WEBVTT -  Part Three: The Phil Spector Episodes

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<v Speaker 1>All media.

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<v Speaker 2>Hey everybody, Robert here and the International Academy of Digital

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<v Speaker 2>Arts and Sciences have announced that three different Cool Zone

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<v Speaker 2>media shows have been nominated for awards at the thirtieth

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<v Speaker 2>annual Webby Awards. You can vote on these now if

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<v Speaker 2>you just google the name of the podcast and the category.

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<v Speaker 2>Behind the Bastards has been nominated in the Experimental and

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<v Speaker 2>Innovation Podcasts category. It Could Happen Here is in the

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<v Speaker 2>News and Politics Podcasts category, and James Stout's mini series

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<v Speaker 2>Migrating to America A Dream Worth Dying For has been

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<v Speaker 2>nominated in the Podcasts Documentary category. And you can find

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<v Speaker 2>links to vote for each of these podcasts in the

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<v Speaker 2>episode description and in the posts on social media for

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<v Speaker 2>episodes that It Could Happen Here and Behind the Bastards.

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<v Speaker 3>Thank you.

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<v Speaker 2>Welcome back to Behind the Bastards everyone. I'm Robert Evans.

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<v Speaker 2>This is a classy podcast about the worst people in

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<v Speaker 2>all of history, always introduced by beautiful musical accompanyment courtesy

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<v Speaker 2>of our guests Greasy will imagine.

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<v Speaker 4>This, No bastards, It isn't hard to do. No code

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<v Speaker 4>sor revol beginness, no crimes to.

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<v Speaker 5>Re imagine All the podcast is.

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<v Speaker 4>What day do you.

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<v Speaker 5>Imagine that no robots.

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<v Speaker 3>And no Sophie too, not going to him every shot steak.

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<v Speaker 5>Now son creeps, or you.

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<v Speaker 4>Imagine the old look people, nor that now the juice

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<v Speaker 4>you you missing?

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<v Speaker 5>I'm a dreamer.

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<v Speaker 4>The bis part is basic clear. The whole lot is

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<v Speaker 4>called the best Stards. And then short have.

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<v Speaker 5>Imagine that no more lords.

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<v Speaker 3>Or tech freaks.

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<v Speaker 6>From nest ge, no poison gas, dicotatoes, would libertary young.

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<v Speaker 4>Dreamt time robbers.

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<v Speaker 7>Would finally you miss I'm a dream of But if

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<v Speaker 7>the Bestards were all.

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<v Speaker 4>Through and then me signs in study and there be.

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<v Speaker 3>None, it was beautiful.

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<v Speaker 2>Well, thank you, thank you.

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<v Speaker 5>Yes, this was an entire composition by me.

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<v Speaker 3>I reproduced this all because today we are going to

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<v Speaker 3>be talking a little bit about the Beatles and about

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<v Speaker 3>John Lennon and Phil Spector and his relationship to all

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<v Speaker 3>of them. And so yesterday I decided I had so

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<v Speaker 3>many things to do that I was like gonna like

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<v Speaker 3>lose my mind, and I thought, what could be better

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<v Speaker 3>than ignoring all your jobs, getting blackout drunk and making

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<v Speaker 3>a tribute song for this week's second week here on

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<v Speaker 3>Phil Spector Episode three, which I thought this was gonna

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<v Speaker 3>be like one episode.

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<v Speaker 2>I can't believe we're getting two songs.

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<v Speaker 5>Yeah, well I had to. It was like it was

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<v Speaker 5>you know, it was like I.

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<v Speaker 3>Gotta keep them, keep them, keep the fans interested.

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<v Speaker 2>I judge it.

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<v Speaker 3>So yeah, so yesterday I got you got your gavel, honorable.

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<v Speaker 2>It's official. Yeah, that was Beatle. And I do wonder

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<v Speaker 2>a lot. Will I wake up scared every night like

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<v Speaker 2>are the did people finally figured out how to stop

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<v Speaker 2>being evil?

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<v Speaker 3>Like is this the day that that my job loses

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<v Speaker 3>all meaning?

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<v Speaker 2>And then I wake up and someone's fmitted a horrible

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<v Speaker 2>crime against you.

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<v Speaker 3>Man, breath and watch.

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<v Speaker 5>Like even just opening your phone, you're like, oh cool, still.

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<v Speaker 3>Okay, yeah they got they got. Oh man, Well this

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<v Speaker 3>has been a cold open, and it's a musical cold open.

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<v Speaker 2>A very warm cold open, A very warm cold opening.

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<v Speaker 2>We're hearing more about Phil Specter. If anyone notices that

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<v Speaker 2>my robe is covered in hey, it's because it just

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<v Speaker 2>fed the animals.

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<v Speaker 3>It's a robe. If you had not said anything, I

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<v Speaker 3>just I'd assume that was a regular winter jacket. But no,

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<v Speaker 3>you're wearing a robe.

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<v Speaker 2>It's a robe.

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<v Speaker 3>I got, Well, it's a robe.

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<v Speaker 2>I got at Caesar's Palace, they know, buying this Well,

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<v Speaker 2>that's my favorite part.

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<v Speaker 3>When we last left Phil, he and Ronnie had just

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<v Speaker 3>been married, and he went to visit his mother Bertha,

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<v Speaker 3>literally the day of right, he went to visit his

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<v Speaker 3>mother Bertha. Abusive as ever.

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<v Speaker 5>Yes, when he gets home, he's drunk as hell.

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<v Speaker 3>He starts screaming sure, right, and he's all mad at

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<v Speaker 3>Ronnie and everything because he believes she's taking his money.

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<v Speaker 3>And Ronnie and her mother spend the night locked in

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<v Speaker 3>her bathroom hiding from Phil, scared, you know, and they

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<v Speaker 3>sleep in her in her bathtub, right, Okay, on her

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<v Speaker 3>wedding night. That's how she spends her wedding night. Cool,

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<v Speaker 3>that's romantic. So the next day Phil wakes up, realizes

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<v Speaker 3>he's a bastard and changes all his ways. That's the

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<v Speaker 3>end of the story.

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<v Speaker 2>Great, Wow, you really put a lot of work into

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<v Speaker 2>the song for a a long episode, but I appreciate it.

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<v Speaker 3>Well yet, well, so I'm flying knowing no not.

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<v Speaker 2>Went on to spend the rest of his life volunteerly

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<v Speaker 2>get a children's hospital.

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<v Speaker 3>Children. He's just kind of a shitty husband at this point.

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<v Speaker 3>You know, it's like I guess it's behind the shitty husbands. Yes,

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<v Speaker 3>why I'm far so far well. And also he's fucked

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<v Speaker 3>over a lot of women. He has. He has been horrible.

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<v Speaker 3>He's in general he's a horrible person. Like. Yeah, So

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<v Speaker 3>his relationship with his mother is strained at best. He

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<v Speaker 3>doesn't let her come into the studio at all. He doesn't.

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<v Speaker 5>He doesn't like her being around at all.

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<v Speaker 3>She sometimes she does show up at the studio and

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<v Speaker 3>she still calls him Harvey, which pisses him off. You know,

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<v Speaker 3>she like refuses to ever call him philm Yeah, that's weird.

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<v Speaker 3>And she'll like randomly show up in the studio with

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<v Speaker 3>like like matsa ball, soup and ship and be like Phil,

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<v Speaker 3>you need to eat And He's like, no, I know

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<v Speaker 3>I would not either, but like, you know whatever.

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<v Speaker 2>Anyway, he's also probably consuming his weight in cocaine every day, right,

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<v Speaker 2>so I'm imagining not much of an appetite.

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<v Speaker 3>He's not really a drug user as much. He kind

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<v Speaker 3>of looks down on drugs mostly he looks down an

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<v Speaker 3>artists that do drugs. Yeah, his when he does get

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<v Speaker 3>into the vices, it's mostly it's mostly alcohol, you know,

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<v Speaker 3>It's mostly that he's an alcoholic, but he's super jacyl

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<v Speaker 3>and hide with it all the time. It's like he'll

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<v Speaker 3>go and he'll go through like this is his whole life.

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<v Speaker 3>He does this like periods of sobriety and then periods

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<v Speaker 3>where he's just getting lit all the time.

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<v Speaker 2>And he's one of those guys he's pissed by people

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<v Speaker 2>like doing doing blow. He does smoke in weed, tak

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<v Speaker 2>an acid.

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<v Speaker 3>Right, Yeah, he doesn't seem to really like it's not

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<v Speaker 3>really mentioned about weeds, So I especially assume since like

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<v Speaker 3>the Beatles and everything, he probably was fine with weed,

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<v Speaker 3>but like definitely didn't like cocaine being around in the studio.

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<v Speaker 3>He's not the cool party guy.

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<v Speaker 2>Yeah.

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<v Speaker 3>Yeah. By the time he married Ronnie, right, he's barely

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<v Speaker 3>seeing his mom. But that's when his sister. Around the

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<v Speaker 3>same time, his sister gets committed to a psychiatric facility

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<v Speaker 3>and she will remain there for the rest of her life.

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<v Speaker 5>So Shirley is gone from the story now.

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<v Speaker 3>Phil will never talk about her ever, He never discussed her,

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<v Speaker 3>and because of that, she just kind of just disappears

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<v Speaker 3>to hit. I mean, obviously she spends the rest of

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<v Speaker 3>her life pretty much in and out of mental health care, so.

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<v Speaker 2>She's gone, right, okay, Phil.

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<v Speaker 3>At the same time, this is when he starts transforming

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<v Speaker 3>his home into a literal fortress. He's got this huge

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<v Speaker 3>mansion in Hollywood, and he's got gates all around it.

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<v Speaker 3>He's got dogs, he got multiple like guard dogs. He's

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<v Speaker 3>got a guy who's basically like his his like personal bodyguards, Slash.

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<v Speaker 3>Also he's like regularly like he gets his like sandwiches

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<v Speaker 3>and stuff, you know, is his dude, George Brand. He's

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<v Speaker 3>he's around for most of this story, and a lot

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<v Speaker 3>of the stuff that happens he's like involved in in

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<v Speaker 3>some way. But he seems to be just a pretty

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<v Speaker 3>pretty decent guy. But overall, like like part of his

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<v Speaker 3>job is to monitor Ronnie. Part of his job is

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<v Speaker 3>to monitor the visitors that come by. If like if

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<v Speaker 3>somebody comes in and like like a guest or whatever,

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<v Speaker 3>he's not to leave the room while they're there and

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<v Speaker 3>stuff like that.

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<v Speaker 2>Yeah, And like Rosie, I knew one son of a

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<v Speaker 2>really famous and wealthy guy and who was otherwise normal

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<v Speaker 2>but would periodically get really paranoid while like out hanging

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<v Speaker 2>out doing normal person things that they were going to

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<v Speaker 2>get kidnapped like that that was a constant even when

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<v Speaker 2>there was nothing happening, no indication of it, And I

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<v Speaker 2>guess that, like I think that just happens to some

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<v Speaker 2>people when they start to hit that level of wealth

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<v Speaker 2>and fame where they just can't stop thinking about all

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<v Speaker 2>of the people that all the things that might go wrong,

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<v Speaker 2>all the people who might want to take it from them.

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<v Speaker 2>I don't know.

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<v Speaker 3>A side story, and a really correlating side one that

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<v Speaker 3>is music industry. I once worked for Balt Getty, who

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<v Speaker 3>is the great grandson oh like those Getties, those Gettys. Yes,

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<v Speaker 3>his dad, His dad is the Getty that was kidnapped

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<v Speaker 3>in Europe and had his ear sliced off and everything.

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<v Speaker 3>So it's like it's understandable to carry paranoia, you know,

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<v Speaker 3>like I could. And like when he talked about it,

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<v Speaker 3>like it was always just like yeah, man, like like

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<v Speaker 3>he did not seem very trusting of people just showing

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<v Speaker 3>up at his place.

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<v Speaker 2>You know, we were going to kidnap my friend, but

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<v Speaker 2>we just never got around to it.

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<v Speaker 3>He didn't have any money. Reason. It also, like with

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<v Speaker 3>the whole Patty Hurst thing became like a very popular, right,

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<v Speaker 3>that's such an interesting story. Yeah, all right. So, so

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<v Speaker 3>Ronnie is restricted inside the house. She she can't really

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<v Speaker 3>do much like she uh, she's not allowed to leave ever.

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<v Speaker 3>The doors are always locked. Fill always locks the doors.

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<v Speaker 3>He's big, big on that. So as she's her isolation intensifies.

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<v Speaker 3>She began drinking heavily. Phil actually gave her the first

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<v Speaker 3>alcohol she ever had. She did not drink until she

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<v Speaker 3>was well into like her relationship with Phil, and Phil

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<v Speaker 3>gave her the first, the first sip of alcohol she

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<v Speaker 3>ever had. But now it's becoming like one of the

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<v Speaker 3>few emotional outlets available to her. Right, it wasn't recreational

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<v Speaker 3>at all. It was absolutely a coping mechanism inside an

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<v Speaker 3>environment she could not safely leave. Like Phil's behavior becomes

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<v Speaker 3>increasingly unpredictable, alternating between affection, surveillance, and intimidation. He gets

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<v Speaker 3>more and more controlling. He would tell her to stop

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<v Speaker 3>focusing on her music, you know, and like be a

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<v Speaker 3>good wife and that's what she should do, and that's

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<v Speaker 3>her job. And he no longer even pretends that like

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<v Speaker 3>to be interested in taking her into the studio anymore,

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<v Speaker 3>Like she has no career anymore being her Like the

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<v Speaker 3>Ronettes are still doing things like touring and stuff like that.

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<v Speaker 3>She's just not a part of it. Right. The group

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<v Speaker 3>that's literally her namesake.

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<v Speaker 2>Ronettes, don't have Ronnie anymore.

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<v Speaker 5>Yeah, they're still touring.

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<v Speaker 3>And because like you know, again, like it's very like

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<v Speaker 3>bands back then are very amorphous. You don't really know

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<v Speaker 3>what a lot of them look like because you've never

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<v Speaker 3>seen a picture of them, you know. Sure, so no

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<v Speaker 3>one else knows or whatever. But because she's drinking heavily,

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<v Speaker 3>she would she would sneak downstairs. They had a bar, right,

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<v Speaker 3>because Phil's a you know in the entertainment industry. People

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<v Speaker 3>come over, they have a bar, and but he would

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<v Speaker 3>lock it up, and she would just come down and

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<v Speaker 3>jimmy it open and drink all the liquor that's inside.

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<v Speaker 3>And then you know, and Phil obviously sees this or whatever. Sure, Uh,

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<v Speaker 3>even though she's stressed and you know, isolated and going

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<v Speaker 3>through this whole thing, they still are trying to have

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<v Speaker 3>a baby, you know, but they weren't able to ever conceive. Uh,

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<v Speaker 3>And the blame was always passed to her, despite you know,

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<v Speaker 3>Phil be in half of that situation as well, you know, Yeah,

0:14:06.000 --> 0:14:08.880
<v Speaker 3>sensing that she was getting frustrated with life as a shutting.

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<v Speaker 3>In nineteen sixty eight, for her birthday, Phil bought Ronnie

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<v Speaker 3>a Camaro, but even in the gift came the air

0:14:15.800 --> 0:14:18.959
<v Speaker 3>of control. He had the car monogrammed with VS for

0:14:19.200 --> 0:14:23.520
<v Speaker 3>Veronica Specter, so everyone would know that she's his possession. Right.

0:14:23.560 --> 0:14:25.840
<v Speaker 5>It's like wow, because she's the.

0:14:28.360 --> 0:14:32.560
<v Speaker 3>Yes and she she's like, you know, musically, she's known

0:14:32.640 --> 0:14:36.800
<v Speaker 3>as Ronnie, right, so for her to he starts calling

0:14:36.880 --> 0:14:40.480
<v Speaker 3>her Veronica all the time, specifically as a measure of control, Like,

0:14:41.000 --> 0:14:45.000
<v Speaker 3>you are not Ronnie anymore. You are Veronica Specter. You

0:14:45.200 --> 0:14:51.960
<v Speaker 3>are Phil's wife, right whatever? Harvey was that his real name, Harvey? Yeah?

0:14:52.200 --> 0:14:55.920
<v Speaker 2>Wow, Yeah, just the emphasis on really forcing her to

0:14:56.320 --> 0:14:59.400
<v Speaker 2>like that in front of her face is interesting. Yeah,

0:15:00.160 --> 0:15:01.600
<v Speaker 2>some desperation on his part too.

0:15:02.160 --> 0:15:03.440
<v Speaker 3>It's about to get even better.

0:15:04.240 --> 0:15:04.880
<v Speaker 2>Yeah, right.

0:15:05.080 --> 0:15:07.320
<v Speaker 5>So this is a quote from Ronnie from.

0:15:09.160 --> 0:15:12.280
<v Speaker 3>Be My Baby. Quote. It might seem far fetched that

0:15:12.400 --> 0:15:15.640
<v Speaker 3>anyone would put that match much energy into controlling someone

0:15:15.680 --> 0:15:18.560
<v Speaker 3>else's life, but that was Phil. You've got to remember

0:15:18.640 --> 0:15:20.480
<v Speaker 3>that the man was a genius and he had nothing

0:15:20.520 --> 0:15:22.560
<v Speaker 3>better to do with his life after he retired from

0:15:22.640 --> 0:15:25.160
<v Speaker 3>rock and roll, So turning me into the perfect wife

0:15:25.240 --> 0:15:27.560
<v Speaker 3>became his major project, just as making me into a

0:15:27.680 --> 0:15:29.880
<v Speaker 3>number one singer had been his goal five years earlier.

0:15:30.680 --> 0:15:34.600
<v Speaker 3>So you know, this is what he spends his time

0:15:34.680 --> 0:15:36.680
<v Speaker 3>doing instead of music now is just being.

0:15:37.320 --> 0:15:39.720
<v Speaker 2>Maybe there's other things he could have done with his life,

0:15:40.160 --> 0:15:43.200
<v Speaker 2>with his with his vast fortune and access to the

0:15:43.280 --> 0:15:46.040
<v Speaker 2>halls of power and entertainment, maybe other things.

0:15:46.160 --> 0:15:51.160
<v Speaker 3>Okay, this next part is easily my favorite Phil Spectors story. Like,

0:15:51.200 --> 0:15:54.000
<v Speaker 3>we're gonna get into all right, So there's going to

0:15:54.080 --> 0:15:59.440
<v Speaker 3>be some very troubling things and also some extremely hilarious

0:15:59.520 --> 0:16:02.440
<v Speaker 3>things that you will you just all right, I'm gonna

0:16:02.440 --> 0:16:05.080
<v Speaker 3>tell you, all right, So so understand that when we're laughing,

0:16:05.240 --> 0:16:07.720
<v Speaker 3>we're also crying. You know. I want to make sure

0:16:07.720 --> 0:16:11.280
<v Speaker 3>everybody knows that this is funny in retrospect, but in

0:16:11.960 --> 0:16:14.440
<v Speaker 3>at the time, I'm sure it was horrific and trigger

0:16:14.480 --> 0:16:15.520
<v Speaker 3>warnings and all that shit.

0:16:15.680 --> 0:16:18.400
<v Speaker 2>These are just sing you have to laugh about afterwards,

0:16:18.480 --> 0:16:19.680
<v Speaker 2>because that's how else.

0:16:19.600 --> 0:16:24.000
<v Speaker 3>Do you handle it. Crazy crazy. So when showing her

0:16:24.080 --> 0:16:26.320
<v Speaker 3>the brand new Camaro, he goes to the trunk and

0:16:26.400 --> 0:16:30.280
<v Speaker 3>he pulls out an inflatable mannequin dressed exactly like himself.

0:16:31.960 --> 0:16:35.080
<v Speaker 3>Ronnie is completely valid about I guess and He tells

0:16:35.120 --> 0:16:37.720
<v Speaker 3>her this is for when you're driving alone, so no

0:16:37.800 --> 0:16:40.960
<v Speaker 3>one will ever fuck with you. She realize, God, Phil

0:16:41.080 --> 0:16:43.800
<v Speaker 3>has this dummy just watch over her when she's not

0:16:44.720 --> 0:16:45.680
<v Speaker 3>when he's not with her.

0:16:45.800 --> 0:16:47.320
<v Speaker 5>Yeah, he's got my dummy.

0:16:47.680 --> 0:16:51.000
<v Speaker 3>And like she talks about it extensively, like it had

0:16:51.440 --> 0:16:54.000
<v Speaker 3>like his face basically like on it, you know, like

0:16:54.120 --> 0:16:57.400
<v Speaker 3>he's you say, it's a blow up dummy. Yeah, yeah, yeah, Yeah,

0:16:57.400 --> 0:17:01.280
<v Speaker 3>it's an inflatable dummy. And he's got a dressed exactly

0:17:01.560 --> 0:17:05.040
<v Speaker 3>like him. He's got it, and he puts it in

0:17:05.119 --> 0:17:07.919
<v Speaker 3>the seat and she's like, he's got close for the dummy.

0:17:08.280 --> 0:17:11.160
<v Speaker 2>Yeah, Hey, why does the dummy have a gun?

0:17:11.320 --> 0:17:17.480
<v Speaker 3>Phil? It's so funny. Yeah, inflatable dummy with a gun.

0:17:19.200 --> 0:17:20.480
<v Speaker 2>Keeps popping himself.

0:17:20.960 --> 0:17:22.760
<v Speaker 5>I feel like he's trying to send a message. But

0:17:22.840 --> 0:17:24.760
<v Speaker 5>I just can't figure out what it is.

0:17:25.359 --> 0:17:27.800
<v Speaker 2>The dummy you shot himself in the head. I've never

0:17:27.880 --> 0:17:28.800
<v Speaker 2>seen anything like it.

0:17:31.359 --> 0:17:33.800
<v Speaker 3>So just ten days later, and only four months after

0:17:33.840 --> 0:17:36.679
<v Speaker 3>their wedding, Ronnie hired a lawyer to file for divorce,

0:17:37.480 --> 0:17:42.440
<v Speaker 3>but fair almost immediately she rescinds and says, like, Okay,

0:17:42.480 --> 0:17:44.960
<v Speaker 3>I'm just I'm being silly, Like I need to chill out.

0:17:45.000 --> 0:17:47.320
<v Speaker 3>I'm not this doesn't have to be this way like

0:17:47.440 --> 0:17:51.119
<v Speaker 3>it definitely, you know, probably I mean a bit of

0:17:51.720 --> 0:17:54.840
<v Speaker 3>early marriage jitters, because this guy's a giant asshole.

0:17:55.680 --> 0:17:57.439
<v Speaker 5>Like maybe I can fix him.

0:17:57.480 --> 0:17:59.480
<v Speaker 3>You know, I'm sure. Yeah, I'm sure many of my

0:17:59.600 --> 0:17:59.919
<v Speaker 3>ex y.

0:18:00.000 --> 0:18:02.600
<v Speaker 5>I thought exactly the same thing.

0:18:04.160 --> 0:18:04.719
<v Speaker 3>No comment.

0:18:04.800 --> 0:18:11.040
<v Speaker 1>Well, look I can't stand me. I think you're perfect

0:18:11.080 --> 0:18:15.399
<v Speaker 1>the way you are, all right.

0:18:15.480 --> 0:18:18.480
<v Speaker 3>So, Ronnie says that Phil was never physically violent, it

0:18:18.600 --> 0:18:22.040
<v Speaker 3>just it wasn't his style, but his emotional and mental

0:18:22.119 --> 0:18:25.680
<v Speaker 3>abuse was legendary. Yeah, when she falls and suffers a

0:18:25.800 --> 0:18:28.960
<v Speaker 3>minor sprain and he has to leave town, he hires

0:18:29.000 --> 0:18:31.680
<v Speaker 3>a nurse to look over her while he's gone. Sounds

0:18:31.840 --> 0:18:33.960
<v Speaker 3>that sounds nice, right, He hires her a nurse while

0:18:33.960 --> 0:18:37.280
<v Speaker 3>he's out of town. No, the nurse is there to

0:18:37.480 --> 0:18:40.920
<v Speaker 3>forbid her from doing anything. She's forced to sit in

0:18:41.000 --> 0:18:43.720
<v Speaker 3>a wheelchair and use a wheelchair while he's gone, so

0:18:43.960 --> 0:18:47.560
<v Speaker 3>she can't get around or whatever. All right, And then

0:18:48.480 --> 0:18:51.360
<v Speaker 3>he's not just like controlling her with the nurse. He's

0:18:51.359 --> 0:18:53.840
<v Speaker 3>also I mean, he is controlling, but he's also having

0:18:53.960 --> 0:18:57.840
<v Speaker 3>the nurse give her heavy duty tranquilizers.

0:18:58.080 --> 0:18:58.800
<v Speaker 4>Oh shit.

0:18:59.680 --> 0:19:02.320
<v Speaker 2>Oh so cool, so that she.

0:19:02.560 --> 0:19:05.879
<v Speaker 3>Just has no like willpower to do anything while he's gone.

0:19:07.040 --> 0:19:09.520
<v Speaker 2>Yeah, she just put her on pause. He's putting his

0:19:09.640 --> 0:19:12.800
<v Speaker 2>partner on pause as he leaves for the weekend or whatever. Yeah,

0:19:13.040 --> 0:19:16.040
<v Speaker 2>she's like a TiVo. Kids don't know what TiVo is,

0:19:16.400 --> 0:19:17.480
<v Speaker 2>like a vision again.

0:19:19.480 --> 0:19:21.800
<v Speaker 3>So yeah, so he's literally like she she has some

0:19:21.880 --> 0:19:24.040
<v Speaker 3>friends come over and her friends are like, why you

0:19:24.240 --> 0:19:26.760
<v Speaker 3>what are these pills you're taking. She's like, the nurse

0:19:26.880 --> 0:19:27.639
<v Speaker 3>just makes me take them.

0:19:27.640 --> 0:19:29.520
<v Speaker 2>I don't know what they are dead inside?

0:19:29.520 --> 0:19:30.080
<v Speaker 3>Are you okay?

0:19:33.240 --> 0:19:33.359
<v Speaker 4>Man?

0:19:34.920 --> 0:19:38.000
<v Speaker 3>So Phil eventually lets her get back into the studio

0:19:38.240 --> 0:19:40.600
<v Speaker 3>but and writes a song for her, but it bombs

0:19:41.000 --> 0:19:44.480
<v Speaker 3>horribly and he uses it as justification for her to

0:19:44.600 --> 0:19:48.040
<v Speaker 3>no longer pursue her music career. Years later, she realizes

0:19:48.080 --> 0:19:50.159
<v Speaker 3>that Phil likely gave her a bad song for that

0:19:50.280 --> 0:19:54.240
<v Speaker 3>exact reason, and she finally resigns to just be the

0:19:54.359 --> 0:19:57.440
<v Speaker 3>housewife that Phil wants her to be. So he like,

0:19:58.040 --> 0:20:01.520
<v Speaker 3>he gives her a purposely bad song, and it's like,

0:20:01.640 --> 0:20:04.280
<v Speaker 3>see it it failed, You should just be a wife. Yeah,

0:20:04.480 --> 0:20:05.560
<v Speaker 3>I got it. He's trying.

0:20:05.920 --> 0:20:08.320
<v Speaker 2>Great. Guess that's like gaslighting.

0:20:08.720 --> 0:20:11.560
<v Speaker 3>You really have to that's on the stag.

0:20:11.640 --> 0:20:13.640
<v Speaker 5>Yeah, yeah, it's like on the nasional state.

0:20:14.040 --> 0:20:17.320
<v Speaker 3>Literally, like I'll fuck up my career just to fuck

0:20:17.440 --> 0:20:18.200
<v Speaker 3>up your career.

0:20:18.640 --> 0:20:20.399
<v Speaker 2>It's the opposite of what I want to do to

0:20:20.560 --> 0:20:23.480
<v Speaker 2>like right wingers who who fail out of Hollywood or

0:20:24.000 --> 0:20:26.440
<v Speaker 2>whatever and try to and go into politics is just

0:20:26.560 --> 0:20:28.760
<v Speaker 2>like make fake fans and a fake and its be like,

0:20:28.800 --> 0:20:31.800
<v Speaker 2>oh yeah, you can fill fake Madison Square Garden been Shapiro.

0:20:31.960 --> 0:20:34.200
<v Speaker 3>People love to hear your speakers.

0:20:37.320 --> 0:20:37.880
<v Speaker 4>Oh man.

0:20:38.480 --> 0:20:41.399
<v Speaker 3>So so yeah. So she finally resigns to just be

0:20:41.480 --> 0:20:45.800
<v Speaker 3>the housewife and they adopt a baby boy named Dante. Okay,

0:20:46.560 --> 0:20:49.000
<v Speaker 3>but Phil doesn't want anyone to know that this baby

0:20:49.080 --> 0:20:54.240
<v Speaker 3>is adopted, so he sends out fake birth announcements being

0:20:54.400 --> 0:20:57.680
<v Speaker 3>like we welcome Dante to our family, and like when

0:20:58.119 --> 0:21:00.920
<v Speaker 3>people ask, he tells her, like, tell her, just tell

0:21:00.960 --> 0:21:04.199
<v Speaker 3>everybody because like obviously she was not pregnant and then

0:21:04.280 --> 0:21:07.040
<v Speaker 3>she has a baby, right uh and and he's like,

0:21:07.160 --> 0:21:10.040
<v Speaker 3>just tell everybody that that it was it was a

0:21:10.119 --> 0:21:13.960
<v Speaker 3>premature birth. And that's why you know, we you didn't

0:21:13.960 --> 0:21:16.639
<v Speaker 3>see me pregnant at all because I was barely ever pregnant.

0:21:16.800 --> 0:21:21.760
<v Speaker 3>You know that's not how that works. Yeah, yeah, well

0:21:21.840 --> 0:21:24.560
<v Speaker 3>you know at nineteen sixty seven or eight or some shit.

0:21:24.640 --> 0:21:28.920
<v Speaker 3>You know, it's like probably you know, it's like it's

0:21:28.960 --> 0:21:31.320
<v Speaker 3>not like FaceTime exists or whatever. You know, like you

0:21:31.400 --> 0:21:34.280
<v Speaker 3>could go a good time without really seeing somebody and

0:21:34.320 --> 0:21:34.720
<v Speaker 3>then be like.

0:21:35.040 --> 0:21:36.560
<v Speaker 2>MS pregnancy entirely.

0:21:36.680 --> 0:21:43.200
<v Speaker 3>Yeah, yes, so, uh, she gets the baby and everything,

0:21:43.680 --> 0:21:46.119
<v Speaker 3>but she's not allowed to be a mother to the

0:21:46.200 --> 0:21:49.119
<v Speaker 3>baby at all. So they get like a nanny and

0:21:49.160 --> 0:21:51.200
<v Speaker 3>then nanny does all the work and feels.

0:21:50.920 --> 0:21:52.600
<v Speaker 5>Like that's why we hired a nanny.

0:21:52.640 --> 0:21:53.560
<v Speaker 3>What are you doing work for?

0:21:53.720 --> 0:21:55.440
<v Speaker 2>So why are you doing nanny stuff?

0:21:55.520 --> 0:21:57.639
<v Speaker 3>Yeah? Yeah, yeah, So she's like, you tell me to

0:21:57.720 --> 0:21:59.919
<v Speaker 3>be the perfect wife and the perfect mother, and then

0:22:00.080 --> 0:22:02.040
<v Speaker 3>and then you yell at me whenever I'm trying to

0:22:02.080 --> 0:22:06.480
<v Speaker 3>be a mother. She completely gives up on having a career,

0:22:06.640 --> 0:22:08.719
<v Speaker 3>all right, And then this is from this is from

0:22:08.800 --> 0:22:11.800
<v Speaker 3>Ronnie's book. Quote. Besides, he pointed out, who's going to

0:22:11.840 --> 0:22:13.720
<v Speaker 3>take care of the baby while we're in the studio.

0:22:14.280 --> 0:22:16.560
<v Speaker 3>Bil knew he had me. I wasn't going to argue

0:22:16.560 --> 0:22:19.200
<v Speaker 3>against anything that might get my career back, so I

0:22:19.359 --> 0:22:22.240
<v Speaker 3>accepted it. And then she goes on to say that

0:22:22.760 --> 0:22:27.320
<v Speaker 3>anytime she would bring up getting back into the studio,

0:22:27.760 --> 0:22:30.280
<v Speaker 3>he would either like be like, you got to take

0:22:30.320 --> 0:22:31.960
<v Speaker 3>care of the baby, what are you doing? Or he

0:22:31.960 --> 0:22:34.119
<v Speaker 3>would like or he'd flip out on her and be like,

0:22:34.119 --> 0:22:35.680
<v Speaker 3>I've got other things to do, I've got a call

0:22:35.760 --> 0:22:37.880
<v Speaker 3>to make. I can't be doing this shit right now. Yeah,

0:22:37.920 --> 0:22:41.680
<v Speaker 3>So he's like so he's like gaslighting hers, like back

0:22:41.760 --> 0:22:44.280
<v Speaker 3>and forth on everything that's going on in her life.

0:22:44.480 --> 0:22:46.320
<v Speaker 3>You know, it's like, you know, you can't go into

0:22:46.320 --> 0:22:47.639
<v Speaker 3>the studio because you gotta be a mom, but you

0:22:47.680 --> 0:22:49.280
<v Speaker 3>can't be a mom because we hired a nanny. Why

0:22:49.280 --> 0:22:50.920
<v Speaker 3>would you be a mom? Like, you know, it's like

0:22:51.040 --> 0:22:54.840
<v Speaker 3>she just has this profound sense of being basically nothing anymore,

0:22:54.960 --> 0:22:58.320
<v Speaker 3>from going from a mega superstar on the world stage,

0:22:58.440 --> 0:23:01.560
<v Speaker 3>touring the Europe and everything to like, you can't even

0:23:01.600 --> 0:23:03.080
<v Speaker 3>take care of your kid. You don't even have an

0:23:03.080 --> 0:23:06.680
<v Speaker 3>audience with your own child, you know, type shit. God, that's.

0:23:08.160 --> 0:23:10.200
<v Speaker 2>I mean, And that's also got to be getting him off,

0:23:10.400 --> 0:23:13.040
<v Speaker 2>just the exercise of that much power, like I can

0:23:13.160 --> 0:23:16.560
<v Speaker 2>take you from this to this. I direct he's talking

0:23:16.600 --> 0:23:18.240
<v Speaker 2>about that, but it feels like that's got to be

0:23:18.320 --> 0:23:18.679
<v Speaker 2>part of it.

0:23:18.760 --> 0:23:22.280
<v Speaker 3>Right, yes, And it does seem to be like a

0:23:22.359 --> 0:23:25.280
<v Speaker 3>common situation is like that power and like having that power,

0:23:25.440 --> 0:23:27.960
<v Speaker 3>and Sophie to bring up something that you mentioned before.

0:23:28.000 --> 0:23:29.200
<v Speaker 5>It's like with his first wife.

0:23:29.480 --> 0:23:32.520
<v Speaker 3>The reason it's it's like he has to have control

0:23:32.680 --> 0:23:35.760
<v Speaker 3>and he has to be in charge until being in

0:23:35.920 --> 0:23:38.920
<v Speaker 3>charge no longer means anything to him, right, And then

0:23:39.400 --> 0:23:42.200
<v Speaker 3>that's why with his first wife he wasn't possessive in controller.

0:23:42.280 --> 0:23:44.000
<v Speaker 3>Once he had her, he was like, Oh, I don't care,

0:23:44.040 --> 0:23:45.880
<v Speaker 3>I've proved everything I need to prove here. But now

0:23:45.920 --> 0:23:49.480
<v Speaker 3>with like Ronnie, he continually needs to prove how in

0:23:49.680 --> 0:23:52.800
<v Speaker 3>charge of her life he is and to himself, to

0:23:52.840 --> 0:23:56.480
<v Speaker 3>everyone else, and he takes joy from that. You know, Okay,

0:23:57.040 --> 0:23:59.879
<v Speaker 3>but Ronnie's memoir is full of the most hilarious stories

0:24:00.200 --> 0:24:04.640
<v Speaker 3>ever heard, Like, uh, so, so Ronnie is mixed race,

0:24:04.720 --> 0:24:08.520
<v Speaker 3>she's black and white and uh and Cherokee, I believe,

0:24:08.920 --> 0:24:12.720
<v Speaker 3>and and Phil is obviously white Jewish uh and the

0:24:13.119 --> 0:24:16.800
<v Speaker 3>Dante is a mixed race baby. So this makes sense

0:24:16.880 --> 0:24:21.920
<v Speaker 3>for everything. But shortly after they adopt Dante, Ronnie's mom

0:24:22.040 --> 0:24:24.680
<v Speaker 3>comes to stay with him and Phil sends her out

0:24:24.720 --> 0:24:28.560
<v Speaker 3>to Watts to buy him an Afro wig. Oh god, no,

0:24:29.480 --> 0:24:32.560
<v Speaker 3>no he doesn't, Oh he doesn't know he doesn't know.

0:24:33.040 --> 0:24:38.400
<v Speaker 3>That's no Watts, that's not real. You're in like you're

0:24:38.440 --> 0:24:42.080
<v Speaker 3>fucking late sixties early seventies to Watts.

0:24:42.280 --> 0:24:44.400
<v Speaker 2>Watts was I don't know that's where you would buy

0:24:44.400 --> 0:24:47.480
<v Speaker 2>a wig. Sure it is where you get an afrowig

0:24:47.560 --> 0:24:51.399
<v Speaker 2>and listeners. Watts was calmless, calmly, the famously the calmest

0:24:51.480 --> 0:24:54.720
<v Speaker 2>place in Los Angeles. That's part of the sixties. Nothing

0:24:55.160 --> 0:24:57.680
<v Speaker 2>nothing happened in Watts during this part of the sixties.

0:24:58.160 --> 0:24:59.200
<v Speaker 4>No, no, no, okay.

0:24:59.320 --> 0:25:01.800
<v Speaker 3>So she has to go all over Watts looking for one,

0:25:01.840 --> 0:25:04.040
<v Speaker 3>and she finally finds it and she brings it back

0:25:04.119 --> 0:25:06.560
<v Speaker 3>for Phil and he loves it and he starts wearing

0:25:06.640 --> 0:25:08.240
<v Speaker 3>it all the time, dude.

0:25:08.119 --> 0:25:11.160
<v Speaker 2>Including awesome, awesome.

0:25:11.480 --> 0:25:15.520
<v Speaker 3>Including to a black church in Watts that he forces

0:25:15.600 --> 0:25:17.680
<v Speaker 3>them to go to. He's like, we're gonna go to

0:25:17.920 --> 0:25:23.359
<v Speaker 3>this black church and Watts his own Watts riot. Okay,

0:25:23.440 --> 0:25:27.360
<v Speaker 3>hold on, hold on, hold on, hold on. I misinterpreted

0:25:27.440 --> 0:25:30.000
<v Speaker 3>what you were saying, And now it's even funnier because

0:25:30.040 --> 0:25:32.480
<v Speaker 3>I thought you were saying he forced her to get

0:25:32.520 --> 0:25:37.920
<v Speaker 3>that for the kid to wear. No, but no, Phil

0:25:38.040 --> 0:25:43.880
<v Speaker 3>to welm the picture. Yeah, Afrone says, she's like kind

0:25:43.920 --> 0:25:44.320
<v Speaker 3>of bored.

0:25:44.640 --> 0:25:45.800
<v Speaker 5>But Phil is loving it.

0:25:46.000 --> 0:25:51.760
<v Speaker 3>He's you know, hall no, Yeah, he's dancing around and

0:25:51.840 --> 0:25:54.920
<v Speaker 3>he's gone, and he's wearing a gun at the time.

0:25:56.520 --> 0:25:59.879
<v Speaker 3>Everybody can see he's wearing a gun and being the

0:26:00.160 --> 0:26:03.240
<v Speaker 3>only white person in like a very black church in

0:26:03.480 --> 0:26:07.280
<v Speaker 3>Watts dancing around and clapping and singing Hallowejah and doing

0:26:07.320 --> 0:26:11.080
<v Speaker 3>all this chef row wig with a peace. Oh my god,

0:26:12.200 --> 0:26:15.159
<v Speaker 3>I mean, can you can you even imagine this happening?

0:26:15.320 --> 0:26:19.440
<v Speaker 3>Like he survived through like the grace of people just

0:26:19.560 --> 0:26:21.680
<v Speaker 3>being like, oh, that guy's crazy as fuck. There's something

0:26:21.720 --> 0:26:27.800
<v Speaker 3>wrong with Yeah, it's so funny man. So so Ronnie

0:26:27.960 --> 0:26:30.840
<v Speaker 3>of course continues to abuse alcohol, because who wouldn't in

0:26:30.960 --> 0:26:34.160
<v Speaker 3>this situation, right, I don't even call that abusing.

0:26:34.200 --> 0:26:36.960
<v Speaker 5>I would just call that that's that's medicating.

0:26:37.080 --> 0:26:37.639
<v Speaker 2>Yeah, just.

0:26:39.520 --> 0:26:42.320
<v Speaker 3>So, she blacks out while driving her car and she

0:26:42.400 --> 0:26:45.720
<v Speaker 3>wrecks her her Camaro and she doesn't get any trouble.

0:26:46.200 --> 0:26:48.320
<v Speaker 3>But Phil's that like, all right, well, you got to

0:26:48.359 --> 0:26:52.600
<v Speaker 3>see a psychiatrist, and which she does right up until

0:26:53.320 --> 0:26:56.720
<v Speaker 3>the psychiatrist says, also, hey, Phil, you should come in

0:26:56.840 --> 0:26:59.639
<v Speaker 3>because clearly there's some other things going on that are

0:27:01.000 --> 0:27:01.359
<v Speaker 3>that are.

0:27:01.760 --> 0:27:06.359
<v Speaker 5>Causing this stuff. There might be more to yeah, and

0:27:06.640 --> 0:27:07.879
<v Speaker 5>and he's like and he's like, no.

0:27:07.920 --> 0:27:10.560
<v Speaker 3>I ain't doing that. He's like, and you ain't either,

0:27:10.560 --> 0:27:14.840
<v Speaker 3>you ain't going to a psychiatrist and so uh and

0:27:15.119 --> 0:27:17.840
<v Speaker 3>he tells her specifically, you're the one with the problems.

0:27:17.880 --> 0:27:18.440
<v Speaker 3>Why would I go?

0:27:19.200 --> 0:27:24.760
<v Speaker 2>Wow, wow wow, what a perfectly shitty response, though, that

0:27:24.880 --> 0:27:26.720
<v Speaker 2>is beautiful Phil well crafted.

0:27:27.160 --> 0:27:29.920
<v Speaker 3>Yeah. Uh. He tries locking the liquor cabinet, but she

0:27:30.080 --> 0:27:33.720
<v Speaker 3>just pries it open. He eventually he forces her into rehab,

0:27:34.000 --> 0:27:39.919
<v Speaker 3>which she actually loves. She's like, rehab.

0:27:39.680 --> 0:27:40.760
<v Speaker 5>Is the ship.

0:27:42.000 --> 0:27:44.480
<v Speaker 3>To rehab, and it was great. It helps her a lot.

0:27:45.000 --> 0:27:47.600
<v Speaker 3>And she and she because it's like, oh, I get

0:27:47.640 --> 0:27:48.879
<v Speaker 3>to be away from Phil. I don't have to be

0:27:48.920 --> 0:27:53.000
<v Speaker 3>around him anymore. So now any time she starts this

0:27:53.160 --> 0:27:55.760
<v Speaker 3>cycle right where anytime she just gets sick of Phil,

0:27:56.200 --> 0:27:59.560
<v Speaker 3>she just drinks a shipload and gets put into rehab,

0:28:00.240 --> 0:28:03.160
<v Speaker 3>and then she's a cool two week vacation from Phil,

0:28:03.560 --> 0:28:05.520
<v Speaker 3>right and then pops right back.

0:28:05.800 --> 0:28:07.840
<v Speaker 5>Okay, fine, I'll come back. I can deal with him again,

0:28:07.960 --> 0:28:08.119
<v Speaker 5>you know.

0:28:08.880 --> 0:28:11.879
<v Speaker 2>So she doesn't have an alcohol problem as much as

0:28:11.960 --> 0:28:13.760
<v Speaker 2>she has a Phil Spector problem.

0:28:13.880 --> 0:28:18.240
<v Speaker 3>Yes, completely, just atcha gotcha.

0:28:19.320 --> 0:28:22.040
<v Speaker 2>Speaking of things that will make you go to rehab.

0:28:22.640 --> 0:28:25.960
<v Speaker 2>I have to go to rehab every time we do

0:28:26.040 --> 0:28:29.520
<v Speaker 2>an advertisement because I'm addicted to our advertisements.

0:28:29.680 --> 0:28:32.680
<v Speaker 3>I should probably go to rehab. But rehab these her quitters,

0:28:32.720 --> 0:28:34.640
<v Speaker 3>says the two shirt I saw at the state fair

0:28:34.680 --> 0:28:38.600
<v Speaker 3>when I was eleven. Yeah, exactly, that state fair taught

0:28:38.600 --> 0:28:41.320
<v Speaker 3>you a lot. Thank you, Carney. Parents.

0:28:41.560 --> 0:28:43.920
<v Speaker 2>Come back and we'll learn some things. You can't learn

0:28:43.960 --> 0:28:53.920
<v Speaker 2>how a state fair unless it's the Texas one. And

0:28:54.360 --> 0:28:56.880
<v Speaker 2>we're back, all right.

0:28:57.000 --> 0:29:00.560
<v Speaker 3>So she's drinking, she's a drunk, she's going to rehab.

0:29:00.840 --> 0:29:04.560
<v Speaker 2>She's a specter, she's addicted to Phil Specter. Yeah, and

0:29:04.640 --> 0:29:05.680
<v Speaker 2>she's going to rehab.

0:29:07.080 --> 0:29:11.280
<v Speaker 3>One night, Phil takes Ronnie down to the basement of

0:29:11.360 --> 0:29:17.120
<v Speaker 3>their house. Don't like sure, are ready? Don't like this? Wait,

0:29:17.240 --> 0:29:18.720
<v Speaker 3>this is starting. I don't love that.

0:29:19.080 --> 0:29:19.680
<v Speaker 2>I don't love that.

0:29:21.160 --> 0:29:23.280
<v Speaker 3>He takes it down to their basement and he shows

0:29:23.320 --> 0:29:26.480
<v Speaker 3>her a golden glass casket and he says, this is

0:29:26.560 --> 0:29:30.280
<v Speaker 3>where you will be if you ever leave me. Oh. Oh.

0:29:31.960 --> 0:29:36.960
<v Speaker 3>The level of commitment to this intimidation, I cannot begin

0:29:37.080 --> 0:29:41.040
<v Speaker 3>to stress. He had a gold custom made casket, right,

0:29:41.600 --> 0:29:44.680
<v Speaker 3>he had them bring it into his house like he

0:29:45.080 --> 0:29:47.120
<v Speaker 3>presumably left it there for years.

0:29:47.560 --> 0:29:52.680
<v Speaker 2>Yeah, only waiting wait until he knew he needed the

0:29:52.720 --> 0:29:53.960
<v Speaker 2>big guns to pull out.

0:29:54.520 --> 0:29:58.240
<v Speaker 3>Like this is this is high level mental abuse. Yeah,

0:29:58.360 --> 0:30:00.720
<v Speaker 3>this this is like what an unlimited budget? Like this

0:30:00.800 --> 0:30:03.160
<v Speaker 3>is why I would never date a millionaire right or

0:30:03.200 --> 0:30:06.800
<v Speaker 3>a billionaire? Oh, because they can do crazy shit to you. Yeah,

0:30:07.040 --> 0:30:08.840
<v Speaker 3>Like they're gonna be able to like pay somebody to

0:30:08.960 --> 0:30:11.080
<v Speaker 3>just follow you around for an entire year when you

0:30:11.280 --> 0:30:15.760
<v Speaker 3>when you leave them, you know, Yeah, it's dark.

0:30:15.960 --> 0:30:19.280
<v Speaker 2>It's like protecting that casket. Like he's not pissed. And

0:30:19.320 --> 0:30:21.040
<v Speaker 2>she wants to go downstairs, and he's like, wait, no, no, no,

0:30:21.320 --> 0:30:22.080
<v Speaker 2>I gotta take care of that.

0:30:22.280 --> 0:30:24.120
<v Speaker 3>You can't go down there. You can't go down I

0:30:24.120 --> 0:30:24.880
<v Speaker 3>don't want you to see it.

0:30:25.560 --> 0:30:28.120
<v Speaker 2>A Christmas gift, yeah, something like that.

0:30:29.360 --> 0:30:31.360
<v Speaker 3>She's like, I'm just gonna go get a jar spaghetti.

0:30:31.400 --> 0:30:32.680
<v Speaker 5>He's like no, no, no, no, no, no, no no

0:30:32.720 --> 0:30:34.840
<v Speaker 5>no no, make George get it.

0:30:38.000 --> 0:30:40.120
<v Speaker 3>All right. So she would claim that the doors of

0:30:40.120 --> 0:30:42.000
<v Speaker 3>the house were always locked and she was only allowed

0:30:42.000 --> 0:30:44.840
<v Speaker 3>to leave during their anniversary. Phil kept her shoes so

0:30:45.000 --> 0:30:47.440
<v Speaker 3>she could never leave the house without his approval. For

0:30:47.600 --> 0:30:50.200
<v Speaker 3>her twenty sixth birthday, She's twenty six years old. For

0:30:50.560 --> 0:30:53.360
<v Speaker 3>twenty sixth birthday, Phil takes her to Las Vegas to

0:30:53.400 --> 0:30:57.920
<v Speaker 3>see Elvis Presley and presumably so they could do karate

0:30:58.040 --> 0:30:59.080
<v Speaker 3>in the fucking back roof.

0:30:59.200 --> 0:31:02.360
<v Speaker 2>Yeah, would imagine they're doing karate, maybe showing off the

0:31:02.440 --> 0:31:03.880
<v Speaker 2>guns they always carry.

0:31:04.240 --> 0:31:08.320
<v Speaker 3>Yeah, So she's stoked because you know, she always wanted

0:31:08.360 --> 0:31:10.800
<v Speaker 3>to meet Elvis and they're a big time people or whatever. Yeah,

0:31:11.360 --> 0:31:14.360
<v Speaker 3>And basically Phil like abandons her in the crowd and

0:31:14.520 --> 0:31:17.440
<v Speaker 3>it's like, I'm going to hang out with Elvis, go

0:31:17.560 --> 0:31:18.480
<v Speaker 3>to the hotel room.

0:31:19.760 --> 0:31:21.280
<v Speaker 4>Such a man, I'll see you later.

0:31:22.200 --> 0:31:23.440
<v Speaker 3>He's such a good night.

0:31:23.920 --> 0:31:25.840
<v Speaker 2>That didn't make it into the new Elvis movie.

0:31:25.920 --> 0:31:29.480
<v Speaker 3>That's tragic. Him and Phil Specter just in the back

0:31:29.600 --> 0:31:38.200
<v Speaker 3>just yeah, karate crazy. In nineteen sixty nine, in the

0:31:38.280 --> 0:31:44.840
<v Speaker 3>midst of the beatles well documented decline, Side Side bastard

0:31:44.920 --> 0:31:48.240
<v Speaker 3>Alan Klein asked Phil to come to London to help

0:31:48.480 --> 0:31:53.040
<v Speaker 3>assemble the disaster of the Let It Be recordings. So

0:31:53.920 --> 0:31:57.200
<v Speaker 3>for people who are the dumbest human beings alive and

0:31:57.280 --> 0:31:58.840
<v Speaker 3>don't know everything about the Beatles.

0:31:59.240 --> 0:32:00.760
<v Speaker 2>Sure, fair enough.

0:32:01.320 --> 0:32:05.680
<v Speaker 3>The the Let It Be album was actually recorded before Abby.

0:32:05.520 --> 0:32:07.480
<v Speaker 2>Road, Right, it was recorded, They didn't know that.

0:32:07.880 --> 0:32:11.640
<v Speaker 3>Yeah, it was recorded before Abby Road, but it was

0:32:11.720 --> 0:32:14.600
<v Speaker 3>a mess, right they like they were fighting. John is

0:32:14.680 --> 0:32:18.520
<v Speaker 3>on Heroin hardcore. By the way, of course, side story,

0:32:18.760 --> 0:32:21.720
<v Speaker 3>do you know who got who I heard got John

0:32:21.760 --> 0:32:27.080
<v Speaker 3>addicted to Heroin was James Taylor. Oh okay, I can

0:32:27.160 --> 0:32:31.920
<v Speaker 3>see that. James Taylor Fire and Rain is the guy

0:32:32.000 --> 0:32:34.440
<v Speaker 3>who got him addicted to heroin.

0:32:34.560 --> 0:32:37.000
<v Speaker 2>Because if James Taylor offered me a Heroin I would

0:32:37.120 --> 0:32:37.560
<v Speaker 2>I would do it.

0:32:37.840 --> 0:32:41.960
<v Speaker 3>Yeah, I can see that. Yeah. Literally, if like my

0:32:42.120 --> 0:32:45.360
<v Speaker 3>brother offered me Heroin, I'd probably do it there, but

0:32:45.840 --> 0:32:50.480
<v Speaker 3>certainly James Taylor. But yeah, so so they're a mess, right,

0:32:50.560 --> 0:32:55.240
<v Speaker 3>they're falling apart, and Phil is brought into save these recordings,

0:32:55.400 --> 0:32:59.080
<v Speaker 3>right while uh and and there are I believe they're

0:32:59.160 --> 0:33:03.440
<v Speaker 3>already done with with abbey Road having recorded abbey Road

0:33:03.520 --> 0:33:06.400
<v Speaker 3>and Let it Be definitely comes after, you know, like

0:33:06.480 --> 0:33:09.600
<v Speaker 3>it was, but it was assembled by Phil essentially he

0:33:10.480 --> 0:33:13.080
<v Speaker 3>he he flies in literally just for this job. They're like,

0:33:13.160 --> 0:33:16.520
<v Speaker 3>here's a bunch of tapes, just do something with it.

0:33:16.640 --> 0:33:22.040
<v Speaker 3>And it's why that album is generally is generally like

0:33:22.560 --> 0:33:24.680
<v Speaker 3>kind of it's it's kind of wild. Right, There's like

0:33:24.760 --> 0:33:27.960
<v Speaker 3>these huge orchestrations, but also like these like slap dash

0:33:28.080 --> 0:33:31.920
<v Speaker 3>little like weird interlude sections and talking and jokes and

0:33:31.960 --> 0:33:35.360
<v Speaker 3>all that they just needed to fill out space and

0:33:35.440 --> 0:33:37.200
<v Speaker 3>it was part of the creativity of the whole thing,

0:33:37.440 --> 0:33:37.680
<v Speaker 3>right right.

0:33:39.520 --> 0:33:41.320
<v Speaker 5>Phil hates flying, which uh.

0:33:41.800 --> 0:33:44.760
<v Speaker 3>I read a story somewhere and I wish I tried

0:33:44.760 --> 0:33:46.520
<v Speaker 3>to find it so hard, But I read a story

0:33:46.600 --> 0:33:48.960
<v Speaker 3>one time about Phil freaking out on a private plane

0:33:49.000 --> 0:33:50.520
<v Speaker 3>that they had to turn around and come back like

0:33:50.560 --> 0:33:53.840
<v Speaker 3>almost immediately after taking off because he's terrified of flying

0:33:53.880 --> 0:33:56.000
<v Speaker 3>all the time, but he has to fly back and forth.

0:33:56.880 --> 0:33:58.200
<v Speaker 2>You do with I mean, do you think any of

0:33:58.240 --> 0:34:00.360
<v Speaker 2>his fears related to I mean, like the day the

0:34:00.480 --> 0:34:03.160
<v Speaker 2>music died, right the famous plane crash that killed Buddy

0:34:03.200 --> 0:34:04.240
<v Speaker 2>Holly and the big.

0:34:04.520 --> 0:34:08.560
<v Speaker 3>Big Bob Ritchie. Yeah, yeah, yeah, yeah, very very likely.

0:34:08.719 --> 0:34:10.239
<v Speaker 3>I mean, like, I think there was a lot of

0:34:10.360 --> 0:34:14.120
<v Speaker 3>musicians that died around this time in plane crashes. Otis

0:34:14.200 --> 0:34:16.520
<v Speaker 3>Redding dies in a plane crash right around this time,

0:34:16.640 --> 0:34:20.040
<v Speaker 3>you know, like, and Phil feels every one of those

0:34:20.200 --> 0:34:22.080
<v Speaker 3>deaths into me. I think it's also a bit of

0:34:22.200 --> 0:34:24.160
<v Speaker 3>like a control thing. I think Phil is a control

0:34:24.200 --> 0:34:27.880
<v Speaker 3>freak in the truth term of a control freak. So

0:34:27.960 --> 0:34:30.560
<v Speaker 3>I definitely think that that was a bit of what

0:34:30.840 --> 0:34:33.239
<v Speaker 3>was going on. But I think also too he just

0:34:33.560 --> 0:34:36.520
<v Speaker 3>just has a natural like fear of flying. Uh So

0:34:36.719 --> 0:34:39.960
<v Speaker 3>he arrives in London and he immediately starts spectroizing the

0:34:40.000 --> 0:34:43.719
<v Speaker 3>Beatles recording. He added strings to it, dense production to

0:34:43.800 --> 0:34:46.359
<v Speaker 3>McCartney's Long and Winding Road, which, if you know now,

0:34:46.520 --> 0:34:50.200
<v Speaker 3>like McCartney hates that McCartney released his own version of

0:34:50.880 --> 0:34:54.640
<v Speaker 3>Let It Be that was like despecterized, basically like he

0:34:54.719 --> 0:34:57.960
<v Speaker 3>took all of his production out and released that individual

0:34:58.040 --> 0:35:01.759
<v Speaker 3>project is like his own thing because he hated what

0:35:01.920 --> 0:35:02.920
<v Speaker 3>Phil Spector did to it.

0:35:03.040 --> 0:35:04.240
<v Speaker 5>In fact, you're so enraged.

0:35:05.280 --> 0:35:08.799
<v Speaker 3>He sent a letter to side bastard Alan Klein, demanding

0:35:08.960 --> 0:35:11.560
<v Speaker 3>that the arrangement be minimized. Sophie, can you show the

0:35:11.680 --> 0:35:14.520
<v Speaker 3>letter this is This is probably the angriest letter that

0:35:14.680 --> 0:35:18.120
<v Speaker 3>Paul McCartney has ever written. He says, dear sir, this

0:35:18.239 --> 0:35:21.279
<v Speaker 3>is to Alan Klein, Dear sir, in the future, no

0:35:21.360 --> 0:35:23.640
<v Speaker 3>one will be allowed to add or subtract from recording

0:35:23.760 --> 0:35:26.520
<v Speaker 3>of any of one of my songs without my permission.

0:35:27.120 --> 0:35:30.000
<v Speaker 3>I had considered orchestrating the Long and Winding Road, but

0:35:30.080 --> 0:35:32.800
<v Speaker 3>I decided against it. Therefore I want it altered to

0:35:32.880 --> 0:35:36.880
<v Speaker 3>these specifications. Gives a list of some stuff. One is

0:35:36.960 --> 0:35:40.840
<v Speaker 3>strings and horns, voices, all noises to be reduced, vocal

0:35:40.880 --> 0:35:43.279
<v Speaker 3>and beatle instrumentation to be brought up in volume. Three

0:35:43.400 --> 0:35:45.279
<v Speaker 3>is hard to be removed completely at the end of

0:35:45.360 --> 0:35:48.880
<v Speaker 3>the song, and four is don't ever do it again,

0:35:49.440 --> 0:35:53.600
<v Speaker 3>signed Paul McCartney. Don't do it again.

0:35:54.320 --> 0:35:57.680
<v Speaker 2>And this has to be like an unstoppable force and

0:35:57.719 --> 0:36:01.359
<v Speaker 2>movable object thing, because, like Paul McCartney, very rarely would

0:36:01.400 --> 0:36:03.560
<v Speaker 2>anyone I imagine at this time it's pretty rare for

0:36:03.640 --> 0:36:06.560
<v Speaker 2>people to tell Paul McCartney other than other Beatles, other

0:36:06.680 --> 0:36:08.920
<v Speaker 2>than other Beatles, what you do. And it has to

0:36:09.000 --> 0:36:09.800
<v Speaker 2>be true of Spector.

0:36:10.360 --> 0:36:13.200
<v Speaker 3>It does speak very highly of who's Phil Spector is

0:36:13.239 --> 0:36:16.000
<v Speaker 3>that he managed to get away with all of this. Yeah,

0:36:16.280 --> 0:36:19.320
<v Speaker 3>that he could do this to the Beatles, arguably the

0:36:19.520 --> 0:36:22.359
<v Speaker 3>biggest band. It's nineteen sixty nine, they're the biggest band

0:36:22.440 --> 0:36:26.960
<v Speaker 3>in the world. Yeah, this is their last album to

0:36:27.040 --> 0:36:32.840
<v Speaker 3>be released collectively. And and Paul would never work with

0:36:32.920 --> 0:36:35.400
<v Speaker 3>Phil again. But both Lennon and Harrison loved him. Lennon

0:36:35.440 --> 0:36:37.879
<v Speaker 3>and Harrison both loved him thought he did wonderful job.

0:36:38.080 --> 0:36:41.520
<v Speaker 3>Not good there you go. Yeah, makes sense. He's mad,

0:36:41.960 --> 0:36:45.759
<v Speaker 3>Paul is so mad, but uh and and a lot

0:36:45.800 --> 0:36:48.160
<v Speaker 3>of people claim that he ruined the Beatles, right, But

0:36:48.719 --> 0:36:50.640
<v Speaker 3>Let it Be sold one point two million in the

0:36:50.680 --> 0:36:53.440
<v Speaker 3>first two days as a single, and it was the Beatles'

0:36:53.480 --> 0:36:56.240
<v Speaker 3>final number one in America, earning them a Grammy.

0:36:56.520 --> 0:37:03.240
<v Speaker 5>So, hm, you know, there's certainly. I honestly, I listened

0:37:03.280 --> 0:37:04.000
<v Speaker 5>to Paul's.

0:37:04.640 --> 0:37:06.560
<v Speaker 3>I listened to Paul's version of the Long and Winding

0:37:06.640 --> 0:37:10.640
<v Speaker 3>Road versus Phil's the Maybe it's nostalgia that I just

0:37:10.719 --> 0:37:13.600
<v Speaker 3>always feel that way, but Phil's just feels more more

0:37:13.680 --> 0:37:14.960
<v Speaker 3>correct for what's going on.

0:37:15.120 --> 0:37:16.920
<v Speaker 5>It feels still very George Martini.

0:37:17.200 --> 0:37:19.200
<v Speaker 3>It doesn't feel like they stripped the soul of the

0:37:19.360 --> 0:37:24.600
<v Speaker 3>original like or the mid decade Beatles albums.

0:37:24.280 --> 0:37:25.880
<v Speaker 5>Like the sixty six to sixty seven stuff.

0:37:26.200 --> 0:37:31.120
<v Speaker 3>It feels it feels real, right, right, So I get

0:37:31.239 --> 0:37:33.160
<v Speaker 3>what Phil was on and I can respect that. I

0:37:33.200 --> 0:37:35.600
<v Speaker 3>think it was still a really great album. There's some

0:37:35.719 --> 0:37:40.000
<v Speaker 3>really cool stuff about it. So they finished work on

0:37:40.160 --> 0:37:42.560
<v Speaker 3>Let It Be and Specter set to work on another

0:37:42.600 --> 0:37:45.440
<v Speaker 3>Beatles project, this time the solo effort of George Harrison.

0:37:46.200 --> 0:37:49.879
<v Speaker 3>This is when Phil starts actually drinking again. Normally he's

0:37:49.960 --> 0:37:54.640
<v Speaker 3>the perfectionist in the studio, but George matched his perfectionist attitude,

0:37:54.719 --> 0:37:56.800
<v Speaker 3>and he, you know, he's scared he's not going to

0:37:56.840 --> 0:37:59.160
<v Speaker 3>be able to compete with the other Beatles, right, like

0:37:59.280 --> 0:38:01.279
<v Speaker 3>Paul will release a record or John and it will

0:38:01.480 --> 0:38:06.320
<v Speaker 3>overshadow him. So he makes his first record the record

0:38:06.440 --> 0:38:08.520
<v Speaker 3>like he he wasn't worried about Ringo.

0:38:08.680 --> 0:38:11.920
<v Speaker 8>But yeah, yeah, no one I mentioned John and I

0:38:12.040 --> 0:38:15.239
<v Speaker 8>mentioned Paul. That's what I said, very clearly mentioned just

0:38:15.440 --> 0:38:19.160
<v Speaker 8>John and Paul. Nobody's worried about.

0:38:18.920 --> 0:38:20.919
<v Speaker 5>Old Otill come to the sea.

0:38:21.000 --> 0:38:21.520
<v Speaker 3>Bullshit.

0:38:22.360 --> 0:38:24.920
<v Speaker 2>Look everyone, I figured out how to make a dimmest switch.

0:38:26.120 --> 0:38:31.080
<v Speaker 3>I don't know why. That's my ringo. Uh So, so

0:38:31.400 --> 0:38:33.840
<v Speaker 3>this starts a jecky and hide personality with him. He

0:38:33.880 --> 0:38:38.080
<v Speaker 3>would endlessly abuse studio personnel for his own humor. One night,

0:38:38.120 --> 0:38:39.840
<v Speaker 3>he gets so drunk he falls off his chair and

0:38:39.920 --> 0:38:41.960
<v Speaker 3>hurts his arm, and then he can't go to sessions

0:38:42.000 --> 0:38:46.160
<v Speaker 3>for like a few days. Last Also, who hasn't right,

0:38:46.280 --> 0:38:49.319
<v Speaker 3>Who hasn't who has had a miswork for a day

0:38:49.400 --> 0:38:52.400
<v Speaker 3>or two because he's got drunk and fell I've got he's.

0:38:52.320 --> 0:38:56.400
<v Speaker 2>Suddenly ill and had to delay podcast recordings with Sophie.

0:38:56.440 --> 0:39:00.719
<v Speaker 3>Of course, for sure, absolutely, because we're adult and that's what.

0:39:04.239 --> 0:39:07.279
<v Speaker 3>Eventually he returns to America, he leaves George to finish

0:39:07.320 --> 0:39:09.200
<v Speaker 3>the album. He kind of is like, you know, and

0:39:09.880 --> 0:39:14.520
<v Speaker 3>George complains that he's being inattentive and but and he doesn't.

0:39:14.600 --> 0:39:16.400
<v Speaker 3>He doesn't like that Phil is doing this, but he

0:39:16.520 --> 0:39:20.919
<v Speaker 3>does regardless, finished his record and All Things Must Pass

0:39:21.040 --> 0:39:24.320
<v Speaker 3>was released and spent seven weeks at number one, and

0:39:24.440 --> 0:39:29.000
<v Speaker 3>he's the first Beatle to chart post breakup, right he is.

0:39:29.160 --> 0:39:31.520
<v Speaker 3>I mean, All Things with Pass is a banger of

0:39:31.600 --> 0:39:34.879
<v Speaker 3>a record. It is. It is top to bottom, it's

0:39:35.040 --> 0:39:37.680
<v Speaker 3>it's a no skip album. It's amazing, and it's nothing

0:39:37.800 --> 0:39:40.400
<v Speaker 3>like the Beatles, which is the most interesting thing about it,

0:39:40.600 --> 0:39:42.600
<v Speaker 3>is like the fact that he put out a record

0:39:42.640 --> 0:39:45.399
<v Speaker 3>that was not reminiscent of any of his work really

0:39:45.440 --> 0:39:46.640
<v Speaker 3>with the Beatles in any way.

0:39:46.760 --> 0:39:50.040
<v Speaker 5>He was very Ravi Shankar influenced. At this point in

0:39:50.120 --> 0:39:50.520
<v Speaker 5>his life.

0:39:50.560 --> 0:39:55.000
<v Speaker 3>He's into spiritual He's literally doing Hari Krishna songs and stuff,

0:39:55.040 --> 0:40:00.479
<v Speaker 3>you know. So so yeah, for that to be seven

0:40:00.560 --> 0:40:03.160
<v Speaker 3>weeks at number one, pretty impressive. You know. It's a

0:40:03.239 --> 0:40:07.120
<v Speaker 3>Great Album. In September of the same year, John Lennon

0:40:07.160 --> 0:40:09.480
<v Speaker 3>returned from America. He was staying in America. He returns

0:40:09.520 --> 0:40:12.600
<v Speaker 3>from America and he brought Phil into Abbey Road's studios

0:40:12.640 --> 0:40:15.280
<v Speaker 3>to record what would become the Plastic Oh No Band album.

0:40:15.840 --> 0:40:18.840
<v Speaker 3>In contrast to Phil's previous work, he listened to John's

0:40:18.880 --> 0:40:22.920
<v Speaker 3>direction and made a record of sparse arrangements. It perfectly

0:40:23.040 --> 0:40:25.800
<v Speaker 3>maxed John's words and the tone of the lyrics and everything.

0:40:26.400 --> 0:40:30.080
<v Speaker 3>So in John, Phil found a kindred spirit and the

0:40:30.160 --> 0:40:36.000
<v Speaker 3>same for John. Right. John had this belief that torture geniuses, right,

0:40:36.440 --> 0:40:39.880
<v Speaker 3>are always the tortured part of that right they have.

0:40:40.520 --> 0:40:43.080
<v Speaker 3>There's something that makes a person a genius, and it's

0:40:43.160 --> 0:40:44.480
<v Speaker 3>usually incredible strategy.

0:40:44.640 --> 0:40:46.879
<v Speaker 5>And of course John had his own mother died.

0:40:46.960 --> 0:40:50.680
<v Speaker 3>John was a victim of tragedy himself, oftentimes in the Beatles. Yeah,

0:40:51.520 --> 0:40:54.080
<v Speaker 3>you know, he had a hard life as well, and

0:40:54.239 --> 0:40:57.080
<v Speaker 3>so he kind of thought both sides of this, him

0:40:57.120 --> 0:40:59.240
<v Speaker 3>and Phil kind of kindred spirits, right.

0:40:59.200 --> 0:41:03.680
<v Speaker 2>Right, you know, Yeah, we're both kind of giant assholes

0:41:03.719 --> 0:41:05.959
<v Speaker 2>to the women in our lives. This probably helps us.

0:41:05.880 --> 0:41:09.719
<v Speaker 3>Bond, yes exactly, Yeah, yeah, I get you, bro.

0:41:11.000 --> 0:41:12.880
<v Speaker 2>I to him a piece of shit sometimes.

0:41:14.640 --> 0:41:17.960
<v Speaker 3>So Klaus Bormann played bass on the George Harrison record

0:41:18.000 --> 0:41:20.680
<v Speaker 3>and the John Lennon record, and he he said, there's

0:41:20.680 --> 0:41:23.840
<v Speaker 3>a stark contrast of tone between Phil for George Harrison

0:41:23.920 --> 0:41:27.720
<v Speaker 3>and Phil for John Lennon, you know. Interesting. And also

0:41:28.400 --> 0:41:31.880
<v Speaker 3>Mick Mick Brown, who wrote the book Breaking Down the

0:41:31.920 --> 0:41:33.759
<v Speaker 3>Wall of Sound that I referenced for a lot of this,

0:41:35.000 --> 0:41:38.960
<v Speaker 3>he mentions that Phil got along with Yoko Ono really

0:41:39.000 --> 0:41:41.960
<v Speaker 3>well as well. And he relates this a lot to

0:41:42.120 --> 0:41:44.839
<v Speaker 3>the same thing as the way Ike Turner gave Phil

0:41:44.920 --> 0:41:47.720
<v Speaker 3>his face to work when he was working with Tina.

0:41:47.920 --> 0:41:51.000
<v Speaker 3>You know, he was like he was so respected that

0:41:51.160 --> 0:41:55.040
<v Speaker 3>even the controlling member of their lives was like, yeah, yeah,

0:41:55.160 --> 0:41:56.480
<v Speaker 3>let Phil do his thing, you know.

0:41:57.040 --> 0:41:58.520
<v Speaker 2>Yeah, yeah, that does say a lot.

0:41:58.880 --> 0:42:01.520
<v Speaker 3>That says a lot a lot, you know, like that's

0:42:01.760 --> 0:42:04.840
<v Speaker 3>that's those people are famously controlling of the other's careers.

0:42:04.960 --> 0:42:05.120
<v Speaker 3>You know.

0:42:07.520 --> 0:42:09.439
<v Speaker 5>So in the meantime, Ronnie is in New York.

0:42:09.880 --> 0:42:12.680
<v Speaker 3>She thinks her career is over, and Phil flies her

0:42:12.680 --> 0:42:15.640
<v Speaker 3>out to Loneon and says, hey, actually George wrote a

0:42:15.719 --> 0:42:18.160
<v Speaker 3>song for you. He wants you to sing it. And

0:42:18.320 --> 0:42:21.040
<v Speaker 3>so she flies out there and and she gets into

0:42:21.120 --> 0:42:25.759
<v Speaker 3>it and and unfortunately, uh it flops again and she's like,

0:42:25.800 --> 0:42:28.759
<v Speaker 3>all right, yeah, I'm done, I'm done. I'm done, right Yeah.

0:42:29.600 --> 0:42:32.440
<v Speaker 3>John Lennon's album did not flop, but only managed to

0:42:32.480 --> 0:42:35.080
<v Speaker 3>reach number six in America number eleven in the UK,

0:42:35.239 --> 0:42:37.880
<v Speaker 3>which is a pale comparison to George's success, and with

0:42:38.000 --> 0:42:41.080
<v Speaker 3>John seeing what he perceived as the weaker writer success

0:42:41.320 --> 0:42:45.360
<v Speaker 3>over his over his right, he pulled back on releasing

0:42:45.480 --> 0:42:49.160
<v Speaker 3>music and starts supporting Yoko's career more at the time

0:42:49.800 --> 0:42:52.680
<v Speaker 3>h they reunite to work on Imagine, which we we

0:42:52.840 --> 0:42:56.520
<v Speaker 3>listened to an exact copy of today.

0:42:58.920 --> 0:43:01.879
<v Speaker 5>Uh and and just being a legendary piece of work.

0:43:01.920 --> 0:43:05.879
<v Speaker 3>It wasn't really well received and Phil retreated again into

0:43:05.880 --> 0:43:08.600
<v Speaker 3>semi retirement and did not record any music for over

0:43:08.680 --> 0:43:13.800
<v Speaker 3>a year. On Christmas nineteen seventy one, Phil surprised Ronnie

0:43:13.840 --> 0:43:15.640
<v Speaker 3>with the said of five year old twin boys, who

0:43:15.680 --> 0:43:18.560
<v Speaker 3>he had adopted without her knowledge. He went through.

0:43:20.560 --> 0:43:26.240
<v Speaker 2>Awesome, awesome surprise adoption. It's better than surprise knocking someone

0:43:26.360 --> 0:43:27.960
<v Speaker 2>up and having two surprise kids.

0:43:29.600 --> 0:43:32.600
<v Speaker 3>Yeah, I don't know, or is it worse?

0:43:32.719 --> 0:43:36.600
<v Speaker 2>Actual a lot more thought to adopt secrets.

0:43:36.600 --> 0:43:38.920
<v Speaker 3>You got sign so much paperwork to adopt.

0:43:39.440 --> 0:43:41.560
<v Speaker 2>It might be you're right, it might be worse. It

0:43:41.719 --> 0:43:42.440
<v Speaker 2>might be worse.

0:43:43.719 --> 0:43:47.160
<v Speaker 3>She's coming back. She thinks they're adorable, but she doesn't

0:43:47.239 --> 0:43:49.640
<v Speaker 3>really want anything to do with them, because, you know,

0:43:49.760 --> 0:43:53.640
<v Speaker 3>his his behavior is becoming increasingly erratic. He's worse and

0:43:53.800 --> 0:43:56.439
<v Speaker 3>worse all the time. She's just She's like, her whole

0:43:56.480 --> 0:43:59.880
<v Speaker 3>life is just story after story of horrible things. Like right,

0:44:00.000 --> 0:44:02.640
<v Speaker 3>you could do an entire episode just on Ronnie Spector

0:44:02.680 --> 0:44:05.600
<v Speaker 3>and the horrible things that happened to her. Yeah, cool

0:44:05.800 --> 0:44:09.280
<v Speaker 3>Phil's behavior and January of nineteen seventy two, he's arrested

0:44:09.320 --> 0:44:11.439
<v Speaker 3>at the Daisy Club in Beverly Hills after a woman

0:44:11.520 --> 0:44:14.320
<v Speaker 3>called the police to report that a small man in

0:44:14.360 --> 0:44:20.520
<v Speaker 3>a karate jacket pointed a gun at her. That sounds

0:44:20.560 --> 0:44:26.680
<v Speaker 3>like our fell, that's the description. A small man in

0:44:26.760 --> 0:44:30.040
<v Speaker 3>a karate jacket. That's like the most insulting thing I

0:44:30.120 --> 0:44:33.279
<v Speaker 3>can possibly imagine being called. I love it.

0:44:34.200 --> 0:44:36.759
<v Speaker 5>Police arrived promptly and found inspect Beverly Hills.

0:44:36.840 --> 0:44:39.760
<v Speaker 3>You know, they arrived promptly, fine inspector with a handgun

0:44:39.800 --> 0:44:42.640
<v Speaker 3>in his waistband, and he was charged with the misdemeanor

0:44:42.680 --> 0:44:46.279
<v Speaker 3>and received a two hundred dollars. Fine. Wow, we'll see

0:44:46.320 --> 0:44:49.440
<v Speaker 3>the good old days of brandishing a weapon and getting

0:44:49.480 --> 0:44:56.000
<v Speaker 3>a simple misdemeanor fine. Just a few months later, in

0:44:56.080 --> 0:44:58.919
<v Speaker 3>the middle of the night, Ronnie escaped with the help

0:44:58.960 --> 0:45:02.040
<v Speaker 3>of her mother. She was forced to escape barefoot because

0:45:02.040 --> 0:45:05.040
<v Speaker 3>Phil didn't let her have shoes, and she had to

0:45:05.120 --> 0:45:10.280
<v Speaker 3>leave behind her kids and all of her possessions. Wow, but, Robert,

0:45:10.640 --> 0:45:13.279
<v Speaker 3>do you know who won't force you to have been

0:45:13.520 --> 0:45:15.600
<v Speaker 3>your home in the middle of the night, barefoot with

0:45:15.719 --> 0:45:16.520
<v Speaker 3>nothing to your name.

0:45:16.960 --> 0:45:20.439
<v Speaker 2>Well, hopefully not the sponsors of this podcast, because they're

0:45:21.040 --> 0:45:25.320
<v Speaker 2>hell I got my home. Yeah, they could give it

0:45:25.480 --> 0:45:26.400
<v Speaker 2>and taketh away, I.

0:45:26.440 --> 0:45:37.480
<v Speaker 3>Said, and we're back. I'm taking control of this whole situation,

0:45:37.840 --> 0:45:40.640
<v Speaker 3>all right. I love it. When we last left our hero,

0:45:41.120 --> 0:45:43.239
<v Speaker 3>his wife Ronnie had escaped into the night with no

0:45:43.320 --> 0:45:45.480
<v Speaker 3>shoes and fear for her life. She filed for divorce,

0:45:45.520 --> 0:45:49.360
<v Speaker 3>and surprisingly Phil walked away completely amicably and gave her

0:45:49.440 --> 0:45:50.400
<v Speaker 3>everything that she asked for.

0:45:52.000 --> 0:45:57.359
<v Speaker 2>Weirds, okay, okay, okay, for a second, you did.

0:45:58.000 --> 0:46:00.320
<v Speaker 3>No, he's a weird enough guy. I don't know. No,

0:46:00.440 --> 0:46:03.719
<v Speaker 3>he was an absolute asshole about every single aspect of

0:46:03.800 --> 0:46:04.320
<v Speaker 3>the divorce.

0:46:04.760 --> 0:46:07.640
<v Speaker 5>Just days after she fled. During a telephone call, Phil.

0:46:07.520 --> 0:46:09.200
<v Speaker 3>Informed her that all her clothes were in a trash

0:46:09.280 --> 0:46:16.800
<v Speaker 3>can on Los Sienaga Boulevard. Been there. She files for

0:46:16.880 --> 0:46:20.000
<v Speaker 3>custody of Dante but not the twins for obvious reasons,

0:46:20.400 --> 0:46:23.040
<v Speaker 3>and cited the dangerous nature of the mansion and Phil's

0:46:23.040 --> 0:46:26.160
<v Speaker 3>collection of guns and temper for the reason. At the time,

0:46:26.960 --> 0:46:29.160
<v Speaker 3>Phil kept numerous guns around the house and had up

0:46:29.200 --> 0:46:31.360
<v Speaker 3>to five guard dogs. As I mentioned, the mansion was

0:46:31.360 --> 0:46:34.080
<v Speaker 3>surrounded by tall fans, barbed wires, signs everywhere.

0:46:34.600 --> 0:46:36.560
<v Speaker 5>He's super paranoid, obviously, yeah.

0:46:36.800 --> 0:46:39.840
<v Speaker 3>Yeah. So Phil retaliated by claiming that Ronnie was unstable.

0:46:40.320 --> 0:46:43.640
<v Speaker 3>And what did he use as evidence of her instability?

0:46:43.960 --> 0:46:46.360
<v Speaker 3>Why those frequent trips to rehab.

0:46:46.040 --> 0:46:49.839
<v Speaker 2>That she Oh my god, and she barely is even

0:46:49.920 --> 0:46:52.960
<v Speaker 2>covered in guns all the time, So she's clearly not

0:46:53.040 --> 0:46:54.440
<v Speaker 2>thinking about those kids' safety.

0:46:54.680 --> 0:46:57.480
<v Speaker 3>I've got right now, and I hit one of the kids.

0:46:59.880 --> 0:47:03.640
<v Speaker 3>So the court uh orders failed to pay for Rodney's

0:47:03.640 --> 0:47:07.399
<v Speaker 3>temporary lodging and provider with support. He wrote a check

0:47:07.440 --> 0:47:09.799
<v Speaker 3>for the first month, but the second month he had

0:47:09.880 --> 0:47:12.640
<v Speaker 3>three armed guards deliver one two hundred and fifty dollars

0:47:12.680 --> 0:47:16.719
<v Speaker 3>payments in nickels to her lawyer's office. What, oh, go

0:47:16.840 --> 0:47:18.000
<v Speaker 3>to be a dick, just be aick?

0:47:18.120 --> 0:47:18.319
<v Speaker 2>Sure?

0:47:18.400 --> 0:47:21.840
<v Speaker 3>Yeah, the record twenty five thousand. That's twenty five thousand nickels.

0:47:21.960 --> 0:47:24.360
<v Speaker 3>Twenty five thousand nickels, and it weighed two hundred and

0:47:24.360 --> 0:47:27.719
<v Speaker 3>seventy five point six pounds. I did the math. He

0:47:28.239 --> 0:47:33.719
<v Speaker 3>sucks three petty three armed guards, two of them with shotguns,

0:47:33.800 --> 0:47:37.080
<v Speaker 3>to deliver twelve hundred and fifty dollars in nickels.

0:47:37.840 --> 0:47:42.000
<v Speaker 2>Now, look, have I been petty before? Have I, for example,

0:47:42.680 --> 0:47:46.400
<v Speaker 2>been treated badly at a at a at a at

0:47:46.440 --> 0:47:49.359
<v Speaker 2>a private gym that I went to and mailed them

0:47:49.440 --> 0:47:51.480
<v Speaker 2>a box that exploded into glitter?

0:47:52.000 --> 0:47:53.160
<v Speaker 3>Sure? Sure?

0:47:54.120 --> 0:47:56.879
<v Speaker 2>And I mailed anime shit when I had a bad

0:47:57.000 --> 0:48:01.240
<v Speaker 2>experience at a small business that I hated the owner.

0:48:01.760 --> 0:48:06.120
<v Speaker 2>Perhaps would I do this? Well maybe maybe?

0:48:06.360 --> 0:48:08.439
<v Speaker 5>Yeah, I might actually do this again.

0:48:08.840 --> 0:48:10.480
<v Speaker 2>You know, it's like this sounds pretty fun.

0:48:12.080 --> 0:48:14.439
<v Speaker 3>Yeah, I did you that much money?

0:48:15.120 --> 0:48:16.680
<v Speaker 5>Yeah, But here's the fun.

0:48:16.800 --> 0:48:19.160
<v Speaker 3>To me, this is the funniest thing, right right, because

0:48:19.239 --> 0:48:20.680
<v Speaker 3>like I mean, I didn't do the math on what

0:48:20.760 --> 0:48:24.319
<v Speaker 3>the quarters or pennies situation was. But he chose Nichols, right,

0:48:24.600 --> 0:48:26.760
<v Speaker 3>He could have chosen doves he could have chosen pennies.

0:48:27.360 --> 0:48:29.600
<v Speaker 3>Pennies would have been way more. I assumed that he

0:48:29.719 --> 0:48:31.920
<v Speaker 3>was like, Okay, well that's a lot of pennies, right,

0:48:32.840 --> 0:48:35.000
<v Speaker 3>and he was like maybe too much. And they were like, actually,

0:48:35.000 --> 0:48:36.359
<v Speaker 3>if you do that, we're gonna have to have four

0:48:36.440 --> 0:48:37.040
<v Speaker 3>armed guards.

0:48:37.160 --> 0:48:39.600
<v Speaker 5>And he was like, that's a waste of money.

0:48:40.080 --> 0:48:40.279
<v Speaker 4>Yeah.

0:48:42.320 --> 0:48:44.360
<v Speaker 3>At the beginning of August, at the behest of her lawyers,

0:48:44.440 --> 0:48:48.120
<v Speaker 3>Ronnie checked herself into psychiatric care and spent several weeks there. Then,

0:48:48.200 --> 0:48:50.520
<v Speaker 3>on September fourteenth, her lawyers were called to the Beverly

0:48:50.560 --> 0:48:54.680
<v Speaker 3>Clarette Crest Hotel to deal with her in an intoxicated condition,

0:48:54.960 --> 0:48:59.880
<v Speaker 3>heavily with the finger quotes here, right, intoxicated condition she was.

0:49:00.560 --> 0:49:03.120
<v Speaker 3>She said she drank a lot and she was just

0:49:03.200 --> 0:49:04.120
<v Speaker 3>screaming in the lobby.

0:49:04.280 --> 0:49:04.400
<v Speaker 8>Right.

0:49:04.640 --> 0:49:08.640
<v Speaker 3>Yeah. A few days later they're called again when Ronnie

0:49:08.680 --> 0:49:11.240
<v Speaker 3>nearly killed herself after passing out with a lit cigarette

0:49:11.239 --> 0:49:14.040
<v Speaker 3>and setting the bed on fire. Oh my god, she

0:49:14.239 --> 0:49:18.400
<v Speaker 3>drank a full fifth of vodka by herself. Oh, and

0:49:18.520 --> 0:49:22.000
<v Speaker 3>then said she was getting a little nap, Yeah, nap

0:49:22.080 --> 0:49:25.840
<v Speaker 3>with a cigarette. She was unharmed, fortunately, you know, for

0:49:25.920 --> 0:49:27.360
<v Speaker 3>the most part. But she didn't have to go to

0:49:27.440 --> 0:49:28.320
<v Speaker 3>the hospital and everything.

0:49:28.360 --> 0:49:30.600
<v Speaker 2>That's good that that did kill a lot of people

0:49:30.680 --> 0:49:31.040
<v Speaker 2>back then.

0:49:31.280 --> 0:49:35.520
<v Speaker 3>Yeah, you know, but obviously she's she's going through this

0:49:35.680 --> 0:49:37.560
<v Speaker 3>is this is taking this toll on her for sure.

0:49:38.000 --> 0:49:40.240
<v Speaker 2>I note that's part of why they made They changed

0:49:40.280 --> 0:49:43.799
<v Speaker 2>how they made both beds and like couches. There's new

0:49:44.080 --> 0:49:46.040
<v Speaker 2>fabrics they use on all of those because of how

0:49:46.080 --> 0:49:48.920
<v Speaker 2>many people burnt to death smoking and bedding on the couch.

0:49:49.600 --> 0:49:52.160
<v Speaker 3>What do you mean, Robert, You mean that all those

0:49:52.200 --> 0:49:56.800
<v Speaker 3>spontaneous combustions that just stopped recently might have been a

0:49:56.960 --> 0:49:58.440
<v Speaker 3>manufacturer's issue.

0:49:58.880 --> 0:50:02.720
<v Speaker 2>The eternal mystery what caused the human combustion?

0:50:04.000 --> 0:50:04.280
<v Speaker 3>Smoke?

0:50:04.280 --> 0:50:07.160
<v Speaker 5>Smoker smoking?

0:50:08.120 --> 0:50:12.719
<v Speaker 2>Is it smoking next to cocktails that were just pure liquor? Yeah?

0:50:13.040 --> 0:50:15.040
<v Speaker 5>Weird, crazy how that happens.

0:50:15.280 --> 0:50:19.920
<v Speaker 3>Yeah, So, right after this, she tries to fire her

0:50:20.000 --> 0:50:25.160
<v Speaker 3>lawyers right and end her divorce proceedings, right, But in

0:50:25.320 --> 0:50:28.280
<v Speaker 3>one of the rarest moments of lawyers being amazing people,

0:50:28.560 --> 0:50:29.760
<v Speaker 3>they refuse to be fired.

0:50:30.160 --> 0:50:33.840
<v Speaker 5>They say, we don't think that you are making sound decisions.

0:50:34.440 --> 0:50:36.920
<v Speaker 3>This is not what you want. Our conversations with you

0:50:37.080 --> 0:50:39.080
<v Speaker 3>have said that this is not what you want. You

0:50:39.200 --> 0:50:41.640
<v Speaker 3>are under mental distress right now, and we want to

0:50:41.760 --> 0:50:45.040
<v Speaker 3>make sure that you continue with this, with this divorce proceeding,

0:50:45.040 --> 0:50:48.759
<v Speaker 3>because this person is bad for you, and she does

0:50:49.040 --> 0:50:53.120
<v Speaker 3>and she she rehires them or whatever the hell they

0:50:53.200 --> 0:50:56.759
<v Speaker 3>move on. OK. She your reverse course again continues with

0:50:56.800 --> 0:50:59.640
<v Speaker 3>the doors. It takes another eighteen months to finalize the divorce.

0:51:00.120 --> 0:51:02.840
<v Speaker 3>She received a twenty five thousand dollars payment in addition

0:51:02.960 --> 0:51:05.280
<v Speaker 3>to twenty five hundred dollars a month under the condition

0:51:05.400 --> 0:51:10.959
<v Speaker 3>that she never disparaged Phil in public. She also would

0:51:11.360 --> 0:51:14.080
<v Speaker 3>Phil would receive control over her master recordings and most

0:51:14.120 --> 0:51:17.040
<v Speaker 3>of the publishing leverage, and the ability to limit Ronnie's

0:51:17.040 --> 0:51:18.800
<v Speaker 3>access to her own hits.

0:51:19.320 --> 0:51:23.600
<v Speaker 2>That's fuck. Fuck, that's fucked. Yeah, I mean it has

0:51:23.719 --> 0:51:27.879
<v Speaker 2>been great before, but that's that's really bad.

0:51:27.960 --> 0:51:30.600
<v Speaker 3>He takes away her ability to make money, making her

0:51:30.719 --> 0:51:35.920
<v Speaker 3>dependent on his money. Yeah, right. And and then also

0:51:36.120 --> 0:51:38.239
<v Speaker 3>she has no control, so he can do whatever he wants.

0:51:38.600 --> 0:51:40.880
<v Speaker 2>It kind of robs her too, like not just of

0:51:41.000 --> 0:51:44.080
<v Speaker 2>her money, but of like her future the things probably

0:51:44.120 --> 0:51:46.920
<v Speaker 2>well and also just like probably some of the stuff

0:51:46.960 --> 0:51:49.839
<v Speaker 2>she's proudest of, like this, this stuff that she made

0:51:49.920 --> 0:51:53.520
<v Speaker 2>that was hugely successful and influential, has no control like

0:51:53.600 --> 0:51:57.440
<v Speaker 2>that also has as a creative. That's like a knife

0:51:57.560 --> 0:51:59.960
<v Speaker 2>another knife. Ye, he's got a lot of knives in it.

0:52:00.560 --> 0:52:03.359
<v Speaker 5>Absolutely. Yeah.

0:52:03.440 --> 0:52:06.560
<v Speaker 3>So he has to send her a check every single month. Uh,

0:52:06.760 --> 0:52:09.840
<v Speaker 3>and every single month. Oh, she doesn't get custody of

0:52:09.880 --> 0:52:11.680
<v Speaker 3>the children. And he has to send her a check

0:52:11.719 --> 0:52:14.640
<v Speaker 3>every month. And every single month he sends her a

0:52:14.800 --> 0:52:18.440
<v Speaker 3>check and he writes fuck off on the back. So

0:52:19.239 --> 0:52:21.520
<v Speaker 3>so she has to write her name underneath, so it

0:52:21.560 --> 0:52:26.480
<v Speaker 3>says fuck off Ronnie Bennett every single time. She this man,

0:52:27.000 --> 0:52:29.440
<v Speaker 3>this man could yeah.

0:52:29.480 --> 0:52:33.279
<v Speaker 2>Like fucking smallest man in the world I have I

0:52:33.440 --> 0:52:37.200
<v Speaker 2>have never ever heard of this, this level of pettiness

0:52:37.280 --> 0:52:37.720
<v Speaker 2>in a relation.

0:52:38.239 --> 0:52:41.719
<v Speaker 5>Super petty, super petty. But Ronnie's free, you know.

0:52:41.960 --> 0:52:46.279
<v Speaker 3>And she she looks back on this, you know, it's

0:52:46.400 --> 0:52:51.040
<v Speaker 3>like she uh, she says, she escaped their divorce and

0:52:51.200 --> 0:52:53.360
<v Speaker 3>she was happy to escape it with her life like

0:52:53.520 --> 0:52:53.800
<v Speaker 3>she was.

0:52:54.400 --> 0:52:55.600
<v Speaker 5>She was happy to be done.

0:52:56.200 --> 0:52:59.239
<v Speaker 3>Yeah. So shortly after the divorce, Specter was brought in

0:52:59.280 --> 0:53:01.600
<v Speaker 3>again to work with John Lennon. Things had been extremely

0:53:01.680 --> 0:53:04.400
<v Speaker 3>rough for John Lennon in the years following the Beatles breakup.

0:53:05.120 --> 0:53:07.640
<v Speaker 3>He's fighting the government for his right to stay in America.

0:53:07.680 --> 0:53:11.520
<v Speaker 3>He's fighting his bandmates he's fighting his wife for money.

0:53:11.800 --> 0:53:15.160
<v Speaker 3>Like there's everybody is fighting for his money, right. Yeah.

0:53:16.000 --> 0:53:18.719
<v Speaker 3>In one of the strangest situations ever, Yoko sense that

0:53:18.800 --> 0:53:21.920
<v Speaker 3>John was working towards cheating on her, and rather than

0:53:22.000 --> 0:53:24.040
<v Speaker 3>lose him completely, she opted to pawn him off on

0:53:24.120 --> 0:53:28.680
<v Speaker 3>one of her friends. Make any of this, Yes, So

0:53:28.800 --> 0:53:32.000
<v Speaker 3>it's basically a sanctioned affair, right, It's like, you're gonna

0:53:32.040 --> 0:53:34.719
<v Speaker 3>do this anyways, let's just may will you just like

0:53:34.880 --> 0:53:39.200
<v Speaker 3>be his little fling for a while or whatever. He's

0:53:39.400 --> 0:53:41.960
<v Speaker 3>he's living outside of his means, but he convinced the

0:53:42.040 --> 0:53:44.239
<v Speaker 3>label to give him ten thousand dollars to record an

0:53:44.280 --> 0:53:47.960
<v Speaker 3>album of standards, and he enlists Phil to produce. Okay,

0:53:48.120 --> 0:53:50.480
<v Speaker 3>so he when he worked with John previously, he's on

0:53:50.560 --> 0:53:52.440
<v Speaker 3>their turf and he's and he's got to do their

0:53:52.600 --> 0:53:55.359
<v Speaker 3>things right. But now they're in Los Angeles and he's

0:53:55.719 --> 0:53:58.560
<v Speaker 3>he's doing his thing right. So he brings in his

0:53:58.640 --> 0:54:02.280
<v Speaker 3>favorite musicians, including the sons of his idol, Barney Kessel.

0:54:02.320 --> 0:54:05.319
<v Speaker 3>Remember Barney Kessel, His mom embarrassed him in front of Yeah,

0:54:05.800 --> 0:54:08.360
<v Speaker 3>he brings in his kids, right, they come in and

0:54:08.440 --> 0:54:09.560
<v Speaker 3>play on this record.

0:54:10.320 --> 0:54:11.800
<v Speaker 5>We're gonna talk about them in a minute.

0:54:12.239 --> 0:54:15.200
<v Speaker 3>Uh. He developed a joy for animal night trates. Robert,

0:54:15.239 --> 0:54:16.280
<v Speaker 3>you're a big fan of mamel.

0:54:19.760 --> 0:54:23.319
<v Speaker 2>Yeah, who doesn't love a good animal night trade?

0:54:23.360 --> 0:54:23.880
<v Speaker 3>Every now and.

0:54:23.960 --> 0:54:25.279
<v Speaker 2>Again and again and again.

0:54:25.440 --> 0:54:28.239
<v Speaker 3>May May Pang remembers that he just smelled like old

0:54:28.400 --> 0:54:29.399
<v Speaker 3>socks all the time.

0:54:30.840 --> 0:54:32.920
<v Speaker 2>Is it because he's hoffing out of socks?

0:54:33.840 --> 0:54:35.279
<v Speaker 3>No, I don't know. I don't know. I don't know,

0:54:35.400 --> 0:54:38.279
<v Speaker 3>but she just doesn't smell the old socks or or

0:54:38.400 --> 0:54:42.439
<v Speaker 3>VCR cleaner. I guess, I don't know. Anyway, he'd show

0:54:42.520 --> 0:54:45.400
<v Speaker 3>up wearing a holster right with a gun in it.

0:54:45.520 --> 0:54:48.359
<v Speaker 3>He'd show up and he danced around with his guns off. Flip.

0:54:48.480 --> 0:54:50.480
<v Speaker 3>He's thirty five at this point, right, Yeah, it's like

0:54:50.840 --> 0:54:53.120
<v Speaker 3>he's he's a he's a grown ass man. He's a

0:54:53.239 --> 0:54:57.880
<v Speaker 3>grown man. Yeah. Uh. John he John would drink vodka

0:54:58.000 --> 0:55:01.360
<v Speaker 3>straight from the bottle and uh because he's depressed. And

0:55:01.560 --> 0:55:05.080
<v Speaker 3>Phil would drink this wine called Manischevitz, which is basically like, yeah,

0:55:05.640 --> 0:55:07.440
<v Speaker 3>it's like a Jewish ceremony wine.

0:55:07.880 --> 0:55:11.560
<v Speaker 2>Right, you can get it in most grocery stores. I

0:55:11.640 --> 0:55:13.719
<v Speaker 2>don't recommend it. It doesn't taste good.

0:55:14.360 --> 0:55:16.520
<v Speaker 3>Nobody says that it tastes good. I've never had it

0:55:16.840 --> 0:55:18.560
<v Speaker 3>and I was gonna just get a bottle of him

0:55:18.560 --> 0:55:20.919
<v Speaker 3>in the episode, but you know what, I'll just drink

0:55:20.920 --> 0:55:23.040
<v Speaker 3>whiskey instead. We'll play everybody's favorite game.

0:55:23.480 --> 0:55:26.160
<v Speaker 2>It's that expensive, but it's not good. It's grape It

0:55:26.239 --> 0:55:28.080
<v Speaker 2>tastes like grape juice with alcohol in it.

0:55:28.160 --> 0:55:31.480
<v Speaker 3>But also the grape juice is bad, right right, yeah, yeah,

0:55:31.600 --> 0:55:35.960
<v Speaker 3>so really shitty wine. They'd explode into arguments about the

0:55:36.000 --> 0:55:38.359
<v Speaker 3>direction of the music, and things were often hectic. One night,

0:55:38.400 --> 0:55:40.719
<v Speaker 3>Elton John comes by and he's hanging out for like

0:55:40.800 --> 0:55:44.400
<v Speaker 3>a little bit, and he's like, I gotta go, and

0:55:44.440 --> 0:55:45.840
<v Speaker 3>he leaves and he tells the guy that brought and

0:55:45.880 --> 0:55:47.480
<v Speaker 3>he's like, what the fuck was going on? They're like yeah,

0:55:47.480 --> 0:55:48.040
<v Speaker 3>they're just like that.

0:55:49.560 --> 0:55:51.399
<v Speaker 5>Theyre just and he's like, I'm so glad we left,

0:55:51.480 --> 0:55:52.160
<v Speaker 5>Like this sucks.

0:55:53.320 --> 0:55:57.160
<v Speaker 3>Yeah, Phil would. Because they're arguing all the time. Phil

0:55:57.239 --> 0:55:59.880
<v Speaker 3>started dressing in ridiculous outfits. He'd show up dressed like

0:55:59.880 --> 0:56:02.560
<v Speaker 3>a captain or dressed like a you know, like a pirate,

0:56:02.760 --> 0:56:05.359
<v Speaker 3>or like crazy like just random outfits all the time.

0:56:05.400 --> 0:56:07.640
<v Speaker 3>He show up dressed like a waiter or something, you know,

0:56:07.840 --> 0:56:11.640
<v Speaker 3>just look ridiculous. But then eventually they get drunk and

0:56:11.640 --> 0:56:15.360
<v Speaker 3>then they fight. One night, Chuck Berry comes by Phil's

0:56:15.360 --> 0:56:17.600
<v Speaker 3>house to meet with John, and John's a big fan

0:56:18.440 --> 0:56:20.160
<v Speaker 3>of Chuck Berry, like a lot of the Beatles music

0:56:20.200 --> 0:56:24.560
<v Speaker 3>came because of Chuck Berry. Yeah, yeah, obviously. And then

0:56:24.880 --> 0:56:28.279
<v Speaker 3>Phil Phil is just in the other room playing music

0:56:28.400 --> 0:56:31.279
<v Speaker 3>so loudly that no one can hear anything, and so

0:56:31.680 --> 0:56:35.640
<v Speaker 3>Chuck just gets mad and leaves. Yeah, which, by the way, uh,

0:56:35.960 --> 0:56:39.040
<v Speaker 3>presumably so that he could go watch Pepe tapes or

0:56:39.120 --> 0:56:41.840
<v Speaker 3>traffic an underage girl across state lines.

0:56:41.840 --> 0:56:50.359
<v Speaker 5>Because he's a Jerry Berry is he's he was a founder.

0:56:50.080 --> 0:56:52.080
<v Speaker 3>Of rock and roll other than you know, big Mama

0:56:52.200 --> 0:56:55.759
<v Speaker 3>Thwarton and you know, to found rock and roll.

0:56:55.880 --> 0:56:57.920
<v Speaker 2>He found a lot of the bad things rock and

0:56:58.040 --> 0:56:59.000
<v Speaker 2>roll musicians did.

0:56:59.440 --> 0:57:02.600
<v Speaker 3>Yeah, he is. One of the reasons why the Man

0:57:02.719 --> 0:57:06.680
<v Speaker 3>Act was so successful was because he actually was trafficking

0:57:06.760 --> 0:57:09.560
<v Speaker 3>a fourteen year old girl across state lines for purposes

0:57:10.200 --> 0:57:12.320
<v Speaker 3>and he got convicted, which is crazy.

0:57:12.480 --> 0:57:15.720
<v Speaker 5>Yes, he sentenced to three years in prison four said crime.

0:57:15.960 --> 0:57:18.080
<v Speaker 2>He was a black man, so he got convicted as

0:57:18.120 --> 0:57:19.560
<v Speaker 2>opposed to being a president.

0:57:19.720 --> 0:57:23.160
<v Speaker 5>Yes, yes, yeah, absolutely, as things go, as.

0:57:23.160 --> 0:57:27.240
<v Speaker 3>Things tend to go. So Phil would always play games

0:57:27.280 --> 0:57:30.040
<v Speaker 3>with John's mental you know, fragile mental state and everything.

0:57:30.280 --> 0:57:32.040
<v Speaker 5>He'd call him or.

0:57:32.520 --> 0:57:33.960
<v Speaker 3>John would call him when he was supposed to be

0:57:33.960 --> 0:57:35.880
<v Speaker 3>at the studio and he'd be like, yeah, I'm on

0:57:35.960 --> 0:57:37.720
<v Speaker 3>my way, and then he just wouldn't show up, you know,

0:57:37.840 --> 0:57:41.080
<v Speaker 3>and John's like wasting money on this studio shit, which,

0:57:41.440 --> 0:57:44.400
<v Speaker 3>by the way, we find out later that Phil has

0:57:44.440 --> 0:57:46.720
<v Speaker 3>been kind of grifting the whole the whole thing.

0:57:46.800 --> 0:57:47.440
<v Speaker 5>He's paying for the.

0:57:47.480 --> 0:57:50.200
<v Speaker 3>Sessions himself so that he can maintain control of things

0:57:50.600 --> 0:57:53.800
<v Speaker 3>and so that he can bill John's label.

0:57:54.160 --> 0:57:55.720
<v Speaker 5>It's a whole thing. We'll get to it in a second.

0:57:55.800 --> 0:58:00.880
<v Speaker 3>But so one night John gets blasted, right, he gets

0:58:00.960 --> 0:58:04.560
<v Speaker 3>ship faced, and him and another guy is by his

0:58:04.680 --> 0:58:08.240
<v Speaker 3>bodyguard take him to lou Adler's house where John was staying,

0:58:08.400 --> 0:58:12.360
<v Speaker 3>and they tied him to the bed and John thinks

0:58:12.400 --> 0:58:15.640
<v Speaker 3>they're gonna rape him. He thinks they're gonna sexually assault him,

0:58:15.640 --> 0:58:18.840
<v Speaker 3>and he freaks out, like he loses, heill gets a

0:58:19.000 --> 0:58:23.240
<v Speaker 3>black eye, like it's they they fight, they physically fight,

0:58:23.560 --> 0:58:26.360
<v Speaker 3>like I don't know, John was obviously very very drunk,

0:58:26.600 --> 0:58:29.840
<v Speaker 3>like they don't. It's not it's not insinuated that that

0:58:30.040 --> 0:58:32.800
<v Speaker 3>was actually that a sexual assault was actually going to happen,

0:58:33.200 --> 0:58:38.240
<v Speaker 3>but for whatever reason, John thinks that that's what's gonna happen,

0:58:38.520 --> 0:58:41.240
<v Speaker 3>and he freaks out and they they they tie him

0:58:41.240 --> 0:58:42.760
<v Speaker 3>to the bed and oh.

0:58:45.440 --> 0:58:48.440
<v Speaker 5>Yeah, yeah, and then he eventually like gets out or whatever.

0:58:48.600 --> 0:58:51.000
<v Speaker 3>But they leave and uh and Phil as to wear

0:58:51.080 --> 0:58:53.000
<v Speaker 3>makeup on his bruised eye for a couple of days

0:58:53.040 --> 0:58:56.200
<v Speaker 3>and stuff. Jesus. The sessions are so crazy that A

0:58:56.360 --> 0:59:00.200
<v Speaker 3>and M Studios evicts them from the studio. There like

0:59:00.520 --> 0:59:02.960
<v Speaker 3>Phil's wave and a gun around during session. This is

0:59:03.160 --> 0:59:05.600
<v Speaker 3>too too much shit, right.

0:59:09.120 --> 0:59:12.520
<v Speaker 2>We don't think our insurance covers whatever you're doing.

0:59:12.840 --> 0:59:15.880
<v Speaker 3>Yes, right, And so they kick them out and they

0:59:15.960 --> 0:59:19.320
<v Speaker 3>head over to Record Plan, which is especially hilarious if

0:59:19.360 --> 0:59:23.080
<v Speaker 3>you know the Record Plan is this famous Hollywood studio.

0:59:23.120 --> 0:59:25.240
<v Speaker 3>There's a lot of Record Plants around the world, but

0:59:25.520 --> 0:59:27.400
<v Speaker 3>the Record Plan in Hollywood is kind of a famous

0:59:27.480 --> 0:59:30.320
<v Speaker 3>Hollywood studio, especially currently it just shut down like a

0:59:30.440 --> 0:59:33.760
<v Speaker 3>year ago, but prior to that it was like the

0:59:33.920 --> 0:59:38.040
<v Speaker 3>Party Studio. It was the Arizona State University of Studios.

0:59:38.320 --> 0:59:40.000
<v Speaker 3>So the fact that they got kicked out of A

0:59:40.080 --> 0:59:41.920
<v Speaker 3>and M, which is now owned by John Mayer and

0:59:42.040 --> 0:59:45.600
<v Speaker 3>called Chaplin Studios or something like that, which is a

0:59:45.960 --> 0:59:50.960
<v Speaker 3>very professional, fancy studio to go to Record Plant that's

0:59:51.000 --> 0:59:51.720
<v Speaker 3>basically like.

0:59:52.560 --> 0:59:54.000
<v Speaker 5>Yeah, we let people party.

0:59:57.000 --> 1:00:01.760
<v Speaker 3>This is where at record Plant, Phil fires his gun

1:00:01.840 --> 1:00:05.760
<v Speaker 3>into the ceiling of the studio. So Record Plan's like, yeah,

1:00:05.800 --> 1:00:09.800
<v Speaker 3>we'll have you. I'm like first night. He's like, what

1:00:10.040 --> 1:00:11.080
<v Speaker 3>is the context?

1:00:11.280 --> 1:00:14.000
<v Speaker 2>Is he trying to emphasize a point? Is it using

1:00:14.000 --> 1:00:15.480
<v Speaker 2>it like a punctuation mark?

1:00:16.240 --> 1:00:19.200
<v Speaker 3>Is it just an accident? So he gets into an

1:00:19.400 --> 1:00:21.880
<v Speaker 3>argument of some type with Mal Evans, who is a

1:00:21.960 --> 1:00:26.120
<v Speaker 3>famous uh like kind of Fifth Beatles situation. He's he's

1:00:26.200 --> 1:00:29.760
<v Speaker 3>like their roadie, he's their fixer, he does everything. He's

1:00:29.800 --> 1:00:32.560
<v Speaker 3>hanging out with John Lennon and he is very trusted

1:00:32.720 --> 1:00:36.240
<v Speaker 3>by the right and uh, and he gets into an

1:00:36.280 --> 1:00:40.640
<v Speaker 3>argument with Phil presumably about like hey, man, stop doing

1:00:40.680 --> 1:00:41.840
<v Speaker 3>some dumb shit or whatever, and.

1:00:42.000 --> 1:00:45.240
<v Speaker 2>Man, did you unless John Lennon something like that.

1:00:46.120 --> 1:00:48.560
<v Speaker 3>Phil has like a measure of anger, pulls his gun

1:00:48.600 --> 1:00:52.760
<v Speaker 3>out and he says accidentally fires his gun into the studio.

1:00:52.600 --> 1:00:55.120
<v Speaker 5>Which says something right, yeah.

1:00:56.200 --> 1:00:58.640
<v Speaker 3>John turns to him like and he's like, Phil, if

1:00:58.680 --> 1:01:00.720
<v Speaker 3>you're gonna shoot me, shoot me, but don't fuck with me.

1:01:01.000 --> 1:01:02.520
<v Speaker 5>Is He's like, I need them.

1:01:03.840 --> 1:01:07.560
<v Speaker 3>Oh my god, what a great response. Honestly, you're gonna

1:01:07.560 --> 1:01:09.800
<v Speaker 3>shoot me, shoot me, but like, I need my ears, bro,

1:01:09.880 --> 1:01:13.040
<v Speaker 3>don't shoot guns beside my head, Dick. Yeah, that's pretty cool.

1:01:13.240 --> 1:01:16.520
<v Speaker 3>I gotta give it to him. That's pretty cool. Everybody

1:01:16.640 --> 1:01:19.959
<v Speaker 3>thinks Phil is just shooting blanks in these guns, right, Nope.

1:01:20.040 --> 1:01:22.760
<v Speaker 3>But the next day, mal Evin shows up to John

1:01:22.800 --> 1:01:24.920
<v Speaker 3>Lennon's house with the bullet from the cilly. He's like,

1:01:24.920 --> 1:01:28.400
<v Speaker 3>here's the bullet from last night, and John's like, what bullet.

1:01:28.440 --> 1:01:30.520
<v Speaker 3>He's like, the bullet that he fired into the ceiling.

1:01:30.800 --> 1:01:33.800
<v Speaker 3>He's like, he's got bullets in that thing. It's a

1:01:33.920 --> 1:01:39.640
<v Speaker 3>real gun. Yes, it's a real gun. Right. So, shortly

1:01:39.720 --> 1:01:42.160
<v Speaker 3>after that incident, John returns to New York City and

1:01:42.240 --> 1:01:44.200
<v Speaker 3>one night he receives a phone call from Phil claiming

1:01:44.240 --> 1:01:46.760
<v Speaker 3>that the studio had burnt down and they lost everything.

1:01:47.200 --> 1:01:49.200
<v Speaker 5>So John's like, whoa, what what was going on? He

1:01:49.320 --> 1:01:51.439
<v Speaker 5>calls the studio and they're like, I don't know fire.

1:01:51.720 --> 1:01:52.640
<v Speaker 3>What are you talking about?

1:01:52.680 --> 1:01:53.800
<v Speaker 5>Man, there's no fire here?

1:01:54.200 --> 1:01:56.040
<v Speaker 3>Uh? And then so he's like what the fuck is

1:01:56.080 --> 1:01:57.840
<v Speaker 3>going on? And then a week later, Phil calls again,

1:01:57.920 --> 1:02:01.560
<v Speaker 3>this time ranting about helicopters surrounding the house. Right. He's like, Okay,

1:02:01.800 --> 1:02:04.040
<v Speaker 3>there's a helicopter surrounding the house, right, And he says,

1:02:04.440 --> 1:02:06.120
<v Speaker 3>but I don't worry, I got the tapes. I got

1:02:06.160 --> 1:02:10.120
<v Speaker 3>the tapes, right, And so John eventually discovers basically Philip

1:02:10.160 --> 1:02:13.840
<v Speaker 3>paid for the entire session, which means in the recording world,

1:02:14.200 --> 1:02:17.880
<v Speaker 3>if you pay for it, you own the tapes. The

1:02:18.000 --> 1:02:20.560
<v Speaker 3>tapes are released to the person who pays for them.

1:02:20.840 --> 1:02:20.960
<v Speaker 6>Right.

1:02:21.040 --> 1:02:24.840
<v Speaker 3>Okay, you own all of John Lennon's work if you

1:02:25.080 --> 1:02:28.840
<v Speaker 3>own those tapes, right. And so they get a bill

1:02:28.880 --> 1:02:32.520
<v Speaker 3>from Phil's label for ninety thousand dollars, right, god, and

1:02:32.600 --> 1:02:35.880
<v Speaker 3>they're like, what the fuck. Apparently he's like he's he's

1:02:35.920 --> 1:02:38.400
<v Speaker 3>paying for all the sessions. And then he's doing the

1:02:38.480 --> 1:02:42.280
<v Speaker 3>old classic rebuill it like like one hundred and seventy

1:02:42.360 --> 1:02:44.600
<v Speaker 3>percent of the cost of whatever it is type.

1:02:44.440 --> 1:02:46.919
<v Speaker 2>Thing, right, Yeah, yeah, yeah yeah.

1:02:47.600 --> 1:02:52.320
<v Speaker 3>So when Bob Mercer of EMI Capital went to Phil's

1:02:52.320 --> 1:02:55.640
<v Speaker 3>Sunset office to retrieve the tapes, Phil chased him down

1:02:55.680 --> 1:02:57.280
<v Speaker 3>a flight of stairs with an axe.

1:02:57.720 --> 1:03:02.720
<v Speaker 2>He's back against.

1:03:05.640 --> 1:03:08.240
<v Speaker 3>The album wasn't released until nineteen seventy five, with only

1:03:08.320 --> 1:03:10.800
<v Speaker 3>five tracks produced by Spector and another eight that John

1:03:10.880 --> 1:03:14.000
<v Speaker 3>recorded without him, so obviously a mess.

1:03:15.640 --> 1:03:19.320
<v Speaker 5>So I mentioned before Barney Kessel's two sons, Dan and David.

1:03:19.640 --> 1:03:22.200
<v Speaker 3>They start hanging out with Phil during the Lenin sessions,

1:03:22.240 --> 1:03:25.040
<v Speaker 3>and this is the first time that they come to

1:03:25.160 --> 1:03:26.720
<v Speaker 3>his house. And the first time they come to his house,

1:03:26.800 --> 1:03:30.120
<v Speaker 3>he greeted them wearing a thirty eight, and he asked

1:03:30.160 --> 1:03:34.160
<v Speaker 3>him if they like guns. Of course yes, they said.

1:03:34.040 --> 1:03:37.280
<v Speaker 5>Yes, of course, because you know who doesn't.

1:03:38.360 --> 1:03:41.120
<v Speaker 3>And he takes him into the backyard in Hollywood, remember,

1:03:41.960 --> 1:03:45.240
<v Speaker 3>and they spend a few hours shooting at old records.

1:03:46.680 --> 1:03:50.120
<v Speaker 3>They idolize him. They love this dude, like they think

1:03:50.200 --> 1:03:53.600
<v Speaker 3>he is the epitome of the rock star mentality. Right,

1:03:53.760 --> 1:03:55.040
<v Speaker 3>And to be a fair you know, he's like in

1:03:55.120 --> 1:03:58.440
<v Speaker 3>his thirties, he's shooting guns, he's partying with John Lennon,

1:03:58.600 --> 1:03:59.720
<v Speaker 3>like he is kind of a.

1:04:00.080 --> 1:04:02.160
<v Speaker 2>Get with all sorts of crimes.

1:04:02.280 --> 1:04:05.120
<v Speaker 3>Sure, he's kind of a rock star, right, definitely.

1:04:05.440 --> 1:04:05.640
<v Speaker 2>Yeah.

1:04:06.120 --> 1:04:08.600
<v Speaker 3>He he starts treating him like his kids, right, which

1:04:08.640 --> 1:04:11.360
<v Speaker 3>is fucked because he has kids and he is currently

1:04:11.440 --> 1:04:14.120
<v Speaker 3>locking them in their rooms and they're under the the

1:04:14.680 --> 1:04:17.080
<v Speaker 3>they're under the supervision of a governess who doesn't let

1:04:17.120 --> 1:04:20.160
<v Speaker 3>them do shit right. Meanwhile, he take the Kessels to

1:04:20.240 --> 1:04:22.320
<v Speaker 3>Muhammad ah Li fights and even took them to Vegas

1:04:22.360 --> 1:04:25.400
<v Speaker 3>to see Elvis and brought them backstage after the show

1:04:25.720 --> 1:04:28.080
<v Speaker 3>to hang out, which is super fun because he just

1:04:28.240 --> 1:04:31.160
<v Speaker 3>didn't take Ronnie back to the peace right right, not

1:04:31.320 --> 1:04:35.040
<v Speaker 3>his wife. Of course, in their eyes, Phil can do

1:04:35.200 --> 1:04:38.080
<v Speaker 3>no wrong. They love him, dude. They to this day

1:04:38.160 --> 1:04:42.200
<v Speaker 3>they always like, hey, Phil is the best, right, you know,

1:04:42.400 --> 1:04:44.200
<v Speaker 3>I mean, he's a legend at this point. You know,

1:04:44.320 --> 1:04:48.360
<v Speaker 3>he's a legitimate legend. So he's veering out of control

1:04:48.400 --> 1:04:50.760
<v Speaker 3>with his drink and his relationships. At one point, this

1:04:50.880 --> 1:04:53.480
<v Speaker 3>writer Roy carr Is brought to la from from London

1:04:53.520 --> 1:04:56.040
<v Speaker 3>with the task of writing a book about him. One night,

1:04:56.520 --> 1:04:59.720
<v Speaker 3>in between telling fantastical stories like Bruce Lee was my

1:05:00.000 --> 1:05:03.880
<v Speaker 3>bodyguard once and how he had worked as an undercover

1:05:04.080 --> 1:05:08.240
<v Speaker 3>agent in Paris, sure Specter announced that he needed to

1:05:08.360 --> 1:05:10.360
<v Speaker 3>pee and he gets up and walks out, only to

1:05:10.440 --> 1:05:12.880
<v Speaker 3>come back wearing no shirt and a revolver in his

1:05:13.000 --> 1:05:14.840
<v Speaker 3>waistband and playing the accordion.

1:05:15.680 --> 1:05:17.560
<v Speaker 2>So one that we've learned about him is that no

1:05:17.720 --> 1:05:20.800
<v Speaker 2>matter what he is or isn't wearing, he will have

1:05:20.960 --> 1:05:21.520
<v Speaker 2>a gun.

1:05:24.080 --> 1:05:24.400
<v Speaker 3>On him.

1:05:24.840 --> 1:05:26.720
<v Speaker 2>He's got a gun on him, always.

1:05:26.440 --> 1:05:28.760
<v Speaker 3>Got a gun on him. And he's always doing something wild.

1:05:29.120 --> 1:05:30.920
<v Speaker 2>He said Frank from Always Sonny.

1:05:31.160 --> 1:05:34.240
<v Speaker 3>Yes, yes, very much. Picture him as skinny Frank. A

1:05:34.440 --> 1:05:36.320
<v Speaker 3>very little man with a gun.

1:05:36.640 --> 1:05:39.800
<v Speaker 5>He's always little man with always So I started blasting him.

1:05:40.360 --> 1:05:41.680
<v Speaker 2>I'm just ready to shoot.

1:05:43.160 --> 1:05:45.479
<v Speaker 3>So so Car says he couldn't tell what was factor

1:05:45.560 --> 1:05:47.600
<v Speaker 3>fiction when it came to Phil, but he does know that,

1:05:47.920 --> 1:05:51.000
<v Speaker 3>like without a doubt, Phil has intense loneliness issues, like

1:05:51.320 --> 1:05:54.360
<v Speaker 3>he would get on anytime Carr would prepare to leave,

1:05:54.440 --> 1:05:56.400
<v Speaker 3>like he'd be working all day taking notes, and he'd

1:05:56.400 --> 1:05:59.360
<v Speaker 3>be okay, all right, well, time to go, and and no, no, no,

1:05:59.480 --> 1:06:01.720
<v Speaker 3>stay for a little bit longa he don't leave, don't leave.

1:06:02.240 --> 1:06:05.840
<v Speaker 3>So he believes that Phil is even following him around town.

1:06:06.400 --> 1:06:08.880
<v Speaker 3>One night, Phil's assistant was sent to pick him up

1:06:09.280 --> 1:06:11.040
<v Speaker 3>and they get in the car and she looks in

1:06:11.080 --> 1:06:13.680
<v Speaker 3>the rearview mirror and she sees Phil and the Kessel

1:06:13.720 --> 1:06:18.240
<v Speaker 3>brothers in a Cadillac with shotguns and they just chase them,

1:06:18.560 --> 1:06:22.240
<v Speaker 3>chase them all over Hollywood until they escape, right and

1:06:22.360 --> 1:06:27.320
<v Speaker 3>then and then they just there's no explanation given for

1:06:27.560 --> 1:06:29.720
<v Speaker 3>why they did this. Like the next day, They're like, Phil,

1:06:29.760 --> 1:06:31.880
<v Speaker 3>why did you guys chase this around shotguns last year?

1:06:32.000 --> 1:06:33.240
<v Speaker 5>And He's just like, what are you talking about?

1:06:33.280 --> 1:06:34.919
<v Speaker 3>What do you mean? I didn't do that. I didn't

1:06:34.920 --> 1:06:37.040
<v Speaker 3>do that. Like me, I always have a little gun.

1:06:38.400 --> 1:06:41.160
<v Speaker 3>Another time, Phil picks up car and the Kessel boys

1:06:41.960 --> 1:06:45.360
<v Speaker 3>with some mysterious people in the car and they fill

1:06:45.440 --> 1:06:47.960
<v Speaker 3>the car with pump shotguns and rifles, and then they

1:06:48.040 --> 1:06:51.160
<v Speaker 3>go to this Cantonese restaurant where they ate dinner by themselves,

1:06:51.200 --> 1:06:54.320
<v Speaker 3>all roped off in this little section, and then after

1:06:54.440 --> 1:06:56.760
<v Speaker 3>dinner they just go back to Phil's house and Phil

1:06:56.800 --> 1:06:59.200
<v Speaker 3>shot at a tree with a pistol for like an hour, right.

1:06:59.280 --> 1:07:00.280
<v Speaker 2>H yeah, okay sure.

1:07:00.760 --> 1:07:04.200
<v Speaker 3>So he just sounds like Phil just he's just living Levina,

1:07:04.240 --> 1:07:06.160
<v Speaker 3>look bro bullets with him.

1:07:07.520 --> 1:07:08.760
<v Speaker 5>Yes, he absolutely did.

1:07:09.720 --> 1:07:12.600
<v Speaker 3>When Carr returns to England, Phil tries to give him

1:07:12.600 --> 1:07:14.920
<v Speaker 3>a pistol and he's like, I can't take a pistol

1:07:14.960 --> 1:07:17.240
<v Speaker 3>through customs every country?

1:07:17.280 --> 1:07:17.480
<v Speaker 8>Does it?

1:07:17.560 --> 1:07:22.720
<v Speaker 3>Just let you take guns there? Phil? So funny. In

1:07:22.840 --> 1:07:25.840
<v Speaker 3>nineteen seventy four, Phil is brought in to produce for Share.

1:07:26.520 --> 1:07:29.520
<v Speaker 3>You know, Share is in his life, but Share is

1:07:29.600 --> 1:07:32.320
<v Speaker 3>no longer with Sonny Bono now she's with David Geffen,

1:07:32.680 --> 1:07:35.200
<v Speaker 3>and David Geffen had become her manager as well as

1:07:35.280 --> 1:07:38.240
<v Speaker 3>like her label head, as well as her boyfriend, as

1:07:38.280 --> 1:07:40.640
<v Speaker 3>well as like every he's everywhere, right, does he like

1:07:40.840 --> 1:07:43.600
<v Speaker 3>even have any connection to the music industry or no?

1:07:44.600 --> 1:07:49.040
<v Speaker 3>Uh David Geffen? Yeah, yeah, yeah, I mean but here's so,

1:07:49.160 --> 1:07:53.000
<v Speaker 3>here's the thing. Phil hates him because he's like he's

1:07:53.040 --> 1:07:55.200
<v Speaker 3>a kind of a NEPO baby in the situation, Like

1:07:55.440 --> 1:07:58.000
<v Speaker 3>he doesn't know music. He doesn't he's not a musician.

1:07:58.120 --> 1:08:00.280
<v Speaker 3>He didn't come up that way. He came up through

1:08:00.360 --> 1:08:02.960
<v Speaker 3>like the business side of the industry. And he gets lucky,

1:08:03.360 --> 1:08:07.240
<v Speaker 3>starts dating Share, basically becomes her manager, becomes a label head,

1:08:07.320 --> 1:08:10.160
<v Speaker 3>starts getting all these positions of like authority and shit,

1:08:10.520 --> 1:08:17.280
<v Speaker 3>and Phil hates him. Phil despises him right, and one

1:08:17.439 --> 1:08:20.320
<v Speaker 3>night David Geffen tells Phil, hey man, maybe you should

1:08:20.720 --> 1:08:24.559
<v Speaker 3>try this with with SHARE's song, and Phil punched him

1:08:24.560 --> 1:08:26.920
<v Speaker 3>in the face and told him to get out of here,

1:08:27.040 --> 1:08:33.840
<v Speaker 3>you fucking f slur. Great, Okay, Share is like, Phil,

1:08:33.960 --> 1:08:36.559
<v Speaker 3>what are you doing? Chill the fuck out? And Phil does, right,

1:08:36.600 --> 1:08:38.479
<v Speaker 3>and then just go back to work, right, And that's

1:08:38.600 --> 1:08:41.400
<v Speaker 3>like the type of way Phil is he'll just haul

1:08:41.479 --> 1:08:43.759
<v Speaker 3>off and punch somebody in the face in the studio,

1:08:45.040 --> 1:08:46.920
<v Speaker 3>call him a slur, and then get right back to work,

1:08:47.080 --> 1:08:50.559
<v Speaker 3>you know, all in a day's work, you know, yeah work.

1:08:50.640 --> 1:08:53.040
<v Speaker 2>Look, he puts his gun on, one gun at a time,

1:08:53.160 --> 1:08:54.040
<v Speaker 2>the same that you dial.

1:08:54.240 --> 1:08:58.160
<v Speaker 3>Yeah, same as all of us. Phil dated after Ronnie left.

1:08:58.439 --> 1:09:01.679
<v Speaker 3>One of those women is a woman named Devora Robati.

1:09:02.040 --> 1:09:04.479
<v Speaker 3>She starts as his assistant, then becomes his lover. Right.

1:09:04.680 --> 1:09:06.960
<v Speaker 3>She was married when she starts working with him, but

1:09:07.160 --> 1:09:11.120
<v Speaker 3>Phil's crazy hours and like constantly having to like answer

1:09:11.479 --> 1:09:15.160
<v Speaker 3>ruins her marriage. And then one night after after their

1:09:15.360 --> 1:09:18.720
<v Speaker 3>you know, uh kind of flirting office flirtation or whatever,

1:09:18.760 --> 1:09:21.040
<v Speaker 3>Phil walks into her car gives her a kiss, and

1:09:21.160 --> 1:09:25.679
<v Speaker 3>now you know, now they're dating her, but he's always

1:09:25.840 --> 1:09:28.120
<v Speaker 3>mistreating her. He'd be super sweet and loving and then

1:09:28.120 --> 1:09:30.120
<v Speaker 3>all of a sudden begins screaming and calling her name.

1:09:30.400 --> 1:09:32.800
<v Speaker 3>One night, during an argument at dinner, he dumps a

1:09:32.840 --> 1:09:37.200
<v Speaker 3>bowl of noodles on her head. So they go through

1:09:37.240 --> 1:09:41.320
<v Speaker 3>this cycle where it's like, yeah, he's just a shit noodles.

1:09:41.320 --> 1:09:46.280
<v Speaker 3>They're at dinner and he's just like yeah, yeah, and

1:09:46.439 --> 1:09:50.200
<v Speaker 3>so she so he get mad.

1:09:51.720 --> 1:09:55.200
<v Speaker 5>Jokes uck. She'd get mad and quit, and then.

1:09:55.080 --> 1:09:57.920
<v Speaker 3>He'd send her like a dozen roses and she'd you know,

1:09:58.080 --> 1:09:59.880
<v Speaker 3>forgive him and come back. And it just keeps kind

1:09:59.920 --> 1:10:05.240
<v Speaker 3>of doing this. Right, It's this like constant like revolving

1:10:05.360 --> 1:10:08.080
<v Speaker 3>door of Phil Spector where he does something shitty and

1:10:08.160 --> 1:10:10.719
<v Speaker 3>then he gets super mad and they have a big argument,

1:10:10.720 --> 1:10:14.280
<v Speaker 3>and then he apologizes the next day or makes no

1:10:14.439 --> 1:10:17.000
<v Speaker 3>mention of it whatsoever. Like sometimes she'd like, he'd do

1:10:17.080 --> 1:10:18.640
<v Speaker 3>horrible things and then just the next day he'd be like,

1:10:18.640 --> 1:10:21.840
<v Speaker 3>what are you talking about. I didn't do that. Yeah,

1:10:22.760 --> 1:10:27.599
<v Speaker 3>ladies take back shitty little men. Yeah. Yeah. One night,

1:10:27.680 --> 1:10:29.840
<v Speaker 3>tempers flared and he grabbed a shotgun and put it

1:10:29.920 --> 1:10:31.800
<v Speaker 3>to her temple, telling her he would kill her if

1:10:31.840 --> 1:10:34.400
<v Speaker 3>she left. She calmed him by telling him he's being

1:10:34.520 --> 1:10:36.600
<v Speaker 3>silly and that he should open the door and let

1:10:36.680 --> 1:10:37.040
<v Speaker 3>her leave.

1:10:37.600 --> 1:10:40.840
<v Speaker 5>But as soon as he does calm down, she bolts.

1:10:40.560 --> 1:10:44.320
<v Speaker 3>Out of there. Right. But she does say she never

1:10:44.400 --> 1:10:47.320
<v Speaker 3>thought Phil would actually kill her, but she did think

1:10:47.400 --> 1:10:49.200
<v Speaker 3>he might by accident.

1:10:50.880 --> 1:10:52.960
<v Speaker 2>Okay, yeah, much better.

1:10:53.120 --> 1:10:53.519
<v Speaker 1>Yeah.

1:10:54.400 --> 1:10:58.439
<v Speaker 3>In November of nineteen seventy five, a parking attendant claimed

1:10:58.479 --> 1:11:00.680
<v Speaker 3>that Phil pulled a gun on him and told him

1:11:00.720 --> 1:11:03.240
<v Speaker 3>to get the fuck away from me before driving away.

1:11:03.920 --> 1:11:06.720
<v Speaker 3>He pleaded guilty to a misdemeanor brandishing a firearm and

1:11:06.800 --> 1:11:11.479
<v Speaker 3>two years of probation provided he not own any more firearms. Robert,

1:11:11.680 --> 1:11:13.960
<v Speaker 3>can you guess who kept owning firearms?

1:11:14.080 --> 1:11:16.800
<v Speaker 2>I'm gonna guess it's Phil Spector, and I want to

1:11:16.840 --> 1:11:19.639
<v Speaker 2>work remind everybody we talk about him carrying a gun everywhere.

1:11:20.560 --> 1:11:24.040
<v Speaker 2>In this period of time, there weren't really concealed carry

1:11:24.160 --> 1:11:27.000
<v Speaker 2>laws in most places. Like there were some ways if

1:11:27.000 --> 1:11:29.439
<v Speaker 2>you were like a bodyguard for the ways people could

1:11:29.520 --> 1:11:32.760
<v Speaker 2>legally carry concealed guns and cities and stuff, but it

1:11:32.880 --> 1:11:35.639
<v Speaker 2>wasn't like it is today. My point is that Phil

1:11:35.840 --> 1:11:38.880
<v Speaker 2>was committing a felony basically every time he walked out

1:11:38.960 --> 1:11:39.320
<v Speaker 2>the door.

1:11:39.560 --> 1:11:43.360
<v Speaker 3>Yes, from this day on, he is absolutely commanding a

1:11:43.360 --> 1:11:45.280
<v Speaker 3>felony because he's not supposed to be carrying any more guns,

1:11:45.280 --> 1:11:46.760
<v Speaker 3>supposed to have any of them.

1:11:46.920 --> 1:11:52.160
<v Speaker 5>He's not supposed to have any guns. Yeah, so Phil Specter.

1:11:53.640 --> 1:11:56.080
<v Speaker 3>Then in the mid nineteen seventies he starts working with

1:11:56.200 --> 1:12:00.519
<v Speaker 3>Leonard Cohen, right, and this is crazy for everybody in

1:12:00.640 --> 1:12:03.479
<v Speaker 3>the world, right, Yeah, this is like, this is like, uh,

1:12:03.560 --> 1:12:07.599
<v Speaker 3>what's the what's the Jesse Wells, the little folk kid

1:12:07.640 --> 1:12:09.920
<v Speaker 3>that sings in the field. This is like him working

1:12:09.960 --> 1:12:13.439
<v Speaker 3>with Max Martin, right, It's like it's like it's you know,

1:12:13.560 --> 1:12:14.439
<v Speaker 3>it's like what why.

1:12:14.320 --> 1:12:16.800
<v Speaker 5>Would he be with like a pop producer. This doesn't

1:12:16.800 --> 1:12:17.439
<v Speaker 5>make any sense.

1:12:18.080 --> 1:12:21.760
<v Speaker 3>Yeah, So everybody's like already thinks it's kind of strange, right,

1:12:21.800 --> 1:12:24.200
<v Speaker 3>But but Spector thinks like, hey, maybe this will be

1:12:24.320 --> 1:12:28.080
<v Speaker 3>like a really crazy inspired thing. So they make the

1:12:28.160 --> 1:12:31.720
<v Speaker 3>nineteen seventy seven album Death of a Ladies Man. The

1:12:31.880 --> 1:12:36.400
<v Speaker 3>sessions quickly deteriorated into chaos, fueled by Specter's alcohol abuse,

1:12:36.520 --> 1:12:40.719
<v Speaker 3>erratic behavior, and obsession with dominance inside the studio. Cohen

1:12:40.800 --> 1:12:44.880
<v Speaker 3>later described Specter as volatile and deeply intimidating, recounting an

1:12:44.880 --> 1:12:48.479
<v Speaker 3>incident in which Specter allegedly pressed a loaded gun against

1:12:48.560 --> 1:12:51.680
<v Speaker 3>Cohen's head during a recording session and declared, Leonard, I

1:12:51.800 --> 1:12:52.080
<v Speaker 3>love you.

1:12:52.920 --> 1:12:54.920
<v Speaker 5>Cohen responded, I hope you do.

1:12:58.840 --> 1:13:02.880
<v Speaker 3>All these rock stars have the coolest responses to Phil

1:13:02.960 --> 1:13:04.200
<v Speaker 3>Spector putting a gun.

1:13:04.080 --> 1:13:06.920
<v Speaker 2>To their head funny, yeah, I And honestly, of all

1:13:07.040 --> 1:13:09.519
<v Speaker 2>the rock stars I expected to be cool with a

1:13:09.600 --> 1:13:13.679
<v Speaker 2>pistol pointed at their fucking skull. List of the list, Yeah, yeah.

1:13:13.800 --> 1:13:18.439
<v Speaker 3>Yeah. In another incident, Spector pulled a gun on the

1:13:18.520 --> 1:13:22.760
<v Speaker 3>violin player Bobby Bruce. Uh, which, by the way, the

1:13:23.080 --> 1:13:26.959
<v Speaker 3>violin player like, yeah, I pulled I pulled.

1:13:26.720 --> 1:13:29.240
<v Speaker 5>A gun on the guy. Yeah I was.

1:13:29.439 --> 1:13:30.680
<v Speaker 3>I was pulling a gun on.

1:13:30.760 --> 1:13:32.200
<v Speaker 5>A daycare teacher.

1:13:32.320 --> 1:13:35.639
<v Speaker 3>Man. Like you're like the most innocent person you can find.

1:13:36.040 --> 1:13:38.800
<v Speaker 3>It's like, there's extra bad that you're this guy went

1:13:38.840 --> 1:13:39.719
<v Speaker 3>to school man.

1:13:39.720 --> 1:13:43.200
<v Speaker 2>It's like a gang enhancement thing on your sentence saying well, no,

1:13:43.320 --> 1:13:44.920
<v Speaker 2>you pulled a gun on a violinist.

1:13:45.000 --> 1:13:46.240
<v Speaker 3>That's an extra five years.

1:13:46.720 --> 1:13:49.840
<v Speaker 5>Yes, yes, absolutely so.

1:13:50.240 --> 1:13:53.679
<v Speaker 3>Uh. Spector took control of the final mixes and didn't

1:13:53.680 --> 1:13:55.840
<v Speaker 3>even allow Leonard Cohen to hear them. He didn't allow

1:13:55.920 --> 1:13:56.519
<v Speaker 3>him to be present.

1:13:56.880 --> 1:13:57.400
<v Speaker 4>He uh.

1:13:57.840 --> 1:14:01.400
<v Speaker 3>He layers all of his sounds into it and over

1:14:01.520 --> 1:14:04.200
<v Speaker 3>Cohen's stripped down songwriting, which is what he is known for,

1:14:05.520 --> 1:14:08.280
<v Speaker 3>and they made a record that Cohen doesn't even stand

1:14:08.320 --> 1:14:10.800
<v Speaker 3>on himself. He doesn't think that that it's very good.

1:14:11.240 --> 1:14:13.920
<v Speaker 3>But Coen said of this of his time with Phil

1:14:14.040 --> 1:14:18.440
<v Speaker 3>quote in that state he found himself, which was post wagonarian,

1:14:18.560 --> 1:14:20.160
<v Speaker 3>I would say hit Lariyan.

1:14:20.720 --> 1:14:23.960
<v Speaker 5>The atmosphere was one of guns. I mean, that's really

1:14:24.040 --> 1:14:24.920
<v Speaker 5>what was going on?

1:14:25.760 --> 1:14:30.880
<v Speaker 3>Guns? The music was subsidiary an enterprise. People were armed

1:14:30.920 --> 1:14:34.479
<v Speaker 3>to the teeth and everybody was drunk or intoxicated on

1:14:34.640 --> 1:14:37.840
<v Speaker 3>other items. So you were slipping over bullets and biting

1:14:37.880 --> 1:14:41.760
<v Speaker 3>into revolvers in your hamburger. There were guns everywhere.

1:14:43.040 --> 1:14:45.120
<v Speaker 2>Right, That's one of those things where I have to

1:14:45.240 --> 1:14:48.800
<v Speaker 2>assume that's like a joke for flavor, but also.

1:14:50.160 --> 1:14:53.440
<v Speaker 3>A hamburger.

1:14:53.680 --> 1:14:56.240
<v Speaker 5>Somebody was like, hey, hey.

1:14:56.600 --> 1:14:58.680
<v Speaker 2>Revolvers and some big hamburgers.

1:14:58.960 --> 1:14:59.920
<v Speaker 5>Hey, hey, Leonard, I I.

1:15:00.080 --> 1:15:04.000
<v Speaker 3>Got you a hamburger? Oh cool, thanks man? What what

1:15:05.280 --> 1:15:09.960
<v Speaker 3>what is going on here? When it was released in

1:15:10.080 --> 1:15:12.720
<v Speaker 3>nineteen seventy eight, it was critically panned. Everybody hated it.

1:15:13.000 --> 1:15:15.880
<v Speaker 3>Spector claimed, and this is one thing I love about

1:15:15.880 --> 1:15:18.640
<v Speaker 3>Phil Spector is anytime you ship talk Phil Spector, he

1:15:18.720 --> 1:15:21.000
<v Speaker 3>will ship talk back and say like, yeah, I got

1:15:21.240 --> 1:15:23.280
<v Speaker 3>I got hate mail from all eight of your fans.

1:15:26.280 --> 1:15:29.600
<v Speaker 3>It's just so so disrespectful. Yeah oh yeah, yeah, you

1:15:29.720 --> 1:15:31.200
<v Speaker 3>guys really love it, all eight of them.

1:15:31.600 --> 1:15:32.760
<v Speaker 2>Yeah yeah, yeah.

1:15:35.080 --> 1:15:40.080
<v Speaker 3>So well, he's cultivating this brilliant and eccentric producer. His

1:15:40.240 --> 1:15:43.080
<v Speaker 3>in his family home is is horrible. He treats his

1:15:43.200 --> 1:15:47.680
<v Speaker 3>kids horrible. Uh he uh oh real quick. When I

1:15:47.800 --> 1:15:50.719
<v Speaker 3>was mentioning the Barney Kessel kids, Dan and Dan and David,

1:15:51.000 --> 1:15:52.800
<v Speaker 3>how old did you get the sense that they were

1:15:55.360 --> 1:15:56.320
<v Speaker 3>you know, they're hanging out.

1:15:56.320 --> 1:15:58.800
<v Speaker 5>They're driving around shooting shotguns out of cat like.

1:16:00.240 --> 1:16:05.640
<v Speaker 3>Yeah, late teens, early twenties, eleven and thirteen. Oh no,

1:16:08.840 --> 1:16:12.080
<v Speaker 3>why is he hanging out? When I was reading this,

1:16:12.400 --> 1:16:14.960
<v Speaker 3>I was like, this is wild man, Like, this is crazy.

1:16:15.080 --> 1:16:16.679
<v Speaker 5>Like he's hanging out with these like teenagers.

1:16:16.720 --> 1:16:19.160
<v Speaker 3>I got them like same thing, like seventeen eighteen, something

1:16:19.240 --> 1:16:21.879
<v Speaker 3>like that, maybe even early twenties. The way they're referencing

1:16:21.920 --> 1:16:24.360
<v Speaker 3>the things that they're doing, the drive around, shooting guns,

1:16:24.400 --> 1:16:25.519
<v Speaker 3>they're going they're.

1:16:25.439 --> 1:16:27.360
<v Speaker 5>Hanging out together, right Yeah?

1:16:27.479 --> 1:16:29.679
<v Speaker 3>No, I looked it up and his kids were born

1:16:29.760 --> 1:16:32.080
<v Speaker 3>in like in like the late sixties and they were

1:16:32.120 --> 1:16:36.879
<v Speaker 3>like eleven and twelve years old. That's go crazy. Meanwhile,

1:16:37.040 --> 1:16:41.320
<v Speaker 3>he's treating his own kids horribly. They have the Governess

1:16:41.439 --> 1:16:43.600
<v Speaker 3>is always on them. They don't they're not allowed to

1:16:43.680 --> 1:16:47.519
<v Speaker 3>do anything. Uh, And he's very rarely involved in any

1:16:47.600 --> 1:16:52.280
<v Speaker 3>actual parenting except for when he is forcing them to

1:16:52.520 --> 1:16:57.040
<v Speaker 3>simulate sexual acts on women so that they learn.

1:16:57.400 --> 1:16:58.320
<v Speaker 5>How to be men.

1:17:00.360 --> 1:17:04.360
<v Speaker 3>Yike, one of those kinds huh, yikes. He's doing the

1:17:04.439 --> 1:17:06.960
<v Speaker 3>classic like no, get over there and do it, brings

1:17:07.000 --> 1:17:09.240
<v Speaker 3>a girl home from the strip or whatever, and it's

1:17:09.280 --> 1:17:12.240
<v Speaker 3>like lay down and like takes control of the whole thing,

1:17:12.400 --> 1:17:15.639
<v Speaker 3>and like is making them simulate. They all report having

1:17:15.720 --> 1:17:16.320
<v Speaker 3>gone through this.

1:17:16.880 --> 1:17:19.920
<v Speaker 2>And is that I wonder is that more out of

1:17:20.040 --> 1:17:23.560
<v Speaker 2>like a him wanting power, him getting off on it,

1:17:23.800 --> 1:17:26.439
<v Speaker 2>or just him being such a narcissist that like, if

1:17:26.479 --> 1:17:28.800
<v Speaker 2>my kids are bad at sex, it reflects badly on me.

1:17:28.920 --> 1:17:31.120
<v Speaker 3>So I'm gonna make goddamn sure they know what they're doing,

1:17:31.800 --> 1:17:35.439
<v Speaker 3>you know. Very fairly. His kids kind of stayed out

1:17:35.479 --> 1:17:38.960
<v Speaker 3>of the line, and they don't talk about a lot

1:17:39.000 --> 1:17:41.360
<v Speaker 3>of this stuff. And I did see a few interviews

1:17:41.400 --> 1:17:44.519
<v Speaker 3>with them, like they resurface in later years, and one

1:17:44.560 --> 1:17:46.360
<v Speaker 3>of them tries to write like a book, I think,

1:17:46.600 --> 1:17:49.320
<v Speaker 3>but it never gets off the ground. But it basically

1:17:49.400 --> 1:17:53.640
<v Speaker 3>whenever like the dirt comes out, it's He's horrible to them.

1:17:53.720 --> 1:17:55.719
<v Speaker 3>He treats them the same way as he treated Ronnie's

1:17:55.720 --> 1:17:59.080
<v Speaker 3>threatening them all the time, He's making them do crazy stuff.

1:18:00.640 --> 1:18:05.240
<v Speaker 3>They all developed lifelong issues with trust, identity, and emotional stability.

1:18:06.680 --> 1:18:10.800
<v Speaker 3>It's just it's not there's no guidance. It's all performance

1:18:10.840 --> 1:18:12.120
<v Speaker 3>and it's all possession.

1:18:12.400 --> 1:18:12.519
<v Speaker 6>Right.

1:18:14.280 --> 1:18:16.679
<v Speaker 3>When John Lennon was murdered in cold blood in front

1:18:16.680 --> 1:18:19.000
<v Speaker 3>of the Dakota Building in New York City on December eighth,

1:18:19.080 --> 1:18:22.320
<v Speaker 3>nineteen eighty, Phil was once again thrown into a world

1:18:22.560 --> 1:18:24.960
<v Speaker 3>of depression. But this time he took it as a sign.

1:18:25.000 --> 1:18:28.880
<v Speaker 3>He always said that John moved too easy, John was

1:18:28.960 --> 1:18:32.640
<v Speaker 3>too careless with how he acted, and it would be

1:18:32.760 --> 1:18:36.000
<v Speaker 3>his downfall one day, and this just reaffirms it for him,

1:18:36.160 --> 1:18:39.920
<v Speaker 3>like he's going to get killed if he doesn't travel

1:18:39.960 --> 1:18:42.760
<v Speaker 3>with bodyguards and guns and all that stuff. So right,

1:18:45.040 --> 1:18:48.599
<v Speaker 3>by the nineteen eighties, he starts withdrawing from public life.

1:18:49.160 --> 1:18:53.120
<v Speaker 3>He moves out of his Hollywood mansion and bought a

1:18:53.200 --> 1:18:58.160
<v Speaker 3>house in the suburb of Alhambra he dubbed the Pyrenees Castle. Okay,

1:18:59.400 --> 1:19:02.280
<v Speaker 3>it's a huge French style mansion. Is enormous, Like it's

1:19:02.280 --> 1:19:05.040
<v Speaker 3>out in Alhambra, you know, it's out of the city

1:19:05.080 --> 1:19:08.880
<v Speaker 3>of Los Angeles. He he you know, as was his style.

1:19:08.920 --> 1:19:11.240
<v Speaker 3>He surrounds himself with guard dogs and armed guards and

1:19:11.320 --> 1:19:14.080
<v Speaker 3>fills the house with guns, guns that he's not allowed

1:19:14.080 --> 1:19:19.080
<v Speaker 3>to have legal guns. Sure, so for a brief period

1:19:19.200 --> 1:19:23.160
<v Speaker 3>specter attempted sobriety and acquaintance describe him as calmer and

1:19:23.280 --> 1:19:26.840
<v Speaker 3>more reflective. The stability, though, is temporary. He every time

1:19:26.920 --> 1:19:30.439
<v Speaker 3>he relaps, he gets crazy again. And I think a

1:19:30.560 --> 1:19:33.040
<v Speaker 3>large part of this stability was due to his relationship

1:19:33.120 --> 1:19:36.639
<v Speaker 3>with Janie Savala. Phil first met her in the sixties

1:19:36.680 --> 1:19:39.240
<v Speaker 3>when she was a teenager and eventually hired her to

1:19:39.320 --> 1:19:41.560
<v Speaker 3>work for his label after his split with Ronnie. He

1:19:41.560 --> 1:19:43.280
<v Speaker 3>would date her on and off again for the next

1:19:43.320 --> 1:19:46.240
<v Speaker 3>like fifteen twenty years, and eventually he would give birth.

1:19:46.720 --> 1:19:49.559
<v Speaker 3>He would She would give birth to two twins, Nicole

1:19:49.600 --> 1:19:53.200
<v Speaker 3>and Phillip Junior, and contrary to his relationships with his

1:19:53.360 --> 1:19:54.040
<v Speaker 3>other kids, who.

1:19:53.920 --> 1:19:57.919
<v Speaker 5>Are now adults at this point, Phil treated him wonderfully.

1:19:58.439 --> 1:20:00.519
<v Speaker 3>His daughter Nicole says that you know, he was a

1:20:00.600 --> 1:20:03.160
<v Speaker 3>doting father, that he loves spending time with him, that

1:20:03.920 --> 1:20:07.120
<v Speaker 3>he was always around for his kids. But in nineteen

1:20:07.200 --> 1:20:10.960
<v Speaker 3>ninety one, this is now well removed from his music career.

1:20:11.040 --> 1:20:13.200
<v Speaker 3>In the In the late fifties, early sixties and into

1:20:13.240 --> 1:20:18.559
<v Speaker 3>the seventies, Philip Junior dies from leukemia and Phil phil

1:20:18.640 --> 1:20:22.559
<v Speaker 3>goes back into deep depression insanity. Yeah, well, of course,

1:20:23.600 --> 1:20:25.640
<v Speaker 3>Nicole remains devoted to her father throughout the rest of

1:20:25.680 --> 1:20:28.160
<v Speaker 3>her life, always claiming that he was her hero. He

1:20:28.280 --> 1:20:31.400
<v Speaker 3>never raised her voice to her, she says he was amazing. Yeah.

1:20:32.240 --> 1:20:36.400
<v Speaker 3>Phil rarely grants any interviews. He remains a recluse, rarely

1:20:36.479 --> 1:20:39.120
<v Speaker 3>leaving the house and never without a bodyguard. He hired

1:20:39.200 --> 1:20:41.240
<v Speaker 3>Hal Blaine, who's the drummer from the wrecking crew that

1:20:41.280 --> 1:20:44.439
<v Speaker 3>he had employed. He hired his daughter to be his

1:20:45.280 --> 1:20:48.439
<v Speaker 3>day to day you know, manager or whatever, and was

1:20:48.560 --> 1:20:52.240
<v Speaker 3>generally pretty kind to her. And everything set for Phil

1:20:52.280 --> 1:20:54.679
<v Speaker 3>to just ride off into the sunset and be forgotten

1:20:54.800 --> 1:21:00.920
<v Speaker 3>as as nobody's right, until Mick Brown shows up in

1:21:00.960 --> 1:21:03.200
<v Speaker 3>his life. Mick Brown is the author of the book

1:21:03.280 --> 1:21:06.120
<v Speaker 3>that I was describing that I got the primary source

1:21:06.240 --> 1:21:08.200
<v Speaker 3>from all of this. Mick Brown's book is one of

1:21:08.240 --> 1:21:14.839
<v Speaker 3>the most authoritive biographies on Phil Spector. It is brilliant,

1:21:14.920 --> 1:21:17.879
<v Speaker 3>it has everything. It's a very good book. I highly recommend.

1:21:17.880 --> 1:21:20.519
<v Speaker 3>He's the primary source of my research, and he's probably

1:21:20.520 --> 1:21:22.040
<v Speaker 3>one of them besides me, probably one of the most

1:21:22.160 --> 1:21:25.439
<v Speaker 3>knowledgeable people on Phil Spector in the world. And he

1:21:25.800 --> 1:21:28.880
<v Speaker 3>managed to get an interview with Spector in December of

1:21:28.960 --> 1:21:32.360
<v Speaker 3>two thousand and two. He recorded the entire interview on tapes,

1:21:32.360 --> 1:21:34.600
<v Speaker 3>and they painted a picture of a deeply troubled and

1:21:34.680 --> 1:21:38.040
<v Speaker 3>eccentric man who was likely suffering from mental illness. His

1:21:38.240 --> 1:21:41.439
<v Speaker 3>article was titled the Mad Genius of Phil Spector and

1:21:41.640 --> 1:21:44.320
<v Speaker 3>questioning whether the madness was part of the genius or

1:21:44.439 --> 1:21:47.000
<v Speaker 3>just something that had gone unchecked because of his genius.

1:21:47.600 --> 1:21:50.519
<v Speaker 3>It was a deeply intelligent and honest look at Phil's life,

1:21:50.800 --> 1:21:54.920
<v Speaker 3>which angered Phil. He broke what many said was a

1:21:55.200 --> 1:21:59.240
<v Speaker 3>decade of sobriety and began drinking and acting erradically again.

1:22:01.080 --> 1:22:03.960
<v Speaker 3>On February second, two thousand and three, just a week

1:22:04.080 --> 1:22:06.519
<v Speaker 3>two weeks after the article came out, Phil Spector began

1:22:06.600 --> 1:22:09.479
<v Speaker 3>his evening at dantanna As, a long standing Hollywood restaurant

1:22:09.520 --> 1:22:13.519
<v Speaker 3>and bar known for attracting entertainment industry regulars. He took

1:22:13.600 --> 1:22:15.799
<v Speaker 3>a high school friend out for dinner and began drinking

1:22:15.880 --> 1:22:19.160
<v Speaker 3>heavily before taking her home and then returning to Dantanna's

1:22:19.200 --> 1:22:21.280
<v Speaker 3>and starting to drink with his waitress from the night.

1:22:22.000 --> 1:22:25.560
<v Speaker 3>Oh boy, he was heavily intoxicated by the time he

1:22:25.640 --> 1:22:26.679
<v Speaker 3>left for the House of Blues.

1:22:27.200 --> 1:22:29.160
<v Speaker 2>When you when you leave with your friend and then

1:22:29.240 --> 1:22:32.120
<v Speaker 2>come back to keep drinking with the waitress. That's that's

1:22:32.439 --> 1:22:34.479
<v Speaker 2>that implies a level of drunk that is.

1:22:34.880 --> 1:22:41.360
<v Speaker 3>Yeah, but if but if you're gonna do it, hit

1:22:41.439 --> 1:22:43.680
<v Speaker 3>the Troubadoor for a little bit. Yeah, it's a good

1:22:43.760 --> 1:22:44.519
<v Speaker 3>night baby.

1:22:45.320 --> 1:22:45.880
<v Speaker 8>So uh.

1:22:46.160 --> 1:22:49.080
<v Speaker 3>It was then that he would begin his fateful interaction

1:22:49.240 --> 1:22:51.920
<v Speaker 3>with the hostess of the Foundation Room in the House

1:22:52.000 --> 1:22:56.479
<v Speaker 3>of Blues, Lana Clarkson. And this is the end of

1:22:56.600 --> 1:23:00.120
<v Speaker 3>this episode. We we are about to get in to

1:23:00.280 --> 1:23:04.160
<v Speaker 3>one of the most storied and important nights in musical history.

1:23:05.160 --> 1:23:08.960
<v Speaker 3>But for now, we are gonna plug our plugables, which

1:23:09.320 --> 1:23:14.040
<v Speaker 3>I have a podcast. It's about music stuff. It's the

1:23:14.120 --> 1:23:17.760
<v Speaker 3>most poorly produced podcast in the entire world. We need

1:23:17.840 --> 1:23:22.000
<v Speaker 3>a Sophie so bad, like we would crush with a Sophie,

1:23:22.040 --> 1:23:24.600
<v Speaker 3>but we are incapable of doing things ourselves, so we

1:23:24.760 --> 1:23:26.479
<v Speaker 3>just forget to do it. But I do have a podcast,

1:23:26.520 --> 1:23:28.960
<v Speaker 3>it's called that Sounds About right. I have a recording

1:23:29.040 --> 1:23:31.840
<v Speaker 3>course that teaches you the principles recording. And I have

1:23:32.040 --> 1:23:34.760
<v Speaker 3>a label And by the time this song comes out,

1:23:34.800 --> 1:23:37.920
<v Speaker 3>our very first artist on the label, we'll release her single,

1:23:38.400 --> 1:23:40.920
<v Speaker 3>So please check that shit out. Her name is Violet

1:23:41.040 --> 1:23:42.960
<v Speaker 3>Lux de Link will be in my bio, greasy will

1:23:43.080 --> 1:23:45.360
<v Speaker 3>on Instagram, It'll be all over the place. But I

1:23:45.520 --> 1:23:47.720
<v Speaker 3>am a rebel of the music industry and I need

1:23:47.760 --> 1:23:51.759
<v Speaker 3>your support, so love and care for me. And also

1:23:52.000 --> 1:23:55.960
<v Speaker 3>you are on all sorts of the internets as I write, okay,

1:23:56.520 --> 1:24:05.280
<v Speaker 3>and you also sell merch at places some probably we're both.

1:24:06.200 --> 1:24:09.920
<v Speaker 3>We're both googleble just be an adult and use Google

1:24:10.000 --> 1:24:12.799
<v Speaker 3>man get those. Do you know what I think is interesting?

1:24:12.840 --> 1:24:16.360
<v Speaker 3>Everybody keeps discussing about how uh you know, chatch ept

1:24:16.560 --> 1:24:18.599
<v Speaker 3>uses like a tablespoon or a teaspoon of water every

1:24:18.640 --> 1:24:22.200
<v Speaker 3>time you search. Nobody is mentioning that Google is automatically

1:24:22.840 --> 1:24:26.240
<v Speaker 3>using AI to search your answers. So Googling now is

1:24:26.280 --> 1:24:28.400
<v Speaker 3>also using that same amount of water. Let's be mad

1:24:28.439 --> 1:24:29.080
<v Speaker 3>about everything.

1:24:29.560 --> 1:24:33.040
<v Speaker 2>Type in minus AI with your Google searches and it'll

1:24:33.120 --> 1:24:34.680
<v Speaker 2>cut that part of it out. I don't know if

1:24:34.680 --> 1:24:37.080
<v Speaker 2>it actually reduces the energy usage, but at least you

1:24:37.120 --> 1:24:38.640
<v Speaker 2>don't have to see the summary.

1:24:41.120 --> 1:24:44.439
<v Speaker 3>And keep your yeah, and it knows everything you're doing.

1:24:44.600 --> 1:24:49.040
<v Speaker 2>So that's why I say, that's right, that's right. I

1:24:49.120 --> 1:24:52.040
<v Speaker 2>still use Netscape Navigator. It does not work.

1:24:52.120 --> 1:24:57.000
<v Speaker 3>Well, That's what I'm relying on is my technology being

1:24:57.040 --> 1:25:00.639
<v Speaker 3>too outdated to spy on me. That's right, the secret

1:25:01.160 --> 1:25:03.600
<v Speaker 3>old Mozilla fires the end of the This is the

1:25:03.840 --> 1:25:07.839
<v Speaker 3>end of the episode. Guys, We're Doug. Goodbye.

1:25:11.040 --> 1:25:13.599
<v Speaker 2>Behind the Bastards is a production of cool Zone Media.

1:25:13.760 --> 1:25:16.960
<v Speaker 2>For more from cool Zone Media, visit our website Coolzonemedia

1:25:17.000 --> 1:25:19.639
<v Speaker 2>dot com or check us out on the iHeartRadio app,

1:25:19.720 --> 1:25:22.240
<v Speaker 2>Apple Podcasts, or wherever you get your podcasts.

1:25:23.040 --> 1:25:25.679
<v Speaker 3>Full video episodes, but Behind the Bastards are now streaming

1:25:25.720 --> 1:25:27.920
<v Speaker 3>on Netflix, dropping every Tuesday and Thursday.

1:25:28.280 --> 1:25:29.479
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1:25:29.600 --> 1:25:30.719
<v Speaker 3>You don't miss an episode.

1:25:31.200 --> 1:25:34.240
<v Speaker 2>For clips in our older episode catalog, continue to subscribe

1:25:34.280 --> 1:25:37.479
<v Speaker 2>to our YouTube channel YouTube dot com slash at Behind

1:25:37.479 --> 1:25:41.920
<v Speaker 2>the Bastards. We love about forty percent of you, statistically speaking,