WEBVTT - The Office Deep Dive Call-In Edition - Pt. 2 

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<v Speaker 1>Hey, it's Jake Halpern here. If you've ever wondered what

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<v Speaker 1>it's like to make a true crime podcast like deep Cover, well,

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<v Speaker 1>now's your chance to find out. Join me and my

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<v Speaker 1>friend Dana Goodyear, who's the host of Pushkin's Lost Hills podcast,

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<v Speaker 1>on March sixteen for a digital conversation on true crime storytelling.

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<v Speaker 1>We'll talk about how we make our stories dramatic and accurate,

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<v Speaker 1>and how we navigate all the ethical dilemmas that we

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<v Speaker 1>face in the process. Get your tickets now at moment

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<v Speaker 1>house dot com backslash d c l H. That's moment

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<v Speaker 1>house dot com slash d c l H. Hi, this

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<v Speaker 1>is Ali went Worth, host of Go Ask Ali. My

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<v Speaker 1>listeners want more, so we are digging in comedian Amy Schumer.

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<v Speaker 1>As far as cancel culture goes, I think that the

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<v Speaker 1>people who are the most afraid and complaining about cancel

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<v Speaker 1>culture are the ones who are in danger of pain canceled,

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<v Speaker 1>and they need to take a look at themselves. I

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<v Speaker 1>agree with you. You know I'm not worried about it

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<v Speaker 1>because I know my intentions and i know that I'm

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<v Speaker 1>open to evolving. Listen to Go ask Alli every Thursday

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<v Speaker 1>on the I heart radio app, Apple Podcast or wherever

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<v Speaker 1>you get your podcasts. Look for your children's eyes and

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<v Speaker 1>you will discover the true magic of a forest. Find

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<v Speaker 1>a forest near you and start exploring it. Discover the

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<v Speaker 1>Forest dot Org. Brought to you by the United States

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<v Speaker 1>Forest Service and the AD Council. Hello, everybody out there

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<v Speaker 1>in the podcast universe or pod verse as I just

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<v Speaker 1>now named it, Welcome to another episode of the Office

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<v Speaker 1>Deep Dive. As always, it's me, that's right, your host,

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<v Speaker 1>Brian Baumgartner, coming at you with a very special end

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<v Speaker 1>of the year edition of the podcast. Because we did it, guys,

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<v Speaker 1>we made it through another year, and as a new

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<v Speaker 1>Year's treat today, I've got another call in episode lined

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<v Speaker 1>up for you, because look, I'll admit it, I can't

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<v Speaker 1>get enough of you. That's what she said. Uh, but

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<v Speaker 1>I mean that truly. It has been so incredible to

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<v Speaker 1>hear from you and talk to you. So thank you

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<v Speaker 1>all of you who reached out. We got so many calls.

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<v Speaker 1>Thank you for taking the time to connect with us.

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<v Speaker 1>And you know what, I'm just gonna go right into it. Yeah,

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<v Speaker 1>So I would like to welcome right now you my listeners,

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<v Speaker 1>to the very last episode of one an episode starring

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<v Speaker 1>well you. So let's see who do we have calling

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<v Speaker 1>in today? Bubble and Squeak. I love it, Bubble and

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<v Speaker 1>Squeak on Bubble and Squeaker cooking at every month, left

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<v Speaker 1>over from the night before. How's it going, Brian? Thank

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<v Speaker 1>you for having me on this show. This is very nice.

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<v Speaker 1>It's lovely to see you. Anyways, I have a question

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<v Speaker 1>about Kevin here. Throughout the whole show, Kevin got way dumber.

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<v Speaker 1>You know, in the first one episode, not one episodes,

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<v Speaker 1>one season, second season he was stupid, yes, slow, yeah,

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<v Speaker 1>but he seemed to morph into this borderline mentally disabled person.

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<v Speaker 1>And and I was just curious because that you not

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<v Speaker 1>you call it out, but what Oscar and Angela called

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<v Speaker 1>out when you're talking with the you know, why use

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<v Speaker 1>big word when small word d trick? You know, he's

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<v Speaker 1>gotten worse over the years. But I was just curious

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<v Speaker 1>if that is it was an intentional thing done by

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<v Speaker 1>either you or the writing staff, or if it just

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<v Speaker 1>morphed over the nine years that you guys were on

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<v Speaker 1>air into that, and if that was a conscious decision

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<v Speaker 1>that you made to make him done more slowly, or

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<v Speaker 1>if it just you kind of got more into the

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<v Speaker 1>character as a story went on, and that was actually

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<v Speaker 1>how the character was supposed to be played the entire time.

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<v Speaker 1>Uh yeah, thanks for having me on almost shake your hand, now,

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<v Speaker 1>shake Jake, Jake, We just shook hands. Can you believe it? Mom?

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<v Speaker 1>All right bye, we just shook hands. Nick. Thank you

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<v Speaker 1>for your question. Look, this has been brought up a lot,

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<v Speaker 1>especially if you go onto the deep dark web that

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<v Speaker 1>is read it um. The original character description of Kevin

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<v Speaker 1>when they were casting. The casting notice said, the only

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<v Speaker 1>thing remarkable about Kevin is that he is remarkably unremarkable.

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<v Speaker 1>So that's where we started from, and I think we

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<v Speaker 1>found over time that there were, in fact some remarkable

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<v Speaker 1>things about Kevin. So yes, Kevin morphs. Really it was

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<v Speaker 1>the writing the writer's fell in love with, let's just

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<v Speaker 1>call it Kevin's childlike sensibility. And so my nerdy I've

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<v Speaker 1>talked about this before, but my nerdy actory justification for

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<v Speaker 1>this was when the camera crew. When the documentary crew

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<v Speaker 1>began to film dunder Mifflin, Kevin was very nervous and

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<v Speaker 1>much more reserved. And then as he became more comfortable

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<v Speaker 1>with the cameras being in the office, maybe he went

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<v Speaker 1>out with a beer or two with some of the

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<v Speaker 1>crew guys, more of his true personality came out. Now

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<v Speaker 1>that's my justification. I think the reality was the writer's

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<v Speaker 1>fell in love with that sort of childlike sensibility and

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<v Speaker 1>leaned into it. Also, Kevin was used as one of

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<v Speaker 1>the characters for physical comedy, which has a tendency to

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<v Speaker 1>let's just say dumb up a character. Uh. And in fact,

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<v Speaker 1>when Steve Carrell left, I was told by Paul Lieberstein

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<v Speaker 1>and some of the other writers that they were going

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<v Speaker 1>to even more lean into Kevin and physical comedy because

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<v Speaker 1>Steve Carrell was gone, who was helming a lot of

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<v Speaker 1>the physical comedy. So there's the answer. Nick. It wasn't

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<v Speaker 1>really conscious, but it did evolve because of how the

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<v Speaker 1>writers were writing the role. So he started as remarkably

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<v Speaker 1>unremarkable and I think he ended, um, well, something quite different.

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<v Speaker 1>But thanks Nick, and here's here's your handshake back. Hi, Brian,

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<v Speaker 1>my name is Randy. I live in Santa Rosa, California.

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<v Speaker 1>Big fan of the Office. Of course, I wanted to

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<v Speaker 1>tell you my three grandsons are also their ages twelve, fifteen,

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<v Speaker 1>and eighteen. They also love the show. And Um, I

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<v Speaker 1>was wondering how many takes typical scene would would be done,

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<v Speaker 1>and I guess it would depend on the different directors. Um,

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<v Speaker 1>there seems to be so much going on in a scene,

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<v Speaker 1>so many different people involved in a given scene, that

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<v Speaker 1>to do very many takes would be kind of hard.

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<v Speaker 1>So what would you say the average number of takes

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<v Speaker 1>was from scene? Well, thanks, Randy, And let me tell

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<v Speaker 1>you on a personal note, the fact that you're a

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<v Speaker 1>grandfather and you're a fan of the show, and you

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<v Speaker 1>have grandkids that are fans of the show. I think

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<v Speaker 1>that is well to quote Kevin awesome. You know, that's

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<v Speaker 1>an impossible question to answer. It really depended upon the

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<v Speaker 1>complexity of the scene. And as you said, the number

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<v Speaker 1>of people, and actually the number of people that were

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<v Speaker 1>in a scene increased the number of takes that would

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<v Speaker 1>be required to shoot it because they needed to make

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<v Speaker 1>sure that everybody was covered. Um. Largely it depended on

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<v Speaker 1>two factors. One, how many takes were lost because people

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<v Speaker 1>were laughing. That is just that is just the truth.

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<v Speaker 1>And I my mind goes to the conference room scenes

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<v Speaker 1>and Steve Correll, Michael Scott at the front scenes like

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<v Speaker 1>prison Mike, those were incredibly difficult. The more improv that

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<v Speaker 1>he and others did that caught the rest of us

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<v Speaker 1>off balance. The smiles and the laughs came. So that

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<v Speaker 1>was one and to how much improv was done. So

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<v Speaker 1>because we were shooting the show for NBC, mega conglomerate corporation,

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<v Speaker 1>you know, everything we said had to be approved. So

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<v Speaker 1>the script as written was always shot because if it

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<v Speaker 1>if it wasn't on the page, we may not get

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<v Speaker 1>approval for it, and then we would be in trouble.

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<v Speaker 1>So everything as written was shot because it was had

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<v Speaker 1>been approved by the network and this band of people

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<v Speaker 1>called standards and practices which ensure that nothing naughty gets

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<v Speaker 1>on the air, or at least not too naughty. Um.

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<v Speaker 1>But then we were always every scene we were given

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<v Speaker 1>a free pass, a pass to play and improv. And

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<v Speaker 1>depending on how successful the scene was working, depending on

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<v Speaker 1>how successful actors were able to improvise or writers were

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<v Speaker 1>able to pitch new jokes, the scene would happen more.

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<v Speaker 1>But you know, because of that, that's why on the

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<v Speaker 1>DVD s and now on Peacock, there are so many

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<v Speaker 1>additional scenes that were that were cut. Our first assembly

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<v Speaker 1>they called it was about forty five minutes, and when

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<v Speaker 1>you think about running time on NBC, that was twenty

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<v Speaker 1>two minutes. So on average we had a double episode

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<v Speaker 1>shot and then they had to cut it down to

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<v Speaker 1>twenty two. I know that's not an answer, Randy exactly

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<v Speaker 1>how many takes? Just remember this the chili scene. One take.

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<v Speaker 1>That's really all you need to know. Hi, Brian, this

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<v Speaker 1>is Steve Schrader listening to your podcast today. I heard about,

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<v Speaker 1>um your request here from listeners, So this is my

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<v Speaker 1>first I'd like to say, I guess is one. UM.

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<v Speaker 1>I love your podcast, big fan, obviously, big fan of

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<v Speaker 1>the Office. UM you were also I've already pre um

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<v Speaker 1>bought the book, re ordered the book, and UM, you're

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<v Speaker 1>kind of enough to do a cameo for my wife

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<v Speaker 1>for her birthday, I want to say, a couple of

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<v Speaker 1>years ago now, UM with chili, So thank you. So

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<v Speaker 1>I'm a big fan. UM my question is to you,

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<v Speaker 1>and there is no certainly no one besides you that

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<v Speaker 1>could play Kevin. But I'm always interested in what the

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<v Speaker 1>actor themselves think of who would they like to see

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<v Speaker 1>try to play that character if it wasn't them, So

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<v Speaker 1>that's my question to you, UM, if if it wasn't

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<v Speaker 1>you playing Kevin? Hard to even think of anybody else

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<v Speaker 1>playing it? Who would you think you would like to see?

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<v Speaker 1>Or who you know? Maybe several people you would like

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<v Speaker 1>to see like Kevin? Thank you, bye, Hey, Steve, thank

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<v Speaker 1>you for your question. By the way, you hit the

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<v Speaker 1>triumvirent all right, you're a fan of the podcast, which

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<v Speaker 1>I can't thank you enough for. You now have the book.

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<v Speaker 1>I hope you enjoy it. By the way, as I

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<v Speaker 1>speak right now, four weeks in a row on the

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<v Speaker 1>New York Times bestseller list. So I want to thank

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<v Speaker 1>not just you, but everybody who has supported the book.

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<v Speaker 1>It's so exciting to me per personally that so many

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<v Speaker 1>people are are reading it, are reading what I wrote.

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<v Speaker 1>And then of course cameo, thank you for your support

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<v Speaker 1>there as well. So who else would I like to

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<v Speaker 1>see play Kevin? George Clooney, I think would be my answer,

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<v Speaker 1>But I don't know, Steve, that's so difficult. But I

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<v Speaker 1>will tell you a story. I don't know if you

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<v Speaker 1>know this. When Steve Carrell left the show, we had

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<v Speaker 1>a big party and Alison Jones, are amazing casting director,

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<v Speaker 1>came up to me and she said, well, you know,

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<v Speaker 1>I was looking for some mementos to give Steve, you

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<v Speaker 1>know now that he's he's leaving. I didn't find something

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<v Speaker 1>that great, but I thought you would be interested in this.

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<v Speaker 1>And it was a single sheet of paper with three names.

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<v Speaker 1>It said Kevin Malone and then it was the three

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<v Speaker 1>actors that in the end they were considering for the role,

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<v Speaker 1>and it was myself, it was Eric stone Street, and

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<v Speaker 1>it was Jorge Garcia. Eric stone Street obviously went on

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<v Speaker 1>to Modern Family. Jorge Garcia went on to Lost, amongst

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<v Speaker 1>other things. Um, and I framed that piece of paper

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<v Speaker 1>and it is it is. It is in my office

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<v Speaker 1>because I think it's so cool and I'm such a

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<v Speaker 1>fan of both of them. So who knows? You could

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<v Speaker 1>have had Eric stone Street or Jorge Garcia as Kevin

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<v Speaker 1>Malone on the Office. Um, but that's who could have

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<v Speaker 1>done it. Who I want, who I would have wanted

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<v Speaker 1>to do it? Yeah, Yeah, George Clooney, Hello Office Deep Dive,

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<v Speaker 1>And hello Brian, So good to talk to you. I'm

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<v Speaker 1>a huge fan of the podcast, obviously a huge fan

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<v Speaker 1>of the Office. My name is Kendrick, and I just

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<v Speaker 1>had a question that I've always been wondering ever since

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<v Speaker 1>listening to the podcast, and that question is how do

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<v Speaker 1>the actors and I guess anybody working on the set

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<v Speaker 1>de stress after stressful moments during filming? Because I bet

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<v Speaker 1>there was a lot of stressful times during filming the

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<v Speaker 1>show and moments that people would feel stressed, you know,

0:14:10.640 --> 0:14:12.760
<v Speaker 1>including you or any other actor. And I just want

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<v Speaker 1>to know what your methods were, what other actors methods

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<v Speaker 1>are when these times are stressful. I mean, do you

0:14:17.160 --> 0:14:19.880
<v Speaker 1>just go to your trailer and meditate or do you

0:14:19.880 --> 0:14:22.360
<v Speaker 1>do exercise? Like what do you do on set there

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<v Speaker 1>when you start to feel stressed? Thank you so much, Kendrick,

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<v Speaker 1>great question, Thank you for listening. Look, I might be

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<v Speaker 1>a little different. I'll tell you this. How I d

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<v Speaker 1>stress in my normal life now is I play golf.

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<v Speaker 1>There's been a lot of discussion about me and golf,

0:14:42.840 --> 0:14:45.720
<v Speaker 1>and I play as much golf as I can. Unfortunately

0:14:45.720 --> 0:14:48.400
<v Speaker 1>it's not as much as I would like. But but

0:14:48.480 --> 0:14:52.160
<v Speaker 1>I always say that for the four hours or whatever

0:14:52.480 --> 0:14:58.600
<v Speaker 1>that I'm out there, for me, I become singularly focused

0:14:59.200 --> 0:15:03.560
<v Speaker 1>on one thing, which is getting the ball in the hole.

0:15:04.640 --> 0:15:08.240
<v Speaker 1>That's what she said. I don't know that wasn't even intentional, um,

0:15:08.280 --> 0:15:11.720
<v Speaker 1>but that's all I think about. So everything else that's

0:15:11.760 --> 0:15:16.320
<v Speaker 1>going on in work or in personal life or whatever else,

0:15:16.360 --> 0:15:18.120
<v Speaker 1>it goes away for the time that I'm out there,

0:15:18.160 --> 0:15:20.320
<v Speaker 1>and then as soon as I'm done, I'm sort of

0:15:20.360 --> 0:15:24.120
<v Speaker 1>back to it. So I tell you that because similarly,

0:15:24.600 --> 0:15:27.480
<v Speaker 1>on the office, it wasn't about going and being alone

0:15:27.720 --> 0:15:31.720
<v Speaker 1>or meditating, because I think my feeble brain would just

0:15:32.000 --> 0:15:35.480
<v Speaker 1>ruminate on whatever was stressing me out. And and look,

0:15:36.160 --> 0:15:41.280
<v Speaker 1>we were there twelve to fourteen hours a day for

0:15:41.560 --> 0:15:44.400
<v Speaker 1>five days, which is a long time, and it becomes

0:15:44.400 --> 0:15:47.920
<v Speaker 1>difficult to get anything else done. The fatigue sets in

0:15:48.360 --> 0:15:52.200
<v Speaker 1>at times because of our schedule. We were doing twelve

0:15:52.560 --> 0:15:56.960
<v Speaker 1>thirteen episodes in a row, which is very rare in television.

0:15:57.000 --> 0:15:59.880
<v Speaker 1>It stresses everybody out. You know, you have to find

0:16:00.000 --> 0:16:02.480
<v Speaker 1>ops for the next episode, the writers have to keep

0:16:02.560 --> 0:16:04.480
<v Speaker 1>up with scripts. All of those things have to happen.

0:16:04.880 --> 0:16:10.360
<v Speaker 1>But to answer your question, I played Madden Football. That's

0:16:10.360 --> 0:16:13.880
<v Speaker 1>what I did. I played John Madden Football with John

0:16:13.960 --> 0:16:18.960
<v Speaker 1>Krasinski over lunch. And that doesn't seem like a d stressor.

0:16:19.080 --> 0:16:23.560
<v Speaker 1>But again for me, during that thirty minutes, thirty to

0:16:23.680 --> 0:16:29.080
<v Speaker 1>forty five minutes, my focus was just on beating John.

0:16:29.440 --> 0:16:33.960
<v Speaker 1>That's it beating John and not there was nothing else

0:16:34.400 --> 0:16:37.800
<v Speaker 1>going on in my head. So there's your answer. John

0:16:37.840 --> 0:16:42.840
<v Speaker 1>Madden Football the greatest d stressor for this actor on

0:16:42.880 --> 0:16:45.880
<v Speaker 1>the Office. Try. Thank you so much for doing the

0:16:45.920 --> 0:16:48.600
<v Speaker 1>Office Deep Dive. It was fantastic hearing all the interviews,

0:16:48.600 --> 0:16:50.880
<v Speaker 1>and I'm stoked to hear that you're coming out with

0:16:50.920 --> 0:16:54.560
<v Speaker 1>a new podcast. Well, the Office meant so much to

0:16:54.640 --> 0:16:57.520
<v Speaker 1>me because during my darkest times, with times when I

0:16:57.560 --> 0:17:00.520
<v Speaker 1>was feeling down, the Office was my happy place. I've

0:17:00.800 --> 0:17:02.960
<v Speaker 1>watched The Office all the way through, probably nine or

0:17:03.000 --> 0:17:05.919
<v Speaker 1>ten times. I got to the points where I've stopped counting.

0:17:06.440 --> 0:17:08.720
<v Speaker 1>But the one funny story or a really interesting thing

0:17:08.760 --> 0:17:11.119
<v Speaker 1>that I really wanted to bring up is that for

0:17:11.240 --> 0:17:14.920
<v Speaker 1>my thirtieth birthday, the Dirty thirty, I had no idea

0:17:15.480 --> 0:17:17.600
<v Speaker 1>that this was happening, but I happened to be wearing

0:17:17.640 --> 0:17:19.879
<v Speaker 1>my dunder Mifflin T shirt and my wife brought me

0:17:19.920 --> 0:17:21.560
<v Speaker 1>over to my friend's house, who I thought was a

0:17:21.600 --> 0:17:24.159
<v Speaker 1>party for somebody else, and it turned out that it

0:17:24.240 --> 0:17:27.320
<v Speaker 1>was a surprise birthday party that was Office themed, had

0:17:27.440 --> 0:17:29.600
<v Speaker 1>the banner that says it is your birthday. All the

0:17:29.720 --> 0:17:35.399
<v Speaker 1>food was Office themed pizza, by Alfredo and all that stuff,

0:17:35.440 --> 0:17:38.200
<v Speaker 1>you know, and it was fantastic. But the coolest thing,

0:17:38.240 --> 0:17:40.399
<v Speaker 1>the icing on the cake, was that I had no

0:17:40.480 --> 0:17:44.080
<v Speaker 1>idea that cameo was a thing. And my wife said, hey,

0:17:44.119 --> 0:17:46.679
<v Speaker 1>we've got something for you, and they turned on the

0:17:46.680 --> 0:17:49.959
<v Speaker 1>TV and it was a cameo video of you sending

0:17:49.960 --> 0:17:54.879
<v Speaker 1>me a birthday message. And I don't know, I'm getting

0:17:54.880 --> 0:17:58.320
<v Speaker 1>emotional thinking about it, but it was so cool. I

0:17:58.359 --> 0:18:01.760
<v Speaker 1>had no idea that that was happening. And just to uh,

0:18:01.960 --> 0:18:04.680
<v Speaker 1>to see your face and tell me happy birthday, Happy

0:18:04.720 --> 0:18:07.560
<v Speaker 1>dirty thirty. That was fantastic and it really was a

0:18:07.640 --> 0:18:11.199
<v Speaker 1>highlight of my life, really and I just want to

0:18:11.200 --> 0:18:14.560
<v Speaker 1>say thank you for that. And um, I enjoy the podcast.

0:18:14.720 --> 0:18:19.359
<v Speaker 1>Thanks Sam, thank you so much. It means a lot

0:18:20.080 --> 0:18:23.000
<v Speaker 1>for you to tell me that story. You know, people

0:18:23.080 --> 0:18:26.560
<v Speaker 1>ask me about the work I do on Cameo all

0:18:26.680 --> 0:18:32.360
<v Speaker 1>the time, and it's stories like that that that makes

0:18:32.400 --> 0:18:35.680
<v Speaker 1>me keep doing it. Um, I appreciate it. Look, I

0:18:37.119 --> 0:18:40.280
<v Speaker 1>what I try to do is is not making about me,

0:18:40.840 --> 0:18:45.400
<v Speaker 1>but it's it's about It's about you, Sam. It's it's

0:18:45.440 --> 0:18:50.400
<v Speaker 1>your birthday, it's your graduation, it's your wedding. And if

0:18:50.480 --> 0:18:54.560
<v Speaker 1>that brings you to a moment in time that you

0:18:54.840 --> 0:18:59.280
<v Speaker 1>remember the show, that you have fond memories about Kevin

0:18:59.320 --> 0:19:03.000
<v Speaker 1>Malone nor any of the other actors or scenes or

0:19:03.040 --> 0:19:05.520
<v Speaker 1>moments on the show. If that brings you to a

0:19:05.560 --> 0:19:09.879
<v Speaker 1>happy place, well, Sam, then I'm happy. So thanks for

0:19:09.920 --> 0:19:15.080
<v Speaker 1>telling me that story. My best to you, and thank

0:19:15.119 --> 0:19:18.520
<v Speaker 1>you so much for listening. And yeah, we're gonna We're

0:19:18.520 --> 0:19:24.800
<v Speaker 1>gonna be back baby in two with even more podcast fun.

0:19:33.400 --> 0:19:36.480
<v Speaker 1>It's a hard time for hiring, so you need a

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<v Speaker 1>terms and conditions apply. Need to hire you need Indeed. Hi.

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<v Speaker 1>I'm Hillary Clinton and I'm excited to be back with

0:21:14.200 --> 0:21:17.000
<v Speaker 1>a new season of you and me both. You know,

0:21:17.040 --> 0:21:19.919
<v Speaker 1>when we started this podcast, we were going through some

0:21:20.000 --> 0:21:23.119
<v Speaker 1>tough times, and let's face it, we still are. But

0:21:23.240 --> 0:21:27.119
<v Speaker 1>I am a firm believer we're stronger together, So please

0:21:27.240 --> 0:21:30.520
<v Speaker 1>join me for more conversations with people who will make

0:21:30.560 --> 0:21:33.320
<v Speaker 1>you think, make you laugh, and help us find a

0:21:33.400 --> 0:21:36.480
<v Speaker 1>path forward. Listen to you and me both on the

0:21:36.520 --> 0:21:39.880
<v Speaker 1>I Heart Radio app, Apple podcasts, or wherever you get

0:21:39.920 --> 0:21:52.919
<v Speaker 1>your podcasts. On the latest season of the Next Question

0:21:52.920 --> 0:21:57.440
<v Speaker 1>with Katie correct podcast, Katie dives into Well Katie Here,

0:21:57.480 --> 0:22:01.080
<v Speaker 1>exclusive podcast only conversations between Katie and the people who

0:22:01.160 --> 0:22:04.120
<v Speaker 1>made her memoir Going There Possible. We spent a lot

0:22:04.119 --> 0:22:07.520
<v Speaker 1>of time together around a dining room table here and

0:22:07.560 --> 0:22:11.160
<v Speaker 1>in the city, and you know, it was a very

0:22:11.280 --> 0:22:15.120
<v Speaker 1>intense experienced. All episodes of Next Question with Katie Couric

0:22:15.200 --> 0:22:17.880
<v Speaker 1>are available now. Listen on the I Heart Radio app,

0:22:17.920 --> 0:22:33.919
<v Speaker 1>Apple podcasts, or wherever you get your podcasts. Hi, Brian, So,

0:22:34.240 --> 0:22:40.680
<v Speaker 1>I had a situation at work that arose the day

0:22:40.800 --> 0:22:44.840
<v Speaker 1>after I listened to your Part three episode with Greg Daniels,

0:22:45.640 --> 0:22:52.080
<v Speaker 1>and in that episode, Greg mentioned a situation that arose

0:22:52.640 --> 0:22:59.520
<v Speaker 1>when Chili's said they would not let you produce the

0:22:59.560 --> 0:23:05.200
<v Speaker 1>episode O if Pam was was drunk and intoxicated and

0:23:05.280 --> 0:23:07.399
<v Speaker 1>I guess threw up in the episode. They said they

0:23:07.400 --> 0:23:12.199
<v Speaker 1>would not let you produce that episode, and um, Greg

0:23:12.200 --> 0:23:17.040
<v Speaker 1>turned to Steve, and Steve basically figured it out as

0:23:17.080 --> 0:23:21.280
<v Speaker 1>a creative improv person. He said, Okay, we can do this,

0:23:21.320 --> 0:23:25.320
<v Speaker 1>we can figure this out. So at my job, I

0:23:25.359 --> 0:23:28.800
<v Speaker 1>am a theater artist and actually a dance teacher and

0:23:28.840 --> 0:23:31.200
<v Speaker 1>a theater artist. And so we are putting together a

0:23:31.280 --> 0:23:34.520
<v Speaker 1>dance concert for the weekend and we get some props

0:23:35.000 --> 0:23:38.760
<v Speaker 1>from our technical director that just don't work, and we

0:23:38.840 --> 0:23:41.159
<v Speaker 1>have a couple of days before the show opens and

0:23:41.240 --> 0:23:43.880
<v Speaker 1>not a lot of time to rehearse with them. So

0:23:44.560 --> 0:23:47.680
<v Speaker 1>I was starting to get very frustrated, and instead of

0:23:48.160 --> 0:23:53.399
<v Speaker 1>letting myself get super frustrated, that that episode just clicked

0:23:53.440 --> 0:23:56.040
<v Speaker 1>into my brain. It's like I had just listened to

0:23:56.080 --> 0:23:58.920
<v Speaker 1>it and it went I thought, be Steve Carrell in

0:23:59.000 --> 0:24:02.440
<v Speaker 1>this moment, figure out how to make this work? How

0:24:02.480 --> 0:24:05.399
<v Speaker 1>can you make this work? So I said that out loud.

0:24:05.440 --> 0:24:08.639
<v Speaker 1>I said, Okay, guys, we have to go with the

0:24:08.680 --> 0:24:11.800
<v Speaker 1>flow here. How can we make this work? And so

0:24:11.920 --> 0:24:15.800
<v Speaker 1>my students and I came up with an option that

0:24:16.280 --> 0:24:22.119
<v Speaker 1>actually worked better than our original option. We we modified

0:24:22.200 --> 0:24:25.280
<v Speaker 1>the props ourselves, and we made it work. So I

0:24:25.320 --> 0:24:29.600
<v Speaker 1>wanted to thank you for that interview, and the whole podcast,

0:24:29.600 --> 0:24:31.320
<v Speaker 1>of course, is just amazing. I listened to it all

0:24:31.359 --> 0:24:36.240
<v Speaker 1>the time, but that interview especially just made me a

0:24:36.280 --> 0:24:39.760
<v Speaker 1>little less stressed that day. So I appreciate it, and

0:24:39.800 --> 0:24:44.000
<v Speaker 1>I'm going to carry that with me. Thanks, Alyssa, between

0:24:44.040 --> 0:24:48.080
<v Speaker 1>you and I and everybody listening, we could all be

0:24:48.440 --> 0:24:52.400
<v Speaker 1>a little bit more like Steve Carrell every day and

0:24:52.440 --> 0:24:56.440
<v Speaker 1>we'd be we'd be better off to remind people or

0:24:56.520 --> 0:25:01.520
<v Speaker 1>let people know what Alyssa's talking about. Yes, were two

0:25:01.920 --> 0:25:07.360
<v Speaker 1>three days into full production, days from shooting the first

0:25:07.440 --> 0:25:10.639
<v Speaker 1>Dundee's episode at Chili's. The script had been written, the

0:25:10.680 --> 0:25:14.320
<v Speaker 1>script was not altered, but there were some executives from

0:25:14.400 --> 0:25:19.720
<v Speaker 1>Chili's who were there and did not like Pam getting

0:25:19.800 --> 0:25:24.120
<v Speaker 1>drunk at Chili's and basically we're told you can't do that,

0:25:24.920 --> 0:25:29.280
<v Speaker 1>And the entire episode, of course, with Pam getting a

0:25:29.280 --> 0:25:35.840
<v Speaker 1>little tipsy and eventually kissing Jim, was a central central

0:25:35.920 --> 0:25:41.080
<v Speaker 1>part of that episode. So yeah, Steve in the moment said, okay,

0:25:41.359 --> 0:25:44.359
<v Speaker 1>let's absolve Chili's. Let's shoot a couple of times where

0:25:44.400 --> 0:25:49.600
<v Speaker 1>she's not over served, but where she's stealing drinks, and

0:25:49.760 --> 0:25:52.960
<v Speaker 1>let's have her be banned for life for doing that.

0:25:53.480 --> 0:25:57.240
<v Speaker 1>And that ended up appeasing the good folks at Chili's,

0:25:57.280 --> 0:26:00.639
<v Speaker 1>and um, obviously we ended up going to chile Is

0:26:00.680 --> 0:26:02.520
<v Speaker 1>a couple of more times throughout the run of the show,

0:26:02.600 --> 0:26:06.199
<v Speaker 1>so that all worked out yeah, you know, listen, Steve

0:26:07.280 --> 0:26:11.560
<v Speaker 1>is to me the greatest improviser of all time. And

0:26:11.680 --> 0:26:15.640
<v Speaker 1>that's why right there he does it when he's acting,

0:26:16.320 --> 0:26:24.320
<v Speaker 1>his creative mind is always on story, in character and

0:26:24.320 --> 0:26:26.840
<v Speaker 1>and better than what anyone else can come up with.

0:26:27.400 --> 0:26:32.720
<v Speaker 1>And yeah, he saved that episode for sure, So I'm

0:26:32.760 --> 0:26:35.240
<v Speaker 1>glad you were able to use that lesson. And I

0:26:35.320 --> 0:26:37.080
<v Speaker 1>said it as a joke, but I really mean it.

0:26:37.720 --> 0:26:41.360
<v Speaker 1>Watching Steve Correll, if you're an artistic person do what

0:26:41.480 --> 0:26:47.479
<v Speaker 1>he does will make you a better artist or creative thinker.

0:26:47.720 --> 0:26:52.800
<v Speaker 1>There is absolutely no doubt about that. Hi, Brian, this

0:26:52.960 --> 0:26:56.000
<v Speaker 1>is Tom Elliott Oven UK with some thoughts for your

0:26:56.080 --> 0:27:00.400
<v Speaker 1>listener feedback show. Now, you always ask your guests why

0:27:00.480 --> 0:27:04.160
<v Speaker 1>they think that The Office is more popular now than ever,

0:27:04.359 --> 0:27:07.600
<v Speaker 1>and I can't answer that question for the US, but

0:27:07.720 --> 0:27:11.040
<v Speaker 1>I can maybe answer that question for a section of

0:27:11.119 --> 0:27:15.119
<v Speaker 1>that audience over here in the UK, because my experience

0:27:15.200 --> 0:27:18.520
<v Speaker 1>with becoming a fan of your show is an experience

0:27:18.600 --> 0:27:22.080
<v Speaker 1>that I've had echoed over and over again by other

0:27:22.119 --> 0:27:26.239
<v Speaker 1>British people in the last year or two. Because the

0:27:26.359 --> 0:27:29.199
<v Speaker 1>UK version of the Office, it was a game changer

0:27:29.280 --> 0:27:32.040
<v Speaker 1>over here, you know, it really changed the face of

0:27:32.119 --> 0:27:36.320
<v Speaker 1>British comedy and pretty much everyone loved that show. So

0:27:36.359 --> 0:27:38.080
<v Speaker 1>when I heard that there was going to be a

0:27:38.200 --> 0:27:41.840
<v Speaker 1>US version, I, like a lot of other people over here,

0:27:42.280 --> 0:27:45.600
<v Speaker 1>rolled my eyes and thought, oh, here we go. You know,

0:27:45.680 --> 0:27:48.600
<v Speaker 1>we didn't have high hopes for it, so I wasn't

0:27:48.640 --> 0:27:51.160
<v Speaker 1>expecting good things, but I thought, you know what, I'll

0:27:51.160 --> 0:27:54.280
<v Speaker 1>watch the pilot and see how they do. And then

0:27:54.320 --> 0:27:58.440
<v Speaker 1>I watched the pilot. Now I learned on your podcast

0:27:58.640 --> 0:28:03.040
<v Speaker 1>why Greg chose to remake the British pilot to stop

0:28:03.080 --> 0:28:07.320
<v Speaker 1>the network given notes. But unfortunately, as a British viewer

0:28:07.400 --> 0:28:11.840
<v Speaker 1>watching one of our crown jewels of television being remade

0:28:11.840 --> 0:28:15.159
<v Speaker 1>in that way, it instantly turned me off because no

0:28:15.320 --> 0:28:19.240
<v Speaker 1>disrespect to anyone involved, but I think when something was

0:28:19.280 --> 0:28:23.359
<v Speaker 1>so seminal and so perfectly done the first time round,

0:28:23.920 --> 0:28:27.480
<v Speaker 1>whoever tries to then recreate that just as a huge

0:28:27.720 --> 0:28:30.600
<v Speaker 1>mountain to climb in terms of winning an audience over,

0:28:31.400 --> 0:28:34.639
<v Speaker 1>no matter how talented they are. So I, like a

0:28:34.680 --> 0:28:38.880
<v Speaker 1>lot of my compatriots, turned off the American office at

0:28:38.920 --> 0:28:42.520
<v Speaker 1>that point and didn't look back, and then promptly just

0:28:42.600 --> 0:28:46.520
<v Speaker 1>forgot about it. So one day I put Netflix on

0:28:46.560 --> 0:28:49.960
<v Speaker 1>my TV and I see that they've put the American

0:28:50.000 --> 0:28:53.320
<v Speaker 1>Office on there, and I noticed that there's nine seasons,

0:28:53.360 --> 0:28:56.120
<v Speaker 1>and I'm asking myself, how could they have made nine

0:28:56.160 --> 0:28:59.480
<v Speaker 1>seasons of this thing? How is that even possible? But

0:28:59.600 --> 0:29:03.440
<v Speaker 1>also my curiosity has peaked at this point because, as

0:29:03.520 --> 0:29:08.880
<v Speaker 1>you know, the British show has twelve episodes and two specials,

0:29:08.920 --> 0:29:11.440
<v Speaker 1>So what could they have been doing for nine years

0:29:12.040 --> 0:29:14.320
<v Speaker 1>on the U S show? I guess they must have

0:29:14.320 --> 0:29:17.560
<v Speaker 1>been doing something right. So I watched the pilot again,

0:29:17.840 --> 0:29:20.680
<v Speaker 1>and you know, it was what it was, But it

0:29:20.800 --> 0:29:23.960
<v Speaker 1>also been twenty years now since the UK Office, so

0:29:24.440 --> 0:29:27.720
<v Speaker 1>I'm a little less precious about it, and I decided

0:29:27.760 --> 0:29:31.160
<v Speaker 1>to just carry on. And I find that the fair

0:29:31.200 --> 0:29:34.200
<v Speaker 1>that out I get from that pilot, the more and

0:29:34.360 --> 0:29:37.600
<v Speaker 1>warm into this show and these characters. And now it

0:29:37.640 --> 0:29:41.040
<v Speaker 1>wasn't so much about making a negative comparison to the

0:29:41.080 --> 0:29:44.760
<v Speaker 1>British show. It was actually interesting to see where you

0:29:44.800 --> 0:29:48.440
<v Speaker 1>guys would take it, to see your show evolve and

0:29:48.480 --> 0:29:51.600
<v Speaker 1>take on its own identity until we're actually at the

0:29:51.640 --> 0:29:56.680
<v Speaker 1>point where each version justifies its own existence because they

0:29:56.680 --> 0:30:00.440
<v Speaker 1>are the same but different. But that original question, why

0:30:00.640 --> 0:30:04.920
<v Speaker 1>is the American Office more popular now than ever? And

0:30:05.320 --> 0:30:08.320
<v Speaker 1>as your guests have said there are many, many reasons

0:30:08.320 --> 0:30:10.880
<v Speaker 1>for that, but I think from my corner of the world,

0:30:11.120 --> 0:30:14.000
<v Speaker 1>one of the reasons why it's popular here now is

0:30:14.040 --> 0:30:16.840
<v Speaker 1>that we almost had to forget about it two then

0:30:16.880 --> 0:30:19.520
<v Speaker 1>rediscover it, and I guess we also had to get

0:30:19.560 --> 0:30:22.840
<v Speaker 1>over ourselves a bit as well, because the existence of

0:30:22.960 --> 0:30:26.040
<v Speaker 1>one takes nothing away from the other. And instead of

0:30:26.080 --> 0:30:29.840
<v Speaker 1>having one classic show in the British version, we now

0:30:29.880 --> 0:30:33.360
<v Speaker 1>have two classic shows because the American version is a

0:30:33.400 --> 0:30:37.200
<v Speaker 1>classic too, so everybody wins. There's just there's just more

0:30:37.200 --> 0:30:39.520
<v Speaker 1>of it to love now, and what's wrong with that,

0:30:39.560 --> 0:30:43.120
<v Speaker 1>you know? So anyway, that's my thoughts on it. Thanks

0:30:43.160 --> 0:30:45.680
<v Speaker 1>for a great show, Brian, and I look forward to

0:30:45.800 --> 0:30:49.600
<v Speaker 1>many more episodes to come. Tom thank you so much

0:30:49.800 --> 0:30:54.240
<v Speaker 1>for your thought for comments. Truly, I wish I had

0:30:54.320 --> 0:30:59.000
<v Speaker 1>interviewed you before the book came out, and before that

0:30:59.040 --> 0:31:03.360
<v Speaker 1>I did all of these interviews for the podcast. You're very,

0:31:03.480 --> 0:31:07.160
<v Speaker 1>very insightful, you know. Look, we've talked about it quite

0:31:07.160 --> 0:31:10.520
<v Speaker 1>a bit, but I think what you say is probably

0:31:10.600 --> 0:31:15.080
<v Speaker 1>a spot on. I mean, you cannot believe and those

0:31:15.120 --> 0:31:18.000
<v Speaker 1>of you who we're not watching the show are aware

0:31:18.360 --> 0:31:21.440
<v Speaker 1>of what was going on back in two thousand four five.

0:31:21.640 --> 0:31:25.960
<v Speaker 1>Maybe you weren't born yet. The amount of hate and

0:31:26.480 --> 0:31:30.640
<v Speaker 1>vitriol for our show and the fact that it even existed.

0:31:31.240 --> 0:31:34.000
<v Speaker 1>I mean not to bring up the sexiest man alive,

0:31:34.040 --> 0:31:37.960
<v Speaker 1>Paul Rudd, but yes, Steve told me that when he

0:31:38.080 --> 0:31:40.600
<v Speaker 1>told Paul he was coming in to read for it,

0:31:40.600 --> 0:31:43.320
<v Speaker 1>Paul said, don't do it. Don't do it, and that's

0:31:43.760 --> 0:31:46.640
<v Speaker 1>that wasn't rare. I mean, now it seems silly, but

0:31:47.080 --> 0:31:49.320
<v Speaker 1>at the time there were people who would not do

0:31:49.440 --> 0:31:53.600
<v Speaker 1>the show because of the British version and how loved

0:31:53.680 --> 0:31:58.040
<v Speaker 1>and beloved it had become, not just in the UK,

0:31:58.240 --> 0:32:01.080
<v Speaker 1>but over here in the States by the time our

0:32:01.080 --> 0:32:03.640
<v Speaker 1>show was on the air. So I think it's very

0:32:03.680 --> 0:32:07.800
<v Speaker 1>interesting Tom that that you talk about that distance. And

0:32:07.800 --> 0:32:12.920
<v Speaker 1>I also think it's interesting your response to to the

0:32:12.960 --> 0:32:15.800
<v Speaker 1>pilot episode, and that makes a lot of sense to me.

0:32:16.040 --> 0:32:21.040
<v Speaker 1>You know, now I go on a variety television show

0:32:21.600 --> 0:32:26.400
<v Speaker 1>or you know, some program. It happened this week. Actually

0:32:26.440 --> 0:32:30.120
<v Speaker 1>for me, I appeared on a show and so often

0:32:30.760 --> 0:32:37.440
<v Speaker 1>people want me to recreate a scene from the office,

0:32:38.200 --> 0:32:41.800
<v Speaker 1>and what I say to them is no, no, we

0:32:41.800 --> 0:32:44.480
<v Speaker 1>we can't do that. What we what we have to

0:32:44.520 --> 0:32:47.680
<v Speaker 1>do is if you want to nod towards it, let's

0:32:47.800 --> 0:32:51.200
<v Speaker 1>nod lightly. People will get the joke, but let's do

0:32:51.280 --> 0:32:57.080
<v Speaker 1>our own interpretation of that joke, be it sitting on

0:32:57.200 --> 0:33:02.280
<v Speaker 1>Santa's lap or spilling chillle. For me to attempt to

0:33:02.320 --> 0:33:07.360
<v Speaker 1>recreate that moment that exists is always going to pale

0:33:07.360 --> 0:33:10.800
<v Speaker 1>in comparison, and so I think it's very interesting what

0:33:10.880 --> 0:33:14.360
<v Speaker 1>you say, being so familiar, being such a huge fan

0:33:14.520 --> 0:33:18.680
<v Speaker 1>in the UK of the British version to see us,

0:33:19.280 --> 0:33:24.000
<v Speaker 1>for lack of a better term, try to just imitate that. Yeah,

0:33:24.120 --> 0:33:27.440
<v Speaker 1>I'm sure for you it would pale in comparison. So

0:33:28.040 --> 0:33:31.400
<v Speaker 1>thank you for your comments. I still haven't discovered quite

0:33:31.720 --> 0:33:34.800
<v Speaker 1>the reason why I think we've got a lot of

0:33:34.840 --> 0:33:38.120
<v Speaker 1>great answers. It's probably a combination of many things, but

0:33:38.240 --> 0:33:43.440
<v Speaker 1>your perspective from the folks in the UK are very

0:33:43.560 --> 0:33:46.680
<v Speaker 1>very interesting. So thanks Tom for your comments and and

0:33:46.720 --> 0:33:49.800
<v Speaker 1>thank you so much for listening. Hey, Brian, my name

0:33:49.840 --> 0:33:52.680
<v Speaker 1>is Selmia from New York City. I'm a huge fan

0:33:52.840 --> 0:33:56.240
<v Speaker 1>of the podcast, and I have to say that during

0:33:56.360 --> 0:33:59.280
<v Speaker 1>the pandemic and during work from home, I'm pretty much

0:33:59.320 --> 0:34:03.160
<v Speaker 1>have the office on in the background while I'm doing work.

0:34:03.240 --> 0:34:05.280
<v Speaker 1>So in many ways, I feel like I work at

0:34:05.360 --> 0:34:08.760
<v Speaker 1>dunder Mifflin. UM. I wanted to shout out the episodes

0:34:08.800 --> 0:34:11.160
<v Speaker 1>you had with the hair and makeup team. I thought

0:34:11.200 --> 0:34:14.120
<v Speaker 1>that was such a unique perspective and it was great

0:34:14.160 --> 0:34:17.920
<v Speaker 1>to hear from some really empowering female voices that the

0:34:17.960 --> 0:34:19.759
<v Speaker 1>fans don't get to hear from a lot. So I

0:34:19.760 --> 0:34:22.799
<v Speaker 1>thought their stories were really touching and it's great to

0:34:22.840 --> 0:34:25.560
<v Speaker 1>see how close they were with the cast. UM. My

0:34:25.640 --> 0:34:28.560
<v Speaker 1>question for you is what's kind of next for this podcast?

0:34:28.960 --> 0:34:30.680
<v Speaker 1>I know a lot of these interviews are going to

0:34:30.760 --> 0:34:33.520
<v Speaker 1>be featured in your upcoming book. UM, but now that

0:34:33.560 --> 0:34:35.600
<v Speaker 1>the book is coming out, like, what's next do you

0:34:35.640 --> 0:34:39.319
<v Speaker 1>see the podcast continuing? Are you going to pivot into

0:34:39.360 --> 0:34:42.200
<v Speaker 1>something else? Um? I know you have that sweet sweet

0:34:42.200 --> 0:34:44.719
<v Speaker 1>cameo money, so you know you don't really need the

0:34:44.800 --> 0:34:47.239
<v Speaker 1>day job. But what's kind of next for you? And

0:34:47.280 --> 0:34:51.560
<v Speaker 1>you know, Kevin Malone in two thanks so much. Hey, SEMMYA,

0:34:51.680 --> 0:34:57.480
<v Speaker 1>thank you so much shouting me out from New York City,

0:34:57.600 --> 0:35:01.440
<v Speaker 1>which I've been in a lot recently, so it's becoming

0:35:01.480 --> 0:35:05.560
<v Speaker 1>my second home. In fact, thanks for your comments about Laverne,

0:35:05.800 --> 0:35:08.560
<v Speaker 1>Debbie Kim, the hair and makeup people. They were some

0:35:08.640 --> 0:35:13.080
<v Speaker 1>of my favorite conversations. And you know, look the hours

0:35:13.160 --> 0:35:17.480
<v Speaker 1>that we spent together and the intense times that we had.

0:35:17.520 --> 0:35:20.480
<v Speaker 1>As as they said they were, they were part therapist,

0:35:21.080 --> 0:35:25.560
<v Speaker 1>part part confidante, part everything. It was great to be

0:35:25.640 --> 0:35:28.759
<v Speaker 1>able to sit down and spend some time with them

0:35:28.800 --> 0:35:34.680
<v Speaker 1>and hear their perspective on the show. What's next for two, Well,

0:35:35.360 --> 0:35:38.799
<v Speaker 1>I guess, I guess that's simple. Off the Beat a

0:35:38.800 --> 0:35:42.520
<v Speaker 1>new podcast right here. You can still find it right

0:35:42.520 --> 0:35:46.480
<v Speaker 1>here on the Office Deep Dive feed. But as you know,

0:35:46.640 --> 0:35:51.040
<v Speaker 1>we've talked to so many folks from the Office, and

0:35:51.080 --> 0:35:54.080
<v Speaker 1>we'll continue to talk to some more. But really we're

0:35:54.080 --> 0:35:58.480
<v Speaker 1>going to expand and talk about television, all of television,

0:35:58.560 --> 0:36:02.080
<v Speaker 1>other shows in television Class six shows will start with

0:36:02.120 --> 0:36:05.120
<v Speaker 1>some folks who had appearances on the Office, but focus

0:36:05.200 --> 0:36:09.560
<v Speaker 1>on some of their other work. I'm interested in focusing

0:36:09.840 --> 0:36:12.880
<v Speaker 1>on the moments that happened off the Beat, not the

0:36:12.960 --> 0:36:16.120
<v Speaker 1>moments that everyone else has heard about two and fifty

0:36:16.160 --> 0:36:20.200
<v Speaker 1>seven thousand times, but moments in their career or on

0:36:20.280 --> 0:36:25.000
<v Speaker 1>their shows that we haven't heard about before. Because as

0:36:25.040 --> 0:36:27.840
<v Speaker 1>a French director I once worked with told me that

0:36:28.000 --> 0:36:32.799
<v Speaker 1>comedy happens off the beat. It's the unexpected moments that

0:36:32.880 --> 0:36:36.600
<v Speaker 1>are often the most pleasurable and the most important. So

0:36:36.640 --> 0:36:40.520
<v Speaker 1>we will be back right here, same bat channel, same

0:36:40.600 --> 0:36:43.759
<v Speaker 1>bad time. I guess there's no time in podcasts, but

0:36:43.800 --> 0:36:47.960
<v Speaker 1>we're gonna keep talking to folks in television and maybe

0:36:48.000 --> 0:36:52.120
<v Speaker 1>some sports as well about the moments that happened for

0:36:52.160 --> 0:36:55.359
<v Speaker 1>these people that you know and love that well maybe

0:36:55.360 --> 0:36:59.080
<v Speaker 1>you've never heard before. Gree is Mr Bumgarner. My name

0:36:59.160 --> 0:37:01.560
<v Speaker 1>is Marcus and I am a longtime fan of the Office.

0:37:01.760 --> 0:37:04.640
<v Speaker 1>I actually stumbled across the show because when it was premiered,

0:37:04.680 --> 0:37:07.160
<v Speaker 1>I already had the habit of watching must must sy

0:37:07.200 --> 0:37:09.880
<v Speaker 1>TV on Thursdays back since Seinfeld was on, so I

0:37:09.920 --> 0:37:11.799
<v Speaker 1>was a mediate fan. But one thing to do is

0:37:11.840 --> 0:37:14.680
<v Speaker 1>you often ask your guests what makes The Office even

0:37:14.680 --> 0:37:17.640
<v Speaker 1>more popular today than it was back then when it

0:37:17.640 --> 0:37:20.080
<v Speaker 1>originally aired. Well, I was one of those people who

0:37:20.280 --> 0:37:22.759
<v Speaker 1>bought the seasons on iTunes when they dropped back into

0:37:22.800 --> 0:37:24.719
<v Speaker 1>two thousand's. I was in the U. S. Navy and

0:37:24.760 --> 0:37:26.399
<v Speaker 1>I was in and out of the country quite a lot.

0:37:26.600 --> 0:37:29.200
<v Speaker 1>I did miss big chunks of some of the earliest seasons,

0:37:29.560 --> 0:37:32.080
<v Speaker 1>so I would often binge them over and over again

0:37:32.080 --> 0:37:34.400
<v Speaker 1>on my laptop or or whatever I had access to.

0:37:34.840 --> 0:37:36.880
<v Speaker 1>But even more important, when I was deployed to Iraq

0:37:36.920 --> 0:37:40.520
<v Speaker 1>and Afghanistan multiple times between two thousand seven and two

0:37:40.560 --> 0:37:44.080
<v Speaker 1>thousand twelve, I didn't have reliable internet and streaming wasn't

0:37:44.080 --> 0:37:47.480
<v Speaker 1>a thing. Um, I didn't have Netflix streaming anything like that,

0:37:47.640 --> 0:37:50.600
<v Speaker 1>and I'd watch entire seasons on my laptop straight through,

0:37:50.760 --> 0:37:53.879
<v Speaker 1>just from start to beginning, and then repeat every time

0:37:53.920 --> 0:37:59.040
<v Speaker 1>I wasn't actually working. Imagine a dark tent, some dusty place, dirty, hot,

0:37:59.239 --> 0:38:02.320
<v Speaker 1>miserable me lying on a cot, you know, or sometimes

0:38:02.400 --> 0:38:05.000
<v Speaker 1>just a piece of plywood tucked in my sleeping bag,

0:38:05.200 --> 0:38:08.759
<v Speaker 1>laptop resting all my stomach, headphones on, so hopefully I

0:38:08.760 --> 0:38:11.640
<v Speaker 1>went and disturbed my neighbors sleeping only a few feet away,

0:38:12.080 --> 0:38:15.200
<v Speaker 1>you know, watching Brian go for the records stuffing Eminem's

0:38:15.200 --> 0:38:17.920
<v Speaker 1>in his mouth, or Stanley yelling. Did I stutter at

0:38:17.960 --> 0:38:21.120
<v Speaker 1>Michael or Pam holding her first art show. I can't

0:38:21.160 --> 0:38:23.600
<v Speaker 1>count how many times I stifled a tear or I'll

0:38:23.680 --> 0:38:27.080
<v Speaker 1>definitely a laugh to not again not wake up the

0:38:27.120 --> 0:38:29.160
<v Speaker 1>person next to me. But also, you know, watching these

0:38:29.160 --> 0:38:32.160
<v Speaker 1>shows actually kept me saying, and a lot of it

0:38:32.200 --> 0:38:34.520
<v Speaker 1>has to do with that whole. I think you've talked

0:38:34.520 --> 0:38:37.920
<v Speaker 1>about a lot that office environment that just normal people.

0:38:38.280 --> 0:38:40.839
<v Speaker 1>That's what I wanted to fill was normal. So thank

0:38:40.880 --> 0:38:43.800
<v Speaker 1>you forgive us a peep behind the curtain through your podcast.

0:38:43.880 --> 0:38:45.960
<v Speaker 1>And I have to admit your sibling podcasts as well,

0:38:46.000 --> 0:38:49.120
<v Speaker 1>Office Ladies. Both of your shows have really introduced us

0:38:49.160 --> 0:38:51.920
<v Speaker 1>to all the creative masterminds that came together like a

0:38:51.960 --> 0:38:54.920
<v Speaker 1>perfect chilly recipe to make the office. Before I go,

0:38:55.040 --> 0:38:57.640
<v Speaker 1>I wanted to say the two of my favorite episodes

0:38:57.680 --> 0:39:00.239
<v Speaker 1>of yours where the conversations with Ben Silverman and the

0:39:00.280 --> 0:39:03.520
<v Speaker 1>one especially with Debbie Pierce and Kim Ferry. Both are

0:39:03.520 --> 0:39:07.080
<v Speaker 1>examples of how deep you really dove. Mr Silverman haven't

0:39:07.120 --> 0:39:10.000
<v Speaker 1>been there at the beginning, and it was really great

0:39:10.040 --> 0:39:11.919
<v Speaker 1>to hear his side of the story and how things

0:39:11.960 --> 0:39:15.279
<v Speaker 1>really came together. But even more where else and who

0:39:15.280 --> 0:39:17.719
<v Speaker 1>else would give equal time to make up and hair.

0:39:18.280 --> 0:39:20.560
<v Speaker 1>I would just love to learn how their department was

0:39:20.680 --> 0:39:23.200
<v Speaker 1>organized and the challenges they face, as well as their

0:39:23.239 --> 0:39:26.480
<v Speaker 1>personal stories. You are a fantastic human being for sharing

0:39:26.520 --> 0:39:28.759
<v Speaker 1>them with us. Thank you, sir, and I look forward

0:39:28.800 --> 0:39:34.000
<v Speaker 1>to your next chapter. Marcus, you horror fantastic human being.

0:39:34.640 --> 0:39:38.960
<v Speaker 1>Thank you one for your service. It's incredible to me

0:39:39.320 --> 0:39:46.720
<v Speaker 1>knowing you were stationed abroad Iraq, Afghanistan fighting for all

0:39:46.800 --> 0:39:52.160
<v Speaker 1>of us back home. And the visual image you paint

0:39:52.800 --> 0:39:55.279
<v Speaker 1>of lying there on your cot in a hot and

0:39:55.360 --> 0:40:00.880
<v Speaker 1>dusty place getting some degree of joy out of our show,

0:40:01.400 --> 0:40:06.600
<v Speaker 1>it is moving to me. It is incre incredible. It

0:40:06.640 --> 0:40:13.200
<v Speaker 1>makes me so incredibly humbled and grateful to have been

0:40:13.280 --> 0:40:16.280
<v Speaker 1>a part of a show that was able to give you,

0:40:16.680 --> 0:40:21.799
<v Speaker 1>specifically Marcus, a respite for what you were, what you

0:40:21.840 --> 0:40:25.520
<v Speaker 1>were enduring at that time. So thank you so much

0:40:25.560 --> 0:40:31.160
<v Speaker 1>for your call. And yeah, Ben Silverman is the man,

0:40:31.640 --> 0:40:35.520
<v Speaker 1>there is no doubt about that. But you know what,

0:40:36.080 --> 0:40:42.000
<v Speaker 1>Debbie Pierce is the man, and Kim Ferry and Laverne

0:40:42.360 --> 0:40:47.600
<v Speaker 1>Karacus Milazzo and everyone was important. And that is what

0:40:47.640 --> 0:40:50.440
<v Speaker 1>we have tried to show on this show, what we

0:40:50.560 --> 0:40:54.480
<v Speaker 1>wanted to have you experience. All of the good people

0:40:54.920 --> 0:40:59.160
<v Speaker 1>in every position down the line. Everybody had a part

0:40:59.200 --> 0:41:02.120
<v Speaker 1>to play. And so thank you. The fact that those

0:41:02.120 --> 0:41:05.360
<v Speaker 1>two episodes are what you called out. I love that.

0:41:05.360 --> 0:41:10.239
<v Speaker 1>That gives me such incredible joy you can't even imagine.

0:41:10.760 --> 0:41:14.919
<v Speaker 1>So Marcus, God bless you. Thank you again, and uh

0:41:15.520 --> 0:41:17.839
<v Speaker 1>and thanks for listening. And keep listening. And by the way,

0:41:17.880 --> 0:41:20.760
<v Speaker 1>whenever we do this again, Marcus, you have the bat

0:41:20.800 --> 0:41:23.840
<v Speaker 1>phone whenever you want to call if you have anything

0:41:23.840 --> 0:41:28.319
<v Speaker 1>to say. Uh, you're on my friend. God bless and

0:41:28.440 --> 0:41:43.279
<v Speaker 1>be well and happy, happy ist of New Year's to you. Hi,

0:41:43.520 --> 0:41:47.919
<v Speaker 1>I'm Elizabeth Dutton and I'm Elizabeth Dutton. Wait, sorry, Zaron,

0:41:47.960 --> 0:41:49.840
<v Speaker 1>do you want to say your name? Good? Good, Go ahead.

0:41:49.880 --> 0:41:53.239
<v Speaker 1>We're the hosts of Ridiculous Crime. People love true crime, right,

0:41:53.520 --> 0:41:57.319
<v Speaker 1>the mystery, the intrigue, the human frailty. But what a

0:41:57.320 --> 0:41:59.200
<v Speaker 1>lot of us don't like is the blood and the

0:41:59.239 --> 0:42:01.279
<v Speaker 1>guts and the main Wait wait, wait, wait, some of

0:42:01.360 --> 0:42:04.319
<v Speaker 1>us do like the mayhem. Okay, let's be real, there's

0:42:04.360 --> 0:42:07.520
<v Speaker 1>nothing funny about murder. Okay, that's our show gives you

0:42:07.560 --> 0:42:10.759
<v Speaker 1>stories like the kidnapping of Frank Sinatra Jr. And the

0:42:10.800 --> 0:42:14.520
<v Speaker 1>Max Headrooms signal hijacking. Oh so you mean ridiculous stories

0:42:14.560 --> 0:42:19.000
<v Speaker 1>like the UK cat Shaver and Pablo Escobar's cocaine hippos. Yeah,

0:42:19.120 --> 0:42:22.040
<v Speaker 1>stories like the dudes who stole Buzzy, the animatronic whatever

0:42:22.040 --> 0:42:24.400
<v Speaker 1>he was from Disney World, and the woman whose husband

0:42:24.440 --> 0:42:26.040
<v Speaker 1>tried to kill her but came back from the dead.

0:42:26.120 --> 0:42:28.680
<v Speaker 1>And surprised him at her own funeral. Yeah, that does

0:42:28.719 --> 0:42:31.840
<v Speaker 1>sound good. You can find this new podcast, Ridiculous Crime

0:42:32.120 --> 0:42:34.640
<v Speaker 1>all over the place, the I Heart Radio app, the

0:42:34.680 --> 0:42:37.560
<v Speaker 1>Apple podcast, or wherever you get your podcasts. I don't

0:42:37.560 --> 0:42:44.520
<v Speaker 1>know how you live. Ridiculous Crime from Cavalry Audio, the

0:42:44.600 --> 0:42:47.480
<v Speaker 1>studio that brought you The Devil Within and The Shadow

0:42:47.520 --> 0:42:53.000
<v Speaker 1>Grows comes a new true crime podcast, The Pink Moon Murders.

0:42:53.280 --> 0:42:56.239
<v Speaker 1>The local sheriff believes there maybe more than one killer.

0:42:56.520 --> 0:42:59.279
<v Speaker 1>It's been four days since those bodies were found, and

0:42:59.320 --> 0:43:01.480
<v Speaker 1>there's no read does it this morning? They were afraid

0:43:01.520 --> 0:43:03.799
<v Speaker 1>it's facial out in that area, what if they come

0:43:03.800 --> 0:43:05.880
<v Speaker 1>back or whatever. It scared me to death, Like it

0:43:05.960 --> 0:43:09.319
<v Speaker 1>scared me. I was very, very intimidating to live here.

0:43:09.560 --> 0:43:11.799
<v Speaker 1>Crazy to think you go to sleep one night, maybe

0:43:11.840 --> 0:43:14.480
<v Speaker 1>snuggling with your loved one and never wake up, or

0:43:14.520 --> 0:43:16.400
<v Speaker 1>maybe you wake up in the struggle for your life,

0:43:16.560 --> 0:43:19.840
<v Speaker 1>which you lose. Joint host David Raderman as he explores

0:43:19.920 --> 0:43:23.560
<v Speaker 1>one fateful night when evil descended upon small town, Ohio

0:43:23.920 --> 0:43:26.680
<v Speaker 1>killed eight members of an Ohio family in a pre

0:43:26.800 --> 0:43:30.200
<v Speaker 1>planned execution. The family was targeted, most of them targeted

0:43:30.200 --> 0:43:33.480
<v Speaker 1>while they were Sleeping. The Pink Moon Murders is available

0:43:33.480 --> 0:43:35.879
<v Speaker 1>on February twenty second, and you can follow The Pink

0:43:35.880 --> 0:43:38.839
<v Speaker 1>Moon Murders on the I Heart Radio app, Apple podcasts

0:43:39.040 --> 0:43:42.400
<v Speaker 1>or wherever you get your podcasts. Give us the over attention.

0:43:42.480 --> 0:43:45.600
<v Speaker 1>We need everything you've got fast Waiting on Reparations, we'd

0:43:45.640 --> 0:43:49.600
<v Speaker 1>beat the podcast. Tune in every Thursday politics and word play.

0:43:49.719 --> 0:43:51.640
<v Speaker 1>We fight for the people because they got us in

0:43:51.680 --> 0:43:54.279
<v Speaker 1>the worst way. From the Hill Cooper, the Bob bay

0:43:54.360 --> 0:43:57.239
<v Speaker 1>to cut from the left enclave to what the neo

0:43:57.320 --> 0:44:00.360
<v Speaker 1>kase every Thursday Cop the head he cop say to

0:44:00.400 --> 0:44:02.359
<v Speaker 1>them to break us off with some break because we're waiting.

0:44:04.640 --> 0:44:07.319
<v Speaker 1>Listen to Waiting on Reparations on I Heart radio app,

0:44:07.520 --> 0:44:23.279
<v Speaker 1>Apple podcasts or wherever you get your podcasts. Hi, Brian

0:44:23.400 --> 0:44:25.839
<v Speaker 1>and Teen, I really love your show and look forward

0:44:25.880 --> 0:44:28.600
<v Speaker 1>to it every week. In listening to the Ed Helms

0:44:28.680 --> 0:44:31.920
<v Speaker 1>Part two episode, he mentioned that the most common question

0:44:31.960 --> 0:44:34.520
<v Speaker 1>he gets about The Office is why he thinks the

0:44:34.560 --> 0:44:37.080
<v Speaker 1>show is so popular with kids and young people. His

0:44:37.160 --> 0:44:39.800
<v Speaker 1>response was to ask them, I think it's a great idea.

0:44:40.080 --> 0:44:41.840
<v Speaker 1>I wonder if you could do an episode where you

0:44:41.880 --> 0:44:44.279
<v Speaker 1>talk to young fans about the show and explore why

0:44:44.360 --> 0:44:46.640
<v Speaker 1>they like it so much and why it resonates with them.

0:44:46.640 --> 0:44:52.080
<v Speaker 1>Thanks for doing the podcast. Well, well, well ask and

0:44:52.160 --> 0:44:57.640
<v Speaker 1>you shall receive. Thank you, Elizabeth. Honestly, so many of

0:44:57.719 --> 0:45:02.360
<v Speaker 1>you called in to talk about just that why the

0:45:02.480 --> 0:45:07.120
<v Speaker 1>Office resonates so much with young people, which, by the way,

0:45:07.200 --> 0:45:10.280
<v Speaker 1>it warms my heart that the question that I asked

0:45:10.360 --> 0:45:13.680
<v Speaker 1>so many of my guests is one that you all

0:45:13.960 --> 0:45:18.680
<v Speaker 1>have thought about too, So I guess, um, well, I'm

0:45:18.719 --> 0:45:21.279
<v Speaker 1>gonna give you a little taste of some of the

0:45:21.280 --> 0:45:28.360
<v Speaker 1>theories that came my way. Brian bom Gardener, Oh my goodness, hello,

0:45:28.640 --> 0:45:32.480
<v Speaker 1>everybody at the Office Deep Dive Team. I'm I'm a

0:45:32.480 --> 0:45:35.960
<v Speaker 1>teenager and you often ask your guests on the show

0:45:36.400 --> 0:45:39.560
<v Speaker 1>why they think young people watch it. I feel like,

0:45:39.800 --> 0:45:42.719
<v Speaker 1>not only is it an obviously an amazing comedy with

0:45:42.840 --> 0:45:46.040
<v Speaker 1>jokes that hold up, but I feel like it is

0:45:46.120 --> 0:45:50.120
<v Speaker 1>set up like the lives that the current kids today live.

0:45:50.719 --> 0:45:53.920
<v Speaker 1>Children today constantly have cameras in their faces and are

0:45:53.960 --> 0:45:57.200
<v Speaker 1>talking to cameras um and I feel like The Office

0:45:57.239 --> 0:46:00.279
<v Speaker 1>is relatable to their generation. For this, it almost runs

0:46:00.320 --> 0:46:04.280
<v Speaker 1>like a YouTube show where you have so many doing

0:46:04.320 --> 0:46:06.759
<v Speaker 1>silly things and then performing for a camera, which is

0:46:06.760 --> 0:46:08.759
<v Speaker 1>also what kids, I feel like, deal with in their

0:46:08.800 --> 0:46:13.160
<v Speaker 1>own homes. It's medicine. There are so many times that

0:46:13.200 --> 0:46:16.240
<v Speaker 1>I've watched The Office when I've needed a laugh, or

0:46:16.840 --> 0:46:22.280
<v Speaker 1>I have anxiety, or I'm sick, or there's just nothing

0:46:22.320 --> 0:46:26.440
<v Speaker 1>else that sounds good on TV. I have been watching

0:46:26.480 --> 0:46:30.760
<v Speaker 1>The Office since I was six years old. The Office

0:46:30.800 --> 0:46:35.040
<v Speaker 1>has meant so much to me um over the years.

0:46:36.360 --> 0:46:40.240
<v Speaker 1>Any time that I was going through something really hard

0:46:40.760 --> 0:46:45.239
<v Speaker 1>and I could not bring myself to smile, I could

0:46:45.239 --> 0:46:48.680
<v Speaker 1>always put on the Office and it was just so

0:46:49.960 --> 0:46:56.960
<v Speaker 1>familiar and comforting and safe and pleasant. And even moments

0:46:57.120 --> 0:47:01.279
<v Speaker 1>where I was in deep depression shin or sadness or

0:47:01.440 --> 0:47:04.759
<v Speaker 1>pain and nothing could make me smile, I could sit

0:47:04.760 --> 0:47:07.200
<v Speaker 1>down and watch The Office and get at least one

0:47:07.280 --> 0:47:10.759
<v Speaker 1>little grin out of me. And I think it's because

0:47:11.160 --> 0:47:14.759
<v Speaker 1>it's so real. A lot of these times these days,

0:47:14.800 --> 0:47:18.279
<v Speaker 1>people just want that real connection. It's hard to find

0:47:18.280 --> 0:47:22.040
<v Speaker 1>that with social media and everything, and the Office They're

0:47:22.040 --> 0:47:25.759
<v Speaker 1>just they're just real people, and people really connect to

0:47:25.800 --> 0:47:29.919
<v Speaker 1>that and also like really romanticize his office life the show.

0:47:29.920 --> 0:47:33.080
<v Speaker 1>It does. I feel like I didn't picture myself working

0:47:33.120 --> 0:47:37.200
<v Speaker 1>in office before, but now I do, But even I

0:47:37.239 --> 0:47:39.120
<v Speaker 1>wouldn't even know what I would do with that office.

0:47:39.160 --> 0:47:42.200
<v Speaker 1>I just pictured myself. They're just because of the office.

0:47:42.560 --> 0:47:46.319
<v Speaker 1>I think that kids are whatever varying age, identify with

0:47:46.360 --> 0:47:48.680
<v Speaker 1>that because it's kind of like what growing up is

0:47:48.719 --> 0:47:51.440
<v Speaker 1>like that you don't always have a say in what

0:47:51.520 --> 0:47:54.160
<v Speaker 1>you're subjected to, and you don't always have control over

0:47:54.200 --> 0:47:56.840
<v Speaker 1>your life, and you feel like even how if it

0:47:57.000 --> 0:48:00.160
<v Speaker 1>right or wrong, who knows, but that you you just

0:48:00.320 --> 0:48:02.440
<v Speaker 1>know you're ryan what you want and need in that

0:48:02.520 --> 0:48:06.240
<v Speaker 1>moment is right, and that you can't help the situation

0:48:06.280 --> 0:48:11.120
<v Speaker 1>the outcome, regardless of your position or desire, whatever it

0:48:11.160 --> 0:48:12.960
<v Speaker 1>is at the moment. So I think that's why kids

0:48:13.000 --> 0:48:16.520
<v Speaker 1>like it and and and identify with Jim having to

0:48:16.600 --> 0:48:20.279
<v Speaker 1>roll his eyes at Michael's ridiculous nous or the insanity

0:48:20.320 --> 0:48:23.359
<v Speaker 1>that is Robert California's you know who knows what he's

0:48:23.400 --> 0:48:27.279
<v Speaker 1>pulling out at the moment. Anyway, Thanks lovely podcast. It's

0:48:27.280 --> 0:48:32.000
<v Speaker 1>been absolutely fantastic and huge fan um and yeah go Braves,

0:48:34.000 --> 0:48:38.200
<v Speaker 1>Wow you guys. Thank you so much to all of you.

0:48:38.360 --> 0:48:44.960
<v Speaker 1>Thank you, Zeffie, thank you, Katie av thank you Kayla Cela.

0:48:45.480 --> 0:48:50.480
<v Speaker 1>I appreciate you and Tyler, Go Dodgers. But thank you

0:48:50.640 --> 0:48:54.280
<v Speaker 1>for calling in and well for giving me your thoughts

0:48:54.560 --> 0:48:58.480
<v Speaker 1>as to why the show is so relatable to young people.

0:48:58.520 --> 0:49:03.000
<v Speaker 1>You're all, well, you're always smarter than I am. Hi, Brian,

0:49:03.360 --> 0:49:06.439
<v Speaker 1>my name is Sarah Atkinson, and I'm sharing with you

0:49:06.760 --> 0:49:10.120
<v Speaker 1>my answer for a question that you often asked your guests.

0:49:10.840 --> 0:49:15.640
<v Speaker 1>Why do these young children really love The Office so much?

0:49:15.840 --> 0:49:18.279
<v Speaker 1>What is it about it that makes them love it?

0:49:18.840 --> 0:49:24.160
<v Speaker 1>And my answer is pretty simple. It's straight up indoctrination.

0:49:24.760 --> 0:49:28.360
<v Speaker 1>Let me explain. I watched The Office what was airing

0:49:28.360 --> 0:49:31.400
<v Speaker 1>on TV, and I was in junior high, high school,

0:49:31.440 --> 0:49:34.320
<v Speaker 1>and then college. By the time it wraps, The Office

0:49:34.400 --> 0:49:38.800
<v Speaker 1>just became my go to show. Much like Billie Eilish.

0:49:39.520 --> 0:49:42.440
<v Speaker 1>I always have it on. It's on in the background

0:49:42.480 --> 0:49:44.520
<v Speaker 1>while I worked during the day. I listened to it

0:49:44.520 --> 0:49:49.080
<v Speaker 1>while I clean or while I'm out exercising. It's something

0:49:49.120 --> 0:49:51.239
<v Speaker 1>that I can always depend on for a laugh and

0:49:51.320 --> 0:49:54.000
<v Speaker 1>to make me feel good. That means that when I

0:49:54.080 --> 0:49:56.880
<v Speaker 1>was pregnant with my children, I watched a lot of

0:49:56.920 --> 0:50:00.840
<v Speaker 1>the Office, and in utero, Sty did too, so all

0:50:00.880 --> 0:50:04.319
<v Speaker 1>of my babies were born knowing the theme song. They

0:50:04.320 --> 0:50:08.560
<v Speaker 1>would respond they recognized it. When we would be holding

0:50:08.640 --> 0:50:11.120
<v Speaker 1>him and watching the show, the theme song would play

0:50:11.160 --> 0:50:13.600
<v Speaker 1>and they would perk up and they knew the song.

0:50:14.239 --> 0:50:17.920
<v Speaker 1>And all those late nights and late night feedings, I

0:50:17.960 --> 0:50:20.960
<v Speaker 1>would pop on the Office. Why I fed my kids?

0:50:21.200 --> 0:50:25.200
<v Speaker 1>And I think that we really just from the start

0:50:26.080 --> 0:50:30.440
<v Speaker 1>gave them a reason to associate the Office with comfort

0:50:30.680 --> 0:50:35.040
<v Speaker 1>and peace and safety and laughter and enjoy. And now

0:50:35.520 --> 0:50:39.279
<v Speaker 1>my three year old knows the Office. She announces when

0:50:39.280 --> 0:50:41.879
<v Speaker 1>anyone comes over that we're watching the Office because we're

0:50:41.880 --> 0:50:45.359
<v Speaker 1>always watching. And my one year old, when the theme

0:50:45.440 --> 0:50:49.640
<v Speaker 1>song comes on, immediately begins to smile and dance. And

0:50:49.840 --> 0:50:52.880
<v Speaker 1>they don't understand the jokes, but they know the characters.

0:50:53.360 --> 0:50:58.200
<v Speaker 1>But yeah, it's brainwashing. We've indoctrinated them. That's definitely why

0:50:58.280 --> 0:51:00.960
<v Speaker 1>all these young kids like the Office now. And I

0:51:01.000 --> 0:51:05.120
<v Speaker 1>do have one question, Brian on Peacock the home of

0:51:05.160 --> 0:51:09.760
<v Speaker 1>the Office now. Uh, They've started releasing the super Fan episodes,

0:51:09.840 --> 0:51:14.879
<v Speaker 1>which are longer cuts, putting in deleted scenes, and I'm

0:51:14.920 --> 0:51:18.360
<v Speaker 1>curious if you've watched the Superfan episodes and if you

0:51:18.400 --> 0:51:21.880
<v Speaker 1>have any thoughts some of them. The deleted scenes inform

0:51:22.000 --> 0:51:25.040
<v Speaker 1>or maybe even shift storylines a little bit. And I'm

0:51:25.040 --> 0:51:29.359
<v Speaker 1>curious if you have an opinion on breaking Cannon or

0:51:29.400 --> 0:51:32.640
<v Speaker 1>if that's just an addition and giving us more light

0:51:32.680 --> 0:51:35.080
<v Speaker 1>and insight into all of these characters. Thank you for

0:51:35.120 --> 0:51:37.640
<v Speaker 1>what to do, and I'm gonna go and watch more

0:51:37.640 --> 0:51:46.280
<v Speaker 1>of the office. Uh, Sarah, I love your indoctrination theory. Um,

0:51:46.400 --> 0:51:49.200
<v Speaker 1>let's go with it. I love it. Uh. The in

0:51:49.480 --> 0:51:54.520
<v Speaker 1>utero late night feedings that they associate with comfort and happiness,

0:51:54.640 --> 0:51:58.600
<v Speaker 1>that is well, that's awesome. So then you have a

0:51:58.640 --> 0:52:03.239
<v Speaker 1>really great question about the extended episodes. So look, the

0:52:03.280 --> 0:52:06.400
<v Speaker 1>short answer is no, I have not gone to Peacock now.

0:52:06.520 --> 0:52:11.920
<v Speaker 1>So in doing all this preparation for the podcast, for

0:52:12.000 --> 0:52:16.520
<v Speaker 1>writing the book, I went back and watched everything in order.

0:52:16.760 --> 0:52:20.880
<v Speaker 1>I watched the run in order and then watched uh

0:52:21.000 --> 0:52:23.880
<v Speaker 1>some episodes. When I was about to talk to somebody,

0:52:23.880 --> 0:52:26.239
<v Speaker 1>I would I would watch some of their sort of

0:52:26.280 --> 0:52:31.839
<v Speaker 1>signature episodes again, either episodes they've written or directed, or

0:52:32.040 --> 0:52:35.600
<v Speaker 1>or important acting episodes for them. So I watched it

0:52:35.680 --> 0:52:37.960
<v Speaker 1>quite a bit. I have not gone back, but I

0:52:38.000 --> 0:52:42.120
<v Speaker 1>have seen on the DVDs they released a lot of

0:52:42.160 --> 0:52:47.560
<v Speaker 1>deleted scenes and some extended episodes. Your question about the canon, though,

0:52:47.640 --> 0:52:50.919
<v Speaker 1>is where I'm going to focus because Greg Daniels had

0:52:50.960 --> 0:52:55.399
<v Speaker 1>the same question as we were shooting. Does a webisode

0:52:55.840 --> 0:52:59.719
<v Speaker 1>does does information that you get from a webisode? Does

0:52:59.800 --> 0:53:04.120
<v Speaker 1>that become part of the cannon? Does a scene that

0:53:04.280 --> 0:53:09.120
<v Speaker 1>was shot but never aired? Does that become a part

0:53:09.680 --> 0:53:14.760
<v Speaker 1>of the cannon? Now, I think in some cases scenes

0:53:14.840 --> 0:53:17.920
<v Speaker 1>that were shot, and I would say this is a

0:53:18.040 --> 0:53:21.399
<v Speaker 1>rare exception, But in some cases a scene that were

0:53:21.600 --> 0:53:25.840
<v Speaker 1>was shot maybe didn't make it because we weren't sure

0:53:26.000 --> 0:53:29.880
<v Speaker 1>we wanted that information to come out about the character,

0:53:30.040 --> 0:53:32.480
<v Speaker 1>or we we didn't want the character to necessarily go

0:53:32.640 --> 0:53:37.360
<v Speaker 1>in that direction, or maybe it felt sort of inconsistent

0:53:37.600 --> 0:53:40.279
<v Speaker 1>with the character that that had been created it, or

0:53:40.320 --> 0:53:42.919
<v Speaker 1>that was going to come up in the future, Uh,

0:53:42.960 --> 0:53:46.799
<v Speaker 1>something different for that character. So, um, that doesn't really

0:53:46.800 --> 0:53:49.160
<v Speaker 1>answer the question. But I will tell you that there

0:53:49.320 --> 0:53:53.920
<v Speaker 1>was a bible, a show bible that had the answers

0:53:54.000 --> 0:53:56.680
<v Speaker 1>to all of those things up in the writer's room,

0:53:57.000 --> 0:53:59.560
<v Speaker 1>and when they had a question about something, they would

0:53:59.560 --> 0:54:03.839
<v Speaker 1>go back and one find out where a character may

0:54:03.880 --> 0:54:08.000
<v Speaker 1>have stood on a particular issue in the past, or

0:54:08.080 --> 0:54:10.960
<v Speaker 1>you know, what a character's arc or journey had been

0:54:11.000 --> 0:54:14.680
<v Speaker 1>from the beginning of the show. And there were mentions

0:54:14.719 --> 0:54:19.080
<v Speaker 1>as to whether or not that information had gotten actually aired.

0:54:19.600 --> 0:54:22.120
<v Speaker 1>It may have been written, it may have been shot,

0:54:22.640 --> 0:54:25.440
<v Speaker 1>it may have been even in the first cut, but

0:54:25.520 --> 0:54:28.920
<v Speaker 1>it was impossible for me, by the way to even

0:54:28.960 --> 0:54:34.040
<v Speaker 1>remember for Kevin if something had actually aired or not.

0:54:34.440 --> 0:54:38.360
<v Speaker 1>So I tended to. I think Greg tended to for

0:54:38.400 --> 0:54:41.120
<v Speaker 1>the most part, fall on the side of if it

0:54:41.200 --> 0:54:45.279
<v Speaker 1>was shot, then it's part of the Bible. So I'd

0:54:45.280 --> 0:54:48.680
<v Speaker 1>be interested though, to know if you or any others

0:54:48.680 --> 0:54:52.640
<v Speaker 1>have found moments that have been added back in that

0:54:52.680 --> 0:54:55.799
<v Speaker 1>now bring up inconsistencies. That would be interesting for me.

0:54:56.200 --> 0:54:59.359
<v Speaker 1>Thanks Sarah Brian. My name is Maggie. I'm a high

0:54:59.360 --> 0:55:02.600
<v Speaker 1>schooler and I'm from Fairport, New York. UM. The Office

0:55:03.160 --> 0:55:07.279
<v Speaker 1>means so much to me. I really think it's one

0:55:07.320 --> 0:55:09.680
<v Speaker 1>of the comfort shows I go to, and it got

0:55:09.719 --> 0:55:12.440
<v Speaker 1>me through COVID, and I'm probably one of the biggest

0:55:12.480 --> 0:55:15.160
<v Speaker 1>fans I know. I love the show. I know everything

0:55:15.160 --> 0:55:18.319
<v Speaker 1>about the characters, and I just love it so much.

0:55:18.520 --> 0:55:22.960
<v Speaker 1>My question for you is, when Michael leaves, he shows

0:55:23.040 --> 0:55:25.319
<v Speaker 1>Kevin the poster of the chair. Do you still have

0:55:25.400 --> 0:55:29.880
<v Speaker 1>that poster and if so, where did you put it? Anyways,

0:55:29.880 --> 0:55:32.839
<v Speaker 1>I would love to be featured on your podcast. And

0:55:32.880 --> 0:55:35.640
<v Speaker 1>I'm just such a huge, huge fan and it would

0:55:35.719 --> 0:55:38.160
<v Speaker 1>make my world if I got a chance to speak

0:55:38.160 --> 0:55:42.400
<v Speaker 1>with you, Maggie, thank you so much. I do have

0:55:42.680 --> 0:55:46.960
<v Speaker 1>a poster, um I haven't, I will admit to you.

0:55:47.080 --> 0:55:50.799
<v Speaker 1>I have a box of some memorabilia that has not

0:55:50.960 --> 0:55:54.239
<v Speaker 1>actually been framed or hung on a wall as of

0:55:54.360 --> 0:55:57.319
<v Speaker 1>yet that falls into that category. But I know I

0:55:57.400 --> 0:56:00.800
<v Speaker 1>have it because I remember the discussion that I had

0:56:00.920 --> 0:56:04.719
<v Speaker 1>when I took it, which was someone asked if I

0:56:04.760 --> 0:56:10.120
<v Speaker 1>wanted a copy of the poster, and I said, no,

0:56:10.960 --> 0:56:14.560
<v Speaker 1>I want that copy of the poster. And it was

0:56:14.600 --> 0:56:20.200
<v Speaker 1>the poster that Steve Well, that Michael Slash Steve had

0:56:20.360 --> 0:56:24.000
<v Speaker 1>had ripped in half. And they didn't want to give

0:56:24.040 --> 0:56:27.640
<v Speaker 1>it to me because see, the prop people, they believe

0:56:27.680 --> 0:56:30.480
<v Speaker 1>that any prop that's ever used will have to be

0:56:30.600 --> 0:56:34.319
<v Speaker 1>used again. So there are warehouses. I mean maybe now

0:56:34.360 --> 0:56:36.160
<v Speaker 1>they've gotten rid of it, or maybe it's in the

0:56:36.200 --> 0:56:39.799
<v Speaker 1>office experience in Chicago there where any prop that was

0:56:39.960 --> 0:56:43.040
<v Speaker 1>used in an episode. They thought, well, maybe we'll need

0:56:43.080 --> 0:56:45.359
<v Speaker 1>it again, and so they didn't want to give it up.

0:56:45.920 --> 0:56:48.480
<v Speaker 1>I convinced them, in this particular case that they could

0:56:48.840 --> 0:56:53.759
<v Speaker 1>rip another one similarly enough if for some reason it

0:56:53.840 --> 0:56:56.839
<v Speaker 1>ever had to make an appearance on the show. But yes,

0:56:57.239 --> 0:57:00.920
<v Speaker 1>I have the chair of poster. I have the Cheryl poster.

0:57:01.239 --> 0:57:04.759
<v Speaker 1>Thanks for listening, Maggie. Hey Brian. My name is Adeline

0:57:04.840 --> 0:57:07.360
<v Speaker 1>and I'm from Rochester, New York. And We're going on

0:57:07.880 --> 0:57:12.440
<v Speaker 1>maybe the fourth time trying this, just because I'm terrible

0:57:12.480 --> 0:57:16.600
<v Speaker 1>at recording things like this. Um, I'm twenty four and

0:57:16.760 --> 0:57:20.480
<v Speaker 1>I started watching The Office um as it aired, so

0:57:20.560 --> 0:57:23.480
<v Speaker 1>at the time, I was probably in fourth grade, and um,

0:57:23.520 --> 0:57:26.720
<v Speaker 1>I'll never forget watching the finale. I put it off

0:57:26.760 --> 0:57:29.880
<v Speaker 1>for a long time. Um. It wasn't the same year

0:57:29.880 --> 0:57:32.840
<v Speaker 1>that I graduated high school, but I think it was

0:57:32.920 --> 0:57:35.040
<v Speaker 1>maybe getting close to when I was going to be

0:57:35.240 --> 0:57:38.520
<v Speaker 1>graduating and just a big change and knowing I'm going

0:57:38.560 --> 0:57:41.360
<v Speaker 1>to go away to college, and feeling like a chapter

0:57:41.960 --> 0:57:46.080
<v Speaker 1>of my life was ending, and feeling like I grew

0:57:46.200 --> 0:57:48.640
<v Speaker 1>up with the Office and grew up with it by

0:57:48.680 --> 0:57:52.040
<v Speaker 1>my side, and I had it there for everything, you know,

0:57:52.800 --> 0:57:55.000
<v Speaker 1>and when I knew it was coming to an end,

0:57:55.040 --> 0:57:58.080
<v Speaker 1>it almost felt like I was going off on my own,

0:57:58.440 --> 0:58:02.680
<v Speaker 1>um and starting starting my own you know, life, and

0:58:03.000 --> 0:58:06.000
<v Speaker 1>I'm not going to have the office to lean back

0:58:06.040 --> 0:58:09.920
<v Speaker 1>on almost in a way, and you know, you are

0:58:09.960 --> 0:58:12.360
<v Speaker 1>trying to answer the question, and you know, why is

0:58:12.400 --> 0:58:15.200
<v Speaker 1>it so popular right now and why do people love it?

0:58:15.320 --> 0:58:18.440
<v Speaker 1>And the obvious answers the fact that it's more popular

0:58:18.480 --> 0:58:21.400
<v Speaker 1>now because it's more accessible on Netflix, and well, I mean,

0:58:21.560 --> 0:58:23.520
<v Speaker 1>now it's not on Netflix, but it was on Netflix,

0:58:23.560 --> 0:58:25.920
<v Speaker 1>and now it's on Peacock and you can watch it

0:58:25.960 --> 0:58:28.360
<v Speaker 1>and you can binge it. But I think, you know,

0:58:28.640 --> 0:58:33.080
<v Speaker 1>the real, kind of deeper answer is that it makes

0:58:33.120 --> 0:58:37.120
<v Speaker 1>you feel like you're a part of something and you

0:58:37.320 --> 0:58:39.439
<v Speaker 1>go to it because you know what you're gonna get,

0:58:39.440 --> 0:58:42.560
<v Speaker 1>and you get that comfort, and you get that stability

0:58:42.640 --> 0:58:46.560
<v Speaker 1>of feeling like it's always going to be there for you. Um,

0:58:46.680 --> 0:58:49.920
<v Speaker 1>it's your support system if you need to cry, you

0:58:49.920 --> 0:58:53.080
<v Speaker 1>know which episode to watch obviously, if you need a

0:58:53.160 --> 0:58:56.480
<v Speaker 1>laugh and you need to feel good. But yeah, just

0:58:56.840 --> 0:59:00.840
<v Speaker 1>I thank you for doing this podcast us because it

0:59:00.880 --> 0:59:07.160
<v Speaker 1>allows me to continue getting that same emotional connection that

0:59:07.240 --> 0:59:09.800
<v Speaker 1>I had with the show. It's just, you know, more

0:59:09.880 --> 0:59:12.520
<v Speaker 1>content in a different way. And I think it speaks

0:59:12.600 --> 0:59:16.160
<v Speaker 1>to me now being an adult and how I consume

0:59:17.040 --> 0:59:19.880
<v Speaker 1>the content, you know differently in this different part of

0:59:19.920 --> 0:59:23.480
<v Speaker 1>my life. So thank you. Um, you all mean the

0:59:23.520 --> 0:59:28.320
<v Speaker 1>world to me, more than you will ever know. Well, Adeline,

0:59:28.800 --> 0:59:32.040
<v Speaker 1>the third time was the charm. Thank you for your

0:59:32.560 --> 0:59:39.240
<v Speaker 1>incredibly thoughtful and moving message. I appreciate your thoughts and

0:59:39.360 --> 0:59:43.200
<v Speaker 1>I appreciate you telling me that the podcast has brought

0:59:43.240 --> 0:59:46.880
<v Speaker 1>you back in a way to experience the show in

0:59:46.920 --> 0:59:50.000
<v Speaker 1>a new way, in a deeper way, like it's the

0:59:50.040 --> 0:59:54.080
<v Speaker 1>first time again. So thank you so much. God blessed.

0:59:54.160 --> 0:59:58.400
<v Speaker 1>Happy New Year to you, Adeline, and here's uh, here's

0:59:58.440 --> 1:00:02.320
<v Speaker 1>for more in twenty twenty two. Hello, my name is

1:00:02.360 --> 1:00:05.600
<v Speaker 1>Cecilia Boyle and I'm from New Jersey. I am ten

1:00:05.680 --> 1:00:07.800
<v Speaker 1>years old and will probably one of the youngest kids

1:00:07.840 --> 1:00:12.200
<v Speaker 1>on this podcast. Um. My favorite scene with Kevin Innitt

1:00:12.760 --> 1:00:17.680
<v Speaker 1>is where he goes when Oscar comes back and after

1:00:17.760 --> 1:00:21.360
<v Speaker 1>Michael kisses him, and then Kevin goes, how is your

1:00:21.440 --> 1:00:25.400
<v Speaker 1>gay cation? Aw scoo And um my question to Kevin

1:00:25.480 --> 1:00:29.000
<v Speaker 1>slash Brian is if you could change anything with any

1:00:29.080 --> 1:00:33.919
<v Speaker 1>of Kevin's relationships with his coworkers, or even change something

1:00:33.920 --> 1:00:38.600
<v Speaker 1>about Kevin's backstory, what would it be. Well, Cecilia, thank

1:00:38.640 --> 1:00:40.680
<v Speaker 1>you for calling it. I think you've done it. I

1:00:40.720 --> 1:00:44.800
<v Speaker 1>think you broke the record. I think ten is the youngest.

1:00:45.520 --> 1:00:50.200
<v Speaker 1>Thank you for being such an articulate fan and uh,

1:00:50.240 --> 1:00:53.040
<v Speaker 1>such a big fan of the show. I appreciate that.

1:00:53.480 --> 1:00:57.760
<v Speaker 1>Is there anything that I would change about Kevin's backstory?

1:00:58.480 --> 1:01:01.640
<v Speaker 1>I don't know about his backstory story, but I wish

1:01:01.920 --> 1:01:05.600
<v Speaker 1>that I wish that Kevin had found a little more

1:01:05.720 --> 1:01:09.520
<v Speaker 1>loving and I'll just phrase it like that. I really

1:01:09.720 --> 1:01:16.840
<v Speaker 1>liked those episodes, particularly the storyline around Valentine's Day and

1:01:17.360 --> 1:01:21.240
<v Speaker 1>uh finding Lynn. I just feel really fortunate about the

1:01:21.280 --> 1:01:24.000
<v Speaker 1>moments that I was able to play where Kevin has

1:01:24.040 --> 1:01:27.960
<v Speaker 1>a small victory. So I wish that for him. I

1:01:28.000 --> 1:01:31.240
<v Speaker 1>don't know so much about backstory, but I wish that

1:01:31.320 --> 1:01:36.120
<v Speaker 1>for him. And my hope for him now is in

1:01:36.960 --> 1:01:43.440
<v Speaker 1>New Year's Eve one to two. I hope that he

1:01:43.600 --> 1:01:48.480
<v Speaker 1>is behind his bar, let's call it Malone's in Scranton,

1:01:48.960 --> 1:01:52.600
<v Speaker 1>and he's serving drinks, maybe having a few, and having

1:01:52.760 --> 1:02:10.080
<v Speaker 1>an absolutely great night. That's what I hope. Thanks Cecilia,

1:02:10.760 --> 1:02:17.400
<v Speaker 1>all right, everybody? That is that for today's call an episode? Now.

1:02:17.800 --> 1:02:20.280
<v Speaker 1>I don't want to be too cheesy, but when you

1:02:20.280 --> 1:02:25.280
<v Speaker 1>work on something, really on any creative project, all you

1:02:25.320 --> 1:02:28.240
<v Speaker 1>can hope is that one that people will see it

1:02:28.720 --> 1:02:32.240
<v Speaker 1>and that they will respond to it. But the way

1:02:32.280 --> 1:02:35.880
<v Speaker 1>that you fans have responded to the Office, I never

1:02:36.040 --> 1:02:40.880
<v Speaker 1>even dreamed that that was possible. Never in in mine

1:02:41.080 --> 1:02:44.720
<v Speaker 1>or any of our wildest dreams did we believe that

1:02:44.800 --> 1:02:46.840
<v Speaker 1>was possible. So thank you so much for sending in

1:02:46.880 --> 1:02:51.000
<v Speaker 1>your thoughts, your stories which are so moving, your comments,

1:02:51.400 --> 1:02:54.760
<v Speaker 1>and of course all of your love. Thank you. I

1:02:54.800 --> 1:02:57.520
<v Speaker 1>feel it, I feel the love, and I am sending

1:02:57.520 --> 1:03:01.680
<v Speaker 1>it right back to you. Having an incredible week, well,

1:03:02.400 --> 1:03:06.400
<v Speaker 1>have an incredible rest of the year. Really be safe

1:03:06.400 --> 1:03:10.160
<v Speaker 1>out there, and hey, guess what, guys, I will see

1:03:10.200 --> 1:03:24.880
<v Speaker 1>you next year in two The Office. Deep Dive is

1:03:24.920 --> 1:03:29.240
<v Speaker 1>hosted an executive produced by me Brian Baumgartner, alongside our

1:03:29.280 --> 1:03:34.480
<v Speaker 1>executive producer Langley. Our producers are Liz Hayes and Diego Tapia.

1:03:34.880 --> 1:03:37.920
<v Speaker 1>My main man in the booth is Alec Moore. Our

1:03:38.040 --> 1:03:41.520
<v Speaker 1>theme song Bubble and Squeak, performed by my great friend

1:03:41.600 --> 1:04:02.560
<v Speaker 1>Creed Bratton, and the episode was mixed by Seth o Landscape. Hi.

1:04:02.720 --> 1:04:05.560
<v Speaker 1>I'm Hillary Clinton and I'm so excited to be back

1:04:05.600 --> 1:04:09.000
<v Speaker 1>with a third season of You and Me both. When

1:04:09.040 --> 1:04:12.560
<v Speaker 1>I started this podcast, we were going through some tough times,

1:04:12.600 --> 1:04:15.680
<v Speaker 1>and let's face it, we still are. And here's what

1:04:15.760 --> 1:04:19.360
<v Speaker 1>I know. We cannot get through this alone. So please

1:04:19.440 --> 1:04:22.720
<v Speaker 1>join me for more conversations with people who will make

1:04:22.760 --> 1:04:25.640
<v Speaker 1>you think, make you laugh, and help us find a

1:04:25.680 --> 1:04:29.320
<v Speaker 1>path forward. This season, I'll be talking about the state

1:04:29.360 --> 1:04:33.240
<v Speaker 1>of our democracy with experts and with people organizing on

1:04:33.320 --> 1:04:38.160
<v Speaker 1>the ground. We'll draw inspiration from some amazing people like

1:04:38.200 --> 1:04:42.840
<v Speaker 1>Olympic star Alison Felix and Grammy Award winner Brandy Carlisle.

1:04:43.640 --> 1:04:46.880
<v Speaker 1>And we'll get into the hard stuff with writer Cheryl

1:04:46.960 --> 1:04:51.080
<v Speaker 1>Strait and my dear friend and colleague, Huma Aberdeen. So

1:04:51.200 --> 1:04:53.480
<v Speaker 1>join us. Listen to you and me both on the

1:04:53.520 --> 1:04:56.959
<v Speaker 1>I Heart radio app, Apple podcast or wherever you get

1:04:57.000 --> 1:05:08.680
<v Speaker 1>your podcasts. Did you know that on the day Dr

1:05:08.760 --> 1:05:12.360
<v Speaker 1>King was shot, the all black security detail normally assigned

1:05:12.360 --> 1:05:16.080
<v Speaker 1>to him was called off. They're the ones who would

1:05:16.080 --> 1:05:20.040
<v Speaker 1>not allow him to stay at any hotel with balconies?

1:05:21.320 --> 1:05:27.360
<v Speaker 1>Did you ever ask what this was all about? This

1:05:27.480 --> 1:05:30.800
<v Speaker 1>is the MLK tapes. The first episodes are available now.

1:05:31.280 --> 1:05:34.400
<v Speaker 1>Listen on the I Heart radio app, Apple podcasts, or

1:05:34.400 --> 1:05:39.240
<v Speaker 1>wherever you get your podcasts. The art world it is

1:05:39.360 --> 1:05:43.560
<v Speaker 1>essentially a money laundering business. The best fakes are still

1:05:43.600 --> 1:05:46.520
<v Speaker 1>hanging on people's walls. You know they don't even know

1:05:46.880 --> 1:05:50.439
<v Speaker 1>or suspect that their fakes. I'm Alec Baldwin and this

1:05:51.000 --> 1:05:54.960
<v Speaker 1>is a podcast about deception, greed and forgery in the

1:05:55.080 --> 1:05:58.800
<v Speaker 1>art world. I just walked in and saw this great

1:05:59.320 --> 1:06:04.000
<v Speaker 1>red painting presuming to be a Rothko. Of course, art

1:06:04.040 --> 1:06:07.800
<v Speaker 1>forgeries only happen because there's money to be made, a

1:06:07.880 --> 1:06:11.040
<v Speaker 1>lot of money. I'm listening to how what they're paying

1:06:11.120 --> 1:06:14.280
<v Speaker 1>for each thing. It was an incredible amounts of money.

1:06:14.760 --> 1:06:20.640
<v Speaker 1>You knew the painting was fake. Um. Listen to Art

1:06:20.640 --> 1:06:24.560
<v Speaker 1>Fraud on the I Heart Radio app, Apple Podcasts, or

1:06:24.840 --> 1:06:26.720
<v Speaker 1>wherever you get your podcasts.