WEBVTT - CZM Book Club: Three Stories From Japanese Folklore

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<v Speaker 1>Cool Zone Media.

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<v Speaker 2>Book Club book Club, book Club. It's the Cool Zone

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<v Speaker 2>Media book Club. Hello, welcome to the Cool Zone Media

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<v Speaker 2>book Club. I'm your host, Margaret Kiljoy, and every week

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<v Speaker 2>I read you stories. This week, I'm going to read

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<v Speaker 2>you three stories, all for the price of I guess

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<v Speaker 2>zero stories. Well, I guess the price of advertisers on

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<v Speaker 2>our podcast. But I have stories for you. This is

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<v Speaker 2>a folklore a week. I'm going to read you three

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<v Speaker 2>stories from an eighteen eighty book of Japanese folklore. And

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<v Speaker 2>this particular book was written by American man who lived

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<v Speaker 2>in Japan for a very long time named William Elliott Griffiths,

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<v Speaker 2>and in eighteen eighty he published a book called Japanese

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<v Speaker 2>Fairy World that seemed to have been written with help

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<v Speaker 2>from his Japanese students and is illustrated with art from

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<v Speaker 2>Japanese artists. There's no particular moral or whatever that I'm

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<v Speaker 2>going for with this week's stories. I just kind of

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<v Speaker 2>liked them, and I thought you might like them too.

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<v Speaker 2>I like fairy tales, especially of two particular types, adventures

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<v Speaker 2>and guy falls in love with a mystical lady. And

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<v Speaker 2>so today I'm going to manage to read you two adventures,

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<v Speaker 2>and one guy falls in love with a mystical lady.

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<v Speaker 2>So here we go. The first story is called Watanabe

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<v Speaker 2>cuts off the one's arm. When the capital of Japan

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<v Speaker 2>was the city of Kyoto and the Mikado dwelt in

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<v Speaker 2>it with all his court, there lived a brave captain

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<v Speaker 2>of the guard named Yoramitsu, who belonged to the famous

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<v Speaker 2>Minimotok family. He was also called Raiko, and by this

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<v Speaker 2>name he is best known to all the boys and

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<v Speaker 2>girls in Great Japan. Under Captain Rako there were three

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<v Speaker 2>brave guardsmen, one of whom was named Wuanatabe Suna. The

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<v Speaker 2>duty of these men at arms was to watch at

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<v Speaker 2>the gates leading to the palace. It had come to

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<v Speaker 2>pass that the Blossom capital had fallen in a dreadful

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<v Speaker 2>condition because the guards at the other gates had been neglected.

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<v Speaker 2>Thieves were numerous, and murders were frequent, so that every

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<v Speaker 2>one of the city was afraid to go out into

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<v Speaker 2>the streets at night. Worse than all else was the

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<v Speaker 2>report that one or imps were prowling around in the

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<v Speaker 2>dark to seize people by the hair of their head.

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<v Speaker 2>Then they would drag them away to the mountains, tear

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<v Speaker 2>the flesh off their bones, and eat them up. The

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<v Speaker 2>worst place in the city to which the horned imps

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<v Speaker 2>came oftenest was at the southwestern gate, called the Rajaman.

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<v Speaker 2>To this post of danger, Raiko sent Suna, the bravest

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<v Speaker 2>of all of his guards. It was on a dark,

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<v Speaker 2>rainy and dismal night that soun Sa started, well armed

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<v Speaker 2>to stand sentinel at the gate. His trusty helmet was

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<v Speaker 2>knotted over his chin, and all the pieces of his

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<v Speaker 2>armor wore well laced up. His sandals were girt tight

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<v Speaker 2>to his feet, and in his belt was thrust the

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<v Speaker 2>trusty sword, freshly ground until its edge was like a razor's,

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<v Speaker 2>and with it the owner could cut asunder a hare

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<v Speaker 2>floating in the air. Arriving at the red pillar of

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<v Speaker 2>the gate, Soona paced up and down the stone way

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<v Speaker 2>with eyes and ears wide open. The wind was blowing frightfully,

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<v Speaker 2>The storm howled, and the rain fell in such torrents

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<v Speaker 2>that soon the cords of Sonna's armor and his dress

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<v Speaker 2>were soaked through. The great bronze bell of the temples

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<v Speaker 2>on the hills boomed out the hours one after another,

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<v Speaker 2>until a single stroke told Suna. It was the hour

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<v Speaker 2>of the rat midnight. Two hours passed and the hour

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<v Speaker 2>of the bowl sounded two a m. And Suna was

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<v Speaker 2>still wide awake. The storm had lulled, but it was

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<v Speaker 2>darker than ever. The hour of the Tiger three o'clock

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<v Speaker 2>rung out, and the soft, mellow notes of the temple

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<v Speaker 2>bell died away like a lullaby, wooing one to sleep.

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<v Speaker 2>Spite of will and vow. The warrior, almost without knowing it,

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<v Speaker 2>grew sleepy and fell into a doze. He started and

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<v Speaker 2>woke up. He shook himself, jingled his armor, pinched himself,

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<v Speaker 2>and even pulled out his little knife from the wooden

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<v Speaker 2>scabbard of his dirk, and pricked his leg with the

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<v Speaker 2>point of it to keep awake, but all in vain.

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<v Speaker 2>Unconsciously overcome, he leaned against the gate post and fell asleep.

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<v Speaker 2>This is just what the imp wanted all the time

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<v Speaker 2>he had been squatting on the cross piece at the

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<v Speaker 2>top of the gate, waiting his opportunity. He now slid

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<v Speaker 2>down as softly as a monkey, and with his iron

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<v Speaker 2>like claws, grabbed Sooner by the helmet and began to

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<v Speaker 2>drag him into the air. In an instant, Suna was awake,

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<v Speaker 2>seizing the hairy wrist of the imp with his left hand,

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<v Speaker 2>and with his right he drew his sword. He swept

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<v Speaker 2>it around his head and cut off the demon's arm.

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<v Speaker 2>The one, frightened and howling with pain, leaped up the

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<v Speaker 2>post and disappeared in the Clouds. Soon awaited with drawn

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<v Speaker 2>sword in hand, lest the onone might come again. But

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<v Speaker 2>in a few hours morning dawned. The sun rose on

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<v Speaker 2>the pagodas and gardens and temples of the capital, and

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<v Speaker 2>the ninefold circle of flowery hills. Everything was beautiful and bright.

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<v Speaker 2>Soona returned to report to his captain, carrying the one's

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<v Speaker 2>arm in triumph. Raicho examined it and loudly praised Soona

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<v Speaker 2>for his bravery, and rewarded him with a silken sash.

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<v Speaker 2>Now it is said that if an one's arm be

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<v Speaker 2>cut off, it cannot be made to unite with the

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<v Speaker 2>body again if kept apart for a week. So Raiko

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<v Speaker 2>warned Suna to lock it up and watch it night

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<v Speaker 2>and day, lest it be stolen from him. So Souna

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<v Speaker 2>went to the stone cutters, who made idols of Buddha

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<v Speaker 2>mortars for pounding rice and coffers for bearing money in

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<v Speaker 2>to be hidden away in the ground, and bought a

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<v Speaker 2>strong box cut out of the solid stone. It had

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<v Speaker 2>a heavy lid on it, which slid in a groove

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<v Speaker 2>and came out only by touching a secret spring. Then

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<v Speaker 2>settling it in his bed chamber, he guarded it day

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<v Speaker 2>and night, keeping the gate and all his doors locked.

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<v Speaker 2>He allowed no one who was a stranger to look

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<v Speaker 2>at the trophy. Six days passed by, and soon A

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<v Speaker 2>began to think his prize was sure, for were not

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<v Speaker 2>all his doors tight shut. So he set the box

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<v Speaker 2>out in the middle of the room, and twisting some

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<v Speaker 2>rice straw fringe in token of shore victory and rejoicing,

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<v Speaker 2>he sat down in ease before it. He took off

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<v Speaker 2>his armor and put on his court robes. During the evening,

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<v Speaker 2>but rather late, there was a feeble knock like that

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<v Speaker 2>of an old woman at the gate outside. Suna cried out,

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<v Speaker 2>who's there. The squeaky voice of his aunt, as it seemed,

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<v Speaker 2>who was a very old woman, replied me, I want

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<v Speaker 2>to see my nephew to praise him for his bravery

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<v Speaker 2>and cutting the one's arm off. So Soona let her

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<v Speaker 2>in and carefully locking the door behind her. Helped the

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<v Speaker 2>old crone into the room, where she sat down on

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<v Speaker 2>the mats in front of the box and very close

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<v Speaker 2>to it. Then she grew very talkative and praised her

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<v Speaker 2>nephew's exploit, until Suna felt very proud all the time.

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<v Speaker 2>The old woman's left shoulder was covered with her dress,

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<v Speaker 2>while her right hand was out. Then she begged earnestly

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<v Speaker 2>to be allowed to see the limb. Soona at first

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<v Speaker 2>politely refused, but she urged until yielding affectionately, he slid

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<v Speaker 2>back the stone lid just a little. This is my arm,

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<v Speaker 2>cried the old hag, turning into an onony and dragging

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<v Speaker 2>out the arm. She flew up to the ceiling and

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<v Speaker 2>was out of the smoke, slide through the roof in

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<v Speaker 2>a twinkling. Sooner rushed out of the house to shoot

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<v Speaker 2>her with an arrow, but he saw only a demon

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<v Speaker 2>far off in the clouds. Grinning horribly. He noted carefully, however,

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<v Speaker 2>that the direction of the IMP's flight was to the northwest.

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<v Speaker 2>A council was now held by Rako's band, and it

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<v Speaker 2>was decided that the lurking place of the demons must

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<v Speaker 2>be in the mountains of oh ye in the province

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<v Speaker 2>of Tango. It was resolved to hunt out and destroy

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<v Speaker 2>the imps the end of that story. The other stories

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<v Speaker 2>continue on from there. You'll be shocked to know. But

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<v Speaker 2>what will come before those stories is advertisers. And that's

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<v Speaker 2>why I would like to remind all of you that

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<v Speaker 2>Cool Zone Media book Club is sponsored by by your

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<v Speaker 2>trans Friend's Swords. They all want them. No one is

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<v Speaker 2>sad when they are given a sword, as long as

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<v Speaker 2>it's like, you know, politely and not stabbily. You might

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<v Speaker 2>want to check with people first, but remember this podcast

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<v Speaker 2>brought to you by fire Transfriend's Swords. Here's some other

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<v Speaker 2>ads to and Rebecca. This story is called Raiko in

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<v Speaker 2>the she ten Doji, quite pathless were the desolate mountains

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<v Speaker 2>of Tango, for no one ever went into them, except

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<v Speaker 2>once in a while a poor woodcutter or charcoal burner.

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<v Speaker 2>Yet Raiko and his men set out with stout hearts.

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<v Speaker 2>There were no bridges over the streams, and frightful precipices abounded.

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<v Speaker 2>Once they had to stop and build a bridge by

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<v Speaker 2>felling a tree and walking across it over a dangerous chasm.

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<v Speaker 2>Once they came to a steep rock to descend, which

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<v Speaker 2>they must make a ladder of creeping vines. At last

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<v Speaker 2>they reached a dense grove at the top of a

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<v Speaker 2>cliff far up to the clouds, which seemed as if

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<v Speaker 2>it might contain the demon's castle. Approaching, they found a

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<v Speaker 2>pretty maiden washing some clothes which had spots of blood

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<v Speaker 2>on them. They said to her, sister, miss, why are

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<v Speaker 2>you here and what are you doing? Ah, said she,

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<v Speaker 2>with a deep sigh. You must not come here. This

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<v Speaker 2>is the haunt of demons. They eat human flesh, and

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<v Speaker 2>they will eat yours. Look there, said she, pointing to

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<v Speaker 2>a pile of white bones of men, women and children.

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<v Speaker 2>You must go down the mountain as quickly as you came.

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<v Speaker 2>Saying this, she burst into tears. But instead of being

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<v Speaker 2>frightened or sorrowful, the brave fellows nearly danced for joy.

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<v Speaker 2>We have come here for the purpose of destroying the

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<v Speaker 2>demons by the Mikido's order, said Riicho, patting his breast,

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<v Speaker 2>where inside his dress in the damask bag was the

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<v Speaker 2>imperial order. At this the maiden dried her tears and

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<v Speaker 2>smiled so sweetly that Riiko's heart was touched by her beauty.

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<v Speaker 2>But how came you to live among these cannibal demons,

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<v Speaker 2>asked Raicho. She blushed deeply as she replied sadly. Although

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<v Speaker 2>they eat men and old women, they keep the young

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<v Speaker 2>maidens to wait on them. It's a great pity, said Riicho.

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<v Speaker 2>But we shall now avenge our fellow subjects of the mikido,

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<v Speaker 2>as well as your shame and cruel treatment, if you

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<v Speaker 2>will show us the way up the cliff to the den.

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<v Speaker 2>They began to climb the hill, but they had not

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<v Speaker 2>gone far before they met a young one who was

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<v Speaker 2>a cook in the Great Doji's kitchen. He was carrying

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<v Speaker 2>a human limb for his master's lunch. They gnashed their

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<v Speaker 2>teeth silently and clutched their swords under their coats. Yet

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<v Speaker 2>they courteously saluted the cook demon and asked for an

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<v Speaker 2>interview with the chief. The demon smiled in his sleeve,

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<v Speaker 2>thinking what a fine dinner his master would make of

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<v Speaker 2>the four men. A few feet forward in a turn

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<v Speaker 2>in the path brought them to the front of the

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<v Speaker 2>demon's castle. Among tall and mighty bowlders of rock which

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<v Speaker 2>loomed up to the clouds, there was an opening in

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<v Speaker 2>the dense groves covered with vines and mosses like an arbor.

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<v Speaker 2>From this point, the view over the plains below commanded

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<v Speaker 2>a space of hundreds of miles. In the distance, the

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<v Speaker 2>red pagodas, white temple gables, and castle towers of Kyoto

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<v Speaker 2>were visible. Inside the cave was a banqueting hall large

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<v Speaker 2>enough to seat one hundred persons. The floor was neatly

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<v Speaker 2>covered in new, clean mats of sea green rice straw,

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<v Speaker 2>on which tables, silken cushions, armrests, drinking cups, bottles, and

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<v Speaker 2>many other articles of comfort lay about. The stone walls

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<v Speaker 2>were richly decorated with curtains and hangings of fine silken stuffs.

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<v Speaker 2>At the end of the long haul, on a raised

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<v Speaker 2>dais our, heroes presently observed as a curtain was lifted.

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<v Speaker 2>The chief demon she ten Doji, of a gust yet

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<v Speaker 2>frightful appearance. He was seated on a heap of luxurious

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<v Speaker 2>cushions made of blue and crimson crape, stuffed with swans down.

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<v Speaker 2>He was leaning on a golden armrest. His body was

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<v Speaker 2>quite red, and he was round and fat, like a

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<v Speaker 2>baby grown up. He had very black hair cut like

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<v Speaker 2>a small boy's, and on top of his head just

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<v Speaker 2>peeping through the hair were two very short horns. Around

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<v Speaker 2>him were a score of lovely maidens, the fairest of Kioto,

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<v Speaker 2>on whose beautiful faces was stamped the misery they dared

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<v Speaker 2>not fully show, yet could not entirely conceal. Along the wall,

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<v Speaker 2>other demons sat or lay at full length, each one

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<v Speaker 2>with his handmaiden seated beside him to wait on him

0:13:38.400 --> 0:13:41.800
<v Speaker 2>and pour out his wine. All of them were of

0:13:41.880 --> 0:13:45.160
<v Speaker 2>horrible aspect, which only made the beauty of the maidens

0:13:45.160 --> 0:13:49.200
<v Speaker 2>more conspicuous. Seeing our heroes walk in the hall led

0:13:49.240 --> 0:13:52.200
<v Speaker 2>by the cook, each one of the demons was happy

0:13:52.200 --> 0:13:55.160
<v Speaker 2>as a spider when in his lurking hole he feels

0:13:55.200 --> 0:13:57.880
<v Speaker 2>the jerk on his web thread that tells him a

0:13:58.000 --> 0:14:01.880
<v Speaker 2>fly is caught. All of them at once poured out

0:14:01.920 --> 0:14:06.600
<v Speaker 2>a fresh saucer of sake and drank it down. Raiko

0:14:06.679 --> 0:14:09.640
<v Speaker 2>and his men separated and began talking freely with the demons,

0:14:09.720 --> 0:14:12.640
<v Speaker 2>until the partitions at one corner were slid aside, and

0:14:12.720 --> 0:14:15.280
<v Speaker 2>a troop of little demons who were waiter boys entered.

0:14:15.760 --> 0:14:17.959
<v Speaker 2>They brought in a host of dishes, and the onees

0:14:18.000 --> 0:14:21.160
<v Speaker 2>fell to and ate. The noise of their jaws sounded

0:14:21.200 --> 0:14:25.120
<v Speaker 2>like the pounding of a rice mill. Our heroes were

0:14:25.160 --> 0:14:27.960
<v Speaker 2>nearly sickened at the repast, for it consisted chiefly of

0:14:28.040 --> 0:14:31.040
<v Speaker 2>human flesh, while the wine cups were made of empty

0:14:31.160 --> 0:14:35.400
<v Speaker 2>human skulls. However, they laughed and talked and excused themselves

0:14:35.440 --> 0:14:39.720
<v Speaker 2>from eating, saying they had just lunched. As the demons

0:14:39.800 --> 0:14:43.080
<v Speaker 2>drank more and more, they grew lively, laughed till the

0:14:43.120 --> 0:14:46.800
<v Speaker 2>cave echoed and sang up roarious songs. They showed their

0:14:46.880 --> 0:14:51.760
<v Speaker 2>terrible tusks and teeth like fangs. All of them had horns,

0:14:52.160 --> 0:14:55.880
<v Speaker 2>though most of these were very short. The Dojie became

0:14:56.080 --> 0:14:59.120
<v Speaker 2>especially hilarious and drank the health of every one of

0:14:59.120 --> 0:15:02.480
<v Speaker 2>his four guests and a skull full of wine. To

0:15:02.520 --> 0:15:05.200
<v Speaker 2>supply him. There was a tub full of sake at hand,

0:15:05.600 --> 0:15:08.440
<v Speaker 2>and his usual drinking vessel was a dish which seemed

0:15:08.440 --> 0:15:10.520
<v Speaker 2>to Suma to be as large as a full moon.

0:15:12.000 --> 0:15:14.800
<v Speaker 2>Raiko now offered to return the courtesies shown them by

0:15:14.880 --> 0:15:19.560
<v Speaker 2>dancing the Kyoto dance for which he was famous. Stepping

0:15:19.600 --> 0:15:21.680
<v Speaker 2>out in the center of the hall with his fan

0:15:21.800 --> 0:15:25.040
<v Speaker 2>in one hand, he danced gracefully and with such wonderful

0:15:25.080 --> 0:15:28.240
<v Speaker 2>ease that the one screamed with delight and clapped their

0:15:28.280 --> 0:15:30.840
<v Speaker 2>hands in applause, saying they had never seen anything to

0:15:30.920 --> 0:15:34.520
<v Speaker 2>equal it. Even the maidens, lost in admiration of the

0:15:34.520 --> 0:15:38.760
<v Speaker 2>polished courtier, forgot their sorrow and felt as happy for

0:15:38.800 --> 0:15:42.280
<v Speaker 2>the time as though they were at home dancing. The

0:15:42.360 --> 0:15:45.480
<v Speaker 2>dance finished, Raiko took from his bosom a bottle of

0:15:45.520 --> 0:15:48.000
<v Speaker 2>sake and offered it to the chief demon as a gift,

0:15:48.400 --> 0:15:51.320
<v Speaker 2>saying it was the best wine of Sakai. The delighted

0:15:51.320 --> 0:15:54.240
<v Speaker 2>Doji drank and gave a sip to each of his lords, saying,

0:15:54.880 --> 0:15:57.400
<v Speaker 2>this is the best liquor I ever tasted. You must

0:15:57.440 --> 0:16:01.720
<v Speaker 2>drink the health of our friends in it. Now, Riicho

0:16:01.760 --> 0:16:04.560
<v Speaker 2>had bought at the most skillful druggists in the capitol

0:16:05.040 --> 0:16:07.920
<v Speaker 2>a powerful sleeping potion and mixed it with the wine,

0:16:08.280 --> 0:16:12.040
<v Speaker 2>which made it taste very sweet. In a few minutes,

0:16:12.080 --> 0:16:14.520
<v Speaker 2>all the demons had dropped off asleep, and their snores

0:16:14.560 --> 0:16:19.320
<v Speaker 2>sounded like the rolling thunder of the mountains. Then Riicho

0:16:19.640 --> 0:16:23.040
<v Speaker 2>rose up and gave the signal to his comrades, whispering

0:16:23.080 --> 0:16:25.920
<v Speaker 2>to the maidens to leave the room quietly. They drew

0:16:26.000 --> 0:16:28.960
<v Speaker 2>their swords, and with as little noise as possible, cut

0:16:29.000 --> 0:16:32.360
<v Speaker 2>the throats of the demons. No sound was heard but

0:16:32.440 --> 0:16:35.280
<v Speaker 2>the gurgling of blood that ran out in floods on

0:16:35.320 --> 0:16:39.400
<v Speaker 2>the floor. The Doji, lying like a lion on his cushions,

0:16:39.800 --> 0:16:42.880
<v Speaker 2>was still sleeping, the snores issuing out of his nose

0:16:43.000 --> 0:16:47.240
<v Speaker 2>like thunder from a cloud. The four warriors approached him, and,

0:16:47.440 --> 0:16:50.520
<v Speaker 2>like loyal vassals as they were, they first turned their

0:16:50.560 --> 0:16:54.600
<v Speaker 2>faces towards Kyoto, reverenced the mikido and prayed for the

0:16:54.640 --> 0:16:58.880
<v Speaker 2>blessing of the gods who made Japan. Riicho then drew near, and,

0:16:58.920 --> 0:17:01.240
<v Speaker 2>measuring the width of the dome Oji's neck with his sword,

0:17:01.680 --> 0:17:05.520
<v Speaker 2>found that it would be too short. Suddenly, the blade

0:17:05.880 --> 0:17:09.879
<v Speaker 2>lengthened of itself. Then, lifting his weapon, he smote with

0:17:10.040 --> 0:17:14.320
<v Speaker 2>all his might and cut the neck clean through in

0:17:14.359 --> 0:17:16.760
<v Speaker 2>an instant. The bloody head flew up in the air,

0:17:16.840 --> 0:17:20.320
<v Speaker 2>gnashing its teeth and rolling its yellow eyes, while the

0:17:20.359 --> 0:17:23.960
<v Speaker 2>horns sprouted out to a horrible length, the jaws opening

0:17:24.000 --> 0:17:27.280
<v Speaker 2>and shutting like the edges of an earthquake fissure. It

0:17:27.359 --> 0:17:30.680
<v Speaker 2>flew up and whirled round the room seven times. Then

0:17:30.720 --> 0:17:32.880
<v Speaker 2>with a rush, it flew at Raiko's head and bit

0:17:33.040 --> 0:17:37.760
<v Speaker 2>through the straw hat into the iron helmet inside. But

0:17:37.880 --> 0:17:42.159
<v Speaker 2>this final effort exhausted its strength, its motion ceased, and

0:17:42.240 --> 0:17:46.840
<v Speaker 2>it fell heavily to the floor. Anxiously, the comrades helped

0:17:46.840 --> 0:17:50.119
<v Speaker 2>their fallen leader to rise and examined his head, but

0:17:50.200 --> 0:17:54.080
<v Speaker 2>he was unhurt. Not a scratch was on him. Then

0:17:54.119 --> 0:17:58.240
<v Speaker 2>the heroes congratulated each other, and after dispatching the smaller demons,

0:17:58.640 --> 0:18:02.200
<v Speaker 2>brought out all the treasure and divided it equally. Then

0:18:02.240 --> 0:18:04.800
<v Speaker 2>they set the castle on fire and buried the bones

0:18:04.800 --> 0:18:08.000
<v Speaker 2>of the victims, setting up a stone to mark the spot.

0:18:08.840 --> 0:18:11.919
<v Speaker 2>All the maidens and captives were assembled together, and in

0:18:12.000 --> 0:18:15.800
<v Speaker 2>great state and pomp they returned to Kyoto. The virgins

0:18:15.840 --> 0:18:18.920
<v Speaker 2>were restored to their parents, and many a desolate home

0:18:19.000 --> 0:18:23.679
<v Speaker 2>was made joyful, and many mourning garments taken off. Raiko

0:18:23.840 --> 0:18:26.879
<v Speaker 2>was honored by the Mikado in being made a coujay,

0:18:27.280 --> 0:18:30.359
<v Speaker 2>a court noble, and was appointed chief of the entire

0:18:30.400 --> 0:18:34.800
<v Speaker 2>garrison of Kyoto. Then all the people were grateful for

0:18:34.920 --> 0:18:40.119
<v Speaker 2>his valor. The end of that story, but not of

0:18:40.160 --> 0:18:43.199
<v Speaker 2>this episode, because there's one more story to go. But

0:18:43.400 --> 0:18:47.080
<v Speaker 2>first you get to learn about products and services. Really,

0:18:47.119 --> 0:18:50.600
<v Speaker 2>they are their own fairy tale. They tell you sweet,

0:18:50.840 --> 0:19:04.360
<v Speaker 2>beautiful untruthful things. Here they are, and we're back.

0:19:06.560 --> 0:19:06.840
<v Speaker 1>All right.

0:19:06.920 --> 0:19:09.800
<v Speaker 2>The story is not part of the same continuity as

0:19:09.840 --> 0:19:13.240
<v Speaker 2>the other two stories. This story is called The Fisherman

0:19:13.640 --> 0:19:19.040
<v Speaker 2>and the Moon Maiden. Pearly and lustrous, white like a

0:19:19.080 --> 0:19:22.360
<v Speaker 2>cloud in the far off blue sky, seemed the floating

0:19:22.400 --> 0:19:25.240
<v Speaker 2>figure of the Moon Maiden as she flew to Earth.

0:19:26.200 --> 0:19:29.040
<v Speaker 2>She was one of the fifteen glistening virgins that weait

0:19:29.119 --> 0:19:31.639
<v Speaker 2>attendant upon the Moon in her chambers in the sky.

0:19:32.640 --> 0:19:34.919
<v Speaker 2>Looking down from her high home to the earth, she

0:19:35.000 --> 0:19:39.240
<v Speaker 2>became enraptured with the glorious scenery of Surroga's ocean shore,

0:19:39.720 --> 0:19:41.879
<v Speaker 2>and longed for a bath in the blue waters of

0:19:41.920 --> 0:19:45.720
<v Speaker 2>the sea. So this fairy maid sped to the Earth

0:19:45.760 --> 0:19:48.920
<v Speaker 2>one morning early when the moon, having shone through the night,

0:19:49.040 --> 0:19:52.199
<v Speaker 2>was about to retire for the day. The sun was

0:19:52.280 --> 0:19:55.520
<v Speaker 2>rising bright and red over the eastern seas, flushing the

0:19:55.560 --> 0:19:59.680
<v Speaker 2>mountains and purpling the valleys. Out amid the sparkling waves.

0:19:59.720 --> 0:20:02.359
<v Speaker 2>The shit sailed toward the sun, and the fishermen cast

0:20:02.400 --> 0:20:05.919
<v Speaker 2>their nets. It was early spring, when the air was

0:20:05.960 --> 0:20:08.600
<v Speaker 2>full of the fragrance of plum blossoms, and the zephyrs

0:20:08.640 --> 0:20:12.560
<v Speaker 2>blew so softly that scarce, a bamboo leaf quivered, or

0:20:12.560 --> 0:20:16.840
<v Speaker 2>a wave lapsed with sound on the silvery shore. The

0:20:16.880 --> 0:20:19.359
<v Speaker 2>moon maiden was so charmed with the scenery of earth

0:20:19.400 --> 0:20:22.000
<v Speaker 2>that she longed to linger above it, to gaze tranquility.

0:20:22.800 --> 0:20:25.639
<v Speaker 2>Floating slowly through the air, she directed her course to

0:20:25.680 --> 0:20:29.760
<v Speaker 2>the pine groves that fringe the strand, near Cape Miwoh,

0:20:29.880 --> 0:20:32.560
<v Speaker 2>lying at the base of Fuji Mountain, whose snowy crown

0:20:32.640 --> 0:20:36.800
<v Speaker 2>glistens above, fronting the ocean, whose blue plaine undulates in

0:20:36.880 --> 0:20:40.440
<v Speaker 2>liquid glory till it meets the bending sky. The scenery

0:20:40.440 --> 0:20:43.960
<v Speaker 2>of Miwo is renowned everywhere under the whole heavens, but

0:20:44.080 --> 0:20:47.679
<v Speaker 2>especially in the land which the Mikido's rain blesses with peace.

0:20:49.440 --> 0:20:52.560
<v Speaker 2>Full of happiness, the fairy maiden played sweet music from

0:20:52.560 --> 0:20:55.080
<v Speaker 2>her flute until the air was full of it, and

0:20:55.160 --> 0:20:58.120
<v Speaker 2>it sounded to the dweller on earth like the sweet

0:20:58.160 --> 0:21:02.359
<v Speaker 2>falling of rain drops on the thirsty ground. Her body

0:21:02.400 --> 0:21:05.679
<v Speaker 2>shed sweet fragrance through the air, and flowers fell from

0:21:05.720 --> 0:21:08.960
<v Speaker 2>her robes as she passed, though none saw her form,

0:21:09.840 --> 0:21:15.000
<v Speaker 2>all wondered. Arriving over a charming spot on the sea shore,

0:21:15.119 --> 0:21:17.920
<v Speaker 2>she descended to the strand and stood at the foot

0:21:17.920 --> 0:21:21.119
<v Speaker 2>of a pine tree. She laid her musical instrument on

0:21:21.160 --> 0:21:23.680
<v Speaker 2>a rock near by, and, taking off her wings and

0:21:23.720 --> 0:21:26.720
<v Speaker 2>feathered suit, hung them carefully on the pine tree bough.

0:21:27.720 --> 0:21:30.000
<v Speaker 2>Then she strolled off along the shore to dip her

0:21:30.040 --> 0:21:34.680
<v Speaker 2>shining feet in the curling waves. Picking up some shells,

0:21:35.000 --> 0:21:37.680
<v Speaker 2>she wondered with innocent joy at the rich tints, which

0:21:37.680 --> 0:21:40.359
<v Speaker 2>seemed more beautiful than any color in the moon world,

0:21:41.359 --> 0:21:45.000
<v Speaker 2>with one a large smooth scallop. She was particularly pleased

0:21:45.440 --> 0:21:48.240
<v Speaker 2>for inside one valve was a yellow disk, and on

0:21:48.320 --> 0:21:52.760
<v Speaker 2>its mate was a white one. How strange, said she,

0:21:53.680 --> 0:21:56.840
<v Speaker 2>here is the sun and there is the moon. I

0:21:56.880 --> 0:22:00.480
<v Speaker 2>shall call this the suki Kai sun and moon unshell,

0:22:01.040 --> 0:22:04.439
<v Speaker 2>and she put them in her girdle. It chanced that

0:22:04.520 --> 0:22:06.560
<v Speaker 2>near the edge of the pine grove, not far away,

0:22:07.200 --> 0:22:09.919
<v Speaker 2>there dwelt a lone fishermen, who, coming down the shore,

0:22:10.440 --> 0:22:12.880
<v Speaker 2>caught a whiff of sweet perfume, such as had never

0:22:13.000 --> 0:22:17.240
<v Speaker 2>before delighted his nostrils. What could it be? The spring

0:22:17.320 --> 0:22:20.520
<v Speaker 2>zephyrs blowing from the west seemed laden with the sweet odor.

0:22:21.440 --> 0:22:24.880
<v Speaker 2>Curiosity prompted him to seek the cause. He walked toward

0:22:24.920 --> 0:22:26.920
<v Speaker 2>the pine tree, and looking up, caught sight of the

0:22:26.960 --> 0:22:31.199
<v Speaker 2>feathery suit of wings. Oh, how his eyes sparkled. He

0:22:31.320 --> 0:22:33.720
<v Speaker 2>danced for joy, and, taking down the robe, carried it

0:22:33.760 --> 0:22:37.000
<v Speaker 2>to his neighbors. All were delighted, and one old man

0:22:37.080 --> 0:22:40.400
<v Speaker 2>said that the fairy must herself be nearby. He advised

0:22:40.440 --> 0:22:43.399
<v Speaker 2>the man to seek until he found her. So, with

0:22:43.480 --> 0:22:45.800
<v Speaker 2>feathered robe in hand, the fisherman went out again to

0:22:45.840 --> 0:22:48.119
<v Speaker 2>the strand and took his place near the pine tree.

0:22:48.600 --> 0:22:50.959
<v Speaker 2>He had not waited long before a lovely bean with

0:22:51.080 --> 0:22:56.480
<v Speaker 2>rose tinted white skin and of perfect form appeared. Please get, sir,

0:22:56.760 --> 0:22:59.560
<v Speaker 2>give me back my feathered robe, said she, in a

0:22:59.560 --> 0:23:04.480
<v Speaker 2>sad v of liquid sweetness, though she seemed greatly frightened. No,

0:23:04.640 --> 0:23:07.280
<v Speaker 2>I must keep it as a sacred treasure, a relic

0:23:07.320 --> 0:23:10.520
<v Speaker 2>from a heavenly visitor, and dedicated in the shrine yonder

0:23:10.560 --> 0:23:14.600
<v Speaker 2>as a memorial of an angel's visit, said the fisherman. Oh,

0:23:14.720 --> 0:23:17.800
<v Speaker 2>wicked man, what a wretched and impious thing to rob

0:23:17.840 --> 0:23:20.960
<v Speaker 2>an inhabitant of heaven of the robe by which she moves.

0:23:21.640 --> 0:23:25.040
<v Speaker 2>How can I fly back to my home again? Give

0:23:25.080 --> 0:23:27.679
<v Speaker 2>me your wings? Oh ye. Wild geese that fly across

0:23:27.680 --> 0:23:30.560
<v Speaker 2>the face of the moon and on tireless pinions seek

0:23:30.640 --> 0:23:34.920
<v Speaker 2>the icy shores in springtime, and soar unwearied homeward in autumn.

0:23:35.400 --> 0:23:39.159
<v Speaker 2>Lend me your wings, But the geese overhead only word

0:23:39.200 --> 0:23:41.639
<v Speaker 2>and scream and bit their sprays of pine which they

0:23:41.640 --> 0:23:45.520
<v Speaker 2>carried in their mouth. Oh ye, circling gulls, lend me

0:23:45.600 --> 0:23:48.480
<v Speaker 2>but for a day your downy wings. I am prisoner here,

0:23:49.000 --> 0:23:52.560
<v Speaker 2>cried the weeping fairy. But the graceful gulls, hovering for

0:23:52.600 --> 0:23:55.240
<v Speaker 2>a moment, swept on and widening circles out to the

0:23:55.280 --> 0:23:59.919
<v Speaker 2>farther sea. Oh breezes of air which blow whither ye live,

0:24:00.600 --> 0:24:03.280
<v Speaker 2>Oh tide of ocean, which ebbs and flows at will,

0:24:04.080 --> 0:24:06.880
<v Speaker 2>Ye may move all. But I am prisoner here, devoid

0:24:06.920 --> 0:24:09.560
<v Speaker 2>of motion. Oh good sir, have pity and give me

0:24:09.640 --> 0:24:13.000
<v Speaker 2>back my wings, cried the moon maiden, pressing her hands

0:24:13.040 --> 0:24:16.959
<v Speaker 2>together in grief. The fisher's heart was touched by the

0:24:16.960 --> 0:24:19.560
<v Speaker 2>pathos of her voice and the glittering of her tears.

0:24:21.000 --> 0:24:23.560
<v Speaker 2>I'll give back your winged robe if you'll dance and

0:24:23.600 --> 0:24:27.000
<v Speaker 2>make music for me, said he. Oh yes, good sir,

0:24:27.119 --> 0:24:29.159
<v Speaker 2>I will dance and make music. But first let me

0:24:29.200 --> 0:24:31.560
<v Speaker 2>put on my feather robe, for without it I have

0:24:31.640 --> 0:24:35.719
<v Speaker 2>no power of motion. Oh yes, said the suspicious mortal.

0:24:36.080 --> 0:24:38.200
<v Speaker 2>If I give you back your wings, you'll fly straight

0:24:38.240 --> 0:24:41.679
<v Speaker 2>to heaven. What can you not believe the word of

0:24:41.680 --> 0:24:45.080
<v Speaker 2>a heavenly being without doubting? Trust me in good faith

0:24:45.080 --> 0:24:49.520
<v Speaker 2>and you'll lose nothing. Then, with shamed face, the fisherman

0:24:49.600 --> 0:24:52.880
<v Speaker 2>handed the moon Maaiden her feathered robe, which she donned

0:24:53.040 --> 0:24:56.640
<v Speaker 2>and began to dance. She poured out sweet strains from

0:24:56.640 --> 0:24:59.959
<v Speaker 2>her upright flute that, with eye and ear full of rapture,

0:25:00.400 --> 0:25:04.080
<v Speaker 2>the fisherman imagined himself in heaven. Then she sang a

0:25:04.119 --> 0:25:06.960
<v Speaker 2>sweet song in which she described the lights of life

0:25:06.960 --> 0:25:11.600
<v Speaker 2>in the moon and the pleasure of celestial residence. The

0:25:11.640 --> 0:25:14.800
<v Speaker 2>fisherman was so overjoyed that he longed to detain the fairy.

0:25:15.359 --> 0:25:17.879
<v Speaker 2>He begged her to dwell with him on earth, but

0:25:18.040 --> 0:25:21.399
<v Speaker 2>in vain as he looked, he saw her rising. A

0:25:21.440 --> 0:25:24.240
<v Speaker 2>fresh breeze rippling the face of the sea. Now sprang

0:25:24.320 --> 0:25:27.720
<v Speaker 2>up wafted the pearly Maiden over the pine clad hills

0:25:27.720 --> 0:25:31.919
<v Speaker 2>and past Fuji Mountain. All the time sweet music rained

0:25:31.920 --> 0:25:35.240
<v Speaker 2>through the air, until as the fisherman strained his eyes

0:25:35.240 --> 0:25:38.720
<v Speaker 2>towards the fresh fallen snow on Fuji's crest, he could

0:25:38.720 --> 0:25:41.680
<v Speaker 2>no longer distinguish the moon Maiden from the fleecy clouds

0:25:41.680 --> 0:25:46.280
<v Speaker 2>that filled the thin air. Pondering long upon the marvelous apparition,

0:25:46.840 --> 0:25:49.480
<v Speaker 2>the fisherman resolved to mark the spot where the fairy

0:25:49.520 --> 0:25:53.280
<v Speaker 2>first descended to earth. So he prevailed upon the simple

0:25:53.320 --> 0:25:56.040
<v Speaker 2>villagers to build a railing of stone around the now

0:25:56.119 --> 0:26:01.240
<v Speaker 2>sacred pine. Daily, they garlanded the the old trunk with

0:26:01.359 --> 0:26:06.120
<v Speaker 2>festoons of tasseled and twisted rice straw. Long after, when,

0:26:06.160 --> 0:26:09.399
<v Speaker 2>by the storms of centuries, the old pine, in spite

0:26:09.440 --> 0:26:12.520
<v Speaker 2>of bandages and crutches, and tired of wrestling with the blast,

0:26:13.119 --> 0:26:15.520
<v Speaker 2>fell down like an old man to rise no more.

0:26:16.359 --> 0:26:20.280
<v Speaker 2>A grateful posterity cleared the space and built the shrine

0:26:20.320 --> 0:26:23.600
<v Speaker 2>of miw Woe, which still dots with its sacred enclosure

0:26:23.760 --> 0:26:29.280
<v Speaker 2>the strand of Surroga on which the fairy danced the end.

0:26:30.119 --> 0:26:33.480
<v Speaker 2>I like those stories. Maybe you like them too, And

0:26:33.560 --> 0:26:37.640
<v Speaker 2>if you didn't, well, maybe you'll like next week's story.

0:26:37.680 --> 0:26:41.040
<v Speaker 2>And if you did, maybe you'll like next week's story too.

0:26:41.560 --> 0:26:42.960
<v Speaker 2>And if you listen to this on Cool People Did

0:26:43.000 --> 0:26:44.840
<v Speaker 2>Cool Stuff, make sure to check out it could happen here.

0:26:44.840 --> 0:26:46.520
<v Speaker 2>And if you check this out on it could happen here.

0:26:46.680 --> 0:26:48.240
<v Speaker 2>Make sure to check it out on cool People did

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<v Speaker 2>cool Stuff. I'm your host, Margaret Kiljoy. This has been

0:26:50.400 --> 0:26:54.280
<v Speaker 2>cool Zone Media book Club. That's the full name, and

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<v Speaker 2>I'll talk to you next week.

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<v Speaker 1>It could Happen here as a production of cool Zone Media.

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<v Speaker 1>For more podcast us from cool Zone Media, visit our

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<v Speaker 1>website Coolzonemedia dot com, or check us out on the

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<v Speaker 1>iHeartRadio app, Apple Podcasts, or wherever you listen to podcasts.

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<v Speaker 1>You can find sources for It could Happen Here, updated

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<v Speaker 1>monthly at Coolzonmedia dot com slash sources. Thanks for listening.