WEBVTT - Great Architects: Donald Ross (feat Bradley Klein)

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<v Speaker 1>With the PGA Championship at Aronominc. Golf Club coming up,

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<v Speaker 1>I thought it would be a good time to talk

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<v Speaker 1>about the architect behind Ironimink, who is of course, Donald Ross.

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<v Speaker 1>Ross had one of the most impressive and remarkable careers

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<v Speaker 1>in the history of golf architecture, but I'm not sure

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<v Speaker 1>that his design style is particularly well understood. So today

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<v Speaker 1>we're going to talk about it all in the form

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<v Speaker 1>of a mail bag. My guest is Bradley Klein, a

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<v Speaker 1>longtime golf architecture writer and golf course consultant whose book

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<v Speaker 1>Discovering Donald Ross had a big impact on the revival

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<v Speaker 1>of interest in the architect that happened toward the beginning

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<v Speaker 1>of this century. And in this episode, I'm just going

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<v Speaker 1>to toss Bradley a bunch of questions about Donald Ross

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<v Speaker 1>that were asked by members of fried Egg Golf Club.

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<v Speaker 1>So let's see how that goes. I'm Garrett Morrison, and

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<v Speaker 1>this is designing Golf, all right. Before we bring in

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<v Speaker 1>brad Kline, let's talk about the five essential Donald Ross

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<v Speaker 1>golf courses. These aren't necessarily his best courses, or even

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<v Speaker 1>what I would consider my favorite Donald Ross courses, but

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<v Speaker 1>I think they're his most important designs. If you want

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<v Speaker 1>to know about Donald Ross, this is a good place

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<v Speaker 1>to start. So I think I'm going to take these

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<v Speaker 1>basically in chronological order. First up is Pinehurst number two

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<v Speaker 1>in the North Carolina Sandhills. Probably an expected unsurprising choice here.

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<v Speaker 1>Donald Ross lived in Pinehurst. He kept an office in

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<v Speaker 1>Pinehurst for many years, so he spent more time tweaking

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<v Speaker 1>and refining the number two course than really any other

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<v Speaker 1>course in his catalog. The turtleback greens at Pinehurst are famous,

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<v Speaker 1>but they're not actually original. They evolved into that form

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<v Speaker 1>over the course of several decades in the middle of

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<v Speaker 1>the twentieth century, probably because of some aggressive top dressing

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<v Speaker 1>from the maintenance staff. But when Coren Crenshaw did their

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<v Speaker 1>restoration of Pinehurst Number two in twenty eleven, they decided

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<v Speaker 1>to just keep the greens that way because at that

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<v Speaker 1>point the crowned nature of the greens had become integral

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<v Speaker 1>to the course's identity, or at least so they thought.

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<v Speaker 1>But for me, the greatest strength of Pinehurst number two

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<v Speaker 1>is the way the course uses diagonals and side slopes.

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<v Speaker 1>The property at Pinehurst number two really isn't that dramatic.

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<v Speaker 1>There aren't big elevation changes or eye catching undulations, but

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<v Speaker 1>what is there is really well used. The fairways are

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<v Speaker 1>always working on these right to left or left to

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<v Speaker 1>right diagonals in relation to the direction that you're hitting

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<v Speaker 1>your shot. They use side slopes just brilliantly, sometimes banking

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<v Speaker 1>off of one hillside then banking off of another hillside.

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<v Speaker 1>It's really interesting stuff and it's very subtle. It doesn't

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<v Speaker 1>come through on TV, but when you're playing the course,

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<v Speaker 1>all this stuff has an effect on your ball, and

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<v Speaker 1>in that way, I think Pinehurst Number two has a

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<v Speaker 1>lot more in common with Links courses than basically anything

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<v Speaker 1>else Donald Ross designed, and the Pinehurst resort itself is

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<v Speaker 1>maybe the closest thing that we have in the US

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<v Speaker 1>to Saint Andrews. It really does feel like a home

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<v Speaker 1>of golf. It's a special place, all right. The second

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<v Speaker 1>essential Donald Ross course that I'd like to talk about

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<v Speaker 1>is Essex County Club in Manchester by the Sea, Massachusetts.

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<v Speaker 1>This is another course that Ross spent a lot of

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<v Speaker 1>time fine tuning because he served as the club professional

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<v Speaker 1>and basically in house architect at at Essex County for

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<v Speaker 1>several years in the nineteen tens, but since he basically

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<v Speaker 1>stopped working there in about nineteen seventeen, Essex County feels

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<v Speaker 1>more old school in its design style than Pinehurst Number Two.

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<v Speaker 1>Ross worked on Pinehurst Number two essentially for the rest

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<v Speaker 1>of his life, but Essex County is more frozen in time.

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<v Speaker 1>The greens are simpler, the features are a little bit

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<v Speaker 1>less naturalized. But I think all these factors just add

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<v Speaker 1>to the charm of Essex County and make it feel unique.

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<v Speaker 1>It's a fantastic piece of land. It's rocky, but because

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<v Speaker 1>the ocean isn't that far away, it actually feels a

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<v Speaker 1>little bit lynxy as well. The most prominent feature is

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<v Speaker 1>a huge knull that the back nine plays around. Then

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<v Speaker 1>the seventeenth hole climbs directly on top of the hill

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<v Speaker 1>and the eighteenth hole plays off of it. It's a

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<v Speaker 1>roller coaster at the end of the round. There incredibly

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<v Speaker 1>daring piece of routing. I can't believe that Donald Ross

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<v Speaker 1>thought to put those holes in that location, but it

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<v Speaker 1>makes for one of the most dramatic finishes to around

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<v Speaker 1>that I know of. Essex County is also one of

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<v Speaker 1>the best examples I think of golf course restoration of

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<v Speaker 1>Donald Ross Restoration, specifically, the consulting architect Bruce Hepner and

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<v Speaker 1>the longtime superintendent Eric Richardson have done an absolutely excellent

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<v Speaker 1>job making small changes over the past twenty years or

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<v Speaker 1>so that have added up to big changes, and the

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<v Speaker 1>result is that Essex County might be the most historically

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<v Speaker 1>authentic Donald Ross course in existence. All Right, The third

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<v Speaker 1>Ross course I'd like to discuss is the South Course

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<v Speaker 1>at Oakland Hills Country Club outside of Detroit, Michigan. Donald

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<v Speaker 1>Ross designed this course in NI teen nineteen, and I

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<v Speaker 1>think it's really when he reached full maturity as an architect.

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<v Speaker 1>His routing ability, his sense for how to create variety

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<v Speaker 1>and strategy in golf holes, his green building techniques, his

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<v Speaker 1>mastery of construction and shaping are all fully developed here,

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<v Speaker 1>and this might be his single best set of greens

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<v Speaker 1>among championship golf courses. It's probably the closest thing that

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<v Speaker 1>we have to augusta national in terms of the sheer,

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<v Speaker 1>inventiveness and boldness of the contouring of the greens, of

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<v Speaker 1>the variety that you get between different greens. You have

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<v Speaker 1>everything from the eleventh green, which is very small and

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<v Speaker 1>kind of tucked into a saddle to the sixth green,

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<v Speaker 1>which has these wavy, rippling undulations that extend out to

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<v Speaker 1>the edge of the putting surface and create little pockets

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<v Speaker 1>and shelves for pins, some hard pins, some easy pins.

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<v Speaker 1>It's just really complex and striking. But a lot of

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<v Speaker 1>these features became hidden over the years at at Oakland

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<v Speaker 1>Hills because the fairways and greens got smaller, trees were planted.

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<v Speaker 1>Rhys Jones and Robert Trent Jones did some work that,

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<v Speaker 1>in my opinion, wasn't very good, but Gil Hans's renovation

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<v Speaker 1>a few years ago brought back a lot of what

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<v Speaker 1>I love about Oakland Hills. Hans definitely modernized some things.

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<v Speaker 1>The agronomic infrastructure at Oakland Hills is now very up

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<v Speaker 1>to date, but the golf features themselves do closely resemble

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<v Speaker 1>what Donald Ross did back in nineteen nineteen. And I

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<v Speaker 1>think that when people see Oakland Hills host the US

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<v Speaker 1>Open in twenty thirty four, that they're going to be

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<v Speaker 1>really impressed and that they're going to wish that Oakland

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<v Speaker 1>Hills would host the US Open more frequently than the

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<v Speaker 1>every twenty years, which is kind of the cadence that

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<v Speaker 1>it's on now. All right. Fourth Donald Ross course that

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<v Speaker 1>I think is essential is a Ronoman golf club in

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<v Speaker 1>Philadelphia or near Philadelphia. This is the current years PGA

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<v Speaker 1>Championship venue. Really cool golf course that I think got

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<v Speaker 1>a bit of a bad break with weather at the

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<v Speaker 1>past couple of PGA Tour events that it hosted. The

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<v Speaker 1>excellence of the course didn't come through as much in

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<v Speaker 1>those tournaments because I think that the greens need to

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<v Speaker 1>play firm. There needs to be a little bit of

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<v Speaker 1>win So I'm hoping that we get that, but I'm

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<v Speaker 1>not sure that we will get it in May, so

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<v Speaker 1>we'll see about that. But yeah, I've heard Tom Doak

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<v Speaker 1>say that Donald Ross was the best in the world

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<v Speaker 1>at working out good routings of rectangular constricted properties. Those

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<v Speaker 1>properties can be pretty tricky because you often end up

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<v Speaker 1>with a lot of parallel holes or parts of the

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<v Speaker 1>routing that feel cramped or unnatural. But Donald Ross was

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<v Speaker 1>always so good at finding ways to make routings on

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<v Speaker 1>this type of site feel open and organic and multidirectional

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<v Speaker 1>rather than linear and awkward and constricted and aronom Mink

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<v Speaker 1>is an excellent excellent example of that. If you look

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<v Speaker 1>at a map of the course. Just pay attention to

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<v Speaker 1>the way the routing constantly bounces between the boundaries of

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<v Speaker 1>the site and the middle of the site, and the

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<v Speaker 1>ways that holes kind of work on diagonals out to

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<v Speaker 1>corners and then go out in different directions. The routing

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<v Speaker 1>is continually changing direction and doing something different. It's really

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<v Speaker 1>pretty brilliant how Ross worked that out. And then you

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<v Speaker 1>have the greens, which is it's one of the best

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<v Speaker 1>sets of Donald Ross green anywhere. I think it's right

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<v Speaker 1>up there with Oakland Hills. They're very, very inventive, and

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<v Speaker 1>you know, each green feels like it's part of a theme,

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<v Speaker 1>but it is memorable in and of itself. So yeah,

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<v Speaker 1>aronomic great golf course. I hope it comes through in

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<v Speaker 1>the telecast for the PGA Championship. Finally, we have Seminole

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<v Speaker 1>Golf Club in South Florida. Donald Ross built this course

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<v Speaker 1>in the late nineteen twenties, so this was toward the

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<v Speaker 1>end of his golden period and someone is currently undergoing

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<v Speaker 1>a pretty ambitious Gilhan's renovation. Hans is making some big

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<v Speaker 1>changes to the greens. He is, you know, bringing back

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<v Speaker 1>some planned Ross characteristics of those greens that might or

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<v Speaker 1>might not have actually been put in the ground. It's

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<v Speaker 1>a pretty interesting project and I'm curious to see the

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<v Speaker 1>outcome of it. But for me, what has always made

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<v Speaker 1>Seminole special is the combination of the seaside wind and

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<v Speaker 1>the constant changes of direction in the routing. This is

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<v Speaker 1>another example of Ross just being better than everybody else

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<v Speaker 1>at coming up with routings on smallish, roughly rectangular properties.

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<v Speaker 1>Seminole is brilliant in that regard. There's never a moment

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<v Speaker 1>where the routing feels limited or stuck in a certain direction.

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<v Speaker 1>And in particular, the way Ross uses the big ridges

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<v Speaker 1>at either end of the site is brilliant. There's a

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<v Speaker 1>big ridge on the ocean side portion of the site

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<v Speaker 1>and then there's a an accompanying ridge kind of parallel inland,

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<v Speaker 1>and the holes are constantly interacting with these two big

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<v Speaker 1>topographical features. So there's a lot of action on the

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<v Speaker 1>golf course on a site that could have ended up

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<v Speaker 1>being a little bit boring. So those are my five

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<v Speaker 1>essential Donald Ross courses. Pinehurst Number two, Essex County Club,

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<v Speaker 1>Oakland Hills, South Brooni, Mink and Seminole. Now, the greatest

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<v Speaker 1>thing I think about studying Donald Ross is that his

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<v Speaker 1>body of work is so deep and rich that you

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<v Speaker 1>never really feel like you're at the bottom of it,

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<v Speaker 1>or that you don't have more to learn. You know,

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<v Speaker 1>of the great architects, there might have been a few

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<v Speaker 1>who built more firstier all time courses than Ross. Maybe

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<v Speaker 1>Alistair Mackenzie did, Harry Colt probably did, or in the

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<v Speaker 1>modern period Corn Crenshaw and Tom Doak are running up

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<v Speaker 1>the score in that regard. But I'm not sure any

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<v Speaker 1>architect has ever built as many very good slash excellent

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<v Speaker 1>courses as Donald Ross did. This is partly because he

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<v Speaker 1>had a lot of reps. He did a lot of projects.

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<v Speaker 1>He was always on the train, always looking at new sites,

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<v Speaker 1>always coming up with plans, maybe not seeing some of

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<v Speaker 1>these courses again after he submitted to plans. But in

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<v Speaker 1>spite of that working method, he had a really high

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<v Speaker 1>hit rate. If you go to a Donald Ross course

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<v Speaker 1>that has been pretty well preserved and was actually designed

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<v Speaker 1>by Donald Ross, you can almost be assured that it's

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<v Speaker 1>going to be well routed, well built, have some memorable

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<v Speaker 1>holes and cool greens, and be really playable and fun.

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<v Speaker 1>He was the professional architects professional architect, and so beyond

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<v Speaker 1>just his five essential courses. It's really worth pursuing and

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<v Speaker 1>exploring Donald Ross's full catalog, so have fun with that.

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<v Speaker 1>All right, I'd like to continue this discussion of Donald

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<v Speaker 1>Ross with doctor Bradley S. Klein. Bradklin, as I mentioned

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<v Speaker 1>at the top, is one of the og modern golf

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<v Speaker 1>architecture writers. He was doing this stuff in the eighties

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<v Speaker 1>and nineties before it was fashionable, and he did a

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<v Speaker 1>lot specifically to enhance people's understanding and appreciation of Donald Ross.

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<v Speaker 1>So I'm very excited to toss him some questions from

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<v Speaker 1>members of Frida Egg Golf Club. We got some really good,

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<v Speaker 1>thoughtful questions from FEGC, and if you'd like to participate

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<v Speaker 1>in future mail bags. First of all, make sure to

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<v Speaker 1>join Frida Egg Golf Club. Go to the Friday dot

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<v Speaker 1>com slash memberships to sign up. I said memberships, but

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<v Speaker 1>it's actually not plural, it's slash membership. And then make

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<v Speaker 1>sure to keep up with what's going on in our

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<v Speaker 1>member forum, because that is where I put out this

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<v Speaker 1>call for questions. All right, without further ado, here's my

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<v Speaker 1>conversation with Brad Klein. I'm here with Bradley Klein. Brad,

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<v Speaker 1>how are you doing today.

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<v Speaker 2>Great, the beautiful starting to get some spring weather. Might

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<v Speaker 2>actually go play golf one of these days.

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<v Speaker 1>It's starting to get to be that week when we

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<v Speaker 1>make the decision to take the clubs out of the

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<v Speaker 1>garage and go do our best.

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<v Speaker 2>Yeah yeah, every morning, and still we have frost delays,

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<v Speaker 2>but it warms up.

0:15:38.920 --> 0:15:43.600
<v Speaker 1>So yeah. Well, so today we're talking about Donald Ross

0:15:43.640 --> 0:15:47.320
<v Speaker 1>in advance of the PGA Championship at aronom Ink. And

0:15:47.400 --> 0:15:49.400
<v Speaker 1>I thought the way that we would do this, Brad,

0:15:50.360 --> 0:15:54.040
<v Speaker 1>would be to ask some of our members at Friday

0:15:54.120 --> 0:16:01.160
<v Speaker 1>Golf Club for any questions they have about Donald Ross's design, philosophy, career,

0:16:01.480 --> 0:16:04.760
<v Speaker 1>or whatever else. I got a bunch of really good questions,

0:16:05.200 --> 0:16:07.760
<v Speaker 1>and so we're just gonna dive into the mail bag here.

0:16:08.160 --> 0:16:11.840
<v Speaker 1>The first question I have for you is from Zach Anderson,

0:16:12.200 --> 0:16:17.120
<v Speaker 1>and Zach asks if you were blindfolded and led onto

0:16:17.320 --> 0:16:23.200
<v Speaker 1>an anonymous golf course, what elements routing, hazard placement, green

0:16:23.280 --> 0:16:27.760
<v Speaker 1>shapes would tell you it's a Ross design. And I

0:16:27.800 --> 0:16:29.680
<v Speaker 1>like this question a lot because it kind of gets

0:16:29.680 --> 0:16:34.080
<v Speaker 1>that what you think is distinctive about Donald Ross's design style,

0:16:34.080 --> 0:16:36.800
<v Speaker 1>which can be a little tricky to pin down because

0:16:37.400 --> 0:16:42.200
<v Speaker 1>there are many Donald Ross's, so to speak. So how

0:16:42.200 --> 0:16:43.280
<v Speaker 1>would you answer that question?

0:16:43.560 --> 0:16:46.760
<v Speaker 2>As first of all, it's a great question, and I'm

0:16:46.760 --> 0:16:50.680
<v Speaker 2>always appreciative of anything that is different than what are

0:16:50.720 --> 0:16:54.960
<v Speaker 2>your three favorite Donald Ross courses? Right, So that's actually

0:16:54.960 --> 0:16:58.320
<v Speaker 2>a very thoughtful question. So the first thing is that

0:16:58.480 --> 0:17:03.840
<v Speaker 2>Donald Ross were a century ago. It's now twenty twenty six,

0:17:04.080 --> 0:17:05.960
<v Speaker 2>and we're going to be looking at golf courses that

0:17:06.040 --> 0:17:11.600
<v Speaker 2>have evolved over one hundred and twenty to eighty years,

0:17:12.000 --> 0:17:14.840
<v Speaker 2>so there's a little bit of a qualifier. But the

0:17:14.880 --> 0:17:16.719
<v Speaker 2>first thing I would look at is the routing. And

0:17:16.760 --> 0:17:20.959
<v Speaker 2>by what I mean by the routing is the sequence

0:17:21.040 --> 0:17:25.240
<v Speaker 2>of the holes, how they fit onto the parcel. And

0:17:25.960 --> 0:17:31.560
<v Speaker 2>with Ross, it's fairly distinctive that there is an intimate

0:17:32.000 --> 0:17:36.960
<v Speaker 2>relationship between green to next tea. You're not walking a

0:17:37.000 --> 0:17:42.160
<v Speaker 2>long ways. He fills up the space. As someone once

0:17:42.240 --> 0:17:45.480
<v Speaker 2>described it, it's like a bowl of baby shrimp. They

0:17:45.480 --> 0:17:51.120
<v Speaker 2>all fit together and there's not a lot of superfluous space.

0:17:51.800 --> 0:17:55.200
<v Speaker 2>He'll have the occasional triangle of one hundred and fifty

0:17:55.280 --> 0:17:58.560
<v Speaker 2>yards for a practice area, but for the most part,

0:17:58.640 --> 0:18:02.320
<v Speaker 2>the dog legs fit in a way that is really intimate.

0:18:03.280 --> 0:18:06.159
<v Speaker 2>So that's what I would look for is kind of

0:18:06.200 --> 0:18:10.879
<v Speaker 2>an intimate connection. Most but not all of his golf

0:18:10.880 --> 0:18:17.159
<v Speaker 2>courses are returning nines the later the second half of

0:18:17.200 --> 0:18:20.720
<v Speaker 2>his career. You know, he came to the United States

0:18:20.720 --> 0:18:23.879
<v Speaker 2>in eighteen ninety nine. He designed about four hundred and

0:18:23.880 --> 0:18:27.840
<v Speaker 2>ten courses until his death in nineteen forty eight, roughly

0:18:28.000 --> 0:18:30.240
<v Speaker 2>a couple of different phases in the middle, but a

0:18:30.240 --> 0:18:33.840
<v Speaker 2>little more strategic. I would say that more of his

0:18:34.000 --> 0:18:37.200
<v Speaker 2>courses are returning nines in the second half of his career.

0:18:37.200 --> 0:18:39.320
<v Speaker 2>But I would look at the intimacy of the routing.

0:18:39.359 --> 0:18:45.280
<v Speaker 2>That's the first thing. The second thing, and are the

0:18:45.320 --> 0:18:49.680
<v Speaker 2>green contourse. Now, this is tricky because over a long

0:18:49.720 --> 0:18:55.520
<v Speaker 2>period of time and maintenance and neglect and alteration, a

0:18:55.560 --> 0:18:58.760
<v Speaker 2>lot of his greens have shrunk, They've become more circular,

0:18:59.160 --> 0:19:01.320
<v Speaker 2>they've lost some of then a lot of the contour

0:19:01.400 --> 0:19:05.480
<v Speaker 2>because of top dressing. The square edges up front have

0:19:05.600 --> 0:19:10.080
<v Speaker 2>been rounded off through triplex mowing or normal practices. So

0:19:10.119 --> 0:19:13.840
<v Speaker 2>that's a little harder to determine. But I would I

0:19:13.880 --> 0:19:18.160
<v Speaker 2>always look at his the position of the greens, so

0:19:18.200 --> 0:19:22.000
<v Speaker 2>that they're set on a little bit of a rise,

0:19:22.400 --> 0:19:25.119
<v Speaker 2>and the back that tends to fall off because what

0:19:25.240 --> 0:19:29.199
<v Speaker 2>he would do or has met his construction crew. You know,

0:19:29.240 --> 0:19:32.680
<v Speaker 2>he was building or having his golf courses built by

0:19:32.720 --> 0:19:37.679
<v Speaker 2>hand labor, dozens of laborers with wheelbarrows for the most part,

0:19:38.280 --> 0:19:40.280
<v Speaker 2>and they would build up the fill pad of the

0:19:40.320 --> 0:19:43.080
<v Speaker 2>green by taking the dirt from behind and then just

0:19:43.240 --> 0:19:46.720
<v Speaker 2>piling it on. And you know, a couple of days

0:19:46.760 --> 0:19:49.480
<v Speaker 2>of that, and you have a fill pad that rises

0:19:49.520 --> 0:19:52.000
<v Speaker 2>three feet in the back one foot in the front.

0:19:52.520 --> 0:19:54.320
<v Speaker 2>So I would look for those fall offs in the

0:19:54.359 --> 0:19:58.119
<v Speaker 2>back that balance the cut and fill that comprises the

0:19:58.160 --> 0:20:00.880
<v Speaker 2>fill pad. So that's the second thing I would look for,

0:20:01.840 --> 0:20:05.719
<v Speaker 2>and then I would look for the fairway bunkering and

0:20:05.840 --> 0:20:09.879
<v Speaker 2>the green side bunkering. His fairway bunkering tended to be

0:20:10.680 --> 0:20:13.840
<v Speaker 2>about two hundred yards to twenty off the tee of

0:20:15.000 --> 0:20:19.439
<v Speaker 2>what was then the back tape the turnpoints. Some of

0:20:19.480 --> 0:20:21.280
<v Speaker 2>those have been a lot of those have been lost

0:20:21.320 --> 0:20:23.480
<v Speaker 2>over the years. But I always love looking for what

0:20:24.760 --> 0:20:28.800
<v Speaker 2>the ghost bunkers, the sort of abandoned hollows. I remember

0:20:29.320 --> 0:20:31.399
<v Speaker 2>when I was doing my preview of Oak Hill for

0:20:31.440 --> 0:20:33.840
<v Speaker 2>the twenty three PGA, and I went around with an

0:20:33.880 --> 0:20:36.920
<v Speaker 2>assistant pro and I was pointing out to him the

0:20:37.280 --> 0:20:42.600
<v Speaker 2>old ghost bunkers from the shorter part placement that had

0:20:42.600 --> 0:20:44.760
<v Speaker 2>been altered over the years, and you still see those

0:20:44.800 --> 0:20:49.120
<v Speaker 2>in the ground because when they abandoned bunkers over the years,

0:20:49.160 --> 0:20:52.320
<v Speaker 2>they wouldn't fill them in, they just let the grass grow.

0:20:52.359 --> 0:20:54.679
<v Speaker 2>So you sort of look for those signs of the

0:20:54.680 --> 0:20:58.120
<v Speaker 2>ghost bunkers. And also you look for the fill pad,

0:20:58.160 --> 0:21:01.480
<v Speaker 2>the green, the platform that sits on with the bunkers

0:21:02.000 --> 0:21:04.720
<v Speaker 2>tended to be put at the base of the fill pad,

0:21:04.880 --> 0:21:07.680
<v Speaker 2>so that you had a natural rise of a foot

0:21:07.720 --> 0:21:09.639
<v Speaker 2>or two down into the bunker and a foot or

0:21:09.640 --> 0:21:12.400
<v Speaker 2>two up to the green, and that formed your three

0:21:12.400 --> 0:21:15.880
<v Speaker 2>and a half four foot the depth of the bunker.

0:21:16.240 --> 0:21:21.080
<v Speaker 2>So you look for those kind of characteristics generally, and

0:21:21.359 --> 0:21:28.040
<v Speaker 2>that's the start. I would say of Moross, you'd often

0:21:28.119 --> 0:21:31.320
<v Speaker 2>find a very short part three surrounded by bunkers. I

0:21:31.320 --> 0:21:33.720
<v Speaker 2>could five of them right off the top of you know,

0:21:33.760 --> 0:21:36.919
<v Speaker 2>want to moist it. The third hole to Ujica, the

0:21:36.960 --> 0:21:43.320
<v Speaker 2>seventh hole, SIOUTA, the ninth hole for example, come right

0:21:43.359 --> 0:21:50.920
<v Speaker 2>to mind. And very often a short, very short part

0:21:50.920 --> 0:21:54.600
<v Speaker 2>three surrounded by bunkers, with a little bit of a

0:21:54.640 --> 0:21:58.320
<v Speaker 2>hollow and a and then a little bit of a

0:21:58.400 --> 0:22:04.120
<v Speaker 2>ledge behind the hollow for the whole locations. So those

0:22:04.119 --> 0:22:07.440
<v Speaker 2>are the things you look for right away or tell

0:22:07.560 --> 0:22:08.480
<v Speaker 2>tale I would say.

0:22:09.640 --> 0:22:13.240
<v Speaker 1>Follow up question from Zach Anderson related to what you're

0:22:13.280 --> 0:22:16.480
<v Speaker 1>just saying, are there any kind of template holes Donald

0:22:16.560 --> 0:22:18.720
<v Speaker 1>Ross template holes that people should look for? You just

0:22:18.800 --> 0:22:22.199
<v Speaker 1>named the short par three surrounded by bunkers. Something that

0:22:22.240 --> 0:22:24.399
<v Speaker 1>comes to mind for me is a you know, a

0:22:24.480 --> 0:22:28.360
<v Speaker 1>volcano green, so called volcano green, although there aren't an

0:22:28.480 --> 0:22:32.399
<v Speaker 1>overwhelming number of those, but they are very memorable, and

0:22:33.000 --> 0:22:35.439
<v Speaker 1>so you know, whenever you see one of those holes

0:22:35.480 --> 0:22:38.119
<v Speaker 1>with the that where the green kind of set on

0:22:38.160 --> 0:22:41.400
<v Speaker 1>a knob that falls off on all sides, you remember it.

0:22:41.920 --> 0:22:44.240
<v Speaker 2>Yeah. The best one is the thirteenth of Franklin Hills

0:22:44.440 --> 0:22:47.680
<v Speaker 2>in Detroit. That's absolutely three hundred and ten yard hole

0:22:47.760 --> 0:22:51.119
<v Speaker 2>with a yeah, probably a two thousand square foot green

0:22:51.640 --> 0:22:52.760
<v Speaker 2>perched way up in the air.

0:22:53.200 --> 0:22:56.399
<v Speaker 1>Yeah, very cool hole and interesting that it's not a

0:22:56.400 --> 0:23:00.240
<v Speaker 1>part three in the case of Franklin Hills. But there

0:23:00.280 --> 0:23:03.920
<v Speaker 1>are a few of those Ross Ross volcano greens. There's

0:23:03.920 --> 0:23:07.240
<v Speaker 1>another one at Lulu country Club, I guess, and the

0:23:07.440 --> 0:23:11.080
<v Speaker 1>Country Club of Buffalo, and there are a few here

0:23:11.119 --> 0:23:14.240
<v Speaker 1>and there. But are there any other It was was

0:23:14.359 --> 0:23:17.840
<v Speaker 1>Ross somebody who thought in terms of template holes at all?

0:23:18.560 --> 0:23:23.400
<v Speaker 2>No, did not. So just as an example, you name

0:23:23.480 --> 0:23:26.240
<v Speaker 2>Country Club of Buffalo, the volcano hole, there is a

0:23:26.359 --> 0:23:29.919
<v Speaker 2>middle length part three, the sixth hole, you know. And

0:23:30.000 --> 0:23:33.560
<v Speaker 2>then so here's the thing with Ross. He was trying

0:23:33.600 --> 0:23:37.159
<v Speaker 2>to work to puzzle out all those shrimp falling together

0:23:37.320 --> 0:23:40.560
<v Speaker 2>on that platform or in that bowl that he was

0:23:40.600 --> 0:23:43.800
<v Speaker 2>working with, and so you know, he would often, I

0:23:43.800 --> 0:23:46.600
<v Speaker 2>would say that he often relied upon a very short

0:23:46.640 --> 0:23:50.640
<v Speaker 2>part three if there's a template hole, although they differ dramatically,

0:23:51.320 --> 0:23:55.800
<v Speaker 2>but I've seen a lot of the very short little

0:23:55.840 --> 0:23:58.720
<v Speaker 2>drop shot part three. And again we've mentioned a few

0:23:58.720 --> 0:24:02.160
<v Speaker 2>of them already, the restored fifth hole at Oak Hill,

0:24:02.240 --> 0:24:02.960
<v Speaker 2>for example.

0:24:03.880 --> 0:24:05.960
<v Speaker 1>There's a great one at Roaring Gap. It's kind of

0:24:05.960 --> 0:24:09.159
<v Speaker 1>a combination of a volcano hole and a and a

0:24:09.240 --> 0:24:12.080
<v Speaker 1>and a drop shot par three. It is, I believe

0:24:12.200 --> 0:24:14.439
<v Speaker 1>the sixth hole, but don't quote me on that. In

0:24:14.480 --> 0:24:16.000
<v Speaker 1>any case, striking hole.

0:24:16.600 --> 0:24:19.040
<v Speaker 2>Yeah, But you know, sometimes they were uphill, like the

0:24:19.080 --> 0:24:22.919
<v Speaker 2>fourteenth at Augusta Country Club. So it varied a lot here.

0:24:24.480 --> 0:24:27.920
<v Speaker 2>But I've seen, you know, I would say I've seen

0:24:28.000 --> 0:24:30.800
<v Speaker 2>that a lot on US courses and I've also seen

0:24:30.920 --> 0:24:36.920
<v Speaker 2>a very long part three two thirty, the fourteenth that

0:24:38.640 --> 0:24:42.960
<v Speaker 2>ok Kill, the thirteenth at Wamping on the fourth at Worcester,

0:24:43.240 --> 0:24:47.480
<v Speaker 2>for example, come immediately to mind. The seventeenth at Brayburn,

0:24:49.680 --> 0:24:56.160
<v Speaker 2>come you know, so they the ninth at oak Kill

0:24:56.200 --> 0:24:59.880
<v Speaker 2>also you'll see a long part three. But having said

0:24:59.880 --> 0:25:04.119
<v Speaker 2>that the bunkering would have varied, the contouring would have varied,

0:25:04.680 --> 0:25:07.480
<v Speaker 2>I will say that I have seen more of that

0:25:07.600 --> 0:25:11.800
<v Speaker 2>short part three with the thumb print green up front

0:25:12.040 --> 0:25:15.680
<v Speaker 2>and the little shelf around the back of it, and

0:25:17.040 --> 0:25:21.200
<v Speaker 2>but I haven't seen it. At every course you will

0:25:21.400 --> 0:25:26.359
<v Speaker 2>often see a shorter I wouldn't call a driveable part four,

0:25:26.400 --> 0:25:28.879
<v Speaker 2>but you'll see a three hundred and fifty three hundred

0:25:28.880 --> 0:25:32.399
<v Speaker 2>and forty yard par four very well bunkered in the

0:25:32.480 --> 0:25:36.840
<v Speaker 2>landing area with a small green idle hour in Kentucky

0:25:36.840 --> 0:25:41.119
<v Speaker 2>in Lexington, Kentucky. The fourth hole, although they keep changing

0:25:41.119 --> 0:25:44.240
<v Speaker 2>the nines, but it's the fourth hole there Uphill comes

0:25:44.280 --> 0:25:47.159
<v Speaker 2>to mind. A third at Pinehurst, number two kind of

0:25:47.160 --> 0:25:47.760
<v Speaker 2>a classic.

0:25:48.400 --> 0:25:50.520
<v Speaker 1>Yet will yeah drive on a pedgehole?

0:25:51.280 --> 0:25:54.920
<v Speaker 2>Yeah yeah? The sixth that Oakland at Oakland Hills, for example,

0:25:55.280 --> 0:25:59.640
<v Speaker 2>comes right to mind there as well, you'll see a

0:25:59.680 --> 0:26:04.679
<v Speaker 2>shot a much shorter hole. They were never drivable in

0:26:04.720 --> 0:26:09.080
<v Speaker 2>those days. They've become driveable. But he was very good

0:26:09.080 --> 0:26:14.280
<v Speaker 2>at throwing in the occasional short part four, not usually

0:26:14.720 --> 0:26:16.679
<v Speaker 2>at the start or at the end of a round,

0:26:16.920 --> 0:26:20.440
<v Speaker 2>although when he got squeezed for territory like fourteen the

0:26:20.720 --> 0:26:24.240
<v Speaker 2>eighteenth hole in Inverness, and he wasn't averse to using

0:26:24.280 --> 0:26:27.840
<v Speaker 2>a short hole to end Wooster the same thing. Beautiful,

0:26:27.840 --> 0:26:32.199
<v Speaker 2>short little hole, but with a lot of contour and

0:26:32.240 --> 0:26:35.000
<v Speaker 2>a lot of complexity to the landing zone. So there

0:26:35.040 --> 0:26:40.960
<v Speaker 2>was always a challenge and thoughtfulness required. What you don't

0:26:41.040 --> 0:26:46.919
<v Speaker 2>see with ross our long par fives. A lot of

0:26:46.920 --> 0:26:50.160
<v Speaker 2>his par fives were for eighty four seventy. You know,

0:26:50.440 --> 0:26:54.200
<v Speaker 2>the best one is Holston Hills, the seventh hole down

0:26:54.240 --> 0:26:58.960
<v Speaker 2>in Knoxville, Tennessee, with multiple paths to the green. He

0:26:59.119 --> 0:27:04.280
<v Speaker 2>was a master at delineating alternative paths, and unfortunately those

0:27:04.280 --> 0:27:07.600
<v Speaker 2>holes have lost their strategic value given the distances that

0:27:07.640 --> 0:27:10.080
<v Speaker 2>people are hitting. But when he would map out, you know,

0:27:10.119 --> 0:27:12.520
<v Speaker 2>a t shot of two twenty and a second shot

0:27:12.520 --> 0:27:15.080
<v Speaker 2>of two hundred and a wedge shot, and then you

0:27:15.160 --> 0:27:19.480
<v Speaker 2>had alternate paths. Those are really intriguing. So I've seen

0:27:19.520 --> 0:27:23.640
<v Speaker 2>a lot of those mapped out over the years, which

0:27:23.680 --> 0:27:27.000
<v Speaker 2>I think have in effect become essentially long four parts.

0:27:28.200 --> 0:27:30.199
<v Speaker 2>But I would say, of you know, it's certainly not

0:27:30.320 --> 0:27:33.840
<v Speaker 2>like Rainer or for example, you didn't have the tilling

0:27:33.880 --> 0:27:37.719
<v Speaker 2>Hast array of part three's, for example, where you had

0:27:37.760 --> 0:27:43.359
<v Speaker 2>your standard refol. For example, you didn't have your beerits

0:27:43.520 --> 0:27:48.760
<v Speaker 2>or He built one pseudo Beirits, as far as I

0:27:48.840 --> 0:27:53.440
<v Speaker 2>can tell, not Beirits re Dan. The only Redan that

0:27:53.920 --> 0:27:56.240
<v Speaker 2>I know for sure is the ninth hole. Had built

0:27:56.320 --> 0:28:01.720
<v Speaker 2>more forest in Asheville, North Carolina. He built the occasional

0:28:01.880 --> 0:28:06.360
<v Speaker 2>punch bowl, not very often, you know. Nothing was sixteenth

0:28:06.400 --> 0:28:10.080
<v Speaker 2>and augusta country club comes to mind, but not real severe.

0:28:11.320 --> 0:28:15.520
<v Speaker 2>So he was always very i would say, more varied

0:28:15.560 --> 0:28:18.720
<v Speaker 2>in his design genres than most architects.

0:28:18.960 --> 0:28:23.680
<v Speaker 1>Yeah yeah, So well, why don't we apply some of

0:28:23.800 --> 0:28:27.480
<v Speaker 1>these ideas that you're laying out here to a particular course.

0:28:28.040 --> 0:28:30.800
<v Speaker 1>Ironom Inc is coming up as the venue of the

0:28:30.880 --> 0:28:34.400
<v Speaker 1>PGA Championship. I think ironom Inc is a very interesting

0:28:34.480 --> 0:28:40.760
<v Speaker 1>example of one ross routing and two ross green building.

0:28:41.240 --> 0:28:44.320
<v Speaker 1>Irono mi Ink has outstanding greens, and this may not

0:28:44.440 --> 0:28:47.920
<v Speaker 1>come through on TV very well. But a really interesting

0:28:48.600 --> 0:28:53.840
<v Speaker 1>set of Donald Ross greens, and the routing is is brilliant.

0:28:53.880 --> 0:28:55.640
<v Speaker 1>You know. It's one of those Ross routings that's on

0:28:55.840 --> 0:29:00.480
<v Speaker 1>kind of this rectangular site. And Ross was maybe better

0:29:00.560 --> 0:29:05.400
<v Speaker 1>than anybody at figuring out how to route rectangular sites

0:29:05.800 --> 0:29:08.800
<v Speaker 1>with variety, and the way he does it at Aronomic,

0:29:08.880 --> 0:29:10.960
<v Speaker 1>I'd like to get your thoughts as well, but I really,

0:29:11.720 --> 0:29:15.760
<v Speaker 1>I really think it's interesting how he uses these diagonal

0:29:15.880 --> 0:29:18.880
<v Speaker 1>holes at at Ironomy, the way the holes work on

0:29:19.040 --> 0:29:22.640
<v Speaker 1>diagonals in relation to the rectangle that is the property.

0:29:23.320 --> 0:29:25.800
<v Speaker 1>He has holes kind of playing out to corners of

0:29:25.920 --> 0:29:30.040
<v Speaker 1>the site in ways that open up land to use,

0:29:31.040 --> 0:29:35.520
<v Speaker 1>and and it's you know, it really works well. At Ironomy.

0:29:35.640 --> 0:29:38.480
<v Speaker 1>The two nines kind of kind of do similar things

0:29:38.560 --> 0:29:41.080
<v Speaker 1>in relation to the site where where they play into

0:29:41.160 --> 0:29:44.560
<v Speaker 1>the middle of the site and then out corners on

0:29:45.040 --> 0:29:49.360
<v Speaker 1>similar cadences. So the routing is is pretty brilliant Aronomic.

0:29:49.720 --> 0:29:52.560
<v Speaker 1>The greens are are fantastic. So what are some of

0:29:52.640 --> 0:29:56.600
<v Speaker 1>your thoughts, Brad about how you know how Aeronomic embodies

0:29:56.960 --> 0:29:58.720
<v Speaker 1>Ross's design style.

0:29:59.640 --> 0:30:04.920
<v Speaker 2>Well, you've laid it out pretty nicely. And the brilliant

0:30:04.960 --> 0:30:09.960
<v Speaker 2>thing about ironomy is you're always turning a corner. Once

0:30:10.000 --> 0:30:12.000
<v Speaker 2>you come off the first The first green heads to

0:30:12.120 --> 0:30:15.640
<v Speaker 2>the southeast corner of the property on a fairly complicated

0:30:15.680 --> 0:30:19.440
<v Speaker 2>piece of terrain. Then you tack inside diagonally on two,

0:30:20.080 --> 0:30:23.440
<v Speaker 2>then you go up three into the corner. On four

0:30:23.560 --> 0:30:26.320
<v Speaker 2>and the fourth you're down to the south west corner.

0:30:26.960 --> 0:30:28.720
<v Speaker 2>Then you work your way up to the north a

0:30:28.760 --> 0:30:30.960
<v Speaker 2>little bit, and then you come back and then you

0:30:31.320 --> 0:30:34.040
<v Speaker 2>end up at the ninth green, back in the right,

0:30:34.360 --> 0:30:36.960
<v Speaker 2>top right corner. Then you turn right around, so you're

0:30:37.000 --> 0:30:40.600
<v Speaker 2>always tacking. You're always turning around after the tee to

0:30:40.680 --> 0:30:44.480
<v Speaker 2>go to the next hall. I think I counted fourteen

0:30:45.800 --> 0:30:48.200
<v Speaker 2>changes of direction when you walk off of the t

0:30:48.680 --> 0:30:51.720
<v Speaker 2>which is remarkable. You know, the only time you're going

0:30:51.760 --> 0:30:55.800
<v Speaker 2>in the same direction at all is four or five, thirteen, fourteen.

0:30:57.960 --> 0:30:58.240
<v Speaker 1>That's it.

0:30:59.520 --> 0:31:02.240
<v Speaker 2>Everything else you're moving to the right or left, turning

0:31:02.280 --> 0:31:02.960
<v Speaker 2>around completely.

0:31:03.080 --> 0:31:05.400
<v Speaker 1>Yeah, and it's not very often that you that you

0:31:05.560 --> 0:31:07.800
<v Speaker 1>go back in the opposite door. It's not like you're

0:31:07.880 --> 0:31:10.880
<v Speaker 1>always going back in the opposite direction. It's not. It's

0:31:10.960 --> 0:31:13.840
<v Speaker 1>not the sardines. Yeah, it's like different kinds of turns,

0:31:14.120 --> 0:31:15.160
<v Speaker 1>which makes it in well.

0:31:15.600 --> 0:31:18.080
<v Speaker 2>The only time you actually turn right around and flip

0:31:18.360 --> 0:31:22.400
<v Speaker 2>is five to six and then fifteen to sixteen.

0:31:23.040 --> 0:31:23.240
<v Speaker 1>Yep.

0:31:23.520 --> 0:31:27.360
<v Speaker 2>So but you're always moving. And the other thing that's

0:31:27.400 --> 0:31:31.320
<v Speaker 2>interesting is that it's a bunch of basically demanding four

0:31:31.440 --> 0:31:35.160
<v Speaker 2>pars that are on the lengthier side. On the front nine,

0:31:35.200 --> 0:31:38.080
<v Speaker 2>the average I just wrote this for PGA tour dot com.

0:31:38.320 --> 0:31:42.320
<v Speaker 2>On the front nine, the six par fours average four

0:31:42.320 --> 0:31:45.440
<v Speaker 2>to thirty five and on the back nine, the six

0:31:45.560 --> 0:31:49.240
<v Speaker 2>par fours average four sixty five. So there's a that's

0:31:49.240 --> 0:31:53.000
<v Speaker 2>a two club difference to every green. That's that's not

0:31:53.120 --> 0:31:58.120
<v Speaker 2>a mistake. That's amping up the challenge. You know. The

0:31:58.200 --> 0:32:00.720
<v Speaker 2>two clubs is even on the tour. That's a big difference.

0:32:00.800 --> 0:32:03.080
<v Speaker 2>That's a difference between a nine iron and a seven iron,

0:32:03.960 --> 0:32:07.120
<v Speaker 2>which is a lot for those guys. So you're constantly

0:32:07.240 --> 0:32:10.560
<v Speaker 2>changing directions. That's the first thing. And it's a big site.

0:32:11.400 --> 0:32:14.480
<v Speaker 2>That golf course was originally intended for twenty seven holes.

0:32:15.640 --> 0:32:18.000
<v Speaker 2>The area that was going to be the third nine

0:32:19.680 --> 0:32:22.480
<v Speaker 2>is now designated or used for the range and some

0:32:23.800 --> 0:32:27.960
<v Speaker 2>kind of open club area, but the property itself is moving.

0:32:30.160 --> 0:32:33.480
<v Speaker 2>Andy Johnson described it as sort of descending into a

0:32:33.560 --> 0:32:36.280
<v Speaker 2>bowl where you go from one, two, three, and then

0:32:36.320 --> 0:32:38.200
<v Speaker 2>you drop down and then you come back up a

0:32:38.240 --> 0:32:42.760
<v Speaker 2>little bit. But every green where every fairway is sitting

0:32:42.880 --> 0:32:46.200
<v Speaker 2>on a side slope, so you're not just dealing with

0:32:46.840 --> 0:32:49.800
<v Speaker 2>a direction, you're dealing with an angle where it kicks,

0:32:50.760 --> 0:32:54.480
<v Speaker 2>which is resulting in a very interesting setup. The fairway

0:32:54.560 --> 0:32:57.400
<v Speaker 2>is their average in the landing area between twenty yards

0:32:57.440 --> 0:33:01.120
<v Speaker 2>and fifty yards. I asked Carrie Hey, who's responsible for

0:33:01.200 --> 0:33:04.800
<v Speaker 2>PGA Tour for PGA of America set up on championships,

0:33:05.480 --> 0:33:08.240
<v Speaker 2>what's your average fairway with He says, there is no average.

0:33:08.320 --> 0:33:12.840
<v Speaker 2>It varies dramatically because of the way in which they've

0:33:12.880 --> 0:33:16.720
<v Speaker 2>allowed the slopes to dominate the play. So there are

0:33:16.760 --> 0:33:20.200
<v Speaker 2>some very tight landing areas. You know, there is a

0:33:20.280 --> 0:33:23.719
<v Speaker 2>short There is one short par four the thirteenth hall.

0:33:24.840 --> 0:33:27.720
<v Speaker 2>It's back to these three eighty five, but at least

0:33:27.760 --> 0:33:29.440
<v Speaker 2>one maybe two days they're going to play it at

0:33:29.480 --> 0:33:33.560
<v Speaker 2>two ninety five, and it's got the very tight landing

0:33:33.640 --> 0:33:35.920
<v Speaker 2>area and out of bounds on the left right along

0:33:36.000 --> 0:33:38.440
<v Speaker 2>the green, So it brings the hazard into play that

0:33:38.680 --> 0:33:43.240
<v Speaker 2>is actually a worthy risk, which isn't always the case

0:33:43.400 --> 0:33:46.880
<v Speaker 2>on these shortened parf furs. So I give them credit

0:33:46.960 --> 0:33:51.160
<v Speaker 2>for the variety. So what's great about that golf course

0:33:51.240 --> 0:33:56.200
<v Speaker 2>is you're constantly changing. You don't get comfortable with the wind,

0:33:56.560 --> 0:33:59.800
<v Speaker 2>you don't get comfortable with the terrain, and you don't

0:33:59.800 --> 0:34:03.640
<v Speaker 2>get comfortable with where you have to work the shot

0:34:03.880 --> 0:34:05.760
<v Speaker 2>left to right, right to left. That's the first thing.

0:34:06.320 --> 0:34:10.480
<v Speaker 2>The second thing is it's an extraordinarily powerful set of greens.

0:34:10.600 --> 0:34:15.520
<v Speaker 2>And I should have said this early on. The first

0:34:15.560 --> 0:34:18.440
<v Speaker 2>thing you do when you're dealing with Donald Ross is

0:34:18.480 --> 0:34:22.040
<v Speaker 2>you forget about Pinehurst number two. Pineher's number two is

0:34:22.239 --> 0:34:25.520
<v Speaker 2>a complete anomaly. The greens had nothing to do with

0:34:25.760 --> 0:34:30.960
<v Speaker 2>anything he ever built anywhere else. Those turtlebackgreens are an evolution,

0:34:31.360 --> 0:34:35.880
<v Speaker 2>probably a mistake, unintended. They're not what Ross initially designed.

0:34:35.920 --> 0:34:38.520
<v Speaker 2>They've evolved over the years. They got higher and they

0:34:38.560 --> 0:34:42.920
<v Speaker 2>got more pronounced, and Ben and Bill Color and Crenshaw

0:34:42.960 --> 0:34:45.440
<v Speaker 2>I didn't have the nerve to change them when they

0:34:45.520 --> 0:34:50.439
<v Speaker 2>did their big restoration in twelve twenty thirteen. So that's

0:34:50.520 --> 0:34:56.080
<v Speaker 2>become the anomaly which people mistake for the paradigm. It's not.

0:34:56.360 --> 0:35:00.960
<v Speaker 2>It's completely uncharacteristic. Then when you get to aronomic, it

0:35:01.120 --> 0:35:05.680
<v Speaker 2>is stunning in terms of the complexity the boldness of

0:35:06.520 --> 0:35:11.080
<v Speaker 2>the severity of the slopes, and the potential if they

0:35:11.200 --> 0:35:13.440
<v Speaker 2>wanted to, they could set that golf course up for

0:35:13.560 --> 0:35:17.239
<v Speaker 2>seven hour rounds that nobody would ever break eighty just

0:35:17.360 --> 0:35:19.680
<v Speaker 2>with whole locations on the margins, on the edges and

0:35:19.800 --> 0:35:25.080
<v Speaker 2>so on. They're smarter than that, and these guys are

0:35:25.080 --> 0:35:27.759
<v Speaker 2>good enough that they can actually handle it. But you know,

0:35:27.840 --> 0:35:29.600
<v Speaker 2>those greens are going to be rolling at thirteen and

0:35:29.640 --> 0:35:33.080
<v Speaker 2>a half cut to a tenth of an inch rolled

0:35:33.360 --> 0:35:39.480
<v Speaker 2>and mode daily, probably roll twice, and it's going to

0:35:39.520 --> 0:35:44.120
<v Speaker 2>be a stunning set of complex contours where you're going

0:35:44.200 --> 0:35:47.279
<v Speaker 2>to have to really figure out where the ball is

0:35:47.320 --> 0:35:49.280
<v Speaker 2>going to end up and where it's going to slow

0:35:49.360 --> 0:35:52.640
<v Speaker 2>down and stop. And they're going to be twenty foot

0:35:52.680 --> 0:35:55.600
<v Speaker 2>plots that break nine feet on that golf course that

0:35:55.680 --> 0:35:58.480
<v Speaker 2>they're going to have, which is going to be fascinating

0:35:58.560 --> 0:36:04.680
<v Speaker 2>to watch. So now this is the interesting part of

0:36:04.800 --> 0:36:09.200
<v Speaker 2>the whole construction of Ironoming. We know, first of all,

0:36:09.239 --> 0:36:13.640
<v Speaker 2>we know Ross was there because he has fairly detailed drawings,

0:36:13.719 --> 0:36:19.080
<v Speaker 2>but also there's a fascinating eight millimeter film. It's a

0:36:19.160 --> 0:36:23.360
<v Speaker 2>four minute movie that somebody made of the construction, and

0:36:23.480 --> 0:36:27.200
<v Speaker 2>it's very rough it's all they're hands sawing trees that

0:36:27.280 --> 0:36:30.359
<v Speaker 2>are sixty eighty caliber. That's a lot of work. Yeah,

0:36:30.520 --> 0:36:33.319
<v Speaker 2>so they did a lot of clearing. And then there's

0:36:33.360 --> 0:36:37.000
<v Speaker 2>about thirty seconds when Ross himself appears on the film.

0:36:37.840 --> 0:36:40.640
<v Speaker 2>He's on the site. He's in his three piece jacket

0:36:41.160 --> 0:36:44.759
<v Speaker 2>with a little handkerchief, and he's looking very proper and clean,

0:36:44.800 --> 0:36:47.840
<v Speaker 2>and all these laborers are struggling and you know, trenching

0:36:47.880 --> 0:36:50.839
<v Speaker 2>and putting an irrigation pipe. And then Ross goes up

0:36:50.840 --> 0:36:53.719
<v Speaker 2>in an airplane and they fell him flying getting in

0:36:53.760 --> 0:36:56.439
<v Speaker 2>the airplane and flying above the site. He's surveying the side,

0:36:56.480 --> 0:36:58.560
<v Speaker 2>so we know he was there. It's a precious piece

0:36:58.600 --> 0:37:03.560
<v Speaker 2>of film, and it's available on the It's available on

0:37:03.640 --> 0:37:04.320
<v Speaker 2>YouTube somewhere.

0:37:04.400 --> 0:37:06.920
<v Speaker 1>Yeah, it's on YouTube. That's the thing about it. I've

0:37:07.000 --> 0:37:09.640
<v Speaker 1>encountered this as well, and it's kind of surprising to

0:37:09.760 --> 0:37:11.680
<v Speaker 1>me that something like this is on YouTube, but it

0:37:11.840 --> 0:37:12.800
<v Speaker 1>is there if you search for it.

0:37:12.920 --> 0:37:15.360
<v Speaker 2>Yeah. I've seen both the black and white and the

0:37:15.400 --> 0:37:17.560
<v Speaker 2>colorized version. I have to say the black and white

0:37:17.640 --> 0:37:20.960
<v Speaker 2>is starker, but in any case, so the first thing

0:37:21.080 --> 0:37:23.160
<v Speaker 2>is we know Ross was there, and we know he

0:37:23.239 --> 0:37:25.920
<v Speaker 2>appreciated it because later on in the little book that

0:37:26.040 --> 0:37:29.279
<v Speaker 2>Ron Witten came up with called Golf has Never Failed Me.

0:37:29.680 --> 0:37:38.120
<v Speaker 2>There's a famous sentence that Ross author. He says, basically

0:37:38.360 --> 0:37:40.120
<v Speaker 2>the golf course he knew it was going to be

0:37:40.160 --> 0:37:42.160
<v Speaker 2>a great championship course. It turned out better than he

0:37:42.200 --> 0:37:45.200
<v Speaker 2>ever thought. The reason it turned out better than he

0:37:45.320 --> 0:37:50.680
<v Speaker 2>thought is because the green chairman, who was also construction supervisor,

0:37:50.800 --> 0:37:54.200
<v Speaker 2>was JB. McGovern. JB. McGovern was Donald Ross's right hand

0:37:54.239 --> 0:37:58.600
<v Speaker 2>man for twenty years. JB. McGovern was hired by Ross

0:37:58.640 --> 0:38:02.760
<v Speaker 2>in nineteen seventeen or eighteen. He was a skilled landscape architect.

0:38:03.080 --> 0:38:06.120
<v Speaker 2>He was based in Philadelphia. He was green chairman at

0:38:06.160 --> 0:38:09.919
<v Speaker 2>Ironomy Ink, and he oversaw the project so Ross didn't

0:38:09.960 --> 0:38:13.080
<v Speaker 2>have to worry about the quality of the construction. And

0:38:13.239 --> 0:38:16.920
<v Speaker 2>then the other thing that's really amazing is that Ross's

0:38:17.520 --> 0:38:20.719
<v Speaker 2>plans for Ironomy Ink are very sketchy. In terms of

0:38:20.800 --> 0:38:24.920
<v Speaker 2>the bunker plan. They generally indicate where he wanted bunkers.

0:38:25.920 --> 0:38:30.200
<v Speaker 2>But mcgovernent went nuts with bunkering and put one hundred

0:38:30.200 --> 0:38:32.560
<v Speaker 2>and seventy five bunkers out there, which is I think

0:38:33.160 --> 0:38:36.120
<v Speaker 2>probably more than any I can recall off the top

0:38:36.160 --> 0:38:39.160
<v Speaker 2>of my head in any other ross course. So over

0:38:39.239 --> 0:38:44.759
<v Speaker 2>the years, those bunkers got what's the word, joined up,

0:38:44.880 --> 0:38:48.279
<v Speaker 2>and they you know, by nineteen ninety they were down

0:38:48.320 --> 0:38:52.680
<v Speaker 2>to seventy five bunkers. And when Ron Pritchard first restored

0:38:52.719 --> 0:38:56.239
<v Speaker 2>the golf course in the nineteen nineties, he rebuilt those

0:38:56.360 --> 0:39:05.080
<v Speaker 2>seventy five bunkers. And then the superintendent discovered the old

0:39:06.400 --> 0:39:11.040
<v Speaker 2>aerial photography of the golf course that had been made

0:39:11.120 --> 0:39:14.200
<v Speaker 2>in the early thirties, and they counted and they found

0:39:14.239 --> 0:39:17.400
<v Speaker 2>all these bunkers, and so they then went back and

0:39:17.520 --> 0:39:20.239
<v Speaker 2>restored all of those. So now the golf course has

0:39:20.600 --> 0:39:23.880
<v Speaker 2>the original count and the proliferation of one hundred and

0:39:23.920 --> 0:39:29.120
<v Speaker 2>seventy five bunkers, and it's an astonishing scattering in you know,

0:39:29.480 --> 0:39:31.600
<v Speaker 2>there was holes where there are bunkers one hundred yards

0:39:31.640 --> 0:39:34.400
<v Speaker 2>off the tee and they put them back, and then

0:39:34.440 --> 0:39:36.799
<v Speaker 2>there are others downfield. They moved them a little bit

0:39:36.880 --> 0:39:40.120
<v Speaker 2>for visibility and for positioning and strategy. Where the terrainal

0:39:40.200 --> 0:39:42.759
<v Speaker 2>out for this was Gill Hands and Jim Wagnerhood did

0:39:42.800 --> 0:39:48.439
<v Speaker 2>this in twenty sixteen and they did a great job,

0:39:49.280 --> 0:39:52.839
<v Speaker 2>and they expanded the greens back out about twenty five

0:39:52.960 --> 0:39:55.800
<v Speaker 2>percent to recapture all those whole locations. So now what

0:39:55.960 --> 0:40:02.520
<v Speaker 2>you have is an unusual, distinctive, an array of features

0:40:02.600 --> 0:40:06.319
<v Speaker 2>which I think are among Ross's strongness that he ever

0:40:07.080 --> 0:40:10.800
<v Speaker 2>actually created, and that will be the show piece for

0:40:10.920 --> 0:40:12.320
<v Speaker 2>the PGA Championship.

0:40:13.239 --> 0:40:17.799
<v Speaker 1>Well, in the case of the bunkers, Ross didn't necessarily

0:40:18.000 --> 0:40:21.439
<v Speaker 1>even really create them. It sounds like it was JB.

0:40:21.560 --> 0:40:25.560
<v Speaker 1>McGovern who is the primary influence behind this bunkering style,

0:40:25.600 --> 0:40:30.279
<v Speaker 1>which is unusual in Ross's ubra. Right, That's something that

0:40:30.360 --> 0:40:32.920
<v Speaker 1>makes ironomyk stick out a little bit, is that it

0:40:33.040 --> 0:40:36.319
<v Speaker 1>has this kind of clustered bunkering style that has been

0:40:36.400 --> 0:40:39.560
<v Speaker 1>restored by by Gil Hansen and Jim Wagner in recent years.

0:40:40.360 --> 0:40:44.520
<v Speaker 1>So this gets to a kind of philosophical question about restoration.

0:40:45.360 --> 0:40:51.040
<v Speaker 1>Do you restore the as built, as represented by early photographs,

0:40:51.160 --> 0:40:57.360
<v Speaker 1>aerial photographs especially, or do you restore the plans because

0:40:57.440 --> 0:41:00.640
<v Speaker 1>Ross's plans probably were different, right, they.

0:41:00.600 --> 0:41:07.200
<v Speaker 2>Were different, but they were also incomplete. So you know, Gil,

0:41:07.880 --> 0:41:09.440
<v Speaker 2>I've spent a lot of time with Gil hands on

0:41:09.920 --> 0:41:13.759
<v Speaker 2>ross restorations. I worked with him at Worcester Country Club

0:41:13.880 --> 0:41:17.279
<v Speaker 2>up in Massachusetts, for example, And I'll never forget this

0:41:17.840 --> 0:41:21.360
<v Speaker 2>sentence that he uttered when he was you could believe

0:41:21.400 --> 0:41:24.520
<v Speaker 2>this interviewing for the job. This is in twenty nineteen,

0:41:24.880 --> 0:41:27.279
<v Speaker 2>like he needed to interview for a job, and we

0:41:27.360 --> 0:41:30.880
<v Speaker 2>were making a presentation. I put the PowerPoint together and

0:41:30.960 --> 0:41:35.080
<v Speaker 2>Gilve is just masterful in terms of explaining Ross's thinking.

0:41:36.000 --> 0:41:38.760
<v Speaker 2>And the question was are you an expert on Donald

0:41:38.840 --> 0:41:42.760
<v Speaker 2>are you a restoration expert on Donald Ross? And Gil's

0:41:42.800 --> 0:41:46.799
<v Speaker 2>response was, I'm an expert on what Ross created here

0:41:46.920 --> 0:41:49.960
<v Speaker 2>at Worcester Country Club. And it was the perfect answer

0:41:50.080 --> 0:41:53.040
<v Speaker 2>because what he did at Worcester in nineteen thirteen was

0:41:53.160 --> 0:41:57.840
<v Speaker 2>completely different than what he created at Aronomy in nineteen

0:41:57.920 --> 0:42:02.640
<v Speaker 2>twenty eight. It's totally different than what evolved at Pinehurst.

0:42:02.800 --> 0:42:07.800
<v Speaker 2>It's completely different than the strategy at Seminole on and

0:42:07.920 --> 0:42:11.799
<v Speaker 2>on and on, so or Salem Country Club, Salem Country Club,

0:42:11.800 --> 0:42:14.160
<v Speaker 2>which was a much more up in the Boston area,

0:42:14.200 --> 0:42:20.440
<v Speaker 2>which was a much more strategic, spartan look, very few bunkers, scattered,

0:42:21.600 --> 0:42:28.960
<v Speaker 2>very modestly but functionally. So you know, that's the beauty

0:42:29.000 --> 0:42:35.080
<v Speaker 2>of Ross. He was site specific and Aronomy is unique

0:42:35.120 --> 0:42:40.640
<v Speaker 2>in that regard. And I hope they show those areas

0:42:40.719 --> 0:42:45.920
<v Speaker 2>because it really is inspiring to see those those areas

0:42:45.960 --> 0:42:48.240
<v Speaker 2>by the way were taken by a Colonel Victor Dollon,

0:42:48.280 --> 0:42:54.040
<v Speaker 2>who was an air enthusiastic pilot, a photographer. He was

0:42:54.080 --> 0:42:56.719
<v Speaker 2>an avid golfer who lived in Philadelphia. He had a

0:42:56.840 --> 0:43:02.279
<v Speaker 2>big studio, camera studio, and he mounted a camera on

0:43:02.360 --> 0:43:07.720
<v Speaker 2>the bottom of a biplane and flew over golf courses

0:43:07.719 --> 0:43:11.160
<v Speaker 2>all over the mid Atlantic. And the collection, now the

0:43:11.520 --> 0:43:17.440
<v Speaker 2>Dollin Collection at the Hagley Museum in Wilmington, Delaware, is

0:43:17.840 --> 0:43:21.880
<v Speaker 2>a major source of information for those who were interested

0:43:21.960 --> 0:43:24.920
<v Speaker 2>in restoring the classic era golf courses.

0:43:25.360 --> 0:43:28.880
<v Speaker 1>Oh that's neat. So he was specifically interested in golf courses.

0:43:28.960 --> 0:43:32.000
<v Speaker 1>This wasn't just like a generalized survey. He was going

0:43:32.080 --> 0:43:33.080
<v Speaker 1>for the golf courses and.

0:43:33.239 --> 0:43:36.320
<v Speaker 2>Oh no, no, he mounted these at the bottom of

0:43:36.360 --> 0:43:39.919
<v Speaker 2>an airplane. He flew over hundreds of golf courses. He's

0:43:39.960 --> 0:43:42.640
<v Speaker 2>got I think the collection is five hundred golf courses

0:43:42.760 --> 0:43:47.800
<v Speaker 2>or five hundred or so. Of course, he became the

0:43:47.840 --> 0:43:51.880
<v Speaker 2>Commissioner of Airports for the state of Pennsylvania, but ultimately retired.

0:43:52.040 --> 0:43:54.680
<v Speaker 2>And guess where he ended up living, Pinehurst, North Carolina.

0:43:55.080 --> 0:43:58.759
<v Speaker 1>Of course, where else would you go? That's right, that's

0:43:58.800 --> 0:44:01.879
<v Speaker 1>where we all end up in the and Bradley. I think, yeah,

0:44:02.760 --> 0:44:04.319
<v Speaker 1>that's where we're that's where we're all going.

0:44:05.320 --> 0:44:08.640
<v Speaker 2>But that's source of And I'll just give you another example,

0:44:08.760 --> 0:44:11.760
<v Speaker 2>because I've been writing about this and I was involved.

0:44:12.360 --> 0:44:16.520
<v Speaker 2>I did some restoration work at Kennett Square Golfing country Club,

0:44:16.760 --> 0:44:22.840
<v Speaker 2>which is basically south southwest of Philadelphia, Philadelphia, and that

0:44:23.000 --> 0:44:26.080
<v Speaker 2>was a golf course that rosted in nineteen twenty two.

0:44:26.960 --> 0:44:31.480
<v Speaker 2>And we have the aerial overflies from Dollin collection which

0:44:31.560 --> 0:44:35.560
<v Speaker 2>showed essentially coffins, rectangular coffins, and so we restored them

0:44:36.400 --> 0:44:39.719
<v Speaker 2>to the whole golf course. So that was as detailed

0:44:39.840 --> 0:44:42.760
<v Speaker 2>and as you know, it was only twenty miles away

0:44:42.800 --> 0:44:46.680
<v Speaker 2>from aronom Inc. But completely different style.

0:44:47.160 --> 0:44:49.520
<v Speaker 1>So right, yeah, I mean, this is what you have

0:44:49.640 --> 0:44:51.960
<v Speaker 1>at the site. This is what you want to see,

0:44:52.600 --> 0:44:54.239
<v Speaker 1>or at least what I want to see in ross

0:44:54.280 --> 0:44:58.680
<v Speaker 1>restorations is the specificity to cite and project because everyone

0:44:58.840 --> 0:45:02.240
<v Speaker 1>was different and there influences from the seconds in command

0:45:02.320 --> 0:45:07.200
<v Speaker 1>as well that I think deserve to be represented as well.

0:45:07.360 --> 0:45:10.960
<v Speaker 1>And so that's what we get at ironom Inc. And

0:45:11.000 --> 0:45:14.040
<v Speaker 1>I think that ironom Inc. You know, in the past

0:45:14.080 --> 0:45:16.520
<v Speaker 1>couple of tournaments that it hosted on the PGA Tour.

0:45:17.680 --> 0:45:19.719
<v Speaker 1>It got a bit of bad luck because it was

0:45:19.840 --> 0:45:22.480
<v Speaker 1>wet at both of those tournaments and the course was

0:45:22.560 --> 0:45:25.680
<v Speaker 1>playing slow. And who knows what we'll get in May

0:45:25.880 --> 0:45:29.520
<v Speaker 1>in Philadelphia. You know, it could be the same story

0:45:29.560 --> 0:45:31.800
<v Speaker 1>at this PGA Championship, which would be a shame. But

0:45:32.360 --> 0:45:35.400
<v Speaker 1>if it's firm, if it's windy, it's going to be

0:45:35.440 --> 0:45:37.480
<v Speaker 1>a different golf course, and I think that people will

0:45:37.480 --> 0:45:41.279
<v Speaker 1>find it much more interesting than they found it in those,

0:45:41.880 --> 0:45:45.040
<v Speaker 1>you know, past couple of PGA Tour tournaments that were

0:45:45.120 --> 0:45:46.919
<v Speaker 1>hosted there so far.

0:45:46.920 --> 0:45:51.040
<v Speaker 2>Has been very dry. It's impossible to imagine, or I

0:45:51.080 --> 0:45:54.399
<v Speaker 2>should say it's astonishing to imagine Keegan Bradley and Justin

0:45:54.520 --> 0:45:57.600
<v Speaker 2>Rose shooting eighteen under par yeah, as they did in

0:45:57.640 --> 0:46:03.319
<v Speaker 2>the BMW Championship in twenty eighteen. You know, if there's

0:46:03.400 --> 0:46:05.520
<v Speaker 2>any wind and it's firm and dry and a par

0:46:05.680 --> 0:46:11.359
<v Speaker 2>seventy golf course with a one par five that very

0:46:11.520 --> 0:46:15.880
<v Speaker 2>very few people will be reaching and lots of demanding

0:46:15.960 --> 0:46:19.280
<v Speaker 2>four pars, you know, you could see a winning score

0:46:19.360 --> 0:46:25.520
<v Speaker 2>of five six under these. You know, it's impossible to

0:46:25.600 --> 0:46:28.520
<v Speaker 2>imagine how good these guys really are and what they

0:46:28.600 --> 0:46:30.400
<v Speaker 2>can do. But to do that for four days is

0:46:30.480 --> 0:46:32.160
<v Speaker 2>really quite something.

0:46:40.360 --> 0:46:43.440
<v Speaker 1>This episode of Designing Golf is brought to you by

0:46:43.560 --> 0:46:48.560
<v Speaker 1>the Golf Course Superintendent's Association of America. We're very excited

0:46:48.640 --> 0:46:53.600
<v Speaker 1>to partner with the GCSAA. This partnership makes a ton

0:46:53.680 --> 0:46:56.520
<v Speaker 1>of sense for Friday Golf. I would say, actually that

0:46:56.600 --> 0:47:00.680
<v Speaker 1>our company would not exist in its current form if

0:47:00.719 --> 0:47:04.560
<v Speaker 1>it weren't for the way that superintendents have supported us.

0:47:05.000 --> 0:47:08.040
<v Speaker 1>We have always been able to call up golf course

0:47:08.080 --> 0:47:12.640
<v Speaker 1>superintendents and talk about their courses and just get knowledge

0:47:12.680 --> 0:47:15.320
<v Speaker 1>from the source itself. They are the people actually walking

0:47:15.400 --> 0:47:18.680
<v Speaker 1>the land out there. Nobody knows more about the golf

0:47:18.719 --> 0:47:22.320
<v Speaker 1>courses that we talk about on this podcast and on

0:47:22.400 --> 0:47:26.080
<v Speaker 1>our website and on other videos and podcasts that we

0:47:26.360 --> 0:47:32.160
<v Speaker 1>do than the superintendents. The GCSAA supports more than twenty

0:47:32.280 --> 0:47:38.680
<v Speaker 1>one thousand members worldwide, from superintendents to equipment managers, as

0:47:38.760 --> 0:47:44.040
<v Speaker 1>well to students and educators who feed in to the

0:47:44.120 --> 0:47:50.600
<v Speaker 1>superintendent profession. Currently, GCSAA is celebrating its one hundredth anniversary,

0:47:51.160 --> 0:47:54.600
<v Speaker 1>and they continue to ensure that their members are on

0:47:54.680 --> 0:47:59.800
<v Speaker 1>the forefront of research, education, innovation, and advocacy through a

0:48:00.080 --> 0:48:03.400
<v Speaker 1>range of programs and services. So if you want to

0:48:03.440 --> 0:48:06.800
<v Speaker 1>support golf course superintendents, which is a good thing to do,

0:48:06.960 --> 0:48:09.960
<v Speaker 1>you should support golf course superintendents. Then you should check

0:48:09.960 --> 0:48:14.200
<v Speaker 1>out what gc SAA is doing and consider supporting them.

0:48:14.400 --> 0:48:18.080
<v Speaker 1>You can learn more about the organization at gcs AA

0:48:18.719 --> 0:48:28.160
<v Speaker 1>dot org. Check them out. Okay, let's get back to

0:48:28.400 --> 0:48:33.399
<v Speaker 1>some reader questions here. I'd like to this. Yeah, they're

0:48:33.600 --> 0:48:36.200
<v Speaker 1>good questions. The folks at Friday Golf Club are very

0:48:36.200 --> 0:48:39.080
<v Speaker 1>smart about golf architecture, and so when I asked them

0:48:39.160 --> 0:48:45.200
<v Speaker 1>to ask questions related to Ross, they actually get into

0:48:45.239 --> 0:48:49.160
<v Speaker 1>some insights here. So these are some The next couple

0:48:49.239 --> 0:48:52.200
<v Speaker 1>of questions are more about Ross's kind of career I

0:48:52.280 --> 0:48:57.400
<v Speaker 1>suppose as opposed to his style. So read Pasifero asks

0:48:58.000 --> 0:49:03.040
<v Speaker 1>how would you compare Ross's earlier courses with his later ones?

0:49:03.880 --> 0:49:05.600
<v Speaker 1>And we can kind of pair this up with a

0:49:05.800 --> 0:49:09.560
<v Speaker 1>question from my colleague Will Knights, and he asks, do

0:49:09.640 --> 0:49:13.719
<v Speaker 1>you see themes or periods in Ross's career like you

0:49:13.880 --> 0:49:18.160
<v Speaker 1>might for Picasso or something. So those two questions take

0:49:18.200 --> 0:49:21.520
<v Speaker 1>on how you want to take them differences between early

0:49:21.719 --> 0:49:26.120
<v Speaker 1>Ross and late Ross, and do you see any periods

0:49:26.280 --> 0:49:29.759
<v Speaker 1>kind of in his career that you could identify.

0:49:30.640 --> 0:49:35.600
<v Speaker 2>So the short answer is yes, distinctively. And I would

0:49:35.640 --> 0:49:41.040
<v Speaker 2>say there are three periods which I've written about. First

0:49:41.080 --> 0:49:45.319
<v Speaker 2>of all, he starts off coming off the boat from

0:49:45.360 --> 0:49:49.239
<v Speaker 2>Scotland in eighteen ninety nine at Oakley and for up

0:49:49.280 --> 0:49:53.600
<v Speaker 2>in Boston, and for the first fifteen sixteen years he's

0:49:53.680 --> 0:49:59.879
<v Speaker 2>on his own. So his early work Worcester Country Club,

0:50:00.400 --> 0:50:07.960
<v Speaker 2>for example, Rhode Island to come immediately to mind Essex

0:50:08.040 --> 0:50:11.800
<v Speaker 2>County Club up in Boston. They have a kind of

0:50:12.680 --> 0:50:19.920
<v Speaker 2>very distinctive random use of bunkering, lots of mounds, lots

0:50:20.000 --> 0:50:25.200
<v Speaker 2>of buried debris. When he took down trees, he'd throw

0:50:25.239 --> 0:50:27.879
<v Speaker 2>the trees into a pile and put dirt on top,

0:50:27.960 --> 0:50:30.920
<v Speaker 2>and then they would break down over the years and

0:50:31.000 --> 0:50:36.320
<v Speaker 2>create a regular mounting scattershot bunkering. Didn't think anything of

0:50:36.440 --> 0:50:42.160
<v Speaker 2>pot bunkers, big long linear ones, much more random scattering

0:50:42.239 --> 0:50:48.239
<v Speaker 2>of bunker shots in a more penal mode at Rhode

0:50:48.239 --> 0:50:51.600
<v Speaker 2>Island Country Club, for example, where he actually used a

0:50:51.719 --> 0:50:55.000
<v Speaker 2>lot of small bunkers. He's also got inverted bunkers. He's

0:50:55.040 --> 0:51:02.560
<v Speaker 2>got always get confused con vex bunkering vers bunkering. Sand

0:51:02.640 --> 0:51:03.279
<v Speaker 2>piled up.

0:51:03.239 --> 0:51:05.839
<v Speaker 1>Like dunes, Yeah, right, like you see a garden city

0:51:06.520 --> 0:51:07.480
<v Speaker 1>in Jacob.

0:51:07.800 --> 0:51:13.960
<v Speaker 2>Yeah, so very random, very scattershot, very different green styles

0:51:15.040 --> 0:51:18.680
<v Speaker 2>with sometimes very you know, twenty five hundred square foot

0:51:18.680 --> 0:51:23.480
<v Speaker 2>greens and others seven thousand, much more scattershot. Nineteen sixteen,

0:51:23.560 --> 0:51:27.879
<v Speaker 2>nineteen seventeen, he hires Walter Hatch and JB. Mcgovernors and associates.

0:51:27.960 --> 0:51:33.880
<v Speaker 2>He starts developing much more sophisticated planning documentation whole by

0:51:33.920 --> 0:51:42.480
<v Speaker 2>whole drawings. In twenty October nineteen twenty, he has a

0:51:44.600 --> 0:51:49.040
<v Speaker 2>civil engineer in house who then converts those drawings onto

0:51:49.360 --> 0:51:55.239
<v Speaker 2>blueprint grid ten yard paper, and now you've got a

0:51:55.360 --> 0:52:00.160
<v Speaker 2>much more formal process. He's now becoming, after World War On,

0:52:00.800 --> 0:52:03.600
<v Speaker 2>kind of the Henry Ford of mass production. He's doing

0:52:03.719 --> 0:52:07.640
<v Speaker 2>fifteen twenty courses a year. He's not able to oversee

0:52:07.760 --> 0:52:15.600
<v Speaker 2>everything as carefully. He's deputizing the Hatch and McGovern And

0:52:17.440 --> 0:52:23.360
<v Speaker 2>you see a more strategic use of bunkering, where instead

0:52:23.360 --> 0:52:26.640
<v Speaker 2>of short one hundred and fifteen one hundred and twenty

0:52:26.760 --> 0:52:30.440
<v Speaker 2>on hopscotch stuff, it's a little more strategic in the corners.

0:52:31.960 --> 0:52:36.160
<v Speaker 2>The bunkers get deepened and a little bit more rounded

0:52:36.960 --> 0:52:40.000
<v Speaker 2>in terms of flashed up, whereas before he's using a

0:52:40.080 --> 0:52:46.279
<v Speaker 2>flatter style, and that's kind of the strength of his

0:52:46.760 --> 0:52:53.759
<v Speaker 2>design period where he's a little bit more spartan and

0:52:53.880 --> 0:52:56.759
<v Speaker 2>a little bit more I would almost say predictable. In

0:52:56.920 --> 0:52:59.400
<v Speaker 2>terms of the green size, they tend to average about

0:53:00.400 --> 0:53:03.920
<v Speaker 2>fifty five hundred to sixty five hundred square feet, not

0:53:04.080 --> 0:53:11.080
<v Speaker 2>as much front linear, a little more rounded. And then

0:53:13.200 --> 0:53:19.239
<v Speaker 2>in his in the mid thirties, Hatch and McGovern go

0:53:19.360 --> 0:53:23.719
<v Speaker 2>off on their own. There's almost no work. Ross is

0:53:24.680 --> 0:53:32.760
<v Speaker 2>confined more so to the Pinehurst area. He's rationalizing the bunkering.

0:53:33.000 --> 0:53:38.480
<v Speaker 2>It's much more simplified, very very few spartan bunkering Hartford

0:53:38.520 --> 0:53:40.839
<v Speaker 2>Golf Club, for example, the third nine on Hartford, which

0:53:40.880 --> 0:53:43.560
<v Speaker 2>Who's done in the late forties. Raleigh Country Club as

0:53:43.600 --> 0:53:48.040
<v Speaker 2>well has that look as well. So what I would

0:53:48.080 --> 0:53:54.000
<v Speaker 2>say is that there is a rationalization and a kind

0:53:54.040 --> 0:53:59.839
<v Speaker 2>of simplification of this design over the years. I don't

0:53:59.840 --> 0:54:02.480
<v Speaker 2>know if I want to break it as much into phases,

0:54:02.640 --> 0:54:07.000
<v Speaker 2>because you do have these anomalous examples, aronomy being one,

0:54:07.120 --> 0:54:09.680
<v Speaker 2>and then one of my favorites right down the road

0:54:09.920 --> 0:54:12.840
<v Speaker 2>where I was very involved both as a member and

0:54:12.920 --> 0:54:15.480
<v Speaker 2>then is on the restoration wamping on Country Club in

0:54:15.520 --> 0:54:18.880
<v Speaker 2>West Hartford. Eight of the first nine holes have cross

0:54:18.920 --> 0:54:21.840
<v Speaker 2>bunkers one hundred and twenty yards off the tee, and

0:54:22.000 --> 0:54:24.040
<v Speaker 2>every hole on the back nine has either a cross

0:54:24.120 --> 0:54:27.040
<v Speaker 2>bunker or a major water hazard for a t shot.

0:54:27.160 --> 0:54:32.479
<v Speaker 2>So yeah, comes out of nowhere. So he's obviously able

0:54:32.560 --> 0:54:36.360
<v Speaker 2>to break the mold at times. But generally there's a

0:54:36.440 --> 0:54:41.759
<v Speaker 2>simplification and I find as early as work generally more

0:54:41.840 --> 0:54:45.400
<v Speaker 2>interesting and more varied to me, Essex County Club up

0:54:45.440 --> 0:54:47.960
<v Speaker 2>in the north side of Boston is one of the

0:54:48.040 --> 0:54:49.040
<v Speaker 2>great examples of that.

0:54:49.840 --> 0:54:52.799
<v Speaker 1>Absolutely, there's a kind of freedom in the design at

0:54:52.920 --> 0:54:55.319
<v Speaker 1>Essex County Club that you maybe don't see in later

0:54:55.480 --> 0:54:58.280
<v Speaker 1>ross courses. It's sort of unexpectedness of feature.

0:54:59.080 --> 0:55:01.839
<v Speaker 2>Yeah, but then he's got these, you know, the more

0:55:01.880 --> 0:55:06.800
<v Speaker 2>strategic stuff. Franklin Hills comes to mind, for example, or

0:55:07.880 --> 0:55:10.680
<v Speaker 2>as a really good example, which was mid late I

0:55:10.760 --> 0:55:14.120
<v Speaker 2>think nineteen twenty six. That's a great example of a

0:55:14.400 --> 0:55:19.000
<v Speaker 2>very spartan use of dramatic slopes and bunkering, but not

0:55:19.360 --> 0:55:21.560
<v Speaker 2>a massive proliferation of features.

0:55:22.120 --> 0:55:27.640
<v Speaker 1>So right, Yeah, So in general simplification over time, I

0:55:27.880 --> 0:55:31.920
<v Speaker 1>like this term rationalization, you know, almost as though he

0:55:32.440 --> 0:55:37.840
<v Speaker 1>is becoming kind of more professional or restrained or elegant

0:55:38.400 --> 0:55:40.640
<v Speaker 1>over time. But do you see this as I mean,

0:55:41.040 --> 0:55:45.239
<v Speaker 1>is there a bit of a loss of verve in

0:55:45.400 --> 0:55:47.239
<v Speaker 1>his design over time?

0:55:47.960 --> 0:55:50.680
<v Speaker 2>Oh? Yeah, but his greens get really interesting. You know,

0:55:51.080 --> 0:55:53.960
<v Speaker 2>It's like he concentrated his impact on the greens. You

0:55:54.120 --> 0:55:56.719
<v Speaker 2>think about what Seminole used to be and what it's

0:55:56.960 --> 0:56:00.440
<v Speaker 2>getting back to now, for example, a lot more variety.

0:56:00.600 --> 0:56:06.760
<v Speaker 2>So he was absolutely a master at shaping interesting greens,

0:56:06.800 --> 0:56:11.080
<v Speaker 2>and that got stronger as he went on. You know,

0:56:11.200 --> 0:56:15.040
<v Speaker 2>the older work was actually simpler greens, but much more

0:56:15.120 --> 0:56:18.280
<v Speaker 2>complicated bunkering to get there. It's almost as if the emphasis.

0:56:19.160 --> 0:56:23.320
<v Speaker 2>You know, the equipment has changing completely by the late twenties,

0:56:23.600 --> 0:56:27.280
<v Speaker 2>You've got the advent of well, early thirties steel shafts,

0:56:27.840 --> 0:56:35.160
<v Speaker 2>sandwiches for example, much more reliable golf ball irrigation, consistency

0:56:35.239 --> 0:56:40.279
<v Speaker 2>in the agronomy, and the maintenance. You're mowing fairways more

0:56:40.360 --> 0:56:44.600
<v Speaker 2>than once a week. So that the shift in emphasis,

0:56:45.160 --> 0:56:47.000
<v Speaker 2>I think it's fair to say, and I've never thought

0:56:47.000 --> 0:56:49.839
<v Speaker 2>about it till just now, which is interesting. But that's

0:56:50.080 --> 0:56:53.360
<v Speaker 2>that's how great this question is. I think the emphasis

0:56:53.440 --> 0:56:58.520
<v Speaker 2>went from essentially t shot to approach to green in

0:56:58.640 --> 0:57:01.280
<v Speaker 2>terms of where he emphas sized his impact.

0:57:02.120 --> 0:57:05.400
<v Speaker 1>That's fascinating. I think that's absolutely true. Right if you

0:57:05.640 --> 0:57:08.400
<v Speaker 1>if you take Essex County Club as an example and

0:57:08.480 --> 0:57:12.319
<v Speaker 1>compare it to say, uh, well, maybe ironom ink isn't

0:57:12.360 --> 0:57:15.120
<v Speaker 1>the best example because of how complex ironom innks bunkering

0:57:15.200 --> 0:57:18.120
<v Speaker 1>schemes are. But but if you look at the green

0:57:18.440 --> 0:57:21.240
<v Speaker 1>the approach to green design, the greens at Essex County

0:57:21.280 --> 0:57:25.120
<v Speaker 1>Club are very interesting, and it's great that they haven't

0:57:25.160 --> 0:57:27.439
<v Speaker 1>blown them up. They've just kind of kept them over time,

0:57:27.520 --> 0:57:29.840
<v Speaker 1>and and so they have all these little wrinkles, little

0:57:29.880 --> 0:57:32.720
<v Speaker 1>tiny wrinkles in them. They're they're very interesting, but they're

0:57:32.760 --> 0:57:36.800
<v Speaker 1>not they're they're they're nothing like the style of green

0:57:36.960 --> 0:57:39.440
<v Speaker 1>that that Ross built at say Franklin Hills or or

0:57:41.040 --> 0:57:44.120
<v Speaker 1>or around them ink uh. They they are much simpler

0:57:44.720 --> 0:57:48.240
<v Speaker 1>and and so yeah, it does seem like his his

0:57:48.640 --> 0:57:51.840
<v Speaker 1>interests kind of shifted to the greens as opposed to

0:57:52.040 --> 0:57:55.040
<v Speaker 1>the you know, overall layout of the holes and arrangement

0:57:55.120 --> 0:57:58.360
<v Speaker 1>of hazards, et cetera. Maybe he discovered that, Okay, I

0:57:58.400 --> 0:58:00.800
<v Speaker 1>can do a few things at the green that have

0:58:00.960 --> 0:58:03.720
<v Speaker 1>a really big impact, and I don't need to build

0:58:04.200 --> 0:58:05.760
<v Speaker 1>all this other stuff in a sense.

0:58:07.760 --> 0:58:10.280
<v Speaker 2>Yeah, it's interesting. I mean, you know, I've been writing

0:58:10.280 --> 0:58:12.480
<v Speaker 2>about this for forty years, and the first time I've

0:58:12.520 --> 0:58:17.040
<v Speaker 2>thought about it along these particular lines. It may also

0:58:17.160 --> 0:58:22.160
<v Speaker 2>have something to do with the simplification of construction, where

0:58:23.480 --> 0:58:26.960
<v Speaker 2>the process of taming the landforms and building in the

0:58:27.040 --> 0:58:31.680
<v Speaker 2>bunkers became easier, so that that sort of took care

0:58:31.720 --> 0:58:36.640
<v Speaker 2>of itself, whereas the process was more concentrated on the shaping,

0:58:36.840 --> 0:58:40.640
<v Speaker 2>mold and crafting of those of those putting surfaces.

0:58:40.840 --> 0:58:44.600
<v Speaker 1>Right, yeah, Yeah, And you could use bigger equipment too

0:58:44.800 --> 0:58:49.600
<v Speaker 1>in shaping those fairway features. You weren't you were necessarily

0:58:49.760 --> 0:58:54.640
<v Speaker 1>just sending men out to dig every bunker. You could

0:58:54.760 --> 0:58:57.760
<v Speaker 1>use some bigger equipment for those bigger tasks and then

0:58:57.880 --> 0:59:01.160
<v Speaker 1>concentrate the manual work more on more on the greens,

0:59:01.400 --> 0:59:04.880
<v Speaker 1>I suppose. But a lot of interesting possibilities there for

0:59:05.560 --> 0:59:09.720
<v Speaker 1>why his style evolved the way it did. Now, that's

0:59:09.760 --> 0:59:13.160
<v Speaker 1>a question. The one we just we're grappling with is

0:59:13.200 --> 0:59:17.479
<v Speaker 1>a question about Ross's career over time. This next question

0:59:17.640 --> 0:59:23.240
<v Speaker 1>is about Ross's career over geography. Ben Dennison asks, how

0:59:23.280 --> 0:59:27.360
<v Speaker 1>would you assess or rank the Ross catalog of courses

0:59:27.440 --> 0:59:34.440
<v Speaker 1>by geography Northeast, Southeast and Midwest? Is there? Do you

0:59:34.640 --> 0:59:39.160
<v Speaker 1>do you like to split Ross's catalog into those different geographies.

0:59:39.320 --> 0:59:42.720
<v Speaker 1>Do you have a favorite region of Ross? Do you

0:59:42.760 --> 0:59:45.200
<v Speaker 1>think he shifted his style from region to region?

0:59:46.440 --> 0:59:51.240
<v Speaker 2>Again a great question. I've mapped this out. And first

0:59:51.240 --> 0:59:55.120
<v Speaker 2>of all, nobody ever talks about his workout west because

0:59:55.400 --> 0:59:59.040
<v Speaker 2>right across the only cross the Mississippi River. I think

0:59:59.120 --> 1:00:00.440
<v Speaker 2>twice in his life he went out.

1:00:00.480 --> 1:00:02.400
<v Speaker 1>Is there only one Ross course in California?

1:00:02.600 --> 1:00:07.840
<v Speaker 2>Is that the golfing country Club in San Mateo, which

1:00:07.880 --> 1:00:11.000
<v Speaker 2>he was very interesting by the way he went out there.

1:00:11.440 --> 1:00:15.440
<v Speaker 2>His wife Janet died in February of twenty two. Ross

1:00:15.600 --> 1:00:17.920
<v Speaker 2>went into a funk, was kind of depressed all year,

1:00:18.920 --> 1:00:23.640
<v Speaker 2>took a three week hiatus, got a ridiculous fee from

1:00:24.080 --> 1:00:28.040
<v Speaker 2>negotiated a ridiculously crazy high fee from this new club

1:00:28.520 --> 1:00:31.480
<v Speaker 2>in San Mateo called Beresford. He went out there for

1:00:31.800 --> 1:00:37.360
<v Speaker 2>basically a month, went to San Francisco, after touring some

1:00:37.520 --> 1:00:41.120
<v Speaker 2>courses in La laid out a golf course, went back

1:00:41.320 --> 1:00:43.919
<v Speaker 2>and never saw the golf course and it was opened

1:00:43.960 --> 1:00:46.680
<v Speaker 2>a year and a half later. And then he's got

1:00:46.680 --> 1:00:53.040
<v Speaker 2>a couple of courses in Denver, one in Topeka. He's

1:00:53.080 --> 1:01:01.160
<v Speaker 2>got Cedar Rapids nineteen fifteen, and in that's not you know,

1:01:01.960 --> 1:01:05.720
<v Speaker 2>a couple in Texas, but very little. Anyway, The short

1:01:05.800 --> 1:01:09.280
<v Speaker 2>answer is my favorite ross courses are built along the

1:01:09.360 --> 1:01:18.480
<v Speaker 2>Great Lakes, along the moraine territory of Rochester, Buffalo into

1:01:20.080 --> 1:01:24.880
<v Speaker 2>one of my absolute favorites up in Duluth, Northland. Sure,

1:01:25.480 --> 1:01:31.120
<v Speaker 2>he was a master of using the glacial moraine and

1:01:31.960 --> 1:01:36.880
<v Speaker 2>the terrain that had been created by the glaciers. And

1:01:37.640 --> 1:01:44.680
<v Speaker 2>that's that's okill, that's Monroe, which is astonishing, a country

1:01:44.720 --> 1:01:50.920
<v Speaker 2>club Buffalo with massive slopes and big washouts, all created

1:01:51.000 --> 1:01:57.080
<v Speaker 2>by the washouts from them, the glaciers. Detroit.

1:01:58.480 --> 1:02:00.560
<v Speaker 1>I was just gonna ask you you include Detroit in this.

1:02:00.680 --> 1:02:03.080
<v Speaker 1>I mean, obviously it's Great Lakes, but but it's yeah,

1:02:03.200 --> 1:02:06.080
<v Speaker 1>kind of part of the same geological formation that you're

1:02:06.080 --> 1:02:06.640
<v Speaker 1>talking about.

1:02:06.880 --> 1:02:10.240
<v Speaker 2>Yeah, yeah, that's my favorite. That's to me is the

1:02:10.320 --> 1:02:16.320
<v Speaker 2>strongest consistent quality of work that he did. Skulkie has

1:02:16.400 --> 1:02:22.840
<v Speaker 2>that quality. Beverly certainly they come immediately to mind.

1:02:23.600 --> 1:02:26.720
<v Speaker 1>Yeah, this is it's I haven't thought of these courses

1:02:26.800 --> 1:02:32.600
<v Speaker 1>as all as a group before, but he built so

1:02:32.680 --> 1:02:35.720
<v Speaker 1>many courses in Rochester. He built so many courses in

1:02:36.080 --> 1:02:40.960
<v Speaker 1>the Detroit suburbs and in these kind of upper Midwestern cities.

1:02:41.040 --> 1:02:45.200
<v Speaker 1>He really kind of made a second home in this area,

1:02:45.840 --> 1:02:49.080
<v Speaker 1>and he built some of his most kind of spectacular

1:02:49.200 --> 1:02:52.720
<v Speaker 1>and fully realized courses on these pieces of land. They obviously,

1:02:53.440 --> 1:02:56.960
<v Speaker 1>you know, this kind of land inspired him in some

1:02:57.120 --> 1:02:58.960
<v Speaker 1>way or another. You know, the kind of land you

1:02:59.080 --> 1:03:04.000
<v Speaker 1>see at at Oakland Hills and in Rochester and these

1:03:04.760 --> 1:03:08.120
<v Speaker 1>different places. And that's it's that's really interesting. Yeah, I

1:03:08.120 --> 1:03:10.480
<v Speaker 1>don't know if it's happenstance or or if he when

1:03:10.520 --> 1:03:12.200
<v Speaker 1>he got a job in one of these areas, he

1:03:12.720 --> 1:03:15.200
<v Speaker 1>just thought to himself, well, I'm gonna I'm gonna really

1:03:15.560 --> 1:03:16.480
<v Speaker 1>throw it all at this one.

1:03:17.120 --> 1:03:19.600
<v Speaker 2>Well, a couple of things. First of all, it's the railroads,

1:03:19.920 --> 1:03:23.280
<v Speaker 2>so he was writing. I've documented his travels. He was

1:03:23.960 --> 1:03:26.200
<v Speaker 2>back and forth all the time on the railroads, and

1:03:26.480 --> 1:03:31.440
<v Speaker 2>it was an easy trip from Boston through Buffalo Cleveland.

1:03:34.200 --> 1:03:37.040
<v Speaker 2>I have one of his itineraries. He's in Detroit on

1:03:37.160 --> 1:03:40.600
<v Speaker 2>a Saturday morning and he wires folks up it sends

1:03:40.640 --> 1:03:45.600
<v Speaker 2>a letter actually, or writes them up in Northland. He

1:03:45.640 --> 1:03:47.640
<v Speaker 2>says he'll be there twenty three hours later. It takes

1:03:47.680 --> 1:03:49.920
<v Speaker 2>some twenty three hours to go by train from Detroit

1:03:50.280 --> 1:03:57.480
<v Speaker 2>to Duluth via Chicago and Minneapolis. But that's what he did.

1:03:57.520 --> 1:04:00.840
<v Speaker 2>He rode the trains and he went where those who

1:04:00.840 --> 1:04:04.400
<v Speaker 2>were and it shows and you know that if you

1:04:04.480 --> 1:04:09.800
<v Speaker 2>think about the glacial moraine, you're creating thirty forty foot falls,

1:04:09.840 --> 1:04:11.920
<v Speaker 2>which is what you want. By the way, one of

1:04:12.000 --> 1:04:14.919
<v Speaker 2>the greatest of his courses that nobody ever talks about

1:04:15.000 --> 1:04:17.800
<v Speaker 2>is Glen's Falls up in upstate New York.

1:04:18.120 --> 1:04:21.160
<v Speaker 1>I've heard wonderful things about this course. I have not

1:04:21.360 --> 1:04:23.200
<v Speaker 1>been yet, but it's very high on the list.

1:04:23.600 --> 1:04:27.520
<v Speaker 2>It's where the Wisconsin Glacier ripped through and just transformed

1:04:27.560 --> 1:04:35.439
<v Speaker 2>the landforms and created these incredible, incredible terrain, even down

1:04:35.480 --> 1:04:39.959
<v Speaker 2>in the Bronx, New york'si WINOI very impressive in terms

1:04:40.000 --> 1:04:44.320
<v Speaker 2>of how he routed all of his holes. The short

1:04:44.360 --> 1:04:49.240
<v Speaker 2>holes go use the most severe terrain, the long holes

1:04:50.080 --> 1:04:56.000
<v Speaker 2>right on top, very clear use of really beautiful rolling terrain.

1:04:57.680 --> 1:04:59.920
<v Speaker 2>The oddity, I have to say, the oddity of raw

1:05:00.200 --> 1:05:02.360
<v Speaker 2>is he only did one little nine hole golf course

1:05:02.400 --> 1:05:06.560
<v Speaker 2>on Long Island. Everybody else was making hay there and

1:05:06.920 --> 1:05:11.520
<v Speaker 2>he did North Fork Country Club. It did the front

1:05:12.120 --> 1:05:15.440
<v Speaker 2>the original nine holes, which was then capped off by

1:05:15.520 --> 1:05:19.560
<v Speaker 2>nine holes by Devereux Emmett in the twenties, but he

1:05:19.680 --> 1:05:22.160
<v Speaker 2>was there in nineteen twelve nineteen thirteen fairly early on.

1:05:22.400 --> 1:05:25.560
<v Speaker 2>Never did another one. So the short answer is the

1:05:25.680 --> 1:05:30.360
<v Speaker 2>Great Lakes district is really strong to me. Obviously, he

1:05:30.480 --> 1:05:33.160
<v Speaker 2>did a lot of work in the Carolinas, in the

1:05:33.240 --> 1:05:36.440
<v Speaker 2>mountains as well, all through on very different terrain, the

1:05:36.560 --> 1:05:42.480
<v Speaker 2>sand hills of Pinehurst. Those courses obviously very strong, but

1:05:42.720 --> 1:05:44.920
<v Speaker 2>didn't have as much of the interesting terrain as you

1:05:45.000 --> 1:05:46.480
<v Speaker 2>had with the glacier.

1:05:47.280 --> 1:05:51.200
<v Speaker 1>So yeah, yeah, I think I agree. Now that you

1:05:51.320 --> 1:05:54.880
<v Speaker 1>have grouped those Rochester and Buffalo courses together with the

1:05:55.000 --> 1:05:58.720
<v Speaker 1>Michigan ones and the Chicago ones, that does kind of

1:06:00.040 --> 1:06:03.760
<v Speaker 1>and you know, highlight this this corpus of golf courses

1:06:03.840 --> 1:06:08.400
<v Speaker 1>on similar terrain where where ross really seemed to seem

1:06:08.440 --> 1:06:11.920
<v Speaker 1>to thrive. So the next question here is is kind

1:06:11.960 --> 1:06:14.920
<v Speaker 1>of a fun hypothetical. I'm not I'm not sure where

1:06:14.960 --> 1:06:17.480
<v Speaker 1>you're gonna go with this. I'm not sure where I

1:06:17.520 --> 1:06:21.960
<v Speaker 1>would go with this, But justin McCarthy refers to, you know,

1:06:22.080 --> 1:06:24.240
<v Speaker 1>the story that has been told from time to time

1:06:24.360 --> 1:06:27.320
<v Speaker 1>of the handshake deal between Bobby Jones and Donald Ross

1:06:27.880 --> 1:06:33.640
<v Speaker 1>to to build Jones's ideal course after Jones's retirement. In

1:06:33.760 --> 1:06:38.280
<v Speaker 1>other words, Ross, you know, perhaps was Jones's first idea

1:06:38.440 --> 1:06:42.960
<v Speaker 1>for an architect for Augusta National, and Justin goes on

1:06:43.080 --> 1:06:47.640
<v Speaker 1>to say this all changed after after Jones lost early

1:06:47.720 --> 1:06:50.240
<v Speaker 1>in the US Amateur at Pebble and decided to go

1:06:50.360 --> 1:06:53.920
<v Speaker 1>see Cyprus while he was out there, which ultimately convinced

1:06:53.960 --> 1:06:57.880
<v Speaker 1>him that doctor Mackenzie was the guy. Justin asks what

1:06:58.000 --> 1:07:00.880
<v Speaker 1>would a Donald Ross version of a Gusta National have

1:07:01.000 --> 1:07:04.480
<v Speaker 1>looked like? Would it too closely resemble Ross's work on

1:07:04.560 --> 1:07:06.960
<v Speaker 1>the other side of Rays Creek at Augusta Country Club

1:07:08.000 --> 1:07:12.240
<v Speaker 1>or do you think Ross would have created something equally special.

1:07:13.240 --> 1:07:16.320
<v Speaker 2>I don't think there's any truth to this story, so

1:07:17.280 --> 1:07:21.240
<v Speaker 2>I'm not seeing a piece of evidence, a reference. I

1:07:21.320 --> 1:07:26.480
<v Speaker 2>don't believe a word of it. Ross was already at

1:07:26.640 --> 1:07:30.320
<v Speaker 2>Augusta Country Club. He had done the eighteen holes, he

1:07:30.520 --> 1:07:34.120
<v Speaker 2>was director of Golf, he had occasional job there where

1:07:34.120 --> 1:07:37.560
<v Speaker 2>he was the resident pro. He was spending time there.

1:07:40.000 --> 1:07:46.120
<v Speaker 2>I can't imagine that Augusta at Clifford Roberts would have

1:07:46.200 --> 1:07:49.280
<v Speaker 2>hired the guy next door to build a golf course.

1:07:49.520 --> 1:07:51.240
<v Speaker 2>So I don't see any evidence for it.

1:07:53.000 --> 1:07:54.720
<v Speaker 1>Do you think there was ever a backup plan to

1:07:54.760 --> 1:07:58.120
<v Speaker 1>Alistair mackenzie at all? See, because I'm not sure that

1:07:58.240 --> 1:08:02.280
<v Speaker 1>Jones even had it in his mind that he, you know,

1:08:03.160 --> 1:08:05.320
<v Speaker 1>what this course would be until he was aware of

1:08:05.360 --> 1:08:06.200
<v Speaker 1>Alistair McKenzie.

1:08:06.760 --> 1:08:09.960
<v Speaker 2>Well, someone want to ask Jim Nantz if he could

1:08:10.000 --> 1:08:14.960
<v Speaker 2>ask Fred Ridley why they never paid Alistair McKenzie. You know,

1:08:15.640 --> 1:08:18.519
<v Speaker 2>they stiffed him on his feet. I think McKenzie was

1:08:18.520 --> 1:08:20.559
<v Speaker 2>supposed to get ten thousand dollars. They only paid him

1:08:20.560 --> 1:08:21.800
<v Speaker 2>two thousand. He got pissed off.

1:08:21.840 --> 1:08:25.639
<v Speaker 1>Fine. He was begging for it, McKenzie. He was sending

1:08:25.760 --> 1:08:27.000
<v Speaker 1>letters saying, please pay me.

1:08:27.720 --> 1:08:33.200
<v Speaker 2>Yeah, so he sends what's her name, the great female golfer.

1:08:33.360 --> 1:08:34.040
<v Speaker 1>Marion Hollands.

1:08:34.560 --> 1:08:38.479
<v Speaker 2>He sends Marion Hollins to finish the golf course and Ross,

1:08:38.640 --> 1:08:41.799
<v Speaker 2>I mean McKenzie never saw the finish or a finished

1:08:42.200 --> 1:08:45.040
<v Speaker 2>You never saw the golf course after mid nineteen thirty two.

1:08:46.000 --> 1:08:48.840
<v Speaker 1>So, in other words, Ross dodged a bullet here.

1:08:49.280 --> 1:08:53.400
<v Speaker 2>But I still think that's my first take on it.

1:08:53.920 --> 1:08:56.200
<v Speaker 2>I think there's very little air to that story.

1:08:56.280 --> 1:08:59.040
<v Speaker 1>But yeah, I haven't I haven't seen any good I

1:08:59.120 --> 1:09:01.519
<v Speaker 1>think Lee Pays written about it before. I'm not sure

1:09:01.560 --> 1:09:05.200
<v Speaker 1>what his conclusions were, but this is certainly more of

1:09:05.200 --> 1:09:08.960
<v Speaker 1>an urban legend than it is an established historical fact.

1:09:09.080 --> 1:09:14.800
<v Speaker 1>But the thought experiment is still perhaps perhaps interesting, perhaps not.

1:09:15.360 --> 1:09:19.519
<v Speaker 1>Do you think Ross's approach to routing Augusta National would

1:09:19.520 --> 1:09:22.760
<v Speaker 1>have been different from Mackenzie's. Do you think his stylistic

1:09:22.840 --> 1:09:27.320
<v Speaker 1>approach would have been different than Mackenzie's? And how well?

1:09:27.439 --> 1:09:29.560
<v Speaker 2>It's a great question. And now that I think about it,

1:09:30.479 --> 1:09:33.960
<v Speaker 2>I'm trying to think of a golf course that Ross

1:09:34.160 --> 1:09:39.280
<v Speaker 2>did where the routing overwhelmed everything. That's the beauty of

1:09:39.280 --> 1:09:42.519
<v Speaker 2>Augusta National. It's high point to high point, it's across.

1:09:42.600 --> 1:09:47.720
<v Speaker 2>You're playing across these big drop offs. You're sweeping down

1:09:47.800 --> 1:09:52.120
<v Speaker 2>one hundred and twenty feet on the tenth hole used

1:09:52.120 --> 1:09:52.840
<v Speaker 2>to be the first hole.

1:09:53.400 --> 1:09:57.360
<v Speaker 1>It's such a different, difficult property to rout too, you know,

1:09:57.520 --> 1:10:00.760
<v Speaker 1>I mean, I you know, Ross's built courses on all

1:10:00.840 --> 1:10:03.759
<v Speaker 1>sorts of different sites, but one that is as severe

1:10:03.960 --> 1:10:07.240
<v Speaker 1>and difficult and it poses the kind of challenges but

1:10:07.320 --> 1:10:10.400
<v Speaker 1>at the same time opportunities as Augusta National. It's hard

1:10:10.479 --> 1:10:12.560
<v Speaker 1>to think of one that Ross worked on that was

1:10:12.680 --> 1:10:12.880
<v Speaker 1>like it.

1:10:13.600 --> 1:10:16.080
<v Speaker 2>Yeah, I agree, and it's interesting when you think about

1:10:16.080 --> 1:10:19.960
<v Speaker 2>the original design. I think Mackenzie understood that because the

1:10:20.160 --> 1:10:23.839
<v Speaker 2>land was so dramatic, he only needed twenty four bunkers

1:10:25.760 --> 1:10:35.760
<v Speaker 2>to make it work, and so Ross himself. Northland is

1:10:35.840 --> 1:10:39.360
<v Speaker 2>the only golf course I know of, and I'm sure

1:10:39.960 --> 1:10:42.400
<v Speaker 2>the readers are smarter than this will figure one out.

1:10:43.080 --> 1:10:45.519
<v Speaker 2>But Northland is one of those up unto the loof

1:10:45.920 --> 1:10:49.200
<v Speaker 2>overlooking Lake Superior. It's one of those few golf courses

1:10:49.200 --> 1:10:53.280
<v Speaker 2>where the routing. When I say overwhelmed, that's the wrong word.

1:10:53.360 --> 1:10:57.080
<v Speaker 2>I don't mean swamps it. It is the story. The

1:10:57.160 --> 1:11:00.680
<v Speaker 2>whole story of Northland is that incredible routing where it

1:11:00.800 --> 1:11:03.760
<v Speaker 2>just climbs up and then descends and gives you this

1:11:04.240 --> 1:11:09.519
<v Speaker 2>long view along the way. So that's more along the

1:11:09.600 --> 1:11:15.280
<v Speaker 2>lines of what augusta national pain. So I don't know

1:11:15.400 --> 1:11:19.680
<v Speaker 2>what he would have created had he had that opportunity.

1:11:21.360 --> 1:11:22.960
<v Speaker 2>You know, if you look at the land next door

1:11:23.360 --> 1:11:28.439
<v Speaker 2>where he augusta country club which has a very beautiful,

1:11:28.479 --> 1:11:32.719
<v Speaker 2>elegant flow to it. It's a non returning golf course,

1:11:32.880 --> 1:11:37.280
<v Speaker 2>essentially a link style. It's all basically paired off double

1:11:37.360 --> 1:11:40.519
<v Speaker 2>fairways it was going to be a real estate on

1:11:40.680 --> 1:11:42.479
<v Speaker 2>that There was real estate on the other course that

1:11:42.640 --> 1:11:47.479
<v Speaker 2>Rainer had designed, But that's sort of marching up around

1:11:47.800 --> 1:11:51.360
<v Speaker 2>back up along a creek bed to eight and then

1:11:51.880 --> 1:11:57.840
<v Speaker 2>circling back. But it didn't have the scale and the

1:11:57.960 --> 1:12:04.160
<v Speaker 2>width and the horizontal drum that Augusta had. So right,

1:12:05.640 --> 1:12:09.880
<v Speaker 2>you know, I guess one of these days this might

1:12:09.920 --> 1:12:14.559
<v Speaker 2>be a good article for I can think of another

1:12:14.640 --> 1:12:22.960
<v Speaker 2>publication that to debunk the myth of ross Augusta Country.

1:12:23.439 --> 1:12:27.400
<v Speaker 1>Hey, National, Look before every single masters, I ask myself,

1:12:27.600 --> 1:12:30.519
<v Speaker 1>is there anything else that I can say about this

1:12:30.960 --> 1:12:33.559
<v Speaker 1>golf course and its history? And perhaps this is an

1:12:33.600 --> 1:12:37.080
<v Speaker 1>angle that that that needs to be taken one of

1:12:37.160 --> 1:12:41.599
<v Speaker 1>these years. All right, moving on to the capstone question.

1:12:41.920 --> 1:12:44.680
<v Speaker 1>The last question that I have for you, Brad, from

1:12:44.800 --> 1:12:46.880
<v Speaker 1>from our readers. This is from Dan Grigg.

1:12:48.280 --> 1:12:50.040
<v Speaker 2>Let me just say this, by the way, I think

1:12:50.120 --> 1:12:56.240
<v Speaker 2>fried Egg has become the leader in architectural judgment and criticism,

1:12:56.600 --> 1:12:59.960
<v Speaker 2>and the fact that you have these quality, this quality

1:13:00.120 --> 1:13:06.840
<v Speaker 2>of questions is testament to that I reluctantly concede that

1:13:07.000 --> 1:13:10.880
<v Speaker 2>a new form of social media might have overtaken classical

1:13:11.120 --> 1:13:13.120
<v Speaker 2>long form print. In this regard.

1:13:13.439 --> 1:13:15.640
<v Speaker 1>I don't know if I would call us, And we

1:13:15.760 --> 1:13:18.240
<v Speaker 1>don't feel super new anymore. We feel like kind of

1:13:18.280 --> 1:13:20.800
<v Speaker 1>old guys at this point. But that's very very nice

1:13:20.840 --> 1:13:24.000
<v Speaker 1>of you to say, Brad, of course, And yeah, it's

1:13:24.080 --> 1:13:27.080
<v Speaker 1>the it's our readers are the ones who kind of

1:13:28.560 --> 1:13:31.720
<v Speaker 1>inspire the stuff that we do and enable us to

1:13:31.800 --> 1:13:34.679
<v Speaker 1>do what we do. And uh, yeah, they're they're they're

1:13:34.720 --> 1:13:38.479
<v Speaker 1>extremely an extremely smart and savvy bunch, and so we're

1:13:38.520 --> 1:13:39.599
<v Speaker 1>just trying to keep up with them.

1:13:40.200 --> 1:13:44.759
<v Speaker 2>As one of the last long form dinosaurs of old pros.

1:13:45.920 --> 1:13:48.360
<v Speaker 2>I have to concede, you guys are doing a great job.

1:13:49.000 --> 1:13:51.920
<v Speaker 1>Thank you so much. I really appreciate that. All right.

1:13:52.040 --> 1:13:55.840
<v Speaker 1>Question from Dan Griffith, what aspect of the industry has

1:13:55.920 --> 1:14:00.400
<v Speaker 1>been most heavily influenced by Ross? So the modern industry

1:14:01.479 --> 1:14:04.520
<v Speaker 1>has been influenced by Ross, and he says in parentheses,

1:14:04.640 --> 1:14:08.559
<v Speaker 1>more so than by his contemporaries. So, in other words,

1:14:08.600 --> 1:14:12.439
<v Speaker 1>when you think of Ross's influence on the industry, is

1:14:12.479 --> 1:14:16.240
<v Speaker 1>there a particular aspect of today's industry that you think

1:14:17.040 --> 1:14:21.679
<v Speaker 1>Ross has had a particularly important role in shaping.

1:14:24.400 --> 1:14:26.240
<v Speaker 2>So the first thing I would tell you is that

1:14:27.600 --> 1:14:30.280
<v Speaker 2>I think the aspect of The industry that's been most

1:14:30.479 --> 1:14:36.720
<v Speaker 2>neglected is routing. So it's a reverse answer or an

1:14:36.760 --> 1:14:42.519
<v Speaker 2>inverse answer. I think that modern architecture should pay more attention,

1:14:43.560 --> 1:14:47.760
<v Speaker 2>and Ross was blessed with the ability to take a

1:14:48.120 --> 1:14:50.479
<v Speaker 2>unified piece of land and use it. It's much more

1:14:50.560 --> 1:14:54.719
<v Speaker 2>difficult now. I understand that because of wetlands, regulations, housing,

1:14:55.000 --> 1:15:00.160
<v Speaker 2>the economy, and the temptation to utilize large equipment to

1:15:00.280 --> 1:15:07.639
<v Speaker 2>solve topographical issues. In Ross's day, they weren't moving fairways,

1:15:07.720 --> 1:15:13.760
<v Speaker 2>they weren't leveling sight lines. You had to and if

1:15:13.800 --> 1:15:16.120
<v Speaker 2>you didn't like the way the piece of land worked,

1:15:16.120 --> 1:15:18.080
<v Speaker 2>you had to go next door to another farm and

1:15:18.200 --> 1:15:20.040
<v Speaker 2>find another one hundred and sixty acres. You don't have

1:15:20.120 --> 1:15:24.600
<v Speaker 2>that latitude now, so I think that the art of

1:15:24.760 --> 1:15:28.920
<v Speaker 2>routing has been lost in a lot of modern design.

1:15:30.640 --> 1:15:35.000
<v Speaker 2>That's one thing. So that's a different answer. The area

1:15:35.080 --> 1:15:38.200
<v Speaker 2>that's been most influenced is probably the importance of turf

1:15:38.280 --> 1:15:44.639
<v Speaker 2>grass and turf grass selection and mowing heights and adaptable grasses.

1:15:44.760 --> 1:15:48.040
<v Speaker 2>Because he was an inveterate researcher. The front of the

1:15:50.439 --> 1:15:55.200
<v Speaker 2>pine needles not pine needles, what's the pine crest? The

1:15:55.280 --> 1:15:58.920
<v Speaker 2>holly in He used the land between the holly in

1:16:00.040 --> 1:16:03.960
<v Speaker 2>what is now that Givens Memorial Library, that was a

1:16:04.080 --> 1:16:07.920
<v Speaker 2>test lab for turf grass for putting greens. Because you know,

1:16:09.080 --> 1:16:14.400
<v Speaker 2>people don't realize Pinehurst did not get grass greens until

1:16:14.479 --> 1:16:19.879
<v Speaker 2>the nineteen thirty six PGA Championship. Right all through the twenties.

1:16:20.920 --> 1:16:24.519
<v Speaker 2>This is astonishing. All through the nineteen twenties and into

1:16:24.560 --> 1:16:28.639
<v Speaker 2>the early thirties, golfers at Pinehurst were playing on sand greens.

1:16:28.960 --> 1:16:31.680
<v Speaker 1>Yeah, this is why I like to say sometimes, you know,

1:16:32.040 --> 1:16:36.519
<v Speaker 1>sort of provocatively, maybe not entirely accurately, but there's some

1:16:36.680 --> 1:16:39.200
<v Speaker 1>truth to it that Pinehurst number two is the nineteen

1:16:39.240 --> 1:16:43.599
<v Speaker 1>thirties golf course, you know, the greens where the greens

1:16:43.680 --> 1:16:47.280
<v Speaker 1>represent the state of the Donald Ross art by the

1:16:47.360 --> 1:16:49.880
<v Speaker 1>nineteen thirties. They don't represent nineteen oh seven.

1:16:50.520 --> 1:16:53.400
<v Speaker 2>No, that's exactly right. So and he wrote about this

1:16:53.600 --> 1:16:56.120
<v Speaker 2>in the program. I have a copy of the original

1:16:56.200 --> 1:16:58.559
<v Speaker 2>program for the thirty six PGA, and he talked about

1:16:58.560 --> 1:17:04.960
<v Speaker 2>the importance of long irons and quality of putting grasses

1:17:05.360 --> 1:17:10.680
<v Speaker 2>and the importance of turf to presenting a challenge. And

1:17:10.840 --> 1:17:16.919
<v Speaker 2>he spent a lot of time trying to get Bermuda

1:17:16.960 --> 1:17:20.960
<v Speaker 2>grass to sustain itself through the winter, and to get

1:17:21.000 --> 1:17:25.760
<v Speaker 2>Italian rye and other overseated grasses to make them work

1:17:25.840 --> 1:17:29.680
<v Speaker 2>on that golf course. So he was a real experimenter

1:17:29.880 --> 1:17:33.080
<v Speaker 2>in turf grass quality, and he worked hand in hand

1:17:33.160 --> 1:17:36.599
<v Speaker 2>with his superintendent Frank Maples, who was also his construction foreman,

1:17:39.080 --> 1:17:45.160
<v Speaker 2>who became himself very important all through the construction and

1:17:45.520 --> 1:17:49.439
<v Speaker 2>maintenance of the courses throughout the Carolinas in making sure

1:17:49.479 --> 1:17:52.920
<v Speaker 2>that those grant because the hard part of the South

1:17:53.600 --> 1:17:56.639
<v Speaker 2>was the weather extremes. You know, East Lake for years,

1:17:56.800 --> 1:17:58.760
<v Speaker 2>for example, had two sets of greens. It had winter

1:17:58.840 --> 1:18:03.559
<v Speaker 2>greens and summer greens, with completely different grasses. And when

1:18:03.600 --> 1:18:06.320
<v Speaker 2>you have winter greens and summer greens in a small space,

1:18:06.640 --> 1:18:09.360
<v Speaker 2>the quality of the putting surfaces are compromised. So it

1:18:09.439 --> 1:18:12.920
<v Speaker 2>wasn't un till those were unified in the forties and fifties,

1:18:13.040 --> 1:18:17.200
<v Speaker 2>probably in the fifties, that you've got what we think

1:18:17.240 --> 1:18:20.280
<v Speaker 2>of as the modern version of East Lake, for example.

1:18:20.360 --> 1:18:23.360
<v Speaker 2>So what I would say is that Ross himself he

1:18:23.560 --> 1:18:28.519
<v Speaker 2>was you know, after all, his mentor was Old Tom Morris,

1:18:29.800 --> 1:18:32.280
<v Speaker 2>and he was superintendent at Dornich, and he came over

1:18:32.520 --> 1:18:36.439
<v Speaker 2>and the primitive conditions pre irrigation of turf quality and

1:18:36.920 --> 1:18:40.280
<v Speaker 2>grounds in the United States did not allow for much

1:18:40.320 --> 1:18:45.320
<v Speaker 2>of what we now celebrate as the ground game. So

1:18:45.479 --> 1:18:48.479
<v Speaker 2>to get those proper conditions, he was really a master

1:18:49.880 --> 1:18:56.360
<v Speaker 2>maintained of the importance of getting firm, draining, well growing

1:18:56.479 --> 1:19:00.920
<v Speaker 2>soils and grow well growing grasses. And I think that's

1:19:01.360 --> 1:19:05.880
<v Speaker 2>probably his biggest quiet legacy, if you will, that yeah,

1:19:06.120 --> 1:19:07.479
<v Speaker 2>has transformed the industry.

1:19:07.960 --> 1:19:11.360
<v Speaker 1>There's a whole strain. Yeah, there's a whole strain in

1:19:11.479 --> 1:19:15.360
<v Speaker 1>Golden Age architecture in general where where these architects were

1:19:15.439 --> 1:19:19.120
<v Speaker 1>contributing more to the science of turf grass than than

1:19:19.280 --> 1:19:23.439
<v Speaker 1>anybody remembers, partly because it's so boring to read about.

1:19:23.600 --> 1:19:25.840
<v Speaker 1>You know, you read the you read the you read

1:19:25.880 --> 1:19:27.960
<v Speaker 1>the books by these guys, and you just want to

1:19:28.000 --> 1:19:30.519
<v Speaker 1>skip the chapters chapters about grass.

1:19:31.360 --> 1:19:35.559
<v Speaker 2>I've got all of those old turf grass books from

1:19:36.240 --> 1:19:38.720
<v Speaker 2>Oakley and Piper and Horace Hutchinson.

1:19:38.360 --> 1:19:42.840
<v Speaker 1>For example, incredibly tedious material. It's much more interesting to

1:19:43.000 --> 1:19:47.000
<v Speaker 1>read about, you know, strategic golf and and those kinds

1:19:47.040 --> 1:19:51.200
<v Speaker 1>of things. But to them, the most important stuff that

1:19:51.240 --> 1:19:54.920
<v Speaker 1>they were writing was about turf grass because that they

1:19:54.960 --> 1:19:57.080
<v Speaker 1>were really trying to figure this out and it was

1:19:57.640 --> 1:20:00.519
<v Speaker 1>that they were there at the kind of begin of

1:20:01.520 --> 1:20:06.439
<v Speaker 1>agronomic science for golf, and so certainly a legacy of

1:20:06.560 --> 1:20:10.160
<v Speaker 1>Ross's that shouldn't be forgotten. Let me give you let

1:20:10.200 --> 1:20:13.720
<v Speaker 1>me give you a take here about Ross as a

1:20:13.760 --> 1:20:16.360
<v Speaker 1>golf architect and his legacy, and see if you agree

1:20:16.360 --> 1:20:18.559
<v Speaker 1>with it. I'm not sure if I fly buy into

1:20:18.600 --> 1:20:22.840
<v Speaker 1>this entirely myself, but I think Ross was really important

1:20:23.120 --> 1:20:30.040
<v Speaker 1>in presenting a figure of a professional golf architect that

1:20:30.320 --> 1:20:35.519
<v Speaker 1>other people then imitated. A lot of architects of Donald

1:20:35.640 --> 1:20:40.519
<v Speaker 1>Ross's era kind of styled themselves as gentlemen, amateurs, right.

1:20:41.680 --> 1:20:44.120
<v Speaker 1>This was just something that they did in their free time,

1:20:44.280 --> 1:20:48.919
<v Speaker 1>and they took it seriously. But it wasn't a profession.

1:20:49.000 --> 1:20:52.320
<v Speaker 1>It explicitly wasn't a profession. For somebody like George Thomas.

1:20:53.520 --> 1:20:59.320
<v Speaker 1>Donald Ross very much styled himself as a professional, and

1:20:59.479 --> 1:21:04.640
<v Speaker 1>he built so many courses. He optimized the number of

1:21:04.800 --> 1:21:08.040
<v Speaker 1>courses that he was able to build by taking the

1:21:08.120 --> 1:21:10.800
<v Speaker 1>train and by designing his business in a way that

1:21:11.560 --> 1:21:16.760
<v Speaker 1>a golf architecture business hadn't really been designed before and

1:21:17.360 --> 1:21:22.120
<v Speaker 1>after him, people like Robert Trent Jones picked up on

1:21:22.240 --> 1:21:26.200
<v Speaker 1>that model. They looked at Donald Ross. I think the

1:21:26.360 --> 1:21:30.360
<v Speaker 1>mid century American golf architects looked at Donald Ross. And

1:21:30.479 --> 1:21:34.080
<v Speaker 1>while they didn't necessarily imitate his design style or even

1:21:34.160 --> 1:21:38.439
<v Speaker 1>all of his working methods or his business practices, I

1:21:38.520 --> 1:21:41.559
<v Speaker 1>think when they imagine themselves as a professional golf architect,

1:21:42.560 --> 1:21:47.519
<v Speaker 1>they imagined somebody like Donald Ross, and that is a

1:21:47.600 --> 1:21:51.840
<v Speaker 1>big aspect of Ross's influence. Does that resonate with you

1:21:51.920 --> 1:21:52.160
<v Speaker 1>at all?

1:21:52.720 --> 1:21:55.200
<v Speaker 2>No, it's you know, it's amazing. I have to say

1:21:55.640 --> 1:21:58.360
<v Speaker 2>our conversation is making me think about stuff. I've been

1:21:58.400 --> 1:22:00.560
<v Speaker 2>writing about it for forty years and thinking about it

1:22:00.640 --> 1:22:04.880
<v Speaker 2>completely differently now for the first time. You're absolutely right

1:22:05.400 --> 1:22:10.680
<v Speaker 2>if you think about the difference McDonald, CB McDonald and

1:22:12.840 --> 1:22:14.320
<v Speaker 2>George Thomas weren't getting.

1:22:14.120 --> 1:22:17.840
<v Speaker 1>Paid, right, They in a way they didn't want to

1:22:17.880 --> 1:22:20.439
<v Speaker 1>be paid in the way that Bobby Jones didn't want

1:22:20.439 --> 1:22:23.280
<v Speaker 1>to be paid because there was something there is something

1:22:23.320 --> 1:22:25.519
<v Speaker 1>about that that would have been ungentlemanly.

1:22:26.360 --> 1:22:28.719
<v Speaker 2>Right, And they were wealthy enough, and they also wanted

1:22:28.760 --> 1:22:31.840
<v Speaker 2>to preserve amateur status. That has a little bit to

1:22:31.920 --> 1:22:36.640
<v Speaker 2>do with USGA rules amateur status. But you're absolutely right.

1:22:37.080 --> 1:22:41.160
<v Speaker 2>Ross professionalized the trade with his use of his design

1:22:41.200 --> 1:22:45.439
<v Speaker 2>associates with Walter Irving Johnson, his draftsman, with Eric Nelson,

1:22:45.640 --> 1:22:50.599
<v Speaker 2>the secretary, with the contract, with the procedures, the plans,

1:22:51.040 --> 1:22:55.320
<v Speaker 2>the charging, the sequencing of visits. They turned it into

1:22:55.439 --> 1:22:58.840
<v Speaker 2>a business where they were stamping out golf courses. And

1:22:59.720 --> 1:23:03.240
<v Speaker 2>it's not a mistake that the American Society of Golf

1:23:03.280 --> 1:23:06.719
<v Speaker 2>Course Architects is formed at Pinehurst in nineteen forty seven.

1:23:06.840 --> 1:23:10.759
<v Speaker 2>Its first honorary president is Donald Ross. Robert Trent Jones

1:23:10.840 --> 1:23:13.400
<v Speaker 2>was one of thirteen members in attendance, and he certainly

1:23:13.479 --> 1:23:19.280
<v Speaker 2>styled himself became more of an aggressive business person. But

1:23:19.400 --> 1:23:22.680
<v Speaker 2>you know, those were tough days and the architect there

1:23:22.720 --> 1:23:26.479
<v Speaker 2>were very few architects who actually survived the depression and

1:23:26.600 --> 1:23:27.840
<v Speaker 2>came out on the other side.

1:23:28.240 --> 1:23:32.160
<v Speaker 1>Yeah, Jones. Jones was the one. You know, he'd fought

1:23:32.240 --> 1:23:34.800
<v Speaker 1>and scrapped and figured out how to how to make

1:23:34.840 --> 1:23:36.479
<v Speaker 1>a business out of it, and he.

1:23:36.600 --> 1:23:40.800
<v Speaker 2>Starved during the thirties. Oh yeah, it's clear from that

1:23:41.120 --> 1:23:42.160
<v Speaker 2>wonderful book.

1:23:43.760 --> 1:23:47.760
<v Speaker 1>That Jim Hanson, by the difficult part, Yeah, recommended to

1:23:47.920 --> 1:23:51.360
<v Speaker 1>everybody who's interested in golf architecture. It's a really, really fine,

1:23:51.680 --> 1:23:52.240
<v Speaker 1>fine home.

1:23:53.080 --> 1:23:56.519
<v Speaker 2>So the people who you know, very few people managed

1:23:56.800 --> 1:24:00.920
<v Speaker 2>Bith William Flynn didn't really get very far afterwards. Stanley

1:24:01.000 --> 1:24:05.080
<v Speaker 2>Thompson was died in the early fifties. Dick Wilson was

1:24:05.120 --> 1:24:08.160
<v Speaker 2>one of the few who survived and made it, But

1:24:08.439 --> 1:24:12.519
<v Speaker 2>was Jones who modeled himself. You're right after that practice,

1:24:13.720 --> 1:24:18.120
<v Speaker 2>and that's that was the forming of the American Society

1:24:18.160 --> 1:24:20.720
<v Speaker 2>of Golf Course Architects. But it was also the way

1:24:20.800 --> 1:24:24.400
<v Speaker 2>in which they went about training because as you said,

1:24:25.360 --> 1:24:29.200
<v Speaker 2>I don't know if I call them gentlemen, both of leisure,

1:24:29.600 --> 1:24:34.360
<v Speaker 2>because their their their life choices were a little bit

1:24:35.040 --> 1:24:39.080
<v Speaker 2>questionable in terms of their indulgences. But guys like McDonald

1:24:39.240 --> 1:24:47.639
<v Speaker 2>and telling has for who squandered a fortune, died broke, penniless, depressed, miserable.

1:24:50.240 --> 1:24:53.719
<v Speaker 2>They they didn't know how to manage their own business.

1:24:53.840 --> 1:24:56.679
<v Speaker 2>They never had to, whereas Ross came up from working

1:24:56.720 --> 1:25:01.400
<v Speaker 2>class background, so did Trent Johns. Of course, yeah, because

1:25:01.520 --> 1:25:04.439
<v Speaker 2>they had to create something from scratch. They weren't born

1:25:04.680 --> 1:25:09.639
<v Speaker 2>with anything to start with. So they understood the value

1:25:09.760 --> 1:25:13.240
<v Speaker 2>of hard work and saving and money and efficiency and

1:25:13.400 --> 1:25:18.640
<v Speaker 2>in their construction methods as well, you know. So I

1:25:18.720 --> 1:25:22.679
<v Speaker 2>think it's a very interesting point that the professionalization starts

1:25:22.840 --> 1:25:26.360
<v Speaker 2>with the model that Ross created with his use of associates.

1:25:28.080 --> 1:25:31.920
<v Speaker 1>Yeah, and that that perspective on golf architecture as a

1:25:32.000 --> 1:25:37.400
<v Speaker 1>profession almost required somebody like Ross who was fighting to

1:25:37.479 --> 1:25:41.719
<v Speaker 1>make a living. You know, he didn't have hereditary wealth.

1:25:41.800 --> 1:25:47.040
<v Speaker 1>He was an immigrant. He arrived in this country and

1:25:47.200 --> 1:25:52.840
<v Speaker 1>immediately started to work his way into relate the relationships

1:25:52.880 --> 1:25:57.360
<v Speaker 1>that would allow him to turn this into a sustainable profession.

1:25:57.960 --> 1:26:04.360
<v Speaker 1>And his innovation in creating a living for himself very interestingly,

1:26:04.439 --> 1:26:08.240
<v Speaker 1>I think ended up ended up essentially creating golf architecture

1:26:08.280 --> 1:26:09.559
<v Speaker 1>as a professional practice.

1:26:10.120 --> 1:26:12.280
<v Speaker 2>Yeah. And he was lucky enough that his clients just

1:26:12.720 --> 1:26:15.680
<v Speaker 2>lined up outside his office there in Pinehurst. You know,

1:26:15.760 --> 1:26:18.120
<v Speaker 2>he had an office above what's now the pro Shop

1:26:18.840 --> 1:26:22.120
<v Speaker 2>overlooking the putting green that was his main office, and

1:26:23.560 --> 1:26:26.400
<v Speaker 2>his clients all came there, they visited him, they stayed,

1:26:27.960 --> 1:26:33.559
<v Speaker 2>and he had an incredible portfolio that he developed through

1:26:33.640 --> 1:26:34.599
<v Speaker 2>that presence.

1:26:36.640 --> 1:26:41.600
<v Speaker 1>Well, it's an amazing life. Yeah. Ross's life is remarkable.

1:26:42.280 --> 1:26:46.920
<v Speaker 1>I'd recommend that anybody and everybody read about him, and

1:26:47.240 --> 1:26:50.240
<v Speaker 1>in reading about him, they will encounter your work, Brad.

1:26:50.880 --> 1:26:53.800
<v Speaker 1>The book Discovering Don Ross has been a very influential

1:26:53.840 --> 1:26:57.720
<v Speaker 1>one in my understanding of the history of golf architecture,

1:26:58.280 --> 1:27:00.360
<v Speaker 1>and you've written many other things about him as well.

1:27:00.760 --> 1:27:03.600
<v Speaker 1>Anything that we should keep an eye on from you

1:27:04.080 --> 1:27:06.519
<v Speaker 1>in the coming months here.

1:27:07.280 --> 1:27:12.040
<v Speaker 2>So in the spirit of self promotion, I think Mike

1:27:12.080 --> 1:27:14.080
<v Speaker 2>Hannigan of the USGA once said, if you don't have

1:27:14.120 --> 1:27:17.080
<v Speaker 2>a conflict of interest, nobody takes you seriously in the industry.

1:27:18.400 --> 1:27:22.599
<v Speaker 2>You know. Obviously I've written the biography Discovering Donald Ross.

1:27:22.920 --> 1:27:24.840
<v Speaker 2>It's hard to imagine, but it came out in two

1:27:24.880 --> 1:27:29.919
<v Speaker 2>thousand and one, right and I've sold out the book completely.

1:27:30.880 --> 1:27:35.360
<v Speaker 2>I can't the printing is exhausted. It's now available on

1:27:35.600 --> 1:27:39.479
<v Speaker 2>eBay for ridiculous amounts of money. Oh, I've gotten my copy,

1:27:39.800 --> 1:27:42.839
<v Speaker 2>so I'm glad you do. But I'm proud to announce,

1:27:43.520 --> 1:27:49.000
<v Speaker 2>through an arrangement with back nine Press, that going I'm

1:27:49.080 --> 1:27:53.040
<v Speaker 2>doing now in a twenty fifth anniversary edition. We are

1:27:53.240 --> 1:27:56.800
<v Speaker 2>calling it Rediscovering Donald Ross, and it's going to be

1:27:57.560 --> 1:28:01.160
<v Speaker 2>that book plus a considerable amount of new material over

1:28:01.200 --> 1:28:05.120
<v Speaker 2>the last twenty five years of restoration and the evolution

1:28:05.280 --> 1:28:08.120
<v Speaker 2>of design and what's happened with Ross courses. So I'm

1:28:08.240 --> 1:28:10.679
<v Speaker 2>putting that together now. We hope to have that book

1:28:10.760 --> 1:28:14.280
<v Speaker 2>available for pre order through a back nine Press by

1:28:14.320 --> 1:28:14.960
<v Speaker 2>the end of the year.

1:28:15.520 --> 1:28:18.799
<v Speaker 1>Excellent. Back nine Press is doing a lot of great stuff,

1:28:19.200 --> 1:28:22.679
<v Speaker 1>publishing a lot of excellent authors, and so people should

1:28:22.720 --> 1:28:26.200
<v Speaker 1>just check out their offering in general. But I will

1:28:26.240 --> 1:28:29.240
<v Speaker 1>definitely keep an eye eye out for rediscovering Donald Ross.

1:28:29.320 --> 1:28:31.920
<v Speaker 1>This is the first I've heard of it, so that's exciting.

1:28:32.439 --> 1:28:34.920
<v Speaker 2>It's the first and then I've ever announced it, so

1:28:35.040 --> 1:28:36.200
<v Speaker 2>I'm using your platform.

1:28:36.280 --> 1:28:40.280
<v Speaker 1>Hey, I'm glad to serve that purpose for you. Brad.

1:28:40.640 --> 1:28:42.439
<v Speaker 1>Thank you so much for coming on the podcast and

1:28:42.520 --> 1:28:44.800
<v Speaker 1>answering these questions and we'll have to talk to you

1:28:44.880 --> 1:28:45.360
<v Speaker 1>against him.

1:28:45.920 --> 1:28:48.639
<v Speaker 2>And thanks to your readers for their intelligence and their

1:28:49.880 --> 1:28:54.160
<v Speaker 2>goggedness at this. It'll make for it just makes some

1:28:54.360 --> 1:28:56.640
<v Speaker 2>more interesting golf. And the one I will say this,

1:28:57.240 --> 1:29:01.040
<v Speaker 2>I do think that architecture is not just some esoteric

1:29:01.160 --> 1:29:04.439
<v Speaker 2>pursuit of the courses on the list on the top hundred.

1:29:04.520 --> 1:29:08.400
<v Speaker 2>It's also about enjoying your game and learning and mastering

1:29:09.200 --> 1:29:12.200
<v Speaker 2>the shots and having more fun and playing better. So

1:29:12.760 --> 1:29:18.600
<v Speaker 2>there's an instructional element to design that I've spent a

1:29:18.680 --> 1:29:20.720
<v Speaker 2>lot of time trying to explain.

1:29:21.400 --> 1:29:26.599
<v Speaker 1>Well to me. Learning things about somebody like Donald Ross,

1:29:27.280 --> 1:29:29.479
<v Speaker 1>like the fact that there was that line outside of

1:29:29.560 --> 1:29:33.120
<v Speaker 1>his office in Pinehurst actually makes playing his courses more

1:29:33.240 --> 1:29:37.160
<v Speaker 1>fun and more rich and that's h Yeah, that's absolutely

1:29:37.240 --> 1:29:40.200
<v Speaker 1>the point of what we're doing. So thanks for contributing

1:29:40.240 --> 1:29:40.400
<v Speaker 1>to that.

1:29:41.280 --> 1:29:44.599
<v Speaker 2>Well, it's been an honor, and you know, I'm glad

1:29:44.600 --> 1:29:47.200
<v Speaker 2>you guys are doing what you're doing and we're just

1:29:47.280 --> 1:29:50.760
<v Speaker 2>trying to have some fun hacking around at golf.

1:29:52.000 --> 1:30:02.040
<v Speaker 1>Thanks Gret. This episode of Designing Golf was produced by

1:30:02.120 --> 1:30:06.880
<v Speaker 1>Will Balsom. Thank you. Will. Something to check out at

1:30:06.960 --> 1:30:10.799
<v Speaker 1>the Frida Egg Golf Pro Shop is our Donald Ross

1:30:11.040 --> 1:30:15.280
<v Speaker 1>in North Carolina poster. It's a really cool poster made

1:30:15.360 --> 1:30:21.080
<v Speaker 1>by our own Cameron Hurtis that shows Donald Ross's golf

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<v Speaker 1>courses in North Carolina. And he obviously did a ton

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<v Speaker 1>of amazing work in North Carolina and this poster is

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<v Speaker 1>sort of a tribute to that. It looks really cool

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<v Speaker 1>and it gives you the location of Ross's courses in

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<v Speaker 1>that state. So make sure to check that out at

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<v Speaker 1>the Frida Egg Golf Pro Shop. That's pro shop dot

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<v Speaker 1>thefridagg dot com. It's a great way to support our company.

1:30:44.920 --> 1:30:47.840
<v Speaker 1>If you've been enjoying our content. Going to the pro

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<v Speaker 1>shop and picking something up is very very much appreciated.

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<v Speaker 1>All right, thank you for listening, and we'll be back

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<v Speaker 1>again soon with another episode Happen