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Speaker 1: Look, may oh, I see you. Look over there is

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Speaker 1: that culture. Yes, goodness, lost culture ding dong, lost.

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Speaker 2: Culturistas calling Familia pizzas back.

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Speaker 3: Yeah, yeah, remember the.

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Speaker 2: Familiar pizza on Eighth Street is painful to remember it.

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Speaker 2: I guess that's what nostalgia is, right, looking back in

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Speaker 2: sort of pain, remembrance and more. There's so many examples

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Speaker 2: of that in that area of New York. I don't

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Speaker 2: go down there that much, so you don't miss the

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Speaker 2: vapiano like I do. Well, there's vapiano in all over Europe,

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Speaker 2: that's true, and I think parts of Japan.

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Speaker 3: You were just in Japan, you were Our guest was not. Yeah.

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Speaker 2: Well, immediately when I saw the guest, I was like,

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Speaker 2: have you ever been to Japan? And it's the most

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Speaker 2: She collapsed into a puddle on the ground. I was like,

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Speaker 2: I have fomo and I was like, I'm just letting

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Speaker 2: you know. That's for good reason, because you would have

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Speaker 2: thrived and more there.

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Speaker 4: Am I allowed to speak?

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Speaker 2: If you speak, you can speak? If you speak, turn on?

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Speaker 2: If I speak, can I say? One of the great

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Speaker 2: expressions is if I speak.

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Speaker 4: Would use I would like to say something?

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Speaker 3: Okay, why don't we just bring her in.

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Speaker 2: You can watch her HBO special her truly artful. I

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Speaker 2: would call it a masterpiece. This pee week Cronenberg, which

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Speaker 2: I want to talk about with you.

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Speaker 4: Berg.

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Speaker 2: It's friend dresser, it's horse spelt, It's everything that is

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Speaker 2: good about the world and comedy and art, and that

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Speaker 2: is what I put into this person.

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Speaker 3: I guess you can watch her on Saturday Night Live as.

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Speaker 2: The wait wait wait, wait wait, this is this is

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Speaker 2: my impression of our guest in this most recent episode

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Speaker 2: tausand that was good.

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Speaker 3: I would love to through the sent there.

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Speaker 4: I was coached.

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Speaker 3: You were coach.

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Speaker 2: Everyone, She's my coach in life. Everyone welcome, Sarah Sherman coach.

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Speaker 4: Get off the bench, girl and get on the field.

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Speaker 5: On the girl.

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Speaker 4: I want to say something. I as as jew as

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Speaker 4: someone who's speaking of the experience of having been a

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Speaker 4: Jewish person, having.

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Speaker 3: Having been an experience of being a Jewish first.

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Speaker 4: Has the experience of speaking from the experience of Jewish.

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Speaker 4: I have never really been anywhere that wasn't like for work.

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Speaker 4: What do you mean, like, where have I ever gone

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Speaker 4: that wasn't like I have a show?

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Speaker 3: You've been on vacation, You've not done like a big trip.

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Speaker 4: When was my trip? When would my trip have been?

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Speaker 3: I guess your trip would have been.

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Speaker 4: This is what my trip would have been. Literally, unless

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Speaker 4: I'm doing a show at like the chuckle hut three

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Speaker 4: thousand on like the corner of like button ass, I'm.

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Speaker 2: Not going chuckle thousand on the corner of but as

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Speaker 2: that's the title.

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Speaker 3: You know what we were talking about.

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Speaker 2: Actually when we were there, we were talking about how

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Speaker 2: Osaka is actually the comedy city and the difference between

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Speaker 2: We were talking about the difference between or our tour

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Speaker 2: guide was saying, the difference between a laugh in Kyoto

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Speaker 2: and a laugh in Osaka is this. In Kyoto they're like,

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Speaker 2: that's funny as we are, and Osaka they do what's

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Speaker 2: called a big Osaka laugh like this, And I said

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Speaker 2: that your city your.

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Speaker 4: I've started to get like really self conscious at table

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Speaker 4: read with my thrown back in laughter cackle, because now

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Speaker 4: that I don't have my sister across the table.

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Speaker 3: He's a big one, has a big volume. I know. Well,

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Speaker 3: you and I were matching volume, which you're welcome table.

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Speaker 4: Yeah.

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Speaker 3: We were always supporting and it's not performed, it's not performative.

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Speaker 4: I worry people think it's performative. Now that I'm alone

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Speaker 4: in the castle.

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Speaker 3: So they've already forgotten Bowen.

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Speaker 2: Joe calling text to me week one at post hiatus,

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Speaker 2: he was like, whoa table was really weird without you,

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Speaker 2: It's really weird. You do have like a big energy, boys,

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Speaker 2: And one of the things I love most about you

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Speaker 2: is you're not shy.

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Speaker 3: Now, you're not shy at all about sharing your.

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Speaker 2: Laugh big bow and yang osaka bello big occa osaka

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Speaker 2: laugh and answer.

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Speaker 4: And when you did it, you want Yeah, I was

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Speaker 4: sort of giving, like like like victorious you say, I say,

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Speaker 4: victorious villain. It's really made me. Why do I throw

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Speaker 4: my head back and cackle?

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Speaker 3: It's easier to open your mouth that way. Try doing

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Speaker 3: it like this.

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Speaker 6: Way.

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Speaker 2: Harder to open your mouth with your chin on your neck.

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Speaker 2: It's actually culture number at nine, your mouth on your neck.

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Speaker 4: Well, I'm trying to think about second. Somebody off like

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Speaker 4: this savor.

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Speaker 3: Laugh among your You're saying who's your favorite versus damn.

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Speaker 4: You are my favorite laugh? And I'm gonna say why.

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Speaker 4: And this is about me and making it about myself.

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Speaker 4: I was the greatest Catharsis of my life was provided

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Speaker 4: to me by one mister Bowen Osaka Yang. When I'm

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Speaker 4: like five seconds before my HBO comedy special premiere, I'm.

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Speaker 5: Going, why would I do this?

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Speaker 4: I'm like, why would.

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Speaker 3: I get watch.

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Speaker 4: To watch our stand up comedy special? Just just see

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Speaker 4: like two people not laugh and it's just me, you

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Speaker 4: know whatever. So and you know famously, I have maybe

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Speaker 4: one Martina and I'm blackouts to the stars. I was

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Speaker 4: actually wondering if we should get blackout for this.

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Speaker 2: Yeah, but yeah, no, sure, and we could probably get

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Speaker 2: something in here, Gode give me some martinis.

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Speaker 3: I had, there is champagne. Let's do it.

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Speaker 4: No, here's my problem. No we have we can't because

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Speaker 4: last night I was taken down by a grain of salt.

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Speaker 3: Let's let lets let's get them. Let's let's get them in.

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Speaker 3: Let's get them.

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Speaker 2: No worries about fly them in. Whenever open the door,

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Speaker 2: I don't care. Thank you guys, love you.

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Speaker 3: Actually this is.

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Speaker 2: True dedication, and honestly I believe that they're going to

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Speaker 2: come through. Can I say you peek behind the curtain?

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Speaker 2: Ina comes through so hard. You may know her at

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Speaker 2: home as the woman who she's she's a power player.

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Speaker 2: Here she ran in during the Ariana Grande episode because

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Speaker 2: I believe I shoulder was an Ariana shot, and she said,

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Speaker 2: she said, I don't care what's happening. I'm running in

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Speaker 2: there because we have something to fix fixed it and

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Speaker 2: we're grateful.

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Speaker 3: For So she's getting martinis in here. Thank god, someone's

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Speaker 3: a professional.

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Speaker 4: I was going to tell you when you were like,

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Speaker 4: what do you want to talk about today? I was like,

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Speaker 4: I have something really big to tell you.

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Speaker 3: What is it?

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Speaker 4: I was realized saying that my constitution is so sensitive

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Speaker 4: that I literally was psychically taken down last night by

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Speaker 4: a grain.

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Speaker 3: What did you talk about this?

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Speaker 2: And when I say talk about this point, I mean

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Speaker 2: explain it in a way that anyone can understand.

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Speaker 3: What is it?

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Speaker 4: No one knows this. If I have like in my lips,

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Speaker 4: like resting inst a martini glass, I'm eighty nine. Sheees,

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Speaker 4: it's like it's like twister, it's twisting the cow getting

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Speaker 4: picked up.

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Speaker 2: Has it always been like that? Or is this something

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Speaker 2: in you'll say it? Are approaching middle age?

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Speaker 4: We couldn't possibly be. We're old as we're old as

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Speaker 4: father talking.

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Speaker 3: How old are you? Do you share that information?

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Speaker 4: Yes?

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Speaker 2: I do. You're three years younger than us You're still young.

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Speaker 4: But doesn't it? Can someone tell me? Can someone tell me?

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Speaker 4: I don't look at day Over.

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Speaker 3: You look you are ageless. I don't want to tell her.

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Speaker 3: She wants to hear that she looks young. There you go.

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Speaker 4: I won't open my eyes until one says, you.

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Speaker 2: Just played Jane and a Tarzan sketch one of the

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Speaker 2: youngest girls. You looked amazing in that little in that

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Speaker 2: little dress that.

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Speaker 4: Was my waist. Couldn't find it.

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Speaker 3: You looked amazing.

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Speaker 4: I you know, that was like a fight, like Sarah

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Speaker 4: had to go to Sarah acting school for that.

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Speaker 3: What do you mean?

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Speaker 4: Literally? They wrote a joke in the sketch that was like.

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Speaker 3: What part of your accents bad? Your accent?

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Speaker 4: What part of England are you from? Long Island? And

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Speaker 4: I go, well, I got everyone's face. I'm going to

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Speaker 4: an accent coach and they went and she went. You

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Speaker 4: struggling with yours.

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Speaker 3: Struggling with my.

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Speaker 4: Because that table I was like Tos and Dinners Ready

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Speaker 4: when it doesn't come out of the mountain.

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Speaker 2: You were down at the rodeo first, Damn, I what

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Speaker 2: were you going to say? A grain of can we get.

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Speaker 3: You want to go back to you want to go

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Speaker 3: to Green of Stall.

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Speaker 4: They go to Grain of Salt because I feel wait.

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Speaker 2: Let me go close this just just everyone knows the

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Speaker 2: last time series here, which is read a year ago,

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Speaker 2: the day of Trump's.

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Speaker 4: Second It was the day of my daughter's wedding day.

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Speaker 3: My daughter's wedding.

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Speaker 2: It was one of the happiest days of my life

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Speaker 2: somehow because you were there, and because our listeners have

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Speaker 2: described that episode as only a series of thoughts starters

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Speaker 2: we never finished, just a single loop that was opened,

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Speaker 2: you know what.

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Speaker 4: And I'm going to out him right now. Jack Ben Singer,

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Speaker 4: daughter of the Plod, I can just fay stuff.

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Speaker 2: Jack Ben Singer on the show. I don't know we've

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Speaker 2: ever met the best? Would we have a good time?

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Speaker 1: You know what?

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Speaker 2: I was thinking because the song Illegal by Pink Panther's

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Speaker 2: and I thought of.

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Speaker 3: You too, because because your jam, because.

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Speaker 2: Me, Sarah and Jack were writing a sketch ones and

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Speaker 2: then we kept pitching jokes that we were like, is

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Speaker 2: this okay to say? And then Jack led the charge

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Speaker 2: by always going it feels illegal.

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Speaker 4: Hey, since you've gone, my laugh percentage has has dropped.

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Speaker 3: What do you mean your last percentage?

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Speaker 2: Like that?

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Speaker 3: You receive like laughs per minute?

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Speaker 4: What's it? What's baseball terms? My laughs permitted.

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Speaker 3: Average of laughing?

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Speaker 4: I'm laughing less.

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Speaker 5: Can I ask you?

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Speaker 3: What do you follow baseball?

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Speaker 4: Why are you accusing me of I want to I

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Speaker 4: want to wear hats sometimes.

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Speaker 2: Sarah, don't make this confrontational. I'm just I'm just I'm

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Speaker 2: putting a thought started out there. And if you, if

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Speaker 2: you like, just ask do you watch baseball? Do follow it?

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Speaker 2: Do you know what a good batting average is?

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Speaker 3: We know?

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Speaker 4: So this is what I didn't understand, yes, because it's like,

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Speaker 4: if I'm batting a hundred, that's bad, even though it sounds.

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Speaker 2: If you're if well, what you want to do is

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Speaker 2: bad a thousand. If you're batting a thousand, it would

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Speaker 2: mean you never didn't get a hit. And you want

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Speaker 2: to know what a good average is? Like anything over

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Speaker 2: three hundred, it's like a good average. So baseball players,

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Speaker 2: if they get one hit out of every three at bats,

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Speaker 2: they're considered an incredible hitter.

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Speaker 4: Oh so amazing Exactly I wanted to say that title

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Speaker 4: of that exactly. That's why I wanted to say that.

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Speaker 3: Exactly, That's what I wanted to say.

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Speaker 2: Amazing at SNL title of everything You're You're jack, hold on,

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Speaker 2: you're laughing less.

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Speaker 3: A grain of salt took you down?

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Speaker 4: Oh yeah, we have to talk about the special, which

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Speaker 4: is then I can special watching you catharsis grain of

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Speaker 4: salt constitution and then which brings us all the way

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Speaker 4: back to Tarzan.

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Speaker 2: And I have to add you also wanted to talk

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Speaker 2: about how you watch Justin Bieber's Grammy's performance three times?

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Speaker 3: Right? Okay, but not the rest of the Grammys.

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Speaker 4: Right, because there's something there. Oh, and this is connected

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Speaker 4: to grain of Salt.

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Speaker 3: So basically have a whole hand of topic.

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Speaker 4: So, as I was saying, Bowen knows that if alcohol

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Speaker 4: touches my lips for one point four or five seconds,

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Speaker 4: I'm like medically incapacitating, can't.

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Speaker 3: Move You know this I do?

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Speaker 4: And so something now I So last night I ate

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Speaker 4: a burrito, and I've realized that I can be completely

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Speaker 4: overpowered psychically by too much salt.

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Speaker 2: Yeah, people don't realize this. This is no, this is

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Speaker 2: a real thing. Salt will get you. What have you

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Speaker 2: heard of Greta's party chips giving?

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Speaker 4: Yeah, so I ate this really salty burrito, fabulous burrito.

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Speaker 3: Where from doesn't matter. Keep going. I'm sorry.

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Speaker 4: I just don't know how much I want to take

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Speaker 4: them down because.

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Speaker 2: We don't want to let them know where Sarah gets

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Speaker 2: her burritos, because then she'll get mobbed. Then then the

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Speaker 2: place will become too prosper.

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Speaker 4: That they do a fabulous job. And I don't want

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Speaker 4: them to think just because I was taken down by

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Speaker 4: a burrito, it's not I'm doing.

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Speaker 3: I'm not doing a negative I forget.

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Speaker 4: I asked, I had a salty burrito with some chips.

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Speaker 4: I'm not kidding. The salt took over my mind completely.

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Speaker 3: It was, yes, yes, it was.

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Speaker 4: I was experiencing like salt.

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Speaker 2: You you started a hive mind with the salt. It

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Speaker 2: was like ploribus.

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Speaker 3: It was ploribus, but wait describe.

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Speaker 4: I was like, I was so like salted out and

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Speaker 4: I was.

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Speaker 3: Like out, what are you? What do you? What does

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Speaker 3: this mean? What are you experiencing?

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Speaker 4: What are the song? Like?

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Speaker 3: Did you have go into like a diabetic shock? Like

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Speaker 3: what was it?

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Speaker 4: My whole body gets swollen, you know when you're like

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Speaker 4: really blowding and swollen, and so then I was like

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Speaker 4: I ate this, like cue exhausted. So I was like,

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Speaker 4: go to lie down to pass out. Had a big

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Speaker 4: date it, I might as well get my sleep. Yeah,

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Speaker 4: And I was so depydrated to the marrow that I

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Speaker 4: couldn't like fall asleep. And though I was so tired

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Speaker 4: from this giant burrito and I was, I was like,

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Speaker 4: I was like the I was like, I was literally

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Speaker 4: like like the keeper. Yeah. Yeah, it's so tired, couldn't

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Speaker 4: keep my eyes open and like and there was just

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Speaker 4: like a it was a does that make sense? The

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Speaker 4: kind of psychost And I can feel the salt like

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Speaker 4: in my blood and skin.

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Speaker 3: Have you ever seen the movie Seven? No, you haven't

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Speaker 3: seen that movie.

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Speaker 4: You know what's interesting many movies I haven't seen.

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Speaker 2: There's a part in it where like they they find

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Speaker 2: like a dead body in a room, and like it's

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Speaker 2: like it's like a decomposed body and all of a sudden,

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Speaker 2: it just goes and it comes to life. And I

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Speaker 2: was because it's it's been kept alive. The crew knows

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Speaker 2: because all these all these dudes, these are dudes that

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Speaker 2: have seen the film Seven, all of them, Like I

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Speaker 2: gotta tell you, like our crew, you can't see him.

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Speaker 2: They've all seen seven. And that's how I described them.

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Speaker 2: They've seen they love David Fincher's films.

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Speaker 4: Well, I didn't want to say, wait, is it Nida

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Speaker 4: Living Dead? I'm gonna mess this up. It's one of

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Speaker 4: those there's like a there's a completely dehdrated corpse that

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Speaker 4: goes just killing.

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Speaker 2: So basically that was what it was doing. It's like,

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Speaker 2: it's like coming to life, but like begging for death.

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Speaker 2: And I think it does die. But that is how

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Speaker 2: I pictured you after your breed and I.

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Speaker 4: Was literally rocking back and forth, going like.

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Speaker 2: Begging for death and sleep and I have to do

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Speaker 2: lost coach, and I.

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Speaker 4: Don't want to drink too much water because then how

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Speaker 4: can you sleep when you have.

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Speaker 5: To be.

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Speaker 4: So then I was like, take out my phone. Of course,

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Speaker 4: I'm only human, take out my phone. What is the

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Speaker 4: first thing that's shown to me on phone? Justin bieber

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Speaker 4: In is underwear? Yeah, and I don't know it brought

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Speaker 4: you to hiss stare sobbing, uncontroled. It was a great

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Speaker 4: performance and I just felt really moved by it. Yeah,

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Speaker 4: And I don't know, I feel like we've seen him

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Speaker 4: since child and a lot has gone on with him,

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Speaker 4: and I go at the end of the day, you

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Speaker 4: can't take away talent. No, you cannot, that's talent.

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Speaker 2: That's he was literally stripped everything away and he just

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Speaker 2: gave us you khn' And then what's funny, Like we

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Speaker 2: were we were like, oh, Melissa and I were like

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Speaker 2: futzing around the apartment and being like, oh, yeah, he's

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Speaker 2: probably gonna come out and you can't.

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Speaker 3: And then he did.

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Speaker 4: It's amazing when you do it, and.

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Speaker 2: It's a great song. Jimmy new Yeah, the words Jimmy

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Speaker 2: Neutron like making an appearance.

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Speaker 3: I didn't, okay, And then oh.

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Speaker 4: So I'm just realizing, like I can have I can

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Speaker 4: blackout from a martini. I can also salt out from

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Speaker 4: a small chip in burrito.

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Speaker 3: Well, we're gonna see what ship was burrito.

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Speaker 4: Well then it was just it's just salt. Tonnage can

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Speaker 4: send you into like and and and I find that

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Speaker 4: a very suggestible.

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Speaker 2: This is the word tonnage, by the way, is very.

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Speaker 3: We've got a tonnage of dark humor in the show,

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Speaker 3: all right.

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Speaker 2: It's like it's like the producers, so there's there's there's

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Speaker 2: a lot of like boob tonnage, Like a lot of

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Speaker 2: people wrote, Honey, I know I've got boob for day.

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Speaker 2: I've been carrying these things are out for a day.

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Speaker 2: It's like she got new tits and came to do

354
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Speaker 2: work that a breastplate.

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Speaker 4: And I have liked what I've seen.

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Speaker 2: I'll take you in any size. You're one of the

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00:17:40,560 --> 00:17:43,879
Speaker 2: most beautiful women to ever live. To understand this is

358
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Speaker 2: up for debate, is no, it's.

359
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Speaker 3: Even up for debate. Is huge.

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Speaker 2: By the way, so many people's beauty is not being debated.

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Speaker 3: Yeah we see it, or it's like, no, it's not

362
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Speaker 3: being it's not being debated. Conversation, girl, take the whim.

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Speaker 4: I'm such a room full of men, do I look?

364
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Speaker 4: And everyone literally looked at their phone like I'm just kidding.

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Speaker 2: Because at that point we hadn't brought up David Fincher's

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Speaker 2: filmography yet they weren't activated. Now they know, they're saying

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Speaker 2: everything twenty seven twenty seven.

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Speaker 4: Twenty I'm going to close my eyes. That's my new thing.

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Speaker 3: You're close my eyes?

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Speaker 2: Is that how you're difficult to ESNL when comes you

371
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Speaker 2: don't like I'm just going to close my eyes.

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Speaker 3: Eyes the least difficult.

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Speaker 4: No, I did a diva move?

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Speaker 3: Was your diva move today? We're not? Or you're not

375
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Speaker 3: at work.

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Speaker 4: I went, what I I interpret is like acting jewishly.

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Speaker 4: I think can often be interpreted as like being difficult

378
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Speaker 4: saying what I'm thinking just to be jewish.

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Speaker 2: You externalized and then people think, oh, they're yelling at me.

380
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Speaker 2: And meanwhile you're just like, I'm the same way. Are

381
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Speaker 2: you working it out?

382
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Speaker 3: Yeah? And you were working it out.

383
00:18:55,320 --> 00:18:57,480
Speaker 4: I was working out in the remix. They were like,

384
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Speaker 4: I was listen, am I on time? Every single in

385
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Speaker 4: my life?

386
00:19:01,640 --> 00:19:08,280
Speaker 3: Who is you? Were punctual? Support?

387
00:19:08,359 --> 00:19:09,160
Speaker 4: It so bad?

388
00:19:10,200 --> 00:19:13,680
Speaker 2: No matter what you say, I'm gonna be like, yes, literally,

389
00:19:15,119 --> 00:19:16,280
Speaker 2: you know, think about every day.

390
00:19:17,320 --> 00:19:27,919
Speaker 4: Weapons down. I was really letting peak behind the actors.

391
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Speaker 3: I'll share moment with you. With the group, I was.

392
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Speaker 4: Having a bad day and I go, you know what,

393
00:19:33,960 --> 00:19:38,399
Speaker 4: I deserve the most expensive smoothie I can find. I

394
00:19:38,400 --> 00:19:41,720
Speaker 4: want someone to google this smoothie. It has ingredients no

395
00:19:41,760 --> 00:19:44,240
Speaker 4: one's ever seen before. Okay, I just wanted to go.

396
00:19:44,880 --> 00:19:47,520
Speaker 4: It's I can't even say it out again.

397
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Speaker 3: It can't I see, I see it. It's just it's

398
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Speaker 3: business named after a starlet.

399
00:19:52,240 --> 00:19:56,560
Speaker 4: It's named after a large amount of money. The name

400
00:19:56,600 --> 00:19:59,120
Speaker 4: of the smoothie is like, huh, it's expensive.

401
00:19:59,480 --> 00:20:02,479
Speaker 2: Okay, the because I thought, similar to Justin Bieber, I though,

402
00:20:02,480 --> 00:20:04,360
Speaker 2: you're talking about the helly Beeber SMOOTHI which I get

403
00:20:04,600 --> 00:20:06,480
Speaker 2: frequently in l A, which is just.

404
00:20:06,440 --> 00:20:07,520
Speaker 4: A jizzy milkshake.

405
00:20:07,600 --> 00:20:16,960
Speaker 3: That's the way yum me. They are a sample going

406
00:20:17,000 --> 00:20:20,560
Speaker 3: through my splurges. Is that smoothie?

407
00:20:20,760 --> 00:20:22,159
Speaker 4: Is it good food for you?

408
00:20:22,320 --> 00:20:25,600
Speaker 3: Or is it a milkshake' there's collagen in it.

409
00:20:25,800 --> 00:20:27,679
Speaker 4: I don't like when they do the gis on the side.

410
00:20:28,000 --> 00:20:28,919
Speaker 4: They do the commy.

411
00:20:29,200 --> 00:20:33,760
Speaker 2: College shiver, Commy commy is in I was. I was saying,

412
00:20:34,480 --> 00:20:38,240
Speaker 2: cool Ranch chips taste commy. They've cummy, has always been.

413
00:20:39,119 --> 00:20:41,600
Speaker 4: They get feet from cool Ranch. I get stinky feet.

414
00:20:41,720 --> 00:20:44,800
Speaker 3: Oh interesting. Interesting. It's kind of like a cilantro soap.

415
00:20:44,880 --> 00:20:46,480
Speaker 4: You either get like commer.

416
00:20:46,200 --> 00:20:50,400
Speaker 2: Fe commer feet. Now, uh, you got the smoothie right?

417
00:20:50,440 --> 00:20:53,240
Speaker 4: I go. I deserve this, seriously, I deserve this. It's

418
00:20:53,280 --> 00:20:56,280
Speaker 4: the craziest it's got. It has rice and coconut meat

419
00:20:56,280 --> 00:20:57,200
Speaker 4: and empty tea.

420
00:20:57,040 --> 00:21:01,240
Speaker 3: Oil in it. So who did you treat and get this?

421
00:21:01,400 --> 00:21:07,760
Speaker 4: I go and I buy it myself, like I deserve it.

422
00:21:07,840 --> 00:21:09,680
Speaker 4: So thick you can't even sip it with a straw.

423
00:21:09,720 --> 00:21:11,480
Speaker 4: You have to eat it with a spoon. I deserve.

424
00:21:12,359 --> 00:21:14,520
Speaker 4: They go, Sarah, actually the schedule has changed. You need

425
00:21:14,560 --> 00:21:16,760
Speaker 4: to leave the building now and go do this, go

426
00:21:16,800 --> 00:21:21,080
Speaker 4: do a pre tape. And I said, hey, y'all, I'm

427
00:21:21,080 --> 00:21:24,520
Speaker 4: going my smoothies eight minutes away. That's wait.

428
00:21:25,359 --> 00:21:27,080
Speaker 3: Let's give me and did it? Come on?

429
00:21:27,560 --> 00:21:28,959
Speaker 4: They go, you gotta go right?

430
00:21:29,080 --> 00:21:29,280
Speaker 3: No?

431
00:21:29,440 --> 00:21:32,480
Speaker 2: I go, hey, hey, hey.

432
00:21:32,840 --> 00:21:37,680
Speaker 4: I literally kind of went guy like, guy, guys, give

433
00:21:37,680 --> 00:21:39,560
Speaker 4: me eight minutes, it's gonna be here. And I'm showing

434
00:21:39,560 --> 00:21:43,200
Speaker 4: you reasonable. This is my this is my one meal break.

435
00:21:43,600 --> 00:21:45,600
Speaker 4: The schedule has been changed, unknownst to me.

436
00:21:45,560 --> 00:21:47,640
Speaker 3: And no, that's that's totally fair.

437
00:21:47,720 --> 00:21:49,960
Speaker 4: And I went, hey, like I raised my voice and

438
00:21:50,000 --> 00:21:56,320
Speaker 4: I went god, God, please, and I kind of went

439
00:21:56,400 --> 00:22:00,040
Speaker 4: like please let me wait for the smoothie. Please, and

440
00:22:00,040 --> 00:22:02,040
Speaker 4: I went, We'll have someone take the smoothie there, and

441
00:22:02,080 --> 00:22:05,840
Speaker 4: I go, I don't be kind of warm.

442
00:22:06,240 --> 00:22:09,320
Speaker 3: Okay, So what happened? How did this wrap up?

443
00:22:09,720 --> 00:22:14,679
Speaker 4: And then they I relented, relented, and they brought me

444
00:22:14,720 --> 00:22:15,720
Speaker 4: my warm smoothie.

445
00:22:16,160 --> 00:22:17,920
Speaker 3: Was it basically like?

446
00:22:18,760 --> 00:22:20,840
Speaker 4: So then it came at that that eight minute mark,

447
00:22:20,880 --> 00:22:24,280
Speaker 4: but I was already uptown and then they then had

448
00:22:24,320 --> 00:22:30,160
Speaker 4: a in turn had to bring me the and I went, guys,

449
00:22:30,359 --> 00:22:35,400
Speaker 4: it's warming coming out and then get me another smoothie.

450
00:22:35,720 --> 00:22:37,320
Speaker 4: And I was like, can I just get I go?

451
00:22:37,440 --> 00:22:38,560
Speaker 5: I paid for my own.

452
00:22:38,400 --> 00:22:41,159
Speaker 3: Money, and can I ask when you got there? Was

453
00:22:41,200 --> 00:22:43,600
Speaker 3: it like? Oh, thank god, we rushed because we're starting

454
00:22:43,680 --> 00:22:44,040
Speaker 3: right away.

455
00:22:45,040 --> 00:22:46,880
Speaker 4: Do you think that's what happened?

456
00:22:49,000 --> 00:22:53,720
Speaker 3: It? It was rhetorical. I got the warm.

457
00:22:53,440 --> 00:22:55,760
Speaker 4: Smoothie and they're like, we'll get you another smoothie. They

458
00:22:55,840 --> 00:22:59,600
Speaker 4: ordered me another smoothie. I have to go back to

459
00:22:59,680 --> 00:23:02,440
Speaker 4: this before this really is there.

460
00:23:04,840 --> 00:23:06,840
Speaker 3: So at this point, how much money has been spent?

461
00:23:06,920 --> 00:23:11,240
Speaker 2: Fifteen thousand dollars community.

462
00:23:10,760 --> 00:23:15,560
Speaker 3: College tuition, whole paycheck? Do you want to skip the

463
00:23:15,600 --> 00:23:17,800
Speaker 3: whole food joke? Is it verify?

464
00:23:17,800 --> 00:23:21,000
Speaker 2: I shared my even moment, which I pulled my last week.

465
00:23:22,119 --> 00:23:26,760
Speaker 3: I told you this, did I witness Comes to the Press?

466
00:23:26,960 --> 00:23:29,800
Speaker 3: I told you Comes the Press? I told you about.

467
00:23:31,760 --> 00:23:32,399
Speaker 4: Off the Press?

468
00:23:32,440 --> 00:23:34,240
Speaker 3: Your bees? What was it? Your your bugs?

469
00:23:34,240 --> 00:23:37,680
Speaker 4: And dinner is ready? I made your favorite box with

470
00:23:37,800 --> 00:23:38,399
Speaker 4: mut sauce.

471
00:23:39,760 --> 00:23:42,399
Speaker 3: See you're really good. That was incredible.

472
00:23:42,760 --> 00:23:45,320
Speaker 4: Thank you.

473
00:23:53,800 --> 00:23:57,280
Speaker 2: So I was on the set of the Home Alone Sketch.

474
00:23:57,840 --> 00:23:58,960
Speaker 4: Oh I didn't witness this.

475
00:23:59,119 --> 00:23:59,879
Speaker 3: Oh, I'm locked.

476
00:23:59,880 --> 00:24:00,479
Speaker 5: I was.

477
00:24:01,880 --> 00:24:06,080
Speaker 2: I was in my costume for I want to say,

478
00:24:06,119 --> 00:24:09,159
Speaker 2: like just in like uh in my wig and like

479
00:24:09,200 --> 00:24:11,000
Speaker 2: the glasses and stuff, and it's like not comfortable.

480
00:24:11,680 --> 00:24:14,400
Speaker 4: And so I mean that cats that went right up

481
00:24:14,760 --> 00:24:15,160
Speaker 4: the ground.

482
00:24:15,240 --> 00:24:16,320
Speaker 3: Yes, oh I had suspenders.

483
00:24:16,520 --> 00:24:19,359
Speaker 2: And so I get there like eight am and then

484
00:24:19,400 --> 00:24:23,160
Speaker 2: it's like six pm. That's and like they they still

485
00:24:23,160 --> 00:24:25,560
Speaker 2: haven't like called me, and I like I've been needed

486
00:24:25,560 --> 00:24:27,520
Speaker 2: and like I need and like my my studio call

487
00:24:27,520 --> 00:24:29,760
Speaker 2: time is getting pushed and whatever. And I was just

488
00:24:29,800 --> 00:24:32,440
Speaker 2: antsy and I was just like obviously like emotional because

489
00:24:32,440 --> 00:24:35,240
Speaker 2: it was my last week. It was Friday, the day

490
00:24:35,280 --> 00:24:38,639
Speaker 2: before the last show. I just logistically had ship to do.

491
00:24:38,680 --> 00:24:40,200
Speaker 2: I had like thank you gifts. I had cards like

492
00:24:40,240 --> 00:24:41,439
Speaker 2: I like, I was like writing. I was just like

493
00:24:41,480 --> 00:24:42,280
Speaker 2: getting over everything.

494
00:24:44,400 --> 00:24:44,960
Speaker 3: And then.

495
00:24:46,359 --> 00:24:51,639
Speaker 2: It was just so egregious that like our wonderful, wonderful

496
00:24:52,119 --> 00:24:54,919
Speaker 2: cretape producer Dina of course comes in like checking on

497
00:24:54,960 --> 00:24:57,119
Speaker 2: me and apologize, and I go, do you know I

498
00:24:57,160 --> 00:24:59,240
Speaker 2: love you guys?

499
00:24:59,600 --> 00:24:59,760
Speaker 4: SI?

500
00:25:00,280 --> 00:25:01,560
Speaker 3: No, no, no, this is why I did.

501
00:25:01,880 --> 00:25:04,119
Speaker 2: I was like I've never ever done this before and

502
00:25:04,160 --> 00:25:07,360
Speaker 2: I don't think I ever will again. They have three

503
00:25:07,400 --> 00:25:10,840
Speaker 2: takes and that was me as like they have three

504
00:25:10,880 --> 00:25:13,359
Speaker 2: takes and I'm out. I mean, and also it's like

505
00:25:13,400 --> 00:25:14,919
Speaker 2: if if you have to, if you have to do

506
00:25:14,920 --> 00:25:17,760
Speaker 2: it more than three takes exactly know.

507
00:25:17,920 --> 00:25:21,840
Speaker 4: That three three. That's a magic lucky number three tapes. Honey,

508
00:25:22,680 --> 00:25:24,359
Speaker 4: you know what, That's not bad.

509
00:25:24,680 --> 00:25:25,240
Speaker 3: It's not bad.

510
00:25:25,240 --> 00:25:27,800
Speaker 2: But it was like I was like, I'm being a bitch,

511
00:25:27,920 --> 00:25:29,000
Speaker 2: but like, this is this.

512
00:25:28,920 --> 00:25:30,000
Speaker 3: Is what has to happen.

513
00:25:30,080 --> 00:25:32,840
Speaker 2: This is what happen because because things are needing to

514
00:25:33,240 --> 00:25:33,919
Speaker 2: be done.

515
00:25:33,960 --> 00:25:35,400
Speaker 4: And what Diva moment have you had?

516
00:25:36,280 --> 00:25:40,040
Speaker 2: I'm kind of sweetheart, be kind of America's sweetheart, as

517
00:25:40,040 --> 00:25:41,000
Speaker 2: everyone knows.

518
00:25:41,160 --> 00:25:44,080
Speaker 4: I'm gonna get you this smoothie right now. I'm gonna

519
00:25:44,119 --> 00:25:46,680
Speaker 4: put in the microwave so it's the boiling hot temperature

520
00:25:46,720 --> 00:25:48,520
Speaker 4: that I drink it at. I'm gonna let it sit

521
00:25:48,720 --> 00:25:51,439
Speaker 4: for forty eight to sixty three minutes. I'm gonna let

522
00:25:51,480 --> 00:25:53,000
Speaker 4: you have two SIPs of it, and then I'm gonna

523
00:25:53,000 --> 00:25:54,920
Speaker 4: take it away. I'm gonna say, how would you behavee.

524
00:25:54,760 --> 00:25:57,800
Speaker 2: Okay, fine, I will share. I will share when I

525
00:25:57,880 --> 00:26:02,040
Speaker 2: have Diva moments. It's when something is happening that is

526
00:26:02,880 --> 00:26:06,800
Speaker 2: that is patently ridiculous. And I'm on a zoom because

527
00:26:07,040 --> 00:26:09,600
Speaker 2: like like on a zoom. It's like it can get

528
00:26:09,600 --> 00:26:12,240
Speaker 2: away from you because you're talking and then all of

529
00:26:12,280 --> 00:26:14,600
Speaker 2: a sudden, like people are like receiving it on the

530
00:26:14,680 --> 00:26:16,879
Speaker 2: zoom and like you kind of keep going like, well,

531
00:26:16,880 --> 00:26:17,640
Speaker 2: I'm in a simulation.

532
00:26:17,760 --> 00:26:19,920
Speaker 4: The only thing I say is just gonna like exactly.

533
00:26:19,920 --> 00:26:22,879
Speaker 2: It doesn't feel real but like no, and then I'm like,

534
00:26:23,000 --> 00:26:25,479
Speaker 2: oh god. And then there's I've got enough maybe like

535
00:26:26,280 --> 00:26:29,199
Speaker 2: two or three zooms in my career and been like,

536
00:26:29,800 --> 00:26:31,600
Speaker 2: well I don't like the way I acted, and I'll

537
00:26:31,640 --> 00:26:34,920
Speaker 2: text our manager and I'll be like was that crazy?

538
00:26:35,600 --> 00:26:37,920
Speaker 2: And our manager will just go it was strong.

539
00:26:38,200 --> 00:26:39,280
Speaker 3: It was it was strong.

540
00:26:39,720 --> 00:26:41,600
Speaker 4: It was strong. But here's the thing, if.

541
00:26:41,480 --> 00:26:44,200
Speaker 3: But I would never be that way if it wasn't like.

542
00:26:44,960 --> 00:26:47,480
Speaker 4: Sometimes you're pushed into a position where you have you

543
00:26:47,520 --> 00:26:48,159
Speaker 4: must be strong.

544
00:26:48,280 --> 00:26:48,680
Speaker 3: It's like.

545
00:26:50,280 --> 00:26:52,200
Speaker 2: I experienced some of it, like when I was working

546
00:26:52,280 --> 00:26:54,520
Speaker 2: on one project where it was just like, oh, okay,

547
00:26:54,640 --> 00:26:58,960
Speaker 2: it's become clear to me that because everyone hates their job,

548
00:26:59,440 --> 00:27:03,479
Speaker 2: they're not excited about doing it. And I was like, Okay, listen,

549
00:27:03,640 --> 00:27:06,960
Speaker 2: I understand that that's the reality. But like I mean,

550
00:27:07,040 --> 00:27:10,639
Speaker 2: probably anyone can can understand this. Like when you go

551
00:27:10,720 --> 00:27:14,160
Speaker 2: to work and people don't feel valued at their job,

552
00:27:14,320 --> 00:27:17,600
Speaker 2: or they don't feel paid enough, or they don't feel good,

553
00:27:18,040 --> 00:27:21,240
Speaker 2: the entire atmosphere suffers. That was like something about Tokyo

554
00:27:21,320 --> 00:27:24,119
Speaker 2: that I really loved. It was like everyone was just like.

555
00:27:24,160 --> 00:27:25,600
Speaker 4: Had health insurance and was happy.

556
00:27:25,720 --> 00:27:27,639
Speaker 2: I think, yeah, I mean they were in service of

557
00:27:27,680 --> 00:27:30,760
Speaker 2: what they were doing, and they were all like passionate

558
00:27:30,840 --> 00:27:33,159
Speaker 2: enough about what they were doing because they're passionate about

559
00:27:33,480 --> 00:27:35,800
Speaker 2: They're all just like passionate about what they do whatever.

560
00:27:36,119 --> 00:27:38,920
Speaker 2: So because that's not the case in America, I feel

561
00:27:38,920 --> 00:27:43,080
Speaker 2: like a lot of workplaces are miserable and it you know,

562
00:27:43,119 --> 00:27:45,800
Speaker 2: it's contagious, and then you come in there being like, hey,

563
00:27:45,840 --> 00:27:50,360
Speaker 2: I'm excited about this, and you're met with like dead energy.

564
00:27:50,560 --> 00:27:54,600
Speaker 2: And that's frustrating because we'd at least like to try

565
00:27:54,640 --> 00:27:55,800
Speaker 2: and enjoy our.

566
00:27:55,760 --> 00:27:58,879
Speaker 4: Look at the base of like much of the misery

567
00:27:58,880 --> 00:28:01,600
Speaker 4: we're talking about is like at the core of the

568
00:28:01,640 --> 00:28:08,040
Speaker 4: American enterprise, there's a rot. So anytime we had no

569
00:28:08,280 --> 00:28:12,879
Speaker 4: bad behavior at work, it's because there's the there's the

570
00:28:12,920 --> 00:28:16,800
Speaker 4: Poulter Geyst energy that we've We've built this country on.

571
00:28:16,880 --> 00:28:18,000
Speaker 3: The Poulter Guyst energy.

572
00:28:18,320 --> 00:28:22,879
Speaker 2: Being like material things are not being met on like

573
00:28:23,040 --> 00:28:24,480
Speaker 2: on like a on like a baseline line.

574
00:28:24,720 --> 00:28:28,280
Speaker 4: People are struggling universally, And I didn't get a meal

575
00:28:28,320 --> 00:28:30,639
Speaker 4: break and I as my smoothie was eight minutes away.

576
00:28:30,680 --> 00:28:33,720
Speaker 4: And then sometimes you're gonna be expressing yourself.

577
00:28:35,320 --> 00:28:37,560
Speaker 2: You're gonna be expressed, You're gonna be strong, you're gonna

578
00:28:37,600 --> 00:28:41,800
Speaker 2: be having to be strong having been the problem.

579
00:28:41,680 --> 00:28:44,920
Speaker 4: Like having been. If I was like a little more famous,

580
00:28:45,000 --> 00:28:47,240
Speaker 4: I think it would be like fabulous. But it's kind

581
00:28:47,280 --> 00:28:48,440
Speaker 4: of just like this.

582
00:28:50,360 --> 00:28:52,479
Speaker 3: Woman, this crazy person.

583
00:28:53,040 --> 00:28:56,040
Speaker 4: There's a woman acting strangely strongly.

584
00:28:56,560 --> 00:29:00,840
Speaker 2: You had the number two special on HBO. No, I

585
00:29:01,160 --> 00:29:08,720
Speaker 2: was let's be frank the number two movies. Let's god, yes,

586
00:29:09,120 --> 00:29:12,280
Speaker 2: and you put it in first, this is crazy?

587
00:29:12,560 --> 00:29:15,080
Speaker 3: What what alcohol is this? You guys just have a

588
00:29:15,080 --> 00:29:19,280
Speaker 3: stash Tita perfect. Oh my god, this.

589
00:29:19,400 --> 00:29:22,880
Speaker 2: Is crazy, and then have cute little Napkinsina. Thank you

590
00:29:22,920 --> 00:29:28,080
Speaker 2: so much, thank you. Oh my god, is incredible. This

591
00:29:28,120 --> 00:29:31,200
Speaker 2: is amazing, Thank you so much.

592
00:29:32,320 --> 00:29:35,520
Speaker 3: Yours is full. Cheers to being cheers to being strong,

593
00:29:35,800 --> 00:29:40,000
Speaker 3: to being strong. And they're cold you it's it's it's

594
00:29:40,720 --> 00:29:46,600
Speaker 3: here we go not shaken. We're getting blackout. Oh yeah,

595
00:29:46,800 --> 00:29:49,120
Speaker 3: these are strong. What do you have to do tonight.

596
00:29:50,360 --> 00:29:54,560
Speaker 4: Literally nothing that's good? Well no, and I told you

597
00:29:54,640 --> 00:29:56,960
Speaker 4: my weak constitution, like I'm gonna.

598
00:29:56,880 --> 00:29:59,920
Speaker 2: Get Okay, So what did we get?

599
00:30:00,080 --> 00:30:00,720
Speaker 3: So that's one.

600
00:30:00,840 --> 00:30:02,880
Speaker 2: We know about your smoothie and we know about your

601
00:30:02,920 --> 00:30:03,960
Speaker 2: diva moment at work.

602
00:30:04,400 --> 00:30:06,120
Speaker 3: So what was else? What was else? On the five?

603
00:30:06,160 --> 00:30:08,800
Speaker 3: This is great, you guys, this is really good. Thank you.

604
00:30:09,400 --> 00:30:11,160
Speaker 4: I'm not taking the olives lightly.

605
00:30:11,720 --> 00:30:15,200
Speaker 3: Oh I had Westville today.

606
00:30:16,800 --> 00:30:17,720
Speaker 5: It was good.

607
00:30:18,240 --> 00:30:21,560
Speaker 3: They had a loaded big potato sandwich, no sandwich soup.

608
00:30:21,880 --> 00:30:27,240
Speaker 3: Oh I got confused sandwich. I confuse super for a sandwich.

609
00:30:27,480 --> 00:30:27,600
Speaker 2: One.

610
00:30:28,040 --> 00:30:28,680
Speaker 4: He's going zoo.

611
00:30:28,800 --> 00:30:31,720
Speaker 2: In the words of the Great brook Brooke Ashley, you

612
00:30:31,800 --> 00:30:33,600
Speaker 2: are crazier than a soup sandwich.

613
00:30:35,000 --> 00:30:35,720
Speaker 3: What was that?

614
00:30:35,960 --> 00:30:38,520
Speaker 2: She's a house She's the house chantastic. She's the best

615
00:30:38,560 --> 00:30:39,880
Speaker 2: in the bed, She's the best in the biz. I've

616
00:30:39,920 --> 00:30:43,560
Speaker 2: been championing her for probably going on four years, and

617
00:30:43,600 --> 00:30:46,440
Speaker 2: I get I literally sometimes we'll watch her YouTube subscriber

618
00:30:46,440 --> 00:30:49,600
Speaker 2: account grow and grow and grow, and I feel like

619
00:30:49,640 --> 00:30:50,320
Speaker 2: I'm a part of.

620
00:30:50,280 --> 00:30:53,200
Speaker 3: Something you are. You can sometimes see me pop into

621
00:30:53,240 --> 00:30:56,720
Speaker 3: her lives. I'm Matt, thanks for the super chap Man.

622
00:30:57,320 --> 00:30:58,080
Speaker 3: I'm always there.

623
00:30:58,400 --> 00:31:01,040
Speaker 4: Do you know about the the Shannabadoor phrase that I'm

624
00:31:01,080 --> 00:31:02,240
Speaker 4: actually trying to get.

625
00:31:02,040 --> 00:31:09,240
Speaker 3: Going the truth. You're saying it many times this month.

626
00:31:10,080 --> 00:31:13,000
Speaker 3: You will see the truth. Now tell everybody.

627
00:31:13,280 --> 00:31:18,560
Speaker 2: You guys are ends, you cons tell it. Tell the

628
00:31:18,600 --> 00:31:21,880
Speaker 2: initiated about this moment of Shannon Badoor screaming at a restaurant,

629
00:31:22,120 --> 00:31:24,800
Speaker 2: you appointing at a home, in a home.

630
00:31:24,840 --> 00:31:25,800
Speaker 3: I'm sorry, it's in a home.

631
00:31:26,640 --> 00:31:31,440
Speaker 4: The truth she's it's like about Heather Dubro. She's crazy

632
00:31:31,440 --> 00:31:33,200
Speaker 4: and you all, you will all see the truth.

633
00:31:34,720 --> 00:31:37,560
Speaker 2: We need your housewives takes, Like, what do you well,

634
00:31:37,600 --> 00:31:39,920
Speaker 2: first of all, what do you think of Candetillard Bassett

635
00:31:39,960 --> 00:31:40,560
Speaker 2: as a trader?

636
00:31:41,680 --> 00:31:43,960
Speaker 4: I have something really crazy to say.

637
00:31:44,040 --> 00:31:44,640
Speaker 3: I bet you do.

638
00:31:45,680 --> 00:31:52,840
Speaker 4: I I the center of traders is not holding for me.

639
00:31:52,960 --> 00:31:54,200
Speaker 3: Okay, just talk about it.

640
00:31:55,840 --> 00:32:02,880
Speaker 4: I'm struggling what reality television competition show?

641
00:32:02,960 --> 00:32:05,240
Speaker 3: Okay, okay, where this before?

642
00:32:05,480 --> 00:32:10,160
Speaker 4: Yes, the whole show is this person's acting.

643
00:32:10,320 --> 00:32:14,360
Speaker 2: Evil, They're losing the plot.

644
00:32:15,320 --> 00:32:20,160
Speaker 4: It's like it is like it's like an emotional intelligence game.

645
00:32:20,960 --> 00:32:22,360
Speaker 3: Yeah, right with.

646
00:32:23,840 --> 00:32:29,640
Speaker 2: Where where where the where? The reality is so juvenile and.

647
00:32:29,720 --> 00:32:34,760
Speaker 4: It's just about whether or not someone's acting a little strange.

648
00:32:35,360 --> 00:32:37,600
Speaker 3: That's really what it is. But meanwhile, the most.

649
00:32:37,800 --> 00:32:40,440
Speaker 2: Some would argue the most evil people to come from

650
00:32:40,440 --> 00:32:45,160
Speaker 2: that show are the Faithfuls, right because right because this

651
00:32:45,200 --> 00:32:48,560
Speaker 2: season it's Coulton being a little being a little he's

652
00:32:48,680 --> 00:32:50,920
Speaker 2: just come on a little strong. So so when you

653
00:32:50,960 --> 00:32:52,480
Speaker 2: watch the show and are you watching the show?

654
00:32:52,600 --> 00:32:55,200
Speaker 4: I had to put my weapon down because I was like,

655
00:32:57,480 --> 00:33:00,840
Speaker 4: just just just just just let me so for real,

656
00:33:00,960 --> 00:33:04,000
Speaker 4: right now, this person they must have an alliance because

657
00:33:04,040 --> 00:33:08,240
Speaker 4: there are housewives or there's no alliances. We're in a competition.

658
00:33:08,560 --> 00:33:12,720
Speaker 4: You're all deciding whether or not someone's acting odd or weird.

659
00:33:12,880 --> 00:33:14,520
Speaker 4: And I don't want to see people out in the mud.

660
00:33:14,640 --> 00:33:16,080
Speaker 3: Can I just want to Can I just say something?

661
00:33:16,120 --> 00:33:17,160
Speaker 3: Can I just want to say something?

662
00:33:17,440 --> 00:33:18,160
Speaker 4: I just want to.

663
00:33:18,120 --> 00:33:24,480
Speaker 2: Say, we need to drop the word alliances from reality TV,

664
00:33:24,560 --> 00:33:27,960
Speaker 2: from but also just from general unless it's like diplomatic

665
00:33:28,360 --> 00:33:29,840
Speaker 2: or it's an airline group.

666
00:33:30,080 --> 00:33:32,280
Speaker 3: Right, I don't want to hear that word uttered.

667
00:33:32,480 --> 00:33:36,160
Speaker 2: Well, actually, we're actually a post alliance on we're post

668
00:33:36,200 --> 00:33:38,880
Speaker 2: alliance culture on reality shows anyway, because now if you

669
00:33:38,920 --> 00:33:41,479
Speaker 2: stick in an alliance for too long, you're literally cooked

670
00:33:42,040 --> 00:33:45,080
Speaker 2: like one. But the game of Survivor is all about like, oh,

671
00:33:45,120 --> 00:33:48,200
Speaker 2: are you in an alliance? How are you secretly not right?

672
00:33:48,440 --> 00:33:51,680
Speaker 2: That's literally the way you win Survivor now is don't worry.

673
00:33:51,720 --> 00:33:54,320
Speaker 2: I'm in an alliance with you. Turn to camera. I'm

674
00:33:54,360 --> 00:33:58,040
Speaker 2: also in every other alliance right wink. And it's like, well,

675
00:33:58,040 --> 00:33:59,560
Speaker 2: how then what is then?

676
00:33:59,720 --> 00:34:02,440
Speaker 3: Then? Lines is don't anything? You are you? You're a

677
00:34:02,480 --> 00:34:03,600
Speaker 3: Survivor girl, have you?

678
00:34:03,800 --> 00:34:07,959
Speaker 4: I've never been a girl besides real House.

679
00:34:07,400 --> 00:34:11,360
Speaker 3: Watch Survivorpathy with us, Okay, that will be fun. Watch

680
00:34:11,760 --> 00:34:12,799
Speaker 3: Australia versus the world.

681
00:34:13,000 --> 00:34:14,799
Speaker 4: Is Richard still in the news.

682
00:34:14,880 --> 00:34:19,520
Speaker 2: Richard Hatch's rich I think now he is.

683
00:34:19,880 --> 00:34:21,080
Speaker 3: Entertainment Weekly.

684
00:34:22,320 --> 00:34:26,680
Speaker 2: Is gonna pull this Yeah, being like for me because

685
00:34:26,719 --> 00:34:29,279
Speaker 2: Google alert is going crazy. At the time of the

686
00:34:29,360 --> 00:34:32,279
Speaker 2: Google alert, Sarah Sherman questions whether or not Richard Hat

687
00:34:32,719 --> 00:34:33,759
Speaker 2: is in the news.

688
00:34:33,800 --> 00:34:36,399
Speaker 4: Really major at the same and I got my it's

689
00:34:36,400 --> 00:34:40,719
Speaker 4: like him. And then I got my period during on

690
00:34:40,840 --> 00:34:41,800
Speaker 4: American Idol.

691
00:34:43,719 --> 00:34:47,280
Speaker 3: Mm hmmm, so I can't be drinking a Martinez.

692
00:34:49,760 --> 00:34:53,280
Speaker 2: Sarah Sherman got period during bo Bice's performance on American

693
00:34:53,280 --> 00:34:54,319
Speaker 2: Idol season.

694
00:34:55,800 --> 00:34:59,640
Speaker 4: So it's like him chieved. It's like Richard Hatch, like

695
00:35:00,080 --> 00:35:00,920
Speaker 4: sexual awakening.

696
00:35:00,960 --> 00:35:01,160
Speaker 3: Sean.

697
00:35:01,160 --> 00:35:06,799
Speaker 4: I'm like, he's major to me, that's what seeing him

698
00:35:06,800 --> 00:35:07,680
Speaker 4: on TV and being.

699
00:35:07,520 --> 00:35:13,600
Speaker 2: Like Sarah's type, the crazy naked gay guy in a tree.

700
00:35:13,800 --> 00:35:16,360
Speaker 3: But Sarah's type is just middle aged dirt bag.

701
00:35:17,719 --> 00:35:21,120
Speaker 4: Yes, yes, and oh does he have a wart?

702
00:35:21,440 --> 00:35:23,560
Speaker 3: Hello, honey?

703
00:35:23,600 --> 00:35:27,120
Speaker 2: If he has a wart, it is crazy, acting like

704
00:35:27,120 --> 00:35:28,520
Speaker 2: like a nutball up in a tree.

705
00:35:28,640 --> 00:35:29,640
Speaker 3: And is he gay?

706
00:35:30,160 --> 00:35:35,720
Speaker 2: Chuching the sound of my pussy cash register opening for business?

707
00:35:38,280 --> 00:35:41,759
Speaker 4: I'd like to leave earlier for this restaurant.

708
00:35:42,280 --> 00:35:45,040
Speaker 3: The cash register was a pussy.

709
00:35:46,160 --> 00:35:50,000
Speaker 2: Oh god, you should have seen what When you ladies

710
00:35:50,040 --> 00:35:54,319
Speaker 2: were outside the room, we had a long talk and

711
00:35:54,360 --> 00:35:56,440
Speaker 2: we got We really broke through with the guys on

712
00:35:56,480 --> 00:35:58,480
Speaker 2: the crew because we found out they all love David

713
00:35:58,520 --> 00:35:59,400
Speaker 2: Fincher's films.

714
00:36:00,160 --> 00:36:02,480
Speaker 3: Aren't they all giving that in a complimentary way?

715
00:36:02,960 --> 00:36:03,480
Speaker 4: I would not.

716
00:36:03,840 --> 00:36:06,400
Speaker 2: I love these guys. You guys are in a uniform

717
00:36:06,400 --> 00:36:08,520
Speaker 2: today too. Look at you were in the blacktops and

718
00:36:08,600 --> 00:36:09,160
Speaker 2: blue jeans.

719
00:36:09,200 --> 00:36:13,600
Speaker 4: Guys often are no offense blendstone, No offense guys be

720
00:36:13,680 --> 00:36:14,720
Speaker 4: wearing blendstones.

721
00:36:15,680 --> 00:36:17,600
Speaker 3: What is blendstone?

722
00:36:17,760 --> 00:36:20,000
Speaker 4: You're so gay you don't even know about blund stone.

723
00:36:20,040 --> 00:36:21,640
Speaker 3: I know, look at look at that. I got this

724
00:36:21,760 --> 00:36:25,720
Speaker 3: in an Osaka. Actually that's it's a good Pendleton it's

725
00:36:25,880 --> 00:36:26,760
Speaker 3: really lovely.

726
00:36:26,960 --> 00:36:29,960
Speaker 4: It's stunning. You're stunning the two of you. I'm blackout?

727
00:36:30,640 --> 00:36:32,759
Speaker 3: Are you blackout? O?

728
00:36:33,239 --> 00:36:33,520
Speaker 4: Black?

729
00:36:34,440 --> 00:36:40,080
Speaker 2: I will finish it for Tank, Okay, I am, But

730
00:36:40,280 --> 00:36:43,839
Speaker 2: Sarah drunk is something I rarely ever got to see.

731
00:36:44,200 --> 00:36:46,120
Speaker 3: Boys, let's do it because.

732
00:36:46,280 --> 00:36:49,080
Speaker 4: Well, how about when I got blackout in an afterparty

733
00:36:49,200 --> 00:36:51,880
Speaker 4: quite recently and I woke up being like time for

734
00:36:51,960 --> 00:36:55,680
Speaker 4: my apology tour? Woke up message from Brady Lee's you

735
00:36:55,680 --> 00:36:59,120
Speaker 4: should have two martinis all the time I go apology tour.

736
00:36:59,040 --> 00:37:02,840
Speaker 2: Over you find out the anxiety was just hang awesome?

737
00:37:04,320 --> 00:37:06,640
Speaker 2: So what she was getting awesome?

738
00:37:06,680 --> 00:37:07,040
Speaker 4: Swash?

739
00:37:07,120 --> 00:37:09,040
Speaker 3: She was last nise.

740
00:37:11,840 --> 00:37:17,560
Speaker 4: I feel like I had a really coherent kagent amazingly biting.

741
00:37:17,800 --> 00:37:21,959
Speaker 4: Critique of that is actually like dissolved between.

742
00:37:22,120 --> 00:37:24,520
Speaker 3: Okay, so it's a game about emotional intelligence.

743
00:37:24,600 --> 00:37:28,359
Speaker 4: But interesting to say about that that couldn't mean anything to.

744
00:37:28,320 --> 00:37:30,360
Speaker 2: Well, it's a game about emotional intelligence, and yet it

745
00:37:30,440 --> 00:37:33,600
Speaker 2: is intellectually like a farce. It's like it's like, well,

746
00:37:33,640 --> 00:37:34,719
Speaker 2: how are we Well.

747
00:37:34,640 --> 00:37:37,800
Speaker 4: It's like someone's acting evil because they were a trader.

748
00:37:37,840 --> 00:37:40,239
Speaker 4: It's like we're all acting evil and deceitful.

749
00:37:40,520 --> 00:37:41,359
Speaker 3: We're human being.

750
00:37:43,160 --> 00:37:45,640
Speaker 4: Maybe the masks have come off and actually Traders is

751
00:37:45,640 --> 00:37:47,520
Speaker 4: one of the most important pieces of me. I'll get

752
00:37:47,520 --> 00:37:47,960
Speaker 4: back into it.

753
00:37:47,960 --> 00:37:50,400
Speaker 3: I think it might be more that Michael.

754
00:37:50,160 --> 00:37:53,640
Speaker 4: Rabbitport is sending me boots. See this is when.

755
00:37:55,480 --> 00:37:58,000
Speaker 3: Talk about my this this won't make the news.

756
00:37:58,000 --> 00:38:01,239
Speaker 2: And technically Sarah Sherman claim to be sent boots by

757
00:38:01,239 --> 00:38:05,840
Speaker 2: Michael Rappaport's performance on The Traders praises Michael Rappaport as boots,

758
00:38:06,360 --> 00:38:11,640
Speaker 2: as sending her boots. Now what about this terrible human being?

759
00:38:11,880 --> 00:38:14,440
Speaker 4: It's happened in the culture where we go like, we

760
00:38:14,520 --> 00:38:16,360
Speaker 4: can't platform these people anymore.

761
00:38:16,480 --> 00:38:22,719
Speaker 2: Oh yeah, yeah, no we must. I would agree with you, to.

762
00:38:22,680 --> 00:38:24,600
Speaker 3: Be honest with you, I'm like, if you look back

763
00:38:24,640 --> 00:38:24,920
Speaker 3: at like.

764
00:38:24,880 --> 00:38:28,840
Speaker 2: The last twenty thirty, who do we remember the most

765
00:38:28,960 --> 00:38:29,640
Speaker 2: vile people?

766
00:38:29,760 --> 00:38:31,520
Speaker 4: Right, it's important.

767
00:38:31,960 --> 00:38:35,879
Speaker 2: Also, like Spencer Pratt is like president of the United

768
00:38:35,920 --> 00:38:38,480
Speaker 2: States at this point, I'm sorry you turn on the

769
00:38:38,480 --> 00:38:39,760
Speaker 2: news Spencer Pratt.

770
00:38:39,920 --> 00:38:41,960
Speaker 3: Spencer Pratt did great on celebrity weakest link.

771
00:38:42,120 --> 00:38:46,919
Speaker 2: See what I'm saying, Like what and of course it's

772
00:38:47,000 --> 00:38:48,200
Speaker 2: both what Like I.

773
00:38:48,760 --> 00:38:51,480
Speaker 4: Promote a singer every day of my life.

774
00:38:52,719 --> 00:38:56,440
Speaker 2: Was president. She was President of the United States.

775
00:38:56,520 --> 00:38:58,080
Speaker 3: She was like two.

776
00:38:57,960 --> 00:39:00,200
Speaker 4: Years still is to this day?

777
00:39:00,440 --> 00:39:04,560
Speaker 2: Will you talk about unless you don't want to please?

778
00:39:04,880 --> 00:39:06,799
Speaker 2: Why is Michael Rappaport sending.

779
00:39:06,760 --> 00:39:13,279
Speaker 4: Bid So I was like, I can't possibly be watching traders, like, hey,

780
00:39:13,320 --> 00:39:16,640
Speaker 4: it's stuff to do. I'm a busy woman. Might not

781
00:39:16,680 --> 00:39:19,880
Speaker 4: be famous, but I'm a woman and I'm busy. So

782
00:39:21,080 --> 00:39:24,320
Speaker 4: why is this woman complaining about her smoothie whack out

783
00:39:24,440 --> 00:39:30,720
Speaker 4: losing the thread? Who is it? And then I open

784
00:39:31,520 --> 00:39:35,719
Speaker 4: Twitter dot com and I'm seeing and by the way,

785
00:39:35,880 --> 00:39:39,160
Speaker 4: but Bowen knows I was saying this earlier my Twitter.

786
00:39:40,239 --> 00:39:42,320
Speaker 3: Yeah, what I've done perfect?

787
00:39:43,080 --> 00:39:46,000
Speaker 4: There was to me the viral news of the day.

788
00:39:46,480 --> 00:39:50,000
Speaker 4: I screenshot in Texas to bonus last, I go, did

789
00:39:50,040 --> 00:39:52,120
Speaker 4: you guys see this? Paul Giamani wants to be in

790
00:39:52,160 --> 00:39:53,760
Speaker 4: the new Texas Chainsaw.

791
00:39:55,320 --> 00:39:59,399
Speaker 2: And they were like, cool, above the fold news, we've

792
00:39:59,440 --> 00:40:03,560
Speaker 2: been we've been seeing something else in our algorithms.

793
00:40:03,120 --> 00:40:05,880
Speaker 4: And I'm like, you cut, have you've seen this?

794
00:40:06,280 --> 00:40:09,920
Speaker 3: I'm like no, but that was like that was what was?

795
00:40:11,640 --> 00:40:15,080
Speaker 4: I follow this guy and shouts out to him, shout

796
00:40:15,600 --> 00:40:19,360
Speaker 4: shouts out, shouts out to him. He's always posting covers

797
00:40:19,400 --> 00:40:22,080
Speaker 4: of old paperback books with naked women on them.

798
00:40:22,239 --> 00:40:27,399
Speaker 2: I'm going that's what I'm seeing you always blessed. See,

799
00:40:27,480 --> 00:40:30,480
Speaker 2: I am so interested in changing what my algorithm is

800
00:40:30,600 --> 00:40:32,080
Speaker 2: or like not having one at all. But it does

801
00:40:32,160 --> 00:40:35,640
Speaker 2: take a long time, like I It is interesting though,

802
00:40:35,760 --> 00:40:38,280
Speaker 2: how quickly they get very good at.

803
00:40:38,520 --> 00:40:40,839
Speaker 3: You being like, oh, I have to click on that.

804
00:40:41,560 --> 00:40:44,240
Speaker 4: Well, Justin Bieber penetrated my veil.

805
00:40:47,880 --> 00:40:51,120
Speaker 2: Justin Beer penetrated your veils.

806
00:40:51,239 --> 00:40:55,000
Speaker 4: She did, and like I'm opening trained to show me,

807
00:40:55,160 --> 00:40:58,560
Speaker 4: like you'll never believe what when this person replaced their

808
00:40:58,560 --> 00:41:02,399
Speaker 4: eyes with ping pong ball or this old this eighty

809
00:41:02,480 --> 00:41:05,520
Speaker 4: nine year old woman, they found eighteen contacts in each

810
00:41:05,520 --> 00:41:09,319
Speaker 4: of her eyes, Like that's like my viral news. But

811
00:41:09,560 --> 00:41:12,719
Speaker 4: Justin Bieber penetrated it, and I went, now, what's this?

812
00:41:13,160 --> 00:41:15,320
Speaker 3: He could be your doctor. He can fear your disease.

813
00:41:16,880 --> 00:41:19,400
Speaker 3: Give me you love that song?

814
00:41:19,640 --> 00:41:20,160
Speaker 4: I do that.

815
00:41:20,280 --> 00:41:24,040
Speaker 3: I love that she did amazing.

816
00:41:24,280 --> 00:41:26,960
Speaker 4: One of her eyes was bloody. Huh, eyes are coming up.

817
00:41:27,080 --> 00:41:28,520
Speaker 4: We'll talk about that therapy later.

818
00:41:30,680 --> 00:41:32,719
Speaker 3: Are you still with that young and dream with that psychologist?

819
00:41:32,840 --> 00:41:35,560
Speaker 4: No, I have a different sort of young and Lacinian

820
00:41:35,840 --> 00:41:37,440
Speaker 4: kind of Wow.

821
00:41:37,239 --> 00:41:39,160
Speaker 3: That's the psychology that you're taking.

822
00:41:39,280 --> 00:41:40,399
Speaker 4: I'm in. I'm in this.

823
00:41:41,280 --> 00:41:41,920
Speaker 3: Are you really?

824
00:41:42,320 --> 00:41:42,520
Speaker 2: Yeah?

825
00:41:42,560 --> 00:41:46,279
Speaker 4: And I'm going and over the window overlooks like a

826
00:41:46,320 --> 00:41:48,960
Speaker 4: billboard across the street. So I'll be like this and

827
00:41:48,960 --> 00:41:51,160
Speaker 4: then all of a sudden, I'm like, I'm staring at

828
00:41:51,200 --> 00:41:54,480
Speaker 4: despicable me too right now talking about.

829
00:41:56,600 --> 00:41:57,879
Speaker 3: Speaking with me too.

830
00:41:59,480 --> 00:42:02,040
Speaker 2: I can't believe sometimes what posters are still up in

831
00:42:02,080 --> 00:42:02,520
Speaker 2: the subway.

832
00:42:02,960 --> 00:42:05,879
Speaker 3: It's crazy. It's amazing, it's amazing, really.

833
00:42:05,560 --> 00:42:06,600
Speaker 4: Good, it's amazing.

834
00:42:06,719 --> 00:42:08,080
Speaker 3: It's amazing, it's amazing.

835
00:42:08,120 --> 00:42:12,640
Speaker 2: Now it'll be this La Canyon from the name Lacan.

836
00:42:13,840 --> 00:42:16,560
Speaker 3: Many people are saying, many people are what is this?

837
00:42:16,760 --> 00:42:18,200
Speaker 3: It's just like, isn't it so interesting?

838
00:42:18,600 --> 00:42:18,839
Speaker 2: Literally?

839
00:42:18,920 --> 00:42:22,280
Speaker 7: Yeah, it's literally like he would do interest or podiatric.

840
00:42:22,480 --> 00:42:24,719
Speaker 3: It's like, why do we why do we shift this?

841
00:42:25,040 --> 00:42:27,320
Speaker 4: The emphasis depends on how many sheets they are deep.

842
00:42:28,400 --> 00:42:30,120
Speaker 4: I'll shift the infetsis anywhere.

843
00:42:30,160 --> 00:42:32,040
Speaker 2: I gotta tell you, look how far I am already.

844
00:42:32,200 --> 00:42:33,080
Speaker 2: I got to catch up.

845
00:42:33,719 --> 00:42:36,319
Speaker 3: Would you say your your TI I'm a full tank.

846
00:42:36,520 --> 00:42:40,400
Speaker 4: Oh but I open Twitter and I'm going I'm seeing

847
00:42:40,600 --> 00:42:44,080
Speaker 4: Michael Rappaport eat out of the bowl. Isn't that the

848
00:42:44,120 --> 00:42:47,160
Speaker 4: way he was? Did you see that he was eating

849
00:42:47,200 --> 00:42:49,480
Speaker 4: out of a bowl. I'm seeing the bowl to his

850
00:42:49,680 --> 00:42:52,759
Speaker 4: lip and like shoveling the food in like.

851
00:42:55,239 --> 00:43:00,439
Speaker 3: Let's say it like a cave woman, and I.

852
00:43:00,360 --> 00:43:03,480
Speaker 4: Go, I guess I'm gonna be having to watch Traders again.

853
00:43:04,600 --> 00:43:08,359
Speaker 2: Based on Michael rabbit Port, Sarah Sherman is the one

854
00:43:08,360 --> 00:43:10,360
Speaker 2: person in the world that saw Macrabport on Trader and

855
00:43:10,520 --> 00:43:13,399
Speaker 2: someone's like, I'm in, can I tell you something?

856
00:43:13,680 --> 00:43:18,200
Speaker 3: I'm hooked on this sh But thanks God, because that.

857
00:43:18,160 --> 00:43:21,520
Speaker 2: Answers the question why is he cast? Because there's people

858
00:43:21,760 --> 00:43:24,400
Speaker 2: like you watching that are like, I want to see

859
00:43:25,239 --> 00:43:27,120
Speaker 2: the nastiest human behavior.

860
00:43:27,320 --> 00:43:30,239
Speaker 4: I got it possible human being was eating out of

861
00:43:30,239 --> 00:43:35,279
Speaker 4: a bowl. You can't got upright, dog. He was going

862
00:43:35,360 --> 00:43:37,840
Speaker 4: like this with the ball, and I go, on, me wandering,

863
00:43:38,000 --> 00:43:39,640
Speaker 4: I'll throw my hat in the ring. But then I'm

864
00:43:39,640 --> 00:43:42,759
Speaker 4: watching people who were going reacting quite suspiciously. I'm like,

865
00:43:42,800 --> 00:43:47,320
Speaker 4: I'm not, God, what do you mean? And this is

866
00:43:47,360 --> 00:43:50,480
Speaker 4: my other problem. They're like, he's so good at the gameplay.

867
00:43:50,600 --> 00:43:54,920
Speaker 4: You mean he's a good liar in deceitful. Yeah, you're

868
00:43:54,920 --> 00:43:57,360
Speaker 4: talking about Rob. Well, I'm just saying like in general,

869
00:43:57,400 --> 00:44:00,160
Speaker 4: like that's always the conversation with these shows is like, well,

870
00:44:00,200 --> 00:44:01,560
Speaker 4: we got to get this guy out because he's an

871
00:44:01,560 --> 00:44:04,000
Speaker 4: amazing game. He's a good liar.

872
00:44:05,440 --> 00:44:08,320
Speaker 2: I think that there are assumptions being made on behalf

873
00:44:08,320 --> 00:44:10,160
Speaker 2: of a lot of the cast members that, because of

874
00:44:10,200 --> 00:44:13,719
Speaker 2: their experience on shows where you lied to seat at more.

875
00:44:13,719 --> 00:44:15,920
Speaker 3: That you are going to be doing that on.

876
00:44:15,800 --> 00:44:19,120
Speaker 2: This program, And they get a little stopped up with

877
00:44:19,160 --> 00:44:22,439
Speaker 2: that when clearly the traders are Lisa Rena, Candi still

878
00:44:22,440 --> 00:44:25,360
Speaker 2: had Bassett and the guy from Love Island and overall

879
00:44:25,480 --> 00:44:27,440
Speaker 2: looking unbelievable.

880
00:44:31,719 --> 00:44:34,520
Speaker 3: Toast. This is a toast to Lisa Rena.

881
00:44:35,440 --> 00:44:38,960
Speaker 2: You deserve this, Mama, You deserve that, really are And

882
00:44:39,000 --> 00:44:41,479
Speaker 2: I love the way that they all when she got

883
00:44:41,560 --> 00:44:44,600
Speaker 2: voted out, they were like, she's a legend, she's an icon.

884
00:44:45,640 --> 00:44:46,479
Speaker 3: It was so great.

885
00:44:46,560 --> 00:44:50,040
Speaker 2: Annoyingly, Colton was like she's a legend, she's an icon.

886
00:44:50,120 --> 00:44:53,920
Speaker 2: But then two breadths before was like, I've never seen housewives.

887
00:44:54,000 --> 00:44:56,440
Speaker 2: Well it's like, then you don't understand the legendary. We

888
00:44:56,600 --> 00:44:59,560
Speaker 2: may know her from her from Veronica Mars.

889
00:45:00,000 --> 00:45:02,279
Speaker 4: I think if they know her from showing up to

890
00:45:02,600 --> 00:45:06,719
Speaker 4: the rooms wearing a cheetah fedora and going, well.

891
00:45:06,640 --> 00:45:07,360
Speaker 3: She's I'm.

892
00:45:08,760 --> 00:45:14,160
Speaker 2: She's an eye, the legend she and I it does

893
00:45:14,200 --> 00:45:16,360
Speaker 2: nothing for you that Candic stilled basket is back on telegon,

894
00:45:16,440 --> 00:45:17,719
Speaker 2: come on, I.

895
00:45:17,719 --> 00:45:19,960
Speaker 4: Guess it does. No, I'll get back into it. I

896
00:45:20,160 --> 00:45:22,880
Speaker 4: I just you know, my my problem was, I go,

897
00:45:23,000 --> 00:45:24,239
Speaker 4: where's the line here?

898
00:45:24,520 --> 00:45:25,760
Speaker 3: What's what line?

899
00:45:25,840 --> 00:45:26,680
Speaker 5: What do you? What are you?

900
00:45:26,800 --> 00:45:29,440
Speaker 3: What are you talking about it?

901
00:45:29,680 --> 00:45:35,719
Speaker 4: You're acting You're acting evil and deceitful. It's like we all, God.

902
00:45:35,560 --> 00:45:40,280
Speaker 2: Guys, guys, this is guy guys. This this is a show.

903
00:45:40,560 --> 00:45:42,760
Speaker 4: I don't take like evil lightly.

904
00:45:43,120 --> 00:45:47,080
Speaker 2: You need so the fact that this is frivolous evil

905
00:45:47,360 --> 00:45:50,759
Speaker 2: to you is unacceptable. It's like you wake up every

906
00:45:50,760 --> 00:45:52,480
Speaker 2: morning and you look at the news and you're like, well,

907
00:45:52,520 --> 00:45:55,919
Speaker 2: this is just I can't believe it. So then when

908
00:45:56,239 --> 00:45:59,719
Speaker 2: evil is entertainment, you're like, this is just glad, y'all

909
00:45:59,840 --> 00:46:01,919
Speaker 2: have and fun because I live in the real world

910
00:46:02,080 --> 00:46:04,759
Speaker 2: where there's real steaks, so I certainly don't need to

911
00:46:04,800 --> 00:46:08,479
Speaker 2: hear about murder, treachery, all.

912
00:46:08,440 --> 00:46:09,680
Speaker 3: Under the guise of glamour.

913
00:46:10,800 --> 00:46:14,439
Speaker 2: Fuck you your sweating? You're laugh sweating? How dare you

914
00:46:14,520 --> 00:46:15,440
Speaker 2: big osaka laugh?

915
00:46:15,520 --> 00:46:19,520
Speaker 3: Sweat? Wait? I think I know the cure. I know

916
00:46:19,600 --> 00:46:20,359
Speaker 3: the cure for you.

917
00:46:21,320 --> 00:46:29,719
Speaker 7: Yeah, celebrity traders uk, okay, where that she's okay? The

918
00:46:29,840 --> 00:46:34,560
Speaker 7: conceit there is Claudia Winkleman, like who she's the host.

919
00:46:35,400 --> 00:46:40,360
Speaker 3: You're gonna be obsessed. You're gonna be my name Sarah Winkleman.

920
00:46:41,239 --> 00:46:43,560
Speaker 4: She g Winkleman in time.

921
00:46:45,920 --> 00:46:47,680
Speaker 3: Oprah.

922
00:46:47,880 --> 00:46:51,680
Speaker 2: She commits to this so hard to like evil as

923
00:46:51,719 --> 00:46:54,280
Speaker 2: a foot in a way that you will enjoy because

924
00:46:54,280 --> 00:46:57,279
Speaker 2: it's like so cranked up. Like Alan does does it

925
00:46:57,320 --> 00:47:01,360
Speaker 2: in his like amazing way with alarm, Claudia does it

926
00:47:01,400 --> 00:47:05,080
Speaker 2: in a way where she's like, the traits have murdered again.

927
00:47:05,160 --> 00:47:06,200
Speaker 3: It's very grounded.

928
00:47:06,440 --> 00:47:07,800
Speaker 4: Wow, what are.

929
00:47:07,680 --> 00:47:11,840
Speaker 3: You not seeing in your eyes? The traits are laughing

930
00:47:11,920 --> 00:47:12,480
Speaker 3: at you.

931
00:47:12,680 --> 00:47:16,360
Speaker 4: I can using the thread of like whether or not

932
00:47:16,520 --> 00:47:18,160
Speaker 4: people are actually being killed.

933
00:47:18,280 --> 00:47:20,920
Speaker 2: They killed Tom Daly, who was an Olympic diver. And

934
00:47:21,280 --> 00:47:24,480
Speaker 2: then she goes, he won gold for this country. Is

935
00:47:24,520 --> 00:47:29,799
Speaker 2: annoying enough, and it's she you know, she knows it's

936
00:47:29,800 --> 00:47:33,400
Speaker 2: fucking stupid, but she's so.

937
00:47:33,640 --> 00:47:36,480
Speaker 4: My favorite, I guess see him back in because my

938
00:47:36,560 --> 00:47:39,040
Speaker 4: favorite is when they like go to sleep in the

939
00:47:39,080 --> 00:47:40,680
Speaker 4: castle that night and then it's a montage.

940
00:47:43,000 --> 00:47:52,560
Speaker 3: Yeah, no, the montages are great, Okay.

941
00:47:52,880 --> 00:47:53,919
Speaker 4: Alan coming.

942
00:47:55,239 --> 00:47:58,560
Speaker 3: No, no, as everyone always thinks there's an ass.

943
00:47:58,680 --> 00:48:02,600
Speaker 4: Because you would hold he's comings plural time, you would hope.

944
00:48:03,239 --> 00:48:04,080
Speaker 3: I'm sure he is.

945
00:48:04,160 --> 00:48:08,600
Speaker 2: I'm sure he has absolutely no problem relieving himself as

946
00:48:08,680 --> 00:48:11,920
Speaker 2: much as he wants to black house.

947
00:48:12,400 --> 00:48:16,480
Speaker 3: No symbol of your Partine, I weighed.

948
00:48:16,320 --> 00:48:18,560
Speaker 4: Sixty one pounds. Do you know what that's like on

949
00:48:18,600 --> 00:48:19,239
Speaker 4: a woman.

950
00:48:19,000 --> 00:48:30,319
Speaker 5: Of my comport?

951
00:48:30,360 --> 00:48:31,960
Speaker 4: Do you think there's twenty seven year.

952
00:48:31,800 --> 00:48:34,080
Speaker 3: Old weighs men in the room. How much do you

953
00:48:34,160 --> 00:48:38,880
Speaker 3: think he weighs? He asks, this is a dangerous question. No, no,

954
00:48:39,000 --> 00:48:39,680
Speaker 3: everyone do it.

955
00:48:40,239 --> 00:48:43,560
Speaker 2: As she shows off her Carolines on Broadway outfit.

956
00:48:45,480 --> 00:48:49,400
Speaker 3: It really is that? Oh my god, girl, you girl

957
00:48:50,280 --> 00:48:53,160
Speaker 3: Carolina rip is it?

958
00:48:53,360 --> 00:48:53,640
Speaker 4: R P?

959
00:48:53,920 --> 00:48:57,279
Speaker 2: It's been dead kidding me. It's gone the way of

960
00:48:57,400 --> 00:49:02,360
Speaker 2: Vapiano and the Familia. Jesus Christ put the image here.

961
00:49:05,520 --> 00:49:07,400
Speaker 3: Changing in New York.

962
00:49:08,920 --> 00:49:13,239
Speaker 2: Now that's the Martini conversation. Everything's changing in New York.

963
00:49:13,520 --> 00:49:15,920
Speaker 4: By the way, I have a lot to say about.

964
00:49:15,719 --> 00:49:18,920
Speaker 3: That as well about New York. Wait, but this is

965
00:49:18,920 --> 00:49:20,480
Speaker 3: a no new finger on the hand.

966
00:49:21,320 --> 00:49:22,080
Speaker 4: But we.

967
00:49:23,560 --> 00:49:24,680
Speaker 3: Closing the loops.

968
00:49:24,360 --> 00:49:33,680
Speaker 4: Though, HBO salt. Justin Bieber got that, got that, justin justin.

969
00:49:34,960 --> 00:49:38,799
Speaker 3: The job. Thank you, Luck.

970
00:49:39,280 --> 00:49:41,840
Speaker 4: I was going to talk about the the Catharsis that

971
00:49:41,880 --> 00:49:45,000
Speaker 4: you allowed me to have. We're not we are doing this,

972
00:49:45,719 --> 00:49:49,759
Speaker 4: it's time going. I'm going I'm a fool to do

973
00:49:49,880 --> 00:49:52,799
Speaker 4: a premiere for a stand up special. We're all just

974
00:49:52,880 --> 00:49:56,640
Speaker 4: looking at me. Oh no, oh no whatever. So and

975
00:49:56,680 --> 00:50:00,480
Speaker 4: then my uh tunnel vision starts smalling and I'm going,

976
00:50:00,560 --> 00:50:04,439
Speaker 4: oh no no, it's all my fucking coworkers are there.

977
00:50:04,480 --> 00:50:06,160
Speaker 4: That's like humiliating whatever.

978
00:50:06,440 --> 00:50:08,880
Speaker 3: You who loves you, adore you.

979
00:50:09,120 --> 00:50:10,759
Speaker 4: I go to the bar, I go, I'll take that

980
00:50:10,920 --> 00:50:12,680
Speaker 4: what you got, and you know me.

981
00:50:13,040 --> 00:50:17,320
Speaker 3: Can't handle them. Do they do a theme drink for you? Yeah?

982
00:50:17,400 --> 00:50:19,960
Speaker 4: Yeah, it was like some sort of peasant and be

983
00:50:20,080 --> 00:50:22,200
Speaker 4: high with eyeballs, right, eyeballies.

984
00:50:22,280 --> 00:50:22,920
Speaker 5: And the drinks.

985
00:50:24,120 --> 00:50:25,880
Speaker 4: Thanks the metrograph, Thanks.

986
00:50:25,800 --> 00:50:28,320
Speaker 3: HBO's great cute, Yes, so cute.

987
00:50:28,640 --> 00:50:31,360
Speaker 4: Take three. I take a whole drink to the face

988
00:50:31,440 --> 00:50:33,600
Speaker 4: and then they go, you have to like go introduce it.

989
00:50:33,920 --> 00:50:37,640
Speaker 4: I'm blackout. I'm at a little podium immediately. So my

990
00:50:37,840 --> 00:50:45,200
Speaker 4: hysterical cry sounds like the uh an hysterical woman and

991
00:50:46,120 --> 00:50:48,799
Speaker 4: in an institution with her rubber grip socks on, going

992
00:50:49,040 --> 00:50:52,359
Speaker 4: laughing like the Joker, and I was I come out there,

993
00:50:52,400 --> 00:50:53,120
Speaker 4: I really go like.

994
00:50:54,640 --> 00:50:56,120
Speaker 3: It was adorable.

995
00:50:56,320 --> 00:50:59,640
Speaker 4: I lock eyes with Bowen. I sit right behind him.

996
00:51:00,320 --> 00:51:02,200
Speaker 4: It starts. I go, this is the worst mistake of

997
00:51:02,200 --> 00:51:06,640
Speaker 4: my life. My mouth on the screen opens to speak Bowen.

998
00:51:07,400 --> 00:51:11,920
Speaker 3: Yeah, of course, Wait, which is the laughter, big o laugh.

999
00:51:11,960 --> 00:51:14,120
Speaker 4: I'm right behind him. I see his head thrown back,

1000
00:51:14,320 --> 00:51:15,480
Speaker 4: See his head thrown back.

1001
00:51:15,640 --> 00:51:17,879
Speaker 3: He loves you, do you know? Do you know how

1002
00:51:17,960 --> 00:51:18,680
Speaker 3: much he loves you?

1003
00:51:19,440 --> 00:51:23,799
Speaker 2: He loves you so much like I don't ever hear

1004
00:51:23,920 --> 00:51:26,400
Speaker 2: him talk about anyone like he talks about you.

1005
00:51:26,560 --> 00:51:30,200
Speaker 3: He loves you so much. He thinks you are number one.

1006
00:51:30,520 --> 00:51:34,520
Speaker 2: He's been saying it forever. It only intensifies with time.

1007
00:51:35,080 --> 00:51:40,640
Speaker 4: It is like and I I was like, you know what, Bowen, not,

1008
00:51:40,800 --> 00:51:42,799
Speaker 4: I'm not seeing boone every day at work will be

1009
00:51:42,800 --> 00:51:45,600
Speaker 4: okay because we're friends outside of work, Like that's and

1010
00:51:45,640 --> 00:51:48,839
Speaker 4: the job is so stressful, like you shouldn't like have

1011
00:51:48,920 --> 00:51:52,680
Speaker 4: all your friends at your work, Like I come into

1012
00:51:52,719 --> 00:51:58,120
Speaker 4: work like I have been sorely mistaken.

1013
00:51:59,480 --> 00:51:59,879
Speaker 3: It's hard.

1014
00:52:01,120 --> 00:52:04,280
Speaker 4: I look up at Taylor Reid trying to meet his gaze.

1015
00:52:04,719 --> 00:52:08,680
Speaker 4: I go, there's no bone. It is. It is a hole.

1016
00:52:08,840 --> 00:52:11,240
Speaker 2: It was a comfort for me to see you across

1017
00:52:11,560 --> 00:52:12,920
Speaker 2: the way and everything.

1018
00:52:13,000 --> 00:52:15,120
Speaker 4: I was a fool to think not seeing you every day.

1019
00:52:15,160 --> 00:52:16,359
Speaker 4: I'm like oh, I'm not going to see him. Everything

1020
00:52:16,400 --> 00:52:21,239
Speaker 4: this fine, I'll see him every The comfort of seeing

1021
00:52:21,280 --> 00:52:23,680
Speaker 4: someone you love every day. I know, that's family, that's

1022
00:52:23,719 --> 00:52:28,800
Speaker 4: amiglia pizza, that's Classicoalano. Like for that to be ripped

1023
00:52:28,800 --> 00:52:31,520
Speaker 4: away so suddenly, and that's for me to be wiped

1024
00:52:31,520 --> 00:52:34,200
Speaker 4: off the face of the planet because you were in Japan. Yeah,

1025
00:52:34,239 --> 00:52:39,879
Speaker 4: god knows what it was. That's that is my love.

1026
00:52:40,200 --> 00:52:43,359
Speaker 4: But the catharsis of being right behind him his big

1027
00:52:43,360 --> 00:52:47,120
Speaker 4: O'saka left throwing his head back that because it's so

1028
00:52:47,160 --> 00:52:48,640
Speaker 4: scary to put anything.

1029
00:52:48,280 --> 00:52:52,480
Speaker 3: Out of course, and you, Sarah, it was that.

1030
00:52:52,480 --> 00:52:54,680
Speaker 4: Was healing because I was like scared, like, oh, this

1031
00:52:54,840 --> 00:52:57,799
Speaker 4: special is gonna come out and spoiler alert my puffy though,

1032
00:52:58,600 --> 00:53:04,120
Speaker 4: my puffy ow y'all putting my app hole everything.

1033
00:53:03,719 --> 00:53:05,759
Speaker 3: About it's the culmination.

1034
00:53:06,880 --> 00:53:10,080
Speaker 4: Just see the head to the end to hear the

1035
00:53:10,120 --> 00:53:14,600
Speaker 4: big o'saka laugh. You provided me the medicine I needed badly.

1036
00:53:14,880 --> 00:53:19,080
Speaker 2: But I was just emotional, and I and when I am,

1037
00:53:19,120 --> 00:53:20,879
Speaker 2: when I'm emotional, I tend to laugh.

1038
00:53:20,920 --> 00:53:23,040
Speaker 3: I guess iasy laugh.

1039
00:53:23,800 --> 00:53:25,480
Speaker 2: Yes, Oh yeah, when you were when you were sobbing,

1040
00:53:25,560 --> 00:53:28,640
Speaker 2: you're a laughter horror, my laughter horror. But I was

1041
00:53:28,680 --> 00:53:35,400
Speaker 2: watching like the full culmination of like Chicago Sarah SNeW Sarah,

1042
00:53:35,760 --> 00:53:40,160
Speaker 2: like touring Sarah. Oh my god, another finger raised tracking

1043
00:53:40,360 --> 00:53:42,640
Speaker 2: your ass on find my Oh.

1044
00:53:42,480 --> 00:53:44,680
Speaker 3: My god, I open, I have to follow you.

1045
00:53:45,280 --> 00:53:46,160
Speaker 4: It's so fun.

1046
00:53:46,320 --> 00:53:49,360
Speaker 2: She's at a strip mall and Lincoln, Nebraska. It's like

1047
00:53:49,560 --> 00:53:51,480
Speaker 2: she's girl. I was like, what's that girl?

1048
00:53:51,520 --> 00:53:51,839
Speaker 3: Oh wait?

1049
00:53:51,920 --> 00:53:53,840
Speaker 2: I love it. I love to track my friends. And

1050
00:53:54,239 --> 00:53:56,920
Speaker 2: when you find one that that that's like off the grid.

1051
00:53:57,160 --> 00:53:58,960
Speaker 4: Do you remember when Bowen was in China?

1052
00:53:59,280 --> 00:54:02,000
Speaker 3: That was I don't see. I didn't get into the

1053
00:54:02,040 --> 00:54:04,040
Speaker 3: find money. We didn't start following. We didn't starting each

1054
00:54:04,040 --> 00:54:07,560
Speaker 3: other until later because honestly, my whole bit was like

1055
00:54:07,600 --> 00:54:09,359
Speaker 3: I don't want people to know. Not my bit.

1056
00:54:09,560 --> 00:54:14,080
Speaker 2: My reality was you're acting evil, sus but we already

1057
00:54:14,360 --> 00:54:18,680
Speaker 2: want volunteer already knows are like no, no, no, the

1058
00:54:18,719 --> 00:54:21,840
Speaker 2: people we have literally true. And the fact is also

1059
00:54:22,520 --> 00:54:25,080
Speaker 2: by the way, like I think it's important to be

1060
00:54:25,120 --> 00:54:27,680
Speaker 2: able to find your friends now, like.

1061
00:54:29,400 --> 00:54:32,200
Speaker 3: Because thank you surveillance State.

1062
00:54:32,760 --> 00:54:34,480
Speaker 4: And I don't know if he knows this, do you

1063
00:54:34,520 --> 00:54:37,120
Speaker 4: remember when? Because I have Marcelo's location on of course,

1064
00:54:37,160 --> 00:54:38,240
Speaker 4: but you got a new phone.

1065
00:54:39,160 --> 00:54:43,120
Speaker 3: Time to update Marcelo you didn't download your iCloud backup.

1066
00:54:43,239 --> 00:54:47,760
Speaker 4: Thanks Marcella. I think you're always where you're not. Remember

1067
00:54:47,760 --> 00:54:51,000
Speaker 4: when I opened my fine mind, I go, guys, I

1068
00:54:51,000 --> 00:54:53,000
Speaker 4: guess this is Pea behind the actors studio. I go,

1069
00:54:53,560 --> 00:54:56,960
Speaker 4: marce is that a hospital? Guys? And you remember I

1070
00:54:57,040 --> 00:54:59,560
Speaker 4: was I texted you and I was like, what ended

1071
00:54:59,640 --> 00:55:02,520
Speaker 4: up happening that day? I was doing uh for the children.

1072
00:55:02,719 --> 00:55:05,120
Speaker 3: Of course I was gonna say, it's something like truly like.

1073
00:55:05,160 --> 00:55:06,959
Speaker 4: It was like he was meeting the children and giving

1074
00:55:06,960 --> 00:55:11,399
Speaker 4: them a smile. Oh's but sometimes fine Mike can go

1075
00:55:11,760 --> 00:55:14,360
Speaker 4: so wrong? Where you got a hospital?

1076
00:55:15,239 --> 00:55:16,320
Speaker 3: Well, can I say something?

1077
00:55:17,080 --> 00:55:19,600
Speaker 4: I got drunk and ended up at the hospital.

1078
00:55:19,680 --> 00:55:20,719
Speaker 3: No, right now, No now.

1079
00:55:23,000 --> 00:55:27,759
Speaker 2: In the moment I realized I didn't eat enough to

1080
00:55:27,840 --> 00:55:31,640
Speaker 2: have this today, because you're all of the truth is,

1081
00:55:31,880 --> 00:55:35,440
Speaker 2: I got about halfway through my Westville lunch and realized

1082
00:55:36,200 --> 00:55:37,280
Speaker 2: Brussels browns.

1083
00:55:37,960 --> 00:55:41,000
Speaker 3: Why was that the order? That's the whole thing of Westville.

1084
00:55:41,360 --> 00:55:45,600
Speaker 4: It's like it's like awesome hipster cafeteria. And I know

1085
00:55:45,719 --> 00:55:46,680
Speaker 4: hipster is a slur.

1086
00:55:46,840 --> 00:55:52,280
Speaker 3: Now are you both drunk? I'm black?

1087
00:55:52,920 --> 00:55:57,520
Speaker 2: I'm not. I don't think I am yet. You can

1088
00:55:57,560 --> 00:55:58,160
Speaker 2: I say something?

1089
00:55:58,239 --> 00:55:58,560
Speaker 4: Please?

1090
00:55:58,640 --> 00:56:01,239
Speaker 3: Can I say if I podcast.

1091
00:56:02,560 --> 00:56:05,839
Speaker 2: The special Sarah Square Lived in the Flesh if now

1092
00:56:05,840 --> 00:56:09,720
Speaker 2: streaming on HBO period if you you need to watch

1093
00:56:09,719 --> 00:56:14,880
Speaker 2: it is easily my favorite stand up special ever. It

1094
00:56:15,000 --> 00:56:18,480
Speaker 2: is the culmination of Chicago Sarah SNL Sarah Touring Sarah.

1095
00:56:18,480 --> 00:56:21,280
Speaker 2: But it is like you see the hell Trap Nightmare,

1096
00:56:21,360 --> 00:56:26,160
Speaker 2: you see all of it come to this beautiful crystal,

1097
00:56:27,080 --> 00:56:30,359
Speaker 2: like fucking so beautiful.

1098
00:56:30,480 --> 00:56:31,200
Speaker 3: It is art.

1099
00:56:31,280 --> 00:56:34,040
Speaker 2: I'm like, let's fucking watch it, just fucking watch. No,

1100
00:56:34,600 --> 00:56:36,120
Speaker 2: I'll end it with Celesti and I just still like,

1101
00:56:36,160 --> 00:56:38,279
Speaker 2: well this is mostly Celestian. But they're like, if I

1102
00:56:38,560 --> 00:56:40,600
Speaker 2: I think about me at sixteen years old, if I

1103
00:56:40,640 --> 00:56:43,319
Speaker 2: was sixteen years old now, I'd be fucking obsessed with you.

1104
00:56:43,480 --> 00:56:45,600
Speaker 3: Yeah, in a way that like I would put poster

1105
00:56:45,760 --> 00:56:47,879
Speaker 3: zoo some one. Probably that is true.

1106
00:56:47,960 --> 00:56:50,600
Speaker 4: Strange children, come on, come.

1107
00:56:50,480 --> 00:56:53,760
Speaker 2: On, yeah, but like thank god that the strange weird

1108
00:56:54,000 --> 00:56:56,560
Speaker 2: kids like have a fucking girl.

1109
00:56:56,600 --> 00:56:59,080
Speaker 4: You you know what's so funny? I was like complaining

1110
00:56:59,120 --> 00:57:01,239
Speaker 4: that bad about this. I'll like post a like a

1111
00:57:01,480 --> 00:57:04,680
Speaker 4: I'm like, oh yeah, like stand up clips on Instagram,

1112
00:57:04,760 --> 00:57:07,560
Speaker 4: Let's go viral, and so I'll post like a clip

1113
00:57:07,600 --> 00:57:10,400
Speaker 4: of stand up from my special and it'll get like

1114
00:57:10,719 --> 00:57:11,799
Speaker 4: four hundred likes.

1115
00:57:11,880 --> 00:57:14,359
Speaker 3: No, it's never what you want that goes viral. Let's

1116
00:57:14,400 --> 00:57:16,120
Speaker 3: be clear, it's never.

1117
00:57:16,320 --> 00:57:20,640
Speaker 2: It's never like the shining moment that gets grabbed and

1118
00:57:20,680 --> 00:57:21,080
Speaker 2: I'm like.

1119
00:57:21,160 --> 00:57:24,080
Speaker 4: The flip record scratch, what's going on here? And then

1120
00:57:24,240 --> 00:57:32,040
Speaker 4: like record scratch and then someone will be like, yeah,

1121
00:57:32,160 --> 00:57:35,160
Speaker 4: like what did you think when you were making this special?

1122
00:57:35,160 --> 00:57:36,840
Speaker 4: You thought like everyone was gonna like it?

1123
00:57:37,000 --> 00:57:43,160
Speaker 2: I was like, yeah, you know what the things should be?

1124
00:57:44,120 --> 00:57:46,880
Speaker 3: Things should be? Oh hey girl, when did you get here?

1125
00:57:47,480 --> 00:57:48,480
Speaker 4: Here you have?

1126
00:57:49,960 --> 00:57:55,760
Speaker 2: Oh why I don't understand?

1127
00:57:58,200 --> 00:57:59,600
Speaker 3: Oh well, cool?

1128
00:58:00,760 --> 00:58:01,960
Speaker 4: Is the super Bowl tomorrow?

1129
00:58:02,080 --> 00:58:04,960
Speaker 3: Y'all are going to the Super Bowl Sunday. We should

1130
00:58:04,960 --> 00:58:07,000
Speaker 3: talk about Bad Bunny. Let's talk about bad Bunny.

1131
00:58:07,080 --> 00:58:09,200
Speaker 4: Hello, Hello, bad Bunny.

1132
00:58:09,320 --> 00:58:10,440
Speaker 3: Is that your guys' friend?

1133
00:58:10,520 --> 00:58:10,600
Speaker 4: Like?

1134
00:58:10,640 --> 00:58:11,800
Speaker 3: Could you consider him a friend?

1135
00:58:12,080 --> 00:58:17,160
Speaker 4: Problem go every time celebrity is nice to me at

1136
00:58:17,160 --> 00:58:22,400
Speaker 4: my job, I go, like, we're friends now. So it's

1137
00:58:22,480 --> 00:58:25,400
Speaker 4: like I'll say on camera, bad Bunny, pretty sure, we're

1138
00:58:25,520 --> 00:58:26,680
Speaker 4: close personal friends.

1139
00:58:26,720 --> 00:58:29,640
Speaker 2: I'll see it because because he is always so kind,

1140
00:58:29,720 --> 00:58:30,080
Speaker 2: he's like.

1141
00:58:30,040 --> 00:58:33,720
Speaker 3: The kindest person, the kindest person. I understand.

1142
00:58:33,760 --> 00:58:36,720
Speaker 2: I'm with you because it's like with these hosts. It's like,

1143
00:58:37,880 --> 00:58:42,280
Speaker 2: and especially with Benito, it's like we we were with you,

1144
00:58:42,280 --> 00:58:44,320
Speaker 2: you were with us when all of us have been

1145
00:58:44,400 --> 00:58:46,600
Speaker 2: very vulnerable being like what the hell are we doing

1146
00:58:46,640 --> 00:58:49,480
Speaker 2: on Saturday, It's like everyone's.

1147
00:58:49,040 --> 00:58:51,120
Speaker 3: Like, well, we're in free fall, and then we're.

1148
00:58:50,920 --> 00:58:52,480
Speaker 2: Not sure if the net is even going to show

1149
00:58:52,560 --> 00:58:54,840
Speaker 2: up until the show happens. Yeah, you guys have like

1150
00:58:54,840 --> 00:58:57,320
Speaker 2: a trauma bond together, which is a week at that job,

1151
00:58:57,360 --> 00:59:01,360
Speaker 2: which is like all y'all putting together all your effort

1152
00:59:01,360 --> 00:59:05,240
Speaker 2: and everything and putting forth all your ideas and then.

1153
00:59:05,520 --> 00:59:10,880
Speaker 3: Do you see how drunk? I got drunk? All y'alla?

1154
00:59:11,120 --> 00:59:13,840
Speaker 3: I said, all y'all, All y'all, really y'all.

1155
00:59:13,520 --> 00:59:16,520
Speaker 4: If you make eye contact with me, I go this

1156
00:59:16,840 --> 00:59:19,160
Speaker 4: justin we're bonded for lies.

1157
00:59:20,240 --> 00:59:23,840
Speaker 2: We all mate it for light Avatar Avatar. I still

1158
00:59:23,840 --> 00:59:25,560
Speaker 2: haven't seen the third one fire and as I would

1159
00:59:25,600 --> 00:59:28,880
Speaker 2: love to, should we go tonight, I would love to

1160
00:59:28,880 --> 00:59:32,200
Speaker 2: go in three D. I don't think there's any other

1161
00:59:32,280 --> 00:59:34,200
Speaker 2: way to go to you. I don't picture you in

1162
00:59:34,240 --> 00:59:37,360
Speaker 2: a three D movie without you. You don't ripping off

1163
00:59:37,360 --> 00:59:38,240
Speaker 2: the glasses going I.

1164
00:59:38,520 --> 00:59:41,640
Speaker 4: Can't see this is my problem. Oh, I got my

1165
00:59:41,800 --> 00:59:43,600
Speaker 4: prescription update. I can see now.

1166
00:59:43,680 --> 00:59:46,760
Speaker 2: Get this, I can't see her here. So we went

1167
00:59:46,800 --> 00:59:51,720
Speaker 2: for an eye test in Tokyo. Free eye exams, free

1168
00:59:51,760 --> 00:59:55,200
Speaker 2: eye exams in Tokyo, and then people were happy to

1169
00:59:55,240 --> 00:59:55,520
Speaker 2: do it.

1170
00:59:57,160 --> 00:59:59,600
Speaker 3: I am near sighted?

1171
01:00:00,960 --> 01:00:01,360
Speaker 2: What now?

1172
01:00:01,520 --> 01:00:02,479
Speaker 3: What can that mean?

1173
01:00:02,720 --> 01:00:03,440
Speaker 4: Because is it?

1174
01:00:03,520 --> 01:00:04,760
Speaker 3: This is like there's a definition.

1175
01:00:05,560 --> 01:00:07,480
Speaker 4: Here's my thing. When my mom would go to the

1176
01:00:07,520 --> 01:00:11,240
Speaker 4: supermar game, when all would go to the supermarket, she

1177
01:00:11,280 --> 01:00:15,479
Speaker 4: would go, I couldn't remember if you either you love

1178
01:00:16,120 --> 01:00:21,560
Speaker 4: jes its? Are you hated? She was like, she was like,

1179
01:00:21,560 --> 01:00:24,880
Speaker 4: I can't remember. Does she love cheese its or she jesus.

1180
01:00:25,080 --> 01:00:27,920
Speaker 4: It's like with near sighted, it's like can you see

1181
01:00:27,960 --> 01:00:30,280
Speaker 4: near or can you not see neor.

1182
01:00:30,040 --> 01:00:32,919
Speaker 2: The answer is you can see closer because you are near.

1183
01:00:33,600 --> 01:00:36,040
Speaker 2: It's in the names.

1184
01:00:36,120 --> 01:00:39,720
Speaker 4: It it's in the name. It's either it's it or

1185
01:00:39,760 --> 01:00:40,320
Speaker 4: are they not?

1186
01:00:40,600 --> 01:00:41,520
Speaker 3: It?

1187
01:00:41,600 --> 01:00:44,520
Speaker 2: To Sarah and this and so should I buy it?

1188
01:00:44,600 --> 01:00:46,440
Speaker 2: I'm going to guess that you love them?

1189
01:00:46,640 --> 01:00:47,240
Speaker 4: Absolutely?

1190
01:00:47,960 --> 01:00:51,000
Speaker 3: Okay? Really it's a dairy product.

1191
01:00:51,440 --> 01:00:52,280
Speaker 4: And do you know.

1192
01:00:53,000 --> 01:00:54,200
Speaker 3: She'll ship for them.

1193
01:00:54,760 --> 01:00:57,160
Speaker 4: Thank you for highlighting this because I just want to

1194
01:00:57,200 --> 01:00:59,920
Speaker 4: say people, she's got planning. I'm as smoothie. I go,

1195
01:01:00,280 --> 01:01:00,720
Speaker 4: I have a.

1196
01:01:00,680 --> 01:01:06,040
Speaker 2: Struggle, I go, I go I have a struggle. I

1197
01:01:06,040 --> 01:01:08,160
Speaker 2: love when anyone goes, I go, I go, I have

1198
01:01:08,200 --> 01:01:10,800
Speaker 2: a struggle. This is this is a moment where Matt

1199
01:01:10,880 --> 01:01:15,880
Speaker 2: Rogers would use the word your diaspora, which is not totally.

1200
01:01:16,160 --> 01:01:17,000
Speaker 3: All the time.

1201
01:01:17,000 --> 01:01:22,800
Speaker 2: The word diaspora meant struggle, like my my diaspora is connected, Becca,

1202
01:01:22,960 --> 01:01:24,320
Speaker 2: stop it.

1203
01:01:24,480 --> 01:01:26,800
Speaker 4: Oh, stop someone from laughing.

1204
01:01:27,440 --> 01:01:30,720
Speaker 2: Oh no, stop someone from judging. You had your moment

1205
01:01:30,760 --> 01:01:35,160
Speaker 2: last week as picking up.

1206
01:01:35,120 --> 01:01:41,000
Speaker 4: My stomach, going like, because I'm drinking poison, my stomach's react.

1207
01:01:41,440 --> 01:01:43,320
Speaker 2: If you can't finish that, I will have the rest

1208
01:01:43,320 --> 01:01:45,400
Speaker 2: of it. Because I'm telling you right now, I am

1209
01:01:46,000 --> 01:01:49,400
Speaker 2: so I am so powerless against one drink because if

1210
01:01:49,440 --> 01:01:52,600
Speaker 2: it's one, it's gotta be three. Like that's why I

1211
01:01:52,640 --> 01:01:55,080
Speaker 2: can't really drink at all, is because if it's one,

1212
01:01:55,200 --> 01:01:58,320
Speaker 2: it's gotta be three. Zodi Green says, whenever I sit down,

1213
01:01:58,400 --> 01:02:00,160
Speaker 2: I take a sip in my first cocktail and I, oh,

1214
01:02:00,240 --> 01:02:02,680
Speaker 2: I'm gonna have three of those. That's is that a long?

1215
01:02:02,720 --> 01:02:04,120
Speaker 2: I don't think if you like something, you go, oh,

1216
01:02:04,160 --> 01:02:05,320
Speaker 2: I like that, I'm gonna have three of them.

1217
01:02:05,400 --> 01:02:07,080
Speaker 4: Well for me, it's well, I've had an eighth of

1218
01:02:07,080 --> 01:02:08,280
Speaker 4: it might as well be done.

1219
01:02:10,840 --> 01:02:13,480
Speaker 3: I don't If you don't want that, I will have it.

1220
01:02:13,640 --> 01:02:15,760
Speaker 4: Well, I've had an eighth of it, and.

1221
01:02:15,840 --> 01:02:17,560
Speaker 3: I don't think you're going to finish.

1222
01:02:17,240 --> 01:02:21,040
Speaker 4: It because I'm the amount of sheets I am to

1223
01:02:21,080 --> 01:02:23,040
Speaker 4: the wind. It's like I just wasted a whole rim.

1224
01:02:22,960 --> 01:02:25,360
Speaker 3: Of pa sheets in the wind.

1225
01:02:25,360 --> 01:02:27,000
Speaker 4: Are we talking about sheets of paper.

1226
01:02:26,920 --> 01:02:30,200
Speaker 3: Like I think sheets of linen?

1227
01:02:31,640 --> 01:02:34,440
Speaker 2: I have no idea the etymology of that three sheets

1228
01:02:34,440 --> 01:02:34,880
Speaker 2: to the wind?

1229
01:02:35,160 --> 01:02:38,040
Speaker 4: Well, the clothesline is about the one.

1230
01:02:38,080 --> 01:02:40,640
Speaker 2: Thing you're gonna do is you're alive though, Yeah, there

1231
01:02:40,680 --> 01:02:43,200
Speaker 2: you go. Bottoms up, babe. So the reason why you're

1232
01:02:43,240 --> 01:02:46,600
Speaker 2: dun you had soup for lunch. No, I actually had

1233
01:02:46,800 --> 01:02:50,600
Speaker 2: a soup and I had salmon, and I had about

1234
01:02:50,640 --> 01:02:52,920
Speaker 2: half the Brussels sprouts that they gave and then, thank

1235
01:02:52,960 --> 01:02:53,360
Speaker 2: you so much.

1236
01:02:53,400 --> 01:02:56,439
Speaker 3: I am going to finish her. Oh god.

1237
01:02:56,560 --> 01:02:59,880
Speaker 4: I want to know the origin of the expression, Yeah, okay,

1238
01:03:00,200 --> 01:03:01,880
Speaker 4: it is for sailing.

1239
01:03:02,120 --> 01:03:04,760
Speaker 2: It originates from sailing, where sheets are the ropes that

1240
01:03:04,840 --> 01:03:05,920
Speaker 2: control a sales position.

1241
01:03:06,160 --> 01:03:09,400
Speaker 4: Yes, three sheets are loose in the wind that siales

1242
01:03:09,440 --> 01:03:12,360
Speaker 4: flo causing the vessel to lurch.

1243
01:03:12,200 --> 01:03:16,240
Speaker 3: And become uncontrolled. Okay, so it's a sailing thing.

1244
01:03:17,080 --> 01:03:18,000
Speaker 4: My damn head.

1245
01:03:18,800 --> 01:03:24,000
Speaker 2: Can you think of anything more stressful and somehow more

1246
01:03:24,120 --> 01:03:25,400
Speaker 2: boring than sailing?

1247
01:03:26,040 --> 01:03:26,920
Speaker 4: I think that's what we need.

1248
01:03:27,560 --> 01:03:28,880
Speaker 3: I dress of us.

1249
01:03:29,120 --> 01:03:32,680
Speaker 4: You're right, need to be a drift at sea for

1250
01:03:33,120 --> 01:03:34,360
Speaker 4: thirty calendar days.

1251
01:03:34,600 --> 01:03:35,760
Speaker 3: Should we go on below deck?

1252
01:03:35,840 --> 01:03:36,160
Speaker 4: We can?

1253
01:03:38,240 --> 01:03:40,360
Speaker 3: We can and whenever you guys want, they're shooting it

1254
01:03:40,440 --> 01:03:41,560
Speaker 3: right now. Should we leave go?

1255
01:03:41,880 --> 01:03:44,880
Speaker 4: Well, first of all, I'd be full Anjik, I'd be

1256
01:03:44,960 --> 01:03:50,400
Speaker 4: having full. I'd have no equilibrium, and I'd have who

1257
01:03:50,480 --> 01:03:51,280
Speaker 4: had the diarrhea?

1258
01:03:52,800 --> 01:03:56,840
Speaker 2: It was? It was anigk was throwing up and all

1259
01:03:56,880 --> 01:04:00,000
Speaker 2: that Angik was throwing up and her nail came up

1260
01:04:00,040 --> 01:04:04,120
Speaker 2: off basically and she ran into that house sort of

1261
01:04:04,280 --> 01:04:06,040
Speaker 2: like Butler girl.

1262
01:04:06,160 --> 01:04:08,000
Speaker 4: I could be taken down by a grain of top Saul.

1263
01:04:08,120 --> 01:04:09,880
Speaker 4: I can be taken down by a sip of martini.

1264
01:04:10,000 --> 01:04:11,040
Speaker 4: You think I can handle a.

1265
01:04:11,080 --> 01:04:15,960
Speaker 3: Boat, Well, how do you do on a roller coaster?

1266
01:04:16,800 --> 01:04:18,800
Speaker 5: Who that is that?

1267
01:04:19,560 --> 01:04:20,919
Speaker 3: That sounds like a lot of fun?

1268
01:04:21,880 --> 01:04:25,080
Speaker 4: Oh I was a roll? I would be like, because

1269
01:04:25,080 --> 01:04:25,480
Speaker 4: I like that.

1270
01:04:25,920 --> 01:04:30,920
Speaker 3: Yeah, for sure, I think WU is a positive a child.

1271
01:04:31,000 --> 01:04:33,520
Speaker 3: Oh my god, we just did them? Wait can I say?

1272
01:04:34,200 --> 01:04:34,760
Speaker 4: Can I say?

1273
01:04:35,040 --> 01:04:35,200
Speaker 3: Oh?

1274
01:04:35,600 --> 01:04:38,240
Speaker 2: This actually was something that healed me in a way

1275
01:04:38,320 --> 01:04:42,280
Speaker 2: that I desperately needed. So we were in Osaka as

1276
01:04:42,760 --> 01:04:45,640
Speaker 2: went to Universal Studios, and two things happened.

1277
01:04:46,280 --> 01:04:47,600
Speaker 3: So we were with a group of people that.

1278
01:04:47,840 --> 01:04:54,240
Speaker 4: TIC did to these places roller coaster zones, roll zone.

1279
01:04:54,720 --> 01:04:57,880
Speaker 2: We like to a theme park sometimes. And also we're

1280
01:04:57,960 --> 01:05:00,440
Speaker 2: probably not going to like frequent theme parks if we

1281
01:05:00,520 --> 01:05:00,959
Speaker 2: go to Japan.

1282
01:05:01,040 --> 01:05:03,360
Speaker 3: So we were there. So we went to Tokyo Disney

1283
01:05:03,440 --> 01:05:04,160
Speaker 3: c and we went to.

1284
01:05:05,680 --> 01:05:08,640
Speaker 2: Universal Studios Osaka, which I'm gonna say on record right

1285
01:05:08,680 --> 01:05:11,560
Speaker 2: now my favorite Universal park that I've ever been to.

1286
01:05:12,520 --> 01:05:15,760
Speaker 2: Here's why. It had a great mix of things. Thank you,

1287
01:05:15,920 --> 01:05:19,080
Speaker 2: thank you, thank you so much. The first thing we

1288
01:05:19,200 --> 01:05:21,680
Speaker 2: did well, blah blah blah. We do like all the

1289
01:05:21,800 --> 01:05:24,400
Speaker 2: Nintendo stuff whatever. Bo and I were the only ones

1290
01:05:24,520 --> 01:05:27,040
Speaker 2: that wanted to do a roller coaster that was this intense.

1291
01:05:27,120 --> 01:05:30,280
Speaker 2: It was called the Flying Dinosaur. It was a Jurassic

1292
01:05:30,360 --> 01:05:33,479
Speaker 2: Park roller coaster and you fly like literally, how would

1293
01:05:33,480 --> 01:05:35,760
Speaker 2: you describe it. You get in there, you get in

1294
01:05:36,000 --> 01:05:39,400
Speaker 2: vertically on your two feet as it were. The rest

1295
01:05:39,520 --> 01:05:42,600
Speaker 2: comes down. Then there's a moment where the hinge above

1296
01:05:42,720 --> 01:05:45,720
Speaker 2: you starts to go and then you are on your

1297
01:05:45,760 --> 01:05:49,040
Speaker 2: belly and you fly on your belly. You go up, up, up,

1298
01:05:49,160 --> 01:05:51,320
Speaker 2: as if you're a territory belly like a pterodactyl. And

1299
01:05:51,560 --> 01:05:53,520
Speaker 2: that's the whole bit. Is a pterodactyl is pulling you.

1300
01:05:53,800 --> 01:05:58,400
Speaker 4: Just stay home, smoke crack. It doesn't have to be

1301
01:05:58,520 --> 01:06:01,440
Speaker 4: this complicated, honey.

1302
01:06:02,080 --> 01:06:02,400
Speaker 3: Why not.

1303
01:06:03,600 --> 01:06:06,200
Speaker 4: You're on your two feet, then your sum and there's

1304
01:06:07,800 --> 01:06:13,560
Speaker 4: just stay home, smoke crack. Far less complicated.

1305
01:06:13,880 --> 01:06:18,360
Speaker 6: The carbon footprint is smaller, honey. Just stay on and

1306
01:06:18,480 --> 01:06:22,280
Speaker 6: smoke carbon and crack. Don't get it twisted it again,

1307
01:06:22,760 --> 01:06:25,480
Speaker 6: don't get it twisted anyway.

1308
01:06:26,000 --> 01:06:28,080
Speaker 3: Anyway, it was. It was unbelievable.

1309
01:06:28,280 --> 01:06:31,040
Speaker 2: We were screaming. It was so fucking cold, So we

1310
01:06:31,120 --> 01:06:34,840
Speaker 2: were like screaming in the wind, like so much bigger

1311
01:06:34,880 --> 01:06:38,480
Speaker 2: than you could ever imagine. Then we went on the

1312
01:06:38,640 --> 01:06:39,360
Speaker 2: Jaws ride.

1313
01:06:39,720 --> 01:06:42,800
Speaker 4: Oh wow, okay, the Jaws ride.

1314
01:06:43,080 --> 01:06:47,720
Speaker 2: This is the last Jaws ride, full blown Jaws ride

1315
01:06:48,040 --> 01:06:51,640
Speaker 2: in any universal park in the world. Practical effects and

1316
01:06:51,680 --> 01:06:57,600
Speaker 2: animatronics performances by and what you need to understand is

1317
01:06:57,680 --> 01:07:00,200
Speaker 2: that this was in many ways, I know I've said

1318
01:07:00,200 --> 01:07:01,680
Speaker 2: it a few times about a few different things on

1319
01:07:01,760 --> 01:07:04,000
Speaker 2: this podcast, in so many ways it was the culture

1320
01:07:04,000 --> 01:07:05,560
Speaker 2: that made me say culture was for me. When I

1321
01:07:05,640 --> 01:07:08,640
Speaker 2: was a kid going to Universal when I was like

1322
01:07:09,040 --> 01:07:11,520
Speaker 2: seven or eight years old, the Jaws movie. Yes, but

1323
01:07:11,560 --> 01:07:14,600
Speaker 2: also like going on the ride and seeing like going

1324
01:07:14,840 --> 01:07:18,280
Speaker 2: like a mechanical shark attack in the boat, like seeing

1325
01:07:18,320 --> 01:07:20,440
Speaker 2: the blood in the water. At one point, a fucking

1326
01:07:20,680 --> 01:07:23,400
Speaker 2: huge gas tank explodes, like there's an actor on the

1327
01:07:23,440 --> 01:07:29,680
Speaker 2: boat screaming, committed firing, Like that's the ride. That's the ride,

1328
01:07:29,720 --> 01:07:32,040
Speaker 2: and literally the last one you can ever do at

1329
01:07:32,080 --> 01:07:36,040
Speaker 2: this scale is in Osaka. And we did it and

1330
01:07:36,680 --> 01:07:40,320
Speaker 2: it was me, tom Ny, Matt Whitaker, Greta Titleman, and

1331
01:07:40,480 --> 01:07:43,120
Speaker 2: Bowen and they knew how much it meant to me

1332
01:07:43,320 --> 01:07:47,960
Speaker 2: because I used to do a show which is called

1333
01:07:48,000 --> 01:07:50,920
Speaker 2: You Will Get Wet at UCB, which was about me

1334
01:07:51,800 --> 01:07:54,600
Speaker 2: being a boat captain on this ride, and I used

1335
01:07:54,640 --> 01:07:57,480
Speaker 2: to stage the whole ride and it was one of

1336
01:07:57,520 --> 01:07:58,480
Speaker 2: my bits that I used to do.

1337
01:07:58,640 --> 01:08:03,760
Speaker 3: Like Backward for Sarah, he would risk cite this entire

1338
01:08:03,960 --> 01:08:08,360
Speaker 3: ride what the skippers said. I would play played the.

1339
01:08:08,320 --> 01:08:10,600
Speaker 4: Shark who was saying, you know, I think every single

1340
01:08:10,680 --> 01:08:12,000
Speaker 4: day in my life there's just a little voice in

1341
01:08:12,000 --> 01:08:14,000
Speaker 4: my head that goes, we're gonna need a bigger boat.

1342
01:08:14,560 --> 01:08:18,639
Speaker 3: Well, so who said it? And it wasn't said because

1343
01:08:18,640 --> 01:08:21,000
Speaker 3: that line isn't in the ride, but like, how is

1344
01:08:21,040 --> 01:08:25,040
Speaker 3: that line on in the Hey it was, I don't

1345
01:08:25,080 --> 01:08:27,240
Speaker 3: think it was. Maybe it wasn't the right but I

1346
01:08:27,280 --> 01:08:32,360
Speaker 3: don't remember saying. This diva was giving the performance of

1347
01:08:32,400 --> 01:08:34,960
Speaker 3: a lifetime in total Japanese.

1348
01:08:34,560 --> 01:08:38,040
Speaker 2: And this girl was a friend knew what he was saying.

1349
01:08:38,560 --> 01:08:41,200
Speaker 2: She we got on and I was like, oh my god,

1350
01:08:41,360 --> 01:08:43,160
Speaker 2: we have a we have a girl skipper. I was

1351
01:08:43,200 --> 01:08:45,400
Speaker 2: like obsessed, and I was like, she's about to pull

1352
01:08:45,439 --> 01:08:45,920
Speaker 2: out a gun.

1353
01:08:46,760 --> 01:08:47,680
Speaker 3: And then what she did.

1354
01:08:48,080 --> 01:08:54,600
Speaker 2: She raised a shotgun. She goes full alone and we

1355
01:08:55,080 --> 01:08:58,400
Speaker 2: were screaming and clapping and just dying. And then we

1356
01:08:58,479 --> 01:09:01,280
Speaker 2: did the ride, and after I was just like, I

1357
01:09:01,520 --> 01:09:05,040
Speaker 2: am so happy. I've not been that happy in a

1358
01:09:05,160 --> 01:09:05,679
Speaker 2: long time.

1359
01:09:06,360 --> 01:09:10,040
Speaker 3: Go in order lunch. They served a soft shell crab.

1360
01:09:10,120 --> 01:09:13,600
Speaker 3: At lunch. We ordered a burrito.

1361
01:09:13,960 --> 01:09:16,600
Speaker 2: That's when you say we're brito, and they gave a

1362
01:09:16,640 --> 01:09:19,599
Speaker 2: side of a soft shell crab, a full on soft shell.

1363
01:09:19,520 --> 01:09:23,640
Speaker 3: Crabs Japan and it's it's the I said, I'm moving here.

1364
01:09:24,200 --> 01:09:26,280
Speaker 4: Well, the Jaws ride in Japan is gonna be your

1365
01:09:26,360 --> 01:09:29,240
Speaker 4: Rosetta stone. That's how you become fluent in Japanese.

1366
01:09:29,080 --> 01:09:30,560
Speaker 3: Because you know it.

1367
01:09:31,040 --> 01:09:33,400
Speaker 2: No, that's actually really a good point. But because I

1368
01:09:33,520 --> 01:09:35,360
Speaker 2: was telling them what she was saying as it was happening.

1369
01:09:35,840 --> 01:09:38,040
Speaker 4: Guys, she's not saying we're gonna need a bigger boat.

1370
01:09:38,240 --> 01:09:41,519
Speaker 3: No, but it was it was just it was it

1371
01:09:41,960 --> 01:09:44,439
Speaker 3: healed me doing that. It was really beautiful to say

1372
01:09:44,439 --> 01:09:46,040
Speaker 3: I loved it. And because you hadn't been on that

1373
01:09:46,120 --> 01:09:48,000
Speaker 3: ride since you were well, since I was like, well,

1374
01:09:48,080 --> 01:09:48,880
Speaker 3: they they.

1375
01:09:48,880 --> 01:09:52,679
Speaker 2: Took that ride out of Universal Studios Florida's travesty when

1376
01:09:52,760 --> 01:09:55,160
Speaker 2: I was like, I don't know, fourteen fifteen sixteen to

1377
01:09:55,320 --> 01:09:58,759
Speaker 2: put more Harry Potter shit in which, you know, whatever,

1378
01:09:59,080 --> 01:10:01,840
Speaker 2: But like I I just felt like that was such

1379
01:10:01,880 --> 01:10:04,840
Speaker 2: a cool, practical ride, like the shark coming out of

1380
01:10:04,920 --> 01:10:06,559
Speaker 2: the water, like et cetera.

1381
01:10:06,920 --> 01:10:11,680
Speaker 4: Amazing. Yeah, as a spectacle horror. I have such a

1382
01:10:11,840 --> 01:10:14,400
Speaker 4: bad relationship with roller coaster zone.

1383
01:10:14,439 --> 01:10:16,479
Speaker 3: This is why you would love roller coaster zones actually

1384
01:10:16,760 --> 01:10:17,679
Speaker 3: not a roller coasters.

1385
01:10:18,080 --> 01:10:22,920
Speaker 4: Well, but I like because I forced my boyfriend, boyfriend.

1386
01:10:23,080 --> 01:10:28,120
Speaker 3: Yeah, put your weapons down down.

1387
01:10:28,439 --> 01:10:30,479
Speaker 4: I forced my boyfriend when I moved to LA and

1388
01:10:30,520 --> 01:10:34,280
Speaker 4: I was broke, to take me to disney land Land

1389
01:10:35,120 --> 01:10:36,920
Speaker 4: and we didn't, you know, we were fucking broke as

1390
01:10:37,080 --> 01:10:38,680
Speaker 4: jokes and we were like, do anything, and I'm like,

1391
01:10:38,680 --> 01:10:40,880
Speaker 4: waiting on these long lines. I'm like hot. I'm Jewish,

1392
01:10:40,920 --> 01:10:43,400
Speaker 4: so I'm hot, and I'm complaining. I'm like, oh, like,

1393
01:10:43,479 --> 01:10:44,680
Speaker 4: these lines are so long.

1394
01:10:44,720 --> 01:10:47,320
Speaker 3: I'm so hard you wanted to come here.

1395
01:10:49,960 --> 01:10:52,240
Speaker 4: Because I was like, we literally I guess we should go.

1396
01:10:52,760 --> 01:10:55,599
Speaker 3: No, no, no, this is my impression of your boyfriends. Mean,

1397
01:10:55,680 --> 01:10:56,639
Speaker 3: why can't here?

1398
01:10:56,720 --> 01:10:59,200
Speaker 2: Yeah, that's how we thought. You guys are going way

1399
01:10:59,400 --> 01:11:02,200
Speaker 2: and octave low. I guess we haven't spent enough time

1400
01:11:02,240 --> 01:11:03,200
Speaker 2: to get and I'm going like.

1401
01:11:04,040 --> 01:11:07,760
Speaker 4: I'm like waiting this line. I'm so hot, I'm so dehydrated.

1402
01:11:07,800 --> 01:11:09,920
Speaker 4: We don't have like any money, we can't do anything.

1403
01:11:10,320 --> 01:11:13,080
Speaker 4: And I see everybody walking around with these giant turkey legs.

1404
01:11:13,120 --> 01:11:14,559
Speaker 4: I'm like, what are we talking about?

1405
01:11:15,080 --> 01:11:17,720
Speaker 3: They're so good though, I'm a trip to fan of them.

1406
01:11:17,960 --> 01:11:21,599
Speaker 4: Oh well, if that touched my lip, the boiling hot

1407
01:11:21,880 --> 01:11:24,360
Speaker 4: diarrhea that'll be spewing out of my mouth and ass

1408
01:11:24,840 --> 01:11:27,120
Speaker 4: would have sent us home from Anaheim.

1409
01:11:27,280 --> 01:11:28,519
Speaker 3: So it's it's it's like that.

1410
01:11:29,400 --> 01:11:32,200
Speaker 4: But listen, maybe I gotta be rolling with y'all.

1411
01:11:32,720 --> 01:11:35,720
Speaker 2: No, you need to with y'all because I love a spectacle,

1412
01:11:35,800 --> 01:11:37,360
Speaker 2: so I feel like I and also because let me

1413
01:11:37,400 --> 01:11:39,719
Speaker 2: tell you something, the way I take care of things,

1414
01:11:41,000 --> 01:11:43,000
Speaker 2: the way I'm on that app like a ninja.

1415
01:11:43,640 --> 01:11:46,760
Speaker 3: I'm like, what app? He knows the app? I know

1416
01:11:46,840 --> 01:11:47,320
Speaker 3: what I'm doing.

1417
01:11:47,360 --> 01:11:48,519
Speaker 4: You're an American Ninja warrior.

1418
01:11:48,560 --> 01:11:54,519
Speaker 3: And let's just say, like, I'm better than the guys.

1419
01:11:54,960 --> 01:11:58,479
Speaker 3: He's wow, that's the headline. No, that's not really true.

1420
01:11:58,560 --> 01:11:59,120
Speaker 3: That's not true.

1421
01:12:00,320 --> 01:12:02,240
Speaker 2: You're coming with us to the parks, coming with us

1422
01:12:02,280 --> 01:12:05,240
Speaker 2: to Beebrichella so we can watch you saw.

1423
01:12:06,800 --> 01:12:08,919
Speaker 3: If you're crazy interested in Coachella.

1424
01:12:09,680 --> 01:12:11,840
Speaker 4: Well again, it's the same problem as outside and.

1425
01:12:12,200 --> 01:12:14,880
Speaker 3: Said, no, Sarah, don't take care of them.

1426
01:12:15,520 --> 01:12:18,240
Speaker 4: No, but Sarah Day with the Jews already did forty

1427
01:12:18,320 --> 01:12:20,479
Speaker 4: days and forty nights in the desert when it's forty one.

1428
01:12:21,360 --> 01:12:23,080
Speaker 2: Celestian I went last year for the first time, and

1429
01:12:23,120 --> 01:12:24,800
Speaker 2: we were like, we don't know what this is like,

1430
01:12:24,880 --> 01:12:26,920
Speaker 2: this might not be for us. We were liked it,

1431
01:12:27,360 --> 01:12:30,200
Speaker 2: wor we can't believe we get to have new experiences.

1432
01:12:30,439 --> 01:12:32,360
Speaker 4: I can stand up for sixteen minutes at a time

1433
01:12:32,400 --> 01:12:33,200
Speaker 4: and I have to sit down.

1434
01:12:33,320 --> 01:12:34,840
Speaker 3: Sarah. It was me.

1435
01:12:35,160 --> 01:12:37,800
Speaker 2: It was like Sam Minor Rebecca it was me, No,

1436
01:12:38,720 --> 01:12:43,559
Speaker 2: Rebecca Schwarts there, Rebecca Schwartz carry powers, Taylor Knight's Sam Minor.

1437
01:12:43,640 --> 01:12:46,839
Speaker 2: We were all having the time of our lives on trooms,

1438
01:12:47,680 --> 01:12:51,640
Speaker 2: crying at tea pain like like sha, and then all

1439
01:12:51,640 --> 01:12:53,920
Speaker 2: of a sudden you're sobbing and throwing as at the

1440
01:12:54,000 --> 01:12:55,880
Speaker 2: same time, I do.

1441
01:12:55,960 --> 01:12:59,120
Speaker 4: You guys have this thing? Which is I'm sure you do.

1442
01:12:59,439 --> 01:13:01,280
Speaker 4: Actually you do. That's the whole reasoning of this.

1443
01:13:01,400 --> 01:13:02,160
Speaker 2: You do, you do?

1444
01:13:02,560 --> 01:13:02,960
Speaker 5: You are?

1445
01:13:03,360 --> 01:13:03,800
Speaker 6: You are?

1446
01:13:04,360 --> 01:13:06,519
Speaker 4: You are? You are?

1447
01:13:07,560 --> 01:13:10,120
Speaker 2: You have?

1448
01:13:10,360 --> 01:13:10,880
Speaker 3: What's our thing?

1449
01:13:11,920 --> 01:13:15,640
Speaker 4: You probably share this? Sometimes I actually can't listen to

1450
01:13:15,800 --> 01:13:18,240
Speaker 4: music or actually take an art of any kind because

1451
01:13:18,240 --> 01:13:20,680
Speaker 4: I'm feeling so sensitive. I'll be so overpowered and.

1452
01:13:20,720 --> 01:13:23,960
Speaker 2: Overwhelmed that it's actually you don't even know you should have.

1453
01:13:24,520 --> 01:13:27,799
Speaker 2: It's pathetically how hard I cry at everything.

1454
01:13:28,200 --> 01:13:32,880
Speaker 4: Norm McDonald writes in his book Cant To Read He's

1455
01:13:33,160 --> 01:13:36,320
Speaker 4: that sometimes he couldn't even look at a painting. I

1456
01:13:36,600 --> 01:13:38,360
Speaker 4: actually can't, like I will become.

1457
01:13:38,200 --> 01:13:43,280
Speaker 3: So overwhis crying little fish?

1458
01:13:43,840 --> 01:13:45,720
Speaker 4: Can I may I be a Can the woman be

1459
01:13:45,800 --> 01:13:46,719
Speaker 4: a diva for a moment?

1460
01:13:46,800 --> 01:13:47,519
Speaker 3: And what was it?

1461
01:13:47,720 --> 01:13:48,240
Speaker 4: Act hard?

1462
01:13:48,880 --> 01:13:50,160
Speaker 3: Act act hard?

1463
01:13:50,200 --> 01:13:50,360
Speaker 4: You know?

1464
01:13:50,479 --> 01:13:50,880
Speaker 3: What was it?

1465
01:13:51,479 --> 01:13:53,719
Speaker 4: Where did your manager say you're acting strong?

1466
01:13:53,840 --> 01:13:57,720
Speaker 3: Strong, acting strong when you look up Nor McDonald's.

1467
01:13:58,680 --> 01:14:00,320
Speaker 4: I want to be strong and hard for I did.

1468
01:14:00,880 --> 01:14:03,360
Speaker 3: But I and and that's what I guess cancer.

1469
01:14:04,640 --> 01:14:07,479
Speaker 4: I saw Bone Temple, and.

1470
01:14:08,960 --> 01:14:11,360
Speaker 3: Yes, I'm gonna say cancer.

1471
01:14:12,800 --> 01:14:13,880
Speaker 4: I guess ices.

1472
01:14:19,520 --> 01:14:22,599
Speaker 2: Aquarious men march to the beat of their own drummer,

1473
01:14:22,720 --> 01:14:24,840
Speaker 2: A K A, do whatever the fun they want.

1474
01:14:26,040 --> 01:14:28,200
Speaker 4: That girl did for sure.

1475
01:14:29,160 --> 01:14:30,160
Speaker 3: I just won't date him.

1476
01:14:34,640 --> 01:14:37,880
Speaker 4: I watched Bone Temple and there's a moment in Bone

1477
01:14:37,920 --> 01:14:41,479
Speaker 4: Temple where a song happens. But just because a big

1478
01:14:41,600 --> 01:14:48,559
Speaker 4: song was happening, I lost sobbing uncontrollably because Ray Fines

1479
01:14:48,680 --> 01:14:52,160
Speaker 4: was dancing too smiler alert. Don't listen to this if.

1480
01:14:52,120 --> 01:14:52,960
Speaker 5: You don't want to know.

1481
01:14:54,080 --> 01:14:58,760
Speaker 3: Do you remember Iron Maiden The Greatest Showman? I went

1482
01:14:58,800 --> 01:15:01,760
Speaker 3: to see The Greatest Showman Sudie Green. The whole time

1483
01:15:02,240 --> 01:15:05,240
Speaker 3: she's like, this is bad, and then I was like,

1484
01:15:05,280 --> 01:15:08,800
Speaker 3: I kind of agreed. And then this happened when the

1485
01:15:08,920 --> 01:15:14,479
Speaker 3: shops want to cut me down, and I'm like, god,

1486
01:15:14,560 --> 01:15:14,800
Speaker 3: I go.

1487
01:15:16,680 --> 01:15:17,840
Speaker 4: You went.

1488
01:15:18,160 --> 01:15:20,040
Speaker 3: Did you ever watched the Oscars performance of that song?

1489
01:15:20,920 --> 01:15:22,120
Speaker 4: I couldn't say.

1490
01:15:22,479 --> 01:15:26,439
Speaker 3: Miss Chaoli Sett forming the song and it's.

1491
01:15:26,360 --> 01:15:29,360
Speaker 2: Like the bridge where she's like when the shops come

1492
01:15:29,439 --> 01:15:32,360
Speaker 2: with down and it's like circling her and she breaks down.

1493
01:15:32,520 --> 01:15:34,600
Speaker 3: No, oh, she's amazing. I don't say this chance. I

1494
01:15:34,640 --> 01:15:35,400
Speaker 3: have a question for you.

1495
01:15:35,720 --> 01:15:37,479
Speaker 2: You said Matts worse at a stone was the jaws

1496
01:15:37,520 --> 01:15:41,559
Speaker 2: riding Japanese. I need you to be on a foreign

1497
01:15:41,600 --> 01:15:42,320
Speaker 2: language journey.

1498
01:15:42,520 --> 01:15:45,479
Speaker 3: I which one agree more? What is your foreign language?

1499
01:15:45,560 --> 01:15:47,680
Speaker 4: Listen? Guy came up to me on the train the

1500
01:15:47,720 --> 01:15:49,800
Speaker 4: other day and he was like needing me to help

1501
01:15:49,880 --> 01:15:51,760
Speaker 4: him get to his stop in Spanish, and I'm going,

1502
01:15:51,960 --> 01:15:54,400
Speaker 4: fucking I can do this shit. I know fucking Spanish.

1503
01:15:54,720 --> 01:15:57,240
Speaker 4: He goes like, hey, are you to may whatever.

1504
01:15:57,640 --> 01:16:00,679
Speaker 3: I'm going like, A, it's different.

1505
01:16:03,479 --> 01:16:05,679
Speaker 4: I got that. I need to be getting my Spanish

1506
01:16:05,960 --> 01:16:07,200
Speaker 4: one down boot.

1507
01:16:07,240 --> 01:16:08,839
Speaker 3: We're going to Barcelona. We're going to Barcelona.

1508
01:16:08,960 --> 01:16:09,599
Speaker 4: We're going tomorrow.

1509
01:16:09,880 --> 01:16:14,080
Speaker 3: You're going to Barcelona. We're going to Barcelona. We're going

1510
01:16:14,080 --> 01:16:17,600
Speaker 3: to the Barcelona Travel. It can't ever be enough. I

1511
01:16:17,680 --> 01:16:19,080
Speaker 3: love travel again.

1512
01:16:19,400 --> 01:16:20,479
Speaker 4: You know I've said this before.

1513
01:16:20,479 --> 01:16:21,040
Speaker 3: I say it again.

1514
01:16:21,160 --> 01:16:23,600
Speaker 4: Unless I'm doing the chucol Hut at the corner of

1515
01:16:23,720 --> 01:16:29,160
Speaker 4: Butzza and Gates, I'm not. I've literally like one time

1516
01:16:29,640 --> 01:16:35,519
Speaker 4: my boyfriend Dan pol and then you can He's like,

1517
01:16:35,600 --> 01:16:37,840
Speaker 4: let's go to New Orleans. I go okay, and he goes,

1518
01:16:38,240 --> 01:16:41,280
Speaker 4: no shows, and I go totally. We're walking around New Orleans.

1519
01:16:41,320 --> 01:16:46,000
Speaker 4: I walked by an open mic. I go pop in.

1520
01:16:46,200 --> 01:16:50,160
Speaker 3: He goes, come on, you're such a workhorse. You love

1521
01:16:50,400 --> 01:16:53,000
Speaker 3: to do open mic. Well, this was like do you

1522
01:16:53,160 --> 01:16:53,479
Speaker 3: miss it?

1523
01:16:54,960 --> 01:16:58,240
Speaker 4: I'm I'm gonna stand up hiatus right now kind of scene.

1524
01:16:58,280 --> 01:17:01,679
Speaker 4: If people notice I say my favorite joke of all time.

1525
01:17:01,640 --> 01:17:05,640
Speaker 3: It's not my joke. You're giving it credit Thomas.

1526
01:17:05,479 --> 01:17:07,240
Speaker 4: Credit to whipper Thomas. He goes, you ever notice old

1527
01:17:07,240 --> 01:17:08,439
Speaker 4: people get a frog in their.

1528
01:17:08,439 --> 01:17:12,360
Speaker 2: Out I turn on the TV today just to get

1529
01:17:12,400 --> 01:17:16,599
Speaker 2: to my switch to say it's a it's a full video.

1530
01:17:16,400 --> 01:17:19,400
Speaker 3: Of r f K Junior, don't I was like to

1531
01:17:19,680 --> 01:17:20,880
Speaker 3: get this off my screen.

1532
01:17:20,960 --> 01:17:21,040
Speaker 2: Now.

1533
01:17:21,120 --> 01:17:24,080
Speaker 3: I know it's an addition, but I know, here's here's

1534
01:17:24,120 --> 01:17:24,559
Speaker 3: my thing.

1535
01:17:25,600 --> 01:17:29,040
Speaker 2: I don't know how people can look at the cast

1536
01:17:29,120 --> 01:17:33,439
Speaker 2: of characters that is the GOP and not see Batman villains.

1537
01:17:33,680 --> 01:17:38,519
Speaker 3: That's why they like them. Gabbard's hair, that one white streak.

1538
01:17:39,280 --> 01:17:40,160
Speaker 3: Give me a break.

1539
01:17:40,760 --> 01:17:43,080
Speaker 4: I'm not to wear Stacy London's streak.

1540
01:17:43,760 --> 01:17:50,800
Speaker 3: Stacy London has where stupid? How are you the funniest person.

1541
01:17:50,560 --> 01:17:54,080
Speaker 4: On the blackout who in the sewer right now?

1542
01:17:54,439 --> 01:17:55,519
Speaker 3: I just don't get it.

1543
01:17:55,720 --> 01:17:57,519
Speaker 4: I'm like a pepper and a tree top, y'all.

1544
01:17:57,560 --> 01:18:00,679
Speaker 2: I'm going, by the way, Can I have one yours?

1545
01:18:00,800 --> 01:18:03,600
Speaker 2: Because I feel like everyone's been taking the olives.

1546
01:18:03,200 --> 01:18:06,920
Speaker 4: And put credit where credits due.

1547
01:18:07,120 --> 01:18:07,519
Speaker 3: You took it.

1548
01:18:08,280 --> 01:18:10,880
Speaker 2: Unfortunately, I do think it's time for I don't think so, honey,

1549
01:18:10,920 --> 01:18:12,040
Speaker 2: which is gonna be interesting?

1550
01:18:12,200 --> 01:18:16,679
Speaker 4: We didn't even talk about anything, talk.

1551
01:18:16,600 --> 01:18:18,599
Speaker 2: About wait, talking about Saltlake City before but before yeah,

1552
01:18:19,040 --> 01:18:20,280
Speaker 2: I didn't see the reunion yet.

1553
01:18:20,360 --> 01:18:20,760
Speaker 4: What what?

1554
01:18:21,360 --> 01:18:23,040
Speaker 3: I don't know. We were in Tokyo. It was hard.

1555
01:18:23,080 --> 01:18:25,559
Speaker 3: There's no peacock in Tokyo. It's real culture. Number ten.

1556
01:18:25,760 --> 01:18:27,720
Speaker 3: There's no peacock in Tokyo.

1557
01:18:29,080 --> 01:18:30,200
Speaker 4: Short for penis cock.

1558
01:18:30,640 --> 01:18:31,160
Speaker 3: No, it's not.

1559
01:18:31,760 --> 01:18:33,960
Speaker 2: And don't go there because we've had a really good

1560
01:18:34,040 --> 01:18:36,639
Speaker 2: time and now you're gonna bring it with humor.

1561
01:18:36,840 --> 01:18:37,400
Speaker 4: That's a rule.

1562
01:18:37,479 --> 01:18:39,479
Speaker 3: That's a real culture, real culture number thirteen.

1563
01:18:39,680 --> 01:18:43,920
Speaker 2: Peacock, that's short pe peacock, that's short for penis cock.

1564
01:18:44,040 --> 01:18:45,759
Speaker 4: But and that's on boots period.

1565
01:18:46,200 --> 01:18:48,400
Speaker 2: And that's on boots period. What are your takes on

1566
01:18:48,439 --> 01:18:52,759
Speaker 2: Salt Lake And don't be afraid, y'all.

1567
01:18:55,360 --> 01:18:57,040
Speaker 4: Let Whitney cook.

1568
01:18:57,439 --> 01:19:00,160
Speaker 3: Yes, I was just gonna say fucking.

1569
01:19:01,520 --> 01:19:04,479
Speaker 4: And I find that people are like, I don't know

1570
01:19:04,560 --> 01:19:05,160
Speaker 4: about Whitney.

1571
01:19:05,200 --> 01:19:07,800
Speaker 3: I go, they've been saying them for years. Can I

1572
01:19:07,840 --> 01:19:08,320
Speaker 3: say something?

1573
01:19:08,760 --> 01:19:12,360
Speaker 2: Salt Lake would not be what it would lose something

1574
01:19:12,479 --> 01:19:17,240
Speaker 2: without Whitney, My my beautiful development, full Brownwin Newport, Stan,

1575
01:19:19,080 --> 01:19:20,200
Speaker 2: Come on, Sarah.

1576
01:19:20,880 --> 01:19:21,679
Speaker 3: I've always liked.

1577
01:19:23,920 --> 01:19:27,000
Speaker 4: I like that, I like that through it.

1578
01:19:27,160 --> 01:19:30,960
Speaker 2: I always like Bromin's makes interesting is that we were debating.

1579
01:19:31,120 --> 01:19:36,880
Speaker 4: She's highly intelligent, and I can feel the producing. If

1580
01:19:37,120 --> 01:19:40,080
Speaker 4: I was going through a fucking divorce with my big

1581
01:19:40,240 --> 01:19:44,599
Speaker 4: fat husband, i'd come into that. Or you needna be like, hey,

1582
01:19:45,400 --> 01:19:48,840
Speaker 4: I'm getting a divorce. You didn't tell your friends. You're

1583
01:19:48,840 --> 01:19:52,559
Speaker 4: getting a fucking divorce from this, from this giant monster

1584
01:19:53,040 --> 01:19:56,320
Speaker 4: the top. But I know what the fuck are we

1585
01:19:56,520 --> 01:19:59,080
Speaker 4: talking about. If I walked in here and I was like, hey,

1586
01:19:59,200 --> 01:20:01,560
Speaker 4: me and Dan broke up, you'd be like, what you

1587
01:20:01,600 --> 01:20:03,680
Speaker 4: didn't tell me? It's insane?

1588
01:20:04,240 --> 01:20:11,040
Speaker 2: But how would you describe da'sn being sick?

1589
01:20:11,600 --> 01:20:12,479
Speaker 4: All of them were sitting.

1590
01:20:12,320 --> 01:20:16,640
Speaker 2: There like kidding, got divorced, We're drunk, you know what

1591
01:20:16,720 --> 01:20:21,040
Speaker 2: I mean. It's like, it's this history, this is last

1592
01:20:21,040 --> 01:20:21,679
Speaker 2: Colt history.

1593
01:20:21,800 --> 01:20:23,720
Speaker 4: Like, okay, can there be like a lower third like

1594
01:20:23,880 --> 01:20:25,040
Speaker 4: when we got drunk?

1595
01:20:26,280 --> 01:20:27,760
Speaker 3: Black guy black in.

1596
01:20:27,760 --> 01:20:30,280
Speaker 4: The rear view mirror, These these objects in the.

1597
01:20:30,280 --> 01:20:33,680
Speaker 3: Rear view video mark the moment when each of us

1598
01:20:33,840 --> 01:20:37,839
Speaker 3: got wasted. Have you gotten it? I'm wasted?

1599
01:20:38,040 --> 01:20:40,680
Speaker 4: Can there be like a little Sims diamond over our

1600
01:20:40,720 --> 01:20:42,000
Speaker 4: head when we got wasted?

1601
01:20:42,160 --> 01:20:47,160
Speaker 3: To market to taken seriously, we're now a crazy breath?

1602
01:20:48,080 --> 01:20:51,479
Speaker 4: Can I be the Carolines Harlequin diamond above my head?

1603
01:20:51,800 --> 01:20:54,439
Speaker 4: So I got I got wasted approximately we all know

1604
01:20:54,520 --> 01:20:56,400
Speaker 4: this three and a half hours ago, so that should

1605
01:20:56,439 --> 01:20:59,200
Speaker 4: be over my head from the mo I just got scared.

1606
01:20:59,200 --> 01:21:01,080
Speaker 4: I thought there was another light of drinks.

1607
01:21:02,479 --> 01:21:02,920
Speaker 8: My heart.

1608
01:21:03,600 --> 01:21:07,360
Speaker 3: You imagine can you imagine? A second round? Just came

1609
01:21:07,479 --> 01:21:08,760
Speaker 3: and be like.

1610
01:21:11,960 --> 01:21:12,320
Speaker 5: Hungry?

1611
01:21:13,400 --> 01:21:20,800
Speaker 3: Okay, so what is that? We're all abby? I'm good.

1612
01:21:20,960 --> 01:21:21,839
Speaker 2: I love.

1613
01:21:23,120 --> 01:21:26,519
Speaker 3: Starving, starving. I'm so hungry. You don't even know. Thank you.

1614
01:21:27,080 --> 01:21:32,240
Speaker 3: I love all would and everyone be like, he fucking sucks.

1615
01:21:32,320 --> 01:21:33,360
Speaker 3: We always hated him.

1616
01:21:34,120 --> 01:21:34,640
Speaker 4: I saw this.

1617
01:21:36,920 --> 01:21:40,040
Speaker 2: You're not wrong, You're not wrong at all. All right,

1618
01:21:40,040 --> 01:21:46,679
Speaker 2: it's time for Adam thinks. So honey, she's highly intelligent.

1619
01:21:47,000 --> 01:21:49,559
Speaker 2: And if you if if if you had gotten divorced

1620
01:21:49,720 --> 01:21:53,920
Speaker 2: from you or her has been, you would be proclaiming it.

1621
01:21:54,120 --> 01:21:56,759
Speaker 2: Oh and Brittany is what do you think of Brittany

1622
01:21:56,800 --> 01:21:59,320
Speaker 2: saying I won't film with her? About Meredith, who's like

1623
01:21:59,560 --> 01:22:04,680
Speaker 2: on the show she said that Britney Fulton has never

1624
01:22:05,120 --> 01:22:06,599
Speaker 2: touched a snowflake in her life.

1625
01:22:07,160 --> 01:22:08,200
Speaker 3: I'm not filming with her.

1626
01:22:09,040 --> 01:22:13,280
Speaker 4: She's guess what. The production team of Real House of

1627
01:22:13,360 --> 01:22:13,840
Speaker 4: Salt Lake.

1628
01:22:13,760 --> 01:22:17,080
Speaker 3: City, y'all have an interesting quandary.

1629
01:22:17,439 --> 01:22:19,200
Speaker 4: Y'all have an interesting You know how they say the

1630
01:22:19,280 --> 01:22:21,679
Speaker 4: restrictions of the sonnet make the poem.

1631
01:22:23,160 --> 01:22:27,280
Speaker 2: You know how they say the restrictions are on one

1632
01:22:27,640 --> 01:22:30,800
Speaker 2: the restrictions of what you call that pentameter.

1633
01:22:31,880 --> 01:22:35,920
Speaker 4: It makes you you're forced to be creative because you

1634
01:22:36,040 --> 01:22:37,160
Speaker 4: have restrictions.

1635
01:22:37,360 --> 01:22:41,040
Speaker 2: Yes, thank you for making it eurocentric and not Asian centric.

1636
01:22:41,960 --> 01:22:43,400
Speaker 2: Haikus do the same thing.

1637
01:22:43,560 --> 01:22:46,000
Speaker 4: Haiku does the same thing. I'm not speaking on behalf

1638
01:22:46,040 --> 01:22:47,360
Speaker 4: of the Haiku culture.

1639
01:22:47,600 --> 01:22:49,880
Speaker 3: And you wouldn't I would never or else.

1640
01:22:50,720 --> 01:22:53,240
Speaker 4: So it's like, guess what, editors.

1641
01:22:53,080 --> 01:22:58,720
Speaker 3: And Sarah Sherman refuses to speak someone who is of

1642
01:22:58,960 --> 01:23:03,040
Speaker 3: not that experience. Wait, so you're saying the limited limitation

1643
01:23:03,439 --> 01:23:06,000
Speaker 3: now is that experience?

1644
01:23:06,600 --> 01:23:07,679
Speaker 4: I am big pentameter.

1645
01:23:07,760 --> 01:23:11,679
Speaker 3: I said that, Okay, we're losing the crew. He's watching

1646
01:23:11,800 --> 01:23:14,519
Speaker 3: Fincher on his phone, so we got a hurry watching

1647
01:23:15,439 --> 01:23:16,160
Speaker 3: quick Boys.

1648
01:23:16,680 --> 01:23:19,600
Speaker 4: It's like, now, well, now that creativity must come from this.

1649
01:23:19,760 --> 01:23:24,599
Speaker 4: Now there's a restriction, so now let's get creative. Meredith

1650
01:23:24,680 --> 01:23:29,799
Speaker 4: called her an anti semitic, y'all speaking of Semitic experience. Meredith,

1651
01:23:29,920 --> 01:23:30,160
Speaker 4: come on.

1652
01:23:30,720 --> 01:23:33,400
Speaker 3: Girl, anti semitic was tough.

1653
01:23:33,880 --> 01:23:36,280
Speaker 4: How was the deflection of the century. I'm gonna start

1654
01:23:36,360 --> 01:23:42,000
Speaker 4: doing that next time. HR calls me into and says, Sarah,

1655
01:23:42,080 --> 01:23:44,240
Speaker 4: let's let's talk about what you did today.

1656
01:23:45,160 --> 01:23:46,439
Speaker 3: Well, you're anti semitic.

1657
01:23:46,800 --> 01:23:49,800
Speaker 4: Yeah, you know why I am in this room, y'all

1658
01:23:49,880 --> 01:23:53,320
Speaker 4: anti semitic. And if you're not watching my special, you're

1659
01:23:53,320 --> 01:23:54,160
Speaker 4: anti Semitics.

1660
01:23:55,920 --> 01:23:57,600
Speaker 3: I think it is time for I don't think so.

1661
01:23:57,920 --> 01:24:00,680
Speaker 3: I want to stay really quickly before we before we

1662
01:24:00,760 --> 01:24:01,000
Speaker 3: move on.

1663
01:24:01,360 --> 01:24:04,040
Speaker 2: Osaka was giving Chicago, which is also another reason why

1664
01:24:04,040 --> 01:24:05,599
Speaker 2: you would like to going comedy Town.

1665
01:24:05,920 --> 01:24:10,759
Speaker 3: Stop, Sarah, comedy town canw system? Oh oh, it's amazing,

1666
01:24:11,040 --> 01:24:11,599
Speaker 3: it's so good.

1667
01:24:11,640 --> 01:24:12,920
Speaker 4: So why did you say that?

1668
01:24:13,760 --> 01:24:16,679
Speaker 3: Would you say this system?

1669
01:24:17,160 --> 01:24:18,080
Speaker 4: What did you say that?

1670
01:24:19,760 --> 01:24:20,080
Speaker 3: Also?

1671
01:24:20,479 --> 01:24:24,080
Speaker 2: Catch my little sult like take. Yeah, it was tough

1672
01:24:24,160 --> 01:24:26,280
Speaker 2: to hear. There's a moment where I don't know if

1673
01:24:26,280 --> 01:24:28,920
Speaker 2: you saw this, there's a moment where like the women

1674
01:24:29,040 --> 01:24:35,240
Speaker 2: call out Meredith for always always blaming an unproduction. That's

1675
01:24:35,880 --> 01:24:38,040
Speaker 2: Mary m Cosby is out here being like.

1676
01:24:38,720 --> 01:24:42,280
Speaker 3: These this is our family. Why would you go after

1677
01:24:42,360 --> 01:24:45,759
Speaker 3: these people? Production is our family. How does Meredith respond

1678
01:24:45,800 --> 01:24:47,400
Speaker 3: to that? She she doesn't take it.

1679
01:24:47,439 --> 01:24:52,560
Speaker 4: Well, well, again, I'm gonna say something crazy. What housewives

1680
01:24:52,640 --> 01:24:55,960
Speaker 4: show would be good if we didn't have a woman

1681
01:24:56,280 --> 01:24:58,040
Speaker 4: acting monstrously to the crew?

1682
01:24:58,600 --> 01:25:04,160
Speaker 2: Understandable and she gets to say three takes only, and

1683
01:25:04,320 --> 01:25:05,679
Speaker 2: I'm like, it's.

1684
01:25:06,280 --> 01:25:07,559
Speaker 3: Do we listen?

1685
01:25:08,360 --> 01:25:12,960
Speaker 4: I do not want any union labor workers to be

1686
01:25:13,160 --> 01:25:14,360
Speaker 4: abused on set.

1687
01:25:15,479 --> 01:25:17,320
Speaker 2: They work on a house five show and one of

1688
01:25:17,360 --> 01:25:20,000
Speaker 2: them is going to be crazy, wouldn't it? Not that

1689
01:25:20,160 --> 01:25:20,799
Speaker 2: she's crazy?

1690
01:25:21,000 --> 01:25:24,120
Speaker 4: But we were like if there was a reality housewife

1691
01:25:24,160 --> 01:25:28,000
Speaker 4: show and everyone is like, well, everyone acted like a

1692
01:25:28,120 --> 01:25:32,000
Speaker 4: peach and I'm watching they all donated to.

1693
01:25:32,479 --> 01:25:39,680
Speaker 2: The A C l U and yeah, and they're all

1694
01:25:39,680 --> 01:25:41,920
Speaker 2: in mutual lead groups. And I think that what you're

1695
01:25:41,960 --> 01:25:44,240
Speaker 2: going to see is a lot of women getting along

1696
01:25:45,479 --> 01:25:48,920
Speaker 2: and a lot of growth. I think that what's going

1697
01:25:48,960 --> 01:25:52,640
Speaker 2: to happen is you're going to see amazing vacations and

1698
01:25:54,240 --> 01:25:58,559
Speaker 2: certainly emotional bloom even more than you thought they could.

1699
01:25:59,160 --> 01:26:01,599
Speaker 2: A lot of emotional intelligence, a lot of patience.

1700
01:26:01,960 --> 01:26:04,120
Speaker 4: You'd be like, great, I ain't realize I'd be watching

1701
01:26:04,160 --> 01:26:05,960
Speaker 4: a screensaver.

1702
01:26:08,280 --> 01:26:11,240
Speaker 3: Period. How are you the funniest bitch on the planet.

1703
01:26:11,600 --> 01:26:13,840
Speaker 4: You're saying, it's straight space, straight.

1704
01:26:15,720 --> 01:26:16,360
Speaker 3: Straight face.

1705
01:26:23,520 --> 01:26:26,000
Speaker 2: I've got one you want to go past, I can

1706
01:26:26,040 --> 01:26:29,280
Speaker 2: go first. Okay, y'all must agree with me. I'm talking to.

1707
01:26:31,920 --> 01:26:33,160
Speaker 3: Okay, this is.

1708
01:26:34,920 --> 01:26:37,680
Speaker 4: Get after this what I want to get?

1709
01:26:37,680 --> 01:26:41,960
Speaker 3: A bug? After this bug? You're beat. This is bowen.

1710
01:26:42,240 --> 01:26:43,760
Speaker 3: I don't think the money as time starts now, I

1711
01:26:43,800 --> 01:26:44,519
Speaker 3: don't think so, honey.

1712
01:26:44,640 --> 01:26:48,559
Speaker 2: The word restaurant, why do we call it that? It's

1713
01:26:48,600 --> 01:26:53,640
Speaker 2: a crazy fucking word with the crazy fucking spelling. You

1714
01:26:53,760 --> 01:26:56,759
Speaker 2: want to know what a restaurant is called in Mandarin Chinese?

1715
01:26:57,000 --> 01:26:59,479
Speaker 2: The translation is meal store.

1716
01:27:01,120 --> 01:27:02,000
Speaker 3: Thank you for the.

1717
01:27:02,160 --> 01:27:07,880
Speaker 2: Literalism of that, because calling anything a restaurant automatically, like

1718
01:27:08,280 --> 01:27:11,800
Speaker 2: borrowing from the French word for a restore, gives it

1719
01:27:11,880 --> 01:27:15,920
Speaker 2: a false sense of thirty seconds. I'm not restored at

1720
01:27:15,920 --> 01:27:18,840
Speaker 2: a restaurant. Most of the time, I'm stressed the fuck

1721
01:27:18,960 --> 01:27:21,640
Speaker 2: out because It took me three weeks in advance to

1722
01:27:21,680 --> 01:27:24,439
Speaker 2: book this on Rezi and I get there and I'm like, well,

1723
01:27:24,439 --> 01:27:26,599
Speaker 2: I guess I have to have the most mind blowing

1724
01:27:26,760 --> 01:27:30,200
Speaker 2: experience of my life fifteen seconds. Even though it's a

1725
01:27:30,520 --> 01:27:36,160
Speaker 2: place where it sells mid food at best, a restaurant,

1726
01:27:36,400 --> 01:27:39,559
Speaker 2: it's a crazy word. It's too fancy. Sometimes the place

1727
01:27:39,600 --> 01:27:43,439
Speaker 2: isn't fancy enough to merit or warrant the word and

1728
01:27:43,600 --> 01:27:46,080
Speaker 2: title of restaurant, and that's okay. Sometimes it's a hole

1729
01:27:46,080 --> 01:27:47,920
Speaker 2: in the wall and I just want a little a

1730
01:27:47,960 --> 01:27:50,240
Speaker 2: little thing that comes out in a metal tray, and

1731
01:27:50,360 --> 01:27:52,920
Speaker 2: that's fine, But that qualifies as a restaurant and shouldn't

1732
01:27:52,920 --> 01:27:53,200
Speaker 2: be called that.

1733
01:27:53,320 --> 01:27:56,400
Speaker 3: And that's when the word linguistically it does not bear

1734
01:27:56,520 --> 01:27:58,679
Speaker 3: the weight of what that service center.

1735
01:27:59,120 --> 01:28:02,080
Speaker 2: I'm an spell the word restaurant right now, and I

1736
01:28:02,200 --> 01:28:06,080
Speaker 2: need you spelling bee spot spelling be style to say,

1737
01:28:06,120 --> 01:28:11,160
Speaker 2: if I got it right, restaurant r E s T

1738
01:28:11,880 --> 01:28:15,240
Speaker 2: a U r a n T restaurant.

1739
01:28:15,439 --> 01:28:18,479
Speaker 3: That is correct, okay, because you never know what.

1740
01:28:20,280 --> 01:28:20,439
Speaker 4: Is it?

1741
01:28:20,680 --> 01:28:26,160
Speaker 2: Restaurant's resto hunt instead of restaurant.

1742
01:28:26,560 --> 01:28:31,280
Speaker 3: I think it's ten letters for three syllables. That racially right.

1743
01:28:31,439 --> 01:28:32,680
Speaker 4: It should be restaurant.

1744
01:28:33,160 --> 01:28:36,840
Speaker 3: Restaurant. We should just call it dinner. Going to dinner,

1745
01:28:37,320 --> 01:28:42,599
Speaker 3: sup up supper? When would you call something supper when

1746
01:28:42,600 --> 01:28:48,960
Speaker 3: there's pheasant? When you're Canadian, when there's how are you

1747
01:28:49,040 --> 01:28:51,200
Speaker 3: the funniest on the planet. I don't even know how

1748
01:28:51,560 --> 01:28:53,040
Speaker 3: your brain got there?

1749
01:28:53,760 --> 01:28:54,200
Speaker 4: The American?

1750
01:28:54,360 --> 01:28:57,479
Speaker 3: When would you call it supper when there's pheasant?

1751
01:28:58,520 --> 01:28:58,560
Speaker 2: Like?

1752
01:28:58,800 --> 01:29:00,200
Speaker 4: What that is?

1753
01:29:00,200 --> 01:29:02,880
Speaker 2: When you call it supper? When you're eating something from

1754
01:29:02,920 --> 01:29:08,120
Speaker 2: a fucking spoon? That's how I picture supper supper time.

1755
01:29:08,280 --> 01:29:11,360
Speaker 2: There better be a spoon on the table. Oh my god,

1756
01:29:11,439 --> 01:29:12,160
Speaker 2: you know what I'm saying.

1757
01:29:12,560 --> 01:29:14,360
Speaker 4: There better be a stew and I better have my

1758
01:29:14,560 --> 01:29:20,880
Speaker 4: like my like it's it's like peasant fair, like Grandma's had.

1759
01:29:21,600 --> 01:29:25,320
Speaker 3: Peasants for peasants. I want to go.

1760
01:29:28,120 --> 01:29:28,160
Speaker 1: To.

1761
01:29:29,880 --> 01:29:32,439
Speaker 3: Okay, this is Matt Rogers. I don't think so many

1762
01:29:32,439 --> 01:29:35,439
Speaker 3: as time starts now, I don't think so honey, that

1763
01:29:35,720 --> 01:29:38,439
Speaker 3: AI is in Google Gmail.

1764
01:29:39,400 --> 01:29:43,439
Speaker 2: I don't like that because and I learned this from

1765
01:29:43,560 --> 01:29:46,320
Speaker 2: Lauri from shark Tank, because she put up a very

1766
01:29:46,400 --> 01:29:49,240
Speaker 2: helpful reel about how to disable the AI settings on

1767
01:29:49,360 --> 01:29:51,679
Speaker 2: your Gmail. And I think everyone should do this because

1768
01:29:52,560 --> 01:29:56,360
Speaker 2: I don't need AI to be reading my emails and

1769
01:29:56,600 --> 01:30:00,280
Speaker 2: seeing everything in my Gmail, and then like I get

1770
01:30:00,320 --> 01:30:02,840
Speaker 2: an email from a friend and AI was like, oh,

1771
01:30:02,960 --> 01:30:04,400
Speaker 2: this is basically what it says.

1772
01:30:04,680 --> 01:30:06,080
Speaker 3: I didn't fucking ask for that.

1773
01:30:06,760 --> 01:30:08,800
Speaker 2: I feel like you should have to turn on an

1774
01:30:08,880 --> 01:30:11,920
Speaker 2: AI setting in a Gmail and it not just be

1775
01:30:12,000 --> 01:30:15,880
Speaker 2: an assumed thing that I want AI to deduce for me.

1776
01:30:16,160 --> 01:30:18,439
Speaker 3: Oh, this is basically what this text says. This is

1777
01:30:18,560 --> 01:30:19,920
Speaker 3: basically what this email says.

1778
01:30:20,080 --> 01:30:22,880
Speaker 2: No, because then you're gonna miss a joke, a turn

1779
01:30:22,920 --> 01:30:25,960
Speaker 2: of phrase, a little informative thing that's an addition.

1780
01:30:26,240 --> 01:30:31,320
Speaker 3: Yes, don't using your brain they want you to do that.

1781
01:30:31,840 --> 01:30:34,880
Speaker 3: I don't think so, honey, And that's one minute. Thank you.

1782
01:30:35,600 --> 01:30:39,080
Speaker 2: I feel like it's just it's we're starting to accept

1783
01:30:40,000 --> 01:30:43,440
Speaker 2: this idea that everything is supposed to be just summarized

1784
01:30:43,600 --> 01:30:44,960
Speaker 2: or abridged.

1785
01:30:44,439 --> 01:30:47,240
Speaker 3: For us by a thing that is proven to not

1786
01:30:47,439 --> 01:30:53,559
Speaker 3: be correct. What happened to Jena se Qua?

1787
01:30:54,080 --> 01:30:57,719
Speaker 4: What happened to that? Oh, I'm looking at my texts.

1788
01:30:58,000 --> 01:31:02,400
Speaker 4: It's saying bon Yang is expressing affection and is inquiring

1789
01:31:02,439 --> 01:31:03,599
Speaker 4: about Oh.

1790
01:31:06,200 --> 01:31:08,800
Speaker 2: You don't have to do all that. It's really like,

1791
01:31:09,000 --> 01:31:14,760
Speaker 2: I really feel like it's gonna end up with like

1792
01:31:15,040 --> 01:31:19,559
Speaker 2: us being completely ineft at understanding reading.

1793
01:31:20,400 --> 01:31:22,439
Speaker 3: We're not gonna be able to read anymore at this

1794
01:31:22,640 --> 01:31:23,160
Speaker 3: rate reading.

1795
01:31:24,720 --> 01:31:27,519
Speaker 2: And thank you Laurie from Shark Tank because she actually

1796
01:31:27,640 --> 01:31:30,240
Speaker 2: walked through how to disable this setting on the on

1797
01:31:30,320 --> 01:31:33,040
Speaker 2: the Gmail and please go to her Instagram where she

1798
01:31:33,080 --> 01:31:34,920
Speaker 2: does a reel about this and she says at the end,

1799
01:31:34,960 --> 01:31:35,920
Speaker 2: I care about you go.

1800
01:31:35,960 --> 01:31:37,800
Speaker 4: To Instagram look back at your leaves.

1801
01:31:37,920 --> 01:31:39,240
Speaker 3: Well, yeah, don't go to Instagram.

1802
01:31:40,240 --> 01:31:44,720
Speaker 2: But I'm just saying, it's like I have really been

1803
01:31:44,920 --> 01:31:47,639
Speaker 2: shook lately by just how much.

1804
01:31:48,560 --> 01:31:51,160
Speaker 3: They they want you to just accept.

1805
01:31:51,720 --> 01:31:55,040
Speaker 2: Yeah, don't, don't, don't use your brain, be dumbed down,

1806
01:31:55,120 --> 01:31:57,759
Speaker 2: accept this little thing. No, you're you're You're in Sarah

1807
01:31:57,840 --> 01:32:01,920
Speaker 2: sult psychosis. Yeah, constantly if you're relying on AI. And

1808
01:32:02,040 --> 01:32:04,519
Speaker 2: by the way, it's so boring to talk about, but

1809
01:32:04,600 --> 01:32:06,759
Speaker 2: also you have to talk about it because it's everwhare

1810
01:32:06,840 --> 01:32:10,360
Speaker 2: So my YouTube algorithm is purely videos of these are

1811
01:32:10,400 --> 01:32:15,040
Speaker 2: the best RPGs to play. Fine, I'm watching every single video,

1812
01:32:15,479 --> 01:32:18,200
Speaker 2: But now what I'm noticing is, oh, this is This

1813
01:32:18,479 --> 01:32:20,960
Speaker 2: was written by chat JPT because you know what the

1814
01:32:21,080 --> 01:32:23,280
Speaker 2: tell is. This is for everyone in the room and

1815
01:32:23,360 --> 01:32:25,800
Speaker 2: everyone at home. This is the tell when something is

1816
01:32:25,880 --> 01:32:27,959
Speaker 2: written by A. Because I was like, I'm going insane.

1817
01:32:29,400 --> 01:32:32,759
Speaker 2: This is the syntax for everything written by AI, including

1818
01:32:32,840 --> 01:32:34,400
Speaker 2: Gemini and what ell whatever?

1819
01:32:34,760 --> 01:32:39,160
Speaker 3: What's the other one? What have you? It isn't A,

1820
01:32:39,960 --> 01:32:41,840
Speaker 3: it's B. Do you know what I mean?

1821
01:32:41,960 --> 01:32:46,120
Speaker 2: It's like, that's not a martini, that's a drink. That's

1822
01:32:46,600 --> 01:32:49,080
Speaker 2: a gorgeous, savory cold soup.

1823
01:32:49,479 --> 01:32:49,720
Speaker 3: It's like.

1824
01:32:50,479 --> 01:32:53,200
Speaker 2: That is the way AI thinks it's being profound by

1825
01:32:53,280 --> 01:32:56,120
Speaker 2: being like, it's not this, it's that.

1826
01:32:56,720 --> 01:33:00,000
Speaker 4: Look, I have consciousness. I can determine there's a different

1827
01:33:00,040 --> 01:33:00,960
Speaker 4: in between two things.

1828
01:33:01,040 --> 01:33:03,879
Speaker 3: But the way it the way it denotes that difference

1829
01:33:04,000 --> 01:33:09,240
Speaker 3: is it's not this. Can I ask a.

1830
01:33:09,320 --> 01:33:12,120
Speaker 2: Question, when has there ever been a piece of like,

1831
01:33:12,680 --> 01:33:15,880
Speaker 2: when has there ever been like a movie, a television show,

1832
01:33:15,960 --> 01:33:19,240
Speaker 2: whatever that was like here comes to AI and it

1833
01:33:19,479 --> 01:33:20,280
Speaker 2: ended positive?

1834
01:33:20,880 --> 01:33:25,160
Speaker 3: Literally, When have we seen one example of like this being.

1835
01:33:25,040 --> 01:33:27,640
Speaker 2: Introduced into society and it ends in a way that

1836
01:33:27,880 --> 01:33:29,240
Speaker 2: isn't total destruction?

1837
01:33:30,080 --> 01:33:35,679
Speaker 3: Never where do we think this is going? I'm shook.

1838
01:33:35,840 --> 01:33:38,800
Speaker 3: What people just want to march towards day?

1839
01:33:39,920 --> 01:33:41,320
Speaker 5: People are so stupid.

1840
01:33:41,560 --> 01:33:46,000
Speaker 4: Boyfriend, your boyfriend, he has a Google that I don't

1841
01:33:46,000 --> 01:33:47,519
Speaker 4: really know what it's called. It's called like duck dug

1842
01:33:47,600 --> 01:33:51,360
Speaker 4: boots or something that is like a Google without AI.

1843
01:33:51,960 --> 01:34:01,960
Speaker 3: Duck dug boots, goose, don't ask AI. I'm so sorry.

1844
01:34:02,080 --> 01:34:03,160
Speaker 3: I'm so sorry to make well.

1845
01:34:03,200 --> 01:34:05,200
Speaker 4: I said duck duck boots, didn't.

1846
01:34:04,960 --> 01:34:09,320
Speaker 2: I, and now duck duck Michael Rappaport sending me boots now,

1847
01:34:10,240 --> 01:34:13,040
Speaker 2: I want to I want to point out that your boyfriend, yes,

1848
01:34:13,479 --> 01:34:16,040
Speaker 2: is doing the most anti AI thing ever, which is

1849
01:34:16,120 --> 01:34:17,720
Speaker 2: he's going to school.

1850
01:34:17,439 --> 01:34:21,400
Speaker 4: For maps and geography. Bitch, that's the mountains, that's the land.

1851
01:34:21,840 --> 01:34:25,240
Speaker 2: I don't see do I see AI around because we

1852
01:34:25,320 --> 01:34:27,800
Speaker 2: think werver You're thinking, oh, yeah, we've.

1853
01:34:27,560 --> 01:34:29,440
Speaker 3: Mapped the whole sphere.

1854
01:34:29,439 --> 01:34:32,639
Speaker 4: And geography is about things are real and they're happening

1855
01:34:32,720 --> 01:34:33,920
Speaker 4: in your world right now.

1856
01:34:34,160 --> 01:34:37,439
Speaker 3: Yes, it's dynamic and we don't know anything about the ocean.

1857
01:34:38,280 --> 01:34:38,679
Speaker 5: I don't.

1858
01:34:38,960 --> 01:34:41,439
Speaker 4: It's chilling me to my bones. Also, how many people

1859
01:34:42,200 --> 01:34:45,280
Speaker 4: I'm grandma on the computer because I'm going I'm so

1860
01:34:45,600 --> 01:34:48,000
Speaker 4: not going on with it knowing what's going on with AI.

1861
01:34:48,880 --> 01:34:49,960
Speaker 4: I'm so not going No.

1862
01:34:52,040 --> 01:34:55,080
Speaker 3: Bars by the way, bars by the way.

1863
01:34:55,320 --> 01:34:59,400
Speaker 4: I wouldn't even know if something is chat GBT coded

1864
01:34:59,479 --> 01:35:02,719
Speaker 4: because I'm so like, I'm still Grandma on the computer. Baby,

1865
01:35:06,320 --> 01:35:14,000
Speaker 4: you're telling me so many vending machine that takes a

1866
01:35:14,200 --> 01:35:18,080
Speaker 4: live shrimp out of the vending machine, fries it.

1867
01:35:18,400 --> 01:35:22,559
Speaker 3: And wait, what are you talking about? What I'm telling

1868
01:35:22,640 --> 01:35:22,960
Speaker 3: you that.

1869
01:35:25,280 --> 01:35:31,120
Speaker 4: No vending machine, live shrimp. The claw picks up a

1870
01:35:31,160 --> 01:35:33,519
Speaker 4: live shrimp, fries it and then it comes out the way,

1871
01:35:33,640 --> 01:35:36,880
Speaker 4: and I'm going, oh my god, this is amazing.

1872
01:35:37,280 --> 01:35:39,719
Speaker 3: It's time for Sarah Sherman. I don't think so, honey.

1873
01:35:40,439 --> 01:35:41,360
Speaker 4: I don't think so honey.

1874
01:35:43,600 --> 01:35:45,320
Speaker 3: Fuck, this is.

1875
01:35:45,400 --> 01:35:49,599
Speaker 2: Sarah Glory the Sharks. A thing about how you get

1876
01:35:49,800 --> 01:35:52,120
Speaker 2: those settings off your email. That's all I want to say.

1877
01:35:52,840 --> 01:35:56,720
Speaker 2: Not praising billionaires. This is Sarah Sherman's I don't think

1878
01:35:56,800 --> 01:35:58,320
Speaker 2: so honey. Her time starts now.

1879
01:35:59,240 --> 01:36:04,639
Speaker 4: I do not think so honey. People who complain about

1880
01:36:04,920 --> 01:36:07,760
Speaker 4: oh my uber driver talked to me today, Oh shut up.

1881
01:36:07,760 --> 01:36:08,840
Speaker 3: Oh shut up.

1882
01:36:09,120 --> 01:36:09,599
Speaker 4: You're in here.

1883
01:36:09,680 --> 01:36:10,759
Speaker 3: That's a human beer.

1884
01:36:11,520 --> 01:36:14,080
Speaker 4: Have a conversation. Oh, I don't want to talk to anyone.

1885
01:36:14,200 --> 01:36:17,120
Speaker 4: My life is open. I'mself, I'm running around. My life

1886
01:36:17,200 --> 01:36:19,320
Speaker 4: is so busy. I have to move so fat fucking

1887
01:36:19,439 --> 01:36:23,120
Speaker 4: have a goddamn fucking conversation. What's your fucking problem? Hey,

1888
01:36:23,320 --> 01:36:25,080
Speaker 4: how was your day? Oh it's good.

1889
01:36:25,160 --> 01:36:25,640
Speaker 2: What do you do?

1890
01:36:25,760 --> 01:36:27,040
Speaker 4: You know what I say? When someone asked me what

1891
01:36:27,120 --> 01:36:29,719
Speaker 4: I do? I go, I'm on Saturday night, Rive Biggo.

1892
01:36:29,840 --> 01:36:30,280
Speaker 4: What is that?

1893
01:36:30,520 --> 01:36:30,680
Speaker 3: I go?

1894
01:36:31,439 --> 01:36:35,200
Speaker 4: Well, it's a weekly variety comedy show. Whatever. You don't

1895
01:36:35,200 --> 01:36:37,920
Speaker 4: want anyone to talk to you, then take the fucking train.

1896
01:36:38,080 --> 01:36:39,640
Speaker 4: People are gonna talk to you on the train. Do

1897
01:36:39,840 --> 01:36:41,840
Speaker 4: with it. Talk to the meg If you don't want

1898
01:36:41,880 --> 01:36:43,840
Speaker 4: that to talk to you on the train. Fu your

1899
01:36:43,880 --> 01:36:46,240
Speaker 4: clothes off, shot in your hands, smeared all over your body.

1900
01:36:46,640 --> 01:36:48,360
Speaker 4: Be the person on the train that nobody wants to

1901
01:36:48,400 --> 01:36:48,640
Speaker 4: talk to.

1902
01:36:48,760 --> 01:36:50,080
Speaker 5: You can do it.

1903
01:36:50,520 --> 01:36:52,360
Speaker 4: You don't want people to talk to you, start acting

1904
01:36:52,479 --> 01:36:52,680
Speaker 4: like it.

1905
01:36:52,840 --> 01:36:55,920
Speaker 3: Move to a fucking farm and to talk fucking farm,

1906
01:36:56,040 --> 01:36:56,320
Speaker 3: have a.

1907
01:36:56,360 --> 01:37:01,920
Speaker 4: Cow, that's my time, and have a fucking just talked about.

1908
01:37:05,040 --> 01:37:13,320
Speaker 3: To take a ship, spirital over yourself. Absolutely, you're fucked.

1909
01:37:14,600 --> 01:37:17,240
Speaker 4: And listen. Sometimes I someone gives me an inch and

1910
01:37:17,320 --> 01:37:19,000
Speaker 4: I take a mile. So lest and I were in

1911
01:37:19,040 --> 01:37:22,160
Speaker 4: the bathroom a Panera when we were coming back from

1912
01:37:22,200 --> 01:37:23,880
Speaker 4: our trip. You and eighties.

1913
01:37:24,000 --> 01:37:27,840
Speaker 3: So you do take trips. We take trips. Yeah, that

1914
01:37:28,000 --> 01:37:30,160
Speaker 3: was a trip that bond. Did you enjoy it?

1915
01:37:30,720 --> 01:37:32,040
Speaker 4: Time in my life? I think about it. Every day.

1916
01:37:32,520 --> 01:37:32,840
Speaker 3: Have to do it.

1917
01:37:33,479 --> 01:37:36,040
Speaker 4: I had fun three years ago in the bathroom.

1918
01:37:38,439 --> 01:37:42,599
Speaker 3: I remember that Panera. Literally, I get wasted in black

1919
01:37:43,200 --> 01:37:45,280
Speaker 3: What today today?

1920
01:37:46,720 --> 01:37:48,680
Speaker 4: Yeah? You sit there for the rest of the day.

1921
01:37:48,720 --> 01:37:50,560
Speaker 4: We leave you. No, I'm just gonna think about some

1922
01:37:50,720 --> 01:37:52,160
Speaker 4: things I get.

1923
01:37:52,280 --> 01:37:53,679
Speaker 3: I'm really angry and passed.

1924
01:37:54,600 --> 01:37:58,240
Speaker 4: I literally saw a woman in the bathroom at Panera goes,

1925
01:37:58,439 --> 01:37:59,240
Speaker 4: love your pants.

1926
01:38:00,280 --> 01:38:03,800
Speaker 3: So I said, what did you do?

1927
01:38:05,040 --> 01:38:09,680
Speaker 4: This woman's like, wants to go to the bath. Passage goes,

1928
01:38:09,760 --> 01:38:13,439
Speaker 4: I like your pants. I basically stop her dead in

1929
01:38:13,520 --> 01:38:15,519
Speaker 4: her tracks, and I'm like, wow, I got them on

1930
01:38:15,720 --> 01:38:19,280
Speaker 4: email on this. You know, I searched, and I searched

1931
01:38:19,400 --> 01:38:23,559
Speaker 4: clown pants on anybody. I'm actually there is like let

1932
01:38:23,640 --> 01:38:24,000
Speaker 4: the woman.

1933
01:38:24,360 --> 01:38:25,120
Speaker 3: Let the woman go.

1934
01:38:25,640 --> 01:38:32,240
Speaker 2: She was you put me in you rolling your eyes back.

1935
01:38:32,840 --> 01:38:34,280
Speaker 2: We did this when Aga was on the podcast. We

1936
01:38:34,360 --> 01:38:35,920
Speaker 2: read one of our sketches that never got packed. You

1937
01:38:35,960 --> 01:38:37,240
Speaker 2: know you don't want sketch. I want to I want

1938
01:38:37,280 --> 01:38:37,679
Speaker 2: to read.

1939
01:38:38,080 --> 01:38:41,479
Speaker 4: What successing that?

1940
01:38:41,920 --> 01:38:47,320
Speaker 3: No pain zep girl? Do you want to read? Do

1941
01:38:47,439 --> 01:38:49,400
Speaker 3: I get to play? Yes? Well guess what.

1942
01:38:50,160 --> 01:38:52,400
Speaker 4: I don't have my phone on me because I am.

1943
01:38:52,400 --> 01:38:54,439
Speaker 3: Going to send you hold on, hold on, hold on me.

1944
01:38:54,520 --> 01:38:57,240
Speaker 3: Nothing okay, I can get my phone. No, I'm gonna

1945
01:38:57,240 --> 01:38:59,240
Speaker 3: I'm gonna send Becca this.

1946
01:38:59,360 --> 01:39:02,880
Speaker 4: But see how big and encumberating my focus?

1947
01:39:03,040 --> 01:39:05,080
Speaker 3: No no, no, no, no no no, we'll come around this. Wait.

1948
01:39:05,479 --> 01:39:07,120
Speaker 3: Can you read this? And if it flops, then we'll

1949
01:39:07,120 --> 01:39:07,680
Speaker 3: just cut this out.

1950
01:39:07,960 --> 01:39:10,200
Speaker 4: If it flops, I want people to know why.

1951
01:39:10,920 --> 01:39:14,439
Speaker 3: All right, I sent it air drop failed. Hold on,

1952
01:39:14,520 --> 01:39:19,439
Speaker 3: hold on? You did here, Tyler? Okay, what's my role? Okay?

1953
01:39:19,600 --> 01:39:23,559
Speaker 2: You I'm gonna read stage direction and then you Sarah

1954
01:39:23,600 --> 01:39:27,160
Speaker 2: read Sarah, you read Shane.

1955
01:39:27,439 --> 01:39:30,920
Speaker 3: I wrote that we were just when goes. This is great,

1956
01:39:30,960 --> 01:39:33,080
Speaker 3: This is great, and then you read all the other parts.

1957
01:39:33,120 --> 01:39:37,040
Speaker 2: Okay, okay, okay, So I'm just Shane. You're Shane and

1958
01:39:37,040 --> 01:39:39,120
Speaker 2: everyone else Shane and everyone else.

1959
01:39:39,720 --> 01:39:39,920
Speaker 3: Huh.

1960
01:39:40,000 --> 01:39:40,880
Speaker 4: This is Keenan's favorite.

1961
01:39:40,880 --> 01:39:41,760
Speaker 3: This is Keenan sarahs guy.

1962
01:39:41,800 --> 01:39:45,280
Speaker 2: Wait, so so then I'm also Heidi and andrewid. I'm

1963
01:39:45,280 --> 01:39:47,920
Speaker 2: gonna read all you have to do the voice. But

1964
01:39:47,960 --> 01:39:49,160
Speaker 2: then i'm yes, and that's okay.

1965
01:39:49,680 --> 01:39:50,160
Speaker 4: I'm reading.

1966
01:39:50,200 --> 01:39:51,040
Speaker 3: I'm reading stage.

1967
01:39:50,840 --> 01:39:53,760
Speaker 2: Direction, but you have to do everyone's voice. Took Okay,

1968
01:39:54,280 --> 01:39:58,080
Speaker 2: open on exterior pain stip Studio. We go Live Shane

1969
01:39:58,280 --> 01:40:02,280
Speaker 2: with Willie Nelson Braid's leads. It's a painting session. Andrew Ago,

1970
01:40:02,439 --> 01:40:05,639
Speaker 2: Heidi Bone and Sarah are sitting at canvases. All right, folks,

1971
01:40:05,680 --> 01:40:08,360
Speaker 2: thanks for coming to the plastered palette. My name, as

1972
01:40:08,439 --> 01:40:14,440
Speaker 2: you know, is Rachel Dolozov. No relation as you know, cell.

1973
01:40:16,120 --> 01:40:19,640
Speaker 3: You said as you know twice and we definitely don't know.

1974
01:40:20,120 --> 01:40:21,080
Speaker 3: We're just meeting you.

1975
01:40:22,240 --> 01:40:26,560
Speaker 2: And also also you know, I was dropped on my

1976
01:40:26,800 --> 01:40:29,880
Speaker 2: penis as a child, So if it becomes just spontaneously

1977
01:40:29,960 --> 01:40:33,280
Speaker 2: aroused during our session, you can't take legal action against

1978
01:40:33,320 --> 01:40:36,800
Speaker 2: me because it's a disability. Long beat knocks on the

1979
01:40:36,880 --> 01:40:44,519
Speaker 2: table twice, eh, Heny who We're thrilled to host this

1980
01:40:44,640 --> 01:40:47,400
Speaker 2: corporate offside for Uniceal adhesives.

1981
01:40:47,520 --> 01:40:48,800
Speaker 3: You guys ready to paint and sit?

1982
01:40:49,920 --> 01:40:50,120
Speaker 2: Yeah?

1983
01:40:50,240 --> 01:40:51,280
Speaker 4: Where the brush is at?

1984
01:40:51,520 --> 01:40:53,519
Speaker 3: Come on now, amazing balls.

1985
01:40:54,000 --> 01:40:56,120
Speaker 2: Now, in addition to your drinks, you should have a

1986
01:40:56,280 --> 01:40:59,960
Speaker 2: water cup to clean your brushes. Oh so I shouldn't

1987
01:41:00,040 --> 01:41:02,120
Speaker 2: paint with my wine and sit my paint.

1988
01:41:03,920 --> 01:41:07,200
Speaker 3: Definitely not. I'm just joshing, y'elle.

1989
01:41:07,560 --> 01:41:11,479
Speaker 2: Wouldn't waste the drop of this veno me either, not

1990
01:41:11,640 --> 01:41:16,040
Speaker 2: after the drought ravage those vineyards. I know climate change

1991
01:41:16,160 --> 01:41:16,719
Speaker 2: is good.

1992
01:41:17,200 --> 01:41:17,880
Speaker 3: Say no more?

1993
01:41:18,280 --> 01:41:21,760
Speaker 4: What those icebergs melt, Those fat ass polar bears could

1994
01:41:21,800 --> 01:41:24,320
Speaker 4: stand to swim, some appen.

1995
01:41:23,800 --> 01:41:26,120
Speaker 2: And Greta Thunberg could stand at tripped as the four

1996
01:41:26,240 --> 01:41:29,320
Speaker 2: with those iebags. They're not Gucci, honey, they're puffy.

1997
01:41:29,840 --> 01:41:33,760
Speaker 3: Know what I'm saying? Musing theme? They interrupted, confused and

1998
01:41:33,840 --> 01:41:35,160
Speaker 3: they dumped to the Rockey clears.

1999
01:41:35,200 --> 01:41:39,679
Speaker 2: They're the wrong takeaway guys, say no more, the wrong

2000
01:41:39,760 --> 01:41:42,760
Speaker 2: takeaway guys, and they.

2001
01:41:42,760 --> 01:41:46,080
Speaker 3: Have their own theme song. Awesome. Now, who wants to

2002
01:41:46,160 --> 01:41:53,920
Speaker 3: see what we're painting tonight? It's a dog on the beach.

2003
01:41:54,080 --> 01:41:56,720
Speaker 3: Shane turned his easel. Oh now that's cute. All right,

2004
01:41:57,920 --> 01:42:00,880
Speaker 3: now that's cute. Oh my gosh. It looks just like

2005
01:42:00,960 --> 01:42:02,400
Speaker 3: your chihuahua, Pauline.

2006
01:42:02,920 --> 01:42:04,040
Speaker 5: It does you know?

2007
01:42:04,160 --> 01:42:07,439
Speaker 2: Ever since we rescued Pauline, it's like did we rescue

2008
01:42:07,520 --> 01:42:09,400
Speaker 2: her or did she say no more?

2009
01:42:09,400 --> 01:42:12,160
Speaker 3: O shop, don't adopt, don't want any damage.

2010
01:42:12,160 --> 01:42:17,280
Speaker 2: A little free dragging their traumas and open moods into motaw.

2011
01:42:17,120 --> 01:42:18,320
Speaker 3: Purebreads are bust.

2012
01:42:18,520 --> 01:42:21,639
Speaker 4: I want a dog, I can show off at the grove.

2013
01:42:22,240 --> 01:42:27,000
Speaker 2: No, I'm saying, Uh, he's talking on the phone. Uh, Mom,

2014
01:42:27,360 --> 01:42:30,519
Speaker 2: I'm gonna be home late tonight. Something amazing is happening?

2015
01:42:31,439 --> 01:42:33,799
Speaker 2: Greg and Cheg What are you guys drinking?

2016
01:42:34,040 --> 01:42:37,040
Speaker 4: We've been shot gunning our dooles since seven am.

2017
01:42:37,400 --> 01:42:38,879
Speaker 3: The shotgun two beers.

2018
01:42:39,479 --> 01:42:43,040
Speaker 2: You guys are shot gunning non alcoholic beer. Oh wait,

2019
01:42:43,320 --> 01:42:46,000
Speaker 2: I have on here that the session was for six people.

2020
01:42:46,120 --> 01:42:47,080
Speaker 3: Are we missing someone?

2021
01:42:47,600 --> 01:42:51,880
Speaker 2: Yeah? Our officer, our office manager. Kyle's flight got delayed. God,

2022
01:42:51,960 --> 01:42:54,960
Speaker 2: air traveler is so screwed up lately. We really need

2023
01:42:55,080 --> 01:42:57,560
Speaker 2: to start driving planes on the ground like cars to

2024
01:42:57,640 --> 01:43:00,040
Speaker 2: stop them from blowing up in the sky in her.

2025
01:43:01,520 --> 01:43:04,680
Speaker 3: Hurting birds. Say no more and get rid of.

2026
01:43:04,800 --> 01:43:07,639
Speaker 4: The black boxes. Let it be a mystery.

2027
01:43:08,040 --> 01:43:13,439
Speaker 2: No, no, we don't know what you're saying. Planes as cars?

2028
01:43:13,920 --> 01:43:16,519
Speaker 2: How would that work? We live in Manhattan, Sata Moore.

2029
01:43:16,600 --> 01:43:19,880
Speaker 2: They should pull your Central park and build.

2030
01:43:19,680 --> 01:43:23,160
Speaker 3: A new per all hell the sun?

2031
01:43:23,320 --> 01:43:26,920
Speaker 2: God raw, Can I ask what Greg and Shag do

2032
01:43:27,120 --> 01:43:30,800
Speaker 2: with the company. They're the founder CEOs. We're a blue

2033
01:43:30,920 --> 01:43:32,960
Speaker 2: company and they own a big horse farm.

2034
01:43:33,320 --> 01:43:35,280
Speaker 4: My boy, we finished our painting.

2035
01:43:35,520 --> 01:43:38,519
Speaker 2: They flip their canvases to reveal paintings of a priest

2036
01:43:38,720 --> 01:43:39,759
Speaker 2: behind bars?

2037
01:43:40,120 --> 01:43:41,639
Speaker 3: Is that a priest in jail?

2038
01:43:42,120 --> 01:43:42,240
Speaker 2: Oh?

2039
01:43:42,320 --> 01:43:45,360
Speaker 3: My god? That belongs in Sata Moore In the louver.

2040
01:43:45,920 --> 01:43:49,240
Speaker 3: I was gonna say in the Garpege read my lips.

2041
01:43:49,040 --> 01:43:53,479
Speaker 4: Read and read Church and state post haste, but privatize prison.

2042
01:43:53,760 --> 01:43:54,360
Speaker 3: That's enough.

2043
01:43:55,160 --> 01:43:57,240
Speaker 2: We thought this would bring us together as a team,

2044
01:43:57,320 --> 01:43:59,639
Speaker 2: but your wrong takeaways are tearing us apart.

2045
01:44:00,280 --> 01:44:00,960
Speaker 3: So we quit.

2046
01:44:03,040 --> 01:44:06,800
Speaker 2: Wait, guys, Greg and Chag just want to express themselves

2047
01:44:07,240 --> 01:44:09,040
Speaker 2: and this place is more than pain and sip.

2048
01:44:09,640 --> 01:44:13,360
Speaker 3: It's a pain. Sip and listen and forgive.

2049
01:44:14,520 --> 01:44:14,760
Speaker 2: Wow.

2050
01:44:15,360 --> 01:44:19,519
Speaker 3: We're sorry, Well this is wow. We're sorry we yelled

2051
01:44:19,520 --> 01:44:22,679
Speaker 3: at you. Greg and Cheg. You guys really are good bosses.

2052
01:44:22,880 --> 01:44:26,280
Speaker 3: Even if we disagree sometimes say no more. A multitude

2053
01:44:26,320 --> 01:44:29,599
Speaker 3: of opinions makes us stronger as a team. Wow, that's

2054
01:44:29,640 --> 01:44:38,800
Speaker 3: actually true. On opposite day, guys, wrong takeaway, guys, Look, guys,

2055
01:44:38,920 --> 01:44:42,400
Speaker 3: I painted two girls kissing. Shane grabs his crotch. Ah,

2056
01:44:43,160 --> 01:44:44,280
Speaker 3: my disability.

2057
01:44:45,120 --> 01:44:51,880
Speaker 4: Not one laugh. There's twelve people in the room.

2058
01:44:52,880 --> 01:44:53,839
Speaker 5: No one laughing.

2059
01:44:54,320 --> 01:44:57,519
Speaker 3: No, I saw some smiles because I don't think.

2060
01:44:58,760 --> 01:45:00,720
Speaker 2: I don't know, because I I think because I read

2061
01:45:00,760 --> 01:45:03,080
Speaker 2: all the other parts, people can't tell.

2062
01:45:03,640 --> 01:45:06,360
Speaker 4: But I do think we should keep the entire thing

2063
01:45:07,240 --> 01:45:09,960
Speaker 4: what Gregan Cheg is confused.

2064
01:45:10,200 --> 01:45:14,879
Speaker 3: Greg and Chagg, they're the founder CEOs of a glue company. Honestly,

2065
01:45:15,360 --> 01:45:17,240
Speaker 3: I think it works. I think we keep it in.

2066
01:45:17,439 --> 01:45:21,000
Speaker 3: I wish in retrospect I had done more different kinds

2067
01:45:21,000 --> 01:45:24,879
Speaker 3: of cold read. You were amazing, And I kept.

2068
01:45:24,760 --> 01:45:27,800
Speaker 4: Seeing the name Shane and thinking it said Sarah because

2069
01:45:27,800 --> 01:45:31,840
Speaker 4: I'm blackout start. I would start to do the line

2070
01:45:31,880 --> 01:45:38,040
Speaker 4: and go, now that's the celebrity host mama, So why

2071
01:45:38,080 --> 01:45:39,200
Speaker 4: did that go straight to air?

2072
01:45:40,439 --> 01:45:45,280
Speaker 2: I tabled it, like, by the way, please watch the

2073
01:45:45,360 --> 01:45:50,400
Speaker 2: incident on YouTube. A Cuver time sketch that I think

2074
01:45:50,600 --> 01:45:52,720
Speaker 2: is it stands as one of your best, it's one

2075
01:45:52,760 --> 01:45:53,280
Speaker 2: of my best.

2076
01:45:53,760 --> 01:45:57,639
Speaker 3: And I was Tan Taylor.

2077
01:45:58,240 --> 01:46:01,920
Speaker 4: She's literally someone I love your shirt. She'd be like,

2078
01:46:02,080 --> 01:46:06,519
Speaker 4: you can have it, literally shirt off your back vibes

2079
01:46:07,080 --> 01:46:12,759
Speaker 4: she I've always Also, I would just be like looking

2080
01:46:12,840 --> 01:46:14,360
Speaker 4: at her because she's beautiful all day.

2081
01:46:15,360 --> 01:46:18,040
Speaker 2: The most gorgeous is is she like she really feels

2082
01:46:18,080 --> 01:46:19,760
Speaker 2: like she carries the light, Like she's like comes in

2083
01:46:19,800 --> 01:46:22,200
Speaker 2: a room and is like gorgeous and it's a beautiful experience.

2084
01:46:22,400 --> 01:46:26,160
Speaker 4: Yes, and she wears like big baggy pants and baggy coats,

2085
01:46:26,240 --> 01:46:29,559
Speaker 4: but you're like, I can see right through this baggy coats.

2086
01:46:29,600 --> 01:46:31,320
Speaker 4: You're the most beautiful body in America.

2087
01:46:31,560 --> 01:46:32,360
Speaker 3: Yeah, she really does that.

2088
01:46:32,960 --> 01:46:34,720
Speaker 2: I was like, oh my god, every time you see her,

2089
01:46:34,760 --> 01:46:38,880
Speaker 2: you're like, I fucking forgot you are crazy hot.

2090
01:46:39,000 --> 01:46:41,720
Speaker 4: I'm gonna pull a stunt and wear that exact dress

2091
01:46:41,880 --> 01:46:44,200
Speaker 4: on my fat ass and really, heads will turn.

2092
01:46:44,360 --> 01:46:46,360
Speaker 3: What fat ass are you talking about?

2093
01:46:46,520 --> 01:46:46,760
Speaker 5: Girl?

2094
01:46:47,000 --> 01:46:50,840
Speaker 4: I'm fat like a Christmas house. We have to go.

2095
01:46:52,160 --> 01:46:58,519
Speaker 2: This is historic, a wonderful mic. No, I don't think

2096
01:46:58,640 --> 01:47:02,720
Speaker 2: we have no how many episodes? Literally five hundred over

2097
01:47:02,800 --> 01:47:03,320
Speaker 2: five hundred.

2098
01:47:03,360 --> 01:47:03,840
Speaker 3: We missed it.

2099
01:47:03,960 --> 01:47:08,280
Speaker 2: We definitely missed from hundredth We're well over it. Sarah

2100
01:47:08,280 --> 01:47:11,760
Speaker 2: Sherman watched it four forty was actually four hundred. We

2101
01:47:11,880 --> 01:47:13,880
Speaker 2: are forty episodes over our four hundred.

2102
01:47:14,200 --> 01:47:15,439
Speaker 3: No, we're so over away.

2103
01:47:15,760 --> 01:47:18,200
Speaker 2: We might as well just wait until six hundred because

2104
01:47:18,240 --> 01:47:20,599
Speaker 2: we're about to celebrate our ten year anniversary, which kind

2105
01:47:20,640 --> 01:47:21,920
Speaker 2: of is the five hundred.

2106
01:47:22,080 --> 01:47:28,280
Speaker 3: But it's like Nicole Kidman. No, we end every episode

2107
01:47:28,320 --> 01:47:28,760
Speaker 3: with the song.

2108
01:47:29,560 --> 01:47:43,880
Speaker 8: Actually yeah, but you feeling feeling the same boy want

2109
01:47:44,040 --> 01:47:46,640
Speaker 8: to you know, gotta let it go because my.

2110
01:47:46,920 --> 01:47:56,719
Speaker 4: Body let him Ben deep.

2111
01:47:56,880 --> 01:48:00,160
Speaker 3: Don't you know it's best weep but with you. I

2112
01:48:00,320 --> 01:48:03,080
Speaker 3: hate the thought of a beer with someone else, but

2113
01:48:03,280 --> 01:48:05,400
Speaker 3: you know that it's over.

2114
01:48:15,160 --> 01:48:15,960
Speaker 5: What a You co.

2115
01:48:17,439 --> 01:48:21,960
Speaker 2: Bye Last Culture Reactis is the production by Will Ferrell's

2116
01:48:21,960 --> 01:48:25,240
Speaker 2: Big Money Players in iHeartRadio podcasts. Created and hosted by

2117
01:48:25,320 --> 01:48:28,639
Speaker 2: Matt Rogers and Bowen Yang, executive produced by Anna hasby

2118
01:48:28,680 --> 01:48:31,320
Speaker 2: A and produced by Becca Ramos, Edited and mixed by

2119
01:48:31,400 --> 01:48:33,920
Speaker 2: Doug Bain and our music is by mcmirsky