WEBVTT - Episode 469 | Ray Daniels

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<v Speaker 1>No Willian.

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<v Speaker 2>Doctor.

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<v Speaker 3>All right, Rory.

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<v Speaker 4>Today we are back with a new episode, and we

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<v Speaker 4>are joined. We got another guest, probably a guest that

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<v Speaker 4>I think we've both been wanting to sit down and

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<v Speaker 4>talk to for a minute.

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<v Speaker 5>Yes, it's probably the most excited I've been for a

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<v Speaker 5>guess in a minute. And I don't mean that in

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<v Speaker 5>a bad way to our other guestscause everyone's great. Everyone,

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<v Speaker 5>every guest is the greatest guest you've ever had.

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<v Speaker 1>But this is somebody we're supposed to somebody.

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<v Speaker 5>It's somebody I've argued with, like I've yelled at the phone,

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<v Speaker 5>I've yelled about like with this person.

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<v Speaker 2>I've never met them.

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<v Speaker 3>I've raised my eyebrow.

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<v Speaker 1>What do you just say? What do you just saying?

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<v Speaker 4>But he's one of the guys that I respect because

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<v Speaker 4>he's actually done it.

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<v Speaker 3>He has knowledge in the game.

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<v Speaker 2>An R music manager.

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<v Speaker 4>Yeah, he's worked with you know everybody, Lizzo, Beyonce, Ran

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<v Speaker 4>The Future, you know, he's so, he's an ELI chopper. Yeah,

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<v Speaker 4>he's one of the he's one of the guys that

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<v Speaker 4>I respect. But when he says certain things, I'd be like, yo,

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<v Speaker 4>I wonder I want to ray first back and forth

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<v Speaker 4>line because then it comes across the world. So today

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<v Speaker 4>we are joined by raced love Me, Love Me by

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<v Speaker 4>far the last the last year some of my favorite

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<v Speaker 4>content that's that's come out of this music podcasting space,

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<v Speaker 4>because I do feel like this got oversaturated the way

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<v Speaker 4>everything has.

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<v Speaker 1>So it's very tough to find people that are just

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<v Speaker 1>starting in this game where it's like refreshing, like.

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<v Speaker 2>Okay, this person's gonna say.

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<v Speaker 1>As I told ma, I took, I said we should

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<v Speaker 1>have did you two years ago? I'm like, bro, I

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<v Speaker 1>wasn't ready. I had to earn this, Like I feel

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<v Speaker 1>like I earned this seat, like I feel like when

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<v Speaker 1>I did other shows. It's because who I am and

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<v Speaker 1>what I've done, and I got relationships with everybody, so

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<v Speaker 1>I can cheat my way into certain rooms. But it's

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<v Speaker 1>those rooms of people who don't know you, who's like

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<v Speaker 1>I found you online, but I respect what you're doing,

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<v Speaker 1>so I appreciate that you work with my brother Yeah

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<v Speaker 1>that no, listen, your brothers are my family, bro. So

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<v Speaker 1>when they told me, when they told me you were

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<v Speaker 1>they family, I was like, that makes sense because from

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<v Speaker 1>our space, it takes a lot to be to do

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<v Speaker 1>what we do, like and go outside and like and

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<v Speaker 1>like give your opinion right, Like it's hard to do this.

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<v Speaker 1>So when I see you, I'm like, oh, he talks

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<v Speaker 1>like he doesn't give a fuck. He has to come

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<v Speaker 1>from something.

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<v Speaker 2>Yeah, he comes from something.

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<v Speaker 1>He talks like I don't care if they called me,

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<v Speaker 1>like I don't give a fuck, Like I'm a stand

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<v Speaker 1>on it.

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<v Speaker 5>And even on top of that, because I mean, despite

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<v Speaker 5>what podcasts, fans and listeners think, our opinions are not

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<v Speaker 5>bought based off our relationships. I've worked in the major

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<v Speaker 5>label system.

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<v Speaker 1>You have as well.

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<v Speaker 5>Mall is from fucking hip hop royalty family. The amount

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<v Speaker 5>of calls I have gotten with people I've worked with,

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<v Speaker 5>like yo, can you say this nah? Or get mad

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<v Speaker 5>at you when you start saying shit on the micro

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<v Speaker 5>fountains going to come very taxing of.

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<v Speaker 1>Like, yo, we worked together for ten years at Universal. Okay,

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<v Speaker 1>I'm not gonna say nothing disrespectful, but I'm always gonna

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<v Speaker 1>have my opinion.

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<v Speaker 2>Have you ran into that at all?

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<v Speaker 1>You know? This is this has been the hardest journey

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<v Speaker 1>for me, and I feel like I'm just getting into

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<v Speaker 1>the place where I'm having fun, Like like I got

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<v Speaker 1>online and start talking out of desperation, Like it wasn't

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<v Speaker 1>like I wanted to. Like, if I didn't write this letter,

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<v Speaker 1>dear white music execs, I'm probably EVP of president of

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<v Speaker 1>a label right now.

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<v Speaker 3>Yeah.

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<v Speaker 2>So I wrote a letter that.

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<v Speaker 1>Put a light on me, that made my peers see

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<v Speaker 1>me as black.

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<v Speaker 2>I was clear.

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<v Speaker 1>So like I would be in the room working on

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<v Speaker 1>records for Zara Larson, Pussycat Dolls, all these pop acts,

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<v Speaker 1>and they'll ask me what I think, and I'm like,

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<v Speaker 1>I grew up listening to eight Ball and MJG. Like,

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<v Speaker 1>I'm not giving you my subjective opinion. I'm giving you

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<v Speaker 1>my objective opinion. Like I know objectively how to make records.

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<v Speaker 1>But it's been hard, bro. That's why I'm glad I'm here,

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<v Speaker 1>because if I would have got it earlier, it would

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<v Speaker 1>have been like, oh, they probably just know them from

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<v Speaker 1>such and such. That's why they let them on. Like

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<v Speaker 1>this is a real journey I'm on because I feel

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<v Speaker 1>like I see the future and I'm like, and I

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<v Speaker 1>talk to God every day, and I'm like, I know

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<v Speaker 1>what needs to be done, Like y'all are more of

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<v Speaker 1>the future than they are. They just have the infrastructure

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<v Speaker 1>and the history, so they are arrogant about it. But like,

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<v Speaker 1>I remember when I was coming up in the music

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<v Speaker 1>business when shakir knew your name. If kp knew your name,

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<v Speaker 1>you will if your brother hip hop me. I remember

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<v Speaker 1>the first time your brother called me and he said, ray,

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<v Speaker 1>I'm like, oh, I'm in the game.

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<v Speaker 2>H yeah, my name.

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<v Speaker 3>You know.

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<v Speaker 2>I came up in that industry.

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<v Speaker 1>And then when I finally got to my top SVP title,

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<v Speaker 1>instead of signing what I wanted, I signed what they

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<v Speaker 1>told me to sign.

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<v Speaker 2>So now it was like, well, we signed what they

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<v Speaker 2>told us, and then why are we in here?

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<v Speaker 1>Then, like we should all be outside because like and

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<v Speaker 1>then you start realizing, like y'all don't know how to pick.

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<v Speaker 1>Because see, what people don't know about a major label

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<v Speaker 1>is when they sign you, they're betting a million dollars

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<v Speaker 1>off top because even if they gave you half a million,

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<v Speaker 1>they know they have to commit to video, spending.

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<v Speaker 2>Travel, so like they're betting on the write off.

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<v Speaker 1>But even if it's a write off, they still know

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<v Speaker 1>they got to spend. So my point is, if they

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<v Speaker 1>have one hundred million allocated, they only can spend sign

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<v Speaker 1>a certain It's not that they can sign five hundred

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<v Speaker 1>things and see what works like or it's not that

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<v Speaker 1>they can say we're gonna give instead of giving one

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<v Speaker 1>hundred artists a million, we're going to give a thousand artists.

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<v Speaker 1>It's like, what, Like you're making it bigger like it's

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<v Speaker 1>supposed to be.

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<v Speaker 2>This is an exclusive thing we're in.

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<v Speaker 1>So once I started realizing we were letting anything in,

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<v Speaker 1>anybody in, and it was like, like, I feel like

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<v Speaker 1>I'm that nigga, Like I feel like I've earned the

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<v Speaker 1>right to be that guy. So when I see when

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<v Speaker 1>I come in a room and I got to sell

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<v Speaker 1>you to an art myself to an artist, that's weird

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<v Speaker 1>to me.

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<v Speaker 2>I knew who Shake was, I knew who it was.

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<v Speaker 2>I knew who Kaiser was.

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<v Speaker 1>You had to know the players to be in the game,

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<v Speaker 1>but now you don't have to. All you got to

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<v Speaker 1>do is make some noise online. And now they're treating

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<v Speaker 1>you like you're the next big thing and you feeling it,

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<v Speaker 1>but you don't even know.

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<v Speaker 2>They just need that record.

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<v Speaker 1>They don't have no they don't know what to do

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<v Speaker 1>with you after they get that record, and they know

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<v Speaker 1>you need a record, You need a record. They all

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<v Speaker 1>need a record. So They're like, if I get it,

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<v Speaker 1>that means I'm hot. The record don't have to work, y'all,

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<v Speaker 1>the record don't have to make no money. But the

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<v Speaker 1>fact that I got the deal tells the company he's

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<v Speaker 1>valuable because he can go get a deal. So when

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<v Speaker 1>I signed an Lee Chopper, it was like a huge

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<v Speaker 1>moment because it was like, how did you get that?

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<v Speaker 1>You beat baby? How did you do that? I'm like,

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<v Speaker 1>I just stayed in it, and I just know what.

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<v Speaker 1>I'm just a human bro. I know how to close shit, Like,

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<v Speaker 1>I know what I want to hear.

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<v Speaker 2>I know what I heard.

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<v Speaker 1>I know the buffalers told me to make me say, Okay,

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<v Speaker 1>he's off in four hundred, he's off in five hundred,

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<v Speaker 1>he's off in this. But I like him the most.

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<v Speaker 1>I know what that what he said. So I just

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<v Speaker 1>it's like being a human bro. Just fuck with people

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<v Speaker 1>that love you.

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<v Speaker 5>Yeah, I think even like, well, what you're doing, you know.

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<v Speaker 5>Being a former VPA and R, we've always talked about

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<v Speaker 5>the irv's dames, like those type of execs not existing anymore.

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<v Speaker 5>Of course, we have QC, we have Orlando. We have

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<v Speaker 5>great execs, don't get me wrong, but not ones that

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<v Speaker 5>are forward facing, Like if you could imagine if IRV

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<v Speaker 5>and Dame had TWITCH in two thousand and one. I

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<v Speaker 5>don't know if they'd make music anymore, but do you

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<v Speaker 5>think that that's kind of missing where there is an

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<v Speaker 5>opportunity for that exec to come back as the salesman

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<v Speaker 5>in the face of a label, because because IRV and

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<v Speaker 5>Dame were entertaining, they're both they were both recipes or

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<v Speaker 5>geniuses in their own right. Yes, on a marketing side

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<v Speaker 5>and business side, but they are also you.

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<v Speaker 2>Couldn't keep your eyes off them, like you're dancing in clue.

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<v Speaker 1>I want to ask y'all something. I have a statement

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<v Speaker 1>that I want to make to y'all. I believe that

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<v Speaker 1>the moment on backstage when Dame cursed out Kevin Lywles,

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<v Speaker 1>that's when their black exec died because.

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<v Speaker 2>Every before just agree with it. Hit me out.

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<v Speaker 1>Everybody from that point forward. If you're watching Dame and Kevin,

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<v Speaker 1>I know everybody that I was with wanted to be Dame.

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<v Speaker 1>Which man, you wanted to have your own stay outside

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<v Speaker 1>the building, and it became lame to be in the building.

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<v Speaker 1>It was like you a tou you lame, So we

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<v Speaker 1>almost lamed ourselves out the building and now the lames

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<v Speaker 1>have the power.

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<v Speaker 2>So I think that.

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<v Speaker 1>So to me, it's like, you got to understand a

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<v Speaker 1>cool nigga's not intimidated by another cool nigga walking in

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<v Speaker 1>the room, Like I actually want more cool niggas around.

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<v Speaker 2>You know some shit I don't know.

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<v Speaker 1>But when you're not a cool nigga, cool niggas intimidate you.

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<v Speaker 2>Like nigga.

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<v Speaker 1>I remember me and adult. I knew it was different

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<v Speaker 1>when I signed this kid two K baby. First thing

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<v Speaker 1>he asked me, now do I know Timbland?

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<v Speaker 3>Now do I know? For real?

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<v Speaker 1>Do you know Gary Vee? I'm like what he was like, Bro,

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<v Speaker 1>can you get me in the room with Gary V?

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<v Speaker 1>And I'm like, why the fuck do you want to

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<v Speaker 1>talk to Gary Vee? What the fuck does he do?

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<v Speaker 1>You think he knows more than me? I mean, for me,

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<v Speaker 1>it was just it was interesting because you know when

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<v Speaker 1>you get to that point in your career where someone says, yo,

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<v Speaker 1>I want to work with Timbland, I'm like FaceTime timbling

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<v Speaker 1>my nigga, I work with Jamaine. You get those relationships

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<v Speaker 1>you take pride. No, So I'm like, who you want

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<v Speaker 1>to work with? And you say a name.

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<v Speaker 2>I'm like, what, Like, that's what you want to do?

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<v Speaker 1>So you start understanding, like the world is different, you

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<v Speaker 1>rather talk to Gary Vee. And then that made me say,

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<v Speaker 1>imagine if Gary Vee was the president of a label,

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<v Speaker 1>a major, every young artist would want to sign to him.

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<v Speaker 1>So I was like, I'm gonna be Gary Vee. I'm

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<v Speaker 1>gonna be the dude that gives all the information away

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<v Speaker 1>and yeah, something I could get paid for a lot

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<v Speaker 1>of this, but the ninety five percent is gonna be bullshit.

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<v Speaker 1>But that five percent that listen, that's like I heard

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<v Speaker 1>you like me with Dame. When I see Dame and

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<v Speaker 1>your bigs, I'm like, bro, y'all raise me when I talk.

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<v Speaker 1>I want you all to be proud of me. Like

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<v Speaker 1>when I said something, Dame called and cursed me out.

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<v Speaker 1>I was like, no, I'm like this is this is

0:09:53.760 --> 0:09:56.280
<v Speaker 1>Dame dash y'all let me through FaceTime, nigga, like I

0:09:56.400 --> 0:09:58.920
<v Speaker 1>made it in life, Like I'm family with these niggas now.

0:09:58.920 --> 0:10:01.480
<v Speaker 1>So I just wanted to be accepted by them. But

0:10:01.520 --> 0:10:03.640
<v Speaker 1>these new guys, they don't care what y'all think. They

0:10:03.640 --> 0:10:06.679
<v Speaker 1>don't care what I think. They're empowered by someone who's saying,

0:10:07.000 --> 0:10:08.960
<v Speaker 1>fuck what they think, do what you want, and that's

0:10:08.960 --> 0:10:09.559
<v Speaker 1>why the game is.

0:10:09.760 --> 0:10:13.000
<v Speaker 5>But I think the same way artists now have to

0:10:13.040 --> 0:10:15.880
<v Speaker 5>pivot to the times as far as being personalities and

0:10:15.920 --> 0:10:18.880
<v Speaker 5>being more than just a musical artist. Yes, even what

0:10:19.040 --> 0:10:21.520
<v Speaker 5>Leor put out with the pivot with YouTube and the

0:10:21.600 --> 0:10:23.840
<v Speaker 5>letter you put out the other day. Like artists, I

0:10:23.880 --> 0:10:25.400
<v Speaker 5>hate to say, guys, you have to be more than

0:10:25.440 --> 0:10:26.960
<v Speaker 5>just this now different times.

0:10:27.000 --> 0:10:29.920
<v Speaker 2>I think executives have to be that as well.

0:10:30.240 --> 0:10:33.120
<v Speaker 5>Like Justice from LVRN, I've been telling him, Yo, start

0:10:33.120 --> 0:10:35.280
<v Speaker 5>a podcast. You have the craziest personality ever and you

0:10:35.360 --> 0:10:37.959
<v Speaker 5>actually know what the fuck you're talking about. Imagine a

0:10:38.160 --> 0:10:41.920
<v Speaker 5>Shark Tank if it was IRV Dame Biggs in that regard,

0:10:41.960 --> 0:10:44.000
<v Speaker 5>where mister Wonderful is the face of every product that

0:10:44.040 --> 0:10:46.600
<v Speaker 5>he puts out. Ye, Mark Cuban is that as well.

0:10:46.840 --> 0:10:50.800
<v Speaker 5>I think there's an opportunity right now for execs to

0:10:50.920 --> 0:10:54.079
<v Speaker 5>have that. It's just execs are super corny now, so

0:10:54.120 --> 0:10:57.320
<v Speaker 5>they don't really exist. But if you get somewhere like

0:10:57.320 --> 0:10:59.600
<v Speaker 5>a sycamore that could be on Mike all the time

0:10:59.640 --> 0:11:02.720
<v Speaker 5>and actionly be the face of everyone that he signed.

0:11:03.160 --> 0:11:05.440
<v Speaker 5>Now we're having a different conversation because Sycamore is really

0:11:05.440 --> 0:11:05.880
<v Speaker 5>an A and R.

0:11:06.000 --> 0:11:09.040
<v Speaker 2>Sycamore really cares about this.

0:11:09.760 --> 0:11:12.120
<v Speaker 1>Like I remember working with Sick when he came to

0:11:12.160 --> 0:11:14.719
<v Speaker 1>Epic and I was he was doing Travis and he

0:11:14.840 --> 0:11:17.360
<v Speaker 1>was he was. He would say something and it would

0:11:17.360 --> 0:11:18.840
<v Speaker 1>be like it was a slam dunk, but it was

0:11:18.880 --> 0:11:22.000
<v Speaker 1>so small, like I got a house, Travis's gonna work,

0:11:22.240 --> 0:11:23.840
<v Speaker 1>Metro's coming and we're gonna go.

0:11:24.200 --> 0:11:27.120
<v Speaker 2>Let's go, And you know that's not exciting normally.

0:11:27.200 --> 0:11:30.120
<v Speaker 1>Normally it's like I don't care, tell me what happened

0:11:30.160 --> 0:11:33.240
<v Speaker 1>after you made the hit. But he was leaning in

0:11:33.280 --> 0:11:35.440
<v Speaker 1>so much that I was like, you could tell he

0:11:35.559 --> 0:11:36.079
<v Speaker 1>was one of them.

0:11:36.080 --> 0:11:36.480
<v Speaker 2>He didn't.

0:11:36.480 --> 0:11:39.840
<v Speaker 1>He wasn't a label guy. He was with them and

0:11:39.880 --> 0:11:42.439
<v Speaker 1>he worked at the label. And that's what Sycamore skilled.

0:11:42.520 --> 0:11:44.520
<v Speaker 1>Like he gets that, like, oh yeah, I started that

0:11:44.559 --> 0:11:46.920
<v Speaker 1>with the same way I'm with the artist like I

0:11:47.000 --> 0:11:49.360
<v Speaker 1>was with the label because I had to give the lab.

0:11:49.480 --> 0:11:51.800
<v Speaker 1>I had my money came from giving the label a hit.

0:11:52.120 --> 0:11:53.959
<v Speaker 1>I can give you a hit whatever he the label

0:11:53.960 --> 0:11:55.600
<v Speaker 1>and he ain't paying for it. I don't give a

0:11:55.640 --> 0:11:58.080
<v Speaker 1>damn how excited we are. He has to pay for it.

0:11:58.120 --> 0:12:00.000
<v Speaker 1>So I knew the whole. I knew all the labels

0:12:00.040 --> 0:12:01.960
<v Speaker 1>in the execs, so I came up in that world.

0:12:02.080 --> 0:12:06.560
<v Speaker 1>What years were you at Epic twenty thirteen to twenty fifteen?

0:12:06.679 --> 0:12:09.720
<v Speaker 1>I worked with So I did the Sierra Jackie album.

0:12:10.040 --> 0:12:12.000
<v Speaker 1>So I did the I Bet You Start Loving Me.

0:12:12.080 --> 0:12:15.120
<v Speaker 1>I turned that in and I did the Future Honest album.

0:12:15.280 --> 0:12:17.000
<v Speaker 1>I just want to take you out and show you.

0:12:17.240 --> 0:12:19.960
<v Speaker 1>So I did those two albums, amongst other things. But yeah,

0:12:20.000 --> 0:12:20.840
<v Speaker 1>thirteen to fifteen.

0:12:21.200 --> 0:12:23.760
<v Speaker 5>I asked that question because one of my first gigs

0:12:23.880 --> 0:12:25.720
<v Speaker 5>was with shot Money at Depth Chair and then he

0:12:25.760 --> 0:12:26.880
<v Speaker 5>went with La Reid.

0:12:26.679 --> 0:12:27.560
<v Speaker 3>Over to Epic.

0:12:27.679 --> 0:12:32.080
<v Speaker 5>Yeah, were you there the day that Bobby Schmurder was

0:12:32.160 --> 0:12:36.160
<v Speaker 5>standing on top of a desk rapping to all those

0:12:36.160 --> 0:12:39.040
<v Speaker 5>white people. I wasn't in the office because I wasn't

0:12:39.080 --> 0:12:42.320
<v Speaker 5>New York based, But right after the deal got done,

0:12:42.480 --> 0:12:44.679
<v Speaker 5>it was a big issue because you know, God, it

0:12:44.679 --> 0:12:45.880
<v Speaker 5>was a lot of stuff that happened with that with

0:12:46.200 --> 0:12:48.600
<v Speaker 5>Bobby spread I know, you know, like with was one

0:12:48.640 --> 0:12:50.920
<v Speaker 5>of the shots exactly Shot Money trying to sign him.

0:12:50.960 --> 0:12:53.760
<v Speaker 1>Yo, Gotti wants him. It's this whole thing. He's in

0:12:53.880 --> 0:12:56.080
<v Speaker 1>LA's office. We don't give a fuck who gets him.

0:12:56.080 --> 0:12:58.160
<v Speaker 1>As long as Epic gets him, so we got to

0:12:58.240 --> 0:12:58.679
<v Speaker 1>sign him.

0:12:58.679 --> 0:12:59.839
<v Speaker 2>So I was. I was there.

0:13:00.080 --> 0:13:02.600
<v Speaker 1>That was a show Money to the shout out the

0:13:02.600 --> 0:13:03.280
<v Speaker 1>shot money Man.

0:13:03.360 --> 0:13:05.920
<v Speaker 2>Shot was there when the studio got raided, when he

0:13:05.920 --> 0:13:06.400
<v Speaker 2>got arrested.

0:13:06.640 --> 0:13:09.880
<v Speaker 1>He's one of the greatest executives, like as a black

0:13:09.920 --> 0:13:12.079
<v Speaker 1>man that came up in his business. So yeah, Shot

0:13:12.120 --> 0:13:14.320
<v Speaker 1>Money was one of those greats. And to see him

0:13:14.360 --> 0:13:17.080
<v Speaker 1>not in the president's job is like a travesty to

0:13:17.120 --> 0:13:19.200
<v Speaker 1>our world. That's why I wouldn't there with people him

0:13:19.240 --> 0:13:21.040
<v Speaker 1>not in power, sitting on this couch for sure.

0:13:21.120 --> 0:13:23.240
<v Speaker 5>Yeah, but I want to last though, like what did Epic,

0:13:23.360 --> 0:13:26.120
<v Speaker 5>Like what did y'all think when that video went viral

0:13:26.120 --> 0:13:30.360
<v Speaker 5>with Bobby as working at that label, especially as a

0:13:30.400 --> 0:13:34.400
<v Speaker 5>black executive, even you writing the white executive letter, Yeah,

0:13:34.760 --> 0:13:36.960
<v Speaker 5>seeing that go viral on the whole internet, going, why

0:13:37.040 --> 0:13:40.280
<v Speaker 5>is Bobby Schmurter standing on top of this fucking desk

0:13:40.600 --> 0:13:44.600
<v Speaker 5>in a conference room? Yeah, wrapping to all these fucking

0:13:44.600 --> 0:13:45.840
<v Speaker 5>white people on their lunch break.

0:13:46.000 --> 0:13:48.720
<v Speaker 1>I'll tell you that was the way you got the

0:13:48.800 --> 0:13:52.920
<v Speaker 1>business excited for you. There was no Internet. So you

0:13:52.960 --> 0:13:55.400
<v Speaker 1>know the story of Nelly. Nelly was signed, he got

0:13:55.400 --> 0:13:57.360
<v Speaker 1>an album up. They're trying to get Universal to focus

0:13:57.440 --> 0:13:59.679
<v Speaker 1>on it. He flies the Saint Lunatics and Nelly up

0:14:00.040 --> 0:14:01.760
<v Speaker 1>plays the song in the meeting, they come into the

0:14:01.800 --> 0:14:04.760
<v Speaker 1>conference room and take it over. I think that that's necessary,

0:14:04.800 --> 0:14:07.160
<v Speaker 1>like so that during that time you needed to stand

0:14:07.200 --> 0:14:09.000
<v Speaker 1>on the table. If you didn't stand on the table,

0:14:09.040 --> 0:14:10.840
<v Speaker 1>that meant that you ain't ready for the big stage

0:14:10.960 --> 0:14:13.560
<v Speaker 1>in the minds of the label. Because that's the stage

0:14:13.559 --> 0:14:15.000
<v Speaker 1>in the room and we all standing. You stand on

0:14:15.000 --> 0:14:16.160
<v Speaker 1>the table, you take advantage.

0:14:16.320 --> 0:14:18.160
<v Speaker 4>So, yeah, it was that was a little crazy. Yo

0:14:19.080 --> 0:14:21.080
<v Speaker 4>was race that looked like shucking and jobbing?

0:14:21.200 --> 0:14:25.400
<v Speaker 1>Well it does because okay, let's talk about it. It

0:14:25.440 --> 0:14:27.760
<v Speaker 1>does because you got to remember, LA is the only

0:14:27.800 --> 0:14:29.640
<v Speaker 1>fucking opinion in the room that matters.

0:14:30.320 --> 0:14:32.040
<v Speaker 2>But everybody else in the room.

0:14:32.320 --> 0:14:35.360
<v Speaker 1>If y'all, Bob y'all head right, say, and we in

0:14:35.400 --> 0:14:37.760
<v Speaker 1>a meeting, bro, and I like, I want to sign her.

0:14:37.800 --> 0:14:38.960
<v Speaker 2>I'm like, I'm about to sign Alexa.

0:14:39.040 --> 0:14:42.120
<v Speaker 1>She's with us, and I'm like, I'm signing her, y'all,

0:14:42.120 --> 0:14:45.200
<v Speaker 1>motherfucker's better not Bob y'all head. Don't do nothing because

0:14:45.240 --> 0:14:47.440
<v Speaker 1>your head, Bob might be an extra three hundred thousand

0:14:47.440 --> 0:14:49.800
<v Speaker 1>dollars because they like I don't know how Ray felt,

0:14:49.800 --> 0:14:51.720
<v Speaker 1>but Roy was bobbing the fuck out his head.

0:14:51.760 --> 0:14:52.760
<v Speaker 2>I know he liked it.

0:14:53.040 --> 0:14:55.920
<v Speaker 1>So sometimes you gotta And that's another tactic that we

0:14:56.000 --> 0:14:56.920
<v Speaker 1>do in the music business.

0:14:56.920 --> 0:14:58.560
<v Speaker 2>Sometimes you just stare at the camera.

0:14:58.840 --> 0:15:00.520
<v Speaker 1>You stare at the artists in the eye and you

0:15:00.520 --> 0:15:02.800
<v Speaker 1>sit looking and if they look away, I know you

0:15:02.840 --> 0:15:04.960
<v Speaker 1>don't believe in what you're saying. Like so it's like

0:15:05.240 --> 0:15:07.320
<v Speaker 1>tactics that we use, like We're gonna stare at you,

0:15:07.400 --> 0:15:08.640
<v Speaker 1>all of us and see if you.

0:15:08.600 --> 0:15:11.200
<v Speaker 2>Break, because that's usually how you break. You usually don't.

0:15:11.240 --> 0:15:14.200
<v Speaker 1>Nobody usually gets in front of an audience and it's

0:15:14.520 --> 0:15:17.560
<v Speaker 1>twenty thousand people that know the words. Usually it's thirty people.

0:15:17.640 --> 0:15:18.400
<v Speaker 2>No one knows you.

0:15:18.400 --> 0:15:20.880
<v Speaker 1>You gotta go out there hopefully make an impression. So

0:15:20.920 --> 0:15:23.360
<v Speaker 1>for me, that's a part of it. All of it

0:15:23.400 --> 0:15:25.400
<v Speaker 1>is a part of it. You just gotta play the game.

0:15:25.600 --> 0:15:28.320
<v Speaker 5>Yeah, And I mean, I've been in plenty of conference

0:15:28.400 --> 0:15:31.600
<v Speaker 5>rooms where similar things happen. But Bobby is at that.

0:15:31.760 --> 0:15:33.320
<v Speaker 5>You know, he was a young kid from Flatbush. That's

0:15:33.320 --> 0:15:35.880
<v Speaker 5>how he acts like. I don't think he was doing

0:15:35.880 --> 0:15:37.800
<v Speaker 5>the chucking driver. I think I can see why the

0:15:37.800 --> 0:15:41.120
<v Speaker 5>internet thought that, but that is how.

0:15:40.960 --> 0:15:44.400
<v Speaker 2>They bring in new new challenge you. I can tell you.

0:15:44.960 --> 0:15:46.680
<v Speaker 2>I can tell you a story, an epic story.

0:15:47.120 --> 0:15:49.000
<v Speaker 1>By the way. A shout out to la Read because

0:15:49.000 --> 0:15:51.600
<v Speaker 1>he taught me with show biz. Was so we're turning

0:15:51.640 --> 0:15:54.080
<v Speaker 1>in Sierra's Jackie album. So this is Sierra. She's a

0:15:54.080 --> 0:15:56.760
<v Speaker 1>big deal. We have the whole label. Come meet with Sierra,

0:15:56.840 --> 0:15:59.480
<v Speaker 1>like if you're a new artist, fuck you, Like Sierra

0:15:59.600 --> 0:16:02.120
<v Speaker 1>has an ow. Everybody stopped for two hours, so we're

0:16:02.120 --> 0:16:04.640
<v Speaker 1>in a playback and mind you, we killed it, bro

0:16:04.720 --> 0:16:07.400
<v Speaker 1>like me and Sierra left like yo, and I never

0:16:07.440 --> 0:16:09.160
<v Speaker 1>forget this ship was like a scene out of a movie.

0:16:09.280 --> 0:16:11.640
<v Speaker 1>We walking out of the meeting and everybody stays in.

0:16:11.800 --> 0:16:13.800
<v Speaker 1>I'm walking my artists out. I know I got to

0:16:13.840 --> 0:16:16.120
<v Speaker 1>go in. And when we walk out, I see Janelle

0:16:16.160 --> 0:16:18.240
<v Speaker 1>Money and what's my man name?

0:16:18.280 --> 0:16:19.600
<v Speaker 2>I'm a classic.

0:16:19.240 --> 0:16:24.680
<v Speaker 1>Man, Jandenna Jdnna And they all dressed like Michael Jackson

0:16:24.720 --> 0:16:27.120
<v Speaker 1>in the eighties, like suits and shit with like these

0:16:27.240 --> 0:16:30.480
<v Speaker 1>dressed up suits like army sergeants. I'm like, so, I'm like,

0:16:30.480 --> 0:16:32.280
<v Speaker 1>what's going on? And they was like, you need to

0:16:32.320 --> 0:16:34.320
<v Speaker 1>go back in. Ray were about to do a showcase

0:16:34.760 --> 0:16:37.800
<v Speaker 1>and they came in and when that fucking he had,

0:16:37.920 --> 0:16:40.280
<v Speaker 1>I never got a cane on, and he stepped up

0:16:40.320 --> 0:16:43.040
<v Speaker 1>the fucking chair like a gentleman. He ain't jump on

0:16:43.080 --> 0:16:45.640
<v Speaker 1>the table, came with his cane, play that shit on

0:16:45.720 --> 0:16:46.120
<v Speaker 1>the table.

0:16:46.200 --> 0:16:47.600
<v Speaker 2>I'm a classic man.

0:16:48.040 --> 0:16:50.360
<v Speaker 1>Nigga La told me after it was done, that's how

0:16:50.360 --> 0:16:53.000
<v Speaker 1>you get a label excited. You and Seierra did good,

0:16:53.600 --> 0:16:55.560
<v Speaker 1>But that's how you get a label excited. You make

0:16:55.600 --> 0:16:57.760
<v Speaker 1>them jump on the fucking table and make them people

0:16:57.880 --> 0:16:59.800
<v Speaker 1>see you. And I was like, and by the way,

0:17:00.040 --> 0:17:01.880
<v Speaker 1>look what happened with that record, Like we knew we

0:17:02.000 --> 0:17:04.640
<v Speaker 1>had to hit day one because of how they presented it.

0:17:04.840 --> 0:17:09.479
<v Speaker 2>So you're right, bro, but it's also a necessary evil.

0:17:09.520 --> 0:17:11.960
<v Speaker 1>I need to see if you can do this, because

0:17:11.960 --> 0:17:13.720
<v Speaker 1>you're gonna have to do this. And if I give

0:17:13.760 --> 0:17:16.399
<v Speaker 1>you a million dollars today and I don't check to

0:17:16.400 --> 0:17:18.800
<v Speaker 1>see if you're gonna do this, it's gonna be pile

0:17:18.800 --> 0:17:21.679
<v Speaker 1>on my face. Nobody likes him, he doesn't perform, it

0:17:21.680 --> 0:17:23.800
<v Speaker 1>doesn't work, and it's like, ah, I knew better because

0:17:23.840 --> 0:17:24.520
<v Speaker 1>he didn't do it for me.

0:17:24.640 --> 0:17:27.080
<v Speaker 4>But the talent level, and we was talking off Mike

0:17:27.119 --> 0:17:30.920
<v Speaker 4>about this. The talent level. Now though in the industry,

0:17:31.320 --> 0:17:35.080
<v Speaker 4>but is it. It seems to be like it's an afterthought.

0:17:35.359 --> 0:17:39.520
<v Speaker 4>It's almost like, no, just be famous, so be popular first.

0:17:39.760 --> 0:17:40.040
<v Speaker 3>We can.

0:17:40.160 --> 0:17:42.720
<v Speaker 4>We can sprinkle talent around you, but you have to

0:17:42.720 --> 0:17:45.600
<v Speaker 4>have somebody that as personality, somebody that people just want

0:17:45.600 --> 0:17:49.639
<v Speaker 4>to click and watch, Like, is it more important to

0:17:49.720 --> 0:17:51.760
<v Speaker 4>just be famous? Now? In the labels and people like

0:17:51.800 --> 0:17:53.800
<v Speaker 4>yourself can be like, Okay, we can sprinkle talent, we

0:17:53.800 --> 0:17:56.440
<v Speaker 4>can bring in the right producer and make this a thing.

0:17:56.760 --> 0:17:57.879
<v Speaker 2>Well, I'm gonna be honest.

0:17:57.920 --> 0:17:59.960
<v Speaker 1>What you just described has been the industry for the

0:18:00.200 --> 0:18:02.880
<v Speaker 1>last five years for sure. And that's why we don't

0:18:02.880 --> 0:18:07.120
<v Speaker 1>have any superstars because these guys are not really there

0:18:07.160 --> 0:18:09.280
<v Speaker 1>to get These guys are not really there to be

0:18:09.440 --> 0:18:12.280
<v Speaker 1>like Michael Jackson, which is our go They're there to

0:18:12.320 --> 0:18:15.760
<v Speaker 1>get rich by any means necessary. I remember one day

0:18:15.760 --> 0:18:17.560
<v Speaker 1>I was talking to Chopper's manager and I asked him.

0:18:17.760 --> 0:18:18.920
<v Speaker 1>I was like, yo, bro, we got to get a

0:18:18.960 --> 0:18:20.320
<v Speaker 1>record out, and he was like, we have the number

0:18:20.359 --> 0:18:23.200
<v Speaker 1>one sage in the market. I'm like, the number one sage,

0:18:23.640 --> 0:18:26.040
<v Speaker 1>like you know, like that's the shit you like. I'm like,

0:18:26.160 --> 0:18:28.600
<v Speaker 1>I never thought I would hear that from I'm trying

0:18:28.600 --> 0:18:30.600
<v Speaker 1>to tell you, let's put on more music, and you're like, nah,

0:18:30.600 --> 0:18:32.320
<v Speaker 1>we got the number one sage. We enjoy what we

0:18:32.440 --> 0:18:36.440
<v Speaker 1>at artists, artists treating themselves like spokesman and just selling

0:18:36.520 --> 0:18:37.240
<v Speaker 1>whatever they could sell.

0:18:37.280 --> 0:18:38.560
<v Speaker 2>If it's music, cool, but if.

0:18:38.440 --> 0:18:41.280
<v Speaker 1>It's this shirt, and I can make ten million doing that.

0:18:41.320 --> 0:18:44.480
<v Speaker 1>As long as I got rich, I won. And that's

0:18:44.520 --> 0:18:46.720
<v Speaker 1>not the artist. Lauryn Hill was sick as she wasn't

0:18:46.760 --> 0:18:48.800
<v Speaker 1>on top. You understand I'm trying to say, like these

0:18:48.920 --> 0:18:53.160
<v Speaker 1>Michael Jackson would be depressed if he wasn't the biggest

0:18:53.160 --> 0:18:58.639
<v Speaker 1>in the world. Like I remember Michael Jackson's documentary Bad Documentary, No,

0:18:58.720 --> 0:19:03.479
<v Speaker 1>not the the bad, Yeah bad, And Michael was calling

0:19:03.480 --> 0:19:07.159
<v Speaker 1>the CEO of the label Mark not cares about but

0:19:07.600 --> 0:19:11.760
<v Speaker 1>the guy I forgot Walker yetnikov and and Mike will

0:19:11.800 --> 0:19:13.840
<v Speaker 1>be calling him saying, we're not number one yet, what

0:19:13.920 --> 0:19:16.119
<v Speaker 1>are we gonna do? We're not number one? Think about that.

0:19:16.560 --> 0:19:20.640
<v Speaker 1>Michael fucking Jackson from Thriller one hundred million is calling

0:19:20.680 --> 0:19:22.600
<v Speaker 1>his labelhad like, we're not number one? What are we

0:19:22.640 --> 0:19:25.640
<v Speaker 1>doing to get number one? That's why it worked. These

0:19:25.680 --> 0:19:28.000
<v Speaker 1>artists don't care about number one, they care about money.

0:19:28.359 --> 0:19:31.159
<v Speaker 4>I'm rich alsto the labels care about money too, and

0:19:31.200 --> 0:19:33.800
<v Speaker 4>I think a lot of that is the labels are like, listen,

0:19:33.880 --> 0:19:36.480
<v Speaker 4>we don't care how we make this money. We don't

0:19:36.520 --> 0:19:39.080
<v Speaker 4>care about the artists after the artist is done here,

0:19:39.119 --> 0:19:41.560
<v Speaker 4>like we want to make money. And I think that

0:19:41.680 --> 0:19:43.840
<v Speaker 4>a lot of the you know, the problems or the

0:19:43.960 --> 0:19:46.359
<v Speaker 4>lack of great music that we have is because the

0:19:46.440 --> 0:19:49.800
<v Speaker 4>mindset changed in both the labels as well as the artists.

0:19:49.800 --> 0:19:52.160
<v Speaker 2>But would y'all not say that, stay right there?

0:19:52.160 --> 0:19:55.359
<v Speaker 1>But would you not then blame it on the shareholders?

0:19:55.480 --> 0:19:55.600
<v Speaker 3>Right?

0:19:55.680 --> 0:19:58.080
<v Speaker 1>Because like, if you invest in the music, you have

0:19:58.119 --> 0:20:01.000
<v Speaker 1>to know you're investing in music being invested in music

0:20:01.040 --> 0:20:02.320
<v Speaker 1>and don't want to take no else.

0:20:02.600 --> 0:20:05.399
<v Speaker 2>Who the hell do you know? You were all teaming

0:20:05.400 --> 0:20:05.640
<v Speaker 2>this shit?

0:20:05.840 --> 0:20:08.359
<v Speaker 5>Wait, hold on, what P and L sheet has music

0:20:08.400 --> 0:20:10.400
<v Speaker 5>on it? You can't hear a P and L sheet?

0:20:10.680 --> 0:20:13.920
<v Speaker 1>They care about what you mean, that's what they care about.

0:20:13.920 --> 0:20:15.680
<v Speaker 5>But even we talked about the Big Three as far

0:20:15.680 --> 0:20:18.800
<v Speaker 5>as major labels, Big three is now with streaming services

0:20:18.840 --> 0:20:22.240
<v Speaker 5>with movies, and they're just regurgitating.

0:20:21.520 --> 0:20:23.119
<v Speaker 1>Every Marvel movie that ever happened.

0:20:23.440 --> 0:20:24.320
<v Speaker 3>They up.

0:20:24.560 --> 0:20:26.040
<v Speaker 1>They don't give a fuck about film.

0:20:26.080 --> 0:20:27.960
<v Speaker 5>You think they give a fuck about music, it's a

0:20:27.960 --> 0:20:31.600
<v Speaker 5>P and L sheet, but in trouble and on.

0:20:31.600 --> 0:20:33.520
<v Speaker 1>Top of that, you should have sound fucked up.

0:20:33.760 --> 0:20:37.239
<v Speaker 5>Sorry to cut you off, It did start too when

0:20:37.320 --> 0:20:40.120
<v Speaker 5>you have people Hove I'm a hustler.

0:20:40.359 --> 0:20:41.640
<v Speaker 2>Just so happened. I know how to rap.

0:20:42.200 --> 0:20:44.800
<v Speaker 5>I'm not Hoove loves music, you know, that's a music

0:20:44.880 --> 0:20:47.040
<v Speaker 5>nerd at the end of the day. But his goal

0:20:47.040 --> 0:20:48.359
<v Speaker 5>at the end of the day was not for his

0:20:48.440 --> 0:20:50.280
<v Speaker 5>love of music. Hole was trying to get the fuck

0:20:50.280 --> 0:20:50.840
<v Speaker 5>out the projects.

0:20:50.960 --> 0:20:52.159
<v Speaker 2>You're trying to get that money.

0:20:51.960 --> 0:20:54.080
<v Speaker 5>As he fucking should. Jez was trying to get the

0:20:54.080 --> 0:20:58.800
<v Speaker 5>fuck out of Macombe, Georgia. Like they wouldn't do that

0:20:58.880 --> 0:21:05.520
<v Speaker 5>if it didn't lead to a financial situation. Now they

0:21:05.600 --> 0:21:07.520
<v Speaker 5>happen to be extremely talented at what they do.

0:21:07.840 --> 0:21:09.960
<v Speaker 1>These kids are just looking at the lick like that's

0:21:09.960 --> 0:21:12.000
<v Speaker 1>what I'm telling you, Like everybody just going YouTube do

0:21:12.040 --> 0:21:14.879
<v Speaker 1>it like Jay came from the greatness code.

0:21:15.560 --> 0:21:17.160
<v Speaker 2>Jay thought. Jay cared with.

0:21:17.240 --> 0:21:20.800
<v Speaker 1>Big thought, Jay cared with nas thought, he cared with

0:21:20.920 --> 0:21:24.080
<v Speaker 1>jazz thought. That's what made him great. These new sexy

0:21:24.160 --> 0:21:29.359
<v Speaker 1>Red doesn't give a fuck with with Lauren thinks about

0:21:29.359 --> 0:21:31.240
<v Speaker 1>her music. She don't care what Nikki thinks about her

0:21:31.280 --> 0:21:34.440
<v Speaker 1>music because I'm rich, and that's the problem. You're gonna

0:21:34.440 --> 0:21:36.320
<v Speaker 1>get rich, but there has to be a respect part

0:21:36.359 --> 0:21:38.840
<v Speaker 1>to it, whereas like I want the respect of their peers.

0:21:38.840 --> 0:21:41.400
<v Speaker 1>So that's why even me like you starting up saying

0:21:41.440 --> 0:21:43.359
<v Speaker 1>we saw these guys like that's respect to me. That

0:21:43.440 --> 0:21:46.479
<v Speaker 1>means I heard someone speak like my peer. So I

0:21:46.480 --> 0:21:48.560
<v Speaker 1>want to talk to you rather than like, who the

0:21:48.600 --> 0:21:49.400
<v Speaker 1>fuck is this guy?

0:21:49.720 --> 0:21:50.680
<v Speaker 2>Where did he come from?

0:21:50.720 --> 0:21:52.560
<v Speaker 1>So a lot of it is just you know, putting

0:21:52.600 --> 0:21:54.840
<v Speaker 1>it out and hope they find it. But like people

0:21:54.840 --> 0:21:57.720
<v Speaker 1>don't care no more. That's my problem, Like you don't

0:21:57.800 --> 0:22:00.520
<v Speaker 1>care what with your idols, think about what you're doing

0:22:00.600 --> 0:22:01.000
<v Speaker 1>right now.

0:22:01.440 --> 0:22:03.320
<v Speaker 5>I mean, the goal was always that no matter who

0:22:03.400 --> 0:22:05.960
<v Speaker 5>it was. Again, back to the Jay example. Jay is

0:22:06.000 --> 0:22:07.679
<v Speaker 5>so smart. If he didn't know he was one of

0:22:07.680 --> 0:22:09.560
<v Speaker 5>the best rappers, he wouldn't have looked at that as

0:22:09.560 --> 0:22:13.840
<v Speaker 5>a lick. Now, the link doesn't need talent, do you,

0:22:14.080 --> 0:22:16.000
<v Speaker 5>Like Jez had to kind of learn how to even

0:22:16.040 --> 0:22:16.879
<v Speaker 5>though he's in the South.

0:22:17.359 --> 0:22:18.200
<v Speaker 1>But I think if you.

0:22:18.200 --> 0:22:22.480
<v Speaker 5>Compare right now to Jez Jesus the crazy Jesu's Nos

0:22:22.480 --> 0:22:24.520
<v Speaker 5>as far as lyricism goes, compared to what's going on

0:22:24.600 --> 0:22:27.640
<v Speaker 5>now and his catalog is so much because he knew

0:22:27.680 --> 0:22:29.720
<v Speaker 5>that that's what it took to be in the market,

0:22:29.760 --> 0:22:30.959
<v Speaker 5>and the market doesn't call for that.

0:22:31.040 --> 0:22:33.360
<v Speaker 2>But this goal was the exact same. Jez and Hole

0:22:33.480 --> 0:22:34.119
<v Speaker 2>was trying to get.

0:22:34.040 --> 0:22:36.760
<v Speaker 4>Rich, but it was trying to do Is it just

0:22:36.800 --> 0:22:39.719
<v Speaker 4>an our culture though, because I don't think this happens

0:22:39.720 --> 0:22:41.680
<v Speaker 4>outside of hip hop and outside of.

0:22:41.840 --> 0:22:43.720
<v Speaker 5>You know, I think, as you think people aren't for

0:22:43.760 --> 0:22:45.360
<v Speaker 5>the love of stocks, I think it's.

0:22:45.200 --> 0:22:49.480
<v Speaker 1>Our culture because our culture is the poorest, right. Our

0:22:49.520 --> 0:22:52.720
<v Speaker 1>culture came from poor people not having anything, saying let's

0:22:52.720 --> 0:22:55.960
<v Speaker 1>create something. So I think that hip hop is our extract.

0:22:55.960 --> 0:22:58.760
<v Speaker 1>I guess how we can make money. And like, my

0:22:58.800 --> 0:23:01.800
<v Speaker 1>mother will be driving school buses right now for twenty

0:23:01.880 --> 0:23:04.040
<v Speaker 1>five hundred dollars a month if it wasn't for hip hop,

0:23:04.600 --> 0:23:06.840
<v Speaker 1>if it wasn't for her son having an opportunity at

0:23:06.920 --> 0:23:10.119
<v Speaker 1>hip hop to retire her in twenty twelve. So to me,

0:23:10.320 --> 0:23:13.560
<v Speaker 1>hip hop is our savior. But we're allowing it to

0:23:13.600 --> 0:23:15.639
<v Speaker 1>be a joke. And that's my issue where it's like,

0:23:15.800 --> 0:23:17.840
<v Speaker 1>I don't mind a jokey artist, but can we get

0:23:17.840 --> 0:23:20.640
<v Speaker 1>some real? But you can't get real if you don't

0:23:20.680 --> 0:23:23.760
<v Speaker 1>have real execs in the seats, and these people can't

0:23:23.800 --> 0:23:26.520
<v Speaker 1>tell you. And there's a few like Sycamore, Larry Jackson

0:23:26.600 --> 0:23:30.160
<v Speaker 1>dash over at a giffing. There's a few that are

0:23:30.200 --> 0:23:33.280
<v Speaker 1>really good. Orlando gret Orlando. It's like Orlando, if it's

0:23:33.280 --> 0:23:34.960
<v Speaker 1>some shit happened, I don't give a fuck. If it's

0:23:34.960 --> 0:23:37.200
<v Speaker 1>in a third world country. Orlando's gonna pull up with

0:23:37.280 --> 0:23:39.240
<v Speaker 1>his jury on and a Rose Royce and he gonna

0:23:39.280 --> 0:23:41.760
<v Speaker 1>close it. That's what makes him a great executive, right.

0:23:41.800 --> 0:23:43.639
<v Speaker 1>He's like music, Yeah, and you got to you have

0:23:43.680 --> 0:23:45.800
<v Speaker 1>to understand that part. We don't have that part no more.

0:23:45.800 --> 0:23:48.320
<v Speaker 1>It's like like I remember having to play a record

0:23:48.359 --> 0:23:50.280
<v Speaker 1>for La to get it out. Now you don't have

0:23:50.320 --> 0:23:52.000
<v Speaker 1>to play records that get it out. You don't just

0:23:52.040 --> 0:23:55.679
<v Speaker 1>put it out. You need twenty dollars, three dollars at

0:23:55.720 --> 0:23:57.760
<v Speaker 1>some places, like just put it out free at some place.

0:23:57.840 --> 0:23:59.280
<v Speaker 2>We'll take our money on the back end.

0:23:59.440 --> 0:24:02.760
<v Speaker 1>So I think they made it the entry so low

0:24:02.840 --> 0:24:03.920
<v Speaker 1>that everybody's coming in.

0:24:03.960 --> 0:24:06.240
<v Speaker 2>But I think it's fading. I think we passed that.

0:24:06.320 --> 0:24:08.120
<v Speaker 1>I think that the music is about to get back

0:24:08.160 --> 0:24:10.920
<v Speaker 1>to what it was because the gold rush is over.

0:24:11.240 --> 0:24:13.720
<v Speaker 1>Like when the last time a TikTok artists made like

0:24:13.920 --> 0:24:14.080
<v Speaker 1>was it?

0:24:14.200 --> 0:24:14.480
<v Speaker 2>Jello?

0:24:14.720 --> 0:24:16.760
<v Speaker 1>Jello's probably the last TikTok artist that had a bid

0:24:16.840 --> 0:24:19.800
<v Speaker 1>and war that had like and look at what happened

0:24:19.840 --> 0:24:22.520
<v Speaker 1>with that. So it's like with TikTok, no break deal

0:24:22.840 --> 0:24:24.560
<v Speaker 1>seven million, eight million, eight million?

0:24:25.240 --> 0:24:26.200
<v Speaker 3>He thought that was great.

0:24:27.000 --> 0:24:28.320
<v Speaker 5>No, I thought it was a great deal for death Champ.

0:24:28.359 --> 0:24:31.520
<v Speaker 5>But I think they recouped in two months, no hell

0:24:32.000 --> 0:24:32.760
<v Speaker 5>on their investment.

0:24:32.880 --> 0:24:34.000
<v Speaker 2>Oh y'all out, y'r mind.

0:24:35.359 --> 0:24:36.800
<v Speaker 5>This is why I think it's crazy you're saying this

0:24:36.840 --> 0:24:39.000
<v Speaker 5>because you're worth ten million, thirteen million.

0:24:39.000 --> 0:24:42.200
<v Speaker 2>You're one of the few people that.

0:24:41.080 --> 0:24:44.200
<v Speaker 5>That understands streaming that's on YouTube talking about the shit.

0:24:44.560 --> 0:24:45.400
<v Speaker 1>You don't think that.

0:24:45.400 --> 0:24:48.960
<v Speaker 5>They made their money back and in the span of

0:24:48.960 --> 0:24:49.800
<v Speaker 5>the months that that.

0:24:49.800 --> 0:24:52.520
<v Speaker 1>Jello had you know what, It depends on how big

0:24:52.560 --> 0:24:53.520
<v Speaker 1>they market share was.

0:24:53.760 --> 0:24:54.719
<v Speaker 2>So let me get you an example.

0:24:54.840 --> 0:24:58.320
<v Speaker 1>Let's say if they will point eight market share and

0:24:58.520 --> 0:25:02.560
<v Speaker 1>Jello record took them one point one, that point three

0:25:02.680 --> 0:25:05.640
<v Speaker 1>percent jump is worth more than eight million dollars. You're

0:25:05.680 --> 0:25:08.280
<v Speaker 1>right about that, but it's just the way streaming is

0:25:08.320 --> 0:25:10.439
<v Speaker 1>paid out. So that's why that's another thing we're not

0:25:10.520 --> 0:25:13.199
<v Speaker 1>rewarding the greatest. We're just like it don't matter. It's

0:25:13.240 --> 0:25:14.760
<v Speaker 1>like I made money this court, I keep my job.

0:25:14.840 --> 0:25:17.119
<v Speaker 1>And it's like I remember La told me. He was

0:25:17.119 --> 0:25:19.440
<v Speaker 1>telling me about Clive and he was like, Ray, I've

0:25:19.440 --> 0:25:21.400
<v Speaker 1>never had the number one artist in the world.

0:25:21.480 --> 0:25:23.000
<v Speaker 2>And I'm like, Nigga, you signed Bieber.

0:25:23.520 --> 0:25:27.280
<v Speaker 1>He was like, yeah, they were huge, but Clive had

0:25:27.440 --> 0:25:30.200
<v Speaker 1>Whitney and you know me, I'm like, I know Whitney

0:25:30.280 --> 0:25:32.120
<v Speaker 1>was big, but to me in the nineties, I think

0:25:32.200 --> 0:25:33.520
<v Speaker 1>Rihanna is just as big.

0:25:33.560 --> 0:25:35.480
<v Speaker 2>And he was like, you have no idea.

0:25:36.200 --> 0:25:38.360
<v Speaker 1>La doesn't come from the world where having a hit

0:25:38.480 --> 0:25:40.680
<v Speaker 1>and making money makes him happy. He would be sick

0:25:40.680 --> 0:25:42.119
<v Speaker 1>if he had a hit and he was making money.

0:25:42.240 --> 0:25:45.080
<v Speaker 1>He needs a superstar. But that's what he feeds off.

0:25:45.280 --> 0:25:49.639
<v Speaker 2>La is one of like the last music men again

0:25:49.920 --> 0:25:50.840
<v Speaker 2>President So like.

0:25:53.320 --> 0:25:56.800
<v Speaker 5>Shot Steve Bartle's like everyone that's involved Lucy whatever, they're

0:25:56.840 --> 0:26:00.000
<v Speaker 5>not music Like La, You're you're talking a foreign language

0:26:00.119 --> 0:26:00.359
<v Speaker 5>right now.

0:26:00.440 --> 0:26:02.080
<v Speaker 2>Yes, ways, so I hear you.

0:26:02.119 --> 0:26:05.560
<v Speaker 5>But nah, Jello with Sinks made that back in two

0:26:05.600 --> 0:26:06.600
<v Speaker 5>fucking months.

0:26:06.800 --> 0:26:10.080
<v Speaker 1>He probably did. But but but here's the thing. What

0:26:10.160 --> 0:26:11.919
<v Speaker 1>happens when somebody else comes in the run? What a

0:26:11.920 --> 0:26:13.800
<v Speaker 1>deaf jam deal. What happens when the next person comes

0:26:13.840 --> 0:26:15.320
<v Speaker 1>in the room. The viral record where you think he

0:26:15.400 --> 0:26:17.400
<v Speaker 1>gonna tell death? And first of all, I don't think

0:26:17.440 --> 0:26:20.919
<v Speaker 1>he got thirteen liquid. I think they put it up

0:26:20.960 --> 0:26:23.560
<v Speaker 1>against something and they made it back on what what

0:26:23.680 --> 0:26:25.399
<v Speaker 1>they put up. I think he made a little bit

0:26:25.440 --> 0:26:28.359
<v Speaker 1>of change, but they put against the loan that they had. Yes,

0:26:28.440 --> 0:26:31.040
<v Speaker 1>for sure, but the way streaming pays out, if he

0:26:31.040 --> 0:26:33.840
<v Speaker 1>helped their market share jump a few points, it's.

0:26:33.720 --> 0:26:34.639
<v Speaker 2>Worth over eight million.

0:26:34.640 --> 0:26:37.480
<v Speaker 1>Like if that five if I made three hundred motherfucking

0:26:37.480 --> 0:26:39.520
<v Speaker 1>million and they got to pay you one hundred and

0:26:39.600 --> 0:26:42.439
<v Speaker 1>fifty million, And it's based on market share, so that

0:26:42.480 --> 0:26:44.879
<v Speaker 1>means if it's one hundred million, you get eight hundred thousand.

0:26:44.880 --> 0:26:47.040
<v Speaker 1>Death Ja was worth it, yes, So I'm like, so

0:26:47.200 --> 0:26:49.560
<v Speaker 1>that's what he did it for. But yeah, I wouldn't

0:26:49.640 --> 0:26:52.720
<v Speaker 1>let that number get out. I can't believe they left.

0:26:54.320 --> 0:26:55.960
<v Speaker 1>But did you with a little nigga company? You gave

0:26:56.040 --> 0:26:56.840
<v Speaker 1>Joe eight million?

0:26:56.840 --> 0:26:57.560
<v Speaker 2>I won nine?

0:26:57.680 --> 0:26:58.520
<v Speaker 3>Right? Right?

0:26:59.080 --> 0:27:02.560
<v Speaker 5>I mean to me, that that marketing, I think respectfully,

0:27:02.560 --> 0:27:05.280
<v Speaker 5>anyone that does like announce those those numbers and shit,

0:27:05.359 --> 0:27:08.840
<v Speaker 5>it's stupid just because of IRS. But to me, that's

0:27:08.920 --> 0:27:12.120
<v Speaker 5>marketing with all right, you guys in the bidding war

0:27:12.160 --> 0:27:14.800
<v Speaker 5>that was for Jello. You started the bidding war when

0:27:14.800 --> 0:27:16.800
<v Speaker 5>you already had to deal with him for marketing purposes.

0:27:16.840 --> 0:27:18.800
<v Speaker 5>You're putting that number out to make Jello seem bigger

0:27:18.840 --> 0:27:22.479
<v Speaker 5>than he really is. In that regard, it's like, oh, never,

0:27:22.520 --> 0:27:23.800
<v Speaker 5>may I gotta pay attention.

0:27:23.600 --> 0:27:25.040
<v Speaker 1>To It's gonna give you some information. I don't even

0:27:25.040 --> 0:27:27.639
<v Speaker 1>i'mupposed to say this, but fuck it. When we signed

0:27:27.680 --> 0:27:31.119
<v Speaker 1>an elite Choppa his we gave him eight million. That

0:27:31.240 --> 0:27:34.200
<v Speaker 1>was the biggest deal in Warner Records history in the

0:27:34.359 --> 0:27:38.080
<v Speaker 1>Atlantic for new artists. And the way the deal was

0:27:38.080 --> 0:27:40.879
<v Speaker 1>set up, we got we didn't get his Masters because

0:27:40.920 --> 0:27:43.080
<v Speaker 1>he had a partnership with United Masters, so we had

0:27:43.119 --> 0:27:47.480
<v Speaker 1>the income. Yeah, nigga, I think nine months in we

0:27:47.560 --> 0:27:50.880
<v Speaker 1>got a three point seven million dollar check from United Masters.

0:27:50.920 --> 0:27:54.360
<v Speaker 1>Now think about how big Choppa was compared to how big.

0:27:54.200 --> 0:27:55.480
<v Speaker 2>One song from Jello is.

0:27:55.520 --> 0:27:59.080
<v Speaker 1>It's like, I don't think people understand standing numbers like

0:27:59.119 --> 0:28:01.360
<v Speaker 1>and by the way, you and Masters might pay differently

0:28:01.400 --> 0:28:03.919
<v Speaker 1>compared to major labels how to get streaming. But I

0:28:04.000 --> 0:28:06.080
<v Speaker 1>know we were cooped. I ain't gonna lie we getting

0:28:06.080 --> 0:28:07.560
<v Speaker 1>an eight millen. I was like, Man, we fucked. I

0:28:07.600 --> 0:28:09.240
<v Speaker 1>was like, I guess we ain't gonna never get that back.

0:28:09.480 --> 0:28:12.480
<v Speaker 5>I mean, Alie Trappers not not my type of shit,

0:28:12.560 --> 0:28:16.000
<v Speaker 5>But I would guess he's somewhere in the twenty million

0:28:16.040 --> 0:28:17.960
<v Speaker 5>as far as value of which he would bring to

0:28:18.000 --> 0:28:18.359
<v Speaker 5>a label.

0:28:18.800 --> 0:28:19.320
<v Speaker 2>He probably makes.

0:28:19.359 --> 0:28:22.720
<v Speaker 1>He probably makes Warner about fifteen to twenty five million

0:28:22.920 --> 0:28:25.480
<v Speaker 1>that year, whether he puts out an album or not. Yeah,

0:28:26.080 --> 0:28:28.639
<v Speaker 1>just with the back catalog that he has already. That's

0:28:28.720 --> 0:28:30.199
<v Speaker 1>made me never take a job again. That's why I

0:28:30.200 --> 0:28:32.200
<v Speaker 1>can't do what I did again. I can't like, i

0:28:32.240 --> 0:28:33.920
<v Speaker 1>ain't been at that company in four years and I'm

0:28:33.960 --> 0:28:36.400
<v Speaker 1>still making tens of millions of dollars and I don't

0:28:36.400 --> 0:28:39.320
<v Speaker 1>get no royalties, no nothing. I'll never help somebody get

0:28:39.400 --> 0:28:41.600
<v Speaker 1>rich again and not have something on the back end

0:28:41.600 --> 0:28:41.840
<v Speaker 1>for me.

0:28:42.160 --> 0:28:44.280
<v Speaker 5>So all right, here's what change your business model. This

0:28:44.360 --> 0:28:46.160
<v Speaker 5>may be a quick NERD segment.

0:28:46.440 --> 0:28:50.200
<v Speaker 2>Let's go. I like NERD moments. I agree that you

0:28:50.240 --> 0:28:51.800
<v Speaker 2>should be paid way more.

0:28:51.960 --> 0:28:54.160
<v Speaker 5>Okay, haste off that if you bring someone in and

0:28:54.160 --> 0:28:56.200
<v Speaker 5>they're bringing in this amount of money to a company,

0:28:56.240 --> 0:28:58.640
<v Speaker 5>I'm with you. I've seen a lot of a and

0:28:58.760 --> 0:29:02.840
<v Speaker 5>rs try to put themselves in splits. They that they

0:29:02.880 --> 0:29:06.280
<v Speaker 5>didn't fucking do. They're in PUBB that they didn't fucking do.

0:29:08.120 --> 0:29:10.200
<v Speaker 5>And to me, I hear you as an A and R.

0:29:10.480 --> 0:29:12.280
<v Speaker 5>You should make more money if you bring in someone

0:29:12.280 --> 0:29:14.800
<v Speaker 5>that is generating this type of income for a company.

0:29:15.160 --> 0:29:18.080
<v Speaker 5>But I've seen A and RS do some fucking wild shit.

0:29:18.240 --> 0:29:21.080
<v Speaker 5>Of wait, you have ten percent of this record? Why

0:29:21.080 --> 0:29:23.400
<v Speaker 5>why because you because you showed up that day and

0:29:23.680 --> 0:29:26.000
<v Speaker 5>transcribed the lyrics? Though, because they tell they because they

0:29:26.000 --> 0:29:27.320
<v Speaker 5>tell me, they say I produced it.

0:29:27.360 --> 0:29:28.920
<v Speaker 2>You ain't producing a fucking thing on here. This is

0:29:28.960 --> 0:29:29.360
<v Speaker 2>what they do.

0:29:30.080 --> 0:29:32.800
<v Speaker 1>Rory and Mile is somebody y'all can get on the album.

0:29:33.240 --> 0:29:35.360
<v Speaker 1>You ain't nobody. I want ten percent if you make

0:29:35.400 --> 0:29:39.040
<v Speaker 1>the album. Me bringing them in the room, I'm supposed to.

0:29:39.240 --> 0:29:41.200
<v Speaker 1>They everybody want to work with them. Me bringing you

0:29:41.280 --> 0:29:42.880
<v Speaker 1>in a room. I'm not so I'm I'm bringing you

0:29:42.920 --> 0:29:45.040
<v Speaker 1>in the room. I'm gonna need a percent. I think

0:29:45.080 --> 0:29:47.840
<v Speaker 1>that's whack. I think that's dumb. And I always say,

0:29:47.880 --> 0:29:51.120
<v Speaker 1>like the person remembers it, like you know, the statement

0:29:51.160 --> 0:29:53.400
<v Speaker 1>they say, the actual gifts, but the tree remembers the

0:29:53.440 --> 0:29:55.880
<v Speaker 1>person that you took that little ten percent from. Will

0:29:56.040 --> 0:29:59.440
<v Speaker 1>always remember you the motherfucker that took from me when

0:29:59.440 --> 0:30:02.640
<v Speaker 1>I like a my worst moment, So like I hate that,

0:30:02.720 --> 0:30:06.000
<v Speaker 1>but like it's a big thing, bro, And it's just

0:30:06.040 --> 0:30:08.320
<v Speaker 1>like nobody has a problem. It's like nobody's saying nothing.

0:30:08.360 --> 0:30:11.440
<v Speaker 1>It's like we I can't believe this, Like just blake,

0:30:11.520 --> 0:30:13.840
<v Speaker 1>Like I came up, you put your mama name, Like

0:30:13.960 --> 0:30:15.640
<v Speaker 1>I ain't gonna put my name. I'm gonna put my

0:30:15.680 --> 0:30:17.360
<v Speaker 1>mother name. They ain't gonna know who that is. But

0:30:17.560 --> 0:30:21.240
<v Speaker 1>they just putting their name Like it's like damn, yeah, no, shame.

0:30:21.440 --> 0:30:21.680
<v Speaker 2>Yeah.

0:30:21.840 --> 0:30:24.400
<v Speaker 1>Because my mind, I'm afraid of an artist. Like my

0:30:24.440 --> 0:30:27.440
<v Speaker 1>biggest fear, My biggest fear is a artist trying to

0:30:27.440 --> 0:30:30.120
<v Speaker 1>call me out, because when the artist calls you out.

0:30:30.040 --> 0:30:32.400
<v Speaker 2>You're done in this business, are you though?

0:30:32.640 --> 0:30:35.080
<v Speaker 1>Yes, name somebody theme somebody to recovered from a real

0:30:35.160 --> 0:30:37.080
<v Speaker 1>artist calling him out. Can you give me some examples.

0:30:39.040 --> 0:30:43.360
<v Speaker 1>I don't think ERV recover after fifty called him out.

0:30:42.800 --> 0:30:45.360
<v Speaker 1>You think ir recovered after fifty called him out? Earth

0:30:45.440 --> 0:30:46.960
<v Speaker 1>Like he got back to the same IRV got it

0:30:47.040 --> 0:30:48.080
<v Speaker 1>after fifty called him out.

0:30:48.160 --> 0:30:49.400
<v Speaker 5>No, I think a lot of that had to do

0:30:49.480 --> 0:30:54.680
<v Speaker 5>with the trial with Supreme and that came and then

0:30:54.760 --> 0:30:56.560
<v Speaker 5>being falsely accused of money laundering.

0:30:56.600 --> 0:30:57.080
<v Speaker 2>I'm not I'm not.

0:30:57.120 --> 0:30:59.120
<v Speaker 1>Arguing none of that, but what I'm I'm my point

0:30:59.240 --> 0:31:01.400
<v Speaker 1>is still in the socialiation that he got caught up in.

0:31:02.600 --> 0:31:06.640
<v Speaker 5>H Yeah, but that was just the That was the

0:31:06.640 --> 0:31:08.800
<v Speaker 5>perfect storm, the movie perfect storm when three storms come

0:31:08.960 --> 0:31:12.959
<v Speaker 5>together as one. Fifty was coming at one point. Uh,

0:31:13.120 --> 0:31:16.240
<v Speaker 5>at some point when you peak, you're going to start

0:31:16.280 --> 0:31:19.360
<v Speaker 5>to fall. Murder, inc owned everything. There's only one way

0:31:19.360 --> 0:31:21.840
<v Speaker 5>you can go after that. On top of that, all

0:31:21.880 --> 0:31:24.640
<v Speaker 5>of our assets are being frozen because I'm being falsely

0:31:24.640 --> 0:31:27.320
<v Speaker 5>accused of never giving pre money except to do a

0:31:27.320 --> 0:31:31.000
<v Speaker 5>fucking movie, which is legal. I don't understand when that

0:31:31.080 --> 0:31:34.200
<v Speaker 5>became illegal to give someone money to fund a movie

0:31:36.320 --> 0:31:40.640
<v Speaker 5>the movie to give you premun.

0:31:40.320 --> 0:31:43.080
<v Speaker 1>Selling crack on talking about.

0:31:45.920 --> 0:31:47.360
<v Speaker 5>So, I think it was a perfect storm of those

0:31:47.360 --> 0:31:49.760
<v Speaker 5>three things, of the peak just hitting its peak and

0:31:49.800 --> 0:31:52.160
<v Speaker 5>starting to fall as everyone does the same way. Fifty

0:31:52.280 --> 0:31:55.000
<v Speaker 5>fifty at a peak and fell musically everyone hits that.

0:31:55.080 --> 0:31:57.000
<v Speaker 2>Why nobody working? So, I don't know what you're.

0:31:56.840 --> 0:31:58.600
<v Speaker 1>Saying to ask your question, why is nobody working with?

0:31:58.760 --> 0:32:01.560
<v Speaker 2>What's Mary J. Blig's husband name ex husband name? O?

0:32:01.760 --> 0:32:02.000
<v Speaker 3>God?

0:32:09.040 --> 0:32:09.360
<v Speaker 2>Can do?

0:32:09.560 --> 0:32:09.840
<v Speaker 3>Can do?

0:32:09.960 --> 0:32:10.000
<v Speaker 1>You?

0:32:10.040 --> 0:32:12.320
<v Speaker 2>Can do, salute King Listen, can do.

0:32:12.800 --> 0:32:16.720
<v Speaker 1>Can't manage anything now because married don't funk with him. Yeah,

0:32:16.720 --> 0:32:18.520
<v Speaker 1>but when married don't fuck with you, you're not on

0:32:18.560 --> 0:32:19.240
<v Speaker 1>the island no more.

0:32:19.280 --> 0:32:19.720
<v Speaker 2>You're done.

0:32:20.240 --> 0:32:22.200
<v Speaker 1>What you got to pick win for losing there?

0:32:22.320 --> 0:32:24.240
<v Speaker 5>You be the only man that gets alimony out of

0:32:24.240 --> 0:32:26.440
<v Speaker 5>a case in the history of the court system.

0:32:26.440 --> 0:32:28.800
<v Speaker 1>That's true. Own that shut the fuck up and sit

0:32:28.840 --> 0:32:30.600
<v Speaker 1>over there, but them table, but them tables you was

0:32:30.600 --> 0:32:33.360
<v Speaker 1>able to sit at? Oh yeah, of course, jay Z

0:32:33.480 --> 0:32:36.040
<v Speaker 1>table where you're sitting at. You're done. He can't come around.

0:32:36.080 --> 0:32:37.720
<v Speaker 1>One artist said he can't come around.

0:32:37.840 --> 0:32:40.360
<v Speaker 2>You're done. Pastor Troy did his masterpee. He killed him.

0:32:40.400 --> 0:32:43.000
<v Speaker 2>He killed No Limit. He killed No Limit.

0:32:43.160 --> 0:32:44.760
<v Speaker 5>I don't but again, I think that's more of a

0:32:44.800 --> 0:32:46.640
<v Speaker 5>perfect storm of what was going on with No Limit.

0:32:46.640 --> 0:32:48.440
<v Speaker 2>I don't think Pastor Troy killed No Limit.

0:32:48.440 --> 0:32:51.520
<v Speaker 1>I aint gonna lie bro I was in Atlanta. I

0:32:51.640 --> 0:32:52.040
<v Speaker 1>was there.

0:32:52.520 --> 0:32:53.080
<v Speaker 2>I was a nigger.

0:32:53.160 --> 0:32:57.360
<v Speaker 1>I thought I was a no limit soldier dog. I

0:32:57.440 --> 0:32:59.960
<v Speaker 1>wore no limit soldier. And then when Pastor Troy said,

0:33:00.200 --> 0:33:03.760
<v Speaker 1>tailp them down South, Georgia boys is ready for war.

0:33:04.080 --> 0:33:06.520
<v Speaker 1>I was living in Georgia. I'm like, man, forget them souls.

0:33:06.520 --> 0:33:09.480
<v Speaker 1>I'm a down South Georgia. It's like artists can change

0:33:09.520 --> 0:33:10.520
<v Speaker 1>how people see people.

0:33:10.520 --> 0:33:11.480
<v Speaker 3>Oh yeah, one hundred percent.

0:33:11.720 --> 0:33:15.520
<v Speaker 1>Biggie did it to Kwame the fucking polka dots is like,

0:33:15.960 --> 0:33:18.680
<v Speaker 1>what's one person that's new says your ship is old?

0:33:18.720 --> 0:33:20.520
<v Speaker 2>You are. Jay Z did.

0:33:20.360 --> 0:33:24.520
<v Speaker 1>It to t Pain death of Bottle Tone Paint.

0:33:24.520 --> 0:33:28.080
<v Speaker 4>Admitted it like y got good nice check though she

0:33:28.200 --> 0:33:29.400
<v Speaker 4>just told that catalog he got no.

0:33:29.640 --> 0:33:31.600
<v Speaker 5>No, no, no, I think it pushed back. Let's go, this

0:33:31.680 --> 0:33:35.000
<v Speaker 5>is insane and this is whole Vengers. Let's you are

0:33:35.040 --> 0:33:38.000
<v Speaker 5>the most jay Z bias podcast of all time. If

0:33:38.000 --> 0:33:41.320
<v Speaker 5>there's one thing that jay Z did not end, the

0:33:41.360 --> 0:33:42.880
<v Speaker 5>death of Auto Tune.

0:33:42.720 --> 0:33:43.600
<v Speaker 2>Was a resurrection.

0:33:43.960 --> 0:33:46.960
<v Speaker 5>Jesus Christ walked again after that death, Auto Tune is

0:33:47.000 --> 0:33:49.160
<v Speaker 5>still here and it's the number one thing in rap

0:33:49.240 --> 0:33:49.520
<v Speaker 5>right now.

0:33:49.920 --> 0:33:52.520
<v Speaker 1>Ja, he didn't kill Shit Pain. He did not kill

0:33:52.560 --> 0:33:55.080
<v Speaker 1>Ta Pain. He did not kill He did not kill

0:33:55.160 --> 0:33:57.760
<v Speaker 1>Wearing Tims anymore. That's the only two things jay Z

0:33:57.800 --> 0:33:58.800
<v Speaker 1>tried to kill and didn't kill.

0:33:59.120 --> 0:34:02.400
<v Speaker 2>Jay Z killed, he killed. He might he might not have.

0:34:02.480 --> 0:34:04.840
<v Speaker 2>He killed Jerseys. Auto Tune he did kill Jerseys. He

0:34:04.880 --> 0:34:05.600
<v Speaker 2>did kill Rims.

0:34:05.880 --> 0:34:08.359
<v Speaker 1>He might not have killed auto tune, but he killed

0:34:08.360 --> 0:34:11.239
<v Speaker 1>the face of auto tune too much T painted like

0:34:11.280 --> 0:34:13.480
<v Speaker 1>when he said like T pain't even admitted it, like

0:34:13.520 --> 0:34:14.440
<v Speaker 1>his noney went.

0:34:14.280 --> 0:34:17.279
<v Speaker 4>From here age today that hurt pain though, did.

0:34:17.280 --> 0:34:19.600
<v Speaker 2>Hurt I think? I think T paint is.

0:34:19.920 --> 0:34:22.160
<v Speaker 5>How is that the case when you said death of

0:34:22.200 --> 0:34:25.279
<v Speaker 5>autotune and within the same months your number one artist

0:34:25.400 --> 0:34:29.240
<v Speaker 5>ever under you, Kanye West was an icon, stopped rapping

0:34:29.400 --> 0:34:30.719
<v Speaker 5>and did a fucking.

0:34:30.640 --> 0:34:33.160
<v Speaker 2>T Paint album with Atoys.

0:34:33.520 --> 0:34:35.920
<v Speaker 1>He did the album that he did the album because

0:34:36.120 --> 0:34:38.960
<v Speaker 1>his mother died. And the one thing that Yay did

0:34:38.960 --> 0:34:41.480
<v Speaker 1>with Ato Ways or Heartbreaks is that he kills auto

0:34:41.520 --> 0:34:43.160
<v Speaker 1>tune because his mother died. No, I think that he

0:34:43.200 --> 0:34:45.279
<v Speaker 1>was emotional. He went to sing, and I think he

0:34:45.320 --> 0:34:47.040
<v Speaker 1>was just trying something. I think I think his mother

0:34:47.160 --> 0:34:50.160
<v Speaker 1>dying triggered him to say I'm gonna go because my

0:34:50.200 --> 0:34:52.400
<v Speaker 1>father died played a huge role in me. Like I

0:34:52.440 --> 0:34:54.239
<v Speaker 1>when Delta called me back after nine to eleven, I

0:34:54.280 --> 0:34:56.560
<v Speaker 1>went back. My father died and I was like, man,

0:34:56.880 --> 0:34:58.839
<v Speaker 1>Bill Cobseley was my father. I wonder if I would

0:34:58.840 --> 0:35:00.960
<v Speaker 1>be working at Delta. It was like death. When you

0:35:01.040 --> 0:35:03.200
<v Speaker 1>as a parent, it changes how you see things. So

0:35:03.280 --> 0:35:06.160
<v Speaker 1>I can see I can see that happening and being like.

0:35:06.440 --> 0:35:08.520
<v Speaker 5>I respect that point, and I think that's a separate

0:35:08.560 --> 0:35:09.759
<v Speaker 5>point that you're deflecting from.

0:35:09.880 --> 0:35:13.000
<v Speaker 1>Okay, he did not talk about I look at this.

0:35:13.280 --> 0:35:16.319
<v Speaker 1>Let's go, he did not kill altitude. What's he might

0:35:16.440 --> 0:35:17.200
<v Speaker 1>I say he killed?

0:35:17.239 --> 0:35:17.440
<v Speaker 2>He did?

0:35:17.520 --> 0:35:19.080
<v Speaker 1>He might not have killed auto tune. I'll give you

0:35:19.080 --> 0:35:21.680
<v Speaker 1>that because people still use it. I think he killed

0:35:21.680 --> 0:35:24.680
<v Speaker 1>the face of attotune, which was T Pain, And I

0:35:24.680 --> 0:35:26.920
<v Speaker 1>think T Pain was saying, listen, I think if T

0:35:27.080 --> 0:35:28.960
<v Speaker 1>Pap was sitting in his chair, he'll say, hell, ye

0:35:29.000 --> 0:35:30.200
<v Speaker 1>ain't fucked my business up?

0:35:30.480 --> 0:35:32.600
<v Speaker 5>Oh no, no, no, for sure. There was a few

0:35:32.640 --> 0:35:34.600
<v Speaker 5>months where that was the case. D A came out

0:35:34.640 --> 0:35:38.800
<v Speaker 5>in what year old one would be my guest. T

0:35:39.000 --> 0:35:46.000
<v Speaker 5>Pain had a number one album after that.

0:35:42.960 --> 0:35:45.759
<v Speaker 2>He still had he still had bags people fucking with him.

0:35:45.760 --> 0:35:48.040
<v Speaker 2>So you know, T Pain, he Paint can make a

0:35:48.080 --> 0:35:48.800
<v Speaker 2>hit with anything.

0:35:48.920 --> 0:35:52.440
<v Speaker 1>Like you know, black folks, weren't you and that Boody

0:35:52.520 --> 0:35:54.359
<v Speaker 1>I don't know, no nigga like that, but like white

0:35:54.360 --> 0:35:55.839
<v Speaker 1>people was like gamming that, right.

0:35:55.880 --> 0:35:59.399
<v Speaker 2>So Three Rings came out this around the same time.

0:35:59.440 --> 0:36:02.600
<v Speaker 5>Okay, let's go that that shit happened, and now we're

0:36:02.640 --> 0:36:04.680
<v Speaker 5>going through Choppin Screw with Ludacris.

0:36:05.560 --> 0:36:06.600
<v Speaker 2>Chopin Screw.

0:36:06.719 --> 0:36:07.520
<v Speaker 1>That record was.

0:36:07.480 --> 0:36:11.600
<v Speaker 2>Fucking huge, true. Can't believe it with Lil Wayne, Oh,

0:36:11.680 --> 0:36:12.040
<v Speaker 2>I can't.

0:36:12.040 --> 0:36:14.120
<v Speaker 1>That came out after this was the same time that

0:36:14.200 --> 0:36:16.239
<v Speaker 1>day was happening. But you look at you saying, though

0:36:16.840 --> 0:36:18.799
<v Speaker 1>what you're saying about, But you're saying when you say

0:36:18.920 --> 0:36:21.000
<v Speaker 1>when you say little Way, when you say Little Wayne

0:36:21.000 --> 0:36:23.879
<v Speaker 1>and Ludacris, that's like saying he was accompanied by the sun.

0:36:24.800 --> 0:36:27.600
<v Speaker 1>Of course it's gonna shine like like like when I'm

0:36:27.600 --> 0:36:30.000
<v Speaker 1>talking about is when he tried to go for himself,

0:36:30.800 --> 0:36:34.319
<v Speaker 1>like we don't mind you auto tuning on there on there,

0:36:34.360 --> 0:36:36.040
<v Speaker 1>here and there, but when you try to feed us

0:36:36.080 --> 0:36:37.960
<v Speaker 1>auto tune. After jay Z said this is the death

0:36:37.960 --> 0:36:40.320
<v Speaker 1>of auto tune, and you know, everybody looked up the

0:36:40.320 --> 0:36:43.080
<v Speaker 1>whole so everybody's like, whoa, maybe let me stop tell you, well.

0:36:43.000 --> 0:36:46.200
<v Speaker 5>Then this is a bad joke, Peach keep it. Then

0:36:46.560 --> 0:36:48.760
<v Speaker 5>he Charlie kirked the whole thing. He killed the face

0:36:49.560 --> 0:36:50.960
<v Speaker 5>and the whole movement.

0:36:51.080 --> 0:36:52.200
<v Speaker 1>Rose I agree with that.

0:36:52.280 --> 0:36:54.160
<v Speaker 5>I'm not mad everyone did aller like, all right, if

0:36:54.160 --> 0:36:57.160
<v Speaker 5>he killed t Payne's career, cool, let's let's let's live

0:36:57.520 --> 0:37:01.000
<v Speaker 5>that hypothetically he killed everyone kept auto tune.

0:37:00.800 --> 0:37:06.000
<v Speaker 1>After that, Like t Payn was the only person that

0:37:06.040 --> 0:37:06.719
<v Speaker 1>couldn't use it.

0:37:06.719 --> 0:37:08.319
<v Speaker 3>That's why I like Pain spoke to that.

0:37:08.520 --> 0:37:10.120
<v Speaker 2>Yeah, he said it. He's like, bro, I'm the only

0:37:10.160 --> 0:37:12.040
<v Speaker 2>person that can't use it. I remember he said. Usher

0:37:12.080 --> 0:37:13.840
<v Speaker 2>came to him on a plane and was like you

0:37:13.960 --> 0:37:15.799
<v Speaker 2>kill R and B. He's like, what the fuck did

0:37:15.840 --> 0:37:16.040
<v Speaker 2>I do?

0:37:16.160 --> 0:37:18.279
<v Speaker 1>It was all of a sudden, I was a hero,

0:37:18.360 --> 0:37:20.040
<v Speaker 1>and all of a sudden I got stars telling me

0:37:20.080 --> 0:37:22.279
<v Speaker 1>I'm fucking up the world, like just having fun.

0:37:22.760 --> 0:37:23.839
<v Speaker 3>Yeah, I'm just making music.

0:37:24.200 --> 0:37:26.400
<v Speaker 2>If you look who really killed music? Pain shouldn't be on.

0:37:27.040 --> 0:37:30.920
<v Speaker 1>I was trying to sing brost time great music.

0:37:34.080 --> 0:37:36.360
<v Speaker 5>Maul boost Mobile is proving that you don't have to

0:37:36.440 --> 0:37:40.000
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0:38:24.560 --> 0:38:27.600
<v Speaker 4>Ray you, one of the things that I definitely wanted

0:38:27.600 --> 0:38:29.960
<v Speaker 4>to talk to you about, let's go, was your stance

0:38:30.120 --> 0:38:35.120
<v Speaker 4>on uh, Drake's top tier rain being over as a

0:38:35.160 --> 0:38:35.919
<v Speaker 4>result of him.

0:38:36.160 --> 0:38:39.080
<v Speaker 1>I'm glad we're talking suing during.

0:38:38.840 --> 0:38:42.160
<v Speaker 4>The whole battle thing. Now, let's let's let's be to that.

0:38:42.239 --> 0:38:45.640
<v Speaker 4>Do you think that Drake's rain at the top is over?

0:38:45.719 --> 0:38:49.240
<v Speaker 4>Do you think Drake's career will never be the same.

0:38:49.440 --> 0:38:51.840
<v Speaker 4>Do you think people will never look at Drake the

0:38:51.880 --> 0:38:55.520
<v Speaker 4>same as a result of suing the labels or just

0:38:55.600 --> 0:38:56.840
<v Speaker 4>as a result of the battle.

0:38:56.920 --> 0:38:59.200
<v Speaker 1>I think all of it is one and the same.

0:38:59.719 --> 0:39:02.480
<v Speaker 1>And I love that you're a Drake fan and you

0:39:02.480 --> 0:39:04.839
<v Speaker 1>say some stuff. I'm like, come on, bro, you know,

0:39:05.520 --> 0:39:09.080
<v Speaker 1>but like what was like, like, nah, you team Drake like, hey, hey,

0:39:09.600 --> 0:39:11.560
<v Speaker 1>I think you said. I think you you are the

0:39:11.600 --> 0:39:13.920
<v Speaker 1>only person on record that is credible because a lot

0:39:13.960 --> 0:39:15.960
<v Speaker 1>of people say, but you're the only credible person I

0:39:16.000 --> 0:39:19.200
<v Speaker 1>know that, say, Kendrick Lost the only person that I

0:39:19.239 --> 0:39:21.120
<v Speaker 1>know to say that. So it's like that's a little

0:39:21.160 --> 0:39:23.160
<v Speaker 1>like God, damn, he really much thind.

0:39:22.960 --> 0:39:24.719
<v Speaker 4>Just turning though, I'm seeing more and more people say,

0:39:24.760 --> 0:39:27.200
<v Speaker 4>your family matters was the best record in the whole

0:39:27.200 --> 0:39:28.960
<v Speaker 4>beefs algorithm though.

0:39:29.360 --> 0:39:32.480
<v Speaker 1>Yeah, you know, like like I'm my business partner. Alexis

0:39:32.560 --> 0:39:34.839
<v Speaker 1>is famous for telling me that's your algorithm because they

0:39:34.840 --> 0:39:39.680
<v Speaker 1>know what you interested in. He showed me something totally different. Okay,

0:39:39.800 --> 0:39:41.600
<v Speaker 1>So here's what I say. Number one, I said, Drake

0:39:41.719 --> 0:39:44.680
<v Speaker 1>is done if he continues the lawsuit, because what happens

0:39:44.760 --> 0:39:48.640
<v Speaker 1>is is you're acting like a Karen. Now you gotta understand.

0:39:48.719 --> 0:39:50.960
<v Speaker 1>Rap is about being the coolest nigga. Rap is about

0:39:50.960 --> 0:39:54.160
<v Speaker 1>being effortless. Rap is like I woke up great, like

0:39:54.239 --> 0:39:56.600
<v Speaker 1>we wouldn't we wouldn't like Hope if he tried harder.

0:39:57.040 --> 0:39:58.480
<v Speaker 1>Part of what we love about him is he so

0:39:58.600 --> 0:40:01.480
<v Speaker 1>effortlessly great. So Drake comes while.

0:40:01.320 --> 0:40:03.560
<v Speaker 2>He tries so hard, Like that's why he's so great.

0:40:03.920 --> 0:40:07.000
<v Speaker 1>He tried hard. You're right, he stays, he stayed, but

0:40:07.040 --> 0:40:09.399
<v Speaker 1>he doesn't. He doesn't make it seem like he's trying

0:40:09.400 --> 0:40:11.279
<v Speaker 1>to try, like Michael Jordan. The only time we saw

0:40:11.360 --> 0:40:13.080
<v Speaker 1>him stressed out was the Flu game, But every other

0:40:13.120 --> 0:40:15.400
<v Speaker 1>time he looked like Michael George joke with.

0:40:15.440 --> 0:40:17.640
<v Speaker 2>My friend, there's no way holes ever woken up after

0:40:17.719 --> 0:40:21.000
<v Speaker 2>ten am. Yes, yes, but nah.

0:40:21.080 --> 0:40:22.960
<v Speaker 1>But Bro, when I said he's done, it's like, you

0:40:23.000 --> 0:40:24.480
<v Speaker 1>got to understand from the inside.

0:40:24.520 --> 0:40:26.759
<v Speaker 2>I'm in the inside, right on the inside.

0:40:27.160 --> 0:40:30.040
<v Speaker 1>You suing real people, You sewing people you sat down

0:40:30.040 --> 0:40:31.920
<v Speaker 1>to ate dinner with. These are the same people. That's

0:40:31.960 --> 0:40:35.200
<v Speaker 1>like you suing us, like you sawing us for doing

0:40:35.239 --> 0:40:37.920
<v Speaker 1>what we probably only revealed to you because you was

0:40:38.000 --> 0:40:41.040
<v Speaker 1>half us. You half us, You're not like they don't

0:40:41.080 --> 0:40:42.920
<v Speaker 1>tell black people a lot of shit in the music business.

0:40:42.920 --> 0:40:45.239
<v Speaker 2>Bro, I ain't been at too many tables with white men.

0:40:45.280 --> 0:40:47.640
<v Speaker 1>That just was forthcoming with how for me to win

0:40:47.680 --> 0:40:49.839
<v Speaker 1>black men all the time, but not white men. Drake

0:40:49.920 --> 0:40:52.279
<v Speaker 1>is half Jewish, so he's at these table them Jewish man.

0:40:52.280 --> 0:40:55.080
<v Speaker 1>They're like, bro, here's what we do. So he knows

0:40:55.120 --> 0:40:56.880
<v Speaker 1>the secrets. So when you got mad, when he got

0:40:56.960 --> 0:40:58.719
<v Speaker 1>used against you. To me, that's like, bro, you only

0:40:58.719 --> 0:41:01.480
<v Speaker 1>know what they doing and you sewing because they showed you,

0:41:01.560 --> 0:41:03.399
<v Speaker 1>which is something going against the mob.

0:41:03.480 --> 0:41:06.239
<v Speaker 2>Shit Like dog, you know, how much shit do you know?

0:41:06.360 --> 0:41:09.040
<v Speaker 1>And you know that you will never you probably say

0:41:09.200 --> 0:41:11.120
<v Speaker 1>ninety ten percent of the shit you know in ninety

0:41:11.120 --> 0:41:14.440
<v Speaker 1>percent you'll never say, right, because we understand the world

0:41:14.520 --> 0:41:17.560
<v Speaker 1>that we come from. So when Drake started like this

0:41:17.640 --> 0:41:21.440
<v Speaker 1>and this, and it's like, oh, you have a kid.

0:41:22.080 --> 0:41:23.839
<v Speaker 1>When you have a baby, they hit their head right,

0:41:24.000 --> 0:41:28.320
<v Speaker 1>everybody knows this. Don't react because you rap, they're gonna cry.

0:41:28.480 --> 0:41:30.560
<v Speaker 1>But if you don't and you got like nothing happened,

0:41:30.560 --> 0:41:33.239
<v Speaker 1>they'll be like everything round, everything is fine.

0:41:33.280 --> 0:41:34.160
<v Speaker 2>But if they see you run.

0:41:34.000 --> 0:41:37.320
<v Speaker 1>Into them like, oh you okay, And it's like Drake,

0:41:37.360 --> 0:41:41.120
<v Speaker 1>if you just acted like you were okay, bro, we

0:41:41.160 --> 0:41:43.160
<v Speaker 1>would have thought you were okay. Like, let's be clear,

0:41:43.840 --> 0:41:46.840
<v Speaker 1>him losing the battle wasn't a detriment to his career.

0:41:47.400 --> 0:41:50.480
<v Speaker 1>When rap battles happen, we know someone is gonna lose.

0:41:50.520 --> 0:41:52.399
<v Speaker 1>We know y'all are friends. We know it's nobody gonna

0:41:52.400 --> 0:41:54.520
<v Speaker 1>shoot each other. So it wasn't like a real battle.

0:41:54.520 --> 0:41:56.520
<v Speaker 1>It was like, yo, we know it's a battle amongst friends.

0:41:56.800 --> 0:41:59.200
<v Speaker 1>So when you can't take a joke amongst friends, you

0:41:59.239 --> 0:42:02.319
<v Speaker 1>make yourself different. It's like when we started off talking

0:42:02.320 --> 0:42:03.839
<v Speaker 1>about when I'm in class, I don't want to raise

0:42:03.840 --> 0:42:05.920
<v Speaker 1>my hand because I don't want to interrupt. Like it's

0:42:05.960 --> 0:42:09.480
<v Speaker 1>like you're interrupting the movie, Bro, Why are you suing?

0:42:09.520 --> 0:42:11.799
<v Speaker 2>Bro? It's over. We would have forgot about it if

0:42:11.800 --> 0:42:12.440
<v Speaker 2>you didn't sue.

0:42:12.640 --> 0:42:15.440
<v Speaker 4>But yeah, but it's different in the case of if

0:42:15.440 --> 0:42:17.080
<v Speaker 4>you're Drake and have information on.

0:42:18.520 --> 0:42:20.000
<v Speaker 3>Exactly what the labels were.

0:42:19.880 --> 0:42:22.440
<v Speaker 4>Doing behind the scenes on that whole thing true, and

0:42:22.600 --> 0:42:25.759
<v Speaker 4>funds that were being used that you generated, and this,

0:42:25.840 --> 0:42:29.280
<v Speaker 4>that and the third in business, now you're in negotiations

0:42:29.320 --> 0:42:31.759
<v Speaker 4>with these labels and you may have asked for a

0:42:31.840 --> 0:42:34.319
<v Speaker 4>number and they don't want to give you that. So

0:42:34.520 --> 0:42:37.239
<v Speaker 4>on this side, this new imprint that we signed, we're

0:42:37.239 --> 0:42:39.960
<v Speaker 4>gonna help this artist do something that may, you know,

0:42:40.160 --> 0:42:42.600
<v Speaker 4>kind of take a hit on your career and your

0:42:42.680 --> 0:42:45.359
<v Speaker 4>name and your brand. So we're gonna help support that.

0:42:45.800 --> 0:42:47.239
<v Speaker 4>Like you can't see what artists will be like, Oh,

0:42:47.239 --> 0:42:47.840
<v Speaker 4>I see what you are.

0:42:48.000 --> 0:42:50.680
<v Speaker 1>So so let me tell you Drake's you actually just

0:42:50.719 --> 0:42:53.160
<v Speaker 1>really helped me, see something that I didn't see, what

0:42:53.239 --> 0:42:56.920
<v Speaker 1>Drake didn't understand, was that you're suing Lucian's office. Lucian

0:42:57.040 --> 0:42:59.560
<v Speaker 1>is the daddy to all the companies. So one of

0:42:59.600 --> 0:43:01.120
<v Speaker 1>his sons, this is in the scope, and they son

0:43:01.160 --> 0:43:04.400
<v Speaker 1>is Kendrick. Another son is Mantia, and his son is Drake.

0:43:05.040 --> 0:43:08.799
<v Speaker 1>I have to treat both parties the same. So if

0:43:08.840 --> 0:43:10.600
<v Speaker 1>he's winning, I have to help the same way if

0:43:10.600 --> 0:43:12.520
<v Speaker 1>he's winning, because if he don't help, then you can

0:43:12.600 --> 0:43:15.560
<v Speaker 1>have top of him saying they showing faith to their favorite.

0:43:15.560 --> 0:43:16.279
<v Speaker 2>They don't want to help.

0:43:16.400 --> 0:43:18.080
<v Speaker 1>So it was so a lot of the times, it's

0:43:18.120 --> 0:43:19.879
<v Speaker 1>like you have to let the chips fall what they may,

0:43:20.280 --> 0:43:23.719
<v Speaker 1>and Bro, everybody gets knocked down. And I ain't gonna lie.

0:43:23.760 --> 0:43:25.400
<v Speaker 1>Bro Like, I'm more of a Drake fan than I

0:43:25.440 --> 0:43:28.520
<v Speaker 1>am a Kendrick fan. I just know Kendrick is more gifted,

0:43:28.560 --> 0:43:29.759
<v Speaker 1>you know what I'm trying to say. It's like I

0:43:29.800 --> 0:43:31.880
<v Speaker 1>listen to Drake music way more and I listen to Kendrick.

0:43:31.960 --> 0:43:35.839
<v Speaker 1>But you know the difference with how Drake is Chick

0:43:35.840 --> 0:43:39.640
<v Speaker 1>fil A, he's the top, he sells. It's always guaranteed.

0:43:39.960 --> 0:43:43.319
<v Speaker 1>Kendrick is Mashros. We might not eat there every once

0:43:43.360 --> 0:43:45.880
<v Speaker 1>a week, right, but when we do eat there, we

0:43:45.960 --> 0:43:48.200
<v Speaker 1>know we're going for something special compared to Chick fil A.

0:43:48.320 --> 0:43:51.120
<v Speaker 1>So my thing was, you gave him the advantage, bro,

0:43:51.239 --> 0:43:53.120
<v Speaker 1>Like I'm a Drake fan. I'll be wishing I was

0:43:53.120 --> 0:43:55.880
<v Speaker 1>these niggas friends, so I could tell him, Bro, don't

0:43:55.880 --> 0:43:57.719
<v Speaker 1>do that. Here's a Lucy ain't gonna do. As soon

0:43:57.760 --> 0:43:59.680
<v Speaker 1>as you see what they gonna do. This guy is

0:43:59.719 --> 0:44:00.680
<v Speaker 1>acting like a baby.

0:44:00.680 --> 0:44:01.160
<v Speaker 2>Look at him.

0:44:01.400 --> 0:44:03.880
<v Speaker 1>They're gonna make you look worse. So you so I

0:44:03.920 --> 0:44:05.440
<v Speaker 1>get it. Don't get me wrong. It's an ass whipping,

0:44:05.440 --> 0:44:08.319
<v Speaker 1>don't get me wrong. Whatever it was, come back with

0:44:08.440 --> 0:44:10.319
<v Speaker 1>a record, And if I was you, I would have said,

0:44:10.360 --> 0:44:12.960
<v Speaker 1>like remember how when Pink did the don't let Me

0:44:13.000 --> 0:44:15.120
<v Speaker 1>get Me and she went from like R and B

0:44:15.239 --> 0:44:18.360
<v Speaker 1>to pop rock and she goes LA told me you'll

0:44:18.360 --> 0:44:22.680
<v Speaker 1>be a pop star. Nigga La hated that line. Well

0:44:22.760 --> 0:44:25.000
<v Speaker 1>he hated that shit, but it was like she told

0:44:25.000 --> 0:44:27.200
<v Speaker 1>her truth and they put a fake La Red in

0:44:27.200 --> 0:44:29.200
<v Speaker 1>the video and that's it. So my thing is is

0:44:29.480 --> 0:44:32.320
<v Speaker 1>it's all the game, bro, Like you are the biggest,

0:44:32.560 --> 0:44:34.719
<v Speaker 1>you are the best. If you, if you, it's like

0:44:34.719 --> 0:44:36.480
<v Speaker 1>a nigga getting punched. You know you walk all on

0:44:36.560 --> 0:44:38.919
<v Speaker 1>the shit. You might cry in the car, but y'all

0:44:38.920 --> 0:44:40.560
<v Speaker 1>not gonna see me. All I'm saying this, nigga cry

0:44:40.600 --> 0:44:43.959
<v Speaker 1>in the car. These chicks love you. You can't cry

0:44:43.960 --> 0:44:46.439
<v Speaker 1>in front of black women. You know that. You can't

0:44:46.440 --> 0:44:47.960
<v Speaker 1>cry from them. You can't be lame in front of

0:44:48.040 --> 0:44:50.040
<v Speaker 1>You can't unlame yourself in front of black women.

0:44:50.440 --> 0:44:50.960
<v Speaker 3>You know that.

0:44:50.960 --> 0:44:53.080
<v Speaker 1>That's why niggas will shoot the club before they get

0:44:53.080 --> 0:44:55.600
<v Speaker 1>their ass whip, because you niggas, she ain't gone. You

0:44:55.600 --> 0:44:57.440
<v Speaker 1>ain't even no ass now if you get your ass whipped.

0:44:57.480 --> 0:44:59.320
<v Speaker 1>So did you better off killing a nigga going to

0:44:59.360 --> 0:45:01.239
<v Speaker 1>jail with five? It's coming out at least broads are

0:45:01.239 --> 0:45:03.360
<v Speaker 1>gonna like you. I'm a d That's my point. So

0:45:03.400 --> 0:45:04.840
<v Speaker 1>with Drake, it's like you would have been more of

0:45:04.840 --> 0:45:06.960
<v Speaker 1>a legend if you just let it go. But now

0:45:07.160 --> 0:45:10.359
<v Speaker 1>we're talking about Iceman and the lawsuit. We should only

0:45:10.360 --> 0:45:12.840
<v Speaker 1>be talking about the music right now. You brought the

0:45:12.880 --> 0:45:14.920
<v Speaker 1>lawsuit into this, That's all I'm saying. I'm like, if

0:45:14.920 --> 0:45:18.400
<v Speaker 1>you keep that going, you think universal? Would y'all do

0:45:18.440 --> 0:45:21.000
<v Speaker 1>it if y'all was universal? You think universal is going

0:45:21.040 --> 0:45:24.080
<v Speaker 1>to work? You and give you their best if you

0:45:24.120 --> 0:45:25.759
<v Speaker 1>have a lawsuit against them.

0:45:26.280 --> 0:45:30.440
<v Speaker 4>No, I think they almost have to. Nah, he demands

0:45:30.440 --> 0:45:33.120
<v Speaker 4>too much of the space right now. No, No, all

0:45:33.120 --> 0:45:34.560
<v Speaker 4>of these we got we got some good music out

0:45:34.600 --> 0:45:37.560
<v Speaker 4>this year. The only album that everybody wants to hear,

0:45:38.000 --> 0:45:40.640
<v Speaker 4>the only artist that everybody wants to hear from, is

0:45:40.680 --> 0:45:43.400
<v Speaker 4>the one that is now deemed not cool. Cry baby,

0:45:43.719 --> 0:45:47.879
<v Speaker 4>you know lost the battle. It's suing. That's not by coincidence.

0:45:48.239 --> 0:45:51.000
<v Speaker 4>That's me by that because he is the biggest and

0:45:51.040 --> 0:45:52.960
<v Speaker 4>the best, hardest, true.

0:45:53.080 --> 0:45:55.680
<v Speaker 1>But when but when you're the biggest and the best,

0:45:55.880 --> 0:45:58.319
<v Speaker 1>you can't play by the rules that the small guy

0:45:58.360 --> 0:46:00.319
<v Speaker 1>plays by. You have to be the big gets in

0:46:00.360 --> 0:46:02.440
<v Speaker 1>the best. That's what makes you that. It's like Mike Tyson,

0:46:02.640 --> 0:46:05.160
<v Speaker 1>he lost the Holy Feel, but he's still my favorite

0:46:05.160 --> 0:46:07.200
<v Speaker 1>box there because no matter how many times he lost,

0:46:07.440 --> 0:46:09.360
<v Speaker 1>he got up like a man. He took it on

0:46:09.360 --> 0:46:11.880
<v Speaker 1>the chin and he kept going. He didn't say they cheated.

0:46:12.000 --> 0:46:14.400
<v Speaker 1>It's like once you win the ring. When Drake was

0:46:14.400 --> 0:46:16.120
<v Speaker 1>saying they cheated for him, so I'm gonna sue him.

0:46:16.120 --> 0:46:17.960
<v Speaker 1>Bro lost It's okay.

0:46:18.040 --> 0:46:21.719
<v Speaker 5>I like that point that you're saying, who on earth

0:46:21.760 --> 0:46:25.440
<v Speaker 5>is playing by the same rules as Drake. Nobody Nobody

0:46:26.120 --> 0:46:30.680
<v Speaker 5>so granted, Jay and I is probably one of the

0:46:30.920 --> 0:46:33.440
<v Speaker 5>at that time, the biggest battles we've seen in hip

0:46:33.480 --> 0:46:35.600
<v Speaker 5>hop of what we would call two A list artists

0:46:35.600 --> 0:46:37.600
<v Speaker 5>going at I don't know if hip hop was the

0:46:37.600 --> 0:46:42.520
<v Speaker 5>biggest genre data wise at that point. Now, hip hop

0:46:42.600 --> 0:46:45.960
<v Speaker 5>is that everything evolves and changes, and the way things

0:46:46.000 --> 0:46:49.040
<v Speaker 5>evolve and change, especially with business. When you are a

0:46:49.120 --> 0:46:51.319
<v Speaker 5>hip hop artist, Drake's and Pop start cool whatever, He's

0:46:51.320 --> 0:46:54.920
<v Speaker 5>still hip hop on roll day when you now control

0:46:55.960 --> 0:46:58.319
<v Speaker 5>close to the same market as Taylor Swift when it

0:46:58.320 --> 0:47:01.520
<v Speaker 5>comes to a label. Back to the perfect storm theory,

0:47:02.320 --> 0:47:06.240
<v Speaker 5>the biggest battle we've ever seen in our entire lives

0:47:06.440 --> 0:47:09.000
<v Speaker 5>is Kendrick and Drake because the two biggest A list

0:47:09.120 --> 0:47:13.279
<v Speaker 5>artists when hip hop data wise, money wise is at

0:47:13.280 --> 0:47:17.640
<v Speaker 5>the highest it's ever been. I know it sounds crazy

0:47:17.680 --> 0:47:20.880
<v Speaker 5>to the Internet, but we can never speak like we

0:47:20.960 --> 0:47:23.279
<v Speaker 5>know what Drake is going through and how important it

0:47:23.320 --> 0:47:27.600
<v Speaker 5>would be when you're negotiating a deal at the level

0:47:27.680 --> 0:47:32.080
<v Speaker 5>that he is during the biggest battle where you generate

0:47:32.320 --> 0:47:34.560
<v Speaker 5>that much money to keep the lights on there and

0:47:34.640 --> 0:47:39.560
<v Speaker 5>y'all got the motherfucking nerve to put money bonds in somebody. Yeah, right,

0:47:39.800 --> 0:47:41.760
<v Speaker 5>of course it wasn't quiet because you are correct.

0:47:41.960 --> 0:47:44.560
<v Speaker 2>What do you what did Drake think they were gonna do?

0:47:44.680 --> 0:47:46.440
<v Speaker 5>Pr wise? But of course they're going to make him

0:47:46.440 --> 0:47:48.040
<v Speaker 5>look out to be a cry baby. And I'm not

0:47:48.080 --> 0:47:51.040
<v Speaker 5>mad at anyone that says he's a cribbag, I get it. Yeah,

0:47:51.239 --> 0:47:55.000
<v Speaker 5>but I could never imagine in that situation generating the

0:47:55.000 --> 0:47:57.680
<v Speaker 5>money that I do, knowing the information that I have

0:47:58.239 --> 0:48:00.399
<v Speaker 5>to be like, Yo, it's all about the all about

0:48:00.560 --> 0:48:04.120
<v Speaker 5>r L y'all, you know, and that's just all like

0:48:04.560 --> 0:48:06.919
<v Speaker 5>you're not what y'all saying, But this is not Hip

0:48:06.960 --> 0:48:09.840
<v Speaker 5>hop is the number one genre, or has dropped a

0:48:09.840 --> 0:48:13.080
<v Speaker 5>little bit, but it's still the biggest big genre on

0:48:13.160 --> 0:48:17.080
<v Speaker 5>earth as far as cultural impact, and Drake has surpassed

0:48:17.120 --> 0:48:19.919
<v Speaker 5>all of that. It's him and Taylor Swift in that building. Bro.

0:48:20.120 --> 0:48:21.440
<v Speaker 5>Of course, I'm fucking suing.

0:48:21.480 --> 0:48:22.960
<v Speaker 2>What are we talking about? Hundred percent right?

0:48:23.000 --> 0:48:25.719
<v Speaker 1>But what I'm saying is is that it's like, no,

0:48:26.080 --> 0:48:27.839
<v Speaker 1>I'm not suing. You know what I'm gonna do. I'm

0:48:27.840 --> 0:48:29.279
<v Speaker 1>gonna look at this. You know what Drake would have

0:48:29.320 --> 0:48:31.279
<v Speaker 1>been better? You know, I wouldn't have sued you know what,

0:48:31.280 --> 0:48:33.040
<v Speaker 1>I'm stupid. You know, I wouldn't have sue if I

0:48:33.080 --> 0:48:34.959
<v Speaker 1>was Drake seeming, you know, would have told him, let's

0:48:35.000 --> 0:48:37.640
<v Speaker 1>ask to leave the label. No but that all right?

0:48:37.680 --> 0:48:38.319
<v Speaker 2>No, no, hit me out.

0:48:38.960 --> 0:48:42.120
<v Speaker 1>That's what I suing.

0:48:43.040 --> 0:48:46.480
<v Speaker 2>What happens then they're afraid of me. It's my fuck

0:48:46.520 --> 0:48:48.520
<v Speaker 2>about to leave. We gotta make it right.

0:48:48.760 --> 0:48:50.759
<v Speaker 1>But when you sue like I would have asked to

0:48:50.840 --> 0:48:52.239
<v Speaker 1>leave you, let me out of here, said y'all, Like said,

0:48:52.280 --> 0:48:54.040
<v Speaker 1>y'all want to work out of y'all. Y'all forgot that

0:48:54.080 --> 0:48:56.799
<v Speaker 1>I'm the favorite. Y'all didn't protect my likeliness. Let me

0:48:56.840 --> 0:48:59.959
<v Speaker 1>out this deal because he's worth Drake is probably worth

0:49:00.560 --> 0:49:02.560
<v Speaker 1>three or four His catalog is worth for about three

0:49:02.760 --> 0:49:05.560
<v Speaker 1>billion dollars, like if he sold it on the open market.

0:49:05.600 --> 0:49:08.040
<v Speaker 1>So why are you taking a half a billion dollar advance?

0:49:09.560 --> 0:49:11.600
<v Speaker 1>You should have did what the Weekend did when it

0:49:11.680 --> 0:49:13.520
<v Speaker 1>leverage the god a loan, leverage it against it. But

0:49:13.560 --> 0:49:16.040
<v Speaker 1>you like the machine too, bro, And that's what I'm saying.

0:49:16.080 --> 0:49:18.719
<v Speaker 1>You can't get mad when the system works for you,

0:49:18.760 --> 0:49:20.560
<v Speaker 1>and when you get mad when it doesn't. Like that's

0:49:20.600 --> 0:49:22.840
<v Speaker 1>my only thing. And like I said, I hate this

0:49:22.960 --> 0:49:25.319
<v Speaker 1>mall I'm glad I'm talking about this because I'm a

0:49:25.360 --> 0:49:28.399
<v Speaker 1>real Drake fan. Like nigga. I love this nigga like

0:49:28.600 --> 0:49:31.360
<v Speaker 1>I remember fighting niggas. Like he's gonna be the biggest

0:49:31.400 --> 0:49:33.359
<v Speaker 1>artist in the world. That's kind of how I got

0:49:33.360 --> 0:49:35.800
<v Speaker 1>credibility from niggas because I would be the first nigga

0:49:35.800 --> 0:49:37.719
<v Speaker 1>when best I ever had came out. He's gonna be the

0:49:37.719 --> 0:49:39.640
<v Speaker 1>biggest artist in the world. How the fuck you know?

0:49:39.960 --> 0:49:42.280
<v Speaker 1>I could tell you he's hot, black, he's half Jewish,

0:49:42.560 --> 0:49:43.880
<v Speaker 1>he's talking directly to women.

0:49:44.120 --> 0:49:45.680
<v Speaker 2>He has he's no violence in them.

0:49:45.719 --> 0:49:49.000
<v Speaker 1>He's from Canada, he's clean, clean cut, he's he's gonna

0:49:49.000 --> 0:49:51.279
<v Speaker 1>be the biggest and you know why the most important thing.

0:49:51.440 --> 0:49:54.239
<v Speaker 2>He can do any genre because he's from Canada, Like

0:49:54.480 --> 0:49:57.360
<v Speaker 2>Kendrick can't do one dance.

0:49:57.440 --> 0:49:59.400
<v Speaker 1>He can't unless he's with a UK artist and he's

0:49:59.400 --> 0:50:01.600
<v Speaker 1>a feature, but he can't make that his song Drake

0:50:01.760 --> 0:50:04.879
<v Speaker 1>is the ultimate cheat code of music. You you got

0:50:04.920 --> 0:50:08.040
<v Speaker 1>tricked out of your spot by by the culture. And

0:50:08.280 --> 0:50:09.719
<v Speaker 1>to me, that was the part that I felt like

0:50:10.040 --> 0:50:12.440
<v Speaker 1>the culture really fucked you up. They we're gonna do

0:50:12.480 --> 0:50:15.799
<v Speaker 1>the battle. Drake had nothing to gain from the Kendrick battle.

0:50:15.880 --> 0:50:17.920
<v Speaker 1>Let's be honest, me nothing like you.

0:50:18.040 --> 0:50:18.359
<v Speaker 3>The top.

0:50:19.280 --> 0:50:21.440
<v Speaker 2>The top I could do is lose. Why we do

0:50:21.520 --> 0:50:21.879
<v Speaker 2>this again?

0:50:21.960 --> 0:50:22.040
<v Speaker 3>No?

0:50:22.120 --> 0:50:23.600
<v Speaker 2>But but you can't win for losing that now?

0:50:23.640 --> 0:50:26.640
<v Speaker 5>But no, he because I'd sit on this couch if

0:50:26.719 --> 0:50:29.120
<v Speaker 5>Drake duck the like that smoke, I'd be on this

0:50:29.200 --> 0:50:30.319
<v Speaker 5>couch saying yo.

0:50:30.760 --> 0:50:32.680
<v Speaker 1>But the like that smoke. But the like that smoke

0:50:32.760 --> 0:50:35.040
<v Speaker 1>came from the first person shooter right then. It was

0:50:35.080 --> 0:50:37.320
<v Speaker 1>a response to him. I think I think what happened

0:50:37.360 --> 0:50:38.960
<v Speaker 1>with Drake was this is what I think happened. I'm

0:50:38.960 --> 0:50:40.560
<v Speaker 1>gonna tell you what I think happened from the.

0:50:40.280 --> 0:50:41.160
<v Speaker 2>First person shooter Drake.

0:50:41.320 --> 0:50:42.640
<v Speaker 1>I don't have no idea, but they have a long

0:50:42.760 --> 0:50:45.640
<v Speaker 1>history of I think that what happened with Drake was

0:50:45.680 --> 0:50:49.359
<v Speaker 1>that none of his peers could beat him. They knew

0:50:49.360 --> 0:50:51.600
<v Speaker 1>they couldn't, and it was like, and the nigga could

0:50:51.600 --> 0:50:54.200
<v Speaker 1>do anything he wants. He can do Rick Ross type music,

0:50:54.360 --> 0:50:56.919
<v Speaker 1>he can do Travis type music, he can do AP

0:50:57.000 --> 0:50:59.200
<v Speaker 1>he could do a core K pop song if he wants.

0:50:59.200 --> 0:51:01.200
<v Speaker 1>He could do every because he's from Canada, and I

0:51:01.200 --> 0:51:04.120
<v Speaker 1>think it's peers got a little frustrated with that. So

0:51:04.160 --> 0:51:05.799
<v Speaker 1>I think they've been trying to bait him, and you

0:51:05.800 --> 0:51:08.160
<v Speaker 1>know he probably knocked off everybody girl, right, so you

0:51:08.200 --> 0:51:09.640
<v Speaker 1>know you really want to get him. And it's like

0:51:09.920 --> 0:51:11.960
<v Speaker 1>Ross can beat him on on one. It's like we

0:51:12.080 --> 0:51:14.840
<v Speaker 1>in jail, bro, like who can beat this nigga? Like

0:51:14.880 --> 0:51:17.240
<v Speaker 1>who's the one? And I think the only person alive

0:51:17.840 --> 0:51:19.680
<v Speaker 1>that can beat Drake in the battle was the only

0:51:19.719 --> 0:51:22.439
<v Speaker 1>person he bat There's not another human that could touch

0:51:22.480 --> 0:51:26.080
<v Speaker 1>him nowhere close. But you went against the one nigga

0:51:26.120 --> 0:51:28.680
<v Speaker 1>you shouldn't have and then you took the bait. So

0:51:28.719 --> 0:51:32.440
<v Speaker 1>when he's doing the slave shit, he's he's leveraging the half.

0:51:33.000 --> 0:51:36.120
<v Speaker 1>He's leveraging the halfs you part that was your superpower?

0:51:36.200 --> 0:51:38.120
<v Speaker 1>Now was the cultures looking at you like you don't

0:51:38.160 --> 0:51:40.799
<v Speaker 1>know no better? Hold on, he don't know, Bro, You

0:51:40.880 --> 0:51:45.120
<v Speaker 1>went into Kendrick comes from Compton. My nigga, they burpies.

0:51:45.280 --> 0:51:48.920
<v Speaker 1>The niggas is Burpi's lifting weights. Since at five in

0:51:48.960 --> 0:51:51.840
<v Speaker 1>the backyard, they're three hours behind us.

0:51:51.719 --> 0:51:53.000
<v Speaker 2>Bro, Like what time?

0:51:53.040 --> 0:51:55.920
<v Speaker 1>Whatever time it is right now, it's four thirty, Right now,

0:51:55.960 --> 0:51:56.640
<v Speaker 1>it's one thirty.

0:51:56.640 --> 0:51:57.800
<v Speaker 2>There, that's a whole difference.

0:51:58.440 --> 0:51:59.960
<v Speaker 4>The only thing that's funny about that, I know, man,

0:52:00.040 --> 0:52:02.799
<v Speaker 4>niggas in a confident that don't do burpe'st nigga doing.

0:52:02.680 --> 0:52:05.520
<v Speaker 1>A push up some ship and I'm like, don't don't

0:52:05.560 --> 0:52:06.640
<v Speaker 1>battle him, y'all.

0:52:07.000 --> 0:52:10.040
<v Speaker 2>Don't battle that guy like his friends want to get you.

0:52:10.160 --> 0:52:12.279
<v Speaker 1>Like I know to t I know these guys, been

0:52:12.320 --> 0:52:13.920
<v Speaker 1>around these guys, these guys are guys you don't want

0:52:13.920 --> 0:52:17.120
<v Speaker 1>to play with. Drake is Canadian? Bro be Canadian? Another

0:52:17.120 --> 0:52:20.400
<v Speaker 1>thing I would have said. They never have hit me out.

0:52:21.920 --> 0:52:23.360
<v Speaker 1>He's being Canadian, but hit me out. Let me tell that.

0:52:23.440 --> 0:52:25.080
<v Speaker 2>Mean, here's what I'm saying.

0:52:25.440 --> 0:52:29.000
<v Speaker 1>Kendrick has to come to Toronto one time, and that's

0:52:29.040 --> 0:52:31.879
<v Speaker 1>on tour. Drake, you're in l A one hundred times

0:52:31.880 --> 0:52:33.280
<v Speaker 1>a year.

0:52:32.800 --> 0:52:34.640
<v Speaker 2>That's just what I'm saying.

0:52:34.800 --> 0:52:36.359
<v Speaker 1>So I'm just saying, like when one of y'all get

0:52:36.360 --> 0:52:38.520
<v Speaker 1>off the train or get off the plane, you never

0:52:38.560 --> 0:52:41.320
<v Speaker 1>know if it's a tsa motherfucker that's cool with somebody

0:52:41.320 --> 0:52:43.920
<v Speaker 1>from top. It's like you just never know. So I'm like,

0:52:44.000 --> 0:52:46.960
<v Speaker 1>don't have that fight. If Cole comes in, do it?

0:52:48.000 --> 0:52:50.960
<v Speaker 1>What if Cole lined him up? What if you told

0:52:51.000 --> 0:52:52.960
<v Speaker 1>we go I just thought about damn, that's what if

0:52:53.040 --> 0:52:53.960
<v Speaker 1>Cole lined him up?

0:52:53.960 --> 0:52:56.720
<v Speaker 4>In him? I've been saying because.

0:52:58.120 --> 0:53:01.280
<v Speaker 1>If they if if Cole joins the battle, it doesn't

0:53:01.280 --> 0:53:04.320
<v Speaker 1>go that bad for Drake because there's three people fighting

0:53:04.320 --> 0:53:04.600
<v Speaker 1>each other.

0:53:04.600 --> 0:53:05.879
<v Speaker 2>It's like, you know, I know the.

0:53:05.840 --> 0:53:08.879
<v Speaker 5>Definition definition of lining someone up, and I don't think

0:53:08.960 --> 0:53:11.319
<v Speaker 5>that was the case. Why do you think that cold

0:53:11.320 --> 0:53:12.879
<v Speaker 5>would have lined him up in that situation? I think

0:53:12.880 --> 0:53:13.239
<v Speaker 5>cold back.

0:53:13.280 --> 0:53:15.600
<v Speaker 1>Okay, look at it from the standpoint Drake and j

0:53:16.680 --> 0:53:19.800
<v Speaker 1>this was for funzies and I'm kind of the same person.

0:53:20.440 --> 0:53:23.120
<v Speaker 2>Yes, right, is just.

0:53:24.640 --> 0:53:25.000
<v Speaker 3>Dreads.

0:53:25.000 --> 0:53:26.960
<v Speaker 1>When you got dreads, they don't look at it that way.

0:53:26.960 --> 0:53:29.960
<v Speaker 2>True, but he grew to dreads. What you got d

0:53:29.760 --> 0:53:33.640
<v Speaker 2>d You know that you got.

0:53:34.560 --> 0:53:39.120
<v Speaker 5>Forget about Drake braiding his son's hair.

0:53:40.719 --> 0:53:41.640
<v Speaker 3>I don't know what that means.

0:53:41.680 --> 0:53:43.000
<v Speaker 2>I love you.

0:53:43.520 --> 0:53:44.880
<v Speaker 3>I don't know what that means.

0:53:44.760 --> 0:53:47.040
<v Speaker 2>To who got it? It was funny, it was.

0:53:47.640 --> 0:53:50.000
<v Speaker 1>But my thing is, bro, you listen if J Cole

0:53:50.120 --> 0:53:52.360
<v Speaker 1>does the battle, If I'm Drake's team and I'm sitting

0:53:52.360 --> 0:53:54.759
<v Speaker 1>with him, and I'm like, Okay, I don't listen, bro

0:53:54.840 --> 0:53:56.960
<v Speaker 1>Kendrick is dangerous and we gotta go to l A.

0:53:57.239 --> 0:53:57.680
<v Speaker 2>I'll do it.

0:53:57.680 --> 0:53:59.840
<v Speaker 1>If Cove's involved, like, let's all hit each other. But

0:53:59.880 --> 0:54:02.480
<v Speaker 1>if is gonna be you versus him, let's gratefully bow out.

0:54:02.719 --> 0:54:04.960
<v Speaker 5>No, I don't think Drake thinks that way. I think

0:54:05.000 --> 0:54:07.600
<v Speaker 5>Cole thought that way. I think Cole lined them up.

0:54:07.600 --> 0:54:09.160
<v Speaker 1>As I'm talking to you all about I haven't talked

0:54:09.160 --> 0:54:11.560
<v Speaker 1>about this because one and that hates me when I

0:54:11.600 --> 0:54:13.759
<v Speaker 1>say something. When I say Drake, they like, we hate

0:54:13.800 --> 0:54:15.719
<v Speaker 1>this niggas. I'm like, let me stop talking about it

0:54:15.800 --> 0:54:18.200
<v Speaker 1>because I'm a fan of his. But I think as

0:54:18.200 --> 0:54:20.080
<v Speaker 1>we're talking about it, I think Cole might have lined

0:54:20.640 --> 0:54:23.520
<v Speaker 1>Think about it. If J Cole line Drac up, that

0:54:23.640 --> 0:54:27.640
<v Speaker 1>is the greatest line up in the history of rap music, nigga.

0:54:27.760 --> 0:54:30.000
<v Speaker 1>Let me think about that. They were all torn together.

0:54:30.480 --> 0:54:32.080
<v Speaker 1>They probably like, were gonna go ahead him, Let's do

0:54:32.080 --> 0:54:32.880
<v Speaker 1>it for the hell of it.

0:54:33.480 --> 0:54:35.240
<v Speaker 2>Man. You know what, I'm.

0:54:35.080 --> 0:54:36.799
<v Speaker 5>Straight, I think you're I think you're giving Cold too

0:54:36.880 --> 0:54:39.520
<v Speaker 5>much credit in that regards. I really think he just

0:54:39.560 --> 0:54:41.959
<v Speaker 5>wrapped on first person shooter. Yo, it's the Big Three,

0:54:42.040 --> 0:54:44.600
<v Speaker 5>Like I just think he was. I think Cole is

0:54:44.600 --> 0:54:46.719
<v Speaker 5>an actual nice I mean that good way nice guy,

0:54:47.440 --> 0:54:50.440
<v Speaker 5>but also competitive rapper and just said some ship.

0:54:50.560 --> 0:54:52.600
<v Speaker 4>And I think you're not a competitive rapper.

0:54:53.080 --> 0:54:54.920
<v Speaker 2>I'm saying at the time when it was time to compete.

0:54:55.640 --> 0:54:57.880
<v Speaker 3>Can I finish it? Oh no, just take that off of.

0:54:57.880 --> 0:55:01.000
<v Speaker 2>His name, you think at that time?

0:55:01.640 --> 0:55:05.799
<v Speaker 5>Yes, And I can totally understand Kendrick's point of view.

0:55:05.920 --> 0:55:10.080
<v Speaker 5>If I'm looking like y'all, y'all hugging on stage, y'all

0:55:10.080 --> 0:55:12.520
<v Speaker 5>need to do a tour together, I could see Kendrick

0:55:12.880 --> 0:55:13.640
<v Speaker 5>looking at that like.

0:55:14.120 --> 0:55:15.160
<v Speaker 2>You know, he was gross.

0:55:15.239 --> 0:55:18.839
<v Speaker 1>You know he was at the backyard doing fucking push ups.

0:55:18.880 --> 0:55:19.960
<v Speaker 2>Y'all want to get together.

0:55:20.160 --> 0:55:23.640
<v Speaker 5>I can I can totally see Kendrick, especially being Kendrick,

0:55:23.719 --> 0:55:25.640
<v Speaker 5>being a very funny. When I say clown, I mean

0:55:25.680 --> 0:55:27.200
<v Speaker 5>a good way, like Kendrick clown on people.

0:55:27.239 --> 0:55:27.839
<v Speaker 2>Yeah, for sure.

0:55:27.840 --> 0:55:29.919
<v Speaker 5>Like looking at that ship like this is gross, y'all

0:55:29.960 --> 0:55:32.080
<v Speaker 5>hugging on stage to talk about the last twenty years

0:55:32.120 --> 0:55:34.240
<v Speaker 5>to get get the fuck out of here, and they're.

0:55:34.080 --> 0:55:35.640
<v Speaker 2>Doing it like that versus that was hip hop.

0:55:35.760 --> 0:55:37.040
<v Speaker 1>I respect it. I respect all that.

0:55:37.040 --> 0:55:41.160
<v Speaker 4>I'm wait for him to get I think apologizing explain

0:55:41.280 --> 0:55:41.640
<v Speaker 4>that part.

0:55:41.880 --> 0:55:45.080
<v Speaker 5>I think when it comes to being competitive and here

0:55:45.120 --> 0:55:47.920
<v Speaker 5>for the sport, Drake and Kendrick are alike, but I

0:55:47.960 --> 0:55:52.440
<v Speaker 5>think as human beings, Drake and Cole are like. And

0:55:52.480 --> 0:55:55.880
<v Speaker 5>then when it got agree to that point, Cole is like,

0:55:56.600 --> 0:55:59.799
<v Speaker 5>I'm not you Drake, because Drake doesn't get enough credit

0:55:59.800 --> 0:56:01.759
<v Speaker 5>for going after anyone that says a word about him.

0:56:01.760 --> 0:56:04.080
<v Speaker 2>I give him. That's true, which a lot of rappers

0:56:04.320 --> 0:56:05.080
<v Speaker 2>have included.

0:56:05.400 --> 0:56:07.680
<v Speaker 5>You just give a little subliminal here, Drake will rap

0:56:07.760 --> 0:56:09.319
<v Speaker 5>at you right away, no matter who you are.

0:56:09.360 --> 0:56:10.960
<v Speaker 1>But that's what that's what Ray is saying. I don't,

0:56:11.000 --> 0:56:11.239
<v Speaker 1>I don't.

0:56:11.280 --> 0:56:14.880
<v Speaker 5>I don't stand Drake are similar humans where Kendrick doesn't

0:56:14.880 --> 0:56:15.440
<v Speaker 5>need to be part of.

0:56:15.520 --> 0:56:16.520
<v Speaker 2>But my thing is.

0:56:16.360 --> 0:56:18.520
<v Speaker 1>The game is the game, and when you in the

0:56:18.560 --> 0:56:21.360
<v Speaker 1>game and you're richest Drake, that mean you've taken a

0:56:21.360 --> 0:56:24.520
<v Speaker 1>lot of losses, but you're taking way more wins to

0:56:24.600 --> 0:56:26.880
<v Speaker 1>be as rich as successful as Drake. My whole thing is,

0:56:27.280 --> 0:56:29.240
<v Speaker 1>that's a loss we don't have. If that's a loss,

0:56:29.239 --> 0:56:31.839
<v Speaker 1>that we focus on. The battle was a two years ago.

0:56:31.880 --> 0:56:34.239
<v Speaker 1>We still talk about it because of the lawsuit. If

0:56:34.280 --> 0:56:36.440
<v Speaker 1>the lawsuit went away, he would drop music. It'd have

0:56:36.440 --> 0:56:38.120
<v Speaker 1>been over him at Kendrick would a hug those stage

0:56:38.120 --> 0:56:38.680
<v Speaker 1>in Toronto.

0:56:38.880 --> 0:56:39.840
<v Speaker 2>It had been over And.

0:56:39.920 --> 0:56:41.680
<v Speaker 4>I don't think I don't think it's because of the lawsuit.

0:56:41.840 --> 0:56:44.160
<v Speaker 4>I don't think it's that I think that that was

0:56:44.200 --> 0:56:46.640
<v Speaker 4>such a big moment that we're gonna be talking about

0:56:46.680 --> 0:56:49.480
<v Speaker 4>that forever. You can't be two years removed from the

0:56:49.480 --> 0:56:50.440
<v Speaker 4>biggest moment.

0:56:50.560 --> 0:56:53.040
<v Speaker 1>And rap history and not talk about it unless you're

0:56:53.040 --> 0:56:54.479
<v Speaker 1>the biggest artist in history of rap.

0:56:54.719 --> 0:56:59.680
<v Speaker 4>Now do you feel like music wise, because you know,

0:56:59.800 --> 0:57:02.840
<v Speaker 4>we've gotten some music this year, some good albums, some

0:57:02.880 --> 0:57:06.920
<v Speaker 4>good music, but this is clearly a gap is clearly

0:57:07.120 --> 0:57:09.160
<v Speaker 4>and we say there's no who other superstars?

0:57:09.320 --> 0:57:09.680
<v Speaker 3>Yeah?

0:57:09.760 --> 0:57:14.520
<v Speaker 4>Right, So do you feel like there is clearly a

0:57:14.600 --> 0:57:18.840
<v Speaker 4>wide gap missing witness, no Drake album music to really play?

0:57:19.000 --> 0:57:20.840
<v Speaker 2>So we need him?

0:57:21.040 --> 0:57:22.040
<v Speaker 3>A lot of people don't feel like that.

0:57:22.160 --> 0:57:23.840
<v Speaker 1>No, if they don't feel like that, they're not paying

0:57:23.880 --> 0:57:28.520
<v Speaker 1>attention to the economy. Like Drake made artists that we

0:57:28.720 --> 0:57:30.000
<v Speaker 1>might not have taken.

0:57:29.720 --> 0:57:31.880
<v Speaker 2>A serious feel more serious.

0:57:32.560 --> 0:57:34.600
<v Speaker 1>Like when Drake does a record with black Boy JB,

0:57:35.240 --> 0:57:37.720
<v Speaker 1>like you look at him differently, like Drake co signed them,

0:57:38.000 --> 0:57:40.000
<v Speaker 1>Like he got a hit, but Drake co signed them.

0:57:40.320 --> 0:57:42.960
<v Speaker 1>So it's like, you need him because a Drake co

0:57:43.080 --> 0:57:45.200
<v Speaker 1>sign is worth three years of a career, And if

0:57:45.240 --> 0:57:47.240
<v Speaker 1>Drake just co signed you, that's three years of getting

0:57:47.240 --> 0:57:49.560
<v Speaker 1>money right because of that, So I think we need him.

0:57:49.560 --> 0:57:52.320
<v Speaker 1>I just I just wish he didn't take it so personal.

0:57:52.760 --> 0:57:54.360
<v Speaker 1>Like if I was you, I would have I would

0:57:54.360 --> 0:57:55.840
<v Speaker 1>have took it personally, but I would have never let

0:57:55.920 --> 0:57:56.520
<v Speaker 1>them know I would have.

0:57:56.560 --> 0:57:59.040
<v Speaker 2>I would have took Lucy in job. Let me tell

0:57:59.040 --> 0:57:59.280
<v Speaker 2>you something.

0:57:59.400 --> 0:58:03.160
<v Speaker 1>Michael Jackson was having problems with Tommy Mottola, and he

0:58:03.280 --> 0:58:05.959
<v Speaker 1>was like, they not gonna oh y'all, not gonna oh y'all, y'all.

0:58:06.000 --> 0:58:07.880
<v Speaker 1>They're not gonna treat me like I'm Michael Jackson. He

0:58:07.920 --> 0:58:11.200
<v Speaker 1>flew to Japan, met with the Japanese family that owns

0:58:11.200 --> 0:58:13.880
<v Speaker 1>Sony and got Tommy Mottola fired. That way from this

0:58:13.960 --> 0:58:16.600
<v Speaker 1>dinner table. This motherfucker race, this motherfucker racist, he gotta go.

0:58:16.640 --> 0:58:18.320
<v Speaker 1>They fired him. So imagine if you was Drake and

0:58:18.320 --> 0:58:21.240
<v Speaker 1>you flew them. You don't think the owners of Universal

0:58:21.440 --> 0:58:24.200
<v Speaker 1>the indeed, his daughter probably is obsessed with Drake, would

0:58:24.200 --> 0:58:26.320
<v Speaker 1>love to sit probably get my hand job under the table.

0:58:26.320 --> 0:58:28.120
<v Speaker 1>Why he's talking to the dad and then say, yo, bro,

0:58:28.120 --> 0:58:29.680
<v Speaker 1>I don't like what they did. He would have got

0:58:29.760 --> 0:58:33.080
<v Speaker 1>way more from it. But my thing was, you're acting

0:58:33.080 --> 0:58:35.240
<v Speaker 1>like a spoil your child. When you are spoiled child,

0:58:35.840 --> 0:58:36.920
<v Speaker 1>don't act spoil when you.

0:58:36.840 --> 0:58:39.560
<v Speaker 3>Are spoiled, but by spoil the white.

0:58:39.760 --> 0:58:41.240
<v Speaker 2>Because you've always won.

0:58:41.520 --> 0:58:43.280
<v Speaker 1>The reason why he's acting like this is because this

0:58:43.320 --> 0:58:45.680
<v Speaker 1>is his first time he took a real, genuine laws, so.

0:58:45.640 --> 0:58:47.280
<v Speaker 3>He's always won because he was better than there.

0:58:47.360 --> 0:58:49.600
<v Speaker 1>That's my point. I agree with you, But the one

0:58:49.640 --> 0:58:52.040
<v Speaker 1>time you don't spoil like they gave it to none.

0:58:52.480 --> 0:58:53.640
<v Speaker 2>But the one time, no, you're right.

0:58:54.160 --> 0:58:56.640
<v Speaker 1>I think Drake is incredible, like the one he was

0:58:56.640 --> 0:59:01.040
<v Speaker 1>in my top three until a lawsuit like that took

0:59:01.120 --> 0:59:01.440
<v Speaker 1>him out.

0:59:01.600 --> 0:59:05.280
<v Speaker 2>Yeah to me because like bro like y'all.

0:59:05.120 --> 0:59:07.200
<v Speaker 1>Don't know a lot about me, but like the music industry,

0:59:07.560 --> 0:59:10.240
<v Speaker 1>like they did me dirty in twenty twenty. They basically

0:59:10.320 --> 0:59:12.720
<v Speaker 1>set me to die and I could have sued and

0:59:12.800 --> 0:59:15.360
<v Speaker 1>probably got crazy money, but I know they would have

0:59:15.400 --> 0:59:17.360
<v Speaker 1>never respected me because they able to have thought you

0:59:17.440 --> 0:59:20.120
<v Speaker 1>need to sue a win. Nigga, I'm gonna get put

0:59:20.120 --> 0:59:21.880
<v Speaker 1>a camera on me. That's a hip hop I'm gonna

0:59:21.880 --> 0:59:24.680
<v Speaker 1>come back the rest of the world suit. But you

0:59:24.760 --> 0:59:26.880
<v Speaker 1>like what you told me, right, But if we're in

0:59:27.040 --> 0:59:30.800
<v Speaker 1>hip hop, you have to play by the rules or don't.

0:59:31.760 --> 0:59:33.360
<v Speaker 2>And right now Drake is not playing about.

0:59:33.160 --> 0:59:34.720
<v Speaker 5>The rules of hip hop because he's suing and I'm

0:59:34.760 --> 0:59:36.120
<v Speaker 5>not comparing this to the Drake thing, but you're not

0:59:36.120 --> 0:59:39.280
<v Speaker 5>gonna play about rules. All the hip hop artists that

0:59:39.640 --> 0:59:42.040
<v Speaker 5>we love and respect have sued people before. I'm not

0:59:42.040 --> 0:59:43.520
<v Speaker 5>saying it a rap battle. I want to make that clear.

0:59:43.560 --> 0:59:45.760
<v Speaker 5>But let's not act like jay Z's not sued somebody before.

0:59:46.040 --> 0:59:47.920
<v Speaker 5>Fifty Cents not sued somebody before like that.

0:59:48.280 --> 0:59:50.600
<v Speaker 1>But I think when jay Z sued somebody, everybody feels

0:59:50.600 --> 0:59:52.240
<v Speaker 1>like it's valid. I think this is the first time

0:59:52.280 --> 0:59:54.400
<v Speaker 1>when no one feels his lawsuit is valid except for

0:59:54.520 --> 0:59:58.000
<v Speaker 1>Drake's stands and his friends and him. If I think

0:59:58.000 --> 0:59:59.880
<v Speaker 1>that the lawsuit is dumb, it's not gonna work.

1:00:00.040 --> 1:00:01.840
<v Speaker 2>It goes go away profession wise.

1:00:01.880 --> 1:00:05.160
<v Speaker 1>And my thing is is there, Drake is more powerful

1:00:05.240 --> 1:00:08.240
<v Speaker 1>than Lucian Grange. Let me make this know. If I,

1:00:08.360 --> 1:00:10.360
<v Speaker 1>by the way, Drake don't notice, he needs to notice.

1:00:10.440 --> 1:00:12.320
<v Speaker 1>He is way more powerful.

1:00:12.000 --> 1:00:12.920
<v Speaker 2>To Lucian Grange.

1:00:13.000 --> 1:00:16.640
<v Speaker 1>Ever will be because Lucien only controls a back office.

1:00:16.800 --> 1:00:18.240
<v Speaker 3>I think he knows that, which is why he shoot.

1:00:18.480 --> 1:00:19.240
<v Speaker 2>I wouldn't have sued.

1:00:19.240 --> 1:00:20.280
<v Speaker 1>I would have. I would have sat up on the

1:00:20.280 --> 1:00:21.800
<v Speaker 1>table so I would what you're saying.

1:00:21.840 --> 1:00:25.520
<v Speaker 5>But I's percentage of Universal's income per year.

1:00:27.240 --> 1:00:29.520
<v Speaker 4>But back to the superstar thing, I think it's one

1:00:29.520 --> 1:00:33.320
<v Speaker 4>for stars breed stars for sure, but do we I

1:00:33.360 --> 1:00:35.880
<v Speaker 4>think it's clear now. And I laugh because you know

1:00:35.880 --> 1:00:38.040
<v Speaker 4>a lot of my homies my chat, you know, they

1:00:38.080 --> 1:00:40.200
<v Speaker 4>text me to yo yo, mall tell Drake, we sorry,

1:00:40.920 --> 1:00:43.080
<v Speaker 4>we need him Brody twenty four, we all lied, like

1:00:43.120 --> 1:00:44.200
<v Speaker 4>you know, it's like it's a lot of that. And

1:00:44.240 --> 1:00:47.200
<v Speaker 4>I'm just laughing because they're saying, like we're getting good

1:00:47.320 --> 1:00:50.080
<v Speaker 4>music and artists are dropping and you know, we're getting

1:00:50.080 --> 1:00:54.040
<v Speaker 4>some good projects. But to what they're saying, it's it's clear.

1:00:54.640 --> 1:00:57.080
<v Speaker 4>It's like, bro we need that.

1:00:57.360 --> 1:00:58.439
<v Speaker 3>We need night from him.

1:00:58.640 --> 1:01:01.320
<v Speaker 2>We don't need music. We need to excitement. Drake.

1:01:02.120 --> 1:01:05.160
<v Speaker 1>He brings excitement like none of these like you got

1:01:05.160 --> 1:01:07.800
<v Speaker 1>to remember, like yeah, is a great performer because Yay,

1:01:07.880 --> 1:01:12.800
<v Speaker 1>watch Hove whole watch came. These other people ain't watching

1:01:12.840 --> 1:01:16.560
<v Speaker 1>nobody like they're not watching. These young boys ain't watching

1:01:16.600 --> 1:01:18.920
<v Speaker 1>Travis saying I want to be great like Travis. They

1:01:19.040 --> 1:01:20.720
<v Speaker 1>just getting their money and saying I made three million

1:01:20.720 --> 1:01:23.040
<v Speaker 1>dollars last year. You can't tell me I ain't a boss. Okay,

1:01:23.240 --> 1:01:24.720
<v Speaker 1>you know you need to make three million dollars. The

1:01:24.720 --> 1:01:26.960
<v Speaker 1>rest of your life every year for you to maintain

1:01:27.000 --> 1:01:29.560
<v Speaker 1>the lifestyle you have right now, that three million will

1:01:29.600 --> 1:01:31.360
<v Speaker 1>burn out real quick in six months if you ain't

1:01:31.400 --> 1:01:34.880
<v Speaker 1>got three more coming in. So keep working, keep going.

1:01:35.240 --> 1:01:39.720
<v Speaker 1>But I don't really think that's the full problem. Like, yeah,

1:01:40.000 --> 1:01:42.200
<v Speaker 1>Drake is needed here, but Drake is also a legacy

1:01:42.240 --> 1:01:45.480
<v Speaker 1>act now and was getting probably the longest run, the

1:01:45.480 --> 1:01:49.960
<v Speaker 1>most dominant run we've ever seen in music. The issue

1:01:49.960 --> 1:01:52.720
<v Speaker 1>is there's no one else to me like Drake, no matter.

1:01:52.800 --> 1:01:54.560
<v Speaker 1>Let's take the battle out of everything, no matter what.

1:01:54.640 --> 1:01:57.600
<v Speaker 1>Drake was eventually going to get to legacy era and

1:01:59.320 --> 1:02:01.480
<v Speaker 1>he's about to be forty soon, like we're gonna get

1:02:01.520 --> 1:02:04.720
<v Speaker 1>it's still no country for old men to some regards

1:02:04.760 --> 1:02:07.919
<v Speaker 1>with new music. You take the battle out and Drake

1:02:08.000 --> 1:02:09.960
<v Speaker 1>is still the biggest artist and no one has a

1:02:10.000 --> 1:02:13.120
<v Speaker 1>weird perception of him. It's still like Dawg, like Drake

1:02:13.160 --> 1:02:14.880
<v Speaker 1>can't keep the shit moving for the rest of our

1:02:14.920 --> 1:02:17.800
<v Speaker 1>fucking life like it, no matter what people would have been, like,

1:02:17.840 --> 1:02:19.880
<v Speaker 1>I don't know if I want the Drake coson on

1:02:19.920 --> 1:02:21.680
<v Speaker 1>someone that's twenty one and Drake.

1:02:21.520 --> 1:02:23.760
<v Speaker 2>Is formed that as talented, is he gonna be honest

1:02:23.800 --> 1:02:23.960
<v Speaker 2>with you?

1:02:24.000 --> 1:02:26.000
<v Speaker 1>That's another thing they did when they called his age

1:02:26.000 --> 1:02:29.120
<v Speaker 1>out because you gotta remember drakedn age, Like, Drake was

1:02:29.160 --> 1:02:31.200
<v Speaker 1>still like twenty five to me, right, and then they was.

1:02:31.160 --> 1:02:34.120
<v Speaker 2>Like, he's thirty eight, thirty seven, Why has he messed

1:02:34.120 --> 1:02:35.040
<v Speaker 2>with a twenty one year old?

1:02:35.040 --> 1:02:38.240
<v Speaker 1>Then it becomes like, yo, he gave them to Ammo

1:02:38.480 --> 1:02:40.400
<v Speaker 1>too much Ammo Like it was like he didn't have

1:02:40.400 --> 1:02:42.160
<v Speaker 1>to play by the rules, so he didn't.

1:02:42.920 --> 1:02:44.040
<v Speaker 2>And then once they started.

1:02:43.760 --> 1:02:46.360
<v Speaker 1>Focusing on him and they realized how many rules he

1:02:46.400 --> 1:02:47.280
<v Speaker 1>was allowed to break.

1:02:47.560 --> 1:02:49.600
<v Speaker 2>I think that's what made aus peers come after him.

1:02:49.600 --> 1:02:50.240
<v Speaker 2>It's jealousy.

1:02:50.320 --> 1:02:52.840
<v Speaker 1>I ain't saying is wrong, but if Drake would have

1:02:52.840 --> 1:02:55.520
<v Speaker 1>went against any other rapper in the world, we would

1:02:55.520 --> 1:02:58.120
<v Speaker 1>not be sitting here. He only went against Kendrick and

1:02:58.160 --> 1:03:00.000
<v Speaker 1>that was the only person you shouldn't have went again.

1:03:00.160 --> 1:03:03.800
<v Speaker 2>That's it. I mean, I would tell you I want

1:03:03.800 --> 1:03:05.160
<v Speaker 2>to tell some funny. Let me tell you some funny.

1:03:05.240 --> 1:03:07.600
<v Speaker 1>I want to tell you the story about five years ago,

1:03:07.640 --> 1:03:09.240
<v Speaker 1>I'm in the studio with a super producer.

1:03:09.240 --> 1:03:10.800
<v Speaker 2>I'll tell you off camera who it is, but I'm

1:03:10.840 --> 1:03:11.440
<v Speaker 2>not gonna say now.

1:03:11.480 --> 1:03:14.200
<v Speaker 1>In a in a big songwriter, the producer was huge

1:03:14.200 --> 1:03:18.320
<v Speaker 1>and they was arguing Drake versus Tupac, and the producer

1:03:18.440 --> 1:03:20.640
<v Speaker 1>is from the old school, so he's arguing Pac and

1:03:20.680 --> 1:03:22.680
<v Speaker 1>the songwriters from the new school. He's like Drake, Drake

1:03:22.800 --> 1:03:25.000
<v Speaker 1>Trek and he starts screaming, you know, George Drake. So

1:03:25.440 --> 1:03:28.360
<v Speaker 1>the guy got up and punched him in his mouth. Wait,

1:03:29.360 --> 1:03:31.160
<v Speaker 1>it's a true story, no, ma, this is a true story.

1:03:31.280 --> 1:03:33.360
<v Speaker 1>This in the studio. No no issue, No no, this is

1:03:33.480 --> 1:03:34.680
<v Speaker 1>no This is a true story. By the way, this

1:03:34.800 --> 1:03:36.800
<v Speaker 1>is five six years ago. And I'm gonnaell when I

1:03:36.840 --> 1:03:38.480
<v Speaker 1>tell you who it is, I'm gonna laugh. But he

1:03:38.560 --> 1:03:39.520
<v Speaker 1>punches him in his mouth.

1:03:39.560 --> 1:03:42.720
<v Speaker 4>And producer punches the songwriter in his mouth, and the

1:03:42.760 --> 1:03:43.920
<v Speaker 4>songwriter falls.

1:03:43.640 --> 1:03:46.280
<v Speaker 2>To the ground, like what are you doing? Bro? What

1:03:46.360 --> 1:03:46.880
<v Speaker 2>are you doing?

1:03:46.960 --> 1:03:47.080
<v Speaker 3>Bro?

1:03:47.400 --> 1:03:49.440
<v Speaker 1>And the producer stands over him and says, that's the

1:03:49.480 --> 1:03:51.440
<v Speaker 1>difference between my generation your generation.

1:03:51.600 --> 1:03:51.880
<v Speaker 3>Nigga.

1:03:54.640 --> 1:03:57.400
<v Speaker 1>Keep that in mind, because that's really like, I came

1:03:57.400 --> 1:03:58.800
<v Speaker 1>from a world where a nigga will punch you in

1:03:58.840 --> 1:04:01.520
<v Speaker 1>your mouth. Yeah, you say something crazy, you might get

1:04:01.520 --> 1:04:03.320
<v Speaker 1>pussing your mouth. And he got pushing his mouth. And

1:04:03.320 --> 1:04:06.160
<v Speaker 1>as soon as he's like, what are you doing? Can

1:04:06.480 --> 1:04:08.800
<v Speaker 1>I ask you what? The sentence was that got him punched. No,

1:04:09.280 --> 1:04:10.240
<v Speaker 1>it definitely wasn't yo.

1:04:11.600 --> 1:04:12.280
<v Speaker 2>No, it wasn't even that.

1:04:12.680 --> 1:04:16.640
<v Speaker 1>He just was He was just yelling like yo, And

1:04:16.640 --> 1:04:18.600
<v Speaker 1>the producers are yeller too when I tell you and

1:04:18.720 --> 1:04:19.760
<v Speaker 1>be like, oh yeah, I know how he is.

1:04:20.120 --> 1:04:20.880
<v Speaker 2>He yells too.

1:04:20.920 --> 1:04:23.400
<v Speaker 1>So the other guy started yelling nigga, oh yo. He

1:04:23.440 --> 1:04:25.680
<v Speaker 1>said what Yeah. He just pushed me in his mouth

1:04:25.720 --> 1:04:27.600
<v Speaker 1>right front of everybody, and the nigga just fell to

1:04:27.640 --> 1:04:29.240
<v Speaker 1>the floor and he was standing over him, and I

1:04:29.320 --> 1:04:32.520
<v Speaker 1>swear to god, he was like, that's the difference between

1:04:32.560 --> 1:04:35.560
<v Speaker 1>my generation your generation, little nigga. The little nigga got up,

1:04:36.040 --> 1:04:38.280
<v Speaker 1>got up, was like he hear me no move. He

1:04:38.520 --> 1:04:40.280
<v Speaker 1>hear me no move, and just walked out and said

1:04:40.280 --> 1:04:42.400
<v Speaker 1>he'll never work with me again. That nigga ain't made

1:04:42.400 --> 1:04:45.520
<v Speaker 1>no hit sense that songwriter, but the producer is fucking

1:04:45.560 --> 1:04:46.200
<v Speaker 1>filthy rich.

1:04:49.680 --> 1:04:51.240
<v Speaker 5>I gotta tell that story because it was like, there's

1:04:51.240 --> 1:04:54.000
<v Speaker 5>a metaphor somewhere in this entire The whole point is that.

1:04:53.920 --> 1:04:55.840
<v Speaker 1>The whole point is that you're gonna get punched in

1:04:55.880 --> 1:04:57.720
<v Speaker 1>your mouth at some point for sure, and what you

1:04:57.920 --> 1:04:59.840
<v Speaker 1>and what you do back is gonna tell us what

1:05:00.080 --> 1:05:02.160
<v Speaker 1>generation you're from. Are you gonna get up and fight

1:05:02.240 --> 1:05:04.120
<v Speaker 1>like a man? Are you gonna walk away? Are you

1:05:04.200 --> 1:05:06.600
<v Speaker 1>gonna sue? That tells us everything.

1:05:06.640 --> 1:05:09.080
<v Speaker 2>Oh you sue? Oh you my son of age. Oh

1:05:09.080 --> 1:05:09.320
<v Speaker 2>you fight?

1:05:09.600 --> 1:05:11.600
<v Speaker 1>You must be about to fight, okay you it's just

1:05:11.720 --> 1:05:12.520
<v Speaker 1>the generations.

1:05:12.520 --> 1:05:14.320
<v Speaker 4>But I get what you're saying. But I just think

1:05:14.400 --> 1:05:18.480
<v Speaker 4>that also sued. Yeah, it's a difference. I just think

1:05:18.600 --> 1:05:22.080
<v Speaker 4>that again because we hold Drake to this. You gotta

1:05:22.120 --> 1:05:24.040
<v Speaker 4>be hip hop all the way through, right, because you're

1:05:24.040 --> 1:05:26.880
<v Speaker 4>saying that if you can't sue, because that's not hip hop,

1:05:26.880 --> 1:05:29.760
<v Speaker 4>that's not our culture. That's not But it's like we

1:05:29.840 --> 1:05:31.920
<v Speaker 4>give everybody else a pass. They could do shit that's

1:05:31.920 --> 1:05:33.400
<v Speaker 4>not hip hop, and it's like, nah, it's so good.

1:05:33.440 --> 1:05:35.200
<v Speaker 4>You know what, Drake, what Jake Cole did is not

1:05:35.280 --> 1:05:37.000
<v Speaker 4>hip hop. You're right, in my opinion, I agree, but

1:05:37.040 --> 1:05:39.280
<v Speaker 4>nobody wants to call that out. Well what he did

1:05:39.320 --> 1:05:41.160
<v Speaker 4>is oh no, he wants to protect his family, and

1:05:41.280 --> 1:05:42.640
<v Speaker 4>you know he was. He saw that it was about

1:05:42.680 --> 1:05:44.840
<v Speaker 4>to get ugly and nasty. I saw niggas die over.

1:05:45.600 --> 1:05:46.000
<v Speaker 2>I agree.

1:05:46.040 --> 1:05:49.480
<v Speaker 1>What was the number one sneaker from the nineties, Jordan's

1:05:49.520 --> 1:05:53.640
<v Speaker 1>Barkley has sneakers? Barry Bonds, has Sneakers, Dan Santas has Niagas.

1:05:53.640 --> 1:05:56.680
<v Speaker 1>But why was Jordan number one? Because he was winning?

1:05:57.360 --> 1:06:00.400
<v Speaker 1>And that's my thing, Like like in my mind, if

1:06:00.480 --> 1:06:02.880
<v Speaker 1>Drake is the only person the last twenty years have

1:06:03.000 --> 1:06:06.960
<v Speaker 1>belonged to Drake for sure, like dog like dog one year,

1:06:07.000 --> 1:06:08.080
<v Speaker 1>you take a who cares?

1:06:09.360 --> 1:06:12.080
<v Speaker 4>But it wasn't It wasn't again, I think everybody you know,

1:06:12.240 --> 1:06:15.400
<v Speaker 4>it wasn't the music. I think it was more so

1:06:15.560 --> 1:06:19.440
<v Speaker 4>what he knows that the labels, that's we're doing. And

1:06:19.480 --> 1:06:22.560
<v Speaker 4>like you said, he's more powerful than Lucian, so he's challenging.

1:06:22.600 --> 1:06:24.760
<v Speaker 1>He only knows because they told things of all and

1:06:25.960 --> 1:06:29.960
<v Speaker 1>I'm all to the biggest only because they told him,

1:06:30.120 --> 1:06:33.000
<v Speaker 1>And they only told him because he's on their side too.

1:06:33.520 --> 1:06:35.320
<v Speaker 2>Once he used you know, how to tell people.

1:06:35.320 --> 1:06:37.880
<v Speaker 1>Remember the whole Ryan Kugler deal thing, and everybody's making

1:06:37.880 --> 1:06:39.680
<v Speaker 1>a big deal of his deal. You know what pissed

1:06:39.680 --> 1:06:41.880
<v Speaker 1>me off about it? Ryan Coogler is not the first

1:06:41.920 --> 1:06:44.200
<v Speaker 1>person to get that deal. He's the first black person.

1:06:44.840 --> 1:06:47.959
<v Speaker 1>Spielberg been having that deal. It just never when black

1:06:48.000 --> 1:06:50.520
<v Speaker 1>people get it, it becomes a big fucking deal, Like,

1:06:50.520 --> 1:06:52.280
<v Speaker 1>oh oh, it's a turning point.

1:06:52.320 --> 1:06:53.800
<v Speaker 2>We get it. So that's what I'm saying.

1:06:53.800 --> 1:06:56.560
<v Speaker 1>It's like he just he just shouldn't have went into it,

1:06:56.600 --> 1:06:58.120
<v Speaker 1>and if he did, he should have took what came

1:06:58.160 --> 1:07:01.040
<v Speaker 1>with it, kept them moving. He sit up with Kendrick

1:07:01.280 --> 1:07:05.720
<v Speaker 1>and then kept it going like, oh hell yeah, let

1:07:05.840 --> 1:07:07.680
<v Speaker 1>us make it do.

1:07:07.680 --> 1:07:11.320
<v Speaker 5>Y'all think it's wild that Tommy Mottola was racist and gay.

1:07:12.040 --> 1:07:14.600
<v Speaker 2>He was gay. I thought he was married to Mariah.

1:07:15.200 --> 1:07:18.240
<v Speaker 2>He's gay.

1:07:18.680 --> 1:07:20.840
<v Speaker 1>Sexual if you knew told the story how he became

1:07:20.880 --> 1:07:24.240
<v Speaker 1>in power, he was. He's a He's a smart motherfucker

1:07:24.280 --> 1:07:25.600
<v Speaker 1>because he only managed Hall.

1:07:25.480 --> 1:07:29.040
<v Speaker 3>Of Notes, that's all he had, and then Mariah.

1:07:30.240 --> 1:07:32.320
<v Speaker 2>He signed her and then he married her.

1:07:32.440 --> 1:07:35.120
<v Speaker 3>Okay, yeah, Tommy Mottola is not gay.

1:07:35.120 --> 1:07:44.040
<v Speaker 4>According Yeah, he's a heterosexual. He is a heterosexual male

1:07:44.160 --> 1:07:45.000
<v Speaker 4>music executive.

1:07:45.000 --> 1:07:45.920
<v Speaker 2>That's what he wants you to know.

1:07:50.520 --> 1:07:53.640
<v Speaker 5>We we we're talking of Mike and you had the

1:07:53.720 --> 1:07:55.720
<v Speaker 5>statement that rap is a joke. I know you didn't

1:07:55.760 --> 1:07:57.640
<v Speaker 5>mean rap is a j but I did want you

1:07:57.680 --> 1:07:59.240
<v Speaker 5>to expound a little bit on on that.

1:07:59.520 --> 1:08:01.400
<v Speaker 2>Outside of anything we told with Drake and Kendrick.

1:08:01.640 --> 1:08:07.760
<v Speaker 1>I stress that rappers should treat rap like wwe WWE

1:08:08.080 --> 1:08:12.520
<v Speaker 1>proves that men just want to be entertained, like all

1:08:12.560 --> 1:08:15.240
<v Speaker 1>those guys are friends behind closed doors, but we don't care.

1:08:15.320 --> 1:08:17.720
<v Speaker 1>We love the characters, and I just think that if

1:08:17.760 --> 1:08:19.799
<v Speaker 1>you play more into that. So like say, for example,

1:08:20.080 --> 1:08:22.280
<v Speaker 1>if all this was happening and we knew Kendrick and

1:08:22.320 --> 1:08:25.640
<v Speaker 1>Drake was somewhere laughing at us, we would see it differently, right,

1:08:25.800 --> 1:08:28.400
<v Speaker 1>That's what I mean by wwe meaning like say, if

1:08:28.479 --> 1:08:30.960
<v Speaker 1>y'all got something going on, and I'm like, who else

1:08:30.960 --> 1:08:32.840
<v Speaker 1>got something going on? And then you find like, let's

1:08:32.880 --> 1:08:34.360
<v Speaker 1>just do something against each other. I don't care, like,

1:08:34.520 --> 1:08:35.960
<v Speaker 1>and now all of a sudden we're in the headlines

1:08:35.960 --> 1:08:38.160
<v Speaker 1>and it's like we're making each other bigger than ever.

1:08:38.360 --> 1:08:40.920
<v Speaker 2>For the moment to take drip records of sales. We

1:08:41.000 --> 1:08:41.360
<v Speaker 2>all won.

1:08:41.479 --> 1:08:43.479
<v Speaker 1>We ain't really beef from behind closed doors. It's over

1:08:43.920 --> 1:08:46.920
<v Speaker 1>like who cares well? I mean that's happening on the

1:08:46.960 --> 1:08:52.280
<v Speaker 1>Execs Stole we talked about Lucian. I mean his sons

1:08:52.320 --> 1:08:53.479
<v Speaker 1>are on the three.

1:08:54.000 --> 1:08:58.120
<v Speaker 5>Lucian has done monopoly. He has all a park place everywhere.

1:08:58.200 --> 1:09:01.040
<v Speaker 5>When you're putting your son in your rival as the

1:09:01.080 --> 1:09:02.920
<v Speaker 5>head of that. But here's the things. Are you signing

1:09:02.960 --> 1:09:05.120
<v Speaker 5>six y nine and he's beefing with somebody on your

1:09:05.120 --> 1:09:05.799
<v Speaker 5>son's label.

1:09:05.920 --> 1:09:07.920
<v Speaker 2>Like, here's what people don't know. Everyone's laughing about it,

1:09:08.439 --> 1:09:11.519
<v Speaker 2>but here's what people don't know about his son. His son.

1:09:12.439 --> 1:09:15.680
<v Speaker 2>Lucien didn't want his son to go to Warner. He

1:09:15.720 --> 1:09:16.360
<v Speaker 2>didn't want that.

1:09:16.840 --> 1:09:19.920
<v Speaker 1>He just couldn't get the deal approved by the board

1:09:20.560 --> 1:09:23.040
<v Speaker 1>because it was his son with his son wanted the

1:09:23.080 --> 1:09:25.800
<v Speaker 1>boy was like, we're not giving that to your son. No,

1:09:25.880 --> 1:09:27.519
<v Speaker 1>he's not getting that. So Warner gave it to him.

1:09:27.520 --> 1:09:29.120
<v Speaker 1>That's why he couldn't get it. He didn't place his

1:09:29.160 --> 1:09:29.519
<v Speaker 1>son there.

1:09:29.560 --> 1:09:29.960
<v Speaker 2>He didn't.

1:09:30.280 --> 1:09:32.559
<v Speaker 1>But I think that that also is like, look at

1:09:32.640 --> 1:09:34.680
<v Speaker 1>Lucy and Lucian is probably about the exit warning I

1:09:34.680 --> 1:09:37.080
<v Speaker 1>mean universal right now. He might be like that's what

1:09:37.120 --> 1:09:39.479
<v Speaker 1>I'm saying, like he knows it. My thing is, Drake,

1:09:39.479 --> 1:09:41.720
<v Speaker 1>if you mad at him, just don't say nothing. Get

1:09:41.800 --> 1:09:43.200
<v Speaker 1>him on, not back here and fuck his wife or

1:09:43.240 --> 1:09:47.200
<v Speaker 1>something like I'm dead that got him in the twenty

1:09:47.240 --> 1:09:51.280
<v Speaker 1>v Hey, I would listen. My point is this, I'm

1:09:51.320 --> 1:09:54.360
<v Speaker 1>gonna get your ass back somehow, Nigga. I might not

1:09:54.360 --> 1:09:55.880
<v Speaker 1>get you back, I can't beat you over there, but

1:09:55.880 --> 1:09:57.840
<v Speaker 1>I'm gonna get you back somehow. Drake could get his wife,

1:09:57.880 --> 1:10:00.439
<v Speaker 1>fuck his daughter, dog's daughter who cares like something to

1:10:00.520 --> 1:10:01.559
<v Speaker 1>hurt him, but not sue him.

1:10:01.560 --> 1:10:02.320
<v Speaker 2>That's all I'm saying.

1:10:02.800 --> 1:10:04.719
<v Speaker 5>But then y'all call it Drake Corney when he posted

1:10:04.760 --> 1:10:06.760
<v Speaker 5>Lucian's daughter or whoever the fuck it was.

1:10:06.880 --> 1:10:08.880
<v Speaker 1>When it's it don't matter what Drake anything Drake do.

1:10:08.960 --> 1:10:10.760
<v Speaker 1>Right now, they're gonna say corny because of lawsuit. And

1:10:10.760 --> 1:10:12.600
<v Speaker 1>that's what I mean by like, I hate that he

1:10:12.640 --> 1:10:15.519
<v Speaker 1>did that cause it's like that follows them. Yeah, it's like, bro,

1:10:15.640 --> 1:10:18.120
<v Speaker 1>you he too greatful that to follow him, But it's

1:10:18.160 --> 1:10:19.120
<v Speaker 1>no choice because.

1:10:18.880 --> 1:10:19.640
<v Speaker 2>Of how the culture is.

1:10:19.680 --> 1:10:21.640
<v Speaker 1>It's like you could go nine hundred and ninety nine

1:10:21.680 --> 1:10:24.160
<v Speaker 1>days being the best man on earth, good that one

1:10:24.200 --> 1:10:26.679
<v Speaker 1>thousand day you have a day off, they turn on you. Yeah,

1:10:26.760 --> 1:10:28.599
<v Speaker 1>that's fucked up. I feel if I'm Drake, I wouldn't

1:10:28.600 --> 1:10:32.200
<v Speaker 1>even drop music lettle Hey, well, y'all nigga listen.

1:10:32.320 --> 1:10:33.840
<v Speaker 4>That was That was another thing I was gonna get into,

1:10:33.880 --> 1:10:36.920
<v Speaker 4>like do we feel like like should Drake even drop

1:10:37.000 --> 1:10:37.679
<v Speaker 4>music anymore?

1:10:37.840 --> 1:10:38.160
<v Speaker 2>Listen?

1:10:38.160 --> 1:10:40.040
<v Speaker 1>Man? I told Joe just let us suffer, like, just

1:10:40.080 --> 1:10:41.559
<v Speaker 1>let us keep it to Joe. And I'm gonna tell

1:10:41.560 --> 1:10:44.439
<v Speaker 1>you all this. I can't. If I own the seven

1:10:44.560 --> 1:10:48.559
<v Speaker 1>sixty seven plane, nobody could get me to respond. I

1:10:48.600 --> 1:10:52.320
<v Speaker 1>will fly my plane over by your fucking house, call

1:10:52.400 --> 1:10:54.479
<v Speaker 1>you and tell you look outside. I'm gonna pay the

1:10:54.520 --> 1:10:56.439
<v Speaker 1>FCC fine, nigga, I don't give a fuck how much

1:10:56.479 --> 1:10:58.400
<v Speaker 1>it costs. I want to just ride by and show

1:10:58.439 --> 1:11:01.320
<v Speaker 1>you I could do what I want. Like, I can't

1:11:01.360 --> 1:11:05.519
<v Speaker 1>be for nobody, I will not be for nobody ever

1:11:05.560 --> 1:11:07.720
<v Speaker 1>in history. I feel like unless I'm be for another thing,

1:11:07.800 --> 1:11:08.920
<v Speaker 1>I own a private jet like mine.

1:11:08.920 --> 1:11:10.360
<v Speaker 2>But if that's it, nobody's on his level.

1:11:10.520 --> 1:11:11.000
<v Speaker 3>But that's why.

1:11:11.120 --> 1:11:13.400
<v Speaker 4>But that's why I respect it, because you see how

1:11:13.439 --> 1:11:14.400
<v Speaker 4>you say that yeah.

1:11:14.479 --> 1:11:17.240
<v Speaker 1>But because he he's hip, he cares about the coach.

1:11:17.320 --> 1:11:18.800
<v Speaker 4>He carries that to a different level, Like how you

1:11:18.880 --> 1:11:20.639
<v Speaker 4>say something to me, I'm coming at you like yeah

1:11:20.960 --> 1:11:24.040
<v Speaker 4>to me. I think that's more commendable because he doesn't

1:11:24.080 --> 1:11:26.360
<v Speaker 4>have to respond. He's at a level. But if he didn't,

1:11:26.720 --> 1:11:28.479
<v Speaker 4>as a culture, we would have all said he I

1:11:28.479 --> 1:11:31.559
<v Speaker 4>would sing it on camera.

1:11:31.600 --> 1:11:32.639
<v Speaker 2>I'm gonna saying this on camera.

1:11:32.920 --> 1:11:35.280
<v Speaker 1>Talking to you has made me feel more empathy for

1:11:35.360 --> 1:11:40.120
<v Speaker 1>Drake than I ever felt that because you're right, It's like,

1:11:40.200 --> 1:11:41.920
<v Speaker 1>that's what That's what I mean. I hate when people

1:11:41.960 --> 1:11:44.760
<v Speaker 1>take my words out of like he's done it, he's done.

1:11:44.800 --> 1:11:47.800
<v Speaker 1>If he doesn't drop like by the way, anybody has

1:11:47.800 --> 1:11:50.320
<v Speaker 1>done that, they don't drop like like like you don't

1:11:50.320 --> 1:11:52.880
<v Speaker 1>think Rihanna is a little scared, just a little, like

1:11:53.040 --> 1:11:54.600
<v Speaker 1>what if they don't like this ship? Like I know

1:11:54.640 --> 1:11:56.800
<v Speaker 1>they anticipating it, but once I put it out, there's

1:11:56.840 --> 1:11:59.160
<v Speaker 1>no more anticipation, So you don't think part of us.

1:11:59.200 --> 1:12:01.559
<v Speaker 1>Like when she was in every year album cycle, I

1:12:01.600 --> 1:12:03.720
<v Speaker 1>was on every album. I love that cycle. Rihanna ain't

1:12:03.760 --> 1:12:06.400
<v Speaker 1>dropped the album in ten years. Like of course when

1:12:06.439 --> 1:12:08.880
<v Speaker 1>she comes she nervous. I won't play them games. I'm

1:12:08.880 --> 1:12:12.160
<v Speaker 1>scared to death. Everybody could listen to my music.

1:12:12.439 --> 1:12:14.280
<v Speaker 5>And as much as I pushed back on the mall

1:12:14.320 --> 1:12:16.880
<v Speaker 5>with this entire Drake and Kendrick thing, which we can

1:12:17.120 --> 1:12:21.479
<v Speaker 5>add that part you talked about superducers, which I'll tell

1:12:21.520 --> 1:12:24.880
<v Speaker 5>you off Mike, Yeah, superducer that that is very much

1:12:25.160 --> 1:12:28.920
<v Speaker 5>tied to that side. I saw on personally pulled me aside.

1:12:28.960 --> 1:12:33.080
<v Speaker 5>He whispered my ears and said, oh it's right, m.

1:12:34.600 --> 1:12:38.120
<v Speaker 4>Mmm, but see this, But because I've had the phone calls,

1:12:38.240 --> 1:12:39.320
<v Speaker 4>but I know it's a lot of shit.

1:12:39.360 --> 1:12:41.040
<v Speaker 1>I'll be like, I'm not even bringing up until.

1:12:40.800 --> 1:12:43.120
<v Speaker 5>The internet, I won't believe anything I'm saying, though, Ya,

1:12:43.240 --> 1:12:45.280
<v Speaker 5>your favorite producer over there was like, you're all right,

1:12:46.200 --> 1:12:46.840
<v Speaker 5>you know what it is.

1:12:47.080 --> 1:12:47.720
<v Speaker 2>You know what it is.

1:12:48.360 --> 1:12:52.479
<v Speaker 1>The Battle They not like us, not like us as

1:12:52.520 --> 1:12:54.080
<v Speaker 1>really the song that kind of pushed it because it

1:12:54.120 --> 1:12:55.360
<v Speaker 1>was the first hit in the Battle.

1:12:55.360 --> 1:12:57.160
<v Speaker 2>Everything else we was just listening to wait for what

1:12:57.280 --> 1:12:58.519
<v Speaker 2>was next. Not like us.

1:12:58.640 --> 1:13:01.120
<v Speaker 1>Was the first record that they left, and like nine

1:13:01.160 --> 1:13:02.880
<v Speaker 1>months later we were still bumping it. So it's like

1:13:02.920 --> 1:13:05.519
<v Speaker 1>we forgot it's a Drake this It's just a bop

1:13:05.560 --> 1:13:07.360
<v Speaker 1>in our head. It's like Meek Mill dreams of all

1:13:07.479 --> 1:13:08.880
<v Speaker 1>night Man. It's like, play that ship. We want to

1:13:08.920 --> 1:13:10.920
<v Speaker 1>jump to it. But well, that's it represents something. That's

1:13:10.920 --> 1:13:15.040
<v Speaker 1>where Drake mismanaged the entire thing. Another amazing MC said,

1:13:15.120 --> 1:13:18.960
<v Speaker 1>they're they're both em c's. Drake ran into a writer,

1:13:19.240 --> 1:13:19.760
<v Speaker 1>not an MC.

1:13:20.160 --> 1:13:20.559
<v Speaker 2>A writing.

1:13:20.680 --> 1:13:22.519
<v Speaker 5>He wrote the script of what was going to happen.

1:13:22.840 --> 1:13:26.439
<v Speaker 5>Whereas Drake thought he was about dealing with Kendrick. He thought,

1:13:26.640 --> 1:13:28.920
<v Speaker 5>because Drake is from hip hop, don't get it twisted,

1:13:29.000 --> 1:13:31.280
<v Speaker 5>Drake is a fucking EMC was rapping on Dilla beats.

1:13:31.320 --> 1:13:34.519
<v Speaker 5>When he came out, Drake thought, because I'm going against Kendrick,

1:13:34.520 --> 1:13:36.080
<v Speaker 5>I'm about to do my rap shit, I'm about to

1:13:36.080 --> 1:13:39.439
<v Speaker 5>have every on Tandra, I'm gonna do everything. And Kendrick

1:13:39.520 --> 1:13:41.800
<v Speaker 5>knew that was coming and said, oh no, I'm gonna

1:13:41.800 --> 1:13:42.439
<v Speaker 5>go in your world and.

1:13:42.680 --> 1:13:43.080
<v Speaker 2>Make it hit.

1:13:44.280 --> 1:13:48.040
<v Speaker 5>I'm about to do this, you know, to be felt

1:13:48.120 --> 1:13:50.160
<v Speaker 5>like you know, you know, but that was the okie dope.

1:13:50.320 --> 1:13:53.000
<v Speaker 5>That's why Kendrick was brilliant in his strategy. That's what

1:13:53.000 --> 1:13:56.120
<v Speaker 5>I'm saying it Like, Yo, the lyrics on not Like Us,

1:13:56.120 --> 1:13:58.280
<v Speaker 5>it's like the worst lyrics I mean, outside the third verse,

1:13:58.320 --> 1:14:03.200
<v Speaker 5>but they're all bro just because he knew Drake was

1:14:03.240 --> 1:14:04.880
<v Speaker 5>gonna be like, Yo, let me go try to outwrap

1:14:04.960 --> 1:14:07.479
<v Speaker 5>Kendrick because I think Drake is just a formal MC

1:14:07.560 --> 1:14:11.760
<v Speaker 5>as Kendrick is. But like, nah, if I'm Kendrick and

1:14:11.800 --> 1:14:13.679
<v Speaker 5>I'm a clown and I mean that in a good way,

1:14:13.800 --> 1:14:15.800
<v Speaker 5>and I'm a writer, and I know that Drake's gonna

1:14:15.840 --> 1:14:18.479
<v Speaker 5>try to rap with me, Na, let me just go do,

1:14:18.920 --> 1:14:19.960
<v Speaker 5>let me go do not like Us.

1:14:19.960 --> 1:14:21.240
<v Speaker 1>And I tell you what it felt like, you know

1:14:21.240 --> 1:14:22.880
<v Speaker 1>what I felt like? It felt like he got lined

1:14:22.920 --> 1:14:24.960
<v Speaker 1>up in the hood right like slap boxing. You know,

1:14:25.200 --> 1:14:27.599
<v Speaker 1>slap boxing, like slop box. You're getting the red right,

1:14:27.840 --> 1:14:29.759
<v Speaker 1>and then he slapped and then all of a sudden,

1:14:29.840 --> 1:14:32.600
<v Speaker 1>he punches you. They're like, what the fuck now, They're like,

1:14:32.680 --> 1:14:34.880
<v Speaker 1>keep going. You're like, hold on, man, we supped to

1:14:34.880 --> 1:14:35.479
<v Speaker 1>me slap boxing.

1:14:35.479 --> 1:14:36.400
<v Speaker 3>This nigga just pissed me.

1:14:36.680 --> 1:14:38.120
<v Speaker 2>Keep going. Now, you gotta fight.

1:14:38.600 --> 1:14:40.479
<v Speaker 4>I said all the time that no matter what I

1:14:40.479 --> 1:14:42.320
<v Speaker 4>think the coach was gonna say, Drake, they lined him

1:14:42.360 --> 1:14:45.920
<v Speaker 4>up if he would have to. Rory said, made a

1:14:46.000 --> 1:14:49.240
<v Speaker 4>hit or made us dance. Yo, this was trying to

1:14:49.240 --> 1:14:50.760
<v Speaker 4>make you dance to make a hit.

1:14:50.840 --> 1:14:52.920
<v Speaker 1>Can't win for losing, and Drake soul.

1:14:52.760 --> 1:14:53.320
<v Speaker 3>No matter like.

1:14:53.680 --> 1:14:55.639
<v Speaker 4>So to end it, like you said, at the top,

1:14:56.400 --> 1:14:57.719
<v Speaker 4>when you're at the top, all.

1:14:57.560 --> 1:14:59.320
<v Speaker 3>You can do is lose. That's why I want he

1:14:59.360 --> 1:14:59.559
<v Speaker 3>did it.

1:14:59.560 --> 1:15:02.280
<v Speaker 4>You know, I understand it, but I respect it because

1:15:02.520 --> 1:15:04.240
<v Speaker 4>he kept it hip hop. He stayed in the battle

1:15:04.280 --> 1:15:06.920
<v Speaker 4>no matter what. He didn't apologize, He didn't back down

1:15:06.920 --> 1:15:07.519
<v Speaker 4>from nobody.

1:15:07.680 --> 1:15:09.760
<v Speaker 2>Yeah, if you take an l when you was in

1:15:09.800 --> 1:15:11.679
<v Speaker 2>the ring, I respect.

1:15:11.800 --> 1:15:13.479
<v Speaker 1>Okay, one question I'm asking you that you might know

1:15:13.520 --> 1:15:14.919
<v Speaker 1>the answer to case I'm just curious.

1:15:15.320 --> 1:15:16.559
<v Speaker 3>Does he planning as a classic?

1:15:16.600 --> 1:15:18.360
<v Speaker 2>Okay, no, I hope it is.

1:15:18.439 --> 1:15:21.240
<v Speaker 1>But my question is does he plan on dropping Iceman

1:15:21.600 --> 1:15:24.680
<v Speaker 1>while the lawsuit is still pending or do you think

1:15:24.720 --> 1:15:26.920
<v Speaker 1>he's gonna wait for the lawsuit to end and then

1:15:27.000 --> 1:15:29.840
<v Speaker 1>drop Iceman Because it's hard to drop Iceman and get

1:15:29.880 --> 1:15:31.720
<v Speaker 1>it to work with the same people you're suing. That's

1:15:31.720 --> 1:15:33.000
<v Speaker 1>what I'm asking Still.

1:15:32.880 --> 1:15:34.920
<v Speaker 4>Drake though, Yeah, it's still Drake. I think no matter what,

1:15:34.960 --> 1:15:38.240
<v Speaker 4>it's gonna work, the registers will ring. It's gonna be

1:15:38.280 --> 1:15:39.160
<v Speaker 4>number one he's gonna have.

1:15:39.200 --> 1:15:41.599
<v Speaker 1>You don't think they'll play dirty games and to compress

1:15:41.680 --> 1:15:43.960
<v Speaker 1>him to maybe shadow ban him to make it a

1:15:43.960 --> 1:15:46.479
<v Speaker 1>way if he does two hundred instead of five hundred.

1:15:46.960 --> 1:15:50.080
<v Speaker 4>But this album was so anticipated, it's gonna break through.

1:15:50.320 --> 1:15:51.920
<v Speaker 4>They're gonna try. They're gonna try.

1:15:51.960 --> 1:15:55.639
<v Speaker 5>But even like Nokia, you saw the dirty games with that,

1:15:55.880 --> 1:15:57.719
<v Speaker 5>and I hate that. I'm like on the Drake defending

1:15:57.760 --> 1:15:59.559
<v Speaker 5>side of this, but I'm just in a rejective human being.

1:16:00.520 --> 1:16:04.599
<v Speaker 5>No Kia was a huge hit. That would have been

1:16:04.640 --> 1:16:07.519
<v Speaker 5>crazier if they weren't playing dirty games to block that

1:16:07.600 --> 1:16:09.200
<v Speaker 5>record like No.

1:16:09.240 --> 1:16:12.000
<v Speaker 1>Kia would have What did I miss. That s what

1:16:12.160 --> 1:16:13.920
<v Speaker 1>I miss was hard. Niggas was like, that's not it.

1:16:13.960 --> 1:16:15.840
<v Speaker 1>I'm like, but see, here's the one thing that happened.

1:16:15.840 --> 1:16:18.240
<v Speaker 1>When he lost the battle, you gave us reason to

1:16:18.320 --> 1:16:22.600
<v Speaker 1>question you. We never questioned you. Like when what I like,

1:16:22.640 --> 1:16:25.960
<v Speaker 1>when I was questioning left foot step, that ship wouldn't

1:16:25.960 --> 1:16:26.400
<v Speaker 1>work today.

1:16:26.680 --> 1:16:29.360
<v Speaker 2>Half of his records will work won't work today. Like

1:16:29.439 --> 1:16:31.320
<v Speaker 2>that's my point. It was we didn't.

1:16:31.439 --> 1:16:33.840
<v Speaker 1>It was Drake, so we all accepted it. Now we're like,

1:16:34.080 --> 1:16:34.880
<v Speaker 1>how you feel about this?

1:16:35.000 --> 1:16:38.080
<v Speaker 5>No, there was just the time that left foot step,

1:16:38.720 --> 1:16:40.759
<v Speaker 5>all that TikTok shit he was doing during the pandemic.

1:16:40.840 --> 1:16:42.880
<v Speaker 5>I didn't care because I already know he has one

1:16:42.880 --> 1:16:44.559
<v Speaker 5>of the greatest catalogs of all time. If you want

1:16:44.600 --> 1:16:46.720
<v Speaker 5>to do left footstep with a fucking shikesty on your

1:16:46.760 --> 1:16:50.320
<v Speaker 5>crib during pandemic, I don't hold that against I really

1:16:53.280 --> 1:16:55.080
<v Speaker 5>I thought it was stupid, Like but like, I don't

1:16:55.160 --> 1:16:57.040
<v Speaker 5>really care, But what did I miss?

1:16:57.479 --> 1:16:58.479
<v Speaker 2>I thought that was hard?

1:16:58.640 --> 1:17:00.840
<v Speaker 5>I know, but at that point to you're to what

1:17:00.880 --> 1:17:03.839
<v Speaker 5>you're saying, it felt like a clean slate. To some degree,

1:17:03.920 --> 1:17:05.960
<v Speaker 5>we're looking at a new Drake. You got to come

1:17:06.040 --> 1:17:08.840
<v Speaker 5>with something crazy and no Kia was fire. I just

1:17:08.880 --> 1:17:12.320
<v Speaker 5>think the labels did their their spear campaign during it

1:17:12.920 --> 1:17:15.320
<v Speaker 5>in the same regard. But I do want to get

1:17:15.360 --> 1:17:18.080
<v Speaker 5>off this to your point that you've said a bunch

1:17:18.080 --> 1:17:19.840
<v Speaker 5>of times that we've also said. I think that battle

1:17:19.920 --> 1:17:23.840
<v Speaker 5>ruined hip hop. It ruined everything. So I don't even

1:17:23.800 --> 1:17:24.639
<v Speaker 5>want to talk about anymore.

1:17:24.960 --> 1:17:26.880
<v Speaker 1>It hurts me to talk about it now because he

1:17:26.960 --> 1:17:28.600
<v Speaker 1>might not ever get hip hop again the way we

1:17:28.640 --> 1:17:28.960
<v Speaker 1>had it.

1:17:29.240 --> 1:17:33.120
<v Speaker 5>I said after like that we could pull up the episode.

1:17:33.200 --> 1:17:35.439
<v Speaker 5>I said, let's all enjoy this now because this is

1:17:35.439 --> 1:17:36.599
<v Speaker 5>the last time we're going to see him.

1:17:36.840 --> 1:17:37.360
<v Speaker 2>I agree.

1:17:37.520 --> 1:17:39.040
<v Speaker 1>I think this was before the bat.

1:17:39.080 --> 1:17:40.720
<v Speaker 5>I said, like that, this is the last time we're

1:17:40.720 --> 1:17:42.280
<v Speaker 5>ever going to see him pop again, because you know

1:17:42.280 --> 1:17:42.800
<v Speaker 5>what it is, no.

1:17:42.800 --> 1:17:45.600
<v Speaker 1>Superstars has done after this. Yeah, it's hip hop. Was

1:17:45.680 --> 1:17:48.040
<v Speaker 1>always the cool guy. So it's like, remember rock was

1:17:48.080 --> 1:17:51.040
<v Speaker 1>running in the eighties and the nineties and actual roles

1:17:51.040 --> 1:17:53.120
<v Speaker 1>and Welcome to the Drugs. It was like so different,

1:17:53.200 --> 1:17:55.400
<v Speaker 1>and then all of a sudden, they was lame. They

1:17:55.439 --> 1:17:57.880
<v Speaker 1>costumes looked lame, everything, but it was like played out

1:17:57.880 --> 1:18:00.000
<v Speaker 1>And I think that that's what rap is right now.

1:18:00.080 --> 1:18:01.559
<v Speaker 2>We just don't realize it yet.

1:18:01.520 --> 1:18:04.680
<v Speaker 1>Because our kids still look like the rappers, but our

1:18:04.800 --> 1:18:07.160
<v Speaker 1>kids are all famous now, like everybody's famous now, So

1:18:07.400 --> 1:18:08.799
<v Speaker 1>I just think it's a I'm.

1:18:08.680 --> 1:18:09.960
<v Speaker 2>Afraid for hip hop. I feel like.

1:18:11.400 --> 1:18:14.320
<v Speaker 1>Until I see a label that has like a top

1:18:14.400 --> 1:18:17.000
<v Speaker 1>dog type CEO, we're dead.

1:18:17.640 --> 1:18:19.280
<v Speaker 5>I think it's going to go through the same cycle

1:18:19.400 --> 1:18:22.640
<v Speaker 5>as as every genre really has and just go to

1:18:22.760 --> 1:18:25.559
<v Speaker 5>legacy and there'll still be some young acts there. But

1:18:26.320 --> 1:18:28.479
<v Speaker 5>we're now seeing because hip hop is so young, we're

1:18:28.479 --> 1:18:32.320
<v Speaker 5>seeing the Nass and the jay Z's age in.

1:18:32.320 --> 1:18:33.080
<v Speaker 2>A cool way.

1:18:33.280 --> 1:18:36.080
<v Speaker 5>Yeah, like if I mean, obviously Nas is an investor

1:18:36.080 --> 1:18:36.639
<v Speaker 5>in ring camera.

1:18:36.680 --> 1:18:38.800
<v Speaker 2>He doesn't even go intour, but.

1:18:39.400 --> 1:18:42.360
<v Speaker 5>We're if we needed him to be what Bruce Springsteen

1:18:42.600 --> 1:18:44.800
<v Speaker 5>is as far as that, like my dad go to

1:18:44.840 --> 1:18:45.880
<v Speaker 5>MetLife loving.

1:18:46.200 --> 1:18:51.040
<v Speaker 2>Bruce is the cool, like the boss he could be.

1:18:51.120 --> 1:18:54.160
<v Speaker 5>He could wear a fucking button up shirt, but just

1:18:54.320 --> 1:18:57.320
<v Speaker 5>sit there with a guitar and he'll be cool.

1:18:57.920 --> 1:18:59.200
<v Speaker 2>If Nas needed to do that.

1:18:59.320 --> 1:19:01.280
<v Speaker 5>I think hip hop is starting to age that way

1:19:01.400 --> 1:19:04.760
<v Speaker 5>where I think KRS and Kane didn't get that that

1:19:04.880 --> 1:19:09.639
<v Speaker 5>opportunity because they were knocking the door down at the time.

1:19:09.960 --> 1:19:14.200
<v Speaker 5>I think if Elvis Uh lived, I don't think he

1:19:14.200 --> 1:19:15.200
<v Speaker 5>would have been this cool.

1:19:15.080 --> 1:19:17.000
<v Speaker 1>Legacy act that y'all think he would have fuscated it

1:19:17.120 --> 1:19:19.000
<v Speaker 1>because because you get a chance to get out of shape,

1:19:19.439 --> 1:19:21.800
<v Speaker 1>the hairs get gray, stomach could go out, and it

1:19:21.800 --> 1:19:22.799
<v Speaker 1>becomes like you don't.

1:19:22.600 --> 1:19:26.160
<v Speaker 5>Look but now, but now you'll get grateful dead leads

1:19:26.200 --> 1:19:29.040
<v Speaker 5>that like people that can now tour in rock as

1:19:29.160 --> 1:19:30.160
<v Speaker 5>legacy acts.

1:19:30.439 --> 1:19:32.720
<v Speaker 2>I should even kiss, will take the makeup off, go

1:19:32.800 --> 1:19:33.559
<v Speaker 2>do the thing.

1:19:34.640 --> 1:19:36.960
<v Speaker 5>Now we're seeing rap do that because it's such a

1:19:37.000 --> 1:19:39.960
<v Speaker 5>young genre. So I don't think it's over in that regard.

1:19:40.240 --> 1:19:43.519
<v Speaker 5>Legacy is just starting. His hoop is doing roots picnic

1:19:43.960 --> 1:19:45.960
<v Speaker 5>and that's gonna be old music.

1:19:46.000 --> 1:19:46.200
<v Speaker 2>Okay.

1:19:46.200 --> 1:19:47.760
<v Speaker 1>So I'm gonna tell you what I think, because you're right.

1:19:47.800 --> 1:19:50.400
<v Speaker 1>I'm not saying hip hop is over. I'm saying hip

1:19:50.400 --> 1:19:54.200
<v Speaker 1>hop the genre of music is done. I think hip

1:19:54.240 --> 1:19:56.680
<v Speaker 1>hop has. So you gotta remember, first of all, like

1:19:56.840 --> 1:19:58.560
<v Speaker 1>my kids are in the culture. Like probably if you

1:19:58.600 --> 1:19:59.960
<v Speaker 1>had kids, he's in the culture right like you have.

1:20:00.560 --> 1:20:03.240
<v Speaker 1>So my kids when Drake and Kendrick was dropping, my

1:20:03.360 --> 1:20:06.280
<v Speaker 1>son is the one that called me when family matters dropped, Yo, Dad,

1:20:06.280 --> 1:20:08.160
<v Speaker 1>it's not gonna listen Like my son is sixteen at

1:20:08.160 --> 1:20:08.439
<v Speaker 1>the time.

1:20:08.479 --> 1:20:11.200
<v Speaker 2>It's like we in the culture together.

1:20:11.280 --> 1:20:13.040
<v Speaker 1>Now, when I was a kid, my mother was listening

1:20:13.040 --> 1:20:15.920
<v Speaker 1>to Anita Baker and Luther Vandraws, and I was listening

1:20:15.960 --> 1:20:18.160
<v Speaker 1>to rock Camp. Now me and my kids are listening

1:20:18.160 --> 1:20:20.240
<v Speaker 1>to the same thing. So I think hip hop has

1:20:20.240 --> 1:20:23.519
<v Speaker 1>an opportunity to spread, but we're so used to we

1:20:23.680 --> 1:20:25.240
<v Speaker 1>trying to go through the roof and it's like, no,

1:20:25.479 --> 1:20:27.640
<v Speaker 1>there's no more roof, the ceiling is up there. All

1:20:27.680 --> 1:20:29.400
<v Speaker 1>we can do is just populate the floor were on

1:20:29.479 --> 1:20:29.800
<v Speaker 1>right now.

1:20:29.800 --> 1:20:32.040
<v Speaker 5>It's old, I believe, going through the same cycle of

1:20:32.080 --> 1:20:35.360
<v Speaker 5>every genre, and unfortunately hip hop is hitting the worst

1:20:35.400 --> 1:20:40.280
<v Speaker 5>time in history where music is meeting commerce. So in

1:20:40.360 --> 1:20:43.120
<v Speaker 5>twenty years, Kendrick's going to do the thirty year anniversary

1:20:43.200 --> 1:20:44.720
<v Speaker 5>Damn tour and everyone to be there.

1:20:44.800 --> 1:20:45.240
<v Speaker 3>Yeah.

1:20:45.479 --> 1:20:49.320
<v Speaker 5>But as far as the young version of keeping the

1:20:49.360 --> 1:20:51.599
<v Speaker 5>genre going, I don't know where that's going because everything's

1:20:51.680 --> 1:20:54.479
<v Speaker 5>content based. And now you're running into Lee or Cohen,

1:20:54.720 --> 1:20:58.080
<v Speaker 5>who's the head of YouTube music, saying we're not focused

1:20:58.080 --> 1:21:01.599
<v Speaker 5>on the songs. Yeah, so it's it's fucked not because

1:21:01.600 --> 1:21:04.000
<v Speaker 5>of a hip hop reason, it's fucked because of of

1:21:04.120 --> 1:21:05.719
<v Speaker 5>the But but you know what I say.

1:21:05.640 --> 1:21:06.960
<v Speaker 2>The playing field that we're in.

1:21:07.040 --> 1:21:09.760
<v Speaker 5>But hip hop will live for hip hop is is

1:21:09.760 --> 1:21:11.920
<v Speaker 5>going to drive towards some point like hip hop has

1:21:11.960 --> 1:21:12.840
<v Speaker 5>always been the driver.

1:21:13.000 --> 1:21:16.960
<v Speaker 1>I can't think of anything that pop music made popular, right,

1:21:17.080 --> 1:21:19.840
<v Speaker 1>like a sneaker, like when Will Smith goes men in

1:21:19.920 --> 1:21:21.519
<v Speaker 1>Black and all of a sudden, we sell three million

1:21:21.560 --> 1:21:24.559
<v Speaker 1>rate band glasses in the following few months, like hip

1:21:24.560 --> 1:21:27.479
<v Speaker 1>hop is the only Like let's be clear, like let's

1:21:27.560 --> 1:21:29.559
<v Speaker 1>just say it, like the black man is the coolest

1:21:29.560 --> 1:21:33.559
<v Speaker 1>man on earth, right, any table at a black man too? No, no, yeah,

1:21:33.560 --> 1:21:35.679
<v Speaker 1>for sure, But I say any table that a black

1:21:35.720 --> 1:21:40.040
<v Speaker 1>man is at that table, there's there's eight other races there.

1:21:40.080 --> 1:21:42.280
<v Speaker 2>They all look cooler because a black man is there.

1:21:42.400 --> 1:21:45.800
<v Speaker 1>So like that's kind of like our currency. So I

1:21:45.800 --> 1:21:48.400
<v Speaker 1>don't want to just ran on, but like black men

1:21:48.439 --> 1:21:51.280
<v Speaker 1>are to me, hip hop is our extract. And I

1:21:51.280 --> 1:21:54.320
<v Speaker 1>feel like, yeah, man, he just got to come on board, bro,

1:21:54.439 --> 1:21:57.120
<v Speaker 1>Like like I love I love Drake. I just I

1:21:57.200 --> 1:22:01.240
<v Speaker 1>just wish that he understood that it's not personal. From

1:22:01.479 --> 1:22:03.040
<v Speaker 1>from Canada, so you don't know how we do in

1:22:03.040 --> 1:22:05.280
<v Speaker 1>the States. In the States, we joned each other like

1:22:05.320 --> 1:22:07.519
<v Speaker 1>I'm gonna snap on you from the beginning to the end.

1:22:07.600 --> 1:22:09.400
<v Speaker 1>Like my best friend. The first thing he said to

1:22:09.439 --> 1:22:11.599
<v Speaker 1>me was a big head motherfucker, where you think you going?

1:22:11.640 --> 1:22:13.840
<v Speaker 1>And he joned me the whole walk home from the

1:22:13.840 --> 1:22:16.479
<v Speaker 1>school bus. And I just don't think Drake understands that.

1:22:16.520 --> 1:22:18.720
<v Speaker 1>In America, we're gonna laugh at you from time to time.

1:22:19.800 --> 1:22:23.200
<v Speaker 4>I know, I think he understands that. But ain't nobody

1:22:23.280 --> 1:22:26.439
<v Speaker 4>joking with pedophile though that's true. We've never joked with that.

1:22:26.600 --> 1:22:28.320
<v Speaker 4>You can't tell me one time growing up somebody that

1:22:28.439 --> 1:22:31.080
<v Speaker 4>is so chester to the Molesta, that's so true.

1:22:31.080 --> 1:22:32.320
<v Speaker 3>When you ever heard that.

1:22:32.040 --> 1:22:32.639
<v Speaker 2>That's true.

1:22:32.800 --> 1:22:33.519
<v Speaker 3>You don't play with that.

1:22:33.520 --> 1:22:35.320
<v Speaker 1>That's not something we play with ill he plays with

1:22:35.320 --> 1:22:36.600
<v Speaker 1>that though. The nigga that want you to get in

1:22:36.600 --> 1:22:38.559
<v Speaker 1>the ring and fight him, that's why he did it.

1:22:38.600 --> 1:22:39.200
<v Speaker 3>Listen, That's why.

1:22:39.640 --> 1:22:40.400
<v Speaker 2>That's what's back.

1:22:40.439 --> 1:22:40.760
<v Speaker 3>I get it.

1:22:41.680 --> 1:22:44.439
<v Speaker 1>Dude that's been in the back lifting weights, doing burbies,

1:22:44.439 --> 1:22:45.719
<v Speaker 1>that can't wait to fight somebody.

1:22:45.760 --> 1:22:46.320
<v Speaker 3>I understand.

1:22:46.880 --> 1:22:49.360
<v Speaker 2>Yeah, that was the problem. He just we can wake

1:22:49.400 --> 1:22:50.000
<v Speaker 2>to fight somebody.

1:22:50.040 --> 1:22:51.479
<v Speaker 1>He needed that money, No, but that was the problem

1:22:51.479 --> 1:22:53.360
<v Speaker 1>with the entire thing. He knew he said it.

1:22:53.560 --> 1:22:55.680
<v Speaker 5>Rudy, I know you got a thousand records sitting in

1:22:55.680 --> 1:22:57.320
<v Speaker 5>there hard drive. Why would you fuck with that person,

1:22:58.640 --> 1:22:59.600
<v Speaker 5>that person waiting to do this.

1:22:59.840 --> 1:23:05.560
<v Speaker 3>I'm a rapper, I'm apper, just leading issues.

1:23:07.320 --> 1:23:11.599
<v Speaker 2>I respect I know I respect that as well.

1:23:13.560 --> 1:23:15.919
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<v Speaker 5>Ray, you have posted a rapper that we love supported

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<v Speaker 5>for a long time herel Russell. You posted him a lot,

1:24:54.840 --> 1:24:57.439
<v Speaker 5>You've talked about him a lot. How have you felt

1:24:58.960 --> 1:25:01.679
<v Speaker 5>outside of Hill signing with Rock? And then the Lil

1:25:01.720 --> 1:25:05.000
<v Speaker 5>Wayne comes you're heaving, said, I just want to make

1:25:05.000 --> 1:25:05.280
<v Speaker 5>that clear.

1:25:05.560 --> 1:25:05.800
<v Speaker 1>You are.

1:25:05.920 --> 1:25:07.000
<v Speaker 5>I just want to I just want to make that

1:25:08.200 --> 1:25:10.040
<v Speaker 5>just so you feel comfortable with the couch. Everyone here

1:25:10.080 --> 1:25:12.519
<v Speaker 5>is heaven, said, I just want to make that, make

1:25:12.560 --> 1:25:13.240
<v Speaker 5>that very clear.

1:25:13.680 --> 1:25:14.599
<v Speaker 1>How have you.

1:25:16.600 --> 1:25:19.439
<v Speaker 5>As someone that has coached a lot of people's careers. Yes,

1:25:19.760 --> 1:25:22.040
<v Speaker 5>And we love Larrussell so much. That's why I like

1:25:22.160 --> 1:25:25.679
<v Speaker 5>love him. I hate that he's going through some shit

1:25:25.800 --> 1:25:28.000
<v Speaker 5>even though he's a human being and be fucking up

1:25:28.040 --> 1:25:28.800
<v Speaker 5>the same way I do.

1:25:31.320 --> 1:25:32.200
<v Speaker 2>With the attention he.

1:25:32.160 --> 1:25:32.760
<v Speaker 3>Has on him.

1:25:32.760 --> 1:25:34.240
<v Speaker 1>Now, has he been handling things?

1:25:34.280 --> 1:25:36.600
<v Speaker 2>Okay? You know what I think he has.

1:25:37.040 --> 1:25:39.320
<v Speaker 5>I just want someone to put him like in a

1:25:39.800 --> 1:25:41.960
<v Speaker 5>just give him a nuggie and be like, yo, you

1:25:42.040 --> 1:25:43.599
<v Speaker 5>are you shut the fuck up?

1:25:43.760 --> 1:25:44.000
<v Speaker 3>Okay.

1:25:44.000 --> 1:25:45.559
<v Speaker 1>So let me tell you that the greatest thing an

1:25:45.640 --> 1:25:48.639
<v Speaker 1>artist can do is draw a line. And it's saying

1:25:48.680 --> 1:25:51.439
<v Speaker 1>and say I'm over here. That's the greatest thing the

1:25:51.520 --> 1:25:53.879
<v Speaker 1>artists can do. Like that means you know your your audience,

1:25:53.920 --> 1:25:55.960
<v Speaker 1>you know who you're making it for, you know everything.

1:25:56.000 --> 1:25:59.040
<v Speaker 1>So to me, l Russell, to me is he's finally

1:25:59.120 --> 1:26:01.960
<v Speaker 1>drawn his line. He had it, like he's like so

1:26:02.000 --> 1:26:03.720
<v Speaker 1>like he's saying things like, I'm not gonna lie that

1:26:03.880 --> 1:26:06.519
<v Speaker 1>Hitler is Heaven said. I understood where he was coming from,

1:26:06.720 --> 1:26:09.639
<v Speaker 1>but he has to understand that that's like a white

1:26:09.720 --> 1:26:13.360
<v Speaker 1>man saying every KKK man is Heaven said, and we

1:26:13.400 --> 1:26:15.439
<v Speaker 1>would be offended by that. So I get what you're

1:26:15.479 --> 1:26:18.160
<v Speaker 1>trying to do, but just because you're trying to do

1:26:18.200 --> 1:26:20.000
<v Speaker 1>good doesn't mean that you don't hurt people. So to me,

1:26:20.080 --> 1:26:21.519
<v Speaker 1>that was the only thing he said. Well, I was

1:26:21.560 --> 1:26:24.320
<v Speaker 1>like the little Wayne thing. I agree with, right. I

1:26:24.400 --> 1:26:27.719
<v Speaker 1>just I think that Lil Wayne is a great rapper.

1:26:28.080 --> 1:26:32.000
<v Speaker 1>But I don't think that Lil Wayne. I don't even

1:26:32.040 --> 1:26:33.600
<v Speaker 1>want to say this because it becomes bad. I'm just

1:26:33.640 --> 1:26:36.719
<v Speaker 1>saying Lil Wayne can rap. That's what he's great at rapping.

1:26:37.080 --> 1:26:39.280
<v Speaker 1>I think that we like other people because of the

1:26:39.400 --> 1:26:40.559
<v Speaker 1>character they also play.

1:26:40.640 --> 1:26:40.720
<v Speaker 3>Like.

1:26:40.760 --> 1:26:42.400
<v Speaker 1>I don't just like jay Z as a rapper. I

1:26:42.439 --> 1:26:44.680
<v Speaker 1>like the character he plays. I don't like Yay as

1:26:44.680 --> 1:26:47.840
<v Speaker 1>a rapper. I like Wayne as a rapper. I don't

1:26:47.880 --> 1:26:50.080
<v Speaker 1>like the character he plays where he's like I don't

1:26:50.120 --> 1:26:51.920
<v Speaker 1>like think about it. He's like Black Lives Matter. Was

1:26:52.000 --> 1:26:54.479
<v Speaker 1>that Like he's just never been with us. He's always

1:26:54.560 --> 1:26:56.000
<v Speaker 1>kind of been like, man, I sit in my own

1:26:56.040 --> 1:26:58.240
<v Speaker 1>corner and do my own thing, and he's been able

1:26:58.280 --> 1:27:00.680
<v Speaker 1>to get with that. But I don't think that's not

1:27:00.720 --> 1:27:03.799
<v Speaker 1>why I would ever put him in that same space.

1:27:04.200 --> 1:27:06.320
<v Speaker 1>And so when someone like Larrussell says, who got to

1:27:06.320 --> 1:27:09.200
<v Speaker 1>remember listeners? I love pak more now than I did

1:27:09.280 --> 1:27:11.400
<v Speaker 1>when I was a kid. When I was a kid,

1:27:11.479 --> 1:27:13.920
<v Speaker 1>I loved him, but as a man, I really love

1:27:13.960 --> 1:27:16.200
<v Speaker 1>him because I'm like, man, this man was talking some shit.

1:27:16.600 --> 1:27:19.599
<v Speaker 1>He was twenty two twenty three talking shit that sell

1:27:19.640 --> 1:27:20.679
<v Speaker 1>affects me today.

1:27:21.000 --> 1:27:22.200
<v Speaker 2>So what I'm saying is to look at that from

1:27:22.240 --> 1:27:23.160
<v Speaker 2>the Russell standpoint.

1:27:23.360 --> 1:27:25.320
<v Speaker 1>You're getting older, you becoming more of a man, and

1:27:25.360 --> 1:27:27.519
<v Speaker 1>now you're looking at your idols like, damn, that's what

1:27:27.600 --> 1:27:29.720
<v Speaker 1>he did. I wish you would have did this. So

1:27:29.920 --> 1:27:32.000
<v Speaker 1>I know people judging him, but that's what happens when

1:27:32.040 --> 1:27:33.880
<v Speaker 1>you grow. You got to think about this whole Probably

1:27:33.880 --> 1:27:36.640
<v Speaker 1>grew up loving Big Daddy Kane and Rock Him, but

1:27:36.680 --> 1:27:38.920
<v Speaker 1>at some point you got to measure yourself against them

1:27:39.200 --> 1:27:40.760
<v Speaker 1>and be like, nah, I don't like what they did.

1:27:40.760 --> 1:27:42.240
<v Speaker 1>I like what I'm doing. And I think that's what

1:27:42.360 --> 1:27:45.160
<v Speaker 1>Larussell is. And I think growth hurts no matter what

1:27:45.240 --> 1:27:47.360
<v Speaker 1>any if you think about the time where you probably

1:27:47.360 --> 1:27:49.280
<v Speaker 1>got to the furthest you was probably going through the

1:27:49.320 --> 1:27:51.559
<v Speaker 1>most you've ever went through in that moment. So growth

1:27:51.640 --> 1:27:54.320
<v Speaker 1>hurts anyway, bro, So to me, L Russell is just

1:27:54.439 --> 1:27:57.240
<v Speaker 1>growing and now there's a line in the sand where

1:27:57.280 --> 1:28:00.240
<v Speaker 1>everybody was behind him, like we love him, but now

1:28:00.240 --> 1:28:02.479
<v Speaker 1>it's people over here that don't like him, and those

1:28:02.520 --> 1:28:05.439
<v Speaker 1>people get that's what drives an artist. Go back to

1:28:05.439 --> 1:28:08.639
<v Speaker 1>the WWE thing. Like my favorite wrestler of all time

1:28:08.680 --> 1:28:11.080
<v Speaker 1>is Stone Coach Steve Austin. He's the greatest heel ever.

1:28:11.320 --> 1:28:12.519
<v Speaker 1>I don't like a baby face.

1:28:12.520 --> 1:28:13.080
<v Speaker 2>I like heel.

1:28:13.200 --> 1:28:15.559
<v Speaker 1>So it's like you can play different you can play

1:28:15.600 --> 1:28:17.200
<v Speaker 1>different sides of the fence and still win.

1:28:17.720 --> 1:28:21.640
<v Speaker 5>And yeah, yeah, all right, yeah, we are saying the

1:28:21.640 --> 1:28:24.200
<v Speaker 5>same thing with the L Russell part. I forget what

1:28:24.320 --> 1:28:26.960
<v Speaker 5>he rapped about, forget the Wayne shit because I agree

1:28:27.000 --> 1:28:27.880
<v Speaker 5>with Wayne thinks.

1:28:27.920 --> 1:28:31.400
<v Speaker 2>Well, like I kind of looked at Wayne inside Ray.

1:28:31.320 --> 1:28:32.760
<v Speaker 3>Was mad Wayne didn't get the super Bowl.

1:28:33.640 --> 1:28:37.000
<v Speaker 1>Nah, no, no, no, I I don't think Wayne. I

1:28:37.080 --> 1:28:39.400
<v Speaker 1>don't think Wayne should do the super Bowl because Wayne

1:28:39.439 --> 1:28:42.400
<v Speaker 1>should never do. His vocals are so hard to follow,

1:28:42.960 --> 1:28:46.080
<v Speaker 1>Like imagine him singing a million like if you thought

1:28:46.080 --> 1:28:49.040
<v Speaker 1>they had a problem with Kendrick singing damn and we

1:28:49.360 --> 1:28:51.360
<v Speaker 1>imagine that I being in over the like it would be.

1:28:51.360 --> 1:28:53.240
<v Speaker 2>I just don't think he should do the super Bowl.

1:28:53.439 --> 1:28:54.200
<v Speaker 3>Wayne should not do it.

1:28:54.400 --> 1:28:54.720
<v Speaker 2>I don't think.

1:28:55.200 --> 1:28:58.200
<v Speaker 4>And that's okay, that's what everybody's.

1:28:57.160 --> 1:28:58.800
<v Speaker 1>Not meant for the super Bowl, Like the super Bowl

1:28:58.920 --> 1:29:01.800
<v Speaker 1>is everybody. It's not just one corner of the world.

1:29:02.040 --> 1:29:04.080
<v Speaker 1>Because of low Wayne deserves this. So this kid Rocky,

1:29:04.120 --> 1:29:05.880
<v Speaker 1>because he's that, he's Lil Wayne to that world.

1:29:06.680 --> 1:29:15.320
<v Speaker 5>Well, I mean, kid, that's what I didn't even see

1:29:15.320 --> 1:29:21.720
<v Speaker 5>bad Bunny. I saw Marlon Marlon uh, but not with

1:29:22.240 --> 1:29:25.080
<v Speaker 5>the Russell ship. I guess it's just interesting to see

1:29:25.720 --> 1:29:29.120
<v Speaker 5>how somebody is finally dealing with not being a darling.

1:29:29.800 --> 1:29:31.080
<v Speaker 2>I love that.

1:29:31.080 --> 1:29:33.679
<v Speaker 5>That's why I'm observing this the Russell ship. And we've

1:29:33.680 --> 1:29:37.160
<v Speaker 5>clowned him after he said that ship, but we support

1:29:37.160 --> 1:29:40.840
<v Speaker 5>and love La Russell. I'm just observing somebody finally not

1:29:40.880 --> 1:29:43.240
<v Speaker 5>being darling and how they handle that, Like it's not

1:29:43.320 --> 1:29:46.120
<v Speaker 5>just a woman thing. But I judge anyone how they

1:29:46.160 --> 1:29:49.759
<v Speaker 5>deal with attention. Yes, that's a attention, you said attention.

1:29:49.920 --> 1:29:52.679
<v Speaker 5>That's really I like that. That's how people deal with attention.

1:29:52.840 --> 1:29:54.920
<v Speaker 5>Is is kind of how I view them.

1:29:55.200 --> 1:29:57.599
<v Speaker 1>Yes, that's that's who you are, Like, I know who

1:29:57.680 --> 1:29:59.720
<v Speaker 1>you are once once you have but you have the light.

1:30:00.120 --> 1:30:03.679
<v Speaker 5>Yes, Like how are you in this regard now? I'm

1:30:03.680 --> 1:30:07.519
<v Speaker 5>not saying that in Larussell's case because Larussell's had a

1:30:07.520 --> 1:30:08.679
<v Speaker 5>bunch of attention on him.

1:30:09.120 --> 1:30:13.000
<v Speaker 2>I'm looking at now how you deal with negative attention because.

1:30:12.800 --> 1:30:16.120
<v Speaker 5>You have been nothing but as rightfully so, you started

1:30:16.120 --> 1:30:18.120
<v Speaker 5>this shit in your backyard. You deserve every bit of

1:30:18.160 --> 1:30:20.360
<v Speaker 5>flower you've gotten in this entire time. But that's not

1:30:20.360 --> 1:30:23.799
<v Speaker 5>how the world works. Now, you say one motherfucking thing wrong,

1:30:23.880 --> 1:30:26.720
<v Speaker 5>which is kind of true about Wayne, or you say

1:30:26.720 --> 1:30:30.280
<v Speaker 5>that dumb ass shit. I'm not judging Larrussell's rhymes based

1:30:30.320 --> 1:30:32.559
<v Speaker 5>off that bumb ass Epstein shit because l Russell has

1:30:32.560 --> 1:30:35.920
<v Speaker 5>had ten thousand hours of amazing rhymes. That makes sense.

1:30:36.200 --> 1:30:38.439
<v Speaker 5>You're just an idiot and that we understand what you

1:30:38.479 --> 1:30:38.920
<v Speaker 5>were saying.

1:30:39.240 --> 1:30:39.640
<v Speaker 1>Stop it.

1:30:39.840 --> 1:30:42.840
<v Speaker 5>Yeah, I'm judging Larrussell right now of how he's dealing

1:30:42.920 --> 1:30:46.880
<v Speaker 5>with negative pub what you think through the whole thing.

1:30:47.560 --> 1:30:51.080
<v Speaker 5>I think that's what separates everybody. I think jay Z

1:30:51.200 --> 1:30:54.839
<v Speaker 5>got killed, came out and we saw how he pivoted

1:30:55.040 --> 1:30:56.960
<v Speaker 5>and said, we're doing streets is watch him? Yeah, he

1:30:57.080 --> 1:30:59.599
<v Speaker 5>knows how to pivot once you finally get some negative shit.

1:31:00.120 --> 1:31:02.479
<v Speaker 5>To me, that defines what an artist is. And I'm

1:31:02.520 --> 1:31:06.040
<v Speaker 5>finally judging Larussell. How are you going to figure out

1:31:06.120 --> 1:31:10.439
<v Speaker 5>for the first time, not being the darling independent rapper?

1:31:11.640 --> 1:31:14.080
<v Speaker 5>How are we moving now? Because it was stupid? Stop

1:31:14.080 --> 1:31:15.840
<v Speaker 5>trying to explain. I don't know what Heaven sent me.

1:31:16.120 --> 1:31:16.240
<v Speaker 1>Yo.

1:31:16.439 --> 1:31:19.800
<v Speaker 5>It was dumb. It was dumb. It's not profound. I'm

1:31:19.800 --> 1:31:23.479
<v Speaker 5>sorry what you said. We're not profound, mister school, which

1:31:23.520 --> 1:31:25.160
<v Speaker 5>we all do. We all missed the market. Come on,

1:31:25.280 --> 1:31:28.000
<v Speaker 5>I'm never judging somebody missing, but how you.

1:31:28.040 --> 1:31:28.400
<v Speaker 2>Want to move?

1:31:28.520 --> 1:31:29.280
<v Speaker 3>We all missed the mark.

1:31:29.360 --> 1:31:32.200
<v Speaker 1>But but but to me, I think l Russell is

1:31:32.240 --> 1:31:35.559
<v Speaker 1>fine becausel Russell is a household name in the hip

1:31:35.600 --> 1:31:39.120
<v Speaker 1>hop space. And none of us probably know any of

1:31:39.160 --> 1:31:43.760
<v Speaker 1>his music, which means we hear him talk that, we

1:31:43.800 --> 1:31:44.479
<v Speaker 1>don't hear him rap.

1:31:45.240 --> 1:31:46.760
<v Speaker 2>We know what he does, like I know a few

1:31:46.760 --> 1:31:47.280
<v Speaker 2>of his songs.

1:31:47.280 --> 1:31:50.120
<v Speaker 1>But I'm saying you can't pay Larussell puts out eighty

1:31:50.120 --> 1:31:52.280
<v Speaker 1>songs a year, like he has a whole different model.

1:31:52.360 --> 1:31:52.519
<v Speaker 3>Right.

1:31:52.640 --> 1:31:55.360
<v Speaker 5>That was my first conversation with Rest in Peace d Hovane,

1:31:55.479 --> 1:31:57.200
<v Speaker 5>which was which was his manager.

1:31:56.840 --> 1:31:59.360
<v Speaker 1>At that point. So I can't keep up with this output. Yeah,

1:31:59.840 --> 1:32:01.160
<v Speaker 1>he he's putting out so much music.

1:32:01.200 --> 1:32:03.360
<v Speaker 5>I'm paying attention more to what he's doing in the

1:32:03.360 --> 1:32:05.360
<v Speaker 5>backyard and what he's saying saying.

1:32:05.400 --> 1:32:06.680
<v Speaker 1>I was trying to keep up with it. He was

1:32:06.680 --> 1:32:09.120
<v Speaker 1>putting out like ten EPs in like six months.

1:32:08.920 --> 1:32:09.800
<v Speaker 2>Yeah, six month period.

1:32:11.560 --> 1:32:14.760
<v Speaker 1>He's playing a different game. He's treating music like a

1:32:15.080 --> 1:32:16.719
<v Speaker 1>I want to say, like a hustle. But he's treating

1:32:16.720 --> 1:32:19.599
<v Speaker 1>it like it's his trap. And he's playing a different game.

1:32:19.680 --> 1:32:22.559
<v Speaker 1>And I don't think this the Hitler thing is gonna

1:32:22.600 --> 1:32:25.040
<v Speaker 1>it's gonna blow over because he's not going to stand

1:32:25.080 --> 1:32:26.880
<v Speaker 1>on it like YA did. Like he's not going to

1:32:27.040 --> 1:32:29.200
<v Speaker 1>stand in it. He's like he's talked about it, because

1:32:29.200 --> 1:32:30.960
<v Speaker 1>remember what you saw what he said. He said, he said,

1:32:31.040 --> 1:32:33.559
<v Speaker 1>I was just trying to say they haven't said because

1:32:33.600 --> 1:32:36.320
<v Speaker 1>everybody that's boring is having sent that they become evil.

1:32:36.560 --> 1:32:39.880
<v Speaker 1>But you playing a game with words that can hurt people.

1:32:39.920 --> 1:32:41.120
<v Speaker 1>And that's why I'm like, he missed it.

1:32:41.160 --> 1:32:43.600
<v Speaker 5>But he's he's acting like he's saying something profound. And

1:32:44.200 --> 1:32:46.000
<v Speaker 5>we talked of the last episode. Even though I disagree

1:32:46.000 --> 1:32:47.960
<v Speaker 5>with a lot of what Yay said, at least ye

1:32:48.120 --> 1:32:51.840
<v Speaker 5>started a conversation that came from an actual perspective point

1:32:51.840 --> 1:32:54.880
<v Speaker 5>of view. You just saying everybody's having said like you

1:32:55.040 --> 1:32:56.680
<v Speaker 5>arguing with us being mad at that.

1:32:56.760 --> 1:32:58.519
<v Speaker 1>It's like, though you didn't say anything profound, that was

1:32:58.520 --> 1:33:00.599
<v Speaker 1>the first time, you know what, I have no perspective

1:33:00.640 --> 1:33:00.760
<v Speaker 1>on this.

1:33:00.800 --> 1:33:02.160
<v Speaker 2>I'm gonna be honest with you, La Russell.

1:33:02.360 --> 1:33:04.880
<v Speaker 1>I don't think the Lil Wayne thing was I didn't

1:33:04.880 --> 1:33:06.080
<v Speaker 1>think he thought I was gonna do what it is

1:33:06.120 --> 1:33:07.720
<v Speaker 1>because I think he was telling his truth and that

1:33:07.760 --> 1:33:10.719
<v Speaker 1>was unfortunate. But I think this time is the first

1:33:10.760 --> 1:33:14.320
<v Speaker 1>time where he he's learning, Like this is his first

1:33:14.360 --> 1:33:17.400
<v Speaker 1>time he put his foot this mouth and he's like, oh,

1:33:17.520 --> 1:33:20.240
<v Speaker 1>because they're not gonna he's gonna lose something for that,

1:33:20.800 --> 1:33:23.360
<v Speaker 1>Like he's probably already lost him He's probab already lost money.

1:33:23.439 --> 1:33:25.639
<v Speaker 1>We don't want you to do a show. Probably at

1:33:25.680 --> 1:33:27.599
<v Speaker 1>Missfu he was gonna get twenty five thoughts. He probably

1:33:27.600 --> 1:33:29.120
<v Speaker 1>missed some money already because of it.

1:33:29.479 --> 1:33:30.200
<v Speaker 2>But I just.

1:33:32.080 --> 1:33:33.920
<v Speaker 1>To me, this is the first time we're gonna see

1:33:33.920 --> 1:33:35.360
<v Speaker 1>how he handles it, And I think.

1:33:35.240 --> 1:33:36.000
<v Speaker 2>He's a great talker.

1:33:36.120 --> 1:33:37.720
<v Speaker 1>I just think that he should say I fucked up,

1:33:37.800 --> 1:33:40.400
<v Speaker 1>keep it going, But he has this silly side to him.

1:33:40.439 --> 1:33:43.519
<v Speaker 1>We'll be like, what's wrong, let's talk. I don't think

1:33:43.560 --> 1:33:45.000
<v Speaker 1>he should do that this time. I think he should

1:33:45.000 --> 1:33:45.760
<v Speaker 1>just let it go.

1:33:45.880 --> 1:33:47.600
<v Speaker 4>I'm on the opposite side of it, only because l

1:33:47.640 --> 1:33:52.559
<v Speaker 4>Russell was so self built. I don't think nobody that

1:33:52.600 --> 1:33:55.360
<v Speaker 4>supports Larrussell's music, that knows his music will stop listening.

1:33:55.520 --> 1:33:56.479
<v Speaker 3>Of course, I don't think.

1:33:56.280 --> 1:33:58.400
<v Speaker 4>Nobody that has been to his backyard the goola will

1:33:58.439 --> 1:33:59.160
<v Speaker 4>not go anymore.

1:33:59.479 --> 1:34:01.160
<v Speaker 3>I don't think that l Russell loses anything.

1:34:01.200 --> 1:34:03.680
<v Speaker 4>I think people that really don't care about any of

1:34:03.720 --> 1:34:05.559
<v Speaker 4>the shit La Russell was saying are the only ones

1:34:05.720 --> 1:34:06.160
<v Speaker 4>that all of a.

1:34:06.160 --> 1:34:08.200
<v Speaker 1>Sudden care about. Right Whatlla Russell was saying.

1:34:08.479 --> 1:34:10.680
<v Speaker 4>I don't think anybody cares about this shit the way

1:34:10.680 --> 1:34:12.439
<v Speaker 4>they're trying to pretend they care about it.

1:34:12.800 --> 1:34:14.760
<v Speaker 5>I think that Epstein ship was the dumbest thing ever.

1:34:14.960 --> 1:34:17.200
<v Speaker 5>I'm sitting here, I'm a Larrussell supporter.

1:34:17.640 --> 1:34:18.480
<v Speaker 3>Same aaa.

1:34:19.080 --> 1:34:20.519
<v Speaker 2>I thought it was stupid, but it would never change

1:34:20.520 --> 1:34:22.840
<v Speaker 2>my mind. It's not going to I'm.

1:34:22.720 --> 1:34:24.840
<v Speaker 1>Like, I'm here to supports something that needs to be

1:34:24.920 --> 1:34:27.200
<v Speaker 1>some ship. But all right, uh, there is not one

1:34:27.240 --> 1:34:30.080
<v Speaker 1>celebrity that has ever lived that I agree with everything

1:34:30.120 --> 1:34:30.960
<v Speaker 1>they said and did.

1:34:31.479 --> 1:34:32.400
<v Speaker 3>Nobody, no personal.

1:34:33.400 --> 1:34:35.760
<v Speaker 1>We live in society now where we think if we

1:34:35.800 --> 1:34:38.240
<v Speaker 1>don't agree, that means we don't support and I think

1:34:38.280 --> 1:34:41.520
<v Speaker 1>that we got to lose that like it's okay to disagree.

1:34:41.800 --> 1:34:45.679
<v Speaker 1>He says something dumb. Everybody does. Everybody does something dumb.

1:34:45.720 --> 1:34:48.120
<v Speaker 1>It's how they recover afterwards that we should focus on.

1:34:48.280 --> 1:34:50.479
<v Speaker 1>And to me, I think he deserves the benefit of

1:34:50.520 --> 1:34:52.639
<v Speaker 1>the doubt because he's been after us, he's been talking,

1:34:52.680 --> 1:34:53.680
<v Speaker 1>and he ain't fucked up.

1:34:54.160 --> 1:34:57.639
<v Speaker 2>Literally, he ain't said nothing crazy. But also let's also

1:34:57.680 --> 1:34:59.479
<v Speaker 2>be a beautiful example of how you should move.

1:34:59.560 --> 1:35:02.200
<v Speaker 1>Let's also be clear, La Russell is he's gonna learn

1:35:02.240 --> 1:35:05.760
<v Speaker 1>this because he's with Hove now, he's under the microscope.

1:35:06.360 --> 1:35:08.040
<v Speaker 2>Everything he do, they gonna think rock Nation town.

1:35:08.160 --> 1:35:08.759
<v Speaker 3>That's the difference.

1:35:08.800 --> 1:35:09.320
<v Speaker 2>That's the difference.

1:35:09.320 --> 1:35:11.679
<v Speaker 1>So I think that I think that he if he's smart,

1:35:11.720 --> 1:35:13.920
<v Speaker 1>he turned it on because he's like I want rock Nation.

1:35:13.960 --> 1:35:15.640
<v Speaker 1>They gonna think I'm They gonna they might as well

1:35:15.680 --> 1:35:18.120
<v Speaker 1>do some mafioso type shit anyway, because y'all don't think it.

1:35:18.120 --> 1:35:19.040
<v Speaker 2>I could see him doing that.

1:35:19.400 --> 1:35:21.439
<v Speaker 5>You know what's so fucked up about the position Lar

1:35:21.479 --> 1:35:26.400
<v Speaker 5>Russell's in is what he said, the Wayne thing. I

1:35:26.439 --> 1:35:29.960
<v Speaker 5>know for a fact that there were people backing that

1:35:30.080 --> 1:35:33.000
<v Speaker 5>clip for a smear campaign because he was signed to Jay.

1:35:33.200 --> 1:35:38.280
<v Speaker 5>Mm Now with that said, with his Epstein thing, where

1:35:38.320 --> 1:35:42.200
<v Speaker 5>it's catch twenty two with the internet, now you have

1:35:42.320 --> 1:35:44.719
<v Speaker 5>that already, I'm signing here. Now I'm getting a smear

1:35:44.760 --> 1:35:47.679
<v Speaker 5>campaign on x Twitter because I'm signed with him. Nobody

1:35:47.680 --> 1:35:50.240
<v Speaker 5>give a fuck about that Wayne. Yeah, nobody really cared

1:35:50.240 --> 1:35:52.280
<v Speaker 5>about that Winge shit. It was a smear campaign behind

1:35:52.280 --> 1:35:52.760
<v Speaker 5>it for sure.

1:35:52.840 --> 1:35:54.760
<v Speaker 3>Yeah.

1:35:55.000 --> 1:35:57.200
<v Speaker 5>Now I say something about Epstein and now the smear

1:35:57.240 --> 1:36:05.320
<v Speaker 5>campaign is Jay told him support like, how can you

1:36:05.439 --> 1:36:08.080
<v Speaker 5>even And I'm saying what he said, what's stupid? But

1:36:08.680 --> 1:36:11.680
<v Speaker 5>it's now to your point, being under the microscope with

1:36:11.760 --> 1:36:15.320
<v Speaker 5>everything rock Nation. That's why I laugh. People think rock

1:36:15.400 --> 1:36:17.720
<v Speaker 5>Nation has way more power than it does. And I'm

1:36:17.720 --> 1:36:20.320
<v Speaker 5>telling you the people against rock Nation are doing way

1:36:20.360 --> 1:36:22.920
<v Speaker 5>more smear campaigns than rock Nation is doing.

1:36:23.080 --> 1:36:23.320
<v Speaker 2>Y'all.

1:36:23.600 --> 1:36:25.800
<v Speaker 1>I could tell you, I'll give you some insight on

1:36:25.880 --> 1:36:30.200
<v Speaker 1>rock Nation. From that standpoint, jay Z is hated amongst

1:36:30.200 --> 1:36:34.400
<v Speaker 1>his peers because he's the only one that's famous. So, like,

1:36:35.280 --> 1:36:37.000
<v Speaker 1>jay Z, what do you consider it's pierous when you

1:36:37.000 --> 1:36:40.479
<v Speaker 1>said that, the CEOs of the labels Lucien Lucien, the

1:36:40.600 --> 1:36:43.320
<v Speaker 1>see like they all are trying to kill his name

1:36:43.439 --> 1:36:47.320
<v Speaker 1>because he beats them every time. And y'all got to

1:36:47.320 --> 1:36:49.320
<v Speaker 1>spend two million to get with Jake has spent half

1:36:49.360 --> 1:36:52.280
<v Speaker 1>a million again because he's j So they gonna always

1:36:52.280 --> 1:36:54.080
<v Speaker 1>hate on us. So jay Z. I remember being in

1:36:54.080 --> 1:36:56.160
<v Speaker 1>the staff meeting with the CEO of a company Swear

1:36:56.200 --> 1:36:57.760
<v Speaker 1>to God, just says it in front of everybody. I

1:36:58.000 --> 1:37:00.800
<v Speaker 1>say something about jay and they was like, nobody wins

1:37:00.880 --> 1:37:02.519
<v Speaker 1>when they do business with Jay's like in front of them, Like,

1:37:02.560 --> 1:37:04.519
<v Speaker 1>yall remember this, Like this is a CEO but major

1:37:04.560 --> 1:37:07.160
<v Speaker 1>label talking in front of fifty of his employees. Nobody

1:37:07.160 --> 1:37:08.920
<v Speaker 1>wins in business with jay Z. That's why we don't

1:37:08.920 --> 1:37:10.639
<v Speaker 1>do business with him. He's the only one that wins.

1:37:10.640 --> 1:37:11.280
<v Speaker 2>That's how he is.

1:37:11.320 --> 1:37:13.240
<v Speaker 1>And it's like, why the fuck would you say that

1:37:13.280 --> 1:37:15.719
<v Speaker 1>in the like, but that's the ship we're talking about.

1:37:15.760 --> 1:37:19.000
<v Speaker 1>You have to somehow discredit him because the work. Let

1:37:19.080 --> 1:37:21.840
<v Speaker 1>me tell y'all something, If Rock Nation gets one win

1:37:23.160 --> 1:37:24.800
<v Speaker 1>the Big Three on Trouble.

1:37:26.040 --> 1:37:29.080
<v Speaker 2>One, not not this version of rock Nation. I'm not talking.

1:37:28.880 --> 1:37:31.840
<v Speaker 1>About with whole leading J Cole, this my little I'm

1:37:31.880 --> 1:37:33.800
<v Speaker 1>talking about this staff, this team.

1:37:33.840 --> 1:37:40.519
<v Speaker 5>If they break, something's over. The Title was the start

1:37:40.560 --> 1:37:44.519
<v Speaker 5>of that, and that's why I I respect jay Z

1:37:44.680 --> 1:37:48.160
<v Speaker 5>for so many things. Starting Title, to me was the

1:37:48.160 --> 1:37:51.040
<v Speaker 5>most gangster shit he's ever done in his entire I

1:37:51.040 --> 1:37:52.080
<v Speaker 5>thought that was a bad move.

1:37:52.160 --> 1:37:54.280
<v Speaker 2>Fucking like boy.

1:37:54.040 --> 1:37:57.000
<v Speaker 1>Why it didn't work out because now the reason I

1:37:57.040 --> 1:37:59.040
<v Speaker 1>thought it was a bad move was because the way

1:37:59.080 --> 1:38:00.040
<v Speaker 1>he did it.

1:38:00.400 --> 1:38:02.040
<v Speaker 2>The marketing plan was the worst thing ever.

1:38:02.400 --> 1:38:05.240
<v Speaker 1>So if jay Z would have started Title and said,

1:38:06.000 --> 1:38:07.720
<v Speaker 1>I'm going to create a fun artist is going to

1:38:07.800 --> 1:38:09.360
<v Speaker 1>eat from everyone type thing.

1:38:09.680 --> 1:38:11.080
<v Speaker 2>But jay Z did what that.

1:38:11.120 --> 1:38:13.360
<v Speaker 1>He has a famous line, less is more right, So

1:38:13.400 --> 1:38:15.960
<v Speaker 1>he had so you pick, hand picked the people you

1:38:16.000 --> 1:38:18.200
<v Speaker 1>want to be on this table with you, and now

1:38:18.439 --> 1:38:20.360
<v Speaker 1>you got twelve of the biggest artists in the world.

1:38:20.520 --> 1:38:23.280
<v Speaker 1>But the other nine hundred and ninety five that are

1:38:23.360 --> 1:38:25.439
<v Speaker 1>out there like, we never fucking with you, we never

1:38:25.600 --> 1:38:28.439
<v Speaker 1>And Title paid more than everybody else. But it was like,

1:38:28.439 --> 1:38:30.320
<v Speaker 1>it's just about to say, you think about that. You

1:38:30.360 --> 1:38:33.439
<v Speaker 1>know that artists out bro way more than anything about this.

1:38:34.040 --> 1:38:36.640
<v Speaker 1>Why an artist not telling everybody to listen to the

1:38:36.720 --> 1:38:41.240
<v Speaker 1>music on title, Well, because jay Z picked the artists

1:38:41.240 --> 1:38:43.840
<v Speaker 1>that he wanted to represent title and that was the

1:38:43.840 --> 1:38:46.800
<v Speaker 1>people that I was ushered and Nicki Minaj's, the people

1:38:46.800 --> 1:38:50.080
<v Speaker 1>that signed the pay Alicia Keys, the people that owned it. Okay,

1:38:50.160 --> 1:38:51.559
<v Speaker 1>I Prince, I think Prince was.

1:38:52.040 --> 1:38:52.680
<v Speaker 3>No Prince was?

1:38:52.680 --> 1:38:55.559
<v Speaker 4>Did I think Prince was after the release the press release?

1:38:55.720 --> 1:38:57.519
<v Speaker 1>I know Madonnague I think he may have passed, like

1:38:57.560 --> 1:38:59.960
<v Speaker 1>maybe the same year. Yeah, but I know madonad was.

1:39:00.080 --> 1:39:01.200
<v Speaker 3>Prince was on stage.

1:39:03.160 --> 1:39:08.280
<v Speaker 5>Hear me out, worst marketing plan ever when they had

1:39:08.800 --> 1:39:12.840
<v Speaker 5>everybody on stage there, because as a consumer, we looked

1:39:12.880 --> 1:39:15.840
<v Speaker 5>at it like, why are all these millionaires complaining? It

1:39:15.840 --> 1:39:18.000
<v Speaker 5>was the same way when Talica did Napster and it

1:39:18.080 --> 1:39:23.400
<v Speaker 5>was like like I was Metallica was, I was downloading

1:39:23.400 --> 1:39:24.480
<v Speaker 5>the kaza.

1:39:25.920 --> 1:39:29.000
<v Speaker 2>Metallica, I'm like, I know, kids money, I'm downloaded.

1:39:29.040 --> 1:39:32.120
<v Speaker 5>This hit the marketing plan as as far as that

1:39:32.439 --> 1:39:35.080
<v Speaker 5>of what it looked like to consumers, not what it was.

1:39:35.120 --> 1:39:36.919
<v Speaker 2>I'm talking about what I'm a consumer.

1:39:37.560 --> 1:39:40.240
<v Speaker 5>It's a bunch of millionaires up here telling me they

1:39:40.360 --> 1:39:44.080
<v Speaker 5>not making enough money, which is true true, But Jay

1:39:44.120 --> 1:39:48.240
<v Speaker 5>at that exact same time, was also dealing with Apple

1:39:48.360 --> 1:39:52.200
<v Speaker 5>about to start Apple Music, and knew that Apple Music

1:39:52.360 --> 1:39:55.360
<v Speaker 5>was going to start to do their exclusive deals.

1:39:55.560 --> 1:39:57.719
<v Speaker 2>They did one with Chance, they did one with Drink.

1:39:58.360 --> 1:40:03.200
<v Speaker 5>Everyone knew that these DSP wars were starting out as

1:40:03.280 --> 1:40:06.000
<v Speaker 5>exclusive deals. You have to pay for my app to

1:40:06.000 --> 1:40:10.360
<v Speaker 5>get that. So Jay At, being the genius that he is,

1:40:10.360 --> 1:40:14.760
<v Speaker 5>is saying, Yo, Nikki, I will give you steak in

1:40:14.800 --> 1:40:18.240
<v Speaker 5>this and we'll put all of our albums through this

1:40:18.439 --> 1:40:21.639
<v Speaker 5>entire thing. And you know who, ironically, is the only

1:40:21.680 --> 1:40:24.000
<v Speaker 5>one that ever stuck to that, not even Jay Jay

1:40:24.000 --> 1:40:24.800
<v Speaker 5>didn't even stick to it.

1:40:25.240 --> 1:40:25.679
<v Speaker 2>Beyonce.

1:40:26.640 --> 1:40:31.200
<v Speaker 5>M you couldn't get lemonade off top. Beyonce is the

1:40:31.200 --> 1:40:33.880
<v Speaker 5>only one that stuck to that motherfucking deal. If everyone

1:40:34.000 --> 1:40:36.559
<v Speaker 5>stuck to that deal that was on that stage, we

1:40:36.600 --> 1:40:38.920
<v Speaker 5>would be having a different conversation. And I don't know

1:40:38.920 --> 1:40:40.920
<v Speaker 5>the backs, I don't know why they didn't, and it's

1:40:40.960 --> 1:40:42.200
<v Speaker 5>not my business to know that.

1:40:42.280 --> 1:40:42.719
<v Speaker 2>I agree.

1:40:42.840 --> 1:40:46.120
<v Speaker 5>I'm saying what Jay was trying to do was one

1:40:46.120 --> 1:40:48.439
<v Speaker 5>of the most gangster shit I've ever seen in my life.

1:40:48.760 --> 1:40:53.519
<v Speaker 5>Going against the Big three period, like you're going against

1:40:53.560 --> 1:40:56.400
<v Speaker 5>you're going against Spotify in the whole country of fucking

1:40:56.439 --> 1:40:59.759
<v Speaker 5>Sweden at this point, if he would have gotten everyone

1:40:59.800 --> 1:41:02.240
<v Speaker 5>to stick to that exclusive plan, he didn't even stick

1:41:02.240 --> 1:41:02.400
<v Speaker 5>to it.

1:41:02.479 --> 1:41:03.680
<v Speaker 2>I say, but why didn't he?

1:41:03.800 --> 1:41:07.040
<v Speaker 1>Because they his wife is they know he was the

1:41:07.040 --> 1:41:08.080
<v Speaker 1>only one that stuck to it.

1:41:08.840 --> 1:41:09.280
<v Speaker 2>That's real.

1:41:09.960 --> 1:41:12.200
<v Speaker 1>I just think I just think that that was a

1:41:12.240 --> 1:41:14.400
<v Speaker 1>bad move. I think the way he did it was bad.

1:41:14.439 --> 1:41:16.599
<v Speaker 1>I think he still I wish you didn't sell it

1:41:17.040 --> 1:41:17.519
<v Speaker 1>because I.

1:41:17.439 --> 1:41:18.360
<v Speaker 2>Think that I'm glady.

1:41:18.520 --> 1:41:20.200
<v Speaker 1>I think that the time right now to get behind

1:41:20.240 --> 1:41:25.599
<v Speaker 1>title because Spotify is kind of like the reversal now, raight,

1:41:25.800 --> 1:41:29.320
<v Speaker 1>I hear you, But consumers are based on routine, and

1:41:29.400 --> 1:41:32.360
<v Speaker 1>at that point everyone was scrambling to hey, are you

1:41:32.400 --> 1:41:35.160
<v Speaker 1>on Spotify or you on Apple? Title would have been

1:41:35.160 --> 1:41:37.320
<v Speaker 1>the time to do that if all of our favorite

1:41:37.400 --> 1:41:39.040
<v Speaker 1>artists only had exclusive albums.

1:41:39.040 --> 1:41:42.479
<v Speaker 5>On that point, we're too programmed. This is my phone.

1:41:42.600 --> 1:41:45.280
<v Speaker 5>I got Apple Music, Spotify. If you bring me a

1:41:45.320 --> 1:41:48.720
<v Speaker 5>new DSP, I'm not signed up for it. But like,

1:41:48.840 --> 1:41:49.320
<v Speaker 5>I'm just not.

1:41:49.439 --> 1:41:51.880
<v Speaker 1>What if every artist said to you, What if every

1:41:51.960 --> 1:41:54.040
<v Speaker 1>artist said, we don't we know you don't care where

1:41:54.080 --> 1:41:57.080
<v Speaker 1>you listen to music Spotify, Apple, Twitter or whatever, But

1:41:57.360 --> 1:41:58.360
<v Speaker 1>if you listen on title.

1:41:58.400 --> 1:42:00.559
<v Speaker 2>It means more to so please good a title.

1:42:00.640 --> 1:42:00.920
<v Speaker 3>I think.

1:42:01.000 --> 1:42:03.280
<v Speaker 5>No, that's where you get Patreon, That's where you get

1:42:03.320 --> 1:42:06.599
<v Speaker 5>those those paywall things that are important. I'm saying Jay

1:42:06.680 --> 1:42:08.760
<v Speaker 5>was trying to do something that we complain about. Why

1:42:08.800 --> 1:42:11.360
<v Speaker 5>don't artists have unions? Why don't everyone do it? Jay

1:42:11.400 --> 1:42:13.439
<v Speaker 5>tried to do that, and no one stuck to the plant.

1:42:13.560 --> 1:42:15.960
<v Speaker 5>And again I think Jay had horrible marketing with that. Yeah,

1:42:15.960 --> 1:42:18.360
<v Speaker 5>that's what I don't have my guys with the masks

1:42:18.479 --> 1:42:21.560
<v Speaker 5>on telling me they're poor, Like I just I'm.

1:42:21.200 --> 1:42:25.680
<v Speaker 1>Cool, we're poor, which you guys own private jets. We

1:42:25.680 --> 1:42:27.479
<v Speaker 1>don't want to feel sorry for none of you. Yeah,

1:42:27.560 --> 1:42:29.160
<v Speaker 1>like I don't want to see Diplo tell me about

1:42:29.160 --> 1:42:32.000
<v Speaker 1>the ship. I'm just saying that he tried, and that

1:42:32.080 --> 1:42:32.719
<v Speaker 1>time is past.

1:42:32.760 --> 1:42:33.120
<v Speaker 2>It's over.

1:42:33.160 --> 1:42:35.360
<v Speaker 5>It's Spotify and Apple, and that's just the world that

1:42:35.400 --> 1:42:38.479
<v Speaker 5>we live in the same way that it went from

1:42:38.720 --> 1:42:41.479
<v Speaker 5>HBO go now it's Max now, it's everything is just

1:42:41.520 --> 1:42:43.120
<v Speaker 5>falling under the same everybody.

1:42:42.840 --> 1:42:45.040
<v Speaker 2>Trying to figure out what they're going to be. We

1:42:45.080 --> 1:42:45.599
<v Speaker 2>don't know yet.

1:42:45.680 --> 1:42:48.040
<v Speaker 1>Everybody's like, I don't think the music business though, we

1:42:48.080 --> 1:42:48.920
<v Speaker 1>still try to figure out.

1:42:48.920 --> 1:42:50.439
<v Speaker 2>I think Iceman is going to tell.

1:42:50.360 --> 1:42:52.920
<v Speaker 4>Us, well, I want to think that's supposed to put.

1:42:52.920 --> 1:42:55.680
<v Speaker 4>I cannot wait until this album come out because I

1:42:55.760 --> 1:42:57.400
<v Speaker 4>want to have a conversation with you.

1:42:57.520 --> 1:43:00.160
<v Speaker 2>Bro, liter Cup anytime, and y'all come to that Lanta.

1:43:00.360 --> 1:43:02.840
<v Speaker 1>We follow each other like, Bro, y'all, I love this

1:43:02.880 --> 1:43:06.280
<v Speaker 1>shit because y'all are peerist. No matter what, I like

1:43:06.360 --> 1:43:08.439
<v Speaker 1>peerists like keep it pure.

1:43:08.760 --> 1:43:09.559
<v Speaker 3>Absolutely, don't.

1:43:09.600 --> 1:43:12.360
<v Speaker 1>Don't dilute the waters for yourself because that's cheating. Like,

1:43:12.439 --> 1:43:14.120
<v Speaker 1>just keep it pure, bro, Like, as long as it's pure.

1:43:14.120 --> 1:43:16.479
<v Speaker 1>Everybody got a chance to win. It's like sports. It's

1:43:16.479 --> 1:43:18.439
<v Speaker 1>like just gets nigga. Everybody get a chance to win.

1:43:18.479 --> 1:43:19.599
<v Speaker 1>Don't just cheat for one person.

1:43:19.600 --> 1:43:20.880
<v Speaker 4>We're gonna were gonna have a good We're gonna have

1:43:20.920 --> 1:43:23.479
<v Speaker 4>a conversation once this Iceman album dropped. I'm coming back

1:43:23.800 --> 1:43:27.040
<v Speaker 4>once everything happens, please, Like, I can't. I can't wait

1:43:27.040 --> 1:43:29.160
<v Speaker 4>to sit next to Ray and then have another conversation

1:43:29.280 --> 1:43:31.600
<v Speaker 4>about you know, everything that has transpired.

1:43:31.880 --> 1:43:34.200
<v Speaker 2>You know he've from the Bronx on the Love Really

1:43:35.120 --> 1:43:36.080
<v Speaker 2>Patterson projects.

1:43:36.520 --> 1:43:36.960
<v Speaker 3>Nah.

1:43:37.479 --> 1:43:39.559
<v Speaker 1>I went to PSA team, I graduated, I went to

1:43:39.920 --> 1:43:42.479
<v Speaker 1>one eighty three middle school, junior high school. I left

1:43:42.520 --> 1:43:44.519
<v Speaker 1>the Bronx when I was twelve, right after my twelve birthday.

1:43:44.760 --> 1:43:47.360
<v Speaker 1>Oh wow, and I talk like that I loved. Let

1:43:47.400 --> 1:43:49.960
<v Speaker 1>me tell you something I loved. I was in New York,

1:43:50.000 --> 1:43:53.080
<v Speaker 1>New York, New York from twelve to fourteen. When I

1:43:53.120 --> 1:43:56.479
<v Speaker 1>came to some of that Biggie dropped, Juicy dropped. That's summer.

1:43:56.479 --> 1:43:58.240
<v Speaker 1>Biggie had New York on fire. I came to see

1:43:58.240 --> 1:44:00.519
<v Speaker 1>my family. I was New York all day. I hang

1:44:00.560 --> 1:44:03.519
<v Speaker 1>around my cousins. They like, you old country motherfucker. And

1:44:03.600 --> 1:44:05.760
<v Speaker 1>I was like, damn, like I'm representing you, ain't you

1:44:05.920 --> 1:44:08.200
<v Speaker 1>country ass nigga? That was like shit, I might as

1:44:08.240 --> 1:44:11.200
<v Speaker 1>well be from Atlanta. Y'all are gonna represent. I can't represent.

1:44:12.760 --> 1:44:14.200
<v Speaker 1>And I always say, bro, if you go to passing

1:44:14.240 --> 1:44:16.719
<v Speaker 1>projects right now, you might run into a cousin of mine.

1:44:16.960 --> 1:44:19.400
<v Speaker 1>Might one out of a million chances maybe. But if

1:44:19.400 --> 1:44:21.679
<v Speaker 1>you go anywhere in Atlanta, Georgia and you say my name,

1:44:22.000 --> 1:44:24.360
<v Speaker 1>they all see me grind. That's why I claim Atlanta,

1:44:24.360 --> 1:44:26.240
<v Speaker 1>because that's why I became a man. But I did

1:44:26.280 --> 1:44:28.599
<v Speaker 1>see the bronx hustling. I do come from something from

1:44:28.640 --> 1:44:31.559
<v Speaker 1>early early DNA years. And I'll tell people I think

1:44:31.560 --> 1:44:35.160
<v Speaker 1>I'm great at music because I grew up in the

1:44:35.439 --> 1:44:38.800
<v Speaker 1>New York in the eighties, so I've seen the block

1:44:38.880 --> 1:44:41.760
<v Speaker 1>party turn into hip hop being what it is. And

1:44:41.760 --> 1:44:44.880
<v Speaker 1>then I left atlant for Atlanta in ninety one and

1:44:44.920 --> 1:44:48.800
<v Speaker 1>now I'm watching Atlanta flourish and I'm also seeing New

1:44:48.840 --> 1:44:51.040
<v Speaker 1>York flourish. So I had that point, but I wanted

1:44:51.040 --> 1:44:53.559
<v Speaker 1>to tell you something real quick. So I'm the creative

1:44:53.600 --> 1:44:56.920
<v Speaker 1>director of the cut. It's a haircut out and I

1:44:56.960 --> 1:44:59.280
<v Speaker 1>appreciate you guys. You know so we got jacket for you,

1:44:59.320 --> 1:45:01.320
<v Speaker 1>but I want to for I got this for you.

1:45:01.360 --> 1:45:03.080
<v Speaker 1>I got one in my pocket. I'm gonna show y'all.

1:45:03.160 --> 1:45:04.720
<v Speaker 1>I'm gonna offer that. Listen, I'm gonna get this to

1:45:04.720 --> 1:45:06.439
<v Speaker 1>my guys. I only even hold on. I think I'm

1:45:06.560 --> 1:45:11.160
<v Speaker 1>here go free haircuts for a year, oh wow for you.

1:45:11.240 --> 1:45:13.559
<v Speaker 1>Free and rory for you too. So all you gotta

1:45:13.600 --> 1:45:15.439
<v Speaker 1>do is all you gotta do a tough cut. It's fun,

1:45:15.560 --> 1:45:17.600
<v Speaker 1>no no. But what I'm saying, as many times you

1:45:17.640 --> 1:45:20.000
<v Speaker 1>want to get your haircut, that's your gold card. All

1:45:20.000 --> 1:45:21.759
<v Speaker 1>you gotta do is you can say with the same barber.

1:45:22.000 --> 1:45:24.200
<v Speaker 1>All you gotta do is tell your barber the download

1:45:24.200 --> 1:45:26.160
<v Speaker 1>the app he should already. We got three hundred thousand

1:45:26.200 --> 1:45:28.360
<v Speaker 1>barbers on the app. Tell him to download the app.

1:45:28.400 --> 1:45:30.360
<v Speaker 1>Every time you get a haircut. He pressed the button.

1:45:30.479 --> 1:45:32.120
<v Speaker 1>You said it with him, he gets paid. You don't

1:45:32.160 --> 1:45:34.519
<v Speaker 1>have to cover nothing. So yeah, free haircuts on me, man.

1:45:34.520 --> 1:45:35.720
<v Speaker 1>I just want to thank y'all for having me on

1:45:35.800 --> 1:45:36.200
<v Speaker 1>y'all show.

1:45:36.600 --> 1:45:38.920
<v Speaker 2>I appreciate you. Yeah, because I'm gonna get I'm gonna

1:45:38.920 --> 1:45:39.559
<v Speaker 2>get my barbered.

1:45:40.479 --> 1:45:42.600
<v Speaker 1>You don't love you, by the way the spire and

1:45:42.640 --> 1:45:44.439
<v Speaker 1>by the way listen, and I'm gonna tell y'all, y'all

1:45:44.479 --> 1:45:47.760
<v Speaker 1>if y'all shout it out time to time, I shout

1:45:47.760 --> 1:45:49.599
<v Speaker 1>it from time to time, we might give y'all another

1:45:49.640 --> 1:45:50.400
<v Speaker 1>year and another year.

1:45:50.439 --> 1:45:51.680
<v Speaker 2>Like come on, brother like and.

1:45:51.640 --> 1:45:53.360
<v Speaker 1>If you ever want to do something in the community,

1:45:53.400 --> 1:45:54.760
<v Speaker 1>give haircuts to your neighborhood.

1:45:55.000 --> 1:45:58.320
<v Speaker 2>Anything with haircuts, barbering, call us.

1:45:58.320 --> 1:45:58.760
<v Speaker 3>We got you.

1:45:58.880 --> 1:46:00.840
<v Speaker 5>They climb me a lot because my barber is also

1:46:00.920 --> 1:46:02.960
<v Speaker 5>Jake Coles barber Sam by the way here.

1:46:03.120 --> 1:46:05.760
<v Speaker 1>And we have you can do house calls too, Okay, Yeah,

1:46:05.760 --> 1:46:07.240
<v Speaker 1>I don't know. If you're out of town, anywhere you

1:46:07.320 --> 1:46:09.400
<v Speaker 1>go anywhere you need a haircut, I'm the fucking you

1:46:09.400 --> 1:46:11.559
<v Speaker 1>on Africa wherever you go use that.

1:46:11.840 --> 1:46:13.840
<v Speaker 5>Barbara gonna find you come cut your hair on us.

1:46:14.400 --> 1:46:16.760
<v Speaker 5>The cut the cut, and if my barber signs up

1:46:16.760 --> 1:46:18.599
<v Speaker 5>for this, I could use that. You probably already on there,

1:46:18.600 --> 1:46:20.160
<v Speaker 5>but all you gotta do is sign up for that.

1:46:20.439 --> 1:46:22.800
<v Speaker 5>And when you get his haircut, he gets paid. All

1:46:22.840 --> 1:46:23.840
<v Speaker 5>your money gonna pay him that.

1:46:24.080 --> 1:46:27.080
<v Speaker 1>Yeah, all right, cool, this is dope. Thanks for having me, man.

1:46:27.240 --> 1:46:28.960
<v Speaker 1>I just want to appreciate you'all for having Ray. I

1:46:29.000 --> 1:46:31.200
<v Speaker 1>appreciate you. We're gonna talk to you a man.

1:46:31.439 --> 1:46:33.960
<v Speaker 5>Please come back after the show. We definitely want to

1:46:33.960 --> 1:46:34.679
<v Speaker 5>go on your platform.

1:46:34.800 --> 1:46:38.280
<v Speaker 1>Listen anytime y'all in Atlanta, y'all come pull up, coming

1:46:38.320 --> 1:46:38.479
<v Speaker 1>to talk.

1:46:38.720 --> 1:46:39.040
<v Speaker 3>I'm coming.

1:46:39.160 --> 1:46:40.639
<v Speaker 2>I like talking shit, you know, I like talking shit,

1:46:40.680 --> 1:46:42.320
<v Speaker 2>and I love it. I love it.

1:46:42.360 --> 1:46:42.720
<v Speaker 3>I love it.

1:46:42.720 --> 1:46:44.320
<v Speaker 4>I'm glad we finally got a chance to sit down

1:46:44.360 --> 1:46:47.320
<v Speaker 4>and talk. Appreciate everything you bring to the coach old

1:46:47.360 --> 1:46:49.280
<v Speaker 4>conversations and keep the knowledge all of the Jews that

1:46:49.320 --> 1:46:49.719
<v Speaker 4>you drop.

1:46:50.080 --> 1:46:50.920
<v Speaker 1>That's Ray Daniels.

1:46:50.960 --> 1:46:51.559
<v Speaker 3>I'm that nigga.

1:46:51.600 --> 1:46:52.280
<v Speaker 1>He's just ginger.

1:46:52.479 --> 1:46:52.759
<v Speaker 3>Peace.