WEBVTT - Tom Hanks: #1 Theory Tom Uses in Order to Live a Balanced and Fulfilled Life

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<v Speaker 1>Sometimes life passes in the wink of an eye and

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<v Speaker 1>it's like, wow, are we here already? But there's other

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<v Speaker 1>times in that same week of an eye, you comprehend

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<v Speaker 1>it all.

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<v Speaker 2>One of the greatest and most iconic actors of all time,

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<v Speaker 2>He's started dozens of movies over his forty year career.

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<v Speaker 2>You know, I'm mean loving.

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<v Speaker 1>If you're just looking at the passer saying, man, that

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<v Speaker 1>was when it was great. I wish we could go back. No,

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<v Speaker 1>you never want to go back. You always have to

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<v Speaker 1>understand that our best days are still ahead of it.

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<v Speaker 2>Well, as you keep saying more will be revealed as well.

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<v Speaker 1>This too shall pass and more shall be revealed.

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<v Speaker 3>The number one health and Well In his podcast set

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<v Speaker 3>Jay Shetty.

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<v Speaker 1>See only.

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<v Speaker 2>Tom Hanks, Welcome to on Purpose. It's truly an honor

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<v Speaker 2>and a gift to being your presence to have you here,

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<v Speaker 2>and even the first few moments that we've just exchanged

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<v Speaker 2>a few thoughts, ideas and stories, I'm already enjoying your

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<v Speaker 2>companies so much, and I'm so grateful that.

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<v Speaker 1>You took me time to do this.

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<v Speaker 2>Kind of likewise, and I watched here, which is out

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<v Speaker 2>on November first, I have so much that I want

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<v Speaker 2>to talk about it through and through your lens. I mean,

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<v Speaker 2>I was watching it to me, the theme of home,

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<v Speaker 2>obviously is so strong and apparent, and I wanted to

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<v Speaker 2>ask you where do you feel most at home apart

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<v Speaker 2>from home?

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<v Speaker 1>Okay, all right, man, all right, let's throw deep right

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<v Speaker 1>off the bat. Because I was so many things lined

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<v Speaker 1>up with me at my age. I was the third

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<v Speaker 1>of four. Uh, my parents were very preoccupied with all

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<v Speaker 1>certain you know, like the positives and miseries of their lives.

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<v Speaker 1>I like to joke that they pioneered the marriage dissolution

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<v Speaker 1>laws for the state of California, you know, back they

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<v Speaker 1>got divorces, when only like Jean Jahabor you know, or

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<v Speaker 1>you know, Nicky Hilton got divorces. My home environment was

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<v Speaker 1>fluid in that we moved a lot, and we were

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<v Speaker 1>suddenly living with a whole different set of people because people,

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<v Speaker 1>you know, my parents got remarried and whatnot, so that

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<v Speaker 1>by the time I was seven, I had lived in

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<v Speaker 1>eight different homes. By the time I was ten, I

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<v Speaker 1>lived in ten different homes. And it's always been like that.

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<v Speaker 1>So I am not intimidated by it, and I don't

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<v Speaker 1>think I'm damaged by it at all. As a matter

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<v Speaker 1>of fact, my brother, who I did not live with,

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<v Speaker 1>he lived in the same town and in one of

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<v Speaker 1>three houses all his life. And I consider myself the

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<v Speaker 1>lucky one, you know, just just by the nature of

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<v Speaker 1>so much stuff that I've seen and so much stuff

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<v Speaker 1>that I've been able to experience and be comfortable with. Now. Look,

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<v Speaker 1>you know, I'm sixty eight. So I went through I

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<v Speaker 1>witnessed everything, you know, whatever drug thing that you want

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<v Speaker 1>to go. I wasn't a participantant awful lot of that

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<v Speaker 1>because I was so I was kind of like entertained

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<v Speaker 1>by the new rules of whatever we were. And here's

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<v Speaker 1>a new school, and here's a new apartment complex, and

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<v Speaker 1>now we're living in a bona fide neighborhood. And I

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<v Speaker 1>was not intimidated by all of that stuff. And I

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<v Speaker 1>was also comfortable, perhaps in a way that's not healthy

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<v Speaker 1>in some ways, of being a new guy in a

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<v Speaker 1>new circumstance, sizing up a room, sizing up a school,

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<v Speaker 1>figuring out, all right, what's the easiest way to get

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<v Speaker 1>comfortable here. Part of it is being open, you know,

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<v Speaker 1>kind of like taking over, cracking a few jokes, not

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<v Speaker 1>getting in trouble. And that's different from I would say,

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<v Speaker 1>like my older brother who was very shy, and we

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<v Speaker 1>were connected at the hip to all of this stuff,

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<v Speaker 1>and it was not great for the other members of

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<v Speaker 1>my family. But there was just something about that, the

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<v Speaker 1>roll of the dice, number three of four right there

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<v Speaker 1>when the parents are too busy with all this other

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<v Speaker 1>kind of stuff. And my siblings were not much older

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<v Speaker 1>than I was, but older than I, but they were

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<v Speaker 1>social beings long before I was. I didn't become a

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<v Speaker 1>social being until I was like seven years old or when.

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<v Speaker 1>And by that time I'd lived in very many places.

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<v Speaker 1>So long winded conversation, where where where do I feel it?

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<v Speaker 1>Why do I feel at home most? I'm going to say, now,

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<v Speaker 1>at the age of sixty eight, with some collection of

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<v Speaker 1>my immediate family, wherever we are, provided we are and

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<v Speaker 1>I don't mean to be good laughing, you know, provided

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<v Speaker 1>we are laughing at perhaps the absurdity of it, or

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<v Speaker 1>dealing with the cruelty of it, or sometimes just there's surreal,

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<v Speaker 1>soilistic aspect of can somebody tell me how we ended

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<v Speaker 1>up here? Exactly? Can someone? Can someone do that? Right now? So? I, uh,

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<v Speaker 1>now that's not necessarily a strength, because along with that

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<v Speaker 1>came Dude, I travel light, and I can travel light. Emotionally,

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<v Speaker 1>I'm done. There's stuff that I cannot control. I have

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<v Speaker 1>left many wonderful atmosphere or a loving atmosphere, or a

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<v Speaker 1>friendly atmosphere. And like Ernie Banks, you know, the ballplayer

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<v Speaker 1>for the Chicago Cubs, without ever looking back, without thinking, oh,

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<v Speaker 1>things were really wonderful back then, I wish I was

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<v Speaker 1>back there, Jay, I don't think I've ever thought that now.

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<v Speaker 1>Is that great? Is it facile? Or is it so

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<v Speaker 1>mercurial that maybe maybe you shouldn't trust me?

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<v Speaker 2>Does it feel like it feels like it sounds like

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<v Speaker 2>a healthy detachment?

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<v Speaker 1>There is a type Okay, let's talk about that, because

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<v Speaker 1>there is a version of detachment that means that you

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<v Speaker 1>can navigate, say like, can I say assholes? So you

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<v Speaker 1>can navigate assholes? And you know, I think my experience

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<v Speaker 1>is about ninety percent of the people that you come

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<v Speaker 1>across pretty decent folks, five percent are assholes, and I'll

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<v Speaker 1>say five percent are sociopaths, you know, and you cannot

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<v Speaker 1>avoid that other ten percent, those two five percent, and

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<v Speaker 1>the ability to detach from those circumstances without a doubt

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<v Speaker 1>a good thing. But the habit, then I think of

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<v Speaker 1>choosing isolation from the other ninety percent, because what can

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<v Speaker 1>I rely on at the end of the day. I

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<v Speaker 1>can only rely on what I can fit in either

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<v Speaker 1>my emotional suitcase, an actual suitcase, or the back of

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<v Speaker 1>my car, and that lingers for a very long time.

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<v Speaker 1>So I think the healthy aspect of it has been

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<v Speaker 1>a grade aid to me, as well as the tendency

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<v Speaker 1>to want to be isolated, to not need anybody. Put

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<v Speaker 1>it that way, to not want anybody, because that's just

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<v Speaker 1>what I learned. Life is easy if you don't need anybody,

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<v Speaker 1>and it can be a lot easier if you want

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<v Speaker 1>nothing more than what's in the back of the car.

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<v Speaker 1>But that can be a solitary life, and a lot

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<v Speaker 1>of times being solitary can be confused with being lonely,

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<v Speaker 1>and lonely can being lonely can lead to anger and

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<v Speaker 1>resentments and stuff that you got to work through. And Okay,

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<v Speaker 1>at the sixty eight, you know a lot of those

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<v Speaker 1>years have been dealt with dealing with the latter and

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<v Speaker 1>enjoying the former at the same time.

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<v Speaker 2>Well, I think what you've rightly said is that there's

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<v Speaker 2>this binary feeling of if you're detached, you're lonely or disconnected,

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<v Speaker 2>or you might be at the other end codependent and

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<v Speaker 2>attached and not have the ability to operate in a

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<v Speaker 2>solitary state. So how have you danced almost so beautifully

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<v Speaker 2>between the two of being able to confidently say you've

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<v Speaker 2>been detached in the right ways, and then at the

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<v Speaker 2>same time, you have this beautiful relationship with your wife,

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<v Speaker 2>you have long term friendships with people in the industry,

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<v Speaker 2>Ron Howard, Steven Spielberg, you have. So how does that

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<v Speaker 2>dance work? Because I do think that the magic is

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<v Speaker 2>in the dance, not in the choice.

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<v Speaker 1>I'm going to say that I got very, very, very

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<v Speaker 1>lucky being in the right place at the right time

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<v Speaker 1>and recognizing something that was just for me. All Right,

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<v Speaker 1>you go back to let's just go back to school.

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<v Speaker 1>You know, people say show business is like high school

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<v Speaker 1>with money. High school is like show business without money.

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<v Speaker 1>You know, it truly was. And when I was, when

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<v Speaker 1>I would look, I just went to school. And my

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<v Speaker 1>joke was, we moved around so much that whenever, you know,

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<v Speaker 1>at the end of the school year, my dad would

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<v Speaker 1>stand me out on the driveway and say, so your

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<v Speaker 1>school is somewhere in that direction. Just walk that way,

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<v Speaker 1>and when you see kids your own age, just follow

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<v Speaker 1>them and they lead you to whatever school you are

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<v Speaker 1>supposed to go to. The school was a social kind

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<v Speaker 1>of like place for me, and every now and again

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<v Speaker 1>there might be a moment that landed in my intellectual pursuit,

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<v Speaker 1>if that makes sense. I can't say I really loved

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<v Speaker 1>going to school, but I certainly loved the hang of

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<v Speaker 1>going to school. That's a different thing. Subject matters, that

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<v Speaker 1>was a role of history was great. Sometimes some reading

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<v Speaker 1>was great. But I was no artist. I was no

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<v Speaker 1>you know, I was no mathematician. You know. I kind

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<v Speaker 1>of like geography because you could visualize a map and

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<v Speaker 1>know where like Sri Lanka was, or you know, the

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<v Speaker 1>difference between Cambodia and Thailand. But when I was in

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<v Speaker 1>high school and had no idea what I was supposed

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<v Speaker 1>to do with my time other than you know, maybe

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<v Speaker 1>go to young life, you know, hang out, you know,

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<v Speaker 1>hang out with you know, some sort of psych theological

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<v Speaker 1>you know, brothers. But other than that, sign up for class,

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<v Speaker 1>maybe do your homework on the bus on the way

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<v Speaker 1>to school, and what run track? I don't know what

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<v Speaker 1>he is supposed to do. But there was a theater teacher.

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<v Speaker 1>There was a theater department at this high school. And actually,

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<v Speaker 1>this guy I had known since sixth grade was playing

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<v Speaker 1>Dracula in the high school play. And I said, really,

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<v Speaker 1>and so you know, we went, we went up to

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<v Speaker 1>school at night to see him. And I'd never been

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<v Speaker 1>at my high school at night. Looks different at night.

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<v Speaker 1>Right Then I sat there and there was you know,

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<v Speaker 1>a bunch of people in the auditorium, and then they

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<v Speaker 1>came out and did this play, and I thought, this

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<v Speaker 1>is school. You can do this at school. School. Isn't

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<v Speaker 1>this thing just to survive? This isn't this thing just

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<v Speaker 1>to fill up your time to leave as soon as

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<v Speaker 1>you can and get there at the lake. Oh No.

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<v Speaker 1>I never cut class and didn't do that because in

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<v Speaker 1>some ways the hang of school was too much fun.

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<v Speaker 1>But when I saw that there was this kind of

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<v Speaker 1>discipline that I had already been thinking of in my head,

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<v Speaker 1>that just changed everything. That just would you suddenly have

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<v Speaker 1>a reason to go and do something, and the reason

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<v Speaker 1>is in a pursuit of something that you cannot find

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<v Speaker 1>anywhere else. Right that I got to say my junior

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<v Speaker 1>and senior years of high school. I have been living

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<v Speaker 1>that same exact life and excitement ever since. I'm not

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<v Speaker 1>kidding the idea of auditioning for the first Like our

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<v Speaker 1>great instructor, our teacher, he wanted to do real plays

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<v Speaker 1>because he loved to do the scenic design for it.

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<v Speaker 1>So we did a Knight of the Iguana by Tennessee Williams.

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<v Speaker 1>How about that sixteen year old seventeen year old kids

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<v Speaker 1>playing Night of the Iguana that we did Shakespeare. We

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<v Speaker 1>they did musicals as well, those were always popular. But

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<v Speaker 1>suddenly having this tantalizing thing, that's like, if you have

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<v Speaker 1>an imagination and if you're not afraid of getting up

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<v Speaker 1>in front of people, which I was not. Some people

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<v Speaker 1>can't get up, and it was a bunt for me.

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<v Speaker 1>I did. I did it without even thinking that that gave.

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<v Speaker 1>That gave a purpose and a pursuit that was much

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<v Speaker 1>much bigger than anything else that had been in my life.

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<v Speaker 1>Now I have a friend of mine from the same era,

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<v Speaker 1>James is his name. I met him in fifth grade

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<v Speaker 1>and he said to me he was going to be

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<v Speaker 1>a draftsman. He was going to he was going to

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<v Speaker 1>be an engineer. He's going to design buildings, and he did.

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<v Speaker 1>That's what he's been doing all this life. I knew.

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<v Speaker 1>I knew people that at the same age. They said, well,

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<v Speaker 1>I really love to cook, and they have written cook

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<v Speaker 1>books and they've run their own catering companies. That is

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<v Speaker 1>what That's the same sort of thing that I that

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<v Speaker 1>I landed upon without really knowing it. Because my parents

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<v Speaker 1>were divorced. I spent a lot of time I'm traveling

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<v Speaker 1>to and from, you know, where my mom lived in

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<v Speaker 1>this small town where my dad lived in Oakland in

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<v Speaker 1>the Bay Area. And those hours on a Greyhound bus,

0:13:11.480 --> 0:13:14.360
<v Speaker 1>starting when I was seven, seven or eight years old,

0:13:15.000 --> 0:13:18.320
<v Speaker 1>five hours of just daydreaming, five hours of looking out

0:13:18.320 --> 0:13:21.800
<v Speaker 1>the window, five hours of looking at people passing cars,

0:13:22.559 --> 0:13:26.240
<v Speaker 1>air trains, going by, farms and whatnot, buildings within the

0:13:26.360 --> 0:13:29.720
<v Speaker 1>natural preponderance. I had to sit there quietly and imagine

0:13:29.760 --> 0:13:34.400
<v Speaker 1>what was going on. Was that fueled me into realizing

0:13:34.440 --> 0:13:37.680
<v Speaker 1>that there's this thing, that there's actually a discipline and

0:13:37.720 --> 0:13:41.000
<v Speaker 1>a trade and an art and a what's the word

0:13:41.040 --> 0:13:44.200
<v Speaker 1>I'm looking for and I'll just say it again, a

0:13:44.280 --> 0:13:47.040
<v Speaker 1>pursuit that is, let's put on a show, Let's tell

0:13:47.040 --> 0:13:50.280
<v Speaker 1>a story that came along and bang. That was it.

0:13:50.400 --> 0:13:53.640
<v Speaker 1>And I'm telling you it's the same exact now as

0:13:53.640 --> 0:13:54.280
<v Speaker 1>it was then.

0:13:54.920 --> 0:13:57.319
<v Speaker 2>Did you write on those journeys or was it mainly.

0:13:57.400 --> 0:14:02.440
<v Speaker 1>I wanted to write specific glee, but I did not literally,

0:14:02.480 --> 0:14:05.360
<v Speaker 1>I did not have the I did not have the

0:14:05.400 --> 0:14:10.520
<v Speaker 1>scholastic example. I did not learn the tools because I

0:14:10.600 --> 0:14:15.080
<v Speaker 1>just wanted to fake it, you know, at the last moment. Now,

0:14:15.320 --> 0:14:19.440
<v Speaker 1>I started writing about about twenty years ago by just

0:14:19.520 --> 0:14:23.600
<v Speaker 1>incorporating the work that an actor does that is not

0:14:24.040 --> 0:14:27.640
<v Speaker 1>told to anybody, that is not spoken. That actually was

0:14:27.680 --> 0:14:31.240
<v Speaker 1>a form of writing that came about, and I was

0:14:31.320 --> 0:14:34.520
<v Speaker 1>sort of like instructed on how that come how that

0:14:34.560 --> 0:14:38.720
<v Speaker 1>comes along, but without putting it down on paper. I

0:14:38.920 --> 0:14:43.760
<v Speaker 1>had malleable, cohesive narratives in my head for all of

0:14:43.800 --> 0:14:46.680
<v Speaker 1>this stuff, and I just thought, well, isn't that what

0:14:46.720 --> 0:14:49.800
<v Speaker 1>everybody does. That's the way you do this, right, Because

0:14:49.800 --> 0:14:51.760
<v Speaker 1>it's not just showing up on time and you know,

0:14:51.840 --> 0:14:56.080
<v Speaker 1>learning your words and doing what you're told. There is

0:14:56.120 --> 0:15:01.880
<v Speaker 1>something beyond that. And the beyond that was always fifteen

0:15:01.920 --> 0:15:05.800
<v Speaker 1>times greater than the actual physical showing up. I can't

0:15:05.920 --> 0:15:10.360
<v Speaker 1>I can't discount enough the power of the hang. You

0:15:10.360 --> 0:15:12.520
<v Speaker 1>want to hear a story. Here's here's the sor Okay,

0:15:12.520 --> 0:15:16.640
<v Speaker 1>here's the story. Darlene Love. You know who. Darlene Love is,

0:15:16.880 --> 0:15:24.480
<v Speaker 1>legendary singer, you know singer, A fantastic, fantastic uh motown artist,

0:15:24.520 --> 0:15:28.240
<v Speaker 1>among other things were I was on the Christmas show

0:15:28.600 --> 0:15:30.920
<v Speaker 1>of the old David Letterman Show, and every year he

0:15:31.000 --> 0:15:34.920
<v Speaker 1>brought her along to sing It's Christmas, this fabulous rendition

0:15:35.000 --> 0:15:38.320
<v Speaker 1>with a big orchestra and male choruses. I saw her

0:15:38.360 --> 0:15:40.640
<v Speaker 1>there and I said, oh, oh, I'd seen her on

0:15:40.680 --> 0:15:42.960
<v Speaker 1>the David Letterman Show for like six or seven years,

0:15:43.000 --> 0:15:45.360
<v Speaker 1>and I said, I met her, and I said, I mislove,

0:15:45.400 --> 0:15:48.600
<v Speaker 1>I cannot believe that I am on the show with

0:15:48.720 --> 0:15:52.400
<v Speaker 1>you. You are you. You have been belting out you know,

0:15:52.520 --> 0:15:55.360
<v Speaker 1>so so many moments of the soundtrack of my life

0:15:55.360 --> 0:15:58.000
<v Speaker 1>that I'm just I'm just thrilled that you're here, and

0:15:58.040 --> 0:16:00.480
<v Speaker 1>I'm here glad that you're still doing it. And she

0:16:00.560 --> 0:16:03.320
<v Speaker 1>looked at me, said, Tom, I'm just here for the hang,

0:16:04.320 --> 0:16:09.280
<v Speaker 1>and I got I completely, I completely got that, because

0:16:09.440 --> 0:16:14.840
<v Speaker 1>the hang, the interaction with everybody dealing with the attractiveness

0:16:14.840 --> 0:16:18.360
<v Speaker 1>of those ninety percent avoiding or learning how to negotiate

0:16:18.360 --> 0:16:21.080
<v Speaker 1>around those other five percent, you know, the jerks and

0:16:21.840 --> 0:16:25.840
<v Speaker 1>the evil people. Ain't that just living? You know? Ain't

0:16:25.840 --> 0:16:27.680
<v Speaker 1>that better than being alone in a room when you

0:16:27.680 --> 0:16:28.840
<v Speaker 1>don't have a thought in your head?

0:16:30.040 --> 0:16:33.240
<v Speaker 2>Well said, yeah, absolutely, I was wondering. You talked about

0:16:33.320 --> 0:16:35.920
<v Speaker 2>luck a lot. There can we all become a bit

0:16:35.960 --> 0:16:36.520
<v Speaker 2>more lucky.

0:16:37.000 --> 0:16:40.360
<v Speaker 1>The fellow who ran the Great Lake Shakespeare festal Vincent Dowling,

0:16:40.680 --> 0:16:43.400
<v Speaker 1>I worked for him for three years and he's the

0:16:44.120 --> 0:16:46.200
<v Speaker 1>number of people that loved that man and worked with

0:16:46.240 --> 0:16:49.760
<v Speaker 1>that man. He touched a great many people's lives. He said.

0:16:51.640 --> 0:16:54.000
<v Speaker 1>It's the most unfair business in the world. That's one

0:16:54.000 --> 0:16:58.240
<v Speaker 1>aspect of it, because so much of it requires being

0:16:58.920 --> 0:17:03.760
<v Speaker 1>in the right place at the right time, by choice

0:17:04.080 --> 0:17:06.400
<v Speaker 1>and by sacrifice, you know, and that's not easy to do.

0:17:07.080 --> 0:17:10.199
<v Speaker 1>I feel that I was fortunate that from as we

0:17:10.240 --> 0:17:15.600
<v Speaker 1>spoke about, from that upg bringing, I had no qualms about, Hey,

0:17:15.640 --> 0:17:19.960
<v Speaker 1>let's go. I got enough money for gas. I drove

0:17:20.000 --> 0:17:23.639
<v Speaker 1>across the country with four other people one time, and

0:17:23.680 --> 0:17:26.160
<v Speaker 1>then the next year I drove across the country by myself.

0:17:26.240 --> 0:17:29.639
<v Speaker 1>Did not bat deny. And there are people that listen,

0:17:29.720 --> 0:17:31.760
<v Speaker 1>they just can't do that, you know. There is a

0:17:31.800 --> 0:17:36.639
<v Speaker 1>degree of security and fear and intimidation that can go

0:17:36.720 --> 0:17:41.280
<v Speaker 1>along with what putting yourself in the right place at

0:17:41.280 --> 0:17:44.720
<v Speaker 1>the right time, and along with that will come all

0:17:45.840 --> 0:17:48.959
<v Speaker 1>it's a fifty to fifty. Okay, it's a fifty to fifty.

0:17:49.000 --> 0:17:51.359
<v Speaker 1>Have you heard this great thing? I'm no mathematician, but

0:17:51.440 --> 0:17:54.560
<v Speaker 1>when I heard this, I thought, that's actually a principle

0:17:54.560 --> 0:17:58.600
<v Speaker 1>for living. Jay. If I had a quarter and I

0:17:58.720 --> 0:18:02.560
<v Speaker 1>flipped it and aim up heads five times in the row,

0:18:03.320 --> 0:18:05.600
<v Speaker 1>what are the odds that it's going to come up

0:18:05.640 --> 0:18:08.560
<v Speaker 1>heads a seven times, six time, six time in a row?

0:18:08.720 --> 0:18:09.879
<v Speaker 2>Is it still fifty to fifty?

0:18:10.320 --> 0:18:14.320
<v Speaker 1>It's absolute fifty to fifty. Just because something has happened

0:18:14.320 --> 0:18:17.000
<v Speaker 1>doesn't mean it's going to Just because you're in a

0:18:17.040 --> 0:18:20.119
<v Speaker 1>place doesn't mean that's where you should be. So along

0:18:20.200 --> 0:18:26.199
<v Speaker 1>with luck, shouldn't the shouldn't the other requirement be faith

0:18:26.960 --> 0:18:30.560
<v Speaker 1>or some degree of disconnected to it. To whatever the

0:18:30.720 --> 0:18:32.960
<v Speaker 1>end result is going to be, you're going to have

0:18:33.040 --> 0:18:35.160
<v Speaker 1>to be I was. I was talking to a friend

0:18:35.200 --> 0:18:38.280
<v Speaker 1>of mine and he said he read somebody I don't

0:18:38.280 --> 0:18:42.800
<v Speaker 1>know who it was, but someone someone wrote down you

0:18:42.880 --> 0:18:44.919
<v Speaker 1>have to be all right with what's going to happen,

0:18:46.040 --> 0:18:50.920
<v Speaker 1>and I just well, okay, yeah, so yeah, all right,

0:18:51.040 --> 0:18:53.159
<v Speaker 1>let's let's try to do that. So you have to

0:18:53.200 --> 0:18:57.760
<v Speaker 1>be all right with what's going to happen, right or wrong, disaster, disease,

0:18:58.040 --> 0:19:00.840
<v Speaker 1>you know, whatever you have to be. You have to

0:19:00.880 --> 0:19:04.840
<v Speaker 1>be all right with what is going to happen with

0:19:04.960 --> 0:19:08.480
<v Speaker 1>some degree of faith and luck that what happens after

0:19:08.560 --> 0:19:11.359
<v Speaker 1>that is the best thing that could possibly be.

0:19:11.640 --> 0:19:14.879
<v Speaker 2>What's helped you get closer to that. That sounds hard,

0:19:15.400 --> 0:19:17.520
<v Speaker 2>it is, it sounds impossible.

0:19:18.359 --> 0:19:22.760
<v Speaker 1>Yeah, yeah, I am going to say that age in

0:19:22.800 --> 0:19:27.520
<v Speaker 1>all honesty experience, you know, that thing of what has

0:19:27.640 --> 0:19:31.000
<v Speaker 1>not destroyed me only makes me stronger. And look, let's

0:19:31.000 --> 0:19:33.959
<v Speaker 1>not discount the power of getting your ass kicked, you know.

0:19:34.000 --> 0:19:36.680
<v Speaker 1>And I'm not just you know, suddenly not professionally as well.

0:19:36.960 --> 0:19:40.159
<v Speaker 1>All sorts of you know, all sorts of personal things

0:19:40.240 --> 0:19:43.879
<v Speaker 1>go along that give you a bloody nose and bust

0:19:43.880 --> 0:19:47.040
<v Speaker 1>your teeth, and you have to go through those metaphysically,

0:19:47.480 --> 0:19:51.159
<v Speaker 1>perhaps physically. I made this movie where I wrote a

0:19:51.200 --> 0:19:55.399
<v Speaker 1>Scooter Vespa, and so because of that, I wrote a

0:19:55.480 --> 0:19:58.840
<v Speaker 1>Vespa for about two years until I realized that I

0:19:58.920 --> 0:20:01.240
<v Speaker 1>had been so close to kill myself on this thing

0:20:01.520 --> 0:20:04.200
<v Speaker 1>making a stupid missy thing that I'm going to give

0:20:04.280 --> 0:20:06.680
<v Speaker 1>up this vestival. This was a smart This was a

0:20:06.680 --> 0:20:10.400
<v Speaker 1>smart thing to do that only came about because I learned,

0:20:10.960 --> 0:20:14.040
<v Speaker 1>you know that, you know, sometimes a hair's breadth between

0:20:14.119 --> 0:20:17.040
<v Speaker 1>you know, cracking up or falling down or needing that

0:20:17.119 --> 0:20:21.040
<v Speaker 1>crash helmet or not. So it is a degree of

0:20:21.400 --> 0:20:28.320
<v Speaker 1>that experience and also being I think open to some

0:20:28.400 --> 0:20:35.800
<v Speaker 1>of the most basic I don't want to say philosophical truths,

0:20:35.880 --> 0:20:39.439
<v Speaker 1>but I have been to the Holy Land. I have

0:20:39.560 --> 0:20:47.520
<v Speaker 1>seen the sights that are precious, divine. I was. I

0:20:47.600 --> 0:20:49.840
<v Speaker 1>was actually working this a long time ago. This was

0:20:49.920 --> 0:20:52.800
<v Speaker 1>before the great many of the great problems that were

0:20:52.800 --> 0:20:58.280
<v Speaker 1>going there. And I was driving back, being driven to Jerusalem.

0:20:58.600 --> 0:21:01.600
<v Speaker 1>I was with a guy and I said, Hey, so,

0:21:01.600 --> 0:21:04.280
<v Speaker 1>so Moche tells me, tell me tell me about where

0:21:04.280 --> 0:21:06.199
<v Speaker 1>we are. He says, okay, I will tell you.

0:21:06.320 --> 0:21:06.679
<v Speaker 2>This is.

0:21:07.600 --> 0:21:09.840
<v Speaker 1>We are bound by a key boots. This is a

0:21:09.920 --> 0:21:11.960
<v Speaker 1>very old key boots. You know key boots. Yes, this

0:21:12.080 --> 0:21:13.800
<v Speaker 1>is a very old one. It's been there a very

0:21:13.840 --> 0:21:17.480
<v Speaker 1>long time, very popular. And uh now we are coming

0:21:17.560 --> 0:21:20.719
<v Speaker 1>up of a moshav. You know what is moshove is

0:21:20.760 --> 0:21:25.200
<v Speaker 1>not like a kaboots it's different, more more socialists, less comfortable.

0:21:25.760 --> 0:21:28.479
<v Speaker 1>But this is also much like that. And people live

0:21:28.560 --> 0:21:31.359
<v Speaker 1>there and they work in their farm. And this is

0:21:31.400 --> 0:21:37.719
<v Speaker 1>where David killed Goliath. And coming up here said well, whoa, whoa, whoa, whoa, whoa, whoa, whoa, whoa,

0:21:37.760 --> 0:21:42.440
<v Speaker 1>whoa whoa packed the car just a little packed this side.

0:21:43.160 --> 0:21:47.399
<v Speaker 1>Did you just say this is where David killed Goliath? Yes,

0:21:47.920 --> 0:21:50.199
<v Speaker 1>he says. There's a little sign there It said in

0:21:50.280 --> 0:21:53.960
<v Speaker 1>English and Hebrew and Arabic. This is well, tell me

0:21:54.000 --> 0:21:58.200
<v Speaker 1>about that. Okay, Well, okay, there you see the valley, yes, okay.

0:21:58.600 --> 0:22:04.360
<v Speaker 1>And on one side was the the Philistines. Philistic they were.

0:22:04.240 --> 0:22:09.040
<v Speaker 3>They were there, okay, And David and the Israelites were here,

0:22:09.520 --> 0:22:13.320
<v Speaker 3>and they sent down to the middle. There the the

0:22:13.600 --> 0:22:18.480
<v Speaker 3>the guillant, the the giant yes yes, the golight yes.

0:22:18.880 --> 0:22:22.120
<v Speaker 1>And the David goes says, I will fight this man.

0:22:22.240 --> 0:22:27.280
<v Speaker 1>And he puts the stones and he kills him, and

0:22:27.280 --> 0:22:29.440
<v Speaker 1>and I said this is the place. He said, yeah,

0:22:30.880 --> 0:22:34.199
<v Speaker 1>I'm not going to argue with that. Absolutely not going

0:22:34.240 --> 0:22:38.240
<v Speaker 1>to argue with that. So move along. And I you know,

0:22:38.320 --> 0:22:41.640
<v Speaker 1>you visit great cathedrals and whatnot have been all place

0:22:41.720 --> 0:22:43.600
<v Speaker 1>around around the world, some of the great face. And

0:22:43.640 --> 0:22:46.679
<v Speaker 1>we were in we were in Japan, the family and I.

0:22:46.800 --> 0:22:49.760
<v Speaker 1>We had this fabulous guy that was driving us around

0:22:49.760 --> 0:22:53.360
<v Speaker 1>and he took us to some Buddhist places, some Shinto shrines,

0:22:54.600 --> 0:22:56.720
<v Speaker 1>and there was a big tree at one of them,

0:22:57.200 --> 0:22:59.880
<v Speaker 1>uh at one of the one of the temples the shrines,

0:23:00.080 --> 0:23:04.760
<v Speaker 1>and people would write down prayers on these on wooden

0:23:04.920 --> 0:23:08.200
<v Speaker 1>wooden signs and they would hang them up like ornaments.

0:23:08.240 --> 0:23:10.720
<v Speaker 1>So this tree is just covered with a million prayers,

0:23:10.880 --> 0:23:14.440
<v Speaker 1>beautiful kind of like sensibility. And he wrote down something

0:23:14.520 --> 0:23:17.120
<v Speaker 1>and he hung it up and I said, you know, oh,

0:23:17.119 --> 0:23:19.600
<v Speaker 1>she what did you write? This says oh, I wrote here.

0:23:19.600 --> 0:23:21.840
<v Speaker 1>I'll show you. And it was in Japanese, you know

0:23:21.920 --> 0:23:25.479
<v Speaker 1>the language. And he says, this, this, this means I

0:23:25.560 --> 0:23:30.920
<v Speaker 1>will never know all I need to know. That's all

0:23:30.960 --> 0:23:34.080
<v Speaker 1>we talked about, you know, later on, you know what,

0:23:34.840 --> 0:23:39.439
<v Speaker 1>So the ongoing education of we're never going to know

0:23:39.600 --> 0:23:41.879
<v Speaker 1>what we need to know more is always going to

0:23:41.960 --> 0:23:50.600
<v Speaker 1>be revealed. And this too shall pass. That governs absolutely everything.

0:23:51.119 --> 0:23:53.680
<v Speaker 1>If you are having the greatest time in your work,

0:23:53.760 --> 0:23:56.680
<v Speaker 1>this too shall pass. If you are successful, that this

0:23:56.800 --> 0:23:59.200
<v Speaker 1>too shall pass. If you are sick, if you are

0:23:59.359 --> 0:24:03.960
<v Speaker 1>experiencing and great tragedy and great drama, great difficulty. This

0:24:04.160 --> 0:24:07.359
<v Speaker 1>too shall pass. Now. I don't know if I'm still

0:24:07.400 --> 0:24:11.760
<v Speaker 1>answering the question you ask. This was educated to me

0:24:11.840 --> 0:24:14.679
<v Speaker 1>over the course of my twenties and thirties and forties

0:24:14.760 --> 0:24:16.840
<v Speaker 1>or fifties, at a time when you think that, no,

0:24:16.960 --> 0:24:18.640
<v Speaker 1>what you have to do is have a master plan.

0:24:18.720 --> 0:24:20.040
<v Speaker 1>You got to stick to the plan. You got to

0:24:20.080 --> 0:24:21.600
<v Speaker 1>lay your head down, you got to fight for it,

0:24:21.640 --> 0:24:24.480
<v Speaker 1>you got to compete. Yeah, Okay, there's times when you

0:24:24.520 --> 0:24:26.679
<v Speaker 1>know you got to do that other kind of stuff,

0:24:26.680 --> 0:24:28.320
<v Speaker 1>and other times you just kind of like got to

0:24:28.960 --> 0:24:32.280
<v Speaker 1>roll over and say, I surrender, you know, just I

0:24:32.359 --> 0:24:34.720
<v Speaker 1>will never know all I need to know and I'll

0:24:34.720 --> 0:24:37.359
<v Speaker 1>never be able to do all that I should do. Yeah,

0:24:37.520 --> 0:24:38.160
<v Speaker 1>that makes sense.

0:24:38.200 --> 0:24:39.840
<v Speaker 2>It does make sense. It does make sense. And I

0:24:40.200 --> 0:24:44.320
<v Speaker 2>appreciate you saying that it comes with wisdom and age

0:24:44.400 --> 0:24:48.359
<v Speaker 2>and experience, because I used to have a mentor you

0:24:48.400 --> 0:24:50.639
<v Speaker 2>sadly passed away during the pandemic, but he would always

0:24:50.680 --> 0:24:53.879
<v Speaker 2>replace He would always repeat to me, there's no substitute

0:24:53.920 --> 0:24:56.400
<v Speaker 2>for maturity, and it was.

0:24:56.320 --> 0:24:59.840
<v Speaker 1>No shortcut to it. Yeah, yeah, the maturity was just

0:25:00.440 --> 0:25:04.000
<v Speaker 1>and yet didn't you know somebody when you were young

0:25:04.840 --> 0:25:07.399
<v Speaker 1>who was the same age as you that had it.

0:25:07.560 --> 0:25:08.119
<v Speaker 2>Absolutely.

0:25:08.160 --> 0:25:11.879
<v Speaker 1>Oh. I came across all sorts of people like that. Yeah,

0:25:11.920 --> 0:25:14.119
<v Speaker 1>And I just said, first of all, what makes you

0:25:14.160 --> 0:25:17.120
<v Speaker 1>so special? And what makes you so smart? What makes

0:25:17.160 --> 0:25:18.040
<v Speaker 1>you so calm?

0:25:18.280 --> 0:25:18.480
<v Speaker 2>You know?

0:25:19.480 --> 0:25:19.919
<v Speaker 1>What was it?

0:25:19.960 --> 0:25:20.760
<v Speaker 2>Did you have a figure out?

0:25:20.760 --> 0:25:23.560
<v Speaker 1>I having the vegus idea, you know, some combination I

0:25:23.600 --> 0:25:26.359
<v Speaker 1>would probably say of connection, you know, a connection to

0:25:26.440 --> 0:25:31.159
<v Speaker 1>a family, connection to you know, uh, perhaps a heritage

0:25:31.240 --> 0:25:35.760
<v Speaker 1>that goes along with that that you know. Some friend

0:25:35.800 --> 0:25:40.200
<v Speaker 1>of mine we were we went to their sons bob mitzvah.

0:25:40.800 --> 0:25:43.760
<v Speaker 1>And I'm not Jewish, but I said, you got by

0:25:43.840 --> 0:25:45.399
<v Speaker 1>me said O, yeah, of course I got bom Mitzvah,

0:25:45.440 --> 0:25:46.720
<v Speaker 1>he said. And he said, let me tell you something

0:25:46.720 --> 0:25:48.679
<v Speaker 1>about the bomb Mitzvah. This is what's great about it.

0:25:48.680 --> 0:25:52.880
<v Speaker 1>Because my thirteen year old son when he's getting bod mitzvah,

0:25:52.920 --> 0:25:55.160
<v Speaker 1>and I told him, I said, after this, my son,

0:25:55.240 --> 0:26:00.680
<v Speaker 1>your sins are your own. He's thirteen. But this is

0:26:00.720 --> 0:26:02.560
<v Speaker 1>the you know, and there's studies of you know, there's

0:26:02.720 --> 0:26:05.760
<v Speaker 1>examples of that all through all sorts of cultures, uh,

0:26:05.800 --> 0:26:09.080
<v Speaker 1>and all sorts of histories that said, there is a

0:26:09.119 --> 0:26:12.679
<v Speaker 1>time when you and you alone are responsible for everything

0:26:12.760 --> 0:26:17.760
<v Speaker 1>that goes on goes on in your life. I have

0:26:17.800 --> 0:26:22.680
<v Speaker 1>a I have a friend who is studying with a

0:26:23.200 --> 0:26:25.679
<v Speaker 1>Buddhist monk. You know, a guy whose name he's literally

0:26:25.680 --> 0:26:28.320
<v Speaker 1>got his name venerable in his first name. How about that?

0:26:28.400 --> 0:26:31.440
<v Speaker 1>When I was talking to the venerable you know whatever

0:26:31.520 --> 0:26:35.800
<v Speaker 1>it and I said, look, I know squat about Buddhism

0:26:35.880 --> 0:26:37.879
<v Speaker 1>outside of you know what I you know, see on

0:26:37.960 --> 0:26:42.400
<v Speaker 1>TV shows, So well, what's the deal? And he said, Well,

0:26:43.520 --> 0:26:46.800
<v Speaker 1>one of the smartest things I heard from a guy

0:26:46.800 --> 0:26:50.959
<v Speaker 1>who precious Buddhism is my life used to be nothing

0:26:51.480 --> 0:26:55.399
<v Speaker 1>but chopping wood and carrying water, and now that I

0:26:55.480 --> 0:26:59.119
<v Speaker 1>have received some enlightenment, I find that all that is

0:26:59.200 --> 0:27:02.399
<v Speaker 1>necessary for me to live is to chop wood and

0:27:02.520 --> 0:27:07.560
<v Speaker 1>carry water. Okay, all right, man, that's some high country.

0:27:07.800 --> 0:27:09.399
<v Speaker 1>And I don't know if you hear that. Well, I

0:27:09.440 --> 0:27:11.200
<v Speaker 1>don't know. If I had heard that at the age

0:27:11.240 --> 0:27:14.640
<v Speaker 1>of twenty two, I would have had the slightest an

0:27:14.720 --> 0:27:17.880
<v Speaker 1>idea of what are But at the age of sixty eight,

0:27:19.840 --> 0:27:21.240
<v Speaker 1>you know, I think I can get a little bit

0:27:21.280 --> 0:27:22.080
<v Speaker 1>closer to that.

0:27:22.720 --> 0:27:24.840
<v Speaker 2>Definitely to that. Yeah, I think there's two things you

0:27:24.880 --> 0:27:26.600
<v Speaker 2>brought to mind for me. I think one of them's

0:27:26.640 --> 0:27:29.840
<v Speaker 2>been when I've noticed some of the wiser people that

0:27:29.880 --> 0:27:31.520
<v Speaker 2>I've met along the way or at a younger age.

0:27:31.560 --> 0:27:34.280
<v Speaker 2>As you were mentioning, it's always been people who were

0:27:34.320 --> 0:27:37.960
<v Speaker 2>exposed to more generations, and so people who were in

0:27:38.000 --> 0:27:40.440
<v Speaker 2>their twenties but new people who are seventy and spent

0:27:40.600 --> 0:27:42.640
<v Speaker 2>quality time with them, or people who are in their

0:27:42.640 --> 0:27:45.200
<v Speaker 2>fifties and spent time with someone who is eighteen or

0:27:45.240 --> 0:27:49.919
<v Speaker 2>twenty one, and that kind of juxtaposition of being surrounded

0:27:49.960 --> 0:27:52.720
<v Speaker 2>by people that weren't just all your age in the

0:27:52.760 --> 0:27:55.600
<v Speaker 2>same space, there was a sense of you being able

0:27:55.640 --> 0:27:58.560
<v Speaker 2>to learn and grow and take and receive. I was

0:27:58.840 --> 0:28:01.159
<v Speaker 2>spending time with couple that my wife and I have

0:28:01.200 --> 0:28:04.040
<v Speaker 2>become very close friends with, and they're both seventy, and

0:28:04.960 --> 0:28:07.080
<v Speaker 2>my wife and I are in our in our mid thirties,

0:28:07.160 --> 0:28:09.320
<v Speaker 2>and we were we spent a weekend with them, and

0:28:09.359 --> 0:28:12.320
<v Speaker 2>it was brilliant because I got destroyed at pickleball by this.

0:28:16.040 --> 0:28:18.760
<v Speaker 2>For me, Yeah, he's playing pickleball and tennis for four

0:28:18.760 --> 0:28:21.280
<v Speaker 2>hours a day and I can barely play. For a

0:28:21.320 --> 0:28:25.080
<v Speaker 2>couple and so big inspiration. But just the life experience

0:28:25.119 --> 0:28:27.280
<v Speaker 2>and the engagement you get from that. And I think

0:28:27.359 --> 0:28:30.040
<v Speaker 2>so much of our going back to what we were

0:28:30.040 --> 0:28:32.800
<v Speaker 2>seeing about community and even your mention of church there

0:28:32.880 --> 0:28:36.760
<v Speaker 2>or the Holy Land. I was researching something recently. I'm

0:28:36.760 --> 0:28:39.680
<v Speaker 2>writing my third book, and something that I came across

0:28:39.720 --> 0:28:42.240
<v Speaker 2>and I've been playing around with is this idea called

0:28:42.560 --> 0:28:46.040
<v Speaker 2>the third space theory. And what the third space theory

0:28:46.120 --> 0:28:48.680
<v Speaker 2>lays out is that back in the day, we would

0:28:48.720 --> 0:28:52.880
<v Speaker 2>have home, we would have work, and we would have church.

0:28:53.480 --> 0:28:55.600
<v Speaker 2>And church was a place you could look back on

0:28:55.720 --> 0:28:59.000
<v Speaker 2>working home and reconcile and reflect and think.

0:28:58.840 --> 0:29:01.719
<v Speaker 1>About you can ponder why bad things happen to good

0:29:01.800 --> 0:29:05.720
<v Speaker 1>people and vice versa. Yeah, a place literally meant for that.

0:29:06.080 --> 0:29:07.840
<v Speaker 1>This is why you come here exactly.

0:29:07.960 --> 0:29:10.760
<v Speaker 2>And now what's happened is let alone three spaces. We

0:29:10.800 --> 0:29:13.520
<v Speaker 2>don't eat, We just have one, so we work from home,

0:29:13.840 --> 0:29:16.240
<v Speaker 2>we live at home, and then our third space or

0:29:16.280 --> 0:29:19.320
<v Speaker 2>the closest thing to it is a television. Probably there

0:29:19.360 --> 0:29:22.920
<v Speaker 2>is there isn't a separate space, and so it's arguing

0:29:22.960 --> 0:29:25.480
<v Speaker 2>the fact that there isn't that space almost to have

0:29:25.640 --> 0:29:30.040
<v Speaker 2>those thoughts, conversations, ideas, insights that may arise.

0:29:29.880 --> 0:29:33.560
<v Speaker 1>The generational thing I think is wickedly important, whether or

0:29:33.600 --> 0:29:37.120
<v Speaker 1>not you like they don't. You know, sometimes it's just

0:29:37.120 --> 0:29:38.960
<v Speaker 1>the old person that's sitting in the corner, you know.

0:29:40.040 --> 0:29:42.800
<v Speaker 1>But other times it's like, you know, a big there

0:29:42.840 --> 0:29:44.880
<v Speaker 1>is some aspect of the big family that is not

0:29:44.920 --> 0:29:47.720
<v Speaker 1>for everybody, you know, because God knows, not everybody wance

0:29:47.760 --> 0:29:49.760
<v Speaker 1>to come to Thanksgiving sometimes because they don't want to

0:29:49.760 --> 0:29:50.960
<v Speaker 1>have that same fight again.

0:29:51.640 --> 0:29:51.920
<v Speaker 2>I had.

0:29:52.240 --> 0:29:57.040
<v Speaker 1>I had a friend who he had his His grandmother

0:29:57.720 --> 0:30:01.400
<v Speaker 1>was like and already had an like she was ninety

0:30:01.440 --> 0:30:04.240
<v Speaker 1>three or something like that, and she was always just there,

0:30:04.600 --> 0:30:08.239
<v Speaker 1>you know, just there. And at one point he was

0:30:09.320 --> 0:30:11.880
<v Speaker 1>he was arguing with his parents about not wanting to

0:30:11.880 --> 0:30:13.960
<v Speaker 1>do something. I can't remember what it was, didn't matter.

0:30:14.200 --> 0:30:15.960
<v Speaker 1>But everybody say, why are you doing it? Why do

0:30:15.960 --> 0:30:17.520
<v Speaker 1>you what's that about? How can you do? How can

0:30:17.560 --> 0:30:19.080
<v Speaker 1>you da da da dah blah blah blah. And my

0:30:19.200 --> 0:30:22.959
<v Speaker 1>friend said, wow, hey man, because life's too short. And

0:30:23.080 --> 0:30:26.040
<v Speaker 1>this ninety year old grandmother is just sitting there and

0:30:26.160 --> 0:30:33.040
<v Speaker 1>she said, no, life's not short. Life is long, which

0:30:33.680 --> 0:30:36.800
<v Speaker 1>I interpreted as being life is long. So if you're

0:30:36.800 --> 0:30:40.360
<v Speaker 1>doing something stupid, you know, you're spending a lot of

0:30:40.440 --> 0:30:46.120
<v Speaker 1>time relishing, you know, living inside inside that that stupidity. Yes,

0:30:46.240 --> 0:30:51.440
<v Speaker 1>and my kids are my my old my youngest kids

0:30:52.680 --> 0:30:57.760
<v Speaker 1>essentially were raised along by us as well as a

0:30:57.800 --> 0:31:00.960
<v Speaker 1>couple of people that have you know, been uh employee

0:31:01.120 --> 0:31:04.800
<v Speaker 1>like families for members of him, but also their grandparents,

0:31:05.000 --> 0:31:07.640
<v Speaker 1>their yai and popoo, as they say in Greek, people

0:31:07.720 --> 0:31:12.600
<v Speaker 1>who were never not engaged with them when they were babysitting.

0:31:12.640 --> 0:31:14.480
<v Speaker 1>We never had to have babysitters, We never had to

0:31:14.480 --> 0:31:16.480
<v Speaker 1>have a nanny, We didn't have anything like that. What

0:31:16.600 --> 0:31:21.640
<v Speaker 1>we had instead was two generations removed of people speaking

0:31:21.640 --> 0:31:24.440
<v Speaker 1>Greek to them, asking them questions what are you doing?

0:31:24.760 --> 0:31:29.440
<v Speaker 1>From the moment they are toddlers until they're fourteen years old.

0:31:30.000 --> 0:31:33.680
<v Speaker 1>What they got from that is so different from from

0:31:33.680 --> 0:31:36.240
<v Speaker 1>what I got from mine. There is a joke in

0:31:36.280 --> 0:31:39.760
<v Speaker 1>my family about how bad I am with tools. I mean,

0:31:39.880 --> 0:31:42.840
<v Speaker 1>as soon as I pick up a screwdriver or a hammer,

0:31:42.920 --> 0:31:47.800
<v Speaker 1>I start getting cold sweats. Because my dad had no

0:31:48.000 --> 0:31:51.040
<v Speaker 1>patience with me about He never said, let me show

0:31:51.040 --> 0:31:52.479
<v Speaker 1>you how to use it, let me show you how

0:31:52.480 --> 0:31:54.640
<v Speaker 1>to scrape that off. It was always I'll come on you,

0:31:54.680 --> 0:31:56.200
<v Speaker 1>not head. Don't you know how to stand a board?

0:31:56.200 --> 0:31:59.320
<v Speaker 1>Don't you know the difference between a standard socket wrench

0:31:59.360 --> 0:32:04.000
<v Speaker 1>and metric And I never did because nobody said, let

0:32:04.000 --> 0:32:05.800
<v Speaker 1>me show you how you do this. You got to

0:32:05.880 --> 0:32:10.280
<v Speaker 1>learn it so that you're talking about something there that

0:32:10.720 --> 0:32:15.160
<v Speaker 1>is it's almost it's like water on a stone, you know,

0:32:15.360 --> 0:32:20.080
<v Speaker 1>it just has an effect over time. And uh, you

0:32:20.160 --> 0:32:23.200
<v Speaker 1>know for in many cultures you have to look at

0:32:23.240 --> 0:32:26.479
<v Speaker 1>that and say, the more, the more generations around that

0:32:26.560 --> 0:32:30.160
<v Speaker 1>table with regularity, you know, not just for you know,

0:32:30.320 --> 0:32:35.880
<v Speaker 1>three holidays, three holidays a year, the richer the lesson

0:32:36.000 --> 0:32:38.520
<v Speaker 1>is going to be, you know, the deeper, because you're

0:32:38.520 --> 0:32:41.000
<v Speaker 1>going to pick up some stuff just by like a

0:32:41.080 --> 0:32:44.520
<v Speaker 1>like an old story from you know, from the old country.

0:32:45.040 --> 0:32:49.880
<v Speaker 1>My uh my, my father in law, dad he was

0:32:50.160 --> 0:32:52.560
<v Speaker 1>he was Greek but grew up in Bulgaria and had

0:32:52.600 --> 0:32:55.080
<v Speaker 1>to escape the communists at whatnot which is a fascinating

0:32:55.120 --> 0:33:00.560
<v Speaker 1>story unto itself, but but what what hell? The story

0:33:00.560 --> 0:33:05.080
<v Speaker 1>about being told by his dad to take the donkey

0:33:05.280 --> 0:33:07.440
<v Speaker 1>up to this, you know, up to the mountains and

0:33:07.520 --> 0:33:10.959
<v Speaker 1>get something and bring it back, knowing that there was

0:33:11.000 --> 0:33:13.680
<v Speaker 1>the meanest dog on the planet Earth up there that

0:33:13.800 --> 0:33:16.920
<v Speaker 1>was going to uh try to try to bite him.

0:33:17.320 --> 0:33:19.480
<v Speaker 1>He came back there. Oh, I think of what it

0:33:19.520 --> 0:33:22.000
<v Speaker 1>was is he said, take the donkey up there, and

0:33:22.000 --> 0:33:23.520
<v Speaker 1>he didn't want to wrestle with the donkey. He just

0:33:23.560 --> 0:33:25.960
<v Speaker 1>wanted to go up there and get it back really fast.

0:33:26.000 --> 0:33:29.440
<v Speaker 1>And on the way there, this dog, you know, nearly mauled,

0:33:29.600 --> 0:33:31.480
<v Speaker 1>scared the living daylights out of him. So when he

0:33:31.520 --> 0:33:34.520
<v Speaker 1>came back down, his dad said, I told you to

0:33:34.560 --> 0:33:39.080
<v Speaker 1>take the donkey because the donkey would scare off the dog.

0:33:39.240 --> 0:33:41.480
<v Speaker 1>You know like that, So you know you don't That's

0:33:41.480 --> 0:33:43.520
<v Speaker 1>the kind of stuff you got to pick up over time.

0:33:43.920 --> 0:33:48.400
<v Speaker 1>But did you did you have multiple multiple generations in

0:33:48.440 --> 0:33:49.760
<v Speaker 1>the home as you were growing up?

0:33:49.800 --> 0:33:53.840
<v Speaker 2>I felt that for me. My my monk teachers became

0:33:53.880 --> 0:33:56.440
<v Speaker 2>that for me because they were older, and so I

0:33:56.480 --> 0:33:59.160
<v Speaker 2>had had among teachers in his probably his sixties when

0:33:59.160 --> 0:34:01.720
<v Speaker 2>I met him, at an who was in his thirties

0:34:01.760 --> 0:34:04.400
<v Speaker 2>when I first met him, and so they became that.

0:34:04.520 --> 0:34:07.080
<v Speaker 2>I wasn't so close to my grandparents and so I

0:34:07.120 --> 0:34:09.960
<v Speaker 2>didn't really have that same interaction as you wasn't mentioning

0:34:10.000 --> 0:34:12.399
<v Speaker 2>your children, did I didn't really have that with them.

0:34:12.719 --> 0:34:14.880
<v Speaker 2>So I had my parents, I had my uncles and aunts.

0:34:14.920 --> 0:34:17.120
<v Speaker 2>But then I think it was really later on when

0:34:17.120 --> 0:34:20.120
<v Speaker 2>I met those two generations in the monastery, that that

0:34:20.239 --> 0:34:24.400
<v Speaker 2>really expanded my breath of you know, human experience.

0:34:24.600 --> 0:34:26.920
<v Speaker 1>The guy's worked across the board. But sometimes you know,

0:34:27.040 --> 0:34:31.000
<v Speaker 1>grandpas are drunk and you know, and and grandma does

0:34:31.040 --> 0:34:33.319
<v Speaker 1>not to but smoke cigarettes and you know, and watch

0:34:33.360 --> 0:34:37.160
<v Speaker 1>Wheel of Fortune. So maybe it's not always me.

0:34:37.360 --> 0:34:39.600
<v Speaker 2>So gave me it gave me. Was there you were

0:34:39.600 --> 0:34:41.719
<v Speaker 2>talking about your experience with your father and you know,

0:34:41.760 --> 0:34:44.520
<v Speaker 2>with the tools, And it's so funny because my dad

0:34:44.560 --> 0:34:46.200
<v Speaker 2>was the opposite. He was he was useless at di

0:34:46.560 --> 0:34:49.880
<v Speaker 2>y and so I'm useless, and so I have that.

0:34:50.000 --> 0:34:53.239
<v Speaker 1>My dad was great. My dad could fix everything. There

0:34:53.280 --> 0:34:55.040
<v Speaker 1>was a there was a story I was talking to

0:34:55.080 --> 0:34:59.560
<v Speaker 1>my older brother that he and my dad my dad

0:34:59.640 --> 0:35:00.960
<v Speaker 1>was a w Why in the word was spending a

0:35:01.000 --> 0:35:02.440
<v Speaker 1>lot of money for crying out loud? We could get it.

0:35:02.440 --> 0:35:04.640
<v Speaker 1>We could get electronics kit and make our own amplifier.

0:35:04.680 --> 0:35:05.840
<v Speaker 1>We don't have to go off and pay all this

0:35:05.920 --> 0:35:07.520
<v Speaker 1>much money. But I'll get up to a turntable and

0:35:07.560 --> 0:35:10.120
<v Speaker 1>a speakers there we have stereo systems. So they got

0:35:10.120 --> 0:35:12.680
<v Speaker 1>a kit and I saw them working on it together,

0:35:12.719 --> 0:35:16.240
<v Speaker 1>and I was kind of jealous and I'm honestly forty

0:35:16.320 --> 0:35:18.080
<v Speaker 1>years later I said to so you know that when

0:35:18.080 --> 0:35:20.680
<v Speaker 1>you made the amplifier with Dad, I was really jealous,

0:35:20.719 --> 0:35:22.880
<v Speaker 1>being like, oh man, I wish I would have done

0:35:22.920 --> 0:35:25.640
<v Speaker 1>anything to trade shape places with you. My dad was

0:35:25.680 --> 0:35:28.080
<v Speaker 1>so miserable as we're doing it always or you not head?

0:35:28.120 --> 0:35:30.680
<v Speaker 1>Don't you know? Don't you know why? To Solder, it's like, oh,

0:35:31.120 --> 0:35:33.280
<v Speaker 1>oh yeah, there's a perspective of everything.

0:35:33.520 --> 0:35:36.640
<v Speaker 2>Yeah, definitely, did you try to? Did you try to

0:35:36.680 --> 0:35:38.080
<v Speaker 2>pair in differently? Like? Did you?

0:35:38.760 --> 0:35:41.000
<v Speaker 1>You know? You try to? But I made every mistake.

0:35:41.120 --> 0:35:44.640
<v Speaker 1>You know, you scar the kids somehow in the same

0:35:44.719 --> 0:35:47.160
<v Speaker 1>exact way, and as they get older, you know, you

0:35:47.239 --> 0:35:49.279
<v Speaker 1>come back around it said, hey, can I talk about

0:35:49.280 --> 0:35:52.400
<v Speaker 1>what a nodthead I was with you for all those years?

0:35:52.440 --> 0:35:56.640
<v Speaker 1>And said yeah, sure, Dad, Yeah, I've been kind of

0:35:56.640 --> 0:35:59.160
<v Speaker 1>waiting for this. Why don't what did you? What are

0:35:59.160 --> 0:36:02.120
<v Speaker 1>your unloads? So no, but I would say at the

0:36:02.200 --> 0:36:04.560
<v Speaker 1>same time, I think there was you know, does it

0:36:04.600 --> 0:36:08.120
<v Speaker 1>come up to be fifty to fifty? Maybe the attitude

0:36:08.320 --> 0:36:11.760
<v Speaker 1>and the you know, the life that we led, the laughs.

0:36:11.840 --> 0:36:15.080
<v Speaker 1>You know that stuff's worth its weight, and you know,

0:36:15.440 --> 0:36:17.040
<v Speaker 1>gem encrusted gold.

0:36:16.920 --> 0:36:19.799
<v Speaker 2>So what's something that they've taught you, What's something that

0:36:19.840 --> 0:36:20.440
<v Speaker 2>they've How.

0:36:20.400 --> 0:36:23.640
<v Speaker 1>Different they all are, you know, they are not the

0:36:23.719 --> 0:36:30.600
<v Speaker 1>same type of human being. Ever. My youngest at one

0:36:30.640 --> 0:36:34.759
<v Speaker 1>point said something that was definitely true for him, and

0:36:34.800 --> 0:36:38.160
<v Speaker 1>I thought, is in fact true for all of my kids,

0:36:38.280 --> 0:36:41.480
<v Speaker 1>which makes makes me feel good. And that was he

0:36:41.560 --> 0:36:44.359
<v Speaker 1>was younger, he was like seven or eight. I said, oh,

0:36:44.480 --> 0:36:47.080
<v Speaker 1>you know, at one point, let's let's go down we

0:36:47.080 --> 0:36:48.959
<v Speaker 1>were New York. Said let's go down the park and

0:36:49.040 --> 0:36:51.120
<v Speaker 1>we'll take our gloves, we'll throw it around, we'll bat

0:36:51.160 --> 0:36:53.520
<v Speaker 1>the balls. Let's just find a place of grass. And said, okay,

0:36:53.600 --> 0:36:55.960
<v Speaker 1>do that, and it got away from me. Didn't happen?

0:36:56.480 --> 0:36:58.839
<v Speaker 1>This called that something happened and I realized that, oh,

0:36:58.880 --> 0:37:01.640
<v Speaker 1>the sun's going down. I said, oh my god, oh

0:37:01.680 --> 0:37:03.759
<v Speaker 1>my god. Hey, I'm sorry. I said we were going

0:37:03.800 --> 0:37:07.080
<v Speaker 1>to go down in the and throw the ball around.

0:37:07.160 --> 0:37:09.640
<v Speaker 1>It got away from me. Forgive me, and he said, no,

0:37:09.680 --> 0:37:12.960
<v Speaker 1>it's okay to and he sounded disappointment. That's okay. I said, well,

0:37:13.000 --> 0:37:15.239
<v Speaker 1>you know, I feel bad. I just I just I

0:37:15.280 --> 0:37:17.319
<v Speaker 1>don't I don't want you to be bored. And he

0:37:17.400 --> 0:37:19.680
<v Speaker 1>looked at me with a look on his face and said, Dad,

0:37:20.320 --> 0:37:25.360
<v Speaker 1>I'm never bored. And that is that's curiosity. That speaks

0:37:25.360 --> 0:37:29.600
<v Speaker 1>to curiosity and drive and also the comfort of where

0:37:29.880 --> 0:37:33.360
<v Speaker 1>one is in order to feel free, in order to

0:37:33.600 --> 0:37:36.600
<v Speaker 1>explore whatever world that is. And I can I think

0:37:36.880 --> 0:37:41.080
<v Speaker 1>I could say that maybe in varied degrees for all

0:37:41.120 --> 0:37:49.560
<v Speaker 1>the kids, their ability to pursue their own interests without

0:37:49.600 --> 0:37:54.600
<v Speaker 1>being prodded, without being forced to, I've learned from that

0:37:54.680 --> 0:37:58.200
<v Speaker 1>because look, there was that isolation that I'm that I

0:37:58.239 --> 0:37:59.960
<v Speaker 1>ays talking about. There was a time when I was

0:38:00.520 --> 0:38:06.120
<v Speaker 1>so comfortable doing absolutely nothing or you know, pursuing some

0:38:06.280 --> 0:38:11.120
<v Speaker 1>brand of you know, disconnection that wasn't good for me.

0:38:11.680 --> 0:38:14.480
<v Speaker 1>And uh, I you know they everybody has it in

0:38:14.520 --> 0:38:19.040
<v Speaker 1>some some some degrees, but it could be of a

0:38:19.160 --> 0:38:21.719
<v Speaker 1>with all that you were, with all you kids, with

0:38:21.800 --> 0:38:24.920
<v Speaker 1>all your advantages, I do not want to hear that

0:38:25.000 --> 0:38:28.200
<v Speaker 1>you're bored. And they have never they have never said

0:38:28.239 --> 0:38:31.560
<v Speaker 1>that they're bored. They they have always had some action

0:38:31.719 --> 0:38:33.920
<v Speaker 1>thing that was going on, whether I understood their passion

0:38:34.000 --> 0:38:34.520
<v Speaker 1>for it or not.

0:38:35.440 --> 0:38:38.360
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0:38:50.480 --> 0:38:54.760
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0:38:59.080 --> 0:39:03.480
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0:39:03.880 --> 0:39:06.279
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0:40:35.320 --> 0:40:39.880
<v Speaker 2>the code on purpose. What attracted that isolation and disconnection

0:40:39.920 --> 0:40:41.680
<v Speaker 2>at that moment in time? What was it that was

0:40:42.120 --> 0:40:42.920
<v Speaker 2>so appealing on them?

0:40:42.920 --> 0:40:44.560
<v Speaker 1>I think I just had to get used to it

0:40:44.680 --> 0:40:47.600
<v Speaker 1>because I was number three. People ran out of time,

0:40:47.719 --> 0:40:49.920
<v Speaker 1>you know, they didn't have the wherewithal of the interest

0:40:50.480 --> 0:40:53.239
<v Speaker 1>because I was so young when my parents split up,

0:40:53.760 --> 0:40:56.520
<v Speaker 1>and there were so many other factors that had to

0:40:56.520 --> 0:41:00.759
<v Speaker 1>go into Man, there's logistics and legal thing, time and

0:41:00.800 --> 0:41:04.560
<v Speaker 1>distance and stuff like that that I took care of myself,

0:41:04.640 --> 0:41:07.760
<v Speaker 1>and you know, was satisfied. I think it was reprieve

0:41:07.840 --> 0:41:13.360
<v Speaker 1>for them. So I just got used to occupying myself

0:41:13.400 --> 0:41:17.279
<v Speaker 1>by being alone. Yeah, and that's really great and it

0:41:17.520 --> 0:41:18.839
<v Speaker 1>can be really detrimental.

0:41:19.000 --> 0:41:20.719
<v Speaker 2>Yeah, I can relate to so much of that as well.

0:41:20.760 --> 0:41:22.839
<v Speaker 2>I felt I was the eldest, just one of two

0:41:23.680 --> 0:41:27.040
<v Speaker 2>and my parents. You've used this word previously in other

0:41:27.080 --> 0:41:29.920
<v Speaker 2>interviews of having your parents had a fractured relationship, and

0:41:30.239 --> 0:41:34.000
<v Speaker 2>so did mine, and so there was definitely a sense

0:41:34.040 --> 0:41:39.000
<v Speaker 2>if I had to build independence, accountability, and responsibility very

0:41:39.040 --> 0:41:42.240
<v Speaker 2>early on because I had to take care of things.

0:41:42.719 --> 0:41:44.960
<v Speaker 2>And I also look back at that as such a

0:41:44.960 --> 0:41:47.560
<v Speaker 2>strength and I'm so grateful for it in a kind

0:41:47.560 --> 0:41:50.480
<v Speaker 2>of weird way because I feel like it made me

0:41:50.560 --> 0:41:52.839
<v Speaker 2>grow up earlier. Not in a way that I felt

0:41:52.880 --> 0:41:55.480
<v Speaker 2>I lost to childhood or I didn't have amazing experiences,

0:41:56.000 --> 0:41:58.120
<v Speaker 2>but I'm really happy now when I look back that

0:41:58.560 --> 0:42:00.000
<v Speaker 2>it gave me strength and courage much.

0:42:00.320 --> 0:42:03.280
<v Speaker 1>But as the older one did, they have some expectations

0:42:03.320 --> 0:42:06.600
<v Speaker 1>of responsibility put on you, like where are you going

0:42:06.640 --> 0:42:08.239
<v Speaker 1>and you have to be back by now? Where there

0:42:08.239 --> 0:42:09.400
<v Speaker 1>are rules placed.

0:42:09.280 --> 0:42:15.360
<v Speaker 2>No rules, no rules for me, more expectations educationally and

0:42:15.719 --> 0:42:18.480
<v Speaker 2>what was strange, which is so much link to what

0:42:18.520 --> 0:42:21.640
<v Speaker 2>I do today, and I've drawn that line fairly often

0:42:21.680 --> 0:42:24.879
<v Speaker 2>for myself is I was emotionally dependent on by both

0:42:24.880 --> 0:42:27.239
<v Speaker 2>of them. Okay, so I became the therapist.

0:42:27.280 --> 0:42:32.480
<v Speaker 1>Wow, that's no wonder you went off for three years

0:42:32.520 --> 0:42:34.760
<v Speaker 1>to sleep on the floor exactly on the ground.

0:42:34.840 --> 0:42:35.040
<v Speaker 4>Yeah.

0:42:35.120 --> 0:42:38.360
<v Speaker 2>Yeah. So I'm grateful for it now though, because I

0:42:38.400 --> 0:42:42.000
<v Speaker 2>think it gave me the ability to listen closely, be empathetic,

0:42:42.480 --> 0:42:45.719
<v Speaker 2>understand both sides, care for both, like he gave me

0:42:45.760 --> 0:42:48.320
<v Speaker 2>that ability to recognize how it takes two to ten go.

0:42:48.600 --> 0:42:51.000
<v Speaker 1>I think, I think this is a viable study about

0:42:51.000 --> 0:42:52.759
<v Speaker 1>where you are in that pecking order every now. And

0:42:52.800 --> 0:42:55.000
<v Speaker 1>I agreed about it because because I was last and

0:42:55.120 --> 0:42:58.200
<v Speaker 1>last by like five years, I had no rules. I

0:42:58.239 --> 0:43:01.080
<v Speaker 1>had no expectit. They had. They had spent so much

0:43:01.160 --> 0:43:04.160
<v Speaker 1>time trying to establish that with the older you know,

0:43:04.280 --> 0:43:07.080
<v Speaker 1>my older siblings. They didn't want to bother with it anymore.

0:43:07.360 --> 0:43:10.120
<v Speaker 1>So if I was gone for you know, like two weeks,

0:43:10.160 --> 0:43:12.600
<v Speaker 1>I just didn't come home for two weeks in high school,

0:43:12.800 --> 0:43:15.240
<v Speaker 1>they knew I was sleeping at somebody's house and doing

0:43:15.280 --> 0:43:17.600
<v Speaker 1>my homework and getting to school on my own. They

0:43:17.600 --> 0:43:19.920
<v Speaker 1>were thrilled that they didn't have to, you know, they

0:43:19.920 --> 0:43:22.680
<v Speaker 1>didn't have to discipline me or punish me. They didn't

0:43:22.719 --> 0:43:24.560
<v Speaker 1>have even have to think about me. I just came

0:43:24.600 --> 0:43:28.120
<v Speaker 1>and went by myself. So, but I was not the oldest,

0:43:28.360 --> 0:43:31.160
<v Speaker 1>you know, I did not have somebody that was establishing

0:43:31.239 --> 0:43:35.320
<v Speaker 1>the rules and you know the structure of the family.

0:43:35.520 --> 0:43:37.200
<v Speaker 2>Yeah, that was Yeah, that was different for me too.

0:43:37.239 --> 0:43:41.239
<v Speaker 2>I had expectations that academically, which is normal in an

0:43:41.239 --> 0:43:44.399
<v Speaker 2>Indian family, but there weren't any rules for me as well.

0:43:44.440 --> 0:43:46.160
<v Speaker 2>So if I was out and about and doing whatever

0:43:46.200 --> 0:43:47.120
<v Speaker 2>it was, it didn't matter.

0:43:47.160 --> 0:43:50.120
<v Speaker 1>And so so I'm gonna it's the stereotype of the

0:43:50.160 --> 0:43:53.680
<v Speaker 1>Indian family, are they? Are you all brilliant students? Do

0:43:53.760 --> 0:43:55.200
<v Speaker 1>you all work really hard.

0:43:55.000 --> 0:43:58.000
<v Speaker 2>And finish all you're forced to? Yeah, you're forced to.

0:43:58.160 --> 0:44:01.440
<v Speaker 2>You're forced to prioritize homework. Education is all that matters.

0:44:02.120 --> 0:44:06.319
<v Speaker 2>Your social skills, life relationships don't matter. It's all about

0:44:06.360 --> 0:44:07.080
<v Speaker 2>how well you're glad.

0:44:07.120 --> 0:44:09.399
<v Speaker 1>I'm not an Indian and there's no way I could

0:44:09.400 --> 0:44:09.719
<v Speaker 1>have been.

0:44:10.400 --> 0:44:12.839
<v Speaker 2>Yeah, it's all about how well you perform academically. Your

0:44:12.880 --> 0:44:14.279
<v Speaker 2>whole life revolves around that.

0:44:14.600 --> 0:44:17.160
<v Speaker 1>Were your parents like high academic and June.

0:44:17.280 --> 0:44:20.080
<v Speaker 2>Well, I think they I would say they did very

0:44:20.080 --> 0:44:21.719
<v Speaker 2>well for what they had. So my dad became a

0:44:21.800 --> 0:44:24.520
<v Speaker 2>chartered accountant. He qualified in England, but he grew up

0:44:24.560 --> 0:44:27.279
<v Speaker 2>he was raised in India, and my mom never did

0:44:27.280 --> 0:44:30.640
<v Speaker 2>any more than what you'd started up until age sixteen,

0:44:31.239 --> 0:44:34.520
<v Speaker 2>and then after that also became an entrepreneur and became

0:44:34.520 --> 0:44:37.840
<v Speaker 2>a financial advisor. So they both struggled and worked hard.

0:44:38.840 --> 0:44:40.359
<v Speaker 1>I love it. It was going it was going right

0:44:40.360 --> 0:44:41.960
<v Speaker 1>where I thought it was until you said, and then

0:44:42.040 --> 0:44:43.080
<v Speaker 1>became an entrepreneur.

0:44:43.280 --> 0:44:46.400
<v Speaker 2>Yeah, ok, yeah, which I realize growing up that she

0:44:46.480 --> 0:44:47.240
<v Speaker 2>was an entrepreneur.

0:44:47.320 --> 0:44:51.280
<v Speaker 1>Well, that comes from somewhere of that structure of education

0:44:51.480 --> 0:44:54.560
<v Speaker 1>and homework done even no matter the gender.

0:44:54.480 --> 0:44:58.239
<v Speaker 2>Exactly, exactly, exactly definitely. But I was thinking about, as

0:44:58.239 --> 0:45:00.520
<v Speaker 2>we're talking about your life, I can't help but think

0:45:00.520 --> 0:45:02.680
<v Speaker 2>about the movie here that I'm so grateful I got

0:45:02.680 --> 0:45:05.960
<v Speaker 2>to watch a couple of days ago, a couple of weeks, no,

0:45:06.160 --> 0:45:10.239
<v Speaker 2>a week ago now, and I really just felt that

0:45:10.320 --> 0:45:12.000
<v Speaker 2>it was a work of art. That's kind of what

0:45:12.040 --> 0:45:13.480
<v Speaker 2>I took away from it. It was a work of

0:45:13.600 --> 0:45:19.279
<v Speaker 2>art because really, as a film more recently had me

0:45:19.400 --> 0:45:23.120
<v Speaker 2>so fixated on. First of all, the way it's produced

0:45:23.160 --> 0:45:26.480
<v Speaker 2>and created is beautiful, and the way it's a pretty

0:45:26.480 --> 0:45:29.480
<v Speaker 2>deep throat, it's it's so deep, and it's perfect for

0:45:29.520 --> 0:45:32.360
<v Speaker 2>this conversation that we're having. And even as you're reflecting

0:45:32.400 --> 0:45:35.200
<v Speaker 2>on all of these scenes in your life. To me,

0:45:35.280 --> 0:45:36.000
<v Speaker 2>I can't help.

0:45:35.880 --> 0:45:39.920
<v Speaker 1>The project, oh dear, Oh but you because because it

0:45:40.000 --> 0:45:43.040
<v Speaker 1>was four of us, you know, Bob, Bob Zamacus and

0:45:43.239 --> 0:45:46.279
<v Speaker 1>Eric Roth and Robin and I and everybody everybody else

0:45:46.400 --> 0:45:48.719
<v Speaker 1>in it, you know, Paul and every re actor. Did

0:45:49.440 --> 0:45:53.280
<v Speaker 1>we The scenes are very very specific of a moment

0:45:53.320 --> 0:45:57.040
<v Speaker 1>in a family's life, yes, and everybody was armed for bear.

0:45:57.520 --> 0:46:00.680
<v Speaker 1>Everybody had a thing that it had happened to them

0:46:00.880 --> 0:46:05.560
<v Speaker 1>that was like that. Not necessarily example, but the sensory experience,

0:46:05.640 --> 0:46:09.640
<v Speaker 1>the emotional connection to every single moment in this thing

0:46:09.800 --> 0:46:12.960
<v Speaker 1>was really quite resonant for us all. And I had

0:46:13.080 --> 0:46:15.279
<v Speaker 1>to when I people say what are you working on?

0:46:15.360 --> 0:46:17.960
<v Speaker 1>Or I'm making a movie called here? I say not

0:46:18.400 --> 0:46:23.320
<v Speaker 1>h E A R it's h E R E. I said, well,

0:46:23.320 --> 0:46:28.200
<v Speaker 1>what's it about? I've said it is about how important

0:46:28.520 --> 0:46:34.360
<v Speaker 1>things are when they happen here, you know, because you

0:46:34.440 --> 0:46:38.840
<v Speaker 1>cannot control them, and they are if you the film,

0:46:38.920 --> 0:46:42.160
<v Speaker 1>I mean all of the permutations it goes. You know,

0:46:42.320 --> 0:46:45.000
<v Speaker 1>we say the camera stands still in space, but it

0:46:45.080 --> 0:46:49.319
<v Speaker 1>moves in time. You know, everybody, every character in it

0:46:49.400 --> 0:46:54.239
<v Speaker 1>is going through that profound thing that happens in a

0:46:54.280 --> 0:46:57.200
<v Speaker 1>specific moment in their life. And where does it happen.

0:46:57.520 --> 0:47:00.280
<v Speaker 1>It happens right here. So we were always to talking

0:47:00.320 --> 0:47:03.399
<v Speaker 1>about presence, you know, some big aspect of it, and

0:47:03.480 --> 0:47:06.920
<v Speaker 1>also that we do not know that we're living in

0:47:06.920 --> 0:47:09.920
<v Speaker 1>a moment of history. We don't know. They don't know

0:47:10.040 --> 0:47:15.200
<v Speaker 1>that the first tribes, you know, the Native Americans, they

0:47:15.200 --> 0:47:17.680
<v Speaker 1>don't know that they're Native Americans. They're just living in

0:47:18.120 --> 0:47:20.680
<v Speaker 1>the moment. They don't know they're living, you know, six

0:47:20.760 --> 0:47:23.360
<v Speaker 1>hundred years ago. Nor do the people that build the

0:47:23.400 --> 0:47:26.839
<v Speaker 1>house that takes place, and they don't know that they're

0:47:26.880 --> 0:47:29.200
<v Speaker 1>living in nineteen eleven. They think that they're just living

0:47:29.200 --> 0:47:32.279
<v Speaker 1>in the right now of it. And that's a type

0:47:32.320 --> 0:47:37.280
<v Speaker 1>of thing that really is so examinable examine the bull

0:47:38.040 --> 0:47:41.520
<v Speaker 1>in a very specific type of cinema that that is

0:47:41.560 --> 0:47:44.080
<v Speaker 1>the point of the what the whole movie is that

0:47:44.120 --> 0:47:47.280
<v Speaker 1>you know that Bob and Eric fleshed out long before

0:47:48.719 --> 0:47:53.760
<v Speaker 1>Robin and I came along, and along with that comes together.

0:47:54.000 --> 0:47:58.000
<v Speaker 1>The four of us have a history that we can

0:47:58.040 --> 0:48:01.120
<v Speaker 1>go back to. I mean, Robins worked with Bob a

0:48:01.160 --> 0:48:03.560
<v Speaker 1>couple of times. I've worked with Bob a number of times.

0:48:03.680 --> 0:48:05.840
<v Speaker 1>Eric is one for in mine. We worked on stuff

0:48:05.880 --> 0:48:08.799
<v Speaker 1>all the time, and every time we've done it, we

0:48:08.920 --> 0:48:13.400
<v Speaker 1>have a pinpoint of the difference between here at the

0:48:13.400 --> 0:48:16.839
<v Speaker 1>moment that had happened and now at this moment where

0:48:16.840 --> 0:48:19.960
<v Speaker 1>we're talking about establishing a whole new other place in time.

0:48:20.560 --> 0:48:22.279
<v Speaker 2>Yeah, when I mean, when I was watching it, I

0:48:22.280 --> 0:48:26.359
<v Speaker 2>couldn't help but think of every place that has been

0:48:26.400 --> 0:48:29.759
<v Speaker 2>monumental in my life, and then think about how many

0:48:29.800 --> 0:48:34.080
<v Speaker 2>other events must have taken place in that room, in

0:48:34.120 --> 0:48:36.480
<v Speaker 2>that space that I'm not even aware of, and I

0:48:36.560 --> 0:48:40.040
<v Speaker 2>might even take for granted and not recognize the value

0:48:40.080 --> 0:48:43.719
<v Speaker 2>of both in my life and previously, and of course

0:48:43.760 --> 0:48:45.319
<v Speaker 2>the future as well well.

0:48:45.760 --> 0:48:48.120
<v Speaker 1>I had to wrap my head around this thing that

0:48:48.160 --> 0:48:52.960
<v Speaker 1>I had never experienced. We lived here. I've never lived

0:48:53.360 --> 0:48:57.799
<v Speaker 1>any place, you know, you know now I've now I've

0:48:57.800 --> 0:49:00.600
<v Speaker 1>had I've lived had in the same literally home as

0:49:00.640 --> 0:49:03.440
<v Speaker 1>in three dimensional structure and time and space. I've had

0:49:03.440 --> 0:49:05.399
<v Speaker 1>that now for you know, a couple of decades here,

0:49:05.880 --> 0:49:10.719
<v Speaker 1>but this idea of someone putting so much I don't

0:49:10.719 --> 0:49:15.600
<v Speaker 1>want to say importance, but having so much emotional centeredness

0:49:16.200 --> 0:49:20.360
<v Speaker 1>in literally this place, in a room, by these stairs,

0:49:20.480 --> 0:49:23.279
<v Speaker 1>through this door. The TV used to be there, and

0:49:23.280 --> 0:49:27.080
<v Speaker 1>there it was there. Here's where mom and dad did this,

0:49:27.239 --> 0:49:30.920
<v Speaker 1>Here's where I did that. I don't have that. Oh

0:49:30.960 --> 0:49:33.200
<v Speaker 1>I got it, you know, like we got married, and

0:49:33.320 --> 0:49:35.239
<v Speaker 1>you know, finally I didn't. But I didn't get it

0:49:35.360 --> 0:49:39.120
<v Speaker 1>until I was thirty five years old. And my kids

0:49:39.200 --> 0:49:42.200
<v Speaker 1>have it, and sometimes I have to ask them about

0:49:42.280 --> 0:49:46.160
<v Speaker 1>their perspectives. I moved around so much as a kid.

0:49:46.239 --> 0:49:48.960
<v Speaker 1>I looked forward to it. When we moved out of

0:49:49.120 --> 0:49:52.600
<v Speaker 1>the house that my kids had been born in and

0:49:52.640 --> 0:49:54.319
<v Speaker 1>lived in for the better part, you know, lived in

0:49:54.360 --> 0:49:57.719
<v Speaker 1>for like fourteen years a piece, they were sort of

0:49:57.840 --> 0:50:03.760
<v Speaker 1>undone by it, and I didn't understand it. I literally,

0:50:03.920 --> 0:50:05.839
<v Speaker 1>in the back of my head, if not verbally, said,

0:50:06.080 --> 0:50:10.319
<v Speaker 1>what's a big deal? You know, how's that for a perspective?

0:50:10.719 --> 0:50:14.120
<v Speaker 1>It is a huge deal if you're actually there and Richard,

0:50:14.400 --> 0:50:18.520
<v Speaker 1>you know, Robin and I are characters. You know, I'm

0:50:18.560 --> 0:50:20.840
<v Speaker 1>born in the house, I grow up in the house.

0:50:21.000 --> 0:50:23.720
<v Speaker 1>My kids are born in the house, or entire marriage

0:50:23.760 --> 0:50:26.360
<v Speaker 1>and family is spent in that house, and is it

0:50:26.400 --> 0:50:30.480
<v Speaker 1>a solace or is it a boundary that you're never

0:50:30.520 --> 0:50:35.719
<v Speaker 1>able to get through of that? Experiencing that and examining

0:50:35.760 --> 0:50:38.480
<v Speaker 1>that was, Oh my lord, I can't tell you how

0:50:38.560 --> 0:50:41.839
<v Speaker 1>many how much conversation. This whole movie was just one

0:50:41.840 --> 0:50:44.840
<v Speaker 1>big ass conversation about what it means, and not so

0:50:44.960 --> 0:50:47.360
<v Speaker 1>much about what the words are, how we move around.

0:50:47.400 --> 0:50:50.680
<v Speaker 1>That's the technical stuff that goes along. But every moment

0:50:50.760 --> 0:50:53.759
<v Speaker 1>that we were off by ourselves, it seemed to me

0:50:53.880 --> 0:50:57.279
<v Speaker 1>we were trying to weigh this very specific thing of

0:50:57.360 --> 0:50:59.640
<v Speaker 1>what we have always, what we have all been through

0:51:00.080 --> 0:51:05.160
<v Speaker 1>in our odd you know, celebrated goofy stupid individual lives,

0:51:05.800 --> 0:51:09.640
<v Speaker 1>and what it meant to this the h E R

0:51:09.840 --> 0:51:14.320
<v Speaker 1>E aspect of this story that we were trying to tell,

0:51:14.600 --> 0:51:18.200
<v Speaker 1>and Bob particularly I mean Bob's, and we all I think,

0:51:18.360 --> 0:51:23.319
<v Speaker 1>incorporated our own approach to our art form and commercial

0:51:23.560 --> 0:51:28.000
<v Speaker 1>life to it. Bob is a filmmaker, is not about

0:51:28.000 --> 0:51:30.279
<v Speaker 1>to do a shot that anybody could do, you know,

0:51:30.400 --> 0:51:32.840
<v Speaker 1>And he's not about to tell a story cinematically in

0:51:32.920 --> 0:51:35.200
<v Speaker 1>ways that have been done before. He's just built that

0:51:35.280 --> 0:51:37.960
<v Speaker 1>way hell anybody could do that. You know, he says

0:51:38.000 --> 0:51:43.480
<v Speaker 1>stuff like that. And Eric, as a screenwriter, he's constantly

0:51:43.560 --> 0:51:46.560
<v Speaker 1>landing on this place where only his words on paper

0:51:47.320 --> 0:51:51.120
<v Speaker 1>can translate this thought process. And Robin and I you know,

0:51:52.120 --> 0:51:55.560
<v Speaker 1>I'll Paul everybody, everybody, And the thing is like, I know,

0:51:55.640 --> 0:51:57.799
<v Speaker 1>the lines turned me loose. Let's go, let's go. What

0:51:57.800 --> 0:51:59.040
<v Speaker 1>are you going to do? You're going to try that?

0:51:59.200 --> 0:52:00.960
<v Speaker 1>Let's try that? Are you going to just take it?

0:52:01.040 --> 0:52:06.960
<v Speaker 1>You know, this ongoing game of improvisational emotional football in

0:52:07.000 --> 0:52:11.600
<v Speaker 1>which you're just and I mean football is the international sense. Yes, Premiership,

0:52:11.640 --> 0:52:14.359
<v Speaker 1>the Championship, as league. It is a ball that is kind.

0:52:14.760 --> 0:52:16.919
<v Speaker 1>It's a matter of engines, it's a matter of a curve.

0:52:16.960 --> 0:52:18.520
<v Speaker 1>It's a matter of being in the right place at

0:52:18.520 --> 0:52:21.120
<v Speaker 1>the right time in order to receive what's given to

0:52:21.160 --> 0:52:23.320
<v Speaker 1>you and then pass on to somebody else.

0:52:23.520 --> 0:52:28.279
<v Speaker 2>Yeah, it was. I know the film uses digital anti

0:52:28.360 --> 0:52:33.800
<v Speaker 2>aging technology and you have to see yourself many years younger.

0:52:34.400 --> 0:52:35.840
<v Speaker 2>Was there any special feeling of that?

0:52:37.400 --> 0:52:39.600
<v Speaker 1>It was kind of great. Yeah, I mean because it's

0:52:39.640 --> 0:52:42.399
<v Speaker 1>a great tool because it's been you know, people are

0:52:42.560 --> 0:52:45.880
<v Speaker 1>aged and younged up in movies, you know, since since

0:52:46.680 --> 0:52:50.720
<v Speaker 1>Edison stole George Melier's film process back in the early

0:52:50.800 --> 0:52:54.560
<v Speaker 1>nineteen hundreds. It was fascinating to watch because it ended

0:52:54.640 --> 0:52:57.239
<v Speaker 1>up being the tools were so much better that it

0:52:57.280 --> 0:53:00.600
<v Speaker 1>was a different completeness to it. Absolutely, you know, we

0:53:00.640 --> 0:53:02.840
<v Speaker 1>all had you know, you always have hair and makeup.

0:53:02.880 --> 0:53:06.200
<v Speaker 1>We went through extensive everything you know they did. At

0:53:06.200 --> 0:53:12.839
<v Speaker 1>one point, I'm sitting there and Jennifer are fabulous makeup artist.

0:53:12.920 --> 0:53:15.160
<v Speaker 1>She's just looking at me. She just grabbed both of

0:53:15.200 --> 0:53:19.440
<v Speaker 1>my ears and then lifted them up and shoved them

0:53:19.920 --> 0:53:22.040
<v Speaker 1>into the top of my head, and I said, what

0:53:22.080 --> 0:53:25.440
<v Speaker 1>are you doing? He said, oh, Tom, we're working on

0:53:25.480 --> 0:53:30.280
<v Speaker 1>you being seventeen and as you age, your ears grow

0:53:30.680 --> 0:53:33.359
<v Speaker 1>and lower on your head, and so I'm trying to

0:53:33.400 --> 0:53:37.759
<v Speaker 1>see if I'll be able to glue them up on

0:53:37.760 --> 0:53:42.279
<v Speaker 1>the side. I said, have at it, girl. So that

0:53:42.360 --> 0:53:46.160
<v Speaker 1>all of the tool aspect of it is standard. What

0:53:46.440 --> 0:53:49.280
<v Speaker 1>was new is that we could see it in real time.

0:53:49.320 --> 0:53:51.040
<v Speaker 1>We didn't have to send it off and wait for

0:53:51.080 --> 0:53:54.320
<v Speaker 1>a long post production thing. Because that was the deep

0:53:54.719 --> 0:54:00.040
<v Speaker 1>fake technology that uses some form of AI just to

0:54:00.080 --> 0:54:04.239
<v Speaker 1>make it much much faster and immediate. And listen, what

0:54:05.360 --> 0:54:07.560
<v Speaker 1>one of the things that it shows is just how

0:54:07.640 --> 0:54:11.240
<v Speaker 1>old bio because you know, you got to have posture

0:54:11.280 --> 0:54:15.200
<v Speaker 1>and energy. If you're if everything else about you looks

0:54:15.280 --> 0:54:17.880
<v Speaker 1>like you're twenty two years old, you're going to have

0:54:17.960 --> 0:54:20.200
<v Speaker 1>to embody a twenty two year old. I'm going to

0:54:20.200 --> 0:54:22.560
<v Speaker 1>tell you right now, it's very hard to leap off

0:54:22.560 --> 0:54:26.880
<v Speaker 1>a couch and enthusiasm as a as a as a

0:54:26.960 --> 0:54:29.120
<v Speaker 1>sixty seven year old guy. At the time that.

0:54:29.080 --> 0:54:30.360
<v Speaker 2>We did it, I didn't even think of that.

0:54:31.160 --> 0:54:33.000
<v Speaker 1>Hey, you know what, had a lot of tea, had

0:54:33.000 --> 0:54:35.520
<v Speaker 1>a lot of protein for us, you know, got a

0:54:35.520 --> 0:54:38.000
<v Speaker 1>lot of rest, got a lot of stretching, you know,

0:54:38.040 --> 0:54:39.720
<v Speaker 1>in order in order to make that happen.

0:54:39.920 --> 0:54:42.200
<v Speaker 2>Yeah, you mentioned presence there, and that was a theme

0:54:42.200 --> 0:54:45.600
<v Speaker 2>that definitely struck me. What do you find helps you

0:54:45.680 --> 0:54:48.280
<v Speaker 2>be the most present today as you're living.

0:54:48.160 --> 0:54:50.360
<v Speaker 1>There are times that I think you have to be oblivious.

0:54:50.440 --> 0:54:52.520
<v Speaker 1>You have to sort of like enforce it. You have

0:54:52.640 --> 0:54:57.359
<v Speaker 1>to not think of things. It's crazy, but one of

0:54:57.400 --> 0:55:02.360
<v Speaker 1>the most basic things I think that I learned probably

0:55:02.360 --> 0:55:06.600
<v Speaker 1>in junior college when I actually for the Chabeau Community College,

0:55:07.320 --> 0:55:10.880
<v Speaker 1>when it truly did begin to study this kind of stuff,

0:55:11.280 --> 0:55:15.719
<v Speaker 1>is that the words what you are saying has to

0:55:15.760 --> 0:55:18.440
<v Speaker 1>be so familiar to you that you don't think about it.

0:55:18.760 --> 0:55:21.680
<v Speaker 1>And that is a degree of being oblivious to the

0:55:21.719 --> 0:55:25.000
<v Speaker 1>specifics of what you're doing, because if you're trying to

0:55:25.040 --> 0:55:28.320
<v Speaker 1>get through it, that means self consciousness. That means you

0:55:29.120 --> 0:55:31.960
<v Speaker 1>are not getting out of yourself, and self consciousness is

0:55:32.000 --> 0:55:35.799
<v Speaker 1>the death of performance. Ask any actor this thing is

0:55:35.840 --> 0:55:40.040
<v Speaker 1>that if you have a scene, well, you have to

0:55:40.080 --> 0:55:43.080
<v Speaker 1>go to a deep emotional place and the only way

0:55:43.120 --> 0:55:46.400
<v Speaker 1>to do it is to go there. Chances are you

0:55:46.440 --> 0:55:48.800
<v Speaker 1>have had the most wonderful day of your life prior

0:55:48.880 --> 0:55:52.040
<v Speaker 1>to that, or that it is so much fun to

0:55:52.040 --> 0:55:54.359
<v Speaker 1>come to work that day, all right, So that's one

0:55:54.400 --> 0:55:56.239
<v Speaker 1>thing that you have to do. And the other side

0:55:56.280 --> 0:55:58.600
<v Speaker 1>of it is if you have to be charming and

0:55:58.600 --> 0:56:02.680
<v Speaker 1>convivial and funny on paper on stage a day, chances

0:56:02.719 --> 0:56:05.800
<v Speaker 1>are you're going through some personal health you know off uh,

0:56:05.920 --> 0:56:08.759
<v Speaker 1>you know off camera that you just have to be

0:56:09.239 --> 0:56:13.440
<v Speaker 1>oblivious to somehow. And along with that, there's a I

0:56:13.880 --> 0:56:17.839
<v Speaker 1>can't discount enough the joy of the hang I think

0:56:18.680 --> 0:56:22.120
<v Speaker 1>what I do for a living joy does does it

0:56:22.200 --> 0:56:25.520
<v Speaker 1>promotes it? The and joy not necessarily being we're all

0:56:25.560 --> 0:56:28.120
<v Speaker 1>having a great time, We're all you know, singing campfire songs,

0:56:28.480 --> 0:56:32.799
<v Speaker 1>but the joy of allying yourself with great collaborators and

0:56:32.960 --> 0:56:35.359
<v Speaker 1>trusting that they are going to get better stuff out

0:56:35.360 --> 0:56:37.959
<v Speaker 1>of you that you could possibly bring yourself, and being

0:56:38.040 --> 0:56:41.160
<v Speaker 1>open to just knowing it so well. Everybody says, well,

0:56:41.160 --> 0:56:42.440
<v Speaker 1>what do you mean by what do you mean? What

0:56:42.440 --> 0:56:44.920
<v Speaker 1>do you mean by learning the lines? I mean learning

0:56:44.920 --> 0:56:49.040
<v Speaker 1>the lines like you know, the of the lyrics to

0:56:49.640 --> 0:56:52.160
<v Speaker 1>the best song you ever heard in your life. Yesterday,

0:56:52.800 --> 0:56:55.080
<v Speaker 1>all my trouble seems so far away now. I need

0:56:55.120 --> 0:56:57.400
<v Speaker 1>a place that's here to say, Oh, I believe you

0:56:57.760 --> 0:56:59.800
<v Speaker 1>got to be able to rattle it off that fast,

0:57:00.400 --> 0:57:02.319
<v Speaker 1>that easily. It's going to be so much a part

0:57:02.360 --> 0:57:04.080
<v Speaker 1>of you that you don't have to think about it all.

0:57:04.320 --> 0:57:06.560
<v Speaker 1>If I actually sang the right words to you.

0:57:07.960 --> 0:57:09.480
<v Speaker 2>Yeah, No, that makes a lot of sense. And I

0:57:09.520 --> 0:57:14.320
<v Speaker 2>feel there's this It's amazing to see your enthusiasm, excitement, joy,

0:57:14.680 --> 0:57:18.520
<v Speaker 2>you know, continuing your career when you're even what you

0:57:18.600 --> 0:57:21.320
<v Speaker 2>just said now of working with people who can get

0:57:21.440 --> 0:57:24.320
<v Speaker 2>even more out of me, and that belief that there's

0:57:24.400 --> 0:57:27.840
<v Speaker 2>more in you always. You've talked about imposter syndrome in

0:57:27.880 --> 0:57:31.520
<v Speaker 2>the past, which obviously I'm sure everyone when they look

0:57:31.560 --> 0:57:35.080
<v Speaker 2>at you find it hard to believe. But I recognize

0:57:35.080 --> 0:57:36.959
<v Speaker 2>when you've shared or I've heard you talk about it before,

0:57:37.040 --> 0:57:40.480
<v Speaker 2>it's very real. It's very genuine, this feeling of like, oh, well,

0:57:40.560 --> 0:57:44.560
<v Speaker 2>you know, walk us through that. How you've been able

0:57:44.600 --> 0:57:48.000
<v Speaker 2>to constantly believe there's more in you, to give, more,

0:57:48.360 --> 0:57:49.920
<v Speaker 2>to do, more, to find.

0:57:49.800 --> 0:57:52.160
<v Speaker 1>Somebody wanted me to do a movie, all right, and

0:57:52.200 --> 0:57:54.720
<v Speaker 1>it was great and I should have done it. It

0:57:54.760 --> 0:57:56.920
<v Speaker 1>was going to be for a lot of money or peing.

0:57:57.400 --> 0:58:00.840
<v Speaker 1>You go somewhere cool, you get a good you know,

0:58:00.960 --> 0:58:03.720
<v Speaker 1>all that kind of stuff. There was no reason not

0:58:03.960 --> 0:58:10.400
<v Speaker 1>to do the movie, except there was something that I

0:58:10.480 --> 0:58:15.680
<v Speaker 1>just said, this is not the match for me because

0:58:15.760 --> 0:58:19.840
<v Speaker 1>number one, I don't have any curiosity about the subject.

0:58:20.360 --> 0:58:23.520
<v Speaker 1>Now that's not the only reason to do it, but

0:58:23.600 --> 0:58:28.280
<v Speaker 1>in order to translate the theme of the movie through

0:58:28.320 --> 0:58:31.120
<v Speaker 1>a performance, there has to be some sort of challenge

0:58:31.120 --> 0:58:33.320
<v Speaker 1>and curiosity to it, and I had none. That was

0:58:33.360 --> 0:58:35.480
<v Speaker 1>one thing. But the other part of the two I

0:58:35.520 --> 0:58:37.760
<v Speaker 1>was searching. I was I was having a one on

0:58:37.760 --> 0:58:41.240
<v Speaker 1>one talk with the director and I just I said, look,

0:58:41.280 --> 0:58:43.840
<v Speaker 1>I said, I don't I don't have the I don't

0:58:43.840 --> 0:58:50.520
<v Speaker 1>have the I don't have the countenance, and the drinker said, countenance.

0:58:51.320 --> 0:58:53.400
<v Speaker 1>The hell does that means? Said, there is a thing

0:58:53.960 --> 0:58:57.080
<v Speaker 1>that we all carry with us. We have a countenance

0:58:57.120 --> 0:59:01.440
<v Speaker 1>that comes from everything we've said, all the work that

0:59:01.440 --> 0:59:03.520
<v Speaker 1>we've done, all the all the times that we've either

0:59:03.560 --> 0:59:08.240
<v Speaker 1>succeeded or failed, Because they both go together. Failure teaches

0:59:08.280 --> 0:59:10.640
<v Speaker 1>you a lot more than success does. I'm talking about

0:59:10.680 --> 0:59:14.320
<v Speaker 1>commercial success, but that idea that you walk away from

0:59:14.320 --> 0:59:17.200
<v Speaker 1>a job and you think that we went to a

0:59:17.240 --> 0:59:20.480
<v Speaker 1>new place in order to in order to examine this

0:59:20.560 --> 0:59:23.400
<v Speaker 1>theme that only we could have done unless we all

0:59:23.400 --> 0:59:25.760
<v Speaker 1>got together and challenge each other and made it happen,

0:59:26.640 --> 0:59:31.160
<v Speaker 1>and without that type of stretching of one's countenance that

0:59:31.240 --> 0:59:34.280
<v Speaker 1>you come into. Uh, that's that to me is the

0:59:34.480 --> 0:59:38.040
<v Speaker 1>That's that to me is the big mcgilla. I still

0:59:38.080 --> 0:59:43.680
<v Speaker 1>find myself, uh, completely at the mercy of that instinctive

0:59:44.080 --> 0:59:48.040
<v Speaker 1>moment of oh my god, that's what that's what I think,

0:59:48.320 --> 0:59:50.160
<v Speaker 1>you know, and the next thing you know, you'll want

0:59:50.200 --> 0:59:53.200
<v Speaker 1>to do it and you're talking talking about it continuously,

0:59:53.640 --> 0:59:59.240
<v Speaker 1>And there is nothing that anybody says that detracts from

0:59:59.280 --> 1:00:05.640
<v Speaker 1>that initial initial experience because you know the other other,

1:00:05.920 --> 1:00:07.880
<v Speaker 1>you know that there's there's plenty of the things that

1:00:07.920 --> 1:00:13.120
<v Speaker 1>you can do because they're fun. I mean, my my,

1:00:13.120 --> 1:00:16.320
<v Speaker 1>my beginnings. The first time I was a professional actor,

1:00:16.600 --> 1:00:19.840
<v Speaker 1>we were in repertory theater uh at uh with my

1:00:20.080 --> 1:00:23.040
<v Speaker 1>Vincent Dowling at a place called the Great Lakes Shakespeare

1:00:23.120 --> 1:00:26.040
<v Speaker 1>Festival in Cleveland, Ohio. And because we were in a

1:00:26.040 --> 1:00:30.080
<v Speaker 1>rep we did everything we did. We did Hamlet and

1:00:30.200 --> 1:00:32.880
<v Speaker 1>King John at Othello at the same time we were

1:00:32.920 --> 1:00:38.200
<v Speaker 1>doing fabulous Rip Warren comedies that everybody, everybody dug. The

1:00:38.240 --> 1:00:44.120
<v Speaker 1>countenance then is exchanged between them between the two, and

1:00:44.360 --> 1:00:47.400
<v Speaker 1>that's something that it's not a burden at all, but

1:00:47.520 --> 1:00:51.120
<v Speaker 1>it is a it is a prism through which a

1:00:51.240 --> 1:00:55.080
<v Speaker 1>decision has to be made. Going back again to this

1:00:55.200 --> 1:00:59.920
<v Speaker 1>idea of this, I believe that mike my count and

1:01:00.880 --> 1:01:04.640
<v Speaker 1>look it up staff, look up countenance for me. My

1:01:04.960 --> 1:01:10.000
<v Speaker 1>countenance is not going to aid the examination of this theme.

1:01:10.600 --> 1:01:15.800
<v Speaker 1>And movies work when the theme is worthy of being

1:01:15.800 --> 1:01:18.240
<v Speaker 1>examined by that movie. And so in that case you

1:01:18.360 --> 1:01:22.120
<v Speaker 1>just have to say, uh no, there's a you need

1:01:22.120 --> 1:01:24.120
<v Speaker 1>somebody that's going to come in there like a you know,

1:01:24.160 --> 1:01:27.200
<v Speaker 1>like like a like a mad dog and devour that

1:01:27.280 --> 1:01:30.680
<v Speaker 1>bone and I just my countenance doesn't match up to that.

1:01:30.840 --> 1:01:32.760
<v Speaker 2>Yeah, it sounds like you've never compromised that.

1:01:33.200 --> 1:01:35.520
<v Speaker 1>Oh, I've compromised you twenty of time. Okay, you know

1:01:35.600 --> 1:01:37.600
<v Speaker 1>making mistakes. You know, there was a period of time.

1:01:37.760 --> 1:01:40.280
<v Speaker 1>Look look at my IMDb. It might be up in

1:01:40.320 --> 1:01:42.880
<v Speaker 1>triple digits by now, you know. And it was a

1:01:42.880 --> 1:01:44.600
<v Speaker 1>time where I just said, they are asking me to

1:01:44.720 --> 1:01:46.680
<v Speaker 1>be in a movie. You don't say no to that.

1:01:46.760 --> 1:01:48.640
<v Speaker 1>And that's young. That's the stuff that you do in

1:01:48.640 --> 1:01:51.640
<v Speaker 1>your twenties and in your thirties, and then sometime in

1:01:51.680 --> 1:01:53.480
<v Speaker 1>there you start thinking about no, no, no, no, wait

1:01:53.520 --> 1:01:56.160
<v Speaker 1>to bit, Wait a minute, wait a minute, the greatest decision.

1:01:56.360 --> 1:01:58.760
<v Speaker 1>By the way, I don't think I've ever said no yet,

1:01:59.440 --> 1:02:01.920
<v Speaker 1>except by schedule. But now it turns out to me

1:02:02.040 --> 1:02:07.520
<v Speaker 1>that's where you start shaping what your your art and

1:02:07.560 --> 1:02:10.000
<v Speaker 1>the body of work you have to start. The power

1:02:10.080 --> 1:02:12.800
<v Speaker 1>is saying no. And that's really it was really hard

1:02:12.800 --> 1:02:15.600
<v Speaker 1>to do when you know everybody thinks you're great. You

1:02:15.640 --> 1:02:17.520
<v Speaker 1>show up and everybody wants you to do it, and

1:02:17.560 --> 1:02:22.320
<v Speaker 1>everybody says fabulous things. But I've I didn't know I

1:02:22.480 --> 1:02:24.680
<v Speaker 1>was compromising because I didn't know any better. But there

1:02:24.760 --> 1:02:28.360
<v Speaker 1>was a moment. I guess when you say, like, ah,

1:02:28.520 --> 1:02:31.160
<v Speaker 1>you know, I don't. I don't want to. I don't

1:02:31.200 --> 1:02:34.360
<v Speaker 1>want to. I think I'd be compromising somewhere here. And

1:02:34.400 --> 1:02:38.800
<v Speaker 1>so the first time I said no to something, it

1:02:38.800 --> 1:02:41.120
<v Speaker 1>was a very it was it was on one hand,

1:02:41.200 --> 1:02:43.480
<v Speaker 1>liberating inter course. I might have thought I made the

1:02:43.480 --> 1:02:46.040
<v Speaker 1>biggest mistake of my life. You know, I tell you,

1:02:46.120 --> 1:02:49.480
<v Speaker 1>if you take any great take, any great magnificent take,

1:02:49.840 --> 1:02:52.440
<v Speaker 1>let's just pull from to take Faye done Away and

1:02:52.520 --> 1:02:56.840
<v Speaker 1>Lawrence Olivier, they have very specific countenances. There is a

1:02:56.920 --> 1:02:59.440
<v Speaker 1>thing that you will say, oh my god, the countenance

1:02:59.440 --> 1:03:03.560
<v Speaker 1>of Lawrence will really really Ozzie Davis, Well, you know

1:03:03.640 --> 1:03:08.720
<v Speaker 1>any grade then wow, that countenance matches. Yes, And that's

1:03:08.760 --> 1:03:09.800
<v Speaker 1>I guess that's what I'm.

1:03:09.880 --> 1:03:10.840
<v Speaker 2>Yes, yes, yes, there is.

1:03:11.040 --> 1:03:13.640
<v Speaker 1>It makes like a you know, some sort of cosmic

1:03:13.760 --> 1:03:16.240
<v Speaker 1>weight that they carry along with it that makes sense

1:03:16.240 --> 1:03:17.000
<v Speaker 1>for what they're doing.

1:03:17.200 --> 1:03:21.720
<v Speaker 2>Yeah, for sure, there's a listening to you speak about

1:03:22.720 --> 1:03:26.240
<v Speaker 2>I mean, it's so relieving to hear that you've compromised sometimes,

1:03:26.320 --> 1:03:29.320
<v Speaker 2>like because it's a relief I'm.

1:03:28.760 --> 1:03:31.040
<v Speaker 1>By my house right if but not a compromised you know,

1:03:31.200 --> 1:03:32.760
<v Speaker 1>how about that you want to do that. We'll bring

1:03:32.760 --> 1:03:34.200
<v Speaker 1>that well, I love it. I mean, we'll bring the

1:03:34.280 --> 1:03:37.000
<v Speaker 1>DVDs and say this is the DVD of Compromise.

1:03:37.120 --> 1:03:39.480
<v Speaker 2>I mean, that'll be amazing. No, I think, because I

1:03:39.520 --> 1:03:42.560
<v Speaker 2>think we're so good, we forget that. You're used to

1:03:43.160 --> 1:03:46.840
<v Speaker 2>celebrating and counting someone's wins and hits when they've had

1:03:46.880 --> 1:03:50.680
<v Speaker 2>so many, and you look over the compromises or whatever

1:03:50.680 --> 1:03:52.760
<v Speaker 2>it may have been. And so it's a relief hearing

1:03:52.800 --> 1:03:55.560
<v Speaker 2>that because your values of how you pick a project,

1:03:55.560 --> 1:03:58.400
<v Speaker 2>of how you work on a project seems so so

1:03:58.520 --> 1:04:01.160
<v Speaker 2>strong and defined now, and that's obviously come with time.

1:04:01.680 --> 1:04:07.200
<v Speaker 2>As you were making here, was there a particular scene

1:04:07.200 --> 1:04:09.240
<v Speaker 2>that reminded you of a time in your life that

1:04:09.280 --> 1:04:12.440
<v Speaker 2>you want to revisit, relive, rethink.

1:04:12.760 --> 1:04:19.360
<v Speaker 1>Eugene O'Neil wrote All Wilderness. He wrote that play as

1:04:19.680 --> 1:04:22.520
<v Speaker 1>the life he would have, he wanted to have, he

1:04:22.600 --> 1:04:25.240
<v Speaker 1>wished he had had, the family that he had wished

1:04:25.280 --> 1:04:28.200
<v Speaker 1>he had. And I always read that Eugene only is

1:04:28.240 --> 1:04:30.080
<v Speaker 1>a big reason why I became an actor, because I

1:04:30.120 --> 1:04:34.200
<v Speaker 1>saw great productions of his stuff back in nineteen seventy five,

1:04:34.280 --> 1:04:38.200
<v Speaker 1>seventy six, And when I finally saw All Wilderness, I

1:04:38.360 --> 1:04:42.280
<v Speaker 1>was knocked out because it was as delightful a play

1:04:42.520 --> 1:04:44.760
<v Speaker 1>as it was. And I'd always heard that he wrote

1:04:44.800 --> 1:04:47.200
<v Speaker 1>that as you know, the family that he wished he had.

1:04:48.600 --> 1:04:50.760
<v Speaker 1>I thought about that when I was doing here, because

1:04:50.760 --> 1:04:54.960
<v Speaker 1>there are moments, for example, when we're just sitting watching

1:04:55.000 --> 1:04:58.960
<v Speaker 1>TV and you know, Robin is there, the kids are little,

1:04:59.000 --> 1:05:02.080
<v Speaker 1>and we're just there. We ended up talking about what

1:05:02.360 --> 1:05:05.360
<v Speaker 1>would be on the TV, you know, and I went

1:05:05.440 --> 1:05:06.800
<v Speaker 1>right back to you know, I don't know it was

1:05:06.840 --> 1:05:09.919
<v Speaker 1>a Dean Martin show or an episode of something, even

1:05:09.960 --> 1:05:12.040
<v Speaker 1>down to some of the commercials that we wanted to

1:05:13.160 --> 1:05:19.000
<v Speaker 1>and those moments were transporting for me, but not in

1:05:19.680 --> 1:05:25.440
<v Speaker 1>a home the way we were picturing it. I remember

1:05:25.480 --> 1:05:28.080
<v Speaker 1>seeing those in an apartment that we lived in for

1:05:28.120 --> 1:05:29.840
<v Speaker 1>two and a half years when I was walking to

1:05:29.880 --> 1:05:34.200
<v Speaker 1>school by myself, or the first year's you know, somebody

1:05:34.280 --> 1:05:37.600
<v Speaker 1>was married to a step spouse that was not the

1:05:37.640 --> 1:05:41.960
<v Speaker 1>most benevolent human being in the planet earth. Right. Sometimes

1:05:42.200 --> 1:05:47.840
<v Speaker 1>I remembered sometimes just that that gathering around like mindedly

1:05:48.360 --> 1:05:52.040
<v Speaker 1>getting the same thing out of a TV show, like

1:05:52.080 --> 1:05:56.040
<v Speaker 1>an electric fireplace. But it was solace. It was a

1:05:56.040 --> 1:06:01.240
<v Speaker 1>togetherness that belied what was really going on. In the house.

1:06:01.320 --> 1:06:04.439
<v Speaker 1>And there's a couple of those, particularly when the kids

1:06:04.480 --> 1:06:07.280
<v Speaker 1>are little and Robin and Iron the early early years

1:06:07.320 --> 1:06:12.800
<v Speaker 1>of our marriages, that were sublime right then and there

1:06:12.920 --> 1:06:18.320
<v Speaker 1>because we're laughing, it's there, the kids are being goofy,

1:06:18.360 --> 1:06:20.720
<v Speaker 1>there's a moment that there's a moment that comes along

1:06:21.560 --> 1:06:25.000
<v Speaker 1>and what I don't think there's a better example of

1:06:25.040 --> 1:06:27.760
<v Speaker 1>a true sense of family and home and connection in

1:06:27.840 --> 1:06:31.440
<v Speaker 1>moments that are not Thanksgiving or Christmas morning, or a

1:06:31.480 --> 1:06:34.000
<v Speaker 1>wedding or a kid They are when you're just sitting

1:06:34.040 --> 1:06:39.120
<v Speaker 1>around on a Thursday night, you know, content and happy

1:06:39.440 --> 1:06:43.240
<v Speaker 1>and nothing is happening except the sense of presence that's there.

1:06:44.320 --> 1:06:46.840
<v Speaker 1>There's a couple of them. That's funny that they usually

1:06:46.880 --> 1:06:49.880
<v Speaker 1>asked that because I realized now that the amount of

1:06:50.400 --> 1:06:53.120
<v Speaker 1>the amount of suggestions we all had for how we

1:06:53.160 --> 1:06:56.400
<v Speaker 1>would sit there, what would be on the TV, what

1:06:56.440 --> 1:07:00.280
<v Speaker 1>we had done just before, was coming right out of

1:07:00.480 --> 1:07:03.160
<v Speaker 1>right out of our individual lives, from Bob, from Eric,

1:07:03.240 --> 1:07:05.280
<v Speaker 1>certainly from Robin and myself.

1:07:05.360 --> 1:07:10.280
<v Speaker 2>Yeah, it felt so real. It feels so real. Every scene,

1:07:10.320 --> 1:07:13.439
<v Speaker 2>every conversation, every event feels so real.

1:07:13.560 --> 1:07:15.520
<v Speaker 1>One of the things that we learned because it's shot

1:07:15.560 --> 1:07:19.520
<v Speaker 1>in this very specific you know, aspect ratio, you know,

1:07:20.480 --> 1:07:26.120
<v Speaker 1>camera position is that everything works. Everything if you're in

1:07:26.240 --> 1:07:29.080
<v Speaker 1>the scene, even if you're not talking, you are registering

1:07:29.120 --> 1:07:34.120
<v Speaker 1>in a way that warrants attention. The stuff that is

1:07:34.160 --> 1:07:36.840
<v Speaker 1>on the walls. I can't say enough about the TV.

1:07:37.520 --> 1:07:40.919
<v Speaker 1>Here's something goofy. I walked onto the set one day

1:07:41.680 --> 1:07:44.040
<v Speaker 1>and it was from a period from you know, early

1:07:44.120 --> 1:07:47.800
<v Speaker 1>nineteen sixties or something like that, and the TV was

1:07:47.840 --> 1:07:52.160
<v Speaker 1>an old General Electric TV that was the same model

1:07:53.200 --> 1:07:58.000
<v Speaker 1>we had when Apollo eight flew around the Moon we had.

1:07:58.080 --> 1:08:00.000
<v Speaker 1>This was the TV we had, all black and white

1:08:00.040 --> 1:08:03.080
<v Speaker 1>thing with General Electric, had this big channel changing knob

1:08:03.160 --> 1:08:05.160
<v Speaker 1>on the side. It was like that, and it was

1:08:05.200 --> 1:08:08.800
<v Speaker 1>the same maple cabinet. It wasn't big. It was just

1:08:08.920 --> 1:08:10.880
<v Speaker 1>not much. You know, it's on legs, and it had

1:08:10.920 --> 1:08:13.600
<v Speaker 1>the cloth speakers at General Electric and any thing like that.

1:08:13.960 --> 1:08:16.240
<v Speaker 1>And I immediately took a picture of it and I

1:08:16.320 --> 1:08:19.480
<v Speaker 1>sent it to my siblings and I said, you recognize

1:08:19.520 --> 1:08:21.599
<v Speaker 1>this and they all said, ah, that's a TV from

1:08:21.640 --> 1:08:24.120
<v Speaker 1>the Johnson House. You know. It was like that. So

1:08:24.160 --> 1:08:26.759
<v Speaker 1>it had these kind of like talismans that came along

1:08:26.800 --> 1:08:31.200
<v Speaker 1>with it that oddly enough, they were. They were both

1:08:31.720 --> 1:08:34.519
<v Speaker 1>great to see and bittersweet to remember. Does that make sense?

1:08:34.600 --> 1:08:37.679
<v Speaker 2>Yeah for sure? Sure? Do I know you're fascinated by space?

1:08:37.720 --> 1:08:39.200
<v Speaker 2>Do you have any desire to go to the Moon?

1:08:39.760 --> 1:08:41.720
<v Speaker 1>Oh? You know, if they were going to do a

1:08:41.800 --> 1:08:44.599
<v Speaker 1>thing where you know, regular blokes could just go up

1:08:44.640 --> 1:08:47.599
<v Speaker 1>and go around it, I mean I take that.

1:08:47.600 --> 1:08:47.920
<v Speaker 2>That's it.

1:08:48.400 --> 1:08:51.000
<v Speaker 1>Oh yeah, just just to do it. But oh yeah, I.

1:08:50.920 --> 1:08:52.920
<v Speaker 2>Think I'm sure love to take.

1:08:53.000 --> 1:08:55.360
<v Speaker 1>Oh I'm not going with him, but he's not going

1:08:55.400 --> 1:08:58.280
<v Speaker 1>there anyway. You know, they're just going up. But I've

1:08:58.360 --> 1:09:01.400
<v Speaker 1>met I've talked to the I've talked to the crews

1:09:01.439 --> 1:09:06.360
<v Speaker 1>that are in line to make the next orbit around

1:09:06.400 --> 1:09:08.639
<v Speaker 1>the Moon that could happen as early as twenty five

1:09:08.720 --> 1:09:12.599
<v Speaker 1>twenty six, And man, oh man, I just say, hey,

1:09:12.640 --> 1:09:15.040
<v Speaker 1>if you need someone just to clean up and crack jokes,

1:09:15.120 --> 1:09:17.800
<v Speaker 1>you got room in there, give me a call. I'll

1:09:17.840 --> 1:09:21.040
<v Speaker 1>dead down to whatever weight requirements are necessary, because I

1:09:21.040 --> 1:09:24.400
<v Speaker 1>wouldn't pass it up. But I said, but only if

1:09:24.920 --> 1:09:28.160
<v Speaker 1>all of the windows are clear, because a lot of

1:09:28.160 --> 1:09:31.720
<v Speaker 1>times those they have gone up and the windows get

1:09:31.800 --> 1:09:34.320
<v Speaker 1>kind of like messed up because of zero gravity and

1:09:34.800 --> 1:09:37.480
<v Speaker 1>the vacuum outside and the building material.

1:09:37.240 --> 1:09:39.720
<v Speaker 2>Right, was that fascination only from movies? Is that where

1:09:39.720 --> 1:09:40.200
<v Speaker 2>it came from?

1:09:40.280 --> 1:09:43.639
<v Speaker 1>No, No, that came from I was right, smack dab,

1:09:43.760 --> 1:09:48.599
<v Speaker 1>and I was that educatable generation for which it was.

1:09:49.080 --> 1:09:53.360
<v Speaker 1>Space travel was the embodiment of every discipline that we

1:09:53.360 --> 1:09:59.080
<v Speaker 1>were studying, current events, politics, physics, art, engineering, math. It

1:09:59.160 --> 1:10:01.519
<v Speaker 1>was all all all wrapped up, all into one. It

1:10:01.560 --> 1:10:04.960
<v Speaker 1>was on TV TV regularly. I was. I was just

1:10:05.120 --> 1:10:08.120
<v Speaker 1>I was that the of course, now you're going to

1:10:08.160 --> 1:10:11.240
<v Speaker 1>think about this, but the idea of being alone in

1:10:11.320 --> 1:10:14.160
<v Speaker 1>space in a space suit, it was kind of mirroring

1:10:14.200 --> 1:10:17.000
<v Speaker 1>my life when I was like seven, eight, nine, ten eleven.

1:10:16.800 --> 1:10:19.840
<v Speaker 2>Years Well, yeah, I mean it's I don't know if

1:10:19.840 --> 1:10:22.160
<v Speaker 2>you saw that movie fly Me to the Moon recently, No,

1:10:22.240 --> 1:10:22.720
<v Speaker 2>I did not.

1:10:22.840 --> 1:10:25.720
<v Speaker 1>But it's you know, it's streaming in the new movie economy,

1:10:25.760 --> 1:10:27.519
<v Speaker 1>so I know it'll be there for a thousand years.

1:10:27.600 --> 1:10:29.719
<v Speaker 2>Yea. I just want to catch fascinating.

1:10:29.840 --> 1:10:32.960
<v Speaker 1>It's a little bit of the conspiracy theory really didn't

1:10:33.000 --> 1:10:35.840
<v Speaker 1>happen yet. Normally I hate that kind of stuff, but

1:10:36.120 --> 1:10:37.200
<v Speaker 1>it's good quality people.

1:10:37.439 --> 1:10:39.840
<v Speaker 2>Yeah, tru exactly that. I'd love to get your thoughts

1:10:39.840 --> 1:10:41.360
<v Speaker 2>on it when you see it. Yeah, and your other

1:10:41.439 --> 1:10:43.360
<v Speaker 2>fascination is world wars.

1:10:43.680 --> 1:10:48.160
<v Speaker 1>Well, this is another thing that goes back to the

1:10:48.200 --> 1:10:50.439
<v Speaker 1>study of it. Let me put it. Let me put

1:10:50.439 --> 1:10:53.200
<v Speaker 1>it to you this way. I was born in nineteen

1:10:53.280 --> 1:10:57.240
<v Speaker 1>fifty six, that's eleven years after the war has done.

1:10:57.520 --> 1:11:01.120
<v Speaker 1>So essentially everybody who is an adult in my life

1:11:02.040 --> 1:11:06.439
<v Speaker 1>had memories of those years, whether they went to war

1:11:06.520 --> 1:11:09.519
<v Speaker 1>or not. They had memories of the what I like

1:11:09.600 --> 1:11:14.879
<v Speaker 1>to call the emotional stasis of the early nineteen forties,

1:11:15.880 --> 1:11:19.640
<v Speaker 1>in which go back again. They did not know the

1:11:19.680 --> 1:11:23.120
<v Speaker 1>war was going to end in nineteen forty three. They

1:11:23.120 --> 1:11:27.400
<v Speaker 1>had no idea how long the war was. Who's going

1:11:27.439 --> 1:11:28.960
<v Speaker 1>to live, who's going to die, who's going to win,

1:11:29.000 --> 1:11:30.800
<v Speaker 1>who's going to not, who's not, who's going to come

1:11:30.840 --> 1:11:34.240
<v Speaker 1>back nineteen forty three. If you're alive, they're not saying, hey,

1:11:34.280 --> 1:11:35.720
<v Speaker 1>don't worry about it. The war is going to be

1:11:35.720 --> 1:11:37.880
<v Speaker 1>over in just another eighteen months. They don't know that.

1:11:39.160 --> 1:11:41.519
<v Speaker 1>And that was a palpable thing that was passed on

1:11:41.640 --> 1:11:46.080
<v Speaker 1>to me because when it came around time to get

1:11:46.120 --> 1:11:50.679
<v Speaker 1>to know the life stories of a teacher, a friend

1:11:50.720 --> 1:11:57.280
<v Speaker 1>of my dad's, you know, parents of my pals, they

1:11:57.320 --> 1:12:03.080
<v Speaker 1>would talk about those years, their youth in three distinctive parts,

1:12:03.520 --> 1:12:06.559
<v Speaker 1>three acts of their lives, you know, which might have

1:12:06.600 --> 1:12:08.760
<v Speaker 1>been picking up on because you know, some sort of

1:12:08.800 --> 1:12:12.120
<v Speaker 1>story since when they were kids. It was before the war,

1:12:12.520 --> 1:12:15.320
<v Speaker 1>when my dad was in high school. It was before

1:12:15.360 --> 1:12:18.240
<v Speaker 1>the war, when he was working on a farm, listening

1:12:18.320 --> 1:12:21.960
<v Speaker 1>to the radio and worried about, you know, not being

1:12:22.000 --> 1:12:25.080
<v Speaker 1>able to afford the dentist. It was before the war.

1:12:26.280 --> 1:12:29.479
<v Speaker 1>Then there was well that was during the war. It's

1:12:29.479 --> 1:12:33.120
<v Speaker 1>a whole different storytelling process, the whole different guidelines of

1:12:33.160 --> 1:12:36.160
<v Speaker 1>the narrative. Well, you have to understand that was during

1:12:36.160 --> 1:12:38.760
<v Speaker 1>the war. That was forty two, was during the war,

1:12:38.880 --> 1:12:42.920
<v Speaker 1>and their daily life was completely different than what had

1:12:42.960 --> 1:12:45.680
<v Speaker 1>had been. There was less of things. There was this

1:12:45.800 --> 1:12:49.760
<v Speaker 1>fear of this unseen enemy, possible attack. There were blackouts,

1:12:49.960 --> 1:12:53.400
<v Speaker 1>They couldn't get cling peaches, they didn't have birthday cakes

1:12:53.400 --> 1:12:57.120
<v Speaker 1>as much they had that it was during the war.

1:12:57.280 --> 1:13:00.439
<v Speaker 1>And also I said, well where were you, Oh, well

1:13:00.439 --> 1:13:03.000
<v Speaker 1>that was during the war. Well where were you, Well,

1:13:03.040 --> 1:13:05.240
<v Speaker 1>I was in a you know, I was you know

1:13:05.439 --> 1:13:07.360
<v Speaker 1>was my dad was in the South Pacific. He was

1:13:07.400 --> 1:13:09.439
<v Speaker 1>a machinist and he would never have been in the

1:13:09.479 --> 1:13:11.800
<v Speaker 1>South Pacific as a machinery were not for the war.

1:13:12.680 --> 1:13:14.639
<v Speaker 1>Then the rest of their lives. When we show up,

1:13:14.840 --> 1:13:17.240
<v Speaker 1>you know, and with this next generation shows up, when

1:13:17.280 --> 1:13:20.120
<v Speaker 1>their kids show up, all this stuff happened, and again

1:13:20.160 --> 1:13:23.439
<v Speaker 1>the narrative has completely changed. We have to understand that

1:13:23.560 --> 1:13:26.720
<v Speaker 1>was after the war. So on one hand there was

1:13:26.760 --> 1:13:29.559
<v Speaker 1>something to celebrate, but on the other hand, there was

1:13:29.640 --> 1:13:33.000
<v Speaker 1>guess what. Life became one damn thing after another in

1:13:33.040 --> 1:13:35.040
<v Speaker 1>a different way than it had been before the war.

1:13:35.200 --> 1:13:39.519
<v Speaker 1>During and you know the people that you the people

1:13:39.520 --> 1:13:43.400
<v Speaker 1>who did it well, you know, these storytellers, the teachers,

1:13:43.920 --> 1:13:46.160
<v Speaker 1>or even the friends of my dads. When we're sitting

1:13:46.160 --> 1:13:50.000
<v Speaker 1>around and everybody's relaxed on a Thursday night and they're

1:13:50.080 --> 1:13:53.400
<v Speaker 1>drinking beers, you know, and they're talking about when they're

1:13:53.439 --> 1:13:56.960
<v Speaker 1>getting to know each other. These the stories from any

1:13:57.000 --> 1:14:01.759
<v Speaker 1>one of those acts I thought we were fastre were

1:14:02.280 --> 1:14:07.280
<v Speaker 1>ponderable because as a seven year old, I'm hearing my

1:14:07.439 --> 1:14:10.840
<v Speaker 1>dad and my mom and other people talk about when

1:14:10.880 --> 1:14:14.840
<v Speaker 1>they were seven years old with the magnifying glass and

1:14:14.920 --> 1:14:17.640
<v Speaker 1>the division of well, that was before the war. We

1:14:17.720 --> 1:14:20.920
<v Speaker 1>did not know what was coming down the pipe. Then

1:14:21.120 --> 1:14:23.160
<v Speaker 1>everything else that goes along with it. I still can't

1:14:23.240 --> 1:14:28.639
<v Speaker 1>quite get past the fact that in nineteen sixty four,

1:14:29.360 --> 1:14:33.720
<v Speaker 1>the Beatles are on the Ed Sullivan Show, and my

1:14:33.840 --> 1:14:36.559
<v Speaker 1>dad is of the generation of just twenty years prior.

1:14:37.200 --> 1:14:39.640
<v Speaker 1>The war was not yet over and they had no

1:14:39.720 --> 1:14:41.880
<v Speaker 1>idea when they were ever going to come home. And

1:14:41.960 --> 1:14:45.679
<v Speaker 1>now these four kids are up on there saying yeah, yeah, yeah,

1:14:45.680 --> 1:14:49.000
<v Speaker 1>and playing guitars and stuff like that. Andybody, everybody's making

1:14:49.040 --> 1:14:51.920
<v Speaker 1>a big deal about it. Part of it is never

1:14:51.960 --> 1:14:56.320
<v Speaker 1>saw this coming, never would have never. And in a

1:14:56.360 --> 1:15:00.960
<v Speaker 1>lot of ways now us younger generation did not have

1:15:01.320 --> 1:15:05.840
<v Speaker 1>the same attention span for they had what they had

1:15:05.840 --> 1:15:08.000
<v Speaker 1>been through. I mean until the you know, you can

1:15:08.040 --> 1:15:11.040
<v Speaker 1>talk about Elvis Presley all you want, rightly, so he

1:15:11.200 --> 1:15:15.000
<v Speaker 1>was a massive generational force, changed the world a lot

1:15:15.040 --> 1:15:18.240
<v Speaker 1>of ways. But still VI's a v a World War

1:15:18.280 --> 1:15:21.920
<v Speaker 1>two generation. The Beatles come along at nineteen sixty four,

1:15:22.360 --> 1:15:25.080
<v Speaker 1>and it's almost as though the last vessage of that

1:15:25.200 --> 1:15:29.160
<v Speaker 1>generation carries import you know, has has weight that we

1:15:29.160 --> 1:15:32.320
<v Speaker 1>can pay attention to, even though I've you know, I've

1:15:32.360 --> 1:15:34.560
<v Speaker 1>never stopped studying of it, because at the end of

1:15:34.600 --> 1:15:36.920
<v Speaker 1>the day, it's just great storytelling. You want to talk

1:15:36.960 --> 1:15:40.280
<v Speaker 1>about great protagonists, antagonists, You want to talk about the

1:15:40.320 --> 1:15:45.800
<v Speaker 1>irony you want to talk about the schizophrenia of what

1:15:45.960 --> 1:15:49.000
<v Speaker 1>can happen in good and bad. World War two is

1:15:49.000 --> 1:15:51.799
<v Speaker 1>about as good as you're going to get. And also,

1:15:51.920 --> 1:15:58.599
<v Speaker 1>here's this other thing that's ridiculously satisfying about it. It ended,

1:16:00.360 --> 1:16:03.360
<v Speaker 1>there was a time when it was all done. And

1:16:04.160 --> 1:16:07.640
<v Speaker 1>wars now go on for generations, and they go on

1:16:07.680 --> 1:16:11.360
<v Speaker 1>for decades, and there are no there are no moments

1:16:11.400 --> 1:16:15.800
<v Speaker 1>when you know, the swords are pounded into plowshares, not

1:16:15.920 --> 1:16:19.000
<v Speaker 1>that that happened in you know, one hundred, nineteen forty five.

1:16:19.240 --> 1:16:22.200
<v Speaker 2>Yeah, it seems it seems as though, like not that

1:16:22.240 --> 1:16:25.439
<v Speaker 2>it's any comparison with the events that took place, but

1:16:26.040 --> 1:16:29.519
<v Speaker 2>our language of this generation has become pre pandemic during

1:16:29.560 --> 1:16:31.120
<v Speaker 2>the pandemic abdemic.

1:16:31.240 --> 1:16:33.479
<v Speaker 1>Yeah, you could, you could probably look at it. There

1:16:33.520 --> 1:16:36.120
<v Speaker 1>was a moment certainly the AIDS crisis came along and

1:16:36.200 --> 1:16:39.400
<v Speaker 1>the pandemic of the of AIDS that certainly altered all

1:16:39.400 --> 1:16:41.559
<v Speaker 1>of society in the same way you can talk about it.

1:16:41.560 --> 1:16:42.920
<v Speaker 1>You could talk to an awful lot of guys who

1:16:42.920 --> 1:16:44.320
<v Speaker 1>will say, well, you know what I'm saying, that was

1:16:44.320 --> 1:16:47.479
<v Speaker 1>before AIDS. You know that that means and yeah, you

1:16:47.479 --> 1:16:51.200
<v Speaker 1>would say the same thing about certainly the COVID pandemic.

1:16:51.360 --> 1:16:55.920
<v Speaker 1>We went through something that I mean, my look, I

1:16:56.000 --> 1:16:59.439
<v Speaker 1>got grandkids who are now talking about their lives. Well,

1:16:59.479 --> 1:17:01.640
<v Speaker 1>that was doing COVID. Yeah, and so they didn't go

1:17:01.680 --> 1:17:03.599
<v Speaker 1>to school, and they didn't see their friends. They were

1:17:03.600 --> 1:17:06.280
<v Speaker 1>trying to do things online. It was really different. And

1:17:06.320 --> 1:17:08.920
<v Speaker 1>now COVID has let go, and guess what now they're

1:17:08.960 --> 1:17:11.400
<v Speaker 1>just getting on with the rest of the tasks of

1:17:11.439 --> 1:17:15.120
<v Speaker 1>growing up with their life. So they too, you know,

1:17:15.120 --> 1:17:16.960
<v Speaker 1>it might be a little young to remember, you know,

1:17:17.280 --> 1:17:20.880
<v Speaker 1>before COVID, but they do. So. Yeah, so what's going

1:17:20.920 --> 1:17:22.920
<v Speaker 1>to be next? Do you think what's going to be

1:17:22.960 --> 1:17:27.639
<v Speaker 1>that next three acts structure to our to our collective history.

1:17:27.720 --> 1:17:29.760
<v Speaker 2>Well, as you keep saying, more will be revealed as

1:17:29.800 --> 1:17:30.559
<v Speaker 2>well as.

1:17:30.800 --> 1:17:34.160
<v Speaker 1>This, Yes, this too shall pass, and more shall be revealed,

1:17:34.200 --> 1:17:36.240
<v Speaker 1>and we will never all know of everything that we

1:17:36.360 --> 1:17:36.800
<v Speaker 1>need to know.

1:17:37.240 --> 1:17:40.840
<v Speaker 2>Yeah, and you've been seen as the or even in

1:17:40.880 --> 1:17:43.479
<v Speaker 2>a poll, voted the most trusted man in America.

1:17:43.640 --> 1:17:46.320
<v Speaker 1>That's something. There's an anomaly in the vote taking process.

1:17:47.560 --> 1:17:51.040
<v Speaker 1>After all the times I've lied to everybody. Oh no,

1:17:51.200 --> 1:17:53.559
<v Speaker 1>this is a great movie. Yeah, by all means, come

1:17:53.640 --> 1:17:56.160
<v Speaker 1>see this movie that was a lie? Sometimes?

1:17:56.439 --> 1:17:58.599
<v Speaker 2>How does how do you how do you deal with

1:17:58.640 --> 1:17:59.280
<v Speaker 2>that kind of movie?

1:17:59.400 --> 1:18:04.160
<v Speaker 1>Oh? I you know, I don't know, there's there's a yeah, okay,

1:18:04.320 --> 1:18:07.160
<v Speaker 1>you know, I get it. That's good. I guess that

1:18:07.240 --> 1:18:10.559
<v Speaker 1>comes around to perhaps the thing that I was talking

1:18:10.560 --> 1:18:15.040
<v Speaker 1>about countenance wise. You know, if you were going to

1:18:15.120 --> 1:18:20.639
<v Speaker 1>take somebody who is who's an artist and say who

1:18:20.680 --> 1:18:24.200
<v Speaker 1>is the scariest person alive? You know, the you'll you'll

1:18:24.240 --> 1:18:26.320
<v Speaker 1>come off with you know, I don't know, you know,

1:18:26.560 --> 1:18:30.800
<v Speaker 1>Vincent Price, you know whatever. I'm an artist, I'm a storyteller,

1:18:31.240 --> 1:18:35.479
<v Speaker 1>and I think I'll take that as as a testament

1:18:35.640 --> 1:18:40.160
<v Speaker 1>to I guess the veracity that I brought to my craft,

1:18:40.280 --> 1:18:42.760
<v Speaker 1>my my choice. I'd like to think that, you know,

1:18:43.000 --> 1:18:46.360
<v Speaker 1>you go all in on a story on and say, hey,

1:18:46.400 --> 1:18:48.800
<v Speaker 1>sit down, I want you might be interested in hearing

1:18:48.840 --> 1:18:53.600
<v Speaker 1>this is that you're you're this an onyx exchange between

1:18:54.360 --> 1:18:57.120
<v Speaker 1>myself and the audience, and if it's an honest exchange,

1:18:57.160 --> 1:18:59.599
<v Speaker 1>then you could come to trust them. You know, that's

1:18:59.600 --> 1:19:01.320
<v Speaker 1>not about thing. That's not a bad.

1:19:01.200 --> 1:19:04.519
<v Speaker 2>Thing, absolutely, and it's it's quite magical actually, I mean

1:19:04.880 --> 1:19:08.840
<v Speaker 2>trust in that way. Of course, you know, Hollywood success

1:19:08.840 --> 1:19:10.519
<v Speaker 2>you've spoken about it so many times, which is why

1:19:10.560 --> 1:19:13.479
<v Speaker 2>we haven't dived into it. And then you know, a happy,

1:19:13.680 --> 1:19:16.439
<v Speaker 2>healthy marriage, And how did you know Rita was the one?

1:19:16.479 --> 1:19:18.720
<v Speaker 2>Like that's you know, how did you know?

1:19:20.360 --> 1:19:26.599
<v Speaker 1>Uh, divine providence? Uh you know, uh, maybe it's kind

1:19:26.600 --> 1:19:28.760
<v Speaker 1>of like the same thing that happened when I was

1:19:28.760 --> 1:19:31.639
<v Speaker 1>in school, uh and in high school, and I said,

1:19:32.280 --> 1:19:35.479
<v Speaker 1>this can be school. There was a thing with the

1:19:36.160 --> 1:19:38.920
<v Speaker 1>with the with reader or I just thought, wait, it

1:19:38.960 --> 1:19:41.840
<v Speaker 1>could be like this, It could be like just sitting

1:19:41.840 --> 1:19:45.719
<v Speaker 1>around that's it could be like a care free union.

1:19:45.960 --> 1:19:48.599
<v Speaker 1>I didn't know that. How about that I had honestly,

1:19:48.680 --> 1:19:55.160
<v Speaker 1>I had not truly experienced that somehow. And when it's there,

1:19:56.120 --> 1:19:58.680
<v Speaker 1>you just kind of go, oh, I you know, I

1:20:00.000 --> 1:20:01.479
<v Speaker 1>you know, i'd like to say. And then you know,

1:20:02.000 --> 1:20:03.559
<v Speaker 1>and then we met and I said, and you know,

1:20:03.640 --> 1:20:06.720
<v Speaker 1>and that was that. Okay, yeah, that's pretty much it.

1:20:07.120 --> 1:20:10.479
<v Speaker 1>Then you get on with it, and you know, years later,

1:20:11.520 --> 1:20:15.519
<v Speaker 1>no small amount of no small amount of me saying

1:20:15.560 --> 1:20:18.000
<v Speaker 1>things like, oh, let me get this straight. You know,

1:20:18.040 --> 1:20:20.600
<v Speaker 1>there's a lot of plenty of plenty of examples of

1:20:20.640 --> 1:20:23.320
<v Speaker 1>that going on, you know, with so much so that oh,

1:20:23.400 --> 1:20:26.559
<v Speaker 1>here goes dad, oh, here goes dad. Well, let me

1:20:26.600 --> 1:20:29.000
<v Speaker 1>get this straight. Why would it work for me? Argument?

1:20:29.040 --> 1:20:31.320
<v Speaker 1>I pull it out. I pull it out all the time,

1:20:31.400 --> 1:20:35.240
<v Speaker 1>and you know we we do. She does too. And

1:20:35.320 --> 1:20:39.880
<v Speaker 1>that's the exchange. Yes, and it's it remains glorious and

1:20:40.439 --> 1:20:43.960
<v Speaker 1>you're and you can't create it anywhere else. Can't fake that.

1:20:44.280 --> 1:20:47.880
<v Speaker 2>Yeah, there's that beautiful acceptance speech that you have in

1:20:47.880 --> 1:20:50.160
<v Speaker 2>twenty twenty when you talk about how a man is

1:20:50.160 --> 1:20:54.360
<v Speaker 2>blessed with this beautiful family. Oh tears, and.

1:20:54.560 --> 1:20:58.840
<v Speaker 1>That you know you can't Number one, I am a sap.

1:20:59.000 --> 1:21:02.320
<v Speaker 1>Number two you don't expect. You think you're going to

1:21:02.400 --> 1:21:04.559
<v Speaker 1>be able to get up and you know, get away

1:21:04.600 --> 1:21:06.160
<v Speaker 1>with it some even on I'm going to get it.

1:21:06.160 --> 1:21:08.320
<v Speaker 1>There'll be some straight shooting. I'll see some great stuff.

1:21:08.439 --> 1:21:10.160
<v Speaker 1>But then I just you look down and you know,

1:21:10.240 --> 1:21:12.920
<v Speaker 1>there's my wife, and there's you know, there's you know

1:21:13.240 --> 1:21:16.200
<v Speaker 1>a combination of all my kids sometimes four or five,

1:21:16.240 --> 1:21:18.519
<v Speaker 1>you know, they're all just there. And what do you see?

1:21:18.880 --> 1:21:22.280
<v Speaker 1>I see little babies, you know, and I you know,

1:21:22.520 --> 1:21:25.439
<v Speaker 1>I you know, I see uh, I see this uh,

1:21:25.520 --> 1:21:28.320
<v Speaker 1>this woman that has put up with so much stuff,

1:21:28.320 --> 1:21:31.200
<v Speaker 1>and he just life flashes before your eyes. A little bit,

1:21:31.800 --> 1:21:35.519
<v Speaker 1>and there's that there's that moment of surrealism where it's like,

1:21:35.880 --> 1:21:38.040
<v Speaker 1>can somebody explain to me how this happened? I'm not

1:21:38.200 --> 1:21:39.479
<v Speaker 1>I'm not quite sure.

1:21:41.360 --> 1:21:43.960
<v Speaker 2>And here does the same thing the movie here ah

1:21:44.040 --> 1:21:47.360
<v Speaker 2>t I E. Yeah, there's a sense of your watching

1:21:47.360 --> 1:21:49.080
<v Speaker 2>your life flash back.

1:21:49.960 --> 1:21:53.080
<v Speaker 1>What I really loved. Okay, this, I guess we have

1:21:53.120 --> 1:21:55.800
<v Speaker 1>to be careful about spoiler a little yea, So we

1:21:56.240 --> 1:21:56.960
<v Speaker 1>don't try.

1:21:57.080 --> 1:21:57.479
<v Speaker 2>I'm trying.

1:21:57.520 --> 1:22:00.519
<v Speaker 1>We don't want to go there. But I think that

1:22:01.479 --> 1:22:07.439
<v Speaker 1>it ends up examining this truth that sometimes life passes

1:22:07.640 --> 1:22:10.599
<v Speaker 1>in the wink of an eye and it's like, wow,

1:22:10.640 --> 1:22:13.640
<v Speaker 1>are we here already? But there's other times in that

1:22:13.720 --> 1:22:17.320
<v Speaker 1>same week of an eye, you comprehend it all. And

1:22:17.439 --> 1:22:22.320
<v Speaker 1>I think that's what the that's what the movie works towards.

1:22:22.439 --> 1:22:25.879
<v Speaker 1>If I can be so bold, And in many ways

1:22:25.960 --> 1:22:30.759
<v Speaker 1>that was the theme that we were all working towards.

1:22:31.120 --> 1:22:34.000
<v Speaker 1>And even in the perfectness of just the word it

1:22:34.120 --> 1:22:37.320
<v Speaker 1>happened here, this is where that happened. Have you been

1:22:37.400 --> 1:22:42.160
<v Speaker 1>Have you been in like a really super historic place, yes,

1:22:43.000 --> 1:22:46.240
<v Speaker 1>where something went down. Now, maybe it's something from thousands

1:22:46.320 --> 1:22:48.519
<v Speaker 1>of years ago, or maybe it's something that you witnessed

1:22:48.560 --> 1:22:50.920
<v Speaker 1>on TV yourself. You go to I could go to

1:22:50.960 --> 1:22:57.840
<v Speaker 1>like Washington, DC and stood on the you know, look,

1:22:57.840 --> 1:22:59.839
<v Speaker 1>I made a movie in front of the Lincoln Memorial

1:23:00.080 --> 1:23:02.080
<v Speaker 1>and believe that was happening. And then the years later,

1:23:02.160 --> 1:23:04.040
<v Speaker 1>I'm going back and there is a plaque at the

1:23:04.040 --> 1:23:06.400
<v Speaker 1>top of the steps of the Lincoln Memorial which is

1:23:06.400 --> 1:23:09.639
<v Speaker 1>where Martin Luther King stood, and I have since gone

1:23:09.720 --> 1:23:13.040
<v Speaker 1>back and read about that extraordinary day that did not

1:23:13.200 --> 1:23:17.200
<v Speaker 1>happen by accident. In fact, it was originally going to

1:23:17.200 --> 1:23:19.320
<v Speaker 1>be a protest, it was going to be a sit in,

1:23:19.760 --> 1:23:22.439
<v Speaker 1>and the powers that be all got together said, rather

1:23:22.560 --> 1:23:25.360
<v Speaker 1>than make it a protest of a sit in, make

1:23:25.400 --> 1:23:30.400
<v Speaker 1>it a march. And suddenly also things happened, like there

1:23:30.400 --> 1:23:34.800
<v Speaker 1>were plenty of bathrooms lined up, there were sandwiches that

1:23:35.000 --> 1:23:38.919
<v Speaker 1>was made for people, there were social services, there were cops,

1:23:39.240 --> 1:23:43.360
<v Speaker 1>there were army men standing by ready in case it

1:23:43.479 --> 1:23:47.160
<v Speaker 1>was going to be a riot. And in nineteen sixty

1:23:47.200 --> 1:23:51.480
<v Speaker 1>four or sixty three, a riot was definitely a possibility.

1:23:51.479 --> 1:23:53.920
<v Speaker 1>It would have been a massive amount of civilic unrest.

1:23:54.000 --> 1:23:57.679
<v Speaker 1>And instead it was all of these speakers. Marlon Brando

1:23:57.880 --> 1:24:01.240
<v Speaker 1>was there for Charlton Heston was there along with everybody else,

1:24:01.800 --> 1:24:05.519
<v Speaker 1>and Martin Luther King was everybody who could only speak

1:24:05.520 --> 1:24:07.560
<v Speaker 1>for seven minutes because they did not want it to

1:24:07.640 --> 1:24:10.479
<v Speaker 1>run over and become unruly. So every everybody who spoke

1:24:10.520 --> 1:24:13.479
<v Speaker 1>spoke for seven minutes, and that includes the Reverend doctor

1:24:13.520 --> 1:24:17.240
<v Speaker 1>Martin Luther King. And there's a reason that plaque is

1:24:17.280 --> 1:24:19.639
<v Speaker 1>that that plaque is there in order to in order

1:24:19.680 --> 1:24:21.720
<v Speaker 1>to place it and to be there and say that,

1:24:21.760 --> 1:24:27.439
<v Speaker 1>then just envision every powerful place, powerful, powerful, spiritual.

1:24:27.520 --> 1:24:29.200
<v Speaker 2>Yeah, are there other places you've been to like that?

1:24:29.280 --> 1:24:33.800
<v Speaker 2>We've revisited multiple times to decode and discover and.

1:24:34.840 --> 1:24:39.320
<v Speaker 1>Uhh yeah, I'll tell you. I'll tell you one who

1:24:39.360 --> 1:24:42.439
<v Speaker 1>cares what I said on other podcasts. When we when

1:24:42.479 --> 1:24:44.920
<v Speaker 1>we were doing I Believe or Not, when we were

1:24:44.960 --> 1:24:48.240
<v Speaker 1>in Philadelphia, because I was making Philadelphia kids were you know,

1:24:48.280 --> 1:24:51.400
<v Speaker 1>I uh are only had three kids there and some

1:24:51.439 --> 1:24:53.280
<v Speaker 1>of them were with us and we were it was

1:24:53.320 --> 1:24:55.080
<v Speaker 1>a freezing cold day. We had a day off, so

1:24:55.120 --> 1:24:58.720
<v Speaker 1>we went and saw the sides, including it depends Hall,

1:24:59.160 --> 1:25:01.040
<v Speaker 1>Liberty Bell. You know a whole bit. What are you

1:25:01.080 --> 1:25:02.720
<v Speaker 1>going to do in Philadelphia? You're going to go do that,

1:25:02.720 --> 1:25:04.360
<v Speaker 1>You're going to see the Liberty Bell you're going to

1:25:04.439 --> 1:25:08.000
<v Speaker 1>go and Independence Hall being a famous place, and it's

1:25:08.000 --> 1:25:09.960
<v Speaker 1>still in the same joint and it still holds the

1:25:10.000 --> 1:25:13.200
<v Speaker 1>same you know, dimensional structure to it. You know, maybe

1:25:13.200 --> 1:25:16.000
<v Speaker 1>a lot of everything it might have been, you know, recreated,

1:25:16.040 --> 1:25:18.680
<v Speaker 1>but nonetheless there it is. And we were up in

1:25:18.720 --> 1:25:22.519
<v Speaker 1>the Senate building and the Senate room, you know, because

1:25:22.520 --> 1:25:25.320
<v Speaker 1>it had Congress, the Supreme Court and the Senate right there.

1:25:26.000 --> 1:25:30.000
<v Speaker 1>And we were there and the the it's a national park.

1:25:30.040 --> 1:25:32.680
<v Speaker 1>And the ranger said, if you look at all of

1:25:32.680 --> 1:25:36.360
<v Speaker 1>this stuff as reproductions except that chair, you know, which

1:25:36.400 --> 1:25:39.360
<v Speaker 1>is the original chair. It said, wow, it looked the same.

1:25:39.479 --> 1:25:42.200
<v Speaker 1>It looked like a chair to me. So said that chair,

1:25:42.280 --> 1:25:44.639
<v Speaker 1>that's an original chair and looked exactly like the same.

1:25:44.800 --> 1:25:47.480
<v Speaker 1>Is that all this other stuff had been recreated to

1:25:47.479 --> 1:25:49.880
<v Speaker 1>to the best of its authenticity. And it's a riser

1:25:49.920 --> 1:25:53.439
<v Speaker 1>there and he said that spot in front of in

1:25:53.479 --> 1:25:57.719
<v Speaker 1>front of the that the dais John Adams was sworn

1:25:57.760 --> 1:26:02.320
<v Speaker 1>in as the second President of the United States, taking

1:26:02.320 --> 1:26:06.800
<v Speaker 1>the place of George Washington. Was the first time in

1:26:06.920 --> 1:26:12.479
<v Speaker 1>recorded history when the rule of a sovereign nation was

1:26:12.600 --> 1:26:17.320
<v Speaker 1>passed to another without bloodshed, and him not being a relation,

1:26:18.400 --> 1:26:22.479
<v Speaker 1>said something like that, and the head I said, we

1:26:22.520 --> 1:26:27.080
<v Speaker 1>are in holy ground. Nobody died, the king is dead,

1:26:27.120 --> 1:26:29.800
<v Speaker 1>long lived the king. No one was murdered, butchered. The

1:26:29.840 --> 1:26:32.720
<v Speaker 1>hordes didn't come in and take away. No one was

1:26:32.760 --> 1:26:35.439
<v Speaker 1>passing it on to his son in order to go on.

1:26:36.160 --> 1:26:39.160
<v Speaker 1>There was no relation between John Adams and George Washington.

1:26:39.200 --> 1:26:41.680
<v Speaker 1>The only thing that happened was this modicum of a

1:26:41.720 --> 1:26:44.760
<v Speaker 1>thing they called democracy, which wasn't really democracy. I mean,

1:26:44.960 --> 1:26:47.240
<v Speaker 1>women couldn't vote. If you were a slave, you were

1:26:47.280 --> 1:26:49.759
<v Speaker 1>only three fifths of the human being. The only people

1:26:49.760 --> 1:26:52.360
<v Speaker 1>that actually voted were a bunch of white men property

1:26:52.360 --> 1:26:55.160
<v Speaker 1>owners who originally didn't want to pay their taxes to

1:26:55.200 --> 1:26:59.240
<v Speaker 1>the to the crown. But look, look, look what happened there.

1:26:59.800 --> 1:27:01.920
<v Speaker 1>I mean I I you know, I've been you know,

1:27:02.000 --> 1:27:06.040
<v Speaker 1>plenty of cool joints in it, but they're they're this idea,

1:27:06.240 --> 1:27:10.480
<v Speaker 1>not unlike the place where Martin Luther King's. The idea

1:27:10.560 --> 1:27:14.040
<v Speaker 1>that was communicated right there was tantamount to being in

1:27:14.360 --> 1:27:16.880
<v Speaker 1>you know, some version of the Holies, A Holies, you know,

1:27:17.040 --> 1:27:20.719
<v Speaker 1>a precious shrine, a place of great faith and hope.

1:27:21.280 --> 1:27:26.840
<v Speaker 2>I mean, speaking to that impact, you received honorary Greek citizenship.

1:27:26.840 --> 1:27:30.639
<v Speaker 2>Oh yeah, for I got a passport for your amazing work.

1:27:30.720 --> 1:27:34.040
<v Speaker 4>Then well yeah, yeah, look, we just love you know,

1:27:34.120 --> 1:27:36.439
<v Speaker 4>we love Greece and you know it is the home

1:27:36.479 --> 1:27:42.920
<v Speaker 4>country to to my wife's family, and well you can do.

1:27:43.760 --> 1:27:46.320
<v Speaker 1>This is something that that we do and that are

1:27:46.360 --> 1:27:48.839
<v Speaker 1>doing Greece. You know, you go off to some other island,

1:27:48.920 --> 1:27:53.200
<v Speaker 1>you're swimming somewhere, you're on a boat and you can

1:27:53.320 --> 1:27:58.479
<v Speaker 1>kind of like pivot and all you see is land,

1:28:00.080 --> 1:28:07.200
<v Speaker 1>sea and sky. There's no sign of humanity. And this

1:28:07.320 --> 1:28:10.960
<v Speaker 1>is exactly what it's looked like for one hundred and

1:28:11.040 --> 1:28:14.000
<v Speaker 1>ten thousand years. You know, this is exactly what this

1:28:14.120 --> 1:28:16.479
<v Speaker 1>island was here in this exact same force. And by

1:28:16.520 --> 1:28:18.479
<v Speaker 1>the way, there's a port right there, which was you know,

1:28:18.479 --> 1:28:21.000
<v Speaker 1>a place of antiquity or that. But to be able

1:28:21.040 --> 1:28:23.680
<v Speaker 1>to look at something that is on scarred exactly as

1:28:23.680 --> 1:28:26.200
<v Speaker 1>it was, it's like looking at primordial force, like going

1:28:26.280 --> 1:28:29.000
<v Speaker 1>back in time. And you see this aspect of the

1:28:29.000 --> 1:28:31.280
<v Speaker 1>sky and the wind and the aridness of it, but

1:28:31.640 --> 1:28:34.800
<v Speaker 1>the power of you know, a ship in order to

1:28:34.840 --> 1:28:38.879
<v Speaker 1>get there. I've done that. You know any number of places,

1:28:38.920 --> 1:28:42.840
<v Speaker 1>you know, great historical places like that, and it ends

1:28:42.920 --> 1:28:46.440
<v Speaker 1>up It makes you feel really really teeny tiny. Sometimes

1:28:46.479 --> 1:28:49.560
<v Speaker 1>it's like who are we? But you know, specs in

1:28:49.600 --> 1:28:51.519
<v Speaker 1>the course of all of this is like standing under

1:28:51.560 --> 1:28:53.960
<v Speaker 1>you know, a big, massive sky and finally seeing on

1:28:54.000 --> 1:28:58.160
<v Speaker 1>a really super dark night, the you know, our galaxy

1:28:58.240 --> 1:29:01.519
<v Speaker 1>or the Milky Way are so system and like, wow,

1:29:01.960 --> 1:29:03.960
<v Speaker 1>I haven't been out of town for a while. I

1:29:04.000 --> 1:29:07.519
<v Speaker 1>forgot how big that sky is and that that's a

1:29:07.560 --> 1:29:09.960
<v Speaker 1>part of this. It's important to.

1:29:09.880 --> 1:29:11.920
<v Speaker 2>Go through that, so important, so important.

1:29:11.960 --> 1:29:14.040
<v Speaker 1>Have you ever seen a solar eclipse?

1:29:14.520 --> 1:29:17.519
<v Speaker 2>I'm sure i've kind of, but not I'm not.

1:29:17.920 --> 1:29:20.720
<v Speaker 1>Yes, not the last one, but the one prior to it.

1:29:20.840 --> 1:29:22.960
<v Speaker 1>We made sure that we were in the path of

1:29:23.000 --> 1:29:29.360
<v Speaker 1>totality and we saw it, and oh my god, it

1:29:30.800 --> 1:29:35.599
<v Speaker 1>you I cannot talk. No special effect in any movie

1:29:36.200 --> 1:29:39.639
<v Speaker 1>has ever had the same impact or effect on anybody

1:29:39.680 --> 1:29:42.400
<v Speaker 1>who takes a look at what that is. You feel

1:29:42.400 --> 1:29:46.479
<v Speaker 1>as though you are witnessing got the you know, the

1:29:46.479 --> 1:29:50.200
<v Speaker 1>clockworks of God, and it's they can predict it, they

1:29:50.200 --> 1:29:52.200
<v Speaker 1>know what it's going to be, and every step of

1:29:52.240 --> 1:29:55.400
<v Speaker 1>it is you cannot fathom what you were seeing. And

1:29:55.960 --> 1:29:57.960
<v Speaker 1>it made me feel in one hand, it made us

1:29:58.040 --> 1:30:01.360
<v Speaker 1>all feel one hand, really super tiny, but at the

1:30:01.439 --> 1:30:04.840
<v Speaker 1>other hand, magnificent because we're a race that knew when

1:30:04.920 --> 1:30:07.120
<v Speaker 1>it was coming and could predict it, could make sure

1:30:07.120 --> 1:30:09.800
<v Speaker 1>where there was. She was really marvel was that when

1:30:09.880 --> 1:30:11.880
<v Speaker 1>you read it there was like these paths. You know,

1:30:11.920 --> 1:30:13.280
<v Speaker 1>you can look at it on a map, but we

1:30:13.439 --> 1:30:15.200
<v Speaker 1>just made sure that we were up in the panhandle

1:30:15.240 --> 1:30:17.360
<v Speaker 1>of Idaho in order in order to take a look

1:30:17.400 --> 1:30:20.919
<v Speaker 1>at people were just parking their cars willy nilly everywhere

1:30:20.920 --> 1:30:23.479
<v Speaker 1>in order to be They were driving from you know,

1:30:23.720 --> 1:30:26.080
<v Speaker 1>hundreds of miles on either side of it in order

1:30:26.160 --> 1:30:30.360
<v Speaker 1>to get to this very specific path of totality. And

1:30:30.560 --> 1:30:33.960
<v Speaker 1>it is man it is. It is a totally immersive experience.

1:30:34.040 --> 1:30:35.080
<v Speaker 1>Don't miss it if you can.

1:30:35.280 --> 1:30:39.639
<v Speaker 2>Okay, next one, Tom. It has been such a joy

1:30:39.680 --> 1:30:42.360
<v Speaker 2>spending time with you today. I feel so grateful to

1:30:42.400 --> 1:30:46.000
<v Speaker 2>have been able to hear stories, be taken on adventures,

1:30:46.040 --> 1:30:47.439
<v Speaker 2>and learn life's lessons.

1:30:47.479 --> 1:30:53.120
<v Speaker 1>Mind just a delightful conversation I've learned. I've loved hearing

1:30:53.160 --> 1:30:56.559
<v Speaker 1>about your history. You know how you got for the

1:30:56.600 --> 1:31:00.439
<v Speaker 1>oldest boy of a what is it a fractured rriage

1:31:00.479 --> 1:31:05.160
<v Speaker 1>between Indian Indian mom and dad. You've I think you've

1:31:05.200 --> 1:31:07.000
<v Speaker 1>done well in your in your pursuit.

1:31:07.400 --> 1:31:10.320
<v Speaker 2>Thank you. I'm very grateful. We end every On Purpose

1:31:10.320 --> 1:31:13.160
<v Speaker 2>episode with a final five. These have to be answered

1:31:13.200 --> 1:31:15.880
<v Speaker 2>in one word to one sentence maximum.

1:31:15.320 --> 1:31:17.559
<v Speaker 1>One word to one sentence back, yeah, which I will

1:31:17.560 --> 1:31:18.080
<v Speaker 1>probably be.

1:31:18.120 --> 1:31:20.160
<v Speaker 2>I will probably break the rules, So don't worry if

1:31:20.160 --> 1:31:24.240
<v Speaker 2>you do. Okay, But Tom Hanks, these are your final five.

1:31:24.320 --> 1:31:27.120
<v Speaker 2>The first question is what is the best advice you've

1:31:27.120 --> 1:31:28.080
<v Speaker 2>ever heard or received?

1:31:29.080 --> 1:31:31.120
<v Speaker 1>Throw deep, baby?

1:31:31.840 --> 1:31:32.320
<v Speaker 2>And why?

1:31:33.200 --> 1:31:36.840
<v Speaker 1>If you're going to do it, do it. If you

1:31:36.880 --> 1:31:43.800
<v Speaker 1>have the chance, do it. Don't pause the instinct. Man,

1:31:44.080 --> 1:31:46.599
<v Speaker 1>If you got an instinct, go at it, throw deep.

1:31:47.360 --> 1:31:50.479
<v Speaker 2>I love that second question, what is the worst life

1:31:50.520 --> 1:31:52.000
<v Speaker 2>advice you've ever heard or received?

1:31:55.479 --> 1:32:00.880
<v Speaker 1>Do fantasy Island. I didn't take it, but there's no

1:32:00.960 --> 1:32:02.240
<v Speaker 1>reason to do fantasy island.

1:32:02.400 --> 1:32:05.320
<v Speaker 2>That's great. Question number three, how would you define your

1:32:05.360 --> 1:32:06.160
<v Speaker 2>current purpose?

1:32:08.240 --> 1:32:13.919
<v Speaker 1>To be present wherever one is, whoever is one around,

1:32:14.520 --> 1:32:21.679
<v Speaker 1>be present, be right there, show up, be present because

1:32:21.680 --> 1:32:26.000
<v Speaker 1>that will teach you. Then I think how the difference

1:32:26.040 --> 1:32:29.680
<v Speaker 1>between telling the truth to the best of your understanding

1:32:30.520 --> 1:32:34.800
<v Speaker 1>and being all right with what happens next. If you

1:32:34.840 --> 1:32:38.040
<v Speaker 1>can't do that, your life is going to be a

1:32:38.080 --> 1:32:45.519
<v Speaker 1>wasted opportunity. If that makes sense. Question number four, are

1:32:45.520 --> 1:32:47.160
<v Speaker 1>you making these up as you go alonger?

1:32:47.720 --> 1:32:51.720
<v Speaker 2>No, no, no, no, no, no, okay, every single question of

1:32:51.800 --> 1:32:57.160
<v Speaker 2>us today. What's something you believe you're learning and evolving

1:32:57.200 --> 1:33:00.160
<v Speaker 2>into right now or something that you're tinkering with right now?

1:33:00.280 --> 1:33:07.719
<v Speaker 1>Personally, there is an addictive quality to examining the past

1:33:08.840 --> 1:33:12.840
<v Speaker 1>that can be counterproductive if you're only doing it in

1:33:12.920 --> 1:33:17.599
<v Speaker 1>order to wallow in a nostalgia of how easy things

1:33:17.640 --> 1:33:21.680
<v Speaker 1>were back then. I fancy myself a lay historian. I

1:33:23.120 --> 1:33:25.599
<v Speaker 1>vanity of vanity. All is vanity. There's nothing new under

1:33:25.600 --> 1:33:28.280
<v Speaker 1>the sun. Okay, So this stuff has been going on forever.

1:33:29.400 --> 1:33:32.559
<v Speaker 1>If you are not looking, if I am not looking

1:33:32.600 --> 1:33:36.200
<v Speaker 1>for examples of the frailties of the human condition, if

1:33:36.240 --> 1:33:38.439
<v Speaker 1>I am only looking at the past in a version

1:33:38.479 --> 1:33:40.920
<v Speaker 1>of there was an antagonist and there was a protagonist,

1:33:41.320 --> 1:33:48.920
<v Speaker 1>and the protagonist one missing the point of how miraculous

1:33:49.400 --> 1:33:56.639
<v Speaker 1>the human condition is. If you're going to I went

1:33:56.680 --> 1:33:59.960
<v Speaker 1>to Egypt, and I saw all the stuff that tourists went.

1:34:00.040 --> 1:34:03.080
<v Speaker 1>They see Egypt, right, And if you're going to Egypt

1:34:03.120 --> 1:34:05.559
<v Speaker 1>in order to come up with some oh this is

1:34:05.600 --> 1:34:08.400
<v Speaker 1>the home of great spirituality? Is there is a cosmic

1:34:08.520 --> 1:34:12.240
<v Speaker 1>power here and this is where Okay, fine, go ahead.

1:34:12.240 --> 1:34:14.120
<v Speaker 1>I'm not going to tell you that's not what's going on.

1:34:14.640 --> 1:34:20.000
<v Speaker 1>But if you're not also seeing this ongoing friggin mystery

1:34:20.120 --> 1:34:23.920
<v Speaker 1>of what humankind has figured out on its own, you're

1:34:23.960 --> 1:34:27.519
<v Speaker 1>missing out. You know, there is, Yes, they call them

1:34:27.560 --> 1:34:31.240
<v Speaker 1>the great Pyramids. They weren't necessarily built for great reasons.

1:34:32.120 --> 1:34:34.599
<v Speaker 1>Sometimes they're just built in order to maintain the status

1:34:34.640 --> 1:34:38.519
<v Speaker 1>quo of the halves and the have nots. When I

1:34:38.600 --> 1:34:42.280
<v Speaker 1>heard a guy say the Sphinx, you know, the Great Sphinx.

1:34:44.520 --> 1:34:49.800
<v Speaker 1>You could have been alive two thousand years after the

1:34:49.880 --> 1:34:57.599
<v Speaker 1>Great Sphinx was built, and you're still in Pharaoic Egypt.

1:34:57.760 --> 1:35:00.640
<v Speaker 1>It's still before the Common Era begins. And guess what,

1:35:01.240 --> 1:35:05.479
<v Speaker 1>you and nobody else has any idea who built the Sphinx.

1:35:06.160 --> 1:35:09.000
<v Speaker 1>That's how old it is, and that it's bailed as

1:35:09.040 --> 1:35:12.479
<v Speaker 1>well as it And if you don't take that and understand, like, man,

1:35:12.520 --> 1:35:16.280
<v Speaker 1>there's mystery there. Who did it, How they did it?

1:35:16.280 --> 1:35:19.280
<v Speaker 1>That stuff's always interesting, but why they did it that's

1:35:19.320 --> 1:35:23.479
<v Speaker 1>interesting too. But also that incredible impact of that the

1:35:23.680 --> 1:35:28.880
<v Speaker 1>Sphinx will never be explained. If you're just there for

1:35:28.920 --> 1:35:31.639
<v Speaker 1>the nostalgia union. I don't want to ride the camel,

1:35:31.720 --> 1:35:33.320
<v Speaker 1>get your picture. You can do all that stuff, and

1:35:33.640 --> 1:35:38.080
<v Speaker 1>that's a blast, but there's something to the past that

1:35:38.200 --> 1:35:41.960
<v Speaker 1>if you allow yourself just to be soothed by it,

1:35:44.080 --> 1:35:46.120
<v Speaker 1>you're missing out in a great life, lesson something of

1:35:46.120 --> 1:35:47.840
<v Speaker 1>that is important as physics or.

1:35:47.840 --> 1:35:50.720
<v Speaker 2>Poetry so powerful. Why do you think we do that?

1:35:51.120 --> 1:35:58.320
<v Speaker 1>I think because we're looking for a We want to

1:35:58.320 --> 1:36:00.240
<v Speaker 1>feel good about going to sleep at night, you know,

1:36:00.479 --> 1:36:02.200
<v Speaker 1>we want to feel as though that there is this

1:36:02.880 --> 1:36:09.479
<v Speaker 1>that there is this purpose that outside I think, aside

1:36:09.479 --> 1:36:11.680
<v Speaker 1>the color of cosmic understanding that hey, you know what,

1:36:11.760 --> 1:36:15.839
<v Speaker 1>you know, the universe is indifferent, but the human condition

1:36:15.960 --> 1:36:21.920
<v Speaker 1>is not. That's what separates us from you know, you know,

1:36:22.360 --> 1:36:25.200
<v Speaker 1>the chaos theory. We don't have to live in chaos

1:36:25.200 --> 1:36:28.200
<v Speaker 1>if we choose not to, and if we're only looking

1:36:28.240 --> 1:36:30.880
<v Speaker 1>at the past in order for some degree of Oh,

1:36:30.920 --> 1:36:33.719
<v Speaker 1>we're so much easier back then. No, it's never been easier.

1:36:33.760 --> 1:36:36.240
<v Speaker 1>As I said before, you know, no one knows that

1:36:36.240 --> 1:36:39.040
<v Speaker 1>they're living. They're living in the fourteen hundreds. They were

1:36:39.080 --> 1:36:43.360
<v Speaker 1>just live back then. And it might be high falutin,

1:36:43.439 --> 1:36:46.120
<v Speaker 1>but what it says is, oh, I'll tell you this.

1:36:46.200 --> 1:36:49.639
<v Speaker 1>What it says is our best days are yet to come.

1:36:50.640 --> 1:36:53.000
<v Speaker 1>We are going to progress from here. And if you're

1:36:53.040 --> 1:36:55.280
<v Speaker 1>just looking at the pass and saying, man, that was

1:36:55.320 --> 1:36:57.679
<v Speaker 1>when it was great. I wish we could go back. No,

1:36:58.280 --> 1:37:01.200
<v Speaker 1>you never want to go back. You always have to

1:37:01.280 --> 1:37:05.320
<v Speaker 1>understand that our best days are still ahead of us. Otherwise,

1:37:05.400 --> 1:37:07.200
<v Speaker 1>what's that say of us if we don't move forward?

1:37:07.760 --> 1:37:11.679
<v Speaker 1>It says we gave up or got lazy, or ended

1:37:11.760 --> 1:37:17.960
<v Speaker 1>up putting too much power in maintaining a status quo

1:37:19.040 --> 1:37:21.400
<v Speaker 1>that ends up being a division between the halves and

1:37:21.400 --> 1:37:22.080
<v Speaker 1>the half dots.

1:37:22.280 --> 1:37:25.600
<v Speaker 2>Absolutely well, said fifth and final question. We asked this

1:37:25.640 --> 1:37:28.599
<v Speaker 2>to every guest who's ever been on the show. If

1:37:28.600 --> 1:37:31.120
<v Speaker 2>you could create one law that everyone in the world

1:37:31.120 --> 1:37:32.720
<v Speaker 2>had to follow, what would it be?

1:37:33.479 --> 1:37:38.160
<v Speaker 1>Man, you spring this on me. You really, I'm looking

1:37:38.160 --> 1:37:40.720
<v Speaker 1>at a wall of shame of people that your polaroids,

1:37:40.720 --> 1:37:42.400
<v Speaker 1>of people that have been they all came up with

1:37:42.520 --> 1:37:48.599
<v Speaker 1>something for that. They did one law that everybody had

1:37:48.640 --> 1:37:54.120
<v Speaker 1>to follow, a law meaning you could be punished if

1:37:54.120 --> 1:37:58.360
<v Speaker 1>you don't obey this law. Sure well, it can't be

1:37:58.479 --> 1:38:03.519
<v Speaker 1>like a philosophical thing like be kind, you know, being

1:38:03.600 --> 1:38:06.759
<v Speaker 1>kind as in the eye of the both the kinder

1:38:06.800 --> 1:38:13.000
<v Speaker 1>and the kind e. I would pass a law that says,

1:38:13.960 --> 1:38:19.080
<v Speaker 1>no one is allowed to infringe your prom the right

1:38:20.320 --> 1:38:29.599
<v Speaker 1>in regards to what somebody else reads. That is, no

1:38:29.680 --> 1:38:34.960
<v Speaker 1>matter how disagreement, whatever that disagreement is. To be free

1:38:35.960 --> 1:38:40.120
<v Speaker 1>is to think, And the most physical manifestation of thought

1:38:40.640 --> 1:38:43.559
<v Speaker 1>is in the choosing of what you read. So I

1:38:43.600 --> 1:38:47.960
<v Speaker 1>would say that no one is allowed to infringe upon

1:38:48.040 --> 1:38:53.040
<v Speaker 1>the right to determine up figure out what the legal point.

1:38:53.200 --> 1:38:58.160
<v Speaker 1>No one is allowed to infringe upon the right of

1:38:58.200 --> 1:39:02.280
<v Speaker 1>an individual to read what they choose to read. That

1:39:02.320 --> 1:39:04.920
<v Speaker 1>would be mine, That would be the law. Now take

1:39:04.920 --> 1:39:08.560
<v Speaker 1>a look at all the societies. You know I'm fascinated

1:39:08.600 --> 1:39:12.479
<v Speaker 1>by I'm fascinated by communism, man, because those guys were idiots,

1:39:12.520 --> 1:39:15.640
<v Speaker 1>you know, they truly were. And the idea that in

1:39:15.760 --> 1:39:23.320
<v Speaker 1>East Berlin you cannot read, you cannot read to kill

1:39:23.360 --> 1:39:26.920
<v Speaker 1>a mockingbird, or or you know any any or doctor

1:39:26.960 --> 1:39:30.080
<v Speaker 1>Shivago for crying out loud. The idea that you can

1:39:30.200 --> 1:39:34.360
<v Speaker 1>maintain order in society by preventing somebody from reading what

1:39:34.400 --> 1:39:37.439
<v Speaker 1>they want to read. This is madness. This is tyrancy

1:39:37.479 --> 1:39:40.840
<v Speaker 1>in it, This is this is this is draconian. What's

1:39:40.880 --> 1:39:43.160
<v Speaker 1>the word I'm looking at that? That's despotism and its

1:39:43.200 --> 1:39:46.719
<v Speaker 1>absolute height that you can do that. And I think

1:39:47.000 --> 1:39:50.400
<v Speaker 1>on the opposite that absolute freedom to read what you

1:39:50.439 --> 1:39:52.320
<v Speaker 1>want to read along? Would that create what you want

1:39:52.360 --> 1:39:57.639
<v Speaker 1>to create as well? That should be the default position

1:39:57.720 --> 1:39:59.680
<v Speaker 1>of the human condition? And is it an amazing that

1:39:59.720 --> 1:40:00.720
<v Speaker 1>it's so?

1:40:00.760 --> 1:40:03.519
<v Speaker 2>That would be the law I would powerful unique and

1:40:03.720 --> 1:40:06.439
<v Speaker 2>completely original answers worth waiting for.

1:40:06.760 --> 1:40:10.120
<v Speaker 1>Well as an author, you know, as a guy who writes.

1:40:10.880 --> 1:40:11.920
<v Speaker 1>I'll bow to that.

1:40:12.400 --> 1:40:13.559
<v Speaker 2>Tom, Thank you so much.

1:40:13.600 --> 1:40:16.679
<v Speaker 1>Yes, thank you so much. Oh it's great.

1:40:16.840 --> 1:40:18.360
<v Speaker 2>It's a pleasure that I can't wait for everyone to

1:40:18.360 --> 1:40:20.080
<v Speaker 2>go and watch here on November four.

1:40:20.160 --> 1:40:22.400
<v Speaker 1>All right, yeah, we'll pay that. Oh yes, God. Now,

1:40:22.680 --> 1:40:24.479
<v Speaker 1>by the way, you can only see it in the theater.

1:40:25.200 --> 1:40:27.120
<v Speaker 1>We okay, here's the thing, this is why this is

1:40:27.160 --> 1:40:30.280
<v Speaker 1>one I crack Staff is so petrified. There is no

1:40:30.320 --> 1:40:33.320
<v Speaker 1>streaming deal for this movie. You know, you you you're

1:40:33.360 --> 1:40:36.160
<v Speaker 1>not going to be able to you know, log on,

1:40:36.560 --> 1:40:39.000
<v Speaker 1>enter your past code, you know, share it with your

1:40:39.000 --> 1:40:40.599
<v Speaker 1>friends and are they the only way you're gonna You're

1:40:40.600 --> 1:40:42.880
<v Speaker 1>gonna have to drive to a place and buy a

1:40:43.000 --> 1:40:45.400
<v Speaker 1>ticket at a certain time and sit in a room

1:40:45.400 --> 1:40:47.400
<v Speaker 1>with a bunch of strangers. I love it, and watch

1:40:47.439 --> 1:40:50.280
<v Speaker 1>this movie. It's almost unheard of. And of course everybody

1:40:50.320 --> 1:40:52.479
<v Speaker 1>is petrified that that's going to be the requirements of

1:40:52.560 --> 1:40:54.439
<v Speaker 1>seeing a movie. But that's the way it's going to be.

1:40:54.920 --> 1:40:57.439
<v Speaker 2>I love it. This is still one of my favorite experiences.

1:40:57.520 --> 1:41:00.320
<v Speaker 1>Oh yeah, it's the you know, uh not to canntinue

1:41:00.320 --> 1:41:02.519
<v Speaker 1>along with. But this is thing that we talk about

1:41:02.560 --> 1:41:04.680
<v Speaker 1>all the time right now, and I actually believe that

1:41:04.760 --> 1:41:07.640
<v Speaker 1>podcasts can be an example of it. It is the

1:41:07.880 --> 1:41:14.200
<v Speaker 1>experienial economy, meaning that it is one thing. Look, everything

1:41:14.240 --> 1:41:15.840
<v Speaker 1>is a one on one. You listen to a record,

1:41:15.880 --> 1:41:19.080
<v Speaker 1>you see a band, but the experience of being with

1:41:19.439 --> 1:41:21.519
<v Speaker 1>others as opposed to be in your house or being

1:41:21.560 --> 1:41:24.439
<v Speaker 1>on your headphones or being like that, being with others

1:41:25.200 --> 1:41:30.200
<v Speaker 1>has a value to it that in some cases is

1:41:30.240 --> 1:41:33.880
<v Speaker 1>worth money. Okay, that's commerce, but on other cases is

1:41:34.280 --> 1:41:36.800
<v Speaker 1>to be sought. After my wife and I went to

1:41:36.800 --> 1:41:39.400
<v Speaker 1>see a play in New York. It was a revival

1:41:39.400 --> 1:41:43.400
<v Speaker 1>of Into the Woods, and it was more or less

1:41:43.479 --> 1:41:48.559
<v Speaker 1>right after the pandemic. Theaters were back opening again. People

1:41:48.560 --> 1:41:51.599
<v Speaker 1>were essentially living their lives again. There'd been enough, you know,

1:41:52.360 --> 1:41:56.080
<v Speaker 1>everybody gotten enough vaccines and what have you, and COVID

1:41:56.160 --> 1:41:59.080
<v Speaker 1>wasn't killing as many people as it had. And so

1:41:59.120 --> 1:42:01.200
<v Speaker 1>we went to the theater we had, we knew some

1:42:01.240 --> 1:42:04.519
<v Speaker 1>people in it, and it was here's this thing happened.

1:42:05.720 --> 1:42:08.360
<v Speaker 1>You know, it's a theater, mumbled everybody, blah blah blah.

1:42:08.400 --> 1:42:12.080
<v Speaker 1>It sold out, big hit and mumble, mumble mumble. And

1:42:12.160 --> 1:42:18.520
<v Speaker 1>when the house lights went to half for the first act,

1:42:19.000 --> 1:42:24.080
<v Speaker 1>there was a standing ovation. People stood up before a word,

1:42:24.160 --> 1:42:26.960
<v Speaker 1>before a note had been sung, nothing had happened on

1:42:27.000 --> 1:42:30.840
<v Speaker 1>the What was happening was the show is about to start,

1:42:31.160 --> 1:42:34.519
<v Speaker 1>and it was a standing ovation. And I literally said,

1:42:34.560 --> 1:42:38.920
<v Speaker 1>that's that's the experience. People are reacting to the experience

1:42:38.960 --> 1:42:41.960
<v Speaker 1>of being with strangers or a handful of friends with

1:42:42.040 --> 1:42:46.080
<v Speaker 1>strangers in a room and nothing. What is going to

1:42:46.120 --> 1:42:49.240
<v Speaker 1>happen in this room will never be repeated. The only

1:42:49.280 --> 1:42:51.920
<v Speaker 1>people that will participate in this is the folks that

1:42:51.960 --> 1:42:55.360
<v Speaker 1>are here right now. And movies oftentimes can have that

1:42:55.439 --> 1:42:58.280
<v Speaker 1>same experience because I can remember going to see two

1:42:58.360 --> 1:43:00.960
<v Speaker 1>thousand and one or Jaws or Close Encounters of the

1:43:01.080 --> 1:43:05.040
<v Speaker 1>or Aliens or you know, or Full Metal Jacket. I

1:43:05.040 --> 1:43:07.720
<v Speaker 1>can remember the specifics of all those things, and it's

1:43:07.760 --> 1:43:11.760
<v Speaker 1>the same experiential experience. And maybe it's maybe it's part

1:43:11.800 --> 1:43:13.800
<v Speaker 1>of the economy, or maybe it's just part of the

1:43:14.320 --> 1:43:17.160
<v Speaker 1>great human purchase that we all want to win on

1:43:17.240 --> 1:43:18.080
<v Speaker 1>to participate in.

1:43:18.240 --> 1:43:21.320
<v Speaker 2>For sure, Thank you, Tom, thank you, thank you pleasure.

1:43:21.479 --> 1:43:23.160
<v Speaker 1>I really enjoyed it.

1:43:23.200 --> 1:43:25.880
<v Speaker 2>If you love this episode, you love my interview with

1:43:26.000 --> 1:43:29.559
<v Speaker 2>Will Smith on owning your truth and unlocking the power

1:43:29.560 --> 1:43:30.480
<v Speaker 2>of manifestation.

1:43:30.880 --> 1:43:34.519
<v Speaker 1>Anybody who hasn't spoken to their parents or their brother,

1:43:35.000 --> 1:43:38.960
<v Speaker 1>call them right now. Don't think you're going to have

1:43:38.960 --> 1:43:41.479
<v Speaker 1>a chance to call them tomorrow or next week.

1:43:41.560 --> 1:43:47.080
<v Speaker 2>That opportunity with my father changed every relationship in my life.