WEBVTT - 8-8: Bobby Cast - Ep. 1

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<v Speaker 1>Hello, everyone day, Welcome to the Bobby Cast, Episode one.

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<v Speaker 1>Our guest today include Dusty the Dog and here's your host, Bobby.

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<v Speaker 1>Thank you, thank you, thank you. They get all right,

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<v Speaker 1>turn the band off? Thank you. Hey, So here we are.

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<v Speaker 1>We're my house today. First ever episode of the podcast

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<v Speaker 1>of the Bobby Cast. There's one already that we did

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<v Speaker 1>for like fifteen or twenty minutes. It's up on the

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<v Speaker 1>page if you want to hear it too. But in

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<v Speaker 1>my room right now, we have a setup and a

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<v Speaker 1>dog and no guests today. Um I thought I'll bring

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<v Speaker 1>the guest in for the first show, but then I thought,

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<v Speaker 1>man a lot of pressure on the first guest to

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<v Speaker 1>come in. And I don't think we have anything set

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<v Speaker 1>up to where anybody can play in here, nor we

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<v Speaker 1>probably ever. But um so no guests today. Thank you

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<v Speaker 1>all for being here today, Welcome to the show. Our

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<v Speaker 1>producers all Is might be follow him on inst what's

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<v Speaker 1>your Instagram? It might be all right, So let's talk

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<v Speaker 1>about stuff. First of all, play the Raging Idiot Show

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<v Speaker 1>over the weekend in Fort Wayne and it was awesome.

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<v Speaker 1>Um if you follow on snatchat we had a call

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<v Speaker 1>at eleven o'clock which means it's like bus call. It's

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<v Speaker 1>where everybody comes in. You have to be at the

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<v Speaker 1>bus at eleven o'clock to leave all the band. So

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<v Speaker 1>we have bus call and it's probably I get there

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<v Speaker 1>like ten forty or so, um, and I said that

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<v Speaker 1>may be late. Ended up not being late, but I

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<v Speaker 1>said it may be late. Um, it wasn't late, and

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<v Speaker 1>everyone's there, and eleven o'clock comes, there's no Eddie. And

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<v Speaker 1>eleven fifteen comes, there's no Eddie, and I teck him like, dude,

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<v Speaker 1>where are you? Eleven thirty comes, no Eddie, eleven forty comes,

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<v Speaker 1>no Eddie. It turns out he went home, went to

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<v Speaker 1>bed and it was asleep, and Eddie didn't show up

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<v Speaker 1>til like eleven fifty three. So we sat there for

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<v Speaker 1>an hour or so. Then we drove an hour, so

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<v Speaker 1>I had to miss Iris from the Google Dolls because

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<v Speaker 1>I didn't want to be late. And how do you

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<v Speaker 1>go to a Google Dolls concert and not see Iris?

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<v Speaker 1>So I didn't get to watch Iris. Saw all the

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<v Speaker 1>rest of it though, except for Iris, and then Eddie

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<v Speaker 1>was an hour late, so it was not a pleasant

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<v Speaker 1>I get so mad when people are late, not even

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<v Speaker 1>for me, but it's just a disrespect thing to other people.

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<v Speaker 1>So no, I haven't wrote on Twitter as pissed, which

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<v Speaker 1>isn't a curse word, by the way, And so yeah,

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<v Speaker 1>that's being addressed. We're gonna We're gonna start I'm gonna

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<v Speaker 1>start finding people. Do you ever watch the James Brown movie, Mike,

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<v Speaker 1>You ever see James Brown, That's what he used to do.

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<v Speaker 1>If you re late, he'd find you. I'm gonna start

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<v Speaker 1>finding people for being late. If you're lay it on

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<v Speaker 1>the show. I've seen people home. Were you working with

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<v Speaker 1>us when I send people home? Uh? Eddie came in

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<v Speaker 1>late one day and he had he just went home.

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<v Speaker 1>Lunchbox came in one day, he just went home. Amy

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<v Speaker 1>came in. Amy missed a show, like just slept right

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<v Speaker 1>to the show and she got some home. And I

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<v Speaker 1>think she alluded to it this morning on the air.

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<v Speaker 1>She was just like, yeah, if I go to a concert,

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<v Speaker 1>I'm probably gonna miss the show. I mean be late.

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<v Speaker 1>And so she like the first hour of the show

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<v Speaker 1>like completely. It was just like, oh, and I understand

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<v Speaker 1>if you're late sometimes occasionally if they're like an accident

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<v Speaker 1>or something. But yeah, that was that was a bad deal.

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<v Speaker 1>But we played it. If you're listening right now and

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<v Speaker 1>you're a fort Wayne, I appreciate everybody who comes to

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<v Speaker 1>all the shows. Next weekend, we're gonna be in Tyler,

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<v Speaker 1>Texas and Beaumont. We have shows coming up at Macon, Georgia,

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<v Speaker 1>and Charleston and Springfield, like We're trying to go everywhere Tampa.

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<v Speaker 1>It would be a big, big rest of the year.

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<v Speaker 1>And then I don't know what's gonna happen with Raging

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<v Speaker 1>Idiots Woven may Um, because we're putting out a kids

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<v Speaker 1>finishing our kids record, but then we may call it,

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<v Speaker 1>call it quits for a bit like the Stones, but

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<v Speaker 1>you know, like led Zeppelin. Yeah, this may be our

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<v Speaker 1>farewell tour. So if you're listening right now, this maybe it.

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<v Speaker 1>If you've got a chance to come to the Reging Idiots,

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<v Speaker 1>come see us, because we don't have a lot left.

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<v Speaker 1>Then I'm gonna just start doing I stand up comedy stuff. Um.

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<v Speaker 1>I mean that's where that's was the most fun. And

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<v Speaker 1>the regidios are a lot of fun. They're just so exhausting.

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<v Speaker 1>I mean, I dancer, my legs are still sore. But

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<v Speaker 1>I will say this, the Google dolls I want to

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<v Speaker 1>saw them on Friday night and they were really good,

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<v Speaker 1>Like I didn't expect them to be as good as

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<v Speaker 1>they were, and the Google I realized, now, if your

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<v Speaker 1>favorite kind of music is always the music when you're

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<v Speaker 1>from like eighteen to twenty five years old, like that's

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<v Speaker 1>your favorite kind of music for your whole life. And

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<v Speaker 1>for me, inside of that was the Google Dolls. Not

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<v Speaker 1>that they're my favorite band or they were even my

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<v Speaker 1>favorite music, but they were in that time period, and

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<v Speaker 1>it's that eighteen to twenty five year old time period

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<v Speaker 1>where that's always going to be your music, and you

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<v Speaker 1>can even say sixteen to twenty five if you want

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<v Speaker 1>what you're moving in my dog getting comfortable in the chair.

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<v Speaker 1>But the Google Dolls were in that time period where

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<v Speaker 1>I probably saw them eight times in concert, so I

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<v Speaker 1>was knowing tracks like people know. I mean Slide They

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<v Speaker 1>played this in the crowd freak all right after Iris.

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<v Speaker 1>Their second biggest song, Slide whispering Yeah Things want to

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<v Speaker 1>Feel Man Name probably the third biggest song. I knew

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<v Speaker 1>all the words of the song. This is their first

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<v Speaker 1>single too. Now I won't tell them your name? Do

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<v Speaker 1>you know this on micro? Now? I just knew it

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<v Speaker 1>from your snapchat. That's it. You didn't know the song

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<v Speaker 1>non passed me by, So there's that. And I was

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<v Speaker 1>such a lamo during the show, and such a I

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<v Speaker 1>forgot that I was a Google Dolls fan that I

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<v Speaker 1>was singing b sides of records that I forgot I

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<v Speaker 1>even knew because they were playing song. I was like, wait,

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<v Speaker 1>how do I know this song? And they would play

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<v Speaker 1>like black Balloon, and I'll be like, I know this one,

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<v Speaker 1>and so I'd sing all the words. And I was

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<v Speaker 1>with a Nikita who was on our first uh you know,

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<v Speaker 1>Bobby cast. She was like, how do you know these songs?

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<v Speaker 1>I've never heard them before. So it was really good

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<v Speaker 1>to be a chance to google as they were good collectives,

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<v Speaker 1>all open. They were okay, I mean all the collective

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<v Speaker 1>soul songs are the same. That's a good one though.

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<v Speaker 1>Black Balloon here on the Bobby Cast, this black almost

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<v Speaker 1>film into that hole and do you know, I'm thinking

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<v Speaker 1>about mom, you are the same Ever heard that one? Mike? No? Never,

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<v Speaker 1>So you wouldn't even know long way down, I don't

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<v Speaker 1>think I'm oh man, I know about it. Really, you

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<v Speaker 1>don't even know slide, Like, why don't you know that

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<v Speaker 1>is this like oldies to you. I remember seeing that

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<v Speaker 1>video and like MTV and stuff, so it's not old easy.

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<v Speaker 1>I just don't I'm not big go do. I compared

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<v Speaker 1>it to this morning, like me seeing the bands of

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<v Speaker 1>the eighties like Billy Idol or Poison. I don't know

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<v Speaker 1>that stuff that was before me. I was born in

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<v Speaker 1>the eighties, so I guess I kind of remember it.

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<v Speaker 1>But but even that stuff, I'm aware of it, like

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<v Speaker 1>I'm again aware of it too. But but there were

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<v Speaker 1>people there that we're in that same thing with the

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<v Speaker 1>Google Dolls, much younger. They had to just hear it

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<v Speaker 1>like on Hot A C radio stations. But back in

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<v Speaker 1>the day, I was playing that stuff on the radio

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<v Speaker 1>like I was like, here it is guy. I used

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<v Speaker 1>to be on a station called kla Z. Was my

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<v Speaker 1>first ever radio station, and so it's seventeen years old.

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<v Speaker 1>And I would be like, continue with same music one

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<v Speaker 1>or five point nine kla Zy with the new one

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<v Speaker 1>from the Google Dolls. Here, slide on kla Zy. That's

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<v Speaker 1>all I would do. Yeah, I've never heard of that

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<v Speaker 1>song referred to as knew yeah, and I would knew it, Yeah,

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<v Speaker 1>for sure, would knew it. Dude, those are the days

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<v Speaker 1>back at KLAZY. That's my very first ever radio station.

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<v Speaker 1>And I went in as a teenager and I wrote

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<v Speaker 1>about this in my book, where I went in and

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<v Speaker 1>just try to get a job cleaning anything to get

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<v Speaker 1>in radio, and they hired me to clean him before

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<v Speaker 1>the first ever UM weekend to clean they fired people,

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<v Speaker 1>and so like, we need somebody on the air, and

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<v Speaker 1>you already work here. And I went on the air

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<v Speaker 1>and there's a it's hard to talk in radio terms,

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<v Speaker 1>so you can turn a level volume knob all the

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<v Speaker 1>way down and listen to something and just your headphones

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<v Speaker 1>and it's called putting it in Q, so no one

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<v Speaker 1>else can hear it except for you. It's like if

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<v Speaker 1>a DJ is getting a song ready, he's playing turntables

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<v Speaker 1>and he's listening to the next song he's about to play,

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<v Speaker 1>he's kind of queuing up a spot. So you can

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<v Speaker 1>do this on the radio. Except I didn't know that

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<v Speaker 1>on my very first shift and had all the levels

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<v Speaker 1>up and I thought it was it was and I

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<v Speaker 1>was playing everything over the top of each other and

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<v Speaker 1>I said my real name, and I was so freaked

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<v Speaker 1>out because we're like, your name is Bobby bones, and

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<v Speaker 1>I was like, so the song would come on right,

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<v Speaker 1>it would be like and I remember doing it. I

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<v Speaker 1>felt so stupid, and so you know, he goes, I'd

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<v Speaker 1>be like, continuous, hit me aboot, but let me started

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<v Speaker 1>up here. I got a whole she field. It'd be like,

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<v Speaker 1>continue with same music. One on five point nine k

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<v Speaker 1>lez It's Bobby All. Here's the new of them. The

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<v Speaker 1>Google dolls slides and I remember my general manager calling

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<v Speaker 1>and be like, what did you say? Your name was

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<v Speaker 1>like like he hotlined me. It wasn't even my program

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<v Speaker 1>director as my general manager of all people. So anyway,

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<v Speaker 1>Google all was good. Went straight from there and we

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<v Speaker 1>drove to Fort Wayne, which was about seven hours. And

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<v Speaker 1>usually we have a bus. We take a bus because

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<v Speaker 1>we take a full band with us, unless we're doing

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<v Speaker 1>a funny and all one stand up show, then we'll

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<v Speaker 1>just fly and so, but because we were playing a

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<v Speaker 1>festival on Friday, they got canceled and it was like

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<v Speaker 1>a festival and Brad Paisley was headlining it with Randy

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<v Speaker 1>Hawser and Chase Rice and we were like the fourth

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<v Speaker 1>or fifth band end us and Maddie and Tay were

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<v Speaker 1>kind of in that same spot on both nights. They

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<v Speaker 1>canceled the festival for whatever reason, I don't know, but

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<v Speaker 1>they cancel the festival. So we didn't have anything to do,

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<v Speaker 1>and so we would have taken the bus, but so

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<v Speaker 1>instead we had one show and a bus cost a

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<v Speaker 1>ton of money to rent, and so we just took

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<v Speaker 1>a car and there were seven of us in an suv.

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<v Speaker 1>And road tripping as an adult is not fun like

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<v Speaker 1>road tripping as a kid because it hurts to sleep.

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<v Speaker 1>You have to sit up and sleep and just turn

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<v Speaker 1>your It's like being on an airplane for eight hours.

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<v Speaker 1>And you don't get on an airplane for eight hours

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<v Speaker 1>unless you're going to another country, and then at least

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<v Speaker 1>you're in another country when you end up. But no,

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<v Speaker 1>if it's to Indiana, Indiana is not London, you know.

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<v Speaker 1>So that's what happened. So we wrote for eight hours

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<v Speaker 1>and you can't sleep because you're just sitting up in

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<v Speaker 1>your heads on the side, and everybody's like moving around,

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<v Speaker 1>and just in the suit was stopping every two hours

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<v Speaker 1>to get another Mountain Dew, which he was driving, but

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<v Speaker 1>he was being paid to drive anyway, It's the whole thing.

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<v Speaker 1>Uh FO, When you guys were awesome again if you

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<v Speaker 1>can come to a Raging Idiot show, come especially because

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<v Speaker 1>um there, I don't know how long we're gonna do this.

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<v Speaker 1>We are, by the way, finishing our kids record, and

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<v Speaker 1>I don't we're not announcing it officially yet, but we

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<v Speaker 1>did an EP, the Raging Kitty. It's and they're like

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<v Speaker 1>five songs on it, and so we have another five

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<v Speaker 1>or six that we're adding and making it a full record,

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<v Speaker 1>and we've we've got a big deal with uh. I

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<v Speaker 1>can't even say with who yet, but um, it's gonna

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<v Speaker 1>be a pretty cool kids record. And for the first

0:11:30.520 --> 0:11:32.160
<v Speaker 1>time I was listening to some of the songs, you

0:11:32.240 --> 0:11:34.800
<v Speaker 1>got to hear something, I d Yeah, you want to

0:11:34.800 --> 0:11:39.000
<v Speaker 1>be five years old? Age YEA like Potty Party is

0:11:39.040 --> 0:11:41.320
<v Speaker 1>the jam wait till you guys hear Potty Party. So

0:11:41.400 --> 0:11:43.959
<v Speaker 1>there'll be a new Raging Kiddy It's uh CD coming out.

0:11:44.720 --> 0:11:48.520
<v Speaker 1>So that's what we've been doing, is being on the

0:11:48.600 --> 0:11:50.679
<v Speaker 1>road all the time and then coming back and doing

0:11:50.679 --> 0:11:53.360
<v Speaker 1>the radio show. I got a call, I guess what

0:11:53.800 --> 0:11:58.080
<v Speaker 1>is today? Today's Monday, because they're called Thursday or Friday.

0:11:58.120 --> 0:12:01.600
<v Speaker 1>So the thing inside the format it now in country

0:12:01.840 --> 0:12:06.520
<v Speaker 1>is to make a show like ours to where the

0:12:06.640 --> 0:12:11.559
<v Speaker 1>people like I really enjoy the music, but they aren't

0:12:12.120 --> 0:12:17.280
<v Speaker 1>just only like it's the only music they know, because

0:12:17.360 --> 0:12:21.199
<v Speaker 1>listeners that listen to the show of them, they don't

0:12:21.200 --> 0:12:23.160
<v Speaker 1>just have country music on their iPhones. They have all

0:12:23.240 --> 0:12:26.439
<v Speaker 1>kinds of music on their iPhones. And so as much

0:12:26.480 --> 0:12:31.040
<v Speaker 1>as Hey, the licking you're here is isn't Michael myself,

0:12:31.040 --> 0:12:33.600
<v Speaker 1>it's it's Dusty. If you do here licking, he's he's

0:12:33.640 --> 0:12:35.360
<v Speaker 1>licking himself, although he is new to it, so he's

0:12:35.400 --> 0:12:41.360
<v Speaker 1>not Hey. Uh. So I got a call and he

0:12:41.400 --> 0:12:42.400
<v Speaker 1>was like, hey, want to put it. I want to

0:12:42.400 --> 0:12:44.840
<v Speaker 1>We want to put together a show like yours. You know,

0:12:44.840 --> 0:12:49.000
<v Speaker 1>how did you do it? And I was like, well,

0:12:49.520 --> 0:12:52.720
<v Speaker 1>I didn't put together the show. Really, the show kind

0:12:52.720 --> 0:12:55.400
<v Speaker 1>of came together on accident and turned into what it

0:12:55.520 --> 0:12:57.439
<v Speaker 1>is because nobody on the show it ever. And I

0:12:57.559 --> 0:12:59.400
<v Speaker 1>said this before on the air. I've ever done radio before,

0:13:00.240 --> 0:13:03.640
<v Speaker 1>and so I was like, I mean, I can tell

0:13:03.679 --> 0:13:06.640
<v Speaker 1>you what happened with the show. I mean I started

0:13:06.679 --> 0:13:09.800
<v Speaker 1>in the morning and I was probably twenty one doing

0:13:09.800 --> 0:13:15.000
<v Speaker 1>a morning show in Austin. Stop Dozy, you're good buddy,

0:13:15.520 --> 0:13:20.040
<v Speaker 1>And I was by myself and I he was just

0:13:20.080 --> 0:13:24.320
<v Speaker 1>playing like thirteen songs an hour. And so from there

0:13:24.360 --> 0:13:27.280
<v Speaker 1>I had an intern named Jill and she was on

0:13:27.679 --> 0:13:29.199
<v Speaker 1>and then we didn't pay her, and she went to

0:13:29.240 --> 0:13:32.280
<v Speaker 1>school at class eight o'clock, and so I graduate, just

0:13:32.280 --> 0:13:35.560
<v Speaker 1>graduated college, and she was still in college, and so

0:13:35.640 --> 0:13:37.200
<v Speaker 1>she'd be there till eight then she go to class.

0:13:37.240 --> 0:13:39.120
<v Speaker 1>I mean, it's a really rinking in cooperation to think

0:13:39.120 --> 0:13:42.200
<v Speaker 1>about it. And Austin's a pretty large market to have

0:13:42.360 --> 0:13:45.040
<v Speaker 1>that happening in the morning. And so I met Lunchbox

0:13:45.080 --> 0:13:48.000
<v Speaker 1>out at the bar and he was a delivery job

0:13:48.080 --> 0:13:49.880
<v Speaker 1>for Jason's Delhi and he comes in. He didn't have

0:13:49.920 --> 0:13:52.319
<v Speaker 1>a microphone for the first year, got part time pay,

0:13:52.440 --> 0:13:55.560
<v Speaker 1>was working other jobs. Amy was a friend for a

0:13:55.600 --> 0:13:58.480
<v Speaker 1>long time, was selling Granted And I'm just explaining this

0:13:58.520 --> 0:14:00.600
<v Speaker 1>to him, like we didn't go and find other people.

0:14:01.280 --> 0:14:04.719
<v Speaker 1>I just found people that were interesting and kept them

0:14:04.720 --> 0:14:07.160
<v Speaker 1>all in a room and we just kind of learned

0:14:07.320 --> 0:14:10.559
<v Speaker 1>radio together, even the newer people on our show, because

0:14:10.760 --> 0:14:13.160
<v Speaker 1>everybody knows, I mean, hopefully you know Amy story by now.

0:14:13.240 --> 0:14:16.559
<v Speaker 1>She was a Granted salesperson, met her, was a friend,

0:14:16.920 --> 0:14:18.760
<v Speaker 1>friends for year year and a half or so before

0:14:18.760 --> 0:14:21.280
<v Speaker 1>I brought her on the show Lunchbox was a delivery

0:14:21.320 --> 0:14:25.240
<v Speaker 1>driver at Jason's Delhi Eddie, who's new to the radio show,

0:14:25.280 --> 0:14:27.160
<v Speaker 1>but it's been my friend as long as just about

0:14:27.160 --> 0:14:29.360
<v Speaker 1>any of those guys. Eddie was my TV producer for

0:14:29.480 --> 0:14:31.760
<v Speaker 1>ten years, and that's what he does now. Has has

0:14:31.800 --> 0:14:34.800
<v Speaker 1>produced the television and at least the visual stuff of

0:14:34.840 --> 0:14:37.480
<v Speaker 1>the show. But even the guys to work on our

0:14:37.680 --> 0:14:41.520
<v Speaker 1>radio show that are in the glass room, which is

0:14:41.600 --> 0:14:44.560
<v Speaker 1>the production people, like all three of those people at

0:14:44.600 --> 0:14:48.120
<v Speaker 1>one point we're interns for the show. So I guess

0:14:48.200 --> 0:14:50.320
<v Speaker 1>Ray is kind of the senior of that group. Now

0:14:51.040 --> 0:14:54.760
<v Speaker 1>it's crazy to think about um and and Ray wasn't

0:14:54.760 --> 0:14:56.880
<v Speaker 1>even a real intern. I don't think. I think Ray

0:14:56.920 --> 0:14:59.040
<v Speaker 1>just showed up. And here's something that I get asked

0:14:59.040 --> 0:15:00.640
<v Speaker 1>about a lot. Was car those shoes to be on

0:15:00.640 --> 0:15:02.480
<v Speaker 1>the show a long time ago, And people I was like,

0:15:02.480 --> 0:15:05.040
<v Speaker 1>what happened to Carlos? And I've explained it like twenty times,

0:15:05.240 --> 0:15:07.160
<v Speaker 1>and like, why are you're writing the book about Carlos?

0:15:07.600 --> 0:15:10.000
<v Speaker 1>I didn't write in the book. I'm almost positive about

0:15:10.000 --> 0:15:13.080
<v Speaker 1>anybody that didn't make the shift over to Nashville. Um,

0:15:13.200 --> 0:15:15.040
<v Speaker 1>there were just too many people I write about Erica,

0:15:15.040 --> 0:15:17.440
<v Speaker 1>who was a co host for a couple of years.

0:15:17.880 --> 0:15:19.800
<v Speaker 1>There were a lot of people that didn't write about

0:15:20.520 --> 0:15:25.600
<v Speaker 1>um But what happened with Ray? And people assume, and

0:15:25.640 --> 0:15:28.800
<v Speaker 1>this is you guys being racist. Did I replaced That

0:15:28.840 --> 0:15:31.040
<v Speaker 1>is what they say. Oh, you replace one Mexican with another.

0:15:31.080 --> 0:15:33.200
<v Speaker 1>You replaced Eddie with Carlos. That's what happened at all.

0:15:33.240 --> 0:15:35.720
<v Speaker 1>There was no Eddie, We had no Eddie position. Eddie

0:15:35.760 --> 0:15:38.400
<v Speaker 1>came on as an extra position once we came in.

0:15:39.120 --> 0:15:42.800
<v Speaker 1>And so what had happened was Ray came in and

0:15:42.840 --> 0:15:46.840
<v Speaker 1>worked for free for a year at least, just showed

0:15:46.920 --> 0:15:48.920
<v Speaker 1>up and worked and worked and work and did audio

0:15:48.960 --> 0:15:50.560
<v Speaker 1>and he did what Carlos was doing. And Carlos was

0:15:51.080 --> 0:15:53.520
<v Speaker 1>was good at it and was a hard worker. But

0:15:53.600 --> 0:15:56.040
<v Speaker 1>Ray came in. It was just like a different level

0:15:56.280 --> 0:16:00.440
<v Speaker 1>of efficiency. Um so and people Hay did Ray on

0:16:00.480 --> 0:16:02.120
<v Speaker 1>the air, but he was just so good at what

0:16:02.160 --> 0:16:04.640
<v Speaker 1>he did. And so were you did you ever work

0:16:04.680 --> 0:16:07.800
<v Speaker 1>with Ray? He was an intern? As an intern, what

0:16:07.840 --> 0:16:09.560
<v Speaker 1>was it like to work with Raisin? In turn? Like

0:16:09.640 --> 0:16:12.920
<v Speaker 1>we didn't understand him. We were like, is that I

0:16:13.000 --> 0:16:14.520
<v Speaker 1>thought it was? I thought Ray was a joke. I

0:16:14.560 --> 0:16:17.440
<v Speaker 1>thought he was a character for a long time, but

0:16:17.840 --> 0:16:22.240
<v Speaker 1>super Ray is the most efficient. I'm gonna take me

0:16:22.280 --> 0:16:24.880
<v Speaker 1>out of it because I'm nuts, But Ray is the

0:16:24.880 --> 0:16:29.200
<v Speaker 1>most efficient person on the show. And so um, we

0:16:29.200 --> 0:16:32.680
<v Speaker 1>had to bring an audio producer, and so it was

0:16:32.680 --> 0:16:34.680
<v Speaker 1>a tough decision, and I had to bring what I

0:16:34.720 --> 0:16:37.960
<v Speaker 1>thought was the best for the show. And Carlos is

0:16:38.000 --> 0:16:41.320
<v Speaker 1>a great dude, and it was like it was good

0:16:41.360 --> 0:16:43.600
<v Speaker 1>at what he did, but we had one spot. And

0:16:43.600 --> 0:16:45.360
<v Speaker 1>as what the suck being a boss and a friend

0:16:45.400 --> 0:16:47.120
<v Speaker 1>at the same time is that I had to look

0:16:47.120 --> 0:16:49.040
<v Speaker 1>out for everybody else. So it came to the point

0:16:49.040 --> 0:16:52.360
<v Speaker 1>of what what am I gonna do, like what's best

0:16:52.400 --> 0:16:54.800
<v Speaker 1>for the whole group and for the show, And so

0:16:54.960 --> 0:16:57.440
<v Speaker 1>that spot, I didn't replace one Mexican with another. One

0:16:57.440 --> 0:16:59.520
<v Speaker 1>more person says that to me, I'm gonna it's so

0:16:59.640 --> 0:17:01.600
<v Speaker 1>much like, oh, he just replaced one Mexican with another.

0:17:01.840 --> 0:17:05.120
<v Speaker 1>First of all, you have to have permission to call

0:17:05.200 --> 0:17:08.800
<v Speaker 1>a span a person in Mexican, because but that he'd

0:17:08.880 --> 0:17:13.080
<v Speaker 1>rather be called a Mexican. And so um, that wasn't

0:17:13.080 --> 0:17:16.240
<v Speaker 1>what happened. And Carlos stayed and produced the show locally

0:17:16.800 --> 0:17:21.439
<v Speaker 1>on Case one on one in Austin and and he

0:17:21.440 --> 0:17:24.199
<v Speaker 1>he did what Mike did for a while, and the

0:17:24.240 --> 0:17:27.960
<v Speaker 1>plan was hopefully to eventually bring Carlos to Nashville, and

0:17:28.080 --> 0:17:32.000
<v Speaker 1>eventually that didn't happen. Um, Mike ended up taking over

0:17:32.080 --> 0:17:34.240
<v Speaker 1>Carlos's job. Mike D who's in here with me now

0:17:34.640 --> 0:17:36.440
<v Speaker 1>worked on our show now in Nashville. Mike D was

0:17:36.480 --> 0:17:39.119
<v Speaker 1>an old intern of ours who took that job and

0:17:39.119 --> 0:17:43.240
<v Speaker 1>then got moved to Nashville from that job, which was

0:17:44.040 --> 0:17:47.440
<v Speaker 1>kind of the plan for Carlos, but there just was

0:17:47.520 --> 0:17:50.679
<v Speaker 1>never anything for sure. So anyway, that's what happened. There

0:17:50.760 --> 0:17:54.200
<v Speaker 1>was really nothing bad that ever happened. I mean no nothing,

0:17:54.359 --> 0:17:57.439
<v Speaker 1>No ill will know anything. And for those that have

0:17:57.440 --> 0:17:59.879
<v Speaker 1>no idea, Carlos was produced. He was an intern for

0:18:00.960 --> 0:18:02.880
<v Speaker 1>like then he produced a show for a bit as

0:18:02.880 --> 0:18:07.639
<v Speaker 1>the audio producer, and then Ray came in and I

0:18:07.680 --> 0:18:10.680
<v Speaker 1>mean just worked like crazy and we had one spot

0:18:10.680 --> 0:18:14.760
<v Speaker 1>to fill and Ray kind of took that spot. And so, um, yeah,

0:18:14.760 --> 0:18:17.760
<v Speaker 1>that was a really tough call for me to make,

0:18:17.840 --> 0:18:19.800
<v Speaker 1>like personally, because I wasn't friends with Ray and I

0:18:19.840 --> 0:18:21.960
<v Speaker 1>was friends with Carlos like I was. Carlson was a

0:18:21.960 --> 0:18:24.199
<v Speaker 1>good dude. It was like a good friend. But that

0:18:24.280 --> 0:18:27.480
<v Speaker 1>was m that was a really tough call. Um. And

0:18:27.480 --> 0:18:30.240
<v Speaker 1>then Morgan was an intern. Two. I went and spoke

0:18:30.240 --> 0:18:35.760
<v Speaker 1>at Morgan's class at empty Issue, Middle Tennessee State, and

0:18:35.760 --> 0:18:38.040
<v Speaker 1>I said, anybody want to in turn, here's my email address.

0:18:38.040 --> 0:18:39.760
<v Speaker 1>And she emailed me and said, hey, I want to

0:18:39.760 --> 0:18:43.120
<v Speaker 1>in turn. So interviewed her Atlanta interviewed her our old

0:18:43.119 --> 0:18:46.080
<v Speaker 1>producers living in New York now and Atlanta by the way,

0:18:46.160 --> 0:18:51.000
<v Speaker 1>an old intern um Atlanta interviewer, and and I talked

0:18:51.000 --> 0:18:52.720
<v Speaker 1>to her, and she came in and she interned for

0:18:52.760 --> 0:18:55.080
<v Speaker 1>a semester. Then she learned for another semester, and she

0:18:55.160 --> 0:18:59.400
<v Speaker 1>stayed around and then she rent out internships. And when

0:18:59.400 --> 0:19:02.680
<v Speaker 1>we had a phone screener job open up because Sydney

0:19:02.720 --> 0:19:06.520
<v Speaker 1>was answering phones, another old intern Sydney got, you know,

0:19:06.640 --> 0:19:10.840
<v Speaker 1>was moving off to another country with her fiance. Um,

0:19:11.040 --> 0:19:12.439
<v Speaker 1>you've seen the thing here. I like to keep all

0:19:12.480 --> 0:19:15.280
<v Speaker 1>my own people, by the way, like it's all inside

0:19:15.280 --> 0:19:18.360
<v Speaker 1>of the system. Um. So Sydney left. So I hired

0:19:18.359 --> 0:19:20.560
<v Speaker 1>Morgan as a phone screener. Atlanta said Hey, I want

0:19:20.560 --> 0:19:22.560
<v Speaker 1>to move to New York. I said, okay, great, give

0:19:22.600 --> 0:19:25.760
<v Speaker 1>me some months to find somebody. The person I was

0:19:25.800 --> 0:19:27.760
<v Speaker 1>looking for happening to be Morgan, who was right under

0:19:27.800 --> 0:19:30.320
<v Speaker 1>my nose the whole time. Morgan's now kind of shifted

0:19:30.359 --> 0:19:33.760
<v Speaker 1>over to that spot. And that's kind of how the

0:19:33.760 --> 0:19:36.080
<v Speaker 1>show is all together. Like there's no I never wentn't

0:19:36.080 --> 0:19:39.240
<v Speaker 1>found anybody, like let's put together a radio show. It's

0:19:39.280 --> 0:19:42.960
<v Speaker 1>all Morgan Ray and might be all former interns in

0:19:42.960 --> 0:19:44.800
<v Speaker 1>the glass room. They're not interns anymore, like they're real

0:19:44.800 --> 0:19:49.640
<v Speaker 1>paid people that are producing the largest country radio show

0:19:50.040 --> 0:19:53.240
<v Speaker 1>you know in America. And then it's Amy, a granite

0:19:53.240 --> 0:19:55.760
<v Speaker 1>person lunchbox that delivery are from Jason's Deli, Eddie a

0:19:55.800 --> 0:19:59.040
<v Speaker 1>TV producer, and me, I mean, I'm the only guy

0:19:59.040 --> 0:20:00.440
<v Speaker 1>I've ever been on the radio, and he and then

0:20:00.480 --> 0:20:04.199
<v Speaker 1>I was playing everybody kats lead Google Doll Slide like

0:20:04.240 --> 0:20:07.160
<v Speaker 1>I didn't know what I was doing. So when they

0:20:07.160 --> 0:20:08.600
<v Speaker 1>call like hey, I want to put together a show

0:20:08.640 --> 0:20:11.359
<v Speaker 1>like yours, I have nothing. I don't know what to

0:20:11.359 --> 0:20:14.960
<v Speaker 1>tell them. But you're seeing a lot of guys that

0:20:15.080 --> 0:20:18.800
<v Speaker 1>have a lot of interests. And here's the thing too

0:20:18.840 --> 0:20:22.200
<v Speaker 1>about artists and country music is that they don't just

0:20:22.240 --> 0:20:25.159
<v Speaker 1>listen to country music. The most annoying people are the

0:20:25.200 --> 0:20:28.120
<v Speaker 1>people that go why don't you play some real country,

0:20:29.200 --> 0:20:31.720
<v Speaker 1>And those are the most annoying people because it's just

0:20:31.880 --> 0:20:35.199
<v Speaker 1>your definition of real country. That's the real country, is

0:20:35.400 --> 0:20:38.480
<v Speaker 1>your definition of real country. And if the format were

0:20:38.560 --> 0:20:42.280
<v Speaker 1>to stay where like in my heyday at the same time,

0:20:42.320 --> 0:20:44.399
<v Speaker 1>when I was a teenager in early twenties, if they

0:20:44.400 --> 0:20:47.440
<v Speaker 1>were to stay there forever, it would just die. Because

0:20:47.480 --> 0:20:50.320
<v Speaker 1>without forward movement, it's just nothing. It's death. So you

0:20:50.359 --> 0:20:52.040
<v Speaker 1>may not like where it goes, and it goes in

0:20:52.040 --> 0:20:54.000
<v Speaker 1>different directions and will continue to go in different directions,

0:20:54.000 --> 0:20:56.320
<v Speaker 1>and I'll go in seventy and come back and you'll

0:20:56.320 --> 0:20:59.280
<v Speaker 1>see it dies, and you don't want it to die.

0:20:59.320 --> 0:21:00.720
<v Speaker 1>And the thing is, if like it so much, just

0:21:00.800 --> 0:21:04.679
<v Speaker 1>keep supporting what you like. So well, if you like

0:21:05.240 --> 0:21:10.440
<v Speaker 1>real country music, there's some great traditional sounding country music

0:21:10.520 --> 0:21:14.199
<v Speaker 1>artists out there. And I say traditional meaning just in

0:21:14.200 --> 0:21:17.240
<v Speaker 1>everybody's head you think of the cowboy hat like this.

0:21:17.240 --> 0:21:20.480
<v Speaker 1>This morning, I played Cody Johnson and I think that

0:21:20.520 --> 0:21:22.760
<v Speaker 1>record is great that he put out, and people were like,

0:21:22.840 --> 0:21:26.040
<v Speaker 1>finally you're playing some red dirt. No, I don't finally

0:21:26.080 --> 0:21:28.280
<v Speaker 1>play any format. I just play what I think is

0:21:28.280 --> 0:21:31.440
<v Speaker 1>good and what I like, and so I think that

0:21:31.440 --> 0:21:33.760
<v Speaker 1>that was a good record, and so I played it

0:21:33.800 --> 0:21:36.200
<v Speaker 1>this morning on the air and UH said, hey, you

0:21:36.240 --> 0:21:39.080
<v Speaker 1>should check it out. I've never met Cody Johnson, so

0:21:39.119 --> 0:21:40.880
<v Speaker 1>it's not one of those where it's like I met

0:21:40.920 --> 0:21:42.840
<v Speaker 1>him and saw him. I have no idea if you

0:21:42.840 --> 0:21:45.560
<v Speaker 1>can play good live. I assume you can. Um and

0:21:45.640 --> 0:21:49.320
<v Speaker 1>is the record is good? All right, so you can

0:21:49.400 --> 0:21:50.680
<v Speaker 1>check it out if you want to see it. But

0:21:51.480 --> 0:21:53.480
<v Speaker 1>I don't know. The music thing is annoying to me

0:21:53.800 --> 0:21:57.760
<v Speaker 1>when people are like, hey man, this this music sucks. Okay,

0:21:57.840 --> 0:22:00.359
<v Speaker 1>then don't buy it. Like nobody's forced me to buy anything.

0:22:01.280 --> 0:22:04.960
<v Speaker 1>And you know what dictates, like what gets played in places,

0:22:05.880 --> 0:22:08.400
<v Speaker 1>how successful things are. I mean, look at a guy

0:22:08.480 --> 0:22:13.520
<v Speaker 1>like Sam Hunt. Nobody was none of the traditional guys.

0:22:13.800 --> 0:22:16.600
<v Speaker 1>And I'm using none as an overall statement because of course,

0:22:16.600 --> 0:22:19.560
<v Speaker 1>if you did, none of the traditional guys wanted that

0:22:19.600 --> 0:22:21.520
<v Speaker 1>to work or thought it would work because it was

0:22:21.600 --> 0:22:23.840
<v Speaker 1>so different. But he was so good that it was

0:22:23.920 --> 0:22:26.879
<v Speaker 1>undeniable and you had to play it. And Sam's a

0:22:26.960 --> 0:22:30.119
<v Speaker 1>superstar now, and it wasn't because everybody was like, we

0:22:30.240 --> 0:22:32.040
<v Speaker 1>gotta get Sam Hunt and play him all the time

0:22:32.080 --> 0:22:34.720
<v Speaker 1>because this is what country music is about. No, he

0:22:34.840 --> 0:22:38.680
<v Speaker 1>was just so good it was undeniable. You cannot keep

0:22:38.720 --> 0:22:41.000
<v Speaker 1>him off the radio because if you did, someone else

0:22:41.119 --> 0:22:43.080
<v Speaker 1>was gonna play him, and they were gonna switch stations,

0:22:43.160 --> 0:22:45.480
<v Speaker 1>or they were gonna go listen to some other form

0:22:45.520 --> 0:22:48.320
<v Speaker 1>of music. They're gonna download it or something else. So

0:22:49.640 --> 0:22:51.840
<v Speaker 1>whenever you say, won't you play some real stuff, Okay,

0:22:52.200 --> 0:22:54.040
<v Speaker 1>you can support what you want to support, and I'll

0:22:54.080 --> 0:22:56.479
<v Speaker 1>and that's great, I love you for it. But there

0:22:56.520 --> 0:23:00.320
<v Speaker 1>really is no such thing as real country music. And

0:23:00.400 --> 0:23:02.399
<v Speaker 1>I get asked that a lot in interviews, like what

0:23:02.640 --> 0:23:05.960
<v Speaker 1>is country music and what it used to be? And

0:23:06.000 --> 0:23:10.160
<v Speaker 1>again you have to go back to like twenties and thirties.

0:23:10.520 --> 0:23:13.159
<v Speaker 1>It would be people from an area of the country

0:23:13.760 --> 0:23:16.560
<v Speaker 1>and it would be what they were influenced by in

0:23:16.600 --> 0:23:22.159
<v Speaker 1>their southern kind of southeastern part of the country. And

0:23:22.320 --> 0:23:28.480
<v Speaker 1>you know the Arkansas, Alabama, Louisiana, Texas to a point, Oklahoma,

0:23:28.760 --> 0:23:32.440
<v Speaker 1>you know that whole southwest southeast kind of thing. And

0:23:32.920 --> 0:23:34.560
<v Speaker 1>that was only what it was, and there weren't other

0:23:34.600 --> 0:23:36.720
<v Speaker 1>factors coming into play. Because there wasn't ways to get

0:23:36.800 --> 0:23:41.200
<v Speaker 1>music from the internet or whenever you would order eight

0:23:41.240 --> 0:23:43.920
<v Speaker 1>CDs from whatever that service was. We used to steal

0:23:43.960 --> 0:23:46.440
<v Speaker 1>sees from Did you ever do that? What was it called?

0:23:46.480 --> 0:23:49.439
<v Speaker 1>You remember? No, no, no, this is not download. This

0:23:49.520 --> 0:23:51.800
<v Speaker 1>is where we used to check off a box and

0:23:51.800 --> 0:23:54.040
<v Speaker 1>they would mail you eight CDs for a penny, and

0:23:54.080 --> 0:23:56.439
<v Speaker 1>then then they keep sending them to you and charging

0:23:56.440 --> 0:23:58.880
<v Speaker 1>you for other ones. There just was no other way

0:23:58.880 --> 0:24:00.560
<v Speaker 1>to get music. So that's where they music came from,

0:24:00.560 --> 0:24:02.480
<v Speaker 1>and that's where it grew. Well, then you started to

0:24:02.560 --> 0:24:04.920
<v Speaker 1>see it being affected by other music, Like you don't

0:24:04.920 --> 0:24:07.760
<v Speaker 1>think Johnny Cash was affected by Elvis and some of

0:24:07.760 --> 0:24:11.000
<v Speaker 1>these other rockers are crazy, Like Johnny Cash was rock

0:24:11.040 --> 0:24:14.480
<v Speaker 1>and roll and country. He was, and he's in Arkansas.

0:24:14.600 --> 0:24:17.920
<v Speaker 1>So for me being from Arkansas, you love people from

0:24:17.920 --> 0:24:19.600
<v Speaker 1>where you're from, especially if throwing a lot of not

0:24:19.880 --> 0:24:21.920
<v Speaker 1>you know, it's not like where California or New York

0:24:21.920 --> 0:24:23.600
<v Speaker 1>where there are tons of famous people that come out

0:24:23.600 --> 0:24:26.280
<v Speaker 1>of Arkansas. So Johnny Cash is a big deal for

0:24:26.320 --> 0:24:27.880
<v Speaker 1>my grandma, so it was a big deal for me.

0:24:28.640 --> 0:24:31.440
<v Speaker 1>And then as today, you're seeing all these artists and

0:24:31.480 --> 0:24:37.480
<v Speaker 1>they're influenced by so many things, and that's they're they're

0:24:37.520 --> 0:24:39.920
<v Speaker 1>influenced by what they can download, what they can see

0:24:39.960 --> 0:24:43.080
<v Speaker 1>on the internet, what they can read. But they still

0:24:43.160 --> 0:24:45.520
<v Speaker 1>have the music that they grew up on and the

0:24:45.600 --> 0:24:47.880
<v Speaker 1>voice that they have, and they want to remain authentic.

0:24:47.920 --> 0:24:50.200
<v Speaker 1>And the thing about country music is you gotta be good.

0:24:50.440 --> 0:24:52.600
<v Speaker 1>And that's the real separator of it all. Like you

0:24:52.680 --> 0:24:55.159
<v Speaker 1>have to be able to sing, you have to be

0:24:55.240 --> 0:24:57.600
<v Speaker 1>able to perform, or you cannot make it in the format.

0:24:58.240 --> 0:25:02.200
<v Speaker 1>That is the difference. And people say, what's because I mean, stylistically,

0:25:04.320 --> 0:25:06.440
<v Speaker 1>there's not at times not a lot of difference between

0:25:06.480 --> 0:25:09.000
<v Speaker 1>stuff here on pop and stuff here on the country radio.

0:25:10.119 --> 0:25:12.280
<v Speaker 1>But I did pop for a long time, and I

0:25:12.280 --> 0:25:13.679
<v Speaker 1>know a lot of those guys and they came in.

0:25:13.800 --> 0:25:17.960
<v Speaker 1>They can't sing this format. You've got to be for

0:25:18.080 --> 0:25:21.840
<v Speaker 1>real or present an authentic image. And some of them aren't,

0:25:21.840 --> 0:25:23.040
<v Speaker 1>not telling you some of the artists are full of

0:25:23.040 --> 0:25:25.760
<v Speaker 1>crap and they're such they're just full of crap and

0:25:25.760 --> 0:25:27.320
<v Speaker 1>they're not what they say they are, but they do

0:25:27.320 --> 0:25:30.320
<v Speaker 1>a good job of presenting it. Um most of them

0:25:30.359 --> 0:25:33.240
<v Speaker 1>are Southern are But you've gotta be able to perform

0:25:33.320 --> 0:25:35.560
<v Speaker 1>or you're not gonna make it. And so I mean,

0:25:35.560 --> 0:25:39.720
<v Speaker 1>real country of music is just an authentic voice and

0:25:39.800 --> 0:25:43.000
<v Speaker 1>you've gotta be talented. And I don't know if you

0:25:43.000 --> 0:25:44.800
<v Speaker 1>ever had anyone come on the show and say they

0:25:44.880 --> 0:25:48.399
<v Speaker 1>wouldn't perform, Like even the biggest act will come on

0:25:48.440 --> 0:25:52.159
<v Speaker 1>the radio show and sing songs and perform like Garth

0:25:52.200 --> 0:25:54.960
<v Speaker 1>brooks Keith Urban tim Ograwl Like they've all come in

0:25:55.000 --> 0:25:58.800
<v Speaker 1>and performed. That's because they can. And they're all on

0:25:58.960 --> 0:26:01.720
<v Speaker 1>time too. That's to think about the big stars. They're

0:26:01.760 --> 0:26:04.280
<v Speaker 1>all on time every time. You know, he's not on time.

0:26:04.400 --> 0:26:06.040
<v Speaker 1>The people, they're just getting their first hit and they

0:26:06.080 --> 0:26:08.960
<v Speaker 1>get new artist syndrome. The other words, they're like I'm

0:26:09.040 --> 0:26:11.959
<v Speaker 1>star now. They get there late. There have been two

0:26:12.040 --> 0:26:13.639
<v Speaker 1>or three acts I've been like, I'm not putting them on.

0:26:14.440 --> 0:26:20.680
<v Speaker 1>They wanna be late. Cool not here, you know, but

0:26:21.080 --> 0:26:24.120
<v Speaker 1>um there, I don't even know where I was going

0:26:24.160 --> 0:26:28.240
<v Speaker 1>with that. Um My dog is now snoring. The problem

0:26:28.240 --> 0:26:30.000
<v Speaker 1>is is the microphone right over him. He has his

0:26:30.040 --> 0:26:34.480
<v Speaker 1>own microphone. He's sitting in the chair snoring. Um, this

0:26:34.560 --> 0:26:36.400
<v Speaker 1>is the first ever Bobby Cast. How long we into

0:26:36.440 --> 0:26:37.800
<v Speaker 1>this thing, because notice that we had to be at

0:26:37.880 --> 0:26:41.080
<v Speaker 1>least twenty minutes in the first one. Perfect we got

0:26:41.080 --> 0:26:44.159
<v Speaker 1>more to talks when I'm gone, and which is a lot.

0:26:44.200 --> 0:26:47.880
<v Speaker 1>People always ask what happens to my dog, and Dusty

0:26:48.640 --> 0:26:51.360
<v Speaker 1>always stays at the house. He's like thirteen now, so

0:26:51.520 --> 0:26:54.240
<v Speaker 1>he doesn't even go to doggy daycare anymore. So either

0:26:54.359 --> 0:26:57.199
<v Speaker 1>Mike he stays with them at my house or Morgan

0:26:57.480 --> 0:27:01.040
<v Speaker 1>stays with them at my house. And that's I mean,

0:27:01.440 --> 0:27:04.639
<v Speaker 1>he never he doesn't leave. I'd like to move and

0:27:04.680 --> 0:27:08.480
<v Speaker 1>have a yard before he doesn't. He's not able to

0:27:08.560 --> 0:27:10.920
<v Speaker 1>like run around anymore. But I don't know if that's

0:27:10.920 --> 0:27:13.560
<v Speaker 1>gonna happen. Like my neighbors killing me, dude. I tried

0:27:13.600 --> 0:27:16.480
<v Speaker 1>taking a nap today. My sleep schedule is completely off

0:27:16.680 --> 0:27:21.119
<v Speaker 1>because I've had late nights and so I just can't

0:27:21.200 --> 0:27:24.000
<v Speaker 1>flip it back over. So we traveled when we drove

0:27:24.040 --> 0:27:27.680
<v Speaker 1>back from Fort Wayne, and it got in like seven

0:27:27.680 --> 0:27:30.640
<v Speaker 1>in the morning, So I slept till about eleven am,

0:27:30.680 --> 0:27:34.040
<v Speaker 1>and they went to bed last night and like seven pm,

0:27:34.040 --> 0:27:36.320
<v Speaker 1>and it was pretty exciting. I was so sleepy. And

0:27:36.320 --> 0:27:37.720
<v Speaker 1>then I woke up at like eleven pm and it

0:27:37.800 --> 0:27:40.119
<v Speaker 1>was up and I've you know, been up forever. And

0:27:40.119 --> 0:27:41.520
<v Speaker 1>then I tried to taking a nap. And my neighbor

0:27:41.520 --> 0:27:44.159
<v Speaker 1>has been renovating his place for like eight months. It

0:27:44.160 --> 0:27:51.320
<v Speaker 1>seems like Boo always banging on the walls. He did

0:27:51.359 --> 0:27:54.680
<v Speaker 1>send me an edible arrangement once, so I guess that's

0:27:54.800 --> 0:27:57.960
<v Speaker 1>uh equal. But I'll see him sometimes, we'll be over there.

0:27:58.000 --> 0:28:00.520
<v Speaker 1>It's awkward, like to made did you make them my

0:28:00.560 --> 0:28:04.520
<v Speaker 1>life miserable? Man? Uh, it's just in their built because

0:28:04.640 --> 0:28:08.280
<v Speaker 1>are my bedroom in his places where it's connected because

0:28:08.280 --> 0:28:11.560
<v Speaker 1>we're the only two places on on this floor. But yeah,

0:28:11.560 --> 0:28:15.080
<v Speaker 1>it is. It is not good. UM at a call

0:28:15.200 --> 0:28:18.400
<v Speaker 1>today with a station that we're going on. M hmm.

0:28:19.080 --> 0:28:20.320
<v Speaker 1>I don't know if I can say what station it

0:28:20.359 --> 0:28:23.120
<v Speaker 1>is because that has been announced and they're The weird

0:28:23.119 --> 0:28:25.000
<v Speaker 1>thing is sometimes they'll say, hey, you're going on in

0:28:25.040 --> 0:28:27.639
<v Speaker 1>this city. They don't say anything yet. You can't say

0:28:27.640 --> 0:28:29.919
<v Speaker 1>anything yet because some people don't know whatever. And there

0:28:29.920 --> 0:28:31.600
<v Speaker 1>are some cities that we're gonna come on soon and

0:28:31.840 --> 0:28:35.199
<v Speaker 1>you know whatever. But it had a UM call with

0:28:35.280 --> 0:28:38.840
<v Speaker 1>a city today and I was talking with the person

0:28:38.880 --> 0:28:41.160
<v Speaker 1>with The great thing is is that the morning people

0:28:41.160 --> 0:28:44.280
<v Speaker 1>will usually just go to the afternoons, so there's no

0:28:44.400 --> 0:28:46.840
<v Speaker 1>job lost, because the last thing I want may to

0:28:46.880 --> 0:28:48.680
<v Speaker 1>lose their job at a time when it's hard to

0:28:48.760 --> 0:28:51.000
<v Speaker 1>keep a job in this industry, in any sort of

0:28:51.040 --> 0:28:56.360
<v Speaker 1>creative film period, it is a matter, radio, TV painter, musician, like,

0:28:56.400 --> 0:28:59.400
<v Speaker 1>these are impossible jobs. There are possible jobs to get

0:28:59.400 --> 0:29:01.680
<v Speaker 1>their possible jobs, to keep their possible jobs, to be

0:29:01.720 --> 0:29:04.080
<v Speaker 1>successful at. And if you are successful, it's impossible to

0:29:04.080 --> 0:29:07.480
<v Speaker 1>be successful for a long time, and so just hold

0:29:07.520 --> 0:29:10.640
<v Speaker 1>on for as long as you can, like there's only

0:29:10.680 --> 0:29:13.040
<v Speaker 1>a window that's open for so long. And that's why

0:29:13.040 --> 0:29:14.440
<v Speaker 1>I just go so hard right now, because I don't

0:29:14.440 --> 0:29:17.040
<v Speaker 1>think it's gonna last forever. So I got books and

0:29:17.120 --> 0:29:21.200
<v Speaker 1>albums and radio shows and stay like my window. Who

0:29:21.200 --> 0:29:23.280
<v Speaker 1>knows how long this thing is gonna be open. So anyway,

0:29:23.320 --> 0:29:26.360
<v Speaker 1>they call and I'm doing I'm talking to the current

0:29:26.640 --> 0:29:28.880
<v Speaker 1>morning show, and it's just one of the cities are

0:29:28.880 --> 0:29:32.640
<v Speaker 1>shows going in soon, And I'm so jealous because they

0:29:32.680 --> 0:29:35.520
<v Speaker 1>get to go to afternoons. My life would be so

0:29:35.600 --> 0:29:38.640
<v Speaker 1>much better if I could sleep in, because I'm not

0:29:39.280 --> 0:29:42.080
<v Speaker 1>a morning person. And you think, wow, you do a

0:29:42.120 --> 0:29:44.640
<v Speaker 1>morning show, you're just so like happy in the morning.

0:29:44.960 --> 0:29:46.840
<v Speaker 1>By the time I get on the air at five

0:29:47.440 --> 0:29:52.280
<v Speaker 1>Central six Eastern, or if you're Pacific, I've had about

0:29:52.320 --> 0:29:57.040
<v Speaker 1>three hours of fighting my soul being happy or awake,

0:29:57.680 --> 0:30:01.680
<v Speaker 1>and so by that time I'm you usually okay, but

0:30:01.960 --> 0:30:05.480
<v Speaker 1>I walk in, I walk into that building in the morning.

0:30:05.840 --> 0:30:09.640
<v Speaker 1>I'm not mean or rude. I just I'm just not

0:30:09.680 --> 0:30:13.840
<v Speaker 1>a morning person. And there aren't a lot of pleasantries exchanged.

0:30:14.720 --> 0:30:16.560
<v Speaker 1>Like I walk in, I walk to the microphone, and

0:30:16.560 --> 0:30:19.560
<v Speaker 1>I just start cutting liners and I think it's just

0:30:19.760 --> 0:30:25.560
<v Speaker 1>that's just understood right, like like I'm not angry. It

0:30:25.640 --> 0:30:28.000
<v Speaker 1>just takes me about an hour in that building before

0:30:28.040 --> 0:30:30.800
<v Speaker 1>I finally have the morning nous out of me. I

0:30:30.840 --> 0:30:33.920
<v Speaker 1>hate morning so much. I love doing the show. Like,

0:30:34.000 --> 0:30:35.600
<v Speaker 1>my favorite place to be in the whole world is

0:30:35.600 --> 0:30:37.360
<v Speaker 1>when that microphone is on and I'm in that studio.

0:30:37.760 --> 0:30:39.480
<v Speaker 1>That's my favorite place to beat. My second favorite place

0:30:39.480 --> 0:30:41.440
<v Speaker 1>to be is on stage doing stand up, but my

0:30:41.440 --> 0:30:44.040
<v Speaker 1>favorite place to be on the radio. And so once

0:30:44.040 --> 0:30:47.080
<v Speaker 1>the show starts, I mean, I'm on, I'm good. But

0:30:48.080 --> 0:30:51.080
<v Speaker 1>what is it when I when I come in, What's

0:30:51.280 --> 0:30:53.720
<v Speaker 1>what's the feeling like when I walk in? Is it

0:30:53.880 --> 0:30:59.360
<v Speaker 1>like right, relaxed? Dude? Is it because it's straight I

0:30:59.360 --> 0:31:00.720
<v Speaker 1>go straight to work. Theren't I don't go in and

0:31:00.760 --> 0:31:04.480
<v Speaker 1>say everybody, good morning. There's no good mornings. No, it's

0:31:04.480 --> 0:31:06.440
<v Speaker 1>just like you're there, it's time to work, time to

0:31:06.440 --> 0:31:09.200
<v Speaker 1>get stuff done. So we just go. You know, there's

0:31:09.200 --> 0:31:13.120
<v Speaker 1>not like hey, do you guys do haze like a

0:31:13.200 --> 0:31:14.960
<v Speaker 1>quick what's up? But even like then, if we don't

0:31:14.960 --> 0:31:16.720
<v Speaker 1>say anything, it's not like a big deal. We could

0:31:16.720 --> 0:31:20.040
<v Speaker 1>just walk in and start working. It's just yeah, and

0:31:20.080 --> 0:31:24.239
<v Speaker 1>it's probably listen, you all probably do that because I

0:31:24.320 --> 0:31:26.000
<v Speaker 1>do that. And if I came in and made a

0:31:26.000 --> 0:31:27.440
<v Speaker 1>big deal every day, I was like, oh my goodness,

0:31:27.440 --> 0:31:29.240
<v Speaker 1>as good as that's probably how we do it. I'm

0:31:29.240 --> 0:31:30.680
<v Speaker 1>not saying that's not a better way to do it,

0:31:30.680 --> 0:31:34.840
<v Speaker 1>but god, I am just um not a morning person

0:31:35.480 --> 0:31:37.920
<v Speaker 1>at all. I don't know how long I can do

0:31:38.400 --> 0:31:42.200
<v Speaker 1>the morning thing I got. I don't know. I don't.

0:31:42.240 --> 0:31:44.360
<v Speaker 1>Usually people tell you something like well, but then after

0:31:44.400 --> 0:31:45.920
<v Speaker 1>you have the whole day to do stuff, you know,

0:31:46.000 --> 0:31:50.160
<v Speaker 1>you're exhausted the whole day. You don't have the whole

0:31:50.200 --> 0:31:53.760
<v Speaker 1>day because you're exhausted. My days will go like this,

0:31:54.080 --> 0:31:57.120
<v Speaker 1>I will get up but three, I'll do the radio

0:31:57.120 --> 0:32:02.440
<v Speaker 1>show until whenever, um, and then I just have met

0:32:03.040 --> 0:32:05.880
<v Speaker 1>a hundred meetings. It's just meetings all the time, stupid meetings,

0:32:06.040 --> 0:32:09.760
<v Speaker 1>and then important meetings and meetings. I got new books

0:32:09.840 --> 0:32:15.200
<v Speaker 1>and radio stuff and research and um, I mean, what

0:32:15.320 --> 0:32:17.240
<v Speaker 1>time I've a spray tan in a bit? You know,

0:32:17.280 --> 0:32:20.920
<v Speaker 1>it's only that's really not that important. But and so

0:32:20.960 --> 0:32:22.880
<v Speaker 1>then I have to work out every day at three o'clock.

0:32:23.360 --> 0:32:25.880
<v Speaker 1>That's my one hour that I set aside to go

0:32:25.920 --> 0:32:27.560
<v Speaker 1>do that. And then I get home and I start

0:32:27.600 --> 0:32:30.040
<v Speaker 1>working on the show, and we set this little studio

0:32:30.120 --> 0:32:32.400
<v Speaker 1>up in here, and it's like, man, how awesome would

0:32:32.440 --> 0:32:34.160
<v Speaker 1>be to be able to do this at five o'clock

0:32:34.200 --> 0:32:37.480
<v Speaker 1>at night. But that's not where the listeners are. Everybody's

0:32:37.840 --> 0:32:40.560
<v Speaker 1>the listeners are in the morning. So but I love it.

0:32:40.600 --> 0:32:44.640
<v Speaker 1>Like once, I know some radio morning guys and I

0:32:44.680 --> 0:32:46.200
<v Speaker 1>wish I could do this. They just wake up and

0:32:46.200 --> 0:32:48.640
<v Speaker 1>go right there and do the show. There's wake up.

0:32:49.360 --> 0:32:52.000
<v Speaker 1>They trust everybody to have everything done and they walk

0:32:52.160 --> 0:32:54.400
<v Speaker 1>right into it and go all right, what are we

0:32:54.440 --> 0:32:59.000
<v Speaker 1>doing today? And that's it. That's it. I can't do that.

0:32:59.040 --> 0:33:03.040
<v Speaker 1>I'm such a control for Wereek, Like I I need

0:33:03.040 --> 0:33:05.160
<v Speaker 1>to have spent two and a half hours on it

0:33:05.240 --> 0:33:07.480
<v Speaker 1>the night before. I need to have read every news story.

0:33:07.920 --> 0:33:10.040
<v Speaker 1>I need to wake up. I have a grid on

0:33:10.120 --> 0:33:13.120
<v Speaker 1>my computer and I put down that. I mean, every

0:33:13.120 --> 0:33:15.920
<v Speaker 1>single segment I put in and we rarely stay on,

0:33:16.920 --> 0:33:19.240
<v Speaker 1>but I probably have enough prepared for two shows every

0:33:19.240 --> 0:33:22.160
<v Speaker 1>single day in case something doesn't go right, but I can't.

0:33:23.920 --> 0:33:25.400
<v Speaker 1>I always thought I want to be one of those

0:33:25.400 --> 0:33:28.200
<v Speaker 1>guys because I admire the fact that they can do

0:33:28.240 --> 0:33:30.280
<v Speaker 1>that and still do a successful show, because I mean,

0:33:30.360 --> 0:33:33.520
<v Speaker 1>they've also hired really good people and they maintain ratings

0:33:33.560 --> 0:33:35.800
<v Speaker 1>and but you know, like the late night hosts, that's

0:33:35.840 --> 0:33:38.400
<v Speaker 1>what they do for the most part. They have writers

0:33:38.440 --> 0:33:40.959
<v Speaker 1>and they walk in and go, all right, what are

0:33:40.960 --> 0:33:42.760
<v Speaker 1>we doing? And they tell him what to do and

0:33:43.080 --> 0:33:46.120
<v Speaker 1>that's it. They go, I'm but I still run my

0:33:46.120 --> 0:33:48.720
<v Speaker 1>own board too, which a lot of shows don't do.

0:33:48.840 --> 0:33:51.520
<v Speaker 1>And again it's not it's just because I'm weird and

0:33:51.560 --> 0:33:55.320
<v Speaker 1>I'm scared. If somebody else pushes a button, I guess

0:33:55.360 --> 0:33:59.640
<v Speaker 1>the building burns down or something. So, uh, there's that.

0:34:01.240 --> 0:34:04.040
<v Speaker 1>I wrote some stuff down to talk about in this podcast,

0:34:04.080 --> 0:34:06.000
<v Speaker 1>but I guess I'm not keeping it. I was just

0:34:05.960 --> 0:34:09.719
<v Speaker 1>talking about Justin Bieber's winer and Orlando Bloom's winer. They

0:34:09.760 --> 0:34:13.759
<v Speaker 1>were they had pictures where they were. Orlando Bloom was

0:34:13.760 --> 0:34:16.160
<v Speaker 1>with Katie Perry and they were on like a paddle

0:34:16.160 --> 0:34:19.160
<v Speaker 1>board and Justin Bieber was in Hawaii. I think they

0:34:19.200 --> 0:34:23.480
<v Speaker 1>were both butt naked and like the winners were out.

0:34:24.160 --> 0:34:26.719
<v Speaker 1>Don't you look at them? I think I saw Did

0:34:26.719 --> 0:34:28.319
<v Speaker 1>you see that? Did you look at the Blacktown win

0:34:28.360 --> 0:34:32.040
<v Speaker 1>or did you search for the real winer? Yeah? I saw, Listen,

0:34:32.120 --> 0:34:39.000
<v Speaker 1>I saw. I'm curious about them, Like I'm not into guys, um,

0:34:39.040 --> 0:34:41.960
<v Speaker 1>but I'm always curious because I don't let guys lie

0:34:42.000 --> 0:34:45.200
<v Speaker 1>to you because for a guy to say, yeah, I'm

0:34:45.200 --> 0:34:48.520
<v Speaker 1>not curious what another guy's got down there, they're lying

0:34:49.400 --> 0:34:51.160
<v Speaker 1>like we're all it's like I wonder how much that

0:34:51.239 --> 0:34:54.640
<v Speaker 1>person makes. It's the same thing like I wonder how

0:34:54.719 --> 0:34:57.200
<v Speaker 1>much money he makes to doing that job. That's how

0:34:57.239 --> 0:34:59.839
<v Speaker 1>this guys feel like, oh man, I wonder what he's

0:34:59.840 --> 0:35:02.840
<v Speaker 1>got down there. And also you want to if you

0:35:02.840 --> 0:35:04.440
<v Speaker 1>have a girlfriend, always want to know, like if you

0:35:04.480 --> 0:35:06.520
<v Speaker 1>can know like the like the last guy they dated

0:35:07.000 --> 0:35:09.640
<v Speaker 1>and what they had down there, that'd probably a good

0:35:10.360 --> 0:35:13.840
<v Speaker 1>little meter two because when you know how hard you

0:35:13.840 --> 0:35:17.759
<v Speaker 1>had to work afterward or if it was even worth it.

0:35:17.800 --> 0:35:20.520
<v Speaker 1>Does he stopped looking the the leather. My dog is

0:35:20.520 --> 0:35:23.560
<v Speaker 1>a leather thing when he just licks leather all the time.

0:35:24.400 --> 0:35:26.960
<v Speaker 1>So I was gonna do a whole thing on Beaver

0:35:27.200 --> 0:35:31.760
<v Speaker 1>and Orlando Wims Winers and how it's basically like us wondering,

0:35:32.640 --> 0:35:35.919
<v Speaker 1>Like if Shaq were peeing beside me, I would look, yeah,

0:35:36.000 --> 0:35:37.920
<v Speaker 1>no doubt, and like I would look, and I would

0:35:37.920 --> 0:35:41.920
<v Speaker 1>look down quickly, but I would look because I was

0:35:42.000 --> 0:35:46.359
<v Speaker 1>for science. I always say I'd be cure, I'd be curious. Um.

0:35:46.400 --> 0:35:50.879
<v Speaker 1>But again it's just the same thing as science. I'm

0:35:50.920 --> 0:35:55.160
<v Speaker 1>wondering how much like I don't know how much Charlemagne

0:35:55.200 --> 0:35:59.399
<v Speaker 1>makes no idea, be curious to know? An take a peek.

0:35:59.640 --> 0:36:01.719
<v Speaker 1>If I if this contract were in front of me

0:36:03.280 --> 0:36:05.239
<v Speaker 1>and there was an option of it being blacked out

0:36:06.200 --> 0:36:08.520
<v Speaker 1>or not, I click on the knot and I want

0:36:08.520 --> 0:36:13.000
<v Speaker 1>to see. And just because I want to know. In comparison,

0:36:13.560 --> 0:36:16.719
<v Speaker 1>if Ryan secret contract or laying in front again, I think,

0:36:16.800 --> 0:36:19.840
<v Speaker 1>look this if they look so, yeah, I looked, I

0:36:19.880 --> 0:36:22.719
<v Speaker 1>definitely clicked on that. I gotta hacked or someone tried

0:36:22.719 --> 0:36:24.200
<v Speaker 1>to hang my Apple account. So I got locked at

0:36:24.239 --> 0:36:27.840
<v Speaker 1>an email for a whole day, and so I couldn't

0:36:27.880 --> 0:36:31.799
<v Speaker 1>log into my computer or my email or my any

0:36:31.840 --> 0:36:35.879
<v Speaker 1>of my Apple I D stuff, And so I called

0:36:35.880 --> 0:36:38.080
<v Speaker 1>Apple and they were like, okay, someone tried to long

0:36:38.120 --> 0:36:40.160
<v Speaker 1>into you account multiple times. So someone tried to hack

0:36:40.200 --> 0:36:42.279
<v Speaker 1>my account and they couldn't get my password because my

0:36:42.280 --> 0:36:47.799
<v Speaker 1>passwords crazy. It's like, you know, hippopotamus likes I have

0:36:47.880 --> 0:36:50.880
<v Speaker 1>nuts passwords, and so they couldn't get into my password,

0:36:50.880 --> 0:36:52.799
<v Speaker 1>but they tried so many times they're just locked it down.

0:36:53.640 --> 0:36:56.120
<v Speaker 1>And so I called Apple, which, by the way, to

0:36:56.120 --> 0:36:58.800
<v Speaker 1>be such a big company, great customer service at Apple.

0:36:59.120 --> 0:37:00.560
<v Speaker 1>Like I got on the phone with the guy and

0:37:00.600 --> 0:37:02.400
<v Speaker 1>he was like, hey, man, how's your day going. I

0:37:02.480 --> 0:37:04.360
<v Speaker 1>was like great. I was like, I got a problem.

0:37:04.560 --> 0:37:06.080
<v Speaker 1>We're talked about the problem. But he was like, you

0:37:06.160 --> 0:37:07.640
<v Speaker 1>got we got a family. How are they I'm like no,

0:37:07.800 --> 0:37:09.480
<v Speaker 1>but thanks for asking. You know. It was a whole thing.

0:37:09.920 --> 0:37:12.200
<v Speaker 1>And so we go through and he goes, it's gonna

0:37:12.200 --> 0:37:14.400
<v Speaker 1>be twenty four hours before you can get in. So

0:37:14.480 --> 0:37:18.320
<v Speaker 1>they send you a link with at exactly twenty four hours,

0:37:18.360 --> 0:37:20.239
<v Speaker 1>and then you only have three hours to activate it

0:37:20.280 --> 0:37:23.360
<v Speaker 1>because then the link dies. So it's super efficient. Boom.

0:37:23.400 --> 0:37:25.719
<v Speaker 1>I got it logged back in, but and then all

0:37:25.760 --> 0:37:28.759
<v Speaker 1>my emails like like a hundred all at once, but

0:37:28.800 --> 0:37:31.000
<v Speaker 1>I got like hacked over the weekend. The weird thing

0:37:31.040 --> 0:37:33.400
<v Speaker 1>about it is they ask you security questions. But I

0:37:33.400 --> 0:37:35.839
<v Speaker 1>set up my security questions like eight or nine years

0:37:35.840 --> 0:37:38.480
<v Speaker 1>ago when I first set up my Mac, my Apple

0:37:38.520 --> 0:37:41.520
<v Speaker 1>account on my first Mac, and it was like one

0:37:41.560 --> 0:37:44.120
<v Speaker 1>and I posted a question on Twitter. They asked me

0:37:44.560 --> 0:37:49.480
<v Speaker 1>on January one, two thousand, what were you doing? I

0:37:49.520 --> 0:37:54.160
<v Speaker 1>have no idea or I don't. I have no I

0:37:54.200 --> 0:37:59.719
<v Speaker 1>was like at New Year's parties enter nope, apparently I

0:37:59.800 --> 0:38:05.200
<v Speaker 1>was master no and like none of it works. Yeah,

0:38:05.360 --> 0:38:07.120
<v Speaker 1>none of it worked. And so I didn't even know

0:38:07.239 --> 0:38:10.160
<v Speaker 1>my security questions. So that's why I ended up calling

0:38:10.200 --> 0:38:14.040
<v Speaker 1>Apple and they were like, who was your best friend's sister?

0:38:14.640 --> 0:38:17.040
<v Speaker 1>And I was like, well, it was weird because you

0:38:17.080 --> 0:38:19.440
<v Speaker 1>set up those security questions from eight years ago. It's

0:38:19.480 --> 0:38:23.279
<v Speaker 1>completely different. Um. So that happened this weekend as we

0:38:23.280 --> 0:38:28.600
<v Speaker 1>were on the road going to um Fort Wayne, UM,

0:38:28.680 --> 0:38:31.080
<v Speaker 1>and I guess that's that's that's pretty much it. Hopefully

0:38:31.120 --> 0:38:33.920
<v Speaker 1>this thing works. This is our first real, like decently

0:38:33.960 --> 0:38:36.560
<v Speaker 1>long episode. UM. If you're listening to this, you can

0:38:36.560 --> 0:38:39.239
<v Speaker 1>send me a tweet let me know, Uh, just in

0:38:39.280 --> 0:38:41.400
<v Speaker 1>the suit, just go Just in the suit will call me.

0:38:42.520 --> 0:38:44.440
<v Speaker 1>Like when I I don't like talking on the phone,

0:38:45.160 --> 0:38:47.720
<v Speaker 1>I like the text or FaceTime. I like to talk

0:38:48.320 --> 0:38:51.040
<v Speaker 1>and just in the suit who by the way, I

0:38:51.080 --> 0:38:53.439
<v Speaker 1>like as a person a lot. But he called every

0:38:53.440 --> 0:38:56.600
<v Speaker 1>time and he'll be like, hey, Bud, how are you

0:38:56.600 --> 0:39:01.120
<v Speaker 1>doing my good man? We're talking fifteen minutes ago. What's up? No,

0:39:01.440 --> 0:39:04.520
<v Speaker 1>just hear it work and then go and go with you. Yeah,

0:39:05.040 --> 0:39:07.640
<v Speaker 1>like to Golet's get to the point it is going

0:39:07.680 --> 0:39:10.919
<v Speaker 1>good with me. What's up? You know, just happened another day?

0:39:11.280 --> 0:39:14.640
<v Speaker 1>Just you know, things are come on. Get to the

0:39:14.680 --> 0:39:18.640
<v Speaker 1>point about minute happen to It'll be like, okay, so listen, buddy,

0:39:18.719 --> 0:39:21.440
<v Speaker 1>we got a sound check tomorrow at five o'clock. We

0:39:21.520 --> 0:39:23.640
<v Speaker 1>go with that. Yep, okay, cool, talk to you later.

0:39:24.120 --> 0:39:26.600
<v Speaker 1>Like we go to eight percent of time wasted to

0:39:26.680 --> 0:39:30.080
<v Speaker 1>get to one question. I have friends I work with,

0:39:30.239 --> 0:39:35.000
<v Speaker 1>like I call. It's like, it's not My tone can

0:39:35.080 --> 0:39:37.520
<v Speaker 1>come off as rude sometimes, especially in an email, because

0:39:37.520 --> 0:39:41.000
<v Speaker 1>it's just like so direct like to, but man, I

0:39:41.120 --> 0:39:46.440
<v Speaker 1>do not need the the pleasant tries, especially if it's

0:39:46.440 --> 0:39:48.080
<v Speaker 1>about work stuff Like I have friends and I talked too,

0:39:48.120 --> 0:39:50.200
<v Speaker 1>and I'm like, dude, what's happening now? You've been what's

0:39:50.200 --> 0:39:52.399
<v Speaker 1>what's going on with your life? But when he calls

0:39:52.480 --> 0:39:53.840
<v Speaker 1>you four times in one day, and every one of

0:39:53.880 --> 0:39:56.279
<v Speaker 1>them is like, hey, buddy, how you doing well this

0:39:56.400 --> 0:39:58.040
<v Speaker 1>I'm doing what I'm doing like an hour ago, Like

0:39:58.920 --> 0:40:02.080
<v Speaker 1>I'm fine, just got just working out. I hate the gym,

0:40:02.239 --> 0:40:06.279
<v Speaker 1>but I'm good, which, by the way, I mentioned I

0:40:06.280 --> 0:40:09.000
<v Speaker 1>work out from three to four every day most days

0:40:09.040 --> 0:40:13.680
<v Speaker 1>if I'm not on the road, but like I don't.

0:40:13.800 --> 0:40:18.240
<v Speaker 1>I hate exercising, and that you lost over a hundred

0:40:18.239 --> 0:40:20.680
<v Speaker 1>pounds of mic So have you found an enjoyment and

0:40:20.760 --> 0:40:24.080
<v Speaker 1>exercising or no? A little bit like running sometimes it's

0:40:24.160 --> 0:40:27.319
<v Speaker 1>kind of like I cleared my head a little bit,

0:40:27.400 --> 0:40:29.920
<v Speaker 1>but like the process of getting ready to go, it's

0:40:29.920 --> 0:40:31.320
<v Speaker 1>like this is terrible. I don't want to do this.

0:40:32.080 --> 0:40:34.000
<v Speaker 1>I hate all of it. I have a trainer that

0:40:34.080 --> 0:40:37.080
<v Speaker 1>I really like and so that I could call him

0:40:37.080 --> 0:40:40.879
<v Speaker 1>major Pain and I really enjoy him. But I hate

0:40:40.920 --> 0:40:43.160
<v Speaker 1>working out like all the time. And if I didn't

0:40:43.200 --> 0:40:46.480
<v Speaker 1>have a job that's somewhat depended on my image, I

0:40:46.560 --> 0:40:49.799
<v Speaker 1>probably wouldn't. I would just go man or maybe if

0:40:49.800 --> 0:40:52.200
<v Speaker 1>I had, if I get a why a girlfriend, like

0:40:52.320 --> 0:40:54.720
<v Speaker 1>I still feel like I gotta be at peak shape,

0:40:55.040 --> 0:40:58.160
<v Speaker 1>especially for my company, like they use me and a

0:40:58.239 --> 0:41:01.440
<v Speaker 1>lot of things visually, and I know that, and I

0:41:01.560 --> 0:41:03.879
<v Speaker 1>know that's part of my job, and so I take

0:41:03.960 --> 0:41:06.560
<v Speaker 1>that seriously. So I try to stay in good shape.

0:41:06.960 --> 0:41:10.359
<v Speaker 1>It's definitely not for any other reason because I hate exercising.

0:41:10.760 --> 0:41:12.680
<v Speaker 1>There's never a time where I'm like, sure, do you

0:41:12.719 --> 0:41:15.800
<v Speaker 1>feel like exercising? Never. Never, It's like waking up in

0:41:15.800 --> 0:41:17.120
<v Speaker 1>the morning for the show. I never wake up at

0:41:17.120 --> 0:41:20.880
<v Speaker 1>three o'clock and go, what a beautiful day. Let's because never,

0:41:22.000 --> 0:41:23.520
<v Speaker 1>but I do it. But I don't even feel bad

0:41:23.600 --> 0:41:28.120
<v Speaker 1>for me who. I feel bad for our females, especially

0:41:28.200 --> 0:41:31.680
<v Speaker 1>once because I have friends females that are in country

0:41:31.800 --> 0:41:34.840
<v Speaker 1>music or just females that are in public period, Like

0:41:34.960 --> 0:41:38.719
<v Speaker 1>they have such a harder expectation on them. Like if

0:41:38.719 --> 0:41:41.080
<v Speaker 1>you don't have a flat stomach and you're a female,

0:41:41.200 --> 0:41:43.800
<v Speaker 1>people are like, oh I saw in TMZ it was

0:41:43.880 --> 0:41:47.279
<v Speaker 1>like maybe Lindsay Lohan. It was like, what is it

0:41:47.480 --> 0:41:51.720
<v Speaker 1>a baby or a burrito for lunch? And it's like, dang,

0:41:53.000 --> 0:41:54.600
<v Speaker 1>Like I think I got it bad. But I can

0:41:54.640 --> 0:41:58.960
<v Speaker 1>put on a few pounds and it's fine. But females, man,

0:41:58.960 --> 0:42:00.840
<v Speaker 1>you guys have a rough I felt feel bad for you,

0:42:01.120 --> 0:42:02.640
<v Speaker 1>Like if you don't have a tight stomach and your

0:42:02.680 --> 0:42:05.680
<v Speaker 1>female people be like, no, they ain't gonna work. Look

0:42:05.680 --> 0:42:11.080
<v Speaker 1>at her, look at her, but let's see you email me. Oh,

0:42:11.320 --> 0:42:14.400
<v Speaker 1>check it out. We're announcing another show, a big show tomorrow,

0:42:14.719 --> 0:42:19.200
<v Speaker 1>a raging idiot show at a football stadium. Yeah. Yeah,

0:42:19.560 --> 0:42:21.120
<v Speaker 1>I can't say who it is yet. They just send

0:42:21.160 --> 0:42:25.280
<v Speaker 1>me the graphic for it. Um, you're playing football stame

0:42:25.320 --> 0:42:33.040
<v Speaker 1>before Um, I get uh. We played after an Arkansas

0:42:33.160 --> 0:42:35.520
<v Speaker 1>Razorback game right outside the stadium, and I guess this

0:42:35.640 --> 0:42:38.160
<v Speaker 1>isn't in the stadium. I can't say where it is.

0:42:38.200 --> 0:42:42.800
<v Speaker 1>I just say it's ah mm hmm. I can't. I

0:42:42.800 --> 0:42:45.080
<v Speaker 1>don't want get in trouble. But we're playing with a

0:42:45.120 --> 0:42:48.879
<v Speaker 1>couple of big artists. And so the last time Brad

0:42:48.920 --> 0:42:51.319
<v Speaker 1>Paisley had his open for him for two shows, one

0:42:51.400 --> 0:42:57.160
<v Speaker 1>of Baylor before a game and then one after the

0:42:57.280 --> 0:42:59.840
<v Speaker 1>Razor Arkansas razorback game. So we opened for Brad Paisley

0:42:59.880 --> 0:43:03.279
<v Speaker 1>two shows and I'm a die hard Razorback fan. And

0:43:03.320 --> 0:43:05.520
<v Speaker 1>they lost the game. We had to play after the show.

0:43:05.719 --> 0:43:08.560
<v Speaker 1>It was awful. I don't want to be there. I

0:43:08.880 --> 0:43:11.200
<v Speaker 1>don't want to play. I was mad because we lost

0:43:11.239 --> 0:43:14.000
<v Speaker 1>the game. It was just not good. But this one

0:43:14.160 --> 0:43:16.480
<v Speaker 1>is now that I'm looking at it, it's the night

0:43:16.600 --> 0:43:20.360
<v Speaker 1>before the game and there are two major country artists

0:43:20.440 --> 0:43:22.480
<v Speaker 1>and us playing. I don't know why they. I mean,

0:43:22.480 --> 0:43:25.359
<v Speaker 1>they put us on this stuff because people listen. I'll

0:43:25.360 --> 0:43:27.719
<v Speaker 1>say this about our shows now, they're fun. We've gotten

0:43:27.760 --> 0:43:29.359
<v Speaker 1>a lot better. We have a good band with us too,

0:43:29.440 --> 0:43:31.160
<v Speaker 1>Like we have a great band that plays with us,

0:43:31.640 --> 0:43:34.080
<v Speaker 1>and they're fun. Like when we go into Peaches by

0:43:34.080 --> 0:43:37.400
<v Speaker 1>the President's people are like, man, did I talk about this?

0:43:38.520 --> 0:43:42.000
<v Speaker 1>Ye who? People think we wrote the song times people

0:43:42.080 --> 0:43:43.600
<v Speaker 1>people haven't heard it before. They'll be like, hey, do

0:43:43.640 --> 0:43:46.239
<v Speaker 1>you guys put that Peaches on because it's so dumb,

0:43:46.320 --> 0:43:48.560
<v Speaker 1>it's so old, and so if you're young and you

0:43:48.600 --> 0:43:50.520
<v Speaker 1>don't know Peaches about the President of the United States

0:43:50.560 --> 0:43:53.040
<v Speaker 1>of America, you're like. People are like, oh, that Pezza

0:43:53.040 --> 0:43:55.560
<v Speaker 1>sounds really good. You guys are a good one. They're like, now,

0:43:55.600 --> 0:43:57.680
<v Speaker 1>we didn't write that, but we'll play stuff like this.

0:43:58.760 --> 0:44:03.960
<v Speaker 1>It just you and we have our songs. We play

0:44:04.040 --> 0:44:06.640
<v Speaker 1>like six of our songs maybe, and then we play

0:44:06.719 --> 0:44:10.800
<v Speaker 1>like eight or nine covers and some comedy songs, you know,

0:44:10.840 --> 0:44:13.239
<v Speaker 1>that kind of stuff. During the show, move into the

0:44:13.360 --> 0:44:18.080
<v Speaker 1>country gonna eat a lot of peaches. I'm moving into

0:44:18.280 --> 0:44:22.440
<v Speaker 1>the country, Gonna eat me a lot of peaches. I'm

0:44:22.480 --> 0:44:26.640
<v Speaker 1>moving into the country, gonna eat a lot of peaches.

0:44:27.520 --> 0:44:34.160
<v Speaker 1>Move into the country. I'm gonna eat a lot of peaches. Come.

0:44:35.680 --> 0:44:38.279
<v Speaker 1>We played that, and half the crowds like, yeah, half

0:44:38.320 --> 0:44:41.759
<v Speaker 1>you guys like what's happening? But I'm looking at it.

0:44:42.040 --> 0:44:46.560
<v Speaker 1>We're playing Guitarbeque on Wednesday, and um, I don't know

0:44:46.560 --> 0:44:48.400
<v Speaker 1>when you're gonna hear this. We're recording this on the

0:44:48.560 --> 0:44:51.640
<v Speaker 1>August eighth, which is is today Monday, Monday, Monday Night.

0:44:51.640 --> 0:44:55.239
<v Speaker 1>We play Wednesday Night at Guitarbecue, and the order of

0:44:55.360 --> 0:45:01.080
<v Speaker 1>performers is Chris Lane, then Brandy Clark, then John Party,

0:45:01.760 --> 0:45:04.920
<v Speaker 1>then Us the Raging Idiots, then Dustin Lynch and then

0:45:05.440 --> 0:45:07.719
<v Speaker 1>keep more in that order. So we're kind of in

0:45:07.800 --> 0:45:11.320
<v Speaker 1>the middleish to back end of it. Um. So we

0:45:11.400 --> 0:45:14.279
<v Speaker 1>have a night spot, which is good. Um, and so

0:45:15.520 --> 0:45:17.759
<v Speaker 1>we're probably play peaches. I'm looking to just set us now.

0:45:18.400 --> 0:45:21.719
<v Speaker 1>But here's thing artists gets so like they they think

0:45:21.719 --> 0:45:23.960
<v Speaker 1>if they cover a song, or they cover too many songs,

0:45:24.560 --> 0:45:27.600
<v Speaker 1>that crowds won't take them seriously. Like crowds love it

0:45:27.640 --> 0:45:31.799
<v Speaker 1>when artists cover songs and maybe artists like one cover.

0:45:32.280 --> 0:45:34.960
<v Speaker 1>Sometimes artists want to play covers on our show. But

0:45:35.400 --> 0:45:38.600
<v Speaker 1>like people love to hear songs they know, unless it's

0:45:38.640 --> 0:45:41.520
<v Speaker 1>your favorite artist. We like to hear songs we know,

0:45:42.040 --> 0:45:44.320
<v Speaker 1>like from the radio, Like if there's some new artists

0:45:44.360 --> 0:45:46.200
<v Speaker 1>out and it's like, okay, like I like to hear

0:45:46.239 --> 0:45:47.759
<v Speaker 1>I want to hear you do Peaches. Maybe I mean

0:45:47.800 --> 0:45:49.200
<v Speaker 1>hear you do Peaches and then if you go to that,

0:45:49.440 --> 0:45:52.480
<v Speaker 1>listen to your other stuff. But artists hate doing covers.

0:45:52.880 --> 0:45:54.719
<v Speaker 1>One in particular was like I don't do covers, and

0:45:54.760 --> 0:45:57.920
<v Speaker 1>I was like, interesting, Okay, well we'll see and seeing

0:45:58.200 --> 0:46:01.440
<v Speaker 1>a couple months, I guess because we had this segment

0:46:01.600 --> 0:46:03.400
<v Speaker 1>plan where we where we do a cover and then

0:46:03.440 --> 0:46:08.800
<v Speaker 1>then an original. But no, I like, um, this is

0:46:08.840 --> 0:46:11.600
<v Speaker 1>my email going off. I like it when artists doo covers.

0:46:11.640 --> 0:46:13.200
<v Speaker 1>But if you ever come to Raging Idians show, like

0:46:13.239 --> 0:46:15.560
<v Speaker 1>we're not real anyway, but we have like five or

0:46:15.600 --> 0:46:17.239
<v Speaker 1>six songs that we we play when I grow up.

0:46:17.280 --> 0:46:21.960
<v Speaker 1>Every day is a good day, uh Starbucks. But then

0:46:22.480 --> 0:46:24.360
<v Speaker 1>we just play our favorite songs to cover our favorite

0:46:24.400 --> 0:46:26.440
<v Speaker 1>songs and then we'll bring someone like you know, we

0:46:26.520 --> 0:46:28.120
<v Speaker 1>had Lindsay yelled with us, which she hadn't played with

0:46:28.200 --> 0:46:30.440
<v Speaker 1>us in a long time, and so we're lucky enough

0:46:30.440 --> 0:46:33.000
<v Speaker 1>to get her to come out and um open up

0:46:33.040 --> 0:46:36.120
<v Speaker 1>the show. And then we also let them do some

0:46:36.200 --> 0:46:39.680
<v Speaker 1>of their favorite stuff too. It's a total self serving show,

0:46:39.800 --> 0:46:42.279
<v Speaker 1>like we just play our favorite songs. But Lindsay has

0:46:42.320 --> 0:46:44.879
<v Speaker 1>a song called all all Right, which is not even

0:46:45.040 --> 0:46:46.640
<v Speaker 1>out like yeah, I mean, I think you can download

0:46:46.640 --> 0:46:48.879
<v Speaker 1>the version at the operation maybe, but it's not even

0:46:49.000 --> 0:46:51.759
<v Speaker 1>like out as a record song. But it's so good

0:46:52.840 --> 0:46:55.279
<v Speaker 1>it's like I can't get out of It's like, uh,

0:46:56.200 --> 0:47:13.800
<v Speaker 1>all right, up, all right, all right? Times long games,

0:47:14.239 --> 0:47:16.960
<v Speaker 1>it's hard to tell and I can't tell when the

0:47:17.040 --> 0:47:25.279
<v Speaker 1>school and get better times. Oh I need to do

0:47:25.760 --> 0:47:28.880
<v Speaker 1>is look at you and you're begging hair face itself.

0:47:29.719 --> 0:47:32.640
<v Speaker 1>We can make money to do last forever if we

0:47:32.800 --> 0:47:36.560
<v Speaker 1>go broke and go broke together. If you're with me, baby,

0:47:36.680 --> 0:47:40.960
<v Speaker 1>it's gonna be all right. We can make play on

0:47:41.080 --> 0:47:44.600
<v Speaker 1>the change on the diamond up somewhere we didn't have mine.

0:47:44.840 --> 0:47:47.359
<v Speaker 1>Could you win me in the front seat. It's gonna

0:47:47.440 --> 0:47:52.879
<v Speaker 1>leave all right. So that's a live version too, that's

0:47:52.920 --> 0:47:55.239
<v Speaker 1>not even a studio version. That's we're playing live at

0:47:55.239 --> 0:47:58.399
<v Speaker 1>the operating so that's no bells and whistles just like there.

0:47:58.400 --> 0:48:01.640
<v Speaker 1>It is live and you played with us. Um, So

0:48:03.000 --> 0:48:05.400
<v Speaker 1>I think that's what we're freak gonna wrap. Now what

0:48:05.520 --> 0:48:07.279
<v Speaker 1>does this thing hold? Like? What's if we were going

0:48:07.320 --> 0:48:08.759
<v Speaker 1>to do a long one? What would be the long

0:48:08.800 --> 0:48:12.080
<v Speaker 1>as we could do? Really? What are we at now?

0:48:13.960 --> 0:48:17.920
<v Speaker 1>This is episode one? We're gonna call it here? What

0:48:18.040 --> 0:48:21.160
<v Speaker 1>did you learn today? And Mike, I learned that if

0:48:21.200 --> 0:48:24.560
<v Speaker 1>there's a celebrity next to you using the restroom, not

0:48:24.719 --> 0:48:27.759
<v Speaker 1>any celebrity, if you're average, if you're average size, I'm

0:48:27.800 --> 0:48:29.959
<v Speaker 1>not gonna look down. If there's a picture on the internet,

0:48:29.960 --> 0:48:32.279
<v Speaker 1>I'm gonna look if it's out there. But they're butt

0:48:32.360 --> 0:48:34.240
<v Speaker 1>naking their celebrities that are in public, like what you expect.

0:48:34.239 --> 0:48:36.440
<v Speaker 1>You can get a picture taken. I'm not gonna look

0:48:36.440 --> 0:48:38.200
<v Speaker 1>down at everybody's wener like I'm not. But I'm saying,

0:48:38.200 --> 0:48:40.040
<v Speaker 1>if Shack, we're standing next to me at seven pital,

0:48:40.280 --> 0:48:43.680
<v Speaker 1>I'm curious, um, and these pictures were out, they were

0:48:43.719 --> 0:48:47.120
<v Speaker 1>in public. I feel bad for Justin Bieber though, like

0:48:47.560 --> 0:48:50.080
<v Speaker 1>people like jes Aeper doesn't even know what it's like

0:48:50.080 --> 0:48:52.719
<v Speaker 1>to be a normal human. He just doesn't know what

0:48:52.840 --> 0:48:55.960
<v Speaker 1>it's like royalty. It's easy to go, well, they're rich,

0:48:56.080 --> 0:49:00.000
<v Speaker 1>you it's life's easy for them. But in their minds

0:49:00.040 --> 0:49:02.359
<v Speaker 1>and they're not really that rich. They've always been this way.

0:49:02.520 --> 0:49:05.200
<v Speaker 1>It's like us, we've always been this way. Then people

0:49:05.200 --> 0:49:07.239
<v Speaker 1>in third world countries could look at us and go, oh,

0:49:07.400 --> 0:49:10.680
<v Speaker 1>that's rich. It's all. There's always perspective. And Justin Bieber

0:49:10.719 --> 0:49:15.200
<v Speaker 1>been famous and he was like twelve and has all

0:49:15.239 --> 0:49:20.160
<v Speaker 1>this time and all this money, and nobody really tell

0:49:20.239 --> 0:49:23.360
<v Speaker 1>him right and wrong, and he's had some struggles, and

0:49:23.440 --> 0:49:24.920
<v Speaker 1>I look at it and I'm like, man, there's just

0:49:25.000 --> 0:49:27.520
<v Speaker 1>nobody to send him in the right direction. I feel

0:49:27.560 --> 0:49:29.480
<v Speaker 1>bad for him. I was looking at the pictures of

0:49:29.600 --> 0:49:31.440
<v Speaker 1>him and a bunch of models in Hawaiian. Somehow it's

0:49:31.440 --> 0:49:33.879
<v Speaker 1>feeling bad for him because you just have a bunch

0:49:33.920 --> 0:49:36.920
<v Speaker 1>of time to kill a bunch of money, and it

0:49:36.960 --> 0:49:39.000
<v Speaker 1>sounds great to someone like us. To me doesn't sound

0:49:39.000 --> 0:49:40.520
<v Speaker 1>great at all, Like I need a regiment, I need

0:49:40.560 --> 0:49:43.600
<v Speaker 1>to work, I need to be on. But most people

0:49:43.600 --> 0:49:45.520
<v Speaker 1>don't feel sorry for Justin Bieber because he's got money.

0:49:45.719 --> 0:49:47.359
<v Speaker 1>I'm a type for someone who grew up not having

0:49:47.400 --> 0:49:50.160
<v Speaker 1>any money at all, like major broke too. Now I

0:49:50.239 --> 0:49:53.440
<v Speaker 1>do pretty well, like whatever, You're still the same person,

0:49:54.120 --> 0:49:57.360
<v Speaker 1>Like you still say very than you can buy shining

0:49:57.400 --> 0:49:58.680
<v Speaker 1>your things, and you can make sure your dog get

0:49:58.760 --> 0:50:01.560
<v Speaker 1>better dog food. But even then it doesn't only matter

0:50:01.680 --> 0:50:06.359
<v Speaker 1>that much. I'm no happier now than I was ten

0:50:06.440 --> 0:50:09.600
<v Speaker 1>years ago. You just find a different place to put it.

0:50:10.320 --> 0:50:14.840
<v Speaker 1>But one day she'll come along. She will. Okay, that's it.

0:50:16.080 --> 0:50:17.560
<v Speaker 1>I'll leave you with a little something here, little something

0:50:17.560 --> 0:50:20.359
<v Speaker 1>I'm working on. I didn't know Mike was gonna put

0:50:20.440 --> 0:50:24.479
<v Speaker 1>this um up here, but we have this kid's record

0:50:24.560 --> 0:50:29.040
<v Speaker 1>coming out there now, I'll we talked about later. But

0:50:29.160 --> 0:50:33.680
<v Speaker 1>when I'm working on, like secretly is the the secret mixtape,

0:50:34.000 --> 0:50:37.160
<v Speaker 1>the hip hop mix tape, Super Secret Mixtape, And so

0:50:37.400 --> 0:50:41.920
<v Speaker 1>it's just a bunch of hip hop songs and my

0:50:42.160 --> 0:50:45.680
<v Speaker 1>old hip hop name with Captain Caucasian and so I've

0:50:45.719 --> 0:50:47.239
<v Speaker 1>been bringing him out. I'm gonna give you a little

0:50:47.280 --> 0:50:50.000
<v Speaker 1>bit of a pizza song, this pizza song rap part

0:50:50.040 --> 0:50:51.319
<v Speaker 1>of the mix tape coming out. I'm just gonna give

0:50:51.320 --> 0:50:55.920
<v Speaker 1>you a little bit here. Pizza, Pizza, Pizza, Rachel Pizza

0:50:55.960 --> 0:51:01.680
<v Speaker 1>in the air. Do you're here? Enough edge down dropping.

0:51:01.760 --> 0:51:05.279
<v Speaker 1>Here's a comprehensive list of all my pizza topings. I

0:51:05.400 --> 0:51:09.480
<v Speaker 1>like Eperoni, Ham So Jesus was Fami hamp My Sauss

0:51:09.520 --> 0:51:13.400
<v Speaker 1>and clown Man Torch, Michaels and win Well Baking and Fetter.

0:51:13.560 --> 0:51:16.120
<v Speaker 1>You know it doesn't get better. I like the ham

0:51:16.200 --> 0:51:19.000
<v Speaker 1>and the Cheddar, the Ninja Turtles, Hey shrid up, Hey

0:51:19.080 --> 0:51:22.000
<v Speaker 1>who Ninni you wini come on a bee me zucchini

0:51:22.200 --> 0:51:25.840
<v Speaker 1>up in my red Lamborghinis. Just kidding. I can't afford that.

0:51:26.200 --> 0:51:28.880
<v Speaker 1>I like pizza. I like pizza all in your mom.

0:51:29.600 --> 0:51:32.400
<v Speaker 1>I like pizza. I like pizza Lord and my prom.

0:51:33.080 --> 0:51:35.800
<v Speaker 1>I like pizza. I like pizza Low and my Lord

0:51:35.880 --> 0:51:39.760
<v Speaker 1>and behind a website if beyond me dot com matter

0:51:39.920 --> 0:51:42.879
<v Speaker 1>Roma from Roma you dropping down from the Drona. I'm

0:51:42.960 --> 0:51:46.040
<v Speaker 1>dyning in all Alona and now I'm in up for coma.

0:51:46.080 --> 0:51:48.800
<v Speaker 1>I'll eat it in Oklahoma. I call it in on

0:51:48.920 --> 0:51:52.920
<v Speaker 1>the phone. I finished up pizza school. Now here's my floa.

0:51:53.040 --> 0:51:56.920
<v Speaker 1>I got the farm and the Shakers ship ship, the

0:51:57.080 --> 0:52:01.160
<v Speaker 1>brick ofv and Baker baby Babe so hot. I burned

0:52:01.200 --> 0:52:05.200
<v Speaker 1>my cank er. Waitress leaves it and I thank you.

0:52:07.360 --> 0:52:11.520
<v Speaker 1>I like pizza. I like pizza, Mom, I like pizza.

0:52:11.640 --> 0:52:15.320
<v Speaker 1>I like pizza all my prong. I like pizza, like

0:52:15.920 --> 0:52:20.239
<v Speaker 1>bing my long and had a webside in me dot com.

0:52:21.360 --> 0:52:22.719
<v Speaker 1>There go just a little break off, a little bit

0:52:22.760 --> 0:52:24.640
<v Speaker 1>of that right there, A little pizza song, part of

0:52:24.680 --> 0:52:28.239
<v Speaker 1>mix tape coming out sometimes in that's it for today's show.

0:52:29.760 --> 0:52:34.200
<v Speaker 1>I've been your host, Bobby Moons, thanks for being part

0:52:34.200 --> 0:52:39.240
<v Speaker 1>of the Bobby Gusts Series. Episode one. For my producer

0:52:39.800 --> 0:52:43.479
<v Speaker 1>Mike Deed follow him on Instagram at Mike d Show

0:52:44.440 --> 0:52:46.520
<v Speaker 1>d E E S t R oh is all right,

0:52:46.760 --> 0:52:49.320
<v Speaker 1>that's right. Yeah, I don't know how to turn it

0:52:49.360 --> 0:52:53.759
<v Speaker 1>down or I would. I'm Bobby Bones. And for my

0:52:53.840 --> 0:52:56.000
<v Speaker 1>dog Dusty, who's been sitting beside me the whole time.

0:52:56.760 --> 0:52:59.680
<v Speaker 1>Good day, everybody, and thanks for listening to the Bobby Cast.

0:53:00.320 --> 0:53:03.719
<v Speaker 1>This episode of Podycast brought to you by no sponsor yet.

0:53:04.080 --> 0:53:05.160
<v Speaker 1>Thank you, and good night,