1
00:00:01,840 --> 00:00:05,480
Speaker 1: Welcome to This Is Important, a production of I Heart Radio,

2
00:00:05,720 --> 00:00:09,080
Speaker 1: the show where we only talk about what is most obviously,

3
00:00:09,240 --> 00:00:14,239
Speaker 1: very crucially important today. On This is Important, I'm a

4
00:00:14,360 --> 00:00:17,800
Speaker 1: fist you and punch you in the dude. My ass

5
00:00:17,880 --> 00:00:22,000
Speaker 1: is fine and it's been fine for thirty eight years. Okay,

6
00:00:22,000 --> 00:00:37,279
Speaker 1: I'm gonna go take a ship. Let's go go. I

7
00:00:37,280 --> 00:00:40,760
Speaker 1: wish we all had more. I would like to battle you.

8
00:00:40,960 --> 00:00:42,720
Speaker 1: What I end up doing with the board is I

9
00:00:42,880 --> 00:00:46,559
Speaker 1: just make the noises with my voice? Uh that I

10
00:00:46,600 --> 00:00:49,760
Speaker 1: love it. Make the music with your mouth, boy, I'd

11
00:00:49,760 --> 00:00:53,800
Speaker 1: like to make the music with my mouth. I keep

12
00:00:53,800 --> 00:00:57,200
Speaker 1: for my favorite for my favorite boards, but's I like

13
00:00:57,280 --> 00:00:58,880
Speaker 1: all of them? Will make the music with your mouths.

14
00:00:59,360 --> 00:01:02,080
Speaker 1: Let's go. Yeah. A lot of people have been pointing

15
00:01:02,080 --> 00:01:04,480
Speaker 1: out the fact that you, Adam, are always claiming that

16
00:01:04,520 --> 00:01:11,160
Speaker 1: everybody hates the board. So maybe it's you're projecting the baby.

17
00:01:11,160 --> 00:01:14,200
Speaker 1: I've just gotten a lot of Oh do you I

18
00:01:14,240 --> 00:01:17,240
Speaker 1: love the board? I don't hate the board, yeah, but

19
00:01:17,240 --> 00:01:19,840
Speaker 1: why do you think I'm always doing it with my mouth?

20
00:01:20,560 --> 00:01:23,520
Speaker 1: I'm doing the board that it's important? Who's who? You

21
00:01:23,640 --> 00:01:28,200
Speaker 1: can't tell? Is everyone chunking right now? Or just make

22
00:01:28,400 --> 00:01:31,360
Speaker 1: you're the main chunker. Probably just you. You're probably the

23
00:01:31,400 --> 00:01:34,800
Speaker 1: main chunking prankster. I think you're chunking it's me? Are

24
00:01:34,840 --> 00:01:37,640
Speaker 1: you okay? Do? We can't have this. We're it's only

25
00:01:37,720 --> 00:01:40,600
Speaker 1: three of the three man crew. We can't be dipping out.

26
00:01:40,720 --> 00:01:43,880
Speaker 1: I wanted to come in so hot? What can you

27
00:01:43,920 --> 00:01:46,319
Speaker 1: hear us? Can you hear us? You know what I'm

28
00:01:46,319 --> 00:01:48,880
Speaker 1: gonna do. I'm gonna hardline. Oh man, this is bad.

29
00:01:49,120 --> 00:01:51,280
Speaker 1: It's if it's down to me and Adam, this is

30
00:01:51,320 --> 00:01:54,000
Speaker 1: gonna be like a weird the best podcast yet. What

31
00:01:54,120 --> 00:01:55,800
Speaker 1: were you going to say? What would be? What would

32
00:01:55,800 --> 00:02:00,000
Speaker 1: we really dive into? Just you and I? What were you? Uh?

33
00:02:00,280 --> 00:02:04,320
Speaker 1: Therapy talk? Wow? You really liked walking down that path?

34
00:02:04,480 --> 00:02:06,640
Speaker 1: Didn't I did? It was enlightening for me. I was like,

35
00:02:06,840 --> 00:02:12,200
Speaker 1: I'm learning stuff. I'm like, yeah, it's cool. It's it's

36
00:02:12,240 --> 00:02:15,480
Speaker 1: no pressure. It's it's low pressure situation to talk about

37
00:02:15,480 --> 00:02:18,840
Speaker 1: your feelings. Oh now DIRS is completely frozen. Oh my god,

38
00:02:19,080 --> 00:02:21,800
Speaker 1: here we are, so here we are drs. DRS can't

39
00:02:21,840 --> 00:02:27,120
Speaker 1: afford internet and uh and Kyle had a hard time

40
00:02:27,160 --> 00:02:29,840
Speaker 1: getting his seat belt off in a van. Excuse me?

41
00:02:30,040 --> 00:02:37,639
Speaker 1: Yeah Internet, okay, I can Okay, did someone say I

42
00:02:37,720 --> 00:02:40,000
Speaker 1: could know you're you're good to go? I'm not sure

43
00:02:40,400 --> 00:02:43,440
Speaker 1: bad I can okay, okay, I can't afford it or not?

44
00:02:43,560 --> 00:02:46,440
Speaker 1: T I I nation we maybe we're falling apart. I

45
00:02:46,520 --> 00:02:48,600
Speaker 1: don't know, man, I don't know what's happening. Hey, it

46
00:02:48,680 --> 00:02:51,679
Speaker 1: took a hundred and what is it? Three D four?

47
00:02:51,760 --> 00:02:54,400
Speaker 1: I think we're on four at this point. Hundred and

48
00:02:54,520 --> 00:02:59,280
Speaker 1: four learned four apps for us. Maybe let's go as

49
00:03:00,040 --> 00:03:02,320
Speaker 1: is what we need to do. Let's let's go, let's

50
00:03:02,560 --> 00:03:05,000
Speaker 1: let's actually leave. The guys were cutting it off at

51
00:03:05,000 --> 00:03:08,360
Speaker 1: one oh four. So are yours? Are you coming to

52
00:03:08,400 --> 00:03:10,760
Speaker 1: the little bb Q gathering that I'm gonna gonna have

53
00:03:10,800 --> 00:03:16,120
Speaker 1: on Sunday? Are you not a good friend? No way, O, man,

54
00:03:16,960 --> 00:03:23,720
Speaker 1: let's not man, I can't. Uh, first and foremost, um,

55
00:03:23,760 --> 00:03:27,720
Speaker 1: I'll be recovering from the Malibu Trathlon, that seems I mean,

56
00:03:27,720 --> 00:03:31,639
Speaker 1: when this airs, it'll be weeks ago. But like that's Saturday,

57
00:03:31,760 --> 00:03:37,240
Speaker 1: and then my wife, very funny movie. Uh is my wife?

58
00:03:37,280 --> 00:03:42,040
Speaker 1: She's leaving me. She's leaving for Africa. She's going to God,

59
00:03:42,120 --> 00:03:44,920
Speaker 1: you have an entire conscience. She's going to Kenya, she's

60
00:03:44,960 --> 00:03:51,160
Speaker 1: going on Safari. Can you believe it. Damn, that's damn.

61
00:03:51,400 --> 00:03:58,360
Speaker 1: That's sick. Kenya is uh in Africa. It is in Africa.

62
00:03:58,440 --> 00:04:01,280
Speaker 1: Can you spell it? Uh? Kenya's in Africa. She's going

63
00:04:01,360 --> 00:04:04,760
Speaker 1: to see the Great Migration, and she and her sister

64
00:04:04,800 --> 00:04:08,400
Speaker 1: are taken uh, their mom too on Safari for like

65
00:04:08,520 --> 00:04:11,120
Speaker 1: her seventieth birthday or something like that. Yeah, that's cool,

66
00:04:11,400 --> 00:04:14,760
Speaker 1: that's cool that your wife, she's I've known her to

67
00:04:14,800 --> 00:04:18,160
Speaker 1: go to Africa like maybe three to five times since

68
00:04:18,200 --> 00:04:22,440
Speaker 1: i've known her, maybe more maybe more so cool upwards

69
00:04:22,480 --> 00:04:26,360
Speaker 1: of the teams. Teams, that's so cool. I wish when

70
00:04:26,400 --> 00:04:28,640
Speaker 1: I was in my twenties, I would have picked like

71
00:04:28,720 --> 00:04:32,080
Speaker 1: one country to be like, that's my ship. I'm gonna

72
00:04:32,120 --> 00:04:34,480
Speaker 1: go there all the time and help out and do stuff,

73
00:04:34,560 --> 00:04:36,880
Speaker 1: because then it's a lifelong thing that you always going

74
00:04:36,960 --> 00:04:40,520
Speaker 1: to go somewhere you always have if I may. Africa's

75
00:04:40,520 --> 00:04:44,119
Speaker 1: a continent. It's a continent. Yes, it's yeah, he's saying

76
00:04:44,160 --> 00:04:49,719
Speaker 1: he would have picked. I wouldn't just want people every

77
00:04:50,279 --> 00:04:53,000
Speaker 1: people shooting for countries. Some just go to a city

78
00:04:53,120 --> 00:04:55,839
Speaker 1: and build a library. She's been to several different countries.

79
00:04:55,920 --> 00:04:58,919
Speaker 1: I'm gonna build a library in Baltimore, I would just

80
00:04:58,960 --> 00:05:03,120
Speaker 1: say Balti more is my spot. Okay, I'm always gonna Yes,

81
00:05:03,200 --> 00:05:04,919
Speaker 1: I know what you mean. She but she's been to

82
00:05:04,920 --> 00:05:09,039
Speaker 1: several different countries in Africa. Yes, yes, yes, yes, fair

83
00:05:09,320 --> 00:05:14,760
Speaker 1: And what's your favorite country in the continent of Africa? Yes? Points?

84
00:05:14,839 --> 00:05:17,440
Speaker 1: Should I give him points for that? Let me ask you,

85
00:05:17,800 --> 00:05:23,799
Speaker 1: so proud of myself for that dumb question. Wow, dude, Yes, yes,

86
00:05:23,920 --> 00:05:27,600
Speaker 1: but I don't know. I mean, she studied abroad in Senegal,

87
00:05:27,720 --> 00:05:30,120
Speaker 1: so I think that's where she kind of, um, that's her,

88
00:05:30,279 --> 00:05:34,520
Speaker 1: that's her home base. Can I say that every country

89
00:05:34,800 --> 00:05:40,120
Speaker 1: name in Africa sounds like it would be a dope name. Hey,

90
00:05:40,200 --> 00:05:41,880
Speaker 1: and we just had to cut out the rest of

91
00:05:41,880 --> 00:05:44,560
Speaker 1: what Adams said, but we're back now. Uh No, it

92
00:05:44,600 --> 00:05:46,640
Speaker 1: would say it would say it sounds like a dope name,

93
00:05:46,680 --> 00:05:48,359
Speaker 1: like if your name is Senegal. Oh, you mean like

94
00:05:48,520 --> 00:05:52,680
Speaker 1: if it's a person's name, your humans name. Bro. If

95
00:05:52,720 --> 00:05:55,200
Speaker 1: my name was Congo, I would be the coolest bro

96
00:05:55,320 --> 00:06:00,919
Speaker 1: in the If you were Congo Anderson, my god, Anderson,

97
00:06:01,240 --> 00:06:05,560
Speaker 1: w W E is very Oh oh my god, science, yeah,

98
00:06:05,680 --> 00:06:09,600
Speaker 1: oh my god, here comes Congo Congo and their name

99
00:06:09,640 --> 00:06:13,600
Speaker 1: was Congo Anderson, you would have an enormous TikTok and

100
00:06:13,720 --> 00:06:16,040
Speaker 1: wrap wrap for it. It would just be a TikTok.

101
00:06:16,080 --> 00:06:18,200
Speaker 1: I would have an enormous rap career even if you

102
00:06:18,240 --> 00:06:21,520
Speaker 1: didn't wrap. You would just release albums with nothing on

103
00:06:21,560 --> 00:06:24,520
Speaker 1: it and people would buy it because I said the

104
00:06:24,880 --> 00:06:30,360
Speaker 1: coolest name. Is it too late? Too late for you

105
00:06:30,520 --> 00:06:34,800
Speaker 1: to be Congo? Want that for me? I don't want to.

106
00:06:34,880 --> 00:06:36,680
Speaker 1: I don't want that for me, all right. I don't

107
00:06:36,680 --> 00:06:38,400
Speaker 1: want that for me. I like who I am and

108
00:06:38,800 --> 00:06:42,640
Speaker 1: this is my fiance and gola. I went to a

109
00:06:42,760 --> 00:06:51,240
Speaker 1: Congo Anderson concert. Did it smack? Dude? It didn't smack it,

110
00:06:51,320 --> 00:06:54,719
Speaker 1: but it did slap slapped, but it blacked a bit.

111
00:06:55,040 --> 00:06:58,880
Speaker 1: It was flapping there a few blacks, and towards the

112
00:06:59,000 --> 00:07:03,200
Speaker 1: end it was flap. So I was flapping. At first

113
00:07:03,200 --> 00:07:06,520
Speaker 1: it was flapping, then it was flapped. It was mostly

114
00:07:06,520 --> 00:07:09,240
Speaker 1: a flo I went to a one Republic concert the

115
00:07:09,240 --> 00:07:11,800
Speaker 1: other day. Guys. I never thought I would go to

116
00:07:12,160 --> 00:07:15,360
Speaker 1: d republic concert. Didn't even know on accident. Did you

117
00:07:15,400 --> 00:07:18,120
Speaker 1: get like caught in traffic or something like the traffic

118
00:07:18,200 --> 00:07:20,120
Speaker 1: just you had you veered into the thing. You're like,

119
00:07:20,120 --> 00:07:22,400
Speaker 1: I guess we're going guess is that I don't know.

120
00:07:22,520 --> 00:07:26,520
Speaker 1: We can't it is it is? How did I know that?

121
00:07:26,640 --> 00:07:28,720
Speaker 1: Because I just sang it. That's why it reminded. That's

122
00:07:28,720 --> 00:07:30,640
Speaker 1: why it reminded me, because he was just singing it.

123
00:07:31,000 --> 00:07:34,320
Speaker 1: He was like seeing it come out. There's no team there.

124
00:07:35,000 --> 00:07:37,760
Speaker 1: When I talk, there's no I'm not thinking of anything.

125
00:07:37,760 --> 00:07:41,560
Speaker 1: Before I say the words you're no team. I'm literally

126
00:07:42,040 --> 00:07:44,840
Speaker 1: I literally say a thing and then I go, oh, yeah,

127
00:07:45,360 --> 00:07:50,239
Speaker 1: that's that's the thing I should talk about. Shoo shook

128
00:07:50,320 --> 00:07:55,000
Speaker 1: something loose the old snapchat brain. Yeah, I went because

129
00:07:55,120 --> 00:07:58,760
Speaker 1: Ryan Teter, who is the lead singer of One Republic.

130
00:07:59,360 --> 00:08:01,680
Speaker 1: Of course you guys knew that. Of course I didn't

131
00:08:01,720 --> 00:08:05,720
Speaker 1: know that, dude. Yeah okay, okay, So we're just saying,

132
00:08:05,480 --> 00:08:09,920
Speaker 1: look at my face. Yeah, well you talked about him, right,

133
00:08:10,240 --> 00:08:12,679
Speaker 1: didn't he like? Yeah, yeah, So he recorded a song

134
00:08:12,800 --> 00:08:15,080
Speaker 1: for the Pitch Perfect show I did in Germany, and

135
00:08:15,120 --> 00:08:18,800
Speaker 1: then so he was in Charles and was like, I'm

136
00:08:18,840 --> 00:08:20,960
Speaker 1: coming through town. You guys should come, and Clo was like,

137
00:08:21,040 --> 00:08:22,840
Speaker 1: let's go. They have a ton of you would know

138
00:08:22,880 --> 00:08:25,000
Speaker 1: what she was like, what you would know? She was like,

139
00:08:25,040 --> 00:08:30,960
Speaker 1: he said, let's She was like's sorry, I'm sorry, I'm

140
00:08:30,960 --> 00:08:34,280
Speaker 1: looking also looking for One Republic songs. Dude, I do

141
00:08:34,360 --> 00:08:38,480
Speaker 1: a lot on Okay, yeah, okay, just do the one.

142
00:08:38,559 --> 00:08:40,320
Speaker 1: Just do the one. Well that's not the one at

143
00:08:40,360 --> 00:08:42,760
Speaker 1: the top, but go ahead, keep tossing. So then so

144
00:08:43,120 --> 00:08:47,400
Speaker 1: we go to the One Republic concertize there was it

145
00:08:47,440 --> 00:08:50,000
Speaker 1: was wall to wall hits. I've never heard of this

146
00:08:50,080 --> 00:08:52,120
Speaker 1: band in my life. I didn't know them at all.

147
00:08:52,280 --> 00:08:54,480
Speaker 1: I didn't know Ryan Tedder at all. He's a super

148
00:08:54,559 --> 00:09:02,000
Speaker 1: nice guy, dresses really cool, has swishy hair. It was

149
00:09:02,080 --> 00:09:03,920
Speaker 1: wall to wall hits. I was like, oh, this is

150
00:09:03,960 --> 00:09:08,280
Speaker 1: there wall to wall? How big is this room? From

151
00:09:08,320 --> 00:09:10,480
Speaker 1: the windows of the wall, how big is this room?

152
00:09:10,679 --> 00:09:13,760
Speaker 1: That it was a stadium. There was like people literally

153
00:09:13,760 --> 00:09:15,600
Speaker 1: at him. I mean like, okay, it's wall to wall,

154
00:09:15,679 --> 00:09:18,840
Speaker 1: but like, is it wall to wall a closet of hits?

155
00:09:19,000 --> 00:09:21,199
Speaker 1: Like how many? Like you're saying, from the window to

156
00:09:21,280 --> 00:09:23,439
Speaker 1: the wall, what are we talking? Brother? So the sweat

157
00:09:23,480 --> 00:09:26,000
Speaker 1: drips down your ball. So I'm not saying I'm like

158
00:09:26,040 --> 00:09:28,600
Speaker 1: a huge warm Republic fan because it always they all

159
00:09:28,600 --> 00:09:32,640
Speaker 1: their music sounds like and even Ryan was you're talking

160
00:09:32,640 --> 00:09:35,480
Speaker 1: about yeah? He was like it was like we have

161
00:09:35,920 --> 00:09:38,200
Speaker 1: I'm like, do you ever get sick? Of playing like

162
00:09:38,240 --> 00:09:41,079
Speaker 1: a certain song because I wanted with with like rock

163
00:09:41,120 --> 00:09:42,760
Speaker 1: stars and stuff. I'm like, do you have you ever

164
00:09:42,800 --> 00:09:45,440
Speaker 1: just sick of playing your hit? We're like because as

165
00:09:45,440 --> 00:09:48,240
Speaker 1: a stand up you tell the same jokes too much

166
00:09:48,520 --> 00:09:50,480
Speaker 1: or at the same story, you're like, Jesus Christ, I

167
00:09:50,520 --> 00:09:52,920
Speaker 1: gotta launch it and this fucking thing again. But yeah,

168
00:09:52,920 --> 00:09:55,920
Speaker 1: you still do it. But yeah, you do it totally. Yes,

169
00:09:56,320 --> 00:09:58,720
Speaker 1: yeah you have to. People will get pissed if you don't.

170
00:09:58,800 --> 00:10:02,040
Speaker 1: People love but but uh, rock stars on my do you?

171
00:10:02,160 --> 00:10:05,120
Speaker 1: And he was like yes, I mean honestly, sometimes they've

172
00:10:05,200 --> 00:10:09,440
Speaker 1: like licensed it or like they like, Whole Foods played

173
00:10:09,440 --> 00:10:13,240
Speaker 1: this song to death and now it's Sonymous anonymous with

174
00:10:13,280 --> 00:10:15,280
Speaker 1: Whole Foods. And I'm like, well that funk. It sucks.

175
00:10:15,400 --> 00:10:18,000
Speaker 1: It's the Whole Foods And I liked this song. And

176
00:10:18,080 --> 00:10:21,120
Speaker 1: now anytime you go to Whole Foods, I on my

177
00:10:21,160 --> 00:10:23,920
Speaker 1: song is just fucking blasting. I'm like, that sucks. But

178
00:10:24,120 --> 00:10:26,240
Speaker 1: he did a cool thing where he played like like

179
00:10:26,400 --> 00:10:30,040
Speaker 1: five or ten one Republic songs where I knew all

180
00:10:30,080 --> 00:10:31,720
Speaker 1: of them. I was like, this, right, this is a

181
00:10:31,760 --> 00:10:36,000
Speaker 1: one Republic and then he stops. And he is also

182
00:10:36,040 --> 00:10:39,320
Speaker 1: a prolific song, Wrob he wrote a million songs for people,

183
00:10:39,520 --> 00:10:42,880
Speaker 1: and then for twenty minutes just played fifteen number one

184
00:10:42,960 --> 00:10:45,959
Speaker 1: hit songs that he's written. Sick dude, I love when

185
00:10:46,040 --> 00:10:48,439
Speaker 1: people because he owns the rights to him, because he

186
00:10:48,480 --> 00:10:50,600
Speaker 1: wrote him, because he owns the rights. So then he

187
00:10:50,640 --> 00:10:53,720
Speaker 1: played like it was him on the piano singing Halo

188
00:10:54,040 --> 00:10:57,160
Speaker 1: by the Beyonce song, and just like a slew of

189
00:10:57,200 --> 00:11:00,320
Speaker 1: other hit songs that I was like, Oh, Ship wasn't

190
00:11:00,360 --> 00:11:03,480
Speaker 1: number one? Is that my favorite Beyonce song? Halo? Which

191
00:11:03,520 --> 00:11:05,360
Speaker 1: one is that? Hold up? Let me? It's got that

192
00:11:05,440 --> 00:11:09,760
Speaker 1: fucking beat to it. I feel like I like Halo?

193
00:11:10,120 --> 00:11:13,600
Speaker 1: Did he right to the left? I like that one too? Okay,

194
00:11:13,600 --> 00:11:15,679
Speaker 1: I'm gonna play a bit of Halo just to remember

195
00:11:15,679 --> 00:11:18,320
Speaker 1: what it is. I just sang it, Yeah you did well.

196
00:11:18,440 --> 00:11:27,520
Speaker 1: I don't skip ahead. Yeah, when Adam is cycling uphill,

197
00:11:27,559 --> 00:11:29,240
Speaker 1: he throws that sh it on and it's just like

198
00:11:29,440 --> 00:11:33,320
Speaker 1: I got this ship. Yeah, it's it's powerful, it's definitely

199
00:11:33,360 --> 00:11:36,400
Speaker 1: a it's definitely a hit. The hit the hill with

200
00:11:36,520 --> 00:11:41,640
Speaker 1: that one. You can go right up that room. Yeah yeah, yeah, exactly,

201
00:11:41,679 --> 00:11:46,000
Speaker 1: yeah old cruise. Um. So he played that one? What else? Okay? Well, Okay,

202
00:11:46,040 --> 00:11:49,120
Speaker 1: that's just not a closet. Yeah, this is a bedroom.

203
00:11:49,240 --> 00:11:51,520
Speaker 1: It was a lot and a lot of the other songs.

204
00:11:51,600 --> 00:11:54,199
Speaker 1: I don't know pop music all that well because my

205
00:11:54,200 --> 00:11:58,280
Speaker 1: my knowledge what do you know cutting? Yeah, I know

206
00:11:58,480 --> 00:12:01,480
Speaker 1: hip hop from the early two thousands and that one

207
00:12:01,520 --> 00:12:04,199
Speaker 1: Talking Head song punk rock from the late nineties early

208
00:12:04,200 --> 00:12:07,959
Speaker 1: two thousands, and that's sort of arguably all the punk

209
00:12:08,040 --> 00:12:10,800
Speaker 1: rock that you know is was pop music was pop? Yeah, ye,

210
00:12:11,400 --> 00:12:13,720
Speaker 1: but I'm talking, I don't know. I don't know what

211
00:12:13,760 --> 00:12:18,280
Speaker 1: like it. Like Leona Lewis said, and I didn't know

212
00:12:18,280 --> 00:12:19,920
Speaker 1: who that was. He's like this one you might know,

213
00:12:20,200 --> 00:12:23,640
Speaker 1: Leona Lewis, I wrote this song that's like the graduation sound.

214
00:12:24,679 --> 00:12:27,400
Speaker 1: He told the story and then they played the song,

215
00:12:27,920 --> 00:12:29,959
Speaker 1: and then I knew all the songs. I just didn't

216
00:12:29,960 --> 00:12:31,520
Speaker 1: know a lot of the people she was on, like

217
00:12:31,840 --> 00:12:35,520
Speaker 1: not America's got talent or idle, but she I think

218
00:12:35,559 --> 00:12:39,880
Speaker 1: she's from She's a Simon Cowell Discovery, I believe. Okay, wait,

219
00:12:39,880 --> 00:12:43,000
Speaker 1: what what was the one he wrote, bleeding love? That's

220
00:12:43,000 --> 00:12:45,400
Speaker 1: the joint? Is that the one he wrote bleeding love?

221
00:12:46,200 --> 00:12:49,280
Speaker 1: Johanna saying bleeding that's the joint? Okay, I'm gonna play that.

222
00:12:49,400 --> 00:12:58,560
Speaker 1: I'm gonna play that d D stadium. Women were lying

223
00:12:58,640 --> 00:13:06,439
Speaker 1: around me just like we got Wait, So, how does

224
00:13:06,520 --> 00:13:09,960
Speaker 1: this dude tap into the mind of like female so hard?

225
00:13:09,960 --> 00:13:14,040
Speaker 1: I think he's just a amazing songwriter. He just but

226
00:13:14,160 --> 00:13:18,600
Speaker 1: he's writing like ants, like power anthems for He says

227
00:13:18,640 --> 00:13:21,120
Speaker 1: that he's able to when he because I was like,

228
00:13:21,240 --> 00:13:25,800
Speaker 1: sometimes when I am doing stand up, I've done the woman,

229
00:13:27,880 --> 00:13:30,880
Speaker 1: the mind of the woman. If you've done something so

230
00:13:30,920 --> 00:13:34,440
Speaker 1: many times, you're almost on autopilot. You try not to be,

231
00:13:34,559 --> 00:13:38,040
Speaker 1: but sometimes you're like, I've told this story upwards of

232
00:13:38,120 --> 00:13:41,680
Speaker 1: three four hundred times. I know where the punchlines are.

233
00:13:41,720 --> 00:13:44,920
Speaker 1: I know how to tell it. That you're thinking of

234
00:13:44,920 --> 00:13:49,200
Speaker 1: other things. You're like in your head. You're speaking to

235
00:13:49,360 --> 00:13:52,160
Speaker 1: an audience and you're thinking, you're in your head. You're

236
00:13:52,200 --> 00:13:56,480
Speaker 1: like making dinner plans, you're planning things for the night.

237
00:13:56,720 --> 00:13:58,800
Speaker 1: You're like, Oh, I forgot to do this or whatever

238
00:13:58,840 --> 00:14:00,640
Speaker 1: it is. I'm like, does that up to you? He's like,

239
00:14:00,880 --> 00:14:03,960
Speaker 1: it happens to me so much that sometimes I'll be

240
00:14:04,440 --> 00:14:10,240
Speaker 1: writing other songs while I'm performing a song WHOA, and

241
00:14:10,280 --> 00:14:15,480
Speaker 1: I'm like, Oh, that's a whole other He's just coolly

242
00:14:15,600 --> 00:14:20,040
Speaker 1: telling you I'm actually a genius, actually like super talented

243
00:14:20,040 --> 00:14:22,160
Speaker 1: I am, because I'm like, oh, I'm not writing other

244
00:14:22,400 --> 00:14:26,240
Speaker 1: stand up bits, think like a great idea for a movie.

245
00:14:26,440 --> 00:14:29,680
Speaker 1: I'm literally going like, how much should I drink tonight?

246
00:14:29,920 --> 00:14:34,200
Speaker 1: But are we really going to go out tonight? What

247
00:14:34,400 --> 00:14:38,880
Speaker 1: cheeseburger are we getting right after this? So many double

248
00:14:38,920 --> 00:14:42,920
Speaker 1: patties am I going to have for the single chunky

249
00:14:42,960 --> 00:14:45,560
Speaker 1: one or the double smash? What are we doing tonight?

250
00:14:45,840 --> 00:14:47,920
Speaker 1: But even the thing that's tripping me out is he's

251
00:14:47,960 --> 00:14:51,520
Speaker 1: not like writing from for himself. He knows he's writing

252
00:14:51,560 --> 00:14:55,000
Speaker 1: for other people. But here's here's what I think. Dude, Okay,

253
00:14:55,000 --> 00:14:57,440
Speaker 1: you're the writer, go ahead, put us in the bin.

254
00:14:57,840 --> 00:15:00,840
Speaker 1: This is what's fascinating is that, like he's still a

255
00:15:00,840 --> 00:15:03,440
Speaker 1: guy writing songs that women are singing. And if you

256
00:15:03,600 --> 00:15:05,600
Speaker 1: if you go back and you listen to like old

257
00:15:05,720 --> 00:15:10,240
Speaker 1: songs about like a woman who's singing certain lyrics about

258
00:15:10,280 --> 00:15:13,120
Speaker 1: how she misses her boyfriend or whatever, and a guy

259
00:15:13,160 --> 00:15:19,040
Speaker 1: wrote it's it's I won't. It's not a guy writing

260
00:15:19,160 --> 00:15:22,320
Speaker 1: for a woman. It's a guy writing for what he

261
00:15:22,400 --> 00:15:25,160
Speaker 1: wants a woman. He wishes a woman was thinking or saying,

262
00:15:27,720 --> 00:15:31,000
Speaker 1: in his defense, a lot of these songs he's writing

263
00:15:31,080 --> 00:15:34,960
Speaker 1: with them, so he they'll go, he'll go to their studio,

264
00:15:35,040 --> 00:15:37,320
Speaker 1: they'll come to him, whatever the case may be, and

265
00:15:37,360 --> 00:15:40,560
Speaker 1: then they'll be like, he wrote in a Dell song

266
00:15:41,240 --> 00:15:44,960
Speaker 1: and I guess he told the story on stage that

267
00:15:45,080 --> 00:15:48,280
Speaker 1: she was like, uh, I don't blank it on the

268
00:15:48,320 --> 00:15:50,360
Speaker 1: name of it, but she was just like over it,

269
00:15:50,480 --> 00:15:55,920
Speaker 1: and she that's it essentially. Yes, He's like, okay, let's

270
00:15:55,920 --> 00:15:58,800
Speaker 1: write that song. You're like over it or I'm totally

271
00:15:58,840 --> 00:16:00,960
Speaker 1: blanking on the name of the song whatever, Yeah, but

272
00:16:01,000 --> 00:16:04,080
Speaker 1: I get it. But yeah, and then he really liked

273
00:16:04,120 --> 00:16:06,240
Speaker 1: it's just like, okay, let's write that song. And then

274
00:16:06,320 --> 00:16:08,720
Speaker 1: they create the song to get so she's like, I

275
00:16:08,720 --> 00:16:14,480
Speaker 1: don't feel gad, I've got ib s. B It's a

276
00:16:14,480 --> 00:16:16,920
Speaker 1: whole bunch of bs. Okay, Okay, it's a bunch of

277
00:16:16,920 --> 00:16:20,960
Speaker 1: b s. Rumor has it? Oh? Yeah, it was rumor

278
00:16:21,040 --> 00:16:24,400
Speaker 1: has it the Adele song? Blake has it? You might

279
00:16:24,480 --> 00:16:27,320
Speaker 1: want to cue up Adele rumor has it? Okay? She

280
00:16:27,440 --> 00:16:29,560
Speaker 1: was like, she was like, oh, gun on, has it

281
00:16:29,680 --> 00:16:31,280
Speaker 1: that I did this? Rumor has it that I did that?

282
00:16:31,320 --> 00:16:33,600
Speaker 1: I didn't do any of this, but rumor has it?

283
00:16:33,800 --> 00:16:36,680
Speaker 1: And then he was like, wait, wait, shut up, shut

284
00:16:36,720 --> 00:16:40,520
Speaker 1: up quick with that guy, though, shut up, shut up,

285
00:16:40,640 --> 00:16:45,160
Speaker 1: rut has it? Shut up? Stop talking. Can you imagine

286
00:16:45,400 --> 00:16:48,080
Speaker 1: calling your friends he was a songwriter and being like, yeah,

287
00:16:49,160 --> 00:16:53,280
Speaker 1: last night my my daddy U shut out. He got

288
00:16:53,360 --> 00:16:56,520
Speaker 1: hit the song and mt elevator shaft and he's like,

289
00:16:56,640 --> 00:16:58,840
Speaker 1: shut up, shut up. And then he was just like

290
00:16:59,200 --> 00:17:05,720
Speaker 1: falling what nothing? Nothing, dude? Are you writing a song

291
00:17:05,800 --> 00:17:09,040
Speaker 1: about my dad falling into elevator? That's like the greatest

292
00:17:09,040 --> 00:17:15,320
Speaker 1: scene from extras Memory when it's David Budgy, little fat man.

293
00:17:15,680 --> 00:17:18,280
Speaker 1: It is amazing. We'll post that first. Okay, well, I'm

294
00:17:18,280 --> 00:17:20,960
Speaker 1: gonna play a little bit of rumor has it? Thank you.

295
00:17:21,359 --> 00:17:27,159
Speaker 1: Let's see. Oh, he's out at the door. Let her in?

296
00:17:27,920 --> 00:17:37,800
Speaker 1: You know this ship? Let her? I don't, Damn, I

297
00:17:37,840 --> 00:17:40,840
Speaker 1: can't say I know that one. Well, you know it

298
00:17:40,840 --> 00:17:43,679
Speaker 1: when it hits the rumor has it? Damn? I really

299
00:17:43,760 --> 00:17:46,280
Speaker 1: I just played all the intros and he has some

300
00:17:46,400 --> 00:17:49,840
Speaker 1: long intro. So yeah, he's taking him on a ride.

301
00:17:50,119 --> 00:17:54,520
Speaker 1: What was crazy is when did these songs? When he

302
00:17:54,800 --> 00:17:59,520
Speaker 1: did these songs, they they all sounded like a one

303
00:17:59,560 --> 00:18:02,160
Speaker 1: Republic song, right, They all said, I mean, of course

304
00:18:02,160 --> 00:18:04,120
Speaker 1: he's the lead singer for In Republic, so it makes sense.

305
00:18:04,160 --> 00:18:08,200
Speaker 1: But they all it took like that female voice or

306
00:18:08,280 --> 00:18:10,560
Speaker 1: that other artists voice and put their stink on it.

307
00:18:10,600 --> 00:18:14,120
Speaker 1: That made it feel totally different. Like when he sang Beyonce,

308
00:18:14,280 --> 00:18:17,199
Speaker 1: It's sure as hell didn't seem like a Beyonce like

309
00:18:17,640 --> 00:18:20,720
Speaker 1: her halo. It felt like a totally different side. But

310
00:18:20,760 --> 00:18:23,760
Speaker 1: she made it her own. Yes, So here's his list,

311
00:18:24,480 --> 00:18:28,359
Speaker 1: uh that he's written songs for Adele, I'm gonna Leona Lewis,

312
00:18:28,760 --> 00:18:33,320
Speaker 1: Miley Cyrus, Ed Sheeran, Jonas Bros. Jennifer Lopez, Camila Cabello,

313
00:18:33,560 --> 00:18:36,440
Speaker 1: Lady Gaga, Maroon five, blah blah blah blah blah blah blah.

314
00:18:36,480 --> 00:18:40,720
Speaker 1: I mean every person is the fattest paycheck as well,

315
00:18:40,800 --> 00:18:44,399
Speaker 1: Oh my god, and that kind of part of the party.

316
00:18:44,480 --> 00:18:48,000
Speaker 1: It's like, hey man, you wrote this smash hit for

317
00:18:48,080 --> 00:18:50,600
Speaker 1: this person, so we're gonna give you one for that person.

318
00:18:50,760 --> 00:18:52,919
Speaker 1: Like and then if you it's like a batting average.

319
00:18:52,960 --> 00:18:57,840
Speaker 1: If you kill it enough, you just keep getting opportunities, right, Yeah, yeah,

320
00:18:57,920 --> 00:19:01,679
Speaker 1: that's right. If you make a huge hit for Taylor Swift,

321
00:19:01,760 --> 00:19:04,119
Speaker 1: then all of a sudden Ariana grand Is like, but

322
00:19:04,240 --> 00:19:06,879
Speaker 1: also me write one for me. I know, I just

323
00:19:06,960 --> 00:19:08,880
Speaker 1: kind of wish you would reach back a little bit,

324
00:19:09,040 --> 00:19:11,680
Speaker 1: like just some smaller artists like get like little Zan

325
00:19:11,880 --> 00:19:14,640
Speaker 1: and like just drop a real, real banger on him

326
00:19:14,680 --> 00:19:17,800
Speaker 1: and just put him in an if that's necessarily his lane,

327
00:19:18,280 --> 00:19:21,560
Speaker 1: but it could be. All you need is at the

328
00:19:21,560 --> 00:19:23,520
Speaker 1: podcast to yourself for a moment to kind of make

329
00:19:23,560 --> 00:19:26,880
Speaker 1: that player. Hey, Blake, should we turn the headsets off?

330
00:19:27,160 --> 00:19:32,960
Speaker 1: What was what was this guy's name? Ryan Tedder? Ryan Tedder? Okay, okay, guys,

331
00:19:33,119 --> 00:19:35,560
Speaker 1: we're signing off, so you can talk directly to Ryan Tedder,

332
00:19:36,680 --> 00:19:39,680
Speaker 1: Ryan Tedder. Hey, what's up, dude, man? This is Blake

333
00:19:39,760 --> 00:19:43,639
Speaker 1: from t I. I um, I just saw this documentary

334
00:19:43,640 --> 00:19:45,720
Speaker 1: called The American Rap Star and I saw a little

335
00:19:45,800 --> 00:19:48,800
Speaker 1: Zan there, and you know, it looks like he needs

336
00:19:48,800 --> 00:19:50,760
Speaker 1: a hit. He needs a hit right now. So if

337
00:19:50,800 --> 00:19:54,800
Speaker 1: you could just write him a big banger and get

338
00:19:54,840 --> 00:19:57,159
Speaker 1: him to the top of the charts, I think the

339
00:19:57,200 --> 00:20:00,439
Speaker 1: whole community would be very, very excited or that. So

340
00:20:00,560 --> 00:20:03,280
Speaker 1: thank you every we can turn up now. Oh we're back,

341
00:20:03,760 --> 00:20:17,120
Speaker 1: We're back. You're okay, all right? I mean, it wasn't

342
00:20:17,160 --> 00:20:19,200
Speaker 1: that the whole thing with that what the Fox say

343
00:20:19,280 --> 00:20:23,399
Speaker 1: song is that like that was some huge producer and

344
00:20:23,400 --> 00:20:26,800
Speaker 1: then it was basically like the Fox kids love it,

345
00:20:27,000 --> 00:20:29,399
Speaker 1: kids love it. It was some talk show in Sweden

346
00:20:29,480 --> 00:20:30,720
Speaker 1: or something. They were like, do you think we could

347
00:20:30,760 --> 00:20:34,359
Speaker 1: make a pop song about almost nothing? And they're like sure,

348
00:20:34,359 --> 00:20:36,320
Speaker 1: and then they did it and it became like a smash.

349
00:20:37,000 --> 00:20:39,400
Speaker 1: Who wrote that though did not know that that's the story.

350
00:20:39,400 --> 00:20:42,080
Speaker 1: I think it was some big producer really, and they

351
00:20:42,119 --> 00:20:45,360
Speaker 1: did it as on a lark, which is a very

352
00:20:45,359 --> 00:20:50,720
Speaker 1: fun word use, like they actually like did the thing

353
00:20:50,760 --> 00:20:54,959
Speaker 1: is that they were joking about? Well, see it's that easy,

354
00:20:55,080 --> 00:20:57,280
Speaker 1: I guess, so it's not hard. He wrote a song

355
00:20:57,359 --> 00:21:00,600
Speaker 1: for Black Pink that is that Korean all girl band. Yeah,

356
00:21:00,600 --> 00:21:03,879
Speaker 1: they're they're super big k pop bands. So I was

357
00:21:03,960 --> 00:21:06,399
Speaker 1: on some talk show. I think it was like Cordon

358
00:21:06,840 --> 00:21:10,080
Speaker 1: or something and uh oh no, I think it was

359
00:21:10,359 --> 00:21:13,119
Speaker 1: Frank show. I don't know, one of those talk shows,

360
00:21:13,160 --> 00:21:16,399
Speaker 1: and I was one of the guests, doesn't even know,

361
00:21:16,520 --> 00:21:19,600
Speaker 1: but they were the musical guest and so the musical

362
00:21:19,640 --> 00:21:22,600
Speaker 1: guests is on a little later, So I'm up first

363
00:21:23,040 --> 00:21:25,679
Speaker 1: and my Twitter. I was like just looking at Twitter

364
00:21:26,480 --> 00:21:29,679
Speaker 1: while it was on, not not even watching. I was

365
00:21:29,800 --> 00:21:33,920
Speaker 1: like out or something, and my Twitter was exploding with

366
00:21:34,400 --> 00:21:37,360
Speaker 1: hate of like, who the funk is this guy? Get

367
00:21:37,400 --> 00:21:40,800
Speaker 1: him off the stage. We're ready for Black Pink and

368
00:21:40,840 --> 00:21:42,919
Speaker 1: I've never heard of Black Pink before in my life.

369
00:21:43,040 --> 00:21:45,080
Speaker 1: And then that's when I I tuned in and to

370
00:21:45,200 --> 00:21:48,560
Speaker 1: see you don't want those K pop groups they're fan

371
00:21:48,600 --> 00:21:52,040
Speaker 1: based to turn on you. They have armies, they have armies,

372
00:21:52,080 --> 00:21:55,199
Speaker 1: like the BTS Army. They were true true yea, like

373
00:21:55,280 --> 00:21:57,879
Speaker 1: they will come for you hard, they will come for

374
00:21:57,960 --> 00:22:01,520
Speaker 1: you hard, but they're coming home. Not come up Black Pink,

375
00:22:01,600 --> 00:22:05,320
Speaker 1: I think kinda do not come Black Pink Eye. They

376
00:22:05,520 --> 00:22:09,920
Speaker 1: Black Pink Eye is our band. It's when you get

377
00:22:09,960 --> 00:22:13,800
Speaker 1: punched in the eye and then someone also in your

378
00:22:13,800 --> 00:22:17,880
Speaker 1: eye with somebody who's been brunching poo all day, right,

379
00:22:18,440 --> 00:22:22,159
Speaker 1: dang know that's that's when you get Someone punches you

380
00:22:22,240 --> 00:22:24,720
Speaker 1: in the eye and then they pull their pants down,

381
00:22:25,040 --> 00:22:28,040
Speaker 1: presses their asshole directly against that eye, and then let's

382
00:22:28,080 --> 00:22:31,840
Speaker 1: one rip. Can I do my version? Okay? Okay, yes

383
00:22:31,880 --> 00:22:34,800
Speaker 1: you may. They fist you, okay, and then they punched

384
00:22:34,800 --> 00:22:40,359
Speaker 1: you right in the eye. Oh that's a black Pinky. Yeah,

385
00:22:41,080 --> 00:22:43,440
Speaker 1: I'm gonna fist you and punch you and I, dude,

386
00:22:44,840 --> 00:22:48,639
Speaker 1: that ain't happening. Black Pink is a is this? I

387
00:22:48,680 --> 00:22:52,879
Speaker 1: wonder where how they came up with that name. I

388
00:22:52,920 --> 00:22:55,719
Speaker 1: never thought of that. Yeah, Like I wonder if they

389
00:22:55,720 --> 00:22:59,200
Speaker 1: were like this is two colors, are two favorite colors.

390
00:22:59,560 --> 00:23:02,280
Speaker 1: It'll it'll go with everything we can sell the merch

391
00:23:02,400 --> 00:23:05,119
Speaker 1: because these bands are like put together there, you know.

392
00:23:05,200 --> 00:23:07,160
Speaker 1: It's it's like how the boy bands in the early

393
00:23:07,200 --> 00:23:09,800
Speaker 1: two thousand at the Baxter Boys and the Instincts in

394
00:23:09,840 --> 00:23:13,920
Speaker 1: the Degrees and other bands. Wait wait what Yeah, dude,

395
00:23:13,920 --> 00:23:16,960
Speaker 1: they weren't friends before they were in the band. That cool,

396
00:23:17,040 --> 00:23:19,520
Speaker 1: that cool husky pervert. Dide was like, I'm going to

397
00:23:19,640 --> 00:23:21,560
Speaker 1: put you in the band they gather boys. Yeah. The

398
00:23:21,600 --> 00:23:24,000
Speaker 1: fact that I haven't done his bio pick yet, I

399
00:23:24,119 --> 00:23:28,199
Speaker 1: don't pizza Pizza. What was his name, Ron Pearlman, right,

400
00:23:29,920 --> 00:23:36,520
Speaker 1: Ron Perlman. It's something like that. It's something like that.

401
00:23:36,920 --> 00:23:40,680
Speaker 1: It's like Larry Pearlman. Dude. When I was in Japan,

402
00:23:41,280 --> 00:23:47,919
Speaker 1: there was a billboard for some like all boy group.

403
00:23:48,200 --> 00:23:51,119
Speaker 1: I think it was an all all boy like boy band. Uh,

404
00:23:51,160 --> 00:23:59,240
Speaker 1: and their name was Black Monsters. Yeah. Yeah, they're not

405
00:23:59,240 --> 00:24:02,040
Speaker 1: going to travel well, I don't know if that's gonna

406
00:24:02,080 --> 00:24:05,959
Speaker 1: pop off here in the stage. Hell black mons? I

407
00:24:06,000 --> 00:24:08,359
Speaker 1: mean I was laughing so hard I was crying in

408
00:24:08,359 --> 00:24:12,200
Speaker 1: the street. That's crazy. Although, like what if they got embraced,

409
00:24:12,320 --> 00:24:15,120
Speaker 1: If they got embraced, it's like, yeah, dude, that could

410
00:24:15,119 --> 00:24:18,000
Speaker 1: be interesting. They are the Black Monsters. Sure, Okay, you

411
00:24:18,080 --> 00:24:21,800
Speaker 1: never know? Man, Rumor has it how many people are

412
00:24:21,880 --> 00:24:25,120
Speaker 1: in Black Pink? Because I know BTS is like twelve, right,

413
00:24:25,640 --> 00:24:29,080
Speaker 1: there's like fifteen? Yeah, there's there's no no, no Black Pink.

414
00:24:29,119 --> 00:24:31,439
Speaker 1: There's a It's a goddamn squad, is it not? Or

415
00:24:31,440 --> 00:24:34,440
Speaker 1: am I am I mixing up my Korean girl? Wait? Wait,

416
00:24:34,520 --> 00:24:42,560
Speaker 1: but isn't BTS many many? Dudes? I think it's like six? No, no, yes? Okay.

417
00:24:42,560 --> 00:24:45,399
Speaker 1: Who are the biggest groups? Woutan Clan is pretty huge.

418
00:24:45,640 --> 00:24:48,919
Speaker 1: That's a pretty big one. Okay. Oh so you're talking

419
00:24:49,040 --> 00:24:52,080
Speaker 1: you're talking groups from thirty years ago. Well, I'm trying

420
00:24:52,080 --> 00:24:55,359
Speaker 1: to think of like there's four members in black is

421
00:24:55,400 --> 00:24:58,040
Speaker 1: it really? Yeah? What the hell? Yeah? You guys are

422
00:24:58,160 --> 00:25:01,480
Speaker 1: like shouting out big numbers. I'm saying probably the largest

423
00:25:01,560 --> 00:25:05,320
Speaker 1: group as far as music goes is Wu Tang Clan, Right,

424
00:25:05,320 --> 00:25:08,480
Speaker 1: it's like, dudes, well, how many people are in the

425
00:25:08,480 --> 00:25:11,480
Speaker 1: TSS seven four members? And what's that Canadian band? What's

426
00:25:11,480 --> 00:25:15,600
Speaker 1: the Canadian band? No? No, no, no, oh my god,

427
00:25:17,080 --> 00:25:21,080
Speaker 1: BTSs seven seven. Yeah, that's a lot. That's a lot.

428
00:25:21,320 --> 00:25:27,760
Speaker 1: That's a lot. Wait, but then what's the Canadian fucking band? Rush?

429
00:25:27,840 --> 00:25:31,479
Speaker 1: That's three people and the guy the fucking honkeys with

430
00:25:31,560 --> 00:25:35,480
Speaker 1: the Arcade Fire Arcade Fire, thank you Todd. How many

431
00:25:35,480 --> 00:25:38,800
Speaker 1: people are on stage at Arcade Fire content? Now there's

432
00:25:38,840 --> 00:25:41,320
Speaker 1: a lie that's guy that they have a squad? Oh yeah,

433
00:25:41,800 --> 00:25:44,680
Speaker 1: And and they're like there's one guy with a trombone.

434
00:25:44,720 --> 00:25:47,920
Speaker 1: The other guy's just banging trash can lids together. Right,

435
00:25:48,040 --> 00:25:50,879
Speaker 1: there's one person just some just dancing around. I'm like,

436
00:25:51,000 --> 00:25:54,960
Speaker 1: do they Is everyone getting paid oh yeah, five bucks

437
00:25:55,119 --> 00:25:58,879
Speaker 1: to tour with that amount of people? Where a guy's

438
00:25:58,920 --> 00:26:01,439
Speaker 1: just like he's just rub been sticks together and starting

439
00:26:01,440 --> 00:26:03,840
Speaker 1: a fire on the side of the Our producers saying

440
00:26:03,840 --> 00:26:06,560
Speaker 1: there's sixteen people in Arcade Fire? Are we telling jokes

441
00:26:06,560 --> 00:26:10,240
Speaker 1: back there? We need the facts. I'm seeing she goes

442
00:26:10,400 --> 00:26:13,320
Speaker 1: sixteen people. I think we're not paying you just think

443
00:26:14,640 --> 00:26:18,119
Speaker 1: we need our need to did you guys hear the end?

444
00:26:18,160 --> 00:26:22,240
Speaker 1: Of our last podcast where it was like a robot saying, actually,

445
00:26:22,280 --> 00:26:25,720
Speaker 1: the address from Sopranos is not John Taturot's sister, it's

446
00:26:25,760 --> 00:26:29,680
Speaker 1: his cousin. I was like, what really, I did not? Yeah, yeah,

447
00:26:29,920 --> 00:26:33,160
Speaker 1: we were corrected after the Yeah, we were like, we're

448
00:26:33,160 --> 00:26:35,159
Speaker 1: gonna that's open in the can of worms. If you're

449
00:26:35,200 --> 00:26:40,639
Speaker 1: gonna start correcting us, Hey, allegedly, we just gotta never mind.

450
00:26:40,800 --> 00:26:46,200
Speaker 1: We gotta see Chad Fighter. The sixteen people in total

451
00:26:46,200 --> 00:26:49,119
Speaker 1: who have been involved over time. Okay, so the six people,

452
00:26:49,240 --> 00:26:52,160
Speaker 1: but then because I've seen them in concert, like at

453
00:26:52,240 --> 00:26:55,640
Speaker 1: festivals and stuff two or three times now, there's always

454
00:26:56,000 --> 00:26:59,600
Speaker 1: ten to fifteen people on that stage. Yeah, doing weird ship,

455
00:26:59,840 --> 00:27:03,160
Speaker 1: just doing random ship. Do you like them, Adam? Uh? Yeah,

456
00:27:03,200 --> 00:27:06,200
Speaker 1: I mean they're great. I don't drive around listening to them,

457
00:27:06,200 --> 00:27:10,960
Speaker 1: but they're great. Who do you drive around listening? I

458
00:27:11,040 --> 00:27:12,760
Speaker 1: like that. That's like the I mean I don't drive

459
00:27:12,800 --> 00:27:15,359
Speaker 1: around listening to them, but like, you know, they're great.

460
00:27:15,359 --> 00:27:18,520
Speaker 1: At a festival. Their sound is so huge that they're

461
00:27:19,000 --> 00:27:22,200
Speaker 1: sweeping that it does feel like if you're listening to

462
00:27:22,240 --> 00:27:24,280
Speaker 1: it with a hundred thousand other people, like we did

463
00:27:24,280 --> 00:27:27,199
Speaker 1: at Bonrou I'm like this is it already special? This

464
00:27:27,280 --> 00:27:30,359
Speaker 1: is cool? But no they're not. They're not my rude

465
00:27:31,760 --> 00:27:33,320
Speaker 1: I did, I did just find a new band. I

466
00:27:33,400 --> 00:27:37,240
Speaker 1: bit Blake knows about them? No Pressure, a new punk band.

467
00:27:37,640 --> 00:27:42,240
Speaker 1: Oh yeah wait what? Oh yeah? Oh yeah, the bitch pressure.

468
00:27:42,280 --> 00:27:44,080
Speaker 1: Who the hell is no Pressure? I don't know. I

469
00:27:44,160 --> 00:27:45,840
Speaker 1: might have that into that. Who the hell is that?

470
00:27:46,560 --> 00:27:50,200
Speaker 1: Check them out? They're good, They're they're pop punky Ron

471
00:27:50,280 --> 00:27:55,719
Speaker 1: Perlman put them together. Hell boy, yourself, put this band together,

472
00:27:55,880 --> 00:27:58,320
Speaker 1: and you guys are going to be a band. Now. No,

473
00:27:58,440 --> 00:28:00,800
Speaker 1: they're they're really good. Check them. I will say that

474
00:28:00,800 --> 00:28:03,640
Speaker 1: that I do have a soft spot in my heart

475
00:28:03,760 --> 00:28:06,920
Speaker 1: for Arcade Fire because if you remember, like Sean Clement's

476
00:28:07,080 --> 00:28:09,800
Speaker 1: always brought in that, we had a very select few

477
00:28:09,800 --> 00:28:13,440
Speaker 1: of records we would play in the Workaholics writer's room,

478
00:28:13,480 --> 00:28:17,080
Speaker 1: and I think the the Arcade Fire album The Suburbs

479
00:28:17,160 --> 00:28:20,199
Speaker 1: came out while we were writing some season It's Korea,

480
00:28:20,320 --> 00:28:22,560
Speaker 1: and we would listen to that ship. So you know,

481
00:28:22,640 --> 00:28:25,359
Speaker 1: if you listen to a record enough, even if you

482
00:28:25,520 --> 00:28:28,560
Speaker 1: don't initially like it, it starts to just click in

483
00:28:28,600 --> 00:28:31,400
Speaker 1: your head, like okay, it takes you back to a

484
00:28:31,480 --> 00:28:34,760
Speaker 1: certain time. You know, what I mean, like you're transported,

485
00:28:34,800 --> 00:28:37,159
Speaker 1: Like I know exactly what you're talking about. And I'm

486
00:28:37,359 --> 00:28:40,160
Speaker 1: I'm sitting on that shitty chair that smelled like farts

487
00:28:40,920 --> 00:28:45,440
Speaker 1: that was together in the room. It transports me back there.

488
00:28:45,640 --> 00:28:48,800
Speaker 1: What song is on the I'm sitting there watching a

489
00:28:48,880 --> 00:28:52,560
Speaker 1: guy get head from a mother of four in a

490
00:28:52,720 --> 00:28:55,480
Speaker 1: parked car in the parking lot while sitting in the

491
00:28:55,480 --> 00:29:00,440
Speaker 1: working Yeah we did, we, Yeah, we did. Was great

492
00:29:00,600 --> 00:29:03,920
Speaker 1: times that would happen. I feel like you're adding some

493
00:29:03,960 --> 00:29:06,280
Speaker 1: facts to it, but we I think that's fun. I

494
00:29:06,280 --> 00:29:09,760
Speaker 1: feel like Sean and Kevin Etton had very different musical

495
00:29:09,800 --> 00:29:13,240
Speaker 1: tastes from what I had. They liked like The National

496
00:29:13,440 --> 00:29:16,479
Speaker 1: and they liked um Arcade Fire, which is kind of

497
00:29:16,480 --> 00:29:20,000
Speaker 1: like white dad rock. But I started to get an

498
00:29:20,000 --> 00:29:21,959
Speaker 1: ear for it because we would just listen to it

499
00:29:22,000 --> 00:29:24,360
Speaker 1: every day and I was like, hey, Blake, you're a

500
00:29:24,360 --> 00:29:26,840
Speaker 1: white dad. Yeah. And by the way, where was I?

501
00:29:27,040 --> 00:29:31,040
Speaker 1: So I wasn't. I was just teetering at that point. Yeah,

502
00:29:31,800 --> 00:29:36,320
Speaker 1: I cannot listen to the National? Okay, go home? Where

503
00:29:36,440 --> 00:29:38,600
Speaker 1: was I when this was happening? Go off? You were

504
00:29:38,640 --> 00:29:41,800
Speaker 1: in the room, brother, Trust me? Is the National? The

505
00:29:41,840 --> 00:29:44,680
Speaker 1: guys like he basically sounds like the crash Test dummies

506
00:29:45,080 --> 00:29:48,080
Speaker 1: a little bit. Okay, yeah, yeah, not for me. I

507
00:29:48,120 --> 00:29:51,240
Speaker 1: don't know. Let's see, Kevin was always like, you like

508
00:29:51,280 --> 00:29:52,600
Speaker 1: the National to me, and I think I was just

509
00:29:52,640 --> 00:29:54,840
Speaker 1: trying to be cool, so I'm like, yeah, I don't

510
00:29:54,880 --> 00:29:58,120
Speaker 1: know if I know a National song. They were a

511
00:29:58,200 --> 00:30:01,840
Speaker 1: hot hot band in two thousand ten. If you went

512
00:30:01,920 --> 00:30:05,280
Speaker 1: to a wood fire pizza a wood fire oven pizza

513
00:30:05,320 --> 00:30:10,560
Speaker 1: place in two thousand ten, the National was playing. If

514
00:30:10,600 --> 00:30:14,040
Speaker 1: you went up to If you've been to a brewery

515
00:30:14,400 --> 00:30:17,920
Speaker 1: in the year two thousand eleven, yeah, exactly, you are

516
00:30:18,040 --> 00:30:20,320
Speaker 1: listening to the National. If you were drinking an I

517
00:30:20,440 --> 00:30:23,440
Speaker 1: p A with a funny name in the twenty tens,

518
00:30:23,480 --> 00:30:26,440
Speaker 1: you might be listening to the National. Here's your sign.

519
00:30:26,640 --> 00:30:29,040
Speaker 1: If you have a haircut that's buzzed on the sides

520
00:30:29,120 --> 00:30:31,280
Speaker 1: but kind of long on the top, like a weird Nazi,

521
00:30:31,360 --> 00:30:34,720
Speaker 1: but you're not, you might listen to the Nationals. Look

522
00:30:34,800 --> 00:30:39,520
Speaker 1: like you are in the Peaky Blinders drinking a maple

523
00:30:39,640 --> 00:30:43,920
Speaker 1: brown stout, you might be at the National. If you

524
00:30:44,960 --> 00:30:48,200
Speaker 1: if you've got multiple selections of beard oil in your

525
00:30:49,160 --> 00:30:51,920
Speaker 1: in your bathroom cupboard, you might listen to the National.

526
00:30:52,120 --> 00:30:55,600
Speaker 1: If you're a kid is named after a country in Africa.

527
00:30:57,440 --> 00:31:02,120
Speaker 1: If your child's name Congo person, you might be listening

528
00:31:02,120 --> 00:31:05,680
Speaker 1: to the National. If you went ex throwing multiple times

529
00:31:05,720 --> 00:31:08,040
Speaker 1: and bought your own and never used it, you might

530
00:31:08,120 --> 00:31:13,680
Speaker 1: listen to the National like hit us with the national

531
00:31:13,800 --> 00:31:16,760
Speaker 1: song I don't I don't know if I know. If

532
00:31:16,800 --> 00:31:19,600
Speaker 1: you've got red wing boots that are crispy clean, and

533
00:31:19,640 --> 00:31:21,960
Speaker 1: you keep from nice and tidy, you might listen to

534
00:31:22,040 --> 00:31:26,840
Speaker 1: the Nationals. If your favorite baseball team is the Montreal Expose,

535
00:31:27,240 --> 00:31:30,720
Speaker 1: you might listen to the National. If you have a

536
00:31:30,760 --> 00:31:34,680
Speaker 1: baseball hat made out of Japanese denim, you might listen

537
00:31:34,720 --> 00:31:39,560
Speaker 1: to the National. Damn Okay, well, oh, this one's from two.

538
00:31:39,840 --> 00:31:45,480
Speaker 1: If you've washed your body with charcoal, if more than

539
00:31:45,600 --> 00:31:50,400
Speaker 1: three items in your house have charcoal, if you use

540
00:31:50,560 --> 00:31:55,360
Speaker 1: charcoal to pay, you might you might listen to the

541
00:31:55,480 --> 00:31:59,479
Speaker 1: National Charcoal lemonade, I have charcoal, toothpaste, I have charcoal.

542
00:31:59,600 --> 00:32:02,880
Speaker 1: So if you buy a T shirt that had the

543
00:32:02,960 --> 00:32:06,440
Speaker 1: name of a pretend gas station on it, you might

544
00:32:06,640 --> 00:32:10,480
Speaker 1: listen to the Nincitional Okay, let's see what this one is.

545
00:32:10,480 --> 00:32:14,560
Speaker 1: Two thousand thirteen. Break us off all these songs I'm

546
00:32:14,560 --> 00:32:17,320
Speaker 1: playing today, have slow start if you wore a Bolo

547
00:32:17,480 --> 00:32:20,960
Speaker 1: Tide to work. Yeah, this is the crash test on

548
00:32:21,040 --> 00:32:24,440
Speaker 1: me grow Shaan Clement's is right. The funniest script you've

549
00:32:24,480 --> 00:32:28,640
Speaker 1: ever read might be true. Yes, writing to work Aholic

550
00:32:28,800 --> 00:32:31,840
Speaker 1: episode where dang I can't even go into his voice?

551
00:32:32,000 --> 00:32:34,680
Speaker 1: Can I skip ahead and just let us have it?

552
00:32:39,360 --> 00:32:46,880
Speaker 1: It's that, it's that driving face drum. They all sound

553
00:32:46,920 --> 00:32:52,040
Speaker 1: like they like they want to be Bruce Springsteen. So bad, Jason.

554
00:32:53,160 --> 00:32:55,240
Speaker 1: This is a song where white dads are holding up

555
00:32:55,280 --> 00:32:57,600
Speaker 1: their kids looking at him like you can be anything

556
00:32:57,640 --> 00:33:00,640
Speaker 1: you want to be, and that song is playing. Bro,

557
00:33:00,880 --> 00:33:04,840
Speaker 1: if you work hard in this country, turn the burners down, bro,

558
00:33:05,280 --> 00:33:07,800
Speaker 1: we fox with the National, Give you my red wing

559
00:33:07,880 --> 00:33:11,600
Speaker 1: boots and old car heart work jacket, and you might

560
00:33:11,720 --> 00:33:14,600
Speaker 1: listen to the next Turn the burners down. Bro. We

561
00:33:14,760 --> 00:33:19,640
Speaker 1: fuss with the National. They helped. So is there music

562
00:33:19,720 --> 00:33:24,800
Speaker 1: like that that doesn't that's not popular anymore? No, it

563
00:33:24,840 --> 00:33:27,400
Speaker 1: was a time. It was It was two thousand and ten,

564
00:33:27,480 --> 00:33:31,000
Speaker 1: eleven thirteen. Well, I went to uh the Black Keys

565
00:33:31,040 --> 00:33:33,720
Speaker 1: concert of a couple of weeks ago, and I saw

566
00:33:33,920 --> 00:33:37,640
Speaker 1: our our boys Patent Dan Well. I don't know if

567
00:33:37,640 --> 00:33:39,960
Speaker 1: Pat's our boy anymore? Man, Come on, man, he's into

568
00:33:40,000 --> 00:33:43,720
Speaker 1: hot water hot hot. No, No, his wife is his wife?

569
00:33:43,920 --> 00:33:49,400
Speaker 1: Hit him? Oh? Okay, all I think that I just

570
00:33:49,440 --> 00:33:53,240
Speaker 1: read the third reconcilation. Good good, I hope. So look

571
00:33:53,240 --> 00:33:57,040
Speaker 1: at this, Look at our little, our little gossip music podcast.

572
00:33:57,120 --> 00:34:03,240
Speaker 1: I like him sipping tea. Welcome to Bitch for three. Hey, bro,

573
00:34:03,800 --> 00:34:11,279
Speaker 1: bitch for I can't it's taken too long, bitch. Were

574
00:34:11,280 --> 00:34:14,360
Speaker 1: we just bitch about music? Yeah, we just bitch about music.

575
00:34:14,600 --> 00:34:17,960
Speaker 1: So I saw our guys there, but immediately the crowd

576
00:34:18,960 --> 00:34:21,839
Speaker 1: was like I was one of the younger people there.

577
00:34:21,920 --> 00:34:25,919
Speaker 1: I think I think that style of music had its

578
00:34:25,920 --> 00:34:30,640
Speaker 1: heyday ten years ago. Uh, you know, and rock and

579
00:34:32,840 --> 00:34:35,319
Speaker 1: about it because I love the Black Keys, I'm a

580
00:34:35,320 --> 00:34:39,120
Speaker 1: big fan. But it like, I feel like that style

581
00:34:39,320 --> 00:34:43,800
Speaker 1: its just it's not caught on with the one republic

582
00:34:43,840 --> 00:34:50,200
Speaker 1: who's been around forever was all teenage girls. That's why

583
00:34:50,239 --> 00:34:58,800
Speaker 1: I was there the bitch for what the hell? I

584
00:34:58,840 --> 00:35:01,319
Speaker 1: don't know if this episode airing. I do listen to

585
00:35:01,360 --> 00:35:04,439
Speaker 1: old music with like bands, and I'm like, is there

586
00:35:04,520 --> 00:35:08,880
Speaker 1: just no appeal to being in a band for youngsters?

587
00:35:09,080 --> 00:35:11,920
Speaker 1: Like Jim saying, like the idea of like getting together

588
00:35:12,000 --> 00:35:15,680
Speaker 1: with your friends and doing something together. Is that over?

589
00:35:16,120 --> 00:35:17,880
Speaker 1: Is that the whole thing where it's like because in

590
00:35:17,920 --> 00:35:20,960
Speaker 1: a band there's conflict right where you're like, hey man,

591
00:35:21,000 --> 00:35:22,640
Speaker 1: I'm gonna do this base and people have to be like,

592
00:35:22,680 --> 00:35:25,120
Speaker 1: actually we don't love that. Let's go with something else.

593
00:35:25,480 --> 00:35:28,960
Speaker 1: There's conflict. Our kids just like not down for conflict

594
00:35:29,080 --> 00:35:32,320
Speaker 1: that I'm gonna be in my lab by myself, playing

595
00:35:32,360 --> 00:35:34,359
Speaker 1: all the instruments on a computer and you can't tell

596
00:35:34,360 --> 00:35:35,799
Speaker 1: me what to do because I'm gonna do it all

597
00:35:35,800 --> 00:35:37,239
Speaker 1: by well, no one can tell me what to do

598
00:35:37,239 --> 00:35:39,440
Speaker 1: because I'm doing it on my own. You know, Is

599
00:35:39,440 --> 00:35:41,360
Speaker 1: that what it is? I mean, we're we're a band

600
00:35:41,440 --> 00:35:46,440
Speaker 1: as well. There's politics to it. It's hard, it's hard.

601
00:35:46,760 --> 00:35:51,200
Speaker 1: It's hard. We come from a different we come from

602
00:35:51,239 --> 00:35:53,439
Speaker 1: a different time where we can stay shut up. Well yeah,

603
00:35:53,680 --> 00:35:55,439
Speaker 1: we could just say hey, I love what you're saying,

604
00:35:55,480 --> 00:35:58,440
Speaker 1: but shut up real quickly. What you have to realize,

605
00:35:58,680 --> 00:36:01,560
Speaker 1: I don't have to do anything, but everybody he shut up, bitch.

606
00:36:02,080 --> 00:36:06,320
Speaker 1: You have to realize is with all that fighting, everybody

607
00:36:06,360 --> 00:36:10,560
Speaker 1: who comes together is bringing something to the band or

608
00:36:10,600 --> 00:36:12,640
Speaker 1: the group. And as soon as you take that person

609
00:36:12,680 --> 00:36:16,120
Speaker 1: away as except for Kyle. As you can see, we're

610
00:36:16,600 --> 00:36:20,000
Speaker 1: running and gunning without doing pretty good, pretty funny. He

611
00:36:20,040 --> 00:36:23,480
Speaker 1: had a hard time getting that seatbelt off, so he's

612
00:36:23,520 --> 00:36:27,279
Speaker 1: still he's still in that van somewhere. Oh man, But

613
00:36:27,440 --> 00:36:29,880
Speaker 1: is that is that part of it? Like what or

614
00:36:30,000 --> 00:36:32,279
Speaker 1: or are people just like, hey man, I'm gonna get

615
00:36:32,280 --> 00:36:34,759
Speaker 1: famous on my own and not split the check, which

616
00:36:34,840 --> 00:36:37,120
Speaker 1: is something we were always told where it's like, man,

617
00:36:37,160 --> 00:36:40,040
Speaker 1: sketch groups are tough to like get people paid because

618
00:36:40,040 --> 00:36:43,319
Speaker 1: if there's six of you in this thing, that's what

619
00:36:43,360 --> 00:36:46,359
Speaker 1: our manager. Yeah, dude, I mean, what's the deal? Yeah?

620
00:36:46,400 --> 00:36:48,880
Speaker 1: May I bet it? I bet that's part of the equation.

621
00:36:49,040 --> 00:36:51,880
Speaker 1: Like it's way smarter to just like blow up on

622
00:36:51,880 --> 00:36:53,960
Speaker 1: your own. All you have to do is face your

623
00:36:53,960 --> 00:36:56,759
Speaker 1: camera forward and do it or whatever. Like if you're

624
00:36:56,760 --> 00:37:00,279
Speaker 1: in a band, you have all. I mean, isn't more

625
00:37:00,360 --> 00:37:04,399
Speaker 1: fun like kicking it? I would say when we were

626
00:37:04,440 --> 00:37:07,799
Speaker 1: first coming up and and people were, you know, we're

627
00:37:08,360 --> 00:37:11,200
Speaker 1: being like, wow, it's so cool that you guys have

628
00:37:11,239 --> 00:37:13,480
Speaker 1: a show like are blowing up, and I'm like, the

629
00:37:13,520 --> 00:37:16,680
Speaker 1: coolest part about it was is it wasn't we weren't

630
00:37:16,680 --> 00:37:20,239
Speaker 1: by ourselves like we got to experience it together. Like

631
00:37:20,280 --> 00:37:23,040
Speaker 1: that's what's so cool about being in a band is

632
00:37:23,200 --> 00:37:26,320
Speaker 1: like hopefully those guys are some of your very best friends,

633
00:37:26,920 --> 00:37:30,800
Speaker 1: and then you get to experience this amazing, like life

634
00:37:30,880 --> 00:37:35,680
Speaker 1: changing event that usually as an adult, you don't get

635
00:37:35,680 --> 00:37:39,200
Speaker 1: to experience that with a group of friends. Yeah, it's

636
00:37:39,239 --> 00:37:42,520
Speaker 1: fucking way. So it was the best. It was so

637
00:37:42,560 --> 00:37:44,239
Speaker 1: how much fun was it when we all went and

638
00:37:44,280 --> 00:37:47,080
Speaker 1: bought cars and then we showed up to the Workalx

639
00:37:47,160 --> 00:37:50,160
Speaker 1: office and in our new cars. It was the most fun.

640
00:37:50,200 --> 00:37:52,280
Speaker 1: The fact that we could go to nice dinners together

641
00:37:53,000 --> 00:37:55,279
Speaker 1: and like actually have a good time and not be

642
00:37:55,360 --> 00:37:59,520
Speaker 1: like freaking out about if someone ordered an extra and

643
00:37:59,640 --> 00:38:02,960
Speaker 1: extra cobs salad or whatever. The fun because before all this,

644
00:38:03,280 --> 00:38:08,840
Speaker 1: if somebody ordered cob salad, it's like walk it. He

645
00:38:08,880 --> 00:38:12,040
Speaker 1: would make a scene. No, I was always poor with money.

646
00:38:12,640 --> 00:38:15,359
Speaker 1: I was always throwing that ship away, right, who got

647
00:38:15,480 --> 00:38:19,319
Speaker 1: six cobs salad? Even going to the south By Southwest

648
00:38:19,400 --> 00:38:22,040
Speaker 1: with each other before like a premier, Like at least

649
00:38:22,080 --> 00:38:25,359
Speaker 1: we're rolling as a friend group. It's so sick that

650
00:38:25,440 --> 00:38:30,160
Speaker 1: we have all these like collective memories, collective soul because

651
00:38:30,239 --> 00:38:32,520
Speaker 1: because I forgot about all of it, I need you

652
00:38:32,520 --> 00:38:35,879
Speaker 1: guys to remind me about you guys, remind me. We

653
00:38:36,040 --> 00:38:39,120
Speaker 1: really have to keep churning it up. Emma's always like,

654
00:38:39,200 --> 00:38:40,960
Speaker 1: when did you go to so and so. I'm like,

655
00:38:41,480 --> 00:38:44,000
Speaker 1: I don't remember. I don't know. We started drinking in

656
00:38:44,040 --> 00:38:47,600
Speaker 1: the airport on the way to the place, and then

657
00:38:47,640 --> 00:38:49,880
Speaker 1: I just woke up back in my own bed somehow.

658
00:38:50,320 --> 00:38:54,160
Speaker 1: That I mean, that happened quite a bit. Damn man,

659
00:38:54,520 --> 00:38:57,520
Speaker 1: I blame Isaac. I blame Isaac. It was two thousand

660
00:38:57,480 --> 00:38:59,759
Speaker 1: and ten that we started to do stuff, and then

661
00:38:59,760 --> 00:39:02,560
Speaker 1: too iusand eleven was when the show came out, and

662
00:39:02,600 --> 00:39:04,680
Speaker 1: then it was just off to the racists from there

663
00:39:04,719 --> 00:39:07,080
Speaker 1: on to the rais. Did you say it's off to

664
00:39:07,120 --> 00:39:12,080
Speaker 1: the racist Yeah, that's what I said. Okay, we're gonna

665
00:39:12,080 --> 00:39:21,879
Speaker 1: talk to you. Okay, we're back. We just talked to Adam, Yes,

666
00:39:21,960 --> 00:39:26,520
Speaker 1: Congo Anderson. Uh. It was it. That's when we you know,

667
00:39:26,760 --> 00:39:31,879
Speaker 1: we got it. We were off to the races and

668
00:39:31,920 --> 00:39:35,480
Speaker 1: we really got to do all this fucking cool shit

669
00:39:36,239 --> 00:39:39,480
Speaker 1: and you, uh, I forgot about so much of it.

670
00:39:39,480 --> 00:39:42,080
Speaker 1: It's so nice to see like the ten year like

671
00:39:42,200 --> 00:39:44,680
Speaker 1: this happened to you ten years ago today, like a

672
00:39:44,719 --> 00:39:47,200
Speaker 1: decade ago. And you were like, holy shit, that was

673
00:39:47,280 --> 00:39:49,520
Speaker 1: south by Southwest. What do you mean this happened to

674
00:39:49,560 --> 00:39:51,920
Speaker 1: you ten years ago? Today, like all the old Facebook

675
00:39:51,920 --> 00:39:58,520
Speaker 1: photos and things, you're getting the reminders. Have you lost

676
00:39:58,520 --> 00:40:01,200
Speaker 1: your mind? Now? Have you ever lost a phone own? Adam? No?

677
00:40:01,800 --> 00:40:05,240
Speaker 1: See that's fucking cool, but not, I mean not forever.

678
00:40:05,880 --> 00:40:08,319
Speaker 1: Like I've lost a couple phones in my life, and

679
00:40:08,400 --> 00:40:11,640
Speaker 1: like a lot of my memories are in those photos.

680
00:40:12,200 --> 00:40:15,080
Speaker 1: So like I have connected to the cloud. Cloud, you don't.

681
00:40:15,120 --> 00:40:17,640
Speaker 1: You don't shoot your ship up? No, I was really

682
00:40:17,719 --> 00:40:20,000
Speaker 1: like not trying to hit the cloud. I was a

683
00:40:20,040 --> 00:40:22,880
Speaker 1: little uh like I thought they were like stealing my

684
00:40:22,960 --> 00:40:26,440
Speaker 1: ship or something. But like so there's like two years

685
00:40:28,600 --> 00:40:31,560
Speaker 1: I thought theapening was coming for me. Bro, did you

686
00:40:31,600 --> 00:40:35,000
Speaker 1: see Blake Anderson's fappening? Dude, I would love to see Blake.

687
00:40:35,120 --> 00:40:37,759
Speaker 1: Oh my god, it's just him jerking off in a

688
00:40:37,760 --> 00:40:41,239
Speaker 1: mirror or something like what it's just him checking out

689
00:40:41,280 --> 00:40:43,640
Speaker 1: his own bud hole into being like what does it

690
00:40:43,680 --> 00:40:47,040
Speaker 1: look like I'm gonna come? What does it look I

691
00:40:47,160 --> 00:40:50,880
Speaker 1: still do? That doesn't still the same? It looks like, yeah, kin,

692
00:40:53,239 --> 00:40:55,400
Speaker 1: I get older, but holes, here's a question. When you

693
00:40:55,440 --> 00:40:58,960
Speaker 1: get older, does your butt hole get more. Frankly, that's

694
00:40:58,960 --> 00:41:00,960
Speaker 1: a great question. I think the butth hole is the

695
00:41:01,040 --> 00:41:05,000
Speaker 1: one thing. Maybe we need to start extracting butthole serum

696
00:41:05,000 --> 00:41:06,960
Speaker 1: and putting it on the corner of our eyes to

697
00:41:07,040 --> 00:41:10,240
Speaker 1: make the wrinkles and what to you as butthole serious?

698
00:41:10,280 --> 00:41:13,480
Speaker 1: You know, gland serriums, but whole serium just jamming. It

699
00:41:13,600 --> 00:41:15,840
Speaker 1: took about forty minutes, but we got we got to

700
00:41:15,960 --> 00:41:19,520
Speaker 1: wrinkly buttholes, which which I'm a hype to jump super

701
00:41:19,680 --> 00:41:21,680
Speaker 1: And so do we think if as you age, your

702
00:41:21,719 --> 00:41:26,000
Speaker 1: butthole gets more wrinkly? No, No, it does, it does

703
00:41:26,080 --> 00:41:30,840
Speaker 1: for sure because the more absolutely not no, Blake, of

704
00:41:30,920 --> 00:41:35,520
Speaker 1: course it does. The more ship, the more rink form.

705
00:41:35,880 --> 00:41:38,200
Speaker 1: It's like it's like the more you raise your eyebrows

706
00:41:38,560 --> 00:41:41,200
Speaker 1: through your you're going to get more forehead wrinkles and ship.

707
00:41:41,400 --> 00:41:46,759
Speaker 1: It's science. So you're Blake is notorious shipping once a

708
00:41:46,800 --> 00:41:50,200
Speaker 1: week though, No, like you haven't. I could see, like, hell,

709
00:41:50,239 --> 00:41:52,279
Speaker 1: are you full it? Where you were like scared of

710
00:41:52,320 --> 00:41:54,320
Speaker 1: shifting as a kid. I could see that for you. No,

711
00:41:54,440 --> 00:41:56,600
Speaker 1: I was not. First was not. No, I was not.

712
00:41:57,160 --> 00:41:59,160
Speaker 1: He just he wasn't scared of it. He just couldn't

713
00:41:59,200 --> 00:42:03,160
Speaker 1: do it because playing fuck off, Bro, don't treat me

714
00:42:03,280 --> 00:42:11,920
Speaker 1: like Kyle. That's nowhere brother, Fuck you Bro. I ship. No, Actually,

715
00:42:11,960 --> 00:42:14,800
Speaker 1: I was kind of scared. I thought I thought I

716
00:42:15,000 --> 00:42:17,920
Speaker 1: knew God. I thought that was the way now that

717
00:42:18,080 --> 00:42:21,160
Speaker 1: I started to think about it. No, my thing wasn't

718
00:42:21,200 --> 00:42:24,480
Speaker 1: that I was scared, Okay. My thing was that I

719
00:42:24,680 --> 00:42:28,880
Speaker 1: didn't want to like leave whatever separation I was know.

720
00:42:29,280 --> 00:42:32,279
Speaker 1: Whatever we were playing, I like didn't. I was like, oh, shoot,

721
00:42:32,320 --> 00:42:33,960
Speaker 1: I have to ship, but we're playing Kick the Can

722
00:42:34,120 --> 00:42:37,440
Speaker 1: or we're playing Nintendo. Like, I'm not going every kid

723
00:42:37,840 --> 00:42:39,640
Speaker 1: every kids Like I'm in the middle of something and

724
00:42:39,719 --> 00:42:42,200
Speaker 1: then sudden like pause it and they fucking high tail

725
00:42:42,239 --> 00:42:46,080
Speaker 1: it to the toilet my parents. Yeah, but no, dude,

726
00:42:46,080 --> 00:42:48,759
Speaker 1: I did it a lot so blake. If we are

727
00:42:49,320 --> 00:42:52,719
Speaker 1: at a will you shipped? Or will you ship in

728
00:42:52,800 --> 00:42:56,200
Speaker 1: a gross bar bathroom if you have to go? Okay, Well,

729
00:42:56,239 --> 00:42:58,680
Speaker 1: now you're talking to like an older me. I was

730
00:42:58,760 --> 00:43:01,479
Speaker 1: talking to me as a as a kid. I feel

731
00:43:01,520 --> 00:43:06,720
Speaker 1: like I knew you to be a tentative shitter. I woke, Adam.

732
00:43:06,800 --> 00:43:09,040
Speaker 1: That's why I love being in a group with you.

733
00:43:09,160 --> 00:43:12,200
Speaker 1: I love being a part of your band because when

734
00:43:12,239 --> 00:43:16,680
Speaker 1: I met you. Because when you meet people who have

735
00:43:17,120 --> 00:43:31,799
Speaker 1: completely different like uh buttles, completely different philosophies online, I'm

736
00:43:31,840 --> 00:43:35,239
Speaker 1: gonna come completely different philosophies like Adam, you know, like

737
00:43:35,440 --> 00:43:39,719
Speaker 1: it was like what, I don't have a photo. He's like, dude,

738
00:43:39,800 --> 00:43:43,040
Speaker 1: like Adam doesn't give a ship. He'll ship anywhere, anywhere,

739
00:43:43,719 --> 00:43:46,640
Speaker 1: does not matter. It's well documented true. Like he I

740
00:43:46,719 --> 00:43:49,160
Speaker 1: don't even think. He lays down toilet paper on the seat,

741
00:43:49,280 --> 00:43:52,800
Speaker 1: does not matter. He just downs. That's what your houses for.

742
00:43:53,520 --> 00:43:55,759
Speaker 1: I wipe it down. If there's piss on it, I'll

743
00:43:55,800 --> 00:43:59,640
Speaker 1: take some paper and wipe the piss off. Spend all

744
00:43:59,680 --> 00:44:02,440
Speaker 1: that time. I'm I'm gonna sit, I'm gonna ship, I'm

745
00:44:02,440 --> 00:44:04,520
Speaker 1: gonna stand up. I don't wipe my mask. I'm sorry.

746
00:44:05,280 --> 00:44:08,440
Speaker 1: And when I shower, for sure, you like to shower

747
00:44:08,600 --> 00:44:12,520
Speaker 1: late and get the grossness off my ass. Adam, Adam, Adam.

748
00:44:12,840 --> 00:44:16,239
Speaker 1: Out of one hundred times where you've sat down with

749
00:44:16,400 --> 00:44:19,200
Speaker 1: no toilet paper and taking a ship, how many of

750
00:44:19,280 --> 00:44:22,719
Speaker 1: those times did you take a shower within the hour? No,

751
00:44:22,920 --> 00:44:24,960
Speaker 1: not within the hour. When I go, when I'm taking

752
00:44:24,960 --> 00:44:28,799
Speaker 1: a shower later, dude, the human skin, the skin can

753
00:44:28,920 --> 00:44:33,640
Speaker 1: take you. So then you would just like be with toilet.

754
00:44:34,040 --> 00:44:37,760
Speaker 1: But for guess and guess what. My ass is fine

755
00:44:37,960 --> 00:44:43,480
Speaker 1: and it's been fine for thirty eight years. A great

756
00:44:43,600 --> 00:44:51,719
Speaker 1: as um dude, gnarly not gnarly, not gnarly. I guarantee you.

757
00:44:52,320 --> 00:44:55,359
Speaker 1: I bet it's a slit. This is like stand up white.

758
00:44:56,040 --> 00:44:59,160
Speaker 1: I truly feel most people don't do that. No, your

759
00:44:59,239 --> 00:45:02,600
Speaker 1: whole bathroom routine is fucked, bro, But go ahead. I

760
00:45:02,680 --> 00:45:05,480
Speaker 1: mean hey, I'll say it if I mean you stand

761
00:45:06,040 --> 00:45:10,120
Speaker 1: or porta potty and it's our dropping brand names. If

762
00:45:10,200 --> 00:45:15,160
Speaker 1: I'm in up handy Gump, Handy Gumpdi Gump, if I'm

763
00:45:15,200 --> 00:45:18,520
Speaker 1: in like it's absolutely filthy, then I'll do something. But

764
00:45:19,120 --> 00:45:21,960
Speaker 1: nine times out of ten or even nine point eight

765
00:45:22,080 --> 00:45:24,200
Speaker 1: times out of ten, I'm not doing that. I will

766
00:45:24,640 --> 00:45:27,440
Speaker 1: So how about this? Have you ever sat down directly

767
00:45:27,520 --> 00:45:31,080
Speaker 1: on a seat right after someone else got up and

768
00:45:31,160 --> 00:45:34,160
Speaker 1: it's still warm? I love it? Do you feel like

769
00:45:34,200 --> 00:45:38,839
Speaker 1: a connection that person right? Do you look that person

770
00:45:38,960 --> 00:45:42,000
Speaker 1: in the face as the exit and enter kind of nod?

771
00:45:42,280 --> 00:45:44,520
Speaker 1: Or do you just go that's our hot tub time machine,

772
00:45:45,040 --> 00:45:48,000
Speaker 1: that's our hot tub times who's out? Who's us? Who's

773
00:45:48,040 --> 00:45:50,799
Speaker 1: our on this situation? No, this is we're writing this movie.

774
00:45:51,280 --> 00:45:54,160
Speaker 1: That's how you get Yeah, you're you're able to get

775
00:45:54,280 --> 00:45:56,959
Speaker 1: all of their memories if you sit down and they're

776
00:45:57,040 --> 00:46:01,200
Speaker 1: hot hot, but contact. Although if you start breaking, dude,

777
00:46:01,239 --> 00:46:03,880
Speaker 1: and then like they're like the bad guys start to

778
00:46:03,960 --> 00:46:06,480
Speaker 1: realize that's what you're doing. So you're like trying to

779
00:46:06,560 --> 00:46:08,800
Speaker 1: get there before it cools down and they're like holding

780
00:46:08,880 --> 00:46:12,800
Speaker 1: you back, and Adam puts his big ass on itself.

781
00:46:14,239 --> 00:46:16,879
Speaker 1: It's like Jumper. I've never is Jumper a movie. It's

782
00:46:17,000 --> 00:46:20,360
Speaker 1: like Jumper is a jumper a movie. Jumper is a movie.

783
00:46:20,719 --> 00:46:23,840
Speaker 1: It's also a song. I wish you would now that's

784
00:46:23,920 --> 00:46:27,040
Speaker 1: an anthem. Wall to wall by the way, Hey, dude,

785
00:46:27,360 --> 00:46:30,640
Speaker 1: saw them in Bonaroo. They did have more hits than

786
00:46:30,680 --> 00:46:33,600
Speaker 1: I thought they did. The guys, is that semi sonic?

787
00:46:33,760 --> 00:46:38,640
Speaker 1: That's right? Right? So the bands you know you asked.

788
00:46:38,840 --> 00:46:42,239
Speaker 1: I'm so sorry to offend you guys. He was wearing

789
00:46:42,280 --> 00:46:47,920
Speaker 1: a leather kill bitchfork. He wore a leather kill What

790
00:46:48,040 --> 00:46:51,600
Speaker 1: a savage, bro. I love that. That's nice. He was

791
00:46:51,680 --> 00:46:53,719
Speaker 1: ready to clean the funk up. Hey, is this a?

792
00:46:53,960 --> 00:46:56,279
Speaker 1: Is this a? Is this a strong? What do they

793
00:46:56,320 --> 00:47:01,080
Speaker 1: call something? Take? Then I do? Yeah, what is he

794
00:47:01,120 --> 00:47:03,920
Speaker 1: about to unleash on us. I like Third Eye Blind

795
00:47:04,000 --> 00:47:06,960
Speaker 1: more than I like Arcade Fire. No, that's that's no.

796
00:47:07,080 --> 00:47:09,719
Speaker 1: That is a hot take for you know, I don't

797
00:47:09,760 --> 00:47:13,799
Speaker 1: think so, oh Blake, you don't think in today's day

798
00:47:13,840 --> 00:47:16,040
Speaker 1: and age, that it's not a hot take to like

799
00:47:16,360 --> 00:47:20,239
Speaker 1: Third Eye Blind more than Arcade Fire. In this day

800
00:47:20,280 --> 00:47:24,160
Speaker 1: and age, that is for sure a hot, hot toilet

801
00:47:24,239 --> 00:47:27,759
Speaker 1: seat take. I like Jumper more than any Arcade Fire song,

802
00:47:28,000 --> 00:47:33,319
Speaker 1: more than the one that goes, oh yeah, I don't

803
00:47:33,320 --> 00:47:35,439
Speaker 1: really love that song. I'm telling you right now, Third

804
00:47:35,480 --> 00:47:39,960
Speaker 1: Eye Blind pops off harder now than it did when

805
00:47:40,040 --> 00:47:42,760
Speaker 1: it came out and they were a super hit band

806
00:47:43,040 --> 00:47:45,120
Speaker 1: back in the day. Hey, you don't gotta tell me.

807
00:47:45,320 --> 00:47:47,480
Speaker 1: I like Third Eye Blind too, But I'm saying, as

808
00:47:47,520 --> 00:47:51,720
Speaker 1: far as societal norms, Third Eye Blind is a straight

809
00:47:51,800 --> 00:47:55,800
Speaker 1: up pit. Now. It's a pit now like those songs

810
00:47:55,880 --> 00:47:59,879
Speaker 1: go so hard, people go crazy for that. I wish

811
00:48:00,040 --> 00:48:03,520
Speaker 1: you let's step back from on the mattress. That's when

812
00:48:03,520 --> 00:48:09,000
Speaker 1: you're gonna go in and start throwing some congo congo. Yeah.

813
00:48:09,360 --> 00:48:14,520
Speaker 1: When I graduated from can't hardly that should goes so

814
00:48:15,320 --> 00:48:18,919
Speaker 1: freaking hard that that's just window breaking. That's Kyle kicked

815
00:48:18,960 --> 00:48:22,839
Speaker 1: the fucking windows out music as a DJ and someone

816
00:48:22,880 --> 00:48:25,759
Speaker 1: who actually goes out, like have you heard anybody throw

817
00:48:25,920 --> 00:48:29,680
Speaker 1: that down? Like mid Model? Like people are playing like

818
00:48:30,080 --> 00:48:31,800
Speaker 1: hits from Now, hits him Now, hits from Now, and

819
00:48:31,840 --> 00:48:33,680
Speaker 1: then they throw on when I because I know it

820
00:48:33,719 --> 00:48:36,640
Speaker 1: smells like teen Spirit is like the new go to. Like, No,

821
00:48:36,840 --> 00:48:38,560
Speaker 1: that one's weak. If you reach for that, you could

822
00:48:38,600 --> 00:48:41,880
Speaker 1: get four other songs from that album that go way harder. No. No,

823
00:48:42,000 --> 00:48:43,320
Speaker 1: But I'm saying, if you want to like have a

824
00:48:43,440 --> 00:48:45,520
Speaker 1: throw down, are there ones that throw down harder than

825
00:48:45,520 --> 00:48:48,360
Speaker 1: when I graduate? Uh? Well, you know it's like the

826
00:48:48,440 --> 00:48:51,120
Speaker 1: emo renaissance. So we've talked about it, but it's like

827
00:48:51,280 --> 00:48:55,640
Speaker 1: basically like we started, let's keep it real. My Chemical Romance,

828
00:48:55,680 --> 00:48:58,359
Speaker 1: all that ship goes like way hard if you start

829
00:48:58,440 --> 00:49:00,879
Speaker 1: to drop that ship because I feel like third eye

830
00:49:00,920 --> 00:49:03,640
Speaker 1: blind what we were little when that ship came out,

831
00:49:04,000 --> 00:49:09,719
Speaker 1: like my stepdad, but like my Chemical Romance came out

832
00:49:10,160 --> 00:49:12,719
Speaker 1: a little later. You don't know who that is is

833
00:49:12,800 --> 00:49:16,080
Speaker 1: that hold the damn door, but my Chemical Romance came out. No,

834
00:49:16,200 --> 00:49:19,919
Speaker 1: Black Parade. Black Parade is a true banger. That song

835
00:49:20,520 --> 00:49:22,560
Speaker 1: is a great song. Yeah, I don't know any other.

836
00:49:22,719 --> 00:49:26,279
Speaker 1: What's the one that's like closing the goddamn door? Like

837
00:49:26,480 --> 00:49:29,719
Speaker 1: that one? Was that? Fucking people go absolutely mania? Who

838
00:49:29,840 --> 00:49:35,600
Speaker 1: is that? So? Yeah up, like that's all yeah, that's

839
00:49:35,640 --> 00:49:40,080
Speaker 1: like a that's like closing the goddamn door. Is not

840
00:49:40,320 --> 00:49:44,720
Speaker 1: Fallout Boy? It is. No, it's not. It is closing

841
00:49:44,760 --> 00:49:49,000
Speaker 1: the goddamn door. No, what is it? Who is it?

842
00:49:49,200 --> 00:49:52,680
Speaker 1: It's not Todd? Who is it? Panic at the Disco?

843
00:49:52,840 --> 00:49:59,760
Speaker 1: Thank you? By the way. Why because you're a liar

844
00:50:00,280 --> 00:50:02,759
Speaker 1: and you like all this music? They're from Chicago. Those

845
00:50:02,760 --> 00:50:04,759
Speaker 1: guys are from Chicago. No, you try to play it

846
00:50:04,800 --> 00:50:07,719
Speaker 1: off like you're some cool guy. I like some Panic

847
00:50:07,800 --> 00:50:10,719
Speaker 1: at the Disco songs? All out Boy? Does anyone have

848
00:50:10,760 --> 00:50:14,440
Speaker 1: any Fallout Boys they want? I would like to give

849
00:50:14,480 --> 00:50:18,520
Speaker 1: flowers to Panic at the Disco? My bad. I thought

850
00:50:18,600 --> 00:50:20,880
Speaker 1: you were full of boy for a second, and I

851
00:50:21,120 --> 00:50:25,200
Speaker 1: was wrong. Okay, my pop punk knowledge is not where

852
00:50:25,239 --> 00:50:28,840
Speaker 1: it should be. An apologies to Fallout Boy. Do you

853
00:50:28,920 --> 00:50:31,360
Speaker 1: guys have so many hits? We just lumped this one in.

854
00:50:31,480 --> 00:50:35,200
Speaker 1: When you factory it won't happen again, it will happen again,

855
00:50:35,480 --> 00:50:37,200
Speaker 1: and I would like it to give an apology to

856
00:50:37,280 --> 00:50:39,799
Speaker 1: the National. I know my boys came at you really hard,

857
00:50:39,920 --> 00:50:43,200
Speaker 1: but Sean Clements, thank you so much for introducing them

858
00:50:43,239 --> 00:50:46,160
Speaker 1: to me. I had you were shipping on them too.

859
00:50:46,239 --> 00:50:49,279
Speaker 1: I I know, I dude. I liked it when it

860
00:50:49,400 --> 00:50:51,759
Speaker 1: played in the room at Workaholics, and I think it

861
00:50:52,160 --> 00:50:55,320
Speaker 1: it fed some of our greatest episodes. Take that to

862
00:50:55,440 --> 00:50:57,920
Speaker 1: the bank and shout out to Sean Clements. I just

863
00:50:58,040 --> 00:51:01,360
Speaker 1: did his podcast, Holly Would Handbook. If you want to

864
00:51:01,440 --> 00:51:05,399
Speaker 1: get into this business out here in Hollywood, be sure

865
00:51:05,440 --> 00:51:08,000
Speaker 1: and listen to Hollywood Handbook. Listen to the Handbook. It

866
00:51:08,080 --> 00:51:11,120
Speaker 1: gives you the ins and outs of the industry, the

867
00:51:11,280 --> 00:51:14,920
Speaker 1: what's two dues and what not to do? Pretty hardcore.

868
00:51:15,080 --> 00:51:18,160
Speaker 1: And I would like to give some condolences to our

869
00:51:18,239 --> 00:51:23,400
Speaker 1: listeners for um, not for this podcast. No, for not

870
00:51:24,000 --> 00:51:26,560
Speaker 1: getting to hear start over. Just take that again. Just

871
00:51:26,640 --> 00:51:29,880
Speaker 1: take that again. I would like to give condolences to

872
00:51:29,960 --> 00:51:32,960
Speaker 1: our listeners, uh huh for having to listen to this

873
00:51:33,040 --> 00:51:35,520
Speaker 1: podcast without Kyle, because I know the Rugal Lloyds are

874
00:51:35,560 --> 00:51:37,120
Speaker 1: pissed that he's not here, that he couldn't get that

875
00:51:37,160 --> 00:51:40,480
Speaker 1: seatbelt off. But yeah, and you guys, the fans, you

876
00:51:40,560 --> 00:51:42,879
Speaker 1: guys all went in on us about yelling at Kyle.

877
00:51:43,040 --> 00:51:47,880
Speaker 1: Guess what this is? What it is? Sorry, this is

878
00:51:47,920 --> 00:51:52,200
Speaker 1: bitch Fork. Okay, sometimes you get poked, dude. Ever since

879
00:51:52,280 --> 00:51:55,920
Speaker 1: that episode, Kyle has been gone. It's three episodes now

880
00:51:56,760 --> 00:52:09,279
Speaker 1: bye bitch And that's another episode of bart. See you