WEBVTT - Listener Mail: Crab Walking Down Human Street

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of

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<v Speaker 1>My Heart Radio. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>Listener Mail. This is Robert Lamb and this is Joe McCormick.

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<v Speaker 1>And today we're reading back some of the messages that

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<v Speaker 1>you've sent in over the past couple of weeks. So

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<v Speaker 1>I thought I would kick things off here with a

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<v Speaker 1>couple of responses to our episode on the IG Nobel

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<v Speaker 1>Prizes for So this first message comes from Karen. Karen says, Hi,

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<v Speaker 1>Joe and Robert, in response to your IG Nobel Prize

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<v Speaker 1>grab Bag episode where you've discussed collision avoidance in crowds.

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<v Speaker 1>I live in Australia and the last time I visited

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<v Speaker 1>the US, I noticed I kept walking in the way

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<v Speaker 1>of others, even when it wasn't crowded. At one point

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<v Speaker 1>it occurred to me that I would keep to the

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<v Speaker 1>left hand side of any path or head to head,

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<v Speaker 1>presumably cause in Australia we drive on the left. Once

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<v Speaker 1>I made a point of correcting and keeping to the right,

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<v Speaker 1>I was suddenly less in the way. Interesting, UM, I

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<v Speaker 1>wonder if this means that collision avoidance works differently in

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<v Speaker 1>like international airports, where there is more of a mingling

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<v Speaker 1>of people from from different countries of origin with different

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<v Speaker 1>side of the road preferences. Oh yeah, that would be

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<v Speaker 1>a whole experiment there where any kind of like pre

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<v Speaker 1>programming for this side or that side UM is just

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<v Speaker 1>totally out the window, like a news Maybe maybe it

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<v Speaker 1>works better because a new system has to emerge UM,

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<v Speaker 1>you know, on its own, and you can't just depend

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<v Speaker 1>on the dominant culture to be the guy that everyone

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<v Speaker 1>falls in line with. Right, So Karen goes on on

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<v Speaker 1>an opposing note. Sometimes I play a walking game called

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<v Speaker 1>Don't get out of Men's Way and watch them freak

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<v Speaker 1>out just by walking along in a straight line and

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<v Speaker 1>not being the one to automatically change course when a

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<v Speaker 1>man is approaching from the other direction. A woman can

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<v Speaker 1>really blow their minds winking face emoji. Thanks for the

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<v Speaker 1>great show. It's one of the key reasons that I

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<v Speaker 1>listened to a podcast about is my main catchphrase, cheers Karen. Well,

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<v Speaker 1>thanks Karen, and actually regarding not getting out of men's

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<v Speaker 1>way on the sidewalk as a as a game women play.

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<v Speaker 1>Karen was not the only person who wrote in. A

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<v Speaker 1>listener named Ginger shared an article on this very subject

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<v Speaker 1>which the article calls patriarchy chicken, which I found very funny. Though,

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<v Speaker 1>I I started to think about this actually, and I

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<v Speaker 1>was wondering how, assuming this is true, how this interacts

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<v Speaker 1>with the general finding from these studies, like that study

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<v Speaker 1>out of Japan that collision avoidance is a collaborative, emergent

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<v Speaker 1>product that requires constant monitoring and coordination from both sides.

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<v Speaker 1>Remember the studies about how how jammed up across walk

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<v Speaker 1>would get if only a few people were distracted. So

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<v Speaker 1>if it's true that there are also gender norms about

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<v Speaker 1>collision avoidance, how do they fit into the equation? Like

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<v Speaker 1>would it be that more often women are expected to

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<v Speaker 1>make the first move in diverting pathways? So so this

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<v Speaker 1>is another thing actually that made me laugh at first,

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<v Speaker 1>That made me think, yeah, yeah, I mean, without a doubt,

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<v Speaker 1>you do have some some gender dynamics, uh, you know,

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<v Speaker 1>cultural dynamics playing in there. But you know, we were

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<v Speaker 1>talking about we're mostly talking about grown ups here though,

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<v Speaker 1>We're talking about grown ups walking down the street and

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<v Speaker 1>crashing or not crashing into each other, usually not crashing

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<v Speaker 1>into each other. But you know, you throw kids into

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<v Speaker 1>this scenario and things I wonder where the research would go.

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<v Speaker 1>Because I was thinking about this this morning because every

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<v Speaker 1>morning I walk my my son into his elementary school

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<v Speaker 1>or you know, close to it, and a lot of

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<v Speaker 1>parents are doing the same thing, and there are other

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<v Speaker 1>kids coming on and coming in on on their own,

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<v Speaker 1>and uh, it gets crazy. It's like, you know, kids

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<v Speaker 1>today it was rainy, said, Kids with umbrellas swinging around,

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<v Speaker 1>giant umbrellas almost babies in the face, and their parents

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<v Speaker 1>trying to dodge, and parents who have dropped their child

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<v Speaker 1>off trying to then go back up the same street

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<v Speaker 1>they came down. Um this time, you know, with a

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<v Speaker 1>with greater ability to dodge incoming children and adults. But uh,

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<v Speaker 1>it's a you certainly can't have your phone out during

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<v Speaker 1>all that you just plow right into multiple children. Yeah,

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<v Speaker 1>I think kids totally change things. And actually I can

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<v Speaker 1>observe that instinctually in myself, because I don't know if

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<v Speaker 1>you've had this experience. Um, I think I tend to

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<v Speaker 1>find that when I'm in a space where there are

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<v Speaker 1>little kids moving around, my movements become much more conservative

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<v Speaker 1>or curtailed. Like, uh, if I'm trying to go down

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<v Speaker 1>a grocery aisle and there are kids in the grocery aisle.

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<v Speaker 1>I will I will move much more slowly, I think,

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<v Speaker 1>just on the understanding that kids might suddenly get in

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<v Speaker 1>my path unexpectedly. There it's far harder to judge exactly

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<v Speaker 1>where they're going to go, And I think maybe that

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<v Speaker 1>that increases the shorter they get and the younger they get.

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<v Speaker 1>You're like, I'm not sure which way she's going. I

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<v Speaker 1>think I can predict her path, but I might not

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<v Speaker 1>be able to. So I'm gonna slow down. I'm gonna

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<v Speaker 1>go into the defensive mode. Um. But then on top

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<v Speaker 1>of that, I feel like kids my my son's age

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<v Speaker 1>there at that point where they're they're really good at

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<v Speaker 1>dodging in and out of of pedestrian traffic, you know,

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<v Speaker 1>They're they're really good about about weaving their way through

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<v Speaker 1>a crowd. Uh and uh. At the same time, it's

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<v Speaker 1>easy to assume that they are about to just plow directly,

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<v Speaker 1>you know, into you. Um Uh. There many times just

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<v Speaker 1>in the house where I'm trying to move from from

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<v Speaker 1>point A to point B and the boy comes running through,

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<v Speaker 1>and I'm just convinced we're about to collide. Uh. You know,

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<v Speaker 1>I go into like full defensive mode, like you know,

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<v Speaker 1>cover you know, any sensitive parts so I don't get

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<v Speaker 1>get injured. And he's like, what, I wouldn't gonna run

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<v Speaker 1>into you, and then he moves on. So yeah, kids

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<v Speaker 1>deplicate everything. It almost makes me wonder if they're like

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<v Speaker 1>kid lesion avoidance norms and adult collision avoidance norms and

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<v Speaker 1>that they can sort of have trouble interacting the same

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<v Speaker 1>way that left lane and right lane traffic would. Yeah, yeah,

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<v Speaker 1>all right, Robbi, you want to read this one about

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<v Speaker 1>the igno bells from Chad concerning cats and beards. Yeah. Yeah,

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<v Speaker 1>this had to do with the study um about the

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<v Speaker 1>hypothesis that beards may have evolved the male beard may

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<v Speaker 1>have evolved as a way of of softening the blow

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<v Speaker 1>of incoming punches. But also about cat chittering. Oh yeah,

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<v Speaker 1>we got a little cat chittering, a little cat talking

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<v Speaker 1>here as well. So this comes to us from Chad.

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<v Speaker 1>Chad writes, one of my cats frequently chittered at prey

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<v Speaker 1>animals when she was younger. This seems like an odd

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<v Speaker 1>instinct to me, as it seems like it could give

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<v Speaker 1>a predator's position away. What I also thought interesting is

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<v Speaker 1>that she would just barely raise her head above the

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<v Speaker 1>window sill in order to see the birds or squirrels.

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<v Speaker 1>He her ears flat, as if to minimize her visible profile,

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<v Speaker 1>but at the same time she would noisily chitter. Uh.

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<v Speaker 1>This is interesting and um, you know, thinking back to

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<v Speaker 1>what I was reading in the for the ignoble episode. Uh,

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<v Speaker 1>it my interpretation, and who knows catch or mysteries. This

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<v Speaker 1>could be wrong, but my interpretation, based on some of

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<v Speaker 1>the theories out there, is that it's kind of like

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<v Speaker 1>the cat is still preparing to jump, but knows it

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<v Speaker 1>cannot jump, cannot reach, cannot actually attack the prey, and

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<v Speaker 1>that is where the chitter kicks in. You know. It's

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<v Speaker 1>like that that uncontrollable like just outburst. Uh, that the

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<v Speaker 1>need to bite the neck, but the inability to reach

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<v Speaker 1>the neck. So in this case, if this is correct,

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<v Speaker 1>the chittering would not be a naturally evolved hunting behavior,

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<v Speaker 1>but it would be a reaction to the fact that

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<v Speaker 1>the hunting behavior is being thwarted. It's some kind of

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<v Speaker 1>displacement behavior. Yeah, I guess. And it's again it's it's

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<v Speaker 1>hard to apply the cat realm to the the animal

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<v Speaker 1>to the human realm, but I'd like to imagine if

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<v Speaker 1>I had like my favorite sandwich, favorite sandwich in the

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<v Speaker 1>world in my hand and then you know, I'm I'm

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<v Speaker 1>bringing it up to my face and I can only

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<v Speaker 1>bring it within like half a foot. Like what kind

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<v Speaker 1>of frustration? What kind of sound would I make? You know? What?

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<v Speaker 1>I would just go like, you know, in sort of

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<v Speaker 1>a frustrated attempt. Uh, you know, not even an attempt,

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<v Speaker 1>but just an outburst at not being able to reach

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<v Speaker 1>the sandwich, a chittering of anguish. Yeah. But it's you know,

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<v Speaker 1>even more than that, because for us, like sandwiches are great, um,

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<v Speaker 1>but are we like highly evolved sandwich eating machines that

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<v Speaker 1>are maybe maybe not? But I mean, for like the cat,

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<v Speaker 1>the consumption of the delicious songbird, like that is it's

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<v Speaker 1>that is its purpose, that it's it's it's holy role

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<v Speaker 1>in the ecosystem. Uh, you know, it feels that in

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<v Speaker 1>its very genes, and now it can't get there because

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<v Speaker 1>there's this this magic glass screen between it and prey.

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<v Speaker 1>But Chad had more to say. Chad says, I have

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<v Speaker 1>a beard and trained in martial arts for six years

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<v Speaker 1>as a young adult. We we ask any martial artist

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<v Speaker 1>and Marshall people who knew more about martial arts than

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<v Speaker 1>us to chime in on this um. He continues, Perhaps

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<v Speaker 1>beards offer some slight cushioning effect, but they offer a

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<v Speaker 1>distinct disadvantage. A beard can be grabbed and pulled painfully.

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<v Speaker 1>I would guess it to be a weak point, not armor.

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<v Speaker 1>I agree that I imagine early humans would rely on

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<v Speaker 1>tools not fists for violence. Furthermore, of evolution was going

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<v Speaker 1>to protect the head, why not grow thicker bones, store

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<v Speaker 1>more fat around the face, develop a layer of rigid armor,

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<v Speaker 1>or add much thicker fur for more noticeable cushioning effect.

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<v Speaker 1>I agree that saying evolution selected for a beard is

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<v Speaker 1>armor from punches is a stretch. Thanks for another great episode.

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<v Speaker 1>Now I will say some of the suggestions that Chad

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<v Speaker 1>gets into here. Obviously we're talking about far more expensive adaptations, uh,

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<v Speaker 1>evolutionarily speaking. So you like, there's a reason we don't have, um,

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<v Speaker 1>you know, some sort of a rigid armor growing out

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<v Speaker 1>of our body. Yeah, that's true. And and another thing,

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<v Speaker 1>of course, is that evolutionary adaptations have to they usually

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<v Speaker 1>have to have some kind of starting place, like a

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<v Speaker 1>like a morphological tool to start with. So in the

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<v Speaker 1>case of hair on the face, you could say that, well,

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<v Speaker 1>you know, maybe our our bodies used to be more

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<v Speaker 1>completely covered in hair all over, and instead, what you're

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<v Speaker 1>talking about is cases where on certain parts of the body,

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<v Speaker 1>hair that used to be all over the place is

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<v Speaker 1>retained where it was lost elsewhere, and so there's some

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<v Speaker 1>pressure causing it to be retained in those places. And

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<v Speaker 1>again with the beard, we don't know exactly what that

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<v Speaker 1>would be. So so anyway, I guess you could say

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<v Speaker 1>that it's easier to get to a beard through a

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<v Speaker 1>string of mutations than it would be to get to

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<v Speaker 1>I don't know, some kind of like big cage of

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<v Speaker 1>bones around the jaw. Uh. But yes, also it might

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<v Speaker 1>be much more expensive to make something like that in

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<v Speaker 1>terms of energy and so forth. But yeah, so I agree,

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<v Speaker 1>chad Um. I remain open minded about more more fist

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<v Speaker 1>punching centric views of human evolution, but mostly pretty doubtful alright.

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<v Speaker 1>This next message comes in response to our episodes on

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<v Speaker 1>the history of chainsaws. This comes from Shana. She says, Hello,

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<v Speaker 1>Robert and Joe, I wanted to share a funny moment

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<v Speaker 1>that happened well when listening to your episode about chainsaws

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<v Speaker 1>and particularly y'all trying to remember the color of the

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<v Speaker 1>chainsaw used by Leatherface in the Texas Chainsaw Masker films.

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<v Speaker 1>My husband works in the prop department of a major

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<v Speaker 1>theme park Halloween event. His job title is Captain of

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<v Speaker 1>Bodies and Gore. Over the years, they have done numerous

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<v Speaker 1>TCM themed mazes, he intimately knows the color of the

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<v Speaker 1>chainsaws used in the films green because the screen accurate

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<v Speaker 1>chainsaws no longer come in that color way. The prop

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<v Speaker 1>department needs to paint and gut the machinery out of

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<v Speaker 1>each chainsaw before they are handed to the scare actors.

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<v Speaker 1>But this is this is truly some fabulous feedback. But

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<v Speaker 1>Shaney goes on along the same lines. The Halloween event

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<v Speaker 1>he works is famous for the chainsaw drill team that

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<v Speaker 1>walks around the streets interacting with guests. Those are real

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<v Speaker 1>chainsaws they use, just with the teeth removed. Even without

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<v Speaker 1>the blades. The performers have to be careful because hair

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<v Speaker 1>and clothing could still get pulled into the motor. Oh wow,

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<v Speaker 1>that that's a scary image. I assume they take all

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<v Speaker 1>all appropriate precautions. But then finally, Shana says, she she

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<v Speaker 1>enjoys these uh, you know, gangs of chainsaw people running

0:12:45.480 --> 0:12:49.840
<v Speaker 1>around because they add more immersion. She says, uh, the

0:12:49.920 --> 0:12:53.600
<v Speaker 1>chainsaws are gasoline powered, and the aroma of fuel follows

0:12:53.600 --> 0:12:56.880
<v Speaker 1>them wherever they go, whether it is purposeful or incidental.

0:12:56.920 --> 0:13:00.079
<v Speaker 1>The added old factory layer adds to the experience. And

0:13:00.400 --> 0:13:03.160
<v Speaker 1>Shana m yeah, yeah, I mean that is true that

0:13:03.360 --> 0:13:06.400
<v Speaker 1>the smell of the of the roaring chainsaws that your

0:13:06.400 --> 0:13:09.280
<v Speaker 1>local haunted attraction are very much part of it. What's

0:13:09.320 --> 0:13:12.840
<v Speaker 1>that It's gotta be the ben zine getting into the bulb. Yeah,

0:13:22.320 --> 0:13:25.000
<v Speaker 1>all right. Here's another one that comes to us. This

0:13:25.080 --> 0:13:27.520
<v Speaker 1>is ah this is in response to a Vault episode.

0:13:27.520 --> 0:13:30.080
<v Speaker 1>I think it was titled Melt with Me, And this

0:13:30.120 --> 0:13:33.840
<v Speaker 1>is when where we talked about the idea of people melting,

0:13:34.640 --> 0:13:37.000
<v Speaker 1>both in terms of, you know, the question can a

0:13:37.080 --> 0:13:40.640
<v Speaker 1>person actually melt? And and then getting a little into

0:13:40.640 --> 0:13:43.439
<v Speaker 1>the you know, the deeper questions of why do we

0:13:43.720 --> 0:13:47.320
<v Speaker 1>keep obsessing over melting and what about people who want

0:13:47.360 --> 0:13:50.280
<v Speaker 1>to melt? Is that is that reasonable? Oh? And one

0:13:50.320 --> 0:13:52.680
<v Speaker 1>thing this email picks up on is I think we

0:13:52.720 --> 0:13:56.160
<v Speaker 1>mentioned the Wicked Witch of the West from one of

0:13:56.160 --> 0:13:59.600
<v Speaker 1>the most one of the most famous cinematic melting scenes. Um,

0:13:59.679 --> 0:14:02.040
<v Speaker 1>and if you're and it's impossible to realize that she's

0:14:02.040 --> 0:14:06.520
<v Speaker 1>melting right because she's saying it as well. So so

0:14:06.679 --> 0:14:08.840
<v Speaker 1>this's what Kenneth that is. Say. Dear Robert and Joseph,

0:14:09.200 --> 0:14:13.040
<v Speaker 1>I use your Sunday names because I have beef. The

0:14:13.080 --> 0:14:15.680
<v Speaker 1>Wicked Wish of the West was a truly evil character.

0:14:15.800 --> 0:14:18.920
<v Speaker 1>Falsehoods come easily to her lips, and even her final

0:14:19.000 --> 0:14:22.840
<v Speaker 1>words were designed to sow deceit. She did not melt.

0:14:23.360 --> 0:14:25.280
<v Speaker 1>I don't know what she was made of, but her

0:14:25.280 --> 0:14:28.320
<v Speaker 1>solid parts could not exist as a liquid at standard

0:14:28.320 --> 0:14:32.680
<v Speaker 1>atmospheric pressure, causing them to sublime like water ice on

0:14:32.720 --> 0:14:36.160
<v Speaker 1>the surface of Mars. Her fluids also vanished into thin air,

0:14:36.200 --> 0:14:41.680
<v Speaker 1>presumably through evaporation. Don't fall for her lies. Great episode.

0:14:41.680 --> 0:14:43.720
<v Speaker 1>By the way, The toxic goose guy in RoboCop was

0:14:43.760 --> 0:14:47.240
<v Speaker 1>absolutely haunting. I am grossed out to this day. Kenneth

0:14:47.680 --> 0:14:50.920
<v Speaker 1>ps staying for shot on the fourth Oh in the

0:14:50.960 --> 0:14:54.320
<v Speaker 1>next Dune movie. Okay, okay, yeah, I mean I could

0:14:54.320 --> 0:14:57.120
<v Speaker 1>see it working. I'm I'm kind of hoping they go

0:14:57.160 --> 0:15:00.360
<v Speaker 1>in different directions with the with the casting. I think

0:15:00.400 --> 0:15:04.240
<v Speaker 1>there's there's some room to get some some more actors

0:15:04.320 --> 0:15:07.880
<v Speaker 1>of Middle Eastern or North African heritage in there, but

0:15:08.960 --> 0:15:11.000
<v Speaker 1>could but as far as like if if if Staying

0:15:11.160 --> 0:15:13.360
<v Speaker 1>was the pick, I mean, yeah, Staying could do it. Stings.

0:15:13.400 --> 0:15:15.880
<v Speaker 1>Stings a talented guy. Oh. I should also mention that

0:15:15.960 --> 0:15:20.200
<v Speaker 1>in Kenneth's original email, he referred to me as Douglas.

0:15:20.440 --> 0:15:23.440
<v Speaker 1>I don't know why he said hello Robert and Douglas.

0:15:23.680 --> 0:15:26.840
<v Speaker 1>But then he immediately uh sent another email to to

0:15:26.880 --> 0:15:31.520
<v Speaker 1>apologize incorrect. So what what's with that interpretation? I don't know?

0:15:38.000 --> 0:15:40.600
<v Speaker 1>All right, this next message actually comes in Rob This

0:15:40.680 --> 0:15:44.640
<v Speaker 1>is when you brought in from the from the discord right,

0:15:45.640 --> 0:15:48.520
<v Speaker 1>that's right, there is a discord server for stuff to

0:15:48.520 --> 0:15:50.760
<v Speaker 1>blow your mind. You have to have like an invite

0:15:50.760 --> 0:15:53.560
<v Speaker 1>to get in. So just just email us and we'll

0:15:53.560 --> 0:15:55.840
<v Speaker 1>send you the invite. Um that's the only way, easy

0:15:55.840 --> 0:15:57.840
<v Speaker 1>way I know how to do it. So uh, yeah,

0:15:58.200 --> 0:16:01.840
<v Speaker 1>this was this is something that sent in via the

0:16:01.920 --> 0:16:06.160
<v Speaker 1>discord server from someone who I identifies themselves as niare

0:16:06.280 --> 0:16:11.160
<v Speaker 1>lathotep Okay. I think that's some kind of malevolent love

0:16:11.160 --> 0:16:14.840
<v Speaker 1>crafty and god if I'm not wrong. Um, yes, I

0:16:14.840 --> 0:16:17.560
<v Speaker 1>like the kind of like also kind of rounds up

0:16:17.600 --> 0:16:19.800
<v Speaker 1>the gods kind of speaks on behalf of the gods

0:16:19.800 --> 0:16:24.160
<v Speaker 1>as if I remember correctly. Okay, well, this listener says, Hi,

0:16:24.280 --> 0:16:27.600
<v Speaker 1>Joe and Robert, I'm listening again to airships over Venus.

0:16:27.640 --> 0:16:30.800
<v Speaker 1>I guess maybe we ran this as a vault. Um uh,

0:16:30.800 --> 0:16:33.800
<v Speaker 1>they say. Discussion of the second planet never fails to

0:16:33.880 --> 0:16:37.160
<v Speaker 1>inspire my imagination. The idea of a planetary body so

0:16:37.200 --> 0:16:39.760
<v Speaker 1>close to us, and in so many ways similar, gets

0:16:39.800 --> 0:16:43.080
<v Speaker 1>my mind into problem solving mode. Surely making use of

0:16:43.120 --> 0:16:46.320
<v Speaker 1>it as a second home is just an engineering problem, Yes,

0:16:46.400 --> 0:16:50.640
<v Speaker 1>a giant engineering problem. What are the few resources available

0:16:50.680 --> 0:16:54.080
<v Speaker 1>to a civilization in its early stages. Mars, for all

0:16:54.120 --> 0:16:56.480
<v Speaker 1>its hype, is just a dead rock half the size

0:16:56.480 --> 0:16:59.280
<v Speaker 1>of Earth, with no active core and barely an atmosphere.

0:16:59.600 --> 0:17:02.880
<v Speaker 1>It can't be an unsolvable problem to tow our sister

0:17:03.000 --> 0:17:05.720
<v Speaker 1>Earth out to a more manageable orbit and vent off

0:17:05.720 --> 0:17:08.640
<v Speaker 1>the excess gases, or perhaps capture them in solid form

0:17:08.680 --> 0:17:11.119
<v Speaker 1>with engineered life. At least That's what I like to

0:17:11.160 --> 0:17:14.520
<v Speaker 1>think in my day dreams. Our biggest challenge in space

0:17:14.680 --> 0:17:17.400
<v Speaker 1>is time and distance. So we actually just talked about

0:17:17.440 --> 0:17:21.600
<v Speaker 1>this with with Daniel Wison. Venus. Maybe our only reachable

0:17:21.680 --> 0:17:25.480
<v Speaker 1>goal anytime soon. Maybe once we build that Dyson's fear

0:17:25.520 --> 0:17:28.760
<v Speaker 1>will have the energy necessary. L O L. Topics like

0:17:28.800 --> 0:17:31.280
<v Speaker 1>this have seriously kept me saying through COVID, thanks so

0:17:31.359 --> 0:17:34.000
<v Speaker 1>much and keep up the good work. Well, thank you,

0:17:34.040 --> 0:17:37.440
<v Speaker 1>And yeah, I do have to say sometimes when when

0:17:37.440 --> 0:17:42.440
<v Speaker 1>the life on Earth gets stressful, uh, it is relaxing

0:17:42.480 --> 0:17:46.080
<v Speaker 1>to contemplate other planets. I think that might have been

0:17:46.119 --> 0:17:49.160
<v Speaker 1>part of the original, uh, the decision to to look

0:17:49.200 --> 0:17:50.960
<v Speaker 1>to Venus. It was just like, oh man, this everything

0:17:51.000 --> 0:17:53.720
<v Speaker 1>feels a bit stressful. What's going on on Venus. Let's

0:17:53.720 --> 0:17:57.680
<v Speaker 1>talk about Venus. The Nusian politics are are far less stressful.

0:17:57.880 --> 0:18:00.720
<v Speaker 1>Oh who was it though, who was making servations of

0:18:00.840 --> 0:18:04.119
<v Speaker 1>Venus in in the nineteenth century or you know, some

0:18:04.119 --> 0:18:07.000
<v Speaker 1>sometime in the past, and it was drawing some rather

0:18:07.080 --> 0:18:11.960
<v Speaker 1>wild inferences about Venusian politics from like they thought that

0:18:12.080 --> 0:18:15.280
<v Speaker 1>fires were being lit for a coronation ceremony basically on

0:18:15.480 --> 0:18:18.120
<v Speaker 1>some changes in the light on the surface. It might

0:18:18.160 --> 0:18:19.960
<v Speaker 1>have been in this episode that we've gotten into that.

0:18:20.000 --> 0:18:23.159
<v Speaker 1>If not this one of the other Venusian episodes that

0:18:23.200 --> 0:18:28.840
<v Speaker 1>we did. I'm slightly less than convinced on that one.

0:18:32.640 --> 0:18:35.119
<v Speaker 1>All right, here comes the Crabs. This one comes to

0:18:35.200 --> 0:18:38.080
<v Speaker 1>us from James. Hi, guys, love the show. I've been

0:18:38.080 --> 0:18:40.439
<v Speaker 1>a listener for years, usually in the car, so I

0:18:40.480 --> 0:18:43.360
<v Speaker 1>haven't gotten around to emailing you before. I just had

0:18:43.400 --> 0:18:45.560
<v Speaker 1>to make time for this one though. I absolutely love

0:18:45.640 --> 0:18:49.840
<v Speaker 1>the episode on crabs, especially discussion about them wearing algae

0:18:50.000 --> 0:18:53.159
<v Speaker 1>and seeing enemies is a sort of camouflage armor and

0:18:53.200 --> 0:18:56.480
<v Speaker 1>ready food supply. How cool is that. I actually had

0:18:56.480 --> 0:18:59.159
<v Speaker 1>a saltwater crab as a pet for a time, and

0:18:59.200 --> 0:19:01.960
<v Speaker 1>I was practically on the edge of my seat waiting

0:19:02.000 --> 0:19:05.159
<v Speaker 1>for you to mention the pom pom crab. This species

0:19:05.200 --> 0:19:08.199
<v Speaker 1>actually holds a pair of tiny cnm and ease in

0:19:08.280 --> 0:19:11.439
<v Speaker 1>its claws, like pom poms, and my understanding is that

0:19:11.480 --> 0:19:13.879
<v Speaker 1>they use these for mopping up food as well as

0:19:13.920 --> 0:19:18.360
<v Speaker 1>defending itself. Tool use in crabs. Thanks James, I think

0:19:18.400 --> 0:19:20.720
<v Speaker 1>you actually had an episode. You did an episode about

0:19:20.720 --> 0:19:23.639
<v Speaker 1>this a long time ago, right, Yeah, yeah, pompom crabs

0:19:23.640 --> 0:19:26.240
<v Speaker 1>have come up on the show before. Yeah, they're they're

0:19:26.240 --> 0:19:29.040
<v Speaker 1>pretty cool. There's there's one study in particular. I remember.

0:19:29.240 --> 0:19:31.320
<v Speaker 1>It was about, like, you know, what happens when one

0:19:31.359 --> 0:19:33.960
<v Speaker 1>crab steals the pom pom of another crab and then

0:19:33.960 --> 0:19:36.239
<v Speaker 1>they have to like take their pom pom, split it

0:19:36.240 --> 0:19:39.960
<v Speaker 1>in half, and then they have to pom poms. So it's, uh, yeah,

0:19:39.960 --> 0:19:42.399
<v Speaker 1>these are great creatures because they're they're wonderful to look at.

0:19:42.520 --> 0:19:46.600
<v Speaker 1>And then the yeah, the practice itself is is fascinating

0:19:46.640 --> 0:19:50.640
<v Speaker 1>and indeed raises the specter of of tool use. Well.

0:19:50.680 --> 0:19:53.679
<v Speaker 1>This also reminds me of how impressed at least I

0:19:53.720 --> 0:19:56.560
<v Speaker 1>was in in that episode about the description of the

0:19:56.600 --> 0:19:59.800
<v Speaker 1>process by which these crabs who wore algae on their

0:20:00.040 --> 0:20:02.840
<v Speaker 1>on their carapace would would go through to uh, I

0:20:02.840 --> 0:20:06.040
<v Speaker 1>guess it was sort of stalks of seaweed. The process

0:20:06.080 --> 0:20:07.680
<v Speaker 1>that would go through to attach it, like they would

0:20:07.680 --> 0:20:09.920
<v Speaker 1>clip it off, they would measure it to a certain length,

0:20:09.920 --> 0:20:13.159
<v Speaker 1>and then they would nibble the snipped end of it

0:20:13.200 --> 0:20:14.879
<v Speaker 1>to roughen it so that it would cling to the

0:20:14.920 --> 0:20:18.080
<v Speaker 1>spines on their shell, and then they would position it

0:20:18.119 --> 0:20:19.919
<v Speaker 1>back and try to attach it and go through this

0:20:20.000 --> 0:20:24.200
<v Speaker 1>over and over. It's like a surprisingly complex process and

0:20:24.200 --> 0:20:27.239
<v Speaker 1>and kind of crafty for a crab, you know. I

0:20:27.280 --> 0:20:29.320
<v Speaker 1>also loved to that we got to hear from somebody

0:20:29.359 --> 0:20:33.159
<v Speaker 1>who has or had rather a pet crab. This is

0:20:33.200 --> 0:20:36.440
<v Speaker 1>the only listener we've heard from that has or had

0:20:36.520 --> 0:20:39.719
<v Speaker 1>a pet crab. I refuse to believe that there's nobody

0:20:39.760 --> 0:20:43.359
<v Speaker 1>out there listening to us right now. Uh with with

0:20:43.440 --> 0:20:45.760
<v Speaker 1>a with a hermit crab in the same room with them.

0:20:45.840 --> 0:20:50.160
<v Speaker 1>So if you own a pet crab, don't be shy.

0:20:50.520 --> 0:20:52.920
<v Speaker 1>Send us an email. We want to hear what your

0:20:52.960 --> 0:20:56.680
<v Speaker 1>your pet crab eats. Give us all the details. Uh. Statistically,

0:20:56.680 --> 0:20:59.399
<v Speaker 1>hermit crab owners are antisocial and they do not right

0:20:59.440 --> 0:21:11.520
<v Speaker 1>into podcast asked, prove him wrong. Prove him wrong hermit raisers. Okay, well,

0:21:11.520 --> 0:21:14.919
<v Speaker 1>this next email does at least concern hermit crabs. This

0:21:15.000 --> 0:21:18.440
<v Speaker 1>comes from Simon. Good day, gentlemen. Feel free to share

0:21:18.480 --> 0:21:20.840
<v Speaker 1>this at your whim. But in regards to the crabby content,

0:21:20.880 --> 0:21:24.040
<v Speaker 1>I would thought I would share a quick but amusing anecdote. Recently,

0:21:24.080 --> 0:21:27.040
<v Speaker 1>I spent five minutes explaining to my five year old

0:21:27.119 --> 0:21:31.959
<v Speaker 1>daughter that it is hermit crabs, not helmet crabs, before

0:21:32.040 --> 0:21:35.359
<v Speaker 1>realizing that her version is so much better. Thanks for

0:21:35.400 --> 0:21:40.600
<v Speaker 1>the amazing and interesting content, Simon. I read this because

0:21:40.640 --> 0:21:42.639
<v Speaker 1>I feel like I've heard that same thing before. I

0:21:42.640 --> 0:21:44.879
<v Speaker 1>think when I was a kid, I knew somebody who

0:21:44.960 --> 0:21:49.000
<v Speaker 1>called them helmet crabs. But it makes sense. It makes

0:21:49.040 --> 0:21:51.640
<v Speaker 1>so much sense you wonder, you wonder why it hasn't

0:21:52.080 --> 0:21:54.919
<v Speaker 1>why that name hasn't taken over. Yeah, I mean especially

0:21:54.960 --> 0:21:59.560
<v Speaker 1>for young fans of crabs. I mean, you you know

0:21:59.600 --> 0:22:01.919
<v Speaker 1>what a hell it is. You might not really know

0:22:01.960 --> 0:22:07.560
<v Speaker 1>what the whole concept of the hermit yet. So it's yeah,

0:22:07.560 --> 0:22:10.120
<v Speaker 1>it's it's a little more difficult to explain. I mean,

0:22:10.160 --> 0:22:13.080
<v Speaker 1>hermit crabs are they're in amura, they're false crabs. So

0:22:13.160 --> 0:22:15.560
<v Speaker 1>actually the helmet would be the more accurate part than

0:22:15.600 --> 0:22:19.160
<v Speaker 1>the than the crab part. Yeah. And and certainly sometimes

0:22:19.240 --> 0:22:22.680
<v Speaker 1>the behaviors seeing hermit crabs like you see them mobbing, um,

0:22:22.680 --> 0:22:25.440
<v Speaker 1>you know a coconut. Uh, they don't. That doesn't look

0:22:25.520 --> 0:22:28.720
<v Speaker 1>very much like hermit behavior to me. It doesn't really

0:22:28.720 --> 0:22:36.040
<v Speaker 1>hold true across the board. All right, we have one

0:22:36.040 --> 0:22:38.960
<v Speaker 1>more here for you. This one's a weird how cinema message.

0:22:39.000 --> 0:22:41.160
<v Speaker 1>This one comes to us from Dan, Hi, Robert, and Joe.

0:22:41.240 --> 0:22:43.800
<v Speaker 1>I am not a doctor, but if I were, I

0:22:43.840 --> 0:22:47.000
<v Speaker 1>would prescribe at least two viewings a week of Inframan

0:22:47.160 --> 0:22:50.480
<v Speaker 1>to compact seasonal effective depression or depression in general. I

0:22:50.520 --> 0:22:52.640
<v Speaker 1>saw Inframan when I was about ten or eleven years

0:22:52.640 --> 0:22:55.480
<v Speaker 1>old as an English language dub I had my dad

0:22:55.480 --> 0:22:57.800
<v Speaker 1>by during a trip to the local Sam Goody store

0:22:57.800 --> 0:23:00.680
<v Speaker 1>that began with listing all the monsters up front as

0:23:00.720 --> 0:23:05.719
<v Speaker 1>a precredit sequence and erroneously called the plant monster, octopus monster,

0:23:06.040 --> 0:23:09.680
<v Speaker 1>and spider monster Beatle mutant. Uh. This was when the

0:23:09.760 --> 0:23:12.439
<v Speaker 1>Mighty Morphin Power Rangers were popular, and I remember the

0:23:12.440 --> 0:23:14.840
<v Speaker 1>description on the back of the VHS box was really

0:23:14.840 --> 0:23:18.040
<v Speaker 1>trying to pitch it towards that audience. I eat meat.

0:23:18.880 --> 0:23:21.360
<v Speaker 1>I also found Ciskele and Ebert's review of Infra Man,

0:23:21.440 --> 0:23:24.400
<v Speaker 1>which they both enjoy because it delivered thrills and actions

0:23:24.400 --> 0:23:28.080
<v Speaker 1>without boring dialogue and seriousness. Ebert, who saw it at

0:23:28.119 --> 0:23:32.280
<v Speaker 1>a Kitty matinee, especially loved the name Princess Dragon Mom

0:23:32.320 --> 0:23:35.720
<v Speaker 1>and said it was a weird, curiously demented, but totally

0:23:35.720 --> 0:23:39.240
<v Speaker 1>wonderful mix of sci fi, kung fu and superhero movie

0:23:39.640 --> 0:23:44.640
<v Speaker 1>with a future as a midnight cult classic. And uh.

0:23:44.760 --> 0:23:47.760
<v Speaker 1>Dan includes a link to that section of the Cisco

0:23:47.760 --> 0:23:51.640
<v Speaker 1>and Ebert show. Uh and uh yeah, that's Dan's message

0:23:51.640 --> 0:23:54.679
<v Speaker 1>regarding um Infra Man. We also heard just you know,

0:23:54.760 --> 0:23:58.240
<v Speaker 1>quick snippets from people on like the Facebook group for

0:23:58.240 --> 0:23:59.800
<v Speaker 1>stuff to blow your mind, the stuff to blow your mind.

0:23:59.840 --> 0:24:02.320
<v Speaker 1>Us should module people just chining in and saying, oh, yeah,

0:24:02.320 --> 0:24:04.440
<v Speaker 1>I love that movie. That's a great movie. Watched it

0:24:04.600 --> 0:24:08.720
<v Speaker 1>when I was younger, etcetera. It's holy. Infra man is

0:24:08.720 --> 0:24:11.960
<v Speaker 1>is holy and uh and it deserves reverence and and

0:24:12.000 --> 0:24:14.760
<v Speaker 1>I'm glad to see it getting plenty. I did check

0:24:14.800 --> 0:24:17.240
<v Speaker 1>out the This is Clinebra review, which was quite It

0:24:17.280 --> 0:24:19.080
<v Speaker 1>was some episode of their show from I guess the

0:24:19.200 --> 0:24:21.840
<v Speaker 1>late seventies, and it was quite funny because it was

0:24:21.880 --> 0:24:23.720
<v Speaker 1>one of the where like they had to segue to it,

0:24:23.760 --> 0:24:26.840
<v Speaker 1>I think, from talking about some X rated erotic thriller

0:24:28.359 --> 0:24:32.600
<v Speaker 1>like straight into uh to Infra Man which uh is

0:24:32.680 --> 0:24:35.480
<v Speaker 1>just wonderful. Yeah, and you can tell, like ever it's

0:24:35.520 --> 0:24:38.440
<v Speaker 1>just gushing about it. They both clearly love it. Um.

0:24:39.160 --> 0:24:41.600
<v Speaker 1>It again raises the question of why the two point

0:24:41.640 --> 0:24:44.440
<v Speaker 1>five stars and then when the upgrade, why only to three?

0:24:44.520 --> 0:24:47.320
<v Speaker 1>He he talks about it like a four star classic.

0:24:47.720 --> 0:24:51.320
<v Speaker 1>So again I'm going to say that as canon. Oh yeah,

0:24:51.359 --> 0:24:54.280
<v Speaker 1>apparently yeah, I'm looking at the clip now. Apparently they

0:24:54.320 --> 0:24:59.840
<v Speaker 1>talk about Emmanuel Guilty Pleasures, Uh, super Fly, the Fury,

0:25:00.400 --> 0:25:03.320
<v Speaker 1>and Inframan. So I mean, really, I mean that out

0:25:03.320 --> 0:25:05.199
<v Speaker 1>of those films, you know, I'm going to go to

0:25:05.200 --> 0:25:08.120
<v Speaker 1>Inframant first. No wait, I'm reading further. They also talk

0:25:08.200 --> 0:25:10.359
<v Speaker 1>about the Greek Tycoon and the last House on the

0:25:10.440 --> 0:25:14.200
<v Speaker 1>left in this episode, So yeah, Infra Man clear winner

0:25:14.240 --> 0:25:16.720
<v Speaker 1>out of the bunch. It is known. All right, we're

0:25:16.720 --> 0:25:19.040
<v Speaker 1>gonna go and close the mail bag for this week.

0:25:19.119 --> 0:25:22.040
<v Speaker 1>But will I guess we're back next week? Yeah? Probably,

0:25:22.040 --> 0:25:25.080
<v Speaker 1>if not some Monday in the future, we're back. That.

0:25:25.160 --> 0:25:28.680
<v Speaker 1>Mondays are when our listener mail episodes happen. That's our

0:25:28.720 --> 0:25:33.679
<v Speaker 1>time to to read your various feedback and questions and

0:25:33.720 --> 0:25:36.399
<v Speaker 1>so forth. So yeah, keep them coming. We have our

0:25:36.440 --> 0:25:39.240
<v Speaker 1>core episodes on Tuesdays and Thursdays and the stuff to

0:25:39.240 --> 0:25:41.560
<v Speaker 1>Blow your mind podcast feed. We have a short form

0:25:41.640 --> 0:25:44.240
<v Speaker 1>artifact on Wednesdays, and on Fridays we do Weird House Cinema.

0:25:44.280 --> 0:25:47.600
<v Speaker 1>That's our time to set aside most serious discussion and

0:25:47.640 --> 0:25:49.679
<v Speaker 1>just focus in on a weird film. And then on

0:25:49.680 --> 0:25:51.560
<v Speaker 1>the weekend we do a vault episode, which is a

0:25:51.600 --> 0:25:55.439
<v Speaker 1>rerun from the previous year. Sometimes folks asked, why not

0:25:55.560 --> 0:25:57.480
<v Speaker 1>from years previous to that? Wines, it got to just

0:25:57.520 --> 0:25:59.960
<v Speaker 1>be from last year. Uh. First of all, it's easy

0:26:00.080 --> 0:26:02.879
<v Speaker 1>to keep track off and uh and and second uh

0:26:03.240 --> 0:26:06.000
<v Speaker 1>more more seriously, Uh, you know we're often dealing with

0:26:06.000 --> 0:26:09.639
<v Speaker 1>scientific topics, stuff that that is not necessarily going to

0:26:09.720 --> 0:26:12.880
<v Speaker 1>be average green five green five years later. Uh. So

0:26:13.000 --> 0:26:14.320
<v Speaker 1>that's always in the back of our mind, and we

0:26:14.359 --> 0:26:16.120
<v Speaker 1>don't always have time to, you know, to go back

0:26:16.160 --> 0:26:18.400
<v Speaker 1>and really review those old episodes and see like, okay,

0:26:18.440 --> 0:26:21.120
<v Speaker 1>if there have been have there been subsequent developments, has

0:26:21.160 --> 0:26:24.440
<v Speaker 1>this changed? Um? This is need to be updated. Uh.

0:26:24.480 --> 0:26:26.920
<v Speaker 1>It's a lot easier just to go back to what

0:26:26.960 --> 0:26:29.560
<v Speaker 1>was happening a year ago and push that back out again.

0:26:29.960 --> 0:26:32.840
<v Speaker 1>Huge thanks as always to our excellent audio producer Seth

0:26:32.920 --> 0:26:35.119
<v Speaker 1>Nicholas Johnson. If you would like to get in touch

0:26:35.160 --> 0:26:37.680
<v Speaker 1>with us with feedback on this episode or any other,

0:26:37.760 --> 0:26:39.840
<v Speaker 1>to suggest a topic for the future, or just to

0:26:39.880 --> 0:26:43.080
<v Speaker 1>say hello, you can email us at contact. That's Stuff

0:26:43.119 --> 0:26:52.919
<v Speaker 1>to Blow your Mind dot com. Stuff to Blow Your

0:26:52.960 --> 0:26:55.880
<v Speaker 1>Mind is production of I Heart Radio. For more podcasts

0:26:56.000 --> 0:26:59.040
<v Speaker 1>my heart Radio, visit the i heart Radio app, Apple Podcasts,

0:26:59.119 --> 0:27:00.919
<v Speaker 1>or wherever you listen to your favorite shows.