:00,600 --> 00:46:02,960
Speaker 3: No? Nope, he is not hard.

865
00:46:03,120 --> 00:46:05,600
Speaker 1: He was the haughty guy that was in the passenger

866
00:46:05,640 --> 00:46:06,480
Speaker 1: seat earlier.

867
00:46:06,800 --> 00:46:07,680
Speaker 3: I don't think so.

868
00:46:07,760 --> 00:46:09,960
Speaker 2: When they when they kidnapped and like where are they going?

869
00:46:10,040 --> 00:46:11,920
Speaker 2: And the car pulled up Dylan's and there were the

870
00:46:11,960 --> 00:46:12,839
Speaker 2: two guys.

871
00:46:12,880 --> 00:46:15,279
Speaker 1: And it's you know, the random hitman we'd never seen

872
00:46:15,320 --> 00:46:17,640
Speaker 1: before all of a sudden, was there in headlines.

873
00:46:17,320 --> 00:46:20,840
Speaker 2: That because they both hinder in me, why didn't he

874
00:46:20,920 --> 00:46:23,800
Speaker 2: jump down and help her before Brandon and Dylan arrived.

875
00:46:24,160 --> 00:46:28,440
Speaker 2: That if it's not the case, that dude just sat there, Okay, correct,

876
00:46:28,520 --> 00:46:30,000
Speaker 2: So here's what I understood it.

877
00:46:30,320 --> 00:46:34,600
Speaker 3: They were supposed to murder him earlier the night of

878
00:46:34,760 --> 00:46:38,239
Speaker 3: the but then they got the Bachelor Bachelorette prty, so

879
00:46:38,320 --> 00:46:42,040
Speaker 3: that threw it off, so they had to rejigger the hit.

880
00:46:42,760 --> 00:46:46,040
Speaker 3: And now it's just the one dude who knows that

881
00:46:46,120 --> 00:46:49,160
Speaker 3: she's going to become that he pardoned me, that Dylan's

882
00:46:49,160 --> 00:46:51,600
Speaker 3: going to become driving down the hill to go to

883
00:46:51,640 --> 00:46:54,000
Speaker 3: see Tony and they're going to cut him off or

884
00:46:54,040 --> 00:46:58,479
Speaker 3: he and pow pow pow. But that random other car

885
00:46:58,640 --> 00:47:02,080
Speaker 3: is just a random guy that happened to be driving behind.

886
00:47:03,280 --> 00:47:05,760
Speaker 2: Why did he sit there.

887
00:47:05,960 --> 00:47:08,879
Speaker 3: Erect and then of course like Brandon and Dylon come

888
00:47:09,320 --> 00:47:11,640
Speaker 3: driving up right at the very moment. I mean, it's

889
00:47:11,680 --> 00:47:14,640
Speaker 3: all very crazy. And also get the license plate of

890
00:47:14,680 --> 00:47:18,799
Speaker 3: the hit the car the random guy could have been,

891
00:47:18,840 --> 00:47:21,440
Speaker 3: Like I saw the driver's license. It was a blue

892
00:47:21,560 --> 00:47:24,040
Speaker 3: you know whatever about ever or.

893
00:47:23,840 --> 00:47:26,359
Speaker 2: Like if you're gonna I don't know if you're gonna

894
00:47:26,360 --> 00:47:28,840
Speaker 2: sit there after something like that happens, like get the

895
00:47:28,840 --> 00:47:31,600
Speaker 2: hell out of there. Then like someone just shot the

896
00:47:31,640 --> 00:47:35,120
Speaker 2: person in front of you multiple times, back up and

897
00:47:35,280 --> 00:47:37,080
Speaker 2: get like go save yourself. What if they're going to

898
00:47:37,120 --> 00:47:38,880
Speaker 2: come around and get you because you were there, you

899
00:47:39,000 --> 00:47:41,080
Speaker 2: witnessed it. There shouldn't be any witnesses.

900
00:47:42,560 --> 00:47:45,640
Speaker 1: I feel like we've gotten over our skis with this storyline.

901
00:47:45,800 --> 00:47:50,239
Speaker 1: I feel like there's so many holes. Yeah, but it

902
00:47:50,360 --> 00:47:52,560
Speaker 1: had to happen, and it had to happen. It all

903
00:47:52,600 --> 00:47:56,280
Speaker 1: had to happen in this episode for some mysterious reason.

904
00:47:56,680 --> 00:48:03,040
Speaker 3: Squashiest episode of all time, squshiest. It's just so squashed

905
00:48:03,080 --> 00:48:04,520
Speaker 3: in everything.

906
00:48:05,440 --> 00:48:08,040
Speaker 2: Russia just out a word now too, I know.

907
00:48:08,520 --> 00:48:12,319
Speaker 1: I thought the same thing. Okay, at the funeral, Oh

908
00:48:13,680 --> 00:48:17,960
Speaker 1: that was rough, awful, awful, awful.

909
00:48:18,640 --> 00:48:20,080
Speaker 2: I could have done without the funeral.

910
00:48:21,800 --> 00:48:22,960
Speaker 1: I couldn't have what.

911
00:48:23,400 --> 00:48:24,760
Speaker 3: No, we had to have the funeral.

912
00:48:25,680 --> 00:48:29,040
Speaker 1: It was because no real feeling, Like didn't it feel real?

913
00:48:29,600 --> 00:48:29,839
Speaker 2: Yes?

914
00:48:29,920 --> 00:48:33,319
Speaker 3: And then you get that dramatic scene between Dylan and

915
00:48:33,560 --> 00:48:36,160
Speaker 3: Tony Man Tony.

916
00:48:36,239 --> 00:48:39,520
Speaker 1: And it's like it's like he wanted Dylan to shoot him,

917
00:48:39,600 --> 00:48:45,279
Speaker 1: to kill him. He did, but thank god Dylan didn't

918
00:48:45,280 --> 00:48:45,839
Speaker 1: take the bait.

919
00:48:47,800 --> 00:48:49,000
Speaker 2: That's a major line.

920
00:48:50,080 --> 00:48:52,640
Speaker 1: My father's gone, your daughter's gone, were even.

921
00:48:52,920 --> 00:48:56,880
Speaker 3: Although it doesn't feel even, because it feels like Dylan

922
00:48:56,960 --> 00:48:58,520
Speaker 3: got two terrible.

923
00:48:58,160 --> 00:49:02,080
Speaker 2: Things exactly, you would go to beach or the hells

924
00:49:02,160 --> 00:49:05,080
Speaker 2: like I forget, but never forget.

925
00:49:06,160 --> 00:49:06,720
Speaker 1: So true.

926
00:49:07,000 --> 00:49:09,480
Speaker 3: This is where I felt that you all had sunglasses on,

927
00:49:10,120 --> 00:49:12,279
Speaker 3: but yet Kathleen didn't so they could zoom in on

928
00:49:12,320 --> 00:49:13,000
Speaker 3: her team. Yeah.

929
00:49:13,040 --> 00:49:14,960
Speaker 2: Sorry, I was like, I think we did this scene already,

930
00:49:15,000 --> 00:49:19,680
Speaker 2: but yeah, and then he's like, the killing stops here

931
00:49:19,920 --> 00:49:22,040
Speaker 2: were stops? Now, what do you say?

932
00:49:22,360 --> 00:49:22,560
Speaker 6: Then?

933
00:49:22,600 --> 00:49:25,120
Speaker 1: Of course the gang all goes to the beach bit

934
00:49:26,160 --> 00:49:27,680
Speaker 1: and everyone is very They don't.

935
00:49:27,560 --> 00:49:31,640
Speaker 3: Keep it slightly right like they seem without that scene. Yeah,

936
00:49:31,640 --> 00:49:34,040
Speaker 3: they don't seem to be taking this as seriously as

937
00:49:34,160 --> 00:49:38,840
Speaker 3: you would think they should. Like their friend wife was murdered.

938
00:49:39,160 --> 00:49:43,919
Speaker 3: They're essentially all in danger, like right, and then they're

939
00:49:43,960 --> 00:49:46,480
Speaker 3: like she's leaving, and boy, are we gonna miss it?

940
00:49:47,080 --> 00:49:48,360
Speaker 1: Why are they in danger?

941
00:49:48,640 --> 00:49:52,480
Speaker 3: Because they all know that it's Tony Marchette, like one

942
00:49:52,520 --> 00:49:53,160
Speaker 3: plus one.

943
00:49:53,080 --> 00:49:55,799
Speaker 1: Is two, So Tony doesn't know that they know.

944
00:49:56,840 --> 00:49:59,240
Speaker 3: I mean, you don't have to be a rocket scientist

945
00:49:59,280 --> 00:49:59,839
Speaker 3: to figure this.

946
00:50:03,600 --> 00:50:07,120
Speaker 1: That's what I thought the only rocket scientists watched Beverly

947
00:50:07,160 --> 00:50:14,560
Speaker 1: Hillside like what Oh? And then you guys back at

948
00:50:14,600 --> 00:50:18,040
Speaker 1: Dylan's house when he finds trouble. The kiddy comes back

949
00:50:18,080 --> 00:50:20,200
Speaker 1: and Dylan starts to cry. I lost my ship.

950
00:50:20,920 --> 00:50:23,799
Speaker 3: That was good. The smelling the dress was not as

951
00:50:23,840 --> 00:50:26,800
Speaker 3: good for me. I'm just saying I don't want to

952
00:50:26,840 --> 00:50:28,280
Speaker 3: be judging because I love the whook.

953
00:50:29,040 --> 00:50:32,600
Speaker 1: I cried, we both. I cried even with the watching dress.

954
00:50:32,640 --> 00:50:35,920
Speaker 1: It was a little weird. The smelling other dress. I

955
00:50:35,960 --> 00:50:38,359
Speaker 1: hear what you're saying, but that's what you do when

956
00:50:38,400 --> 00:50:41,160
Speaker 1: someone dies, you want to smell them again.

957
00:50:43,120 --> 00:50:44,760
Speaker 2: So for me it worked.

958
00:50:45,520 --> 00:50:46,960
Speaker 3: The cat really worked.

959
00:50:47,239 --> 00:50:51,480
Speaker 1: And then when he was crying like yeah, that was

960
00:50:51,840 --> 00:50:54,280
Speaker 1: too much, just too much, I was like, what is happening?

961
00:50:54,320 --> 00:50:56,400
Speaker 1: This is just too much for it.

962
00:50:56,760 --> 00:50:57,160
Speaker 3: He went.

963
00:50:59,320 --> 00:51:02,560
Speaker 2: Back to wait tea shirts when you're happy.

964
00:51:02,680 --> 00:51:05,080
Speaker 3: The motorcycle is just so malicious.

965
00:51:05,120 --> 00:51:09,600
Speaker 2: He's so hot, Yeah.

966
00:51:07,960 --> 00:51:10,239
Speaker 1: He's packed, he's ready to leave. That poor cat is

967
00:51:10,280 --> 00:51:14,160
Speaker 1: strapped on the back of that motorcycle. The fuck that

968
00:51:14,320 --> 00:51:17,640
Speaker 1: is not normal. Well, no, that cat is going to

969
00:51:17,719 --> 00:51:25,319
Speaker 1: be traumatized and very wind blown, but he's taking the

970
00:51:25,360 --> 00:51:27,000
Speaker 1: cat with him, which is so sweet.

971
00:51:27,080 --> 00:51:28,680
Speaker 3: Gott he put his helmet onto.

972
00:51:30,080 --> 00:51:31,880
Speaker 1: And then he says he doesn't know if he'll be

973
00:51:31,920 --> 00:51:35,080
Speaker 1: coming back or not. And then he rides away and

974
00:51:35,160 --> 00:51:39,759
Speaker 1: Brandon is sad to see the car.

975
00:51:41,800 --> 00:51:44,400
Speaker 3: The shake hands, but then they held on. Did you

976
00:51:44,440 --> 00:51:48,200
Speaker 3: guys know that? I thought, I want to make shaking hands.

977
00:51:47,760 --> 00:51:49,759
Speaker 2: To part Brandon go back to the car, and then

978
00:51:50,200 --> 00:51:51,759
Speaker 2: them to look at each other, and I know that's

979
00:51:51,760 --> 00:51:54,880
Speaker 2: a chick moved to be like run it and embrace,

980
00:51:54,960 --> 00:51:56,520
Speaker 2: but like I want.

981
00:51:58,760 --> 00:52:00,719
Speaker 1: I didn't want to stop to each other.

982
00:52:01,280 --> 00:52:04,680
Speaker 2: Fine, not that, not that after the handshap at least

983
00:52:04,680 --> 00:52:06,440
Speaker 2: of each other like you like to do that.

984
00:52:06,800 --> 00:52:10,640
Speaker 1: It was a meaningful handshake because it was hand hug.

985
00:52:11,160 --> 00:52:14,560
Speaker 3: It was more it was it was a hand hug.

986
00:52:14,600 --> 00:52:17,560
Speaker 3: It went from shake never let this. It was I.

987
00:52:17,560 --> 00:52:20,279
Speaker 1: Really wanted more. I wanted more. I wanted more in

988
00:52:20,360 --> 00:52:21,040
Speaker 1: this more.

989
00:52:21,440 --> 00:52:23,000
Speaker 3: Like these are these are the it?

990
00:52:23,160 --> 00:52:26,080
Speaker 2: Guys like, I want more. If this is all we're

991
00:52:26,080 --> 00:52:28,399
Speaker 2: going to get as an audience member, and we don't know,

992
00:52:28,960 --> 00:52:31,239
Speaker 2: and this is all we're going to get because Luke

993
00:52:31,239 --> 00:52:34,359
Speaker 2: comes back with Jason, doesn't I know that's right. This

994
00:52:34,480 --> 00:52:34,680
Speaker 2: is it.

995
00:52:34,800 --> 00:52:37,799
Speaker 1: Really wanted Kelly and to have a goodbye there too.

996
00:52:37,880 --> 00:52:39,920
Speaker 1: Now I'm saying feeling what you were feeling.

997
00:52:39,960 --> 00:52:42,080
Speaker 3: I did pay and I also had a little bit

998
00:52:42,120 --> 00:52:45,879
Speaker 3: of like this is may I swear this is.

999
00:52:47,360 --> 00:52:47,520
Speaker 6: It?

1000
00:52:47,800 --> 00:52:48,280
Speaker 2: Yeah?

1001
00:52:48,360 --> 00:52:52,080
Speaker 3: I was like I don't want him leaving. Why sorry Tory,

1002
00:52:52,160 --> 00:52:55,200
Speaker 3: but your dad couldn't solve this and be like, Okay,

1003
00:52:55,360 --> 00:52:57,480
Speaker 3: we're gonna pay you a ton of money and you

1004
00:52:57,640 --> 00:53:00,640
Speaker 3: come back each season for ten. Like it's just I'm

1005
00:53:00,640 --> 00:53:04,760
Speaker 3: not happy at all. Right now, I'm not happy. I'm bummed,

1006
00:53:04,800 --> 00:53:07,759
Speaker 3: and I know Brandon's leaving suit. It's just like I'm like, oh,

1007
00:53:07,920 --> 00:53:09,920
Speaker 3: the shark is swimming.

1008
00:53:09,520 --> 00:53:10,799
Speaker 2: To don't you say that word?

1009
00:53:11,000 --> 00:53:12,800
Speaker 1: Don't you say it?

1010
00:53:14,800 --> 00:53:16,280
Speaker 3: Take it back on.

1011
00:53:16,320 --> 00:53:18,799
Speaker 2: You know what. To be honest, let's say if they

1012
00:53:18,840 --> 00:53:22,200
Speaker 2: did have the Brandon Dylan scene and a Kelly Dylan scene,

1013
00:53:22,560 --> 00:53:25,839
Speaker 2: I actually would would prefer the Kelly Dylan scene after

1014
00:53:25,920 --> 00:53:28,040
Speaker 2: Brandon Dylan, Like that would have meant I would have

1015
00:53:28,080 --> 00:53:31,160
Speaker 2: been like, oh, this is so good. That would have

1016
00:53:31,280 --> 00:53:32,120
Speaker 2: just taken it home.

1017
00:53:32,480 --> 00:53:32,640
Speaker 4: Yeah.

1018
00:53:32,680 --> 00:53:34,920
Speaker 1: I would have wanted him to just see him hugging

1019
00:53:35,080 --> 00:53:41,200
Speaker 1: someone and having that breakdown. Wow, what do you guys

1020
00:53:41,200 --> 00:53:42,520
Speaker 1: think what do you give it? What do you give

1021
00:53:42,560 --> 00:53:43,080
Speaker 1: this episode?

1022
00:53:43,600 --> 00:53:45,880
Speaker 3: I just need to watch it, like a lot more times.

1023
00:53:45,960 --> 00:53:47,920
Speaker 1: And I don't believe you have to think like I

1024
00:53:47,960 --> 00:53:48,680
Speaker 1: thought for sure you.

1025
00:53:48,760 --> 00:53:52,360
Speaker 3: Say, oh no, I'm a ten. I'm a ten plus.

1026
00:53:52,400 --> 00:53:55,880
Speaker 3: This is like one of the best episodes of the

1027
00:53:55,920 --> 00:53:59,160
Speaker 3: whole series. But at the same time, I'm so like

1028
00:53:59,719 --> 00:54:04,560
Speaker 3: man mad and upset and like and then I'm like,

1029
00:54:05,360 --> 00:54:09,120
Speaker 3: I want Luke Perry back, Like I'm just so there's

1030
00:54:09,160 --> 00:54:12,160
Speaker 3: so many things that I have the episode feelings, and

1031
00:54:12,200 --> 00:54:14,879
Speaker 3: then I have like all my feelings like it's just

1032
00:54:14,920 --> 00:54:15,600
Speaker 3: a mess.

1033
00:54:15,960 --> 00:54:17,680
Speaker 1: I'm a mess.

1034
00:54:18,000 --> 00:54:21,040
Speaker 2: I was way more into it until you hold it

1035
00:54:21,120 --> 00:54:25,080
Speaker 2: up like you you dissected it. Now I'm like, oh, yeah,

1036
00:54:25,320 --> 00:54:26,760
Speaker 2: like it should have been better.

1037
00:54:30,440 --> 00:54:37,760
Speaker 3: I was very sad, bordering on like depressed. Yeah, I mean.

1038
00:54:37,640 --> 00:54:40,279
Speaker 2: I know it had to be done, and I know

1039
00:54:40,360 --> 00:54:42,920
Speaker 2: he was leaving, But if I knew he was leaving,

1040
00:54:43,160 --> 00:54:46,520
Speaker 2: I would have wanted I don't know, because a little

1041
00:54:46,520 --> 00:54:49,879
Speaker 2: more of one scene to see his like flirty sexiness

1042
00:54:49,960 --> 00:54:51,080
Speaker 2: and his eyebrow.

1043
00:54:51,760 --> 00:54:54,680
Speaker 1: Wait, Chuck, why why why.

1044
00:54:55,160 --> 00:54:56,440
Speaker 3: Why wasn't this two episodes?

1045
00:54:56,680 --> 00:54:58,640
Speaker 2: Didn't let's get send a text to Chuck?

1046
00:54:58,760 --> 00:55:02,960
Speaker 3: Why why why? Why? Like Why Why wasn't he there

1047
00:55:02,960 --> 00:55:05,120
Speaker 3: the whole season? Why wasn't this multiple episodes?

1048
00:55:05,160 --> 00:55:05,279
Speaker 5: Like?

1049
00:55:06,000 --> 00:55:06,800
Speaker 3: What the help?

1050
00:55:07,200 --> 00:55:09,400
Speaker 1: We need him on? We need to bring him in.

1051
00:55:09,800 --> 00:55:12,120
Speaker 3: Yeah, I do think you're right, Jenny. We do.

1052
00:55:12,400 --> 00:55:14,160
Speaker 1: We need answers me, Lauren.

1053
00:55:14,239 --> 00:55:17,080
Speaker 3: Can you emails see if you can come on next week?

1054
00:55:17,120 --> 00:55:18,160
Speaker 2: You can help us.

1055
00:55:18,400 --> 00:55:20,920
Speaker 1: I don't need like a whole episode breakdown. I just

1056
00:55:20,920 --> 00:55:24,319
Speaker 1: wanted to do why why Luke left? Why it was

1057
00:55:24,400 --> 00:55:25,720
Speaker 1: so like rushed?

1058
00:55:26,440 --> 00:55:26,720
Speaker 2: Yeah?

1059
00:55:26,760 --> 00:55:28,400
Speaker 1: And why was just a storyline?

1060
00:55:28,440 --> 00:55:29,560
Speaker 2: Can you make a shippen right now?

1061
00:55:29,640 --> 00:55:29,759
Speaker 4: Though?

1062
00:55:29,960 --> 00:55:33,640
Speaker 2: I don't think you so's deconstructed for the Hee says,

1063
00:55:33,640 --> 00:55:34,720
Speaker 2: we need Larry Mullen.

1064
00:55:35,120 --> 00:55:37,200
Speaker 3: Yeah, you need Larry because I think Chuck is gone

1065
00:55:37,200 --> 00:55:37,800
Speaker 3: at this point.

1066
00:55:37,960 --> 00:55:40,200
Speaker 1: Correct, All right, let's have Larry.

1067
00:55:40,280 --> 00:55:43,520
Speaker 3: Let's have Larry. Yeah, I'm not happy today.

1068
00:55:43,640 --> 00:55:45,600
Speaker 1: I can just I give it a ten too, but

1069
00:55:45,719 --> 00:55:46,960
Speaker 1: it's a sad face ten.

1070
00:55:47,280 --> 00:55:49,840
Speaker 3: Yes, a sad face ten. Thank you, Jenny.

1071
00:55:49,920 --> 00:55:52,440
Speaker 2: Yes, Now, I just feel like I have to fit

1072
00:55:52,480 --> 00:55:54,080
Speaker 2: in with you guys and give it a ten because

1073
00:55:54,080 --> 00:55:55,480
Speaker 2: it's Luke's last episode.

1074
00:55:55,520 --> 00:55:56,719
Speaker 1: You didn't feel like it was a ten?

1075
00:55:57,800 --> 00:55:57,960
Speaker 2: Yes?

1076
00:55:58,400 --> 00:56:00,160
Speaker 1: Did you feel like it was a nine?

1077
00:56:00,440 --> 00:56:02,040
Speaker 2: I give it like a nine point seventy.

1078
00:56:02,480 --> 00:56:06,160
Speaker 1: Okay, okay, Well, I just don't know what's going to

1079
00:56:06,200 --> 00:56:08,720
Speaker 1: happen next week, how about you, guys. I mean next

1080
00:56:08,719 --> 00:56:13,000
Speaker 1: week is season six, episode eleven, Offensive Interference.

1081
00:56:13,040 --> 00:56:15,520
Speaker 3: I have a beef about next week, but I'll say.

1082
00:56:15,360 --> 00:56:17,520
Speaker 2: That I have a feeling what this is about?

1083
00:56:17,880 --> 00:56:19,120
Speaker 1: You do fall football?

1084
00:56:19,800 --> 00:56:22,800
Speaker 3: Yeah, and it involves I can tell you, guys, because

1085
00:56:22,800 --> 00:56:27,320
Speaker 3: your class ex boyfriend Ray Prue it decides to press

1086
00:56:27,400 --> 00:56:33,440
Speaker 3: charges against your darling new boyfriend and it's bend it

1087
00:56:33,480 --> 00:56:35,480
Speaker 3: off the team. It's just a massive.

1088
00:56:35,520 --> 00:56:39,160
Speaker 1: You go from Dylan and Tony to Dylan leaving with

1089
00:56:39,200 --> 00:56:42,920
Speaker 1: the cat to that thank you, I mean, where you'd.

1090
00:56:42,680 --> 00:56:48,840
Speaker 3: Come back and the day I had no problem, damn it,

1091
00:56:49,239 --> 00:56:52,279
Speaker 3: the show had to go on, I guess. Yeah.

1092
00:56:52,320 --> 00:56:55,279
Speaker 1: Well, I hope you guys loved this episode as much

1093
00:56:55,320 --> 00:57:00,279
Speaker 1: as we didn't. I mean did mm hmmm we did,

1094
00:57:00,280 --> 00:57:04,680
Speaker 1: but we didn't. Yeah, tell us how you felt. We

1095
00:57:04,800 --> 00:57:08,480
Speaker 1: need to hear some more comments from our omg ors

1096
00:57:08,560 --> 00:57:11,520
Speaker 1: because we're all three of us are feeling all these

1097
00:57:12,400 --> 00:57:14,640
Speaker 1: so many layers of feelings right now.

1098
00:57:15,120 --> 00:57:17,880
Speaker 3: And if the thirty years it has changed how you

1099
00:57:17,920 --> 00:57:20,160
Speaker 3: see it, because for me, I'm having a real problem

1100
00:57:20,200 --> 00:57:20,440
Speaker 3: with that.

1101
00:57:21,040 --> 00:57:22,320
Speaker 1: Mmm. Interesting?

1102
00:57:22,320 --> 00:57:22,640
Speaker 3: Really?

1103
00:57:22,800 --> 00:57:25,760
Speaker 1: Yeah, probably talk to us, tell us, tell us everything.

1104
00:57:26,520 --> 00:57:28,840
Speaker 1: That's it for this week. You guys, we'll see you

1105
00:57:28,880 --> 00:57:29,360
Speaker 1: next week.