1 00:00:06,160 --> 00:00:10,720 Speaker 1: Hello, everyone day, Welcome to the Bobby Cast, Episode one. 2 00:00:10,960 --> 00:00:18,160 Speaker 1: Our guest today include Dusty the Dog and here's your host, Bobby. 3 00:00:19,000 --> 00:00:22,440 Speaker 1: Thank you, thank you, thank you. They get all right, 4 00:00:22,840 --> 00:00:25,960 Speaker 1: turn the band off? Thank you. Hey, So here we are. 5 00:00:26,000 --> 00:00:29,120 Speaker 1: We're my house today. First ever episode of the podcast 6 00:00:29,240 --> 00:00:32,559 Speaker 1: of the Bobby Cast. There's one already that we did 7 00:00:32,560 --> 00:00:34,680 Speaker 1: for like fifteen or twenty minutes. It's up on the 8 00:00:34,720 --> 00:00:37,000 Speaker 1: page if you want to hear it too. But in 9 00:00:37,080 --> 00:00:39,040 Speaker 1: my room right now, we have a setup and a 10 00:00:39,120 --> 00:00:42,520 Speaker 1: dog and no guests today. Um I thought I'll bring 11 00:00:42,560 --> 00:00:44,280 Speaker 1: the guest in for the first show, but then I thought, 12 00:00:44,400 --> 00:00:46,080 Speaker 1: man a lot of pressure on the first guest to 13 00:00:46,120 --> 00:00:48,120 Speaker 1: come in. And I don't think we have anything set 14 00:00:48,159 --> 00:00:50,440 Speaker 1: up to where anybody can play in here, nor we 15 00:00:50,520 --> 00:00:54,960 Speaker 1: probably ever. But um so no guests today. Thank you 16 00:00:54,960 --> 00:00:59,319 Speaker 1: all for being here today, Welcome to the show. Our 17 00:00:59,360 --> 00:01:02,520 Speaker 1: producers all Is might be follow him on inst what's 18 00:01:02,520 --> 00:01:05,520 Speaker 1: your Instagram? It might be all right, So let's talk 19 00:01:05,520 --> 00:01:08,400 Speaker 1: about stuff. First of all, play the Raging Idiot Show 20 00:01:08,400 --> 00:01:10,480 Speaker 1: over the weekend in Fort Wayne and it was awesome. 21 00:01:11,000 --> 00:01:15,680 Speaker 1: Um if you follow on snatchat we had a call 22 00:01:15,760 --> 00:01:17,880 Speaker 1: at eleven o'clock which means it's like bus call. It's 23 00:01:17,880 --> 00:01:20,160 Speaker 1: where everybody comes in. You have to be at the 24 00:01:20,200 --> 00:01:24,199 Speaker 1: bus at eleven o'clock to leave all the band. So 25 00:01:24,480 --> 00:01:28,479 Speaker 1: we have bus call and it's probably I get there 26 00:01:28,480 --> 00:01:31,120 Speaker 1: like ten forty or so, um, and I said that 27 00:01:31,280 --> 00:01:33,360 Speaker 1: may be late. Ended up not being late, but I 28 00:01:33,400 --> 00:01:36,679 Speaker 1: said it may be late. Um, it wasn't late, and 29 00:01:36,920 --> 00:01:40,760 Speaker 1: everyone's there, and eleven o'clock comes, there's no Eddie. And 30 00:01:41,080 --> 00:01:43,800 Speaker 1: eleven fifteen comes, there's no Eddie, and I teck him like, dude, 31 00:01:43,840 --> 00:01:48,000 Speaker 1: where are you? Eleven thirty comes, no Eddie, eleven forty comes, 32 00:01:48,000 --> 00:01:50,560 Speaker 1: no Eddie. It turns out he went home, went to 33 00:01:50,600 --> 00:01:53,760 Speaker 1: bed and it was asleep, and Eddie didn't show up 34 00:01:53,800 --> 00:01:55,960 Speaker 1: til like eleven fifty three. So we sat there for 35 00:01:56,000 --> 00:01:58,800 Speaker 1: an hour or so. Then we drove an hour, so 36 00:01:59,840 --> 00:02:01,960 Speaker 1: I had to miss Iris from the Google Dolls because 37 00:02:01,960 --> 00:02:03,920 Speaker 1: I didn't want to be late. And how do you 38 00:02:03,960 --> 00:02:06,400 Speaker 1: go to a Google Dolls concert and not see Iris? 39 00:02:06,520 --> 00:02:08,880 Speaker 1: So I didn't get to watch Iris. Saw all the 40 00:02:08,880 --> 00:02:11,560 Speaker 1: rest of it though, except for Iris, and then Eddie 41 00:02:11,560 --> 00:02:14,600 Speaker 1: was an hour late, so it was not a pleasant 42 00:02:15,400 --> 00:02:18,800 Speaker 1: I get so mad when people are late, not even 43 00:02:18,840 --> 00:02:21,960 Speaker 1: for me, but it's just a disrespect thing to other people. 44 00:02:22,639 --> 00:02:28,680 Speaker 1: So no, I haven't wrote on Twitter as pissed, which 45 00:02:28,680 --> 00:02:32,720 Speaker 1: isn't a curse word, by the way, And so yeah, 46 00:02:32,760 --> 00:02:35,080 Speaker 1: that's being addressed. We're gonna We're gonna start I'm gonna 47 00:02:35,080 --> 00:02:37,399 Speaker 1: start finding people. Do you ever watch the James Brown movie, Mike, 48 00:02:37,560 --> 00:02:40,200 Speaker 1: You ever see James Brown, That's what he used to do. 49 00:02:40,280 --> 00:02:42,720 Speaker 1: If you re late, he'd find you. I'm gonna start 50 00:02:42,720 --> 00:02:44,840 Speaker 1: finding people for being late. If you're lay it on 51 00:02:44,840 --> 00:02:46,519 Speaker 1: the show. I've seen people home. Were you working with 52 00:02:46,600 --> 00:02:52,160 Speaker 1: us when I send people home? Uh? Eddie came in 53 00:02:52,280 --> 00:02:53,960 Speaker 1: late one day and he had he just went home. 54 00:02:54,360 --> 00:02:57,120 Speaker 1: Lunchbox came in one day, he just went home. Amy 55 00:02:57,200 --> 00:02:59,840 Speaker 1: came in. Amy missed a show, like just slept right 56 00:02:59,880 --> 00:03:03,560 Speaker 1: to the show and she got some home. And I 57 00:03:03,600 --> 00:03:05,080 Speaker 1: think she alluded to it this morning on the air. 58 00:03:05,200 --> 00:03:08,280 Speaker 1: She was just like, yeah, if I go to a concert, 59 00:03:08,320 --> 00:03:11,079 Speaker 1: I'm probably gonna miss the show. I mean be late. 60 00:03:11,639 --> 00:03:14,200 Speaker 1: And so she like the first hour of the show 61 00:03:14,560 --> 00:03:18,680 Speaker 1: like completely. It was just like, oh, and I understand 62 00:03:18,680 --> 00:03:23,000 Speaker 1: if you're late sometimes occasionally if they're like an accident 63 00:03:23,120 --> 00:03:26,760 Speaker 1: or something. But yeah, that was that was a bad deal. 64 00:03:27,240 --> 00:03:28,720 Speaker 1: But we played it. If you're listening right now and 65 00:03:28,760 --> 00:03:31,400 Speaker 1: you're a fort Wayne, I appreciate everybody who comes to 66 00:03:31,400 --> 00:03:33,480 Speaker 1: all the shows. Next weekend, we're gonna be in Tyler, 67 00:03:33,520 --> 00:03:37,480 Speaker 1: Texas and Beaumont. We have shows coming up at Macon, Georgia, 68 00:03:37,600 --> 00:03:42,440 Speaker 1: and Charleston and Springfield, like We're trying to go everywhere Tampa. 69 00:03:42,640 --> 00:03:44,560 Speaker 1: It would be a big, big rest of the year. 70 00:03:44,560 --> 00:03:45,960 Speaker 1: And then I don't know what's gonna happen with Raging 71 00:03:45,960 --> 00:03:49,360 Speaker 1: Idiots Woven may Um, because we're putting out a kids 72 00:03:49,520 --> 00:03:52,360 Speaker 1: finishing our kids record, but then we may call it, 73 00:03:52,680 --> 00:03:56,400 Speaker 1: call it quits for a bit like the Stones, but 74 00:03:56,840 --> 00:04:01,360 Speaker 1: you know, like led Zeppelin. Yeah, this may be our 75 00:04:01,400 --> 00:04:04,040 Speaker 1: farewell tour. So if you're listening right now, this maybe it. 76 00:04:04,240 --> 00:04:05,960 Speaker 1: If you've got a chance to come to the Reging Idiots, 77 00:04:05,960 --> 00:04:08,080 Speaker 1: come see us, because we don't have a lot left. 78 00:04:08,440 --> 00:04:12,480 Speaker 1: Then I'm gonna just start doing I stand up comedy stuff. Um. 79 00:04:12,520 --> 00:04:15,000 Speaker 1: I mean that's where that's was the most fun. And 80 00:04:15,480 --> 00:04:17,800 Speaker 1: the regidios are a lot of fun. They're just so exhausting. 81 00:04:18,480 --> 00:04:21,280 Speaker 1: I mean, I dancer, my legs are still sore. But 82 00:04:21,440 --> 00:04:23,560 Speaker 1: I will say this, the Google dolls I want to 83 00:04:23,560 --> 00:04:26,120 Speaker 1: saw them on Friday night and they were really good, 84 00:04:26,720 --> 00:04:28,400 Speaker 1: Like I didn't expect them to be as good as 85 00:04:28,400 --> 00:04:31,560 Speaker 1: they were, and the Google I realized, now, if your 86 00:04:31,560 --> 00:04:33,600 Speaker 1: favorite kind of music is always the music when you're 87 00:04:33,600 --> 00:04:35,599 Speaker 1: from like eighteen to twenty five years old, like that's 88 00:04:35,600 --> 00:04:37,760 Speaker 1: your favorite kind of music for your whole life. And 89 00:04:37,839 --> 00:04:41,039 Speaker 1: for me, inside of that was the Google Dolls. Not 90 00:04:41,160 --> 00:04:42,919 Speaker 1: that they're my favorite band or they were even my 91 00:04:42,920 --> 00:04:45,839 Speaker 1: favorite music, but they were in that time period, and 92 00:04:45,839 --> 00:04:47,760 Speaker 1: it's that eighteen to twenty five year old time period 93 00:04:47,800 --> 00:04:50,839 Speaker 1: where that's always going to be your music, and you 94 00:04:50,839 --> 00:04:53,039 Speaker 1: can even say sixteen to twenty five if you want 95 00:04:53,720 --> 00:04:55,960 Speaker 1: what you're moving in my dog getting comfortable in the chair. 96 00:04:57,320 --> 00:04:59,040 Speaker 1: But the Google Dolls were in that time period where 97 00:04:59,040 --> 00:05:03,400 Speaker 1: I probably saw them eight times in concert, so I 98 00:05:03,520 --> 00:05:06,360 Speaker 1: was knowing tracks like people know. I mean Slide They 99 00:05:06,360 --> 00:05:11,719 Speaker 1: played this in the crowd freak all right after Iris. 100 00:05:12,120 --> 00:05:18,560 Speaker 1: Their second biggest song, Slide whispering Yeah Things want to 101 00:05:18,600 --> 00:05:27,640 Speaker 1: Feel Man Name probably the third biggest song. I knew 102 00:05:27,680 --> 00:05:30,200 Speaker 1: all the words of the song. This is their first 103 00:05:30,200 --> 00:05:34,680 Speaker 1: single too. Now I won't tell them your name? Do 104 00:05:34,760 --> 00:05:36,560 Speaker 1: you know this on micro? Now? I just knew it 105 00:05:36,560 --> 00:05:38,320 Speaker 1: from your snapchat. That's it. You didn't know the song 106 00:05:38,720 --> 00:05:45,640 Speaker 1: non passed me by, So there's that. And I was 107 00:05:45,680 --> 00:05:49,000 Speaker 1: such a lamo during the show, and such a I 108 00:05:49,080 --> 00:05:51,320 Speaker 1: forgot that I was a Google Dolls fan that I 109 00:05:51,440 --> 00:05:55,160 Speaker 1: was singing b sides of records that I forgot I 110 00:05:55,200 --> 00:05:57,760 Speaker 1: even knew because they were playing song. I was like, wait, 111 00:05:57,760 --> 00:06:00,560 Speaker 1: how do I know this song? And they would play 112 00:06:00,600 --> 00:06:04,599 Speaker 1: like black Balloon, and I'll be like, I know this one, 113 00:06:04,880 --> 00:06:06,320 Speaker 1: and so I'd sing all the words. And I was 114 00:06:06,320 --> 00:06:09,039 Speaker 1: with a Nikita who was on our first uh you know, 115 00:06:09,080 --> 00:06:11,480 Speaker 1: Bobby cast. She was like, how do you know these songs? 116 00:06:11,480 --> 00:06:14,600 Speaker 1: I've never heard them before. So it was really good 117 00:06:14,600 --> 00:06:17,160 Speaker 1: to be a chance to google as they were good collectives, 118 00:06:17,160 --> 00:06:22,840 Speaker 1: all open. They were okay, I mean all the collective 119 00:06:22,839 --> 00:06:26,920 Speaker 1: soul songs are the same. That's a good one though. 120 00:06:28,960 --> 00:06:37,279 Speaker 1: Black Balloon here on the Bobby Cast, this black almost 121 00:06:37,360 --> 00:06:42,680 Speaker 1: film into that hole and do you know, I'm thinking 122 00:06:42,720 --> 00:06:51,880 Speaker 1: about mom, you are the same Ever heard that one? Mike? No? Never, 123 00:06:52,040 --> 00:06:56,640 Speaker 1: So you wouldn't even know long way down, I don't 124 00:06:56,720 --> 00:07:00,160 Speaker 1: think I'm oh man, I know about it. Really, you 125 00:07:00,160 --> 00:07:04,600 Speaker 1: don't even know slide, Like, why don't you know that 126 00:07:05,240 --> 00:07:09,840 Speaker 1: is this like oldies to you. I remember seeing that 127 00:07:09,960 --> 00:07:12,960 Speaker 1: video and like MTV and stuff, so it's not old easy. 128 00:07:13,480 --> 00:07:16,320 Speaker 1: I just don't I'm not big go do. I compared 129 00:07:16,360 --> 00:07:18,680 Speaker 1: it to this morning, like me seeing the bands of 130 00:07:18,720 --> 00:07:22,680 Speaker 1: the eighties like Billy Idol or Poison. I don't know 131 00:07:22,800 --> 00:07:25,360 Speaker 1: that stuff that was before me. I was born in 132 00:07:25,400 --> 00:07:28,200 Speaker 1: the eighties, so I guess I kind of remember it. 133 00:07:29,080 --> 00:07:31,240 Speaker 1: But but even that stuff, I'm aware of it, like 134 00:07:31,680 --> 00:07:34,080 Speaker 1: I'm again aware of it too. But but there were 135 00:07:34,080 --> 00:07:36,280 Speaker 1: people there that we're in that same thing with the 136 00:07:36,320 --> 00:07:38,960 Speaker 1: Google Dolls, much younger. They had to just hear it 137 00:07:39,480 --> 00:07:42,320 Speaker 1: like on Hot A C radio stations. But back in 138 00:07:42,360 --> 00:07:44,040 Speaker 1: the day, I was playing that stuff on the radio 139 00:07:44,120 --> 00:07:46,000 Speaker 1: like I was like, here it is guy. I used 140 00:07:46,000 --> 00:07:47,600 Speaker 1: to be on a station called kla Z. Was my 141 00:07:47,640 --> 00:07:50,840 Speaker 1: first ever radio station, and so it's seventeen years old. 142 00:07:50,880 --> 00:07:53,120 Speaker 1: And I would be like, continue with same music one 143 00:07:53,200 --> 00:07:55,440 Speaker 1: or five point nine kla Zy with the new one 144 00:07:55,440 --> 00:08:01,160 Speaker 1: from the Google Dolls. Here, slide on kla Zy. That's 145 00:08:01,160 --> 00:08:02,480 Speaker 1: all I would do. Yeah, I've never heard of that 146 00:08:02,520 --> 00:08:05,920 Speaker 1: song referred to as knew yeah, and I would knew it, Yeah, 147 00:08:06,000 --> 00:08:08,080 Speaker 1: for sure, would knew it. Dude, those are the days 148 00:08:08,120 --> 00:08:11,120 Speaker 1: back at KLAZY. That's my very first ever radio station. 149 00:08:11,640 --> 00:08:13,520 Speaker 1: And I went in as a teenager and I wrote 150 00:08:13,520 --> 00:08:14,800 Speaker 1: about this in my book, where I went in and 151 00:08:14,840 --> 00:08:17,200 Speaker 1: just try to get a job cleaning anything to get 152 00:08:17,200 --> 00:08:20,680 Speaker 1: in radio, and they hired me to clean him before 153 00:08:20,680 --> 00:08:24,320 Speaker 1: the first ever UM weekend to clean they fired people, 154 00:08:24,680 --> 00:08:27,160 Speaker 1: and so like, we need somebody on the air, and 155 00:08:27,400 --> 00:08:29,680 Speaker 1: you already work here. And I went on the air 156 00:08:29,920 --> 00:08:33,680 Speaker 1: and there's a it's hard to talk in radio terms, 157 00:08:33,720 --> 00:08:36,680 Speaker 1: so you can turn a level volume knob all the 158 00:08:36,720 --> 00:08:39,679 Speaker 1: way down and listen to something and just your headphones 159 00:08:39,720 --> 00:08:41,880 Speaker 1: and it's called putting it in Q, so no one 160 00:08:41,920 --> 00:08:43,360 Speaker 1: else can hear it except for you. It's like if 161 00:08:43,360 --> 00:08:46,000 Speaker 1: a DJ is getting a song ready, he's playing turntables 162 00:08:46,000 --> 00:08:47,840 Speaker 1: and he's listening to the next song he's about to play, 163 00:08:47,840 --> 00:08:49,839 Speaker 1: he's kind of queuing up a spot. So you can 164 00:08:49,840 --> 00:08:51,440 Speaker 1: do this on the radio. Except I didn't know that 165 00:08:51,800 --> 00:08:53,640 Speaker 1: on my very first shift and had all the levels 166 00:08:53,720 --> 00:08:55,080 Speaker 1: up and I thought it was it was and I 167 00:08:55,120 --> 00:08:57,200 Speaker 1: was playing everything over the top of each other and 168 00:08:57,240 --> 00:08:59,440 Speaker 1: I said my real name, and I was so freaked 169 00:08:59,440 --> 00:09:01,160 Speaker 1: out because we're like, your name is Bobby bones, and 170 00:09:01,200 --> 00:09:03,120 Speaker 1: I was like, so the song would come on right, 171 00:09:03,160 --> 00:09:05,559 Speaker 1: it would be like and I remember doing it. I 172 00:09:05,600 --> 00:09:08,000 Speaker 1: felt so stupid, and so you know, he goes, I'd 173 00:09:08,000 --> 00:09:09,920 Speaker 1: be like, continuous, hit me aboot, but let me started 174 00:09:09,960 --> 00:09:13,120 Speaker 1: up here. I got a whole she field. It'd be like, 175 00:09:13,800 --> 00:09:15,719 Speaker 1: continue with same music. One on five point nine k 176 00:09:15,920 --> 00:09:21,040 Speaker 1: lez It's Bobby All. Here's the new of them. The 177 00:09:21,040 --> 00:09:25,040 Speaker 1: Google dolls slides and I remember my general manager calling 178 00:09:25,080 --> 00:09:26,760 Speaker 1: and be like, what did you say? Your name was 179 00:09:26,800 --> 00:09:29,320 Speaker 1: like like he hotlined me. It wasn't even my program 180 00:09:29,320 --> 00:09:32,600 Speaker 1: director as my general manager of all people. So anyway, 181 00:09:32,640 --> 00:09:34,839 Speaker 1: Google all was good. Went straight from there and we 182 00:09:34,960 --> 00:09:38,880 Speaker 1: drove to Fort Wayne, which was about seven hours. And 183 00:09:39,080 --> 00:09:41,120 Speaker 1: usually we have a bus. We take a bus because 184 00:09:41,120 --> 00:09:43,400 Speaker 1: we take a full band with us, unless we're doing 185 00:09:43,440 --> 00:09:45,000 Speaker 1: a funny and all one stand up show, then we'll 186 00:09:45,120 --> 00:09:49,280 Speaker 1: just fly and so, but because we were playing a 187 00:09:49,400 --> 00:09:52,360 Speaker 1: festival on Friday, they got canceled and it was like 188 00:09:52,400 --> 00:09:55,520 Speaker 1: a festival and Brad Paisley was headlining it with Randy 189 00:09:55,520 --> 00:09:57,800 Speaker 1: Hawser and Chase Rice and we were like the fourth 190 00:09:58,920 --> 00:10:01,840 Speaker 1: or fifth band end us and Maddie and Tay were 191 00:10:01,880 --> 00:10:04,760 Speaker 1: kind of in that same spot on both nights. They 192 00:10:04,760 --> 00:10:07,600 Speaker 1: canceled the festival for whatever reason, I don't know, but 193 00:10:07,640 --> 00:10:09,600 Speaker 1: they cancel the festival. So we didn't have anything to do, 194 00:10:10,240 --> 00:10:11,920 Speaker 1: and so we would have taken the bus, but so 195 00:10:11,960 --> 00:10:14,720 Speaker 1: instead we had one show and a bus cost a 196 00:10:14,760 --> 00:10:17,440 Speaker 1: ton of money to rent, and so we just took 197 00:10:17,440 --> 00:10:20,319 Speaker 1: a car and there were seven of us in an suv. 198 00:10:21,160 --> 00:10:23,280 Speaker 1: And road tripping as an adult is not fun like 199 00:10:23,360 --> 00:10:26,040 Speaker 1: road tripping as a kid because it hurts to sleep. 200 00:10:26,200 --> 00:10:28,320 Speaker 1: You have to sit up and sleep and just turn 201 00:10:28,360 --> 00:10:30,760 Speaker 1: your It's like being on an airplane for eight hours. 202 00:10:31,080 --> 00:10:32,880 Speaker 1: And you don't get on an airplane for eight hours 203 00:10:33,000 --> 00:10:36,240 Speaker 1: unless you're going to another country, and then at least 204 00:10:36,280 --> 00:10:37,800 Speaker 1: you're in another country when you end up. But no, 205 00:10:37,880 --> 00:10:40,720 Speaker 1: if it's to Indiana, Indiana is not London, you know. 206 00:10:40,960 --> 00:10:43,080 Speaker 1: So that's what happened. So we wrote for eight hours 207 00:10:43,080 --> 00:10:45,280 Speaker 1: and you can't sleep because you're just sitting up in 208 00:10:45,320 --> 00:10:47,959 Speaker 1: your heads on the side, and everybody's like moving around, 209 00:10:48,600 --> 00:10:50,360 Speaker 1: and just in the suit was stopping every two hours 210 00:10:50,360 --> 00:10:53,800 Speaker 1: to get another Mountain Dew, which he was driving, but 211 00:10:53,960 --> 00:10:57,120 Speaker 1: he was being paid to drive anyway, It's the whole thing. 212 00:10:57,400 --> 00:11:00,320 Speaker 1: Uh FO, When you guys were awesome again if you 213 00:11:00,600 --> 00:11:03,920 Speaker 1: can come to a Raging Idiot show, come especially because 214 00:11:04,600 --> 00:11:06,720 Speaker 1: um there, I don't know how long we're gonna do this. 215 00:11:06,800 --> 00:11:09,880 Speaker 1: We are, by the way, finishing our kids record, and 216 00:11:09,880 --> 00:11:12,560 Speaker 1: I don't we're not announcing it officially yet, but we 217 00:11:12,600 --> 00:11:15,560 Speaker 1: did an EP, the Raging Kitty. It's and they're like 218 00:11:15,559 --> 00:11:17,640 Speaker 1: five songs on it, and so we have another five 219 00:11:17,720 --> 00:11:19,640 Speaker 1: or six that we're adding and making it a full record, 220 00:11:19,640 --> 00:11:24,679 Speaker 1: and we've we've got a big deal with uh. I 221 00:11:24,720 --> 00:11:28,280 Speaker 1: can't even say with who yet, but um, it's gonna 222 00:11:28,280 --> 00:11:30,520 Speaker 1: be a pretty cool kids record. And for the first 223 00:11:30,520 --> 00:11:32,160 Speaker 1: time I was listening to some of the songs, you 224 00:11:32,240 --> 00:11:34,800 Speaker 1: got to hear something, I d Yeah, you want to 225 00:11:34,800 --> 00:11:39,000 Speaker 1: be five years old? Age YEA like Potty Party is 226 00:11:39,040 --> 00:11:41,320 Speaker 1: the jam wait till you guys hear Potty Party. So 227 00:11:41,400 --> 00:11:43,959 Speaker 1: there'll be a new Raging Kiddy It's uh CD coming out. 228 00:11:44,720 --> 00:11:48,520 Speaker 1: So that's what we've been doing, is being on the 229 00:11:48,600 --> 00:11:50,679 Speaker 1: road all the time and then coming back and doing 230 00:11:50,679 --> 00:11:53,360 Speaker 1: the radio show. I got a call, I guess what 231 00:11:53,800 --> 00:11:58,080 Speaker 1: is today? Today's Monday, because they're called Thursday or Friday. 232 00:11:58,120 --> 00:12:01,600 Speaker 1: So the thing inside the format it now in country 233 00:12:01,840 --> 00:12:06,520 Speaker 1: is to make a show like ours to where the 234 00:12:06,640 --> 00:12:11,559 Speaker 1: people like I really enjoy the music, but they aren't 235 00:12:12,120 --> 00:12:17,280 Speaker 1: just only like it's the only music they know, because 236 00:12:17,360 --> 00:12:21,199 Speaker 1: listeners that listen to the show of them, they don't 237 00:12:21,200 --> 00:12:23,160 Speaker 1: just have country music on their iPhones. They have all 238 00:12:23,240 --> 00:12:26,439 Speaker 1: kinds of music on their iPhones. And so as much 239 00:12:26,480 --> 00:12:31,040 Speaker 1: as Hey, the licking you're here is isn't Michael myself, 240 00:12:31,040 --> 00:12:33,600 Speaker 1: it's it's Dusty. If you do here licking, he's he's 241 00:12:33,640 --> 00:12:35,360 Speaker 1: licking himself, although he is new to it, so he's 242 00:12:35,400 --> 00:12:41,360 Speaker 1: not Hey. Uh. So I got a call and he 243 00:12:41,400 --> 00:12:42,400 Speaker 1: was like, hey, want to put it. I want to 244 00:12:42,400 --> 00:12:44,840 Speaker 1: We want to put together a show like yours. You know, 245 00:12:44,840 --> 00:12:49,000 Speaker 1: how did you do it? And I was like, well, 246 00:12:49,520 --> 00:12:52,720 Speaker 1: I didn't put together the show. Really, the show kind 247 00:12:52,720 --> 00:12:55,400 Speaker 1: of came together on accident and turned into what it 248 00:12:55,520 --> 00:12:57,439 Speaker 1: is because nobody on the show it ever. And I 249 00:12:57,559 --> 00:12:59,400 Speaker 1: said this before on the air. I've ever done radio before, 250 00:13:00,240 --> 00:13:03,640 Speaker 1: and so I was like, I mean, I can tell 251 00:13:03,679 --> 00:13:06,640 Speaker 1: you what happened with the show. I mean I started 252 00:13:06,679 --> 00:13:09,800 Speaker 1: in the morning and I was probably twenty one doing 253 00:13:09,800 --> 00:13:15,000 Speaker 1: a morning show in Austin. Stop Dozy, you're good buddy, 254 00:13:15,520 --> 00:13:20,040 Speaker 1: And I was by myself and I he was just 255 00:13:20,080 --> 00:13:24,320 Speaker 1: playing like thirteen songs an hour. And so from there 256 00:13:24,360 --> 00:13:27,280 Speaker 1: I had an intern named Jill and she was on 257 00:13:27,679 --> 00:13:29,199 Speaker 1: and then we didn't pay her, and she went to 258 00:13:29,240 --> 00:13:32,280 Speaker 1: school at class eight o'clock, and so I graduate, just 259 00:13:32,280 --> 00:13:35,560 Speaker 1: graduated college, and she was still in college, and so 260 00:13:35,640 --> 00:13:37,200 Speaker 1: she'd be there till eight then she go to class. 261 00:13:37,240 --> 00:13:39,120 Speaker 1: I mean, it's a really rinking in cooperation to think 262 00:13:39,120 --> 00:13:42,200 Speaker 1: about it. And Austin's a pretty large market to have 263 00:13:42,360 --> 00:13:45,040 Speaker 1: that happening in the morning. And so I met Lunchbox 264 00:13:45,080 --> 00:13:48,000 Speaker 1: out at the bar and he was a delivery job 265 00:13:48,080 --> 00:13:49,880 Speaker 1: for Jason's Delhi and he comes in. He didn't have 266 00:13:49,920 --> 00:13:52,319 Speaker 1: a microphone for the first year, got part time pay, 267 00:13:52,440 --> 00:13:55,560 Speaker 1: was working other jobs. Amy was a friend for a 268 00:13:55,600 --> 00:13:58,480 Speaker 1: long time, was selling Granted And I'm just explaining this 269 00:13:58,520 --> 00:14:00,600 Speaker 1: to him, like we didn't go and find other people. 270 00:14:01,280 --> 00:14:04,719 Speaker 1: I just found people that were interesting and kept them 271 00:14:04,720 --> 00:14:07,160 Speaker 1: all in a room and we just kind of learned 272 00:14:07,320 --> 00:14:10,559 Speaker 1: radio together, even the newer people on our show, because 273 00:14:10,760 --> 00:14:13,160 Speaker 1: everybody knows, I mean, hopefully you know Amy story by now. 274 00:14:13,240 --> 00:14:16,559 Speaker 1: She was a Granted salesperson, met her, was a friend, 275 00:14:16,920 --> 00:14:18,760 Speaker 1: friends for year year and a half or so before 276 00:14:18,760 --> 00:14:21,280 Speaker 1: I brought her on the show Lunchbox was a delivery 277 00:14:21,320 --> 00:14:25,240 Speaker 1: driver at Jason's Delhi Eddie, who's new to the radio show, 278 00:14:25,280 --> 00:14:27,160 Speaker 1: but it's been my friend as long as just about 279 00:14:27,160 --> 00:14:29,360 Speaker 1: any of those guys. Eddie was my TV producer for 280 00:14:29,480 --> 00:14:31,760 Speaker 1: ten years, and that's what he does now. Has has 281 00:14:31,800 --> 00:14:34,800 Speaker 1: produced the television and at least the visual stuff of 282 00:14:34,840 --> 00:14:37,480 Speaker 1: the show. But even the guys to work on our 283 00:14:37,680 --> 00:14:41,520 Speaker 1: radio show that are in the glass room, which is 284 00:14:41,600 --> 00:14:44,560 Speaker 1: the production people, like all three of those people at 285 00:14:44,600 --> 00:14:48,120 Speaker 1: one point we're interns for the show. So I guess 286 00:14:48,200 --> 00:14:50,320 Speaker 1: Ray is kind of the senior of that group. Now 287 00:14:51,040 --> 00:14:54,760 Speaker 1: it's crazy to think about um and and Ray wasn't 288 00:14:54,760 --> 00:14:56,880 Speaker 1: even a real intern. I don't think. I think Ray 289 00:14:56,920 --> 00:14:59,040 Speaker 1: just showed up. And here's something that I get asked 290 00:14:59,040 --> 00:15:00,640 Speaker 1: about a lot. Was car those shoes to be on 291 00:15:00,640 --> 00:15:02,480 Speaker 1: the show a long time ago, And people I was like, 292 00:15:02,480 --> 00:15:05,040 Speaker 1: what happened to Carlos? And I've explained it like twenty times, 293 00:15:05,240 --> 00:15:07,160 Speaker 1: and like, why are you're writing the book about Carlos? 294 00:15:07,600 --> 00:15:10,000 Speaker 1: I didn't write in the book. I'm almost positive about 295 00:15:10,000 --> 00:15:13,080 Speaker 1: anybody that didn't make the shift over to Nashville. Um, 296 00:15:13,200 --> 00:15:15,040 Speaker 1: there were just too many people I write about Erica, 297 00:15:15,040 --> 00:15:17,440 Speaker 1: who was a co host for a couple of years. 298 00:15:17,880 --> 00:15:19,800 Speaker 1: There were a lot of people that didn't write about 299 00:15:20,520 --> 00:15:25,600 Speaker 1: um But what happened with Ray? And people assume, and 300 00:15:25,640 --> 00:15:28,800 Speaker 1: this is you guys being racist. Did I replaced That 301 00:15:28,840 --> 00:15:31,040 Speaker 1: is what they say. Oh, you replace one Mexican with another. 302 00:15:31,080 --> 00:15:33,200 Speaker 1: You replaced Eddie with Carlos. That's what happened at all. 303 00:15:33,240 --> 00:15:35,720 Speaker 1: There was no Eddie, We had no Eddie position. Eddie 304 00:15:35,760 --> 00:15:38,400 Speaker 1: came on as an extra position once we came in. 305 00:15:39,120 --> 00:15:42,800 Speaker 1: And so what had happened was Ray came in and 306 00:15:42,840 --> 00:15:46,840 Speaker 1: worked for free for a year at least, just showed 307 00:15:46,920 --> 00:15:48,920 Speaker 1: up and worked and worked and work and did audio 308 00:15:48,960 --> 00:15:50,560 Speaker 1: and he did what Carlos was doing. And Carlos was 309 00:15:51,080 --> 00:15:53,520 Speaker 1: was good at it and was a hard worker. But 310 00:15:53,600 --> 00:15:56,040 Speaker 1: Ray came in. It was just like a different level 311 00:15:56,280 --> 00:16:00,440 Speaker 1: of efficiency. Um so and people Hay did Ray on 312 00:16:00,480 --> 00:16:02,120 Speaker 1: the air, but he was just so good at what 313 00:16:02,160 --> 00:16:04,640 Speaker 1: he did. And so were you did you ever work 314 00:16:04,680 --> 00:16:07,800 Speaker 1: with Ray? He was an intern? As an intern, what 315 00:16:07,840 --> 00:16:09,560 Speaker 1: was it like to work with Raisin? In turn? Like 316 00:16:09,640 --> 00:16:12,920 Speaker 1: we didn't understand him. We were like, is that I 317 00:16:13,000 --> 00:16:14,520 Speaker 1: thought it was? I thought Ray was a joke. I 318 00:16:14,560 --> 00:16:17,440 Speaker 1: thought he was a character for a long time, but 319 00:16:17,840 --> 00:16:22,240 Speaker 1: super Ray is the most efficient. I'm gonna take me 320 00:16:22,280 --> 00:16:24,880 Speaker 1: out of it because I'm nuts, But Ray is the 321 00:16:24,880 --> 00:16:29,200 Speaker 1: most efficient person on the show. And so um, we 322 00:16:29,200 --> 00:16:32,680 Speaker 1: had to bring an audio producer, and so it was 323 00:16:32,680 --> 00:16:34,680 Speaker 1: a tough decision, and I had to bring what I 324 00:16:34,720 --> 00:16:37,960 Speaker 1: thought was the best for the show. And Carlos is 325 00:16:38,000 --> 00:16:41,320 Speaker 1: a great dude, and it was like it was good 326 00:16:41,360 --> 00:16:43,600 Speaker 1: at what he did, but we had one spot. And 327 00:16:43,600 --> 00:16:45,360 Speaker 1: as what the suck being a boss and a friend 328 00:16:45,400 --> 00:16:47,120 Speaker 1: at the same time is that I had to look 329 00:16:47,120 --> 00:16:49,040 Speaker 1: out for everybody else. So it came to the point 330 00:16:49,040 --> 00:16:52,360 Speaker 1: of what what am I gonna do, like what's best 331 00:16:52,400 --> 00:16:54,800 Speaker 1: for the whole group and for the show, And so 332 00:16:54,960 --> 00:16:57,440 Speaker 1: that spot, I didn't replace one Mexican with another. One 333 00:16:57,440 --> 00:16:59,520 Speaker 1: more person says that to me, I'm gonna it's so 334 00:16:59,640 --> 00:17:01,600 Speaker 1: much like, oh, he just replaced one Mexican with another. 335 00:17:01,840 --> 00:17:05,120 Speaker 1: First of all, you have to have permission to call 336 00:17:05,200 --> 00:17:08,800 Speaker 1: a span a person in Mexican, because but that he'd 337 00:17:08,880 --> 00:17:13,080 Speaker 1: rather be called a Mexican. And so um, that wasn't 338 00:17:13,080 --> 00:17:16,240 Speaker 1: what happened. And Carlos stayed and produced the show locally 339 00:17:16,800 --> 00:17:21,439 Speaker 1: on Case one on one in Austin and and he 340 00:17:21,440 --> 00:17:24,199 Speaker 1: he did what Mike did for a while, and the 341 00:17:24,240 --> 00:17:27,960 Speaker 1: plan was hopefully to eventually bring Carlos to Nashville, and 342 00:17:28,080 --> 00:17:32,000 Speaker 1: eventually that didn't happen. Um, Mike ended up taking over 343 00:17:32,080 --> 00:17:34,240 Speaker 1: Carlos's job. Mike D who's in here with me now 344 00:17:34,640 --> 00:17:36,440 Speaker 1: worked on our show now in Nashville. Mike D was 345 00:17:36,480 --> 00:17:39,119 Speaker 1: an old intern of ours who took that job and 346 00:17:39,119 --> 00:17:43,240 Speaker 1: then got moved to Nashville from that job, which was 347 00:17:44,040 --> 00:17:47,440 Speaker 1: kind of the plan for Carlos, but there just was 348 00:17:47,520 --> 00:17:50,679 Speaker 1: never anything for sure. So anyway, that's what happened. There 349 00:17:50,760 --> 00:17:54,200 Speaker 1: was really nothing bad that ever happened. I mean no nothing, 350 00:17:54,359 --> 00:17:57,439 Speaker 1: No ill will know anything. And for those that have 351 00:17:57,440 --> 00:17:59,879 Speaker 1: no idea, Carlos was produced. He was an intern for 352 00:18:00,960 --> 00:18:02,880 Speaker 1: like then he produced a show for a bit as 353 00:18:02,880 --> 00:18:07,639 Speaker 1: the audio producer, and then Ray came in and I 354 00:18:07,680 --> 00:18:10,680 Speaker 1: mean just worked like crazy and we had one spot 355 00:18:10,680 --> 00:18:14,760 Speaker 1: to fill and Ray kind of took that spot. And so, um, yeah, 356 00:18:14,760 --> 00:18:17,760 Speaker 1: that was a really tough call for me to make, 357 00:18:17,840 --> 00:18:19,800 Speaker 1: like personally, because I wasn't friends with Ray and I 358 00:18:19,840 --> 00:18:21,960 Speaker 1: was friends with Carlos like I was. Carlson was a 359 00:18:21,960 --> 00:18:24,199 Speaker 1: good dude. It was like a good friend. But that 360 00:18:24,280 --> 00:18:27,480 Speaker 1: was m that was a really tough call. Um. And 361 00:18:27,480 --> 00:18:30,240 Speaker 1: then Morgan was an intern. Two. I went and spoke 362 00:18:30,240 --> 00:18:35,760 Speaker 1: at Morgan's class at empty Issue, Middle Tennessee State, and 363 00:18:35,760 --> 00:18:38,040 Speaker 1: I said, anybody want to in turn, here's my email address. 364 00:18:38,040 --> 00:18:39,760 Speaker 1: And she emailed me and said, hey, I want to 365 00:18:39,760 --> 00:18:43,120 Speaker 1: in turn. So interviewed her Atlanta interviewed her our old 366 00:18:43,119 --> 00:18:46,080 Speaker 1: producers living in New York now and Atlanta by the way, 367 00:18:46,160 --> 00:18:51,000 Speaker 1: an old intern um Atlanta interviewer, and and I talked 368 00:18:51,000 --> 00:18:52,720 Speaker 1: to her, and she came in and she interned for 369 00:18:52,760 --> 00:18:55,080 Speaker 1: a semester. Then she learned for another semester, and she 370 00:18:55,160 --> 00:18:59,400 Speaker 1: stayed around and then she rent out internships. And when 371 00:18:59,400 --> 00:19:02,680 Speaker 1: we had a phone screener job open up because Sydney 372 00:19:02,720 --> 00:19:06,520 Speaker 1: was answering phones, another old intern Sydney got, you know, 373 00:19:06,640 --> 00:19:10,840 Speaker 1: was moving off to another country with her fiance. Um, 374 00:19:11,040 --> 00:19:12,439 Speaker 1: you've seen the thing here. I like to keep all 375 00:19:12,480 --> 00:19:15,280 Speaker 1: my own people, by the way, like it's all inside 376 00:19:15,280 --> 00:19:18,360 Speaker 1: of the system. Um. So Sydney left. So I hired 377 00:19:18,359 --> 00:19:20,560 Speaker 1: Morgan as a phone screener. Atlanta said Hey, I want 378 00:19:20,560 --> 00:19:22,560 Speaker 1: to move to New York. I said, okay, great, give 379 00:19:22,600 --> 00:19:25,760 Speaker 1: me some months to find somebody. The person I was 380 00:19:25,800 --> 00:19:27,760 Speaker 1: looking for happening to be Morgan, who was right under 381 00:19:27,800 --> 00:19:30,320 Speaker 1: my nose the whole time. Morgan's now kind of shifted 382 00:19:30,359 --> 00:19:33,760 Speaker 1: over to that spot. And that's kind of how the 383 00:19:33,760 --> 00:19:36,080 Speaker 1: show is all together. Like there's no I never wentn't 384 00:19:36,080 --> 00:19:39,240 Speaker 1: found anybody, like let's put together a radio show. It's 385 00:19:39,280 --> 00:19:42,960 Speaker 1: all Morgan Ray and might be all former interns in 386 00:19:42,960 --> 00:19:44,800 Speaker 1: the glass room. They're not interns anymore, like they're real 387 00:19:44,800 --> 00:19:49,640 Speaker 1: paid people that are producing the largest country radio show 388 00:19:50,040 --> 00:19:53,240 Speaker 1: you know in America. And then it's Amy, a granite 389 00:19:53,240 --> 00:19:55,760 Speaker 1: person lunchbox that delivery are from Jason's Deli, Eddie a 390 00:19:55,800 --> 00:19:59,040 Speaker 1: TV producer, and me, I mean, I'm the only guy 391 00:19:59,040 --> 00:20:00,440 Speaker 1: I've ever been on the radio, and he and then 392 00:20:00,480 --> 00:20:04,199 Speaker 1: I was playing everybody kats lead Google Doll Slide like 393 00:20:04,240 --> 00:20:07,160 Speaker 1: I didn't know what I was doing. So when they 394 00:20:07,160 --> 00:20:08,600 Speaker 1: call like hey, I want to put together a show 395 00:20:08,640 --> 00:20:11,359 Speaker 1: like yours, I have nothing. I don't know what to 396 00:20:11,359 --> 00:20:14,960 Speaker 1: tell them. But you're seeing a lot of guys that 397 00:20:15,080 --> 00:20:18,800 Speaker 1: have a lot of interests. And here's the thing too 398 00:20:18,840 --> 00:20:22,200 Speaker 1: about artists and country music is that they don't just 399 00:20:22,240 --> 00:20:25,159 Speaker 1: listen to country music. The most annoying people are the 400 00:20:25,200 --> 00:20:28,120 Speaker 1: people that go why don't you play some real country, 401 00:20:29,200 --> 00:20:31,720 Speaker 1: And those are the most annoying people because it's just 402 00:20:31,880 --> 00:20:35,199 Speaker 1: your definition of real country. That's the real country, is 403 00:20:35,400 --> 00:20:38,480 Speaker 1: your definition of real country. And if the format were 404 00:20:38,560 --> 00:20:42,280 Speaker 1: to stay where like in my heyday at the same time, 405 00:20:42,320 --> 00:20:44,399 Speaker 1: when I was a teenager in early twenties, if they 406 00:20:44,400 --> 00:20:47,440 Speaker 1: were to stay there forever, it would just die. Because 407 00:20:47,480 --> 00:20:50,320 Speaker 1: without forward movement, it's just nothing. It's death. So you 408 00:20:50,359 --> 00:20:52,040 Speaker 1: may not like where it goes, and it goes in 409 00:20:52,040 --> 00:20:54,000 Speaker 1: different directions and will continue to go in different directions, 410 00:20:54,000 --> 00:20:56,320 Speaker 1: and I'll go in seventy and come back and you'll 411 00:20:56,320 --> 00:20:59,280 Speaker 1: see it dies, and you don't want it to die. 412 00:20:59,320 --> 00:21:00,720 Speaker 1: And the thing is, if like it so much, just 413 00:21:00,800 --> 00:21:04,679 Speaker 1: keep supporting what you like. So well, if you like 414 00:21:05,240 --> 00:21:10,440 Speaker 1: real country music, there's some great traditional sounding country music 415 00:21:10,520 --> 00:21:14,199 Speaker 1: artists out there. And I say traditional meaning just in 416 00:21:14,200 --> 00:21:17,240 Speaker 1: everybody's head you think of the cowboy hat like this. 417 00:21:17,240 --> 00:21:20,480 Speaker 1: This morning, I played Cody Johnson and I think that 418 00:21:20,520 --> 00:21:22,760 Speaker 1: record is great that he put out, and people were like, 419 00:21:22,840 --> 00:21:26,040 Speaker 1: finally you're playing some red dirt. No, I don't finally 420 00:21:26,080 --> 00:21:28,280 Speaker 1: play any format. I just play what I think is 421 00:21:28,280 --> 00:21:31,440 Speaker 1: good and what I like, and so I think that 422 00:21:31,440 --> 00:21:33,760 Speaker 1: that was a good record, and so I played it 423 00:21:33,800 --> 00:21:36,200 Speaker 1: this morning on the air and UH said, hey, you 424 00:21:36,240 --> 00:21:39,080 Speaker 1: should check it out. I've never met Cody Johnson, so 425 00:21:39,119 --> 00:21:40,880 Speaker 1: it's not one of those where it's like I met 426 00:21:40,920 --> 00:21:42,840 Speaker 1: him and saw him. I have no idea if you 427 00:21:42,840 --> 00:21:45,560 Speaker 1: can play good live. I assume you can. Um and 428 00:21:45,640 --> 00:21:49,320 Speaker 1: is the record is good? All right, so you can 429 00:21:49,400 --> 00:21:50,680 Speaker 1: check it out if you want to see it. But 430 00:21:51,480 --> 00:21:53,480 Speaker 1: I don't know. The music thing is annoying to me 431 00:21:53,800 --> 00:21:57,760 Speaker 1: when people are like, hey man, this this music sucks. Okay, 432 00:21:57,840 --> 00:22:00,359 Speaker 1: then don't buy it. Like nobody's forced me to buy anything. 433 00:22:01,280 --> 00:22:04,960 Speaker 1: And you know what dictates, like what gets played in places, 434 00:22:05,880 --> 00:22:08,400 Speaker 1: how successful things are. I mean, look at a guy 435 00:22:08,480 --> 00:22:13,520 Speaker 1: like Sam Hunt. Nobody was none of the traditional guys. 436 00:22:13,800 --> 00:22:16,600 Speaker 1: And I'm using none as an overall statement because of course, 437 00:22:16,600 --> 00:22:19,560 Speaker 1: if you did, none of the traditional guys wanted that 438 00:22:19,600 --> 00:22:21,520 Speaker 1: to work or thought it would work because it was 439 00:22:21,600 --> 00:22:23,840 Speaker 1: so different. But he was so good that it was 440 00:22:23,920 --> 00:22:26,879 Speaker 1: undeniable and you had to play it. And Sam's a 441 00:22:26,960 --> 00:22:30,119 Speaker 1: superstar now, and it wasn't because everybody was like, we 442 00:22:30,240 --> 00:22:32,040 Speaker 1: gotta get Sam Hunt and play him all the time 443 00:22:32,080 --> 00:22:34,720 Speaker 1: because this is what country music is about. No, he 444 00:22:34,840 --> 00:22:38,680 Speaker 1: was just so good it was undeniable. You cannot keep 445 00:22:38,720 --> 00:22:41,000 Speaker 1: him off the radio because if you did, someone else 446 00:22:41,119 --> 00:22:43,080 Speaker 1: was gonna play him, and they were gonna switch stations, 447 00:22:43,160 --> 00:22:45,480 Speaker 1: or they were gonna go listen to some other form 448 00:22:45,520 --> 00:22:48,320 Speaker 1: of music. They're gonna download it or something else. So 449 00:22:49,640 --> 00:22:51,840 Speaker 1: whenever you say, won't you play some real stuff, Okay, 450 00:22:52,200 --> 00:22:54,040 Speaker 1: you can support what you want to support, and I'll 451 00:22:54,080 --> 00:22:56,479 Speaker 1: and that's great, I love you for it. But there 452 00:22:56,520 --> 00:23:00,320 Speaker 1: really is no such thing as real country music. And 453 00:23:00,400 --> 00:23:02,399 Speaker 1: I get asked that a lot in interviews, like what 454 00:23:02,640 --> 00:23:05,960 Speaker 1: is country music and what it used to be? And 455 00:23:06,000 --> 00:23:10,160 Speaker 1: again you have to go back to like twenties and thirties. 456 00:23:10,520 --> 00:23:13,159 Speaker 1: It would be people from an area of the country 457 00:23:13,760 --> 00:23:16,560 Speaker 1: and it would be what they were influenced by in 458 00:23:16,600 --> 00:23:22,159 Speaker 1: their southern kind of southeastern part of the country. And 459 00:23:22,320 --> 00:23:28,480 Speaker 1: you know the Arkansas, Alabama, Louisiana, Texas to a point, Oklahoma, 460 00:23:28,760 --> 00:23:32,440 Speaker 1: you know that whole southwest southeast kind of thing. And 461 00:23:32,920 --> 00:23:34,560 Speaker 1: that was only what it was, and there weren't other 462 00:23:34,600 --> 00:23:36,720 Speaker 1: factors coming into play. Because there wasn't ways to get 463 00:23:36,800 --> 00:23:41,200 Speaker 1: music from the internet or whenever you would order eight 464 00:23:41,240 --> 00:23:43,920 Speaker 1: CDs from whatever that service was. We used to steal 465 00:23:43,960 --> 00:23:46,440 Speaker 1: sees from Did you ever do that? What was it called? 466 00:23:46,480 --> 00:23:49,439 Speaker 1: You remember? No, no, no, this is not download. This 467 00:23:49,520 --> 00:23:51,800 Speaker 1: is where we used to check off a box and 468 00:23:51,800 --> 00:23:54,040 Speaker 1: they would mail you eight CDs for a penny, and 469 00:23:54,080 --> 00:23:56,439 Speaker 1: then then they keep sending them to you and charging 470 00:23:56,440 --> 00:23:58,880 Speaker 1: you for other ones. There just was no other way 471 00:23:58,880 --> 00:24:00,560 Speaker 1: to get music. So that's where they music came from, 472 00:24:00,560 --> 00:24:02,480 Speaker 1: and that's where it grew. Well, then you started to 473 00:24:02,560 --> 00:24:04,920 Speaker 1: see it being affected by other music, Like you don't 474 00:24:04,920 --> 00:24:07,760 Speaker 1: think Johnny Cash was affected by Elvis and some of 475 00:24:07,760 --> 00:24:11,000 Speaker 1: these other rockers are crazy, Like Johnny Cash was rock 476 00:24:11,040 --> 00:24:14,480 Speaker 1: and roll and country. He was, and he's in Arkansas. 477 00:24:14,600 --> 00:24:17,920 Speaker 1: So for me being from Arkansas, you love people from 478 00:24:17,920 --> 00:24:19,600 Speaker 1: where you're from, especially if throwing a lot of not 479 00:24:19,880 --> 00:24:21,920 Speaker 1: you know, it's not like where California or New York 480 00:24:21,920 --> 00:24:23,600 Speaker 1: where there are tons of famous people that come out 481 00:24:23,600 --> 00:24:26,280 Speaker 1: of Arkansas. So Johnny Cash is a big deal for 482 00:24:26,320 --> 00:24:27,880 Speaker 1: my grandma, so it was a big deal for me. 483 00:24:28,640 --> 00:24:31,440 Speaker 1: And then as today, you're seeing all these artists and 484 00:24:31,480 --> 00:24:37,480 Speaker 1: they're influenced by so many things, and that's they're they're 485 00:24:37,520 --> 00:24:39,920 Speaker 1: influenced by what they can download, what they can see 486 00:24:39,960 --> 00:24:43,080 Speaker 1: on the internet, what they can read. But they still 487 00:24:43,160 --> 00:24:45,520 Speaker 1: have the music that they grew up on and the 488 00:24:45,600 --> 00:24:47,880 Speaker 1: voice that they have, and they want to remain authentic. 489 00:24:47,920 --> 00:24:50,200 Speaker 1: And the thing about country music is you gotta be good. 490 00:24:50,440 --> 00:24:52,600 Speaker 1: And that's the real separator of it all. Like you 491 00:24:52,680 --> 00:24:55,159 Speaker 1: have to be able to sing, you have to be 492 00:24:55,240 --> 00:24:57,600 Speaker 1: able to perform, or you cannot make it in the format. 493 00:24:58,240 --> 00:25:02,200 Speaker 1: That is the difference. And people say, what's because I mean, stylistically, 494 00:25:04,320 --> 00:25:06,440 Speaker 1: there's not at times not a lot of difference between 495 00:25:06,480 --> 00:25:09,000 Speaker 1: stuff here on pop and stuff here on the country radio. 496 00:25:10,119 --> 00:25:12,280 Speaker 1: But I did pop for a long time, and I 497 00:25:12,280 --> 00:25:13,679 Speaker 1: know a lot of those guys and they came in. 498 00:25:13,800 --> 00:25:17,960 Speaker 1: They can't sing this format. You've got to be for 499 00:25:18,080 --> 00:25:21,840 Speaker 1: real or present an authentic image. And some of them aren't, 500 00:25:21,840 --> 00:25:23,040 Speaker 1: not telling you some of the artists are full of 501 00:25:23,040 --> 00:25:25,760 Speaker 1: crap and they're such they're just full of crap and 502 00:25:25,760 --> 00:25:27,320 Speaker 1: they're not what they say they are, but they do 503 00:25:27,320 --> 00:25:30,320 Speaker 1: a good job of presenting it. Um most of them 504 00:25:30,359 --> 00:25:33,240 Speaker 1: are Southern are But you've gotta be able to perform 505 00:25:33,320 --> 00:25:35,560 Speaker 1: or you're not gonna make it. And so I mean, 506 00:25:35,560 --> 00:25:39,720 Speaker 1: real country of music is just an authentic voice and 507 00:25:39,800 --> 00:25:43,000 Speaker 1: you've gotta be talented. And I don't know if you 508 00:25:43,000 --> 00:25:44,800 Speaker 1: ever had anyone come on the show and say they 509 00:25:44,880 --> 00:25:48,399 Speaker 1: wouldn't perform, Like even the biggest act will come on 510 00:25:48,440 --> 00:25:52,159 Speaker 1: the radio show and sing songs and perform like Garth 511 00:25:52,200 --> 00:25:54,960 Speaker 1: brooks Keith Urban tim Ograwl Like they've all come in 512 00:25:55,000 --> 00:25:58,800 Speaker 1: and performed. That's because they can. And they're all on 513 00:25:58,960 --> 00:26:01,720 Speaker 1: time too. That's to think about the big stars. They're 514 00:26:01,760 --> 00:26:04,280 Speaker 1: all on time every time. You know, he's not on time. 515 00:26:04,400 --> 00:26:06,040 Speaker 1: The people, they're just getting their first hit and they 516 00:26:06,080 --> 00:26:08,960 Speaker 1: get new artist syndrome. The other words, they're like I'm 517 00:26:09,040 --> 00:26:11,959 Speaker 1: star now. They get there late. There have been two 518 00:26:12,040 --> 00:26:13,639 Speaker 1: or three acts I've been like, I'm not putting them on. 519 00:26:14,440 --> 00:26:20,680 Speaker 1: They wanna be late. Cool not here, you know, but 520 00:26:21,080 --> 00:26:24,120 Speaker 1: um there, I don't even know where I was going 521 00:26:24,160 --> 00:26:28,240 Speaker 1: with that. Um My dog is now snoring. The problem 522 00:26:28,240 --> 00:26:30,000 Speaker 1: is is the microphone right over him. He has his 523 00:26:30,040 --> 00:26:34,480 Speaker 1: own microphone. He's sitting in the chair snoring. Um, this 524 00:26:34,560 --> 00:26:36,400 Speaker 1: is the first ever Bobby Cast. How long we into 525 00:26:36,440 --> 00:26:37,800 Speaker 1: this thing, because notice that we had to be at 526 00:26:37,880 --> 00:26:41,080 Speaker 1: least twenty minutes in the first one. Perfect we got 527 00:26:41,080 --> 00:26:44,159 Speaker 1: more to talks when I'm gone, and which is a lot. 528 00:26:44,200 --> 00:26:47,880 Speaker 1: People always ask what happens to my dog, and Dusty 529 00:26:48,640 --> 00:26:51,360 Speaker 1: always stays at the house. He's like thirteen now, so 530 00:26:51,520 --> 00:26:54,240 Speaker 1: he doesn't even go to doggy daycare anymore. So either 531 00:26:54,359 --> 00:26:57,199 Speaker 1: Mike he stays with them at my house or Morgan 532 00:26:57,480 --> 00:27:01,040 Speaker 1: stays with them at my house. And that's I mean, 533 00:27:01,440 --> 00:27:04,639 Speaker 1: he never he doesn't leave. I'd like to move and 534 00:27:04,680 --> 00:27:08,480 Speaker 1: have a yard before he doesn't. He's not able to 535 00:27:08,560 --> 00:27:10,920 Speaker 1: like run around anymore. But I don't know if that's 536 00:27:10,920 --> 00:27:13,560 Speaker 1: gonna happen. Like my neighbors killing me, dude. I tried 537 00:27:13,600 --> 00:27:16,480 Speaker 1: taking a nap today. My sleep schedule is completely off 538 00:27:16,680 --> 00:27:21,119 Speaker 1: because I've had late nights and so I just can't 539 00:27:21,200 --> 00:27:24,000 Speaker 1: flip it back over. So we traveled when we drove 540 00:27:24,040 --> 00:27:27,680 Speaker 1: back from Fort Wayne, and it got in like seven 541 00:27:27,680 --> 00:27:30,640 Speaker 1: in the morning, So I slept till about eleven am, 542 00:27:30,680 --> 00:27:34,040 Speaker 1: and they went to bed last night and like seven pm, 543 00:27:34,040 --> 00:27:36,320 Speaker 1: and it was pretty exciting. I was so sleepy. And 544 00:27:36,320 --> 00:27:37,720 Speaker 1: then I woke up at like eleven pm and it 545 00:27:37,800 --> 00:27:40,119 Speaker 1: was up and I've you know, been up forever. And 546 00:27:40,119 --> 00:27:41,520 Speaker 1: then I tried to taking a nap. And my neighbor 547 00:27:41,520 --> 00:27:44,159 Speaker 1: has been renovating his place for like eight months. It 548 00:27:44,160 --> 00:27:51,320 Speaker 1: seems like Boo always banging on the walls. He did 549 00:27:51,359 --> 00:27:54,680 Speaker 1: send me an edible arrangement once, so I guess that's 550 00:27:54,800 --> 00:27:57,960 Speaker 1: uh equal. But I'll see him sometimes, we'll be over there. 551 00:27:58,000 --> 00:28:00,520 Speaker 1: It's awkward, like to made did you make them my 552 00:28:00,560 --> 00:28:04,520 Speaker 1: life miserable? Man? Uh, it's just in their built because 553 00:28:04,640 --> 00:28:08,280 Speaker 1: are my bedroom in his places where it's connected because 554 00:28:08,280 --> 00:28:11,560 Speaker 1: we're the only two places on on this floor. But yeah, 555 00:28:11,560 --> 00:28:15,080 Speaker 1: it is. It is not good. UM at a call 556 00:28:15,200 --> 00:28:18,400 Speaker 1: today with a station that we're going on. M hmm. 557 00:28:19,080 --> 00:28:20,320 Speaker 1: I don't know if I can say what station it 558 00:28:20,359 --> 00:28:23,120 Speaker 1: is because that has been announced and they're The weird 559 00:28:23,119 --> 00:28:25,000 Speaker 1: thing is sometimes they'll say, hey, you're going on in 560 00:28:25,040 --> 00:28:27,639 Speaker 1: this city. They don't say anything yet. You can't say 561 00:28:27,640 --> 00:28:29,919 Speaker 1: anything yet because some people don't know whatever. And there 562 00:28:29,920 --> 00:28:31,600 Speaker 1: are some cities that we're gonna come on soon and 563 00:28:31,840 --> 00:28:35,199 Speaker 1: you know whatever. But it had a UM call with 564 00:28:35,280 --> 00:28:38,840 Speaker 1: a city today and I was talking with the person 565 00:28:38,880 --> 00:28:41,160 Speaker 1: with The great thing is is that the morning people 566 00:28:41,160 --> 00:28:44,280 Speaker 1: will usually just go to the afternoons, so there's no 567 00:28:44,400 --> 00:28:46,840 Speaker 1: job lost, because the last thing I want may to 568 00:28:46,880 --> 00:28:48,680 Speaker 1: lose their job at a time when it's hard to 569 00:28:48,760 --> 00:28:51,000 Speaker 1: keep a job in this industry, in any sort of 570 00:28:51,040 --> 00:28:56,360 Speaker 1: creative film period, it is a matter, radio, TV painter, musician, like, 571 00:28:56,400 --> 00:28:59,400 Speaker 1: these are impossible jobs. There are possible jobs to get 572 00:28:59,400 --> 00:29:01,680 Speaker 1: their possible jobs, to keep their possible jobs, to be 573 00:29:01,720 --> 00:29:04,080 Speaker 1: successful at. And if you are successful, it's impossible to 574 00:29:04,080 --> 00:29:07,480 Speaker 1: be successful for a long time, and so just hold 575 00:29:07,520 --> 00:29:10,640 Speaker 1: on for as long as you can, like there's only 576 00:29:10,680 --> 00:29:13,040 Speaker 1: a window that's open for so long. And that's why 577 00:29:13,040 --> 00:29:14,440 Speaker 1: I just go so hard right now, because I don't 578 00:29:14,440 --> 00:29:17,040 Speaker 1: think it's gonna last forever. So I got books and 579 00:29:17,120 --> 00:29:21,200 Speaker 1: albums and radio shows and stay like my window. Who 580 00:29:21,200 --> 00:29:23,280 Speaker 1: knows how long this thing is gonna be open. So anyway, 581 00:29:23,320 --> 00:29:26,360 Speaker 1: they call and I'm doing I'm talking to the current 582 00:29:26,640 --> 00:29:28,880 Speaker 1: morning show, and it's just one of the cities are 583 00:29:28,880 --> 00:29:32,640 Speaker 1: shows going in soon, And I'm so jealous because they 584 00:29:32,680 --> 00:29:35,520 Speaker 1: get to go to afternoons. My life would be so 585 00:29:35,600 --> 00:29:38,640 Speaker 1: much better if I could sleep in, because I'm not 586 00:29:39,280 --> 00:29:42,080 Speaker 1: a morning person. And you think, wow, you do a 587 00:29:42,120 --> 00:29:44,640 Speaker 1: morning show, you're just so like happy in the morning. 588 00:29:44,960 --> 00:29:46,840 Speaker 1: By the time I get on the air at five 589 00:29:47,440 --> 00:29:52,280 Speaker 1: Central six Eastern, or if you're Pacific, I've had about 590 00:29:52,320 --> 00:29:57,040 Speaker 1: three hours of fighting my soul being happy or awake, 591 00:29:57,680 --> 00:30:01,680 Speaker 1: and so by that time I'm you usually okay, but 592 00:30:01,960 --> 00:30:05,480 Speaker 1: I walk in, I walk into that building in the morning. 593 00:30:05,840 --> 00:30:09,640 Speaker 1: I'm not mean or rude. I just I'm just not 594 00:30:09,680 --> 00:30:13,840 Speaker 1: a morning person. And there aren't a lot of pleasantries exchanged. 595 00:30:14,720 --> 00:30:16,560 Speaker 1: Like I walk in, I walk to the microphone, and 596 00:30:16,560 --> 00:30:19,560 Speaker 1: I just start cutting liners and I think it's just 597 00:30:19,760 --> 00:30:25,560 Speaker 1: that's just understood right, like like I'm not angry. It 598 00:30:25,640 --> 00:30:28,000 Speaker 1: just takes me about an hour in that building before 599 00:30:28,040 --> 00:30:30,800 Speaker 1: I finally have the morning nous out of me. I 600 00:30:30,840 --> 00:30:33,920 Speaker 1: hate morning so much. I love doing the show. Like, 601 00:30:34,000 --> 00:30:35,600 Speaker 1: my favorite place to be in the whole world is 602 00:30:35,600 --> 00:30:37,360 Speaker 1: when that microphone is on and I'm in that studio. 603 00:30:37,760 --> 00:30:39,480 Speaker 1: That's my favorite place to beat. My second favorite place 604 00:30:39,480 --> 00:30:41,440 Speaker 1: to be is on stage doing stand up, but my 605 00:30:41,440 --> 00:30:44,040 Speaker 1: favorite place to be on the radio. And so once 606 00:30:44,040 --> 00:30:47,080 Speaker 1: the show starts, I mean, I'm on, I'm good. But 607 00:30:48,080 --> 00:30:51,080 Speaker 1: what is it when I when I come in, What's 608 00:30:51,280 --> 00:30:53,720 Speaker 1: what's the feeling like when I walk in? Is it 609 00:30:53,880 --> 00:30:59,360 Speaker 1: like right, relaxed? Dude? Is it because it's straight I 610 00:30:59,360 --> 00:31:00,720 Speaker 1: go straight to work. Theren't I don't go in and 611 00:31:00,760 --> 00:31:04,480 Speaker 1: say everybody, good morning. There's no good mornings. No, it's 612 00:31:04,480 --> 00:31:06,440 Speaker 1: just like you're there, it's time to work, time to 613 00:31:06,440 --> 00:31:09,200 Speaker 1: get stuff done. So we just go. You know, there's 614 00:31:09,200 --> 00:31:13,120 Speaker 1: not like hey, do you guys do haze like a 615 00:31:13,200 --> 00:31:14,960 Speaker 1: quick what's up? But even like then, if we don't 616 00:31:14,960 --> 00:31:16,720 Speaker 1: say anything, it's not like a big deal. We could 617 00:31:16,720 --> 00:31:20,040 Speaker 1: just walk in and start working. It's just yeah, and 618 00:31:20,080 --> 00:31:24,239 Speaker 1: it's probably listen, you all probably do that because I 619 00:31:24,320 --> 00:31:26,000 Speaker 1: do that. And if I came in and made a 620 00:31:26,000 --> 00:31:27,440 Speaker 1: big deal every day, I was like, oh my goodness, 621 00:31:27,440 --> 00:31:29,240 Speaker 1: as good as that's probably how we do it. I'm 622 00:31:29,240 --> 00:31:30,680 Speaker 1: not saying that's not a better way to do it, 623 00:31:30,680 --> 00:31:34,840 Speaker 1: but god, I am just um not a morning person 624 00:31:35,480 --> 00:31:37,920 Speaker 1: at all. I don't know how long I can do 625 00:31:38,400 --> 00:31:42,200 Speaker 1: the morning thing I got. I don't know. I don't. 626 00:31:42,240 --> 00:31:44,360 Speaker 1: Usually people tell you something like well, but then after 627 00:31:44,400 --> 00:31:45,920 Speaker 1: you have the whole day to do stuff, you know, 628 00:31:46,000 --> 00:31:50,160 Speaker 1: you're exhausted the whole day. You don't have the whole 629 00:31:50,200 --> 00:31:53,760 Speaker 1: day because you're exhausted. My days will go like this, 630 00:31:54,080 --> 00:31:57,120 Speaker 1: I will get up but three, I'll do the radio 631 00:31:57,120 --> 00:32:02,440 Speaker 1: show until whenever, um, and then I just have met 632 00:32:03,040 --> 00:32:05,880 Speaker 1: a hundred meetings. It's just meetings all the time, stupid meetings, 633 00:32:06,040 --> 00:32:09,760 Speaker 1: and then important meetings and meetings. I got new books 634 00:32:09,840 --> 00:32:15,200 Speaker 1: and radio stuff and research and um, I mean, what 635 00:32:15,320 --> 00:32:17,240 Speaker 1: time I've a spray tan in a bit? You know, 636 00:32:17,280 --> 00:32:20,920 Speaker 1: it's only that's really not that important. But and so 637 00:32:20,960 --> 00:32:22,880 Speaker 1: then I have to work out every day at three o'clock. 638 00:32:23,360 --> 00:32:25,880 Speaker 1: That's my one hour that I set aside to go 639 00:32:25,920 --> 00:32:27,560 Speaker 1: do that. And then I get home and I start 640 00:32:27,600 --> 00:32:30,040 Speaker 1: working on the show, and we set this little studio 641 00:32:30,120 --> 00:32:32,400 Speaker 1: up in here, and it's like, man, how awesome would 642 00:32:32,440 --> 00:32:34,160 Speaker 1: be to be able to do this at five o'clock 643 00:32:34,200 --> 00:32:37,480 Speaker 1: at night. But that's not where the listeners are. Everybody's 644 00:32:37,840 --> 00:32:40,560 Speaker 1: the listeners are in the morning. So but I love it. 645 00:32:40,600 --> 00:32:44,640 Speaker 1: Like once, I know some radio morning guys and I 646 00:32:44,680 --> 00:32:46,200 Speaker 1: wish I could do this. They just wake up and 647 00:32:46,200 --> 00:32:48,640 Speaker 1: go right there and do the show. There's wake up. 648 00:32:49,360 --> 00:32:52,000 Speaker 1: They trust everybody to have everything done and they walk 649 00:32:52,160 --> 00:32:54,400 Speaker 1: right into it and go all right, what are we 650 00:32:54,440 --> 00:32:59,000 Speaker 1: doing today? And that's it. That's it. I can't do that. 651 00:32:59,040 --> 00:33:03,040 Speaker 1: I'm such a control for Wereek, Like I I need 652 00:33:03,040 --> 00:33:05,160 Speaker 1: to have spent two and a half hours on it 653 00:33:05,240 --> 00:33:07,480 Speaker 1: the night before. I need to have read every news story. 654 00:33:07,920 --> 00:33:10,040 Speaker 1: I need to wake up. I have a grid on 655 00:33:10,120 --> 00:33:13,120 Speaker 1: my computer and I put down that. I mean, every 656 00:33:13,120 --> 00:33:15,920 Speaker 1: single segment I put in and we rarely stay on, 657 00:33:16,920 --> 00:33:19,240 Speaker 1: but I probably have enough prepared for two shows every 658 00:33:19,240 --> 00:33:22,160 Speaker 1: single day in case something doesn't go right, but I can't. 659 00:33:23,920 --> 00:33:25,400 Speaker 1: I always thought I want to be one of those 660 00:33:25,400 --> 00:33:28,200 Speaker 1: guys because I admire the fact that they can do 661 00:33:28,240 --> 00:33:30,280 Speaker 1: that and still do a successful show, because I mean, 662 00:33:30,360 --> 00:33:33,520 Speaker 1: they've also hired really good people and they maintain ratings 663 00:33:33,560 --> 00:33:35,800 Speaker 1: and but you know, like the late night hosts, that's 664 00:33:35,840 --> 00:33:38,400 Speaker 1: what they do for the most part. They have writers 665 00:33:38,440 --> 00:33:40,959 Speaker 1: and they walk in and go, all right, what are 666 00:33:40,960 --> 00:33:42,760 Speaker 1: we doing? And they tell him what to do and 667 00:33:43,080 --> 00:33:46,120 Speaker 1: that's it. They go, I'm but I still run my 668 00:33:46,120 --> 00:33:48,720 Speaker 1: own board too, which a lot of shows don't do. 669 00:33:48,840 --> 00:33:51,520 Speaker 1: And again it's not it's just because I'm weird and 670 00:33:51,560 --> 00:33:55,320 Speaker 1: I'm scared. If somebody else pushes a button, I guess 671 00:33:55,360 --> 00:33:59,640 Speaker 1: the building burns down or something. So, uh, there's that. 672 00:34:01,240 --> 00:34:04,040 Speaker 1: I wrote some stuff down to talk about in this podcast, 673 00:34:04,080 --> 00:34:06,000 Speaker 1: but I guess I'm not keeping it. I was just 674 00:34:05,960 --> 00:34:09,719 Speaker 1: talking about Justin Bieber's winer and Orlando Bloom's winer. They 675 00:34:09,760 --> 00:34:13,759 Speaker 1: were they had pictures where they were. Orlando Bloom was 676 00:34:13,760 --> 00:34:16,160 Speaker 1: with Katie Perry and they were on like a paddle 677 00:34:16,160 --> 00:34:19,160 Speaker 1: board and Justin Bieber was in Hawaii. I think they 678 00:34:19,200 --> 00:34:23,480 Speaker 1: were both butt naked and like the winners were out. 679 00:34:24,160 --> 00:34:26,719 Speaker 1: Don't you look at them? I think I saw Did 680 00:34:26,719 --> 00:34:28,319 Speaker 1: you see that? Did you look at the Blacktown win 681 00:34:28,360 --> 00:34:32,040 Speaker 1: or did you search for the real winer? Yeah? I saw, Listen, 682 00:34:32,120 --> 00:34:39,000 Speaker 1: I saw. I'm curious about them, Like I'm not into guys, um, 683 00:34:39,040 --> 00:34:41,960 Speaker 1: but I'm always curious because I don't let guys lie 684 00:34:42,000 --> 00:34:45,200 Speaker 1: to you because for a guy to say, yeah, I'm 685 00:34:45,200 --> 00:34:48,520 Speaker 1: not curious what another guy's got down there, they're lying 686 00:34:49,400 --> 00:34:51,160 Speaker 1: like we're all it's like I wonder how much that 687 00:34:51,239 --> 00:34:54,640 Speaker 1: person makes. It's the same thing like I wonder how 688 00:34:54,719 --> 00:34:57,200 Speaker 1: much money he makes to doing that job. That's how 689 00:34:57,239 --> 00:34:59,839 Speaker 1: this guys feel like, oh man, I wonder what he's 690 00:34:59,840 --> 00:35:02,840 Speaker 1: got down there. And also you want to if you 691 00:35:02,840 --> 00:35:04,440 Speaker 1: have a girlfriend, always want to know, like if you 692 00:35:04,480 --> 00:35:06,520 Speaker 1: can know like the like the last guy they dated 693 00:35:07,000 --> 00:35:09,640 Speaker 1: and what they had down there, that'd probably a good 694 00:35:10,360 --> 00:35:13,840 Speaker 1: little meter two because when you know how hard you 695 00:35:13,840 --> 00:35:17,759 Speaker 1: had to work afterward or if it was even worth it. 696 00:35:17,800 --> 00:35:20,520 Speaker 1: Does he stopped looking the the leather. My dog is 697 00:35:20,520 --> 00:35:23,560 Speaker 1: a leather thing when he just licks leather all the time. 698 00:35:24,400 --> 00:35:26,960 Speaker 1: So I was gonna do a whole thing on Beaver 699 00:35:27,200 --> 00:35:31,760 Speaker 1: and Orlando Wims Winers and how it's basically like us wondering, 700 00:35:32,640 --> 00:35:35,919 Speaker 1: Like if Shaq were peeing beside me, I would look, yeah, 701 00:35:36,000 --> 00:35:37,920 Speaker 1: no doubt, and like I would look, and I would 702 00:35:37,920 --> 00:35:41,920 Speaker 1: look down quickly, but I would look because I was 703 00:35:42,000 --> 00:35:46,359 Speaker 1: for science. I always say I'd be cure, I'd be curious. Um. 704 00:35:46,400 --> 00:35:50,879 Speaker 1: But again it's just the same thing as science. I'm 705 00:35:50,920 --> 00:35:55,160 Speaker 1: wondering how much like I don't know how much Charlemagne 706 00:35:55,200 --> 00:35:59,399 Speaker 1: makes no idea, be curious to know? An take a peek. 707 00:35:59,640 --> 00:36:01,719 Speaker 1: If I if this contract were in front of me 708 00:36:03,280 --> 00:36:05,239 Speaker 1: and there was an option of it being blacked out 709 00:36:06,200 --> 00:36:08,520 Speaker 1: or not, I click on the knot and I want 710 00:36:08,520 --> 00:36:13,000 Speaker 1: to see. And just because I want to know. In comparison, 711 00:36:13,560 --> 00:36:16,719 Speaker 1: if Ryan secret contract or laying in front again, I think, 712 00:36:16,800 --> 00:36:19,840 Speaker 1: look this if they look so, yeah, I looked, I 713 00:36:19,880 --> 00:36:22,719 Speaker 1: definitely clicked on that. I gotta hacked or someone tried 714 00:36:22,719 --> 00:36:24,200 Speaker 1: to hang my Apple account. So I got locked at 715 00:36:24,239 --> 00:36:27,840 Speaker 1: an email for a whole day, and so I couldn't 716 00:36:27,880 --> 00:36:31,799 Speaker 1: log into my computer or my email or my any 717 00:36:31,840 --> 00:36:35,879 Speaker 1: of my Apple I D stuff, And so I called 718 00:36:35,880 --> 00:36:38,080 Speaker 1: Apple and they were like, okay, someone tried to long 719 00:36:38,120 --> 00:36:40,160 Speaker 1: into you account multiple times. So someone tried to hack 720 00:36:40,200 --> 00:36:42,279 Speaker 1: my account and they couldn't get my password because my 721 00:36:42,280 --> 00:36:47,799 Speaker 1: passwords crazy. It's like, you know, hippopotamus likes I have 722 00:36:47,880 --> 00:36:50,880 Speaker 1: nuts passwords, and so they couldn't get into my password, 723 00:36:50,880 --> 00:36:52,799 Speaker 1: but they tried so many times they're just locked it down. 724 00:36:53,640 --> 00:36:56,120 Speaker 1: And so I called Apple, which, by the way, to 725 00:36:56,120 --> 00:36:58,800 Speaker 1: be such a big company, great customer service at Apple. 726 00:36:59,120 --> 00:37:00,560 Speaker 1: Like I got on the phone with the guy and 727 00:37:00,600 --> 00:37:02,400 Speaker 1: he was like, hey, man, how's your day going. I 728 00:37:02,480 --> 00:37:04,360 Speaker 1: was like great. I was like, I got a problem. 729 00:37:04,560 --> 00:37:06,080 Speaker 1: We're talked about the problem. But he was like, you 730 00:37:06,160 --> 00:37:07,640 Speaker 1: got we got a family. How are they I'm like no, 731 00:37:07,800 --> 00:37:09,480 Speaker 1: but thanks for asking. You know. It was a whole thing. 732 00:37:09,920 --> 00:37:12,200 Speaker 1: And so we go through and he goes, it's gonna 733 00:37:12,200 --> 00:37:14,400 Speaker 1: be twenty four hours before you can get in. So 734 00:37:14,480 --> 00:37:18,320 Speaker 1: they send you a link with at exactly twenty four hours, 735 00:37:18,360 --> 00:37:20,239 Speaker 1: and then you only have three hours to activate it 736 00:37:20,280 --> 00:37:23,360 Speaker 1: because then the link dies. So it's super efficient. Boom. 737 00:37:23,400 --> 00:37:25,719 Speaker 1: I got it logged back in, but and then all 738 00:37:25,760 --> 00:37:28,759 Speaker 1: my emails like like a hundred all at once, but 739 00:37:28,800 --> 00:37:31,000 Speaker 1: I got like hacked over the weekend. The weird thing 740 00:37:31,040 --> 00:37:33,400 Speaker 1: about it is they ask you security questions. But I 741 00:37:33,400 --> 00:37:35,839 Speaker 1: set up my security questions like eight or nine years 742 00:37:35,840 --> 00:37:38,480 Speaker 1: ago when I first set up my Mac, my Apple 743 00:37:38,520 --> 00:37:41,520 Speaker 1: account on my first Mac, and it was like one 744 00:37:41,560 --> 00:37:44,120 Speaker 1: and I posted a question on Twitter. They asked me 745 00:37:44,560 --> 00:37:49,480 Speaker 1: on January one, two thousand, what were you doing? I 746 00:37:49,520 --> 00:37:54,160 Speaker 1: have no idea or I don't. I have no I 747 00:37:54,200 --> 00:37:59,719 Speaker 1: was like at New Year's parties enter nope, apparently I 748 00:37:59,800 --> 00:38:05,200 Speaker 1: was master no and like none of it works. Yeah, 749 00:38:05,360 --> 00:38:07,120 Speaker 1: none of it worked. And so I didn't even know 750 00:38:07,239 --> 00:38:10,160 Speaker 1: my security questions. So that's why I ended up calling 751 00:38:10,200 --> 00:38:14,040 Speaker 1: Apple and they were like, who was your best friend's sister? 752 00:38:14,640 --> 00:38:17,040 Speaker 1: And I was like, well, it was weird because you 753 00:38:17,080 --> 00:38:19,440 Speaker 1: set up those security questions from eight years ago. It's 754 00:38:19,480 --> 00:38:23,279 Speaker 1: completely different. Um. So that happened this weekend as we 755 00:38:23,280 --> 00:38:28,600 Speaker 1: were on the road going to um Fort Wayne, UM, 756 00:38:28,680 --> 00:38:31,080 Speaker 1: and I guess that's that's that's pretty much it. Hopefully 757 00:38:31,120 --> 00:38:33,920 Speaker 1: this thing works. This is our first real, like decently 758 00:38:33,960 --> 00:38:36,560 Speaker 1: long episode. UM. If you're listening to this, you can 759 00:38:36,560 --> 00:38:39,239 Speaker 1: send me a tweet let me know, Uh, just in 760 00:38:39,280 --> 00:38:41,400 Speaker 1: the suit, just go Just in the suit will call me. 761 00:38:42,520 --> 00:38:44,440 Speaker 1: Like when I I don't like talking on the phone, 762 00:38:45,160 --> 00:38:47,720 Speaker 1: I like the text or FaceTime. I like to talk 763 00:38:48,320 --> 00:38:51,040 Speaker 1: and just in the suit who by the way, I 764 00:38:51,080 --> 00:38:53,439 Speaker 1: like as a person a lot. But he called every 765 00:38:53,440 --> 00:38:56,600 Speaker 1: time and he'll be like, hey, Bud, how are you 766 00:38:56,600 --> 00:39:01,120 Speaker 1: doing my good man? We're talking fifteen minutes ago. What's up? No, 767 00:39:01,440 --> 00:39:04,520 Speaker 1: just hear it work and then go and go with you. Yeah, 768 00:39:05,040 --> 00:39:07,640 Speaker 1: like to Golet's get to the point it is going 769 00:39:07,680 --> 00:39:10,919 Speaker 1: good with me. What's up? You know, just happened another day? 770 00:39:11,280 --> 00:39:14,640 Speaker 1: Just you know, things are come on. Get to the 771 00:39:14,680 --> 00:39:18,640 Speaker 1: point about minute happen to It'll be like, okay, so listen, buddy, 772 00:39:18,719 --> 00:39:21,440 Speaker 1: we got a sound check tomorrow at five o'clock. We 773 00:39:21,520 --> 00:39:23,640 Speaker 1: go with that. Yep, okay, cool, talk to you later. 774 00:39:24,120 --> 00:39:26,600 Speaker 1: Like we go to eight percent of time wasted to 775 00:39:26,680 --> 00:39:30,080 Speaker 1: get to one question. I have friends I work with, 776 00:39:30,239 --> 00:39:35,000 Speaker 1: like I call. It's like, it's not My tone can 777 00:39:35,080 --> 00:39:37,520 Speaker 1: come off as rude sometimes, especially in an email, because 778 00:39:37,520 --> 00:39:41,000 Speaker 1: it's just like so direct like to, but man, I 779 00:39:41,120 --> 00:39:46,440 Speaker 1: do not need the the pleasant tries, especially if it's 780 00:39:46,440 --> 00:39:48,080 Speaker 1: about work stuff Like I have friends and I talked too, 781 00:39:48,120 --> 00:39:50,200 Speaker 1: and I'm like, dude, what's happening now? You've been what's 782 00:39:50,200 --> 00:39:52,399 Speaker 1: what's going on with your life? But when he calls 783 00:39:52,480 --> 00:39:53,840 Speaker 1: you four times in one day, and every one of 784 00:39:53,880 --> 00:39:56,279 Speaker 1: them is like, hey, buddy, how you doing well this 785 00:39:56,400 --> 00:39:58,040 Speaker 1: I'm doing what I'm doing like an hour ago, Like 786 00:39:58,920 --> 00:40:02,080 Speaker 1: I'm fine, just got just working out. I hate the gym, 787 00:40:02,239 --> 00:40:06,279 Speaker 1: but I'm good, which, by the way, I mentioned I 788 00:40:06,280 --> 00:40:09,000 Speaker 1: work out from three to four every day most days 789 00:40:09,040 --> 00:40:13,680 Speaker 1: if I'm not on the road, but like I don't. 790 00:40:13,800 --> 00:40:18,240 Speaker 1: I hate exercising, and that you lost over a hundred 791 00:40:18,239 --> 00:40:20,680 Speaker 1: pounds of mic So have you found an enjoyment and 792 00:40:20,760 --> 00:40:24,080 Speaker 1: exercising or no? A little bit like running sometimes it's 793 00:40:24,160 --> 00:40:27,319 Speaker 1: kind of like I cleared my head a little bit, 794 00:40:27,400 --> 00:40:29,920 Speaker 1: but like the process of getting ready to go, it's 795 00:40:29,920 --> 00:40:31,320 Speaker 1: like this is terrible. I don't want to do this. 796 00:40:32,080 --> 00:40:34,000 Speaker 1: I hate all of it. I have a trainer that 797 00:40:34,080 --> 00:40:37,080 Speaker 1: I really like and so that I could call him 798 00:40:37,080 --> 00:40:40,879 Speaker 1: major Pain and I really enjoy him. But I hate 799 00:40:40,920 --> 00:40:43,160 Speaker 1: working out like all the time. And if I didn't 800 00:40:43,200 --> 00:40:46,480 Speaker 1: have a job that's somewhat depended on my image, I 801 00:40:46,560 --> 00:40:49,799 Speaker 1: probably wouldn't. I would just go man or maybe if 802 00:40:49,800 --> 00:40:52,200 Speaker 1: I had, if I get a why a girlfriend, like 803 00:40:52,320 --> 00:40:54,720 Speaker 1: I still feel like I gotta be at peak shape, 804 00:40:55,040 --> 00:40:58,160 Speaker 1: especially for my company, like they use me and a 805 00:40:58,239 --> 00:41:01,440 Speaker 1: lot of things visually, and I know that, and I 806 00:41:01,560 --> 00:41:03,879 Speaker 1: know that's part of my job, and so I take 807 00:41:03,960 --> 00:41:06,560 Speaker 1: that seriously. So I try to stay in good shape. 808 00:41:06,960 --> 00:41:10,359 Speaker 1: It's definitely not for any other reason because I hate exercising. 809 00:41:10,760 --> 00:41:12,680 Speaker 1: There's never a time where I'm like, sure, do you 810 00:41:12,719 --> 00:41:15,800 Speaker 1: feel like exercising? Never. Never, It's like waking up in 811 00:41:15,800 --> 00:41:17,120 Speaker 1: the morning for the show. I never wake up at 812 00:41:17,120 --> 00:41:20,880 Speaker 1: three o'clock and go, what a beautiful day. Let's because never, 813 00:41:22,000 --> 00:41:23,520 Speaker 1: but I do it. But I don't even feel bad 814 00:41:23,600 --> 00:41:28,120 Speaker 1: for me who. I feel bad for our females, especially 815 00:41:28,200 --> 00:41:31,680 Speaker 1: once because I have friends females that are in country 816 00:41:31,800 --> 00:41:34,840 Speaker 1: music or just females that are in public period, Like 817 00:41:34,960 --> 00:41:38,719 Speaker 1: they have such a harder expectation on them. Like if 818 00:41:38,719 --> 00:41:41,080 Speaker 1: you don't have a flat stomach and you're a female, 819 00:41:41,200 --> 00:41:43,800 Speaker 1: people are like, oh I saw in TMZ it was 820 00:41:43,880 --> 00:41:47,279 Speaker 1: like maybe Lindsay Lohan. It was like, what is it 821 00:41:47,480 --> 00:41:51,720 Speaker 1: a baby or a burrito for lunch? And it's like, dang, 822 00:41:53,000 --> 00:41:54,600 Speaker 1: Like I think I got it bad. But I can 823 00:41:54,640 --> 00:41:58,960 Speaker 1: put on a few pounds and it's fine. But females, man, 824 00:41:58,960 --> 00:42:00,840 Speaker 1: you guys have a rough I felt feel bad for you, 825 00:42:01,120 --> 00:42:02,640 Speaker 1: Like if you don't have a tight stomach and your 826 00:42:02,680 --> 00:42:05,680 Speaker 1: female people be like, no, they ain't gonna work. Look 827 00:42:05,680 --> 00:42:11,080 Speaker 1: at her, look at her, but let's see you email me. Oh, 828 00:42:11,320 --> 00:42:14,400 Speaker 1: check it out. We're announcing another show, a big show tomorrow, 829 00:42:14,719 --> 00:42:19,200 Speaker 1: a raging idiot show at a football stadium. Yeah. Yeah, 830 00:42:19,560 --> 00:42:21,120 Speaker 1: I can't say who it is yet. They just send 831 00:42:21,160 --> 00:42:25,280 Speaker 1: me the graphic for it. Um, you're playing football stame 832 00:42:25,320 --> 00:42:33,040 Speaker 1: before Um, I get uh. We played after an Arkansas 833 00:42:33,160 --> 00:42:35,520 Speaker 1: Razorback game right outside the stadium, and I guess this 834 00:42:35,640 --> 00:42:38,160 Speaker 1: isn't in the stadium. I can't say where it is. 835 00:42:38,200 --> 00:42:42,800 Speaker 1: I just say it's ah mm hmm. I can't. I 836 00:42:42,800 --> 00:42:45,080 Speaker 1: don't want get in trouble. But we're playing with a 837 00:42:45,120 --> 00:42:48,879 Speaker 1: couple of big artists. And so the last time Brad 838 00:42:48,920 --> 00:42:51,319 Speaker 1: Paisley had his open for him for two shows, one 839 00:42:51,400 --> 00:42:57,160 Speaker 1: of Baylor before a game and then one after the 840 00:42:57,280 --> 00:42:59,840 Speaker 1: Razor Arkansas razorback game. So we opened for Brad Paisley 841 00:42:59,880 --> 00:43:03,279 Speaker 1: two shows and I'm a die hard Razorback fan. And 842 00:43:03,320 --> 00:43:05,520 Speaker 1: they lost the game. We had to play after the show. 843 00:43:05,719 --> 00:43:08,560 Speaker 1: It was awful. I don't want to be there. I 844 00:43:08,880 --> 00:43:11,200 Speaker 1: don't want to play. I was mad because we lost 845 00:43:11,239 --> 00:43:14,000 Speaker 1: the game. It was just not good. But this one 846 00:43:14,160 --> 00:43:16,480 Speaker 1: is now that I'm looking at it, it's the night 847 00:43:16,600 --> 00:43:20,360 Speaker 1: before the game and there are two major country artists 848 00:43:20,440 --> 00:43:22,480 Speaker 1: and us playing. I don't know why they. I mean, 849 00:43:22,480 --> 00:43:25,359 Speaker 1: they put us on this stuff because people listen. I'll 850 00:43:25,360 --> 00:43:27,719 Speaker 1: say this about our shows now, they're fun. We've gotten 851 00:43:27,760 --> 00:43:29,359 Speaker 1: a lot better. We have a good band with us too, 852 00:43:29,440 --> 00:43:31,160 Speaker 1: Like we have a great band that plays with us, 853 00:43:31,640 --> 00:43:34,080 Speaker 1: and they're fun. Like when we go into Peaches by 854 00:43:34,080 --> 00:43:37,400 Speaker 1: the President's people are like, man, did I talk about this? 855 00:43:38,520 --> 00:43:42,000 Speaker 1: Ye who? People think we wrote the song times people 856 00:43:42,080 --> 00:43:43,600 Speaker 1: people haven't heard it before. They'll be like, hey, do 857 00:43:43,640 --> 00:43:46,239 Speaker 1: you guys put that Peaches on because it's so dumb, 858 00:43:46,320 --> 00:43:48,560 Speaker 1: it's so old, and so if you're young and you 859 00:43:48,600 --> 00:43:50,520 Speaker 1: don't know Peaches about the President of the United States 860 00:43:50,560 --> 00:43:53,040 Speaker 1: of America, you're like. People are like, oh, that Pezza 861 00:43:53,040 --> 00:43:55,560 Speaker 1: sounds really good. You guys are a good one. They're like, now, 862 00:43:55,600 --> 00:43:57,680 Speaker 1: we didn't write that, but we'll play stuff like this. 863 00:43:58,760 --> 00:44:03,960 Speaker 1: It just you and we have our songs. We play 864 00:44:04,040 --> 00:44:06,640 Speaker 1: like six of our songs maybe, and then we play 865 00:44:06,719 --> 00:44:10,800 Speaker 1: like eight or nine covers and some comedy songs, you know, 866 00:44:10,840 --> 00:44:13,239 Speaker 1: that kind of stuff. During the show, move into the 867 00:44:13,360 --> 00:44:18,080 Speaker 1: country gonna eat a lot of peaches. I'm moving into 868 00:44:18,280 --> 00:44:22,440 Speaker 1: the country, Gonna eat me a lot of peaches. I'm 869 00:44:22,480 --> 00:44:26,640 Speaker 1: moving into the country, gonna eat a lot of peaches. 870 00:44:27,520 --> 00:44:34,160 Speaker 1: Move into the country. I'm gonna eat a lot of peaches. Come. 871 00:44:35,680 --> 00:44:38,279 Speaker 1: We played that, and half the crowds like, yeah, half 872 00:44:38,320 --> 00:44:41,759 Speaker 1: you guys like what's happening? But I'm looking at it. 873 00:44:42,040 --> 00:44:46,560 Speaker 1: We're playing Guitarbeque on Wednesday, and um, I don't know 874 00:44:46,560 --> 00:44:48,400 Speaker 1: when you're gonna hear this. We're recording this on the 875 00:44:48,560 --> 00:44:51,640 Speaker 1: August eighth, which is is today Monday, Monday, Monday Night. 876 00:44:51,640 --> 00:44:55,239 Speaker 1: We play Wednesday Night at Guitarbecue, and the order of 877 00:44:55,360 --> 00:45:01,080 Speaker 1: performers is Chris Lane, then Brandy Clark, then John Party, 878 00:45:01,760 --> 00:45:04,920 Speaker 1: then Us the Raging Idiots, then Dustin Lynch and then 879 00:45:05,440 --> 00:45:07,719 Speaker 1: keep more in that order. So we're kind of in 880 00:45:07,800 --> 00:45:11,320 Speaker 1: the middleish to back end of it. Um. So we 881 00:45:11,400 --> 00:45:14,279 Speaker 1: have a night spot, which is good. Um, and so 882 00:45:15,520 --> 00:45:17,759 Speaker 1: we're probably play peaches. I'm looking to just set us now. 883 00:45:18,400 --> 00:45:21,719 Speaker 1: But here's thing artists gets so like they they think 884 00:45:21,719 --> 00:45:23,960 Speaker 1: if they cover a song, or they cover too many songs, 885 00:45:24,560 --> 00:45:27,600 Speaker 1: that crowds won't take them seriously. Like crowds love it 886 00:45:27,640 --> 00:45:31,799 Speaker 1: when artists cover songs and maybe artists like one cover. 887 00:45:32,280 --> 00:45:34,960 Speaker 1: Sometimes artists want to play covers on our show. But 888 00:45:35,400 --> 00:45:38,600 Speaker 1: like people love to hear songs they know, unless it's 889 00:45:38,640 --> 00:45:41,520 Speaker 1: your favorite artist. We like to hear songs we know, 890 00:45:42,040 --> 00:45:44,320 Speaker 1: like from the radio, Like if there's some new artists 891 00:45:44,360 --> 00:45:46,200 Speaker 1: out and it's like, okay, like I like to hear 892 00:45:46,239 --> 00:45:47,759 Speaker 1: I want to hear you do Peaches. Maybe I mean 893 00:45:47,800 --> 00:45:49,200 Speaker 1: hear you do Peaches and then if you go to that, 894 00:45:49,440 --> 00:45:52,480 Speaker 1: listen to your other stuff. But artists hate doing covers. 895 00:45:52,880 --> 00:45:54,719 Speaker 1: One in particular was like I don't do covers, and 896 00:45:54,760 --> 00:45:57,920 Speaker 1: I was like, interesting, Okay, well we'll see and seeing 897 00:45:58,200 --> 00:46:01,440 Speaker 1: a couple months, I guess because we had this segment 898 00:46:01,600 --> 00:46:03,400 Speaker 1: plan where we where we do a cover and then 899 00:46:03,440 --> 00:46:08,800 Speaker 1: then an original. But no, I like, um, this is 900 00:46:08,840 --> 00:46:11,600 Speaker 1: my email going off. I like it when artists doo covers. 901 00:46:11,640 --> 00:46:13,200 Speaker 1: But if you ever come to Raging Idians show, like 902 00:46:13,239 --> 00:46:15,560 Speaker 1: we're not real anyway, but we have like five or 903 00:46:15,600 --> 00:46:17,239 Speaker 1: six songs that we we play when I grow up. 904 00:46:17,280 --> 00:46:21,960 Speaker 1: Every day is a good day, uh Starbucks. But then 905 00:46:22,480 --> 00:46:24,360 Speaker 1: we just play our favorite songs to cover our favorite 906 00:46:24,400 --> 00:46:26,440 Speaker 1: songs and then we'll bring someone like you know, we 907 00:46:26,520 --> 00:46:28,120 Speaker 1: had Lindsay yelled with us, which she hadn't played with 908 00:46:28,200 --> 00:46:30,440 Speaker 1: us in a long time, and so we're lucky enough 909 00:46:30,440 --> 00:46:33,000 Speaker 1: to get her to come out and um open up 910 00:46:33,040 --> 00:46:36,120 Speaker 1: the show. And then we also let them do some 911 00:46:36,200 --> 00:46:39,680 Speaker 1: of their favorite stuff too. It's a total self serving show, 912 00:46:39,800 --> 00:46:42,279 Speaker 1: like we just play our favorite songs. But Lindsay has 913 00:46:42,320 --> 00:46:44,879 Speaker 1: a song called all all Right, which is not even 914 00:46:45,040 --> 00:46:46,640 Speaker 1: out like yeah, I mean, I think you can download 915 00:46:46,640 --> 00:46:48,879 Speaker 1: the version at the operation maybe, but it's not even 916 00:46:49,000 --> 00:46:51,759 Speaker 1: like out as a record song. But it's so good 917 00:46:52,840 --> 00:46:55,279 Speaker 1: it's like I can't get out of It's like, uh, 918 00:46:56,200 --> 00:47:13,800 Speaker 1: all right, up, all right, all right? Times long games, 919 00:47:14,239 --> 00:47:16,960 Speaker 1: it's hard to tell and I can't tell when the 920 00:47:17,040 --> 00:47:25,279 Speaker 1: school and get better times. Oh I need to do 921 00:47:25,760 --> 00:47:28,880 Speaker 1: is look at you and you're begging hair face itself. 922 00:47:29,719 --> 00:47:32,640 Speaker 1: We can make money to do last forever if we 923 00:47:32,800 --> 00:47:36,560 Speaker 1: go broke and go broke together. If you're with me, baby, 924 00:47:36,680 --> 00:47:40,960 Speaker 1: it's gonna be all right. We can make play on 925 00:47:41,080 --> 00:47:44,600 Speaker 1: the change on the diamond up somewhere we didn't have mine. 926 00:47:44,840 --> 00:47:47,359 Speaker 1: Could you win me in the front seat. It's gonna 927 00:47:47,440 --> 00:47:52,879 Speaker 1: leave all right. So that's a live version too, that's 928 00:47:52,920 --> 00:47:55,239 Speaker 1: not even a studio version. That's we're playing live at 929 00:47:55,239 --> 00:47:58,399 Speaker 1: the operating so that's no bells and whistles just like there. 930 00:47:58,400 --> 00:48:01,640 Speaker 1: It is live and you played with us. Um, So 931 00:48:03,000 --> 00:48:05,400 Speaker 1: I think that's what we're freak gonna wrap. Now what 932 00:48:05,520 --> 00:48:07,279 Speaker 1: does this thing hold? Like? What's if we were going 933 00:48:07,320 --> 00:48:08,759 Speaker 1: to do a long one? What would be the long 934 00:48:08,800 --> 00:48:12,080 Speaker 1: as we could do? Really? What are we at now? 935 00:48:13,960 --> 00:48:17,920 Speaker 1: This is episode one? We're gonna call it here? What 936 00:48:18,040 --> 00:48:21,160 Speaker 1: did you learn today? And Mike, I learned that if 937 00:48:21,200 --> 00:48:24,560 Speaker 1: there's a celebrity next to you using the restroom, not 938 00:48:24,719 --> 00:48:27,759 Speaker 1: any celebrity, if you're average, if you're average size, I'm 939 00:48:27,800 --> 00:48:29,959 Speaker 1: not gonna look down. If there's a picture on the internet, 940 00:48:29,960 --> 00:48:32,279 Speaker 1: I'm gonna look if it's out there. But they're butt 941 00:48:32,360 --> 00:48:34,240 Speaker 1: naking their celebrities that are in public, like what you expect. 942 00:48:34,239 --> 00:48:36,440 Speaker 1: You can get a picture taken. I'm not gonna look 943 00:48:36,440 --> 00:48:38,200 Speaker 1: down at everybody's wener like I'm not. But I'm saying, 944 00:48:38,200 --> 00:48:40,040 Speaker 1: if Shack, we're standing next to me at seven pital, 945 00:48:40,280 --> 00:48:43,680 Speaker 1: I'm curious, um, and these pictures were out, they were 946 00:48:43,719 --> 00:48:47,120 Speaker 1: in public. I feel bad for Justin Bieber though, like 947 00:48:47,560 --> 00:48:50,080 Speaker 1: people like jes Aeper doesn't even know what it's like 948 00:48:50,080 --> 00:48:52,719 Speaker 1: to be a normal human. He just doesn't know what 949 00:48:52,840 --> 00:48:55,960 Speaker 1: it's like royalty. It's easy to go, well, they're rich, 950 00:48:56,080 --> 00:49:00,000 Speaker 1: you it's life's easy for them. But in their minds 951 00:49:00,040 --> 00:49:02,359 Speaker 1: and they're not really that rich. They've always been this way. 952 00:49:02,520 --> 00:49:05,200 Speaker 1: It's like us, we've always been this way. Then people 953 00:49:05,200 --> 00:49:07,239 Speaker 1: in third world countries could look at us and go, oh, 954 00:49:07,400 --> 00:49:10,680 Speaker 1: that's rich. It's all. There's always perspective. And Justin Bieber 955 00:49:10,719 --> 00:49:15,200 Speaker 1: been famous and he was like twelve and has all 956 00:49:15,239 --> 00:49:20,160 Speaker 1: this time and all this money, and nobody really tell 957 00:49:20,239 --> 00:49:23,360 Speaker 1: him right and wrong, and he's had some struggles, and 958 00:49:23,440 --> 00:49:24,920 Speaker 1: I look at it and I'm like, man, there's just 959 00:49:25,000 --> 00:49:27,520 Speaker 1: nobody to send him in the right direction. I feel 960 00:49:27,560 --> 00:49:29,480 Speaker 1: bad for him. I was looking at the pictures of 961 00:49:29,600 --> 00:49:31,440 Speaker 1: him and a bunch of models in Hawaiian. Somehow it's 962 00:49:31,440 --> 00:49:33,879 Speaker 1: feeling bad for him because you just have a bunch 963 00:49:33,920 --> 00:49:36,920 Speaker 1: of time to kill a bunch of money, and it 964 00:49:36,960 --> 00:49:39,000 Speaker 1: sounds great to someone like us. To me doesn't sound 965 00:49:39,000 --> 00:49:40,520 Speaker 1: great at all, Like I need a regiment, I need 966 00:49:40,560 --> 00:49:43,600 Speaker 1: to work, I need to be on. But most people 967 00:49:43,600 --> 00:49:45,520 Speaker 1: don't feel sorry for Justin Bieber because he's got money. 968 00:49:45,719 --> 00:49:47,359 Speaker 1: I'm a type for someone who grew up not having 969 00:49:47,400 --> 00:49:50,160 Speaker 1: any money at all, like major broke too. Now I 970 00:49:50,239 --> 00:49:53,440 Speaker 1: do pretty well, like whatever, You're still the same person, 971 00:49:54,120 --> 00:49:57,360 Speaker 1: Like you still say very than you can buy shining 972 00:49:57,400 --> 00:49:58,680 Speaker 1: your things, and you can make sure your dog get 973 00:49:58,760 --> 00:50:01,560 Speaker 1: better dog food. But even then it doesn't only matter 974 00:50:01,680 --> 00:50:06,359 Speaker 1: that much. I'm no happier now than I was ten 975 00:50:06,440 --> 00:50:09,600 Speaker 1: years ago. You just find a different place to put it. 976 00:50:10,320 --> 00:50:14,840 Speaker 1: But one day she'll come along. She will. Okay, that's it. 977 00:50:16,080 --> 00:50:17,560 Speaker 1: I'll leave you with a little something here, little something 978 00:50:17,560 --> 00:50:20,359 Speaker 1: I'm working on. I didn't know Mike was gonna put 979 00:50:20,440 --> 00:50:24,479 Speaker 1: this um up here, but we have this kid's record 980 00:50:24,560 --> 00:50:29,040 Speaker 1: coming out there now, I'll we talked about later. But 981 00:50:29,160 --> 00:50:33,680 Speaker 1: when I'm working on, like secretly is the the secret mixtape, 982 00:50:34,000 --> 00:50:37,160 Speaker 1: the hip hop mix tape, Super Secret Mixtape, And so 983 00:50:37,400 --> 00:50:41,920 Speaker 1: it's just a bunch of hip hop songs and my 984 00:50:42,160 --> 00:50:45,680 Speaker 1: old hip hop name with Captain Caucasian and so I've 985 00:50:45,719 --> 00:50:47,239 Speaker 1: been bringing him out. I'm gonna give you a little 986 00:50:47,280 --> 00:50:50,000 Speaker 1: bit of a pizza song, this pizza song rap part 987 00:50:50,040 --> 00:50:51,319 Speaker 1: of the mix tape coming out. I'm just gonna give 988 00:50:51,320 --> 00:50:55,920 Speaker 1: you a little bit here. Pizza, Pizza, Pizza, Rachel Pizza 989 00:50:55,960 --> 00:51:01,680 Speaker 1: in the air. Do you're here? Enough edge down dropping. 990 00:51:01,760 --> 00:51:05,279 Speaker 1: Here's a comprehensive list of all my pizza topings. I 991 00:51:05,400 --> 00:51:09,480 Speaker 1: like Eperoni, Ham So Jesus was Fami hamp My Sauss 992 00:51:09,520 --> 00:51:13,400 Speaker 1: and clown Man Torch, Michaels and win Well Baking and Fetter. 993 00:51:13,560 --> 00:51:16,120 Speaker 1: You know it doesn't get better. I like the ham 994 00:51:16,200 --> 00:51:19,000 Speaker 1: and the Cheddar, the Ninja Turtles, Hey shrid up, Hey 995 00:51:19,080 --> 00:51:22,000 Speaker 1: who Ninni you wini come on a bee me zucchini 996 00:51:22,200 --> 00:51:25,840 Speaker 1: up in my red Lamborghinis. Just kidding. I can't afford that. 997 00:51:26,200 --> 00:51:28,880 Speaker 1: I like pizza. I like pizza all in your mom. 998 00:51:29,600 --> 00:51:32,400 Speaker 1: I like pizza. I like pizza Lord and my prom. 999 00:51:33,080 --> 00:51:35,800 Speaker 1: I like pizza. I like pizza Low and my Lord 1000 00:51:35,880 --> 00:51:39,760 Speaker 1: and behind a website if beyond me dot com matter 1001 00:51:39,920 --> 00:51:42,879 Speaker 1: Roma from Roma you dropping down from the Drona. I'm 1002 00:51:42,960 --> 00:51:46,040 Speaker 1: dyning in all Alona and now I'm in up for coma. 1003 00:51:46,080 --> 00:51:48,800 Speaker 1: I'll eat it in Oklahoma. I call it in on 1004 00:51:48,920 --> 00:51:52,920 Speaker 1: the phone. I finished up pizza school. Now here's my floa. 1005 00:51:53,040 --> 00:51:56,920 Speaker 1: I got the farm and the Shakers ship ship, the 1006 00:51:57,080 --> 00:52:01,160 Speaker 1: brick ofv and Baker baby Babe so hot. I burned 1007 00:52:01,200 --> 00:52:05,200 Speaker 1: my cank er. Waitress leaves it and I thank you. 1008 00:52:07,360 --> 00:52:11,520 Speaker 1: I like pizza. I like pizza, Mom, I like pizza. 1009 00:52:11,640 --> 00:52:15,320 Speaker 1: I like pizza all my prong. I like pizza, like 1010 00:52:15,920 --> 00:52:20,239 Speaker 1: bing my long and had a webside in me dot com. 1011 00:52:21,360 --> 00:52:22,719 Speaker 1: There go just a little break off, a little bit 1012 00:52:22,760 --> 00:52:24,640 Speaker 1: of that right there, A little pizza song, part of 1013 00:52:24,680 --> 00:52:28,239 Speaker 1: mix tape coming out sometimes in that's it for today's show. 1014 00:52:29,760 --> 00:52:34,200 Speaker 1: I've been your host, Bobby Moons, thanks for being part 1015 00:52:34,200 --> 00:52:39,240 Speaker 1: of the Bobby Gusts Series. Episode one. For my producer 1016 00:52:39,800 --> 00:52:43,479 Speaker 1: Mike Deed follow him on Instagram at Mike d Show 1017 00:52:44,440 --> 00:52:46,520 Speaker 1: d E E S t R oh is all right, 1018 00:52:46,760 --> 00:52:49,320 Speaker 1: that's right. Yeah, I don't know how to turn it 1019 00:52:49,360 --> 00:52:53,759 Speaker 1: down or I would. I'm Bobby Bones. And for my 1020 00:52:53,840 --> 00:52:56,000 Speaker 1: dog Dusty, who's been sitting beside me the whole time. 1021 00:52:56,760 --> 00:52:59,680 Speaker 1: Good day, everybody, and thanks for listening to the Bobby Cast. 1022 00:53:00,320 --> 00:53:03,719 Speaker 1: This episode of Podycast brought to you by no sponsor yet. 1023 00:53:04,080 --> 00:53:05,160 Speaker 1: Thank you, and good night,