WEBVTT - A Star is Born (2018)

0:00:00.800 --> 0:00:03.640
<v Speaker 1>On the Big Dog Cast. The questions asked if movies

0:00:03.680 --> 0:00:07.280
<v Speaker 1>have women and um are all their discussions just boyfriends

0:00:07.320 --> 0:00:11.520
<v Speaker 1>and husbands or do they have individualism? The patriarchy? Zef

0:00:11.680 --> 0:00:23.840
<v Speaker 1>and best start changing it with the Bell Cast. I

0:00:23.920 --> 0:00:25.560
<v Speaker 1>hope if you're listening to this in your car, you

0:00:25.640 --> 0:00:29.520
<v Speaker 1>just crash. You just literally got into an accit. I

0:00:29.560 --> 0:00:32.840
<v Speaker 1>don't hope that. Well, I don't hope that. But if

0:00:32.880 --> 0:00:36.120
<v Speaker 1>that's what you're dealing with right now, it is our fault. Hi.

0:00:36.280 --> 0:00:39.600
<v Speaker 1>I'm Jamie Lofton and I'm Caitlin Dronte And this is

0:00:39.680 --> 0:00:43.840
<v Speaker 1>the best episode of the Big Dog Cast ever. I'm

0:00:43.960 --> 0:00:47.800
<v Speaker 1>so excited. We've never been less excited about anything. I've

0:00:47.800 --> 0:00:50.680
<v Speaker 1>been stewing in my juices for days now. I'm so

0:00:50.920 --> 0:00:53.760
<v Speaker 1>thrilled to be talking about a star is born with

0:00:53.800 --> 0:00:57.040
<v Speaker 1>our friend and Asne. I just I blew it and

0:00:57.520 --> 0:01:02.520
<v Speaker 1>my freaking what if I just needed my turn? Like

0:01:02.680 --> 0:01:07.240
<v Speaker 1>she's been vibrating at the table. Oh it's so good.

0:01:07.360 --> 0:01:10.920
<v Speaker 1>I just I every song is almost good enough to

0:01:10.920 --> 0:01:13.800
<v Speaker 1>be a real song, Like they are real songs. I

0:01:15.440 --> 0:01:19.880
<v Speaker 1>but I but the way sad I was like, this

0:01:19.920 --> 0:01:22.399
<v Speaker 1>song actually kind of slaps, but it's not quite a

0:01:22.440 --> 0:01:27.040
<v Speaker 1>real song. Oh I love it so much? So hey, hey,

0:01:27.080 --> 0:01:29.319
<v Speaker 1>here we are. We're the Betel Cast. We talked about

0:01:29.360 --> 0:01:33.880
<v Speaker 1>the portrayal and representation of women in film. We use

0:01:33.959 --> 0:01:39.920
<v Speaker 1>the Bechdel test to initiate a larger conversation about women

0:01:39.959 --> 0:01:45.920
<v Speaker 1>in film. Was that the Bechdel test is. It was founded, invented,

0:01:46.200 --> 0:01:51.480
<v Speaker 1>created by cartoonist Alison Bechdel, and it requires that a

0:01:51.520 --> 0:01:58.320
<v Speaker 1>movie has too female identifying characters with names. They have

0:01:58.480 --> 0:02:02.880
<v Speaker 1>to talk to each other there for at least a

0:02:03.000 --> 0:02:08.360
<v Speaker 1>two line exchange, and their conversation cannot be about a man. Well,

0:02:08.440 --> 0:02:12.760
<v Speaker 1>good luck with this franchion. Okay, so wait, we should

0:02:12.919 --> 0:02:15.520
<v Speaker 1>do with a dry round of the Bechtel test. Okay,

0:02:15.600 --> 0:02:17.280
<v Speaker 1>let's do it. Hey, Caitlin, will you ask me a

0:02:17.360 --> 0:02:20.919
<v Speaker 1>question and I'll ask you what to ask me? Wait?

0:02:21.240 --> 0:02:26.639
<v Speaker 1>What it's passing so far? Don't say my name? Hey, Jamie? Okay, Caleb,

0:02:26.919 --> 0:02:28.880
<v Speaker 1>If I ask you to ask me a question and

0:02:28.960 --> 0:02:30.880
<v Speaker 1>give you the copy, will you say will you ask

0:02:30.960 --> 0:02:33.720
<v Speaker 1>me that question? Yes? Okay, here's the question I want

0:02:33.760 --> 0:02:37.160
<v Speaker 1>you to ask me. Okay, what do they have an Arizona? Hey?

0:02:37.200 --> 0:02:41.239
<v Speaker 1>Hey Jamie, what do they have an Arizona? Nuts? Navas

0:02:41.280 --> 0:02:44.800
<v Speaker 1>and nowhere to go. That was a long way, but

0:02:44.840 --> 0:02:47.640
<v Speaker 1>that all passed. Yeah, that all passed. That passed the

0:02:47.680 --> 0:02:51.560
<v Speaker 1>beck That was great. That was the longest pass That's

0:02:51.560 --> 0:02:54.160
<v Speaker 1>like a full conversation with someone like okay, in the

0:02:54.320 --> 0:02:57.880
<v Speaker 1>history of cinema, I love my favorite part of the

0:02:57.919 --> 0:03:00.960
<v Speaker 1>Bechtel test. And that doesn't have to be good writing.

0:03:01.200 --> 0:03:06.960
<v Speaker 1>It just has to be writing. But the word, Hey,

0:03:06.960 --> 0:03:13.040
<v Speaker 1>should we introduce our guests? Yeah, okay, right, well let's

0:03:13.040 --> 0:03:16.720
<v Speaker 1>give her a proper introduction. She's a friend of the cast.

0:03:16.800 --> 0:03:19.760
<v Speaker 1>You've already heard her on her She's all that episode.

0:03:20.280 --> 0:03:24.080
<v Speaker 1>She is one half of Ethnically Ambiguous, and she's a

0:03:24.120 --> 0:03:28.560
<v Speaker 1>producer here at how stuff works. Ana and I sleep

0:03:28.840 --> 0:03:35.800
<v Speaker 1>under the table every time you guys record true fact. So,

0:03:35.800 --> 0:03:38.400
<v Speaker 1>so here we are talking about the two thousand and

0:03:38.480 --> 0:03:44.120
<v Speaker 1>eighteen A Star is Born. So, and this is quite

0:03:44.120 --> 0:03:46.720
<v Speaker 1>a hot request, which I think is one of the

0:03:46.760 --> 0:03:51.080
<v Speaker 1>only reasons Caitlyn agreed to do it. Also, I blackmails

0:03:51.080 --> 0:03:54.240
<v Speaker 1>you guys, I will be the guest, and that is

0:03:54.320 --> 0:03:57.800
<v Speaker 1>that I do have a memory of you walking towards

0:03:57.880 --> 0:04:01.320
<v Speaker 1>us as you're like, we're gonna to A Star is Born? Right,

0:04:02.520 --> 0:04:04.440
<v Speaker 1>and then two nights later, we were in the theater

0:04:04.680 --> 0:04:07.720
<v Speaker 1>fully reclined. Guess what. I bought tickets asap. I bought

0:04:07.720 --> 0:04:10.120
<v Speaker 1>tickets for everybody. I was like, great, we're going and

0:04:10.160 --> 0:04:14.680
<v Speaker 1>said us a paragraph long venmo. Yes. It was like

0:04:16.279 --> 0:04:20.560
<v Speaker 1>you guys had to ask for my permission, please give

0:04:20.640 --> 0:04:22.960
<v Speaker 1>me do A Star is Born? Pause? You knew you

0:04:23.000 --> 0:04:27.599
<v Speaker 1>were going south? Yeah, You're like, I'm not excited to

0:04:27.640 --> 0:04:29.720
<v Speaker 1>see this, Like that was the first thing you said

0:04:29.720 --> 0:04:30.800
<v Speaker 1>when I got in the car, was like, Oh, this

0:04:30.880 --> 0:04:33.400
<v Speaker 1>is gonna be fun. Take a hit of weed and

0:04:33.440 --> 0:04:37.600
<v Speaker 1>you're like no. I was like, weed gives me panic attacks.

0:04:37.600 --> 0:04:42.200
<v Speaker 1>I'm very cool. Love this movie. Smoke weed in the back,

0:04:42.360 --> 0:04:50.400
<v Speaker 1>freaking seed stars. Okay, So Jamie and Anna, you've both prepared,

0:04:50.560 --> 0:04:54.279
<v Speaker 1>I would say more than adequately so, but I still

0:04:54.360 --> 0:04:57.280
<v Speaker 1>feel completely all over the place. Okay, just to be clear,

0:04:57.839 --> 0:05:00.000
<v Speaker 1>not in organized, prepared, but I have all the thought

0:05:00.240 --> 0:05:03.760
<v Speaker 1>I need. Good. Okay, So, Anna, what is your history

0:05:03.800 --> 0:05:07.159
<v Speaker 1>with this, this film or the general A Star is Born?

0:05:07.720 --> 0:05:10.640
<v Speaker 1>So franchise if you will. I mean, as you know,

0:05:10.720 --> 0:05:13.839
<v Speaker 1>this movie is a remake of a remakeup remakeup remakeup remake,

0:05:14.240 --> 0:05:17.840
<v Speaker 1>and the original film was actually called what Price Hollywood,

0:05:17.839 --> 0:05:20.800
<v Speaker 1>which was the original one who no one's seen because

0:05:20.800 --> 0:05:25.280
<v Speaker 1>who carries it was a Selznick joint. Yeah, yeah, exactly who. Um.

0:05:25.360 --> 0:05:28.720
<v Speaker 1>A little known fact was the son in law of

0:05:28.920 --> 0:05:35.479
<v Speaker 1>Louis B. Mayor of Notorious Rapist. Um. Yes, because almost

0:05:35.480 --> 0:05:37.840
<v Speaker 1>an email executive of that era, but yeah, he was

0:05:37.960 --> 0:05:41.640
<v Speaker 1>a film executive and he yeah, they're all rapists. So

0:05:42.320 --> 0:05:44.760
<v Speaker 1>then the film that was remade based off what prize

0:05:44.800 --> 0:05:48.200
<v Speaker 1>Hollywood was A Star is Born with Janet Gainer. I

0:05:48.320 --> 0:05:52.799
<v Speaker 1>have not seen that version. I was from nineteen thirty seven. Seven.

0:05:52.960 --> 0:05:54.760
<v Speaker 1>That's a little too far back for me. I took

0:05:54.800 --> 0:05:57.239
<v Speaker 1>a thirties film class in college and I was like, yawn,

0:05:57.600 --> 0:06:01.800
<v Speaker 1>enough of these Joan Crawfords. Okay. And you know I

0:06:01.880 --> 0:06:06.760
<v Speaker 1>was never a fan of that whole censorship era. Well,

0:06:06.800 --> 0:06:09.640
<v Speaker 1>it lasted from the mid thirties till the late sixties,

0:06:09.760 --> 0:06:13.840
<v Speaker 1>so no interest. I've seen the thirty seven. Sorry, I

0:06:13.880 --> 0:06:16.360
<v Speaker 1>haven't seen a long time. I didn't commit, but I

0:06:16.760 --> 0:06:19.040
<v Speaker 1>one of my favorite fun fact about that Star Is

0:06:19.080 --> 0:06:23.640
<v Speaker 1>Born as Dorothy Parker helped write the script. I just

0:06:23.680 --> 0:06:26.120
<v Speaker 1>feel like women usually are involved in writing the scripts,

0:06:26.160 --> 0:06:28.520
<v Speaker 1>which is so interesting because the woman has no power

0:06:28.960 --> 0:06:32.000
<v Speaker 1>but um, and then I saw the Judy Garland one

0:06:32.000 --> 0:06:34.920
<v Speaker 1>a while back. Um, it's like three hours long. I

0:06:35.080 --> 0:06:38.520
<v Speaker 1>recommend it if you like. Yeah, I have three hours

0:06:38.600 --> 0:06:41.360
<v Speaker 1>or eight a very strong edible and I can't move. Um.

0:06:42.080 --> 0:06:44.320
<v Speaker 1>That one I think is the best because I've seen

0:06:44.360 --> 0:06:47.560
<v Speaker 1>The barberstriceand one and actually rewatched The Barbersicean one last night,

0:06:47.640 --> 0:06:52.000
<v Speaker 1>and god, damn is streisand a mess. Uh that's I

0:06:52.080 --> 0:06:54.680
<v Speaker 1>think the worst one because I listened to a podcast

0:06:54.960 --> 0:06:57.000
<v Speaker 1>you must remember this about the making of a star

0:06:57.160 --> 0:06:59.880
<v Speaker 1>is born the Barbersrrice and one, and boy, it was

0:07:00.040 --> 0:07:02.880
<v Speaker 1>not good. She was a real bit. She led Chris

0:07:03.000 --> 0:07:05.440
<v Speaker 1>Christofferson to drink like a bottle of tequila a day,

0:07:05.680 --> 0:07:10.440
<v Speaker 1>so he just basically became the guy and it wasn't

0:07:11.040 --> 0:07:14.560
<v Speaker 1>just being method. And apparently she cut her own edit

0:07:14.640 --> 0:07:18.840
<v Speaker 1>at the end that had her basically include more shots

0:07:18.920 --> 0:07:22.080
<v Speaker 1>of her ass. But she was like, so she's like,

0:07:22.320 --> 0:07:25.320
<v Speaker 1>there needs to be more male gaze. I do kind

0:07:25.360 --> 0:07:28.600
<v Speaker 1>of love, like I wish that every actor demanded that

0:07:28.760 --> 0:07:30.720
<v Speaker 1>they got their own kind I want to see, like,

0:07:30.800 --> 0:07:33.960
<v Speaker 1>what the what is the Taylor Lotner cut of Twilight

0:07:34.200 --> 0:07:37.960
<v Speaker 1>too as more of his I think maybe it's not

0:07:38.040 --> 0:07:40.120
<v Speaker 1>even gendered. It's like, like, this is my movie. My

0:07:40.240 --> 0:07:43.280
<v Speaker 1>ass should be in it as much as possible. I

0:07:43.400 --> 0:07:47.160
<v Speaker 1>get it. Yeah, that's basically when it's got so many

0:07:47.240 --> 0:07:49.480
<v Speaker 1>shots to get your ass in from a big crowd.

0:07:49.680 --> 0:07:52.280
<v Speaker 1>I get it. She's insane. Okay. I've also seen the

0:07:52.320 --> 0:07:55.920
<v Speaker 1>seventies six one. I could not get through it this time.

0:07:55.960 --> 0:07:59.240
<v Speaker 1>I got forty. It's such a mess, like it even

0:07:59.360 --> 0:08:02.000
<v Speaker 1>looks like it looks like a mess on the set.

0:08:02.120 --> 0:08:05.360
<v Speaker 1>I was just like, what is it? It's and now

0:08:05.480 --> 0:08:10.000
<v Speaker 1>you both have seen this two eighteen version twice. Now, okay, great,

0:08:10.160 --> 0:08:15.239
<v Speaker 1>we've seen good job you're all. You're way more prepared

0:08:15.320 --> 0:08:19.000
<v Speaker 1>than I am, because I've seen Bradley Cooper's A Star

0:08:19.200 --> 0:08:24.360
<v Speaker 1>is Born one time. Honestly, you catch yourself some yeah

0:08:24.400 --> 0:08:27.560
<v Speaker 1>you know what that thank you. I don't know if

0:08:27.600 --> 0:08:30.800
<v Speaker 1>you recall, but I did watch all six mission Impossible

0:08:31.120 --> 0:08:36.760
<v Speaker 1>movies to prep for the episode. So I so I'm

0:08:36.800 --> 0:08:40.559
<v Speaker 1>coming in not having a whole ton of background for

0:08:41.080 --> 0:08:45.079
<v Speaker 1>this film. And it's because, yeah, I don't especially like

0:08:45.240 --> 0:08:49.559
<v Speaker 1>this genre. I this is gonna make me sound psychotic,

0:08:49.720 --> 0:08:52.679
<v Speaker 1>but I don't like to watch people sing. I think

0:08:52.760 --> 0:08:57.800
<v Speaker 1>it's so boring. That's okay. Some people find musicals completely uncomfortable,

0:08:57.840 --> 0:09:00.400
<v Speaker 1>like they can't like, I'm not a huge fan of musicals.

0:09:00.400 --> 0:09:02.480
<v Speaker 1>I wouldn't classify this as a musical because all the

0:09:02.559 --> 0:09:06.520
<v Speaker 1>music that's happening in this one is diagetic. Is in

0:09:06.679 --> 0:09:09.599
<v Speaker 1>like it's happening as a part of the story, and

0:09:09.720 --> 0:09:13.559
<v Speaker 1>they're like not breaking out into random song. Yeah so,

0:09:14.440 --> 0:09:17.320
<v Speaker 1>And at least if there's like a song and dance number,

0:09:17.400 --> 0:09:20.920
<v Speaker 1>it's like they're there's fun, there's choreography. This one, we're

0:09:20.960 --> 0:09:24.319
<v Speaker 1>just watching people sing and I could not be more bored.

0:09:24.880 --> 0:09:28.319
<v Speaker 1>And I just, yeah, I don't, I just this is

0:09:28.360 --> 0:09:31.120
<v Speaker 1>not for me. But I did enjoy the first thirty minutes.

0:09:31.200 --> 0:09:32.439
<v Speaker 1>Yes to Amy, you're raising your hand. You have a

0:09:32.559 --> 0:09:42.920
<v Speaker 1>question my history this movie. I love Judy Garland so much.

0:09:43.120 --> 0:09:45.000
<v Speaker 1>She was my hero when I was little. I feel

0:09:45.000 --> 0:09:51.560
<v Speaker 1>like all young queer people slash very very very quiet

0:09:51.920 --> 0:09:55.959
<v Speaker 1>young women. For some reason, there's something about Judy. I

0:09:55.960 --> 0:09:59.040
<v Speaker 1>would record all of her movies on Turner Classic and

0:09:59.360 --> 0:10:00.760
<v Speaker 1>it would be to the point where it's like my

0:10:00.840 --> 0:10:03.280
<v Speaker 1>family would write it on the calendar Judy Garland's birthday

0:10:03.280 --> 0:10:06.120
<v Speaker 1>because there would always be a marathon. Would you take

0:10:06.160 --> 0:10:09.240
<v Speaker 1>a cake to school every I wouldn't talk to anyone

0:10:09.280 --> 0:10:11.600
<v Speaker 1>at school but that. But my one of my parents

0:10:11.960 --> 0:10:14.040
<v Speaker 1>was like usually home and so they would switch at

0:10:14.040 --> 0:10:16.559
<v Speaker 1>the VHS table to start recording the next one. So

0:10:16.559 --> 0:10:19.720
<v Speaker 1>I've seen every Judy Garland movie ever, love her so much,

0:10:20.080 --> 0:10:22.440
<v Speaker 1>and then I wanted to, you know, experience the Judy

0:10:22.480 --> 0:10:25.880
<v Speaker 1>Garland extended universe. And so that's why I watched the

0:10:25.920 --> 0:10:28.240
<v Speaker 1>other Stars born to be like. I know that she

0:10:28.400 --> 0:10:30.199
<v Speaker 1>had she was the best one, but let me just

0:10:30.800 --> 0:10:34.800
<v Speaker 1>cross check and confirm, uh check. And then I found

0:10:34.800 --> 0:10:37.079
<v Speaker 1>out Dorothy Parker helped write the first one I was like,

0:10:37.320 --> 0:10:40.920
<v Speaker 1>and then Joan Didion helped write the Barbastres, and there's

0:10:41.000 --> 0:10:43.520
<v Speaker 1>a lot of famous woman. The interesting fact about that

0:10:43.679 --> 0:10:46.559
<v Speaker 1>is she started to write it and then Barber stration

0:10:46.640 --> 0:10:48.839
<v Speaker 1>was so hell she left, but because she was like

0:10:49.160 --> 0:10:52.080
<v Speaker 1>still like you know, credit as a writer. She made

0:10:52.440 --> 0:10:54.920
<v Speaker 1>more money that she'd ever made in her entire life

0:10:54.920 --> 0:10:57.199
<v Speaker 1>off that movie basically, so she was like set for

0:10:57.320 --> 0:10:58.920
<v Speaker 1>life and all she had to do was like meet

0:10:58.960 --> 0:11:02.720
<v Speaker 1>with Barbara like five times before. She was like this woman. Honestly,

0:11:02.760 --> 0:11:06.360
<v Speaker 1>it sounds like worth the amount of the any like

0:11:07.200 --> 0:11:09.640
<v Speaker 1>story of Barber strikes and on set of anything, you're like,

0:11:09.960 --> 0:11:13.760
<v Speaker 1>holy sh it, this is this is a lot, what

0:11:13.920 --> 0:11:17.800
<v Speaker 1>a legend this is? She truly truly a diva. But yeah,

0:11:18.760 --> 0:11:21.079
<v Speaker 1>I love this movie. But I just I think I

0:11:21.200 --> 0:11:24.079
<v Speaker 1>just wanted to say I love Judy Garland. And I

0:11:24.160 --> 0:11:26.319
<v Speaker 1>think we between the three of us, we've seen the

0:11:26.440 --> 0:11:30.800
<v Speaker 1>trailer maybe five times. So I do recall when that

0:11:30.880 --> 0:11:33.840
<v Speaker 1>trailer first appeared on my YouTube, Like I remember when

0:11:33.920 --> 0:11:36.120
<v Speaker 1>it first appeared, yes, because I think I brought it

0:11:36.160 --> 0:11:38.400
<v Speaker 1>to you guys. I was like, you see this, and

0:11:38.480 --> 0:11:40.520
<v Speaker 1>then we proceeded. I made you watch that. I made

0:11:40.559 --> 0:11:41.559
<v Speaker 1>you watch that in a bunch of like we with

0:11:41.679 --> 0:11:47.040
<v Speaker 1>Mark Wahlberg films. But I I haven't stopped watching it.

0:11:47.880 --> 0:11:51.080
<v Speaker 1>I'm glad you guys have have had a great time

0:11:51.160 --> 0:11:54.040
<v Speaker 1>with this so far. I have a somewhat unhealthy relationship

0:11:54.120 --> 0:11:56.360
<v Speaker 1>to the part on the trailer where Lady Gaga starts

0:11:56.400 --> 0:12:00.840
<v Speaker 1>for like full Lady Gaga moment. It's good, And then

0:12:00.880 --> 0:12:03.360
<v Speaker 1>when it was coming up that whole scene, they it's

0:12:03.360 --> 0:12:05.880
<v Speaker 1>almost like the scene like whoever is editing, It's like, oh,

0:12:06.000 --> 0:12:07.760
<v Speaker 1>people are gonna be so excited for the part where

0:12:07.800 --> 0:12:10.439
<v Speaker 1>she just yells, and so they make you. It makes

0:12:10.480 --> 0:12:12.280
<v Speaker 1>you wait for it and wait for it and wait

0:12:12.360 --> 0:12:14.319
<v Speaker 1>for it, and then she finally hits the mic and

0:12:14.400 --> 0:12:19.640
<v Speaker 1>you're like, I think we all like grabbed hands hearted.

0:12:19.720 --> 0:12:22.240
<v Speaker 1>Levitating five feet off the ground was crazy. I do

0:12:22.559 --> 0:12:25.240
<v Speaker 1>remember when it was about to happen, an old man

0:12:25.320 --> 0:12:27.000
<v Speaker 1>got up to go use the bathroom, and I was

0:12:27.280 --> 0:12:30.920
<v Speaker 1>so fiercely offended, like I was like fucking kidding me

0:12:31.880 --> 0:12:41.959
<v Speaker 1>to stage. Yeah, if you're listening, sir, biggest parents love it.

0:12:42.840 --> 0:12:45.480
<v Speaker 1>Is this the a star is born's universe or as

0:12:45.559 --> 0:12:50.600
<v Speaker 1>stars are born or a stars are stars is born?

0:12:50.960 --> 0:12:53.160
<v Speaker 1>What would you how do you? How do you what

0:12:53.240 --> 0:12:57.920
<v Speaker 1>would you refer to this? Um stars is born stars

0:12:59.240 --> 0:13:02.920
<v Speaker 1>or stars? A star is born stars the stars the

0:13:02.960 --> 0:13:07.720
<v Speaker 1>stars are born born, Stars born stars. That's like porn.

0:13:07.760 --> 0:13:12.319
<v Speaker 1>Star the star is would have been a great one

0:13:13.960 --> 0:13:18.640
<v Speaker 1>missed opportunity for this round, because this this film, it's

0:13:18.679 --> 0:13:22.720
<v Speaker 1>not even a franchise, this story that refuses to die. Generally.

0:13:22.760 --> 0:13:26.200
<v Speaker 1>It was like coming up once once every twenty years.

0:13:26.720 --> 0:13:29.040
<v Speaker 1>And they skipped the nineties, which would have been a

0:13:29.160 --> 0:13:34.440
<v Speaker 1>great Curtain Courtney adjacent but they didn't. They skipped the nineties, right,

0:13:34.480 --> 0:13:37.160
<v Speaker 1>But it was originally supposed to be Clint Eastwood directing,

0:13:37.240 --> 0:13:40.920
<v Speaker 1>with Beyonce attached. Yeah, and then Will Smith was attached.

0:13:41.400 --> 0:13:44.760
<v Speaker 1>I think as as whoever this one for the two one, well,

0:13:44.800 --> 0:13:47.600
<v Speaker 1>the one that was that was in the works before

0:13:47.800 --> 0:13:52.000
<v Speaker 1>this one, you know, came out with every version who's

0:13:52.040 --> 0:13:55.439
<v Speaker 1>played it was Esther for the first three No, I

0:13:55.520 --> 0:13:57.280
<v Speaker 1>think the sect Judy Garland. Then they make it like

0:13:57.400 --> 0:14:00.319
<v Speaker 1>Vicky or something. No, they change so they change name

0:14:00.360 --> 0:14:01.960
<v Speaker 1>and most of them. There's like a few things they

0:14:02.000 --> 0:14:04.439
<v Speaker 1>don't do in this movie that they She normally starts

0:14:04.520 --> 0:14:07.560
<v Speaker 1>as Esther Blodge and they change her name to Vicky

0:14:07.679 --> 0:14:13.240
<v Speaker 1>Lester to make her like hot. But this time she

0:14:13.480 --> 0:14:17.800
<v Speaker 1>starts as Ali and we'd never find out her last name,

0:14:17.920 --> 0:14:20.280
<v Speaker 1>and then they don't change her name, and then she's

0:14:20.400 --> 0:14:25.480
<v Speaker 1>all because she is that's important until her last name

0:14:25.600 --> 0:14:28.120
<v Speaker 1>is the man's last name. Well, and that's something that

0:14:28.160 --> 0:14:31.280
<v Speaker 1>happens every movie too. There's a few well can there's

0:14:31.280 --> 0:14:33.280
<v Speaker 1>a few things that happened in every version of A

0:14:33.360 --> 0:14:36.480
<v Speaker 1>Star is Born, and they're all regressive and we and

0:14:36.680 --> 0:14:41.240
<v Speaker 1>Cooper could have done something about it. Also, who heard

0:14:41.480 --> 0:14:45.080
<v Speaker 1>that Vicky was the fun like the fucuble name Vicky.

0:14:45.680 --> 0:14:51.440
<v Speaker 1>I'm Vicky Xon, shall I do the recap please? I'm

0:14:51.480 --> 0:14:53.120
<v Speaker 1>gonna not. I'm not going to do a good job

0:14:53.120 --> 0:14:55.040
<v Speaker 1>because I've only seen the movie once and I I

0:14:55.120 --> 0:14:58.640
<v Speaker 1>don't worry. You've got yet fill in the blanks. Okay,

0:14:59.480 --> 0:15:06.640
<v Speaker 1>So we meet Jackson Maine. He's a country question Mark.

0:15:06.960 --> 0:15:13.080
<v Speaker 1>Well his songs sound a little bit like but people

0:15:13.280 --> 0:15:15.640
<v Speaker 1>love it. It's like country rock. He's like a Willie

0:15:15.720 --> 0:15:18.440
<v Speaker 1>Nelson of sorts. Yeah, but like hot and all the

0:15:18.920 --> 0:15:20.960
<v Speaker 1>he's such an alcoholic that all the blood is at

0:15:21.000 --> 0:15:24.720
<v Speaker 1>the surface of his face for the whole it's distracting.

0:15:25.200 --> 0:15:28.320
<v Speaker 1>So we meet him. He is a famous musician, and

0:15:28.760 --> 0:15:31.240
<v Speaker 1>but not at his peak, not quite at his piece.

0:15:32.040 --> 0:15:33.840
<v Speaker 1>I don't know. He's already peeked and now he's on

0:15:33.920 --> 0:15:36.960
<v Speaker 1>his way down off the piece. He's playing festivals, right,

0:15:37.000 --> 0:15:39.240
<v Speaker 1>but I think he's playing festivals because he's like a

0:15:39.440 --> 0:15:41.840
<v Speaker 1>legend in that sense. But he's at this point on

0:15:42.120 --> 0:15:45.160
<v Speaker 1>his way down. He's still famous, but right, he's not

0:15:45.240 --> 0:15:47.800
<v Speaker 1>at his peak anymore. He gets off of the gig,

0:15:47.920 --> 0:15:50.360
<v Speaker 1>he goes to a bar where there's a drag show.

0:15:50.480 --> 0:15:52.800
<v Speaker 1>Literally goes to the Virgin and he goes to the Virginal,

0:15:53.360 --> 0:15:55.680
<v Speaker 1>a bar that we've all been at many many times.

0:15:56.000 --> 0:16:00.720
<v Speaker 1>I eaten ship into that very microphone. It's wild. So

0:16:00.880 --> 0:16:07.120
<v Speaker 1>there he meets Ali Lady Gaga's character, Yes, and he's

0:16:07.320 --> 0:16:10.120
<v Speaker 1>smitten with her and he waits for her after the

0:16:10.240 --> 0:16:18.280
<v Speaker 1>show and peels off her tape eyebrow. His lives spoken

0:16:18.440 --> 0:16:24.800
<v Speaker 1>like out of context, you're like nobody now if he

0:16:25.040 --> 0:16:28.480
<v Speaker 1>wasn't a famous musician and just creepy drunk guy like

0:16:32.200 --> 0:16:34.800
<v Speaker 1>and we'll talk about that because that is certainly worth

0:16:35.000 --> 0:16:37.200
<v Speaker 1>talking about, or like a theme later was like could

0:16:37.240 --> 0:16:42.240
<v Speaker 1>I touch your nose? Like, oh my god, stop right.

0:16:43.440 --> 0:16:46.120
<v Speaker 1>So they hang out the rest of the night and

0:16:46.520 --> 0:16:49.520
<v Speaker 1>he finds out that she's an aspiring musician as well

0:16:50.320 --> 0:16:53.520
<v Speaker 1>punch a cop. She punches a cop. They go to

0:16:53.600 --> 0:16:56.600
<v Speaker 1>a grocery store to get some frozen peas about it.

0:16:57.520 --> 0:17:00.920
<v Speaker 1>They are are bonding and he's like, hey, why don't

0:17:00.960 --> 0:17:04.879
<v Speaker 1>you come to this gig and she's like, no, I can't.

0:17:05.200 --> 0:17:10.120
<v Speaker 1>And then and then she goes, anyway, oh quick trailer talk,

0:17:11.359 --> 0:17:15.359
<v Speaker 1>so this is your specialty. I didn't I forgot the

0:17:15.720 --> 0:17:26.760
<v Speaker 1>famous much memed trailer moment of hey what that's how

0:17:26.760 --> 0:17:34.879
<v Speaker 1>I would the noise that goes that. She's like but

0:17:35.040 --> 0:17:38.720
<v Speaker 1>that is also spoken, and at least the Judy Garland version,

0:17:38.800 --> 0:17:40.680
<v Speaker 1>it's in the stressand one too. Oh is that's the

0:17:40.760 --> 0:17:43.120
<v Speaker 1>thing they pulled as well, that that whole just won't

0:17:43.160 --> 0:17:47.280
<v Speaker 1>take another look at you because I'm weird And every

0:17:47.320 --> 0:17:51.920
<v Speaker 1>other incarnation the actor in question separates the words. It

0:17:52.040 --> 0:17:54.600
<v Speaker 1>doesn't say the whole sentence as if it's one word.

0:17:55.040 --> 0:17:57.719
<v Speaker 1>But that's just kind of the coops take on the sentences.

0:17:57.800 --> 0:18:02.239
<v Speaker 1>It's just a word, and the word is one. Well,

0:18:02.280 --> 0:18:05.919
<v Speaker 1>it could be because he is drunk, because his character

0:18:06.600 --> 0:18:10.200
<v Speaker 1>is an aggressive alcoholic. Yes, but even but even when

0:18:10.240 --> 0:18:12.720
<v Speaker 1>he's sober, he's still still kind of slurring. You know

0:18:12.800 --> 0:18:15.439
<v Speaker 1>that scene at the piano where he's like just got

0:18:15.520 --> 0:18:18.760
<v Speaker 1>out of rehab, but he's like, yeah, playing with the

0:18:18.880 --> 0:18:23.480
<v Speaker 1>dog outside, like he still can't talk. Like all his

0:18:23.560 --> 0:18:27.240
<v Speaker 1>reactions are like sorry, he's so I mean, he's so famous,

0:18:27.280 --> 0:18:29.359
<v Speaker 1>no one will ever tell him. It's like I think

0:18:29.480 --> 0:18:31.760
<v Speaker 1>part of the like part of his character is like

0:18:32.160 --> 0:18:35.560
<v Speaker 1>he doesn't know he's weird to an extent because he's

0:18:35.600 --> 0:18:38.119
<v Speaker 1>been famous for so long that he just doesn't know

0:18:38.280 --> 0:18:42.720
<v Speaker 1>he's weird because everyone's like, oh, Jackson Maine, you're Simon

0:18:42.840 --> 0:18:48.560
<v Speaker 1>didties Jackson. You know. So basically they start to hang

0:18:48.800 --> 0:18:51.160
<v Speaker 1>or like the second time they hang out, she goes

0:18:51.240 --> 0:18:54.000
<v Speaker 1>on stage at one of his shows and like sings

0:18:54.119 --> 0:19:01.000
<v Speaker 1>the song and that's the right, the iconic. Oh, and

0:19:01.040 --> 0:19:10.080
<v Speaker 1>then you go that road and array not very good, right,

0:19:10.160 --> 0:19:15.360
<v Speaker 1>And he's like, otherwise I'll plagiarize. So I was like, well,

0:19:15.520 --> 0:19:20.040
<v Speaker 1>the steaks are there, they are right, Yeah, So she's

0:19:20.400 --> 0:19:23.000
<v Speaker 1>basically forced to go and sing her song on stage

0:19:23.040 --> 0:19:25.920
<v Speaker 1>with him, and this starts to kind of propel her

0:19:26.119 --> 0:19:28.680
<v Speaker 1>music career forward because people see it, and people take

0:19:28.760 --> 0:19:30.600
<v Speaker 1>video of it, and there's a bunch of YouTube views

0:19:30.720 --> 0:19:33.479
<v Speaker 1>and people start to take notice of her. And as

0:19:33.600 --> 0:19:38.720
<v Speaker 1>that's happening, they're developing a romantic relationship. And there's you know,

0:19:38.960 --> 0:19:42.440
<v Speaker 1>some struggles along the way because he again is a

0:19:42.480 --> 0:19:45.879
<v Speaker 1>little bit suffer like suffering from alcoholism. There's nothing like

0:19:45.960 --> 0:19:48.159
<v Speaker 1>having to always wait for your significant other to wake

0:19:48.280 --> 0:19:51.240
<v Speaker 1>up from his drunken stupor so you can hook up, right, Okay,

0:19:51.280 --> 0:19:55.919
<v Speaker 1>well I'll just wait till you wakept. It's h two

0:19:55.960 --> 0:20:01.800
<v Speaker 1>pm tomorrow, okay, five am, Okay, cool, awesome. There's and

0:20:01.840 --> 0:20:05.920
<v Speaker 1>also Sam Elliott is Bradley Cooper's brother and he's thirty

0:20:06.000 --> 0:20:07.840
<v Speaker 1>years older. This is a plat point that never I

0:20:07.960 --> 0:20:10.480
<v Speaker 1>was like, why couldn't he Like why does the brother

0:20:10.720 --> 0:20:16.360
<v Speaker 1>have to be elderly? But he is. And sam Elian's

0:20:16.440 --> 0:20:21.080
<v Speaker 1>character is his like manager road dog buddy, and he's

0:20:21.119 --> 0:20:23.080
<v Speaker 1>always like, you need to take better care of your

0:20:23.280 --> 0:20:29.120
<v Speaker 1>hearing because Bradley Cooper's character's hearing is got tonight, Like say,

0:20:29.240 --> 0:20:32.560
<v Speaker 1>I don't know that this is an Arizona farm boy accent,

0:20:32.640 --> 0:20:35.439
<v Speaker 1>but Sam Elliott talks the same fucking way Bradley Cooper does.

0:20:35.520 --> 0:20:38.840
<v Speaker 1>Bradley Cooper is doing a Sam Elliott impersonation back to

0:20:39.000 --> 0:20:42.280
<v Speaker 1>Sam Elliot because Sam Elliott comes. There's one scene that

0:20:42.440 --> 0:20:44.800
<v Speaker 1>you can't make a word out the entire thing, but

0:20:44.920 --> 0:20:48.159
<v Speaker 1>Sam Elliott walks up with Bradley Cooper's hearing aid and

0:20:48.280 --> 0:20:54.399
<v Speaker 1>he's like Jack Copper. And then there's that one scene

0:20:54.440 --> 0:20:56.840
<v Speaker 1>when he walks up to punch him, and it's just

0:20:56.960 --> 0:20:59.280
<v Speaker 1>a shot of their two faces, like just right in

0:20:59.359 --> 0:21:04.000
<v Speaker 1>front of each other's artisting at each other. Are we doing?

0:21:04.080 --> 0:21:07.879
<v Speaker 1>This movie should have been subtitled for Drunken Men, like

0:21:08.000 --> 0:21:10.480
<v Speaker 1>their women do not get drunk in this movie. It

0:21:10.640 --> 0:21:14.359
<v Speaker 1>is only useless men who can get drunk it there,

0:21:15.440 --> 0:21:18.560
<v Speaker 1>and then later on I got confused. There was a

0:21:18.560 --> 0:21:20.959
<v Speaker 1>part where I was like, Sam Elliott works at SNL

0:21:21.080 --> 0:21:24.440
<v Speaker 1>now because she's on SNL, right, why is he there?

0:21:24.600 --> 0:21:28.680
<v Speaker 1>He said? He I thought I would stop on see

0:21:28.680 --> 0:21:31.520
<v Speaker 1>how she's doing. And he's like, what what's that? What?

0:21:31.840 --> 0:21:35.320
<v Speaker 1>Like you can't hear anything because he has he's damn it,

0:21:35.480 --> 0:21:37.639
<v Speaker 1>you know how like when you have tonighta's you can

0:21:37.720 --> 0:21:42.600
<v Speaker 1>just treat everyone in your life like trash um. So

0:21:42.720 --> 0:21:46.440
<v Speaker 1>then at some point Ali and Jack get married, but

0:21:46.960 --> 0:21:50.760
<v Speaker 1>he's showing no signs there. It's a whole thing, right

0:21:51.000 --> 0:21:55.480
<v Speaker 1>and Eddie Griffin, Eddie Griffin's also there. Yeah, he rolls

0:21:55.560 --> 0:21:59.800
<v Speaker 1>through everyone's at the wedding. Andrew Dice Clay is Allie's dad,

0:22:00.920 --> 0:22:04.240
<v Speaker 1>explains YouTube video counts at one point it's a great movie.

0:22:05.080 --> 0:22:07.360
<v Speaker 1>He's like, you know, for everyone doubts how many people

0:22:07.400 --> 0:22:09.600
<v Speaker 1>seen it? I wanted two hundred times. I was like, oh,

0:22:09.680 --> 0:22:13.200
<v Speaker 1>this is great. It's unclear. I'm still not sure where

0:22:13.240 --> 0:22:14.720
<v Speaker 1>this movie is supposed to be taking place. I do.

0:22:15.119 --> 0:22:17.800
<v Speaker 1>I've reached the conclusion it's Los Angeles, Yes, I believe so,

0:22:18.400 --> 0:22:21.280
<v Speaker 1>But why they're they're talking like newsies. I thought she

0:22:21.400 --> 0:22:23.720
<v Speaker 1>was upstate New York because they all have New York accents.

0:22:23.920 --> 0:22:26.240
<v Speaker 1>But then they get on a motorcycle go to Arizona

0:22:26.400 --> 0:22:28.720
<v Speaker 1>like twenty minutes and they get there like two seconds.

0:22:28.840 --> 0:22:30.960
<v Speaker 1>List I'm like, they didn't drive across the country. And

0:22:31.080 --> 0:22:33.200
<v Speaker 1>then when Lady Gaga goes in the house, she's like,

0:22:33.280 --> 0:22:38.240
<v Speaker 1>what the button exactly, like this is not New Yorker.

0:22:38.640 --> 0:22:41.720
<v Speaker 1>Think her accent comes and goes like it's nothing, And

0:22:41.840 --> 0:22:45.399
<v Speaker 1>let me introduce you to the concept of moving. People

0:22:45.440 --> 0:22:50.200
<v Speaker 1>sometimes move from one location to another expand on this period.

0:22:50.520 --> 0:22:54.560
<v Speaker 1>I don't know, there's inconsistency where But then she made

0:22:54.560 --> 0:22:56.359
<v Speaker 1>it sound like they had lived in that house her

0:22:56.400 --> 0:22:58.879
<v Speaker 1>whole life, Like she's like, da, how many times do

0:22:58.880 --> 0:23:01.960
<v Speaker 1>you carry the piano for me? Oh my god. Okay,

0:23:02.000 --> 0:23:03.800
<v Speaker 1>so this has been a thing. A star is born

0:23:03.800 --> 0:23:06.119
<v Speaker 1>in the mystery of where Lady Gaga's character lives starts

0:23:06.280 --> 0:23:08.640
<v Speaker 1>a hilarious debate among film critics. Okay, so this has

0:23:08.720 --> 0:23:11.640
<v Speaker 1>been a point of contention. We don't know where anyone's from.

0:23:11.920 --> 0:23:14.000
<v Speaker 1>I don't think that's how people from Arizona sound, but

0:23:14.080 --> 0:23:16.040
<v Speaker 1>I'm not very well. I was also trying to gauge

0:23:16.080 --> 0:23:18.399
<v Speaker 1>where they lived together in that house of his. Is

0:23:18.480 --> 0:23:20.600
<v Speaker 1>that like supposed to be like the Hollywood Hills or something?

0:23:20.680 --> 0:23:23.840
<v Speaker 1>I thought, okay, because at one point she goes like,

0:23:24.000 --> 0:23:25.840
<v Speaker 1>I have to play the Forum tonight. Will you meet

0:23:25.840 --> 0:23:27.440
<v Speaker 1>me there? And then she leaves, so it's like, clearly

0:23:27.480 --> 0:23:33.080
<v Speaker 1>if you're somewhere else he lives, like l ash or something.

0:23:33.119 --> 0:23:34.879
<v Speaker 1>I don't know. She's like, oh, meet me at the

0:23:34.920 --> 0:23:40.040
<v Speaker 1>Forum and right and then and then he says hey,

0:23:43.600 --> 0:23:47.120
<v Speaker 1>he says, I don't want but this time it's sad

0:23:47.160 --> 0:23:51.760
<v Speaker 1>because he's going to kill him. Okay, so sorry. As

0:23:51.800 --> 0:23:55.320
<v Speaker 1>she's advancing in her career, he is, you know, still

0:23:55.440 --> 0:24:01.040
<v Speaker 1>drinking a lot. He becomes verbally abusive different points. He's jealous. Um,

0:24:01.440 --> 0:24:04.879
<v Speaker 1>he rubs a bagel on her face. There's lot of

0:24:05.240 --> 0:24:07.920
<v Speaker 1>icing ends up on face. Brad like Cooper's got I'll

0:24:07.960 --> 0:24:09.560
<v Speaker 1>go on the record. He's got a thing with the

0:24:09.680 --> 0:24:11.359
<v Speaker 1>cake on the face. There's a lot of cake in

0:24:11.440 --> 0:24:15.680
<v Speaker 1>the face in the movie. Every top Bill character gets

0:24:15.720 --> 0:24:17.760
<v Speaker 1>some cake on the face. Day of Chappelle gets cake

0:24:17.800 --> 0:24:20.160
<v Speaker 1>in the face. I don't know if Eddie Griffin gets

0:24:20.200 --> 0:24:26.760
<v Speaker 1>cake in the fast. So then she wins a Grammy

0:24:26.920 --> 0:24:29.840
<v Speaker 1>because she's become so famous, she's at that point in

0:24:29.960 --> 0:24:32.320
<v Speaker 1>her career. It was a nice touch that Lady Gaga

0:24:32.520 --> 0:24:35.320
<v Speaker 1>dressed like a Grammy because that's what Lady Gaga would do. Yeah,

0:24:35.760 --> 0:24:37.800
<v Speaker 1>her dress is like a Grammy dress. But at this

0:24:38.080 --> 0:24:43.200
<v Speaker 1>Awards ceremony, Jack is so drunk that he like stumbles

0:24:43.280 --> 0:24:46.680
<v Speaker 1>up onto the stage and then pisces himself, like on

0:24:47.000 --> 0:24:51.120
<v Speaker 1>camera on the stage and watching now, I don't know why.

0:24:51.200 --> 0:24:54.560
<v Speaker 1>I was like, first, sure, Bradley Cooper method pepe himself,

0:24:54.760 --> 0:24:59.800
<v Speaker 1>but it's definitely a post PEP. It's a I kind

0:24:59.800 --> 0:25:02.080
<v Speaker 1>of how to tube, like a tube of those like

0:25:02.160 --> 0:25:05.119
<v Speaker 1>we're going to excessively PP. I don't know, you know

0:25:05.200 --> 0:25:07.399
<v Speaker 1>how you can just sort of tell, Well, I'm a hacker,

0:25:07.440 --> 0:25:09.720
<v Speaker 1>so I can tell when things are computer but I'm

0:25:09.760 --> 0:25:13.200
<v Speaker 1>pretty sure it was computer PP. He wouldn't actually have

0:25:13.280 --> 0:25:15.639
<v Speaker 1>pped himself, No, I think maybe he tried, but he

0:25:15.680 --> 0:25:18.480
<v Speaker 1>got a nerve. I thought there was like a little pepee,

0:25:18.560 --> 0:25:21.520
<v Speaker 1>little two PP. I think it was a practical effect.

0:25:21.560 --> 0:25:24.840
<v Speaker 1>I think, really I feel that way. I feel like

0:25:25.320 --> 0:25:27.359
<v Speaker 1>this is this is what I love about movies Like this,

0:25:27.760 --> 0:25:30.080
<v Speaker 1>someone knows or someone that's in the process of trying

0:25:30.119 --> 0:25:32.159
<v Speaker 1>to find out what the deal with the PP is.

0:25:32.359 --> 0:25:38.640
<v Speaker 1>Bradley Cooper is known for being a practical effect genius hangout.

0:25:39.200 --> 0:25:42.879
<v Speaker 1>He was James Cameron. He all that face. He just

0:25:43.040 --> 0:25:45.320
<v Speaker 1>laid in the sun for ten hours for that facial.

0:25:45.760 --> 0:25:48.399
<v Speaker 1>Whatever was going on is a bloated red face the

0:25:48.440 --> 0:25:50.960
<v Speaker 1>whole time. Yeah, I love it. Okay. So at the

0:25:51.000 --> 0:25:54.920
<v Speaker 1>award ceremony, he p's himself and then he's like, oh crap,

0:25:55.000 --> 0:26:03.960
<v Speaker 1>I've hit rock bottom. Better go to hit the rock

0:26:04.040 --> 0:26:10.119
<v Speaker 1>of Peppy. So he goes to rehab and Ali's all like,

0:26:10.359 --> 0:26:12.520
<v Speaker 1>I still love you. We can make this work. You're

0:26:12.520 --> 0:26:14.480
<v Speaker 1>going to come back home, right, And he's like, oh yeah,

0:26:14.520 --> 0:26:18.560
<v Speaker 1>I think so. She way over dresses to go to rehab. Yeah.

0:26:18.560 --> 0:26:23.800
<v Speaker 1>I didn't think her outfit was appropriate for rehab. He

0:26:23.920 --> 0:26:28.520
<v Speaker 1>gets back home, he's in recovery and her manager, whose

0:26:28.640 --> 0:26:34.399
<v Speaker 1>name is rez Gavrin, I believe British villain, British twink

0:26:34.520 --> 0:26:39.840
<v Speaker 1>villain off head of you. And then she's like in

0:26:39.960 --> 0:26:42.920
<v Speaker 1>her Scott records and he literally goes over to probably

0:26:42.960 --> 0:26:45.439
<v Speaker 1>Cooper's house. He's like, I would be real help if

0:26:45.440 --> 0:26:51.159
<v Speaker 1>you killed He basically tells Jack that he has ruined

0:26:51.520 --> 0:26:54.040
<v Speaker 1>Lady Guga's career and that they've had to do like

0:26:54.200 --> 0:26:58.159
<v Speaker 1>so much damage control. So Jack this prompts him to

0:26:58.359 --> 0:27:04.600
<v Speaker 1>commit suicide Fish so it's like the the British Guy.

0:27:06.160 --> 0:27:08.840
<v Speaker 1>And then there's like a tribute song at the end

0:27:09.040 --> 0:27:11.560
<v Speaker 1>where she's like, I'm Ali Maine and she sings a

0:27:11.720 --> 0:27:17.640
<v Speaker 1>song and everyone's sad. This is original, the actual Let's

0:27:18.040 --> 0:27:21.160
<v Speaker 1>take a quick break and we'll come back and watch

0:27:21.200 --> 0:27:24.200
<v Speaker 1>A Star is Born again. Let's take a quick break

0:27:24.280 --> 0:27:32.920
<v Speaker 1>and then we will be right back and we're back. Okay,

0:27:33.320 --> 0:27:35.240
<v Speaker 1>So where do we want to begin with this? Because

0:27:35.280 --> 0:27:37.600
<v Speaker 1>I just have so many thoughts I don't know where

0:27:37.640 --> 0:27:41.520
<v Speaker 1>to start. Well, I personally would like to draw attention

0:27:41.720 --> 0:27:46.240
<v Speaker 1>to Jack's behavior in the beginning of the movie, where

0:27:46.600 --> 0:27:49.680
<v Speaker 1>I think we can apply the Bushemi test to this,

0:27:50.240 --> 0:27:54.119
<v Speaker 1>where early on he's apply that not super like you

0:27:54.160 --> 0:27:56.800
<v Speaker 1>were saying, like the not super famous guy. I think

0:27:56.840 --> 0:28:00.080
<v Speaker 1>if someone that hot who was a nobody was doing

0:28:00.160 --> 0:28:02.880
<v Speaker 1>that ship people would also not be having it. Sure.

0:28:02.920 --> 0:28:07.200
<v Speaker 1>I mean, basically, after they've met, for they've known each

0:28:07.200 --> 0:28:09.840
<v Speaker 1>other for less than twenty four hours, he's like, Hey,

0:28:09.960 --> 0:28:12.200
<v Speaker 1>come to my gig tonight, and she's like, I can't.

0:28:12.280 --> 0:28:15.040
<v Speaker 1>I have to work. No thanks, and he's like please though,

0:28:15.200 --> 0:28:18.480
<v Speaker 1>and she's like, no, I can't. She's telling him no

0:28:18.600 --> 0:28:21.920
<v Speaker 1>several times. Then he sends his driver to her house

0:28:22.040 --> 0:28:25.040
<v Speaker 1>to pick her up to follow her right um, and

0:28:25.119 --> 0:28:28.040
<v Speaker 1>then she's like no, I can't. But then eventually she

0:28:28.600 --> 0:28:31.520
<v Speaker 1>decides to get on this private jet and go to

0:28:31.640 --> 0:28:35.400
<v Speaker 1>this gig after all. Uh. And then a few scenes later,

0:28:36.000 --> 0:28:39.040
<v Speaker 1>she's sleeping in her bed and she wakes up and

0:28:39.200 --> 0:28:42.120
<v Speaker 1>Jack is there and she's like, how why are you here?

0:28:42.360 --> 0:28:44.800
<v Speaker 1>And he's like, oh, your dad let me in here.

0:28:44.840 --> 0:28:47.720
<v Speaker 1>I am. So this is like, Dice, what are you doing?

0:28:48.480 --> 0:28:52.040
<v Speaker 1>I respect your daughta. What the are you doing? That

0:28:55.520 --> 0:28:58.000
<v Speaker 1>a good line read by Dice. We have to remember

0:28:58.120 --> 0:29:01.640
<v Speaker 1>he is one of comedies most notorious misogynists, one of

0:29:01.720 --> 0:29:05.280
<v Speaker 1>the most successful misogynists in the entire industry. Good for

0:29:05.400 --> 0:29:08.800
<v Speaker 1>him though. He did a couple of goods my daught Yeah,

0:29:08.880 --> 0:29:11.360
<v Speaker 1>he had a great lines beginning. Take a look at

0:29:11.400 --> 0:29:13.960
<v Speaker 1>her To all his buddies, you know, some with the

0:29:14.040 --> 0:29:16.880
<v Speaker 1>most talent, they just don't make it. It was like,

0:29:17.120 --> 0:29:21.120
<v Speaker 1>you fucking assho. Literally after she comes home starts cleaning

0:29:21.240 --> 0:29:24.280
<v Speaker 1>up after him and his gross friends. Although I think

0:29:24.320 --> 0:29:29.280
<v Speaker 1>It was a super producer, Sophie, who said, uh, Dice

0:29:29.440 --> 0:29:32.719
<v Speaker 1>is squatted in every scene in this movie. He's got

0:29:32.840 --> 0:29:35.440
<v Speaker 1>like no less than four old men with him, just

0:29:35.680 --> 0:29:38.680
<v Speaker 1>like being like, Dice is the fucking I think that's

0:29:38.760 --> 0:29:41.720
<v Speaker 1>his like real life entourage. He's like, I don't come

0:29:41.800 --> 0:29:45.560
<v Speaker 1>on set with less than four fucking gross dudes. I

0:29:45.600 --> 0:29:48.640
<v Speaker 1>think though probably I could not figure out that was

0:29:48.720 --> 0:29:50.720
<v Speaker 1>Dice to save my life because I realized I had

0:29:50.760 --> 0:29:54.240
<v Speaker 1>never seen andrewdies Clay's eyes because he always wears his sunglasses,

0:29:54.400 --> 0:29:56.640
<v Speaker 1>and that was fucking me up until the last same

0:29:56.680 --> 0:29:58.440
<v Speaker 1>of the credits, and I'm like, is that andrewdiese Clay?

0:29:58.480 --> 0:30:00.960
<v Speaker 1>And I like felt like a fucking idiot. It really

0:30:00.960 --> 0:30:02.400
<v Speaker 1>actually took me out of the film a little. It

0:30:02.440 --> 0:30:04.480
<v Speaker 1>took a couple of scenes to figure out it was Dice,

0:30:04.640 --> 0:30:06.600
<v Speaker 1>which is too bad because I think that all of

0:30:06.680 --> 0:30:09.160
<v Speaker 1>us right now could play his girlfriend and a thing

0:30:10.560 --> 0:30:14.760
<v Speaker 1>about the right age. My boyfriend is Andrew night Anna

0:30:17.400 --> 0:30:20.120
<v Speaker 1>my daddy. But you know what I mean, I'm so

0:30:20.320 --> 0:30:24.200
<v Speaker 1>sorry about that funked up stuff I said. But in

0:30:24.320 --> 0:30:29.880
<v Speaker 1>any case, the behavior the Bradley Cooper's character is doing

0:30:30.320 --> 0:30:34.880
<v Speaker 1>is troubling. It's stockery. It's predatory, but because he is

0:30:35.080 --> 0:30:39.920
<v Speaker 1>a man with fame and power and influence, she's like, oh,

0:30:40.160 --> 0:30:45.000
<v Speaker 1>how romantic. So I was truly surprised how quickly they

0:30:45.120 --> 0:30:47.160
<v Speaker 1>just started making out. I was like, really, that girl,

0:30:47.200 --> 0:30:48.920
<v Speaker 1>I don't mean, you don't really know much about him

0:30:48.960 --> 0:30:52.840
<v Speaker 1>on the knees a famous person and seems drunk as fuck.

0:30:53.200 --> 0:30:55.960
<v Speaker 1>They I feel like they try to work around that

0:30:56.400 --> 0:31:00.760
<v Speaker 1>by saying like, oh, she does at least go to work,

0:31:00.920 --> 0:31:03.360
<v Speaker 1>but then someone's like, you're fucking late, and she's like,

0:31:03.560 --> 0:31:07.320
<v Speaker 1>I fucking quit, and then she gets in the limit

0:31:07.520 --> 0:31:11.240
<v Speaker 1>that followed her. I don't know. I didn't. This is

0:31:11.320 --> 0:31:15.240
<v Speaker 1>kind of like the inception of this relationship changes. I

0:31:15.320 --> 0:31:17.480
<v Speaker 1>think there's versions of it where it's done better in

0:31:17.720 --> 0:31:21.320
<v Speaker 1>past stars, and there's also versions where it's like way creepier.

0:31:21.840 --> 0:31:25.880
<v Speaker 1>But they're the first two stars born. Happens between actors.

0:31:26.600 --> 0:31:30.960
<v Speaker 1>This one and the Strisan one are musicians, but it

0:31:31.160 --> 0:31:34.560
<v Speaker 1>usually starts with like them they meet she's a little

0:31:34.640 --> 0:31:37.080
<v Speaker 1>girl from nowhere who just moved to Hollywood to become

0:31:37.120 --> 0:31:40.440
<v Speaker 1>a big staw and she's an extra and she's a

0:31:40.520 --> 0:31:43.600
<v Speaker 1>waitress in the whole bit, and then he like gets

0:31:43.640 --> 0:31:47.960
<v Speaker 1>her an audition, which is less creepy than sending someone

0:31:48.040 --> 0:31:51.880
<v Speaker 1>in a in a vehicle to follow her around. Um yeah,

0:31:52.320 --> 0:31:53.920
<v Speaker 1>I feel like they're really trying to push the like

0:31:54.280 --> 0:31:57.960
<v Speaker 1>this is an undeniable love situation, but that didn't work

0:31:58.040 --> 0:32:00.239
<v Speaker 1>for me. Like I I didn't believe that they were

0:32:00.320 --> 0:32:02.560
<v Speaker 1>like undeniably attracted to each other, and we're just being

0:32:02.920 --> 0:32:05.760
<v Speaker 1>pulled without their control to each other. And that's why

0:32:05.800 --> 0:32:08.040
<v Speaker 1>they started, like, you know, almost hooking up almost immediately.

0:32:08.360 --> 0:32:10.120
<v Speaker 1>Like I didn't trust the way it was done in

0:32:10.160 --> 0:32:13.320
<v Speaker 1>the movie. I didn't believe it necessarily. There's so much

0:32:13.520 --> 0:32:15.720
<v Speaker 1>in all of these stories, but speaking to like the

0:32:16.560 --> 0:32:20.680
<v Speaker 1>eighteen one as well, that like there's so many elements

0:32:20.760 --> 0:32:24.240
<v Speaker 1>of this story that go completely unexplored, and I think that,

0:32:24.360 --> 0:32:27.040
<v Speaker 1>like one of the greatest weaknesses of this story is

0:32:27.120 --> 0:32:30.640
<v Speaker 1>that it is like sort of doesn't give it's the

0:32:30.800 --> 0:32:33.320
<v Speaker 1>star who is born a k a. The one woman

0:32:33.400 --> 0:32:36.600
<v Speaker 1>in the movie who talks really enough, not even like

0:32:36.680 --> 0:32:38.680
<v Speaker 1>it's like Lady Guy was very present in this movie,

0:32:39.000 --> 0:32:40.959
<v Speaker 1>but there are certain elements of her personality that are

0:32:41.440 --> 0:32:46.760
<v Speaker 1>totally unexplored because this character that esther Bladget or Ali

0:32:46.960 --> 0:32:50.400
<v Speaker 1>who fucking knows is like the woman who stands by

0:32:50.520 --> 0:32:53.840
<v Speaker 1>her man, and it's like the message of this whole

0:32:53.880 --> 0:32:56.840
<v Speaker 1>franchise is like, hey, if you're in a relationship with

0:32:56.920 --> 0:33:01.960
<v Speaker 1>an abusive alcoholic hanging there, maybe he'll die. Like it's

0:33:02.040 --> 0:33:05.200
<v Speaker 1>just not good. But but there's a few like, Okay,

0:33:05.360 --> 0:33:07.600
<v Speaker 1>some things that occurred to me. And I haven't done

0:33:08.040 --> 0:33:11.280
<v Speaker 1>a lot of reading about this Star is Born, just

0:33:11.480 --> 0:33:15.000
<v Speaker 1>because I just I've been too busy watching it over

0:33:15.080 --> 0:33:18.440
<v Speaker 1>and over. But some things that occurred to me about

0:33:18.880 --> 0:33:22.600
<v Speaker 1>Ali and Jackson's relationship that we never addressed, aside from

0:33:23.520 --> 0:33:25.440
<v Speaker 1>being in a relationship with an addict, which we can

0:33:25.520 --> 0:33:29.240
<v Speaker 1>get to because that is like weight glassed over, like

0:33:29.320 --> 0:33:31.640
<v Speaker 1>he was mean to her one time, Like that's not

0:33:31.760 --> 0:33:37.120
<v Speaker 1>how I know. But one thing that's never touched on is,

0:33:37.520 --> 0:33:40.200
<v Speaker 1>you know, the power dynamics in this relationship from the

0:33:40.360 --> 0:33:43.920
<v Speaker 1>jump are off, and they're off in every incarnation of

0:33:44.080 --> 0:33:47.640
<v Speaker 1>this story. And so I don't I mean, I don't

0:33:47.680 --> 0:33:49.440
<v Speaker 1>even know where a land on this. But there's some

0:33:49.840 --> 0:33:52.600
<v Speaker 1>times where I'm in the story and I'm like, well,

0:33:52.720 --> 0:33:56.800
<v Speaker 1>Ali like probably would feel weird leaving him early in

0:33:56.880 --> 0:34:00.360
<v Speaker 1>that relationship, even though he's clearly a fucking mess, even

0:34:00.400 --> 0:34:02.440
<v Speaker 1>if she does like him because her entire career is

0:34:02.480 --> 0:34:05.840
<v Speaker 1>dependent on him, which is a power dynamic he introduced.

0:34:06.600 --> 0:34:08.759
<v Speaker 1>But you know, it's I think that that adds some

0:34:08.880 --> 0:34:12.480
<v Speaker 1>complexity to her character. If it's not just like she's

0:34:12.640 --> 0:34:15.040
<v Speaker 1>so in love with him and she can't leave because

0:34:15.040 --> 0:34:16.600
<v Speaker 1>she loves him so much. It's like, well, what if

0:34:16.640 --> 0:34:19.359
<v Speaker 1>she sort of wants to leave but her entire career

0:34:19.520 --> 0:34:22.480
<v Speaker 1>is tethered to this one person. Like that's something that

0:34:22.560 --> 0:34:24.520
<v Speaker 1>happens in the first half of the movie that I

0:34:24.600 --> 0:34:26.920
<v Speaker 1>thought would have been at least interesting to acknowledge. But

0:34:27.040 --> 0:34:29.160
<v Speaker 1>that power dynamic is never They're like, well, they love

0:34:29.200 --> 0:34:31.719
<v Speaker 1>each other and correct me if I'm wrong, But I

0:34:31.760 --> 0:34:34.880
<v Speaker 1>don't think he ever does anything to like promise that

0:34:35.040 --> 0:34:37.840
<v Speaker 1>he's gonna, like uplift her career and get her to

0:34:37.920 --> 0:34:40.040
<v Speaker 1>where that doesn't happen, right, He's always like, I'll get

0:34:40.120 --> 0:34:42.800
<v Speaker 1>too far. He does, he does that and in the

0:34:42.880 --> 0:34:46.720
<v Speaker 1>other versions, but I mean, it still feels pretty heavily implied,

0:34:46.800 --> 0:34:49.840
<v Speaker 1>like if she left that tour, it's not like she

0:34:50.000 --> 0:34:52.600
<v Speaker 1>could just you know, like I think the story would

0:34:52.600 --> 0:34:54.480
<v Speaker 1>have you believe she needs to be on tour with

0:34:54.640 --> 0:34:57.400
<v Speaker 1>him at the beginning, and you know, establish herself as

0:34:57.640 --> 0:35:01.279
<v Speaker 1>his sort of like right hand singer before she can

0:35:01.400 --> 0:35:03.839
<v Speaker 1>become you know, and meets everybody she has to meet

0:35:03.840 --> 0:35:05.400
<v Speaker 1>and then she can take off on her own. But

0:35:05.520 --> 0:35:08.719
<v Speaker 1>she couldn't have technically started on this path in this

0:35:08.880 --> 0:35:11.800
<v Speaker 1>story without him. And that's like to sort of a

0:35:11.960 --> 0:35:14.879
<v Speaker 1>dynamic that they don't acknowledge at all. Right, And I'm

0:35:14.920 --> 0:35:19.520
<v Speaker 1>not saying that this thing happens in this I'm not

0:35:19.600 --> 0:35:21.880
<v Speaker 1>familiar enough with the other ones to know if this happens,

0:35:21.920 --> 0:35:26.560
<v Speaker 1>but like it's reminiscent of situations where someone like Harvey

0:35:26.640 --> 0:35:31.920
<v Speaker 1>Weinstein targets a young up and comer who's like, I'll

0:35:32.000 --> 0:35:34.799
<v Speaker 1>take you far if you just come to my hotel room,

0:35:34.960 --> 0:35:38.439
<v Speaker 1>or you know, like making promises, and what they're really

0:35:38.520 --> 0:35:42.840
<v Speaker 1>doing is just manipulating and abusing and ruining their lives.

0:35:43.680 --> 0:35:46.239
<v Speaker 1>They felt like sorry, there was a selfishness to his

0:35:46.320 --> 0:35:49.319
<v Speaker 1>behavior in the sense that he actually didn't want her

0:35:49.400 --> 0:35:53.719
<v Speaker 1>to grow beyond being a singer with him, right, And

0:35:53.840 --> 0:35:55.719
<v Speaker 1>that's when he starts to get the kid. That's when

0:35:55.760 --> 0:35:59.120
<v Speaker 1>the cake is in the face when she starts to

0:35:59.200 --> 0:36:01.239
<v Speaker 1>out achieve him, and she does call him out and

0:36:01.400 --> 0:36:05.759
<v Speaker 1>was like, you're jealous, but it's like, I do like

0:36:05.880 --> 0:36:09.640
<v Speaker 1>the part where she lets him headbutt a TV or

0:36:09.719 --> 0:36:11.560
<v Speaker 1>she's like, you want to play? Lest fucking play? And

0:36:11.640 --> 0:36:14.160
<v Speaker 1>then he had butt the TV and she's like it

0:36:14.280 --> 0:36:16.200
<v Speaker 1>just like passes out into it. Yeah, and then she

0:36:16.280 --> 0:36:17.880
<v Speaker 1>gets the cake off her face, she goes, what the

0:36:17.960 --> 0:36:22.399
<v Speaker 1>fund is this? This? I did want to see more?

0:36:22.480 --> 0:36:24.279
<v Speaker 1>Sad thing is like a lot of her attitude came

0:36:24.280 --> 0:36:26.920
<v Speaker 1>out in the beginning and then sort of just became

0:36:27.040 --> 0:36:30.000
<v Speaker 1>passive at the end, Like she didn't defend herself, shen

0:36:30.120 --> 0:36:32.080
<v Speaker 1>stand up for herself. She just kind of went along

0:36:32.120 --> 0:36:34.160
<v Speaker 1>with what people told her to do. Thing Like, she

0:36:34.320 --> 0:36:37.640
<v Speaker 1>doesn't have much agency in this story. She things happened

0:36:37.680 --> 0:36:41.000
<v Speaker 1>to her, but she's not necessarily I mean you could say, like,

0:36:41.080 --> 0:36:44.120
<v Speaker 1>you know, the the hard work she's put into being

0:36:44.160 --> 0:36:46.239
<v Speaker 1>a singer and you know, working on her craft, but

0:36:46.600 --> 0:36:48.920
<v Speaker 1>we don't really see that. The story picks up basically

0:36:49.040 --> 0:36:52.560
<v Speaker 1>right before she's propelled to start them, so right, I mean,

0:36:52.640 --> 0:36:54.880
<v Speaker 1>we at least get the moment of like we know

0:36:55.080 --> 0:36:57.120
<v Speaker 1>she's good enough, she has what it takes. It's not

0:36:57.320 --> 0:37:00.239
<v Speaker 1>like they need to fake her talent at any point, right,

0:37:00.320 --> 0:37:03.240
<v Speaker 1>which I appreciate it, it's not like, what's that fucking

0:37:03.320 --> 0:37:07.640
<v Speaker 1>movie with Meryl Streep and Hugh Grant Florence Foster Jenkins.

0:37:07.800 --> 0:37:12.359
<v Speaker 1>It's not a Florence Foster Jenkins sitch, right, But yeah,

0:37:12.840 --> 0:37:15.760
<v Speaker 1>but everything happens to her. Yeah, so she's not necessarily

0:37:15.800 --> 0:37:20.240
<v Speaker 1>going out and making active choices, and arguably that's because

0:37:20.520 --> 0:37:23.520
<v Speaker 1>it's Bradley Cooper's character who's the protagonist of the story,

0:37:23.560 --> 0:37:25.600
<v Speaker 1>who's driving the narrative. But it would still be nice

0:37:25.680 --> 0:37:28.759
<v Speaker 1>to like to see her, I don't know, just be

0:37:28.960 --> 0:37:31.360
<v Speaker 1>more active in the pursuit of something. But it's a

0:37:31.440 --> 0:37:34.080
<v Speaker 1>lot of stuff happening to her and her kind of

0:37:34.320 --> 0:37:38.120
<v Speaker 1>rolling with the punches. It does seem like there's this

0:37:38.360 --> 0:37:41.840
<v Speaker 1>overall like male savior vibe throughout the entire film. It

0:37:41.920 --> 0:37:44.279
<v Speaker 1>like it's very broad because it starts with him, you know,

0:37:44.440 --> 0:37:47.600
<v Speaker 1>giving her her first break to like that guy being

0:37:47.680 --> 0:37:49.880
<v Speaker 1>like I'll make you know, signing Interscope Records, and then

0:37:49.880 --> 0:37:51.759
<v Speaker 1>it ends with him killing himself because he's like, I'm

0:37:51.840 --> 0:37:54.320
<v Speaker 1>doing this for you so you can go on and

0:37:54.440 --> 0:37:58.680
<v Speaker 1>live your life without being drinking myself. Yeah, Like I'm

0:37:58.719 --> 0:38:00.920
<v Speaker 1>here for like this is all because of you. I'm

0:38:00.920 --> 0:38:02.640
<v Speaker 1>trying to make your life better and it's like she

0:38:02.800 --> 0:38:05.440
<v Speaker 1>could have easily have succeeded fine and gotten her life

0:38:05.480 --> 0:38:07.960
<v Speaker 1>together as you have not killed yourself. And also it's

0:38:08.960 --> 0:38:13.080
<v Speaker 1>she could have divorces like there's there's there's a lot

0:38:13.120 --> 0:38:16.839
<v Speaker 1>of like missed like things that you're like, you would

0:38:17.080 --> 0:38:19.840
<v Speaker 1>think that it would go more challenge but just doesn't.

0:38:20.920 --> 0:38:23.200
<v Speaker 1>Which is I mean, I don't know, I still love

0:38:23.280 --> 0:38:25.800
<v Speaker 1>the movie so much, so hard, but but there's so

0:38:26.040 --> 0:38:28.640
<v Speaker 1>there's so much where it's like she really doesn't have

0:38:29.400 --> 0:38:32.560
<v Speaker 1>another element. Okay, another I think we've already talked about

0:38:32.600 --> 0:38:34.520
<v Speaker 1>this because we've been talking about this movie for a week.

0:38:35.200 --> 0:38:38.640
<v Speaker 1>Where Ali does. I mean, we see the sort of

0:38:38.719 --> 0:38:42.799
<v Speaker 1>song she's writing at the beginning, she's ah, and then

0:38:42.920 --> 0:38:45.480
<v Speaker 1>when she becomes a pop star that goes away and

0:38:45.520 --> 0:38:46.759
<v Speaker 1>all of a sudden she's like, why would it the

0:38:47.120 --> 0:38:51.799
<v Speaker 1>that that it's all the time they're good, but they change, right,

0:38:52.120 --> 0:38:56.120
<v Speaker 1>she becomes a pop star, and there's one scene because

0:38:56.160 --> 0:38:59.640
<v Speaker 1>she does she sells out immediately, which is not even

0:38:59.680 --> 0:39:02.279
<v Speaker 1>a moment on the character because we don't really know

0:39:02.320 --> 0:39:04.400
<v Speaker 1>her well enough to know what her code of ethics

0:39:04.480 --> 0:39:08.120
<v Speaker 1>with this is. But you know, the British guy is

0:39:08.239 --> 0:39:11.280
<v Speaker 1>like you go to die your hand and learn to dance,

0:39:11.440 --> 0:39:14.320
<v Speaker 1>and so she does. And then there's one scene, the

0:39:14.440 --> 0:39:17.920
<v Speaker 1>one scene in their entire relationship where Bradley Cooper is

0:39:17.920 --> 0:39:21.120
<v Speaker 1>an alcoholic and mean to her. He comes in, she's

0:39:21.120 --> 0:39:24.880
<v Speaker 1>in her fucking grammy bathtub or whatever, and he is

0:39:26.040 --> 0:39:28.759
<v Speaker 1>He's like, so, what we're singing songs about s now?

0:39:30.000 --> 0:39:33.279
<v Speaker 1>Which is which is like one of the only good

0:39:33.320 --> 0:39:36.800
<v Speaker 1>points he makes in the entire movie that goes totally unexploited.

0:39:36.840 --> 0:39:40.239
<v Speaker 1>Like he points out, like, hey, you have changed a lot,

0:39:40.520 --> 0:39:44.120
<v Speaker 1>and you are. And he's saying that partially because he's jealous,

0:39:44.480 --> 0:39:47.279
<v Speaker 1>but also there is an element to that character, yeah,

0:39:47.360 --> 0:39:50.439
<v Speaker 1>where he's like a pure artist or whatever he thinks

0:39:50.520 --> 0:39:52.720
<v Speaker 1>he is, and he looks down at people who aren't

0:39:52.800 --> 0:39:56.000
<v Speaker 1>like that. Should have approached it differently because also in

0:39:56.080 --> 0:39:59.120
<v Speaker 1>that conversation, he's telling her that she's ugly and that

0:39:59.200 --> 0:40:02.160
<v Speaker 1>she has no talent. She's an embarrassment now because of

0:40:02.239 --> 0:40:06.080
<v Speaker 1>how she's taken her opportunity and like used it to

0:40:06.200 --> 0:40:08.880
<v Speaker 1>become this pop star or just mostly I don't know,

0:40:08.960 --> 0:40:11.960
<v Speaker 1>I guess let go of her true inner musician to

0:40:12.560 --> 0:40:15.800
<v Speaker 1>cater to people who will give her that kind of attention.

0:40:15.920 --> 0:40:18.600
<v Speaker 1>In money and you know which isn't I think that's

0:40:18.640 --> 0:40:23.360
<v Speaker 1>a really interesting theme that they drop after that Like that,

0:40:23.560 --> 0:40:27.759
<v Speaker 1>it's just because as flawed and bad and as much

0:40:27.800 --> 0:40:29.960
<v Speaker 1>of a sign of like, this is a toxic relationship

0:40:30.000 --> 0:40:33.000
<v Speaker 1>as that scene is. He makes that point and she's like, no,

0:40:33.160 --> 0:40:35.799
<v Speaker 1>that's my song. I wrote it. It's great, and then

0:40:35.840 --> 0:40:38.120
<v Speaker 1>it's like, but we know that it's I don't know.

0:40:38.239 --> 0:40:39.799
<v Speaker 1>That was one thing where I was like, that would

0:40:39.800 --> 0:40:42.680
<v Speaker 1>have been another interesting element to this character. But the

0:40:42.840 --> 0:40:45.640
<v Speaker 1>story is so committed to making her a perfect angel

0:40:46.320 --> 0:40:49.200
<v Speaker 1>that she's a boring character. Sure. I would also real

0:40:49.280 --> 0:40:52.480
<v Speaker 1>quick argue that there's some gratuitous nudity in that scene,

0:40:52.480 --> 0:40:54.280
<v Speaker 1>because why does it take in place in a bathtub

0:40:54.320 --> 0:40:55.719
<v Speaker 1>and then she stands up out of it and you're like,

0:40:56.080 --> 0:40:58.320
<v Speaker 1>see her whole naked body, just a quick glimpse of it.

0:40:58.400 --> 0:41:03.840
<v Speaker 1>But it's like, that's even the past stars bathtubs a lot. Okay,

0:41:04.000 --> 0:41:06.359
<v Speaker 1>Like the actual scene where she's putting on makeup on him,

0:41:06.440 --> 0:41:09.319
<v Speaker 1>like that happened in the stridesand vers and I think

0:41:09.360 --> 0:41:13.120
<v Speaker 1>it happened in the Garland does on the version also

0:41:13.280 --> 0:41:16.359
<v Speaker 1>argue that we didn't necessarily need that nudity in that moment,

0:41:16.400 --> 0:41:18.800
<v Speaker 1>but maybe I'm just approved. I decayed it, but I

0:41:18.880 --> 0:41:21.160
<v Speaker 1>can't wait to print it on iTunes and pose it.

0:41:21.520 --> 0:41:26.080
<v Speaker 1>So another thing that I thought could have been explored

0:41:26.160 --> 0:41:30.239
<v Speaker 1>far more that wasn't is the sort of pressure that

0:41:30.440 --> 0:41:34.960
<v Speaker 1>is placed upon usually women in the entertainment industry to

0:41:35.719 --> 0:41:38.400
<v Speaker 1>change the way they look and cater to a specific

0:41:38.520 --> 0:41:42.800
<v Speaker 1>image that like whatever studio or record label is voisting

0:41:42.920 --> 0:41:46.239
<v Speaker 1>upon them. Because early on in the film, Ali is

0:41:46.280 --> 0:41:48.920
<v Speaker 1>talking to Jack. I think it's like the night that

0:41:49.000 --> 0:41:52.719
<v Speaker 1>they first meet, and she's describing right, She's like, oh,

0:41:52.880 --> 0:41:55.640
<v Speaker 1>you know, I haven't gotten my break in this industry yet,

0:41:55.680 --> 0:41:58.120
<v Speaker 1>because you go into these rooms and there's all these

0:41:58.160 --> 0:42:00.200
<v Speaker 1>men looking at you and they tell you that you

0:42:00.320 --> 0:42:02.520
<v Speaker 1>sound great, but you don't look great. And she expresses

0:42:02.600 --> 0:42:05.640
<v Speaker 1>some insecurities about her nose and stuff like that. So

0:42:06.360 --> 0:42:09.080
<v Speaker 1>she's talking about this and then she gets her big

0:42:09.120 --> 0:42:12.080
<v Speaker 1>break and it starts to work out, but then her

0:42:12.120 --> 0:42:15.000
<v Speaker 1>manager is like, we need you to dye your hair

0:42:15.120 --> 0:42:19.080
<v Speaker 1>blonde and don't tell the dances not to go on stage.

0:42:19.600 --> 0:42:21.319
<v Speaker 1>To build on that point, it was almost as if

0:42:21.400 --> 0:42:23.920
<v Speaker 1>they couldn't acknowledge that her looks didn't matter until she

0:42:24.000 --> 0:42:26.480
<v Speaker 1>got signed off by another man to be like, hey,

0:42:26.520 --> 0:42:31.480
<v Speaker 1>well I approve and then they're like yeah, yeah, exactly.

0:42:31.920 --> 0:42:35.320
<v Speaker 1>But the entertainment industry has like a very long, troubling

0:42:35.520 --> 0:42:39.960
<v Speaker 1>history of like shaping women into, you know, the person

0:42:40.040 --> 0:42:43.320
<v Speaker 1>that whatever studio wants them to be. For example, you

0:42:43.400 --> 0:42:46.680
<v Speaker 1>can take a look at Judy Garland's career where she

0:42:47.000 --> 0:42:49.920
<v Speaker 1>was like forced pills to like keep her thin, to

0:42:50.040 --> 0:42:53.840
<v Speaker 1>keep her peppy and eight years right, and then you

0:42:53.960 --> 0:42:58.279
<v Speaker 1>know there's other Garland was also famously molested by Louis B.

0:42:58.400 --> 0:43:02.880
<v Speaker 1>Mayer himself when she was like thirteen or fourteen years olds.

0:43:02.920 --> 0:43:07.640
<v Speaker 1>So it's like, but yeah, different, you know the studios

0:43:07.680 --> 0:43:11.520
<v Speaker 1>network's record labels, you don't have an image in mind

0:43:11.680 --> 0:43:15.320
<v Speaker 1>for you know, whatever young anginue they are trying to

0:43:15.360 --> 0:43:18.200
<v Speaker 1>build into a superstar, and they basically decide, Okay, here's

0:43:18.200 --> 0:43:20.920
<v Speaker 1>what you look like, here's what you're gonna wear, here's

0:43:20.960 --> 0:43:25.640
<v Speaker 1>what you're going to act like. And I think, right,

0:43:25.960 --> 0:43:28.160
<v Speaker 1>I think the movie could have explored that a lot more.

0:43:28.280 --> 0:43:31.200
<v Speaker 1>But especially it's not the story, I guess, especially because

0:43:31.280 --> 0:43:34.400
<v Speaker 1>it's like you have Lady Gaga here, you have a

0:43:34.520 --> 0:43:39.040
<v Speaker 1>fucking expert on this topic in the room. She can

0:43:39.120 --> 0:43:42.840
<v Speaker 1>tell you, but I don't know. This is. This is

0:43:42.920 --> 0:43:48.840
<v Speaker 1>also I believe this is the only version of this

0:43:49.320 --> 0:43:52.440
<v Speaker 1>script that is written entirely by men. There's usually at

0:43:52.520 --> 0:43:56.400
<v Speaker 1>least one woman involved, but this is There's a lot

0:43:56.480 --> 0:43:59.319
<v Speaker 1>of themes that go like surface explored, Like I think

0:43:59.360 --> 0:44:01.800
<v Speaker 1>that they're trying trying to make a statement by like

0:44:02.080 --> 0:44:06.080
<v Speaker 1>Lady Gaga's nose, but then she's famous anyways, and like cool,

0:44:06.800 --> 0:44:10.439
<v Speaker 1>but it is it's also surface where she basically still

0:44:10.600 --> 0:44:12.759
<v Speaker 1>ends up folding to all of their demands and that

0:44:12.960 --> 0:44:15.120
<v Speaker 1>ends up working out in her favor. There's really no

0:44:15.280 --> 0:44:18.600
<v Speaker 1>consequence for that happening, So like, what's the comment, like

0:44:18.960 --> 0:44:21.800
<v Speaker 1>do it? There is a part in her smart and

0:44:21.880 --> 0:44:25.160
<v Speaker 1>I think that like she does kind of decide to

0:44:25.280 --> 0:44:26.799
<v Speaker 1>just give it and take it into her own hands

0:44:26.840 --> 0:44:28.840
<v Speaker 1>and be like, fine, I'm going to do all this,

0:44:29.080 --> 0:44:30.880
<v Speaker 1>but I'm going to do it my own way, Like

0:44:30.960 --> 0:44:32.920
<v Speaker 1>when they said, oh, make your hair plan and Blonde's like, no,

0:44:33.000 --> 0:44:36.080
<v Speaker 1>I'll do orange, which is weird choice. But there is

0:44:36.160 --> 0:44:38.240
<v Speaker 1>things that I think like, oh, well, she was actually

0:44:38.920 --> 0:44:41.360
<v Speaker 1>like even though it wasn't necessarily the right choice and

0:44:41.440 --> 0:44:44.120
<v Speaker 1>it was selling out, she made the choice to sell out,

0:44:44.320 --> 0:44:47.120
<v Speaker 1>which was like, I don't even care that this character

0:44:47.200 --> 0:44:49.160
<v Speaker 1>sells out. I'm not even critical of her for that.

0:44:49.280 --> 0:44:51.080
<v Speaker 1>But it's like they don't even talk about that, they

0:44:51.080 --> 0:44:53.160
<v Speaker 1>don't even look at that, just like they're like, well,

0:44:53.239 --> 0:44:55.120
<v Speaker 1>this is what happened. I'm like, but this is the

0:44:55.200 --> 0:44:57.040
<v Speaker 1>star who's born. Why don't we get to here where

0:44:57.080 --> 0:44:59.560
<v Speaker 1>she'd think about nothing? Right? It's so the whole thing

0:44:59.719 --> 0:45:03.440
<v Speaker 1>is it's about this woman, but the whole story unfolds

0:45:03.480 --> 0:45:07.040
<v Speaker 1>from the point of view of men around. Yeah, you

0:45:07.120 --> 0:45:09.480
<v Speaker 1>have to see I mean, you know, as much as

0:45:09.520 --> 0:45:12.840
<v Speaker 1>I love seeing Bradley Cooper and Sam Elliott crying together

0:45:12.960 --> 0:45:17.040
<v Speaker 1>in like three different scenes, it's like, okay, we uh,

0:45:17.280 --> 0:45:19.319
<v Speaker 1>there's there's there's there's so much I mean. And then

0:45:19.560 --> 0:45:21.880
<v Speaker 1>the last big note I had for things that go

0:45:22.320 --> 0:45:26.000
<v Speaker 1>unexplored in Ali's character is her relationship to her father

0:45:26.480 --> 0:45:29.520
<v Speaker 1>where there's a scene that I find so frustrating with

0:45:29.680 --> 0:45:33.720
<v Speaker 1>Ali and Dice, uh towards the end of the movie,

0:45:34.000 --> 0:45:38.279
<v Speaker 1>and it's after Jackson Pepete himself and now he's in

0:45:38.360 --> 0:45:40.720
<v Speaker 1>rehab and she's like, eat us up a breakfast. Sorry,

0:45:40.760 --> 0:45:44.640
<v Speaker 1>I'm stressed. The whole thing and Dice it's already been

0:45:44.640 --> 0:45:50.240
<v Speaker 1>acknowledged several times that Dice is also an alcoholic seems

0:45:50.280 --> 0:45:53.040
<v Speaker 1>to have had a drinking problem. That tracks in terms

0:45:53.120 --> 0:45:56.640
<v Speaker 1>of like, you know, children of alcoholics very often end

0:45:56.760 --> 0:46:03.960
<v Speaker 1>up with alcoholics. R I p me, but um, but

0:46:04.440 --> 0:46:07.160
<v Speaker 1>the same though. Yeah, I mean it's it's we've got

0:46:07.239 --> 0:46:10.560
<v Speaker 1>we've got evidence in the room. Uh. But he starts

0:46:10.600 --> 0:46:13.719
<v Speaker 1>to apologize to her, starts to be like, I'm sorry

0:46:13.760 --> 0:46:16.719
<v Speaker 1>I wasn't a better father to you. And I think

0:46:16.800 --> 0:46:20.520
<v Speaker 1>her character acts, I mean, it makes sense that this

0:46:20.600 --> 0:46:22.520
<v Speaker 1>would be a conversation that would happen, But in terms

0:46:22.560 --> 0:46:24.600
<v Speaker 1>of moving the plot forward, I found it very frustrating

0:46:24.640 --> 0:46:27.520
<v Speaker 1>because she's like, it's totally fine, It's totally fine. You

0:46:27.600 --> 0:46:30.000
<v Speaker 1>were supportive of my music career. You carried my piano

0:46:30.360 --> 0:46:33.279
<v Speaker 1>up the stairs once, and you like paid attention to

0:46:33.360 --> 0:46:35.760
<v Speaker 1>me in that way. It's fine. You didn't do anything.

0:46:36.080 --> 0:46:38.960
<v Speaker 1>And then Dice goes, you're the best person in the

0:46:39.040 --> 0:46:42.160
<v Speaker 1>world kidding me. Something I know, you know, just throughout

0:46:42.160 --> 0:46:43.839
<v Speaker 1>a lot of movies or just even in real life,

0:46:43.920 --> 0:46:46.359
<v Speaker 1>is that women, no matter what, even if we get

0:46:46.440 --> 0:46:48.120
<v Speaker 1>the abuse and we have to take it, we still

0:46:48.160 --> 0:46:49.560
<v Speaker 1>have to be the ones to make sure the men

0:46:49.600 --> 0:46:52.080
<v Speaker 1>are okay, right, It's like she's the one going through it,

0:46:52.160 --> 0:46:54.680
<v Speaker 1>but she's still reassuring her father that he's okay, making

0:46:54.719 --> 0:46:57.920
<v Speaker 1>sure he eats. It's like she literally had to go

0:46:58.040 --> 0:47:01.000
<v Speaker 1>on the Grammy stage and while her Ben Pete himself

0:47:01.040 --> 0:47:03.880
<v Speaker 1>and she was like, we're having a lot of fun tonight.

0:47:04.000 --> 0:47:06.279
<v Speaker 1>Like that was the most cringe worthy moment where you're

0:47:06.320 --> 0:47:09.160
<v Speaker 1>just trying to just like keep your ship together for

0:47:09.320 --> 0:47:15.000
<v Speaker 1>your trash ass. She's so accommodating, and it's it is frustrating.

0:47:15.120 --> 0:47:17.880
<v Speaker 1>It's like these people around you are fucking up and

0:47:18.000 --> 0:47:20.880
<v Speaker 1>you're just taking care of them and like not reacting

0:47:20.960 --> 0:47:22.560
<v Speaker 1>to it. And if that's a part of who your

0:47:22.640 --> 0:47:25.480
<v Speaker 1>character is, fine, but like show us that and show

0:47:25.600 --> 0:47:29.040
<v Speaker 1>us that it causes her pain outside of like you

0:47:29.200 --> 0:47:32.160
<v Speaker 1>hurt me, which happens like three times. Yeah, at that

0:47:32.280 --> 0:47:34.520
<v Speaker 1>moment where she forgave him, I was like you need

0:47:34.560 --> 0:47:38.640
<v Speaker 1>to slap him across the face because you hurt me,

0:47:38.760 --> 0:47:45.320
<v Speaker 1>and him being like taken Jesus Christ, And that's like

0:47:45.400 --> 0:47:48.960
<v Speaker 1>another like if if this movie was a different kind

0:47:49.000 --> 0:47:53.040
<v Speaker 1>of movie, it could have explored the dynamics of an

0:47:53.080 --> 0:47:55.440
<v Speaker 1>abusive relationship where it's not like if you're in an

0:47:55.480 --> 0:47:58.919
<v Speaker 1>abusive relationship. It's out of the question that someone would

0:47:58.960 --> 0:48:01.040
<v Speaker 1>say something really fucked up to you and you would

0:48:01.160 --> 0:48:05.480
<v Speaker 1>say I forgive you to avoid further conflict. But it's

0:48:05.520 --> 0:48:08.360
<v Speaker 1>presented to us as like they love each other and

0:48:08.440 --> 0:48:11.239
<v Speaker 1>they're working through some stuff. But that doesn't, I mean,

0:48:11.360 --> 0:48:14.440
<v Speaker 1>in context, seemed to be the reality of this relationship

0:48:14.440 --> 0:48:17.480
<v Speaker 1>at all. Also a question, uh that goes back to

0:48:17.560 --> 0:48:20.960
<v Speaker 1>our Fifty Shades episode, what amount of time does this

0:48:21.080 --> 0:48:23.400
<v Speaker 1>movie take place at? No, that is a good question.

0:48:23.560 --> 0:48:26.480
<v Speaker 1>I think two years max. The only time that we

0:48:26.600 --> 0:48:28.560
<v Speaker 1>know has passed is when he says he's been at

0:48:28.600 --> 0:48:30.759
<v Speaker 1>rehab for two months. That is the only time really

0:48:30.800 --> 0:48:36.560
<v Speaker 1>acknowledged time time twenty four hours where they meet and

0:48:36.680 --> 0:48:39.759
<v Speaker 1>then a few hours later she's on a private jet

0:48:39.880 --> 0:48:42.440
<v Speaker 1>to go to his gig and sting with him on stage.

0:48:42.640 --> 0:48:44.960
<v Speaker 1>It's crazy. We got to take a quick break, but

0:48:45.120 --> 0:48:53.600
<v Speaker 1>let's explore this more when we return. And we're back,

0:48:54.239 --> 0:48:58.359
<v Speaker 1>I have a quick comment about juxon Main's character um

0:48:58.880 --> 0:49:03.040
<v Speaker 1>compared to pass versions of this character. The first one

0:49:03.200 --> 0:49:06.960
<v Speaker 1>is Norman Maine, I believe the second one is also

0:49:07.200 --> 0:49:09.960
<v Speaker 1>Norman Maine. And then does Christopherson have like a weird

0:49:10.920 --> 0:49:14.399
<v Speaker 1>John Harman Howard they're all variants, and then Jackson Maine

0:49:14.719 --> 0:49:17.439
<v Speaker 1>all variants in the same name Bradley Cooper's. I think

0:49:17.560 --> 0:49:21.759
<v Speaker 1>one of the adjustments made that I don't even know

0:49:21.880 --> 0:49:23.440
<v Speaker 1>how I feel about it. I think it's just kind

0:49:23.480 --> 0:49:26.480
<v Speaker 1>of like it makes sense, but it also creates a

0:49:26.560 --> 0:49:28.880
<v Speaker 1>lot of problems. That we've been talking about is that

0:49:29.400 --> 0:49:33.960
<v Speaker 1>Bradley's Jackson Maine is of the four, by far the

0:49:34.120 --> 0:49:37.200
<v Speaker 1>least despicable version of this character and by far the

0:49:37.360 --> 0:49:42.919
<v Speaker 1>most lovable, because the previous three are drunk in ways

0:49:42.960 --> 0:49:45.680
<v Speaker 1>that are more violent. I believe in the first one

0:49:45.760 --> 0:49:50.759
<v Speaker 1>she literally is hit uh in in the straisand one

0:49:50.920 --> 0:49:54.759
<v Speaker 1>he cheats on her. There's like more clear implications of like,

0:49:54.880 --> 0:49:57.839
<v Speaker 1>this is not a good guy, which makes it more

0:49:57.920 --> 0:50:00.480
<v Speaker 1>frustrating at the end where she's like I have him,

0:50:00.800 --> 0:50:05.800
<v Speaker 1>but also creates, I mean, a more disgustable relationship or

0:50:05.840 --> 0:50:10.000
<v Speaker 1>a more real relationship that could actually have happened, where

0:50:10.080 --> 0:50:13.640
<v Speaker 1>Bradley Cooper is sort of Jackson Mane presented as like,

0:50:14.200 --> 0:50:15.640
<v Speaker 1>as far as we know, he never cheats on her,

0:50:15.840 --> 0:50:17.360
<v Speaker 1>as far as we know, he is mean to her

0:50:17.440 --> 0:50:20.600
<v Speaker 1>one time, and and there's a cake in the face

0:50:20.640 --> 0:50:22.760
<v Speaker 1>but he's pretty good natured about everything and he stays

0:50:22.800 --> 0:50:27.760
<v Speaker 1>generally supportive. I I feel like, just based on talking

0:50:27.840 --> 0:50:30.000
<v Speaker 1>to my my friends about it last night, because I

0:50:30.040 --> 0:50:31.960
<v Speaker 1>was like, oh, I wonder, like, what the Because I

0:50:32.040 --> 0:50:33.920
<v Speaker 1>think if you left any of the first three, no

0:50:34.000 --> 0:50:35.800
<v Speaker 1>matter how you feel about it, you leave being like

0:50:36.760 --> 0:50:38.400
<v Speaker 1>it sucks that he killed himself, but he was a

0:50:38.440 --> 0:50:42.320
<v Speaker 1>bad guy and he he wanted to hurt her, you know,

0:50:42.520 --> 0:50:45.480
<v Speaker 1>And in this one, I think you leave like Bradley Cooper,

0:50:45.719 --> 0:50:48.640
<v Speaker 1>it was so nice, but so like they make adjustments

0:50:48.719 --> 0:50:53.080
<v Speaker 1>to the character, they kind of neutralize It makes it

0:50:53.280 --> 0:50:55.440
<v Speaker 1>harder to criticize him. And I don't even know how

0:50:55.480 --> 0:50:58.319
<v Speaker 1>I feel about that, but it's just weird. A lot

0:50:58.360 --> 0:51:01.200
<v Speaker 1>of that also feels like the reason Bradley Cooper's like

0:51:01.320 --> 0:51:04.000
<v Speaker 1>the worst he gets is, you know, being on stage

0:51:04.080 --> 0:51:06.200
<v Speaker 1>and you know, berating her a little while she's in

0:51:06.239 --> 0:51:09.400
<v Speaker 1>the bathtubs. That also just feels like the industry working

0:51:09.440 --> 0:51:11.399
<v Speaker 1>behind Bradley Cooper to be like, well, I mean, you'll

0:51:11.440 --> 0:51:13.120
<v Speaker 1>be a shitty drunk, but we're not going to have

0:51:13.239 --> 0:51:14.919
<v Speaker 1>you hit her because we don't want people to see

0:51:14.960 --> 0:51:17.160
<v Speaker 1>you in that nature. You know, Like there's something working

0:51:17.200 --> 0:51:20.480
<v Speaker 1>there where Bradley has that control over how his character

0:51:20.640 --> 0:51:24.239
<v Speaker 1>like as how evil his character can be. So it's

0:51:24.760 --> 0:51:28.000
<v Speaker 1>like you're, yeah, like you come away from watching this

0:51:28.200 --> 0:51:31.080
<v Speaker 1>relationship different than any of the other three, where you're

0:51:31.360 --> 0:51:34.920
<v Speaker 1>you it's almost like cheesier and sweeter than any of

0:51:35.000 --> 0:51:37.279
<v Speaker 1>the other ones, where he's the best guy out of

0:51:37.320 --> 0:51:41.120
<v Speaker 1>all of them, but he's still awful And I don't

0:51:41.160 --> 0:51:43.160
<v Speaker 1>even know, it's just like it was a change that

0:51:43.280 --> 0:51:46.160
<v Speaker 1>I get why, Like, obviously I'm not like man, I

0:51:46.239 --> 0:51:51.239
<v Speaker 1>wish he hit Lady Gaga, but because like his alcoholism

0:51:51.400 --> 0:51:54.680
<v Speaker 1>is portrayed in such a it's more like goofy and

0:51:54.760 --> 0:52:00.520
<v Speaker 1>embarrassing than dangerous and harmful. In the way it's portrayed,

0:52:00.640 --> 0:52:02.920
<v Speaker 1>it just kind of it just makes it bizarre. And

0:52:03.040 --> 0:52:04.840
<v Speaker 1>it's not I mean, not that movies have to be

0:52:04.880 --> 0:52:07.399
<v Speaker 1>a realistic portrayal of everything, but it just the way

0:52:07.440 --> 0:52:11.440
<v Speaker 1>that relationship is. You leave kind of still liking him

0:52:11.560 --> 0:52:13.879
<v Speaker 1>anyway that I don't think that character is supposed to work.

0:52:14.040 --> 0:52:17.720
<v Speaker 1>And and you touch on this where like him committing

0:52:17.800 --> 0:52:22.759
<v Speaker 1>suicide is like this act of sacrifice and he's doing

0:52:22.800 --> 0:52:24.680
<v Speaker 1>it for her, and it also makes him seem like

0:52:24.760 --> 0:52:28.200
<v Speaker 1>kind of a martyr and almost heroic, where it is

0:52:28.320 --> 0:52:32.759
<v Speaker 1>like a pretty irresponsible way to frame suicidality. I do

0:52:33.000 --> 0:52:38.200
<v Speaker 1>appreciate that the movie does acknowledge alcoholism as a disease

0:52:38.520 --> 0:52:41.960
<v Speaker 1>because addiction, addiction is a mental illness, and I think

0:52:42.000 --> 0:52:43.880
<v Speaker 1>that a lot of people still don't quite realize that,

0:52:44.000 --> 0:52:46.680
<v Speaker 1>and that's because of the stigma surrounding mental illness and

0:52:46.800 --> 0:52:49.000
<v Speaker 1>things like that. At least, I mean, could it have

0:52:49.080 --> 0:52:52.680
<v Speaker 1>been explored more sure, especially because that's a huge component

0:52:52.800 --> 0:52:56.359
<v Speaker 1>of this movie. Was one conversation with just one line

0:52:56.440 --> 0:53:01.520
<v Speaker 1>where persons then the line is it's a there. I

0:53:01.719 --> 0:53:04.840
<v Speaker 1>did love that, Like I should have broken up with

0:53:04.920 --> 0:53:06.680
<v Speaker 1>him in that scene, but she doesn't. She just goes

0:53:06.800 --> 0:53:08.960
<v Speaker 1>it's a disease. That's what is really frustrating to me

0:53:09.000 --> 0:53:11.560
<v Speaker 1>about this movie is that even though he is not

0:53:11.840 --> 0:53:14.840
<v Speaker 1>the worst of all the renditions of this character, he

0:53:15.000 --> 0:53:17.600
<v Speaker 1>still mistreats her. He still puts her in positions where

0:53:17.680 --> 0:53:20.800
<v Speaker 1>she's constantly worrying and suffering and all this stuff. And like,

0:53:21.480 --> 0:53:23.719
<v Speaker 1>and maybe this is just the cynic in me where

0:53:23.920 --> 0:53:26.719
<v Speaker 1>I'm like, she should have lift him and like not

0:53:26.880 --> 0:53:29.640
<v Speaker 1>put up with this bullshit. But like I wish the

0:53:29.800 --> 0:53:32.560
<v Speaker 1>ending that we saw to this movie is rather than

0:53:32.680 --> 0:53:36.000
<v Speaker 1>him killing himself, she leaves him and she goes on

0:53:36.280 --> 0:53:41.760
<v Speaker 1>her own path and been a great like updated version

0:53:41.840 --> 0:53:43.520
<v Speaker 1>of how the story goes, because that is like a

0:53:43.640 --> 0:53:46.480
<v Speaker 1>convention of he always kills himself. The first two he

0:53:46.560 --> 0:53:50.879
<v Speaker 1>runs into the ocean drama and he like drives really

0:53:50.920 --> 0:53:53.040
<v Speaker 1>crazy and then gets in a car accident. Everything. I

0:53:53.080 --> 0:53:55.680
<v Speaker 1>don't even think it's like technically a suit I don't know.

0:53:55.760 --> 0:53:58.800
<v Speaker 1>It's basically the boyfriend husband of Barbara streisand who is

0:53:58.800 --> 0:54:01.359
<v Speaker 1>producing it, said he can't kill himself because that would

0:54:01.400 --> 0:54:02.759
<v Speaker 1>make him weak, so it has to be like an

0:54:02.840 --> 0:54:06.920
<v Speaker 1>unintentional death, which is like yeah, so the third one

0:54:07.000 --> 0:54:09.239
<v Speaker 1>and technically at suicide, but that was like cannon to

0:54:09.320 --> 0:54:11.919
<v Speaker 1>the story that he kills himself and then she goes

0:54:12.000 --> 0:54:15.560
<v Speaker 1>to a function and says, I miss his mane and

0:54:15.960 --> 0:54:18.759
<v Speaker 1>that's we love that. That's when we find out what

0:54:18.840 --> 0:54:20.880
<v Speaker 1>her last name is. It's the last name of the

0:54:20.920 --> 0:54:23.680
<v Speaker 1>man um. Sorry, is this the only one that he

0:54:23.760 --> 0:54:27.440
<v Speaker 1>goes to rehab? Usually he goes to jail, jail, usually

0:54:27.520 --> 0:54:30.000
<v Speaker 1>he does in the first stress and I don't think.

0:54:30.400 --> 0:54:33.440
<v Speaker 1>I don't know the Streisan one, the streisand one I

0:54:33.440 --> 0:54:35.440
<v Speaker 1>think is the only version where he cheats on her

0:54:35.920 --> 0:54:39.600
<v Speaker 1>right and then in the first two the husband does

0:54:39.920 --> 0:54:43.200
<v Speaker 1>something drunken disorderly and goes to jail and she has

0:54:43.239 --> 0:54:45.480
<v Speaker 1>to bail him out of jail. So I think that

0:54:45.600 --> 0:54:49.000
<v Speaker 1>that's version of they all have like a Grammy Awards

0:54:49.040 --> 0:54:53.040
<v Speaker 1>Show meltdown, though oscars are Grammy's. Yeah, Okay. The bottom

0:54:53.080 --> 0:54:57.600
<v Speaker 1>line is updates were made to the various renditions of

0:54:57.680 --> 0:55:00.040
<v Speaker 1>this story, so I think an update could have and

0:55:00.160 --> 0:55:02.040
<v Speaker 1>done to the ending where he doesn't kill himself and

0:55:02.120 --> 0:55:04.000
<v Speaker 1>instead she's like, I'm not going to put up with

0:55:04.520 --> 0:55:07.120
<v Speaker 1>your behavior anymore and the ship that you put me

0:55:07.200 --> 0:55:10.560
<v Speaker 1>through goodbye. And then they meet up ten years later

0:55:10.719 --> 0:55:13.680
<v Speaker 1>and he's like, I've been sober for ten years. You

0:55:13.800 --> 0:55:22.600
<v Speaker 1>get back together and whatever, or they don't and she

0:55:22.680 --> 0:55:25.879
<v Speaker 1>does the thing where she tries her face. I keep

0:55:25.960 --> 0:55:28.239
<v Speaker 1>doing that my boy friend's face. He doesn't like it.

0:55:31.719 --> 0:55:36.799
<v Speaker 1>I'm just like a face tracer. It's not who hasn't

0:55:36.840 --> 0:55:38.440
<v Speaker 1>seen the sore as. You can't just do that to

0:55:38.520 --> 0:55:41.640
<v Speaker 1>someone and CVS when they're not expecting. You cannot do that.

0:55:41.760 --> 0:55:46.319
<v Speaker 1>It's bad. Uh, just like a quick face trace. But yes,

0:55:46.680 --> 0:55:48.960
<v Speaker 1>I totally agree that like a version of this where

0:55:49.040 --> 0:55:52.160
<v Speaker 1>she leaves him would have been so effective or if

0:55:52.480 --> 0:55:56.000
<v Speaker 1>if if they're like no, she absolutely cannot leave him,

0:55:56.200 --> 0:56:02.640
<v Speaker 1>then explore why other than she loves him. That sinister

0:56:04.600 --> 0:56:08.800
<v Speaker 1>Another thing that I was apparted with feminist icon Alice

0:56:08.840 --> 0:56:12.640
<v Speaker 1>Wetterland because it just I need to talk to everyone

0:56:12.719 --> 0:56:16.200
<v Speaker 1>I encounter about a star's board now has her take

0:56:16.280 --> 0:56:18.520
<v Speaker 1>on I think that's a good point about the nature

0:56:18.600 --> 0:56:23.719
<v Speaker 1>of suicidality, of the way the British manager comes at

0:56:24.160 --> 0:56:26.960
<v Speaker 1>Bradley Cooper's character at the end and it's like kill yourself?

0:56:27.800 --> 0:56:31.040
<v Speaker 1>Does he literally? I mean, that's that's that whole scene.

0:56:31.320 --> 0:56:33.399
<v Speaker 1>And she made the point of, like, you know, someone

0:56:33.480 --> 0:56:38.360
<v Speaker 1>with suicidal tendencies, it just excuse what that actually is

0:56:38.480 --> 0:56:41.960
<v Speaker 1>and makes it bizarre of like, you know, someone committing

0:56:42.040 --> 0:56:46.759
<v Speaker 1>suicide very suddenly, it's usually prompted by something small and

0:56:47.239 --> 0:56:50.200
<v Speaker 1>like it's it wouldn't just be like, I don't know,

0:56:50.320 --> 0:56:53.919
<v Speaker 1>spreading the idea that suicidality is spread by someone saying

0:56:54.040 --> 0:56:58.560
<v Speaker 1>kill yourself is just a total misrepresentation of what that

0:56:58.880 --> 0:57:02.400
<v Speaker 1>sort of depression is like. It's usually something like and

0:57:02.600 --> 0:57:04.680
<v Speaker 1>and that could have so easily happened in that same

0:57:04.800 --> 0:57:08.000
<v Speaker 1>scene where it seems more likely, like the the some

0:57:08.280 --> 0:57:11.680
<v Speaker 1>like a manager like that would be like passive aggressive

0:57:12.480 --> 0:57:15.040
<v Speaker 1>and pretending to be nice. And maybe that is something

0:57:15.160 --> 0:57:17.280
<v Speaker 1>that triggers him because he understands that I don't know

0:57:17.720 --> 0:57:20.240
<v Speaker 1>it was so this movie is over the top. The movie.

0:57:20.320 --> 0:57:23.600
<v Speaker 1>It does set up that he has had suicidal ideation

0:57:23.760 --> 0:57:27.080
<v Speaker 1>before when he was a much younger guy. But yeah,

0:57:27.200 --> 0:57:30.440
<v Speaker 1>I think that it was not handled the most responsibly.

0:57:30.800 --> 0:57:32.400
<v Speaker 1>I think that what happens at the end of this

0:57:32.520 --> 0:57:37.440
<v Speaker 1>movie is like a very nineteen fifties understanding of suicidal ideation.

0:57:37.760 --> 0:57:43.880
<v Speaker 1>The cowboy hat. His character hasn't evolved from that era.

0:57:44.480 --> 0:57:47.440
<v Speaker 1>Like his character is still like the gruff, Right, I

0:57:47.560 --> 0:57:49.920
<v Speaker 1>have to wear socks, my shoes, you know, I'm a man,

0:57:50.200 --> 0:57:55.040
<v Speaker 1>Like he does no drink. He's yeah, he's not. He's

0:57:55.080 --> 0:57:58.439
<v Speaker 1>not progressive in any manner, Like he's still the old guys,

0:57:58.520 --> 0:58:01.160
<v Speaker 1>Like he didn't go to the women's arch. Yea, yeah,

0:58:01.200 --> 0:58:06.960
<v Speaker 1>where's your pussy hat? Bradley, I like that last shot,

0:58:07.520 --> 0:58:09.960
<v Speaker 1>puts his hat down and he's like, all right, I'm

0:58:10.040 --> 0:58:12.479
<v Speaker 1>laying this down for the last time. It is such

0:58:12.600 --> 0:58:16.200
<v Speaker 1>and he's drunk. He dies drunk, uh like pills. He's

0:58:16.360 --> 0:58:21.840
<v Speaker 1>something he definitely mists stoggering he's stogg yeah, and then

0:58:21.880 --> 0:58:26.000
<v Speaker 1>it ends with this is pretty consistent across the four.

0:58:26.520 --> 0:58:30.680
<v Speaker 1>The star whom is born is depressed and then has

0:58:30.760 --> 0:58:34.360
<v Speaker 1>asked to do a function in which she sings song,

0:58:35.320 --> 0:58:38.680
<v Speaker 1>and then she introduces herself as missus. I think in

0:58:38.720 --> 0:58:40.880
<v Speaker 1>the first two it's Mrs Norman Maine, like, she doesn't

0:58:40.880 --> 0:58:43.800
<v Speaker 1>even use any of her names, so this one, she

0:58:43.840 --> 0:58:47.720
<v Speaker 1>saysn't it it's my name is Ali Maine, defining herself

0:58:47.840 --> 0:58:52.080
<v Speaker 1>as she relates to a man, right, I mean, which

0:58:52.120 --> 0:58:54.640
<v Speaker 1>wouldn't bother me as much if we knew it. Her

0:58:54.680 --> 0:58:58.440
<v Speaker 1>maiden name was I never had a last name. Husband

0:58:58.680 --> 0:59:01.280
<v Speaker 1>was one of those people that switch exactly what she says,

0:59:02.600 --> 0:59:07.760
<v Speaker 1>um and Ali critique not a critique, world critique. There

0:59:07.880 --> 0:59:10.760
<v Speaker 1>are no women in Alle's life at all, and this

0:59:10.960 --> 0:59:15.000
<v Speaker 1>is not addressed once well. Interestingly enough, she relates most

0:59:15.320 --> 0:59:18.560
<v Speaker 1>to the women in drag that she works with at

0:59:18.560 --> 0:59:23.880
<v Speaker 1>the beginning, or their men in dragons. Drags are drag queens,

0:59:24.080 --> 0:59:28.600
<v Speaker 1>drag queens. Yes, she worked at the drag bar, and

0:59:28.760 --> 0:59:31.800
<v Speaker 1>then it's clear that she's known the drag queens for

0:59:32.120 --> 0:59:34.040
<v Speaker 1>a long time. And then she has Oh, what's the

0:59:34.160 --> 0:59:39.400
<v Speaker 1>name of her friend? Oh, Ramon is Ali's friend. He's

0:59:39.400 --> 0:59:43.280
<v Speaker 1>an ally to Ali, if you will, former former Hamilton's actor,

0:59:43.640 --> 0:59:48.360
<v Speaker 1>really only the best in a stars born. Oh my god. Wow,

0:59:48.960 --> 0:59:52.480
<v Speaker 1>he's good for him and he's also he's a part

0:59:52.520 --> 0:59:56.000
<v Speaker 1>of that system that like pushes her to go and yeah,

0:59:56.080 --> 0:59:58.600
<v Speaker 1>he encourages her, like hey, and this guy who's creeping

0:59:58.800 --> 1:00:01.680
<v Speaker 1>on you and like send his driver into your house.

1:00:04.240 --> 1:00:06.480
<v Speaker 1>She goes to his door when he's passed out. He's like,

1:00:06.520 --> 1:00:09.120
<v Speaker 1>wake him up, shake your titties at him, which is like, yeah,

1:00:09.400 --> 1:00:14.040
<v Speaker 1>he's maybe not a great friend, but there are no

1:00:14.160 --> 1:00:17.800
<v Speaker 1>even an Ali. We don't know anything about Ali's my mom.

1:00:18.480 --> 1:00:21.720
<v Speaker 1>In the earlier versions with Esther Blodgett that her mother

1:00:21.840 --> 1:00:24.320
<v Speaker 1>is in the various conditions of being alive, but she

1:00:24.600 --> 1:00:28.480
<v Speaker 1>is acknowledged at any point. We don't know anything, never

1:00:28.600 --> 1:00:31.880
<v Speaker 1>references the mom. We do know what happens to Jackson's mom,

1:00:31.960 --> 1:00:34.920
<v Speaker 1>but she's also killed off and first for what you know,

1:00:35.200 --> 1:00:37.919
<v Speaker 1>her death doesn't impact him the way his father's death does.

1:00:38.320 --> 1:00:41.680
<v Speaker 1>It's just all all the narrative impact is coming from

1:00:42.440 --> 1:00:44.960
<v Speaker 1>men doing shitty stuff in real time, or the shitty

1:00:45.000 --> 1:00:48.320
<v Speaker 1>stuff men did back in the day where so much

1:00:48.360 --> 1:00:51.240
<v Speaker 1>of Jackson's alcoholism is attributed to the fact that he

1:00:51.360 --> 1:00:55.200
<v Speaker 1>was dead drinking buddy, and you want to knock one back,

1:00:55.320 --> 1:00:57.640
<v Speaker 1>and he days drinking. But and I do feel like

1:00:57.760 --> 1:01:00.320
<v Speaker 1>maybe implied, sorry, I mean to cut you. Oh I

1:01:00.360 --> 1:01:04.400
<v Speaker 1>couldn't kept going, I'm sorry, I mean to interrupt your impression,

1:01:04.720 --> 1:01:08.280
<v Speaker 1>um that he was dealing with tenitus, because they do

1:01:08.480 --> 1:01:10.280
<v Speaker 1>say that at a very young age, that he may

1:01:10.320 --> 1:01:12.000
<v Speaker 1>have gone in for putting his head in like you know,

1:01:12.200 --> 1:01:15.280
<v Speaker 1>the grandmophone. So I feel like a little part of

1:01:15.320 --> 1:01:18.080
<v Speaker 1>his imply that he drinks a lot because of that tonitus,

1:01:18.120 --> 1:01:20.440
<v Speaker 1>that he's just trying. That's what I under hear that tone.

1:01:20.920 --> 1:01:24.520
<v Speaker 1>I kept forgetting about me remembering he had tenightus was

1:01:24.640 --> 1:01:27.160
<v Speaker 1>in and out the whole movie, because there were some

1:01:27.400 --> 1:01:31.880
<v Speaker 1>points where you you're hearing his tonitus in the sound design.

1:01:32.000 --> 1:01:33.880
<v Speaker 1>But then I was like, oh, just but half of

1:01:34.000 --> 1:01:36.880
<v Speaker 1>his dialogue is like what's that because he didn't hear

1:01:36.960 --> 1:01:40.520
<v Speaker 1>what someone said to him. I was constantly reminded said

1:01:40.560 --> 1:01:42.680
<v Speaker 1>it's like, how's your tonightus, And he's like, I'm here

1:01:42.720 --> 1:01:46.000
<v Speaker 1>with my wife. He's like the dude, he does change

1:01:46.000 --> 1:01:49.000
<v Speaker 1>the subject a lot where you're like fucking hell. Okay,

1:01:49.320 --> 1:01:51.680
<v Speaker 1>but I also was confused because he seemed like he

1:01:51.760 --> 1:01:54.280
<v Speaker 1>got Tonight's at a young age. But then he also

1:01:54.360 --> 1:01:56.840
<v Speaker 1>tells Ali he was born with an ear thing so

1:01:56.960 --> 1:02:00.320
<v Speaker 1>he couldn't hear, so so he's either like had an

1:02:00.320 --> 1:02:02.960
<v Speaker 1>ear issue and then also got tenitis, which is probably

1:02:03.000 --> 1:02:06.280
<v Speaker 1>just fucking hell. I don't understand how that, like, if

1:02:06.320 --> 1:02:08.320
<v Speaker 1>you can't even hear normal things, but then there's also

1:02:08.400 --> 1:02:11.080
<v Speaker 1>like a ringing in your head at all times. That's

1:02:11.120 --> 1:02:14.680
<v Speaker 1>like a very probably unbearable situation that he should be

1:02:14.760 --> 1:02:17.680
<v Speaker 1>wearing those things that they were making for him, right,

1:02:18.360 --> 1:02:20.600
<v Speaker 1>but I guess it takes him out of the music

1:02:20.680 --> 1:02:22.920
<v Speaker 1>that he's playing. See that's saying it's he's making so

1:02:23.040 --> 1:02:25.640
<v Speaker 1>many excuses to not get better that it's just like

1:02:26.280 --> 1:02:31.000
<v Speaker 1>there's no justification at all for like any of his behavior.

1:02:31.040 --> 1:02:33.520
<v Speaker 1>It's just like you're just choosing to not deal with

1:02:33.680 --> 1:02:36.320
<v Speaker 1>all your own issues. And then you bring Ali into

1:02:36.360 --> 1:02:38.840
<v Speaker 1>your life, and she loves you, so she's not going

1:02:38.920 --> 1:02:40.520
<v Speaker 1>to force you to deal with I mean, she makes

1:02:40.720 --> 1:02:42.960
<v Speaker 1>points to be like stop drinking. You smell like alcohol.

1:02:43.160 --> 1:02:45.160
<v Speaker 1>We'll see how long it lasts till you drink again,

1:02:45.240 --> 1:02:47.880
<v Speaker 1>Like she does make jabs in him, but she doesn't

1:02:47.960 --> 1:02:50.320
<v Speaker 1>fully stand up for herself until that moment they get

1:02:50.360 --> 1:02:52.040
<v Speaker 1>in a fight when she's in the bath, and it's

1:02:52.120 --> 1:02:54.360
<v Speaker 1>only because he calls her names and says all those

1:02:54.440 --> 1:02:57.160
<v Speaker 1>rude things, like she barely even when she saw he

1:02:57.240 --> 1:02:58.920
<v Speaker 1>was drinking, she doesn't say anything. She kind of lets

1:02:58.960 --> 1:03:01.520
<v Speaker 1>it go, which seems like it's a carryover of how

1:03:01.640 --> 1:03:05.160
<v Speaker 1>she treated her dad. And so it's like, I understand

1:03:05.240 --> 1:03:08.560
<v Speaker 1>why Ali gets into this relationship for a few reasons,

1:03:08.720 --> 1:03:12.200
<v Speaker 1>is like he has power in an area that can

1:03:12.280 --> 1:03:15.040
<v Speaker 1>help her career. That's not the only reasons she's in

1:03:15.120 --> 1:03:17.440
<v Speaker 1>this relationship, but it's clearly a part of it. And

1:03:17.920 --> 1:03:22.560
<v Speaker 1>you know she's predisposed to uh, messy dudes who have

1:03:22.760 --> 1:03:25.800
<v Speaker 1>alcohol issues. But yeah, she like never, I don't know,

1:03:26.000 --> 1:03:28.920
<v Speaker 1>there's just so and and then and you were saying earlier,

1:03:29.000 --> 1:03:34.720
<v Speaker 1>like the concept of his like suicide is sacrifice where

1:03:35.240 --> 1:03:39.400
<v Speaker 1>he kills himself so he won't embarrass her anymore. He's

1:03:39.400 --> 1:03:41.920
<v Speaker 1>like letting her go and setting her free right like

1:03:41.920 --> 1:03:43.800
<v Speaker 1>actually really causing her quite a bit of pain. And

1:03:43.880 --> 1:03:47.920
<v Speaker 1>that's another eighteen update that they try to make the

1:03:48.040 --> 1:03:50.280
<v Speaker 1>kind of rings hollow as there's that scene with Lady

1:03:50.320 --> 1:03:53.600
<v Speaker 1>Gaga and Sam Elliott. Imagine that I never would think

1:03:53.640 --> 1:03:56.240
<v Speaker 1>that would be a sentence. But that scene where Lady

1:03:56.280 --> 1:03:58.200
<v Speaker 1>Gaga and Sam Elliott are crying and he's like, you're

1:03:58.280 --> 1:04:01.800
<v Speaker 1>not Your fault is jet fault alledged, which is like

1:04:01.880 --> 1:04:05.040
<v Speaker 1>a clearer view of suicide than any of the past

1:04:05.160 --> 1:04:09.160
<v Speaker 1>movies have offered. But that's still not how it's presented.

1:04:09.200 --> 1:04:12.560
<v Speaker 1>When it happens. It's presented as a sacrifice, but then

1:04:12.560 --> 1:04:15.040
<v Speaker 1>they're like, oh, but it's actually not. But then it's

1:04:15.040 --> 1:04:18.560
<v Speaker 1>still I don't know where what is? What is this? Yeah?

1:04:18.880 --> 1:04:22.640
<v Speaker 1>Does anyone have any final points? While I think it's

1:04:22.680 --> 1:04:25.120
<v Speaker 1>a great film, I really enjoyed it, you just have

1:04:25.240 --> 1:04:30.600
<v Speaker 1>to suspend your disbelief that like women are on the top,

1:04:30.720 --> 1:04:33.440
<v Speaker 1>like it all is just it's a fantasy of like,

1:04:33.920 --> 1:04:36.439
<v Speaker 1>oh I was discovered and I made it and thank

1:04:36.480 --> 1:04:38.240
<v Speaker 1>God for this man. Like you really have to just

1:04:38.400 --> 1:04:40.480
<v Speaker 1>let all that go to go watch the movie and

1:04:40.560 --> 1:04:43.560
<v Speaker 1>then you know, slowly think about it later, because it

1:04:43.760 --> 1:04:45.920
<v Speaker 1>does the more you think about it's like, Okay, like

1:04:46.040 --> 1:04:49.040
<v Speaker 1>this entire movie is happening because of a guy being like,

1:04:49.240 --> 1:04:51.520
<v Speaker 1>oh you're hot, and a good singer, you know, like

1:04:51.640 --> 1:04:54.040
<v Speaker 1>that's his whole interest in her was like, first, I

1:04:54.280 --> 1:04:56.400
<v Speaker 1>believe it's because she was a good singer, and then

1:04:56.440 --> 1:04:57.640
<v Speaker 1>as he got to know her, he's like, oh, well,

1:04:57.640 --> 1:05:00.160
<v Speaker 1>I'm very attracted to you, and I'm going to make

1:05:00.240 --> 1:05:02.240
<v Speaker 1>everything happen. And then it proceeds to be like only

1:05:02.440 --> 1:05:06.280
<v Speaker 1>men around her, and that's a frustrating thing. It's a

1:05:06.320 --> 1:05:07.920
<v Speaker 1>great film if you just you don't want to have

1:05:07.920 --> 1:05:10.200
<v Speaker 1>a good time, but don't expect to get a lot

1:05:10.280 --> 1:05:14.960
<v Speaker 1>of depth when it comes to strong women do whatever

1:05:15.080 --> 1:05:20.440
<v Speaker 1>they have to do, or even women interacting, which brings

1:05:20.520 --> 1:05:24.320
<v Speaker 1>us to the matter at hand. Does this movie pass

1:05:24.440 --> 1:05:29.840
<v Speaker 1>the Bechtel test? Well? Sort of. There is a conversation

1:05:30.280 --> 1:05:34.040
<v Speaker 1>between a woman named Gail, who's like, I guess like

1:05:34.080 --> 1:05:37.800
<v Speaker 1>a stage hand or something, tour manager type assistant person too.

1:05:37.880 --> 1:05:43.160
<v Speaker 1>I agree with Sophie feminist icon Gail Feministon. Gail shows up.

1:05:43.520 --> 1:05:49.360
<v Speaker 1>Ellie has known Jack for about eighteen hours. She shows

1:05:49.440 --> 1:05:52.600
<v Speaker 1>up at his gig. Hi, I'm Gail. Yeah it. Gail

1:05:52.680 --> 1:05:54.600
<v Speaker 1>meets him at the car that just brought them from

1:05:54.640 --> 1:05:57.080
<v Speaker 1>the private plane or whatever to take them into the venue,

1:05:57.680 --> 1:05:59.560
<v Speaker 1>and she goes, hi, I'm Gail. So we're all got

1:05:59.600 --> 1:06:03.200
<v Speaker 1>her name him. She's like, Lady Gaga was like hey,

1:06:03.400 --> 1:06:05.400
<v Speaker 1>and she's like, how is your flight? And then Lady

1:06:05.440 --> 1:06:07.360
<v Speaker 1>Gaga was like, oh, it's great. And then she goes, oh,

1:06:07.440 --> 1:06:10.280
<v Speaker 1>just leave your bags and they're like okay, and then

1:06:10.360 --> 1:06:11.960
<v Speaker 1>she's like, come this way, and then she goes, Wow,

1:06:12.040 --> 1:06:14.080
<v Speaker 1>it's so big here. And then she goes like, oh,

1:06:14.200 --> 1:06:18.480
<v Speaker 1>watch out because something's like coming out and Gail's looking out.

1:06:19.000 --> 1:06:22.920
<v Speaker 1>I love I love Gail. I hope that that actress

1:06:23.640 --> 1:06:26.240
<v Speaker 1>just improvides the name Gail and she's like, you know what,

1:06:26.400 --> 1:06:28.240
<v Speaker 1>we want this movie to pass the test. I've read

1:06:28.280 --> 1:06:32.200
<v Speaker 1>the whole script. She's like, Hi, I'm Gail. Because it's

1:06:32.200 --> 1:06:35.000
<v Speaker 1>not a character that necessarily makes sense to name, but

1:06:35.160 --> 1:06:39.880
<v Speaker 1>she really because we never see that character again. So

1:06:40.440 --> 1:06:42.800
<v Speaker 1>she stands next to Sam Elliott at the concert looking

1:06:42.920 --> 1:06:46.040
<v Speaker 1>board as fuck. Now, the question has been post to

1:06:46.160 --> 1:06:51.480
<v Speaker 1>us if whenever Ali talks to the drag Queens, does

1:06:51.560 --> 1:06:54.880
<v Speaker 1>that pass the Bechdel test? You know, I originally when

1:06:54.920 --> 1:06:56.920
<v Speaker 1>I first saw the movie, in my mind said oh,

1:06:56.960 --> 1:06:58.760
<v Speaker 1>that pass because she was telling to the drag Queens.

1:06:58.760 --> 1:07:01.000
<v Speaker 1>And then I was like, oh wait, but does that count?

1:07:01.520 --> 1:07:04.720
<v Speaker 1>And I don't know, drag queens when they're in drag,

1:07:05.120 --> 1:07:08.200
<v Speaker 1>you know they're using sheet pronouns. You know, they're using

1:07:08.800 --> 1:07:12.880
<v Speaker 1>a lot of like feminized language. But at the end

1:07:12.920 --> 1:07:16.200
<v Speaker 1>of the day, drag queens are men who identify as

1:07:16.320 --> 1:07:20.880
<v Speaker 1>men who do drag. I am tempted to outsource this

1:07:21.000 --> 1:07:24.520
<v Speaker 1>one as well. A tray listeners have better intel than us.

1:07:25.160 --> 1:07:28.120
<v Speaker 1>None of us are drag queens, So probably you do

1:07:28.840 --> 1:07:31.200
<v Speaker 1>let us know for for today, I feel like we're

1:07:31.200 --> 1:07:36.520
<v Speaker 1>saying no that those scenes, but they do happen. If whatever,

1:07:36.680 --> 1:07:39.480
<v Speaker 1>it's a it's a great We're not totally sure for

1:07:39.640 --> 1:07:43.640
<v Speaker 1>sure Gil passes. Yes, Yeah, but also maybe the test

1:07:43.960 --> 1:07:46.160
<v Speaker 1>could be your needs to be updated to be more

1:07:46.200 --> 1:07:49.600
<v Speaker 1>inclusive where it's you know, if two non binary people

1:07:49.680 --> 1:07:51.840
<v Speaker 1>talk to each other, could that pass the Backdel tests?

1:07:51.920 --> 1:07:54.760
<v Speaker 1>Could you know, a gender fluid person and a woman talk,

1:07:54.880 --> 1:07:57.840
<v Speaker 1>could that past? So I think it's worth acknowledging that

1:07:57.960 --> 1:08:01.400
<v Speaker 1>there could be some perhaps dates. Let's call up our

1:08:01.440 --> 1:08:05.919
<v Speaker 1>friend Ali Bechdel. Yeah, there is a few seconds because

1:08:05.920 --> 1:08:08.400
<v Speaker 1>I do think at one point towards the end of

1:08:08.480 --> 1:08:10.560
<v Speaker 1>their interaction, she goes, he's very excited to see you

1:08:10.720 --> 1:08:14.160
<v Speaker 1>or something like that. So it breaks that it breaks

1:08:14.240 --> 1:08:17.280
<v Speaker 1>the test and she goes back. They go back to referencing. Well. Also,

1:08:17.360 --> 1:08:20.320
<v Speaker 1>the whole context is like, hey, you're here to watch

1:08:20.400 --> 1:08:24.320
<v Speaker 1>a man, So if you factor in context, it's a

1:08:24.439 --> 1:08:28.439
<v Speaker 1>little murkier. But but she does talk to one other

1:08:28.520 --> 1:08:31.000
<v Speaker 1>woman who is Dave Chappelle's wife, whose name is never

1:08:31.120 --> 1:08:33.320
<v Speaker 1>ever acknowledged, and I believe the only thing they talked

1:08:33.320 --> 1:08:35.320
<v Speaker 1>about is like, I'll get you a wedding dress to

1:08:35.400 --> 1:08:39.400
<v Speaker 1>marry him, which is I would say. Also, Dave Chappelle

1:08:39.520 --> 1:08:42.880
<v Speaker 1>and his family are the few people of color in

1:08:42.920 --> 1:08:47.800
<v Speaker 1>the whole movie. Otherwise it's a largely white movie. Of

1:08:47.960 --> 1:08:50.840
<v Speaker 1>the four, it certainly does the best. You know, two

1:08:50.960 --> 1:08:54.280
<v Speaker 1>straight white protagonists. That's not pushing much forward, but I

1:08:54.320 --> 1:08:57.840
<v Speaker 1>think compared to other major releases, it does all right.

1:08:58.040 --> 1:09:01.960
<v Speaker 1>Lady got guys Italian. She she why the boiler out

1:09:02.040 --> 1:09:05.599
<v Speaker 1>on the Count. Andrew dice Clay, one of his buddies

1:09:05.840 --> 1:09:08.320
<v Speaker 1>is an older actor, who's that guy. He's a character

1:09:08.479 --> 1:09:11.240
<v Speaker 1>seen a million Yeah, there's a lot of character actors.

1:09:11.439 --> 1:09:14.240
<v Speaker 1>Like I feel like I've seen Gale before, Gil looked familiar.

1:09:14.320 --> 1:09:16.960
<v Speaker 1>I feel like I've seen the woman who takes a

1:09:17.040 --> 1:09:20.120
<v Speaker 1>picture of Bradley Cooper at the gross room. Yes, she's

1:09:20.200 --> 1:09:22.519
<v Speaker 1>also a character actress that I've seen places. I've seen

1:09:22.600 --> 1:09:24.320
<v Speaker 1>her a million players. They're pulling a lot of like

1:09:24.439 --> 1:09:26.680
<v Speaker 1>the like kind of famous that you see guests are

1:09:26.720 --> 1:09:30.120
<v Speaker 1>and everything. Yeah, there's a lot of vaguely faces in

1:09:30.160 --> 1:09:34.559
<v Speaker 1>this movie, including Bradley Cooper's dog, feminist icon, Bradley Cooper's dog,

1:09:34.720 --> 1:09:37.519
<v Speaker 1>which is his real dog, Bradley Cooper's real dog, and

1:09:37.760 --> 1:09:41.040
<v Speaker 1>really doctor basically understanding Bradley cast a lot of people

1:09:41.120 --> 1:09:43.680
<v Speaker 1>he knew, like the drag queens he knew. Those are

1:09:43.680 --> 1:09:45.880
<v Speaker 1>my favorite scenes in the movie. The first thirty minutes.

1:09:45.880 --> 1:09:49.040
<v Speaker 1>It's fun, there's there's comedy, there's jokes, there's drag queens.

1:09:49.080 --> 1:09:51.439
<v Speaker 1>I'm having a great time. And then it starts to

1:09:51.720 --> 1:09:55.320
<v Speaker 1>I could not be less thrilled. Yeah, Ali is like

1:09:55.439 --> 1:09:59.680
<v Speaker 1>neutralized through as a story goes on. I suppose this

1:09:59.720 --> 1:10:03.280
<v Speaker 1>is the time where we give our nipples. Let's right,

1:10:03.840 --> 1:10:07.080
<v Speaker 1>nipple wise, yes, scale one or zero to five on

1:10:07.320 --> 1:10:10.880
<v Speaker 1>basil how truths women? That's right. I'm gonna go with

1:10:11.080 --> 1:10:17.040
<v Speaker 1>a solid two. I suppose where it's a story about

1:10:17.240 --> 1:10:20.760
<v Speaker 1>a woman, but we don't get to know her that well.

1:10:21.520 --> 1:10:25.160
<v Speaker 1>The story is told from a man's perspective, both in

1:10:25.360 --> 1:10:31.160
<v Speaker 1>terms of the Jack main character and the director and

1:10:31.800 --> 1:10:34.760
<v Speaker 1>writers and everything like that. So I think a lot

1:10:34.840 --> 1:10:37.360
<v Speaker 1>of things that could have been that, like the opportunity

1:10:37.439 --> 1:10:40.080
<v Speaker 1>was there for the movie to comment on, like the

1:10:40.200 --> 1:10:43.439
<v Speaker 1>fact that women in entertainment are often held to this

1:10:43.680 --> 1:10:47.400
<v Speaker 1>insane standard of beauty and image that gets touched on

1:10:47.600 --> 1:10:51.040
<v Speaker 1>but doesn't go any further than that. Things like Bradley

1:10:51.080 --> 1:10:55.519
<v Speaker 1>Cooper's characters creepy predatory behavior where she says no, I

1:10:55.640 --> 1:10:57.639
<v Speaker 1>can't come to your gig and he's like, Okay, I'll

1:10:57.680 --> 1:11:01.000
<v Speaker 1>send my driver to pick you up. Um, showed up

1:11:03.560 --> 1:11:06.560
<v Speaker 1>is troubling. Maybe two is too generous because like I

1:11:06.640 --> 1:11:09.760
<v Speaker 1>can't really think of anything that makes me think that

1:11:09.840 --> 1:11:17.120
<v Speaker 1>anything was progressive about this movie. So yeah, I like

1:11:17.280 --> 1:11:21.720
<v Speaker 1>that there's a representation on screen of drag queens. That's awesome. Um.

1:11:22.280 --> 1:11:27.640
<v Speaker 1>So so like like it's a lady. Lady is a

1:11:27.800 --> 1:11:30.720
<v Speaker 1>queer icon. She she has a literal queer I think

1:11:30.800 --> 1:11:34.120
<v Speaker 1>that every with the exception of Janet Gaynor, every woman

1:11:34.160 --> 1:11:37.840
<v Speaker 1>who's ever played this part is a queer icon Streisande

1:11:37.840 --> 1:11:41.200
<v Speaker 1>in Garland. I mean she's in good company and that's

1:11:41.200 --> 1:11:42.920
<v Speaker 1>oh That's one last thing I wanted to say about

1:11:42.920 --> 1:11:46.280
<v Speaker 1>Ali's character that is like a standby of this character

1:11:46.360 --> 1:11:48.839
<v Speaker 1>that makes Lady Gaga such good casting as she's supposed

1:11:48.840 --> 1:11:51.479
<v Speaker 1>to be a character who is considered a little bit

1:11:51.680 --> 1:11:54.720
<v Speaker 1>too old to be becoming famous, and she has an

1:11:54.800 --> 1:11:58.160
<v Speaker 1>unconventional like she's not like a model in terms of like,

1:11:58.280 --> 1:12:00.040
<v Speaker 1>and that's why the nose comment in the whole a

1:12:00.160 --> 1:12:03.080
<v Speaker 1>bit and that's right there. Ye. Yeah, she's supposed to

1:12:03.120 --> 1:12:05.160
<v Speaker 1>be like thirty or thirty one or two or whatever,

1:12:05.360 --> 1:12:11.840
<v Speaker 1>like older older two, but she's thirty two. Okay, here's

1:12:11.880 --> 1:12:15.160
<v Speaker 1>what I'll give the movie two nipples because of the

1:12:15.520 --> 1:12:18.840
<v Speaker 1>scene that's basically an exact replica of a scene from

1:12:18.880 --> 1:12:23.720
<v Speaker 1>Titanic where in a star is born. Allie's behind like backstage.

1:12:23.760 --> 1:12:25.560
<v Speaker 1>He's trying to coax her on stage to be like

1:12:25.640 --> 1:12:29.120
<v Speaker 1>sing your song or else I'll plagiarize it, and she's like, no, Jack, No,

1:12:29.240 --> 1:12:33.320
<v Speaker 1>I couldn't possibly Jack, And that basically happens in Titanic

1:12:33.439 --> 1:12:36.000
<v Speaker 1>between Jack and Rose. The name is even the same

1:12:36.400 --> 1:12:40.880
<v Speaker 1>with Jack. So yeah, two nipples. I will give both

1:12:41.080 --> 1:12:45.040
<v Speaker 1>nipples to Lady Gaga because we see her nips in

1:12:45.120 --> 1:12:47.439
<v Speaker 1>this film. We sure do I'm going to give it

1:12:47.960 --> 1:12:53.639
<v Speaker 1>this version. Uh one and a half. Yeah, I can't

1:12:53.680 --> 1:12:55.360
<v Speaker 1>in good time. It's weird because I am going to

1:12:55.400 --> 1:12:57.160
<v Speaker 1>see it for a third time, but you know I

1:12:57.280 --> 1:13:01.920
<v Speaker 1>contain multitudes as well. I reserve the rie. Uh yeah. No,

1:13:02.200 --> 1:13:06.720
<v Speaker 1>It's like, it is not a story that treats women well.

1:13:06.800 --> 1:13:09.400
<v Speaker 1>It's never treated women well. And and as to this

1:13:09.600 --> 1:13:11.920
<v Speaker 1>version kind of doesn't update it in the way it

1:13:11.960 --> 1:13:15.080
<v Speaker 1>treats its female character really at all, which is a

1:13:15.120 --> 1:13:17.519
<v Speaker 1>bummer because it is two thousand eighteen and there's in

1:13:17.600 --> 1:13:20.040
<v Speaker 1>fact less women involved in the production of this movie

1:13:20.280 --> 1:13:23.400
<v Speaker 1>that have been involved in past versions. So ultimately, I

1:13:23.520 --> 1:13:28.519
<v Speaker 1>think by making the alcoholic character more lovable and making

1:13:29.000 --> 1:13:33.200
<v Speaker 1>the female protagonists taking away her last name, we get

1:13:33.360 --> 1:13:37.680
<v Speaker 1>no acknowledgement of how this toxic relationship is really affecting her.

1:13:38.560 --> 1:13:40.639
<v Speaker 1>There are only men in her life that's never called

1:13:40.680 --> 1:13:42.720
<v Speaker 1>attention to. It's like, and then there's a lot of

1:13:42.800 --> 1:13:44.960
<v Speaker 1>like false setups, like you were saying, Caitlin, of like

1:13:45.760 --> 1:13:48.960
<v Speaker 1>she mentions that you know, she's like not the perfect

1:13:49.040 --> 1:13:51.160
<v Speaker 1>Western standard of beauty and that's held her back in

1:13:51.240 --> 1:13:53.800
<v Speaker 1>the past, but that's never really commented on, and she

1:13:53.920 --> 1:13:56.800
<v Speaker 1>doesn't seem to mind when they totally change her. And

1:13:57.200 --> 1:13:58.800
<v Speaker 1>and you know, there's a few moments of like, I

1:13:58.840 --> 1:13:59.960
<v Speaker 1>don't know, I don't know, I don't know, but she

1:14:00.080 --> 1:14:02.920
<v Speaker 1>always does it aside from her hair, uh, she always

1:14:02.960 --> 1:14:04.160
<v Speaker 1>goes through the way that we don't know how she

1:14:04.200 --> 1:14:07.360
<v Speaker 1>feels about that, um, and we don't know how she

1:14:07.560 --> 1:14:10.720
<v Speaker 1>feels about her relationship. She refuses to tell us how

1:14:10.800 --> 1:14:14.200
<v Speaker 1>she feels about her relationship with her father. And so

1:14:14.840 --> 1:14:18.280
<v Speaker 1>the character is there. There's like an interesting character there,

1:14:18.640 --> 1:14:21.880
<v Speaker 1>but we just we just don't get at her, which

1:14:21.920 --> 1:14:24.960
<v Speaker 1>is too bad. Uh. So I will see it again

1:14:25.040 --> 1:14:28.680
<v Speaker 1>this week and one a half Nippy give one to

1:14:29.240 --> 1:14:33.680
<v Speaker 1>Lady Gaga, and then I'm gonna give one to um

1:14:34.720 --> 1:14:38.920
<v Speaker 1>Bradley Cooper's dog. Sure, I'm sorry the other half Um

1:14:39.000 --> 1:14:42.800
<v Speaker 1>I would give it to. I would give an honoraryone

1:14:42.960 --> 1:14:45.479
<v Speaker 1>just for the cinematography. I thought it was just very

1:14:45.520 --> 1:14:49.479
<v Speaker 1>well shocked um No streisand asked in this one. But

1:14:49.760 --> 1:14:52.320
<v Speaker 1>you know what, I just really like that kind of

1:14:52.360 --> 1:14:55.240
<v Speaker 1>aesthetic where you when they shoot like music or just

1:14:55.439 --> 1:14:57.519
<v Speaker 1>even concert, that you feel like you're like breathing it,

1:14:57.600 --> 1:14:59.320
<v Speaker 1>like they get all up in his business, which I

1:14:59.360 --> 1:15:02.280
<v Speaker 1>think is an interest choice. Actually, though they don't really

1:15:02.360 --> 1:15:03.920
<v Speaker 1>do it with Lady Gaga as much. They really get

1:15:03.920 --> 1:15:06.479
<v Speaker 1>into like Bradley's like air, like you feel like you're

1:15:06.479 --> 1:15:10.080
<v Speaker 1>like breathing the same areas when he's like playing. That's

1:15:10.120 --> 1:15:13.559
<v Speaker 1>from my film school background, but the real, the real

1:15:13.600 --> 1:15:17.400
<v Speaker 1>I'm really giving it two nips because, like Jamie was saying,

1:15:17.960 --> 1:15:20.920
<v Speaker 1>the whole like male savior vibe of like you needed

1:15:20.960 --> 1:15:23.040
<v Speaker 1>a man to make it was kind of whatever, like

1:15:23.240 --> 1:15:25.599
<v Speaker 1>that's not that interesting of a trope, Like it's kind

1:15:25.600 --> 1:15:28.439
<v Speaker 1>of like, oh okay, Like it would have been interesting

1:15:28.520 --> 1:15:30.599
<v Speaker 1>if I don't know, they real lesbian couple. Who knows,

1:15:30.680 --> 1:15:32.679
<v Speaker 1>like they could have mixed it up in some way,

1:15:32.840 --> 1:15:35.360
<v Speaker 1>so it wasn't just like Bradley Cooper's chance to be

1:15:35.479 --> 1:15:38.360
<v Speaker 1>Bradley Cooper like and everyone kepting like, oh, how great

1:15:38.400 --> 1:15:39.600
<v Speaker 1>he is in the film, Like yeah, but he's a

1:15:39.640 --> 1:15:41.479
<v Speaker 1>great actor, Like we know he's going to be fine,

1:15:41.640 --> 1:15:44.320
<v Speaker 1>Like we know he'll be able to transform himself, like whatever,

1:15:44.400 --> 1:15:47.160
<v Speaker 1>he'll play a d agent next time. It's fine. He

1:15:47.280 --> 1:15:49.920
<v Speaker 1>was a different accent, Like I'm not super moved by that,

1:15:50.040 --> 1:15:52.719
<v Speaker 1>but like I was very impressed with Lady Gaga because

1:15:52.720 --> 1:15:54.719
<v Speaker 1>I've never really seen her act before, Like I didn't

1:15:54.720 --> 1:15:56.920
<v Speaker 1>watch when she was an American horror story or anything

1:15:57.000 --> 1:15:58.880
<v Speaker 1>like that. And I thought it was great that she

1:15:59.280 --> 1:16:01.320
<v Speaker 1>because I know I've read before in the past that

1:16:01.400 --> 1:16:03.600
<v Speaker 1>she really struggled for a very long time, like I

1:16:03.640 --> 1:16:06.519
<v Speaker 1>believe she was raped at nineteen by music industry person

1:16:07.280 --> 1:16:09.880
<v Speaker 1>and so she her whole She's admitted that her whole

1:16:10.040 --> 1:16:12.080
<v Speaker 1>facade of how she would dress up was just like

1:16:12.240 --> 1:16:15.720
<v Speaker 1>her hiding like from the world and like covering up

1:16:15.800 --> 1:16:17.639
<v Speaker 1>and wearing all this makeup and having all these wigs

1:16:17.680 --> 1:16:21.760
<v Speaker 1>and having all this like crazy costumes. Was her distancing

1:16:21.840 --> 1:16:25.439
<v Speaker 1>her real self from like the madness of like you know,

1:16:25.600 --> 1:16:27.600
<v Speaker 1>everyone and people were coming at her. And so I

1:16:27.680 --> 1:16:29.599
<v Speaker 1>thought this was like a very strong role for her

1:16:29.640 --> 1:16:33.280
<v Speaker 1>to be like completely sands makeup, completely sands anything. And

1:16:33.600 --> 1:16:35.559
<v Speaker 1>And while it was, you know, it was acting her

1:16:35.640 --> 1:16:37.320
<v Speaker 1>like growing into this pop star and you kind of

1:16:37.360 --> 1:16:40.000
<v Speaker 1>see it happening. It was like a very interesting growth

1:16:40.320 --> 1:16:43.000
<v Speaker 1>to see within a film that you don't really see.

1:16:43.040 --> 1:16:46.240
<v Speaker 1>You never see like someone becomes like sell out so aggressively,

1:16:46.400 --> 1:16:49.000
<v Speaker 1>Like that's rarely that trope is really done in films,

1:16:49.080 --> 1:16:52.799
<v Speaker 1>unless you're like watching films specifically about industries like acting

1:16:52.920 --> 1:16:55.320
<v Speaker 1>or music or whatever. So that was cool to see

1:16:55.360 --> 1:16:57.680
<v Speaker 1>and I really appreciated Gaga's work and I'm glad she

1:16:57.840 --> 1:17:01.640
<v Speaker 1>kept the music as pure to Gaga as it could be,

1:17:01.840 --> 1:17:03.960
<v Speaker 1>like her voice stage, she didn't try and change it

1:17:04.080 --> 1:17:09.439
<v Speaker 1>for anything like that. So when I first heard that,

1:17:09.520 --> 1:17:11.680
<v Speaker 1>I was like, Oh, that's Lady Gaga. Like that's when

1:17:11.760 --> 1:17:14.599
<v Speaker 1>you know it's Gaga when she doesn't try and change

1:17:14.640 --> 1:17:17.559
<v Speaker 1>her voice for anyone and she keeps it how it's

1:17:17.840 --> 1:17:20.519
<v Speaker 1>how it's always been. She's got that very powerful voice,

1:17:20.560 --> 1:17:23.479
<v Speaker 1>and I was moved by her singing. I think she's

1:17:23.479 --> 1:17:26.320
<v Speaker 1>an amazing artist and just a performer who knows what

1:17:26.400 --> 1:17:28.519
<v Speaker 1>she's doing. And yes, I did just watch her Lady

1:17:28.560 --> 1:17:33.000
<v Speaker 1>Gaga documentary and I highly recommend it because she's so

1:17:33.720 --> 1:17:35.439
<v Speaker 1>I don't know, you really see her struggle. She has

1:17:35.439 --> 1:17:38.639
<v Speaker 1>like aggressive like nerve pain that like ruins her everyday life,

1:17:38.640 --> 1:17:41.080
<v Speaker 1>where she'll just be like a complete and total like

1:17:41.600 --> 1:17:44.280
<v Speaker 1>just in a coma of pain and can't move. It's

1:17:44.320 --> 1:17:45.960
<v Speaker 1>like she has to deal with a lot of that

1:17:46.400 --> 1:17:48.400
<v Speaker 1>and it's all like from PTSD of being like raped

1:17:48.439 --> 1:17:50.519
<v Speaker 1>and all the anxiety and trauma from her life that

1:17:50.640 --> 1:17:54.599
<v Speaker 1>her entire body, like spasms and complete pain, and she's

1:17:55.000 --> 1:17:57.120
<v Speaker 1>gotten through a lot of it now, But I don't know.

1:17:57.479 --> 1:17:59.160
<v Speaker 1>She has a very interesting story and I think it

1:17:59.320 --> 1:18:02.720
<v Speaker 1>kind of parallels a lot of this storyline of a

1:18:02.840 --> 1:18:06.479
<v Speaker 1>woman becoming less. So she made herself, you know, by

1:18:06.520 --> 1:18:08.280
<v Speaker 1>herself and not with the help of a man. But

1:18:08.360 --> 1:18:11.759
<v Speaker 1>like there's an interesting juxtaposition of her turning into this person.

1:18:12.439 --> 1:18:14.320
<v Speaker 1>And then you know, I have this hope that Ali

1:18:14.439 --> 1:18:17.280
<v Speaker 1>slowly turns back around and goes back to her original

1:18:17.400 --> 1:18:20.760
<v Speaker 1>like artists, you know self. So I give one nip

1:18:21.000 --> 1:18:23.960
<v Speaker 1>to Lady Gaga and her performance in this film, and

1:18:24.080 --> 1:18:28.439
<v Speaker 1>another nip to Angela from the drag Queen crew, who

1:18:28.600 --> 1:18:30.960
<v Speaker 1>apparently had to be convinced by Lady Gaga to be

1:18:31.040 --> 1:18:32.760
<v Speaker 1>in the film. And I think her character is so

1:18:33.040 --> 1:18:35.559
<v Speaker 1>funny in the beginning, as like this, you know, she's

1:18:35.600 --> 1:18:37.920
<v Speaker 1>just not having it. She's not impressed. She's like, get

1:18:37.920 --> 1:18:39.680
<v Speaker 1>the funk out of here, I have shipped to do.

1:18:40.680 --> 1:18:42.680
<v Speaker 1>She's so funny to the other drag queen who has

1:18:42.800 --> 1:18:45.840
<v Speaker 1>him signed his tits like she he already signed your tits.

1:18:45.840 --> 1:18:48.320
<v Speaker 1>Stop making him sing for you. And the fact that

1:18:48.439 --> 1:18:53.040
<v Speaker 1>she was in the Virgil is we've shared a stage

1:18:53.080 --> 1:18:58.400
<v Speaker 1>with Lady So great anyway, two nips, one honorary for

1:18:58.560 --> 1:19:02.759
<v Speaker 1>the cinematography, which is one more point for Lady Gaga.

1:19:02.920 --> 1:19:06.759
<v Speaker 1>As of today, she wrote a long op ed about

1:19:07.040 --> 1:19:10.360
<v Speaker 1>suicide and it doesn't directly say it's because of how

1:19:10.439 --> 1:19:15.000
<v Speaker 1>it's portrayed in the movie. But did a great job, so,

1:19:15.280 --> 1:19:17.679
<v Speaker 1>you know, cleaning up a little bit of Coope's mess. Maybe.

1:19:18.760 --> 1:19:21.960
<v Speaker 1>So she's she's just the greatest. She's an ally got

1:19:22.040 --> 1:19:25.960
<v Speaker 1>to us all alive the ally. Yeah. Well, Anna, thanks

1:19:26.000 --> 1:19:28.439
<v Speaker 1>so much for being here. Thank you so much for

1:19:28.560 --> 1:19:31.360
<v Speaker 1>having me. This was so fun. Yeah. I've had a

1:19:31.400 --> 1:19:38.519
<v Speaker 1>great time singing and dancing choreography. Yeah yeah. Where can

1:19:38.560 --> 1:19:40.080
<v Speaker 1>people find you online? What would you like to plug?

1:19:40.479 --> 1:19:42.840
<v Speaker 1>You can listen to my podcast with Shrine Units, who

1:19:42.880 --> 1:19:46.240
<v Speaker 1>did the Latin episode of this show, Ethnically Ambiguous. We're

1:19:46.240 --> 1:19:47.920
<v Speaker 1>on the House Stuff Works network. You can find us

1:19:47.960 --> 1:19:50.479
<v Speaker 1>on iTunes and whatever. I'm a producer at House to

1:19:50.640 --> 1:19:52.760
<v Speaker 1>Work So I also produced the daily site Guys, which

1:19:52.800 --> 1:19:59.320
<v Speaker 1>the Day Yes News and Sorry that song you know

1:19:59.560 --> 1:20:02.400
<v Speaker 1>Jamie Klin have both been on it um. I also

1:20:02.439 --> 1:20:04.640
<v Speaker 1>produce Couples Therapy. It's a really cool new show. That

1:20:04.680 --> 1:20:08.040
<v Speaker 1>I recommend checking out, hosted by naomiic Perrigan and Andy Beckerman.

1:20:10.479 --> 1:20:13.120
<v Speaker 1>And then I also host an independent podcast called Will

1:20:13.120 --> 1:20:15.680
<v Speaker 1>You Accept This Rose. It's about the Bachelor franchise and

1:20:15.760 --> 1:20:18.639
<v Speaker 1>it's hosted by Arden Marine and it's really fun time

1:20:18.680 --> 1:20:21.680
<v Speaker 1>and we hang out with batched peeps. And yeah, you

1:20:21.720 --> 1:20:23.800
<v Speaker 1>can find me on Twitter at Anna hosting A A

1:20:24.080 --> 1:20:26.640
<v Speaker 1>N N A H O S S and I E H.

1:20:28.240 --> 1:20:30.639
<v Speaker 1>You can follow us on social media at becktel Cast.

1:20:30.680 --> 1:20:32.760
<v Speaker 1>You can got our website becktel cast dot com. There

1:20:32.800 --> 1:20:34.680
<v Speaker 1>we have our merch store where you can get all

1:20:34.760 --> 1:20:40.720
<v Speaker 1>kinds of wonderful goodies design check them out. Strong female Protagonist,

1:20:40.800 --> 1:20:46.920
<v Speaker 1>feminist icon, Beetle Juice Team dry Scab and we've sold one.

1:20:47.400 --> 1:20:50.720
<v Speaker 1>We have sold one that's upsetting. Also, I mean, yeah,

1:20:50.840 --> 1:20:53.519
<v Speaker 1>keep buying our stuff. Also, go to our patron ak

1:20:53.720 --> 1:20:55.920
<v Speaker 1>Matreon and subscribe to that. It's five dollars a month.

1:20:55.960 --> 1:20:59.160
<v Speaker 1>It gets you to bonus episodes every single month. Also,

1:21:00.160 --> 1:21:07.720
<v Speaker 1>we have some live shows coming November three, Philadelphia at

1:21:07.760 --> 1:21:14.679
<v Speaker 1>the Good Good Comedy Theater. We have November four star

1:21:14.840 --> 1:21:20.000
<v Speaker 1>dates November four in Washington, d C. Toward As of

1:21:20.320 --> 1:21:23.280
<v Speaker 1>this recording, the venue has not been confirmed but keep

1:21:23.479 --> 1:21:26.080
<v Speaker 1>John look out for that into the ground for the

1:21:26.160 --> 1:21:29.800
<v Speaker 1>star dates November five, New York City as a part

1:21:29.840 --> 1:21:35.280
<v Speaker 1>of the New York Comedy Festivals at Baby's all right

1:21:35.439 --> 1:21:39.080
<v Speaker 1>in Brooklyn, New York. More like tours. All right, so

1:21:39.320 --> 1:21:43.200
<v Speaker 1>we're on the door, so go to back to Castle Colm.

1:21:43.320 --> 1:21:45.880
<v Speaker 1>Our live appearances tab will have ticket links to all

1:21:45.920 --> 1:21:49.000
<v Speaker 1>of those shows. So he's hoped to see you there

1:21:49.360 --> 1:21:56.200
<v Speaker 1>are tour otherwise, thanks for listening to what's all this

1:21:56.320 --> 1:22:00.760
<v Speaker 1>butt do? When he on the counter. I just wanted

1:22:00.800 --> 1:22:05.599
<v Speaker 1>to get one more though here Jim, yeah, here look

1:22:05.640 --> 1:22:08.400
<v Speaker 1>at Thanks so much. Okay, bye God