1 00:00:01,800 --> 00:00:04,479 Speaker 1: And That's what you Really missed with Jenna. 2 00:00:04,519 --> 00:00:10,119 Speaker 2: And Kevin An iHeartRadio podcast. 3 00:00:09,360 --> 00:00:11,680 Speaker 1: Welcome to You and That's what You Really miss podcast, 4 00:00:12,400 --> 00:00:16,840 Speaker 1: Season five episode who. 5 00:00:16,640 --> 00:00:21,120 Speaker 2: No, Oh my god, Jenna, you live for here? How? 6 00:00:22,760 --> 00:00:25,760 Speaker 1: I don't know. It kind of feels like this year. 7 00:00:27,080 --> 00:00:30,440 Speaker 2: For me, even though we took, you know, a little 8 00:00:30,480 --> 00:00:33,839 Speaker 2: break between the seasons, I still feel like we're just 9 00:00:33,920 --> 00:00:35,040 Speaker 2: thrown into it. 10 00:00:35,040 --> 00:00:37,839 Speaker 1: It's wild and this one is just crazy on so 11 00:00:38,000 --> 00:00:41,760 Speaker 1: many levels. Obviously, there's a lot happening in front of 12 00:00:41,760 --> 00:00:45,640 Speaker 1: the camera, behind the camera, so we'll get into it, 13 00:00:45,680 --> 00:00:48,640 Speaker 1: we'll talk about it. So this is part one of 14 00:00:48,880 --> 00:00:53,599 Speaker 1: two episodes of Glee Sings the Beatles, and this episode 15 00:00:53,680 --> 00:00:58,280 Speaker 1: is one Love Love, Love, and it Aaron on September 16 00:00:58,320 --> 00:01:04,600 Speaker 1: twenty sixth, twenty thirteen. There was a lot happening. What 17 00:01:04,720 --> 00:01:06,800 Speaker 1: was what was our Let's talk about the news going 18 00:01:06,840 --> 00:01:09,560 Speaker 1: on in the world, and then we'll talk about that episode. 19 00:01:09,560 --> 00:01:11,880 Speaker 2: The number one song in the country was one of 20 00:01:11,920 --> 00:01:16,480 Speaker 2: the greatest ever in my opinion, Wrecking Miley Cyrus agreed. 21 00:01:16,880 --> 00:01:19,440 Speaker 2: And then the number one movie was also a great movie, 22 00:01:19,920 --> 00:01:22,959 Speaker 2: Prisoners with Jake Johan, Hugh Jackman, Viola Davis. 23 00:01:23,080 --> 00:01:24,760 Speaker 1: Oh, I don't think I've seen that, but that's something 24 00:01:24,800 --> 00:01:25,440 Speaker 1: I would watch. 25 00:01:25,760 --> 00:01:29,600 Speaker 2: Yes, definitely watch it. Villan I've directed it, who did 26 00:01:29,640 --> 00:01:31,839 Speaker 2: the Dune movies and Arrival. 27 00:01:31,880 --> 00:01:35,440 Speaker 1: Okay, I would describ this one, yes, Okay. On September 28 00:01:35,440 --> 00:01:38,360 Speaker 1: twenty fourth, in Glee News, this week, the Gleasings The 29 00:01:38,400 --> 00:01:41,920 Speaker 1: Beatles was released. This has fourteen tracks from episode one 30 00:01:42,040 --> 00:01:44,679 Speaker 1: and two of season five, was available on CD and 31 00:01:44,720 --> 00:01:48,280 Speaker 1: digital download. And there's a lot of Beatles music that 32 00:01:48,320 --> 00:01:52,840 Speaker 1: we cover in this. It was like very exciting to 33 00:01:52,880 --> 00:01:56,160 Speaker 1: cover the Beatles and also very nerve wracking to cover 34 00:01:56,200 --> 00:01:59,480 Speaker 1: the Beatles because obviously it's the Beatles. 35 00:01:59,800 --> 00:02:03,320 Speaker 2: And there was a point where the story goes like 36 00:02:03,360 --> 00:02:08,960 Speaker 2: Paul McCartney sent over his music to Ryan, Yes, and 37 00:02:09,040 --> 00:02:11,440 Speaker 2: so I think some of it was also like less 38 00:02:11,480 --> 00:02:15,880 Speaker 2: featured Beatles music, you know, not the songs we all know. 39 00:02:16,040 --> 00:02:18,920 Speaker 2: And so I think I also do wonder if that 40 00:02:19,080 --> 00:02:21,440 Speaker 2: was part of the thinking of we're doing Beatles, let's 41 00:02:21,440 --> 00:02:23,840 Speaker 2: split it up into the early years and later years, 42 00:02:23,840 --> 00:02:27,080 Speaker 2: because there is such a depth to the Beatles and 43 00:02:27,080 --> 00:02:32,480 Speaker 2: Paul McCartney the catalog, right right. The other thing obviously 44 00:02:32,520 --> 00:02:42,440 Speaker 2: going on was that two months before this, Corey passed away, right, we. 45 00:02:42,320 --> 00:02:46,400 Speaker 1: Were supposed to start this season in July, Yes, and 46 00:02:46,440 --> 00:02:51,880 Speaker 1: then everything got halted. Yes, And I cannot believe this 47 00:02:51,919 --> 00:02:55,239 Speaker 1: is two months after he died. I had gotten this 48 00:02:55,440 --> 00:02:58,560 Speaker 1: confused in my head. I was texting you yesterday about 49 00:02:58,560 --> 00:03:01,120 Speaker 1: this while I was watching the episodes, like did we 50 00:03:01,160 --> 00:03:04,880 Speaker 1: shoot the quarterback first and then we shot these afterwards? 51 00:03:04,919 --> 00:03:09,160 Speaker 1: Just because we seemed so there's you like, it seemed 52 00:03:09,160 --> 00:03:13,360 Speaker 1: like life was moving forward so quickly. I was so 53 00:03:13,520 --> 00:03:19,160 Speaker 1: confused by it. And also I was very alarmed at 54 00:03:19,160 --> 00:03:22,160 Speaker 1: the fact that this episode, when I was watching it, 55 00:03:22,200 --> 00:03:26,240 Speaker 1: I had zero recollection of doing mm hm I And 56 00:03:26,280 --> 00:03:27,680 Speaker 1: I said that to you. I was like, I'm actually 57 00:03:27,720 --> 00:03:29,920 Speaker 1: alarmed by like the lack of memory that I have 58 00:03:30,040 --> 00:03:33,920 Speaker 1: of this episode except for the proposal. But then it 59 00:03:34,200 --> 00:03:38,960 Speaker 1: obviously became clear to me. Why was we were back 60 00:03:39,240 --> 00:03:42,960 Speaker 1: and yet without Corey two months after his death. 61 00:03:43,480 --> 00:03:47,240 Speaker 2: Yeah, I think there's there's no way to like look 62 00:03:47,320 --> 00:03:52,160 Speaker 2: at these first few episodes without that context, because we 63 00:03:52,160 --> 00:03:57,560 Speaker 2: were all very much in the early stages of grieving 64 00:03:58,200 --> 00:04:03,040 Speaker 2: m shock, and then we're back in the same places 65 00:04:03,600 --> 00:04:07,839 Speaker 2: that we had spent so much time with Corey, and 66 00:04:08,560 --> 00:04:13,040 Speaker 2: here you are doing the Beatles are probably my favorite 67 00:04:13,200 --> 00:04:15,560 Speaker 2: group band of all time, and it feels like sort 68 00:04:15,560 --> 00:04:18,520 Speaker 2: of crazy, yeah, right, where like you have this like 69 00:04:18,680 --> 00:04:22,159 Speaker 2: really horrible thing that has happened in real life and 70 00:04:22,160 --> 00:04:23,400 Speaker 2: then all of a sudden you have to go back 71 00:04:23,440 --> 00:04:27,800 Speaker 2: to like we're gonna like sing some songs and like 72 00:04:28,000 --> 00:04:33,200 Speaker 2: be concerned about our high school relationships. And it felt 73 00:04:33,240 --> 00:04:36,640 Speaker 2: like we were just probably mentally like why you don't 74 00:04:36,640 --> 00:04:39,520 Speaker 2: remember a lot of this, like in survival mode totally 75 00:04:39,600 --> 00:04:42,599 Speaker 2: like instinct kicked in and we were just sort of 76 00:04:42,600 --> 00:04:45,320 Speaker 2: on autopilot because we could sort of be on autopilot 77 00:04:45,360 --> 00:04:48,640 Speaker 2: by this point, right exactly, we could, And I don't 78 00:04:48,640 --> 00:04:52,000 Speaker 2: think anybody would fault us for being on autopilot for 79 00:04:52,120 --> 00:04:55,400 Speaker 2: a little bit because we didn't know what we were 80 00:04:55,440 --> 00:04:56,200 Speaker 2: doing and what. 81 00:04:56,040 --> 00:04:58,080 Speaker 1: Was happening, what was coming, what was happening. 82 00:04:58,360 --> 00:05:00,760 Speaker 2: Yeah, and I think these episodes are already either written 83 00:05:00,839 --> 00:05:03,280 Speaker 2: or they were already thought out, like this is what 84 00:05:03,320 --> 00:05:05,719 Speaker 2: we were doing, and so they could sort of get 85 00:05:05,720 --> 00:05:08,119 Speaker 2: this done. This bought us some time. 86 00:05:08,600 --> 00:05:11,920 Speaker 1: We did take a break after the quarterback for two 87 00:05:11,920 --> 00:05:14,480 Speaker 1: weeks so the writers could like gather themselves and figure 88 00:05:14,520 --> 00:05:15,520 Speaker 1: out what the plan was. 89 00:05:16,040 --> 00:05:17,000 Speaker 2: Yeah, that makes sense. 90 00:05:17,240 --> 00:05:19,680 Speaker 1: With that in mind, let's talk about the episode a 91 00:05:19,680 --> 00:05:24,000 Speaker 1: little bit. Obviously, this will all be intertwined with what 92 00:05:24,000 --> 00:05:26,680 Speaker 1: we were dealing with. This was directed by Brad Beeker 93 00:05:27,760 --> 00:05:30,400 Speaker 1: and it was written by Brad foul Truck. On paper, 94 00:05:30,440 --> 00:05:32,440 Speaker 1: we had some guest stars, we had some people who 95 00:05:32,480 --> 00:05:35,000 Speaker 1: were back, we had some new characters. 96 00:05:35,080 --> 00:05:37,479 Speaker 2: Having Brad Beeker. I think there also was sort of 97 00:05:37,480 --> 00:05:40,160 Speaker 2: like a circling of the wagons. Yeah, yeah, yeah, sure, 98 00:05:40,279 --> 00:05:43,200 Speaker 2: a way of like we're keeping all of this very 99 00:05:43,279 --> 00:05:46,440 Speaker 2: much in the family, Like, yeah, our ranks really closed 100 00:05:46,640 --> 00:05:51,320 Speaker 2: in totally, like we were very much like nobody's getting 101 00:05:51,360 --> 00:05:51,960 Speaker 2: in here. 102 00:05:51,880 --> 00:05:55,120 Speaker 1: And everybody who's wildly protective of us, and obviously anybody 103 00:05:55,200 --> 00:05:57,279 Speaker 1: we've interviewed who has been on the production side of 104 00:05:57,279 --> 00:05:59,440 Speaker 1: things has said that, like, we felt very protective of 105 00:05:59,440 --> 00:06:02,040 Speaker 1: you guys during time, and like, you know, we tried 106 00:06:02,080 --> 00:06:04,839 Speaker 1: to really shield you from anything else that we were 107 00:06:04,880 --> 00:06:08,160 Speaker 1: going through. There's a lot of songs in this episode. 108 00:06:08,320 --> 00:06:13,800 Speaker 1: Obviously it's all Beatles, so it's all amazing. Yesterday was 109 00:06:13,800 --> 00:06:21,479 Speaker 1: our opening season five or song drive my Car, which 110 00:06:21,560 --> 00:06:23,679 Speaker 1: this also stuck out in my mind. I do remember 111 00:06:23,720 --> 00:06:26,279 Speaker 1: this the carnival. 112 00:06:26,600 --> 00:06:29,640 Speaker 2: I remember, I remember shooting all these things. I have 113 00:06:30,560 --> 00:06:32,880 Speaker 2: zero recollection that I was the one that was singing 114 00:06:32,920 --> 00:06:33,479 Speaker 2: on this song. 115 00:06:34,680 --> 00:06:36,560 Speaker 1: That's funny. You had a lot on this episode too, 116 00:06:37,000 --> 00:06:39,760 Speaker 1: very weird, right, exactly got to get you into my 117 00:06:39,800 --> 00:06:42,599 Speaker 1: life before I'm by playing Kurt. 118 00:06:43,279 --> 00:06:44,640 Speaker 2: You've got to hide your love away. 119 00:06:45,440 --> 00:06:46,640 Speaker 1: Do you remember doing that one? 120 00:06:47,520 --> 00:06:52,040 Speaker 2: So that's the complete reverse. I absolutely remember recording it. 121 00:06:52,279 --> 00:06:55,520 Speaker 1: You don't remember doing it shooting it hardly? Yeah, okay, 122 00:06:55,839 --> 00:07:02,320 Speaker 1: not really. No Help, which is mostly Blaine and Sam 123 00:07:02,360 --> 00:07:04,359 Speaker 1: led by Blaine and Sam in the new directions. And 124 00:07:04,400 --> 00:07:08,560 Speaker 1: then we include Vocal Adrenaline, Dalton Warblers, and Haverbrook which 125 00:07:08,600 --> 00:07:09,240 Speaker 1: was fun. 126 00:07:10,240 --> 00:07:12,960 Speaker 2: A Hard Day's Night by Rachel Santana. 127 00:07:13,640 --> 00:07:18,440 Speaker 1: I saw her standing there, performed by the new direction boys. 128 00:07:18,240 --> 00:07:20,320 Speaker 2: And All You Need Is Love by Blaine in the 129 00:07:20,360 --> 00:07:22,840 Speaker 2: new directions, Vocal Journal, Warblers and Haverbrook. 130 00:07:23,080 --> 00:07:26,520 Speaker 1: Okay, so this is the only season premiere that is 131 00:07:26,560 --> 00:07:29,240 Speaker 1: also a tribute episode that opens it. 132 00:07:29,240 --> 00:07:31,920 Speaker 2: Up according to Ryan, and so yeah, this goes to 133 00:07:32,000 --> 00:07:33,400 Speaker 2: like what I was saying. The first two episodes of 134 00:07:33,400 --> 00:07:36,320 Speaker 2: the fifth season had been written in May twenty thirteen, 135 00:07:36,400 --> 00:07:38,400 Speaker 2: and the Beatles tribute had been in the works for 136 00:07:38,440 --> 00:07:38,960 Speaker 2: four years. 137 00:07:38,960 --> 00:07:42,520 Speaker 1: Wow, finally, Jacob, Melissa Blake, Alex and Backer were promoted 138 00:07:42,520 --> 00:07:45,480 Speaker 1: to main cast, while Heather, Amber, Mark and Harry were 139 00:07:46,520 --> 00:07:49,320 Speaker 1: demoted if you will, to recurring roles. 140 00:07:49,560 --> 00:07:52,240 Speaker 2: This is the first time since Nationals in season three 141 00:07:52,280 --> 00:07:55,080 Speaker 2: that vocal Adorenaline has made an appearance a twenty three 142 00:07:55,120 --> 00:07:55,800 Speaker 2: episode gap. 143 00:07:56,040 --> 00:08:01,240 Speaker 1: Wow, that's crazy. This is the first season premiere in 144 00:08:01,240 --> 00:08:04,120 Speaker 1: which the glee Club doesn't recruit new members. 145 00:08:04,160 --> 00:08:07,080 Speaker 2: God block, we have enough, god blesse. It's also not 146 00:08:07,120 --> 00:08:09,200 Speaker 2: the start of a new school year, right right right. 147 00:08:10,400 --> 00:08:13,320 Speaker 2: I did like the allusions to calling some of those 148 00:08:13,320 --> 00:08:15,440 Speaker 2: things out in this episode. Yeah, I did enjoy that, 149 00:08:15,760 --> 00:08:19,600 Speaker 2: but it feels like this school you're won in Blaine 150 00:08:19,640 --> 00:08:22,680 Speaker 2: references Curtain Goldie, the parents of Kate Hudson, who plays 151 00:08:22,720 --> 00:08:23,520 Speaker 2: Cassandra July. 152 00:08:25,640 --> 00:08:28,040 Speaker 1: The Spotlight Diners, seen for the first time of this episode, 153 00:08:28,280 --> 00:08:30,880 Speaker 1: is modeled after Ellen Stardo's Diner in New York City, 154 00:08:31,200 --> 00:08:33,320 Speaker 1: which I would frequent as a small kid. 155 00:08:34,200 --> 00:08:35,240 Speaker 2: I've still never been there. 156 00:08:35,600 --> 00:08:42,280 Speaker 1: It's fine, you've seen it. This episode also introduced Bree, 157 00:08:42,840 --> 00:08:47,000 Speaker 1: the new head Cheerio or to be head Cheerio, and. 158 00:08:46,960 --> 00:08:50,840 Speaker 2: This episode marks the last appearances of Sebastian Trent and 159 00:08:50,920 --> 00:08:52,119 Speaker 2: several other Wow. 160 00:08:53,040 --> 00:08:55,760 Speaker 1: This is weird. We're coming to like an end. It's 161 00:08:55,800 --> 00:09:00,760 Speaker 1: so weird. Okay, won't go there yet. There was meant 162 00:09:00,800 --> 00:09:03,240 Speaker 1: to be a reunion scene with Kurt, Rachel, and Mercedes 163 00:09:03,280 --> 00:09:05,599 Speaker 1: in Santana McKinley. They were also meant to have a 164 00:09:05,679 --> 00:09:09,640 Speaker 1: sleepover in Seeing Getting Better Interesting. 165 00:09:10,040 --> 00:09:13,800 Speaker 2: Hmm, Okay, here we go. The members of New Directions 166 00:09:13,840 --> 00:09:16,280 Speaker 2: are back in action and take on their biggest assignment 167 00:09:16,360 --> 00:09:19,760 Speaker 2: yet the Beatles. As will enlist the kids to pay 168 00:09:19,760 --> 00:09:23,520 Speaker 2: homage to the classic song catalog from the Fab Four. 169 00:09:23,640 --> 00:09:27,960 Speaker 2: Blaine encourtaited Himpt to answer questions about their future together. Meanwhile, 170 00:09:28,559 --> 00:09:31,320 Speaker 2: Rachel's New York ambitions take an unexpected turn. 171 00:09:31,640 --> 00:09:40,560 Speaker 1: Okay, as a tribute episode, I have to say it's 172 00:09:40,600 --> 00:09:44,920 Speaker 1: not my favorite. This episode is one of two also, 173 00:09:44,960 --> 00:09:47,520 Speaker 1: I will say, and I'm not trying to be biased here, 174 00:09:47,559 --> 00:09:50,400 Speaker 1: I'm really not. I was really watching this like because 175 00:09:50,400 --> 00:09:52,200 Speaker 1: I know when Tina and the Sky is coming to 176 00:09:52,520 --> 00:09:55,839 Speaker 1: next week, and I have a lot of memories from 177 00:09:55,840 --> 00:09:59,600 Speaker 1: that obviously just because it was like such a big 178 00:09:59,640 --> 00:10:02,160 Speaker 1: episode and it was Beatles, so I was just it 179 00:10:02,240 --> 00:10:08,080 Speaker 1: felt so honored to have Tina like featured in that episode. 180 00:10:08,320 --> 00:10:13,040 Speaker 1: This episode seemed fragmented to me in a way that 181 00:10:13,240 --> 00:10:17,199 Speaker 1: was like that that sometimes we run into the issue 182 00:10:17,400 --> 00:10:22,120 Speaker 1: with the music obviously leading the charge instead of the 183 00:10:22,160 --> 00:10:28,840 Speaker 1: plot and the plot. It's it, really, it really works 184 00:10:29,240 --> 00:10:32,120 Speaker 1: when the plot leads and the music follows and fits in. 185 00:10:32,679 --> 00:10:36,560 Speaker 1: And also a season opener having to do a tribute 186 00:10:36,559 --> 00:10:40,600 Speaker 1: episode like that is also a massive undertaking. So not 187 00:10:40,720 --> 00:10:45,960 Speaker 1: to knock the script or the writers, but it definitely 188 00:10:46,000 --> 00:10:51,040 Speaker 1: felt like I felt the pressure to get all the Beatles' 189 00:10:51,120 --> 00:10:55,080 Speaker 1: music into this that they wanted to cover to make 190 00:10:55,600 --> 00:10:58,319 Speaker 1: it make sense in this episode in a. 191 00:10:58,280 --> 00:11:04,920 Speaker 2: Way, yes, And I think the confines of only being 192 00:11:04,960 --> 00:11:08,280 Speaker 2: able to use a certain era of Beatles music also 193 00:11:08,360 --> 00:11:09,000 Speaker 2: makes it more. 194 00:11:08,840 --> 00:11:11,400 Speaker 1: Difficult, totally totally. 195 00:11:11,640 --> 00:11:17,559 Speaker 2: And it and I think also from a technical standpoint, 196 00:11:17,600 --> 00:11:20,640 Speaker 2: I'm just gonna get this out of the way too. 197 00:11:22,320 --> 00:11:28,440 Speaker 2: The show feels and looks very different, right, like very 198 00:11:28,679 --> 00:11:33,280 Speaker 2: very very different, like very bright. It was very jarring 199 00:11:33,360 --> 00:11:39,760 Speaker 2: to me. I the first three seasons look very similar, 200 00:11:39,960 --> 00:11:43,000 Speaker 2: like you if you go, and this probably happens on 201 00:11:43,040 --> 00:11:45,040 Speaker 2: most shows. I think it's because this is one we're 202 00:11:45,160 --> 00:11:48,559 Speaker 2: obviously very close to and we're watching all this in 203 00:11:48,640 --> 00:11:51,640 Speaker 2: quick succession, so I think you notice these things more, right, 204 00:11:51,920 --> 00:11:55,600 Speaker 2: But if you look at how the first season looked 205 00:11:56,400 --> 00:11:57,840 Speaker 2: and then you go to this. 206 00:11:57,800 --> 00:12:02,360 Speaker 3: Episode, it's a different show. It looks like a cartoon version. 207 00:12:03,200 --> 00:12:05,640 Speaker 1: Well, and also we were on film in the first 208 00:12:05,800 --> 00:12:06,920 Speaker 1: two seasons, so. 209 00:12:07,080 --> 00:12:11,080 Speaker 2: No exactly why, just so something happened. I don't know 210 00:12:11,080 --> 00:12:14,559 Speaker 2: what it is. It's way brighter, agreed. 211 00:12:14,880 --> 00:12:15,240 Speaker 1: Agreed. 212 00:12:15,440 --> 00:12:16,559 Speaker 2: Some of it looked. 213 00:12:16,320 --> 00:12:18,240 Speaker 3: Like I was like, I don't know what this is 214 00:12:18,320 --> 00:12:22,120 Speaker 3: shot on I looked different cameras. 215 00:12:22,520 --> 00:12:26,439 Speaker 2: It looked strange, but I don't have the technical answers 216 00:12:26,440 --> 00:12:26,680 Speaker 2: for that. 217 00:12:27,000 --> 00:12:27,920 Speaker 1: Yeah, it just did. 218 00:12:29,280 --> 00:12:31,640 Speaker 2: Yeah, but and that's sort of like it was the 219 00:12:31,640 --> 00:12:35,840 Speaker 2: first thing I noticed about all of this. It just 220 00:12:35,920 --> 00:12:39,320 Speaker 2: felt And because of that, it feels very different. And 221 00:12:39,360 --> 00:12:40,400 Speaker 2: I think what you said. 222 00:12:40,160 --> 00:12:43,079 Speaker 1: Like, well, you become hyper aware of it, right. 223 00:12:43,360 --> 00:12:46,560 Speaker 2: Hyper aware of it, and like tribute episodes also on 224 00:12:46,679 --> 00:12:50,960 Speaker 2: top of that, also do feel crazy totally, and like 225 00:12:51,000 --> 00:12:53,959 Speaker 2: there's never usually a lot of story in tribute episodes. 226 00:12:53,960 --> 00:12:55,960 Speaker 2: So yeah, I think the trying to do that as 227 00:12:56,000 --> 00:12:57,760 Speaker 2: a season opener is difficult. 228 00:12:57,840 --> 00:13:03,200 Speaker 1: Yes, I also there's a lot that happens, but not 229 00:13:03,320 --> 00:13:04,359 Speaker 1: a lot that happens. 230 00:13:04,840 --> 00:13:08,600 Speaker 2: And you texted me when we were trying to figure 231 00:13:08,640 --> 00:13:10,760 Speaker 2: out if we shot the quarter and what order we 232 00:13:10,800 --> 00:13:15,400 Speaker 2: shot these things, and you said I didn't remember like 233 00:13:15,520 --> 00:13:22,679 Speaker 2: seeing a lot of Leah, right, and I cannot imagine. 234 00:13:22,880 --> 00:13:25,840 Speaker 2: Oh my god, I do not know how she did 235 00:13:27,080 --> 00:13:30,880 Speaker 2: any of this. Yeah, coming back to she's still the 236 00:13:30,920 --> 00:13:34,720 Speaker 2: main character in this show, and it is literally like 237 00:13:34,800 --> 00:13:36,320 Speaker 2: the main character in this episode. 238 00:13:37,520 --> 00:13:39,440 Speaker 1: I was shocked by that, and that's why it felt 239 00:13:39,480 --> 00:13:42,360 Speaker 1: like so unreal to me. I was like, there's no way, 240 00:13:42,720 --> 00:13:47,760 Speaker 1: but there is a way. It was very strange. Leah 241 00:13:47,840 --> 00:13:53,760 Speaker 1: is very much in the leading the a storylines of 242 00:13:53,800 --> 00:13:58,680 Speaker 1: this and still in the same world and without Corey. 243 00:13:58,920 --> 00:13:59,880 Speaker 1: It's so crazy. 244 00:14:00,640 --> 00:14:03,840 Speaker 2: Yeah, you would, and you would never know. I don't 245 00:14:03,880 --> 00:14:04,240 Speaker 2: know how. 246 00:14:04,760 --> 00:14:05,040 Speaker 1: I know. 247 00:14:05,400 --> 00:14:08,000 Speaker 2: I know, I know from our perspective, but like that 248 00:14:08,120 --> 00:14:08,439 Speaker 2: is just. 249 00:14:08,760 --> 00:14:12,200 Speaker 1: No, no for sure, like on the strength that it 250 00:14:12,280 --> 00:14:14,760 Speaker 1: was brought, just to like keep powering through and like 251 00:14:14,800 --> 00:14:28,520 Speaker 1: going and bringing the stories as Rachel. So at McKinley, 252 00:14:29,240 --> 00:14:33,600 Speaker 1: there's a lot going on in McKinley. Mister Hue assigns 253 00:14:33,640 --> 00:14:36,000 Speaker 1: the Beatles for the next two weeks, so we already 254 00:14:36,040 --> 00:14:37,960 Speaker 1: know that the next two weeks are going to be Beatles. 255 00:14:37,960 --> 00:14:46,520 Speaker 1: It's a two parter, and and Sue is back. Sue's back, 256 00:14:47,440 --> 00:14:53,360 Speaker 1: Becky has transgressed she's on a suspension, and now Sue's 257 00:14:53,360 --> 00:14:58,520 Speaker 1: coming back for Figgins and she plants all this insane 258 00:14:58,800 --> 00:15:05,440 Speaker 1: evidence dominating him that's fake, that gets him to a 259 00:15:05,560 --> 00:15:09,080 Speaker 1: janitorial position, and Sue is now the principal of the 260 00:15:09,080 --> 00:15:12,680 Speaker 1: school running that didn't make it, didn't make you giggle? 261 00:15:13,360 --> 00:15:15,680 Speaker 2: Assigned edition of mind comf like are you out of 262 00:15:15,680 --> 00:15:16,120 Speaker 2: your mind? 263 00:15:17,440 --> 00:15:25,200 Speaker 1: And then just like Stu Beef to Figgins on the floor, 264 00:15:25,920 --> 00:15:28,800 Speaker 1: just stop the hallways. 265 00:15:28,680 --> 00:15:30,080 Speaker 2: And we get more, we get more. 266 00:15:30,160 --> 00:15:34,800 Speaker 1: Kniey, Sue and Rosin will end up in Sue's office 267 00:15:34,840 --> 00:15:37,400 Speaker 1: because in principal's office because they think they're going to 268 00:15:37,440 --> 00:15:40,560 Speaker 1: be cut. They think they're going to be fired, and 269 00:15:40,640 --> 00:15:43,600 Speaker 1: yet Sue actually says that she needs them, and so 270 00:15:43,640 --> 00:15:46,600 Speaker 1: she'll be acting as principal until the end of the 271 00:15:46,680 --> 00:15:49,200 Speaker 1: year and she's not going to cut them that she 272 00:15:49,480 --> 00:15:50,840 Speaker 1: actually needs them to win. 273 00:15:51,800 --> 00:15:54,120 Speaker 2: But the best part of that, I think whole sequence 274 00:15:54,880 --> 00:16:02,040 Speaker 2: is guilty confessions about all the things she's done. And 275 00:16:02,080 --> 00:16:08,520 Speaker 2: we'll just sitting there like, uh, yeah, you should be worried. 276 00:16:08,520 --> 00:16:12,080 Speaker 1: Car Lot straight off a scar Lot. It's so funny. 277 00:16:12,160 --> 00:16:15,800 Speaker 1: I forgot how long Nini was with us, But every 278 00:16:15,800 --> 00:16:19,840 Speaker 1: time she comes on, she graces the screen. She's just wonderful. 279 00:16:20,120 --> 00:16:21,840 Speaker 1: It's really wonderful to watch. 280 00:16:22,240 --> 00:16:26,320 Speaker 2: I think there was something going on, So I think 281 00:16:26,360 --> 00:16:29,040 Speaker 2: to that end of like us forgetting that Nini was 282 00:16:29,080 --> 00:16:33,480 Speaker 2: around so much, and I think, especially after what happened 283 00:16:33,520 --> 00:16:38,000 Speaker 2: in real life, like scheduling us was different. I think 284 00:16:38,080 --> 00:16:40,880 Speaker 2: everyone was much much more conscious of how much time 285 00:16:41,600 --> 00:16:44,240 Speaker 2: we were spending on set and if we didn't need 286 00:16:44,320 --> 00:16:46,040 Speaker 2: to be there, we didn't need to be there, So 287 00:16:46,080 --> 00:16:50,400 Speaker 2: there was much more of a separation right between. If 288 00:16:50,440 --> 00:16:53,200 Speaker 2: we were not in scenes with you, we really did 289 00:16:53,240 --> 00:16:55,440 Speaker 2: not see you. So like that's like we did not 290 00:16:55,560 --> 00:17:00,480 Speaker 2: see Niya and Naya, your Scamper and Chris at all. 291 00:17:01,760 --> 00:17:04,320 Speaker 2: And that was already happening to an extent, and now 292 00:17:04,320 --> 00:17:05,240 Speaker 2: it was even more. 293 00:17:05,320 --> 00:17:06,960 Speaker 1: I think that's why the proposal stands out in my 294 00:17:07,000 --> 00:17:08,640 Speaker 1: mind so much, as was like the gang was all 295 00:17:08,680 --> 00:17:09,560 Speaker 1: back together. 296 00:17:09,840 --> 00:17:10,600 Speaker 2: And we needed that. 297 00:17:10,840 --> 00:17:11,040 Speaker 1: Yeah. 298 00:17:11,240 --> 00:17:13,160 Speaker 2: I think we remember that too, because it was also 299 00:17:13,280 --> 00:17:16,959 Speaker 2: like we haven't all been together for so long and 300 00:17:17,160 --> 00:17:20,320 Speaker 2: working and it just felt like nice to be together, 301 00:17:20,440 --> 00:17:21,040 Speaker 2: yeah for sure. 302 00:17:21,160 --> 00:17:24,560 Speaker 1: Yeah, and then there's this cute little Kitty and Artie 303 00:17:24,880 --> 00:17:29,280 Speaker 1: thing going on that you guys are dating Kitty and 304 00:17:29,400 --> 00:17:32,640 Speaker 1: Artie are dating already. Thanks Kitty for helping us get 305 00:17:32,680 --> 00:17:35,040 Speaker 1: into college, and he's going to go to school. But 306 00:17:35,480 --> 00:17:38,080 Speaker 1: Kitty wants to keep this relationship a secret, which is 307 00:17:38,160 --> 00:17:42,840 Speaker 1: like ridiculous, and You're like fine. Artie's like, yeah, whatever, 308 00:17:42,880 --> 00:17:47,160 Speaker 1: I'll do it. Yeah lo and behold, bitter Tina comes 309 00:17:47,200 --> 00:17:51,480 Speaker 1: out outing you too. But you guys have this cute storyline. 310 00:17:51,600 --> 00:17:54,000 Speaker 1: I like Kitty and Artie. I think they're very cute together. 311 00:17:54,320 --> 00:17:57,719 Speaker 1: You have your cute face, you know, under the stars 312 00:17:58,080 --> 00:18:01,280 Speaker 1: kind of moment and you sing drive my Car and 313 00:18:01,400 --> 00:18:03,240 Speaker 1: Hydro love way. How cute is that with like the 314 00:18:03,280 --> 00:18:04,440 Speaker 1: little things on the ceiling. 315 00:18:05,040 --> 00:18:07,760 Speaker 2: Can we talk about real quick the filming of Drive 316 00:18:07,840 --> 00:18:09,880 Speaker 2: my Car at that carnival. 317 00:18:10,400 --> 00:18:12,760 Speaker 1: I was on the Paramount lot. They built that. 318 00:18:13,520 --> 00:18:19,160 Speaker 2: They built a full ass carnival Gavatro. Thing looks fake, 319 00:18:19,600 --> 00:18:22,560 Speaker 2: it's real. We were on it. My I have a 320 00:18:22,720 --> 00:18:26,720 Speaker 2: wheelchair was scrapped to that thing, and I that's why 321 00:18:26,760 --> 00:18:28,760 Speaker 2: I'm holding on for dear life. I had never been 322 00:18:28,800 --> 00:18:30,399 Speaker 2: on one of those in my entire life. 323 00:18:31,359 --> 00:18:32,760 Speaker 1: Let me find these photos. 324 00:18:34,119 --> 00:18:35,040 Speaker 2: It is very real. 325 00:18:35,160 --> 00:18:38,240 Speaker 1: It's scary. That was fun though I was scared. I'm like, 326 00:18:38,320 --> 00:18:41,320 Speaker 1: you are on a carnival ride. In general, I'm always 327 00:18:41,320 --> 00:18:44,480 Speaker 1: scared of a carnival ride, but wow, was that fun. 328 00:18:45,000 --> 00:18:48,440 Speaker 1: I remember this drive my car because Mandy Moore started 329 00:18:48,480 --> 00:18:50,840 Speaker 1: choreographing in place of Zach. Zach went off to do 330 00:18:50,880 --> 00:18:53,280 Speaker 1: a job, and they brought him many more from so 331 00:18:53,359 --> 00:18:56,160 Speaker 1: you think Coo can dance and all these other wonderful things. 332 00:18:56,040 --> 00:18:59,320 Speaker 3: And Brooke was promoted I think, yes, choreographer, but it 333 00:18:59,400 --> 00:19:00,480 Speaker 3: was very strange. 334 00:19:00,520 --> 00:19:02,560 Speaker 1: I'm not gonna lie Mandy, and I'd love to hear 335 00:19:02,600 --> 00:19:05,400 Speaker 1: from Mandy be like what that was like stepping in 336 00:19:05,480 --> 00:19:07,720 Speaker 1: after all that time, because it wasn't season two, it 337 00:19:07,800 --> 00:19:11,240 Speaker 1: wasn't season four, it was season five after Corey died. 338 00:19:11,520 --> 00:19:14,560 Speaker 1: We were very tight knit. We were very it was 339 00:19:14,600 --> 00:19:21,800 Speaker 1: a very lockdown environment. Everybody had gotten very hard. And 340 00:19:23,320 --> 00:19:27,320 Speaker 1: I remember her coming in and like trying to work 341 00:19:27,359 --> 00:19:29,639 Speaker 1: with us, and I remember being like, who is this person? 342 00:19:29,840 --> 00:19:29,959 Speaker 2: Like? 343 00:19:30,280 --> 00:19:33,560 Speaker 1: And I feel bad because it must have been so difficult, 344 00:19:33,600 --> 00:19:36,360 Speaker 1: Like it must have been difficult for anybody in that 345 00:19:36,480 --> 00:19:40,760 Speaker 1: stage of our show to come in and try and 346 00:19:40,960 --> 00:19:43,920 Speaker 1: like take a leadership role of any sort. And Zach, 347 00:19:43,960 --> 00:19:47,360 Speaker 1: who had been such a close part of our experience, 348 00:19:47,840 --> 00:19:49,800 Speaker 1: you know, having to leave at that point for a 349 00:19:49,800 --> 00:19:55,320 Speaker 1: little while was so strange. So I'll never forget that, 350 00:19:55,440 --> 00:19:58,919 Speaker 1: like her coming in, and I actually feel bad that 351 00:19:58,960 --> 00:19:59,520 Speaker 1: she had to come in. 352 00:20:00,160 --> 00:20:04,880 Speaker 2: I do too, because again we just got even more 353 00:20:04,920 --> 00:20:06,960 Speaker 2: protective in that way, and it was like we would 354 00:20:06,960 --> 00:20:10,840 Speaker 2: just lean on even more the people that we trusted 355 00:20:10,880 --> 00:20:13,439 Speaker 2: and knew, and so it was like such an unfair 356 00:20:13,480 --> 00:20:19,080 Speaker 2: position for anybody to like totally get brought into things 357 00:20:19,200 --> 00:20:21,919 Speaker 2: move at such an accelerated rate. I think when you 358 00:20:22,240 --> 00:20:25,480 Speaker 2: are in their. 359 00:20:25,280 --> 00:20:28,520 Speaker 1: Positions, grief is going to get you. 360 00:20:29,640 --> 00:20:36,080 Speaker 2: And what we did was a side note. We wanted 361 00:20:36,080 --> 00:20:39,840 Speaker 2: to have like a staycation with some of the writers, 362 00:20:39,880 --> 00:20:43,119 Speaker 2: some of the actors, anybody who wanted to participate just 363 00:20:43,160 --> 00:20:47,679 Speaker 2: for us and like throw a party basically or like 364 00:20:47,760 --> 00:20:52,560 Speaker 2: have a release of like everything had been so stressful, 365 00:20:52,600 --> 00:20:56,199 Speaker 2: hard and heavy and bad. There was like, let's we 366 00:20:56,240 --> 00:20:58,639 Speaker 2: need have time together to like come together. And so 367 00:20:58,720 --> 00:21:06,120 Speaker 2: we rented this very strange house, Dusty Darsty air Hills. Yeah, 368 00:21:06,160 --> 00:21:09,160 Speaker 2: and we like basically had like a rager for like 369 00:21:09,640 --> 00:21:10,560 Speaker 2: two days. 370 00:21:11,040 --> 00:21:13,160 Speaker 1: That was us in the pool, like standing in the pool. 371 00:21:13,200 --> 00:21:16,160 Speaker 1: We had a party where people who didn't get rooms 372 00:21:16,280 --> 00:21:19,040 Speaker 1: came and partied anyway. We called it the Castle in 373 00:21:19,080 --> 00:21:21,200 Speaker 1: the sky because it was so weird. 374 00:21:23,160 --> 00:21:25,359 Speaker 2: I just can't believe. I'm yeah, looking at these pictures, 375 00:21:25,359 --> 00:21:27,359 Speaker 2: I can't believe that that's what we did then, I know, 376 00:21:28,320 --> 00:21:29,720 Speaker 2: very strange. 377 00:21:30,560 --> 00:21:38,600 Speaker 1: So we did the carnival, which was weird. Ah, it 378 00:21:38,640 --> 00:21:41,920 Speaker 1: came out of nowhere. But it was fun. I guess 379 00:21:42,000 --> 00:21:44,600 Speaker 1: we had fun on that carnival. Like I remember being 380 00:21:44,600 --> 00:21:48,280 Speaker 1: there all night and like having what you'd call fun 381 00:21:50,000 --> 00:21:51,480 Speaker 1: at that time, do you know what I mean? 382 00:21:51,880 --> 00:21:53,520 Speaker 2: As much fun as we could comp. 383 00:21:53,280 --> 00:21:56,159 Speaker 1: For cars, And it was kind of crazy. And I 384 00:21:56,160 --> 00:21:59,320 Speaker 1: have a video of Jacob like doing like having helium 385 00:21:59,320 --> 00:22:01,480 Speaker 1: from one of the boys and saying, let me love you. 386 00:22:02,240 --> 00:22:04,440 Speaker 1: And so we were trying to like make light of 387 00:22:04,560 --> 00:22:07,120 Speaker 1: having to be there, and you know, and just. 388 00:22:07,160 --> 00:22:09,880 Speaker 2: There was like a full cognitive dissonance. Yeah. Yeah, for sure, 389 00:22:10,000 --> 00:22:12,840 Speaker 2: we're blocking out sort of like real life for a second, 390 00:22:12,880 --> 00:22:13,520 Speaker 2: and we're. 391 00:22:13,880 --> 00:22:16,239 Speaker 1: We have to like we have to can do our 392 00:22:16,359 --> 00:22:19,520 Speaker 1: job is essentially what it was like. We were being 393 00:22:19,560 --> 00:22:24,280 Speaker 1: paid to show up under contract in so many ways. 394 00:22:24,840 --> 00:22:26,879 Speaker 2: But I think what made that helpful though, is that 395 00:22:27,400 --> 00:22:29,760 Speaker 2: everybody and every department was in the same boat. 396 00:22:29,840 --> 00:22:32,000 Speaker 1: Yeah. Yeah, we were all there together going through the 397 00:22:32,040 --> 00:22:35,080 Speaker 1: same thing. Like it wasn't having to go to work 398 00:22:35,119 --> 00:22:37,800 Speaker 1: after something happens in your family and then having and 399 00:22:37,800 --> 00:22:39,800 Speaker 1: everybody else is laughing and smiling, you. 400 00:22:39,720 --> 00:22:42,240 Speaker 2: Know what I mean, and having to explain yourself for 401 00:22:42,400 --> 00:22:45,479 Speaker 2: that day. There was a mutual understanding is like if 402 00:22:45,520 --> 00:22:48,920 Speaker 2: anybody was in a mood in a certain day, that's 403 00:22:49,080 --> 00:22:53,400 Speaker 2: or yeah, everything was fine, Yeah, everything was allowed, Everything 404 00:22:53,480 --> 00:22:55,520 Speaker 2: was acceptable, and it was just sort of like do 405 00:22:56,040 --> 00:22:57,440 Speaker 2: what you have to do to get through. 406 00:22:57,560 --> 00:23:01,720 Speaker 1: And also like smiling and laughing was like felt. I 407 00:23:01,720 --> 00:23:03,960 Speaker 1: think a lot of people during times of death and 408 00:23:04,000 --> 00:23:06,960 Speaker 1: gray feel guilty for smiling and laughing through things or 409 00:23:07,080 --> 00:23:10,439 Speaker 1: moving forward or doing and I feel like that was 410 00:23:10,520 --> 00:23:15,359 Speaker 1: actually weirdly widely accepted that like we were happy to 411 00:23:15,359 --> 00:23:19,680 Speaker 1: see people smiling a little bit and finding a little 412 00:23:19,680 --> 00:23:22,679 Speaker 1: bit of joy. And also partially because like Corey wouldn't 413 00:23:22,680 --> 00:23:24,960 Speaker 1: have never wanted us to act that way, like you know, 414 00:23:25,240 --> 00:23:27,280 Speaker 1: so I think there was a part of that also 415 00:23:27,320 --> 00:23:32,480 Speaker 1: that gave me the permission to experience whatever I wanted 416 00:23:32,480 --> 00:23:34,639 Speaker 1: to experience in that time in a very safe space. 417 00:23:35,119 --> 00:23:37,440 Speaker 2: That's very true. There was zero guilt about it because 418 00:23:37,480 --> 00:23:40,040 Speaker 2: it's like, thank God, we're all here together. 419 00:23:40,200 --> 00:23:44,880 Speaker 1: Yeah, and it's not ill actual there's no tent behind it, like. 420 00:23:45,960 --> 00:23:50,040 Speaker 2: No, and it was, honestly, I think more helpful, much 421 00:23:50,080 --> 00:23:52,560 Speaker 2: more helpful to be together totally, even if it's under 422 00:23:52,560 --> 00:23:55,480 Speaker 2: a professional environment. But we had so much of a 423 00:23:55,520 --> 00:24:01,000 Speaker 2: deeper level of commitment to one another with us on 424 00:24:01,080 --> 00:24:06,040 Speaker 2: the cast and everyone behind the scenes, where it like 425 00:24:06,560 --> 00:24:09,800 Speaker 2: to be sad at home and just sort of like 426 00:24:09,880 --> 00:24:14,919 Speaker 2: stewing and the absurdness of what was actually going on 427 00:24:15,040 --> 00:24:17,960 Speaker 2: would have been I think so detrimental to all of 428 00:24:18,040 --> 00:24:21,600 Speaker 2: us that like it was and a weird chain of events, 429 00:24:21,760 --> 00:24:26,919 Speaker 2: weird circumstances that like working together, being together all the 430 00:24:27,000 --> 00:24:33,480 Speaker 2: time was a nice like way to grieve or work 431 00:24:33,720 --> 00:24:37,399 Speaker 2: that out right. It's a very strange thing. Also, Like 432 00:24:37,800 --> 00:24:40,400 Speaker 2: I remember, I started like changing my routine as well, 433 00:24:40,440 --> 00:24:43,399 Speaker 2: Like I started going to hang out. Telly was now 434 00:24:43,440 --> 00:24:48,600 Speaker 2: in the writer's offices. I'd go over there because he 435 00:24:48,680 --> 00:24:51,440 Speaker 2: and I would talk about it daily, like we would 436 00:24:51,440 --> 00:24:53,399 Speaker 2: have a because like he would struggle some days, I 437 00:24:53,400 --> 00:24:56,159 Speaker 2: would struggle some days, and so like we would just 438 00:24:56,200 --> 00:24:58,879 Speaker 2: want to be around each other totally because just like 439 00:24:59,320 --> 00:25:01,600 Speaker 2: I don't have to p tend yep around you, I 440 00:25:01,640 --> 00:25:03,879 Speaker 2: don't have to like keep up the facade of whatever. 441 00:25:03,920 --> 00:25:06,679 Speaker 2: I'm being professional. I'm at work. So it was like 442 00:25:07,080 --> 00:25:09,040 Speaker 2: having each other. I could go sit in your trailer 443 00:25:09,480 --> 00:25:10,760 Speaker 2: and just sit in silence and be. 444 00:25:10,680 --> 00:25:13,199 Speaker 1: Like, oh right, and you're like I know what that is. 445 00:25:13,320 --> 00:25:17,080 Speaker 2: Yeah, yeah, see, I mean that's and the reason we 446 00:25:17,160 --> 00:25:20,639 Speaker 2: keep talking about this is like that is what is underneath, Yeah, 447 00:25:20,680 --> 00:25:22,399 Speaker 2: all of this where it's like it feels so silly, 448 00:25:22,520 --> 00:25:25,720 Speaker 2: like you're watching this very fun and silly episode, but 449 00:25:25,920 --> 00:25:27,760 Speaker 2: what's going on underneath is all of you, And like. 450 00:25:27,920 --> 00:25:30,639 Speaker 1: The majority of that was that time, and then you'd 451 00:25:30,640 --> 00:25:35,000 Speaker 1: go on set, do your job, smile, play in a carnival, 452 00:25:35,359 --> 00:25:46,600 Speaker 1: and then go back to real life. So Tina outs 453 00:25:46,840 --> 00:25:49,920 Speaker 1: already to the Glee Club already and Kitty but actually, 454 00:25:50,080 --> 00:25:53,239 Speaker 1: like I don't blame her because like, no, you know what, 455 00:25:53,280 --> 00:25:55,480 Speaker 1: she's standing up for Arti. She's always going to stand 456 00:25:55,520 --> 00:25:58,159 Speaker 1: up for Larti and can you apologize and actually redeems 457 00:25:58,160 --> 00:25:59,840 Speaker 1: herself And she's going to redeem herself in the next 458 00:25:59,880 --> 00:26:03,720 Speaker 1: two episodes, if I have to say, But Kitty apologizes 459 00:26:03,760 --> 00:26:08,480 Speaker 1: to Artie. There's also Aaron Westbrook who plays Free, who 460 00:26:08,520 --> 00:26:14,000 Speaker 1: is the new Cheerio that we've seen, and she is 461 00:26:14,040 --> 00:26:18,200 Speaker 1: like very intimidating and gets to Kitty, I mean Kitty. 462 00:26:18,359 --> 00:26:23,879 Speaker 1: That's partially wise, like Kitty's trying to uphold her reputation, 463 00:26:24,520 --> 00:26:26,840 Speaker 1: but then also saying that she just wants to make 464 00:26:26,840 --> 00:26:30,440 Speaker 1: sure that she's actually really likes Arty, which is kind 465 00:26:30,480 --> 00:26:34,560 Speaker 1: of pla I kind of don't really believe. But yeah, 466 00:26:34,640 --> 00:26:38,119 Speaker 1: Kitty and Ardi are official Facebook official. It's very very cute, 467 00:26:38,760 --> 00:26:42,520 Speaker 1: and Blaine notices that Tina has been bitter and lonely, 468 00:26:43,040 --> 00:26:45,400 Speaker 1: this being part of it. She's acting crazy. 469 00:26:45,480 --> 00:26:48,440 Speaker 2: I have to say, this whole thing is so funny. 470 00:26:49,280 --> 00:26:52,240 Speaker 1: I don't remember like eating all those sweets in that scene, 471 00:26:52,240 --> 00:26:56,680 Speaker 1: but I laughed. I was like, that's very funny. She's 472 00:26:56,720 --> 00:26:59,720 Speaker 1: just alone in the Bitter and Lonely club, like buy 473 00:26:59,760 --> 00:27:05,880 Speaker 1: her home, and she's really has turned to the darkest side. 474 00:27:06,359 --> 00:27:09,119 Speaker 1: So I see why Blaine's doing that. Also, it was 475 00:27:09,160 --> 00:27:09,600 Speaker 1: his fault. 476 00:27:10,640 --> 00:27:12,000 Speaker 2: There's a little meeting of the minds. 477 00:27:14,560 --> 00:27:18,760 Speaker 1: Yeah, and then they saw her standing there and we 478 00:27:18,800 --> 00:27:22,680 Speaker 1: get to do I do remember this like being going 479 00:27:22,720 --> 00:27:25,760 Speaker 1: to do like the Beatlemania number, and I loved seeing 480 00:27:25,800 --> 00:27:28,080 Speaker 1: the boys and like in the suits kind of how 481 00:27:28,119 --> 00:27:29,560 Speaker 1: you see them live performing. 482 00:27:29,920 --> 00:27:31,800 Speaker 2: That's that was incredible, so good. 483 00:27:32,720 --> 00:27:36,080 Speaker 1: Uh, and for Tina and trying to like cheer her 484 00:27:36,160 --> 00:27:38,960 Speaker 1: up and offer their services to like get hurt or 485 00:27:38,960 --> 00:27:46,359 Speaker 1: prom and Jesus Sam, it's really the least gay. And 486 00:27:46,440 --> 00:27:51,639 Speaker 1: Jacob's like, what, it's so cute though, And yeah, I 487 00:27:51,640 --> 00:27:53,720 Speaker 1: think we needed that. I need I think you needed 488 00:27:53,760 --> 00:27:58,879 Speaker 1: to see the Beatlemania side of what because that was 489 00:27:58,960 --> 00:28:02,640 Speaker 1: part of the phenomenon of the Beatles, right, I mean yeah, 490 00:28:02,680 --> 00:28:05,320 Speaker 1: I mean that was it, right, and just girls screaming 491 00:28:05,320 --> 00:28:07,040 Speaker 1: and losing their mind and how cute was and Wilissa 492 00:28:07,080 --> 00:28:09,720 Speaker 1: a nist in that number. So anyway, Yeah, so Tina 493 00:28:09,760 --> 00:28:12,280 Speaker 1: has her prom date locked in and we get to 494 00:28:12,359 --> 00:28:16,200 Speaker 1: experience that cute number, and that's pretty much what's happening 495 00:28:16,240 --> 00:28:17,240 Speaker 1: in McKinley. 496 00:28:17,920 --> 00:28:20,480 Speaker 2: Let's go to New York real quick. We seemingly sort 497 00:28:20,480 --> 00:28:24,440 Speaker 2: of drop into Rachel having a chemistry read for Funny 498 00:28:24,480 --> 00:28:28,719 Speaker 2: Girl yep, and so we can sort of figure out 499 00:28:28,760 --> 00:28:31,800 Speaker 2: what's going on with that. Here we are at another audition, 500 00:28:31,880 --> 00:28:37,600 Speaker 2: another callback, and she hears the star and the director 501 00:28:37,800 --> 00:28:41,920 Speaker 2: saying she's too green, she's too young. Santana's like, I'm 502 00:28:41,920 --> 00:28:43,600 Speaker 2: not having this. You're gonna come work with me at 503 00:28:43,640 --> 00:28:48,720 Speaker 2: the Broadway Spotlight diner, which is, you know, where lots 504 00:28:48,720 --> 00:28:51,840 Speaker 2: of actors and out of work people go or aspiring 505 00:28:51,920 --> 00:28:54,360 Speaker 2: musical theater people will go because you sing at the diner. 506 00:28:55,320 --> 00:28:57,160 Speaker 1: I mean literally they do for people who don't know 507 00:28:57,160 --> 00:29:00,800 Speaker 1: Ellen startus Diner, which was modeled after In the middle 508 00:29:00,840 --> 00:29:03,560 Speaker 1: of Your Girl Cheese, a waiter is breaking out. They're like, 509 00:29:03,600 --> 00:29:05,440 Speaker 1: here's your girl Cheese, and then they like pull a 510 00:29:05,520 --> 00:29:08,360 Speaker 1: mic out of their apron and they like stand on 511 00:29:08,800 --> 00:29:13,400 Speaker 1: the benches and sing like Greece to you. It was 512 00:29:13,520 --> 00:29:16,280 Speaker 1: very fun back in the day. I had aspirations of 513 00:29:16,280 --> 00:29:16,720 Speaker 1: working there. 514 00:29:16,760 --> 00:29:18,480 Speaker 2: At some point we got to go to the fake 515 00:29:18,520 --> 00:29:19,080 Speaker 2: one instead. 516 00:29:19,200 --> 00:29:22,600 Speaker 1: Yeah, it was very cute. I liked that their dinner. 517 00:29:23,960 --> 00:29:33,480 Speaker 1: But Rachel opens the this season with her rendition of Yesterday, 518 00:29:33,840 --> 00:29:34,240 Speaker 1: which is. 519 00:29:34,160 --> 00:29:41,760 Speaker 2: Beautiful, which sad, like heartbreaking on so many levels. Yeah, 520 00:29:41,800 --> 00:29:45,000 Speaker 2: and I was just like, what is going on now? 521 00:29:45,720 --> 00:29:48,560 Speaker 2: Like how is like this so sad? How is this? 522 00:29:48,840 --> 00:29:49,360 Speaker 2: I don't know? 523 00:29:49,800 --> 00:29:51,320 Speaker 1: And then I also for some reason thought she was 524 00:29:51,360 --> 00:29:52,680 Speaker 1: going to be a funny girl when I saw the 525 00:29:52,720 --> 00:29:55,400 Speaker 1: picture of her and the marquee and like the opening 526 00:29:55,440 --> 00:29:57,680 Speaker 1: of this series, I was like, oh, right, she gets 527 00:29:57,680 --> 00:29:59,920 Speaker 1: funny girl. And then I was like, oh, my god, 528 00:30:00,600 --> 00:30:03,840 Speaker 1: we don't know yet. Yeah, beautiful rendition of the song. 529 00:30:04,800 --> 00:30:08,040 Speaker 1: And then the director. 530 00:30:07,680 --> 00:30:09,280 Speaker 2: And the star of the show, the director and the 531 00:30:09,280 --> 00:30:13,320 Speaker 2: start they show up at the diner. Sorry to keep 532 00:30:13,320 --> 00:30:15,520 Speaker 2: bringing this up, but there's another thing I was thinking about, 533 00:30:17,040 --> 00:30:22,880 Speaker 2: especially for her and this that in this episode, there 534 00:30:22,880 --> 00:30:27,600 Speaker 2: are a lot of people, like background actors, a lot 535 00:30:27,600 --> 00:30:30,520 Speaker 2: of guest stars. There's a lot of new people on set, 536 00:30:31,640 --> 00:30:34,520 Speaker 2: whether it's in a starlight diner, whether it's walking through 537 00:30:34,560 --> 00:30:38,560 Speaker 2: the streets of New York or if it's the proposal, 538 00:30:39,240 --> 00:30:43,600 Speaker 2: there's a lot of people that were not close to us. Yeah, 539 00:30:44,120 --> 00:30:50,600 Speaker 2: and it obviously was a very big deal publicly McCoy 540 00:30:50,600 --> 00:30:56,200 Speaker 2: passed away, and the amount of media attention that Leah 541 00:30:56,200 --> 00:31:02,240 Speaker 2: had gotten that was unbelievable in like a sort of 542 00:31:02,240 --> 00:31:02,920 Speaker 2: like horrible way. 543 00:31:03,000 --> 00:31:03,160 Speaker 1: Yeah. 544 00:31:03,400 --> 00:31:08,360 Speaker 2: Yeah, And I just couldn't stop thinking about like the 545 00:31:08,360 --> 00:31:11,920 Speaker 2: amount of energy, right, it probably took to sort of 546 00:31:11,960 --> 00:31:15,440 Speaker 2: like show up and protect yourself from probably people like 547 00:31:15,480 --> 00:31:17,560 Speaker 2: staring at you, wondering how is she doing? 548 00:31:18,320 --> 00:31:19,920 Speaker 1: Right, It's like a pity party. 549 00:31:20,760 --> 00:31:26,000 Speaker 2: And there's so many scenes like that, and I was 550 00:31:26,120 --> 00:31:30,600 Speaker 2: just like, I you just do it, you, Yeah, you 551 00:31:30,640 --> 00:31:34,080 Speaker 2: just power through and probably dissociated it. You know, that 552 00:31:34,400 --> 00:31:38,440 Speaker 2: was like time for what a strange strange time and. 553 00:31:38,760 --> 00:31:44,520 Speaker 1: It's unbearrassing watching it. Yeah yeah yeah, and then having 554 00:31:44,560 --> 00:31:47,320 Speaker 1: to break into song. So she breaks out into song 555 00:31:47,520 --> 00:31:49,040 Speaker 1: and she's like, I'm going to show you that I'm 556 00:31:49,040 --> 00:31:52,280 Speaker 1: a star, and so her and Santana break out into 557 00:31:52,320 --> 00:31:57,120 Speaker 1: Hard Days Night in the so cute. So they're really 558 00:31:57,160 --> 00:31:58,080 Speaker 1: good together. 559 00:31:58,120 --> 00:31:59,920 Speaker 2: Like their whole little scene walking into that as well, 560 00:32:00,080 --> 00:32:02,400 Speaker 2: about how Santana's like, I basically had to show my 561 00:32:02,440 --> 00:32:05,560 Speaker 2: left boob, so you get this job and like it's 562 00:32:05,680 --> 00:32:06,160 Speaker 2: very funny. 563 00:32:06,320 --> 00:32:07,440 Speaker 1: Don't tell him if you're. 564 00:32:09,040 --> 00:32:12,280 Speaker 2: Yeah yea in New. 565 00:32:12,280 --> 00:32:17,080 Speaker 1: York, yeah, wow everywhere and then and and we don't 566 00:32:17,120 --> 00:32:17,880 Speaker 1: know what's going to happen. 567 00:32:17,920 --> 00:32:18,320 Speaker 2: We don't know. 568 00:32:18,560 --> 00:32:21,280 Speaker 1: We're kind of one a clipanger there. But then we 569 00:32:21,360 --> 00:32:26,760 Speaker 1: go to Blaine and Kurt who are actually in at McKinley, 570 00:32:26,840 --> 00:32:32,200 Speaker 1: and uh, they're having a picnic in the Bernstein courtyard 571 00:32:32,960 --> 00:32:40,320 Speaker 1: and they're talking about giving their relationship another shot. Blaine 572 00:32:40,360 --> 00:32:42,480 Speaker 1: is promising Kurt that he's never gonna chant on me, 573 00:32:42,600 --> 00:32:47,840 Speaker 1: which I believe, and Blaine is about to break out 574 00:32:47,880 --> 00:32:52,120 Speaker 1: to song and go sing in the courtyard and Kurt's 575 00:32:52,160 --> 00:32:55,240 Speaker 1: like no, no, no, it's my turn, and so they 576 00:32:55,840 --> 00:33:01,000 Speaker 1: court brings in a whole band an experience to do. Uh, 577 00:33:02,200 --> 00:33:04,640 Speaker 1: got got to get you into my life in the courtyard. 578 00:33:04,760 --> 00:33:06,440 Speaker 1: Darren's always performing in the courtyard. 579 00:33:06,480 --> 00:33:09,960 Speaker 2: I feel like always. This is another one of those 580 00:33:09,960 --> 00:33:12,200 Speaker 2: moments where it's like this show looks different. 581 00:33:13,600 --> 00:33:16,960 Speaker 1: Oh yeah, for sure. It just takes you out of it. 582 00:33:16,960 --> 00:33:17,800 Speaker 1: It takes you out of it. 583 00:33:17,960 --> 00:33:20,080 Speaker 2: Sure it does. Like some of the sets looked more 584 00:33:20,160 --> 00:33:23,840 Speaker 2: like sets in this episode, and like how the picnic 585 00:33:23,880 --> 00:33:26,760 Speaker 2: was set up. I'm like, this looks off, like it 586 00:33:26,800 --> 00:33:28,800 Speaker 2: looks like we're making a TV show. 587 00:33:28,680 --> 00:33:34,760 Speaker 1: Versus like living in the world. Yeah. Yeah, I am 588 00:33:34,760 --> 00:33:36,880 Speaker 1: happy that Curt and Blaine are giving you another chance, 589 00:33:37,040 --> 00:33:38,400 Speaker 1: so I will say. 590 00:33:38,200 --> 00:33:39,959 Speaker 2: That I am too. I was like, yeah, more of 591 00:33:39,960 --> 00:33:42,520 Speaker 2: the story is they got to get back together. Yeah, 592 00:33:42,560 --> 00:33:44,000 Speaker 2: and you have got to get you into my life 593 00:33:44,120 --> 00:33:47,000 Speaker 2: like a full marching band. It's exactly how you'd want 594 00:33:47,720 --> 00:33:50,760 Speaker 2: to get this sort of thing to go. Yes, and 595 00:33:50,800 --> 00:33:54,240 Speaker 2: then we get more Michael Malley, which is also what 596 00:33:54,360 --> 00:33:55,520 Speaker 2: we always need. 597 00:33:56,400 --> 00:33:58,880 Speaker 1: And giving him just words of wisdom all the time. 598 00:33:59,840 --> 00:34:04,240 Speaker 2: And also Kurt knows. 599 00:34:04,840 --> 00:34:07,600 Speaker 1: I also appreciated him like not fully knowing what he 600 00:34:07,680 --> 00:34:11,319 Speaker 1: was going to say, and getting the advice of his 601 00:34:11,440 --> 00:34:18,400 Speaker 1: dad of bird of course, and like having that perspective 602 00:34:18,480 --> 00:34:23,040 Speaker 1: as a young a young kid, you know, not knowing 603 00:34:23,120 --> 00:34:25,520 Speaker 1: like feeling like they are really young, but then being 604 00:34:25,840 --> 00:34:30,640 Speaker 1: swooned by this proposal, which anybody would be. I have 605 00:34:30,719 --> 00:34:32,320 Speaker 1: to say, I don't know if it's because I'm pregnant, 606 00:34:32,360 --> 00:34:34,880 Speaker 1: but like I was very emotional at this proposal and 607 00:34:34,920 --> 00:34:38,200 Speaker 1: cried a lot, and like this episode didn't get me 608 00:34:38,280 --> 00:34:40,440 Speaker 1: like that, So like I don't know what happened, but 609 00:34:40,480 --> 00:34:43,840 Speaker 1: I was like, I'm not okay from this. 610 00:34:44,239 --> 00:34:45,960 Speaker 2: I think it was a really beautiful proposal, and I 611 00:34:45,960 --> 00:34:50,279 Speaker 2: think like leading up to it, getting to see Blaine recruit. 612 00:34:51,320 --> 00:34:55,360 Speaker 1: Vocal adrenaline right, bringing everybody into it just felt like 613 00:34:55,400 --> 00:34:57,800 Speaker 1: gleek and its finest, like a gues. 614 00:34:57,760 --> 00:35:00,320 Speaker 2: For some reason, one of the scenes I I remember 615 00:35:00,320 --> 00:35:04,280 Speaker 2: more than anything was that shot with vocal adrenaline. 616 00:35:04,440 --> 00:35:06,279 Speaker 1: Oh, I don't remember that. That's when I texted you. 617 00:35:06,640 --> 00:35:08,200 Speaker 1: I was like, were we there? And I had to 618 00:35:08,239 --> 00:35:08,719 Speaker 1: rewind it. 619 00:35:10,400 --> 00:35:11,279 Speaker 2: I remember it. 620 00:35:11,600 --> 00:35:15,040 Speaker 1: Where were we were we on location? 621 00:35:15,800 --> 00:35:17,560 Speaker 2: No, it was on the auditorium stage. You just made 622 00:35:17,560 --> 00:35:18,160 Speaker 2: it look different. 623 00:35:18,280 --> 00:35:19,840 Speaker 1: Oh That's why. 624 00:35:20,719 --> 00:35:24,759 Speaker 2: It was a really, for some reason stressful day, very 625 00:35:25,960 --> 00:35:30,560 Speaker 2: stressful day, and I was like, that's also what's going 626 00:35:30,600 --> 00:35:31,000 Speaker 2: on here? 627 00:35:31,200 --> 00:35:31,600 Speaker 1: Got it? 628 00:35:31,600 --> 00:35:35,239 Speaker 2: There were moments where things didn't shouldn't have been so difficult, 629 00:35:35,760 --> 00:35:39,160 Speaker 2: and I think we were all just a little not right, 630 00:35:39,600 --> 00:35:43,319 Speaker 2: and so things were like a little difficult and like 631 00:35:43,440 --> 00:35:46,080 Speaker 2: temperatures were high, and I'm watching it, I'm like, for 632 00:35:46,200 --> 00:35:49,120 Speaker 2: this right, you know what I mean? It felt so 633 00:35:49,239 --> 00:35:52,680 Speaker 2: five seconds and joyous and it's a really quick bit, 634 00:35:53,400 --> 00:35:55,680 Speaker 2: but it was just like I think things were different. 635 00:35:55,960 --> 00:35:59,759 Speaker 1: It was like I remember shooting the scene with you 636 00:36:00,000 --> 00:36:02,880 Speaker 1: where I'm like, oh, just because you're a weird kid 637 00:36:02,960 --> 00:36:06,240 Speaker 1: in a wheelchair in the Ley club, like that scene 638 00:36:06,400 --> 00:36:09,600 Speaker 1: where I'm like you ye are and not being able 639 00:36:09,600 --> 00:36:15,200 Speaker 1: to look at you. I remember shooting that scene very emotional. 640 00:36:16,560 --> 00:36:20,279 Speaker 1: That's where they remind there's these like snippets in my 641 00:36:20,400 --> 00:36:25,240 Speaker 1: mind of coming back to work and being like everything 642 00:36:25,280 --> 00:36:29,960 Speaker 1: has changed and like not being able to work with 643 00:36:30,000 --> 00:36:34,600 Speaker 1: people like in that way, or maybe it was the 644 00:36:34,600 --> 00:36:36,600 Speaker 1: safest place to be that's why, you know. 645 00:36:36,719 --> 00:36:39,160 Speaker 2: Because it did it also feel like to you like 646 00:36:41,200 --> 00:36:45,000 Speaker 2: we're doing this because we're supposed to, and it's like, sure, 647 00:36:45,680 --> 00:36:48,719 Speaker 2: we've worked really hard for the past five years, and 648 00:36:48,760 --> 00:36:50,759 Speaker 2: like we're used to hard things. We'll show up and 649 00:36:50,760 --> 00:36:53,279 Speaker 2: we're going to do this really, But there was also 650 00:36:53,360 --> 00:36:55,200 Speaker 2: this feeling that back in my mind of like I 651 00:36:55,200 --> 00:36:59,799 Speaker 2: don't think this is sustainable totally, because like we got 652 00:36:59,840 --> 00:37:02,400 Speaker 2: through like the first three episodes and then you're like 653 00:37:02,400 --> 00:37:04,799 Speaker 2: what the and then it was like how actually, how 654 00:37:04,920 --> 00:37:06,279 Speaker 2: how are we going to do this? 655 00:37:06,480 --> 00:37:09,080 Speaker 1: Yeah? Which is why we needed the break. 656 00:37:10,360 --> 00:37:13,040 Speaker 2: Yeah, I think that's also like some of that felt 657 00:37:13,120 --> 00:37:13,319 Speaker 2: like that. 658 00:37:13,560 --> 00:37:16,920 Speaker 1: Yea of like how are we is this? Is this 659 00:37:17,040 --> 00:37:19,360 Speaker 1: actually going to happen? Like is this the end of it? 660 00:37:19,560 --> 00:37:22,160 Speaker 1: Or are we? Are we actually doing this? Yeah? 661 00:37:22,239 --> 00:37:22,479 Speaker 2: Right? 662 00:37:22,560 --> 00:37:22,799 Speaker 1: Yeah? 663 00:37:22,840 --> 00:37:24,719 Speaker 2: It was like, also, don't think too deeply about it 664 00:37:24,719 --> 00:37:25,840 Speaker 2: because we're all barely hanging on. 665 00:37:26,080 --> 00:37:30,680 Speaker 1: Yeah, for sure, don't He proposes It's really sweet. 666 00:37:31,360 --> 00:37:33,400 Speaker 2: Have you ever been there before? No? 667 00:37:33,480 --> 00:37:36,080 Speaker 1: I was very excited and happy to be at at 668 00:37:36,200 --> 00:37:39,399 Speaker 1: Dalton to finally see it in the flash. 669 00:37:39,520 --> 00:37:41,839 Speaker 2: It was so beautiful, what. 670 00:37:41,840 --> 00:37:45,600 Speaker 1: A gorgeous and everybody was there. It felt like nice 671 00:37:45,640 --> 00:37:49,160 Speaker 1: to be with everybody again, Like we had said, like 672 00:37:49,840 --> 00:37:52,720 Speaker 1: just seeing everybody and then in the scene being able 673 00:37:52,760 --> 00:37:56,719 Speaker 1: to like express that, you know, congratulating Kurt throughout the way, 674 00:37:56,840 --> 00:38:00,879 Speaker 1: and you know, Blaine pulling him through. It was very 675 00:38:00,880 --> 00:38:03,200 Speaker 1: sweet and very emotional. It's probably why I was emotional 676 00:38:03,200 --> 00:38:07,000 Speaker 1: about it, because it just felt like a lot of 677 00:38:07,000 --> 00:38:09,279 Speaker 1: the things that we were feeling, even though we were 678 00:38:09,320 --> 00:38:12,680 Speaker 1: all kind of together a lot at that point. 679 00:38:12,440 --> 00:38:15,959 Speaker 2: It was all like beautifully laid out, like beautifully block 680 00:38:17,080 --> 00:38:21,400 Speaker 2: so gorgeous. Yes, like getting to see each group of 681 00:38:21,440 --> 00:38:24,480 Speaker 2: people have their own little moment getting all of us 682 00:38:24,520 --> 00:38:27,719 Speaker 2: together so cute. 683 00:38:28,520 --> 00:38:32,880 Speaker 1: Yeah, it was tough, and that it proposed was very beautiful. 684 00:38:34,360 --> 00:38:36,160 Speaker 2: And it was one of those things where I kept 685 00:38:36,200 --> 00:38:41,960 Speaker 2: thinking about, like one of Ryan's goals I think that 686 00:38:42,120 --> 00:38:44,720 Speaker 2: became with the show was like showing a healthy. 687 00:38:44,800 --> 00:38:48,759 Speaker 1: Gay young well and then the dad too, like a 688 00:38:48,800 --> 00:38:50,040 Speaker 1: healthy relationship with part. 689 00:38:50,280 --> 00:38:54,960 Speaker 2: Yes, it sort of all felt like fully realized, like 690 00:38:55,280 --> 00:38:58,440 Speaker 2: we still need to like see joy and like gay 691 00:38:58,680 --> 00:39:05,279 Speaker 2: queer joy and like build healthy relationships that are complicated 692 00:39:05,320 --> 00:39:07,480 Speaker 2: and they're messy but they can still be good and 693 00:39:07,920 --> 00:39:11,360 Speaker 2: have the support of community and family. And it was 694 00:39:11,520 --> 00:39:15,759 Speaker 2: nice like I'm glad, like you know, that was still 695 00:39:15,760 --> 00:39:18,799 Speaker 2: the message and that was we didn't get lost on that. 696 00:39:20,520 --> 00:39:23,319 Speaker 1: Yeah, I'm sure this proposal had been also like in 697 00:39:23,440 --> 00:39:24,480 Speaker 1: Ryan's mind. 698 00:39:24,280 --> 00:39:26,560 Speaker 2: Forever, so it's like, oh, we are doing this. 699 00:39:27,120 --> 00:39:29,520 Speaker 1: Well, yeah, it was nice to have some levinto and 700 00:39:29,640 --> 00:39:32,680 Speaker 1: like something happy and positive, like you were saying, Okay, 701 00:39:32,760 --> 00:39:35,480 Speaker 1: let's rate some great let's create some performances because we 702 00:39:35,560 --> 00:39:39,799 Speaker 1: got to get out of this episode. This is like 703 00:39:39,880 --> 00:39:42,280 Speaker 1: a lot happening, and it's a lot for our season 704 00:39:42,320 --> 00:39:42,960 Speaker 1: five opener. 705 00:39:44,520 --> 00:39:47,040 Speaker 2: Look, I just think like the next like the first, 706 00:39:48,440 --> 00:39:51,040 Speaker 2: it's gonna be like heavy and then. 707 00:39:51,600 --> 00:39:55,000 Speaker 1: And then we'll get we'll get move in. Uh yesterday 708 00:39:55,640 --> 00:40:03,480 Speaker 1: A he, she sounded great. She did drive my car 709 00:40:04,320 --> 00:40:06,680 Speaker 1: A minus. Yeah, i'd be plus the same thing. 710 00:40:07,000 --> 00:40:07,920 Speaker 2: Plus it's fine. 711 00:40:08,160 --> 00:40:12,240 Speaker 1: Yeah, I got to get you into my life. 712 00:40:13,360 --> 00:40:16,600 Speaker 2: I'll do B plus. 713 00:40:17,239 --> 00:40:22,360 Speaker 1: We swapped you gotta hydro leve away. 714 00:40:23,120 --> 00:40:26,120 Speaker 2: I'll be honest. I thought this number one on a 715 00:40:26,160 --> 00:40:28,200 Speaker 2: little too long. You know. 716 00:40:28,440 --> 00:40:31,520 Speaker 1: It's not the number going on too long, the number. 717 00:40:31,600 --> 00:40:36,439 Speaker 1: The song itself is very repetitive and very slow. Yes, 718 00:40:37,440 --> 00:40:40,160 Speaker 1: so I don't think it's that. It was ang. 719 00:40:40,320 --> 00:40:43,479 Speaker 2: It was a long shot of me in this room 720 00:40:43,560 --> 00:40:44,240 Speaker 2: by myself. 721 00:40:45,760 --> 00:40:48,640 Speaker 1: Okay, I'm gonna give it a be plus, I'll give 722 00:40:48,640 --> 00:40:55,000 Speaker 1: it a be okay help A yeah, A hard day's night. 723 00:40:55,880 --> 00:41:02,640 Speaker 1: A I saw her standing there. A yeah, And all 724 00:41:02,640 --> 00:41:05,640 Speaker 1: you need is love a plus. Yeah, I agree, all right, 725 00:41:05,840 --> 00:41:08,520 Speaker 1: it's a solid one. That's solid. Okay, let's see some 726 00:41:08,560 --> 00:41:15,319 Speaker 1: TARTI takes. Oh cringe moments. Kitty trying to hide you 727 00:41:15,400 --> 00:41:19,040 Speaker 1: away is a cringe moment for Tina and for me. 728 00:41:20,400 --> 00:41:26,600 Speaker 2: Kitty. Also she says some questions like super transphobic and 729 00:41:26,680 --> 00:41:31,919 Speaker 2: racist things this episode, like one each. Yeah, and yeah, 730 00:41:32,880 --> 00:41:37,400 Speaker 2: it's it's so much more jarring when like there's nothing 731 00:41:37,440 --> 00:41:41,080 Speaker 2: else that jarring crazy in the. 732 00:41:41,040 --> 00:41:43,440 Speaker 1: Episode, right, it sticks out like a real. 733 00:41:44,360 --> 00:41:48,359 Speaker 2: There's sue antics right, yeah, and like she says a 734 00:41:48,640 --> 00:41:54,160 Speaker 2: racist thing in the episode two. Yes, but like yeah, 735 00:41:54,280 --> 00:41:57,719 Speaker 2: I don't know anytime any of them say that, whoa, 736 00:41:57,760 --> 00:42:00,160 Speaker 2: that's that's not that's not what we're doing. 737 00:42:00,920 --> 00:42:04,120 Speaker 1: Yeah, cut the best dance move. 738 00:42:07,880 --> 00:42:15,359 Speaker 3: I mean there's always vocals proposal, yes, agreed, like crazy, Uh, 739 00:42:15,400 --> 00:42:17,120 Speaker 3: they're in the air, They're always just in the air. 740 00:42:17,719 --> 00:42:20,760 Speaker 2: Always, there's always a lift, a series of lifts. 741 00:42:21,400 --> 00:42:23,680 Speaker 1: The best song all you need is love? 742 00:42:25,280 --> 00:42:30,840 Speaker 2: Yeah, absolutely, I think that number was just really beautiful, 743 00:42:30,920 --> 00:42:35,520 Speaker 2: like a perfect proposal, a really perfect truly. 744 00:42:35,360 --> 00:42:39,759 Speaker 1: I sticks out in my mind performance very a prop. 745 00:42:41,239 --> 00:42:43,560 Speaker 2: I don't know if this counts, but the what was 746 00:42:43,600 --> 00:42:46,920 Speaker 2: the spinny thing? At the Carra. Yeah, that's definitely Gravitron. 747 00:42:47,080 --> 00:42:50,520 Speaker 1: Absolutely, I'm gonna go with some of SU's evidence against Wiggans, 748 00:42:52,440 --> 00:42:56,080 Speaker 1: the foot fetish home, the gay foot fetish. I just 749 00:42:56,160 --> 00:42:59,640 Speaker 1: all of them were too much. And also Tina's cakes 750 00:42:59,680 --> 00:43:06,080 Speaker 1: in her her sweet Treats. Yes, the best line. 751 00:43:08,320 --> 00:43:13,359 Speaker 3: Oh wow, Blaine's proposal, Oh yeah, it was so sweet. Yeah, 752 00:43:13,400 --> 00:43:15,359 Speaker 3: it's really well written, very well. 753 00:43:15,480 --> 00:43:22,080 Speaker 2: And with that, I think Bert's conversation with Kurt about 754 00:43:22,719 --> 00:43:26,480 Speaker 2: how the time he wish she had with Kurt's mom 755 00:43:26,680 --> 00:43:29,960 Speaker 2: and if he regrets proposing that early about I know. 756 00:43:31,800 --> 00:43:36,319 Speaker 2: But also when Blaine is speaking to writer Sam and Jake, 757 00:43:37,480 --> 00:43:39,960 Speaker 2: it is one of our own has turned into a mean, 758 00:43:40,160 --> 00:43:41,280 Speaker 2: bitter and angry person. 759 00:43:42,640 --> 00:43:45,280 Speaker 1: I mean I kind of allowed to. I was watching 760 00:43:45,320 --> 00:43:54,239 Speaker 1: it like that has so funny performance MVP. Okay, I'm 761 00:43:54,239 --> 00:43:57,239 Speaker 1: giving a shout out. We're doing Leah because like just 762 00:43:57,280 --> 00:43:59,320 Speaker 1: to show up period. 763 00:43:59,520 --> 00:44:00,640 Speaker 2: And still kill it. 764 00:44:00,760 --> 00:44:04,440 Speaker 1: Yeah yeah. And then Honor will mention to the proposal 765 00:44:05,040 --> 00:44:08,879 Speaker 1: duo Jaron and Chris I think fully okay. 766 00:44:09,000 --> 00:44:10,880 Speaker 2: For should we found on TikTok. I wanted you too 767 00:44:11,120 --> 00:44:16,960 Speaker 2: because it's been a minute. So this first one is 768 00:44:17,000 --> 00:44:19,920 Speaker 2: Tina co and Chang getting dragged for almost two minutes. 769 00:44:21,320 --> 00:44:23,120 Speaker 1: The fact that there is two minutes off we're getting 770 00:44:23,160 --> 00:44:24,920 Speaker 1: dragged is an issue. 771 00:44:25,440 --> 00:44:31,280 Speaker 2: By a flons on TikTok. And it is so good. 772 00:44:31,480 --> 00:44:33,560 Speaker 2: So man, these things I have forgotten about, and some 773 00:44:33,640 --> 00:44:35,839 Speaker 2: of the things are still yet to come from where 774 00:44:35,840 --> 00:44:39,279 Speaker 2: we are in the rewatch, but it's some it's the 775 00:44:39,280 --> 00:44:43,640 Speaker 2: greatest hits Jenna, It is really really good. Who wrote that? 776 00:44:44,200 --> 00:44:45,240 Speaker 2: Who wrote this? Tina? 777 00:44:46,280 --> 00:44:49,359 Speaker 1: Tina, I think A teen is a pipre for you. 778 00:44:53,280 --> 00:44:57,200 Speaker 2: It's so so good. Everyone go watch that. And then 779 00:44:57,239 --> 00:45:02,040 Speaker 2: the other one is in Spirit of Halloween. At Spirit Halloween, 780 00:45:02,760 --> 00:45:07,200 Speaker 2: they're blasting. They are the gleek hast version of ABC 781 00:45:07,440 --> 00:45:11,160 Speaker 2: and it's Jenna just pumping through these speakers in Halloween. 782 00:45:11,280 --> 00:45:13,360 Speaker 1: It's not even the right song. 783 00:45:13,760 --> 00:45:19,400 Speaker 2: Yeah, and Klopernicus said, it's so true. 784 00:45:19,400 --> 00:45:22,160 Speaker 1: Why is that playing God bless? 785 00:45:23,320 --> 00:45:26,880 Speaker 2: Okay, I just thought, I think these are both so 786 00:45:27,040 --> 00:45:29,960 Speaker 2: great and I just can't walking to the Spirit Halloween 787 00:45:30,000 --> 00:45:32,439 Speaker 2: and hearing that would lose my mind. 788 00:45:32,520 --> 00:45:35,719 Speaker 1: You should have played Rocky Horror. What's wrong with them? Right? 789 00:45:36,400 --> 00:45:36,719 Speaker 2: I don't know. 790 00:45:36,719 --> 00:45:41,200 Speaker 1: Okay, it's so strange. Well, there's that episode and I'm 791 00:45:41,200 --> 00:45:42,640 Speaker 1: sorry there was a little bit of a downer, but 792 00:45:42,680 --> 00:45:44,680 Speaker 1: there's obviously a lot going on in an episode that 793 00:45:44,719 --> 00:45:49,160 Speaker 1: we had to like, what's happening? What was really happening 794 00:45:49,200 --> 00:45:54,360 Speaker 1: in real time? But there's a part two and it 795 00:45:54,480 --> 00:45:58,040 Speaker 1: is Tina and the Sky with Diamonds and Tina once 796 00:45:58,080 --> 00:46:00,880 Speaker 1: again gets dragged more. So stay tune for next week 797 00:46:00,960 --> 00:46:03,440 Speaker 1: where we get to see teenage drag more and some 798 00:46:03,520 --> 00:46:06,040 Speaker 1: more Beatles' music. And thanks for joining. 799 00:46:05,840 --> 00:46:09,120 Speaker 2: Us, That's what you really missed. Thanks for listening, and 800 00:46:09,239 --> 00:46:11,879 Speaker 2: follow us on Instagram at and that's what you really 801 00:46:11,920 --> 00:46:14,040 Speaker 2: miss pod. Make sure to write us a review and 802 00:46:14,160 --> 00:46:16,080 Speaker 2: leave us five stars. See you next time.