1 00:00:01,800 --> 00:00:04,479 Speaker 1: And That's what You Really Missed with Jenna. 2 00:00:04,559 --> 00:00:07,160 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,560 --> 00:00:12,119 Speaker 1: Welcome to and That's What You Really Missed podcast. 4 00:00:12,119 --> 00:00:19,480 Speaker 2: I'm Jenna, I am Kevin. So today we have season three, 5 00:00:19,520 --> 00:00:24,040 Speaker 2: episode four, Pot of Gold, that originally aired on November first, 6 00:00:24,239 --> 00:00:29,520 Speaker 2: twenty eleven. There was a four week break between the 7 00:00:29,600 --> 00:00:33,680 Speaker 2: last episode and this episode. But we have one of 8 00:00:33,680 --> 00:00:37,040 Speaker 2: the sweetest people in the world who joins the Glee 9 00:00:37,120 --> 00:00:42,680 Speaker 2: cast of this episode, one Damian McGinty, straight from the 10 00:00:42,680 --> 00:00:50,080 Speaker 2: Glee Project on over to the og Glee and our 11 00:00:50,080 --> 00:00:50,880 Speaker 2: lives are changed. 12 00:00:51,159 --> 00:00:54,360 Speaker 1: What a sweeting happened, right, I just can't even imagine. 13 00:00:54,360 --> 00:00:57,000 Speaker 1: I was watching, like how hard that must have been 14 00:00:57,000 --> 00:00:59,000 Speaker 1: for him to come from the Glee Project and come 15 00:00:59,040 --> 00:01:01,520 Speaker 1: onto our show at the height were you know, in 16 00:01:01,560 --> 00:01:04,560 Speaker 1: our three hundred the musical performance, like there was just 17 00:01:04,600 --> 00:01:08,160 Speaker 1: a lot, we were huge and and that's a lot 18 00:01:08,160 --> 00:01:10,080 Speaker 1: for somebody. But he came in with such grace and 19 00:01:10,120 --> 00:01:12,280 Speaker 1: he was just so sweet and we just loved him, 20 00:01:12,520 --> 00:01:17,560 Speaker 1: I know. So he was the best, the best, and 21 00:01:18,440 --> 00:01:22,479 Speaker 1: this episode he was oh this was his episode. Yeah, 22 00:01:22,560 --> 00:01:24,759 Speaker 1: I mean it is pot of Gold, yeah, right. 23 00:01:24,680 --> 00:01:27,000 Speaker 2: It's named after him. 24 00:01:27,800 --> 00:01:31,320 Speaker 1: This episode was directed by our friend Adam Shankman, and 25 00:01:31,440 --> 00:01:35,759 Speaker 1: we love so so very much. There was a lot 26 00:01:35,800 --> 00:01:39,560 Speaker 1: happening around the episode and in the world. 27 00:01:39,959 --> 00:01:43,120 Speaker 2: Yes, I mean Adele was back and bigger than ever. 28 00:01:43,160 --> 00:01:45,639 Speaker 2: She had the number one song in the country, Someone 29 00:01:45,720 --> 00:01:47,960 Speaker 2: Like You, which will be featured in a couple episodes. 30 00:01:48,200 --> 00:01:51,960 Speaker 1: Thank goodness for one of the best songs ever. The 31 00:01:52,040 --> 00:01:54,360 Speaker 1: number one movie was Puss and Boots, which I have 32 00:01:54,480 --> 00:01:54,960 Speaker 1: not seen. 33 00:01:56,120 --> 00:01:59,000 Speaker 2: You've never seen Puss in Boots? No, actually I think 34 00:01:59,040 --> 00:02:04,480 Speaker 2: I have either. So on October twenty sixth, a couple 35 00:02:04,440 --> 00:02:07,280 Speaker 2: of days before this air, the cast and crew celebrated 36 00:02:07,320 --> 00:02:15,360 Speaker 2: Glee's three hundredth musical performance Damn Girl, Damn Same. It 37 00:02:15,400 --> 00:02:18,120 Speaker 2: was during the rumor has it someone Like You filming? 38 00:02:18,560 --> 00:02:19,040 Speaker 1: I remember? 39 00:02:19,280 --> 00:02:21,960 Speaker 2: Actually yeah I did too. So they were all there. 40 00:02:22,000 --> 00:02:27,040 Speaker 2: There's pictures of it. Rob Stringer came, the head of Columbia. 41 00:02:27,360 --> 00:02:28,200 Speaker 1: We got our plagues. 42 00:02:28,520 --> 00:02:31,239 Speaker 2: Dana came, was that of Disney. 43 00:02:31,639 --> 00:02:34,280 Speaker 1: Everybody was there. All of our creators were there. Everybody 44 00:02:34,360 --> 00:02:39,240 Speaker 1: was there. Basic one, yeah, Big one, so special, well, 45 00:02:40,080 --> 00:02:44,720 Speaker 1: three hundred and I don't know, five hundred something together? 46 00:02:44,919 --> 00:02:46,359 Speaker 2: Did we know we weren't even halfway? 47 00:02:46,720 --> 00:02:50,680 Speaker 1: Yeah, yeah, exactly, Okay, let's talk about this episode. 48 00:02:50,720 --> 00:02:53,399 Speaker 2: Okay, there's quite a few songs. 49 00:02:53,320 --> 00:02:58,040 Speaker 3: Very very eclectic. Yes, group Amian gets two solos, he does. 50 00:02:59,160 --> 00:03:04,040 Speaker 3: There's a lot of a variety, yes, okay. In music Okay, 51 00:03:04,360 --> 00:03:05,200 Speaker 3: we have a muppet. 52 00:03:06,440 --> 00:03:09,000 Speaker 2: Yeah, we have being Green originally something by Kermit the 53 00:03:09,000 --> 00:03:15,600 Speaker 2: Frog Last Friday Night, which was a very meta thing happening, 54 00:03:15,880 --> 00:03:19,520 Speaker 2: very meta because Darren and I were in the music 55 00:03:19,600 --> 00:03:23,480 Speaker 2: video original music video, we have waiting for a Girl 56 00:03:23,600 --> 00:03:28,680 Speaker 2: like you, candy Man and take care of yourself. 57 00:03:28,840 --> 00:03:32,280 Speaker 1: Right this episode. I have some memories and some not 58 00:03:34,320 --> 00:03:41,360 Speaker 1: non memories. I remember Damien coming in and watching him 59 00:03:41,400 --> 00:03:49,000 Speaker 1: do his solo. I remember Brittany thinking he was a leprechaun. 60 00:03:49,560 --> 00:03:51,960 Speaker 1: That was very That was the main thing that I 61 00:03:52,000 --> 00:03:58,320 Speaker 1: remembered when this episode popped out. Yeah, but did you guys? 62 00:03:58,360 --> 00:04:00,960 Speaker 1: You guys had done the music video ready for Katy Perry. 63 00:04:01,840 --> 00:04:05,960 Speaker 2: Yes, okay, we had done that, and then I remember 64 00:04:06,080 --> 00:04:08,680 Speaker 2: hearing that the song was going to be in it 65 00:04:09,360 --> 00:04:12,000 Speaker 2: and Darren was originally singing all of it. I mean, 66 00:04:12,040 --> 00:04:15,040 Speaker 2: he basically did. I was like, you guys, you do 67 00:04:15,160 --> 00:04:19,480 Speaker 2: realize that we were both in the music video and 68 00:04:19,520 --> 00:04:22,040 Speaker 2: I was in the music video A lot you're like, 69 00:04:22,160 --> 00:04:24,680 Speaker 2: oh yeah. So then they added me to like a 70 00:04:24,680 --> 00:04:27,360 Speaker 2: little thing just so they could say that you guys 71 00:04:27,440 --> 00:04:29,160 Speaker 2: were the two people that were in the video were 72 00:04:29,160 --> 00:04:33,200 Speaker 2: also singing the song. But you didn't really sing no, 73 00:04:33,640 --> 00:04:36,200 Speaker 2: I know, I sing like an octave on like the 74 00:04:36,240 --> 00:04:37,040 Speaker 2: prehook or something. 75 00:04:37,080 --> 00:04:39,720 Speaker 1: And he really likes her. Glee people, she did. 76 00:04:39,800 --> 00:04:41,800 Speaker 2: Yeah, we co hosted the Teen Choice Awards with her. 77 00:04:42,240 --> 00:04:44,600 Speaker 1: I did her music video much much later you did. 78 00:04:44,720 --> 00:04:46,000 Speaker 2: That was a great video, by the way. 79 00:04:46,080 --> 00:04:47,800 Speaker 1: That was a fun video. I liked that one. That 80 00:04:47,880 --> 00:04:48,440 Speaker 1: was fun to do. 81 00:04:48,720 --> 00:04:50,239 Speaker 2: She also had to make a music video. 82 00:04:50,520 --> 00:04:55,920 Speaker 1: Oh yes, she does budget, honey, Yes she does budget. Okay, 83 00:04:56,480 --> 00:05:00,520 Speaker 1: we've got uh, we've got our new Irish friend. Damien 84 00:05:00,680 --> 00:05:04,000 Speaker 1: as Rory Flanagan. Agima Menzel is back because she is 85 00:05:04,040 --> 00:05:06,760 Speaker 1: doing the Trouble Tones and there's a whole storyline with Beth, 86 00:05:08,640 --> 00:05:13,760 Speaker 1: which again I just can we just put that storyline 87 00:05:13,760 --> 00:05:13,920 Speaker 1: to it. 88 00:05:14,920 --> 00:05:17,279 Speaker 2: We'll get into that. I have a lot of thoughts, 89 00:05:17,360 --> 00:05:20,960 Speaker 2: so okay, some fun facts, okay. Damien McGuinty was one 90 00:05:20,960 --> 00:05:23,400 Speaker 2: of the two winners of the first season of The 91 00:05:23,400 --> 00:05:26,280 Speaker 2: Glee Project, which was if you won, you got a 92 00:05:26,320 --> 00:05:31,200 Speaker 2: seven episode recurring character, Big Big, Glee. That's huge, that's 93 00:05:31,200 --> 00:05:35,560 Speaker 2: a third of a season. Obviously, this is his first episode. 94 00:05:36,240 --> 00:05:38,919 Speaker 2: Ryan revealed that on Damien's for State filming that he 95 00:05:39,120 --> 00:05:42,520 Speaker 2: was shoved into a locker twenty five times and that 96 00:05:42,640 --> 00:05:44,480 Speaker 2: on his first take in his first song, the crew 97 00:05:44,480 --> 00:05:45,480 Speaker 2: gave him a huge ovation. 98 00:05:45,720 --> 00:05:49,680 Speaker 1: Oh that wasn't made him feel good. Yeah, he's the sweetest, 99 00:05:50,080 --> 00:05:53,599 Speaker 1: just so nice. This episode was written in co by 100 00:05:53,720 --> 00:05:56,960 Speaker 1: co executive producer Ali Adler, who became one of our 101 00:05:56,960 --> 00:06:00,520 Speaker 1: great friends. And it was the first episode not to 102 00:06:00,560 --> 00:06:04,520 Speaker 1: be well officially you know, on the actual script by 103 00:06:04,600 --> 00:06:09,279 Speaker 1: any of the main three m Big Day, Big Day. 104 00:06:09,760 --> 00:06:10,839 Speaker 2: Yeah. 105 00:06:10,960 --> 00:06:15,640 Speaker 1: This was also the second episode directed by Adam Shankman, 106 00:06:15,720 --> 00:06:19,720 Speaker 1: who did Rocky Horror and He'll come Back a few times. 107 00:06:20,960 --> 00:06:26,080 Speaker 1: And Adam started working on this episode on September second, 108 00:06:27,080 --> 00:06:33,000 Speaker 1: and filming ended on the twenty second. This episode in 109 00:06:33,080 --> 00:06:36,839 Speaker 1: Asian F were shot in parallel for several days until 110 00:06:37,040 --> 00:06:42,760 Speaker 1: Asian F finished musical finale on September sixteenth. I remember that. 111 00:06:43,040 --> 00:06:46,880 Speaker 2: One of the first times we started parallel shooting, yes, 112 00:06:46,960 --> 00:06:48,240 Speaker 2: in current shooting. 113 00:06:48,160 --> 00:06:52,840 Speaker 1: Well, and when we say parallel shooting, that means whoever's 114 00:06:52,839 --> 00:06:55,760 Speaker 1: not working on one episode is probably shooting on the 115 00:06:55,760 --> 00:06:59,320 Speaker 1: other set for another. So there's double cruise. So if 116 00:06:59,360 --> 00:07:03,840 Speaker 1: you're on whichever episode our normal crew was on, you'd 117 00:07:03,880 --> 00:07:07,400 Speaker 1: have an extra crew that would come in for that 118 00:07:07,600 --> 00:07:10,440 Speaker 1: time to do it. So we didn't have our normal camera. 119 00:07:10,160 --> 00:07:12,320 Speaker 2: People, well, they would split them up. So you have 120 00:07:12,360 --> 00:07:15,480 Speaker 2: an A camera and a B camera, and usually the 121 00:07:15,520 --> 00:07:17,920 Speaker 2: B camera on the normal crew would become the A camera. 122 00:07:18,160 --> 00:07:21,520 Speaker 1: Dwayne would go over and be a camera. We love Dayne. 123 00:07:21,560 --> 00:07:24,640 Speaker 1: But sometimes though you would be shooting and you wouldn't 124 00:07:24,640 --> 00:07:27,400 Speaker 1: know who anybody was, a full B crew, but because 125 00:07:27,560 --> 00:07:30,240 Speaker 1: you just were behind and time and you gotta get 126 00:07:30,240 --> 00:07:34,120 Speaker 1: it done, you know it does? It does tell us 127 00:07:34,120 --> 00:07:36,640 Speaker 1: about the episode Jenna, okay, okay. So a new foreign 128 00:07:36,800 --> 00:07:41,200 Speaker 1: exchange student, Rory Flannigan our sweet Sweet Damien enrolls at 129 00:07:41,280 --> 00:07:45,120 Speaker 1: McKinley and crashes with Brittany, who thinks he is a leprechaun. 130 00:07:45,440 --> 00:07:50,000 Speaker 1: And meanwhile, Mercedes attempts to recruit new members to join 131 00:07:51,640 --> 00:07:58,640 Speaker 1: the Troubles, Shelby's newly form glee club, and Sue's congressional 132 00:07:58,680 --> 00:08:02,280 Speaker 1: campaign heats up with the new candidate. 133 00:08:03,560 --> 00:08:07,160 Speaker 2: So things start really popping off. Rory shows up and 134 00:08:07,320 --> 00:08:11,120 Speaker 2: is living with Brittany, and she clearly thinks that he's 135 00:08:11,160 --> 00:08:13,600 Speaker 2: a leprechaun and no one else can see him, and 136 00:08:13,640 --> 00:08:16,200 Speaker 2: he's granting her three wishes so he can get to 137 00:08:16,240 --> 00:08:22,160 Speaker 2: her pot of gold. Ridiculous, insane, But it's like partly sweet, 138 00:08:22,600 --> 00:08:30,440 Speaker 2: also feels very high school. But obviously, you know, Santana's like, no, 139 00:08:30,560 --> 00:08:36,079 Speaker 2: thank you, we're not We're not doing that, but I 140 00:08:36,120 --> 00:08:40,400 Speaker 2: do love it's sort of the impetus to Santana and 141 00:08:40,480 --> 00:08:43,560 Speaker 2: Brittany then sort of have to actually figure out what 142 00:08:43,760 --> 00:08:47,680 Speaker 2: they are to one another, because here's this new threat 143 00:08:47,720 --> 00:08:51,560 Speaker 2: coming in. Sweet Damien, who's picking out all the marshmallows. 144 00:08:51,960 --> 00:08:54,880 Speaker 1: Oh my god, her lucky arms on the lucky charms, 145 00:08:55,240 --> 00:08:55,920 Speaker 1: My dad, do that? 146 00:08:56,600 --> 00:08:56,960 Speaker 2: Really? 147 00:08:57,440 --> 00:08:58,840 Speaker 1: Yeah? I hated the marshmallows. 148 00:08:59,040 --> 00:09:00,000 Speaker 2: You hated the marshmallow? 149 00:09:00,440 --> 00:09:03,040 Speaker 1: Yes, so I could have just gotten in the alphabets 150 00:09:03,160 --> 00:09:05,120 Speaker 1: I didn't have the marshmallow. Isn't it same thing? 151 00:09:05,240 --> 00:09:06,839 Speaker 2: Yeah? But the marshmallows is the best part. 152 00:09:07,080 --> 00:09:07,640 Speaker 1: Disgusting. 153 00:09:07,760 --> 00:09:10,439 Speaker 2: Okay, you've never liked sweet things. 154 00:09:10,440 --> 00:09:15,760 Speaker 1: No controversial, I know. Okay, Well, so Rory has a 155 00:09:15,800 --> 00:09:20,400 Speaker 1: big crush and Brittany. Yeah, so we get to where 156 00:09:20,440 --> 00:09:22,959 Speaker 1: we get to kind of see where Brittany and Santana 157 00:09:23,200 --> 00:09:25,319 Speaker 1: are in their relationship. 158 00:09:24,840 --> 00:09:27,760 Speaker 2: But meanwhile Rory is just being bullied by everyone because 159 00:09:27,760 --> 00:09:30,400 Speaker 2: he's new. Has an accent. 160 00:09:31,480 --> 00:09:34,840 Speaker 1: Well do you remember him singing, Oh and sweet Finn 161 00:09:34,920 --> 00:09:39,520 Speaker 1: trying to help him out seeing from Afar when he 162 00:09:39,559 --> 00:09:43,439 Speaker 1: sings to take care of yourself. Yeah, it is a really. 163 00:09:44,160 --> 00:09:47,120 Speaker 2: Sweet He's such a beautiful voice he does. 164 00:09:50,160 --> 00:09:51,840 Speaker 1: I have to be honest, I don't really remember the 165 00:09:52,120 --> 00:09:56,080 Speaker 1: watch watching it. I have to go back and actually 166 00:09:56,080 --> 00:09:59,640 Speaker 1: watch it, but I don't watched it. I remembered him, 167 00:10:00,080 --> 00:10:03,559 Speaker 1: I definitely remembered him, and he just did in so well. 168 00:10:03,720 --> 00:10:07,360 Speaker 1: Like he he didn't ruffle feathers. He was so happy 169 00:10:07,360 --> 00:10:10,560 Speaker 1: to be there. He did his job and did it well. 170 00:10:10,840 --> 00:10:13,520 Speaker 1: And I remember when we were watching him, and you 171 00:10:13,559 --> 00:10:16,600 Speaker 1: see they cut to the Glee club and like I'm 172 00:10:16,640 --> 00:10:19,040 Speaker 1: sitting there and we are sitting behind me, Harry sitting there, 173 00:10:19,040 --> 00:10:21,040 Speaker 1: Like we're all sitting there, We're all like looking an adoration. 174 00:10:21,240 --> 00:10:24,479 Speaker 1: That's real. Oh thought he was so cute. 175 00:10:24,360 --> 00:10:26,000 Speaker 2: And you want to look for somebody like that. And 176 00:10:26,040 --> 00:10:28,959 Speaker 2: I think we're also conscious of the fact that we 177 00:10:29,040 --> 00:10:32,400 Speaker 2: know this could be intimidating, right exactly, You're coming into 178 00:10:32,440 --> 00:10:35,679 Speaker 2: a room full of how many crew members plus us 179 00:10:37,160 --> 00:10:42,760 Speaker 2: that he associates, probably with the show and good is Real? 180 00:10:43,240 --> 00:10:47,320 Speaker 2: A ballad like stand here, don't move and just sing 181 00:10:47,679 --> 00:10:52,360 Speaker 2: how uncomfortable two songs songs and also his first number 182 00:10:52,679 --> 00:10:55,160 Speaker 2: he was singing in SlowMo, which we now know if 183 00:10:55,200 --> 00:10:58,920 Speaker 2: you've been listening to this yours, you're performing at one 184 00:10:58,960 --> 00:11:01,720 Speaker 2: and a half to two times the speed. It's like, 185 00:11:01,760 --> 00:11:04,719 Speaker 2: so also speed quickly. He nailed it. 186 00:11:04,800 --> 00:11:06,280 Speaker 1: Yeah, yeah, nailing it. 187 00:11:06,440 --> 00:11:11,400 Speaker 2: I loved his budding friendship with Finn that. 188 00:11:10,360 --> 00:11:13,200 Speaker 1: That's very cute, very cute. Somebody had to look up Brown, 189 00:11:13,360 --> 00:11:13,520 Speaker 1: you know. 190 00:11:13,720 --> 00:11:17,439 Speaker 2: Yeah, he got abused this episode. He really did. 191 00:11:18,080 --> 00:11:20,520 Speaker 1: But I loved when they were like, no, we're not 192 00:11:20,559 --> 00:11:26,520 Speaker 1: gonna call mister Shue or Sue. We're gonna call Beast. Yeah, 193 00:11:27,360 --> 00:11:28,520 Speaker 1: the hockey guys. 194 00:11:28,280 --> 00:11:41,599 Speaker 2: We like, gotta mullet. You can go away. Now, Santana 195 00:11:41,640 --> 00:11:48,080 Speaker 2: and Brittany are seemingly dating. Now they go to Bread Steaks, 196 00:11:49,120 --> 00:11:54,920 Speaker 2: and Santana's doing two things right. She's trying to get 197 00:11:54,960 --> 00:11:58,760 Speaker 2: Brittany to join the Trouble Tones, which we'll get to. 198 00:11:58,800 --> 00:12:02,520 Speaker 2: We talked about Mercedes in a second, and then she's 199 00:12:02,559 --> 00:12:06,520 Speaker 2: also figuring out their dating situation with that scene at Breadsticks. 200 00:12:06,960 --> 00:12:07,840 Speaker 1: It's so cute. 201 00:12:07,880 --> 00:12:09,760 Speaker 2: She's like, I want you to hold my hand and 202 00:12:09,800 --> 00:12:14,800 Speaker 2: then she puts the neck for nice. 203 00:12:14,840 --> 00:12:18,760 Speaker 1: So good man, they're so good. I mean, but this 204 00:12:18,840 --> 00:12:21,000 Speaker 1: is the beginning, right like, this is this is where 205 00:12:21,040 --> 00:12:21,480 Speaker 1: it starts. 206 00:12:21,559 --> 00:12:24,520 Speaker 2: This is sort of the first time that it's not 207 00:12:24,600 --> 00:12:28,280 Speaker 2: hinted at anymore. It's not Santana wanting Brittany, but Brittany 208 00:12:28,320 --> 00:12:36,040 Speaker 2: that this is it right here we go buckaloup. Nobody knows, right, 209 00:12:36,160 --> 00:12:39,240 Speaker 2: nobody knows. Also, though Mercedes trying to get Santana to 210 00:12:39,320 --> 00:12:41,680 Speaker 2: join the trouble sounds and she's like, why would it 211 00:12:41,679 --> 00:12:43,240 Speaker 2: be interesting in all cl club? 212 00:12:43,360 --> 00:12:46,720 Speaker 1: Yeah, it's not brilliant. 213 00:12:47,120 --> 00:12:51,800 Speaker 2: Do you think this episode looks different? It's I don't 214 00:12:51,800 --> 00:12:54,120 Speaker 2: know if it was my TV, but the episode it 215 00:12:54,160 --> 00:12:54,760 Speaker 2: looks darker. 216 00:12:55,559 --> 00:12:56,640 Speaker 1: Oh no, I don't think so. 217 00:12:57,640 --> 00:12:59,760 Speaker 2: Oh okay, never mind. 218 00:13:00,520 --> 00:13:02,319 Speaker 1: I don't think that Ryan would allow that. 219 00:13:02,559 --> 00:13:04,800 Speaker 2: I know, but I was wondering sometimes because we should 220 00:13:04,840 --> 00:13:09,120 Speaker 2: two episodes at once. Somebody had a different DP or coloring, 221 00:13:09,880 --> 00:13:14,480 Speaker 2: it looked different. Okay, I don't think so, but okay, I'll. 222 00:13:14,320 --> 00:13:14,680 Speaker 1: Be right. 223 00:13:17,640 --> 00:13:18,880 Speaker 2: Glad. We're the authorities on this. 224 00:13:19,440 --> 00:13:26,040 Speaker 1: So something else that's going on is that the glee 225 00:13:26,040 --> 00:13:35,240 Speaker 1: club is distraught because Mercedes has left and Santana decides 226 00:13:35,280 --> 00:13:40,520 Speaker 1: to leave and take Brittany. It convinces Brittany to go 227 00:13:40,640 --> 00:13:44,280 Speaker 1: with her, who was not into going because. 228 00:13:44,000 --> 00:13:48,280 Speaker 2: Coreys that Corey, but Finn's got his ear to the ground, to. 229 00:13:48,280 --> 00:13:52,920 Speaker 1: The ground and it causes a muck in the glee club. 230 00:13:55,600 --> 00:13:59,720 Speaker 1: But more importantly than the new directions, like who cares 231 00:13:59,760 --> 00:14:04,760 Speaker 1: about them, there's the Trouble Tones. We are we are 232 00:14:04,760 --> 00:14:08,439 Speaker 1: getting full Trouble Tones numbers. Now we've got Santana, we 233 00:14:08,520 --> 00:14:11,200 Speaker 1: got Brittany, We've got Mercedes, we get Sugar Matta, We've 234 00:14:11,240 --> 00:14:15,560 Speaker 1: got a gaggle of ladies, talented ladies doing one of 235 00:14:15,600 --> 00:14:17,360 Speaker 1: the cutest numbers that I've ever seen. 236 00:14:18,120 --> 00:14:21,400 Speaker 2: I have a question, though, yes, because I know, obviously 237 00:14:21,440 --> 00:14:25,880 Speaker 2: we do it all the time in new directions, but 238 00:14:26,160 --> 00:14:30,160 Speaker 2: new Directions doesn't necessarily have the finesse that the Trouble 239 00:14:30,200 --> 00:14:37,480 Speaker 2: Tones has. Yeah, what is the purpose of this number? Like, yeah, 240 00:14:37,680 --> 00:14:39,359 Speaker 2: they're in full costume. 241 00:14:39,760 --> 00:14:42,280 Speaker 1: Look, they're practicing because they haven't done this yet. And 242 00:14:42,320 --> 00:14:46,000 Speaker 1: you know, Shelby used to make vocal adrenaline rehearsing costume 243 00:14:46,080 --> 00:14:50,000 Speaker 1: because she's vocal adrenaline, vocal adrenaline. Oh no, for sure, 244 00:14:50,080 --> 00:14:53,480 Speaker 1: but that's why they're in costume is my my theory. 245 00:14:53,600 --> 00:14:54,360 Speaker 2: It is so good. 246 00:14:54,760 --> 00:14:55,920 Speaker 1: Oh god, it's so good. 247 00:14:57,520 --> 00:14:58,520 Speaker 2: It's so good together. 248 00:14:59,240 --> 00:15:01,800 Speaker 1: And also just like like she being like, we're in 249 00:15:01,840 --> 00:15:03,200 Speaker 1: trouble we. 250 00:15:03,240 --> 00:15:04,960 Speaker 2: Had no ship. Welcome to the show. 251 00:15:07,600 --> 00:15:08,640 Speaker 1: Well wake up? 252 00:15:09,280 --> 00:15:11,280 Speaker 2: Did you see them film this in I r L 253 00:15:12,240 --> 00:15:12,560 Speaker 2: I did. 254 00:15:12,560 --> 00:15:14,240 Speaker 1: I caught the end of it, and I just remember 255 00:15:14,280 --> 00:15:17,520 Speaker 1: being like, why didn't I get to wear that costume. 256 00:15:19,120 --> 00:15:19,400 Speaker 2: Tones? 257 00:15:19,440 --> 00:15:21,720 Speaker 1: I was a little pissed. I was a little jealous 258 00:15:22,040 --> 00:15:24,080 Speaker 1: that I wasn't in the Trouble Tones. I felt a 259 00:15:24,080 --> 00:15:29,000 Speaker 1: little left out. I'm not gonna lie. But then I thought, oh, 260 00:15:29,160 --> 00:15:30,880 Speaker 1: there's a chance for Tina to get some more stuff 261 00:15:30,920 --> 00:15:39,080 Speaker 1: in new directions because the heavy hitters are gone. No. No, 262 00:15:39,120 --> 00:15:41,640 Speaker 1: I was very jealous of the Trouble Tones and that 263 00:15:41,720 --> 00:15:45,400 Speaker 1: will continue. I'm still envious to this day. But this number, 264 00:15:45,480 --> 00:15:48,440 Speaker 1: I remember thinking like, oh, this is not just gonna 265 00:15:48,440 --> 00:15:51,640 Speaker 1: be a small storyline, like I thought maybe it would 266 00:15:51,680 --> 00:15:56,080 Speaker 1: kind of disappear with when like Adina disappeared or something, 267 00:15:56,160 --> 00:15:58,680 Speaker 1: but like, this is actually I figured I realized it 268 00:15:58,760 --> 00:16:01,160 Speaker 1: was gonna be a longer, kind of drawn out storyline, 269 00:16:01,200 --> 00:16:02,320 Speaker 1: which I was very excited about. 270 00:16:02,680 --> 00:16:04,120 Speaker 2: Did you end up getting more songs? 271 00:16:06,360 --> 00:16:08,840 Speaker 1: TVD got it? 272 00:16:09,040 --> 00:16:11,960 Speaker 2: Okay. I was having a panic because like, oh, we 273 00:16:12,000 --> 00:16:14,440 Speaker 2: now have Damien and Darren, I'm never singing. 274 00:16:14,160 --> 00:16:21,600 Speaker 1: Again opposite more males, right, exactly exactly. But I loved 275 00:16:21,600 --> 00:16:25,240 Speaker 1: watching this number and I was like, I don't really 276 00:16:25,280 --> 00:16:28,320 Speaker 1: know those stack of dancers. They got some new gals. 277 00:16:28,400 --> 00:16:30,920 Speaker 2: Yeah, they did get some new gals. Yeah, very exciting 278 00:16:31,000 --> 00:16:35,160 Speaker 2: that's happened. I think this season there's some of our 279 00:16:35,200 --> 00:16:38,960 Speaker 2: old regular dancers were off booking tours and things. 280 00:16:38,880 --> 00:16:41,600 Speaker 1: Right, and our troubletons are going to like triple in size, 281 00:16:41,680 --> 00:16:42,160 Speaker 1: Is that right? 282 00:16:42,680 --> 00:16:43,440 Speaker 2: Yeah? 283 00:16:43,800 --> 00:16:46,240 Speaker 1: Okay, because I remember being there being a lot more 284 00:16:46,280 --> 00:16:47,320 Speaker 1: of them towards the end. 285 00:16:47,240 --> 00:16:50,160 Speaker 2: There was already a lot and Candy Man, I remember 286 00:16:50,200 --> 00:16:51,760 Speaker 2: it being just I thought it was just the four 287 00:16:51,800 --> 00:16:54,480 Speaker 2: of them, But now of dancers. 288 00:16:54,560 --> 00:16:56,240 Speaker 1: You're right, Okay, you're right, You're right. 289 00:16:57,760 --> 00:17:05,280 Speaker 2: Oh that's pretty incredible. Also when they bring in when 290 00:17:05,280 --> 00:17:07,879 Speaker 2: Brittany and Santana come in for the first time and 291 00:17:08,000 --> 00:17:13,560 Speaker 2: put Sugar in her place, Vanessa ns again the show 292 00:17:13,920 --> 00:17:18,960 Speaker 2: just you give her an inch, you know, it's and 293 00:17:19,000 --> 00:17:21,000 Speaker 2: she takes scenery. 294 00:17:23,680 --> 00:17:27,359 Speaker 1: And it's so welcomed because God help me without what 295 00:17:27,400 --> 00:17:28,920 Speaker 1: would we be without Sugar Matta? 296 00:17:29,200 --> 00:17:35,880 Speaker 2: Yes? Really Also, I mean her dialogue with Santana dialogue 297 00:17:36,320 --> 00:17:40,359 Speaker 2: is a match made in heaven, right right, And Vanessa 298 00:17:40,400 --> 00:17:42,960 Speaker 2: is like a little dancer. She's back there doing her thing. 299 00:17:43,640 --> 00:17:47,280 Speaker 1: Well, I think that's like a testament to Vanessa Leni's 300 00:17:47,920 --> 00:17:52,960 Speaker 1: and the unique performer that she is. There's nobody like her. 301 00:17:54,280 --> 00:17:56,239 Speaker 1: That's why she gets tired so much, because she's one 302 00:17:56,280 --> 00:18:00,840 Speaker 1: of kind. But she takes like every small thing and 303 00:18:00,960 --> 00:18:04,359 Speaker 1: makes and continues to give it detail. She's not like, oh, 304 00:18:04,400 --> 00:18:06,600 Speaker 1: I just have one line. She like is like, I 305 00:18:06,600 --> 00:18:08,280 Speaker 1: have one line, let me make it the best I 306 00:18:08,320 --> 00:18:11,719 Speaker 1: can make it. You know, it's really specially away to her. 307 00:18:11,840 --> 00:18:14,640 Speaker 2: She is entering something like every time they cut away 308 00:18:14,680 --> 00:18:19,360 Speaker 2: to me, I'm just Kevin, Like in Last Friday Night, 309 00:18:19,680 --> 00:18:21,680 Speaker 2: it's like, Oh, we're just being us, having a ball. 310 00:18:22,560 --> 00:18:26,760 Speaker 1: I also want to point out there's a little like 311 00:18:27,040 --> 00:18:31,399 Speaker 1: continuity thing. The other story that we're going to talk 312 00:18:31,400 --> 00:18:33,520 Speaker 1: about is Sue is going to cut the budget for 313 00:18:33,560 --> 00:18:35,720 Speaker 1: Glee Club because her palm pounds cost a lot of 314 00:18:35,760 --> 00:18:42,240 Speaker 1: money or and and it's gonna cause west Side story 315 00:18:42,280 --> 00:18:44,640 Speaker 1: to kind of go be canceled for a little bit, 316 00:18:45,640 --> 00:18:49,760 Speaker 1: but Shelby has the budget. Is the Sugar Mata Dad's 317 00:18:49,800 --> 00:18:53,000 Speaker 1: funded like Trouble Tones completely because it's the same school. 318 00:18:53,080 --> 00:18:53,480 Speaker 1: Let's be. 319 00:18:54,920 --> 00:18:55,879 Speaker 2: The whole thing. It depends on. 320 00:18:55,920 --> 00:19:00,359 Speaker 1: Okay, Okay, so Sugar Mata is funding. Yes, Okay, got 321 00:19:00,359 --> 00:19:04,440 Speaker 1: it because I was just a little like, right. 322 00:19:05,080 --> 00:19:08,680 Speaker 2: Totally because those That's a good point. 323 00:19:08,560 --> 00:19:12,160 Speaker 1: You know, because those costumes are cute. They didn't look cheap. 324 00:19:13,040 --> 00:19:14,920 Speaker 2: None of that look cheap. Maybe that's also why they 325 00:19:14,920 --> 00:19:18,640 Speaker 2: have all this budget. They can just spend, spend, spend, 326 00:19:18,920 --> 00:19:24,159 Speaker 2: which we cannot. I also think it's I mean, the 327 00:19:24,280 --> 00:19:28,119 Speaker 2: final straw for Santana to leave is Last Friday Night, right, 328 00:19:29,880 --> 00:19:31,920 Speaker 2: And she's like, We're just never going to get any 329 00:19:31,960 --> 00:19:39,920 Speaker 2: solos anymore, which is fair. Side note, because we've referenced 330 00:19:39,920 --> 00:19:44,520 Speaker 2: Burlesque and Glee and now we've referenced Last Friday Night, 331 00:19:44,920 --> 00:19:48,800 Speaker 2: Mata do, Diana Agron, Darren Chris and myn. 332 00:19:48,680 --> 00:19:53,120 Speaker 1: Kevin Mquel exist? You do? You do? You should add 333 00:19:53,119 --> 00:19:59,920 Speaker 1: that to a TikTok weird, let's talk about Last Friday Night, Okay. 334 00:20:00,080 --> 00:20:02,600 Speaker 2: I mean it was a fun number. Silly number sort 335 00:20:02,640 --> 00:20:03,920 Speaker 2: of comes out of nowhere. For no reason. 336 00:20:04,720 --> 00:20:07,000 Speaker 1: Literally exactly what I said to David watching it last night. 337 00:20:07,040 --> 00:20:10,119 Speaker 1: I was like, Oh, let's just remind the glee club 338 00:20:10,200 --> 00:20:12,080 Speaker 1: that we can have fun song. 339 00:20:13,359 --> 00:20:15,440 Speaker 2: A lot of this episode felt like that to me. Yeah, 340 00:20:15,480 --> 00:20:16,920 Speaker 2: the music was a little forced. 341 00:20:17,440 --> 00:20:19,879 Speaker 1: Yeah, yeah, yeah, for sure. We just got to get 342 00:20:19,880 --> 00:20:21,199 Speaker 1: to west Side Story, do you know what I mean? 343 00:20:21,240 --> 00:20:22,560 Speaker 1: We just got to like get ourselves there. 344 00:20:22,640 --> 00:20:25,240 Speaker 2: Yes, I mean, I mean the cliff Notes is like 345 00:20:25,480 --> 00:20:30,040 Speaker 2: spark Notes Damien west Side Story. Right, you got to 346 00:20:30,080 --> 00:20:32,040 Speaker 2: get Damien in. You got to get the girls to. 347 00:20:32,040 --> 00:20:34,920 Speaker 1: Leave and they get to west Side Story. 348 00:20:35,040 --> 00:20:37,120 Speaker 2: Yeah, because west Side is going to be a beast. 349 00:20:37,760 --> 00:20:43,520 Speaker 1: But the musical is canceled right because of Zoo. She's 350 00:20:43,560 --> 00:20:49,320 Speaker 1: cutting and she she convinces Figgins to cut the budget. 351 00:20:50,240 --> 00:20:54,760 Speaker 1: But that inspires somebody new to We're getting Bert. We're 352 00:20:54,760 --> 00:20:58,280 Speaker 1: getting Bert as a writing candidate. This is very exciting 353 00:20:58,359 --> 00:21:02,560 Speaker 1: and I don't remember it better. Literally, him sitting in 354 00:21:02,560 --> 00:21:08,919 Speaker 1: the newsroom like Michael Mally's back was once a regular 355 00:21:08,920 --> 00:21:12,360 Speaker 1: and nour recurb but still here. And yeah, the budget. 356 00:21:12,560 --> 00:21:16,840 Speaker 1: There's a lot going on with Kurt and Blaine and Finn. Yeah, 357 00:21:16,840 --> 00:21:20,200 Speaker 1: because Kurt and Finn obviously have the whole thing with 358 00:21:20,320 --> 00:21:23,520 Speaker 1: Rachel last episode with the with the president and you know, 359 00:21:23,640 --> 00:21:27,920 Speaker 1: running for class president, and now Blaine and Finn are 360 00:21:27,960 --> 00:21:31,480 Speaker 1: like getting into it, which I like, you do. 361 00:21:32,160 --> 00:21:36,760 Speaker 2: I like it because I like that Finn is protective 362 00:21:37,080 --> 00:21:39,000 Speaker 2: of the glee club, like trying to be a leader, 363 00:21:39,000 --> 00:21:40,679 Speaker 2: because a lot of times he doesn't necessarily get to 364 00:21:40,720 --> 00:21:43,119 Speaker 2: show that, and when he does, it's always like a 365 00:21:43,119 --> 00:21:45,240 Speaker 2: big thing, like you need to step up and take 366 00:21:45,280 --> 00:21:49,119 Speaker 2: the reins, right, And then he's like no, no, like 367 00:21:49,320 --> 00:21:52,439 Speaker 2: we can all be weird and cll eseular names and 368 00:21:52,480 --> 00:21:55,040 Speaker 2: mess up to each other, but you're new. You don't 369 00:21:55,040 --> 00:21:57,560 Speaker 2: get the same license to like make decisions like we 370 00:21:57,680 --> 00:22:01,600 Speaker 2: do with each other, which I understand, and like, yeah, 371 00:22:01,640 --> 00:22:03,520 Speaker 2: just because he's good, he's been in the glee club, 372 00:22:03,640 --> 00:22:07,000 Speaker 2: he's dating Kurt, who's his brother. You're still new here. 373 00:22:07,280 --> 00:22:09,120 Speaker 1: Yeah, I kind of was like on Finn's side. Yeah, 374 00:22:09,560 --> 00:22:11,880 Speaker 1: even when Blaine, you know, comes back with that line 375 00:22:11,920 --> 00:22:13,520 Speaker 1: about being inclusive or whatever. 376 00:22:13,520 --> 00:22:16,200 Speaker 2: It's like a good comeback, but Finn still right. 377 00:22:16,440 --> 00:22:19,320 Speaker 1: Yeah, yeah, stand up, Finn. 378 00:22:19,000 --> 00:22:25,399 Speaker 2: Stand Except Finn calling Brittain this episode, Yeah that wasn't good. No, 379 00:22:25,560 --> 00:22:28,160 Speaker 2: but that scene at the end was so sweet. Oh 380 00:22:28,600 --> 00:22:29,440 Speaker 2: he apologizes. 381 00:22:29,720 --> 00:22:30,480 Speaker 1: It is really sweet. 382 00:22:30,640 --> 00:22:33,400 Speaker 2: Breaks my hat, breaks my hat. I did also love. 383 00:22:34,760 --> 00:22:39,200 Speaker 2: I mean, once once Bert finds out that the budget 384 00:22:39,240 --> 00:22:41,560 Speaker 2: is being cut and most side story isn't gonna happen, 385 00:22:42,280 --> 00:22:48,280 Speaker 2: he rounds up the funeral parlor people, the cream batorium people, 386 00:22:48,920 --> 00:22:51,719 Speaker 2: all that into Faggan's office and they pay for it, 387 00:22:51,800 --> 00:22:56,600 Speaker 2: and Bert's fired up and he's pissed, and then Shoe 388 00:22:57,640 --> 00:23:00,000 Speaker 2: has like a light bulb, always a little late per usual, 389 00:23:00,600 --> 00:23:07,399 Speaker 2: just two steps behind. Yeah, yeah, shows up. Also, you 390 00:23:07,440 --> 00:23:12,159 Speaker 2: never really get to see Shoe and Burt together. And 391 00:23:12,200 --> 00:23:13,840 Speaker 2: I like that he tries to go recruit him to 392 00:23:14,080 --> 00:23:16,840 Speaker 2: run for office as a riding candidate against Sue, and 393 00:23:16,880 --> 00:23:19,480 Speaker 2: he's like, already doing it, curtsy campaign manager. 394 00:23:21,080 --> 00:23:23,960 Speaker 1: Already doing it. Yeah, it's fun to see the adults together. 395 00:23:24,040 --> 00:23:26,840 Speaker 1: We don't really get to see Mike work with those. 396 00:23:26,960 --> 00:23:31,200 Speaker 2: It's like a silly adult storyline which Bert never gets 397 00:23:31,240 --> 00:23:35,360 Speaker 2: to do right, which Sue exclusively almost gets to. 398 00:23:35,320 --> 00:23:38,160 Speaker 1: Do right right. It's must have been fun for Mike. 399 00:23:38,359 --> 00:23:48,920 Speaker 2: Yeah, weird thing, Jenna, did you notice that the first 400 00:23:48,960 --> 00:23:50,639 Speaker 2: song doesn't come into almost fourteen minutes? 401 00:23:50,880 --> 00:23:53,760 Speaker 1: I know, it's very that is very weird. Maybe that's 402 00:23:53,760 --> 00:23:56,480 Speaker 1: what looked different to you this episode, Yeah, just felt weird. 403 00:23:56,480 --> 00:23:58,880 Speaker 1: It's a little different. Yeah, Poddo Gold was always a weird. 404 00:23:58,960 --> 00:24:01,600 Speaker 1: I remember reading it being like, this is a little strange. 405 00:24:01,600 --> 00:24:03,720 Speaker 1: It just didn't It felt like a little out. But 406 00:24:03,800 --> 00:24:06,960 Speaker 1: I liked it. I really enjoyed watching it. I will 407 00:24:06,960 --> 00:24:10,119 Speaker 1: say this also felt weird because when we like this 408 00:24:10,240 --> 00:24:14,040 Speaker 1: was the beginning of not having another some of our 409 00:24:14,160 --> 00:24:19,160 Speaker 1: like usual suspects in the Glee club. So like Kurt 410 00:24:19,240 --> 00:24:21,439 Speaker 1: was gone for a while, we didn't have Chris, and 411 00:24:21,480 --> 00:24:23,080 Speaker 1: we didn't have Chris to work with, and now we're 412 00:24:23,080 --> 00:24:25,399 Speaker 1: going to lose all the girls and it's really weird 413 00:24:25,440 --> 00:24:27,399 Speaker 1: without them. In the choir room when we were shooting, 414 00:24:27,480 --> 00:24:32,160 Speaker 1: I remember being like, it's it's eerily quiet and empty. Yes, 415 00:24:32,359 --> 00:24:34,840 Speaker 1: like Na not making cracking her jokes and like Amber 416 00:24:34,960 --> 00:24:37,439 Speaker 1: laughing at that. It just felt like so off and 417 00:24:37,520 --> 00:24:39,560 Speaker 1: I was like, oh my god. And then when we 418 00:24:39,600 --> 00:24:44,600 Speaker 1: all I remember very vividly shooting that number, that that 419 00:24:44,720 --> 00:24:46,840 Speaker 1: little moment where they're rehearsing and we go up to 420 00:24:46,880 --> 00:24:47,240 Speaker 1: the door. 421 00:24:47,800 --> 00:24:50,200 Speaker 2: Yeah, oh that was at night. 422 00:24:50,760 --> 00:24:54,080 Speaker 1: And I love those scenes. Shooting those scenes. We have 423 00:24:54,119 --> 00:24:55,400 Speaker 1: to say anything, you just have to give a good 424 00:24:55,440 --> 00:24:56,440 Speaker 1: look and get out of there. 425 00:24:57,560 --> 00:25:02,760 Speaker 2: I those west Side story and then the other. 426 00:25:02,640 --> 00:25:05,639 Speaker 1: Storyline they were that I want to die is the 427 00:25:05,680 --> 00:25:10,600 Speaker 1: beath storyline. Quinn trying to get Beth back she gave 428 00:25:10,640 --> 00:25:15,520 Speaker 1: her away, and I don't know that this was handled 429 00:25:15,800 --> 00:25:20,800 Speaker 1: quite properly to me, But Quinn is trying to set 430 00:25:20,840 --> 00:25:24,400 Speaker 1: and setting Shelby up to basically call child protective Services. 431 00:25:24,640 --> 00:25:27,760 Speaker 1: She's gonna plant some shit in the house while they're babysitting. 432 00:25:27,800 --> 00:25:32,399 Speaker 1: They've convinced Shelby that they can babysit Beth, that they 433 00:25:32,880 --> 00:25:38,399 Speaker 1: babysit the the little gingerloids or whatever. I don't know 434 00:25:38,480 --> 00:25:40,240 Speaker 1: about this, Kevin. 435 00:25:40,640 --> 00:25:42,520 Speaker 2: I don't like it. I don't like it all. 436 00:25:42,560 --> 00:25:45,040 Speaker 1: Okay, I'm glad that you're on board with me because 437 00:25:45,040 --> 00:25:46,760 Speaker 1: I feel like i'm alone. 438 00:25:47,040 --> 00:25:48,480 Speaker 2: It also feels so soapy. 439 00:25:49,720 --> 00:25:52,879 Speaker 1: Maybe that's what it is. I feel like there's a 440 00:25:52,880 --> 00:25:53,879 Speaker 1: different show drama. 441 00:25:54,119 --> 00:25:58,080 Speaker 2: Yes, Okay, I don't want it. I don't need it. Okay, okay, 442 00:25:58,320 --> 00:26:01,200 Speaker 2: you need to use all of them, but you're taking 443 00:26:01,240 --> 00:26:05,280 Speaker 2: us away from the high school, right And yeah, it's 444 00:26:05,320 --> 00:26:08,040 Speaker 2: also just like it's really shitty of Quinn to be 445 00:26:08,720 --> 00:26:12,879 Speaker 2: planting like hard drugs around the house and things and then. 446 00:26:12,800 --> 00:26:15,000 Speaker 1: Puck like trying to remove them all, then him and 447 00:26:15,119 --> 00:26:18,840 Speaker 1: Shelby like good, really inappropriate. 448 00:26:19,720 --> 00:26:22,679 Speaker 2: However, that one feels like it makes way more sense, 449 00:26:24,440 --> 00:26:25,880 Speaker 2: like Puck with the teacher, like. 450 00:26:25,920 --> 00:26:29,199 Speaker 1: Yeah, yeah, yeah, okay, sure it's inappropriate. Bad, But like, 451 00:26:32,920 --> 00:26:35,680 Speaker 1: I enjoyed watching Damien in this episode. I love the 452 00:26:35,720 --> 00:26:40,720 Speaker 1: trouble tones this episode. To me, it could do without 453 00:26:40,760 --> 00:26:45,600 Speaker 1: it in the season three upward trajectory that we were on. 454 00:26:45,960 --> 00:26:50,000 Speaker 2: Yeah. Also, I would just like to say that more Carol, 455 00:26:50,080 --> 00:26:51,000 Speaker 2: we need more Carol. 456 00:26:51,600 --> 00:26:54,359 Speaker 1: Well, we always need more Carrol. And then we just 457 00:26:54,400 --> 00:26:56,080 Speaker 1: like lose Ashley Fink so weird. 458 00:26:56,359 --> 00:26:58,880 Speaker 2: Yeah, like, is she also in the basement? 459 00:27:00,800 --> 00:27:04,480 Speaker 1: We just find Carol and Lauren's I see in the 460 00:27:04,520 --> 00:27:11,480 Speaker 1: basement with cobwebs. Yeah, like hello, so funny. I don't know, Kevin, 461 00:27:11,600 --> 00:27:13,160 Speaker 1: it feels like that's the episode. 462 00:27:13,200 --> 00:27:15,639 Speaker 2: To me, it's hard when you're not really in it 463 00:27:15,720 --> 00:27:19,639 Speaker 2: that much. I wasn't really the first half of the season. 464 00:27:19,680 --> 00:27:21,800 Speaker 2: I'm sort of in my a, so I don't me too. 465 00:27:22,680 --> 00:27:27,560 Speaker 1: Let's do some TARTI takes, okay, please, these are ouchies. 466 00:27:28,119 --> 00:27:30,960 Speaker 2: You know. There's a racist joke at the top of 467 00:27:31,000 --> 00:27:35,359 Speaker 2: the episode pre usu. It feels like the crutch like 468 00:27:35,440 --> 00:27:38,880 Speaker 2: to just yeah do to go. 469 00:27:38,880 --> 00:27:41,840 Speaker 1: There and Quinn planting the drugs and trying to get 470 00:27:41,880 --> 00:27:46,199 Speaker 1: Beth back also feels a little cringey to me. Absolutely okay, 471 00:27:47,000 --> 00:27:50,760 Speaker 1: best dance move, I mean candy Man, candy Man, entirety 472 00:27:50,760 --> 00:27:57,399 Speaker 1: of candy Man hands down and Sugamata is dancing best 473 00:27:57,480 --> 00:28:02,879 Speaker 1: all candy Man handy Man, and I give a notable 474 00:28:03,800 --> 00:28:13,800 Speaker 1: notable two. Damien mcintee, Absolutely yeah, okay. Best performance by 475 00:28:13,800 --> 00:28:15,760 Speaker 1: a prop man. 476 00:28:21,640 --> 00:28:24,280 Speaker 2: I mean maybe they lucky charms. 477 00:28:27,040 --> 00:28:28,760 Speaker 1: That's good, okay, I'll go with that one. 478 00:28:29,000 --> 00:28:30,560 Speaker 2: The angry mom sign is also good. 479 00:28:30,640 --> 00:28:35,520 Speaker 1: That is very funny. Best lines. 480 00:28:36,480 --> 00:28:41,280 Speaker 2: I like the crematorium owner. He goes and mine is 481 00:28:41,280 --> 00:28:44,240 Speaker 2: a crematorium. So we also make and deliver a delicious 482 00:28:44,240 --> 00:28:48,240 Speaker 2: brickup and pizza. I yelped, I heard that and I 483 00:28:48,320 --> 00:28:48,840 Speaker 2: let out. 484 00:28:48,680 --> 00:28:57,840 Speaker 1: At Brittany says what that surpach kids are just gummy 485 00:28:57,880 --> 00:29:00,000 Speaker 1: bears that turn to Britain. 486 00:29:00,080 --> 00:29:04,400 Speaker 2: He had some classics. Wait, isn't this a date Chapan? 487 00:29:04,440 --> 00:29:08,360 Speaker 2: Because I ordered trimp scramps scramps. 488 00:29:08,600 --> 00:29:14,560 Speaker 1: Okay, performance MVP, I'm giving it. I'm giving it to Damien. 489 00:29:14,880 --> 00:29:17,960 Speaker 1: It's got to be Damien shout out to Corey. 490 00:29:18,880 --> 00:29:24,080 Speaker 2: Yeah, honorable mentioned to Corey, but Damien was really lifting 491 00:29:24,160 --> 00:29:31,640 Speaker 2: heavy and for the first episode, like that's crazy. Shit 492 00:29:31,720 --> 00:29:36,320 Speaker 2: be found on TikTok. Jenna goodness, gracious. 493 00:29:36,000 --> 00:29:39,320 Speaker 1: Oh boy, it's so good. 494 00:29:40,000 --> 00:29:46,760 Speaker 2: So oh yeah, that is the correct reaction. Pegas's girl 495 00:29:47,440 --> 00:29:51,400 Speaker 2: a cap on TikTok. She wrote already whenever they let 496 00:29:51,480 --> 00:29:53,080 Speaker 2: him out of his wheelchair on Glee, and. 497 00:29:53,160 --> 00:29:56,160 Speaker 1: She is a dancing song. They are oh my god, 498 00:29:58,480 --> 00:29:59,960 Speaker 1: Kevin Sir. 499 00:30:00,920 --> 00:30:04,560 Speaker 2: Dressed cooler than Artie but you know, a nod to Artie. 500 00:30:06,200 --> 00:30:07,200 Speaker 1: Oh this is very good. 501 00:30:07,640 --> 00:30:15,480 Speaker 2: It's so good, awesome and also like terrifyingly accurate. I've 502 00:30:15,480 --> 00:30:17,800 Speaker 2: watched it a lot of times. She's also a very 503 00:30:17,800 --> 00:30:20,920 Speaker 2: good dancer, so true. And she just looks cool. I 504 00:30:20,920 --> 00:30:25,200 Speaker 2: already never looked that cool ever, I mean you did. Yeah, 505 00:30:25,240 --> 00:30:25,880 Speaker 2: she crushes this. 506 00:30:26,120 --> 00:30:26,920 Speaker 1: Yeah, this is good. 507 00:30:26,920 --> 00:30:28,000 Speaker 2: I thin you get those boots. 508 00:30:29,320 --> 00:30:30,440 Speaker 1: That's like Tina Boots. 509 00:30:30,840 --> 00:30:31,920 Speaker 2: Yeah, Tina Boots. 510 00:30:32,040 --> 00:30:32,360 Speaker 1: Oh yeah. 511 00:30:32,400 --> 00:30:34,120 Speaker 2: Someone was like, I wasn't paying attention. I thought you 512 00:30:34,120 --> 00:30:35,240 Speaker 2: were Phoebe Bridgers. 513 00:30:35,680 --> 00:30:39,760 Speaker 1: Oh my god, get it, Phoebe. 514 00:30:40,800 --> 00:30:43,400 Speaker 2: It's Phoebe Bridgers dressed as already dancing. 515 00:30:44,080 --> 00:30:48,040 Speaker 1: That is very okay, thanks for joining us. For pot 516 00:30:48,040 --> 00:30:51,640 Speaker 1: of Gold. You guys, next week's episode. I'm not gonna lie. 517 00:30:51,760 --> 00:30:54,960 Speaker 1: I fast forwarded and I watched a bunch of the 518 00:30:55,040 --> 00:30:56,800 Speaker 1: musical numbers. I'm gonna go back and watch all episode. 519 00:30:56,840 --> 00:30:58,120 Speaker 2: But I love that you and I both did that 520 00:30:58,120 --> 00:30:58,840 Speaker 2: without doing. 521 00:30:58,920 --> 00:31:02,320 Speaker 1: It's a good one. It's a good one. That's a 522 00:31:02,400 --> 00:31:06,240 Speaker 1: good one. Okay. Thanks for joining us, you guys. Tune 523 00:31:06,240 --> 00:31:10,760 Speaker 1: in next week for some more Yeah Glee season three. 524 00:31:11,400 --> 00:31:16,960 Speaker 2: Drama, and that's what you really missed. Thanks for listening, 525 00:31:17,240 --> 00:31:19,720 Speaker 2: and follow us on Instagram at and That's what you 526 00:31:19,880 --> 00:31:22,080 Speaker 2: really miss pod. Make sure to write us a review 527 00:31:22,160 --> 00:31:24,280 Speaker 2: and leave us five stars. See you next time.