1 00:00:00,240 --> 00:00:05,400 Speaker 1: Warning, Today's episode contains spoilers for all of Deadpool's big 2 00:00:05,400 --> 00:00:09,720 Speaker 1: screen appearances. That includes X Men origins Wolverine on all 3 00:00:09,720 --> 00:00:14,480 Speaker 1: the Deadpool movies. So you don't watch those things and 4 00:00:14,520 --> 00:00:16,320 Speaker 1: you intend to watch them, and you care about being 5 00:00:16,320 --> 00:00:20,160 Speaker 1: spoiled from those things, maybe watch them first then come back. 6 00:00:35,800 --> 00:00:40,000 Speaker 1: Hell my name is Jasononcepcion And on Mesday Night and 7 00:00:40,080 --> 00:00:43,080 Speaker 1: welcome back to X Ray Visions week long coverage of 8 00:00:43,120 --> 00:00:45,040 Speaker 1: all things Deadpool. 9 00:00:45,920 --> 00:00:46,800 Speaker 2: So Wolverine. 10 00:00:47,080 --> 00:00:49,600 Speaker 1: We're dropping episodes every single day leading up to the 11 00:00:49,600 --> 00:00:55,200 Speaker 1: release of Deadpool Wolverine, covering everything from both characters comics origins, 12 00:00:55,200 --> 00:00:58,200 Speaker 1: to the long history of their film adaptations. 13 00:00:58,880 --> 00:01:03,040 Speaker 3: In today's episode, it's another chunky omnibus. We're revisiting the 14 00:01:03,080 --> 00:01:06,120 Speaker 3: previous two Deadpool movies, from the decade long fight to 15 00:01:06,200 --> 00:01:09,679 Speaker 3: the Get Deadpool GREENLT to the abandoned plans for a sequel, 16 00:01:09,959 --> 00:01:15,240 Speaker 3: and the almost abandoned third movie, Deadpool and Wolverine. 17 00:01:16,120 --> 00:01:17,560 Speaker 2: Let's get into it. 18 00:01:18,160 --> 00:01:22,120 Speaker 3: In two thousand and five, Ryan Reynolds met with Perennial. 19 00:01:23,200 --> 00:01:24,480 Speaker 4: What a time mark. 20 00:01:24,680 --> 00:01:27,840 Speaker 3: He met and he met with Avia rad a perennial 21 00:01:28,160 --> 00:01:31,320 Speaker 3: real life character in these types of stories, who we 22 00:01:31,360 --> 00:01:34,440 Speaker 3: talk about a lot, the former chairman, CEO and founder 23 00:01:34,520 --> 00:01:37,920 Speaker 3: of Marvel Studios, and signed on to take the role 24 00:01:38,120 --> 00:01:40,959 Speaker 3: of Deadpool all the way back in two thousand and five. 25 00:01:41,000 --> 00:01:44,640 Speaker 3: Imagine that at the time Marvel was hoping to develop 26 00:01:44,680 --> 00:01:47,559 Speaker 3: the movie with Davides Goya. 27 00:01:48,080 --> 00:01:51,880 Speaker 4: We've had him on the show, Comic and Commision movie himself. 28 00:01:52,120 --> 00:01:55,280 Speaker 3: He'd worked on the Blade trilogy, Batman Begins, he's now 29 00:01:55,320 --> 00:01:59,040 Speaker 3: doing Foundation. You know, he's a very sensible cinematic fellow. 30 00:01:59,080 --> 00:02:01,040 Speaker 3: It's a good choice to go with. The rights to 31 00:02:01,240 --> 00:02:03,080 Speaker 3: put on the big screen at that time were owned 32 00:02:03,120 --> 00:02:05,280 Speaker 3: by New Line Cinema, who we know for all the 33 00:02:05,360 --> 00:02:09,160 Speaker 3: fantastic horror movies and cool stuff like that, but they 34 00:02:09,240 --> 00:02:11,520 Speaker 3: never moved forwards with it, and eventually they sold the 35 00:02:11,560 --> 00:02:14,800 Speaker 3: rights to twentieth Century Fox in two thousand and five, 36 00:02:15,760 --> 00:02:18,280 Speaker 3: who had purchased the film rights to The X Men 37 00:02:18,320 --> 00:02:20,960 Speaker 3: in nineteen ninety three and Fantastic Four in nineteen ninety eight. 38 00:02:21,320 --> 00:02:22,240 Speaker 4: If you remember, that. 39 00:02:22,160 --> 00:02:25,280 Speaker 3: Was when Marvel was essentially insolvent going through bankruptcy, so 40 00:02:25,280 --> 00:02:26,800 Speaker 3: they sold off a lot of their rights for a 41 00:02:26,919 --> 00:02:29,040 Speaker 3: very little amount of money, and we are still living 42 00:02:29,080 --> 00:02:30,640 Speaker 3: with the ramifications of that now. 43 00:02:30,919 --> 00:02:33,239 Speaker 4: Once twentieth Century Fox became involved. 44 00:02:33,520 --> 00:02:36,960 Speaker 3: The movie ended up hitting even more delays and eventually 45 00:02:37,160 --> 00:02:39,240 Speaker 3: ended up languishing in development. 46 00:02:39,280 --> 00:02:42,240 Speaker 4: Hell enter X. 47 00:02:42,200 --> 00:02:47,600 Speaker 1: Men Origins Wolverine. Four years later, Reynolds joins the cast 48 00:02:47,680 --> 00:02:52,919 Speaker 1: of X Men Origins Wolverine as a version the introduction 49 00:02:53,680 --> 00:02:57,959 Speaker 1: of Wade Wilson the murc with a Mouth question mark. 50 00:02:58,000 --> 00:03:01,880 Speaker 1: We'll get into that. There are rumors that Reynolds felt 51 00:03:01,880 --> 00:03:06,519 Speaker 1: pressure to take the role here or else risk losing 52 00:03:06,720 --> 00:03:09,520 Speaker 1: a character he really passionately wanted to play to some 53 00:03:09,600 --> 00:03:13,280 Speaker 1: other actor. The opening of the movie does feature a 54 00:03:13,600 --> 00:03:17,400 Speaker 1: wise cracking Wade Wilson talking about how much he loves 55 00:03:17,440 --> 00:03:21,800 Speaker 1: his katanas. He's trash talking all his fellow mercenaries in 56 00:03:21,880 --> 00:03:26,520 Speaker 1: the film, which I believe is the screenwriting debut of 57 00:03:26,800 --> 00:03:35,040 Speaker 1: David Bennioff of Game of Thrones fame. Since this took 58 00:03:35,080 --> 00:03:38,160 Speaker 1: place during the rite strike, much of Wade's dialogue was 59 00:03:38,280 --> 00:03:40,120 Speaker 1: just Reynolds improving. 60 00:03:40,600 --> 00:03:45,440 Speaker 3: The movie obviously shapes his kind of career with Deadpool 61 00:03:45,480 --> 00:03:49,000 Speaker 3: because he has been that voice since then totally. 62 00:03:49,320 --> 00:03:51,920 Speaker 1: Now I mentioned the Mark with a Mouth, which is 63 00:03:51,960 --> 00:03:58,560 Speaker 1: Deadpool's nickname. Once Wade acquires his healing factor powers in 64 00:03:58,640 --> 00:04:02,760 Speaker 1: this film, he has his mouth. I don't know if 65 00:04:02,760 --> 00:04:06,560 Speaker 1: you would call it sown shut or really the skinny. 66 00:04:06,880 --> 00:04:10,160 Speaker 2: Stapled or something like that sealed up. 67 00:04:10,640 --> 00:04:14,520 Speaker 1: So he never gets to wisecrack at all, and he 68 00:04:14,520 --> 00:04:18,920 Speaker 1: doesn't wear his costume, even though he does become ostensibly 69 00:04:19,080 --> 00:04:22,159 Speaker 1: the final boss villain of this of this film. The 70 00:04:22,200 --> 00:04:24,320 Speaker 1: post credits scene of the movie led some to believe 71 00:04:24,360 --> 00:04:26,680 Speaker 1: that his inclusion was meant to lead to a spinoff. 72 00:04:27,040 --> 00:04:30,640 Speaker 1: Does seem like that? Yeah, that never materialized. Meanwhile, Fox 73 00:04:30,680 --> 00:04:33,920 Speaker 1: continued to hold a deadpool in development limbo, and that 74 00:04:34,040 --> 00:04:38,560 Speaker 1: limbo became even more goopy and hard to escape after 75 00:04:39,839 --> 00:04:44,720 Speaker 1: Reynolds's turn as Hal Jordan in twenty eleven's Green Lantern 76 00:04:45,040 --> 00:04:50,200 Speaker 1: hit the sidewalk with a terrible and juicy. 77 00:04:49,960 --> 00:04:54,880 Speaker 4: Thud, super juicy thud. And also, let's be real, we're already. 78 00:04:54,520 --> 00:04:56,920 Speaker 3: In twenty and eleven here, so we're talking six years 79 00:04:56,920 --> 00:04:59,680 Speaker 3: off the Reynolds first had his beginning with old Avier Rod, 80 00:05:00,279 --> 00:05:03,400 Speaker 3: so uh yeah, time to make some fucking chimmy changas. 81 00:05:03,440 --> 00:05:04,919 Speaker 4: Let's talk about actual development. 82 00:05:05,240 --> 00:05:09,280 Speaker 3: After X Men Wolverine's successful opening, nobody talks about that. 83 00:05:10,960 --> 00:05:15,599 Speaker 2: Is that people love people. People love over read the 84 00:05:15,640 --> 00:05:16,880 Speaker 2: movie was bad, but people love. 85 00:05:16,800 --> 00:05:19,640 Speaker 4: Over read plans for a Deadpol solo Let me. 86 00:05:19,560 --> 00:05:20,000 Speaker 2: Just say one. 87 00:05:20,120 --> 00:05:22,520 Speaker 1: I want to say one thing about X Men Origins Wolverine. 88 00:05:22,560 --> 00:05:24,440 Speaker 1: I was super broke at the time that movie came out. 89 00:05:24,680 --> 00:05:26,880 Speaker 1: I really wanted to see the movie, but I had 90 00:05:26,960 --> 00:05:30,599 Speaker 1: no money, and so I did download a pirated cam 91 00:05:30,640 --> 00:05:33,400 Speaker 1: of the movie, which is how I saw X Men 92 00:05:33,640 --> 00:05:38,640 Speaker 1: Origins Wolverine. That's how I saw that movie for a 93 00:05:38,920 --> 00:05:42,599 Speaker 1: illegally Turkish cam or something like that. 94 00:05:42,720 --> 00:05:47,040 Speaker 3: Probably how David Benioff exactly how he wants to watch it. Definitely, 95 00:05:47,720 --> 00:05:52,120 Speaker 3: So after the success of that movie, financial not critical, 96 00:05:52,200 --> 00:05:54,440 Speaker 3: I will say plans for though I will say I 97 00:05:54,480 --> 00:05:55,920 Speaker 3: watched that movie at least once a year. 98 00:05:55,960 --> 00:05:57,599 Speaker 4: It's very entertaining. Plans for a. 99 00:05:57,600 --> 00:06:02,320 Speaker 3: Deadpool solo movie were revisited in January twenty ten. Rhtt 100 00:06:02,360 --> 00:06:05,360 Speaker 3: Reese and Paul Wernick, who had worked on Zombie Land, 101 00:06:05,480 --> 00:06:09,920 Speaker 3: Very Good and gij Retaliation, were hired to work on 102 00:06:10,000 --> 00:06:13,040 Speaker 3: a spin off that would feature more comics accurate version 103 00:06:13,040 --> 00:06:16,320 Speaker 3: of the character. A version of the Ari script was leaked. 104 00:06:16,760 --> 00:06:17,280 Speaker 4: That is true. 105 00:06:17,279 --> 00:06:19,040 Speaker 3: It was a big deal, which the fan loves, and 106 00:06:19,080 --> 00:06:22,120 Speaker 3: the studios then brought on director Tim Miller in twenty eleven, 107 00:06:22,839 --> 00:06:28,640 Speaker 3: who had created some test footage with Reynolds. The studio 108 00:06:28,720 --> 00:06:31,200 Speaker 3: was unimpressed with it, and after the success of Avengers, 109 00:06:31,200 --> 00:06:34,919 Speaker 3: began exploring other options for dead Pool, including appearing in 110 00:06:35,400 --> 00:06:39,200 Speaker 3: ensemble movies. But then, lo and behold, three years later, 111 00:06:39,320 --> 00:06:42,240 Speaker 3: in one of the most auspicious leaks of all time, 112 00:06:42,320 --> 00:06:43,760 Speaker 3: we still want speaked it. 113 00:06:44,040 --> 00:06:44,960 Speaker 4: Who could have done this? 114 00:06:45,200 --> 00:06:47,640 Speaker 3: Who could have done this? Says a man in a 115 00:06:47,680 --> 00:06:50,840 Speaker 3: hot dog costume. The CGI clip was less than two 116 00:06:50,920 --> 00:06:54,080 Speaker 3: minutes long, but featured what eventually became the opening of 117 00:06:54,120 --> 00:06:56,719 Speaker 3: the twenty sixteen movie, including many of the same jokes 118 00:06:56,720 --> 00:07:00,400 Speaker 3: and musical cues, and it was essentially like a very 119 00:07:00,680 --> 00:07:04,880 Speaker 3: cool fight scene inside a car. He's chopping people's heads off, 120 00:07:04,920 --> 00:07:07,000 Speaker 3: he's being quippy. 121 00:07:07,120 --> 00:07:08,080 Speaker 4: You know. It's very Deadpool. 122 00:07:08,360 --> 00:07:10,800 Speaker 3: While the studio had initially been hesitant on the project, 123 00:07:10,800 --> 00:07:14,680 Speaker 3: the leaked footage received incredibly positive reaction, which Reynolds feels 124 00:07:14,720 --> 00:07:17,679 Speaker 3: is exclusively the reason that the movie got made. Fox 125 00:07:17,720 --> 00:07:19,760 Speaker 3: finally gives the go ahead for Deadpool movie to be 126 00:07:19,840 --> 00:07:25,280 Speaker 3: released in twenty sixteen, and years ago the studio had 127 00:07:25,880 --> 00:07:30,000 Speaker 3: very silly of them pushed for a PG thirteen version 128 00:07:30,000 --> 00:07:30,560 Speaker 3: of the character. 129 00:07:31,200 --> 00:07:36,640 Speaker 1: Since I get why our movies, particularly our movies that 130 00:07:36,680 --> 00:07:41,160 Speaker 1: are genre movies, they don't usually make money. It's very 131 00:07:41,200 --> 00:07:42,840 Speaker 1: uncommon for them for that to happen. 132 00:07:43,160 --> 00:07:45,840 Speaker 3: The Joker was the first rated movie to make a 133 00:07:45,840 --> 00:07:48,640 Speaker 3: billion dollars, you know, which in a superhero age you 134 00:07:48,680 --> 00:07:50,760 Speaker 3: would think was not the case. 135 00:07:51,280 --> 00:07:54,080 Speaker 4: PG thirteen. Also, you can get away with a fair amount. 136 00:07:54,400 --> 00:07:56,840 Speaker 3: Yeah, in PG thirteen. We've seen some pretty scary PG 137 00:07:56,920 --> 00:08:00,080 Speaker 3: thirteen movies. But after the test footage, which was very 138 00:08:00,120 --> 00:08:03,520 Speaker 3: distinctly not PG thirteen twentieth Century Fox, that allowed the 139 00:08:03,520 --> 00:08:06,760 Speaker 3: creative team more leniency, partly thanks to having a much 140 00:08:06,840 --> 00:08:11,800 Speaker 3: smaller budget. Reynolds described the movie's fifty eight million dollar 141 00:08:11,840 --> 00:08:16,360 Speaker 3: budget as the cocaine budget for most superhero movies. 142 00:08:17,560 --> 00:08:19,160 Speaker 4: That's a lot of cocaine, right. 143 00:08:19,000 --> 00:08:23,720 Speaker 1: I mean sixty sub sixty million dollars, even in what 144 00:08:23,880 --> 00:08:29,840 Speaker 1: was this twenty twenty, twenty ten, twenty tens. That's really 145 00:08:29,880 --> 00:08:30,800 Speaker 1: not a lot of money. 146 00:08:31,360 --> 00:08:33,080 Speaker 4: No, it's not a lot of money at all. 147 00:08:33,440 --> 00:08:36,559 Speaker 3: And he said the creative team felt less pressure from 148 00:08:36,559 --> 00:08:39,640 Speaker 3: the studio make the movie at the price the way 149 00:08:39,640 --> 00:08:42,640 Speaker 3: you want to make it. And as you know, the 150 00:08:42,840 --> 00:08:44,760 Speaker 3: cocaine budget for X ray vision. 151 00:08:44,640 --> 00:08:46,079 Speaker 4: Is extremely high. 152 00:08:46,520 --> 00:08:49,160 Speaker 3: It's so big, Me and Jason are always doing those 153 00:08:49,280 --> 00:08:52,720 Speaker 3: drugs and stuff, so you better listen to these ads 154 00:08:52,760 --> 00:09:00,240 Speaker 3: so we can afford the illegal substances. 155 00:09:08,240 --> 00:09:14,920 Speaker 1: And we're back from doing cocaine now. The smaller budget 156 00:09:15,280 --> 00:09:20,760 Speaker 1: naturally forced changes. Early drafts of the script featured Garrison 157 00:09:20,840 --> 00:09:24,200 Speaker 1: Kane aka Kane however you know his cybernetic arms and 158 00:09:24,240 --> 00:09:27,400 Speaker 1: don't we love a cybernetic arm? As a dead Pool 159 00:09:27,440 --> 00:09:30,320 Speaker 1: mentions in Deadpool too, don't we love a bionic arm? 160 00:09:31,160 --> 00:09:34,680 Speaker 1: That was too much for the CGI budget. Ajax was 161 00:09:34,720 --> 00:09:38,160 Speaker 1: originally meant to be working for doctor Emerus Kilbrew and 162 00:09:38,400 --> 00:09:40,880 Speaker 1: however they just basically had to simplify the story and 163 00:09:40,880 --> 00:09:45,240 Speaker 1: start reaching kind of deeper into the character bin for 164 00:09:46,400 --> 00:09:51,120 Speaker 1: cheaper to produce characters. There was pressure to include Cable 165 00:09:51,160 --> 00:09:54,440 Speaker 1: in the movie, seeing as Deadpool has you know, has 166 00:09:54,480 --> 00:09:57,160 Speaker 1: a long and storied association with Cable, but ultimately the 167 00:09:57,160 --> 00:10:00,079 Speaker 1: writers felt it was better to let Deadpool stand on 168 00:10:00,120 --> 00:10:04,719 Speaker 1: his own two scarred, gnarled feet and push Cable to 169 00:10:04,840 --> 00:10:08,720 Speaker 1: a later sequel. The movie opened Friday February twelve, Bound 170 00:10:08,720 --> 00:10:12,080 Speaker 1: Times Day Weekend twenty sixteen and was a massive, like 171 00:10:12,360 --> 00:10:16,240 Speaker 1: you can't overstate it massive massive success. More on this 172 00:10:17,280 --> 00:10:19,800 Speaker 1: in our quick hitting segment at the end of the episode. 173 00:10:20,040 --> 00:10:22,640 Speaker 1: But it was a huge success, going on to earn 174 00:10:22,800 --> 00:10:26,680 Speaker 1: some seven hundred and eighty two million dollars and change 175 00:10:26,720 --> 00:10:30,439 Speaker 1: at the box office, massive return for an rated film. 176 00:10:30,720 --> 00:10:33,680 Speaker 1: Post credit scene featured Deadpool doing his best first Bueller 177 00:10:33,720 --> 00:10:36,920 Speaker 1: impression and teasing the audience that he'd be back and 178 00:10:36,960 --> 00:10:40,360 Speaker 1: that the next movie would feature that's right, son of 179 00:10:40,360 --> 00:10:44,559 Speaker 1: Cyclops himself and Gene Cable Cable, our good friend Cable. 180 00:10:45,080 --> 00:10:49,520 Speaker 1: Two months after the release of Deadpool, it was confirmed 181 00:10:49,520 --> 00:10:51,960 Speaker 1: that the writer's recent Paul Wernick, director Tim Miller, and 182 00:10:52,040 --> 00:10:55,600 Speaker 1: star Ryan Reynolds would return for the sequel Listen you Get, 183 00:10:55,840 --> 00:10:58,360 Speaker 1: You get a crew that creates a hit movie, just 184 00:10:58,440 --> 00:11:01,160 Speaker 1: run it back. Reynolds signed a new contract giving him 185 00:11:01,200 --> 00:11:04,920 Speaker 1: more creative control, including a say in casting. In October 186 00:11:05,000 --> 00:11:08,080 Speaker 1: of twenty sixteen, director Tim Miller left the film amid 187 00:11:08,080 --> 00:11:11,760 Speaker 1: creative differences with Ryan Reynolds. Miller wanted to push for 188 00:11:11,800 --> 00:11:14,640 Speaker 1: the sequel to be more stylized, while Reynolds was more 189 00:11:14,679 --> 00:11:17,480 Speaker 1: focused on the R rated humor. I think we could 190 00:11:17,480 --> 00:11:21,280 Speaker 1: say that Reynolds, at this point, after over ten years 191 00:11:21,559 --> 00:11:25,240 Speaker 1: of development, road in his relationship with Deadpool. I think 192 00:11:25,240 --> 00:11:27,480 Speaker 1: he understands the tone of that character and how to 193 00:11:27,480 --> 00:11:29,200 Speaker 1: translate that to the feature. 194 00:11:28,840 --> 00:11:31,680 Speaker 2: Film, and he succeeded. 195 00:11:31,720 --> 00:11:34,560 Speaker 1: Additionally, Miller was supposed toly wanted Kyle Chandler from Friday 196 00:11:34,720 --> 00:11:38,720 Speaker 1: Lights to play Cable, but Reynolds did not good casting. 197 00:11:38,760 --> 00:11:42,920 Speaker 4: I'm sorry, I'm interested, but a big enough star. 198 00:11:42,880 --> 00:11:46,280 Speaker 1: Name agreed in staid, we get a grimacing Josh Brolin 199 00:11:46,360 --> 00:11:48,920 Speaker 1: who's already fanos in the FCA. 200 00:11:49,040 --> 00:11:51,880 Speaker 4: He's just gone wild. But who cas But who cares? 201 00:11:51,880 --> 00:11:55,040 Speaker 1: And also at this time we're talking about two different companies, 202 00:11:55,080 --> 00:11:59,080 Speaker 1: Fox and Marvel Studios. In the aftermath, Tim Miller shared 203 00:11:59,120 --> 00:12:02,200 Speaker 1: his ideas for The Sea, featuring a progression of Vanessa 204 00:12:02,280 --> 00:12:06,800 Speaker 1: storyline where she becomes the iconic, well the iconic in 205 00:12:06,880 --> 00:12:10,800 Speaker 1: terms of Dead Cole comic character Copycat, also Wade's girlfriend 206 00:12:10,840 --> 00:12:13,480 Speaker 1: in the comics. It also featured a fight between Juggernaut 207 00:12:13,520 --> 00:12:17,600 Speaker 1: and the Thing whoa the Thing in the film's third act. 208 00:12:17,600 --> 00:12:20,640 Speaker 1: A month after Miller left, director David Leach signed on 209 00:12:20,679 --> 00:12:24,199 Speaker 1: to direct the sequel. Reynolds, Rhyes Wernick split the scenes 210 00:12:24,480 --> 00:12:27,040 Speaker 1: into three parts, and each one wrote one part before 211 00:12:27,040 --> 00:12:29,600 Speaker 1: passing the round to the others. There was a strong 212 00:12:29,679 --> 00:12:32,800 Speaker 1: desire to include X Force in this and that influenced 213 00:12:32,880 --> 00:12:33,560 Speaker 1: the film's theme. 214 00:12:34,600 --> 00:12:34,800 Speaker 4: Yeah. 215 00:12:35,040 --> 00:12:37,560 Speaker 1: By twenty seventeen, the film was still looking to cast 216 00:12:37,800 --> 00:12:41,800 Speaker 1: Deadpool's two major allies, Michael Shannon, David Harbor, Pierce brasn 217 00:12:41,840 --> 00:12:46,439 Speaker 1: and all were believed to be in consideration. Eventually was 218 00:12:46,480 --> 00:12:49,439 Speaker 1: announced that Zazi Beats was cast as Domino. This is 219 00:12:49,480 --> 00:12:52,160 Speaker 1: in twenty seventeen, and following a month, it was announced 220 00:12:52,200 --> 00:12:56,720 Speaker 1: that Josh Brolin had beat out the previously aforementioned middle 221 00:12:56,760 --> 00:13:00,160 Speaker 1: aged actors for the role as Cable, and it was 222 00:13:00,240 --> 00:13:02,520 Speaker 1: rumored that Fox hoped to use the introduction of Cable 223 00:13:02,559 --> 00:13:05,680 Speaker 1: and Domino to spin off an X Force movie. However, 224 00:13:05,720 --> 00:13:08,000 Speaker 1: this has never materialized. 225 00:13:08,760 --> 00:13:13,840 Speaker 3: Interesting Okay, so the filming was not without controversy. The 226 00:13:13,880 --> 00:13:17,640 Speaker 3: second movie began shooting in June twenty seventeen in Canada 227 00:13:17,720 --> 00:13:23,160 Speaker 3: under the working title Love Machine. On August fourteenth, so 228 00:13:23,160 --> 00:13:27,400 Speaker 3: soon after they began shooting, stunt woman Joy Harris died 229 00:13:27,480 --> 00:13:30,360 Speaker 3: in a motorcycle accident performing a stunt for the movie. 230 00:13:30,559 --> 00:13:33,000 Speaker 3: Joy had never done stunt work before and was not 231 00:13:33,080 --> 00:13:35,760 Speaker 3: wearing a helmet because she had joined production only a 232 00:13:35,800 --> 00:13:38,000 Speaker 3: week before and they had not had time to fit 233 00:13:38,080 --> 00:13:40,920 Speaker 3: a helmet under the Domino wig for the scene. Many 234 00:13:41,000 --> 00:13:43,840 Speaker 3: criticized the production for using Harris instead of a veteran 235 00:13:43,880 --> 00:13:47,600 Speaker 3: stunt performer, arguing her racing experience did not qualify her 236 00:13:47,640 --> 00:13:50,800 Speaker 3: as an able performer for the stunt. Productions shut down 237 00:13:50,800 --> 00:13:53,839 Speaker 3: for two days immediately after the incident, and reports came 238 00:13:53,880 --> 00:13:57,079 Speaker 3: out that the film's crew were exhausted and working incredibly 239 00:13:57,120 --> 00:14:00,000 Speaker 3: long days, with reports that some days had increased filming 240 00:14:00,120 --> 00:14:02,000 Speaker 3: to over fifteen hours a day. 241 00:14:02,120 --> 00:14:04,360 Speaker 1: So this is obviously terrible, and I think it's made 242 00:14:04,400 --> 00:14:07,520 Speaker 1: even more complicated by the fact that there was a 243 00:14:07,640 --> 00:14:13,280 Speaker 1: veteran stunt performer who had done these kinds of stunts, 244 00:14:13,720 --> 00:14:16,160 Speaker 1: ready and willing to do it. But part of the 245 00:14:16,240 --> 00:14:19,640 Speaker 1: reasoning for going with Joy was sazy beats is black. 246 00:14:19,760 --> 00:14:26,040 Speaker 1: The stunt performer, it's black, and unfortunately it has resulted 247 00:14:26,080 --> 00:14:30,240 Speaker 1: in this person passing. The stunt community was really critical 248 00:14:30,520 --> 00:14:35,360 Speaker 1: of this. The fifteen hour days thing is like, that's 249 00:14:35,400 --> 00:14:36,000 Speaker 1: every movie. 250 00:14:36,080 --> 00:14:36,680 Speaker 2: They do feel it. 251 00:14:36,880 --> 00:14:38,560 Speaker 4: Is, Well, that's what I was going to say. 252 00:14:38,560 --> 00:14:41,240 Speaker 3: That I think is really interesting is around the same 253 00:14:41,320 --> 00:14:45,640 Speaker 3: time as this, there was like a crash when people 254 00:14:45,640 --> 00:14:49,160 Speaker 3: were being taken home from the set of Riverdale or something, 255 00:14:49,200 --> 00:14:52,800 Speaker 3: and I think one of the drivers ended up being injured. 256 00:14:52,840 --> 00:14:55,600 Speaker 3: And I think that these long hours and this kind 257 00:14:55,640 --> 00:14:58,640 Speaker 3: of exhaustion and people not sleeping properly, and they're not 258 00:14:58,680 --> 00:15:00,640 Speaker 3: being safe ways for people to get to and from 259 00:15:00,640 --> 00:15:04,040 Speaker 3: set or be on set. This is an ongoing problem 260 00:15:04,240 --> 00:15:07,800 Speaker 3: in big budget movies, in indie movies, as we saw 261 00:15:07,840 --> 00:15:10,360 Speaker 3: with the Russ shooting with you know that Alec Baldwin 262 00:15:10,480 --> 00:15:13,320 Speaker 3: was recently the trial was dismissed about, but like that 263 00:15:13,480 --> 00:15:16,800 Speaker 3: was another example of it. Sadly, this is not an 264 00:15:16,840 --> 00:15:20,720 Speaker 3: industry that always values the people who are part of 265 00:15:20,800 --> 00:15:22,040 Speaker 3: making the movies possible. 266 00:15:22,160 --> 00:15:26,200 Speaker 1: Yeah, twelve, thirteen, fourteen, even fifteen hour days, it's not 267 00:15:26,440 --> 00:15:27,880 Speaker 1: uncommon in TV and movies. 268 00:15:27,960 --> 00:15:30,040 Speaker 4: That's pretty much part of the course. 269 00:15:30,480 --> 00:15:32,360 Speaker 2: It's not a judgment, that's just what it is. 270 00:15:32,880 --> 00:15:37,720 Speaker 3: Yeah, that wasn't the only controversy that beset the movie either. 271 00:15:37,800 --> 00:15:43,160 Speaker 3: In late twenty seventeen, sexual misconduct allegations against TJ. Miller surface, 272 00:15:43,240 --> 00:15:44,800 Speaker 3: and you might be like, well, what's he got to 273 00:15:44,840 --> 00:15:46,920 Speaker 3: do with it? He was actually in the first movie 274 00:15:47,000 --> 00:15:50,800 Speaker 3: as his like Deadpool's like annoying friend. He's in Ish 275 00:15:50,920 --> 00:15:52,920 Speaker 3: the second one, he's in ish the second one, the 276 00:15:53,040 --> 00:15:58,400 Speaker 3: allegations were particularly horrendous, and some began calling for his 277 00:15:58,520 --> 00:16:01,800 Speaker 3: removal from the film. In April of twenty eighteen, Miller 278 00:16:01,920 --> 00:16:04,880 Speaker 3: was arrested for calling in a fake bomb threat on. 279 00:16:04,880 --> 00:16:05,960 Speaker 4: An Amtrak train. 280 00:16:08,240 --> 00:16:11,640 Speaker 3: You know, we do it starts getting easier, like okay, 281 00:16:11,640 --> 00:16:14,440 Speaker 3: my guy. Witnesses on the train claimed he was heavily 282 00:16:14,440 --> 00:16:16,880 Speaker 3: intoxicated and had heated exchanges with a woman in the 283 00:16:16,920 --> 00:16:19,280 Speaker 3: first class car with him. He was then removed from 284 00:16:19,320 --> 00:16:22,080 Speaker 3: the train for being inebriated, but he was not removed 285 00:16:22,080 --> 00:16:24,400 Speaker 3: from the film, at least not fully. I can imagine 286 00:16:24,400 --> 00:16:27,160 Speaker 3: that there was a cut with more. Yeah, so it 287 00:16:27,320 --> 00:16:31,400 Speaker 3: was not an easy shoot, and reshoots are very expensive. 288 00:16:31,520 --> 00:16:34,640 Speaker 3: So listen to these ad breaks so that we can 289 00:16:34,760 --> 00:16:36,560 Speaker 3: cut around the stuff that's not supposed to be in 290 00:16:36,600 --> 00:16:37,400 Speaker 3: the poplar. 291 00:16:51,800 --> 00:16:52,760 Speaker 2: And we're back. 292 00:16:53,320 --> 00:16:57,360 Speaker 1: Deadpool two was released May eighteen, twenty eighteen, and would 293 00:16:57,360 --> 00:16:59,840 Speaker 1: go on to grow some worldwide total of seven hundred 294 00:16:59,840 --> 00:17:03,640 Speaker 1: eight five point eight so just under seven and eighty 295 00:17:03,680 --> 00:17:07,200 Speaker 1: six Newllion dollars on a budget of one hundred and 296 00:17:07,320 --> 00:17:10,440 Speaker 1: ten million, not quite the ratio of the first movie, 297 00:17:10,480 --> 00:17:15,560 Speaker 1: but still, like inclu imreredibly impressive. Fandago and Regal Cinemas 298 00:17:15,600 --> 00:17:17,679 Speaker 1: revealed that the movie had the most pre sale tickets 299 00:17:17,720 --> 00:17:20,920 Speaker 1: they had ever had ever for an R rated film 300 00:17:21,040 --> 00:17:24,720 Speaker 1: ever in history. Ever, it also set the record for 301 00:17:24,760 --> 00:17:27,560 Speaker 1: the widest rated release ever. Fox hinted at a new 302 00:17:27,600 --> 00:17:31,200 Speaker 1: Deadpool movie, which wound up being titled Once Upon a Deadpool. 303 00:17:31,240 --> 00:17:33,600 Speaker 1: The movie was announced as a PG thirteen version of 304 00:17:33,600 --> 00:17:36,560 Speaker 1: Deadpool two and would be released in theaters from Decever 305 00:17:36,680 --> 00:17:37,680 Speaker 1: twelfth and twenty fourth. 306 00:17:37,760 --> 00:17:39,159 Speaker 2: Reynolds only agreed to support. 307 00:17:38,880 --> 00:17:40,840 Speaker 1: A PG thirteen version of the movie if portion of 308 00:17:40,840 --> 00:17:44,879 Speaker 1: the profits were donated to charity, specifically a cancer charity. 309 00:17:45,160 --> 00:17:48,440 Speaker 1: Here's the thing about R rated movies and why studios 310 00:17:48,440 --> 00:17:51,399 Speaker 1: don't necessarily like them, is because it's not because the 311 00:17:51,520 --> 00:17:53,800 Speaker 1: kids can't go. The kids end up going. What they 312 00:17:53,800 --> 00:17:55,560 Speaker 1: do is they buy a ticket to a PG thirteen 313 00:17:55,560 --> 00:17:58,160 Speaker 1: movie and then they sneak today go and some other 314 00:17:58,320 --> 00:18:01,520 Speaker 1: movie ends up getting that money, and so the release 315 00:18:01,560 --> 00:18:04,120 Speaker 1: of a PG thirteen version is really just a way 316 00:18:04,200 --> 00:18:08,720 Speaker 1: for them to seize back the profits which were going 317 00:18:08,760 --> 00:18:12,600 Speaker 1: into whatever other PG or PG thirteen movie was in 318 00:18:12,640 --> 00:18:14,040 Speaker 1: the theaters at that time. 319 00:18:14,600 --> 00:18:16,720 Speaker 3: I will say I do think they came up with 320 00:18:16,800 --> 00:18:19,920 Speaker 3: a fun idea, which is they did like a Princess 321 00:18:19,960 --> 00:18:22,760 Speaker 3: Bride esque reimagining of the movie. 322 00:18:22,760 --> 00:18:25,360 Speaker 4: But yes, so the dollar of every. 323 00:18:25,160 --> 00:18:28,520 Speaker 3: Ticket sale went to the cancer charity campaign rebranded as 324 00:18:28,600 --> 00:18:30,240 Speaker 3: Fudge Cancer in the movie. 325 00:18:30,359 --> 00:18:31,000 Speaker 4: Very funny of you. 326 00:18:32,000 --> 00:18:36,800 Speaker 3: So development began on a third Deadpool movie, an actual 327 00:18:37,359 --> 00:18:40,960 Speaker 3: separate Deadpool movie, not just a recut PG thirteen version, as. 328 00:18:40,880 --> 00:18:42,480 Speaker 4: Well as a separate X Force project. 329 00:18:43,080 --> 00:18:46,440 Speaker 3: However, after twenty first Century Fox was purchased by Disney 330 00:18:46,600 --> 00:18:49,679 Speaker 3: in twenty nineteen, a large part of which may or 331 00:18:49,680 --> 00:18:51,760 Speaker 3: may not have been to get back those Fantastic Four 332 00:18:51,880 --> 00:18:55,800 Speaker 3: rights that they had sold to Fox many many years ago, 333 00:18:56,240 --> 00:18:58,680 Speaker 3: all development on future X Men movies was put on hold, 334 00:18:58,760 --> 00:19:02,920 Speaker 3: including Deapol three and Force. Reynolds met with Kevin Faiy 335 00:19:03,080 --> 00:19:07,440 Speaker 3: to discuss integrating Depport into the Marvel Cinematic universe, where 336 00:19:07,760 --> 00:19:10,240 Speaker 3: he was apparently told he could not use Wolverine. 337 00:19:10,440 --> 00:19:11,200 Speaker 4: Very interesting. 338 00:19:11,640 --> 00:19:14,280 Speaker 3: After working with director Sean Levy on Free Guy and 339 00:19:14,320 --> 00:19:16,720 Speaker 3: the Adam Project, Levy was hired to direct the next 340 00:19:16,720 --> 00:19:19,359 Speaker 3: Stepple movie. Also I'd just say Free Guy very fun 341 00:19:19,400 --> 00:19:23,000 Speaker 3: movie movie. It has lots of Marvel Easter eggs thanks 342 00:19:23,000 --> 00:19:25,000 Speaker 3: to the fact that it was a twentieth century movie 343 00:19:25,000 --> 00:19:26,720 Speaker 3: that got moved to Disney, So if you like this 344 00:19:26,760 --> 00:19:30,080 Speaker 3: kind of stuff, you'll probably enjoy it. Levy, Reynolds, Reese, Wernick, 345 00:19:30,119 --> 00:19:33,560 Speaker 3: and zeb Wells oh Hi zeb Wells worked on a 346 00:19:33,640 --> 00:19:36,040 Speaker 3: number of script ideas but began to hit a block. 347 00:19:36,119 --> 00:19:38,040 Speaker 3: Marvel and the writers all struggled to find that a 348 00:19:38,040 --> 00:19:42,119 Speaker 3: story idea that worked, and Levy and Reynolds considered telling 349 00:19:42,160 --> 00:19:45,439 Speaker 3: Figy they thought the project should not continue at the 350 00:19:45,480 --> 00:19:49,280 Speaker 3: time dunt dund dund. But in August twenty twenty two, 351 00:19:49,520 --> 00:19:51,800 Speaker 3: Ryan Reynolds was preparing to meet with Figy to discuss 352 00:19:51,800 --> 00:19:55,160 Speaker 3: their pole's future when Hugh Jackman reached out to him 353 00:19:55,160 --> 00:19:58,080 Speaker 3: and expressed a desire to reprise his role as Wolverine 354 00:19:58,200 --> 00:20:02,840 Speaker 3: in the film. Allegedly, he said, I'll probably have more 355 00:20:02,880 --> 00:20:06,439 Speaker 3: fun on that movie than anything I've ever done. Figi 356 00:20:06,520 --> 00:20:09,159 Speaker 3: initially advised Jackman not to return, as he felt the 357 00:20:09,240 --> 00:20:12,679 Speaker 3: characters arc ended so well in Logan True. However, he 358 00:20:12,800 --> 00:20:15,800 Speaker 3: was convinced when it was suggested that Jackman would portray 359 00:20:15,840 --> 00:20:19,680 Speaker 3: a new version of Wolverine, tying into the Marvel multiversal 360 00:20:19,760 --> 00:20:24,480 Speaker 3: storytelling arc. Logan director James Mangold expressed his enthusiasm about 361 00:20:24,520 --> 00:20:27,359 Speaker 3: the story idea, and pre production began less than two 362 00:20:27,359 --> 00:20:30,800 Speaker 3: months after Hugh Jackman joined the project. Fans are especially 363 00:20:30,840 --> 00:20:34,760 Speaker 3: excited about the introduction of a more comically accurate costumes 364 00:20:34,760 --> 00:20:37,920 Speaker 3: for both main characters, with a brighter red and large 365 00:20:37,960 --> 00:20:40,800 Speaker 3: black eye circles for Deadpool and the classic yellow and 366 00:20:40,800 --> 00:20:43,240 Speaker 3: blue suit for Wolverine, which we had all been waiting for. 367 00:20:44,040 --> 00:20:50,280 Speaker 4: Deadpool. Wolverine opens July twenty sixth. Jason, do you have 368 00:20:50,800 --> 00:20:52,640 Speaker 4: some Deadpool facts for us? 369 00:20:53,280 --> 00:20:56,520 Speaker 1: Let's go to the Deadpool Facts. We like to end 370 00:20:56,560 --> 00:20:59,440 Speaker 1: every show with a series of quick hitting segments. In 371 00:20:59,480 --> 00:21:03,920 Speaker 1: today's quick silver the fastest Deadpool fact race known to 372 00:21:04,200 --> 00:21:06,560 Speaker 1: the human race, and here it is Deadpool Facts, Deadpool 373 00:21:06,560 --> 00:21:10,760 Speaker 1: Fact number one. Deadpool was Tim Miller's directorial debut. Miller 374 00:21:10,760 --> 00:21:14,040 Speaker 1: co founded Blur Studios in nineteen ninety three of VFX Company. 375 00:21:14,440 --> 00:21:15,320 Speaker 2: For landing Deadpool. 376 00:21:15,359 --> 00:21:18,639 Speaker 1: Miller worked on the title sequences through Blur to David 377 00:21:18,640 --> 00:21:21,800 Speaker 1: Fincher's The Girl with the Dragon Tattoo and Alan Taylor's 378 00:21:23,080 --> 00:21:27,639 Speaker 1: Magnum Opus for the Dark World. You should say that's 379 00:21:27,720 --> 00:21:31,560 Speaker 1: why Tim Miller and Ryan Reynolds were able to create 380 00:21:31,640 --> 00:21:36,000 Speaker 1: this really wonderful stunt sequence with Reynolds. Because this was 381 00:21:36,080 --> 00:21:38,960 Speaker 1: Miller's background in VFX. I wonder who could have leaked 382 00:21:38,960 --> 00:21:39,600 Speaker 1: the footage. 383 00:21:39,840 --> 00:21:40,480 Speaker 2: Deadpool. 384 00:21:40,840 --> 00:21:45,679 Speaker 1: As noted, the first movie massive financial success, earning over 385 00:21:45,680 --> 00:21:47,520 Speaker 1: seven hundred and three million on a budget of less 386 00:21:47,520 --> 00:21:51,679 Speaker 1: than sixty. Deadpool jokes in the first Deadpool film that 387 00:21:51,720 --> 00:21:53,960 Speaker 1: the X characters who appear in the film Classus and 388 00:21:54,040 --> 00:21:56,080 Speaker 1: the super super weird. 389 00:21:55,760 --> 00:21:59,359 Speaker 2: And rarely rarely appearing. 390 00:22:00,080 --> 00:22:07,000 Speaker 3: Teenage Warhead lie after one page and the but I 391 00:22:07,080 --> 00:22:10,639 Speaker 3: loved this version that they created in the still one 392 00:22:10,640 --> 00:22:11,760 Speaker 3: of my favorite. 393 00:22:11,520 --> 00:22:13,080 Speaker 4: Marvel movie characters of all time. 394 00:22:13,119 --> 00:22:15,600 Speaker 1: So thank you, right, so yeah, Deadpool jokes that this 395 00:22:15,680 --> 00:22:19,679 Speaker 1: was all that they could afford. Deadpool the original movie 396 00:22:19,840 --> 00:22:22,679 Speaker 1: was the highest grossing R rated film ever. 397 00:22:22,520 --> 00:22:24,560 Speaker 2: For a little while. For a little while. 398 00:22:25,280 --> 00:22:29,160 Speaker 1: It is currently the fourth highest grossing rated film behind 399 00:22:29,440 --> 00:22:34,680 Speaker 1: One the Joker number one, number two, op Oppenheimer number. 400 00:22:34,480 --> 00:22:37,680 Speaker 2: Three, Deadpool number two. 401 00:22:38,200 --> 00:22:41,199 Speaker 1: Although again, as stated, seven hundred and three on a 402 00:22:41,200 --> 00:22:44,200 Speaker 1: budget of sixty, I think is to me is better 403 00:22:44,320 --> 00:22:46,480 Speaker 1: than a budget of one hundred and ten for Deadpool two, 404 00:22:46,560 --> 00:22:49,960 Speaker 1: and this whatever it was, they made almost somewhat south 405 00:22:50,000 --> 00:22:53,439 Speaker 1: of a billion. So do with that information of what 406 00:22:53,520 --> 00:22:56,880 Speaker 1: you will. Much has been written about Deadpool being Ryan 407 00:22:57,000 --> 00:23:02,440 Speaker 1: reynolds passion project. Less talked about is how Ryan, because 408 00:23:02,480 --> 00:23:05,679 Speaker 1: of that passion, paid for writers Reese and Paul Wernick 409 00:23:05,760 --> 00:23:07,600 Speaker 1: to be on set after. 410 00:23:07,400 --> 00:23:10,400 Speaker 2: Fox declined to. 411 00:23:09,680 --> 00:23:13,000 Speaker 1: Remunerate them for for appearing on set to do rewrites 412 00:23:13,040 --> 00:23:14,760 Speaker 1: and punch up jokes, et cetera. 413 00:23:15,920 --> 00:23:16,359 Speaker 2: I get it. 414 00:23:16,560 --> 00:23:18,359 Speaker 1: You know, they were touchy about a budget of less 415 00:23:18,359 --> 00:23:21,960 Speaker 1: than sixty and they were like, listen, we're pinching pennies everywhere. 416 00:23:22,119 --> 00:23:30,320 Speaker 1: We're having to put negasonic teenage work somewhere, so we 417 00:23:30,359 --> 00:23:32,400 Speaker 1: can't pay for these guys to be on film. And 418 00:23:32,400 --> 00:23:34,800 Speaker 1: and so Ryan Reynolds paid for them to appear, which 419 00:23:34,840 --> 00:23:35,639 Speaker 1: is wonderful. Love. 420 00:23:35,960 --> 00:23:37,480 Speaker 2: How about some Deadpool number two facts? 421 00:23:37,680 --> 00:23:40,520 Speaker 1: Yes, ex Corporation, the owner of the orphanage and re 422 00:23:40,640 --> 00:23:45,160 Speaker 1: education center that housed Russell child mutant. Russell of Deadpool 423 00:23:46,640 --> 00:23:49,320 Speaker 1: is a reference to the long lived geneticist and all 424 00:23:49,359 --> 00:23:52,960 Speaker 1: around bad guy Nathan Essex aka mister Sinister. The one 425 00:23:52,960 --> 00:23:56,800 Speaker 1: eyed willing joke then Deadpool makes is a reference to 426 00:23:57,119 --> 00:24:02,159 Speaker 1: the legendary pirate captain and On Detra of the movie 427 00:24:02,240 --> 00:24:05,880 Speaker 1: The Goonies, which featured that movie a young Josh Brolin 428 00:24:06,000 --> 00:24:10,639 Speaker 1: riding a BMX bike Love Young, BMX Wonderful. Deadpool was 429 00:24:10,680 --> 00:24:14,880 Speaker 1: created by artist Rob Leifeld and writer editor Fabian the Chenz. Lifefield, 430 00:24:14,920 --> 00:24:16,919 Speaker 1: by the early nineties had become a major star at 431 00:24:16,960 --> 00:24:19,840 Speaker 1: just nineteen eight years of age X Force launch in 432 00:24:19,880 --> 00:24:21,720 Speaker 1: nineteen ninety one by Lifefeld and Chins have become a 433 00:24:21,760 --> 00:24:25,280 Speaker 1: huge hit off of life Feld, spurgeoning popularity. The original 434 00:24:25,359 --> 00:24:29,760 Speaker 1: team lineup featured Boom Boom, Cable, Canniball, Domino Ferrell, Shatterstar 435 00:24:29,920 --> 00:24:35,600 Speaker 1: and Warpath and as an example of just how pop 436 00:24:35,880 --> 00:24:42,359 Speaker 1: cultural zeitgeisty Rob Leifeld was, Here's a Lee's five oh 437 00:24:42,400 --> 00:24:47,680 Speaker 1: one jeans commercial directed by Spike Lee featuring Rob Leifeld, 438 00:24:48,080 --> 00:24:52,160 Speaker 1: Play It, Dynasty Fixen Joan Collins On the next line, 439 00:24:52,280 --> 00:24:53,760 Speaker 1: I saw that you can make a living at it. 440 00:24:54,280 --> 00:24:54,800 Speaker 3: You'll hear no. 441 00:24:54,760 --> 00:24:56,800 Speaker 2: Complaints and you created x forts. 442 00:24:57,400 --> 00:24:58,280 Speaker 1: Where does this drawing on? 443 00:24:58,760 --> 00:25:00,159 Speaker 2: This is the Spike man? 444 00:25:00,200 --> 00:25:00,960 Speaker 3: What's this right now? 445 00:25:00,960 --> 00:25:02,320 Speaker 4: This is the camera on top of your head that 446 00:25:02,359 --> 00:25:03,920 Speaker 4: we record the wrong doings of ever. 447 00:25:04,080 --> 00:25:06,720 Speaker 2: So, Rob, have you had any formal art training, No, 448 00:25:07,720 --> 00:25:08,760 Speaker 2: just a lot of imagination. 449 00:25:08,840 --> 00:25:10,520 Speaker 1: I think, Wait, so, so I say it and then 450 00:25:10,560 --> 00:25:12,679 Speaker 1: look down or just open it and say it. 451 00:25:12,680 --> 00:25:18,000 Speaker 2: The fly button. How crazy that is, truly nuts. 452 00:25:17,640 --> 00:25:19,760 Speaker 4: Just one of the wildest things of all time. 453 00:25:19,920 --> 00:25:22,560 Speaker 3: I think about it a lot, I watch it a lot, 454 00:25:22,680 --> 00:25:23,880 Speaker 3: I talk about it a lot. 455 00:25:24,080 --> 00:25:28,959 Speaker 4: If you another great thing to do, go and watch the. 456 00:25:28,200 --> 00:25:29,720 Speaker 3: Trailers so you can see the visuals, so you can 457 00:25:29,720 --> 00:25:32,399 Speaker 3: see little Rob Liefeld at the center of the trailer. Also, 458 00:25:33,000 --> 00:25:37,960 Speaker 3: go and just search like Rob Liefeld nineties comic bookshop 459 00:25:38,080 --> 00:25:39,960 Speaker 3: or Jim Lee nineties comic book shop. 460 00:25:40,000 --> 00:25:41,200 Speaker 4: Like they would have. 461 00:25:41,440 --> 00:25:45,240 Speaker 3: News crews from local news going to signings. These guys 462 00:25:45,240 --> 00:25:48,400 Speaker 3: did because there were like hundreds of people showing up 463 00:25:48,400 --> 00:25:52,960 Speaker 3: for these signings. Lest we forget after all of this, 464 00:25:53,119 --> 00:25:56,280 Speaker 3: when Jim Ley, you know the reason that they left 465 00:25:56,280 --> 00:25:58,960 Speaker 3: and they went to Image Comics, that X Men number 466 00:25:58,960 --> 00:26:02,200 Speaker 3: one issue by Jim Ly still the biggest selling comic 467 00:26:02,280 --> 00:26:04,880 Speaker 3: of all time, eight million pre sales. 468 00:26:04,600 --> 00:26:07,040 Speaker 2: Based its truly crazy selling. 469 00:26:07,160 --> 00:26:08,040 Speaker 4: GI I know. 470 00:26:08,080 --> 00:26:08,840 Speaker 2: It's a different level. 471 00:26:09,440 --> 00:26:11,680 Speaker 4: It's like brand right now. 472 00:26:11,800 --> 00:26:14,679 Speaker 1: Yeah, to have a comic book creator in a national 473 00:26:14,880 --> 00:26:19,600 Speaker 1: ad campaign for a major clothing brand and the commercial 474 00:26:19,600 --> 00:26:21,960 Speaker 1: director by Spike Lee would have to mention, by the way, 475 00:26:22,040 --> 00:26:24,679 Speaker 1: the Spike Man that that lifelp is drawing on his 476 00:26:24,720 --> 00:26:28,280 Speaker 1: little pad. They're no feat on that sketch of the character. 477 00:26:28,560 --> 00:26:30,359 Speaker 2: Well, that's it for this episode. 478 00:26:31,119 --> 00:26:39,720 Speaker 1: Pigs for Listening bye x ray Vision is hosted by 479 00:26:39,800 --> 00:26:43,600 Speaker 1: Jason Sepsion and Rosie Knight and is a production of 480 00:26:43,600 --> 00:26:48,600 Speaker 1: iHeart Podcasts. Our executive producers are Joelle Smith and Aaron Kaufman. 481 00:26:49,040 --> 00:26:53,680 Speaker 1: Our supervising producer is a booze Afar. Our producers are 482 00:26:53,720 --> 00:26:57,880 Speaker 1: Carmen Laurent and Mia Taylor. Our theme song is by 483 00:26:57,960 --> 00:26:58,919 Speaker 1: Brian Basquez. 484 00:26:59,400 --> 00:27:03,720 Speaker 3: Special Time to Soul Ruben and Chris Lord. Kenny Goodman 485 00:27:04,080 --> 00:27:13,520 Speaker 3: and Heidi are discord moderator m