WEBVTT - Deadpool Goes to Hollywood

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<v Speaker 1>Warning, Today's episode contains spoilers for all of Deadpool's big

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<v Speaker 1>screen appearances. That includes X Men origins Wolverine on all

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<v Speaker 1>the Deadpool movies. So you don't watch those things and

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<v Speaker 1>you intend to watch them, and you care about being

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<v Speaker 1>spoiled from those things, maybe watch them first then come back.

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<v Speaker 1>Hell my name is Jasononcepcion And on Mesday Night and

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<v Speaker 1>welcome back to X Ray Visions week long coverage of

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<v Speaker 1>all things Deadpool.

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<v Speaker 2>So Wolverine.

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<v Speaker 1>We're dropping episodes every single day leading up to the

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<v Speaker 1>release of Deadpool Wolverine, covering everything from both characters comics origins,

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<v Speaker 1>to the long history of their film adaptations.

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<v Speaker 3>In today's episode, it's another chunky omnibus. We're revisiting the

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<v Speaker 3>previous two Deadpool movies, from the decade long fight to

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<v Speaker 3>the Get Deadpool GREENLT to the abandoned plans for a sequel,

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<v Speaker 3>and the almost abandoned third movie, Deadpool and Wolverine.

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<v Speaker 2>Let's get into it.

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<v Speaker 3>In two thousand and five, Ryan Reynolds met with Perennial.

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<v Speaker 4>What a time mark.

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<v Speaker 3>He met and he met with Avia rad a perennial

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<v Speaker 3>real life character in these types of stories, who we

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<v Speaker 3>talk about a lot, the former chairman, CEO and founder

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<v Speaker 3>of Marvel Studios, and signed on to take the role

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<v Speaker 3>of Deadpool all the way back in two thousand and five.

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<v Speaker 3>Imagine that at the time Marvel was hoping to develop

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<v Speaker 3>the movie with Davides Goya.

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<v Speaker 4>We've had him on the show, Comic and Commision movie himself.

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<v Speaker 3>He'd worked on the Blade trilogy, Batman Begins, he's now

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<v Speaker 3>doing Foundation. You know, he's a very sensible cinematic fellow.

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<v Speaker 3>It's a good choice to go with. The rights to

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<v Speaker 3>put on the big screen at that time were owned

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<v Speaker 3>by New Line Cinema, who we know for all the

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<v Speaker 3>fantastic horror movies and cool stuff like that, but they

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<v Speaker 3>never moved forwards with it, and eventually they sold the

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<v Speaker 3>rights to twentieth Century Fox in two thousand and five,

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<v Speaker 3>who had purchased the film rights to The X Men

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<v Speaker 3>in nineteen ninety three and Fantastic Four in nineteen ninety eight.

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<v Speaker 4>If you remember, that.

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<v Speaker 3>Was when Marvel was essentially insolvent going through bankruptcy, so

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<v Speaker 3>they sold off a lot of their rights for a

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<v Speaker 3>very little amount of money, and we are still living

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<v Speaker 3>with the ramifications of that now.

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<v Speaker 4>Once twentieth Century Fox became involved.

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<v Speaker 3>The movie ended up hitting even more delays and eventually

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<v Speaker 3>ended up languishing in development.

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<v Speaker 4>Hell enter X.

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<v Speaker 1>Men Origins Wolverine. Four years later, Reynolds joins the cast

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<v Speaker 1>of X Men Origins Wolverine as a version the introduction

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<v Speaker 1>of Wade Wilson the murc with a Mouth question mark.

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<v Speaker 1>We'll get into that. There are rumors that Reynolds felt

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<v Speaker 1>pressure to take the role here or else risk losing

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<v Speaker 1>a character he really passionately wanted to play to some

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<v Speaker 1>other actor. The opening of the movie does feature a

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<v Speaker 1>wise cracking Wade Wilson talking about how much he loves

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<v Speaker 1>his katanas. He's trash talking all his fellow mercenaries in

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<v Speaker 1>the film, which I believe is the screenwriting debut of

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<v Speaker 1>David Bennioff of Game of Thrones fame. Since this took

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<v Speaker 1>place during the rite strike, much of Wade's dialogue was

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<v Speaker 1>just Reynolds improving.

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<v Speaker 3>The movie obviously shapes his kind of career with Deadpool

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<v Speaker 3>because he has been that voice since then totally.

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<v Speaker 1>Now I mentioned the Mark with a Mouth, which is

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<v Speaker 1>Deadpool's nickname. Once Wade acquires his healing factor powers in

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<v Speaker 1>this film, he has his mouth. I don't know if

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<v Speaker 1>you would call it sown shut or really the skinny.

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<v Speaker 2>Stapled or something like that sealed up.

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<v Speaker 1>So he never gets to wisecrack at all, and he

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<v Speaker 1>doesn't wear his costume, even though he does become ostensibly

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<v Speaker 1>the final boss villain of this of this film. The

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<v Speaker 1>post credits scene of the movie led some to believe

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<v Speaker 1>that his inclusion was meant to lead to a spinoff.

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<v Speaker 1>Does seem like that? Yeah, that never materialized. Meanwhile, Fox

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<v Speaker 1>continued to hold a deadpool in development limbo, and that

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<v Speaker 1>limbo became even more goopy and hard to escape after

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<v Speaker 1>Reynolds's turn as Hal Jordan in twenty eleven's Green Lantern

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<v Speaker 1>hit the sidewalk with a terrible and juicy.

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<v Speaker 4>Thud, super juicy thud. And also, let's be real, we're already.

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<v Speaker 3>In twenty and eleven here, so we're talking six years

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<v Speaker 3>off the Reynolds first had his beginning with old Avier Rod,

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<v Speaker 3>so uh yeah, time to make some fucking chimmy changas.

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<v Speaker 4>Let's talk about actual development.

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<v Speaker 3>After X Men Wolverine's successful opening, nobody talks about that.

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<v Speaker 2>Is that people love people. People love over read the

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<v Speaker 2>movie was bad, but people love.

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<v Speaker 4>Over read plans for a Deadpol solo Let me.

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<v Speaker 2>Just say one.

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<v Speaker 1>I want to say one thing about X Men Origins Wolverine.

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<v Speaker 1>I was super broke at the time that movie came out.

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<v Speaker 1>I really wanted to see the movie, but I had

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<v Speaker 1>no money, and so I did download a pirated cam

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<v Speaker 1>of the movie, which is how I saw X Men

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<v Speaker 1>Origins Wolverine. That's how I saw that movie for a

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<v Speaker 1>illegally Turkish cam or something like that.

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<v Speaker 3>Probably how David Benioff exactly how he wants to watch it. Definitely,

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<v Speaker 3>So after the success of that movie, financial not critical,

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<v Speaker 3>I will say plans for though I will say I

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<v Speaker 3>watched that movie at least once a year.

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<v Speaker 4>It's very entertaining. Plans for a.

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<v Speaker 3>Deadpool solo movie were revisited in January twenty ten. Rhtt

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<v Speaker 3>Reese and Paul Wernick, who had worked on Zombie Land,

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<v Speaker 3>Very Good and gij Retaliation, were hired to work on

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<v Speaker 3>a spin off that would feature more comics accurate version

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<v Speaker 3>of the character. A version of the Ari script was leaked.

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<v Speaker 4>That is true.

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<v Speaker 3>It was a big deal, which the fan loves, and

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<v Speaker 3>the studios then brought on director Tim Miller in twenty eleven,

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<v Speaker 3>who had created some test footage with Reynolds. The studio

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<v Speaker 3>was unimpressed with it, and after the success of Avengers,

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<v Speaker 3>began exploring other options for dead Pool, including appearing in

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<v Speaker 3>ensemble movies. But then, lo and behold, three years later,

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<v Speaker 3>in one of the most auspicious leaks of all time,

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<v Speaker 3>we still want speaked it.

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<v Speaker 4>Who could have done this?

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<v Speaker 3>Who could have done this? Says a man in a

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<v Speaker 3>hot dog costume. The CGI clip was less than two

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<v Speaker 3>minutes long, but featured what eventually became the opening of

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<v Speaker 3>the twenty sixteen movie, including many of the same jokes

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<v Speaker 3>and musical cues, and it was essentially like a very

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<v Speaker 3>cool fight scene inside a car. He's chopping people's heads off,

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<v Speaker 3>he's being quippy.

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<v Speaker 4>You know. It's very Deadpool.

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<v Speaker 3>While the studio had initially been hesitant on the project,

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<v Speaker 3>the leaked footage received incredibly positive reaction, which Reynolds feels

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<v Speaker 3>is exclusively the reason that the movie got made. Fox

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<v Speaker 3>finally gives the go ahead for Deadpool movie to be

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<v Speaker 3>released in twenty sixteen, and years ago the studio had

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<v Speaker 3>very silly of them pushed for a PG thirteen version

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<v Speaker 3>of the character.

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<v Speaker 1>Since I get why our movies, particularly our movies that

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<v Speaker 1>are genre movies, they don't usually make money. It's very

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<v Speaker 1>uncommon for them for that to happen.

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<v Speaker 3>The Joker was the first rated movie to make a

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<v Speaker 3>billion dollars, you know, which in a superhero age you

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<v Speaker 3>would think was not the case.

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<v Speaker 4>PG thirteen. Also, you can get away with a fair amount.

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<v Speaker 3>Yeah, in PG thirteen. We've seen some pretty scary PG

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<v Speaker 3>thirteen movies. But after the test footage, which was very

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<v Speaker 3>distinctly not PG thirteen twentieth Century Fox, that allowed the

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<v Speaker 3>creative team more leniency, partly thanks to having a much

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<v Speaker 3>smaller budget. Reynolds described the movie's fifty eight million dollar

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<v Speaker 3>budget as the cocaine budget for most superhero movies.

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<v Speaker 4>That's a lot of cocaine, right.

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<v Speaker 1>I mean sixty sub sixty million dollars, even in what

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<v Speaker 1>was this twenty twenty, twenty ten, twenty tens. That's really

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<v Speaker 1>not a lot of money.

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<v Speaker 4>No, it's not a lot of money at all.

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<v Speaker 3>And he said the creative team felt less pressure from

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<v Speaker 3>the studio make the movie at the price the way

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<v Speaker 3>you want to make it. And as you know, the

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<v Speaker 3>cocaine budget for X ray vision.

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<v Speaker 4>Is extremely high.

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<v Speaker 3>It's so big, Me and Jason are always doing those

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<v Speaker 3>drugs and stuff, so you better listen to these ads

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<v Speaker 3>so we can afford the illegal substances.

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<v Speaker 1>And we're back from doing cocaine now. The smaller budget

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<v Speaker 1>naturally forced changes. Early drafts of the script featured Garrison

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<v Speaker 1>Kane aka Kane however you know his cybernetic arms and

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<v Speaker 1>don't we love a cybernetic arm? As a dead Pool

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<v Speaker 1>mentions in Deadpool too, don't we love a bionic arm?

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<v Speaker 1>That was too much for the CGI budget. Ajax was

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<v Speaker 1>originally meant to be working for doctor Emerus Kilbrew and

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<v Speaker 1>however they just basically had to simplify the story and

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<v Speaker 1>start reaching kind of deeper into the character bin for

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<v Speaker 1>cheaper to produce characters. There was pressure to include Cable

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<v Speaker 1>in the movie, seeing as Deadpool has you know, has

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<v Speaker 1>a long and storied association with Cable, but ultimately the

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<v Speaker 1>writers felt it was better to let Deadpool stand on

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<v Speaker 1>his own two scarred, gnarled feet and push Cable to

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<v Speaker 1>a later sequel. The movie opened Friday February twelve, Bound

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<v Speaker 1>Times Day Weekend twenty sixteen and was a massive, like

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<v Speaker 1>you can't overstate it massive massive success. More on this

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<v Speaker 1>in our quick hitting segment at the end of the episode.

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<v Speaker 1>But it was a huge success, going on to earn

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<v Speaker 1>some seven hundred and eighty two million dollars and change

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<v Speaker 1>at the box office, massive return for an rated film.

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<v Speaker 1>Post credit scene featured Deadpool doing his best first Bueller

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<v Speaker 1>impression and teasing the audience that he'd be back and

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<v Speaker 1>that the next movie would feature that's right, son of

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<v Speaker 1>Cyclops himself and Gene Cable Cable, our good friend Cable.

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<v Speaker 1>Two months after the release of Deadpool, it was confirmed

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<v Speaker 1>that the writer's recent Paul Wernick, director Tim Miller, and

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<v Speaker 1>star Ryan Reynolds would return for the sequel Listen you Get,

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<v Speaker 1>You get a crew that creates a hit movie, just

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<v Speaker 1>run it back. Reynolds signed a new contract giving him

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<v Speaker 1>more creative control, including a say in casting. In October

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<v Speaker 1>of twenty sixteen, director Tim Miller left the film amid

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<v Speaker 1>creative differences with Ryan Reynolds. Miller wanted to push for

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<v Speaker 1>the sequel to be more stylized, while Reynolds was more

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<v Speaker 1>focused on the R rated humor. I think we could

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<v Speaker 1>say that Reynolds, at this point, after over ten years

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<v Speaker 1>of development, road in his relationship with Deadpool. I think

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<v Speaker 1>he understands the tone of that character and how to

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<v Speaker 1>translate that to the feature.

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<v Speaker 2>Film, and he succeeded.

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<v Speaker 1>Additionally, Miller was supposed toly wanted Kyle Chandler from Friday

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<v Speaker 1>Lights to play Cable, but Reynolds did not good casting.

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<v Speaker 4>I'm sorry, I'm interested, but a big enough star.

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<v Speaker 1>Name agreed in staid, we get a grimacing Josh Brolin

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<v Speaker 1>who's already fanos in the FCA.

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<v Speaker 4>He's just gone wild. But who cas But who cares?

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<v Speaker 1>And also at this time we're talking about two different companies,

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<v Speaker 1>Fox and Marvel Studios. In the aftermath, Tim Miller shared

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<v Speaker 1>his ideas for The Sea, featuring a progression of Vanessa

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<v Speaker 1>storyline where she becomes the iconic, well the iconic in

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<v Speaker 1>terms of Dead Cole comic character Copycat, also Wade's girlfriend

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<v Speaker 1>in the comics. It also featured a fight between Juggernaut

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<v Speaker 1>and the Thing whoa the Thing in the film's third act.

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<v Speaker 1>A month after Miller left, director David Leach signed on

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<v Speaker 1>to direct the sequel. Reynolds, Rhyes Wernick split the scenes

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<v Speaker 1>into three parts, and each one wrote one part before

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<v Speaker 1>passing the round to the others. There was a strong

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<v Speaker 1>desire to include X Force in this and that influenced

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<v Speaker 1>the film's theme.

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<v Speaker 4>Yeah.

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<v Speaker 1>By twenty seventeen, the film was still looking to cast

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<v Speaker 1>Deadpool's two major allies, Michael Shannon, David Harbor, Pierce brasn

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<v Speaker 1>and all were believed to be in consideration. Eventually was

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<v Speaker 1>announced that Zazi Beats was cast as Domino. This is

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<v Speaker 1>in twenty seventeen, and following a month, it was announced

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<v Speaker 1>that Josh Brolin had beat out the previously aforementioned middle

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<v Speaker 1>aged actors for the role as Cable, and it was

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<v Speaker 1>rumored that Fox hoped to use the introduction of Cable

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<v Speaker 1>and Domino to spin off an X Force movie. However,

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<v Speaker 1>this has never materialized.

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<v Speaker 3>Interesting Okay, so the filming was not without controversy. The

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<v Speaker 3>second movie began shooting in June twenty seventeen in Canada

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<v Speaker 3>under the working title Love Machine. On August fourteenth, so

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<v Speaker 3>soon after they began shooting, stunt woman Joy Harris died

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<v Speaker 3>in a motorcycle accident performing a stunt for the movie.

0:13:30.559 --> 0:13:33.000
<v Speaker 3>Joy had never done stunt work before and was not

0:13:33.080 --> 0:13:35.760
<v Speaker 3>wearing a helmet because she had joined production only a

0:13:35.800 --> 0:13:38.000
<v Speaker 3>week before and they had not had time to fit

0:13:38.080 --> 0:13:40.920
<v Speaker 3>a helmet under the Domino wig for the scene. Many

0:13:41.000 --> 0:13:43.840
<v Speaker 3>criticized the production for using Harris instead of a veteran

0:13:43.880 --> 0:13:47.600
<v Speaker 3>stunt performer, arguing her racing experience did not qualify her

0:13:47.640 --> 0:13:50.800
<v Speaker 3>as an able performer for the stunt. Productions shut down

0:13:50.800 --> 0:13:53.839
<v Speaker 3>for two days immediately after the incident, and reports came

0:13:53.880 --> 0:13:57.079
<v Speaker 3>out that the film's crew were exhausted and working incredibly

0:13:57.120 --> 0:14:00.000
<v Speaker 3>long days, with reports that some days had increased filming

0:14:00.120 --> 0:14:02.000
<v Speaker 3>to over fifteen hours a day.

0:14:02.120 --> 0:14:04.360
<v Speaker 1>So this is obviously terrible, and I think it's made

0:14:04.400 --> 0:14:07.520
<v Speaker 1>even more complicated by the fact that there was a

0:14:07.640 --> 0:14:13.280
<v Speaker 1>veteran stunt performer who had done these kinds of stunts,

0:14:13.720 --> 0:14:16.160
<v Speaker 1>ready and willing to do it. But part of the

0:14:16.240 --> 0:14:19.640
<v Speaker 1>reasoning for going with Joy was sazy beats is black.

0:14:19.760 --> 0:14:26.040
<v Speaker 1>The stunt performer, it's black, and unfortunately it has resulted

0:14:26.080 --> 0:14:30.240
<v Speaker 1>in this person passing. The stunt community was really critical

0:14:30.520 --> 0:14:35.360
<v Speaker 1>of this. The fifteen hour days thing is like, that's

0:14:35.400 --> 0:14:36.000
<v Speaker 1>every movie.

0:14:36.080 --> 0:14:36.680
<v Speaker 2>They do feel it.

0:14:36.880 --> 0:14:38.560
<v Speaker 4>Is, Well, that's what I was going to say.

0:14:38.560 --> 0:14:41.240
<v Speaker 3>That I think is really interesting is around the same

0:14:41.320 --> 0:14:45.640
<v Speaker 3>time as this, there was like a crash when people

0:14:45.640 --> 0:14:49.160
<v Speaker 3>were being taken home from the set of Riverdale or something,

0:14:49.200 --> 0:14:52.800
<v Speaker 3>and I think one of the drivers ended up being injured.

0:14:52.840 --> 0:14:55.600
<v Speaker 3>And I think that these long hours and this kind

0:14:55.640 --> 0:14:58.640
<v Speaker 3>of exhaustion and people not sleeping properly, and they're not

0:14:58.680 --> 0:15:00.640
<v Speaker 3>being safe ways for people to get to and from

0:15:00.640 --> 0:15:04.040
<v Speaker 3>set or be on set. This is an ongoing problem

0:15:04.240 --> 0:15:07.800
<v Speaker 3>in big budget movies, in indie movies, as we saw

0:15:07.840 --> 0:15:10.360
<v Speaker 3>with the Russ shooting with you know that Alec Baldwin

0:15:10.480 --> 0:15:13.320
<v Speaker 3>was recently the trial was dismissed about, but like that

0:15:13.480 --> 0:15:16.800
<v Speaker 3>was another example of it. Sadly, this is not an

0:15:16.840 --> 0:15:20.720
<v Speaker 3>industry that always values the people who are part of

0:15:20.800 --> 0:15:22.040
<v Speaker 3>making the movies possible.

0:15:22.160 --> 0:15:26.200
<v Speaker 1>Yeah, twelve, thirteen, fourteen, even fifteen hour days, it's not

0:15:26.440 --> 0:15:27.880
<v Speaker 1>uncommon in TV and movies.

0:15:27.960 --> 0:15:30.040
<v Speaker 4>That's pretty much part of the course.

0:15:30.480 --> 0:15:32.360
<v Speaker 2>It's not a judgment, that's just what it is.

0:15:32.880 --> 0:15:37.720
<v Speaker 3>Yeah, that wasn't the only controversy that beset the movie either.

0:15:37.800 --> 0:15:43.160
<v Speaker 3>In late twenty seventeen, sexual misconduct allegations against TJ. Miller surface,

0:15:43.240 --> 0:15:44.800
<v Speaker 3>and you might be like, well, what's he got to

0:15:44.840 --> 0:15:46.920
<v Speaker 3>do with it? He was actually in the first movie

0:15:47.000 --> 0:15:50.800
<v Speaker 3>as his like Deadpool's like annoying friend. He's in Ish

0:15:50.920 --> 0:15:52.920
<v Speaker 3>the second one, he's in ish the second one, the

0:15:53.040 --> 0:15:58.400
<v Speaker 3>allegations were particularly horrendous, and some began calling for his

0:15:58.520 --> 0:16:01.800
<v Speaker 3>removal from the film. In April of twenty eighteen, Miller

0:16:01.920 --> 0:16:04.880
<v Speaker 3>was arrested for calling in a fake bomb threat on.

0:16:04.880 --> 0:16:05.960
<v Speaker 4>An Amtrak train.

0:16:08.240 --> 0:16:11.640
<v Speaker 3>You know, we do it starts getting easier, like okay,

0:16:11.640 --> 0:16:14.440
<v Speaker 3>my guy. Witnesses on the train claimed he was heavily

0:16:14.440 --> 0:16:16.880
<v Speaker 3>intoxicated and had heated exchanges with a woman in the

0:16:16.920 --> 0:16:19.280
<v Speaker 3>first class car with him. He was then removed from

0:16:19.320 --> 0:16:22.080
<v Speaker 3>the train for being inebriated, but he was not removed

0:16:22.080 --> 0:16:24.400
<v Speaker 3>from the film, at least not fully. I can imagine

0:16:24.400 --> 0:16:27.160
<v Speaker 3>that there was a cut with more. Yeah, so it

0:16:27.320 --> 0:16:31.400
<v Speaker 3>was not an easy shoot, and reshoots are very expensive.

0:16:31.520 --> 0:16:34.640
<v Speaker 3>So listen to these ad breaks so that we can

0:16:34.760 --> 0:16:36.560
<v Speaker 3>cut around the stuff that's not supposed to be in

0:16:36.600 --> 0:16:37.400
<v Speaker 3>the poplar.

0:16:51.800 --> 0:16:52.760
<v Speaker 2>And we're back.

0:16:53.320 --> 0:16:57.360
<v Speaker 1>Deadpool two was released May eighteen, twenty eighteen, and would

0:16:57.360 --> 0:16:59.840
<v Speaker 1>go on to grow some worldwide total of seven hundred

0:16:59.840 --> 0:17:03.640
<v Speaker 1>eight five point eight so just under seven and eighty

0:17:03.680 --> 0:17:07.200
<v Speaker 1>six Newllion dollars on a budget of one hundred and

0:17:07.320 --> 0:17:10.440
<v Speaker 1>ten million, not quite the ratio of the first movie,

0:17:10.480 --> 0:17:15.560
<v Speaker 1>but still, like inclu imreredibly impressive. Fandago and Regal Cinemas

0:17:15.600 --> 0:17:17.679
<v Speaker 1>revealed that the movie had the most pre sale tickets

0:17:17.720 --> 0:17:20.920
<v Speaker 1>they had ever had ever for an R rated film

0:17:21.040 --> 0:17:24.720
<v Speaker 1>ever in history. Ever, it also set the record for

0:17:24.760 --> 0:17:27.560
<v Speaker 1>the widest rated release ever. Fox hinted at a new

0:17:27.600 --> 0:17:31.200
<v Speaker 1>Deadpool movie, which wound up being titled Once Upon a Deadpool.

0:17:31.240 --> 0:17:33.600
<v Speaker 1>The movie was announced as a PG thirteen version of

0:17:33.600 --> 0:17:36.560
<v Speaker 1>Deadpool two and would be released in theaters from Decever

0:17:36.680 --> 0:17:37.680
<v Speaker 1>twelfth and twenty fourth.

0:17:37.760 --> 0:17:39.159
<v Speaker 2>Reynolds only agreed to support.

0:17:38.880 --> 0:17:40.840
<v Speaker 1>A PG thirteen version of the movie if portion of

0:17:40.840 --> 0:17:44.879
<v Speaker 1>the profits were donated to charity, specifically a cancer charity.

0:17:45.160 --> 0:17:48.440
<v Speaker 1>Here's the thing about R rated movies and why studios

0:17:48.440 --> 0:17:51.399
<v Speaker 1>don't necessarily like them, is because it's not because the

0:17:51.520 --> 0:17:53.800
<v Speaker 1>kids can't go. The kids end up going. What they

0:17:53.800 --> 0:17:55.560
<v Speaker 1>do is they buy a ticket to a PG thirteen

0:17:55.560 --> 0:17:58.160
<v Speaker 1>movie and then they sneak today go and some other

0:17:58.320 --> 0:18:01.520
<v Speaker 1>movie ends up getting that money, and so the release

0:18:01.560 --> 0:18:04.120
<v Speaker 1>of a PG thirteen version is really just a way

0:18:04.200 --> 0:18:08.720
<v Speaker 1>for them to seize back the profits which were going

0:18:08.760 --> 0:18:12.600
<v Speaker 1>into whatever other PG or PG thirteen movie was in

0:18:12.640 --> 0:18:14.040
<v Speaker 1>the theaters at that time.

0:18:14.600 --> 0:18:16.720
<v Speaker 3>I will say I do think they came up with

0:18:16.800 --> 0:18:19.920
<v Speaker 3>a fun idea, which is they did like a Princess

0:18:19.960 --> 0:18:22.760
<v Speaker 3>Bride esque reimagining of the movie.

0:18:22.760 --> 0:18:25.360
<v Speaker 4>But yes, so the dollar of every.

0:18:25.160 --> 0:18:28.520
<v Speaker 3>Ticket sale went to the cancer charity campaign rebranded as

0:18:28.600 --> 0:18:30.240
<v Speaker 3>Fudge Cancer in the movie.

0:18:30.359 --> 0:18:31.000
<v Speaker 4>Very funny of you.

0:18:32.000 --> 0:18:36.800
<v Speaker 3>So development began on a third Deadpool movie, an actual

0:18:37.359 --> 0:18:40.960
<v Speaker 3>separate Deadpool movie, not just a recut PG thirteen version, as.

0:18:40.880 --> 0:18:42.480
<v Speaker 4>Well as a separate X Force project.

0:18:43.080 --> 0:18:46.440
<v Speaker 3>However, after twenty first Century Fox was purchased by Disney

0:18:46.600 --> 0:18:49.679
<v Speaker 3>in twenty nineteen, a large part of which may or

0:18:49.680 --> 0:18:51.760
<v Speaker 3>may not have been to get back those Fantastic Four

0:18:51.880 --> 0:18:55.800
<v Speaker 3>rights that they had sold to Fox many many years ago,

0:18:56.240 --> 0:18:58.680
<v Speaker 3>all development on future X Men movies was put on hold,

0:18:58.760 --> 0:19:02.920
<v Speaker 3>including Deapol three and Force. Reynolds met with Kevin Faiy

0:19:03.080 --> 0:19:07.440
<v Speaker 3>to discuss integrating Depport into the Marvel Cinematic universe, where

0:19:07.760 --> 0:19:10.240
<v Speaker 3>he was apparently told he could not use Wolverine.

0:19:10.440 --> 0:19:11.200
<v Speaker 4>Very interesting.

0:19:11.640 --> 0:19:14.280
<v Speaker 3>After working with director Sean Levy on Free Guy and

0:19:14.320 --> 0:19:16.720
<v Speaker 3>the Adam Project, Levy was hired to direct the next

0:19:16.720 --> 0:19:19.359
<v Speaker 3>Stepple movie. Also I'd just say Free Guy very fun

0:19:19.400 --> 0:19:23.000
<v Speaker 3>movie movie. It has lots of Marvel Easter eggs thanks

0:19:23.000 --> 0:19:25.000
<v Speaker 3>to the fact that it was a twentieth century movie

0:19:25.000 --> 0:19:26.720
<v Speaker 3>that got moved to Disney, So if you like this

0:19:26.760 --> 0:19:30.080
<v Speaker 3>kind of stuff, you'll probably enjoy it. Levy, Reynolds, Reese, Wernick,

0:19:30.119 --> 0:19:33.560
<v Speaker 3>and zeb Wells oh Hi zeb Wells worked on a

0:19:33.640 --> 0:19:36.040
<v Speaker 3>number of script ideas but began to hit a block.

0:19:36.119 --> 0:19:38.040
<v Speaker 3>Marvel and the writers all struggled to find that a

0:19:38.040 --> 0:19:42.119
<v Speaker 3>story idea that worked, and Levy and Reynolds considered telling

0:19:42.160 --> 0:19:45.439
<v Speaker 3>Figy they thought the project should not continue at the

0:19:45.480 --> 0:19:49.280
<v Speaker 3>time dunt dund dund. But in August twenty twenty two,

0:19:49.520 --> 0:19:51.800
<v Speaker 3>Ryan Reynolds was preparing to meet with Figy to discuss

0:19:51.800 --> 0:19:55.160
<v Speaker 3>their pole's future when Hugh Jackman reached out to him

0:19:55.160 --> 0:19:58.080
<v Speaker 3>and expressed a desire to reprise his role as Wolverine

0:19:58.200 --> 0:20:02.840
<v Speaker 3>in the film. Allegedly, he said, I'll probably have more

0:20:02.880 --> 0:20:06.439
<v Speaker 3>fun on that movie than anything I've ever done. Figi

0:20:06.520 --> 0:20:09.159
<v Speaker 3>initially advised Jackman not to return, as he felt the

0:20:09.240 --> 0:20:12.679
<v Speaker 3>characters arc ended so well in Logan True. However, he

0:20:12.800 --> 0:20:15.800
<v Speaker 3>was convinced when it was suggested that Jackman would portray

0:20:15.840 --> 0:20:19.680
<v Speaker 3>a new version of Wolverine, tying into the Marvel multiversal

0:20:19.760 --> 0:20:24.480
<v Speaker 3>storytelling arc. Logan director James Mangold expressed his enthusiasm about

0:20:24.520 --> 0:20:27.359
<v Speaker 3>the story idea, and pre production began less than two

0:20:27.359 --> 0:20:30.800
<v Speaker 3>months after Hugh Jackman joined the project. Fans are especially

0:20:30.840 --> 0:20:34.760
<v Speaker 3>excited about the introduction of a more comically accurate costumes

0:20:34.760 --> 0:20:37.920
<v Speaker 3>for both main characters, with a brighter red and large

0:20:37.960 --> 0:20:40.800
<v Speaker 3>black eye circles for Deadpool and the classic yellow and

0:20:40.800 --> 0:20:43.240
<v Speaker 3>blue suit for Wolverine, which we had all been waiting for.

0:20:44.040 --> 0:20:50.280
<v Speaker 4>Deadpool. Wolverine opens July twenty sixth. Jason, do you have

0:20:50.800 --> 0:20:52.640
<v Speaker 4>some Deadpool facts for us?

0:20:53.280 --> 0:20:56.520
<v Speaker 1>Let's go to the Deadpool Facts. We like to end

0:20:56.560 --> 0:20:59.440
<v Speaker 1>every show with a series of quick hitting segments. In

0:20:59.480 --> 0:21:03.920
<v Speaker 1>today's quick silver the fastest Deadpool fact race known to

0:21:04.200 --> 0:21:06.560
<v Speaker 1>the human race, and here it is Deadpool Facts, Deadpool

0:21:06.560 --> 0:21:10.760
<v Speaker 1>Fact number one. Deadpool was Tim Miller's directorial debut. Miller

0:21:10.760 --> 0:21:14.040
<v Speaker 1>co founded Blur Studios in nineteen ninety three of VFX Company.

0:21:14.440 --> 0:21:15.320
<v Speaker 2>For landing Deadpool.

0:21:15.359 --> 0:21:18.639
<v Speaker 1>Miller worked on the title sequences through Blur to David

0:21:18.640 --> 0:21:21.800
<v Speaker 1>Fincher's The Girl with the Dragon Tattoo and Alan Taylor's

0:21:23.080 --> 0:21:27.639
<v Speaker 1>Magnum Opus for the Dark World. You should say that's

0:21:27.720 --> 0:21:31.560
<v Speaker 1>why Tim Miller and Ryan Reynolds were able to create

0:21:31.640 --> 0:21:36.000
<v Speaker 1>this really wonderful stunt sequence with Reynolds. Because this was

0:21:36.080 --> 0:21:38.960
<v Speaker 1>Miller's background in VFX. I wonder who could have leaked

0:21:38.960 --> 0:21:39.600
<v Speaker 1>the footage.

0:21:39.840 --> 0:21:40.480
<v Speaker 2>Deadpool.

0:21:40.840 --> 0:21:45.679
<v Speaker 1>As noted, the first movie massive financial success, earning over

0:21:45.680 --> 0:21:47.520
<v Speaker 1>seven hundred and three million on a budget of less

0:21:47.520 --> 0:21:51.679
<v Speaker 1>than sixty. Deadpool jokes in the first Deadpool film that

0:21:51.720 --> 0:21:53.960
<v Speaker 1>the X characters who appear in the film Classus and

0:21:54.040 --> 0:21:56.080
<v Speaker 1>the super super weird.

0:21:55.760 --> 0:21:59.359
<v Speaker 2>And rarely rarely appearing.

0:22:00.080 --> 0:22:07.000
<v Speaker 3>Teenage Warhead lie after one page and the but I

0:22:07.080 --> 0:22:10.639
<v Speaker 3>loved this version that they created in the still one

0:22:10.640 --> 0:22:11.760
<v Speaker 3>of my favorite.

0:22:11.520 --> 0:22:13.080
<v Speaker 4>Marvel movie characters of all time.

0:22:13.119 --> 0:22:15.600
<v Speaker 1>So thank you, right, so yeah, Deadpool jokes that this

0:22:15.680 --> 0:22:19.679
<v Speaker 1>was all that they could afford. Deadpool the original movie

0:22:19.840 --> 0:22:22.679
<v Speaker 1>was the highest grossing R rated film ever.

0:22:22.520 --> 0:22:24.560
<v Speaker 2>For a little while. For a little while.

0:22:25.280 --> 0:22:29.160
<v Speaker 1>It is currently the fourth highest grossing rated film behind

0:22:29.440 --> 0:22:34.680
<v Speaker 1>One the Joker number one, number two, op Oppenheimer number.

0:22:34.480 --> 0:22:37.680
<v Speaker 2>Three, Deadpool number two.

0:22:38.200 --> 0:22:41.199
<v Speaker 1>Although again, as stated, seven hundred and three on a

0:22:41.200 --> 0:22:44.200
<v Speaker 1>budget of sixty, I think is to me is better

0:22:44.320 --> 0:22:46.480
<v Speaker 1>than a budget of one hundred and ten for Deadpool two,

0:22:46.560 --> 0:22:49.960
<v Speaker 1>and this whatever it was, they made almost somewhat south

0:22:50.000 --> 0:22:53.439
<v Speaker 1>of a billion. So do with that information of what

0:22:53.520 --> 0:22:56.880
<v Speaker 1>you will. Much has been written about Deadpool being Ryan

0:22:57.000 --> 0:23:02.440
<v Speaker 1>reynolds passion project. Less talked about is how Ryan, because

0:23:02.480 --> 0:23:05.679
<v Speaker 1>of that passion, paid for writers Reese and Paul Wernick

0:23:05.760 --> 0:23:07.600
<v Speaker 1>to be on set after.

0:23:07.400 --> 0:23:10.400
<v Speaker 2>Fox declined to.

0:23:09.680 --> 0:23:13.000
<v Speaker 1>Remunerate them for for appearing on set to do rewrites

0:23:13.040 --> 0:23:14.760
<v Speaker 1>and punch up jokes, et cetera.

0:23:15.920 --> 0:23:16.359
<v Speaker 2>I get it.

0:23:16.560 --> 0:23:18.359
<v Speaker 1>You know, they were touchy about a budget of less

0:23:18.359 --> 0:23:21.960
<v Speaker 1>than sixty and they were like, listen, we're pinching pennies everywhere.

0:23:22.119 --> 0:23:30.320
<v Speaker 1>We're having to put negasonic teenage work somewhere, so we

0:23:30.359 --> 0:23:32.400
<v Speaker 1>can't pay for these guys to be on film. And

0:23:32.400 --> 0:23:34.800
<v Speaker 1>and so Ryan Reynolds paid for them to appear, which

0:23:34.840 --> 0:23:35.639
<v Speaker 1>is wonderful. Love.

0:23:35.960 --> 0:23:37.480
<v Speaker 2>How about some Deadpool number two facts?

0:23:37.680 --> 0:23:40.520
<v Speaker 1>Yes, ex Corporation, the owner of the orphanage and re

0:23:40.640 --> 0:23:45.160
<v Speaker 1>education center that housed Russell child mutant. Russell of Deadpool

0:23:46.640 --> 0:23:49.320
<v Speaker 1>is a reference to the long lived geneticist and all

0:23:49.359 --> 0:23:52.960
<v Speaker 1>around bad guy Nathan Essex aka mister Sinister. The one

0:23:52.960 --> 0:23:56.800
<v Speaker 1>eyed willing joke then Deadpool makes is a reference to

0:23:57.119 --> 0:24:02.159
<v Speaker 1>the legendary pirate captain and On Detra of the movie

0:24:02.240 --> 0:24:05.880
<v Speaker 1>The Goonies, which featured that movie a young Josh Brolin

0:24:06.000 --> 0:24:10.639
<v Speaker 1>riding a BMX bike Love Young, BMX Wonderful. Deadpool was

0:24:10.680 --> 0:24:14.880
<v Speaker 1>created by artist Rob Leifeld and writer editor Fabian the Chenz. Lifefield,

0:24:14.920 --> 0:24:16.919
<v Speaker 1>by the early nineties had become a major star at

0:24:16.960 --> 0:24:19.840
<v Speaker 1>just nineteen eight years of age X Force launch in

0:24:19.880 --> 0:24:21.720
<v Speaker 1>nineteen ninety one by Lifefeld and Chins have become a

0:24:21.760 --> 0:24:25.280
<v Speaker 1>huge hit off of life Feld, spurgeoning popularity. The original

0:24:25.359 --> 0:24:29.760
<v Speaker 1>team lineup featured Boom Boom, Cable, Canniball, Domino Ferrell, Shatterstar

0:24:29.920 --> 0:24:35.600
<v Speaker 1>and Warpath and as an example of just how pop

0:24:35.880 --> 0:24:42.359
<v Speaker 1>cultural zeitgeisty Rob Leifeld was, Here's a Lee's five oh

0:24:42.400 --> 0:24:47.680
<v Speaker 1>one jeans commercial directed by Spike Lee featuring Rob Leifeld,

0:24:48.080 --> 0:24:52.160
<v Speaker 1>Play It, Dynasty Fixen Joan Collins On the next line,

0:24:52.280 --> 0:24:53.760
<v Speaker 1>I saw that you can make a living at it.

0:24:54.280 --> 0:24:54.800
<v Speaker 3>You'll hear no.

0:24:54.760 --> 0:24:56.800
<v Speaker 2>Complaints and you created x forts.

0:24:57.400 --> 0:24:58.280
<v Speaker 1>Where does this drawing on?

0:24:58.760 --> 0:25:00.159
<v Speaker 2>This is the Spike man?

0:25:00.200 --> 0:25:00.960
<v Speaker 3>What's this right now?

0:25:00.960 --> 0:25:02.320
<v Speaker 4>This is the camera on top of your head that

0:25:02.359 --> 0:25:03.920
<v Speaker 4>we record the wrong doings of ever.

0:25:04.080 --> 0:25:06.720
<v Speaker 2>So, Rob, have you had any formal art training, No,

0:25:07.720 --> 0:25:08.760
<v Speaker 2>just a lot of imagination.

0:25:08.840 --> 0:25:10.520
<v Speaker 1>I think, Wait, so, so I say it and then

0:25:10.560 --> 0:25:12.679
<v Speaker 1>look down or just open it and say it.

0:25:12.680 --> 0:25:18.000
<v Speaker 2>The fly button. How crazy that is, truly nuts.

0:25:17.640 --> 0:25:19.760
<v Speaker 4>Just one of the wildest things of all time.

0:25:19.920 --> 0:25:22.560
<v Speaker 3>I think about it a lot, I watch it a lot,

0:25:22.680 --> 0:25:23.880
<v Speaker 3>I talk about it a lot.

0:25:24.080 --> 0:25:28.959
<v Speaker 4>If you another great thing to do, go and watch the.

0:25:28.200 --> 0:25:29.720
<v Speaker 3>Trailers so you can see the visuals, so you can

0:25:29.720 --> 0:25:32.399
<v Speaker 3>see little Rob Liefeld at the center of the trailer. Also,

0:25:33.000 --> 0:25:37.960
<v Speaker 3>go and just search like Rob Liefeld nineties comic bookshop

0:25:38.080 --> 0:25:39.960
<v Speaker 3>or Jim Lee nineties comic book shop.

0:25:40.000 --> 0:25:41.200
<v Speaker 4>Like they would have.

0:25:41.440 --> 0:25:45.240
<v Speaker 3>News crews from local news going to signings. These guys

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<v Speaker 3>did because there were like hundreds of people showing up

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<v Speaker 3>for these signings. Lest we forget after all of this,

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<v Speaker 3>when Jim Ley, you know the reason that they left

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<v Speaker 3>and they went to Image Comics, that X Men number

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<v Speaker 3>one issue by Jim Ly still the biggest selling comic

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<v Speaker 3>of all time, eight million pre sales.

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<v Speaker 2>Based its truly crazy selling.

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<v Speaker 4>GI I know.

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<v Speaker 2>It's a different level.

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<v Speaker 4>It's like brand right now.

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<v Speaker 1>Yeah, to have a comic book creator in a national

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<v Speaker 1>ad campaign for a major clothing brand and the commercial

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<v Speaker 1>director by Spike Lee would have to mention, by the way,

0:26:22.040 --> 0:26:24.679
<v Speaker 1>the Spike Man that that lifelp is drawing on his

0:26:24.720 --> 0:26:28.280
<v Speaker 1>little pad. They're no feat on that sketch of the character.

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<v Speaker 2>Well, that's it for this episode.

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<v Speaker 1>Pigs for Listening bye x ray Vision is hosted by

0:26:39.800 --> 0:26:43.600
<v Speaker 1>Jason Sepsion and Rosie Knight and is a production of

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<v Speaker 1>iHeart Podcasts. Our executive producers are Joelle Smith and Aaron Kaufman.

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<v Speaker 1>Our supervising producer is a booze Afar. Our producers are

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<v Speaker 1>Carmen Laurent and Mia Taylor. Our theme song is by

0:26:57.960 --> 0:26:58.919
<v Speaker 1>Brian Basquez.

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<v Speaker 3>Special Time to Soul Ruben and Chris Lord. Kenny Goodman

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<v Speaker 3>and Heidi are discord moderator m