WEBVTT - Josh Sharp Disobeys Bridger

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<v Speaker 1>And I invited you here. I thought I made myself

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<v Speaker 1>perfectly clear. When you're a guest to my home, you

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<v Speaker 1>gotta come to me empty. And I said, no, guests,

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<v Speaker 1>your own presences presents enough. I already had too much stuff,

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<v Speaker 1>So how do you dare to surbey me?

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<v Speaker 2>Welcome to I said, no gifts. I'm Richard Winneger. What's

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<v Speaker 2>going on for that? I think this is the first recording.

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<v Speaker 2>This is the first recording since we're back from Chicago

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<v Speaker 2>or I'm I don't know why I say weird. It

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<v Speaker 2>was simply me. In Chicago. I had no help, zero assistance.

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<v Speaker 2>It was just me kind of stumbling through the city

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<v Speaker 2>putting on a show. Had a wonderful time. The audience

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<v Speaker 2>was begging to leave. The theater was nearly empty before

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<v Speaker 2>the show was even over. Let's see what happened. Oh,

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<v Speaker 2>I did wish a Hannah happy birthday on stage. Later

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<v Speaker 2>found out her name was Heidi so but it's now

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<v Speaker 2>too late to womb. Sorry to interrupt, but Klom, Heidi

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<v Speaker 2>Klum was there demanding a happy birth.

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<v Speaker 3>Well, Hannah Klum was her birth name. Heidi Klum's her

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<v Speaker 3>Hollywood name. It's a little flashy. You were saying. I

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<v Speaker 3>didn't mean to interrupt. This isn't about Our guest is

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<v Speaker 3>just trying to burst into the show, and we'll get

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<v Speaker 3>to him in a moment, and we should get to

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<v Speaker 3>him quickly because I'm already rambling.

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<v Speaker 2>But and there's very little going on. What's going on,

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<v Speaker 2>the Patreons still happening. I'm now, as you know, kind

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<v Speaker 2>of doing bonus episodes about the secret lives of Mormon wives.

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<v Speaker 2>That's become almost my entire existence just thinking about those gals.

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<v Speaker 2>So come on over. And then I just I saw

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<v Speaker 2>Mission Impossible last night, followed every moment of it. It

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<v Speaker 2>was perfectly clear what was going on. Tom Cruise has

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<v Speaker 2>completely transformed into kind of a tough as nails aunt,

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<v Speaker 2>looks like your mom's sisters, who's had a real year.

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<v Speaker 2>But actually I didn't have that good of a time.

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<v Speaker 2>Maybe I had ten minutes of a good time. I

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<v Speaker 2>kept trying to fall asleep and that didn't take. So

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<v Speaker 2>take from whatever that what you will. Let's get into

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<v Speaker 2>the show. I love today's guest. It's Josh Sharp. Josh,

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<v Speaker 2>You're already on the show. Welcomed, I said, no gifts.

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<v Speaker 3>I'm jealous. You saw that impossible mission. Yeah, those films,

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<v Speaker 3>I really do. What was the last When you saw

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<v Speaker 3>the last one and you've seen everyone, and I go

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<v Speaker 3>to theater and I have a big thing of popcorn,

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<v Speaker 3>just as Tom intended, and I paced it out of

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<v Speaker 3>of course the whole film. I don't need it before

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<v Speaker 3>we know he hits oppressive. I love it. I feel

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<v Speaker 3>he's the most populist movie star we have in the lot.

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<v Speaker 3>Justin being popular. I like that. He's like, I do

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<v Speaker 3>my own, I will live or die. He's doing everything

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<v Speaker 3>myself off the cliff for your pleasure.

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<v Speaker 2>But I'll say in this one, I think there are

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<v Speaker 2>two stunts, and one of them is kind of it's

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<v Speaker 2>unclear what the stunt is. It's largely underwater and he's

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<v Speaker 2>in an underwater suit, and it's like, what I guess

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<v Speaker 2>he's He's just floating through water, that's the stunt. Sure,

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<v Speaker 2>because there are parts where there's a deep because it

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<v Speaker 2>gets dodgy down there. Yeah, that's the big question. But

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<v Speaker 2>why would he need to be that far down for

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<v Speaker 2>a movie?

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<v Speaker 3>Well, because he's Tom. Why does he need to do

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<v Speaker 3>any of this sport movie? Why? Because he cares? Why

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<v Speaker 3>does he need to ride a motorcycle off a cliff.

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<v Speaker 3>He loves Hollywood magic. He loves Hollywood magic. And you

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<v Speaker 3>can get the bins real easy. That in the movie.

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<v Speaker 3>I bet it is a big plot point. You might

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<v Speaker 3>get the bin.

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<v Speaker 2>So then I don't want to give anything minutes.

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<v Speaker 3>A film right there discussing the bins. It'd be great

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<v Speaker 3>if he got in the bloodstream. Is that what it is?

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<v Speaker 3>I think nitrogen or something nitrogen and then it makes

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<v Speaker 3>you dizzy to kill stuff there. No, I don't want

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<v Speaker 3>nitrogen in the blood stream. I'll tell you that girl.

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<v Speaker 3>You do not want nitrogen in your blood stream.

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<v Speaker 2>He goes very deep and then shoots up to the surface.

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<v Speaker 3>Well that's the part that'll get you. As someone who's

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<v Speaker 3>scuba dove, yes, about three times a decade ago. You

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<v Speaker 3>really have to pace your way up. I mean you

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<v Speaker 3>have how you get the bends. You have a history

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<v Speaker 3>of scuba doving. It's water.

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<v Speaker 2>Well, this is true, I mean this is I love

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<v Speaker 2>the stuff. I don't know that's all you want to

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<v Speaker 2>talk about or not.

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<v Speaker 3>It is true. It tried to kill me last year,

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<v Speaker 3>and you can find out all about this and Josharp

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<v Speaker 3>today my one man off Broadway show starting at the

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<v Speaker 3>Greenwich Hut the year later. Can I Yeah, I don't

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<v Speaker 3>know what you're gonna clip. I actually don't know how

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<v Speaker 3>your I don't know how your audience listens to this.

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<v Speaker 3>Maybe they started the end and go to the beginning,

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<v Speaker 3>or Memento style. Maybe they started at either end and

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<v Speaker 3>meet in the middle. That's a podcast. I just have

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<v Speaker 3>a series of polaroids of the podcast to try to

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<v Speaker 3>figure out what was going on. I've got to mention

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<v Speaker 3>dot Josh sharp to dot within every forty five seconds.

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<v Speaker 3>I'm gonna get it in a clip. I know the game.

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<v Speaker 3>I know the game.

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<v Speaker 2>We're going to cut it out of. This is going

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<v Speaker 2>to be a very difficult episode to listen to. Good

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<v Speaker 2>that will all just be.

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<v Speaker 3>That's what I hope to bring to every podcast, an

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<v Speaker 3>air of unlistenability.

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<v Speaker 2>Yeah, but you have a so this is actually this

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<v Speaker 2>particular mission impossible might really hit home for you.

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<v Speaker 3>Yeah, he's done some water stuff before. I feel like,

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<v Speaker 3>like two ago there was that one where there was

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<v Speaker 3>the big again. Can you remember a single plot point? No?

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<v Speaker 3>Absolutely not. And I have something sorry to tease the listener,

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<v Speaker 3>I have something really salacious about that to mention to you.

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<v Speaker 3>Off air. Oh, and it can't be on air, no

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<v Speaker 3>about tom Cruise or the water or the about the

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<v Speaker 3>whole world and the making of these films. Oh, something

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<v Speaker 3>I learned from someone who made one of these films

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<v Speaker 3>that I don't feel comfortable saying on air.

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<v Speaker 2>Oh my god, I can't wait.

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<v Speaker 3>And yet I do feel comfortable saying that. I don't

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<v Speaker 3>feel comfortable saying on air on air? You know what

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<v Speaker 3>I mean?

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<v Speaker 2>Of course, I need to make some sort of reminder

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<v Speaker 2>for me, So like, that's good, I'm gonna put this.

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<v Speaker 3>I don't feel comfortable. I feel comfortable saying I don't

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<v Speaker 3>feel comfortable saying it on air on air. That's one

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<v Speaker 3>of those great do you know what I mean? Of

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<v Speaker 3>course that's it's meaning us. It's just meaning this is

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<v Speaker 3>a mission impossible moved one time. This is maybe the

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<v Speaker 3>hardest I've ever made. Aaron Jackson laughed. I as a

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<v Speaker 3>joke the show This Is Us was on, I said this,

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<v Speaker 3>this is Us is Us and he thought that was

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<v Speaker 3>the greatest thing.

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<v Speaker 2>Wait, but let's see the thing that you don't feel

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<v Speaker 2>comfortable saying, you don't feel comfortable talking.

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<v Speaker 3>About it has to do with the writing of these films.

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<v Speaker 3>But I do find them to be pretty wild. There

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<v Speaker 3>was something that yeah, okay, like two or three moves. Yeah,

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<v Speaker 3>there was that. There was like a nuclear reactor. Remember

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<v Speaker 3>he had to like hold his breath for like three

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<v Speaker 3>minutes to go and do something to it.

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<v Speaker 2>And that wasn't the last one.

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<v Speaker 3>Maybe it was in this one.

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<v Speaker 2>There are flashbacks of water like was that which where

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<v Speaker 2>in the timeline we're.

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<v Speaker 3>In sort of like part two of part three of

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<v Speaker 3>part one, you know what I mean?

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<v Speaker 2>The final reckoning.

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<v Speaker 3>Yeah, this is the finally the end of the Russian

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<v Speaker 3>nesting dolls in his films.

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<v Speaker 2>Just as far as we know, he does have a

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<v Speaker 2>little It's.

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<v Speaker 3>Good to know, because God, think of all he's reckoned

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<v Speaker 3>with he has reckoned. It must be a big load off,

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<v Speaker 3>the final thing to reckon. I think he's got.

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<v Speaker 2>I have to imagine he's gonna have a craving for

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<v Speaker 2>reckoning in the future.

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<v Speaker 3>I don't think he can stay away. He'll have a

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<v Speaker 3>different proper noun, but I have a feeling he'll still

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<v Speaker 3>be reckoning. The guy won't have the guy won't be Ethan,

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<v Speaker 3>but he'll be reckoning with things. I think he's still

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<v Speaker 3>in that movie where he goes to space. I love that.

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<v Speaker 3>Which when does he go to space? A few years

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<v Speaker 3>ago they announced that he's going to make a movie.

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<v Speaker 3>That's right, he actually goes to space. Katy Perry's style,

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<v Speaker 3>Katie Gail King style. Yes, it's actually a buy a

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<v Speaker 3>pick on Gail King. Tom's playing Gail King. Soaring High

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<v Speaker 3>the Gail King story. Tom is suiting up to play

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<v Speaker 3>Gail King. I can't wait for that.

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<v Speaker 2>I think we're all kind of just uh, just very nervous,

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<v Speaker 2>very nervous for Tom. But he was He's literally going

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<v Speaker 2>to space.

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<v Speaker 3>Hmm. For what purpose does the whole crew go to space?

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<v Speaker 3>Keep wanting to go? Why is he doing all this stuff?

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<v Speaker 3>You have the answer for our delight. He's going to

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<v Speaker 3>take a whole film crew to our delight. Maybe he's

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<v Speaker 3>gonna fill himself. I don't know. I wish I were

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<v Speaker 3>a producer on this film and I had these answers

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<v Speaker 3>for you, Bridger. Nothing would make me happier than to

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<v Speaker 3>have every answer, because it would mean I'm a producer

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<v Speaker 3>on the film. The fact that you remembered it's pretty

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<v Speaker 3>I should be trying to I'm buying for co producer.

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<v Speaker 3>You want to be shot into space? With him. Yeah,

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<v Speaker 3>I don't have an inclination to go to space, but

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<v Speaker 3>I would if Tom asked, would you? Yeah? Are you kidding?

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<v Speaker 2>I wonder if I would?

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<v Speaker 3>You think you wouldn't.

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<v Speaker 2>I think I would really have to do some soul searching.

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<v Speaker 2>I would have to. I probably would.

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<v Speaker 3>You'd have to offer it up in prayer. You'd have

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<v Speaker 3>to offer it up in prayer.

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<v Speaker 2>Of course, I'd say quiet prayer and then go to

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<v Speaker 2>space with Tom. I probably would go. Yeah, even if

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<v Speaker 2>I died, who cares to have gone?

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<v Speaker 3>What a way to go? And to be on camera

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<v Speaker 3>dying with Tom Cruise. You think of the residuals your

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<v Speaker 3>family would receive. Your family would be set for love

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<v Speaker 3>and Tom.

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<v Speaker 2>His box office cachet is a little I think it's fading,

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<v Speaker 2>is it?

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<v Speaker 3>But what didn't they feel that top on Mavericks sort

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<v Speaker 3>of like brought back movies? I brought back the possible

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<v Speaker 3>kind of sent movies to their I understood, understood, and don't.

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<v Speaker 3>I don't know how this one's well, maybe I don't

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<v Speaker 3>want to produce after all, here I thought i'd be rich.

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<v Speaker 2>I believe this one's being beaten by Leelo and Stitch,

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<v Speaker 2>So maybe Lelo and Stitch has brought them?

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<v Speaker 3>Do they do their own stunts?

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<v Speaker 2>As far as I know, Stitch, which one's wait? Lelo

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<v Speaker 2>and Stitch is one of Is Leelo one of the humans?

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<v Speaker 3>I'm realizing I've never seen Leelo and Stitch, not even

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<v Speaker 3>the old animated in my mind. And I understand, and

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<v Speaker 3>I'm giving myself the space to be wrong. Is human? Right?

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<v Speaker 3>Stitch is a creature from outer space? Question mark?

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<v Speaker 2>That makes sense. But just until this moment, I thought

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<v Speaker 2>Leelo I. For whatever reason, I was under the impression

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<v Speaker 2>there were two outer space creatures. But of course it's

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<v Speaker 2>just the blue one.

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<v Speaker 3>It might be a little two peas in a pod. Yeah,

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<v Speaker 3>you know you sort of want the odd couple of

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<v Speaker 3>it all, don't you? Right?

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<v Speaker 2>You want the little You always want a small human

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<v Speaker 2>girl with an alien.

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<v Speaker 3>Always you want this. I'm surprised one of us isn't

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<v Speaker 3>a small human girl, and I'm even more surprised one

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<v Speaker 3>of us isn't an alien. You know, how will this play?

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<v Speaker 3>I will two of us talking? Nobody cares, None of

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<v Speaker 3>you care.

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<v Speaker 2>No, it's not there's sparks. What this is missing is

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<v Speaker 2>Tom Cruise welcoming you to the movies like he did

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<v Speaker 2>last night. The audience gasped, did you do that in

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<v Speaker 2>the last movie? Where it's like he's done it every

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<v Speaker 2>video where he's like, welcome to the movies.

0:10:37.080 --> 0:10:38.600
<v Speaker 3>I think he's done it in all of them. Now

0:10:38.880 --> 0:10:41.400
<v Speaker 3>it's so important that you're here at the movies. I

0:10:41.440 --> 0:10:42.959
<v Speaker 3>was talking about this with people the other day. It

0:10:42.960 --> 0:10:45.640
<v Speaker 3>would have been incredible if in this one he didn't

0:10:45.679 --> 0:10:49.439
<v Speaker 3>do it. Some old man comes out, I want to

0:10:49.440 --> 0:10:52.280
<v Speaker 3>walk up movie, pulls off the masks. Oh my god,

0:10:52.720 --> 0:10:54.680
<v Speaker 3>like in the film, and then and then the set

0:10:54.720 --> 0:10:58.200
<v Speaker 3>breaks away and he's hanging on a helicopter and then

0:10:58.200 --> 0:11:01.200
<v Speaker 3>the movie starts there. It's in the world of the

0:11:01.240 --> 0:11:04.160
<v Speaker 3>move on the movie. Curtain up, light the lights, you

0:11:04.160 --> 0:11:04.959
<v Speaker 3>know how movies start.

0:11:05.960 --> 0:11:09.280
<v Speaker 2>For that to be Ethan could be doing some Hollywood

0:11:09.360 --> 0:11:10.480
<v Speaker 2>high jinks within the movie.

0:11:11.400 --> 0:11:13.000
<v Speaker 3>Yeah, why didn't they see this?

0:11:13.080 --> 0:11:15.679
<v Speaker 2>Is you pitching yourself as a future producer for Think of.

0:11:15.679 --> 0:11:18.760
<v Speaker 3>Me for space, think of me for the Gael King story.

0:11:18.960 --> 0:11:21.640
<v Speaker 3>Is all I'll say, Hollywood, Now that I'm here in LA.

0:11:22.040 --> 0:11:24.440
<v Speaker 3>You know, in New York nobody takes seriously as a producer.

0:11:25.120 --> 0:11:25.920
<v Speaker 3>Now that I'm here in.

0:11:25.960 --> 0:11:30.000
<v Speaker 2>LA, you're making moves. You're in a very la T shirt.

0:11:30.320 --> 0:11:32.640
<v Speaker 3>Thank you. This the Clark Street. Yeah, the one on

0:11:32.679 --> 0:11:34.760
<v Speaker 3>one diner. One time I saw Fred Durst there about

0:11:34.800 --> 0:11:39.880
<v Speaker 3>fifteen years ago. One was that awesome? What was he

0:11:39.960 --> 0:11:44.280
<v Speaker 3>doing eating? Noting the breakfast of course? Why eating breakfast?

0:11:44.360 --> 0:11:48.560
<v Speaker 3>Of course? Well, having a delicious meal in the seventies abbiance.

0:11:48.880 --> 0:11:50.240
<v Speaker 3>It's the one on one now Clark Street.

0:11:50.400 --> 0:11:51.480
<v Speaker 2>I love the Clark Street.

0:11:51.520 --> 0:11:53.400
<v Speaker 3>Oh. I love the Clark Street Diner. I can go

0:11:53.440 --> 0:11:57.480
<v Speaker 3>there today, make a reservation. Josh sharptdaw dot com book

0:11:57.559 --> 0:12:01.600
<v Speaker 3>a table with Fred Durst at the Clark Street Diner.

0:12:02.160 --> 0:12:04.040
<v Speaker 3>I love the Clerk Street done. I'm glad you clocked this.

0:12:04.520 --> 0:12:06.280
<v Speaker 3>Some people don't know it's merch. Some people just think

0:12:06.280 --> 0:12:07.280
<v Speaker 3>it's a shirt with breakfast.

0:12:07.280 --> 0:12:10.560
<v Speaker 2>It's a good shirt, and I'm there probably twice a week.

0:12:10.800 --> 0:12:12.480
<v Speaker 3>I love that place. My friends used to live around

0:12:12.480 --> 0:12:13.960
<v Speaker 3>the corner and I would go there all the time

0:12:13.960 --> 0:12:15.280
<v Speaker 3>when it was the one I won. It's such a

0:12:15.280 --> 0:12:17.719
<v Speaker 3>good diner. I find this shirt is well received by

0:12:17.720 --> 0:12:20.280
<v Speaker 3>the community, but that like every time I wear it,

0:12:20.280 --> 0:12:22.960
<v Speaker 3>someone comes up and they go, I love breakfast. People

0:12:23.120 --> 0:12:24.839
<v Speaker 3>often just think it's about breakfast, and I have a

0:12:24.880 --> 0:12:27.160
<v Speaker 3>bold statement, but I celebrate that. Of course, there's a

0:12:27.160 --> 0:12:29.680
<v Speaker 3>lot to love. And it's a good looking breakfast. That's

0:12:29.720 --> 0:12:32.080
<v Speaker 3>the diner breakfast. Do you know I have one note

0:12:32.120 --> 0:12:34.400
<v Speaker 3>on this breakfast? What can you guess what it is?

0:12:34.440 --> 0:12:35.880
<v Speaker 2>That it shouldn't be twenty two dollars?

0:12:36.160 --> 0:12:41.439
<v Speaker 3>Well, sweetie, oh god, clip it. Get into a war

0:12:41.520 --> 0:12:43.640
<v Speaker 3>with them? Am I doing this right? You know? I

0:12:43.679 --> 0:12:45.840
<v Speaker 3>don't have a podcast, but I'm aware of your culture.

0:12:45.920 --> 0:12:47.480
<v Speaker 3>Clip it. We just say clip it. Well, we will

0:12:47.480 --> 0:12:49.320
<v Speaker 3>with it whenever you want. It doesn't no matter what

0:12:49.360 --> 0:12:53.120
<v Speaker 3>you said previously. My my biggest note is that breakfast, brunch,

0:12:53.200 --> 0:12:56.920
<v Speaker 3>diner culture. It's about beverages. Okay, I need double the

0:12:56.920 --> 0:13:00.280
<v Speaker 3>beverages here. This has already got two drinks. Coffee have

0:13:00.320 --> 0:13:02.880
<v Speaker 3>probably forty dollars orange. I want a big glass of

0:13:02.920 --> 0:13:05.480
<v Speaker 3>water and then I probably want like a boozy drink too,

0:13:05.760 --> 0:13:07.760
<v Speaker 3>like if this is if this is brunch, I want

0:13:07.760 --> 0:13:10.839
<v Speaker 3>fresh squeeze orange juice. I want bad coffee, some of

0:13:10.880 --> 0:13:13.160
<v Speaker 3>the worst coffee. Well, then this is a bad place

0:13:13.200 --> 0:13:14.520
<v Speaker 3>for you to be. They have good coffine. They actually

0:13:14.520 --> 0:13:16.760
<v Speaker 3>do have good coffee. I want water and I want

0:13:16.760 --> 0:13:17.400
<v Speaker 3>a bloody mary.

0:13:17.720 --> 0:13:18.040
<v Speaker 1>Wow.

0:13:18.840 --> 0:13:21.160
<v Speaker 3>That is to me the joy of brunch is so

0:13:21.320 --> 0:13:23.599
<v Speaker 3>many A sip of everything.

0:13:23.360 --> 0:13:24.079
<v Speaker 2>Even the water.

0:13:24.559 --> 0:13:27.480
<v Speaker 3>Yes, oh, I want I'm drinking water all all the time.

0:13:27.520 --> 0:13:30.000
<v Speaker 3>Not for me, I'm not drinking breakfast with the stuff.

0:13:30.120 --> 0:13:31.959
<v Speaker 3>I'm one of those people who like the taste of water.

0:13:33.200 --> 0:13:34.200
<v Speaker 3>Is that true? Yes?

0:13:34.320 --> 0:13:36.120
<v Speaker 2>I think I don't mind the taste of water. But

0:13:36.160 --> 0:13:36.920
<v Speaker 2>I'm gonna taste this.

0:13:38.040 --> 0:13:40.720
<v Speaker 3>Wait, do it am a ms R A ms R style?

0:13:40.800 --> 0:13:42.800
<v Speaker 3>That's not right, but I'm sticking to it a M

0:13:43.000 --> 0:13:46.679
<v Speaker 3>s R A I think ams R. You know it's

0:13:46.679 --> 0:13:49.320
<v Speaker 3>a SMR. It's a sm you can always remember because

0:13:49.320 --> 0:13:58.240
<v Speaker 3>it's related to SMM. That's the nomonic. Y Okay, now

0:13:58.320 --> 0:14:03.560
<v Speaker 3>me just choking. That's well, no, wonder you just don't

0:14:03.600 --> 0:14:08.880
<v Speaker 3>know how to drink it. Sorry, it's good, right, I

0:14:08.960 --> 0:14:11.920
<v Speaker 3>fucking love water. Water rules.

0:14:12.240 --> 0:14:15.840
<v Speaker 2>People say they don't like the taste, what are we

0:14:15.880 --> 0:14:16.320
<v Speaker 2>talking about?

0:14:16.440 --> 0:14:16.880
<v Speaker 3>Yeah exactly.

0:14:17.240 --> 0:14:20.520
<v Speaker 2>I mean they're clearly drinking dirty water because it's such

0:14:20.560 --> 0:14:21.480
<v Speaker 2>a pure thing.

0:14:21.560 --> 0:14:26.080
<v Speaker 3>Like Yeah, and I don't like to participate in the

0:14:26.120 --> 0:14:28.880
<v Speaker 3>New York versus LA if at all. I like I

0:14:29.040 --> 0:14:31.400
<v Speaker 3>like both. I promise you we do have you beat

0:14:31.440 --> 0:14:34.280
<v Speaker 3>on water. See this is something I don't believe you

0:14:34.680 --> 0:14:38.320
<v Speaker 3>you've tasted both, though I've had both. Maybe dynamite.

0:14:38.400 --> 0:14:40.880
<v Speaker 2>I might have kind of a dull taste bud for water,

0:14:40.920 --> 0:14:42.600
<v Speaker 2>because I think I can drink about any water. I

0:14:42.600 --> 0:14:43.720
<v Speaker 2>think that tastes about the same.

0:14:43.800 --> 0:14:48.720
<v Speaker 3>Sure ours really banks and yours has some issues. Would

0:14:48.880 --> 0:14:50.840
<v Speaker 3>you're not fully at the beach where you're like, oh god,

0:14:51.280 --> 0:14:53.280
<v Speaker 3>you know, but this is it's not right.

0:14:53.320 --> 0:14:55.720
<v Speaker 2>I would like someone to bring me a bottle of

0:14:55.800 --> 0:14:58.920
<v Speaker 2>New York water and pour it into I would like

0:14:58.960 --> 0:14:59.960
<v Speaker 2>to do it myself.

0:15:00.440 --> 0:15:02.080
<v Speaker 3>Sorry to pull back the curtain. I wish that was

0:15:02.120 --> 0:15:06.400
<v Speaker 3>my gift, and not even like aquafina, just like a

0:15:06.440 --> 0:15:09.480
<v Speaker 3>fucking from my tower. That would have been so good.

0:15:09.520 --> 0:15:11.320
<v Speaker 3>And I kept it in the fridge. It was just

0:15:11.360 --> 0:15:14.000
<v Speaker 3>like I've somehow got it on the plane. I checked

0:15:15.200 --> 0:15:17.120
<v Speaker 3>so dry ice I shipped it.

0:15:17.640 --> 0:15:19.440
<v Speaker 2>I guess that's the hard thing about getting water here.

0:15:19.560 --> 0:15:21.320
<v Speaker 2>You would have to check a bag of water.

0:15:21.480 --> 0:15:24.040
<v Speaker 3>I could have gifted you three ounces of water so easy,

0:15:24.320 --> 0:15:27.080
<v Speaker 3>I could liters of water, and that would have been

0:15:27.120 --> 0:15:28.880
<v Speaker 3>such an incredible gift. I mean, that's enough to.

0:15:30.560 --> 0:15:32.760
<v Speaker 2>That's all you truly need to get the taste.

0:15:32.840 --> 0:15:36.600
<v Speaker 3>It's a tasting menu. Yeah, it's a flight a flat water.

0:15:36.760 --> 0:15:38.280
<v Speaker 3>I could have brought you a flight of waters from

0:15:38.280 --> 0:15:40.560
<v Speaker 3>all over the country, all over the globe, even from

0:15:40.560 --> 0:15:43.120
<v Speaker 3>outer space. With Tom we could have gone to the

0:15:43.160 --> 0:15:45.080
<v Speaker 3>moon and fetched that water that's there.

0:15:48.280 --> 0:15:51.760
<v Speaker 2>New York does famously have good tap water. I wonder

0:15:51.800 --> 0:15:53.760
<v Speaker 2>if there's a place that has better tap water than

0:15:53.800 --> 0:15:56.840
<v Speaker 2>New York. There must be outside of the country.

0:15:56.880 --> 0:15:59.840
<v Speaker 3>I think it's one of the best metropolitan top parties

0:16:00.040 --> 0:16:02.520
<v Speaker 3>because we get it from some upstate reservoir that's like

0:16:02.640 --> 0:16:05.760
<v Speaker 3>known for good. You know. I feel like if you're you.

0:16:05.680 --> 0:16:07.280
<v Speaker 2>Know, where's l A's coming from?

0:16:07.400 --> 0:16:12.120
<v Speaker 3>Well, exactly interesting, y'all don't have enough to water your lawns,

0:16:12.160 --> 0:16:15.600
<v Speaker 3>So yeah, where is it coming from? Probably Utah? Your

0:16:15.600 --> 0:16:18.200
<v Speaker 3>Mormon wives, they're probably sending you ther water open.

0:16:18.280 --> 0:16:19.840
<v Speaker 2>This is the subject that my dad will bring up

0:16:19.880 --> 0:16:21.760
<v Speaker 2>on occasion. You're taking all of our water?

0:16:22.080 --> 0:16:23.880
<v Speaker 3>Where does your father live Utah?

0:16:23.960 --> 0:16:26.280
<v Speaker 2>Yeah, I believe it, But Utah is also a desert,

0:16:26.360 --> 0:16:28.600
<v Speaker 2>so I don't quite believe that either, right, But that

0:16:28.880 --> 0:16:30.080
<v Speaker 2>water is already coming from I don't know.

0:16:30.640 --> 0:16:33.520
<v Speaker 3>The people of Utah have faith. They have faith in

0:16:33.520 --> 0:16:35.720
<v Speaker 3>the way that we don't, so that they're making water

0:16:35.760 --> 0:16:38.720
<v Speaker 3>in the water, they're finding water in the desert if

0:16:38.720 --> 0:16:42.320
<v Speaker 3>anyone is. It's a faith based people, these godless heathens.

0:16:42.600 --> 0:16:44.440
<v Speaker 3>You live in a desert and it's staying a desert.

0:16:44.480 --> 0:16:48.200
<v Speaker 3>You have no faith. Utah is a desert, but you

0:16:48.400 --> 0:16:50.960
<v Speaker 3>have faith. So the water take a step and the

0:16:51.480 --> 0:16:53.240
<v Speaker 3>you know, when there's one step of footprints, you know

0:16:53.280 --> 0:16:56.600
<v Speaker 3>who's carrying you. When you're in a desert. Throw a bag,

0:16:56.640 --> 0:16:59.400
<v Speaker 3>a big bag of water. When there's only one set

0:16:59.440 --> 0:17:02.800
<v Speaker 3>of stopping footprints, you know who it is. Jesus fresh

0:17:02.800 --> 0:17:07.440
<v Speaker 3>out the bath, bubbles in his hair, bubbles in his hair,

0:17:07.800 --> 0:17:11.159
<v Speaker 3>bubble bath. Yeah, and a big sort of fun like

0:17:11.240 --> 0:17:13.520
<v Speaker 3>Santa Beard, like when you're when you're three years old

0:17:13.520 --> 0:17:17.480
<v Speaker 3>and you're making the big bubble beard over his regular beard. Absolutely,

0:17:17.760 --> 0:17:19.879
<v Speaker 3>he thinks that's he gets the meta joke of that

0:17:20.800 --> 0:17:25.760
<v Speaker 3>one beard, one of the famous alt comics. Jesus. He's

0:17:25.800 --> 0:17:29.320
<v Speaker 3>a little off kilter. He's oh slightly on, always off,

0:17:30.119 --> 0:17:33.040
<v Speaker 3>you know what I mean. I think it was CBS

0:17:33.119 --> 0:17:37.679
<v Speaker 3>or CBS was characters welcome, Yes, Oh, characters welcome. That's Jesus'

0:17:38.119 --> 0:17:40.600
<v Speaker 3>you meet them twelve And that hooker he's got twelve.

0:17:40.920 --> 0:17:44.160
<v Speaker 3>He's got twelve in that hooker following him around Jesus

0:17:44.240 --> 0:17:50.680
<v Speaker 3>was such characters welcome, the Twelve in the Hooker, Jesus

0:17:50.720 --> 0:17:53.800
<v Speaker 3>was so characters welcome. He really was. He loved of

0:17:53.960 --> 0:17:56.640
<v Speaker 3>all types. He loved all types. One of his things, Yes,

0:17:56.800 --> 0:18:00.840
<v Speaker 3>one of his big things was Luke John. That's the others,

0:18:01.280 --> 0:18:03.399
<v Speaker 3>those other jos. I mean, we're talking. You want to

0:18:03.400 --> 0:18:06.320
<v Speaker 3>talk characters. Judas is one of the more famous of

0:18:06.359 --> 0:18:08.760
<v Speaker 3>the guys, isn't he full care? The ones who wrote books,

0:18:08.840 --> 0:18:11.280
<v Speaker 3>Matthew Mark, Luke John, you know, they they got their

0:18:11.359 --> 0:18:15.879
<v Speaker 3>sort of titular story. Peter Peter, of course, well the

0:18:15.960 --> 0:18:19.720
<v Speaker 3>doubter Tom. What did Peter do?

0:18:20.040 --> 0:18:22.920
<v Speaker 2>Peter kind of just floated around, just made sure he

0:18:23.119 --> 0:18:29.040
<v Speaker 2>was feeling okay, he may need a snack, Yes, exactly, Thomas, God.

0:18:28.840 --> 0:18:31.120
<v Speaker 3>How many can we get? Because you were raised Mormon

0:18:31.240 --> 0:18:34.639
<v Speaker 3>or maybe still are raised, and you don't want to

0:18:35.040 --> 0:18:39.600
<v Speaker 3>get back, I just you're refusing that one. You're refusing

0:18:39.640 --> 0:18:41.400
<v Speaker 3>to go on the record with that one. I'm well

0:18:41.440 --> 0:18:45.880
<v Speaker 3>on the record. No, I've listened to every episode. Yeah,

0:18:45.880 --> 0:18:49.320
<v Speaker 3>I was raised Presbyterian. We have we have different guys,

0:18:49.440 --> 0:18:52.840
<v Speaker 3>I guess different guides. Do the Mormons believe in the

0:18:52.880 --> 0:18:59.480
<v Speaker 3>twelve Guys? Oh? Yeah, the twelve guys. I'm absolutely so. Peter, Peter, James, Wait, Matthew, Mark, Luke,

0:18:59.520 --> 0:19:04.119
<v Speaker 3>John Matthew, Mark, Peter James, Peter James, Dunton, Thomas, Thomas,

0:19:04.160 --> 0:19:07.320
<v Speaker 3>Thomas with all them damned doubts, Judas, Judas of course,

0:19:07.400 --> 0:19:10.120
<v Speaker 3>the bad boy of the group. Yeah, the classic fat boy.

0:19:10.520 --> 0:19:14.600
<v Speaker 3>And we're missing four. Uh, don't you feel like we'll

0:19:14.600 --> 0:19:14.879
<v Speaker 3>get there.

0:19:15.119 --> 0:19:17.760
<v Speaker 2>I'm trying to think of Italian Catholics in my life.

0:19:18.280 --> 0:19:19.280
<v Speaker 2>You should get these names?

0:19:19.359 --> 0:19:24.800
<v Speaker 3>Oh yeah, yeah? Uh, Michael, you want to believe there's

0:19:24.800 --> 0:19:27.440
<v Speaker 3>a Michael. Let's let's not look this up, but let's

0:19:27.440 --> 0:19:30.000
<v Speaker 3>call it a Michael. It's also I want to give

0:19:30.080 --> 0:19:32.000
<v Speaker 3>us some old Testament names like Esyl, but I know.

0:19:31.960 --> 0:19:34.560
<v Speaker 2>Those they're real like guy guy names.

0:19:34.560 --> 0:19:37.719
<v Speaker 3>They're they're basically like Kyle's and Martin Ye, Matthews, honestly

0:19:37.720 --> 0:19:42.000
<v Speaker 3>a lot of the like gay guy names. Brendan, Brendan. Yeah, Okay,

0:19:42.000 --> 0:19:45.480
<v Speaker 3>we're missing three because Michael. David must be there. I

0:19:45.560 --> 0:19:47.640
<v Speaker 3>mean not the one who thought Goliath, of course.

0:19:47.920 --> 0:19:52.480
<v Speaker 2>But isn't David. It's Mary and David are the parents

0:19:52.480 --> 0:19:53.159
<v Speaker 2>Mary and Joseph?

0:19:53.760 --> 0:19:57.440
<v Speaker 3>But was there? Christian? Was there? Joseph and the guys.

0:19:57.680 --> 0:19:59.800
<v Speaker 2>Maybe Okay, No, there's no Joseph. That would have gotten

0:19:59.840 --> 0:20:01.440
<v Speaker 2>weird for the whole situation.

0:20:01.800 --> 0:20:03.840
<v Speaker 3>Let's say there's a David. Let's say there's a Dave.

0:20:04.240 --> 0:20:08.680
<v Speaker 3>That's the tenth is Dave. Two people, we're still too short.

0:20:08.760 --> 0:20:15.840
<v Speaker 2>Tyson Tyson, Tyson and Lance and Lance. Uh wow, I

0:20:16.000 --> 0:20:18.879
<v Speaker 2>really shocked that I can't. Some of these guys were duds,

0:20:19.880 --> 0:20:22.400
<v Speaker 2>most of them, honestly, like probably eight of these men

0:20:22.440 --> 0:20:23.439
<v Speaker 2>were full duds.

0:20:23.840 --> 0:20:26.080
<v Speaker 3>Sorry to go, Hollywood producer again, you come in. I

0:20:26.119 --> 0:20:28.320
<v Speaker 3>got this story. It's me, this hooker in twelve guys go,

0:20:28.400 --> 0:20:31.199
<v Speaker 3>I could cut eight of the guys for story. I'm like,

0:20:31.320 --> 0:20:34.240
<v Speaker 3>keep the main guy for sure, he's he's our guy,

0:20:34.359 --> 0:20:36.680
<v Speaker 3>Like we're sending this one to space, he's the campaign

0:20:37.080 --> 0:20:41.439
<v Speaker 3>is Jesus of course, keep the hooker. And then I'm like,

0:20:41.480 --> 0:20:43.800
<v Speaker 3>I think maybe eight of those guys could go for story.

0:20:43.920 --> 0:20:48.560
<v Speaker 3>No budget and budget my god, yeah, maybe be full Blumhouse.

0:20:48.600 --> 0:20:50.040
<v Speaker 3>But I'm cutting speaking parts.

0:20:50.080 --> 0:20:52.080
<v Speaker 2>Yeah, maybe these are background are.

0:20:51.960 --> 0:20:56.199
<v Speaker 3>Background guys for certain, The Four Apostles eight background on Hooker,

0:20:57.119 --> 0:21:01.040
<v Speaker 3>The Four Apostles eight background and hooker. Now that sells,

0:21:02.200 --> 0:21:04.320
<v Speaker 3>that's selling away the Bible hasn't as we know the

0:21:04.320 --> 0:21:10.200
<v Speaker 3>Bible very poor sales or sales poor sales. One of

0:21:10.240 --> 0:21:12.919
<v Speaker 3>the worst selling books of all time. Absolutely one of

0:21:12.920 --> 0:21:16.080
<v Speaker 3>the absolute bombs. Those residuals must be nice.

0:21:17.600 --> 0:21:21.840
<v Speaker 2>That one's the original bomb, the bomb Turkey. It was

0:21:21.880 --> 0:21:24.439
<v Speaker 2>a turkey. It was a box office turkey.

0:21:26.440 --> 0:21:30.159
<v Speaker 3>Yeah. I don't know how we possibly got to the

0:21:30.240 --> 0:21:34.600
<v Speaker 3>four Apostles eight I do and again, when the listener

0:21:34.640 --> 0:21:37.440
<v Speaker 3>is listening to this as intended Memento style, front than back,

0:21:37.480 --> 0:21:39.440
<v Speaker 3>front than back, meat in the middle, it will all

0:21:39.480 --> 0:21:42.360
<v Speaker 3>make sense. Do you need to promo right now? Absolutely?

0:21:42.760 --> 0:21:46.439
<v Speaker 3>Starting July seventh, from Josh Sharp and the director of O,

0:21:46.560 --> 0:21:49.240
<v Speaker 3>Mary sam Pinggleton comes Josh Sharp Toda a one man

0:21:49.359 --> 0:21:53.040
<v Speaker 3>solo experience in the off Broadway kind of way. God,

0:21:53.119 --> 0:21:56.440
<v Speaker 3>imagine the sexy West Village evening. You'll have a cosmo

0:21:56.480 --> 0:22:00.680
<v Speaker 3>before a cosmo after. Carry the rest of the girls again,

0:22:00.840 --> 0:22:02.760
<v Speaker 3>imagine if there were twelve sex in the City girls.

0:22:02.800 --> 0:22:03.680
<v Speaker 3>You're like, you only need four.

0:22:03.800 --> 0:22:06.440
<v Speaker 2>There's no chance, are you kidding? And it's like you're

0:22:06.480 --> 0:22:08.320
<v Speaker 2>not taking a quiz where you're trying to figure out

0:22:08.320 --> 0:22:09.880
<v Speaker 2>which of twelve characters you.

0:22:09.960 --> 0:22:12.719
<v Speaker 3>Never could Yeah, you're right. The human mind doesn't need

0:22:12.760 --> 0:22:14.560
<v Speaker 3>all twin, especially when you already got a hooker in

0:22:14.600 --> 0:22:19.160
<v Speaker 3>a lead. That's two. You really only needed two guys two,

0:22:19.280 --> 0:22:21.199
<v Speaker 3>you think, I mean, if we want the sort of

0:22:21.200 --> 0:22:24.800
<v Speaker 3>like cast of four, Yeah, that's true. Yeah, what are

0:22:24.840 --> 0:22:28.040
<v Speaker 3>you the Christ figure, the hooker, the doubting one, or

0:22:28.040 --> 0:22:31.479
<v Speaker 3>the bad guy? It's really Thomas Judas. Then there's no friend.

0:22:31.800 --> 0:22:34.879
<v Speaker 3>He's at least one friend. You're right, you've got to

0:22:34.920 --> 0:22:37.760
<v Speaker 3>have one. The hooker's a friend, but not in that way.

0:22:37.680 --> 0:22:40.399
<v Speaker 2>Not in that one. So I imagine that would be Matthew.

0:22:40.680 --> 0:22:45.840
<v Speaker 3>Yeah, okay, so you really only need Jesus married matt

0:22:46.400 --> 0:22:48.200
<v Speaker 3>and Judas. I think. Wow.

0:22:48.359 --> 0:22:49.800
<v Speaker 2>So now you're saying no doubter.

0:22:50.200 --> 0:22:51.720
<v Speaker 3>Or do you think it's more dynamic to sort of

0:22:51.760 --> 0:22:53.760
<v Speaker 3>not have a full villain in the breaking bad way,

0:22:53.840 --> 0:22:55.399
<v Speaker 3>like you know, you know you don't want him just

0:22:55.440 --> 0:22:57.879
<v Speaker 3>be bad. Yeah, you need some gray area. He's the

0:22:57.920 --> 0:23:01.400
<v Speaker 3>great ar because Judas is kind of a gray character.

0:23:02.119 --> 0:23:04.479
<v Speaker 3>I guess you're right. He did it for you know,

0:23:04.520 --> 0:23:07.600
<v Speaker 3>he needed that bag of gold. He was conflicted, and

0:23:07.640 --> 0:23:10.240
<v Speaker 3>he also was part of the plan. And also you

0:23:10.280 --> 0:23:13.640
<v Speaker 3>feel for Judas because he knew, you know, there's no

0:23:13.640 --> 0:23:15.480
<v Speaker 3>small parts only small actors. He knew. He was like,

0:23:15.520 --> 0:23:17.600
<v Speaker 3>I have to do this. I'm predestined. That's the thing.

0:23:17.640 --> 0:23:19.280
<v Speaker 3>He's a patsy. He's a patsy.

0:23:19.440 --> 0:23:22.439
<v Speaker 2>He really it's like this poor guy, like if he

0:23:22.480 --> 0:23:25.359
<v Speaker 2>hadn't done it, the plan would have fallen apart. It

0:23:25.359 --> 0:23:28.320
<v Speaker 2>was a heist ultimately, and that was his big part.

0:23:28.320 --> 0:23:30.360
<v Speaker 2>And everyone's so mad at him.

0:23:30.880 --> 0:23:34.760
<v Speaker 3>Oh God, everyone's so mad. He knew he was the heel. Yeah,

0:23:34.800 --> 0:23:36.880
<v Speaker 3>he was the heel. He knew, like, I'm the heel.

0:23:37.200 --> 0:23:38.160
<v Speaker 3>Someone's got to do it.

0:23:38.320 --> 0:23:41.159
<v Speaker 2>But he hopefully there was some like behind the scenes

0:23:41.240 --> 0:23:44.679
<v Speaker 2>contract work where it's like, yeah, everyone's gonna hate you,

0:23:44.720 --> 0:23:46.480
<v Speaker 2>but there'll be money under the table.

0:23:46.560 --> 0:23:48.920
<v Speaker 3>Yeah, you're gonna be happy with how this plays. Happened absolutely.

0:23:48.960 --> 0:23:49.679
<v Speaker 3>I wonder if he was.

0:23:50.119 --> 0:23:51.040
<v Speaker 2>Did he go to Hell?

0:23:52.800 --> 0:23:55.159
<v Speaker 3>I guess to what happens to him after that? He

0:23:55.440 --> 0:23:58.359
<v Speaker 3>asked for forgiveness for it? Doesn't he I would hope. So.

0:23:58.640 --> 0:24:00.480
<v Speaker 3>If so, then he's going to heaven by the rules

0:24:00.480 --> 0:24:03.399
<v Speaker 3>I understood, But it seems like he's so got. I

0:24:03.680 --> 0:24:07.200
<v Speaker 3>was really in it. I was doing that thing. Because

0:24:07.800 --> 0:24:09.240
<v Speaker 3>did you have the Left Behind series?

0:24:09.320 --> 0:24:13.280
<v Speaker 2>Was that a weirdly and kind of thank God Mormons

0:24:13.280 --> 0:24:14.280
<v Speaker 2>don't get into the left.

0:24:15.400 --> 0:24:17.480
<v Speaker 3>Because I was so worried the rapture could happen any moment.

0:24:17.600 --> 0:24:19.840
<v Speaker 3>I just found myself sort of like quickly playing praying

0:24:19.840 --> 0:24:23.080
<v Speaker 3>for forgiveness like all the time. Okay, so it could

0:24:23.080 --> 0:24:24.560
<v Speaker 3>happen in the flash of but really I was just

0:24:24.560 --> 0:24:27.080
<v Speaker 3>like every minute, I forgive me for my sense. She's like, okay,

0:24:27.119 --> 0:24:27.480
<v Speaker 3>I'm good.

0:24:27.920 --> 0:24:30.680
<v Speaker 2>Imagine if it had happened in between those prayers.

0:24:30.880 --> 0:24:34.879
<v Speaker 3>Yeah, shame, or or if in praying I sort of

0:24:34.920 --> 0:24:37.280
<v Speaker 3>send if I was like, please God, forgive me for

0:24:37.359 --> 0:24:44.520
<v Speaker 3>my fucking sins, if like if that you know, toxological stressed. Yeah,

0:24:44.640 --> 0:24:46.639
<v Speaker 3>there should be like an iPhone alert. There should just

0:24:46.720 --> 0:24:48.720
<v Speaker 3>give me, you know, like an earthquake or a fire

0:24:48.800 --> 0:24:50.760
<v Speaker 3>or you get a few seconds you like sort it

0:24:50.760 --> 0:24:54.159
<v Speaker 3>all out. I don't think that it's fair that it's

0:24:54.280 --> 0:24:58.560
<v Speaker 3>more of a prank that it just happens the rapture.

0:24:59.080 --> 0:25:02.160
<v Speaker 2>I think you should have a little leeway, a little like, hey,

0:25:02.400 --> 0:25:03.879
<v Speaker 2>you've got ten minutes.

0:25:04.000 --> 0:25:05.959
<v Speaker 3>Right, I mean, like a fucking tsunami comes and they

0:25:05.960 --> 0:25:07.760
<v Speaker 3>can sound a siren. Yeah you know what I mean.

0:25:07.760 --> 0:25:09.320
<v Speaker 3>You tell me the rapture. You can't at least get

0:25:09.359 --> 0:25:11.520
<v Speaker 3>sort of a quick heads up, like the clouds should

0:25:11.520 --> 0:25:14.400
<v Speaker 3>gather absolute into this guy that you see the clouds

0:25:14.400 --> 0:25:16.639
<v Speaker 3>like flying through the air too quickly. There should be

0:25:16.640 --> 0:25:19.400
<v Speaker 3>a last call, you know what I mean? Rapture come

0:25:19.440 --> 0:25:22.639
<v Speaker 3>in last call and he'll want to pray for or

0:25:22.680 --> 0:25:25.520
<v Speaker 3>how many of you are full? Like, no, I love

0:25:25.600 --> 0:25:29.120
<v Speaker 3>to ride motorcycles and smoke cigarettes and I'll never give

0:25:29.160 --> 0:25:34.880
<v Speaker 3>that up. Get me to hell, d post rapture.

0:25:34.920 --> 0:25:37.240
<v Speaker 2>Seconds after you're just standing there in your shoes, smoking

0:25:37.480 --> 0:25:39.800
<v Speaker 2>a bunch of empty shoes around you. What a feeling.

0:25:39.960 --> 0:25:42.600
<v Speaker 3>Absolutely, you feel like the ultimate bad boy. You would

0:25:42.640 --> 0:25:44.840
<v Speaker 3>be having so much fun. You'd be like, finally, my people,

0:25:46.440 --> 0:25:49.520
<v Speaker 3>now that all these fucking squares are gone, let the

0:25:49.560 --> 0:25:51.960
<v Speaker 3>listener know, but the viewer will see. I had gorgeous

0:25:52.000 --> 0:25:53.400
<v Speaker 3>clip ons. I had to take them off for these

0:25:53.400 --> 0:25:56.480
<v Speaker 3>I had to take them off for these goddamn headphones,

0:25:56.480 --> 0:25:58.320
<v Speaker 3>which will never understand why we have to wear them.

0:25:58.359 --> 0:26:00.719
<v Speaker 3>But then I realized, yeah, no, I can hear me

0:26:00.920 --> 0:26:03.000
<v Speaker 3>in a very quiet room. Also, I hear myself all

0:26:03.080 --> 0:26:05.160
<v Speaker 3>day long through these damn ears. What do you think

0:26:05.160 --> 0:26:06.320
<v Speaker 3>these damn ears are? Four?

0:26:06.720 --> 0:26:08.600
<v Speaker 2>I have an answer on why we have to wear

0:26:08.640 --> 0:26:09.920
<v Speaker 2>the headphones.

0:26:09.560 --> 0:26:12.040
<v Speaker 3>For one moment. Let's see what it's like. What's it

0:26:12.119 --> 0:26:14.000
<v Speaker 3>like to do it this way? Feels so good?

0:26:14.160 --> 0:26:17.960
<v Speaker 2>My ears aren't hot. Yeah, and I feel honest for

0:26:18.000 --> 0:26:19.119
<v Speaker 2>the first time on this podcast.

0:26:19.119 --> 0:26:20.560
<v Speaker 3>Guess the idea of this is it sort of puts

0:26:20.600 --> 0:26:23.000
<v Speaker 3>you in producer mindset too. What are they gonna hear? Yeah?

0:26:23.000 --> 0:26:24.560
<v Speaker 3>That's true. Now, how do you feel that the right

0:26:24.560 --> 0:26:25.000
<v Speaker 3>way to think?

0:26:25.000 --> 0:26:27.600
<v Speaker 2>How do you feel asymmetrical? Put them back on? I'm

0:26:27.680 --> 0:26:32.000
<v Speaker 2>not wearing them? Yeah, how does that feel? I'm do

0:26:32.040 --> 0:26:34.680
<v Speaker 2>you feel like this is an imbalance? Do you feel

0:26:34.720 --> 0:26:34.960
<v Speaker 2>like you know?

0:26:35.080 --> 0:26:36.960
<v Speaker 3>Because I'm so in my own experience? Okay, you know

0:26:37.000 --> 0:26:37.360
<v Speaker 3>what I mean.

0:26:37.480 --> 0:26:38.560
<v Speaker 2>You're so purely there.

0:26:38.600 --> 0:26:40.960
<v Speaker 3>I'm so purely in this. Okay, But what I was

0:26:41.000 --> 0:26:43.280
<v Speaker 3>gonna Yeah, what was the deal? I realized the whole

0:26:43.680 --> 0:26:47.320
<v Speaker 3>of clip ons. Yes, they don't say by law, worry

0:26:47.400 --> 0:26:50.840
<v Speaker 3>they need to be clipped on. Interesting never port k

0:26:51.280 --> 0:26:55.600
<v Speaker 3>port k no los manos? You know, like, why not? Right? Could?

0:26:55.600 --> 0:26:58.320
<v Speaker 3>I absolutely? Do you know? Actually, this is my favorite

0:26:58.320 --> 0:27:00.000
<v Speaker 3>thing about clip ones. I don't have my ears pears.

0:27:00.040 --> 0:27:01.720
<v Speaker 3>I have a ton of clip ones and the reason

0:27:01.720 --> 0:27:04.520
<v Speaker 3>why is I love that they're social that often. Yeah,

0:27:04.600 --> 0:27:07.120
<v Speaker 3>totally This is actually how it goes when I'm out

0:27:07.119 --> 0:27:07.800
<v Speaker 3>in the real world.

0:27:09.040 --> 0:27:09.879
<v Speaker 2>Josh is putting them on.

0:27:10.000 --> 0:27:11.439
<v Speaker 3>I don't even ask to try them on, just be

0:27:11.480 --> 0:27:12.879
<v Speaker 3>coming up to be like, oh, I love your earrings

0:27:12.880 --> 0:27:14.240
<v Speaker 3>because this happens all the time, and this is what

0:27:14.280 --> 0:27:16.480
<v Speaker 3>I do. I'm not even putting them on. Well, and

0:27:16.520 --> 0:27:19.000
<v Speaker 3>that's fine, that's okay. They are there. Imagine they're unwell,

0:27:19.119 --> 0:27:20.960
<v Speaker 3>Oh I love those ear rings. Give them a spin,

0:27:21.040 --> 0:27:23.600
<v Speaker 3>trym on. You have them, are you sure? Yes? Absolutely,

0:27:23.640 --> 0:27:25.879
<v Speaker 3>find me later, you know, truly, I'll meet people out

0:27:25.880 --> 0:27:28.080
<v Speaker 3>and be like, find me in a half hour, and

0:27:28.080 --> 0:27:29.840
<v Speaker 3>then you get to sort of live the fantasy for

0:27:29.840 --> 0:27:32.600
<v Speaker 3>a while. Oh, they look great on you. Let's see here.

0:27:33.880 --> 0:27:35.800
<v Speaker 3>It's hard to find your ear lobe when you don't

0:27:35.840 --> 0:27:38.159
<v Speaker 3>do it that often. I know. Even when you do,

0:27:38.240 --> 0:27:39.200
<v Speaker 3>it's hard because.

0:27:38.960 --> 0:27:40.960
<v Speaker 2>They're all a little different lobe is it on?

0:27:41.280 --> 0:27:41.880
<v Speaker 3>Yeah, you look great.

0:27:41.920 --> 0:27:43.399
<v Speaker 2>I want to get my eyes on this. I'm going

0:27:43.440 --> 0:27:44.800
<v Speaker 2>to turn on my camera here.

0:27:45.760 --> 0:27:47.720
<v Speaker 3>See, you can't do this with real earrings. You know.

0:27:47.760 --> 0:27:50.600
<v Speaker 3>You can't say, like, take a spin, find me, you know,

0:27:50.840 --> 0:27:53.720
<v Speaker 3>I'll get someone. It's also why I never I always

0:27:53.760 --> 0:27:57.080
<v Speaker 3>spend single digits on them undertil how much were these

0:27:57.280 --> 0:27:59.160
<v Speaker 3>I get them at their shops. These were definitely less

0:27:59.160 --> 0:28:01.879
<v Speaker 3>than ten okay, because I know I give them to

0:28:01.880 --> 0:28:03.399
<v Speaker 3>the world and they don't always come back to me.

0:28:03.720 --> 0:28:05.600
<v Speaker 3>Oh wow, do you know what I mean? Kind of

0:28:05.600 --> 0:28:09.800
<v Speaker 3>a Johnny Appleseed? Absolutely in many ways, and I'm glad

0:28:09.800 --> 0:28:16.840
<v Speaker 3>we're getting into this, but no, in many ways creating orchards.

0:28:17.080 --> 0:28:19.439
<v Speaker 3>These belong to the I find these belong to the universe,

0:28:19.480 --> 0:28:21.600
<v Speaker 3>and I'm just happen to have them at this moment.

0:28:21.640 --> 0:28:23.800
<v Speaker 2>Do you remember where we got these? Are these la clips?

0:28:23.920 --> 0:28:27.280
<v Speaker 3>I have so many. Anytime I'm at any like thrift

0:28:27.320 --> 0:28:29.040
<v Speaker 3>or vintage shop, I'm looking for clip on.

0:28:29.480 --> 0:28:32.800
<v Speaker 2>When you say thrift or vintage with particularly for ear rings,

0:28:32.800 --> 0:28:35.240
<v Speaker 2>are you saying like more of a curated thrift or vintagetore?

0:28:35.280 --> 0:28:36.800
<v Speaker 2>Are you saying like a goodwill either?

0:28:37.040 --> 0:28:37.280
<v Speaker 3>Wow?

0:28:37.400 --> 0:28:39.160
<v Speaker 2>So either this is where I would draw a line.

0:28:39.520 --> 0:28:41.360
<v Speaker 3>Either. I've got some of the greatest ones that just

0:28:41.400 --> 0:28:42.000
<v Speaker 3>like Goodwill's.

0:28:42.200 --> 0:28:44.000
<v Speaker 2>See so for in a goodwill there are a few

0:28:44.000 --> 0:28:45.160
<v Speaker 2>things I wouldn't buy.

0:28:45.080 --> 0:28:50.800
<v Speaker 3>Sure, and it's the fresh Deelli meat. They should get

0:28:50.800 --> 0:28:53.600
<v Speaker 3>a deli counter in the head. What's holding it back?

0:28:54.560 --> 0:28:55.600
<v Speaker 3>They got everything else?

0:28:56.120 --> 0:29:02.840
<v Speaker 2>Start carving up some turkey fresh deli meat, dairy.

0:29:03.240 --> 0:29:05.800
<v Speaker 3>Almond soy. You do that stuff for the goodwill, right,

0:29:05.920 --> 0:29:06.240
<v Speaker 3>or just.

0:29:06.240 --> 0:29:08.840
<v Speaker 2>Ye find that under a rack kind of rolling around.

0:29:08.840 --> 0:29:10.640
<v Speaker 2>I was like, oh, I didn't expect to find this here.

0:29:11.080 --> 0:29:13.440
<v Speaker 2>An ear ring, anything that I will, like, directly touch skin.

0:29:13.440 --> 0:29:15.000
<v Speaker 2>I'm always a little nervous about.

0:29:14.760 --> 0:29:18.040
<v Speaker 3>What even directly touch. That's a good anything I can't

0:29:18.040 --> 0:29:20.280
<v Speaker 3>be put through a washer, Yeah, okay washing, don't you

0:29:20.320 --> 0:29:22.400
<v Speaker 3>feel like you could? Actually I found a pair of

0:29:22.440 --> 0:29:24.720
<v Speaker 3>sunglasses on a subway the other day and put them on,

0:29:24.800 --> 0:29:26.720
<v Speaker 3>and my boyfriend was so he was like, do you

0:29:26.760 --> 0:29:30.360
<v Speaker 3>know And I was like, no, what are you talking about.

0:29:30.400 --> 0:29:32.440
<v Speaker 3>He's like, they touch your eyes. I was like, they

0:29:32.480 --> 0:29:37.680
<v Speaker 3>literally don't touch my eyes, dude, they too. He was right,

0:29:38.040 --> 0:29:40.880
<v Speaker 3>but any but but then he but then he took

0:29:40.880 --> 0:29:42.480
<v Speaker 3>a Clorox wipe and he did it. Right.

0:29:42.560 --> 0:29:45.120
<v Speaker 2>You could do that with right, Yeah, okay, that's a

0:29:45.120 --> 0:29:45.480
<v Speaker 2>good idea.

0:29:45.480 --> 0:29:47.440
<v Speaker 3>The other thing I like about clip ons is they

0:29:47.440 --> 0:29:49.360
<v Speaker 3>have a look you can't get from pierced ear rings.

0:29:49.680 --> 0:29:53.640
<v Speaker 3>Like clip clip ons inevitably look like your grandma removed

0:29:53.640 --> 0:29:55.840
<v Speaker 3>them to answer the phone in the eighties, Like there's

0:29:55.880 --> 0:30:00.520
<v Speaker 3>a chunkiness that exists there, and you can really find

0:30:00.520 --> 0:30:03.320
<v Speaker 3>those that the Goodwill or the Housing Works Housing Works

0:30:03.320 --> 0:30:04.720
<v Speaker 3>in New York. Great clipons.

0:30:04.720 --> 0:30:07.440
<v Speaker 2>My grandma never got her earspere. She only wore clip

0:30:07.480 --> 0:30:08.080
<v Speaker 2>on earrings.

0:30:08.200 --> 0:30:09.800
<v Speaker 3>And does she have big low hangers?

0:30:10.040 --> 0:30:11.920
<v Speaker 2>No, she had big she had ones like this, the

0:30:11.960 --> 0:30:15.200
<v Speaker 2>big buttony toe, I mean her lobes. Oh interesting, did.

0:30:15.040 --> 0:30:17.800
<v Speaker 3>You have big low hangers? I don't remember, you know something,

0:30:18.360 --> 0:30:21.120
<v Speaker 3>grandma's get them low hangers and not. And if you

0:30:21.120 --> 0:30:22.840
<v Speaker 3>clip this out of context, so you think I'm talking

0:30:22.880 --> 0:30:27.080
<v Speaker 3>about tits, my god, don't let it be known. I'm

0:30:27.080 --> 0:30:31.840
<v Speaker 3>talking about lobes on these women, not tits. But did

0:30:31.840 --> 0:30:35.440
<v Speaker 3>your grandma have them low hangers? Does she have them

0:30:35.480 --> 0:30:38.280
<v Speaker 3>low hangers? Your grandma? And I'm you know what I'm

0:30:38.320 --> 0:30:41.800
<v Speaker 3>talking about. If you if you twist my words to

0:30:41.960 --> 0:30:44.200
<v Speaker 3>make it seem like I'm a pervert when I'm so not.

0:30:44.280 --> 0:30:47.400
<v Speaker 3>I'm talking about your grandma's low hanging, luscious ear lobes.

0:30:47.760 --> 0:30:52.320
<v Speaker 3>I'm not a pervert. I'm a normal guy. I'm just

0:30:52.360 --> 0:30:54.440
<v Speaker 3>a fucking normal guy who wants to know what your

0:30:54.440 --> 0:31:00.440
<v Speaker 3>grandma's low hanging ears. The answer is yes, yes, hoping

0:31:00.480 --> 0:31:01.560
<v Speaker 3>that'd be the case.

0:31:04.600 --> 0:31:06.680
<v Speaker 2>I think there's something else we need to talk about

0:31:07.040 --> 0:31:09.680
<v Speaker 2>anything as much as i'd i'd like to stay on

0:31:09.720 --> 0:31:12.000
<v Speaker 2>this exact topic, let.

0:31:11.920 --> 0:31:14.560
<v Speaker 3>On one topic the whole time. We've been so cogent.

0:31:15.040 --> 0:31:17.280
<v Speaker 2>That's the podcast we you know, we start with a

0:31:17.360 --> 0:31:19.600
<v Speaker 2>topic and I say, we're going to dive deep into

0:31:19.640 --> 0:31:22.080
<v Speaker 2>this focus focus.

0:31:22.680 --> 0:31:25.200
<v Speaker 3>No, We've got to you to stay focused. You said

0:31:25.200 --> 0:31:25.800
<v Speaker 3>to me, we are.

0:31:25.760 --> 0:31:28.760
<v Speaker 2>Going to flesh out this one thing as we what

0:31:28.840 --> 0:31:31.200
<v Speaker 2>we've been doing. But we have to. There's one other

0:31:31.240 --> 0:31:32.720
<v Speaker 2>thing I'd like to talk to you about. I would

0:31:32.760 --> 0:31:34.720
<v Speaker 2>love I was really excited to have you here today

0:31:34.720 --> 0:31:37.680
<v Speaker 2>to plug your show over and over and over and

0:31:37.680 --> 0:31:38.440
<v Speaker 2>if you'd like to do it.

0:31:38.400 --> 0:31:42.360
<v Speaker 3>Now Josh Sharp Today. Tickets available now at josharp today

0:31:42.400 --> 0:31:44.920
<v Speaker 3>dot com. July sum went through August twenty third, seven

0:31:45.000 --> 0:31:47.120
<v Speaker 3>nights week. Uh.

0:31:47.960 --> 0:31:51.200
<v Speaker 2>I was excited to have you here doing that. So

0:31:51.240 --> 0:31:54.040
<v Speaker 2>I was a little surprised the podcast is called, I said,

0:31:54.080 --> 0:31:57.080
<v Speaker 2>no gifts. I know, and I have to imagine you

0:31:57.640 --> 0:32:01.280
<v Speaker 2>are a dedicated listener. I am riding in and begging

0:32:01.360 --> 0:32:04.400
<v Speaker 2>to be on the show. So it's shocked when you.

0:32:04.320 --> 0:32:08.160
<v Speaker 3>Walked in the mail to handwritten long form cursive all

0:32:08.240 --> 0:32:18.520
<v Speaker 3>capsursive cursive pages. Yes, screaming incursive. I know, and yet

0:32:18.560 --> 0:32:20.280
<v Speaker 3>I just felt it would be rude to not bring

0:32:20.320 --> 0:32:22.600
<v Speaker 3>you this gift. I put so much thought into the

0:32:22.600 --> 0:32:26.440
<v Speaker 3>wrap the guest. Yes, it looks like you went to Nordstrom,

0:32:27.600 --> 0:32:29.440
<v Speaker 3>and I don't want to give away.

0:32:29.640 --> 0:32:32.760
<v Speaker 2>We know it's not water Unfortunately, Should I open it

0:32:32.760 --> 0:32:36.640
<v Speaker 2>here on the podcast? The bag is falling apart, it's

0:32:36.680 --> 0:32:39.280
<v Speaker 2>so soggy.

0:32:39.880 --> 0:32:43.120
<v Speaker 3>How do you do the one that sounds like that's

0:32:43.120 --> 0:32:44.800
<v Speaker 3>for the listener at home? Oh my god, my bag

0:32:44.800 --> 0:32:48.640
<v Speaker 3>is dripping. Go ahead, do folly. Oh my bag's dripping everywhere.

0:32:49.240 --> 0:32:52.040
<v Speaker 3>Oh my god, to the listener, my bag is dripping everywhere.

0:32:52.040 --> 0:32:56.400
<v Speaker 2>Great fully, You've got to do everything in this business, now,

0:32:56.400 --> 0:32:56.680
<v Speaker 2>you know.

0:32:56.680 --> 0:32:59.120
<v Speaker 3>You really do. You got to diversify, all right?

0:32:59.200 --> 0:33:00.840
<v Speaker 2>Okay, should open here on the podcast?

0:33:01.040 --> 0:33:02.680
<v Speaker 3>I feel you might as well well. Actually, would you

0:33:02.720 --> 0:33:04.840
<v Speaker 3>rather open it off air? I'm fine with that. I'm

0:33:05.000 --> 0:33:07.160
<v Speaker 3>just throwing it away right now. I don't need to

0:33:07.160 --> 0:33:09.440
<v Speaker 3>know what's in here now. This is a gift that

0:33:09.840 --> 0:33:12.640
<v Speaker 3>I thought a lot about. I've definitely seen what's inside

0:33:12.640 --> 0:33:16.520
<v Speaker 3>of there. Okay, there's no world in which I remembered

0:33:16.520 --> 0:33:18.600
<v Speaker 3>this morning that I left the gift in New York

0:33:19.080 --> 0:33:20.640
<v Speaker 3>and I got this from the house of the person

0:33:20.640 --> 0:33:23.560
<v Speaker 3>I'm staying with. There's absolutely no world in which that's true.

0:33:24.440 --> 0:33:27.880
<v Speaker 3>And I can't wait to look at this thing that

0:33:28.000 --> 0:33:29.760
<v Speaker 3>I definitely have a deep familiarity with.

0:33:34.440 --> 0:33:36.440
<v Speaker 2>Okay, we're pulling it out. It's in a white bag

0:33:36.480 --> 0:33:37.720
<v Speaker 2>from what is this brand?

0:33:37.920 --> 0:33:41.479
<v Speaker 3>Oh well, we all know this brand Glory warr Sorry,

0:33:41.840 --> 0:33:45.120
<v Speaker 3>but don't let that maybe the twelfth Apostle, that's the

0:33:45.120 --> 0:33:50.880
<v Speaker 3>one we were missing worry to make a bigger splash.

0:33:50.960 --> 0:33:54.640
<v Speaker 3>I forget what was his personality trait? He was stressing up?

0:33:54.800 --> 0:33:56.600
<v Speaker 3>Oh yeah, I was going out. He was the fashion

0:33:56.680 --> 0:34:00.360
<v Speaker 3>forward one. He was the nightlife apostle. He was the

0:34:00.400 --> 0:34:02.640
<v Speaker 3>culture correspondent to me. He was the one in the

0:34:02.680 --> 0:34:06.400
<v Speaker 3>morning being like, could y'all keep it down? Like, oh

0:34:06.480 --> 0:34:13.040
<v Speaker 3>my fucking god. Okay, I'm reaching in pulling out kind

0:34:13.040 --> 0:34:19.640
<v Speaker 3>of a silky oh what oh you know? And I know,

0:34:20.239 --> 0:34:23.240
<v Speaker 3>oh well, it came from Worri of course, a brand

0:34:23.280 --> 0:34:27.359
<v Speaker 3>I'm so familiar with. Several T shirts. And again, there's

0:34:27.440 --> 0:34:29.880
<v Speaker 3>no world in which these are T shirts that the

0:34:29.920 --> 0:34:33.680
<v Speaker 3>person I'm staying with was dying to give away. And

0:34:33.719 --> 0:34:35.279
<v Speaker 3>when I said, could I give them as a gift.

0:34:35.320 --> 0:34:37.239
<v Speaker 3>On this podcast, he said, when you could when you

0:34:37.320 --> 0:34:39.000
<v Speaker 3>see the burden be lifted where he was like, I

0:34:39.040 --> 0:34:40.560
<v Speaker 3>was here for months. I've been like, you have to

0:34:40.640 --> 0:34:43.200
<v Speaker 3>drive and donate these somewhere or give them away. Where

0:34:43.200 --> 0:34:48.120
<v Speaker 3>did he get these? I guess, but he didn't. And

0:34:48.120 --> 0:34:51.239
<v Speaker 3>they're exactly your size? Of course, yeah, these are form

0:34:51.280 --> 0:34:53.640
<v Speaker 3>fitting that they're exactly your size. Remind me what size

0:34:53.640 --> 0:34:57.960
<v Speaker 3>they are. These are an exn and that's you, and

0:34:58.000 --> 0:35:02.520
<v Speaker 3>that's you, and that's so you. And again there's no

0:35:02.560 --> 0:35:04.760
<v Speaker 3>world in which when I said to my friend, oh fuck,

0:35:04.800 --> 0:35:06.680
<v Speaker 3>I forgot the gift I was supposed to bring him.

0:35:06.800 --> 0:35:08.520
<v Speaker 3>Do you have anything you wouldn't mind me giving? And

0:35:09.040 --> 0:35:11.239
<v Speaker 3>when I say, a weight was lifted when he went,

0:35:11.320 --> 0:35:13.239
<v Speaker 3>I've been trying to get rid of these shirts. If

0:35:13.280 --> 0:35:15.040
<v Speaker 3>you could give these to him, it would be so

0:35:15.760 --> 0:35:17.680
<v Speaker 3>I kind of taken back to return them, and they

0:35:17.680 --> 0:35:19.239
<v Speaker 3>wouldn't return them, and so then I was like, well,

0:35:19.239 --> 0:35:21.040
<v Speaker 3>I have to donate them somewhere. But I've just been like,

0:35:21.040 --> 0:35:22.080
<v Speaker 3>I can't you know.

0:35:22.080 --> 0:35:24.080
<v Speaker 2>Did he not try them on in store? What's wrong

0:35:24.120 --> 0:35:24.680
<v Speaker 2>with this person?

0:35:24.680 --> 0:35:26.720
<v Speaker 3>I actually do think they were a gift from his mother. Okay,

0:35:26.719 --> 0:35:28.239
<v Speaker 3>oh yeah, and I won't name him in case his

0:35:28.280 --> 0:35:31.440
<v Speaker 3>mother's a listener. Okay, I like their gorgeous shirts. Now

0:35:31.480 --> 0:35:32.920
<v Speaker 3>the thing is, you want to try one on? Now?

0:35:32.960 --> 0:35:33.200
<v Speaker 2>I do?

0:35:33.480 --> 0:35:34.760
<v Speaker 3>I think I should think you should.

0:35:34.840 --> 0:35:36.800
<v Speaker 2>So the thing is I've been complaining a lot recently

0:35:36.840 --> 0:35:39.759
<v Speaker 2>about how guests never bring me clothes because on our

0:35:39.800 --> 0:35:42.640
<v Speaker 2>live shows there's only one real, like stage worthy outfit

0:35:42.680 --> 0:35:45.360
<v Speaker 2>I've been given, and I've run it into the ground.

0:35:46.000 --> 0:35:48.520
<v Speaker 2>And I wonder if this is the next move.

0:35:48.560 --> 0:35:49.560
<v Speaker 3>I think we should try one on.

0:35:49.560 --> 0:35:51.800
<v Speaker 2>I would have to wear them pantsless on stage, sure,

0:35:51.880 --> 0:35:52.800
<v Speaker 2>as more of a dress.

0:35:52.920 --> 0:35:55.920
<v Speaker 3>And there's also a world in which you layer them,

0:35:55.960 --> 0:35:57.959
<v Speaker 3>maybe one over the other or one on each leg

0:35:58.200 --> 0:36:00.520
<v Speaker 3>as sort of pants, while this just put it on

0:36:00.640 --> 0:36:02.680
<v Speaker 3>over your over your share if you don't mind. This

0:36:02.760 --> 0:36:06.279
<v Speaker 3>is almost like a tunic, Yeah, which I got you

0:36:06.920 --> 0:36:12.800
<v Speaker 3>of war tunic, darling, darling, put on your war color preference.

0:36:13.520 --> 0:36:14.880
<v Speaker 3>Let's start with the one in your hands. I think

0:36:14.920 --> 0:36:16.960
<v Speaker 3>you reached for something, right WHOA did you hear my

0:36:16.960 --> 0:36:18.799
<v Speaker 3>stomach grow? No? I wish it would do it again

0:36:18.840 --> 0:36:21.800
<v Speaker 3>on this That would be a cool eight s and

0:36:22.280 --> 0:36:27.640
<v Speaker 3>M S S S S M M m R. Sorry,

0:36:27.680 --> 0:36:30.040
<v Speaker 3>you're gonna have to pay Rihanna. Now, wow, it looks

0:36:30.200 --> 0:36:35.120
<v Speaker 3>so good. Please clap, please clap. Do you feel like

0:36:35.160 --> 0:36:40.719
<v Speaker 3>that's too small? It color? This is?

0:36:40.920 --> 0:36:43.160
<v Speaker 2>This feels im modest, a little modest.

0:36:43.400 --> 0:36:46.759
<v Speaker 3>I think it looks great on you. Do you think

0:36:46.800 --> 0:36:49.319
<v Speaker 3>I could wear this on stage without pants? Would that

0:36:49.360 --> 0:36:52.000
<v Speaker 3>be too small? I think you could wear it without pants.

0:36:53.280 --> 0:36:55.040
<v Speaker 3>It'd be sort of slutty. You'd be a little bit

0:36:55.080 --> 0:36:59.760
<v Speaker 3>of the hooker, you know. I'm you wouldn't be serving Matthew,

0:36:59.800 --> 0:37:02.640
<v Speaker 3>you and be serving Thomas, you'd be serving that hooker.

0:37:03.360 --> 0:37:05.680
<v Speaker 3>Which of the girls are you? You're Samantha, You're the

0:37:05.719 --> 0:37:09.399
<v Speaker 3>hooker hooker. This fits perfectly. I think if it's great,

0:37:09.480 --> 0:37:11.080
<v Speaker 3>and I think you could wear it without a pant,

0:37:11.200 --> 0:37:13.319
<v Speaker 3>and you could either do you could either be full

0:37:13.360 --> 0:37:15.279
<v Speaker 3>whoorror and sort of like have a thong and you're

0:37:15.280 --> 0:37:17.840
<v Speaker 3>getting the little peak of underboob, or you could do

0:37:17.880 --> 0:37:20.680
<v Speaker 3>sort of like an athletic underwear kind of sort like

0:37:20.960 --> 0:37:24.239
<v Speaker 3>mid thighs exactly like a Lula Lemons sort of. That

0:37:24.280 --> 0:37:27.319
<v Speaker 3>actually would be a great mom, sporty mom. And I

0:37:27.360 --> 0:37:30.600
<v Speaker 3>find what's really in fashion now is like proportion, where

0:37:30.600 --> 0:37:32.800
<v Speaker 3>it's like because everybody thinks it's just like all the

0:37:32.880 --> 0:37:35.080
<v Speaker 3>kids are wearing baggy shit. But it's really fun if

0:37:35.080 --> 0:37:37.440
<v Speaker 3>you sort of have one one bag yelement and then

0:37:37.440 --> 0:37:40.319
<v Speaker 3>one sort of not bag yelement. I think that right.

0:37:40.920 --> 0:37:43.760
<v Speaker 2>No, this is and it's kind of a nice aqua

0:37:44.840 --> 0:37:45.680
<v Speaker 2>navy color.

0:37:46.440 --> 0:37:48.160
<v Speaker 3>This is why don't you put one on? I would

0:37:48.200 --> 0:37:50.920
<v Speaker 3>love Does this color speak to you? Because they're both

0:37:50.960 --> 0:37:53.520
<v Speaker 3>sort of blue, and both of us in blue, And

0:37:53.640 --> 0:37:56.719
<v Speaker 3>thank god earlier we'd already sort of gotten ourselves used

0:37:56.760 --> 0:37:58.759
<v Speaker 3>to the no headphones. You know, I see why we

0:37:58.840 --> 0:37:59.160
<v Speaker 3>did that.

0:37:59.239 --> 0:38:01.120
<v Speaker 2>Now you're ins.

0:38:00.520 --> 0:38:02.440
<v Speaker 3>Because you can't or should I try to put it on?

0:38:02.480 --> 0:38:08.520
<v Speaker 3>With this song? You might as well? This is so comedy.

0:38:08.560 --> 0:38:12.560
<v Speaker 3>This is so comedy, he says to all three, to

0:38:12.640 --> 0:38:15.360
<v Speaker 3>the three camera set up, to the multi cam setup

0:38:15.400 --> 0:38:15.879
<v Speaker 3>you have here.

0:38:17.640 --> 0:38:20.120
<v Speaker 2>You're getting so now it doesn't fit you as well

0:38:20.160 --> 0:38:20.440
<v Speaker 2>as me.

0:38:20.719 --> 0:38:24.640
<v Speaker 3>No, this is more size. Yeah, swallows me up.

0:38:25.040 --> 0:38:28.400
<v Speaker 2>Look, come on, you're you're not showing off anything in

0:38:28.480 --> 0:38:33.279
<v Speaker 2>this thing. Well, it went over your headphones better than

0:38:33.320 --> 0:38:34.040
<v Speaker 2>I expected to be.

0:38:34.320 --> 0:38:37.439
<v Speaker 3>I actually thought it would. Yeah, but no, it actually

0:38:37.480 --> 0:38:39.759
<v Speaker 3>sort of works, and it keeps this wire on me

0:38:39.800 --> 0:38:42.719
<v Speaker 3>at all times, so you can't get away. Yeah, now

0:38:42.719 --> 0:38:45.080
<v Speaker 3>I know where she's at maybe that sort of part

0:38:45.120 --> 0:38:45.920
<v Speaker 3>of the style.

0:38:45.719 --> 0:38:48.239
<v Speaker 2>Is oh that's a nice a little.

0:38:49.680 --> 0:38:51.360
<v Speaker 3>Okay, well that's really good, And what do we do

0:38:51.360 --> 0:38:53.520
<v Speaker 3>with the last one? On? Elise? Would you like to

0:38:53.560 --> 0:38:56.840
<v Speaker 3>try it on? Sure? Come on in here, come on

0:38:56.880 --> 0:38:58.760
<v Speaker 3>in here on. We should all be in a top.

0:38:58.960 --> 0:38:59.600
<v Speaker 2>We should all be.

0:38:59.600 --> 0:39:06.520
<v Speaker 3>In our war war kind of new eth lead ath leisure.

0:39:06.560 --> 0:39:09.919
<v Speaker 3>Look how long, by the way, the tag is so long?

0:39:10.040 --> 0:39:12.360
<v Speaker 3>This is in sort of giving CBS received.

0:39:13.320 --> 0:39:16.520
<v Speaker 2>This is really like a response to the tag liss

0:39:16.520 --> 0:39:18.400
<v Speaker 2>t shirt absolutely saying.

0:39:18.640 --> 0:39:21.759
<v Speaker 3>What if it was tagged what if it was tag full?

0:39:21.840 --> 0:39:26.160
<v Speaker 3>They said tag less? More like tag full. And if

0:39:26.200 --> 0:39:31.480
<v Speaker 3>you want to pair it with these no pressure, open invitation.

0:39:32.480 --> 0:39:35.560
<v Speaker 2>We're all trying new looks over vests.

0:39:35.600 --> 0:39:39.319
<v Speaker 3>Ovest vest over would be its own look. But this

0:39:39.360 --> 0:39:42.320
<v Speaker 3>sort of feels more of the the runway.

0:39:42.080 --> 0:39:45.160
<v Speaker 2>That we're okay on alease, it's got a top on

0:39:45.840 --> 0:39:46.279
<v Speaker 2>we all.

0:39:46.400 --> 0:39:48.600
<v Speaker 3>I mean, it works for almost any good and it

0:39:49.080 --> 0:39:51.440
<v Speaker 3>just and the shape, the way it accentuates the shape

0:39:51.440 --> 0:39:52.840
<v Speaker 3>of the vest. And don't forget you can put it

0:39:52.920 --> 0:39:54.640
<v Speaker 3>on your fingers, you clip them on anything you want.

0:39:56.120 --> 0:39:58.120
<v Speaker 3>But but I celebrate the years. That's one of the

0:39:58.200 --> 0:40:03.680
<v Speaker 3>classic places, just getting the take clip.

0:40:03.440 --> 0:40:05.239
<v Speaker 2>On on kind of a side ear.

0:40:05.680 --> 0:40:07.560
<v Speaker 3>Yeah, oh that's right.

0:40:08.120 --> 0:40:09.439
<v Speaker 2>Getting into the cartilage.

0:40:09.920 --> 0:40:11.959
<v Speaker 3>Yeah, there we go. There we go. That looks good,

0:40:12.360 --> 0:40:15.560
<v Speaker 3>that looks great. There we go. So this is this

0:40:15.600 --> 0:40:20.680
<v Speaker 3>is why we do a video. We look incredible. We

0:40:20.719 --> 0:40:26.440
<v Speaker 3>look incredible. Listener, we look we look immaculate the way

0:40:26.600 --> 0:40:28.920
<v Speaker 3>the way you could conceive of this would be immaculately.

0:40:29.000 --> 0:40:31.359
<v Speaker 3>It's it's an immaculate conception in a way, the way

0:40:31.400 --> 0:40:34.120
<v Speaker 3>we look absolutely. But yeah, you can go the video.

0:40:35.360 --> 0:40:39.400
<v Speaker 3>Just go to w Josh Shark today dot com and

0:40:39.440 --> 0:40:44.520
<v Speaker 3>that's where you'll see our stuff is uick time QuickTime video.

0:40:46.120 --> 0:40:48.759
<v Speaker 2>Okay, only just taking them or may take them permanently.

0:40:49.520 --> 0:40:52.480
<v Speaker 2>We have no idea where they're going to end up. Wow,

0:40:52.560 --> 0:40:53.480
<v Speaker 2>look how good we look.

0:40:54.120 --> 0:40:56.440
<v Speaker 3>And you know, I'm so glad that the intention in

0:40:56.520 --> 0:40:58.920
<v Speaker 3>Karen thought I put into this is reading because you're right,

0:40:58.960 --> 0:40:59.839
<v Speaker 3>we do look good.

0:41:00.840 --> 0:41:03.200
<v Speaker 2>This is for me kind of a not my mom,

0:41:03.239 --> 0:41:05.880
<v Speaker 2>but a grandma shirt purchase, which is there was a

0:41:05.920 --> 0:41:08.319
<v Speaker 2>long time when my grandma would buy me medium sized

0:41:08.360 --> 0:41:10.080
<v Speaker 2>T shirts. I think in a kind of an attempt

0:41:10.080 --> 0:41:12.080
<v Speaker 2>to say I think you're bigger than you.

0:41:12.000 --> 0:41:15.200
<v Speaker 3>Are, because let's because we're let's call it as it is.

0:41:15.239 --> 0:41:18.000
<v Speaker 3>You're a small I'm a small. Yeah, that's small.

0:41:18.120 --> 0:41:19.480
<v Speaker 2>And I was born.

0:41:19.520 --> 0:41:20.359
<v Speaker 3>There's no shame in that.

0:41:20.440 --> 0:41:21.080
<v Speaker 2>There was no shame.

0:41:21.120 --> 0:41:22.920
<v Speaker 3>But my grandma, I think, may have felt some shame.

0:41:23.600 --> 0:41:25.520
<v Speaker 3>She felt she was embarrassed. She felt she could raise

0:41:25.560 --> 0:41:26.160
<v Speaker 3>you as medium.

0:41:26.280 --> 0:41:28.120
<v Speaker 2>Perhaps she didn't want to look a cashier in the

0:41:28.120 --> 0:41:29.960
<v Speaker 2>eye and say I have a small grandson.

0:41:30.080 --> 0:41:32.760
<v Speaker 3>Well, to be fair, she had them low hanging loves.

0:41:32.920 --> 0:41:35.279
<v Speaker 3>This is a different grandma. Oh, you have to have

0:41:35.360 --> 0:41:37.799
<v Speaker 3>more than one. How does that? How does the math

0:41:37.840 --> 0:41:40.960
<v Speaker 3>work on that? God, I don't even know. Spoil a podcast.

0:41:41.719 --> 0:41:45.160
<v Speaker 3>Swimming in Grandma drowning in the stuff, kind of a

0:41:45.200 --> 0:41:49.919
<v Speaker 3>Tom cruise in under the ocean of grandma's. I've said

0:41:49.960 --> 0:41:52.319
<v Speaker 3>that to you before so many times, and I'm glad

0:41:52.360 --> 0:41:54.200
<v Speaker 3>it finally makes sense to everyone. I'm coming up from those

0:41:54.200 --> 0:41:57.000
<v Speaker 3>grandma's and I'm getting the ransures. Oh God, yeah, how

0:41:57.000 --> 0:41:59.080
<v Speaker 3>to describe. He's sort of like a Tom cruise swimming

0:41:59.120 --> 0:42:01.279
<v Speaker 3>in an ocean of grandma. Do you know what I'm

0:42:01.280 --> 0:42:03.320
<v Speaker 3>talking about? There's so many Grandmas.

0:42:03.360 --> 0:42:05.879
<v Speaker 2>You're worried about him, Yep, you're worried of if he's

0:42:05.920 --> 0:42:07.959
<v Speaker 2>going to make it out alive, and then he does

0:42:08.320 --> 0:42:11.920
<v Speaker 2>every time, and he saves the movies. So we've got

0:42:11.920 --> 0:42:15.080
<v Speaker 2>these shirts on and your friend, Wow, this is the

0:42:15.080 --> 0:42:16.759
<v Speaker 2>sort of life I would love to live to just

0:42:17.080 --> 0:42:20.279
<v Speaker 2>apparently not try the shirts on, just have them, take

0:42:20.320 --> 0:42:21.640
<v Speaker 2>them home, and then not want them.

0:42:21.640 --> 0:42:22.879
<v Speaker 3>I need to get more of the story on why

0:42:22.920 --> 0:42:24.920
<v Speaker 3>he didn't want them. What I know is when I

0:42:24.960 --> 0:42:27.600
<v Speaker 3>said do you have anything I could give away? Immediately

0:42:27.680 --> 0:42:30.560
<v Speaker 3>he lit up like it truly was. He was like,

0:42:30.680 --> 0:42:34.080
<v Speaker 3>this is so great for me. I've been trying to

0:42:34.080 --> 0:42:36.160
<v Speaker 3>get rid of these and now you actually have a

0:42:36.280 --> 0:42:39.120
<v Speaker 3>use for them. Ow. Unbelievable to think that this could

0:42:39.160 --> 0:42:43.080
<v Speaker 3>become content. Really goes to show you anything can be

0:42:43.120 --> 0:42:43.959
<v Speaker 3>content if.

0:42:43.880 --> 0:42:46.719
<v Speaker 2>You think, just if you think hard enough, anything can

0:42:46.760 --> 0:42:47.200
<v Speaker 2>be content.

0:42:47.360 --> 0:42:49.279
<v Speaker 3>You know, I hate it should be. This is why

0:42:49.280 --> 0:42:51.399
<v Speaker 3>Tom is struggling in the box office, because we've allowed

0:42:51.440 --> 0:42:52.400
<v Speaker 3>anything to be content.

0:42:52.640 --> 0:42:54.040
<v Speaker 2>Well, do you want to know there's a line in

0:42:54.080 --> 0:42:57.680
<v Speaker 2>the movie that feels a little anti content. Tom says,

0:42:57.840 --> 0:42:58.920
<v Speaker 2>do you want me to tell you what?

0:42:59.160 --> 0:42:59.200
<v Speaker 3>Is?

0:43:00.160 --> 0:43:03.440
<v Speaker 2>Spend too much time on the Internet? And that's kind

0:43:03.440 --> 0:43:06.520
<v Speaker 2>of a you know, like a little one linery scotch.

0:43:07.000 --> 0:43:09.319
<v Speaker 2>So there's a lesson to you all. This is a

0:43:09.360 --> 0:43:13.200
<v Speaker 2>movie that's very much about cyberspace. They say cyberspace. Every

0:43:13.280 --> 0:43:14.719
<v Speaker 2>character says it at least one time.

0:43:14.880 --> 0:43:18.719
<v Speaker 3>That phrase space phrase we're saying all the time is

0:43:18.840 --> 0:43:21.759
<v Speaker 3>very current. Yeah, so they have like a gen z

0:43:21.840 --> 0:43:24.600
<v Speaker 3>writer on this. I guess I mean Alpha.

0:43:24.719 --> 0:43:27.560
<v Speaker 2>Maybe this is somebody who's like, was raised by someone

0:43:27.600 --> 0:43:29.880
<v Speaker 2>who was born with the Internet. You know, this is

0:43:29.880 --> 0:43:30.520
<v Speaker 2>somebody who.

0:43:30.400 --> 0:43:32.960
<v Speaker 3>Is the granddaughter of someone who have Internet the whole life,

0:43:34.840 --> 0:43:38.360
<v Speaker 3>granddaughter of a gen zy person writing this movie. And

0:43:38.440 --> 0:43:40.920
<v Speaker 3>if you can feel it on the screen, it's like

0:43:41.080 --> 0:43:44.160
<v Speaker 3>every inch of the screen is covered by someone who's

0:43:44.280 --> 0:43:49.360
<v Speaker 3>beyond Internet life. Someone who doesn't isn't even on TikTok.

0:43:49.360 --> 0:43:51.920
<v Speaker 3>It's so old, embarrassed.

0:43:54.120 --> 0:43:56.440
<v Speaker 2>And they are saying that we need to protect cyberspace.

0:43:56.680 --> 0:44:01.080
<v Speaker 2>Cyberspace could be destroyed. This is said the film. And

0:44:01.120 --> 0:44:03.160
<v Speaker 2>then Tom ultimately kills someone and says, you spent too

0:44:03.239 --> 0:44:04.320
<v Speaker 2>much time on the Internet.

0:44:04.400 --> 0:44:08.000
<v Speaker 3>That's his big sort of Yeah, wow, mic dropline, you

0:44:08.040 --> 0:44:09.240
<v Speaker 3>spend too much time on the Internet.

0:44:09.840 --> 0:44:12.760
<v Speaker 2>May I go that way, But I'll say that Tom

0:44:12.800 --> 0:44:15.960
<v Speaker 2>has a thriving Instagram presence.

0:44:15.880 --> 0:44:18.440
<v Speaker 3>Does he? I don't follow him, and I should I looked.

0:44:18.239 --> 0:44:21.480
<v Speaker 2>It up yesterday. You know it's not off the cuff.

0:44:21.880 --> 0:44:24.839
<v Speaker 2>These are you know, promo stills, this sort of thing

0:44:24.840 --> 0:44:28.720
<v Speaker 2>that I have to imagine a scientologist is running this. Sure,

0:44:29.440 --> 0:44:31.680
<v Speaker 2>I can't imagine. There's just like a normal person.

0:44:32.120 --> 0:44:35.280
<v Speaker 3>One time I went to the center like in Los Feels,

0:44:35.280 --> 0:44:36.880
<v Speaker 3>like the one by UCB. Oh. Of course, I went

0:44:36.920 --> 0:44:40.120
<v Speaker 3>to the restaurant there. You've never had better service in

0:44:40.160 --> 0:44:43.759
<v Speaker 3>a restaurant. You can no longer go there. They I tried, Well,

0:44:43.800 --> 0:44:45.920
<v Speaker 3>you can't. This was years ago because of.

0:44:45.920 --> 0:44:50.920
<v Speaker 2>Tax some sort of tax problem. They're constantly trying to

0:44:50.960 --> 0:44:53.359
<v Speaker 2>evade taxes, and I believe you now have to be

0:44:53.840 --> 0:44:56.880
<v Speaker 2>like a member of the religion in order to enjoy

0:44:56.960 --> 0:44:57.560
<v Speaker 2>the cafe.

0:44:57.840 --> 0:45:02.120
<v Speaker 3>Incredible service there. Michl star Worthy really attentive. When I

0:45:02.120 --> 0:45:04.160
<v Speaker 3>asked where the bathroom was, it was a far ways away,

0:45:04.160 --> 0:45:08.040
<v Speaker 3>and he said, I'll walk you there. Well around, But

0:45:08.160 --> 0:45:09.759
<v Speaker 3>that was just sort of the energy you just felt,

0:45:09.840 --> 0:45:13.319
<v Speaker 3>very like it needs were anticipated. You know, they're there

0:45:13.320 --> 0:45:14.879
<v Speaker 3>with the fork right after you drop it in away.

0:45:14.880 --> 0:45:16.600
<v Speaker 3>We're like, how did you know they were under the

0:45:16.640 --> 0:45:19.719
<v Speaker 3>table to catch the fork before it hits the gar Yeah,

0:45:19.920 --> 0:45:23.520
<v Speaker 3>incredible food. I have no memories of the food.

0:45:23.640 --> 0:45:25.600
<v Speaker 2>I remember looking at the food online and it looked

0:45:25.600 --> 0:45:27.000
<v Speaker 2>a little like wedding catering.

0:45:27.200 --> 0:45:32.520
<v Speaker 3>Yeah, that feels right. This was probably the year twenty eighteen, probably.

0:45:32.600 --> 0:45:33.160
<v Speaker 2>And that makes sense.

0:45:33.160 --> 0:45:33.840
<v Speaker 3>It's been a while.

0:45:34.320 --> 0:45:37.120
<v Speaker 2>I've been to the Celebrity Center right next door, and

0:45:37.120 --> 0:45:41.480
<v Speaker 2>as a celebrity. As a celebrity, I said, make way,

0:45:42.080 --> 0:45:44.959
<v Speaker 2>everybody here comes to the celebrity I went in there

0:45:45.040 --> 0:45:48.279
<v Speaker 2>and they need to open a window. That's mostly, but

0:45:48.320 --> 0:45:50.440
<v Speaker 2>I imagine they don't know borndows.

0:45:50.080 --> 0:45:53.240
<v Speaker 3>For temperature, for smell or both.

0:45:53.640 --> 0:45:56.120
<v Speaker 2>Okay, there's a stuffiness to the air that feels like,

0:45:56.520 --> 0:46:00.000
<v Speaker 2>let's let's air it out. Yeah, it's but I want

0:46:00.160 --> 0:46:02.240
<v Speaker 2>if there's something about not wanting to open the windows

0:46:02.280 --> 0:46:05.080
<v Speaker 2>in in case somebody wants to move in or out

0:46:05.080 --> 0:46:10.000
<v Speaker 2>of place, being undetected. Sure, but there was a stuffiness.

0:46:10.000 --> 0:46:12.480
<v Speaker 2>And I've also been to the blue building, the big

0:46:12.840 --> 0:46:14.279
<v Speaker 2>hospital size one.

0:46:14.520 --> 0:46:16.359
<v Speaker 3>No, I don't if I have. I forgot that.

0:46:16.280 --> 0:46:17.200
<v Speaker 2>One's in those feelas.

0:46:17.200 --> 0:46:20.319
<v Speaker 3>It's that I must have seen it right, absolutely how

0:46:20.400 --> 0:46:22.160
<v Speaker 3>much time I've spent stopping around those feelings.

0:46:22.160 --> 0:46:24.760
<v Speaker 2>The very is the worst blue you can imagine painting

0:46:24.800 --> 0:46:25.240
<v Speaker 2>a building.

0:46:25.280 --> 0:46:29.520
<v Speaker 3>Okay, and not like these two shades. Actually, these are

0:46:29.520 --> 0:46:30.440
<v Speaker 3>some of the best blues.

0:46:31.239 --> 0:46:33.719
<v Speaker 2>It might be the color of the shirt, yes, a

0:46:33.719 --> 0:46:37.120
<v Speaker 2>little lighter. And I believe it's a former.

0:46:36.880 --> 0:46:41.400
<v Speaker 3>Hospital but now and sort of current. I'm sure a

0:46:41.440 --> 0:46:44.839
<v Speaker 3>lot of the people love to be lost. My producer play,

0:46:44.960 --> 0:46:48.160
<v Speaker 3>Oh my god, I literally just shot myself. Don't clip this,

0:46:49.400 --> 0:46:53.720
<v Speaker 3>don't clip this. Keep this for our listeners only. Going wide.

0:46:53.960 --> 0:46:56.840
<v Speaker 2>Thomas browsing suggested reels, and one runs by and he

0:46:56.880 --> 0:46:58.440
<v Speaker 2>sees it. Then he sees this and he's like, I'm

0:46:58.440 --> 0:46:59.680
<v Speaker 2>not going to space with this asshole.

0:47:00.120 --> 0:47:04.640
<v Speaker 3>No way. Unbelieveable. Tom's got a new girl, really does he?

0:47:04.800 --> 0:47:05.239
<v Speaker 3>I think so?

0:47:05.719 --> 0:47:09.799
<v Speaker 2>A non scientologist, I believe. Oh who knows what's gonna

0:47:09.840 --> 0:47:15.120
<v Speaker 2>happen to her? Water and oil, fire and ice. Tom

0:47:15.200 --> 0:47:19.080
<v Speaker 2>Cruise and his non scientology girlfriend. These are classic pairs.

0:47:19.640 --> 0:47:23.600
<v Speaker 2>Of course, doctor a patient, these are classic pairs.

0:47:23.640 --> 0:47:26.480
<v Speaker 3>But he's circling somebody, and I mean, what is that?

0:47:27.000 --> 0:47:27.520
<v Speaker 3>What do you mean?

0:47:28.080 --> 0:47:31.280
<v Speaker 2>What is that? The experience of being in his field

0:47:31.320 --> 0:47:34.239
<v Speaker 2>of vision as a romantic interest. Oh yeah, see taking

0:47:34.239 --> 0:47:37.879
<v Speaker 2>you on motorcycle rides, see hot air balloon rides.

0:47:39.280 --> 0:47:41.200
<v Speaker 3>I hate to do this again. I have a second story.

0:47:41.239 --> 0:47:42.239
<v Speaker 3>I'm going to tell you off air.

0:47:42.320 --> 0:47:45.000
<v Speaker 2>Oh my god, I haven't come from the same source. Okay,

0:47:45.040 --> 0:47:46.640
<v Speaker 2>I have one that's more. It feels more like an

0:47:46.719 --> 0:47:50.160
<v Speaker 2>urban legend that involves Tom Cruise an island and his birthday.

0:47:50.440 --> 0:47:52.919
<v Speaker 3>Oh that's fun, that's fun.

0:47:53.640 --> 0:47:55.759
<v Speaker 2>Yeah, it's a it's a wild one. And I don't

0:47:55.760 --> 0:47:57.799
<v Speaker 2>know that. I mean, it feels like such a myth

0:47:57.800 --> 0:47:59.319
<v Speaker 2>that I feel like you could say it on.

0:47:59.800 --> 0:48:02.839
<v Speaker 3>You know, But there's there's many forms of truth. There's

0:48:02.880 --> 0:48:05.279
<v Speaker 3>the things that just like feel so true in the

0:48:05.320 --> 0:48:07.000
<v Speaker 3>myth building way that you're just sort of like, this

0:48:07.080 --> 0:48:09.000
<v Speaker 3>is I know this is apocryphal, but it's like true

0:48:09.000 --> 0:48:11.000
<v Speaker 3>to the essence, right, So maybe it's one of those.

0:48:11.200 --> 0:48:13.279
<v Speaker 2>Yeah, this one, and it's an exciting one. It's a

0:48:13.360 --> 0:48:15.320
<v Speaker 2>there's an element of danger and sexy.

0:48:15.440 --> 0:48:19.680
<v Speaker 3>I bet, I bet knowing that guy and on his birthday,

0:48:20.120 --> 0:48:23.200
<v Speaker 3>of all days, one of the most sexy days, and

0:48:23.239 --> 0:48:27.640
<v Speaker 3>there's danger there too the birthday. You know what he

0:48:27.680 --> 0:48:33.080
<v Speaker 3>does do on his birthday? Cakes? You think he gets

0:48:33.080 --> 0:48:35.640
<v Speaker 3>a lot of cook I had on this podcast, how

0:48:36.000 --> 0:48:38.200
<v Speaker 3>for not one that was from him, just from the show.

0:48:38.239 --> 0:48:41.320
<v Speaker 2>Fortune themesir was aware. I think she may have gotten

0:48:41.320 --> 0:48:41.879
<v Speaker 2>one from him.

0:48:42.000 --> 0:48:44.960
<v Speaker 3>I bet Fortune feels like she's on that level, that

0:48:45.160 --> 0:48:47.719
<v Speaker 3>she brought God to be on that level. What are

0:48:47.760 --> 0:48:50.719
<v Speaker 3>you in it for? You know, Hollywood News asking me

0:48:50.880 --> 0:48:53.799
<v Speaker 3>what are your goals as an as an entertainer of

0:48:54.120 --> 0:48:58.280
<v Speaker 3>little renown, and I go, well, I hope to break

0:48:58.320 --> 0:49:03.480
<v Speaker 3>out of my niche cabal of queer comedy and off Broadway.

0:49:03.680 --> 0:49:06.960
<v Speaker 3>You're on work at Josh Sharp today and go to

0:49:07.040 --> 0:49:10.400
<v Speaker 3>the next level, which is receiving a coconut cake from Tom.

0:49:10.719 --> 0:49:13.560
<v Speaker 2>I think that's within reach. I think the list is long,

0:49:14.160 --> 0:49:16.560
<v Speaker 2>and I think it's constantly shifting. I think some people

0:49:16.560 --> 0:49:18.360
<v Speaker 2>are like, oh, I didn't get one, what did I

0:49:18.400 --> 0:49:21.279
<v Speaker 2>do wrong? Fascinating, But I can't imagine it's Tom. I

0:49:21.520 --> 0:49:24.920
<v Speaker 2>think it's kind of a picky assistant who's or a

0:49:24.920 --> 0:49:27.600
<v Speaker 2>PR team, Yeah, PR team, or just someone like it's

0:49:27.600 --> 0:49:29.000
<v Speaker 2>probably IMDb Star Meter.

0:49:29.040 --> 0:49:32.879
<v Speaker 3>They're probably just like, yeah, look for the top. That's

0:49:32.920 --> 0:49:34.440
<v Speaker 3>not a bad way to do it. Yeah.

0:49:34.520 --> 0:49:37.240
<v Speaker 2>I might start doing that, sending a thousand cakes.

0:49:38.520 --> 0:49:40.040
<v Speaker 3>It would be good for the guy from I said

0:49:40.040 --> 0:49:41.920
<v Speaker 3>no gifts to give out, to be known for his

0:49:41.960 --> 0:49:43.440
<v Speaker 3>gift giving to the top thousand.

0:49:44.280 --> 0:49:46.279
<v Speaker 2>You know, I wonder how much that would cost well,

0:49:46.320 --> 0:49:50.640
<v Speaker 2>probably one hundred thousand dollars or so. If everyone will

0:49:50.680 --> 0:49:54.120
<v Speaker 2>donate a little bit of money to my next PR stunt.

0:49:54.280 --> 0:49:59.160
<v Speaker 3>That's your Patreon, right, Yeah, you're clearing six daily, release

0:49:59.239 --> 0:50:03.000
<v Speaker 3>your taxes to the listener, release your taxes richer, and

0:50:03.640 --> 0:50:05.719
<v Speaker 3>as transparency, We're going.

0:50:05.719 --> 0:50:08.400
<v Speaker 2>To create a specific tier of the Patreon, which is

0:50:08.680 --> 0:50:12.560
<v Speaker 2>donate cakes to the top thousand star meter on IMDb.

0:50:12.360 --> 0:50:13.879
<v Speaker 3>And a tier above that where if you pay enough,

0:50:13.880 --> 0:50:17.640
<v Speaker 3>you get to see your taxes. There should be a

0:50:17.719 --> 0:50:19.960
<v Speaker 3>one tier that's like one person gets to see my

0:50:20.040 --> 0:50:23.799
<v Speaker 3>taxes if you pay. How much should that be? How

0:50:23.880 --> 0:50:25.560
<v Speaker 3>much would I let for someone to see my taxes?

0:50:25.600 --> 0:50:27.719
<v Speaker 3>Actually not that much. No, the idea that it's only

0:50:27.760 --> 0:50:29.680
<v Speaker 3>one person is sort of fun, right then I actually

0:50:29.680 --> 0:50:30.600
<v Speaker 3>don't need that much money.

0:50:30.600 --> 0:50:32.160
<v Speaker 2>But then do they have to sign an NDA because

0:50:32.160 --> 0:50:34.680
<v Speaker 2>you don't want them leaking and then people getting.

0:50:34.440 --> 0:50:37.560
<v Speaker 3>A private thing experience. Then if they won't tell anybody,

0:50:39.320 --> 0:50:42.480
<v Speaker 3>two hundred bucks, I would say, fifty bucks, Yeah, I was.

0:50:42.600 --> 0:50:44.160
<v Speaker 3>I went there in my head and I was like,

0:50:44.200 --> 0:50:46.200
<v Speaker 3>come on, self worth, give you some a little more

0:50:46.239 --> 0:50:46.720
<v Speaker 3>than that.

0:50:48.120 --> 0:50:50.320
<v Speaker 2>Yeah, but two hundred dollars Okay, you should start a

0:50:50.360 --> 0:50:53.920
<v Speaker 2>Patreon exclusively to show one person your text.

0:50:53.840 --> 0:50:56.000
<v Speaker 3>And when you log on, it's like one of one

0:50:56.080 --> 0:50:58.759
<v Speaker 3>slots filled. You like, can't do it? Yeah, exactly. I

0:50:58.760 --> 0:50:59.960
<v Speaker 3>think you have to wait for that person to die

0:51:00.040 --> 0:51:02.760
<v Speaker 3>an allied a month to keep having access.

0:51:03.120 --> 0:51:05.440
<v Speaker 2>Yeah, I think so you can't. You that can be

0:51:05.440 --> 0:51:08.000
<v Speaker 2>a one time and your taxes are fluctuating. You could

0:51:08.040 --> 0:51:09.839
<v Speaker 2>hit hard times, you could hit a big and the.

0:51:11.760 --> 0:51:16.200
<v Speaker 3>And have Do you want to promote promote anything? Mission impossible?

0:51:18.760 --> 0:51:21.640
<v Speaker 3>Go to Tom Cruise dot com. Go to I went there. God,

0:51:21.680 --> 0:51:24.480
<v Speaker 3>I should have called my show the Final Reckoning, Josh

0:51:24.800 --> 0:51:27.600
<v Speaker 3>the Final Reckoning. There's still time, there's still time to switch.

0:51:28.000 --> 0:51:30.040
<v Speaker 3>Go to josharp Today dot com to see me and

0:51:30.160 --> 0:51:32.720
<v Speaker 3>Josh Sharp the Final Reckoning his website.

0:51:32.719 --> 0:51:34.840
<v Speaker 2>I went and looked at this little information. There is

0:51:34.840 --> 0:51:37.799
<v Speaker 2>a biography which is extremely long.

0:51:38.000 --> 0:51:40.280
<v Speaker 3>Think and it's fun to think about your like, huh,

0:51:40.400 --> 0:51:43.720
<v Speaker 3>this Tom Cruise guy, what's his story? And your first

0:51:43.760 --> 0:51:46.480
<v Speaker 3>thought being I guess I'll go to Tom Cruise dot com

0:51:46.480 --> 0:51:49.200
<v Speaker 3>and see if there's a biography there. You're gonna find

0:51:49.239 --> 0:51:50.960
<v Speaker 3>your entry point. What was the thing that brought him

0:51:50.960 --> 0:51:52.879
<v Speaker 3>into your culture? And yet there was still so many

0:51:53.200 --> 0:51:56.920
<v Speaker 3>nothing about this person. It's very like about me.

0:51:57.360 --> 0:52:00.000
<v Speaker 2>That's like you get in there and I can't image

0:52:00.080 --> 0:52:02.520
<v Speaker 2>who wrote that? Who do you hire to write the

0:52:02.520 --> 0:52:03.600
<v Speaker 2>Tom Cruise biography?

0:52:04.400 --> 0:52:06.440
<v Speaker 3>Read it the voice? It didn't feel like Tom is

0:52:06.440 --> 0:52:07.960
<v Speaker 3>what you're saying. It could have been.

0:52:08.440 --> 0:52:11.399
<v Speaker 2>He's up late one night, is thinking why not? Yeah,

0:52:11.480 --> 0:52:12.799
<v Speaker 2>people should know beginning.

0:52:12.520 --> 0:52:15.279
<v Speaker 3>He's had a little too much coconut cake, stuffed to

0:52:15.320 --> 0:52:17.960
<v Speaker 3>the gills, He's past his bedtime. He knows he was

0:52:18.000 --> 0:52:20.040
<v Speaker 3>being naughty. He had an extra slice when he shouldn't.

0:52:20.320 --> 0:52:21.719
<v Speaker 3>He said, oh god, I won't be able to sleep

0:52:21.760 --> 0:52:24.960
<v Speaker 3>at all. But fine, And then he's up a little wired,

0:52:25.000 --> 0:52:27.080
<v Speaker 3>a little crazy. Be goes, what if I wrote in

0:52:27.080 --> 0:52:29.600
<v Speaker 3>about me? Fires up the computer.

0:52:30.320 --> 0:52:33.759
<v Speaker 2>I will say the biography ends before the most the

0:52:33.800 --> 0:52:36.239
<v Speaker 2>current mission impossible. So I feel like someone's gonna get fired.

0:52:36.520 --> 0:52:39.960
<v Speaker 2>Clifang clip this and get that person fire. Yeah, because

0:52:40.000 --> 0:52:43.200
<v Speaker 2>they need to update final reckoning maybe somebody Maybe he

0:52:43.239 --> 0:52:44.600
<v Speaker 2>forgot the password, Maybe.

0:52:44.400 --> 0:52:46.880
<v Speaker 3>You forgot the password. What would it really say? And

0:52:46.960 --> 0:52:49.640
<v Speaker 3>at the end of the day, he reckoned with everything

0:52:50.800 --> 0:52:54.759
<v Speaker 3>you know, And to conclude his gorgeous career, he did that.

0:52:55.040 --> 0:52:58.919
<v Speaker 3>He did one last reckon for the girls. The end

0:52:59.160 --> 0:53:01.400
<v Speaker 3>that's the last line of the film. This is for

0:53:01.480 --> 0:53:04.040
<v Speaker 3>you girls, This is for you girls. One last reckon

0:53:04.239 --> 0:53:07.879
<v Speaker 3>to camera, straight the camera. Hey, just you know these

0:53:07.960 --> 0:53:11.680
<v Speaker 3>ninety two films, they've all been for you girls. Stay reckoning.

0:53:13.239 --> 0:53:19.920
<v Speaker 2>Dives back into the oceans. No, the biography is worth reading.

0:53:20.000 --> 0:53:22.120
<v Speaker 3>What name should have when he goes to space?

0:53:22.719 --> 0:53:25.879
<v Speaker 2>Oh like, what new character? I feel like play?

0:53:27.239 --> 0:53:32.759
<v Speaker 3>That's play to Chris. Yeah? No, or oh, Chris, what

0:53:32.840 --> 0:53:39.000
<v Speaker 3>was the name of this Chris Warri Chris, Chris, Chris, Chris, Chris, Chris,

0:53:39.880 --> 0:53:41.759
<v Speaker 3>Chris ware is really good.

0:53:41.800 --> 0:53:45.080
<v Speaker 2>Actually, yeah, that's nice. That's a little too I would

0:53:45.120 --> 0:53:47.200
<v Speaker 2>say it's a little downtown.

0:53:47.760 --> 0:53:50.680
<v Speaker 3>Yes, that's a coded way to say yes. And I

0:53:50.680 --> 0:53:52.759
<v Speaker 3>don't know that he wants to get too close. This

0:53:52.880 --> 0:53:55.239
<v Speaker 3>is you know, one of your mom's friends at church

0:53:55.520 --> 0:54:01.120
<v Speaker 3>and your son. Is he still downtown? This is this

0:54:01.160 --> 0:54:05.160
<v Speaker 3>is your mom's church friend, trying to inquire your mom

0:54:05.280 --> 0:54:09.560
<v Speaker 3>forcing a smile. Yes, he's actually never been more downtown.

0:54:10.239 --> 0:54:15.640
<v Speaker 3>Keeps moving south. Actually, but he's got a job. But

0:54:15.719 --> 0:54:18.840
<v Speaker 3>he's got a job and a partner.

0:54:22.239 --> 0:54:25.120
<v Speaker 2>Chris Vai, I mean that's I think that may just

0:54:25.160 --> 0:54:29.560
<v Speaker 2>have to be it. Chris, I mean, but actually actually,

0:54:29.800 --> 0:54:32.400
<v Speaker 2>unfortunately it's the Gail King story. I think we already

0:54:32.400 --> 0:54:35.960
<v Speaker 2>know he's playing Gail King's Gail King or maybe Gail.

0:54:35.800 --> 0:54:38.520
<v Speaker 3>King as could be the sort of like you know

0:54:38.560 --> 0:54:40.480
<v Speaker 3>in the biopick where they sort of invent the composite

0:54:40.560 --> 0:54:42.080
<v Speaker 3>character that's like, oh, we sort of need to put

0:54:42.120 --> 0:54:44.879
<v Speaker 3>six people in one like it's his manager and also

0:54:44.960 --> 0:54:47.560
<v Speaker 3>his grandpa, and also his lawyer and also his cake maker.

0:54:47.800 --> 0:54:50.719
<v Speaker 3>Chris fare is like the one who inspires Gail to

0:54:50.760 --> 0:54:53.960
<v Speaker 3>go to space, also played by Tom also played by

0:54:54.000 --> 0:54:57.000
<v Speaker 3>Tom kind of a clumps what we in the business

0:54:57.040 --> 0:54:59.959
<v Speaker 3>call a clumps scenario. You know, there's only four story

0:55:00.160 --> 0:55:04.040
<v Speaker 3>as they say, it's Casablanca. It's clumps and clumps and clumps.

0:55:04.320 --> 0:55:07.040
<v Speaker 3>There's only so many stories that we keep retelling, and

0:55:07.160 --> 0:55:10.320
<v Speaker 3>we keep doing clumps. Sinners Sinners is a clump. Sinners

0:55:10.400 --> 0:55:13.959
<v Speaker 3>is a clumps. Ultimately, Sinners is a clumps. Ultimately it's also,

0:55:14.239 --> 0:55:17.080
<v Speaker 3>i would say, almost a word for word retelling of

0:55:17.080 --> 0:55:20.480
<v Speaker 3>the clumps. Yes, adaptation, that's a clumps. We have so

0:55:20.600 --> 0:55:24.480
<v Speaker 3>many great clumps in the in the lexicon, in the

0:55:24.560 --> 0:55:25.880
<v Speaker 3>media landscale.

0:55:25.440 --> 0:55:26.560
<v Speaker 2>How many clumps were there?

0:55:27.400 --> 0:55:30.440
<v Speaker 3>Actual clumps and not just the story retold, I just.

0:55:30.440 --> 0:55:32.880
<v Speaker 2>Want you to answer the question no other information.

0:55:33.040 --> 0:55:36.080
<v Speaker 3>You are so can I apologize deeply? You are so right.

0:55:36.680 --> 0:55:39.719
<v Speaker 3>I didn't mean obviously. Thank you, Thank you, my god.

0:55:39.840 --> 0:55:43.680
<v Speaker 3>I'm ashamed. How many clumps were there? There is actually

0:55:43.719 --> 0:55:45.879
<v Speaker 3>so many reads on that I know because it's both

0:55:45.960 --> 0:55:48.319
<v Speaker 3>How many in this version of like Casablanca's are there

0:55:48.480 --> 0:55:50.920
<v Speaker 3>to which I would say probably two hundred and fifty

0:55:50.960 --> 0:55:54.200
<v Speaker 3>stories that clump? Okay me in the franchise, I want

0:55:54.239 --> 0:55:56.360
<v Speaker 3>to say three, But then I'm also going but in

0:55:56.440 --> 0:55:59.000
<v Speaker 3>the family of clumps, how many members of clumps were there?

0:55:59.560 --> 0:56:01.120
<v Speaker 2>And I'm during a dinner table.

0:56:00.920 --> 0:56:03.359
<v Speaker 3>And I'm portraying dinner table. I'm wanting to go eight.

0:56:03.680 --> 0:56:05.759
<v Speaker 3>And are they all Eddie? I don't know, but there

0:56:05.800 --> 0:56:07.920
<v Speaker 3>are I think more clumps than there are Eddies. You know.

0:56:07.960 --> 0:56:09.480
<v Speaker 3>I think he's some of the clumps, and I think

0:56:09.520 --> 0:56:09.959
<v Speaker 3>there's others.

0:56:10.000 --> 0:56:11.879
<v Speaker 2>There are other people that are not. Yeah, I guess

0:56:12.000 --> 0:56:13.879
<v Speaker 2>the field. He has to playoff a clump.

0:56:13.960 --> 0:56:16.120
<v Speaker 3>I've never seen a clump. A clump needs another person

0:56:16.200 --> 0:56:18.319
<v Speaker 3>to play culturally aware of a clump. Yeah, clump needs

0:56:18.600 --> 0:56:21.120
<v Speaker 3>can't all be clump to clump. It can't all be

0:56:21.239 --> 0:56:25.320
<v Speaker 3>Eddie to Eddie. Sometimes it's got to be Oh, poison

0:56:25.400 --> 0:56:28.720
<v Speaker 3>the audience. It's poison the audience. How many clumps are there? Gosh,

0:56:29.280 --> 0:56:30.880
<v Speaker 3>we're going to try and name them, like the like

0:56:30.960 --> 0:56:35.799
<v Speaker 3>the Disciples again, Matthew Luke, John Clump, doubting, Thomas Clump

0:56:35.880 --> 0:56:39.600
<v Speaker 3>hooker Clump Uh, Thomas Clump at the dinner table. I

0:56:39.640 --> 0:56:40.480
<v Speaker 3>don't know about all this.

0:56:43.960 --> 0:56:47.799
<v Speaker 2>Well, I I actually have to believe there's a last

0:56:47.840 --> 0:56:51.520
<v Speaker 2>supper scene of the clumps, and I'm sure somebody's done that.

0:56:51.560 --> 0:56:53.319
<v Speaker 3>Well, they're all on one side of the table. Yeah,

0:56:53.600 --> 0:56:54.400
<v Speaker 3>last supper style.

0:56:54.560 --> 0:56:55.320
<v Speaker 2>Yeah, I believe that.

0:56:55.360 --> 0:56:59.640
<v Speaker 3>I'm sure that's been made somewhere made as we speak.

0:57:00.000 --> 0:57:03.800
<v Speaker 3>Listener right now is going I could get rich just

0:57:03.920 --> 0:57:08.080
<v Speaker 3>running to their paints and well, is there anything left

0:57:08.120 --> 0:57:12.080
<v Speaker 3>we need to say about these T shirts? The feel

0:57:12.160 --> 0:57:16.680
<v Speaker 3>is nice, you know, like layered, and you mean that

0:57:16.760 --> 0:57:20.280
<v Speaker 3>open parentheses complimentary, close parenthesies. Yes, you're not trying to

0:57:20.320 --> 0:57:23.560
<v Speaker 3>be open printeses derogatory like it's winter and the shirt

0:57:23.640 --> 0:57:24.600
<v Speaker 3>hasn't made me warm.

0:57:24.760 --> 0:57:27.120
<v Speaker 2>No, it's I'm saying this is good. This is good

0:57:27.200 --> 0:57:29.640
<v Speaker 2>as a layer. It almost feels like breathes, I guess,

0:57:29.760 --> 0:57:31.880
<v Speaker 2>is what we would say right, it breathes. I think

0:57:31.920 --> 0:57:34.040
<v Speaker 2>it is kind of an athleisure or a sportswear.

0:57:34.120 --> 0:57:35.840
<v Speaker 3>Definitely an athlete Shure's why. I think it would pair

0:57:35.920 --> 0:57:38.240
<v Speaker 3>well with your Lululemon sort of right.

0:57:38.280 --> 0:57:40.880
<v Speaker 2>For your next live show, or a stiff denim or a.

0:57:41.000 --> 0:57:44.280
<v Speaker 3>Stiff denim real. And I think there's something to you

0:57:44.400 --> 0:57:46.720
<v Speaker 3>trying to embrace all three in the look. Either they're

0:57:46.760 --> 0:57:49.800
<v Speaker 3>layered on top or or two where like armed big

0:57:49.880 --> 0:57:52.720
<v Speaker 3>long arm sleeves, you make a pant out of it,

0:57:53.000 --> 0:57:55.720
<v Speaker 3>make kind of a skirch the Lulu limen and they're

0:57:55.720 --> 0:57:58.000
<v Speaker 3>sort of up each leg as sort of like almost

0:57:58.040 --> 0:58:01.560
<v Speaker 3>like a big flowy player a bell bottom that hits

0:58:01.600 --> 0:58:04.600
<v Speaker 3>mid thigh, I think, or something to that. There we go.

0:58:04.720 --> 0:58:06.520
<v Speaker 3>I think there's something too that feels like the next

0:58:07.080 --> 0:58:10.760
<v Speaker 3>on stage. I feel like now I have no choice whether.

0:58:10.600 --> 0:58:11.120
<v Speaker 2>It works or not.

0:58:11.440 --> 0:58:13.720
<v Speaker 3>You were retired from the stage, right I was done,

0:58:15.000 --> 0:58:17.120
<v Speaker 3>turned in your equity card like Patty Lapone, and now

0:58:17.120 --> 0:58:22.200
<v Speaker 3>we're dragging you back. I'm giving controversial interviews always. You're

0:58:22.200 --> 0:58:25.520
<v Speaker 3>in one right now, aren't you? Who on Broadway should

0:58:25.520 --> 0:58:28.800
<v Speaker 3>I insult? Right now? Oh? Gosh, who on Broadway should

0:58:28.840 --> 0:58:34.560
<v Speaker 3>you insult? Right now? Who on off Broadway Josh Sharp Tada,

0:58:34.680 --> 0:58:37.640
<v Speaker 3>of course, ask me what I thought of your show? Bridger,

0:58:37.720 --> 0:58:41.240
<v Speaker 3>what do you think of my show? And then I'll

0:58:41.280 --> 0:58:43.800
<v Speaker 3>do the New Yorker quote At that Bridger stared off

0:58:43.840 --> 0:58:46.920
<v Speaker 3>into the window for fifteen seconds. Then what line did

0:58:46.960 --> 0:58:49.160
<v Speaker 3>you come back on? It's like weather's nice to beautiful

0:58:49.240 --> 0:58:56.160
<v Speaker 3>day Brava. Finally, and Angelina who reads the New Yorker? Finally,

0:58:56.920 --> 0:59:00.760
<v Speaker 3>we love Patty a menace, an absolute menace society. Have

0:59:00.840 --> 0:59:03.520
<v Speaker 3>you thought about starting a magazine? The Angelina? That's not

0:59:03.600 --> 0:59:06.680
<v Speaker 3>a bad Has anybody ever tried another thing? I don't

0:59:06.680 --> 0:59:07.200
<v Speaker 3>want to look up.

0:59:07.280 --> 0:59:09.680
<v Speaker 2>There's never been a better time to experiment in print

0:59:09.760 --> 0:59:10.439
<v Speaker 2>media than.

0:59:10.520 --> 0:59:13.200
<v Speaker 3>Never been a better The getting is good in print.

0:59:14.120 --> 0:59:19.040
<v Speaker 3>It's just a cash grab. It's a barrel. It's a

0:59:19.240 --> 0:59:22.680
<v Speaker 3>Start a newspaper, kids, you want some advice from an

0:59:22.720 --> 0:59:26.120
<v Speaker 3>old dog, Start a newspaper. That's what I wish I did.

0:59:26.240 --> 0:59:27.680
<v Speaker 3>You want to know where the money is. You want

0:59:27.680 --> 0:59:31.360
<v Speaker 3>to know where the money is. Start a daily newspaper,

0:59:33.960 --> 0:59:37.840
<v Speaker 3>Buy a print factory. It's it's gonna get good. It's

0:59:37.880 --> 0:59:40.280
<v Speaker 3>gonna get good. It's gonna get better. It is good.

0:59:41.280 --> 0:59:42.120
<v Speaker 3>It's gonna get great.

0:59:43.040 --> 0:59:44.120
<v Speaker 2>Well, I think we should play a game.

0:59:44.400 --> 0:59:45.640
<v Speaker 3>I would love to play a game.

0:59:45.760 --> 0:59:47.560
<v Speaker 2>Okay, we're gonna play a game called Gift or a Curse.

0:59:47.920 --> 0:59:49.840
<v Speaker 2>But I need a number between one and ten from you.

0:59:50.040 --> 0:59:51.919
<v Speaker 3>Well, the answer, of course is nine. Nine.

0:59:52.000 --> 0:59:52.720
<v Speaker 2>I love a nine.

0:59:53.360 --> 1:00:00.560
<v Speaker 3>Gorgeous, rarely picked people don't care about leaning against the boom. Yes,

1:00:00.960 --> 1:00:06.240
<v Speaker 3>Jessica Rabbin, long cigarette, huge head, no husband, many boyfriends,

1:00:06.520 --> 1:00:10.840
<v Speaker 3>Miss nine, Miss that's miss nine. I haven't been missus

1:00:10.960 --> 1:00:11.600
<v Speaker 3>nine for years.

1:00:15.640 --> 1:00:19.320
<v Speaker 2>Uh. I have to do some like calculating to get

1:00:19.320 --> 1:00:22.120
<v Speaker 2>our game pieces. So right now, you can promote, you

1:00:22.200 --> 1:00:24.040
<v Speaker 2>can recommend, you could do whatever you want. I would

1:00:24.040 --> 1:00:28.360
<v Speaker 2>feel so tacky to be I know you're not that person. No,

1:00:28.800 --> 1:00:31.000
<v Speaker 2>I'll tell you this because we mentioned this off here

1:00:31.440 --> 1:00:34.200
<v Speaker 2>to answer your question. Yes, my off Broadway run Josh

1:00:34.200 --> 1:00:36.680
<v Speaker 2>Sharp Todad, directed by Sam Pinkleton of o'mary and produced

1:00:36.680 --> 1:00:39.440
<v Speaker 2>by Mike and Carly who've worked with caper Land, Jacquelynovac,

1:00:39.520 --> 1:00:40.800
<v Speaker 2>my Big Early your Favorites.

1:00:41.040 --> 1:00:43.240
<v Speaker 3>The show's in the Greenwich House Theater. And yes, that's

1:00:43.240 --> 1:00:46.840
<v Speaker 3>where Immersive Sweeney Todd was in twenty nineteen. Question Mark,

1:00:47.320 --> 1:00:49.560
<v Speaker 3>you could sit in the pie shop and eat pie

1:00:50.400 --> 1:00:53.200
<v Speaker 3>while Sweeney in the gang jumped up on the table

1:00:53.280 --> 1:00:56.920
<v Speaker 3>and did their high chinks. So yes, as a gay comedian,

1:00:57.000 --> 1:01:00.000
<v Speaker 3>it's my birthright to get to haunt that space all summer.

1:01:00.560 --> 1:01:02.400
<v Speaker 3>And I do intend to kill myself at the end

1:01:02.400 --> 1:01:04.400
<v Speaker 3>of the run so that I can haunt the space

1:01:04.520 --> 1:01:07.680
<v Speaker 3>as a specter. So come in while I'm alive about

1:01:09.120 --> 1:01:11.200
<v Speaker 3>come in after, and I'll be haunting your ass. Was

1:01:11.280 --> 1:01:12.960
<v Speaker 3>that enough? Time? That was perfect?

1:01:13.360 --> 1:01:15.720
<v Speaker 2>Did we ever hear about the quality of the pie

1:01:16.920 --> 1:01:18.400
<v Speaker 2>or was it like somebody ran to?

1:01:19.040 --> 1:01:21.080
<v Speaker 3>When I went to see it, I did not sit

1:01:21.160 --> 1:01:22.640
<v Speaker 3>down there. I sat in the balcony. There were like

1:01:22.720 --> 1:01:24.360
<v Speaker 3>two rows of balcony seats if you didn't want to

1:01:24.360 --> 1:01:25.400
<v Speaker 3>be in it. And I was like, if you were

1:01:25.600 --> 1:01:29.520
<v Speaker 3>hungry for dinner. You weren't hungry for dinner. Yeah, I

1:01:29.640 --> 1:01:32.520
<v Speaker 3>can't imagine it was good, but that's true to the text. Oh,

1:01:34.880 --> 1:01:36.439
<v Speaker 3>if you taste good, you go shit. This is gonna

1:01:36.440 --> 1:01:40.200
<v Speaker 3>be a bad production of Sweeney. Huh. It's like when

1:01:40.200 --> 1:01:42.560
<v Speaker 3>you cast the Sally Bulls who can sing too well. Right,

1:01:44.280 --> 1:01:49.560
<v Speaker 3>everyone understands every single thing we have said. I felt

1:01:49.600 --> 1:01:50.280
<v Speaker 3>like I had one. Oh.

1:01:50.440 --> 1:01:52.000
<v Speaker 2>What I was going to say is everyone should see

1:01:52.000 --> 1:01:53.800
<v Speaker 2>the show. I saw a very early run of it.

1:01:53.920 --> 1:01:54.479
<v Speaker 3>It was rough.

1:01:55.040 --> 1:01:56.800
<v Speaker 2>Josh was working through a lot of things, and your

1:01:56.840 --> 1:02:01.040
<v Speaker 2>note saved the production. I got on stage about halfway

1:02:01.040 --> 1:02:02.480
<v Speaker 2>through the show and just I had to kind of

1:02:02.560 --> 1:02:04.480
<v Speaker 2>guide him physically.

1:02:04.800 --> 1:02:08.200
<v Speaker 3>He moved my limbs, but.

1:02:08.280 --> 1:02:10.320
<v Speaker 2>I said, I did save the show, and now they're

1:02:10.360 --> 1:02:13.320
<v Speaker 2>gonna try it again. I'm not gonna be in New York,

1:02:13.400 --> 1:02:15.720
<v Speaker 2>so I can't save it again. So we're gonna just

1:02:15.760 --> 1:02:18.000
<v Speaker 2>have to trust that Josh will do it. But it's

1:02:18.080 --> 1:02:20.640
<v Speaker 2>one of the it's an amazing feat. Everyone should see

1:02:20.680 --> 1:02:23.280
<v Speaker 2>this show, and it's I mean, it's truly everything you need.

1:02:23.560 --> 1:02:25.000
<v Speaker 3>You're too kind, it's so good.

1:02:25.320 --> 1:02:27.160
<v Speaker 2>Okay, this is how we play gift or a Curse.

1:02:27.640 --> 1:02:29.480
<v Speaker 2>I'm going to name three things. You're gonna tell me

1:02:29.480 --> 1:02:31.880
<v Speaker 2>if there're a gift or a curse and why. Then

1:02:31.880 --> 1:02:33.360
<v Speaker 2>I'll tell you if you're right or wrong, because there

1:02:33.360 --> 1:02:34.440
<v Speaker 2>are correct answer.

1:02:34.200 --> 1:02:35.480
<v Speaker 3>I know, and you forgot the last part, which is

1:02:35.520 --> 1:02:37.000
<v Speaker 3>I will get them all right. That's how the game

1:02:37.080 --> 1:02:40.120
<v Speaker 3>is played. We all know this. We'll see.

1:02:40.360 --> 1:02:41.600
<v Speaker 2>We'll just have to wait and see.

1:02:41.760 --> 1:02:44.280
<v Speaker 3>We'll see. We'll see me get them all right. Say it.

1:02:46.160 --> 1:02:49.200
<v Speaker 2>And we'll see you get them all. Right, absolutely, you're

1:02:49.240 --> 1:02:53.880
<v Speaker 2>worth two hundred dollars a month. Okay, these are all

1:02:54.040 --> 1:02:59.000
<v Speaker 2>Patreon suggestions. First one up is from a listener named

1:02:59.000 --> 1:03:02.960
<v Speaker 2>Austin Give to recurse the mayor's recorded greeting at the airport.

1:03:04.720 --> 1:03:09.720
<v Speaker 3>Curse. Why I don't need to be greeted by this man?

1:03:12.800 --> 1:03:16.040
<v Speaker 3>There's so many When I come to a city, it's

1:03:16.120 --> 1:03:21.280
<v Speaker 3>not for its political figurehead greet me with the culture.

1:03:22.480 --> 1:03:25.200
<v Speaker 3>I'd rather hook her say hello to me than the mayor.

1:03:27.440 --> 1:03:31.320
<v Speaker 3>I spit. Also, let's be specific, you want to land

1:03:31.400 --> 1:03:35.800
<v Speaker 3>in New York and have that that cheeto Eric Adams

1:03:36.880 --> 1:03:44.720
<v Speaker 3>welcome you yuck. Curse. Correct, it's a curse if they

1:03:44.840 --> 1:03:47.360
<v Speaker 3>if the mayor cared, they'd be there. Well, exactly, be

1:03:47.480 --> 1:03:51.840
<v Speaker 3>there at the gate. And you are the mayor. You're

1:03:51.920 --> 1:03:54.760
<v Speaker 3>going to the fucking vo booths to record this bullshit? Yeah,

1:03:54.800 --> 1:03:58.720
<v Speaker 3>shouldn't you even? Should be literally, I would so much

1:03:58.880 --> 1:04:02.400
<v Speaker 3>rather Mayor I Adams sweep the streets for an hour

1:04:02.640 --> 1:04:05.720
<v Speaker 3>a day or there's so many things a mayor can do.

1:04:06.320 --> 1:04:08.880
<v Speaker 3>And you know it wasn't the first take. No, they

1:04:08.920 --> 1:04:10.840
<v Speaker 3>were in the booth all day and again again, and

1:04:10.880 --> 1:04:14.040
<v Speaker 3>you know he came back for pickups. Probably sure, and

1:04:14.080 --> 1:04:15.440
<v Speaker 3>they're like, you don't have to do this, It's just

1:04:15.640 --> 1:04:20.600
<v Speaker 3>you know, it's just weeks of work. And you know

1:04:20.680 --> 1:04:21.439
<v Speaker 3>it was non union.

1:04:21.800 --> 1:04:23.880
<v Speaker 2>Of course, the mayor didn't get the pay he needed.

1:04:23.880 --> 1:04:26.960
<v Speaker 3>No nor the crew nor the crew.

1:04:27.080 --> 1:04:29.760
<v Speaker 2>Everyone was cheated in this production. And it makes you

1:04:29.880 --> 1:04:31.400
<v Speaker 2>feel uneasy at the airport.

1:04:31.800 --> 1:04:32.360
<v Speaker 3>I don't want that.

1:04:33.200 --> 1:04:35.840
<v Speaker 2>Don't talk to me at the airport, especially over.

1:04:36.160 --> 1:04:37.840
<v Speaker 3>You know what greets you at. Have you been to

1:04:37.920 --> 1:04:41.000
<v Speaker 3>Logardia recently? I have, but remember it used to be

1:04:41.160 --> 1:04:43.800
<v Speaker 3>greeted by a beautiful water features. I was just about

1:04:43.840 --> 1:04:46.160
<v Speaker 3>to bring up Ligordia used to be a dump. It's

1:04:46.160 --> 1:04:48.360
<v Speaker 3>one of the greatest airports we have. I could not

1:04:48.520 --> 1:04:51.320
<v Speaker 3>have water feature set to New York, New York. That

1:04:51.400 --> 1:04:55.440
<v Speaker 3>happens on the fifteen. That's you being greeted by the mayor.

1:04:55.760 --> 1:04:58.200
<v Speaker 3>Do you know what I mean? There's nothing more mayoral

1:04:58.360 --> 1:05:06.360
<v Speaker 3>than do your water sounds one done done, that's my mayor.

1:05:07.640 --> 1:05:13.439
<v Speaker 3>You've been greeted heartily. We the people of New York say,

1:05:14.360 --> 1:05:15.440
<v Speaker 3>enjoy our water feature.

1:05:15.800 --> 1:05:20.240
<v Speaker 2>That airport they've done. They've such a good job, wonders.

1:05:20.480 --> 1:05:23.000
<v Speaker 2>I was scared to go into it, and then I'll

1:05:23.040 --> 1:05:26.160
<v Speaker 2>never go to another airport, Burbank to LaGuardia.

1:05:26.600 --> 1:05:29.040
<v Speaker 3>Oh, that's living. It's a dream vacation. When you fly

1:05:29.120 --> 1:05:33.320
<v Speaker 3>into Burbank here my god, and baggage claim outside, you're like,

1:05:33.360 --> 1:05:36.240
<v Speaker 3>what am I in the Caribbean. It's the tropics.

1:05:36.520 --> 1:05:39.160
<v Speaker 2>Baggage claim outside is such a you could do that

1:05:39.240 --> 1:05:40.960
<v Speaker 2>in a cold climate. I think people are thrilled to

1:05:41.000 --> 1:05:41.960
<v Speaker 2>get outside and get.

1:05:42.920 --> 1:05:44.760
<v Speaker 3>Really do feel like you've just you know, you're you

1:05:44.800 --> 1:05:46.640
<v Speaker 3>feel like you're about to board a carnival cruise.

1:05:46.640 --> 1:05:48.200
<v Speaker 2>There's something a little safari about it.

1:05:48.440 --> 1:05:52.840
<v Speaker 3>M h. It's very Bahamanian. Yes, all right, you've gotten

1:05:52.880 --> 1:05:54.720
<v Speaker 3>one right so far, so you're on track. I'll get

1:05:54.720 --> 1:05:56.680
<v Speaker 3>to more right. We know this.

1:05:56.960 --> 1:05:59.920
<v Speaker 2>This next one is from a listener named Nicola nicol

1:06:00.960 --> 1:06:03.920
<v Speaker 2>n I c o l A. Maybe that's a name

1:06:03.960 --> 1:06:04.640
<v Speaker 2>for Tom Cruise.

1:06:08.680 --> 1:06:15.280
<v Speaker 3>That's absolutely who's trying to take the spaceship down? Who's

1:06:15.360 --> 1:06:18.160
<v Speaker 3>kind of on the back of the first time I've

1:06:18.200 --> 1:06:23.240
<v Speaker 3>done it all episode gift or a curse? Overnight oats

1:06:24.000 --> 1:06:27.960
<v Speaker 3>overnight oats gift or a curse. I think we're going

1:06:28.040 --> 1:06:31.040
<v Speaker 3>to disagree on this. To me, curse, I just don't

1:06:31.160 --> 1:06:35.440
<v Speaker 3>really get it. I don't really understand why it needs

1:06:35.560 --> 1:06:38.360
<v Speaker 3>to do what it does overnight. I don't know why

1:06:38.640 --> 1:06:40.840
<v Speaker 3>everything you're getting from it can't be done in the morning.

1:06:41.600 --> 1:06:45.080
<v Speaker 3>And I'm even pro oats pulling me some hot water

1:06:45.200 --> 1:06:49.680
<v Speaker 3>on these oats. Come now, a hearty, warm breakfast. I

1:06:49.840 --> 1:06:52.320
<v Speaker 3>just don't get all of the to do. It's not

1:06:52.480 --> 1:06:56.600
<v Speaker 3>like it's there's not a maturation. It's not a fine wine.

1:06:57.040 --> 1:07:01.120
<v Speaker 3>It's not a kombucha. You just need these these oats

1:07:01.200 --> 1:07:04.200
<v Speaker 3>to be soggy. I just don't think it needs all that.

1:07:04.960 --> 1:07:06.880
<v Speaker 3>I don't like that. It's the last thing you see

1:07:06.880 --> 1:07:08.040
<v Speaker 3>when you go to bed and the first thing you

1:07:08.120 --> 1:07:11.360
<v Speaker 3>see when you wake up. That should be a prayer.

1:07:11.400 --> 1:07:14.360
<v Speaker 3>That should be your beautiful wife, or a prayer to

1:07:14.880 --> 1:07:18.440
<v Speaker 3>God on High. But not these dry and then wet oats.

1:07:19.120 --> 1:07:21.840
<v Speaker 3>Go ahead, tell me I'm right correct. It's a curse.

1:07:22.240 --> 1:07:25.080
<v Speaker 3>I've tried them once or twice, never impressed. I've never

1:07:25.160 --> 1:07:25.600
<v Speaker 3>tried them.

1:07:26.000 --> 1:07:27.800
<v Speaker 2>They don't look it's a cold wet thing.

1:07:28.440 --> 1:07:29.800
<v Speaker 3>Yeah, I know, and I get it. I'm like, it's

1:07:29.840 --> 1:07:32.400
<v Speaker 3>a cold wet thing that we've already done hot and

1:07:32.520 --> 1:07:33.520
<v Speaker 3>cozy and lovely.

1:07:33.720 --> 1:07:35.120
<v Speaker 2>Right, we already have the better version.

1:07:35.160 --> 1:07:39.000
<v Speaker 3>You already do it warm and sprinkled with cinnamon. Why

1:07:39.080 --> 1:07:40.800
<v Speaker 3>do you want it wet and cold? And then on

1:07:40.920 --> 1:07:43.080
<v Speaker 3>top of that, it could be wet and cold in

1:07:43.400 --> 1:07:45.480
<v Speaker 3>just the morning oats? Right, do you know what I mean?

1:07:46.040 --> 1:07:48.400
<v Speaker 3>You could pour cold water on it. Why do you

1:07:48.480 --> 1:07:49.640
<v Speaker 3>have to do this whole thing.

1:07:50.120 --> 1:07:54.240
<v Speaker 2>It's a waste of everyone's time. It's wasted my time personally,

1:07:54.240 --> 1:07:56.400
<v Speaker 2>at least twice. I was so excited to try it,

1:07:56.800 --> 1:07:57.720
<v Speaker 2>and I got ripped off.

1:07:57.840 --> 1:07:59.600
<v Speaker 3>Can I ask what's in it other than the oats?

1:07:59.640 --> 1:08:00.600
<v Speaker 3>Does it have other things?

1:08:00.680 --> 1:08:02.680
<v Speaker 2>I may have put peanut butter in it?

1:08:03.120 --> 1:08:04.560
<v Speaker 3>And is that the whole thing that? It's like? You

1:08:04.680 --> 1:08:06.440
<v Speaker 3>let it sit with all these other flavor.

1:08:06.160 --> 1:08:09.160
<v Speaker 2>I guess, and it kind of they intermingle, and then

1:08:09.240 --> 1:08:09.920
<v Speaker 2>you have I just.

1:08:09.960 --> 1:08:11.400
<v Speaker 3>Don't get it, and I don't want to. I think

1:08:11.520 --> 1:08:13.800
<v Speaker 3>I feel very blue about that. I don't understand the

1:08:13.880 --> 1:08:17.240
<v Speaker 3>question I refuse to answer. It's my favorite arrest of development,

1:08:17.560 --> 1:08:21.320
<v Speaker 3>such a plater platter, the question I refuse answer. That's meat,

1:08:21.400 --> 1:08:25.479
<v Speaker 3>overnight oes, Yeah, overnight oats.

1:08:26.080 --> 1:08:27.960
<v Speaker 2>I think it's a trend we're going to leave behind us,

1:08:27.960 --> 1:08:30.240
<v Speaker 2>and we're all going to say, remember overnight oats. We

1:08:30.280 --> 1:08:33.320
<v Speaker 2>will be embarrassed it's kind of the mango in salsa.

1:08:33.840 --> 1:08:34.840
<v Speaker 3>We will be embarrassed.

1:08:35.000 --> 1:08:37.360
<v Speaker 2>Where we all thought this is the thing we're talking

1:08:37.360 --> 1:08:41.120
<v Speaker 2>about it, No, we all knew it wasn't working. Okay,

1:08:41.160 --> 1:08:42.160
<v Speaker 2>you've found two so far.

1:08:42.240 --> 1:08:42.560
<v Speaker 3>I don't know.

1:08:42.680 --> 1:08:45.040
<v Speaker 2>We'll see what happens. Finally, this is from a listener

1:08:45.120 --> 1:08:48.439
<v Speaker 2>named Kelsey. Gift or a curse. Brushing your teeth in

1:08:48.520 --> 1:08:50.160
<v Speaker 2>the work bathroom after lunch.

1:08:51.000 --> 1:08:55.720
<v Speaker 3>Gift Gift nice. I love the feeling of a fresh mouth,

1:08:56.439 --> 1:08:58.640
<v Speaker 3>you know what I mean? And there also something a

1:08:58.680 --> 1:09:01.720
<v Speaker 3>little bit in this context. You know, I love to

1:09:01.760 --> 1:09:03.200
<v Speaker 3>brush my teeth in the morning. I love to brush

1:09:03.200 --> 1:09:05.400
<v Speaker 3>it at night before I go to bed, after a meal,

1:09:06.080 --> 1:09:08.800
<v Speaker 3>so that you don't taste whatever you've tasted. Of course, that's,

1:09:08.960 --> 1:09:11.400
<v Speaker 3>of course, that's a clear win. But then the icing

1:09:11.520 --> 1:09:14.920
<v Speaker 3>is the radical act of bringing this very private, very

1:09:15.000 --> 1:09:18.960
<v Speaker 3>home object into the workspace. It's you saying you don't

1:09:19.000 --> 1:09:22.680
<v Speaker 3>own me, you don't own me, you know what I mean.

1:09:23.800 --> 1:09:26.400
<v Speaker 3>It's you're you're walking towards what if I fucking have

1:09:26.479 --> 1:09:27.800
<v Speaker 3>a wink in the middle of the day at work?

1:09:28.360 --> 1:09:30.559
<v Speaker 3>Who cares? You know what I mean? It's the right

1:09:30.600 --> 1:09:34.840
<v Speaker 3>attitude towards work to say I'm the boss of me.

1:09:35.000 --> 1:09:41.759
<v Speaker 3>Now gift ring the bell, Josh, you won the case.

1:09:41.960 --> 1:09:43.720
<v Speaker 3>It's not about winning that we said this was going

1:09:43.760 --> 1:09:46.400
<v Speaker 3>to happen. It's a gift. You followed the rules. You

1:09:46.479 --> 1:09:48.519
<v Speaker 3>followed the rules, which were win the game. Yeah, I

1:09:48.560 --> 1:09:51.160
<v Speaker 3>followed the rules, which I'd get everyone right. It's a gift,

1:09:51.560 --> 1:09:51.960
<v Speaker 3>yeah for me.

1:09:52.320 --> 1:09:54.040
<v Speaker 2>What a better way if you want to build buzz

1:09:54.080 --> 1:09:56.799
<v Speaker 2>around the office around you as a person, start.

1:09:56.600 --> 1:09:59.720
<v Speaker 3>Brushing your teeth fresh. You're saying, now we're talking about you,

1:10:00.040 --> 1:10:01.800
<v Speaker 3>and you mean not just because you have the good breath,

1:10:02.360 --> 1:10:05.439
<v Speaker 3>a show of it. Yep. One coworker comes in, you're

1:10:05.479 --> 1:10:08.000
<v Speaker 3>brushing your teeth. They're telling everybody, And can I ask

1:10:08.320 --> 1:10:11.680
<v Speaker 3>where do you leave the toothbrush? Willy Nelly on the

1:10:11.720 --> 1:10:13.599
<v Speaker 3>counter or I was gonna say, bring your own drinking

1:10:13.640 --> 1:10:17.400
<v Speaker 3>glass and put it in there as if it's your home.

1:10:17.560 --> 1:10:22.400
<v Speaker 3>Maybe a cute novelty mug. I have a great mug

1:10:22.520 --> 1:10:25.040
<v Speaker 3>that's got a New Yorker cartoon and it's got these

1:10:25.120 --> 1:10:27.880
<v Speaker 3>two old men and they're sitting in rocking chairs on

1:10:27.960 --> 1:10:30.519
<v Speaker 3>a porch and one says to the other, were we

1:10:30.800 --> 1:10:35.840
<v Speaker 3>gay that mug with with with a toothbrush in it

1:10:36.000 --> 1:10:36.519
<v Speaker 3>at your work.

1:10:36.880 --> 1:10:38.960
<v Speaker 2>And what I'll say is you get there early the

1:10:39.120 --> 1:10:40.599
<v Speaker 2>first thing you bring it. You have to get there

1:10:40.600 --> 1:10:42.760
<v Speaker 2>early before everyone else and put it in there, because

1:10:42.760 --> 1:10:44.880
<v Speaker 2>then you have a mystery for the day. Everyone's wondering

1:10:44.920 --> 1:10:45.360
<v Speaker 2>who brought it?

1:10:45.520 --> 1:10:45.720
<v Speaker 3>Did this?

1:10:46.040 --> 1:10:50.040
<v Speaker 2>Asking then the person, can I be you brought it in?

1:10:50.200 --> 1:10:52.639
<v Speaker 3>You know it's you. I'm the first time a coworker

1:10:52.680 --> 1:10:54.519
<v Speaker 3>comes up and asks you, and you're so delighted to

1:10:54.600 --> 1:10:56.479
<v Speaker 3>feign you know that you don't know. Okay, can we

1:10:56.640 --> 1:10:59.439
<v Speaker 3>roleplay that? Yeah? Of course? Did you see there's a

1:10:59.479 --> 1:11:04.519
<v Speaker 3>toothbrush in the bathroom? Wait? Wait, I'm sorry, what did

1:11:04.600 --> 1:11:07.920
<v Speaker 3>you say? There's well, let me back up. There's a

1:11:08.040 --> 1:11:10.880
<v Speaker 3>hilarious mug in the bathroom, and then someone has put

1:11:11.320 --> 1:11:13.600
<v Speaker 3>what seems to be a personal toothpression there. Did you

1:11:13.640 --> 1:11:15.720
<v Speaker 3>see that here in our work bathroom? Yes? Who do

1:11:15.760 --> 1:11:18.120
<v Speaker 3>you think would have done that? I am? I don't know?

1:11:19.160 --> 1:11:22.439
<v Speaker 2>Uh am I the first person you're asking? Yes, shit,

1:11:23.400 --> 1:11:26.519
<v Speaker 2>I don't all keep an eye out. And then we

1:11:26.640 --> 1:11:29.920
<v Speaker 2>meet in the bathroom and you feel so betrayed. Huh oh,

1:11:30.120 --> 1:11:33.320
<v Speaker 2>you got me, I say, and then you you quit?

1:11:33.640 --> 1:11:38.320
<v Speaker 3>You got me? I can't work here anymore. You got me? Yeah,

1:11:38.320 --> 1:11:41.800
<v Speaker 3>I got you? Get me again. Don't do something like

1:11:41.920 --> 1:11:44.080
<v Speaker 3>that to me at work. Well, then don't be such

1:11:44.120 --> 1:11:47.400
<v Speaker 3>a dumb ass. You fell for it, and I'll go.

1:11:47.800 --> 1:11:52.479
<v Speaker 3>The mug was funny though. Were we gay? Come on?

1:11:54.040 --> 1:11:56.320
<v Speaker 3>You can picture it? That's the new picture? What is it?

1:11:56.360 --> 1:12:00.200
<v Speaker 3>What's the caption for the Angelina? Two old men on

1:12:00.320 --> 1:12:04.520
<v Speaker 3>the you know? I, uh, were we had a mission impossible?

1:12:04.920 --> 1:12:06.720
<v Speaker 3>Or no? Were we scientologist?

1:12:08.840 --> 1:12:11.799
<v Speaker 2>I have a catch all for every New Yorker cartoon,

1:12:12.000 --> 1:12:13.880
<v Speaker 2>but I think works for every one of them, and

1:12:14.120 --> 1:12:15.800
<v Speaker 2>it's I see you've met my wife.

1:12:17.160 --> 1:12:19.960
<v Speaker 3>I think you can put one hundred almost and it

1:12:20.040 --> 1:12:22.439
<v Speaker 3>basically works the two of men sitting in the rocking chair.

1:12:22.560 --> 1:12:28.880
<v Speaker 3>I see you've met my wife. I'm laughing. Everyone's laughing,

1:12:29.200 --> 1:12:32.160
<v Speaker 3>and they're bringing their own baggage to it because they're

1:12:32.160 --> 1:12:34.400
<v Speaker 3>trying to figure out what does that mean? Okay? It

1:12:34.560 --> 1:12:36.599
<v Speaker 3>also does work for an offer I should have called

1:12:36.640 --> 1:12:38.800
<v Speaker 3>my show, Josh Harp, I see You've met my wife?

1:12:38.960 --> 1:12:45.080
<v Speaker 3>The final record? That's so funny? Yeah? Dot com dot com? Wow,

1:12:45.360 --> 1:12:46.000
<v Speaker 3>you won the game?

1:12:46.280 --> 1:12:46.880
<v Speaker 2>What can I say?

1:12:47.120 --> 1:12:49.000
<v Speaker 3>I've followed the rules. You followed the rules. You didn't

1:12:49.000 --> 1:12:49.400
<v Speaker 3>win the game.

1:12:49.439 --> 1:12:50.720
<v Speaker 2>You came here and you did what you needed to.

1:12:50.960 --> 1:12:53.000
<v Speaker 3>I'm an eldest child. I'm an eagle Scout. I follow

1:12:53.400 --> 1:13:00.639
<v Speaker 3>an eagle Scout. Scott is trustworthy, loyal, helpful, friendly, courteous, kind, obedient, cheerful, thrifty, brand, clean,

1:13:00.760 --> 1:13:03.200
<v Speaker 3>and reverent. Does that answer your question? You're the first.

1:13:03.800 --> 1:13:04.960
<v Speaker 2>I'm also an eagle Scout.

1:13:05.000 --> 1:13:05.800
<v Speaker 3>Why didn't you join me?

1:13:05.880 --> 1:13:07.559
<v Speaker 2>Because I was a bad one? I cheated my way

1:13:07.600 --> 1:13:08.040
<v Speaker 2>to the top.

1:13:08.120 --> 1:13:11.040
<v Speaker 3>Wow, I didn't. I only had three out of twelve

1:13:11.120 --> 1:13:14.280
<v Speaker 3>of those Jesus boys. I knew that whole thing. I

1:13:14.360 --> 1:13:16.280
<v Speaker 3>didn't know. I knew that whole thing. Can you do

1:13:16.560 --> 1:13:18.800
<v Speaker 3>on my honor? I will do my best to do

1:13:18.960 --> 1:13:22.120
<v Speaker 3>my duty to God in my country, to keep myself

1:13:22.640 --> 1:13:27.600
<v Speaker 3>physically strong, mentally awake, morally, morally straight. I think I

1:13:27.960 --> 1:13:32.240
<v Speaker 3>morally straight. Oh, that's a tough one. Morally straight that

1:13:32.400 --> 1:13:39.720
<v Speaker 3>can't possibly And sexually straight, yeah, and sexually questioning this

1:13:39.880 --> 1:13:43.280
<v Speaker 3>is unbeloved. My morals was straight. It's my sexuality that's

1:13:43.320 --> 1:13:47.920
<v Speaker 3>a bit curved. That's Jonas, of course, Wow, Judas, I

1:13:48.000 --> 1:13:49.720
<v Speaker 3>meant to say fuck. I fucked up the joke like

1:13:49.760 --> 1:13:52.040
<v Speaker 3>he was Samantha Jones and.

1:13:53.400 --> 1:13:57.320
<v Speaker 2>Swallowed by the Whale and the other eleven were wondering why,

1:13:57.680 --> 1:13:59.240
<v Speaker 2>actually he's an Old test my guy.

1:13:59.720 --> 1:14:04.120
<v Speaker 3>He's with Abraham. All them, all them guys.

1:14:04.160 --> 1:14:05.559
<v Speaker 2>They had the fun things happened to them.

1:14:05.760 --> 1:14:07.920
<v Speaker 3>They had some crazy shit happened.

1:14:08.080 --> 1:14:10.480
<v Speaker 2>Old Testament people got the adventures, the excitement.

1:14:10.880 --> 1:14:13.080
<v Speaker 3>New Testament people got to meet a leper. I guess

1:14:17.920 --> 1:14:19.519
<v Speaker 3>talk to me when I got eaten by a while.

1:14:21.920 --> 1:14:24.599
<v Speaker 2>Analise has a we're not gonna onalase has a gift

1:14:24.680 --> 1:14:26.160
<v Speaker 2>or a curse that they're going to get present to

1:14:26.200 --> 1:14:28.759
<v Speaker 2>both of us, absolutely, and we'll see who's right or wrong.

1:14:29.280 --> 1:14:30.080
<v Speaker 3>Gift or a curse.

1:14:30.680 --> 1:14:33.479
<v Speaker 4>The showstop around of the Great British Bakeoff.

1:14:35.439 --> 1:14:39.439
<v Speaker 3>Gift. Okay, you gift. The show is a gift. Let's

1:14:39.439 --> 1:14:42.360
<v Speaker 3>start there. It's impossible to call any part of that

1:14:42.479 --> 1:14:46.639
<v Speaker 3>show a curse, you know, it's a gift. Perfect casting

1:14:46.720 --> 1:14:49.600
<v Speaker 3>that show always I care deeply for, and the archetypes,

1:14:49.640 --> 1:14:51.919
<v Speaker 3>the way they've managed to find so many iterations.

1:14:51.960 --> 1:14:53.799
<v Speaker 2>What about Matt Lucas. That wasn't good casting.

1:14:54.400 --> 1:14:56.720
<v Speaker 3>I even liked that. I hate it. I liked other

1:14:56.800 --> 1:14:59.080
<v Speaker 3>hosts more, but I liked Matt Lucas. Honestly, I've always

1:14:59.120 --> 1:15:02.320
<v Speaker 3>loved everything the amount of iterations they've found on like

1:15:02.560 --> 1:15:05.320
<v Speaker 3>Hawaiian shirt dad who loves his daughter. You know, they

1:15:05.400 --> 1:15:08.400
<v Speaker 3>have these like archetypes. They managed to keep filling me

1:15:08.520 --> 1:15:10.760
<v Speaker 3>with warmth. And the show stoppers, and you know, it's

1:15:10.760 --> 1:15:14.040
<v Speaker 3>where they get to really pull out the stops, you know,

1:15:14.160 --> 1:15:17.400
<v Speaker 3>they and they all they're so autobiographical, you know, and

1:15:17.479 --> 1:15:20.000
<v Speaker 3>the technical challenge. You don't get to show off like well,

1:15:20.080 --> 1:15:24.040
<v Speaker 3>actually I at work, I play violin from at the

1:15:24.120 --> 1:15:26.040
<v Speaker 3>lunch breaks, you know, so I made a big violin.

1:15:26.160 --> 1:15:27.519
<v Speaker 3>Like that's what you get out of the short stopper.

1:15:27.560 --> 1:15:30.439
<v Speaker 3>You get to really learn about these people. So that's

1:15:30.479 --> 1:15:32.200
<v Speaker 3>a gift to me. The whole show is a gift,

1:15:32.479 --> 1:15:34.880
<v Speaker 3>and one of the most gifting parts is the show stopper.

1:15:35.640 --> 1:15:38.760
<v Speaker 2>To me, curse, this is the worst part of the show.

1:15:38.920 --> 1:15:43.040
<v Speaker 2>The showstopper on Bakeoff is an absolute waste of everyone's time,

1:15:43.120 --> 1:15:45.360
<v Speaker 2>and it goes against everything the show is about.

1:15:45.320 --> 1:15:47.560
<v Speaker 3>Because you think it's realized about home baking, and it's like,

1:15:47.600 --> 1:15:48.559
<v Speaker 3>you'd never do this in the home.

1:15:48.680 --> 1:15:52.840
<v Speaker 2>This is architecture, this is uh, this is model work.

1:15:53.120 --> 1:15:55.559
<v Speaker 2>This is a waste of my time. You're making toys

1:15:55.640 --> 1:15:57.000
<v Speaker 2>that aren't they don't look that good.

1:15:57.479 --> 1:15:58.200
<v Speaker 3>It looks cheap.

1:15:58.760 --> 1:16:02.200
<v Speaker 2>It is cheap, you know, spiritually cheap, I would say.

1:16:02.520 --> 1:16:04.840
<v Speaker 2>And I'm watching the show hoping to see something that

1:16:04.840 --> 1:16:06.760
<v Speaker 2>I would love to eat. I don't want to watch

1:16:06.800 --> 1:16:10.440
<v Speaker 2>you make your like bring it to class project. It's embarrassing.

1:16:10.880 --> 1:16:12.599
<v Speaker 2>It's a chance for everyone to fall on their face

1:16:12.680 --> 1:16:15.880
<v Speaker 2>making a hideous little sculpture. I think it's they should cut.

1:16:15.920 --> 1:16:18.759
<v Speaker 2>I stopped the show after the second round. I've stopped

1:16:18.800 --> 1:16:21.439
<v Speaker 2>watching to stop r I say, well, I don't need

1:16:21.479 --> 1:16:21.800
<v Speaker 2>to see that.

1:16:22.000 --> 1:16:23.800
<v Speaker 3>So then you start the next episode. Every time you go,

1:16:24.120 --> 1:16:26.600
<v Speaker 3>where did that dad who loved its daughter in the

1:16:26.640 --> 1:16:31.479
<v Speaker 3>wine shirt? Goh, yes, I do basically, And I assume, well,

1:16:31.479 --> 1:16:34.320
<v Speaker 3>they probably created a horrible sculpture that nobody wanted because

1:16:34.360 --> 1:16:37.960
<v Speaker 3>that's not their that's not their ertise.

1:16:38.080 --> 1:16:40.960
<v Speaker 2>Yeah, that's not they're calling. They need to cut the round.

1:16:41.080 --> 1:16:43.760
<v Speaker 2>They need to streamline or put a third round, which

1:16:43.840 --> 1:16:45.080
<v Speaker 2>is just another baked.

1:16:44.880 --> 1:16:50.360
<v Speaker 3>Good third round is always just like biscuit biscuit, plain biscuit,

1:16:50.479 --> 1:16:54.080
<v Speaker 3>plain biscuit, no flavor, and for this week, a flower

1:16:54.320 --> 1:16:59.000
<v Speaker 3>biscuit flower flower no the flavor. It should taste of flour.

1:17:00.240 --> 1:17:08.360
<v Speaker 3>You have nineteen hours that round itself becomes three episodes.

1:17:08.720 --> 1:17:14.040
<v Speaker 3>Nol's coming over, bothering you, starving, I love Nol, Nol's great,

1:17:14.439 --> 1:17:16.200
<v Speaker 3>what a what a president? Well it was a big

1:17:16.240 --> 1:17:17.400
<v Speaker 3>bouche head back in the day.

1:17:17.520 --> 1:17:19.680
<v Speaker 2>Oh interesting, Well then this is really satisfying for you

1:17:19.760 --> 1:17:20.120
<v Speaker 2>to watch it.

1:17:20.200 --> 1:17:24.960
<v Speaker 3>Profoundly satisfying. And the new person they've got in there

1:17:25.000 --> 1:17:27.720
<v Speaker 3>is good. I like her. Yeah, I don't know, I

1:17:27.880 --> 1:17:30.600
<v Speaker 3>like I like it. But the show stop around with

1:17:30.760 --> 1:17:34.600
<v Speaker 3>Prue Horry drunk terrific. She's drunk on the show. I

1:17:34.680 --> 1:17:38.960
<v Speaker 3>love it. And she's like a thousand years old. She's

1:17:38.960 --> 1:17:42.920
<v Speaker 3>actually much older than you think. She is really incredible. Actually,

1:17:43.000 --> 1:17:44.400
<v Speaker 3>this is the first thing I want you to look up,

1:17:44.400 --> 1:17:46.400
<v Speaker 3>because I'm pretty sure she's like eighty six or something,

1:17:46.680 --> 1:17:50.000
<v Speaker 3>and it's it's much older than you think. Okay, let's

1:17:50.000 --> 1:17:54.639
<v Speaker 3>see sure both with her, look her viv everything else.

1:17:54.680 --> 1:17:55.760
<v Speaker 3>I haven't cared enough to look up.

1:17:56.360 --> 1:17:58.600
<v Speaker 2>One final guess how old do you think she is?

1:17:59.080 --> 1:18:00.680
<v Speaker 3>I'm gonna, I'm gonna I really nail it.

1:18:00.760 --> 1:18:04.360
<v Speaker 2>Okay, eighty three ninety three, that's.

1:18:04.240 --> 1:18:06.920
<v Speaker 3>What I'm saying. She's just kidding, she's saying, but still

1:18:07.080 --> 1:18:10.280
<v Speaker 3>that's what. Yeah, she's she's like a mid sixties. She's

1:18:10.320 --> 1:18:12.280
<v Speaker 3>a mid sixties and she's eighty five.

1:18:12.439 --> 1:18:12.679
<v Speaker 2>Wow.

1:18:12.840 --> 1:18:15.360
<v Speaker 3>Good for her work. Can we be so lucky? Not

1:18:15.520 --> 1:18:20.160
<v Speaker 3>just working, drinking, drinking too much? Fucking that woman still

1:18:20.280 --> 1:18:25.040
<v Speaker 3>is horny and has fun and has a nip of whiskey. Yeah,

1:18:25.840 --> 1:18:29.000
<v Speaker 3>I love Prue. Wow. Prior to this, it looks like

1:18:29.040 --> 1:18:30.880
<v Speaker 3>she was doing a bunch of tea prewer to this

1:18:31.000 --> 1:18:34.360
<v Speaker 3>you meant to say, you mean to say preor to

1:18:34.439 --> 1:18:35.439
<v Speaker 3>this South African?

1:18:37.080 --> 1:18:43.280
<v Speaker 2>Hm, Well on a lease, what is the answer.

1:18:44.160 --> 1:18:44.759
<v Speaker 3>It's a gift.

1:18:45.080 --> 1:18:45.519
<v Speaker 4>I'm sorry.

1:18:46.000 --> 1:18:48.800
<v Speaker 3>I was following the rules. This will all be I'm

1:18:48.840 --> 1:18:49.479
<v Speaker 3>not sorry.

1:18:49.600 --> 1:18:51.880
<v Speaker 4>I'm not sorry because the one that I just watched

1:18:52.040 --> 1:18:56.479
<v Speaker 4>had the lead singer of the Kaiser Chiefs upside down

1:18:56.600 --> 1:18:59.560
<v Speaker 4>croak and boosh in the in the shape of a microphone.

1:19:00.200 --> 1:19:03.200
<v Speaker 4>I'm sorry that was made especially for me.

1:19:03.400 --> 1:19:06.720
<v Speaker 3>How could I not love something me just access to

1:19:06.800 --> 1:19:11.960
<v Speaker 3>a white noise sound, not for zoo, you've actually pointed out,

1:19:11.960 --> 1:19:13.880
<v Speaker 3>though you are correct, of course, and I got it

1:19:13.960 --> 1:19:16.679
<v Speaker 3>right because I followed the rules. You're hitting on because

1:19:16.720 --> 1:19:18.519
<v Speaker 3>your hardline is like, oh, I don't want to see

1:19:18.520 --> 1:19:20.280
<v Speaker 3>the stuff that you want to actually bake. I actually

1:19:20.280 --> 1:19:21.880
<v Speaker 3>don't watch the celebrity ones because I was like, I

1:19:21.920 --> 1:19:26.760
<v Speaker 3>want normal people. I do want normal people, and this traders. Yeah,

1:19:26.960 --> 1:19:28.200
<v Speaker 3>I don't really watch the trade the traders.

1:19:28.240 --> 1:19:30.320
<v Speaker 2>When it was normal people had the time of my life.

1:19:30.680 --> 1:19:32.639
<v Speaker 2>Now it's celebrities, the stakes feel much lower.

1:19:33.080 --> 1:19:35.120
<v Speaker 3>So this is so. I was about to say, like,

1:19:35.160 --> 1:19:36.439
<v Speaker 3>which one I've seen it, and then as soon as

1:19:36.479 --> 1:19:39.120
<v Speaker 3>you said Kaiser Chiefs, I nope, yeah, definitely have it right.

1:19:39.200 --> 1:19:41.160
<v Speaker 3>But I love the show stopper. I love pushing them

1:19:41.200 --> 1:19:43.040
<v Speaker 3>into the deep end and making them do and it's silly,

1:19:43.120 --> 1:19:43.840
<v Speaker 3>it's just goofy.

1:19:44.040 --> 1:19:45.000
<v Speaker 2>It's a waste of time.

1:19:45.800 --> 1:19:47.920
<v Speaker 3>But the whole thing is why does Tom ride the

1:19:48.000 --> 1:19:50.760
<v Speaker 3>motorcycle off the cliff? It's all a waste of time.

1:19:51.240 --> 1:19:52.960
<v Speaker 3>Think about this. Riding off of the cliff is a

1:19:53.160 --> 1:19:57.400
<v Speaker 3>technical challenge. Think of the show Stopper like that. No,

1:19:57.960 --> 1:20:01.080
<v Speaker 3>it's it's applying technical no high to something you shouldn't

1:20:01.080 --> 1:20:01.360
<v Speaker 3>be doing.

1:20:01.760 --> 1:20:04.839
<v Speaker 2>No, the show Stopper is the plot impossible movie.

1:20:05.439 --> 1:20:08.360
<v Speaker 3>Is changing the oil on the motorcycle. Riding it off

1:20:08.360 --> 1:20:10.479
<v Speaker 3>a cliff is not what its intended use is. Riding

1:20:10.600 --> 1:20:13.439
<v Speaker 3>off the cliff is a technical challenge. Technical challenge is

1:20:14.080 --> 1:20:17.599
<v Speaker 3>making a full stop at a stoplight. That's its intended use.

1:20:17.920 --> 1:20:19.960
<v Speaker 3>That's making a flower biscuit, you know what I mean.

1:20:20.640 --> 1:20:22.840
<v Speaker 3>The motorcycle is not made to ride off the cliff.

1:20:23.240 --> 1:20:26.599
<v Speaker 3>That's show stopping. That's saying, stop this show, Patti Lapone.

1:20:26.800 --> 1:20:30.960
<v Speaker 3>This is Patti Lapone going, have you no decentse stop

1:20:31.080 --> 1:20:34.080
<v Speaker 3>taking pictures to a photographer hired to be there. It

1:20:34.240 --> 1:20:38.760
<v Speaker 3>is such a wild move. Sorry to fight you on

1:20:38.840 --> 1:20:40.480
<v Speaker 3>your own podcasts and to interrupt.

1:20:40.600 --> 1:20:45.040
<v Speaker 2>I'm deeply wrong. Yeah, oh god. And to be so

1:20:45.120 --> 1:20:47.479
<v Speaker 2>shy not to even promote your show. And you've been

1:20:47.520 --> 1:20:48.320
<v Speaker 2>a difficult Yeah.

1:20:48.520 --> 1:20:50.920
<v Speaker 3>I'm often told I need to speak up in life,

1:20:50.920 --> 1:20:52.160
<v Speaker 3>and definitely on podcasts.

1:20:53.000 --> 1:20:54.360
<v Speaker 2>We need to answer a listener question.

1:20:54.439 --> 1:20:56.000
<v Speaker 3>We help me answer a listener I'd love to be

1:20:56.040 --> 1:20:57.160
<v Speaker 3>delighted to people.

1:20:56.960 --> 1:20:59.560
<v Speaker 2>Are writing into I said no gift stock Calm, no, no,

1:20:59.600 --> 1:21:02.400
<v Speaker 2>they're not. I said no gifts at Gmail dot com.

1:21:02.880 --> 1:21:04.920
<v Speaker 2>There's no I said no gifts dot com. Don't go there.

1:21:04.920 --> 1:21:06.639
<v Speaker 3>I don't know what's to dot com.

1:21:06.760 --> 1:21:11.720
<v Speaker 2>Go to Josh up to the A d ah. They're

1:21:11.720 --> 1:21:13.080
<v Speaker 2>writing in and begging for answers.

1:21:13.200 --> 1:21:15.040
<v Speaker 3>We help me answer one. I would love to Okay,

1:21:15.080 --> 1:21:16.880
<v Speaker 3>this is deer bridger and Sweetypie guest.

1:21:16.960 --> 1:21:17.479
<v Speaker 2>That's nice.

1:21:18.040 --> 1:21:21.320
<v Speaker 3>It feels, you know, shot in the dark, right, but

1:21:21.400 --> 1:21:23.880
<v Speaker 3>they got sweet Pie, they got lucky. Good for you.

1:21:24.360 --> 1:21:25.799
<v Speaker 2>You're building up your self confidence.

1:21:25.880 --> 1:21:28.040
<v Speaker 3>Or they're present. They might be. They might have the

1:21:28.040 --> 1:21:32.519
<v Speaker 3>gift psychic Fackham's razor. They have the gift of sight.

1:21:33.160 --> 1:21:34.120
<v Speaker 3>I won't interrupt again.

1:21:36.000 --> 1:21:38.599
<v Speaker 2>My friend was originally going to get married Valentine's Day

1:21:38.640 --> 1:21:41.640
<v Speaker 2>to a lovely person she had a quick whirlwind relationship with.

1:21:42.200 --> 1:21:44.880
<v Speaker 2>Several months after the wedding invite, we received a masked

1:21:44.960 --> 1:21:48.800
<v Speaker 2>text that they had broken up parentheses December. She said

1:21:48.840 --> 1:21:51.480
<v Speaker 2>she was devastated but still wanted to throw a Gallantine's

1:21:51.560 --> 1:21:54.080
<v Speaker 2>Day type of party to celebrate her friendships and pick

1:21:54.120 --> 1:21:57.200
<v Speaker 2>herself back up. I r s v P to this

1:21:57.400 --> 1:21:59.479
<v Speaker 2>as well. Okay, so she did it to the wedding.

1:21:59.560 --> 1:22:02.320
<v Speaker 2>End to this well, ready to party and cheer her up.

1:22:02.760 --> 1:22:06.240
<v Speaker 2>Come January, we received an updated RSVP text for the

1:22:06.280 --> 1:22:09.280
<v Speaker 2>party that it is now on with the boyfriend as

1:22:09.320 --> 1:22:11.920
<v Speaker 2>they are now back together but not planning to get

1:22:12.000 --> 1:22:15.759
<v Speaker 2>married again. On February fourteenth, in the original wedding venue

1:22:15.800 --> 1:22:19.519
<v Speaker 2>they paid for god a chapel in a cemetery Oh.

1:22:19.960 --> 1:22:21.400
<v Speaker 3>Wow, do you have that says it all?

1:22:22.080 --> 1:22:25.080
<v Speaker 2>Do you have experience with this type of situation? Of course,

1:22:25.120 --> 1:22:26.080
<v Speaker 2>who do you think you're talking to?

1:22:26.479 --> 1:22:27.400
<v Speaker 3>What should I bring it to?

1:22:27.520 --> 1:22:30.479
<v Speaker 2>A party in a cemetery on Valentine's Day? O or

1:22:30.520 --> 1:22:33.640
<v Speaker 2>a little late, I guess on Valentine's Day? That has

1:22:34.320 --> 1:22:37.520
<v Speaker 2>also the deeply awkward context of a broken off engagements

1:22:37.600 --> 1:22:40.200
<v Speaker 2>but still happily living together. It will be my first

1:22:40.240 --> 1:22:43.080
<v Speaker 2>time meeting the significant other. All I know about him

1:22:43.160 --> 1:22:45.320
<v Speaker 2>is that he's pursuing a doctorate in philosophy.

1:22:45.600 --> 1:22:48.320
<v Speaker 3>Thank you for your help. And that's from carin talk

1:22:48.360 --> 1:22:51.479
<v Speaker 3>about a synectocky where the part represents the whole. The

1:22:51.640 --> 1:22:55.400
<v Speaker 3>chapel in the graveyard is like, yep, there it is

1:22:55.640 --> 1:22:59.320
<v Speaker 3>the whole situation, that's the whole thing. What do you bring?

1:22:59.640 --> 1:23:01.320
<v Speaker 3>What do you god? I mean, what do you do?

1:23:01.800 --> 1:23:03.200
<v Speaker 3>What do you do? I mean? I guess you have

1:23:03.360 --> 1:23:07.000
<v Speaker 3>to go. I would sort of I feel like I'd

1:23:07.040 --> 1:23:10.240
<v Speaker 3>want to embrace full ghoul and and actually whether I'm

1:23:10.640 --> 1:23:12.320
<v Speaker 3>told or not, or whether I tell others or not,

1:23:12.479 --> 1:23:14.000
<v Speaker 3>be like what if I make it spooky because it's

1:23:14.000 --> 1:23:16.240
<v Speaker 3>in a graveyard, like come like dressed as like a

1:23:17.120 --> 1:23:19.800
<v Speaker 3>maybe maybe hire someone to give me like really great

1:23:20.000 --> 1:23:25.240
<v Speaker 3>like Hollywood level like Spook makeup. That's it. I mean

1:23:25.240 --> 1:23:27.599
<v Speaker 3>I feel like, oh, and you could be like, because

1:23:27.600 --> 1:23:30.080
<v Speaker 3>we're in a graveyard and your relationships back from the dead,

1:23:31.760 --> 1:23:35.880
<v Speaker 3>do you get it? That'd be fun, of course.

1:23:35.880 --> 1:23:38.639
<v Speaker 2>I mean I feel like that's beyond appropriate. Why else

1:23:38.720 --> 1:23:40.599
<v Speaker 2>were they having it in a graveyard for a wedding

1:23:41.640 --> 1:23:42.920
<v Speaker 2>on Valentine's Day?

1:23:43.120 --> 1:23:46.400
<v Speaker 3>At every stage that was an interesting choice. They were

1:23:46.520 --> 1:23:50.080
<v Speaker 3>begging for someone to show up most sense in this one, yes,

1:23:50.280 --> 1:23:53.120
<v Speaker 3>makes less sense for Galentine's your wedding, right, Like, I'm

1:23:53.200 --> 1:23:55.320
<v Speaker 3>back with this flop boyfriend. It's like, yeah, then let's

1:23:55.320 --> 1:24:00.320
<v Speaker 3>do it in a monster and let's boogie. Absolutely ly

1:24:00.320 --> 1:24:00.839
<v Speaker 3>will boogie.

1:24:01.479 --> 1:24:04.680
<v Speaker 2>Otherwise cut them out. You don't need what This was

1:24:04.720 --> 1:24:08.360
<v Speaker 2>a sort of friend no one rs VP to one

1:24:08.439 --> 1:24:09.080
<v Speaker 2>event and then.

1:24:09.680 --> 1:24:11.400
<v Speaker 3>I still feel like maybe you still go at this

1:24:11.439 --> 1:24:13.880
<v Speaker 3>point because you're like, well, one last hurrah before I

1:24:13.920 --> 1:24:15.559
<v Speaker 3>cut this person out, because I would want to get

1:24:15.600 --> 1:24:16.000
<v Speaker 3>eyes on this.

1:24:16.240 --> 1:24:18.479
<v Speaker 2>You want to see what's happening and what this thing

1:24:18.600 --> 1:24:20.880
<v Speaker 2>is not going to go, according to Planet hasn't from

1:24:20.920 --> 1:24:22.080
<v Speaker 2>the very beginning.

1:24:21.880 --> 1:24:23.639
<v Speaker 3>And then i'd sort of remove them from my life.

1:24:23.680 --> 1:24:25.000
<v Speaker 3>And when like two years later, they're like, I haven't

1:24:25.000 --> 1:24:27.440
<v Speaker 3>heard from you ever. Did something happen? I go, absolutely,

1:24:29.840 --> 1:24:30.880
<v Speaker 3>absolutely something did.

1:24:31.960 --> 1:24:33.840
<v Speaker 2>Just forward the RSVP back to them.

1:24:33.960 --> 1:24:38.800
<v Speaker 3>Yeah, exactly, all familiar, all three. Yeah, you flooded. My

1:24:38.960 --> 1:24:45.120
<v Speaker 3>email flooded. I think that's my computer was smoking. My

1:24:45.240 --> 1:24:48.320
<v Speaker 3>computer was smoking. I have a Gateway two thousand desktop

1:24:48.400 --> 1:24:50.920
<v Speaker 3>and it couldn't handle all of these emails. I just

1:24:50.960 --> 1:24:53.360
<v Speaker 3>wrote Tom Cruise's biography. I just wrote, but I was

1:24:53.439 --> 1:24:55.920
<v Speaker 3>up late all night working on Tom Cruise and I

1:24:56.320 --> 1:24:59.320
<v Speaker 3>didn't save save my work and your email came in

1:24:59.400 --> 1:25:02.120
<v Speaker 3>and my Way two thousand and started smoking, and I

1:25:02.240 --> 1:25:05.080
<v Speaker 3>lost it and Tom had to write it himself, and

1:25:05.200 --> 1:25:08.360
<v Speaker 3>he had been eating cake, of course.

1:25:08.560 --> 1:25:12.600
<v Speaker 2>So okay, So just to clear up, show up in

1:25:12.720 --> 1:25:18.200
<v Speaker 2>full Hollywood prothetics, some sort of horrible monster on Valentine's Day.

1:25:19.800 --> 1:25:22.880
<v Speaker 2>Just sit back and watch it all in bold, Watch

1:25:23.160 --> 1:25:26.320
<v Speaker 2>her leave screaming, not because of your costume, but because

1:25:26.400 --> 1:25:31.080
<v Speaker 2>this guy is a dud. Then go radio silent on her,

1:25:31.120 --> 1:25:34.519
<v Speaker 2>maybe change your phone number, wait for her to reach out,

1:25:35.240 --> 1:25:37.320
<v Speaker 2>and then throw it back in her face. Yeah, it's

1:25:37.360 --> 1:25:41.760
<v Speaker 2>the perfect plan, perfect Carinn. Your friend has pushed all

1:25:41.800 --> 1:25:45.280
<v Speaker 2>of us too far. I'm glad we answered this too late.

1:25:45.320 --> 1:25:49.160
<v Speaker 2>To be honest, absolutely, I think that she needed to

1:25:49.400 --> 1:25:52.080
<v Speaker 2>take her own energy to this thing that which was confusion.

1:25:53.960 --> 1:25:57.679
<v Speaker 2>Perfect We answered it perfectly. I now have three different tops.

1:25:58.479 --> 1:26:01.360
<v Speaker 2>I could wear these, you know, for weeks, you know,

1:26:01.479 --> 1:26:02.000
<v Speaker 2>just cycling.

1:26:02.240 --> 1:26:05.479
<v Speaker 3>So that's a party in La all right, three different tops.

1:26:06.280 --> 1:26:08.519
<v Speaker 3>Sounds like a Friday night for Bridge or don't it?

1:26:11.040 --> 1:26:15.519
<v Speaker 3>Anyway you were saying, I was saying, Josharpteda dot com

1:26:16.240 --> 1:26:19.760
<v Speaker 3>dud's thank you at last last you show me.

1:26:20.080 --> 1:26:21.360
<v Speaker 2>Someone had to say it on this podcast.

1:26:21.360 --> 1:26:22.800
<v Speaker 3>Someone had to say it on this podcast. It would

1:26:22.800 --> 1:26:24.559
<v Speaker 3>have been then it wouldn't be made. That would be tacky.

1:26:24.840 --> 1:26:27.600
<v Speaker 2>And this is the promo podcast. People come here, they're like,

1:26:27.640 --> 1:26:29.799
<v Speaker 2>what will be? What am I going to get plugged?

1:26:30.840 --> 1:26:33.280
<v Speaker 2>And I had to give them. You know, I teased

1:26:33.320 --> 1:26:35.920
<v Speaker 2>it throughout and I'm giving it. I get the listener

1:26:36.000 --> 1:26:39.120
<v Speaker 2>what they beg for, Josh, I've had a lovely time

1:26:39.160 --> 1:26:39.639
<v Speaker 2>with you here.

1:26:39.760 --> 1:26:41.080
<v Speaker 3>Is well, thank you for having me here in your

1:26:41.120 --> 1:26:41.720
<v Speaker 3>gorgeous home.

1:26:42.240 --> 1:26:47.120
<v Speaker 2>Of course, anytime and listener the podcast is over. I

1:26:47.160 --> 1:26:48.880
<v Speaker 2>feel a little bit of a sneeze coming on. But

1:26:48.920 --> 1:26:50.800
<v Speaker 2>now that I've said it, it's no longer coming on,

1:26:50.920 --> 1:26:55.479
<v Speaker 2>which is wow. I overcame it. The podcast is over,

1:26:55.880 --> 1:26:58.599
<v Speaker 2>so you have to do something else. I love you, goodbye,

1:27:04.040 --> 1:27:07.599
<v Speaker 2>I said, No Gifts is an exactly right production. Our

1:27:07.680 --> 1:27:10.800
<v Speaker 2>senior producer is on Alisa Nelson, and our episodes are

1:27:10.960 --> 1:27:14.680
<v Speaker 2>beautifully mixed by Ben Toliday. The theme song is by

1:27:14.800 --> 1:27:17.880
<v Speaker 2>miracle Worker Amy Mann, and we couldn't do it without

1:27:17.880 --> 1:27:21.439
<v Speaker 2>our booker, Patrick Cottner. You must follow the show on

1:27:21.560 --> 1:27:24.000
<v Speaker 2>Instagram at I said No Gifts, That's where you're going

1:27:24.040 --> 1:27:26.519
<v Speaker 2>to see pictures of all these wonderful gifts I'm getting.

1:27:26.920 --> 1:27:30.200
<v Speaker 3>And don't you want to see the gifts line? Why

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<v Speaker 3>did you hear?

1:27:33.640 --> 1:27:36.280
<v Speaker 1>Thought a man myself perfectly clear?

1:27:37.600 --> 1:27:38.880
<v Speaker 2>But you're a guest to me.

1:27:41.760 --> 1:27:44.559
<v Speaker 3>You gotta come to me empty, And.

1:27:46.120 --> 1:27:53.200
<v Speaker 1>I said, no guests, your presences, presents, and I already

1:27:53.760 --> 1:27:58.800
<v Speaker 1>too much stuff. So how do you dad to surbey me?

1:28:01.600 --> 1:28:04.200
<v Speaker 1>Became with them