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Speaker 1: And I invited you here. I thought I made myself

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Speaker 1: perfectly clear. When you're a guest to my home, you

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Speaker 1: gotta come to me empty. And I said, no, guests,

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Speaker 1: your own presences presents enough. I already had too much stuff,

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Speaker 1: So how do you dare to surbey me?

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Speaker 2: Welcome to I said, no gifts. I'm Richard Winneger. What's

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Speaker 2: going on for that? I think this is the first recording.

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Speaker 2: This is the first recording since we're back from Chicago

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Speaker 2: or I'm I don't know why I say weird. It

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Speaker 2: was simply me. In Chicago. I had no help, zero assistance.

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Speaker 2: It was just me kind of stumbling through the city

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Speaker 2: putting on a show. Had a wonderful time. The audience

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Speaker 2: was begging to leave. The theater was nearly empty before

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Speaker 2: the show was even over. Let's see what happened. Oh,

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Speaker 2: I did wish a Hannah happy birthday on stage. Later

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Speaker 2: found out her name was Heidi so but it's now

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Speaker 2: too late to womb. Sorry to interrupt, but Klom, Heidi

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Speaker 2: Klum was there demanding a happy birth.

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Speaker 3: Well, Hannah Klum was her birth name. Heidi Klum's her

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Speaker 3: Hollywood name. It's a little flashy. You were saying. I

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Speaker 3: didn't mean to interrupt. This isn't about Our guest is

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Speaker 3: just trying to burst into the show, and we'll get

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Speaker 3: to him in a moment, and we should get to

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Speaker 3: him quickly because I'm already rambling.

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Speaker 2: But and there's very little going on. What's going on,

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Speaker 2: the Patreons still happening. I'm now, as you know, kind

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Speaker 2: of doing bonus episodes about the secret lives of Mormon wives.

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Speaker 2: That's become almost my entire existence just thinking about those gals.

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Speaker 2: So come on over. And then I just I saw

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Speaker 2: Mission Impossible last night, followed every moment of it. It

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Speaker 2: was perfectly clear what was going on. Tom Cruise has

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Speaker 2: completely transformed into kind of a tough as nails aunt,

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Speaker 2: looks like your mom's sisters, who's had a real year.

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Speaker 2: But actually I didn't have that good of a time.

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Speaker 2: Maybe I had ten minutes of a good time. I

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Speaker 2: kept trying to fall asleep and that didn't take. So

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Speaker 2: take from whatever that what you will. Let's get into

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Speaker 2: the show. I love today's guest. It's Josh Sharp. Josh,

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Speaker 2: You're already on the show. Welcomed, I said, no gifts.

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Speaker 3: I'm jealous. You saw that impossible mission. Yeah, those films,

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Speaker 3: I really do. What was the last When you saw

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Speaker 3: the last one and you've seen everyone, and I go

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Speaker 3: to theater and I have a big thing of popcorn,

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Speaker 3: just as Tom intended, and I paced it out of

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Speaker 3: of course the whole film. I don't need it before

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Speaker 3: we know he hits oppressive. I love it. I feel

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Speaker 3: he's the most populist movie star we have in the lot.

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Speaker 3: Justin being popular. I like that. He's like, I do

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Speaker 3: my own, I will live or die. He's doing everything

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Speaker 3: myself off the cliff for your pleasure.

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Speaker 2: But I'll say in this one, I think there are

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Speaker 2: two stunts, and one of them is kind of it's

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Speaker 2: unclear what the stunt is. It's largely underwater and he's

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Speaker 2: in an underwater suit, and it's like, what I guess

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Speaker 2: he's He's just floating through water, that's the stunt. Sure,

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Speaker 2: because there are parts where there's a deep because it

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Speaker 2: gets dodgy down there. Yeah, that's the big question. But

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Speaker 2: why would he need to be that far down for

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Speaker 2: a movie?

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Speaker 3: Well, because he's Tom. Why does he need to do

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Speaker 3: any of this sport movie? Why? Because he cares? Why

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Speaker 3: does he need to ride a motorcycle off a cliff.

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Speaker 3: He loves Hollywood magic. He loves Hollywood magic. And you

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Speaker 3: can get the bins real easy. That in the movie.

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Speaker 3: I bet it is a big plot point. You might

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Speaker 3: get the bin.

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Speaker 2: So then I don't want to give anything minutes.

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Speaker 3: A film right there discussing the bins. It'd be great

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Speaker 3: if he got in the bloodstream. Is that what it is?

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Speaker 3: I think nitrogen or something nitrogen and then it makes

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Speaker 3: you dizzy to kill stuff there. No, I don't want

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Speaker 3: nitrogen in the blood stream. I'll tell you that girl.

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Speaker 3: You do not want nitrogen in your blood stream.

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Speaker 2: He goes very deep and then shoots up to the surface.

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Speaker 3: Well that's the part that'll get you. As someone who's

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Speaker 3: scuba dove, yes, about three times a decade ago. You

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Speaker 3: really have to pace your way up. I mean you

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Speaker 3: have how you get the bends. You have a history

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Speaker 3: of scuba doving. It's water.

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Speaker 2: Well, this is true, I mean this is I love

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Speaker 2: the stuff. I don't know that's all you want to

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Speaker 2: talk about or not.

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Speaker 3: It is true. It tried to kill me last year,

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Speaker 3: and you can find out all about this and Josharp

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Speaker 3: today my one man off Broadway show starting at the

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Speaker 3: Greenwich Hut the year later. Can I Yeah, I don't

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Speaker 3: know what you're gonna clip. I actually don't know how

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Speaker 3: your I don't know how your audience listens to this.

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Speaker 3: Maybe they started the end and go to the beginning,

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Speaker 3: or Memento style. Maybe they started at either end and

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Speaker 3: meet in the middle. That's a podcast. I just have

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Speaker 3: a series of polaroids of the podcast to try to

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Speaker 3: figure out what was going on. I've got to mention

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Speaker 3: dot Josh sharp to dot within every forty five seconds.

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Speaker 3: I'm gonna get it in a clip. I know the game.

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Speaker 3: I know the game.

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Speaker 2: We're going to cut it out of. This is going

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Speaker 2: to be a very difficult episode to listen to. Good

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Speaker 2: that will all just be.

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Speaker 3: That's what I hope to bring to every podcast, an

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Speaker 3: air of unlistenability.

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Speaker 2: Yeah, but you have a so this is actually this

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Speaker 2: particular mission impossible might really hit home for you.

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Speaker 3: Yeah, he's done some water stuff before. I feel like,

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Speaker 3: like two ago there was that one where there was

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Speaker 3: the big again. Can you remember a single plot point? No?

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Speaker 3: Absolutely not. And I have something sorry to tease the listener,

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Speaker 3: I have something really salacious about that to mention to you.

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Speaker 3: Off air. Oh, and it can't be on air, no

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Speaker 3: about tom Cruise or the water or the about the

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Speaker 3: whole world and the making of these films. Oh, something

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Speaker 3: I learned from someone who made one of these films

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Speaker 3: that I don't feel comfortable saying on air.

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Speaker 2: Oh my god, I can't wait.

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Speaker 3: And yet I do feel comfortable saying that. I don't

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Speaker 3: feel comfortable saying on air on air? You know what

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Speaker 3: I mean?

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Speaker 2: Of course, I need to make some sort of reminder

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Speaker 2: for me, So like, that's good, I'm gonna put this.

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Speaker 3: I don't feel comfortable. I feel comfortable saying I don't

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Speaker 3: feel comfortable saying it on air on air. That's one

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Speaker 3: of those great do you know what I mean? Of

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Speaker 3: course that's it's meaning us. It's just meaning this is

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Speaker 3: a mission impossible moved one time. This is maybe the

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Speaker 3: hardest I've ever made. Aaron Jackson laughed. I as a

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Speaker 3: joke the show This Is Us was on, I said this,

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Speaker 3: this is Us is Us and he thought that was

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Speaker 3: the greatest thing.

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Speaker 2: Wait, but let's see the thing that you don't feel

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Speaker 2: comfortable saying, you don't feel comfortable talking.

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Speaker 3: About it has to do with the writing of these films.

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Speaker 3: But I do find them to be pretty wild. There

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Speaker 3: was something that yeah, okay, like two or three moves. Yeah,

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Speaker 3: there was that. There was like a nuclear reactor. Remember

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Speaker 3: he had to like hold his breath for like three

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Speaker 3: minutes to go and do something to it.

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Speaker 2: And that wasn't the last one.

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Speaker 3: Maybe it was in this one.

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Speaker 2: There are flashbacks of water like was that which where

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Speaker 2: in the timeline we're.

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Speaker 3: In sort of like part two of part three of

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Speaker 3: part one, you know what I mean?

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Speaker 2: The final reckoning.

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Speaker 3: Yeah, this is the finally the end of the Russian

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Speaker 3: nesting dolls in his films.

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Speaker 2: Just as far as we know, he does have a

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Speaker 2: little It's.

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Speaker 3: Good to know, because God, think of all he's reckoned

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Speaker 3: with he has reckoned. It must be a big load off,

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Speaker 3: the final thing to reckon. I think he's got.

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Speaker 2: I have to imagine he's gonna have a craving for

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Speaker 2: reckoning in the future.

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Speaker 3: I don't think he can stay away. He'll have a

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Speaker 3: different proper noun, but I have a feeling he'll still

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Speaker 3: be reckoning. The guy won't have the guy won't be Ethan,

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Speaker 3: but he'll be reckoning with things. I think he's still

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Speaker 3: in that movie where he goes to space. I love that.

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Speaker 3: Which when does he go to space? A few years

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Speaker 3: ago they announced that he's going to make a movie.

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Speaker 3: That's right, he actually goes to space. Katy Perry's style,

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Speaker 3: Katie Gail King style. Yes, it's actually a buy a

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Speaker 3: pick on Gail King. Tom's playing Gail King. Soaring High

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Speaker 3: the Gail King story. Tom is suiting up to play

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Speaker 3: Gail King. I can't wait for that.

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Speaker 2: I think we're all kind of just uh, just very nervous,

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Speaker 2: very nervous for Tom. But he was He's literally going

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Speaker 2: to space.

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Speaker 3: Hmm. For what purpose does the whole crew go to space?

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Speaker 3: Keep wanting to go? Why is he doing all this stuff?

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Speaker 3: You have the answer for our delight. He's going to

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Speaker 3: take a whole film crew to our delight. Maybe he's

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Speaker 3: gonna fill himself. I don't know. I wish I were

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Speaker 3: a producer on this film and I had these answers

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Speaker 3: for you, Bridger. Nothing would make me happier than to

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Speaker 3: have every answer, because it would mean I'm a producer

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Speaker 3: on the film. The fact that you remembered it's pretty

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Speaker 3: I should be trying to I'm buying for co producer.

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Speaker 3: You want to be shot into space? With him. Yeah,

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Speaker 3: I don't have an inclination to go to space, but

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Speaker 3: I would if Tom asked, would you? Yeah? Are you kidding?

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Speaker 2: I wonder if I would?

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Speaker 3: You think you wouldn't.

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Speaker 2: I think I would really have to do some soul searching.

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Speaker 2: I would have to. I probably would.

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Speaker 3: You'd have to offer it up in prayer. You'd have

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Speaker 3: to offer it up in prayer.

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Speaker 2: Of course, I'd say quiet prayer and then go to

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Speaker 2: space with Tom. I probably would go. Yeah, even if

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Speaker 2: I died, who cares to have gone?

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Speaker 3: What a way to go? And to be on camera

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Speaker 3: dying with Tom Cruise. You think of the residuals your

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Speaker 3: family would receive. Your family would be set for love

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Speaker 3: and Tom.

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Speaker 2: His box office cachet is a little I think it's fading,

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Speaker 2: is it?

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Speaker 3: But what didn't they feel that top on Mavericks sort

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Speaker 3: of like brought back movies? I brought back the possible

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Speaker 3: kind of sent movies to their I understood, understood, and don't.

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Speaker 3: I don't know how this one's well, maybe I don't

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Speaker 3: want to produce after all, here I thought i'd be rich.

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Speaker 2: I believe this one's being beaten by Leelo and Stitch,

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Speaker 2: So maybe Lelo and Stitch has brought them?

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Speaker 3: Do they do their own stunts?

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Speaker 2: As far as I know, Stitch, which one's wait? Lelo

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Speaker 2: and Stitch is one of Is Leelo one of the humans?

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Speaker 3: I'm realizing I've never seen Leelo and Stitch, not even

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Speaker 3: the old animated in my mind. And I understand, and

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Speaker 3: I'm giving myself the space to be wrong. Is human? Right?

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Speaker 3: Stitch is a creature from outer space? Question mark?

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Speaker 2: That makes sense. But just until this moment, I thought

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Speaker 2: Leelo I. For whatever reason, I was under the impression

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Speaker 2: there were two outer space creatures. But of course it's

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Speaker 2: just the blue one.

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Speaker 3: It might be a little two peas in a pod. Yeah,

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Speaker 3: you know you sort of want the odd couple of

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Speaker 3: it all, don't you? Right?

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Speaker 2: You want the little You always want a small human

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Speaker 2: girl with an alien.

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Speaker 3: Always you want this. I'm surprised one of us isn't

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Speaker 3: a small human girl, and I'm even more surprised one

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Speaker 3: of us isn't an alien. You know, how will this play?

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Speaker 3: I will two of us talking? Nobody cares, None of

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Speaker 3: you care.

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Speaker 2: No, it's not there's sparks. What this is missing is

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Speaker 2: Tom Cruise welcoming you to the movies like he did

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Speaker 2: last night. The audience gasped, did you do that in

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Speaker 2: the last movie? Where it's like he's done it every

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Speaker 2: video where he's like, welcome to the movies.

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Speaker 3: I think he's done it in all of them. Now

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Speaker 3: it's so important that you're here at the movies. I

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Speaker 3: was talking about this with people the other day. It

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Speaker 3: would have been incredible if in this one he didn't

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Speaker 3: do it. Some old man comes out, I want to

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Speaker 3: walk up movie, pulls off the masks. Oh my god,

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Speaker 3: like in the film, and then and then the set

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Speaker 3: breaks away and he's hanging on a helicopter and then

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Speaker 3: the movie starts there. It's in the world of the

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Speaker 3: move on the movie. Curtain up, light the lights, you

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Speaker 3: know how movies start.

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Speaker 2: For that to be Ethan could be doing some Hollywood

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Speaker 2: high jinks within the movie.

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Speaker 3: Yeah, why didn't they see this?

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Speaker 2: Is you pitching yourself as a future producer for Think of.

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Speaker 3: Me for space, think of me for the Gael King story.

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Speaker 3: Is all I'll say, Hollywood, Now that I'm here in LA.

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Speaker 3: You know, in New York nobody takes seriously as a producer.

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Speaker 3: Now that I'm here in.

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Speaker 2: LA, you're making moves. You're in a very la T shirt.

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Speaker 3: Thank you. This the Clark Street. Yeah, the one on

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Speaker 3: one diner. One time I saw Fred Durst there about

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Speaker 3: fifteen years ago. One was that awesome? What was he

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Speaker 3: doing eating? Noting the breakfast of course? Why eating breakfast?

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Speaker 3: Of course? Well, having a delicious meal in the seventies abbiance.

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Speaker 3: It's the one on one now Clark Street.

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Speaker 2: I love the Clark Street.

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Speaker 3: Oh. I love the Clark Street Diner. I can go

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Speaker 3: there today, make a reservation. Josh sharptdaw dot com book

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Speaker 3: a table with Fred Durst at the Clark Street Diner.

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Speaker 3: I love the Clerk Street done. I'm glad you clocked this.

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Speaker 3: Some people don't know it's merch. Some people just think

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Speaker 3: it's a shirt with breakfast.

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Speaker 2: It's a good shirt, and I'm there probably twice a week.

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Speaker 3: I love that place. My friends used to live around

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Speaker 3: the corner and I would go there all the time

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Speaker 3: when it was the one I won. It's such a

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Speaker 3: good diner. I find this shirt is well received by

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Speaker 3: the community, but that like every time I wear it,

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Speaker 3: someone comes up and they go, I love breakfast. People

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Speaker 3: often just think it's about breakfast, and I have a

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Speaker 3: bold statement, but I celebrate that. Of course, there's a

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Speaker 3: lot to love. And it's a good looking breakfast. That's

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Speaker 3: the diner breakfast. Do you know I have one note

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Speaker 3: on this breakfast? What can you guess what it is?

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Speaker 2: That it shouldn't be twenty two dollars?

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Speaker 3: Well, sweetie, oh god, clip it. Get into a war

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Speaker 3: with them? Am I doing this right? You know? I

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Speaker 3: don't have a podcast, but I'm aware of your culture.

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Speaker 3: Clip it. We just say clip it. Well, we will

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Speaker 3: with it whenever you want. It doesn't no matter what

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Speaker 3: you said previously. My my biggest note is that breakfast, brunch,

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Speaker 3: diner culture. It's about beverages. Okay, I need double the

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Speaker 3: beverages here. This has already got two drinks. Coffee have

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Speaker 3: probably forty dollars orange. I want a big glass of

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Speaker 3: water and then I probably want like a boozy drink too,

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Speaker 3: like if this is if this is brunch, I want

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Speaker 3: fresh squeeze orange juice. I want bad coffee, some of

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Speaker 3: the worst coffee. Well, then this is a bad place

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Speaker 3: for you to be. They have good coffine. They actually

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Speaker 3: do have good coffee. I want water and I want

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Speaker 3: a bloody mary.

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Speaker 1: Wow.

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Speaker 3: That is to me the joy of brunch is so

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Speaker 3: many A sip of everything.

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Speaker 2: Even the water.

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Speaker 3: Yes, oh, I want I'm drinking water all all the time.

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Speaker 3: Not for me, I'm not drinking breakfast with the stuff.

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Speaker 3: I'm one of those people who like the taste of water.

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Speaker 3: Is that true? Yes?

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Speaker 2: I think I don't mind the taste of water. But

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Speaker 2: I'm gonna taste this.

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Speaker 3: Wait, do it am a ms R A ms R style?

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Speaker 3: That's not right, but I'm sticking to it a M

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Speaker 3: s R A I think ams R. You know it's

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Speaker 3: a SMR. It's a sm you can always remember because

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Speaker 3: it's related to SMM. That's the nomonic. Y Okay, now

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Speaker 3: me just choking. That's well, no, wonder you just don't

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Speaker 3: know how to drink it. Sorry, it's good, right, I

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Speaker 3: fucking love water. Water rules.

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Speaker 2: People say they don't like the taste, what are we

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Speaker 2: talking about?

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Speaker 3: Yeah exactly.

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Speaker 2: I mean they're clearly drinking dirty water because it's such

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Speaker 2: a pure thing.

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Speaker 3: Like Yeah, and I don't like to participate in the

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Speaker 3: New York versus LA if at all. I like I

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Speaker 3: like both. I promise you we do have you beat

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Speaker 3: on water. See this is something I don't believe you

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Speaker 3: you've tasted both, though I've had both. Maybe dynamite.

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Speaker 2: I might have kind of a dull taste bud for water,

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Speaker 2: because I think I can drink about any water. I

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Speaker 2: think that tastes about the same.

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Speaker 3: Sure ours really banks and yours has some issues. Would

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Speaker 3: you're not fully at the beach where you're like, oh god,

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Speaker 3: you know, but this is it's not right.

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Speaker 2: I would like someone to bring me a bottle of

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Speaker 2: New York water and pour it into I would like

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Speaker 2: to do it myself.

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Speaker 3: Sorry to pull back the curtain. I wish that was

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Speaker 3: my gift, and not even like aquafina, just like a

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Speaker 3: fucking from my tower. That would have been so good.

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Speaker 3: And I kept it in the fridge. It was just

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Speaker 3: like I've somehow got it on the plane. I checked

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Speaker 3: so dry ice I shipped it.

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Speaker 2: I guess that's the hard thing about getting water here.

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Speaker 2: You would have to check a bag of water.

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Speaker 3: I could have gifted you three ounces of water so easy,

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Speaker 3: I could liters of water, and that would have been

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Speaker 3: such an incredible gift. I mean, that's enough to.

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Speaker 2: That's all you truly need to get the taste.

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Speaker 3: It's a tasting menu. Yeah, it's a flight a flat water.

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Speaker 3: I could have brought you a flight of waters from

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Speaker 3: all over the country, all over the globe, even from

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Speaker 3: outer space. With Tom we could have gone to the

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Speaker 3: moon and fetched that water that's there.

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Speaker 2: New York does famously have good tap water. I wonder

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Speaker 2: if there's a place that has better tap water than

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Speaker 2: New York. There must be outside of the country.

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Speaker 3: I think it's one of the best metropolitan top parties

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Speaker 3: because we get it from some upstate reservoir that's like

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Speaker 3: known for good. You know. I feel like if you're you.

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Speaker 2: Know, where's l A's coming from?

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Speaker 3: Well, exactly interesting, y'all don't have enough to water your lawns,

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Speaker 3: So yeah, where is it coming from? Probably Utah? Your

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Speaker 3: Mormon wives, they're probably sending you ther water open.

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Speaker 2: This is the subject that my dad will bring up

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Speaker 2: on occasion. You're taking all of our water?

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Speaker 3: Where does your father live Utah?

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Speaker 2: Yeah, I believe it, But Utah is also a desert,

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Speaker 2: so I don't quite believe that either, right, But that

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Speaker 2: water is already coming from I don't know.

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Speaker 3: The people of Utah have faith. They have faith in

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Speaker 3: the way that we don't, so that they're making water

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Speaker 3: in the water, they're finding water in the desert if

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Speaker 3: anyone is. It's a faith based people, these godless heathens.

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Speaker 3: You live in a desert and it's staying a desert.

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Speaker 3: You have no faith. Utah is a desert, but you

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Speaker 3: have faith. So the water take a step and the

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Speaker 3: you know, when there's one step of footprints, you know

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Speaker 3: who's carrying you. When you're in a desert. Throw a bag,

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Speaker 3: a big bag of water. When there's only one set

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Speaker 3: of stopping footprints, you know who it is. Jesus fresh

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Speaker 3: out the bath, bubbles in his hair, bubbles in his hair,

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Speaker 3: bubble bath. Yeah, and a big sort of fun like

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Speaker 3: Santa Beard, like when you're when you're three years old

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Speaker 3: and you're making the big bubble beard over his regular beard. Absolutely,

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Speaker 3: he thinks that's he gets the meta joke of that

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00:17:20,800 --> 00:17:25,760
Speaker 3: one beard, one of the famous alt comics. Jesus. He's

378
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Speaker 3: a little off kilter. He's oh slightly on, always off,

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Speaker 3: you know what I mean. I think it was CBS

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Speaker 3: or CBS was characters welcome, Yes, Oh, characters welcome. That's Jesus'

381
00:17:38,119 --> 00:17:40,600
Speaker 3: you meet them twelve And that hooker he's got twelve.

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Speaker 3: He's got twelve in that hooker following him around Jesus

383
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Speaker 3: was such characters welcome, the Twelve in the Hooker, Jesus

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Speaker 3: was so characters welcome. He really was. He loved of

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Speaker 3: all types. He loved all types. One of his things, Yes,

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Speaker 3: one of his big things was Luke John. That's the others,

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00:18:01,280 --> 00:18:03,399
Speaker 3: those other jos. I mean, we're talking. You want to

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Speaker 3: talk characters. Judas is one of the more famous of

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Speaker 3: the guys, isn't he full care? The ones who wrote books,

390
00:18:08,840 --> 00:18:11,280
Speaker 3: Matthew Mark, Luke John, you know, they they got their

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Speaker 3: sort of titular story. Peter Peter, of course, well the

392
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Speaker 3: doubter Tom. What did Peter do?

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Speaker 2: Peter kind of just floated around, just made sure he

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Speaker 2: was feeling okay, he may need a snack, Yes, exactly, Thomas, God.

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Speaker 3: How many can we get? Because you were raised Mormon

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Speaker 3: or maybe still are raised, and you don't want to

397
00:18:35,040 --> 00:18:39,600
Speaker 3: get back, I just you're refusing that one. You're refusing

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00:18:39,640 --> 00:18:41,400
Speaker 3: to go on the record with that one. I'm well

399
00:18:41,440 --> 00:18:45,880
Speaker 3: on the record. No, I've listened to every episode. Yeah,

400
00:18:45,880 --> 00:18:49,320
Speaker 3: I was raised Presbyterian. We have we have different guys,

401
00:18:49,440 --> 00:18:52,840
Speaker 3: I guess different guides. Do the Mormons believe in the

402
00:18:52,880 --> 00:18:59,480
Speaker 3: twelve Guys? Oh? Yeah, the twelve guys. I'm absolutely so. Peter, Peter, James, Wait, Matthew, Mark, Luke,

403
00:18:59,520 --> 00:19:04,119
Speaker 3: John Matthew, Mark, Peter James, Peter James, Dunton, Thomas, Thomas,

404
00:19:04,160 --> 00:19:07,320
Speaker 3: Thomas with all them damned doubts, Judas, Judas of course,

405
00:19:07,400 --> 00:19:10,120
Speaker 3: the bad boy of the group. Yeah, the classic fat boy.

406
00:19:10,520 --> 00:19:14,600
Speaker 3: And we're missing four. Uh, don't you feel like we'll

407
00:19:14,600 --> 00:19:14,879
Speaker 3: get there.

408
00:19:15,119 --> 00:19:17,760
Speaker 2: I'm trying to think of Italian Catholics in my life.

409
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Speaker 2: You should get these names?

410
00:19:19,359 --> 00:19:24,800
Speaker 3: Oh yeah, yeah? Uh, Michael, you want to believe there's

411
00:19:24,800 --> 00:19:27,440
Speaker 3: a Michael. Let's let's not look this up, but let's

412
00:19:27,440 --> 00:19:30,000
Speaker 3: call it a Michael. It's also I want to give

413
00:19:30,080 --> 00:19:32,000
Speaker 3: us some old Testament names like Esyl, but I know.

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Speaker 2: Those they're real like guy guy names.

415
00:19:34,560 --> 00:19:37,719
Speaker 3: They're they're basically like Kyle's and Martin Ye, Matthews, honestly

416
00:19:37,720 --> 00:19:42,000
Speaker 3: a lot of the like gay guy names. Brendan, Brendan. Yeah, Okay,

417
00:19:42,000 --> 00:19:45,480
Speaker 3: we're missing three because Michael. David must be there. I

418
00:19:45,560 --> 00:19:47,640
Speaker 3: mean not the one who thought Goliath, of course.

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Speaker 2: But isn't David. It's Mary and David are the parents

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Speaker 2: Mary and Joseph?

421
00:19:53,760 --> 00:19:57,440
Speaker 3: But was there? Christian? Was there? Joseph and the guys.

422
00:19:57,680 --> 00:19:59,800
Speaker 2: Maybe Okay, No, there's no Joseph. That would have gotten

423
00:19:59,840 --> 00:20:01,440
Speaker 2: weird for the whole situation.

424
00:20:01,800 --> 00:20:03,840
Speaker 3: Let's say there's a David. Let's say there's a Dave.

425
00:20:04,240 --> 00:20:08,680
Speaker 3: That's the tenth is Dave. Two people, we're still too short.

426
00:20:08,760 --> 00:20:15,840
Speaker 2: Tyson Tyson, Tyson and Lance and Lance. Uh wow, I

427
00:20:16,000 --> 00:20:18,879
Speaker 2: really shocked that I can't. Some of these guys were duds,

428
00:20:19,880 --> 00:20:22,400
Speaker 2: most of them, honestly, like probably eight of these men

429
00:20:22,440 --> 00:20:23,439
Speaker 2: were full duds.

430
00:20:23,840 --> 00:20:26,080
Speaker 3: Sorry to go, Hollywood producer again, you come in. I

431
00:20:26,119 --> 00:20:28,320
Speaker 3: got this story. It's me, this hooker in twelve guys go,

432
00:20:28,400 --> 00:20:31,199
Speaker 3: I could cut eight of the guys for story. I'm like,

433
00:20:31,320 --> 00:20:34,240
Speaker 3: keep the main guy for sure, he's he's our guy,

434
00:20:34,359 --> 00:20:36,680
Speaker 3: Like we're sending this one to space, he's the campaign

435
00:20:37,080 --> 00:20:41,439
Speaker 3: is Jesus of course, keep the hooker. And then I'm like,

436
00:20:41,480 --> 00:20:43,800
Speaker 3: I think maybe eight of those guys could go for story.

437
00:20:43,920 --> 00:20:48,560
Speaker 3: No budget and budget my god, yeah, maybe be full Blumhouse.

438
00:20:48,600 --> 00:20:50,040
Speaker 3: But I'm cutting speaking parts.

439
00:20:50,080 --> 00:20:52,080
Speaker 2: Yeah, maybe these are background are.

440
00:20:51,960 --> 00:20:56,199
Speaker 3: Background guys for certain, The Four Apostles eight background on Hooker,

441
00:20:57,119 --> 00:21:01,040
Speaker 3: The Four Apostles eight background and hooker. Now that sells,

442
00:21:02,200 --> 00:21:04,320
Speaker 3: that's selling away the Bible hasn't as we know the

443
00:21:04,320 --> 00:21:10,200
Speaker 3: Bible very poor sales or sales poor sales. One of

444
00:21:10,240 --> 00:21:12,919
Speaker 3: the worst selling books of all time. Absolutely one of

445
00:21:12,920 --> 00:21:16,080
Speaker 3: the absolute bombs. Those residuals must be nice.

446
00:21:17,600 --> 00:21:21,840
Speaker 2: That one's the original bomb, the bomb Turkey. It was

447
00:21:21,880 --> 00:21:24,439
Speaker 2: a turkey. It was a box office turkey.

448
00:21:26,440 --> 00:21:30,159
Speaker 3: Yeah. I don't know how we possibly got to the

449
00:21:30,240 --> 00:21:34,600
Speaker 3: four Apostles eight I do and again, when the listener

450
00:21:34,640 --> 00:21:37,440
Speaker 3: is listening to this as intended Memento style, front than back,

451
00:21:37,480 --> 00:21:39,440
Speaker 3: front than back, meat in the middle, it will all

452
00:21:39,480 --> 00:21:42,360
Speaker 3: make sense. Do you need to promo right now? Absolutely?

453
00:21:42,760 --> 00:21:46,439
Speaker 3: Starting July seventh, from Josh Sharp and the director of O,

454
00:21:46,560 --> 00:21:49,240
Speaker 3: Mary sam Pinggleton comes Josh Sharp Toda a one man

455
00:21:49,359 --> 00:21:53,040
Speaker 3: solo experience in the off Broadway kind of way. God,

456
00:21:53,119 --> 00:21:56,440
Speaker 3: imagine the sexy West Village evening. You'll have a cosmo

457
00:21:56,480 --> 00:22:00,680
Speaker 3: before a cosmo after. Carry the rest of the girls again,

458
00:22:00,840 --> 00:22:02,760
Speaker 3: imagine if there were twelve sex in the City girls.

459
00:22:02,800 --> 00:22:03,680
Speaker 3: You're like, you only need four.

460
00:22:03,800 --> 00:22:06,440
Speaker 2: There's no chance, are you kidding? And it's like you're

461
00:22:06,480 --> 00:22:08,320
Speaker 2: not taking a quiz where you're trying to figure out

462
00:22:08,320 --> 00:22:09,880
Speaker 2: which of twelve characters you.

463
00:22:09,960 --> 00:22:12,719
Speaker 3: Never could Yeah, you're right. The human mind doesn't need

464
00:22:12,760 --> 00:22:14,560
Speaker 3: all twin, especially when you already got a hooker in

465
00:22:14,600 --> 00:22:19,160
Speaker 3: a lead. That's two. You really only needed two guys two,

466
00:22:19,280 --> 00:22:21,199
Speaker 3: you think, I mean, if we want the sort of

467
00:22:21,200 --> 00:22:24,800
Speaker 3: like cast of four, Yeah, that's true. Yeah, what are

468
00:22:24,840 --> 00:22:28,040
Speaker 3: you the Christ figure, the hooker, the doubting one, or

469
00:22:28,040 --> 00:22:31,479
Speaker 3: the bad guy? It's really Thomas Judas. Then there's no friend.

470
00:22:31,800 --> 00:22:34,879
Speaker 3: He's at least one friend. You're right, you've got to

471
00:22:34,920 --> 00:22:37,760
Speaker 3: have one. The hooker's a friend, but not in that way.

472
00:22:37,680 --> 00:22:40,399
Speaker 2: Not in that one. So I imagine that would be Matthew.

473
00:22:40,680 --> 00:22:45,840
Speaker 3: Yeah, okay, so you really only need Jesus married matt

474
00:22:46,400 --> 00:22:48,200
Speaker 3: and Judas. I think. Wow.

475
00:22:48,359 --> 00:22:49,800
Speaker 2: So now you're saying no doubter.

476
00:22:50,200 --> 00:22:51,720
Speaker 3: Or do you think it's more dynamic to sort of

477
00:22:51,760 --> 00:22:53,760
Speaker 3: not have a full villain in the breaking bad way,

478
00:22:53,840 --> 00:22:55,399
Speaker 3: like you know, you know you don't want him just

479
00:22:55,440 --> 00:22:57,879
Speaker 3: be bad. Yeah, you need some gray area. He's the

480
00:22:57,920 --> 00:23:01,400
Speaker 3: great ar because Judas is kind of a gray character.

481
00:23:02,119 --> 00:23:04,479
Speaker 3: I guess you're right. He did it for you know,

482
00:23:04,520 --> 00:23:07,600
Speaker 3: he needed that bag of gold. He was conflicted, and

483
00:23:07,640 --> 00:23:10,240
Speaker 3: he also was part of the plan. And also you

484
00:23:10,280 --> 00:23:13,640
Speaker 3: feel for Judas because he knew, you know, there's no

485
00:23:13,640 --> 00:23:15,480
Speaker 3: small parts only small actors. He knew. He was like,

486
00:23:15,520 --> 00:23:17,600
Speaker 3: I have to do this. I'm predestined. That's the thing.

487
00:23:17,640 --> 00:23:19,280
Speaker 3: He's a patsy. He's a patsy.

488
00:23:19,440 --> 00:23:22,439
Speaker 2: He really it's like this poor guy, like if he

489
00:23:22,480 --> 00:23:25,359
Speaker 2: hadn't done it, the plan would have fallen apart. It

490
00:23:25,359 --> 00:23:28,320
Speaker 2: was a heist ultimately, and that was his big part.

491
00:23:28,320 --> 00:23:30,360
Speaker 2: And everyone's so mad at him.

492
00:23:30,880 --> 00:23:34,760
Speaker 3: Oh God, everyone's so mad. He knew he was the heel. Yeah,

493
00:23:34,800 --> 00:23:36,880
Speaker 3: he was the heel. He knew, like, I'm the heel.

494
00:23:37,200 --> 00:23:38,160
Speaker 3: Someone's got to do it.

495
00:23:38,320 --> 00:23:41,159
Speaker 2: But he hopefully there was some like behind the scenes

496
00:23:41,240 --> 00:23:44,679
Speaker 2: contract work where it's like, yeah, everyone's gonna hate you,

497
00:23:44,720 --> 00:23:46,480
Speaker 2: but there'll be money under the table.

498
00:23:46,560 --> 00:23:48,920
Speaker 3: Yeah, you're gonna be happy with how this plays. Happened absolutely.

499
00:23:48,960 --> 00:23:49,679
Speaker 3: I wonder if he was.

500
00:23:50,119 --> 00:23:51,040
Speaker 2: Did he go to Hell?

501
00:23:52,800 --> 00:23:55,159
Speaker 3: I guess to what happens to him after that? He

502
00:23:55,440 --> 00:23:58,359
Speaker 3: asked for forgiveness for it? Doesn't he I would hope. So.

503
00:23:58,640 --> 00:24:00,480
Speaker 3: If so, then he's going to heaven by the rules

504
00:24:00,480 --> 00:24:03,399
Speaker 3: I understood, But it seems like he's so got. I

505
00:24:03,680 --> 00:24:07,200
Speaker 3: was really in it. I was doing that thing. Because

506
00:24:07,800 --> 00:24:09,240
Speaker 3: did you have the Left Behind series?

507
00:24:09,320 --> 00:24:13,280
Speaker 2: Was that a weirdly and kind of thank God Mormons

508
00:24:13,280 --> 00:24:14,280
Speaker 2: don't get into the left.

509
00:24:15,400 --> 00:24:17,480
Speaker 3: Because I was so worried the rapture could happen any moment.

510
00:24:17,600 --> 00:24:19,840
Speaker 3: I just found myself sort of like quickly playing praying

511
00:24:19,840 --> 00:24:23,080
Speaker 3: for forgiveness like all the time. Okay, so it could

512
00:24:23,080 --> 00:24:24,560
Speaker 3: happen in the flash of but really I was just

513
00:24:24,560 --> 00:24:27,080
Speaker 3: like every minute, I forgive me for my sense. She's like, okay,

514
00:24:27,119 --> 00:24:27,480
Speaker 3: I'm good.

515
00:24:27,920 --> 00:24:30,680
Speaker 2: Imagine if it had happened in between those prayers.

516
00:24:30,880 --> 00:24:34,879
Speaker 3: Yeah, shame, or or if in praying I sort of

517
00:24:34,920 --> 00:24:37,280
Speaker 3: send if I was like, please God, forgive me for

518
00:24:37,359 --> 00:24:44,520
Speaker 3: my fucking sins, if like if that you know, toxological stressed. Yeah,

519
00:24:44,640 --> 00:24:46,639
Speaker 3: there should be like an iPhone alert. There should just

520
00:24:46,720 --> 00:24:48,720
Speaker 3: give me, you know, like an earthquake or a fire

521
00:24:48,800 --> 00:24:50,760
Speaker 3: or you get a few seconds you like sort it

522
00:24:50,760 --> 00:24:54,159
Speaker 3: all out. I don't think that it's fair that it's

523
00:24:54,280 --> 00:24:58,560
Speaker 3: more of a prank that it just happens the rapture.

524
00:24:59,080 --> 00:25:02,160
Speaker 2: I think you should have a little leeway, a little like, hey,

525
00:25:02,400 --> 00:25:03,879
Speaker 2: you've got ten minutes.

526
00:25:04,000 --> 00:25:05,959
Speaker 3: Right, I mean, like a fucking tsunami comes and they

527
00:25:05,960 --> 00:25:07,760
Speaker 3: can sound a siren. Yeah you know what I mean.

528
00:25:07,760 --> 00:25:09,320
Speaker 3: You tell me the rapture. You can't at least get

529
00:25:09,359 --> 00:25:11,520
Speaker 3: sort of a quick heads up, like the clouds should

530
00:25:11,520 --> 00:25:14,400
Speaker 3: gather absolute into this guy that you see the clouds

531
00:25:14,400 --> 00:25:16,639
Speaker 3: like flying through the air too quickly. There should be

532
00:25:16,640 --> 00:25:19,400
Speaker 3: a last call, you know what I mean? Rapture come

533
00:25:19,440 --> 00:25:22,639
Speaker 3: in last call and he'll want to pray for or

534
00:25:22,680 --> 00:25:25,520
Speaker 3: how many of you are full? Like, no, I love

535
00:25:25,600 --> 00:25:29,120
Speaker 3: to ride motorcycles and smoke cigarettes and I'll never give

536
00:25:29,160 --> 00:25:34,880
Speaker 3: that up. Get me to hell, d post rapture.

537
00:25:34,920 --> 00:25:37,240
Speaker 2: Seconds after you're just standing there in your shoes, smoking

538
00:25:37,480 --> 00:25:39,800
Speaker 2: a bunch of empty shoes around you. What a feeling.

539
00:25:39,960 --> 00:25:42,600
Speaker 3: Absolutely, you feel like the ultimate bad boy. You would

540
00:25:42,640 --> 00:25:44,840
Speaker 3: be having so much fun. You'd be like, finally, my people,

541
00:25:46,440 --> 00:25:49,520
Speaker 3: now that all these fucking squares are gone, let the

542
00:25:49,560 --> 00:25:51,960
Speaker 3: listener know, but the viewer will see. I had gorgeous

543
00:25:52,000 --> 00:25:53,400
Speaker 3: clip ons. I had to take them off for these

544
00:25:53,400 --> 00:25:56,480
Speaker 3: I had to take them off for these goddamn headphones,

545
00:25:56,480 --> 00:25:58,320
Speaker 3: which will never understand why we have to wear them.

546
00:25:58,359 --> 00:26:00,719
Speaker 3: But then I realized, yeah, no, I can hear me

547
00:26:00,920 --> 00:26:03,000
Speaker 3: in a very quiet room. Also, I hear myself all

548
00:26:03,080 --> 00:26:05,160
Speaker 3: day long through these damn ears. What do you think

549
00:26:05,160 --> 00:26:06,320
Speaker 3: these damn ears are? Four?

550
00:26:06,720 --> 00:26:08,600
Speaker 2: I have an answer on why we have to wear

551
00:26:08,640 --> 00:26:09,920
Speaker 2: the headphones.

552
00:26:09,560 --> 00:26:12,040
Speaker 3: For one moment. Let's see what it's like. What's it

553
00:26:12,119 --> 00:26:14,000
Speaker 3: like to do it this way? Feels so good?

554
00:26:14,160 --> 00:26:17,960
Speaker 2: My ears aren't hot. Yeah, and I feel honest for

555
00:26:18,000 --> 00:26:19,119
Speaker 2: the first time on this podcast.

556
00:26:19,119 --> 00:26:20,560
Speaker 3: Guess the idea of this is it sort of puts

557
00:26:20,600 --> 00:26:23,000
Speaker 3: you in producer mindset too. What are they gonna hear? Yeah?

558
00:26:23,000 --> 00:26:24,560
Speaker 3: That's true. Now, how do you feel that the right

559
00:26:24,560 --> 00:26:25,000
Speaker 3: way to think?

560
00:26:25,000 --> 00:26:27,600
Speaker 2: How do you feel asymmetrical? Put them back on? I'm

561
00:26:27,680 --> 00:26:32,000
Speaker 2: not wearing them? Yeah, how does that feel? I'm do

562
00:26:32,040 --> 00:26:34,680
Speaker 2: you feel like this is an imbalance? Do you feel

563
00:26:34,720 --> 00:26:34,960
Speaker 2: like you know?

564
00:26:35,080 --> 00:26:36,960
Speaker 3: Because I'm so in my own experience? Okay, you know

565
00:26:37,000 --> 00:26:37,360
Speaker 3: what I mean.

566
00:26:37,480 --> 00:26:38,560
Speaker 2: You're so purely there.

567
00:26:38,600 --> 00:26:40,960
Speaker 3: I'm so purely in this. Okay, But what I was

568
00:26:41,000 --> 00:26:43,280
Speaker 3: gonna Yeah, what was the deal? I realized the whole

569
00:26:43,680 --> 00:26:47,320
Speaker 3: of clip ons. Yes, they don't say by law, worry

570
00:26:47,400 --> 00:26:50,840
Speaker 3: they need to be clipped on. Interesting never port k

571
00:26:51,280 --> 00:26:55,600
Speaker 3: port k no los manos? You know, like, why not? Right? Could?

572
00:26:55,600 --> 00:26:58,320
Speaker 3: I absolutely? Do you know? Actually, this is my favorite

573
00:26:58,320 --> 00:27:00,000
Speaker 3: thing about clip ones. I don't have my ears pears.

574
00:27:00,040 --> 00:27:01,720
Speaker 3: I have a ton of clip ones and the reason

575
00:27:01,720 --> 00:27:04,520
Speaker 3: why is I love that they're social that often. Yeah,

576
00:27:04,600 --> 00:27:07,120
Speaker 3: totally This is actually how it goes when I'm out

577
00:27:07,119 --> 00:27:07,800
Speaker 3: in the real world.

578
00:27:09,040 --> 00:27:09,879
Speaker 2: Josh is putting them on.

579
00:27:10,000 --> 00:27:11,439
Speaker 3: I don't even ask to try them on, just be

580
00:27:11,480 --> 00:27:12,879
Speaker 3: coming up to be like, oh, I love your earrings

581
00:27:12,880 --> 00:27:14,240
Speaker 3: because this happens all the time, and this is what

582
00:27:14,280 --> 00:27:16,480
Speaker 3: I do. I'm not even putting them on. Well, and

583
00:27:16,520 --> 00:27:19,000
Speaker 3: that's fine, that's okay. They are there. Imagine they're unwell,

584
00:27:19,119 --> 00:27:20,960
Speaker 3: Oh I love those ear rings. Give them a spin,

585
00:27:21,040 --> 00:27:23,600
Speaker 3: trym on. You have them, are you sure? Yes? Absolutely,

586
00:27:23,640 --> 00:27:25,879
Speaker 3: find me later, you know, truly, I'll meet people out

587
00:27:25,880 --> 00:27:28,080
Speaker 3: and be like, find me in a half hour, and

588
00:27:28,080 --> 00:27:29,840
Speaker 3: then you get to sort of live the fantasy for

589
00:27:29,840 --> 00:27:32,600
Speaker 3: a while. Oh, they look great on you. Let's see here.

590
00:27:33,880 --> 00:27:35,800
Speaker 3: It's hard to find your ear lobe when you don't

591
00:27:35,840 --> 00:27:38,159
Speaker 3: do it that often. I know. Even when you do,

592
00:27:38,240 --> 00:27:39,200
Speaker 3: it's hard because.

593
00:27:38,960 --> 00:27:40,960
Speaker 2: They're all a little different lobe is it on?

594
00:27:41,280 --> 00:27:41,880
Speaker 3: Yeah, you look great.

595
00:27:41,920 --> 00:27:43,399
Speaker 2: I want to get my eyes on this. I'm going

596
00:27:43,440 --> 00:27:44,800
Speaker 2: to turn on my camera here.

597
00:27:45,760 --> 00:27:47,720
Speaker 3: See, you can't do this with real earrings. You know.

598
00:27:47,760 --> 00:27:50,600
Speaker 3: You can't say, like, take a spin, find me, you know,

599
00:27:50,840 --> 00:27:53,720
Speaker 3: I'll get someone. It's also why I never I always

600
00:27:53,760 --> 00:27:57,080
Speaker 3: spend single digits on them undertil how much were these

601
00:27:57,280 --> 00:27:59,160
Speaker 3: I get them at their shops. These were definitely less

602
00:27:59,160 --> 00:28:01,879
Speaker 3: than ten okay, because I know I give them to

603
00:28:01,880 --> 00:28:03,399
Speaker 3: the world and they don't always come back to me.

604
00:28:03,720 --> 00:28:05,600
Speaker 3: Oh wow, do you know what I mean? Kind of

605
00:28:05,600 --> 00:28:09,800
Speaker 3: a Johnny Appleseed? Absolutely in many ways, and I'm glad

606
00:28:09,800 --> 00:28:16,840
Speaker 3: we're getting into this, but no, in many ways creating orchards.

607
00:28:17,080 --> 00:28:19,439
Speaker 3: These belong to the I find these belong to the universe,

608
00:28:19,480 --> 00:28:21,600
Speaker 3: and I'm just happen to have them at this moment.

609
00:28:21,640 --> 00:28:23,800
Speaker 2: Do you remember where we got these? Are these la clips?

610
00:28:23,920 --> 00:28:27,280
Speaker 3: I have so many. Anytime I'm at any like thrift

611
00:28:27,320 --> 00:28:29,040
Speaker 3: or vintage shop, I'm looking for clip on.

612
00:28:29,480 --> 00:28:32,800
Speaker 2: When you say thrift or vintage with particularly for ear rings,

613
00:28:32,800 --> 00:28:35,240
Speaker 2: are you saying like more of a curated thrift or vintagetore?

614
00:28:35,280 --> 00:28:36,800
Speaker 2: Are you saying like a goodwill either?

615
00:28:37,040 --> 00:28:37,280
Speaker 3: Wow?

616
00:28:37,400 --> 00:28:39,160
Speaker 2: So either this is where I would draw a line.

617
00:28:39,520 --> 00:28:41,360
Speaker 3: Either. I've got some of the greatest ones that just

618
00:28:41,400 --> 00:28:42,000
Speaker 3: like Goodwill's.

619
00:28:42,200 --> 00:28:44,000
Speaker 2: See so for in a goodwill there are a few

620
00:28:44,000 --> 00:28:45,160
Speaker 2: things I wouldn't buy.

621
00:28:45,080 --> 00:28:50,800
Speaker 3: Sure, and it's the fresh Deelli meat. They should get

622
00:28:50,800 --> 00:28:53,600
Speaker 3: a deli counter in the head. What's holding it back?

623
00:28:54,560 --> 00:28:55,600
Speaker 3: They got everything else?

624
00:28:56,120 --> 00:29:02,840
Speaker 2: Start carving up some turkey fresh deli meat, dairy.

625
00:29:03,240 --> 00:29:05,800
Speaker 3: Almond soy. You do that stuff for the goodwill, right,

626
00:29:05,920 --> 00:29:06,240
Speaker 3: or just.

627
00:29:06,240 --> 00:29:08,840
Speaker 2: Ye find that under a rack kind of rolling around.

628
00:29:08,840 --> 00:29:10,640
Speaker 2: I was like, oh, I didn't expect to find this here.

629
00:29:11,080 --> 00:29:13,440
Speaker 2: An ear ring, anything that I will, like, directly touch skin.

630
00:29:13,440 --> 00:29:15,000
Speaker 2: I'm always a little nervous about.

631
00:29:14,760 --> 00:29:18,040
Speaker 3: What even directly touch. That's a good anything I can't

632
00:29:18,040 --> 00:29:20,280
Speaker 3: be put through a washer, Yeah, okay washing, don't you

633
00:29:20,320 --> 00:29:22,400
Speaker 3: feel like you could? Actually I found a pair of

634
00:29:22,440 --> 00:29:24,720
Speaker 3: sunglasses on a subway the other day and put them on,

635
00:29:24,800 --> 00:29:26,720
Speaker 3: and my boyfriend was so he was like, do you

636
00:29:26,760 --> 00:29:30,360
Speaker 3: know And I was like, no, what are you talking about.

637
00:29:30,400 --> 00:29:32,440
Speaker 3: He's like, they touch your eyes. I was like, they

638
00:29:32,480 --> 00:29:37,680
Speaker 3: literally don't touch my eyes, dude, they too. He was right,

639
00:29:38,040 --> 00:29:40,880
Speaker 3: but any but but then he but then he took

640
00:29:40,880 --> 00:29:42,480
Speaker 3: a Clorox wipe and he did it. Right.

641
00:29:42,560 --> 00:29:45,120
Speaker 2: You could do that with right, Yeah, okay, that's a

642
00:29:45,120 --> 00:29:45,480
Speaker 2: good idea.

643
00:29:45,480 --> 00:29:47,440
Speaker 3: The other thing I like about clip ons is they

644
00:29:47,440 --> 00:29:49,360
Speaker 3: have a look you can't get from pierced ear rings.

645
00:29:49,680 --> 00:29:53,640
Speaker 3: Like clip clip ons inevitably look like your grandma removed

646
00:29:53,640 --> 00:29:55,840
Speaker 3: them to answer the phone in the eighties, Like there's

647
00:29:55,880 --> 00:30:00,520
Speaker 3: a chunkiness that exists there, and you can really find

648
00:30:00,520 --> 00:30:03,320
Speaker 3: those that the Goodwill or the Housing Works Housing Works

649
00:30:03,320 --> 00:30:04,720
Speaker 3: in New York. Great clipons.

650
00:30:04,720 --> 00:30:07,440
Speaker 2: My grandma never got her earspere. She only wore clip

651
00:30:07,480 --> 00:30:08,080
Speaker 2: on earrings.

652
00:30:08,200 --> 00:30:09,800
Speaker 3: And does she have big low hangers?

653
00:30:10,040 --> 00:30:11,920
Speaker 2: No, she had big she had ones like this, the

654
00:30:11,960 --> 00:30:15,200
Speaker 2: big buttony toe, I mean her lobes. Oh interesting, did.

655
00:30:15,040 --> 00:30:17,800
Speaker 3: You have big low hangers? I don't remember, you know something,

656
00:30:18,360 --> 00:30:21,120
Speaker 3: grandma's get them low hangers and not. And if you

657
00:30:21,120 --> 00:30:22,840
Speaker 3: clip this out of context, so you think I'm talking

658
00:30:22,880 --> 00:30:27,080
Speaker 3: about tits, my god, don't let it be known. I'm

659
00:30:27,080 --> 00:30:31,840
Speaker 3: talking about lobes on these women, not tits. But did

660
00:30:31,840 --> 00:30:35,440
Speaker 3: your grandma have them low hangers? Does she have them

661
00:30:35,480 --> 00:30:38,280
Speaker 3: low hangers? Your grandma? And I'm you know what I'm

662
00:30:38,320 --> 00:30:41,800
Speaker 3: talking about. If you if you twist my words to

663
00:30:41,960 --> 00:30:44,200
Speaker 3: make it seem like I'm a pervert when I'm so not.

664
00:30:44,280 --> 00:30:47,400
Speaker 3: I'm talking about your grandma's low hanging, luscious ear lobes.

665
00:30:47,760 --> 00:30:52,320
Speaker 3: I'm not a pervert. I'm a normal guy. I'm just

666
00:30:52,360 --> 00:30:54,440
Speaker 3: a fucking normal guy who wants to know what your

667
00:30:54,440 --> 00:31:00,440
Speaker 3: grandma's low hanging ears. The answer is yes, yes, hoping

668
00:31:00,480 --> 00:31:01,560
Speaker 3: that'd be the case.

669
00:31:04,600 --> 00:31:06,680
Speaker 2: I think there's something else we need to talk about

670
00:31:07,040 --> 00:31:09,680
Speaker 2: anything as much as i'd i'd like to stay on

671
00:31:09,720 --> 00:31:12,000
Speaker 2: this exact topic, let.

672
00:31:11,920 --> 00:31:14,560
Speaker 3: On one topic the whole time. We've been so cogent.

673
00:31:15,040 --> 00:31:17,280
Speaker 2: That's the podcast we you know, we start with a

674
00:31:17,360 --> 00:31:19,600
Speaker 2: topic and I say, we're going to dive deep into

675
00:31:19,640 --> 00:31:22,080
Speaker 2: this focus focus.

676
00:31:22,680 --> 00:31:25,200
Speaker 3: No, We've got to you to stay focused. You said

677
00:31:25,200 --> 00:31:25,800
Speaker 3: to me, we are.

678
00:31:25,760 --> 00:31:28,760
Speaker 2: Going to flesh out this one thing as we what

679
00:31:28,840 --> 00:31:31,200
Speaker 2: we've been doing. But we have to. There's one other

680
00:31:31,240 --> 00:31:32,720
Speaker 2: thing I'd like to talk to you about. I would

681
00:31:32,760 --> 00:31:34,720
Speaker 2: love I was really excited to have you here today

682
00:31:34,720 --> 00:31:37,680
Speaker 2: to plug your show over and over and over and

683
00:31:37,680 --> 00:31:38,440
Speaker 2: if you'd like to do it.

684
00:31:38,400 --> 00:31:42,360
Speaker 3: Now Josh Sharp Today. Tickets available now at josharp today

685
00:31:42,400 --> 00:31:44,920
Speaker 3: dot com. July sum went through August twenty third, seven

686
00:31:45,000 --> 00:31:47,120
Speaker 3: nights week. Uh.

687
00:31:47,960 --> 00:31:51,200
Speaker 2: I was excited to have you here doing that. So

688
00:31:51,240 --> 00:31:54,040
Speaker 2: I was a little surprised the podcast is called, I said,

689
00:31:54,080 --> 00:31:57,080
Speaker 2: no gifts. I know, and I have to imagine you

690
00:31:57,640 --> 00:32:01,280
Speaker 2: are a dedicated listener. I am riding in and begging

691
00:32:01,360 --> 00:32:04,400
Speaker 2: to be on the show. So it's shocked when you.

692
00:32:04,320 --> 00:32:08,160
Speaker 3: Walked in the mail to handwritten long form cursive all

693
00:32:08,240 --> 00:32:18,520
Speaker 3: capsursive cursive pages. Yes, screaming incursive. I know, and yet

694
00:32:18,560 --> 00:32:20,280
Speaker 3: I just felt it would be rude to not bring

695
00:32:20,320 --> 00:32:22,600
Speaker 3: you this gift. I put so much thought into the

696
00:32:22,600 --> 00:32:26,440
Speaker 3: wrap the guest. Yes, it looks like you went to Nordstrom,

697
00:32:27,600 --> 00:32:29,440
Speaker 3: and I don't want to give away.

698
00:32:29,640 --> 00:32:32,760
Speaker 2: We know it's not water Unfortunately, Should I open it

699
00:32:32,760 --> 00:32:36,640
Speaker 2: here on the podcast? The bag is falling apart, it's

700
00:32:36,680 --> 00:32:39,280
Speaker 2: so soggy.

701
00:32:39,880 --> 00:32:43,120
Speaker 3: How do you do the one that sounds like that's

702
00:32:43,120 --> 00:32:44,800
Speaker 3: for the listener at home? Oh my god, my bag

703
00:32:44,800 --> 00:32:48,640
Speaker 3: is dripping. Go ahead, do folly. Oh my bag's dripping everywhere.

704
00:32:49,240 --> 00:32:52,040
Speaker 3: Oh my god, to the listener, my bag is dripping everywhere.

705
00:32:52,040 --> 00:32:56,400
Speaker 2: Great fully, You've got to do everything in this business, now,

706
00:32:56,400 --> 00:32:56,680
Speaker 2: you know.

707
00:32:56,680 --> 00:32:59,120
Speaker 3: You really do. You got to diversify, all right?

708
00:32:59,200 --> 00:33:00,840
Speaker 2: Okay, should open here on the podcast?

709
00:33:01,040 --> 00:33:02,680
Speaker 3: I feel you might as well well. Actually, would you

710
00:33:02,720 --> 00:33:04,840
Speaker 3: rather open it off air? I'm fine with that. I'm

711
00:33:05,000 --> 00:33:07,160
Speaker 3: just throwing it away right now. I don't need to

712
00:33:07,160 --> 00:33:09,440
Speaker 3: know what's in here now. This is a gift that

713
00:33:09,840 --> 00:33:12,640
Speaker 3: I thought a lot about. I've definitely seen what's inside

714
00:33:12,640 --> 00:33:16,520
Speaker 3: of there. Okay, there's no world in which I remembered

715
00:33:16,520 --> 00:33:18,600
Speaker 3: this morning that I left the gift in New York

716
00:33:19,080 --> 00:33:20,640
Speaker 3: and I got this from the house of the person

717
00:33:20,640 --> 00:33:23,560
Speaker 3: I'm staying with. There's absolutely no world in which that's true.

718
00:33:24,440 --> 00:33:27,880
Speaker 3: And I can't wait to look at this thing that

719
00:33:28,000 --> 00:33:29,760
Speaker 3: I definitely have a deep familiarity with.

720
00:33:34,440 --> 00:33:36,440
Speaker 2: Okay, we're pulling it out. It's in a white bag

721
00:33:36,480 --> 00:33:37,720
Speaker 2: from what is this brand?

722
00:33:37,920 --> 00:33:41,479
Speaker 3: Oh well, we all know this brand Glory warr Sorry,

723
00:33:41,840 --> 00:33:45,120
Speaker 3: but don't let that maybe the twelfth Apostle, that's the

724
00:33:45,120 --> 00:33:50,880
Speaker 3: one we were missing worry to make a bigger splash.

725
00:33:50,960 --> 00:33:54,640
Speaker 3: I forget what was his personality trait? He was stressing up?

726
00:33:54,800 --> 00:33:56,600
Speaker 3: Oh yeah, I was going out. He was the fashion

727
00:33:56,680 --> 00:34:00,360
Speaker 3: forward one. He was the nightlife apostle. He was the

728
00:34:00,400 --> 00:34:02,640
Speaker 3: culture correspondent to me. He was the one in the

729
00:34:02,680 --> 00:34:06,400
Speaker 3: morning being like, could y'all keep it down? Like, oh

730
00:34:06,480 --> 00:34:13,040
Speaker 3: my fucking god. Okay, I'm reaching in pulling out kind

731
00:34:13,040 --> 00:34:19,640
Speaker 3: of a silky oh what oh you know? And I know,

732
00:34:20,239 --> 00:34:23,240
Speaker 3: oh well, it came from Worri of course, a brand

733
00:34:23,280 --> 00:34:27,359
Speaker 3: I'm so familiar with. Several T shirts. And again, there's

734
00:34:27,440 --> 00:34:29,880
Speaker 3: no world in which these are T shirts that the

735
00:34:29,920 --> 00:34:33,680
Speaker 3: person I'm staying with was dying to give away. And

736
00:34:33,719 --> 00:34:35,279
Speaker 3: when I said, could I give them as a gift.

737
00:34:35,320 --> 00:34:37,239
Speaker 3: On this podcast, he said, when you could when you

738
00:34:37,320 --> 00:34:39,000
Speaker 3: see the burden be lifted where he was like, I

739
00:34:39,040 --> 00:34:40,560
Speaker 3: was here for months. I've been like, you have to

740
00:34:40,640 --> 00:34:43,200
Speaker 3: drive and donate these somewhere or give them away. Where

741
00:34:43,200 --> 00:34:48,120
Speaker 3: did he get these? I guess, but he didn't. And

742
00:34:48,120 --> 00:34:51,239
Speaker 3: they're exactly your size? Of course, yeah, these are form

743
00:34:51,280 --> 00:34:53,640
Speaker 3: fitting that they're exactly your size. Remind me what size

744
00:34:53,640 --> 00:34:57,960
Speaker 3: they are. These are an exn and that's you, and

745
00:34:58,000 --> 00:35:02,520
Speaker 3: that's you, and that's so you. And again there's no

746
00:35:02,560 --> 00:35:04,760
Speaker 3: world in which when I said to my friend, oh fuck,

747
00:35:04,800 --> 00:35:06,680
Speaker 3: I forgot the gift I was supposed to bring him.

748
00:35:06,800 --> 00:35:08,520
Speaker 3: Do you have anything you wouldn't mind me giving? And

749
00:35:09,040 --> 00:35:11,239
Speaker 3: when I say, a weight was lifted when he went,

750
00:35:11,320 --> 00:35:13,239
Speaker 3: I've been trying to get rid of these shirts. If

751
00:35:13,280 --> 00:35:15,040
Speaker 3: you could give these to him, it would be so

752
00:35:15,760 --> 00:35:17,680
Speaker 3: I kind of taken back to return them, and they

753
00:35:17,680 --> 00:35:19,239
Speaker 3: wouldn't return them, and so then I was like, well,

754
00:35:19,239 --> 00:35:21,040
Speaker 3: I have to donate them somewhere. But I've just been like,

755
00:35:21,040 --> 00:35:22,080
Speaker 3: I can't you know.

756
00:35:22,080 --> 00:35:24,080
Speaker 2: Did he not try them on in store? What's wrong

757
00:35:24,120 --> 00:35:24,680
Speaker 2: with this person?

758
00:35:24,680 --> 00:35:26,720
Speaker 3: I actually do think they were a gift from his mother. Okay,

759
00:35:26,719 --> 00:35:28,239
Speaker 3: oh yeah, and I won't name him in case his

760
00:35:28,280 --> 00:35:31,440
Speaker 3: mother's a listener. Okay, I like their gorgeous shirts. Now

761
00:35:31,480 --> 00:35:32,920
Speaker 3: the thing is, you want to try one on? Now?

762
00:35:32,960 --> 00:35:33,200
Speaker 2: I do?

763
00:35:33,480 --> 00:35:34,760
Speaker 3: I think I should think you should.

764
00:35:34,840 --> 00:35:36,800
Speaker 2: So the thing is I've been complaining a lot recently

765
00:35:36,840 --> 00:35:39,759
Speaker 2: about how guests never bring me clothes because on our

766
00:35:39,800 --> 00:35:42,640
Speaker 2: live shows there's only one real, like stage worthy outfit

767
00:35:42,680 --> 00:35:45,360
Speaker 2: I've been given, and I've run it into the ground.

768
00:35:46,000 --> 00:35:48,520
Speaker 2: And I wonder if this is the next move.

769
00:35:48,560 --> 00:35:49,560
Speaker 3: I think we should try one on.

770
00:35:49,560 --> 00:35:51,800
Speaker 2: I would have to wear them pantsless on stage, sure,

771
00:35:51,880 --> 00:35:52,800
Speaker 2: as more of a dress.

772
00:35:52,920 --> 00:35:55,920
Speaker 3: And there's also a world in which you layer them,

773
00:35:55,960 --> 00:35:57,959
Speaker 3: maybe one over the other or one on each leg

774
00:35:58,200 --> 00:36:00,520
Speaker 3: as sort of pants, while this just put it on

775
00:36:00,640 --> 00:36:02,680
Speaker 3: over your over your share if you don't mind. This

776
00:36:02,760 --> 00:36:06,279
Speaker 3: is almost like a tunic, Yeah, which I got you

777
00:36:06,920 --> 00:36:12,800
Speaker 3: of war tunic, darling, darling, put on your war color preference.

778
00:36:13,520 --> 00:36:14,880
Speaker 3: Let's start with the one in your hands. I think

779
00:36:14,920 --> 00:36:16,960
Speaker 3: you reached for something, right WHOA did you hear my

780
00:36:16,960 --> 00:36:18,799
Speaker 3: stomach grow? No? I wish it would do it again

781
00:36:18,840 --> 00:36:21,800
Speaker 3: on this That would be a cool eight s and

782
00:36:22,280 --> 00:36:27,640
Speaker 3: M S S S S M M m R. Sorry,

783
00:36:27,680 --> 00:36:30,040
Speaker 3: you're gonna have to pay Rihanna. Now, wow, it looks

784
00:36:30,200 --> 00:36:35,120
Speaker 3: so good. Please clap, please clap. Do you feel like

785
00:36:35,160 --> 00:36:40,719
Speaker 3: that's too small? It color? This is?

786
00:36:40,920 --> 00:36:43,160
Speaker 2: This feels im modest, a little modest.

787
00:36:43,400 --> 00:36:46,759
Speaker 3: I think it looks great on you. Do you think

788
00:36:46,800 --> 00:36:49,319
Speaker 3: I could wear this on stage without pants? Would that

789
00:36:49,360 --> 00:36:52,000
Speaker 3: be too small? I think you could wear it without pants.

790
00:36:53,280 --> 00:36:55,040
Speaker 3: It'd be sort of slutty. You'd be a little bit

791
00:36:55,080 --> 00:36:59,760
Speaker 3: of the hooker, you know. I'm you wouldn't be serving Matthew,

792
00:36:59,800 --> 00:37:02,640
Speaker 3: you and be serving Thomas, you'd be serving that hooker.

793
00:37:03,360 --> 00:37:05,680
Speaker 3: Which of the girls are you? You're Samantha, You're the

794
00:37:05,719 --> 00:37:09,399
Speaker 3: hooker hooker. This fits perfectly. I think if it's great,

795
00:37:09,480 --> 00:37:11,080
Speaker 3: and I think you could wear it without a pant,

796
00:37:11,200 --> 00:37:13,319
Speaker 3: and you could either do you could either be full

797
00:37:13,360 --> 00:37:15,279
Speaker 3: whoorror and sort of like have a thong and you're

798
00:37:15,280 --> 00:37:17,840
Speaker 3: getting the little peak of underboob, or you could do

799
00:37:17,880 --> 00:37:20,680
Speaker 3: sort of like an athletic underwear kind of sort like

800
00:37:20,960 --> 00:37:24,239
Speaker 3: mid thighs exactly like a Lula Lemons sort of. That

801
00:37:24,280 --> 00:37:27,319
Speaker 3: actually would be a great mom, sporty mom. And I

802
00:37:27,360 --> 00:37:30,600
Speaker 3: find what's really in fashion now is like proportion, where

803
00:37:30,600 --> 00:37:32,800
Speaker 3: it's like because everybody thinks it's just like all the

804
00:37:32,880 --> 00:37:35,080
Speaker 3: kids are wearing baggy shit. But it's really fun if

805
00:37:35,080 --> 00:37:37,440
Speaker 3: you sort of have one one bag yelement and then

806
00:37:37,440 --> 00:37:40,319
Speaker 3: one sort of not bag yelement. I think that right.

807
00:37:40,920 --> 00:37:43,760
Speaker 2: No, this is and it's kind of a nice aqua

808
00:37:44,840 --> 00:37:45,680
Speaker 2: navy color.

809
00:37:46,440 --> 00:37:48,160
Speaker 3: This is why don't you put one on? I would

810
00:37:48,200 --> 00:37:50,920
Speaker 3: love Does this color speak to you? Because they're both

811
00:37:50,960 --> 00:37:53,520
Speaker 3: sort of blue, and both of us in blue, And

812
00:37:53,640 --> 00:37:56,719
Speaker 3: thank god earlier we'd already sort of gotten ourselves used

813
00:37:56,760 --> 00:37:58,759
Speaker 3: to the no headphones. You know, I see why we

814
00:37:58,840 --> 00:37:59,160
Speaker 3: did that.

815
00:37:59,239 --> 00:38:01,120
Speaker 2: Now you're ins.

816
00:38:00,520 --> 00:38:02,440
Speaker 3: Because you can't or should I try to put it on?

817
00:38:02,480 --> 00:38:08,520
Speaker 3: With this song? You might as well? This is so comedy.

818
00:38:08,560 --> 00:38:12,560
Speaker 3: This is so comedy, he says to all three, to

819
00:38:12,640 --> 00:38:15,360
Speaker 3: the three camera set up, to the multi cam setup

820
00:38:15,400 --> 00:38:15,879
Speaker 3: you have here.

821
00:38:17,640 --> 00:38:20,120
Speaker 2: You're getting so now it doesn't fit you as well

822
00:38:20,160 --> 00:38:20,440
Speaker 2: as me.

823
00:38:20,719 --> 00:38:24,640
Speaker 3: No, this is more size. Yeah, swallows me up.

824
00:38:25,040 --> 00:38:28,400
Speaker 2: Look, come on, you're you're not showing off anything in

825
00:38:28,480 --> 00:38:33,279
Speaker 2: this thing. Well, it went over your headphones better than

826
00:38:33,320 --> 00:38:34,040
Speaker 2: I expected to be.

827
00:38:34,320 --> 00:38:37,439
Speaker 3: I actually thought it would. Yeah, but no, it actually

828
00:38:37,480 --> 00:38:39,759
Speaker 3: sort of works, and it keeps this wire on me

829
00:38:39,800 --> 00:38:42,719
Speaker 3: at all times, so you can't get away. Yeah, now

830
00:38:42,719 --> 00:38:45,080
Speaker 3: I know where she's at maybe that sort of part

831
00:38:45,120 --> 00:38:45,920
Speaker 3: of the style.

832
00:38:45,719 --> 00:38:48,239
Speaker 2: Is oh that's a nice a little.

833
00:38:49,680 --> 00:38:51,360
Speaker 3: Okay, well that's really good, And what do we do

834
00:38:51,360 --> 00:38:53,520
Speaker 3: with the last one? On? Elise? Would you like to

835
00:38:53,560 --> 00:38:56,840
Speaker 3: try it on? Sure? Come on in here, come on

836
00:38:56,880 --> 00:38:58,760
Speaker 3: in here on. We should all be in a top.

837
00:38:58,960 --> 00:38:59,600
Speaker 2: We should all be.

838
00:38:59,600 --> 00:39:06,520
Speaker 3: In our war war kind of new eth lead ath leisure.

839
00:39:06,560 --> 00:39:09,919
Speaker 3: Look how long, by the way, the tag is so long?

840
00:39:10,040 --> 00:39:12,360
Speaker 3: This is in sort of giving CBS received.

841
00:39:13,320 --> 00:39:16,520
Speaker 2: This is really like a response to the tag liss

842
00:39:16,520 --> 00:39:18,400
Speaker 2: t shirt absolutely saying.

843
00:39:18,640 --> 00:39:21,759
Speaker 3: What if it was tagged what if it was tag full?

844
00:39:21,840 --> 00:39:26,160
Speaker 3: They said tag less? More like tag full. And if

845
00:39:26,200 --> 00:39:31,480
Speaker 3: you want to pair it with these no pressure, open invitation.

846
00:39:32,480 --> 00:39:35,560
Speaker 2: We're all trying new looks over vests.

847
00:39:35,600 --> 00:39:39,319
Speaker 3: Ovest vest over would be its own look. But this

848
00:39:39,360 --> 00:39:42,320
Speaker 3: sort of feels more of the the runway.

849
00:39:42,080 --> 00:39:45,160
Speaker 2: That we're okay on alease, it's got a top on

850
00:39:45,840 --> 00:39:46,279
Speaker 2: we all.

851
00:39:46,400 --> 00:39:48,600
Speaker 3: I mean, it works for almost any good and it

852
00:39:49,080 --> 00:39:51,440
Speaker 3: just and the shape, the way it accentuates the shape

853
00:39:51,440 --> 00:39:52,840
Speaker 3: of the vest. And don't forget you can put it

854
00:39:52,920 --> 00:39:54,640
Speaker 3: on your fingers, you clip them on anything you want.

855
00:39:56,120 --> 00:39:58,120
Speaker 3: But but I celebrate the years. That's one of the

856
00:39:58,200 --> 00:40:03,680
Speaker 3: classic places, just getting the take clip.

857
00:40:03,440 --> 00:40:05,239
Speaker 2: On on kind of a side ear.

858
00:40:05,680 --> 00:40:07,560
Speaker 3: Yeah, oh that's right.

859
00:40:08,120 --> 00:40:09,439
Speaker 2: Getting into the cartilage.

860
00:40:09,920 --> 00:40:11,959
Speaker 3: Yeah, there we go. There we go. That looks good,

861
00:40:12,360 --> 00:40:15,560
Speaker 3: that looks great. There we go. So this is this

862
00:40:15,600 --> 00:40:20,680
Speaker 3: is why we do a video. We look incredible. We

863
00:40:20,719 --> 00:40:26,440
Speaker 3: look incredible. Listener, we look we look immaculate the way

864
00:40:26,600 --> 00:40:28,920
Speaker 3: the way you could conceive of this would be immaculately.

865
00:40:29,000 --> 00:40:31,359
Speaker 3: It's it's an immaculate conception in a way, the way

866
00:40:31,400 --> 00:40:34,120
Speaker 3: we look absolutely. But yeah, you can go the video.

867
00:40:35,360 --> 00:40:39,400
Speaker 3: Just go to w Josh Shark today dot com and

868
00:40:39,440 --> 00:40:44,520
Speaker 3: that's where you'll see our stuff is uick time QuickTime video.

869
00:40:46,120 --> 00:40:48,759
Speaker 2: Okay, only just taking them or may take them permanently.

870
00:40:49,520 --> 00:40:52,480
Speaker 2: We have no idea where they're going to end up. Wow,

871
00:40:52,560 --> 00:40:53,480
Speaker 2: look how good we look.

872
00:40:54,120 --> 00:40:56,440
Speaker 3: And you know, I'm so glad that the intention in

873
00:40:56,520 --> 00:40:58,920
Speaker 3: Karen thought I put into this is reading because you're right,

874
00:40:58,960 --> 00:40:59,839
Speaker 3: we do look good.

875
00:41:00,840 --> 00:41:03,200
Speaker 2: This is for me kind of a not my mom,

876
00:41:03,239 --> 00:41:05,880
Speaker 2: but a grandma shirt purchase, which is there was a

877
00:41:05,920 --> 00:41:08,319
Speaker 2: long time when my grandma would buy me medium sized

878
00:41:08,360 --> 00:41:10,080
Speaker 2: T shirts. I think in a kind of an attempt

879
00:41:10,080 --> 00:41:12,080
Speaker 2: to say I think you're bigger than you.

880
00:41:12,000 --> 00:41:15,200
Speaker 3: Are, because let's because we're let's call it as it is.

881
00:41:15,239 --> 00:41:18,000
Speaker 3: You're a small I'm a small. Yeah, that's small.

882
00:41:18,120 --> 00:41:19,480
Speaker 2: And I was born.

883
00:41:19,520 --> 00:41:20,359
Speaker 3: There's no shame in that.

884
00:41:20,440 --> 00:41:21,080
Speaker 2: There was no shame.

885
00:41:21,120 --> 00:41:22,920
Speaker 3: But my grandma, I think, may have felt some shame.

886
00:41:23,600 --> 00:41:25,520
Speaker 3: She felt she was embarrassed. She felt she could raise

887
00:41:25,560 --> 00:41:26,160
Speaker 3: you as medium.

888
00:41:26,280 --> 00:41:28,120
Speaker 2: Perhaps she didn't want to look a cashier in the

889
00:41:28,120 --> 00:41:29,960
Speaker 2: eye and say I have a small grandson.

890
00:41:30,080 --> 00:41:32,760
Speaker 3: Well, to be fair, she had them low hanging loves.

891
00:41:32,920 --> 00:41:35,279
Speaker 3: This is a different grandma. Oh, you have to have

892
00:41:35,360 --> 00:41:37,799
Speaker 3: more than one. How does that? How does the math

893
00:41:37,840 --> 00:41:40,960
Speaker 3: work on that? God, I don't even know. Spoil a podcast.

894
00:41:41,719 --> 00:41:45,160
Speaker 3: Swimming in Grandma drowning in the stuff, kind of a

895
00:41:45,200 --> 00:41:49,919
Speaker 3: Tom cruise in under the ocean of grandma's. I've said

896
00:41:49,960 --> 00:41:52,319
Speaker 3: that to you before so many times, and I'm glad

897
00:41:52,360 --> 00:41:54,200
Speaker 3: it finally makes sense to everyone. I'm coming up from those

898
00:41:54,200 --> 00:41:57,000
Speaker 3: grandma's and I'm getting the ransures. Oh God, yeah, how

899
00:41:57,000 --> 00:41:59,080
Speaker 3: to describe. He's sort of like a Tom cruise swimming

900
00:41:59,120 --> 00:42:01,279
Speaker 3: in an ocean of grandma. Do you know what I'm

901
00:42:01,280 --> 00:42:03,320
Speaker 3: talking about? There's so many Grandmas.

902
00:42:03,360 --> 00:42:05,879
Speaker 2: You're worried about him, Yep, you're worried of if he's

903
00:42:05,920 --> 00:42:07,959
Speaker 2: going to make it out alive, and then he does

904
00:42:08,320 --> 00:42:11,920
Speaker 2: every time, and he saves the movies. So we've got

905
00:42:11,920 --> 00:42:15,080
Speaker 2: these shirts on and your friend, Wow, this is the

906
00:42:15,080 --> 00:42:16,759
Speaker 2: sort of life I would love to live to just

907
00:42:17,080 --> 00:42:20,279
Speaker 2: apparently not try the shirts on, just have them, take

908
00:42:20,320 --> 00:42:21,640
Speaker 2: them home, and then not want them.

909
00:42:21,640 --> 00:42:22,879
Speaker 3: I need to get more of the story on why

910
00:42:22,920 --> 00:42:24,920
Speaker 3: he didn't want them. What I know is when I

911
00:42:24,960 --> 00:42:27,600
Speaker 3: said do you have anything I could give away? Immediately

912
00:42:27,680 --> 00:42:30,560
Speaker 3: he lit up like it truly was. He was like,

913
00:42:30,680 --> 00:42:34,080
Speaker 3: this is so great for me. I've been trying to

914
00:42:34,080 --> 00:42:36,160
Speaker 3: get rid of these and now you actually have a

915
00:42:36,280 --> 00:42:39,120
Speaker 3: use for them. Ow. Unbelievable to think that this could

916
00:42:39,160 --> 00:42:43,080
Speaker 3: become content. Really goes to show you anything can be

917
00:42:43,120 --> 00:42:43,959
Speaker 3: content if.

918
00:42:43,880 --> 00:42:46,719
Speaker 2: You think, just if you think hard enough, anything can

919
00:42:46,760 --> 00:42:47,200
Speaker 2: be content.

920
00:42:47,360 --> 00:42:49,279
Speaker 3: You know, I hate it should be. This is why

921
00:42:49,280 --> 00:42:51,399
Speaker 3: Tom is struggling in the box office, because we've allowed

922
00:42:51,440 --> 00:42:52,400
Speaker 3: anything to be content.

923
00:42:52,640 --> 00:42:54,040
Speaker 2: Well, do you want to know there's a line in

924
00:42:54,080 --> 00:42:57,680
Speaker 2: the movie that feels a little anti content. Tom says,

925
00:42:57,840 --> 00:42:58,920
Speaker 2: do you want me to tell you what?

926
00:42:59,160 --> 00:42:59,200
Speaker 3: Is?

927
00:43:00,160 --> 00:43:03,440
Speaker 2: Spend too much time on the Internet? And that's kind

928
00:43:03,440 --> 00:43:06,520
Speaker 2: of a you know, like a little one linery scotch.

929
00:43:07,000 --> 00:43:09,319
Speaker 2: So there's a lesson to you all. This is a

930
00:43:09,360 --> 00:43:13,200
Speaker 2: movie that's very much about cyberspace. They say cyberspace. Every

931
00:43:13,280 --> 00:43:14,719
Speaker 2: character says it at least one time.

932
00:43:14,880 --> 00:43:18,719
Speaker 3: That phrase space phrase we're saying all the time is

933
00:43:18,840 --> 00:43:21,759
Speaker 3: very current. Yeah, so they have like a gen z

934
00:43:21,840 --> 00:43:24,600
Speaker 3: writer on this. I guess I mean Alpha.

935
00:43:24,719 --> 00:43:27,560
Speaker 2: Maybe this is somebody who's like, was raised by someone

936
00:43:27,600 --> 00:43:29,880
Speaker 2: who was born with the Internet. You know, this is

937
00:43:29,880 --> 00:43:30,520
Speaker 2: somebody who.

938
00:43:30,400 --> 00:43:32,960
Speaker 3: Is the granddaughter of someone who have Internet the whole life,

939
00:43:34,840 --> 00:43:38,360
Speaker 3: granddaughter of a gen zy person writing this movie. And

940
00:43:38,440 --> 00:43:40,920
Speaker 3: if you can feel it on the screen, it's like

941
00:43:41,080 --> 00:43:44,160
Speaker 3: every inch of the screen is covered by someone who's

942
00:43:44,280 --> 00:43:49,360
Speaker 3: beyond Internet life. Someone who doesn't isn't even on TikTok.

943
00:43:49,360 --> 00:43:51,920
Speaker 3: It's so old, embarrassed.

944
00:43:54,120 --> 00:43:56,440
Speaker 2: And they are saying that we need to protect cyberspace.

945
00:43:56,680 --> 00:44:01,080
Speaker 2: Cyberspace could be destroyed. This is said the film. And

946
00:44:01,120 --> 00:44:03,160
Speaker 2: then Tom ultimately kills someone and says, you spent too

947
00:44:03,239 --> 00:44:04,320
Speaker 2: much time on the Internet.

948
00:44:04,400 --> 00:44:08,000
Speaker 3: That's his big sort of Yeah, wow, mic dropline, you

949
00:44:08,040 --> 00:44:09,240
Speaker 3: spend too much time on the Internet.

950
00:44:09,840 --> 00:44:12,760
Speaker 2: May I go that way, But I'll say that Tom

951
00:44:12,800 --> 00:44:15,960
Speaker 2: has a thriving Instagram presence.

952
00:44:15,880 --> 00:44:18,440
Speaker 3: Does he? I don't follow him, and I should I looked.

953
00:44:18,239 --> 00:44:21,480
Speaker 2: It up yesterday. You know it's not off the cuff.

954
00:44:21,880 --> 00:44:24,839
Speaker 2: These are you know, promo stills, this sort of thing

955
00:44:24,840 --> 00:44:28,720
Speaker 2: that I have to imagine a scientologist is running this. Sure,

956
00:44:29,440 --> 00:44:31,680
Speaker 2: I can't imagine. There's just like a normal person.

957
00:44:32,120 --> 00:44:35,280
Speaker 3: One time I went to the center like in Los Feels,

958
00:44:35,280 --> 00:44:36,880
Speaker 3: like the one by UCB. Oh. Of course, I went

959
00:44:36,920 --> 00:44:40,120
Speaker 3: to the restaurant there. You've never had better service in

960
00:44:40,160 --> 00:44:43,759
Speaker 3: a restaurant. You can no longer go there. They I tried, Well,

961
00:44:43,800 --> 00:44:45,920
Speaker 3: you can't. This was years ago because of.

962
00:44:45,920 --> 00:44:50,920
Speaker 2: Tax some sort of tax problem. They're constantly trying to

963
00:44:50,960 --> 00:44:53,359
Speaker 2: evade taxes, and I believe you now have to be

964
00:44:53,840 --> 00:44:56,880
Speaker 2: like a member of the religion in order to enjoy

965
00:44:56,960 --> 00:44:57,560
Speaker 2: the cafe.

966
00:44:57,840 --> 00:45:02,120
Speaker 3: Incredible service there. Michl star Worthy really attentive. When I

967
00:45:02,120 --> 00:45:04,160
Speaker 3: asked where the bathroom was, it was a far ways away,

968
00:45:04,160 --> 00:45:08,040
Speaker 3: and he said, I'll walk you there. Well around, But

969
00:45:08,160 --> 00:45:09,759
Speaker 3: that was just sort of the energy you just felt,

970
00:45:09,840 --> 00:45:13,319
Speaker 3: very like it needs were anticipated. You know, they're there

971
00:45:13,320 --> 00:45:14,879
Speaker 3: with the fork right after you drop it in away.

972
00:45:14,880 --> 00:45:16,600
Speaker 3: We're like, how did you know they were under the

973
00:45:16,640 --> 00:45:19,719
Speaker 3: table to catch the fork before it hits the gar Yeah,

974
00:45:19,920 --> 00:45:23,520
Speaker 3: incredible food. I have no memories of the food.

975
00:45:23,640 --> 00:45:25,600
Speaker 2: I remember looking at the food online and it looked

976
00:45:25,600 --> 00:45:27,000
Speaker 2: a little like wedding catering.

977
00:45:27,200 --> 00:45:32,520
Speaker 3: Yeah, that feels right. This was probably the year twenty eighteen, probably.

978
00:45:32,600 --> 00:45:33,160
Speaker 2: And that makes sense.

979
00:45:33,160 --> 00:45:33,840
Speaker 3: It's been a while.

980
00:45:34,320 --> 00:45:37,120
Speaker 2: I've been to the Celebrity Center right next door, and

981
00:45:37,120 --> 00:45:41,480
Speaker 2: as a celebrity. As a celebrity, I said, make way,

982
00:45:42,080 --> 00:45:44,959
Speaker 2: everybody here comes to the celebrity I went in there

983
00:45:45,040 --> 00:45:48,279
Speaker 2: and they need to open a window. That's mostly, but

984
00:45:48,320 --> 00:45:50,440
Speaker 2: I imagine they don't know borndows.

985
00:45:50,080 --> 00:45:53,240
Speaker 3: For temperature, for smell or both.

986
00:45:53,640 --> 00:45:56,120
Speaker 2: Okay, there's a stuffiness to the air that feels like,

987
00:45:56,520 --> 00:46:00,000
Speaker 2: let's let's air it out. Yeah, it's but I want

988
00:46:00,160 --> 00:46:02,240
Speaker 2: if there's something about not wanting to open the windows

989
00:46:02,280 --> 00:46:05,080
Speaker 2: in in case somebody wants to move in or out

990
00:46:05,080 --> 00:46:10,000
Speaker 2: of place, being undetected. Sure, but there was a stuffiness.

991
00:46:10,000 --> 00:46:12,480
Speaker 2: And I've also been to the blue building, the big

992
00:46:12,840 --> 00:46:14,279
Speaker 2: hospital size one.

993
00:46:14,520 --> 00:46:16,359
Speaker 3: No, I don't if I have. I forgot that.

994
00:46:16,280 --> 00:46:17,200
Speaker 2: One's in those feelas.

995
00:46:17,200 --> 00:46:20,319
Speaker 3: It's that I must have seen it right, absolutely how

996
00:46:20,400 --> 00:46:22,160
Speaker 3: much time I've spent stopping around those feelings.

997
00:46:22,160 --> 00:46:24,760
Speaker 2: The very is the worst blue you can imagine painting

998
00:46:24,800 --> 00:46:25,240
Speaker 2: a building.

999
00:46:25,280 --> 00:46:29,520
Speaker 3: Okay, and not like these two shades. Actually, these are

1000
00:46:29,520 --> 00:46:30,440
Speaker 3: some of the best blues.

1001
00:46:31,239 --> 00:46:33,719
Speaker 2: It might be the color of the shirt, yes, a

1002
00:46:33,719 --> 00:46:37,120
Speaker 2: little lighter. And I believe it's a former.

1003
00:46:36,880 --> 00:46:41,400
Speaker 3: Hospital but now and sort of current. I'm sure a

1004
00:46:41,440 --> 00:46:44,839
Speaker 3: lot of the people love to be lost. My producer play,

1005
00:46:44,960 --> 00:46:48,160
Speaker 3: Oh my god, I literally just shot myself. Don't clip this,

1006
00:46:49,400 --> 00:46:53,720
Speaker 3: don't clip this. Keep this for our listeners only. Going wide.

1007
00:46:53,960 --> 00:46:56,840
Speaker 2: Thomas browsing suggested reels, and one runs by and he

1008
00:46:56,880 --> 00:46:58,440
Speaker 2: sees it. Then he sees this and he's like, I'm

1009
00:46:58,440 --> 00:46:59,680
Speaker 2: not going to space with this asshole.

1010
00:47:00,120 --> 00:47:04,640
Speaker 3: No way. Unbelieveable. Tom's got a new girl, really does he?

1011
00:47:04,800 --> 00:47:05,239
Speaker 3: I think so?

1012
00:47:05,719 --> 00:47:09,799
Speaker 2: A non scientologist, I believe. Oh who knows what's gonna

1013
00:47:09,840 --> 00:47:15,120
Speaker 2: happen to her? Water and oil, fire and ice. Tom

1014
00:47:15,200 --> 00:47:19,080
Speaker 2: Cruise and his non scientology girlfriend. These are classic pairs.

1015
00:47:19,640 --> 00:47:23,600
Speaker 2: Of course, doctor a patient, these are classic pairs.

1016
00:47:23,640 --> 00:47:26,480
Speaker 3: But he's circling somebody, and I mean, what is that?

1017
00:47:27,000 --> 00:47:27,520
Speaker 3: What do you mean?

1018
00:47:28,080 --> 00:47:31,280
Speaker 2: What is that? The experience of being in his field

1019
00:47:31,320 --> 00:47:34,239
Speaker 2: of vision as a romantic interest. Oh yeah, see taking

1020
00:47:34,239 --> 00:47:37,879
Speaker 2: you on motorcycle rides, see hot air balloon rides.

1021
00:47:39,280 --> 00:47:41,200
Speaker 3: I hate to do this again. I have a second story.

1022
00:47:41,239 --> 00:47:42,239
Speaker 3: I'm going to tell you off air.

1023
00:47:42,320 --> 00:47:45,000
Speaker 2: Oh my god, I haven't come from the same source. Okay,

1024
00:47:45,040 --> 00:47:46,640
Speaker 2: I have one that's more. It feels more like an

1025
00:47:46,719 --> 00:47:50,160
Speaker 2: urban legend that involves Tom Cruise an island and his birthday.

1026
00:47:50,440 --> 00:47:52,919
Speaker 3: Oh that's fun, that's fun.

1027
00:47:53,640 --> 00:47:55,759
Speaker 2: Yeah, it's a it's a wild one. And I don't

1028
00:47:55,760 --> 00:47:57,799
Speaker 2: know that. I mean, it feels like such a myth

1029
00:47:57,800 --> 00:47:59,319
Speaker 2: that I feel like you could say it on.

1030
00:47:59,800 --> 00:48:02,839
Speaker 3: You know, But there's there's many forms of truth. There's

1031
00:48:02,880 --> 00:48:05,279
Speaker 3: the things that just like feel so true in the

1032
00:48:05,320 --> 00:48:07,000
Speaker 3: myth building way that you're just sort of like, this

1033
00:48:07,080 --> 00:48:09,000
Speaker 3: is I know this is apocryphal, but it's like true

1034
00:48:09,000 --> 00:48:11,000
Speaker 3: to the essence, right, So maybe it's one of those.

1035
00:48:11,200 --> 00:48:13,279
Speaker 2: Yeah, this one, and it's an exciting one. It's a

1036
00:48:13,360 --> 00:48:15,320
Speaker 2: there's an element of danger and sexy.

1037
00:48:15,440 --> 00:48:19,680
Speaker 3: I bet, I bet knowing that guy and on his birthday,

1038
00:48:20,120 --> 00:48:23,200
Speaker 3: of all days, one of the most sexy days, and

1039
00:48:23,239 --> 00:48:27,640
Speaker 3: there's danger there too the birthday. You know what he

1040
00:48:27,680 --> 00:48:33,080
Speaker 3: does do on his birthday? Cakes? You think he gets

1041
00:48:33,080 --> 00:48:35,640
Speaker 3: a lot of cook I had on this podcast, how

1042
00:48:36,000 --> 00:48:38,200
Speaker 3: for not one that was from him, just from the show.

1043
00:48:38,239 --> 00:48:41,320
Speaker 2: Fortune themesir was aware. I think she may have gotten

1044
00:48:41,320 --> 00:48:41,879
Speaker 2: one from him.

1045
00:48:42,000 --> 00:48:44,960
Speaker 3: I bet Fortune feels like she's on that level, that

1046
00:48:45,160 --> 00:48:47,719
Speaker 3: she brought God to be on that level. What are

1047
00:48:47,760 --> 00:48:50,719
Speaker 3: you in it for? You know, Hollywood News asking me

1048
00:48:50,880 --> 00:48:53,799
Speaker 3: what are your goals as an as an entertainer of

1049
00:48:54,120 --> 00:48:58,280
Speaker 3: little renown, and I go, well, I hope to break

1050
00:48:58,320 --> 00:49:03,480
Speaker 3: out of my niche cabal of queer comedy and off Broadway.

1051
00:49:03,680 --> 00:49:06,960
Speaker 3: You're on work at Josh Sharp today and go to

1052
00:49:07,040 --> 00:49:10,400
Speaker 3: the next level, which is receiving a coconut cake from Tom.

1053
00:49:10,719 --> 00:49:13,560
Speaker 2: I think that's within reach. I think the list is long,

1054
00:49:14,160 --> 00:49:16,560
Speaker 2: and I think it's constantly shifting. I think some people

1055
00:49:16,560 --> 00:49:18,360
Speaker 2: are like, oh, I didn't get one, what did I

1056
00:49:18,400 --> 00:49:21,279
Speaker 2: do wrong? Fascinating, But I can't imagine it's Tom. I

1057
00:49:21,520 --> 00:49:24,920
Speaker 2: think it's kind of a picky assistant who's or a

1058
00:49:24,920 --> 00:49:27,600
Speaker 2: PR team, Yeah, PR team, or just someone like it's

1059
00:49:27,600 --> 00:49:29,000
Speaker 2: probably IMDb Star Meter.

1060
00:49:29,040 --> 00:49:32,879
Speaker 3: They're probably just like, yeah, look for the top. That's

1061
00:49:32,920 --> 00:49:34,440
Speaker 3: not a bad way to do it. Yeah.

1062
00:49:34,520 --> 00:49:37,240
Speaker 2: I might start doing that, sending a thousand cakes.

1063
00:49:38,520 --> 00:49:40,040
Speaker 3: It would be good for the guy from I said

1064
00:49:40,040 --> 00:49:41,920
Speaker 3: no gifts to give out, to be known for his

1065
00:49:41,960 --> 00:49:43,440
Speaker 3: gift giving to the top thousand.

1066
00:49:44,280 --> 00:49:46,279
Speaker 2: You know, I wonder how much that would cost well,

1067
00:49:46,320 --> 00:49:50,640
Speaker 2: probably one hundred thousand dollars or so. If everyone will

1068
00:49:50,680 --> 00:49:54,120
Speaker 2: donate a little bit of money to my next PR stunt.

1069
00:49:54,280 --> 00:49:59,160
Speaker 3: That's your Patreon, right, Yeah, you're clearing six daily, release

1070
00:49:59,239 --> 00:50:03,000
Speaker 3: your taxes to the listener, release your taxes richer, and

1071
00:50:03,640 --> 00:50:05,719
Speaker 3: as transparency, We're going.

1072
00:50:05,719 --> 00:50:08,400
Speaker 2: To create a specific tier of the Patreon, which is

1073
00:50:08,680 --> 00:50:12,560
Speaker 2: donate cakes to the top thousand star meter on IMDb.

1074
00:50:12,360 --> 00:50:13,879
Speaker 3: And a tier above that where if you pay enough,

1075
00:50:13,880 --> 00:50:17,640
Speaker 3: you get to see your taxes. There should be a

1076
00:50:17,719 --> 00:50:19,960
Speaker 3: one tier that's like one person gets to see my

1077
00:50:20,040 --> 00:50:23,799
Speaker 3: taxes if you pay. How much should that be? How

1078
00:50:23,880 --> 00:50:25,560
Speaker 3: much would I let for someone to see my taxes?

1079
00:50:25,600 --> 00:50:27,719
Speaker 3: Actually not that much. No, the idea that it's only

1080
00:50:27,760 --> 00:50:29,680
Speaker 3: one person is sort of fun, right then I actually

1081
00:50:29,680 --> 00:50:30,600
Speaker 3: don't need that much money.

1082
00:50:30,600 --> 00:50:32,160
Speaker 2: But then do they have to sign an NDA because

1083
00:50:32,160 --> 00:50:34,680
Speaker 2: you don't want them leaking and then people getting.

1084
00:50:34,440 --> 00:50:37,560
Speaker 3: A private thing experience. Then if they won't tell anybody,

1085
00:50:39,320 --> 00:50:42,480
Speaker 3: two hundred bucks, I would say, fifty bucks, Yeah, I was.

1086
00:50:42,600 --> 00:50:44,160
Speaker 3: I went there in my head and I was like,

1087
00:50:44,200 --> 00:50:46,200
Speaker 3: come on, self worth, give you some a little more

1088
00:50:46,239 --> 00:50:46,720
Speaker 3: than that.

1089
00:50:48,120 --> 00:50:50,320
Speaker 2: Yeah, but two hundred dollars Okay, you should start a

1090
00:50:50,360 --> 00:50:53,920
Speaker 2: Patreon exclusively to show one person your text.

1091
00:50:53,840 --> 00:50:56,000
Speaker 3: And when you log on, it's like one of one

1092
00:50:56,080 --> 00:50:58,759
Speaker 3: slots filled. You like, can't do it? Yeah, exactly. I

1093
00:50:58,760 --> 00:50:59,960
Speaker 3: think you have to wait for that person to die

1094
00:51:00,040 --> 00:51:02,760
Speaker 3: an allied a month to keep having access.

1095
00:51:03,120 --> 00:51:05,440
Speaker 2: Yeah, I think so you can't. You that can be

1096
00:51:05,440 --> 00:51:08,000
Speaker 2: a one time and your taxes are fluctuating. You could

1097
00:51:08,040 --> 00:51:09,839
Speaker 2: hit hard times, you could hit a big and the.

1098
00:51:11,760 --> 00:51:16,200
Speaker 3: And have Do you want to promote promote anything? Mission impossible?

1099
00:51:18,760 --> 00:51:21,640
Speaker 3: Go to Tom Cruise dot com. Go to I went there. God,

1100
00:51:21,680 --> 00:51:24,480
Speaker 3: I should have called my show the Final Reckoning, Josh

1101
00:51:24,800 --> 00:51:27,600
Speaker 3: the Final Reckoning. There's still time, there's still time to switch.

1102
00:51:28,000 --> 00:51:30,040
Speaker 3: Go to josharp Today dot com to see me and

1103
00:51:30,160 --> 00:51:32,720
Speaker 3: Josh Sharp the Final Reckoning his website.

1104
00:51:32,719 --> 00:51:34,840
Speaker 2: I went and looked at this little information. There is

1105
00:51:34,840 --> 00:51:37,799
Speaker 2: a biography which is extremely long.

1106
00:51:38,000 --> 00:51:40,280
Speaker 3: Think and it's fun to think about your like, huh,

1107
00:51:40,400 --> 00:51:43,720
Speaker 3: this Tom Cruise guy, what's his story? And your first

1108
00:51:43,760 --> 00:51:46,480
Speaker 3: thought being I guess I'll go to Tom Cruise dot com

1109
00:51:46,480 --> 00:51:49,200
Speaker 3: and see if there's a biography there. You're gonna find

1110
00:51:49,239 --> 00:51:50,960
Speaker 3: your entry point. What was the thing that brought him

1111
00:51:50,960 --> 00:51:52,879
Speaker 3: into your culture? And yet there was still so many

1112
00:51:53,200 --> 00:51:56,920
Speaker 3: nothing about this person. It's very like about me.

1113
00:51:57,360 --> 00:52:00,000
Speaker 2: That's like you get in there and I can't image

1114
00:52:00,080 --> 00:52:02,520
Speaker 2: who wrote that? Who do you hire to write the

1115
00:52:02,520 --> 00:52:03,600
Speaker 2: Tom Cruise biography?

1116
00:52:04,400 --> 00:52:06,440
Speaker 3: Read it the voice? It didn't feel like Tom is

1117
00:52:06,440 --> 00:52:07,960
Speaker 3: what you're saying. It could have been.

1118
00:52:08,440 --> 00:52:11,399
Speaker 2: He's up late one night, is thinking why not? Yeah,

1119
00:52:11,480 --> 00:52:12,799
Speaker 2: people should know beginning.

1120
00:52:12,520 --> 00:52:15,279
Speaker 3: He's had a little too much coconut cake, stuffed to

1121
00:52:15,320 --> 00:52:17,960
Speaker 3: the gills, He's past his bedtime. He knows he was

1122
00:52:18,000 --> 00:52:20,040
Speaker 3: being naughty. He had an extra slice when he shouldn't.

1123
00:52:20,320 --> 00:52:21,719
Speaker 3: He said, oh god, I won't be able to sleep

1124
00:52:21,760 --> 00:52:24,960
Speaker 3: at all. But fine, And then he's up a little wired,

1125
00:52:25,000 --> 00:52:27,080
Speaker 3: a little crazy. Be goes, what if I wrote in

1126
00:52:27,080 --> 00:52:29,600
Speaker 3: about me? Fires up the computer.

1127
00:52:30,320 --> 00:52:33,759
Speaker 2: I will say the biography ends before the most the

1128
00:52:33,800 --> 00:52:36,239
Speaker 2: current mission impossible. So I feel like someone's gonna get fired.

1129
00:52:36,520 --> 00:52:39,960
Speaker 2: Clifang clip this and get that person fire. Yeah, because

1130
00:52:40,000 --> 00:52:43,200
Speaker 2: they need to update final reckoning maybe somebody Maybe he

1131
00:52:43,239 --> 00:52:44,600
Speaker 2: forgot the password, Maybe.

1132
00:52:44,400 --> 00:52:46,880
Speaker 3: You forgot the password. What would it really say? And

1133
00:52:46,960 --> 00:52:49,640
Speaker 3: at the end of the day, he reckoned with everything

1134
00:52:50,800 --> 00:52:54,759
Speaker 3: you know, And to conclude his gorgeous career, he did that.

1135
00:52:55,040 --> 00:52:58,919
Speaker 3: He did one last reckon for the girls. The end

1136
00:52:59,160 --> 00:53:01,400
Speaker 3: that's the last line of the film. This is for

1137
00:53:01,480 --> 00:53:04,040
Speaker 3: you girls, This is for you girls. One last reckon

1138
00:53:04,239 --> 00:53:07,879
Speaker 3: to camera, straight the camera. Hey, just you know these

1139
00:53:07,960 --> 00:53:11,680
Speaker 3: ninety two films, they've all been for you girls. Stay reckoning.

1140
00:53:13,239 --> 00:53:19,920
Speaker 2: Dives back into the oceans. No, the biography is worth reading.

1141
00:53:20,000 --> 00:53:22,120
Speaker 3: What name should have when he goes to space?

1142
00:53:22,719 --> 00:53:25,879
Speaker 2: Oh like, what new character? I feel like play?

1143
00:53:27,239 --> 00:53:32,759
Speaker 3: That's play to Chris. Yeah? No, or oh, Chris, what

1144
00:53:32,840 --> 00:53:39,000
Speaker 3: was the name of this Chris Warri Chris, Chris, Chris, Chris, Chris, Chris,

1145
00:53:39,880 --> 00:53:41,759
Speaker 3: Chris ware is really good.

1146
00:53:41,800 --> 00:53:45,080
Speaker 2: Actually, yeah, that's nice. That's a little too I would

1147
00:53:45,120 --> 00:53:47,200
Speaker 2: say it's a little downtown.

1148
00:53:47,760 --> 00:53:50,680
Speaker 3: Yes, that's a coded way to say yes. And I

1149
00:53:50,680 --> 00:53:52,759
Speaker 3: don't know that he wants to get too close. This

1150
00:53:52,880 --> 00:53:55,239
Speaker 3: is you know, one of your mom's friends at church

1151
00:53:55,520 --> 00:54:01,120
Speaker 3: and your son. Is he still downtown? This is this

1152
00:54:01,160 --> 00:54:05,160
Speaker 3: is your mom's church friend, trying to inquire your mom

1153
00:54:05,280 --> 00:54:09,560
Speaker 3: forcing a smile. Yes, he's actually never been more downtown.

1154
00:54:10,239 --> 00:54:15,640
Speaker 3: Keeps moving south. Actually, but he's got a job. But

1155
00:54:15,719 --> 00:54:18,840
Speaker 3: he's got a job and a partner.

1156
00:54:22,239 --> 00:54:25,120
Speaker 2: Chris Vai, I mean that's I think that may just

1157
00:54:25,160 --> 00:54:29,560
Speaker 2: have to be it. Chris, I mean, but actually actually,

1158
00:54:29,800 --> 00:54:32,400
Speaker 2: unfortunately it's the Gail King story. I think we already

1159
00:54:32,400 --> 00:54:35,960
Speaker 2: know he's playing Gail King's Gail King or maybe Gail.

1160
00:54:35,800 --> 00:54:38,520
Speaker 3: King as could be the sort of like you know

1161
00:54:38,560 --> 00:54:40,480
Speaker 3: in the biopick where they sort of invent the composite

1162
00:54:40,560 --> 00:54:42,080
Speaker 3: character that's like, oh, we sort of need to put

1163
00:54:42,120 --> 00:54:44,879
Speaker 3: six people in one like it's his manager and also

1164
00:54:44,960 --> 00:54:47,560
Speaker 3: his grandpa, and also his lawyer and also his cake maker.

1165
00:54:47,800 --> 00:54:50,719
Speaker 3: Chris fare is like the one who inspires Gail to

1166
00:54:50,760 --> 00:54:53,960
Speaker 3: go to space, also played by Tom also played by

1167
00:54:54,000 --> 00:54:57,000
Speaker 3: Tom kind of a clumps what we in the business

1168
00:54:57,040 --> 00:54:59,959
Speaker 3: call a clumps scenario. You know, there's only four story

1169
00:55:00,160 --> 00:55:04,040
Speaker 3: as they say, it's Casablanca. It's clumps and clumps and clumps.

1170
00:55:04,320 --> 00:55:07,040
Speaker 3: There's only so many stories that we keep retelling, and

1171
00:55:07,160 --> 00:55:10,320
Speaker 3: we keep doing clumps. Sinners Sinners is a clump. Sinners

1172
00:55:10,400 --> 00:55:13,959
Speaker 3: is a clumps. Ultimately, Sinners is a clumps. Ultimately it's also,

1173
00:55:14,239 --> 00:55:17,080
Speaker 3: i would say, almost a word for word retelling of

1174
00:55:17,080 --> 00:55:20,480
Speaker 3: the clumps. Yes, adaptation, that's a clumps. We have so

1175
00:55:20,600 --> 00:55:24,480
Speaker 3: many great clumps in the in the lexicon, in the

1176
00:55:24,560 --> 00:55:25,880
Speaker 3: media landscale.

1177
00:55:25,440 --> 00:55:26,560
Speaker 2: How many clumps were there?

1178
00:55:27,400 --> 00:55:30,440
Speaker 3: Actual clumps and not just the story retold, I just.

1179
00:55:30,440 --> 00:55:32,880
Speaker 2: Want you to answer the question no other information.

1180
00:55:33,040 --> 00:55:36,080
Speaker 3: You are so can I apologize deeply? You are so right.

1181
00:55:36,680 --> 00:55:39,719
Speaker 3: I didn't mean obviously. Thank you, Thank you, my god.

1182
00:55:39,840 --> 00:55:43,680
Speaker 3: I'm ashamed. How many clumps were there? There is actually

1183
00:55:43,719 --> 00:55:45,879
Speaker 3: so many reads on that I know because it's both

1184
00:55:45,960 --> 00:55:48,319
Speaker 3: How many in this version of like Casablanca's are there

1185
00:55:48,480 --> 00:55:50,920
Speaker 3: to which I would say probably two hundred and fifty

1186
00:55:50,960 --> 00:55:54,200
Speaker 3: stories that clump? Okay me in the franchise, I want

1187
00:55:54,239 --> 00:55:56,360
Speaker 3: to say three, But then I'm also going but in

1188
00:55:56,440 --> 00:55:59,000
Speaker 3: the family of clumps, how many members of clumps were there?

1189
00:55:59,560 --> 00:56:01,120
Speaker 2: And I'm during a dinner table.

1190
00:56:00,920 --> 00:56:03,359
Speaker 3: And I'm portraying dinner table. I'm wanting to go eight.

1191
00:56:03,680 --> 00:56:05,759
Speaker 3: And are they all Eddie? I don't know, but there

1192
00:56:05,800 --> 00:56:07,920
Speaker 3: are I think more clumps than there are Eddies. You know.

1193
00:56:07,960 --> 00:56:09,480
Speaker 3: I think he's some of the clumps, and I think

1194
00:56:09,520 --> 00:56:09,959
Speaker 3: there's others.

1195
00:56:10,000 --> 00:56:11,879
Speaker 2: There are other people that are not. Yeah, I guess

1196
00:56:12,000 --> 00:56:13,879
Speaker 2: the field. He has to playoff a clump.

1197
00:56:13,960 --> 00:56:16,120
Speaker 3: I've never seen a clump. A clump needs another person

1198
00:56:16,200 --> 00:56:18,319
Speaker 3: to play culturally aware of a clump. Yeah, clump needs

1199
00:56:18,600 --> 00:56:21,120
Speaker 3: can't all be clump to clump. It can't all be

1200
00:56:21,239 --> 00:56:25,320
Speaker 3: Eddie to Eddie. Sometimes it's got to be Oh, poison

1201
00:56:25,400 --> 00:56:28,720
Speaker 3: the audience. It's poison the audience. How many clumps are there? Gosh,

1202
00:56:29,280 --> 00:56:30,880
Speaker 3: we're going to try and name them, like the like

1203
00:56:30,960 --> 00:56:35,799
Speaker 3: the Disciples again, Matthew Luke, John Clump, doubting, Thomas Clump

1204
00:56:35,880 --> 00:56:39,600
Speaker 3: hooker Clump Uh, Thomas Clump at the dinner table. I

1205
00:56:39,640 --> 00:56:40,480
Speaker 3: don't know about all this.

1206
00:56:43,960 --> 00:56:47,799
Speaker 2: Well, I I actually have to believe there's a last

1207
00:56:47,840 --> 00:56:51,520
Speaker 2: supper scene of the clumps, and I'm sure somebody's done that.

1208
00:56:51,560 --> 00:56:53,319
Speaker 3: Well, they're all on one side of the table. Yeah,

1209
00:56:53,600 --> 00:56:54,400
Speaker 3: last supper style.

1210
00:56:54,560 --> 00:56:55,320
Speaker 2: Yeah, I believe that.

1211
00:56:55,360 --> 00:56:59,640
Speaker 3: I'm sure that's been made somewhere made as we speak.

1212
00:57:00,000 --> 00:57:03,800
Speaker 3: Listener right now is going I could get rich just

1213
00:57:03,920 --> 00:57:08,080
Speaker 3: running to their paints and well, is there anything left

1214
00:57:08,120 --> 00:57:12,080
Speaker 3: we need to say about these T shirts? The feel

1215
00:57:12,160 --> 00:57:16,680
Speaker 3: is nice, you know, like layered, and you mean that

1216
00:57:16,760 --> 00:57:20,280
Speaker 3: open parentheses complimentary, close parenthesies. Yes, you're not trying to

1217
00:57:20,320 --> 00:57:23,560
Speaker 3: be open printeses derogatory like it's winter and the shirt

1218
00:57:23,640 --> 00:57:24,600
Speaker 3: hasn't made me warm.

1219
00:57:24,760 --> 00:57:27,120
Speaker 2: No, it's I'm saying this is good. This is good

1220
00:57:27,200 --> 00:57:29,640
Speaker 2: as a layer. It almost feels like breathes, I guess,

1221
00:57:29,760 --> 00:57:31,880
Speaker 2: is what we would say right, it breathes. I think

1222
00:57:31,920 --> 00:57:34,040
Speaker 2: it is kind of an athleisure or a sportswear.

1223
00:57:34,120 --> 00:57:35,840
Speaker 3: Definitely an athlete Shure's why. I think it would pair

1224
00:57:35,920 --> 00:57:38,240
Speaker 3: well with your Lululemon sort of right.

1225
00:57:38,280 --> 00:57:40,880
Speaker 2: For your next live show, or a stiff denim or a.

1226
00:57:41,000 --> 00:57:44,280
Speaker 3: Stiff denim real. And I think there's something to you

1227
00:57:44,400 --> 00:57:46,720
Speaker 3: trying to embrace all three in the look. Either they're

1228
00:57:46,760 --> 00:57:49,800
Speaker 3: layered on top or or two where like armed big

1229
00:57:49,880 --> 00:57:52,720
Speaker 3: long arm sleeves, you make a pant out of it,

1230
00:57:53,000 --> 00:57:55,720
Speaker 3: make kind of a skirch the Lulu limen and they're

1231
00:57:55,720 --> 00:57:58,000
Speaker 3: sort of up each leg as sort of like almost

1232
00:57:58,040 --> 00:58:01,560
Speaker 3: like a big flowy player a bell bottom that hits

1233
00:58:01,600 --> 00:58:04,600
Speaker 3: mid thigh, I think, or something to that. There we go.

1234
00:58:04,720 --> 00:58:06,520
Speaker 3: I think there's something too that feels like the next

1235
00:58:07,080 --> 00:58:10,760
Speaker 3: on stage. I feel like now I have no choice whether.

1236
00:58:10,600 --> 00:58:11,120
Speaker 2: It works or not.

1237
00:58:11,440 --> 00:58:13,720
Speaker 3: You were retired from the stage, right I was done,

1238
00:58:15,000 --> 00:58:17,120
Speaker 3: turned in your equity card like Patty Lapone, and now

1239
00:58:17,120 --> 00:58:22,200
Speaker 3: we're dragging you back. I'm giving controversial interviews always. You're

1240
00:58:22,200 --> 00:58:25,520
Speaker 3: in one right now, aren't you? Who on Broadway should

1241
00:58:25,520 --> 00:58:28,800
Speaker 3: I insult? Right now? Oh? Gosh, who on Broadway should

1242
00:58:28,840 --> 00:58:34,560
Speaker 3: you insult? Right now? Who on off Broadway Josh Sharp Tada,

1243
00:58:34,680 --> 00:58:37,640
Speaker 3: of course, ask me what I thought of your show? Bridger,

1244
00:58:37,720 --> 00:58:41,240
Speaker 3: what do you think of my show? And then I'll

1245
00:58:41,280 --> 00:58:43,800
Speaker 3: do the New Yorker quote At that Bridger stared off

1246
00:58:43,840 --> 00:58:46,920
Speaker 3: into the window for fifteen seconds. Then what line did

1247
00:58:46,960 --> 00:58:49,160
Speaker 3: you come back on? It's like weather's nice to beautiful

1248
00:58:49,240 --> 00:58:56,160
Speaker 3: day Brava. Finally, and Angelina who reads the New Yorker? Finally,

1249
00:58:56,920 --> 00:59:00,760
Speaker 3: we love Patty a menace, an absolute menace society. Have

1250
00:59:00,840 --> 00:59:03,520
Speaker 3: you thought about starting a magazine? The Angelina? That's not

1251
00:59:03,600 --> 00:59:06,680
Speaker 3: a bad Has anybody ever tried another thing? I don't

1252
00:59:06,680 --> 00:59:07,200
Speaker 3: want to look up.

1253
00:59:07,280 --> 00:59:09,680
Speaker 2: There's never been a better time to experiment in print

1254
00:59:09,760 --> 00:59:10,439
Speaker 2: media than.

1255
00:59:10,520 --> 00:59:13,200
Speaker 3: Never been a better The getting is good in print.

1256
00:59:14,120 --> 00:59:19,040
Speaker 3: It's just a cash grab. It's a barrel. It's a

1257
00:59:19,240 --> 00:59:22,680
Speaker 3: Start a newspaper, kids, you want some advice from an

1258
00:59:22,720 --> 00:59:26,120
Speaker 3: old dog, Start a newspaper. That's what I wish I did.

1259
00:59:26,240 --> 00:59:27,680
Speaker 3: You want to know where the money is. You want

1260
00:59:27,680 --> 00:59:31,360
Speaker 3: to know where the money is. Start a daily newspaper,

1261
00:59:33,960 --> 00:59:37,840
Speaker 3: Buy a print factory. It's it's gonna get good. It's

1262
00:59:37,880 --> 00:59:40,280
Speaker 3: gonna get good. It's gonna get better. It is good.

1263
00:59:41,280 --> 00:59:42,120
Speaker 3: It's gonna get great.

1264
00:59:43,040 --> 00:59:44,120
Speaker 2: Well, I think we should play a game.

1265
00:59:44,400 --> 00:59:45,640
Speaker 3: I would love to play a game.

1266
00:59:45,760 --> 00:59:47,560
Speaker 2: Okay, we're gonna play a game called Gift or a Curse.

1267
00:59:47,920 --> 00:59:49,840
Speaker 2: But I need a number between one and ten from you.

1268
00:59:50,040 --> 00:59:51,919
Speaker 3: Well, the answer, of course is nine. Nine.

1269
00:59:52,000 --> 00:59:52,720
Speaker 2: I love a nine.

1270
00:59:53,360 --> 01:00:00,560
Speaker 3: Gorgeous, rarely picked people don't care about leaning against the boom. Yes,

1271
01:00:00,960 --> 01:00:06,240
Speaker 3: Jessica Rabbin, long cigarette, huge head, no husband, many boyfriends,

1272
01:00:06,520 --> 01:00:10,840
Speaker 3: Miss nine, Miss that's miss nine. I haven't been missus

1273
01:00:10,960 --> 01:00:11,600
Speaker 3: nine for years.

1274
01:00:15,640 --> 01:00:19,320
Speaker 2: Uh. I have to do some like calculating to get

1275
01:00:19,320 --> 01:00:22,120
Speaker 2: our game pieces. So right now, you can promote, you

1276
01:00:22,200 --> 01:00:24,040
Speaker 2: can recommend, you could do whatever you want. I would

1277
01:00:24,040 --> 01:00:28,360
Speaker 2: feel so tacky to be I know you're not that person. No,

1278
01:00:28,800 --> 01:00:31,000
Speaker 2: I'll tell you this because we mentioned this off here

1279
01:00:31,440 --> 01:00:34,200
Speaker 2: to answer your question. Yes, my off Broadway run Josh

1280
01:00:34,200 --> 01:00:36,680
Speaker 2: Sharp Todad, directed by Sam Pinkleton of o'mary and produced

1281
01:00:36,680 --> 01:00:39,440
Speaker 2: by Mike and Carly who've worked with caper Land, Jacquelynovac,

1282
01:00:39,520 --> 01:00:40,800
Speaker 2: my Big Early your Favorites.

1283
01:00:41,040 --> 01:00:43,240
Speaker 3: The show's in the Greenwich House Theater. And yes, that's

1284
01:00:43,240 --> 01:00:46,840
Speaker 3: where Immersive Sweeney Todd was in twenty nineteen. Question Mark,

1285
01:00:47,320 --> 01:00:49,560
Speaker 3: you could sit in the pie shop and eat pie

1286
01:00:50,400 --> 01:00:53,200
Speaker 3: while Sweeney in the gang jumped up on the table

1287
01:00:53,280 --> 01:00:56,920
Speaker 3: and did their high chinks. So yes, as a gay comedian,

1288
01:00:57,000 --> 01:01:00,000
Speaker 3: it's my birthright to get to haunt that space all summer.

1289
01:01:00,560 --> 01:01:02,400
Speaker 3: And I do intend to kill myself at the end

1290
01:01:02,400 --> 01:01:04,400
Speaker 3: of the run so that I can haunt the space

1291
01:01:04,520 --> 01:01:07,680
Speaker 3: as a specter. So come in while I'm alive about

1292
01:01:09,120 --> 01:01:11,200
Speaker 3: come in after, and I'll be haunting your ass. Was

1293
01:01:11,280 --> 01:01:12,960
Speaker 3: that enough? Time? That was perfect?

1294
01:01:13,360 --> 01:01:15,720
Speaker 2: Did we ever hear about the quality of the pie

1295
01:01:16,920 --> 01:01:18,400
Speaker 2: or was it like somebody ran to?

1296
01:01:19,040 --> 01:01:21,080
Speaker 3: When I went to see it, I did not sit

1297
01:01:21,160 --> 01:01:22,640
Speaker 3: down there. I sat in the balcony. There were like

1298
01:01:22,720 --> 01:01:24,360
Speaker 3: two rows of balcony seats if you didn't want to

1299
01:01:24,360 --> 01:01:25,400
Speaker 3: be in it. And I was like, if you were

1300
01:01:25,600 --> 01:01:29,520
Speaker 3: hungry for dinner. You weren't hungry for dinner. Yeah, I

1301
01:01:29,640 --> 01:01:32,520
Speaker 3: can't imagine it was good, but that's true to the text. Oh,

1302
01:01:34,880 --> 01:01:36,439
Speaker 3: if you taste good, you go shit. This is gonna

1303
01:01:36,440 --> 01:01:40,200
Speaker 3: be a bad production of Sweeney. Huh. It's like when

1304
01:01:40,200 --> 01:01:42,560
Speaker 3: you cast the Sally Bulls who can sing too well. Right,

1305
01:01:44,280 --> 01:01:49,560
Speaker 3: everyone understands every single thing we have said. I felt

1306
01:01:49,600 --> 01:01:50,280
Speaker 3: like I had one. Oh.

1307
01:01:50,440 --> 01:01:52,000
Speaker 2: What I was going to say is everyone should see

1308
01:01:52,000 --> 01:01:53,800
Speaker 2: the show. I saw a very early run of it.

1309
01:01:53,920 --> 01:01:54,479
Speaker 3: It was rough.

1310
01:01:55,040 --> 01:01:56,800
Speaker 2: Josh was working through a lot of things, and your

1311
01:01:56,840 --> 01:02:01,040
Speaker 2: note saved the production. I got on stage about halfway

1312
01:02:01,040 --> 01:02:02,480
Speaker 2: through the show and just I had to kind of

1313
01:02:02,560 --> 01:02:04,480
Speaker 2: guide him physically.

1314
01:02:04,800 --> 01:02:08,200
Speaker 3: He moved my limbs, but.

1315
01:02:08,280 --> 01:02:10,320
Speaker 2: I said, I did save the show, and now they're

1316
01:02:10,360 --> 01:02:13,320
Speaker 2: gonna try it again. I'm not gonna be in New York,

1317
01:02:13,400 --> 01:02:15,720
Speaker 2: so I can't save it again. So we're gonna just

1318
01:02:15,760 --> 01:02:18,000
Speaker 2: have to trust that Josh will do it. But it's

1319
01:02:18,080 --> 01:02:20,640
Speaker 2: one of the it's an amazing feat. Everyone should see

1320
01:02:20,680 --> 01:02:23,280
Speaker 2: this show, and it's I mean, it's truly everything you need.

1321
01:02:23,560 --> 01:02:25,000
Speaker 3: You're too kind, it's so good.

1322
01:02:25,320 --> 01:02:27,160
Speaker 2: Okay, this is how we play gift or a Curse.

1323
01:02:27,640 --> 01:02:29,480
Speaker 2: I'm going to name three things. You're gonna tell me

1324
01:02:29,480 --> 01:02:31,880
Speaker 2: if there're a gift or a curse and why. Then

1325
01:02:31,880 --> 01:02:33,360
Speaker 2: I'll tell you if you're right or wrong, because there

1326
01:02:33,360 --> 01:02:34,440
Speaker 2: are correct answer.

1327
01:02:34,200 --> 01:02:35,480
Speaker 3: I know, and you forgot the last part, which is

1328
01:02:35,520 --> 01:02:37,000
Speaker 3: I will get them all right. That's how the game

1329
01:02:37,080 --> 01:02:40,120
Speaker 3: is played. We all know this. We'll see.

1330
01:02:40,360 --> 01:02:41,600
Speaker 2: We'll just have to wait and see.

1331
01:02:41,760 --> 01:02:44,280
Speaker 3: We'll see. We'll see me get them all right. Say it.

1332
01:02:46,160 --> 01:02:49,200
Speaker 2: And we'll see you get them all. Right, absolutely, you're

1333
01:02:49,240 --> 01:02:53,880
Speaker 2: worth two hundred dollars a month. Okay, these are all

1334
01:02:54,040 --> 01:02:59,000
Speaker 2: Patreon suggestions. First one up is from a listener named

1335
01:02:59,000 --> 01:03:02,960
Speaker 2: Austin Give to recurse the mayor's recorded greeting at the airport.

1336
01:03:04,720 --> 01:03:09,720
Speaker 3: Curse. Why I don't need to be greeted by this man?

1337
01:03:12,800 --> 01:03:16,040
Speaker 3: There's so many When I come to a city, it's

1338
01:03:16,120 --> 01:03:21,280
Speaker 3: not for its political figurehead greet me with the culture.

1339
01:03:22,480 --> 01:03:25,200
Speaker 3: I'd rather hook her say hello to me than the mayor.

1340
01:03:27,440 --> 01:03:31,320
Speaker 3: I spit. Also, let's be specific, you want to land

1341
01:03:31,400 --> 01:03:35,800
Speaker 3: in New York and have that that cheeto Eric Adams

1342
01:03:36,880 --> 01:03:44,720
Speaker 3: welcome you yuck. Curse. Correct, it's a curse if they

1343
01:03:44,840 --> 01:03:47,360
Speaker 3: if the mayor cared, they'd be there. Well, exactly, be

1344
01:03:47,480 --> 01:03:51,840
Speaker 3: there at the gate. And you are the mayor. You're

1345
01:03:51,920 --> 01:03:54,760
Speaker 3: going to the fucking vo booths to record this bullshit? Yeah,

1346
01:03:54,800 --> 01:03:58,720
Speaker 3: shouldn't you even? Should be literally, I would so much

1347
01:03:58,880 --> 01:04:02,400
Speaker 3: rather Mayor I Adams sweep the streets for an hour

1348
01:04:02,640 --> 01:04:05,720
Speaker 3: a day or there's so many things a mayor can do.

1349
01:04:06,320 --> 01:04:08,880
Speaker 3: And you know it wasn't the first take. No, they

1350
01:04:08,920 --> 01:04:10,840
Speaker 3: were in the booth all day and again again, and

1351
01:04:10,880 --> 01:04:14,040
Speaker 3: you know he came back for pickups. Probably sure, and

1352
01:04:14,080 --> 01:04:15,440
Speaker 3: they're like, you don't have to do this, It's just

1353
01:04:15,640 --> 01:04:20,600
Speaker 3: you know, it's just weeks of work. And you know

1354
01:04:20,680 --> 01:04:21,439
Speaker 3: it was non union.

1355
01:04:21,800 --> 01:04:23,880
Speaker 2: Of course, the mayor didn't get the pay he needed.

1356
01:04:23,880 --> 01:04:26,960
Speaker 3: No nor the crew nor the crew.

1357
01:04:27,080 --> 01:04:29,760
Speaker 2: Everyone was cheated in this production. And it makes you

1358
01:04:29,880 --> 01:04:31,400
Speaker 2: feel uneasy at the airport.

1359
01:04:31,800 --> 01:04:32,360
Speaker 3: I don't want that.

1360
01:04:33,200 --> 01:04:35,840
Speaker 2: Don't talk to me at the airport, especially over.

1361
01:04:36,160 --> 01:04:37,840
Speaker 3: You know what greets you at. Have you been to

1362
01:04:37,920 --> 01:04:41,000
Speaker 3: Logardia recently? I have, but remember it used to be

1363
01:04:41,160 --> 01:04:43,800
Speaker 3: greeted by a beautiful water features. I was just about

1364
01:04:43,840 --> 01:04:46,160
Speaker 3: to bring up Ligordia used to be a dump. It's

1365
01:04:46,160 --> 01:04:48,360
Speaker 3: one of the greatest airports we have. I could not

1366
01:04:48,520 --> 01:04:51,320
Speaker 3: have water feature set to New York, New York. That

1367
01:04:51,400 --> 01:04:55,440
Speaker 3: happens on the fifteen. That's you being greeted by the mayor.

1368
01:04:55,760 --> 01:04:58,200
Speaker 3: Do you know what I mean? There's nothing more mayoral

1369
01:04:58,360 --> 01:05:06,360
Speaker 3: than do your water sounds one done done, that's my mayor.

1370
01:05:07,640 --> 01:05:13,439
Speaker 3: You've been greeted heartily. We the people of New York say,

1371
01:05:14,360 --> 01:05:15,440
Speaker 3: enjoy our water feature.

1372
01:05:15,800 --> 01:05:20,240
Speaker 2: That airport they've done. They've such a good job, wonders.

1373
01:05:20,480 --> 01:05:23,000
Speaker 2: I was scared to go into it, and then I'll

1374
01:05:23,040 --> 01:05:26,160
Speaker 2: never go to another airport, Burbank to LaGuardia.

1375
01:05:26,600 --> 01:05:29,040
Speaker 3: Oh, that's living. It's a dream vacation. When you fly

1376
01:05:29,120 --> 01:05:33,320
Speaker 3: into Burbank here my god, and baggage claim outside, you're like,

1377
01:05:33,360 --> 01:05:36,240
Speaker 3: what am I in the Caribbean. It's the tropics.

1378
01:05:36,520 --> 01:05:39,160
Speaker 2: Baggage claim outside is such a you could do that

1379
01:05:39,240 --> 01:05:40,960
Speaker 2: in a cold climate. I think people are thrilled to

1380
01:05:41,000 --> 01:05:41,960
Speaker 2: get outside and get.

1381
01:05:42,920 --> 01:05:44,760
Speaker 3: Really do feel like you've just you know, you're you

1382
01:05:44,800 --> 01:05:46,640
Speaker 3: feel like you're about to board a carnival cruise.

1383
01:05:46,640 --> 01:05:48,200
Speaker 2: There's something a little safari about it.

1384
01:05:48,440 --> 01:05:52,840
Speaker 3: M h. It's very Bahamanian. Yes, all right, you've gotten

1385
01:05:52,880 --> 01:05:54,720
Speaker 3: one right so far, so you're on track. I'll get

1386
01:05:54,720 --> 01:05:56,680
Speaker 3: to more right. We know this.

1387
01:05:56,960 --> 01:05:59,920
Speaker 2: This next one is from a listener named Nicola nicol

1388
01:06:00,960 --> 01:06:03,920
Speaker 2: n I c o l A. Maybe that's a name

1389
01:06:03,960 --> 01:06:04,640
Speaker 2: for Tom Cruise.

1390
01:06:08,680 --> 01:06:15,280
Speaker 3: That's absolutely who's trying to take the spaceship down? Who's

1391
01:06:15,360 --> 01:06:18,160
Speaker 3: kind of on the back of the first time I've

1392
01:06:18,200 --> 01:06:23,240
Speaker 3: done it all episode gift or a curse? Overnight oats

1393
01:06:24,000 --> 01:06:27,960
Speaker 3: overnight oats gift or a curse. I think we're going

1394
01:06:28,040 --> 01:06:31,040
Speaker 3: to disagree on this. To me, curse, I just don't

1395
01:06:31,160 --> 01:06:35,440
Speaker 3: really get it. I don't really understand why it needs

1396
01:06:35,560 --> 01:06:38,360
Speaker 3: to do what it does overnight. I don't know why

1397
01:06:38,640 --> 01:06:40,840
Speaker 3: everything you're getting from it can't be done in the morning.

1398
01:06:41,600 --> 01:06:45,080
Speaker 3: And I'm even pro oats pulling me some hot water

1399
01:06:45,200 --> 01:06:49,680
Speaker 3: on these oats. Come now, a hearty, warm breakfast. I

1400
01:06:49,840 --> 01:06:52,320
Speaker 3: just don't get all of the to do. It's not

1401
01:06:52,480 --> 01:06:56,600
Speaker 3: like it's there's not a maturation. It's not a fine wine.

1402
01:06:57,040 --> 01:07:01,120
Speaker 3: It's not a kombucha. You just need these these oats

1403
01:07:01,200 --> 01:07:04,200
Speaker 3: to be soggy. I just don't think it needs all that.

1404
01:07:04,960 --> 01:07:06,880
Speaker 3: I don't like that. It's the last thing you see

1405
01:07:06,880 --> 01:07:08,040
Speaker 3: when you go to bed and the first thing you

1406
01:07:08,120 --> 01:07:11,360
Speaker 3: see when you wake up. That should be a prayer.

1407
01:07:11,400 --> 01:07:14,360
Speaker 3: That should be your beautiful wife, or a prayer to

1408
01:07:14,880 --> 01:07:18,440
Speaker 3: God on High. But not these dry and then wet oats.

1409
01:07:19,120 --> 01:07:21,840
Speaker 3: Go ahead, tell me I'm right correct. It's a curse.

1410
01:07:22,240 --> 01:07:25,080
Speaker 3: I've tried them once or twice, never impressed. I've never

1411
01:07:25,160 --> 01:07:25,600
Speaker 3: tried them.

1412
01:07:26,000 --> 01:07:27,800
Speaker 2: They don't look it's a cold wet thing.

1413
01:07:28,440 --> 01:07:29,800
Speaker 3: Yeah, I know, and I get it. I'm like, it's

1414
01:07:29,840 --> 01:07:32,400
Speaker 3: a cold wet thing that we've already done hot and

1415
01:07:32,520 --> 01:07:33,520
Speaker 3: cozy and lovely.

1416
01:07:33,720 --> 01:07:35,120
Speaker 2: Right, we already have the better version.

1417
01:07:35,160 --> 01:07:39,000
Speaker 3: You already do it warm and sprinkled with cinnamon. Why

1418
01:07:39,080 --> 01:07:40,800
Speaker 3: do you want it wet and cold? And then on

1419
01:07:40,920 --> 01:07:43,080
Speaker 3: top of that, it could be wet and cold in

1420
01:07:43,400 --> 01:07:45,480
Speaker 3: just the morning oats? Right, do you know what I mean?

1421
01:07:46,040 --> 01:07:48,400
Speaker 3: You could pour cold water on it. Why do you

1422
01:07:48,480 --> 01:07:49,640
Speaker 3: have to do this whole thing.

1423
01:07:50,120 --> 01:07:54,240
Speaker 2: It's a waste of everyone's time. It's wasted my time personally,

1424
01:07:54,240 --> 01:07:56,400
Speaker 2: at least twice. I was so excited to try it,

1425
01:07:56,800 --> 01:07:57,720
Speaker 2: and I got ripped off.

1426
01:07:57,840 --> 01:07:59,600
Speaker 3: Can I ask what's in it other than the oats?

1427
01:07:59,640 --> 01:08:00,600
Speaker 3: Does it have other things?

1428
01:08:00,680 --> 01:08:02,680
Speaker 2: I may have put peanut butter in it?

1429
01:08:03,120 --> 01:08:04,560
Speaker 3: And is that the whole thing that? It's like? You

1430
01:08:04,680 --> 01:08:06,440
Speaker 3: let it sit with all these other flavor.

1431
01:08:06,160 --> 01:08:09,160
Speaker 2: I guess, and it kind of they intermingle, and then

1432
01:08:09,240 --> 01:08:09,920
Speaker 2: you have I just.

1433
01:08:09,960 --> 01:08:11,400
Speaker 3: Don't get it, and I don't want to. I think

1434
01:08:11,520 --> 01:08:13,800
Speaker 3: I feel very blue about that. I don't understand the

1435
01:08:13,880 --> 01:08:17,240
Speaker 3: question I refuse to answer. It's my favorite arrest of development,

1436
01:08:17,560 --> 01:08:21,320
Speaker 3: such a plater platter, the question I refuse answer. That's meat,

1437
01:08:21,400 --> 01:08:25,479
Speaker 3: overnight oes, Yeah, overnight oats.

1438
01:08:26,080 --> 01:08:27,960
Speaker 2: I think it's a trend we're going to leave behind us,

1439
01:08:27,960 --> 01:08:30,240
Speaker 2: and we're all going to say, remember overnight oats. We

1440
01:08:30,280 --> 01:08:33,320
Speaker 2: will be embarrassed it's kind of the mango in salsa.

1441
01:08:33,840 --> 01:08:34,840
Speaker 3: We will be embarrassed.

1442
01:08:35,000 --> 01:08:37,360
Speaker 2: Where we all thought this is the thing we're talking

1443
01:08:37,360 --> 01:08:41,120
Speaker 2: about it, No, we all knew it wasn't working. Okay,

1444
01:08:41,160 --> 01:08:42,160
Speaker 2: you've found two so far.

1445
01:08:42,240 --> 01:08:42,560
Speaker 3: I don't know.

1446
01:08:42,680 --> 01:08:45,040
Speaker 2: We'll see what happens. Finally, this is from a listener

1447
01:08:45,120 --> 01:08:48,439
Speaker 2: named Kelsey. Gift or a curse. Brushing your teeth in

1448
01:08:48,520 --> 01:08:50,160
Speaker 2: the work bathroom after lunch.

1449
01:08:51,000 --> 01:08:55,720
Speaker 3: Gift Gift nice. I love the feeling of a fresh mouth,

1450
01:08:56,439 --> 01:08:58,640
Speaker 3: you know what I mean? And there also something a

1451
01:08:58,680 --> 01:09:01,720
Speaker 3: little bit in this context. You know, I love to

1452
01:09:01,760 --> 01:09:03,200
Speaker 3: brush my teeth in the morning. I love to brush

1453
01:09:03,200 --> 01:09:05,400
Speaker 3: it at night before I go to bed, after a meal,

1454
01:09:06,080 --> 01:09:08,800
Speaker 3: so that you don't taste whatever you've tasted. Of course, that's,

1455
01:09:08,960 --> 01:09:11,400
Speaker 3: of course, that's a clear win. But then the icing

1456
01:09:11,520 --> 01:09:14,920
Speaker 3: is the radical act of bringing this very private, very

1457
01:09:15,000 --> 01:09:18,960
Speaker 3: home object into the workspace. It's you saying you don't

1458
01:09:19,000 --> 01:09:22,680
Speaker 3: own me, you don't own me, you know what I mean.

1459
01:09:23,800 --> 01:09:26,400
Speaker 3: It's you're you're walking towards what if I fucking have

1460
01:09:26,479 --> 01:09:27,800
Speaker 3: a wink in the middle of the day at work?

1461
01:09:28,360 --> 01:09:30,559
Speaker 3: Who cares? You know what I mean? It's the right

1462
01:09:30,600 --> 01:09:34,840
Speaker 3: attitude towards work to say I'm the boss of me.

1463
01:09:35,000 --> 01:09:41,759
Speaker 3: Now gift ring the bell, Josh, you won the case.

1464
01:09:41,960 --> 01:09:43,720
Speaker 3: It's not about winning that we said this was going

1465
01:09:43,760 --> 01:09:46,400
Speaker 3: to happen. It's a gift. You followed the rules. You

1466
01:09:46,479 --> 01:09:48,519
Speaker 3: followed the rules, which were win the game. Yeah, I

1467
01:09:48,560 --> 01:09:51,160
Speaker 3: followed the rules, which I'd get everyone right. It's a gift,

1468
01:09:51,560 --> 01:09:51,960
Speaker 3: yeah for me.

1469
01:09:52,320 --> 01:09:54,040
Speaker 2: What a better way if you want to build buzz

1470
01:09:54,080 --> 01:09:56,799
Speaker 2: around the office around you as a person, start.

1471
01:09:56,600 --> 01:09:59,720
Speaker 3: Brushing your teeth fresh. You're saying, now we're talking about you,

1472
01:10:00,040 --> 01:10:01,800
Speaker 3: and you mean not just because you have the good breath,

1473
01:10:02,360 --> 01:10:05,439
Speaker 3: a show of it. Yep. One coworker comes in, you're

1474
01:10:05,479 --> 01:10:08,000
Speaker 3: brushing your teeth. They're telling everybody, And can I ask

1475
01:10:08,320 --> 01:10:11,680
Speaker 3: where do you leave the toothbrush? Willy Nelly on the

1476
01:10:11,720 --> 01:10:13,599
Speaker 3: counter or I was gonna say, bring your own drinking

1477
01:10:13,640 --> 01:10:17,400
Speaker 3: glass and put it in there as if it's your home.

1478
01:10:17,560 --> 01:10:22,400
Speaker 3: Maybe a cute novelty mug. I have a great mug

1479
01:10:22,520 --> 01:10:25,040
Speaker 3: that's got a New Yorker cartoon and it's got these

1480
01:10:25,120 --> 01:10:27,880
Speaker 3: two old men and they're sitting in rocking chairs on

1481
01:10:27,960 --> 01:10:30,519
Speaker 3: a porch and one says to the other, were we

1482
01:10:30,800 --> 01:10:35,840
Speaker 3: gay that mug with with with a toothbrush in it

1483
01:10:36,000 --> 01:10:36,519
Speaker 3: at your work.

1484
01:10:36,880 --> 01:10:38,960
Speaker 2: And what I'll say is you get there early the

1485
01:10:39,120 --> 01:10:40,599
Speaker 2: first thing you bring it. You have to get there

1486
01:10:40,600 --> 01:10:42,760
Speaker 2: early before everyone else and put it in there, because

1487
01:10:42,760 --> 01:10:44,880
Speaker 2: then you have a mystery for the day. Everyone's wondering

1488
01:10:44,920 --> 01:10:45,360
Speaker 2: who brought it?

1489
01:10:45,520 --> 01:10:45,720
Speaker 3: Did this?

1490
01:10:46,040 --> 01:10:50,040
Speaker 2: Asking then the person, can I be you brought it in?

1491
01:10:50,200 --> 01:10:52,639
Speaker 3: You know it's you. I'm the first time a coworker

1492
01:10:52,680 --> 01:10:54,519
Speaker 3: comes up and asks you, and you're so delighted to

1493
01:10:54,600 --> 01:10:56,479
Speaker 3: feign you know that you don't know. Okay, can we

1494
01:10:56,640 --> 01:10:59,439
Speaker 3: roleplay that? Yeah? Of course? Did you see there's a

1495
01:10:59,479 --> 01:11:04,519
Speaker 3: toothbrush in the bathroom? Wait? Wait, I'm sorry, what did

1496
01:11:04,600 --> 01:11:07,920
Speaker 3: you say? There's well, let me back up. There's a

1497
01:11:08,040 --> 01:11:10,880
Speaker 3: hilarious mug in the bathroom, and then someone has put

1498
01:11:11,320 --> 01:11:13,600
Speaker 3: what seems to be a personal toothpression there. Did you

1499
01:11:13,640 --> 01:11:15,720
Speaker 3: see that here in our work bathroom? Yes? Who do

1500
01:11:15,760 --> 01:11:18,120
Speaker 3: you think would have done that? I am? I don't know?

1501
01:11:19,160 --> 01:11:22,439
Speaker 2: Uh am I the first person you're asking? Yes, shit,

1502
01:11:23,400 --> 01:11:26,519
Speaker 2: I don't all keep an eye out. And then we

1503
01:11:26,640 --> 01:11:29,920
Speaker 2: meet in the bathroom and you feel so betrayed. Huh oh,

1504
01:11:30,120 --> 01:11:33,320
Speaker 2: you got me, I say, and then you you quit?

1505
01:11:33,640 --> 01:11:38,320
Speaker 3: You got me? I can't work here anymore. You got me? Yeah,

1506
01:11:38,320 --> 01:11:41,800
Speaker 3: I got you? Get me again. Don't do something like

1507
01:11:41,920 --> 01:11:44,080
Speaker 3: that to me at work. Well, then don't be such

1508
01:11:44,120 --> 01:11:47,400
Speaker 3: a dumb ass. You fell for it, and I'll go.

1509
01:11:47,800 --> 01:11:52,479
Speaker 3: The mug was funny though. Were we gay? Come on?

1510
01:11:54,040 --> 01:11:56,320
Speaker 3: You can picture it? That's the new picture? What is it?

1511
01:11:56,360 --> 01:12:00,200
Speaker 3: What's the caption for the Angelina? Two old men on

1512
01:12:00,320 --> 01:12:04,520
Speaker 3: the you know? I, uh, were we had a mission impossible?

1513
01:12:04,920 --> 01:12:06,720
Speaker 3: Or no? Were we scientologist?

1514
01:12:08,840 --> 01:12:11,799
Speaker 2: I have a catch all for every New Yorker cartoon,

1515
01:12:12,000 --> 01:12:13,880
Speaker 2: but I think works for every one of them, and

1516
01:12:14,120 --> 01:12:15,800
Speaker 2: it's I see you've met my wife.

1517
01:12:17,160 --> 01:12:19,960
Speaker 3: I think you can put one hundred almost and it

1518
01:12:20,040 --> 01:12:22,439
Speaker 3: basically works the two of men sitting in the rocking chair.

1519
01:12:22,560 --> 01:12:28,880
Speaker 3: I see you've met my wife. I'm laughing. Everyone's laughing,

1520
01:12:29,200 --> 01:12:32,160
Speaker 3: and they're bringing their own baggage to it because they're

1521
01:12:32,160 --> 01:12:34,400
Speaker 3: trying to figure out what does that mean? Okay? It

1522
01:12:34,560 --> 01:12:36,599
Speaker 3: also does work for an offer I should have called

1523
01:12:36,640 --> 01:12:38,800
Speaker 3: my show, Josh Harp, I see You've met my wife?

1524
01:12:38,960 --> 01:12:45,080
Speaker 3: The final record? That's so funny? Yeah? Dot com dot com? Wow,

1525
01:12:45,360 --> 01:12:46,000
Speaker 3: you won the game?

1526
01:12:46,280 --> 01:12:46,880
Speaker 2: What can I say?

1527
01:12:47,120 --> 01:12:49,000
Speaker 3: I've followed the rules. You followed the rules. You didn't

1528
01:12:49,000 --> 01:12:49,400
Speaker 3: win the game.

1529
01:12:49,439 --> 01:12:50,720
Speaker 2: You came here and you did what you needed to.

1530
01:12:50,960 --> 01:12:53,000
Speaker 3: I'm an eldest child. I'm an eagle Scout. I follow

1531
01:12:53,400 --> 01:13:00,639
Speaker 3: an eagle Scout. Scott is trustworthy, loyal, helpful, friendly, courteous, kind, obedient, cheerful, thrifty, brand, clean,

1532
01:13:00,760 --> 01:13:03,200
Speaker 3: and reverent. Does that answer your question? You're the first.

1533
01:13:03,800 --> 01:13:04,960
Speaker 2: I'm also an eagle Scout.

1534
01:13:05,000 --> 01:13:05,800
Speaker 3: Why didn't you join me?

1535
01:13:05,880 --> 01:13:07,559
Speaker 2: Because I was a bad one? I cheated my way

1536
01:13:07,600 --> 01:13:08,040
Speaker 2: to the top.

1537
01:13:08,120 --> 01:13:11,040
Speaker 3: Wow, I didn't. I only had three out of twelve

1538
01:13:11,120 --> 01:13:14,280
Speaker 3: of those Jesus boys. I knew that whole thing. I

1539
01:13:14,360 --> 01:13:16,280
Speaker 3: didn't know. I knew that whole thing. Can you do

1540
01:13:16,560 --> 01:13:18,800
Speaker 3: on my honor? I will do my best to do

1541
01:13:18,960 --> 01:13:22,120
Speaker 3: my duty to God in my country, to keep myself

1542
01:13:22,640 --> 01:13:27,600
Speaker 3: physically strong, mentally awake, morally, morally straight. I think I

1543
01:13:27,960 --> 01:13:32,240
Speaker 3: morally straight. Oh, that's a tough one. Morally straight that

1544
01:13:32,400 --> 01:13:39,720
Speaker 3: can't possibly And sexually straight, yeah, and sexually questioning this

1545
01:13:39,880 --> 01:13:43,280
Speaker 3: is unbeloved. My morals was straight. It's my sexuality that's

1546
01:13:43,320 --> 01:13:47,920
Speaker 3: a bit curved. That's Jonas, of course, Wow, Judas, I

1547
01:13:48,000 --> 01:13:49,720
Speaker 3: meant to say fuck. I fucked up the joke like

1548
01:13:49,760 --> 01:13:52,040
Speaker 3: he was Samantha Jones and.

1549
01:13:53,400 --> 01:13:57,320
Speaker 2: Swallowed by the Whale and the other eleven were wondering why,

1550
01:13:57,680 --> 01:13:59,240
Speaker 2: actually he's an Old test my guy.

1551
01:13:59,720 --> 01:14:04,120
Speaker 3: He's with Abraham. All them, all them guys.

1552
01:14:04,160 --> 01:14:05,559
Speaker 2: They had the fun things happened to them.

1553
01:14:05,760 --> 01:14:07,920
Speaker 3: They had some crazy shit happened.

1554
01:14:08,080 --> 01:14:10,480
Speaker 2: Old Testament people got the adventures, the excitement.

1555
01:14:10,880 --> 01:14:13,080
Speaker 3: New Testament people got to meet a leper. I guess

1556
01:14:17,920 --> 01:14:19,519
Speaker 3: talk to me when I got eaten by a while.

1557
01:14:21,920 --> 01:14:24,599
Speaker 2: Analise has a we're not gonna onalase has a gift

1558
01:14:24,680 --> 01:14:26,160
Speaker 2: or a curse that they're going to get present to

1559
01:14:26,200 --> 01:14:28,759
Speaker 2: both of us, absolutely, and we'll see who's right or wrong.

1560
01:14:29,280 --> 01:14:30,080
Speaker 3: Gift or a curse.

1561
01:14:30,680 --> 01:14:33,479
Speaker 4: The showstop around of the Great British Bakeoff.

1562
01:14:35,439 --> 01:14:39,439
Speaker 3: Gift. Okay, you gift. The show is a gift. Let's

1563
01:14:39,439 --> 01:14:42,360
Speaker 3: start there. It's impossible to call any part of that

1564
01:14:42,479 --> 01:14:46,639
Speaker 3: show a curse, you know, it's a gift. Perfect casting

1565
01:14:46,720 --> 01:14:49,600
Speaker 3: that show always I care deeply for, and the archetypes,

1566
01:14:49,640 --> 01:14:51,919
Speaker 3: the way they've managed to find so many iterations.

1567
01:14:51,960 --> 01:14:53,799
Speaker 2: What about Matt Lucas. That wasn't good casting.

1568
01:14:54,400 --> 01:14:56,720
Speaker 3: I even liked that. I hate it. I liked other

1569
01:14:56,800 --> 01:14:59,080
Speaker 3: hosts more, but I liked Matt Lucas. Honestly, I've always

1570
01:14:59,120 --> 01:15:02,320
Speaker 3: loved everything the amount of iterations they've found on like

1571
01:15:02,560 --> 01:15:05,320
Speaker 3: Hawaiian shirt dad who loves his daughter. You know, they

1572
01:15:05,400 --> 01:15:08,400
Speaker 3: have these like archetypes. They managed to keep filling me

1573
01:15:08,520 --> 01:15:10,760
Speaker 3: with warmth. And the show stoppers, and you know, it's

1574
01:15:10,760 --> 01:15:14,040
Speaker 3: where they get to really pull out the stops, you know,

1575
01:15:14,160 --> 01:15:17,400
Speaker 3: they and they all they're so autobiographical, you know, and

1576
01:15:17,479 --> 01:15:20,000
Speaker 3: the technical challenge. You don't get to show off like well,

1577
01:15:20,080 --> 01:15:24,040
Speaker 3: actually I at work, I play violin from at the

1578
01:15:24,120 --> 01:15:26,040
Speaker 3: lunch breaks, you know, so I made a big violin.

1579
01:15:26,160 --> 01:15:27,519
Speaker 3: Like that's what you get out of the short stopper.

1580
01:15:27,560 --> 01:15:30,439
Speaker 3: You get to really learn about these people. So that's

1581
01:15:30,479 --> 01:15:32,200
Speaker 3: a gift to me. The whole show is a gift,

1582
01:15:32,479 --> 01:15:34,880
Speaker 3: and one of the most gifting parts is the show stopper.

1583
01:15:35,640 --> 01:15:38,760
Speaker 2: To me, curse, this is the worst part of the show.

1584
01:15:38,920 --> 01:15:43,040
Speaker 2: The showstopper on Bakeoff is an absolute waste of everyone's time,

1585
01:15:43,120 --> 01:15:45,360
Speaker 2: and it goes against everything the show is about.

1586
01:15:45,320 --> 01:15:47,560
Speaker 3: Because you think it's realized about home baking, and it's like,

1587
01:15:47,600 --> 01:15:48,559
Speaker 3: you'd never do this in the home.

1588
01:15:48,680 --> 01:15:52,840
Speaker 2: This is architecture, this is uh, this is model work.

1589
01:15:53,120 --> 01:15:55,559
Speaker 2: This is a waste of my time. You're making toys

1590
01:15:55,640 --> 01:15:57,000
Speaker 2: that aren't they don't look that good.

1591
01:15:57,479 --> 01:15:58,200
Speaker 3: It looks cheap.

1592
01:15:58,760 --> 01:16:02,200
Speaker 2: It is cheap, you know, spiritually cheap, I would say.

1593
01:16:02,520 --> 01:16:04,840
Speaker 2: And I'm watching the show hoping to see something that

1594
01:16:04,840 --> 01:16:06,760
Speaker 2: I would love to eat. I don't want to watch

1595
01:16:06,800 --> 01:16:10,440
Speaker 2: you make your like bring it to class project. It's embarrassing.

1596
01:16:10,880 --> 01:16:12,599
Speaker 2: It's a chance for everyone to fall on their face

1597
01:16:12,680 --> 01:16:15,880
Speaker 2: making a hideous little sculpture. I think it's they should cut.

1598
01:16:15,920 --> 01:16:18,759
Speaker 2: I stopped the show after the second round. I've stopped

1599
01:16:18,800 --> 01:16:21,439
Speaker 2: watching to stop r I say, well, I don't need

1600
01:16:21,479 --> 01:16:21,800
Speaker 2: to see that.

1601
01:16:22,000 --> 01:16:23,800
Speaker 3: So then you start the next episode. Every time you go,

1602
01:16:24,120 --> 01:16:26,600
Speaker 3: where did that dad who loved its daughter in the

1603
01:16:26,640 --> 01:16:31,479
Speaker 3: wine shirt? Goh, yes, I do basically, And I assume, well,

1604
01:16:31,479 --> 01:16:34,320
Speaker 3: they probably created a horrible sculpture that nobody wanted because

1605
01:16:34,360 --> 01:16:37,960
Speaker 3: that's not their that's not their ertise.

1606
01:16:38,080 --> 01:16:40,960
Speaker 2: Yeah, that's not they're calling. They need to cut the round.

1607
01:16:41,080 --> 01:16:43,760
Speaker 2: They need to streamline or put a third round, which

1608
01:16:43,840 --> 01:16:45,080
Speaker 2: is just another baked.

1609
01:16:44,880 --> 01:16:50,360
Speaker 3: Good third round is always just like biscuit biscuit, plain biscuit,

1610
01:16:50,479 --> 01:16:54,080
Speaker 3: plain biscuit, no flavor, and for this week, a flower

1611
01:16:54,320 --> 01:16:59,000
Speaker 3: biscuit flower flower no the flavor. It should taste of flour.

1612
01:17:00,240 --> 01:17:08,360
Speaker 3: You have nineteen hours that round itself becomes three episodes.

1613
01:17:08,720 --> 01:17:14,040
Speaker 3: Nol's coming over, bothering you, starving, I love Nol, Nol's great,

1614
01:17:14,439 --> 01:17:16,200
Speaker 3: what a what a president? Well it was a big

1615
01:17:16,240 --> 01:17:17,400
Speaker 3: bouche head back in the day.

1616
01:17:17,520 --> 01:17:19,680
Speaker 2: Oh interesting, Well then this is really satisfying for you

1617
01:17:19,760 --> 01:17:20,120
Speaker 2: to watch it.

1618
01:17:20,200 --> 01:17:24,960
Speaker 3: Profoundly satisfying. And the new person they've got in there

1619
01:17:25,000 --> 01:17:27,720
Speaker 3: is good. I like her. Yeah, I don't know, I

1620
01:17:27,880 --> 01:17:30,600
Speaker 3: like I like it. But the show stop around with

1621
01:17:30,760 --> 01:17:34,600
Speaker 3: Prue Horry drunk terrific. She's drunk on the show. I

1622
01:17:34,680 --> 01:17:38,960
Speaker 3: love it. And she's like a thousand years old. She's

1623
01:17:38,960 --> 01:17:42,920
Speaker 3: actually much older than you think. She is really incredible. Actually,

1624
01:17:43,000 --> 01:17:44,400
Speaker 3: this is the first thing I want you to look up,

1625
01:17:44,400 --> 01:17:46,400
Speaker 3: because I'm pretty sure she's like eighty six or something,

1626
01:17:46,680 --> 01:17:50,000
Speaker 3: and it's it's much older than you think. Okay, let's

1627
01:17:50,000 --> 01:17:54,639
Speaker 3: see sure both with her, look her viv everything else.

1628
01:17:54,680 --> 01:17:55,760
Speaker 3: I haven't cared enough to look up.

1629
01:17:56,360 --> 01:17:58,600
Speaker 2: One final guess how old do you think she is?

1630
01:17:59,080 --> 01:18:00,680
Speaker 3: I'm gonna, I'm gonna I really nail it.

1631
01:18:00,760 --> 01:18:04,360
Speaker 2: Okay, eighty three ninety three, that's.

1632
01:18:04,240 --> 01:18:06,920
Speaker 3: What I'm saying. She's just kidding, she's saying, but still

1633
01:18:07,080 --> 01:18:10,280
Speaker 3: that's what. Yeah, she's she's like a mid sixties. She's

1634
01:18:10,320 --> 01:18:12,280
Speaker 3: a mid sixties and she's eighty five.

1635
01:18:12,439 --> 01:18:12,679
Speaker 2: Wow.

1636
01:18:12,840 --> 01:18:15,360
Speaker 3: Good for her work. Can we be so lucky? Not

1637
01:18:15,520 --> 01:18:20,160
Speaker 3: just working, drinking, drinking too much? Fucking that woman still

1638
01:18:20,280 --> 01:18:25,040
Speaker 3: is horny and has fun and has a nip of whiskey. Yeah,

1639
01:18:25,840 --> 01:18:29,000
Speaker 3: I love Prue. Wow. Prior to this, it looks like

1640
01:18:29,040 --> 01:18:30,880
Speaker 3: she was doing a bunch of tea prewer to this

1641
01:18:31,000 --> 01:18:34,360
Speaker 3: you meant to say, you mean to say preor to

1642
01:18:34,439 --> 01:18:35,439
Speaker 3: this South African?

1643
01:18:37,080 --> 01:18:43,280
Speaker 2: Hm, Well on a lease, what is the answer.

1644
01:18:44,160 --> 01:18:44,759
Speaker 3: It's a gift.

1645
01:18:45,080 --> 01:18:45,519
Speaker 4: I'm sorry.

1646
01:18:46,000 --> 01:18:48,800
Speaker 3: I was following the rules. This will all be I'm

1647
01:18:48,840 --> 01:18:49,479
Speaker 3: not sorry.

1648
01:18:49,600 --> 01:18:51,880
Speaker 4: I'm not sorry because the one that I just watched

1649
01:18:52,040 --> 01:18:56,479
Speaker 4: had the lead singer of the Kaiser Chiefs upside down

1650
01:18:56,600 --> 01:18:59,560
Speaker 4: croak and boosh in the in the shape of a microphone.

1651
01:19:00,200 --> 01:19:03,200
Speaker 4: I'm sorry that was made especially for me.

1652
01:19:03,400 --> 01:19:06,720
Speaker 3: How could I not love something me just access to

1653
01:19:06,800 --> 01:19:11,960
Speaker 3: a white noise sound, not for zoo, you've actually pointed out,

1654
01:19:11,960 --> 01:19:13,880
Speaker 3: though you are correct, of course, and I got it

1655
01:19:13,960 --> 01:19:16,679
Speaker 3: right because I followed the rules. You're hitting on because

1656
01:19:16,720 --> 01:19:18,519
Speaker 3: your hardline is like, oh, I don't want to see

1657
01:19:18,520 --> 01:19:20,280
Speaker 3: the stuff that you want to actually bake. I actually

1658
01:19:20,280 --> 01:19:21,880
Speaker 3: don't watch the celebrity ones because I was like, I

1659
01:19:21,920 --> 01:19:26,760
Speaker 3: want normal people. I do want normal people, and this traders. Yeah,

1660
01:19:26,960 --> 01:19:28,200
Speaker 3: I don't really watch the trade the traders.

1661
01:19:28,240 --> 01:19:30,320
Speaker 2: When it was normal people had the time of my life.

1662
01:19:30,680 --> 01:19:32,639
Speaker 2: Now it's celebrities, the stakes feel much lower.

1663
01:19:33,080 --> 01:19:35,120
Speaker 3: So this is so. I was about to say, like,

1664
01:19:35,160 --> 01:19:36,439
Speaker 3: which one I've seen it, and then as soon as

1665
01:19:36,479 --> 01:19:39,120
Speaker 3: you said Kaiser Chiefs, I nope, yeah, definitely have it right.

1666
01:19:39,200 --> 01:19:41,160
Speaker 3: But I love the show stopper. I love pushing them

1667
01:19:41,200 --> 01:19:43,040
Speaker 3: into the deep end and making them do and it's silly,

1668
01:19:43,120 --> 01:19:43,840
Speaker 3: it's just goofy.

1669
01:19:44,040 --> 01:19:45,000
Speaker 2: It's a waste of time.

1670
01:19:45,800 --> 01:19:47,920
Speaker 3: But the whole thing is why does Tom ride the

1671
01:19:48,000 --> 01:19:50,760
Speaker 3: motorcycle off the cliff? It's all a waste of time.

1672
01:19:51,240 --> 01:19:52,960
Speaker 3: Think about this. Riding off of the cliff is a

1673
01:19:53,160 --> 01:19:57,400
Speaker 3: technical challenge. Think of the show Stopper like that. No,

1674
01:19:57,960 --> 01:20:01,080
Speaker 3: it's it's applying technical no high to something you shouldn't

1675
01:20:01,080 --> 01:20:01,360
Speaker 3: be doing.

1676
01:20:01,760 --> 01:20:04,839
Speaker 2: No, the show Stopper is the plot impossible movie.

1677
01:20:05,439 --> 01:20:08,360
Speaker 3: Is changing the oil on the motorcycle. Riding it off

1678
01:20:08,360 --> 01:20:10,479
Speaker 3: a cliff is not what its intended use is. Riding

1679
01:20:10,600 --> 01:20:13,439
Speaker 3: off the cliff is a technical challenge. Technical challenge is

1680
01:20:14,080 --> 01:20:17,599
Speaker 3: making a full stop at a stoplight. That's its intended use.

1681
01:20:17,920 --> 01:20:19,960
Speaker 3: That's making a flower biscuit, you know what I mean.

1682
01:20:20,640 --> 01:20:22,840
Speaker 3: The motorcycle is not made to ride off the cliff.

1683
01:20:23,240 --> 01:20:26,599
Speaker 3: That's show stopping. That's saying, stop this show, Patti Lapone.

1684
01:20:26,800 --> 01:20:30,960
Speaker 3: This is Patti Lapone going, have you no decentse stop

1685
01:20:31,080 --> 01:20:34,080
Speaker 3: taking pictures to a photographer hired to be there. It

1686
01:20:34,240 --> 01:20:38,760
Speaker 3: is such a wild move. Sorry to fight you on

1687
01:20:38,840 --> 01:20:40,480
Speaker 3: your own podcasts and to interrupt.

1688
01:20:40,600 --> 01:20:45,040
Speaker 2: I'm deeply wrong. Yeah, oh god. And to be so

1689
01:20:45,120 --> 01:20:47,479
Speaker 2: shy not to even promote your show. And you've been

1690
01:20:47,520 --> 01:20:48,320
Speaker 2: a difficult Yeah.

1691
01:20:48,520 --> 01:20:50,920
Speaker 3: I'm often told I need to speak up in life,

1692
01:20:50,920 --> 01:20:52,160
Speaker 3: and definitely on podcasts.

1693
01:20:53,000 --> 01:20:54,360
Speaker 2: We need to answer a listener question.

1694
01:20:54,439 --> 01:20:56,000
Speaker 3: We help me answer a listener I'd love to be

1695
01:20:56,040 --> 01:20:57,160
Speaker 3: delighted to people.

1696
01:20:56,960 --> 01:20:59,560
Speaker 2: Are writing into I said no gift stock Calm, no, no,

1697
01:20:59,600 --> 01:21:02,400
Speaker 2: they're not. I said no gifts at Gmail dot com.

1698
01:21:02,880 --> 01:21:04,920
Speaker 2: There's no I said no gifts dot com. Don't go there.

1699
01:21:04,920 --> 01:21:06,639
Speaker 3: I don't know what's to dot com.

1700
01:21:06,760 --> 01:21:11,720
Speaker 2: Go to Josh up to the A d ah. They're

1701
01:21:11,720 --> 01:21:13,080
Speaker 2: writing in and begging for answers.

1702
01:21:13,200 --> 01:21:15,040
Speaker 3: We help me answer one. I would love to Okay,

1703
01:21:15,080 --> 01:21:16,880
Speaker 3: this is deer bridger and Sweetypie guest.

1704
01:21:16,960 --> 01:21:17,479
Speaker 2: That's nice.

1705
01:21:18,040 --> 01:21:21,320
Speaker 3: It feels, you know, shot in the dark, right, but

1706
01:21:21,400 --> 01:21:23,880
Speaker 3: they got sweet Pie, they got lucky. Good for you.

1707
01:21:24,360 --> 01:21:25,799
Speaker 2: You're building up your self confidence.

1708
01:21:25,880 --> 01:21:28,040
Speaker 3: Or they're present. They might be. They might have the

1709
01:21:28,040 --> 01:21:32,519
Speaker 3: gift psychic Fackham's razor. They have the gift of sight.

1710
01:21:33,160 --> 01:21:34,120
Speaker 3: I won't interrupt again.

1711
01:21:36,000 --> 01:21:38,599
Speaker 2: My friend was originally going to get married Valentine's Day

1712
01:21:38,640 --> 01:21:41,640
Speaker 2: to a lovely person she had a quick whirlwind relationship with.

1713
01:21:42,200 --> 01:21:44,880
Speaker 2: Several months after the wedding invite, we received a masked

1714
01:21:44,960 --> 01:21:48,800
Speaker 2: text that they had broken up parentheses December. She said

1715
01:21:48,840 --> 01:21:51,480
Speaker 2: she was devastated but still wanted to throw a Gallantine's

1716
01:21:51,560 --> 01:21:54,080
Speaker 2: Day type of party to celebrate her friendships and pick

1717
01:21:54,120 --> 01:21:57,200
Speaker 2: herself back up. I r s v P to this

1718
01:21:57,400 --> 01:21:59,479
Speaker 2: as well. Okay, so she did it to the wedding.

1719
01:21:59,560 --> 01:22:02,320
Speaker 2: End to this well, ready to party and cheer her up.

1720
01:22:02,760 --> 01:22:06,240
Speaker 2: Come January, we received an updated RSVP text for the

1721
01:22:06,280 --> 01:22:09,280
Speaker 2: party that it is now on with the boyfriend as

1722
01:22:09,320 --> 01:22:11,920
Speaker 2: they are now back together but not planning to get

1723
01:22:12,000 --> 01:22:15,759
Speaker 2: married again. On February fourteenth, in the original wedding venue

1724
01:22:15,800 --> 01:22:19,519
Speaker 2: they paid for god a chapel in a cemetery Oh.

1725
01:22:19,960 --> 01:22:21,400
Speaker 3: Wow, do you have that says it all?

1726
01:22:22,080 --> 01:22:25,080
Speaker 2: Do you have experience with this type of situation? Of course,

1727
01:22:25,120 --> 01:22:26,080
Speaker 2: who do you think you're talking to?

1728
01:22:26,479 --> 01:22:27,400
Speaker 3: What should I bring it to?

1729
01:22:27,520 --> 01:22:30,479
Speaker 2: A party in a cemetery on Valentine's Day? O or

1730
01:22:30,520 --> 01:22:33,640
Speaker 2: a little late, I guess on Valentine's Day? That has

1731
01:22:34,320 --> 01:22:37,520
Speaker 2: also the deeply awkward context of a broken off engagements

1732
01:22:37,600 --> 01:22:40,200
Speaker 2: but still happily living together. It will be my first

1733
01:22:40,240 --> 01:22:43,080
Speaker 2: time meeting the significant other. All I know about him

1734
01:22:43,160 --> 01:22:45,320
Speaker 2: is that he's pursuing a doctorate in philosophy.

1735
01:22:45,600 --> 01:22:48,320
Speaker 3: Thank you for your help. And that's from carin talk

1736
01:22:48,360 --> 01:22:51,479
Speaker 3: about a synectocky where the part represents the whole. The

1737
01:22:51,640 --> 01:22:55,400
Speaker 3: chapel in the graveyard is like, yep, there it is

1738
01:22:55,640 --> 01:22:59,320
Speaker 3: the whole situation, that's the whole thing. What do you bring?

1739
01:22:59,640 --> 01:23:01,320
Speaker 3: What do you god? I mean, what do you do?

1740
01:23:01,800 --> 01:23:03,200
Speaker 3: What do you do? I mean? I guess you have

1741
01:23:03,360 --> 01:23:07,000
Speaker 3: to go. I would sort of I feel like I'd

1742
01:23:07,040 --> 01:23:10,240
Speaker 3: want to embrace full ghoul and and actually whether I'm

1743
01:23:10,640 --> 01:23:12,320
Speaker 3: told or not, or whether I tell others or not,

1744
01:23:12,479 --> 01:23:14,000
Speaker 3: be like what if I make it spooky because it's

1745
01:23:14,000 --> 01:23:16,240
Speaker 3: in a graveyard, like come like dressed as like a

1746
01:23:17,120 --> 01:23:19,800
Speaker 3: maybe maybe hire someone to give me like really great

1747
01:23:20,000 --> 01:23:25,240
Speaker 3: like Hollywood level like Spook makeup. That's it. I mean

1748
01:23:25,240 --> 01:23:27,599
Speaker 3: I feel like, oh, and you could be like, because

1749
01:23:27,600 --> 01:23:30,080
Speaker 3: we're in a graveyard and your relationships back from the dead,

1750
01:23:31,760 --> 01:23:35,880
Speaker 3: do you get it? That'd be fun, of course.

1751
01:23:35,880 --> 01:23:38,639
Speaker 2: I mean I feel like that's beyond appropriate. Why else

1752
01:23:38,720 --> 01:23:40,599
Speaker 2: were they having it in a graveyard for a wedding

1753
01:23:41,640 --> 01:23:42,920
Speaker 2: on Valentine's Day?

1754
01:23:43,120 --> 01:23:46,400
Speaker 3: At every stage that was an interesting choice. They were

1755
01:23:46,520 --> 01:23:50,080
Speaker 3: begging for someone to show up most sense in this one, yes,

1756
01:23:50,280 --> 01:23:53,120
Speaker 3: makes less sense for Galentine's your wedding, right, Like, I'm

1757
01:23:53,200 --> 01:23:55,320
Speaker 3: back with this flop boyfriend. It's like, yeah, then let's

1758
01:23:55,320 --> 01:24:00,320
Speaker 3: do it in a monster and let's boogie. Absolutely ly

1759
01:24:00,320 --> 01:24:00,839
Speaker 3: will boogie.

1760
01:24:01,479 --> 01:24:04,680
Speaker 2: Otherwise cut them out. You don't need what This was

1761
01:24:04,720 --> 01:24:08,360
Speaker 2: a sort of friend no one rs VP to one

1762
01:24:08,439 --> 01:24:09,080
Speaker 2: event and then.

1763
01:24:09,680 --> 01:24:11,400
Speaker 3: I still feel like maybe you still go at this

1764
01:24:11,439 --> 01:24:13,880
Speaker 3: point because you're like, well, one last hurrah before I

1765
01:24:13,920 --> 01:24:15,559
Speaker 3: cut this person out, because I would want to get

1766
01:24:15,600 --> 01:24:16,000
Speaker 3: eyes on this.

1767
01:24:16,240 --> 01:24:18,479
Speaker 2: You want to see what's happening and what this thing

1768
01:24:18,600 --> 01:24:20,880
Speaker 2: is not going to go, according to Planet hasn't from

1769
01:24:20,920 --> 01:24:22,080
Speaker 2: the very beginning.

1770
01:24:21,880 --> 01:24:23,639
Speaker 3: And then i'd sort of remove them from my life.

1771
01:24:23,680 --> 01:24:25,000
Speaker 3: And when like two years later, they're like, I haven't

1772
01:24:25,000 --> 01:24:27,440
Speaker 3: heard from you ever. Did something happen? I go, absolutely,

1773
01:24:29,840 --> 01:24:30,880
Speaker 3: absolutely something did.

1774
01:24:31,960 --> 01:24:33,840
Speaker 2: Just forward the RSVP back to them.

1775
01:24:33,960 --> 01:24:38,800
Speaker 3: Yeah, exactly, all familiar, all three. Yeah, you flooded. My

1776
01:24:38,960 --> 01:24:45,120
Speaker 3: email flooded. I think that's my computer was smoking. My

1777
01:24:45,240 --> 01:24:48,320
Speaker 3: computer was smoking. I have a Gateway two thousand desktop

1778
01:24:48,400 --> 01:24:50,920
Speaker 3: and it couldn't handle all of these emails. I just

1779
01:24:50,960 --> 01:24:53,360
Speaker 3: wrote Tom Cruise's biography. I just wrote, but I was

1780
01:24:53,439 --> 01:24:55,920
Speaker 3: up late all night working on Tom Cruise and I

1781
01:24:56,320 --> 01:24:59,320
Speaker 3: didn't save save my work and your email came in

1782
01:24:59,400 --> 01:25:02,120
Speaker 3: and my Way two thousand and started smoking, and I

1783
01:25:02,240 --> 01:25:05,080
Speaker 3: lost it and Tom had to write it himself, and

1784
01:25:05,200 --> 01:25:08,360
Speaker 3: he had been eating cake, of course.

1785
01:25:08,560 --> 01:25:12,600
Speaker 2: So okay, So just to clear up, show up in

1786
01:25:12,720 --> 01:25:18,200
Speaker 2: full Hollywood prothetics, some sort of horrible monster on Valentine's Day.

1787
01:25:19,800 --> 01:25:22,880
Speaker 2: Just sit back and watch it all in bold, Watch

1788
01:25:23,160 --> 01:25:26,320
Speaker 2: her leave screaming, not because of your costume, but because

1789
01:25:26,400 --> 01:25:31,080
Speaker 2: this guy is a dud. Then go radio silent on her,

1790
01:25:31,120 --> 01:25:34,519
Speaker 2: maybe change your phone number, wait for her to reach out,

1791
01:25:35,240 --> 01:25:37,320
Speaker 2: and then throw it back in her face. Yeah, it's

1792
01:25:37,360 --> 01:25:41,760
Speaker 2: the perfect plan, perfect Carinn. Your friend has pushed all

1793
01:25:41,800 --> 01:25:45,280
Speaker 2: of us too far. I'm glad we answered this too late.

1794
01:25:45,320 --> 01:25:49,160
Speaker 2: To be honest, absolutely, I think that she needed to

1795
01:25:49,400 --> 01:25:52,080
Speaker 2: take her own energy to this thing that which was confusion.

1796
01:25:53,960 --> 01:25:57,679
Speaker 2: Perfect We answered it perfectly. I now have three different tops.

1797
01:25:58,479 --> 01:26:01,360
Speaker 2: I could wear these, you know, for weeks, you know,

1798
01:26:01,479 --> 01:26:02,000
Speaker 2: just cycling.

1799
01:26:02,240 --> 01:26:05,479
Speaker 3: So that's a party in La all right, three different tops.

1800
01:26:06,280 --> 01:26:08,519
Speaker 3: Sounds like a Friday night for Bridge or don't it?

1801
01:26:11,040 --> 01:26:15,519
Speaker 3: Anyway you were saying, I was saying, Josharpteda dot com

1802
01:26:16,240 --> 01:26:19,760
Speaker 3: dud's thank you at last last you show me.

1803
01:26:20,080 --> 01:26:21,360
Speaker 2: Someone had to say it on this podcast.

1804
01:26:21,360 --> 01:26:22,800
Speaker 3: Someone had to say it on this podcast. It would

1805
01:26:22,800 --> 01:26:24,559
Speaker 3: have been then it wouldn't be made. That would be tacky.

1806
01:26:24,840 --> 01:26:27,600
Speaker 2: And this is the promo podcast. People come here, they're like,

1807
01:26:27,640 --> 01:26:29,799
Speaker 2: what will be? What am I going to get plugged?

1808
01:26:30,840 --> 01:26:33,280
Speaker 2: And I had to give them. You know, I teased

1809
01:26:33,320 --> 01:26:35,920
Speaker 2: it throughout and I'm giving it. I get the listener

1810
01:26:36,000 --> 01:26:39,120
Speaker 2: what they beg for, Josh, I've had a lovely time

1811
01:26:39,160 --> 01:26:39,639
Speaker 2: with you here.

1812
01:26:39,760 --> 01:26:41,080
Speaker 3: Is well, thank you for having me here in your

1813
01:26:41,120 --> 01:26:41,720
Speaker 3: gorgeous home.

1814
01:26:42,240 --> 01:26:47,120
Speaker 2: Of course, anytime and listener the podcast is over. I

1815
01:26:47,160 --> 01:26:48,880
Speaker 2: feel a little bit of a sneeze coming on. But

1816
01:26:48,920 --> 01:26:50,800
Speaker 2: now that I've said it, it's no longer coming on,

1817
01:26:50,920 --> 01:26:55,479
Speaker 2: which is wow. I overcame it. The podcast is over,

1818
01:26:55,880 --> 01:26:58,599
Speaker 2: so you have to do something else. I love you, goodbye,

1819
01:27:04,040 --> 01:27:07,599
Speaker 2: I said, No Gifts is an exactly right production. Our

1820
01:27:07,680 --> 01:27:10,800
Speaker 2: senior producer is on Alisa Nelson, and our episodes are

1821
01:27:10,960 --> 01:27:14,680
Speaker 2: beautifully mixed by Ben Toliday. The theme song is by

1822
01:27:14,800 --> 01:27:17,880
Speaker 2: miracle Worker Amy Mann, and we couldn't do it without

1823
01:27:17,880 --> 01:27:21,439
Speaker 2: our booker, Patrick Cottner. You must follow the show on

1824
01:27:21,560 --> 01:27:24,000
Speaker 2: Instagram at I said No Gifts, That's where you're going

1825
01:27:24,040 --> 01:27:26,519
Speaker 2: to see pictures of all these wonderful gifts I'm getting.

1826
01:27:26,920 --> 01:27:30,200
Speaker 3: And don't you want to see the gifts line? Why

1827
01:27:30,320 --> 01:27:31,080
Speaker 3: did you hear?

1828
01:27:33,640 --> 01:27:36,280
Speaker 1: Thought a man myself perfectly clear?

1829
01:27:37,600 --> 01:27:38,880
Speaker 2: But you're a guest to me.

1830
01:27:41,760 --> 01:27:44,559
Speaker 3: You gotta come to me empty, And.

1831
01:27:46,120 --> 01:27:53,200
Speaker 1: I said, no guests, your presences, presents, and I already

1832
01:27:53,760 --> 01:27:58,800
Speaker 1: too much stuff. So how do you dad to surbey me?

1833
01:28:01,600 --> 01:28:04,200
Speaker 1: Became with them