1 00:00:01,680 --> 00:00:05,440 Speaker 1: And That's what you really missed with Jenna and Kevin 2 00:00:05,760 --> 00:00:11,119 Speaker 1: and I Heart Radio Podcast. Welcome to and That's what 3 00:00:11,240 --> 00:00:15,360 Speaker 1: you really missed. I'm Jennaschwitz, I'm Kevin McHale. Thank you 4 00:00:15,440 --> 00:00:17,439 Speaker 1: so much for coming back for a third week in 5 00:00:17,480 --> 00:00:19,919 Speaker 1: a row. Thanks to Ryan Murphy for an incredible two 6 00:00:19,960 --> 00:00:23,599 Speaker 1: part opener to the launch of this podcast. Um, we're 7 00:00:23,640 --> 00:00:27,680 Speaker 1: back here to chat about the pilot again. Are you 8 00:00:27,720 --> 00:00:31,440 Speaker 1: watching recapping before we do that? I just want to 9 00:00:32,040 --> 00:00:34,760 Speaker 1: The response has been absolutely crazy, So thank you to 10 00:00:34,880 --> 00:00:38,440 Speaker 1: everyone who's been downloading and listening and telling your friends 11 00:00:38,440 --> 00:00:43,239 Speaker 1: about it. My family's even listening. Yeah, it's crazy. I'm 12 00:00:43,280 --> 00:00:45,760 Speaker 1: We're super appreciative. This is more than we could have 13 00:00:45,760 --> 00:00:49,879 Speaker 1: asked for coming back, and you know, um, we we're 14 00:00:49,960 --> 00:00:53,960 Speaker 1: just super grateful. So so, um, should we should we 15 00:00:54,000 --> 00:00:57,080 Speaker 1: talk pilot? Let's talk pilot? How many times have you 16 00:00:57,120 --> 00:00:59,520 Speaker 1: seen this pilot? Kevin, I don't want to talk about it. 17 00:01:00,440 --> 00:01:01,880 Speaker 1: I guess that's what we're here to do. I've seen 18 00:01:01,880 --> 00:01:05,319 Speaker 1: it so many, like probably over a hundred times. Yeah, 19 00:01:05,360 --> 00:01:07,640 Speaker 1: and I have to say I was not looking forward 20 00:01:07,720 --> 00:01:10,000 Speaker 1: to watching it again, not because I don't love it, 21 00:01:10,280 --> 00:01:12,959 Speaker 1: just because we've so many times I'm also not a looper. 22 00:01:13,200 --> 00:01:16,120 Speaker 1: I don't watch things a lot. Oh that's interesting. I 23 00:01:16,160 --> 00:01:18,840 Speaker 1: am an absolute looper. Yes, okay, I'm not one of 24 00:01:18,840 --> 00:01:22,479 Speaker 1: those people that's seen Friends you know times. I saw 25 00:01:22,560 --> 00:01:24,920 Speaker 1: it when it was on originally and haven't seen it since. Um. 26 00:01:25,040 --> 00:01:27,200 Speaker 1: David and I have been watching National Treasure on the 27 00:01:27,240 --> 00:01:36,440 Speaker 1: regular every night. Anyway, Okay, I digress. Let's do this. Um. 28 00:01:36,480 --> 00:01:40,440 Speaker 1: This is season one, episode one, the pilot. Um. It's 29 00:01:40,480 --> 00:01:44,760 Speaker 1: so freaking epic and it aired on nine after the 30 00:01:44,760 --> 00:01:50,120 Speaker 1: American Idol finale. UM, let's chat about it. Tell me 31 00:01:50,120 --> 00:01:54,000 Speaker 1: about the synops of this show, Kevin. Um. Okay, Well, 32 00:01:54,120 --> 00:01:57,720 Speaker 1: we are introduced to everyone. Introduced to the glee club 33 00:01:57,800 --> 00:02:02,080 Speaker 1: that is sort of falling apart. Um. We're introduced to 34 00:02:02,880 --> 00:02:07,200 Speaker 1: Will Schuster Um, a teacher, Spanish teacher with a good 35 00:02:07,200 --> 00:02:10,840 Speaker 1: heart who wants to revive the glee club. We are 36 00:02:10,919 --> 00:02:15,040 Speaker 1: introduced to Sue Sylvester and the Cheerios. Oh yes, the 37 00:02:15,080 --> 00:02:19,200 Speaker 1: football team. We see that in Lime, Ohio Sports. Just 38 00:02:19,280 --> 00:02:22,480 Speaker 1: like why Grip of Texas is number one, glee club 39 00:02:22,600 --> 00:02:25,280 Speaker 1: is not important. They are the competitive teams at the school. 40 00:02:26,000 --> 00:02:31,679 Speaker 1: But everything changes when the quarterback of the football team 41 00:02:31,840 --> 00:02:36,880 Speaker 1: joins the Glee Club. Wow wow wow wow. So um, 42 00:02:36,919 --> 00:02:41,919 Speaker 1: just to kick off the preamble to shoot this pilot recap, Um, 43 00:02:42,120 --> 00:02:46,160 Speaker 1: Corey couldn't get down because he was Canadian to rehearse 44 00:02:46,200 --> 00:02:48,880 Speaker 1: with us in the weeks like leading up to filming 45 00:02:48,919 --> 00:02:52,120 Speaker 1: this physically couldn't get across the border. Yeah, and so 46 00:02:52,160 --> 00:02:55,960 Speaker 1: he would wait for a work visa. So Kevin, Me, 47 00:02:56,480 --> 00:03:00,799 Speaker 1: Leah Amber and Chris we're all rehearsing a million different 48 00:03:00,880 --> 00:03:04,640 Speaker 1: versions of Don't Stop Believing, and um, sit down, you're 49 00:03:04,720 --> 00:03:09,000 Speaker 1: rocking the boat. And there was this this actor was 50 00:03:09,120 --> 00:03:12,960 Speaker 1: coming to play Finn, yeah, and who I instinctually hated 51 00:03:13,160 --> 00:03:16,840 Speaker 1: because he played villain. Yeah. He played the villain on 52 00:03:16,880 --> 00:03:19,760 Speaker 1: the show called kyle x Why back in the day, 53 00:03:20,240 --> 00:03:21,880 Speaker 1: and I had just seen it and that's where I 54 00:03:21,919 --> 00:03:23,520 Speaker 1: knew him from. And I was like, I'm not looking 55 00:03:23,560 --> 00:03:25,680 Speaker 1: forward to Like he supposed to be the star of 56 00:03:25,680 --> 00:03:28,040 Speaker 1: the show and super nice and we're supposed to get 57 00:03:28,080 --> 00:03:32,359 Speaker 1: behind him. But he's mean and I'm not excited to 58 00:03:32,919 --> 00:03:35,600 Speaker 1: didn't know that. Yeah, But also like he's Canadian, so 59 00:03:35,640 --> 00:03:37,400 Speaker 1: of course he was going to be the nicest person ever. 60 00:03:37,840 --> 00:03:41,680 Speaker 1: But he felt like this like magical character that like 61 00:03:41,840 --> 00:03:44,080 Speaker 1: nobody knew and we all were bonding, and we're like, 62 00:03:44,160 --> 00:03:47,400 Speaker 1: what happens when Corey comes and what happens when we 63 00:03:47,400 --> 00:03:49,400 Speaker 1: we've all bonded and we're all friends and this other 64 00:03:49,440 --> 00:03:53,280 Speaker 1: guy comes in? But lo and behold it was also 65 00:03:53,520 --> 00:03:55,120 Speaker 1: it was the four of us. It was you, Me, Amber, 66 00:03:55,160 --> 00:03:58,720 Speaker 1: and Chris for weeks and none of us knew Leah 67 00:03:58,720 --> 00:04:02,360 Speaker 1: except you. And then yeah, and then we met Leah 68 00:04:02,560 --> 00:04:05,880 Speaker 1: and then we started rehearsing with her, and then I 69 00:04:05,880 --> 00:04:07,960 Speaker 1: don't know, two weeks or a week after that, then 70 00:04:08,000 --> 00:04:10,000 Speaker 1: Corey came in. So it was a little one by 71 00:04:10,040 --> 00:04:13,200 Speaker 1: one we all got together to form this little band 72 00:04:13,240 --> 00:04:19,799 Speaker 1: of misfits. Now I'm thinking about this recap with Justin 73 00:04:19,880 --> 00:04:26,000 Speaker 1: timber Now, I feel like we have to like bring 74 00:04:27,000 --> 00:04:31,800 Speaker 1: bring in Justin and and and imagine him in the 75 00:04:31,560 --> 00:04:34,920 Speaker 1: in this show now. I mean, I don't think it's 76 00:04:34,960 --> 00:04:38,159 Speaker 1: such a like a stretch for people to imagine. I 77 00:04:38,240 --> 00:04:41,920 Speaker 1: just think it's funny. It is. It's weird also, like 78 00:04:43,040 --> 00:04:46,680 Speaker 1: he wouldn't have had the time, like in what world 79 00:04:46,960 --> 00:04:50,240 Speaker 1: I think, but I would have liked to know if 80 00:04:50,279 --> 00:04:53,720 Speaker 1: we were on Justin timber Lake schedule, though we would 81 00:04:53,720 --> 00:04:58,000 Speaker 1: have been working a lot less like Justin is not available, 82 00:04:58,839 --> 00:05:02,080 Speaker 1: Glee Club can't work today. He just shoot all of 83 00:05:02,120 --> 00:05:09,880 Speaker 1: those exposition scenes immediately. Okay, let's get into it. Yeah. 84 00:05:09,960 --> 00:05:13,760 Speaker 1: I think there's also a billion songs in this episode, 85 00:05:14,120 --> 00:05:17,280 Speaker 1: so there's there's a lot more than Yeah, there's a 86 00:05:17,320 --> 00:05:21,080 Speaker 1: lot to go over. But I will say, um that 87 00:05:21,600 --> 00:05:25,159 Speaker 1: watching this episode, I feel like it holds up. It 88 00:05:25,240 --> 00:05:29,200 Speaker 1: looks great. It's so cinematic and also something for normal 89 00:05:29,240 --> 00:05:31,279 Speaker 1: teen shows because I grew up watching a lot of 90 00:05:31,279 --> 00:05:33,440 Speaker 1: them and still watch a lot of them. They're they're 91 00:05:33,440 --> 00:05:36,680 Speaker 1: not normally I think shot with this level of care 92 00:05:37,240 --> 00:05:40,800 Speaker 1: and attention. When Ryan was talking about that, like you know, 93 00:05:40,880 --> 00:05:43,839 Speaker 1: the last episode of about his creative process, and I 94 00:05:43,880 --> 00:05:47,080 Speaker 1: do think that's also besides the structure of the show 95 00:05:47,120 --> 00:05:50,240 Speaker 1: and the music and the story, it's also I think 96 00:05:50,279 --> 00:05:53,440 Speaker 1: how the show looked and was presented it was I mean, 97 00:05:53,560 --> 00:05:55,520 Speaker 1: then when you come in there with a bang with 98 00:05:56,000 --> 00:05:59,279 Speaker 1: Sue Sylvester talking about waterboarding in the first fifteen seconds 99 00:05:59,360 --> 00:06:04,000 Speaker 1: of this show, Um, it's iconic. I mean that that 100 00:06:04,160 --> 00:06:07,440 Speaker 1: line became so iconic. But I think they recorded like 101 00:06:07,720 --> 00:06:11,160 Speaker 1: or shot like many many many different versions that Ian 102 00:06:11,200 --> 00:06:15,719 Speaker 1: Brennan kind of threw out at her um. Also to 103 00:06:15,839 --> 00:06:18,520 Speaker 1: note we were one of the last shows to shoot 104 00:06:18,560 --> 00:06:21,960 Speaker 1: on actual film. Yes, I think that's why it also 105 00:06:22,040 --> 00:06:26,680 Speaker 1: looked so good on film for a while. Yeah, like 106 00:06:26,720 --> 00:06:31,200 Speaker 1: three seasons, I think. Yeah, um, okay, Well, and we 107 00:06:31,200 --> 00:06:35,640 Speaker 1: were introduced to the villain right immediately immediately. Also, can 108 00:06:35,680 --> 00:06:37,800 Speaker 1: you imagine the show without her? It wouldn't it wouldn't 109 00:06:37,839 --> 00:06:41,000 Speaker 1: have worked. And also, just I forgot it opened like 110 00:06:41,040 --> 00:06:43,680 Speaker 1: that for some reason. I thought it opened on Will 111 00:06:43,720 --> 00:06:47,719 Speaker 1: Shuster's old car with like banged up car. Yeah, I forgot. 112 00:06:47,960 --> 00:06:51,800 Speaker 1: It's that phenomenal cheerleading moment. That's right, that's right. Um. 113 00:06:51,839 --> 00:06:54,799 Speaker 1: And then here we are with Mr Shu Um, justin 114 00:06:54,839 --> 00:07:00,800 Speaker 1: Timberlake is here and um. And then this is the 115 00:07:00,839 --> 00:07:07,120 Speaker 1: first of the kids. Kurt is thrown it into a dumpster. Yeah, 116 00:07:07,240 --> 00:07:10,040 Speaker 1: it's something that Puck really likes to just throw us 117 00:07:10,160 --> 00:07:13,320 Speaker 1: kids into dumpsters and porta potties. And but it's all 118 00:07:13,360 --> 00:07:16,200 Speaker 1: I think. Also like the introducing all these characters in 119 00:07:16,240 --> 00:07:19,320 Speaker 1: such a definitive way where you get to know everyone 120 00:07:19,520 --> 00:07:24,000 Speaker 1: immediately beyond the wardrobe. You get to know, Okay, this 121 00:07:24,040 --> 00:07:26,080 Speaker 1: is who Kurt is, this is his relationship, this is 122 00:07:26,080 --> 00:07:29,520 Speaker 1: who Sue is. Um. The only character that's sort of 123 00:07:29,600 --> 00:07:32,400 Speaker 1: unfolding as it goes as Will and his intentions. You know, 124 00:07:32,400 --> 00:07:35,280 Speaker 1: he's a good guy, but everything else is I think, 125 00:07:35,320 --> 00:07:38,080 Speaker 1: such a great introduction to each of the characters. So 126 00:07:38,280 --> 00:07:41,680 Speaker 1: Justin Gaston it is, wasn't Justin Gaston was the one 127 00:07:41,880 --> 00:07:43,880 Speaker 1: who he was one of the football players. He's a 128 00:07:44,000 --> 00:07:47,520 Speaker 1: very good looking football player in the back only there 129 00:07:47,520 --> 00:07:51,640 Speaker 1: for the pilot, right. And also I remember us like 130 00:07:51,720 --> 00:07:56,080 Speaker 1: they were whisperings the whole time that he was dating 131 00:07:56,120 --> 00:07:59,960 Speaker 1: Miley Cyrus. Well, yeah, I was sort of not star struck. 132 00:08:00,080 --> 00:08:01,960 Speaker 1: Was like, what is he doing here? Because you know, 133 00:08:02,080 --> 00:08:04,800 Speaker 1: I saw him in tabloids, like I saw him in 134 00:08:04,840 --> 00:08:09,360 Speaker 1: paparazzi photos every single day updating Miley, and then he 135 00:08:09,440 --> 00:08:11,480 Speaker 1: was there. There was a lot of that on the show. 136 00:08:11,680 --> 00:08:13,559 Speaker 1: But I didn't know Jane was cast on the show. 137 00:08:14,000 --> 00:08:17,600 Speaker 1: None of us did. No, we literally bombed into her 138 00:08:18,400 --> 00:08:21,200 Speaker 1: during the pilot, and I was like, I think we 139 00:08:21,240 --> 00:08:23,200 Speaker 1: had also been talking about how much we loved Jane 140 00:08:23,200 --> 00:08:25,320 Speaker 1: because I think they referenced her, like Ryan said, and 141 00:08:25,320 --> 00:08:29,240 Speaker 1: we knew they referenced her, but we were, you know, 142 00:08:29,440 --> 00:08:32,280 Speaker 1: naive and ignorant to that. Oh no, No, they actually 143 00:08:33,120 --> 00:08:36,400 Speaker 1: got the real thing, and we kind of we learned 144 00:08:36,559 --> 00:08:40,319 Speaker 1: very much about Finn in this, like even like holding 145 00:08:40,400 --> 00:08:45,079 Speaker 1: Kurt's jacket, you know, when he gets dumped into the dumpster. 146 00:08:45,200 --> 00:08:50,079 Speaker 1: But did you notice that Um in the Spanish in 147 00:08:50,120 --> 00:08:54,240 Speaker 1: the Spanish room, like Corey just like not being able 148 00:08:54,280 --> 00:08:56,800 Speaker 1: to hold it together. I did. I feel like this 149 00:08:56,840 --> 00:09:00,199 Speaker 1: was the first time I caught that. I don't know why, 150 00:09:00,320 --> 00:09:02,000 Speaker 1: but it was maybe because I haven't seen it so long, 151 00:09:02,040 --> 00:09:03,840 Speaker 1: but it was the first time I saw him sort 152 00:09:03,840 --> 00:09:07,760 Speaker 1: of like like when he tries not to laugh, like 153 00:09:07,840 --> 00:09:09,920 Speaker 1: the sides of his eyes go up, like he tries 154 00:09:09,920 --> 00:09:13,840 Speaker 1: to do this sort of like plastic surgery phase, you know. Yeah, 155 00:09:14,000 --> 00:09:17,360 Speaker 1: and he's like trying to keep it together, and you 156 00:09:17,360 --> 00:09:19,000 Speaker 1: could tell it was like they have to cut before 157 00:09:19,640 --> 00:09:24,120 Speaker 1: he completely it. Wow, there'll be a lot of that, 158 00:09:25,200 --> 00:09:28,160 Speaker 1: and that that leads us to this is what I 159 00:09:28,200 --> 00:09:32,040 Speaker 1: feel like was probably inspired by Ian's original script, where 160 00:09:32,080 --> 00:09:39,880 Speaker 1: you have Sandy Ryerson, the outgoing glee club teacher, um 161 00:09:41,040 --> 00:09:46,960 Speaker 1: placing an inappropriate hand on Ben blood cell. Yeah, and 162 00:09:47,240 --> 00:09:49,240 Speaker 1: I feel like that must have been sort of the 163 00:09:49,280 --> 00:09:55,959 Speaker 1: bridge of this guy's terrible and inappropriate Yes, the little 164 00:09:56,000 --> 00:09:59,760 Speaker 1: remnants of the original script, Yes, Yes, totally and it 165 00:10:00,080 --> 00:10:02,480 Speaker 1: so it is a good way and to get Will 166 00:10:02,520 --> 00:10:06,640 Speaker 1: into you know, heading up club. It's like it all worked. 167 00:10:06,760 --> 00:10:11,280 Speaker 1: It was all transition. Also again just having another iconic 168 00:10:11,320 --> 00:10:17,480 Speaker 1: comedic actor, um Steven Tabolowski, like like what throughout the 169 00:10:17,480 --> 00:10:20,920 Speaker 1: whole series. I just remember like when we didn't really 170 00:10:20,960 --> 00:10:23,720 Speaker 1: work with him very much, and so his scenes would 171 00:10:23,720 --> 00:10:26,760 Speaker 1: be shot with Jane or you know, Matt and Jayma 172 00:10:26,920 --> 00:10:29,800 Speaker 1: and like, and then we'd see them in our and 173 00:10:29,880 --> 00:10:34,640 Speaker 1: our viewings are lunchtime viewings of the episodes, and my 174 00:10:34,760 --> 00:10:38,160 Speaker 1: job would dropped the ground because he was just so 175 00:10:38,920 --> 00:10:42,400 Speaker 1: he was like Jane Lynch level of like comedic genius. 176 00:10:42,520 --> 00:10:46,960 Speaker 1: So they're very much counterparts to each other. They were. Yeah, 177 00:10:47,280 --> 00:10:49,200 Speaker 1: it was it was exhausting being around them because I 178 00:10:49,200 --> 00:10:50,840 Speaker 1: was like, I can't keep up with either of you. 179 00:10:51,840 --> 00:10:54,320 Speaker 1: And then we we meet, we go into the teachers 180 00:10:54,360 --> 00:10:58,120 Speaker 1: loue time, which is personally it was that's where we 181 00:10:58,240 --> 00:11:00,960 Speaker 1: hung out a lot. Yes, we did between in the 182 00:11:01,000 --> 00:11:06,040 Speaker 1: teacher's lounge. Yeah, we played games in there. It's always. Yeah, 183 00:11:06,360 --> 00:11:09,640 Speaker 1: that's where I introduced Mafia to everyone. It was close 184 00:11:09,679 --> 00:11:11,840 Speaker 1: by the choir room, so we would leave when they 185 00:11:11,880 --> 00:11:14,160 Speaker 1: would like the choir room and we go sit together 186 00:11:14,480 --> 00:11:16,120 Speaker 1: and we were all loud, so it was far enough 187 00:11:16,120 --> 00:11:21,520 Speaker 1: away where we wouldn't father the professionals. Um. Okay, so 188 00:11:22,360 --> 00:11:28,439 Speaker 1: we meet can Tanaka here right, Um we see Sue again, 189 00:11:29,240 --> 00:11:33,679 Speaker 1: and um, we learned that Sue is a horrible human being. 190 00:11:34,520 --> 00:11:37,679 Speaker 1: Also maybe my favorite, one of my favorite lines of 191 00:11:37,720 --> 00:11:42,599 Speaker 1: the entire episode. Irma, I'm going to take a phone er. 192 00:11:43,600 --> 00:11:47,640 Speaker 1: That's an interview on my phone. I do remember being 193 00:11:47,840 --> 00:11:50,640 Speaker 1: somewhere around when they were shooting that and like hearing 194 00:11:50,679 --> 00:11:54,640 Speaker 1: those lines and being like, Wow, she's really funny phenomenal 195 00:11:54,880 --> 00:11:58,280 Speaker 1: also fun fact Like, there's also this running gag where 196 00:11:58,320 --> 00:12:02,280 Speaker 1: Sue never calls Emma by her real name, but the 197 00:12:02,360 --> 00:12:08,559 Speaker 1: scene that's right, she actually does say Emma. I mean 198 00:12:08,600 --> 00:12:10,920 Speaker 1: it's one and done, right, she says Emma and then 199 00:12:10,920 --> 00:12:18,120 Speaker 1: never to be seen. No Ellen Dye eleanor Amelia, Edna, Dina, 200 00:12:19,280 --> 00:12:25,160 Speaker 1: Elma Elmo, Um i jama. I mean Emma is one 201 00:12:25,160 --> 00:12:30,559 Speaker 1: of my favorite characters. Um, she's just her outfits pop. 202 00:12:30,679 --> 00:12:33,640 Speaker 1: She is like the epitome of like the Glee you know, 203 00:12:33,800 --> 00:12:39,719 Speaker 1: colors and the bubble gum pop that Ryan was talking about. Um, 204 00:12:39,800 --> 00:12:41,560 Speaker 1: and I think this is where we start to see 205 00:12:41,559 --> 00:12:44,880 Speaker 1: like their little relationships start to bud right, and their 206 00:12:44,920 --> 00:12:48,320 Speaker 1: chemistry is so good. That's so cute together. I also 207 00:12:48,400 --> 00:12:53,240 Speaker 1: think it's Jammys, who plays Emma, is also one of 208 00:12:53,280 --> 00:12:57,680 Speaker 1: the most wonderful, hilarious people I've ever met, and so 209 00:12:57,760 --> 00:13:00,199 Speaker 1: I think it's a combination of my love for her 210 00:13:00,360 --> 00:13:02,760 Speaker 1: and also Emma is complained, like I don't know where 211 00:13:02,800 --> 00:13:05,360 Speaker 1: one starts the other, one ends, one ends, the other 212 00:13:05,360 --> 00:13:09,240 Speaker 1: one starts. Yeah, yeah, yeah, I hear that. I hear that. Um, 213 00:13:09,320 --> 00:13:11,720 Speaker 1: so this is this is okay, so this is the catalyst. 214 00:13:11,840 --> 00:13:14,280 Speaker 1: This is where Emma tells Will that the glee club, 215 00:13:14,760 --> 00:13:17,520 Speaker 1: you know, the glee teacher got fired. And Will's like, 216 00:13:17,640 --> 00:13:20,480 Speaker 1: this is my chance to relive my high school glory 217 00:13:20,840 --> 00:13:26,079 Speaker 1: and I am going to um head the glee club. 218 00:13:26,760 --> 00:13:31,959 Speaker 1: And um this is also Figgins. Oh well sorry I'm jumping, 219 00:13:32,040 --> 00:13:37,320 Speaker 1: but no, right, okay, yeah, he goes to Figgins and Veggins. 220 00:13:37,880 --> 00:13:41,720 Speaker 1: Veggins was one of my favorite um it's like places 221 00:13:41,760 --> 00:13:43,840 Speaker 1: to shoot. We also slept. I also slept on that 222 00:13:43,880 --> 00:13:49,319 Speaker 1: couch a lot. But I feel like that is amazing 223 00:13:49,600 --> 00:13:53,040 Speaker 1: and he is just a wonderful, kind human being. But 224 00:13:53,120 --> 00:13:56,040 Speaker 1: he was just so freaking funny, and like when you 225 00:13:56,080 --> 00:13:58,120 Speaker 1: got to do scenes with him, it was the best 226 00:13:58,160 --> 00:14:00,400 Speaker 1: because you didn't get to do them a lot. It 227 00:14:00,440 --> 00:14:02,760 Speaker 1: really did feel like we were very much the kids, 228 00:14:03,080 --> 00:14:05,600 Speaker 1: and the adults were very much the adults, even though 229 00:14:05,960 --> 00:14:09,120 Speaker 1: some of us playing kids were a little closer to 230 00:14:09,120 --> 00:14:12,360 Speaker 1: the teacher's ages. But when you went into the scenes 231 00:14:12,400 --> 00:14:17,120 Speaker 1: with them, you're in scenes with these comedic powerhouses, every 232 00:14:17,120 --> 00:14:20,120 Speaker 1: single one of them. It's intimidating. It was very intimidating. 233 00:14:20,160 --> 00:14:22,800 Speaker 1: It was very very hard to keep a straight face 234 00:14:22,840 --> 00:14:26,560 Speaker 1: and actually be professional. But I was so scared all 235 00:14:26,560 --> 00:14:29,120 Speaker 1: the time, and I didn't want to like upset Ryan 236 00:14:29,200 --> 00:14:33,160 Speaker 1: Ian or Brad because everyone was so good and I 237 00:14:33,200 --> 00:14:40,080 Speaker 1: felt like I tricked everyone hiring me. Yeah, absolutely, at 238 00:14:40,160 --> 00:14:43,960 Speaker 1: least the entirety of the first season, Like and you 239 00:14:44,000 --> 00:14:45,960 Speaker 1: don't realize that, like we're on each other, we're having fun. 240 00:14:46,200 --> 00:14:49,320 Speaker 1: It feels great and camaraderie and whatever, and all of 241 00:14:49,360 --> 00:14:52,000 Speaker 1: a sudden you're in a scene with Jane Lynch and 242 00:14:52,280 --> 00:14:55,560 Speaker 1: I don't know what, I forget it. It's like him 243 00:14:55,600 --> 00:14:58,120 Speaker 1: and I heard my goal hedgecock and it's like we 244 00:14:58,160 --> 00:15:03,320 Speaker 1: will also have on It's like I don't know, Okay, again, 245 00:15:03,520 --> 00:15:08,080 Speaker 1: we're I'm diegrassing from it's what we do. Yes, that 246 00:15:08,080 --> 00:15:09,760 Speaker 1: that is what we do. But we have to talk 247 00:15:09,800 --> 00:15:15,800 Speaker 1: about the fact that, um that Will Schuster is naked. 248 00:15:17,280 --> 00:15:20,680 Speaker 1: Should we guess how long? How long are we into 249 00:15:20,720 --> 00:15:23,840 Speaker 1: this before his shirt is off? How much time technically 250 00:15:23,880 --> 00:15:28,160 Speaker 1: do you think it is? Do do? Do? Do? Do? 251 00:15:29,040 --> 00:15:31,520 Speaker 1: I mean? I think four minutes? Do you think it's 252 00:15:31,520 --> 00:15:35,920 Speaker 1: that quick? Mm hm? I yeah, I feel like I 253 00:15:35,960 --> 00:15:39,360 Speaker 1: would have to say it's I think it's a little longer. 254 00:15:39,640 --> 00:15:43,280 Speaker 1: I think it's maybe like twelve Are we twelve minutes 255 00:15:43,320 --> 00:15:46,800 Speaker 1: into this? Can we get a check time check, time, check, 256 00:15:47,000 --> 00:15:55,080 Speaker 1: and somebody check when under five minutes? You know? And 257 00:15:55,200 --> 00:15:57,960 Speaker 1: this is what feeds the fuel of all the YouTube 258 00:15:58,040 --> 00:16:03,240 Speaker 1: videos of Schuster cringing moments, ugly in a bath, shirtless shoe, 259 00:16:03,280 --> 00:16:07,760 Speaker 1: shirtless shoe, Yes we have the teacher is shirtless and 260 00:16:07,880 --> 00:16:10,720 Speaker 1: under five minutes. Welcome to Glee, everyone, Welcome to Glee. 261 00:16:11,520 --> 00:16:15,200 Speaker 1: Um okay, I also to talk about the name of 262 00:16:15,200 --> 00:16:21,960 Speaker 1: our gly club because Mr Schuster still shirtless? Still shirtless? No? No. 263 00:16:23,160 --> 00:16:26,200 Speaker 1: The new directions sign up sheet goes up new directions, 264 00:16:27,280 --> 00:16:33,560 Speaker 1: um and e W space directions right, Um, people didn't 265 00:16:33,600 --> 00:16:36,200 Speaker 1: know this, like people still don't know, like massive fans 266 00:16:36,400 --> 00:16:40,080 Speaker 1: that like Claudia and Jackie from The Toast, like Morning 267 00:16:40,120 --> 00:16:48,360 Speaker 1: Toast still didn't know that New Directions is nude erections. 268 00:16:48,600 --> 00:16:51,240 Speaker 1: That's what it's supposed to sound like. And also he's 269 00:16:51,240 --> 00:16:56,200 Speaker 1: waking up in the middle of the night and I 270 00:16:56,240 --> 00:17:00,400 Speaker 1: think that was that was definitely I I was probably 271 00:17:00,400 --> 00:17:07,240 Speaker 1: a nod to the the original screenplay. Um, this is 272 00:17:07,280 --> 00:17:12,639 Speaker 1: also little tidbit. Um, this is where we came up 273 00:17:12,640 --> 00:17:16,680 Speaker 1: with Tina's last name. So in the script, yeah, so 274 00:17:16,720 --> 00:17:18,960 Speaker 1: in the script, um, we were about to shoot this 275 00:17:19,000 --> 00:17:20,919 Speaker 1: where we all walk up and we saw our names 276 00:17:20,960 --> 00:17:23,760 Speaker 1: and then it cuts to our auditions and um, Ian 277 00:17:23,840 --> 00:17:25,560 Speaker 1: was there, Brad was there. I don't know if Brad 278 00:17:25,600 --> 00:17:27,520 Speaker 1: was there. Actually Ian and Ryan were there, and I 279 00:17:27,640 --> 00:17:30,720 Speaker 1: walked up and um, I said, what is my last 280 00:17:30,720 --> 00:17:32,320 Speaker 1: Like what am I going to sign my last name? 281 00:17:33,200 --> 00:17:37,960 Speaker 1: And He's like see Tina see And I was like, well, 282 00:17:37,960 --> 00:17:40,959 Speaker 1: what does it stand for? And He's like, Ian's like, 283 00:17:41,119 --> 00:17:44,120 Speaker 1: that's a really good question. Why don't we do Cohen 284 00:17:45,280 --> 00:17:51,480 Speaker 1: Cohen Cohen Chang? Um? Because my last name was is 285 00:17:51,560 --> 00:17:53,960 Speaker 1: I don't know still is? I guess my maiden name 286 00:17:54,000 --> 00:17:56,199 Speaker 1: is Ushkowitz. And he was. The people were just like 287 00:17:56,320 --> 00:17:59,520 Speaker 1: floored by, you know, this little Korean American with like 288 00:17:59,720 --> 00:18:03,840 Speaker 1: a Jewish last name. So this is a nod to 289 00:18:04,200 --> 00:18:11,719 Speaker 1: Jenna and Cohen. Check yeah, I'm sweet. Also, wasn't there 290 00:18:11,760 --> 00:18:14,800 Speaker 1: like a continuity issue with the sign up sheet? Was 291 00:18:14,840 --> 00:18:18,240 Speaker 1: there that when you like it was originally written and 292 00:18:18,280 --> 00:18:22,159 Speaker 1: it was like Tina, like you would write in a 293 00:18:22,200 --> 00:18:26,000 Speaker 1: stutter as I did. I did shoot that once. We 294 00:18:26,080 --> 00:18:30,080 Speaker 1: did shoot that once that it was like, um, like 295 00:18:30,119 --> 00:18:32,800 Speaker 1: I wrote like I stuttered. But then I think they 296 00:18:32,840 --> 00:18:35,119 Speaker 1: had me do it the other way just in case, 297 00:18:35,280 --> 00:18:37,040 Speaker 1: and I think and then it cuts back to it 298 00:18:37,240 --> 00:18:53,800 Speaker 1: and both yea and tenas do you remember these auditions? 299 00:18:53,840 --> 00:18:58,480 Speaker 1: So then the auditions come up and I remember, yes 300 00:18:58,880 --> 00:19:00,520 Speaker 1: that it was like late at night. It wasn't like 301 00:19:00,520 --> 00:19:03,280 Speaker 1: a last minute decision or something. It was the last 302 00:19:03,320 --> 00:19:06,680 Speaker 1: minute decision, which was my nightmare. You weren't here, right, 303 00:19:06,720 --> 00:19:09,000 Speaker 1: You weren't there for it because I was. You were 304 00:19:09,080 --> 00:19:12,440 Speaker 1: you hung out? I hung out because I wanted to see. Also, 305 00:19:12,480 --> 00:19:14,520 Speaker 1: we were shooting in Long Beach and that was not 306 00:19:14,640 --> 00:19:18,320 Speaker 1: close to I. For any of you geography nerds, I 307 00:19:18,359 --> 00:19:20,959 Speaker 1: lived in Santa Clarita, which is northern l A so 308 00:19:21,080 --> 00:19:24,240 Speaker 1: far you were, so it was wried and Long Beach 309 00:19:24,320 --> 00:19:27,480 Speaker 1: was the opposite direction, and so I was in no 310 00:19:27,600 --> 00:19:30,280 Speaker 1: rush to go back because I'm like, what am I 311 00:19:30,280 --> 00:19:32,560 Speaker 1: going to do? I'm not excited to drive two hours 312 00:19:32,640 --> 00:19:36,159 Speaker 1: home right now we were. I was honestly concerned for 313 00:19:36,200 --> 00:19:38,160 Speaker 1: you because I was like, he's going to fall asleep 314 00:19:38,200 --> 00:19:40,840 Speaker 1: with the wheel where sometimes, like early on you did 315 00:19:40,840 --> 00:19:44,480 Speaker 1: sleep on my couch because we were like shooting till 316 00:19:44,480 --> 00:19:47,879 Speaker 1: midnight and then had to be there at six um. No, 317 00:19:48,080 --> 00:19:52,600 Speaker 1: this was actually yeah, So we were supposed to do 318 00:19:52,640 --> 00:19:56,320 Speaker 1: this at the end of the shoot, like at the 319 00:19:56,400 --> 00:19:59,520 Speaker 1: end of the week, and for some reason scheduling how 320 00:19:59,560 --> 00:20:03,119 Speaker 1: TV works, everything that pulled up and I had not 321 00:20:03,280 --> 00:20:08,000 Speaker 1: rehearsed this song yet. So Tina's original audition song was 322 00:20:08,040 --> 00:20:10,119 Speaker 1: if I were a Bell from Guys and Dolls? Is 323 00:20:10,160 --> 00:20:13,320 Speaker 1: that right? Guys and Dolls? I think so. And because 324 00:20:13,400 --> 00:20:16,679 Speaker 1: my costume was like already and she was a sweet 325 00:20:16,680 --> 00:20:20,560 Speaker 1: little girl. And then when everything switched over and Ryan 326 00:20:20,560 --> 00:20:22,800 Speaker 1: decided she was going to be gothic and I went 327 00:20:22,920 --> 00:20:29,200 Speaker 1: gothic like it was. I was stressed. I was really 328 00:20:29,240 --> 00:20:33,919 Speaker 1: really stressed. Had they not addressed the that song issue? 329 00:20:34,000 --> 00:20:39,000 Speaker 1: Yet after they changed your wardrobe, Um, they addressed the 330 00:20:39,040 --> 00:20:41,520 Speaker 1: song issue. But I thought on the schedule that I 331 00:20:41,600 --> 00:20:45,040 Speaker 1: had time, So okay, so you knew what song was 332 00:20:45,080 --> 00:20:47,000 Speaker 1: going to be. I did know, We did know it 333 00:20:47,040 --> 00:20:48,800 Speaker 1: was going to be I kissed a girl that had 334 00:20:48,800 --> 00:20:51,479 Speaker 1: to get cleared, So I think they knew. I just 335 00:20:51,560 --> 00:20:55,200 Speaker 1: hadn't gone, you know, even like I hadn't rehearsed it. Yeah, 336 00:20:55,320 --> 00:20:58,560 Speaker 1: because I mean, to be fair, we were doing we 337 00:20:58,560 --> 00:21:02,160 Speaker 1: were shooting how many hours a day and then still 338 00:21:02,200 --> 00:21:05,280 Speaker 1: rehearsing for all the other group numbers and things, so 339 00:21:05,320 --> 00:21:07,800 Speaker 1: there was a lot of free times. It was chaos. 340 00:21:07,840 --> 00:21:11,439 Speaker 1: We also, I mean side note, we normal episode we 341 00:21:11,440 --> 00:21:13,879 Speaker 1: would try to shoot in eight days. The pilot we 342 00:21:13,920 --> 00:21:17,359 Speaker 1: shot over three weeks, not including the two three weeks 343 00:21:17,359 --> 00:21:20,880 Speaker 1: of rehearsal prior to shooting. So there was a much 344 00:21:21,040 --> 00:21:24,320 Speaker 1: longer time period in which it took to do all 345 00:21:24,359 --> 00:21:27,280 Speaker 1: these things. And it wasn't because we had more time. 346 00:21:27,320 --> 00:21:29,119 Speaker 1: We were still filling up all of that time with 347 00:21:29,640 --> 00:21:34,040 Speaker 1: shooting things and rehearsing and recording figuring things out. Yeah, 348 00:21:34,040 --> 00:21:35,960 Speaker 1: because we didn't have a system yet. It was not 349 00:21:36,080 --> 00:21:38,560 Speaker 1: the well oiled machine and eventually became a couple of 350 00:21:38,600 --> 00:21:45,879 Speaker 1: years later. Yes, um, so back then I kissed a girl. No, 351 00:21:46,080 --> 00:21:48,160 Speaker 1: it was just it was wild and it was late 352 00:21:48,200 --> 00:21:50,240 Speaker 1: at night. I remember being really tired and really stressed 353 00:21:50,240 --> 00:21:52,119 Speaker 1: about it, and then Zach Woodley was I was like, 354 00:21:52,160 --> 00:21:55,080 Speaker 1: what am I going to do with the choreographer? Honestly sorry, 355 00:21:55,280 --> 00:22:00,359 Speaker 1: our choreographer, amazing choreographer who literally choreographed all seven numbers 356 00:22:00,359 --> 00:22:06,320 Speaker 1: that we did. Um, it's mind blowing to me. I 357 00:22:06,400 --> 00:22:08,760 Speaker 1: remember being outside the high school and Long Beach and 358 00:22:08,840 --> 00:22:13,440 Speaker 1: you panicking and knew that fear of God in your eyes, 359 00:22:13,880 --> 00:22:18,239 Speaker 1: and you were pacing around, and it was also very 360 00:22:18,280 --> 00:22:23,080 Speaker 1: indicative of everybody's personalities of Amber was like okay, and 361 00:22:23,119 --> 00:22:24,960 Speaker 1: you're like, okay, I gotta get this right. I wasn't prepared, 362 00:22:25,000 --> 00:22:26,200 Speaker 1: but I have to get this right, and you're pacing 363 00:22:26,240 --> 00:22:29,520 Speaker 1: and Chris is sort of like went away. Literally he 364 00:22:29,600 --> 00:22:34,840 Speaker 1: literally just disappeared and did his own thing. Yeah. Yes, um, 365 00:22:34,880 --> 00:22:37,920 Speaker 1: it is very type of of me to feel very underprepared. 366 00:22:38,000 --> 00:22:42,240 Speaker 1: But there was something about it that like we felt 367 00:22:42,240 --> 00:22:45,320 Speaker 1: like we needed something like really strong and really like 368 00:22:45,960 --> 00:22:48,480 Speaker 1: I don't know, commanding, and something that maybe would like 369 00:22:48,560 --> 00:22:52,480 Speaker 1: shock Mr Shoe. So Zach came up with this move 370 00:22:52,720 --> 00:22:58,159 Speaker 1: that you know, the hip hit. That felt insane. I 371 00:22:58,200 --> 00:23:01,080 Speaker 1: mean it really felt insane, but also felt really right. 372 00:23:03,840 --> 00:23:06,359 Speaker 1: It felt really right. It also didn't help you sort 373 00:23:06,359 --> 00:23:07,960 Speaker 1: of like get over the nerves of like I have 374 00:23:08,040 --> 00:23:12,600 Speaker 1: to be ridiculous now what we're doing. Yes, and those um, 375 00:23:12,600 --> 00:23:15,280 Speaker 1: those audition songs were some of the only things that 376 00:23:15,280 --> 00:23:19,679 Speaker 1: we recorded. We we did live um probably ever so 377 00:23:19,880 --> 00:23:22,000 Speaker 1: we sang all of that live with Brad Ellis on 378 00:23:22,000 --> 00:23:25,919 Speaker 1: the piano, UM, whereas as most of you know, we 379 00:23:26,080 --> 00:23:28,960 Speaker 1: lip sing and would prerecord all of these songs and 380 00:23:29,240 --> 00:23:33,199 Speaker 1: UM previous to shooting them. But you all sounded great. 381 00:23:34,440 --> 00:23:39,439 Speaker 1: It's very kind. That's very very kind. I was very nervous. UM. 382 00:23:39,480 --> 00:23:43,080 Speaker 1: But these audition songs, I feel like really also set 383 00:23:43,200 --> 00:23:46,199 Speaker 1: kind of the tone. UM. It also was reflective of 384 00:23:46,200 --> 00:23:48,359 Speaker 1: how we rehearsed in real life. Do you remember one 385 00:23:48,400 --> 00:23:52,119 Speaker 1: of the first days of our vocal rehearsals, everyone had 386 00:23:52,160 --> 00:23:55,000 Speaker 1: to go around and do the audition songs. Yes, that's 387 00:23:55,080 --> 00:23:58,200 Speaker 1: right because we were our first group number was Sdaniel 388 00:23:58,240 --> 00:24:00,119 Speaker 1: Rock in the Boats. We have been working on that 389 00:24:00,840 --> 00:24:02,480 Speaker 1: and then it was like, oh, let's just go over 390 00:24:02,480 --> 00:24:05,520 Speaker 1: these just in case, and then Amber, you and Chris saying, 391 00:24:05,800 --> 00:24:07,440 Speaker 1: and that was the first time that we had ever 392 00:24:07,480 --> 00:24:11,240 Speaker 1: heard each other saying yes, and we were all floored. Florida, Florida. 393 00:24:11,280 --> 00:24:14,399 Speaker 1: Everybody was so different and so it was just it 394 00:24:14,480 --> 00:24:16,520 Speaker 1: was really, that was really, it was magical. That's a 395 00:24:16,520 --> 00:24:18,919 Speaker 1: really cool moment. We should also like take a running 396 00:24:19,200 --> 00:24:24,359 Speaker 1: tally or make some notes for questions we want answered 397 00:24:24,359 --> 00:24:27,479 Speaker 1: by Ryan. We can do true or false. And then 398 00:24:27,480 --> 00:24:29,160 Speaker 1: at the end of the episode sent him a voice 399 00:24:29,160 --> 00:24:33,080 Speaker 1: note because there's gotta be the slushy comes out of 400 00:24:33,080 --> 00:24:37,840 Speaker 1: nowhere and yeah, I feel like that was an Ian 401 00:24:37,880 --> 00:24:43,880 Speaker 1: thing too. We gotta ask Ryan's even ever had a slushy? Well, 402 00:24:43,920 --> 00:24:47,000 Speaker 1: let's put that on the list. You've never had a slushy? Like, 403 00:24:47,040 --> 00:24:50,159 Speaker 1: have you even tasted you had a magical goodness of 404 00:24:50,200 --> 00:24:54,640 Speaker 1: a slushy? Probably? Not? Probably, I can't imagine him having 405 00:24:54,640 --> 00:24:58,880 Speaker 1: a slushy. No, that queen has never stepped into a seven. 406 00:25:01,560 --> 00:25:04,960 Speaker 1: Somebody's missing, No, he doesn't. I love that. I love 407 00:25:05,040 --> 00:25:07,679 Speaker 1: doing a Coca cola and a little cherry in my 408 00:25:07,800 --> 00:25:12,600 Speaker 1: slafe when I was obviously you gotta make okay. Yeah, um, 409 00:25:12,680 --> 00:25:14,720 Speaker 1: that's a good one though. Let's let's clock that one 410 00:25:14,760 --> 00:25:19,160 Speaker 1: for Ryan and then we're into a little Rachel introduction 411 00:25:19,480 --> 00:25:28,280 Speaker 1: montage in the MySpace era that we all survived. Yeah, um, um, 412 00:25:28,359 --> 00:25:31,879 Speaker 1: some of these comments were on the space page were incredible, 413 00:25:32,400 --> 00:25:35,200 Speaker 1: like any sort of other comedy that came through because 414 00:25:35,200 --> 00:25:38,080 Speaker 1: of Ian Ian wrote all of Sue's stuff, where all 415 00:25:38,119 --> 00:25:42,120 Speaker 1: of these I'm going to scratch up my eyes. If 416 00:25:42,200 --> 00:25:44,920 Speaker 1: I were your parents, I would sell you bad. Yeah, 417 00:25:45,480 --> 00:25:47,680 Speaker 1: but you know that you very much know the tone 418 00:25:47,680 --> 00:25:52,280 Speaker 1: of the show very quickly. Um. And then also did 419 00:25:52,320 --> 00:25:55,520 Speaker 1: you see that when Rachel states that she tries to 420 00:25:55,520 --> 00:25:59,000 Speaker 1: post on her MySpace page every day, um to keep 421 00:25:59,000 --> 00:26:01,840 Speaker 1: her toweling alive and growing. The when the cheerios are 422 00:26:01,840 --> 00:26:05,560 Speaker 1: watching it on the benches, um, in the gymnasium, it 423 00:26:05,640 --> 00:26:08,360 Speaker 1: says in the boxes say similar videos. It stays there 424 00:26:08,359 --> 00:26:12,480 Speaker 1: in no other video post continuity. Let me just stay 425 00:26:12,680 --> 00:26:15,720 Speaker 1: here right now here, and now that continuity in our show. 426 00:26:16,000 --> 00:26:22,359 Speaker 1: Poor poor poor Carol Banker and um Babs because I 427 00:26:22,480 --> 00:26:29,880 Speaker 1: just called her Babs. Perhaps was script supervisor. God bless 428 00:26:29,920 --> 00:26:35,840 Speaker 1: them because they're just angels. Um. They had to keep 429 00:26:35,880 --> 00:26:38,320 Speaker 1: track of like when our hair was in front and 430 00:26:38,400 --> 00:26:41,000 Speaker 1: when our hair was in back, and like all of 431 00:26:41,000 --> 00:26:44,720 Speaker 1: these wild things that just don't track right, and there's 432 00:26:44,840 --> 00:26:47,520 Speaker 1: so many people in every scene. It's just so hard. 433 00:26:47,600 --> 00:26:51,280 Speaker 1: It's so hard. Berhabs would be like Jenna Hair, Jenna Hair, 434 00:26:52,280 --> 00:26:59,760 Speaker 1: um about Rachel's like laptop stickers, hot stuff. It's really 435 00:27:00,080 --> 00:27:05,600 Speaker 1: is gold. Also sing all the time whenever I see 436 00:27:05,600 --> 00:27:10,720 Speaker 1: a hot boy, I go I love him, And it's 437 00:27:10,760 --> 00:27:12,720 Speaker 1: from this. And also because I knew nothing in musical 438 00:27:12,760 --> 00:27:15,879 Speaker 1: theater except Phantom of the Opera, this was my introduction 439 00:27:16,560 --> 00:27:20,760 Speaker 1: to the song on my own well, your song that 440 00:27:20,760 --> 00:27:23,520 Speaker 1: no one had ever heard of, Welcome on My Broadway. 441 00:27:23,720 --> 00:27:26,400 Speaker 1: I feel like every time we go through these episodes, 442 00:27:26,400 --> 00:27:27,879 Speaker 1: you're gonna be like this was the first time I 443 00:27:27,920 --> 00:27:30,320 Speaker 1: heard that song. Yeah, I get used to it. We've 444 00:27:30,320 --> 00:27:32,920 Speaker 1: trained you, Okay, So we go into our first rehearsal 445 00:27:34,000 --> 00:27:40,040 Speaker 1: um and this was a very nerve racking scene for me. 446 00:27:40,600 --> 00:27:42,840 Speaker 1: This is your solo, this is your moment. It was 447 00:27:42,880 --> 00:27:45,840 Speaker 1: my soul. We also did pre record this, but I 448 00:27:45,920 --> 00:27:49,639 Speaker 1: was so flat that it sounded live. It was before 449 00:27:49,640 --> 00:27:53,720 Speaker 1: they started fixing us. Well. They wanted this to sound scratchy, right, 450 00:27:54,720 --> 00:27:58,360 Speaker 1: to be like a shop moment. No, it sure sounded scratchy, 451 00:27:58,400 --> 00:28:01,080 Speaker 1: sounded great. So this was really a fun number to 452 00:28:01,160 --> 00:28:05,320 Speaker 1: rehearse as well. We rehearsed in Hollywood and just like 453 00:28:05,440 --> 00:28:09,359 Speaker 1: getting you getting I remember you getting used to the wheelchair, Yeah, 454 00:28:09,880 --> 00:28:12,480 Speaker 1: and all very much at this time that we all, 455 00:28:12,520 --> 00:28:16,159 Speaker 1: I think we all were very similar to the characters. 456 00:28:16,200 --> 00:28:19,119 Speaker 1: There was a lot of like team building getting to 457 00:28:19,160 --> 00:28:21,359 Speaker 1: know you going on. And that was our first group 458 00:28:21,400 --> 00:28:23,760 Speaker 1: scene with Ryan because he was directing it. We got 459 00:28:23,840 --> 00:28:27,280 Speaker 1: in trouble and the scene we got in trouble, we 460 00:28:27,440 --> 00:28:30,400 Speaker 1: couldn't stop I couldn't stop laughing. We all couldn't stop 461 00:28:30,520 --> 00:28:32,520 Speaker 1: laughing because he asked us to all kind of look 462 00:28:32,600 --> 00:28:35,480 Speaker 1: up at the ceiling and like look like be sad 463 00:28:35,520 --> 00:28:38,400 Speaker 1: and like think about what was coming next. And he 464 00:28:38,520 --> 00:28:41,120 Speaker 1: kept like, remember he kept throwing things at us from 465 00:28:41,240 --> 00:28:44,320 Speaker 1: behind this like um from where he was in video 466 00:28:44,400 --> 00:28:48,080 Speaker 1: village vaguely and and he just kept like having us 467 00:28:48,080 --> 00:28:52,040 Speaker 1: improv things and making Curt say stuff and dying laughing. 468 00:28:52,080 --> 00:28:54,040 Speaker 1: I mean, I think I laughed through this entire pilot 469 00:28:54,600 --> 00:28:57,960 Speaker 1: um and he was like, Okay, you can't do that selfishly. 470 00:28:58,000 --> 00:29:01,240 Speaker 1: I just remember I wasn't originally supposed to be pushed 471 00:29:01,240 --> 00:29:04,040 Speaker 1: into the wall in the scene, and he's he said, 472 00:29:04,120 --> 00:29:06,920 Speaker 1: let's try it, and I was like, okay, and just 473 00:29:06,960 --> 00:29:10,720 Speaker 1: absolutely murdered my knees. But you know, it's all good. 474 00:29:10,760 --> 00:29:15,800 Speaker 1: I'm fine. Um. And it's the first Rachel storm out. 475 00:29:16,280 --> 00:29:19,440 Speaker 1: It is the first racial storm out, one of one 476 00:29:19,520 --> 00:29:25,720 Speaker 1: thousand fifty two. Um. I I love this number though. 477 00:29:25,800 --> 00:29:28,600 Speaker 1: This was a really fun little number. And I also 478 00:29:28,680 --> 00:29:30,440 Speaker 1: love if you look at that choir room, it's obviously 479 00:29:30,480 --> 00:29:32,120 Speaker 1: not the choir room that we used the rest of 480 00:29:32,160 --> 00:29:35,440 Speaker 1: the series. Tell people, tell the people what they want 481 00:29:35,480 --> 00:29:38,520 Speaker 1: to all. Because what we did was over the first 482 00:29:39,560 --> 00:29:42,480 Speaker 1: um season and a half we reconstructed most of these 483 00:29:42,480 --> 00:29:46,920 Speaker 1: locations so that when we start episode two filming, we 484 00:29:46,960 --> 00:29:49,600 Speaker 1: have reconstructed most of the school. So there's a brand 485 00:29:49,600 --> 00:29:53,800 Speaker 1: new choir room that after a real choir room that 486 00:29:53,840 --> 00:29:58,080 Speaker 1: we shot at in Burbank, and then the auditorium and 487 00:29:58,120 --> 00:29:59,800 Speaker 1: the halls were made to look like it and everything. 488 00:30:00,280 --> 00:30:02,680 Speaker 1: The auditorium wasn't built. I think it wasn't done until 489 00:30:03,320 --> 00:30:05,640 Speaker 1: a couple episodes end of season two, and it is 490 00:30:06,400 --> 00:30:11,000 Speaker 1: almost a foot by foot reconstruction of the auditorium at 491 00:30:11,000 --> 00:30:13,160 Speaker 1: the high school we shot in the Long Beach. That's crazy, 492 00:30:13,360 --> 00:30:16,600 Speaker 1: but they made every obviously for filming courses, they expanded 493 00:30:16,640 --> 00:30:19,360 Speaker 1: every single room to make it a little bigger and 494 00:30:19,440 --> 00:30:23,760 Speaker 1: easier to light. Um, because that choir room I remember 495 00:30:23,800 --> 00:30:26,000 Speaker 1: shooting in the one that sit Down Your rocking. The 496 00:30:26,000 --> 00:30:28,520 Speaker 1: boat was shot and the pilot was very small and 497 00:30:28,600 --> 00:30:32,240 Speaker 1: hot and dark and very dark, yes, and but it 498 00:30:32,320 --> 00:30:34,680 Speaker 1: was really cool. It's like such a it's a smaller version. 499 00:30:34,720 --> 00:30:36,040 Speaker 1: So if you go and you look at the pilot 500 00:30:36,080 --> 00:30:37,680 Speaker 1: and then you look at the new choir room in 501 00:30:37,720 --> 00:30:41,600 Speaker 1: the next episode, you'll see the next episode probably, um, 502 00:30:41,720 --> 00:30:44,600 Speaker 1: you'll see like a little bit of difference, but it's 503 00:30:44,680 --> 00:30:51,960 Speaker 1: pretty spot on. Kudos to our um our department, the crew, 504 00:30:52,240 --> 00:30:55,640 Speaker 1: amazing crew. Um. All right, let's keep let's keep going. 505 00:30:56,160 --> 00:31:01,720 Speaker 1: So Figgins tells you that they need the auditorium for 506 00:31:02,640 --> 00:31:07,440 Speaker 1: um for a Is that right? Yeah, yeah, yeah. You 507 00:31:07,480 --> 00:31:10,120 Speaker 1: gotta make money somewhere. And the only way he can 508 00:31:10,200 --> 00:31:11,880 Speaker 1: have it is if if we make it to regionals, 509 00:31:11,960 --> 00:31:13,920 Speaker 1: and if Glee can stay, the Glee club can stay 510 00:31:13,920 --> 00:31:17,960 Speaker 1: if we win regionals. So there and lies the entire 511 00:31:18,040 --> 00:31:22,360 Speaker 1: crux of the Glee clubs existence, as we are going 512 00:31:22,400 --> 00:31:27,640 Speaker 1: to start working towards competitions and competition to competition because 513 00:31:27,680 --> 00:31:29,760 Speaker 1: we were fighting for our survival and at every turn 514 00:31:30,760 --> 00:31:33,000 Speaker 1: Susilvester is trying to take us down, and so is 515 00:31:33,040 --> 00:31:38,520 Speaker 1: Figgins writing for our survival. I like, yeah, um alright, 516 00:31:38,560 --> 00:31:42,720 Speaker 1: so sheets and things, Um, this is where we meet Terry. 517 00:31:44,080 --> 00:31:48,040 Speaker 1: Evil Terry who was a Ryan Murphy alum justin gil 518 00:31:48,120 --> 00:31:53,400 Speaker 1: Sing who was on nip talking got killed off, um 519 00:31:53,440 --> 00:31:59,200 Speaker 1: weirdly in a very r rated manner. But Cheats and 520 00:31:59,240 --> 00:32:03,280 Speaker 1: Things is really just haroard bamboo. Like, it's just all 521 00:32:03,320 --> 00:32:08,360 Speaker 1: these little quirks that made the pilot even more colorful 522 00:32:08,400 --> 00:32:11,040 Speaker 1: and you know, created that world that Ryan was talking about. 523 00:32:11,280 --> 00:32:13,320 Speaker 1: I also think Ryan loves the bead Beth and Beyond 524 00:32:13,400 --> 00:32:15,400 Speaker 1: moment because do you know how many times I've talked 525 00:32:15,400 --> 00:32:16,880 Speaker 1: to him on the phone and he has made jokes 526 00:32:16,880 --> 00:32:18,880 Speaker 1: about bed Beth Nyond? But has he ever really been 527 00:32:18,920 --> 00:32:20,640 Speaker 1: in a bed bathroom? And this is like a slushy? 528 00:32:20,680 --> 00:32:22,240 Speaker 1: Can we add that to the list you've ever been 529 00:32:22,280 --> 00:32:24,400 Speaker 1: into a bad bathroom Beyond? Because I don't think he's 530 00:32:24,400 --> 00:32:30,640 Speaker 1: ever been in one. Honestly, Um, this is Terry. This 531 00:32:30,720 --> 00:32:33,120 Speaker 1: is where she sets the scene. She's upset because she's 532 00:32:33,120 --> 00:32:35,800 Speaker 1: working four hours a day, three days a week and 533 00:32:35,880 --> 00:32:40,960 Speaker 1: having dinner by herself and that is just unacceptable. Truly unacceptable. 534 00:32:41,280 --> 00:32:44,840 Speaker 1: And also this is where Schuster runs into ex glee 535 00:32:44,920 --> 00:32:50,080 Speaker 1: club teacher, disgraced goolee club teacher Sandy Ryerson, who is 536 00:32:50,120 --> 00:32:52,960 Speaker 1: a proud drug dealer and is loving it. I mean, 537 00:32:52,960 --> 00:32:56,120 Speaker 1: how times have changed, right, I mean now weed is 538 00:32:56,200 --> 00:33:01,800 Speaker 1: legal in so many states. And back then, back then, 539 00:33:02,440 --> 00:33:09,360 Speaker 1: we were bribing, we were blackmailing, we were children chronic glove. Um, 540 00:33:09,480 --> 00:33:12,000 Speaker 1: that's okay. So we find out that he's a dragdale 541 00:33:12,040 --> 00:33:15,920 Speaker 1: right now. So in fact, Stephen Toblawski and Groundhog Day, 542 00:33:16,240 --> 00:33:21,240 Speaker 1: his character was named Ned Ryerson. It's Sandy Ryerson. What 543 00:33:21,760 --> 00:33:27,040 Speaker 1: I love little things like that? What a nugget, Kevin? Yeah, 544 00:33:27,040 --> 00:33:33,640 Speaker 1: I found it all by myself. Um, okay, alright, so 545 00:33:33,880 --> 00:33:36,400 Speaker 1: we're now we're back at school, because why wouldn't we 546 00:33:36,400 --> 00:33:39,320 Speaker 1: be back at school? Alright, So Emma steps in Gum, 547 00:33:39,360 --> 00:33:43,320 Speaker 1: which is like her worst nightmare, literally her worst nightmare. 548 00:33:43,760 --> 00:33:46,560 Speaker 1: But the costume is so good, Oh it's the best. 549 00:33:46,680 --> 00:33:49,240 Speaker 1: And the shoe is good, and how it shot is 550 00:33:49,280 --> 00:33:53,920 Speaker 1: so pretty cute and the credit card it's just so cute. 551 00:33:53,960 --> 00:33:58,520 Speaker 1: It's really cute. Yeah, it's so cute. Um, But this 552 00:33:58,600 --> 00:34:00,520 Speaker 1: is it, this is where we go. This is off 553 00:34:00,520 --> 00:34:04,520 Speaker 1: to the races. We go. Emma convinces or suggests to 554 00:34:04,600 --> 00:34:08,640 Speaker 1: Will that she finds somebody popular to jointly. And she's 555 00:34:08,680 --> 00:34:12,640 Speaker 1: not wrong. She's always there supporting Will. Why why she 556 00:34:12,680 --> 00:34:16,560 Speaker 1: always supporting Why? I don't know. We have yet to 557 00:34:16,560 --> 00:34:21,239 Speaker 1: find out. The episode is not over yet, alright, So 558 00:34:22,360 --> 00:34:25,000 Speaker 1: this scene where do you go to find the popular kids? 559 00:34:25,080 --> 00:34:31,719 Speaker 1: You go to the football team. Obviously, um, this is 560 00:34:31,760 --> 00:34:37,200 Speaker 1: where Schuster gives his pitch to the football team. Puck 561 00:34:37,360 --> 00:34:42,320 Speaker 1: farts on him. You know, it's normal teenage boy antics 562 00:34:42,800 --> 00:34:47,960 Speaker 1: and the locker also, I mean is it? I also 563 00:34:48,200 --> 00:34:51,480 Speaker 1: think that's setting a precedent of like a lot of 564 00:34:51,480 --> 00:34:54,839 Speaker 1: scenes with teachers and kids happening in the locker room. 565 00:34:56,920 --> 00:35:00,319 Speaker 1: There's a lot of weird honestly though. It's it's a 566 00:35:00,320 --> 00:35:04,239 Speaker 1: good set, Kevin, Yeah, it was. It was a good set. 567 00:35:04,640 --> 00:35:07,560 Speaker 1: You're right, another one they recreated. There's also they talk 568 00:35:07,600 --> 00:35:10,840 Speaker 1: about grays Natomy and the scene which just shows you 569 00:35:10,880 --> 00:35:13,759 Speaker 1: how long grays Natomy has been on the air. Oh 570 00:35:13,800 --> 00:35:18,960 Speaker 1: my gosh, it's it's been on since I was a newborn. 571 00:35:19,560 --> 00:35:22,799 Speaker 1: Harry wasn't even on Glee yet and now Harry, Oh 572 00:35:22,840 --> 00:35:25,680 Speaker 1: my god, that's wild, you know, good for them because 573 00:35:25,800 --> 00:35:31,560 Speaker 1: I freaking love Graysonatomy, support Harry and grays Anatomy. That's right. Um, okay, 574 00:35:31,560 --> 00:35:37,280 Speaker 1: so nobody signs up. But this number, God, this number 575 00:35:37,280 --> 00:35:40,400 Speaker 1: gives me chills every time I watch it. Um, really 576 00:35:40,440 --> 00:35:44,280 Speaker 1: it creeps me out. Really, I think it's so good. 577 00:35:44,520 --> 00:35:46,680 Speaker 1: I think it's good, and he sounds great, but also 578 00:35:46,800 --> 00:35:51,520 Speaker 1: it's like creepy then Mr Shoe creeping on a naked boy. Yeah, 579 00:35:51,800 --> 00:35:56,480 Speaker 1: teen teen boy not okay, it's not okay, But I 580 00:35:56,520 --> 00:36:00,040 Speaker 1: will say, Corey, I love this song. I love of 581 00:36:00,120 --> 00:36:02,920 Speaker 1: Corey and I love this this like intro to him. 582 00:36:02,960 --> 00:36:07,120 Speaker 1: I think it's like it really sets the tone. Um, 583 00:36:07,200 --> 00:36:13,799 Speaker 1: and it's adorable. Um, he's like a big puppy and 584 00:36:14,000 --> 00:36:18,560 Speaker 1: he's just adorable and so endearing and immediately makes us 585 00:36:18,800 --> 00:36:21,560 Speaker 1: love Finn. Yeah, we love Finn alright. So she who 586 00:36:21,560 --> 00:36:24,719 Speaker 1: pretends to find chronic lady and he blackmails him. I 587 00:36:24,760 --> 00:36:28,400 Speaker 1: actually remember this scene when they were filming it because 588 00:36:28,440 --> 00:36:31,320 Speaker 1: it was like one of our first days filming, and 589 00:36:31,520 --> 00:36:34,000 Speaker 1: it was like the first scene of the of the pilot, right, 590 00:36:34,719 --> 00:36:36,600 Speaker 1: the first that seemed that was filmed, the first thing 591 00:36:36,600 --> 00:36:38,880 Speaker 1: that they filmed on the pilot, And then we were 592 00:36:38,920 --> 00:36:42,440 Speaker 1: there very shortly after to do something ridiculous. We're rehearsing 593 00:36:42,480 --> 00:36:44,839 Speaker 1: don't stop. Oh we were. Yeah, that was the same 594 00:36:44,920 --> 00:36:46,879 Speaker 1: day we found out Jane was on the show. Oh, 595 00:36:46,920 --> 00:36:48,960 Speaker 1: and that's the day we ate cake. And that was 596 00:36:49,000 --> 00:36:52,280 Speaker 1: the day I got replaced as Finn Standon by actual Finn. 597 00:36:52,800 --> 00:36:59,040 Speaker 1: What Yeah, don't stop Kevin O. So Kevin would play 598 00:36:59,080 --> 00:37:02,359 Speaker 1: Finn and don't prsals got it? Got it? Oh my god, 599 00:37:02,440 --> 00:37:05,160 Speaker 1: my memory, that's right, and your gut and then you 600 00:37:05,200 --> 00:37:07,759 Speaker 1: had to go sit in your chair. I felt Yeah, 601 00:37:07,840 --> 00:37:10,239 Speaker 1: I felt so sad. And then I had to go 602 00:37:10,320 --> 00:37:13,160 Speaker 1: learn how to play guitar. You actually had to learn 603 00:37:13,239 --> 00:37:15,880 Speaker 1: how to play that bass though it was it was 604 00:37:15,920 --> 00:37:20,239 Speaker 1: an electric guitar. Oh, electric guitar. Sorry, Yeah, that was 605 00:37:20,360 --> 00:37:25,360 Speaker 1: very hard. Believable but hard. Was it believable enough? Kevin? 606 00:37:25,440 --> 00:37:28,680 Speaker 1: It was believable. I tried my heart. I did it. 607 00:37:29,120 --> 00:37:32,040 Speaker 1: I also like, how did they get this past people 608 00:37:32,080 --> 00:37:36,040 Speaker 1: at Fox? You know, for all the things that an 609 00:37:36,040 --> 00:37:38,640 Speaker 1: executive calling the show what they called it at the time, 610 00:37:38,760 --> 00:37:44,560 Speaker 1: and people champion, you know, having Dana and Jenny champion 611 00:37:44,640 --> 00:37:47,680 Speaker 1: the show. But you didn't have a scene where there's 612 00:37:47,680 --> 00:37:52,600 Speaker 1: a teacher creeping in the showers and then blackmails a kid, 613 00:37:53,360 --> 00:37:55,840 Speaker 1: you know, with drugs. I do remember reading the pilot, 614 00:37:55,840 --> 00:37:57,880 Speaker 1: and this is what made me love the pilot was 615 00:37:57,920 --> 00:38:02,880 Speaker 1: that the show was dark and didn't care Irreverend and 616 00:38:02,920 --> 00:38:04,920 Speaker 1: just like, oh yeah, we're gonna black male high school 617 00:38:04,920 --> 00:38:08,440 Speaker 1: students and league club. And I remember at my apartment 618 00:38:08,440 --> 00:38:10,880 Speaker 1: building where I lived, laughing out loud and takes my 619 00:38:10,920 --> 00:38:12,919 Speaker 1: manager like, yes, I need to hush for the show. 620 00:38:15,800 --> 00:38:19,080 Speaker 1: It m hmm. I don't even remember when I first 621 00:38:19,080 --> 00:38:22,560 Speaker 1: read this script. Honestly my memory, I don't remember that either. 622 00:38:23,280 --> 00:38:33,160 Speaker 1: That's when there was a character named Away became and 623 00:38:33,440 --> 00:38:36,919 Speaker 1: that role, as we know, was made for Chris. Yeah, 624 00:38:37,280 --> 00:38:40,279 Speaker 1: you know, just Golden Globe winning Nobody, no big, all right. 625 00:38:40,320 --> 00:38:44,480 Speaker 1: So then we go into the amazing background on Finn 626 00:38:44,520 --> 00:38:49,040 Speaker 1: and that awesome montage with Romey royse Mott and it's 627 00:38:49,080 --> 00:38:53,279 Speaker 1: just so good too. That denim outfit so good. Put 628 00:38:53,280 --> 00:38:56,480 Speaker 1: it in the Smithsonian rowe looks great. I just that 629 00:38:56,480 --> 00:38:59,160 Speaker 1: that really Also, I was like, we didn't see that. 630 00:38:59,239 --> 00:39:01,719 Speaker 1: So when we watched in the pilot, we were like, wow, 631 00:39:01,800 --> 00:39:07,279 Speaker 1: this is awesome. Um, and then we going to You're 632 00:39:07,320 --> 00:39:10,359 Speaker 1: the one that I want, right, yes, which was the 633 00:39:10,400 --> 00:39:17,120 Speaker 1: first thing we ever rehearsed with Corey. That's right now now, 634 00:39:17,239 --> 00:39:25,120 Speaker 1: now real quick, this is where Rachel touches Tina's she does, 635 00:39:25,600 --> 00:39:27,520 Speaker 1: oh yeah, you didn't see that? Oh yes, and the 636 00:39:27,600 --> 00:39:32,600 Speaker 1: number she does remember that makes it. Yes, that was 637 00:39:32,640 --> 00:39:34,960 Speaker 1: the whole thing because she kissed a girl and she 638 00:39:35,040 --> 00:39:39,600 Speaker 1: liked it. But then that all went away. Um, but 639 00:39:39,680 --> 00:39:41,600 Speaker 1: that was like a weird one off moment. I think 640 00:39:41,680 --> 00:39:44,520 Speaker 1: we were just figuring things out and Tina could still 641 00:39:44,520 --> 00:39:46,640 Speaker 1: like it, do you know what I mean? Like in 642 00:39:46,680 --> 00:39:48,440 Speaker 1: this day and age, Gina could still like it. Tina 643 00:39:48,480 --> 00:39:52,040 Speaker 1: is a bisexual queen, that is right, and she's office 644 00:39:52,239 --> 00:39:55,320 Speaker 1: when he's talking to Finn. Also, this is like where 645 00:39:55,320 --> 00:39:59,560 Speaker 1: we get an intro to all these incredible props that 646 00:39:59,680 --> 00:40:02,080 Speaker 1: we see a lot in Emma's office later on of all, 647 00:40:02,200 --> 00:40:06,279 Speaker 1: like the random pam flashers and signs, like in his 648 00:40:06,320 --> 00:40:10,000 Speaker 1: offices you could land a prison son and everyoneuld already 649 00:40:10,000 --> 00:40:15,400 Speaker 1: helped the kids, which was so good. The children are 650 00:40:16,440 --> 00:40:19,640 Speaker 1: Mamma like the bean, like the bean. Well everybody that 651 00:40:19,680 --> 00:40:21,759 Speaker 1: was actually really helpful for me, honestly, Lama like the 652 00:40:21,760 --> 00:40:25,160 Speaker 1: bean because everybody was calling in Lima. I still have 653 00:40:25,160 --> 00:40:30,080 Speaker 1: to think about it respect to have to go RSP 654 00:40:30,160 --> 00:40:35,360 Speaker 1: E C T S B. All right, So then we 655 00:40:35,440 --> 00:40:38,440 Speaker 1: go back to Terry and Will. But this really takes this, honestly, 656 00:40:38,680 --> 00:40:41,759 Speaker 1: let's be roll. This really takes this too. Where Will 657 00:40:41,800 --> 00:40:43,839 Speaker 1: wants to take us on a field trip, right, like 658 00:40:43,920 --> 00:40:46,680 Speaker 1: this is the whole point of that, right yeah, And 659 00:40:46,880 --> 00:40:49,920 Speaker 1: we get to see more of home life is not 660 00:40:50,000 --> 00:40:52,760 Speaker 1: all it's cracked up to be. And Terry is really 661 00:40:52,800 --> 00:40:58,560 Speaker 1: into her craft closet and really into this American puzzle 662 00:40:58,920 --> 00:41:03,799 Speaker 1: she's doing. We love that. We love that, um all right, 663 00:41:03,840 --> 00:41:08,720 Speaker 1: so we'll need chaperones and who else? Who else? Kevin 664 00:41:09,000 --> 00:41:13,320 Speaker 1: obviously just the sweet tweet, nicest little teacher on the planet, 665 00:41:13,800 --> 00:41:19,240 Speaker 1: sweet tweet Emma Um, Emma signs up. She's very excited. 666 00:41:19,440 --> 00:41:21,319 Speaker 1: This is where we see the dough ide look of 667 00:41:21,600 --> 00:41:25,280 Speaker 1: the iconic do ide look of jam Amy's and Emma Pillsbury. 668 00:41:25,360 --> 00:41:28,160 Speaker 1: It's also when the scheming gets going, when you know, 669 00:41:28,239 --> 00:41:31,160 Speaker 1: Finn has to get a football practice because let's going 670 00:41:31,200 --> 00:41:36,680 Speaker 1: this trip and pucks like that doesn't sound right, It's 671 00:41:36,719 --> 00:41:41,200 Speaker 1: not gonna gets mad because he's got a crush on him. Eminem. 672 00:41:41,239 --> 00:41:43,319 Speaker 1: It's all this and it is also the first time 673 00:41:43,880 --> 00:41:47,000 Speaker 1: we get to this field trip, and it's also the 674 00:41:47,040 --> 00:41:50,000 Speaker 1: first time all these people, all these characters are connected together. 675 00:41:50,440 --> 00:41:54,719 Speaker 1: So pause for a second, but we can like in 676 00:41:54,760 --> 00:41:58,879 Speaker 1: the recap, eminem, Um, my daughter's name is Emma, which 677 00:41:58,920 --> 00:42:01,880 Speaker 1: we know now, but yeah, I kept saying to David. 678 00:42:01,880 --> 00:42:06,160 Speaker 1: We were like, what are people are going to call her? Um? Like, 679 00:42:06,239 --> 00:42:07,759 Speaker 1: what's her nickname going to be? And I was like, 680 00:42:08,040 --> 00:42:10,279 Speaker 1: is it going to be Eminem? And He's like what? 681 00:42:10,880 --> 00:42:18,399 Speaker 1: And I was like, where did I hear that? It's glee? 682 00:42:20,680 --> 00:42:24,680 Speaker 1: You got accepted by your own job. But this is 683 00:42:24,680 --> 00:42:29,319 Speaker 1: how bad my memory, Eminem. I was like, where am 684 00:42:29,360 --> 00:42:37,239 Speaker 1: ir for? Okay? The character Emma is incredible? Yes, exactly, Okay, 685 00:42:37,280 --> 00:42:39,920 Speaker 1: all right, so all the characters coming together and this 686 00:42:40,000 --> 00:42:45,280 Speaker 1: was our last day of filming and this was really sweet. Um. 687 00:42:45,320 --> 00:42:47,560 Speaker 1: This is also the first time we saw vocal adrenaline. 688 00:42:48,080 --> 00:42:52,600 Speaker 1: Is that right? Performed? Yea, and in Kevin and Jenna's 689 00:42:52,640 --> 00:42:55,719 Speaker 1: life and in um Ardentina's and we had a lot 690 00:42:55,719 --> 00:42:57,239 Speaker 1: of well, I had a lot of friends who were 691 00:42:57,880 --> 00:43:00,920 Speaker 1: answers and vocal journaline. And then you go back like 692 00:43:01,480 --> 00:43:05,600 Speaker 1: Harry Shum's wife Shelby is in the number that's right, Brooklifton, 693 00:43:05,719 --> 00:43:08,520 Speaker 1: our other choreographer, was in this number, and so was 694 00:43:08,520 --> 00:43:11,920 Speaker 1: her sister, I mean all our and then all of 695 00:43:11,920 --> 00:43:14,600 Speaker 1: our friends. Yes, and then a lot of these dancers 696 00:43:14,680 --> 00:43:18,480 Speaker 1: ended up going on tour with us. That's right, um, 697 00:43:18,600 --> 00:43:20,520 Speaker 1: so this is the first time we also see um 698 00:43:20,640 --> 00:43:26,480 Speaker 1: the flashback of Quinn. Yes, Quinn Fabre, Diana Gron And 699 00:43:26,800 --> 00:43:29,440 Speaker 1: Diana was the last person to be cast on the show, 700 00:43:30,120 --> 00:43:34,200 Speaker 1: so we didn't really know her either until we started 701 00:43:34,239 --> 00:43:38,279 Speaker 1: filming the show, right yeah, well, I mean sorry after 702 00:43:38,280 --> 00:43:41,360 Speaker 1: the pilot, but like um, yeah, we didn't work with 703 00:43:41,360 --> 00:43:45,200 Speaker 1: her at all, which she felt also the phantom character 704 00:43:45,520 --> 00:43:49,040 Speaker 1: at this shoot on this day, I remember asking um 705 00:43:49,320 --> 00:43:52,040 Speaker 1: Ian about casting her because I knew she was We 706 00:43:52,040 --> 00:43:54,640 Speaker 1: had already started shooting and they hadn't cast the Queenn 707 00:43:54,719 --> 00:43:57,560 Speaker 1: Rule yet, and I had so many friends who had 708 00:43:57,600 --> 00:44:01,120 Speaker 1: audition for her, including like Ashley Benson who went on 709 00:44:01,239 --> 00:44:06,160 Speaker 1: to be um and I remember Ian saying, we can, 710 00:44:06,360 --> 00:44:07,960 Speaker 1: We'll get in on here and ask him about it. 711 00:44:08,800 --> 00:44:11,160 Speaker 1: I I do remember. They were just like at a 712 00:44:11,200 --> 00:44:15,279 Speaker 1: lost because the network wouldn't approve anyone, right, but the 713 00:44:15,360 --> 00:44:19,000 Speaker 1: network loved Diana as they should and here she here 714 00:44:19,080 --> 00:44:26,120 Speaker 1: she The rain begins yeah, the rain begins. Um uh, 715 00:44:26,239 --> 00:44:29,200 Speaker 1: this is the cute little um PB and J share 716 00:44:30,040 --> 00:44:37,120 Speaker 1: with the sandwich and uh. Someone commented on Will's outfit 717 00:44:37,239 --> 00:44:40,600 Speaker 1: in the scene that his leather jacket he looked like 718 00:44:40,680 --> 00:44:46,320 Speaker 1: Spike from Buffy the Vampires And they're not wrong. I'm 719 00:44:46,360 --> 00:44:53,439 Speaker 1: not wrong about that. That's that's pretty great. Kevin's eyes 720 00:44:53,560 --> 00:44:58,959 Speaker 1: like wow. Um. And this is one of Tina's only 721 00:44:59,000 --> 00:45:06,480 Speaker 1: lines in the pilot. It ye, where did it doomed? Um? 722 00:45:06,520 --> 00:45:09,200 Speaker 1: It was so good this number. Um. I remember also 723 00:45:09,320 --> 00:45:12,279 Speaker 1: like our reaction laughing at this one too. I just 724 00:45:12,360 --> 00:45:15,160 Speaker 1: laughed at the whole pilot. This was also when we 725 00:45:15,239 --> 00:45:17,320 Speaker 1: came back. After the pilot got picked up and we 726 00:45:18,280 --> 00:45:20,000 Speaker 1: got back, we had about a month to sort of 727 00:45:20,080 --> 00:45:23,440 Speaker 1: start rehearsing and get in fighting shape, dancing shape sort of. 728 00:45:24,320 --> 00:45:26,759 Speaker 1: Where do you remember Brooke and Zack started teaching us 729 00:45:27,120 --> 00:45:31,719 Speaker 1: this numbers and you did the lift with me the 730 00:45:31,800 --> 00:45:35,799 Speaker 1: little like, um, you were my partner. It's also when 731 00:45:35,800 --> 00:45:39,080 Speaker 1: I everyone convinced me and start drinking protein shakes because 732 00:45:39,080 --> 00:45:40,560 Speaker 1: I didn't know what they were and I didn't realize 733 00:45:40,600 --> 00:45:42,760 Speaker 1: you needed to work out in addition to having protein shakes, 734 00:45:42,760 --> 00:45:45,400 Speaker 1: So I just started gaining a lot of points. Stop stop, 735 00:45:45,400 --> 00:45:49,160 Speaker 1: stop stop, you're like the caltate bars. I was that. 736 00:45:49,480 --> 00:45:51,440 Speaker 1: I was so dumb because we were finally on the 737 00:45:51,480 --> 00:45:54,000 Speaker 1: lot in Paramount and you know they have a little anyway, 738 00:45:54,080 --> 00:45:57,360 Speaker 1: we don't need to use that, but no, no, we 739 00:45:57,440 --> 00:46:02,640 Speaker 1: have to use that. That number was so good. It's 740 00:46:02,719 --> 00:46:06,480 Speaker 1: also crazy to think about and what they were too 741 00:46:06,480 --> 00:46:09,719 Speaker 1: good and what world would we ever be able to 742 00:46:09,760 --> 00:46:12,640 Speaker 1: compete with them? I'm not sure we ever did. I 743 00:46:12,719 --> 00:46:16,080 Speaker 1: know now we didn't, but that we we talked about 744 00:46:16,120 --> 00:46:18,040 Speaker 1: this on the show. They write this into the show. 745 00:46:18,160 --> 00:46:20,680 Speaker 1: That's not that's not our fourteme. That's not what we do. 746 00:46:20,719 --> 00:46:22,560 Speaker 1: We have a lot of heart, okay, and a lot 747 00:46:22,600 --> 00:46:28,759 Speaker 1: of we have heart. Okay. So we go home and 748 00:46:29,160 --> 00:46:32,880 Speaker 1: Terry is throwing herself a party. Obviously she put up 749 00:46:32,880 --> 00:46:36,399 Speaker 1: there's a congratulation science behind her um and she has 750 00:46:36,480 --> 00:46:39,799 Speaker 1: glasses of champagne, which she's pregnant. Well, she's also not 751 00:46:39,840 --> 00:46:42,640 Speaker 1: in the right state of mind. No, that's right, she's 752 00:46:43,120 --> 00:46:46,280 Speaker 1: everything's falling apart, like Finn got caught going to the show. 753 00:46:46,640 --> 00:46:51,080 Speaker 1: That's Harry is saying she's pregnant? Is she is? She? 754 00:46:51,800 --> 00:46:54,040 Speaker 1: And then this this little scene that I love so 755 00:46:54,120 --> 00:46:56,400 Speaker 1: much that we shot where Will tells us he's quitting 756 00:46:56,800 --> 00:47:02,120 Speaker 1: and I actually cried is the first of many cries, 757 00:47:04,080 --> 00:47:06,279 Speaker 1: one of the first of many times when Artie is 758 00:47:06,320 --> 00:47:12,680 Speaker 1: magically up on the stairs for some reason. That's right, 759 00:47:12,680 --> 00:47:17,600 Speaker 1: I remember I carried me out there. It's okay, Yeah, 760 00:47:17,760 --> 00:47:23,239 Speaker 1: that's true. I also was wondering, like why everyone was 761 00:47:23,360 --> 00:47:30,399 Speaker 1: so emotional because we just got together, like Will just yeah. 762 00:47:30,440 --> 00:47:33,239 Speaker 1: But you know, the stakes are high. Everything matters in 763 00:47:33,320 --> 00:47:35,040 Speaker 1: high school. Right. Do you remember when you're in high 764 00:47:35,040 --> 00:47:39,319 Speaker 1: school and your tests, everything has everything matters, everything matter. 765 00:47:39,400 --> 00:47:42,560 Speaker 1: The true test of a great high school show is 766 00:47:42,600 --> 00:47:45,240 Speaker 1: to be able to capture those moments. And Ryan mentioned 767 00:47:45,239 --> 00:47:48,719 Speaker 1: that of your first where everything feels so heightened, your 768 00:47:48,760 --> 00:47:53,680 Speaker 1: first brushes, your first loves and heartbreak, and tests are competitions, 769 00:47:53,719 --> 00:47:57,920 Speaker 1: whatever it may be, everything is absolutely the end of 770 00:47:57,920 --> 00:48:00,840 Speaker 1: the world. And for the glee club, this was the 771 00:48:00,960 --> 00:48:08,160 Speaker 1: end of the world, except Rachel had other ideas. Um 772 00:48:08,200 --> 00:48:13,719 Speaker 1: and then this really sweet seen also right, is right 773 00:48:13,760 --> 00:48:17,920 Speaker 1: after this My Memories where where Emma kind of shows 774 00:48:17,920 --> 00:48:26,400 Speaker 1: Will something which was cut out but no, but I 775 00:48:26,400 --> 00:48:30,000 Speaker 1: can't even imagine it any other way. But that scene, 776 00:48:30,200 --> 00:48:33,480 Speaker 1: it's that music that they play. It was the scoring 777 00:48:34,440 --> 00:48:38,160 Speaker 1: that they play in every of those heartfelt moments, and 778 00:48:38,239 --> 00:48:41,440 Speaker 1: you're like, oh god, I got got again. Um. That 779 00:48:41,520 --> 00:48:45,920 Speaker 1: makes me emotional every time I watch it. Um. And 780 00:48:45,960 --> 00:48:49,759 Speaker 1: then she has his solo that's right, which was originally 781 00:48:51,880 --> 00:48:56,720 Speaker 1: Viva la Vida colay I also which I also can't imagine. 782 00:48:56,760 --> 00:49:00,120 Speaker 1: I think this was right. Let's put this down for 783 00:49:00,360 --> 00:49:04,280 Speaker 1: Ryan Choue or falls. That song Vio Levida didn't get cleared. 784 00:49:04,960 --> 00:49:12,200 Speaker 1: Uh huh m. Copley said, not today, not today, not today. Um, 785 00:49:12,239 --> 00:49:16,320 Speaker 1: all right. So this is also like the beginning of 786 00:49:16,400 --> 00:49:20,680 Speaker 1: Rachel and Finn that we see, right, it's a very 787 00:49:20,680 --> 00:49:24,840 Speaker 1: good scene of Rachel being out of her mind and 788 00:49:25,000 --> 00:49:30,600 Speaker 1: fronting Finn and Finn sort of folding but feeling guilty 789 00:49:30,719 --> 00:49:37,520 Speaker 1: about just always conflicted, a slight conflict. And then and 790 00:49:37,520 --> 00:49:42,359 Speaker 1: then we also see Quinn and Santana that's right, yeah, 791 00:49:42,400 --> 00:49:47,120 Speaker 1: and we don't know how horribly mean they are or 792 00:49:47,200 --> 00:49:51,040 Speaker 1: how brilliant they are, okay, um, And then it's your 793 00:49:51,280 --> 00:49:55,040 Speaker 1: your swan song already, thank you very much. What was 794 00:49:55,080 --> 00:49:56,840 Speaker 1: that like being in the porter body? Was it a 795 00:49:56,880 --> 00:49:59,759 Speaker 1: real porter body? It was a real porter potty, but 796 00:49:59,760 --> 00:50:02,439 Speaker 1: it was brand new. It was very clean, so I'm 797 00:50:02,440 --> 00:50:06,320 Speaker 1: not traumatized any sort of but like also wasn't comfortable 798 00:50:06,360 --> 00:50:07,920 Speaker 1: and it was tight, and I remember sort of like 799 00:50:07,920 --> 00:50:11,040 Speaker 1: cutting up my knuckles. It was a little question of no. 800 00:50:12,719 --> 00:50:14,640 Speaker 1: I just felt it was one of those This was 801 00:50:14,680 --> 00:50:17,440 Speaker 1: the first thing I shot for the pilot, and it 802 00:50:17,600 --> 00:50:20,640 Speaker 1: also just was so much fun to get to. I 803 00:50:20,719 --> 00:50:24,080 Speaker 1: really felt like I was in a big production, you know, 804 00:50:24,280 --> 00:50:27,560 Speaker 1: like I'm in the outfit. Yeah, I'm in the porter potty, 805 00:50:27,560 --> 00:50:30,040 Speaker 1: like I'm in the thing. There's props, there's like I 806 00:50:30,480 --> 00:50:33,680 Speaker 1: really got to like use everything around me and that 807 00:50:33,800 --> 00:50:37,680 Speaker 1: was so much fun. Um and when party comes back, 808 00:50:37,800 --> 00:50:40,640 Speaker 1: sorry porter body comes back in a later episode named 809 00:50:40,680 --> 00:50:44,800 Speaker 1: that episode, I don't know. Yeah, I don't know either. 810 00:50:48,960 --> 00:50:53,040 Speaker 1: Typical okay, anyway, sorry, keep going trivia that she can't 811 00:50:53,040 --> 00:50:56,960 Speaker 1: even answer it. I just remember being in a porter buddy, 812 00:50:57,000 --> 00:51:00,799 Speaker 1: that's all. Remember. This is also the first time I 813 00:51:00,840 --> 00:51:03,600 Speaker 1: got to hang out with Corey and I admitted to 814 00:51:03,680 --> 00:51:08,200 Speaker 1: him that I was resentful. Did he laugh? He must 815 00:51:08,200 --> 00:51:10,080 Speaker 1: have laughed, and he I think he was shocked that 816 00:51:10,080 --> 00:51:13,719 Speaker 1: I had seen Kyle's wife. I brought my mom to 817 00:51:13,760 --> 00:51:18,120 Speaker 1: set that day, and she was really like she didn't 818 00:51:18,120 --> 00:51:23,360 Speaker 1: like seeing me in the wheelchair. Really, yeah, Betsy, she 819 00:51:23,440 --> 00:51:26,600 Speaker 1: was just like it just I don't want you, like 820 00:51:26,680 --> 00:51:30,959 Speaker 1: to get injured or anything. Oh okay, I'm I guess 821 00:51:31,000 --> 00:51:35,680 Speaker 1: acting mom acting acting. It was such a It was 822 00:51:35,719 --> 00:51:37,440 Speaker 1: a great day though. It was a great experience, and 823 00:51:37,520 --> 00:51:41,040 Speaker 1: I got to hang out with everyone. That's right. But 824 00:51:41,120 --> 00:51:45,959 Speaker 1: also this is where Fenn proves he's actually a good 825 00:51:45,960 --> 00:51:50,279 Speaker 1: guy and he rescues me. He gets mad at his 826 00:51:50,320 --> 00:51:52,800 Speaker 1: own friends and brings me back to the glee club 827 00:51:52,960 --> 00:51:56,120 Speaker 1: to be like, hey, guys, don't count us out yet. 828 00:51:56,200 --> 00:51:59,600 Speaker 1: Hey guys, we're back. We we skipped, I wasn't so wrong. 829 00:51:59,640 --> 00:52:02,920 Speaker 1: We This is later the tape of him and Nationals. 830 00:52:02,960 --> 00:52:05,400 Speaker 1: This is now, so then we now is when we 831 00:52:05,520 --> 00:52:07,480 Speaker 1: actually watched that. See, this is how bad we are. 832 00:52:07,600 --> 00:52:09,920 Speaker 1: We're not even good at recapping, even with papers in 833 00:52:09,960 --> 00:52:16,160 Speaker 1: front of us. Don't say we Jenna, I um okay. 834 00:52:16,200 --> 00:52:18,839 Speaker 1: So yeah, So Emma now shows the old typically at 835 00:52:18,920 --> 00:52:21,640 Speaker 1: Nationals now that Will has left and has a job, 836 00:52:21,680 --> 00:52:25,960 Speaker 1: like an accounting job or applying for He's applying for 837 00:52:26,320 --> 00:52:34,080 Speaker 1: an accounting job. Money for the baby, the baby, the baby, 838 00:52:34,160 --> 00:52:39,680 Speaker 1: which we don't we think is real. Yeah, the baby's coming. 839 00:52:39,840 --> 00:52:43,799 Speaker 1: The baby's coming. Um. And then here we are and 840 00:52:44,200 --> 00:52:46,560 Speaker 1: this is it. This is the number that took. I 841 00:52:46,560 --> 00:52:50,240 Speaker 1: think we did seventy five times um for five different 842 00:52:50,280 --> 00:52:55,279 Speaker 1: renditions that were wrong, all wrong. Um. And here we do, 843 00:52:55,400 --> 00:52:59,800 Speaker 1: Here we are, Here we go Kevin. I was working 844 00:52:59,800 --> 00:53:05,240 Speaker 1: out yesterday and the song that opened up my workout 845 00:53:05,440 --> 00:53:09,120 Speaker 1: was a remix I don't stop believe n did you 846 00:53:09,200 --> 00:53:15,080 Speaker 1: run out? I almost jumped off my trampoline. This song 847 00:53:15,320 --> 00:53:20,840 Speaker 1: follows us everywhere we go once a day, maybe if 848 00:53:20,880 --> 00:53:23,440 Speaker 1: we're off in the world. Ya, everywhere we go. Um. 849 00:53:23,600 --> 00:53:25,399 Speaker 1: And this was also the first of how many times 850 00:53:27,200 --> 00:53:29,640 Speaker 1: six or seven times six? And then we did like 851 00:53:30,120 --> 00:53:31,600 Speaker 1: it was the five of us and it was a 852 00:53:31,680 --> 00:53:33,759 Speaker 1: twelve of us and then some of us did it 853 00:53:33,960 --> 00:53:36,200 Speaker 1: and I don't even know we did it once when 854 00:53:36,360 --> 00:53:40,520 Speaker 1: when Quinn was Quinn was pregnant and throwing up the 855 00:53:40,680 --> 00:53:48,080 Speaker 1: burrito baby. Um, six times, six times times and the 856 00:53:48,120 --> 00:53:51,480 Speaker 1: gang gets a number together to convince not even to 857 00:53:51,520 --> 00:53:53,520 Speaker 1: convince you to come back. We do it for ourselves, 858 00:53:53,760 --> 00:53:57,440 Speaker 1: that's right. And then Shoe sees it and it is 859 00:53:57,800 --> 00:54:01,520 Speaker 1: a beautiful ending of him coming in crying. We see 860 00:54:01,680 --> 00:54:07,120 Speaker 1: Sue and the cheerios, piste off Puck angry. Everyone's in. 861 00:54:07,320 --> 00:54:14,080 Speaker 1: Everyone knows everybody's in. Also, um uh, this is when 862 00:54:14,120 --> 00:54:16,200 Speaker 1: we got in trouble with Ryan. We didn't even get 863 00:54:16,200 --> 00:54:17,880 Speaker 1: to ask him about it, but this is when we 864 00:54:17,920 --> 00:54:20,920 Speaker 1: got in trouble with Ryan. We were footing around on 865 00:54:20,960 --> 00:54:24,440 Speaker 1: Will's coverage, which now we know from Ryan saying it. 866 00:54:24,520 --> 00:54:27,359 Speaker 1: That was also like such a massive moment of like 867 00:54:27,600 --> 00:54:30,920 Speaker 1: Matt Matt Morrison crying when he's watching us, and we 868 00:54:30,920 --> 00:54:34,560 Speaker 1: were like making dirty dance moves in the back and 869 00:54:34,640 --> 00:54:38,600 Speaker 1: Rand was like, you guys like humping each other and 870 00:54:38,640 --> 00:54:40,960 Speaker 1: he's like, you guys, you have to be serious and 871 00:54:40,960 --> 00:54:43,879 Speaker 1: do this dance number. And I don't think I ever 872 00:54:44,400 --> 00:54:48,920 Speaker 1: fussed around with Ryan directing ever again, never again, ever again. 873 00:54:49,440 --> 00:54:53,160 Speaker 1: It's also because he was so fast and knew exactly 874 00:54:53,200 --> 00:54:55,640 Speaker 1: what he needed to do, and so like I never 875 00:54:55,680 --> 00:54:58,440 Speaker 1: footsed around when he was on set. No, it was 876 00:54:58,440 --> 00:55:01,520 Speaker 1: a good it was better to learn that lesson early on. Yes, 877 00:55:01,640 --> 00:55:05,080 Speaker 1: that's right, we were. And we're also like he probably 878 00:55:05,080 --> 00:55:08,080 Speaker 1: felt bad yelling at us too because we were so young. No, 879 00:55:08,320 --> 00:55:13,279 Speaker 1: we deserved it. Absolutely. It was also late at night. 880 00:55:14,360 --> 00:55:17,760 Speaker 1: Um and that's that's the pilot, you guys, that's the pilot. 881 00:55:17,800 --> 00:55:21,160 Speaker 1: For the hundred thousands times that we've seen it. Yeah, 882 00:55:21,239 --> 00:55:23,560 Speaker 1: and you've probably said, you know what, she still got it? 883 00:55:24,400 --> 00:55:29,200 Speaker 1: She got it. I will say, well, we'll go through 884 00:55:29,239 --> 00:55:31,799 Speaker 1: this series and you'll hear us when episodes don't got 885 00:55:31,800 --> 00:55:45,520 Speaker 1: it and that pilot is still the one. So every week, 886 00:55:45,760 --> 00:55:50,680 Speaker 1: UM Tardie takes. This is our version of yeah who, 887 00:55:51,200 --> 00:55:55,080 Speaker 1: This is our version of UM class superlatives. So we're 888 00:55:55,080 --> 00:55:57,000 Speaker 1: going to give you our takes each week on the 889 00:55:57,040 --> 00:56:03,319 Speaker 1: following categories UM start with cringe moment, Kevin um, it's 890 00:56:03,400 --> 00:56:07,080 Speaker 1: it's got to be shirtless, Schuster, and under five. I 891 00:56:07,120 --> 00:56:11,600 Speaker 1: was also going to say Stephen Tobolaski, UM touching touching 892 00:56:11,600 --> 00:56:16,120 Speaker 1: a student or Sandy Ryerson touching a student right right right, Sorry, sorry, 893 00:56:17,040 --> 00:56:20,040 Speaker 1: worst dance move. I think that was. You're the one 894 00:56:20,200 --> 00:56:23,279 Speaker 1: that I want where Tina gets tatas touched. Yeah, it's 895 00:56:23,280 --> 00:56:26,600 Speaker 1: a great one. Okay, the song don't Stop obviously the 896 00:56:26,640 --> 00:56:31,920 Speaker 1: best line. I mean, sentimentally, being part special makes you special. 897 00:56:32,280 --> 00:56:34,279 Speaker 1: But also I have to I have a phone, or 898 00:56:34,280 --> 00:56:36,759 Speaker 1: in a couple of minutes on the top one with 899 00:56:36,760 --> 00:56:39,520 Speaker 1: a major media outlet, I'll probably do it on my iPhone. Yeah, 900 00:56:39,560 --> 00:56:45,800 Speaker 1: that was love that best performance by a prop porter potty. Yes, 901 00:56:46,400 --> 00:56:51,919 Speaker 1: um didn't age well, Sandy Ryerson, Um, the marijuana aged well. 902 00:56:52,280 --> 00:56:57,360 Speaker 1: The greatest anatomy mentioned right. Absolutely, Shanna Rhimes knows what 903 00:56:57,400 --> 00:57:02,000 Speaker 1: she's doing. So um. One of my favorite segments we're 904 00:57:02,000 --> 00:57:06,399 Speaker 1: gonna be doing is should be found on TikTok uh. 905 00:57:07,040 --> 00:57:12,040 Speaker 1: And we're starting this off because the ship you guys 906 00:57:12,120 --> 00:57:16,400 Speaker 1: say is out of this world is wild and so 907 00:57:16,880 --> 00:57:21,160 Speaker 1: we want to take this opportunity to debunk some myths 908 00:57:21,200 --> 00:57:23,840 Speaker 1: and some hot takes that aren't so hot. I feel 909 00:57:23,880 --> 00:57:27,080 Speaker 1: like we got to start with the one on the 910 00:57:27,120 --> 00:57:33,880 Speaker 1: one Ken Ken Leah Michelle read barely, but I'm kidding. 911 00:57:34,000 --> 00:57:38,880 Speaker 1: Obviously she can read. I don't know why. Of course 912 00:57:38,880 --> 00:57:41,280 Speaker 1: she can read, you guys, she can read, so I 913 00:57:41,320 --> 00:57:47,120 Speaker 1: don't know. Stupid, I'm sorry you come at me, but 914 00:57:47,240 --> 00:57:50,600 Speaker 1: like stupid, Thank god, I'm glad she posted some yeah 915 00:57:50,840 --> 00:57:53,360 Speaker 1: that was funny about it and leaned into it. It's 916 00:57:53,440 --> 00:57:56,800 Speaker 1: very very good, but like what why it's been on 917 00:57:56,920 --> 00:57:59,120 Speaker 1: for years too. I can't wait for these tiktoks because 918 00:57:59,160 --> 00:58:02,000 Speaker 1: I'm not on TikTok like I don't. I don't go 919 00:58:02,080 --> 00:58:07,360 Speaker 1: on TikTok very much. Well, mothers don't go on TikTok. No, 920 00:58:07,520 --> 00:58:10,040 Speaker 1: I don't go on TikTok. I'm really looking forward to 921 00:58:10,080 --> 00:58:12,240 Speaker 1: you bringing me all of them so we can talk 922 00:58:12,240 --> 00:58:14,240 Speaker 1: about them. I just wanted to get this one out 923 00:58:14,240 --> 00:58:17,160 Speaker 1: of the way because everyone asks us single day just 924 00:58:17,200 --> 00:58:19,160 Speaker 1: be done with it. I even know about this one, 925 00:58:19,200 --> 00:58:23,920 Speaker 1: which says a lot. Yeah, let it go, let it out, goodbye. 926 00:58:24,160 --> 00:58:28,360 Speaker 1: And now that we've debunked that that little nugget, that's 927 00:58:28,400 --> 00:58:31,360 Speaker 1: the end of our pilot episode. We're super so excited 928 00:58:31,480 --> 00:58:34,560 Speaker 1: that we got to um kick it off with Ryan 929 00:58:34,640 --> 00:58:37,600 Speaker 1: Murphy and with this episode, we're super super super grateful, 930 00:58:37,640 --> 00:58:40,320 Speaker 1: like we said before, UM for all of your support 931 00:58:40,360 --> 00:58:43,920 Speaker 1: and listening and subscribing, like this is unreal and we 932 00:58:43,920 --> 00:58:47,040 Speaker 1: we can't wait to keep going with you guys. Okay, 933 00:58:47,080 --> 00:58:49,000 Speaker 1: I sent him the voice note. What did he say? 934 00:58:49,080 --> 00:58:53,040 Speaker 1: Did he respond? He responded, he just responded, okay, okay, 935 00:58:53,360 --> 00:58:57,800 Speaker 1: um too that he's never had a slush He said, false, um, 936 00:58:57,960 --> 00:59:00,800 Speaker 1: And so he has on and he's been into a 937 00:59:00,800 --> 00:59:03,280 Speaker 1: seven eleven He said, I live at seven elevens as 938 00:59:03,280 --> 00:59:06,840 Speaker 1: a kid because I'm from Indiana. Okay, fair enough, and 939 00:59:06,840 --> 00:59:08,520 Speaker 1: then he said false. Of course, I've been to bed 940 00:59:08,520 --> 00:59:12,400 Speaker 1: Beth and Beyond and frequently them often. Okay, so I 941 00:59:12,440 --> 00:59:15,280 Speaker 1: forget like he's from he's like from Middle America. Okay, 942 00:59:15,800 --> 00:59:20,040 Speaker 1: yeah and then true. Um Copoay was supposed to be 943 00:59:20,040 --> 00:59:22,800 Speaker 1: in the pilot. UM, it didn't clear for the pilot, 944 00:59:22,840 --> 00:59:27,200 Speaker 1: but obviously later they did clear right right. Well, thank 945 00:59:27,240 --> 00:59:30,760 Speaker 1: you very much, Ryan, Thanks Ryan, thank you for joining 946 00:59:30,840 --> 00:59:34,200 Speaker 1: us for the pilot episode. UM, come back on Thursday 947 00:59:34,200 --> 00:59:36,880 Speaker 1: because we have a very special guest. Oh my gosh, 948 00:59:36,920 --> 00:59:39,680 Speaker 1: I'm so excited, Little Chris Cooper is going to be here. 949 00:59:42,440 --> 00:59:46,360 Speaker 1: UM see you on Thursday. Bye bye bye. Thanks for 950 00:59:46,440 --> 00:59:49,520 Speaker 1: listening and follow us on Instagram at and that's what 951 00:59:49,600 --> 00:59:51,680 Speaker 1: you really miss pod. Make sure to write us a 952 00:59:51,680 --> 00:59:54,200 Speaker 1: review and leave us five stars. See you next time,