WEBVTT - #34 - J Stone

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<v Speaker 1>Bootleg Cap Podcast. Oh my goodness, I'm just watching football podcast.

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<v Speaker 1>I Got Money on the Line, Bill's Patriots on the under.

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<v Speaker 1>It's getting close, ladies and gentlemen. Anyway, Yo, welcome to

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<v Speaker 1>another edition of the Boutlet Cap Podcast. Man listen. Shout

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<v Speaker 1>out to everybody who's locked in with us. Uh. This

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<v Speaker 1>will probably be out Tuesday. The video came out Monday.

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<v Speaker 1>We got a dope episode for you today. Shout out

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<v Speaker 1>to Jay Stone. If you do not know who Jay

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<v Speaker 1>Stone is, He's somebody who was signed or is signed

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<v Speaker 1>to All Money In, somebody who was close with Nipsey,

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<v Speaker 1>a dope young rapper out of a la who in

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<v Speaker 1>his own right is very talented, making a lot of

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<v Speaker 1>noise and putting out quality music. Uh. So, we're gonna

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<v Speaker 1>be talking with Jay Stone about everything from his new

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<v Speaker 1>album The Definition of Pain, which follows up to his

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<v Speaker 1>album The Definition of Loyalty. Both mus Go, Cops Must Go.

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<v Speaker 1>You know, check it out. The Definition of Pain. Got

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<v Speaker 1>two crazy new Nipsey verses on it. Dope conversation with

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<v Speaker 1>j Stone. I suggest you tap in. I promise you'll

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<v Speaker 1>enjoy it. Salute to our sponsors. Per the usual. Got

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<v Speaker 1>a shout out to odd Socks for always holding this

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<v Speaker 1>good friends at odd socks. Now the holidays are officially over.

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<v Speaker 1>I'm a little under the weather. I didn't even go lie.

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<v Speaker 1>I think it's because I was walking around the house

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<v Speaker 1>Use the keyword Bootleg keV for twenty percent off. Busyweek.

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<v Speaker 1>Not only do we have the Jstone interview that's about

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<v Speaker 1>to drop. Yes, he's got a freestyle dropping on our

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<v Speaker 1>YouTube channel that's fire as fuck. Plus we got Katory Walker,

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<v Speaker 1>who is an incredible artist out of Pasadena who dropped

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<v Speaker 1>the dope ass project called Idols this year. We're gonna

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<v Speaker 1>have him on the show this week and uh man,

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<v Speaker 1>plus Stupid Young's on the way. Just so much other

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<v Speaker 1>stuff we're working on. Super excited, so let's get into it. Man,

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<v Speaker 1>it is officially official. The Jaystone episode of the Bootleg

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<v Speaker 1>cap Podcast. I believe episode number thirty three, but I

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<v Speaker 1>might be fucking wrong. I think it's episode thirty two.

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<v Speaker 1>I don't know. It's probably if you just look at

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<v Speaker 1>your phone, it's on the description. Let's get into it,

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<v Speaker 1>Blutley Cab Podcast. Man, we got the homie Jay Stone

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<v Speaker 1>in here. Welcome. What's up? What's up? What's up? Man?

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<v Speaker 1>What's up? Cav Hey? Yeoh we chilling man? Listen to

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<v Speaker 1>your new album. The definition of pain is uh is? Well,

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<v Speaker 1>look what's today? This is gonna release when this the

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<v Speaker 1>album is out? All right? Bet so the album is

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<v Speaker 1>out a great body of work. Man. You know, I

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<v Speaker 1>got to appreciate you sending it over early so I

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<v Speaker 1>could tap in with it. Man. Definitely a very personal project.

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<v Speaker 1>I feel like, obviously with the title, Man, kind of

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<v Speaker 1>give us a little window into your thought process behind

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<v Speaker 1>naming the album what you named it. I mean, you know,

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<v Speaker 1>you know Nick really gave it these titles. You know

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<v Speaker 1>what I'm saying. With the definition of loyalty, Yeah, you

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<v Speaker 1>know what I'm saying. You know, I let him hear

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<v Speaker 1>a lot of songs and shit before I even drop

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<v Speaker 1>the definition of LOALTI and Bro. It's like, Man, just

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<v Speaker 1>based on the stories and you know what I'm saying,

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<v Speaker 1>you're giving the g CODs on shit. And you know

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<v Speaker 1>what I'm saying, Like, man, your album should be called

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<v Speaker 1>the Definition of Loyalty. You know what I'm saying, because

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<v Speaker 1>what I'm getting from these records is like loyalty shit

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<v Speaker 1>like that. You feel me? And he like, Man, your

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<v Speaker 1>next album should be the definition of of something else.

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<v Speaker 1>You know what I'm saying, pain, sacrifice, success, you know

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<v Speaker 1>what I'm saying. I just got to start thinking about

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<v Speaker 1>all that shit. I'm like, that's a nigga life right there, though,

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<v Speaker 1>if you think about it. Yeah, you you know, early

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<v Speaker 1>on in the project you're talking, you know, for people

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<v Speaker 1>who don't know, kind of give us the background. You

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<v Speaker 1>lost your mom and you were three years old. She

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<v Speaker 1>was young. I think you said she was twenty five.

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<v Speaker 1>She was only twenty five, you know what I'm saying.

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<v Speaker 1>And I was only three. So your auntie helped raise you. Yeah,

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<v Speaker 1>my auntie. You know what I'm saying, which was her sister.

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<v Speaker 1>What happened with your mom? Why did you pass up early?

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<v Speaker 1>If you don't want to share a shit the police, man,

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<v Speaker 1>you know what I'm saying. That was nineteen eighty nine.

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<v Speaker 1>You feel what I'm saying. Uh, the cracked epidemic was crazy.

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<v Speaker 1>You know what I'm saying. The police force in the

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<v Speaker 1>streets was crazy. You know what I'm saying. It was

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<v Speaker 1>just a war on drugs, you feel me. So any

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<v Speaker 1>anybody out there that was selling or using there was

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<v Speaker 1>a target period. You know what I'm saying, You go

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<v Speaker 1>to jail, get killed in the process of that shit.

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<v Speaker 1>So your mom was killed during an interaction with the cops. Yeah, man, shit, man,

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<v Speaker 1>she got pulled over on some shit. Man, you know

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<v Speaker 1>what I'm saying. And shit, I don't think she wants

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<v Speaker 1>to go to jail. You feel me. She probably talked

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<v Speaker 1>to him crazy, probably resisted the arrest or some shit

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<v Speaker 1>who knows he's crazy too, Because like we think about

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<v Speaker 1>police brutality, and however, the last like seven eight years,

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<v Speaker 1>it's been so magnified in social media. Yeah, but it's

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<v Speaker 1>crazy because when you go back and you watch like

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<v Speaker 1>you know, obviously not being from la I'm from Phoenix,

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<v Speaker 1>but like watching like you know, the Menace to societies,

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<v Speaker 1>the boys in the hoods, and like the way the

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<v Speaker 1>cops were portrayed in those movies. It's like almost like

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<v Speaker 1>it was worse back then and there was no cameras. Yeah,

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<v Speaker 1>it was worse back then. Like they fabricated how the

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<v Speaker 1>police really act in the movies and like like like

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<v Speaker 1>they dumbed it down. They done, they dumbed that shit down,

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<v Speaker 1>but they over exaggerated how niggas programmed in the streets.

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<v Speaker 1>You get what I'm saying. The streets was turned up, Like,

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<v Speaker 1>don't get me wrong, but you know, like the movies,

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<v Speaker 1>they made it a little bit dramatic, you feel what

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<v Speaker 1>I'm saying. Yeah, how like you know, at three years old,

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<v Speaker 1>I don't remember much from three years old obviously, Like

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<v Speaker 1>what was that like though? Kind of like you know,

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<v Speaker 1>like how did your family kind of what you were

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<v Speaker 1>getting older? Like you know what I'm saying, Like, how

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<v Speaker 1>do they kind of let you know what happened? Because

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<v Speaker 1>that's kind of a tough thing to tell a kid

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<v Speaker 1>on this is what happened to you know. Look, so

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<v Speaker 1>that's why I kept getting like different stories. You feel

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<v Speaker 1>what I'm saying. I had to put this ship together

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<v Speaker 1>because I would ask, you know what I'm saying, my auntie,

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<v Speaker 1>I asked, you know what I'm saying, A cousin or

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<v Speaker 1>uncle or somebody, and I get all different stories, right

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<v Speaker 1>because because you're a kid, they don't want to probably

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<v Speaker 1>either spare my feelings or they didn't even know you

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<v Speaker 1>get what I'm saying. So it was just I was

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<v Speaker 1>getting different stories. So like the three different stories I got,

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<v Speaker 1>I put them all together, and you know what I'm saying.

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<v Speaker 1>Came down to the bottom of that ship and I

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<v Speaker 1>asked my granddaddy like, hey, man, this, like did this happen?

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<v Speaker 1>He like, that's exactly what happened. You feel what I'm saying,

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<v Speaker 1>because they telling me she this, she dad, you know

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<v Speaker 1>what I'm saying. So once I got the real my

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<v Speaker 1>granddaddy was like, man, that's exactly what happened, Like, you

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<v Speaker 1>know what I'm saying. So for people who obviously kind

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<v Speaker 1>of break down like the section of l A you're from, Like,

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<v Speaker 1>you know, I think anybody who's fans and nip and

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<v Speaker 1>are already tapped in with your movement kind of already

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<v Speaker 1>understand where you're from. But like for people who are

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<v Speaker 1>watching this who don't know, kind of like give us

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<v Speaker 1>a background on what part of LA you're from. I'm

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<v Speaker 1>from LA. I'm from South Central you know what I'm saying,

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<v Speaker 1>the Crenshaw district. You know what I'm saying. I grew

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<v Speaker 1>up on eighth Ave, you know what I'm saying, went

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<v Speaker 1>the Hyde Park Elementary, went to Crenshaw High, Washington High.

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<v Speaker 1>You know what I'm saying. It's crazy because because Crenshaw

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<v Speaker 1>High has become like a cultural like landmark, you know.

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<v Speaker 1>And I know Nip had a lot to do with that,

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<v Speaker 1>like even back to when he had those pony shoes

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<v Speaker 1>and they were the blue and the yellow and yeah,

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<v Speaker 1>hell yeah, yeah, hell yeah. Man. Crenshaw. Crenshaw itself, man,

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<v Speaker 1>you know what I'm saying, got a history within itself.

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<v Speaker 1>You feel what I'm saying, And and and and Nip

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<v Speaker 1>and Nip. You know what I'm saying. He just recreated

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<v Speaker 1>the history of it. You know what I'm saying. We

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<v Speaker 1>had history then with the Darryl Starberry and of course

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<v Speaker 1>you know what I'm saying, and all that, and yeah, man,

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<v Speaker 1>it brought that ship back to life, bro in no

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<v Speaker 1>worldwide international scale, like you know what I'm saying. You say, Nip,

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<v Speaker 1>you got out of jail, and Nip put you on

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<v Speaker 1>the beat as soon as you got out. Soon I

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<v Speaker 1>came on so give us a little background on your

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<v Speaker 1>relationship with Nip How y'all how you guys originally linked

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<v Speaker 1>up and obviously for you to get out of jail

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<v Speaker 1>and then automatically, you know, be tapped in with it

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<v Speaker 1>with the with the homie, Like like, give us, give

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<v Speaker 1>us a little background on that man. Hell yeah, I

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<v Speaker 1>mean ship. When I got out of jail and ship

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<v Speaker 1>man Bro came and picked me up. You know what

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<v Speaker 1>I'm saying from jail. He like, Bro, Man, we can

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<v Speaker 1>we could do whatever. Well, shit, what year wasn't it

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<v Speaker 1>like he didn't been in jail so many times? He's

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<v Speaker 1>like every time? Everyway year we talking about what we

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<v Speaker 1>talk about? Twenty thirteen when I finally got my shit together,

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<v Speaker 1>came home January twenty thirteen with a plan, with a

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<v Speaker 1>plan not to go back and just get it. You

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<v Speaker 1>stay in the studio, you feel me. So Bro asked

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<v Speaker 1>me what I want to do. He said that I

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<v Speaker 1>don't want to go some hose nigga. We go get

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<v Speaker 1>on the helicopter, we go do whatever. You feel what

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<v Speaker 1>I'm saying. I'm like, Bro, take me straight to the studio. Wow,

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<v Speaker 1>you know what I'm saying. And we went straight to

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<v Speaker 1>the studio. That's crazy, cracking. He threw me on the beat.

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<v Speaker 1>We got cracking and there You're right, Yo, it's crazy

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<v Speaker 1>because like what you just said is like you've been

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<v Speaker 1>like you, you've been to jail multiple times, and there

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<v Speaker 1>in twenty thirteen, you finally kind of was like, Okay, Yeah,

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<v Speaker 1>I feel like a lot of a lot of Like

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<v Speaker 1>I have cousins who have been in and out of

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<v Speaker 1>jail NonStop their whole life, right, and it's like a

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<v Speaker 1>lot of it it's hard to get someone to really

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<v Speaker 1>understand why they they're in that position over and over again.

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<v Speaker 1>A lot of it has to do with the people

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<v Speaker 1>you surround yourself with, the circumstances you choose to be around.

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<v Speaker 1>You know what I'm saying. Yeah, Because after a while

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<v Speaker 1>they think, yo, ass dumb. They'd be like, man, this

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<v Speaker 1>niggas stupid. This nigga like jail or something. Why this

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<v Speaker 1>nigga keep going back? Yeah? Like what Likestand I would

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<v Speaker 1>ask you, like, what is some advice you give somebody

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<v Speaker 1>who has that problem? Because there are people who are

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<v Speaker 1>good people who just keep getting wrapped up. And you

0:10:57.960 --> 0:11:00.280
<v Speaker 1>know that the cycle of just going in and out

0:11:00.280 --> 0:11:02.240
<v Speaker 1>of jail every couple of years. You know what I'm saying,

0:11:02.280 --> 0:11:05.400
<v Speaker 1>to be honest, To be honest with niggas, man like

0:11:05.720 --> 0:11:09.000
<v Speaker 1>on some real shit. The system is set up for

0:11:09.080 --> 0:11:11.679
<v Speaker 1>a nigga to stay in there to go back. You

0:11:11.720 --> 0:11:14.959
<v Speaker 1>feel what I'm saying, Like they be pulling fifteen year

0:11:15.000 --> 0:11:17.760
<v Speaker 1>olds over you know what I'm saying, fresh school because

0:11:17.760 --> 0:11:20.040
<v Speaker 1>they want you on probation early. They want to get

0:11:20.080 --> 0:11:22.680
<v Speaker 1>you on paperwork, get your on probation. The nigga just

0:11:22.760 --> 0:11:25.440
<v Speaker 1>fuck you over every time, strip for your rights. So

0:11:25.520 --> 0:11:28.520
<v Speaker 1>then when you do go to jail and you get

0:11:28.520 --> 0:11:31.000
<v Speaker 1>out and you're still on probation or you're on parole,

0:11:31.280 --> 0:11:33.800
<v Speaker 1>any little thing that you do violation. Yeah, I could

0:11:33.840 --> 0:11:35.800
<v Speaker 1>be chilling with my family member and this nigga on

0:11:36.000 --> 0:11:39.200
<v Speaker 1>probation and parole, but you can't be affiliated with those

0:11:39.280 --> 0:11:41.640
<v Speaker 1>kind of people. Bro. Yeah, so that shit right there?

0:11:41.800 --> 0:11:44.320
<v Speaker 1>Have your ass back fast. Yeah, that's but I feel

0:11:44.320 --> 0:11:46.760
<v Speaker 1>like that's the biggest loophole. It's like, especially if you're

0:11:46.760 --> 0:11:48.400
<v Speaker 1>from where you're from, It's like, Yo, so you're telling

0:11:48.440 --> 0:11:51.080
<v Speaker 1>me I can't be around my my cousins or yeah,

0:11:51.240 --> 0:11:53.520
<v Speaker 1>you know what i'mybody, that's you know what I'm saying, affiliate.

0:11:53.679 --> 0:11:56.199
<v Speaker 1>But that's them their whole la. Oh you can't live

0:11:56.200 --> 0:12:00.720
<v Speaker 1>in the gang neighborhood, the whole la, right right right,

0:12:00.760 --> 0:12:03.840
<v Speaker 1>grand Mom staying in somebody hood, Auntie staying at somebody hood,

0:12:03.920 --> 0:12:06.240
<v Speaker 1>mom staying in somebody hood. You feel what I'm saying.

0:12:06.600 --> 0:12:08.440
<v Speaker 1>Help me understand. On the on the album, you say,

0:12:09.600 --> 0:12:12.600
<v Speaker 1>Baron Davison, Roddy Rich your blood cousin. Yeah, real talk,

0:12:12.720 --> 0:12:15.720
<v Speaker 1>so your blood cousins, Roddy and Baron. Real Talk said

0:12:15.720 --> 0:12:17.040
<v Speaker 1>I didn't know. I didn't even know that Roddy and

0:12:17.040 --> 0:12:20.000
<v Speaker 1>Baron related like that. They probably don't even know. They

0:12:20.040 --> 0:12:22.440
<v Speaker 1>probably didn't even know. You feel what I'm saying, Like,

0:12:22.960 --> 0:12:26.160
<v Speaker 1>it just it just it just it took a nigga

0:12:26.200 --> 0:12:29.680
<v Speaker 1>a little bit later to know that part. You feel

0:12:29.679 --> 0:12:31.920
<v Speaker 1>what I'm saying, especially Roddy because my bro hit me

0:12:32.080 --> 0:12:37.080
<v Speaker 1>was like he was like, you know, Roddy, that's our cousin. Right,

0:12:37.400 --> 0:12:39.360
<v Speaker 1>that's a little you know what I'm saying. It's a

0:12:39.400 --> 0:12:42.960
<v Speaker 1>little government that you're like, you know that's I'm like, yeah, nigga,

0:12:43.640 --> 0:12:47.680
<v Speaker 1>Roddy is my my g pops, my g No, my

0:12:47.800 --> 0:12:51.360
<v Speaker 1>uncle is his g pops. Oh shaw that go. So

0:12:51.400 --> 0:12:54.640
<v Speaker 1>you guys are like for real, related, that's crazy. You

0:12:54.679 --> 0:12:57.320
<v Speaker 1>guys have my dad, that's my dad brother, my dad brother.

0:12:58.480 --> 0:13:01.960
<v Speaker 1>My dad brother is my uncle. That's that's that nikked Grandaddy?

0:13:02.280 --> 0:13:04.600
<v Speaker 1>Were you like, like, is that something you found out

0:13:04.640 --> 0:13:08.480
<v Speaker 1>recently or was that? Man? Yeah, I just found that

0:13:08.559 --> 0:13:11.319
<v Speaker 1>out recently, bro, Like you've probably been around him and

0:13:11.360 --> 0:13:14.000
<v Speaker 1>ship not even new pop his g Pops is my

0:13:14.080 --> 0:13:18.760
<v Speaker 1>favorite uncle. Oh wow, Okay, Like that's that's what's crazy

0:13:18.760 --> 0:13:22.439
<v Speaker 1>about it. Damn. So you were like you guys because

0:13:22.440 --> 0:13:24.640
<v Speaker 1>I'm assuming you're around like with the racks in the middle,

0:13:25.240 --> 0:13:28.160
<v Speaker 1>uh in the video. That's what I'm saying. I was

0:13:28.160 --> 0:13:30.800
<v Speaker 1>just obviously, you know, he always tells us that story

0:13:30.800 --> 0:13:35.280
<v Speaker 1>about how how legendary that session was, you know. But yeah,

0:13:35.320 --> 0:13:36.679
<v Speaker 1>but you didn't even know that was your cousin at

0:13:36.679 --> 0:13:39.720
<v Speaker 1>the time. That shit crazy, that part. I didn't know.

0:13:39.840 --> 0:13:41.599
<v Speaker 1>I found that out later on in the game. No,

0:13:41.720 --> 0:13:45.120
<v Speaker 1>that's crazy. That's crazy. How this should be, bro? Yeah?

0:13:45.280 --> 0:13:48.600
<v Speaker 1>Super crazy? What about obviously Baron Davis, legendary LA figure,

0:13:48.640 --> 0:13:52.199
<v Speaker 1>one of the more most slept on point Guard's NBA history. Man,

0:13:52.240 --> 0:13:55.719
<v Speaker 1>he's super tapped in as well, you know, shout out

0:13:55.760 --> 0:13:58.240
<v Speaker 1>to be Diddy. Uh? You you guys have a strong

0:13:58.280 --> 0:14:00.840
<v Speaker 1>relationship or a sure Hell yeah, yeah, I put up

0:14:00.880 --> 0:14:03.880
<v Speaker 1>on him faithfully. You know what I'm saying. We had talks.

0:14:03.920 --> 0:14:07.199
<v Speaker 1>You know what I'm saying. We catch up this How

0:14:07.400 --> 0:14:09.040
<v Speaker 1>was it nice to have when he was on the Clippers?

0:14:09.080 --> 0:14:11.480
<v Speaker 1>Was that nice to have? Like? Man, that's why, that's

0:14:11.480 --> 0:14:13.679
<v Speaker 1>why I'm a hell of a Clipper fan right now,

0:14:13.720 --> 0:14:15.880
<v Speaker 1>you know what I'm saying from l A. But like

0:14:16.360 --> 0:14:18.160
<v Speaker 1>you know what I'm saying, My cousin Baron played for

0:14:18.200 --> 0:14:19.600
<v Speaker 1>the clipp He was balling out when he was on

0:14:19.640 --> 0:14:22.800
<v Speaker 1>the Clippers for real. Yeah. I had Nigga play for

0:14:22.840 --> 0:14:27.000
<v Speaker 1>the Clippers, the Warriors, Hornets, Hornets, Knicks for a little bit,

0:14:27.080 --> 0:14:28.960
<v Speaker 1>Nicks for a little bit. You know what I'm saying.

0:14:29.360 --> 0:14:31.520
<v Speaker 1>You know, the Warriors was the wave though when he

0:14:31.600 --> 0:14:34.440
<v Speaker 1>when they had that uh that season where they where

0:14:34.440 --> 0:14:36.120
<v Speaker 1>they upset the one seed. I think it was to

0:14:36.200 --> 0:14:40.160
<v Speaker 1>beat the Mavericks in round one. It was like Matt Barnes, Davis,

0:14:40.160 --> 0:14:42.840
<v Speaker 1>Michael Pitcher, that ship was legendary. Yeah, that's crazy. So

0:14:44.400 --> 0:14:48.120
<v Speaker 1>this album, man, super personal album. I feel like, you know,

0:14:48.200 --> 0:14:50.480
<v Speaker 1>you got some records on here that are crazy. You

0:14:50.600 --> 0:14:54.680
<v Speaker 1>got two Nipsy features on this project that are like

0:14:55.240 --> 0:14:57.880
<v Speaker 1>very special records. I feel like the Lebron James record

0:14:57.880 --> 0:15:01.520
<v Speaker 1>with Dom Kennedy is is a bang yeah, And I

0:15:01.520 --> 0:15:04.200
<v Speaker 1>feel like the other one is one of the better

0:15:04.320 --> 0:15:07.320
<v Speaker 1>NIP verses I've heard in a long time. Man Like yeah,

0:15:07.000 --> 0:15:10.280
<v Speaker 1>he got off on that ship. Yeah, now do you now?

0:15:11.080 --> 0:15:12.680
<v Speaker 1>Go ahead? Go ahead? Nah? No, go ahead. I was

0:15:12.720 --> 0:15:15.360
<v Speaker 1>gonna say, like, what is the process of Like how

0:15:15.360 --> 0:15:20.120
<v Speaker 1>many unreleased NIP records do you have? Obviously your home team,

0:15:20.480 --> 0:15:22.920
<v Speaker 1>so I'm assuming that you you you you have some

0:15:23.360 --> 0:15:26.200
<v Speaker 1>you know, I know, you know Dave's who's on your

0:15:26.200 --> 0:15:28.400
<v Speaker 1>project a couple of times as well, he's you know,

0:15:28.440 --> 0:15:30.160
<v Speaker 1>he's got some ship with him that no one's heard.

0:15:30.560 --> 0:15:33.360
<v Speaker 1>But like see see now that lap you know what

0:15:33.400 --> 0:15:35.440
<v Speaker 1>I'm saying, that second song you heard you feel Me?

0:15:35.560 --> 0:15:38.080
<v Speaker 1>That was like an energy that we was in the

0:15:38.120 --> 0:15:42.640
<v Speaker 1>studio and had did like Cousin went crazy and then

0:15:42.720 --> 0:15:45.840
<v Speaker 1>I went crazy, Right, But the verse that I use

0:15:46.000 --> 0:15:48.160
<v Speaker 1>is not is not even that verse. You feel what

0:15:48.160 --> 0:15:51.080
<v Speaker 1>I'm saying. Bro was like he said, Nigga, everything you

0:15:51.120 --> 0:15:53.280
<v Speaker 1>said on there was the money. He said, just changed

0:15:53.320 --> 0:15:55.480
<v Speaker 1>the first four boards. He said, you changed the first

0:15:55.480 --> 0:15:58.200
<v Speaker 1>four boards. He said the rest of that shit is money.

0:15:58.920 --> 0:16:01.240
<v Speaker 1>So instead of change in the four boards, I just

0:16:01.320 --> 0:16:04.920
<v Speaker 1>changed the whole verse and just went crazy. Yeah you spat,

0:16:04.960 --> 0:16:08.720
<v Speaker 1>you know because nip kicked that thing off man on fire. Yeah,

0:16:08.960 --> 0:16:10.960
<v Speaker 1>but we held on to her for a cool minute,

0:16:11.040 --> 0:16:13.240
<v Speaker 1>right right, you know what I'm saying, We ain't do

0:16:13.280 --> 0:16:15.760
<v Speaker 1>shit to it. So after a while it just started

0:16:15.760 --> 0:16:18.400
<v Speaker 1>getting outdated. I'll revamped the beat and I'm like, man,

0:16:18.400 --> 0:16:20.800
<v Speaker 1>this shit perfect for the album. Yeah, because I know

0:16:20.840 --> 0:16:24.320
<v Speaker 1>that Nipsey was like very uh like he had an

0:16:24.320 --> 0:16:26.600
<v Speaker 1>intent when he recorded. It wasn't like Nipsey wasn't the

0:16:26.680 --> 0:16:30.200
<v Speaker 1>kind of guy who would, like, you know, do one

0:16:30.280 --> 0:16:32.320
<v Speaker 1>hundred and fifty songs and like, you know, you know

0:16:32.360 --> 0:16:36.920
<v Speaker 1>there's those artists that like quantity over quality sometimes, right,

0:16:37.080 --> 0:16:39.120
<v Speaker 1>But I feel like nip everything he did was like

0:16:39.320 --> 0:16:42.960
<v Speaker 1>very specific. It had purpose. It was like, you know,

0:16:43.080 --> 0:16:46.960
<v Speaker 1>like so so in your in your estimation, like how

0:16:47.080 --> 0:16:52.440
<v Speaker 1>much Nipsy versus records that are you know on hard

0:16:52.560 --> 0:16:59.360
<v Speaker 1>drive somewhere that we haven't heard yet? Hey, man a lot.

0:16:59.520 --> 0:17:02.120
<v Speaker 1>It's so his music. This nigga then did bro like

0:17:02.320 --> 0:17:04.960
<v Speaker 1>you you you wouldn't even imagine Bro, It's ship that

0:17:05.080 --> 0:17:07.400
<v Speaker 1>I haven't even heard when I thought I heard everything.

0:17:07.680 --> 0:17:10.000
<v Speaker 1>You know what I'm saying, is there a have you

0:17:10.040 --> 0:17:12.840
<v Speaker 1>heard any I like like plans obviously pop smoke past

0:17:12.920 --> 0:17:15.920
<v Speaker 1>and we got a crazy album from him after he

0:17:16.000 --> 0:17:18.919
<v Speaker 1>did after he died, and I think that. You know,

0:17:18.960 --> 0:17:20.560
<v Speaker 1>a lot of Nipsey fans are like, I wonder if

0:17:20.560 --> 0:17:22.639
<v Speaker 1>we're gonna get one more Nipsey project, And I know

0:17:22.680 --> 0:17:25.680
<v Speaker 1>it's not gonna be as cohesive because you know, he's

0:17:25.720 --> 0:17:29.440
<v Speaker 1>not here to if it were to happen, he's not here,

0:17:29.720 --> 0:17:31.480
<v Speaker 1>it's gonna take a lot of production. It's gonna take

0:17:31.480 --> 0:17:33.639
<v Speaker 1>a lot of you know, is that something that's been

0:17:33.960 --> 0:17:37.919
<v Speaker 1>discussed on. It's gonna It's gonna definitely be another nip album,

0:17:38.240 --> 0:17:40.880
<v Speaker 1>you know what I'm saying. But you know you got

0:17:40.920 --> 0:17:42.840
<v Speaker 1>to take time with that though. All money in so

0:17:42.960 --> 0:17:46.359
<v Speaker 1>you know, we ain't gonna put out nothing, Mickey or

0:17:46.520 --> 0:17:48.480
<v Speaker 1>do it just exactly? You know what I'm saying. You

0:17:48.480 --> 0:17:51.520
<v Speaker 1>guys felt like, like, you know what I'm saying, resting

0:17:51.560 --> 0:17:53.960
<v Speaker 1>piece of pot. I feel like if they would have

0:17:54.040 --> 0:17:56.879
<v Speaker 1>held on to his music a little bit more, you

0:17:56.920 --> 0:17:58.720
<v Speaker 1>know what I'm saying, and put it out the right way,

0:17:58.920 --> 0:18:02.359
<v Speaker 1>it would have been see different but the music was

0:18:02.359 --> 0:18:05.040
<v Speaker 1>still good and we needed at that time. So you know, yeah,

0:18:05.040 --> 0:18:09.480
<v Speaker 1>they definitely after after Pac died, I feel like they

0:18:09.480 --> 0:18:12.600
<v Speaker 1>didn't take their time with putting together those projects as

0:18:12.680 --> 0:18:15.399
<v Speaker 1>much as they probably could ask. And Nip had his

0:18:15.560 --> 0:18:20.359
<v Speaker 1>brand and his image so so so strong and tight,

0:18:20.600 --> 0:18:23.280
<v Speaker 1>like you can't you know what I'm saying, you can't

0:18:23.280 --> 0:18:26.800
<v Speaker 1>do the park on them with the mcavelly one, mcavelly fifteen.

0:18:26.880 --> 0:18:32.520
<v Speaker 1>Remember all those CDs Botlegsave. I remember just hearing about

0:18:32.520 --> 0:18:34.960
<v Speaker 1>all those and then when Napster came out, I was

0:18:35.000 --> 0:18:40.040
<v Speaker 1>downloading all the fucking Tupac bootlegs off the fucking internet. Man. Yeah,

0:18:40.040 --> 0:18:42.680
<v Speaker 1>that's crazy, Yeah, because I do think there is something

0:18:42.680 --> 0:18:46.000
<v Speaker 1>to be said about like with Pac, like there was

0:18:46.040 --> 0:18:48.720
<v Speaker 1>like some of those post depth albums that were solid,

0:18:49.080 --> 0:18:50.720
<v Speaker 1>but some of them just felt like they just kind

0:18:50.760 --> 0:18:52.720
<v Speaker 1>of kind of threw shit together and it was like

0:18:53.119 --> 0:18:54.920
<v Speaker 1>kind of threw shit together where they could have waited.

0:18:54.960 --> 0:18:56.480
<v Speaker 1>And then there was the one album that had like

0:18:56.520 --> 0:18:58.600
<v Speaker 1>features with people he probably never would have like never

0:18:58.840 --> 0:19:01.399
<v Speaker 1>even did a song where Bro, why is doing a

0:19:01.440 --> 0:19:03.960
<v Speaker 1>song with Trick Daddy and and all like and g

0:19:04.119 --> 0:19:07.679
<v Speaker 1>united Ship, Like Bro, like you didn't even know these cats,

0:19:07.720 --> 0:19:09.760
<v Speaker 1>you know what I'm saying, Like, and I feel like

0:19:09.800 --> 0:19:12.440
<v Speaker 1>with with Nip, it's got to be very You gotta

0:19:12.480 --> 0:19:16.240
<v Speaker 1>take your time. If that project happens, everything's got to

0:19:16.280 --> 0:19:18.280
<v Speaker 1>be super you know. I mean the same way he

0:19:18.320 --> 0:19:21.040
<v Speaker 1>took his time as Victory Lap. Yeah, and it was

0:19:21.600 --> 0:19:24.040
<v Speaker 1>a perfect album for sure, in the same way, you

0:19:24.040 --> 0:19:26.040
<v Speaker 1>know what I'm saying. So that'd be crazy though if

0:19:26.080 --> 0:19:28.720
<v Speaker 1>we hear that, man, Yeah, that'd be crazy. I don't know.

0:19:28.800 --> 0:19:31.000
<v Speaker 1>I really can't say, but I just well, you did

0:19:31.040 --> 0:19:36.720
<v Speaker 1>say earlier. But listen, man, shout out to NIP. I

0:19:36.800 --> 0:19:38.800
<v Speaker 1>hope I hope we hear uh, because you know, some

0:19:38.880 --> 0:19:40.560
<v Speaker 1>of these verses that have been coming out Deep Reverence

0:19:40.640 --> 0:19:44.280
<v Speaker 1>with Sean was crazy, Uh, you know the stuff on

0:19:44.320 --> 0:19:48.639
<v Speaker 1>your albums, like there's been some the the obviously the

0:19:48.720 --> 0:19:51.639
<v Speaker 1>Kalid record was special. Yeah, I'm glad that they that

0:19:51.640 --> 0:19:54.840
<v Speaker 1>they got to release that video. Yeah, Nip got a

0:19:54.920 --> 0:19:57.119
<v Speaker 1>chance to pull up on cal it at his crib.

0:19:57.200 --> 0:19:59.119
<v Speaker 1>You know what I'm saying. They vibed out and knocked

0:19:59.119 --> 0:20:01.760
<v Speaker 1>that shit out there. I was talking to Dave East

0:20:02.520 --> 0:20:05.239
<v Speaker 1>and he said that you guys might be doing a

0:20:05.240 --> 0:20:10.160
<v Speaker 1>collapse project. You and Dave East. We definitely like halfway

0:20:10.200 --> 0:20:12.080
<v Speaker 1>through an EP. You know what I'm saying. I mean

0:20:12.080 --> 0:20:14.520
<v Speaker 1>he's on. I mean, look, you guys got some great

0:20:14.520 --> 0:20:18.000
<v Speaker 1>records together right now, yeah, right now. Yeah you heard

0:20:18.040 --> 0:20:21.560
<v Speaker 1>you heard like two of them already for show for show. Yeah.

0:20:21.600 --> 0:20:25.280
<v Speaker 1>So uh, because I know Easton Nippe talked about working together,

0:20:25.520 --> 0:20:27.479
<v Speaker 1>So that's got to be a very important like, uh,

0:20:27.600 --> 0:20:30.240
<v Speaker 1>you know, A Dave's one of the realist dudes in him.

0:20:30.920 --> 0:20:34.200
<v Speaker 1>Just a great guy, man, very genuine dude. He's solid, bro.

0:20:34.600 --> 0:20:38.160
<v Speaker 1>So you guys are halfway through it, yeah, halfway through

0:20:38.359 --> 0:20:40.680
<v Speaker 1>and were ready to go. Man, We're going. We were

0:20:40.680 --> 0:20:43.560
<v Speaker 1>ready to just finish this ship, get it going, you

0:20:43.560 --> 0:20:45.879
<v Speaker 1>know what I'm saying. Him and Nip obviously was working

0:20:45.880 --> 0:20:49.360
<v Speaker 1>on one, you know what I'm saying, and man, were

0:20:49.400 --> 0:20:51.520
<v Speaker 1>just gonna keep this ship going. Help me understand the T.

0:20:51.760 --> 0:20:53.520
<v Speaker 1>How'd you get T Paint on this album? Man? Because

0:20:54.119 --> 0:20:55.880
<v Speaker 1>I was just listening with I looking at the track lists,

0:20:55.920 --> 0:20:58.880
<v Speaker 1>I heard TA Pain. I was like, oh, ship, yeah, man,

0:20:59.119 --> 0:21:01.520
<v Speaker 1>T Pain on the shout out the T. I though, man,

0:21:01.560 --> 0:21:03.280
<v Speaker 1>for real, I'll put it up on him. And we

0:21:03.400 --> 0:21:07.360
<v Speaker 1>got in the studio and uh, the producer that produced

0:21:07.359 --> 0:21:10.760
<v Speaker 1>for uh for Tip you know what I'm saying, have

0:21:10.880 --> 0:21:16.000
<v Speaker 1>some music for me. Yeah, he had the T Paint hook. Yeah,

0:21:16.040 --> 0:21:17.880
<v Speaker 1>he been holding on that for me, Like, Bro, I've

0:21:17.880 --> 0:21:19.840
<v Speaker 1>been having this record for you. Man, I've been sitting

0:21:19.840 --> 0:21:21.720
<v Speaker 1>on this record for you. He had hit me in

0:21:21.800 --> 0:21:23.639
<v Speaker 1>June and told me about it. So did you have

0:21:23.680 --> 0:21:25.960
<v Speaker 1>to pain to clear it? Obviously? Right, like of course,

0:21:26.400 --> 0:21:28.320
<v Speaker 1>and he gave you the blessing. Yeah, we got the

0:21:28.359 --> 0:21:31.520
<v Speaker 1>blessings man shut out the Tip man. So T I

0:21:31.560 --> 0:21:35.160
<v Speaker 1>helped kind of run that. Come on man, hey, that's crazy, yeah,

0:21:35.240 --> 0:21:38.280
<v Speaker 1>because it sounded like some vintage like, you know, something

0:21:38.320 --> 0:21:41.280
<v Speaker 1>like all the above era T Pain. I was like

0:21:41.320 --> 0:21:43.480
<v Speaker 1>this ship, I haven't heard paint it. I was like

0:21:43.480 --> 0:21:49.199
<v Speaker 1>this in a minute, classic shit certainly, so kind of

0:21:49.560 --> 0:21:54.680
<v Speaker 1>you know, there's there's been so much, you know, controversy

0:21:54.720 --> 0:21:57.560
<v Speaker 1>since since it passed away. On the album, you kind

0:21:57.560 --> 0:22:00.440
<v Speaker 1>of address whack Uh some of the things he said.

0:22:00.840 --> 0:22:05.639
<v Speaker 1>I forget the line. It was very specific. You know,

0:22:05.800 --> 0:22:08.800
<v Speaker 1>I've known Whack for a long time. I can't say

0:22:08.800 --> 0:22:10.520
<v Speaker 1>anything bad about the dude, to be honest with you.

0:22:11.240 --> 0:22:15.240
<v Speaker 1>He does have his opinions on things that he has

0:22:15.320 --> 0:22:23.639
<v Speaker 1>no problem sharing vocally. Is there like you know, a

0:22:23.680 --> 0:22:26.880
<v Speaker 1>conversation to be had with with someone like Whack who.

0:22:26.920 --> 0:22:29.600
<v Speaker 1>You know. I know that there was like that incident

0:22:29.640 --> 0:22:33.760
<v Speaker 1>that happened rolling Loud, and you know, is there any

0:22:33.760 --> 0:22:35.800
<v Speaker 1>sort of conversation to be had to kind of get

0:22:35.840 --> 0:22:41.240
<v Speaker 1>past that that. I ain't no talking with that nigga. Man,

0:22:42.480 --> 0:22:46.159
<v Speaker 1>ain't no talking with him straight up. Nigga said too

0:22:46.240 --> 0:22:48.200
<v Speaker 1>much about the bro. You feel me, so it ain't nothing.

0:22:48.240 --> 0:22:50.199
<v Speaker 1>It ain't nothing to be said. You feel me, You

0:22:50.240 --> 0:22:53.359
<v Speaker 1>say how you feel? All right? Cool? Right, you know

0:22:53.400 --> 0:22:56.160
<v Speaker 1>what I'm saying. You're gonna have to see a nigga

0:22:56.200 --> 0:22:58.679
<v Speaker 1>one day, That's fair. We'll leave it at that, man.

0:22:59.359 --> 0:23:02.080
<v Speaker 1>You know, And I ain't even really want to speak

0:23:02.160 --> 0:23:03.800
<v Speaker 1>up on that nigga. You feel what I'm saying. But

0:23:04.080 --> 0:23:05.560
<v Speaker 1>I mean you addressed it on the album, so it's

0:23:05.600 --> 0:23:09.679
<v Speaker 1>like you know what I mean. Yeah, you know, I

0:23:09.760 --> 0:23:12.400
<v Speaker 1>just I just like always like to see people trying

0:23:12.400 --> 0:23:14.000
<v Speaker 1>to move past that kind of shit, you know, but like,

0:23:14.160 --> 0:23:15.679
<v Speaker 1>you know, hey, it is what it is. We leave

0:23:15.720 --> 0:23:20.760
<v Speaker 1>it at that. Uh. Like I feel like with this project,

0:23:20.800 --> 0:23:23.600
<v Speaker 1>you're you're in a really great position to kind of

0:23:26.000 --> 0:23:28.440
<v Speaker 1>you know, I feel like people kind of associate you

0:23:28.480 --> 0:23:32.040
<v Speaker 1>as like nips homie, right, Yeah, that's my day one. Right.

0:23:32.119 --> 0:23:34.920
<v Speaker 1>But but I think that this album is like an

0:23:35.000 --> 0:23:38.040
<v Speaker 1>album that it's kind of like it feels like you're

0:23:39.880 --> 0:23:43.200
<v Speaker 1>like your rival where you're it's like, yeah, that's that's

0:23:43.240 --> 0:23:49.240
<v Speaker 1>that's Jay Stone who happens to be Nipsey's homie. Like,

0:23:49.400 --> 0:23:51.119
<v Speaker 1>you know, do you understand what I'm trying to say?

0:23:51.320 --> 0:23:53.920
<v Speaker 1>I mean I kind of get it. Yeah, Like I

0:23:54.000 --> 0:23:55.800
<v Speaker 1>feel like this album is like a big statement for

0:23:55.840 --> 0:23:59.200
<v Speaker 1>you as an artist, exact like that. Like I say,

0:23:59.280 --> 0:24:01.280
<v Speaker 1>like the definition or law to you was like it

0:24:01.359 --> 0:24:05.439
<v Speaker 1>was like a demonstration, but this one is like like, Nigga,

0:24:05.920 --> 0:24:07.960
<v Speaker 1>this is my staff right here, Like this shit was

0:24:08.000 --> 0:24:10.160
<v Speaker 1>for real and it is for real and I'm here,

0:24:10.200 --> 0:24:12.439
<v Speaker 1>so get used to me, feel me? What do you like?

0:24:13.000 --> 0:24:15.560
<v Speaker 1>What's your thoughts on you know a lot of these

0:24:15.560 --> 0:24:17.720
<v Speaker 1>lists have been coming out, and I feel like, obviously

0:24:18.440 --> 0:24:20.640
<v Speaker 1>LA is always getting overlooked. You know, Head always talks

0:24:20.640 --> 0:24:24.560
<v Speaker 1>about that shoutouts to Head. A lot of hip hop

0:24:24.560 --> 0:24:28.000
<v Speaker 1>media is East Coast biased. What is your kind of

0:24:28.040 --> 0:24:30.359
<v Speaker 1>thought process on where LA hip hop is right now?

0:24:31.480 --> 0:24:33.800
<v Speaker 1>I mean, I think we're in a good space right now.

0:24:33.880 --> 0:24:36.639
<v Speaker 1>Everybody doing their shit, man, shut out everybody on the

0:24:36.680 --> 0:24:40.600
<v Speaker 1>West that's doing the shit. You know what I'm saying lyrically,

0:24:40.920 --> 0:24:46.760
<v Speaker 1>and you know what I'm saying, shit, I just feel like,

0:24:47.840 --> 0:24:50.720
<v Speaker 1>you know, you can say like the West need this

0:24:50.920 --> 0:24:53.679
<v Speaker 1>and the West need that, and we don't need this

0:24:53.760 --> 0:24:55.720
<v Speaker 1>and we don't need that. But if shit, if you

0:24:55.840 --> 0:24:59.040
<v Speaker 1>actually everybody else bro on the outside looking in, we're

0:24:59.080 --> 0:25:02.280
<v Speaker 1>looking good. I mean, listen to sounding good. I also

0:25:02.280 --> 0:25:06.000
<v Speaker 1>feel like there's a lot more unity right now in

0:25:06.160 --> 0:25:09.159
<v Speaker 1>LA than in the pasture with the younger with especially

0:25:09.160 --> 0:25:10.720
<v Speaker 1>with the younger kids that are doing their thing, you

0:25:10.760 --> 0:25:12.840
<v Speaker 1>know for sure, and it could be a lot more.

0:25:13.480 --> 0:25:15.239
<v Speaker 1>It could be a lot more. That's probably like the

0:25:15.280 --> 0:25:17.280
<v Speaker 1>only thing that we lack, you feel what I'm saying.

0:25:17.320 --> 0:25:19.360
<v Speaker 1>To the South, they go do songs with each other,

0:25:19.440 --> 0:25:21.159
<v Speaker 1>you know what I'm saying. They go sit in the

0:25:21.160 --> 0:25:25.040
<v Speaker 1>studio and do ten records today. But like, look, here's

0:25:25.080 --> 0:25:28.359
<v Speaker 1>a twenty one Savage offset album and exactly yeah me, Like,

0:25:29.359 --> 0:25:31.679
<v Speaker 1>I don't know, I work like that. That's how I work, right,

0:25:31.680 --> 0:25:33.280
<v Speaker 1>You know what I'm saying. I don't think niggas can

0:25:33.359 --> 0:25:35.080
<v Speaker 1>get in the studio with me like that, you know

0:25:35.119 --> 0:25:37.720
<v Speaker 1>what I'm saying, Do you think it's it's a lot

0:25:37.760 --> 0:25:40.639
<v Speaker 1>of it is, is the politics side of LA sometimes

0:25:40.680 --> 0:25:44.280
<v Speaker 1>just kind of you know, not that not that somebody

0:25:44.520 --> 0:25:48.480
<v Speaker 1>doesn't fuck with an artist, but it's like sometimes it's like, look, well,

0:25:48.520 --> 0:25:51.320
<v Speaker 1>like you know, sometimes the politics kind of get in

0:25:51.320 --> 0:25:53.639
<v Speaker 1>in the middle of certain people collaborating, you know what

0:25:53.680 --> 0:25:56.639
<v Speaker 1>I'm saying. Definitely, like like I remember, it's kind of

0:25:56.680 --> 0:25:59.320
<v Speaker 1>like everywhere you go now though if you think about it,

0:25:59.359 --> 0:26:01.760
<v Speaker 1>I mean, that's just pretty much anywhere in hip hop,

0:26:01.840 --> 0:26:04.600
<v Speaker 1>Like I mean, it's really out here though for sure,

0:26:05.040 --> 0:26:06.919
<v Speaker 1>as far as you know, I'm talking about the street politics,

0:26:06.920 --> 0:26:09.639
<v Speaker 1>off the street politics. Yeah, Like because there was a

0:26:09.760 --> 0:26:12.040
<v Speaker 1>bro as a as a fan I was, I was

0:26:12.080 --> 0:26:13.879
<v Speaker 1>always there was like one of the one record. I

0:26:13.920 --> 0:26:17.159
<v Speaker 1>always like one of the one collapse. I wanted. I

0:26:17.200 --> 0:26:19.240
<v Speaker 1>wanted to hear Nipsey and school Boy Q on some ship,

0:26:19.280 --> 0:26:22.760
<v Speaker 1>you know what I'm saying. And you know, obviously there's

0:26:22.760 --> 0:26:24.600
<v Speaker 1>no secret if you're from LA as to why that

0:26:24.640 --> 0:26:26.959
<v Speaker 1>probably didn't happen. It wasn't like there was beef or anything.

0:26:27.480 --> 0:26:30.679
<v Speaker 1>But I feel like that there's definitely, like you know,

0:26:30.720 --> 0:26:32.720
<v Speaker 1>with the young kids right now, at least like the

0:26:32.760 --> 0:26:37.200
<v Speaker 1>one take Jay's the Hazy hikes, you know, the shoreline

0:26:37.320 --> 0:26:40.080
<v Speaker 1>kids Rucci. Like, it feels like there's just a lot

0:26:40.119 --> 0:26:43.000
<v Speaker 1>more camaraderie with the younger generation of LA right now,

0:26:43.040 --> 0:26:46.320
<v Speaker 1>and it's just good to see man for sure. Yeah,

0:26:46.440 --> 0:26:49.800
<v Speaker 1>who who were you? We were talking earlier, like, Man,

0:26:49.840 --> 0:26:53.040
<v Speaker 1>I'm a hip hop head. You know, definitely, bro, because

0:26:53.040 --> 0:26:56.919
<v Speaker 1>you know what I'm saying, I was out bro growing

0:26:57.000 --> 0:26:58.960
<v Speaker 1>up in this ship. Bro, we had the box. You

0:26:59.040 --> 0:27:01.520
<v Speaker 1>know what I'm saying. Of course, like video channel, the box,

0:27:01.920 --> 0:27:05.040
<v Speaker 1>Like come on, you know what I'm saying. Ship like that.

0:27:05.320 --> 0:27:08.000
<v Speaker 1>The box was crazy and then uh, you know my

0:27:08.080 --> 0:27:10.280
<v Speaker 1>cousins and ship. You know, they used to always listen

0:27:10.359 --> 0:27:13.520
<v Speaker 1>to all that eighties rap. You feel me? So I was.

0:27:13.600 --> 0:27:16.000
<v Speaker 1>I was already. I was already listening to that ship.

0:27:16.040 --> 0:27:18.280
<v Speaker 1>What's your what's your favorite? Like, Like, give me, like

0:27:18.480 --> 0:27:20.360
<v Speaker 1>your top three albums of all time? If you get

0:27:20.640 --> 0:27:22.959
<v Speaker 1>and and excluding Victory Laps, it's got to be in there,

0:27:22.960 --> 0:27:26.199
<v Speaker 1>I'm assuming. I mean, Victory Lap is just all you

0:27:26.240 --> 0:27:27.960
<v Speaker 1>know what I'm saying, that's just up there. You're already

0:27:28.160 --> 0:27:29.720
<v Speaker 1>of course, of course, you know what I'm saying. My

0:27:29.840 --> 0:27:35.600
<v Speaker 1>top three, damn man, Ship number one me against the

0:27:35.640 --> 0:27:42.680
<v Speaker 1>world pop uh ship you can throw you can throw

0:27:43.320 --> 0:27:45.840
<v Speaker 1>Bone Thugs a harmony, creeping on the come up or

0:27:45.880 --> 0:27:49.040
<v Speaker 1>each ninety ninety turn on the one of them talking

0:27:49.080 --> 0:27:59.159
<v Speaker 1>about there and number three she definition the Lord to you. Okay,

0:27:59.200 --> 0:28:02.479
<v Speaker 1>I see you. You can put yourself in there. Yeah. Yo,

0:28:02.560 --> 0:28:06.160
<v Speaker 1>it's crazy because like Bone Thugs was, I remember having

0:28:06.560 --> 0:28:08.560
<v Speaker 1>creeping on a come up and the Ouiji board ship

0:28:08.680 --> 0:28:11.320
<v Speaker 1>as as a little bro as a little kid. That

0:28:11.320 --> 0:28:13.800
<v Speaker 1>ship creeped me out though, because I was like, but

0:28:13.840 --> 0:28:16.520
<v Speaker 1>I love bone Bone. Creeping on a come up in

0:28:16.560 --> 0:28:18.960
<v Speaker 1>doggy style was hard, but like its hard, they like

0:28:19.040 --> 0:28:21.760
<v Speaker 1>the main reason why I'm rapping right man, And they

0:28:21.800 --> 0:28:23.400
<v Speaker 1>don't get in. I don't feel like they don't get

0:28:23.400 --> 0:28:25.880
<v Speaker 1>talked about enough anymore. Like as far as we're talking

0:28:25.920 --> 0:28:28.040
<v Speaker 1>about the all time greatest groups and ship like Bones

0:28:28.119 --> 0:28:30.760
<v Speaker 1>up there, man, like you up there. Everybody know they

0:28:30.760 --> 0:28:34.639
<v Speaker 1>have run like the so millions of Restords bro East,

0:28:35.000 --> 0:28:39.840
<v Speaker 1>millions of motherfuckers heard it Grammys and they got the Grammys. Man,

0:28:39.920 --> 0:28:42.360
<v Speaker 1>it ain't it ain't. It ain't too many motherfuckers. It

0:28:42.400 --> 0:28:46.200
<v Speaker 1>ain't really too many motherfuckers. Yeah, you know, Bone Bones, Uh,

0:28:47.040 --> 0:28:48.960
<v Speaker 1>you know, I wish they would have had a longer

0:28:49.000 --> 0:28:54.240
<v Speaker 1>run for sure. Yeah, one hundred up the business side, Yeah,

0:28:54.280 --> 0:28:56.160
<v Speaker 1>I mean, look when you got when you got that

0:28:56.240 --> 0:28:58.600
<v Speaker 1>many people involved in a group, it's hard to you know,

0:28:59.200 --> 0:29:02.480
<v Speaker 1>you gotta manage a lot more variables, yeah, you know people.

0:29:02.600 --> 0:29:04.600
<v Speaker 1>And then and then Crazy Bone start doing solo shit,

0:29:04.680 --> 0:29:06.640
<v Speaker 1>Lazy Bone drop the solo album, Then Busy dropped the

0:29:06.680 --> 0:29:08.880
<v Speaker 1>solo album. It was like, you know, then shit just

0:29:08.960 --> 0:29:11.000
<v Speaker 1>kind of got out of control. I feel like the

0:29:11.080 --> 0:29:15.240
<v Speaker 1>shout outs to Bone man, legendary group. Respect to them

0:29:15.640 --> 0:29:18.120
<v Speaker 1>is there. Obviously you're you're probably sitting on a whole

0:29:18.160 --> 0:29:20.760
<v Speaker 1>lot more music. What's the plans for twenty twenty one

0:29:20.760 --> 0:29:24.960
<v Speaker 1>for you? Bro? Shit? Man, I don't know what it's

0:29:25.000 --> 0:29:27.720
<v Speaker 1>gonna look like. Man, hopefully they open these doors man

0:29:27.760 --> 0:29:30.840
<v Speaker 1>that we get on the road, right saying, get back

0:29:30.880 --> 0:29:32.920
<v Speaker 1>on this road and ship. If not, Bro, I'm back

0:29:32.920 --> 0:29:36.960
<v Speaker 1>in the studio recreating it, doing another album. Feel me,

0:29:37.200 --> 0:29:39.959
<v Speaker 1>just keep keeping it pushing, Yeah, keeping it pushing them,

0:29:39.960 --> 0:29:42.760
<v Speaker 1>and then whatever happens alone, the process is gonna happen, bro,

0:29:42.840 --> 0:29:45.800
<v Speaker 1>Cause I don't know, right right right right? Can you

0:29:45.840 --> 0:29:47.320
<v Speaker 1>kind of I was gonna ask you, can you kind

0:29:47.320 --> 0:29:49.680
<v Speaker 1>of give us some like an update obviously for people

0:29:49.680 --> 0:29:55.120
<v Speaker 1>who don't know. The Marathon store physical location was closed, right, Yeah,

0:29:55.160 --> 0:29:57.360
<v Speaker 1>but you can still go online and support. Definitely go

0:29:57.440 --> 0:30:00.240
<v Speaker 1>online and support and get the merchandise. You know what

0:30:00.320 --> 0:30:05.160
<v Speaker 1>I'm saying, Marathon dot com. Yeah, mat Yeah, because I

0:30:05.480 --> 0:30:08.680
<v Speaker 1>it was, you know, after Nip's passing. I just remember

0:30:08.800 --> 0:30:12.160
<v Speaker 1>like that became you know, I think it's always going

0:30:12.240 --> 0:30:15.600
<v Speaker 1>to be a landmark, you know where people whoever comes

0:30:15.640 --> 0:30:17.440
<v Speaker 1>to town, they're gonna go and be like, Yo, this

0:30:17.480 --> 0:30:19.920
<v Speaker 1>is where Nipsey's business was. This is where you know

0:30:19.960 --> 0:30:21.920
<v Speaker 1>what I'm saying, like where it started. You know what

0:30:21.960 --> 0:30:25.120
<v Speaker 1>I'm saying from ground zero, Like that was ground zero

0:30:25.320 --> 0:30:28.440
<v Speaker 1>right there. Yeah, it's crazy because if you like, you know,

0:30:28.600 --> 0:30:31.840
<v Speaker 1>through the whole process of him being there, getting kicked

0:30:31.840 --> 0:30:34.840
<v Speaker 1>out of that area, then to opening the store up,

0:30:34.880 --> 0:30:37.760
<v Speaker 1>and then to just be in everybody's landlord and that

0:30:37.800 --> 0:30:42.520
<v Speaker 1>motherfucker Like it's it was like such a dope story.

0:30:42.600 --> 0:30:45.200
<v Speaker 1>And I think like that, I don't know what the

0:30:45.240 --> 0:30:47.800
<v Speaker 1>current you know, situation of that center is, but I

0:30:47.840 --> 0:30:50.160
<v Speaker 1>think that like it's got to be preserved, man, like

0:30:51.040 --> 0:30:53.800
<v Speaker 1>you know it was. I think in like twenty or

0:30:53.800 --> 0:30:57.680
<v Speaker 1>thirty years from now, we're gonna be watching the Nipsey

0:30:57.760 --> 0:30:59.960
<v Speaker 1>Hustle movie. It might even be ten years from now,

0:31:00.040 --> 0:31:03.320
<v Speaker 1>twenty thirty years from damn, that's a long. It might

0:31:03.320 --> 0:31:06.160
<v Speaker 1>be ten years from now time ship, it might be

0:31:06.200 --> 0:31:09.960
<v Speaker 1>ten years. You definitely definitely who's playing Who's playing Jaystone

0:31:09.960 --> 0:31:16.160
<v Speaker 1>in that movie? Though? Shit me, kid me like the

0:31:16.280 --> 0:31:18.800
<v Speaker 1>younger me. What if you got you gotta pick an

0:31:18.720 --> 0:31:21.720
<v Speaker 1>actor though, a younger me somebody? Yeah, but me, I

0:31:21.880 --> 0:31:24.040
<v Speaker 1>definitely go with me. You feel me? But if not,

0:31:24.760 --> 0:31:27.080
<v Speaker 1>I don't know. I don't know. I can't think of

0:31:27.160 --> 0:31:29.240
<v Speaker 1>nobody right now. All right, we'll listen to the album

0:31:29.320 --> 0:31:33.080
<v Speaker 1>is out The definition of pain man, dope body of

0:31:33.120 --> 0:31:36.400
<v Speaker 1>work is there gonna be? Yo? Has Lebron James heard

0:31:36.400 --> 0:31:38.720
<v Speaker 1>the Lebron James record yet? Yeah? I sent it to him.

0:31:38.760 --> 0:31:41.120
<v Speaker 1>Did he fuck with it? Yeah? He fuck with it? Yeah,

0:31:41.200 --> 0:31:44.120
<v Speaker 1>you know what I'm saying. He gonna go crazy? He was.

0:31:44.160 --> 0:31:45.760
<v Speaker 1>He was the first person I sent it to it.

0:31:45.840 --> 0:31:51.040
<v Speaker 1>Right when it was mixed and mastered. I hit him like, yeah, press,

0:31:51.280 --> 0:31:52.640
<v Speaker 1>it must be nice to just be able to hit

0:31:52.720 --> 0:31:56.720
<v Speaker 1>Lebron James. Yeah, Bro, that's one hundred for show. For motivation,

0:31:56.840 --> 0:31:58.960
<v Speaker 1>I keep a nigga going to you feel me? Any

0:31:59.000 --> 0:32:01.880
<v Speaker 1>other videos? Do you have videos in the can for

0:32:01.920 --> 0:32:04.360
<v Speaker 1>the further from the videos and the cut videos are

0:32:04.400 --> 0:32:08.240
<v Speaker 1>dropping ship, I got one with I got one with

0:32:08.440 --> 0:32:11.400
<v Speaker 1>Davies another one yeah yeah yeah, so yeah we crash,

0:32:11.800 --> 0:32:14.520
<v Speaker 1>Jay Stone Man, appreciate you pulling up. We support the album.

0:32:14.800 --> 0:32:18.640
<v Speaker 1>The definition of pain is out. Let's go. Yeah pre

0:32:18.760 --> 0:32:22.440
<v Speaker 1>style out right now too. Actually, let's go, Let's get

0:32:22.480 --> 0:32:23.520
<v Speaker 1>it boom perfect