WEBVTT - #465 - MC Magic

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<v Speaker 1>What's up, y'all, it's your boy MC magic from a Zilla.

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<v Speaker 1>Make sure you don't miss the podcast with Bootleg Cab

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<v Speaker 1>We Live.

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<v Speaker 2>Baby, Bootleg Cavs, show Man, special guests in here, Mike

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<v Speaker 2>got mc magic, Thanks.

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<v Speaker 1>For having me, my brother man. It's a good time

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<v Speaker 1>being here. Not the first time, of course, but congratulations

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<v Speaker 1>to you too, Arizona Boys up Baby.

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<v Speaker 3>Yes, sir man, you got the new album out right now?

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<v Speaker 3>God bless Chicanos. Which is it's like a short but

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<v Speaker 3>sweet project?

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<v Speaker 2>Was it?

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<v Speaker 1>Eleven records, eleven eleven songs?

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<v Speaker 4>Yeah?

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<v Speaker 1>Is that short now?

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<v Speaker 4>I guess it is? Now right.

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<v Speaker 3>I'm thinking like you've had some albums with some fucking

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<v Speaker 3>joints on there.

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<v Speaker 1>Yeah, nineteen nineteen songs, and you know, we live in

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<v Speaker 1>a different era, Bootleg. Matter of fact, most of the

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<v Speaker 1>people that give advice about how to release your music,

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<v Speaker 1>they say, stay away from albums. Nobody pays attention to

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<v Speaker 1>the whole album. Just do single, single, single single. But

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<v Speaker 1>I'm from the old school man. I think an album

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<v Speaker 1>has a special place in my heart and a special

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<v Speaker 1>place in real music lover's heart.

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<v Speaker 3>And I feel like you have a fan base that

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<v Speaker 3>most artists don't have. Most artists are trying to get

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<v Speaker 3>thrown into the algorithm of the single I see, I see.

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<v Speaker 1>Yeah.

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<v Speaker 3>They try to you know, get like in a bottle,

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<v Speaker 3>get a TikTok hit mean you have like fans who

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<v Speaker 3>will like break bread you know.

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<v Speaker 1>No doubt, and man, man, we really do. Man, it's crazy.

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<v Speaker 1>And after thirty years of almost thirty years check it out.

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<v Speaker 1>In twenty twenty five will be thirty years that my

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<v Speaker 1>first album drop. And it's also thirty years of my

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<v Speaker 1>wedding anniversary.

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<v Speaker 3>Wow, wait, thirty years since which album?

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<v Speaker 1>Don't worry coming out the Phex lost the Love.

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<v Speaker 4>I was about to dude, I'm old as fun damn

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<v Speaker 4>you know, but I'm proud of it. I'm proud of

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<v Speaker 4>you should be longevity. Man.

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<v Speaker 1>No, people are talking about, hey, bro, how come Google

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<v Speaker 1>says you're forty seven? I no, I'm fifty seven and

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<v Speaker 1>I earned them.

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<v Speaker 4>Yeah.

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<v Speaker 3>No, that's good though, man, feel like to like, you know,

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<v Speaker 3>I always say, like, you know, if you can move

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<v Speaker 3>the it's really easy to watch people go in and

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<v Speaker 3>out of this business, you know, whether it's hip hop, pop, whatever.

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<v Speaker 3>When they move like assholes, when they move with like

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<v Speaker 3>a lot of disrespect, and I feel like you've always

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<v Speaker 3>kind of made sure that you move a certain direction

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<v Speaker 3>a certain way while also kind of like, you know,

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<v Speaker 3>staying true to yourself and.

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<v Speaker 1>No doubt, no doubt, You're a big relationships guy. You know,

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<v Speaker 1>I'm big on integrity. Can if you say I'm gonna

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<v Speaker 1>meet you at ten, I'm that guy that I was

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<v Speaker 1>late today, Guys, I wasn't throwing the shot. But but

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<v Speaker 1>not just not just meetings, you know in general. You

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<v Speaker 1>know when you when you do a solid for someone, sure, whatever,

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<v Speaker 1>whatever it is. I'm big on integrity because at the

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<v Speaker 1>end of the day, you can lose all your money,

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<v Speaker 1>you can lose all your belongings. But your word is gold. Yep,

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<v Speaker 1>your word is bond. And that's a New York thing.

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<v Speaker 1>You know what is bond?

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<v Speaker 4>Kid? For sure? For sure?

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<v Speaker 1>And I believe that.

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<v Speaker 3>Can you walk me through. I want to get to

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<v Speaker 3>a few things with the album. But the last song

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<v Speaker 3>of the album, you guys did a remake that Drodi

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<v Speaker 3>and Oates had thrown out there randomly. It was out

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<v Speaker 3>for a second, it was and I told them when

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<v Speaker 3>they dropped it, I said, hey, you guys should reach

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<v Speaker 3>out to Magic. I'm not sure the specifics of that record,

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<v Speaker 3>because it did come out on Upstairs. Yeah, right, And

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<v Speaker 3>from what I understand.

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<v Speaker 1>Joe Lopez John is the owner, Okay, Joe's his wife.

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<v Speaker 4>Okay.

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<v Speaker 3>So from what I was always told was that they're

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<v Speaker 3>not the easiest people to clear things.

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<v Speaker 1>I see, you know, I don't know how many people

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<v Speaker 1>have reached out to them to clear things.

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<v Speaker 3>But we got a homegirl who redid the summer nights, okay,

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<v Speaker 3>and it was a up uphill battle. I see, I

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<v Speaker 3>believe it, But but how so can you kind of

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<v Speaker 3>give me what you guys did to actually officially release

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<v Speaker 3>the song.

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<v Speaker 1>I was happy that they did it because because really

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<v Speaker 1>it's it's respect. If the song wasn't good, they wouldn't

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<v Speaker 1>even touch it. So I take it as as a

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<v Speaker 1>as a as respect when they remade pretty Girl and

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<v Speaker 1>they just called it pretty Girl. But one of the

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<v Speaker 1>problems in music is if you have the same title

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<v Speaker 1>royalty wise, percentage wise, it's hard for them for Askap

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<v Speaker 1>and b and might have figured out because they got

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<v Speaker 1>the same title and it was the same song, and

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<v Speaker 1>I think that was the mistake that they made. Didn't

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<v Speaker 1>add a letter to it or something to distinguish it,

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<v Speaker 1>and so uh, real quickly it got it got it

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<v Speaker 1>got taken down because of copyright issues, and I couldn't

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<v Speaker 1>do nothing about that because they owned the master, you know,

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<v Speaker 1>even though I wrote it and produced it. Uh and

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<v Speaker 1>they they owned the master. So they took it down.

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<v Speaker 1>And and those guys reached out to me after the fact,

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<v Speaker 1>you know, I talked to Drodi. I said, don't worry

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<v Speaker 1>about it, man, Let's just remake it with no samples.

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<v Speaker 4>So that's what I did. You you re sang it.

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<v Speaker 4>That's kind of really did everything.

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<v Speaker 1>There's no samples in the new version of the original,

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<v Speaker 1>but it still feels like the original.

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<v Speaker 3>Well that's what I was gonna say, because is that

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<v Speaker 3>kind of like what Taylor Swift recently did.

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<v Speaker 4>Yeah, exactly, she re recorded her whole.

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<v Speaker 1>Yeah, it's a new master of a song that I created.

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<v Speaker 1>You know, an IP You can't you can't take that away.

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<v Speaker 3>You don't take that away from you because you write

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<v Speaker 3>that song. Yeah, that's so it's a nice loophole.

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<v Speaker 1>Yeah, it's a good loophole in the music industry. I mean,

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<v Speaker 1>Taylor Swift has made billions off off of doing that.

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<v Speaker 1>You know, she tells everybody go get my new compilation

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<v Speaker 1>of the same song.

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<v Speaker 4>Yeah, and it's a new recording.

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<v Speaker 1>It's a new recording of the same song. And so

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<v Speaker 1>it's her master now it's no longer the master that

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<v Speaker 1>she got a fat advance.

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<v Speaker 4>For, right, Yeah, that's were they happy about it?

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<v Speaker 1>Yeah, they were, and and and we finished it back

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<v Speaker 1>in December.

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<v Speaker 4>No, no, I mean upstairs records.

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<v Speaker 1>I don't know.

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<v Speaker 4>I don't know.

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<v Speaker 1>I don't know, man, Yeah, yeah, we don't. We don't talk.

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<v Speaker 1>We have no issue. I mean, no, no kind of relationship.

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<v Speaker 1>Only I knew that.

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<v Speaker 4>I just didn't know if like they'd like try to hate.

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<v Speaker 1>No, they haven't told me anything they have. But I

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<v Speaker 1>didn't break any rules, for sure, break any rules. I mean,

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<v Speaker 1>that's my original lyrics, something about you. Those were my lyrics,

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<v Speaker 1>you feel me, for sure? And so just to re

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<v Speaker 1>sing my lyrics, yeah, it's no problem.

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<v Speaker 3>And so you guys when Ot was in Phoenix, you

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<v Speaker 3>guys shot a video in Phoenix for that song. We did,

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<v Speaker 3>and I remember me and Ote would talk about it

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<v Speaker 3>all the time and he'd be like, man, I don't

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<v Speaker 3>know when the fuck that thing's coming out.

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<v Speaker 1>Bro.

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<v Speaker 4>We had shot that video so long.

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<v Speaker 1>So what happened is is that I, uh that I finished.

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<v Speaker 1>We finished that one in December, and we shot the

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<v Speaker 1>video because Ot was doing the show in December, so

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<v Speaker 1>we piggybacked off the video the same day of his

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<v Speaker 1>video actually and uh our same day of his show,

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<v Speaker 1>I mean. And so I had it done and then

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<v Speaker 1>I got two more features from him, that Bounce and

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<v Speaker 1>another one that I haven't dropped yet that I'm saying

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<v Speaker 1>that's in the can. But the hold up was getting

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<v Speaker 1>the clearance from Interscope. So getting that waiver from Interscope

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<v Speaker 1>it took a little bit. We got out, we had

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<v Speaker 1>all the paperwork done, all the finances were done, all

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<v Speaker 1>the legal fees were done, everything was taken care of,

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<v Speaker 1>and Interscope just kind of took their time. And then

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<v Speaker 1>finally on a Tuesday, they said they sent me an

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<v Speaker 1>email said if you want to drop this Friday, go ahead,

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<v Speaker 1>but other other than that, we don't know when we

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<v Speaker 1>can give you a date. And I'm like, it's dropping

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<v Speaker 1>this Friday.

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<v Speaker 3>Yeah, because you guys shot I remember when Coyote was here,

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<v Speaker 3>we did an interview and then either that night or

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<v Speaker 3>first thing in the morning, they had to catch a

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<v Speaker 3>flight to.

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<v Speaker 1>He's right, yeah, right the next day, Uh, they left

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<v Speaker 1>from here, I think the next day. It was crazy

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<v Speaker 1>because I really felt a lot of love from Ot

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<v Speaker 1>that day. Because our video shoot was supposed to start

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<v Speaker 1>at two pm in Houston. We again, we worked it

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<v Speaker 1>around his schedule.

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<v Speaker 4>He was did shoot both videos, the one that's coming

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<v Speaker 4>out soon.

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<v Speaker 1>Yes, he shot and edited both. So we got there.

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<v Speaker 1>It was for a two pm video shoot, it was

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<v Speaker 1>supposed to be, but the airlines were having problems and

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<v Speaker 1>we were We were four hours late, me and the YODI.

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<v Speaker 1>So we pulled up, you know, in the rental change

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<v Speaker 1>right into filming.

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<v Speaker 4>Damn, you wouldn't even know. You would not have guessed

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<v Speaker 4>watching the video exactly.

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<v Speaker 1>And then Ot he had already been there waiting four

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<v Speaker 1>hours for us.

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<v Speaker 4>Uh.

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<v Speaker 1>It was done at this little place called Chicano Boulevard.

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<v Speaker 1>Oh shit, you know, and it really it w went

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<v Speaker 1>well with the title too.

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<v Speaker 4>You know. I saw do boy pulled up. But who

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<v Speaker 4>else was in the video? The baby ba Baby Bash

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<v Speaker 4>was pushing up LOGI shouts to.

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<v Speaker 1>Bash, Yeah, my brother bash Man. We've been doing so

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<v Speaker 1>much work together.

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<v Speaker 4>Yo.

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<v Speaker 3>It's crazy to think because me and Bash had a

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<v Speaker 3>conversation recently about how he's never been busier on the

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<v Speaker 3>road in his career. Yeah, and I feel like the

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<v Speaker 3>same is probably said for you.

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<v Speaker 1>Yeah, the same is for me. You know, a lot

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<v Speaker 1>of things have changed, keV. You know, even just going

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<v Speaker 1>out to do what they called promo shows back in

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<v Speaker 1>the days, you know, radio stations and the label would

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<v Speaker 1>abuse the artists so that they both can win, and

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<v Speaker 1>the artists went on to be Yeah, artists would go

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<v Speaker 1>home broke.

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<v Speaker 4>A look or for the record appeah yeah, yeah, to.

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<v Speaker 1>Get the ad, to get the spins to get you.

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<v Speaker 4>Sure you did a lot of those, of course. Yeah.

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<v Speaker 1>Of course. Even after I left I went back independent

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<v Speaker 1>with the with the Magic City, I still had to

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<v Speaker 1>do a lot of radio stuff, but it really helped.

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<v Speaker 1>It really helped because Sexy Lady, I mean, of all

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<v Speaker 1>my albums, Magic City is the only one that went

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<v Speaker 1>number one on Billboard. Wow, number one on the independent chart.

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<v Speaker 1>It's called the heat Seeker chart.

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<v Speaker 3>Yeah.

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<v Speaker 1>Yeah, yeah, So in two thousand and six, I went

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<v Speaker 1>number one on Billboard.

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<v Speaker 4>And you had a real hit.

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<v Speaker 3>I mean, Sexy Lady was like, is I just want

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<v Speaker 3>to know, Like I live in Arizona at the time

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<v Speaker 3>and that song if you cannot turn the fucking radio

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<v Speaker 3>on with out hearing that song.

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<v Speaker 1>I remember the night jock name was Sander.

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<v Speaker 3>Pena, who's currently in LA doing her thing.

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<v Speaker 1>That's right. So it was it was a top nine

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<v Speaker 1>at nine. They would do every night, and I think

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<v Speaker 1>I was number one for at least two months straight.

0:09:56.520 --> 0:09:56.760
<v Speaker 4>Yeah.

0:09:56.880 --> 0:09:57.640
<v Speaker 1>That was amazing.

0:09:57.720 --> 0:09:59.480
<v Speaker 4>And there's still not a real video.

0:10:00.440 --> 0:10:02.320
<v Speaker 1>No, it's just that one thing that I shot at

0:10:02.320 --> 0:10:04.520
<v Speaker 1>the rate of state dais three day times three. My

0:10:04.640 --> 0:10:07.600
<v Speaker 1>son who's been with me for the whole journey, I

0:10:07.600 --> 0:10:10.440
<v Speaker 1>think he was in high school. We filmed an unplugged

0:10:10.480 --> 0:10:11.960
<v Speaker 1>version at a studio.

0:10:12.040 --> 0:10:14.360
<v Speaker 3>Have you thought about I don't know what your relationships

0:10:14.400 --> 0:10:18.920
<v Speaker 3>like with Caine, but have you Juvenile just shot a

0:10:19.040 --> 0:10:22.240
<v Speaker 3>video from four hundred degrees earlier this year? Yeah, I

0:10:22.280 --> 0:10:24.920
<v Speaker 3>mean we're talking about that was nineteen ninety nine. Yeah,

0:10:25.000 --> 0:10:28.080
<v Speaker 3>and he just shot and re released the video. Do

0:10:28.120 --> 0:10:29.720
<v Speaker 3>you think it's a good idea to be a sexy

0:10:29.800 --> 0:10:30.360
<v Speaker 3>lady video you?

0:10:30.480 --> 0:10:31.920
<v Speaker 1>I feel like you have to do anyboy. We got

0:10:31.920 --> 0:10:33.439
<v Speaker 1>to do a sexy lady video.

0:10:34.240 --> 0:10:37.040
<v Speaker 3>Bro, especially if you're gonna do I mean, I don't

0:10:37.160 --> 0:10:39.000
<v Speaker 3>I'm necessary say because you're always on the road, so

0:10:39.000 --> 0:10:42.640
<v Speaker 3>you're always doing shows. Oh yeah, but I think you said, Oh,

0:10:42.760 --> 0:10:45.600
<v Speaker 3>I think for in twenty twenty six, Yeah, the twenty

0:10:45.679 --> 0:10:46.400
<v Speaker 3>year anniversary.

0:10:46.520 --> 0:10:48.600
<v Speaker 4>Yeah yeah, you guys should get that in the can.

0:10:49.240 --> 0:10:51.440
<v Speaker 3>That'd be sick drop it and then you could drop

0:10:51.559 --> 0:10:55.040
<v Speaker 3>like a special commemorative Yeah, think just for the fans.

0:10:55.800 --> 0:10:58.360
<v Speaker 4>I would like that. I think it's beautiful. Good with Kine,

0:10:58.920 --> 0:11:01.559
<v Speaker 4>with djk oh yeah, we're brothers. Oh yeah, yeah yeah,

0:11:01.559 --> 0:11:04.680
<v Speaker 4>then then what are you doing? Yeah, yeah, you got to.

0:11:04.760 --> 0:11:06.920
<v Speaker 4>But I would do it in two years.

0:11:07.120 --> 0:11:10.120
<v Speaker 3>Drop it in two years on the anniversary of Because

0:11:10.120 --> 0:11:10.760
<v Speaker 3>that's crazy.

0:11:10.920 --> 0:11:12.000
<v Speaker 4>That's crazy that that song.

0:11:12.120 --> 0:11:14.280
<v Speaker 1>Why don't you sponsor it that we can put executive

0:11:14.280 --> 0:11:18.720
<v Speaker 1>produced by Bootleg I get some sponsors for you.

0:11:18.720 --> 0:11:20.120
<v Speaker 4>You said odd socks and beyond the.

0:11:20.240 --> 0:11:25.760
<v Speaker 3>Odds that motherfucker shots of hard Dean. Yeah, but no,

0:11:26.240 --> 0:11:27.040
<v Speaker 3>I think that'd be dope.

0:11:27.080 --> 0:11:28.880
<v Speaker 4>Though, that would be dope. That would be dope.

0:11:29.400 --> 0:11:32.320
<v Speaker 1>Uh. You know, of the of the eleven songs on

0:11:32.400 --> 0:11:35.160
<v Speaker 1>the album, I have a video done for all of

0:11:35.240 --> 0:11:37.240
<v Speaker 1>them except one except two.

0:11:37.520 --> 0:11:37.920
<v Speaker 4>Wow.

0:11:38.000 --> 0:11:40.400
<v Speaker 1>Yeah, that's crazy and we're working on those as well.

0:11:40.760 --> 0:11:42.360
<v Speaker 4>And how are you going to roll them all out?

0:11:42.840 --> 0:11:44.760
<v Speaker 1>Just gonna space them ount space them out. I mean

0:11:44.760 --> 0:11:46.520
<v Speaker 1>by Christmas, everything will be out.

0:11:47.160 --> 0:11:49.600
<v Speaker 3>You you got Jenny six nine on the album I

0:11:49.640 --> 0:11:51.680
<v Speaker 3>remember you and I had a conversation about you guys

0:11:51.800 --> 0:11:55.520
<v Speaker 3>potentially because you maybe working together on like some official

0:11:55.559 --> 0:11:56.680
<v Speaker 3>music through your label.

0:11:56.840 --> 0:11:58.520
<v Speaker 4>Yeh, that's something you guys ever worked out?

0:11:59.400 --> 0:12:01.240
<v Speaker 1>You know, I her to sign her to the label

0:12:01.320 --> 0:12:05.680
<v Speaker 1>and kind of a guide the the the brand, the

0:12:05.720 --> 0:12:08.079
<v Speaker 1>Jenny six y nine brand. You know. I had a

0:12:08.160 --> 0:12:10.480
<v Speaker 1>vision to kind of make it like a modern day

0:12:10.559 --> 0:12:13.320
<v Speaker 1>version of what j Lo was, you know what I'm saying,

0:12:13.520 --> 0:12:16.360
<v Speaker 1>in her in her era. But Jenny's got her own ideas,

0:12:16.400 --> 0:12:19.440
<v Speaker 1>and every artist does. She's got her own ideas. And

0:12:19.480 --> 0:12:22.280
<v Speaker 1>I told her, you know, my I guess my style

0:12:22.360 --> 0:12:26.040
<v Speaker 1>is not as as U ratchet, you know, and Jenny

0:12:26.120 --> 0:12:30.880
<v Speaker 1>likes the you know, she has a ratchet brand. I'll say.

0:12:31.720 --> 0:12:34.280
<v Speaker 3>I mean, look, I think she's dope. Yeah, I like

0:12:34.360 --> 0:12:36.000
<v Speaker 3>I like that. What was that record she had?

0:12:37.360 --> 0:12:39.920
<v Speaker 4>Was it with you? Was it the Riverside? Riverside?

0:12:39.920 --> 0:12:40.520
<v Speaker 1>I wrote that one.

0:12:40.440 --> 0:12:41.440
<v Speaker 4>Yeah, that's it was hard.

0:12:41.520 --> 0:12:45.320
<v Speaker 1>Yeah it was gang banging. Yeah yeah, Riverside loved it,

0:12:45.360 --> 0:12:48.040
<v Speaker 1>you know, dropped it. It was on my label, that was

0:12:48.080 --> 0:12:52.200
<v Speaker 1>on your label. Yeah, we got two records together, and

0:12:52.240 --> 0:12:53.560
<v Speaker 1>the new ones on my and the other the new

0:12:53.600 --> 0:12:54.040
<v Speaker 1>ones on my.

0:12:54.000 --> 0:12:56.840
<v Speaker 4>Album can You Can You Know?

0:12:56.880 --> 0:13:00.080
<v Speaker 3>It's it's it's interesting because you've kind of been a

0:13:00.080 --> 0:13:02.960
<v Speaker 3>part of almost every era of what we would consider

0:13:03.080 --> 0:13:07.040
<v Speaker 3>like the different eras of.

0:13:08.120 --> 0:13:08.920
<v Speaker 4>Mexican hip hop.

0:13:09.080 --> 0:13:12.320
<v Speaker 3>Yeah, and I feel like in twenty twenty four it's

0:13:12.400 --> 0:13:16.360
<v Speaker 3>never been more thriving. It feels like, you know, there's

0:13:16.360 --> 0:13:19.679
<v Speaker 3>so much energy, there's so much you know, whatever you're

0:13:19.720 --> 0:13:25.160
<v Speaker 3>looking for, there's that. And artists are getting signed to

0:13:25.240 --> 0:13:27.439
<v Speaker 3>major labels. Yeah, you've got a guy like Mexicano or

0:13:27.440 --> 0:13:30.640
<v Speaker 3>Tea going gold, going platinum over and obviously you know

0:13:30.840 --> 0:13:33.160
<v Speaker 3>a guy like Lefty gun Play who's going crazy. And

0:13:33.640 --> 0:13:36.679
<v Speaker 3>it feels like it's it's kind of like that. I mean,

0:13:36.679 --> 0:13:39.600
<v Speaker 3>it's it's it's the best time because it feels like

0:13:39.760 --> 0:13:42.880
<v Speaker 3>the music industry is finally When I say the music industry,

0:13:42.880 --> 0:13:44.400
<v Speaker 3>I mean people in New York, people who are like

0:13:44.440 --> 0:13:47.640
<v Speaker 3>signed everywhere. The major label folks are really looking at

0:13:47.840 --> 0:13:51.240
<v Speaker 3>what's going on. Why do you think that the timing

0:13:51.320 --> 0:13:54.000
<v Speaker 3>is finally kind of coming together for Mexicans and hip

0:13:54.000 --> 0:13:55.920
<v Speaker 3>hop perseverance?

0:13:56.080 --> 0:13:59.040
<v Speaker 1>Yeah, you know, we come from from a background where

0:13:59.480 --> 0:14:01.640
<v Speaker 1>no matter well, we're never going to stop trying, whether

0:14:01.679 --> 0:14:04.040
<v Speaker 1>you work in the fields, whether you work as a

0:14:04.040 --> 0:14:06.800
<v Speaker 1>construction worker, whatever it is.

0:14:07.160 --> 0:14:08.800
<v Speaker 4>Mexicans don't give up. Yeah.

0:14:09.040 --> 0:14:11.839
<v Speaker 1>And when I say Mexicans, the whole world that doesn't

0:14:11.880 --> 0:14:14.400
<v Speaker 1>know that there's a difference between a Mexican from Mexico

0:14:14.440 --> 0:14:18.000
<v Speaker 1>and a Mexican from America. I talked, I'm talking about

0:14:18.000 --> 0:14:20.040
<v Speaker 1>all of us. I'm talking about all of us. But

0:14:20.080 --> 0:14:22.240
<v Speaker 1>that's why I went with the word Chicano, because I

0:14:22.280 --> 0:14:27.560
<v Speaker 1>think that that describes my demo a little bit better

0:14:27.600 --> 0:14:30.360
<v Speaker 1>than just saying Mexican, because I was born in Mexico,

0:14:30.400 --> 0:14:32.880
<v Speaker 1>but I feel more Chicano, you know, kind of like

0:14:32.920 --> 0:14:34.680
<v Speaker 1>Pac he was born in New York, but he read

0:14:34.680 --> 0:14:37.640
<v Speaker 1>the West Coast, you know what I'm saying. So, but

0:14:37.720 --> 0:14:40.680
<v Speaker 1>I think it's because of perseverance. You know, the one

0:14:40.720 --> 0:14:44.520
<v Speaker 1>that Corrido Dumbalos took off in twenty twenty during the pandemic.

0:14:44.920 --> 0:14:47.120
<v Speaker 4>It wasn't planned, it was organic.

0:14:46.960 --> 0:14:49.280
<v Speaker 1>Right, you know. And I think that was one of

0:14:49.320 --> 0:14:52.000
<v Speaker 1>the things that kicked off the whole domino.

0:14:51.640 --> 0:14:53.640
<v Speaker 3>Of No for sure, because it's like I think I

0:14:53.680 --> 0:14:56.800
<v Speaker 3>was talking to jop and he was saying four out

0:14:56.800 --> 0:15:00.960
<v Speaker 3>of the five top Latin artists were all Mexican. Yeah

0:15:01.520 --> 0:15:04.840
<v Speaker 3>on Spotify, and the one who wasn't was Bad Bunny exactly.

0:15:05.160 --> 0:15:07.280
<v Speaker 3>And I was like, damn Like and then, like you said,

0:15:07.400 --> 0:15:10.680
<v Speaker 3>the corrido shit is like you know, like growing up

0:15:10.720 --> 0:15:12.560
<v Speaker 3>in Phoenix, DJ and Jaguars, like we had to play

0:15:12.600 --> 0:15:15.480
<v Speaker 3>all that shit, of course, but it's crazy that it's

0:15:15.520 --> 0:15:18.720
<v Speaker 3>like now, it's like it's so big, it's it's it's

0:15:18.760 --> 0:15:20.800
<v Speaker 3>and a lot of these like I was telling Jop,

0:15:20.920 --> 0:15:23.040
<v Speaker 3>I was like, man, y'all look like rappers for real.

0:15:23.320 --> 0:15:26.360
<v Speaker 3>Like these dudes got double cups and chains.

0:15:26.240 --> 0:15:28.760
<v Speaker 4>It's it's a clash of cultures for sure. It's a

0:15:28.760 --> 0:15:30.880
<v Speaker 4>clash of cultures. And then you got the kid Hobby

0:15:30.920 --> 0:15:31.520
<v Speaker 4>from Phoenix.

0:15:31.600 --> 0:15:33.560
<v Speaker 1>Amazing. That kid is so on fire.

0:15:33.720 --> 0:15:35.600
<v Speaker 4>He is killing it so on fire.

0:15:35.720 --> 0:15:38.280
<v Speaker 3>I remember Alexis maj put me onto him three or

0:15:38.320 --> 0:15:39.760
<v Speaker 3>four years ago when he was like a like, I

0:15:39.800 --> 0:15:42.040
<v Speaker 3>don't know, probably fourteen thirteen something.

0:15:42.880 --> 0:15:45.520
<v Speaker 1>You know what it is about this whole movement, keV

0:15:45.680 --> 0:15:49.480
<v Speaker 1>Is it's not just bilingual. It's by cultural, right, and

0:15:49.520 --> 0:15:54.240
<v Speaker 1>so not everyone's by cultural, not that he's now by

0:15:54.280 --> 0:15:56.560
<v Speaker 1>cultural because he came and got the swag like the

0:15:56.600 --> 0:15:59.640
<v Speaker 1>interview you know, you and Jop had so he came

0:15:59.640 --> 0:16:02.760
<v Speaker 1>and got the hip hop swag from the American Mexicans,

0:16:02.760 --> 0:16:05.480
<v Speaker 1>the chicanom right, you see what I'm saying. And he said, man,

0:16:05.480 --> 0:16:05.840
<v Speaker 1>this is.

0:16:05.760 --> 0:16:06.640
<v Speaker 4>Cool, this is cool.

0:16:07.040 --> 0:16:09.720
<v Speaker 1>So now it's just it's just it's a big melting pot,

0:16:09.800 --> 0:16:11.840
<v Speaker 1>you know. And I love Corridos too. You know my

0:16:11.880 --> 0:16:12.840
<v Speaker 1>son sings Colriedos.

0:16:13.160 --> 0:16:15.880
<v Speaker 3>Say you have your son on your album? Yeah, what was?

0:16:15.920 --> 0:16:18.280
<v Speaker 3>Because your son's been also rolling with you a lot,

0:16:18.360 --> 0:16:20.440
<v Speaker 3>like yeah, he's been he's been been to your shows.

0:16:20.480 --> 0:16:21.400
<v Speaker 4>He's there helping out.

0:16:21.640 --> 0:16:24.080
<v Speaker 1>He's my merch guy. Yeah, so he's going from the

0:16:24.120 --> 0:16:26.600
<v Speaker 1>merch table to the stage.

0:16:27.040 --> 0:16:29.280
<v Speaker 3>Which son of yours was also writing scooters? Was it

0:16:29.360 --> 0:16:30.040
<v Speaker 3>him or was it.

0:16:29.960 --> 0:16:32.760
<v Speaker 4>He's They were both right shooters. But he's the pro

0:16:32.840 --> 0:16:34.280
<v Speaker 4>because there was some serious fucking scooter.

0:16:34.360 --> 0:16:37.440
<v Speaker 1>Yeah, he's going to compete in Rome, oh ship next month,

0:16:37.720 --> 0:16:42.040
<v Speaker 1>like on a razor. Yeah that's a bad word, bro,

0:16:42.320 --> 0:16:46.120
<v Speaker 1>always that I don't know the culture is is, but

0:16:46.520 --> 0:16:49.120
<v Speaker 1>but is razor like frown upon? It's not calling a

0:16:49.160 --> 0:16:50.320
<v Speaker 1>BMX or a Huffey bike.

0:16:51.360 --> 0:16:52.160
<v Speaker 4>You you know what I'm saying.

0:16:52.280 --> 0:16:56.200
<v Speaker 1>Oh, you're like on a Hoffey Right, He's like, Okay,

0:16:56.360 --> 0:16:56.640
<v Speaker 1>I get it.

0:16:56.680 --> 0:16:58.400
<v Speaker 4>I guess that's what Grandma got you for Christmas. And

0:16:58.920 --> 0:17:00.520
<v Speaker 4>what's it like, because I've heard a lot of your

0:17:00.560 --> 0:17:02.720
<v Speaker 4>son stuff. He's obviously shooting videos and stuff.

0:17:02.720 --> 0:17:04.520
<v Speaker 3>He's signed to you, Like, what's that been like to

0:17:04.640 --> 0:17:07.639
<v Speaker 3>kind of guide him into the music ship and like

0:17:07.720 --> 0:17:09.639
<v Speaker 3>he's doing that kind of music which is hot and

0:17:09.680 --> 0:17:10.880
<v Speaker 3>like the music sounds really good.

0:17:10.960 --> 0:17:13.199
<v Speaker 1>Yeah, it's a lot of fun. It's a lot of

0:17:13.200 --> 0:17:15.879
<v Speaker 1>fun because we genuinely love the music. Like I told you,

0:17:15.880 --> 0:17:19.640
<v Speaker 1>we're bicultural, you know, when we're having a gosada at

0:17:19.640 --> 0:17:21.480
<v Speaker 1>my sister in laws or at my mother in laws

0:17:21.560 --> 0:17:24.320
<v Speaker 1>or that's the music we're listening to, you know, in

0:17:24.359 --> 0:17:28.720
<v Speaker 1>addition to the hip hop, the classics, the old school stuff,

0:17:29.040 --> 0:17:31.840
<v Speaker 1>and so it's real. It's it's not just like, oh,

0:17:31.960 --> 0:17:34.679
<v Speaker 1>let's let's chase this lane. That's really who he is.

0:17:34.720 --> 0:17:36.240
<v Speaker 1>That's really who he is, you know what I'm saying.

0:17:37.200 --> 0:17:37.880
<v Speaker 4>That's dope, man.

0:17:38.040 --> 0:17:42.800
<v Speaker 3>Is there is there any part of like being having

0:17:42.840 --> 0:17:45.440
<v Speaker 3>your son signed to you where he like fights back

0:17:45.480 --> 0:17:47.920
<v Speaker 3>on you, Like, do you guys have any battles where

0:17:47.960 --> 0:17:48.480
<v Speaker 3>you just got.

0:17:48.280 --> 0:17:48.960
<v Speaker 4>To let him win one?

0:17:49.240 --> 0:17:50.480
<v Speaker 1>No, no, No, we don't see.

0:17:50.359 --> 0:17:52.320
<v Speaker 3>Does he trust kind of like your vision because you

0:17:52.400 --> 0:17:54.560
<v Speaker 3>obviously you're you've built this independent.

0:17:54.640 --> 0:17:58.200
<v Speaker 1>Well check this out, bootleg. Being an artist. Being an artist,

0:17:58.200 --> 0:18:00.120
<v Speaker 1>I've already gone through all the feelings that are young

0:18:00.240 --> 0:18:02.920
<v Speaker 1>artists has gone through. So when they act a certain way,

0:18:03.200 --> 0:18:06.080
<v Speaker 1>whether it's him or Jay Rocks to her.

0:18:06.000 --> 0:18:07.520
<v Speaker 4>By the way, she's doing great.

0:18:07.359 --> 0:18:10.640
<v Speaker 1>She's doing amazing. I understand them because it comes from

0:18:10.680 --> 0:18:12.520
<v Speaker 1>an artistic point of view, you know what I'm saying.

0:18:12.840 --> 0:18:15.560
<v Speaker 1>And so I let him. I let him. But on

0:18:15.880 --> 0:18:18.240
<v Speaker 1>the few issues that I've pushed him on, he's taken.

0:18:18.440 --> 0:18:21.119
<v Speaker 1>He's taking my advice and it's paid off. He was

0:18:21.160 --> 0:18:23.840
<v Speaker 1>just telling me yesterday, Yo, Pops, I got this new

0:18:23.880 --> 0:18:26.480
<v Speaker 1>chord progression. He didn't know, you know what a chord

0:18:26.640 --> 0:18:28.840
<v Speaker 1>was when we started, you know. So now he's on

0:18:28.880 --> 0:18:30.840
<v Speaker 1>a guitar finding what works best.

0:18:30.920 --> 0:18:32.919
<v Speaker 4>Does he record at home? Yeah, because you got the

0:18:32.920 --> 0:18:33.439
<v Speaker 4>home studio.

0:18:33.480 --> 0:18:35.399
<v Speaker 1>I got a home studio. He's got a home studio

0:18:35.920 --> 0:18:39.000
<v Speaker 1>and h and we go everywhere and record as well.

0:18:39.200 --> 0:18:41.480
<v Speaker 4>Super dope man. And then he's is he opening up

0:18:41.480 --> 0:18:42.320
<v Speaker 4>most of the shows.

0:18:42.960 --> 0:18:45.639
<v Speaker 1>He doesn't open up. Right now, we breaking in the

0:18:45.680 --> 0:18:47.879
<v Speaker 1>middle of my set and he does two songs, so

0:18:47.920 --> 0:18:50.160
<v Speaker 1>we're also easing them into the stage as well.

0:18:50.600 --> 0:18:53.400
<v Speaker 4>Yo, what's it like being like because how many days

0:18:53.440 --> 0:18:55.760
<v Speaker 4>a year are you doing all of them? You know

0:18:55.800 --> 0:18:57.160
<v Speaker 4>what I'm saying? Like if you had, like guess it's

0:18:57.160 --> 0:18:58.160
<v Speaker 4>like one hundred days a year.

0:18:58.119 --> 0:19:00.600
<v Speaker 1>Yeah, we average one hundred constants a Year's so crazy?

0:19:00.680 --> 0:19:02.320
<v Speaker 4>Yeah, and what do you think?

0:19:02.400 --> 0:19:05.920
<v Speaker 3>What like like you being busier now on the road

0:19:05.960 --> 0:19:10.000
<v Speaker 3>than ever. And it's so funny because like sometimes I

0:19:10.119 --> 0:19:12.159
<v Speaker 3>have to educate people who aren't hip to what you

0:19:12.320 --> 0:19:14.760
<v Speaker 3>what you got going on? Yeah here in La like

0:19:14.920 --> 0:19:17.879
<v Speaker 3>not like people who know no you know, yeah, but

0:19:18.000 --> 0:19:20.359
<v Speaker 3>like quote unquote industry people, I'd be like, yeah, Magic

0:19:20.359 --> 0:19:22.000
<v Speaker 3>sells off the Novo like twice a year, and they'll

0:19:22.000 --> 0:19:25.240
<v Speaker 3>be like what the Novo And I'm like yeah, like yes,

0:19:25.880 --> 0:19:28.240
<v Speaker 3>like you know, but it's crazy, Like what would you

0:19:28.240 --> 0:19:35.520
<v Speaker 3>attribute the the because there's something about what you've built

0:19:35.680 --> 0:19:38.600
<v Speaker 3>where if there's a festival, yoah, we're gonna put Magic

0:19:38.600 --> 0:19:40.680
<v Speaker 3>on the festival. I mean you just performed out what

0:19:40.720 --> 0:19:42.200
<v Speaker 3>was the thing you just did in downtown La a

0:19:42.200 --> 0:19:42.800
<v Speaker 3>few weeks ago?

0:19:42.880 --> 0:19:46.800
<v Speaker 1>Downtown La was it's called Persian Square. Yeah, it's a

0:19:46.840 --> 0:19:49.400
<v Speaker 1>city event that they put on and they say, sign

0:19:49.480 --> 0:19:51.640
<v Speaker 1>up for the guest list. You can get in free,

0:19:51.680 --> 0:19:53.480
<v Speaker 1>but you have to be twenty one because it's you know,

0:19:53.960 --> 0:19:56.639
<v Speaker 1>it's just it was crazy. It was crazy. It had

0:19:56.640 --> 0:19:59.520
<v Speaker 1>to turn two thousand people away, so it capped out

0:19:59.520 --> 0:20:02.000
<v Speaker 1>at like seven thousand. They said no more, so they

0:20:02.040 --> 0:20:04.960
<v Speaker 1>turned people away, and you know, the fans get mad

0:20:04.960 --> 0:20:07.399
<v Speaker 1>because they register. Sure, but a lot of times when

0:20:07.440 --> 0:20:09.480
<v Speaker 1>you register for a free event, you know from working

0:20:09.480 --> 0:20:10.160
<v Speaker 1>at radio.

0:20:10.160 --> 0:20:13.800
<v Speaker 3>It's first first come for serve exactly once it hits capacity. Yes, yes,

0:20:14.119 --> 0:20:16.360
<v Speaker 3>but I was gonna say, like, you know, you had

0:20:16.359 --> 0:20:19.160
<v Speaker 3>you had mentioned kind of like going through the era

0:20:19.240 --> 0:20:20.520
<v Speaker 3>of your career where you had to do some of

0:20:20.520 --> 0:20:23.000
<v Speaker 3>the radio shit, which I think that I don't think

0:20:23.240 --> 0:20:25.160
<v Speaker 3>a lot of that's happening anymore, to be fair, because

0:20:25.240 --> 0:20:26.120
<v Speaker 3>radio shows are kind.

0:20:26.040 --> 0:20:27.520
<v Speaker 1>Of Yeah, it's tough.

0:20:27.840 --> 0:20:28.359
<v Speaker 4>It's tough.

0:20:29.480 --> 0:20:31.880
<v Speaker 1>I like radio because that's where I came from. That's

0:20:31.920 --> 0:20:35.199
<v Speaker 1>what made my original music hits. But I know it

0:20:35.240 --> 0:20:38.120
<v Speaker 1>doesn't have the same impact as as TikTok.

0:20:38.240 --> 0:20:41.520
<v Speaker 3>But I feel like now you're like you're kind of like, uh,

0:20:42.960 --> 0:20:45.720
<v Speaker 3>orchestrating a lot of your own shit, Like like you're

0:20:45.760 --> 0:20:48.320
<v Speaker 3>literally on the side of the stage, like when I

0:20:48.359 --> 0:20:50.919
<v Speaker 3>saw you when you when you had them be writers

0:20:51.000 --> 0:20:53.240
<v Speaker 3>guys back out on on on on the road.

0:20:53.280 --> 0:20:54.760
<v Speaker 1>The Reunion tour in twenty nineteen.

0:20:54.960 --> 0:20:56.080
<v Speaker 4>Yeah, and it was like.

0:20:56.040 --> 0:20:58.800
<v Speaker 3>You and little Rob I think was your main support

0:20:58.800 --> 0:21:02.680
<v Speaker 3>at the note, but you were like like during Rob's performance,

0:21:02.680 --> 0:21:04.480
<v Speaker 3>you were like helping with what was going on on

0:21:04.520 --> 0:21:04.919
<v Speaker 3>the screen.

0:21:05.080 --> 0:21:07.960
<v Speaker 1>Yes, yes, I'm hands on, but yeah, but like a

0:21:07.960 --> 0:21:11.120
<v Speaker 1>lot of the shows you do are you're booking them yourself, right, Yeah,

0:21:11.200 --> 0:21:13.080
<v Speaker 1>it's like you and me and Big d are the

0:21:13.359 --> 0:21:15.359
<v Speaker 1>promoters a big D. Yeah, me and Big d are

0:21:15.400 --> 0:21:18.360
<v Speaker 1>the promoters behind it. It's a little two man operation.

0:21:18.520 --> 0:21:20.359
<v Speaker 4>But it works, no, for sure.

0:21:20.480 --> 0:21:23.040
<v Speaker 3>And I feel like more artists with real fans should

0:21:23.240 --> 0:21:25.600
<v Speaker 3>do that shit instead of depending on like somebody in

0:21:25.680 --> 0:21:27.160
<v Speaker 3>like a local market or live.

0:21:27.040 --> 0:21:27.840
<v Speaker 4>Nation to book you.

0:21:28.000 --> 0:21:30.080
<v Speaker 1>I advise it because you know, if you let a

0:21:30.119 --> 0:21:32.119
<v Speaker 1>big promoter get a hold of you, they're going to

0:21:32.160 --> 0:21:33.600
<v Speaker 1>give you. Then I say, okay, we'll give you a

0:21:33.640 --> 0:21:35.920
<v Speaker 1>million dollars for the tour, and the tour will make

0:21:36.119 --> 0:21:37.120
<v Speaker 1>five million.

0:21:37.720 --> 0:21:39.479
<v Speaker 4>And yeah, they'll give you an advance.

0:21:39.520 --> 0:21:41.679
<v Speaker 1>You got your MILLI, you got Yourmelli already, And then

0:21:41.680 --> 0:21:44.320
<v Speaker 1>they bite you off of that. Remember the hotels and.

0:21:44.280 --> 0:21:45.280
<v Speaker 4>So it's a writer.

0:21:45.720 --> 0:21:47.800
<v Speaker 1>Yeah, like a like I just saw like a record country.

0:21:47.880 --> 0:21:50.280
<v Speaker 3>Yeah, John Bellyon just did it. I just saw him

0:21:50.280 --> 0:21:51.840
<v Speaker 3>on talking about it. He signed to deal with Live

0:21:51.960 --> 0:21:54.840
<v Speaker 3>Nation and he said he took an advance on however

0:21:54.840 --> 0:21:56.919
<v Speaker 3>many shows he had to do, right, Yeah, And he

0:21:56.960 --> 0:21:59.719
<v Speaker 3>said that when he got the invoices, he was like,

0:22:00.240 --> 0:22:01.920
<v Speaker 3>you know, they're charging me for toilet paper.

0:22:02.560 --> 0:22:05.880
<v Speaker 4>Like they're charging me for like stuff I don't eat on.

0:22:05.840 --> 0:22:07.600
<v Speaker 1>The road, Fynasy bottles eight free.

0:22:07.640 --> 0:22:09.120
<v Speaker 3>He's like, I don't even eat this ship. But every

0:22:09.200 --> 0:22:11.920
<v Speaker 3>venue you have to put a writer. Yeah, And he's like, dude,

0:22:12.280 --> 0:22:14.080
<v Speaker 3>he brought himself out of his deal with Live Nation.

0:22:14.240 --> 0:22:16.920
<v Speaker 1>That's crazy. Yeah, we never got a deal like that,

0:22:17.000 --> 0:22:20.399
<v Speaker 1>and which is for the better because we learned the

0:22:20.400 --> 0:22:20.840
<v Speaker 1>hard Nune.

0:22:20.880 --> 0:22:21.840
<v Speaker 4>But you also, I mean you do a lot of

0:22:21.840 --> 0:22:23.880
<v Speaker 4>stuff with like a bike. Bobby d shoutut to Bobby dede.

0:22:23.760 --> 0:22:25.159
<v Speaker 1>Byby my brother Bobby Fresh.

0:22:25.280 --> 0:22:28.040
<v Speaker 4>Yeah he's out. He's been murdering ship.

0:22:28.200 --> 0:22:31.879
<v Speaker 1>Yeah yeah, Bobby, he don't play. He's serious. He's a

0:22:31.960 --> 0:22:33.280
<v Speaker 1>Chicago too, you know what I'm saying.

0:22:33.320 --> 0:22:37.680
<v Speaker 4>For sure, God blessed Chicanos. Talk to me about how

0:22:37.760 --> 0:22:40.200
<v Speaker 4>you have been, Like, can.

0:22:40.119 --> 0:22:41.879
<v Speaker 3>You give me a night, Like, what are your thoughts

0:22:41.880 --> 0:22:45.720
<v Speaker 3>being a guy from Arizona Because I've obviously always kind

0:22:45.720 --> 0:22:50.159
<v Speaker 3>of been like lightly hip to some of the politics

0:22:50.200 --> 0:22:52.720
<v Speaker 3>that happened in California, but not as much as before

0:22:52.760 --> 0:22:54.400
<v Speaker 3>I moved here. When I moved here, I was very

0:22:54.520 --> 0:22:57.600
<v Speaker 3>very like okay, because you know, in Arizona, like I

0:22:57.600 --> 0:23:01.480
<v Speaker 3>got cousins in prison, and you know, are stuff out

0:23:01.480 --> 0:23:06.119
<v Speaker 3>there is a lot different. Yeah, I feel like in California, Uh,

0:23:06.160 --> 0:23:10.199
<v Speaker 3>there's a lot of beef amongst other artists, yeah, or

0:23:10.280 --> 0:23:13.600
<v Speaker 3>Mexican like yeah, and and somehow you've always been able

0:23:13.640 --> 0:23:15.639
<v Speaker 3>to kind of like stay.

0:23:15.400 --> 0:23:16.720
<v Speaker 4>Clear of any of that drama.

0:23:17.280 --> 0:23:17.680
<v Speaker 1>Amen.

0:23:18.640 --> 0:23:20.919
<v Speaker 4>I think you know it speaks to you as a person.

0:23:21.200 --> 0:23:23.520
<v Speaker 1>Yeah, well my music was never that kind of you.

0:23:23.680 --> 0:23:24.560
<v Speaker 4>It was never that music.

0:23:24.600 --> 0:23:26.120
<v Speaker 3>But like you know, you're on the I'm sure, I'm

0:23:26.119 --> 0:23:27.800
<v Speaker 3>sure I come into California as much as you have.

0:23:27.960 --> 0:23:30.240
<v Speaker 3>But like, what are your thoughts just on like that

0:23:30.359 --> 0:23:33.160
<v Speaker 3>scene of like you know, because I was just talking

0:23:33.200 --> 0:23:35.320
<v Speaker 3>about this, like, Yo, I feel like there's so much

0:23:35.359 --> 0:23:39.439
<v Speaker 3>opportunity for the state of California. A lot of these

0:23:39.520 --> 0:23:41.359
<v Speaker 3>artists to move together. It's like it's like it's like

0:23:41.480 --> 0:23:44.479
<v Speaker 3>Lefty Gunplay worked with an artist from the north right.

0:23:44.640 --> 0:23:47.120
<v Speaker 3>It would like be huge, you know what I mean.

0:23:47.240 --> 0:23:49.960
<v Speaker 3>But it feels like there's like this huge invisible barrier.

0:23:50.240 --> 0:23:54.919
<v Speaker 1>Yeah, you know, from my point of view, that whole,

0:23:55.080 --> 0:23:57.960
<v Speaker 1>that whole, whether you're from southern Cali or Northern County,

0:23:58.040 --> 0:24:00.600
<v Speaker 1>all that man, that that's that's a touchy subject that

0:24:00.640 --> 0:24:04.480
<v Speaker 1>I've I've never gotten close to. But I think it's

0:24:04.119 --> 0:24:06.640
<v Speaker 1>it's deeper than just the streets. I think it comes

0:24:06.640 --> 0:24:09.520
<v Speaker 1>from the inside. I think from the prisons. They control it.

0:24:09.600 --> 0:24:11.440
<v Speaker 1>And if someone's trying to be a good Samaritan and then

0:24:11.400 --> 0:24:14.160
<v Speaker 1>bring everybody together, the guys on the inside are calling

0:24:14.200 --> 0:24:17.000
<v Speaker 1>the shot, saying you know, no till yes.

0:24:17.320 --> 0:24:19.639
<v Speaker 3>I feel like Goldts gets held and he's like, I'm like,

0:24:19.720 --> 0:24:21.280
<v Speaker 3>this guy's trying to make everybody work together.

0:24:21.400 --> 0:24:22.639
<v Speaker 1>Yeah, yeah, there you go.

0:24:22.760 --> 0:24:25.040
<v Speaker 4>Toe's a great guy. Yeah, TOAs is a good dude.

0:24:25.040 --> 0:24:27.640
<v Speaker 1>When he comes to Phoenix, we play ball and he's

0:24:27.680 --> 0:24:30.040
<v Speaker 1>promising with my ass on the court next time.

0:24:29.800 --> 0:24:33.200
<v Speaker 4>For people who don't know magic who you got like some.

0:24:33.359 --> 0:24:36.200
<v Speaker 1>A little bit, I ain't no baby bast hoof.

0:24:35.960 --> 0:24:37.080
<v Speaker 4>Too for sure.

0:24:37.800 --> 0:24:39.280
<v Speaker 3>How fun has it been just being on the road

0:24:39.280 --> 0:24:41.080
<v Speaker 3>with Bash as much as you guys hit the road together.

0:24:41.119 --> 0:24:41.920
<v Speaker 4>Man, it's dope.

0:24:42.119 --> 0:24:46.640
<v Speaker 1>He calls me benchet magic, that's his word. Yeah, it's

0:24:46.720 --> 0:24:50.520
<v Speaker 1>that's dope. Man. Bash knows that we've already got like

0:24:50.600 --> 0:24:53.359
<v Speaker 1>everything in place. It's a protocol for our concerts, and

0:24:53.400 --> 0:24:55.080
<v Speaker 1>all he needs to know is what time do I

0:24:55.160 --> 0:24:55.399
<v Speaker 1>go on?

0:24:56.000 --> 0:25:00.760
<v Speaker 4>I feel like, would you guys do a joint project? Man?

0:25:01.119 --> 0:25:04.440
<v Speaker 1>We just we just did one that was super incredible

0:25:04.880 --> 0:25:07.320
<v Speaker 1>and then at the last minute of Renter was thrown

0:25:07.359 --> 0:25:09.440
<v Speaker 1>in the program. I can't tell you the full details.

0:25:09.640 --> 0:25:10.880
<v Speaker 4>So you guys are supposed to do.

0:25:11.040 --> 0:25:12.919
<v Speaker 1>Yeah, yeah, it just all fell apart.

0:25:13.359 --> 0:25:14.680
<v Speaker 4>So the music's been recorded.

0:25:15.200 --> 0:25:17.160
<v Speaker 1>It wasn't a whole album. It was just one song.

0:25:17.240 --> 0:25:18.040
<v Speaker 4>So just one song.

0:25:18.240 --> 0:25:20.320
<v Speaker 1>It was one song and it fell apart at the end.

0:25:20.840 --> 0:25:25.000
<v Speaker 1>That's a music video. It fell apart. Yes, yeah, I can't.

0:25:25.000 --> 0:25:27.399
<v Speaker 1>I can't tell you the whole thing because because we're family,

0:25:27.480 --> 0:25:30.200
<v Speaker 1>right and it's family business. But that's what happened, and

0:25:30.320 --> 0:25:31.199
<v Speaker 1>it broke my heart. Bro.

0:25:31.280 --> 0:25:32.920
<v Speaker 3>I feel like, if you guys did like a song

0:25:33.000 --> 0:25:35.919
<v Speaker 3>album and that's crazy. I mean, you guys could tour

0:25:35.960 --> 0:25:37.640
<v Speaker 3>off that for like a whole other year, Like.

0:25:37.880 --> 0:25:43.480
<v Speaker 1>We're already touring for I got dates in October next year. Bro, Yeah,

0:25:43.720 --> 0:25:47.360
<v Speaker 1>that's no problem there, My son Daniel tells me. He says, pops,

0:25:47.760 --> 0:25:52.240
<v Speaker 1>stop touring, take a trip, go overseas, get inspired by

0:25:52.280 --> 0:25:54.640
<v Speaker 1>something different, and come back a whole new person.

0:25:55.440 --> 0:25:59.000
<v Speaker 4>Yeah. I like that mentality. Take a little break. Yeah.

0:25:59.240 --> 0:26:01.120
<v Speaker 3>I mean, but look, man, and if the dates are dating,

0:26:01.160 --> 0:26:03.560
<v Speaker 3>and then you got your protocol figured out like you've,

0:26:03.960 --> 0:26:07.040
<v Speaker 3>you've you're you're the most responsible artist I've ever seen

0:26:07.080 --> 0:26:08.119
<v Speaker 3>on the road in my life.

0:26:08.600 --> 0:26:10.720
<v Speaker 4>Right. You know, most people come to come to town,

0:26:10.800 --> 0:26:12.960
<v Speaker 4>they want to hang out, they get drunk, they want

0:26:12.960 --> 0:26:15.400
<v Speaker 4>to party. Magic's in and he's out.

0:26:15.680 --> 0:26:18.320
<v Speaker 1>Yeah. Yeah, and that's what it is. I'm here for

0:26:18.400 --> 0:26:20.280
<v Speaker 1>the music, the business, and the fans.

0:26:20.359 --> 0:26:20.800
<v Speaker 4>Yeah.

0:26:20.840 --> 0:26:24.000
<v Speaker 1>I'm not here, you know, to hold around to get drunk,

0:26:24.240 --> 0:26:28.080
<v Speaker 1>none of that stuff. That's never been my thing, you know.

0:26:28.200 --> 0:26:31.840
<v Speaker 1>I've always had a problem when they take something something

0:26:31.960 --> 0:26:34.199
<v Speaker 1>awful and they put a good name on it and

0:26:34.240 --> 0:26:36.920
<v Speaker 1>then and then make you eat the garbage because it's

0:26:36.920 --> 0:26:40.520
<v Speaker 1>got a pretty name, like getting drunk, killing somebody, drinking

0:26:40.520 --> 0:26:43.960
<v Speaker 1>and driving, somebody taking a knife at you, which my

0:26:44.359 --> 0:26:47.800
<v Speaker 1>nephew's gone through it because they were drunk and had

0:26:47.840 --> 0:26:52.280
<v Speaker 1>an argument at a cemetery. But that's just an awful

0:26:52.320 --> 0:26:54.960
<v Speaker 1>thing that causes bad things. And then they call it, oh,

0:26:55.000 --> 0:26:57.840
<v Speaker 1>it's partying. Yeah, you see, they put a pretty name

0:26:57.840 --> 0:27:02.159
<v Speaker 1>on a horrible thing, right, And I have a problem

0:27:02.200 --> 0:27:02.479
<v Speaker 1>with that.

0:27:02.560 --> 0:27:02.720
<v Speaker 4>You know.

0:27:02.960 --> 0:27:06.199
<v Speaker 1>I've seen coming from the projects and seeing you know,

0:27:06.560 --> 0:27:10.280
<v Speaker 1>men beat their wives and seeing family fall apart, and

0:27:10.840 --> 0:27:13.920
<v Speaker 1>and I just, man, I just I can't sit with it.

0:27:14.320 --> 0:27:16.800
<v Speaker 1>I can't sit with it. Uh. And and you know,

0:27:16.880 --> 0:27:18.920
<v Speaker 1>this is probably one of the reasons why my fans

0:27:19.119 --> 0:27:21.720
<v Speaker 1>continue to come back, because that's not what we push.

0:27:22.000 --> 0:27:24.560
<v Speaker 1>You're not gonna catch me, you know, uh in a

0:27:24.640 --> 0:27:25.520
<v Speaker 1>nightclub anymore.

0:27:25.560 --> 0:27:27.240
<v Speaker 4>That's just I mean, you're pushing love. Man.

0:27:27.280 --> 0:27:29.000
<v Speaker 3>I was always say you like you're you're pushing love

0:27:29.080 --> 0:27:30.520
<v Speaker 3>music like positivity.

0:27:30.560 --> 0:27:31.120
<v Speaker 4>You know what I'm saying.

0:27:32.359 --> 0:27:35.639
<v Speaker 1>Love is the best, Love is the most magic there is.

0:27:35.680 --> 0:27:42.200
<v Speaker 3>Brother, Yeah, talk to me about so I've had recently.

0:27:42.240 --> 0:27:47.960
<v Speaker 3>I wouldn't say I'm definitely not necessarily a I'm definitively

0:27:48.000 --> 0:27:50.440
<v Speaker 3>not a Trump supporter, but I'm definitely not a fucking

0:27:50.440 --> 0:27:52.879
<v Speaker 3>Biden supporter anymore. And I've seen I've seen you up

0:27:52.920 --> 0:27:54.840
<v Speaker 3>under the comments on a lot of posts. Uh huh

0:27:56.240 --> 0:27:58.800
<v Speaker 3>politically where like like because because I think a lot

0:27:58.840 --> 0:28:04.359
<v Speaker 3>of people will cast the right as racist. Yeah, and

0:28:04.359 --> 0:28:08.480
<v Speaker 3>then the left is the party of the love. And

0:28:08.720 --> 0:28:10.879
<v Speaker 3>I think that at the end of the day, I

0:28:10.880 --> 0:28:15.160
<v Speaker 3>think we've all been guilty of like writing off either side.

0:28:15.320 --> 0:28:19.399
<v Speaker 4>Yeah, what are your thoughts on? Just like because I've

0:28:19.440 --> 0:28:22.679
<v Speaker 4>seen you in the comments, I get hell for it,

0:28:22.840 --> 0:28:25.399
<v Speaker 4>you get help for it. But just like you know,

0:28:25.520 --> 0:28:28.879
<v Speaker 4>with Trump, I feel like, you know, I think that

0:28:28.920 --> 0:28:34.639
<v Speaker 4>we have like a four year example of him being president.

0:28:34.680 --> 0:28:36.399
<v Speaker 1>We still we already know what it was like and

0:28:36.400 --> 0:28:38.280
<v Speaker 1>we didn't get in any New Wars, and now we

0:28:38.360 --> 0:28:40.240
<v Speaker 1>know what it was like under Biden too.

0:28:40.360 --> 0:28:41.720
<v Speaker 4>Right, exactly right.

0:28:41.800 --> 0:28:44.080
<v Speaker 3>So you know I always tell people, I'm like, look, man,

0:28:44.160 --> 0:28:47.360
<v Speaker 3>like either side is not the boogey man. We're still here, right,

0:28:47.440 --> 0:28:50.120
<v Speaker 3>he didn't take over the government he left, you know

0:28:50.160 --> 0:28:51.480
<v Speaker 3>what I mean, Like we didn't.

0:28:51.560 --> 0:28:52.760
<v Speaker 4>We weren't in any New Wars.

0:28:52.760 --> 0:28:56.600
<v Speaker 3>Like it's it's okay to give credit where credits due.

0:28:57.000 --> 0:28:59.760
<v Speaker 3>I think some people get wrapped up in the meanness.

0:28:59.240 --> 0:29:04.120
<v Speaker 1>Of everybody tells me magic, don't talk politics, don't get

0:29:04.120 --> 0:29:08.120
<v Speaker 1>into politics. Don't do it. Don't start, you know, saying

0:29:08.120 --> 0:29:10.360
<v Speaker 1>you're a Trump supporter. But let me, let me just

0:29:10.880 --> 0:29:14.280
<v Speaker 1>bring it to the very basic you know, is I

0:29:14.360 --> 0:29:18.200
<v Speaker 1>was born in Mexico, bro, and so I came to America.

0:29:18.920 --> 0:29:20.440
<v Speaker 1>And when my dad and when my dad and mom

0:29:20.480 --> 0:29:23.080
<v Speaker 1>broke up, the government took care of me. The government

0:29:23.080 --> 0:29:25.360
<v Speaker 1>gave us food stamps, The government gave us free cheese,

0:29:26.120 --> 0:29:31.680
<v Speaker 1>you know, powdered milk to survive. This is where I

0:29:31.880 --> 0:29:35.120
<v Speaker 1>come from, right, and so this this, this country gave

0:29:35.200 --> 0:29:39.160
<v Speaker 1>me something good. So obviously I love this country for

0:29:39.200 --> 0:29:41.960
<v Speaker 1>what it's given me. I'm living the American dream. Sure,

0:29:42.160 --> 0:29:43.600
<v Speaker 1>I'm living the American dream.

0:29:43.480 --> 0:29:47.040
<v Speaker 4>Quite literally because of because we have free enterprise.

0:29:47.400 --> 0:29:48.640
<v Speaker 1>You're living in the American dream.

0:29:49.240 --> 0:29:50.040
<v Speaker 4>Like this podcast.

0:29:50.160 --> 0:29:52.120
<v Speaker 1>You don't have to get a government permission to start

0:29:52.120 --> 0:29:55.640
<v Speaker 1>your podcast. So what the left is doing, they're moving

0:29:55.640 --> 0:29:58.640
<v Speaker 1>closer and closer to controlling everything. They're moving. You know,

0:29:58.680 --> 0:30:00.240
<v Speaker 1>when I say the left, I mean the democ Radit

0:30:00.360 --> 0:30:05.000
<v Speaker 1>partner right now. Okay, So that being said, that being said,

0:30:06.600 --> 0:30:10.280
<v Speaker 1>that's why I love to keep what was good for

0:30:10.360 --> 0:30:14.160
<v Speaker 1>this country. And a lot of people are emotionally driven,

0:30:14.600 --> 0:30:15.880
<v Speaker 1>and so when the left tells you.

0:30:15.880 --> 0:30:17.120
<v Speaker 4>Oh he's racist.

0:30:18.400 --> 0:30:21.080
<v Speaker 1>That gets you emotionally, like, oh my god, he said

0:30:21.080 --> 0:30:23.320
<v Speaker 1>this about blacks. Oh my god, he did this to

0:30:23.360 --> 0:30:25.720
<v Speaker 1>the Mexicans. Oh my god. He hates people that are

0:30:25.720 --> 0:30:28.160
<v Speaker 1>crossing the border. But the people that were crossing the

0:30:28.160 --> 0:30:30.680
<v Speaker 1>border when I came across, they really wanted the American dream.

0:30:31.000 --> 0:30:33.200
<v Speaker 1>The people that are crossing the border now they want

0:30:33.200 --> 0:30:36.120
<v Speaker 1>to murder Americans. You see what I'm saying. There's a

0:30:36.120 --> 0:30:37.400
<v Speaker 1>big difference of what's going on.

0:30:37.480 --> 0:30:39.880
<v Speaker 3>I think I think we got like like there's like

0:30:40.040 --> 0:30:42.200
<v Speaker 3>I think the one I just saw an interview with

0:30:42.280 --> 0:30:46.000
<v Speaker 3>the president of El Salvador, who has cleaned up El

0:30:46.040 --> 0:30:48.760
<v Speaker 3>salve Yes, he's.

0:30:48.440 --> 0:30:51.080
<v Speaker 1>G he went from the worst country in the world

0:30:51.280 --> 0:30:51.760
<v Speaker 1>to the best.

0:30:52.000 --> 0:30:54.920
<v Speaker 3>It was the most dangerous country in the Western Hemisphere,

0:30:54.920 --> 0:30:57.880
<v Speaker 3>more dangerous than Haiti, and now it is the safest

0:30:57.880 --> 0:31:00.440
<v Speaker 3>country in the Western Hemisphere with lower murder rates in

0:31:00.480 --> 0:31:01.240
<v Speaker 3>the United States.

0:31:01.320 --> 0:31:01.480
<v Speaker 4>Right.

0:31:01.960 --> 0:31:04.600
<v Speaker 3>And so what he did was anybody who was a

0:31:04.640 --> 0:31:06.840
<v Speaker 3>part of the two major gangs out there, Yeah, I

0:31:06.880 --> 0:31:08.320
<v Speaker 3>don't want to say them by name, but you know

0:31:08.440 --> 0:31:09.320
<v Speaker 3>they're all in jail.

0:31:09.440 --> 0:31:09.640
<v Speaker 4>Right.

0:31:09.880 --> 0:31:12.160
<v Speaker 3>But then he also in this interview, he did he

0:31:12.240 --> 0:31:16.600
<v Speaker 3>said anybody who was had been in America or.

0:31:18.120 --> 0:31:18.880
<v Speaker 4>Wanted to go back.

0:31:18.920 --> 0:31:21.239
<v Speaker 3>I just sent I send him back, like make your

0:31:21.240 --> 0:31:23.760
<v Speaker 3>way to Maria. And they're also and Amelia Rojas was

0:31:23.760 --> 0:31:25.920
<v Speaker 3>telling me that they also were doing that in Venezuela,

0:31:26.240 --> 0:31:29.480
<v Speaker 3>where certain people who had longer prison sentences, they'd let

0:31:29.520 --> 0:31:30.760
<v Speaker 3>him out as long.

0:31:30.560 --> 0:31:32.200
<v Speaker 1>As they asked the country they made.

0:31:32.280 --> 0:31:35.560
<v Speaker 4>They promised to make their way out of the countries. Crazy.

0:31:35.760 --> 0:31:37.040
<v Speaker 4>Now I'm not saying obviously.

0:31:37.520 --> 0:31:39.680
<v Speaker 3>You know, I've had people close to me that have

0:31:39.720 --> 0:31:41.320
<v Speaker 3>came over recently that are here for work.

0:31:41.400 --> 0:31:44.040
<v Speaker 4>You know, there is good people, but everybody there is

0:31:44.080 --> 0:31:47.320
<v Speaker 4>this huge spike of people coming in see that we've

0:31:47.320 --> 0:31:47.920
<v Speaker 4>never seen before.

0:31:48.000 --> 0:31:50.640
<v Speaker 1>Yeah, I explained this, and and and to somebody in

0:31:50.680 --> 0:31:54.680
<v Speaker 1>this way say, for instance, uh, you have a daughter.

0:31:55.400 --> 0:31:57.480
<v Speaker 1>You have a daughter, and she's beautiful. You want to

0:31:57.520 --> 0:32:00.960
<v Speaker 1>protect her, but there's somebody on the outside that wants

0:32:00.960 --> 0:32:04.280
<v Speaker 1>to get your daughter from you, Okay, and then they

0:32:04.280 --> 0:32:07.160
<v Speaker 1>tell they tell the daughter's mom. You know, Kevin's a piece.

0:32:07.840 --> 0:32:10.720
<v Speaker 1>You know how people are hating against the government, against America,

0:32:10.920 --> 0:32:14.120
<v Speaker 1>Like there's people burning flags of this great country.

0:32:14.280 --> 0:32:15.920
<v Speaker 4>Actually, I think a lot of that shits set up

0:32:15.920 --> 0:32:16.760
<v Speaker 4>to be fair.

0:32:16.520 --> 0:32:19.240
<v Speaker 1>And exactly that's exactly my point. Just so let's go

0:32:19.320 --> 0:32:21.800
<v Speaker 1>back to your daughter. Right, So there's an outsider who

0:32:21.840 --> 0:32:24.320
<v Speaker 1>wants to murder your daughter, who wants to probably rape

0:32:24.320 --> 0:32:24.720
<v Speaker 1>your daughter.

0:32:24.880 --> 0:32:26.040
<v Speaker 4>Yeah, because you had you.

0:32:26.000 --> 0:32:27.960
<v Speaker 1>Have a good family, you have a good country, you

0:32:27.960 --> 0:32:30.720
<v Speaker 1>have a good thing. And so what they do is

0:32:30.760 --> 0:32:34.160
<v Speaker 1>they first turn her against you. Your daddy's been doing this,

0:32:34.520 --> 0:32:37.280
<v Speaker 1>So that's what that's an agenda that's going on from

0:32:37.360 --> 0:32:41.040
<v Speaker 1>the outside so they can finally murder and rape your daughter.

0:32:41.080 --> 0:32:44.000
<v Speaker 1>Her name is America, right, Okay, you feel what I'm saying,

0:32:44.040 --> 0:32:47.360
<v Speaker 1>And that's the agenda that that really you know, you

0:32:47.400 --> 0:32:50.320
<v Speaker 1>know on radio, in radio, when they put songs on

0:32:50.400 --> 0:32:52.200
<v Speaker 1>the heavy rotation, you love them because you hear them

0:32:52.200 --> 0:32:52.440
<v Speaker 1>a lot.

0:32:52.520 --> 0:32:54.600
<v Speaker 4>That's called programming. Oh, that's what they do to us

0:32:54.600 --> 0:32:55.880
<v Speaker 4>with the news. The news is.

0:32:55.840 --> 0:32:59.120
<v Speaker 1>Programming people to hate their own country. Sure, you know,

0:32:59.440 --> 0:33:02.360
<v Speaker 1>to say whatever was good, they're gonna turn it into bad.

0:33:02.440 --> 0:33:04.840
<v Speaker 1>Even the Bible says that believe in the days where

0:33:04.880 --> 0:33:07.040
<v Speaker 1>good will be bad and bad will be good. We

0:33:07.120 --> 0:33:10.680
<v Speaker 1>have good artists praising the devil on their records, right right, right,

0:33:10.800 --> 0:33:11.240
<v Speaker 1>right right.

0:33:11.440 --> 0:33:12.400
<v Speaker 4>You know, this whole.

0:33:12.200 --> 0:33:16.000
<v Speaker 1>Agenda is serious and it's taking people's souls and lives,

0:33:16.240 --> 0:33:19.360
<v Speaker 1>and it's gonna ruin what was once a beautiful, free country.

0:33:19.640 --> 0:33:24.040
<v Speaker 4>That's why I support Trump. Yeah, I support I feel

0:33:24.040 --> 0:33:24.560
<v Speaker 4>like both.

0:33:24.600 --> 0:33:28.240
<v Speaker 3>If you look at everyone's donors on both sides, they're

0:33:28.280 --> 0:33:30.640
<v Speaker 3>pretty much the same, which to me is the problem.

0:33:30.760 --> 0:33:33.920
<v Speaker 4>Yeah, because they divide us on like this. The part

0:33:33.960 --> 0:33:37.120
<v Speaker 4>was accept except except.

0:33:36.760 --> 0:33:39.880
<v Speaker 1>What Donald Trump has called out George Sorols by name.

0:33:40.320 --> 0:33:42.720
<v Speaker 3>Yeah, I just want them to each tell Blackrock to

0:33:42.800 --> 0:33:44.320
<v Speaker 3>fuck off respectfully and Larry Fink.

0:33:44.400 --> 0:33:46.800
<v Speaker 4>But nonetheless they're all part of the same team. But

0:33:46.840 --> 0:33:50.240
<v Speaker 4>that's I mean, all the same.

0:33:50.880 --> 0:33:51.920
<v Speaker 1>They're running the world.

0:33:52.200 --> 0:33:54.600
<v Speaker 4>Yes, my way is what they do is.

0:33:54.600 --> 0:33:56.360
<v Speaker 1>They and Biden is their puppet.

0:33:56.600 --> 0:33:59.640
<v Speaker 3>They take the twenty percent of things we all disagree

0:33:59.680 --> 0:34:04.280
<v Speaker 3>on up right, whether it's racial stuff, whether it's gun control,

0:34:04.320 --> 0:34:06.320
<v Speaker 3>whether it's abortion. They put it in a ball and

0:34:06.440 --> 0:34:08.800
<v Speaker 3>they throw it and then everyone goes and chases it while.

0:34:08.640 --> 0:34:11.960
<v Speaker 1>Over here, yes, well it's divide and conquer right there.

0:34:12.280 --> 0:34:14.560
<v Speaker 4>And so that's what they did with your daughter, right,

0:34:14.600 --> 0:34:15.560
<v Speaker 4>They divided you guys.

0:34:15.600 --> 0:34:17.440
<v Speaker 1>Now they conquered you guys. So that's what they're doing

0:34:17.440 --> 0:34:23.000
<v Speaker 1>with America. They're separating everybody there, even staged protests that

0:34:23.080 --> 0:34:24.239
<v Speaker 1>are going on in colleges.

0:34:24.719 --> 0:34:25.960
<v Speaker 4>All that stuff is being well.

0:34:26.400 --> 0:34:29.560
<v Speaker 3>I feel like even like recently there was the pro Palestinian,

0:34:32.239 --> 0:34:34.799
<v Speaker 3>the protest gays Regazza.

0:34:34.960 --> 0:34:36.080
<v Speaker 4>That one, no, no, no, it was.

0:34:36.120 --> 0:34:39.640
<v Speaker 3>It was when Yahoo was at the Senate and there

0:34:39.719 --> 0:34:42.200
<v Speaker 3>was like they were protesting, but the dudes who were

0:34:42.239 --> 0:34:45.240
<v Speaker 3>like lighting shit on fire were like random white dudes.

0:34:45.280 --> 0:34:48.240
<v Speaker 3>They were hired who nobody could fucking find on the internet.

0:34:48.840 --> 0:34:51.480
<v Speaker 3>And there was brown people trying to stop the dude

0:34:51.520 --> 0:34:52.640
<v Speaker 3>from setting the flag on fire.

0:34:52.719 --> 0:34:54.719
<v Speaker 4>It was easy because they got but how was it

0:34:54.800 --> 0:34:56.759
<v Speaker 4>The cameras were ready for when the guys set the

0:34:56.760 --> 0:34:57.839
<v Speaker 4>fucking flag on fire.

0:34:58.000 --> 0:35:00.080
<v Speaker 1>They had more press than than that. And Yahoo thing.

0:35:00.200 --> 0:35:03.680
<v Speaker 3>Exactly crazy booms like you turned on CNN and it's

0:35:03.719 --> 0:35:05.520
<v Speaker 3>like you see this guy burning this flag.

0:35:05.440 --> 0:35:08.520
<v Speaker 1>But the programming is going on. Not only it was

0:35:08.560 --> 0:35:10.439
<v Speaker 1>easy for them to get there because the borders were open.

0:35:10.640 --> 0:35:13.920
<v Speaker 3>It's crazy, man, It's it's it's wild. Who are you

0:35:14.000 --> 0:35:14.480
<v Speaker 3>a fan of?

0:35:14.520 --> 0:35:14.680
<v Speaker 4>Man?

0:35:14.719 --> 0:35:17.120
<v Speaker 3>Obviously you got O T And Drody and Jenny six

0:35:17.280 --> 0:35:20.440
<v Speaker 3>nine on the album, But is there anybody else and

0:35:20.480 --> 0:35:23.440
<v Speaker 3>shots of Coyote? Is there anybody else who you're just like,

0:35:23.719 --> 0:35:26.440
<v Speaker 3>you know, wanting to work with from this newer generation

0:35:26.480 --> 0:35:27.120
<v Speaker 3>of artists.

0:35:27.719 --> 0:35:29.680
<v Speaker 1>I'm always down to work. I really want to get

0:35:29.680 --> 0:35:36.919
<v Speaker 1>a record in with I just I just forgot his name.

0:35:37.040 --> 0:35:38.680
<v Speaker 1>The hottest kid in l A. I just met him

0:35:38.680 --> 0:35:41.879
<v Speaker 1>not long ago. Lefty No, no, no, thet the real

0:35:42.280 --> 0:35:45.840
<v Speaker 1>he's really making like moves. He just did a record

0:35:45.880 --> 0:35:52.279
<v Speaker 1>with U with dres Oh, Roddy Rag Sorry, Rowdy man.

0:35:52.320 --> 0:35:54.560
<v Speaker 1>I I met him the other day. He's fire and

0:35:54.600 --> 0:35:56.160
<v Speaker 1>he was surprised that I knew he was.

0:35:57.080 --> 0:35:57.880
<v Speaker 4>I love Rowdy.

0:35:57.880 --> 0:35:59.120
<v Speaker 1>I want to get a record in with him and

0:35:59.160 --> 0:36:01.879
<v Speaker 1>with Dregs too. Rex Dope to get a record brother,

0:36:02.160 --> 0:36:02.920
<v Speaker 1>his brother.

0:36:02.760 --> 0:36:06.759
<v Speaker 4>Is popping y. What's this, I forget his name. What's

0:36:06.760 --> 0:36:08.480
<v Speaker 4>his name, Drex's.

0:36:08.040 --> 0:36:10.000
<v Speaker 1>Brother Negro something.

0:36:12.000 --> 0:36:15.560
<v Speaker 4>Yeah yeah no so yeah yeah.

0:36:15.560 --> 0:36:17.840
<v Speaker 1>I love Rowdy and I love drugs too. I like

0:36:17.920 --> 0:36:19.799
<v Speaker 1>their little movement when it comes to hip hop. But

0:36:19.880 --> 0:36:23.160
<v Speaker 1>my ultimate feature keV is really more r and b Ish,

0:36:23.280 --> 0:36:27.640
<v Speaker 1>more emcy magic ish, more like shadd is my ultimate.

0:36:29.080 --> 0:36:32.400
<v Speaker 3>That's the one concert if I could my dream concerts

0:36:32.400 --> 0:36:34.319
<v Speaker 3>to see her live. Of course, I don't know if

0:36:34.440 --> 0:36:38.240
<v Speaker 3>you ever tour again, but man shot a live.

0:36:38.640 --> 0:36:41.040
<v Speaker 1>Yeah, I think like back in. I want to say

0:36:41.520 --> 0:36:46.239
<v Speaker 1>two thousand I'm just say twenty fourteen for lack of

0:36:46.280 --> 0:36:48.399
<v Speaker 1>a better year. She had a concert coming up here

0:36:48.480 --> 0:36:52.120
<v Speaker 1>in Phoenix. We bought tickets and my wife said, I'm

0:36:52.120 --> 0:36:54.840
<v Speaker 1>gonna put them away so we don't lose them. She

0:36:54.960 --> 0:36:57.640
<v Speaker 1>lost the tickets and couldn't find them, and three years,

0:36:57.680 --> 0:36:59.759
<v Speaker 1>four maybe four years after the concerts, she's like, oh,

0:36:59.800 --> 0:37:01.280
<v Speaker 1>here's they were my sock drawer.

0:37:01.760 --> 0:37:04.719
<v Speaker 3>That's crazy. How active are you? Obviously you have your son,

0:37:04.800 --> 0:37:08.200
<v Speaker 3>you have Jay Rocks. How active are you in trying

0:37:08.239 --> 0:37:11.160
<v Speaker 3>to just bring new music to your label, whether it's

0:37:11.200 --> 0:37:11.920
<v Speaker 3>a single deal.

0:37:12.239 --> 0:37:15.640
<v Speaker 1>Yeah, you know, I'm about quality, not quantity. So I'm

0:37:15.640 --> 0:37:19.160
<v Speaker 1>not like trying to chase everybody. Not only that. Just

0:37:19.160 --> 0:37:22.000
<v Speaker 1>like I told you earlier with Jenny, I have a

0:37:22.080 --> 0:37:25.160
<v Speaker 1>moral meter, you know, if the dudes, if the dudes

0:37:25.160 --> 0:37:26.960
<v Speaker 1>get getting on the mic and I can't play it

0:37:26.960 --> 0:37:29.920
<v Speaker 1>for my mom, I can't play it at the family barbecue.

0:37:31.600 --> 0:37:34.040
<v Speaker 1>Rather not. I'm not starving just to make a little

0:37:34.040 --> 0:37:36.720
<v Speaker 1>bit of money off of anybody. I'm not a major label,

0:37:37.239 --> 0:37:40.400
<v Speaker 1>you know. I just rather put quality than quantity. So

0:37:40.440 --> 0:37:43.520
<v Speaker 1>if somebody really stands out like Jay Rocks did and

0:37:43.520 --> 0:37:47.239
<v Speaker 1>impresses me, and you know, I might take a chance

0:37:47.280 --> 0:37:52.120
<v Speaker 1>on that, because it takes a lot to really develop

0:37:52.160 --> 0:37:55.000
<v Speaker 1>an artist. Artist development is not easy. It takes long

0:37:55.280 --> 0:37:58.319
<v Speaker 1>branding an artist, learning how to brand and teaching them

0:37:58.360 --> 0:38:01.320
<v Speaker 1>all these things as well. It's not easy. And everyone

0:38:01.320 --> 0:38:04.760
<v Speaker 1>comes in with a mindset already. So so you're obviously

0:38:04.760 --> 0:38:06.680
<v Speaker 1>not going to hear any any street gang rap on

0:38:06.719 --> 0:38:08.560
<v Speaker 1>my label and it's not going to happen because I

0:38:08.640 --> 0:38:10.520
<v Speaker 1>don't I don't need to be in that world.

0:38:10.440 --> 0:38:12.080
<v Speaker 4>Not for sure, And it's not it wouldn't be true

0:38:12.080 --> 0:38:12.560
<v Speaker 4>to what you do.

0:38:12.640 --> 0:38:14.880
<v Speaker 1>It's not true to me. Yeah, you're sure, you know.

0:38:14.840 --> 0:38:17.840
<v Speaker 3>Yo, You've were kind of the I feel like you

0:38:17.880 --> 0:38:19.759
<v Speaker 3>were going live with your fans. Before going live with

0:38:19.800 --> 0:38:22.880
<v Speaker 3>your fans was a thing, yes on Facebook. It was

0:38:22.920 --> 0:38:26.279
<v Speaker 3>on Facebook, yes, And now obviously everybody goes live on

0:38:26.360 --> 0:38:29.920
<v Speaker 3>indem Yes, So it's like it's like obviously it's like expected.

0:38:30.080 --> 0:38:32.320
<v Speaker 4>Yeah, how much.

0:38:32.480 --> 0:38:36.239
<v Speaker 3>Like are you noticing like new because because you go

0:38:36.280 --> 0:38:37.520
<v Speaker 3>to one of your shows and they'll.

0:38:37.360 --> 0:38:39.959
<v Speaker 4>Be like like a lot of young people there.

0:38:40.800 --> 0:38:45.000
<v Speaker 1>Eighty percent of my crowd are like fourteen to twenty five.

0:38:45.239 --> 0:38:48.160
<v Speaker 3>And so it's it's crazy to think that, like as

0:38:48.239 --> 0:38:50.520
<v Speaker 3>somebody who's been out for thirty years, right, Yeah, that

0:38:50.600 --> 0:38:53.160
<v Speaker 3>you're able to still gain these new fans. What are

0:38:53.280 --> 0:38:55.279
<v Speaker 3>what are the things you're doing? Is it the is

0:38:55.320 --> 0:38:57.000
<v Speaker 3>it the parents? Is it the social media? Like you

0:38:57.080 --> 0:38:58.719
<v Speaker 3>know some parents are playing in the car.

0:38:58.960 --> 0:39:01.480
<v Speaker 1>I think it's a combination of that. But of the

0:39:01.880 --> 0:39:04.879
<v Speaker 1>one of the things that everybody still tells me. Most

0:39:04.880 --> 0:39:07.600
<v Speaker 1>of my fans, I watch your TikTok every time you

0:39:07.640 --> 0:39:10.520
<v Speaker 1>go live. Wow, So I tik talk live, TikTok Live.

0:39:10.640 --> 0:39:13.120
<v Speaker 1>It used to be Facebook, but Facebook got greedy with

0:39:13.160 --> 0:39:15.400
<v Speaker 1>the audience and they started capping the audience smaller and

0:39:15.440 --> 0:39:18.319
<v Speaker 1>smaller and smaller. They want you to spend money on

0:39:18.360 --> 0:39:20.400
<v Speaker 1>them instead of giving you your actual followers. You know,

0:39:20.520 --> 0:39:23.799
<v Speaker 1>I got one point four million followers on there, and

0:39:23.800 --> 0:39:25.920
<v Speaker 1>and if I put up a post, I get eight likes.

0:39:26.360 --> 0:39:28.239
<v Speaker 3>No, Facebook's the worst because they want you to they

0:39:28.280 --> 0:39:29.839
<v Speaker 3>want you to press the ad on them.

0:39:29.920 --> 0:39:34.640
<v Speaker 1>Yeah, so the virality factor is better on TikTok right now.

0:39:34.680 --> 0:39:37.920
<v Speaker 1>It could change, It could change. And so yeah, my

0:39:38.000 --> 0:39:40.239
<v Speaker 1>fans catch me on TikTok live and I take phone

0:39:40.239 --> 0:39:40.880
<v Speaker 1>calls live.

0:39:41.200 --> 0:39:43.440
<v Speaker 4>Which is kind of dope. But radio, Yeah, it's like.

0:39:43.440 --> 0:39:45.879
<v Speaker 1>Old school radio and they call in and they get

0:39:45.960 --> 0:39:46.680
<v Speaker 1>so excited.

0:39:46.680 --> 0:39:48.840
<v Speaker 4>Oh my god, I died like three hundred times. You

0:39:49.480 --> 0:39:49.960
<v Speaker 4>picked up.

0:39:50.239 --> 0:39:51.440
<v Speaker 1>That just feels so good.

0:39:51.560 --> 0:39:53.520
<v Speaker 4>You know you got like a separate cell phone line

0:39:53.560 --> 0:39:53.879
<v Speaker 4>for that.

0:39:53.960 --> 0:39:55.839
<v Speaker 1>I got four lines, four of them. Yeah, I got

0:39:55.840 --> 0:39:58.520
<v Speaker 1>four lines in my studio and they rotate. Obviously we

0:39:58.560 --> 0:40:00.799
<v Speaker 1>had just one line. It would get crowded, wouldn't.

0:40:00.440 --> 0:40:03.560
<v Speaker 4>Oh, I bet that's dope. What has been like for

0:40:03.680 --> 0:40:04.680
<v Speaker 4>you so far?

0:40:04.880 --> 0:40:07.239
<v Speaker 3>Your favorite era of your career because you've done the

0:40:07.280 --> 0:40:10.120
<v Speaker 3>low Rider shows, when Low Writer shows were crazy, Yeah,

0:40:10.160 --> 0:40:12.320
<v Speaker 3>all the way up into doing like these newer shows

0:40:12.320 --> 0:40:14.279
<v Speaker 3>with Basher with them be Riders. Like, what's been kind

0:40:14.280 --> 0:40:15.640
<v Speaker 3>of like your favorite era of your career?

0:40:15.880 --> 0:40:18.080
<v Speaker 1>My favorite era is when I was starting going from

0:40:18.080 --> 0:40:23.200
<v Speaker 1>the Swap Meet to getting my first album on right,

0:40:23.400 --> 0:40:26.200
<v Speaker 1>you know, the coming out the Phex the Lost and Love.

0:40:26.480 --> 0:40:29.960
<v Speaker 1>That was my favorite artistic era. This is my favorite

0:40:29.960 --> 0:40:33.000
<v Speaker 1>era now because I'm in full control m So. I

0:40:33.040 --> 0:40:35.760
<v Speaker 1>went through eras where people were robbing me and making

0:40:35.800 --> 0:40:38.919
<v Speaker 1>millions off of this and that and dividing my group.

0:40:38.960 --> 0:40:41.399
<v Speaker 1>It was just so much dividing and conquer a bunch

0:40:41.400 --> 0:40:43.600
<v Speaker 1>of that. But this is my favorite now because I'm

0:40:43.640 --> 0:40:46.000
<v Speaker 1>really in the driver's seat and I like that. I

0:40:46.080 --> 0:40:47.279
<v Speaker 1>like I'm a control freak.

0:40:47.880 --> 0:40:48.560
<v Speaker 4>Call shots.

0:40:48.760 --> 0:40:50.359
<v Speaker 1>Yes, yes, are.

0:40:50.280 --> 0:40:52.480
<v Speaker 4>You still doing the makeup and all that good stuff?

0:40:52.480 --> 0:40:53.000
<v Speaker 1>Absolutely?

0:40:53.200 --> 0:40:55.440
<v Speaker 4>Yeah. I would say, is there is there anything new

0:40:55.480 --> 0:40:57.439
<v Speaker 4>that you've id to the line? That's yes.

0:40:57.840 --> 0:41:00.560
<v Speaker 1>Before Christmas, Me and Jay Rox have a collapse palette

0:41:00.560 --> 0:41:04.319
<v Speaker 1>coming that is phenomenal. It's phenomenal. We worked on it

0:41:04.440 --> 0:41:07.080
<v Speaker 1>so hard. It's taken about a year to develop because

0:41:07.400 --> 0:41:10.840
<v Speaker 1>of the detailed intricacies. It's not just your average palette.

0:41:10.840 --> 0:41:11.880
<v Speaker 1>It's a collector's item.

0:41:12.480 --> 0:41:16.200
<v Speaker 4>So you got the makeup, you have us, the Bluetooth speakers, Bluetooth.

0:41:16.320 --> 0:41:20.040
<v Speaker 4>What else is what else? The hoodies go good?

0:41:20.239 --> 0:41:24.040
<v Speaker 1>The beanies go good? What else we got on the website?

0:41:25.880 --> 0:41:26.040
<v Speaker 4>Oh?

0:41:26.080 --> 0:41:27.760
<v Speaker 1>The tumblers, the diamond tumblrs.

0:41:27.880 --> 0:41:28.680
<v Speaker 4>You got the tumblrs.

0:41:28.760 --> 0:41:30.879
<v Speaker 1>Yeah, they gang bang, they go, they do good.

0:41:31.200 --> 0:41:33.120
<v Speaker 4>I bet hey yo yo ma.

0:41:33.239 --> 0:41:34.560
<v Speaker 1>I mean everybody drinks Starbucks.

0:41:36.000 --> 0:41:37.680
<v Speaker 4>I just get the cup from Starbucks I need to

0:41:37.680 --> 0:41:38.880
<v Speaker 4>get I do have a tumble.

0:41:38.960 --> 0:41:41.279
<v Speaker 1>Girls like to have their own personal right, you know

0:41:41.280 --> 0:41:43.080
<v Speaker 1>what I'm saying. For sure, you know you don't want

0:41:43.080 --> 0:41:45.120
<v Speaker 1>to be like on a straw with nobody else's lips.

0:41:45.120 --> 0:41:50.279
<v Speaker 3>They're going it, you know, what what's something that you know,

0:41:50.680 --> 0:41:55.399
<v Speaker 3>you and a NBI riders. You guys did the reunion era,

0:41:55.520 --> 0:41:56.279
<v Speaker 3>which was about it.

0:41:56.360 --> 0:41:57.880
<v Speaker 4>I feel like it was one year a year.

0:41:58.000 --> 0:42:00.400
<v Speaker 1>Yeah, I know it's twenty nineteen because we're to go

0:42:00.400 --> 0:42:02.719
<v Speaker 1>into twenty twenty. And then they pulled a plug on us.

0:42:03.040 --> 0:42:08.239
<v Speaker 3>Yeah, I see them still doing stuff together. I just

0:42:08.280 --> 0:42:11.279
<v Speaker 3>saw them pop up on my timeline doing a live

0:42:11.320 --> 0:42:14.600
<v Speaker 3>show with just them two was How was that experience

0:42:14.600 --> 0:42:16.319
<v Speaker 3>because like you, I know, you guys had had like

0:42:16.400 --> 0:42:18.360
<v Speaker 3>a bit of a soured relationship.

0:42:18.480 --> 0:42:21.400
<v Speaker 1>Yeah past, I mean, you know what, God bless them. Yeah,

0:42:21.440 --> 0:42:23.239
<v Speaker 1>God bless them. That's all I can say on that.

0:42:23.640 --> 0:42:26.000
<v Speaker 1>You know, it's it's it's an old era.

0:42:26.280 --> 0:42:29.040
<v Speaker 4>But I'm saying it was you guys hitting the road

0:42:29.040 --> 0:42:32.000
<v Speaker 4>again together. Did it? Did it? Did it patch anything up?

0:42:32.040 --> 0:42:33.000
<v Speaker 4>Did it kind of show you?

0:42:33.600 --> 0:42:35.120
<v Speaker 3>Maybe I was I've been on the right path this

0:42:35.160 --> 0:42:36.759
<v Speaker 3>whole time, just focusing on my own thing.

0:42:36.960 --> 0:42:39.120
<v Speaker 4>Like one of the there's two reasons that I did it.

0:42:39.200 --> 0:42:41.839
<v Speaker 1>Number one is because they kept asking me, man, let's

0:42:41.840 --> 0:42:44.359
<v Speaker 1>get back together. Let's get back together. It'd be dope

0:42:44.400 --> 0:42:46.359
<v Speaker 1>if like my family could come to one of our

0:42:46.400 --> 0:42:48.440
<v Speaker 1>concerts because they hadn't been doing anything for us. So

0:42:48.480 --> 0:42:50.439
<v Speaker 1>that was one reason I did it, you know, from

0:42:50.920 --> 0:42:53.319
<v Speaker 1>from Okay you the homies want this, you know. And

0:42:53.440 --> 0:42:55.000
<v Speaker 1>the other reason is I thought it would take my

0:42:55.080 --> 0:42:58.319
<v Speaker 1>concert attendance level through the roof, that I'd go from

0:42:58.600 --> 0:43:01.799
<v Speaker 1>from a twenty five hundred seater to an arena. But

0:43:01.880 --> 0:43:02.880
<v Speaker 1>they just didn't do that.

0:43:02.880 --> 0:43:03.439
<v Speaker 4>It didn't happen.

0:43:03.480 --> 0:43:07.520
<v Speaker 1>They didn't do that. So we just and and fortunately

0:43:08.160 --> 0:43:10.360
<v Speaker 1>God stepped in. He threw the pandemic at us and

0:43:10.400 --> 0:43:13.200
<v Speaker 1>he says, look, look, look you'll find you're you're doing

0:43:13.239 --> 0:43:14.120
<v Speaker 1>fine by yourself.

0:43:14.480 --> 0:43:16.239
<v Speaker 4>And that's what happened. You guys would never do a

0:43:16.239 --> 0:43:17.200
<v Speaker 4>single together, was it?

0:43:17.239 --> 0:43:17.720
<v Speaker 1>Never again?

0:43:18.040 --> 0:43:18.439
<v Speaker 4>Never again?

0:43:18.560 --> 0:43:19.040
<v Speaker 1>Never again?

0:43:19.080 --> 0:43:19.400
<v Speaker 4>You're good?

0:43:19.880 --> 0:43:24.160
<v Speaker 1>Yeah, I'm good. I mean yeah, yeah, I'm good. I'm good.

0:43:24.600 --> 0:43:27.600
<v Speaker 3>Has anybody tried to sample your ship that you had

0:43:27.640 --> 0:43:31.000
<v Speaker 3>to stop because you didn't like it?

0:43:31.000 --> 0:43:33.480
<v Speaker 1>It's funny that you say that, but because usually if

0:43:33.520 --> 0:43:35.799
<v Speaker 1>they sample it, they'll ask they'll ask me to get

0:43:35.800 --> 0:43:38.840
<v Speaker 1>on it. So that's an automatic. You know. There's this

0:43:38.920 --> 0:43:41.040
<v Speaker 1>kid in New Mexico. He did his his version of

0:43:41.040 --> 0:43:45.200
<v Speaker 1>pretty Girl. It's called uh something about You Uh, featuring

0:43:45.239 --> 0:43:47.680
<v Speaker 1>his niece singing on the track. He sent it to

0:43:47.719 --> 0:43:50.000
<v Speaker 1>me and and I was I was happy that they

0:43:50.040 --> 0:43:52.880
<v Speaker 1>were doing it, and so they had no samples. I

0:43:52.920 --> 0:43:55.160
<v Speaker 1>gave him a verse and put some talk box on it,

0:43:55.440 --> 0:43:56.960
<v Speaker 1>and yeah, get just to have it.

0:43:56.960 --> 0:43:58.360
<v Speaker 4>It's a gift. That's a gift.

0:43:58.360 --> 0:44:00.279
<v Speaker 1>I don't need no royalties, I don't even know ride,

0:44:00.280 --> 0:44:03.799
<v Speaker 1>a credit, nothing have it. So to me, that's that's

0:44:03.800 --> 0:44:06.600
<v Speaker 1>a better thing to do is just give it a blessing.

0:44:07.040 --> 0:44:09.279
<v Speaker 1>And you know, because God sees everything.

0:44:09.160 --> 0:44:12.719
<v Speaker 3>Do you feel like I feel it's crazy because I

0:44:12.760 --> 0:44:14.560
<v Speaker 3>heard that bounce and I was like, Yo, this feels

0:44:14.600 --> 0:44:17.920
<v Speaker 3>like this feels like a fucking like a real hit, you.

0:44:17.960 --> 0:44:19.800
<v Speaker 4>Know what I'm saying. And it's got the talk box

0:44:19.840 --> 0:44:20.120
<v Speaker 4>on it.

0:44:20.239 --> 0:44:23.359
<v Speaker 1>Yes, that's a that's a that's a good compliment, thank you.

0:44:23.360 --> 0:44:25.279
<v Speaker 3>No, for sure, it's a banger, you know what I'm saying.

0:44:25.280 --> 0:44:29.640
<v Speaker 3>And like I feel like I feel like the talk

0:44:29.680 --> 0:44:32.120
<v Speaker 3>box is something that's kind of missing in hip hop now,

0:44:32.760 --> 0:44:35.680
<v Speaker 3>even on West Coast artist albums. I'm like, man, like,

0:44:35.680 --> 0:44:37.840
<v Speaker 3>I feel like that's missing, Like ye, like just a

0:44:37.880 --> 0:44:40.640
<v Speaker 3>little bit of that, like like Troutman love, you know

0:44:40.680 --> 0:44:41.040
<v Speaker 3>what I'm.

0:44:40.920 --> 0:44:44.040
<v Speaker 1>Saying, Yes, rest in peace, Roger Troutman, my hero. When

0:44:44.080 --> 0:44:46.400
<v Speaker 1>it comes to the talk box and I was talking

0:44:46.440 --> 0:44:50.560
<v Speaker 1>to to Coyote. I was talking to Coyote to Guappo,

0:44:50.920 --> 0:44:52.759
<v Speaker 1>and I was like, man, I think what you guys

0:44:52.880 --> 0:44:56.279
<v Speaker 1>need is like something similar to Bounce, but a little more,

0:44:56.480 --> 0:44:59.880
<v Speaker 1>a little more West Coast. Yes, and let's work on that.

0:45:00.040 --> 0:45:02.000
<v Speaker 1>Let's get that together for you. He goes, I'm down, magic,

0:45:02.080 --> 0:45:03.919
<v Speaker 1>let's do it. So I want to give them their

0:45:04.360 --> 0:45:06.719
<v Speaker 1>They're really explosive there, Johnny, Dang, you know.

0:45:06.640 --> 0:45:08.600
<v Speaker 4>I gotta be dope. That'd be dope.

0:45:08.640 --> 0:45:08.839
<v Speaker 2>Man.

0:45:09.120 --> 0:45:12.080
<v Speaker 4>Have you gotten a platinum or gold single? Yeah? I

0:45:12.080 --> 0:45:14.560
<v Speaker 4>feel like sexy ladies should be gone. I think it is.

0:45:14.800 --> 0:45:16.160
<v Speaker 1>I just don't look into those things.

0:45:16.440 --> 0:45:19.440
<v Speaker 4>You got it, you got it? Yeah, I think it's

0:45:19.880 --> 0:45:21.000
<v Speaker 4>has to be platinum by now.

0:45:21.120 --> 0:45:24.160
<v Speaker 1>Yeah, it probably is. It's probably is. You gotta just

0:45:24.239 --> 0:45:25.239
<v Speaker 1>I just don't look into it.

0:45:25.280 --> 0:45:27.120
<v Speaker 4>keV, you got to go on that. Ri I a

0:45:27.120 --> 0:45:29.080
<v Speaker 4>A yeah, I get it certified.

0:45:29.680 --> 0:45:33.080
<v Speaker 1>I just got so much going on, and I have so.

0:45:33.040 --> 0:45:36.680
<v Speaker 3>Many such a big symbol for like not just for

0:45:36.719 --> 0:45:38.279
<v Speaker 3>your career, but fe like Arizona.

0:45:39.200 --> 0:45:41.640
<v Speaker 1>Okay, yeah, I might look into it, like you're.

0:45:41.520 --> 0:45:42.719
<v Speaker 3>Gonna be able to be like, look, guys, I want

0:45:42.719 --> 0:45:44.960
<v Speaker 3>to plant them independently. I want to plant them independently.

0:45:45.840 --> 0:45:47.359
<v Speaker 4>Yes, yes, you know what I'm saying.

0:45:47.520 --> 0:45:51.960
<v Speaker 1>See, but and you're you're mentioning people that really for

0:45:52.120 --> 0:45:54.160
<v Speaker 1>my artistic career don't matter to me.

0:45:54.280 --> 0:45:55.800
<v Speaker 4>The fans matter, for sure.

0:45:56.280 --> 0:45:57.920
<v Speaker 3>I think like I think you're like a beacon of

0:45:57.960 --> 0:45:59.720
<v Speaker 3>hope for a lot of people in Phoenix.

0:46:00.440 --> 0:46:03.279
<v Speaker 1>Okay, I'll take that. That's a big compliment too, for sure.

0:46:03.320 --> 0:46:05.239
<v Speaker 3>I think like anytime we always talk about, like even

0:46:05.239 --> 0:46:06.880
<v Speaker 3>on my show, like we always talk about like who's

0:46:07.200 --> 0:46:09.280
<v Speaker 3>I'm like, you always got to put magic in the conversation.

0:46:09.320 --> 0:46:11.719
<v Speaker 3>Like to me, you're the goat of Arizona. Whether or

0:46:11.760 --> 0:46:13.480
<v Speaker 3>not people want to say, oh so and so wraps

0:46:13.480 --> 0:46:15.080
<v Speaker 3>better or whatever, whatever, it's like, it doesn't matter.

0:46:15.160 --> 0:46:17.480
<v Speaker 4>Like magic's taking like he's torn right now.

0:46:17.520 --> 0:46:20.839
<v Speaker 1>And that's hard for me because you're talking about rap

0:46:20.880 --> 0:46:21.439
<v Speaker 1>and I'm not.

0:46:21.440 --> 0:46:23.960
<v Speaker 4>Like like a rapper rap right, But to me, you still.

0:46:23.760 --> 0:46:25.920
<v Speaker 1>I'm not gonna get on. I'm gonna like and just

0:46:26.640 --> 0:46:28.680
<v Speaker 1>ah son No.

0:46:28.719 --> 0:46:30.520
<v Speaker 3>But I just mean in terms of like obviously what

0:46:30.560 --> 0:46:34.200
<v Speaker 3>you've meant and like you've shown more like you've put

0:46:34.200 --> 0:46:36.439
<v Speaker 3>more of a light on the city than anybody ever.

0:46:36.520 --> 0:46:37.280
<v Speaker 4>You're still toring.

0:46:37.520 --> 0:46:39.479
<v Speaker 3>There's not another artist out of Arizona's doing one hundred

0:46:39.520 --> 0:46:41.399
<v Speaker 3>dates a year selling out right.

0:46:41.600 --> 0:46:44.359
<v Speaker 1>Man, that I just take the compliment. I said thank you.

0:46:44.440 --> 0:46:46.440
<v Speaker 1>I just say thank you. But I'm not looking to

0:46:46.600 --> 0:46:49.400
<v Speaker 1>go announce that to anybody, right, that's this is not

0:46:49.480 --> 0:46:49.759
<v Speaker 1>my thing.

0:46:49.840 --> 0:46:50.680
<v Speaker 4>You got to get that plaque.

0:46:50.719 --> 0:46:51.640
<v Speaker 1>Man, It's not my thing.

0:46:51.800 --> 0:46:53.840
<v Speaker 4>It's there. It's any boy. Should we go for placks

0:46:53.920 --> 0:46:57.120
<v Speaker 4>or what it's it's the plaques exist. I have to

0:46:57.440 --> 0:47:00.560
<v Speaker 4>by the way, people care, bro, I'm telling you. People

0:47:00.560 --> 0:47:01.799
<v Speaker 4>are gonna look at that shit and be like, yo,

0:47:01.840 --> 0:47:02.440
<v Speaker 4>that's crazy.

0:47:02.480 --> 0:47:05.359
<v Speaker 1>This logo was originally made for his brand. Oh shit,

0:47:05.800 --> 0:47:07.160
<v Speaker 1>it was originally made for his brand.

0:47:07.160 --> 0:47:09.120
<v Speaker 4>And I liked this so much. Like that's the album cover.

0:47:09.239 --> 0:47:13.560
<v Speaker 1>He said, God Bless Northern because that's his brand, God Brest.

0:47:13.719 --> 0:47:15.400
<v Speaker 1>You know, he grew up on Northern and uh in

0:47:15.400 --> 0:47:17.680
<v Speaker 1>Seventh Street and Northern out there in Phoenix.

0:47:17.320 --> 0:47:19.279
<v Speaker 3>Shot to Seventh Street and Northern. I grew up on

0:47:19.320 --> 0:47:21.480
<v Speaker 3>fourteenth Avenue in dunlap.

0:47:22.000 --> 0:47:23.600
<v Speaker 4>Oh, I know where the lap is. I know where

0:47:23.600 --> 0:47:25.200
<v Speaker 4>the lap is. It's sunny slope.

0:47:25.360 --> 0:47:28.759
<v Speaker 1>Yes. So anyway, he's the one that designed this whole

0:47:28.760 --> 0:47:31.040
<v Speaker 1>thing for his brand and I'm like, let me borrow it,

0:47:31.200 --> 0:47:33.000
<v Speaker 1>let's do it, let's do a T shirt drop together.

0:47:33.480 --> 0:47:35.200
<v Speaker 1>And then when they called me from the from the

0:47:35.520 --> 0:47:38.279
<v Speaker 1>interscope and said you're good to go this Friday, I'm like,

0:47:38.360 --> 0:47:40.040
<v Speaker 1>we're gonna go. We're just gonna go with this.

0:47:40.200 --> 0:47:42.640
<v Speaker 4>Oh wow. So the album cover and all that really

0:47:42.680 --> 0:47:44.600
<v Speaker 4>really kind of came together in.

0:47:44.560 --> 0:47:46.520
<v Speaker 3>A week because it felt like it did feel like

0:47:46.840 --> 0:47:48.840
<v Speaker 3>it kind of came like out of nowhere.

0:47:48.840 --> 0:47:51.399
<v Speaker 4>To be fair, yeah, like I knew you you guys had.

0:47:51.280 --> 0:47:52.920
<v Speaker 3>Those records together because I talked to Ot and his

0:47:53.000 --> 0:47:55.520
<v Speaker 3>dad a lot. But it did feel like, oh shit,

0:47:56.160 --> 0:47:57.880
<v Speaker 3>this MC magic album.

0:47:58.400 --> 0:48:01.640
<v Speaker 1>Yes, absolutely, And I want to shout out other artists

0:48:01.640 --> 0:48:04.680
<v Speaker 1>on the album too. I love discovering artists that are

0:48:04.719 --> 0:48:07.400
<v Speaker 1>not that popular that have talent and put them on.

0:48:07.440 --> 0:48:10.279
<v Speaker 1>So this is a little girl named Alondra Santos. She

0:48:10.360 --> 0:48:12.360
<v Speaker 1>sings on the record with me and Jenny sixty nine

0:48:13.040 --> 0:48:15.000
<v Speaker 1>on You and Me. And there's also of course Trish

0:48:15.040 --> 0:48:17.800
<v Speaker 1>Toledo who's been known to sing oldies and stuff. We

0:48:17.840 --> 0:48:22.080
<v Speaker 1>got a song called Nobody Knows. We got a phenomenal

0:48:22.239 --> 0:48:26.200
<v Speaker 1>video for that song. Nope, it's phenomenal. And I'm just excited,

0:48:26.239 --> 0:48:29.120
<v Speaker 1>and I'm excited for people to see Pretty Girl twenty four.

0:48:29.400 --> 0:48:31.920
<v Speaker 4>Yo. I also think you gotta do like a new

0:48:31.960 --> 0:48:35.600
<v Speaker 4>Magic City album next. You think so Magic City would

0:48:35.600 --> 0:48:36.920
<v Speaker 4>be part three, right, it would be three?

0:48:37.000 --> 0:48:38.239
<v Speaker 1>Yeah, Magic City Part three?

0:48:38.560 --> 0:48:39.120
<v Speaker 4>Yeah?

0:48:39.400 --> 0:48:42.480
<v Speaker 3>Hey man, I always tell the story, but I've definitely

0:48:42.960 --> 0:48:44.840
<v Speaker 3>got an early copy of Magic City back in the

0:48:44.920 --> 0:48:46.480
<v Speaker 3>day and was selling it at the swap.

0:48:47.640 --> 0:48:50.879
<v Speaker 1>I made you some money, cat, yeah, you did well.

0:48:50.880 --> 0:48:52.920
<v Speaker 1>I was bootlegging two. I just didn't go with the brand.

0:48:53.040 --> 0:48:55.120
<v Speaker 4>It's so crazy, like for people who don't know like

0:48:55.160 --> 0:48:59.200
<v Speaker 4>you really like legitimately started your career. There's a swabeat

0:48:59.239 --> 0:48:59.840
<v Speaker 4>in Arizona.

0:49:00.080 --> 0:49:04.319
<v Speaker 3>It's on fortieth Street in Washington, and you.

0:49:04.280 --> 0:49:07.840
<v Speaker 4>Were there every week, was it? Because Wednesday nights were cracking?

0:49:07.960 --> 0:49:08.200
<v Speaker 1>Yeah?

0:49:08.239 --> 0:49:10.799
<v Speaker 3>And then Friday, Saturday, Sunday, well, Saturday and Sunday were

0:49:10.800 --> 0:49:11.560
<v Speaker 3>really in the days.

0:49:11.440 --> 0:49:13.360
<v Speaker 1>Right, Saturday and Sunday were the main days.

0:49:13.840 --> 0:49:15.719
<v Speaker 4>Uh. And then Wednesday night you can go buy a car?

0:49:15.880 --> 0:49:18.279
<v Speaker 1>You right, No, And I started going on Wednesday night

0:49:18.640 --> 0:49:18.840
<v Speaker 1>that was.

0:49:18.840 --> 0:49:21.120
<v Speaker 4>Like super pist to night for show, Like Wednesday was.

0:49:21.080 --> 0:49:24.040
<v Speaker 1>More Bison, but the Swapman became super Bison for sure.

0:49:24.040 --> 0:49:27.160
<v Speaker 1>In general. Yeah, yeah, because's where I got myos now brother.

0:49:27.760 --> 0:49:29.239
<v Speaker 3>Yeah, no, I haven't been to this. I haven't been

0:49:29.280 --> 0:49:31.640
<v Speaker 3>to that swap meet probably in like six years.

0:49:32.000 --> 0:49:34.080
<v Speaker 1>Yeah, it's been a long time. One of the homies

0:49:34.080 --> 0:49:36.320
<v Speaker 1>that let us use his spot. Shout out to my

0:49:36.440 --> 0:49:39.319
<v Speaker 1>man Abe on the South Side Tacos. He let us

0:49:39.400 --> 0:49:41.319
<v Speaker 1>use his spot to do the photo shoot you know

0:49:41.360 --> 0:49:44.560
<v Speaker 1>some of the photos that we used with the album launch.

0:49:44.920 --> 0:49:47.840
<v Speaker 1>We took him in South Phoenix at Guesswave and and

0:49:47.880 --> 0:49:50.399
<v Speaker 1>he's like magic. I got this vision that you come

0:49:50.440 --> 0:49:52.920
<v Speaker 1>back to the swap Meat and people can go get

0:49:52.960 --> 0:49:54.200
<v Speaker 1>a take for you, just for one day.

0:49:54.400 --> 0:49:55.240
<v Speaker 4>That'd be fire.

0:49:56.760 --> 0:49:58.640
<v Speaker 1>And my wife said, you know, that's a smart idea.

0:49:58.760 --> 0:50:02.640
<v Speaker 3>That's not a bad idea. Yeah, because you guys have

0:50:02.719 --> 0:50:03.800
<v Speaker 3>hard copies the album.

0:50:03.600 --> 0:50:06.320
<v Speaker 1>Yet they're on the way. They're on the way, dude.

0:50:06.040 --> 0:50:09.480
<v Speaker 3>You should do that one day. Get the radio stations involved.

0:50:11.520 --> 0:50:13.279
<v Speaker 3>I don't know if Gio. I forget the name of

0:50:13.320 --> 0:50:14.799
<v Speaker 3>the lady who used to run the swap me, but

0:50:14.840 --> 0:50:15.440
<v Speaker 3>she kicked me out.

0:50:15.480 --> 0:50:16.600
<v Speaker 1>At least Nica.

0:50:16.600 --> 0:50:19.799
<v Speaker 3>Monica kicked me out of that motherfucker fifteen times. I

0:50:19.920 --> 0:50:21.840
<v Speaker 3>used to have to send my parents to get the

0:50:21.840 --> 0:50:22.760
<v Speaker 3>space and then.

0:50:22.640 --> 0:50:26.839
<v Speaker 4>You can't sell those burn CDs. Bro I literally used

0:50:26.880 --> 0:50:28.800
<v Speaker 4>to have to send different people to buy the space

0:50:28.800 --> 0:50:31.120
<v Speaker 4>in the morning under their name. I'd be like, yoyo,

0:50:31.160 --> 0:50:33.640
<v Speaker 4>go get the space. That's a real hustler. Oh yeah.

0:50:33.680 --> 0:50:35.759
<v Speaker 3>And then even the one in Tucsonic got kicked out

0:50:36.320 --> 0:50:37.240
<v Speaker 3>Tonki Vertie swapped.

0:50:37.680 --> 0:50:38.480
<v Speaker 4>Oh my god.

0:50:39.000 --> 0:50:40.719
<v Speaker 3>The one that I never got no smoke at was

0:50:40.760 --> 0:50:43.799
<v Speaker 3>the one on Buckeye, the one on like thirty Fi.

0:50:44.960 --> 0:50:46.799
<v Speaker 3>They didn't give a fuck over there. You're gonna sell

0:50:46.840 --> 0:50:49.279
<v Speaker 3>whatever the fuck you wanted over there. That's the real

0:50:49.320 --> 0:50:52.400
<v Speaker 3>piece of swap meat for sure. The one by Carl Hayden,

0:50:52.480 --> 0:50:53.200
<v Speaker 3>that's the one.

0:50:53.520 --> 0:50:57.040
<v Speaker 1>Yeah, just knowing to Carl Hayden. Just when you say

0:50:57.080 --> 0:50:59.120
<v Speaker 1>Carl Hayden, they're like on Roosevelt.

0:51:00.000 --> 0:51:02.719
<v Speaker 3>You know what's so crazy is I just saw recently

0:51:02.800 --> 0:51:04.360
<v Speaker 3>that a few years ago, I had no idea that

0:51:04.400 --> 0:51:06.759
<v Speaker 3>this happened, that they made a fucking movie with George

0:51:06.800 --> 0:51:08.239
<v Speaker 3>Lopez about Carl Hayden High school.

0:51:08.360 --> 0:51:11.279
<v Speaker 4>Yeah. I didn't know that the Underground Water Team or

0:51:11.280 --> 0:51:13.120
<v Speaker 4>something like that. Yeah, some some sort of robot team

0:51:13.200 --> 0:51:14.839
<v Speaker 4>or some shit roy under Yeah. I was like, they

0:51:14.880 --> 0:51:16.600
<v Speaker 4>got a fucking movie about.

0:51:16.360 --> 0:51:18.560
<v Speaker 1>Carl Heyten Hayden High School.

0:51:18.280 --> 0:51:22.120
<v Speaker 4>And George Lopez shout out falcons. She where did you

0:51:22.120 --> 0:51:22.800
<v Speaker 4>go to high school?

0:51:23.200 --> 0:51:25.239
<v Speaker 1>I started at East High School.

0:51:25.239 --> 0:51:28.160
<v Speaker 4>It doesn't exist anymore. I started at East High School.

0:51:28.640 --> 0:51:31.399
<v Speaker 1>That was my freshman year, and then the government gave

0:51:31.440 --> 0:51:33.960
<v Speaker 1>my mom a bigger house, but she had to move

0:51:34.000 --> 0:51:38.480
<v Speaker 1>to Avondale. So then I finished up my sophomore, junior,

0:51:38.560 --> 0:51:42.959
<v Speaker 1>senior year in Avondale on the far west side.

0:51:43.320 --> 0:51:46.440
<v Speaker 3>So when you were growing up, like grade school, middle school,

0:51:46.440 --> 0:51:47.560
<v Speaker 3>where were you at?

0:51:47.920 --> 0:51:50.359
<v Speaker 1>I was in the projects at Cofeld, So I went

0:51:50.400 --> 0:51:52.480
<v Speaker 1>to Hamilton. It's called Hamilton now, but it was called

0:51:52.520 --> 0:51:53.560
<v Speaker 1>Murphy three back then.

0:51:53.680 --> 0:51:56.040
<v Speaker 4>So what like, what are your crossroads growing up?

0:51:56.440 --> 0:52:01.560
<v Speaker 1>Buckeye and Nineteenth Avenue. Oh, Jesus, Carlito's Market, that's the Funneteenth.

0:52:02.760 --> 0:52:05.720
<v Speaker 3>Still is by, I believe it. Buckeye in nineteenth Avenue

0:52:05.719 --> 0:52:06.640
<v Speaker 3>hasn't gotten any better.

0:52:06.960 --> 0:52:09.320
<v Speaker 4>I actually don't think anything up and down Nineteenth Avenue's

0:52:09.320 --> 0:52:12.520
<v Speaker 4>ever gotten better. Businesses that where their clothes bro Nineteenth

0:52:12.520 --> 0:52:16.360
<v Speaker 4>Avenue as a street in Arizona is just fucking doomed.

0:52:16.640 --> 0:52:19.240
<v Speaker 4>I don't know what's I think twenty seventh Avenue's overtaking

0:52:19.280 --> 0:52:22.560
<v Speaker 4>it if you just go up and down twenty seventh, Yeah,

0:52:22.600 --> 0:52:25.799
<v Speaker 4>twenty seventh is pretty bod Nineteenth Avenue fucked. I don't

0:52:25.840 --> 0:52:28.040
<v Speaker 4>matter where you're at, you be on nineteen Avenue. You're right,

0:52:28.680 --> 0:52:32.239
<v Speaker 4>it's fucked up and down done left to baseline, Hey,

0:52:32.640 --> 0:52:36.520
<v Speaker 4>baseline of seventh Street? What's up? Jesus man? All right?

0:52:36.560 --> 0:52:38.120
<v Speaker 4>So look, the new album is out. People can go

0:52:38.160 --> 0:52:38.640
<v Speaker 4>get the merch.

0:52:38.880 --> 0:52:42.839
<v Speaker 3>Hard copies are on the way. I'm assuming you've got

0:52:42.840 --> 0:52:43.960
<v Speaker 3>tons of shows coming up, and we.

0:52:44.040 --> 0:52:45.480
<v Speaker 1>Got a ton of gang of shows. Just go to

0:52:45.560 --> 0:52:48.040
<v Speaker 1>mcmagic dot world for all the links.

0:52:48.280 --> 0:52:50.239
<v Speaker 4>What has been the coolest place? Like?

0:52:50.280 --> 0:52:52.040
<v Speaker 3>Have you have you because you have your places you

0:52:52.080 --> 0:52:53.719
<v Speaker 3>always go, right, has there been a new place you've

0:52:53.760 --> 0:52:56.160
<v Speaker 3>gone recently where you're like, oh shit, like, uh, we

0:52:56.200 --> 0:52:57.719
<v Speaker 3>got booked where oh.

0:52:57.480 --> 0:52:59.960
<v Speaker 1>Yeah, we went to Tapa, Florida and it was Banana.

0:53:00.600 --> 0:53:03.239
<v Speaker 1>I just saw that we went to Tampa, Florida and

0:53:03.320 --> 0:53:07.400
<v Speaker 1>I lived in Tampa. Yes, yeah, and it was crazy bootleg.

0:53:07.600 --> 0:53:09.799
<v Speaker 1>Matter of fact that the promoters that wasn't the show

0:53:09.800 --> 0:53:12.719
<v Speaker 1>that we promoted. The promoter said, we didn't expect this

0:53:12.760 --> 0:53:14.680
<v Speaker 1>type of turnout, and they told us that last night,

0:53:14.920 --> 0:53:17.160
<v Speaker 1>not last night, two nights ago. They told us that

0:53:17.800 --> 0:53:23.080
<v Speaker 1>in Brighton, Colorado, Adams County Fair. They expected five hundred people,

0:53:23.440 --> 0:53:25.040
<v Speaker 1>We had like ten thousand people.

0:53:25.160 --> 0:53:29.080
<v Speaker 4>What the fuck? Yeah, Tampa's got the worst Mexican food

0:53:29.120 --> 0:53:32.239
<v Speaker 4>in America. Thanks for the heads up.

0:53:32.320 --> 0:53:32.520
<v Speaker 1>Can.

0:53:33.040 --> 0:53:36.120
<v Speaker 3>I lived there, and I tell you I scratched every

0:53:36.200 --> 0:53:37.680
<v Speaker 3>single nook and cranny place.

0:53:37.760 --> 0:53:40.040
<v Speaker 1>I'll definitely be going to Jersey Mike's when I get

0:53:40.080 --> 0:53:41.080
<v Speaker 1>to Tampa.

0:53:40.760 --> 0:53:43.840
<v Speaker 4>Get Cuban food. They got a place called Taco Bus.

0:53:43.920 --> 0:53:49.480
<v Speaker 4>That is what everyone thinks is good. If you live

0:53:49.520 --> 0:53:52.120
<v Speaker 4>in Tampa and you asked someone from Tampa, yeah, where's

0:53:52.120 --> 0:53:54.120
<v Speaker 4>some Mexican food at they were, with the straight face,

0:53:54.400 --> 0:53:56.560
<v Speaker 4>point you to a taco bell. Damn, I get there's

0:53:56.560 --> 0:53:57.319
<v Speaker 4>a Taco bell over there.

0:53:59.840 --> 0:54:01.040
<v Speaker 1>Not real Mexican food.

0:54:01.760 --> 0:54:05.320
<v Speaker 3>Do you think Southern California has better Mexican food than Arizona?

0:54:05.800 --> 0:54:08.000
<v Speaker 1>Personally, I'm from Arizona. So I'm gonna I'm gonna go

0:54:08.000 --> 0:54:08.279
<v Speaker 1>with a Z.

0:54:08.640 --> 0:54:09.239
<v Speaker 4>I go there, I go.

0:54:09.400 --> 0:54:10.160
<v Speaker 1>I'm gonna go with Ez.

0:54:10.280 --> 0:54:12.799
<v Speaker 3>I always say by the Fall, I'll always give it

0:54:12.840 --> 0:54:16.120
<v Speaker 3>to just because San Diego's like right there.

0:54:16.239 --> 0:54:19.359
<v Speaker 1>San Diego's got real good food, but LA's got king

0:54:19.400 --> 0:54:21.040
<v Speaker 1>Taco Yeah.

0:54:21.440 --> 0:54:23.279
<v Speaker 3>I actually, you know what I don't like about La

0:54:23.440 --> 0:54:25.600
<v Speaker 3>and obviously the outskirts of La they have.

0:54:26.360 --> 0:54:31.320
<v Speaker 4>We don't have a Philibertos. We don't have a twenty

0:54:31.320 --> 0:54:35.239
<v Speaker 4>four hour Wow. Like I'm telling you, in La, there

0:54:35.320 --> 0:54:38.399
<v Speaker 4>is not a twenty four hour Mexican place you could

0:54:38.400 --> 0:54:41.200
<v Speaker 4>pull up and get a carnisarrazy. It does not exist.

0:54:41.280 --> 0:54:43.080
<v Speaker 1>But you know what a lot of that is because

0:54:43.120 --> 0:54:45.880
<v Speaker 1>there's so many, so many hustling trucks. The food trucks

0:54:45.880 --> 0:54:46.360
<v Speaker 1>are everywhere.

0:54:46.400 --> 0:54:47.800
<v Speaker 4>But the food trucks are open twenty.

0:54:47.640 --> 0:54:50.080
<v Speaker 1>Four hours, but I've seen them open late.

0:54:50.239 --> 0:54:51.480
<v Speaker 4>They'll be open to about two three am.

0:54:51.560 --> 0:54:51.960
<v Speaker 1>Okay.

0:54:52.160 --> 0:54:53.960
<v Speaker 4>But my whole thing, I'm like, dude and a Z.

0:54:54.200 --> 0:54:57.640
<v Speaker 4>You can't you fall into a twenty four hour Philipbertos.

0:54:57.680 --> 0:55:00.640
<v Speaker 4>And like Phillies is by the way, I joy Phillies.

0:55:00.680 --> 0:55:05.640
<v Speaker 4>He called Philiberto Phillies, but like, hey, you do, got

0:55:05.640 --> 0:55:08.319
<v Speaker 4>a relationship with them, But I love Phillies. Like the

0:55:08.400 --> 0:55:11.120
<v Speaker 4>thing is is like it's it's like there's better food

0:55:11.160 --> 0:55:13.279
<v Speaker 4>for sure, yeah, but it's just dependable.

0:55:13.360 --> 0:55:15.839
<v Speaker 1>Yeah. Back when I lived on on on forty third

0:55:15.880 --> 0:55:19.839
<v Speaker 1>Avenue and Cactus, there was a place called Rolando's. Oh yeah,

0:55:19.960 --> 0:55:23.920
<v Speaker 1>Rolando's went hard. They had the best toy soak on

0:55:23.960 --> 0:55:28.040
<v Speaker 1>Wells and Gesso Burrito and the best.

0:55:28.080 --> 0:55:31.719
<v Speaker 3>The best hot dogs are in Arizona. They started in Tucson. Facts.

0:55:32.719 --> 0:55:34.680
<v Speaker 3>There's that place on twentieth Street in the Indian School.

0:55:34.719 --> 0:55:36.160
<v Speaker 3>There's a fucking cart. Oh my god.

0:55:36.239 --> 0:55:38.799
<v Speaker 1>So yeah, no, that's one o. The hot dogs are

0:55:38.800 --> 0:55:40.640
<v Speaker 1>definitely definitely an easy.

0:55:40.400 --> 0:55:42.399
<v Speaker 3>I try to tell people because I'll tell them like, yeah, nah,

0:55:42.440 --> 0:55:44.080
<v Speaker 3>the ship that you when you leave the Crypto dot

0:55:44.080 --> 0:55:46.360
<v Speaker 3>com arena and there's the ladies with the carts selling

0:55:46.440 --> 0:55:50.480
<v Speaker 3>the bacon rate wrapped hot dogs and not the same thing.

0:55:51.440 --> 0:55:53.520
<v Speaker 3>I wish it was, for sure, man. Right with the

0:55:53.520 --> 0:55:55.920
<v Speaker 3>new album is out, everyone goes support it. Uh mc

0:55:56.000 --> 0:55:56.960
<v Speaker 3>magic world dot.

0:55:56.760 --> 0:56:01.600
<v Speaker 1>Com mcmagic dot world not dot com world, got world, okay?

0:56:01.680 --> 0:56:04.759
<v Speaker 4>Yeah? And how often you go live?

0:56:05.440 --> 0:56:07.160
<v Speaker 1>I try to go at least once a week, but

0:56:07.200 --> 0:56:09.560
<v Speaker 1>when when I have enough free time, I'll do twice

0:56:09.560 --> 0:56:09.919
<v Speaker 1>a week.

0:56:10.120 --> 0:56:10.480
<v Speaker 4>Okay.

0:56:10.680 --> 0:56:13.160
<v Speaker 1>You know. Sometimes after after church on Sunday, I'll go

0:56:13.239 --> 0:56:15.680
<v Speaker 1>live again in the evening. You know, it's a good time.

0:56:15.680 --> 0:56:17.840
<v Speaker 1>I try to give them as much as possible because

0:56:17.840 --> 0:56:18.879
<v Speaker 1>they've given me so much.

0:56:18.920 --> 0:56:21.080
<v Speaker 3>I love it, man, mc magic, I appreciate you pulling

0:56:21.120 --> 0:56:22.880
<v Speaker 3>up buddy. Illove you boy, Yes sir, love you too.

0:56:22.920 --> 0:56:23.800
<v Speaker 4>Man Fire