1 00:00:05,200 --> 00:00:11,080 Speaker 1: Bootleg Cap Podcast. Oh my goodness, I'm just watching football podcast. 2 00:00:11,680 --> 00:00:14,960 Speaker 1: I Got Money on the Line, Bill's Patriots on the under. 3 00:00:15,480 --> 00:00:17,880 Speaker 1: It's getting close, ladies and gentlemen. Anyway, Yo, welcome to 4 00:00:17,880 --> 00:00:20,560 Speaker 1: another edition of the Boutlet Cap Podcast. Man listen. Shout 5 00:00:20,600 --> 00:00:22,680 Speaker 1: out to everybody who's locked in with us. Uh. This 6 00:00:22,720 --> 00:00:25,279 Speaker 1: will probably be out Tuesday. The video came out Monday. 7 00:00:25,400 --> 00:00:28,320 Speaker 1: We got a dope episode for you today. Shout out 8 00:00:28,360 --> 00:00:31,240 Speaker 1: to Jay Stone. If you do not know who Jay 9 00:00:31,240 --> 00:00:34,960 Speaker 1: Stone is, He's somebody who was signed or is signed 10 00:00:34,960 --> 00:00:38,479 Speaker 1: to All Money In, somebody who was close with Nipsey, 11 00:00:39,000 --> 00:00:43,360 Speaker 1: a dope young rapper out of a la who in 12 00:00:43,440 --> 00:00:47,640 Speaker 1: his own right is very talented, making a lot of 13 00:00:47,680 --> 00:00:50,840 Speaker 1: noise and putting out quality music. Uh. So, we're gonna 14 00:00:50,840 --> 00:00:53,080 Speaker 1: be talking with Jay Stone about everything from his new 15 00:00:53,080 --> 00:00:56,800 Speaker 1: album The Definition of Pain, which follows up to his 16 00:00:56,920 --> 00:01:01,080 Speaker 1: album The Definition of Loyalty. Both mus Go, Cops Must Go. 17 00:01:01,400 --> 00:01:03,360 Speaker 1: You know, check it out. The Definition of Pain. Got 18 00:01:03,360 --> 00:01:07,640 Speaker 1: two crazy new Nipsey verses on it. Dope conversation with 19 00:01:07,800 --> 00:01:11,600 Speaker 1: j Stone. I suggest you tap in. I promise you'll 20 00:01:11,680 --> 00:01:14,440 Speaker 1: enjoy it. Salute to our sponsors. Per the usual. Got 21 00:01:14,560 --> 00:01:16,400 Speaker 1: a shout out to odd Socks for always holding this 22 00:01:16,520 --> 00:01:19,160 Speaker 1: down man presenting the show each and every week our 23 00:01:19,240 --> 00:01:21,920 Speaker 1: good friends at odd socks. Now the holidays are officially over. 24 00:01:22,800 --> 00:01:24,720 Speaker 1: I'm a little under the weather. I didn't even go lie. 25 00:01:25,120 --> 00:01:26,560 Speaker 1: I think it's because I was walking around the house 26 00:01:26,560 --> 00:01:28,600 Speaker 1: with no socks on, which is my fuck up, because 27 00:01:28,600 --> 00:01:30,040 Speaker 1: I got free odd socks. You know what I'm saying. 28 00:01:30,040 --> 00:01:32,400 Speaker 1: But listen, you gotta get you some odd socks. 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You can spread some of 46 00:02:31,560 --> 00:02:33,480 Speaker 1: that CBD lotion on you, man, get some of that 47 00:02:33,560 --> 00:02:36,240 Speaker 1: CBD smog it before you go to sleep, and I 48 00:02:36,280 --> 00:02:38,920 Speaker 1: promise you won't find better CBD than at vapincbd dot com. 49 00:02:39,040 --> 00:02:43,280 Speaker 1: Use the keyword Bootleg keV for twenty percent off. Busyweek. 50 00:02:43,720 --> 00:02:46,000 Speaker 1: Not only do we have the Jstone interview that's about 51 00:02:46,000 --> 00:02:49,600 Speaker 1: to drop. Yes, he's got a freestyle dropping on our 52 00:02:49,639 --> 00:02:54,560 Speaker 1: YouTube channel that's fire as fuck. Plus we got Katory Walker, 53 00:02:55,080 --> 00:02:58,360 Speaker 1: who is an incredible artist out of Pasadena who dropped 54 00:02:58,360 --> 00:03:01,040 Speaker 1: the dope ass project called Idols this year. We're gonna 55 00:03:01,040 --> 00:03:04,320 Speaker 1: have him on the show this week and uh man, 56 00:03:04,960 --> 00:03:08,760 Speaker 1: plus Stupid Young's on the way. Just so much other 57 00:03:08,800 --> 00:03:13,560 Speaker 1: stuff we're working on. Super excited, so let's get into it. Man, 58 00:03:13,680 --> 00:03:17,400 Speaker 1: it is officially official. The Jaystone episode of the Bootleg 59 00:03:17,440 --> 00:03:21,200 Speaker 1: cap Podcast. I believe episode number thirty three, but I 60 00:03:21,280 --> 00:03:23,480 Speaker 1: might be fucking wrong. I think it's episode thirty two. 61 00:03:25,919 --> 00:03:27,280 Speaker 1: I don't know. It's probably if you just look at 62 00:03:27,320 --> 00:03:29,120 Speaker 1: your phone, it's on the description. Let's get into it, 63 00:03:30,200 --> 00:03:32,639 Speaker 1: Blutley Cab Podcast. Man, we got the homie Jay Stone 64 00:03:32,639 --> 00:03:36,320 Speaker 1: in here. Welcome. What's up? What's up? What's up? Man? 65 00:03:36,320 --> 00:03:38,400 Speaker 1: What's up? Cav Hey? Yeoh we chilling man? Listen to 66 00:03:38,480 --> 00:03:43,320 Speaker 1: your new album. The definition of pain is uh is? Well, 67 00:03:43,320 --> 00:03:46,840 Speaker 1: look what's today? This is gonna release when this the 68 00:03:46,880 --> 00:03:49,080 Speaker 1: album is out? All right? Bet so the album is 69 00:03:49,080 --> 00:03:52,360 Speaker 1: out a great body of work. Man. You know, I 70 00:03:52,400 --> 00:03:54,440 Speaker 1: got to appreciate you sending it over early so I 71 00:03:54,440 --> 00:03:57,760 Speaker 1: could tap in with it. Man. Definitely a very personal project. 72 00:03:57,800 --> 00:04:03,000 Speaker 1: I feel like, obviously with the title, Man, kind of 73 00:04:03,000 --> 00:04:05,440 Speaker 1: give us a little window into your thought process behind 74 00:04:05,480 --> 00:04:08,640 Speaker 1: naming the album what you named it. I mean, you know, 75 00:04:10,920 --> 00:04:13,080 Speaker 1: you know Nick really gave it these titles. You know 76 00:04:13,160 --> 00:04:17,039 Speaker 1: what I'm saying. With the definition of loyalty, Yeah, you 77 00:04:17,040 --> 00:04:18,400 Speaker 1: know what I'm saying. You know, I let him hear 78 00:04:18,440 --> 00:04:20,320 Speaker 1: a lot of songs and shit before I even drop 79 00:04:20,400 --> 00:04:22,760 Speaker 1: the definition of LOALTI and Bro. It's like, Man, just 80 00:04:22,800 --> 00:04:25,440 Speaker 1: based on the stories and you know what I'm saying, 81 00:04:25,800 --> 00:04:28,000 Speaker 1: you're giving the g CODs on shit. And you know 82 00:04:28,040 --> 00:04:29,880 Speaker 1: what I'm saying, Like, man, your album should be called 83 00:04:29,880 --> 00:04:31,800 Speaker 1: the Definition of Loyalty. You know what I'm saying, because 84 00:04:31,839 --> 00:04:35,040 Speaker 1: what I'm getting from these records is like loyalty shit 85 00:04:35,160 --> 00:04:36,800 Speaker 1: like that. You feel me? And he like, Man, your 86 00:04:36,839 --> 00:04:40,360 Speaker 1: next album should be the definition of of something else. 87 00:04:40,400 --> 00:04:43,520 Speaker 1: You know what I'm saying, pain, sacrifice, success, you know 88 00:04:43,560 --> 00:04:45,640 Speaker 1: what I'm saying. I just got to start thinking about 89 00:04:45,640 --> 00:04:48,040 Speaker 1: all that shit. I'm like, that's a nigga life right there, though, 90 00:04:48,040 --> 00:04:50,640 Speaker 1: if you think about it. Yeah, you you know, early 91 00:04:50,680 --> 00:04:52,520 Speaker 1: on in the project you're talking, you know, for people 92 00:04:52,520 --> 00:04:54,080 Speaker 1: who don't know, kind of give us the background. You 93 00:04:54,120 --> 00:04:56,320 Speaker 1: lost your mom and you were three years old. She 94 00:04:56,480 --> 00:04:58,240 Speaker 1: was young. I think you said she was twenty five. 95 00:04:58,440 --> 00:05:00,000 Speaker 1: She was only twenty five, you know what I'm saying. 96 00:05:00,040 --> 00:05:03,039 Speaker 1: And I was only three. So your auntie helped raise you. Yeah, 97 00:05:03,200 --> 00:05:05,039 Speaker 1: my auntie. You know what I'm saying, which was her sister. 98 00:05:05,240 --> 00:05:07,200 Speaker 1: What happened with your mom? Why did you pass up early? 99 00:05:07,200 --> 00:05:09,120 Speaker 1: If you don't want to share a shit the police, man, 100 00:05:09,160 --> 00:05:11,120 Speaker 1: you know what I'm saying. That was nineteen eighty nine. 101 00:05:11,160 --> 00:05:14,400 Speaker 1: You feel what I'm saying. Uh, the cracked epidemic was crazy. 102 00:05:14,440 --> 00:05:17,479 Speaker 1: You know what I'm saying. The police force in the 103 00:05:17,520 --> 00:05:19,640 Speaker 1: streets was crazy. You know what I'm saying. It was 104 00:05:19,680 --> 00:05:21,720 Speaker 1: just a war on drugs, you feel me. So any 105 00:05:22,080 --> 00:05:25,400 Speaker 1: anybody out there that was selling or using there was 106 00:05:25,400 --> 00:05:27,200 Speaker 1: a target period. You know what I'm saying, You go 107 00:05:27,240 --> 00:05:29,560 Speaker 1: to jail, get killed in the process of that shit. 108 00:05:29,760 --> 00:05:35,440 Speaker 1: So your mom was killed during an interaction with the cops. Yeah, man, shit, man, 109 00:05:35,560 --> 00:05:39,240 Speaker 1: she got pulled over on some shit. Man, you know 110 00:05:39,279 --> 00:05:42,080 Speaker 1: what I'm saying. And shit, I don't think she wants 111 00:05:42,080 --> 00:05:43,960 Speaker 1: to go to jail. You feel me. She probably talked 112 00:05:43,960 --> 00:05:46,640 Speaker 1: to him crazy, probably resisted the arrest or some shit 113 00:05:46,720 --> 00:05:50,000 Speaker 1: who knows he's crazy too, Because like we think about 114 00:05:50,200 --> 00:05:53,799 Speaker 1: police brutality, and however, the last like seven eight years, 115 00:05:54,080 --> 00:05:57,520 Speaker 1: it's been so magnified in social media. Yeah, but it's 116 00:05:57,920 --> 00:05:59,719 Speaker 1: crazy because when you go back and you watch like 117 00:06:00,040 --> 00:06:03,560 Speaker 1: you know, obviously not being from la I'm from Phoenix, 118 00:06:03,880 --> 00:06:07,279 Speaker 1: but like watching like you know, the Menace to societies, 119 00:06:07,360 --> 00:06:09,560 Speaker 1: the boys in the hoods, and like the way the 120 00:06:09,560 --> 00:06:11,960 Speaker 1: cops were portrayed in those movies. It's like almost like 121 00:06:12,000 --> 00:06:14,840 Speaker 1: it was worse back then and there was no cameras. Yeah, 122 00:06:14,920 --> 00:06:18,599 Speaker 1: it was worse back then. Like they fabricated how the 123 00:06:18,680 --> 00:06:22,279 Speaker 1: police really act in the movies and like like like 124 00:06:22,360 --> 00:06:24,840 Speaker 1: they dumbed it down. They done, they dumbed that shit down, 125 00:06:24,880 --> 00:06:28,320 Speaker 1: but they over exaggerated how niggas programmed in the streets. 126 00:06:28,320 --> 00:06:31,360 Speaker 1: You get what I'm saying. The streets was turned up, Like, 127 00:06:31,400 --> 00:06:33,440 Speaker 1: don't get me wrong, but you know, like the movies, 128 00:06:34,040 --> 00:06:36,200 Speaker 1: they made it a little bit dramatic, you feel what 129 00:06:36,240 --> 00:06:43,160 Speaker 1: I'm saying. Yeah, how like you know, at three years old, 130 00:06:43,200 --> 00:06:47,919 Speaker 1: I don't remember much from three years old obviously, Like 131 00:06:48,080 --> 00:06:49,920 Speaker 1: what was that like though? Kind of like you know, 132 00:06:50,040 --> 00:06:53,520 Speaker 1: like how did your family kind of what you were 133 00:06:53,520 --> 00:06:55,120 Speaker 1: getting older? Like you know what I'm saying, Like, how 134 00:06:55,120 --> 00:06:57,560 Speaker 1: do they kind of let you know what happened? Because 135 00:06:57,560 --> 00:06:59,080 Speaker 1: that's kind of a tough thing to tell a kid 136 00:06:59,120 --> 00:07:02,040 Speaker 1: on this is what happened to you know. Look, so 137 00:07:02,080 --> 00:07:04,360 Speaker 1: that's why I kept getting like different stories. You feel 138 00:07:04,360 --> 00:07:06,080 Speaker 1: what I'm saying. I had to put this ship together 139 00:07:06,440 --> 00:07:09,120 Speaker 1: because I would ask, you know what I'm saying, my auntie, 140 00:07:09,160 --> 00:07:11,320 Speaker 1: I asked, you know what I'm saying, A cousin or 141 00:07:11,680 --> 00:07:15,360 Speaker 1: uncle or somebody, and I get all different stories, right 142 00:07:15,640 --> 00:07:19,360 Speaker 1: because because you're a kid, they don't want to probably 143 00:07:19,360 --> 00:07:23,280 Speaker 1: either spare my feelings or they didn't even know you 144 00:07:23,320 --> 00:07:25,120 Speaker 1: get what I'm saying. So it was just I was 145 00:07:25,120 --> 00:07:28,640 Speaker 1: getting different stories. So like the three different stories I got, 146 00:07:28,720 --> 00:07:32,200 Speaker 1: I put them all together, and you know what I'm saying. 147 00:07:32,320 --> 00:07:34,040 Speaker 1: Came down to the bottom of that ship and I 148 00:07:34,080 --> 00:07:37,000 Speaker 1: asked my granddaddy like, hey, man, this, like did this happen? 149 00:07:37,280 --> 00:07:39,680 Speaker 1: He like, that's exactly what happened. You feel what I'm saying, 150 00:07:40,080 --> 00:07:43,560 Speaker 1: because they telling me she this, she dad, you know 151 00:07:43,640 --> 00:07:46,520 Speaker 1: what I'm saying. So once I got the real my 152 00:07:46,520 --> 00:07:49,400 Speaker 1: granddaddy was like, man, that's exactly what happened, Like, you 153 00:07:49,480 --> 00:07:53,280 Speaker 1: know what I'm saying. So for people who obviously kind 154 00:07:53,280 --> 00:07:56,160 Speaker 1: of break down like the section of l A you're from, Like, 155 00:07:56,240 --> 00:07:59,240 Speaker 1: you know, I think anybody who's fans and nip and 156 00:07:59,880 --> 00:08:01,600 Speaker 1: are already tapped in with your movement kind of already 157 00:08:01,640 --> 00:08:03,200 Speaker 1: understand where you're from. But like for people who are 158 00:08:03,200 --> 00:08:05,360 Speaker 1: watching this who don't know, kind of like give us 159 00:08:05,360 --> 00:08:07,760 Speaker 1: a background on what part of LA you're from. I'm 160 00:08:07,760 --> 00:08:10,200 Speaker 1: from LA. I'm from South Central you know what I'm saying, 161 00:08:10,360 --> 00:08:13,160 Speaker 1: the Crenshaw district. You know what I'm saying. I grew 162 00:08:13,240 --> 00:08:15,160 Speaker 1: up on eighth Ave, you know what I'm saying, went 163 00:08:15,200 --> 00:08:18,560 Speaker 1: the Hyde Park Elementary, went to Crenshaw High, Washington High. 164 00:08:19,200 --> 00:08:21,440 Speaker 1: You know what I'm saying. It's crazy because because Crenshaw 165 00:08:21,520 --> 00:08:26,840 Speaker 1: High has become like a cultural like landmark, you know. 166 00:08:26,960 --> 00:08:28,600 Speaker 1: And I know Nip had a lot to do with that, 167 00:08:28,920 --> 00:08:31,640 Speaker 1: like even back to when he had those pony shoes 168 00:08:31,680 --> 00:08:34,240 Speaker 1: and they were the blue and the yellow and yeah, 169 00:08:34,400 --> 00:08:38,840 Speaker 1: hell yeah, yeah, hell yeah. Man. Crenshaw. Crenshaw itself, man, 170 00:08:38,880 --> 00:08:41,280 Speaker 1: you know what I'm saying, got a history within itself. 171 00:08:41,360 --> 00:08:44,959 Speaker 1: You feel what I'm saying, And and and and Nip 172 00:08:45,280 --> 00:08:47,960 Speaker 1: and Nip. You know what I'm saying. He just recreated 173 00:08:48,080 --> 00:08:49,880 Speaker 1: the history of it. You know what I'm saying. We 174 00:08:49,920 --> 00:08:52,760 Speaker 1: had history then with the Darryl Starberry and of course 175 00:08:52,840 --> 00:08:57,320 Speaker 1: you know what I'm saying, and all that, and yeah, man, 176 00:08:57,320 --> 00:08:59,240 Speaker 1: it brought that ship back to life, bro in no 177 00:08:59,400 --> 00:09:04,720 Speaker 1: worldwide international scale, like you know what I'm saying. You say, Nip, 178 00:09:05,000 --> 00:09:07,200 Speaker 1: you got out of jail, and Nip put you on 179 00:09:07,240 --> 00:09:10,600 Speaker 1: the beat as soon as you got out. Soon I 180 00:09:10,679 --> 00:09:13,199 Speaker 1: came on so give us a little background on your 181 00:09:13,240 --> 00:09:16,079 Speaker 1: relationship with Nip How y'all how you guys originally linked 182 00:09:16,160 --> 00:09:18,160 Speaker 1: up and obviously for you to get out of jail 183 00:09:18,160 --> 00:09:21,560 Speaker 1: and then automatically, you know, be tapped in with it 184 00:09:21,559 --> 00:09:23,600 Speaker 1: with the with the homie, Like like, give us, give 185 00:09:23,640 --> 00:09:25,360 Speaker 1: us a little background on that man. Hell yeah, I 186 00:09:25,360 --> 00:09:27,200 Speaker 1: mean ship. When I got out of jail and ship 187 00:09:27,360 --> 00:09:29,079 Speaker 1: man Bro came and picked me up. You know what 188 00:09:29,080 --> 00:09:31,280 Speaker 1: I'm saying from jail. He like, Bro, Man, we can 189 00:09:31,720 --> 00:09:36,480 Speaker 1: we could do whatever. Well, shit, what year wasn't it 190 00:09:36,559 --> 00:09:39,760 Speaker 1: like he didn't been in jail so many times? He's 191 00:09:39,800 --> 00:09:43,280 Speaker 1: like every time? Everyway year we talking about what we 192 00:09:43,360 --> 00:09:47,200 Speaker 1: talk about? Twenty thirteen when I finally got my shit together, 193 00:09:47,760 --> 00:09:52,360 Speaker 1: came home January twenty thirteen with a plan, with a 194 00:09:52,440 --> 00:09:54,360 Speaker 1: plan not to go back and just get it. You 195 00:09:55,240 --> 00:09:57,400 Speaker 1: stay in the studio, you feel me. So Bro asked 196 00:09:57,400 --> 00:09:59,400 Speaker 1: me what I want to do. He said that I 197 00:09:59,400 --> 00:10:02,800 Speaker 1: don't want to go some hose nigga. We go get 198 00:10:02,800 --> 00:10:05,480 Speaker 1: on the helicopter, we go do whatever. You feel what 199 00:10:05,480 --> 00:10:08,439 Speaker 1: I'm saying. I'm like, Bro, take me straight to the studio. Wow, 200 00:10:08,520 --> 00:10:10,080 Speaker 1: you know what I'm saying. And we went straight to 201 00:10:10,160 --> 00:10:13,040 Speaker 1: the studio. That's crazy, cracking. He threw me on the beat. 202 00:10:13,120 --> 00:10:16,000 Speaker 1: We got cracking and there You're right, Yo, it's crazy 203 00:10:16,000 --> 00:10:18,040 Speaker 1: because like what you just said is like you've been 204 00:10:18,240 --> 00:10:20,280 Speaker 1: like you, you've been to jail multiple times, and there 205 00:10:20,400 --> 00:10:23,960 Speaker 1: in twenty thirteen, you finally kind of was like, Okay, Yeah, 206 00:10:24,000 --> 00:10:25,400 Speaker 1: I feel like a lot of a lot of Like 207 00:10:25,440 --> 00:10:26,800 Speaker 1: I have cousins who have been in and out of 208 00:10:26,840 --> 00:10:29,720 Speaker 1: jail NonStop their whole life, right, and it's like a 209 00:10:29,760 --> 00:10:33,800 Speaker 1: lot of it it's hard to get someone to really 210 00:10:33,920 --> 00:10:37,199 Speaker 1: understand why they they're in that position over and over again. 211 00:10:37,280 --> 00:10:38,520 Speaker 1: A lot of it has to do with the people 212 00:10:38,520 --> 00:10:41,400 Speaker 1: you surround yourself with, the circumstances you choose to be around. 213 00:10:41,440 --> 00:10:43,080 Speaker 1: You know what I'm saying. Yeah, Because after a while 214 00:10:43,080 --> 00:10:45,160 Speaker 1: they think, yo, ass dumb. They'd be like, man, this 215 00:10:45,240 --> 00:10:47,360 Speaker 1: niggas stupid. This nigga like jail or something. Why this 216 00:10:47,480 --> 00:10:50,680 Speaker 1: nigga keep going back? Yeah? Like what Likestand I would 217 00:10:50,679 --> 00:10:52,840 Speaker 1: ask you, like, what is some advice you give somebody 218 00:10:52,840 --> 00:10:54,920 Speaker 1: who has that problem? Because there are people who are 219 00:10:54,960 --> 00:10:57,960 Speaker 1: good people who just keep getting wrapped up. And you 220 00:10:57,960 --> 00:11:00,280 Speaker 1: know that the cycle of just going in and out 221 00:11:00,280 --> 00:11:02,240 Speaker 1: of jail every couple of years. You know what I'm saying, 222 00:11:02,280 --> 00:11:05,400 Speaker 1: to be honest, To be honest with niggas, man like 223 00:11:05,720 --> 00:11:09,000 Speaker 1: on some real shit. The system is set up for 224 00:11:09,080 --> 00:11:11,679 Speaker 1: a nigga to stay in there to go back. You 225 00:11:11,720 --> 00:11:14,959 Speaker 1: feel what I'm saying, Like they be pulling fifteen year 226 00:11:15,000 --> 00:11:17,760 Speaker 1: olds over you know what I'm saying, fresh school because 227 00:11:17,760 --> 00:11:20,040 Speaker 1: they want you on probation early. They want to get 228 00:11:20,080 --> 00:11:22,680 Speaker 1: you on paperwork, get your on probation. The nigga just 229 00:11:22,760 --> 00:11:25,440 Speaker 1: fuck you over every time, strip for your rights. So 230 00:11:25,520 --> 00:11:28,520 Speaker 1: then when you do go to jail and you get 231 00:11:28,520 --> 00:11:31,000 Speaker 1: out and you're still on probation or you're on parole, 232 00:11:31,280 --> 00:11:33,800 Speaker 1: any little thing that you do violation. Yeah, I could 233 00:11:33,840 --> 00:11:35,800 Speaker 1: be chilling with my family member and this nigga on 234 00:11:36,000 --> 00:11:39,200 Speaker 1: probation and parole, but you can't be affiliated with those 235 00:11:39,280 --> 00:11:41,640 Speaker 1: kind of people. Bro. Yeah, so that shit right there? 236 00:11:41,800 --> 00:11:44,320 Speaker 1: Have your ass back fast. Yeah, that's but I feel 237 00:11:44,320 --> 00:11:46,760 Speaker 1: like that's the biggest loophole. It's like, especially if you're 238 00:11:46,760 --> 00:11:48,400 Speaker 1: from where you're from, It's like, Yo, so you're telling 239 00:11:48,440 --> 00:11:51,080 Speaker 1: me I can't be around my my cousins or yeah, 240 00:11:51,240 --> 00:11:53,520 Speaker 1: you know what i'mybody, that's you know what I'm saying, affiliate. 241 00:11:53,679 --> 00:11:56,199 Speaker 1: But that's them their whole la. Oh you can't live 242 00:11:56,200 --> 00:12:00,720 Speaker 1: in the gang neighborhood, the whole la, right right right, 243 00:12:00,760 --> 00:12:03,840 Speaker 1: grand Mom staying in somebody hood, Auntie staying at somebody hood, 244 00:12:03,920 --> 00:12:06,240 Speaker 1: mom staying in somebody hood. You feel what I'm saying. 245 00:12:06,600 --> 00:12:08,440 Speaker 1: Help me understand. On the on the album, you say, 246 00:12:09,600 --> 00:12:12,600 Speaker 1: Baron Davison, Roddy Rich your blood cousin. Yeah, real talk, 247 00:12:12,720 --> 00:12:15,720 Speaker 1: so your blood cousins, Roddy and Baron. Real Talk said 248 00:12:15,720 --> 00:12:17,040 Speaker 1: I didn't know. I didn't even know that Roddy and 249 00:12:17,040 --> 00:12:20,000 Speaker 1: Baron related like that. They probably don't even know. They 250 00:12:20,040 --> 00:12:22,440 Speaker 1: probably didn't even know. You feel what I'm saying, Like, 251 00:12:22,960 --> 00:12:26,160 Speaker 1: it just it just it just it took a nigga 252 00:12:26,200 --> 00:12:29,680 Speaker 1: a little bit later to know that part. You feel 253 00:12:29,679 --> 00:12:31,920 Speaker 1: what I'm saying, especially Roddy because my bro hit me 254 00:12:32,080 --> 00:12:37,080 Speaker 1: was like he was like, you know, Roddy, that's our cousin. Right, 255 00:12:37,400 --> 00:12:39,360 Speaker 1: that's a little you know what I'm saying. It's a 256 00:12:39,400 --> 00:12:42,960 Speaker 1: little government that you're like, you know that's I'm like, yeah, nigga, 257 00:12:43,640 --> 00:12:47,680 Speaker 1: Roddy is my my g pops, my g No, my 258 00:12:47,800 --> 00:12:51,360 Speaker 1: uncle is his g pops. Oh shaw that go. So 259 00:12:51,400 --> 00:12:54,640 Speaker 1: you guys are like for real, related, that's crazy. You 260 00:12:54,679 --> 00:12:57,320 Speaker 1: guys have my dad, that's my dad brother, my dad brother. 261 00:12:58,480 --> 00:13:01,960 Speaker 1: My dad brother is my uncle. That's that's that nikked Grandaddy? 262 00:13:02,280 --> 00:13:04,600 Speaker 1: Were you like, like, is that something you found out 263 00:13:04,640 --> 00:13:08,480 Speaker 1: recently or was that? Man? Yeah, I just found that 264 00:13:08,559 --> 00:13:11,319 Speaker 1: out recently, bro, Like you've probably been around him and 265 00:13:11,360 --> 00:13:14,000 Speaker 1: ship not even new pop his g Pops is my 266 00:13:14,080 --> 00:13:18,760 Speaker 1: favorite uncle. Oh wow, Okay, Like that's that's what's crazy 267 00:13:18,760 --> 00:13:22,439 Speaker 1: about it. Damn. So you were like you guys because 268 00:13:22,440 --> 00:13:24,640 Speaker 1: I'm assuming you're around like with the racks in the middle, 269 00:13:25,240 --> 00:13:28,160 Speaker 1: uh in the video. That's what I'm saying. I was 270 00:13:28,160 --> 00:13:30,800 Speaker 1: just obviously, you know, he always tells us that story 271 00:13:30,800 --> 00:13:35,280 Speaker 1: about how how legendary that session was, you know. But yeah, 272 00:13:35,320 --> 00:13:36,679 Speaker 1: but you didn't even know that was your cousin at 273 00:13:36,679 --> 00:13:39,720 Speaker 1: the time. That shit crazy, that part. I didn't know. 274 00:13:39,840 --> 00:13:41,599 Speaker 1: I found that out later on in the game. No, 275 00:13:41,720 --> 00:13:45,120 Speaker 1: that's crazy. That's crazy. How this should be, bro? Yeah? 276 00:13:45,280 --> 00:13:48,600 Speaker 1: Super crazy? What about obviously Baron Davis, legendary LA figure, 277 00:13:48,640 --> 00:13:52,199 Speaker 1: one of the more most slept on point Guard's NBA history. Man, 278 00:13:52,240 --> 00:13:55,719 Speaker 1: he's super tapped in as well, you know, shout out 279 00:13:55,760 --> 00:13:58,240 Speaker 1: to be Diddy. Uh? You you guys have a strong 280 00:13:58,280 --> 00:14:00,840 Speaker 1: relationship or a sure Hell yeah, yeah, I put up 281 00:14:00,880 --> 00:14:03,880 Speaker 1: on him faithfully. You know what I'm saying. We had talks. 282 00:14:03,920 --> 00:14:07,199 Speaker 1: You know what I'm saying. We catch up this How 283 00:14:07,400 --> 00:14:09,040 Speaker 1: was it nice to have when he was on the Clippers? 284 00:14:09,080 --> 00:14:11,480 Speaker 1: Was that nice to have? Like? Man, that's why, that's 285 00:14:11,480 --> 00:14:13,679 Speaker 1: why I'm a hell of a Clipper fan right now, 286 00:14:13,720 --> 00:14:15,880 Speaker 1: you know what I'm saying from l A. But like 287 00:14:16,360 --> 00:14:18,160 Speaker 1: you know what I'm saying, My cousin Baron played for 288 00:14:18,200 --> 00:14:19,600 Speaker 1: the clipp He was balling out when he was on 289 00:14:19,640 --> 00:14:22,800 Speaker 1: the Clippers for real. Yeah. I had Nigga play for 290 00:14:22,840 --> 00:14:27,000 Speaker 1: the Clippers, the Warriors, Hornets, Hornets, Knicks for a little bit, 291 00:14:27,080 --> 00:14:28,960 Speaker 1: Nicks for a little bit. You know what I'm saying. 292 00:14:29,360 --> 00:14:31,520 Speaker 1: You know, the Warriors was the wave though when he 293 00:14:31,600 --> 00:14:34,440 Speaker 1: when they had that uh that season where they where 294 00:14:34,440 --> 00:14:36,120 Speaker 1: they upset the one seed. I think it was to 295 00:14:36,200 --> 00:14:40,160 Speaker 1: beat the Mavericks in round one. It was like Matt Barnes, Davis, 296 00:14:40,160 --> 00:14:42,840 Speaker 1: Michael Pitcher, that ship was legendary. Yeah, that's crazy. So 297 00:14:44,400 --> 00:14:48,120 Speaker 1: this album, man, super personal album. I feel like, you know, 298 00:14:48,200 --> 00:14:50,480 Speaker 1: you got some records on here that are crazy. You 299 00:14:50,600 --> 00:14:54,680 Speaker 1: got two Nipsy features on this project that are like 300 00:14:55,240 --> 00:14:57,880 Speaker 1: very special records. I feel like the Lebron James record 301 00:14:57,880 --> 00:15:01,520 Speaker 1: with Dom Kennedy is is a bang yeah, And I 302 00:15:01,520 --> 00:15:04,200 Speaker 1: feel like the other one is one of the better 303 00:15:04,320 --> 00:15:07,320 Speaker 1: NIP verses I've heard in a long time. Man Like yeah, 304 00:15:07,000 --> 00:15:10,280 Speaker 1: he got off on that ship. Yeah, now do you now? 305 00:15:11,080 --> 00:15:12,680 Speaker 1: Go ahead? Go ahead? Nah? No, go ahead. I was 306 00:15:12,720 --> 00:15:15,360 Speaker 1: gonna say, like, what is the process of Like how 307 00:15:15,360 --> 00:15:20,120 Speaker 1: many unreleased NIP records do you have? Obviously your home team, 308 00:15:20,480 --> 00:15:22,920 Speaker 1: so I'm assuming that you you you you have some 309 00:15:23,360 --> 00:15:26,200 Speaker 1: you know, I know, you know Dave's who's on your 310 00:15:26,200 --> 00:15:28,400 Speaker 1: project a couple of times as well, he's you know, 311 00:15:28,440 --> 00:15:30,160 Speaker 1: he's got some ship with him that no one's heard. 312 00:15:30,560 --> 00:15:33,360 Speaker 1: But like see see now that lap you know what 313 00:15:33,400 --> 00:15:35,440 Speaker 1: I'm saying, that second song you heard you feel Me? 314 00:15:35,560 --> 00:15:38,080 Speaker 1: That was like an energy that we was in the 315 00:15:38,120 --> 00:15:42,640 Speaker 1: studio and had did like Cousin went crazy and then 316 00:15:42,720 --> 00:15:45,840 Speaker 1: I went crazy, Right, But the verse that I use 317 00:15:46,000 --> 00:15:48,160 Speaker 1: is not is not even that verse. You feel what 318 00:15:48,160 --> 00:15:51,080 Speaker 1: I'm saying. Bro was like he said, Nigga, everything you 319 00:15:51,120 --> 00:15:53,280 Speaker 1: said on there was the money. He said, just changed 320 00:15:53,320 --> 00:15:55,480 Speaker 1: the first four boards. He said, you changed the first 321 00:15:55,480 --> 00:15:58,200 Speaker 1: four boards. He said the rest of that shit is money. 322 00:15:58,920 --> 00:16:01,240 Speaker 1: So instead of change in the four boards, I just 323 00:16:01,320 --> 00:16:04,920 Speaker 1: changed the whole verse and just went crazy. Yeah you spat, 324 00:16:04,960 --> 00:16:08,720 Speaker 1: you know because nip kicked that thing off man on fire. Yeah, 325 00:16:08,960 --> 00:16:10,960 Speaker 1: but we held on to her for a cool minute, 326 00:16:11,040 --> 00:16:13,240 Speaker 1: right right, you know what I'm saying, We ain't do 327 00:16:13,280 --> 00:16:15,760 Speaker 1: shit to it. So after a while it just started 328 00:16:15,760 --> 00:16:18,400 Speaker 1: getting outdated. I'll revamped the beat and I'm like, man, 329 00:16:18,400 --> 00:16:20,800 Speaker 1: this shit perfect for the album. Yeah, because I know 330 00:16:20,840 --> 00:16:24,320 Speaker 1: that Nipsey was like very uh like he had an 331 00:16:24,320 --> 00:16:26,600 Speaker 1: intent when he recorded. It wasn't like Nipsey wasn't the 332 00:16:26,680 --> 00:16:30,200 Speaker 1: kind of guy who would, like, you know, do one 333 00:16:30,280 --> 00:16:32,320 Speaker 1: hundred and fifty songs and like, you know, you know 334 00:16:32,360 --> 00:16:36,920 Speaker 1: there's those artists that like quantity over quality sometimes, right, 335 00:16:37,080 --> 00:16:39,120 Speaker 1: But I feel like nip everything he did was like 336 00:16:39,320 --> 00:16:42,960 Speaker 1: very specific. It had purpose. It was like, you know, 337 00:16:43,080 --> 00:16:46,960 Speaker 1: like so so in your in your estimation, like how 338 00:16:47,080 --> 00:16:52,440 Speaker 1: much Nipsy versus records that are you know on hard 339 00:16:52,560 --> 00:16:59,360 Speaker 1: drive somewhere that we haven't heard yet? Hey, man a lot. 340 00:16:59,520 --> 00:17:02,120 Speaker 1: It's so his music. This nigga then did bro like 341 00:17:02,320 --> 00:17:04,960 Speaker 1: you you you wouldn't even imagine Bro, It's ship that 342 00:17:05,080 --> 00:17:07,400 Speaker 1: I haven't even heard when I thought I heard everything. 343 00:17:07,680 --> 00:17:10,000 Speaker 1: You know what I'm saying, is there a have you 344 00:17:10,040 --> 00:17:12,840 Speaker 1: heard any I like like plans obviously pop smoke past 345 00:17:12,920 --> 00:17:15,920 Speaker 1: and we got a crazy album from him after he 346 00:17:16,000 --> 00:17:18,919 Speaker 1: did after he died, and I think that. You know, 347 00:17:18,960 --> 00:17:20,560 Speaker 1: a lot of Nipsey fans are like, I wonder if 348 00:17:20,560 --> 00:17:22,639 Speaker 1: we're gonna get one more Nipsey project, And I know 349 00:17:22,680 --> 00:17:25,680 Speaker 1: it's not gonna be as cohesive because you know, he's 350 00:17:25,720 --> 00:17:29,440 Speaker 1: not here to if it were to happen, he's not here, 351 00:17:29,720 --> 00:17:31,480 Speaker 1: it's gonna take a lot of production. It's gonna take 352 00:17:31,480 --> 00:17:33,639 Speaker 1: a lot of you know, is that something that's been 353 00:17:33,960 --> 00:17:37,919 Speaker 1: discussed on. It's gonna It's gonna definitely be another nip album, 354 00:17:38,240 --> 00:17:40,880 Speaker 1: you know what I'm saying. But you know you got 355 00:17:40,920 --> 00:17:42,840 Speaker 1: to take time with that though. All money in so 356 00:17:42,960 --> 00:17:46,359 Speaker 1: you know, we ain't gonna put out nothing, Mickey or 357 00:17:46,520 --> 00:17:48,480 Speaker 1: do it just exactly? You know what I'm saying. You 358 00:17:48,480 --> 00:17:51,520 Speaker 1: guys felt like, like, you know what I'm saying, resting 359 00:17:51,560 --> 00:17:53,960 Speaker 1: piece of pot. I feel like if they would have 360 00:17:54,040 --> 00:17:56,879 Speaker 1: held on to his music a little bit more, you 361 00:17:56,920 --> 00:17:58,720 Speaker 1: know what I'm saying, and put it out the right way, 362 00:17:58,920 --> 00:18:02,359 Speaker 1: it would have been see different but the music was 363 00:18:02,359 --> 00:18:05,040 Speaker 1: still good and we needed at that time. So you know, yeah, 364 00:18:05,040 --> 00:18:09,480 Speaker 1: they definitely after after Pac died, I feel like they 365 00:18:09,480 --> 00:18:12,600 Speaker 1: didn't take their time with putting together those projects as 366 00:18:12,680 --> 00:18:15,399 Speaker 1: much as they probably could ask. And Nip had his 367 00:18:15,560 --> 00:18:20,359 Speaker 1: brand and his image so so so strong and tight, 368 00:18:20,600 --> 00:18:23,280 Speaker 1: like you can't you know what I'm saying, you can't 369 00:18:23,280 --> 00:18:26,800 Speaker 1: do the park on them with the mcavelly one, mcavelly fifteen. 370 00:18:26,880 --> 00:18:32,520 Speaker 1: Remember all those CDs Botlegsave. I remember just hearing about 371 00:18:32,520 --> 00:18:34,960 Speaker 1: all those and then when Napster came out, I was 372 00:18:35,000 --> 00:18:40,040 Speaker 1: downloading all the fucking Tupac bootlegs off the fucking internet. Man. Yeah, 373 00:18:40,040 --> 00:18:42,680 Speaker 1: that's crazy, Yeah, because I do think there is something 374 00:18:42,680 --> 00:18:46,000 Speaker 1: to be said about like with Pac, like there was 375 00:18:46,040 --> 00:18:48,720 Speaker 1: like some of those post depth albums that were solid, 376 00:18:49,080 --> 00:18:50,720 Speaker 1: but some of them just felt like they just kind 377 00:18:50,760 --> 00:18:52,720 Speaker 1: of kind of threw shit together and it was like 378 00:18:53,119 --> 00:18:54,920 Speaker 1: kind of threw shit together where they could have waited. 379 00:18:54,960 --> 00:18:56,480 Speaker 1: And then there was the one album that had like 380 00:18:56,520 --> 00:18:58,600 Speaker 1: features with people he probably never would have like never 381 00:18:58,840 --> 00:19:01,399 Speaker 1: even did a song where Bro, why is doing a 382 00:19:01,440 --> 00:19:03,960 Speaker 1: song with Trick Daddy and and all like and g 383 00:19:04,119 --> 00:19:07,679 Speaker 1: united Ship, Like Bro, like you didn't even know these cats, 384 00:19:07,720 --> 00:19:09,760 Speaker 1: you know what I'm saying, Like, and I feel like 385 00:19:09,800 --> 00:19:12,440 Speaker 1: with with Nip, it's got to be very You gotta 386 00:19:12,480 --> 00:19:16,240 Speaker 1: take your time. If that project happens, everything's got to 387 00:19:16,280 --> 00:19:18,280 Speaker 1: be super you know. I mean the same way he 388 00:19:18,320 --> 00:19:21,040 Speaker 1: took his time as Victory Lap. Yeah, and it was 389 00:19:21,600 --> 00:19:24,040 Speaker 1: a perfect album for sure, in the same way, you 390 00:19:24,040 --> 00:19:26,040 Speaker 1: know what I'm saying. So that'd be crazy though if 391 00:19:26,080 --> 00:19:28,720 Speaker 1: we hear that, man, Yeah, that'd be crazy. I don't know. 392 00:19:28,800 --> 00:19:31,000 Speaker 1: I really can't say, but I just well, you did 393 00:19:31,040 --> 00:19:36,720 Speaker 1: say earlier. But listen, man, shout out to NIP. I 394 00:19:36,800 --> 00:19:38,800 Speaker 1: hope I hope we hear uh, because you know, some 395 00:19:38,880 --> 00:19:40,560 Speaker 1: of these verses that have been coming out Deep Reverence 396 00:19:40,640 --> 00:19:44,280 Speaker 1: with Sean was crazy, Uh, you know the stuff on 397 00:19:44,320 --> 00:19:48,639 Speaker 1: your albums, like there's been some the the obviously the 398 00:19:48,720 --> 00:19:51,639 Speaker 1: Kalid record was special. Yeah, I'm glad that they that 399 00:19:51,640 --> 00:19:54,840 Speaker 1: they got to release that video. Yeah, Nip got a 400 00:19:54,920 --> 00:19:57,119 Speaker 1: chance to pull up on cal it at his crib. 401 00:19:57,200 --> 00:19:59,119 Speaker 1: You know what I'm saying. They vibed out and knocked 402 00:19:59,119 --> 00:20:01,760 Speaker 1: that shit out there. I was talking to Dave East 403 00:20:02,520 --> 00:20:05,239 Speaker 1: and he said that you guys might be doing a 404 00:20:05,240 --> 00:20:10,160 Speaker 1: collapse project. You and Dave East. We definitely like halfway 405 00:20:10,200 --> 00:20:12,080 Speaker 1: through an EP. You know what I'm saying. I mean 406 00:20:12,080 --> 00:20:14,520 Speaker 1: he's on. I mean, look, you guys got some great 407 00:20:14,520 --> 00:20:18,000 Speaker 1: records together right now, yeah, right now. Yeah you heard 408 00:20:18,040 --> 00:20:21,560 Speaker 1: you heard like two of them already for show for show. Yeah. 409 00:20:21,600 --> 00:20:25,280 Speaker 1: So uh, because I know Easton Nippe talked about working together, 410 00:20:25,520 --> 00:20:27,479 Speaker 1: So that's got to be a very important like, uh, 411 00:20:27,600 --> 00:20:30,240 Speaker 1: you know, A Dave's one of the realist dudes in him. 412 00:20:30,920 --> 00:20:34,200 Speaker 1: Just a great guy, man, very genuine dude. He's solid, bro. 413 00:20:34,600 --> 00:20:38,160 Speaker 1: So you guys are halfway through it, yeah, halfway through 414 00:20:38,359 --> 00:20:40,680 Speaker 1: and were ready to go. Man, We're going. We were 415 00:20:40,680 --> 00:20:43,560 Speaker 1: ready to just finish this ship, get it going, you 416 00:20:43,560 --> 00:20:45,879 Speaker 1: know what I'm saying. Him and Nip obviously was working 417 00:20:45,880 --> 00:20:49,360 Speaker 1: on one, you know what I'm saying, and man, were 418 00:20:49,400 --> 00:20:51,520 Speaker 1: just gonna keep this ship going. Help me understand the T. 419 00:20:51,760 --> 00:20:53,520 Speaker 1: How'd you get T Paint on this album? Man? Because 420 00:20:54,119 --> 00:20:55,880 Speaker 1: I was just listening with I looking at the track lists, 421 00:20:55,920 --> 00:20:58,880 Speaker 1: I heard TA Pain. I was like, oh, ship, yeah, man, 422 00:20:59,119 --> 00:21:01,520 Speaker 1: T Pain on the shout out the T. I though, man, 423 00:21:01,560 --> 00:21:03,280 Speaker 1: for real, I'll put it up on him. And we 424 00:21:03,400 --> 00:21:07,360 Speaker 1: got in the studio and uh, the producer that produced 425 00:21:07,359 --> 00:21:10,760 Speaker 1: for uh for Tip you know what I'm saying, have 426 00:21:10,880 --> 00:21:16,000 Speaker 1: some music for me. Yeah, he had the T Paint hook. Yeah, 427 00:21:16,040 --> 00:21:17,880 Speaker 1: he been holding on that for me, Like, Bro, I've 428 00:21:17,880 --> 00:21:19,840 Speaker 1: been having this record for you. Man, I've been sitting 429 00:21:19,840 --> 00:21:21,720 Speaker 1: on this record for you. He had hit me in 430 00:21:21,800 --> 00:21:23,639 Speaker 1: June and told me about it. So did you have 431 00:21:23,680 --> 00:21:25,960 Speaker 1: to pain to clear it? Obviously? Right, like of course, 432 00:21:26,400 --> 00:21:28,320 Speaker 1: and he gave you the blessing. Yeah, we got the 433 00:21:28,359 --> 00:21:31,520 Speaker 1: blessings man shut out the Tip man. So T I 434 00:21:31,560 --> 00:21:35,160 Speaker 1: helped kind of run that. Come on man, hey, that's crazy, yeah, 435 00:21:35,240 --> 00:21:38,280 Speaker 1: because it sounded like some vintage like, you know, something 436 00:21:38,320 --> 00:21:41,280 Speaker 1: like all the above era T Pain. I was like 437 00:21:41,320 --> 00:21:43,480 Speaker 1: this ship, I haven't heard paint it. I was like 438 00:21:43,480 --> 00:21:49,199 Speaker 1: this in a minute, classic shit certainly, so kind of 439 00:21:49,560 --> 00:21:54,680 Speaker 1: you know, there's there's been so much, you know, controversy 440 00:21:54,720 --> 00:21:57,560 Speaker 1: since since it passed away. On the album, you kind 441 00:21:57,560 --> 00:22:00,440 Speaker 1: of address whack Uh some of the things he said. 442 00:22:00,840 --> 00:22:05,639 Speaker 1: I forget the line. It was very specific. You know, 443 00:22:05,800 --> 00:22:08,800 Speaker 1: I've known Whack for a long time. I can't say 444 00:22:08,800 --> 00:22:10,520 Speaker 1: anything bad about the dude, to be honest with you. 445 00:22:11,240 --> 00:22:15,240 Speaker 1: He does have his opinions on things that he has 446 00:22:15,320 --> 00:22:23,639 Speaker 1: no problem sharing vocally. Is there like you know, a 447 00:22:23,680 --> 00:22:26,880 Speaker 1: conversation to be had with with someone like Whack who. 448 00:22:26,920 --> 00:22:29,600 Speaker 1: You know. I know that there was like that incident 449 00:22:29,640 --> 00:22:33,760 Speaker 1: that happened rolling Loud, and you know, is there any 450 00:22:33,760 --> 00:22:35,800 Speaker 1: sort of conversation to be had to kind of get 451 00:22:35,840 --> 00:22:41,240 Speaker 1: past that that. I ain't no talking with that nigga. Man, 452 00:22:42,480 --> 00:22:46,159 Speaker 1: ain't no talking with him straight up. Nigga said too 453 00:22:46,240 --> 00:22:48,200 Speaker 1: much about the bro. You feel me, so it ain't nothing. 454 00:22:48,240 --> 00:22:50,199 Speaker 1: It ain't nothing to be said. You feel me, You 455 00:22:50,240 --> 00:22:53,359 Speaker 1: say how you feel? All right? Cool? Right, you know 456 00:22:53,400 --> 00:22:56,160 Speaker 1: what I'm saying. You're gonna have to see a nigga 457 00:22:56,200 --> 00:22:58,679 Speaker 1: one day, That's fair. We'll leave it at that, man. 458 00:22:59,359 --> 00:23:02,080 Speaker 1: You know, And I ain't even really want to speak 459 00:23:02,160 --> 00:23:03,800 Speaker 1: up on that nigga. You feel what I'm saying. But 460 00:23:04,080 --> 00:23:05,560 Speaker 1: I mean you addressed it on the album, so it's 461 00:23:05,600 --> 00:23:09,679 Speaker 1: like you know what I mean. Yeah, you know, I 462 00:23:09,760 --> 00:23:12,400 Speaker 1: just I just like always like to see people trying 463 00:23:12,400 --> 00:23:14,000 Speaker 1: to move past that kind of shit, you know, but like, 464 00:23:14,160 --> 00:23:15,679 Speaker 1: you know, hey, it is what it is. We leave 465 00:23:15,720 --> 00:23:20,760 Speaker 1: it at that. Uh. Like I feel like with this project, 466 00:23:20,800 --> 00:23:23,600 Speaker 1: you're you're in a really great position to kind of 467 00:23:26,000 --> 00:23:28,440 Speaker 1: you know, I feel like people kind of associate you 468 00:23:28,480 --> 00:23:32,040 Speaker 1: as like nips homie, right, Yeah, that's my day one. Right. 469 00:23:32,119 --> 00:23:34,920 Speaker 1: But but I think that this album is like an 470 00:23:35,000 --> 00:23:38,040 Speaker 1: album that it's kind of like it feels like you're 471 00:23:39,880 --> 00:23:43,200 Speaker 1: like your rival where you're it's like, yeah, that's that's 472 00:23:43,240 --> 00:23:49,240 Speaker 1: that's Jay Stone who happens to be Nipsey's homie. Like, 473 00:23:49,400 --> 00:23:51,119 Speaker 1: you know, do you understand what I'm trying to say? 474 00:23:51,320 --> 00:23:53,920 Speaker 1: I mean I kind of get it. Yeah, Like I 475 00:23:54,000 --> 00:23:55,800 Speaker 1: feel like this album is like a big statement for 476 00:23:55,840 --> 00:23:59,200 Speaker 1: you as an artist, exact like that. Like I say, 477 00:23:59,280 --> 00:24:01,280 Speaker 1: like the definition or law to you was like it 478 00:24:01,359 --> 00:24:05,439 Speaker 1: was like a demonstration, but this one is like like, Nigga, 479 00:24:05,920 --> 00:24:07,960 Speaker 1: this is my staff right here, Like this shit was 480 00:24:08,000 --> 00:24:10,160 Speaker 1: for real and it is for real and I'm here, 481 00:24:10,200 --> 00:24:12,439 Speaker 1: so get used to me, feel me? What do you like? 482 00:24:13,000 --> 00:24:15,560 Speaker 1: What's your thoughts on you know a lot of these 483 00:24:15,560 --> 00:24:17,720 Speaker 1: lists have been coming out, and I feel like, obviously 484 00:24:18,440 --> 00:24:20,640 Speaker 1: LA is always getting overlooked. You know, Head always talks 485 00:24:20,640 --> 00:24:24,560 Speaker 1: about that shoutouts to Head. A lot of hip hop 486 00:24:24,560 --> 00:24:28,000 Speaker 1: media is East Coast biased. What is your kind of 487 00:24:28,040 --> 00:24:30,359 Speaker 1: thought process on where LA hip hop is right now? 488 00:24:31,480 --> 00:24:33,800 Speaker 1: I mean, I think we're in a good space right now. 489 00:24:33,880 --> 00:24:36,639 Speaker 1: Everybody doing their shit, man, shut out everybody on the 490 00:24:36,680 --> 00:24:40,600 Speaker 1: West that's doing the shit. You know what I'm saying lyrically, 491 00:24:40,920 --> 00:24:46,760 Speaker 1: and you know what I'm saying, shit, I just feel like, 492 00:24:47,840 --> 00:24:50,720 Speaker 1: you know, you can say like the West need this 493 00:24:50,920 --> 00:24:53,679 Speaker 1: and the West need that, and we don't need this 494 00:24:53,760 --> 00:24:55,720 Speaker 1: and we don't need that. But if shit, if you 495 00:24:55,840 --> 00:24:59,040 Speaker 1: actually everybody else bro on the outside looking in, we're 496 00:24:59,080 --> 00:25:02,280 Speaker 1: looking good. I mean, listen to sounding good. I also 497 00:25:02,280 --> 00:25:06,000 Speaker 1: feel like there's a lot more unity right now in 498 00:25:06,160 --> 00:25:09,159 Speaker 1: LA than in the pasture with the younger with especially 499 00:25:09,160 --> 00:25:10,720 Speaker 1: with the younger kids that are doing their thing, you 500 00:25:10,760 --> 00:25:12,840 Speaker 1: know for sure, and it could be a lot more. 501 00:25:13,480 --> 00:25:15,239 Speaker 1: It could be a lot more. That's probably like the 502 00:25:15,280 --> 00:25:17,280 Speaker 1: only thing that we lack, you feel what I'm saying. 503 00:25:17,320 --> 00:25:19,360 Speaker 1: To the South, they go do songs with each other, 504 00:25:19,440 --> 00:25:21,159 Speaker 1: you know what I'm saying. They go sit in the 505 00:25:21,160 --> 00:25:25,040 Speaker 1: studio and do ten records today. But like, look, here's 506 00:25:25,080 --> 00:25:28,359 Speaker 1: a twenty one Savage offset album and exactly yeah me, Like, 507 00:25:29,359 --> 00:25:31,679 Speaker 1: I don't know, I work like that. That's how I work, right, 508 00:25:31,680 --> 00:25:33,280 Speaker 1: You know what I'm saying. I don't think niggas can 509 00:25:33,359 --> 00:25:35,080 Speaker 1: get in the studio with me like that, you know 510 00:25:35,119 --> 00:25:37,720 Speaker 1: what I'm saying, Do you think it's it's a lot 511 00:25:37,760 --> 00:25:40,639 Speaker 1: of it is, is the politics side of LA sometimes 512 00:25:40,680 --> 00:25:44,280 Speaker 1: just kind of you know, not that not that somebody 513 00:25:44,520 --> 00:25:48,480 Speaker 1: doesn't fuck with an artist, but it's like sometimes it's like, look, well, 514 00:25:48,520 --> 00:25:51,320 Speaker 1: like you know, sometimes the politics kind of get in 515 00:25:51,320 --> 00:25:53,639 Speaker 1: in the middle of certain people collaborating, you know what 516 00:25:53,680 --> 00:25:56,639 Speaker 1: I'm saying. Definitely, like like I remember, it's kind of 517 00:25:56,680 --> 00:25:59,320 Speaker 1: like everywhere you go now though if you think about it, 518 00:25:59,359 --> 00:26:01,760 Speaker 1: I mean, that's just pretty much anywhere in hip hop, 519 00:26:01,840 --> 00:26:04,600 Speaker 1: Like I mean, it's really out here though for sure, 520 00:26:05,040 --> 00:26:06,919 Speaker 1: as far as you know, I'm talking about the street politics, 521 00:26:06,920 --> 00:26:09,639 Speaker 1: off the street politics. Yeah, Like because there was a 522 00:26:09,760 --> 00:26:12,040 Speaker 1: bro as a as a fan I was, I was 523 00:26:12,080 --> 00:26:13,879 Speaker 1: always there was like one of the one record. I 524 00:26:13,920 --> 00:26:17,159 Speaker 1: always like one of the one collapse. I wanted. I 525 00:26:17,200 --> 00:26:19,240 Speaker 1: wanted to hear Nipsey and school Boy Q on some ship, 526 00:26:19,280 --> 00:26:22,760 Speaker 1: you know what I'm saying. And you know, obviously there's 527 00:26:22,760 --> 00:26:24,600 Speaker 1: no secret if you're from LA as to why that 528 00:26:24,640 --> 00:26:26,959 Speaker 1: probably didn't happen. It wasn't like there was beef or anything. 529 00:26:27,480 --> 00:26:30,679 Speaker 1: But I feel like that there's definitely, like you know, 530 00:26:30,720 --> 00:26:32,720 Speaker 1: with the young kids right now, at least like the 531 00:26:32,760 --> 00:26:37,200 Speaker 1: one take Jay's the Hazy hikes, you know, the shoreline 532 00:26:37,320 --> 00:26:40,080 Speaker 1: kids Rucci. Like, it feels like there's just a lot 533 00:26:40,119 --> 00:26:43,000 Speaker 1: more camaraderie with the younger generation of LA right now, 534 00:26:43,040 --> 00:26:46,320 Speaker 1: and it's just good to see man for sure. Yeah, 535 00:26:46,440 --> 00:26:49,800 Speaker 1: who who were you? We were talking earlier, like, Man, 536 00:26:49,840 --> 00:26:53,040 Speaker 1: I'm a hip hop head. You know, definitely, bro, because 537 00:26:53,040 --> 00:26:56,919 Speaker 1: you know what I'm saying, I was out bro growing 538 00:26:57,000 --> 00:26:58,960 Speaker 1: up in this ship. Bro, we had the box. You 539 00:26:59,040 --> 00:27:01,520 Speaker 1: know what I'm saying. Of course, like video channel, the box, 540 00:27:01,920 --> 00:27:05,040 Speaker 1: Like come on, you know what I'm saying. Ship like that. 541 00:27:05,320 --> 00:27:08,000 Speaker 1: The box was crazy and then uh, you know my 542 00:27:08,080 --> 00:27:10,280 Speaker 1: cousins and ship. You know, they used to always listen 543 00:27:10,359 --> 00:27:13,520 Speaker 1: to all that eighties rap. You feel me? So I was. 544 00:27:13,600 --> 00:27:16,000 Speaker 1: I was already. I was already listening to that ship. 545 00:27:16,040 --> 00:27:18,280 Speaker 1: What's your what's your favorite? Like, Like, give me, like 546 00:27:18,480 --> 00:27:20,360 Speaker 1: your top three albums of all time? If you get 547 00:27:20,640 --> 00:27:22,959 Speaker 1: and and excluding Victory Laps, it's got to be in there, 548 00:27:22,960 --> 00:27:26,199 Speaker 1: I'm assuming. I mean, Victory Lap is just all you 549 00:27:26,240 --> 00:27:27,960 Speaker 1: know what I'm saying, that's just up there. You're already 550 00:27:28,160 --> 00:27:29,720 Speaker 1: of course, of course, you know what I'm saying. My 551 00:27:29,840 --> 00:27:35,600 Speaker 1: top three, damn man, Ship number one me against the 552 00:27:35,640 --> 00:27:42,680 Speaker 1: world pop uh ship you can throw you can throw 553 00:27:43,320 --> 00:27:45,840 Speaker 1: Bone Thugs a harmony, creeping on the come up or 554 00:27:45,880 --> 00:27:49,040 Speaker 1: each ninety ninety turn on the one of them talking 555 00:27:49,080 --> 00:27:59,159 Speaker 1: about there and number three she definition the Lord to you. Okay, 556 00:27:59,200 --> 00:28:02,479 Speaker 1: I see you. You can put yourself in there. Yeah. Yo, 557 00:28:02,560 --> 00:28:06,160 Speaker 1: it's crazy because like Bone Thugs was, I remember having 558 00:28:06,560 --> 00:28:08,560 Speaker 1: creeping on a come up and the Ouiji board ship 559 00:28:08,680 --> 00:28:11,320 Speaker 1: as as a little bro as a little kid. That 560 00:28:11,320 --> 00:28:13,800 Speaker 1: ship creeped me out though, because I was like, but 561 00:28:13,840 --> 00:28:16,520 Speaker 1: I love bone Bone. Creeping on a come up in 562 00:28:16,560 --> 00:28:18,960 Speaker 1: doggy style was hard, but like its hard, they like 563 00:28:19,040 --> 00:28:21,760 Speaker 1: the main reason why I'm rapping right man, And they 564 00:28:21,800 --> 00:28:23,400 Speaker 1: don't get in. I don't feel like they don't get 565 00:28:23,400 --> 00:28:25,880 Speaker 1: talked about enough anymore. Like as far as we're talking 566 00:28:25,920 --> 00:28:28,040 Speaker 1: about the all time greatest groups and ship like Bones 567 00:28:28,119 --> 00:28:30,760 Speaker 1: up there, man, like you up there. Everybody know they 568 00:28:30,760 --> 00:28:34,639 Speaker 1: have run like the so millions of Restords bro East, 569 00:28:35,000 --> 00:28:39,840 Speaker 1: millions of motherfuckers heard it Grammys and they got the Grammys. Man, 570 00:28:39,920 --> 00:28:42,360 Speaker 1: it ain't it ain't. It ain't too many motherfuckers. It 571 00:28:42,400 --> 00:28:46,200 Speaker 1: ain't really too many motherfuckers. Yeah, you know, Bone Bones, Uh, 572 00:28:47,040 --> 00:28:48,960 Speaker 1: you know, I wish they would have had a longer 573 00:28:49,000 --> 00:28:54,240 Speaker 1: run for sure. Yeah, one hundred up the business side, Yeah, 574 00:28:54,280 --> 00:28:56,160 Speaker 1: I mean, look when you got when you got that 575 00:28:56,240 --> 00:28:58,600 Speaker 1: many people involved in a group, it's hard to you know, 576 00:28:59,200 --> 00:29:02,480 Speaker 1: you gotta manage a lot more variables, yeah, you know people. 577 00:29:02,600 --> 00:29:04,600 Speaker 1: And then and then Crazy Bone start doing solo shit, 578 00:29:04,680 --> 00:29:06,640 Speaker 1: Lazy Bone drop the solo album, Then Busy dropped the 579 00:29:06,680 --> 00:29:08,880 Speaker 1: solo album. It was like, you know, then shit just 580 00:29:08,960 --> 00:29:11,000 Speaker 1: kind of got out of control. I feel like the 581 00:29:11,080 --> 00:29:15,240 Speaker 1: shout outs to Bone man, legendary group. Respect to them 582 00:29:15,640 --> 00:29:18,120 Speaker 1: is there. Obviously you're you're probably sitting on a whole 583 00:29:18,160 --> 00:29:20,760 Speaker 1: lot more music. What's the plans for twenty twenty one 584 00:29:20,760 --> 00:29:24,960 Speaker 1: for you? Bro? Shit? Man, I don't know what it's 585 00:29:25,000 --> 00:29:27,720 Speaker 1: gonna look like. Man, hopefully they open these doors man 586 00:29:27,760 --> 00:29:30,840 Speaker 1: that we get on the road, right saying, get back 587 00:29:30,880 --> 00:29:32,920 Speaker 1: on this road and ship. If not, Bro, I'm back 588 00:29:32,920 --> 00:29:36,960 Speaker 1: in the studio recreating it, doing another album. Feel me, 589 00:29:37,200 --> 00:29:39,959 Speaker 1: just keep keeping it pushing, Yeah, keeping it pushing them, 590 00:29:39,960 --> 00:29:42,760 Speaker 1: and then whatever happens alone, the process is gonna happen, bro, 591 00:29:42,840 --> 00:29:45,800 Speaker 1: Cause I don't know, right right right right? Can you 592 00:29:45,840 --> 00:29:47,320 Speaker 1: kind of I was gonna ask you, can you kind 593 00:29:47,320 --> 00:29:49,680 Speaker 1: of give us some like an update obviously for people 594 00:29:49,680 --> 00:29:55,120 Speaker 1: who don't know. The Marathon store physical location was closed, right, Yeah, 595 00:29:55,160 --> 00:29:57,360 Speaker 1: but you can still go online and support. Definitely go 596 00:29:57,440 --> 00:30:00,240 Speaker 1: online and support and get the merchandise. You know what 597 00:30:00,320 --> 00:30:05,160 Speaker 1: I'm saying, Marathon dot com. Yeah, mat Yeah, because I 598 00:30:05,480 --> 00:30:08,680 Speaker 1: it was, you know, after Nip's passing. I just remember 599 00:30:08,800 --> 00:30:12,160 Speaker 1: like that became you know, I think it's always going 600 00:30:12,240 --> 00:30:15,600 Speaker 1: to be a landmark, you know where people whoever comes 601 00:30:15,640 --> 00:30:17,440 Speaker 1: to town, they're gonna go and be like, Yo, this 602 00:30:17,480 --> 00:30:19,920 Speaker 1: is where Nipsey's business was. This is where you know 603 00:30:19,960 --> 00:30:21,920 Speaker 1: what I'm saying, like where it started. You know what 604 00:30:21,960 --> 00:30:25,120 Speaker 1: I'm saying from ground zero, Like that was ground zero 605 00:30:25,320 --> 00:30:28,440 Speaker 1: right there. Yeah, it's crazy because if you like, you know, 606 00:30:28,600 --> 00:30:31,840 Speaker 1: through the whole process of him being there, getting kicked 607 00:30:31,840 --> 00:30:34,840 Speaker 1: out of that area, then to opening the store up, 608 00:30:34,880 --> 00:30:37,760 Speaker 1: and then to just be in everybody's landlord and that 609 00:30:37,800 --> 00:30:42,520 Speaker 1: motherfucker Like it's it was like such a dope story. 610 00:30:42,600 --> 00:30:45,200 Speaker 1: And I think like that, I don't know what the 611 00:30:45,240 --> 00:30:47,800 Speaker 1: current you know, situation of that center is, but I 612 00:30:47,840 --> 00:30:50,160 Speaker 1: think that like it's got to be preserved, man, like 613 00:30:51,040 --> 00:30:53,800 Speaker 1: you know it was. I think in like twenty or 614 00:30:53,800 --> 00:30:57,680 Speaker 1: thirty years from now, we're gonna be watching the Nipsey 615 00:30:57,760 --> 00:30:59,960 Speaker 1: Hustle movie. It might even be ten years from now, 616 00:31:00,040 --> 00:31:03,320 Speaker 1: twenty thirty years from damn, that's a long. It might 617 00:31:03,320 --> 00:31:06,160 Speaker 1: be ten years from now time ship, it might be 618 00:31:06,200 --> 00:31:09,960 Speaker 1: ten years. You definitely definitely who's playing Who's playing Jaystone 619 00:31:09,960 --> 00:31:16,160 Speaker 1: in that movie? Though? Shit me, kid me like the 620 00:31:16,280 --> 00:31:18,800 Speaker 1: younger me. What if you got you gotta pick an 621 00:31:18,720 --> 00:31:21,720 Speaker 1: actor though, a younger me somebody? Yeah, but me, I 622 00:31:21,880 --> 00:31:24,040 Speaker 1: definitely go with me. You feel me? But if not, 623 00:31:24,760 --> 00:31:27,080 Speaker 1: I don't know. I don't know. I can't think of 624 00:31:27,160 --> 00:31:29,240 Speaker 1: nobody right now. All right, we'll listen to the album 625 00:31:29,320 --> 00:31:33,080 Speaker 1: is out The definition of pain man, dope body of 626 00:31:33,120 --> 00:31:36,400 Speaker 1: work is there gonna be? Yo? Has Lebron James heard 627 00:31:36,400 --> 00:31:38,720 Speaker 1: the Lebron James record yet? Yeah? I sent it to him. 628 00:31:38,760 --> 00:31:41,120 Speaker 1: Did he fuck with it? Yeah? He fuck with it? Yeah, 629 00:31:41,200 --> 00:31:44,120 Speaker 1: you know what I'm saying. He gonna go crazy? He was. 630 00:31:44,160 --> 00:31:45,760 Speaker 1: He was the first person I sent it to it. 631 00:31:45,840 --> 00:31:51,040 Speaker 1: Right when it was mixed and mastered. I hit him like, yeah, press, 632 00:31:51,280 --> 00:31:52,640 Speaker 1: it must be nice to just be able to hit 633 00:31:52,720 --> 00:31:56,720 Speaker 1: Lebron James. Yeah, Bro, that's one hundred for show. For motivation, 634 00:31:56,840 --> 00:31:58,960 Speaker 1: I keep a nigga going to you feel me? Any 635 00:31:59,000 --> 00:32:01,880 Speaker 1: other videos? Do you have videos in the can for 636 00:32:01,920 --> 00:32:04,360 Speaker 1: the further from the videos and the cut videos are 637 00:32:04,400 --> 00:32:08,240 Speaker 1: dropping ship, I got one with I got one with 638 00:32:08,440 --> 00:32:11,400 Speaker 1: Davies another one yeah yeah yeah, so yeah we crash, 639 00:32:11,800 --> 00:32:14,520 Speaker 1: Jay Stone Man, appreciate you pulling up. We support the album. 640 00:32:14,800 --> 00:32:18,640 Speaker 1: The definition of pain is out. Let's go. Yeah pre 641 00:32:18,760 --> 00:32:22,440 Speaker 1: style out right now too. Actually, let's go, Let's get 642 00:32:22,480 --> 00:32:23,520 Speaker 1: it boom perfect