WEBVTT - Ep 104: Warm Toilet Seat

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<v Speaker 1>Welcome to This Is Important, a production of I Heart Radio,

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<v Speaker 1>the show where we only talk about what is most obviously,

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<v Speaker 1>very crucially important today. On This is Important, I'm a

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<v Speaker 1>fist you and punch you in the dude. My ass

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<v Speaker 1>is fine and it's been fine for thirty eight years. Okay,

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<v Speaker 1>I'm gonna go take a ship. Let's go go. I

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<v Speaker 1>wish we all had more. I would like to battle you.

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<v Speaker 1>What I end up doing with the board is I

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<v Speaker 1>just make the noises with my voice? Uh that I

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<v Speaker 1>love it. Make the music with your mouth, boy, I'd

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<v Speaker 1>like to make the music with my mouth. I keep

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<v Speaker 1>for my favorite for my favorite boards, but's I like

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<v Speaker 1>all of them? Will make the music with your mouths.

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<v Speaker 1>Let's go. Yeah. A lot of people have been pointing

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<v Speaker 1>out the fact that you, Adam, are always claiming that

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<v Speaker 1>everybody hates the board. So maybe it's you're projecting the baby.

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<v Speaker 1>I've just gotten a lot of Oh do you I

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<v Speaker 1>love the board? I don't hate the board, yeah, but

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<v Speaker 1>why do you think I'm always doing it with my mouth?

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<v Speaker 1>I'm doing the board that it's important? Who's who? You

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<v Speaker 1>can't tell? Is everyone chunking right now? Or just make

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<v Speaker 1>you're the main chunker. Probably just you. You're probably the

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<v Speaker 1>main chunking prankster. I think you're chunking it's me? Are

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<v Speaker 1>you okay? Do? We can't have this. We're it's only

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<v Speaker 1>three of the three man crew. We can't be dipping out.

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<v Speaker 1>I wanted to come in so hot? What can you

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<v Speaker 1>hear us? Can you hear us? You know what I'm

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<v Speaker 1>gonna do. I'm gonna hardline. Oh man, this is bad.

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<v Speaker 1>It's if it's down to me and Adam, this is

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<v Speaker 1>gonna be like a weird the best podcast yet. What

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<v Speaker 1>were you going to say? What would be? What would

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<v Speaker 1>we really dive into? Just you and I? What were you? Uh?

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<v Speaker 1>Therapy talk? Wow? You really liked walking down that path?

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<v Speaker 1>Didn't I did? It was enlightening for me. I was like,

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<v Speaker 1>I'm learning stuff. I'm like, yeah, it's cool. It's it's

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<v Speaker 1>no pressure. It's it's low pressure situation to talk about

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<v Speaker 1>your feelings. Oh now DIRS is completely frozen. Oh my god,

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<v Speaker 1>here we are, so here we are drs. DRS can't

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<v Speaker 1>afford internet and uh and Kyle had a hard time

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<v Speaker 1>getting his seat belt off in a van. Excuse me?

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<v Speaker 1>Yeah Internet, okay, I can Okay, did someone say I

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<v Speaker 1>could know you're you're good to go? I'm not sure

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<v Speaker 1>bad I can okay, okay, I can't afford it or not?

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<v Speaker 1>T I I nation we maybe we're falling apart. I

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<v Speaker 1>don't know, man, I don't know what's happening. Hey, it

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<v Speaker 1>took a hundred and what is it? Three D four?

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<v Speaker 1>I think we're on four at this point. Hundred and

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<v Speaker 1>four learned four apps for us. Maybe let's go as

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<v Speaker 1>is what we need to do. Let's let's go, let's

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<v Speaker 1>let's actually leave. The guys were cutting it off at

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<v Speaker 1>one oh four. So are yours? Are you coming to

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<v Speaker 1>the little bb Q gathering that I'm gonna gonna have

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<v Speaker 1>on Sunday? Are you not a good friend? No way, O, man,

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<v Speaker 1>let's not man, I can't. Uh, first and foremost, um,

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<v Speaker 1>I'll be recovering from the Malibu Trathlon, that seems I mean,

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<v Speaker 1>when this airs, it'll be weeks ago. But like that's Saturday,

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<v Speaker 1>and then my wife, very funny movie. Uh is my wife?

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<v Speaker 1>She's leaving me. She's leaving for Africa. She's going to God,

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<v Speaker 1>you have an entire conscience. She's going to Kenya, she's

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<v Speaker 1>going on Safari. Can you believe it. Damn, that's damn.

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<v Speaker 1>That's sick. Kenya is uh in Africa. It is in Africa.

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<v Speaker 1>Can you spell it? Uh? Kenya's in Africa. She's going

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<v Speaker 1>to see the Great Migration, and she and her sister

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<v Speaker 1>are taken uh, their mom too on Safari for like

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<v Speaker 1>her seventieth birthday or something like that. Yeah, that's cool,

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<v Speaker 1>that's cool that your wife, she's I've known her to

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<v Speaker 1>go to Africa like maybe three to five times since

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<v Speaker 1>i've known her, maybe more maybe more so cool upwards

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<v Speaker 1>of the teams. Teams, that's so cool. I wish when

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<v Speaker 1>I was in my twenties, I would have picked like

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<v Speaker 1>one country to be like, that's my ship. I'm gonna

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<v Speaker 1>go there all the time and help out and do stuff,

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<v Speaker 1>because then it's a lifelong thing that you always going

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<v Speaker 1>to go somewhere you always have if I may. Africa's

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<v Speaker 1>a continent. It's a continent. Yes, it's yeah, he's saying

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<v Speaker 1>he would have picked. I wouldn't just want people every

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<v Speaker 1>people shooting for countries. Some just go to a city

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<v Speaker 1>and build a library. She's been to several different countries.

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<v Speaker 1>I'm gonna build a library in Baltimore, I would just

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<v Speaker 1>say Balti more is my spot. Okay, I'm always gonna Yes,

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<v Speaker 1>I know what you mean. She but she's been to

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<v Speaker 1>several different countries in Africa. Yes, yes, yes, yes, fair

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<v Speaker 1>And what's your favorite country in the continent of Africa? Yes? Points?

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<v Speaker 1>Should I give him points for that? Let me ask you,

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<v Speaker 1>so proud of myself for that dumb question. Wow, dude, Yes, yes,

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<v Speaker 1>but I don't know. I mean, she studied abroad in Senegal,

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<v Speaker 1>so I think that's where she kind of, um, that's her,

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<v Speaker 1>that's her home base. Can I say that every country

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<v Speaker 1>name in Africa sounds like it would be a dope name. Hey,

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<v Speaker 1>and we just had to cut out the rest of

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<v Speaker 1>what Adams said, but we're back now. Uh No, it

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<v Speaker 1>would say it would say it sounds like a dope name,

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<v Speaker 1>like if your name is Senegal. Oh, you mean like

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<v Speaker 1>if it's a person's name, your humans name. Bro. If

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<v Speaker 1>my name was Congo, I would be the coolest bro

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<v Speaker 1>in the If you were Congo Anderson, my god, Anderson,

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<v Speaker 1>w W E is very Oh oh my god, science, yeah,

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<v Speaker 1>oh my god, here comes Congo Congo and their name

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<v Speaker 1>was Congo Anderson, you would have an enormous TikTok and

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<v Speaker 1>wrap wrap for it. It would just be a TikTok.

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<v Speaker 1>I would have an enormous rap career even if you

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<v Speaker 1>didn't wrap. You would just release albums with nothing on

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<v Speaker 1>it and people would buy it because I said the

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<v Speaker 1>coolest name. Is it too late? Too late for you

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<v Speaker 1>to be Congo? Want that for me? I don't want to.

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<v Speaker 1>I don't want that for me, all right. I don't

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<v Speaker 1>want that for me. I like who I am and

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<v Speaker 1>this is my fiance and gola. I went to a

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<v Speaker 1>Congo Anderson concert. Did it smack? Dude? It didn't smack it,

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<v Speaker 1>but it did slap slapped, but it blacked a bit.

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<v Speaker 1>It was flapping there a few blacks, and towards the

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<v Speaker 1>end it was flap. So I was flapping. At first

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<v Speaker 1>it was flapping, then it was flapped. It was mostly

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<v Speaker 1>a flo I went to a one Republic concert the

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<v Speaker 1>other day. Guys. I never thought I would go to

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<v Speaker 1>d republic concert. Didn't even know on accident. Did you

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<v Speaker 1>get like caught in traffic or something like the traffic

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<v Speaker 1>just you had you veered into the thing. You're like,

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<v Speaker 1>I guess we're going guess is that I don't know.

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<v Speaker 1>We can't it is it is? How did I know that?

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<v Speaker 1>Because I just sang it. That's why it reminded. That's

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<v Speaker 1>why it reminded me, because he was just singing it.

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<v Speaker 1>He was like seeing it come out. There's no team there.

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<v Speaker 1>When I talk, there's no I'm not thinking of anything.

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<v Speaker 1>Before I say the words you're no team. I'm literally

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<v Speaker 1>I literally say a thing and then I go, oh, yeah,

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<v Speaker 1>that's that's the thing I should talk about. Shoo shook

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<v Speaker 1>something loose the old snapchat brain. Yeah, I went because

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<v Speaker 1>Ryan Teter, who is the lead singer of One Republic.

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<v Speaker 1>Of course you guys knew that. Of course I didn't

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<v Speaker 1>know that, dude. Yeah okay, okay, So we're just saying,

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<v Speaker 1>look at my face. Yeah, well you talked about him, right,

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<v Speaker 1>didn't he like? Yeah, yeah, So he recorded a song

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<v Speaker 1>for the Pitch Perfect show I did in Germany, and

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<v Speaker 1>then so he was in Charles and was like, I'm

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<v Speaker 1>coming through town. You guys should come, and Clo was like,

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<v Speaker 1>let's go. They have a ton of you would know

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<v Speaker 1>what she was like, what you would know? She was like,

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<v Speaker 1>he said, let's She was like's sorry, I'm sorry, I'm

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<v Speaker 1>looking also looking for One Republic songs. Dude, I do

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<v Speaker 1>a lot on Okay, yeah, okay, just do the one.

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<v Speaker 1>Just do the one. Well that's not the one at

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<v Speaker 1>the top, but go ahead, keep tossing. So then so

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<v Speaker 1>we go to the One Republic concertize there was it

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<v Speaker 1>was wall to wall hits. I've never heard of this

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<v Speaker 1>band in my life. I didn't know them at all.

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<v Speaker 1>I didn't know Ryan Tedder at all. He's a super

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<v Speaker 1>nice guy, dresses really cool, has swishy hair. It was

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<v Speaker 1>wall to wall hits. I was like, oh, this is

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<v Speaker 1>there wall to wall? How big is this room? From

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<v Speaker 1>the windows of the wall, how big is this room?

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<v Speaker 1>That it was a stadium. There was like people literally

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<v Speaker 1>at him. I mean like, okay, it's wall to wall,

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<v Speaker 1>but like, is it wall to wall a closet of hits?

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<v Speaker 1>Like how many? Like you're saying, from the window to

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<v Speaker 1>the wall, what are we talking? Brother? So the sweat

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<v Speaker 1>drips down your ball. So I'm not saying I'm like

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<v Speaker 1>a huge warm Republic fan because it always they all

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<v Speaker 1>their music sounds like and even Ryan was you're talking

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<v Speaker 1>about yeah? He was like it was like we have

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<v Speaker 1>I'm like, do you ever get sick? Of playing like

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<v Speaker 1>a certain song because I wanted with with like rock

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<v Speaker 1>stars and stuff. I'm like, do you have you ever

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<v Speaker 1>just sick of playing your hit? We're like because as

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<v Speaker 1>a stand up you tell the same jokes too much

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<v Speaker 1>or at the same story, you're like, Jesus Christ, I

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<v Speaker 1>gotta launch it and this fucking thing again. But yeah,

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<v Speaker 1>you still do it. But yeah, you do it totally. Yes,

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<v Speaker 1>yeah you have to. People will get pissed if you don't.

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<v Speaker 1>People love but but uh, rock stars on my do you?

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<v Speaker 1>And he was like yes, I mean honestly, sometimes they've

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<v Speaker 1>like licensed it or like they like, Whole Foods played

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<v Speaker 1>this song to death and now it's Sonymous anonymous with

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<v Speaker 1>Whole Foods. And I'm like, well that funk. It sucks.

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<v Speaker 1>It's the Whole Foods And I liked this song. And

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<v Speaker 1>now anytime you go to Whole Foods, I on my

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<v Speaker 1>song is just fucking blasting. I'm like, that sucks. But

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<v Speaker 1>he did a cool thing where he played like like

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<v Speaker 1>five or ten one Republic songs where I knew all

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<v Speaker 1>of them. I was like, this, right, this is a

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<v Speaker 1>one Republic and then he stops. And he is also

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<v Speaker 1>a prolific song, Wrob he wrote a million songs for people,

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<v Speaker 1>and then for twenty minutes just played fifteen number one

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<v Speaker 1>hit songs that he's written. Sick dude, I love when

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<v Speaker 1>people because he owns the rights to him, because he

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<v Speaker 1>wrote him, because he owns the rights. So then he

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<v Speaker 1>played like it was him on the piano singing Halo

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<v Speaker 1>by the Beyonce song, and just like a slew of

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<v Speaker 1>other hit songs that I was like, Oh, Ship wasn't

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<v Speaker 1>number one? Is that my favorite Beyonce song? Halo? Which

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<v Speaker 1>one is that? Hold up? Let me? It's got that

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<v Speaker 1>fucking beat to it. I feel like I like Halo?

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<v Speaker 1>Did he right to the left? I like that one too? Okay,

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<v Speaker 1>I'm gonna play a bit of Halo just to remember

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<v Speaker 1>what it is. I just sang it, Yeah you did well.

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<v Speaker 1>I don't skip ahead. Yeah, when Adam is cycling uphill,

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<v Speaker 1>he throws that sh it on and it's just like

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<v Speaker 1>I got this ship. Yeah, it's it's powerful, it's definitely

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<v Speaker 1>a it's definitely a hit. The hit the hill with

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<v Speaker 1>that one. You can go right up that room. Yeah yeah, yeah, exactly,

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<v Speaker 1>yeah old cruise. Um. So he played that one? What else? Okay? Well, Okay,

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<v Speaker 1>that's just not a closet. Yeah, this is a bedroom.

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<v Speaker 1>It was a lot and a lot of the other songs.

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<v Speaker 1>I don't know pop music all that well because my

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<v Speaker 1>my knowledge what do you know cutting? Yeah, I know

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<v Speaker 1>hip hop from the early two thousands and that one

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<v Speaker 1>Talking Head song punk rock from the late nineties early

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<v Speaker 1>two thousands, and that's sort of arguably all the punk

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<v Speaker 1>rock that you know is was pop music was pop? Yeah, ye,

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<v Speaker 1>but I'm talking, I don't know. I don't know what

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<v Speaker 1>like it. Like Leona Lewis said, and I didn't know

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<v Speaker 1>who that was. He's like this one you might know,

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<v Speaker 1>Leona Lewis, I wrote this song that's like the graduation sound.

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<v Speaker 1>He told the story and then they played the song,

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<v Speaker 1>and then I knew all the songs. I just didn't

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<v Speaker 1>know a lot of the people she was on, like

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<v Speaker 1>not America's got talent or idle, but she I think

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<v Speaker 1>she's from She's a Simon Cowell Discovery, I believe. Okay, wait,

0:12:39.880 --> 0:12:43.000
<v Speaker 1>what what was the one he wrote, bleeding love? That's

0:12:43.000 --> 0:12:45.400
<v Speaker 1>the joint? Is that the one he wrote bleeding love?

0:12:46.200 --> 0:12:49.280
<v Speaker 1>Johanna saying bleeding that's the joint? Okay, I'm gonna play that.

0:12:49.400 --> 0:12:58.560
<v Speaker 1>I'm gonna play that d D stadium. Women were lying

0:12:58.640 --> 0:13:06.439
<v Speaker 1>around me just like we got Wait, So, how does

0:13:06.520 --> 0:13:09.960
<v Speaker 1>this dude tap into the mind of like female so hard?

0:13:09.960 --> 0:13:14.040
<v Speaker 1>I think he's just a amazing songwriter. He just but

0:13:14.160 --> 0:13:18.600
<v Speaker 1>he's writing like ants, like power anthems for He says

0:13:18.640 --> 0:13:21.120
<v Speaker 1>that he's able to when he because I was like,

0:13:21.240 --> 0:13:25.800
<v Speaker 1>sometimes when I am doing stand up, I've done the woman,

0:13:27.880 --> 0:13:30.880
<v Speaker 1>the mind of the woman. If you've done something so

0:13:30.920 --> 0:13:34.440
<v Speaker 1>many times, you're almost on autopilot. You try not to be,

0:13:34.559 --> 0:13:38.040
<v Speaker 1>but sometimes you're like, I've told this story upwards of

0:13:38.120 --> 0:13:41.680
<v Speaker 1>three four hundred times. I know where the punchlines are.

0:13:41.720 --> 0:13:44.920
<v Speaker 1>I know how to tell it. That you're thinking of

0:13:44.920 --> 0:13:49.200
<v Speaker 1>other things. You're like in your head. You're speaking to

0:13:49.360 --> 0:13:52.160
<v Speaker 1>an audience and you're thinking, you're in your head. You're

0:13:52.200 --> 0:13:56.480
<v Speaker 1>like making dinner plans, you're planning things for the night.

0:13:56.720 --> 0:13:58.800
<v Speaker 1>You're like, Oh, I forgot to do this or whatever

0:13:58.840 --> 0:14:00.640
<v Speaker 1>it is. I'm like, does that up to you? He's like,

0:14:00.880 --> 0:14:03.960
<v Speaker 1>it happens to me so much that sometimes I'll be

0:14:04.440 --> 0:14:10.240
<v Speaker 1>writing other songs while I'm performing a song WHOA, and

0:14:10.280 --> 0:14:15.480
<v Speaker 1>I'm like, Oh, that's a whole other He's just coolly

0:14:15.600 --> 0:14:20.040
<v Speaker 1>telling you I'm actually a genius, actually like super talented

0:14:20.040 --> 0:14:22.160
<v Speaker 1>I am, because I'm like, oh, I'm not writing other

0:14:22.400 --> 0:14:26.240
<v Speaker 1>stand up bits, think like a great idea for a movie.

0:14:26.440 --> 0:14:29.680
<v Speaker 1>I'm literally going like, how much should I drink tonight?

0:14:29.920 --> 0:14:34.200
<v Speaker 1>But are we really going to go out tonight? What

0:14:34.400 --> 0:14:38.880
<v Speaker 1>cheeseburger are we getting right after this? So many double

0:14:38.920 --> 0:14:42.920
<v Speaker 1>patties am I going to have for the single chunky

0:14:42.960 --> 0:14:45.560
<v Speaker 1>one or the double smash? What are we doing tonight?

0:14:45.840 --> 0:14:47.920
<v Speaker 1>But even the thing that's tripping me out is he's

0:14:47.960 --> 0:14:51.520
<v Speaker 1>not like writing from for himself. He knows he's writing

0:14:51.560 --> 0:14:55.000
<v Speaker 1>for other people. But here's here's what I think. Dude, Okay,

0:14:55.000 --> 0:14:57.440
<v Speaker 1>you're the writer, go ahead, put us in the bin.

0:14:57.840 --> 0:15:00.840
<v Speaker 1>This is what's fascinating is that, like he's still a

0:15:00.840 --> 0:15:03.440
<v Speaker 1>guy writing songs that women are singing. And if you

0:15:03.600 --> 0:15:05.600
<v Speaker 1>if you go back and you listen to like old

0:15:05.720 --> 0:15:10.240
<v Speaker 1>songs about like a woman who's singing certain lyrics about

0:15:10.280 --> 0:15:13.120
<v Speaker 1>how she misses her boyfriend or whatever, and a guy

0:15:13.160 --> 0:15:19.040
<v Speaker 1>wrote it's it's I won't. It's not a guy writing

0:15:19.160 --> 0:15:22.320
<v Speaker 1>for a woman. It's a guy writing for what he

0:15:22.400 --> 0:15:25.160
<v Speaker 1>wants a woman. He wishes a woman was thinking or saying,

0:15:27.720 --> 0:15:31.000
<v Speaker 1>in his defense, a lot of these songs he's writing

0:15:31.080 --> 0:15:34.960
<v Speaker 1>with them, so he they'll go, he'll go to their studio,

0:15:35.040 --> 0:15:37.320
<v Speaker 1>they'll come to him, whatever the case may be, and

0:15:37.360 --> 0:15:40.560
<v Speaker 1>then they'll be like, he wrote in a Dell song

0:15:41.240 --> 0:15:44.960
<v Speaker 1>and I guess he told the story on stage that

0:15:45.080 --> 0:15:48.280
<v Speaker 1>she was like, uh, I don't blank it on the

0:15:48.320 --> 0:15:50.360
<v Speaker 1>name of it, but she was just like over it,

0:15:50.480 --> 0:15:55.920
<v Speaker 1>and she that's it essentially. Yes, He's like, okay, let's

0:15:55.920 --> 0:15:58.800
<v Speaker 1>write that song. You're like over it or I'm totally

0:15:58.840 --> 0:16:00.960
<v Speaker 1>blanking on the name of the song whatever, Yeah, but

0:16:01.000 --> 0:16:04.080
<v Speaker 1>I get it. But yeah, and then he really liked

0:16:04.120 --> 0:16:06.240
<v Speaker 1>it's just like, okay, let's write that song. And then

0:16:06.320 --> 0:16:08.720
<v Speaker 1>they create the song to get so she's like, I

0:16:08.720 --> 0:16:14.480
<v Speaker 1>don't feel gad, I've got ib s. B It's a

0:16:14.480 --> 0:16:16.920
<v Speaker 1>whole bunch of bs. Okay, Okay, it's a bunch of

0:16:16.920 --> 0:16:20.960
<v Speaker 1>b s. Rumor has it? Oh? Yeah, it was rumor

0:16:21.040 --> 0:16:24.400
<v Speaker 1>has it the Adele song? Blake has it? You might

0:16:24.480 --> 0:16:27.320
<v Speaker 1>want to cue up Adele rumor has it? Okay? She

0:16:27.440 --> 0:16:29.560
<v Speaker 1>was like, she was like, oh, gun on, has it

0:16:29.680 --> 0:16:31.280
<v Speaker 1>that I did this? Rumor has it that I did that?

0:16:31.320 --> 0:16:33.600
<v Speaker 1>I didn't do any of this, but rumor has it?

0:16:33.800 --> 0:16:36.680
<v Speaker 1>And then he was like, wait, wait, shut up, shut

0:16:36.720 --> 0:16:40.520
<v Speaker 1>up quick with that guy, though, shut up, shut up,

0:16:40.640 --> 0:16:45.160
<v Speaker 1>rut has it? Shut up? Stop talking. Can you imagine

0:16:45.400 --> 0:16:48.080
<v Speaker 1>calling your friends he was a songwriter and being like, yeah,

0:16:49.160 --> 0:16:53.280
<v Speaker 1>last night my my daddy U shut out. He got

0:16:53.360 --> 0:16:56.520
<v Speaker 1>hit the song and mt elevator shaft and he's like,

0:16:56.640 --> 0:16:58.840
<v Speaker 1>shut up, shut up. And then he was just like

0:16:59.200 --> 0:17:05.720
<v Speaker 1>falling what nothing? Nothing, dude? Are you writing a song

0:17:05.800 --> 0:17:09.040
<v Speaker 1>about my dad falling into elevator? That's like the greatest

0:17:09.040 --> 0:17:15.320
<v Speaker 1>scene from extras Memory when it's David Budgy, little fat man.

0:17:15.680 --> 0:17:18.280
<v Speaker 1>It is amazing. We'll post that first. Okay, well, I'm

0:17:18.280 --> 0:17:20.960
<v Speaker 1>gonna play a little bit of rumor has it? Thank you.

0:17:21.359 --> 0:17:27.159
<v Speaker 1>Let's see. Oh, he's out at the door. Let her in?

0:17:27.920 --> 0:17:37.800
<v Speaker 1>You know this ship? Let her? I don't, Damn, I

0:17:37.840 --> 0:17:40.840
<v Speaker 1>can't say I know that one. Well, you know it

0:17:40.840 --> 0:17:43.679
<v Speaker 1>when it hits the rumor has it? Damn? I really

0:17:43.760 --> 0:17:46.280
<v Speaker 1>I just played all the intros and he has some

0:17:46.400 --> 0:17:49.840
<v Speaker 1>long intro. So yeah, he's taking him on a ride.

0:17:50.119 --> 0:17:54.520
<v Speaker 1>What was crazy is when did these songs? When he

0:17:54.800 --> 0:17:59.520
<v Speaker 1>did these songs, they they all sounded like a one

0:17:59.560 --> 0:18:02.160
<v Speaker 1>Republic song, right, They all said, I mean, of course

0:18:02.160 --> 0:18:04.120
<v Speaker 1>he's the lead singer for In Republic, so it makes sense.

0:18:04.160 --> 0:18:08.200
<v Speaker 1>But they all it took like that female voice or

0:18:08.280 --> 0:18:10.560
<v Speaker 1>that other artists voice and put their stink on it.

0:18:10.600 --> 0:18:14.120
<v Speaker 1>That made it feel totally different. Like when he sang Beyonce,

0:18:14.280 --> 0:18:17.199
<v Speaker 1>It's sure as hell didn't seem like a Beyonce like

0:18:17.640 --> 0:18:20.720
<v Speaker 1>her halo. It felt like a totally different side. But

0:18:20.760 --> 0:18:23.760
<v Speaker 1>she made it her own. Yes, So here's his list,

0:18:24.480 --> 0:18:28.359
<v Speaker 1>uh that he's written songs for Adele, I'm gonna Leona Lewis,

0:18:28.760 --> 0:18:33.320
<v Speaker 1>Miley Cyrus, Ed Sheeran, Jonas Bros. Jennifer Lopez, Camila Cabello,

0:18:33.560 --> 0:18:36.440
<v Speaker 1>Lady Gaga, Maroon five, blah blah blah blah blah blah blah.

0:18:36.480 --> 0:18:40.720
<v Speaker 1>I mean every person is the fattest paycheck as well,

0:18:40.800 --> 0:18:44.399
<v Speaker 1>Oh my god, and that kind of part of the party.

0:18:44.480 --> 0:18:48.000
<v Speaker 1>It's like, hey man, you wrote this smash hit for

0:18:48.080 --> 0:18:50.600
<v Speaker 1>this person, so we're gonna give you one for that person.

0:18:50.760 --> 0:18:52.919
<v Speaker 1>Like and then if you it's like a batting average.

0:18:52.960 --> 0:18:57.840
<v Speaker 1>If you kill it enough, you just keep getting opportunities, right, Yeah, yeah,

0:18:57.920 --> 0:19:01.679
<v Speaker 1>that's right. If you make a huge hit for Taylor Swift,

0:19:01.760 --> 0:19:04.119
<v Speaker 1>then all of a sudden Ariana grand Is like, but

0:19:04.240 --> 0:19:06.879
<v Speaker 1>also me write one for me. I know, I just

0:19:06.960 --> 0:19:08.880
<v Speaker 1>kind of wish you would reach back a little bit,

0:19:09.040 --> 0:19:11.680
<v Speaker 1>like just some smaller artists like get like little Zan

0:19:11.880 --> 0:19:14.640
<v Speaker 1>and like just drop a real, real banger on him

0:19:14.680 --> 0:19:17.800
<v Speaker 1>and just put him in an if that's necessarily his lane,

0:19:18.280 --> 0:19:21.560
<v Speaker 1>but it could be. All you need is at the

0:19:21.560 --> 0:19:23.520
<v Speaker 1>podcast to yourself for a moment to kind of make

0:19:23.560 --> 0:19:26.880
<v Speaker 1>that player. Hey, Blake, should we turn the headsets off?

0:19:27.160 --> 0:19:32.960
<v Speaker 1>What was what was this guy's name? Ryan Tedder? Ryan Tedder? Okay, okay, guys,

0:19:33.119 --> 0:19:35.560
<v Speaker 1>we're signing off, so you can talk directly to Ryan Tedder,

0:19:36.680 --> 0:19:39.680
<v Speaker 1>Ryan Tedder. Hey, what's up, dude, man? This is Blake

0:19:39.760 --> 0:19:43.639
<v Speaker 1>from t I. I um, I just saw this documentary

0:19:43.640 --> 0:19:45.720
<v Speaker 1>called The American Rap Star and I saw a little

0:19:45.800 --> 0:19:48.800
<v Speaker 1>Zan there, and you know, it looks like he needs

0:19:48.800 --> 0:19:50.760
<v Speaker 1>a hit. He needs a hit right now. So if

0:19:50.800 --> 0:19:54.800
<v Speaker 1>you could just write him a big banger and get

0:19:54.840 --> 0:19:57.159
<v Speaker 1>him to the top of the charts, I think the

0:19:57.200 --> 0:20:00.439
<v Speaker 1>whole community would be very, very excited or that. So

0:20:00.560 --> 0:20:03.280
<v Speaker 1>thank you every we can turn up now. Oh we're back,

0:20:03.760 --> 0:20:17.120
<v Speaker 1>We're back. You're okay, all right? I mean, it wasn't

0:20:17.160 --> 0:20:19.200
<v Speaker 1>that the whole thing with that what the Fox say

0:20:19.280 --> 0:20:23.399
<v Speaker 1>song is that like that was some huge producer and

0:20:23.400 --> 0:20:26.800
<v Speaker 1>then it was basically like the Fox kids love it,

0:20:27.000 --> 0:20:29.399
<v Speaker 1>kids love it. It was some talk show in Sweden

0:20:29.480 --> 0:20:30.720
<v Speaker 1>or something. They were like, do you think we could

0:20:30.760 --> 0:20:34.359
<v Speaker 1>make a pop song about almost nothing? And they're like sure,

0:20:34.359 --> 0:20:36.320
<v Speaker 1>and then they did it and it became like a smash.

0:20:37.000 --> 0:20:39.400
<v Speaker 1>Who wrote that though did not know that that's the story.

0:20:39.400 --> 0:20:42.080
<v Speaker 1>I think it was some big producer really, and they

0:20:42.119 --> 0:20:45.360
<v Speaker 1>did it as on a lark, which is a very

0:20:45.359 --> 0:20:50.720
<v Speaker 1>fun word use, like they actually like did the thing

0:20:50.760 --> 0:20:54.959
<v Speaker 1>is that they were joking about? Well, see it's that easy,

0:20:55.080 --> 0:20:57.280
<v Speaker 1>I guess, so it's not hard. He wrote a song

0:20:57.359 --> 0:21:00.600
<v Speaker 1>for Black Pink that is that Korean all girl band. Yeah,

0:21:00.600 --> 0:21:03.879
<v Speaker 1>they're they're super big k pop bands. So I was

0:21:03.960 --> 0:21:06.399
<v Speaker 1>on some talk show. I think it was like Cordon

0:21:06.840 --> 0:21:10.080
<v Speaker 1>or something and uh oh no, I think it was

0:21:10.359 --> 0:21:13.119
<v Speaker 1>Frank show. I don't know, one of those talk shows,

0:21:13.160 --> 0:21:16.399
<v Speaker 1>and I was one of the guests, doesn't even know,

0:21:16.520 --> 0:21:19.600
<v Speaker 1>but they were the musical guest and so the musical

0:21:19.640 --> 0:21:22.600
<v Speaker 1>guests is on a little later, So I'm up first

0:21:23.040 --> 0:21:25.679
<v Speaker 1>and my Twitter. I was like just looking at Twitter

0:21:26.480 --> 0:21:29.679
<v Speaker 1>while it was on, not not even watching. I was

0:21:29.800 --> 0:21:33.920
<v Speaker 1>like out or something, and my Twitter was exploding with

0:21:34.400 --> 0:21:37.360
<v Speaker 1>hate of like, who the funk is this guy? Get

0:21:37.400 --> 0:21:40.800
<v Speaker 1>him off the stage. We're ready for Black Pink and

0:21:40.840 --> 0:21:42.919
<v Speaker 1>I've never heard of Black Pink before in my life.

0:21:43.040 --> 0:21:45.080
<v Speaker 1>And then that's when I I tuned in and to

0:21:45.200 --> 0:21:48.560
<v Speaker 1>see you don't want those K pop groups they're fan

0:21:48.600 --> 0:21:52.040
<v Speaker 1>based to turn on you. They have armies, they have armies,

0:21:52.080 --> 0:21:55.199
<v Speaker 1>like the BTS Army. They were true true yea, like

0:21:55.280 --> 0:21:57.879
<v Speaker 1>they will come for you hard, they will come for

0:21:57.960 --> 0:22:01.520
<v Speaker 1>you hard, but they're coming home. Not come up Black Pink,

0:22:01.600 --> 0:22:05.320
<v Speaker 1>I think kinda do not come Black Pink Eye. They

0:22:05.520 --> 0:22:09.920
<v Speaker 1>Black Pink Eye is our band. It's when you get

0:22:09.960 --> 0:22:13.800
<v Speaker 1>punched in the eye and then someone also in your

0:22:13.800 --> 0:22:17.880
<v Speaker 1>eye with somebody who's been brunching poo all day, right,

0:22:18.440 --> 0:22:22.159
<v Speaker 1>dang know that's that's when you get Someone punches you

0:22:22.240 --> 0:22:24.720
<v Speaker 1>in the eye and then they pull their pants down,

0:22:25.040 --> 0:22:28.040
<v Speaker 1>presses their asshole directly against that eye, and then let's

0:22:28.080 --> 0:22:31.840
<v Speaker 1>one rip. Can I do my version? Okay? Okay, yes

0:22:31.880 --> 0:22:34.800
<v Speaker 1>you may. They fist you, okay, and then they punched

0:22:34.800 --> 0:22:40.359
<v Speaker 1>you right in the eye. Oh that's a black Pinky. Yeah,

0:22:41.080 --> 0:22:43.440
<v Speaker 1>I'm gonna fist you and punch you and I, dude,

0:22:44.840 --> 0:22:48.639
<v Speaker 1>that ain't happening. Black Pink is a is this? I

0:22:48.680 --> 0:22:52.879
<v Speaker 1>wonder where how they came up with that name. I

0:22:52.920 --> 0:22:55.719
<v Speaker 1>never thought of that. Yeah, Like I wonder if they

0:22:55.720 --> 0:22:59.200
<v Speaker 1>were like this is two colors, are two favorite colors.

0:22:59.560 --> 0:23:02.280
<v Speaker 1>It'll it'll go with everything we can sell the merch

0:23:02.400 --> 0:23:05.119
<v Speaker 1>because these bands are like put together there, you know.

0:23:05.200 --> 0:23:07.160
<v Speaker 1>It's it's like how the boy bands in the early

0:23:07.200 --> 0:23:09.800
<v Speaker 1>two thousand at the Baxter Boys and the Instincts in

0:23:09.840 --> 0:23:13.920
<v Speaker 1>the Degrees and other bands. Wait wait what Yeah, dude,

0:23:13.920 --> 0:23:16.960
<v Speaker 1>they weren't friends before they were in the band. That cool,

0:23:17.040 --> 0:23:19.520
<v Speaker 1>that cool husky pervert. Dide was like, I'm going to

0:23:19.640 --> 0:23:21.560
<v Speaker 1>put you in the band they gather boys. Yeah. The

0:23:21.600 --> 0:23:24.000
<v Speaker 1>fact that I haven't done his bio pick yet, I

0:23:24.119 --> 0:23:28.199
<v Speaker 1>don't pizza Pizza. What was his name, Ron Pearlman, right,

0:23:29.920 --> 0:23:36.520
<v Speaker 1>Ron Perlman. It's something like that. It's something like that.

0:23:36.920 --> 0:23:40.680
<v Speaker 1>It's like Larry Pearlman. Dude. When I was in Japan,

0:23:41.280 --> 0:23:47.919
<v Speaker 1>there was a billboard for some like all boy group.

0:23:48.200 --> 0:23:51.119
<v Speaker 1>I think it was an all all boy like boy band. Uh,

0:23:51.160 --> 0:23:59.240
<v Speaker 1>and their name was Black Monsters. Yeah. Yeah, they're not

0:23:59.240 --> 0:24:02.040
<v Speaker 1>going to travel well, I don't know if that's gonna

0:24:02.080 --> 0:24:05.959
<v Speaker 1>pop off here in the stage. Hell black mons? I

0:24:06.000 --> 0:24:08.359
<v Speaker 1>mean I was laughing so hard I was crying in

0:24:08.359 --> 0:24:12.200
<v Speaker 1>the street. That's crazy. Although, like what if they got embraced,

0:24:12.320 --> 0:24:15.120
<v Speaker 1>If they got embraced, it's like, yeah, dude, that could

0:24:15.119 --> 0:24:18.000
<v Speaker 1>be interesting. They are the Black Monsters. Sure, Okay, you

0:24:18.080 --> 0:24:21.800
<v Speaker 1>never know? Man, Rumor has it how many people are

0:24:21.880 --> 0:24:25.120
<v Speaker 1>in Black Pink? Because I know BTS is like twelve, right,

0:24:25.640 --> 0:24:29.080
<v Speaker 1>there's like fifteen? Yeah, there's there's no no, no Black Pink.

0:24:29.119 --> 0:24:31.439
<v Speaker 1>There's a It's a goddamn squad, is it not? Or

0:24:31.440 --> 0:24:34.440
<v Speaker 1>am I am I mixing up my Korean girl? Wait? Wait,

0:24:34.520 --> 0:24:42.560
<v Speaker 1>but isn't BTS many many? Dudes? I think it's like six? No, no, yes? Okay.

0:24:42.560 --> 0:24:45.399
<v Speaker 1>Who are the biggest groups? Woutan Clan is pretty huge.

0:24:45.640 --> 0:24:48.919
<v Speaker 1>That's a pretty big one. Okay. Oh so you're talking

0:24:49.040 --> 0:24:52.080
<v Speaker 1>you're talking groups from thirty years ago. Well, I'm trying

0:24:52.080 --> 0:24:55.359
<v Speaker 1>to think of like there's four members in black is

0:24:55.400 --> 0:24:58.040
<v Speaker 1>it really? Yeah? What the hell? Yeah? You guys are

0:24:58.160 --> 0:25:01.480
<v Speaker 1>like shouting out big numbers. I'm saying probably the largest

0:25:01.560 --> 0:25:05.320
<v Speaker 1>group as far as music goes is Wu Tang Clan, Right,

0:25:05.320 --> 0:25:08.480
<v Speaker 1>it's like, dudes, well, how many people are in the

0:25:08.480 --> 0:25:11.480
<v Speaker 1>TSS seven four members? And what's that Canadian band? What's

0:25:11.480 --> 0:25:15.600
<v Speaker 1>the Canadian band? No? No, no, no, oh my god,

0:25:17.080 --> 0:25:21.080
<v Speaker 1>BTSs seven seven. Yeah, that's a lot. That's a lot.

0:25:21.320 --> 0:25:27.760
<v Speaker 1>That's a lot. Wait, but then what's the Canadian fucking band? Rush?

0:25:27.840 --> 0:25:31.479
<v Speaker 1>That's three people and the guy the fucking honkeys with

0:25:31.560 --> 0:25:35.480
<v Speaker 1>the Arcade Fire Arcade Fire, thank you Todd. How many

0:25:35.480 --> 0:25:38.800
<v Speaker 1>people are on stage at Arcade Fire content? Now there's

0:25:38.840 --> 0:25:41.320
<v Speaker 1>a lie that's guy that they have a squad? Oh yeah,

0:25:41.800 --> 0:25:44.680
<v Speaker 1>And and they're like there's one guy with a trombone.

0:25:44.720 --> 0:25:47.920
<v Speaker 1>The other guy's just banging trash can lids together. Right,

0:25:48.040 --> 0:25:50.879
<v Speaker 1>there's one person just some just dancing around. I'm like,

0:25:51.000 --> 0:25:54.960
<v Speaker 1>do they Is everyone getting paid oh yeah, five bucks

0:25:55.119 --> 0:25:58.879
<v Speaker 1>to tour with that amount of people? Where a guy's

0:25:58.920 --> 0:26:01.439
<v Speaker 1>just like he's just rub been sticks together and starting

0:26:01.440 --> 0:26:03.840
<v Speaker 1>a fire on the side of the Our producers saying

0:26:03.840 --> 0:26:06.560
<v Speaker 1>there's sixteen people in Arcade Fire? Are we telling jokes

0:26:06.560 --> 0:26:10.240
<v Speaker 1>back there? We need the facts. I'm seeing she goes

0:26:10.400 --> 0:26:13.320
<v Speaker 1>sixteen people. I think we're not paying you just think

0:26:14.640 --> 0:26:18.119
<v Speaker 1>we need our need to did you guys hear the end?

0:26:18.160 --> 0:26:22.240
<v Speaker 1>Of our last podcast where it was like a robot saying, actually,

0:26:22.280 --> 0:26:25.720
<v Speaker 1>the address from Sopranos is not John Taturot's sister, it's

0:26:25.760 --> 0:26:29.680
<v Speaker 1>his cousin. I was like, what really, I did not? Yeah, yeah,

0:26:29.920 --> 0:26:33.160
<v Speaker 1>we were corrected after the Yeah, we were like, we're

0:26:33.160 --> 0:26:35.159
<v Speaker 1>gonna that's open in the can of worms. If you're

0:26:35.200 --> 0:26:40.639
<v Speaker 1>gonna start correcting us, Hey, allegedly, we just gotta never mind.

0:26:40.800 --> 0:26:46.200
<v Speaker 1>We gotta see Chad Fighter. The sixteen people in total

0:26:46.200 --> 0:26:49.119
<v Speaker 1>who have been involved over time. Okay, so the six people,

0:26:49.240 --> 0:26:52.160
<v Speaker 1>but then because I've seen them in concert, like at

0:26:52.240 --> 0:26:55.640
<v Speaker 1>festivals and stuff two or three times now, there's always

0:26:56.000 --> 0:26:59.600
<v Speaker 1>ten to fifteen people on that stage. Yeah, doing weird ship,

0:26:59.840 --> 0:27:03.160
<v Speaker 1>just doing random ship. Do you like them, Adam? Uh? Yeah,

0:27:03.200 --> 0:27:06.200
<v Speaker 1>I mean they're great. I don't drive around listening to them,

0:27:06.200 --> 0:27:10.960
<v Speaker 1>but they're great. Who do you drive around listening? I

0:27:11.040 --> 0:27:12.760
<v Speaker 1>like that. That's like the I mean I don't drive

0:27:12.800 --> 0:27:15.359
<v Speaker 1>around listening to them, but like, you know, they're great.

0:27:15.359 --> 0:27:18.520
<v Speaker 1>At a festival. Their sound is so huge that they're

0:27:19.000 --> 0:27:22.200
<v Speaker 1>sweeping that it does feel like if you're listening to

0:27:22.240 --> 0:27:24.280
<v Speaker 1>it with a hundred thousand other people, like we did

0:27:24.280 --> 0:27:27.199
<v Speaker 1>at Bonrou I'm like this is it already special? This

0:27:27.280 --> 0:27:30.359
<v Speaker 1>is cool? But no they're not. They're not my rude

0:27:31.760 --> 0:27:33.320
<v Speaker 1>I did, I did just find a new band. I

0:27:33.400 --> 0:27:37.240
<v Speaker 1>bit Blake knows about them? No Pressure, a new punk band.

0:27:37.640 --> 0:27:42.240
<v Speaker 1>Oh yeah wait what? Oh yeah? Oh yeah, the bitch pressure.

0:27:42.280 --> 0:27:44.080
<v Speaker 1>Who the hell is no Pressure? I don't know. I

0:27:44.160 --> 0:27:45.840
<v Speaker 1>might have that into that. Who the hell is that?

0:27:46.560 --> 0:27:50.200
<v Speaker 1>Check them out? They're good, They're they're pop punky Ron

0:27:50.280 --> 0:27:55.719
<v Speaker 1>Perlman put them together. Hell boy, yourself, put this band together,

0:27:55.880 --> 0:27:58.320
<v Speaker 1>and you guys are going to be a band. Now. No,

0:27:58.440 --> 0:28:00.800
<v Speaker 1>they're they're really good. Check them. I will say that

0:28:00.800 --> 0:28:03.640
<v Speaker 1>that I do have a soft spot in my heart

0:28:03.760 --> 0:28:06.920
<v Speaker 1>for Arcade Fire because if you remember, like Sean Clement's

0:28:07.080 --> 0:28:09.800
<v Speaker 1>always brought in that, we had a very select few

0:28:09.800 --> 0:28:13.440
<v Speaker 1>of records we would play in the Workaholics writer's room,

0:28:13.480 --> 0:28:17.080
<v Speaker 1>and I think the the Arcade Fire album The Suburbs

0:28:17.160 --> 0:28:20.199
<v Speaker 1>came out while we were writing some season It's Korea,

0:28:20.320 --> 0:28:22.560
<v Speaker 1>and we would listen to that ship. So you know,

0:28:22.640 --> 0:28:25.359
<v Speaker 1>if you listen to a record enough, even if you

0:28:25.520 --> 0:28:28.560
<v Speaker 1>don't initially like it, it starts to just click in

0:28:28.600 --> 0:28:31.400
<v Speaker 1>your head, like okay, it takes you back to a

0:28:31.480 --> 0:28:34.760
<v Speaker 1>certain time. You know, what I mean, like you're transported,

0:28:34.800 --> 0:28:37.159
<v Speaker 1>Like I know exactly what you're talking about. And I'm

0:28:37.359 --> 0:28:40.160
<v Speaker 1>I'm sitting on that shitty chair that smelled like farts

0:28:40.920 --> 0:28:45.440
<v Speaker 1>that was together in the room. It transports me back there.

0:28:45.640 --> 0:28:48.800
<v Speaker 1>What song is on the I'm sitting there watching a

0:28:48.880 --> 0:28:52.560
<v Speaker 1>guy get head from a mother of four in a

0:28:52.720 --> 0:28:55.480
<v Speaker 1>parked car in the parking lot while sitting in the

0:28:55.480 --> 0:29:00.440
<v Speaker 1>working Yeah we did, we, Yeah, we did. Was great

0:29:00.600 --> 0:29:03.920
<v Speaker 1>times that would happen. I feel like you're adding some

0:29:03.960 --> 0:29:06.280
<v Speaker 1>facts to it, but we I think that's fun. I

0:29:06.280 --> 0:29:09.760
<v Speaker 1>feel like Sean and Kevin Etton had very different musical

0:29:09.800 --> 0:29:13.240
<v Speaker 1>tastes from what I had. They liked like The National

0:29:13.440 --> 0:29:16.479
<v Speaker 1>and they liked um Arcade Fire, which is kind of

0:29:16.480 --> 0:29:20.000
<v Speaker 1>like white dad rock. But I started to get an

0:29:20.000 --> 0:29:21.959
<v Speaker 1>ear for it because we would just listen to it

0:29:22.000 --> 0:29:24.360
<v Speaker 1>every day and I was like, hey, Blake, you're a

0:29:24.360 --> 0:29:26.840
<v Speaker 1>white dad. Yeah. And by the way, where was I?

0:29:27.040 --> 0:29:31.040
<v Speaker 1>So I wasn't. I was just teetering at that point. Yeah,

0:29:31.800 --> 0:29:36.320
<v Speaker 1>I cannot listen to the National? Okay, go home? Where

0:29:36.440 --> 0:29:38.600
<v Speaker 1>was I when this was happening? Go off? You were

0:29:38.640 --> 0:29:41.800
<v Speaker 1>in the room, brother, Trust me? Is the National? The

0:29:41.840 --> 0:29:44.680
<v Speaker 1>guys like he basically sounds like the crash Test dummies

0:29:45.080 --> 0:29:48.080
<v Speaker 1>a little bit. Okay, yeah, yeah, not for me. I

0:29:48.120 --> 0:29:51.240
<v Speaker 1>don't know. Let's see, Kevin was always like, you like

0:29:51.280 --> 0:29:52.600
<v Speaker 1>the National to me, and I think I was just

0:29:52.640 --> 0:29:54.840
<v Speaker 1>trying to be cool, so I'm like, yeah, I don't

0:29:54.880 --> 0:29:58.120
<v Speaker 1>know if I know a National song. They were a

0:29:58.200 --> 0:30:01.840
<v Speaker 1>hot hot band in two thousand ten. If you went

0:30:01.920 --> 0:30:05.280
<v Speaker 1>to a wood fire pizza a wood fire oven pizza

0:30:05.320 --> 0:30:10.560
<v Speaker 1>place in two thousand ten, the National was playing. If

0:30:10.600 --> 0:30:14.040
<v Speaker 1>you went up to If you've been to a brewery

0:30:14.400 --> 0:30:17.920
<v Speaker 1>in the year two thousand eleven, yeah, exactly, you are

0:30:18.040 --> 0:30:20.320
<v Speaker 1>listening to the National. If you were drinking an I

0:30:20.440 --> 0:30:23.440
<v Speaker 1>p A with a funny name in the twenty tens,

0:30:23.480 --> 0:30:26.440
<v Speaker 1>you might be listening to the National. Here's your sign.

0:30:26.640 --> 0:30:29.040
<v Speaker 1>If you have a haircut that's buzzed on the sides

0:30:29.120 --> 0:30:31.280
<v Speaker 1>but kind of long on the top, like a weird Nazi,

0:30:31.360 --> 0:30:34.720
<v Speaker 1>but you're not, you might listen to the Nationals. Look

0:30:34.800 --> 0:30:39.520
<v Speaker 1>like you are in the Peaky Blinders drinking a maple

0:30:39.640 --> 0:30:43.920
<v Speaker 1>brown stout, you might be at the National. If you

0:30:44.960 --> 0:30:48.200
<v Speaker 1>if you've got multiple selections of beard oil in your

0:30:49.160 --> 0:30:51.920
<v Speaker 1>in your bathroom cupboard, you might listen to the National.

0:30:52.120 --> 0:30:55.600
<v Speaker 1>If you're a kid is named after a country in Africa.

0:30:57.440 --> 0:31:02.120
<v Speaker 1>If your child's name Congo person, you might be listening

0:31:02.120 --> 0:31:05.680
<v Speaker 1>to the National. If you went ex throwing multiple times

0:31:05.720 --> 0:31:08.040
<v Speaker 1>and bought your own and never used it, you might

0:31:08.120 --> 0:31:13.680
<v Speaker 1>listen to the National like hit us with the national

0:31:13.800 --> 0:31:16.760
<v Speaker 1>song I don't I don't know if I know. If

0:31:16.800 --> 0:31:19.600
<v Speaker 1>you've got red wing boots that are crispy clean, and

0:31:19.640 --> 0:31:21.960
<v Speaker 1>you keep from nice and tidy, you might listen to

0:31:22.040 --> 0:31:26.840
<v Speaker 1>the Nationals. If your favorite baseball team is the Montreal Expose,

0:31:27.240 --> 0:31:30.720
<v Speaker 1>you might listen to the National. If you have a

0:31:30.760 --> 0:31:34.680
<v Speaker 1>baseball hat made out of Japanese denim, you might listen

0:31:34.720 --> 0:31:39.560
<v Speaker 1>to the National. Damn Okay, well, oh, this one's from two.

0:31:39.840 --> 0:31:45.480
<v Speaker 1>If you've washed your body with charcoal, if more than

0:31:45.600 --> 0:31:50.400
<v Speaker 1>three items in your house have charcoal, if you use

0:31:50.560 --> 0:31:55.360
<v Speaker 1>charcoal to pay, you might you might listen to the

0:31:55.480 --> 0:31:59.479
<v Speaker 1>National Charcoal lemonade, I have charcoal, toothpaste, I have charcoal.

0:31:59.600 --> 0:32:02.880
<v Speaker 1>So if you buy a T shirt that had the

0:32:02.960 --> 0:32:06.440
<v Speaker 1>name of a pretend gas station on it, you might

0:32:06.640 --> 0:32:10.480
<v Speaker 1>listen to the Nincitional Okay, let's see what this one is.

0:32:10.480 --> 0:32:14.560
<v Speaker 1>Two thousand thirteen. Break us off all these songs I'm

0:32:14.560 --> 0:32:17.320
<v Speaker 1>playing today, have slow start if you wore a Bolo

0:32:17.480 --> 0:32:20.960
<v Speaker 1>Tide to work. Yeah, this is the crash test on

0:32:21.040 --> 0:32:24.440
<v Speaker 1>me grow Shaan Clement's is right. The funniest script you've

0:32:24.480 --> 0:32:28.640
<v Speaker 1>ever read might be true. Yes, writing to work Aholic

0:32:28.800 --> 0:32:31.840
<v Speaker 1>episode where dang I can't even go into his voice?

0:32:32.000 --> 0:32:34.680
<v Speaker 1>Can I skip ahead and just let us have it?

0:32:39.360 --> 0:32:46.880
<v Speaker 1>It's that, it's that driving face drum. They all sound

0:32:46.920 --> 0:32:52.040
<v Speaker 1>like they like they want to be Bruce Springsteen. So bad, Jason.

0:32:53.160 --> 0:32:55.240
<v Speaker 1>This is a song where white dads are holding up

0:32:55.280 --> 0:32:57.600
<v Speaker 1>their kids looking at him like you can be anything

0:32:57.640 --> 0:33:00.640
<v Speaker 1>you want to be, and that song is playing. Bro,

0:33:00.880 --> 0:33:04.840
<v Speaker 1>if you work hard in this country, turn the burners down, bro,

0:33:05.280 --> 0:33:07.800
<v Speaker 1>we fox with the National, Give you my red wing

0:33:07.880 --> 0:33:11.600
<v Speaker 1>boots and old car heart work jacket, and you might

0:33:11.720 --> 0:33:14.600
<v Speaker 1>listen to the next Turn the burners down. Bro. We

0:33:14.760 --> 0:33:19.640
<v Speaker 1>fuss with the National. They helped. So is there music

0:33:19.720 --> 0:33:24.800
<v Speaker 1>like that that doesn't that's not popular anymore? No, it

0:33:24.840 --> 0:33:27.400
<v Speaker 1>was a time. It was It was two thousand and ten,

0:33:27.480 --> 0:33:31.000
<v Speaker 1>eleven thirteen. Well, I went to uh the Black Keys

0:33:31.040 --> 0:33:33.720
<v Speaker 1>concert of a couple of weeks ago, and I saw

0:33:33.920 --> 0:33:37.640
<v Speaker 1>our our boys Patent Dan Well. I don't know if

0:33:37.640 --> 0:33:39.960
<v Speaker 1>Pat's our boy anymore? Man, Come on, man, he's into

0:33:40.000 --> 0:33:43.720
<v Speaker 1>hot water hot hot. No, No, his wife is his wife?

0:33:43.920 --> 0:33:49.400
<v Speaker 1>Hit him? Oh? Okay, all I think that I just

0:33:49.440 --> 0:33:53.240
<v Speaker 1>read the third reconcilation. Good good, I hope. So look

0:33:53.240 --> 0:33:57.040
<v Speaker 1>at this, Look at our little, our little gossip music podcast.

0:33:57.120 --> 0:34:03.240
<v Speaker 1>I like him sipping tea. Welcome to Bitch for three. Hey, bro,

0:34:03.800 --> 0:34:11.279
<v Speaker 1>bitch for I can't it's taken too long, bitch. Were

0:34:11.280 --> 0:34:14.360
<v Speaker 1>we just bitch about music? Yeah, we just bitch about music.

0:34:14.600 --> 0:34:17.960
<v Speaker 1>So I saw our guys there, but immediately the crowd

0:34:18.960 --> 0:34:21.839
<v Speaker 1>was like I was one of the younger people there.

0:34:21.920 --> 0:34:25.919
<v Speaker 1>I think I think that style of music had its

0:34:25.920 --> 0:34:30.640
<v Speaker 1>heyday ten years ago. Uh, you know, and rock and

0:34:32.840 --> 0:34:35.319
<v Speaker 1>about it because I love the Black Keys, I'm a

0:34:35.320 --> 0:34:39.120
<v Speaker 1>big fan. But it like, I feel like that style

0:34:39.320 --> 0:34:43.800
<v Speaker 1>its just it's not caught on with the one republic

0:34:43.840 --> 0:34:50.200
<v Speaker 1>who's been around forever was all teenage girls. That's why

0:34:50.239 --> 0:34:58.800
<v Speaker 1>I was there the bitch for what the hell? I

0:34:58.840 --> 0:35:01.319
<v Speaker 1>don't know if this episode airing. I do listen to

0:35:01.360 --> 0:35:04.439
<v Speaker 1>old music with like bands, and I'm like, is there

0:35:04.520 --> 0:35:08.880
<v Speaker 1>just no appeal to being in a band for youngsters?

0:35:09.080 --> 0:35:11.920
<v Speaker 1>Like Jim saying, like the idea of like getting together

0:35:12.000 --> 0:35:15.680
<v Speaker 1>with your friends and doing something together. Is that over?

0:35:16.120 --> 0:35:17.880
<v Speaker 1>Is that the whole thing where it's like because in

0:35:17.920 --> 0:35:20.960
<v Speaker 1>a band there's conflict right where you're like, hey man,

0:35:21.000 --> 0:35:22.640
<v Speaker 1>I'm gonna do this base and people have to be like,

0:35:22.680 --> 0:35:25.120
<v Speaker 1>actually we don't love that. Let's go with something else.

0:35:25.480 --> 0:35:28.960
<v Speaker 1>There's conflict. Our kids just like not down for conflict

0:35:29.080 --> 0:35:32.320
<v Speaker 1>that I'm gonna be in my lab by myself, playing

0:35:32.360 --> 0:35:34.359
<v Speaker 1>all the instruments on a computer and you can't tell

0:35:34.360 --> 0:35:35.799
<v Speaker 1>me what to do because I'm gonna do it all

0:35:35.800 --> 0:35:37.239
<v Speaker 1>by well, no one can tell me what to do

0:35:37.239 --> 0:35:39.440
<v Speaker 1>because I'm doing it on my own. You know, Is

0:35:39.440 --> 0:35:41.360
<v Speaker 1>that what it is? I mean, we're we're a band

0:35:41.440 --> 0:35:46.440
<v Speaker 1>as well. There's politics to it. It's hard, it's hard.

0:35:46.760 --> 0:35:51.200
<v Speaker 1>It's hard. We come from a different we come from

0:35:51.239 --> 0:35:53.439
<v Speaker 1>a different time where we can stay shut up. Well yeah,

0:35:53.680 --> 0:35:55.439
<v Speaker 1>we could just say hey, I love what you're saying,

0:35:55.480 --> 0:35:58.440
<v Speaker 1>but shut up real quickly. What you have to realize,

0:35:58.680 --> 0:36:01.560
<v Speaker 1>I don't have to do anything, but everybody he shut up, bitch.

0:36:02.080 --> 0:36:06.320
<v Speaker 1>You have to realize is with all that fighting, everybody

0:36:06.360 --> 0:36:10.560
<v Speaker 1>who comes together is bringing something to the band or

0:36:10.600 --> 0:36:12.640
<v Speaker 1>the group. And as soon as you take that person

0:36:12.680 --> 0:36:16.120
<v Speaker 1>away as except for Kyle. As you can see, we're

0:36:16.600 --> 0:36:20.000
<v Speaker 1>running and gunning without doing pretty good, pretty funny. He

0:36:20.040 --> 0:36:23.480
<v Speaker 1>had a hard time getting that seatbelt off, so he's

0:36:23.520 --> 0:36:27.279
<v Speaker 1>still he's still in that van somewhere. Oh man, But

0:36:27.440 --> 0:36:29.880
<v Speaker 1>is that is that part of it? Like what or

0:36:30.000 --> 0:36:32.279
<v Speaker 1>or are people just like, hey man, I'm gonna get

0:36:32.280 --> 0:36:34.759
<v Speaker 1>famous on my own and not split the check, which

0:36:34.840 --> 0:36:37.120
<v Speaker 1>is something we were always told where it's like, man,

0:36:37.160 --> 0:36:40.040
<v Speaker 1>sketch groups are tough to like get people paid because

0:36:40.040 --> 0:36:43.319
<v Speaker 1>if there's six of you in this thing, that's what

0:36:43.360 --> 0:36:46.359
<v Speaker 1>our manager. Yeah, dude, I mean, what's the deal? Yeah?

0:36:46.400 --> 0:36:48.880
<v Speaker 1>May I bet it? I bet that's part of the equation.

0:36:49.040 --> 0:36:51.880
<v Speaker 1>Like it's way smarter to just like blow up on

0:36:51.880 --> 0:36:53.960
<v Speaker 1>your own. All you have to do is face your

0:36:53.960 --> 0:36:56.759
<v Speaker 1>camera forward and do it or whatever. Like if you're

0:36:56.760 --> 0:37:00.279
<v Speaker 1>in a band, you have all. I mean, isn't more

0:37:00.360 --> 0:37:04.399
<v Speaker 1>fun like kicking it? I would say when we were

0:37:04.440 --> 0:37:07.799
<v Speaker 1>first coming up and and people were, you know, we're

0:37:08.360 --> 0:37:11.200
<v Speaker 1>being like, wow, it's so cool that you guys have

0:37:11.239 --> 0:37:13.480
<v Speaker 1>a show like are blowing up, and I'm like, the

0:37:13.520 --> 0:37:16.680
<v Speaker 1>coolest part about it was is it wasn't we weren't

0:37:16.680 --> 0:37:20.239
<v Speaker 1>by ourselves like we got to experience it together. Like

0:37:20.280 --> 0:37:23.040
<v Speaker 1>that's what's so cool about being in a band is

0:37:23.200 --> 0:37:26.320
<v Speaker 1>like hopefully those guys are some of your very best friends,

0:37:26.920 --> 0:37:30.800
<v Speaker 1>and then you get to experience this amazing, like life

0:37:30.880 --> 0:37:35.680
<v Speaker 1>changing event that usually as an adult, you don't get

0:37:35.680 --> 0:37:39.200
<v Speaker 1>to experience that with a group of friends. Yeah, it's

0:37:39.239 --> 0:37:42.520
<v Speaker 1>fucking way. So it was the best. It was so

0:37:42.560 --> 0:37:44.239
<v Speaker 1>how much fun was it when we all went and

0:37:44.280 --> 0:37:47.080
<v Speaker 1>bought cars and then we showed up to the Workalx

0:37:47.160 --> 0:37:50.160
<v Speaker 1>office and in our new cars. It was the most fun.

0:37:50.200 --> 0:37:52.280
<v Speaker 1>The fact that we could go to nice dinners together

0:37:53.000 --> 0:37:55.279
<v Speaker 1>and like actually have a good time and not be

0:37:55.360 --> 0:37:59.520
<v Speaker 1>like freaking out about if someone ordered an extra and

0:37:59.640 --> 0:38:02.960
<v Speaker 1>extra cobs salad or whatever. The fun because before all this,

0:38:03.280 --> 0:38:08.840
<v Speaker 1>if somebody ordered cob salad, it's like walk it. He

0:38:08.880 --> 0:38:12.040
<v Speaker 1>would make a scene. No, I was always poor with money.

0:38:12.640 --> 0:38:15.359
<v Speaker 1>I was always throwing that ship away, right, who got

0:38:15.480 --> 0:38:19.319
<v Speaker 1>six cobs salad? Even going to the south By Southwest

0:38:19.400 --> 0:38:22.040
<v Speaker 1>with each other before like a premier, Like at least

0:38:22.080 --> 0:38:25.359
<v Speaker 1>we're rolling as a friend group. It's so sick that

0:38:25.440 --> 0:38:30.160
<v Speaker 1>we have all these like collective memories, collective soul because

0:38:30.239 --> 0:38:32.520
<v Speaker 1>because I forgot about all of it, I need you

0:38:32.520 --> 0:38:35.879
<v Speaker 1>guys to remind me about you guys, remind me. We

0:38:36.040 --> 0:38:39.120
<v Speaker 1>really have to keep churning it up. Emma's always like,

0:38:39.200 --> 0:38:40.960
<v Speaker 1>when did you go to so and so. I'm like,

0:38:41.480 --> 0:38:44.000
<v Speaker 1>I don't remember. I don't know. We started drinking in

0:38:44.040 --> 0:38:47.600
<v Speaker 1>the airport on the way to the place, and then

0:38:47.640 --> 0:38:49.880
<v Speaker 1>I just woke up back in my own bed somehow.

0:38:50.320 --> 0:38:54.160
<v Speaker 1>That I mean, that happened quite a bit. Damn man,

0:38:54.520 --> 0:38:57.520
<v Speaker 1>I blame Isaac. I blame Isaac. It was two thousand

0:38:57.480 --> 0:38:59.759
<v Speaker 1>and ten that we started to do stuff, and then

0:38:59.760 --> 0:39:02.560
<v Speaker 1>too iusand eleven was when the show came out, and

0:39:02.600 --> 0:39:04.680
<v Speaker 1>then it was just off to the racists from there

0:39:04.719 --> 0:39:07.080
<v Speaker 1>on to the rais. Did you say it's off to

0:39:07.120 --> 0:39:12.080
<v Speaker 1>the racist Yeah, that's what I said. Okay, we're gonna

0:39:12.080 --> 0:39:21.879
<v Speaker 1>talk to you. Okay, we're back. We just talked to Adam, Yes,

0:39:21.960 --> 0:39:26.520
<v Speaker 1>Congo Anderson. Uh. It was it. That's when we you know,

0:39:26.760 --> 0:39:31.879
<v Speaker 1>we got it. We were off to the races and

0:39:31.920 --> 0:39:35.480
<v Speaker 1>we really got to do all this fucking cool shit

0:39:36.239 --> 0:39:39.480
<v Speaker 1>and you, uh, I forgot about so much of it.

0:39:39.480 --> 0:39:42.080
<v Speaker 1>It's so nice to see like the ten year like

0:39:42.200 --> 0:39:44.680
<v Speaker 1>this happened to you ten years ago today, like a

0:39:44.719 --> 0:39:47.200
<v Speaker 1>decade ago. And you were like, holy shit, that was

0:39:47.280 --> 0:39:49.520
<v Speaker 1>south by Southwest. What do you mean this happened to

0:39:49.560 --> 0:39:51.920
<v Speaker 1>you ten years ago? Today, like all the old Facebook

0:39:51.920 --> 0:39:58.520
<v Speaker 1>photos and things, you're getting the reminders. Have you lost

0:39:58.520 --> 0:40:01.200
<v Speaker 1>your mind? Now? Have you ever lost a phone own? Adam? No?

0:40:01.800 --> 0:40:05.240
<v Speaker 1>See that's fucking cool, but not, I mean not forever.

0:40:05.880 --> 0:40:08.319
<v Speaker 1>Like I've lost a couple phones in my life, and

0:40:08.400 --> 0:40:11.640
<v Speaker 1>like a lot of my memories are in those photos.

0:40:12.200 --> 0:40:15.080
<v Speaker 1>So like I have connected to the cloud. Cloud, you don't.

0:40:15.120 --> 0:40:17.640
<v Speaker 1>You don't shoot your ship up? No, I was really

0:40:17.719 --> 0:40:20.000
<v Speaker 1>like not trying to hit the cloud. I was a

0:40:20.040 --> 0:40:22.880
<v Speaker 1>little uh like I thought they were like stealing my

0:40:22.960 --> 0:40:26.440
<v Speaker 1>ship or something. But like so there's like two years

0:40:28.600 --> 0:40:31.560
<v Speaker 1>I thought theapening was coming for me. Bro, did you

0:40:31.600 --> 0:40:35.000
<v Speaker 1>see Blake Anderson's fappening? Dude, I would love to see Blake.

0:40:35.120 --> 0:40:37.759
<v Speaker 1>Oh my god, it's just him jerking off in a

0:40:37.760 --> 0:40:41.239
<v Speaker 1>mirror or something like what it's just him checking out

0:40:41.280 --> 0:40:43.640
<v Speaker 1>his own bud hole into being like what does it

0:40:43.680 --> 0:40:47.040
<v Speaker 1>look like I'm gonna come? What does it look I

0:40:47.160 --> 0:40:50.880
<v Speaker 1>still do? That doesn't still the same? It looks like, yeah, kin,

0:40:53.239 --> 0:40:55.400
<v Speaker 1>I get older, but holes, here's a question. When you

0:40:55.440 --> 0:40:58.960
<v Speaker 1>get older, does your butt hole get more. Frankly, that's

0:40:58.960 --> 0:41:00.960
<v Speaker 1>a great question. I think the butth hole is the

0:41:01.040 --> 0:41:05.000
<v Speaker 1>one thing. Maybe we need to start extracting butthole serum

0:41:05.000 --> 0:41:06.960
<v Speaker 1>and putting it on the corner of our eyes to

0:41:07.040 --> 0:41:10.240
<v Speaker 1>make the wrinkles and what to you as butthole serious?

0:41:10.280 --> 0:41:13.480
<v Speaker 1>You know, gland serriums, but whole serium just jamming. It

0:41:13.600 --> 0:41:15.840
<v Speaker 1>took about forty minutes, but we got we got to

0:41:15.960 --> 0:41:19.520
<v Speaker 1>wrinkly buttholes, which which I'm a hype to jump super

0:41:19.680 --> 0:41:21.680
<v Speaker 1>And so do we think if as you age, your

0:41:21.719 --> 0:41:26.000
<v Speaker 1>butthole gets more wrinkly? No, No, it does, it does

0:41:26.080 --> 0:41:30.840
<v Speaker 1>for sure because the more absolutely not no, Blake, of

0:41:30.920 --> 0:41:35.520
<v Speaker 1>course it does. The more ship, the more rink form.

0:41:35.880 --> 0:41:38.200
<v Speaker 1>It's like it's like the more you raise your eyebrows

0:41:38.560 --> 0:41:41.200
<v Speaker 1>through your you're going to get more forehead wrinkles and ship.

0:41:41.400 --> 0:41:46.759
<v Speaker 1>It's science. So you're Blake is notorious shipping once a

0:41:46.800 --> 0:41:50.200
<v Speaker 1>week though, No, like you haven't. I could see, like, hell,

0:41:50.239 --> 0:41:52.279
<v Speaker 1>are you full it? Where you were like scared of

0:41:52.320 --> 0:41:54.320
<v Speaker 1>shifting as a kid. I could see that for you. No,

0:41:54.440 --> 0:41:56.600
<v Speaker 1>I was not. First was not. No, I was not.

0:41:57.160 --> 0:41:59.160
<v Speaker 1>He just he wasn't scared of it. He just couldn't

0:41:59.200 --> 0:42:03.160
<v Speaker 1>do it because playing fuck off, Bro, don't treat me

0:42:03.280 --> 0:42:11.920
<v Speaker 1>like Kyle. That's nowhere brother, Fuck you Bro. I ship. No, Actually,

0:42:11.960 --> 0:42:14.800
<v Speaker 1>I was kind of scared. I thought I thought I

0:42:15.000 --> 0:42:17.920
<v Speaker 1>knew God. I thought that was the way now that

0:42:18.080 --> 0:42:21.160
<v Speaker 1>I started to think about it. No, my thing wasn't

0:42:21.200 --> 0:42:24.480
<v Speaker 1>that I was scared, Okay. My thing was that I

0:42:24.680 --> 0:42:28.880
<v Speaker 1>didn't want to like leave whatever separation I was know.

0:42:29.280 --> 0:42:32.279
<v Speaker 1>Whatever we were playing, I like didn't. I was like, oh, shoot,

0:42:32.320 --> 0:42:33.960
<v Speaker 1>I have to ship, but we're playing Kick the Can

0:42:34.120 --> 0:42:37.440
<v Speaker 1>or we're playing Nintendo. Like, I'm not going every kid

0:42:37.840 --> 0:42:39.640
<v Speaker 1>every kids Like I'm in the middle of something and

0:42:39.719 --> 0:42:42.200
<v Speaker 1>then sudden like pause it and they fucking high tail

0:42:42.239 --> 0:42:46.080
<v Speaker 1>it to the toilet my parents. Yeah, but no, dude,

0:42:46.080 --> 0:42:48.759
<v Speaker 1>I did it a lot so blake. If we are

0:42:49.320 --> 0:42:52.719
<v Speaker 1>at a will you shipped? Or will you ship in

0:42:52.800 --> 0:42:56.200
<v Speaker 1>a gross bar bathroom if you have to go? Okay, Well,

0:42:56.239 --> 0:42:58.680
<v Speaker 1>now you're talking to like an older me. I was

0:42:58.760 --> 0:43:01.479
<v Speaker 1>talking to me as a as a kid. I feel

0:43:01.520 --> 0:43:06.720
<v Speaker 1>like I knew you to be a tentative shitter. I woke, Adam.

0:43:06.800 --> 0:43:09.040
<v Speaker 1>That's why I love being in a group with you.

0:43:09.160 --> 0:43:12.200
<v Speaker 1>I love being a part of your band because when

0:43:12.239 --> 0:43:16.680
<v Speaker 1>I met you. Because when you meet people who have

0:43:17.120 --> 0:43:31.799
<v Speaker 1>completely different like uh buttles, completely different philosophies online, I'm

0:43:31.840 --> 0:43:35.239
<v Speaker 1>gonna come completely different philosophies like Adam, you know, like

0:43:35.440 --> 0:43:39.719
<v Speaker 1>it was like what, I don't have a photo. He's like, dude,

0:43:39.800 --> 0:43:43.040
<v Speaker 1>like Adam doesn't give a ship. He'll ship anywhere, anywhere,

0:43:43.719 --> 0:43:46.640
<v Speaker 1>does not matter. It's well documented true. Like he I

0:43:46.719 --> 0:43:49.160
<v Speaker 1>don't even think. He lays down toilet paper on the seat,

0:43:49.280 --> 0:43:52.800
<v Speaker 1>does not matter. He just downs. That's what your houses for.

0:43:53.520 --> 0:43:55.759
<v Speaker 1>I wipe it down. If there's piss on it, I'll

0:43:55.800 --> 0:43:59.640
<v Speaker 1>take some paper and wipe the piss off. Spend all

0:43:59.680 --> 0:44:02.440
<v Speaker 1>that time. I'm I'm gonna sit, I'm gonna ship, I'm

0:44:02.440 --> 0:44:04.520
<v Speaker 1>gonna stand up. I don't wipe my mask. I'm sorry.

0:44:05.280 --> 0:44:08.440
<v Speaker 1>And when I shower, for sure, you like to shower

0:44:08.600 --> 0:44:12.520
<v Speaker 1>late and get the grossness off my ass. Adam, Adam, Adam.

0:44:12.840 --> 0:44:16.239
<v Speaker 1>Out of one hundred times where you've sat down with

0:44:16.400 --> 0:44:19.200
<v Speaker 1>no toilet paper and taking a ship, how many of

0:44:19.280 --> 0:44:22.719
<v Speaker 1>those times did you take a shower within the hour? No,

0:44:22.920 --> 0:44:24.960
<v Speaker 1>not within the hour. When I go, when I'm taking

0:44:24.960 --> 0:44:28.799
<v Speaker 1>a shower later, dude, the human skin, the skin can

0:44:28.920 --> 0:44:33.640
<v Speaker 1>take you. So then you would just like be with toilet.

0:44:34.040 --> 0:44:37.760
<v Speaker 1>But for guess and guess what. My ass is fine

0:44:37.960 --> 0:44:43.480
<v Speaker 1>and it's been fine for thirty eight years. A great

0:44:43.600 --> 0:44:51.719
<v Speaker 1>as um dude, gnarly not gnarly, not gnarly. I guarantee you.

0:44:52.320 --> 0:44:55.359
<v Speaker 1>I bet it's a slit. This is like stand up white.

0:44:56.040 --> 0:44:59.160
<v Speaker 1>I truly feel most people don't do that. No, your

0:44:59.239 --> 0:45:02.600
<v Speaker 1>whole bathroom routine is fucked, bro, But go ahead. I

0:45:02.680 --> 0:45:05.480
<v Speaker 1>mean hey, I'll say it if I mean you stand

0:45:06.040 --> 0:45:10.120
<v Speaker 1>or porta potty and it's our dropping brand names. If

0:45:10.200 --> 0:45:15.160
<v Speaker 1>I'm in up handy Gump, Handy Gumpdi Gump, if I'm

0:45:15.200 --> 0:45:18.520
<v Speaker 1>in like it's absolutely filthy, then I'll do something. But

0:45:19.120 --> 0:45:21.960
<v Speaker 1>nine times out of ten or even nine point eight

0:45:22.080 --> 0:45:24.200
<v Speaker 1>times out of ten, I'm not doing that. I will

0:45:24.640 --> 0:45:27.440
<v Speaker 1>So how about this? Have you ever sat down directly

0:45:27.520 --> 0:45:31.080
<v Speaker 1>on a seat right after someone else got up and

0:45:31.160 --> 0:45:34.160
<v Speaker 1>it's still warm? I love it? Do you feel like

0:45:34.200 --> 0:45:38.839
<v Speaker 1>a connection that person right? Do you look that person

0:45:38.960 --> 0:45:42.000
<v Speaker 1>in the face as the exit and enter kind of nod?

0:45:42.280 --> 0:45:44.520
<v Speaker 1>Or do you just go that's our hot tub time machine,

0:45:45.040 --> 0:45:48.000
<v Speaker 1>that's our hot tub times who's out? Who's us? Who's

0:45:48.040 --> 0:45:50.799
<v Speaker 1>our on this situation? No, this is we're writing this movie.

0:45:51.280 --> 0:45:54.160
<v Speaker 1>That's how you get Yeah, you're you're able to get

0:45:54.280 --> 0:45:56.959
<v Speaker 1>all of their memories if you sit down and they're

0:45:57.040 --> 0:46:01.200
<v Speaker 1>hot hot, but contact. Although if you start breaking, dude,

0:46:01.239 --> 0:46:03.880
<v Speaker 1>and then like they're like the bad guys start to

0:46:03.960 --> 0:46:06.480
<v Speaker 1>realize that's what you're doing. So you're like trying to

0:46:06.560 --> 0:46:08.800
<v Speaker 1>get there before it cools down and they're like holding

0:46:08.880 --> 0:46:12.800
<v Speaker 1>you back, and Adam puts his big ass on itself.

0:46:14.239 --> 0:46:16.879
<v Speaker 1>It's like Jumper. I've never is Jumper a movie. It's

0:46:17.000 --> 0:46:20.360
<v Speaker 1>like Jumper is a jumper a movie. Jumper is a movie.

0:46:20.719 --> 0:46:23.840
<v Speaker 1>It's also a song. I wish you would now that's

0:46:23.920 --> 0:46:27.040
<v Speaker 1>an anthem. Wall to wall by the way, Hey, dude,

0:46:27.360 --> 0:46:30.640
<v Speaker 1>saw them in Bonaroo. They did have more hits than

0:46:30.680 --> 0:46:33.600
<v Speaker 1>I thought they did. The guys, is that semi sonic?

0:46:33.760 --> 0:46:38.640
<v Speaker 1>That's right? Right? So the bands you know you asked.

0:46:38.840 --> 0:46:42.239
<v Speaker 1>I'm so sorry to offend you guys. He was wearing

0:46:42.280 --> 0:46:47.920
<v Speaker 1>a leather kill bitchfork. He wore a leather kill What

0:46:48.040 --> 0:46:51.600
<v Speaker 1>a savage, bro. I love that. That's nice. He was

0:46:51.680 --> 0:46:53.719
<v Speaker 1>ready to clean the funk up. Hey, is this a?

0:46:53.960 --> 0:46:56.279
<v Speaker 1>Is this a? Is this a strong? What do they

0:46:56.320 --> 0:47:01.080
<v Speaker 1>call something? Take? Then I do? Yeah, what is he

0:47:01.120 --> 0:47:03.920
<v Speaker 1>about to unleash on us. I like Third Eye Blind

0:47:04.000 --> 0:47:06.960
<v Speaker 1>more than I like Arcade Fire. No, that's that's no.

0:47:07.080 --> 0:47:09.719
<v Speaker 1>That is a hot take for you know, I don't

0:47:09.760 --> 0:47:13.799
<v Speaker 1>think so, oh Blake, you don't think in today's day

0:47:13.840 --> 0:47:16.040
<v Speaker 1>and age, that it's not a hot take to like

0:47:16.360 --> 0:47:20.239
<v Speaker 1>Third Eye Blind more than Arcade Fire. In this day

0:47:20.280 --> 0:47:24.160
<v Speaker 1>and age, that is for sure a hot, hot toilet

0:47:24.239 --> 0:47:27.759
<v Speaker 1>seat take. I like Jumper more than any Arcade Fire song,

0:47:28.000 --> 0:47:33.319
<v Speaker 1>more than the one that goes, oh yeah, I don't

0:47:33.320 --> 0:47:35.439
<v Speaker 1>really love that song. I'm telling you right now, Third

0:47:35.480 --> 0:47:39.960
<v Speaker 1>Eye Blind pops off harder now than it did when

0:47:40.040 --> 0:47:42.760
<v Speaker 1>it came out and they were a super hit band

0:47:43.040 --> 0:47:45.120
<v Speaker 1>back in the day. Hey, you don't gotta tell me.

0:47:45.320 --> 0:47:47.480
<v Speaker 1>I like Third Eye Blind too, But I'm saying, as

0:47:47.520 --> 0:47:51.720
<v Speaker 1>far as societal norms, Third Eye Blind is a straight

0:47:51.800 --> 0:47:55.800
<v Speaker 1>up pit. Now. It's a pit now like those songs

0:47:55.880 --> 0:47:59.879
<v Speaker 1>go so hard, people go crazy for that. I wish

0:48:00.040 --> 0:48:03.520
<v Speaker 1>you let's step back from on the mattress. That's when

0:48:03.520 --> 0:48:09.000
<v Speaker 1>you're gonna go in and start throwing some congo congo. Yeah.

0:48:09.360 --> 0:48:14.520
<v Speaker 1>When I graduated from can't hardly that should goes so

0:48:15.320 --> 0:48:18.919
<v Speaker 1>freaking hard that that's just window breaking. That's Kyle kicked

0:48:18.960 --> 0:48:22.839
<v Speaker 1>the fucking windows out music as a DJ and someone

0:48:22.880 --> 0:48:25.759
<v Speaker 1>who actually goes out, like have you heard anybody throw

0:48:25.920 --> 0:48:29.680
<v Speaker 1>that down? Like mid Model? Like people are playing like

0:48:30.080 --> 0:48:31.800
<v Speaker 1>hits from Now, hits him Now, hits from Now, and

0:48:31.840 --> 0:48:33.680
<v Speaker 1>then they throw on when I because I know it

0:48:33.719 --> 0:48:36.640
<v Speaker 1>smells like teen Spirit is like the new go to. Like, No,

0:48:36.840 --> 0:48:38.560
<v Speaker 1>that one's weak. If you reach for that, you could

0:48:38.600 --> 0:48:41.880
<v Speaker 1>get four other songs from that album that go way harder. No. No,

0:48:42.000 --> 0:48:43.320
<v Speaker 1>But I'm saying, if you want to like have a

0:48:43.440 --> 0:48:45.520
<v Speaker 1>throw down, are there ones that throw down harder than

0:48:45.520 --> 0:48:48.360
<v Speaker 1>when I graduate? Uh? Well, you know it's like the

0:48:48.440 --> 0:48:51.120
<v Speaker 1>emo renaissance. So we've talked about it, but it's like

0:48:51.280 --> 0:48:55.640
<v Speaker 1>basically like we started, let's keep it real. My Chemical Romance,

0:48:55.680 --> 0:48:58.359
<v Speaker 1>all that ship goes like way hard if you start

0:48:58.440 --> 0:49:00.879
<v Speaker 1>to drop that ship because I feel like third eye

0:49:00.920 --> 0:49:03.640
<v Speaker 1>blind what we were little when that ship came out,

0:49:04.000 --> 0:49:09.719
<v Speaker 1>like my stepdad, but like my Chemical Romance came out

0:49:10.160 --> 0:49:12.719
<v Speaker 1>a little later. You don't know who that is is

0:49:12.800 --> 0:49:16.080
<v Speaker 1>that hold the damn door, but my Chemical Romance came out. No,

0:49:16.200 --> 0:49:19.919
<v Speaker 1>Black Parade. Black Parade is a true banger. That song

0:49:20.520 --> 0:49:22.560
<v Speaker 1>is a great song. Yeah, I don't know any other.

0:49:22.719 --> 0:49:26.279
<v Speaker 1>What's the one that's like closing the goddamn door? Like

0:49:26.480 --> 0:49:29.719
<v Speaker 1>that one? Was that? Fucking people go absolutely mania? Who

0:49:29.840 --> 0:49:35.600
<v Speaker 1>is that? So? Yeah up, like that's all yeah, that's

0:49:35.640 --> 0:49:40.080
<v Speaker 1>like a that's like closing the goddamn door. Is not

0:49:40.320 --> 0:49:44.720
<v Speaker 1>Fallout Boy? It is. No, it's not. It is closing

0:49:44.760 --> 0:49:49.000
<v Speaker 1>the goddamn door. No, what is it? Who is it?

0:49:49.200 --> 0:49:52.680
<v Speaker 1>It's not Todd? Who is it? Panic at the Disco?

0:49:52.840 --> 0:49:59.760
<v Speaker 1>Thank you? By the way. Why because you're a liar

0:50:00.280 --> 0:50:02.759
<v Speaker 1>and you like all this music? They're from Chicago. Those

0:50:02.760 --> 0:50:04.759
<v Speaker 1>guys are from Chicago. No, you try to play it

0:50:04.800 --> 0:50:07.719
<v Speaker 1>off like you're some cool guy. I like some Panic

0:50:07.800 --> 0:50:10.719
<v Speaker 1>at the Disco songs? All out Boy? Does anyone have

0:50:10.760 --> 0:50:14.440
<v Speaker 1>any Fallout Boys they want? I would like to give

0:50:14.480 --> 0:50:18.520
<v Speaker 1>flowers to Panic at the Disco? My bad. I thought

0:50:18.600 --> 0:50:20.880
<v Speaker 1>you were full of boy for a second, and I

0:50:21.120 --> 0:50:25.200
<v Speaker 1>was wrong. Okay, my pop punk knowledge is not where

0:50:25.239 --> 0:50:28.840
<v Speaker 1>it should be. An apologies to Fallout Boy. Do you

0:50:28.920 --> 0:50:31.360
<v Speaker 1>guys have so many hits? We just lumped this one in.

0:50:31.480 --> 0:50:35.200
<v Speaker 1>When you factory it won't happen again, it will happen again,

0:50:35.480 --> 0:50:37.200
<v Speaker 1>and I would like it to give an apology to

0:50:37.280 --> 0:50:39.799
<v Speaker 1>the National. I know my boys came at you really hard,

0:50:39.920 --> 0:50:43.200
<v Speaker 1>but Sean Clements, thank you so much for introducing them

0:50:43.239 --> 0:50:46.160
<v Speaker 1>to me. I had you were shipping on them too.

0:50:46.239 --> 0:50:49.279
<v Speaker 1>I I know, I dude. I liked it when it

0:50:49.400 --> 0:50:51.759
<v Speaker 1>played in the room at Workaholics, and I think it

0:50:52.160 --> 0:50:55.320
<v Speaker 1>it fed some of our greatest episodes. Take that to

0:50:55.440 --> 0:50:57.920
<v Speaker 1>the bank and shout out to Sean Clements. I just

0:50:58.040 --> 0:51:01.360
<v Speaker 1>did his podcast, Holly Would Handbook. If you want to

0:51:01.440 --> 0:51:05.399
<v Speaker 1>get into this business out here in Hollywood, be sure

0:51:05.440 --> 0:51:08.000
<v Speaker 1>and listen to Hollywood Handbook. Listen to the Handbook. It

0:51:08.080 --> 0:51:11.120
<v Speaker 1>gives you the ins and outs of the industry, the

0:51:11.280 --> 0:51:14.920
<v Speaker 1>what's two dues and what not to do? Pretty hardcore.

0:51:15.080 --> 0:51:18.160
<v Speaker 1>And I would like to give some condolences to our

0:51:18.239 --> 0:51:23.400
<v Speaker 1>listeners for um, not for this podcast. No, for not

0:51:24.000 --> 0:51:26.560
<v Speaker 1>getting to hear start over. Just take that again. Just

0:51:26.640 --> 0:51:29.880
<v Speaker 1>take that again. I would like to give condolences to

0:51:29.960 --> 0:51:32.960
<v Speaker 1>our listeners, uh huh for having to listen to this

0:51:33.040 --> 0:51:35.520
<v Speaker 1>podcast without Kyle, because I know the Rugal Lloyds are

0:51:35.560 --> 0:51:37.120
<v Speaker 1>pissed that he's not here, that he couldn't get that

0:51:37.160 --> 0:51:40.480
<v Speaker 1>seatbelt off. But yeah, and you guys, the fans, you

0:51:40.560 --> 0:51:42.879
<v Speaker 1>guys all went in on us about yelling at Kyle.

0:51:43.040 --> 0:51:47.880
<v Speaker 1>Guess what this is? What it is? Sorry, this is

0:51:47.920 --> 0:51:52.200
<v Speaker 1>bitch Fork. Okay, sometimes you get poked, dude. Ever since

0:51:52.280 --> 0:51:55.920
<v Speaker 1>that episode, Kyle has been gone. It's three episodes now

0:51:56.760 --> 0:52:09.279
<v Speaker 1>bye bitch And that's another episode of bart. See you