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Speaker 1: Transmitting what's happening everybody. Good morning, morning studio. Morning. Hope

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Speaker 1: everybody's having a great Wednesday. I know it's early. We

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Speaker 1: appreciate you being here with us, or if you're listening

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Speaker 1: on the podcast later in the day, maybe it's not early.

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Speaker 1: We just are so pumped that you're here with us. Raimundo,

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Speaker 1: our audio producer, has been inspired by Amy in the

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Speaker 1: electronics contract that she's having her kids sign. Amy, could

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Speaker 1: you just quickly revisit this for us, this idea of

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Speaker 1: what you're doing with your kids. Yeah. So we're working

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Speaker 1: on a technology contract, which is just something that's in

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Speaker 1: writing so that the kids know the ground rules of

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Speaker 1: anything like video games, self like iPad stuff, any of

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Speaker 1: usage like that. The rules are on paper so nobody

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Speaker 1: can sway from those, like where we know what it

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Speaker 1: is and we lean into that and their phone will

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Speaker 1: belong to me if they break the rules or whatever

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Speaker 1: it is the item, Raymundo, So, how have you been

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Speaker 1: inspired by amy electronics contract? Yeah, I'm all into the

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Speaker 1: contract game now. I got my wife a bike for her.

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Speaker 1: It's an indoor bike that she rides watches TV while

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Speaker 1: she's riding it, and I thought, hey, why not make

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Speaker 1: her sign a contract where she has to ride it

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Speaker 1: every week? So I said three, three times a week,

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Speaker 1: she has to get on that bad boy for twenty

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Speaker 1: to thirty minutes. She needs to take a selfie while

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Speaker 1: she's doing it for proof. And there are ways that

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Speaker 1: she can get out of it if she suffers an injury,

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Speaker 1: if there's a bike malfunction. Also if we're on vacation,

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Speaker 1: she can't do it. But other than that, she'll get

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Speaker 1: the bike put on Craigslist if she doesn't do those

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Speaker 1: three workouts a week now till the end of time. Okay, Amy,

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Speaker 1: go ahead. Well, so, because so I get it. At first,

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Speaker 1: I was thinking you're trying to force workouts, but you're

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Speaker 1: not saying. It's really not about her working out or not.

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Speaker 1: It's just that you've invested in this bike and you

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Speaker 1: want to make sure it gets used. If it doesn't

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Speaker 1: get used, you're gonna sell it exactly. So Yeah, because

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Speaker 1: the contract thing, I'm all on board from that. I

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Speaker 1: love that you should preface any time you bring this up.

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Speaker 1: You should preface sit with that that it's about that,

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Speaker 1: because at first it makes you sound like a real

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Speaker 1: jerk towards your wife. And working out. But I could

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Speaker 1: see that. I mean, yeah, if I could see if

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Speaker 1: you're spending money on a nice piece of workout equipment,

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Speaker 1: you want to make sure it gets used. I don't know, Bobby,

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Speaker 1: your thoughts. It's a slippery slope. You can't go contracting

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Speaker 1: everything you get that crap put back on you. Yeah,

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Speaker 1: Like Amy's the mom, they're the kids. If they're overusing

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Speaker 1: things like their phone and tap, they need to learn

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Speaker 1: I do this. I can. I could see if my

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Speaker 1: wife did this because I was over using it, but

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Speaker 1: never for under using it, I think. But then it's

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Speaker 1: a waste of money. Okay, but everybody waste money and

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Speaker 1: all kinds of stuff. You're gonna order Uber eats all

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Speaker 1: the time, but you don't eat all your food three

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Speaker 1: times in a week. What do you need to take

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Speaker 1: Uber eats away? Yeah? I don't know. I'm just saying

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Speaker 1: it's a slippery slope to punish someone for not doing

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Speaker 1: it enough, especially to sell it back a humbug ry.

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Speaker 1: It's Christmas season. What's up, buddy? Well, I mean, I

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Speaker 1: appreciate Amy for the inspiration. Thank you, You're welcome. Have

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Speaker 1: you presented this scenario to your wife? Yes? She's signing.

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Speaker 1: She's already knocked out two workouts for the week, she's

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Speaker 1: got one more left. Wow, it also sounds like you're

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Speaker 1: trying to make her work out more. Ray, I'll be honest,

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Speaker 1: it does feel like that. I mean, it may sound

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Speaker 1: like that, but also it's a fun little contract, just

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Speaker 1: like a marriage contract, contracts of life. We've all signed contracts.

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Speaker 1: Every day's marriage contract. I mean we all signed one.

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Speaker 1: Didn't one? No merriage contract. Me. Please tell us about years. Ray,

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Speaker 1: Are you saying you signed a prenup? Ray? No, No, no,

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Speaker 1: I'm it did not do that. Let's open up that

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Speaker 1: mail bag a year get something we call ye. Hello, Bobby,

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Speaker 1: my daughter is about to turn one year old. I

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Speaker 1: want to throw a birthday party for her with my family. However,

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Speaker 1: my parents have been divorced seven years and do not

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Speaker 1: get along. Do I need to throw two birthday parties,

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Speaker 1: one for each. No, I don't even finish throe the email.

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Speaker 1: I'll let me finish read the email. Okay, Dear Bobby,

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Speaker 1: my daughter's about to turn one year old. I want

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Speaker 1: to throw a birthday party with her and my family. However,

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Speaker 1: my parents her grandparents, have been divorced seven years and

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Speaker 1: do not get along. Do I need to throw two

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Speaker 1: birthday parties, one for each side of the family, or

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Speaker 1: can adults suck it up and get along for a

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Speaker 1: couple of hours. I would prefer to have one party

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Speaker 1: so I don't have to pay or plan two parties.

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Speaker 1: If I have one party, am I setting the day

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Speaker 1: up for failure with unneeded drama and lots of awkward conversations?

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Speaker 1: Signed confused mother. There are many layers of this email

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Speaker 1: that irritate me, and not at the mother, but one

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Speaker 1: if she thinks those parents can't get along for two

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Speaker 1: hours for the kid, that sucks that she thinks they

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Speaker 1: can't even pull it together to be in the same room,

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Speaker 1: like they would be that selfish because for the rest

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Speaker 1: of their life they're going to have to do this.

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Speaker 1: Some people are two on a slightly lower out. A

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Speaker 1: one year old's not gonna remember a birthday party anyway,

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Speaker 1: that's true. So but there's pictures. It's the whole thing.

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Speaker 1: It's for other people. It's for other people. It's like

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Speaker 1: when I get my dog a birthday gift, and dog

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Speaker 1: don't know he gets gifts all done birthday later in life.

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Speaker 1: This was your first birthday. That's your first cake. You

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Speaker 1: smash it in their face. I get it. If these

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Speaker 1: parents can't chill, maybe you just don't invite the parents,

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Speaker 1: or you say, hey, if you guys can't chill, don't come. Absolutely,

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Speaker 1: you set the boundary from the get go. Another option

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Speaker 1: would be that I don't know they have time slots.

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Speaker 1: I'm throwing one party. If you can't handle it, then like,

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Speaker 1: you can come for the first thirty minutes and you

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Speaker 1: can come for the laws thirty minutes. They're gonna find

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Speaker 1: over who gets to come first. Well, then sorry, nobody,

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Speaker 1: y'all are not invited. Yeah. Stop twelve bye, stop being

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Speaker 1: twelve people. Papah me, mom, mama, you call it. You

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Speaker 1: have an old person name be an old person like

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Speaker 1: you have, have some maturity. I hurt for people that

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Speaker 1: are in this type of situation with their family because

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Speaker 1: do not plan two birthday parties because your parents don't

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Speaker 1: get along. No, you're setting yourself up for I mean,

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Speaker 1: you're gonna do this every time you have to get together. No,

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Speaker 1: this is a great time to create a lifetime boundary.

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Speaker 1: We're going to do things and you have to get

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Speaker 1: along while we do things. And maybe it will challenge it.

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Speaker 1: If you throw two parties, then you know that enabling

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Speaker 1: thing like you, you're enabling their behavior. You're saying, okay,

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Speaker 1: you get to act however you want. So I'm just

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Speaker 1: going to separate you and go above and beyond to

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Speaker 1: accommodate your immaturity. When really, if you set the boundary,

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Speaker 1: then they'll have to make a decision and maybe maybe

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Speaker 1: this will push them to wake up and be mature

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Speaker 1: about things. No, it's hard to plush an immature person

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Speaker 1: to maturity. However, one can help, Yes, one can help.

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Speaker 1: Do not have two parties? If they can't handle it,

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Speaker 1: they don't get a buy it a year number two?

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Speaker 1: Hire a bouncer. How about that? All right, that's the

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Speaker 1: mailbag Morgan. If people want to email us, what do

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Speaker 1: they do? Mailbag at Bobbybones dot com. That was about

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Speaker 1: to clothe I have an email here, but it's not

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Speaker 1: a normal mailbag because it didn't come from a listener.

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Speaker 1: It actually came from someone here on the show that

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Speaker 1: emailed me being kind of funny. But they have a

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Speaker 1: real question about their life. So we're not going to

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Speaker 1: play the mailbag song officially, but Amy, if you'd like

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Speaker 1: to sing the mailbag song. We'll count as like a

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Speaker 1: junior varsity mail bag. So hit it. You send your

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Speaker 1: emails and we read them on the air. It's something

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Speaker 1: we call Bobby's mailbag. Yeah, there you go, this email

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Speaker 1: list from Well, I'll read it and then I'll tell you. Okay,

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Speaker 1: hello Bobby Bones. I love going to the same Mexican

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Speaker 1: restaurant with my family. We've been going there for years,

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Speaker 1: but recently we've been getting stuck with a server that

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Speaker 1: makes our visit a little unenjoyable. When we ask more

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Speaker 1: chips and salsa or a cup of coffee, the server

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Speaker 1: always rolls their eyes and says, we're a little busy

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Speaker 1: in the kitchen. It's gonna be a bit. It's almost

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Speaker 1: like they want to complain about it first, but then

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Speaker 1: they end up doing it just fine. We don't want

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Speaker 1: to get the server in trouble, but we also don't

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Speaker 1: want to stop going to this restaurant because of one

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Speaker 1: bad server that we get over and over. What should

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Speaker 1: we do? Sign producer ready concerned Mexican food lover Eddie.

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Speaker 1: So how do you end up getting the same server?

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Speaker 1: I don't know. It's happened three times. It's not a

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Speaker 1: huge restaurant. But it's happened three times where it's the

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Speaker 1: same server, and every time he comes up, I'm like,

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Speaker 1: oh gosh, here we go. We're gonna do this again.

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Speaker 1: So he walks up and said, I'll be you hey

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Speaker 1: old I'm Eddie. Yeah, he says, cool, what are you

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Speaker 1: guys ordering? I'm gonna have three tacos and a burrito.

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Speaker 1: That burrito I don't know. I mean, I I gotta

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Speaker 1: go back and check. See we have the ingredients for

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Speaker 1: the burrito. We may or may or not have one.

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Speaker 1: I don't know, dude, I'll check. And this happens every time.

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Speaker 1: Every time. It happened once with a coffee, Like my

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Speaker 1: wife's like, oh, I'm just kind of feel like having

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Speaker 1: a coffee right now, And it was like six pm.

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Speaker 1: He goes coffee right now. I mean, I don't know.

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Speaker 1: We'd have to make some in the back and this

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Speaker 1: could take like an hour. Well, they probably he's guilty,

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Speaker 1: you yeah, he's guilty bones. And then he's also like

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Speaker 1: just he maybe wants me to change my mind and

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Speaker 1: be okay, fine, I don't want to commune. See no coffee,

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Speaker 1: but we're not we really want coffee. Amy how would

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Speaker 1: you handle the situation? I mean I just five ye,

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Speaker 1: I avoid him somehow like, oh, this table, we don't

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Speaker 1: want to sit here, we want to sit over and there,

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Speaker 1: or somehow like I would just have to finagle away,

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Speaker 1: mate my way out of it, or just stop going

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Speaker 1: because that is annoying. Well, I don't want to stop

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Speaker 1: going those bones. I love this place. This is what

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Speaker 1: I would do. Do you know any of the other

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Speaker 1: servers by name? No? I don't even know this guy's

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Speaker 1: by name, but I know who he is, I know

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Speaker 1: what he looks like. I would when you walk in.

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Speaker 1: There are two things you can do. One you can

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Speaker 1: look around and see what servers are kind of working

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Speaker 1: in what section, And you can specifically ask for a section. Okay,

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Speaker 1: so if you see you know there's a girl name

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Speaker 1: who knows Dan Yelle is working over in this section.

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Speaker 1: You don't have to know her name. He'd be like, Hey,

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Speaker 1: is there any chance we can sit over there? Then

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Speaker 1: they will do everything possible to put you over in

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Speaker 1: that section that is away from them. Hey, am I

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Speaker 1: gonna come off creepy though asking if I can? It

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Speaker 1: can also be Jimmy Eddie. It doesn't matter, Okay, all right. Yeah,

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Speaker 1: So that's one thing you can do. Or two, you

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Speaker 1: can actually figure out a couple of their names and

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Speaker 1: then walk in and be like, hey, is Michael working.

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Speaker 1: I'd love to sit in a section just you don't

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Speaker 1: have to actually address the sucky guy, just go through

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Speaker 1: everybody who's like, it's the hostess stand. Listen, I was

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Speaker 1: a hostess, Eddie. There's a stand And then sometimes they

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Speaker 1: have the sections sectioned off with the servers names, so

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Speaker 1: you can just go over, lean over, try to look,

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Speaker 1: and then be like, Ah, is there anything free with Johnny?

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Speaker 1: What about Tim? What about anyone? Names? Yeah, we picked

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Speaker 1: the lamest names. We gotta come up with names on

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Speaker 1: the spot. Or you can just suck it up and

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Speaker 1: know that the guy if you get them, it's just

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Speaker 1: going to cry about it and not feel bad. Oh okay,

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Speaker 1: I mean yeah, I guess the best one that I

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Speaker 1: hear from all you guys is just to kind of

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Speaker 1: like find someone who I know is gonna be better

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Speaker 1: than him. Yeah. If you can identify a couple of

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Speaker 1: the servers by name, that's awesome, Like hey, Ish, Tamika working, Yes, Amy,

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Speaker 1: go ahead. Well, the reason why you have to just

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Speaker 1: like figure it out in a sneaky way. Is because

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Speaker 1: if this is truly your favorite place, you can't call

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Speaker 1: him out or do anything like that because then you

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Speaker 1: don't know if your food's gonna get messed with, right,

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Speaker 1: because he will mess with it. Yes, probably will is

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Speaker 1: that kind of guy that would thank you Eddie for

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Speaker 1: your email. Hey, hey, Bones, thank you for answering my email.

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Speaker 1: That was awesome. You welcome and Amy, will you close

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Speaker 1: it out for us? You send your emails? No, no, no, no,

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Speaker 1: we got oh we got your email and we read

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Speaker 1: it on the air. It's something we call Bobby's mail bag. Yeah.

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Speaker 1: The latest from Nashville and Tullywood Morgan number two thirty

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Speaker 1: second Skinny. Lauren Alena released her new book, Getting Good

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Speaker 1: At Being You yesterday. Here she is talking about it.

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Speaker 1: I am so proud of my book, Getting Good at

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Speaker 1: Being You. It is all about my faith, my family,

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Speaker 1: my journey, the ups and downs, hope and peace and

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Speaker 1: setbacks and bouncing back. Chris Stapleton considered what his influence

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Speaker 1: on country music would be. If anything, if there's an

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Speaker 1: influence that I have on country music, maybe it's that

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Speaker 1: everybody doesn't have to look one way or sound one way,

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Speaker 1: or maybe if my influences there's not one way to

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Speaker 1: do something musically, you know, I think maybe that's a

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Speaker 1: good influence to have. If I could have that influence,

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Speaker 1: I think that would be positive. McKinsey porter recalled meeting

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Speaker 1: Dustin Lynch for the first time when she was in

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Speaker 1: the recording studio for their collaboration. I definitely was a

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Speaker 1: little nervous. I mean the first time I, like Dustin

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Speaker 1: said that I met him. I was cutting the version

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Speaker 1: in the studio. I had done like kind of a

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Speaker 1: I guess, like a mock version for you to hear,

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Speaker 1: but like the first real time he came into the

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Speaker 1: studio and that's how he met I'm Morgan number two.

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Speaker 1: That's your skinny. It's time for the good news with Amy.

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Speaker 1: This little girl, Laura, entered the foster care system at

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Speaker 1: age four, and she spent one thousand, four hundred and

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Speaker 1: forty five days in foster care. Now she's nine years

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Speaker 1: old and has been adopted by her second grade teacher. Wow, yeah, yeah,

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Speaker 1: shout out to Zoe Henry. She's the teacher, she said.

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Speaker 1: The move. The moment that Laura la Stead foot into

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Speaker 1: her second grade classroom, she knew this girl can be

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Speaker 1: my daughter. That's pretty good. I'm surprised Eddie didn't have

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Speaker 1: that story. Usually Eddie takes the adoption story. Yeah, I've

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Speaker 1: never got a chance to get that one. Well, I mean,

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Speaker 1: I guess I adopted, but I just didn't foster. Yeah, yes,

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Speaker 1: that's true. Amy, that's right. You've been overshadowed by Eddie's

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Speaker 1: recent adoption. Wow, Edie, Amy's adoptions have now been overshadows.

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Speaker 1: It's not a competition, but if everyone wants to, you

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Speaker 1: can no know. Just I'm just talking about just naturally.

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Speaker 1: I thought of Eddie because your kids to me just

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Speaker 1: seem like your kids, because they've been your kids for

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Speaker 1: so long, and not that adopted kids aren't your kids.

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Speaker 1: But I just I don't even Suppo seem to be

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Speaker 1: adopted any Yeah. You don't even hear their Haitian accents

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Speaker 1: or their black skin, you just Amy, I don't. It's

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Speaker 1: like when you have tattoos, you don't even see them

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Speaker 1: on yourself anymore. Yeah, we had two great things from here.

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Speaker 1: I don't even reckon. Okay whatever, Amy, good story. Yeah,

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Speaker 1: that's what it's all about. That was tell me something good.

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Speaker 1: We're about to have Dixie Demilio on some of you

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Speaker 1: may some of you may not know she is, but

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Speaker 1: as far as TikTok goes, she's about as big as

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Speaker 1: it gets. Her sister, younger sister is one of the

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Speaker 1: most followed people as well, like top two or three.

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Speaker 1: So Charlie Demilio, her older sister, Dixie Demilio, they are

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Speaker 1: They're massive. If you go to anybody twenty five and

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Speaker 1: under and show them the picture you they will know that. Yes.

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Speaker 1: So I don't follow them because I don't follow young

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Speaker 1: roles on TikTok, but they're on my four you page

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Speaker 1: all the time because they are so massive. So when

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Speaker 1: they offered it and said, Hey, would you like to

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Speaker 1: talk to Dixie Demilio, I was like, of course, because

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Speaker 1: Kaitlin and I had just started watching some of her show.

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Speaker 1: Their show. They have a whole show about their family,

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Speaker 1: where they live. They talk about mental health a lot

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Speaker 1: and social media where you used to expect these girls

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Speaker 1: who are teenagers and now I think Dixie's twenty one, Mike,

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Speaker 1: is that right? Twenty You just expect they got so

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Speaker 1: big so fast, and now they're so rich that life

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Speaker 1: would be easy. But it's it's a real gritty show,

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Speaker 1: and it's like like they're crying and they're like comments

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Speaker 1: are awful for them. Social media is awful for them

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Speaker 1: at times. So we're gonna have her on in just

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Speaker 1: a second. Do you know who she has? If I

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Speaker 1: just their name? No, And but now I want to

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Speaker 1: watch that show on Hulu. Yeah, Dixie and Charlie. Charlie

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Speaker 1: has one hundred and twenty seven million. That's a lot. Oh,

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Speaker 1: they're massive, That's what I'm saying. It's like Selena Gomez

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Speaker 1: type stuff. Wow, but they got massive on TikTok as

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Speaker 1: the quarantine was happening. What was happening? All right? And

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Speaker 1: I think she's on now ray ye. All right, let's

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Speaker 1: talk to Dixie Demilio Bobby bone So on the phone

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Speaker 1: right now. Dixie Demilio, Hey, Dixie, how are you hi? Well?

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Speaker 1: How are you okay? Pretty good? Hey. I want to

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Speaker 1: start with saying I was watching some of your show

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Speaker 1: on Hulu, and when I started watching it, I was like, Okay,

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Speaker 1: I wonder if this is going to be a Kardashian

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Speaker 1: Esque like TV show. But I will say the mental

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Speaker 1: health focus of this show, like you guys really did

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Speaker 1: a great job. I think it is going to be

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Speaker 1: so great for just young people on social media in

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Speaker 1: general to see. So I hope you're proud of that show.

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Speaker 1: Thank you so much. Yeah, I think the way this

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Speaker 1: show came out, I'm so happy with it. I'm so

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Speaker 1: happy mental health was the focus because I mean we

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Speaker 1: say every day like what we want to do is

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Speaker 1: just make people happy, and if sharing our story can

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Speaker 1: help put a person on the path that they didn't

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Speaker 1: see possible, then I'm extremely excited about it. For example,

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Speaker 1: those that are new to Dixie, she has fifty five

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Speaker 1: million followers or probably more than that as I read

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Speaker 1: this on TikTok and so massive, one of if not

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Speaker 1: the first big TikTok star period and so but what

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Speaker 1: they show in this show I think is so useful

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Speaker 1: for young people because Dixie, I think you'll agree because

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Speaker 1: you showed it yourself, Like even you as popular, as

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Speaker 1: wildly famous as you are right now, like you have

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Speaker 1: a bad day sometimes because of comments and social media. Yeah,

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Speaker 1: I mean I feel like I've definitely grown a lot

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Speaker 1: over these past couple of months, But there's times where

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Speaker 1: I would see a single comment wouldn't leave my bed,

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Speaker 1: and I know I'm always told something so simple as oh,

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Speaker 1: don't read them, but you always want to know what

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Speaker 1: people are saying. But and now I kind of use

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Speaker 1: as a way how can I improve myself? But also

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Speaker 1: how do I take this comment and look at the

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Speaker 1: other side and kind of as long as someone it's

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Speaker 1: so cool that someone cares enough to talk about me,

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Speaker 1: and that's how I try to look at things now.

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Speaker 1: We also want to talk about Macy's Wishless Wednesday, which

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Speaker 1: is why Dixie is on because there are so many

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Speaker 1: options at Macy's for the holidays. The one thing that

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Speaker 1: I saw was the handheld massage gun, which I think

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Speaker 1: is the perfect gift for somebody else or even yourself

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Speaker 1: because everybody likes a massage. Yeah, I've gotten that as

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Speaker 1: a gift and it's so good. And they also have

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Speaker 1: hotel collection Cashmere blend throw blankets that I have my

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Speaker 1: eye on. There's also a Rover car with a camera.

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Speaker 1: It looks like one of those things they drive on

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Speaker 1: Mars that is the camera up, but you can drive

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Speaker 1: it around has a little like a camera on top

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Speaker 1: of and record it. So there are so many options

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Speaker 1: for you guys to check out. It is Macy's wish

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Speaker 1: list Wednesday. Hey, Dixie, is it? I was walking through

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Speaker 1: them all the other day. I think I was actually

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Speaker 1: going to Macy's and I passed a makeup store, not

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Speaker 1: sure which one it was, but I saw you and

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Speaker 1: your sister's face bridges featured so broadly in the makeup store,

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Speaker 1: And is it weird for you to now just see

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Speaker 1: you out places randomly? I mean, your rise to fame

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Speaker 1: was so fast. I feel like it's a mix of

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Speaker 1: being really excited and cool to see it, but then

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Speaker 1: I get so embarrassed because what if someone sees me

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Speaker 1: looking at myself and then I literally I'm like, oh

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Speaker 1: my gosh, that's so embarrassing. I can't do that. So

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Speaker 1: I try to just like take a quick look and

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Speaker 1: run away because it's so cool to see it myself,

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Speaker 1: but I don't want people to think I'd go there

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Speaker 1: all the time to look at myself. Who has been

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Speaker 1: the coolest celebrity to reach out because of your tik

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Speaker 1: talk and go, hey, you know, why don't we collab?

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Speaker 1: My family and I have had a lot of public

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Speaker 1: conversations and meetings with j Low and she's just been

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Speaker 1: nothing but nice and supportive and just telling us to

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Speaker 1: keep going and not worry about it, and hearing it

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Speaker 1: from someone like her has made this whole thing kind

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Speaker 1: of like, Okay, it's okay, we're feeling this way because

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Speaker 1: she feels this way as well. I'm gonna ask you

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Speaker 1: one more question. By the way, Dixie Demilio is on

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Speaker 1: massively just famous everywhere now, But for me, it was,

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Speaker 1: you know, seeing on TikTok you and your sister are

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Speaker 1: both blowing up, and you know when you guys start

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Speaker 1: to be a big deal on TikTok, do you feel

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Speaker 1: it happening quickly or is it just something where you're like, wow,

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Speaker 1: we got a bunch of followers today and then it

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Speaker 1: just slowly builds, or did you know that you guys

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Speaker 1: were about to just be internationally famous. I had no

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Speaker 1: idea what was going on, and I feel like the

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Speaker 1: build was it was a mix because it kind of

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Speaker 1: just didn't stop. I think we are all waiting for

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Speaker 1: the point where the numbers stopped killing. But I mean

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Speaker 1: when you're sitting at home and just seeing numbers and

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Speaker 1: you can't put a face to it. Because we were

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Speaker 1: at home during quarantine, we were like, okay, so what

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Speaker 1: does this mean? This makes absolutely no sense. And now

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Speaker 1: that we're finally seeing people were like, oh wait, these

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Speaker 1: are real people who follow us and know us and

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Speaker 1: watch your show. And that was the weirdest thing ever.

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Speaker 1: And I feel like putting that connection has been the

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Speaker 1: most surreal part. Dixie Dmilio. You can check out The

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Speaker 1: Damilio Show on Hulu, which I recommend, and then also

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Speaker 1: check out Macy's dot com slash wish List for all

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Speaker 1: your gifting needs. And once you make a wish list,

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Speaker 1: go to Macy's dot com slash believe to write a

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Speaker 1: letter to Santa because for every letter submitted to Santa Online,

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Speaker 1: Macy's donates a dollar to the Make a Wish Foundation,

423
00:21:26,960 --> 00:21:29,000
Speaker 1: which helps to grant wishes to kids who are fighting

424
00:21:29,000 --> 00:21:32,280
Speaker 1: critical illnesses. Dixie, congratulations on all of your success. Thank

425
00:21:32,320 --> 00:21:34,360
Speaker 1: you for spending a few minutes with us. Of course,

426
00:21:34,400 --> 00:21:38,120
Speaker 1: thank you so much. Bye bye. All Right, we're gonna

427
00:21:38,119 --> 00:21:40,560
Speaker 1: play a Christmas movie game. Now, I don't know anything

428
00:21:40,600 --> 00:21:42,600
Speaker 1: about this game, Mike, Can you explain this game to

429
00:21:42,600 --> 00:21:44,399
Speaker 1: me that you put together. We'll play a quote from

430
00:21:44,400 --> 00:21:46,840
Speaker 1: a famous Christmas movie. Just name the movie. So you're

431
00:21:46,840 --> 00:21:49,680
Speaker 1: gonna play the quote. Yes, you'll hear the quote. So

432
00:21:49,800 --> 00:21:52,960
Speaker 1: this is a clip from the movie. Yep, okay, guys,

433
00:21:52,960 --> 00:21:55,359
Speaker 1: write your answers down. We will play and you can

434
00:21:55,400 --> 00:21:58,360
Speaker 1: stay in the game until you miss one. Okay, Okay,

435
00:21:58,840 --> 00:22:02,119
Speaker 1: I'm terrible movie. I haven't seen many movies, so this

436
00:22:02,200 --> 00:22:03,840
Speaker 1: may be a quick day for me. All Right, here

437
00:22:03,880 --> 00:22:06,000
Speaker 1: we go a movie clip. Number one, last way to

438
00:22:06,000 --> 00:22:08,560
Speaker 1: spread Christmas cheer is singing loud for all to hear.

439
00:22:09,760 --> 00:22:13,919
Speaker 1: I mean everybody good, yep, all right, on the account

440
00:22:13,960 --> 00:22:19,760
Speaker 1: of three say it good? Nice? That is correct, Thank you, Mikey.

441
00:22:20,040 --> 00:22:22,680
Speaker 1: All right. Number two, you'll shoot your eye out kid.

442
00:22:22,960 --> 00:22:32,120
Speaker 1: Merry Christmas. Oh, I mean I know what happens there,

443
00:22:33,320 --> 00:22:36,800
Speaker 1: but I don't know what that's called. Remember the win

444
00:22:37,480 --> 00:22:41,240
Speaker 1: Oh yeah, I mean it's the Red Rider bb gun

445
00:22:41,280 --> 00:22:50,040
Speaker 1: one can But what is that called? A nightmare before Christmas? Oh?

446
00:22:50,080 --> 00:22:53,399
Speaker 1: I knew I'd be terrible at this because its name

447
00:22:53,440 --> 00:22:58,880
Speaker 1: is rol Is it named Ralphie for hey hey? I'll

448
00:22:58,920 --> 00:23:03,320
Speaker 1: remember this? Okay? I mean is it a Christmas story? Yes?

449
00:23:03,880 --> 00:23:06,680
Speaker 1: Oh man, I got that right. Write his Amy's fictional

450
00:23:06,720 --> 00:23:13,440
Speaker 1: clock was expiring, Amy Christmas Story, Eddie, the Christmas Story,

451
00:23:13,480 --> 00:23:17,200
Speaker 1: Bones latch Box a Christmas story? All right? Nice? Job?

452
00:23:17,400 --> 00:23:19,440
Speaker 1: Is a Christmas story. Well I struggled there, all right.

453
00:23:19,440 --> 00:23:22,240
Speaker 1: Next is your meeting junk and watching Robber Shirt? You

454
00:23:22,280 --> 00:23:25,320
Speaker 1: had to come out and stop me. News, He's what

455
00:23:25,600 --> 00:23:28,480
Speaker 1: the world is. Get your paper here, all right? Play

456
00:23:28,480 --> 00:23:31,560
Speaker 1: that again? Is your meeting junk and watching robber Shirt?

457
00:23:31,720 --> 00:23:34,160
Speaker 1: You had to come out and stop me. It's great.

458
00:23:34,200 --> 00:23:41,919
Speaker 1: I'm just going context clues. Uh boy, I have no idea.

459
00:23:43,600 --> 00:23:45,480
Speaker 1: How old is that, Eddie? Is that when you were

460
00:23:45,480 --> 00:23:49,800
Speaker 1: a kid? I don't know. I don't know. Amy hit

461
00:23:49,840 --> 00:23:57,200
Speaker 1: him with the fictional clock five four three two one.

462
00:23:58,000 --> 00:23:59,760
Speaker 1: All right, latch box, what do you have? Well, if

463
00:23:59,760 --> 00:24:01,280
Speaker 1: he's out on the street, it's got to be a

464
00:24:01,320 --> 00:24:05,520
Speaker 1: miracle on thirty four street. I don't have that. That

465
00:24:05,560 --> 00:24:08,119
Speaker 1: could be it is that? Right? That is not right? Okay,

466
00:24:08,200 --> 00:24:12,040
Speaker 1: But I have no idea I have. It just sounds

467
00:24:12,080 --> 00:24:16,280
Speaker 1: black and white. Was that black and white? No? It's not, No,

468
00:24:16,400 --> 00:24:20,359
Speaker 1: I have it's a wonderful line. Yeah, that's crazy that

469
00:24:20,400 --> 00:24:23,080
Speaker 1: you didn't get that. That's what I thought it was. Okay, Ede,

470
00:24:23,680 --> 00:24:25,560
Speaker 1: I have it too, Eddie and I can say it together.

471
00:24:26,119 --> 00:24:33,040
Speaker 1: Go ahead home alone. That's mcaulay culkins, Bobby. That's what

472
00:24:33,160 --> 00:24:35,720
Speaker 1: you get for not thinking Homelins a Christmas movie. And

473
00:24:35,800 --> 00:24:37,159
Speaker 1: that's why I didn't write it down, because it's not

474
00:24:37,160 --> 00:24:38,840
Speaker 1: a Christmas movie. You'd have said, a movie about a

475
00:24:38,880 --> 00:24:40,479
Speaker 1: home being burglar rise. It could have happened any time

476
00:24:40,480 --> 00:24:43,320
Speaker 1: that year. How to pick that one? All right? You guys?

477
00:24:43,560 --> 00:24:55,360
Speaker 1: Number three? Look every time? Yeah, that's number four. Sorry,

478
00:24:56,119 --> 00:25:02,359
Speaker 1: And and Amy's celebration end it pretty quick. She's not

479
00:25:02,440 --> 00:25:04,359
Speaker 1: so cocky right now. She's a little bit a little

480
00:25:04,359 --> 00:25:09,280
Speaker 1: mouse right now, a little hiding under the table church mouse. No,

481
00:25:09,800 --> 00:25:18,200
Speaker 1: this one's five three two one? All right, Edie, Amy,

482
00:25:18,240 --> 00:25:21,440
Speaker 1: what do you have? It's a wonderful life, Eddie, It's

483
00:25:21,440 --> 00:25:23,640
Speaker 1: a wonderful life. Why don't we go through that whole

484
00:25:23,680 --> 00:25:25,439
Speaker 1: song and dance? If Amy knew it, I didn't. I

485
00:25:25,480 --> 00:25:34,560
Speaker 1: just guessed. Okay, one Mores Everywhere sounds like the same movie,

486
00:25:34,920 --> 00:25:41,320
Speaker 1: it's not. I don't know. I'm in hey go with

487
00:25:41,440 --> 00:25:46,560
Speaker 1: the Santa clause? Amy, sounds like Tim Allen him or

488
00:25:46,600 --> 00:25:50,880
Speaker 1: something Home Alone too lost in New York right a man?

489
00:25:51,000 --> 00:25:54,280
Speaker 1: I don't know? And what do you have? Miracle on

490
00:25:54,359 --> 00:26:03,320
Speaker 1: thirty fourth Street, Eddie Bones, I have a Christmas Carol? Alight?

491
00:26:11,280 --> 00:26:13,080
Speaker 1: All right? This is a voicemail. We got last night

492
00:26:13,160 --> 00:26:19,240
Speaker 1: from Kim and Delaware big listener ten years plus. Um,

493
00:26:19,080 --> 00:26:22,000
Speaker 1: I just want to say you're wrong this morning because

494
00:26:22,359 --> 00:26:25,000
Speaker 1: you guys are a great show. Thank you for being there.

495
00:26:25,359 --> 00:26:30,240
Speaker 1: We appreciate your authenticity. It's off the charts. It's real.

496
00:26:30,480 --> 00:26:34,240
Speaker 1: You can't fake that. Keep it going. We really love you,

497
00:26:34,280 --> 00:26:36,920
Speaker 1: appreciate you. I listened about six days a week talk

498
00:26:36,960 --> 00:26:39,879
Speaker 1: Caitlyn and said, Hi, she's beautiful and you to make

499
00:26:39,920 --> 00:26:43,680
Speaker 1: a wonderful couple. And Kay, congratulations on New Year's Eve.

500
00:26:43,880 --> 00:26:46,280
Speaker 1: That's awesome. Thank you, And I will tell Caitlyn you

501
00:26:46,320 --> 00:26:49,520
Speaker 1: said hello, and yeah here you'res Eve. You guys be

502
00:26:49,560 --> 00:26:52,240
Speaker 1: sure to watch on CBS if you don't mind, I'll

503
00:26:52,280 --> 00:26:54,440
Speaker 1: be hosting it. I'm pretty pumped about that. All right.

504
00:26:54,480 --> 00:26:58,399
Speaker 1: Well that was a very kind voicemail. You're Amy's pile

505
00:26:58,440 --> 00:27:01,920
Speaker 1: of stories. So an Amazon driver saved Christmas for someone

506
00:27:01,960 --> 00:27:05,600
Speaker 1: in California because he pushed the ring doorbell. He set

507
00:27:05,640 --> 00:27:08,879
Speaker 1: the packages on the porch, but then he noticed a

508
00:27:08,920 --> 00:27:12,600
Speaker 1: message on the welcome matt that said hide packages from husband.

509
00:27:12,840 --> 00:27:16,000
Speaker 1: So he picks up the package, backs up, tries to hide,

510
00:27:16,119 --> 00:27:18,840
Speaker 1: but then the husband comes to the door and it's like,

511
00:27:18,840 --> 00:27:21,160
Speaker 1: oh shoot, what do I do? And here's a clip

512
00:27:21,160 --> 00:27:28,880
Speaker 1: from the doorbell camera. I'm good package. No, I don't, no,

513
00:27:28,920 --> 00:27:36,600
Speaker 1: I tell you about the dark Gospel. Oh that's what

514
00:27:36,760 --> 00:27:42,680
Speaker 1: you went with. Video cuts off after that. I mean,

515
00:27:42,760 --> 00:27:46,880
Speaker 1: mission accomplice, But I mean I don't know. I just thought, hey,

516
00:27:46,960 --> 00:27:49,600
Speaker 1: quick thinking, super cool. He saved Christmas for that woman.

517
00:27:50,720 --> 00:27:53,280
Speaker 1: That's really funny. I mean I probably would have said

518
00:27:53,280 --> 00:27:55,960
Speaker 1: something like, hey, I'm from Amazon, or we're selling a

519
00:27:56,000 --> 00:27:58,480
Speaker 1: new package where we'll deliver your packages for half, like

520
00:27:58,720 --> 00:28:00,720
Speaker 1: some sort of bundle, right what I would have done,

521
00:28:00,720 --> 00:28:04,000
Speaker 1: But he went right to the Lord. Alright, what else

522
00:28:04,040 --> 00:28:06,920
Speaker 1: you got? Well? Speaking of Christmas, it's the first week

523
00:28:06,960 --> 00:28:10,280
Speaker 1: of December, So when, in your opinion, is it acceptable

524
00:28:10,280 --> 00:28:13,440
Speaker 1: to start saying Mary Christmas. I would say the week

525
00:28:13,560 --> 00:28:17,320
Speaker 1: of Christmas. Anytime before that feels weird, and obviously after

526
00:28:17,400 --> 00:28:21,520
Speaker 1: that feels weird. So that that the seventeenth probably seventeenth, eighteenth.

527
00:28:21,720 --> 00:28:25,680
Speaker 1: Oh okay, grin man, I've already said it five times.

528
00:28:27,800 --> 00:28:30,760
Speaker 1: Most people do think that right now is too early,

529
00:28:30,800 --> 00:28:33,119
Speaker 1: although a small percentage of people are starting to say it,

530
00:28:33,200 --> 00:28:37,560
Speaker 1: like Eddie, absolutely, but most people say mid December is

531
00:28:37,560 --> 00:28:40,440
Speaker 1: the acceptable time. So December fifteenth. You called me a grinch,

532
00:28:40,480 --> 00:28:44,000
Speaker 1: and I said the seventeenth, Well, fifteenth isn't the week

533
00:28:44,000 --> 00:28:48,880
Speaker 1: at Christmas, which is technically like the twentieth. Fifteen to

534
00:28:49,000 --> 00:28:51,720
Speaker 1: twenty five is literally ten days. That's a week, and

535
00:28:52,400 --> 00:28:56,520
Speaker 1: what three days? Just take back the ga I take

536
00:28:56,560 --> 00:28:59,800
Speaker 1: it back, Take it back, take it back. So Carrie Underwood,

537
00:28:59,840 --> 00:29:03,920
Speaker 1: she's a vegetarian, but she is willing to cook meat

538
00:29:04,040 --> 00:29:06,600
Speaker 1: for her family come Christmas. I'll make a small turkey,

539
00:29:06,600 --> 00:29:08,640
Speaker 1: even though I don't eat turkey. I'll make myself like

540
00:29:08,720 --> 00:29:12,800
Speaker 1: some tofurky cranberry sauce. Of course we do. Of course

541
00:29:12,800 --> 00:29:14,520
Speaker 1: we've been at a cash all. You have to have that.

542
00:29:14,520 --> 00:29:18,360
Speaker 1: That's one of my favorites because it's a side dish

543
00:29:18,400 --> 00:29:21,240
Speaker 1: and a dessert. But I'll just make a ridiculous amount

544
00:29:21,280 --> 00:29:24,680
Speaker 1: of food. And then, speaking of food, something quickly, I

545
00:29:24,760 --> 00:29:27,760
Speaker 1: want to mention that Feeding America is doing with TJ

546
00:29:27,840 --> 00:29:31,680
Speaker 1: Max Marshals and Home Goods is they're doing a snowball fight,

547
00:29:31,760 --> 00:29:34,560
Speaker 1: but it's one hundred percent virtual. So it's called the

548
00:29:34,600 --> 00:29:37,640
Speaker 1: Snowball Fight against Tonger and it's on TikTok again with

549
00:29:37,720 --> 00:29:40,800
Speaker 1: Feeding America. So for everyone who joins the snowball fight

550
00:29:40,840 --> 00:29:43,760
Speaker 1: against tonger by using the effect on TikTok now. Through

551
00:29:43,760 --> 00:29:47,719
Speaker 1: December twenty sixth, TJ Max Marshals and Homegoods they're going

552
00:29:47,720 --> 00:29:50,240
Speaker 1: to donate one dollar to Feeding America up to one

553
00:29:50,280 --> 00:29:53,280
Speaker 1: million dollars to help families facing hunger. So I just

554
00:29:53,320 --> 00:29:54,920
Speaker 1: thought that was something cool to mention. And you can

555
00:29:55,000 --> 00:29:58,200
Speaker 1: join TJ Max Marshals and Homegods and fighting hunger one

556
00:29:58,240 --> 00:30:01,600
Speaker 1: snowball at a time. I maybe that's my file. That

557
00:30:02,040 --> 00:30:10,320
Speaker 1: was Amy's pile of stories. It's time for the good news.

558
00:30:12,200 --> 00:30:15,040
Speaker 1: The Polito family was on vacation when all of a sudden,

559
00:30:15,080 --> 00:30:19,240
Speaker 1: they get alert on their phone. Someone's approaching their front

560
00:30:19,320 --> 00:30:22,320
Speaker 1: door on their doorbell cam. So they's little zap in,

561
00:30:22,640 --> 00:30:24,560
Speaker 1: can I help you? And he's like, hey man, I'm

562
00:30:24,600 --> 00:30:26,080
Speaker 1: just out for a jog in the neighborhood and I

563
00:30:26,120 --> 00:30:27,840
Speaker 1: just want to let you know there's smoke coming from

564
00:30:27,840 --> 00:30:31,880
Speaker 1: your garage. And they're like uh, and they give him

565
00:30:31,880 --> 00:30:35,040
Speaker 1: the code to go inside, get the two dogs, the

566
00:30:35,200 --> 00:30:37,959
Speaker 1: rabbit and the cat owl and they're able to call

567
00:30:38,120 --> 00:30:40,880
Speaker 1: nine one one. Fire department comes and puts it out,

568
00:30:41,120 --> 00:30:43,640
Speaker 1: contains it to the garage and said ten more minutes.

569
00:30:43,720 --> 00:30:47,160
Speaker 1: The whole house would have been gone. Wow, they weren't

570
00:30:47,160 --> 00:30:50,360
Speaker 1: even there. No, they were on vacation. The ring doorbell camera.

571
00:30:51,320 --> 00:30:53,280
Speaker 1: Let they give him the code. He goes in, saves

572
00:30:53,320 --> 00:30:55,480
Speaker 1: the animals, and when the fire department arrives, guess what

573
00:30:55,520 --> 00:30:57,520
Speaker 1: he does. He goes back on his jog because they

574
00:30:57,520 --> 00:31:01,280
Speaker 1: don't even know who he is. You would never do that.

575
00:31:01,320 --> 00:31:05,240
Speaker 1: What No way, dude. You just saved two dogs, a cat,

576
00:31:05,440 --> 00:31:07,760
Speaker 1: a rabbit, and you did it all because of the

577
00:31:07,800 --> 00:31:10,640
Speaker 1: doorbell camp. You should stay there. The news will be everywhere,

578
00:31:10,720 --> 00:31:13,080
Speaker 1: rewards will come flying, and everybody be like, oh, let's

579
00:31:13,120 --> 00:31:15,080
Speaker 1: get this guy. Go fund me for being a hero,

580
00:31:15,200 --> 00:31:18,720
Speaker 1: and you'd get a million dollars and oh that's your dream.

581
00:31:18,800 --> 00:31:20,280
Speaker 1: High I go fund me for being a hero. That

582
00:31:20,280 --> 00:31:22,560
Speaker 1: would be great. You always see that, like, oh, get

583
00:31:22,600 --> 00:31:24,320
Speaker 1: this guy, go fund me. He should be rewarded for

584
00:31:24,360 --> 00:31:27,800
Speaker 1: his honesty, and they raise all this money. It's I

585
00:31:27,800 --> 00:31:29,720
Speaker 1: don't know why people don't do that for me, but yeah,

586
00:31:29,760 --> 00:31:31,520
Speaker 1: the lady said, man, I just wish I could hug

587
00:31:31,560 --> 00:31:34,840
Speaker 1: that guy right now. But they can't find him because

588
00:31:34,840 --> 00:31:37,680
Speaker 1: he went running off into the night. I heard that

589
00:31:37,840 --> 00:31:39,280
Speaker 1: he ran off and no one ever saw him again.

590
00:31:39,360 --> 00:31:42,480
Speaker 1: He may maybe a ghost. Oh that I didn't hear that,

591
00:31:42,520 --> 00:31:44,440
Speaker 1: and that's part of the story. Maybe it's not true.

592
00:31:44,680 --> 00:31:47,480
Speaker 1: Oh that's not true. Okay, that's what it's all about.

593
00:31:48,360 --> 00:31:52,440
Speaker 1: That was tell me something good. Hey, don't forget. On

594
00:31:52,520 --> 00:31:57,440
Speaker 1: next week's show, we drew names for the Christmas gift exchange. Amy,

595
00:31:57,720 --> 00:32:00,360
Speaker 1: do you remember who you're buying a gift for? Scoop Steve.

596
00:32:01,400 --> 00:32:04,520
Speaker 1: That is correct. Now you can take that gift to

597
00:32:04,640 --> 00:32:07,520
Speaker 1: the person got you. Scooby could go, well, I'll take

598
00:32:07,520 --> 00:32:11,520
Speaker 1: Amy's gift, or you can take what's inside Bobby's mystery box,

599
00:32:12,360 --> 00:32:15,960
Speaker 1: which I will have different mystery boxes with different gifts,

600
00:32:16,160 --> 00:32:19,160
Speaker 1: and some of them will probably be better than the

601
00:32:19,160 --> 00:32:22,640
Speaker 1: gift you're getting because there's a fifty dollars limit, but

602
00:32:22,720 --> 00:32:26,479
Speaker 1: some of them will definitely be worse. And every gift

603
00:32:26,960 --> 00:32:31,520
Speaker 1: that doesn't get chosen I get to take home with me. Okay, Well,

604
00:32:31,520 --> 00:32:33,600
Speaker 1: I mean that's fair because you're providing all the mystery

605
00:32:33,640 --> 00:32:37,000
Speaker 1: gifts too. That's true. Yeah. And one of the gifts

606
00:32:37,040 --> 00:32:39,600
Speaker 1: I'm just gonna tell you right now, Corn no great

607
00:32:39,880 --> 00:32:45,720
Speaker 1: like on the Cobb Corn, I promise you one of

608
00:32:45,720 --> 00:32:48,520
Speaker 1: the gifts will be Corn. Huh. So that's that's next week.

609
00:32:48,560 --> 00:32:52,440
Speaker 1: That'll be next Friday's show, and don't forget tomorrow and Friday,

610
00:32:52,520 --> 00:32:54,400
Speaker 1: the Saint Jeed Radio though will be happening. So a

611
00:32:54,400 --> 00:32:57,560
Speaker 1: lot of awesome performances raising money for a great cause.

612
00:32:57,760 --> 00:32:59,040
Speaker 1: All right, let's go over to Amy and get in

613
00:32:59,040 --> 00:33:06,280
Speaker 1: the morning Corny, Morning Corny. Why is Santa afraid of

614
00:33:06,320 --> 00:33:09,800
Speaker 1: getting stuck in a chimney? Why Santa afraid to getting

615
00:33:09,800 --> 00:33:13,880
Speaker 1: stuck in a chimney? He has claws trophobia? All right,

616
00:33:18,520 --> 00:33:22,840
Speaker 1: that was the morning Corny. I'm looking forward to Christmas.

617
00:33:22,960 --> 00:33:25,160
Speaker 1: I think most people do, but I always didn't. If

618
00:33:25,200 --> 00:33:28,280
Speaker 1: I'm you know, speaking candidly here, I kind of hated Christmas.

619
00:33:28,880 --> 00:33:32,000
Speaker 1: Never really had it as a kid. You know, it

620
00:33:32,080 --> 00:33:35,000
Speaker 1: wasn't like family was a big part of my life

621
00:33:35,040 --> 00:33:37,000
Speaker 1: growing up, and we didn't have a lot of money

622
00:33:37,000 --> 00:33:39,440
Speaker 1: for gifts, so there just wasn't that you know, we'd

623
00:33:39,440 --> 00:33:42,400
Speaker 1: get like one gift a year or the you know,

624
00:33:42,440 --> 00:33:44,320
Speaker 1: a local church would come and bring us gifts, which

625
00:33:44,320 --> 00:33:46,800
Speaker 1: was always pretty cool. And I didn't really understand time,

626
00:33:47,080 --> 00:33:49,040
Speaker 1: like why is the church bringing me presents? I just

627
00:33:49,040 --> 00:33:50,680
Speaker 1: thought I was a good kid, Honestly, I thought I

628
00:33:50,720 --> 00:33:52,280
Speaker 1: was making good grades, and every kid that made good

629
00:33:52,280 --> 00:33:55,080
Speaker 1: grades got gifts from the church. I found out later

630
00:33:55,120 --> 00:33:59,040
Speaker 1: that wasn't true. But I always was like, I kind

631
00:33:59,080 --> 00:34:00,920
Speaker 1: of want Christmas to be over. With that being said,

632
00:34:00,960 --> 00:34:02,600
Speaker 1: I don't feel like that anymore. You know, I really

633
00:34:02,640 --> 00:34:04,920
Speaker 1: look forward to Christmas and I look forward to spending

634
00:34:04,920 --> 00:34:07,560
Speaker 1: it with, you know, my wife and her family. And

635
00:34:08,239 --> 00:34:10,440
Speaker 1: there was a story that came out about which restaurants

636
00:34:10,440 --> 00:34:13,279
Speaker 1: are opened Christmas Day and in the past. How to

637
00:34:13,320 --> 00:34:15,359
Speaker 1: file this thing away? Because on Christmas Day I would

638
00:34:15,360 --> 00:34:18,160
Speaker 1: go pick up food somewhere, or I would get dinner somewhere.

639
00:34:18,960 --> 00:34:20,839
Speaker 1: But so this year not really for me. But there

640
00:34:20,840 --> 00:34:23,080
Speaker 1: are people out there that this is a pretty important list.

641
00:34:23,120 --> 00:34:25,040
Speaker 1: I've been there, you know, many times in my life.

642
00:34:25,280 --> 00:34:31,200
Speaker 1: But on Christmas Day, I'm gonna read you the quick list. Appleby's, Arby's, which,

643
00:34:31,239 --> 00:34:34,080
Speaker 1: by the way, how do Arby's stay open? Like in general?

644
00:34:34,160 --> 00:34:36,680
Speaker 1: People at Arby's. Yeah, I know, I went, like the

645
00:34:36,719 --> 00:34:38,960
Speaker 1: first time in my life, Like what last year? I

646
00:34:39,040 --> 00:34:40,960
Speaker 1: love Arby's. I think, I say, I love it. I

647
00:34:41,000 --> 00:34:45,440
Speaker 1: don't go, but I guess I used to go, but

648
00:34:45,480 --> 00:34:47,840
Speaker 1: I'd like Arbi's. But I never see cars at Arby's.

649
00:34:48,200 --> 00:34:53,239
Speaker 1: Buffalo Wild Wings, Denny's, Domino's Pizza, Roots, Chris Steakhouse, you

650
00:34:53,239 --> 00:34:55,720
Speaker 1: can go on Christmas Day. I would be so annoyed

651
00:34:55,719 --> 00:34:57,120
Speaker 1: if I had to work on Christmas Day though, by

652
00:34:57,120 --> 00:34:58,719
Speaker 1: the way, I used to have to work on the

653
00:34:58,800 --> 00:35:01,920
Speaker 1: radio station on Christmas Day, which I didn't always hate,

654
00:35:01,920 --> 00:35:04,279
Speaker 1: but people coming in before me and after me, we're

655
00:35:04,320 --> 00:35:06,279
Speaker 1: always so sad about it because they wanted to be

656
00:35:06,280 --> 00:35:09,040
Speaker 1: with their families. So I feel so if you go

657
00:35:09,160 --> 00:35:12,239
Speaker 1: to Roots Chris, or you go to a place on

658
00:35:12,360 --> 00:35:16,800
Speaker 1: Christmas where you can tip, like peel off a little extra,

659
00:35:17,000 --> 00:35:20,480
Speaker 1: you know, because that poor waiter probably does not want

660
00:35:20,480 --> 00:35:23,920
Speaker 1: to be there. Starbucks and waffle House, all those are

661
00:35:23,960 --> 00:35:26,000
Speaker 1: places that you can go on Christmas Day if you're

662
00:35:26,000 --> 00:35:28,919
Speaker 1: looking to get some food to either eat in or

663
00:35:28,960 --> 00:35:33,080
Speaker 1: to you know, go and take home with you as well. So, Amy,

664
00:35:33,120 --> 00:35:36,879
Speaker 1: if you made your Christmas plans yet? No, no, yet,

665
00:35:36,960 --> 00:35:39,600
Speaker 1: we're still in talks. And I know this seems kind

666
00:35:39,640 --> 00:35:41,799
Speaker 1: of crazy because it's coming up, But I could be

667
00:35:41,800 --> 00:35:45,240
Speaker 1: on talks. Are you negotiating a deal? Still in talks

668
00:35:45,280 --> 00:35:48,080
Speaker 1: with family? You could be Colorado, could be Alabama, could

669
00:35:48,080 --> 00:35:50,319
Speaker 1: be North Carolina. I mean, I don't know, we're just

670
00:35:50,719 --> 00:35:52,399
Speaker 1: places where maybe we could just get in the car

671
00:35:52,440 --> 00:35:56,960
Speaker 1: and go what about you? Yeah, well for sure, Arkansas

672
00:35:56,960 --> 00:35:59,320
Speaker 1: for a second, and then you know, I'm just Oklahoma

673
00:35:59,400 --> 00:36:02,440
Speaker 1: Christmas kind of you know that's right now, you are

674
00:36:03,160 --> 00:36:08,000
Speaker 1: it's your first married Christmas? Yes, yes, married. Yes, we

675
00:36:08,040 --> 00:36:11,480
Speaker 1: spent Christmas there to last Christmas with her parents at

676
00:36:11,480 --> 00:36:13,279
Speaker 1: that house. But no, I mean yes, it'd be my

677
00:36:13,320 --> 00:36:17,600
Speaker 1: first married Christmas. Although I feel like, yeah, yes, yes,

678
00:36:17,680 --> 00:36:21,960
Speaker 1: because last year you were engaged. This year you are. Yes, yes, yes,

679
00:36:22,000 --> 00:36:24,120
Speaker 1: it's a big thing. Yeah, you should make sure that

680
00:36:24,160 --> 00:36:25,759
Speaker 1: you bring that up to Caitlin, like, this is our

681
00:36:25,760 --> 00:36:28,560
Speaker 1: first Christmas married. I think she knows you already know,

682
00:36:28,600 --> 00:36:32,880
Speaker 1: this our first married Christmas, right, she said, obviously, I

683
00:36:32,880 --> 00:36:35,319
Speaker 1: guess when I think about it. But that Christmas to

684
00:36:35,360 --> 00:36:39,120
Speaker 1: me last year was like so substantial that I felt

685
00:36:39,160 --> 00:36:41,799
Speaker 1: like that was my first Christmas. But that was kind

686
00:36:41,800 --> 00:36:44,160
Speaker 1: of like your auudition though, yeah, you know, and now

687
00:36:44,400 --> 00:36:46,960
Speaker 1: I was auditioning. Now you're part of the family. Put

688
00:36:47,000 --> 00:36:49,600
Speaker 1: your feet on the table, like, try the food before

689
00:36:49,600 --> 00:36:52,239
Speaker 1: it served all that. Put my feet on the team. Yeah, man,

690
00:36:52,280 --> 00:36:54,239
Speaker 1: that's your house too, now, yeah, I don't think so.

691
00:36:54,480 --> 00:36:59,200
Speaker 1: I appreciate that. Yeah. Lunchbox claims he saw a celebrity

692
00:36:59,200 --> 00:37:01,839
Speaker 1: in the wild. Where was it? Who was it? I

693
00:37:01,880 --> 00:37:04,400
Speaker 1: was at Chipotle and I was eating some lunch and

694
00:37:04,440 --> 00:37:06,480
Speaker 1: I'm sitting there eating and I'm looking. I'm like, man,

695
00:37:06,520 --> 00:37:09,440
Speaker 1: that girl looks familiar. And she starts walking towards me,

696
00:37:09,480 --> 00:37:13,040
Speaker 1: and I was like, oh, man, that's Lauren Alena. She

697
00:37:13,120 --> 00:37:18,920
Speaker 1: eats at Chipotle. Okay, did I mean Yesterday's cool to

698
00:37:18,920 --> 00:37:22,000
Speaker 1: see someone out, But are you surprised she eats at Chipotle? Yeah?

699
00:37:22,040 --> 00:37:24,920
Speaker 1: I mean she's Lauren Alena. Like she has hits and

700
00:37:25,000 --> 00:37:27,120
Speaker 1: like she has lots of money. And I didn't think

701
00:37:27,160 --> 00:37:29,719
Speaker 1: she would be eating at Chipotle by herself, Like she

702
00:37:29,719 --> 00:37:32,040
Speaker 1: didn't have friends around her, she didn't have an entourage.

703
00:37:32,280 --> 00:37:34,680
Speaker 1: She just sat down and I sat behind her and

704
00:37:34,680 --> 00:37:37,759
Speaker 1: I just took pictures and she took a phone call.

705
00:37:37,880 --> 00:37:40,480
Speaker 1: She went outside and came back in, and then her

706
00:37:40,480 --> 00:37:43,440
Speaker 1: friend shows up and they were eating and I was like, wow,

707
00:37:43,560 --> 00:37:45,799
Speaker 1: Lauren Lenna is eating right there. And then she goes

708
00:37:45,840 --> 00:37:48,120
Speaker 1: to refill her drink and she drops her drink and

709
00:37:48,160 --> 00:37:52,480
Speaker 1: spills it all over the floor, all over the floor,

710
00:37:52,760 --> 00:37:54,560
Speaker 1: and the poor worker had to come out with the

711
00:37:54,680 --> 00:37:58,040
Speaker 1: mop bucket and mop up her big old miss the worst.

712
00:37:58,719 --> 00:38:01,160
Speaker 1: Did you any pictures of that? I didn't get pictures

713
00:38:01,160 --> 00:38:02,640
Speaker 1: of that because, I mean then she was kind of

714
00:38:02,640 --> 00:38:03,920
Speaker 1: looking towards me, and I didn't want to be the

715
00:38:03,960 --> 00:38:06,120
Speaker 1: creep with the camera, and I didn't say anything though,

716
00:38:06,200 --> 00:38:08,799
Speaker 1: I just took pictures of her that way. You guys

717
00:38:09,040 --> 00:38:10,480
Speaker 1: want to be the creep with the camera. You were

718
00:38:10,560 --> 00:38:12,000
Speaker 1: the creep of the camera. Well, I know, but I

719
00:38:12,000 --> 00:38:13,759
Speaker 1: didn't want her to see me with the creep with

720
00:38:13,800 --> 00:38:16,319
Speaker 1: the camera because her angle was she could have seen

721
00:38:16,320 --> 00:38:19,200
Speaker 1: me holding up my phone taking a picture, and oh man,

722
00:38:19,719 --> 00:38:22,280
Speaker 1: she kept saying I'm sorry, I'm sorry, I apologize about

723
00:38:22,280 --> 00:38:25,399
Speaker 1: the spill and was real nice and but yeah, first

724
00:38:25,440 --> 00:38:27,680
Speaker 1: she was alone, then a girlfriend showed up and they

725
00:38:27,920 --> 00:38:30,120
Speaker 1: ate their Chipotle like champs. So what was the most

726
00:38:30,120 --> 00:38:34,040
Speaker 1: surprising part of this whole story to that someone that

727
00:38:34,160 --> 00:38:37,399
Speaker 1: rich eats at Chipotle and that they can't and then

728
00:38:37,400 --> 00:38:40,200
Speaker 1: she has butterfingers can't hold onto the cup. I love Lauren,

729
00:38:40,760 --> 00:38:43,839
Speaker 1: but I don't think she's that rich. But even if

730
00:38:43,880 --> 00:38:47,719
Speaker 1: she was really rich, people eat at Yeah, that's true too,

731
00:38:48,800 --> 00:38:51,600
Speaker 1: I mean she listened. I guess I'm most surprised by

732
00:38:51,640 --> 00:38:53,960
Speaker 1: the fact that she was by herself. Well that too,

733
00:38:54,120 --> 00:38:56,120
Speaker 1: And that's what I was wondering if, like the friend

734
00:38:56,160 --> 00:38:58,040
Speaker 1: was like standing her up, was running late, and Lauren

735
00:38:58,080 --> 00:38:59,279
Speaker 1: Lena was just hungry. I was like, you know what,

736
00:38:59,320 --> 00:39:01,759
Speaker 1: I'm gonna eat with about you? But the phone call

737
00:39:01,840 --> 00:39:03,160
Speaker 1: came in the middle of her meal, and then she

738
00:39:03,239 --> 00:39:05,080
Speaker 1: kind of waited and her friends showed up like three

739
00:39:05,160 --> 00:39:07,960
Speaker 1: or four minutes later, and they enjoyed their meal together.

740
00:39:08,239 --> 00:39:10,600
Speaker 1: Why didn't you say hi? I mean it was cool,

741
00:39:10,680 --> 00:39:12,080
Speaker 1: Like I was just like I wanted to stay in

742
00:39:12,120 --> 00:39:13,799
Speaker 1: the background. I didn't want to interrupt her. Maybe she

743
00:39:13,840 --> 00:39:15,760
Speaker 1: was having a bad day, maybe she wanted to be alone.

744
00:39:15,840 --> 00:39:17,960
Speaker 1: That's why I didn't know, Like she was by herself,

745
00:39:18,000 --> 00:39:19,600
Speaker 1: So I was like, man, she didn't have friends and

746
00:39:19,680 --> 00:39:20,880
Speaker 1: want to come here with her? Like is she in

747
00:39:20,880 --> 00:39:24,320
Speaker 1: a bad mood? Can I say something? This is coming

748
00:39:24,360 --> 00:39:27,000
Speaker 1: from the guy who I'm almost embarrassed to be around him.

749
00:39:27,000 --> 00:39:28,760
Speaker 1: If we're somewhere where there's a bunch of famous people

750
00:39:28,880 --> 00:39:32,360
Speaker 1: because he has his phone out, then he's like screaming

751
00:39:32,400 --> 00:39:34,799
Speaker 1: their name, trying to get them to turn around, like

752
00:39:34,880 --> 00:39:38,040
Speaker 1: saying what up to them? Doing all the things like

753
00:39:38,120 --> 00:39:41,080
Speaker 1: what I don't understand why he behaved. I'm surprised he

754
00:39:41,160 --> 00:39:44,640
Speaker 1: didn't try to interview her. Hey, yeah, how much you

755
00:39:44,719 --> 00:39:48,239
Speaker 1: think this extra gualk should cost? I didn't think about that,

756
00:39:48,280 --> 00:39:50,000
Speaker 1: and I should have interviewed her what she has on

757
00:39:50,080 --> 00:39:51,640
Speaker 1: her meal. I didn't even think about that. Like, I

758
00:39:51,680 --> 00:39:53,560
Speaker 1: really was just creeping in the corner with my phone,

759
00:39:53,600 --> 00:39:55,319
Speaker 1: just taking a couple of pictures, and I got them

760
00:39:55,320 --> 00:39:58,319
Speaker 1: all from the back. Okay, Well that sounds creepy when

761
00:39:58,440 --> 00:40:01,920
Speaker 1: well I I mean, so she wouldn't seem Yeah, yeah,

762
00:40:01,920 --> 00:40:03,879
Speaker 1: what are you gonna do with those pictures? I'll put

763
00:40:03,920 --> 00:40:05,239
Speaker 1: him out. I was going to sell them to people,

764
00:40:05,239 --> 00:40:06,680
Speaker 1: but I don't think I'm gonna give very much money,

765
00:40:06,719 --> 00:40:09,680
Speaker 1: so I'll just put him on Twitter. Ain't me anything

766
00:40:09,680 --> 00:40:11,560
Speaker 1: else you want to say about this? No, I'm just

767
00:40:11,600 --> 00:40:14,239
Speaker 1: shocked he like tried to be all secretive about it

768
00:40:14,280 --> 00:40:17,480
Speaker 1: because his norm is to make a scene and be ridiculous.

769
00:40:18,760 --> 00:40:22,399
Speaker 1: I'm shocked he didn't say hello, because she's been on

770
00:40:22,440 --> 00:40:25,440
Speaker 1: this show many times. She's been out with me on

771
00:40:25,480 --> 00:40:28,120
Speaker 1: the road a decent amount. It's not like we don't

772
00:40:28,160 --> 00:40:30,919
Speaker 1: have any sort of personal relationship with her. So that's

773
00:40:30,960 --> 00:40:33,600
Speaker 1: weird too, because you just wanted to eat her food

774
00:40:33,600 --> 00:40:35,680
Speaker 1: in peace. Yeah, I want to. You always say when

775
00:40:35,680 --> 00:40:37,600
Speaker 1: people are eating, don't bother them. So she was at

776
00:40:37,640 --> 00:40:39,960
Speaker 1: a restaurant, so I didn't know if I should bother her,

777
00:40:40,040 --> 00:40:42,719
Speaker 1: and so I just left her alone. Well, thank you

778
00:40:42,760 --> 00:40:45,120
Speaker 1: for the story, Eddie Niting Dad. Well, I'm just shocked

779
00:40:45,120 --> 00:40:47,120
Speaker 1: at the whole thing, honestly, like the fact that he

780
00:40:47,200 --> 00:40:49,279
Speaker 1: got all these pictures, didn't get the best picture of

781
00:40:49,320 --> 00:40:51,759
Speaker 1: the spilled drink. That's crazy to me. Yeah, you could

782
00:40:51,760 --> 00:40:55,560
Speaker 1: probably got some money for that one, lunchucks. Dangn he'd

783
00:40:55,600 --> 00:41:00,479
Speaker 1: have been recording that a video, you'd probably got some money. Yeah,

784
00:41:00,719 --> 00:41:05,160
Speaker 1: all right, thank you, lunchbox. You're welcome. It's time for

785
00:41:05,200 --> 00:41:13,640
Speaker 1: the good news. Saint Louis Man is being praised for

786
00:41:13,800 --> 00:41:16,200
Speaker 1: helping to save his neighbors from an apartment fire. His

787
00:41:16,280 --> 00:41:19,520
Speaker 1: name is Arnez Merryweather. He was asleep when his sister

788
00:41:19,640 --> 00:41:22,240
Speaker 1: banged on his door to say, hey, the building next

789
00:41:22,239 --> 00:41:24,680
Speaker 1: door is on fire. So he's thirty years old. He's

790
00:41:24,680 --> 00:41:26,960
Speaker 1: a mattress salesman. He ran straight over the building to

791
00:41:27,000 --> 00:41:29,480
Speaker 1: see if he could help. He says the building's hallway

792
00:41:29,560 --> 00:41:32,280
Speaker 1: was full of black smoke, which kept him from entering,

793
00:41:32,560 --> 00:41:34,800
Speaker 1: so he started yelling from outside to try to alert

794
00:41:34,840 --> 00:41:37,920
Speaker 1: the building's occupants. A woman opened the second story window.

795
00:41:37,960 --> 00:41:40,160
Speaker 1: I was like, wait, what's happening here? So he's like,

796
00:41:40,200 --> 00:41:42,000
Speaker 1: you gotta come out. Well, she had a three year

797
00:41:42,000 --> 00:41:44,440
Speaker 1: old and she's on the second story, and he's like,

798
00:41:44,480 --> 00:41:48,600
Speaker 1: just dropped the kid, and so she did. She dropped it,

799
00:41:48,719 --> 00:41:52,200
Speaker 1: and Arnz caught the kid. The woman then crawled out

800
00:41:52,200 --> 00:41:55,040
Speaker 1: the window and him, and since she's bigger, him and

801
00:41:55,080 --> 00:41:57,640
Speaker 1: another person helped break her fall. They couldn't quite catch everything,

802
00:41:57,719 --> 00:41:59,520
Speaker 1: like kind of caught her, but the kids saved. The

803
00:41:59,560 --> 00:42:02,520
Speaker 1: woman said, if the firefighters got there and they got

804
00:42:02,520 --> 00:42:05,319
Speaker 1: everybody evacuated in time, so we also should shout out

805
00:42:05,320 --> 00:42:06,840
Speaker 1: his sister who woke come up telling the building was

806
00:42:06,880 --> 00:42:10,680
Speaker 1: on fire. But Arn't has caught a kid. Man. That's awesome, crazy,

807
00:42:11,040 --> 00:42:14,479
Speaker 1: that's what it's all about. That was tell me something good,

808
00:42:16,239 --> 00:42:18,840
Speaker 1: all right. Here are your top three songs in country music.

809
00:42:18,960 --> 00:42:25,680
Speaker 1: At number three, Zach Brown Band, Same Boat, We're All in,

810
00:42:29,239 --> 00:42:32,560
Speaker 1: Number two, Dustin Lynch and McKenzie Porter, thinking about You

811
00:42:34,120 --> 00:42:44,240
Speaker 1: Get Out, and the number one one of my favorite

812
00:42:44,320 --> 00:42:48,280
Speaker 1: Kenny Chesney songs. Now it's Knowing You and knowing you

813
00:42:48,280 --> 00:42:56,279
Speaker 1: you probably away over me. But god we That is

814
00:42:56,320 --> 00:42:59,680
Speaker 1: Kenny Chesney's thirty fourth number one song. They how old's

815
00:42:59,719 --> 00:43:03,399
Speaker 1: Kenny is? Fifty? Fifty fifty two? Amy, guess how Kenny

816
00:43:03,480 --> 00:43:08,279
Speaker 1: Chesney is? Ah, forty nine. Guess. I don't think he's

817
00:43:08,280 --> 00:43:10,839
Speaker 1: in his forties. He's got to be in his fifties, Edie,

818
00:43:10,840 --> 00:43:11,960
Speaker 1: what do you think? Yeah? I think he nailed it

819
00:43:12,000 --> 00:43:16,239
Speaker 1: around fifty one. I'm gonna go fifty two at Mike,

820
00:43:16,760 --> 00:43:20,360
Speaker 1: he's fifty three years old. Oh we all went under. Yeah,

821
00:43:20,360 --> 00:43:23,600
Speaker 1: good for Kenny chucking us all the number one pop song.

822
00:43:23,640 --> 00:43:34,200
Speaker 1: It's from Adele Easy on me. All right, let's do

823
00:43:34,239 --> 00:43:39,560
Speaker 1: the news Bobby's Bee story, Eddie, you know who Salt

824
00:43:39,600 --> 00:43:41,480
Speaker 1: Bay is? Yeah, of course he's the dude that has

825
00:43:41,520 --> 00:43:42,799
Speaker 1: salt in his hand and he puts it on his

826
00:43:42,800 --> 00:43:45,200
Speaker 1: elbow and it falls on steaks or whatever. He has

827
00:43:45,239 --> 00:43:49,000
Speaker 1: got like long hair, it's like the meme and sunglasses. Well,

828
00:43:49,040 --> 00:43:50,880
Speaker 1: so he has a steakhouse and you can get a

829
00:43:50,960 --> 00:43:55,560
Speaker 1: gold gilded Tomahawk steak for nineteen hundred dollars. Who let's

830
00:43:55,560 --> 00:43:58,799
Speaker 1: do it? That is no, not, let's do it? What

831
00:43:58,920 --> 00:44:02,440
Speaker 1: a waste of money? Always so that might make you

832
00:44:02,480 --> 00:44:05,920
Speaker 1: wonder what the flavor or texture or nutritional value, or like,

833
00:44:05,960 --> 00:44:09,719
Speaker 1: why are you spending that much money and really for

834
00:44:09,760 --> 00:44:12,880
Speaker 1: no reason. Salt Base says the gold doesn't improve the

835
00:44:12,920 --> 00:44:16,480
Speaker 1: taste or the quality, so you're basically just paying for

836
00:44:16,520 --> 00:44:20,920
Speaker 1: the honor or the flex of eating gold covered beef. Wow,

837
00:44:21,520 --> 00:44:24,560
Speaker 1: that's from lad Bible now. But you can ask you

838
00:44:24,600 --> 00:44:27,200
Speaker 1: a question about salt bait, like who who who does

839
00:44:27,239 --> 00:44:28,600
Speaker 1: he cut the meat for? Do you have to be

840
00:44:28,680 --> 00:44:31,600
Speaker 1: like someone special? Or like are you celebrity? Only I

841
00:44:31,600 --> 00:44:34,160
Speaker 1: don't understand who he decides to come out for and

842
00:44:34,160 --> 00:44:37,759
Speaker 1: cut the meat. I believe if you pay for the

843
00:44:37,880 --> 00:44:40,719
Speaker 1: Salt Bay experience and he's at the restaurant at the time,

844
00:44:40,800 --> 00:44:44,480
Speaker 1: I'm serious, right, if you pay for that experience, he

845
00:44:44,520 --> 00:44:47,480
Speaker 1: comes out, cuts it and then does the sprinkle. I

846
00:44:47,520 --> 00:44:49,920
Speaker 1: guess it's like an applebe's where they sing happy Birthday, right,

847
00:44:50,040 --> 00:44:53,440
Speaker 1: saying comparison, you don't have to pay for that, that's true,

848
00:44:54,160 --> 00:44:56,560
Speaker 1: Well you have to pay for a meal, but yes, yes,

849
00:44:56,600 --> 00:44:59,000
Speaker 1: it's a different class. Or I guess you're just kind

850
00:44:59,000 --> 00:45:01,040
Speaker 1: of an idiot, right if that's the case, if you're

851
00:45:01,040 --> 00:45:03,759
Speaker 1: paying for that totally, although lunchbox looks like he would

852
00:45:03,800 --> 00:45:06,279
Speaker 1: love to do it. Man, I'm telling you guys, we

853
00:45:06,320 --> 00:45:08,600
Speaker 1: should do that. We should go and get this nineteen

854
00:45:08,719 --> 00:45:10,799
Speaker 1: hundred dollars and then we get a picture and we

855
00:45:10,880 --> 00:45:13,000
Speaker 1: make the news like, oh my gosh, someone actually bought

856
00:45:13,000 --> 00:45:15,720
Speaker 1: the nineteen hundred dollars stake. We would be famous. Nobody

857
00:45:15,760 --> 00:45:17,400
Speaker 1: would care. We would not be famous if it only

858
00:45:17,400 --> 00:45:19,279
Speaker 1: cost nineteen hundred dollars to be famous. You see a

859
00:45:19,320 --> 00:45:22,000
Speaker 1: lot of people putting on the credit card preserve. I

860
00:45:22,040 --> 00:45:23,640
Speaker 1: do want to say this. I saw this. This was

861
00:45:23,640 --> 00:45:25,799
Speaker 1: not given to me by Amy, but I saw this

862
00:45:26,040 --> 00:45:29,560
Speaker 1: on All Access, a publication that talks about radio, it says.

863
00:45:29,560 --> 00:45:32,760
Speaker 1: A new podcast from Bobby Bones Show co host Amy

864
00:45:32,800 --> 00:45:37,480
Speaker 1: Brown aims to help listeners deal with grief and the

865
00:45:37,560 --> 00:45:41,719
Speaker 1: times when life go wrong. Hereafter with Megan Divine is

866
00:45:41,719 --> 00:45:46,080
Speaker 1: a weekly show for the Amy Brown podcast Network, hosted

867
00:45:46,120 --> 00:45:50,160
Speaker 1: by the author, psychotherapist, and grief advocate. Look at you,

868
00:45:50,200 --> 00:45:53,040
Speaker 1: what's this show about? Amy? Oh? Well, Megan Divine's amazing

869
00:45:53,080 --> 00:45:55,200
Speaker 1: and she's been a big help and a lot of

870
00:45:55,239 --> 00:46:00,000
Speaker 1: the grieving that I have done this year, and we'll

871
00:46:00,040 --> 00:46:02,000
Speaker 1: lot of people have been through a lot, especially the

872
00:46:02,080 --> 00:46:04,839
Speaker 1: last a few years. But she's someone that Yeah, she's

873
00:46:04,880 --> 00:46:08,400
Speaker 1: a psychotherapist, she's an expert. She has gone through she

874
00:46:08,560 --> 00:46:12,560
Speaker 1: lost someone very very special to her tragically, and so

875
00:46:12,600 --> 00:46:14,800
Speaker 1: it just al gave her the gift of really helping

876
00:46:14,800 --> 00:46:17,719
Speaker 1: people navigate grief, and she wants to help others through it,

877
00:46:17,760 --> 00:46:20,760
Speaker 1: including the helpers. Her podcast is for everyone, but also

878
00:46:21,120 --> 00:46:22,719
Speaker 1: like if you happen to work in healthcare or you're

879
00:46:22,760 --> 00:46:25,560
Speaker 1: a therapist yourself, like who helps you? So she's sort

880
00:46:25,600 --> 00:46:27,480
Speaker 1: of speaking to those people as well, so they have

881
00:46:27,520 --> 00:46:30,080
Speaker 1: a resource to navigate the grief in a healthy way.

882
00:46:30,719 --> 00:46:34,520
Speaker 1: Is this podcast already existing? Yeah, it's up. Yeah, hereafter

883
00:46:34,719 --> 00:46:36,960
Speaker 1: with Megan Divine. I mean, I feel like I'm the

884
00:46:36,960 --> 00:46:38,600
Speaker 1: person that helps everybody. Ammy. I think people that are

885
00:46:38,600 --> 00:46:40,680
Speaker 1: struggling to come here and listen to me, Oh, well

886
00:46:40,800 --> 00:46:43,520
Speaker 1: they might. You're taking you're taking away the audience. Well

887
00:46:43,560 --> 00:46:46,439
Speaker 1: she speaks to it in a different way. But that's

888
00:46:46,440 --> 00:46:49,680
Speaker 1: so nice. Thanks for bringing that up. Well, I just

889
00:46:49,719 --> 00:46:51,520
Speaker 1: saw it yesterday. I didn't even know about it. Amy's

890
00:46:51,560 --> 00:46:54,839
Speaker 1: making big moves. Listen when it comes to people, that's

891
00:46:55,000 --> 00:46:58,680
Speaker 1: like forging out their own identity, like aside from underneath

892
00:46:58,680 --> 00:47:00,360
Speaker 1: the Bobby Bonch umbrella, like, I got to give it

893
00:47:00,400 --> 00:47:02,680
Speaker 1: to you. Amy, You've been doing a great job. Oh well,

894
00:47:02,719 --> 00:47:05,640
Speaker 1: thank you. I'm like, you're the one that when I

895
00:47:05,680 --> 00:47:07,920
Speaker 1: do hang it up, I don't have to worry about you.

896
00:47:08,000 --> 00:47:09,880
Speaker 1: I was talking to Mike about this yesterday. I was like,

897
00:47:09,920 --> 00:47:12,000
Speaker 1: Amy's the one. She's already covered. She's good. I don't

898
00:47:12,040 --> 00:47:15,359
Speaker 1: have to worry about her. Oh good, what about me?

899
00:47:15,760 --> 00:47:20,279
Speaker 1: Oh he's worried about you? Amy? Go ahead? Well no,

900
00:47:20,440 --> 00:47:22,359
Speaker 1: but I mean if you hang it up, like, yes,

901
00:47:22,440 --> 00:47:24,520
Speaker 1: if you hang it up like I can move on

902
00:47:24,560 --> 00:47:26,200
Speaker 1: to other things. But if you hang it up, you

903
00:47:26,239 --> 00:47:28,960
Speaker 1: would flight one of these guys to replace you, right.

904
00:47:29,560 --> 00:47:33,279
Speaker 1: I don't think the show exists in this capacity. I

905
00:47:33,320 --> 00:47:36,279
Speaker 1: think if it does, i'm sure it's you. But I

906
00:47:36,320 --> 00:47:38,759
Speaker 1: don't think this happened. I'm not hanging it up, but

907
00:47:38,800 --> 00:47:40,600
Speaker 1: I'm saying I don't think they just go give it

908
00:47:40,640 --> 00:47:42,480
Speaker 1: to somebody else on the show. I thought it was Ray.

909
00:47:42,840 --> 00:47:52,239
Speaker 1: I used to think that too, But okay, hey, who's

910
00:47:52,239 --> 00:47:54,640
Speaker 1: the craziest person in your family? That's the question. A

911
00:47:54,680 --> 00:48:00,239
Speaker 1: majority of people say it's their blank? Is it me? Yeah?

912
00:48:00,280 --> 00:48:02,760
Speaker 1: That's what I was thinking too. I'm like, my family

913
00:48:02,960 --> 00:48:07,160
Speaker 1: is really not that crazy. They it might be me. No, no, no, listen,

914
00:48:07,680 --> 00:48:11,120
Speaker 1: it's their blank like what family member. Yeah it's easy, Okay,

915
00:48:11,120 --> 00:48:14,280
Speaker 1: go ahead, mother in law. But yeah, that's not easy

916
00:48:14,360 --> 00:48:17,200
Speaker 1: for me. My mother in law is the sanest person

917
00:48:17,239 --> 00:48:20,480
Speaker 1: I know. I guess. If I can't pick myself, then

918
00:48:21,800 --> 00:48:26,600
Speaker 1: I don't know my my sister, Eddie. I mean, my

919
00:48:26,680 --> 00:48:29,759
Speaker 1: dad's the craziest to me, Like he's always nuts, but

920
00:48:29,760 --> 00:48:32,000
Speaker 1: he's tamed down after he's older. But back in the

921
00:48:32,080 --> 00:48:35,520
Speaker 1: day he was crazy, pranks galore. A majority of people

922
00:48:35,560 --> 00:48:37,960
Speaker 1: say it's their uncle. The uncle is the wild and

923
00:48:38,000 --> 00:48:40,360
Speaker 1: crazy one of the family and is often trouble or

924
00:48:40,400 --> 00:48:44,799
Speaker 1: talked about after holiday gatherings. Yeah, anybody have a crazy uncle? Yeah?

925
00:48:44,800 --> 00:48:47,520
Speaker 1: I had one. I guess my uncle Joe. You had one. Yeah,

926
00:48:47,520 --> 00:48:51,399
Speaker 1: he's not tragic. He's not with us anymore, but either

927
00:48:52,160 --> 00:48:54,320
Speaker 1: Amy Eddie need to go listen to his new podcast.

928
00:48:54,680 --> 00:49:01,759
Speaker 1: I know no story. Amy. Have you seen Santa at

929
00:49:01,760 --> 00:49:04,399
Speaker 1: the mall yet? No? I haven't. Is he there? Yeah?

930
00:49:04,440 --> 00:49:06,239
Speaker 1: I think, Oh, I know he is because Lunchbox went

931
00:49:06,239 --> 00:49:07,880
Speaker 1: to see him. But I've been out of the country

932
00:49:07,880 --> 00:49:09,719
Speaker 1: for so long and thank god I get to come

933
00:49:09,719 --> 00:49:13,800
Speaker 1: back soon. But we saw them setting up the Santa display,

934
00:49:14,160 --> 00:49:16,840
Speaker 1: and we haven't seen Santa yet, so one of the

935
00:49:16,840 --> 00:49:19,080
Speaker 1: things I'm looking forward to most is going through the mall.

936
00:49:19,120 --> 00:49:20,560
Speaker 1: And I always thought I thought it'd be fun for

937
00:49:20,600 --> 00:49:22,400
Speaker 1: Kaylin how to get a picture with Santa. But then

938
00:49:22,640 --> 00:49:24,640
Speaker 1: I think we just feel stupid waiting in line when

939
00:49:24,680 --> 00:49:27,400
Speaker 1: all the kids want to meet Santa too. But probably

940
00:49:27,440 --> 00:49:29,839
Speaker 1: not as stupid as what Lunchbox felt like, because here

941
00:49:29,880 --> 00:49:32,239
Speaker 1: we go. Lunchbox went to the mall. Right. I went

942
00:49:32,280 --> 00:49:34,839
Speaker 1: to the mall. I got in line. There's families there

943
00:49:34,880 --> 00:49:37,919
Speaker 1: with their kids, you know, everybody's all excited, and I'm

944
00:49:37,960 --> 00:49:40,840
Speaker 1: just standing there and I'm just waiting in line. I

945
00:49:40,840 --> 00:49:43,080
Speaker 1: had to wait about thirty five minutes, and I even

946
00:49:43,200 --> 00:49:46,800
Speaker 1: had one father asked me, excuse me, are you in line?

947
00:49:46,840 --> 00:49:49,400
Speaker 1: I was like yeah, He goes, oh okay, and I

948
00:49:49,480 --> 00:49:51,279
Speaker 1: was like, They're like, oh where your kids are? Like

949
00:49:51,520 --> 00:49:56,680
Speaker 1: not just me? And he was like okay, So are

950
00:49:56,680 --> 00:49:59,800
Speaker 1: they side eyeing you the whole time? That is weird? Definitely,

951
00:50:00,360 --> 00:50:02,000
Speaker 1: And I felt like they. I mean I felt like

952
00:50:02,000 --> 00:50:03,960
Speaker 1: people were just kept looking at me like, is he

953
00:50:04,040 --> 00:50:05,879
Speaker 1: really waiting in line to see Santa? Is he really

954
00:50:05,880 --> 00:50:08,360
Speaker 1: waiting in line to see Santa, and I was really waiting.

955
00:50:08,400 --> 00:50:09,719
Speaker 1: I got up to the front of the line and

956
00:50:09,719 --> 00:50:11,920
Speaker 1: I told him, look, I don't want to buy any packages.

957
00:50:12,080 --> 00:50:14,799
Speaker 1: I just want to sit on the big man's lap. Oh,

958
00:50:14,800 --> 00:50:16,440
Speaker 1: so that's how they make money. You have to buy

959
00:50:16,480 --> 00:50:20,520
Speaker 1: like a picture package. Yes, and the cheapest was not. Yeah,

960
00:50:20,560 --> 00:50:23,239
Speaker 1: that's expensive. And what did they say when you said

961
00:50:23,280 --> 00:50:24,960
Speaker 1: you didn't want to buy a package? You an adult

962
00:50:24,960 --> 00:50:26,680
Speaker 1: man forty years old, I want to sit on his lap?

963
00:50:26,840 --> 00:50:30,880
Speaker 1: And I said, oh, okay, come on up. And I

964
00:50:30,920 --> 00:50:33,839
Speaker 1: guess they can discriminate, right, Yeah, they can't say no.

965
00:50:33,960 --> 00:50:35,879
Speaker 1: I mean, it's just Santa. I'm going to see Santa

966
00:50:35,920 --> 00:50:38,360
Speaker 1: and tell him what's on my wish list? And what

967
00:50:38,480 --> 00:50:41,200
Speaker 1: did Santa? What did his eyes tell you when you're

968
00:50:41,239 --> 00:50:44,440
Speaker 1: walking toward him? He was I think he was looking

969
00:50:44,480 --> 00:50:47,520
Speaker 1: around me to see, oh, are the kids right behind him?

970
00:50:47,880 --> 00:50:50,360
Speaker 1: And as I approached and he saw no kids, he

971
00:50:50,440 --> 00:50:53,080
Speaker 1: was like, are we really doing this? Like he had

972
00:50:53,120 --> 00:50:56,239
Speaker 1: that look like is this a serious thing? And and

973
00:50:56,280 --> 00:50:58,960
Speaker 1: then he kind of patted it and I was like yeah,

974
00:50:59,040 --> 00:51:01,440
Speaker 1: and I clammed up. His law he patted his knee

975
00:51:01,440 --> 00:51:04,080
Speaker 1: once he realized you aren't kidding. Yep, that's what he

976
00:51:04,120 --> 00:51:05,839
Speaker 1: does like, come on, you know, I guess he does

977
00:51:05,840 --> 00:51:07,760
Speaker 1: that with the kids, so I guess it's a natural reaction.

978
00:51:07,800 --> 00:51:10,439
Speaker 1: But keep patted, and I climbed up on his lap.

979
00:51:11,360 --> 00:51:13,600
Speaker 1: So let's get in the weeds for a second here.

980
00:51:13,640 --> 00:51:15,839
Speaker 1: Because you don't sit down with the full microphone, you're

981
00:51:15,840 --> 00:51:18,080
Speaker 1: secretly recording him, right, yeah, I just have my phone,

982
00:51:19,200 --> 00:51:20,960
Speaker 1: so you just hit the little voice memo button and

983
00:51:21,160 --> 00:51:23,600
Speaker 1: record this. Yes, all right, here is lunchbox sitting on

984
00:51:23,640 --> 00:51:28,520
Speaker 1: Santa's laugh Oh Mary Christmas, Santa, I'm good. How are

985
00:51:28,560 --> 00:51:31,200
Speaker 1: you going? All right? I gotta confess right off the battle.

986
00:51:31,680 --> 00:51:34,120
Speaker 1: I've been a little naughty this year, but just with

987
00:51:34,160 --> 00:51:38,520
Speaker 1: my wife. Okay, that's it, so don't hold that against me. Now,

988
00:51:38,560 --> 00:51:41,000
Speaker 1: I got a couple of things on my wish list. Santa.

989
00:51:41,280 --> 00:51:46,280
Speaker 1: You bring me lottery tickets every year, but they're always loser.

990
00:51:48,800 --> 00:51:50,919
Speaker 1: So Santa, I need to hit it big. I need

991
00:51:50,920 --> 00:51:53,160
Speaker 1: to hit millions of dollars this year. I need a

992
00:51:53,160 --> 00:51:56,480
Speaker 1: big lottery ticket. I hit pat this week. Yeah, but

993
00:51:56,800 --> 00:52:00,239
Speaker 1: I mean I want millions so I can retire. Okay.

994
00:52:00,400 --> 00:52:03,160
Speaker 1: And then number two is Tina Turner. When you go

995
00:52:03,239 --> 00:52:05,320
Speaker 1: down her chimney, if you can leave her a note

996
00:52:05,800 --> 00:52:07,600
Speaker 1: letting her know that I'm a good guy because I've

997
00:52:07,640 --> 00:52:10,160
Speaker 1: been dreaming about meeting her. She's my favorite artist of

998
00:52:10,239 --> 00:52:13,040
Speaker 1: all time. Okay. And then our last one. I got

999
00:52:13,040 --> 00:52:16,120
Speaker 1: one person on the nautilust Abby who I work with.

1000
00:52:16,840 --> 00:52:19,880
Speaker 1: She is a liar. She lies and lies if you

1001
00:52:19,960 --> 00:52:22,000
Speaker 1: can't trust her, Santa, So I need you to bring

1002
00:52:22,040 --> 00:52:25,279
Speaker 1: her a bag of coal. And that is it. All right,

1003
00:52:25,760 --> 00:52:29,799
Speaker 1: Merry Christmas, Happy Holiday, Santa, thank you. All right. I

1004
00:52:29,840 --> 00:52:33,000
Speaker 1: heard a couple of things there. One I heard Santa

1005
00:52:33,080 --> 00:52:36,920
Speaker 1: just wanting Lunchbox to go away. Two I did hear

1006
00:52:36,960 --> 00:52:39,040
Speaker 1: Santa bro out with lunchbox little bit and go, hey, man,

1007
00:52:39,080 --> 00:52:43,880
Speaker 1: I want five bucks the other day, which I thought that.

1008
00:52:43,920 --> 00:52:46,799
Speaker 1: I think it's pretty funny. So what happened when you left?

1009
00:52:48,360 --> 00:52:50,880
Speaker 1: I don't I mean, I felt like he was just

1010
00:52:50,920 --> 00:52:53,240
Speaker 1: like he asked the girls, He's like that was interesting

1011
00:52:53,360 --> 00:52:55,400
Speaker 1: or something like that, some along those lines, and they

1012
00:52:55,440 --> 00:52:58,680
Speaker 1: just kind of laughed and went on our marriedway. Oh,

1013
00:52:58,719 --> 00:53:01,240
Speaker 1: Merry Christmas. Then the next group came up with some kids.

1014
00:53:02,680 --> 00:53:06,200
Speaker 1: In the next couple of shows, we have Lunchbox going

1015
00:53:06,239 --> 00:53:10,080
Speaker 1: Christmas caroling already, Oh gosh. Okay, So he sits on

1016
00:53:10,120 --> 00:53:12,520
Speaker 1: Santa's lap, and we'll have him Christmas Carolyn coming up.

1017
00:53:13,200 --> 00:53:15,200
Speaker 1: Not tomorrow or the next day, because it's Saint, you'd

1018
00:53:15,280 --> 00:53:18,440
Speaker 1: radio thon, but probably Monday. I will let you guys here, Lunchbox,

1019
00:53:18,440 --> 00:53:20,960
Speaker 1: he's already done it, so that if that early he

1020
00:53:21,000 --> 00:53:22,640
Speaker 1: did this, and how awkward that's going to be too,

1021
00:53:23,200 --> 00:53:25,480
Speaker 1: But Lunchbox going Christmas Carolyn will happen as well. So

1022
00:53:25,600 --> 00:53:28,800
Speaker 1: nice job, Lunchbox. Thanks. Did anyone else think that Santa

1023
00:53:28,960 --> 00:53:33,399
Speaker 1: sounded like Scottie McCreary or Tray Satkins, Josh Turner, it's

1024
00:53:33,520 --> 00:53:40,279
Speaker 1: Josh Turner moonlighting. Yes. So every weekend I produced a

1025
00:53:40,320 --> 00:53:42,399
Speaker 1: show an Amy host a show called Women of Buy

1026
00:53:42,440 --> 00:53:45,600
Speaker 1: Heart Country and it's an hour of female country artists.

1027
00:53:45,600 --> 00:53:49,400
Speaker 1: And this past weekend to Neil Arts was Amy's guest.

1028
00:53:49,560 --> 00:53:52,040
Speaker 1: You'd know her song that went number one called Somebody

1029
00:53:52,080 --> 00:53:59,239
Speaker 1: Like That. Here's a clip. So she came in and

1030
00:53:59,280 --> 00:54:01,600
Speaker 1: gave the story and how she wrote that song after

1031
00:54:01,640 --> 00:54:03,279
Speaker 1: a breakup with a guy she had been with for

1032
00:54:03,400 --> 00:54:07,239
Speaker 1: nine years. It was a great interview and performance. So

1033
00:54:07,280 --> 00:54:09,279
Speaker 1: I want to encourage you guys to check and see

1034
00:54:09,280 --> 00:54:12,680
Speaker 1: when this show plays wherever you live. But here's Amy

1035
00:54:12,920 --> 00:54:15,960
Speaker 1: with Tanil Arts and then a performance Here you go

1036
00:54:16,040 --> 00:54:23,920
Speaker 1: Bobby Bones Show. Let's go go give it up for women.

1037
00:54:24,040 --> 00:54:30,919
Speaker 1: Come on, iHeart Country with Amy Brown in studio. Now

1038
00:54:30,960 --> 00:54:33,520
Speaker 1: it's Neil Arts and she's got her guitar with her. Okay,

1039
00:54:33,560 --> 00:54:36,120
Speaker 1: So you wrote Somebody like That with two other women,

1040
00:54:36,200 --> 00:54:40,200
Speaker 1: Alison Cruz and the tracks producer Alex Klein. Where did

1041
00:54:40,200 --> 00:54:43,400
Speaker 1: the inspiration for the story come from? In the song, Well,

1042
00:54:43,440 --> 00:54:46,560
Speaker 1: I had just gone through like the biggest breakup of

1043
00:54:46,600 --> 00:54:48,160
Speaker 1: my life. I had been with this guy for like

1044
00:54:48,280 --> 00:54:50,359
Speaker 1: nine years. It was kind of crazy, like from the top.

1045
00:54:50,400 --> 00:54:52,640
Speaker 1: I was like fifteen years old, so it was a

1046
00:54:53,280 --> 00:54:57,040
Speaker 1: like my first real breakup, and I had written so

1047
00:54:57,040 --> 00:55:00,400
Speaker 1: many songs about it. I was tired of writing breakup songs.

1048
00:55:00,400 --> 00:55:02,920
Speaker 1: And I also feel like just throughout that process, it

1049
00:55:03,000 --> 00:55:05,359
Speaker 1: was so therapeutic that I got to the point where

1050
00:55:05,360 --> 00:55:08,120
Speaker 1: I was like, I'm ready to look for something new.

1051
00:55:08,680 --> 00:55:11,480
Speaker 1: And I just sat down with Alex and Allison and

1052
00:55:11,480 --> 00:55:14,239
Speaker 1: we were just talking about that and talking about, you know,

1053
00:55:14,280 --> 00:55:16,440
Speaker 1: what are some great relationships that we can look up

1054
00:55:16,440 --> 00:55:19,279
Speaker 1: to that would be the ideal guy, you know, the

1055
00:55:19,320 --> 00:55:22,200
Speaker 1: ideal situation, and you know, we talked about our parents

1056
00:55:22,280 --> 00:55:26,080
Speaker 1: or grandparents, just great couples around us, Like Alison had

1057
00:55:26,120 --> 00:55:28,680
Speaker 1: just gotten married, and I was like, just tell me everything,

1058
00:55:28,719 --> 00:55:30,600
Speaker 1: Like I want to know what I should be looking for.

1059
00:55:30,800 --> 00:55:33,359
Speaker 1: We went into this song talking about, you know, just

1060
00:55:33,520 --> 00:55:35,640
Speaker 1: all the different ways that you can meet somebody, in

1061
00:55:35,680 --> 00:55:37,719
Speaker 1: the different ways that it can end. But if it's

1062
00:55:37,719 --> 00:55:39,640
Speaker 1: something really special, you have to fight for it and

1063
00:55:39,680 --> 00:55:41,759
Speaker 1: make it worth it, and if you do that, it's

1064
00:55:41,800 --> 00:55:44,279
Speaker 1: going to last forever. And I've seen that happen. My

1065
00:55:44,360 --> 00:55:47,560
Speaker 1: grandparents were married for like sixty five years, so I

1066
00:55:47,680 --> 00:55:49,640
Speaker 1: know that that's real and that's what I wanted and

1067
00:55:49,680 --> 00:55:51,720
Speaker 1: that's what I was looking for. Now, this just buffed

1068
00:55:51,719 --> 00:55:53,600
Speaker 1: in my head about the guy you wrote it about

1069
00:55:53,680 --> 00:55:55,640
Speaker 1: who you're with for nine years and you have this

1070
00:55:55,760 --> 00:55:58,880
Speaker 1: song on country radio going number one. Is he aware

1071
00:55:58,920 --> 00:56:02,400
Speaker 1: of this situation it's about him? Or he inspired it

1072
00:56:02,440 --> 00:56:04,799
Speaker 1: a little bit, at least the breakup part. I mean

1073
00:56:04,920 --> 00:56:07,719
Speaker 1: maybe the breakup part he might know that, but I

1074
00:56:07,840 --> 00:56:11,120
Speaker 1: feel like it's more about, you know, the future guy.

1075
00:56:11,160 --> 00:56:13,200
Speaker 1: And I actually did end up meeting somebody like two

1076
00:56:13,239 --> 00:56:15,759
Speaker 1: months after I wrote this song, so I feel like

1077
00:56:15,800 --> 00:56:19,239
Speaker 1: I kind of manifested the person I was looking for

1078
00:56:20,000 --> 00:56:21,799
Speaker 1: love that So when was the first time you got

1079
00:56:21,840 --> 00:56:24,480
Speaker 1: to play it for an audience after it went number one.

1080
00:56:24,600 --> 00:56:28,920
Speaker 1: It was actually here in Nashville, you know, Whiskey Jam,

1081
00:56:29,160 --> 00:56:32,840
Speaker 1: fun Time, and I had, you know, never really played

1082
00:56:33,040 --> 00:56:36,560
Speaker 1: the song other than before the pandemic when it went

1083
00:56:36,640 --> 00:56:38,720
Speaker 1: number one. This was my first time playing it out

1084
00:56:38,760 --> 00:56:42,840
Speaker 1: and I got super emotional on stage because everybody was

1085
00:56:42,880 --> 00:56:46,080
Speaker 1: singing along and I had never ever experienced that before

1086
00:56:46,160 --> 00:56:47,960
Speaker 1: in my life, and that it's like a dream come

1087
00:56:48,000 --> 00:56:49,480
Speaker 1: true as an artist to be able to like point

1088
00:56:49,480 --> 00:56:51,879
Speaker 1: the microphone out at the crowd and be like sing

1089
00:56:51,880 --> 00:56:55,600
Speaker 1: along and they know every word, and it was really special.

1090
00:56:55,680 --> 00:56:58,000
Speaker 1: That was like something that I feel like I've dreamed

1091
00:56:58,040 --> 00:57:00,279
Speaker 1: about my entire life. Well, I'm gonna have you play

1092
00:57:00,320 --> 00:57:03,000
Speaker 1: it now so people can sing along in their cars

1093
00:57:03,040 --> 00:57:05,160
Speaker 1: if they're listening right now, or at home if they're

1094
00:57:05,160 --> 00:57:08,439
Speaker 1: streaming us or whatever. So let's let's play it. Here's

1095
00:57:08,440 --> 00:57:11,719
Speaker 1: Tenniel Arts performing her number one song, Somebody Like That

1096
00:57:11,760 --> 00:57:23,000
Speaker 1: on Women About Her Country. I've seen pickup lines and

1097
00:57:23,120 --> 00:57:27,680
Speaker 1: eyebough Strangers, slod Dance, I've seen happy I but two

1098
00:57:27,800 --> 00:57:31,200
Speaker 1: for one s Turn and one that Stands. I've seen

1099
00:57:31,320 --> 00:57:39,920
Speaker 1: me on Reevings and lay n junks. I've seen that

1100
00:57:40,080 --> 00:57:43,480
Speaker 1: sin do RelA fairy tale go up in single frist smoke.

1101
00:57:44,040 --> 00:57:47,080
Speaker 1: I've seen two hearts bed it all and still in

1102
00:57:47,440 --> 00:57:53,000
Speaker 1: up broke. The real thing won't be easy. Yeah, my

1103
00:57:53,280 --> 00:58:00,520
Speaker 1: tickle e, but I want that ming, fuming and keep

1104
00:58:00,560 --> 00:58:04,800
Speaker 1: the fire and burning like the first time feeling. Don't

1105
00:58:04,840 --> 00:58:10,840
Speaker 1: matter what if I'm gonna love, I'm gonna love somebody

1106
00:58:11,000 --> 00:58:16,000
Speaker 1: like back, kind of hot, open arms forever. I will

1107
00:58:16,160 --> 00:58:20,680
Speaker 1: never ever say you get back. If I'm gonna love,

1108
00:58:21,800 --> 00:58:33,120
Speaker 1: I'm gonna love somebody like that. Down hurry today. This

1109
00:58:33,160 --> 00:58:36,280
Speaker 1: story comes to us from Des Moines, Iowa. The fire

1110
00:58:36,320 --> 00:58:38,960
Speaker 1: department gets to call at three thirty am. Hurry, hurry,

1111
00:58:39,000 --> 00:58:42,240
Speaker 1: my apartment's on fire. They come, The apartment's fully engulfed

1112
00:58:42,240 --> 00:58:44,760
Speaker 1: in flames. They put it out, and they say, what happened?

1113
00:58:44,760 --> 00:58:47,040
Speaker 1: He goes, man, I saw a spider on my foot tone.

1114
00:58:47,040 --> 00:58:50,480
Speaker 1: I tried to light it on fire. I even bet

1115
00:58:50,480 --> 00:58:52,800
Speaker 1: that's hard to light a spider on fire. Yeah, it's dumb,

1116
00:58:52,800 --> 00:58:54,440
Speaker 1: but I bet it's also hard to do because it

1117
00:58:54,520 --> 00:58:56,600
Speaker 1: moves right like. I think you'd have a better shot,

1118
00:58:56,640 --> 00:58:58,720
Speaker 1: like taking a book and slamming it or your shoe

1119
00:58:58,920 --> 00:59:02,200
Speaker 1: or a paper towel. Yeah, so not the best idea

1120
00:59:02,240 --> 00:59:05,560
Speaker 1: but also hard to execute. Yeah, and a lighter, I mean,

1121
00:59:05,560 --> 00:59:08,880
Speaker 1: because you're trying to hold it in the plane comes

1122
00:59:08,920 --> 00:59:10,840
Speaker 1: so bad it hurts you more than hurts the spider.

1123
00:59:11,080 --> 00:59:13,600
Speaker 1: Get something on fire. Yeah, all right, on lunchbox at

1124
00:59:13,600 --> 00:59:16,480
Speaker 1: your bone head story of the day. All right, here's

1125
00:59:16,480 --> 00:59:19,440
Speaker 1: the voicemail we got last night. We love listening to

1126
00:59:19,480 --> 00:59:21,960
Speaker 1: the Bobby Own show, but nobody liked it betterran not

1127
00:59:21,960 --> 00:59:29,080
Speaker 1: a three year old take it away, remy happy love.

1128
00:59:33,840 --> 00:59:35,240
Speaker 1: You know what. That's who we make our music for.

1129
00:59:35,440 --> 00:59:38,480
Speaker 1: Right there, you've heard the Raging Idiots Target demo. Right there.

1130
00:59:38,880 --> 00:59:41,919
Speaker 1: I here's one more voicemail. Hey, good morning studio. Hey,

1131
00:59:41,920 --> 00:59:45,280
Speaker 1: Bobby's been a long time listener about sixteen years now,

1132
00:59:45,400 --> 00:59:48,960
Speaker 1: actually from back in the day when there was Pickleman

1133
00:59:49,200 --> 00:59:52,640
Speaker 1: was around. But anyhow, I heard you had a drone

1134
00:59:52,880 --> 00:59:56,280
Speaker 1: available maybe and I was one to see you would

1135
00:59:56,320 --> 00:59:58,600
Speaker 1: Maybe you want to give that to my son her Christmas.

1136
00:59:58,760 --> 01:00:01,560
Speaker 1: I'd love to get it to him. It's not no worries.

1137
01:00:02,480 --> 01:00:04,720
Speaker 1: I'm a garbage man, so I could probably find something

1138
01:00:04,760 --> 01:00:07,120
Speaker 1: else where. I'm here there, okay, I tell you what.

1139
01:00:07,160 --> 01:00:09,400
Speaker 1: I don't know where that drone is, but I will

1140
01:00:09,480 --> 01:00:12,120
Speaker 1: when I get home, and i'll get home next week,

1141
01:00:12,160 --> 01:00:13,840
Speaker 1: I will look for it, and if I find it,

1142
01:00:13,880 --> 01:00:15,640
Speaker 1: I will make sure you get it. Scooba, Can you

1143
01:00:15,720 --> 01:00:17,680
Speaker 1: keep this guy's number? Yeah, I've got a handy ready

1144
01:00:17,720 --> 01:00:21,040
Speaker 1: to go. Okay, can go ahead? Can we just say,

1145
01:00:21,040 --> 01:00:23,040
Speaker 1: even if you don't find it, either way, we'll get

1146
01:00:23,040 --> 01:00:26,280
Speaker 1: this guy a drone or you will, or we will whatever.

1147
01:00:26,400 --> 01:00:28,600
Speaker 1: I don't want to volunteer you for it, but you should.

1148
01:00:28,640 --> 01:00:30,680
Speaker 1: Well that's what you just did, so okay, sir, I

1149
01:00:30,720 --> 01:00:35,840
Speaker 1: guess I'm buying you a drone regardless. Yeah crap, what is? Yeah?

1150
01:00:35,960 --> 01:00:38,160
Speaker 1: Because if you can't find it, you should still get

1151
01:00:38,200 --> 01:00:40,680
Speaker 1: in the drone. Okay, thank you for spending my money

1152
01:00:40,560 --> 01:00:42,440
Speaker 1: or taking that away from me that I would do that,

1153
01:00:42,480 --> 01:00:44,400
Speaker 1: because I would have probably done that too. But now

1154
01:00:44,440 --> 01:00:46,160
Speaker 1: I'm out money and I look like a journey No,

1155
01:00:46,520 --> 01:00:48,760
Speaker 1: you don't. You just I just was throwing it out there.

1156
01:00:48,800 --> 01:00:51,160
Speaker 1: You were gonna give You're gonna do it anyway, Bobby,

1157
01:00:51,200 --> 01:00:54,960
Speaker 1: You're about to regift the drone I gave you. Oh

1158
01:00:55,000 --> 01:01:00,439
Speaker 1: that's why you're all but her Well I mean, yeah, okay, hey, yes,

1159
01:01:00,520 --> 01:01:02,880
Speaker 1: we'll get on it. We'll make sure. How expensive are

1160
01:01:03,000 --> 01:01:08,480
Speaker 1: they my co expensive for drones? Aby, gosh, damn that

1161
01:01:08,760 --> 01:01:11,840
Speaker 1: specific one is they range? There's all kinds, they range

1162
01:01:11,880 --> 01:01:14,960
Speaker 1: anywhere from. We could find one for forty fifty, especially

1163
01:01:15,000 --> 01:01:17,160
Speaker 1: for a kid. You don't need to be spending that much.

1164
01:01:17,240 --> 01:01:23,880
Speaker 1: It'll be a cheap skate. What's happening right now? Okay,

1165
01:01:23,880 --> 01:01:27,000
Speaker 1: thank you, thank you sir, thank you. Amy. We'll see

1166
01:01:27,040 --> 01:01:29,640
Speaker 1: you guys tomorrow. Saint you'd radio than hope you guys

1167
01:01:29,680 --> 01:01:31,280
Speaker 1: can be a partner and hope and be a part

1168
01:01:31,320 --> 01:01:33,880
Speaker 1: of that show. It'll be a great show tomorrow by everybody.

1169
01:01:34,440 --> 01:01:36,360
Speaker 1: Bobby mon So