WEBVTT - Maz Jobrani

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<v Speaker 1>We start the rehearsal and I'm up there, I'm singing,

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<v Speaker 1>I'm dancing, I'm smiling. And then she stops. The whole rehearsal.

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<v Speaker 1>Everybody stops stop. She goes look at him, Look at him.

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<v Speaker 1>You see him. He's sick, he's here, he's singing, he's smiling.

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<v Speaker 1>You gotta learn from him. And I was like, oh,

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<v Speaker 1>that's me. So it was a moment of like positive

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<v Speaker 1>reinforcement made me feel I can do this. And then

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<v Speaker 1>the year later, eighth grade, I come back and I

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<v Speaker 1>get the lead. I'm little Abner and Little Abner and

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<v Speaker 1>you know, I've been bitt and I loved it and

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<v Speaker 1>I just wanted to do it. And every time I

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<v Speaker 1>tell I tell a story, how like throughout my schooling,

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<v Speaker 1>they would always be like, oh, you've got what it

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<v Speaker 1>takes to do this. So my parents would come to

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<v Speaker 1>the shows and the director or the teacher would say,

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<v Speaker 1>you know, your kids got the thing for this, and

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<v Speaker 1>my parents, oh, thank you, thinking and we get in

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<v Speaker 1>the car. My dad would be like, that bitch is crazy.

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<v Speaker 1>Don't listen to her. You're gonna be a doctor or

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<v Speaker 1>a lawyer. Hi, I'm maz Jobrani and I am bald.

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<v Speaker 1>Hi friends, welcome back here to Off the Beat. It

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<v Speaker 1>is I your trusty host, Brian Baumgartner. Today I have

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<v Speaker 1>a very special treat for you, because, as you just heard,

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<v Speaker 1>my guest is the hilarious actor and stand up comedian

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<v Speaker 1>Moss Joe Brownie. Now, if you know anything about Moss,

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<v Speaker 1>you know comedy isn't his only specialty. He actually studied

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<v Speaker 1>political science at UC Berkeley and then later dropped out

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<v Speaker 1>of his PhD program to do what yes, to pursue comedy.

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<v Speaker 1>It's what all smart folks do. This was a great

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<v Speaker 1>move for Moss. He now has six comedy specials, a memoir,

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<v Speaker 1>and countless TV appearances. Today, we're going to dive into

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<v Speaker 1>his unique take on comedy, not shying away from hard

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<v Speaker 1>time tompics like politics and race and why humor has

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<v Speaker 1>a unique power to make this kind of statement and yeah, okay,

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<v Speaker 1>we're gonna crack some jokes along the way. This one

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<v Speaker 1>it is pretty pretty special. Let's jump right in with

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<v Speaker 1>my friend and yours, Moss Joe Browny. Bubble and Squeak.

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<v Speaker 1>I love it, Bubble and Squeak. A Bubble and Squeaker

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<v Speaker 1>cookie every month left over from the Natio. Hi mas,

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<v Speaker 1>Hey Brian, how are you? I'm great, how are you?

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<v Speaker 1>Thanks for joining me, Thanks for having me, buddy. What's

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<v Speaker 1>going on? Hey? You know what? Not a whole lot,

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<v Speaker 1>but I'm excited to see. Where are you right now?

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<v Speaker 1>I'm in Los Angeles. Where are you? Okay? Well, so

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<v Speaker 1>it's it's it's it's a rainy day in southern California.

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<v Speaker 1>I'm there as well. It's insane, crazy, right, yeah, And

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<v Speaker 1>there's nothing more boring than talking about the weather. But

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<v Speaker 1>it's a reality. That's it's a reality. And it's also

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<v Speaker 1>I've been my whole life. I've been in California, like

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<v Speaker 1>since I was six years old. And the only time

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<v Speaker 1>I remember raining almost as bad was I think I

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<v Speaker 1>was like in the fifth grade in northern California and

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<v Speaker 1>cars were literally like the water was up to the window. Yeah,

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<v Speaker 1>and it was crazy, and they made us evacuate. We

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<v Speaker 1>lived on a on a hillside, they made us evacuate.

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<v Speaker 1>I don't think I've seen it this bad since. And

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<v Speaker 1>this might be worse than that, I mean worse and

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<v Speaker 1>better and all of the above. Yeah, No, it's insane.

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<v Speaker 1>Cars stopped today, stuck right around my house in rivers

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<v Speaker 1>of water trying to get through. But it's so nutty.

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<v Speaker 1>But you know what, it's warm and cozy here between

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<v Speaker 1>the two of us. I want to talk about your career.

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<v Speaker 1>I have a little bit of an existential conversation about

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<v Speaker 1>comedian versus actor. Will do that, but I first want

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<v Speaker 1>to start back at your youth. You were born in Iran,

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<v Speaker 1>but came to California very early on. Is that right? Yeah,

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<v Speaker 1>So I was born in Iran and then late seventy

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<v Speaker 1>eight as there was protests. There's protests in the streets

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<v Speaker 1>of Iran. The leader back then was the Shaw, and

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<v Speaker 1>the Shaw was a monarch. He was a king. He

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<v Speaker 1>had helped modernize the country and he had gotten the

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<v Speaker 1>country to some level of prosperity. But he had people

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<v Speaker 1>that didn't like him because he was a king, and

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<v Speaker 1>so clearly, you know, there were many groups that couldn't

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<v Speaker 1>be vocal against him, you know, you know, he had

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<v Speaker 1>a secret police and all that kind of stuff. Okay,

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<v Speaker 1>so there was all these different groups that were critical

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<v Speaker 1>of him or opposed him. And what happened was these

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<v Speaker 1>protests started started out in the streets of Irun. They

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<v Speaker 1>got bigger and bigger and bigger, and what would happen

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<v Speaker 1>is his military or somebody would show up at the

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<v Speaker 1>protests and they would shoot into the crowd and somebody

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<v Speaker 1>would die, and then that would cause more protests to

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<v Speaker 1>just grow and grow and grow. And so eventually, late

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<v Speaker 1>seventy eight, my father was on business in New York

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<v Speaker 1>and he told my mom, He's like, why don't you

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<v Speaker 1>bring the kids to New York for a couple of weeks,

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<v Speaker 1>And he said, you know, hopefully things will cool down

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<v Speaker 1>and we can all return. And we didn't expect to

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<v Speaker 1>stay this long because really we left my baby brother

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<v Speaker 1>back there. I came with my older sister, Mariam. At

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<v Speaker 1>the time, I was six. I guess you must have

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<v Speaker 1>been eight. And I always like to say we packed

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<v Speaker 1>for two weeks and we stayed for forty four years. Now, yeah,

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<v Speaker 1>you just never went back, whatever back because things got

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<v Speaker 1>worse and worse, and early seventy nine the Shaw actually left.

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<v Speaker 1>Then that's when the revolution really happened. And there was

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<v Speaker 1>actually a great documentary that was on HBO recently called

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<v Speaker 1>Hostages that kind of talked about that time and how

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<v Speaker 1>Ayatollahomeni comes in and really, I think a lot of

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<v Speaker 1>people at that time, thought, oh, this is going to

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<v Speaker 1>be great because now that the Shah's gone, will have

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<v Speaker 1>a democracy and everyone will get along. Well, actually it

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<v Speaker 1>got worse because what happened was you ended up with

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<v Speaker 1>this religious fundamentalist regime that didn't care about you know,

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<v Speaker 1>women's rights, LGBTQ rights, religious minority rights. They led us.

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<v Speaker 1>Then we ended up in a war with Iraq, so

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<v Speaker 1>millions of people died there, and we've seen now more

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<v Speaker 1>and more recently how brutal the regime is with executing

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<v Speaker 1>people and imprisoning people. And just last year they killed

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<v Speaker 1>Massa Amini, who's this twenty two year old girl walking

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<v Speaker 1>on the street with her hair out of her job

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<v Speaker 1>just a little bit, and so it became even more brutal.

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<v Speaker 1>And it's been hard to be away from Iran for

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<v Speaker 1>forty four years. And I'm very American. I grew up

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<v Speaker 1>watching baseball and football and you know, playing those sports

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<v Speaker 1>and knowing American media. But there's always been a part

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<v Speaker 1>of my heart that has remained in my childhood home.

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<v Speaker 1>And it also breaks my heart to see the young

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<v Speaker 1>people of that country suffer the way they have. So really,

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<v Speaker 1>all I could hope for is for a free run

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<v Speaker 1>where they could be fully democratic, like we are, well,

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<v Speaker 1>we're kind of democratic, we're going the other way. Would

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<v Speaker 1>you say, growing up, like, how important was it for

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<v Speaker 1>your parents for you to feel a connection to Iran

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<v Speaker 1>or were you just trying to become sort of fully

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<v Speaker 1>Americanized as a six, seven, eight year old. I mean,

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<v Speaker 1>not that you were fully conscious. But looking back, I

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<v Speaker 1>don't think that my parents have even thought about it

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<v Speaker 1>like that. I think I think that they were just

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<v Speaker 1>they were like they assumed because my parents, imagine, imagine

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<v Speaker 1>being in your at that time. My mom was probably

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<v Speaker 1>in our mid thirties or so, and my dad was

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<v Speaker 1>in his mid to late forties. Imagine if that far

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<v Speaker 1>into your life you had to get up and just

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<v Speaker 1>go to a totally different country. You don't speak the language,

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<v Speaker 1>you know, you know, you barely speak the language. They're there.

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<v Speaker 1>The good news was my father, since he was a

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<v Speaker 1>successful businessman, he had the resources financially, he brought a

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<v Speaker 1>lot of money over which, by the way, he ends

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<v Speaker 1>up losing them in bad real estate investments, but still

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<v Speaker 1>to come over here. I don't think that they were

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<v Speaker 1>consciously going, oh, we must make sure our kids speak Persian.

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<v Speaker 1>And eat the Persian food and all that. It would

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<v Speaker 1>just assume that that's what it was. So they would

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<v Speaker 1>speak Persian to us, we would speak Persian to them.

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<v Speaker 1>There were times actually, because my reading and writing in

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<v Speaker 1>Persian continues to not be that great because I left

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<v Speaker 1>when I was in the first grade, so there weren't

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<v Speaker 1>times when they would sign us up for like Persian

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<v Speaker 1>classes on a weekend and I hated it. I was like,

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<v Speaker 1>oh God, what I hate this. So but but but

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<v Speaker 1>really culturally speaking, and for them, it wasn't like they

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<v Speaker 1>even had an option. It wasn't like my mom was

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<v Speaker 1>going to be like, oh I'm gonna my dad wasn't

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<v Speaker 1>gonna be like I'm gonna watch less American sports so

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<v Speaker 1>that you become more Iranian. It was just like, I'm

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<v Speaker 1>only going to speak to you in Persian and you're

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<v Speaker 1>gonna respond to me in Persian, and that's all there

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<v Speaker 1>is to it. You know. Okay, what about you assimilating

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<v Speaker 1>into learning English going to school? Obviously you're learning English

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<v Speaker 1>in school, right, Yeah. Well, I actually went to an

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<v Speaker 1>international school in Iran, so I already spoke English. But

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<v Speaker 1>coming to America, I mean, you know, as a six

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<v Speaker 1>year old, and then seven and all those young ages.

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<v Speaker 1>You don't want to be different, you know what I'm saying.

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<v Speaker 1>It's like the last thing you want is to be different.

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<v Speaker 1>And first coming over from Iran to America, Iran I

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<v Speaker 1>think had some European influence, so my mom would dress

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<v Speaker 1>me up a little more European e and already in

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<v Speaker 1>America they're like, you know, what's wrong with you? Why

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<v Speaker 1>are you wearing those clothes? And then and then there

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<v Speaker 1>was times when like just little minor things became big

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<v Speaker 1>things in our grade. Right, so we had a day

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<v Speaker 1>called Pizza Day, and Pizza Day was where every kid

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<v Speaker 1>was going to bring some ingredient to the school. We're

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<v Speaker 1>gonna cook pizza together. This is I think third grade.

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<v Speaker 1>And so I was in charge of sausages. So I

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<v Speaker 1>go grocery shopping with my mom and my aunt and

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<v Speaker 1>in Persian the word for hot dog is so cease sausage.

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<v Speaker 1>So so we're there, I go I need sausages, like, oh,

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<v Speaker 1>you need so cis. So they give me a pack

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<v Speaker 1>of hot dogs, which really is like, I mean it's

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<v Speaker 1>a it's a small sausage. Really, I mean sausages are

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<v Speaker 1>it is? So I show up with a you know,

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<v Speaker 1>pack of hot dogs, and of course all the kids hah,

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<v Speaker 1>he brought hot dogs. I know these are sausages. Those

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<v Speaker 1>are hot dogs, you know, like ruined my my, my

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<v Speaker 1>whole life. And I go home and tell my mom

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<v Speaker 1>these are not this is hot dogs, like this is socias.

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<v Speaker 1>Now that story comes full circle when years later I

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<v Speaker 1>went to study abroad in Italy. When I was in college,

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<v Speaker 1>I go to pizzeria and they have pizza with hot

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<v Speaker 1>dogs on it, and I'm like, you bastards. I was

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<v Speaker 1>right all along. So yeah, so I was just trying

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<v Speaker 1>to blend in. Man. I just wanted to be American.

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<v Speaker 1>I mean I played baseball, I you know, American culture.

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<v Speaker 1>Like that's probably where I discovered listen. By the way. Also,

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<v Speaker 1>my dad and I think this was just parenting of

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<v Speaker 1>the time. But I didn't play catch with me or

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<v Speaker 1>any of that. I mean, he was a great father.

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<v Speaker 1>He was very generous, he was giving. It wasn't like

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<v Speaker 1>let's go outside and play catch, you know. So because

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<v Speaker 1>of that, like I was learning a lot of stuff

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<v Speaker 1>from American television. So I'd sit there and watch hours.

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<v Speaker 1>I'd watch Woody Woodpecker, Popeye, Leave it to Beaver all

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<v Speaker 1>these reruns. That's that's how I think I came upon

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<v Speaker 1>comedy my first you know, like finding Eddie Murphy when

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<v Speaker 1>I was ten years old and going, what's Saturday Night Live?

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<v Speaker 1>I want to do this, you know? So, yeah, I

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<v Speaker 1>was trying to blend in. Yeah, I read Eddie Murphy

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<v Speaker 1>was one of your first loves. That sounds weird, but yeah,

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<v Speaker 1>one of your heroes, one of your first heroes. There

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<v Speaker 1>you go in comedy. When did you start performing? Were

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<v Speaker 1>you in school plays or yeah? It was basically so

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<v Speaker 1>in the seventh grade, they had they had a musical.

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<v Speaker 1>I went to Delmar Middle School in northern California and Tibron.

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<v Speaker 1>They were doing The Boyfriend and I don't know why

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<v Speaker 1>we all decided to do it, but it's a handful

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<v Speaker 1>of guys decided to do it some girls and went,

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<v Speaker 1>I go, let's try this. So I go and I auditioned,

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<v Speaker 1>and again it was seventh and eighth, so most of

0:12:23.559 --> 0:12:26.319
<v Speaker 1>the leads went to the eighth graders. Seventh graders were

0:12:26.320 --> 0:12:29.520
<v Speaker 1>just background dancers. And there was a lady named Shirley

0:12:29.559 --> 0:12:32.440
<v Speaker 1>bomb Bright. She was our director. And Shirley Bombright said

0:12:32.440 --> 0:12:34.760
<v Speaker 1>when you're doing a musical. When you're on stage, you

0:12:34.760 --> 0:12:37.560
<v Speaker 1>always need to be smiling, when you're dancing, smiling and

0:12:37.640 --> 0:12:39.719
<v Speaker 1>singing and radiating. Oh, and she said. The other things

0:12:39.760 --> 0:12:41.599
<v Speaker 1>she said is you're part of an ensemble, so you

0:12:41.720 --> 0:12:45.360
<v Speaker 1>better be here. So one day I go to the rehearsal.

0:12:45.360 --> 0:12:47.120
<v Speaker 1>I go, Miss bomb Bright, I just gotta let you know.

0:12:47.120 --> 0:12:48.720
<v Speaker 1>I'm a little under the weather. I got a cold,

0:12:49.000 --> 0:12:50.640
<v Speaker 1>but you told me I gotta be here. So I came.

0:12:51.000 --> 0:12:53.400
<v Speaker 1>I'm here, and then we start the rehearsal and I'm

0:12:53.440 --> 0:12:55.760
<v Speaker 1>up there, I'm singing, I'm dancing, I'm smiling. And then

0:12:55.760 --> 0:12:57.840
<v Speaker 1>she stops. The whole rehearsal. Everybody stops stop. She goes,

0:12:57.840 --> 0:13:00.400
<v Speaker 1>look at him, Look at him. You see him. He's sick,

0:13:00.520 --> 0:13:03.079
<v Speaker 1>he's here, he's singing, he's smiling. You gotta learn from him.

0:13:03.280 --> 0:13:06.679
<v Speaker 1>And I was like, oh, that's me. So it was

0:13:06.720 --> 0:13:10.000
<v Speaker 1>a moment of like positive reinforcement made me feel I

0:13:10.080 --> 0:13:12.400
<v Speaker 1>can do this. Then the year later, eighth grade, I

0:13:12.480 --> 0:13:14.160
<v Speaker 1>come back and I get the lead. I'm little Abner

0:13:14.160 --> 0:13:16.560
<v Speaker 1>and little Abner and you know, I've been bitt and

0:13:16.720 --> 0:13:18.400
<v Speaker 1>I loved it and I just wanted to do it.

0:13:18.480 --> 0:13:21.079
<v Speaker 1>And every time I tell I tell a story how

0:13:21.120 --> 0:13:24.600
<v Speaker 1>like throughout my schooling, they would always be like, oh,

0:13:24.640 --> 0:13:27.160
<v Speaker 1>you've got what it takes to do this. So my

0:13:27.240 --> 0:13:30.079
<v Speaker 1>parents would come to the shows and the director or

0:13:30.120 --> 0:13:31.840
<v Speaker 1>the teacher would say, you know, your kids got the

0:13:31.840 --> 0:13:34.680
<v Speaker 1>thing for this, and my parents, oh, thank you. Thinking

0:13:34.760 --> 0:13:36.040
<v Speaker 1>we get in the car, my dad would be like,

0:13:36.040 --> 0:13:39.800
<v Speaker 1>that bitch is crazy. Don't listen to her. You're gonna

0:13:39.800 --> 0:13:45.240
<v Speaker 1>be a doctor or a lawyer. So they had they

0:13:45.240 --> 0:13:48.480
<v Speaker 1>didn't see the spark inside you. They were not interested

0:13:48.520 --> 0:13:50.760
<v Speaker 1>in you pursuing this as a career. Right, Yeah, it

0:13:50.800 --> 0:13:52.640
<v Speaker 1>wasn't that they didn't see the spark. It's that I

0:13:52.679 --> 0:13:56.400
<v Speaker 1>think you know again, immigrant parents, that's all they knew,

0:13:56.640 --> 0:13:58.800
<v Speaker 1>and it was a previous generation. I was just talking

0:13:58.800 --> 0:14:00.800
<v Speaker 1>to somebody about how my daughter or twelve now and

0:14:00.800 --> 0:14:03.800
<v Speaker 1>I'm encouraging her to become a dj okay And I

0:14:03.880 --> 0:14:05.600
<v Speaker 1>was like, if I went to my Irani dad back then,

0:14:05.720 --> 0:14:07.240
<v Speaker 1>I want to be a DJ, like a d what

0:14:07.800 --> 0:14:09.920
<v Speaker 1>you know, You'd be like, what are you talking about it?

0:14:10.480 --> 0:14:12.600
<v Speaker 1>But you know, we live in a different world where

0:14:12.600 --> 0:14:16.200
<v Speaker 1>people are making millions on TikTok or whatever, and so

0:14:16.400 --> 0:14:19.800
<v Speaker 1>back then I don't think they understood at all what

0:14:19.840 --> 0:14:22.480
<v Speaker 1>this meant or how it went. There was nobody in

0:14:22.560 --> 0:14:25.040
<v Speaker 1>my family. There was one. My aunt had married this

0:14:25.120 --> 0:14:27.840
<v Speaker 1>American guy. He was the only guy who kind of

0:14:27.880 --> 0:14:29.880
<v Speaker 1>was like, oh, you're interested in this, let's go to

0:14:29.880 --> 0:14:32.800
<v Speaker 1>the bookstore and get some books on acting. And it

0:14:32.880 --> 0:14:35.800
<v Speaker 1>was kind of having me look at that. But other

0:14:35.840 --> 0:14:38.480
<v Speaker 1>than that, they I just think my parents didn't know

0:14:38.560 --> 0:14:41.800
<v Speaker 1>what this was. And there was a lot of throughout

0:14:41.840 --> 0:14:44.480
<v Speaker 1>my life. It was a lot of detours, you know,

0:14:44.760 --> 0:14:47.440
<v Speaker 1>because of my parents. I started political science thinking I

0:14:47.440 --> 0:14:49.720
<v Speaker 1>was going to be a lawyer. Then when I went

0:14:49.720 --> 0:14:51.760
<v Speaker 1>to Italy to study abroad, I thought maybe I'd come

0:14:51.800 --> 0:14:53.520
<v Speaker 1>back and be a professor. So I got into a

0:14:53.520 --> 0:14:56.200
<v Speaker 1>PhD program, and then I dropped out of that, and

0:14:56.200 --> 0:14:58.320
<v Speaker 1>then I was going to go work in advertising. But

0:14:58.560 --> 0:15:03.080
<v Speaker 1>all along I always would find opportunities to get on stage.

0:15:03.200 --> 0:15:05.600
<v Speaker 1>I would kind of play a local play here there,

0:15:05.600 --> 0:15:08.240
<v Speaker 1>and I was always like, I love this. Right then

0:15:08.280 --> 0:15:09.880
<v Speaker 1>I was like, what am I going to do with it?

0:15:09.920 --> 0:15:11.480
<v Speaker 1>I mean, you know how it is. It's like, it's

0:15:11.520 --> 0:15:14.440
<v Speaker 1>not like you just apply to a school and then

0:15:14.480 --> 0:15:16.440
<v Speaker 1>you come out of that school and then Hollywood starts

0:15:16.480 --> 0:15:21.440
<v Speaker 1>hiring you. You know, what I'm saying, Oh, if it

0:15:21.560 --> 0:15:26.480
<v Speaker 1>was that easy, right exactly. So you mentioned getting into

0:15:26.640 --> 0:15:31.040
<v Speaker 1>political science. This ends up being a significant thing for

0:15:31.120 --> 0:15:35.680
<v Speaker 1>you in your career. Were you doing plays at Berkeley

0:15:35.840 --> 0:15:38.720
<v Speaker 1>or well, because it was Berkeley, were you just finding

0:15:38.760 --> 0:15:41.880
<v Speaker 1>other other ways to perform? Well, it's interesting you said

0:15:41.880 --> 0:15:45.560
<v Speaker 1>that because again at Berkeley too. So I sot some year,

0:15:45.600 --> 0:15:47.280
<v Speaker 1>I forget what year it was. Maybe it was like

0:15:47.320 --> 0:15:49.120
<v Speaker 1>my I don't forget what year it was. To be

0:15:49.160 --> 0:15:52.240
<v Speaker 1>honest with you, must have been senior. One of the years.

0:15:53.200 --> 0:15:56.560
<v Speaker 1>As I was signing up for classes, I was like, oh,

0:15:56.560 --> 0:15:58.800
<v Speaker 1>maybe I'll take an acting class, and I remember it

0:15:58.840 --> 0:16:02.640
<v Speaker 1>was all very last minute. Did one semester of an

0:16:02.640 --> 0:16:06.680
<v Speaker 1>acting class at Berkeley, and the teacher was like, you

0:16:06.800 --> 0:16:10.760
<v Speaker 1>got what it takes. So every time I encountered somebody

0:16:10.800 --> 0:16:12.880
<v Speaker 1>who was teaching, it was like, you've got what it takes.

0:16:13.120 --> 0:16:15.480
<v Speaker 1>And I think that just meant like I like being

0:16:15.520 --> 0:16:19.160
<v Speaker 1>a ham. I was comfortable. I wasn't self conscious. I

0:16:19.200 --> 0:16:22.440
<v Speaker 1>was up there doing it, you know, And so even

0:16:22.520 --> 0:16:24.720
<v Speaker 1>there I was like, wow, people could tell them. The

0:16:24.760 --> 0:16:26.840
<v Speaker 1>people that are in this world keep telling me go

0:16:26.960 --> 0:16:31.480
<v Speaker 1>for it. But you, within yourself, you didn't couldn't make

0:16:31.520 --> 0:16:33.920
<v Speaker 1>the choice to listen to them. Yeah, I think you know,

0:16:33.960 --> 0:16:36.600
<v Speaker 1>I've I've read about this. First of all, your brain

0:16:36.720 --> 0:16:39.600
<v Speaker 1>isn't developed till isn't fully developed till like your mid

0:16:39.640 --> 0:16:41.560
<v Speaker 1>twenties or so, so you have a lot of stuff

0:16:41.600 --> 0:16:43.920
<v Speaker 1>going on in your head right that maybe you're not

0:16:44.440 --> 0:16:46.960
<v Speaker 1>I'm always I'm always amazed by comedians who go I

0:16:47.000 --> 0:16:49.200
<v Speaker 1>started when I was seventeen, I go, what, how did

0:16:49.200 --> 0:16:51.800
<v Speaker 1>you know? You know? Chappelle started when with fourteen? I go,

0:16:51.840 --> 0:16:55.680
<v Speaker 1>why does that even happen? And I had dabbled in it,

0:16:55.840 --> 0:16:58.200
<v Speaker 1>I kept doing the plays and my parents, I think

0:16:58.240 --> 0:17:02.480
<v Speaker 1>it convinced me do something legit and then do the

0:17:02.520 --> 0:17:04.840
<v Speaker 1>plays on the weekend. So I think in my mind,

0:17:04.880 --> 0:17:07.040
<v Speaker 1>I was like, yeah, that's right. You know, I'll just

0:17:07.320 --> 0:17:09.840
<v Speaker 1>you know, do the local playhouse and I'll be a

0:17:10.040 --> 0:17:14.600
<v Speaker 1>lawyer whatever. So while I was in high school, there

0:17:14.680 --> 0:17:17.320
<v Speaker 1>was a talent show and they said, anybody any talents.

0:17:17.359 --> 0:17:19.280
<v Speaker 1>I said, I'd like to try my hand to stand up,

0:17:19.920 --> 0:17:22.640
<v Speaker 1>and so I would write this material. And back then

0:17:23.359 --> 0:17:26.600
<v Speaker 1>I'm a teenager, So the materials are mostly sex based.

0:17:27.359 --> 0:17:29.359
<v Speaker 1>And also, you know, my influenced by Eddie Murphy and

0:17:29.440 --> 0:17:31.240
<v Speaker 1>all this stuff. So one of the jokes I remember

0:17:31.280 --> 0:17:32.399
<v Speaker 1>I came up with it was like, why is our

0:17:32.440 --> 0:17:34.520
<v Speaker 1>genitalia in the middle of our body, which is the

0:17:34.600 --> 0:17:37.080
<v Speaker 1>least comfortable place, Like it should be on our palm

0:17:37.119 --> 0:17:39.320
<v Speaker 1>of our hands to just go around high fiving and

0:17:39.359 --> 0:17:42.160
<v Speaker 1>having sex all day? And so I would write this

0:17:42.240 --> 0:17:44.119
<v Speaker 1>and I was like, oh, this is great, and then

0:17:44.119 --> 0:17:45.479
<v Speaker 1>the next day i'd read it, I go, this is

0:17:45.600 --> 0:17:48.760
<v Speaker 1>horrible because I'm in my head right, and I ended

0:17:48.840 --> 0:17:51.119
<v Speaker 1>up canceling. I was like, guys, I can't do this.

0:17:51.160 --> 0:17:53.320
<v Speaker 1>I just freaked out. And I was actually lucky. I

0:17:53.359 --> 0:17:55.239
<v Speaker 1>think that I canceled because they said, Okay, if you're

0:17:55.240 --> 0:17:56.640
<v Speaker 1>not going to perform, you need to at least show

0:17:56.720 --> 0:17:59.280
<v Speaker 1>up and help run the show, just like by seating

0:17:59.280 --> 0:18:02.640
<v Speaker 1>people and stuff. So turned out the audience for that show,

0:18:02.920 --> 0:18:07.280
<v Speaker 1>we're basically a bunch of juvenile delinquents. So if I

0:18:07.320 --> 0:18:08.960
<v Speaker 1>went up there and died in front of those guys,

0:18:09.080 --> 0:18:11.960
<v Speaker 1>it would have probably, you know, quashed my dreams for

0:18:12.000 --> 0:18:14.840
<v Speaker 1>the rest of my life, right, But I didn't do it, which,

0:18:14.880 --> 0:18:17.720
<v Speaker 1>by the way, just a side note. Years later, there's

0:18:17.760 --> 0:18:20.520
<v Speaker 1>a comedian named Jeremy Hats. It was very funny. I

0:18:20.520 --> 0:18:23.040
<v Speaker 1>saw him doing that joke. I'd never done it. I

0:18:23.040 --> 0:18:24.679
<v Speaker 1>saw him doing it, which makes you go, oh, a

0:18:24.680 --> 0:18:27.520
<v Speaker 1>professional did it. It wasn't it wasn't that bad material,

0:18:28.080 --> 0:18:31.560
<v Speaker 1>But so I tried. I didn't do it. Then when

0:18:31.560 --> 0:18:33.800
<v Speaker 1>I was at Cow one day, I was having just

0:18:33.840 --> 0:18:37.040
<v Speaker 1>this like horrible day, and I'm sitting at this bar.

0:18:37.440 --> 0:18:40.679
<v Speaker 1>It's called the Bear's Lair, and they say stand up

0:18:40.680 --> 0:18:43.199
<v Speaker 1>comedy competition and it was already on. It was like

0:18:43.240 --> 0:18:45.000
<v Speaker 1>we got to watch it, and it was like National

0:18:45.040 --> 0:18:49.240
<v Speaker 1>Lampoon's Comedian, Young comedian, you know of the country or whatever.

0:18:49.800 --> 0:18:51.480
<v Speaker 1>And the two guys who went up there I knew

0:18:51.480 --> 0:18:53.159
<v Speaker 1>one of them, and the other guy I didn't know,

0:18:53.800 --> 0:18:56.920
<v Speaker 1>but they were horrible. And I'm watching them and I, oh,

0:18:56.960 --> 0:18:59.120
<v Speaker 1>my god, if they can do it, I can do it.

0:18:59.440 --> 0:19:01.639
<v Speaker 1>And I always say I would say, you're inspired by

0:19:01.680 --> 0:19:07.240
<v Speaker 1>greatness in mediocrity, right, And so then I said, the

0:19:07.280 --> 0:19:08.720
<v Speaker 1>next time I get a chance, I'm going to do this.

0:19:08.800 --> 0:19:11.160
<v Speaker 1>So then I was listening to the hip hop station.

0:19:11.200 --> 0:19:14.479
<v Speaker 1>They go, there's a comedy competition, submit your tapes. So

0:19:14.520 --> 0:19:16.680
<v Speaker 1>I just came up with a tape of me doing

0:19:16.720 --> 0:19:20.000
<v Speaker 1>different accents and like like a dating tape, and me

0:19:20.119 --> 0:19:22.439
<v Speaker 1>being different characters. I submitted it and then they hit

0:19:22.480 --> 0:19:25.800
<v Speaker 1>me back. They go, congratulations, you want a sixteen finalists.

0:19:26.640 --> 0:19:28.120
<v Speaker 1>So all of a sudden, I was in this stand

0:19:28.160 --> 0:19:31.280
<v Speaker 1>up comedy competition. I had no material, right, and I

0:19:31.320 --> 0:19:33.159
<v Speaker 1>had to start writing it. And I wrote like this

0:19:33.280 --> 0:19:36.400
<v Speaker 1>five minute sketch that was just me doing different accents.

0:19:37.200 --> 0:19:39.399
<v Speaker 1>And then I went to the hip hop station to

0:19:39.440 --> 0:19:41.520
<v Speaker 1>promote it, and I quickly found out I was the

0:19:41.600 --> 0:19:46.399
<v Speaker 1>only non African American comedian and the whole thing. And

0:19:46.440 --> 0:19:49.200
<v Speaker 1>then while we're promoting it, they start doing yo Mama

0:19:49.280 --> 0:19:51.840
<v Speaker 1>jokes and they all know each other. They're all on

0:19:51.880 --> 0:19:53.840
<v Speaker 1>the stand up comedy circuit. I'm not, and they're like,

0:19:53.880 --> 0:19:55.399
<v Speaker 1>Yo Mama, this is yo Mama that I'm sitting in

0:19:55.440 --> 0:19:59.840
<v Speaker 1>the middle. IM like what am I doing? And again, Brian,

0:20:00.040 --> 0:20:02.840
<v Speaker 1>what was interesting was the guy who put this competition

0:20:02.880 --> 0:20:04.920
<v Speaker 1>together was like a real estate agent who I think

0:20:05.000 --> 0:20:07.720
<v Speaker 1>was trying to make a quick buck. So he'd gotten

0:20:07.720 --> 0:20:09.720
<v Speaker 1>a theater in Oakland and was going to do this

0:20:09.800 --> 0:20:13.719
<v Speaker 1>show with all these people, and I guess he had

0:20:13.760 --> 0:20:16.200
<v Speaker 1>trouble selling tickets. And again I think I lucked out

0:20:16.240 --> 0:20:19.480
<v Speaker 1>because if I'd gone up in front of whatever it

0:20:19.600 --> 0:20:23.280
<v Speaker 1>was few thousand people African American crowd and done my

0:20:23.320 --> 0:20:26.639
<v Speaker 1>little stupid act. I would have bombed. It would have

0:20:26.680 --> 0:20:29.520
<v Speaker 1>been the death of me, you know. And so again

0:20:29.560 --> 0:20:31.040
<v Speaker 1>I didn't get a chance to do it then. And

0:20:31.080 --> 0:20:33.280
<v Speaker 1>so then I was like, okay, I've got this in

0:20:33.280 --> 0:20:34.639
<v Speaker 1>my back pocket. I see what I do. So then

0:20:34.640 --> 0:20:37.199
<v Speaker 1>I come down to La I'm working in that summer,

0:20:37.440 --> 0:20:40.520
<v Speaker 1>and it just so happens that another person working in

0:20:40.520 --> 0:20:44.320
<v Speaker 1>this place I'm working is Alex Borstein, you know, marvelous

0:20:44.320 --> 0:20:48.560
<v Speaker 1>missus Mazel and all that. So she tells me, she goes, yeah,

0:20:48.600 --> 0:20:50.320
<v Speaker 1>I'm doing some standup. You want to come, come with me,

0:20:50.359 --> 0:20:52.360
<v Speaker 1>we'll go. So we went to a place called Gallagher's

0:20:53.000 --> 0:20:56.600
<v Speaker 1>in the Valley and I took that stinky act of

0:20:56.680 --> 0:20:59.480
<v Speaker 1>mine with the accents, and I did it at Gallagher's

0:21:00.000 --> 0:21:01.480
<v Speaker 1>and the owner of the club was like, hey, you're

0:21:01.520 --> 0:21:03.200
<v Speaker 1>pretty good, you know, give me your name and number.

0:21:03.240 --> 0:21:04.920
<v Speaker 1>I gave it to him. Then I did it at

0:21:04.920 --> 0:21:08.920
<v Speaker 1>the Improv in Santa Monica, and again it was mediocre.

0:21:09.000 --> 0:21:11.840
<v Speaker 1>This my two first two times doing stand up. It

0:21:11.920 --> 0:21:14.720
<v Speaker 1>was you know, you're horrible, but you're you got a

0:21:14.720 --> 0:21:18.040
<v Speaker 1>little something right. And then I just went back to

0:21:18.080 --> 0:21:20.200
<v Speaker 1>school and again with my parents, you could go to

0:21:20.240 --> 0:21:21.760
<v Speaker 1>grad school and all that, and I just let it go.

0:21:21.880 --> 0:21:24.040
<v Speaker 1>And it wasn't for another few years until I really

0:21:24.040 --> 0:21:27.080
<v Speaker 1>got serious with it. What helped you make the decision

0:21:27.320 --> 0:21:30.399
<v Speaker 1>to be serious with it? So I go to grad

0:21:30.480 --> 0:21:33.720
<v Speaker 1>school for political science at UCLA. I go audition for

0:21:33.760 --> 0:21:36.159
<v Speaker 1>their mainstage play. I get in. I love it. It's

0:21:36.240 --> 0:21:39.840
<v Speaker 1>very avant garde, and by night I'm doing a play.

0:21:39.880 --> 0:21:42.040
<v Speaker 1>By day I'm going to my poly CID classes, and

0:21:42.160 --> 0:21:44.840
<v Speaker 1>all the polysyd conversations are like, what is the purpose

0:21:44.840 --> 0:21:47.320
<v Speaker 1>of a political scientist? And it's like, well, it's not

0:21:47.440 --> 0:21:50.439
<v Speaker 1>about teaching. It's about publish or perish. Come up with

0:21:50.480 --> 0:21:53.199
<v Speaker 1>a thesis, go around the world and defend it, and

0:21:53.200 --> 0:21:56.320
<v Speaker 1>then write another book. If you're lucky enough, some politician

0:21:56.400 --> 0:21:58.840
<v Speaker 1>may use one of your ideas to like, you know,

0:21:59.600 --> 0:22:03.720
<v Speaker 1>this horror. So by night I'm like loving it at

0:22:03.720 --> 0:22:06.400
<v Speaker 1>the play. By day I'm like, oh what am I doing?

0:22:06.400 --> 0:22:09.080
<v Speaker 1>So I drop out of grad school. Then I get

0:22:09.119 --> 0:22:11.080
<v Speaker 1>a job in advertising, because again I felt like I

0:22:11.080 --> 0:22:14.359
<v Speaker 1>needed some sort of secure job. While I'm there, I

0:22:14.400 --> 0:22:16.560
<v Speaker 1>start doing some plays just as a hobby, and then

0:22:16.600 --> 0:22:19.040
<v Speaker 1>I was in my mid twenties and I was at

0:22:19.040 --> 0:22:21.200
<v Speaker 1>the advertising agency. There was a guy by the name

0:22:21.240 --> 0:22:24.240
<v Speaker 1>of Joe Ryan who was in his sixties. And Joe

0:22:24.320 --> 0:22:26.240
<v Speaker 1>was a producer at the ad agency, one of the

0:22:26.320 --> 0:22:28.639
<v Speaker 1>nicest people ever, kind of like a guardian angel with

0:22:28.720 --> 0:22:31.240
<v Speaker 1>sorts for me. And there was a play I was

0:22:31.280 --> 0:22:34.199
<v Speaker 1>doing and I was making copies of the tape, dubbing

0:22:34.200 --> 0:22:36.439
<v Speaker 1>the tape in the dub room to give to the

0:22:36.440 --> 0:22:38.480
<v Speaker 1>other actors, and Joe happened to be in the dub

0:22:38.520 --> 0:22:40.720
<v Speaker 1>room and he watches. He goes, hey, you're pretty funny.

0:22:40.720 --> 0:22:42.600
<v Speaker 1>Have you ever thought about doing this professionally? And I

0:22:42.640 --> 0:22:44.919
<v Speaker 1>was like, Joe, my middle school teacher told me to

0:22:44.920 --> 0:22:47.159
<v Speaker 1>do it my high school universe I've been wanted to.

0:22:47.240 --> 0:22:48.320
<v Speaker 1>And I said, you know what I'm gonna do, Joe,

0:22:48.320 --> 0:22:51.040
<v Speaker 1>I'm gonna work for a few more years, you know,

0:22:51.960 --> 0:22:54.440
<v Speaker 1>put away some money, and then when I'm thirty, I'm

0:22:54.440 --> 0:22:56.160
<v Speaker 1>going to try it. And he goes, let me talk

0:22:56.160 --> 0:22:57.359
<v Speaker 1>to you for a second. Took me in his office.

0:22:57.359 --> 0:22:58.760
<v Speaker 1>He goes, look I'm in. He goes, I'm in my

0:22:58.800 --> 0:23:01.040
<v Speaker 1>sixties right now. And he goes, there were some things

0:23:01.080 --> 0:23:02.760
<v Speaker 1>I wanted to do when I was in my twenties

0:23:02.760 --> 0:23:04.600
<v Speaker 1>and I never did it because we really want to

0:23:04.600 --> 0:23:07.480
<v Speaker 1>do it, do it. And it was a lightbulb moment.

0:23:07.840 --> 0:23:09.920
<v Speaker 1>I was like, you're totally right right then and there

0:23:10.040 --> 0:23:13.640
<v Speaker 1>I went and signed up for improv acting classes at

0:23:13.680 --> 0:23:16.800
<v Speaker 1>the ACME Theater, which is where Alex had gone. And

0:23:16.840 --> 0:23:19.600
<v Speaker 1>then while I was there, Judy Carter, who was a

0:23:19.640 --> 0:23:22.160
<v Speaker 1>stand up comedian who teacher stand up comedy, she happened

0:23:22.200 --> 0:23:23.840
<v Speaker 1>to be in the class with me, and she was like, hey,

0:23:24.040 --> 0:23:26.399
<v Speaker 1>you know at t stand up comedy classes. I go,

0:23:26.440 --> 0:23:30.040
<v Speaker 1>oh my god. I always felt comfortable on stage, but

0:23:30.080 --> 0:23:31.679
<v Speaker 1>I just never knew what to write about. So I

0:23:31.720 --> 0:23:34.280
<v Speaker 1>took her class and then from there I just went

0:23:34.520 --> 0:23:37.040
<v Speaker 1>and that was it. I was in my mid twenties

0:23:37.040 --> 0:23:40.439
<v Speaker 1>and I was twenty four years ago, twenty five years ago. Chase, Wow,

0:23:58.680 --> 0:24:03.560
<v Speaker 1>were you into did at all in becoming an actor

0:24:03.720 --> 0:24:07.440
<v Speaker 1>or for you was it about being a stand up comedian?

0:24:07.880 --> 0:24:10.120
<v Speaker 1>It was both. I love both, you know. So I

0:24:10.160 --> 0:24:12.479
<v Speaker 1>came from acting, you know, the whole time, as from

0:24:12.520 --> 0:24:14.399
<v Speaker 1>a kid, I was always acting, acting, acting up and

0:24:14.440 --> 0:24:15.840
<v Speaker 1>I was like, oh, this is great. You get to

0:24:15.880 --> 0:24:18.199
<v Speaker 1>work with people, you get to put something up. And

0:24:18.200 --> 0:24:20.120
<v Speaker 1>then and then once I got into acting in front

0:24:20.119 --> 0:24:23.320
<v Speaker 1>of the camera again a lot of fun. But I

0:24:23.359 --> 0:24:25.040
<v Speaker 1>also was a big fan of stand up. I just

0:24:25.240 --> 0:24:27.800
<v Speaker 1>I you know the problem. I'd been intimidated by stand

0:24:27.880 --> 0:24:30.680
<v Speaker 1>up because when you do play, if if something doesn't

0:24:30.680 --> 0:24:32.879
<v Speaker 1>go right, you can blame the other actors, the director,

0:24:32.960 --> 0:24:34.760
<v Speaker 1>the right. There's a lot of people to blame. Right

0:24:34.760 --> 0:24:36.440
<v Speaker 1>when you do stand up, I thought, oh my god,

0:24:36.520 --> 0:24:40.440
<v Speaker 1>if people don't laugh, this is my soul that they're

0:24:40.480 --> 0:24:42.520
<v Speaker 1>not laughing at, you know. But then I've come to

0:24:42.560 --> 0:24:44.440
<v Speaker 1>learn now that I do stand up, stand up is

0:24:44.480 --> 0:24:47.120
<v Speaker 1>also a work in progress, so you should never give

0:24:47.840 --> 0:24:52.040
<v Speaker 1>any set too much weight. Whether you kill or you die,

0:24:52.680 --> 0:24:54.760
<v Speaker 1>you're gonna get up again that same night or the

0:24:54.800 --> 0:24:57.720
<v Speaker 1>next night, and you'll go again, you know. I like

0:24:57.800 --> 0:25:00.080
<v Speaker 1>to compare it to like a canvas of piece of

0:25:00.160 --> 0:25:04.000
<v Speaker 1>artists never done until you film it, put it out

0:25:04.040 --> 0:25:06.240
<v Speaker 1>as a special, and then you work on your next canvas.

0:25:06.640 --> 0:25:09.520
<v Speaker 1>So I love both. I've always loved both. I guess

0:25:09.600 --> 0:25:12.439
<v Speaker 1>the immediacy of stand up comedy is pretty amazing. Do

0:25:12.480 --> 0:25:17.760
<v Speaker 1>you consider yourself a comedian or an actor? I? You know, both? Again,

0:25:17.800 --> 0:25:21.280
<v Speaker 1>Like I was, just it's interesting because recently I haven't

0:25:21.280 --> 0:25:24.520
<v Speaker 1>had as many acting gigs for probably multiple reasons. One

0:25:24.600 --> 0:25:26.760
<v Speaker 1>is I'm touring a lot. Two is, as you know,

0:25:27.280 --> 0:25:29.600
<v Speaker 1>it's just like this world seems to have gotten I

0:25:29.680 --> 0:25:31.800
<v Speaker 1>was just reading an article about how competitive it's gotten

0:25:32.280 --> 0:25:35.440
<v Speaker 1>past the pandemic, because before the pandemic, that casting director

0:25:35.480 --> 0:25:38.280
<v Speaker 1>would call in fifteen or twenty people he knew or

0:25:38.320 --> 0:25:40.879
<v Speaker 1>she knew wead audition and one of us would get it.

0:25:40.920 --> 0:25:43.239
<v Speaker 1>Now they're getting one hundred tapes coming in from all

0:25:43.280 --> 0:25:46.199
<v Speaker 1>over the place, so it's even harder to get parts.

0:25:46.240 --> 0:25:48.280
<v Speaker 1>And so because of that, I've been acting less. But

0:25:48.400 --> 0:25:50.560
<v Speaker 1>I was just looking because somebody was asking for my

0:25:50.680 --> 0:25:52.600
<v Speaker 1>real and I was looking at some acting stuff I did,

0:25:52.640 --> 0:25:55.080
<v Speaker 1>and I was like, oh, that was fine. I'm pretty good.

0:25:55.400 --> 0:25:59.720
<v Speaker 1>So I'm confident in what I've done, and I'm confident

0:25:59.760 --> 0:26:01.720
<v Speaker 1>in being able to do it again, and I want

0:26:01.800 --> 0:26:03.640
<v Speaker 1>to do it again. And really it just comes down

0:26:03.680 --> 0:26:07.200
<v Speaker 1>to like a wanted to be involved in quality projects,

0:26:07.400 --> 0:26:11.560
<v Speaker 1>be getting a chance to do stuff that's fun and challenging.

0:26:11.680 --> 0:26:14.200
<v Speaker 1>You know, you know, I took I took an acting

0:26:14.240 --> 0:26:18.400
<v Speaker 1>gig one time. They were doing this play called Homebody Cobble,

0:26:18.520 --> 0:26:21.480
<v Speaker 1>which was written by Tony Kushner and the director was

0:26:21.480 --> 0:26:23.520
<v Speaker 1>Frank Gallotti, and they put it up at the Amindson

0:26:23.640 --> 0:26:26.960
<v Speaker 1>Center and Maggie Gillenhall was playing one of the parts,

0:26:26.960 --> 0:26:29.760
<v Speaker 1>and Lindami there was. It was a good you know,

0:26:29.800 --> 0:26:32.840
<v Speaker 1>all New York actors, and I thought to myself, Gosh,

0:26:32.880 --> 0:26:34.080
<v Speaker 1>when else am I going to get a chance to

0:26:34.080 --> 0:26:37.560
<v Speaker 1>do a show at the Amindson Center. And the only

0:26:37.600 --> 0:26:40.840
<v Speaker 1>thing was I played this doctor. I do basically like

0:26:40.880 --> 0:26:44.320
<v Speaker 1>a two or three minute monologue describing the injuries that

0:26:44.359 --> 0:26:47.480
<v Speaker 1>have happened to this woman. And it's all very technical,

0:26:48.080 --> 0:26:50.199
<v Speaker 1>and then I'm done, and I got nothing else in

0:26:50.240 --> 0:26:53.080
<v Speaker 1>a three hour play. And I'll be honest with you.

0:26:53.080 --> 0:26:54.480
<v Speaker 1>At first, I was, Oh, it's gonna be cool. And

0:26:54.520 --> 0:26:57.320
<v Speaker 1>then the more I did it, I was like, what

0:26:57.440 --> 0:26:59.679
<v Speaker 1>am I doing? Because also it was taking away my

0:26:59.800 --> 0:27:01.440
<v Speaker 1>night because I usually I'm a stand up so I

0:27:01.480 --> 0:27:03.000
<v Speaker 1>gotta go do stand up. And it got to a

0:27:03.000 --> 0:27:06.000
<v Speaker 1>point where I like brought a guitar. I was learning

0:27:06.000 --> 0:27:08.640
<v Speaker 1>guitar backstage. I was having fun with the other actors.

0:27:08.760 --> 0:27:11.320
<v Speaker 1>I would go for a run, like around downtown LA

0:27:11.359 --> 0:27:14.680
<v Speaker 1>while they're acting, while they're doing the play, I'm jogging.

0:27:14.080 --> 0:27:17.439
<v Speaker 1>A couple of times I left the show went to

0:27:17.480 --> 0:27:20.239
<v Speaker 1>the Comedy Store, did a set and came back just

0:27:20.280 --> 0:27:23.560
<v Speaker 1>to take a bow, and I started and then I thought,

0:27:23.600 --> 0:27:25.640
<v Speaker 1>I was like, you know what, I'm never gonna do

0:27:25.800 --> 0:27:28.760
<v Speaker 1>a project again because oh, so and so is in it.

0:27:28.840 --> 0:27:30.639
<v Speaker 1>I want to be in it. It's like, no, you

0:27:30.640 --> 0:27:35.200
<v Speaker 1>should do it because it's something that excites you. Otherwise

0:27:35.200 --> 0:27:37.080
<v Speaker 1>he's just gonna be like a weekend. You're gonna be like,

0:27:37.119 --> 0:27:41.160
<v Speaker 1>I'm done. You know the Comedy Store you just brought up.

0:27:41.800 --> 0:27:45.000
<v Speaker 1>Talk to me a little bit about your history with

0:27:45.080 --> 0:27:50.000
<v Speaker 1>the place and how it affected your career. Comedy Store

0:27:50.080 --> 0:27:52.760
<v Speaker 1>is like the mecca of stand up comedy. I guess

0:27:52.800 --> 0:27:56.480
<v Speaker 1>it was like ninety nine or so. And the way

0:27:56.480 --> 0:27:58.720
<v Speaker 1>you used to become a regular. Mitchie Shore, who's poably

0:27:58.760 --> 0:28:01.520
<v Speaker 1>Short's mother was the owner of the club, and you

0:28:01.520 --> 0:28:03.960
<v Speaker 1>would have to be recommended by another comedian. There was

0:28:04.000 --> 0:28:06.320
<v Speaker 1>a comedian named Mike Marino. He's still a friend of mine.

0:28:06.720 --> 0:28:09.240
<v Speaker 1>He I got him to recommend me. And then when

0:28:09.240 --> 0:28:11.960
<v Speaker 1>you recommended, that means on Sunday night when they're doing

0:28:12.040 --> 0:28:14.600
<v Speaker 1>the open mic night after all the open micers, which

0:28:14.640 --> 0:28:17.480
<v Speaker 1>by the way, it's a circus. It's like you get

0:28:17.560 --> 0:28:21.320
<v Speaker 1>you get like you know, pimps, and you get like

0:28:22.240 --> 0:28:24.800
<v Speaker 1>crazy people. It's really crazy. After all those you get

0:28:24.840 --> 0:28:27.520
<v Speaker 1>the showcasers and so people that have been recommended. So

0:28:27.560 --> 0:28:30.000
<v Speaker 1>you do three minutes, and if Mitsi likes you, they

0:28:30.040 --> 0:28:31.880
<v Speaker 1>get word back to you to come back a few

0:28:31.880 --> 0:28:34.560
<v Speaker 1>weeks later. Do six minutes. You do six minutes. If

0:28:34.560 --> 0:28:37.119
<v Speaker 1>she likes you, you get somebody gets word to you.

0:28:37.240 --> 0:28:38.520
<v Speaker 1>She doesn't talk to you, by the way, it's like

0:28:38.560 --> 0:28:41.400
<v Speaker 1>very mafia. She doesn't talk to you. Yeah, yeah, she's not.

0:28:41.600 --> 0:28:44.320
<v Speaker 1>She would sit in the back. There's an exit, like

0:28:44.360 --> 0:28:46.880
<v Speaker 1>a little exit sign right at the back of the

0:28:46.920 --> 0:28:50.640
<v Speaker 1>original room. The original room is this dark room, and

0:28:50.720 --> 0:28:53.040
<v Speaker 1>there's an exit sign at the back of the room

0:28:53.280 --> 0:28:56.520
<v Speaker 1>from the stage you have to walk through, and Mitzi

0:28:56.600 --> 0:28:58.800
<v Speaker 1>would sit at the chair right next to it. She'd

0:28:58.840 --> 0:29:01.000
<v Speaker 1>be eating her popcorn. So every time you're done, you

0:29:01.040 --> 0:29:03.160
<v Speaker 1>walk past her. But she wouldn't talk to you, like

0:29:03.200 --> 0:29:06.720
<v Speaker 1>you're not you're you're nobody still, So three minutes, six minutes,

0:29:06.800 --> 0:29:09.040
<v Speaker 1>no talking, come back and do ten minutes. If once

0:29:09.040 --> 0:29:11.400
<v Speaker 1>you did the ten minutes, if she liked you, on

0:29:11.480 --> 0:29:13.960
<v Speaker 1>the way out, she would grab your arm and then

0:29:14.160 --> 0:29:16.040
<v Speaker 1>you know, she'd tell you you're a regular, which means

0:29:16.040 --> 0:29:18.400
<v Speaker 1>now you can come perform there on a regular basis.

0:29:18.680 --> 0:29:20.760
<v Speaker 1>So I did my three six ten and then I'm

0:29:20.800 --> 0:29:23.720
<v Speaker 1>passing by her and it felt like a lifetime. Like

0:29:23.800 --> 0:29:26.320
<v Speaker 1>it's only twenty feet, but it felt like a mile.

0:29:26.880 --> 0:29:28.480
<v Speaker 1>And then she grabbed my arm and I was like,

0:29:28.520 --> 0:29:30.000
<v Speaker 1>oh my god, it's happening. I go this is where

0:29:30.080 --> 0:29:32.400
<v Speaker 1>Eddie Murphy used to perform, this is where Robin Williams.

0:29:32.400 --> 0:29:33.880
<v Speaker 1>I'm thinking to myself, this is it. My career is

0:29:33.880 --> 0:29:36.720
<v Speaker 1>taking off. She pulls me and she goes, you're very funny,

0:29:36.760 --> 0:29:38.400
<v Speaker 1>and that's how she used to talk. You're very funny.

0:29:38.440 --> 0:29:40.000
<v Speaker 1>I go, thank you, missy. She goes, I'm gonna make

0:29:40.040 --> 0:29:42.120
<v Speaker 1>you're a regular. I go, thank you, missy. She goes

0:29:42.120 --> 0:29:44.720
<v Speaker 1>there every thought about wearing the outfit. I go, what outfit?

0:29:44.800 --> 0:29:46.240
<v Speaker 1>She goes, you know, the hat in the gown. I go,

0:29:46.320 --> 0:29:48.600
<v Speaker 1>hat and gown. Yeah, the hat in the gown. I go,

0:29:48.720 --> 0:29:50.680
<v Speaker 1>Oh my gosh. She wanted me to wear a turban

0:29:51.280 --> 0:29:55.400
<v Speaker 1>and a Dishtasha on stage, and I was like, uh, sure,

0:29:55.480 --> 0:30:01.120
<v Speaker 1>that sounds like a great idea. Walk down the stairs

0:30:01.120 --> 0:30:02.520
<v Speaker 1>and I go, what did I just agree to do?

0:30:03.480 --> 0:30:05.000
<v Speaker 1>And I'm freaking out. Oh my god, I got to

0:30:05.000 --> 0:30:07.360
<v Speaker 1>wear a turban on stage, and I was like, this

0:30:07.400 --> 0:30:09.960
<v Speaker 1>will be the end. And so then she was old

0:30:10.000 --> 0:30:11.719
<v Speaker 1>at the time. So I'm thinking to myself, Okay, this

0:30:11.760 --> 0:30:13.720
<v Speaker 1>is a Sunday night. I go by tomorrow when the

0:30:13.800 --> 0:30:17.320
<v Speaker 1>booker calls me. I'm hoping Mitsy's forgotten about the outfit.

0:30:18.000 --> 0:30:20.120
<v Speaker 1>So the booker calls me. The first thing she says,

0:30:20.160 --> 0:30:22.480
<v Speaker 1>her name is Corey. She goes, Moss, congratulations, I heard

0:30:22.480 --> 0:30:24.720
<v Speaker 1>you're a regular. I go yeah. She goes, and Mitzi

0:30:24.800 --> 0:30:26.320
<v Speaker 1>told me you're gonna wear the outfit. I was like,

0:30:26.320 --> 0:30:30.440
<v Speaker 1>oh no. So now I'm talking to Corey. I'm like, Corey, listen.

0:30:30.440 --> 0:30:31.920
<v Speaker 1>I don't know if I should. I'm not. You know

0:30:32.040 --> 0:30:34.000
<v Speaker 1>what happens if I don't. She goes, do I really

0:30:34.000 --> 0:30:35.640
<v Speaker 1>have to tell you, like meaning like you're not gonna

0:30:35.640 --> 0:30:38.360
<v Speaker 1>get any spots? And then I and then she's tried

0:30:38.400 --> 0:30:40.720
<v Speaker 1>to convince me. She goes, listen. Mitsy is a genius.

0:30:40.760 --> 0:30:44.040
<v Speaker 1>She sees something in you. She helped Rosanne Barr create

0:30:44.120 --> 0:30:46.720
<v Speaker 1>her character Andrew Dice Clay came up with the Dice

0:30:46.800 --> 0:30:50.040
<v Speaker 1>Man at the comedy store. This is Mitsy seeing something

0:30:50.080 --> 0:30:53.120
<v Speaker 1>for you. Just do it. And now I'm like debating,

0:30:53.160 --> 0:30:55.400
<v Speaker 1>how do I get out of not wearing a turban

0:30:55.480 --> 0:30:58.120
<v Speaker 1>on stage? So now starting negotiating with her, I'm like, listen,

0:30:58.160 --> 0:30:59.640
<v Speaker 1>what if I do my act and then at the

0:30:59.760 --> 0:31:02.680
<v Speaker 1>end I have a character and he puts on the turbans.

0:31:02.720 --> 0:31:04.040
<v Speaker 1>She's like, that's great. And then I go, what if

0:31:04.080 --> 0:31:06.160
<v Speaker 1>I do the act and then at the end he

0:31:06.240 --> 0:31:10.600
<v Speaker 1>doesn't put on the turban, but he's like this, like this,

0:31:10.760 --> 0:31:15.200
<v Speaker 1>like Palestinian guy whatever. I had all these different characters right. Finally,

0:31:15.560 --> 0:31:18.640
<v Speaker 1>after a little bit of research, I was reminded, first

0:31:18.680 --> 0:31:20.720
<v Speaker 1>of all, my father had moved back to Iran at

0:31:20.720 --> 0:31:25.280
<v Speaker 1>that point. And then there had also been some Iranian

0:31:26.400 --> 0:31:29.960
<v Speaker 1>I don't know, commentator or comedian or something who used

0:31:30.000 --> 0:31:33.240
<v Speaker 1>to go on the Persian TV stations here in Los Angeles,

0:31:33.760 --> 0:31:36.440
<v Speaker 1>which does everything in Persian and it broadcasts all over

0:31:36.480 --> 0:31:38.640
<v Speaker 1>the world, and he used to make fun of the

0:31:38.760 --> 0:31:42.960
<v Speaker 1>Mullahs in Iran. So supposedly he was at an outdoor

0:31:43.080 --> 0:31:46.520
<v Speaker 1>rally somewhere and some supporters of the mullah showed up

0:31:46.560 --> 0:31:49.680
<v Speaker 1>and they threw rocks and they blinded the guy. So

0:31:49.720 --> 0:31:53.000
<v Speaker 1>I took that as my ammunition, and I called Corey

0:31:53.120 --> 0:31:55.000
<v Speaker 1>the book or I said Corey. Listen, I've been doing

0:31:55.000 --> 0:31:57.800
<v Speaker 1>the research. I'm getting the turban together. Just so you know.

0:31:58.240 --> 0:32:00.360
<v Speaker 1>First of all, my father's in Iran, So if I

0:32:00.440 --> 0:32:02.680
<v Speaker 1>do this and word gets back that his son is

0:32:02.720 --> 0:32:07.000
<v Speaker 1>making fun of Mullah's, he might be in trouble. I go. Secondly,

0:32:07.000 --> 0:32:09.120
<v Speaker 1>there was a guy here who made fun of them,

0:32:09.120 --> 0:32:10.880
<v Speaker 1>and they threw rocks. They blinded him. So I said,

0:32:10.880 --> 0:32:13.080
<v Speaker 1>they might even come after me. I go. Worse yet,

0:32:13.440 --> 0:32:16.920
<v Speaker 1>they might come after the club. And so she was like,

0:32:16.960 --> 0:32:18.320
<v Speaker 1>She's like, let me call you back in a few

0:32:18.320 --> 0:32:20.160
<v Speaker 1>minutes later she calls. She's like, you know what Mitzi said,

0:32:20.160 --> 0:32:23.120
<v Speaker 1>Where's something comfortable. You'll be fine. So I got out

0:32:23.160 --> 0:32:30.040
<v Speaker 1>of where the outfit? Man, how do you credit your

0:32:30.200 --> 0:32:33.680
<v Speaker 1>time there as as launching your career? Do you believe

0:32:33.720 --> 0:32:40.360
<v Speaker 1>that resolutely? I arm grab by Mitsy change your career absolutely,

0:32:40.440 --> 0:32:44.520
<v Speaker 1>because that's where I grew exponentially. Because what happens is,

0:32:44.560 --> 0:32:46.560
<v Speaker 1>and this is what I tell young comics all the time,

0:32:46.920 --> 0:32:51.080
<v Speaker 1>you need to grow in uncomfortable situations. So Mitsi used

0:32:51.120 --> 0:32:53.880
<v Speaker 1>to put me up at like midnight on a Tuesday,

0:32:54.600 --> 0:32:56.800
<v Speaker 1>and I'd be at the comedy store, like hanging out

0:32:56.840 --> 0:32:59.600
<v Speaker 1>with Joe Diaz, and there's Joe Rogan and there's like

0:33:00.120 --> 0:33:02.240
<v Speaker 1>you know, and then Andrew Dice Clay bumps you, and

0:33:02.240 --> 0:33:04.440
<v Speaker 1>then Eddie Griffin bumps you. And they're all doing like

0:33:05.720 --> 0:33:08.040
<v Speaker 1>really dirty material and you got to go up after

0:33:08.080 --> 0:33:11.960
<v Speaker 1>that and do jokes about the Iraq War, you know,

0:33:13.320 --> 0:33:15.840
<v Speaker 1>But I learned. I learned so much from that. Like

0:33:15.840 --> 0:33:18.720
<v Speaker 1>one of the things I learned was to always, you know,

0:33:18.720 --> 0:33:21.520
<v Speaker 1>if you can, if the comedian before you says something

0:33:21.800 --> 0:33:25.880
<v Speaker 1>outlandish or something that just kills, reference that because the

0:33:25.920 --> 0:33:28.719
<v Speaker 1>audience then knows you were in the room. But if

0:33:28.720 --> 0:33:30.280
<v Speaker 1>you go up and go did that guy just say

0:33:30.360 --> 0:33:32.640
<v Speaker 1>blah blah blah and they laugh, that already is a

0:33:32.720 --> 0:33:36.800
<v Speaker 1>laugh and you're in the room with them, and then

0:33:36.920 --> 0:33:39.920
<v Speaker 1>you go from there. Yeah, I learned so much, you know.

0:33:40.040 --> 0:33:42.960
<v Speaker 1>Joe Diaz told me one time that there was another

0:33:43.000 --> 0:33:46.200
<v Speaker 1>comedian who he saw I think I think he was

0:33:46.320 --> 0:33:48.280
<v Speaker 1>the laugh factory or something, and there was a comedian

0:33:48.280 --> 0:33:50.760
<v Speaker 1>that was killing and there was another comedian who was

0:33:50.760 --> 0:33:52.840
<v Speaker 1>supposed to go next, and the other comedian was like,

0:33:52.840 --> 0:33:55.120
<v Speaker 1>oh god, her, I don't want to go next. For

0:33:55.120 --> 0:33:56.800
<v Speaker 1>those people who don't know Joey Diaz is like it

0:33:56.840 --> 0:33:58.680
<v Speaker 1>talks like this, he's very gruff like that, and he

0:33:58.680 --> 0:34:01.000
<v Speaker 1>goes comedy store comics. We just go for it, like

0:34:01.440 --> 0:34:03.840
<v Speaker 1>And the truth is, because I'd had to go up

0:34:03.880 --> 0:34:09.520
<v Speaker 1>after these killer comedians, it never came to my mind that, oh,

0:34:09.640 --> 0:34:11.640
<v Speaker 1>you have an option to go to the booker and

0:34:11.719 --> 0:34:13.040
<v Speaker 1>be like, hey, I don't want to follow that. It's

0:34:13.040 --> 0:34:15.680
<v Speaker 1>like you got to follow it, you know. So, yeah,

0:34:15.719 --> 0:34:18.439
<v Speaker 1>I grew exponentially at the Comedy Store and I owe

0:34:18.560 --> 0:34:21.200
<v Speaker 1>that club and Mitzi Shore a lot. And that's why

0:34:21.200 --> 0:34:24.080
<v Speaker 1>I filmed my special there was because it was really

0:34:24.120 --> 0:34:27.400
<v Speaker 1>special to me. You've also played a lot of roles

0:34:27.760 --> 0:34:31.759
<v Speaker 1>in film and television, the West Wing descendence, Malcolm in

0:34:31.760 --> 0:34:34.880
<v Speaker 1>the Middle. What was the first role in film and

0:34:34.960 --> 0:34:38.920
<v Speaker 1>television that you feel like helped you to grow in

0:34:38.960 --> 0:34:42.080
<v Speaker 1>that industry, both in terms of awareness and in terms

0:34:42.120 --> 0:34:44.759
<v Speaker 1>of your own work. It's interesting, Brian, because you know,

0:34:45.239 --> 0:34:48.320
<v Speaker 1>we think we're known for one thing, and then somebody

0:34:48.360 --> 0:34:50.840
<v Speaker 1>knows us for a completely different thing, right, and you

0:34:50.920 --> 0:34:52.400
<v Speaker 1>just never know what that thing is going to be.

0:34:52.600 --> 0:34:55.440
<v Speaker 1>So I did the movie Friday After Next where I

0:34:55.480 --> 0:34:58.280
<v Speaker 1>played Moley, who was this guy who was a donna shop.

0:34:58.280 --> 0:35:01.239
<v Speaker 1>I hired Mike Epps and ice Cube to work at

0:35:01.280 --> 0:35:05.279
<v Speaker 1>my strip mall. And as I did it, you know,

0:35:05.560 --> 0:35:09.359
<v Speaker 1>Kat Williams was me. Kat Williams and Terry Crews were

0:35:09.400 --> 0:35:13.120
<v Speaker 1>the three new cast members that joined the Friday family

0:35:13.320 --> 0:35:16.920
<v Speaker 1>on that And when I was on set, a lot

0:35:16.920 --> 0:35:18.480
<v Speaker 1>of people coming up going like, this is this is

0:35:18.480 --> 0:35:20.200
<v Speaker 1>going to launch your career. This is the thing, man,

0:35:20.200 --> 0:35:23.239
<v Speaker 1>this is the thing, right And it did help my

0:35:23.920 --> 0:35:28.799
<v Speaker 1>notoriety or my people knowing me within certain communities, but

0:35:28.880 --> 0:35:31.120
<v Speaker 1>it wasn't a movie that was seen by the industry

0:35:31.160 --> 0:35:34.160
<v Speaker 1>as much. But still like in the comedy scene, when

0:35:34.160 --> 0:35:36.600
<v Speaker 1>I would go do comedy shows, you know, sometimes I

0:35:36.680 --> 0:35:39.440
<v Speaker 1>go do like Latino rooms or something and people like, hey, Moley,

0:35:39.560 --> 0:35:41.960
<v Speaker 1>you know, and like my buddy who was a comedian, goes,

0:35:42.000 --> 0:35:44.040
<v Speaker 1>you got to bring some headshots. They'll buy them from you.

0:35:44.040 --> 0:35:46.319
<v Speaker 1>So I was like selling merchandise. After my show, I

0:35:46.400 --> 0:35:48.080
<v Speaker 1>was like, I'm I was like, I'm nobody, but these

0:35:48.120 --> 0:35:50.240
<v Speaker 1>guys are buying this stuff. But it was interesting because

0:35:50.440 --> 0:35:53.160
<v Speaker 1>I'd done Friday After Next and I had also gotten

0:35:53.160 --> 0:35:55.239
<v Speaker 1>this commercial. There was a commercial for I think for

0:35:55.320 --> 0:35:58.799
<v Speaker 1>like Chevy or something where I'm driving a car and

0:35:59.120 --> 0:36:01.360
<v Speaker 1>the song come on. The song they used to be

0:36:01.400 --> 0:36:05.839
<v Speaker 1>a song that goes under umm oh up and then

0:36:05.960 --> 0:36:08.239
<v Speaker 1>now whatever that is. So when that song comes on,

0:36:08.400 --> 0:36:12.160
<v Speaker 1>I start breaking to the song, like taking breaks and

0:36:12.280 --> 0:36:14.040
<v Speaker 1>I mean breaking the car. And so the guy's trying

0:36:14.080 --> 0:36:16.280
<v Speaker 1>to drink his coffee and he keeps and I'm messing

0:36:16.280 --> 0:36:18.560
<v Speaker 1>with him basically, and it became kind of a popular

0:36:18.560 --> 0:36:21.759
<v Speaker 1>commercial was running a lot. So Spike Lee is going

0:36:21.840 --> 0:36:26.120
<v Speaker 1>to direct the Pepsi commercial and it's for the Super Bowl,

0:36:26.760 --> 0:36:28.480
<v Speaker 1>and I get an audition for it, and I go

0:36:28.600 --> 0:36:31.960
<v Speaker 1>there and there's like a thousand people lined up just

0:36:32.160 --> 0:36:34.759
<v Speaker 1>all the way out, and my brother in law, who's

0:36:34.760 --> 0:36:36.239
<v Speaker 1>also an actor, I think he was there, and a

0:36:36.239 --> 0:36:38.360
<v Speaker 1>few other people that are recognized. We're all standing around

0:36:39.320 --> 0:36:43.400
<v Speaker 1>and we're all standing in line, and then they're on breaks.

0:36:43.440 --> 0:36:46.160
<v Speaker 1>So Spike Lee has walked out and he's walking past everybody.

0:36:46.160 --> 0:36:48.400
<v Speaker 1>Everyone's kind of got their eyes on Spike Lee. They're like, oh, there,

0:36:48.520 --> 0:36:52.480
<v Speaker 1>there's Spike Lee. And then he walks up to me

0:36:52.760 --> 0:36:55.919
<v Speaker 1>out of everybody, and he goes And and now so

0:36:56.160 --> 0:36:58.560
<v Speaker 1>Friday AFTERNXT has just come out, the commercials just come

0:36:58.560 --> 0:37:01.640
<v Speaker 1>out and Spike Lee goes, hey, man, you're the guy

0:37:01.719 --> 0:37:03.800
<v Speaker 1>from and I was waiting for him to go Friday.

0:37:03.800 --> 0:37:07.560
<v Speaker 1>He goes, you're the guy from that commercial, and I

0:37:07.640 --> 0:37:10.520
<v Speaker 1>was like yeah. And then and then when I went

0:37:10.560 --> 0:37:15.279
<v Speaker 1>in to do the audition for him, they would say

0:37:15.320 --> 0:37:17.839
<v Speaker 1>step forwards, say something about yourself, and then step back.

0:37:17.880 --> 0:37:19.160
<v Speaker 1>So I stepped forward. I go, yeah, my name is

0:37:19.160 --> 0:37:21.680
<v Speaker 1>Mojo Briannie. I'm a comedian. And then Spike Lely goes

0:37:22.080 --> 0:37:24.360
<v Speaker 1>and tell them you're the guy from the commercial. And

0:37:24.400 --> 0:37:27.759
<v Speaker 1>I was like, yeah, I guess I am. To Spike

0:37:27.800 --> 0:37:29.520
<v Speaker 1>lee I was the guy from the commercial. Meanwhile, I

0:37:29.520 --> 0:37:30.799
<v Speaker 1>thought it was gonna be the guy from the movie.

0:37:30.880 --> 0:37:35.040
<v Speaker 1>So really it's hard to tell, like, oh that thing,

0:37:35.400 --> 0:37:37.080
<v Speaker 1>you know that that that led to the next thing.

0:37:37.120 --> 0:37:38.400
<v Speaker 1>I mean, you know, I was on a couple of

0:37:38.400 --> 0:37:42.040
<v Speaker 1>TV shows, you know. I did Descendants was a Disney movie.

0:37:42.239 --> 0:37:44.840
<v Speaker 1>I didn't think anything of. I played Jaffar and it

0:37:44.920 --> 0:37:47.640
<v Speaker 1>was kind of a small part. And then one day

0:37:47.880 --> 0:37:50.439
<v Speaker 1>I'm sitting there at a pool at a tennis club

0:37:50.480 --> 0:37:52.239
<v Speaker 1>with my kids at the time. They were like, I

0:37:52.239 --> 0:37:55.040
<v Speaker 1>don't know, eight or nine, I'm just sitting there, they're swimming,

0:37:55.080 --> 0:37:57.560
<v Speaker 1>I'm like eating a burger or something, and this group

0:37:57.600 --> 0:37:59.840
<v Speaker 1>of kids they all start kind of like on the

0:38:00.280 --> 0:38:01.920
<v Speaker 1>in the swimming pool, like five or six kids. They

0:38:01.960 --> 0:38:06.120
<v Speaker 1>started kind of coming towards me. Yeah, I'm like, what

0:38:06.239 --> 0:38:08.279
<v Speaker 1>the hell is going This is weird. And then they

0:38:08.320 --> 0:38:11.320
<v Speaker 1>come over they excuse me, Oh yeah, are you Jaffar?

0:38:11.640 --> 0:38:14.880
<v Speaker 1>I go yeah, oh my god, you go you're his favorite?

0:38:14.880 --> 0:38:17.040
<v Speaker 1>And I'm like there was a small part. I don't

0:38:17.040 --> 0:38:20.480
<v Speaker 1>know if I think the kids lying bullshitting but okay,

0:38:20.760 --> 0:38:23.239
<v Speaker 1>but still I was known to them as Jafar. I

0:38:23.280 --> 0:38:25.080
<v Speaker 1>had no idea. I hadn't even thought about the fact

0:38:25.120 --> 0:38:27.080
<v Speaker 1>that I was gonna have like eight year old an

0:38:27.120 --> 0:38:31.320
<v Speaker 1>eight year old fan base, right, right? Did you feel

0:38:31.400 --> 0:38:34.799
<v Speaker 1>like there was a learning curve once you got on

0:38:34.920 --> 0:38:37.520
<v Speaker 1>set and we're acting in front of a camera as

0:38:37.560 --> 0:38:40.799
<v Speaker 1>opposed to you know what at that point you were

0:38:40.800 --> 0:38:44.080
<v Speaker 1>doing a lot of which was standing up in front

0:38:44.080 --> 0:38:47.239
<v Speaker 1>of people and having that immediate response. Well, the first

0:38:47.239 --> 0:38:49.000
<v Speaker 1>thing I learned. So the first movie I did was

0:38:49.000 --> 0:38:52.360
<v Speaker 1>a movie named Maryam written and directed by my buddy Roman.

0:38:52.520 --> 0:38:56.400
<v Speaker 1>Sarah and I had been used to doing plays, and

0:38:56.480 --> 0:38:59.880
<v Speaker 1>as you know, when you're doing a play, you performed

0:38:59.880 --> 0:39:03.480
<v Speaker 1>the last seat in the theater, right, It's all very large, right,

0:39:03.880 --> 0:39:06.239
<v Speaker 1>and you do it once and you're done. And I

0:39:06.239 --> 0:39:08.400
<v Speaker 1>remember just like the first day on the shoots an

0:39:08.440 --> 0:39:11.480
<v Speaker 1>independent film and h and I think we started my

0:39:11.520 --> 0:39:14.000
<v Speaker 1>first take, I was, you know, like, hey, how are

0:39:14.040 --> 0:39:16.080
<v Speaker 1>you you know, like speaking loudly, you know, and then

0:39:16.120 --> 0:39:18.600
<v Speaker 1>it comes back He's like, you can just bring it

0:39:18.640 --> 0:39:19.680
<v Speaker 1>down a little bit, and I was like okay. And

0:39:19.719 --> 0:39:22.000
<v Speaker 1>then the next take was like medium level, Hey how

0:39:22.080 --> 0:39:24.040
<v Speaker 1>are you? Like no, no, like really bring it down.

0:39:24.040 --> 0:39:26.400
<v Speaker 1>I'm like, hey, how are you? It's like that's perfect.

0:39:26.600 --> 0:39:29.560
<v Speaker 1>I'm like really because yeah, he's like the cameras right

0:39:29.600 --> 0:39:31.520
<v Speaker 1>there and like okay. And then we did like we

0:39:31.560 --> 0:39:34.600
<v Speaker 1>did the master shot and then go, okay, actress, take

0:39:34.600 --> 0:39:37.439
<v Speaker 1>a break. You guys this that and I'm walking away.

0:39:37.480 --> 0:39:40.040
<v Speaker 1>I go that's it, and then come to find out, no,

0:39:40.120 --> 0:39:42.040
<v Speaker 1>that's not it. There's gonna be this. You're gonna do

0:39:42.080 --> 0:39:46.480
<v Speaker 1>this same scene fifty different angles. So yeah, that was

0:39:46.800 --> 0:39:49.839
<v Speaker 1>the learning curve of it. Um. You know, I think

0:39:49.920 --> 0:39:53.160
<v Speaker 1>you learn on on set that it's just about getting

0:39:53.200 --> 0:39:56.240
<v Speaker 1>yourself there emotionally after you've been sitting in your trailer

0:39:56.320 --> 0:39:59.880
<v Speaker 1>for several hours, right, So that's really what it's about.

0:40:00.000 --> 0:40:01.719
<v Speaker 1>And then and then there's the live audience was a

0:40:01.719 --> 0:40:05.120
<v Speaker 1>whole different ballgame performing in front of a live sitcom audience,

0:40:05.160 --> 0:40:07.640
<v Speaker 1>which is it goes back to a little bit of

0:40:07.680 --> 0:40:10.839
<v Speaker 1>like playing to the back but also playing within the room.

0:40:10.960 --> 0:40:13.680
<v Speaker 1>So it's all I love it, man, It's I love

0:40:13.719 --> 0:40:16.719
<v Speaker 1>being on sets. I love doing stuff. You know, I

0:40:16.719 --> 0:40:20.560
<v Speaker 1>could do it all day long. I have heard or

0:40:20.680 --> 0:40:24.560
<v Speaker 1>read that you have said that there are roles that

0:40:24.640 --> 0:40:28.360
<v Speaker 1>you would not play, that you and that you have

0:40:28.640 --> 0:40:30.239
<v Speaker 1>turned down. Can you talk to me a little bit

0:40:30.280 --> 0:40:32.560
<v Speaker 1>about about that. Well, you know, early on in my

0:40:32.600 --> 0:40:35.560
<v Speaker 1>career's funny because again I come from this place where

0:40:35.600 --> 0:40:39.040
<v Speaker 1>as a kid, I played Little Abner. Then in high

0:40:39.080 --> 0:40:43.040
<v Speaker 1>school we did we did a musical of Batman. It

0:40:43.120 --> 0:40:45.320
<v Speaker 1>was like our own version of Batman. So I was Batman.

0:40:45.760 --> 0:40:47.040
<v Speaker 1>So in my mind, I'm like, Okay, I could be

0:40:47.080 --> 0:40:48.839
<v Speaker 1>Little Laberner, I could be Batman, I could be a cop,

0:40:48.840 --> 0:40:50.880
<v Speaker 1>I could be what, I could be everything. And then

0:40:50.920 --> 0:40:54.480
<v Speaker 1>I come to Hollywood and the first audition I get

0:40:54.600 --> 0:40:57.680
<v Speaker 1>was actually for a security guard in the TV show

0:40:57.800 --> 0:41:00.759
<v Speaker 1>Chicago Hope audition And the next my agent calls me,

0:41:00.800 --> 0:41:03.160
<v Speaker 1>he goes, hey, I got another audition for Walker, Texas Ranger.

0:41:03.239 --> 0:41:06.160
<v Speaker 1>He's like a European terrorist and then we get calls

0:41:06.200 --> 0:41:09.279
<v Speaker 1>from both saying you got both parts, but you gotta

0:41:09.320 --> 0:41:11.279
<v Speaker 1>choose because they both shoot the same week. I go, okay,

0:41:11.320 --> 0:41:13.560
<v Speaker 1>I said, let's do the security guard. But then as

0:41:14.000 --> 0:41:15.799
<v Speaker 1>people find out more and more that you're of Middle

0:41:15.840 --> 0:41:19.560
<v Speaker 1>Eastern descent, clearly going to be offered parts of Middle

0:41:19.560 --> 0:41:22.920
<v Speaker 1>Eastern descent. And now we're in the late nineties, early

0:41:22.960 --> 0:41:26.960
<v Speaker 1>two thousands, so auditions are coming in for terrorist parts.

0:41:27.040 --> 0:41:29.719
<v Speaker 1>And so I was at a date. I was at

0:41:29.760 --> 0:41:31.440
<v Speaker 1>my day job at the AD Agency, and I was

0:41:31.520 --> 0:41:35.200
<v Speaker 1>looking for I was hoping to get enough film and

0:41:35.239 --> 0:41:38.799
<v Speaker 1>TV work where I could quit my day job. So

0:41:38.840 --> 0:41:41.799
<v Speaker 1>I got this. So Chuck Norris was doing a movie

0:41:41.800 --> 0:41:45.200
<v Speaker 1>of the week called The President's Man, A Line in

0:41:45.280 --> 0:41:49.279
<v Speaker 1>the Sand, and the audition with the part was an

0:41:49.320 --> 0:41:55.480
<v Speaker 1>Afghan physicist who's come to Chicago to build a bomb.

0:41:55.560 --> 0:41:57.600
<v Speaker 1>He wants to this is before September eleventh. He wants

0:41:57.600 --> 0:41:59.239
<v Speaker 1>to blow up a building. And in my mind, I'm like,

0:41:59.320 --> 0:42:01.399
<v Speaker 1>you know what, I'll take this part, but the way

0:42:01.440 --> 0:42:03.800
<v Speaker 1>I will perform it, I'm gonna show through my acting

0:42:04.000 --> 0:42:07.759
<v Speaker 1>why this guy has chosen to kill innocent Americans. So

0:42:07.800 --> 0:42:10.520
<v Speaker 1>in the biography that I wrote, you know, his parents

0:42:11.280 --> 0:42:14.000
<v Speaker 1>suffered at the hands of the Americans, so he's always

0:42:14.080 --> 0:42:16.600
<v Speaker 1>wanted vengeance and all this stuff. So I go down

0:42:16.600 --> 0:42:20.600
<v Speaker 1>to Dallas where they where they filmed this, and I

0:42:20.680 --> 0:42:22.480
<v Speaker 1>show up and I'm playing I'm gonna being an Afghan

0:42:22.520 --> 0:42:27.320
<v Speaker 1>in America. And so I go to to the fitting

0:42:27.400 --> 0:42:29.440
<v Speaker 1>and they go, here's your shirt, here's your pants, here's

0:42:29.440 --> 0:42:32.120
<v Speaker 1>your turban. And I go, oh, no, no, I go,

0:42:32.320 --> 0:42:35.719
<v Speaker 1>Afghans in America don't wear turbans. I go, especially if

0:42:35.760 --> 0:42:38.000
<v Speaker 1>I'm an Afghan who's thinking of blowing something up, I'm

0:42:38.040 --> 0:42:39.880
<v Speaker 1>not gonna be walking around with a turban in Chicago.

0:42:40.600 --> 0:42:43.840
<v Speaker 1>And the lady was like, well, the producers and they

0:42:43.880 --> 0:42:45.480
<v Speaker 1>all want you to wear it. I go, let them know.

0:42:45.520 --> 0:42:47.799
<v Speaker 1>I've done my research. You know. If I were like

0:42:48.000 --> 0:42:51.160
<v Speaker 1>with the Northern Alliance or the Taliban in Afghanistan. Yeah,

0:42:51.200 --> 0:42:54.360
<v Speaker 1>but I go in Chicago. Trust me, I'm Iranian. I

0:42:54.440 --> 0:42:56.359
<v Speaker 1>know Muslims. They don't. I go, maybe a little bit

0:42:56.400 --> 0:42:58.960
<v Speaker 1>scruff on the cheeks, you know, the beard, maybe a

0:42:59.000 --> 0:43:01.640
<v Speaker 1>button all the way button up, But the turban is

0:43:01.680 --> 0:43:03.600
<v Speaker 1>a bad idea. She goes, all right, I'll tell them.

0:43:03.760 --> 0:43:05.600
<v Speaker 1>Next day, I go to my dressing room there's my shirt,

0:43:05.640 --> 0:43:08.759
<v Speaker 1>my pants and what looks like a scarf. And I'm like, oh, yeah, see,

0:43:08.840 --> 0:43:10.360
<v Speaker 1>clearly they want me to wear a scarf. She's like, no,

0:43:10.360 --> 0:43:11.960
<v Speaker 1>that's a turban. You just gotta wrap it back up.

0:43:12.440 --> 0:43:15.800
<v Speaker 1>I'm like, oh great. So I did the part and

0:43:16.000 --> 0:43:18.719
<v Speaker 1>I felt kind of I felt bad doing it. I

0:43:18.719 --> 0:43:20.279
<v Speaker 1>was like, what am I doing? So when I came

0:43:20.280 --> 0:43:23.399
<v Speaker 1>back to Los Angeles, I told my agents, I said,

0:43:23.440 --> 0:43:26.839
<v Speaker 1>you know, no more terrorist parts. And then the TV

0:43:26.920 --> 0:43:29.359
<v Speaker 1>show twenty four I just started taking off and they

0:43:29.360 --> 0:43:32.560
<v Speaker 1>got in touch. And they were notorious for not telling

0:43:32.560 --> 0:43:35.640
<v Speaker 1>you the plot of the show. You'd get an audition,

0:43:35.680 --> 0:43:38.839
<v Speaker 1>you'd be like, he's a whatever, he's a guy who

0:43:38.840 --> 0:43:41.279
<v Speaker 1>owns a laundromat. But there's gonna be a twist. He like,

0:43:41.280 --> 0:43:43.680
<v Speaker 1>what does that mean? They go, well, we can't tell you.

0:43:43.760 --> 0:43:46.680
<v Speaker 1>It's all right. So the audition was for a terrorist

0:43:46.719 --> 0:43:48.840
<v Speaker 1>and I said no thanks. They go, but he changes

0:43:48.920 --> 0:43:51.719
<v Speaker 1>his mind halfway through the mission. I go, oh, the

0:43:51.760 --> 0:43:56.320
<v Speaker 1>ambivalent terrorist. That sounds cool. So that was the last

0:43:56.320 --> 0:43:58.040
<v Speaker 1>time I did a terrorist part. And then after that

0:43:58.080 --> 0:43:59.759
<v Speaker 1>I said no more of this stuff. So there's been

0:43:59.800 --> 0:44:02.239
<v Speaker 1>a lot of auditions that have come in or now

0:44:02.400 --> 0:44:05.840
<v Speaker 1>my managers and agents know. Like my agent called me

0:44:05.880 --> 0:44:07.800
<v Speaker 1>one time. He's like, listen, I'm getting ready to pass

0:44:07.920 --> 0:44:09.600
<v Speaker 1>on an audition that came in. I just want you

0:44:09.640 --> 0:44:11.319
<v Speaker 1>to make sure. I want to make sure you're cool

0:44:11.360 --> 0:44:13.600
<v Speaker 1>with that. I said, sure, what is it? He goes

0:44:13.719 --> 0:44:16.800
<v Speaker 1>just two words, flight ninety eight or whatever with United

0:44:16.920 --> 0:44:20.719
<v Speaker 1>ninety eight or the airplane that went down. Oh yeah, yeah.

0:44:20.719 --> 0:44:23.399
<v Speaker 1>I go, are there any like FBI parts I can play?

0:44:23.440 --> 0:44:25.279
<v Speaker 1>And he goes, yeah, but they're all white guys. I go,

0:44:25.360 --> 0:44:46.400
<v Speaker 1>I forget it. I don't want to play therorist. You

0:44:46.400 --> 0:44:51.640
<v Speaker 1>you've written a film script called Jimmy Vestwood American Hero?

0:44:51.920 --> 0:44:54.880
<v Speaker 1>Is this true? Is this? Is this? Is this? No?

0:44:54.960 --> 0:44:57.200
<v Speaker 1>This was a movie that we actually did a few

0:44:57.280 --> 0:44:59.480
<v Speaker 1>years did Yeah, we did it. We filmed it. So

0:44:59.440 --> 0:45:02.279
<v Speaker 1>it was my the first film I ever wrote. I

0:45:02.280 --> 0:45:04.759
<v Speaker 1>wrote with my friend Amir ohebs In, and then our

0:45:04.800 --> 0:45:08.520
<v Speaker 1>director was Jonathan Kesselman. It was basically my homage. I

0:45:08.560 --> 0:45:10.480
<v Speaker 1>was a big fan of Pink Panther growing up, so

0:45:10.520 --> 0:45:13.760
<v Speaker 1>it was kind of like my Persian Pink Panther. Because

0:45:13.840 --> 0:45:17.200
<v Speaker 1>the storyline of a guy who's in Iran he wins

0:45:17.239 --> 0:45:19.759
<v Speaker 1>the green card lottery to come to America and he's

0:45:19.760 --> 0:45:21.680
<v Speaker 1>always wanted to be an American hero because back in

0:45:21.680 --> 0:45:24.319
<v Speaker 1>the day he used to watch Steve McQueen movies. And

0:45:24.360 --> 0:45:25.880
<v Speaker 1>he comes to America and he wants to be like

0:45:25.880 --> 0:45:27.480
<v Speaker 1>a cop and save the day. But the best job

0:45:27.480 --> 0:45:29.440
<v Speaker 1>he can get is working as a security guard a

0:45:29.440 --> 0:45:32.759
<v Speaker 1>Persian grocery store, and from there he goes on to

0:45:32.800 --> 0:45:37.279
<v Speaker 1>get involved in this plot. Anyway, the movie was. It

0:45:37.320 --> 0:45:39.000
<v Speaker 1>was such a great experience because I got to get

0:45:39.040 --> 0:45:41.279
<v Speaker 1>a lot of my friends to come on and do

0:45:41.400 --> 0:45:43.359
<v Speaker 1>the movie with us, and it was just a lot

0:45:43.400 --> 0:45:44.960
<v Speaker 1>of fun. But it was a lot of work. I

0:45:45.040 --> 0:45:50.359
<v Speaker 1>have so much respect for filmmakers, you know, because we

0:45:50.680 --> 0:45:54.759
<v Speaker 1>wrote it together. We crowdfunded the money, so we ended

0:45:54.800 --> 0:45:59.080
<v Speaker 1>up distributing it ourselves. And the truth is it was

0:45:59.200 --> 0:46:02.759
<v Speaker 1>like it wasn't a financial success. But the first week

0:46:02.840 --> 0:46:07.000
<v Speaker 1>we came out, we were in four theaters and per

0:46:07.080 --> 0:46:11.880
<v Speaker 1>screen average, we were number four in the box office

0:46:11.880 --> 0:46:15.120
<v Speaker 1>Mojo after Captain America. That's awesome, And I was like,

0:46:15.239 --> 0:46:16.640
<v Speaker 1>look at that. I got. I got the I got

0:46:16.719 --> 0:46:19.960
<v Speaker 1>the screenshot of it and everything, and to this day

0:46:20.280 --> 0:46:23.320
<v Speaker 1>there's clips of it now that people put on social media.

0:46:23.360 --> 0:46:26.279
<v Speaker 1>So every once in a while, I'll see it circulating

0:46:26.280 --> 0:46:28.600
<v Speaker 1>and I'm like, that's my film. So yeah, it was.

0:46:28.640 --> 0:46:32.560
<v Speaker 1>It was a cool experience. You've done not one, not

0:46:33.440 --> 0:46:38.520
<v Speaker 1>even two, but five comedy specials starting with Access of

0:46:38.560 --> 0:46:44.880
<v Speaker 1>Evil in two thousand and seven. The Access to that

0:46:44.960 --> 0:46:48.080
<v Speaker 1>started as a tour, right, Yeah, so I've actually done

0:46:48.200 --> 0:46:51.879
<v Speaker 1>six comedy specials. Six comedy specials. Yeah, I just keep

0:46:51.880 --> 0:46:54.200
<v Speaker 1>you know that. I think the key is Brian that

0:46:54.280 --> 0:46:57.759
<v Speaker 1>I keep talking about my life and so as my

0:46:57.880 --> 0:47:02.200
<v Speaker 1>kids grow, as I grow, as things change, you know,

0:47:02.400 --> 0:47:05.440
<v Speaker 1>and also things I'm observing. I think, like, you know,

0:47:05.640 --> 0:47:07.719
<v Speaker 1>I'm not a sit down and write jokes kind of

0:47:07.760 --> 0:47:10.600
<v Speaker 1>guy where there are just evergreen jokes that I'm gonna

0:47:10.600 --> 0:47:14.080
<v Speaker 1>be telling forever and ever So because of that, I've

0:47:14.120 --> 0:47:16.839
<v Speaker 1>I've been forced to or I just keep I keep

0:47:16.880 --> 0:47:19.200
<v Speaker 1>getting up at the clubs in LA and I keep,

0:47:20.440 --> 0:47:24.000
<v Speaker 1>you know, writing new material. And so the Access of

0:47:24.080 --> 0:47:27.719
<v Speaker 1>Evil Comedy Tour was a tour that actually started at

0:47:27.719 --> 0:47:30.480
<v Speaker 1>the Comedy Store Mits. Sure put me and a few

0:47:30.480 --> 0:47:33.959
<v Speaker 1>other Middle Eastern comedians together, right a little bit before

0:47:34.000 --> 0:47:35.880
<v Speaker 1>September eleven, she was like, I think there's gonna be it.

0:47:35.920 --> 0:47:37.759
<v Speaker 1>She was almost she had like an epiphany. She goes,

0:47:38.120 --> 0:47:40.960
<v Speaker 1>there's gonna be a need for a positive voice for

0:47:41.280 --> 0:47:46.280
<v Speaker 1>Muslims in the world. Yeah, and so so she saw

0:47:46.320 --> 0:47:49.400
<v Speaker 1>that and U and then we toured and then that

0:47:49.480 --> 0:47:53.160
<v Speaker 1>turned into a comedy special that was an OH seven,

0:47:53.360 --> 0:47:57.040
<v Speaker 1>and then my first solo special was called Brown and

0:47:57.080 --> 0:47:59.240
<v Speaker 1>Friendly and O eight and then I've gone on and done.

0:47:59.280 --> 0:48:01.960
<v Speaker 1>You know, the lie one was called Pandemic Warrior, where

0:48:01.960 --> 0:48:04.279
<v Speaker 1>I filmed it in Dubai, and now I got the

0:48:04.280 --> 0:48:05.880
<v Speaker 1>new one coming out that I just filmed at the

0:48:05.880 --> 0:48:08.400
<v Speaker 1>Comedy Store, which I'm calling The Birds and the Bees.

0:48:09.200 --> 0:48:13.520
<v Speaker 1>The Birds and the Bees. How do you decide when

0:48:13.560 --> 0:48:16.680
<v Speaker 1>it's time to film the special? Is there a date?

0:48:16.920 --> 0:48:19.239
<v Speaker 1>And you say to yourself, I gotta be ready by

0:48:19.360 --> 0:48:22.440
<v Speaker 1>now because if not by this date, because if not,

0:48:22.560 --> 0:48:25.640
<v Speaker 1>I'll just keep tinkering. Or do you wait until you

0:48:25.680 --> 0:48:28.320
<v Speaker 1>feel like you're you're ready for it? You know, I've

0:48:28.320 --> 0:48:32.560
<v Speaker 1>been doing stand up comedy consistently since I started in

0:48:32.680 --> 0:48:36.480
<v Speaker 1>ninety eight and then really touring in oh six oh

0:48:36.640 --> 0:48:41.799
<v Speaker 1>seven around there just constantly, like all the time. And

0:48:41.880 --> 0:48:45.879
<v Speaker 1>so you're out, you're doing you know, in town, you're

0:48:45.880 --> 0:48:48.440
<v Speaker 1>doing fifteen twenty minute sets. You tour, you do one

0:48:48.440 --> 0:48:52.440
<v Speaker 1>hour sets and it just keeps chiseling. It's just chisel, chisel, chisel.

0:48:52.520 --> 0:48:54.359
<v Speaker 1>And then there's nights where you're like, wow, what a night.

0:48:54.360 --> 0:48:57.920
<v Speaker 1>We should have filmed that, and really, like you know,

0:48:58.160 --> 0:48:59.879
<v Speaker 1>usually around a year and a half to two years

0:49:00.040 --> 0:49:04.000
<v Speaker 1>in you've got this nice hour plus I think you

0:49:04.040 --> 0:49:06.959
<v Speaker 1>start talking to your agents and managers. You're like, listen, guys,

0:49:06.960 --> 0:49:09.480
<v Speaker 1>this is ready to go. You're ready now, Yeah, let's

0:49:09.520 --> 0:49:12.680
<v Speaker 1>find the right place for it's what's gonna make it special.

0:49:14.120 --> 0:49:17.080
<v Speaker 1>And you know, this time around, like I said, I thought,

0:49:17.120 --> 0:49:20.720
<v Speaker 1>since I've done I've done I've filmed specials in Dubai,

0:49:20.760 --> 0:49:23.920
<v Speaker 1>I've filmed the special in Stockholm, Sweden, i filmed the

0:49:23.920 --> 0:49:27.920
<v Speaker 1>special the Kennedy Center, I've done LA And I was like,

0:49:28.680 --> 0:49:30.719
<v Speaker 1>I've never done a club special. And I said, this

0:49:30.800 --> 0:49:32.799
<v Speaker 1>is where I got my start. So let me go

0:49:32.840 --> 0:49:35.480
<v Speaker 1>back at the beginning of the special, I tell the

0:49:35.520 --> 0:49:38.600
<v Speaker 1>story of the whole turban thing again and uh, and

0:49:38.680 --> 0:49:42.000
<v Speaker 1>yeah it was great. I mean, it's um. You know.

0:49:42.120 --> 0:49:43.799
<v Speaker 1>The other thing I've learned in this business is you

0:49:43.840 --> 0:49:47.000
<v Speaker 1>have to create your own opportunities because if you don't,

0:49:47.320 --> 0:49:51.600
<v Speaker 1>ain't nobody gonna call, you know, So I'm constantly just

0:49:51.719 --> 0:49:56.520
<v Speaker 1>trying to create opportunities, and it's just in my nature.

0:49:56.560 --> 0:49:58.880
<v Speaker 1>I can't stop running. I think some immigrant mentality. I

0:49:58.920 --> 0:50:02.960
<v Speaker 1>can't just pick my feet up play video games. In

0:50:03.000 --> 0:50:06.560
<v Speaker 1>case it's not clear to everybody listening now, Mas is

0:50:06.800 --> 0:50:11.400
<v Speaker 1>an incredibly smart guy. Gave the commencement speech at UC

0:50:11.640 --> 0:50:17.200
<v Speaker 1>Berkeley in twenty seventeen. I would say that there are

0:50:17.600 --> 0:50:21.080
<v Speaker 1>two through lines through, if not all, most of your work,

0:50:21.160 --> 0:50:26.800
<v Speaker 1>which is politics and also your family. As you mentioned before,

0:50:27.640 --> 0:50:32.080
<v Speaker 1>do you feel like over the last twenty years that

0:50:32.160 --> 0:50:34.840
<v Speaker 1>are twenty plus years you've been doing it and touring

0:50:35.160 --> 0:50:38.239
<v Speaker 1>close to twenty years, do you feel like your politics

0:50:38.280 --> 0:50:42.399
<v Speaker 1>has changed? Do you feel like how you express your

0:50:42.440 --> 0:50:46.319
<v Speaker 1>politics have changed? Well, let me go. Let me first

0:50:46.320 --> 0:50:48.279
<v Speaker 1>of all, thanks for saying I'm smart. I honestly like

0:50:48.480 --> 0:50:51.399
<v Speaker 1>don't feel smart, like I mean, I think. I think

0:50:51.400 --> 0:50:54.560
<v Speaker 1>I'm relatively Listen, if you took the country of three

0:50:54.600 --> 0:50:57.839
<v Speaker 1>hundred and fifty million people, I would probably fall into

0:50:57.880 --> 0:51:02.640
<v Speaker 1>the smart category. But there's so many people to half. Yeah, exactly,

0:51:02.719 --> 0:51:05.000
<v Speaker 1>I think I think the median. I think in the

0:51:05.040 --> 0:51:08.399
<v Speaker 1>Median I'm in the top half. But I've always been

0:51:08.440 --> 0:51:12.040
<v Speaker 1>interested in politics and I've always been a very I

0:51:12.080 --> 0:51:14.000
<v Speaker 1>don't know why, but I've always been a very kind

0:51:14.000 --> 0:51:18.480
<v Speaker 1>of liberal, bleeding heart, kind of like help, you know,

0:51:18.560 --> 0:51:20.360
<v Speaker 1>if I can save the world, let me try and

0:51:20.400 --> 0:51:22.520
<v Speaker 1>help save the world. Listen, first of all, coming from

0:51:22.520 --> 0:51:26.240
<v Speaker 1>Iran and seeing what happened there with this religious fundamentalism

0:51:26.239 --> 0:51:29.680
<v Speaker 1>and how all the rights were taken away last year

0:51:29.719 --> 0:51:32.080
<v Speaker 1>when the protests happened in Iran, I went to some

0:51:32.160 --> 0:51:35.080
<v Speaker 1>schools around Los Angeles and was speaking to these students

0:51:35.120 --> 0:51:37.680
<v Speaker 1>about it, and I said, why should you care about Iran?

0:51:37.719 --> 0:51:39.439
<v Speaker 1>First of all, I should care about Iran because they're

0:51:39.440 --> 0:51:43.120
<v Speaker 1>fighting for democracy, and there is really a battle in

0:51:43.160 --> 0:51:49.120
<v Speaker 1>many countries around the world of democracy versus autocracy or

0:51:49.320 --> 0:51:52.759
<v Speaker 1>or or or dictatorships. And then I also said, if

0:51:52.760 --> 0:51:55.200
<v Speaker 1>you guys think this stuff ain't happened in America, let

0:51:55.200 --> 0:51:57.759
<v Speaker 1>me remind you that just last year they took away

0:51:57.800 --> 0:52:02.040
<v Speaker 1>a woman's right to choose and the decision. Clarence Thomas

0:52:02.120 --> 0:52:04.200
<v Speaker 1>said that we're going to look at gay marriage next.

0:52:05.040 --> 0:52:08.440
<v Speaker 1>And so again, whether you whether you're pro or anti abortion,

0:52:08.520 --> 0:52:11.120
<v Speaker 1>isn't the issue. It's the idea of like do we

0:52:11.160 --> 0:52:14.040
<v Speaker 1>want to live in a society where people have more

0:52:14.120 --> 0:52:16.160
<v Speaker 1>freedoms and choices, or do we want to live in

0:52:16.200 --> 0:52:22.319
<v Speaker 1>a society where someone's traditional or fundamentalist ideology is going

0:52:22.400 --> 0:52:27.200
<v Speaker 1>to tell me how and what I can do. So

0:52:27.320 --> 0:52:31.800
<v Speaker 1>I've always been pretty consistent with being very left leaning

0:52:31.960 --> 0:52:34.960
<v Speaker 1>and and and I've also also been a big fan

0:52:35.040 --> 0:52:39.240
<v Speaker 1>of comedians who are able to be funny but also

0:52:39.640 --> 0:52:42.239
<v Speaker 1>have a statement underneath it. So the truth is I

0:52:42.640 --> 0:52:45.520
<v Speaker 1>kind of watch Colbert religiously because I get my news

0:52:45.560 --> 0:52:50.520
<v Speaker 1>from there, you know, John Oliver, I participate myself. I'm

0:52:51.239 --> 0:52:53.239
<v Speaker 1>one of the panelists from time to time on Weight

0:52:53.280 --> 0:52:55.719
<v Speaker 1>Weight Don't Tell Me on NPR all of those things,

0:52:55.760 --> 0:52:57.719
<v Speaker 1>and then you can go also also back to like

0:52:57.920 --> 0:53:01.279
<v Speaker 1>the George Carlins and the Richard Priors and all those

0:53:01.280 --> 0:53:05.759
<v Speaker 1>other guys who were making political statements. I'm always I've

0:53:05.760 --> 0:53:08.239
<v Speaker 1>always been a fan of that what's the best joke

0:53:08.280 --> 0:53:11.640
<v Speaker 1>you've ever written? You know, it's funny you say that,

0:53:11.719 --> 0:53:15.439
<v Speaker 1>because it's not even about the best. It's about it's

0:53:15.480 --> 0:53:18.360
<v Speaker 1>about the jokes. Sometimes when I'm in my head, because

0:53:18.480 --> 0:53:21.000
<v Speaker 1>sometimes the jokes are like stories, so you gotta go

0:53:21.120 --> 0:53:23.360
<v Speaker 1>a while, you get the punch lines in the middle.

0:53:23.600 --> 0:53:26.920
<v Speaker 1>Sometimes I'm on stage, I'm like what joke can I

0:53:26.960 --> 0:53:29.960
<v Speaker 1>do right now that's a minute or less that will

0:53:30.000 --> 0:53:33.759
<v Speaker 1>help me get a laugh and finish the set right.

0:53:33.840 --> 0:53:35.759
<v Speaker 1>So one joke I do is I do a joke

0:53:35.840 --> 0:53:40.160
<v Speaker 1>about how the worlds are different now now kids run

0:53:40.200 --> 0:53:42.400
<v Speaker 1>the world. I said, when I was a kid, I

0:53:42.480 --> 0:53:44.279
<v Speaker 1>used to have to play with the kids of my

0:53:44.320 --> 0:53:46.360
<v Speaker 1>parents friends. Now I have to play with the parents

0:53:46.520 --> 0:53:48.560
<v Speaker 1>of my kids friends. And I go. When I was

0:53:48.560 --> 0:53:50.080
<v Speaker 1>a kid, we walk into a party, I was five

0:53:50.120 --> 0:53:51.600
<v Speaker 1>years old. As soon as we walk in, my dad

0:53:51.600 --> 0:53:54.279
<v Speaker 1>would be like, go go play with Amir. And I

0:53:54.320 --> 0:53:55.640
<v Speaker 1>was five years old. I was like, I don't want

0:53:55.640 --> 0:53:57.080
<v Speaker 1>to play with am Heir. He'd be like, go play

0:53:57.120 --> 0:53:59.960
<v Speaker 1>with Amir. And I'd be like, I'm here twenty nine

0:54:00.080 --> 0:54:02.320
<v Speaker 1>years old, and he'd be like, that's not my problem,

0:54:02.360 --> 0:54:04.399
<v Speaker 1>that's his problem. He's their son. Till he finds a wife.

0:54:04.400 --> 0:54:06.680
<v Speaker 1>You have to play with him. So that's one joke

0:54:06.760 --> 0:54:09.120
<v Speaker 1>that I do. The other joke that I'll be honest

0:54:09.160 --> 0:54:11.680
<v Speaker 1>with you now that you're asking my favorite, it might

0:54:11.719 --> 0:54:14.760
<v Speaker 1>be my favorite. I was a big fan of Bjorn

0:54:14.880 --> 0:54:17.200
<v Speaker 1>Borgs when I was a kid, and a lot of

0:54:17.440 --> 0:54:20.600
<v Speaker 1>people that aren't of you know, our era, don't know

0:54:20.600 --> 0:54:23.400
<v Speaker 1>who beyond Borg is Bjorn Borg for those you don't know,

0:54:23.560 --> 0:54:27.040
<v Speaker 1>was a tennis champion. He was like the Roger Federer

0:54:27.120 --> 0:54:29.719
<v Speaker 1>or the Djokovic or the Nadal of my era. He

0:54:29.800 --> 0:54:34.600
<v Speaker 1>was this amazing tennis champ. And he famously played John

0:54:34.680 --> 0:54:37.960
<v Speaker 1>McEnroe in a US Open match in the early eighties.

0:54:38.040 --> 0:54:40.919
<v Speaker 1>He lost, and he said what he did. He didn't

0:54:41.040 --> 0:54:44.000
<v Speaker 1>wait around for the trophy ceremony. He walked out. He

0:54:44.080 --> 0:54:46.880
<v Speaker 1>went to his hotel room. He jumped into the pool

0:54:47.239 --> 0:54:49.399
<v Speaker 1>and he said, I never played tennis again. Like that

0:54:49.480 --> 0:54:53.520
<v Speaker 1>was it. He was done. Well. He was my tennis

0:54:53.560 --> 0:54:55.279
<v Speaker 1>hero and I hadn't heard about him in a long time.

0:54:55.320 --> 0:54:57.719
<v Speaker 1>I'm on tour in Sweden. He's Swedish. By the way.

0:54:57.800 --> 0:55:00.719
<v Speaker 1>I'm on tour in Sweden. It's this ruling tour with

0:55:00.760 --> 0:55:03.680
<v Speaker 1>a different city every night. So I run out of

0:55:03.719 --> 0:55:07.120
<v Speaker 1>clean underwear. So I tell the promoter, I go, I

0:55:07.160 --> 0:55:09.160
<v Speaker 1>need underwear. He goes go over there with the airport.

0:55:09.160 --> 0:55:10.360
<v Speaker 1>He goes go buy it over there. So I go

0:55:10.400 --> 0:55:14.960
<v Speaker 1>to buy underwear. They have Borg underwear and it hits me,

0:55:15.120 --> 0:55:18.880
<v Speaker 1>Oh my god, born Borg has a line of underwear.

0:55:18.920 --> 0:55:20.560
<v Speaker 1>That's what he's been doing all this time. He's got

0:55:20.600 --> 0:55:24.759
<v Speaker 1>like underwear line. So I buy the underwear. And so

0:55:24.920 --> 0:55:26.920
<v Speaker 1>when I do this joke on stage, I told that

0:55:26.960 --> 0:55:28.600
<v Speaker 1>whole story and I go, and I'll be honest with

0:55:28.640 --> 0:55:31.320
<v Speaker 1>you guys, I bought this underwear. It's the most amazing underwear.

0:55:31.560 --> 0:55:35.200
<v Speaker 1>I've been recommending to all the guys. Buy the Borg underwear.

0:55:35.280 --> 0:55:37.880
<v Speaker 1>It's amazing. I go. Now when I walk down the street,

0:55:38.200 --> 0:55:40.920
<v Speaker 1>my balls just play tennis with each other. And then

0:55:40.920 --> 0:55:45.719
<v Speaker 1>I made the sun and I go, and then I

0:55:45.800 --> 0:55:50.320
<v Speaker 1>go advantage left not I go. It comes with an announcer.

0:55:51.640 --> 0:55:55.359
<v Speaker 1>So it's a fun bit, and it was. It was. Yeah,

0:55:55.440 --> 0:55:58.600
<v Speaker 1>So that's one of my fun favorite ones. Oh that's awesome.

0:55:59.520 --> 0:56:03.520
<v Speaker 1>You all have written it a memoir. Yes, I'm not

0:56:03.560 --> 0:56:06.719
<v Speaker 1>a terrorist, but I played one on TV. Writing is hard.

0:56:07.160 --> 0:56:08.919
<v Speaker 1>I mean, I know you do a lot of it

0:56:09.160 --> 0:56:13.040
<v Speaker 1>in small form, writing jokes or telling or writing stories.

0:56:14.000 --> 0:56:17.879
<v Speaker 1>Rewarding for you absolutely. First of all, what was great

0:56:17.880 --> 0:56:20.880
<v Speaker 1>about writing a book it was like about it's about yourself.

0:56:21.120 --> 0:56:26.080
<v Speaker 1>Is it's therapeutic because you're writing about stuff in your past.

0:56:26.160 --> 0:56:27.480
<v Speaker 1>You have to think about it, you gott you talk

0:56:27.480 --> 0:56:29.600
<v Speaker 1>to your parents about it. A lot of a lot

0:56:29.640 --> 0:56:31.560
<v Speaker 1>of memories come back and it was it was great.

0:56:31.800 --> 0:56:35.000
<v Speaker 1>It was very daunting, and what I would do is

0:56:35.040 --> 0:56:37.360
<v Speaker 1>so I actually I got a guy, originally as as

0:56:37.400 --> 0:56:39.359
<v Speaker 1>a touring comedian. I got this guy. I go, hey,

0:56:39.440 --> 0:56:42.360
<v Speaker 1>his name was John Methven. I said, why don't you

0:56:42.800 --> 0:56:45.439
<v Speaker 1>We hired him to write it with me. And the

0:56:45.440 --> 0:56:48.359
<v Speaker 1>truth is, as I got going, I realized, you know,

0:56:48.800 --> 0:56:51.279
<v Speaker 1>I like writing, like I want to write with my

0:56:51.320 --> 0:56:53.080
<v Speaker 1>own voice. So I would write it, I would send

0:56:53.080 --> 0:56:56.400
<v Speaker 1>it to him, he would help, you know, shape it,

0:56:56.520 --> 0:56:58.360
<v Speaker 1>send it back and then we'd go. So it was

0:56:58.440 --> 0:57:00.800
<v Speaker 1>kind of like having an editor before having the editor,

0:57:01.520 --> 0:57:06.200
<v Speaker 1>and it helped because also I do better if I

0:57:06.280 --> 0:57:09.160
<v Speaker 1>have a deadline, and if I have a partner, that

0:57:09.280 --> 0:57:11.720
<v Speaker 1>helps with the deadline, because if I don't have a partner,

0:57:12.200 --> 0:57:16.520
<v Speaker 1>I've got fifteen projects just swirling in the air and

0:57:16.640 --> 0:57:19.640
<v Speaker 1>I might not get to it between walking the dog,

0:57:19.760 --> 0:57:22.760
<v Speaker 1>dropping off my kids, you know, kissing my wife. There's

0:57:22.800 --> 0:57:26.960
<v Speaker 1>a lot going on. So so it was daunting, but

0:57:27.120 --> 0:57:31.720
<v Speaker 1>having deadlines having an outline, So it's about don't look

0:57:31.760 --> 0:57:33.160
<v Speaker 1>at it as like, oh I got to write a

0:57:33.160 --> 0:57:35.080
<v Speaker 1>three hundred page book. Look at it as I got

0:57:35.080 --> 0:57:38.880
<v Speaker 1>to write fifteen chapters and then start with each one

0:57:38.880 --> 0:57:40.640
<v Speaker 1>and go and go and go, and in the end

0:57:40.680 --> 0:57:48.760
<v Speaker 1>you're done. Right, You're clearly thoughtful. I wonder you're you're

0:57:48.800 --> 0:57:53.400
<v Speaker 1>feeling about this. For me, so much about telling jokes,

0:57:53.440 --> 0:57:57.560
<v Speaker 1>being funny and stand up is about that live delivery,

0:57:58.080 --> 0:58:01.360
<v Speaker 1>whereas when you're writing and you're expecting someone to read it.

0:58:01.400 --> 0:58:02.800
<v Speaker 1>By the way, this is why I think Steve Martin

0:58:02.880 --> 0:58:05.040
<v Speaker 1>is such a genius, because I will read his books

0:58:05.360 --> 0:58:09.080
<v Speaker 1>and they still make me laugh. Did you find anything

0:58:09.200 --> 0:58:13.360
<v Speaker 1>particularly challenging about that? You know, it was interesting because

0:58:13.360 --> 0:58:17.600
<v Speaker 1>the first I think my first draft came across almost

0:58:17.640 --> 0:58:21.320
<v Speaker 1>too serious, okay, and the editor came back and said,

0:58:21.320 --> 0:58:23.840
<v Speaker 1>listen to you're a comedian. You need to make it funnier.

0:58:24.560 --> 0:58:25.960
<v Speaker 1>So then I was like, okay, now I got to

0:58:26.000 --> 0:58:30.320
<v Speaker 1>find ways, like you said, for it to read funny. Right.

0:58:30.440 --> 0:58:32.960
<v Speaker 1>That's a little bit of a challenge too, because, as

0:58:33.000 --> 0:58:36.040
<v Speaker 1>you said, like how does it read funny? But the

0:58:36.120 --> 0:58:38.920
<v Speaker 1>one thing that it does give you is it gives

0:58:38.960 --> 0:58:42.200
<v Speaker 1>you whereas in stand up you're going to cut a

0:58:42.240 --> 0:58:43.840
<v Speaker 1>lot of the fact because you're telling a story. You

0:58:43.920 --> 0:58:49.040
<v Speaker 1>gotta keep it moving with writing, you know, keep it in.

0:58:49.120 --> 0:58:51.520
<v Speaker 1>It's even like The Godfather when you read The Godfather,

0:58:51.560 --> 0:58:55.440
<v Speaker 1>it's very different than watching it because I tell people

0:58:55.440 --> 0:58:57.600
<v Speaker 1>I go, when you read The Godfather, you find out

0:58:57.640 --> 0:59:02.360
<v Speaker 1>that Vito Corleone yeared one man and that was Luca Brazzi.

0:59:02.760 --> 0:59:05.040
<v Speaker 1>And the only reason he feared Luca Brazzi was because

0:59:05.120 --> 0:59:09.280
<v Speaker 1>Luca Brazzi was kind of a wild card in terms

0:59:09.320 --> 0:59:11.760
<v Speaker 1>of his level of intelligence. Now when you watch it,

0:59:11.760 --> 0:59:13.960
<v Speaker 1>in the movie, they try to convey some of that,

0:59:14.000 --> 0:59:17.919
<v Speaker 1>but Luca Brazzi is nervous of Vito Corleone. Right, So

0:59:18.240 --> 0:59:22.240
<v Speaker 1>the thoughts their thoughts, and Luca, you know, you get

0:59:22.280 --> 0:59:26.840
<v Speaker 1>to go into that, which is kind of cool. So yeah,

0:59:27.120 --> 0:59:30.320
<v Speaker 1>being funny was a little a little difficult, but I

0:59:30.360 --> 0:59:32.680
<v Speaker 1>tried as much as I could, and I think, I mean,

0:59:33.040 --> 0:59:35.440
<v Speaker 1>you know, for the most part, I've gotten pretty good feedback.

0:59:35.480 --> 0:59:37.760
<v Speaker 1>I'm always like pleasantly surprised when somebody shows up at

0:59:37.800 --> 0:59:39.400
<v Speaker 1>one of my shows and has my book. I'm like,

0:59:39.400 --> 0:59:44.240
<v Speaker 1>oh wow, and I sign it. You know. Yeah, All

0:59:44.480 --> 0:59:48.320
<v Speaker 1>Things Comedy. You have a podcast on All Things comedy

0:59:48.360 --> 0:59:51.760
<v Speaker 1>called back to School? Right, Well, I had I had

0:59:52.000 --> 0:59:55.360
<v Speaker 1>so done, We're done, because so what happened was I

0:59:55.400 --> 0:59:57.760
<v Speaker 1>did this podcast called back to School with Maz Jobrani.

0:59:57.800 --> 1:00:00.680
<v Speaker 1>It was me and my opening act, Tehran, who another

1:00:00.720 --> 1:00:04.320
<v Speaker 1>fellow comedian, and really it was just like it became

1:00:04.360 --> 1:00:07.680
<v Speaker 1>an excuse to talk to interesting people. But really it

1:00:07.840 --> 1:00:11.320
<v Speaker 1>started with my kids asking me questions that I didn't

1:00:11.360 --> 1:00:13.200
<v Speaker 1>have the answers too. So I was like, rather than

1:00:13.240 --> 1:00:17.120
<v Speaker 1>me googling, why don't I bring experts right? So we

1:00:17.240 --> 1:00:19.440
<v Speaker 1>had like a guy named Frank Figluzzi who used to

1:00:19.440 --> 1:00:22.440
<v Speaker 1>be an FBI agent. We had a guy named fears

1:00:22.760 --> 1:00:27.080
<v Speaker 1>Naderi who helped land the rover on Mars. We had

1:00:27.080 --> 1:00:29.440
<v Speaker 1>a lot of interesting people come on and it was

1:00:29.520 --> 1:00:33.560
<v Speaker 1>very interesting to me. But as the touring started again,

1:00:34.120 --> 1:00:36.439
<v Speaker 1>I realized I don't have as much time, and I've

1:00:36.480 --> 1:00:39.680
<v Speaker 1>really got to start focusing on dedicating my time. So

1:00:40.200 --> 1:00:42.760
<v Speaker 1>we basically put it on ice for now, and perhaps

1:00:42.760 --> 1:00:44.640
<v Speaker 1>I get back into a podcast at some point, but

1:00:44.720 --> 1:00:47.880
<v Speaker 1>for now, I'm just really focused on the touring and

1:00:48.600 --> 1:00:52.160
<v Speaker 1>maybe pitching TV show ideas and all that stuff. I

1:00:52.280 --> 1:00:57.560
<v Speaker 1>know how difficult the touring schedule is. I respect the

1:00:57.640 --> 1:01:00.640
<v Speaker 1>hell out of you for doing it. I think I'm

1:01:00.680 --> 1:01:02.600
<v Speaker 1>in the middle of being on the road for eight

1:01:02.640 --> 1:01:08.000
<v Speaker 1>consecutive weeks, part of weeks, so I feel you and

1:01:08.080 --> 1:01:10.680
<v Speaker 1>I want you to know how much I appreciate you

1:01:11.040 --> 1:01:13.880
<v Speaker 1>coming on here and taking a little time to share

1:01:13.920 --> 1:01:17.200
<v Speaker 1>with us your your journey and your experience. I wish

1:01:17.280 --> 1:01:22.800
<v Speaker 1>you all success and congratulations on the sixth comedy special

1:01:23.360 --> 1:01:29.480
<v Speaker 1>seven seven seven year seven. You said six nowause, let's

1:01:29.480 --> 1:01:32.360
<v Speaker 1>count them actually evil, brown and friendly. I come in peace.

1:01:32.600 --> 1:01:35.680
<v Speaker 1>I'm not a ter. I played one on TV Immigrant

1:01:36.040 --> 1:01:38.640
<v Speaker 1>Pandemic Warrior and this is The Birds and the Bees

1:01:38.840 --> 1:01:42.840
<v Speaker 1>the Birds YouTube. It's coming out. It's coming out at

1:01:42.880 --> 1:01:46.080
<v Speaker 1>the place of your comedic birth. Mosa. Thank you so

1:01:46.160 --> 1:01:48.320
<v Speaker 1>much for joining me, Brian, thank you for having me.

1:01:48.320 --> 1:02:02.320
<v Speaker 1>I really appreciate you. Moss, thank you so much for

1:02:02.400 --> 1:02:07.200
<v Speaker 1>joining me today. This was such a fun conversation this weekend.

1:02:07.280 --> 1:02:09.680
<v Speaker 1>You know what I'm gonna do. I'm gonna bene watch

1:02:09.720 --> 1:02:15.800
<v Speaker 1>every one of your specials. Kidding well, kind of maybe, listeners,

1:02:16.240 --> 1:02:18.080
<v Speaker 1>Thank you so much for tuning in. I'm going to

1:02:18.160 --> 1:02:22.160
<v Speaker 1>see you next week. Or another very exciting guest, one

1:02:22.920 --> 1:02:28.160
<v Speaker 1>that you might say is the opposite of ornate, Well,

1:02:28.320 --> 1:02:31.120
<v Speaker 1>their name is at least okay, that's a terrible hint.

1:02:31.160 --> 1:02:34.080
<v Speaker 1>You're never gonna get it. That's okay, because guess what,

1:02:34.880 --> 1:02:45.760
<v Speaker 1>I'll see you next week Off. The Beat is hosted

1:02:45.800 --> 1:02:50.280
<v Speaker 1>and executive produced by me Brian Baumgartner, alongside our executive

1:02:50.280 --> 1:02:54.400
<v Speaker 1>producer Ling Lee. Our senior producer is Diego Tapia. Our

1:02:54.400 --> 1:02:58.360
<v Speaker 1>producers are Liz Hayes, Hannah Harris, and Emily Carr. Our

1:02:58.360 --> 1:03:02.400
<v Speaker 1>talent producer is Ryan Papa Zachary, and our intern is

1:03:02.480 --> 1:03:06.720
<v Speaker 1>Sammy Kats. Our theme song Bubble and Squeak, performed by

1:03:07.040 --> 1:03:08.880
<v Speaker 1>the one and only Creed Brett,