WEBVTT - Golf Architecture 101: Template Holes

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<v Speaker 1>What are CB McDonald's template holes, often called ideal holes?

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<v Speaker 1>Where did they come from? And why do they seem

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<v Speaker 1>so important to understanding golf architecture. That's what I'm talking

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<v Speaker 1>about today with PJ Clark in this installment of our

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<v Speaker 1>Golf Architecture one oh one series. I'm Garrett Morrison and

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<v Speaker 1>this is designing golf. All right, PJ, how's it going.

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<v Speaker 2>I'm doing good. I'm excited for this one.

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<v Speaker 3>This was this was by my own requests, so I'm

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<v Speaker 3>really fired up here.

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<v Speaker 1>Yes, we'll talk about why you requested it because I'm curious.

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<v Speaker 1>But it's good to have It's good to have class

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<v Speaker 1>back in session. It's been a while since we've done

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<v Speaker 1>one of these.

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<v Speaker 3>Yeah, I know, I'm excited and this is this is

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<v Speaker 3>uh probably the number one topic I would assume I

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<v Speaker 3>needed to learn based on what we do here and

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<v Speaker 3>when we started this.

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<v Speaker 2>So I'm happy to be I'm happy to be here.

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<v Speaker 1>That's that's interesting. So hopefully I'll inform you in the

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<v Speaker 1>way that you want to be informed. But I guess

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<v Speaker 1>you've heard plenty of references to C. B. MacDonald and

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<v Speaker 1>SETH Rayner and their and their template holes and our

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<v Speaker 1>goal here is to kind of demystify that. First, though,

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<v Speaker 1>I want to quickly clarify something that we covered in

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<v Speaker 1>our last Golf Architecture one oh one episode, and that

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<v Speaker 1>was the topic of the episode. Was Alistair Mackenzie's thirteen

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<v Speaker 1>essential Features of an Ideal golf Course or his thirteen principles.

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<v Speaker 1>The confusion in that podcast, I think came with principal

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<v Speaker 1>number six, the principle that said there should be a

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<v Speaker 1>minimum of blindness for approach shots. Now, what mackenzie means

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<v Speaker 1>here is that there should not be many blind approach shots.

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<v Speaker 1>I believe you thought he was saying that approach shots

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<v Speaker 1>should be at the minimum blind.

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<v Speaker 2>Yes, that is exactly how I read that.

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<v Speaker 1>I did not pick up on this during the podcast.

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<v Speaker 1>I wasn't I was I was failing in my job

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<v Speaker 1>as a teacher. I wasn't listening properly, and so I

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<v Speaker 1>was just kind of proceeding with my understanding of it

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<v Speaker 1>without really noticing that you have interpreted it different.

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<v Speaker 3>Now I'm I'm pro number six instead of very anti

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<v Speaker 3>number six. I want to make that clear for now

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<v Speaker 3>that I've learned the flip side.

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<v Speaker 1>That was a whoops. These things happened these things. I mean, jeez,

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<v Speaker 1>looking back on my teaching career, the things that I

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<v Speaker 1>would just like give lectures on and then discover afterwards

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<v Speaker 1>that my students had some basic misunderstanding that rendered my

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<v Speaker 1>entire lecture irrelevant. That happened over and over again. And

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<v Speaker 1>this is an example of that very understandable that you

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<v Speaker 1>would interpret the text in that way. Really Like, when

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<v Speaker 1>I looked at it, I was like, oh, yeah, I

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<v Speaker 1>can totally see how he got there. And I should

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<v Speaker 1>have clarified that Mackenzie meant not many blind approach shots.

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<v Speaker 1>Pleased he did.

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<v Speaker 3>Not like the doctor was something about something. I should

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<v Speaker 3>have realized that if I was so confused that it

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<v Speaker 3>was me who was wrong and not the doctor.

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<v Speaker 1>Now that makes that's right. Trust the doctor.

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<v Speaker 2>Yeah, blindly, that makes sense.

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<v Speaker 1>It would have if we had read more of Mackenzie's

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<v Speaker 1>writing than just the thirteen Principles, I think it would

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<v Speaker 1>have been clear because elsewhere he kind of elaborates on

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<v Speaker 1>this principle and talks about why he doesn't want many

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<v Speaker 1>blind approach shots and all that kind of stuff. It

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<v Speaker 1>was just more common in Mackenzie's day that approach shots

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<v Speaker 1>would be blind because of course earth moving equipment wasn't

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<v Speaker 1>what it is today, and so they kind of dealt

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<v Speaker 1>with the lay of the land.

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<v Speaker 3>That makes sense that I could I could see how

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<v Speaker 3>you know, if you just dealt the hand on the

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<v Speaker 3>side of a hill, then it's kind of kind of

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<v Speaker 3>what you have to work with there.

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<v Speaker 1>Now, the funny thing is, blind approach shots have come

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<v Speaker 1>back into fashion. I mean, it's it's some it's a

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<v Speaker 1>feature of ancient architecture that people now find charming because

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<v Speaker 1>it's somewhat rare. Blind approachots really fell out of fashion

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<v Speaker 1>in the middle of the twentieth century, and and so

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<v Speaker 1>because they became rare, I think people have started to

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<v Speaker 1>gain a kind of affection for them. But in any case,

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<v Speaker 1>I just wanted to wrap that up, and there we

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<v Speaker 1>got a couple of comments and I was like, yeah, yeah,

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<v Speaker 1>I missed this one. Sorry, So let's get to our

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<v Speaker 1>topic for the day. Charles Blair McDonald's. Charles Blair McDonald's McDonald's.

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<v Speaker 1>That would be another that'd be maybe a more Scottish version. Okay, yeah,

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<v Speaker 1>who knows. Maybe there is a Charles Blair McDonald out there,

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<v Speaker 1>his ideal holes or template holes. And this is I

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<v Speaker 1>think actually very related to our discussion of Mackenzie's thirteen Principles,

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<v Speaker 1>and that's because McKenzie and McDonald were essentially asking the

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<v Speaker 1>same question, how do you design the ideal golf course.

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<v Speaker 1>McKenzie's answer to that question was this list of principles.

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<v Speaker 1>McDonald's answer was his notion of ideal holes. So the

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<v Speaker 1>ideal holes are whole designs or concepts that you see

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<v Speaker 1>used over and over on the courses of C. B.

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<v Speaker 1>McDonald and his collaborator slash protege Seth Rayner McDonald and

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<v Speaker 1>or Rayner sometimes together, right, they collaborated a lot, but

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<v Speaker 1>sometimes just Rayner As a solo architect. They were responsible

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<v Speaker 1>for many of the best regarded golf courses built during

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<v Speaker 1>the Golden Age of golf architecture in America, which stretched

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<v Speaker 1>from approximately nineteen ten to the late nineteen thirties. McDonald's

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<v Speaker 1>best known designs include National Golf Links of America, The Ledo,

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<v Speaker 1>Piping Rock, Sleepy Hollow, the Creek mid Ocean in Bermuda,

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<v Speaker 1>and Saint Louis Country Club. Seth Rayner had a much

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<v Speaker 1>bigger portfolio, right, McDonald's body of work is fairly small,

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<v Speaker 1>so some of Rayner's highlights would include Fisher's Island, Chicago

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<v Speaker 1>Golf Club, Shore Acres, Camargo, Yamen's Hall, et cetera, et cetera.

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<v Speaker 1>And Rayner also served as the associate what we would

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<v Speaker 1>now call the lead associate or construction manager or whatever

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<v Speaker 1>on all of McDonald's major projects. A distinctive feature of

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<v Speaker 1>McDonald and Rayner's courses is the presence of the so

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<v Speaker 1>called template holes. These particular design concepts usually based on

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<v Speaker 1>models from famous British links courses and adapted to whatever

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<v Speaker 1>piece of ground McDonald and Rayner we're working with. Some

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<v Speaker 1>of the better known template holes include the Radan, the

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<v Speaker 1>road hole, the Eden, the Cape, the Beertz, the short,

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<v Speaker 1>the Alps, so on and so forth. I'm sure you've

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<v Speaker 1>heard these referred to casually in podcasts and been like, Okay,

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<v Speaker 1>what are we talking about here?

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<v Speaker 2>That's exactly how we got here.

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<v Speaker 1>Yeah, okay, so that's our subject for this episode. Now

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<v Speaker 1>we won't cover a lot of particular template holes. That

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<v Speaker 1>may come as a disappointment, but that I mean, we're

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<v Speaker 1>mostly in an audio medium here. We'll also publish this

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<v Speaker 1>on YouTube with some visual and for an audio medium,

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<v Speaker 1>I figured that just talking about specific template holes might

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<v Speaker 1>be a little tough because we just have to talk

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<v Speaker 1>their features out. But what I hope we can do

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<v Speaker 1>here is kind of establish a basis for understanding all

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<v Speaker 1>template holes, and then we can dig into whatever particular

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<v Speaker 1>ones you're curious about. Now, as you mentioned, PJ, you

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<v Speaker 1>actually requested that we talk about this subject. Why were

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<v Speaker 1>you interested in it?

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<v Speaker 3>I feel like it comes up a lot just in

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<v Speaker 3>random podcasts here or there, or you know, we did

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<v Speaker 3>the rain or Man merch collection and cameras talking about

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<v Speaker 3>how he had to draw all the template holes, and

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<v Speaker 3>I was like, I know, that's the thing I'm supposed

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<v Speaker 3>to know at some point, but I have no idea

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<v Speaker 3>what you're talking about. So I got to a point

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<v Speaker 3>I forget what entirely prompted me. But he got to

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<v Speaker 3>a point where I was like, I have no idea

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<v Speaker 3>what we're talking about anymore. So I needed to humbly

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<v Speaker 3>request to get taught what every year about to teach me?

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<v Speaker 1>Right now, let's go back to square one.

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<v Speaker 2>It is.

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<v Speaker 1>I mean, it's kind of like a code language. And

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<v Speaker 1>this is one thing that can make golf architecture an

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<v Speaker 1>intimidating subject is that you're dropped into it, and people

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<v Speaker 1>are speaking a different language that includes words like radan

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<v Speaker 1>and Eden and shorthole and alps, and it's if you

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<v Speaker 1>don't understand the language, then it can feel a bit alienating.

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<v Speaker 1>And hopefully that's that's what we're breaking down a bit

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<v Speaker 1>here in the Golf Architecture one oh one series. I

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<v Speaker 1>want to assure you there's nothing complicated about understanding these

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<v Speaker 1>template holes. Most of them are are pretty simple to understand,

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<v Speaker 1>and a lot of people who casually refer to them

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<v Speaker 1>in conversation don't don't actually know the design concepts. That

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<v Speaker 1>that's good. That makes me feel bad.

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<v Speaker 2>That's great.

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<v Speaker 1>In order to really have mastery of the subject, and yeah,

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<v Speaker 1>you do need to dig a little bit deeper, but

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<v Speaker 1>in order to have just a framework for the conversation,

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<v Speaker 1>I think we can do that pretty quickly. So let's

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<v Speaker 1>start with some background, a little bit of history. Who

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<v Speaker 1>McDonald was, how he came up with this idea. This

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<v Speaker 1>is actually I love this story. This is one of

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<v Speaker 1>my one of my favorite stories to tell about golf architecture.

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<v Speaker 1>I think it it represents so much of what the

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<v Speaker 1>early development of golf course design as a discipline and

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<v Speaker 1>a field of study was and so I just I

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<v Speaker 1>just really like going through this As part of the

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<v Speaker 1>reason I was excited about this episode. So C B McDonald,

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<v Speaker 1>wealthy Chicago kid who ended up attending the University of

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<v Speaker 1>Saint Andrew's in the early eighteen seventies. Saint Andrews, Scotland

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<v Speaker 1>was and is the international home of golf. So no surprise, Yeah,

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<v Speaker 1>it's pretty good. I often mention this, I wish I

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<v Speaker 1>went to the University of Saint Andrews. Speaking of being

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<v Speaker 1>a teacher, one of my one of my advises when

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<v Speaker 1>when I was a high school teacher went to the

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<v Speaker 1>University of Saint Andrews and I sat down with him

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<v Speaker 1>before he accepted the offer of admission, and I was like, listen,

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<v Speaker 1>do you play golf? And he said no, And I said,

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<v Speaker 1>you had better learn golf.

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<v Speaker 2>How do you kill?

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<v Speaker 3>How do you even end up in that situation? Like

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<v Speaker 3>what prompts you to go to the University of St Andrews.

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<v Speaker 1>If you're not, you know, it's a great university, Like,

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<v Speaker 1>first of all, really really wonderful university. If you're if

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<v Speaker 1>you're in Great Britain, it's it's it's like going to

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<v Speaker 1>I guess an Ivy League university. So they have great academics.

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<v Speaker 1>But I think if you go to the University of St.

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<v Speaker 1>Andrews and don't play golf that oh.

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<v Speaker 3>Man, Yeah, it's still combination.

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<v Speaker 2>Sure.

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<v Speaker 1>Yeah. In any case, McDonald did it right. He he

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<v Speaker 1>really learned a game while he was there. He met

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<v Speaker 1>and played with old Tom Morris and young Tom Morris.

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<v Speaker 1>A good time to be there in the eighteen seventies,

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<v Speaker 1>and he became a very capable player, ultimately one of

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<v Speaker 1>the better players in the US when he returned. So

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<v Speaker 1>he got back to the US in the mid eighteen

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<v Speaker 1>seventies and he was disappointed to find that the game

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<v Speaker 1>basically didn't exist in the country at that time. So

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<v Speaker 1>he didn't play much golf for the next fifteen years

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<v Speaker 1>or so, and whatever golf courses appeared during this period were,

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<v Speaker 1>in his mind, a very low quality. They just didn't

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<v Speaker 1>get anywhere close to what he saw in Saint Andrews.

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<v Speaker 1>At the time. Saint Andrews was basically what it is today,

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<v Speaker 1>a great, great golf course. You can imagine going from

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<v Speaker 1>there to the kind of rudimentary golf courses that we

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<v Speaker 1>had in America at the time, and it was a

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<v Speaker 1>big difference. So when MacDonald caught the golf bug again

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<v Speaker 1>in the late eighteen eighties, one of his primary goals

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<v Speaker 1>became to create the first truly great American golf course.

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<v Speaker 1>During this period, he established Chicago Golf Club, but the

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<v Speaker 1>early versions of that course were not on the level

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<v Speaker 1>of today's Chicago Golf Club, which was primarily designed by

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<v Speaker 1>Seth Rayner in the nineteen twenties. Nonetheless, Chicago Golf Club

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<v Speaker 1>was a major early American club, and McDonald became a

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<v Speaker 1>major figure in the development of American golf.

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<v Speaker 3>So is this is this just like you know, everybody

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<v Speaker 3>makes a joke like I'm gonna go write the Great

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<v Speaker 3>American novel like this, this is somebody just decided to

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<v Speaker 3>go build a golf course one.

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<v Speaker 1>Day, That's right. So he wanted to write the great

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<v Speaker 1>American novel, that's right. He had that ambition, make make

0:12:35.679 --> 0:12:39.080
<v Speaker 1>the great American movie, make the great American album. That

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<v Speaker 1>I mean, yeah, this ambition is cross disciplinary for sure,

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<v Speaker 1>goes across art forms, and this was McDonald's version of it.

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<v Speaker 1>And so yeah, he had this desire. There's a lot

0:12:52.120 --> 0:12:54.559
<v Speaker 1>of biography here that I won't get into, but McDonald

0:12:54.600 --> 0:12:58.040
<v Speaker 1>did become instrumental in the founding of the USGA and

0:12:58.160 --> 0:13:01.360
<v Speaker 1>the origins of the us and so there's interesting stuff

0:13:01.360 --> 0:13:04.400
<v Speaker 1>there too, but I'll skip forward to the golf course

0:13:04.440 --> 0:13:11.280
<v Speaker 1>design story. In nineteen oh one, McDonald was reading Golf Illustrated,

0:13:11.720 --> 0:13:15.840
<v Speaker 1>probably the most popular golf only publication of the time

0:13:15.880 --> 0:13:19.760
<v Speaker 1>published in the UK, and he came across a debate

0:13:20.080 --> 0:13:24.160
<v Speaker 1>in the pages of Golf Illustrated between some leading golfers

0:13:24.200 --> 0:13:27.280
<v Speaker 1>of the time about what the greatest holes in the

0:13:27.320 --> 0:13:31.280
<v Speaker 1>world were, and by world, I mean great Britain was

0:13:32.040 --> 0:13:33.880
<v Speaker 1>essentially their frame of reference and where most of the

0:13:33.920 --> 0:13:38.240
<v Speaker 1>best golf courses were. So to my knowledge, this is

0:13:38.240 --> 0:13:40.840
<v Speaker 1>the first time a discussion of this type happened in print,

0:13:41.520 --> 0:13:44.800
<v Speaker 1>which is really saying something because this is a very

0:13:44.840 --> 0:13:48.559
<v Speaker 1>common thing now right people talking about the best courses

0:13:48.559 --> 0:13:52.160
<v Speaker 1>and the best holes. So try to imagine a world

0:13:52.240 --> 0:13:54.280
<v Speaker 1>in which this hadn't happened before.

0:13:55.040 --> 0:13:58.680
<v Speaker 3>This is kind of kind of crazy, just trying to,

0:14:00.520 --> 0:14:03.120
<v Speaker 3>you know, starting the take industry, for lack of a

0:14:03.120 --> 0:14:07.800
<v Speaker 3>better term, from nothing. That's really it's an interesting concept

0:14:07.840 --> 0:14:08.400
<v Speaker 3>to think about.

0:14:08.840 --> 0:14:11.760
<v Speaker 1>God, it's fascinating to read because that's exactly it. The

0:14:11.800 --> 0:14:15.480
<v Speaker 1>first hot takes about golf architecture. It's like nobody had

0:14:15.480 --> 0:14:19.320
<v Speaker 1>ever done it before. And these guys, you know, Harry Varden,

0:14:19.480 --> 0:14:23.880
<v Speaker 1>Jage Taylor, James Braid, Willie Park Junior, John Lowe, Horace Hutchinson,

0:14:23.920 --> 0:14:26.400
<v Speaker 1>these were the first, you know, take.

0:14:26.360 --> 0:14:28.400
<v Speaker 2>Masters sitting there like, what have I done?

0:14:30.680 --> 0:14:33.440
<v Speaker 1>Yeah? If they if they now.

0:14:33.400 --> 0:14:35.960
<v Speaker 3>Yeah, it's the end of Oppenheimer just staring blankly into

0:14:36.040 --> 0:14:40.400
<v Speaker 3>the camera. It's a tough scene for those guys.

0:14:41.400 --> 0:14:45.240
<v Speaker 1>So the golfers who participated in this debate were the

0:14:45.320 --> 0:14:49.040
<v Speaker 1>heavies of the game at the time, very impressive names.

0:14:49.280 --> 0:14:51.840
<v Speaker 1>The ones that I mentioned these were, you know, Open

0:14:51.920 --> 0:14:57.440
<v Speaker 1>championship winners and just significant figures, and so their word

0:14:57.760 --> 0:15:00.920
<v Speaker 1>carried weight and McDonald was fascinated by what they were writing.

0:15:00.960 --> 0:15:03.720
<v Speaker 1>And it turned out that a certain number of holes

0:15:03.800 --> 0:15:05.840
<v Speaker 1>kind of rose to the top. It got mentioned by

0:15:06.480 --> 0:15:08.560
<v Speaker 1>a lot of different people as being the best of

0:15:08.600 --> 0:15:11.560
<v Speaker 1>their kind. They talked about the best one shotters, two shotters,

0:15:11.600 --> 0:15:14.760
<v Speaker 1>and three shotters. So par three's, par four's, par five's.

0:15:15.600 --> 0:15:18.880
<v Speaker 1>The best one shotters, according to this panel, turned out

0:15:18.880 --> 0:15:22.920
<v Speaker 1>to be the Eden, the eleventh hole at Saint Andrews,

0:15:23.600 --> 0:15:27.880
<v Speaker 1>The were Dan, the fifteenth hole at North Barrick, the Alps,

0:15:28.320 --> 0:15:32.640
<v Speaker 1>the seventeenth hole at Prestwick, the road hole seventeen at

0:15:32.680 --> 0:15:36.360
<v Speaker 1>Saint Andrews, the long hole fourteen at Saint Andrews. I

0:15:36.440 --> 0:15:39.120
<v Speaker 1>ended up going through the two shotters and three shotters.

0:15:39.160 --> 0:15:41.880
<v Speaker 1>They're actually without mentioning it, but the road hole at

0:15:41.880 --> 0:15:45.359
<v Speaker 1>the time now considered a par four, right, it's categorized

0:15:45.400 --> 0:15:47.920
<v Speaker 1>as a par four. At the time it was considered

0:15:47.920 --> 0:15:49.760
<v Speaker 1>more of a par five. They didn't call it a

0:15:49.760 --> 0:15:52.000
<v Speaker 1>par five, but it was it was thought that you

0:15:52.000 --> 0:15:55.800
<v Speaker 1>would spend three shots in getting to that green. And

0:15:55.880 --> 0:15:58.200
<v Speaker 1>so those are the holes that came up, and these

0:15:58.280 --> 0:16:01.760
<v Speaker 1>remain some of the most as holes in the UK.

0:16:02.320 --> 0:16:05.280
<v Speaker 1>Prestwick is on the west coast of Scotland and that

0:16:05.400 --> 0:16:09.240
<v Speaker 1>was that was an early old Tom Morris course. You've

0:16:09.240 --> 0:16:13.520
<v Speaker 1>probably heard Andy mentioned North Barrack, Great Scottish Links Course,

0:16:13.600 --> 0:16:15.920
<v Speaker 1>and then of course the old course at St Andrew's

0:16:15.960 --> 0:16:19.160
<v Speaker 1>still very much on the open rota and at the

0:16:19.160 --> 0:16:22.880
<v Speaker 1>top of everybody's minds. All of these holes, the ones

0:16:22.920 --> 0:16:25.720
<v Speaker 1>that were mentioned in this debate in this magazine in

0:16:25.840 --> 0:16:30.400
<v Speaker 1>nineteen oh one, eventually became template holes. There were more

0:16:30.440 --> 0:16:33.320
<v Speaker 1>template holes than those, but this was kind of the

0:16:33.360 --> 0:16:37.840
<v Speaker 1>starting point. This was the first, you know, body of

0:16:37.920 --> 0:16:41.880
<v Speaker 1>whole designs that McDonald started working with. So this whole

0:16:41.880 --> 0:16:45.440
<v Speaker 1>discussion and Golf illustrated it. It kind of prompted a

0:16:45.480 --> 0:16:51.000
<v Speaker 1>brain wave for McDonald. He said to himself, surely if

0:16:51.040 --> 0:16:56.200
<v Speaker 1>you build a course with eighteen of these ideal holes,

0:16:57.160 --> 0:16:58.880
<v Speaker 1>then you would have an ideal golf course.

0:16:59.000 --> 0:17:00.720
<v Speaker 2>Yeah, that's a guy with good take or it.

0:17:00.800 --> 0:17:01.000
<v Speaker 3>There.

0:17:02.040 --> 0:17:05.520
<v Speaker 2>That's that's pretty good. I like that a lot.

0:17:06.880 --> 0:17:10.159
<v Speaker 1>Yeah, I like I like how his mind works. He's like,

0:17:10.240 --> 0:17:11.320
<v Speaker 1>nobody's ever thought of this.

0:17:11.920 --> 0:17:14.800
<v Speaker 3>And nobody could get mad because everybody agrees to the best.

0:17:14.920 --> 0:17:16.120
<v Speaker 3>So that's right, that's it.

0:17:16.480 --> 0:17:19.440
<v Speaker 1>Yeah, I'm just gonna I'm just gonna kind of replicate

0:17:19.840 --> 0:17:23.119
<v Speaker 1>these designs and then everybody will have to acknowledge, Oh

0:17:23.200 --> 0:17:26.119
<v Speaker 1>my god, you have a red dan, you have an alps,

0:17:26.480 --> 0:17:27.440
<v Speaker 1>you have a road hole.

0:17:28.520 --> 0:17:31.200
<v Speaker 3>That's that great American novel way of thinking. Right there,

0:17:31.320 --> 0:17:34.240
<v Speaker 3>I'm just gonna copy everybody else. Nobody's gonna get mad.

0:17:34.440 --> 0:17:38.439
<v Speaker 1>Right, I'll just borrow a character from Melville and you know,

0:17:38.600 --> 0:17:41.760
<v Speaker 1>a little bit of pros from Fitzgerald, and there you go.

0:17:42.920 --> 0:17:45.440
<v Speaker 1>In any case, he spent the next decade or so

0:17:46.080 --> 0:17:49.880
<v Speaker 1>researching the best holes of Great Britain. So he took

0:17:50.000 --> 0:17:53.120
<v Speaker 1>multiple trips. He sent friends on trips to do research

0:17:53.160 --> 0:17:56.000
<v Speaker 1>for him and to take measurements and to really nail

0:17:56.040 --> 0:18:00.440
<v Speaker 1>these down. And he quickly discovered that replicating the holes

0:18:00.480 --> 0:18:04.840
<v Speaker 1>with any real precision would be impossible because of course

0:18:04.880 --> 0:18:06.760
<v Speaker 1>you would be working with a different piece of land,

0:18:07.240 --> 0:18:09.480
<v Speaker 1>and many of these holes were just lay of the

0:18:09.560 --> 0:18:14.880
<v Speaker 1>land holes. They were not manufactured. They derived their features

0:18:14.920 --> 0:18:18.800
<v Speaker 1>from the topography, and so McDonald said, well, if I

0:18:18.800 --> 0:18:21.000
<v Speaker 1>don't have this topography, then then I guess I can't

0:18:21.080 --> 0:18:25.359
<v Speaker 1>exactly replicate them. So ultimately he decided to go for

0:18:25.520 --> 0:18:31.320
<v Speaker 1>looser interpretations, basically extracting the strategic essence of these holes,

0:18:31.359 --> 0:18:36.080
<v Speaker 1>boiling them down to their basic features, rather than copying them.

0:18:36.920 --> 0:18:41.040
<v Speaker 1>And I think that it was in this process that

0:18:41.160 --> 0:18:45.399
<v Speaker 1>McDonald came to understand golf course design on as deep

0:18:45.440 --> 0:18:49.280
<v Speaker 1>and sophisticated a level as any architect of the Golden Age.

0:18:49.320 --> 0:18:51.800
<v Speaker 1>It was when he started to try to interpret these

0:18:51.840 --> 0:18:56.680
<v Speaker 1>holes and actually find out why they were great instead

0:18:56.680 --> 0:19:01.119
<v Speaker 1>of just replicating them, that he became a great golf

0:19:01.280 --> 0:19:07.160
<v Speaker 1>architecture mind, because you know, he essentially discovered for himself

0:19:07.160 --> 0:19:10.080
<v Speaker 1>the strategic school of golf architecture, which we talked about

0:19:10.119 --> 0:19:13.119
<v Speaker 1>in the in the first one oh one episode. So

0:19:13.640 --> 0:19:16.360
<v Speaker 1>while he was doing this, he was also searching far

0:19:16.400 --> 0:19:19.640
<v Speaker 1>and wide for a piece of land for his great

0:19:19.640 --> 0:19:23.600
<v Speaker 1>American golf course. He looked at Maine, he looked, he

0:19:23.640 --> 0:19:26.600
<v Speaker 1>was looking up and down the East coast, and he

0:19:26.720 --> 0:19:29.840
<v Speaker 1>eventually settled on a piece of land right next to

0:19:29.840 --> 0:19:34.200
<v Speaker 1>Shinnecock Hills Golf Club in Long Island, in Pj's domain.

0:19:34.920 --> 0:19:36.920
<v Speaker 1>So eventually found found his found.

0:19:36.960 --> 0:19:40.280
<v Speaker 2>A lot of people find things in Southampton, so it makes.

0:19:40.080 --> 0:19:44.879
<v Speaker 1>Sense, Yeah, find their summer house, you know. So uh,

0:19:45.800 --> 0:19:48.920
<v Speaker 1>this would ultimately become, of course, the National Golf Links

0:19:48.920 --> 0:19:53.400
<v Speaker 1>of America, which opened in nineteen eleven and received immediate

0:19:53.560 --> 0:19:56.440
<v Speaker 1>rapturous praise. People went and played this course and were

0:19:56.840 --> 0:19:58.960
<v Speaker 1>blown away by it. It was it was like nothing

0:19:59.000 --> 0:20:02.200
<v Speaker 1>else that had been created in the States at the time.

0:20:02.720 --> 0:20:05.160
<v Speaker 1>It was a next level golf course in every way.

0:20:06.240 --> 0:20:08.600
<v Speaker 1>That's a very surface level account of the creation of

0:20:08.640 --> 0:20:10.879
<v Speaker 1>National Golf Links that I just gave. I've done a

0:20:10.920 --> 0:20:15.480
<v Speaker 1>deeper dive into that history with Chris Millard, who wrote

0:20:16.119 --> 0:20:19.840
<v Speaker 1>the most recent historical book on National Golf Links. This

0:20:19.920 --> 0:20:22.159
<v Speaker 1>is a Friday Podcast episode from about a year and

0:20:22.200 --> 0:20:25.639
<v Speaker 1>a half ago called Great Courses National Golf Links, So

0:20:25.760 --> 0:20:27.919
<v Speaker 1>check that out if you want more detail. But it

0:20:28.000 --> 0:20:31.600
<v Speaker 1>wasn't just the ideal holes that made National Golf Links different.

0:20:32.080 --> 0:20:36.200
<v Speaker 1>It was also the construction, the agronomy like in every way,

0:20:37.000 --> 0:20:40.040
<v Speaker 1>and the amount of money that went into it like nothing.

0:20:40.200 --> 0:20:42.200
<v Speaker 1>I don't think anything close to this amount of money

0:20:42.240 --> 0:20:44.960
<v Speaker 1>had ever been spent on constructing a golf course before

0:20:45.000 --> 0:20:47.399
<v Speaker 1>he got all the basically the richest people on the

0:20:47.400 --> 0:20:51.280
<v Speaker 1>East Coast to pitch in for his great American golf course.

0:20:52.240 --> 0:20:57.800
<v Speaker 1>He was a remarkable, remarkable mover and shaker McDonald and

0:20:57.920 --> 0:21:01.000
<v Speaker 1>so National Golf Links turned out really well well, And

0:21:01.880 --> 0:21:06.199
<v Speaker 1>of course it did represent the debut of McDonald's ideal holes.

0:21:06.359 --> 0:21:10.640
<v Speaker 1>The National had great renditions of the Radan, the Alps,

0:21:10.720 --> 0:21:13.240
<v Speaker 1>the road Hole, the Eden. It was all there. It

0:21:13.320 --> 0:21:16.880
<v Speaker 1>was a fully formed statement of a golf course. And

0:21:17.080 --> 0:21:21.520
<v Speaker 1>McDonald meant NGLA to be his one true master work, right,

0:21:21.600 --> 0:21:24.400
<v Speaker 1>his example for all of American golf. He didn't really

0:21:24.440 --> 0:21:29.119
<v Speaker 1>intend to build other golf courses. He was kind of like,

0:21:29.160 --> 0:21:30.439
<v Speaker 1>I'm done.

0:21:30.640 --> 0:21:33.760
<v Speaker 3>I mean, if if you build something in it immediately

0:21:33.760 --> 0:21:37.240
<v Speaker 3>gets you know rapturous praise. As you said, I could.

0:21:37.320 --> 0:21:39.040
<v Speaker 3>I could see how you want to just go out

0:21:39.080 --> 0:21:39.480
<v Speaker 3>on top.

0:21:39.760 --> 0:21:41.320
<v Speaker 2>I get that absolutely.

0:21:41.840 --> 0:21:44.080
<v Speaker 1>And you know, he has this in common with a

0:21:44.119 --> 0:21:46.320
<v Speaker 1>lot of great artists too, who want to create their

0:21:46.320 --> 0:21:48.840
<v Speaker 1>one great thing and then it's like, Okay, that's what

0:21:48.880 --> 0:21:51.439
<v Speaker 1>I devoted my life to and I'm done. But it

0:21:51.480 --> 0:21:54.159
<v Speaker 1>didn't really turn out that way, because, of course people

0:21:54.280 --> 0:21:59.120
<v Speaker 1>kept asking him to design more golf courses for them.

0:21:59.240 --> 0:22:02.080
<v Speaker 1>All of his rich friend were like, Hey, this looks cool,

0:22:03.000 --> 0:22:06.600
<v Speaker 1>I'd like one, and so he did design a few others,

0:22:06.640 --> 0:22:09.240
<v Speaker 1>but for the most part, he passed off his commissions

0:22:09.720 --> 0:22:13.960
<v Speaker 1>or his potential commissions to Seth Rayner, and Rayner was

0:22:14.000 --> 0:22:18.920
<v Speaker 1>really the one who spread the idea of ideal holes broadly.

0:22:19.520 --> 0:22:24.119
<v Speaker 1>Rayner became the Johnny Appleseed of this approach to golf

0:22:24.160 --> 0:22:27.359
<v Speaker 1>course design and a big reason why why we know

0:22:27.440 --> 0:22:32.919
<v Speaker 1>template holes today. And so that's the background of the

0:22:32.960 --> 0:22:37.600
<v Speaker 1>ideal holes. Before we get into some examples of templates,

0:22:37.600 --> 0:22:40.200
<v Speaker 1>and before we have maybe a little bit of discussion

0:22:40.240 --> 0:22:42.919
<v Speaker 1>about the virtues of ideal holes as an approach to

0:22:42.960 --> 0:22:45.680
<v Speaker 1>golf course design, I'd like to talk a bit about

0:22:46.040 --> 0:22:49.919
<v Speaker 1>the USGA Green Section the USGA Green Section is a

0:22:49.960 --> 0:22:53.880
<v Speaker 1>supporter of the Designing Golf podcast in its early days here,

0:22:53.920 --> 0:22:57.240
<v Speaker 1>so thank you so much to the Green Section. Understanding

0:22:57.240 --> 0:23:00.280
<v Speaker 1>the performance of your greens has never been easy year

0:23:00.680 --> 0:23:04.439
<v Speaker 1>thanks to the GS three ball from the USGA Green Section.

0:23:04.880 --> 0:23:08.640
<v Speaker 1>The GS three seamlessly connects to the Deacon management system,

0:23:09.119 --> 0:23:13.280
<v Speaker 1>instantly telling you how fast, smooth, true, and firm your

0:23:13.320 --> 0:23:17.760
<v Speaker 1>greens are. Now you can make data driven decisions, better

0:23:17.880 --> 0:23:22.760
<v Speaker 1>manage resources, communicate to course personnel, and most importantly, create

0:23:22.800 --> 0:23:26.600
<v Speaker 1>a playing experience for your golfers like never before. To

0:23:26.720 --> 0:23:31.160
<v Speaker 1>learn more, visit the USGA Green Sections shop at GS

0:23:31.160 --> 0:23:35.560
<v Speaker 1>shop dot USGA dot org. I've actually seen the GS

0:23:35.600 --> 0:23:38.960
<v Speaker 1>three ball in action. We've been doing some documentaries lately

0:23:39.040 --> 0:23:43.160
<v Speaker 1>about various turf operations throughout the country. I have seen

0:23:43.240 --> 0:23:46.200
<v Speaker 1>the GS three ball in use and it is pretty cool.

0:23:46.600 --> 0:23:50.200
<v Speaker 1>So check out that offering from the USGA Green Section.

0:23:51.040 --> 0:23:53.920
<v Speaker 1>All right, let's talk about a couple examples of templates. PJ.

0:23:55.440 --> 0:23:57.760
<v Speaker 1>I'm gonna have to have you put on your sort

0:23:57.800 --> 0:24:02.119
<v Speaker 1>of visualizing hat now if we can. I know this

0:24:02.119 --> 0:24:05.040
<v Speaker 1>can sometimes be tricky. For the YouTube version of this

0:24:05.080 --> 0:24:07.680
<v Speaker 1>episode will maybe incorporate a couple of images of these

0:24:07.680 --> 0:24:10.800
<v Speaker 1>holes to help out people who consume the podcast that way.

0:24:11.480 --> 0:24:13.240
<v Speaker 1>But the first one I want to talk about is

0:24:13.280 --> 0:24:15.199
<v Speaker 1>the redan. Where else would be.

0:24:15.280 --> 0:24:18.000
<v Speaker 3>Like this is the number one, This is the number

0:24:18.040 --> 0:24:21.240
<v Speaker 3>one that I gets mentioned by you guys all the time.

0:24:21.480 --> 0:24:26.399
<v Speaker 1>Yeah, because it's a very common type of hole. It is.

0:24:26.520 --> 0:24:30.479
<v Speaker 1>It's spread like wildfire. Everybody, everybody has a radan. So

0:24:30.600 --> 0:24:33.520
<v Speaker 1>this is based on the fifteenth hole at North Barrick.

0:24:34.240 --> 0:24:38.040
<v Speaker 1>The key elements one. The green is kind of oriented

0:24:38.119 --> 0:24:41.959
<v Speaker 1>on a forty five degree angle on a diagonal in

0:24:42.040 --> 0:24:45.640
<v Speaker 1>relation to the t usually from short right to long

0:24:45.760 --> 0:24:49.359
<v Speaker 1>left right. Okay, so it's set on a diagonal where

0:24:49.400 --> 0:24:51.000
<v Speaker 1>if you're a right hander you kind of want to

0:24:51.040 --> 0:24:55.960
<v Speaker 1>work a draw into there. The green is tilted from

0:24:56.000 --> 0:25:00.240
<v Speaker 1>front to back okay, so from the front right to

0:25:00.280 --> 0:25:04.760
<v Speaker 1>the back left section it's tilted away from the tee.

0:25:05.080 --> 0:25:09.600
<v Speaker 1>A deep, often flashed up bunker guards the front left

0:25:09.640 --> 0:25:11.879
<v Speaker 1>side of the green, so kind of in front of

0:25:11.920 --> 0:25:14.359
<v Speaker 1>the green, sitting on that same diagonal as the green.

0:25:14.960 --> 0:25:19.240
<v Speaker 1>Sometimes there's another bunker, even deeper one perhaps guarding the

0:25:19.240 --> 0:25:21.000
<v Speaker 1>back right side of the green, so if you go

0:25:21.160 --> 0:25:25.320
<v Speaker 1>over you'll end up there. Now, the original version at

0:25:25.359 --> 0:25:28.080
<v Speaker 1>North Barrick has a pair of bunkers cut into a

0:25:28.240 --> 0:25:33.000
<v Speaker 1>rise about fifty yards short of the green. This is

0:25:33.400 --> 0:25:36.520
<v Speaker 1>I think actually where the name or Dan came from.

0:25:36.800 --> 0:25:39.679
<v Speaker 1>Because Dan, and I'm sure people will correct me if

0:25:39.680 --> 0:25:42.520
<v Speaker 1>I'm wrong. I didn't actually confirm this before I came

0:25:42.560 --> 0:25:45.800
<v Speaker 1>on the podcast. But Dan, I believe, is a term

0:25:45.840 --> 0:25:51.240
<v Speaker 1>for a military fortification. And my sense is that this

0:25:51.359 --> 0:25:54.600
<v Speaker 1>feature at North Barrick, this like kind of dune like rise,

0:25:55.160 --> 0:25:58.199
<v Speaker 1>that these bunkers are cut into fifty yards short of

0:25:58.240 --> 0:26:01.200
<v Speaker 1>the green, kind of blocking the view of the green

0:26:01.280 --> 0:26:05.480
<v Speaker 1>to an extent, is where that idea of a fortification

0:26:05.880 --> 0:26:08.320
<v Speaker 1>came from, and where the notion of her Dan came from.

0:26:08.840 --> 0:26:14.400
<v Speaker 1>But MacDonald and Rayner's dance often did not have this feature.

0:26:15.119 --> 0:26:18.560
<v Speaker 1>Sometimes they did, often they didn't didn't because again, it

0:26:18.880 --> 0:26:22.120
<v Speaker 1>would require some topography to do that, you would need

0:26:22.200 --> 0:26:28.720
<v Speaker 1>a rise. So the essential elements of a modern radan

0:26:28.880 --> 0:26:32.320
<v Speaker 1>tend to be that orientation of the green on a diagonal,

0:26:32.760 --> 0:26:36.239
<v Speaker 1>and the fact that it runs front to back, and

0:26:36.240 --> 0:26:38.520
<v Speaker 1>that often there's like a kicker slope, what's called a

0:26:38.560 --> 0:26:42.679
<v Speaker 1>kicker slope, a little kind of backboard at the front

0:26:42.880 --> 0:26:47.080
<v Speaker 1>right portion of the green where you can hit your

0:26:47.080 --> 0:26:50.119
<v Speaker 1>ball into it and it kind of deflects the ball

0:26:50.760 --> 0:26:54.399
<v Speaker 1>filters it back to the back left portion of the green,

0:26:54.760 --> 0:26:58.119
<v Speaker 1>so it's like a ramp, right. I think this hole

0:26:58.280 --> 0:27:01.280
<v Speaker 1>is at its most strategically interesting when the pin is

0:27:01.280 --> 0:27:06.320
<v Speaker 1>in the back, and that's because you can choose between

0:27:06.520 --> 0:27:09.600
<v Speaker 1>going straight at the pin over that big bunker in

0:27:09.640 --> 0:27:13.160
<v Speaker 1>front of the green, or you can play it along

0:27:13.160 --> 0:27:16.720
<v Speaker 1>the ground through the opening to the green on the right,

0:27:16.840 --> 0:27:20.479
<v Speaker 1>maybe kind of sling a low draw in there, go

0:27:20.600 --> 0:27:23.600
<v Speaker 1>through the opening to the green and let the ball

0:27:24.080 --> 0:27:28.560
<v Speaker 1>release along that downslope, the front to back slope back

0:27:28.600 --> 0:27:30.840
<v Speaker 1>to the pin. That's the kind of clever way to

0:27:30.840 --> 0:27:32.360
<v Speaker 1>play the hole. You don't have to make the big

0:27:32.400 --> 0:27:35.040
<v Speaker 1>carry and you can kind of work it around. So

0:27:35.080 --> 0:27:38.119
<v Speaker 1>you have options here, right, which is the soul of

0:27:38.320 --> 0:27:43.439
<v Speaker 1>strategic golf options and the attendant risks and rewards. So

0:27:44.160 --> 0:27:47.159
<v Speaker 1>the reason you've heard this term is that this is

0:27:47.200 --> 0:27:50.399
<v Speaker 1>like the most replicated par three design in the history

0:27:50.400 --> 0:27:54.680
<v Speaker 1>of golf. It is often done poorly or just partially right.

0:27:55.119 --> 0:27:59.520
<v Speaker 1>The most commonly missing feature is that front to back

0:27:59.560 --> 0:28:03.520
<v Speaker 1>slope because people don't usually like building holes where the

0:28:03.560 --> 0:28:06.800
<v Speaker 1>green runs away from the player. But the problem is

0:28:06.800 --> 0:28:08.760
<v Speaker 1>when you don't have that, you kind of lose the

0:28:08.800 --> 0:28:12.520
<v Speaker 1>ability to work the ball to a back pin through

0:28:12.600 --> 0:28:15.600
<v Speaker 1>that kind of clever, low running shot that I talked about.

0:28:16.320 --> 0:28:20.120
<v Speaker 1>And so often people will just refer to any hole

0:28:20.160 --> 0:28:24.600
<v Speaker 1>with a diagonally set green as a re dan, But personally,

0:28:24.680 --> 0:28:27.320
<v Speaker 1>I don't think it's a dan at all unless you

0:28:27.480 --> 0:28:30.760
<v Speaker 1>have that element of a kicker slope and a front

0:28:30.760 --> 0:28:34.320
<v Speaker 1>to back slope to get the ball to a backpin

0:28:34.480 --> 0:28:37.280
<v Speaker 1>through other methods than just going straight at it. I

0:28:37.280 --> 0:28:39.239
<v Speaker 1>think if you don't have that, you really don't have

0:28:39.280 --> 0:28:43.960
<v Speaker 1>her a dan. Reverse or dance became common as well.

0:28:44.120 --> 0:28:47.080
<v Speaker 1>When people say reverse ra dan, they just mean the

0:28:47.200 --> 0:28:49.680
<v Speaker 1>exact same design, but the green is set on a

0:28:49.720 --> 0:28:53.880
<v Speaker 1>diagonal that would seem to accept a fade from a

0:28:53.960 --> 0:28:58.600
<v Speaker 1>right handed player. This maybe isn't as common because when

0:28:58.920 --> 0:29:01.040
<v Speaker 1>you know most people are right hand. Not to disrespect

0:29:01.080 --> 0:29:03.239
<v Speaker 1>the lefties out there, sorry that ra dans aren't as

0:29:03.240 --> 0:29:07.160
<v Speaker 1>fun for you, but uh, when you're hitting a fade,

0:29:07.400 --> 0:29:10.360
<v Speaker 1>your ball stops quicker if you're a right hander and

0:29:10.400 --> 0:29:11.880
<v Speaker 1>if you're a left hander, but your fing goes the

0:29:11.880 --> 0:29:15.800
<v Speaker 1>other direction right hand or hitting a draw to a

0:29:15.840 --> 0:29:18.520
<v Speaker 1>traditional radan, the ball is going to have less spin

0:29:19.000 --> 0:29:21.160
<v Speaker 1>and it's going to have that element of being able

0:29:21.160 --> 0:29:24.040
<v Speaker 1>to run along the ground, and that's why right to

0:29:24.160 --> 0:29:27.880
<v Speaker 1>left radans are more common. Does that all make sense?

0:29:27.880 --> 0:29:29.880
<v Speaker 1>Were you able to visualize that and stay with me

0:29:29.920 --> 0:29:30.600
<v Speaker 1>any questions?

0:29:30.920 --> 0:29:33.920
<v Speaker 2>Yeah? So A, I think it makes sense.

0:29:34.040 --> 0:29:38.040
<v Speaker 3>I'm now trying to like because it's pretty common, think

0:29:38.080 --> 0:29:41.000
<v Speaker 3>of like holes that I might have seen at some

0:29:41.080 --> 0:29:46.600
<v Speaker 3>point that would that would fit this. I think, I mean,

0:29:46.640 --> 0:29:49.840
<v Speaker 3>I I it definitely makes sense, and I actually appreciate

0:29:50.000 --> 0:29:54.280
<v Speaker 3>the idea of I get why maybe a modern day architect,

0:29:54.480 --> 0:29:57.360
<v Speaker 3>if you're building a hole like now with the you know,

0:29:58.120 --> 0:30:01.280
<v Speaker 3>incessant need for a whole in one or give people

0:30:01.280 --> 0:30:03.600
<v Speaker 3>a chance that you want to have people see it

0:30:03.920 --> 0:30:07.640
<v Speaker 3>roll in back towards you versus a feeder pin away.

0:30:07.680 --> 0:30:10.120
<v Speaker 3>But I actually I like the idea of the feeter

0:30:10.120 --> 0:30:13.320
<v Speaker 3>pin away and having it kind of slope downward to

0:30:13.400 --> 0:30:15.400
<v Speaker 3>me as a player, I feel like that would be

0:30:15.440 --> 0:30:19.640
<v Speaker 3>more fun than having it run further and kind of

0:30:19.680 --> 0:30:22.480
<v Speaker 3>work the ball versus just you know, hit it straight

0:30:22.520 --> 0:30:24.040
<v Speaker 3>up in the air and have it roll back down

0:30:24.080 --> 0:30:25.000
<v Speaker 3>towards you kind of thing.

0:30:25.400 --> 0:30:27.680
<v Speaker 1>That's where the fun comes from seeing the ball go

0:30:27.800 --> 0:30:30.640
<v Speaker 1>along the ground. It's the most fun thing to do

0:30:30.800 --> 0:30:32.720
<v Speaker 1>in golf, and the most fun thing to watch in

0:30:32.760 --> 0:30:35.479
<v Speaker 1>golf is what the ball does after it hits the ground.

0:30:36.000 --> 0:30:37.840
<v Speaker 1>And when you have a green going away from you,

0:30:38.640 --> 0:30:42.600
<v Speaker 1>it behaves a lot like firmness because it accelerates the

0:30:42.640 --> 0:30:45.120
<v Speaker 1>ball as it goes along the ground, and you really

0:30:45.200 --> 0:30:47.160
<v Speaker 1>have to consider what to do. Are you going to

0:30:47.240 --> 0:30:49.280
<v Speaker 1>try to stop it or are you going to just

0:30:49.440 --> 0:30:51.440
<v Speaker 1>accept that the slope is going to do what it

0:30:51.480 --> 0:30:54.440
<v Speaker 1>does to your ball and use that. And that's the

0:30:54.520 --> 0:30:58.560
<v Speaker 1>central question of a proper radan. Now you'll see a

0:30:58.560 --> 0:31:01.560
<v Speaker 1>lot of as I said before, or diagonally set greens

0:31:01.640 --> 0:31:03.880
<v Speaker 1>out there in the world of golf, and somebody might

0:31:03.920 --> 0:31:06.840
<v Speaker 1>refer to them as a radan, but it's it's it's

0:31:06.880 --> 0:31:09.600
<v Speaker 1>not really unless unless you can work the ball along

0:31:09.600 --> 0:31:12.320
<v Speaker 1>the ground. I recommend that you don't correct people when

0:31:12.360 --> 0:31:15.560
<v Speaker 1>when they not that you would do this. It's not

0:31:15.600 --> 0:31:16.800
<v Speaker 1>really your personality.

0:31:17.200 --> 0:31:19.920
<v Speaker 3>Now I feel like I just not along and yeah, right,

0:31:20.280 --> 0:31:22.120
<v Speaker 3>but in my head, but I get up to that green,

0:31:22.120 --> 0:31:23.680
<v Speaker 3>I'm gonna be like, oh, is there slope here?

0:31:23.960 --> 0:31:27.280
<v Speaker 2>Yeah, it's I can't count. It doesn't doesn't count.

0:31:27.680 --> 0:31:30.480
<v Speaker 1>That doesn't I'm not going to check that off my list. Yeah, so,

0:31:30.600 --> 0:31:33.440
<v Speaker 1>really like true radans are a little more rare than

0:31:33.680 --> 0:31:36.640
<v Speaker 1>than people think. You know, diagonal greens with a bunker

0:31:36.680 --> 0:31:38.440
<v Speaker 1>in front, you know, you'll see that all the time.

0:31:38.560 --> 0:31:41.200
<v Speaker 1>But a real radan with like a kicker slope and

0:31:41.240 --> 0:31:43.600
<v Speaker 1>the ability to to work the ball in that way,

0:31:44.280 --> 0:31:47.440
<v Speaker 1>you know, that's that's it's fairly rare because you know,

0:31:47.600 --> 0:31:52.200
<v Speaker 1>front to back sloping greens are are fairly rare these days. Okay,

0:31:52.480 --> 0:31:56.400
<v Speaker 1>So that's the that's the radan template. That's always very helpful.

0:31:56.520 --> 0:31:58.520
<v Speaker 3>I feel like I needed that one. If I was

0:31:58.640 --> 0:32:02.000
<v Speaker 3>leaving here with something I think I've checked that buy.

0:32:01.960 --> 0:32:04.640
<v Speaker 1>That wasn't essential. I'll talk to you about one other,

0:32:05.080 --> 0:32:07.800
<v Speaker 1>and then if there's if there's another one that you

0:32:07.840 --> 0:32:09.560
<v Speaker 1>want to talk about, we can we can kind of

0:32:09.600 --> 0:32:13.120
<v Speaker 1>improvise that as well. But the next one I want

0:32:13.160 --> 0:32:16.600
<v Speaker 1>to talk to you about is the Alps. Okay, I

0:32:16.720 --> 0:32:20.280
<v Speaker 1>like this name. First of all, this is based on

0:32:20.680 --> 0:32:23.840
<v Speaker 1>the seventeenth hole at Prestwick, So it's not a course

0:32:23.880 --> 0:32:27.360
<v Speaker 1>that people are super familiar with these days unless they've

0:32:27.440 --> 0:32:30.000
<v Speaker 1>actually played it. Because it's not a course that shows

0:32:30.080 --> 0:32:33.280
<v Speaker 1>up on TV. But this was the original Open Championship

0:32:33.320 --> 0:32:37.360
<v Speaker 1>course back when the Open was thirty six holes. Prestwick

0:32:37.400 --> 0:32:43.920
<v Speaker 1>was twelve holes and they would play the course three times. Yeah, yeah,

0:32:44.080 --> 0:32:44.880
<v Speaker 1>that was the Open.

0:32:46.640 --> 0:32:46.840
<v Speaker 2>Well.

0:32:46.880 --> 0:32:50.320
<v Speaker 1>Eventually Prestwick got expanded to eighteen holes and the Alps

0:32:50.360 --> 0:32:53.680
<v Speaker 1>became the seventeenth hole on that course. But some version

0:32:53.720 --> 0:32:55.880
<v Speaker 1>of the Alps was always was always there on the course.

0:32:56.400 --> 0:32:58.680
<v Speaker 1>The key element of this hole, and I know this

0:32:58.720 --> 0:33:01.040
<v Speaker 1>is going to challenge you because of what we've discussed

0:33:01.040 --> 0:33:05.720
<v Speaker 1>with regard to blind holes. There's a huge dune directly

0:33:05.760 --> 0:33:11.040
<v Speaker 1>in front of the green, and then typically there's a

0:33:11.080 --> 0:33:14.200
<v Speaker 1>bunker between the bottom of the far side of that

0:33:14.280 --> 0:33:17.360
<v Speaker 1>dune and the green. So you not only are hitting

0:33:17.480 --> 0:33:20.040
<v Speaker 1>over a dune to get to the green, but there's

0:33:20.040 --> 0:33:22.200
<v Speaker 1>a bunker on the other side of it. Yeah, you

0:33:22.200 --> 0:33:24.360
<v Speaker 1>got to get over. You got to really make the carry.

0:33:24.600 --> 0:33:27.080
<v Speaker 1>This is you know, this is not what i'd call

0:33:27.120 --> 0:33:30.360
<v Speaker 1>the strategic school of golf architecture. This is pretty penal,

0:33:31.080 --> 0:33:34.600
<v Speaker 1>at least in its original essence. You know, just this

0:33:34.680 --> 0:33:37.080
<v Speaker 1>feature of the hole, it's fairly penal because you've got

0:33:37.080 --> 0:33:41.320
<v Speaker 1>to bake a big aerial carry. The fun of it

0:33:41.400 --> 0:33:43.440
<v Speaker 1>is hitting your shot and then getting up and seeing

0:33:43.480 --> 0:33:47.560
<v Speaker 1>the result. You know, if you have a fun attitude

0:33:47.560 --> 0:33:50.080
<v Speaker 1>about it, then you're like, all right, my in the bunker,

0:33:50.280 --> 0:33:52.680
<v Speaker 1>My in the dune, My on the green. You never

0:33:52.760 --> 0:33:57.320
<v Speaker 1>know until you get there, so completely blind approach, and

0:33:57.360 --> 0:34:00.600
<v Speaker 1>often the green will be sitting in a hollow, a

0:34:00.680 --> 0:34:02.880
<v Speaker 1>kind of punch bowl often what we refer to as

0:34:02.880 --> 0:34:04.400
<v Speaker 1>a punch You may hear that term a lot too,

0:34:04.440 --> 0:34:08.799
<v Speaker 1>a punch bowl green. This is an example of it's

0:34:08.800 --> 0:34:11.440
<v Speaker 1>not always a pure punch bowl green, but it's sitting

0:34:11.520 --> 0:34:14.920
<v Speaker 1>in a hollow there. And so if that means if

0:34:14.960 --> 0:34:17.080
<v Speaker 1>you get over the dune and get over the bunker,

0:34:17.840 --> 0:34:20.200
<v Speaker 1>then the green is kind of friendly to you because

0:34:20.239 --> 0:34:21.680
<v Speaker 1>if you're on the right side of it, well, it's

0:34:21.680 --> 0:34:22.920
<v Speaker 1>going to slope down to the middle. If you're on

0:34:22.960 --> 0:34:24.319
<v Speaker 1>the left side, it's going to slip down the middle.

0:34:24.320 --> 0:34:26.080
<v Speaker 1>If you're long, it's going to you just don't want

0:34:26.080 --> 0:34:29.240
<v Speaker 1>to be short, and so if you make the carry,

0:34:29.320 --> 0:34:32.040
<v Speaker 1>then your hole, you your ball is probably going to

0:34:32.120 --> 0:34:35.440
<v Speaker 1>end up close to the hole. The key wrinkle that

0:34:35.560 --> 0:34:39.600
<v Speaker 1>McDonald and Rayner introduced to many of their versions that

0:34:39.719 --> 0:34:44.120
<v Speaker 1>I think is brilliant is that they would have this

0:34:44.320 --> 0:34:47.560
<v Speaker 1>dune or this rise in front of the green, they

0:34:47.600 --> 0:34:50.640
<v Speaker 1>would have the kind of low set green in a hollow,

0:34:51.560 --> 0:34:54.560
<v Speaker 1>But then they would offer you an option from the

0:34:54.600 --> 0:34:58.600
<v Speaker 1>tee to get a view of the green. Potentially, if

0:34:58.640 --> 0:35:03.120
<v Speaker 1>you hit a long, risky drive up a particular side

0:35:03.120 --> 0:35:06.319
<v Speaker 1>of the hole, then from that position you might be

0:35:06.360 --> 0:35:10.960
<v Speaker 1>able to see around the dune to the green. If

0:35:10.960 --> 0:35:14.880
<v Speaker 1>you hit your t shop especially well and positioned it.

0:35:15.360 --> 0:35:17.680
<v Speaker 1>You know, perhaps there are some bunkers guarding this position

0:35:17.719 --> 0:35:19.959
<v Speaker 1>in the fairway. But if you take that.

0:35:19.920 --> 0:35:22.840
<v Speaker 3>Ask, now we're back to angles. Angles is gonna be

0:35:22.880 --> 0:35:25.120
<v Speaker 3>a whole different episode. But now we're back to angles.

0:35:24.920 --> 0:35:31.520
<v Speaker 1>Or back to angles. This angle is vision related because

0:35:31.600 --> 0:35:34.160
<v Speaker 1>if you take the risk, then you can see the

0:35:34.200 --> 0:35:37.520
<v Speaker 1>green on your approach. And that's nice because the whole

0:35:37.600 --> 0:35:40.880
<v Speaker 1>thing about that blind approach is that it's uncomfortable. You

0:35:40.880 --> 0:35:43.440
<v Speaker 1>don't know maybe where to aim, You don't know, you

0:35:43.480 --> 0:35:46.040
<v Speaker 1>don't really have a true intuitive sense of how far

0:35:46.120 --> 0:35:49.120
<v Speaker 1>to hit your ball. But McDonald and Rayner, in their

0:35:49.560 --> 0:35:52.920
<v Speaker 1>versions of the Alps often did give you this option

0:35:53.680 --> 0:35:56.640
<v Speaker 1>to see the green if you took a risk. So

0:35:56.760 --> 0:35:58.839
<v Speaker 1>that's the Alps hole reactions to that.

0:35:59.440 --> 0:36:01.280
<v Speaker 2>I like the idea of the punch bowl green.

0:36:01.640 --> 0:36:05.320
<v Speaker 3>I think I I was gonna add that that was

0:36:05.360 --> 0:36:08.120
<v Speaker 3>one of my follow up questions, so that a punch

0:36:08.160 --> 0:36:11.759
<v Speaker 3>bowl is not a template or is a template or

0:36:11.800 --> 0:36:15.000
<v Speaker 3>is that just like a design characteristic rather.

0:36:15.000 --> 0:36:20.560
<v Speaker 1>It's a good question. I think I would consider it. Yeah,

0:36:20.719 --> 0:36:24.480
<v Speaker 1>it's sort of in between. There are certain templates, so

0:36:24.560 --> 0:36:29.000
<v Speaker 1>called templates, that are just green designs, and those would

0:36:29.000 --> 0:36:33.160
<v Speaker 1>include maybe the double plateau hole. Really, what the double

0:36:33.200 --> 0:36:38.359
<v Speaker 1>plateau is is a green with two plateaus and then

0:36:38.640 --> 0:36:41.960
<v Speaker 1>a channel between them, and then a lower section like

0:36:42.000 --> 0:36:44.960
<v Speaker 1>a three section green, where you have these two high

0:36:45.040 --> 0:36:47.680
<v Speaker 1>sections where you can put pins, and then one low

0:36:47.760 --> 0:36:50.400
<v Speaker 1>section where you can put a pin, and then a

0:36:50.400 --> 0:36:55.120
<v Speaker 1>little trough between the plateaus. That's a double plateau green,

0:36:56.000 --> 0:36:59.960
<v Speaker 1>but it's not really specific as to what the other

0:37:00.160 --> 0:37:02.759
<v Speaker 1>features of a whole of the hole would be. You know,

0:37:02.840 --> 0:37:05.719
<v Speaker 1>often a double plateau green is paired with a principal's

0:37:05.760 --> 0:37:08.760
<v Speaker 1>nose bunker complex, which is based on a bunker complex

0:37:08.800 --> 0:37:11.239
<v Speaker 1>on the sixteenth Hole at Saint Andrew's where you have

0:37:11.480 --> 0:37:15.200
<v Speaker 1>kind of a couple of bunkers cut into a small

0:37:15.320 --> 0:37:18.720
<v Speaker 1>mound or dune, and if you look at it from above,

0:37:19.320 --> 0:37:22.600
<v Speaker 1>it looks like a nose with two nostrils, right, the

0:37:22.719 --> 0:37:26.200
<v Speaker 1>bunkers the two nostrils. Silly, but you don't really see

0:37:26.200 --> 0:37:27.719
<v Speaker 1>it that way from the from the ground. If you

0:37:27.760 --> 0:37:30.160
<v Speaker 1>look at it from the air then in any case,

0:37:32.160 --> 0:37:35.880
<v Speaker 1>so these these some of these motifs, like the double

0:37:35.880 --> 0:37:39.160
<v Speaker 1>plateau green and the Principal's nose bunker complex are kind

0:37:39.160 --> 0:37:42.520
<v Speaker 1>of free floating, so it's not like a whole integrated

0:37:42.560 --> 0:37:45.520
<v Speaker 1>hole design. And I guess I would consider the punch

0:37:45.560 --> 0:37:50.560
<v Speaker 1>bowl one of those, but there are holes on courses

0:37:51.120 --> 0:37:53.440
<v Speaker 1>designed by MacDonald and Rayner with the name punch bowl,

0:37:53.520 --> 0:37:56.440
<v Speaker 1>and and so it can get a little bit confusing

0:37:56.520 --> 0:37:59.600
<v Speaker 1>that way. I think the best way to understand templates, though,

0:38:00.200 --> 0:38:03.720
<v Speaker 1>is that they're not always strict. The par three templates,

0:38:03.719 --> 0:38:07.920
<v Speaker 1>the typical par three templates, the radan, the beerz, the

0:38:07.960 --> 0:38:11.759
<v Speaker 1>short hole, and the edenhole. You'll see those over and

0:38:11.800 --> 0:38:17.200
<v Speaker 1>over and over in kind of similar configurations. The topography

0:38:17.239 --> 0:38:18.719
<v Speaker 1>will be different and the layer it will be.

0:38:19.320 --> 0:38:21.400
<v Speaker 2>On a par three, right, it's kind of it is

0:38:21.440 --> 0:38:22.120
<v Speaker 2>what it is.

0:38:22.040 --> 0:38:27.720
<v Speaker 1>Yeah, exactly, Whereas on the par four's and par fives

0:38:28.160 --> 0:38:33.359
<v Speaker 1>often elements will be remixed, rearranged, different, different things will

0:38:33.400 --> 0:38:36.880
<v Speaker 1>be used in different places, and so I think I

0:38:36.880 --> 0:38:40.239
<v Speaker 1>would consider the term punch bowl to be part of

0:38:40.239 --> 0:38:44.279
<v Speaker 1>that network of motifs that are sometimes used in some

0:38:44.400 --> 0:38:47.680
<v Speaker 1>places and sometimes in other places.

0:38:48.280 --> 0:38:50.360
<v Speaker 3>Okay, that makes sense, I mean, I mean back to

0:38:50.560 --> 0:38:54.800
<v Speaker 3>back to the template itself. Then I like the idea

0:38:55.160 --> 0:38:58.719
<v Speaker 3>of the reward of carrying this this dune you get

0:38:58.719 --> 0:39:02.200
<v Speaker 3>a feeder green. That that makes sense to me in

0:39:02.280 --> 0:39:05.520
<v Speaker 3>my binary yes or no one ones and zeros. If

0:39:05.520 --> 0:39:08.080
<v Speaker 3>I carry this, I deserve to be rewarded. And I

0:39:08.080 --> 0:39:11.840
<v Speaker 3>also I like the I like the idea of taking

0:39:11.880 --> 0:39:16.239
<v Speaker 3>an angle and getting to see past the bunker. So

0:39:16.280 --> 0:39:21.160
<v Speaker 3>I I I think I'm visualizing it correctly, and I

0:39:21.440 --> 0:39:23.920
<v Speaker 3>I like the idea of it on paper a lot.

0:39:24.160 --> 0:39:28.680
<v Speaker 1>Okay, that's good, but you're uncomfortable with blind approach shots, yeah,

0:39:28.680 --> 0:39:29.839
<v Speaker 1>which is understandable.

0:39:30.040 --> 0:39:30.239
<v Speaker 2>Yeah.

0:39:30.360 --> 0:39:33.120
<v Speaker 3>No, I I think I would be infuriated, like standing

0:39:33.160 --> 0:39:35.120
<v Speaker 3>in the fair way looking at it. But if you

0:39:35.239 --> 0:39:37.120
<v Speaker 3>told me, like, hey, all you have to do is

0:39:37.200 --> 0:39:39.399
<v Speaker 3>hit this number and it's going to feed down, I'd

0:39:39.400 --> 0:39:42.440
<v Speaker 3>be like, Okay, at least I'll try that. Like that,

0:39:42.440 --> 0:39:45.360
<v Speaker 3>that makes sense. I deserve to be rewarded in some

0:39:45.360 --> 0:39:46.919
<v Speaker 3>some circumstance there.

0:39:47.200 --> 0:39:51.360
<v Speaker 1>Yeah, yeah, absolutely so you would. You would be frustrated

0:39:51.400 --> 0:39:56.200
<v Speaker 1>by the Maiden hole, which as a whole was a

0:39:56.239 --> 0:40:00.480
<v Speaker 1>hole at Royal Saint George's where you where it was

0:40:00.520 --> 0:40:05.239
<v Speaker 1>a par three but basically an Alps whole because you

0:40:05.280 --> 0:40:07.680
<v Speaker 1>are standing on the tee and just hitting over a

0:40:07.760 --> 0:40:10.960
<v Speaker 1>dune to a semi kind of punch bowl green on

0:40:11.040 --> 0:40:16.160
<v Speaker 1>the other side. That was the Maiden hole. Now, confusingly enough,

0:40:17.120 --> 0:40:20.520
<v Speaker 1>McDonald and Rayner developed on some of their courses a

0:40:20.600 --> 0:40:24.879
<v Speaker 1>maiden template. It didn't really have anything. It was more

0:40:24.920 --> 0:40:28.959
<v Speaker 1>of a green design than a replica of the Saint

0:40:29.000 --> 0:40:35.279
<v Speaker 1>George's Maiden hole. And so that that kind of introduces

0:40:35.280 --> 0:40:43.040
<v Speaker 1>a key idea of Rainer and McDonald's templates that sometimes

0:40:43.680 --> 0:40:46.960
<v Speaker 1>the hole, sometimes the ideal holes are based on models

0:40:47.480 --> 0:40:52.439
<v Speaker 1>that are either unknown or are so different from what

0:40:52.600 --> 0:40:55.680
<v Speaker 1>McDonald and Rayner ended up creating that it's hard to

0:40:55.680 --> 0:40:59.480
<v Speaker 1>see the connection. I yeah, So when people talk about

0:40:59.520 --> 0:41:03.480
<v Speaker 1>template hole, it's really not a strict one to one

0:41:03.560 --> 0:41:07.759
<v Speaker 1>relationship between the model and what ultimately got built. On

0:41:07.920 --> 0:41:11.640
<v Speaker 1>many of McDonald and Rayner's courses, sometimes there was some

0:41:11.680 --> 0:41:15.640
<v Speaker 1>real interpretation reinterpretation going on, and sometimes there was just

0:41:15.680 --> 0:41:20.000
<v Speaker 1>a complete departure from the original model, and you just like,

0:41:20.480 --> 0:41:22.960
<v Speaker 1>it's a mystery what was going through their minds And

0:41:23.000 --> 0:41:25.399
<v Speaker 1>nobody really knows how they came up with what they

0:41:25.440 --> 0:41:29.120
<v Speaker 1>came up with, and so there was there was, there

0:41:29.160 --> 0:41:32.200
<v Speaker 1>was a lot of creativity in this process of developing

0:41:32.239 --> 0:41:37.120
<v Speaker 1>ideal holes, and we're still coming to terms with what

0:41:37.280 --> 0:41:41.759
<v Speaker 1>exactly they did. There are some unknowns here. Basically, are

0:41:41.800 --> 0:41:46.200
<v Speaker 1>there any other template holes terms that you would that

0:41:46.280 --> 0:41:47.840
<v Speaker 1>you're curious to have identified?

0:41:48.080 --> 0:41:48.719
<v Speaker 2>Yeah? I have.

0:41:48.880 --> 0:41:50.560
<v Speaker 3>I have two ways I want to take this. So

0:41:50.719 --> 0:41:53.719
<v Speaker 3>on the are there any other holes? How does a

0:41:53.840 --> 0:41:55.680
<v Speaker 3>road hole work when it's.

0:41:55.520 --> 0:41:56.600
<v Speaker 2>Not the road hole?

0:41:56.680 --> 0:41:59.920
<v Speaker 3>Because I understand what it looks like there, but I

0:42:00.080 --> 0:42:02.279
<v Speaker 3>how do you take that out of that context and

0:42:02.320 --> 0:42:05.400
<v Speaker 3>there's no hotel and you're not you know, you're removing

0:42:05.800 --> 0:42:10.360
<v Speaker 3>all circumstantial, you know, outside influences.

0:42:10.760 --> 0:42:12.919
<v Speaker 1>Keep in mind, first of all, that when McDonald first

0:42:12.920 --> 0:42:18.520
<v Speaker 1>there's no Old Course hotel. Yeah it was, it was

0:42:18.560 --> 0:42:21.919
<v Speaker 1>something different. But but yes, that's a great question because

0:42:21.960 --> 0:42:27.000
<v Speaker 1>the road hole uses certain unique features of the Saint

0:42:27.040 --> 0:42:31.239
<v Speaker 1>Andrew's city scape to create its strategy, one of which

0:42:31.280 --> 0:42:33.920
<v Speaker 1>is that little corner with you know that now the

0:42:33.960 --> 0:42:37.160
<v Speaker 1>Old Course hotel, but there's always been some amount of

0:42:37.239 --> 0:42:39.640
<v Speaker 1>building or human settlement there that players are kind of

0:42:39.680 --> 0:42:42.560
<v Speaker 1>hitting over. And then there's the road, of course, on

0:42:42.760 --> 0:42:46.600
<v Speaker 1>that backside of the green. This is an example of

0:42:46.680 --> 0:42:51.120
<v Speaker 1>where McDonald may have looked at the original version of

0:42:51.160 --> 0:42:53.840
<v Speaker 1>the hole said, clearly, this needs to be one of

0:42:53.840 --> 0:42:57.640
<v Speaker 1>the ideal holes, because everybody agrees that it's the greatest

0:42:58.120 --> 0:43:00.840
<v Speaker 1>three shot hole or two shot hole or whatever you

0:43:00.880 --> 0:43:03.560
<v Speaker 1>wanted to consider it in the world. We've got to

0:43:03.600 --> 0:43:07.000
<v Speaker 1>have some version of this, but we can't replicate exactly

0:43:07.520 --> 0:43:10.440
<v Speaker 1>the features that it has in its landscape. And so

0:43:10.800 --> 0:43:13.440
<v Speaker 1>I think what McDonald and Rayner ended up doing in

0:43:13.480 --> 0:43:19.400
<v Speaker 1>their versions was boiling the hole down to its strategic fundamentals,

0:43:19.960 --> 0:43:22.680
<v Speaker 1>its angles. Essentially, if you think about what the road

0:43:22.719 --> 0:43:28.400
<v Speaker 1>Hole really is, beyond just the particularities of the hotel

0:43:28.560 --> 0:43:33.479
<v Speaker 1>and the road, it is a sharply dog legging right

0:43:33.880 --> 0:43:38.839
<v Speaker 1>hole with an intimidating hazard on the inside of the

0:43:38.840 --> 0:43:42.000
<v Speaker 1>dog leg and plenty of room to play on the

0:43:42.040 --> 0:43:46.520
<v Speaker 1>outside of the dog leg. But then a green oriented

0:43:47.040 --> 0:43:52.160
<v Speaker 1>from right to left along that redan diagonal, but designed

0:43:52.160 --> 0:43:57.520
<v Speaker 1>completely differently from a ridan with a super deep, terrifying

0:43:57.600 --> 0:44:04.359
<v Speaker 1>bunker embedded into that green on its left side, and

0:44:04.400 --> 0:44:08.960
<v Speaker 1>then a hazard, a kind of straight line hazard on

0:44:09.040 --> 0:44:12.839
<v Speaker 1>the outside on the other side. And so the conundrum

0:44:12.880 --> 0:44:16.280
<v Speaker 1>you find is that if you bail out away from

0:44:16.760 --> 0:44:19.719
<v Speaker 1>the hazard on the inside of the dog leg, then

0:44:19.760 --> 0:44:22.520
<v Speaker 1>you're facing approach and approach where you're hitting over that

0:44:22.719 --> 0:44:26.440
<v Speaker 1>terrifying pop punker and toward the road on the other side.

0:44:27.320 --> 0:44:29.720
<v Speaker 1>You are going to end up either in the pop

0:44:29.719 --> 0:44:32.880
<v Speaker 1>bunker or on the road, neither of which is good.

0:44:33.680 --> 0:44:36.239
<v Speaker 1>And maybe you'll maybe you have some space to bail

0:44:36.280 --> 0:44:37.839
<v Speaker 1>out on one side or the other. You could play

0:44:37.880 --> 0:44:41.200
<v Speaker 1>short of the green. Some people even provocatively play long

0:44:41.320 --> 0:44:43.960
<v Speaker 1>of the green on the road hole, but that is

0:44:43.960 --> 0:44:46.799
<v Speaker 1>the strategic essence of the whole. Unless you challenge the

0:44:46.840 --> 0:44:50.000
<v Speaker 1>inside of the dog leg, you're going to face an

0:44:50.160 --> 0:44:55.400
<v Speaker 1>enormously difficult second shot. And that is what McDonald and

0:44:55.480 --> 0:44:59.160
<v Speaker 1>Rayner extracted from the road hole. So ultimately what they

0:44:59.200 --> 0:45:02.200
<v Speaker 1>did was in st out of the road, they often

0:45:02.239 --> 0:45:04.640
<v Speaker 1>just put a bunker on the other side there to

0:45:04.719 --> 0:45:07.800
<v Speaker 1>stand in for the road, kind of a linear bunker,

0:45:08.520 --> 0:45:11.600
<v Speaker 1>basically in the same position and in the same orientation

0:45:11.880 --> 0:45:14.600
<v Speaker 1>as the road, and then maybe they'd find something else

0:45:14.640 --> 0:45:16.960
<v Speaker 1>for the inside of the dog lake, maybe some trees,

0:45:17.560 --> 0:45:21.280
<v Speaker 1>maybe maybe some water, you know, things varied, or maybe

0:45:21.320 --> 0:45:24.800
<v Speaker 1>just some bunkers to again stand in for that hazard

0:45:24.880 --> 0:45:27.319
<v Speaker 1>that you would want to avoid on the inside of

0:45:27.320 --> 0:45:27.799
<v Speaker 1>the dog lake.

0:45:29.320 --> 0:45:33.319
<v Speaker 3>So that was my follow up question was does it

0:45:33.400 --> 0:45:35.879
<v Speaker 3>need to be like a boundary, like do you have

0:45:36.000 --> 0:45:41.399
<v Speaker 3>to have a like a literal like road or out

0:45:41.440 --> 0:45:43.640
<v Speaker 3>of play or whatever, like does this have to be

0:45:43.680 --> 0:45:46.040
<v Speaker 3>pushed up against the edge of a property or like

0:45:46.120 --> 0:45:48.600
<v Speaker 3>what are you throwing on that side to that end there?

0:45:49.000 --> 0:45:52.879
<v Speaker 1>You could definitely argue that in order to recreate the

0:45:52.920 --> 0:45:56.400
<v Speaker 1>tension of the road hole, you need a boundary because

0:45:56.440 --> 0:46:00.400
<v Speaker 1>you really need those hazards on that outside of the

0:46:00.440 --> 0:46:03.040
<v Speaker 1>green and the inside of the dog leg to be

0:46:04.320 --> 0:46:08.360
<v Speaker 1>absolutely just the things that you know you need to

0:46:08.400 --> 0:46:11.919
<v Speaker 1>avoid at all costs. So I think some people would

0:46:12.000 --> 0:46:13.640
<v Speaker 1>argue that, yes, it needs to be an out of

0:46:13.680 --> 0:46:16.600
<v Speaker 1>bounds kind of situation. But the fact is that if

0:46:16.600 --> 0:46:19.919
<v Speaker 1>you look at McDonald and Rainer's versions of the road hole,

0:46:20.400 --> 0:46:23.839
<v Speaker 1>they usually didn't have that because they didn't usually have

0:46:24.440 --> 0:46:28.719
<v Speaker 1>a boundary line with the right dimensions to create that,

0:46:29.080 --> 0:46:32.600
<v Speaker 1>so they needed to create it in another way. But yeah,

0:46:32.680 --> 0:46:37.160
<v Speaker 1>I think that in general, the road Hole, to my mind,

0:46:37.239 --> 0:46:40.000
<v Speaker 1>this is just my opinion, is not always the most

0:46:40.040 --> 0:46:44.120
<v Speaker 1>successful McDonald and Rainer template. I think precisely because of

0:46:44.160 --> 0:46:48.680
<v Speaker 1>this reason, because usually it's not a boundary and some

0:46:48.800 --> 0:46:53.160
<v Speaker 1>of the character of the hole is lost as a result.

0:46:53.719 --> 0:46:56.239
<v Speaker 1>I don't think I've ever seen a version of the

0:46:56.320 --> 0:46:59.719
<v Speaker 1>road Hole that exceeds the original.

0:47:00.400 --> 0:47:02.319
<v Speaker 2>Yeah, Whereas whereas.

0:47:01.960 --> 0:47:07.880
<v Speaker 1>Some other templates, in many cases the renditions by MacDonald

0:47:07.920 --> 0:47:11.560
<v Speaker 1>and Rayner were better, and I don't think that's the

0:47:11.600 --> 0:47:13.520
<v Speaker 1>case with the road Hole. Is the original so good?

0:47:14.400 --> 0:47:16.120
<v Speaker 3>Yeah, I feel like it would be hard to beat

0:47:16.239 --> 0:47:20.719
<v Speaker 3>that actually having the road and the bunker, you know,

0:47:20.960 --> 0:47:24.560
<v Speaker 3>how you can put you know, a penal bunker in

0:47:24.600 --> 0:47:26.879
<v Speaker 3>that position, but are you getting it to be that

0:47:27.640 --> 0:47:30.880
<v Speaker 3>exact bunker? And how bad that is in that slope?

0:47:31.280 --> 0:47:33.920
<v Speaker 3>I you know, I feel like it's hard to replicate anywhere.

0:47:34.640 --> 0:47:39.640
<v Speaker 1>This is always the problem with influences in art, because

0:47:40.040 --> 0:47:42.640
<v Speaker 1>if you're just trying to replicate something that you really love,

0:47:42.920 --> 0:47:45.400
<v Speaker 1>a really great work of art, you're always going to

0:47:45.440 --> 0:47:47.759
<v Speaker 1>fall a little short because it's not the original. And

0:47:47.800 --> 0:47:50.240
<v Speaker 1>even if you try to tweak or improve some elements

0:47:50.280 --> 0:47:53.120
<v Speaker 1>of it, the original is going to have something about

0:47:53.160 --> 0:47:57.440
<v Speaker 1>it that is just better. And so in order to

0:47:57.520 --> 0:48:00.359
<v Speaker 1>exceed your influences or be as great as your influences,

0:48:00.680 --> 0:48:03.240
<v Speaker 1>you need to transform them in the process of making

0:48:03.320 --> 0:48:06.520
<v Speaker 1>new art. And I think that's why the McDonald and

0:48:06.600 --> 0:48:10.759
<v Speaker 1>Rainer templates that are really different from their models tend

0:48:10.840 --> 0:48:11.720
<v Speaker 1>to be the better ones.

0:48:12.360 --> 0:48:15.920
<v Speaker 3>So that's that's kind of the second half of my

0:48:16.080 --> 0:48:18.120
<v Speaker 3>two ways that I wanted to take this. I wanted

0:48:18.160 --> 0:48:19.640
<v Speaker 3>to figure out what the road hole was when you

0:48:19.680 --> 0:48:23.080
<v Speaker 3>remove all context of the actual road hole. Now my

0:48:23.239 --> 0:48:28.760
<v Speaker 3>question to you is, do you think, in your opinion,

0:48:29.080 --> 0:48:31.640
<v Speaker 3>however you want to take this, like, are the template

0:48:31.680 --> 0:48:33.000
<v Speaker 3>holes good?

0:48:34.440 --> 0:48:36.759
<v Speaker 1>Like this is a question I had for you as well.

0:48:37.040 --> 0:48:40.080
<v Speaker 3>Yeah, even obviously they are to some extent that they're

0:48:40.120 --> 0:48:44.040
<v Speaker 3>still being used one hundred and twenty years after this

0:48:44.120 --> 0:48:48.920
<v Speaker 3>all started, But like, would you prefer to have these

0:48:49.080 --> 0:48:52.360
<v Speaker 3>continually be used into the future or is it time

0:48:52.440 --> 0:48:54.719
<v Speaker 3>to kind of move on and figure out something new?

0:48:55.160 --> 0:48:58.440
<v Speaker 1>Wonderful question? Let me throw it back at you briefly

0:48:58.640 --> 0:49:01.439
<v Speaker 1>before I give my thoughts on it. Do you think

0:49:01.560 --> 0:49:04.759
<v Speaker 1>the template holes are unoriginal? That's the first question. Do

0:49:04.800 --> 0:49:07.800
<v Speaker 1>you think their lack of originality is a problem?

0:49:08.239 --> 0:49:10.760
<v Speaker 3>I don't think it's a problem because, like you said,

0:49:10.800 --> 0:49:14.080
<v Speaker 3>like you're never getting the same land, and it's not

0:49:14.120 --> 0:49:17.760
<v Speaker 3>going to be kind of cookie cutter, like every single

0:49:17.840 --> 0:49:19.920
<v Speaker 3>time you build it is going to be the exact

0:49:20.000 --> 0:49:25.359
<v Speaker 3>same thing. I like having aspects of recurring motifs, like

0:49:25.400 --> 0:49:30.080
<v Speaker 3>you said, throughout an architect's kind of portfolio. I think

0:49:30.160 --> 0:49:33.200
<v Speaker 3>that makes sense. That's kind of like any kind of art,

0:49:33.480 --> 0:49:35.920
<v Speaker 3>that you're going to have kind of recurring themes or

0:49:36.360 --> 0:49:42.399
<v Speaker 3>identifiable characteristics. But you know, I think, especially when you're

0:49:42.440 --> 0:49:47.120
<v Speaker 3>talking about the you know, amount of land that now

0:49:47.239 --> 0:49:49.880
<v Speaker 3>some of these courses are taking up, like if you

0:49:49.960 --> 0:49:53.960
<v Speaker 3>have the opportunity to get creative, I wouldn't necessarily be

0:49:54.040 --> 0:49:55.800
<v Speaker 3>against that either.

0:49:56.400 --> 0:50:00.160
<v Speaker 1>Yeah. Yeah, no, I think you've thought through that really well.

0:50:01.000 --> 0:50:04.839
<v Speaker 1>For me, what you said at the beginning that the

0:50:04.960 --> 0:50:09.399
<v Speaker 1>land differentiates template holes from each other is the key

0:50:09.400 --> 0:50:14.360
<v Speaker 1>thing to understand about McDonald and Rayner's own courses. I

0:50:14.400 --> 0:50:18.000
<v Speaker 1>think when you look at these courses from a Google

0:50:18.000 --> 0:50:21.319
<v Speaker 1>Earth view, you might say they're just doing the same

0:50:21.360 --> 0:50:25.200
<v Speaker 1>holes over and over again. But when you play them,

0:50:25.560 --> 0:50:29.799
<v Speaker 1>that kind of flies out of your mind. Because each

0:50:29.920 --> 0:50:34.000
<v Speaker 1>McDonald and Rainer course, especially their best ones, especially National

0:50:34.000 --> 0:50:36.800
<v Speaker 1>Golf Links or the leado As recreated in the Sand Valley,

0:50:36.920 --> 0:50:40.879
<v Speaker 1>or Rainer's best courses like the course at Yale or

0:50:41.120 --> 0:50:46.319
<v Speaker 1>Yamen's Hall or Chicago Golf Club. When you actually play

0:50:46.360 --> 0:50:51.560
<v Speaker 1>these courses, they feel so specific and original to their

0:50:51.640 --> 0:50:56.000
<v Speaker 1>piece of land. I think especially Rainer's genius because he

0:50:56.040 --> 0:50:58.920
<v Speaker 1>designed so many more courses than McDonald, But Rayner's genius

0:50:59.040 --> 0:51:05.160
<v Speaker 1>was finding different ways to adapt these template ideas to

0:51:05.280 --> 0:51:09.080
<v Speaker 1>different pieces of land is really an interesting exercise, and

0:51:09.120 --> 0:51:11.760
<v Speaker 1>he managed to come up with courses that just feel

0:51:11.800 --> 0:51:16.359
<v Speaker 1>totally original time after time, totally unique. And that was

0:51:16.800 --> 0:51:21.440
<v Speaker 1>something that goes beyond just theorizing the ideal holes. It

0:51:21.560 --> 0:51:26.520
<v Speaker 1>drew on the skills of routing and you know, just

0:51:27.080 --> 0:51:33.520
<v Speaker 1>finding opportunities in the land that you know were field skills.

0:51:33.960 --> 0:51:36.960
<v Speaker 1>They were on the ground skills that McDonald and Rayner

0:51:37.040 --> 0:51:41.200
<v Speaker 1>had in doing this. So their genius goes way way

0:51:41.760 --> 0:51:44.880
<v Speaker 1>beyond just coming up with the ideal holes. Now, I

0:51:44.920 --> 0:51:51.760
<v Speaker 1>think it's true that occasionally I wish that Rayner would

0:51:51.760 --> 0:51:56.480
<v Speaker 1>have used different Part three ideas. That's really where this

0:51:57.000 --> 0:51:59.920
<v Speaker 1>kind of starts to become a bit repetitive. And whenever

0:52:00.160 --> 0:52:05.359
<v Speaker 1>Rainer incorporates a new kind of par three into his

0:52:05.440 --> 0:52:08.120
<v Speaker 1>set of part three's on a particular course, I get

0:52:08.120 --> 0:52:13.480
<v Speaker 1>really exciting. WHOA, yeah, I haven't seen this before. That's

0:52:13.520 --> 0:52:16.440
<v Speaker 1>where it becomes exciting. And also something to bear in

0:52:16.480 --> 0:52:19.879
<v Speaker 1>mind is that on every McDonald and Rainer course there

0:52:19.920 --> 0:52:23.319
<v Speaker 1>are holes that they didn't replicate elsewhere. It's not one

0:52:23.400 --> 0:52:27.400
<v Speaker 1>hundred percent template holes. On any McDonald and Rayner course,

0:52:27.760 --> 0:52:30.680
<v Speaker 1>there are always kind of one of one holes, and

0:52:31.400 --> 0:52:34.319
<v Speaker 1>sometimes it's those ones that really jump out at you

0:52:34.760 --> 0:52:38.920
<v Speaker 1>for a variety of reasons. And maybe that does indicate

0:52:39.320 --> 0:52:42.760
<v Speaker 1>a new direction for golf architecture after McDonald and Rayner,

0:52:42.840 --> 0:52:46.280
<v Speaker 1>that that pursuing these original ideas moving beyond the templates

0:52:46.320 --> 0:52:49.279
<v Speaker 1>was the way to go. At the same time, I

0:52:49.360 --> 0:52:53.240
<v Speaker 1>do appreciate the way that the ideal holes were adapted

0:52:53.280 --> 0:52:56.240
<v Speaker 1>to each landscape of each course, and I don't necessarily

0:52:56.280 --> 0:53:00.279
<v Speaker 1>wish that they did that. They did things differently. Now.

0:53:00.320 --> 0:53:03.839
<v Speaker 1>I think it's a separate question should modern architects use

0:53:03.880 --> 0:53:06.960
<v Speaker 1>template holes. What's your thought about that.

0:53:08.239 --> 0:53:12.160
<v Speaker 3>I think there's probably a line, a really fickle line,

0:53:12.200 --> 0:53:16.160
<v Speaker 3>between use and overuse. I wouldn't say don't do it,

0:53:16.680 --> 0:53:20.680
<v Speaker 3>but I would caution against overdoing it. I don't know

0:53:20.719 --> 0:53:23.680
<v Speaker 3>exactly where that line is. Like you said, like the

0:53:23.920 --> 0:53:26.120
<v Speaker 3>dan comes up a lot, you want to do one

0:53:26.160 --> 0:53:30.520
<v Speaker 3>of those like cool, but maybe don't like put all

0:53:30.560 --> 0:53:31.839
<v Speaker 3>of them out there, you know what I mean?

0:53:32.080 --> 0:53:36.319
<v Speaker 1>Right? And there are some modern courses that use all

0:53:36.360 --> 0:53:40.000
<v Speaker 1>template holes. Old McDonald at Bandon Dune's is an example,

0:53:40.160 --> 0:53:43.239
<v Speaker 1>and Gil Hants recently did one in Florida called Kinsale.

0:53:44.239 --> 0:53:48.960
<v Speaker 1>And these courses are good Old McDonald I love, But

0:53:49.480 --> 0:53:52.640
<v Speaker 1>what old McDonald did is that it took the template

0:53:52.680 --> 0:53:56.280
<v Speaker 1>holes and did something new with them. That course doesn't

0:53:56.280 --> 0:53:58.600
<v Speaker 1>look like a McDonald and Rainer course. The aesthetics are

0:53:58.600 --> 0:54:01.000
<v Speaker 1>totally different. The way the bunkers greens are built is

0:54:01.040 --> 0:54:04.759
<v Speaker 1>totally different. It looks much more like Saint Andrew's than

0:54:04.800 --> 0:54:08.640
<v Speaker 1>it does like National Golf Links. And that was the

0:54:08.800 --> 0:54:12.560
<v Speaker 1>new idea that Tom Duck introduced. So in my opinion,

0:54:12.920 --> 0:54:15.960
<v Speaker 1>I'm with you. Don't overdo it, first of all, because

0:54:15.960 --> 0:54:19.280
<v Speaker 1>they've already been done really well. And if you're gonna

0:54:19.320 --> 0:54:21.880
<v Speaker 1>do it, find a new spin, find a new slant.

0:54:22.520 --> 0:54:25.960
<v Speaker 2>Find a new slant. These are perfectly normal collers. Find

0:54:26.400 --> 0:54:27.040
<v Speaker 2>find a new.

0:54:26.920 --> 0:54:31.640
<v Speaker 1>Slat, perfectly normal template holes. Yeah, find find your new

0:54:31.680 --> 0:54:34.920
<v Speaker 1>slant and do it in that way. But to an extent,

0:54:36.040 --> 0:54:41.200
<v Speaker 1>the purpose of McDonald and Rayner's template holes has has

0:54:41.239 --> 0:54:47.200
<v Speaker 1>gone because their original purpose was to introduce great design

0:54:47.280 --> 0:54:51.799
<v Speaker 1>ideas to America. They did that. Yeah, And now that

0:54:51.880 --> 0:54:55.359
<v Speaker 1>they've done that, I guess it's time for us all

0:54:55.400 --> 0:54:59.759
<v Speaker 1>to move on. And then, besides that, another question that's

0:54:59.840 --> 0:55:05.600
<v Speaker 1>ra by McDonald and Rayner's project here recreating the ideal holes,

0:55:05.640 --> 0:55:10.319
<v Speaker 1>a bigger question about the entire idea of it is

0:55:10.719 --> 0:55:15.480
<v Speaker 1>whether a course with the eighteen best holes is necessarily

0:55:16.000 --> 0:55:19.600
<v Speaker 1>the best golf course. That was McDonald's theory at the beginning.

0:55:20.640 --> 0:55:23.239
<v Speaker 1>If I create eighteen ideal holes, I will have the

0:55:23.280 --> 0:55:26.759
<v Speaker 1>ideal golf course for a variety of reasons. I don't

0:55:26.760 --> 0:55:27.480
<v Speaker 1>think I agree.

0:55:27.840 --> 0:55:31.560
<v Speaker 3>No, I feel like you need what's making the holes great.

0:55:31.840 --> 0:55:35.240
<v Speaker 3>I've never been to say Andrews, but I think part

0:55:35.280 --> 0:55:39.160
<v Speaker 3>of what makes the road hole great, for example, is

0:55:39.200 --> 0:55:43.480
<v Speaker 3>the context of it and having it be, you know,

0:55:44.040 --> 0:55:46.600
<v Speaker 3>late in the round where it's positioned in the routing,

0:55:47.000 --> 0:55:50.759
<v Speaker 3>having the road, having the now hotel like, all of

0:55:50.800 --> 0:55:54.880
<v Speaker 3>that is what makes the whole legendary. And if you

0:55:55.000 --> 0:55:57.920
<v Speaker 3>remove literally all of that, then it's just like a

0:55:58.000 --> 0:55:58.600
<v Speaker 3>nice gulfer.

0:56:00.080 --> 0:56:05.440
<v Speaker 1>Think you're exactly right. The wonder of Saint Andrew's is

0:56:05.880 --> 0:56:10.000
<v Speaker 1>the journey out to the estuary and back to town.

0:56:11.280 --> 0:56:14.000
<v Speaker 1>That's what's so great about I mean, that's one of

0:56:14.040 --> 0:56:16.319
<v Speaker 1>the things that's so great about that golf course that

0:56:16.320 --> 0:56:19.920
<v Speaker 1>that accounts for a lot of its emotional impact on players.

0:56:19.920 --> 0:56:22.319
<v Speaker 1>That you kind of you kind of go on an

0:56:22.360 --> 0:56:25.880
<v Speaker 1>adventure away from town and then for the last several holes,

0:56:25.920 --> 0:56:29.719
<v Speaker 1>the town gets bigger and bigger in your frame of

0:56:29.800 --> 0:56:33.440
<v Speaker 1>view until you're finally right in it. And part of

0:56:33.440 --> 0:56:35.600
<v Speaker 1>the magic of the road hole is that it directly

0:56:35.680 --> 0:56:41.200
<v Speaker 1>engages with the town. The town is like part of that. Yeah,

0:56:41.280 --> 0:56:43.840
<v Speaker 1>that's right, And this is what you've been building towards

0:56:43.840 --> 0:56:46.200
<v Speaker 1>throughout the whole round. You went away from it, now

0:56:46.239 --> 0:56:49.799
<v Speaker 1>you're coming back to it, and so that is that

0:56:49.920 --> 0:56:51.960
<v Speaker 1>is a big part of why the road hole is

0:56:51.960 --> 0:56:54.600
<v Speaker 1>so cool. And and when you take it out of

0:56:54.640 --> 0:56:56.600
<v Speaker 1>context and you and you make it the fourth hole

0:56:56.640 --> 0:56:58.880
<v Speaker 1>on a golf course and you and you don't have

0:56:58.960 --> 0:57:02.200
<v Speaker 1>those elements of the town there, then what you have

0:57:02.360 --> 0:57:06.680
<v Speaker 1>is the strategy, which is really cool, but it is different.

0:57:07.480 --> 0:57:12.520
<v Speaker 1>And that's why that's why responding to the particular piece

0:57:12.520 --> 0:57:14.640
<v Speaker 1>of land that you have in designing a golf course

0:57:15.080 --> 0:57:18.600
<v Speaker 1>is probably always the best method. Now, if you don't

0:57:18.600 --> 0:57:21.120
<v Speaker 1>have anything in that piece of land that's interesting, then

0:57:21.720 --> 0:57:25.240
<v Speaker 1>you can consider what to do from there. But if

0:57:25.240 --> 0:57:27.560
<v Speaker 1>you have a piece of land with great features in it,

0:57:28.160 --> 0:57:31.880
<v Speaker 1>then the first job is to use those features well.

0:57:32.520 --> 0:57:35.320
<v Speaker 1>And that's what the old course does, and by the way,

0:57:35.400 --> 0:57:37.840
<v Speaker 1>that's what so many of McDonald and Rayner's best courses

0:57:37.920 --> 0:57:41.680
<v Speaker 1>do as well. In addition to having these template holes,

0:57:41.880 --> 0:57:45.520
<v Speaker 1>they also use the land extremely well. They don't miss

0:57:45.520 --> 0:57:48.680
<v Speaker 1>any opportunities. Does that make you feel more comfortable with

0:57:48.720 --> 0:57:51.240
<v Speaker 1>the template holes now, PJ? There are many more specific

0:57:51.240 --> 0:57:54.400
<v Speaker 1>instances to talk about, but I hope that that's gotten

0:57:54.440 --> 0:57:57.880
<v Speaker 1>you to a point where at least the discussion as

0:57:57.880 --> 0:57:58.720
<v Speaker 1>a whole makes sense.

0:57:59.320 --> 0:58:02.320
<v Speaker 2>Yeah. Well again, I wanted to leave here with knowing

0:58:02.320 --> 0:58:04.520
<v Speaker 2>whatever Dan was. I think I'm hammered.

0:58:05.360 --> 0:58:09.840
<v Speaker 3>I got that one locked down, so mission accomplished. All

0:58:09.920 --> 0:58:14.600
<v Speaker 3>of this other historical context is great gravy, but I'm

0:58:14.760 --> 0:58:17.240
<v Speaker 3>leaving here with something I love it.

0:58:17.240 --> 0:58:21.160
<v Speaker 1>PJ. Always a pleasure to talk to you about golf architecture.

0:58:21.240 --> 0:58:24.040
<v Speaker 1>One oh one. We'll do it again soon, and please

0:58:24.120 --> 0:58:25.840
<v Speaker 1>let me know if there's another topic that you want

0:58:25.880 --> 0:58:26.400
<v Speaker 1>to dig into.

0:58:27.200 --> 0:58:29.960
<v Speaker 3>Yeah, I'll have to think about it, but I don't know.

0:58:30.040 --> 0:58:31.720
<v Speaker 3>Give me a couple of weeks of hearing you guys

0:58:31.760 --> 0:58:33.680
<v Speaker 3>talk about something and something will pop it in my brain.

0:58:33.720 --> 0:58:46.600
<v Speaker 1>I'm sure exactly. This episode of Designing Golf was produced

0:58:47.040 --> 0:58:51.480
<v Speaker 1>by our guest PJ Clark. Thank you PJ for everything

0:58:51.520 --> 0:58:55.960
<v Speaker 1>you do online. Now, if you've been enjoying Designing Golf,

0:58:56.160 --> 0:58:59.000
<v Speaker 1>leave us a rating and review wherever you happen to

0:58:59.040 --> 0:59:01.880
<v Speaker 1>be listening to us. We like to hear feedback, and

0:59:01.960 --> 0:59:06.360
<v Speaker 1>also consider joining Frida Egg Golf Club recently renamed as

0:59:06.400 --> 0:59:09.560
<v Speaker 1>we relaunched our website. We're building a great community in

0:59:09.600 --> 0:59:13.080
<v Speaker 1>there where we talk about things like Dan's and so

0:59:13.160 --> 0:59:15.360
<v Speaker 1>if you like talking about that kind of stuff, then

0:59:15.400 --> 0:59:18.200
<v Speaker 1>come join us in Frida Egg Golf Club. Go to

0:59:18.200 --> 0:59:24.120
<v Speaker 1>the Frida Egg dot com slash membership enjoy our upcoming

0:59:24.200 --> 0:59:27.120
<v Speaker 1>golf here where you know, we just finished the PGA

0:59:27.280 --> 0:59:30.680
<v Speaker 1>Championship and the US Open is quickly approaching. So we're

0:59:30.680 --> 0:59:33.200
<v Speaker 1>going to do some fun things on designing golf that

0:59:33.320 --> 0:59:37.240
<v Speaker 1>are related to the major championship venues, So make sure

0:59:37.240 --> 0:59:39.800
<v Speaker 1>to stick with us for that thank you for listening,

0:59:39.960 --> 0:59:45.280
<v Speaker 1>and we'll be back again soon with another episode.