WEBVTT - Kacey Musgraves on Psychedelics

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<v Speaker 1>Pushkin. If you look at the history of country music,

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<v Speaker 1>it is a genre based on songs that tell stories,

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<v Speaker 1>and sometimes stories aren't always positive or mainstream. And I

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<v Speaker 1>mean country music is supposed to be for people who

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<v Speaker 1>are experiencing heartache, real life struggle, jobs, divorce, heartbreak, you know, death,

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<v Speaker 1>like all this, and so in my mind, the most

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<v Speaker 1>country thing you can do is to like just talk

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<v Speaker 1>about it all that. Singer songwriter Kasey Musgraves, she says

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<v Speaker 1>she's always had a strong sense of herself and her sound,

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<v Speaker 1>even when it's cut against country music norms. In recent years,

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<v Speaker 1>casies try to further unlock her full self through psychedelic trips.

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<v Speaker 1>Research and neuroscience shows that people can leave their trips

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<v Speaker 1>with profound shifts in perspective and in certain personality traits

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<v Speaker 1>that otherwise rarely change after age thirty. A trait like openness,

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<v Speaker 1>for example, which is highly associated with creativity, tends to

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<v Speaker 1>decrease as we age, but scientific research coming out of

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<v Speaker 1>Johns Hopkins University has shown that psychedelic experiences can actually

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<v Speaker 1>increase people's openness, which includes everything from esthetic appreciation to

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<v Speaker 1>empathy to imagination. Literally, the day after my experience I

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<v Speaker 1>mean it was like the neurons were just firing off

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<v Speaker 1>like insane imagery perspective. I mean, there was a massive

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<v Speaker 1>explosion of creativity ideas the whole concept for my new

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<v Speaker 1>album that I've been writing. One of my inspirations for

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<v Speaker 1>creating this podcast has been to see how people change

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<v Speaker 1>their perspectives of who they are and how they relate

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<v Speaker 1>to the world in the face of a big change.

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<v Speaker 1>Research shows that psychedelics can offer up a turbocharge version

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<v Speaker 1>of this kind of change, and as a cognitive scientist,

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<v Speaker 1>I've long been fascinated by the powerful impact psychedelics can

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<v Speaker 1>have on the human mind, but my interest lies exclusively

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<v Speaker 1>in the scientific realm. It's worth noting that experimenting with

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<v Speaker 1>these drugs without close medical guidance and a full evaluation

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<v Speaker 1>of one's mental health history can carry considerable risk. For

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<v Speaker 1>this episode of A Slight Change of Plans, I wanted

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<v Speaker 1>to talk to Casey Musgraves about the role psychedelics has

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<v Speaker 1>played in her creative process, both for her Grammy Award

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<v Speaker 1>winning album Golden Hour and for her upcoming album, which

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<v Speaker 1>she says was inspired by a guided psychedelic trip. I'm

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<v Speaker 1>Maya Shanker and this is a slight change of plants,

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<v Speaker 1>a show that dives deep into the world of change

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<v Speaker 1>and hopefully gets us to think differently at that change

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<v Speaker 1>in our own lives. What's astonishing to me is that

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<v Speaker 1>when researchers run studies, right controlled studies where they're looking

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<v Speaker 1>at the impact of psychedelics on people, so many will say, Wow,

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<v Speaker 1>that was one of the most profound experiences of my

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<v Speaker 1>entire life. Yes, and yet they really really have a

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<v Speaker 1>hard time putting into words why that was or even

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<v Speaker 1>describing the experience. It's like the vocabulary that we have

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<v Speaker 1>in our language is insufficient trying to describe. Yeah, do

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<v Speaker 1>you feel like having music as another vehicle for communication

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<v Speaker 1>allows you to share what it felt like in a

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<v Speaker 1>different way or more effectively? I feel like music is

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<v Speaker 1>totally another catalyst to feeling. And what's cool is if

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<v Speaker 1>you really just break it down, I mean, it's sound

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<v Speaker 1>waves where like these bags of water basically, and like

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<v Speaker 1>when sound vibrates out and sound waves hit you. I

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<v Speaker 1>mean it's cool that it can actually change your mood,

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<v Speaker 1>change your mind. When you've tried psychedelics for the first time,

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<v Speaker 1>had you hope that it might inspire music or were

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<v Speaker 1>you just on a sort of personal journey. Well, I've

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<v Speaker 1>done it recreationally, you know, I think it's different when

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<v Speaker 1>you do it with intention. I mean what I was

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<v Speaker 1>looking for most recently when I did a guided trip

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<v Speaker 1>in January. You know, this past year I went through

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<v Speaker 1>a divorce and it was not an easy time everything

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<v Speaker 1>that came along with that. And so this experience, which

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<v Speaker 1>was led by not only two of my friends, but

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<v Speaker 1>one of them is a doctor practicing doctor and her husband,

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<v Speaker 1>it was about transforming my trauma, my tragedy into something else,

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<v Speaker 1>you know, and everyone has their own form of trauma.

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<v Speaker 1>This was mine. But experiences like this they bring people

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<v Speaker 1>to a place where they meet like or inner self healer,

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<v Speaker 1>they're inner child. And I mean, you know more about

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<v Speaker 1>this than I do. But I just think it's interesting

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<v Speaker 1>that you know, as you live your life, you wear

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<v Speaker 1>down these pathways in your brain, almost like little trails

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<v Speaker 1>you know, in the woods or something. Whatever is in

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<v Speaker 1>these psychedelics, this medicine, these plants, they can change these

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<v Speaker 1>pathways and allow you to think differently, access different emotions,

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<v Speaker 1>different memories, and change your life, change your habits. It

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<v Speaker 1>literally the day after my experience I mean it was

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<v Speaker 1>like the neurons were just firing off like insane imagery perspective.

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<v Speaker 1>I mean, there was a massive explosion of creativity ideas

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<v Speaker 1>the whole concept for my new album that I've been writing.

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<v Speaker 1>Do you feel like these trips inspire lyrics or do

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<v Speaker 1>they inspire melodies or do they inspire both? It's different

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<v Speaker 1>every time, I think, And you can't really go in

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<v Speaker 1>with like a preconceived selfish want. You know, you're going

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<v Speaker 1>to get what you get. And like the day after

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<v Speaker 1>my guided Trip, I was laying here on the bed,

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<v Speaker 1>and so what's cool is you you trip to this

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<v Speaker 1>to this playlist that's been curated by these scientists, and

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<v Speaker 1>these these songs, and there are songs from all over

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<v Speaker 1>the world. There's classical music, there's Bach motz Art, you know,

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<v Speaker 1>but then there's like shamonic you know, chants and drumming

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<v Speaker 1>from Peru or Mexico, and there's also like the Beatles

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<v Speaker 1>and dr and it's very vast, you know. So you

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<v Speaker 1>listen to this playlist, it guides you through these emotions

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<v Speaker 1>and feelings purposefully, and some of us pretty intense. And

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<v Speaker 1>then you as you kind of are coming out of

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<v Speaker 1>your experience. You are resonating with these like massive feelings

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<v Speaker 1>of gratitude and warmth, and the music that I heard,

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<v Speaker 1>I've never heard music like that in my life. Like

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<v Speaker 1>you could just feel it in your bones, like your cells.

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<v Speaker 1>You're just like it's running through you in a way

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<v Speaker 1>that I've never never experienced before. And what's cool is

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<v Speaker 1>you can go back to that playlist anytime and tap

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<v Speaker 1>into those same feelings and you journal about it, and

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<v Speaker 1>you're able to go right back to kind of where

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<v Speaker 1>you were and be able to somewhat verbalize, you know,

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<v Speaker 1>what you experienced. So the next day after the thing,

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<v Speaker 1>I was laying on my bed and re listening to

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<v Speaker 1>this playlist and Boch came on and it was this

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<v Speaker 1>sorrowful tragic number and the word tragedy popped in my head.

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<v Speaker 1>It was like boom, tragedy. And then I was like, wait,

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<v Speaker 1>what if the new album is formulated like a modern tragedy.

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<v Speaker 1>It's a modern tragedy. I've been through a tragedy and

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<v Speaker 1>so as America, you know. And from there it was

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<v Speaker 1>just like like just off the rills, like boom boom boom, songs,

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<v Speaker 1>album title, concept visuals, like all of it it was crazy.

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<v Speaker 1>I thought about Romeo and Juliet, and I thought about Starcross.

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<v Speaker 1>The word Starcross that popped in my head, and I thought,

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<v Speaker 1>I need to write a song called Starcross. And I

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<v Speaker 1>love the definition of Starcross because it's two people who

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<v Speaker 1>love each other so much, but they just cannot make

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<v Speaker 1>it work because even the universe is against them, the

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<v Speaker 1>stars are against them, they're ill faded, they were doomed

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<v Speaker 1>from the beginning, but there's love there. And I resonate

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<v Speaker 1>a lot with that, with my personal story and what

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<v Speaker 1>I've been through, and so I was like, Okay, Starcross,

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<v Speaker 1>I have to write that. So the next day I

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<v Speaker 1>went in the studio we wrote Starcross. It was our

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<v Speaker 1>fortieth song that we had written. What was the hardest

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<v Speaker 1>song that you felt you wrote for this album? Just

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<v Speaker 1>from an emotional perspective, M let me look at little

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<v Speaker 1>song list. There's fifteen. There's five songs in each act.

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<v Speaker 1>In most tragedies, like an artistic sense, there's three acts.

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<v Speaker 1>There's the exposition setting up a scene. Act two the

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<v Speaker 1>rise of the conflict and the downfall of the characters,

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<v Speaker 1>the heartbreak, and then Act three is like the resolution

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<v Speaker 1>the acceptance, you know, the reflection and the hope toward

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<v Speaker 1>the future or whatever. So there's five songs in each act.

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<v Speaker 1>So there's a song on here called camera roll, and man,

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<v Speaker 1>it sucks me up bad, like it still does. I,

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<v Speaker 1>you know, after the divorce and everything. You know, you

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<v Speaker 1>have all these photos of your life, your old life,

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<v Speaker 1>in your phone, and you don't know what to do

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<v Speaker 1>with them. You're like, do I delete this? This person

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<v Speaker 1>didn't die and these are still my memories, but like,

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<v Speaker 1>I don't want to see him every day. Well, you know,

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<v Speaker 1>you get to scrolling on your phone, like one late

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<v Speaker 1>night and you just wander down this dark alley that

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<v Speaker 1>was all these wonderful memories at one point, and then

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<v Speaker 1>you're just fucking stabbed in the heart. And and I

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<v Speaker 1>was walking past I did that, And I was walking

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<v Speaker 1>past the piano that I have in my house. And

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<v Speaker 1>I'm not a piano player really, but these keys, these

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<v Speaker 1>certain keys like stuck out to me, and this melody

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<v Speaker 1>kind of came out. I don't know how really, the

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<v Speaker 1>beginning lyrics, they just came out too. And it's don't

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<v Speaker 1>go through your camera roll so much. You don't know

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<v Speaker 1>that you forgot what a trip the way you can

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<v Speaker 1>flip through all the good parts of it. I shouldn't

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<v Speaker 1>have done it chronological order and nothing the torch or

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<v Speaker 1>scroll too far back, that's what you get. I don't

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<v Speaker 1>want to see him that I can't delete. It just

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<v Speaker 1>doesn't feel right yet, not yet, And like I just

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<v Speaker 1>like could barely get through. I was like the ugly

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<v Speaker 1>kind of like a little kid cry. It's like, just

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<v Speaker 1>like snot run it on my face. So yeah, anyway,

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<v Speaker 1>that one was really hard. There's a bunch on there.

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<v Speaker 1>I mean they're pretty raw. Like I'm sharing a lot

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<v Speaker 1>about my inner feelings and that's like it's not always

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<v Speaker 1>easy for me. How do you feel that it changed

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<v Speaker 1>your perspective of yourself. One thing that happened during my

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<v Speaker 1>trip was I came face to face with myself as

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<v Speaker 1>a nine year old girl, and it was exactly me.

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<v Speaker 1>I saw her, and I immediately felt this like intense

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<v Speaker 1>compassion for her, this empathy. I started performing publicly around

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<v Speaker 1>age nine, and so being on a stage learning how

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<v Speaker 1>to please all these other people that you don't know

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<v Speaker 1>before you even really know how to delegate your own

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<v Speaker 1>emotions within yourself. That's when my life kind of started

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<v Speaker 1>to change from like normal childhood to like something else,

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<v Speaker 1>you know, And I thankful for all of it because

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<v Speaker 1>it made me who I am. But it's also, you know,

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<v Speaker 1>it's weird. It's a weird thing. So I came face

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<v Speaker 1>to face with her at one point and I said,

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<v Speaker 1>I love you, I love you, I love you, and

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<v Speaker 1>I gave her hugs, I gave her kisses, and I've

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<v Speaker 1>felt for her because I can be very hard on myself.

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<v Speaker 1>I can be like my worst critic, you know, and

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<v Speaker 1>so I'm the first to beat myself up over a

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<v Speaker 1>flawless performance. That I'll find something that like no one

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<v Speaker 1>would have noticed, and I'll just shred myself for it.

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<v Speaker 1>And so like it taught me. It showed me to

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<v Speaker 1>ease up on myself that I am, like, I am

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<v Speaker 1>good at loving, I am good at being a friend.

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<v Speaker 1>I am I've been through a lot, and I deserve love.

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<v Speaker 1>And it really gave me compassion for myself, which I

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<v Speaker 1>think is really a beautiful thing. You know. I had

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<v Speaker 1>all these childhood memories pop up that I hadn't remembered.

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<v Speaker 1>I mean, they're and they played out in my mind

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<v Speaker 1>like I was watching a home video. But it was me,

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<v Speaker 1>and it was actually things that actually happened. Like there

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<v Speaker 1>was a time in my life where and I haven't

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<v Speaker 1>talked about this really, but where I had us a

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<v Speaker 1>little bit of an eating disorder for like a little

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<v Speaker 1>period of time in my early teens. And now looking back,

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<v Speaker 1>I got it all like it all downloaded in this moment.

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<v Speaker 1>It's like, oh, yeah, I was wanting to relieve pressure

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<v Speaker 1>of some kind, relief pressure, find some control, you know,

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<v Speaker 1>And it gave me compassion for the choices I made,

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<v Speaker 1>Like it kind of just allowed me to take a

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<v Speaker 1>step back and see, you know, we all we're all

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<v Speaker 1>trying to figure it out. You mentioned, wow, I actually

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<v Speaker 1>had needing disorder. Yeah, and I guess you just buried

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<v Speaker 1>that away in your mind. I think I wrote it

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<v Speaker 1>off being like, no, I wasn't an eating disorder. No,

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<v Speaker 1>it was. It was it was a very it was

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<v Speaker 1>it was about with bulimia. I mean I didn't and

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<v Speaker 1>I didn't talk to anyone about it. I didn't know

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<v Speaker 1>how to because I didn't didn't really know that it

0:14:01.556 --> 0:14:05.676
<v Speaker 1>was like bad. I mean I just instinctively, some for

0:14:05.716 --> 0:14:08.036
<v Speaker 1>some reason, felt that I needed to do that. Do

0:14:08.076 --> 0:14:10.756
<v Speaker 1>you think part of that psychology you're just feeling so

0:14:10.836 --> 0:14:14.436
<v Speaker 1>much pressure has persisted, which is why it reoccurred to

0:14:14.476 --> 0:14:18.196
<v Speaker 1>you during this more recent trip. Maybe. So yeah, I

0:14:18.236 --> 0:14:22.356
<v Speaker 1>mean it, I guess just showed me that, like everyone

0:14:22.396 --> 0:14:25.276
<v Speaker 1>has their way of dealing with pressure and need you know,

0:14:25.356 --> 0:14:27.676
<v Speaker 1>you want to control more. I've learned a lot about control.

0:14:28.436 --> 0:14:31.956
<v Speaker 1>You want to control when you don't feel safe. Yeah,

0:14:31.996 --> 0:14:35.156
<v Speaker 1>and that's I mean, I can really relate to that.

0:14:35.556 --> 0:14:38.116
<v Speaker 1>Whatever is in your outside environment that is making you

0:14:38.116 --> 0:14:40.316
<v Speaker 1>feel out of control, it just makes you grab on

0:14:40.436 --> 0:14:44.916
<v Speaker 1>even harder, you know, So knowing that you're doing that

0:14:44.956 --> 0:14:47.196
<v Speaker 1>and why you're doing that can at least maybe help

0:14:47.196 --> 0:14:51.076
<v Speaker 1>you like stop. Yeah, I can completely relate to that.

0:14:51.636 --> 0:14:55.476
<v Speaker 1>So I've never tried psychedelics, but as a neuroscientist, I'm

0:14:55.476 --> 0:15:01.036
<v Speaker 1>obviously fascinated biotopic and neuroscientists have said that from a

0:15:01.196 --> 0:15:04.716
<v Speaker 1>neurological point of view, psychedelics do put the brain into

0:15:04.756 --> 0:15:08.916
<v Speaker 1>this childlike state of awe and wonder. And one of

0:15:08.956 --> 0:15:12.436
<v Speaker 1>my favorite psychologists, her name is Alison gott Nick, she

0:15:12.556 --> 0:15:16.476
<v Speaker 1>studies child development, has said that basically babies and children

0:15:16.556 --> 0:15:20.036
<v Speaker 1>are tripping all the time, just such a fun and

0:15:20.116 --> 0:15:22.916
<v Speaker 1>like colorful way of kind of understanding what it's like.

0:15:23.316 --> 0:15:25.476
<v Speaker 1>Did you feel that that kind of childlike alle and

0:15:26.316 --> 0:15:28.636
<v Speaker 1>what kinds of things did you find yourself marveling at.

0:15:30.316 --> 0:15:33.716
<v Speaker 1>I mean, you are just like astounded kind of at

0:15:33.756 --> 0:15:39.836
<v Speaker 1>the beauty and the intricacy of the of life and nature.

0:15:40.236 --> 0:15:42.956
<v Speaker 1>You're like, oh my god. Any you think about, you

0:15:42.996 --> 0:15:46.156
<v Speaker 1>have compassion for the earth as a living thing. You know.

0:15:46.476 --> 0:15:49.756
<v Speaker 1>I just think that ultimately, psychedelics, one thing that I

0:15:49.836 --> 0:15:52.476
<v Speaker 1>love about them is that it's they cause death to

0:15:52.516 --> 0:15:55.436
<v Speaker 1>the human ego, and the human ego has caused so

0:15:55.476 --> 0:15:58.676
<v Speaker 1>many problems over you know, over time. I mean, it's

0:15:58.716 --> 0:16:03.036
<v Speaker 1>like it puts things into perspective. And I was talking

0:16:03.036 --> 0:16:05.716
<v Speaker 1>to my friend who is the doctor that I did

0:16:05.716 --> 0:16:08.196
<v Speaker 1>the trip with, and one thing that I loved how

0:16:08.236 --> 0:16:10.676
<v Speaker 1>she phrased this, and it's so true, is she said,

0:16:12.716 --> 0:16:14.756
<v Speaker 1>in regards to psychedelics, you know, it's as if you're

0:16:14.876 --> 0:16:17.556
<v Speaker 1>standing on a stage looking out to an audience, but

0:16:17.596 --> 0:16:21.196
<v Speaker 1>the curtains are only open about a foot normally. This

0:16:21.276 --> 0:16:25.436
<v Speaker 1>is she's talking about like in your normal, everyday human existence.

0:16:25.756 --> 0:16:29.276
<v Speaker 1>But she's like, these plants, they take that curtain and

0:16:29.316 --> 0:16:32.236
<v Speaker 1>they open it all the way around three sixty degrees,

0:16:32.436 --> 0:16:35.836
<v Speaker 1>so that you can look around and go, oh my god,

0:16:35.876 --> 0:16:39.636
<v Speaker 1>there's so much more. There's so much more going on

0:16:39.796 --> 0:16:44.156
<v Speaker 1>that I get to see an experience on the emotional spectrum,

0:16:44.476 --> 0:16:48.236
<v Speaker 1>the creative spectrum. That's one thing is like after the trip,

0:16:48.716 --> 0:16:50.516
<v Speaker 1>you know, here I am with all these new songs

0:16:50.516 --> 0:16:52.156
<v Speaker 1>that I'm getting ready to put out into the world,

0:16:52.516 --> 0:16:58.036
<v Speaker 1>some of which are super sarcastic or angry, sad, lonely.

0:16:58.076 --> 0:16:59.996
<v Speaker 1>I mean, there's like a huge range of emotion through

0:17:00.076 --> 0:17:02.396
<v Speaker 1>what I like the past year that I've been there.

0:17:03.316 --> 0:17:06.636
<v Speaker 1>Definitely after the trip, I was like, hold on, do

0:17:06.756 --> 0:17:10.476
<v Speaker 1>I need to delete some of these songs? Like they

0:17:11.196 --> 0:17:15.076
<v Speaker 1>they're definitely not coming from a super enlightened like person's perspective.

0:17:16.396 --> 0:17:19.716
<v Speaker 1>But I mean I think that that's okay. I don't

0:17:19.756 --> 0:17:22.436
<v Speaker 1>feel like I would be doing myself a full service

0:17:22.716 --> 0:17:25.276
<v Speaker 1>as a creator and as someone who went through something

0:17:25.436 --> 0:17:29.036
<v Speaker 1>to deny myself the expression of some of these emotions

0:17:29.036 --> 0:17:35.476
<v Speaker 1>that are pretty fucking negative. We'll be back in a

0:17:35.556 --> 0:17:50.516
<v Speaker 1>moment with a slight change of plans. Casey's Psychedelic Trip

0:17:50.596 --> 0:17:53.596
<v Speaker 1>helped her access the full range of emotion she experienced

0:17:53.636 --> 0:17:56.076
<v Speaker 1>this past year, and she's poured it all into her

0:17:56.116 --> 0:17:59.356
<v Speaker 1>new album the Casey's commitment to being honest about who

0:17:59.396 --> 0:18:01.956
<v Speaker 1>she is in her music is nothing new, and that

0:18:02.036 --> 0:18:06.276
<v Speaker 1>presented some difficulties, especially early on in her career. Casey

0:18:06.316 --> 0:18:08.796
<v Speaker 1>got her started Nashville at age nineteen when she was

0:18:08.876 --> 0:18:12.316
<v Speaker 1>right songs for other country music stars to sing. You're

0:18:12.356 --> 0:18:14.876
<v Speaker 1>primarily writing for other people at this point, and then

0:18:15.236 --> 0:18:17.596
<v Speaker 1>at a certain point you realize, hey, wait a second,

0:18:17.876 --> 0:18:19.556
<v Speaker 1>I don't want to give these songs away. I want

0:18:19.556 --> 0:18:23.036
<v Speaker 1>to keep them for myself, right. What was that like? Well,

0:18:23.116 --> 0:18:26.156
<v Speaker 1>that's so I did notice a shift start happening where

0:18:26.996 --> 0:18:29.356
<v Speaker 1>you know, I would love to pitch songs to artists

0:18:29.356 --> 0:18:30.996
<v Speaker 1>and get cuts and make a living that way. But

0:18:31.036 --> 0:18:34.716
<v Speaker 1>then I started stumbling upon these songs that, for whatever reason,

0:18:34.836 --> 0:18:36.756
<v Speaker 1>just didn't feel like they would really apply to anyone

0:18:36.796 --> 0:18:39.996
<v Speaker 1>else but me, and I thought, well, maybe if I

0:18:40.036 --> 0:18:43.396
<v Speaker 1>did get the chance, like I would, I would put

0:18:43.436 --> 0:18:46.876
<v Speaker 1>these out. Was there a particular lyric or a particular

0:18:46.956 --> 0:18:49.436
<v Speaker 1>song where you thought that for the first time? Can

0:18:49.476 --> 0:18:52.276
<v Speaker 1>you share what that was? Well, it's some of the

0:18:52.316 --> 0:18:54.956
<v Speaker 1>songs that were on my first album, Sam Trailer, Different Park.

0:18:55.596 --> 0:18:57.476
<v Speaker 1>It was more of a vibe. It was more of like, oh,

0:18:57.516 --> 0:19:00.716
<v Speaker 1>this feels like me you know, and then once I

0:19:00.796 --> 0:19:05.196
<v Speaker 1>kind of set those aside and then started thinking, okay,

0:19:05.316 --> 0:19:09.356
<v Speaker 1>like I could I could do this. I think when

0:19:09.356 --> 0:19:11.836
<v Speaker 1>songs like Merry Go Round and Follow Your Arrow and

0:19:11.916 --> 0:19:15.076
<v Speaker 1>things like that started coming out, So there was a

0:19:15.116 --> 0:19:18.156
<v Speaker 1>moment where you really wanted Marry Go Around to be

0:19:18.716 --> 0:19:21.316
<v Speaker 1>the first single, and you do get pushed back from

0:19:21.836 --> 0:19:25.516
<v Speaker 1>music execs. Can you describe how that conversation went so

0:19:25.676 --> 0:19:28.676
<v Speaker 1>Merry Go Round? First off, let me just say in

0:19:28.756 --> 0:19:32.156
<v Speaker 1>country music there is quite a formula. There's a formula

0:19:32.156 --> 0:19:34.556
<v Speaker 1>when it comes down to deciding which songs are going

0:19:34.596 --> 0:19:36.476
<v Speaker 1>to be popular, which songs are going to be pushed,

0:19:36.716 --> 0:19:38.796
<v Speaker 1>which songs are going to get like radio play, And

0:19:39.396 --> 0:19:43.556
<v Speaker 1>that formula has worked for a while, you know what

0:19:43.636 --> 0:19:47.036
<v Speaker 1>I mean. And so when it comes to labels deciding

0:19:47.076 --> 0:19:51.916
<v Speaker 1>what they're gonna put their money towards, they're looking at

0:19:51.956 --> 0:19:54.836
<v Speaker 1>what is going to be the least risky for them,

0:19:54.876 --> 0:19:57.876
<v Speaker 1>you know, as a business. So that's why there's a

0:19:57.996 --> 0:20:00.996
<v Speaker 1>huge rub when it comes to like art and commerce.

0:20:00.996 --> 0:20:05.236
<v Speaker 1>There just always has there always will be. Merry Go

0:20:05.356 --> 0:20:11.876
<v Speaker 1>Round doesn't fit into those parameters down Trod. It's sarcastic,

0:20:12.396 --> 0:20:18.916
<v Speaker 1>it's depressing, it's real it's truthful, it's biting. Tempo wise,

0:20:19.036 --> 0:20:21.316
<v Speaker 1>it's not it doesn't sound like a lot of things

0:20:21.356 --> 0:20:23.996
<v Speaker 1>that were being popular at that time, like on the radio.

0:20:24.076 --> 0:20:27.116
<v Speaker 1>So I can see why as business people they'd be like,

0:20:27.236 --> 0:20:31.716
<v Speaker 1>oh no, this is like a no for listeners who

0:20:31.756 --> 0:20:33.836
<v Speaker 1>aren't familiar with Mary ground. Do you mind just sharing

0:20:33.876 --> 0:20:38.396
<v Speaker 1>some of the lyrics from the chorus. Sure. So it's

0:20:38.436 --> 0:20:41.156
<v Speaker 1>a little bit of a trope on like the classic,

0:20:41.796 --> 0:20:44.916
<v Speaker 1>like a classic nursery rhyme. You know, it's like Mama's

0:20:44.916 --> 0:20:48.836
<v Speaker 1>hooked on Mary, Kay brother is hooked on Mary, Jane,

0:20:49.236 --> 0:20:54.956
<v Speaker 1>Daddy's hooked on Mary. Tutors down Marry and Mary. Quite contrary,

0:20:55.036 --> 0:20:58.356
<v Speaker 1>we get boards, we get married, and just like dust,

0:20:58.476 --> 0:21:02.956
<v Speaker 1>we settle in this town on this broke and Mary

0:21:03.156 --> 0:21:08.916
<v Speaker 1>go around, realm, realm. We go where it stops, nobody knows,

0:21:09.356 --> 0:21:14.956
<v Speaker 1>but it ain't slowing down this Marry go around. So

0:21:15.956 --> 0:21:19.956
<v Speaker 1>you know, it's it's not like a happy go lucky

0:21:20.076 --> 0:21:24.756
<v Speaker 1>leg bob. It's but it's real and it's um it's

0:21:24.796 --> 0:21:27.556
<v Speaker 1>pointing the mirror inward. And I don't think that. You know,

0:21:27.716 --> 0:21:29.636
<v Speaker 1>a lot of people don't want to hear songs like that.

0:21:29.676 --> 0:21:31.396
<v Speaker 1>They don't want to hear songs that make them think,

0:21:31.916 --> 0:21:34.516
<v Speaker 1>you know, if they're like if they're bopping around and

0:21:34.516 --> 0:21:36.756
<v Speaker 1>they're in the minivan, like taking kids to school, maybe

0:21:36.756 --> 0:21:38.236
<v Speaker 1>they don't want to go that deep. Maybe they just

0:21:38.276 --> 0:21:40.716
<v Speaker 1>want to stay up here. And that's fine. But for

0:21:40.836 --> 0:21:42.796
<v Speaker 1>my first song that I wanted to put out there,

0:21:43.396 --> 0:21:45.236
<v Speaker 1>I said, this is what I want to say, and

0:21:45.316 --> 0:21:47.196
<v Speaker 1>if it's the only song I get to put out,

0:21:48.436 --> 0:21:51.636
<v Speaker 1>I'm fine with that. Let's see what happens. And it

0:21:51.676 --> 0:21:55.076
<v Speaker 1>did go um I can't even really remember, but it

0:21:55.116 --> 0:21:58.156
<v Speaker 1>did get some good radio play, it got some some

0:21:58.196 --> 0:22:00.396
<v Speaker 1>good traction. I think it made it to the top

0:22:00.436 --> 0:22:02.876
<v Speaker 1>ten or very near it, and in one Country Song

0:22:02.916 --> 0:22:06.476
<v Speaker 1>of the Year, it want a Grammy for Song of

0:22:06.516 --> 0:22:10.876
<v Speaker 1>the Year. So I was like, take that, y'all. It's

0:22:10.916 --> 0:22:15.036
<v Speaker 1>just like, it's like, why don't you just trust trust me?

0:22:15.356 --> 0:22:17.476
<v Speaker 1>Trust me. I'm going to know myself way better than

0:22:17.516 --> 0:22:19.276
<v Speaker 1>you know, and I know what's going to be best

0:22:19.316 --> 0:22:21.316
<v Speaker 1>for me, and that may not always be like a

0:22:21.356 --> 0:22:25.516
<v Speaker 1>freaking home run, but like it was though when you

0:22:25.596 --> 0:22:28.396
<v Speaker 1>knew it, I love it. I think what's so striking

0:22:28.716 --> 0:22:30.836
<v Speaker 1>to me about your story? And I think a lot

0:22:30.876 --> 0:22:33.316
<v Speaker 1>of listeners will be so curious to know this. It

0:22:33.516 --> 0:22:37.036
<v Speaker 1>is so hard to break into the music industry, and

0:22:37.076 --> 0:22:40.516
<v Speaker 1>so you can easily imagine convincing yourself in the moment, Okay,

0:22:40.676 --> 0:22:42.436
<v Speaker 1>I'm just going to cave a little bit, okay, just

0:22:42.556 --> 0:22:45.076
<v Speaker 1>to break in, just to get a career going, and

0:22:45.116 --> 0:22:47.756
<v Speaker 1>then at that point I will stand my grand and

0:22:47.756 --> 0:22:50.756
<v Speaker 1>then I'll do And yet you were, you were absolutely

0:22:50.796 --> 0:22:55.556
<v Speaker 1>resolute from the outset. Well, it's it's a backwards way

0:22:55.596 --> 0:22:57.916
<v Speaker 1>of thinking the other way because so then what you've

0:22:57.956 --> 0:23:00.236
<v Speaker 1>broken in and you've now convinced everyone that you're this

0:23:00.316 --> 0:23:01.796
<v Speaker 1>one thing, and then you do a one eighty on

0:23:01.836 --> 0:23:03.276
<v Speaker 1>them and they're confused and they don't know what the

0:23:03.276 --> 0:23:05.556
<v Speaker 1>hell you are. That sounds like hell to me, Like

0:23:05.596 --> 0:23:08.956
<v Speaker 1>I would never do that, Like I would rather put

0:23:08.956 --> 0:23:14.476
<v Speaker 1>my head down and work like exponentially harder at what

0:23:14.516 --> 0:23:17.036
<v Speaker 1>I really am and what I'm passionate about and end

0:23:17.116 --> 0:23:20.196
<v Speaker 1>up with less fans or less success than to have

0:23:20.276 --> 0:23:23.996
<v Speaker 1>this like mansion on a hill filled with all these awards,

0:23:24.356 --> 0:23:26.876
<v Speaker 1>you know, for things that I am not super proud of.

0:23:26.956 --> 0:23:29.716
<v Speaker 1>Like that just seems like a really like sad. It

0:23:29.716 --> 0:23:32.396
<v Speaker 1>just seems sad, And I mean, art is just this

0:23:32.476 --> 0:23:37.076
<v Speaker 1>like it's not supposed to be digestible for everyone. You

0:23:37.156 --> 0:23:39.756
<v Speaker 1>talked about things that are pretty unconventional to talk about

0:23:39.796 --> 0:23:43.516
<v Speaker 1>in country music right certainly at the time, like homosexuality,

0:23:43.876 --> 0:23:47.876
<v Speaker 1>recreational drug youth, not going to church. How did you

0:23:47.916 --> 0:23:52.676
<v Speaker 1>respond to that pushback. It's interesting because if you look

0:23:52.676 --> 0:23:56.116
<v Speaker 1>at the history of country music, it is a genre

0:23:56.316 --> 0:24:00.916
<v Speaker 1>based on songs that tell stories, and sometimes stories aren't

0:24:00.916 --> 0:24:07.276
<v Speaker 1>always positive or mainstream. And I mean, country music is

0:24:07.276 --> 0:24:10.076
<v Speaker 1>supposed to be for people who are experiencing heartache, real

0:24:10.196 --> 0:24:14.716
<v Speaker 1>life struggle, jobs, divorced, heartbreak, you know, death like all this,

0:24:14.836 --> 0:24:19.916
<v Speaker 1>and so in my mind, you know, the most country

0:24:19.916 --> 0:24:22.396
<v Speaker 1>thing you can do is to like just talk about

0:24:22.396 --> 0:24:25.796
<v Speaker 1>it all, you know. So I don't feel like I'm

0:24:25.796 --> 0:24:28.756
<v Speaker 1>doing anything or that I've been doing anything revolutionary. I mean,

0:24:28.796 --> 0:24:30.436
<v Speaker 1>I feel like I'm just doing my job as a

0:24:30.436 --> 0:24:32.836
<v Speaker 1>songwriter to just take these lenses that I've been given

0:24:32.916 --> 0:24:35.436
<v Speaker 1>and just absorb all this stuff and it comes out

0:24:36.316 --> 0:24:37.996
<v Speaker 1>most of the time and kind of a country way.

0:24:38.036 --> 0:24:42.396
<v Speaker 1>I just can't help that, you know. But yeah, yeah,

0:24:42.436 --> 0:24:45.516
<v Speaker 1>I found it very powerful that so many people want

0:24:45.596 --> 0:24:49.356
<v Speaker 1>to put the rebellious rebel label on you and you

0:24:49.396 --> 0:24:52.396
<v Speaker 1>consistently reject it. Like you said, I mean, is it

0:24:52.436 --> 0:24:55.516
<v Speaker 1>rebellious just to share your life story? Right? Right? Is

0:24:55.516 --> 0:24:59.356
<v Speaker 1>it rebellious? Right? Is it? What's so rebellious about championing

0:25:00.316 --> 0:25:02.676
<v Speaker 1>all different kinds of people? If that's rebellious? And I guess,

0:25:02.756 --> 0:25:06.116
<v Speaker 1>hell yeah, okay, I'm a rebel. Count me in for

0:25:06.196 --> 0:25:08.996
<v Speaker 1>that matter. Was this a trait you had to cult

0:25:09.116 --> 0:25:11.156
<v Speaker 1>of date or does it just come naturally to you

0:25:11.316 --> 0:25:13.956
<v Speaker 1>to stand your ground in this way? I really think

0:25:13.996 --> 0:25:16.396
<v Speaker 1>it comes naturally, Like I don't ever really remember it

0:25:16.476 --> 0:25:20.316
<v Speaker 1>not being there. I mean, even my dad, so the

0:25:20.316 --> 0:25:23.516
<v Speaker 1>other day on the family thread, we were talking about

0:25:23.556 --> 0:25:26.836
<v Speaker 1>I was born early. I was like, I was a

0:25:26.916 --> 0:25:30.156
<v Speaker 1>PREMI so I was a month early. And he was like,

0:25:31.436 --> 0:25:34.036
<v Speaker 1>you were gonna do it on your terms from day one,

0:25:34.676 --> 0:25:37.836
<v Speaker 1>Like you you came early. You said this is what

0:25:37.876 --> 0:25:40.156
<v Speaker 1>we're doing and this is how I'm doing it. And

0:25:40.916 --> 0:25:44.636
<v Speaker 1>it's always been like that. I guess, Well, it does

0:25:44.716 --> 0:25:46.916
<v Speaker 1>seem like you've You've also made a lot of intentional

0:25:46.996 --> 0:25:52.036
<v Speaker 1>choices within your life to stay independent and autonomous, right,

0:25:52.036 --> 0:25:54.116
<v Speaker 1>Like you don't have the entourage that you see a

0:25:54.196 --> 0:25:57.556
<v Speaker 1>lot of people carry around at them at your level.

0:25:57.956 --> 0:25:59.916
<v Speaker 1>I loved the story of how when you were traveling

0:25:59.916 --> 0:26:02.636
<v Speaker 1>with your band, you opted not to sleep in the

0:26:02.716 --> 0:26:05.316
<v Speaker 1>bedroom for the star but instead you grabbed a bunk

0:26:05.316 --> 0:26:08.516
<v Speaker 1>bed along with the rest of your band and your career. Yeah,

0:26:09.156 --> 0:26:12.716
<v Speaker 1>I wanted to be with everybody for some reason. I'm

0:26:12.796 --> 0:26:16.076
<v Speaker 1>just like because, like I said, I realized early on,

0:26:16.196 --> 0:26:20.156
<v Speaker 1>like wow, Okay, being an artist is very self self involved.

0:26:20.276 --> 0:26:24.596
<v Speaker 1>And I've seen examples in you know, in the industry

0:26:25.156 --> 0:26:29.076
<v Speaker 1>of people that like lost touch with reality a little bit,

0:26:29.156 --> 0:26:31.396
<v Speaker 1>and that's so sad to me. There's like nothing scarier.

0:26:31.476 --> 0:26:33.596
<v Speaker 1>So I just want to stay that way. I want

0:26:33.596 --> 0:26:37.236
<v Speaker 1>to stay attached to real people, real emotion. Like I've

0:26:37.276 --> 0:26:40.956
<v Speaker 1>tried really hard to stay tuned into that, you know

0:26:40.996 --> 0:26:43.396
<v Speaker 1>what I mean, or I try. I think anyway, do

0:26:43.476 --> 0:26:46.476
<v Speaker 1>you feel in any way that this, you know, resolute

0:26:46.476 --> 0:26:50.876
<v Speaker 1>commitment to authenticity and being yourself has any downsides either

0:26:50.956 --> 0:26:55.796
<v Speaker 1>in your professional or personal life. Well, I mean you

0:26:55.836 --> 0:26:58.756
<v Speaker 1>can get You've got to check yourself because you can

0:26:58.796 --> 0:27:01.276
<v Speaker 1>get so used to having it your way and like,

0:27:02.036 --> 0:27:04.676
<v Speaker 1>you know, and speaking your mind about that that you

0:27:04.796 --> 0:27:07.516
<v Speaker 1>kind of can forget that there are other good ways too.

0:27:07.596 --> 0:27:10.996
<v Speaker 1>That just isn't It's not always your way, isn't always

0:27:11.036 --> 0:27:13.196
<v Speaker 1>the best, or just because an idea was yours doesn't

0:27:13.236 --> 0:27:16.636
<v Speaker 1>mean it's the best. So I think like reminding yourself

0:27:16.676 --> 0:27:20.876
<v Speaker 1>that to trust other people's viewpoints, trust other people's collaboration

0:27:21.076 --> 0:27:24.436
<v Speaker 1>and their advice, like is always good For somebody like

0:27:24.476 --> 0:27:26.556
<v Speaker 1>me that's very headstrong, it has learned to be very

0:27:26.556 --> 0:27:29.476
<v Speaker 1>self reliant. I can just simmered back a little bit

0:27:29.476 --> 0:27:33.716
<v Speaker 1>sometimes you know, it's like, come on, shut up. But ultimately, though,

0:27:33.796 --> 0:27:37.236
<v Speaker 1>if like at the end of the day, if it's interesting,

0:27:37.356 --> 0:27:40.956
<v Speaker 1>I'm like, I have this like really like lightning fast

0:27:42.316 --> 0:27:45.476
<v Speaker 1>assessment just to know whether something is like right for

0:27:45.556 --> 0:27:47.956
<v Speaker 1>me or not. And I don't like to waste time

0:27:47.996 --> 0:27:50.756
<v Speaker 1>like entertaining something you're going down a road. If I

0:27:50.796 --> 0:27:52.316
<v Speaker 1>just know that it's just not at the end of

0:27:52.316 --> 0:27:54.556
<v Speaker 1>the day, it's just not me. I just don't really

0:27:54.556 --> 0:27:58.116
<v Speaker 1>even mess with it, you know. I think what's interesting

0:27:58.196 --> 0:28:01.916
<v Speaker 1>is that Golden Hour was such a deeply personal album,

0:28:02.316 --> 0:28:08.276
<v Speaker 1>but it also coincided with this incredibly warm, rich love story.

0:28:08.396 --> 0:28:10.436
<v Speaker 1>And I think it's one thing to be vulnerable and

0:28:10.516 --> 0:28:13.356
<v Speaker 1>open when you're in a really good place. It's like

0:28:13.556 --> 0:28:16.396
<v Speaker 1>next level to be open and vulnerable when you're not

0:28:16.436 --> 0:28:21.476
<v Speaker 1>in a good place. Oh yeah, man, I think my

0:28:21.516 --> 0:28:24.196
<v Speaker 1>whole life, I've I'm the older sister, you know, I've

0:28:24.196 --> 0:28:27.036
<v Speaker 1>been the performer, and I think like being that strong,

0:28:27.196 --> 0:28:31.516
<v Speaker 1>kind of like unfazed person was just kind of a

0:28:31.556 --> 0:28:33.636
<v Speaker 1>go to for me. And I realized now as a

0:28:33.756 --> 0:28:37.036
<v Speaker 1>older that that's the least strong thing that you can do.

0:28:37.236 --> 0:28:39.796
<v Speaker 1>Is like, to break open in front of someone and

0:28:39.876 --> 0:28:42.636
<v Speaker 1>really be vulnerable is one of the strongest things that

0:28:42.636 --> 0:28:44.916
<v Speaker 1>you can do. And so this there was a period

0:28:44.916 --> 0:28:48.076
<v Speaker 1>where I was like, I'm crumbling inside, I am not

0:28:48.156 --> 0:28:51.956
<v Speaker 1>worthy of love. I suck at it. I'll never I

0:28:51.996 --> 0:28:55.476
<v Speaker 1>don't want to get attached anybody ever again, felt really

0:28:55.476 --> 0:28:57.316
<v Speaker 1>burned by it, you know what I mean, And so

0:28:57.956 --> 0:29:00.476
<v Speaker 1>I have to remind myself that those feelings are even

0:29:00.516 --> 0:29:04.996
<v Speaker 1>more relatable to people than like this, you know, fuzzy

0:29:05.036 --> 0:29:09.676
<v Speaker 1>like blissed out like Dopamine Love album. I mean that

0:29:09.676 --> 0:29:13.316
<v Speaker 1>that's more of a rarity to feel sadly than the other,

0:29:13.636 --> 0:29:15.316
<v Speaker 1>you know, So I think that it'll be even more

0:29:15.316 --> 0:29:18.316
<v Speaker 1>relatable to people, you know. I went into this feeling like,

0:29:19.196 --> 0:29:21.396
<v Speaker 1>oh my gosh, like I'm probably I'm gonna be crying

0:29:21.396 --> 0:29:23.596
<v Speaker 1>in front of these people that I don't know super well,

0:29:23.796 --> 0:29:27.636
<v Speaker 1>like whatever, but eventually at that at some point that

0:29:27.676 --> 0:29:29.356
<v Speaker 1>just goes out the window. And I mean I was

0:29:29.396 --> 0:29:32.756
<v Speaker 1>just broken open and sobbing and heaving and just letting

0:29:32.796 --> 0:29:34.796
<v Speaker 1>go of all this stagnant energy that you know, you

0:29:34.956 --> 0:29:39.476
<v Speaker 1>like I was holding onto, and that alone is like therapeutic.

0:29:39.596 --> 0:29:43.236
<v Speaker 1>You know. One thing that's interesting to me is what

0:29:43.396 --> 0:29:48.236
<v Speaker 1>comes after golden hour nighttime and so like I'm in

0:29:48.276 --> 0:29:51.556
<v Speaker 1>a nighttime period and what's cool about that is that

0:29:52.756 --> 0:30:17.876
<v Speaker 1>there will be light again. At the end of our conversation,

0:30:18.036 --> 0:30:20.436
<v Speaker 1>I asked Casey if there were any songs about change

0:30:20.476 --> 0:30:24.596
<v Speaker 1>on her upcoming album. There's a song on there called

0:30:24.636 --> 0:30:28.676
<v Speaker 1>If I Was an Angel, and it's like it's basically saying,

0:30:28.716 --> 0:30:32.676
<v Speaker 1>if I was an angel, I wouldn't have to change

0:30:32.716 --> 0:30:34.516
<v Speaker 1>my ways. You wouldn't have to change your ways if

0:30:34.516 --> 0:30:38.276
<v Speaker 1>I was an angel. I mean, everything would be just

0:30:38.436 --> 0:30:42.916
<v Speaker 1>fine if I was an angel. If I was an angel,

0:30:43.876 --> 0:30:50.076
<v Speaker 1>I'd never have to change. I'd never have to change.

0:30:50.876 --> 0:31:07.836
<v Speaker 1>But something's got to change. A slight change of plans

0:31:07.996 --> 0:31:11.636
<v Speaker 1>is created an executive produced by me Maya Shunker. Big

0:31:11.756 --> 0:31:16.036
<v Speaker 1>thanks to everyone at Pushkin Industries, including our producer Lola Board,

0:31:16.356 --> 0:31:20.996
<v Speaker 1>associate producers David Jaw and Julia Goodman, executive producers Mia

0:31:21.076 --> 0:31:25.356
<v Speaker 1>Lavelle and Justine Lange, senior editor Jen Guera, and sound

0:31:25.356 --> 0:31:29.996
<v Speaker 1>design and mix engineers Ben Holliday and Jason Gambrell. Thanks

0:31:29.996 --> 0:31:32.636
<v Speaker 1>also to Louise Gara who wrote our theme song, and

0:31:32.716 --> 0:31:36.476
<v Speaker 1>Ginger Smith who helped arrange the vocals, incidental music from

0:31:36.476 --> 0:31:40.356
<v Speaker 1>Epidemic Sound, and of course a very special thanks to

0:31:40.436 --> 0:31:43.436
<v Speaker 1>Jimmy Lee. You can follow a slight change of plans

0:31:43.436 --> 0:31:56.236
<v Speaker 1>on Instagram at doctor Maya Schunker. I really appreciate you

0:31:56.956 --> 0:32:02.196
<v Speaker 1>and your perspective. I love when an interview goes far

0:32:02.276 --> 0:32:04.796
<v Speaker 1>beyond an interview and it turns into a real conversation,

0:32:05.276 --> 0:32:09.596
<v Speaker 1>and like, I crave that a lot, and I like

0:32:09.756 --> 0:32:11.916
<v Speaker 1>told you guys shit that I haven't literally haven't told

0:32:11.956 --> 0:32:12.556
<v Speaker 1>anyone else, so