1 00:00:08,080 --> 00:00:15,440 Speaker 1: He welcome to another week of the show, Morning Studio Morning. 2 00:00:16,120 --> 00:00:19,599 Speaker 1: I hope all the dad's here had a great Father's Day, Eddie, Lunchbox, 3 00:00:19,680 --> 00:00:21,840 Speaker 1: thank you, Scuba, Steve. I'll check it back in later 4 00:00:21,880 --> 00:00:24,000 Speaker 1: and see you know what you guys did. I do 5 00:00:24,160 --> 00:00:26,320 Speaker 1: want to do this though, because Mike d made game 6 00:00:26,360 --> 00:00:28,120 Speaker 1: and I did not get to it on Friday, and 7 00:00:28,400 --> 00:00:30,320 Speaker 1: we're still kind of in the Father's day mood, right, 8 00:00:30,360 --> 00:00:36,680 Speaker 1: everybody say, just say yes, yeah, good. So I'll give 9 00:00:36,720 --> 00:00:38,920 Speaker 1: you the name of a famous TV dad. All you 10 00:00:38,960 --> 00:00:41,199 Speaker 1: have to do is name the show in honor of 11 00:00:41,479 --> 00:00:44,520 Speaker 1: Father's Day being yesterday. Okay. For example, if I said 12 00:00:44,600 --> 00:00:51,760 Speaker 1: Danny Tanner, you would say Full House, correct, all right, 13 00:00:51,840 --> 00:00:55,440 Speaker 1: don't miss. We'll play with the two dads here, one 14 00:00:55,520 --> 00:00:59,440 Speaker 1: v one okay, all right, and the winner gets to 15 00:00:59,440 --> 00:01:01,040 Speaker 1: give their kids to the other dad for a week. 16 00:01:02,360 --> 00:01:04,600 Speaker 1: Oh nice, we get a vacation from our kids. I 17 00:01:04,640 --> 00:01:09,520 Speaker 1: love this bone. All right, here we go, Lunchbox, Sheriff 18 00:01:09,600 --> 00:01:12,280 Speaker 1: Andy Taylor, what show is he from? Andy Griffith Show? 19 00:01:12,959 --> 00:01:17,120 Speaker 1: What Andy Griffith Show? Correct? Good job? And now you 20 00:01:17,160 --> 00:01:18,880 Speaker 1: say it, yeah yeah yeah, And he was looking at 21 00:01:18,920 --> 00:01:20,520 Speaker 1: me like I was saying the wrong Well, I think 22 00:01:20,520 --> 00:01:23,200 Speaker 1: he just stumbled. Will we all do that? All right? Eddie? 23 00:01:23,280 --> 00:01:27,680 Speaker 1: Come on, Philip Banks, that is fresh, Prince of bel Air. 24 00:01:27,959 --> 00:01:32,000 Speaker 1: That's correct. Now, this is a story y'all about how 25 00:01:32,160 --> 00:01:37,960 Speaker 1: my wife got twin lunchbox. Dan Connor, Oh, that's Roseanne. 26 00:01:38,360 --> 00:01:52,480 Speaker 1: That's correct, Eddie, Tony MASSELLI who's the boss? Wow? Come on, 27 00:01:53,960 --> 00:01:59,600 Speaker 1: I didn't think you get that? Good job lunchbox ye, 28 00:02:00,480 --> 00:02:04,960 Speaker 1: Stephen Keaton. Oh, Man, I don't know the name of 29 00:02:04,960 --> 00:02:10,400 Speaker 1: this one. I don't know if it's the right are they? 30 00:02:11,639 --> 00:02:13,480 Speaker 1: I think? Man, I don't know if there's the right one. 31 00:02:13,919 --> 00:02:21,560 Speaker 1: Family ties correct, we've been good job, dude. How's the 32 00:02:21,560 --> 00:02:30,280 Speaker 1: good one, Eddie? Doctor Jason sever that's growing pains. Wow, 33 00:02:34,160 --> 00:02:36,640 Speaker 1: you guys are killing it right now. We know our dads. 34 00:02:38,320 --> 00:02:43,600 Speaker 1: I don't though, That's why I say that, would I 35 00:02:43,680 --> 00:02:49,000 Speaker 1: say that? Yeah? Eddie ruined it? Next up, Rick Grimes, 36 00:02:49,919 --> 00:02:55,560 Speaker 1: that's lunchbox right for Father's Day, I've been yesterday. I 37 00:02:55,639 --> 00:02:58,359 Speaker 1: gave you a famous TV dad just named the show 38 00:02:58,760 --> 00:03:03,640 Speaker 1: Rick Grimes lunch by Rick Grimes. Never heard of him? Uh, 39 00:03:05,400 --> 00:03:11,440 Speaker 1: I've heard of Seana Rhymes. That's not Grimes. Whoa du SEUs? 40 00:03:11,440 --> 00:03:18,520 Speaker 1: Give me something? Grimes um Stranger things incorrect. That's the 41 00:03:18,639 --> 00:03:29,079 Speaker 1: Walking Day. Wow. Yeah, Eddie, Jack Pearson, this is us correct. Wow, 42 00:03:35,880 --> 00:03:48,840 Speaker 1: Lunchbox Jed Clampett Beverly Hillbillies. Correct, Eddie Howard cutting him 43 00:03:48,880 --> 00:03:57,520 Speaker 1: happy Days? Correct? Who only lunchbox is missed? He needs 44 00:03:57,640 --> 00:04:10,200 Speaker 1: Eddie to miss lunch box. Alan Matthews, Alan Matthews, boy 45 00:04:10,240 --> 00:04:21,880 Speaker 1: means world. That's correct. Wow, because Phoeney always says mister Matthews. Wow, Wow, Eddie, 46 00:04:22,120 --> 00:04:27,000 Speaker 1: Come on, how excuse me? The family had no last 47 00:04:27,080 --> 00:04:35,080 Speaker 1: name on the show. His name was how how no 48 00:04:35,240 --> 00:04:39,400 Speaker 1: last name on the show. His name is how and 49 00:04:39,520 --> 00:04:43,200 Speaker 1: that would be two and a half men in correct 50 00:04:43,200 --> 00:04:50,080 Speaker 1: me Malcolm in the middle. So now we're tied. Wow, 51 00:04:50,360 --> 00:04:54,080 Speaker 1: it's not good with two to go? WHOA I like lunchbox? 52 00:04:54,920 --> 00:05:04,880 Speaker 1: Jim Hopper, Jim Hopper, Jim Hopper. Where would you get him? 53 00:05:04,880 --> 00:05:11,480 Speaker 1: The hopper? Something like Boston Hoppa. Are you saying Harper 54 00:05:11,520 --> 00:05:17,080 Speaker 1: or Hopper? Hopper? Hopper like a bunny? M Jim Hopper, 55 00:05:17,440 --> 00:05:22,800 Speaker 1: Jim Hopper. I know, Jim Halpert, Help Ritt, it's Jim Halper. 56 00:05:23,279 --> 00:05:26,800 Speaker 1: Oh that's what's sounding familiar. That's like Jim Hopper, Jim Hopper. 57 00:05:26,960 --> 00:05:33,719 Speaker 1: Five seconds Jim Hopper, welcome back, Catter incorrect. That is 58 00:05:33,760 --> 00:05:39,760 Speaker 1: stranger things. What do you do? I guess stranger things 59 00:05:39,760 --> 00:05:43,400 Speaker 1: earlier and it wasn't it. It's literally on the page 60 00:05:43,400 --> 00:05:45,119 Speaker 1: in the order it was read. I didn't nothing about 61 00:05:45,120 --> 00:05:48,520 Speaker 1: making you guess anything, and no, j I know I 62 00:05:48,560 --> 00:05:53,200 Speaker 1: did nothing. Eddie, for the win, Come on for the win. 63 00:05:53,360 --> 00:06:04,000 Speaker 1: Martin Crane like Crane. I know is Frasier Crane, but 64 00:06:04,120 --> 00:06:11,400 Speaker 1: he's not a dad Martin Crane, So give me Frasier 65 00:06:11,560 --> 00:06:20,320 Speaker 1: and he's Frasier's dad on Frasier. Both are correct. Scrambled eggs, Yeah, 66 00:06:20,480 --> 00:06:24,880 Speaker 1: scrambled egg I never watched Frasier. Was that good good? Well? No, 67 00:06:25,120 --> 00:06:26,520 Speaker 1: it was, Yes, it was good, but it was not 68 00:06:26,600 --> 00:06:28,240 Speaker 1: at the same time as Home Improvement. And that's the 69 00:06:28,240 --> 00:06:30,440 Speaker 1: blue collar folks. We watch Home Improvement. We don't watch 70 00:06:30,440 --> 00:06:33,240 Speaker 1: that fancy Fraser. You know what I mean? Eddie, you 71 00:06:33,240 --> 00:06:40,600 Speaker 1: are the winner. Play this guy's song here to start 72 00:06:40,720 --> 00:06:42,760 Speaker 1: nice jobs. I'm glad we played that game. I forgot 73 00:06:42,800 --> 00:06:45,400 Speaker 1: it on Friday. See, I should not just disregard games. 74 00:06:45,440 --> 00:06:47,719 Speaker 1: A matter of fact. Here we go, best Valentine songs 75 00:06:47,720 --> 00:06:49,599 Speaker 1: of all times? All right, here we go. I go 76 00:06:49,720 --> 00:06:51,479 Speaker 1: through all the old holidays. We never got to a 77 00:06:51,560 --> 00:06:56,440 Speaker 1: game for on the Bobby Bones Show. Now, such a 78 00:06:56,480 --> 00:06:58,400 Speaker 1: big fan of Wendy. I want to start with this 79 00:06:58,400 --> 00:07:00,280 Speaker 1: and we'll get off of it quickly. Because when I 80 00:07:00,320 --> 00:07:01,920 Speaker 1: had you on my podcast, people were like, I remember 81 00:07:01,960 --> 00:07:05,680 Speaker 1: her from falling down on the voice. Yes, so what 82 00:07:05,960 --> 00:07:07,960 Speaker 1: you're on the voice? Are you live or is it recorded? 83 00:07:08,040 --> 00:07:10,440 Speaker 1: Oh no, it's live. Okay, you're live. What happens when 84 00:07:10,440 --> 00:07:13,640 Speaker 1: you fall down? Okay? Sou So it's time to do 85 00:07:13,840 --> 00:07:16,280 Speaker 1: our number and then you know, you have to get 86 00:07:16,320 --> 00:07:18,040 Speaker 1: to your spot. And all I'm thinking is I gotta 87 00:07:18,120 --> 00:07:20,720 Speaker 1: get to my next spot. And I fell over the monitor. 88 00:07:21,040 --> 00:07:22,680 Speaker 1: Just didn't see it. I was like, I gotta get 89 00:07:22,760 --> 00:07:26,320 Speaker 1: up too late. It was just a perfect storm. What 90 00:07:26,360 --> 00:07:29,960 Speaker 1: did you hit the monitor? So your elbows, your face, anything, 91 00:07:30,040 --> 00:07:33,080 Speaker 1: I'm like, oh, chit. So when I fell, I fell 92 00:07:33,160 --> 00:07:36,840 Speaker 1: over the monitor and I looked over in my elbow 93 00:07:37,440 --> 00:07:39,880 Speaker 1: it was broken. I was like, oh wow, that's what 94 00:07:40,240 --> 00:07:45,520 Speaker 1: that's what something broken looks like on live TV. I'm 95 00:07:45,560 --> 00:07:48,240 Speaker 1: a meme. I told you, like, I'm famous. I'm a meme. 96 00:07:49,000 --> 00:07:51,680 Speaker 1: Did you cry? No? I did not cry. Why I 97 00:07:52,200 --> 00:07:54,560 Speaker 1: want to cry? Just hearing about the bone situation and 98 00:07:54,760 --> 00:07:57,160 Speaker 1: the hand was broken here and fractured, so neither wine 99 00:07:57,280 --> 00:07:59,240 Speaker 1: was working. Did you still perform? I did, well, you 100 00:07:59,280 --> 00:08:02,400 Speaker 1: know what I had already performed, got off the stage. 101 00:08:02,480 --> 00:08:06,040 Speaker 1: That's when I fell, and then you know, they took 102 00:08:06,120 --> 00:08:08,600 Speaker 1: me off and they were like, you know, you know, 103 00:08:08,760 --> 00:08:12,920 Speaker 1: just terrified. I was calm, surprisingly and then um they 104 00:08:13,600 --> 00:08:15,480 Speaker 1: took me off and the show was still going because 105 00:08:15,480 --> 00:08:18,760 Speaker 1: it was alive. And then um, I'm looking at my 106 00:08:18,880 --> 00:08:21,520 Speaker 1: arm dangling and then can you come back and just 107 00:08:22,160 --> 00:08:24,520 Speaker 1: say something I said after the fall? They want like 108 00:08:24,560 --> 00:08:27,880 Speaker 1: a redemption, right, I'm like, I'm good, but you're really not. Yeah, right, 109 00:08:27,920 --> 00:08:30,200 Speaker 1: But they didn't. They weren't expecting that. They would just 110 00:08:30,360 --> 00:08:33,520 Speaker 1: wanted people to know that I wasn't dead and yeah, 111 00:08:33,600 --> 00:08:36,120 Speaker 1: yes I'm injured, but I'm okay, and I'm glad because 112 00:08:36,600 --> 00:08:39,080 Speaker 1: you know, my family lives in Tennessee. You know, my 113 00:08:39,240 --> 00:08:42,760 Speaker 1: husband is in Nashville. And I was like, I did 114 00:08:42,800 --> 00:08:45,200 Speaker 1: that to let them know that I'm okay. Yes I'm injured, 115 00:08:45,240 --> 00:08:47,440 Speaker 1: because I said, yeah, I'm I'm broken, but I'll be 116 00:08:47,480 --> 00:08:51,000 Speaker 1: back and uh, and let them know that it's serious, 117 00:08:51,040 --> 00:08:53,280 Speaker 1: but not like get on a plane. I'm all right, 118 00:08:53,360 --> 00:08:55,319 Speaker 1: are you all the way held up. Now. No, I 119 00:08:55,400 --> 00:08:58,400 Speaker 1: still go to physical therapy three times a week. I 120 00:08:58,400 --> 00:09:02,040 Speaker 1: can't make a fist and I you know, it's just weird. 121 00:09:02,120 --> 00:09:04,960 Speaker 1: My elbow still want to extend. But I just stay 122 00:09:05,040 --> 00:09:09,280 Speaker 1: busy because there's hundreds of millions with people with injuries 123 00:09:09,320 --> 00:09:12,839 Speaker 1: and you know, bound to wheelchairs, and so I did 124 00:09:12,840 --> 00:09:15,800 Speaker 1: a lot of things. H I was covering that on 125 00:09:15,920 --> 00:09:18,720 Speaker 1: the show, and you know, hey, at that time, I 126 00:09:18,760 --> 00:09:21,360 Speaker 1: had a disability for at least three weeks, six shows, 127 00:09:22,000 --> 00:09:23,720 Speaker 1: and you know I had to flag, you know, held 128 00:09:23,720 --> 00:09:26,400 Speaker 1: the flag for that too. What's Blake as a coach? 129 00:09:27,200 --> 00:09:29,400 Speaker 1: Blake is great. I'm gonna tell you why, because he 130 00:09:29,520 --> 00:09:32,640 Speaker 1: knew I had so much experience and he didn't want 131 00:09:32,640 --> 00:09:36,720 Speaker 1: to get in my way or cloud the situation just 132 00:09:36,800 --> 00:09:39,480 Speaker 1: because you know, there was a song that I had 133 00:09:39,480 --> 00:09:43,360 Speaker 1: a problem with. Um. I think it was Whitney's I'll 134 00:09:43,360 --> 00:09:45,880 Speaker 1: Always Love You because she's been my nemesis my whole 135 00:09:45,920 --> 00:09:49,120 Speaker 1: career and there's only one Whitney Houston and the label 136 00:09:49,160 --> 00:09:51,880 Speaker 1: of course trying to make me Whitney. But you know, 137 00:09:51,960 --> 00:09:54,280 Speaker 1: I had a problem singing it, like I couldn't get 138 00:09:54,320 --> 00:09:56,280 Speaker 1: the notes out. It was weird, and he was just, 139 00:09:56,400 --> 00:09:58,360 Speaker 1: you know, basically telling me, don't worry about her. Just 140 00:09:58,400 --> 00:10:00,800 Speaker 1: sing it the way you you know, like you you 141 00:10:00,920 --> 00:10:02,920 Speaker 1: sing it, you don't have nobody, because all I was 142 00:10:02,960 --> 00:10:06,160 Speaker 1: hearing with voices saying she's no Whitney Houston, which I've 143 00:10:06,160 --> 00:10:09,559 Speaker 1: heard my whole career, and and and that was getting 144 00:10:09,559 --> 00:10:11,360 Speaker 1: in my head. And he just kind of told me, just, 145 00:10:11,520 --> 00:10:14,240 Speaker 1: you know, just get those voices out and just sing 146 00:10:14,280 --> 00:10:17,240 Speaker 1: the song. Wendy Molten's here and we're gonna come back. 147 00:10:17,280 --> 00:10:19,000 Speaker 1: She's gonna perform in a second. We're gonna talk about 148 00:10:19,000 --> 00:10:22,280 Speaker 1: her relationship with Vince Gill and playing the Grand ol Opry. 149 00:10:22,480 --> 00:10:26,320 Speaker 1: And I feel like this crew group here is really 150 00:10:26,320 --> 00:10:32,600 Speaker 1: going to enjoy these stories on the Bobby Bones Show. Now, 151 00:10:33,640 --> 00:10:36,040 Speaker 1: So you were playing the Lincoln Center in New York 152 00:10:36,640 --> 00:10:39,200 Speaker 1: or decent? Where is that? That's in New York City. Okay, 153 00:10:39,280 --> 00:10:41,200 Speaker 1: the Lincoln Center is in New York City. And it 154 00:10:41,320 --> 00:10:43,920 Speaker 1: was with the Young People's Chorus of New York City. 155 00:10:43,960 --> 00:10:46,440 Speaker 1: They do their fundraiser and it's with the New York 156 00:10:46,480 --> 00:10:49,040 Speaker 1: Pops and you know, and I was they're getting nervous 157 00:10:49,080 --> 00:10:51,880 Speaker 1: doing no, not at all. Do you get nervous playing 158 00:10:51,880 --> 00:10:54,240 Speaker 1: the Grand Ole opry um. No only the first time? 159 00:10:54,320 --> 00:10:55,840 Speaker 1: What was that like, the very first time you walk 160 00:10:55,880 --> 00:10:58,240 Speaker 1: out on that stage the first time? First of all, 161 00:10:58,280 --> 00:11:00,720 Speaker 1: I couldn't believe I was gonna have this unity. Like 162 00:11:00,760 --> 00:11:03,560 Speaker 1: I said, my little stick is. I grew up watching 163 00:11:03,559 --> 00:11:06,040 Speaker 1: Soul Train and he Haw and I love them both. 164 00:11:06,600 --> 00:11:09,079 Speaker 1: So I was literally making my Hehall dreams come true. 165 00:11:09,440 --> 00:11:12,079 Speaker 1: But I was strategic because I was like, Okay, Vince, 166 00:11:12,240 --> 00:11:14,400 Speaker 1: you have to introduce me. I need him to do that, 167 00:11:14,800 --> 00:11:17,680 Speaker 1: and I needed him to play with me because I 168 00:11:17,800 --> 00:11:20,880 Speaker 1: know I'm a singer who loves singing country songs unnecessarily 169 00:11:20,880 --> 00:11:23,760 Speaker 1: country artist, and I didn't have time to build this 170 00:11:23,840 --> 00:11:27,000 Speaker 1: relationship with an opry So I figured if the emperor, 171 00:11:27,120 --> 00:11:30,240 Speaker 1: which I call Vince the Emperor of country music, if 172 00:11:30,240 --> 00:11:32,640 Speaker 1: he could just like put the stample approval on there, 173 00:11:32,679 --> 00:11:34,360 Speaker 1: then I could they can see me in a different 174 00:11:34,400 --> 00:11:36,320 Speaker 1: light and just keep inviting me in the way that 175 00:11:36,320 --> 00:11:38,840 Speaker 1: they do. And you invent, are very close, very close. 176 00:11:38,880 --> 00:11:41,000 Speaker 1: He's a brother. He's like a brother to me. I mean, 177 00:11:41,040 --> 00:11:45,040 Speaker 1: that's a pretty cool brother. Vince Gil is like standing 178 00:11:45,040 --> 00:11:48,360 Speaker 1: there saying hey, I like he speaks up for you. 179 00:11:48,720 --> 00:11:50,040 Speaker 1: You know, He's the one that kind of Vouchrue at 180 00:11:50,040 --> 00:11:52,120 Speaker 1: the opry and now everybody's blown away every time you perform. 181 00:11:52,440 --> 00:11:55,520 Speaker 1: But Vince Gill, that's a pretty cool one. You've toured 182 00:11:56,160 --> 00:11:59,160 Speaker 1: a lot as a background singer as well as being 183 00:11:59,720 --> 00:12:01,839 Speaker 1: a what do you call a front ground just just 184 00:12:01,880 --> 00:12:06,240 Speaker 1: a star artist, solo artist, and you've sang background for 185 00:12:06,320 --> 00:12:10,120 Speaker 1: people who have you toured with that you've sang background before? Um, 186 00:12:10,160 --> 00:12:12,400 Speaker 1: I would say I was Julio Iglesie is do that 187 00:12:12,520 --> 00:12:14,560 Speaker 1: partner for over fifteen years, so I had to sing 188 00:12:14,559 --> 00:12:17,760 Speaker 1: in four languages. You know. The whole private plane, you know, 189 00:12:17,800 --> 00:12:20,200 Speaker 1: flying to the island's crazy money. That that for a 190 00:12:20,200 --> 00:12:22,360 Speaker 1: long time. The plan was to stay for one year 191 00:12:22,960 --> 00:12:25,160 Speaker 1: and it you know, I was learning too much. I 192 00:12:25,160 --> 00:12:26,840 Speaker 1: felt like I was getting paid to learn how to 193 00:12:26,840 --> 00:12:29,720 Speaker 1: be better. How long do you do that? Fifteen sixteen years? Wow, 194 00:12:29,800 --> 00:12:32,400 Speaker 1: I know, I know he's it's longer than usually. He 195 00:12:32,440 --> 00:12:34,440 Speaker 1: likes to keep like after twenty nine, he wants you 196 00:12:34,640 --> 00:12:37,840 Speaker 1: out of that, but like age twenty nine, yeah, you know, 197 00:12:37,920 --> 00:12:45,480 Speaker 1: he has an image. He wants you out. And then 198 00:12:45,600 --> 00:12:48,520 Speaker 1: you know I you know, I started like my thirty 199 00:12:48,679 --> 00:12:50,480 Speaker 1: and he thought I was in my twenties. I looked 200 00:12:50,520 --> 00:12:53,440 Speaker 1: younger then and uh, you know, I stayed a long time, 201 00:12:53,520 --> 00:12:56,360 Speaker 1: and I you know, he's a great, amazing singer and 202 00:12:56,480 --> 00:12:59,000 Speaker 1: living legend, and I learned a lot working with him, 203 00:12:59,120 --> 00:13:01,440 Speaker 1: and then I toured with him in Faith again for 204 00:13:01,480 --> 00:13:06,480 Speaker 1: like twelve thirteen years, knowing their arena tours and um Faith, 205 00:13:06,520 --> 00:13:11,400 Speaker 1: I mean, well Marcina McBride skil and it just goes 206 00:13:11,440 --> 00:13:14,520 Speaker 1: on and on. I just just done a lot. So 207 00:13:15,000 --> 00:13:19,240 Speaker 1: if you would sing background for Tim and Faith, if 208 00:13:19,240 --> 00:13:21,800 Speaker 1: I were like, if I were going, it's your love, 209 00:13:22,080 --> 00:13:24,520 Speaker 1: what would you do? I go, it just does something too. 210 00:13:24,520 --> 00:13:26,880 Speaker 1: You gotta matchin me, though, you gotta really, it just 211 00:13:27,000 --> 00:13:33,719 Speaker 1: does something too me. Oh boy, I suck. That's I 212 00:13:33,840 --> 00:13:36,600 Speaker 1: need to do something like. I like it. I love it. 213 00:13:36,880 --> 00:13:40,800 Speaker 1: I want that one. I like it. I love it. 214 00:13:41,120 --> 00:13:44,800 Speaker 1: I want some more of it. I try so hard, 215 00:13:45,120 --> 00:13:48,240 Speaker 1: I can't rise above it here. I don't know what 216 00:13:48,400 --> 00:13:50,920 Speaker 1: it is. But yeah, I was. I was drawing you out. 217 00:13:50,920 --> 00:13:54,040 Speaker 1: I'm too powerful to sing. I love it. I want 218 00:13:54,080 --> 00:13:57,480 Speaker 1: some more of it. Okay, I was too powerful for you. No, no, 219 00:13:57,520 --> 00:13:59,880 Speaker 1: but you know what I wanted to enjoy you. Yeah, 220 00:14:00,000 --> 00:14:02,400 Speaker 1: me too. I want to join me too, I'm saying. 221 00:14:02,760 --> 00:14:04,840 Speaker 1: So you have this album that you made that is 222 00:14:04,880 --> 00:14:08,280 Speaker 1: so good. It's called I've Got You Covered, and obviously 223 00:14:08,280 --> 00:14:10,600 Speaker 1: it's a cover album and Vince Gill produced it and 224 00:14:10,600 --> 00:14:15,120 Speaker 1: played guitar on it. And so why these songs? You know, 225 00:14:15,200 --> 00:14:18,520 Speaker 1: I have to tell you. When I toured with Martina 226 00:14:18,559 --> 00:14:21,200 Speaker 1: McBride twenty fourteen, twenty sixteen, I said, I'm saving my 227 00:14:21,200 --> 00:14:23,240 Speaker 1: money and ready to be a solo artist again. And 228 00:14:23,280 --> 00:14:25,920 Speaker 1: I'm gonna put my money up and I'll be able 229 00:14:25,960 --> 00:14:27,880 Speaker 1: to afford anybody. And I know what Jenre is going 230 00:14:27,920 --> 00:14:30,320 Speaker 1: to be twenty sixteen and me, Vince Gill, you know, 231 00:14:30,600 --> 00:14:33,080 Speaker 1: I'm just trying to keep the gig. He's like, you know, 232 00:14:33,360 --> 00:14:36,240 Speaker 1: you need to be heard. And I was like, I 233 00:14:36,320 --> 00:14:38,680 Speaker 1: have this idea for a project. He said, I'll produce 234 00:14:38,680 --> 00:14:41,360 Speaker 1: it and you won't have to pay me, and I said, great, 235 00:14:41,640 --> 00:14:46,040 Speaker 1: because I can't afford you. And so he brought the 236 00:14:46,080 --> 00:14:50,000 Speaker 1: guys together. We recorded at his home studio. He picked 237 00:14:50,080 --> 00:14:54,040 Speaker 1: hand picked the guys, and he also hand picked the 238 00:14:54,080 --> 00:14:56,920 Speaker 1: songs the day of the session. So, yeah, I love 239 00:14:56,960 --> 00:14:58,960 Speaker 1: country music and I grew up listening to some of it. 240 00:15:00,240 --> 00:15:02,280 Speaker 1: Half of the record, I had never heard of those 241 00:15:02,320 --> 00:15:04,280 Speaker 1: songs in my life. And he chose them like that 242 00:15:04,400 --> 00:15:06,640 Speaker 1: day and he, you know, was law on his phone, 243 00:15:07,080 --> 00:15:09,320 Speaker 1: you know, like going away party or you know, to 244 00:15:09,400 --> 00:15:12,120 Speaker 1: some of the others like that, and I was like, 245 00:15:12,280 --> 00:15:15,960 Speaker 1: can I listen twice, make some notes and then uh, 246 00:15:16,200 --> 00:15:18,800 Speaker 1: we sing it. And because you know these session musicians, 247 00:15:18,800 --> 00:15:20,880 Speaker 1: I used to listening to it two times and then 248 00:15:20,920 --> 00:15:23,800 Speaker 1: they make a hit. So, um, half of the songs 249 00:15:23,840 --> 00:15:26,040 Speaker 1: I knew and half I never heard of till that 250 00:15:26,120 --> 00:15:29,200 Speaker 1: day of the session. So it's a bit of your 251 00:15:29,240 --> 00:15:33,320 Speaker 1: interpretation on hearing them fresh. So here is a little 252 00:15:33,360 --> 00:15:36,680 Speaker 1: bit of Bobby Gentry, oh to Billy Joe here with 253 00:15:36,680 --> 00:15:39,440 Speaker 1: Wendy motin right now. And then she said, I got 254 00:15:39,480 --> 00:15:48,560 Speaker 1: some news this morning from hctawery today he Billy Joe 255 00:15:48,680 --> 00:15:53,680 Speaker 1: mc callista jumped off the talle that's such a good song. 256 00:15:53,800 --> 00:15:55,800 Speaker 1: That's a good version of it too, like a great version, 257 00:15:55,800 --> 00:15:58,120 Speaker 1: but that's such a good song. And did you know 258 00:15:58,240 --> 00:16:01,760 Speaker 1: that one before I did? Okay? And um, you know 259 00:16:01,960 --> 00:16:04,960 Speaker 1: he chose that one the day of and of course, 260 00:16:05,120 --> 00:16:07,080 Speaker 1: you know, I was so naive. I was like, we 261 00:16:07,080 --> 00:16:09,280 Speaker 1: could take some of the verses out because it's a 262 00:16:09,280 --> 00:16:11,760 Speaker 1: little long, and he was like, no, no, no, you're 263 00:16:11,760 --> 00:16:14,640 Speaker 1: gonna mess up the story if you take the verses out. 264 00:16:14,640 --> 00:16:16,920 Speaker 1: But you know, I was just although I love that song, 265 00:16:16,960 --> 00:16:19,920 Speaker 1: I really love the movie, and every summer they would 266 00:16:19,920 --> 00:16:23,560 Speaker 1: play it in the month of June that in Harper Valley, Pta. 267 00:16:24,040 --> 00:16:26,240 Speaker 1: So you know, my love and music came from television. 268 00:16:26,280 --> 00:16:28,760 Speaker 1: So that's how I knew that song. This is a 269 00:16:28,840 --> 00:16:31,640 Speaker 1: George Jones song. It says, walk through the world with me, 270 00:16:39,240 --> 00:16:49,360 Speaker 1: come to my head, through this world. So it's really good. 271 00:16:49,760 --> 00:16:52,360 Speaker 1: Now we have a little something here. Would you maybe 272 00:16:52,360 --> 00:16:53,680 Speaker 1: you don't know we're gonna do this, but would you 273 00:16:53,720 --> 00:16:56,040 Speaker 1: mind singing a little something for us? Sure? What do 274 00:16:56,080 --> 00:16:58,160 Speaker 1: you feel warm? Yeah? Well I don't know if I'm warm, 275 00:16:58,160 --> 00:17:01,000 Speaker 1: but I'm gonna do it. Well, we go. We got 276 00:17:01,040 --> 00:17:04,480 Speaker 1: one of your tracks from nineteen ninety two. I know 277 00:17:04,560 --> 00:17:06,600 Speaker 1: the song started your career. It's called coming out of 278 00:17:06,640 --> 00:17:09,359 Speaker 1: the Rain. Yes, So if I played this, would you 279 00:17:09,400 --> 00:17:11,119 Speaker 1: hop over on that chair and sing it? Do you 280 00:17:11,160 --> 00:17:13,600 Speaker 1: still know all the words? Yes? Are you guys want 281 00:17:13,600 --> 00:17:17,280 Speaker 1: to hear this? Yeah? Go over to that station over there. Okay, 282 00:17:17,320 --> 00:17:19,320 Speaker 1: this is Wendy Moten. She's you're not plugged in? Are you? 283 00:17:19,320 --> 00:17:21,840 Speaker 1: You're good? Wendy? So put me in the right spot here. 284 00:17:21,880 --> 00:17:26,200 Speaker 1: So you were signed to EMI Records, Whitney, Selene, Mariah. 285 00:17:26,200 --> 00:17:28,040 Speaker 1: Everybody was looking for the they were looking for the 286 00:17:28,080 --> 00:17:30,520 Speaker 1: next that and they said you're that. Yeah, and so 287 00:17:30,600 --> 00:17:34,520 Speaker 1: you go and you're like, here we go. Are you intimidated? Nah, 288 00:17:34,560 --> 00:17:37,400 Speaker 1: not at all. I mean because we were all young 289 00:17:37,440 --> 00:17:39,720 Speaker 1: at that time, even though Whitney had hits and everything, 290 00:17:39,800 --> 00:17:44,000 Speaker 1: and you know Mariah and Selene and it was the era, 291 00:17:44,160 --> 00:17:46,320 Speaker 1: so all the girls kind of sound that way in 292 00:17:46,359 --> 00:17:49,280 Speaker 1: the nineties. Well from nineteen ninety two. I'm surprising her 293 00:17:49,320 --> 00:17:52,320 Speaker 1: with it coming out of the rain. Here is Wendy Moten. 294 00:18:01,400 --> 00:18:17,880 Speaker 1: Oh oh oh, you say you believe that weed final 295 00:18:18,000 --> 00:18:30,280 Speaker 1: love together? Have boldly after all the wrong afterne you 296 00:18:30,320 --> 00:18:35,800 Speaker 1: feel that I'm steal the one to give your love to, 297 00:18:37,760 --> 00:18:46,639 Speaker 1: So bring it high to you. You told me that 298 00:18:46,920 --> 00:18:52,520 Speaker 1: you have me, fine ever change, welcome me into your 299 00:18:52,680 --> 00:19:01,680 Speaker 1: arm again. Come on in out of the right. That's 300 00:19:01,960 --> 00:19:10,800 Speaker 1: all boys in your heart to me again and John yeah, 301 00:19:11,880 --> 00:19:27,040 Speaker 1: bering when you come on, come on in the d Yeah, yeah, hey, 302 00:19:28,880 --> 00:19:39,800 Speaker 1: hey baby, come out of the rain, Hey, come on, 303 00:19:43,400 --> 00:19:45,480 Speaker 1: who wanted to cry? My chops A background saying oh 304 00:19:45,560 --> 00:19:50,000 Speaker 1: boys too, as you playing a piano and so that's 305 00:19:50,000 --> 00:19:53,080 Speaker 1: awesome Wendy, Right, Like what happens now? Do you your voice? 306 00:19:53,119 --> 00:19:55,399 Speaker 1: Like going to Hyberna. I don't get that. You just 307 00:19:55,560 --> 00:19:58,560 Speaker 1: sank so hard and loud. I'm sorry for saying a song. No, 308 00:19:58,720 --> 00:20:00,440 Speaker 1: that was awesome, Like what are you now? You just 309 00:20:00,440 --> 00:20:02,800 Speaker 1: go out and get celebrated all day. I don't do 310 00:20:02,840 --> 00:20:05,560 Speaker 1: anything that well, now what yes you do? I mean 311 00:20:06,080 --> 00:20:08,680 Speaker 1: you are mister Bobby Bones. That's what's up. That's just 312 00:20:08,720 --> 00:20:14,240 Speaker 1: my Instagram handle. So you will know Wendy from a 313 00:20:14,359 --> 00:20:16,280 Speaker 1: bunch of stuff, from playing at the opera or from 314 00:20:16,359 --> 00:20:18,919 Speaker 1: the voice on Team Blake and touring all around. You've 315 00:20:18,960 --> 00:20:21,200 Speaker 1: been on the road a whole lot. Yeah, back and forth, Yeah, 316 00:20:21,480 --> 00:20:23,920 Speaker 1: doing shows. Now I'm gonna be on tour with Visgill 317 00:20:24,160 --> 00:20:29,479 Speaker 1: all summer as his special guests. And I like, how 318 00:20:29,520 --> 00:20:31,239 Speaker 1: you because I'm gonna do that too where I go. Hey, 319 00:20:31,280 --> 00:20:34,200 Speaker 1: I'm I'm gonna do something tomorrow. Get cheers. I like that. 320 00:20:34,320 --> 00:20:36,880 Speaker 1: That's cool. Crowd, you building the crowd, it seems much 321 00:20:36,920 --> 00:20:38,879 Speaker 1: more so. Yeah, that's awesome. So she'll be out with 322 00:20:38,960 --> 00:20:42,200 Speaker 1: Vince Gill starting July seventh all the way through September. 323 00:20:42,560 --> 00:20:44,680 Speaker 1: And that is Wendy that's awesome. I'm super glad you 324 00:20:44,720 --> 00:20:46,359 Speaker 1: could come in. There's a whole hour Wendy and I 325 00:20:46,440 --> 00:20:48,040 Speaker 1: did about her life. It's on the Bobby Cast, and 326 00:20:48,080 --> 00:20:50,160 Speaker 1: I hope you guys check it out. It is she's 327 00:20:50,200 --> 00:20:52,680 Speaker 1: just so delightful but also so talented and it's a 328 00:20:52,680 --> 00:20:55,040 Speaker 1: story of perseverance. And I hope you check out the 329 00:20:55,080 --> 00:20:57,359 Speaker 1: Wendy Moten Bobby Cast. And when I finished, I was like, 330 00:20:57,359 --> 00:20:59,320 Speaker 1: you've got to come up on the show and just sing. 331 00:20:59,720 --> 00:21:01,520 Speaker 1: And she didn't know I was gonna surprise her with 332 00:21:01,560 --> 00:21:03,960 Speaker 1: the track, but she showed up and she crushed it, 333 00:21:04,200 --> 00:21:06,840 Speaker 1: and that was awesome. Nice jot, Wendy, Thank you for coming. 334 00:21:07,160 --> 00:21:12,479 Speaker 1: Now I do good Yeah, all right, all right, there 335 00:21:12,520 --> 00:21:15,359 Speaker 1: she has Wendy Mote. Everybody, thank you so much. I 336 00:21:15,400 --> 00:21:18,119 Speaker 1: appreciate you, thank you, thank you. It's time for the 337 00:21:18,240 --> 00:21:24,680 Speaker 1: good news. Good here's a little good news in the 338 00:21:24,720 --> 00:21:27,879 Speaker 1: form of good luck. Her name is Alicia Chapman. She 339 00:21:28,040 --> 00:21:30,920 Speaker 1: bought fifty four lottery tickets with the same numbers on 340 00:21:31,000 --> 00:21:35,320 Speaker 1: them for a single drawing. So she bought the numbers one, four, zero, 341 00:21:35,400 --> 00:21:38,159 Speaker 1: and six, and again she bought fifty four of the 342 00:21:38,280 --> 00:21:40,920 Speaker 1: same numbers. Have you ever done that lunchbucks. No, I 343 00:21:40,960 --> 00:21:43,359 Speaker 1: don't really understand why you would do that. Well, because 344 00:21:43,440 --> 00:21:46,360 Speaker 1: if you win, you'll get that times however much each 345 00:21:46,400 --> 00:21:49,200 Speaker 1: tickets worth? Oh so if you okay, so if you 346 00:21:49,280 --> 00:21:52,120 Speaker 1: got fifty four jackpots, you'd win three hundred and sixty 347 00:21:52,119 --> 00:21:54,320 Speaker 1: million dollars fifty four times. Well, no, because it's a 348 00:21:54,320 --> 00:21:57,440 Speaker 1: different drawing. So this one is if you hit it 349 00:21:57,880 --> 00:22:00,440 Speaker 1: in the pick four you get five thousand bucks. It's 350 00:22:00,560 --> 00:22:03,560 Speaker 1: just a different lottery game. So she hit it with 351 00:22:03,760 --> 00:22:06,240 Speaker 1: fifty four tickets and won two hundred and thirty six 352 00:22:06,240 --> 00:22:09,359 Speaker 1: thousand dollars. That's a good strategy. Maybe I need to 353 00:22:09,400 --> 00:22:11,280 Speaker 1: start doing that. Isn't that crazy? So if the math 354 00:22:11,280 --> 00:22:14,040 Speaker 1: doesn't quite work out, what happened was forty of them 355 00:22:14,200 --> 00:22:17,240 Speaker 1: she bought with the exact order wager, won five thousand 356 00:22:17,320 --> 00:22:19,639 Speaker 1: bucks a ticket. The other fourteen were bought with fifty 357 00:22:19,680 --> 00:22:22,560 Speaker 1: fifty wager, which got her twenty six hundred bucks a ticket. 358 00:22:22,720 --> 00:22:24,119 Speaker 1: And so she went in and was like, I cannot 359 00:22:24,160 --> 00:22:26,600 Speaker 1: believe this. I just won. And she thought she'd won less, 360 00:22:26,600 --> 00:22:27,880 Speaker 1: but they were like, no, no, you won two hundred 361 00:22:27,880 --> 00:22:31,360 Speaker 1: and thirty six thousand dollars. That is some crazy, crazy, 362 00:22:31,480 --> 00:22:34,320 Speaker 1: awesome luck. Alicia Chapman. If you listen to the show 363 00:22:34,359 --> 00:22:36,760 Speaker 1: and you're in Virginia, congratulations, we'd love to talk to you. 364 00:22:36,800 --> 00:22:39,720 Speaker 1: Because why would you buy that many? Was it an accident? 365 00:22:40,000 --> 00:22:43,440 Speaker 1: Why'd you buy fifty four? Exactly? So many questions, But 366 00:22:43,560 --> 00:22:45,720 Speaker 1: that is good news. That is what it's all about. 367 00:22:46,359 --> 00:22:52,480 Speaker 1: That was tell me something good. The question on Oregonlive 368 00:22:52,560 --> 00:22:55,040 Speaker 1: dot com was are you a really fast talker? I'm 369 00:22:55,080 --> 00:22:57,560 Speaker 1: a very fast talker. I have like eight things i 370 00:22:57,600 --> 00:23:00,600 Speaker 1: want to say at once, and sometimes I'm trying to 371 00:23:00,720 --> 00:23:03,080 Speaker 1: say reflects that I have eight things I want to 372 00:23:03,080 --> 00:23:05,800 Speaker 1: say at once. But they say the fastest talkers live 373 00:23:06,119 --> 00:23:10,600 Speaker 1: in the Upper Northwest. Researchers found I didn't want to 374 00:23:10,600 --> 00:23:14,800 Speaker 1: read this high I Q talk fast. I know, I 375 00:23:14,840 --> 00:23:18,880 Speaker 1: didn't know. I didn't see that part an I didn't. 376 00:23:18,920 --> 00:23:21,280 Speaker 1: That's not We're all just smart in our own different ways. 377 00:23:21,400 --> 00:23:25,560 Speaker 1: Let's be honest, okay, everybody, we're we're all smart and 378 00:23:25,600 --> 00:23:29,760 Speaker 1: we're all beautiful in our own ways. Yes you say so, Okay, 379 00:23:30,119 --> 00:23:33,520 Speaker 1: I said that really fast. Yeah. It's forty percent of 380 00:23:33,600 --> 00:23:36,560 Speaker 1: men are self conscious about gray hair. This is from 381 00:23:36,640 --> 00:23:40,680 Speaker 1: Digital dot Com and with me, well, I am a 382 00:23:40,760 --> 00:23:42,800 Speaker 1: little because it's in my face. It's not really in 383 00:23:42,920 --> 00:23:45,080 Speaker 1: my head, although I do get into my sideburns and 384 00:23:45,119 --> 00:23:47,120 Speaker 1: like the bottom part of my neck work catches into 385 00:23:47,160 --> 00:23:50,280 Speaker 1: my hairline. So it's just like oddly my body hair 386 00:23:50,480 --> 00:23:56,680 Speaker 1: from my my sternum to my chin, which is a 387 00:23:56,720 --> 00:24:00,320 Speaker 1: weird spot because it's not gray anywhere else. So but 388 00:24:00,400 --> 00:24:02,040 Speaker 1: I am a little bit self conscious about it. And 389 00:24:02,119 --> 00:24:03,920 Speaker 1: when I was sick last week, I love my beard 390 00:24:03,960 --> 00:24:05,360 Speaker 1: grow and you can see all the gray coming through 391 00:24:05,359 --> 00:24:06,840 Speaker 1: my beard, and I was like, ah, I hate this, 392 00:24:07,240 --> 00:24:10,280 Speaker 1: And Caitlin's like, why who you trying to not be gray? 393 00:24:10,320 --> 00:24:13,400 Speaker 1: For it looks great. I just am a little self 394 00:24:13,400 --> 00:24:15,880 Speaker 1: conscious about the gray. So I'm part of this amy 395 00:24:15,920 --> 00:24:18,080 Speaker 1: why do you say you shouldn't be because I think 396 00:24:18,119 --> 00:24:20,760 Speaker 1: embraced the gray. We're not thinking anything about it. In fact, 397 00:24:21,080 --> 00:24:23,879 Speaker 1: I don't want to hurt anybody's feelings that uses the 398 00:24:24,040 --> 00:24:27,000 Speaker 1: just for men or colors their beard or whatever, because 399 00:24:27,040 --> 00:24:29,040 Speaker 1: if that's what you want to do, that's fine, But 400 00:24:29,200 --> 00:24:33,280 Speaker 1: I personally I'm not a fan of that, like if 401 00:24:34,280 --> 00:24:36,520 Speaker 1: like my husband's brought it up a couple times because 402 00:24:36,560 --> 00:24:38,040 Speaker 1: he's very gray in his beard, and he's like, I 403 00:24:38,080 --> 00:24:40,320 Speaker 1: don't know, I see some guys color it and I 404 00:24:40,480 --> 00:24:43,359 Speaker 1: have to stop him. No, please don't. I would not 405 00:24:43,440 --> 00:24:45,879 Speaker 1: be attracted to that. If I have to shoot anything 406 00:24:45,880 --> 00:24:47,600 Speaker 1: at all, I'll take the little toothbrush and I'll have 407 00:24:47,680 --> 00:24:50,320 Speaker 1: little patches because mine's not even like gray in a 408 00:24:50,359 --> 00:24:52,480 Speaker 1: good way. Yeah, if I could just be like Santa Claus. 409 00:24:52,720 --> 00:24:54,280 Speaker 1: But I will like and I don't keep a beard 410 00:24:54,320 --> 00:24:56,240 Speaker 1: almost ever, but I will color over the top of 411 00:24:56,280 --> 00:24:58,399 Speaker 1: that those little spots with that stuff. It's not just 412 00:24:58,480 --> 00:24:59,760 Speaker 1: for men. I don't know what. It's some weird s 413 00:25:00,840 --> 00:25:03,600 Speaker 1: and you do it, but then it's out in like 414 00:25:03,760 --> 00:25:06,160 Speaker 1: forty five minutes. So I feel like I should get 415 00:25:06,160 --> 00:25:08,200 Speaker 1: better spray. That's the point of this. Yeah, it's but 416 00:25:08,359 --> 00:25:11,240 Speaker 1: I I don't like the gray lunchbox. I don't mind 417 00:25:11,320 --> 00:25:12,960 Speaker 1: the gray like I got it in my beard, getting 418 00:25:12,960 --> 00:25:15,000 Speaker 1: a little bit on my side burns. It's like, hey, 419 00:25:15,359 --> 00:25:17,840 Speaker 1: I'm gray. Whatever, I shave it it, it's not gray. Cool. 420 00:25:18,119 --> 00:25:21,240 Speaker 1: I'm not gonna color it, Eddie. What's crazy is I 421 00:25:21,359 --> 00:25:23,439 Speaker 1: think that I should be getting gray in my hair, 422 00:25:23,560 --> 00:25:25,720 Speaker 1: but I'm not like my hair. Oh that you don't 423 00:25:25,760 --> 00:25:27,959 Speaker 1: have hair, You guys will have plenty of hair right 424 00:25:28,000 --> 00:25:29,680 Speaker 1: above my ear. I just don't have it on top 425 00:25:29,720 --> 00:25:31,919 Speaker 1: of my hair, right. But but even it shows up 426 00:25:31,960 --> 00:25:34,480 Speaker 1: in facial hair, hair first, and you don't have it 427 00:25:34,560 --> 00:25:36,520 Speaker 1: in your face at all. Yes, he does, look at 428 00:25:36,560 --> 00:25:39,080 Speaker 1: his face. That's been alego, dude, if I shave, if 429 00:25:39,119 --> 00:25:43,879 Speaker 1: I should sew his mind, mind's been alegoo. Yeah, I 430 00:25:43,960 --> 00:25:46,280 Speaker 1: called it alego. Yes, that's what it is, like calling 431 00:25:46,320 --> 00:25:48,200 Speaker 1: shotgun first first, I calls it, gets to have it. No, 432 00:25:48,400 --> 00:25:51,359 Speaker 1: it is what it is. Wedding workers share signs at 433 00:25:51,359 --> 00:25:53,480 Speaker 1: a wedding is doomed. Here are the top five. Number 434 00:25:53,520 --> 00:25:56,160 Speaker 1: one when a wedding is planned by the groom's mother. 435 00:25:57,600 --> 00:26:00,639 Speaker 1: Number two when one person doesn't care at all about 436 00:26:00,640 --> 00:26:04,520 Speaker 1: photos the whole day. Number three when they care more 437 00:26:04,560 --> 00:26:08,240 Speaker 1: about the party element of it. Number four when the 438 00:26:08,320 --> 00:26:13,080 Speaker 1: wedding cost supersedes their income. Yeah, that's a tough one, 439 00:26:13,520 --> 00:26:15,240 Speaker 1: and I can see where that one can get out atrol. 440 00:26:15,320 --> 00:26:17,080 Speaker 1: I don't know that that's doomed, though, I think that 441 00:26:17,640 --> 00:26:20,359 Speaker 1: we're pressured to do that. Although Amy, I'll say this. 442 00:26:20,400 --> 00:26:22,600 Speaker 1: I had a friend who is getting married and here's like, 443 00:26:22,600 --> 00:26:24,760 Speaker 1: I can't getting married on this day. I'm gonna send 444 00:26:24,880 --> 00:26:29,480 Speaker 1: your invitation evite. And I was like, that's so cool. Yeah, 445 00:26:29,520 --> 00:26:30,879 Speaker 1: I said, Amy, we was just talking about that on 446 00:26:30,960 --> 00:26:33,960 Speaker 1: the show, and invites the dumbest thing to spend money on, 447 00:26:35,080 --> 00:26:37,280 Speaker 1: like send him and so I was like, that's awesome. 448 00:26:37,640 --> 00:26:41,280 Speaker 1: So my first friend did that, who's sending an email invitation? 449 00:26:41,840 --> 00:26:45,800 Speaker 1: And then finally, when there are arguments about money on 450 00:26:45,920 --> 00:26:49,000 Speaker 1: the wedding day, which is weird, there's a bonus one 451 00:26:49,040 --> 00:26:50,879 Speaker 1: here when the groom dances more with his mom or 452 00:26:50,880 --> 00:26:56,520 Speaker 1: another woman than his wife. That's a tough one. A 453 00:26:56,640 --> 00:26:59,600 Speaker 1: doctor recommends a couple should always sleep alone in separate 454 00:26:59,680 --> 00:27:04,240 Speaker 1: bed Just your reaction from the headlining. I mean, I 455 00:27:04,400 --> 00:27:07,200 Speaker 1: also saw a headline this week that said you sleep 456 00:27:07,240 --> 00:27:09,040 Speaker 1: better when you've got someone next to you. So I'm 457 00:27:09,080 --> 00:27:12,800 Speaker 1: so confused. I don't know who to believe. M Well, 458 00:27:12,840 --> 00:27:14,960 Speaker 1: there's a popular doctor who's telling couples that should always 459 00:27:14,960 --> 00:27:18,080 Speaker 1: sleep alone and in separate beds. He is a doctor 460 00:27:18,119 --> 00:27:20,440 Speaker 1: and a lecture at this university. He says, your partner 461 00:27:20,560 --> 00:27:22,760 Speaker 1: making noise of moving around could keep you from getting 462 00:27:22,760 --> 00:27:24,719 Speaker 1: into the deepest sleep, which keeps you from hitting your 463 00:27:25,119 --> 00:27:27,760 Speaker 1: wellness goals or being as healthy as you can. So 464 00:27:27,880 --> 00:27:30,840 Speaker 1: it's not as much about loving the person, but it's 465 00:27:30,840 --> 00:27:33,760 Speaker 1: about understanding that you can love. But when it's time 466 00:27:33,800 --> 00:27:35,680 Speaker 1: to sleep, that is such an important time for your 467 00:27:35,720 --> 00:27:39,800 Speaker 1: body to fix itself, to heal itself, to get ready 468 00:27:39,840 --> 00:27:41,520 Speaker 1: for the next day. That if your partner has anything 469 00:27:41,520 --> 00:27:43,920 Speaker 1: at all where your elbow and yelling, talking, snoring, it's 470 00:27:44,000 --> 00:27:47,080 Speaker 1: keeping you awake and you're not at your ultimate health. 471 00:27:47,960 --> 00:27:50,960 Speaker 1: So I completely understand this. Our culture just tells us 472 00:27:50,960 --> 00:27:52,440 Speaker 1: we need to live next to our person, or like 473 00:27:52,520 --> 00:27:54,080 Speaker 1: being in bed next to our person, right, you know, 474 00:27:54,119 --> 00:27:57,080 Speaker 1: I think the fifties had it right, two beds, same room, 475 00:27:57,320 --> 00:28:01,199 Speaker 1: right next right, noady bunch in the Monsters, So I'll 476 00:28:01,200 --> 00:28:05,200 Speaker 1: believe it. That's from lad Bible. Yep, Amy if it 477 00:28:05,280 --> 00:28:07,560 Speaker 1: was on the Monsters, I believe it. Okay, Okay, And 478 00:28:07,640 --> 00:28:09,200 Speaker 1: I'll end with this one as we're just kind of 479 00:28:10,119 --> 00:28:13,080 Speaker 1: chopping it up as Scuba Steve would say. Teachers in 480 00:28:13,160 --> 00:28:16,040 Speaker 1: Ohio can now carry guns within twenty four hours of training. 481 00:28:16,880 --> 00:28:18,480 Speaker 1: Now I'm gonna tell you why it's a terrible idea 482 00:28:18,600 --> 00:28:22,040 Speaker 1: right here, listen, And this isn't even to the should 483 00:28:22,080 --> 00:28:26,399 Speaker 1: teachers be able to have guns conversation, So this is 484 00:28:26,480 --> 00:28:28,960 Speaker 1: to the nobody should have a gun after twenty just 485 00:28:29,040 --> 00:28:32,840 Speaker 1: twenty four hours of training and be around kids. If 486 00:28:33,119 --> 00:28:36,720 Speaker 1: the if it's voted on and our lawmakers say our 487 00:28:36,800 --> 00:28:38,560 Speaker 1: teachers are going to be able to have guns if 488 00:28:38,600 --> 00:28:40,080 Speaker 1: they like, but they need to go through a ninety 489 00:28:40,160 --> 00:28:43,280 Speaker 1: day class of then if that is what we decide, 490 00:28:43,720 --> 00:28:47,160 Speaker 1: let's go great. If we're gonna arm folks, they need training, 491 00:28:47,960 --> 00:28:52,680 Speaker 1: not twenty four hours, not kids with around kids, Because 492 00:28:52,720 --> 00:28:54,480 Speaker 1: what's gonna happen is, which is twenty four hours training. 493 00:28:54,520 --> 00:28:55,960 Speaker 1: You grab that gun, it's made doing something bad. You're 494 00:28:55,960 --> 00:28:58,040 Speaker 1: gonna shoot a kid by accident because you're not gonna 495 00:28:58,040 --> 00:29:01,800 Speaker 1: have enough training on the gun. My mind is blown. 496 00:29:03,120 --> 00:29:05,600 Speaker 1: Twenty four hours training and they want you to have 497 00:29:05,680 --> 00:29:08,000 Speaker 1: a gun in a classroom with kids, You're out of 498 00:29:08,040 --> 00:29:11,680 Speaker 1: your mind. Local school boards in Ohio have been able 499 00:29:11,720 --> 00:29:14,840 Speaker 1: to give the okay. A new law signed by the 500 00:29:14,880 --> 00:29:16,920 Speaker 1: governor on Monday just made a significant change in training 501 00:29:16,960 --> 00:29:18,840 Speaker 1: requirements to do so, knocking down the number of training 502 00:29:18,880 --> 00:29:22,040 Speaker 1: hours needed to just twenty four Oh my gosh, that's crazy. 503 00:29:22,520 --> 00:29:25,560 Speaker 1: That is wild to me crazy. I'm not even anti 504 00:29:25,800 --> 00:29:29,480 Speaker 1: people that should specific people like a air marshal that 505 00:29:29,560 --> 00:29:32,080 Speaker 1: has a gun in an airplane, like in school. Maybe 506 00:29:32,120 --> 00:29:34,640 Speaker 1: there's a few teachers that have been extra trained that 507 00:29:35,640 --> 00:29:37,360 Speaker 1: I don't know. I don't how to fix it, but 508 00:29:37,480 --> 00:29:39,360 Speaker 1: I know what is not going to fix it, and 509 00:29:39,440 --> 00:29:41,280 Speaker 1: it's telling people, what, twenty four hours of training that 510 00:29:41,360 --> 00:29:43,120 Speaker 1: they can have a gun around kids. Yeah, no, if 511 00:29:43,160 --> 00:29:44,920 Speaker 1: that's all they have, well I don't know what else 512 00:29:44,960 --> 00:29:46,840 Speaker 1: has to go into it because I don't know. I'm like, 513 00:29:46,960 --> 00:29:48,920 Speaker 1: surely we don't know every diesel here because this seems 514 00:29:48,960 --> 00:29:51,000 Speaker 1: bonkers to me. But when I did my concealed carry 515 00:29:51,040 --> 00:29:53,760 Speaker 1: class in North Carolina, I was in classes all week 516 00:29:54,000 --> 00:29:56,880 Speaker 1: and then I still honestly didn't feel very equipped like 517 00:29:56,960 --> 00:30:00,400 Speaker 1: I was. I was a little nervous. I took the 518 00:30:00,560 --> 00:30:05,040 Speaker 1: test and I passed, But I thought I always wanted 519 00:30:05,080 --> 00:30:09,920 Speaker 1: to demand more training for myself. Oh that's a wild story. Yeah, 520 00:30:10,080 --> 00:30:13,480 Speaker 1: it's crazy to me. We're living crazy times. Oh yeah, yeah, 521 00:30:14,960 --> 00:30:17,800 Speaker 1: all right, don't miss one. Everybody's playing at Amy lunchbox. Eddie, 522 00:30:18,400 --> 00:30:21,760 Speaker 1: write your answer down. You only have seven seconds to 523 00:30:21,800 --> 00:30:25,320 Speaker 1: write your answer down. Okay, I'm gonna play you one 524 00:30:25,400 --> 00:30:28,840 Speaker 1: line from a movie. This is very easy. Just name 525 00:30:28,920 --> 00:30:31,960 Speaker 1: the movie. After I play. At the second time the 526 00:30:32,080 --> 00:30:39,200 Speaker 1: timer starts. Here we go. Nobody puts baby in a corner, 527 00:30:39,720 --> 00:30:44,880 Speaker 1: all right, here it is again. All right, seven seconds 528 00:30:44,920 --> 00:30:49,840 Speaker 1: on the clock. Looks like everybody's in. Yeah, all right, 529 00:30:50,400 --> 00:30:54,920 Speaker 1: you guys can all say at one, two three, Good job, 530 00:30:55,000 --> 00:30:58,400 Speaker 1: you're all moving on to number two. Number two, Here 531 00:30:58,480 --> 00:31:03,520 Speaker 1: we go. You had me at hello. Little emotion there, 532 00:31:04,600 --> 00:31:07,120 Speaker 1: you had me at hello. One more time, please, you 533 00:31:07,280 --> 00:31:14,320 Speaker 1: had me at hello. Seven seconds started. Oh, everybody looks strong. 534 00:31:14,880 --> 00:31:17,640 Speaker 1: They raised their heads up quick. They're okay, all right 535 00:31:17,680 --> 00:31:22,960 Speaker 1: on the count of three, one two, three, good job, everybody. 536 00:31:24,920 --> 00:31:27,440 Speaker 1: All right, let's turn it up a little bit. Number three. 537 00:31:27,880 --> 00:31:36,360 Speaker 1: I feel the need made first. Mm hm. Write that 538 00:31:36,440 --> 00:31:44,760 Speaker 1: one down. Hit it again. I feel the need made first. Good. 539 00:31:44,840 --> 00:31:49,800 Speaker 1: Everybody feel pretty good. Yeah, really got it? Oh, lunchbox 540 00:31:49,880 --> 00:31:51,840 Speaker 1: not so sure, So let's go to him first, lunchbox, 541 00:31:51,880 --> 00:31:55,400 Speaker 1: what do you have? I'll put top gun? Amy, What 542 00:31:55,440 --> 00:31:58,520 Speaker 1: do you have? Top gun? Eddie? Top gun? Correct, You're 543 00:31:58,520 --> 00:32:03,280 Speaker 1: all good, Moving on. It was too obvious. Number four go. 544 00:32:03,960 --> 00:32:07,360 Speaker 1: I will look for you, I will find you, and 545 00:32:07,560 --> 00:32:13,160 Speaker 1: I will kill you. M hmm. Here it is one 546 00:32:13,200 --> 00:32:15,920 Speaker 1: more time. I will look for you, I will find you, 547 00:32:17,320 --> 00:32:24,480 Speaker 1: and I will kill you. That's not saving dorry finding email. 548 00:32:27,360 --> 00:32:31,800 Speaker 1: All right, everybody feel like they got it, No problem, okay, one, 549 00:32:32,200 --> 00:32:37,480 Speaker 1: two three? Wait did everybody say taken? Yeah? Okay, I 550 00:32:37,560 --> 00:32:40,600 Speaker 1: just said in a deep voice, like Liam, confuse me. 551 00:32:40,640 --> 00:32:42,320 Speaker 1: I thought there was some really masculine person in the group. 552 00:32:42,360 --> 00:32:43,720 Speaker 1: All of a sudden, boy, all right, here we go. 553 00:32:43,880 --> 00:32:48,280 Speaker 1: Next up, So you're telling me there's a chance. Yeah, 554 00:32:53,560 --> 00:32:56,200 Speaker 1: So you're telling me there's a chance. One more. So 555 00:32:56,400 --> 00:33:04,880 Speaker 1: you're telling me there's a chance. Yeah. Oh shoot, oh oh, 556 00:33:06,080 --> 00:33:08,840 Speaker 1: problem got to go to Amy first. Amy. What's your answer? Oh? 557 00:33:09,160 --> 00:33:12,360 Speaker 1: I wrote down Dumb and Dummer, but I just wonder. 558 00:33:12,520 --> 00:33:16,000 Speaker 1: It's dumb and Dumber. Okay, ed Dumber one of the 559 00:33:16,600 --> 00:33:22,600 Speaker 1: best movies of all Next up, number six, Houston, We 560 00:33:22,720 --> 00:33:28,640 Speaker 1: have a problem. M That one got you going? Or 561 00:33:28,720 --> 00:33:37,840 Speaker 1: one Houston, we have a problem. All right? They feel good? 562 00:33:37,880 --> 00:33:42,080 Speaker 1: Oh yeah, one, two, three, thirteen, Hey, lunch Bucks is 563 00:33:42,080 --> 00:33:44,680 Speaker 1: not answered thirteen at all? No, what do you have 564 00:33:44,760 --> 00:33:49,400 Speaker 1: on your paper? Have a followed thirteen? I? I I thirteen. 565 00:33:49,560 --> 00:33:51,280 Speaker 1: I blink when you said everybody at the same time, 566 00:33:51,320 --> 00:33:53,960 Speaker 1: I was waiting around. But we do that every time. No, 567 00:33:54,080 --> 00:33:55,720 Speaker 1: we didn't. We didn't do it with Dumb and Dumber. 568 00:33:55,800 --> 00:33:57,840 Speaker 1: That's one most time. But we only don't do that 569 00:33:57,920 --> 00:34:00,200 Speaker 1: if someone's like but dumb and dumber was the one. 570 00:34:00,240 --> 00:34:08,480 Speaker 1: Here we go next? What up? Oh my gosh, what 571 00:34:08,960 --> 00:34:22,080 Speaker 1: you don't like that? One more time? All right? Everybody 572 00:34:22,120 --> 00:34:24,160 Speaker 1: pins down, Amy, I'm gonna go to your first field 573 00:34:24,200 --> 00:34:28,200 Speaker 1: of dreams, Eddie, Field of dreams, lunchbox, field of dreams. 574 00:34:28,520 --> 00:34:31,480 Speaker 1: Nice job, Okay, okay, okay, we're moving next. One number eight? 575 00:34:32,160 --> 00:34:39,279 Speaker 1: What like it's hard? It's one more time? What like 576 00:34:39,360 --> 00:34:46,360 Speaker 1: it's hard? Oh? Man, so we have If you build it, 577 00:34:46,400 --> 00:34:48,920 Speaker 1: he will come and then what like it's hard? All right? 578 00:34:49,160 --> 00:34:54,040 Speaker 1: Stupid name of that movie? Oh my god, think Amy's 579 00:34:54,080 --> 00:34:56,800 Speaker 1: got it too. No, she has it and it's so easy. 580 00:34:58,880 --> 00:35:02,200 Speaker 1: What is it called? What is it called? Bobby, He's 581 00:35:02,200 --> 00:35:05,040 Speaker 1: not gonna tell you, gosh, tell me the name of 582 00:35:05,160 --> 00:35:09,840 Speaker 1: the movie. Oh my goodness, what is yelling it? I'm scared. 583 00:35:10,200 --> 00:35:13,640 Speaker 1: This is so dumb. Scuba stat I need you in here. Wait, 584 00:35:13,920 --> 00:35:17,680 Speaker 1: someone tell me what it is called? Time? Need an answer? Lunchbox. 585 00:35:17,960 --> 00:35:20,840 Speaker 1: The girl's name is l Wood. She goes to laws 586 00:35:20,960 --> 00:35:29,000 Speaker 1: time correct Eddie legally blonde? Correct? Yeah, gets into Harvard 587 00:35:29,080 --> 00:35:32,440 Speaker 1: and Amy need an answer? Like what it's hard? Legally blonds? 588 00:35:32,560 --> 00:35:35,200 Speaker 1: Is whatever? Ok? Yeah? Anymore like extra you can get 589 00:35:35,239 --> 00:35:37,480 Speaker 1: the buzzer. This is speed. Okay, we don't need it. 590 00:35:37,520 --> 00:35:41,600 Speaker 1: We don't need whole dissertations from the movies. Okay, are 591 00:35:41,640 --> 00:35:44,800 Speaker 1: here we go? Number nine? This one time. I thank you. 592 00:35:45,960 --> 00:35:50,560 Speaker 1: M he knows for sure. I got that one on repeat. 593 00:35:50,760 --> 00:35:54,800 Speaker 1: But lunch it out though. Oh it's easy. Yeah, you 594 00:35:54,840 --> 00:35:59,520 Speaker 1: miss it. It's it's easy. You're out. It wasn't easy. No, 595 00:35:59,600 --> 00:36:01,640 Speaker 1: if the aimes easy, you're out. If you miss one. 596 00:36:02,640 --> 00:36:07,160 Speaker 1: All right, Amy, American Pie, Eddie, American Pie. Good next one. 597 00:36:08,280 --> 00:36:19,000 Speaker 1: You can't handle the truth and flame Eddie? A few 598 00:36:19,080 --> 00:36:23,919 Speaker 1: good men, Amy, A few good men. Good. Next one road, 599 00:36:24,800 --> 00:36:35,319 Speaker 1: but we're going. We don't leave road. One more time. Road, 600 00:36:36,160 --> 00:36:42,520 Speaker 1: but we're going. We don't leave road. Amy, you got it? Yeah, Amy, 601 00:36:42,719 --> 00:36:46,440 Speaker 1: Back to the future, Eddie, back to the future. Good next, 602 00:36:47,160 --> 00:36:54,239 Speaker 1: I'll have what she's having. Oh oh oh oh, I'm 603 00:36:54,360 --> 00:36:58,520 Speaker 1: in and Amy. When Harry met Sally, Eddie, when Harry 604 00:36:58,560 --> 00:37:04,440 Speaker 1: met Sally. Wow, all right, last one, go frankly, my hear. 605 00:37:04,520 --> 00:37:12,600 Speaker 1: I don't give a damn one more time, Please dang it, Frankly, 606 00:37:12,719 --> 00:37:18,520 Speaker 1: my dear, I don't give a damn. I'm in am No, 607 00:37:18,719 --> 00:37:21,440 Speaker 1: not yet, hold on, we only get seven seconds I'm 608 00:37:21,440 --> 00:37:24,120 Speaker 1: gonna give you three for right now. Don't yelling him. Frankly, 609 00:37:24,200 --> 00:37:29,640 Speaker 1: my dear, I don't give from Eddie's era, Amy, what 610 00:37:29,680 --> 00:37:34,360 Speaker 1: do you have Clark Gable in curs bona? I don't know, 611 00:37:34,440 --> 00:37:37,919 Speaker 1: it's not think of it, Dane. What's the name Eddie 612 00:37:38,120 --> 00:37:51,120 Speaker 1: Clark Gable? And gone with that's correcting on the well Eddie, 613 00:37:51,160 --> 00:37:53,080 Speaker 1: you win again? What can I say? What do you 614 00:37:53,160 --> 00:37:56,600 Speaker 1: say about that's a good showing or anything you did? 615 00:37:56,640 --> 00:37:58,200 Speaker 1: Put up a good showing. But a good showing is 616 00:37:58,239 --> 00:38:00,200 Speaker 1: what it is, just a showing Eddie one? Well, he 617 00:38:00,280 --> 00:38:02,880 Speaker 1: won with the movie from the nineteen twenty movies, A 618 00:38:02,920 --> 00:38:09,480 Speaker 1: movie movies, a movie watch Yesterday for fun. You're a 619 00:38:09,520 --> 00:38:12,759 Speaker 1: Amy's pile of stories. This is crazy. Don't quote me 620 00:38:12,840 --> 00:38:16,360 Speaker 1: on it. But China is spying on us. Three coffee makers, 621 00:38:17,640 --> 00:38:19,919 Speaker 1: Well one I will quote you on him, and two 622 00:38:20,920 --> 00:38:23,880 Speaker 1: yeah it's crazy, and three yeah, I'll believe it. Anything 623 00:38:23,920 --> 00:38:26,759 Speaker 1: that has a camera and you're probably watching us. I mean, well, 624 00:38:26,960 --> 00:38:30,080 Speaker 1: coffeemakers don't typically have a cameras, but they're putting devices 625 00:38:30,120 --> 00:38:33,560 Speaker 1: in different types of electronics and things that are shipping 626 00:38:33,600 --> 00:38:36,719 Speaker 1: from China to hear, such as coffee makers and it's 627 00:38:36,800 --> 00:38:39,359 Speaker 1: ways for them pick up information on Americans. Why can't 628 00:38:39,400 --> 00:38:40,440 Speaker 1: we quote you on it though you just said it 629 00:38:40,440 --> 00:38:42,440 Speaker 1: on a national radio. I don't know, just because it 630 00:38:42,600 --> 00:38:46,400 Speaker 1: sounds so bonkers. Well, people are worried about, Oh the vaccine. 631 00:38:46,400 --> 00:38:48,000 Speaker 1: I'm gonna have a chip in. They're gonna track me. 632 00:38:48,040 --> 00:38:51,759 Speaker 1: They are you doing it for your folgers? I feel 633 00:38:51,760 --> 00:38:55,360 Speaker 1: about that, buddy, mister coffee. Yeah, hey, Jethro, how you 634 00:38:55,440 --> 00:38:59,359 Speaker 1: feel about that? Oh? I got stuck on this one 635 00:38:59,440 --> 00:39:03,840 Speaker 1: thing on TikTok. My daughter is obsessed with anything anime 636 00:39:04,200 --> 00:39:08,279 Speaker 1: and different Korean culture, Asian culture, anything, and so that's 637 00:39:08,280 --> 00:39:09,680 Speaker 1: what shows up on my TikTok a lot. And I'm 638 00:39:09,680 --> 00:39:13,520 Speaker 1: starting to get ads from China too, And they have 639 00:39:13,640 --> 00:39:17,360 Speaker 1: the coolest stuff. Yeah, you should order it. Put in 640 00:39:17,440 --> 00:39:18,839 Speaker 1: your house, put it right next to year bed. When 641 00:39:18,880 --> 00:39:21,719 Speaker 1: you're telling your secrets. I don't even realize I'm watching 642 00:39:21,760 --> 00:39:24,600 Speaker 1: an entire TikTok that's basically one huge ad for all 643 00:39:24,640 --> 00:39:27,359 Speaker 1: these amazing products from China, and I'm about to order 644 00:39:27,400 --> 00:39:29,239 Speaker 1: them all. And then I see this headline that that's 645 00:39:29,239 --> 00:39:31,080 Speaker 1: how they're going to spy on us. Well, it probably 646 00:39:31,080 --> 00:39:32,839 Speaker 1: already are spying on us, but Okay, what else you get? 647 00:39:33,239 --> 00:39:36,120 Speaker 1: I have foods that you can safely eat after their 648 00:39:36,200 --> 00:39:38,800 Speaker 1: best buy date, And I think that's just helpful to 649 00:39:38,960 --> 00:39:41,080 Speaker 1: hear from time to time, especially when you're cleaning out 650 00:39:41,120 --> 00:39:42,960 Speaker 1: your fridge. Like I'm one, I see the date and 651 00:39:43,040 --> 00:39:44,880 Speaker 1: I freak out and I toss it. But we do 652 00:39:45,040 --> 00:39:47,560 Speaker 1: not need to be wasting food like that. Okay, the 653 00:39:47,640 --> 00:39:49,800 Speaker 1: foods that we don't have to worry about dying of poison, 654 00:39:49,920 --> 00:39:54,680 Speaker 1: go ahead, right, So pasta apparently it is perfectly safe 655 00:39:54,760 --> 00:39:57,560 Speaker 1: to eat it two years after the date on the box. 656 00:39:57,719 --> 00:40:03,160 Speaker 1: That's good news. Two years sounds like a lot. I mean, honest, milk, 657 00:40:03,600 --> 00:40:06,680 Speaker 1: all that really needs to do is past the sniff test. 658 00:40:07,440 --> 00:40:09,120 Speaker 1: Like you can look at the date, but as long 659 00:40:09,200 --> 00:40:11,640 Speaker 1: as you open up and smell it and it's fine, 660 00:40:12,000 --> 00:40:14,759 Speaker 1: then you should be good to go. Okay, they say 661 00:40:14,800 --> 00:40:19,600 Speaker 1: it's good. It's okay normally for a week after the date. Yeah, 662 00:40:19,680 --> 00:40:22,759 Speaker 1: that's tough. I don't know that I subscribe to this segment, 663 00:40:22,800 --> 00:40:24,359 Speaker 1: but I'm gonna let you finish it out because I'm 664 00:40:24,400 --> 00:40:27,120 Speaker 1: not waiting two years to eat anything anything. But you 665 00:40:27,160 --> 00:40:28,520 Speaker 1: know what I like to say here in this segment, 666 00:40:28,680 --> 00:40:33,000 Speaker 1: don't Yeah, eggs that you can almost ignore the date 667 00:40:33,040 --> 00:40:35,040 Speaker 1: because they're good for weeks longer than that. And if 668 00:40:35,040 --> 00:40:37,480 Speaker 1: you're really worried, try to float test. If an egg 669 00:40:37,680 --> 00:40:41,560 Speaker 1: floats in water, throw it away. If I've got to 670 00:40:41,600 --> 00:40:43,080 Speaker 1: float in the egg to see if I'm gonna eat it, 671 00:40:43,120 --> 00:40:44,480 Speaker 1: I'm not gonna eat it. If I got to go 672 00:40:44,560 --> 00:40:47,480 Speaker 1: through all, oh no, no, I'm good. I don't like 673 00:40:47,560 --> 00:40:51,160 Speaker 1: to say I don't. I'm weird about my food anyway. Well, 674 00:40:51,239 --> 00:40:53,239 Speaker 1: I have floated eggs before to test it out, because 675 00:40:53,239 --> 00:40:55,560 Speaker 1: I got one of those cute little egg containers from 676 00:40:55,600 --> 00:40:57,560 Speaker 1: my refrigerators. So my eggs look pretty and I take 677 00:40:57,560 --> 00:40:59,560 Speaker 1: them out of the carton and then I forget the date. 678 00:41:00,120 --> 00:41:02,319 Speaker 1: So there's been times where I've wondered, m I don't 679 00:41:02,360 --> 00:41:04,640 Speaker 1: know how long it's been in my cute container. So 680 00:41:04,840 --> 00:41:06,640 Speaker 1: I've put it in a bowl of water to see 681 00:41:06,640 --> 00:41:08,759 Speaker 1: if it floats and it works. I'll tell you I'm 682 00:41:08,760 --> 00:41:10,560 Speaker 1: a bit of a hypocrite because I have scraped off 683 00:41:10,640 --> 00:41:13,239 Speaker 1: green off of bread up like wonderbread white bread before 684 00:41:13,400 --> 00:41:15,880 Speaker 1: and then been like, well, not moldy anymore. But at 685 00:41:15,960 --> 00:41:18,000 Speaker 1: least I scraped it off, you know, I didn't have 686 00:41:18,040 --> 00:41:21,440 Speaker 1: to float it floating and I'm glad you said that, 687 00:41:21,600 --> 00:41:23,920 Speaker 1: because that's what you can do with bread and cheese. 688 00:41:24,320 --> 00:41:26,600 Speaker 1: If there's mold on it, you just cut off where 689 00:41:26,600 --> 00:41:30,040 Speaker 1: the mold is and you can eat the rest. I 690 00:41:30,200 --> 00:41:33,120 Speaker 1: know it still sounds gross, but yes, all right, this segment, 691 00:41:33,280 --> 00:41:35,000 Speaker 1: this arly's making me feel a little queasy. We have 692 00:41:35,040 --> 00:41:37,839 Speaker 1: anything else that's not food related? Yes, So I'll move 693 00:41:37,920 --> 00:41:41,160 Speaker 1: on to Carrie Underwood talking about how her kids have 694 00:41:41,600 --> 00:41:44,880 Speaker 1: terrible taste in music. She actually dreads being in the 695 00:41:44,960 --> 00:41:47,440 Speaker 1: car with them because they make her play songs like 696 00:41:47,640 --> 00:41:50,480 Speaker 1: from you know, like Power Rangers theme song. Noah, this 697 00:41:50,560 --> 00:41:53,080 Speaker 1: is pretty good. Now. I liked about Power Rangers, same song, 698 00:41:53,120 --> 00:41:55,839 Speaker 1: that's pretty good. I saw her. One of these guys 699 00:41:55,880 --> 00:41:58,479 Speaker 1: went to jail recently for like extorting money or something. 700 00:41:59,640 --> 00:42:02,000 Speaker 1: One of the color Yeah guys, you know they're not real, right, 701 00:42:02,000 --> 00:42:07,040 Speaker 1: I mean, that's it's accurate. I went to a retreat 702 00:42:07,200 --> 00:42:10,920 Speaker 1: once a few years ago and one of the girls 703 00:42:11,040 --> 00:42:15,879 Speaker 1: that was there played Pink Power Ranger or something. Really yeah, yeah, 704 00:42:15,920 --> 00:42:17,319 Speaker 1: she was really cool that and there was the Red 705 00:42:17,360 --> 00:42:21,520 Speaker 1: Power Ranger. He's facing twenty years in prison for COVID fraud. Damn, God, 706 00:42:22,800 --> 00:42:24,440 Speaker 1: get all your buddies to make a big machine and 707 00:42:24,520 --> 00:42:27,520 Speaker 1: fight the government. Now, buddy, here's you going to jail 708 00:42:28,200 --> 00:42:30,439 Speaker 1: or anything else? Ammy? From that story? What other songs 709 00:42:30,520 --> 00:42:34,120 Speaker 1: just carry hate? Oh? They also always want to listen 710 00:42:34,160 --> 00:42:40,840 Speaker 1: to the teenage U Ninja song. Yeah, it's awesome. Be 711 00:42:40,960 --> 00:42:44,560 Speaker 1: our kids rock. I'll say, Carry's kids rock? All right? 712 00:42:44,760 --> 00:42:48,279 Speaker 1: Is that it? Ammy? I'm Amy. That's my vial. That 713 00:42:48,719 --> 00:42:52,160 Speaker 1: was Amy's pile of stories. It's time for the good news. 714 00:42:57,160 --> 00:42:59,879 Speaker 1: There's this family in Ohio, the Kahan family, and they've 715 00:43:00,200 --> 00:43:03,560 Speaker 1: able to go on family feud a couple of times 716 00:43:03,840 --> 00:43:08,600 Speaker 1: and they won more than forty thousand dollars just playing 717 00:43:08,640 --> 00:43:11,120 Speaker 1: family feud with their family. They decided that they were 718 00:43:11,160 --> 00:43:13,200 Speaker 1: going to take twenty thousand of it and gifted to 719 00:43:13,280 --> 00:43:17,400 Speaker 1: their kids. Then the other twenty thousand they donated to 720 00:43:17,520 --> 00:43:20,480 Speaker 1: people in their community. Wow. Yeah, they gave the money 721 00:43:20,480 --> 00:43:23,320 Speaker 1: away straight up. Yeah. They said, in the end, everything 722 00:43:23,440 --> 00:43:25,640 Speaker 1: was a big victory for us. Our family had a 723 00:43:25,680 --> 00:43:28,480 Speaker 1: blasping on TV. Our kids ended up getting you know, 724 00:43:28,520 --> 00:43:31,759 Speaker 1: a few thousand bucks, and they were also able to 725 00:43:31,840 --> 00:43:34,640 Speaker 1: help those less fortunate in their community. You know, one 726 00:43:34,640 --> 00:43:37,040 Speaker 1: of my biggest regrets in life is not winning family Feud. 727 00:43:37,760 --> 00:43:39,719 Speaker 1: We went on that show and embarrassed ourselves. Let's be honest, 728 00:43:41,480 --> 00:43:44,279 Speaker 1: it's pretty sad. It's pretty sad. Steve Harvey and Amy 729 00:43:44,360 --> 00:43:45,880 Speaker 1: tried to fight Steve Harvey on stage. It is a 730 00:43:45,960 --> 00:43:50,239 Speaker 1: whole situation. Yeah. If we went on Celebrity Family Feud 731 00:43:50,280 --> 00:43:52,600 Speaker 1: and they said Bobby could bring up anybody alike. And 732 00:43:52,719 --> 00:43:55,439 Speaker 1: at the time, I wasn't married, didn't even know my wife, 733 00:43:55,480 --> 00:43:57,120 Speaker 1: so I don't really have family. And I was like, well, 734 00:43:57,160 --> 00:43:59,319 Speaker 1: the close thing to families the show. So I took 735 00:43:59,360 --> 00:44:04,120 Speaker 1: Amy and Lunchbox and John Party who's a close dear friend, 736 00:44:04,160 --> 00:44:07,480 Speaker 1: and Lauren Elena and we went up and got dominated 737 00:44:07,800 --> 00:44:09,640 Speaker 1: by and they even said you can pick your the 738 00:44:09,680 --> 00:44:11,920 Speaker 1: people you play against, and I said, well, I'll call 739 00:44:11,960 --> 00:44:14,640 Speaker 1: one of my best friends, Andy Roddick, a former professional 740 00:44:14,680 --> 00:44:16,719 Speaker 1: tennis player number one in the world, and he came 741 00:44:16,840 --> 00:44:18,879 Speaker 1: up and I was like, well, this will be easiest 742 00:44:18,920 --> 00:44:24,680 Speaker 1: pie and we got dominated. So that didn't tell me 743 00:44:24,760 --> 00:44:27,520 Speaker 1: something good, is it? No? That's what I mean. But 744 00:44:27,640 --> 00:44:29,440 Speaker 1: it was a fun time. It's so cool we got 745 00:44:29,480 --> 00:44:31,839 Speaker 1: to do that. I still have my name still, um, 746 00:44:32,239 --> 00:44:35,600 Speaker 1: oh my dog ain't mine. I'm so annoyed. I people 747 00:44:35,719 --> 00:44:37,960 Speaker 1: still it still plays. I guess. Oh they didn't stop that. 748 00:44:38,040 --> 00:44:40,920 Speaker 1: Now stop being showing that. Nope, Oh don't like that. 749 00:44:41,080 --> 00:44:44,239 Speaker 1: I'm assuming I see notes from time to time and 750 00:44:44,360 --> 00:44:46,600 Speaker 1: they're they're confused. They're like, kind of swore. I just 751 00:44:46,640 --> 00:44:48,799 Speaker 1: saw y'all on family for you the other night. Wasn't us. 752 00:44:49,200 --> 00:44:51,560 Speaker 1: It wasn't us. All right, thank you, Ammy. That's a 753 00:44:51,560 --> 00:44:53,600 Speaker 1: great story. Good for that family. That's what it's all about. 754 00:44:54,200 --> 00:44:55,640 Speaker 1: That was tell me something good.