1 00:00:06,400 --> 00:00:10,239 Speaker 1: In the morning show. All right, here we are. We're 2 00:00:10,240 --> 00:00:13,720 Speaker 1: in the new studios, or trying to like fee our 3 00:00:13,800 --> 00:00:17,800 Speaker 1: way around, and uh so far, So why are you 4 00:00:17,800 --> 00:00:22,920 Speaker 1: recording all this? Stop it? Why come here Ali Allie? 5 00:00:22,560 --> 00:00:25,319 Speaker 1: Why she needs content? Why are you recording all of 6 00:00:25,320 --> 00:00:28,080 Speaker 1: this stuff? I need content for the new studio. Well, 7 00:00:28,080 --> 00:00:32,040 Speaker 1: I know it's okay. Make sure you record all our 8 00:00:32,040 --> 00:00:36,120 Speaker 1: complaints we have. We have lots of complaints. I don't 9 00:00:36,120 --> 00:00:39,680 Speaker 1: know where to begin, all right, but I'm getting feedback 10 00:00:39,720 --> 00:00:41,800 Speaker 1: from friends who are listening saying we sound pretty good. 11 00:00:41,800 --> 00:00:43,839 Speaker 1: It's not that bad. No, I'm getting used to the 12 00:00:43,840 --> 00:00:46,239 Speaker 1: headphone sound too. That you're gonna get used to it. 13 00:00:46,240 --> 00:00:47,959 Speaker 1: You're gonna get used to it. And my knobby thing 14 00:00:48,000 --> 00:00:51,680 Speaker 1: over here, I'm sorry. So they've changed where our headphone 15 00:00:51,720 --> 00:00:54,440 Speaker 1: thing is. So in the old studio, my headphone volume 16 00:00:54,520 --> 00:00:56,360 Speaker 1: was on the right, so I keep going to the 17 00:00:56,440 --> 00:00:58,720 Speaker 1: right to adjust the volume and there's nothing there, So 18 00:00:58,760 --> 00:01:00,520 Speaker 1: now I have to go to the left. That was 19 00:01:00,560 --> 00:01:02,760 Speaker 1: my decision. Yeah, no, I actually asked for this because 20 00:01:02,800 --> 00:01:05,160 Speaker 1: I said I didn't realize in the old studio my 21 00:01:05,240 --> 00:01:09,120 Speaker 1: headphone wire crossed my body direction. Our headphone wire comes 22 00:01:09,120 --> 00:01:11,680 Speaker 1: out on the left. I didn't. Yeah, okay, so we 23 00:01:11,800 --> 00:01:15,440 Speaker 1: got that. So let's go around the room. Let's see 24 00:01:15,480 --> 00:01:18,240 Speaker 1: what's on your mind. It's now time for our very 25 00:01:18,240 --> 00:01:24,080 Speaker 1: first morning show family meeting. Why is the death? Musically? 26 00:01:26,400 --> 00:01:31,240 Speaker 1: The stuff needs to be fixed or there will be death. 27 00:01:33,400 --> 00:01:36,240 Speaker 1: You know, I'm kidding. Yeah, all right, So we'll start 28 00:01:36,240 --> 00:01:38,400 Speaker 1: with you, scary. You must have a list of complaints. 29 00:01:38,480 --> 00:01:40,000 Speaker 1: I thought we're gonna go around the room. I'll give 30 00:01:40,000 --> 00:01:43,319 Speaker 1: you one right now. Well, that's this is around the road. Okay, 31 00:01:42,560 --> 00:01:45,640 Speaker 1: here it starts here, it goes around the room. First 32 00:01:45,680 --> 00:01:49,480 Speaker 1: of all, everything is small. The buttons are so tiny 33 00:01:49,520 --> 00:01:53,640 Speaker 1: they're made for Barbie doll hands. The faders my fat fingers. 34 00:01:53,680 --> 00:01:55,920 Speaker 1: If I try and pull pull one of these faders up, 35 00:01:56,160 --> 00:01:58,640 Speaker 1: three of them go with it and I three buttons 36 00:01:58,640 --> 00:02:01,440 Speaker 1: get pushed and this is gonna cause a lot of trouble. 37 00:02:01,560 --> 00:02:03,800 Speaker 1: So that's my complaint number one. Okay, Well I don't 38 00:02:03,800 --> 00:02:05,760 Speaker 1: think that can be fixed. What else you have? Okay? 39 00:02:05,840 --> 00:02:09,280 Speaker 1: Number two? I'm still screaming and yelling twenty eight years 40 00:02:09,360 --> 00:02:12,920 Speaker 1: later into the microphone and I'm sharing it with you. 41 00:02:13,240 --> 00:02:16,600 Speaker 1: Everybody here has a microphone on the show except for me. 42 00:02:18,600 --> 00:02:20,800 Speaker 1: I don't know. I feel like, I don't care what 43 00:02:20,880 --> 00:02:26,520 Speaker 1: else is on your list. Nothing is late, nothing is labeled. Um, 44 00:02:26,560 --> 00:02:29,160 Speaker 1: I feel like things are done in engineer speak, like 45 00:02:29,280 --> 00:02:33,840 Speaker 1: I don't know what eeds underscore ASSV three is. So, 46 00:02:34,160 --> 00:02:37,079 Speaker 1: I mean, what are you seeing that? So here? These 47 00:02:37,160 --> 00:02:38,720 Speaker 1: all you can just you have to tell the people 48 00:02:38,720 --> 00:02:40,800 Speaker 1: who can't see. Okay, so what you're talking about? What 49 00:02:40,840 --> 00:02:44,760 Speaker 1: you're talking everything that we press like, um, let's see 50 00:02:44,880 --> 00:02:48,079 Speaker 1: um file number three from or whatever we call these 51 00:02:48,120 --> 00:02:51,720 Speaker 1: things the control room log they all have. Usually they 52 00:02:51,720 --> 00:02:55,240 Speaker 1: had to correspond ABCD with the buttons on the board ABCD. Ok, 53 00:02:56,320 --> 00:02:58,680 Speaker 1: you've lost everyone at this point. Yeah, I know what 54 00:02:58,680 --> 00:03:01,600 Speaker 1: you're saying. Do you know what I'm saying? Yeah, okay, okay, 55 00:03:01,680 --> 00:03:04,640 Speaker 1: Oh there's more. Oh there's more. I'm good for now. 56 00:03:06,000 --> 00:03:08,480 Speaker 1: Everything you just mentioned. We can't change any of it. No, 57 00:03:09,280 --> 00:03:12,720 Speaker 1: not aphone. I can get your microphone. We're not plugging 58 00:03:12,760 --> 00:03:17,240 Speaker 1: it in, but we'll get you. I'll take it. Okay, good, um, wow, 59 00:03:17,240 --> 00:03:21,360 Speaker 1: this media is going really well. Let's just start the music. 60 00:03:23,400 --> 00:03:26,240 Speaker 1: Music's back on. You see when I push stop, that 61 00:03:26,280 --> 00:03:28,440 Speaker 1: music should have stopped and gone back to the beginning. 62 00:03:28,639 --> 00:03:30,959 Speaker 1: That's also on my list. Well, then why didn't you 63 00:03:31,040 --> 00:03:34,280 Speaker 1: mention that that could be fixed. It should be. Jet's 64 00:03:34,320 --> 00:03:36,400 Speaker 1: working on it all right. By the way, Just for 65 00:03:36,400 --> 00:03:39,920 Speaker 1: the record, I love it when we change things, you 66 00:03:39,960 --> 00:03:42,400 Speaker 1: know me. Every time we've moved from studio A to 67 00:03:42,400 --> 00:03:47,880 Speaker 1: studio will be. I embrace the craziness. The cacophony is 68 00:03:47,920 --> 00:03:50,720 Speaker 1: that the word I know? I love it. I think 69 00:03:50,720 --> 00:03:53,160 Speaker 1: it's kind of fun. It's interesting, it makes you rethink things. 70 00:03:53,200 --> 00:03:55,080 Speaker 1: It it makes you build new bridges in your head. 71 00:03:55,720 --> 00:04:00,920 Speaker 1: Complaints their challenges, right, that's right. So with that said, 72 00:04:01,000 --> 00:04:03,160 Speaker 1: let's get the challenges from Gandhi. Ok what are your 73 00:04:03,240 --> 00:04:06,000 Speaker 1: challenges in the new studio? Some challenges. So we're supposed 74 00:04:06,040 --> 00:04:08,360 Speaker 1: to be in soundproof studios, and none of them are soundproof. 75 00:04:08,600 --> 00:04:11,240 Speaker 1: You can hear everything that everybody says everywhere, so just 76 00:04:11,320 --> 00:04:12,640 Speaker 1: keep that in mind. You will not be able to 77 00:04:12,640 --> 00:04:16,280 Speaker 1: tell secrets. Okay, it's pretty hot in the studio. My 78 00:04:16,400 --> 00:04:20,400 Speaker 1: biggest one is the people placing. So typically I can 79 00:04:20,480 --> 00:04:23,320 Speaker 1: kick Danielle under the desk if I want to. But 80 00:04:23,360 --> 00:04:26,120 Speaker 1: this is what happens. Now. What are you kicking? I 81 00:04:26,120 --> 00:04:28,640 Speaker 1: don't know, but it's not Danielle. You're kicking the furniture 82 00:04:28,800 --> 00:04:30,640 Speaker 1: someone hard. Now, when we want to give the look. 83 00:04:30,640 --> 00:04:32,719 Speaker 1: We're gonna have to text each other yes. Which is 84 00:04:32,720 --> 00:04:35,480 Speaker 1: the other thing because oftentimes I will shoot Scotty a look, 85 00:04:35,600 --> 00:04:37,279 Speaker 1: or I shoot Diamond a look, And now I see 86 00:04:37,279 --> 00:04:40,080 Speaker 1: they're strategically placed behind me. So I can't look at 87 00:04:40,080 --> 00:04:41,320 Speaker 1: any of them. But that's okay because I'm going to 88 00:04:41,360 --> 00:04:43,520 Speaker 1: bring in a mirror. Okay, still shoot them looks. Keep 89 00:04:43,520 --> 00:04:46,160 Speaker 1: in mind and people can't see this while listening to us. 90 00:04:46,160 --> 00:04:48,400 Speaker 1: We have a big round table here. If you want 91 00:04:48,400 --> 00:04:50,600 Speaker 1: to move over here, move over here. If you can 92 00:04:51,040 --> 00:04:53,040 Speaker 1: kick her next to you, you can. You can look 93 00:04:53,120 --> 00:04:55,240 Speaker 1: right at Diamond, look right at Scottie, whatever you want 94 00:04:55,240 --> 00:04:58,440 Speaker 1: to do. This could be fascinating. So the other thing, 95 00:04:58,600 --> 00:05:00,640 Speaker 1: I'm now seeing people that I didn't see before we 96 00:05:00,680 --> 00:05:02,640 Speaker 1: had our own little like Cubby where we were sort 97 00:05:02,680 --> 00:05:05,040 Speaker 1: of secure. Now I see everybody from all the other stations, 98 00:05:05,040 --> 00:05:07,520 Speaker 1: and that feels weird. Well, technically no one should be 99 00:05:07,520 --> 00:05:09,600 Speaker 1: down here, and I think it's because it's all new 100 00:05:09,600 --> 00:05:11,440 Speaker 1: and people are wandering and trying to figure out. Because 101 00:05:11,480 --> 00:05:14,400 Speaker 1: I wound up by Greg t at KTU today because 102 00:05:14,440 --> 00:05:16,240 Speaker 1: I didn't know where they think he was. I go, oh, 103 00:05:16,279 --> 00:05:18,680 Speaker 1: this is not my studio. Where where do I go 104 00:05:18,680 --> 00:05:20,520 Speaker 1: where am I? That's it. That's all my complaints are. 105 00:05:21,320 --> 00:05:24,279 Speaker 1: We can fix your complaints. We can work on that. 106 00:05:24,400 --> 00:05:26,360 Speaker 1: Can I tell you something I love? That I can 107 00:05:26,400 --> 00:05:29,080 Speaker 1: stand and talk into this microphone is like standing too. 108 00:05:29,080 --> 00:05:32,080 Speaker 1: All right, Danielle, your list of complaints. Okay, So I too, 109 00:05:32,160 --> 00:05:34,520 Speaker 1: am complaining about the Scotty bee and the diamond thing 110 00:05:34,560 --> 00:05:37,200 Speaker 1: because normally it's easy to just run in the studio 111 00:05:37,240 --> 00:05:38,960 Speaker 1: and hang out with them for a little while, and 112 00:05:39,080 --> 00:05:41,839 Speaker 1: it's not that easy anymore. Going to change though, so okay, 113 00:05:42,279 --> 00:05:44,560 Speaker 1: used to that. I'm just telling you that. Also, this 114 00:05:44,720 --> 00:05:48,080 Speaker 1: penis thing here, so we describe what that means. So 115 00:05:49,040 --> 00:05:51,800 Speaker 1: usually we're sitting at a long penis. That's what our 116 00:05:51,839 --> 00:05:57,760 Speaker 1: table looks like. Console. Oh sorry, well that's my next complaint. 117 00:05:57,760 --> 00:05:59,960 Speaker 1: Put the lid on the pen No, it's it's close, okay, 118 00:06:00,120 --> 00:06:03,320 Speaker 1: So what I feel like we lost length, but we 119 00:06:03,320 --> 00:06:06,560 Speaker 1: we got girth instead. Yeah, and I'm not loving the 120 00:06:06,640 --> 00:06:09,320 Speaker 1: girth because, like god Be said, I can't kick garthrough 121 00:06:09,320 --> 00:06:12,360 Speaker 1: the girth. Yeah, so that's a complaint. I like the girth. Also, 122 00:06:13,400 --> 00:06:16,880 Speaker 1: this new, this new white console. Yes, if you even 123 00:06:17,000 --> 00:06:20,279 Speaker 1: touch your hair, your hair follicles fall on the thing. 124 00:06:20,400 --> 00:06:23,400 Speaker 1: It's disgusting at ny and I said, we're gonna have 125 00:06:23,480 --> 00:06:26,960 Speaker 1: to have disinfected wipes everywhere, like like you said, with 126 00:06:27,040 --> 00:06:29,400 Speaker 1: this pen one little pen mark and you can't get 127 00:06:29,440 --> 00:06:31,520 Speaker 1: it off. I'm gonna need to invest in mister clean 128 00:06:31,560 --> 00:06:33,880 Speaker 1: magick ee racer around here. Yeah. I don't think that's 129 00:06:33,920 --> 00:06:36,000 Speaker 1: gonna work. You know, that's my problem. You have valid, 130 00:06:36,080 --> 00:06:38,160 Speaker 1: valid complaint, thank you very much. Fewer than we can 131 00:06:38,160 --> 00:06:41,720 Speaker 1: work on a few of them, we're kind of stuck with. Yeah, yeah, right, Nate, 132 00:06:41,760 --> 00:06:44,360 Speaker 1: you're the senior executive producer. What complaints do you I 133 00:06:44,400 --> 00:06:48,200 Speaker 1: honestly don't see anything that we either won't fix or 134 00:06:48,320 --> 00:06:50,359 Speaker 1: get used to, right, you see what I'm saying. So 135 00:06:50,400 --> 00:06:53,640 Speaker 1: I don't really have complaints per se. I do think 136 00:06:53,680 --> 00:06:57,200 Speaker 1: because there's more people circulating around the area, we should 137 00:06:57,200 --> 00:06:59,799 Speaker 1: all sign up for shifts to keep track of our stuff. 138 00:07:00,080 --> 00:07:02,960 Speaker 1: So Gandhi, like, if you want to do tonight, like 139 00:07:03,040 --> 00:07:07,360 Speaker 1: stay all night, make sure nobody Yeah, they're supposed to 140 00:07:07,360 --> 00:07:09,479 Speaker 1: put locks on our door. Okay, then that's the only 141 00:07:09,520 --> 00:07:13,960 Speaker 1: real true right on the door. We also were given 142 00:07:14,040 --> 00:07:17,120 Speaker 1: locker keys because we each got a locker, so that 143 00:07:17,160 --> 00:07:18,679 Speaker 1: if you like you want to lock up your headphones 144 00:07:18,680 --> 00:07:21,160 Speaker 1: and stuff. And then they told us don't lose the 145 00:07:21,240 --> 00:07:25,480 Speaker 1: key because if you do, you're out of luck. No. 146 00:07:25,720 --> 00:07:28,520 Speaker 1: I did not lose it yet lost mine. All right, 147 00:07:28,600 --> 00:07:33,240 Speaker 1: my complaints I have none. I just need a trash can. Wow, Wow, 148 00:07:33,480 --> 00:07:35,559 Speaker 1: that's great. I'm used. I'm used to having a trash 149 00:07:35,560 --> 00:07:37,840 Speaker 1: can right here to my right, and I've been throwing 150 00:07:37,880 --> 00:07:40,600 Speaker 1: things on the floor all morning. They've been landing on 151 00:07:40,640 --> 00:07:42,680 Speaker 1: the floor. Yeah, I'd like a trash can too. Can 152 00:07:42,760 --> 00:07:45,440 Speaker 1: we get another one? Yeah? We need trash can trash cans. 153 00:07:45,720 --> 00:07:47,640 Speaker 1: I think that's all I'm asking for. Oh, don't even 154 00:07:47,640 --> 00:07:50,760 Speaker 1: go to Scotty B. Oh my god, Scotty B. You've 155 00:07:50,800 --> 00:07:53,240 Speaker 1: been work hitting in these studios for several weeks now, right, Yes, 156 00:07:53,280 --> 00:07:54,840 Speaker 1: I've been here a few times. So do you have 157 00:07:54,840 --> 00:07:57,000 Speaker 1: any complaints? Well, first of all, the trash cans that 158 00:07:57,080 --> 00:07:59,200 Speaker 1: are here, they don't empty them because I don't think 159 00:07:59,200 --> 00:08:01,920 Speaker 1: there's a crew yet, so they're all overflowing. I've noticed 160 00:08:01,960 --> 00:08:03,640 Speaker 1: that there was a lady in the coffee room emptying 161 00:08:03,640 --> 00:08:05,280 Speaker 1: that trash can. I don't know the ones around here 162 00:08:05,280 --> 00:08:08,280 Speaker 1: are full. Um, I'm very lonely again because there's no door, 163 00:08:08,720 --> 00:08:11,760 Speaker 1: so people can't come and go. Uh. The on air 164 00:08:11,840 --> 00:08:14,760 Speaker 1: light is way outside, so when I'm recording something, nobody 165 00:08:14,800 --> 00:08:17,040 Speaker 1: can see it in here, and they just walk in. Um. 166 00:08:17,160 --> 00:08:20,280 Speaker 1: I have no TV, so I can't watch breaking news. Oh. Um, 167 00:08:20,560 --> 00:08:21,960 Speaker 1: I thought they were supposed to put one in there. 168 00:08:22,880 --> 00:08:25,240 Speaker 1: Are you writing these things? It's not wired. It's not 169 00:08:25,280 --> 00:08:27,400 Speaker 1: wired apparently. UM. I don't have a timer, so I 170 00:08:27,440 --> 00:08:30,040 Speaker 1: don't know how much time is left during the commercial break, 171 00:08:30,080 --> 00:08:31,320 Speaker 1: so I just have to kind of wing it and 172 00:08:31,320 --> 00:08:35,000 Speaker 1: hope for the best. Um, that's important for all. I 173 00:08:35,000 --> 00:08:38,080 Speaker 1: see a skieries ass at this angle. That's all I see. 174 00:08:39,120 --> 00:08:41,679 Speaker 1: Which it's a mighty fine as it's going to get 175 00:08:41,720 --> 00:08:48,000 Speaker 1: smaller this time. Look at that boy's onion, that's true. Um. 176 00:08:48,160 --> 00:08:49,760 Speaker 1: And I need a printer in here because I do 177 00:08:49,800 --> 00:08:51,559 Speaker 1: all the shipping labels for all the stuff we send out. 178 00:08:52,000 --> 00:08:55,520 Speaker 1: That we can do that, okay, and M give all 179 00:08:55,520 --> 00:08:58,280 Speaker 1: these things to the ops manager Andrew. I will. The 180 00:08:58,320 --> 00:09:00,280 Speaker 1: only other thing that frightens me is on this new board. 181 00:09:00,280 --> 00:09:01,880 Speaker 1: First of all, there's so many different color lights. I 182 00:09:01,920 --> 00:09:04,679 Speaker 1: don't know what they do. Um. And the dump button 183 00:09:04,920 --> 00:09:07,520 Speaker 1: is right next close to the button that I used 184 00:09:07,520 --> 00:09:10,080 Speaker 1: to record the traffic. Okay, okay, okay, have these things fake? 185 00:09:10,160 --> 00:09:12,480 Speaker 1: I'm going to Oh yeah, that's all my complaints. Okay, 186 00:09:12,520 --> 00:09:14,920 Speaker 1: I love it. I just want a trash can. I 187 00:09:15,040 --> 00:09:17,400 Speaker 1: love this text that came through. Hey, congrats when your 188 00:09:17,480 --> 00:09:22,400 Speaker 1: very first butt hurt session. First of many all Big 189 00:09:22,480 --> 00:09:24,719 Speaker 1: Daddy asked for it was a trash can. How's the 190 00:09:24,760 --> 00:09:27,320 Speaker 1: bathroom situation? How close are you to the ladies room, Danielle? 191 00:09:27,400 --> 00:09:30,000 Speaker 1: So this is my other problem. Oh d you can 192 00:09:30,040 --> 00:09:32,760 Speaker 1: see the men's room. It's right there, the ladies room. 193 00:09:32,800 --> 00:09:34,440 Speaker 1: You have to make a right and go down the hallway. 194 00:09:34,480 --> 00:09:36,439 Speaker 1: And when we were here last time, I said, guys, 195 00:09:36,720 --> 00:09:38,240 Speaker 1: how much how hard would it be for you just 196 00:09:38,320 --> 00:09:41,760 Speaker 1: to switch it? And they go, we can't switch it? Whatever? 197 00:09:41,800 --> 00:09:45,400 Speaker 1: Are so stupid? Okay, there's that. We were here doing 198 00:09:45,440 --> 00:09:47,880 Speaker 1: the holiday and Alex went to the men's room and 199 00:09:47,920 --> 00:09:51,240 Speaker 1: there was a homeless man bathing in there. Oh Ice, Okay, okay, 200 00:09:51,240 --> 00:09:55,320 Speaker 1: that's nice. But we realized he works at WR Yeah. 201 00:09:55,320 --> 00:09:58,680 Speaker 1: They all look homeless down there anyway. So that's where 202 00:09:58,679 --> 00:10:01,320 Speaker 1: we that's where we stand right now. I see a 203 00:10:01,360 --> 00:10:03,839 Speaker 1: solution to the door for Scottie, Like, see right where 204 00:10:03,880 --> 00:10:05,600 Speaker 1: that camera is. I feel like we could take that 205 00:10:05,640 --> 00:10:07,160 Speaker 1: camera down, and we can make a door. Right. They 206 00:10:07,360 --> 00:10:11,760 Speaker 1: easily burrow in, can't not. Here's what we do. It's 207 00:10:11,760 --> 00:10:15,079 Speaker 1: called adapt We all need to adapt. The only thing 208 00:10:15,080 --> 00:10:17,560 Speaker 1: I'm not going to adapt to is a trash can, right. 209 00:10:17,640 --> 00:10:20,240 Speaker 1: I don't think I'm asking for too much big does 210 00:10:20,320 --> 00:10:23,679 Speaker 1: adapt count? If you adapt the studio by burrowing into 211 00:10:23,720 --> 00:10:27,400 Speaker 1: someone else's studio, I think we're gonna be fine. We're 212 00:10:27,400 --> 00:10:29,040 Speaker 1: gonna be fine, But I'm glad you got those things 213 00:10:29,080 --> 00:10:30,960 Speaker 1: off your chest. Some of those things can be fixed. 214 00:10:31,240 --> 00:10:34,360 Speaker 1: Most of them will. We will adapt to because that's 215 00:10:35,160 --> 00:10:38,360 Speaker 1: why we're here. We're problem solvers. We're dreamers of the dream. 216 00:10:38,400 --> 00:10:41,160 Speaker 1: We are the music makers. I don't know what we are. 217 00:10:41,440 --> 00:10:43,080 Speaker 1: All right, let's get into the three things we need 218 00:10:43,120 --> 00:10:46,000 Speaker 1: to know from Gandhi. Gandhi, what's going on? The Buffalo 219 00:10:46,040 --> 00:10:49,480 Speaker 1: Bills confirmed that defensive back to maur Hamlin suffered cardiac 220 00:10:49,840 --> 00:10:52,640 Speaker 1: arrest during last night's game against the Bengals in Cincinnati. 221 00:10:52,920 --> 00:10:55,520 Speaker 1: The team tweeted a statement saying he suffered a cardiac 222 00:10:55,600 --> 00:10:58,239 Speaker 1: arrest following a hit in our game versus the Bengals. 223 00:10:58,280 --> 00:11:00,520 Speaker 1: His heartbeat was restored on the old and he was 224 00:11:00,520 --> 00:11:04,000 Speaker 1: transferred to the UC Medical Center for further testing and treatment. 225 00:11:04,240 --> 00:11:06,199 Speaker 1: He's only twenty four years old. He's in his second 226 00:11:06,200 --> 00:11:09,199 Speaker 1: season with the Bills and in critical condition. The man 227 00:11:09,280 --> 00:11:12,680 Speaker 1: accused of stabbing and killing four University of Idaho students 228 00:11:12,760 --> 00:11:15,680 Speaker 1: is due to appear in court today. In Penshili stories, 229 00:11:17,200 --> 00:11:19,080 Speaker 1: when are we going to find out? There's saying once 230 00:11:19,120 --> 00:11:22,000 Speaker 1: he appears in Idaho, then we may hear what motives 231 00:11:22,040 --> 00:11:24,160 Speaker 1: are all about. Right, they said they can't release that yet. 232 00:11:24,240 --> 00:11:26,920 Speaker 1: Right right, They're not releasing really anything. It's been so 233 00:11:27,040 --> 00:11:28,800 Speaker 1: locked up the entire thing. I'm start to finish and 234 00:11:28,800 --> 00:11:31,600 Speaker 1: everybody's wondering what's going on. He's twenty eight years old, 235 00:11:31,640 --> 00:11:34,960 Speaker 1: a Washington State University graduate student. He's accused of murdering 236 00:11:34,960 --> 00:11:36,959 Speaker 1: the four in a house near the University of Idaho 237 00:11:37,000 --> 00:11:39,520 Speaker 1: campus in Moscow back in November, and it took a 238 00:11:39,559 --> 00:11:42,000 Speaker 1: long time for police to get this far. They say 239 00:11:42,000 --> 00:11:45,280 Speaker 1: there is DNA evidence that links him, and finally, the 240 00:11:45,440 --> 00:11:48,679 Speaker 1: disgraced young crypto king set to plead not guilty to 241 00:11:48,760 --> 00:11:52,320 Speaker 1: fraud charges Today. Reports say that Sam Bankman freed, the 242 00:11:52,320 --> 00:11:55,439 Speaker 1: former CEO of FTX, who is accused of stealing billions 243 00:11:55,480 --> 00:11:58,360 Speaker 1: from customers since twenty nineteen, will plead not guilty in 244 00:11:58,400 --> 00:12:01,040 Speaker 1: federal court here in New York. He's been extradited from 245 00:12:01,040 --> 00:12:03,400 Speaker 1: the Bahamas since his company collapse and has been charged 246 00:12:03,400 --> 00:12:05,840 Speaker 1: with fraud in New York City. He faces over one 247 00:12:05,960 --> 00:12:08,920 Speaker 1: hundred years in prison if he's convicted. And those are 248 00:12:08,920 --> 00:12:11,280 Speaker 1: your three things. See, that's one of those stories. It's interesting, 249 00:12:11,520 --> 00:12:14,240 Speaker 1: but it doesn't affect us because well, we're not billionaires, right, 250 00:12:15,040 --> 00:12:17,720 Speaker 1: We didn't lose money. We can't lose, but you don't 251 00:12:17,800 --> 00:12:20,040 Speaker 1: have That was like, you know, all these reports came 252 00:12:20,040 --> 00:12:21,599 Speaker 1: out that Elon Musk is now the first person to 253 00:12:21,600 --> 00:12:23,720 Speaker 1: ever lose two hundred billion dollars and people were laughing 254 00:12:23,720 --> 00:12:26,240 Speaker 1: at him. I'm like, he lost two hundred billion dollars. 255 00:12:26,240 --> 00:12:27,679 Speaker 1: I'm never going to see that money in my life. No, 256 00:12:28,160 --> 00:12:30,960 Speaker 1: still doing better. There you go. Hey, where's Garrett. He's 257 00:12:30,960 --> 00:12:33,040 Speaker 1: all the way down the hall the hold on, Garrett? 258 00:12:33,080 --> 00:12:37,760 Speaker 1: Are you here? Elvett? Where where are you? Are you? Here? 259 00:12:38,240 --> 00:12:40,959 Speaker 1: To the bathroom And I'm gonna I don't know how 260 00:12:40,960 --> 00:12:46,800 Speaker 1: I got into a staircase. Hold on, So wait, you're 261 00:12:46,840 --> 00:12:51,560 Speaker 1: you You are trapped in a stairwell somewhere in the building. Yes, 262 00:12:52,200 --> 00:12:56,000 Speaker 1: I believe I'm on between four and five right now, 263 00:12:56,120 --> 00:12:59,440 Speaker 1: because I was like, how do I get out? Because well, 264 00:12:59,480 --> 00:13:01,880 Speaker 1: if you okay, so if you go to six and 265 00:13:01,960 --> 00:13:05,240 Speaker 1: start banging on the door, maybe someone here will hear it. Scary, 266 00:13:05,280 --> 00:13:08,680 Speaker 1: go listen for her. Hold on. When I was scari 267 00:13:08,679 --> 00:13:12,040 Speaker 1: as to come down the hall, he can't forever. It 268 00:13:12,080 --> 00:13:13,600 Speaker 1: won't take him long to get out because he doesn't 269 00:13:13,600 --> 00:13:17,480 Speaker 1: have a microphone to walk. All right, here we go. Okay, 270 00:13:17,600 --> 00:13:20,480 Speaker 1: just start knocking on the door. Yeah, you have to 271 00:13:20,520 --> 00:13:24,199 Speaker 1: bang on the door, Garrett, Yeah, hello, all right, hold on, 272 00:13:24,280 --> 00:13:26,680 Speaker 1: I'm up on six. Oh yeah, okay, bang on the door. 273 00:13:27,559 --> 00:13:36,959 Speaker 1: Oh hello, sir, who's that you? Oh? He has a key. No, 274 00:13:37,120 --> 00:13:39,959 Speaker 1: you shouldn't be stuck in stairwells. No, is it not? 275 00:13:40,040 --> 00:13:43,880 Speaker 1: I'm not anymore? No. Wait, is this a situation where 276 00:13:43,880 --> 00:13:46,559 Speaker 1: they only want you to walk out on the first 277 00:13:46,559 --> 00:13:48,600 Speaker 1: floor if there's a fire or something, so they don't 278 00:13:48,640 --> 00:13:51,480 Speaker 1: let you can't take stairs from like four five to 279 00:13:51,520 --> 00:13:55,600 Speaker 1: flour six. Yes, question, I don't know the answer to that. Well, well, 280 00:13:55,640 --> 00:13:59,160 Speaker 1: there was a reason we had access keys to different floors. Remember, like, 281 00:13:59,400 --> 00:14:01,640 Speaker 1: first they gave us an access key just to this floor, 282 00:14:01,640 --> 00:14:03,640 Speaker 1: and then they gave us ass keys to other floors, 283 00:14:03,640 --> 00:14:06,560 Speaker 1: So maybe there's something there. I don't know there's something 284 00:14:06,600 --> 00:14:10,280 Speaker 1: going on other floors that we're not allowed. No, that 285 00:14:10,440 --> 00:14:13,200 Speaker 1: was scary. He was making sure I was okay. Some 286 00:14:13,200 --> 00:14:16,679 Speaker 1: some ginger, some ginger guy just walked by. Was that 287 00:14:17,160 --> 00:14:19,760 Speaker 1: was that William? He didn't work at w R. I'll 288 00:14:19,760 --> 00:14:22,240 Speaker 1: tell you that, Prince Harry. Anyway, if I bring a 289 00:14:22,280 --> 00:14:25,080 Speaker 1: rope ladder just for our safety, can I send it? 290 00:14:26,360 --> 00:14:28,600 Speaker 1: All right, we'll see in a minute, Garrett, Yes, put 291 00:14:28,640 --> 00:14:32,600 Speaker 1: a rope ladder around. Are we doing the phone tap? Next? 292 00:14:32,880 --> 00:14:35,320 Speaker 1: Nate has this most confused look on his face. You 293 00:14:35,320 --> 00:14:38,440 Speaker 1: were glazed over. I'm not glazed. I'm just this is 294 00:14:38,520 --> 00:14:43,080 Speaker 1: this is me adapting to the new environment. I actually 295 00:14:43,160 --> 00:14:46,000 Speaker 1: walked out and you can't. Here's another thing. We can't 296 00:14:46,000 --> 00:14:48,720 Speaker 1: hear what's going on in here when you're outside of 297 00:14:48,720 --> 00:14:50,760 Speaker 1: the student We had the last studio too. Are they 298 00:14:50,760 --> 00:14:54,880 Speaker 1: fixing that? It'll be fixed? Yeah, you promise, I'm gonna 299 00:14:54,920 --> 00:14:56,720 Speaker 1: I need it fixed. I didn't know where what's going on? 300 00:14:56,760 --> 00:15:00,440 Speaker 1: All right? The phone tap? We think maybe next? I 301 00:15:00,440 --> 00:15:04,000 Speaker 1: don't like the sound of that. Bil Vis Durant in 302 00:15:04,040 --> 00:15:04,800 Speaker 1: the Morning Show