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Speaker 1: So I was in there with like we're locked in overnight,

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Speaker 1: but it's I'm with Hassan Minaj and Diane Keaton and

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Speaker 1: we're we're sliding on the fire pole, we're getting on

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Speaker 1: the truck and we're beeping.

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Speaker 2: The horn walking.

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Speaker 1: We're yes, yes, we met. We are locked in the

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Speaker 1: fire station overnight and we're just playing. We're blasting each

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Speaker 1: other with the extinguishers and then we're rolling around in

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Speaker 1: the phone and all this stuff, and it starts to

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Speaker 1: be almost sunrise and we are going to come in

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Speaker 1: and spoil our fund. Okay.

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Speaker 2: So not not a school certified event.

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Speaker 1: No, it was has sons, yeah friends. Uncle's dad had

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Speaker 1: a buddy who used to work with one of the firemen.

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Speaker 3: Okay, sister's kiss okay, and they had made this bet okay,

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Speaker 3: and I guess.

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Speaker 4: If his son's friends uncle's dad won the bet, we

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Speaker 4: got to stay in the fire station overnight and do

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Speaker 4: whatever and not clean up.

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Speaker 2: Okay, But now son is coming up, and now the fire.

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Speaker 1: And it's almost over and we don't want it to

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Speaker 1: be over. And Diane is like not crying, but that

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Speaker 1: doing that thing where he.

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Speaker 2: Can tell she's about to cry.

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Speaker 1: Because like her fun is getting taken away, and I

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Speaker 1: finally just like, go, you know what, guys, let's barricade

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Speaker 1: ourselves inside here. Yeah, and I saw its going, well,

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Speaker 1: there's no food in here.

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Speaker 2: Also, there could be a fire.

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Speaker 1: They would need the trucks in the equipment. Diane slaps

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Speaker 1: him like types of hard, like his head snaps around

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Speaker 1: in that little like spit line.

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Speaker 2: Come yeah, and he was like what was I saying? Yeah?

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Speaker 5: Yeah, he's just like audio yeah, sorry, sorry sorry, because

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Speaker 5: he's not like a I mean, if you know his comedy,

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Speaker 5: you know how there's like pag.

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Speaker 1: There's battle rappers, and there's studio rappers. There's also like

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Speaker 1: Twitter beef comics and like studio comics who just craft

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Speaker 1: their stuff, which is Hassan is not like a beef comic,

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Speaker 1: you know what I mean. He's like, you know, in

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Speaker 1: the studio, in the lab with a pen and a pad.

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Speaker 1: But so anyway, he doesn't want to he doesn't want

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Speaker 1: to get into it with Diane. I mean will she

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Speaker 1: was rest in his next special. Oh, Diane is pure beef.

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Speaker 1: She's looking to snap on you. She loves the roast.

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Speaker 1: I mean, if you watched a roast with Diane, she

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Speaker 1: actually is doing way nastier, meaner shit, and I'm happy

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Speaker 1: that she hasn't been on because honestly, I don't think

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Speaker 1: America car handle a lot. Hey, welcome to Hollywood.

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Speaker 2: Have I get it's Tighter's guy to kicking button dropping

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Speaker 2: names in the red carpet lineback halways. In this industry

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Speaker 2: we call showbiz.

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Speaker 1: We have what up? What up? Flula? We got Flula.

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Speaker 1: Hello to guys, Oh my gosh, oh.

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Speaker 2: Hi, you're doing ear Wolf show.

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Speaker 4: Yes, I'm very excited.

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Speaker 2: You did another show before, Comedy Bang Band. Yes, CBB

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Speaker 2: just likes the oil. Okay, well that's a kind of oil.

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Speaker 1: Yeah, okay, CBB oil seepeep oil.

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Speaker 2: Okay. And in the same way as CBD oil does.

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Speaker 2: It kind of puts people. It has the same kind

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Speaker 2: of effect.

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Speaker 1: Comedy Bang Bang is like a pain killer. I stopped

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Speaker 1: taking any kind of drugs or anything. If I ever

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Speaker 1: have an acre pain, I just throw on a Comedy

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Speaker 1: Bang Bang episode and I let the kid detectives just

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Speaker 1: sort of soothe my aching joint.

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Speaker 2: No psychoactive effect, No, just kind of calms your body down.

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Speaker 1: They say, no psychoactive effects, But do you ever feel

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Speaker 1: like you're tripping out when you're listening to some of

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Speaker 1: this Hanong Man stuff.

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Speaker 2: Minute seven, right.

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Speaker 1: Yeah, that's one where I really kicks. Then it goes

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Speaker 1: oh yeah that is I am just blasted away.

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Speaker 2: Yes one.

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Speaker 4: Are you guys catching wealthy from the CPP the situas?

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Speaker 1: So, yes, we do have a d's the way we

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Speaker 1: discussed with Scott a little bit.

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Speaker 2: Yes, we did two episodes. Right is that it two

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Speaker 2: episodes in five years of knowing Scott?

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Speaker 1: Yeah? Uh.

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Speaker 2: And the way it works out is he we make

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Speaker 2: it like uh per listen a dollar from those episodes. Yeah,

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Speaker 2: and he of course takes five dollars per listen of

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Speaker 2: every one of our episodes that's ever been. Yes, yes,

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Speaker 2: the pyramid, yes, he drew it for us. Yeah. Yeah.

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Speaker 2: And if we get people to do podcasts, which I

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Speaker 2: was actually going to say looking at you, yes, you

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Speaker 2: would do an amazing podcast. Oh I have one?

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Speaker 1: Yes, yeah, oh you have one.

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Speaker 2: Yes. But here also I should move my podcast. Yeah,

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Speaker 2: you have to do it here.

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Speaker 1: I like to get in here.

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Speaker 4: Is it am I on the grounding fluor.

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Speaker 1: Yeah, it's it's absolutely an opportunity for you. And then

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Speaker 1: if you're able to bring in three other podcasts, I.

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Speaker 2: Know if you know three other podcast?

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Speaker 4: Oh yes, yes, wait wait and then tell me? And

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Speaker 4: then what is the heck? With Maren Mack? And then

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Speaker 4: this one about the weather? You listened to a weather

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Speaker 4: you could bring the weather one here. That's just the

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Speaker 4: kind of stuff we've been trying to do. It's a

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Speaker 4: niche you're missing, You're missing missing niche. No one is

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Speaker 4: addressing that.

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Speaker 2: I listen. I know of one that is every two weeks. Yeah,

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Speaker 2: and it should be more a weather podcast I think

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Speaker 2: should be on more. And also I don't. I'm often

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Speaker 2: not caught up, So I like.

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Speaker 4: Prospective, what you could what was the temperature in two weeks?

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Speaker 1: It's a nice it can be a nice memory daunting

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Speaker 1: when I have them stacked up because the one I think,

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Speaker 1: I listen to the same one and it's it's three

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Speaker 1: and a half hours long. Yes, yes, and so I

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Speaker 1: just go like I'm going to get into this, like

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Speaker 1: I have so many that it's hard.

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Speaker 2: I'm complete. I can not.

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Speaker 1: I cannot do that well.

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Speaker 4: I would say, if you need to skip, skip to

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Speaker 4: a Connie Nebraska episode, it's really good.

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Speaker 1: Yes.

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Speaker 2: The fact that it's a different location every time, it's

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Speaker 2: never a l a yeah, I'm waiting for them to

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Speaker 2: get to just hold your Yeah. But it's like Damon

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Speaker 2: and Kimmel. Right, I'm wondering if it's like an ongoing job.

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Speaker 4: Yes, yes, Ponytail China movie, yes, right, yes.

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Speaker 1: Yes, fluent you are from Germany.

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Speaker 2: Collect Yes, you have a gift to you a point. Yes.

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Speaker 1: People who are listening like, what the heck?

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Speaker 4: It's like, well, that is he talking making fun of me? Yeah,

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Speaker 4: we're saying everyone is offended. Yes, that's yeah, that's specifically

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Speaker 4: you should say. It's like the Duseldorf accent. No one

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Speaker 4: that you're mine is now No, it is living in

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Speaker 4: nurnback and then spending four days in Los Angeles twoty

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Speaker 4: so sound America.

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Speaker 2: Oh okay, you've been here four days.

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Speaker 1: Well yeah, well welcome, thank you very much. Yeah.

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Speaker 4: Hello, yeah, yeah, hello, I'm so happy to be here

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Speaker 4: with your Hollywood and your book.

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Speaker 2: This is engineer Jordan.

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Speaker 6: Hello Jordan, Hello, Hello, O, Hi, Hi, how you doing.

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Speaker 4: I'm so good. Yeah, we discussed shoes earlier. I'm very excited.

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Speaker 6: Yes, we did scuss shoes.

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Speaker 2: Yeah. And this is Chef Cavin. Pretty Chef Kevin, Yeah,

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Speaker 2: Chef Kevin Kevin. What does Kevin Cook Knockworst right.

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Speaker 4: Oh, how we will discuss later some of those things. Yeah,

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Speaker 4: I must.

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Speaker 2: It's part of a Blue Apron promotion. This is when

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Speaker 2: you start doing the podcast here. Oh it's Blue Apron

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Speaker 2: when older friends. Yes, you'll get the opportunity to do

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Speaker 2: all kinds of fun ads and you can make them fun.

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Speaker 2: Don't like go crazy, okay, but like you can make

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Speaker 2: that you like you can like feel yourself a little bit.

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Speaker 1: Say you use the product. Say you use the product. Yes,

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Speaker 1: whether you do or not, don't try to make it

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Speaker 1: feel like something people would listen to. What do you

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Speaker 1: do that will get you in trouble?

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Speaker 2: I think people know they know you.

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Speaker 1: Oh it's a lie, it's a fib Yeah, they know

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Speaker 1: that you're lying and they want you to Oh now

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Speaker 1: you brought up Duseldorf and I just can't stop thinking about.

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Speaker 1: There was a song called Morph, Morph, Dousel.

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Speaker 4: Dwarf in your Head or like it released to it's a.

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Speaker 2: Song it was.

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Speaker 1: It was by this band, the Disco Biscuits that we discus.

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Speaker 4: I love the Disco Biscuits.

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Speaker 1: You don't do well.

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Speaker 4: I can tell you they are a jam band. And

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Speaker 4: so with jam bands there are no real titles, but

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Speaker 4: I can tell you the drama does not wear shoes.

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Speaker 4: And when I saw them in the concert, I was

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Speaker 4: making a peep and he walked next to me into

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Speaker 4: the toilet place with no shoes and shoes, no socks,

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Speaker 4: but plenty of service. If you know what I mean.

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Speaker 4: I'm referring to his penis.

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Speaker 2: Yes, wow, you saw you you were you were really

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Speaker 2: lasered in on him through this whole experience.

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Speaker 4: He well, he is a large, strange man. And if

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Speaker 4: you do not shoes and socks into a nasty beastroom

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Speaker 4: in Carborough, North Carolina at the Cat's Cradle.

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Speaker 2: Perhaps check your shorts records tednas so you can get

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Speaker 2: headness from that. I don't know. Can you rust and urine?

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Speaker 2: I guess in combination?

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Speaker 4: Yeah, if you're If you are still and you turn

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Speaker 4: and the wall that is separate you and the other

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Speaker 4: urinal is us.

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Speaker 1: It will be the only one who, at times finishes

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Speaker 1: a strenuous p looks down and sees a nail in

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Speaker 1: the eight.

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Speaker 4: This is when you know, I know, no main like

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Speaker 4: I'm not. Everyone is circumcised, but in this moment you

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Speaker 4: are very happy to not be circumcised, right, because the

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Speaker 4: thing could get yes, yeah, you can protect you.

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Speaker 2: Oh okay, so it could gets snagged on there. But

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Speaker 2: it's like a shield, well, it's a helmet.

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Speaker 4: It's it's like imagine the Romans if they attacked Sparta

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Speaker 4: with no helmets.

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Speaker 1: Right, that's the uncircumcised using a urinal with a nail in.

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Speaker 2: Its kind of the equivalent of storming spark with skin.

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Speaker 1: Yes, yes, okay, fascinating. Are you like jam bands? You

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Speaker 1: follow jam bans?

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Speaker 4: I don't. I don't follow them so much. I did

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Speaker 4: go to a p Hish concert with my friend Jacob

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Speaker 4: Cohen some years ago.

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Speaker 1: Yeah.

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Speaker 4: They ended the song on the trampolines, and I didn't

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Speaker 4: understand why you're on the trampolines.

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Speaker 2: It's music, you know.

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Speaker 1: Right up around the room.

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Speaker 4: No, they were just on this small tempoline for the

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Speaker 4: children's yea, and They're just up and down, up and down,

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Speaker 4: up and down, And I'm like, who are you Kerry

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Speaker 4: and Kippi Struck. I want to hear some hot music,

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Speaker 4: not some bouncing right.

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Speaker 1: Yeah, it seems like it would battle the good guitar playing.

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Speaker 2: That's a This is a great segue I think to

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Speaker 2: what we want.

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Speaker 1: To deal with with you please. Well, I never got

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Speaker 1: to ask it. It's more for dousel door for real guy.

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Speaker 2: Oh, so to one? Is this a man or a

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Speaker 2: band or who is this?

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Speaker 4: It's the song Biscuits and there is a morpho morph

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Speaker 4: dousel door.

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Speaker 1: I change it all the time.

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Speaker 4: Yeah, so I don't know. Oh, I get because morph

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Speaker 4: is like Morphy, like I'm asking you.

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Speaker 2: But it could be a guy who is changing.

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Speaker 1: Is it a guy? Yeah?

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Speaker 2: So I have not met this morph uh.

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Speaker 4: And I've only been to Dizledorf two times, so I'm

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Speaker 4: not him.

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Speaker 2: It sounds like a guy who if you had met him,

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Speaker 2: he might not know because he is changing.

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Speaker 1: You might have met him both times you went and

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Speaker 1: not even realized it.

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Speaker 4: Was the same man. Again, Oh, it's exactly who knows?

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Speaker 4: Who can know it? It's like have you seen the

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Speaker 4: film with Val Kilma where he plays all the different people.

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Speaker 4: He's like, I'm a culder man, I'm a ninja man,

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Speaker 4: I'm a biscuit.

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Speaker 1: Yeah, I've seen that. It's Val Kilmer, Yeah, sultancy.

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Speaker 2: Something like that.

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Speaker 1: Yeah, it's pretty good.

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Speaker 2: Yeah, he plays a biscuit.

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Speaker 1: I'm a biscuit.

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Speaker 4: I think I said that because the band was called

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Speaker 4: Yes Okay, I thought it might be a coin.

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Speaker 1: I think I love that you admit.

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Speaker 4: That I didn't. Yeah, I'm sorry about a lot.

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Speaker 1: Of people would know he is a biscuit. But to

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Speaker 1: just say, hey, look I just heard something.

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Speaker 2: And then I said said, yeah, it's so freeing.

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Speaker 1: That's what we do.

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Speaker 4: Yeah, you know we all live in babas.

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Speaker 2: Oh yeah, that's another podcast. It is very successful one. Yeah,

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Speaker 2: slay King, we wanted to do something for money with

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Speaker 2: you in addition to this, which is also for money. Yes,

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Speaker 2: I loved all us. We so in television, yeah, you

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Speaker 2: do American TV show, but sometimes you you start to

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Speaker 2: think about a new show, yes, and then you say,

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Speaker 2: what if we just took a show that is happening

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Speaker 2: already somewhere else, nobody knows about it here, and we

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Speaker 2: take that show and we make that this is my idea, but.

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Speaker 1: We've seen it already.

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Speaker 2: And that is called a format. And so you take

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Speaker 2: these formats from other Every format really just means TV

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Speaker 2: show that happened already. Yes, the office is a format. Well,

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Speaker 2: and and and welcome to Sweden, Yes, welcome to Sweden.

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Speaker 1: Welcome to Sweden.

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Speaker 2: No, what is that sister show? Greg?

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Speaker 1: Come? On Greg greg.

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Speaker 2: Amy's older brother Greg. Maybe, yes, I.

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Speaker 4: Do remember from and it's from hell. It's hell sinky.

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Speaker 2: Yes, it's that is a different place. But good for

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Speaker 2: you to admit that as well. And I believe Helsinki,

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Speaker 2: Sweden is a joke that they make in the movie Diehard.

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Speaker 4: See you know, it's my favorite filmuff all the time.

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Speaker 4: Oh so that's what you were referenced saying Hans schoolba

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Speaker 4: as he's falling from you, he's undos the watch and

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Speaker 4: he's falling and then he does a knock knock joke.

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Speaker 4: You cannot hear it because of the screams on his

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Speaker 4: way down. It's a hell stinky knock knock joke. Y oh, okay,

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Speaker 4: do you want to do the whole thing? Well, if

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Speaker 4: you are providing the screams, I would a joke.

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Speaker 2: Yes, okay. He does a scream that kind of like whoa, I.

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Speaker 1: Don't understand, you're sky.

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Speaker 2: There's a there's a middle part of the knock knock

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Speaker 2: joke that I am not familiar with with. He says,

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Speaker 2: I don't understand.

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Speaker 1: Yeah, hell stinky, he says, Yeah, I really like this

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Speaker 1: because knock knock jokes to me have gotten stale.

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Speaker 4: Huh, I agree with the format is so pictive, back

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Speaker 4: and forth.

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Speaker 1: Reason I don't understand the idea is subverting it and

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Speaker 1: having the person on the other side of the knock

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Speaker 1: nector be like, wait a minute.

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Speaker 4: Thank you, press pause on this knocking that accually is

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Speaker 4: really innovative. Yeah, I've actually I am writing a jokey

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Speaker 4: book just because all of the joke have been told you,

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Speaker 4: and so I want to just word excitement, not yeah,

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Speaker 4: I stand it.

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Speaker 1: In there with a freaking microscope. Oh tweezers taking apart, no,

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Speaker 1: no micron.

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Speaker 2: Yes, you can make really big bucks on a really

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Speaker 2: joky book. Oh dude, that's the big just for but yeah,

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Speaker 2: and for people to impress our friends at work, at play, yes, yeah,

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Speaker 2: and the other dads, oh, the daddies and the mummies.

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Speaker 1: Yeah you said.

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Speaker 2: Formats, yes, format, thank you of course, welcome to Sweden

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Speaker 2: as a format.

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Speaker 1: Oh, very good.

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Speaker 2: And so what we want to what we want to

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Speaker 2: do is take some of these shows like these, like

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Speaker 2: these German shows.

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Speaker 1: Can I make a little joke please.

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Speaker 4: Unfortunately, some of the formats that have been coming over

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Speaker 4: feel a little more like three mats or even two mats.

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Speaker 4: Oh we want full formats. Yes, we want the whole shebang.

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Speaker 4: So when you tell us about the show, we're going

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Speaker 4: to ask you what are some big you know German Yeah,

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Speaker 4: if if we get a ten matter, yeah, we all

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Speaker 4: don't have to do this anymore, which I think we.

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Speaker 1: Could agree would be preferred.

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Speaker 4: I'm going to give I agree, I'm going to give

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Speaker 4: you guys a fear mat and fear is the German number? Yes, yes,

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Speaker 4: but it is also a fear fear mat because it

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Speaker 4: is a format from Germany.

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Speaker 2: But it's also involving a scary time. Oh okay, wow,

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Speaker 2: scary format fia squat Matt.

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Speaker 1: Yeah, and you don't ever have to tell me what

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Speaker 1: the German number for four is. If you think I

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Speaker 1: can't count a ten in German, you're out of your damn.

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Speaker 2: It's not for you.

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Speaker 1: It's for those three listeners.

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Speaker 4: Yes, and James Iowa, we are talking to you.

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Speaker 2: Yes, college town, Yes. Education. So what a scary format

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Speaker 2: we love? Is there a camp element at all? Like,

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Speaker 2: how do you mean the camp? Like are they like yes,

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Speaker 2: are they going the camp? And they also being kind

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Speaker 2: of like funny about some of the scariness.

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Speaker 4: Well, as you know, in America, you always are taking

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Speaker 4: the format fiar mat and making a strange addition. So

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Speaker 4: if you would like to insert flutes into the format,

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Speaker 4: please Fia Matt, you may do it.

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Speaker 1: Will tell us about this show, this scary show.

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Speaker 4: Well, as a seventh I was a child, as a

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Speaker 4: seven years old, there's Linden Strasse, which is called Linden Street, yeah,

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Speaker 4: which is just a sup operas you say, to soap opera.

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Speaker 4: But then before this, on the local we have a

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Speaker 4: channel three. And the three channel is everywhere in Germany,

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Speaker 4: but it is regional. It's everywhere but region, and yet

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Speaker 4: it is real like h Audrey heiro Esle here, it's

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Speaker 4: all very like are you from southwest Germany?

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Speaker 2: Then this is your channel, you know?

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Speaker 1: Ah?

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Speaker 4: And so in mind we had a para and this

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Speaker 4: was para Schmidt and Aphara is a man from the

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Speaker 4: what do you call a man from the church with

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Speaker 4: the stripes and the Bible and speaking referee? Yes, so

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Speaker 4: he's a referee Schmid. And so he in the morning

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Speaker 4: time of Sundays before Linden he always was giving like mad,

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Speaker 4: how to remember your weak boys and girls, how.

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Speaker 2: To remember your week?

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Speaker 4: Well, remember well he was telling people how to prepare

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Speaker 4: for the week, you know, like Steven Coffee with the

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Speaker 4: seven habits. Yes, but not habits. It was mostly like

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Speaker 4: remember Jesus is.

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Speaker 2: Here, right, The seven habits are for the nuns. Yes,

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Speaker 2: so snunt's always not sharpening the blade.

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Speaker 1: Yes.

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Speaker 4: The seventh habit sharpening the saw. It's a saw. And

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Speaker 4: then the first habit is put things first, things first.

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Speaker 1: Yes, right, first habit is for things first, put things first,

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Speaker 1: but first six first seven is sharpening the saw.

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Speaker 4: It's a blade or the saw, depending on your eye.

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Speaker 1: The second habit is five in between. Who cares say

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Speaker 1: the second one, let's go, let's go.

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Speaker 2: Yeah.

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Speaker 1: Number three I think is hang on it again. No,

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Speaker 1: actually I think we should go mm hm oh it's

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Speaker 1: a pouse ah yeah, but then it's a go. It's

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Speaker 1: able to take stock for a moment.

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Speaker 2: Yes, yes, yes. What's the fourth one? Oh? Hey, everyone,

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Speaker 2: what's it going on?

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Speaker 1: Okay?

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Speaker 2: Yeah?

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Speaker 1: Yeah?

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Speaker 2: What is the thing that we're doing? You know, we

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Speaker 2: haven't just we're just saying, let's go. We haven't decided

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Speaker 2: what the thing is that we're gonna do. Can we

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Speaker 2: please stop and figure with please? Just we're more than

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Speaker 2: halfway through the habits. Finally, we know we have to

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Speaker 2: get to sharpening a saw.

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Speaker 4: Where is the saul?

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Speaker 1: Yeah? Five, I believe is hang on, I'm just going

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Speaker 1: to charge my phone for like ten minutes because I

396
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Speaker 1: know I'm going to be going crazy.

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Speaker 4: Yeah, yeah, exactly. Who knows what we will be by steps?

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Speaker 4: Yeah just a little bit.

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Speaker 1: Yeah, just so I'm just gonna just you know, use

400
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Speaker 1: the bathroom or do whatever you can do. But I'm

401
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Speaker 1: just gonna just hold my phone in per second.

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Speaker 2: And I think the sixth one is we have to

403
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Speaker 2: do something about that guy that was asking all those

404
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Speaker 2: questions before. Uh huh. And so of course seven is

405
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Speaker 2: sharpen this meetings? Okay, so the show? Yes, so for

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Speaker 2: the scary show? Have we gotten too?

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Speaker 1: That?

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00:20:02,800 --> 00:20:04,880
Speaker 2: Is that what it was? Or is this is another one?

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Speaker 4: Well, as we discussed the habits, I'm realizing this show

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Speaker 4: maybe mostly just something I found very terrified.

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Speaker 2: Uh huh.

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Speaker 4: And because as the as the referee was speaking about

413
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Speaker 4: how to make a good time with the week behind,

414
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Speaker 4: they were always is always a doll like he's in

415
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Speaker 4: his what you well, you know that the church places

416
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Speaker 4: in the back with the room. He's like, oh, here's

417
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Speaker 4: where's my desk is? And here's where I check my

418
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Speaker 4: emails from the other disciples and things. Yes, the rectum, yeah,

419
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Speaker 4: the rec room, the correct m and so he had like, oh, look,

420
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Speaker 4: children love me, look at this. And then it was

421
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Speaker 4: a doll with eyes and the eye eye, but it

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Speaker 4: did not close. There's no blinking of the eyes.

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Speaker 2: Okay, so you you would want it was a dollar

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Speaker 2: ear has no eyes or a doll that blinks yes, okay.

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Speaker 4: Yes, And it was so that was very I'm realizing

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Speaker 4: now this is.

427
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Speaker 1: Not no, no, no, it's a form format. Yeah.

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00:20:59,680 --> 00:21:01,960
Speaker 2: Is that? Oh yeah? And so we we you know,

429
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Speaker 2: we figure out how to pull it over. It's a

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Speaker 2: fear Matt, Yeah, fear Matt. Yes. What was the guy's name?

431
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Speaker 2: You remember?

432
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Speaker 4: Well? I think it's so as C h M. I

433
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Speaker 4: DT not to be confused with ha Schmidt, who is

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Speaker 4: as a German David Letterman.

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00:21:18,760 --> 00:21:23,280
Speaker 2: Okay, great, still is he's still doing his things.

436
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Speaker 4: People was like, hey, you're you're being German David Letterman

437
00:21:26,640 --> 00:21:28,640
Speaker 4: and he's like, hey, suck it. And then he did leave.

438
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Speaker 2: Okay, there you go.

439
00:21:31,640 --> 00:21:33,080
Speaker 4: Perhaps he is more often.

440
00:21:32,800 --> 00:21:35,680
Speaker 1: To me and I'm more.

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Speaker 2: Calling back to it.

442
00:21:39,600 --> 00:21:41,879
Speaker 1: I love when things come back around like that. In

443
00:21:41,920 --> 00:21:47,040
Speaker 1: such a natural way. And I have course him Hashmidt Hall,

444
00:21:48,160 --> 00:21:51,000
Speaker 1: but that's his comedy, his nickname, of course.

445
00:21:53,200 --> 00:21:56,080
Speaker 4: Yeah, I should let you know I've secured the phone

446
00:21:56,160 --> 00:21:59,280
Speaker 4: number haha, four flula eight years ago.

447
00:21:59,840 --> 00:22:02,679
Speaker 1: It's a real number, and it's okay. That explains it

448
00:22:02,680 --> 00:22:04,800
Speaker 1: because I've been trying to get that phone number. Oh

449
00:22:04,840 --> 00:22:07,400
Speaker 1: I have it, yes, and they won't tell me who

450
00:22:07,480 --> 00:22:10,560
Speaker 1: has it. I haven't okay, and I've been dating everyone

451
00:22:10,600 --> 00:22:13,320
Speaker 1: at the phone company just yeah, thinking I can get

452
00:22:13,320 --> 00:22:15,359
Speaker 1: on their email or something when they go to sleep.

453
00:22:15,680 --> 00:22:18,119
Speaker 2: But then no, no, taken, how didn't happen.

454
00:22:18,560 --> 00:22:21,600
Speaker 1: I haven't gotten I haven't gotten to the point where

455
00:22:21,600 --> 00:22:23,880
Speaker 1: they are asleep and I'm anywhere around.

456
00:22:24,040 --> 00:22:24,240
Speaker 7: Ah.

457
00:22:24,880 --> 00:22:27,760
Speaker 4: So a very quick question. You guys were hanging out

458
00:22:27,800 --> 00:22:30,679
Speaker 4: with Hassan Whiteside and Diane Sawyer.

459
00:22:31,760 --> 00:22:36,200
Speaker 2: Yes, yeah, they well you know they always run together.

460
00:22:37,119 --> 00:22:40,680
Speaker 2: Two yes with a rebounding and the yeah.

461
00:22:40,720 --> 00:22:43,280
Speaker 1: Asking question when Diane Sawyer shows up. It's a block

462
00:22:43,359 --> 00:22:45,800
Speaker 1: party with four c's.

463
00:22:46,000 --> 00:22:54,159
Speaker 4: You know. How's that for? Like a block was like

464
00:22:54,200 --> 00:23:01,720
Speaker 4: when you said look at that, oh he is sick.

465
00:23:04,960 --> 00:23:07,680
Speaker 4: Oh yeah, and then pronouncing it with like the s

466
00:23:07,800 --> 00:23:10,840
Speaker 4: sound yeah right, Yeah, I think you're right.

467
00:23:10,960 --> 00:23:19,320
Speaker 2: Okay, let's adapt the Schmidt Schmitt. Oh if you like

468
00:23:19,400 --> 00:23:20,840
Speaker 2: like oh Schmidt.

469
00:23:22,440 --> 00:23:24,880
Speaker 1: Now, yeah, okay, let's adapt it.

470
00:23:25,600 --> 00:23:28,400
Speaker 2: We need a guy to play. How old is he?

471
00:23:28,960 --> 00:23:32,480
Speaker 2: He's probably expired. How old was he at the time

472
00:23:32,600 --> 00:23:33,800
Speaker 2: of the show.

473
00:23:33,880 --> 00:23:38,320
Speaker 4: I would say that in the fifties, sixties, okay, fifty sixties.

474
00:23:37,880 --> 00:23:39,800
Speaker 2: We could proudly. I mean if we knock him down

475
00:23:39,840 --> 00:23:46,399
Speaker 2: a little bit. The kid the oh yeah, I like,

476
00:23:46,520 --> 00:23:49,919
Speaker 2: I like Tremblay. Can we get Tremblay? What about the

477
00:23:50,000 --> 00:23:52,320
Speaker 2: kid that is not the curly haired one with the

478
00:23:52,359 --> 00:23:55,040
Speaker 2: gaps and strangers things, and not the main one, the

479
00:23:55,040 --> 00:23:58,360
Speaker 2: wolf hard kid, the one who gets lost and.

480
00:23:58,320 --> 00:24:01,920
Speaker 1: He looks like it's Mama Sam or something.

481
00:24:02,040 --> 00:24:07,359
Speaker 4: Will Will yes, Will Will in the wall will.

482
00:24:07,760 --> 00:24:12,200
Speaker 2: Yeah, So we get him will h he's vashmansh Mitt. Okay,

483
00:24:12,240 --> 00:24:17,000
Speaker 2: so some make up okay, well to make him potentially younger,

484
00:24:17,119 --> 00:24:21,720
Speaker 2: younger to h yes the American audio, Yes, yes, yes, yes, yes.

485
00:24:21,760 --> 00:24:25,320
Speaker 2: Who should plays a doll? Oh no, that's a great question.

486
00:24:25,600 --> 00:24:26,720
Speaker 2: There's a female doll.

487
00:24:27,000 --> 00:24:29,600
Speaker 4: I it was long here, but this is an era

488
00:24:29,760 --> 00:24:31,399
Speaker 4: as a child of those times.

489
00:24:31,560 --> 00:24:33,920
Speaker 2: It was a lady doll. It was a lady doll.

490
00:24:34,160 --> 00:24:35,080
Speaker 2: Now who can know.

491
00:24:36,000 --> 00:24:38,520
Speaker 1: I didn't ask the doll, do we have to update

492
00:24:38,560 --> 00:24:41,239
Speaker 1: it to make it not a lady doll? Because I

493
00:24:41,280 --> 00:24:44,560
Speaker 1: was going to pitch Annabelle could be the doll. Okay, well,

494
00:24:44,680 --> 00:24:48,320
Speaker 1: so this is the thing. Yes, who is Annabelle is.

495
00:24:48,280 --> 00:24:53,520
Speaker 2: A doll from a movie who has powers and is

496
00:24:53,600 --> 00:24:56,520
Speaker 2: killing people. And also Sean has had sort of like

497
00:24:56,560 --> 00:25:00,239
Speaker 2: a romantic history with It's not how do you and

498
00:25:00,280 --> 00:25:00,560
Speaker 2: sex with?

499
00:25:00,960 --> 00:25:06,400
Speaker 1: Uh? Well, no, that's that's that's private. But I am

500
00:25:06,520 --> 00:25:12,120
Speaker 1: comfortable saying no, that has not happened yet, but it's

501
00:25:12,160 --> 00:25:14,679
Speaker 1: not off the table. What I'll say is we've had

502
00:25:14,720 --> 00:25:15,359
Speaker 1: a great time.

503
00:25:15,600 --> 00:25:16,120
Speaker 2: Have you put?

504
00:25:16,160 --> 00:25:19,800
Speaker 1: Where is this? There's a definite connection there where she live.

505
00:25:19,960 --> 00:25:23,480
Speaker 1: She's in a case inside the ArcLight, Hollywood. So when

506
00:25:23,520 --> 00:25:26,359
Speaker 1: you go, when you first walk in, oh on the

507
00:25:26,440 --> 00:25:30,520
Speaker 1: riots case of the new movie. Here is from the Guardian,

508
00:25:31,920 --> 00:25:35,480
Speaker 1: Anabel's in there. And it's funny. I was just walking

509
00:25:35,520 --> 00:25:37,760
Speaker 1: by and I thought I heard a tap on the glass.

510
00:25:38,160 --> 00:25:43,520
Speaker 1: She says she didn't, but obviously somebody was noticing me,

511
00:25:43,800 --> 00:25:47,280
Speaker 1: and I turned and was just completely enchanted. Now I

512
00:25:47,280 --> 00:25:50,400
Speaker 1: haven't seen the movie, and she's pissed, and I don't

513
00:25:50,440 --> 00:25:52,720
Speaker 1: think I will because I don't want her to be

514
00:25:53,080 --> 00:25:56,720
Speaker 1: some thing from a film. I want her to be

515
00:25:56,840 --> 00:26:00,560
Speaker 1: an able personal relationship doll that's in a case at

516
00:26:00,560 --> 00:26:02,000
Speaker 1: the movie theater who I talked to?

517
00:26:02,480 --> 00:26:03,920
Speaker 2: What is the film that she is in?

518
00:26:04,440 --> 00:26:08,680
Speaker 4: The film is called Annabell Oh, it is an eponymn Yes,

519
00:26:08,960 --> 00:26:12,560
Speaker 4: and she is being very scary in it, and this

520
00:26:12,640 --> 00:26:13,800
Speaker 4: is a fear matt.

521
00:26:15,520 --> 00:26:18,119
Speaker 2: She she can blink, but she didn't have to blind.

522
00:26:18,280 --> 00:26:20,359
Speaker 4: I say, no blinking it is very important for us.

523
00:26:20,680 --> 00:26:22,960
Speaker 2: Yes, And so if we could get her this opportunity,

524
00:26:23,040 --> 00:26:24,719
Speaker 2: she would love. I mean, I'm sure she'd be very

525
00:26:24,720 --> 00:26:28,000
Speaker 2: thankful to you if you if we could get the

526
00:26:28,080 --> 00:26:28,720
Speaker 2: top of the ground.

527
00:26:28,920 --> 00:26:32,399
Speaker 1: Wasn't why I suggested it, but yeah, I think that

528
00:26:32,400 --> 00:26:37,840
Speaker 1: there are limited roles unfortunately still for women dolls in

529
00:26:37,880 --> 00:26:38,520
Speaker 1: this industry.

530
00:26:38,720 --> 00:26:41,399
Speaker 4: And this can you use this SIFA to secure a

531
00:26:41,520 --> 00:26:41,960
Speaker 4: first date?

532
00:26:42,040 --> 00:26:46,679
Speaker 1: Perhaps? I don't you know. This would be a professional thing.

533
00:26:46,720 --> 00:26:49,280
Speaker 1: It would be totally separate from our current relationship, which

534
00:26:49,320 --> 00:26:53,200
Speaker 1: is I go to the glass case inside the movie theater.

535
00:26:53,240 --> 00:26:55,920
Speaker 1: It's the ark light HOLI and I talked to the

536
00:26:56,200 --> 00:26:57,280
Speaker 1: doll inside the case.

537
00:26:57,400 --> 00:26:59,600
Speaker 4: Can you open the case a way to enter the case?

538
00:26:59,800 --> 00:27:05,280
Speaker 1: Now that I found and I will say that. What

539
00:27:05,400 --> 00:27:07,919
Speaker 1: I know for certain is that if you try to

540
00:27:08,280 --> 00:27:13,600
Speaker 1: open the case, people are mass ye. Yeah, whatever they are,

541
00:27:13,720 --> 00:27:15,000
Speaker 1: they're they're pissed.

542
00:27:15,160 --> 00:27:17,920
Speaker 4: Yes, so check the film quality and sound and also

543
00:27:18,240 --> 00:27:18,720
Speaker 4: to make.

544
00:27:18,600 --> 00:27:20,720
Speaker 2: Sure everything is in the case standard.

545
00:27:20,800 --> 00:27:27,520
Speaker 1: Yes. Yeah, so so they Annabelle shows up after years

546
00:27:27,600 --> 00:27:31,080
Speaker 1: of fa Schmidt of not having seen her, and she

547
00:27:31,600 --> 00:27:34,560
Speaker 1: has also a baby that's like a.

548
00:27:34,760 --> 00:27:38,000
Speaker 2: Smaller doll, all a doll baby. Yes, and she's like, hey,

549
00:27:38,240 --> 00:27:40,639
Speaker 2: so I never told you about this, but this is

550
00:27:40,720 --> 00:27:42,400
Speaker 2: our this is our child.

551
00:27:42,560 --> 00:27:45,080
Speaker 1: Yes that she doesn't really but she doesn't really have

552
00:27:45,080 --> 00:27:45,560
Speaker 1: any kids.

553
00:27:45,800 --> 00:27:48,520
Speaker 4: But the real does not have babies. No, but it's fine.

554
00:27:48,560 --> 00:27:50,280
Speaker 4: She can do it for the show. Yeah, Okay, she

555
00:27:50,359 --> 00:27:52,280
Speaker 4: can't she that'll be okay for her.

556
00:27:52,720 --> 00:27:54,119
Speaker 1: Yeah, she can do that for the show. She can

557
00:27:54,160 --> 00:27:57,000
Speaker 1: play anything. I mean, she's just like magnetic.

558
00:27:56,600 --> 00:27:58,639
Speaker 2: So instant family. I love this.

559
00:27:58,920 --> 00:28:02,320
Speaker 4: And who pays Keith baby dot.

560
00:28:02,320 --> 00:28:03,920
Speaker 1: Is the baby the little one?

561
00:28:04,000 --> 00:28:06,440
Speaker 2: Yeah that actually that could be really really good.

562
00:28:06,760 --> 00:28:10,439
Speaker 4: Yeah, like, oh, I'm not the president and so no,

563
00:28:10,520 --> 00:28:13,680
Speaker 4: I'm a baby from Faschmit's wrecked.

564
00:28:13,840 --> 00:28:18,640
Speaker 1: What's it called rec room wreck? Sorry? Reck room rec room? Yeah. Uh.

565
00:28:18,680 --> 00:28:22,080
Speaker 2: And so now they're trying to make it work. He

566
00:28:22,440 --> 00:28:25,280
Speaker 2: is confused about whether, because he's a fa, whether to

567
00:28:25,560 --> 00:28:28,560
Speaker 2: hide this baby because you can get in real trouble

568
00:28:28,680 --> 00:28:31,959
Speaker 2: with the with the your bosses if you have a

569
00:28:32,000 --> 00:28:36,440
Speaker 2: baby in church. Yes, and there's baby's mouthing off and

570
00:28:37,080 --> 00:28:40,720
Speaker 2: boss and everyone around not blinking. Also, yes, that baby

571
00:28:40,720 --> 00:28:43,880
Speaker 2: doesn't blink you baby don't blink. Yes, that's supposed to

572
00:28:44,000 --> 00:28:45,840
Speaker 2: baby don't or the name of the we don't have

573
00:28:45,880 --> 00:28:50,480
Speaker 2: a name. Okay, yeah, it could be the name. The

574
00:28:50,720 --> 00:28:53,440
Speaker 2: show is called Baby Don't Blink or Don't Blink Twice.

575
00:28:54,120 --> 00:28:57,600
Speaker 2: All of the success of the movie Don't Think Twice.

576
00:28:57,600 --> 00:28:59,000
Speaker 2: Its bigly a movie.

577
00:28:59,120 --> 00:29:04,320
Speaker 4: Yes, Oh, it's the eyes wide open. Yes, because of Tom.

578
00:29:04,160 --> 00:29:06,760
Speaker 2: Cow and his yes and now his eyes are sort

579
00:29:06,800 --> 00:29:10,440
Speaker 2: of wide open like this new world of this of

580
00:29:10,480 --> 00:29:14,240
Speaker 2: the family's mm hmm. Yeah, that's good.

581
00:29:14,320 --> 00:29:16,960
Speaker 1: We did a show. Great, Yeah, we really did do one.

582
00:29:17,240 --> 00:29:20,000
Speaker 2: I'm so excited. We did the whole thing. Wow. Can

583
00:29:20,040 --> 00:29:23,120
Speaker 2: we do another one, Lise, But you have to start

584
00:29:23,120 --> 00:29:25,160
Speaker 2: it with you have to give us a format. We

585
00:29:25,760 --> 00:29:27,000
Speaker 2: need something from over there.

586
00:29:27,120 --> 00:29:29,240
Speaker 1: Okay, so this one is called vet dust dot dot

587
00:29:29,240 --> 00:29:30,120
Speaker 1: dot dot question.

588
00:29:32,120 --> 00:29:34,720
Speaker 2: No, this is yeah, that is great.

589
00:29:34,760 --> 00:29:35,440
Speaker 1: I loving it.

590
00:29:35,600 --> 00:29:35,840
Speaker 2: Yeah.

591
00:29:35,880 --> 00:29:41,160
Speaker 4: So what is that dot dot question Yes? Which is

592
00:29:41,240 --> 00:29:44,200
Speaker 4: I am betting you that a dot dot dot dot

593
00:29:44,360 --> 00:29:45,000
Speaker 4: question mark?

594
00:29:47,720 --> 00:29:48,360
Speaker 1: Wow?

595
00:29:48,480 --> 00:29:50,720
Speaker 4: And this is a talk show. It is very much

596
00:29:50,720 --> 00:29:53,080
Speaker 4: a classics and it is Thomas Scott Shark as you

597
00:29:53,160 --> 00:29:55,200
Speaker 4: may know from Sister Act two.

598
00:29:55,680 --> 00:29:55,920
Speaker 2: Uh.

599
00:29:56,120 --> 00:30:00,800
Speaker 4: Starting from the Foojies Callista Flockhott. No, so Alfred what

600
00:30:00,960 --> 00:30:01,640
Speaker 4: is her name.

601
00:30:01,600 --> 00:30:06,240
Speaker 2: From the Fuji Lauren Hill Hill Yes? And then also

602
00:30:06,560 --> 00:30:09,880
Speaker 2: first I don't know, you weren't wrong, she like sat

603
00:30:09,960 --> 00:30:12,640
Speaker 2: in on some foodies recording. Yeah, it was before pros

604
00:30:12,680 --> 00:30:13,160
Speaker 2: well CHOHn.

605
00:30:13,320 --> 00:30:16,080
Speaker 4: Yeah, it was Calista and they're like listen, Calista, yes,

606
00:30:16,240 --> 00:30:18,880
Speaker 4: are you from Jersey? And she says no. And then

607
00:30:18,920 --> 00:30:21,000
Speaker 4: they say how do you describe Jersey? Is it dirty

608
00:30:21,120 --> 00:30:23,440
Speaker 4: or new? And she says new and they say do

609
00:30:23,520 --> 00:30:26,080
Speaker 4: you have to leave it's dirty Jersey? Yeah, And so

610
00:30:26,200 --> 00:30:30,160
Speaker 4: then it was yeah, praz plus. So anyway, I bet

611
00:30:30,200 --> 00:30:32,200
Speaker 4: you that dot dot dot question Mark is hosted by

612
00:30:32,200 --> 00:30:34,600
Speaker 4: Thomas Scotshark, a man with a large notes from Germany

613
00:30:34,640 --> 00:30:37,440
Speaker 4: who plays a chef in the Nun movie Sister two.

614
00:30:37,680 --> 00:30:42,840
Speaker 4: God Shark, Oh, god Shark, god Shark, Thomas God, that's

615
00:30:42,880 --> 00:30:43,360
Speaker 4: a good name.

616
00:30:43,400 --> 00:30:45,840
Speaker 2: I like it. God damn Right.

617
00:30:46,480 --> 00:30:51,959
Speaker 1: The power shark, the god shark. Fuck, my name was

618
00:30:51,960 --> 00:30:53,360
Speaker 1: Thomas god Shark.

619
00:30:54,000 --> 00:30:55,160
Speaker 2: What would you do? Get it?

620
00:30:55,640 --> 00:30:56,480
Speaker 1: I wouldn't have to do.

621
00:30:56,480 --> 00:31:02,320
Speaker 4: Anything and come to me and about have you told

622
00:31:02,360 --> 00:31:03,560
Speaker 4: about your name yet?

623
00:31:04,560 --> 00:31:07,760
Speaker 1: I suppose not. Okay, it hasn't come up.

624
00:31:08,320 --> 00:31:13,680
Speaker 4: Well, hello, when opportunity makes it when it's there, Jesus,

625
00:31:13,840 --> 00:31:16,040
Speaker 4: you think I could pull that off? I know you

626
00:31:16,080 --> 00:31:16,560
Speaker 4: can do it.

627
00:31:16,600 --> 00:31:19,240
Speaker 2: I believe in you. So hot. Do you want to

628
00:31:19,280 --> 00:31:20,200
Speaker 2: do a dry run?

629
00:31:21,040 --> 00:31:21,360
Speaker 1: Sure?

630
00:31:21,520 --> 00:31:24,120
Speaker 2: Okay, so I I or fluid? You want to just

631
00:31:24,120 --> 00:31:26,880
Speaker 2: be in the case, sure, I'll be. I'll be unabel

632
00:31:26,960 --> 00:31:27,120
Speaker 2: for you.

633
00:31:27,360 --> 00:31:34,600
Speaker 1: Yeah, okay, okay, Hey han, it looks really cool today.

634
00:31:36,080 --> 00:31:41,560
Speaker 1: I brought you some straws, some little coffee stars.

635
00:31:42,040 --> 00:31:43,840
Speaker 2: Knows you have blinked a couple of times?

636
00:31:44,000 --> 00:31:45,280
Speaker 1: What I did? Think?

637
00:31:45,440 --> 00:31:49,520
Speaker 4: Yes, I just wanted just so he can blink. But

638
00:31:49,880 --> 00:31:51,960
Speaker 4: the doll from the Pasta's house does not.

639
00:31:52,200 --> 00:31:52,640
Speaker 2: It's true.

640
00:31:52,760 --> 00:31:54,800
Speaker 1: She keeps playing a role where she Do.

641
00:31:54,680 --> 00:31:58,400
Speaker 4: You want me to play the doll as unabled playing

642
00:31:58,480 --> 00:32:01,280
Speaker 4: the doll in Pastor Schmidt?

643
00:32:01,480 --> 00:32:02,440
Speaker 2: Does you speak to me?

644
00:32:02,720 --> 00:32:03,360
Speaker 1: No? No?

645
00:32:03,480 --> 00:32:08,000
Speaker 2: I yes, I stand corrected. You should be blinking a lot, Okay, yes.

646
00:32:08,160 --> 00:32:11,320
Speaker 1: Blink because yeah, that's what Annabel, the real Annabel really.

647
00:32:11,120 --> 00:32:12,880
Speaker 2: Can't do Okay, sorry, I'm ready.

648
00:32:12,640 --> 00:32:19,840
Speaker 4: Now, Hi, honey, Hey, I got you the Uh these straws,

649
00:32:19,840 --> 00:32:23,920
Speaker 4: these little tiny straws. I know they're I guess not

650
00:32:23,960 --> 00:32:25,440
Speaker 4: good for the environment. But I know you said you

651
00:32:25,440 --> 00:32:26,360
Speaker 4: don't care about all that.

652
00:32:27,960 --> 00:32:34,200
Speaker 1: So I was just thinking, uh, maybe I should say

653
00:32:34,200 --> 00:32:34,880
Speaker 1: my name.

654
00:32:37,560 --> 00:32:37,959
Speaker 2: Cue him.

655
00:32:37,960 --> 00:32:39,800
Speaker 4: I don't want to say it, Like, can you cue

656
00:32:39,880 --> 00:32:44,800
Speaker 4: him to say his name? I didn't want to, Okay, yeah, sorry, okay, honey.

657
00:32:44,920 --> 00:32:47,560
Speaker 1: Yeah, I just was thinking maybe i'd see my I

658
00:32:47,600 --> 00:32:50,040
Speaker 1: know your name Annabelle, and I just I think it's

659
00:32:50,040 --> 00:32:50,760
Speaker 1: so beautiful.

660
00:32:50,800 --> 00:32:54,200
Speaker 4: Again, it's so cool. But I was going to actually

661
00:32:54,200 --> 00:32:55,760
Speaker 4: say my name today and now say you what your

662
00:32:55,800 --> 00:32:57,360
Speaker 4: name is? Thomas Scott shark.

663
00:33:01,200 --> 00:33:09,200
Speaker 2: Wow, there glasses all fog, she's smashing, classes have been shattered,

664
00:33:10,120 --> 00:33:12,400
Speaker 2: and she is touching you. Wow.

665
00:33:12,760 --> 00:33:17,920
Speaker 1: Wow, Stephie. Would that No, wouldn't be thrilled with that?

666
00:33:19,360 --> 00:33:21,840
Speaker 2: Yes? Oh so yeah you should. I mean that's a

667
00:33:21,880 --> 00:33:24,840
Speaker 2: connection that you guys have. I'm married to stop at

668
00:33:24,880 --> 00:33:29,440
Speaker 2: you and Andre both. Yeah, I mean it's a yeah,

669
00:33:29,560 --> 00:33:31,520
Speaker 2: it's like we don't like to put those kind of

670
00:33:32,200 --> 00:33:32,920
Speaker 2: labels on it.

671
00:33:33,120 --> 00:33:34,840
Speaker 1: Yeah, we have an arrangement.

672
00:33:34,880 --> 00:33:38,000
Speaker 4: We don't really talk about that, okay, yeah, yeah, but yeah,

673
00:33:38,040 --> 00:33:41,440
Speaker 4: we both are super happy and uh and I have

674
00:33:41,720 --> 00:33:45,640
Speaker 4: you know, we maintain separate residences just because our schedules

675
00:33:45,640 --> 00:33:46,280
Speaker 4: are so nuts.

676
00:33:46,320 --> 00:33:48,160
Speaker 2: So and she doesn't talk about it. She doesn't talk

677
00:33:48,200 --> 00:33:51,760
Speaker 2: about Andre, You don't talk about Annabelle, and you guys

678
00:33:51,800 --> 00:33:53,160
Speaker 2: don't talk about anything else.

679
00:33:54,280 --> 00:33:56,920
Speaker 4: That's lovely. Yeah, I support us. I'm very happy about it.

680
00:33:57,040 --> 00:33:57,200
Speaker 1: Yeah.

681
00:33:57,200 --> 00:33:59,400
Speaker 4: I would love to be invited to your next event.

682
00:34:00,080 --> 00:34:02,480
Speaker 1: Okay, yeah, no, it's I think we're going to do

683
00:34:02,560 --> 00:34:03,920
Speaker 1: something in a couple of years.

684
00:34:03,960 --> 00:34:08,359
Speaker 4: Oh great, dot dot dot question. Yes, that question, and

685
00:34:08,400 --> 00:34:10,400
Speaker 4: this is I am betting you that.

686
00:34:10,400 --> 00:34:11,120
Speaker 2: Dot dot dot.

687
00:34:11,400 --> 00:34:13,200
Speaker 4: And so what it is is all of the guests

688
00:34:13,239 --> 00:34:15,080
Speaker 4: are usual, a famous person, you know, very.

689
00:34:15,040 --> 00:34:16,000
Speaker 2: High on the store meter.

690
00:34:16,320 --> 00:34:20,400
Speaker 4: Yes, to bring it back to the podcast, Hollywood Handing Book.

691
00:34:20,280 --> 00:34:20,799
Speaker 1: Thank you.

692
00:34:20,880 --> 00:34:23,680
Speaker 2: It's a bad time. We brought it back, said the show.

693
00:34:23,840 --> 00:34:26,120
Speaker 1: We got to get back to the show, back to it.

694
00:34:26,200 --> 00:34:29,319
Speaker 2: Okay, So this is a talk show. Oh but it's

695
00:34:29,360 --> 00:34:32,400
Speaker 2: so much talk. But it's not hosted by hajashmid.

696
00:34:31,880 --> 00:34:35,040
Speaker 4: No, no, Thomas as you say god Shaw, Yes, okay,

697
00:34:35,800 --> 00:34:38,279
Speaker 4: but it's so much it's so much talking oh, we

698
00:34:38,320 --> 00:34:40,520
Speaker 4: are a German talking show. When you say talking show,

699
00:34:40,600 --> 00:34:43,160
Speaker 4: it is only talking. It is ninety nine percent is

700
00:34:43,200 --> 00:34:46,200
Speaker 4: a talking They don't play like beer pong or anything.

701
00:34:46,320 --> 00:34:49,279
Speaker 4: Very short amount, no games, very small game.

702
00:34:49,360 --> 00:34:50,879
Speaker 2: And the game play a small game.

703
00:34:51,000 --> 00:34:52,759
Speaker 4: Let's play a small game. And here is a game

704
00:34:52,840 --> 00:34:55,160
Speaker 4: like if let us say, I don't know who is coming,

705
00:34:55,200 --> 00:34:58,360
Speaker 4: maybe it's Tracy Chapman. She is as a guest and Tracy,

706
00:34:58,400 --> 00:35:01,160
Speaker 4: how are you? How is fast caught? Et cetera. And

707
00:35:01,160 --> 00:35:03,200
Speaker 4: then they speak how it was fast car? What did

708
00:35:03,239 --> 00:35:05,720
Speaker 4: she say to that? She said, still going?

709
00:35:05,920 --> 00:35:10,080
Speaker 1: But Wray, that.

710
00:35:10,239 --> 00:35:13,000
Speaker 4: Is so Tracy right, And then she did leave. She

711
00:35:13,239 --> 00:35:17,360
Speaker 4: just she said, no screwl Thomas. Wow, yeah, yeah, gotcha,

712
00:35:17,480 --> 00:35:18,600
Speaker 4: gotcha he did it?

713
00:35:18,960 --> 00:35:21,399
Speaker 2: Okay, but that was not a game.

714
00:35:21,600 --> 00:35:24,200
Speaker 4: No, well she don't base, you know, yes, yeah, Tracy

715
00:35:24,320 --> 00:35:28,200
Speaker 4: don't trap. And so so the game is always a bed.

716
00:35:28,480 --> 00:35:30,719
Speaker 4: And so it's like, oh, hi, good to see you.

717
00:35:30,880 --> 00:35:33,759
Speaker 4: I don't know Enrique Iglesias. Yeah, here is a bat.

718
00:35:33,960 --> 00:35:36,839
Speaker 4: A man can say he can lick five matchsticks, and

719
00:35:36,880 --> 00:35:39,840
Speaker 4: then when he does it, he can tell you your future.

720
00:35:40,520 --> 00:35:40,680
Speaker 1: Oh.

721
00:35:41,080 --> 00:35:42,759
Speaker 4: They since they say can he do it or can

722
00:35:42,800 --> 00:35:45,480
Speaker 4: he not do it? Tell us Enrique and then Ricky

723
00:35:45,520 --> 00:35:46,240
Speaker 4: make it predicting.

724
00:35:46,440 --> 00:35:49,279
Speaker 2: Could he do it? I don't know. I didn't see

725
00:35:49,320 --> 00:35:51,520
Speaker 2: this episode of Oh you didn't see that? When you

726
00:35:51,600 --> 00:35:57,160
Speaker 2: just heard about it, I fainted. Oh yeah, little it's

727
00:35:57,200 --> 00:35:58,680
Speaker 2: a strong medicine.

728
00:35:58,719 --> 00:36:01,319
Speaker 4: And Rique is like I would say, he's like bat

729
00:36:01,400 --> 00:36:03,080
Speaker 4: medicine and it is what I need.

730
00:36:03,800 --> 00:36:07,920
Speaker 2: Yes, he has had some yeah songs that are they

731
00:36:08,080 --> 00:36:12,520
Speaker 2: go down very hard like they like they taste very

732
00:36:12,520 --> 00:36:14,160
Speaker 2: strange going down, yes.

733
00:36:14,560 --> 00:36:17,160
Speaker 1: Yes, like a old flexied oil.

734
00:36:17,560 --> 00:36:21,840
Speaker 2: Yes, yes, right, but but good for you. We hope

735
00:36:22,520 --> 00:36:24,799
Speaker 2: you got to import this show. We have to do

736
00:36:24,880 --> 00:36:27,680
Speaker 2: something with it. It is. It is a so it's

737
00:36:27,719 --> 00:36:31,800
Speaker 2: a talk show where they're making bets, all big bets.

738
00:36:32,040 --> 00:36:33,560
Speaker 1: Yes, I'll bet you that.

739
00:36:33,760 --> 00:36:38,080
Speaker 2: Dot dot dot question one. Who's a famous by Bett Middler?

740
00:36:38,840 --> 00:36:44,399
Speaker 4: Oh wow, I was going to say, and that's good.

741
00:36:44,640 --> 00:36:47,520
Speaker 2: That's got They say, well I got one in May

742
00:36:47,560 --> 00:36:48,960
Speaker 2: I have a co host? Perhaps?

743
00:36:49,080 --> 00:36:49,319
Speaker 1: Yeah?

744
00:36:49,480 --> 00:36:54,000
Speaker 4: Maybe is the bus Jerome bettis helone?

745
00:36:54,120 --> 00:36:58,560
Speaker 2: Yes, okay, So it's Bet and Bett at and they

746
00:36:58,600 --> 00:37:03,080
Speaker 2: are betting each other. They're making bets with the guest. Yes,

747
00:37:03,239 --> 00:37:07,080
Speaker 2: guest bets yes, uh and Betsy Brick could do it

748
00:37:07,120 --> 00:37:11,000
Speaker 2: as well. Who was on Breaking Bats, Mookie Bets and

749
00:37:11,080 --> 00:37:12,960
Speaker 2: Mookie Bet. He could always do it.

750
00:37:13,480 --> 00:37:16,400
Speaker 1: Yes, he's really maybe hosted instead of Thomas god Shark.

751
00:37:18,880 --> 00:37:21,319
Speaker 2: Oh yeah, I assume we were doing that. I think

752
00:37:21,320 --> 00:37:24,120
Speaker 2: he might be expired as well. He's very much alive. Oh,

753
00:37:24,160 --> 00:37:24,920
Speaker 2: he is alive.

754
00:37:25,239 --> 00:37:28,840
Speaker 4: Okay, he's still here and waiting for his next you know,

755
00:37:28,960 --> 00:37:31,520
Speaker 4: he's like as they say, buy the phone, like sol asylum.

756
00:37:31,600 --> 00:37:34,600
Speaker 2: You know, yes, yes, waiting. So it seems important to

757
00:37:34,640 --> 00:37:38,360
Speaker 2: you that he do it. No, Oh, you're just bailing

758
00:37:38,480 --> 00:37:40,560
Speaker 2: and bailing on him just like that. Well you don't care.

759
00:37:40,680 --> 00:37:43,120
Speaker 4: I'm a natural. I'm a neutral card that's rolling on

760
00:37:43,160 --> 00:37:44,759
Speaker 4: the street. If you want to put me in a

761
00:37:44,840 --> 00:37:47,040
Speaker 4: gear one or God Shock gear y.

762
00:37:47,160 --> 00:37:51,120
Speaker 2: Let's do it. Okay, let's know, let's I think we

763
00:37:51,239 --> 00:37:54,359
Speaker 2: try the four host combination we were talking about, which

764
00:37:54,400 --> 00:37:58,040
Speaker 2: is Bette Midler, Jerome bet As, Betsy Bran and Movie Bets. Yes.

765
00:37:58,160 --> 00:38:00,799
Speaker 4: I like the athletes inside. Think it's very small.

766
00:38:01,000 --> 00:38:04,760
Speaker 2: They offer sort of a new perspective and like betting

767
00:38:04,800 --> 00:38:08,200
Speaker 2: on sports is like this big thing now as FanDuel

768
00:38:08,280 --> 00:38:11,800
Speaker 2: and stuff is huge. Is this what you guys mentioned

769
00:38:11,840 --> 00:38:16,120
Speaker 2: the sponsors? Yes, I mean sorry, no, this is where

770
00:38:16,120 --> 00:38:19,240
Speaker 2: we talk about products that we just happen to really use.

771
00:38:19,320 --> 00:38:20,480
Speaker 1: Our own and just love.

772
00:38:20,760 --> 00:38:25,640
Speaker 2: Yes, got it. And what I was saying was that

773
00:38:25,800 --> 00:38:29,320
Speaker 2: FanDuel is a way for you to make money. Yes,

774
00:38:29,600 --> 00:38:33,160
Speaker 2: it's a job. Now basically if you can do it

775
00:38:33,200 --> 00:38:34,480
Speaker 2: and not go to work.

776
00:38:34,320 --> 00:38:36,479
Speaker 1: You have fun instead of working, and you make even

777
00:38:36,520 --> 00:38:37,120
Speaker 1: more money.

778
00:38:37,840 --> 00:38:38,839
Speaker 2: What's the promo code?

779
00:38:40,360 --> 00:38:42,400
Speaker 1: Geez, we even have one.

780
00:38:42,760 --> 00:38:45,800
Speaker 2: So we're hoping to get a promo code between promo

781
00:38:45,840 --> 00:38:46,720
Speaker 2: codes right now.

782
00:38:46,880 --> 00:38:49,360
Speaker 4: We definitely have had some good ones in the past,

783
00:38:49,400 --> 00:38:50,960
Speaker 4: and we look forward to the next.

784
00:38:51,120 --> 00:38:53,960
Speaker 2: The last promo code, I think they're randomly generated. But

785
00:38:54,000 --> 00:38:58,080
Speaker 2: the last promo code was stop and so I think

786
00:38:58,120 --> 00:39:01,280
Speaker 2: it was deterring a lot of people from using the product.

787
00:39:01,600 --> 00:39:03,440
Speaker 2: And then it was don't use this.

788
00:39:04,840 --> 00:39:09,440
Speaker 4: Yes, that sounds ineffective, right, And that was random generated.

789
00:39:09,160 --> 00:39:11,040
Speaker 2: Yes, And so I think the next one we wanted

790
00:39:11,080 --> 00:39:12,920
Speaker 2: something along the lines of like yes, do it.

791
00:39:12,880 --> 00:39:19,279
Speaker 4: Go go go please someone, Hello, help, something like that.

792
00:39:19,360 --> 00:39:22,160
Speaker 2: Yeah, I like this. So then we're doing more American

793
00:39:22,239 --> 00:39:26,040
Speaker 2: bets instead of licking matches and predicting the future, which

794
00:39:26,080 --> 00:39:29,640
Speaker 2: is kind of a German thing. Yeah, I admit it, Like,

795
00:39:29,800 --> 00:39:34,320
Speaker 2: what what kinds of stuff for the American the more Americanican.

796
00:39:35,440 --> 00:39:38,520
Speaker 1: Oh god, respect the flag.

797
00:39:39,000 --> 00:39:43,120
Speaker 2: Yes, so we're betting on the flag about whether someone

798
00:39:43,480 --> 00:39:44,760
Speaker 2: can hiren the flag.

799
00:39:44,920 --> 00:39:47,040
Speaker 1: That's a good one, yes, yes, yes.

800
00:39:47,440 --> 00:39:48,400
Speaker 4: Can you wash a flag?

801
00:39:48,520 --> 00:39:48,840
Speaker 1: Is this? No?

802
00:39:48,960 --> 00:39:49,480
Speaker 4: Don't do it.

803
00:39:50,800 --> 00:39:53,759
Speaker 2: You can't, like there's a specific way that you have

804
00:39:53,880 --> 00:39:58,879
Speaker 2: to wash it certain settings. Yeah, yeah, there are our

805
00:39:59,200 --> 00:40:00,840
Speaker 2: washing machines here. Have the flag.

806
00:40:01,840 --> 00:40:04,160
Speaker 1: It's like you send a window washer guy up to

807
00:40:04,239 --> 00:40:06,279
Speaker 1: the top of the flagpole and he has to wash

808
00:40:06,320 --> 00:40:08,880
Speaker 1: it up there and like squeegee it.

809
00:40:09,760 --> 00:40:16,880
Speaker 2: Yeah, that can be tough. We did two shows. We

810
00:40:16,960 --> 00:40:20,760
Speaker 2: just did right now, we just did right? Was that too, Jordan?

811
00:40:21,880 --> 00:40:25,439
Speaker 2: That was Did you see Annabel? No?

812
00:40:25,480 --> 00:40:27,440
Speaker 6: But but I know of her reputation.

813
00:40:28,360 --> 00:40:31,080
Speaker 2: She has a reputation. She has kind of a reputation.

814
00:40:30,800 --> 00:40:31,680
Speaker 6: Has a big reputation.

815
00:40:31,920 --> 00:40:34,640
Speaker 2: Tell me please, Yes, I thought you're saying you have

816
00:40:34,680 --> 00:40:38,520
Speaker 2: a reputation reputation having seen having seen it.

817
00:40:38,920 --> 00:40:42,320
Speaker 4: Okay, But but you're not saying that Annabel has a reputation.

818
00:40:42,800 --> 00:40:46,440
Speaker 6: No, No, it's it's me. I have the reputation because

819
00:40:46,480 --> 00:40:47,040
Speaker 6: of Annabel.

820
00:40:47,560 --> 00:40:47,799
Speaker 1: Okay.

821
00:40:47,840 --> 00:40:49,719
Speaker 2: So you're not trying to cover up that you were

822
00:40:50,680 --> 00:40:54,120
Speaker 2: implying something about Annabel and now you're putting it on yourself.

823
00:40:54,280 --> 00:40:57,840
Speaker 4: No, I would say, I've seen lots of smuts on

824
00:40:57,880 --> 00:40:59,960
Speaker 4: the glass. I just want to put this off.

825
00:41:00,160 --> 00:41:03,120
Speaker 6: Okay that those weren't mine?

826
00:41:03,320 --> 00:41:08,200
Speaker 1: Yeah, okay, okay, I don't know who Kevin. Have you

827
00:41:08,239 --> 00:41:10,439
Speaker 1: seen Annabel God?

828
00:41:10,600 --> 00:41:13,239
Speaker 4: Just talking just talking to Chef Kevin through glass right

829
00:41:13,280 --> 00:41:16,080
Speaker 4: now is kind of getting me worked up. It's reminded

830
00:41:16,160 --> 00:41:17,920
Speaker 4: me of sort of my Annabelle relationship.

831
00:41:18,440 --> 00:41:19,520
Speaker 7: Chef Annabel here.

832
00:41:22,200 --> 00:41:27,359
Speaker 1: Oh, I like, well, I have a question, and maybe

833
00:41:27,400 --> 00:41:29,840
Speaker 1: Hazel hate that I even asked this, but and I

834
00:41:29,840 --> 00:41:31,520
Speaker 1: don't know if it could lead us to a show.

835
00:41:31,560 --> 00:41:34,680
Speaker 1: But when I was in Germany, the German students did

836
00:41:34,760 --> 00:41:38,880
Speaker 1: sort of a mean trick to me where they like

837
00:41:39,000 --> 00:41:41,200
Speaker 1: played this game with me to kind of make me

838
00:41:41,239 --> 00:41:43,880
Speaker 1: look foolish. And I'm wondering if this is common, like

839
00:41:43,920 --> 00:41:45,719
Speaker 1: if everyone in Germany knows it, or if it was

840
00:41:45,800 --> 00:41:47,319
Speaker 1: just this group of things and.

841
00:41:47,360 --> 00:41:51,520
Speaker 2: I just anything where he looks foolish.

842
00:41:51,600 --> 00:41:56,600
Speaker 1: Does this sound familiar to you as what was? Ready?

843
00:41:56,680 --> 00:42:01,239
Speaker 1: It's go? They would go dermound is room, No, no wait, sorry,

844
00:42:01,280 --> 00:42:05,720
Speaker 1: their moon is runed, their moon is runed, hotspy algen

845
00:42:06,480 --> 00:42:11,400
Speaker 1: nas moon shon and then they would pass me and

846
00:42:11,400 --> 00:42:14,239
Speaker 1: then everyone would draw that with the lighter. Do you

847
00:42:14,280 --> 00:42:15,400
Speaker 1: know what I'm talking about? Do you know this?

848
00:42:15,640 --> 00:42:18,279
Speaker 4: So you are saying the mouth is round, the mouth

849
00:42:18,360 --> 00:42:21,040
Speaker 4: is round, has two us and nose and what did

850
00:42:21,040 --> 00:42:21,360
Speaker 4: you say that?

851
00:42:22,280 --> 00:42:27,680
Speaker 1: What they were saying was the moon. Their mound is run.

852
00:42:27,880 --> 00:42:32,239
Speaker 1: Their mound is runed. Their mund, like, oh.

853
00:42:32,000 --> 00:42:34,360
Speaker 2: Who let my doggies out?

854
00:42:34,560 --> 00:42:38,799
Speaker 1: Oh? Mont, their mond? There we go. Their mond is runed.

855
00:42:38,840 --> 00:42:39,400
Speaker 1: Their mon.

856
00:42:40,760 --> 00:42:44,000
Speaker 4: Their mond yeah is run. Yeah, yeah, yeah, their mound

857
00:42:44,239 --> 00:42:46,239
Speaker 4: is run. So you were saying mouth again, you have

858
00:42:46,320 --> 00:42:51,240
Speaker 4: now once their mond. Now that's more Mont, their mond,

859
00:42:51,719 --> 00:42:53,280
Speaker 4: more their mond.

860
00:42:53,640 --> 00:42:54,160
Speaker 2: Do you know like this?

861
00:42:54,239 --> 00:42:57,920
Speaker 4: Three ste gies, Larry Curly Moore, Yeah Mond.

862
00:42:57,920 --> 00:43:01,640
Speaker 1: Der mon okay dermond?

863
00:43:02,880 --> 00:43:05,879
Speaker 2: Is this how they were tricking you, well, saying yeah,

864
00:43:05,880 --> 00:43:07,160
Speaker 2: want is something that you didn't want?

865
00:43:07,400 --> 00:43:09,160
Speaker 1: So what Here's what they would do. They would draw

866
00:43:09,200 --> 00:43:10,800
Speaker 1: the shape with the lighter. They would draw a circle

867
00:43:11,080 --> 00:43:13,320
Speaker 1: with a lightercle yeah, we had just smoked.

868
00:43:13,640 --> 00:43:14,040
Speaker 2: Okay.

869
00:43:14,360 --> 00:43:16,640
Speaker 1: So they would draw and I sat in the park

870
00:43:16,680 --> 00:43:19,200
Speaker 1: with them for like forty five minutes while they did

871
00:43:19,200 --> 00:43:19,520
Speaker 1: this to me.

872
00:43:19,560 --> 00:43:21,239
Speaker 2: Okay, and so they're like, okay, we're going to do

873
00:43:21,280 --> 00:43:21,799
Speaker 2: this now.

874
00:43:22,000 --> 00:43:24,560
Speaker 1: Yeah, they were like, hey, let's do this game. And

875
00:43:24,600 --> 00:43:27,000
Speaker 1: they all did. Seven people. I can't believe the patients

876
00:43:27,320 --> 00:43:30,279
Speaker 1: that they had to just fuck with me. But they

877
00:43:30,280 --> 00:43:34,080
Speaker 1: would say, Dermond's un Yeah, the moon is a hound.

878
00:43:34,480 --> 00:43:37,640
Speaker 1: The moon is a hound. It has two eyes, a nose,

879
00:43:37,680 --> 00:43:40,000
Speaker 1: and a mouth. And they would draw the eyes, nose,

880
00:43:40,040 --> 00:43:42,800
Speaker 1: and mouth and then they would pass me the lighter.

881
00:43:42,800 --> 00:43:44,440
Speaker 1: And every time they did it, they go, you're doing

882
00:43:44,480 --> 00:43:46,560
Speaker 1: it wrong, you're doing it wrong. They would correct my pronunciation,

883
00:43:47,640 --> 00:43:50,640
Speaker 1: doing it right now. He just making you look foolish

884
00:43:50,640 --> 00:43:53,319
Speaker 1: against maybe, but they would correct my pronunciation or they

885
00:43:53,320 --> 00:43:54,880
Speaker 1: would correct the way I draw and they and I

886
00:43:54,920 --> 00:43:57,040
Speaker 1: would always be looking like they go like, no, you

887
00:43:57,080 --> 00:43:58,440
Speaker 1: haven't done it right, that you haven't done it right,

888
00:43:58,480 --> 00:44:00,560
Speaker 1: and they passed it back. But the whole thing was

889
00:44:00,560 --> 00:44:03,080
Speaker 1: they were doing it different every time. The only thing

890
00:44:03,120 --> 00:44:04,960
Speaker 1: that was the same is they would draw it with

891
00:44:05,000 --> 00:44:07,080
Speaker 1: their right hand and pass it with their left hand.

892
00:44:08,040 --> 00:44:11,239
Speaker 2: Ah. It's one of those games where they're like, you

893
00:44:11,280 --> 00:44:13,040
Speaker 2: aren't following the rules correct.

894
00:44:13,120 --> 00:44:17,680
Speaker 1: Yes, that's right. Is that something that you guys do

895
00:44:18,040 --> 00:44:19,560
Speaker 1: you guys? Wow?

896
00:44:20,200 --> 00:44:24,000
Speaker 4: Well I will tell you Sean, I have never played this.

897
00:44:24,239 --> 00:44:27,000
Speaker 4: I will say that you were saying something incorrect. And

898
00:44:27,080 --> 00:44:29,319
Speaker 4: as a German person. It's hard to not make a

899
00:44:29,360 --> 00:44:31,920
Speaker 4: want of correcting well but that but.

900
00:44:31,840 --> 00:44:34,080
Speaker 1: That was never the issue. And at the time my

901
00:44:34,200 --> 00:44:35,200
Speaker 1: accent was a lot better.

902
00:44:35,239 --> 00:44:37,280
Speaker 4: It's very good. No, you have a very good accent,

903
00:44:37,320 --> 00:44:41,040
Speaker 4: I must say it, Victor Spitzer. But yeah, it does

904
00:44:41,040 --> 00:44:44,200
Speaker 4: sound a bit. It just does sound a little strange.

905
00:44:43,880 --> 00:44:47,080
Speaker 1: A bit along there.

906
00:44:47,239 --> 00:44:49,040
Speaker 4: Yeah, it's very good.

907
00:44:49,160 --> 00:44:51,600
Speaker 2: San, I'm never impressed with it. Get out of here,

908
00:44:51,719 --> 00:44:55,480
Speaker 2: I cannot. And your name is almost meaning like nice

909
00:44:55,680 --> 00:44:59,520
Speaker 2: in um sight a little bit um um.

910
00:44:59,320 --> 00:45:03,719
Speaker 4: Hum dustin, that's for sure. It was very nice. And

911
00:45:03,760 --> 00:45:05,640
Speaker 4: how do you How does is this a Truman? How

912
00:45:05,640 --> 00:45:07,359
Speaker 4: are you knowing what Suan is?

913
00:45:07,400 --> 00:45:07,720
Speaker 2: Sean?

914
00:45:08,080 --> 00:45:11,000
Speaker 1: Sean is Sun. He teaches teach me, I teach. I

915
00:45:11,280 --> 00:45:13,960
Speaker 1: take Hayes two hours every day after the podcast. I'm

916
00:45:14,120 --> 00:45:15,080
Speaker 1: trying to teach him German.

917
00:45:15,840 --> 00:45:20,000
Speaker 2: So in case we've run into this this gang, it's

918
00:45:20,040 --> 00:45:21,120
Speaker 2: basically gang members.

919
00:45:21,880 --> 00:45:23,799
Speaker 1: I've been in training for the rest of my life

920
00:45:23,840 --> 00:45:26,040
Speaker 1: to try to get these guys with my own and

921
00:45:26,120 --> 00:45:26,759
Speaker 1: my own trick.

922
00:45:27,520 --> 00:45:29,840
Speaker 2: What is the trick? Have you developed yet? What you

923
00:45:29,880 --> 00:45:30,279
Speaker 2: will do?

924
00:45:31,920 --> 00:45:34,919
Speaker 1: I don't have a specific plan. My hope is that

925
00:45:34,960 --> 00:45:37,160
Speaker 1: Hayes will be able to come with something on the

926
00:45:37,160 --> 00:45:41,200
Speaker 1: fly because I've been teaching him right. Uh. And it

927
00:45:41,400 --> 00:45:43,719
Speaker 1: was not in Germany that this happened. It was in

928
00:45:43,880 --> 00:45:47,359
Speaker 1: Prague with Germans. Oh that's very that's that's different then.

929
00:45:47,440 --> 00:45:49,800
Speaker 4: Huh yeah, and was it now do we knows that Truman,

930
00:45:49,880 --> 00:45:52,400
Speaker 4: because we've established you have had some CBB oil or

931
00:45:52,440 --> 00:45:56,239
Speaker 4: something before. So what Yeah, yeah, we had CBB oil,

932
00:45:56,880 --> 00:46:01,120
Speaker 4: We tried absinthe and then we had some oh okay

933
00:46:01,239 --> 00:46:02,760
Speaker 4: and uh and.

934
00:46:02,840 --> 00:46:06,480
Speaker 1: They were German. But what I noticed too is a

935
00:46:06,480 --> 00:46:10,840
Speaker 1: lot of them were also not German.

936
00:46:10,960 --> 00:46:14,279
Speaker 2: Yeah, so they could have been exiled. Yeah, they could

937
00:46:14,280 --> 00:46:18,959
Speaker 2: have been sent away some of the stuff they're the active. Yes,

938
00:46:19,160 --> 00:46:21,920
Speaker 2: they could have been said out of Germany for doing

939
00:46:21,960 --> 00:46:23,560
Speaker 2: this kind of scat trick.

940
00:46:23,680 --> 00:46:25,839
Speaker 4: I agree with that when you say Truman, when I

941
00:46:25,880 --> 00:46:28,799
Speaker 4: know these are not Trumans, because if you say Truman, man,

942
00:46:28,840 --> 00:46:31,279
Speaker 4: you're like German. Hello, ding dong ring ring.

943
00:46:31,440 --> 00:46:33,759
Speaker 2: Yes, that's what I said when I saw you see

944
00:46:33,920 --> 00:46:37,440
Speaker 2: I know. So I'm guessed these guys probably from Hungary.

945
00:46:37,800 --> 00:46:39,480
Speaker 1: One of them was from Cypress.

946
00:46:39,600 --> 00:46:43,560
Speaker 2: Cypress, which one Constantine.

947
00:46:43,160 --> 00:46:48,160
Speaker 4: Okay, Costy Yeah, yeah, he's the one that sings hits

948
00:46:48,160 --> 00:46:48,760
Speaker 4: from the bomb.

949
00:46:50,280 --> 00:46:54,360
Speaker 1: Well, interesting, you should ask he did sing that. I

950
00:46:54,480 --> 00:46:58,320
Speaker 1: thought he did sing that. They were They were singing

951
00:46:58,440 --> 00:47:01,759
Speaker 1: hits from the bomb all the time, and Costey was

952
00:47:01,960 --> 00:47:02,600
Speaker 1: leading it.

953
00:47:02,760 --> 00:47:04,400
Speaker 2: See yeah. And then there was a man in the

954
00:47:04,440 --> 00:47:05,640
Speaker 2: back that just saying.

955
00:47:05,880 --> 00:47:10,120
Speaker 1: To the brain. Yeah. And Mano was the other guy. Yeah,

956
00:47:10,560 --> 00:47:13,000
Speaker 1: he was also singing hits from the ball.

957
00:47:13,080 --> 00:47:16,960
Speaker 4: He was left handed right mm hmm, yeah, yeah, it

958
00:47:17,000 --> 00:47:18,440
Speaker 4: was he just practicing.

959
00:47:18,760 --> 00:47:22,200
Speaker 2: And all other stuff. But shot left just ere stepping everywhere.

960
00:47:23,560 --> 00:47:26,040
Speaker 2: Instead of walking, he would just hear step.

961
00:47:26,480 --> 00:47:29,360
Speaker 4: It's very weird. He's a little too old for the crowd.

962
00:47:29,360 --> 00:47:33,160
Speaker 1: I must tell you, man that was on how much

963
00:47:33,200 --> 00:47:36,640
Speaker 1: older he was. He kept trying to get me to

964
00:47:36,719 --> 00:47:38,400
Speaker 1: listen absolute to beginner.

965
00:47:42,080 --> 00:47:45,760
Speaker 2: Have you what's Kevin? Kevin?

966
00:47:45,800 --> 00:47:47,520
Speaker 4: Hello, Chef Kevin?

967
00:47:47,560 --> 00:47:49,880
Speaker 7: Have you ever seen American Horror Story?

968
00:47:50,680 --> 00:47:51,719
Speaker 4: Are you asking me now?

969
00:47:52,000 --> 00:47:52,360
Speaker 2: Yeah?

970
00:47:52,400 --> 00:47:56,000
Speaker 4: So I so, Chef Kevin. By what did you have

971
00:47:56,040 --> 00:47:57,600
Speaker 4: for breakfast this morning? Chef Kevin?

972
00:47:58,040 --> 00:47:59,879
Speaker 2: I skipped it today? Oh god, the same?

973
00:48:00,920 --> 00:48:03,560
Speaker 1: Really? Did nobody bring you a nice treat today?

974
00:48:03,800 --> 00:48:05,680
Speaker 2: Oh? I have a tree waiting for me.

975
00:48:05,840 --> 00:48:07,640
Speaker 7: Sean gave me a biscuit.

976
00:48:08,160 --> 00:48:11,120
Speaker 1: Thank you bringing it back please?

977
00:48:12,160 --> 00:48:16,359
Speaker 2: Okay, So your question was have you seen American Horror Story? Yeah?

978
00:48:16,400 --> 00:48:18,000
Speaker 4: So, Kevin, I can tell you I have a deep

979
00:48:18,040 --> 00:48:21,279
Speaker 4: fearing of all horror films and things. I have a

980
00:48:21,320 --> 00:48:24,919
Speaker 4: deep imagining. So no, I've not seen AHS seasons one

981
00:48:24,960 --> 00:48:25,680
Speaker 4: through current.

982
00:48:26,160 --> 00:48:29,960
Speaker 7: So I'm working on a show called America's Horror Story,

983
00:48:30,680 --> 00:48:34,720
Speaker 7: and it's the everyone in America tells the scariest story

984
00:48:34,800 --> 00:48:38,480
Speaker 7: they ever heard. What do you think about like a

985
00:48:38,640 --> 00:48:43,400
Speaker 7: German German's Horror Story. Yes, Germany's Horror Story.

986
00:48:43,440 --> 00:48:45,160
Speaker 4: I agree with this. Well, this, I can tell you.

987
00:48:45,239 --> 00:48:48,719
Speaker 4: The first a pilot would be whereas a train system,

988
00:48:48,760 --> 00:48:52,000
Speaker 4: everything is three to four minutes torty, but they've told

989
00:48:52,000 --> 00:48:55,480
Speaker 4: you it was going to be two minutes toty. Okay,

990
00:48:55,760 --> 00:49:00,319
Speaker 4: so that's that's a pilot. That's getting me. Friggin I

991
00:49:00,480 --> 00:49:02,120
Speaker 4: saw your lawines.

992
00:49:02,000 --> 00:49:08,799
Speaker 2: Just shift was an audible shift time for a brand new.

993
00:49:10,480 --> 00:49:13,080
Speaker 1: Yeah, yes, let's talk a little bit about audible. We

994
00:49:13,120 --> 00:49:17,160
Speaker 1: don't have a code per se, but what we do

995
00:49:17,360 --> 00:49:22,120
Speaker 1: have is recommendation. Please do uh listen to books? Right?

996
00:49:22,840 --> 00:49:25,200
Speaker 4: Oh god, can you make your promo code just the

997
00:49:25,280 --> 00:49:26,080
Speaker 4: prince symbol?

998
00:49:27,280 --> 00:49:30,840
Speaker 1: Oh?

999
00:49:31,440 --> 00:49:35,080
Speaker 2: Really a little topical for the kind of stuff we

1000
00:49:35,120 --> 00:49:36,520
Speaker 2: liked it. We kind of like this to be like

1001
00:49:36,560 --> 00:49:41,120
Speaker 2: a timeless show and you're bringing the prince symbol.

1002
00:49:40,880 --> 00:49:46,799
Speaker 1: Is very recent, like a few weeks trending to escape track.

1003
00:49:47,040 --> 00:49:51,120
Speaker 4: Yeah, okay, taft cap taft William Howard m hm.

1004
00:49:51,960 --> 00:49:55,280
Speaker 2: And with that, Yeah, I think we are finished.

1005
00:49:55,680 --> 00:49:58,200
Speaker 1: That's just about done. I'm sorry we didn't do a

1006
00:49:58,239 --> 00:50:01,320
Speaker 1: third show. I'm sorry. I told that's story about Dermund

1007
00:50:01,520 --> 00:50:07,560
Speaker 1: Well that was perfect demon. Yeah we did German story. Yeah,

1008
00:50:07,600 --> 00:50:09,719
Speaker 1: we did do Germany's horror story. So we did get

1009
00:50:09,760 --> 00:50:13,640
Speaker 1: to do three shows. That is so nice.

1010
00:50:14,360 --> 00:50:16,520
Speaker 2: All right, what's happening for? What are you going to

1011
00:50:16,600 --> 00:50:17,200
Speaker 2: go do? Now?

1012
00:50:17,440 --> 00:50:20,759
Speaker 4: I've gone to urinate and saying I'm currently writing a

1013
00:50:20,800 --> 00:50:23,839
Speaker 4: song about love and techno and how I love it

1014
00:50:24,239 --> 00:50:26,280
Speaker 4: and I oh and and I'm recording.

1015
00:50:26,320 --> 00:50:28,799
Speaker 2: I have a podcast also talk about it. It's called

1016
00:50:28,880 --> 00:50:29,640
Speaker 2: Boom Time.

1017
00:50:30,480 --> 00:50:32,680
Speaker 4: I'm a host. I have a director, Alex Simmons. We

1018
00:50:32,719 --> 00:50:35,200
Speaker 4: speak of deep questions and deeper answers.

1019
00:50:35,360 --> 00:50:38,320
Speaker 2: You have a director who, Yeah, I thought, why not

1020
00:50:38,440 --> 00:50:42,239
Speaker 2: Alex Simmons. Alex Simmons is my director of the podcast podcast. Yes,

1021
00:50:42,800 --> 00:50:46,320
Speaker 2: they've never we've never even done. They actually have actively

1022
00:50:46,360 --> 00:50:49,000
Speaker 2: said that podcasts don't have directors. I have movies.

1023
00:50:49,080 --> 00:50:51,440
Speaker 4: I have a choreographer. I have a line producer. I

1024
00:50:51,480 --> 00:50:52,799
Speaker 4: have a second second.

1025
00:50:53,440 --> 00:51:00,000
Speaker 7: Kevin Kemen, I'm technically the choreographer and I just say produce.

1026
00:51:00,239 --> 00:51:03,280
Speaker 2: But I'm all those things. Kevin. How is the biscuit?

1027
00:51:03,719 --> 00:51:06,600
Speaker 1: I haven't had it yet because I'm saving You.

1028
00:51:06,600 --> 00:51:09,600
Speaker 4: Don't save a biscuit, that's save a horse ride to

1029
00:51:09,640 --> 00:51:12,560
Speaker 4: the cowboy. Eat a biscuit if you get it. Yeah,

1030
00:51:12,640 --> 00:51:16,000
Speaker 4: I'll say this. I'm ready to appoint a director of

1031
00:51:16,080 --> 00:51:18,160
Speaker 4: our show, as we do need one.

1032
00:51:18,280 --> 00:51:26,040
Speaker 2: That no ship. Yeah, and it is Engineer Jordan's podcast.

1033
00:51:26,560 --> 00:51:28,520
Speaker 1: Well, give me an example of one of the deep

1034
00:51:28,600 --> 00:51:31,200
Speaker 1: questions that you find deeper answers for on the show,

1035
00:51:31,280 --> 00:51:33,319
Speaker 1: just so I can imagine it absolutely. So.

1036
00:51:33,400 --> 00:51:36,680
Speaker 4: For example, this last night I had a dream. Is

1037
00:51:36,719 --> 00:51:40,080
Speaker 4: that David Robinson, the Admiral who is a former center

1038
00:51:40,120 --> 00:51:44,400
Speaker 4: of the San Antonio Spurs and also a Nathy midshipman.

1039
00:51:44,360 --> 00:51:46,680
Speaker 2: Famously wonderful, God wonderful man.

1040
00:51:46,800 --> 00:51:49,279
Speaker 4: So he was working in an ice cream shop and

1041
00:51:49,400 --> 00:51:51,840
Speaker 4: I love him into chocolate chip ice creams, and so

1042
00:51:51,920 --> 00:51:53,960
Speaker 4: I asked him, what is that way?

1043
00:51:54,080 --> 00:51:54,160
Speaker 1: Do?

1044
00:51:54,280 --> 00:51:56,640
Speaker 4: Is it available? Okay, let me stop you. So Jordan

1045
00:51:56,800 --> 00:51:59,440
Speaker 4: direct me and how I would handle something like this.

1046
00:52:00,880 --> 00:52:02,520
Speaker 6: With the mint chocolate ice cream.

1047
00:52:02,760 --> 00:52:04,040
Speaker 1: Yeah, exactly.

1048
00:52:04,160 --> 00:52:11,200
Speaker 6: Yes, I would direct you to not move.

1049
00:52:11,640 --> 00:52:13,120
Speaker 1: Okay, I'm holding still.

1050
00:52:13,800 --> 00:52:16,600
Speaker 6: And I would go on my fancy device.

1051
00:52:17,040 --> 00:52:19,160
Speaker 1: And it's is that me or that's you?

1052
00:52:20,520 --> 00:52:22,160
Speaker 6: Because I'm the director, thank you?

1053
00:52:22,280 --> 00:52:24,440
Speaker 2: And what is this device?

1054
00:52:25,520 --> 00:52:27,320
Speaker 6: It's a I think it's called the computer.

1055
00:52:28,239 --> 00:52:30,120
Speaker 2: Okay, the director's computer.

1056
00:52:29,960 --> 00:52:32,799
Speaker 6: Director's computer. Yeah, it's very large. I can't fit it

1057
00:52:32,840 --> 00:52:33,480
Speaker 6: in my pocket.

1058
00:52:33,840 --> 00:52:34,200
Speaker 1: Huge.

1059
00:52:35,080 --> 00:52:38,680
Speaker 6: And then I would research the chocolate chip ice cream.

1060
00:52:38,760 --> 00:52:39,440
Speaker 1: You're looking it up?

1061
00:52:40,760 --> 00:52:41,200
Speaker 2: Research?

1062
00:52:41,600 --> 00:52:43,120
Speaker 6: Yeah, looking it up?

1063
00:52:43,239 --> 00:52:45,200
Speaker 2: And uh, did you discover.

1064
00:52:45,040 --> 00:52:49,120
Speaker 6: I discovered that there's there's a lot on this planet?

1065
00:52:49,400 --> 00:52:52,960
Speaker 2: Okay, okay, Well his question was where do I find

1066
00:52:53,000 --> 00:52:55,400
Speaker 2: it's you.

1067
00:52:56,040 --> 00:52:59,759
Speaker 6: I'm still looking for it. My director's computers, veries.

1068
00:53:00,520 --> 00:53:01,960
Speaker 2: Okay, you're so big.

1069
00:53:02,120 --> 00:53:04,759
Speaker 1: Yeah, it takes a while for ragging about it.

1070
00:53:04,880 --> 00:53:09,520
Speaker 4: Yeah, Troughton, Has Kevin provided you with any choreography associated

1071
00:53:09,560 --> 00:53:10,400
Speaker 4: with this? Uh?

1072
00:53:10,760 --> 00:53:15,680
Speaker 6: He showed me a two step m it's one two.

1073
00:53:17,120 --> 00:53:19,719
Speaker 1: Oh wow, holy ship says it because it does it?

1074
00:53:20,000 --> 00:53:21,839
Speaker 6: Yeah, there you go.

1075
00:53:22,960 --> 00:53:25,440
Speaker 2: She has a ba and vocal performance as well. I

1076
00:53:25,560 --> 00:53:27,680
Speaker 2: know you can tell you're listening to that.

1077
00:53:27,800 --> 00:53:30,160
Speaker 1: How you can feel it. The second she's on mike,

1078
00:53:30,280 --> 00:53:32,680
Speaker 1: It's like, whoa, I'm in the hands of a professional.

1079
00:53:32,600 --> 00:53:35,799
Speaker 4: That's like can Hasty with the running Man knew, madam.

1080
00:53:35,880 --> 00:53:41,080
Speaker 2: Yes, thank you, yes, first, Kevin has never once provided

1081
00:53:41,080 --> 00:53:45,480
Speaker 2: that as choreography for me. Now once, Oh you're for aging.

1082
00:53:45,560 --> 00:53:48,280
Speaker 2: I like this show, I guess so. Yeah, we're alwaiting,

1083
00:53:48,320 --> 00:54:03,319
Speaker 2: saving it for sweeps. Yep. Yeah bye