1 00:00:01,080 --> 00:00:04,240 Speaker 1: We still never determined what non binary wizards are calling. Well, 2 00:00:04,280 --> 00:00:07,080 Speaker 1: we're about to have a whole podcast talking about Harry Potter, 3 00:00:07,200 --> 00:00:10,159 Speaker 1: so well, I think there needs to be you know, 4 00:00:10,240 --> 00:00:15,640 Speaker 1: an x in there somewhere you know magic or its 5 00:00:15,960 --> 00:00:19,840 Speaker 1: magic c x N. Just I wanted to be as 6 00:00:19,920 --> 00:00:28,800 Speaker 1: difficult to say as Yeah, Rose, Rose, Rose Rose. Our 7 00:00:28,920 --> 00:00:31,800 Speaker 1: first episode of the podcast. Oh my god, this is 8 00:00:31,840 --> 00:00:35,159 Speaker 1: so exciting. I feel like reaching the let's make a 9 00:00:35,200 --> 00:00:38,640 Speaker 1: podcast stage of our friendship is it's really a rite 10 00:00:38,680 --> 00:00:41,240 Speaker 1: of passage. Yeah, But also I feel like the let's 11 00:00:41,280 --> 00:00:44,920 Speaker 1: make a podcast stage of our friendship was our entire friends. 12 00:00:44,960 --> 00:00:47,599 Speaker 1: We're just like, how can we capitalize off of our 13 00:00:47,760 --> 00:00:54,200 Speaker 1: deep connection and intellect and humor? Are witticisms and cultural knowledge? 14 00:00:54,400 --> 00:00:57,880 Speaker 1: Should we introduce ourselves? I feel like y'all know who 15 00:00:57,920 --> 00:01:00,640 Speaker 1: we are. But I am frand to Ron and I'm 16 00:01:00,720 --> 00:01:03,120 Speaker 1: Rose damn you and this is like a virgin our 17 00:01:03,200 --> 00:01:06,400 Speaker 1: new podcast that you were listening to for the first time. 18 00:01:06,600 --> 00:01:11,440 Speaker 1: Isn't that amazing? You are so lucky you, You are 19 00:01:11,560 --> 00:01:15,880 Speaker 1: so lucky and so special, and I love you for 20 00:01:16,000 --> 00:01:19,040 Speaker 1: listening to this podcast. You were talking the way Oprah 21 00:01:19,080 --> 00:01:24,160 Speaker 1: talked to Gaga right after she did with holding her shoulders. 22 00:01:24,160 --> 00:01:29,720 Speaker 1: No one does that. Um like a virgin is really 23 00:01:29,920 --> 00:01:34,680 Speaker 1: our friendship in podcast form because there has been this 24 00:01:35,680 --> 00:01:40,200 Speaker 1: trope in our friendship where I will, you know, like 25 00:01:40,640 --> 00:01:45,520 Speaker 1: mention something like a movie or a TV show or 26 00:01:45,680 --> 00:01:49,120 Speaker 1: like a cultural phenomenon. I'll be like, oh, scream like 27 00:01:49,200 --> 00:01:52,000 Speaker 1: at that, and I'm like, oh, I've never seen that. Yes, 28 00:01:52,280 --> 00:01:55,960 Speaker 1: And during the pandemic especially, I feel like we spent 29 00:01:56,920 --> 00:02:02,000 Speaker 1: so much time introducing each other to pieces of pop 30 00:02:02,040 --> 00:02:05,240 Speaker 1: culture that like the other one loved. I think it 31 00:02:05,280 --> 00:02:08,840 Speaker 1: was more like me force feeding you pop culture. I 32 00:02:08,880 --> 00:02:10,920 Speaker 1: will say it was a mixed bad because some of 33 00:02:10,960 --> 00:02:12,880 Speaker 1: these things where I was like, wow, I can't believe 34 00:02:12,919 --> 00:02:16,520 Speaker 1: I've gone this long without seeing the Elvira movie, and 35 00:02:16,560 --> 00:02:21,200 Speaker 1: then with things like Twilight, it's like I very proactively 36 00:02:21,240 --> 00:02:25,079 Speaker 1: have not been watching this and by choice, and then 37 00:02:25,160 --> 00:02:29,200 Speaker 1: you tape my eyes open. I think that dynamic is 38 00:02:29,200 --> 00:02:31,800 Speaker 1: like pretty emblematic of like the very different ways that 39 00:02:31,880 --> 00:02:33,960 Speaker 1: like you and I grew up, you know what I mean. 40 00:02:34,000 --> 00:02:35,840 Speaker 1: I think that was like kind of slutely. That's like 41 00:02:35,880 --> 00:02:37,560 Speaker 1: something that came through as we were like you know, 42 00:02:37,600 --> 00:02:39,880 Speaker 1: in the pandemic, like months and months just like vegging 43 00:02:39,880 --> 00:02:43,720 Speaker 1: out ordering really bad pizza because we're in Los Angeles 44 00:02:43,040 --> 00:02:49,160 Speaker 1: and cannot do pizza. Um, discovering that you know, you 45 00:02:49,240 --> 00:02:54,800 Speaker 1: really have like an unfettered cultural like encyclopedia, especially when 46 00:02:54,840 --> 00:02:57,200 Speaker 1: it comes to like cult classics and like queer gay 47 00:02:57,360 --> 00:03:01,079 Speaker 1: kind of like canon stuff, and you were super sheltered 48 00:03:01,120 --> 00:03:04,280 Speaker 1: and didn't consume any of that. Actually, yeah, maybe that's 49 00:03:04,320 --> 00:03:06,440 Speaker 1: helpful context. Okay, So like I don't want to get 50 00:03:06,440 --> 00:03:08,280 Speaker 1: too deep into it, but like just the gist of 51 00:03:08,320 --> 00:03:11,880 Speaker 1: like baby Fran and how I grew up up until 52 00:03:11,919 --> 00:03:15,240 Speaker 1: maybe like my freshman year of high school a total 53 00:03:15,520 --> 00:03:20,840 Speaker 1: Jesus freak okay, like purchased Jesus themed shirts at the 54 00:03:20,840 --> 00:03:23,799 Speaker 1: Family Christian bookstore had the where you jerking it to Jesus. 55 00:03:24,680 --> 00:03:28,200 Speaker 1: I don't recall actually ever jerking it to Jesus, but 56 00:03:28,440 --> 00:03:32,680 Speaker 1: I definitely have been aroused by biblical cartoons and the 57 00:03:32,680 --> 00:03:37,640 Speaker 1: Prince of Egypt. Hello Everyone's erotic Awakening. But like literally 58 00:03:37,720 --> 00:03:40,640 Speaker 1: like the w W j D bracelet, like I listened 59 00:03:40,640 --> 00:03:42,880 Speaker 1: to like Reliant Kay and switch Foot, and like only 60 00:03:42,920 --> 00:03:45,400 Speaker 1: listened to Christian music. I went to church two to 61 00:03:45,480 --> 00:03:47,640 Speaker 1: three times a week. I wanted to be a Jesus 62 00:03:47,640 --> 00:03:50,080 Speaker 1: Camp counselor. I went to Jesus Camp seven years in 63 00:03:50,080 --> 00:03:54,080 Speaker 1: a row. Like I there was nothing that could like 64 00:03:54,680 --> 00:03:57,200 Speaker 1: throw me from the dedication I had to our Lord 65 00:03:57,200 --> 00:04:00,280 Speaker 1: and Xavior Jesus Christ, except of course, when I realized 66 00:04:00,280 --> 00:04:02,640 Speaker 1: that I like to have sex with men um and 67 00:04:02,640 --> 00:04:04,560 Speaker 1: that kind of I was just like, oh, actually this 68 00:04:04,600 --> 00:04:06,960 Speaker 1: is fine, and I'm kind of over it. Um. But 69 00:04:07,040 --> 00:04:09,280 Speaker 1: that was how I grew up. And because of that, 70 00:04:09,640 --> 00:04:12,880 Speaker 1: my parents, like all my family fundamentalist Christians, really like 71 00:04:12,920 --> 00:04:17,240 Speaker 1: sheltered me from the rest of like mainstream culture, with 72 00:04:17,320 --> 00:04:20,600 Speaker 1: a few like weird exceptions that we'll get into at 73 00:04:20,600 --> 00:04:23,920 Speaker 1: another time, but like most for the most part, I 74 00:04:23,960 --> 00:04:26,560 Speaker 1: grew up in a cultural vacuum. And so I didn't 75 00:04:26,600 --> 00:04:28,960 Speaker 1: know who the Spice Girls were, and I didn't know 76 00:04:29,040 --> 00:04:31,160 Speaker 1: that scream was a thing. In fact, I wasn't even 77 00:04:31,160 --> 00:04:33,520 Speaker 1: allowed to watch any of the horror any horror genre 78 00:04:33,560 --> 00:04:36,719 Speaker 1: stuff at all. How did you grow up? Bros Well? 79 00:04:37,160 --> 00:04:42,360 Speaker 1: I think that my cultural knowledge is partially the product 80 00:04:42,600 --> 00:04:48,159 Speaker 1: of um, a lack of supervision. UM. I'm a child 81 00:04:48,279 --> 00:04:54,520 Speaker 1: of divorce and I have younger siblings, so especially in 82 00:04:54,560 --> 00:04:57,720 Speaker 1: my formative years when I was a teenager, I just 83 00:04:57,839 --> 00:05:02,640 Speaker 1: kind of like had the read them to do whatever 84 00:05:02,680 --> 00:05:04,880 Speaker 1: I wanted to and consume whatever I wanted to do 85 00:05:04,960 --> 00:05:09,919 Speaker 1: with like very little parental oversight, and that meant a 86 00:05:10,000 --> 00:05:12,839 Speaker 1: lot of exploration on the Internet. I was also very 87 00:05:12,880 --> 00:05:16,680 Speaker 1: much like an indoor kid, very Matilda energy. I was 88 00:05:16,720 --> 00:05:21,760 Speaker 1: a big reader very early, and then that segued very 89 00:05:21,920 --> 00:05:28,360 Speaker 1: organically to the Internet, and I discovered fandom and fan 90 00:05:28,440 --> 00:05:34,200 Speaker 1: fiction like pretty young and just kind of like consumed 91 00:05:34,279 --> 00:05:38,840 Speaker 1: every kind of pop culture I wanted to and was 92 00:05:39,040 --> 00:05:43,320 Speaker 1: very obsessive. You know what's so funny is like reading 93 00:05:43,600 --> 00:05:46,600 Speaker 1: is really the gateway drug to corrupting all these kids, 94 00:05:46,640 --> 00:05:48,880 Speaker 1: because I don't know what your parents were like, but 95 00:05:48,920 --> 00:05:51,279 Speaker 1: my parents were like, you can't watch this, you can't 96 00:05:51,279 --> 00:05:52,680 Speaker 1: go to this, you can't do this, you can't have 97 00:05:52,680 --> 00:05:54,479 Speaker 1: slumber parties. But they were like, oh, if you're gonna 98 00:05:54,520 --> 00:05:57,320 Speaker 1: go read a book, like reading is just good for everybody. 99 00:05:57,360 --> 00:06:00,440 Speaker 1: You can get anything. Nothing bad happens in books, nothing 100 00:06:00,480 --> 00:06:02,400 Speaker 1: bad happened. Then I would be like, literally, you know, 101 00:06:02,920 --> 00:06:05,160 Speaker 1: in like the y a section, finding every book that 102 00:06:05,240 --> 00:06:08,400 Speaker 1: had like a very a grazing, eclipsing sex scene in it, 103 00:06:08,440 --> 00:06:10,640 Speaker 1: and like I don't know, pulling my page. Um, but 104 00:06:10,720 --> 00:06:13,719 Speaker 1: I feel like that I have to say I hate 105 00:06:13,720 --> 00:06:16,000 Speaker 1: that phrase, slow my page? What what do you what 106 00:06:16,040 --> 00:06:18,520 Speaker 1: do you hate about it? It just doesn't sing to 107 00:06:18,600 --> 00:06:21,200 Speaker 1: my ears? What what would what would you prefer? I say, 108 00:06:21,320 --> 00:06:26,160 Speaker 1: I'm jerking off, jerking mas masturbating. Um I loved in 109 00:06:26,680 --> 00:06:30,440 Speaker 1: in Spencer when when Kristin Sewart says, can you leave, 110 00:06:30,520 --> 00:06:35,000 Speaker 1: I'd like to masturbate again? Just solidifying it in the 111 00:06:35,080 --> 00:06:39,480 Speaker 1: lesbian cannon. We will be talking about Spencer today. UM. 112 00:06:39,600 --> 00:06:42,440 Speaker 1: I think part of the reason why our friendship works 113 00:06:42,680 --> 00:06:46,440 Speaker 1: is that we're coming from these two very different point 114 00:06:46,480 --> 00:06:53,040 Speaker 1: of views, but also are unified in our obsessive love 115 00:06:53,200 --> 00:06:55,800 Speaker 1: of the things that we love and our desire to 116 00:06:56,040 --> 00:06:59,800 Speaker 1: share those things with the people we love. Yeah, Like, 117 00:07:00,120 --> 00:07:02,280 Speaker 1: one of my biggest love languages is like, if I 118 00:07:02,320 --> 00:07:04,280 Speaker 1: love something, I really want all my loved ones to 119 00:07:04,520 --> 00:07:08,520 Speaker 1: experience it with me, honestly at associopathic level, Like if 120 00:07:08,600 --> 00:07:11,400 Speaker 1: you watch like an episode of your Hostice of Everly 121 00:07:11,480 --> 00:07:13,160 Speaker 1: Hills and you don't tell me, like, I'll be sad, 122 00:07:13,480 --> 00:07:17,480 Speaker 1: yes that that has happened, probably probably pretty recently. And 123 00:07:17,520 --> 00:07:19,840 Speaker 1: also you know, our text chain is like do you 124 00:07:19,840 --> 00:07:21,600 Speaker 1: want to go to the movies tonight? So we can 125 00:07:21,600 --> 00:07:23,840 Speaker 1: see this movie together because we have to see it together, 126 00:07:25,280 --> 00:07:30,480 Speaker 1: although under penalty of death. And that is the energy 127 00:07:30,520 --> 00:07:32,720 Speaker 1: that we're going to bring to this podcast. We are 128 00:07:32,760 --> 00:07:37,720 Speaker 1: going to be introducing each other to these formative pieces 129 00:07:37,720 --> 00:07:41,200 Speaker 1: of media, and if not you know, introducing, I think 130 00:07:41,240 --> 00:07:46,000 Speaker 1: at least introducing the other person to a different part 131 00:07:46,040 --> 00:07:49,240 Speaker 1: of it or a different like point of view on it. 132 00:07:49,760 --> 00:07:53,000 Speaker 1: And sometimes we will be joined by guests who will 133 00:07:53,080 --> 00:07:57,040 Speaker 1: aid one of us in force feeding the other some 134 00:07:57,040 --> 00:07:59,160 Speaker 1: some piece of media or maybe neither of us have 135 00:07:59,240 --> 00:08:01,600 Speaker 1: watched end. Our guest is going to come in and say, hey, 136 00:08:01,680 --> 00:08:03,960 Speaker 1: y'all are missing out on X, Y and Z, and 137 00:08:04,040 --> 00:08:06,880 Speaker 1: I think, you know, and the visions in the in 138 00:08:06,960 --> 00:08:09,440 Speaker 1: the world of like a Virgin don't always have to 139 00:08:09,480 --> 00:08:13,640 Speaker 1: be us. Sometimes they will be you, our listeners, and 140 00:08:14,040 --> 00:08:18,559 Speaker 1: you will experience whatever we're talking about for the first time. Yeah. 141 00:08:18,680 --> 00:08:21,240 Speaker 1: I think that if there's one thing that like we 142 00:08:21,280 --> 00:08:23,280 Speaker 1: want people to take away from this podcast, aside from, 143 00:08:23,320 --> 00:08:26,560 Speaker 1: you know, a showcasing of our friendship and our witticism. 144 00:08:26,640 --> 00:08:28,560 Speaker 1: I wasn't reaching out for you to hold my hand. 145 00:08:29,120 --> 00:08:33,800 Speaker 1: I was just stretching right. I will reach out to 146 00:08:34,280 --> 00:08:37,080 Speaker 1: grab Rose's hand and she wasn't reaching from my att 147 00:08:37,120 --> 00:08:39,880 Speaker 1: she was just stretching. And this that is our friendship 148 00:08:39,960 --> 00:08:45,480 Speaker 1: in a nutshell, Oh my god. What you can expect 149 00:08:45,480 --> 00:08:47,440 Speaker 1: from every episode is that, you know, we'll start off 150 00:08:47,520 --> 00:08:49,360 Speaker 1: talking about what's going on in the world, what's going 151 00:08:49,360 --> 00:08:52,880 Speaker 1: on in pop culture. Then we'll get into our main discussion, 152 00:08:53,000 --> 00:08:56,000 Speaker 1: whether it's like a book, a movie, um an era, 153 00:08:56,280 --> 00:08:59,400 Speaker 1: an album, and then we'll you know, finish it off 154 00:08:59,440 --> 00:09:01,400 Speaker 1: with like a a fun little game or like a 155 00:09:01,440 --> 00:09:04,000 Speaker 1: prompt or something. Will change it up, will change it up, 156 00:09:08,800 --> 00:09:12,400 Speaker 1: fran Yeah, I think that one of the things people 157 00:09:12,440 --> 00:09:16,080 Speaker 1: will begin to understand about this podcast is that this 158 00:09:16,120 --> 00:09:20,920 Speaker 1: podcast is hosted by a Glinda and an Alphaba. Jadis. 159 00:09:21,040 --> 00:09:25,320 Speaker 1: Can y'all guess who who is who? I don't. I 160 00:09:25,360 --> 00:09:30,680 Speaker 1: don't think it will take a mastermind to or or 161 00:09:30,840 --> 00:09:33,640 Speaker 1: really even listening to the whole episode to figure out 162 00:09:33,679 --> 00:09:38,680 Speaker 1: that I am the Alphaba. Fran is the Glinda. That's right, Alfie. 163 00:09:38,760 --> 00:09:42,720 Speaker 1: I do not quite have like the register that Christian 164 00:09:42,800 --> 00:09:45,640 Speaker 1: China with possesses, but you know I can sell it. 165 00:09:46,040 --> 00:09:48,959 Speaker 1: You'll get there. I should actually be practicing the new 166 00:09:49,000 --> 00:09:52,600 Speaker 1: canon Glinda, which is someone who's who's gonna mumble a 167 00:09:52,600 --> 00:09:57,000 Speaker 1: little bit maybe say yeah, I can't do it. In 168 00:09:57,080 --> 00:09:59,720 Speaker 1: case you've been living under a rock, last week it 169 00:09:59,760 --> 00:10:02,960 Speaker 1: was a announced that the Wicked movie, which I still 170 00:10:03,000 --> 00:10:07,000 Speaker 1: don't believe is actually happening, has found its leading ladies 171 00:10:07,360 --> 00:10:13,680 Speaker 1: in Ariana Grande and Cynthia Arrivo. Cynthia Rivo is amazing. 172 00:10:14,240 --> 00:10:17,800 Speaker 1: I'm also really happy that a black woman is playing Alphaba. 173 00:10:17,880 --> 00:10:21,200 Speaker 1: I'm also grateful that someone's playing Alphaba who will actually 174 00:10:21,480 --> 00:10:25,280 Speaker 1: hit the note into buying gravity. I am really looking 175 00:10:25,320 --> 00:10:30,000 Speaker 1: forward to Ariana in a blonde ponytail um, appearing in 176 00:10:30,000 --> 00:10:33,400 Speaker 1: a bubble and going the Wicked Witch of the West 177 00:10:33,480 --> 00:10:40,240 Speaker 1: is dead. Yeah, she's such a theater gay. Like she 178 00:10:40,559 --> 00:10:43,680 Speaker 1: is such a theater gay. Well, I mean, there was 179 00:10:43,720 --> 00:10:47,240 Speaker 1: that tweet of hers that people were retweeting about how 180 00:10:47,280 --> 00:10:50,200 Speaker 1: she wanted to play Glinda one day in two thousand eleven, 181 00:10:50,520 --> 00:10:55,320 Speaker 1: but also you know she'd wanted Alphaba. No, she did 182 00:10:55,360 --> 00:10:58,760 Speaker 1: the Wizard and I on that Wicked TV tribute a 183 00:10:58,800 --> 00:11:01,080 Speaker 1: couple of years ago. And I don't think that you're 184 00:11:01,920 --> 00:11:04,520 Speaker 1: Ariana Grande getting cast in a Wicket movie, and don't 185 00:11:04,559 --> 00:11:08,200 Speaker 1: like think of the possibility that you could play Alphaba. 186 00:11:08,960 --> 00:11:11,679 Speaker 1: But I really like that because I think wanting to 187 00:11:11,800 --> 00:11:15,400 Speaker 1: be the star is very Glinda energy. It is so 188 00:11:15,400 --> 00:11:18,160 Speaker 1: so she will bring that to the role. And let's say, 189 00:11:18,360 --> 00:11:22,600 Speaker 1: you know, Wicked is even though it's alphabets story, like 190 00:11:22,960 --> 00:11:25,839 Speaker 1: they are kind of co leads, even though Alphabet has 191 00:11:25,840 --> 00:11:30,760 Speaker 1: more songs. Yeah, I am honestly just here for an 192 00:11:30,800 --> 00:11:33,680 Speaker 1: era where in Ari is trying to be in movies 193 00:11:33,760 --> 00:11:38,200 Speaker 1: because she was rumored for like Meg and Hercules, She's 194 00:11:38,200 --> 00:11:41,440 Speaker 1: been rumored for, like other casting opportunities. I feel like 195 00:11:41,480 --> 00:11:43,240 Speaker 1: she's trying to do what Gaga is trying to do, 196 00:11:43,440 --> 00:11:46,400 Speaker 1: which is what share did you know what I mean? Like, 197 00:11:46,440 --> 00:11:48,680 Speaker 1: I think they're all trying to do the pop start 198 00:11:48,679 --> 00:11:53,040 Speaker 1: to like actress pipeline. But does that mean we're going 199 00:11:53,080 --> 00:11:58,000 Speaker 1: to get you know, serious press tour Ariana Grande in 200 00:11:58,040 --> 00:12:01,800 Speaker 1: a bunch of you know, like of ugly pink dresses 201 00:12:02,360 --> 00:12:04,920 Speaker 1: if it ever happens, because she does not do good 202 00:12:04,960 --> 00:12:08,280 Speaker 1: red carpet. Look. I love Arianna, don't come from me stands, 203 00:12:08,320 --> 00:12:11,440 Speaker 1: but she does not usually serve on the red carpet 204 00:12:11,640 --> 00:12:13,600 Speaker 1: or you know, there's going to be a green carpet 205 00:12:13,640 --> 00:12:16,960 Speaker 1: at the premier. I I'm excited for the tour. I personally, 206 00:12:16,960 --> 00:12:19,480 Speaker 1: I'm a big um John, I'm Chew fan, Like I 207 00:12:19,520 --> 00:12:22,600 Speaker 1: love crazy rich Asians. I think that like his style 208 00:12:23,400 --> 00:12:27,240 Speaker 1: of directing is kind of like I hate that I'm 209 00:12:27,280 --> 00:12:31,320 Speaker 1: saying this, but like he's doing what like Basilerman used 210 00:12:31,360 --> 00:12:34,439 Speaker 1: to do with like maximalism and like sense like that 211 00:12:34,600 --> 00:12:38,120 Speaker 1: this kind of sensational like big like I think that 212 00:12:39,200 --> 00:12:42,400 Speaker 1: saying he's doing what Basilerman used to do. Well, Basilerman 213 00:12:42,480 --> 00:12:46,640 Speaker 1: doesn't make movies anymore, No, but Basilerman is what he 214 00:12:46,720 --> 00:12:52,480 Speaker 1: does is nowhere near as stylized as what Basilerman did. Okay, well, 215 00:12:52,679 --> 00:12:55,600 Speaker 1: I'm excited to see what he does with Wicked, But 216 00:12:56,160 --> 00:12:59,000 Speaker 1: I also have to say that the people that have 217 00:12:59,200 --> 00:13:02,640 Speaker 1: this adaptation in their hands have a huge responsibility because 218 00:13:02,960 --> 00:13:06,439 Speaker 1: we waited two decades now for this to be solidified, 219 00:13:06,679 --> 00:13:11,240 Speaker 1: and if it is postponed any longer, days will riot 220 00:13:11,320 --> 00:13:15,280 Speaker 1: in the streets, there will be an uprising. Well, there's 221 00:13:15,360 --> 00:13:18,959 Speaker 1: lots of other movies that actually have come out, and 222 00:13:19,000 --> 00:13:21,600 Speaker 1: we have seen a bunch of them, all of them. 223 00:13:21,600 --> 00:13:24,880 Speaker 1: We have nothing to do. Yeah, well, we're also in 224 00:13:25,080 --> 00:13:33,400 Speaker 1: prime movie going season. Last week we saw Dune. Um, well, okay, subjective, 225 00:13:33,920 --> 00:13:37,280 Speaker 1: I saw Dune France. Slept through most of Dune. Okay, 226 00:13:37,440 --> 00:13:40,520 Speaker 1: we we got blitzed, dear audience, we got we got 227 00:13:40,600 --> 00:13:44,680 Speaker 1: very stowed. Um. I kept hitting my vape in the bathroom. 228 00:13:45,000 --> 00:13:48,360 Speaker 1: Oh my god. It's a movie about a space twink 229 00:13:48,920 --> 00:13:51,439 Speaker 1: that everyone wants to fuck and it can't be interpreted 230 00:13:51,440 --> 00:13:54,920 Speaker 1: as anything else. No. Um. I also did love the 231 00:13:55,120 --> 00:13:59,240 Speaker 1: very like boring modern names that all of these space 232 00:13:59,280 --> 00:14:03,640 Speaker 1: here has had, Lady Jessica Paul, there was a guy 233 00:14:03,679 --> 00:14:07,920 Speaker 1: whose last name was Idaho. It was just like weird, 234 00:14:08,720 --> 00:14:12,080 Speaker 1: like come on over here, Brad Jake. Yeah. It's also 235 00:14:12,120 --> 00:14:17,000 Speaker 1: a heartwarming road trip story about a boy and his mom. Wait, 236 00:14:17,000 --> 00:14:19,680 Speaker 1: they go on a road trip. Yes, you were asleep, 237 00:14:20,600 --> 00:14:23,600 Speaker 1: fully asleep. Look the recliners that the a m C. 238 00:14:24,000 --> 00:14:28,120 Speaker 1: Universal Those are some nice chairs. They hit well. One 239 00:14:28,120 --> 00:14:30,880 Speaker 1: movie that you didn't sleep through that we also saw 240 00:14:31,040 --> 00:14:34,960 Speaker 1: this weekend was Spencer, starring Kristen Stewart. And let me 241 00:14:35,000 --> 00:14:37,680 Speaker 1: tell you my expectations for this film. We're kind of 242 00:14:37,760 --> 00:14:40,360 Speaker 1: low not to be a total bitch about it too late. 243 00:14:40,440 --> 00:14:42,840 Speaker 1: And I don't say that to like Meg Kristen Stewart, 244 00:14:42,880 --> 00:14:45,680 Speaker 1: but I am not like a twin Hard and I'm 245 00:14:45,720 --> 00:14:48,520 Speaker 1: not like a a case do writer die? And so 246 00:14:48,680 --> 00:14:51,560 Speaker 1: you're not a Chrismian. I'm not a chrisbian. Um, that's 247 00:14:51,600 --> 00:14:55,640 Speaker 1: what we call ourselves. I am not a Chrisbian. And 248 00:14:55,920 --> 00:14:58,040 Speaker 1: I went into this movie with no expectations and I 249 00:14:58,120 --> 00:15:02,880 Speaker 1: left really loving what I saw with a handful of exceptions. 250 00:15:02,920 --> 00:15:05,840 Speaker 1: What did you think? I loved it. I thought it 251 00:15:05,880 --> 00:15:10,000 Speaker 1: was so beautiful. I thought Kristen was incredible. She will 252 00:15:10,040 --> 00:15:12,960 Speaker 1: win the Oscar. I think she'll be nominated. I don't 253 00:15:12,960 --> 00:15:15,040 Speaker 1: think it's a shoe in for a win. We will 254 00:15:15,040 --> 00:15:17,400 Speaker 1: have to see who she's up against. But I think 255 00:15:17,440 --> 00:15:23,160 Speaker 1: it was Oscar winning work. Like it was obviously very serious, 256 00:15:23,200 --> 00:15:25,360 Speaker 1: but there was an element of camp to it. It 257 00:15:25,360 --> 00:15:29,120 Speaker 1: made us both laugh well I think spoiler alert at 258 00:15:29,120 --> 00:15:33,440 Speaker 1: the end, Diana's dresser reveals that she's in love with 259 00:15:33,480 --> 00:15:36,160 Speaker 1: her and it kind of it kind of it took 260 00:15:36,240 --> 00:15:38,720 Speaker 1: me out of the movie a little bit, Like we 261 00:15:38,720 --> 00:15:41,280 Speaker 1: we were definitely laughing in the theater, but it was 262 00:15:41,320 --> 00:15:43,840 Speaker 1: in a way that kind of only added to the 263 00:15:43,920 --> 00:15:46,920 Speaker 1: appeal of the film to me. Like I liked that 264 00:15:47,000 --> 00:15:49,200 Speaker 1: it was a little ridiculous. It took us side of 265 00:15:49,200 --> 00:15:53,080 Speaker 1: the movie, and that rose dug her nails into my 266 00:15:53,320 --> 00:15:56,000 Speaker 1: arm and we clutched each other for dear life while 267 00:15:56,120 --> 00:15:59,640 Speaker 1: rocking back and forth, because the fact that this dresser 268 00:16:00,040 --> 00:16:03,960 Speaker 1: came out to her was so absolutely uncalled for. Here's 269 00:16:03,960 --> 00:16:06,480 Speaker 1: something that I'll say about the movie. I don't have 270 00:16:06,560 --> 00:16:09,560 Speaker 1: a huge cultural context on Diana. I've listened to the 271 00:16:09,640 --> 00:16:13,320 Speaker 1: five part series of the podcast You're Wrong About. They 272 00:16:13,360 --> 00:16:15,320 Speaker 1: do a really good dive into like Dana's life and 273 00:16:15,360 --> 00:16:18,400 Speaker 1: like how she was and like the Princess Dianna beanie baby, 274 00:16:18,440 --> 00:16:20,640 Speaker 1: and like maybe watching the Crown is like that's the 275 00:16:20,680 --> 00:16:23,240 Speaker 1: full spectrum of like what I know about Diana. And 276 00:16:23,320 --> 00:16:26,440 Speaker 1: something that I really appreciated was that it was a 277 00:16:26,480 --> 00:16:30,080 Speaker 1: portrait of Diana at her messiest and and in a 278 00:16:30,120 --> 00:16:32,160 Speaker 1: in a way that is like the most human, Like 279 00:16:32,200 --> 00:16:34,560 Speaker 1: I think often when she's portrayed, it's kind of like 280 00:16:34,960 --> 00:16:38,160 Speaker 1: this mart she's kind of a martyr or she's a victim, 281 00:16:38,240 --> 00:16:40,680 Speaker 1: and she definitely is those things. And she was like, 282 00:16:41,080 --> 00:16:43,920 Speaker 1: you know, abused to no end by like the royal family. 283 00:16:44,160 --> 00:16:46,440 Speaker 1: But I also love that they show that like her 284 00:16:46,440 --> 00:16:50,840 Speaker 1: struggle through mental illness, and they obviously went into eating disorder, 285 00:16:50,880 --> 00:16:54,280 Speaker 1: which I felt, honestly was really gratuitous and really triggery 286 00:16:54,320 --> 00:16:57,680 Speaker 1: and not well done, but other elements of like how 287 00:16:58,080 --> 00:17:00,840 Speaker 1: she was battling her own mind and I thought was 288 00:17:00,880 --> 00:17:03,920 Speaker 1: like something that was really needed from the kind of 289 00:17:03,960 --> 00:17:06,080 Speaker 1: Diana content of it, all of which we will never 290 00:17:06,119 --> 00:17:11,000 Speaker 1: have enough. Yeah, I think a lot of the pop 291 00:17:11,040 --> 00:17:15,960 Speaker 1: cultural context for Diana that I have is very much 292 00:17:16,480 --> 00:17:19,520 Speaker 1: the people's princess, and like only what I got as 293 00:17:19,520 --> 00:17:23,919 Speaker 1: a child. My only real memory of Diana, because I 294 00:17:23,920 --> 00:17:27,960 Speaker 1: think we were maybe a little young, was right after 295 00:17:28,040 --> 00:17:31,680 Speaker 1: she died, driving by a Denny's where they had um 296 00:17:32,000 --> 00:17:35,400 Speaker 1: changed the sign to say you know, we love you Diana, 297 00:17:35,600 --> 00:17:40,200 Speaker 1: which was sweet, but also like this random Denny's in Florida, 298 00:17:40,760 --> 00:17:44,880 Speaker 1: that was her impact. So I felt like the queer baiting. 299 00:17:46,240 --> 00:17:51,120 Speaker 1: I'm saying queer baiting distinctly because they cast Kristen Stewart 300 00:17:51,520 --> 00:17:54,879 Speaker 1: and I want to know. So for those of the 301 00:17:54,920 --> 00:17:57,560 Speaker 1: you that don't know, the writer of this film interviewed 302 00:17:57,680 --> 00:18:01,040 Speaker 1: people that were at the house Diana was at that 303 00:18:01,080 --> 00:18:03,800 Speaker 1: weekend and shared firsthand accounts that cannot be shared with 304 00:18:03,840 --> 00:18:07,200 Speaker 1: public record. So he's using new source material that I 305 00:18:07,240 --> 00:18:09,560 Speaker 1: appreciate because there's like everyone kind of pulls from the 306 00:18:09,640 --> 00:18:11,960 Speaker 1: like these two biographies of Diana, and he was like, no, 307 00:18:12,000 --> 00:18:13,280 Speaker 1: I'm not gonna do that. I'm gonna go and find 308 00:18:13,280 --> 00:18:15,840 Speaker 1: firsthand accounts as well. And so there are things that 309 00:18:15,880 --> 00:18:18,520 Speaker 1: he discovered in these interviews that he literally cannot tell 310 00:18:18,560 --> 00:18:22,200 Speaker 1: the public what was in the interview. So the Maggie 311 00:18:22,200 --> 00:18:26,000 Speaker 1: thing was very likely a real thing that he pulled 312 00:18:26,040 --> 00:18:28,040 Speaker 1: from one of these interviews, but he can't tell us 313 00:18:28,080 --> 00:18:31,520 Speaker 1: like who's who or whether it actually happened. But Maggie 314 00:18:32,000 --> 00:18:34,520 Speaker 1: when she tells Diana that like I'm in love with 315 00:18:34,560 --> 00:18:38,480 Speaker 1: you or whatever like that was. It threw me through 316 00:18:38,520 --> 00:18:40,680 Speaker 1: such a look because I was like, is the only 317 00:18:40,800 --> 00:18:43,719 Speaker 1: reason they cast Kristen Stewart in this movie? Because they 318 00:18:43,760 --> 00:18:48,399 Speaker 1: wanted this like this meandering lesbian moment that actually didn't 319 00:18:48,560 --> 00:18:51,800 Speaker 1: go anywhere and had barely an argore resolution, Like what 320 00:18:51,880 --> 00:18:54,480 Speaker 1: did you think of like the whole moment. I don't 321 00:18:54,520 --> 00:18:58,720 Speaker 1: really think that we can call that queer baiting. And 322 00:18:58,960 --> 00:19:03,160 Speaker 1: I don't think that Kristen Stewart was cast in this 323 00:19:03,720 --> 00:19:10,600 Speaker 1: very serious movie two excuse a like super minor like 324 00:19:10,800 --> 00:19:14,640 Speaker 1: lesbian subplot. I think she was cast in the movie 325 00:19:14,720 --> 00:19:18,000 Speaker 1: because she was She's Kristin Stewart, and she was great 326 00:19:18,520 --> 00:19:23,159 Speaker 1: and who knows if that moment was in the script 327 00:19:23,280 --> 00:19:25,600 Speaker 1: because it's like based on something true to life, or 328 00:19:27,000 --> 00:19:30,879 Speaker 1: because you know, they added it after Kristen had signed on, 329 00:19:31,080 --> 00:19:33,720 Speaker 1: maybe she had some input in it. But I also 330 00:19:33,880 --> 00:19:39,960 Speaker 1: think that Diana was very clearly someone that obviously, as 331 00:19:40,000 --> 00:19:44,160 Speaker 1: we've seen, people loved, you know, like people were obsessed 332 00:19:44,200 --> 00:19:48,200 Speaker 1: with Diana on a on a huge scale. And I 333 00:19:48,280 --> 00:19:52,000 Speaker 1: think even though that moment was a little ridiculous, what 334 00:19:52,119 --> 00:19:56,920 Speaker 1: it did was illustrate to the audience and to her 335 00:19:57,960 --> 00:20:01,679 Speaker 1: that there were people who loved her even though she 336 00:20:01,800 --> 00:20:07,520 Speaker 1: was going through this awful time with her family, the 337 00:20:07,560 --> 00:20:10,880 Speaker 1: people who are ostensibly supposed to love her. And I 338 00:20:10,920 --> 00:20:14,359 Speaker 1: think in that moment in the narrative, like she needs 339 00:20:14,400 --> 00:20:17,159 Speaker 1: that life draft a little bit, even though it's like 340 00:20:17,200 --> 00:20:19,440 Speaker 1: slightly ridiculous. But I don't think we can call it 341 00:20:19,520 --> 00:20:23,280 Speaker 1: queer beating. I think it's just actually, you know, maybe 342 00:20:23,320 --> 00:20:26,000 Speaker 1: ten years ago that would have been like a male 343 00:20:26,160 --> 00:20:28,719 Speaker 1: butler who said he was in love with her, and 344 00:20:28,760 --> 00:20:31,560 Speaker 1: now culturally we're at a point where it gets to 345 00:20:31,600 --> 00:20:34,240 Speaker 1: be a queer woman. Wow. I love that. That's a 346 00:20:34,359 --> 00:20:37,240 Speaker 1: very generous read of it, and honestly, it's it's told 347 00:20:37,280 --> 00:20:39,040 Speaker 1: me I feel like that is like how I would 348 00:20:39,080 --> 00:20:41,760 Speaker 1: like to see the movie. I honestly would see it again. 349 00:20:41,800 --> 00:20:44,760 Speaker 1: Maybe you know it did feel a little queer, baby though, 350 00:20:44,880 --> 00:20:49,080 Speaker 1: And I'm ready to go. There is the Gay Eternal. Yes, 351 00:20:49,200 --> 00:20:54,400 Speaker 1: we saw Marvel's Eternals and girl there and I don't 352 00:20:54,400 --> 00:20:59,520 Speaker 1: know if you've heard, but Eternals features Marvel's first out 353 00:20:59,600 --> 00:21:03,520 Speaker 1: and gay superhero. Okay, first of all, if you're you're 354 00:21:03,720 --> 00:21:05,800 Speaker 1: saying that like it's freaking news, But if you're listening 355 00:21:05,840 --> 00:21:08,800 Speaker 1: to this podcast, you are either gay or trayans or 356 00:21:09,040 --> 00:21:13,360 Speaker 1: both or and you nurses hetero except everyone here, all 357 00:21:13,400 --> 00:21:18,400 Speaker 1: of y'all have probably gotten an article pushed to your 358 00:21:18,960 --> 00:21:21,960 Speaker 1: Twitter feed that said and probably written by me three 359 00:21:22,040 --> 00:21:28,359 Speaker 1: years ago. You check the byline three years ago that 360 00:21:28,400 --> 00:21:30,919 Speaker 1: has sped into your album that says Marvel announces it 361 00:21:31,119 --> 00:21:34,560 Speaker 1: it's first queer superhero. Um. And also, you may have 362 00:21:34,640 --> 00:21:37,600 Speaker 1: seen my interview with Samahayak in which we talked about 363 00:21:37,640 --> 00:21:40,080 Speaker 1: this and about her. Did you talk about a wig 364 00:21:40,560 --> 00:21:44,439 Speaker 1: that was for a different movie? Got it? Anyways, she 365 00:21:44,560 --> 00:21:49,000 Speaker 1: has amazing hair. Amazing hair she is I'm talking about 366 00:21:49,040 --> 00:21:52,159 Speaker 1: in person, you wouldn't know. Okay, fine, how do you 367 00:21:52,160 --> 00:21:55,440 Speaker 1: know I haven't met Samahayak, because you would have told 368 00:21:55,480 --> 00:21:58,080 Speaker 1: me if you had. You think I don't tell you everything, Yes, 369 00:21:58,480 --> 00:22:04,240 Speaker 1: you do tell me everything. You absolutely tell me everything. 370 00:22:04,920 --> 00:22:06,960 Speaker 1: We have a literal podcast, so you can tell me 371 00:22:07,000 --> 00:22:12,400 Speaker 1: more things. Okay, So back to this queer bating thing. Okay, Yes, 372 00:22:12,480 --> 00:22:15,280 Speaker 1: there's a Marvel's first queer Superhot, which is so stupid 373 00:22:15,280 --> 00:22:17,280 Speaker 1: because like, I feel like I've been reading articles like 374 00:22:17,320 --> 00:22:20,640 Speaker 1: that since the John of Time, like Marvel's first implicitly 375 00:22:20,720 --> 00:22:24,439 Speaker 1: queer moment, explicitly queer moment, like off screen gay moment, 376 00:22:24,520 --> 00:22:26,919 Speaker 1: a moment that is gay that's not gay, like the 377 00:22:26,920 --> 00:22:29,359 Speaker 1: whole Venom thing, or like there was that moment in 378 00:22:29,440 --> 00:22:31,719 Speaker 1: low Ki, but like this was the moment. When we 379 00:22:31,720 --> 00:22:33,360 Speaker 1: were watching, I was like, Rose, can you point out 380 00:22:33,400 --> 00:22:35,560 Speaker 1: like which ones like the gay one, and like you 381 00:22:35,680 --> 00:22:38,120 Speaker 1: pointed him out to me, and at at a certain 382 00:22:38,119 --> 00:22:40,600 Speaker 1: point I'd lean over to Rose and I was like, wait, 383 00:22:40,680 --> 00:22:45,960 Speaker 1: so he's just a fucking nerd. Yeah he didn't. So 384 00:22:46,080 --> 00:22:50,240 Speaker 1: the gay character is fast dose and his All of 385 00:22:50,280 --> 00:22:55,840 Speaker 1: the eternals have different special abilities like shooting laser beans 386 00:22:55,840 --> 00:22:59,240 Speaker 1: out of your eye or yeah, or like manipulating matter 387 00:22:59,600 --> 00:23:04,400 Speaker 1: and illusions and turning into different people. Yeah, the gay one. 388 00:23:04,840 --> 00:23:07,480 Speaker 1: His power is just that he's very smart and can 389 00:23:07,600 --> 00:23:12,240 Speaker 1: invent things, and he wears rings. He wears probably seven rings, 390 00:23:12,280 --> 00:23:19,520 Speaker 1: seven rings. He's an arianator there there there. He doesn't 391 00:23:19,560 --> 00:23:22,920 Speaker 1: really get introduced until like kind of like very far 392 00:23:23,080 --> 00:23:25,960 Speaker 1: into the movie. After there, you know, all of the 393 00:23:26,000 --> 00:23:31,280 Speaker 1: eternals are like rounding up the family to fight the monsters. 394 00:23:32,119 --> 00:23:35,200 Speaker 1: I there were too many characters to focus on already, 395 00:23:35,480 --> 00:23:39,359 Speaker 1: and were so many, there were like twenty eternals. Yeah, 396 00:23:39,440 --> 00:23:41,800 Speaker 1: and I really would have enjoyed the movie a lot 397 00:23:41,920 --> 00:23:46,719 Speaker 1: if I had, you know, maybe like five to focus on, 398 00:23:46,800 --> 00:23:49,240 Speaker 1: you know what I mean. I actually felt like what 399 00:23:49,280 --> 00:23:51,919 Speaker 1: they did was something of a marketing ploy, Like they 400 00:23:51,920 --> 00:23:54,600 Speaker 1: were like, let's stack this movie with a ton of 401 00:23:54,600 --> 00:23:57,719 Speaker 1: different slips that have gotten someone in every quadrant. Yes, 402 00:23:57,920 --> 00:24:00,720 Speaker 1: every a bunch of niche audiences, you know, like a 403 00:24:00,760 --> 00:24:05,760 Speaker 1: bunch of like actors and actresses that have like certain 404 00:24:05,840 --> 00:24:09,040 Speaker 1: kind of cult followings, are certain kind of audience demographics, 405 00:24:09,119 --> 00:24:11,760 Speaker 1: and you have what you then have is a bunch 406 00:24:11,760 --> 00:24:15,280 Speaker 1: of people coming to the theater. And for me, okay, 407 00:24:15,359 --> 00:24:19,240 Speaker 1: like maybe, uh, the reason I'm seeing this movie is 408 00:24:19,240 --> 00:24:22,119 Speaker 1: like for crew mail on Johnny. Okay, I'm excited to 409 00:24:22,200 --> 00:24:25,120 Speaker 1: see him. I'm excited to hear his jokes. Uh, he's 410 00:24:25,240 --> 00:24:27,159 Speaker 1: really Yes, He's the reason that I had heard of 411 00:24:27,200 --> 00:24:29,360 Speaker 1: the movie. This is what I'm saying, Like, this is like, 412 00:24:30,320 --> 00:24:31,960 Speaker 1: this is what I'm saying. It's like I I we 413 00:24:32,080 --> 00:24:34,280 Speaker 1: were all coming. A lot of people from this audience 414 00:24:34,320 --> 00:24:36,720 Speaker 1: are coming for different reasons, and so someone else is 415 00:24:36,720 --> 00:24:38,680 Speaker 1: coming for Angelia and Jolie and other person's like I'm 416 00:24:38,680 --> 00:24:40,919 Speaker 1: here just to see Sama Hike. But they're all in 417 00:24:41,119 --> 00:24:43,400 Speaker 1: ten percent of the movie, and so what you get 418 00:24:43,560 --> 00:24:46,280 Speaker 1: is a lot of people that really liked about ten 419 00:24:46,400 --> 00:24:48,800 Speaker 1: percent of the movie, you know what I mean, And like, 420 00:24:49,000 --> 00:24:50,800 Speaker 1: coming away from that, it would have been nice to 421 00:24:50,880 --> 00:24:55,120 Speaker 1: have a little more kind of like coalescence between just 422 00:24:55,200 --> 00:24:59,280 Speaker 1: a few like central characters, so that I didn't have 423 00:24:59,320 --> 00:25:02,000 Speaker 1: all these different distractions. You know, there was there was 424 00:25:02,040 --> 00:25:08,959 Speaker 1: definitely not enough Psalmahiacum, and there was Angelina. Jolie was 425 00:25:09,160 --> 00:25:13,480 Speaker 1: on screen a lot, but had maybe five lines, and 426 00:25:13,680 --> 00:25:17,200 Speaker 1: most of her time spent on screen was just posing 427 00:25:17,240 --> 00:25:20,720 Speaker 1: and kind of puffing her lips out show off. There's 428 00:25:20,840 --> 00:25:24,520 Speaker 1: there's there's one scene where she's like passed out or something. 429 00:25:24,560 --> 00:25:27,840 Speaker 1: I think it's because of her illness, and she's just 430 00:25:27,960 --> 00:25:30,560 Speaker 1: laying on the table and the cameras direct on her 431 00:25:31,119 --> 00:25:34,439 Speaker 1: and it looks like it looks like the app if 432 00:25:34,480 --> 00:25:36,240 Speaker 1: you it looks like when you go to like the 433 00:25:36,240 --> 00:25:39,080 Speaker 1: plastic surgeon. It's like a picture of the after and 434 00:25:39,119 --> 00:25:42,560 Speaker 1: it's in like in the surgeons like waiting room and 435 00:25:42,600 --> 00:25:45,800 Speaker 1: a picture of like her beautiful face. I do have 436 00:25:45,880 --> 00:25:48,320 Speaker 1: to say it was It was cool for me to 437 00:25:48,320 --> 00:25:52,520 Speaker 1: see the movie because last year I went on a 438 00:25:52,600 --> 00:25:58,040 Speaker 1: set visit to the set of Eternals and like walked 439 00:25:58,160 --> 00:26:00,800 Speaker 1: on the spaceship. So that was cool to see it 440 00:26:00,840 --> 00:26:02,960 Speaker 1: because I had been on it. Um. I went to 441 00:26:02,960 --> 00:26:05,679 Speaker 1: the hair and makeup trailer and I touched Angelina Jolie's 442 00:26:05,720 --> 00:26:08,960 Speaker 1: wig and then someone was like, don't touch that. Um, 443 00:26:09,160 --> 00:26:12,280 Speaker 1: So that was very fun. UM. I loved that Angelina 444 00:26:12,400 --> 00:26:16,879 Speaker 1: Jolie was um serving dRIT Calmsley from Real Housewives Up 445 00:26:16,880 --> 00:26:20,600 Speaker 1: Beverly Hills, and that her accent was unpinnable. I had 446 00:26:20,600 --> 00:26:22,159 Speaker 1: no idea what she was trying to do. It was 447 00:26:22,240 --> 00:26:24,480 Speaker 1: one moment it was like slightly British, then it was 448 00:26:24,520 --> 00:26:26,600 Speaker 1: like a little Swedish, and it was a little Eastern 449 00:26:26,640 --> 00:26:30,720 Speaker 1: European like it really, it really vacillated. Maybe that was 450 00:26:30,760 --> 00:26:32,920 Speaker 1: the point. It's like she comes from many different places 451 00:26:33,000 --> 00:26:36,359 Speaker 1: or something. But she looked so beautiful. So um as 452 00:26:36,440 --> 00:26:41,680 Speaker 1: did everyone just one, just one? There were multiple opportunities 453 00:26:42,080 --> 00:26:45,119 Speaker 1: for a born this way needle drop, and let me 454 00:26:45,200 --> 00:26:48,760 Speaker 1: tell you, we did not get it because the gay 455 00:26:48,920 --> 00:26:52,280 Speaker 1: character in this movie kept being like, um, I was 456 00:26:52,400 --> 00:26:55,119 Speaker 1: born this way, I'm proud to be me or something 457 00:26:55,160 --> 00:26:57,239 Speaker 1: like that, and I was like, it doesn't matter if 458 00:26:57,240 --> 00:27:01,000 Speaker 1: you love him or capital, you know what I mean? 459 00:27:01,040 --> 00:27:04,120 Speaker 1: It really would have Well, maybe you know, Gaga now 460 00:27:04,440 --> 00:27:08,119 Speaker 1: with the way her movie career is going, will end 461 00:27:08,240 --> 00:27:12,000 Speaker 1: up in a Marvel movie eventually, no question, no question. 462 00:27:12,280 --> 00:27:15,280 Speaker 1: Or maybe well I guess now x Men is part 463 00:27:15,320 --> 00:27:17,520 Speaker 1: of Marvel again, so maybe she'll wind up in an 464 00:27:17,680 --> 00:27:22,080 Speaker 1: x Men movie. I would love that. Um Well, speaking 465 00:27:22,080 --> 00:27:24,800 Speaker 1: of superpowers, I'm very excited to get into our main 466 00:27:24,880 --> 00:27:29,120 Speaker 1: discussion today, where we'll be talking about Harry Potter. Do 467 00:27:29,119 --> 00:27:32,639 Speaker 1: Do Do do do? So stick around and we'll be right 468 00:27:32,640 --> 00:27:36,160 Speaker 1: back to um. Figure out what Hogwarts house is current? 469 00:27:49,000 --> 00:27:57,439 Speaker 1: Don fran Yes, what Hogwarts house are you in? I 470 00:27:57,480 --> 00:28:00,560 Speaker 1: think I know, but I want to hear what you 471 00:28:00,600 --> 00:28:03,240 Speaker 1: think it is right. Well, maybe we can, like honestly, 472 00:28:03,480 --> 00:28:05,520 Speaker 1: like maybe we should take the quiz after this or 473 00:28:05,560 --> 00:28:07,959 Speaker 1: something like that. But like I feel, okay, yes, everyone 474 00:28:08,040 --> 00:28:10,320 Speaker 1: stay tuned for the end, we will take an official 475 00:28:10,720 --> 00:28:14,400 Speaker 1: sorting quiz. But I want to hear what you think 476 00:28:14,440 --> 00:28:18,920 Speaker 1: your houses. So I feel like most people might classify me. 477 00:28:19,240 --> 00:28:21,919 Speaker 1: I feel like you may even classify me as a 478 00:28:21,920 --> 00:28:26,080 Speaker 1: griffin door. But oh okay, wow, wow, okay, that was 479 00:28:26,119 --> 00:28:28,680 Speaker 1: a very quick response. I wouldn't do it that I 480 00:28:28,720 --> 00:28:33,240 Speaker 1: am actually a Slytherin. Maybe not one of the evil Slytherins, 481 00:28:33,400 --> 00:28:36,680 Speaker 1: because not all Slytherins are evil hashtag not all Slytherans. 482 00:28:36,680 --> 00:28:39,600 Speaker 1: But I feel like I do possess a lot of 483 00:28:39,680 --> 00:28:43,120 Speaker 1: kind of self involved and self propelled, like I don't know, 484 00:28:43,200 --> 00:28:48,040 Speaker 1: decision making that is, like, you know, intrinsic and a Slytheran. Um. 485 00:28:48,280 --> 00:28:52,400 Speaker 1: I don't think you're that cutthroat. Are also, I think 486 00:28:52,440 --> 00:28:55,280 Speaker 1: I kind of ambros I mean, you made this podcast 487 00:28:55,280 --> 00:28:57,200 Speaker 1: with me, you bared witness to some like really like 488 00:28:57,320 --> 00:29:02,960 Speaker 1: some some projecting. You definitely are more h You're more 489 00:29:03,000 --> 00:29:06,640 Speaker 1: into scheming behind the scenes than I think you're the 490 00:29:06,680 --> 00:29:09,000 Speaker 1: fran base would think. I mean you and I are 491 00:29:09,040 --> 00:29:14,000 Speaker 1: equally stubborn, but I down on certain things. I don't 492 00:29:14,040 --> 00:29:19,640 Speaker 1: agree with you that we're both stubborn. Um, I think 493 00:29:19,680 --> 00:29:22,760 Speaker 1: you're a raven claw. Okay, I'll take it. I'll take it. 494 00:29:22,800 --> 00:29:26,160 Speaker 1: Why do you think that? Um? You're very smart? You 495 00:29:27,000 --> 00:29:31,320 Speaker 1: I think are really into understanding things. Um, you'd like 496 00:29:31,400 --> 00:29:38,400 Speaker 1: amassing a lot of data around stuff. You force us 497 00:29:38,480 --> 00:29:41,040 Speaker 1: to be organized and what we're going to talk about 498 00:29:41,080 --> 00:29:44,040 Speaker 1: for this podcast and won't let me just wing it? Right? 499 00:29:44,120 --> 00:29:46,280 Speaker 1: I won't let you just wing it. No, You're very 500 00:29:46,320 --> 00:29:50,680 Speaker 1: inquisitive because every time we watch something, you say, what's that? 501 00:29:50,920 --> 00:29:53,720 Speaker 1: What's happening? What's happening? What? What's that happening? Why is 502 00:29:53,760 --> 00:29:56,240 Speaker 1: that's happening right now? Right? And what I usually say 503 00:29:56,280 --> 00:29:58,160 Speaker 1: to you is I have never seen this before either, 504 00:29:58,360 --> 00:30:00,800 Speaker 1: So I don't know. And you know, I feel like 505 00:30:00,880 --> 00:30:04,200 Speaker 1: most people would say you Rose are a slither. I 506 00:30:04,240 --> 00:30:07,160 Speaker 1: am a slither, Like I don't know, if there's no 507 00:30:07,200 --> 00:30:10,640 Speaker 1: other question. I mean, actually, if if there were a backup, 508 00:30:11,120 --> 00:30:16,600 Speaker 1: it would be because huffle puffs are we may be 509 00:30:16,720 --> 00:30:18,760 Speaker 1: to their own drum, and that's probably where the most 510 00:30:18,800 --> 00:30:21,640 Speaker 1: cancers are located. You know, Like, I think a lot 511 00:30:21,640 --> 00:30:24,200 Speaker 1: of people I'm doing a lot of people don't bring 512 00:30:24,240 --> 00:30:28,760 Speaker 1: your Cancyrian kind of ethos into the overall picture of 513 00:30:28,800 --> 00:30:30,280 Speaker 1: who Rose down you in. But you know what, the 514 00:30:30,360 --> 00:30:33,120 Speaker 1: sorting hat takes choice into account, and if that's sort 515 00:30:33,120 --> 00:30:35,440 Speaker 1: of tried to put me in a huffle puff, I 516 00:30:35,480 --> 00:30:40,480 Speaker 1: would ship in it. Got it, got it. I think 517 00:30:40,520 --> 00:30:43,920 Speaker 1: people should know how big of it a deal it 518 00:30:44,040 --> 00:30:46,240 Speaker 1: is that you Rose are talking about it, and we'll 519 00:30:46,240 --> 00:30:47,920 Speaker 1: get it to this in the end of the discussion. 520 00:30:47,960 --> 00:30:51,000 Speaker 1: But like Rose, you really haven't you. Everyone knows you're, 521 00:30:51,040 --> 00:30:53,560 Speaker 1: like you know, a Harry Potter fanatic, but there are 522 00:30:53,600 --> 00:30:56,400 Speaker 1: just certain elements of this franchise where it's just like, 523 00:30:56,720 --> 00:30:58,920 Speaker 1: you know, people never get to hear you talk about 524 00:30:58,920 --> 00:31:00,760 Speaker 1: this thing that is so in trench to your upbringing, 525 00:31:00,800 --> 00:31:02,920 Speaker 1: like you were literally one of those people that read 526 00:31:02,920 --> 00:31:06,120 Speaker 1: Harry Potter before it was cool. Yes, absolutely head of 527 00:31:06,160 --> 00:31:11,200 Speaker 1: the game. But I think what is more meaningful to 528 00:31:11,320 --> 00:31:15,080 Speaker 1: me now, even than my experience of reading the books 529 00:31:15,160 --> 00:31:20,200 Speaker 1: or seeing the movies, is the extracurricular experience of Harry 530 00:31:20,200 --> 00:31:22,600 Speaker 1: Potter that I had. It was some of the first 531 00:31:22,680 --> 00:31:25,920 Speaker 1: fan fiction I read. It was maybe like the first 532 00:31:25,920 --> 00:31:34,680 Speaker 1: thing I stand stunned stunned, stude, um and and like 533 00:31:34,720 --> 00:31:38,960 Speaker 1: the early adds Harry Potter fan fiction was very well, 534 00:31:39,000 --> 00:31:41,360 Speaker 1: like I think fan fiction in general, and like fan 535 00:31:41,480 --> 00:31:45,800 Speaker 1: culture was something that you didn't really talk about, especially 536 00:31:45,800 --> 00:31:48,360 Speaker 1: when you're in that preteen era where like everything is 537 00:31:48,360 --> 00:31:51,160 Speaker 1: embarrassing and you're like mortified at the idea of caring 538 00:31:51,200 --> 00:31:57,440 Speaker 1: about something you know. But also like the like top 539 00:31:57,520 --> 00:32:00,000 Speaker 1: layer of Harry Potter, the books and the movies and stuff, 540 00:32:00,040 --> 00:32:02,000 Speaker 1: that was something I wanted to share to people, you know. 541 00:32:02,000 --> 00:32:03,960 Speaker 1: When I read the book for the first time after 542 00:32:04,000 --> 00:32:06,920 Speaker 1: my aunt got it for me as a passover present, 543 00:32:07,600 --> 00:32:10,280 Speaker 1: I was, you know, telling all my friends at school, 544 00:32:10,320 --> 00:32:14,800 Speaker 1: you have to read this book about this wizard boy. Um. 545 00:32:14,840 --> 00:32:17,840 Speaker 1: And then it became, you know, like what it became. Okay, 546 00:32:17,880 --> 00:32:20,240 Speaker 1: so you were an evangelist for the book franchise, but 547 00:32:20,240 --> 00:32:22,560 Speaker 1: you didn't want everyone to know like how deep you 548 00:32:22,640 --> 00:32:25,880 Speaker 1: were in it. Kind although although it was pretty clear 549 00:32:25,920 --> 00:32:30,880 Speaker 1: because I had, you know, a Harry Potter birthday party oho, 550 00:32:31,480 --> 00:32:34,320 Speaker 1: although not many people came because my birthday was I 551 00:32:34,440 --> 00:32:36,520 Speaker 1: was a summer baby, so like it was really hard 552 00:32:36,560 --> 00:32:39,920 Speaker 1: to have birthday parties during the summer, really hard summer baby. 553 00:32:39,920 --> 00:32:42,160 Speaker 1: That's why I hate my birthday to this day. Is 554 00:32:42,280 --> 00:32:46,000 Speaker 1: because my child trauma known would come to your birthday parties. 555 00:32:46,560 --> 00:32:49,640 Speaker 1: Is there like an embarrassing slash funny story attached to 556 00:32:49,800 --> 00:32:51,960 Speaker 1: like your Harry Potter fandom that you could share to 557 00:32:52,200 --> 00:32:53,960 Speaker 1: paint the picture of who you were as a kid 558 00:32:54,000 --> 00:32:58,080 Speaker 1: as a Harry Potter fan. Uh? Yeah, absolutely. I made 559 00:32:58,120 --> 00:33:03,920 Speaker 1: my own Hogwarts letter because when I was first reading it, 560 00:33:03,920 --> 00:33:06,040 Speaker 1: it was, you know, before it was the kind of 561 00:33:06,080 --> 00:33:08,680 Speaker 1: cultural phenomenon that is now. So they're just like, wasn't 562 00:33:08,680 --> 00:33:11,160 Speaker 1: a lot of merch available, and I had to make 563 00:33:11,200 --> 00:33:13,239 Speaker 1: my own. I had to d I y it. So 564 00:33:13,280 --> 00:33:15,800 Speaker 1: I did the thing where you you know, dip a 565 00:33:15,800 --> 00:33:18,600 Speaker 1: piece of paper and tea to make it look like 566 00:33:18,680 --> 00:33:21,960 Speaker 1: parchment and staying on what I didn't I didn't get 567 00:33:21,960 --> 00:33:26,240 Speaker 1: that deeper. Okay, well a for effort. Yeah, so that 568 00:33:26,400 --> 00:33:28,680 Speaker 1: is like a very embarra And I put it in 569 00:33:28,720 --> 00:33:30,440 Speaker 1: my mail. But I put the letter in my mail, 570 00:33:30,480 --> 00:33:34,120 Speaker 1: but you did not. You're actually touching on something that's 571 00:33:34,120 --> 00:33:37,200 Speaker 1: not triggering me. And like I think that like when 572 00:33:37,200 --> 00:33:41,480 Speaker 1: we're something that's like really something that cannot necessarily be described, 573 00:33:41,640 --> 00:33:45,440 Speaker 1: is the emotional choke hold the Harry Potter universe had 574 00:33:45,800 --> 00:33:50,360 Speaker 1: pre movie era on like just the child, the child's imagination, 575 00:33:50,560 --> 00:33:52,960 Speaker 1: like our imaginations were so big when you were a kid, 576 00:33:53,040 --> 00:33:55,640 Speaker 1: like kids like so unfettered, right that you were like 577 00:33:55,680 --> 00:33:58,080 Speaker 1: I'm going to put this letter in my mailbox and 578 00:33:58,120 --> 00:34:01,160 Speaker 1: like I'm gonna suspend my dis liep intel. I believe 579 00:34:01,200 --> 00:34:03,080 Speaker 1: that this is like mine, and that is I think 580 00:34:03,160 --> 00:34:07,600 Speaker 1: one of the reasons why Harry Potter was and remains 581 00:34:07,640 --> 00:34:13,280 Speaker 1: so popular, because it created this world that you wanted 582 00:34:13,320 --> 00:34:17,760 Speaker 1: to live in. I think some like for some people 583 00:34:17,840 --> 00:34:20,400 Speaker 1: even more so than the actual narrative of Harry Potter, 584 00:34:20,480 --> 00:34:24,000 Speaker 1: they love the world and want to like larpin it 585 00:34:24,640 --> 00:34:28,439 Speaker 1: right exactly and so all y'all. Even though I grew 586 00:34:28,480 --> 00:34:31,319 Speaker 1: up like very sheltered, I still was such a Harry 587 00:34:31,360 --> 00:34:33,400 Speaker 1: Potter stand. I had to read the first four books 588 00:34:33,440 --> 00:34:37,160 Speaker 1: in like secret, like my parents couldn't know um. But 589 00:34:37,680 --> 00:34:40,880 Speaker 1: I did develop into like a full fledged like Harry 590 00:34:40,880 --> 00:34:44,840 Speaker 1: Potter Stan. But did having to read it in secret 591 00:34:45,120 --> 00:34:50,520 Speaker 1: make you more obsessed with it? Absolutely, because like the 592 00:34:50,520 --> 00:34:53,160 Speaker 1: whole franchise is about, like because it was forbidden secrets 593 00:34:53,200 --> 00:34:56,440 Speaker 1: and forbiddenness and like belonging to a world that your 594 00:34:56,440 --> 00:34:58,960 Speaker 1: current world doesn't understand and like you just feel that 595 00:34:59,040 --> 00:35:02,320 Speaker 1: so deeply when you're like other kid. But like, actually, 596 00:35:02,640 --> 00:35:05,640 Speaker 1: I've like literally never told this story like on a 597 00:35:05,680 --> 00:35:10,440 Speaker 1: public platform. Okay, okay, okay. So I don't know how 598 00:35:10,480 --> 00:35:12,680 Speaker 1: old I was when the first Harry Potter book came out, 599 00:35:12,840 --> 00:35:17,640 Speaker 1: but I was young. Like, well, you're you're a couple 600 00:35:17,640 --> 00:35:20,040 Speaker 1: of years younger than me, so you probably I was 601 00:35:20,080 --> 00:35:22,879 Speaker 1: Harry Potter Potter's age or some of the books because 602 00:35:22,880 --> 00:35:26,200 Speaker 1: they staggered a bit um, so I was probably Harry's age. 603 00:35:26,239 --> 00:35:28,719 Speaker 1: And I remember laying in bed. My mom had like 604 00:35:28,760 --> 00:35:31,120 Speaker 1: put me into bed, and I remember laying in bed 605 00:35:31,160 --> 00:35:33,560 Speaker 1: and thinking about like the first spell in the book, 606 00:35:34,040 --> 00:35:36,520 Speaker 1: I think, which is a guardium lebiosa, or at least 607 00:35:36,520 --> 00:35:39,360 Speaker 1: the first first major was the first major, the first stunt. 608 00:35:39,440 --> 00:35:43,359 Speaker 1: It's the first stunt. Yeah, And I remember sitting up 609 00:35:43,360 --> 00:35:45,600 Speaker 1: in my bed and being like I'm going to move 610 00:35:45,920 --> 00:35:49,920 Speaker 1: that motherfucking lamp and like trying to move the lamp 611 00:35:50,000 --> 00:35:52,759 Speaker 1: by saying wing gardium lebio said to this lamp. Like 612 00:35:52,840 --> 00:35:56,320 Speaker 1: that's like where I was like cognitively, And I remember 613 00:35:56,560 --> 00:35:59,320 Speaker 1: you didn't think a wand was necessary. Well, I didn't 614 00:35:59,320 --> 00:36:01,120 Speaker 1: have a one I should have found a stick. I 615 00:36:01,160 --> 00:36:03,280 Speaker 1: should have found a stick if I had really committed 616 00:36:03,280 --> 00:36:06,920 Speaker 1: to it. But as after I had started to levitate 617 00:36:06,960 --> 00:36:11,840 Speaker 1: this lamp, my bedroom door, after you successfully started to 618 00:36:11,880 --> 00:36:18,520 Speaker 1: levitate it, that's so cool. I was ahead of my time. 619 00:36:19,400 --> 00:36:22,799 Speaker 1: After I tried to levitate this lamp, my bedroom door 620 00:36:23,160 --> 00:36:25,600 Speaker 1: opens and my mom comes into my bedroom and I 621 00:36:25,640 --> 00:36:27,719 Speaker 1: was like, wait what And I like pretended you like 622 00:36:27,760 --> 00:36:29,440 Speaker 1: immediately pulled the covers up. You try to go back 623 00:36:29,480 --> 00:36:31,759 Speaker 1: to beding like nothing's going on, mom, It's totally chill. 624 00:36:32,160 --> 00:36:39,600 Speaker 1: My mom comes in whatever, she sits down, She sits 625 00:36:39,640 --> 00:36:45,520 Speaker 1: down on the bed and she says, Francisco, I, UM, 626 00:36:45,600 --> 00:36:47,520 Speaker 1: I was going to leave you in your beds, but 627 00:36:48,480 --> 00:36:53,239 Speaker 1: the spirit told me to stay and watch you. And 628 00:36:53,480 --> 00:36:56,319 Speaker 1: I just saw you try to levitate that lamp and 629 00:36:56,400 --> 00:37:00,680 Speaker 1: use witchcraft, and I want you to know that is 630 00:37:00,760 --> 00:37:04,880 Speaker 1: not okay. Like my mom told me that Jesus told 631 00:37:04,920 --> 00:37:11,560 Speaker 1: her to watch me sleep from no. So that is 632 00:37:11,680 --> 00:37:15,040 Speaker 1: that is a cultural background I'm dealing with going into 633 00:37:15,040 --> 00:37:18,200 Speaker 1: the Harry Potter franchise and continued to deal with as 634 00:37:18,239 --> 00:37:20,840 Speaker 1: like my mom basically thinks that like everything is like bruh, 635 00:37:21,280 --> 00:37:23,759 Speaker 1: you know what I mean? Anything related to Witchcraft, like 636 00:37:23,800 --> 00:37:28,160 Speaker 1: couldn't watch Kiki's Delivery Service, pocus Pocus, bed Noms and Broomsticks? 637 00:37:28,160 --> 00:37:31,040 Speaker 1: Do you remember that? And I never want that was 638 00:37:31,080 --> 00:37:34,280 Speaker 1: not one of my kid movies. Okay, we'll do an episode. 639 00:37:34,640 --> 00:37:37,040 Speaker 1: I've seen it, but it's not like it wasn't a 640 00:37:37,080 --> 00:37:40,520 Speaker 1: big thing for me. It's a child God. I love 641 00:37:40,560 --> 00:37:42,360 Speaker 1: that movie when I was allowed to watch it, but 642 00:37:42,680 --> 00:37:45,840 Speaker 1: I as a teenager. Obviously around the same time that 643 00:37:45,880 --> 00:37:49,000 Speaker 1: I was getting into Harry Potter was getting seriously into 644 00:37:49,080 --> 00:37:53,640 Speaker 1: Witchcraft in a real way, Like I was very into 645 00:37:53,640 --> 00:37:56,560 Speaker 1: Wicka in the early two thousand's, there was definitely a 646 00:37:57,280 --> 00:38:01,839 Speaker 1: like countercultural like Wickham moment it's happening. Of course, I've 647 00:38:01,880 --> 00:38:03,960 Speaker 1: spent a lot of time in the New Age section 648 00:38:04,040 --> 00:38:07,200 Speaker 1: of Barnes and Noble and Borders bookstore. Basically, what you're 649 00:38:07,200 --> 00:38:11,240 Speaker 1: saying is that we were diametric opposites in like how 650 00:38:11,280 --> 00:38:15,160 Speaker 1: we kind of developed our relationships Harry Potter, but we 651 00:38:15,160 --> 00:38:18,160 Speaker 1: were both just kind of like magnet magnetically, like I 652 00:38:18,239 --> 00:38:24,360 Speaker 1: have to continue to subscribe to this. What's your favorite book? Okay, 653 00:38:25,040 --> 00:38:28,240 Speaker 1: what's your favorite book? And what's your favorite movie? Um, 654 00:38:28,280 --> 00:38:33,920 Speaker 1: my favorite movie is seven Part one. I it's right 655 00:38:33,920 --> 00:38:37,440 Speaker 1: before the Battle of Hogwarts. It's a real like adultification 656 00:38:37,600 --> 00:38:40,200 Speaker 1: of the central three characters. I think it's I think 657 00:38:40,200 --> 00:38:43,600 Speaker 1: it's great. I think it's beautifully done emotionally, honest, I 658 00:38:43,640 --> 00:38:45,880 Speaker 1: really connected. It came to me at a time when 659 00:38:45,920 --> 00:38:48,000 Speaker 1: I really needed it, I feel because that was like 660 00:38:48,040 --> 00:38:51,720 Speaker 1: a new adult era of our lives too, um or 661 00:38:51,760 --> 00:38:56,839 Speaker 1: at least of my life, I feel, and I um. 662 00:38:56,880 --> 00:38:59,160 Speaker 1: But my favorite book was the fifth one, like the 663 00:38:59,239 --> 00:39:02,880 Speaker 1: really like I hate Order of the Phoenix. Harry is 664 00:39:02,880 --> 00:39:06,080 Speaker 1: such a brat in it is, but like that's the 665 00:39:06,080 --> 00:39:07,759 Speaker 1: thing is That's what I'm saying, is like when in 666 00:39:07,800 --> 00:39:10,600 Speaker 1: the fifth book when Harry is all like really like emo, 667 00:39:11,280 --> 00:39:14,640 Speaker 1: like I was emo too, Like I just felt like 668 00:39:14,719 --> 00:39:17,880 Speaker 1: so alone and sad, and like you were emo listening 669 00:39:17,880 --> 00:39:21,680 Speaker 1: to your Christian rock. Yes, yes, And I feel like 670 00:39:21,760 --> 00:39:24,280 Speaker 1: I mean Harry Potter. I mean. The thing the problem 671 00:39:24,280 --> 00:39:26,399 Speaker 1: with that is like Harry Potter has nothing to complain about. 672 00:39:26,440 --> 00:39:28,960 Speaker 1: He's always like, oh, Harry Potter, he has a lot 673 00:39:29,040 --> 00:39:31,920 Speaker 1: to complain about. His life is pretty rong. My parents 674 00:39:31,920 --> 00:39:35,279 Speaker 1: are dirt. I'm independently wealthy now and this is really 675 00:39:35,280 --> 00:39:38,160 Speaker 1: hard for me. He is he is very rich. It's 676 00:39:38,200 --> 00:39:41,759 Speaker 1: literally it's never ever discussed that he's filthy rich and 677 00:39:41,800 --> 00:39:44,960 Speaker 1: all of his friends are paupers. Like he's like Ron 678 00:39:45,000 --> 00:39:47,440 Speaker 1: will be like in the corner, like you know, eating 679 00:39:47,480 --> 00:39:49,719 Speaker 1: like for lunch. He's like having like a pudding cup 680 00:39:49,760 --> 00:39:52,959 Speaker 1: that he's eating with a comb, and like Harry Potter 681 00:39:53,000 --> 00:39:54,959 Speaker 1: is all like do some of my cave all wrong? 682 00:39:56,719 --> 00:39:59,440 Speaker 1: He's a He's a rich white man who grows up 683 00:39:59,480 --> 00:40:02,359 Speaker 1: to be a ca Yeah, that's oh my god. He 684 00:40:02,480 --> 00:40:06,840 Speaker 1: literally wants to be a cop, a cab including Harry Potter's. 685 00:40:06,920 --> 00:40:09,799 Speaker 1: Can you imagine being twelve and you're like, I want 686 00:40:09,800 --> 00:40:13,919 Speaker 1: to be a cop? The toxicity of that child. Well, 687 00:40:14,120 --> 00:40:18,160 Speaker 1: my favorite book is Half Blood Prints. Of course, of 688 00:40:18,200 --> 00:40:20,239 Speaker 1: course I feel like it makes a lot of sense 689 00:40:20,280 --> 00:40:24,080 Speaker 1: for you. Okay, so why I really like that it's 690 00:40:24,120 --> 00:40:28,719 Speaker 1: the last time that they're kind of innocent, um you know. 691 00:40:29,480 --> 00:40:33,520 Speaker 1: And I also love the um you know, ex the 692 00:40:33,760 --> 00:40:41,880 Speaker 1: exploration of Voldemort's past and um Dumbledore kind of making 693 00:40:42,120 --> 00:40:46,960 Speaker 1: Harry like do the legwork of his investigation into horcruxes? 694 00:40:48,000 --> 00:40:51,640 Speaker 1: Was this like after uh, he had already been deemed 695 00:40:51,680 --> 00:40:54,440 Speaker 1: like a gay and so like in this it was 696 00:40:54,480 --> 00:40:57,279 Speaker 1: after the whole franchise came. It was after everything was 697 00:40:57,320 --> 00:40:59,000 Speaker 1: when J. K. Rowling said, he because I feel like 698 00:40:59,000 --> 00:41:01,279 Speaker 1: the sixth book is when they were like, oh yeah, 699 00:41:01,280 --> 00:41:06,320 Speaker 1: and Dumbledore knits wink wink. There wasn't any gay Dumbledore 700 00:41:06,360 --> 00:41:09,600 Speaker 1: stuff until after all the books and movies because the 701 00:41:09,640 --> 00:41:12,440 Speaker 1: author of this book series, who has no name will 702 00:41:12,520 --> 00:41:14,400 Speaker 1: not be naming, you know, didn't want to actually have 703 00:41:14,560 --> 00:41:17,759 Speaker 1: to do the work of having a queer character in 704 00:41:17,800 --> 00:41:21,400 Speaker 1: any tangible way of developing them in any regard. Um. 705 00:41:21,440 --> 00:41:24,720 Speaker 1: But my favorite movie is Harry Potter and the Prisoner 706 00:41:24,760 --> 00:41:30,560 Speaker 1: of Azkaban. Beautiful. It is, you know, directed by Alfonso Kuran. 707 00:41:31,000 --> 00:41:34,600 Speaker 1: It is so much darker than the first two movies, 708 00:41:34,680 --> 00:41:40,200 Speaker 1: and you know, really is where all of the stylistic 709 00:41:40,320 --> 00:41:44,279 Speaker 1: choices for the Wizarding World that we know now we're 710 00:41:44,360 --> 00:41:48,280 Speaker 1: like really set into place. Um. And they also ditched 711 00:41:48,320 --> 00:41:52,080 Speaker 1: the robes like and meshed them into modernity a little more. Yeah, 712 00:41:52,080 --> 00:41:55,480 Speaker 1: they're a little bit more like real kids in that one. 713 00:41:55,800 --> 00:41:58,759 Speaker 1: What about Voldemort's backstory kind of like struck you in 714 00:41:58,840 --> 00:42:04,279 Speaker 1: like the sixth book, I really liked finding out, you know, 715 00:42:04,320 --> 00:42:08,239 Speaker 1: like who his parents were. I think that's it gave 716 00:42:08,360 --> 00:42:16,160 Speaker 1: like this like really interesting look into his psyche. Also, Um, 717 00:42:16,200 --> 00:42:20,560 Speaker 1: there is evidence in the sixth book that Baltimore is 718 00:42:20,640 --> 00:42:25,200 Speaker 1: maybe trans You're not doing this? What do you mean? 719 00:42:25,239 --> 00:42:27,920 Speaker 1: What do you mean? Okay, So there is a scene 720 00:42:28,239 --> 00:42:31,280 Speaker 1: in the sixth book that's not in the movies because 721 00:42:31,560 --> 00:42:34,160 Speaker 1: you know, there's many more scenes of them looking at 722 00:42:34,200 --> 00:42:37,600 Speaker 1: the memories to like, you know, find out Baltimore's backstory. 723 00:42:38,680 --> 00:42:42,080 Speaker 1: There is a scene it's the last memory that Dumbledore 724 00:42:42,120 --> 00:42:46,000 Speaker 1: shows Harry. Um. It's Dumbledore's memory of a young Baltimore 725 00:42:46,320 --> 00:42:51,160 Speaker 1: coming to Hogwarts to request the defense against the Dark 726 00:42:51,239 --> 00:42:57,920 Speaker 1: Arts teacher. And there is a moment in the memory 727 00:42:58,600 --> 00:43:03,320 Speaker 1: where Dumbledore calls Valdemore Tom Riddle. And at this point 728 00:43:04,280 --> 00:43:08,000 Speaker 1: Valdemore is just starting to be known as Voldemore, And 729 00:43:08,040 --> 00:43:14,440 Speaker 1: it says in the book Harry could Tell that Voldemore 730 00:43:14,560 --> 00:43:18,600 Speaker 1: was furious that Dumbledore refused to call him by his 731 00:43:18,840 --> 00:43:23,960 Speaker 1: chosen name, chosen chosen name. It's literally in the book, 732 00:43:24,000 --> 00:43:27,920 Speaker 1: I swear to God Rose. And so there is a 733 00:43:27,960 --> 00:43:31,680 Speaker 1: way to read that as Voldemore has some kind of 734 00:43:31,800 --> 00:43:36,120 Speaker 1: gender carry and Dumbledore refuses to acknowledge it, and Dead 735 00:43:36,200 --> 00:43:40,040 Speaker 1: names this this gay man dead naming Dead name a 736 00:43:40,160 --> 00:43:44,279 Speaker 1: trans person, right, don't know? I don't of course we 737 00:43:44,280 --> 00:43:48,000 Speaker 1: don't know their pronouns, right. So basically what you're saying 738 00:43:48,520 --> 00:43:52,919 Speaker 1: is that Dumbledore is the turf. Dumbledoes are turf, and 739 00:43:53,120 --> 00:43:56,640 Speaker 1: the central character of this franchise and hero of the 740 00:43:56,680 --> 00:43:59,200 Speaker 1: story is a kid who wants to grow up to 741 00:43:59,239 --> 00:44:01,960 Speaker 1: be a cop and to kill a trans girl. It's 742 00:44:02,040 --> 00:44:04,320 Speaker 1: like what you're saying, Yes, that is the plot of 743 00:44:04,320 --> 00:44:31,520 Speaker 1: Harry Potter. Incredible. You know something that I have come 744 00:44:31,560 --> 00:44:35,000 Speaker 1: back to a lot is I think when we were kids, 745 00:44:35,640 --> 00:44:39,799 Speaker 1: we thought that this was like the greatest example ever 746 00:44:40,000 --> 00:44:45,080 Speaker 1: of like world building, and now as adults, I can 747 00:44:45,200 --> 00:44:49,759 Speaker 1: see a lot of the cracks. Where are you know? Well, Like, 748 00:44:50,880 --> 00:44:54,320 Speaker 1: first of all, the entire economy of the Wizarding World 749 00:44:54,760 --> 00:45:02,600 Speaker 1: revolves around joke shops, candy store, wars, and books, right, 750 00:45:02,680 --> 00:45:05,719 Speaker 1: and that's it. That's their whole economy truly, And it's 751 00:45:05,800 --> 00:45:11,600 Speaker 1: it's enslavery because they have house elves. Wait, Dobby is 752 00:45:11,640 --> 00:45:16,719 Speaker 1: an indentured slave like literally like it's in surfdom. Like 753 00:45:16,800 --> 00:45:20,440 Speaker 1: that's crazy. I feel like they're within all of that. 754 00:45:20,480 --> 00:45:22,799 Speaker 1: It's as also corrupt as fun, like this is not 755 00:45:22,880 --> 00:45:26,120 Speaker 1: a democracy, like you know, like the Ministry of Magic 756 00:45:26,520 --> 00:45:30,200 Speaker 1: like controls the media. Yeah, there's a lot of class 757 00:45:30,200 --> 00:45:34,719 Speaker 1: warfare in Harry Potter too. Um. I mean you were 758 00:45:34,719 --> 00:45:37,279 Speaker 1: talking about how poor Ron is and like, you know, 759 00:45:37,400 --> 00:45:40,000 Speaker 1: it's it's kind of like repeated over and over again, 760 00:45:40,080 --> 00:45:42,799 Speaker 1: how poor Ron is. Right, But what's unclear really is 761 00:45:42,840 --> 00:45:46,279 Speaker 1: like what is like the UK currency to like Yalleyan's 762 00:45:46,320 --> 00:45:48,080 Speaker 1: conversion rate. I think that's like the thing that I'm 763 00:45:48,120 --> 00:45:52,480 Speaker 1: thinking about is like, like like what what like that 764 00:45:52,719 --> 00:45:55,720 Speaker 1: all of these things that are very undefined. And also 765 00:45:55,760 --> 00:45:58,160 Speaker 1: it's very clear that she who must not be named 766 00:45:58,840 --> 00:46:00,560 Speaker 1: was kind of, you know, make ing it up as 767 00:46:00,719 --> 00:46:03,960 Speaker 1: she went along, which is fine. Authors can do that, Yeah, 768 00:46:03,960 --> 00:46:08,080 Speaker 1: of course, but you know I can see I see 769 00:46:08,080 --> 00:46:11,320 Speaker 1: the holes now as an adult. And some of the 770 00:46:11,360 --> 00:46:15,360 Speaker 1: more interesting story choices like why did Harry and Jenny 771 00:46:15,480 --> 00:46:20,279 Speaker 1: end up together? So like all like Jenny is like 772 00:46:20,320 --> 00:46:22,960 Speaker 1: such a kind of non character for the first couple 773 00:46:22,960 --> 00:46:25,040 Speaker 1: of books never and all they like kind of talk 774 00:46:25,080 --> 00:46:28,600 Speaker 1: about is that she looks like Harry's mom. Honestly, it's 775 00:46:28,680 --> 00:46:31,040 Speaker 1: giving like when Joey and Rachel get together at the 776 00:46:31,120 --> 00:46:33,520 Speaker 1: end of Friends, why did they all have to end 777 00:46:33,600 --> 00:46:37,240 Speaker 1: up with the person that they dated in high school. Yeah, 778 00:46:37,280 --> 00:46:40,600 Speaker 1: that's actually so toxic, and clearly the person who Harry 779 00:46:40,600 --> 00:46:45,000 Speaker 1: had the most chemistry with was Draco Malfoy. Yeah, egs obviously, 780 00:46:45,200 --> 00:46:49,680 Speaker 1: like I feel like there is I mean, the fucking 781 00:46:49,719 --> 00:46:53,040 Speaker 1: your enemies thing, or rather fucking your bullies is really 782 00:46:53,040 --> 00:46:55,279 Speaker 1: what it's. I know that's like a tired trope and 783 00:46:55,440 --> 00:46:59,600 Speaker 1: like a lot of LGBTQ stuff, but like it's hot. 784 00:47:00,080 --> 00:47:03,560 Speaker 1: It's I feel like the Harry Draco tension was palpable. 785 00:47:03,880 --> 00:47:08,240 Speaker 1: And then you know, like marrying your best friend's little 786 00:47:08,280 --> 00:47:11,920 Speaker 1: sister who's the first person you kiss in high school 787 00:47:12,120 --> 00:47:15,880 Speaker 1: is so straight. You know. Something I think about a 788 00:47:15,920 --> 00:47:22,880 Speaker 1: lot with like book two movie adaptations is what is 789 00:47:23,000 --> 00:47:26,760 Speaker 1: gained in the adaptation outside of the story. I think 790 00:47:27,280 --> 00:47:30,759 Speaker 1: Harry Potter became in the third movie, as I was saying, 791 00:47:30,760 --> 00:47:37,200 Speaker 1: like very stylistic, it didn't necessarily become cool, like, well, 792 00:47:37,280 --> 00:47:40,440 Speaker 1: we'll get to Twilight eventually. But one of the things 793 00:47:40,440 --> 00:47:42,560 Speaker 1: that I really like about the Twilight movies as an 794 00:47:42,560 --> 00:47:46,480 Speaker 1: adaptation is that there's so much cooler than the books. 795 00:47:46,920 --> 00:47:51,040 Speaker 1: You know, like everyone's um like dressed better than they 796 00:47:51,040 --> 00:47:53,239 Speaker 1: are in the books. If I would say Bella is 797 00:47:53,440 --> 00:47:56,440 Speaker 1: dressed better. She's dressed better than she is in the books, 798 00:47:56,480 --> 00:47:59,359 Speaker 1: because in the books she wears a lot of khaki skirts. Um. 799 00:47:59,560 --> 00:48:03,400 Speaker 1: They have really cool soundtracks, and then you look at 800 00:48:03,440 --> 00:48:07,400 Speaker 1: things like in the Harry Potter movies, like, um, you know, 801 00:48:07,440 --> 00:48:09,319 Speaker 1: they were a lot of robes in the books, and 802 00:48:09,360 --> 00:48:12,080 Speaker 1: then in the movies they have a lot of kind 803 00:48:12,080 --> 00:48:17,719 Speaker 1: of ugly outfits like her Mind's fuel ball dress. I 804 00:48:17,760 --> 00:48:20,880 Speaker 1: thought she looked beautiful just because she was in something 805 00:48:20,880 --> 00:48:24,000 Speaker 1: that she looked beautiful, but that dress was hideous. They 806 00:48:24,040 --> 00:48:27,200 Speaker 1: actually have a replica of it at the Wizarding World 807 00:48:27,239 --> 00:48:29,160 Speaker 1: of Harry Potter theme park. Did you go? Did you 808 00:48:29,160 --> 00:48:32,600 Speaker 1: see it? I've I've been to the theme parks many times. Okay, 809 00:48:32,600 --> 00:48:34,640 Speaker 1: we should go together, if you get super stound to 810 00:48:34,719 --> 00:48:36,400 Speaker 1: go together. Yeah, we have to drink a lot of 811 00:48:36,400 --> 00:48:40,080 Speaker 1: butter beer. That sounds like I would ganty ship my 812 00:48:40,120 --> 00:48:43,280 Speaker 1: pants immediately. But you're actually touching on a really important 813 00:48:43,840 --> 00:48:46,600 Speaker 1: thing that we have to address, which is that in 814 00:48:46,680 --> 00:48:53,480 Speaker 1: the fourth movies, the stylistic kind of um integrity really 815 00:48:53,800 --> 00:48:57,560 Speaker 1: went for their haircuts, and Harry and Ron have these 816 00:48:57,800 --> 00:49:03,080 Speaker 1: disgusting skater boy haircuts that everyone's so of the time. 817 00:49:03,239 --> 00:49:07,000 Speaker 1: It dates the movie so much. It really did not 818 00:49:07,040 --> 00:49:10,080 Speaker 1: age well, and I had that haircut rose. Meanwhile, her 819 00:49:10,120 --> 00:49:13,400 Speaker 1: money in the fourth movie, just like you know, after 820 00:49:13,600 --> 00:49:15,560 Speaker 1: kind of the second movie, they're like, we're not going 821 00:49:15,600 --> 00:49:17,000 Speaker 1: to do the thing where we're trying to make her 822 00:49:17,040 --> 00:49:19,719 Speaker 1: hair look bushy anymore. And then by the fourth movie 823 00:49:19,800 --> 00:49:23,800 Speaker 1: she's just blonde. Literally, any time you have a series 824 00:49:23,880 --> 00:49:26,160 Speaker 1: or franchise where they start out and like, yeah, this 825 00:49:26,320 --> 00:49:29,800 Speaker 1: character's ugly and the whole thing is that she's ugly 826 00:49:29,960 --> 00:49:32,560 Speaker 1: and a nerd, they give up on it immediately, Like 827 00:49:32,560 --> 00:49:34,920 Speaker 1: she got the Ugly Betty treatment, where like after season 828 00:49:34,920 --> 00:49:36,919 Speaker 1: one they were like, I guess we should just make 829 00:49:37,000 --> 00:49:39,520 Speaker 1: ugly Betty hot, right, Like that's kind of what they did. 830 00:49:39,600 --> 00:49:42,360 Speaker 1: But at least ugly Betty had braces. Her money didn't 831 00:49:42,360 --> 00:49:44,600 Speaker 1: even have the buck well that she's supposed to have. 832 00:49:44,719 --> 00:49:47,440 Speaker 1: Betty did get the braces removed at the end of 833 00:49:47,480 --> 00:49:49,919 Speaker 1: the show. It was in the last season. She's still 834 00:49:49,960 --> 00:49:53,759 Speaker 1: a whole season half season. We will be back checking 835 00:49:53,800 --> 00:50:04,640 Speaker 1: that in our Ugly Betty episode. Okay, it's funny now 836 00:50:04,719 --> 00:50:10,440 Speaker 1: to ascribe, you know, are are like, um, you know, 837 00:50:10,520 --> 00:50:16,640 Speaker 1: two thousand twenty one perspective of like queerness onto Harry Potter, 838 00:50:17,320 --> 00:50:19,880 Speaker 1: and Um, I guess what I'm saying is, which of 839 00:50:19,920 --> 00:50:24,080 Speaker 1: the Harry Potter characters do you think are queer trans? 840 00:50:24,800 --> 00:50:27,400 Speaker 1: A question we will ask for probably every episode, like, wait, 841 00:50:28,480 --> 00:50:30,839 Speaker 1: which which are these characters are trans? Um, I mean 842 00:50:30,840 --> 00:50:33,560 Speaker 1: that we have already talked about Voldemort has some kind 843 00:50:33,560 --> 00:50:36,000 Speaker 1: of gender canetically trans. I think trans. I think she's 844 00:50:36,000 --> 00:50:38,839 Speaker 1: a trans woman. I think that after you've kind of 845 00:50:38,880 --> 00:50:41,720 Speaker 1: described to me what's going on and the dynamic between 846 00:50:41,719 --> 00:50:43,200 Speaker 1: her and Double Door, that's kind of what I'm like. 847 00:50:43,320 --> 00:50:45,799 Speaker 1: She did get some work done on her face, and 848 00:50:45,840 --> 00:50:48,920 Speaker 1: she looks fierce. She went down to Beverly Hills. Now 849 00:50:49,000 --> 00:50:52,680 Speaker 1: she went to Brazil. Mama, Um, I think that I 850 00:50:52,719 --> 00:50:54,359 Speaker 1: think you actually plan in the seat in my head 851 00:50:54,400 --> 00:50:56,640 Speaker 1: that like Luna Loved Good is giving like some NB 852 00:50:57,040 --> 00:51:00,120 Speaker 1: vibes to me, like and Luna in fan fiction is 853 00:51:00,239 --> 00:51:03,560 Speaker 1: always queer in some way. Really, I mean, she's so 854 00:51:03,760 --> 00:51:06,799 Speaker 1: like open minded and so like untethered to like, you know, 855 00:51:06,840 --> 00:51:08,600 Speaker 1: the rules of the world. I think she's giving me 856 00:51:08,640 --> 00:51:12,320 Speaker 1: like non binary pan sexual. You know who's really giving 857 00:51:12,320 --> 00:51:18,160 Speaker 1: that as well? Is Tonks. Tonks Is Tonks is a 858 00:51:18,200 --> 00:51:23,239 Speaker 1: metamorpha magus something some word, some word that's like two 859 00:51:23,239 --> 00:51:27,920 Speaker 1: syllables too long, um, and can literally change their appearance 860 00:51:27,920 --> 00:51:32,919 Speaker 1: in every way. So obviously there's some gender scenario. They 861 00:51:33,000 --> 00:51:36,800 Speaker 1: are literally an animal. Do you know those books The Animal? 862 00:51:37,000 --> 00:51:39,200 Speaker 1: I love Animals? I actually never read them, but the 863 00:51:39,239 --> 00:51:43,600 Speaker 1: covers were we're definitely doing an animal. The covers were 864 00:51:43,640 --> 00:51:48,120 Speaker 1: kind of um, kind of hot um. Professor Trelawney reads 865 00:51:48,400 --> 00:51:51,520 Speaker 1: us trans to me like a latent life trans woman. 866 00:51:53,280 --> 00:52:00,520 Speaker 1: Professor Professor Sprout definitely lesbian, older lesbian, Oh yeah, for sure. 867 00:52:00,760 --> 00:52:05,080 Speaker 1: Harry and Draco gay gay gay boyfriend. Draco's whole I 868 00:52:05,120 --> 00:52:07,759 Speaker 1: think kind of like the impetus of his character is 869 00:52:07,800 --> 00:52:10,640 Speaker 1: that he's like a tortured homosexual and that's why he's 870 00:52:10,640 --> 00:52:14,160 Speaker 1: taking it out on everybody else. Hagrid is a bear. 871 00:52:14,520 --> 00:52:18,839 Speaker 1: I think. Okay, there's a thing that she who must 872 00:52:18,840 --> 00:52:20,920 Speaker 1: not be named. It is going to be confusing now 873 00:52:20,920 --> 00:52:22,920 Speaker 1: when we say that with a referring to Baltimore or 874 00:52:22,960 --> 00:52:24,799 Speaker 1: the author of this novel. But y'all can just get 875 00:52:24,800 --> 00:52:27,480 Speaker 1: you know who, you know who. There's a thing that 876 00:52:27,640 --> 00:52:31,040 Speaker 1: happens where like femininity is kind of like mocked in 877 00:52:31,080 --> 00:52:34,320 Speaker 1: this franchise, and like a big stick with Haggard is 878 00:52:34,360 --> 00:52:36,960 Speaker 1: like he's this big, burly guy with a big beard 879 00:52:37,000 --> 00:52:39,399 Speaker 1: and he does manly things, but like he comes home 880 00:52:39,400 --> 00:52:41,520 Speaker 1: and he like wears an apron and he loves tea 881 00:52:41,680 --> 00:52:44,120 Speaker 1: and gardening and he cries when his animals die and 882 00:52:44,120 --> 00:52:46,319 Speaker 1: stuff like that. I think it's like a joke, but 883 00:52:46,360 --> 00:52:48,200 Speaker 1: I think that's like one of the most beautiful things 884 00:52:48,239 --> 00:52:51,560 Speaker 1: about his character. And like the I think it's like 885 00:52:51,600 --> 00:52:54,680 Speaker 1: a complete like gender, like a portrait of his gender. 886 00:52:54,719 --> 00:52:58,120 Speaker 1: You know, sure, you know who you know who reads 887 00:52:58,120 --> 00:53:02,359 Speaker 1: this very transmask to me? Whose um Argus Filch the 888 00:53:02,440 --> 00:53:06,680 Speaker 1: Hogwarts caretaker. I also a definite trans woman to me 889 00:53:06,760 --> 00:53:12,640 Speaker 1: is Madame Maxine the Giantess Shop. I'm not allowed to 890 00:53:12,680 --> 00:53:15,279 Speaker 1: laugh at that joke. Um, she's a tall girl, and 891 00:53:15,800 --> 00:53:18,120 Speaker 1: she's a tall girl. Tall girls, you know what I'm 892 00:53:18,160 --> 00:53:21,600 Speaker 1: talking about. The actress who played her served like that 893 00:53:21,680 --> 00:53:24,400 Speaker 1: was like she was so incredible and like, honestly, the 894 00:53:24,440 --> 00:53:27,839 Speaker 1: chemistry between them palpable. You know who's very cis though, 895 00:53:28,040 --> 00:53:34,320 Speaker 1: is Flour Delaco. Flour Delacre is cis culture. Jenny Weasley Sis. 896 00:53:34,320 --> 00:53:38,560 Speaker 1: Although she although she gives me um lesbian vibes, Yeah, 897 00:53:38,640 --> 00:53:41,719 Speaker 1: for sure, I think she hasn't set herself free yet, 898 00:53:42,160 --> 00:53:45,040 Speaker 1: Like I think I think Jenny's like just honestly, one 899 00:53:45,120 --> 00:53:48,800 Speaker 1: Maggie Nielson book away from Jenny Weasley is one Phoebe 900 00:53:48,800 --> 00:53:53,440 Speaker 1: Bridgers lyric away from writing her broomstick right out of 901 00:53:53,480 --> 00:53:56,120 Speaker 1: the closet. Oh yeah, and straight to the cubby hole 902 00:53:57,440 --> 00:54:03,480 Speaker 1: peeves the pul cherk Geist. Oh absolutely, um like gender queer. 903 00:54:04,239 --> 00:54:08,520 Speaker 1: Speaking of Poulter, guys, I have you ever noticed that 904 00:54:09,000 --> 00:54:12,320 Speaker 1: like moaning Myrtles, Like the whole thing is that she's 905 00:54:12,360 --> 00:54:17,000 Speaker 1: like literally a sexual predator, Like yeah, she just hangs 906 00:54:17,040 --> 00:54:20,920 Speaker 1: around looking at Harry while he's taking a bath and 907 00:54:21,000 --> 00:54:24,080 Speaker 1: he's four teens like from moment one like like Harry's 908 00:54:24,120 --> 00:54:27,880 Speaker 1: like taking a piss and moaning Mortles Like what's going on? 909 00:54:27,960 --> 00:54:30,680 Speaker 1: You a nice cock? You know what I mean? There's 910 00:54:31,360 --> 00:54:34,120 Speaker 1: but okay, but there's no room for subtlety, like like 911 00:54:34,200 --> 00:54:37,000 Speaker 1: she must not be named really goes there like he's 912 00:54:37,080 --> 00:54:42,359 Speaker 1: in the bath and she's like, oh hoo's going and watching. Well, 913 00:54:42,400 --> 00:54:44,760 Speaker 1: she's probably a trans woman because she's in a bathroom 914 00:54:44,760 --> 00:54:48,120 Speaker 1: making a siss person feel unsafe. Oh my god, wow, 915 00:54:48,160 --> 00:54:50,319 Speaker 1: well you went there. I did not, do, you know? 916 00:54:50,360 --> 00:54:56,480 Speaker 1: When I was a nightlife producer. I had two very 917 00:54:56,600 --> 00:54:59,839 Speaker 1: large Harry Potter raves. Wait what did that look like? 918 00:55:00,280 --> 00:55:03,440 Speaker 1: I bring that up because for one of them, we 919 00:55:03,520 --> 00:55:08,640 Speaker 1: had our good friend Channo. We both love. She recorded 920 00:55:08,840 --> 00:55:12,600 Speaker 1: a track as Moaning Myrtle that we played on a 921 00:55:12,640 --> 00:55:15,880 Speaker 1: loop at one of the rooms in the party. And 922 00:55:15,920 --> 00:55:18,759 Speaker 1: it was just moaning Myrtle kind of like saying like 923 00:55:18,880 --> 00:55:22,080 Speaker 1: really like kind of sexually deviant things. Really that just 924 00:55:22,160 --> 00:55:26,719 Speaker 1: played on kind of like a low level. Um. She 925 00:55:26,840 --> 00:55:30,480 Speaker 1: was just like yeah, she was like she was like, 926 00:55:31,000 --> 00:55:33,960 Speaker 1: uh oh, Harry, like come fuck me in the bathroom 927 00:55:34,160 --> 00:55:37,400 Speaker 1: or something like that. I don't know. Um, it was 928 00:55:37,440 --> 00:55:40,160 Speaker 1: just like it was it was funny. Oh god, that's 929 00:55:40,280 --> 00:55:42,480 Speaker 1: I can't wait what did you wear? Um? Well? I 930 00:55:42,560 --> 00:55:45,759 Speaker 1: was harmony at both of the parties. The first one 931 00:55:46,280 --> 00:55:50,080 Speaker 1: was Hogwarts Rave and the second one was a Chamber 932 00:55:50,120 --> 00:55:55,960 Speaker 1: of Secrets. They were both really fun, and you know, 933 00:55:56,400 --> 00:56:00,080 Speaker 1: we're we're full of queer people who loved Harry A. 934 00:56:00,120 --> 00:56:04,640 Speaker 1: Potter and we're like reinterpreting it from a queer perspective. 935 00:56:04,640 --> 00:56:08,640 Speaker 1: And this obviously was before we learned what we know 936 00:56:08,800 --> 00:56:11,759 Speaker 1: now about the person I wrote Harry Potter, and I 937 00:56:11,800 --> 00:56:13,880 Speaker 1: actually will get to that, but I actually need to 938 00:56:13,920 --> 00:56:17,760 Speaker 1: know now, like, Okay, did you have you always felt 939 00:56:17,760 --> 00:56:21,920 Speaker 1: yourself Hermione? Like is that where you And also as 940 00:56:21,920 --> 00:56:24,120 Speaker 1: a follow up, did you ever have a crush on 941 00:56:24,160 --> 00:56:28,520 Speaker 1: the characters as you read them? No? No, I don't 942 00:56:28,520 --> 00:56:32,560 Speaker 1: really have fictional crushes like that, even though I'm surprised. 943 00:56:32,600 --> 00:56:36,799 Speaker 1: Even though I love fan fiction, it's not usually from 944 00:56:36,840 --> 00:56:42,200 Speaker 1: the perspective of like self insertion. I did always see 945 00:56:42,280 --> 00:56:46,400 Speaker 1: myself as a Hermione growing up, which is interesting because 946 00:56:46,440 --> 00:56:51,320 Speaker 1: I am such a slytherin um now though I don't 947 00:56:51,400 --> 00:56:56,040 Speaker 1: know if I'm Hermione. I think I'm more of like 948 00:56:56,280 --> 00:57:01,480 Speaker 1: a like a Pansy park in sin. I think you're 949 00:57:01,560 --> 00:57:06,960 Speaker 1: kind of a Rita Skeeter if I also big trans energy, 950 00:57:07,280 --> 00:57:10,120 Speaker 1: no no, no, no, no, Rita Skeeter gives me like 951 00:57:10,239 --> 00:57:12,239 Speaker 1: I mean, I literally when I was a journalist, I 952 00:57:12,320 --> 00:57:16,800 Speaker 1: was Rita Skeeter. If we're going to talk about all 953 00:57:16,800 --> 00:57:21,680 Speaker 1: of the foreshadowing of you know who's transphobia, Rita Skeeter 954 00:57:22,040 --> 00:57:27,280 Speaker 1: was this like kind of garishly dressed performance of a 955 00:57:27,360 --> 00:57:33,040 Speaker 1: woman who transformed into something else so she could spy 956 00:57:33,240 --> 00:57:38,280 Speaker 1: on people in safe spaces. Oh right, Wow, I the 957 00:57:38,280 --> 00:57:40,440 Speaker 1: whole time, I thought she was like, you know, a 958 00:57:40,480 --> 00:57:44,320 Speaker 1: mentaphorizing of corrupt media and journal and I think she's 959 00:57:45,640 --> 00:57:48,760 Speaker 1: I think she's that. But now that we're reading it 960 00:57:48,840 --> 00:57:51,960 Speaker 1: on like a deeper level, like of course, and I 961 00:57:52,320 --> 00:57:54,200 Speaker 1: feel like I have to say when I when I 962 00:57:54,240 --> 00:57:57,680 Speaker 1: read it, I did see myself. I identified hardest with 963 00:57:57,680 --> 00:57:59,880 Speaker 1: her mindy, like she was my girl. I paid attention 964 00:57:59,920 --> 00:58:02,040 Speaker 1: to everything she did and when the movies. By the 965 00:58:02,120 --> 00:58:04,360 Speaker 1: time the movies came out, I developed a crush on 966 00:58:04,440 --> 00:58:07,800 Speaker 1: Daniel Redcliffe like pretty quickly, like we were the same age. 967 00:58:08,440 --> 00:58:12,160 Speaker 1: I think Daniel Radcliffe like got very hot as he 968 00:58:12,520 --> 00:58:15,240 Speaker 1: grew older. I don't know, like in his like Equis era, 969 00:58:15,680 --> 00:58:17,240 Speaker 1: like when he was like that play where he like 970 00:58:17,240 --> 00:58:19,000 Speaker 1: fucked a horse. You know, I saw it like we 971 00:58:19,120 --> 00:58:22,720 Speaker 1: all googled, like, you know, doesn't he doesn't suck a horse. 972 00:58:22,800 --> 00:58:25,520 Speaker 1: He kills a bunch of horses. I've read the play 973 00:58:25,680 --> 00:58:29,520 Speaker 1: multiple times, and yes, there he doesn't fuck a horse 974 00:58:29,560 --> 00:58:34,120 Speaker 1: quote unquote, but there is a spiritual sex, sex based 975 00:58:34,160 --> 00:58:37,840 Speaker 1: like sacrifice thing that he does with the horses that 976 00:58:37,920 --> 00:58:41,280 Speaker 1: involves an orgasmic climax. No, what happens is that he 977 00:58:41,360 --> 00:58:42,960 Speaker 1: and then he does kill them know what happens is 978 00:58:43,000 --> 00:58:47,040 Speaker 1: that he fox a girl in the because he's horning 979 00:58:47,080 --> 00:58:51,040 Speaker 1: for horses. He fox a girl in the stable, and 980 00:58:51,080 --> 00:58:53,560 Speaker 1: then he feels so awful that the horses saw it 981 00:58:53,800 --> 00:58:57,400 Speaker 1: that he blinds them all because he feels like he's 982 00:58:57,480 --> 00:59:00,400 Speaker 1: cheating on the horse. But what I'm saying is that 983 00:59:00,440 --> 00:59:03,720 Speaker 1: he doesn't suck the horse. Okay, well, I think that 984 00:59:03,880 --> 00:59:07,000 Speaker 1: the playwright would leave it up to interpretation. I do 985 00:59:07,160 --> 00:59:10,080 Speaker 1: feel like that is kind of something that the play 986 00:59:10,240 --> 00:59:12,800 Speaker 1: is getting at, is like this this kind of like 987 00:59:12,920 --> 00:59:16,880 Speaker 1: psycho sexual thing that he has. And yes, I'm not 988 00:59:16,960 --> 00:59:18,760 Speaker 1: disagreeing with that, but what I'm saying is that he 989 00:59:18,840 --> 00:59:21,480 Speaker 1: does not physically fuck a horse. No way, he doesn't 990 00:59:21,480 --> 00:59:24,600 Speaker 1: physically fuck a horse in the play. I was being facetious, 991 00:59:24,800 --> 00:59:27,440 Speaker 1: as you often are. You know who I kind of 992 00:59:27,480 --> 00:59:32,160 Speaker 1: identify with now, Professor McGonagall. Oh. You know what part 993 00:59:32,160 --> 00:59:35,560 Speaker 1: of the books and movies makes me cry every time 994 00:59:35,560 --> 00:59:41,000 Speaker 1: without fail is in definitely Hollows, when the Battle of 995 00:59:41,080 --> 00:59:45,320 Speaker 1: Hogwarts is about to start and McGonagall does the spell 996 00:59:45,680 --> 00:59:49,440 Speaker 1: to make the castle come to life and fight. It 997 00:59:49,760 --> 01:00:06,480 Speaker 1: gets me every time I have goose bumps. I do 998 01:00:06,600 --> 01:00:10,840 Speaker 1: think Harry Potter is having kind of a second life 999 01:00:11,360 --> 01:00:13,640 Speaker 1: or third life or fourth life, because I mean, this 1000 01:00:13,720 --> 01:00:16,600 Speaker 1: has been going on for so long now on TikTok. 1001 01:00:18,160 --> 01:00:20,720 Speaker 1: I'm not as on TikTok as you are. You're really 1002 01:00:20,760 --> 01:00:26,200 Speaker 1: in it with the kids these days. Hello, fellow teens um. 1003 01:00:26,280 --> 01:00:31,320 Speaker 1: I think we both have seen the the TikTok reinterpretation 1004 01:00:31,320 --> 01:00:35,560 Speaker 1: of the chess scene from Harry Potter. And when I 1005 01:00:35,800 --> 01:00:43,480 Speaker 1: make my move, uh, there's stuff and then and then 1006 01:00:43,640 --> 01:00:49,919 Speaker 1: Ron says, not me, not harmony you. It's a very 1007 01:00:49,960 --> 01:00:53,520 Speaker 1: difficult because there's like a rounded r. Yeah, it's like 1008 01:00:53,680 --> 01:00:58,800 Speaker 1: your but you It's like why oh oh a you 1009 01:00:59,240 --> 01:01:05,880 Speaker 1: are maybe is a spelling you're you're you're. I have 1010 01:01:05,960 --> 01:01:09,280 Speaker 1: to say also that Ron, I feel like he was 1011 01:01:09,400 --> 01:01:13,120 Speaker 1: cast to be kind of like this like doofy type, 1012 01:01:13,120 --> 01:01:16,040 Speaker 1: like he was supposed to be like unconventionally kind of 1013 01:01:16,080 --> 01:01:19,040 Speaker 1: like I don't know all of my friend's head crushes 1014 01:01:19,080 --> 01:01:20,920 Speaker 1: on Ron growing up. I feel like I developed a 1015 01:01:20,960 --> 01:01:23,840 Speaker 1: crush on Ron as I became like an adult. He's 1016 01:01:23,920 --> 01:01:27,120 Speaker 1: kind of like hot, like in that like hot in 1017 01:01:27,160 --> 01:01:29,680 Speaker 1: the like way that like some people look hot because 1018 01:01:29,720 --> 01:01:31,280 Speaker 1: they got like hit in the face with it. They 1019 01:01:31,320 --> 01:01:32,880 Speaker 1: look like they got hit in the face with a shovel, 1020 01:01:33,320 --> 01:01:36,800 Speaker 1: do you know what I mean? He's definitely someone who 1021 01:01:36,840 --> 01:01:39,520 Speaker 1: I would hook up with regularly and tell no one 1022 01:01:39,720 --> 01:01:42,680 Speaker 1: about it, you know what I mean? Because I mean 1023 01:01:42,720 --> 01:01:44,880 Speaker 1: I think there there there's a certain class of people 1024 01:01:44,880 --> 01:01:46,920 Speaker 1: that I like to hook up with that are just hot, 1025 01:01:47,800 --> 01:01:51,880 Speaker 1: like kind of busted and like nothing going on personality 1026 01:01:51,920 --> 01:01:54,200 Speaker 1: wise or like in their brain at all. Like would 1027 01:01:54,200 --> 01:01:56,160 Speaker 1: never want to bring them to a party, you know 1028 01:01:56,160 --> 01:01:59,200 Speaker 1: what I mean. Yeah, he has dumb jock energy. It's 1029 01:01:59,240 --> 01:02:03,000 Speaker 1: like he's a hot dummy. Yeah, which I love me too, 1030 01:02:03,120 --> 01:02:06,920 Speaker 1: my favorite hot dummies. You can slide into the d 1031 01:02:07,080 --> 01:02:10,240 Speaker 1: m s. Okay. So this is something that happens in 1032 01:02:10,280 --> 01:02:13,640 Speaker 1: fan of fiction obviously, Like they're wizards and they have sex, 1033 01:02:13,800 --> 01:02:19,320 Speaker 1: so like there are like lube spells, no, they're or 1034 01:02:19,360 --> 01:02:22,960 Speaker 1: like score out of the wand sometimes um or there's 1035 01:02:23,000 --> 01:02:25,520 Speaker 1: like a spell that just like loubes them up instantly, 1036 01:02:26,040 --> 01:02:30,680 Speaker 1: or like a doucheng spell that we need that we 1037 01:02:30,760 --> 01:02:34,200 Speaker 1: need that. If you, if you were you know, an inventor, 1038 01:02:34,400 --> 01:02:38,200 Speaker 1: if you invent the thing that allows people who have 1039 01:02:38,240 --> 01:02:42,560 Speaker 1: but sex to not douche anymore, you will make millions. 1040 01:02:42,640 --> 01:02:44,600 Speaker 1: You are here, you will make more money than she 1041 01:02:44,720 --> 01:02:47,000 Speaker 1: who must not be named, and you will have it, 1042 01:02:47,160 --> 01:02:49,480 Speaker 1: and you will have a theme park, and you're dedicated 1043 01:02:49,520 --> 01:02:56,280 Speaker 1: to you in your honor. Our producer just dropped a 1044 01:02:56,360 --> 01:03:00,800 Speaker 1: Hermione Belatrix fan fiction in the chat, and I think 1045 01:03:00,840 --> 01:03:03,440 Speaker 1: we need to do a little dramatic reading. Should I 1046 01:03:03,520 --> 01:03:05,720 Speaker 1: be Hermione and you can be Bela Tricks? Oh no, 1047 01:03:05,840 --> 01:03:07,960 Speaker 1: this is on fan fiction dot net. Okay, so this, 1048 01:03:08,160 --> 01:03:12,040 Speaker 1: this Bela Tricks Hermione fan fiction is by an author 1049 01:03:12,400 --> 01:03:16,840 Speaker 1: named peace Love Belatricks peace dot love dot. The title 1050 01:03:17,080 --> 01:03:19,480 Speaker 1: of the of the title of the fan of fiction 1051 01:03:19,560 --> 01:03:23,240 Speaker 1: is only Her, and there is a disclaimer for this 1052 01:03:23,360 --> 01:03:28,360 Speaker 1: chapter was which is this will have lesbian sex. So yeah, 1053 01:03:28,600 --> 01:03:34,280 Speaker 1: wink face. So yeah, how old do you think the 1054 01:03:34,320 --> 01:03:38,240 Speaker 1: person who read this was fourteen? All fan fiction authors 1055 01:03:38,240 --> 01:03:42,360 Speaker 1: are fourteen? Of course they're either fourteen or thirty seven, 1056 01:03:42,840 --> 01:03:45,160 Speaker 1: there is no in between. Got it? Got it? Okay? 1057 01:03:45,360 --> 01:03:48,000 Speaker 1: And now we will give a dramatic reading of only 1058 01:03:48,040 --> 01:03:51,760 Speaker 1: Her by peace Love Belatricks an excerpt, an excerpt, and 1059 01:03:52,000 --> 01:03:55,840 Speaker 1: Fran will be playing Hermione and I will be playing Bellatricks. 1060 01:03:56,760 --> 01:04:00,120 Speaker 1: Well like we can take turns on the narration. Okay, 1061 01:04:00,880 --> 01:04:03,520 Speaker 1: I didn't think you were capable of looking at a 1062 01:04:03,600 --> 01:04:06,720 Speaker 1: mud blood like this, asked her money, while eyeing the 1063 01:04:06,760 --> 01:04:18,240 Speaker 1: woman carefully. You're an algics. I'm trying to give her. 1064 01:04:18,640 --> 01:04:20,960 Speaker 1: I'm trying to give her sort of like a like 1065 01:04:21,000 --> 01:04:26,880 Speaker 1: a lived in cockney vibe. Is yeah, the cockney accent. No, No, 1066 01:04:27,040 --> 01:04:30,240 Speaker 1: she would be more like like like stilted upper class 1067 01:04:30,280 --> 01:04:35,120 Speaker 1: like you're known exception granger, said Belatricks. So she bit 1068 01:04:35,200 --> 01:04:37,520 Speaker 1: her lip her money, looked at the woman in front 1069 01:04:37,560 --> 01:04:40,600 Speaker 1: of her, and felt her breathing hitch a bit. As 1070 01:04:40,600 --> 01:04:43,240 Speaker 1: you know, I have always been top of my class 1071 01:04:43,280 --> 01:04:48,400 Speaker 1: at I'm rather intelligent. I analyzed my situation with you 1072 01:04:48,760 --> 01:04:51,480 Speaker 1: and have come to the conclusion that is better for 1073 01:04:51,520 --> 01:04:55,000 Speaker 1: my sake to just give it to you, said her money. 1074 01:04:56,360 --> 01:04:58,960 Speaker 1: Belatricks was hanging onto every word that came out of 1075 01:04:58,960 --> 01:05:01,600 Speaker 1: her pretty little mouth. Off, I want to give it 1076 01:05:01,640 --> 01:05:05,200 Speaker 1: to you, Belatricks, take me. This last part came out 1077 01:05:05,280 --> 01:05:09,360 Speaker 1: as a whisper. The woman nearly swooned at what the 1078 01:05:09,400 --> 01:05:11,760 Speaker 1: girl on the floor was saying with a flick of 1079 01:05:11,760 --> 01:05:14,720 Speaker 1: her wand the chains disappeared around her Mines risk, Oh 1080 01:05:14,880 --> 01:05:21,320 Speaker 1: this is I think that this is touching on something 1081 01:05:21,320 --> 01:05:23,720 Speaker 1: that's very reminiscent of my high school experience, which is, 1082 01:05:24,200 --> 01:05:27,600 Speaker 1: you know, touching over the bra and that is like 1083 01:05:27,680 --> 01:05:29,960 Speaker 1: the most erotic thing you could be doing. Like when 1084 01:05:29,960 --> 01:05:32,480 Speaker 1: I had a girlfriend in seventh grade. Please pretend to 1085 01:05:32,480 --> 01:05:36,480 Speaker 1: be shocked. I um, yeah, I remember touching Brittany over 1086 01:05:36,520 --> 01:05:39,680 Speaker 1: the broad and being like, I've never done anything more 1087 01:05:39,720 --> 01:05:42,240 Speaker 1: erotic in mind hare line, you know what I mean. 1088 01:05:43,480 --> 01:05:45,880 Speaker 1: I've never read anything as erotic as that excerpt, which 1089 01:05:45,880 --> 01:05:49,960 Speaker 1: were only her peace love belatricks go for everyone subscribe 1090 01:05:50,000 --> 01:05:53,760 Speaker 1: and followed to peace dot love dot Bellatrix. Now that 1091 01:05:53,800 --> 01:05:59,600 Speaker 1: we're having a conversation about UM authors, you do think 1092 01:05:59,680 --> 01:06:10,040 Speaker 1: it is unfortunately time to touch briefly on you know who. Okay, 1093 01:06:10,080 --> 01:06:12,400 Speaker 1: we're gonna put the book in context of our of 1094 01:06:12,480 --> 01:06:20,320 Speaker 1: our modern day, which, unfortunately, I think what in UM 1095 01:06:20,560 --> 01:06:22,280 Speaker 1: she who must not be named did a bunch of 1096 01:06:22,920 --> 01:06:25,280 Speaker 1: tweeted a bunch of things that no one really needed 1097 01:06:25,280 --> 01:06:28,240 Speaker 1: to hear, and we're not going to get into them 1098 01:06:28,320 --> 01:06:34,120 Speaker 1: here because I'm really not interested in going through and 1099 01:06:34,160 --> 01:06:38,360 Speaker 1: talking about exactly what this person has said about trans people. 1100 01:06:38,920 --> 01:06:42,320 Speaker 1: Other people have analyzed it and broken it down in 1101 01:06:43,000 --> 01:06:45,360 Speaker 1: smarter ways than we will be able to and we'll 1102 01:06:45,400 --> 01:06:48,840 Speaker 1: we'll give you some suggestions for further reading towards the 1103 01:06:48,920 --> 01:06:53,720 Speaker 1: end of the episode. What I think is interesting is 1104 01:06:54,040 --> 01:06:59,040 Speaker 1: looking back at the text itself and looking for clues, 1105 01:06:59,120 --> 01:07:02,040 Speaker 1: because I do think they're there. Um. I mean, we 1106 01:07:02,120 --> 01:07:04,680 Speaker 1: talked a little bit before about Rita Skeeter and kind 1107 01:07:04,680 --> 01:07:09,480 Speaker 1: of a joking way, but also this kind of attitude 1108 01:07:09,720 --> 01:07:13,360 Speaker 1: that this person clearly has about trans women is very 1109 01:07:13,400 --> 01:07:20,120 Speaker 1: apparent in ways that we didn't pick up on his kids. Um. 1110 01:07:20,160 --> 01:07:23,640 Speaker 1: There is a scene in Prisoner Ascaman, both the book 1111 01:07:23,800 --> 01:07:29,720 Speaker 1: and the film, the Boggert scene where the Defense against 1112 01:07:29,720 --> 01:07:32,480 Speaker 1: the Dark Arts classes facing down a Boggert, which is 1113 01:07:32,520 --> 01:07:35,920 Speaker 1: this monster that turns into whatever you fear the most. 1114 01:07:36,240 --> 01:07:38,920 Speaker 1: It lives in a closet, and so they're in class 1115 01:07:38,920 --> 01:07:43,360 Speaker 1: facing it and Neville's Boggert comes out and it is 1116 01:07:43,520 --> 01:07:47,320 Speaker 1: Professor Snape, which is like the person nevill is scared 1117 01:07:47,360 --> 01:07:50,000 Speaker 1: of the most. And the spell that they do to 1118 01:07:50,040 --> 01:07:54,760 Speaker 1: defeat the Boggert transforms the Bogger into something that they 1119 01:07:54,760 --> 01:07:57,880 Speaker 1: can laugh at, because that's what makes Boggerts go away 1120 01:07:57,920 --> 01:08:03,120 Speaker 1: as laughter. And what the spell does is put Snape 1121 01:08:03,160 --> 01:08:08,000 Speaker 1: in women's clothing, and then suddenly this terrifying person becomes 1122 01:08:08,320 --> 01:08:14,440 Speaker 1: ridiculous and they all laugh at it because to she 1123 01:08:14,560 --> 01:08:17,120 Speaker 1: who must not be named, the funniest thing she can 1124 01:08:17,160 --> 01:08:19,840 Speaker 1: think of is, you know, a guy dressing a man 1125 01:08:20,040 --> 01:08:23,599 Speaker 1: a man in women's clothing. Like clearly that's how that's 1126 01:08:23,600 --> 01:08:27,439 Speaker 1: how this author thinks of trans women in ways again 1127 01:08:27,479 --> 01:08:29,240 Speaker 1: that we don't have to get into. But I think 1128 01:08:29,240 --> 01:08:32,679 Speaker 1: it's like telling. I mean, it just goes to show 1129 01:08:32,720 --> 01:08:35,360 Speaker 1: how out of touch the whole situation, how how out 1130 01:08:35,400 --> 01:08:38,559 Speaker 1: of touch she is from Like what people take away 1131 01:08:38,560 --> 01:08:42,200 Speaker 1: from these books, like we talked earlier about like how 1132 01:08:42,560 --> 01:08:48,280 Speaker 1: this franchise has a really um palpable way of capturing 1133 01:08:48,280 --> 01:08:52,000 Speaker 1: the imagination of a child, especially if that kid feels motored, 1134 01:08:52,120 --> 01:08:55,600 Speaker 1: which honestly, queer or straight, like every kid felt like 1135 01:08:55,760 --> 01:08:59,080 Speaker 1: left out once you start hitting puberty, right, like you 1136 01:08:59,200 --> 01:09:02,120 Speaker 1: have that air of your life where everything is embarrassing. 1137 01:09:02,840 --> 01:09:06,040 Speaker 1: Um but like, especially if you're queer, like you really 1138 01:09:06,080 --> 01:09:09,200 Speaker 1: feel like outside of the world and you feel like 1139 01:09:09,720 --> 01:09:12,360 Speaker 1: you know, there is like nothing for you. And this 1140 01:09:12,360 --> 01:09:15,400 Speaker 1: this book was such a beautiful, like kind of way 1141 01:09:15,560 --> 01:09:17,599 Speaker 1: of framing like there is a world on the other 1142 01:09:17,640 --> 01:09:20,280 Speaker 1: side for you with people that you belong to. You 1143 01:09:20,320 --> 01:09:22,160 Speaker 1: know what I mean, did you feel that way growing 1144 01:09:22,200 --> 01:09:26,240 Speaker 1: up and reading the books? Yeah, that's that you know, Um, 1145 01:09:26,920 --> 01:09:30,559 Speaker 1: I definitely connected with this idea of the you know, 1146 01:09:30,640 --> 01:09:36,640 Speaker 1: the the kid who was weird and like discovered that 1147 01:09:36,680 --> 01:09:39,200 Speaker 1: there was something about them that connected them to like 1148 01:09:39,280 --> 01:09:43,640 Speaker 1: a greater community. I mean, that's a queer reading of 1149 01:09:43,640 --> 01:09:46,479 Speaker 1: Harry Potter. And it's like, so you don't have to 1150 01:09:46,560 --> 01:09:50,679 Speaker 1: dig deep to find queer subtext in in these books. 1151 01:09:50,840 --> 01:09:52,920 Speaker 1: It just goes to show that she the thing that 1152 01:09:53,000 --> 01:09:56,720 Speaker 1: she produced that she's kind of like tainted our memory 1153 01:09:56,760 --> 01:09:59,879 Speaker 1: of is actually like we can't let her taint tainted, 1154 01:10:00,040 --> 01:10:02,240 Speaker 1: you know what I mean, Like it has to This 1155 01:10:02,280 --> 01:10:05,559 Speaker 1: story belongs to us, the feelings we felt growing up. 1156 01:10:05,600 --> 01:10:08,439 Speaker 1: I feel like it still belongs to us. I don't 1157 01:10:08,560 --> 01:10:13,320 Speaker 1: know where I really fall on that conversation, because last 1158 01:10:13,439 --> 01:10:17,439 Speaker 1: summer there was a lot of discourse about you know, 1159 01:10:17,680 --> 01:10:22,000 Speaker 1: death of the author and like authorial intent and um, 1160 01:10:22,040 --> 01:10:24,679 Speaker 1: you know a lot of people kind of reclaiming this 1161 01:10:24,800 --> 01:10:27,640 Speaker 1: and saying, oh, it doesn't have an author, and like 1162 01:10:27,760 --> 01:10:32,120 Speaker 1: it belongs to us. And I don't think I'll ever 1163 01:10:32,280 --> 01:10:36,479 Speaker 1: personally be able to totally decontextualize Harry Potter from the 1164 01:10:36,520 --> 01:10:41,280 Speaker 1: person who created it. Um. But I've at least swung 1165 01:10:41,320 --> 01:10:43,680 Speaker 1: back around from where I was last year, which was 1166 01:10:44,040 --> 01:10:46,200 Speaker 1: I don't want anything to do with this. The person 1167 01:10:46,240 --> 01:10:49,400 Speaker 1: who created it like doesn't want to acknowledge my dignity 1168 01:10:49,400 --> 01:10:53,479 Speaker 1: as a human too. Now I'm like, well, there are 1169 01:10:53,520 --> 01:10:57,240 Speaker 1: parts of this I can like love, like earnestly or 1170 01:10:57,280 --> 01:11:00,640 Speaker 1: ironically or like whatever, And then they're parts of it 1171 01:11:00,720 --> 01:11:02,720 Speaker 1: that I'm just like we'll stay away from or be 1172 01:11:02,840 --> 01:11:07,000 Speaker 1: critical of. I think that that is like in the 1173 01:11:07,439 --> 01:11:10,680 Speaker 1: I hate to say this, like to invoke the term 1174 01:11:10,720 --> 01:11:14,519 Speaker 1: cancel culture at all. There's a really great video that 1175 01:11:14,600 --> 01:11:17,080 Speaker 1: Rose turned me onto by ContraPoints that like talks about 1176 01:11:17,439 --> 01:11:19,719 Speaker 1: the author of this book in relationship like can cancel 1177 01:11:19,760 --> 01:11:22,120 Speaker 1: culture whatever. But like I think that there's like a 1178 01:11:22,240 --> 01:11:26,360 Speaker 1: very unnuanced thing that's happening in social media right now. 1179 01:11:26,360 --> 01:11:29,439 Speaker 1: We're like people will tweet about something and then all 1180 01:11:29,439 --> 01:11:32,639 Speaker 1: of a sudden, everyone's like delete it, like we never 1181 01:11:32,680 --> 01:11:35,080 Speaker 1: want to see it again, ban it from the libraries 1182 01:11:35,160 --> 01:11:39,240 Speaker 1: or whatever, and like that's actually not what like being 1183 01:11:39,320 --> 01:11:42,639 Speaker 1: kind of like restorative lee justice minded in like our world, 1184 01:11:42,680 --> 01:11:46,160 Speaker 1: Like it looks like like the point as you're exactly 1185 01:11:46,200 --> 01:11:49,639 Speaker 1: as you're saying, is like, when these cultural objects come 1186 01:11:49,680 --> 01:11:53,840 Speaker 1: into like our lives, now, it's our job to like 1187 01:11:53,960 --> 01:11:57,240 Speaker 1: make history, stick to it, and then still try to 1188 01:11:57,479 --> 01:12:01,160 Speaker 1: enjoy it the best we can understanding that context. Yeah, 1189 01:12:01,200 --> 01:12:05,040 Speaker 1: and I think, um, you know, interrogate and investigate our 1190 01:12:05,080 --> 01:12:08,639 Speaker 1: own relationships to it exactly and what those relationships look 1191 01:12:08,720 --> 01:12:13,800 Speaker 1: like knowing all of this, because I'm sure there are 1192 01:12:13,800 --> 01:12:17,599 Speaker 1: people that that wish they could just pretend they had 1193 01:12:17,640 --> 01:12:20,840 Speaker 1: never read her tweets and like love this in an 1194 01:12:20,880 --> 01:12:23,920 Speaker 1: uncomplicated way. That's not me. I want to know I 1195 01:12:24,000 --> 01:12:26,519 Speaker 1: was this close to getting a deadly hollice tattoo rose Like, 1196 01:12:26,560 --> 01:12:29,320 Speaker 1: I don't know what I would have done if I don't. 1197 01:12:29,320 --> 01:12:31,120 Speaker 1: I don't know what my relationship to that would have 1198 01:12:31,160 --> 01:12:33,680 Speaker 1: been if that You know, well, I did get a 1199 01:12:33,720 --> 01:12:39,240 Speaker 1: deadly hollowed tattoo. And I mean even before she who 1200 01:12:39,320 --> 01:12:43,680 Speaker 1: must not be named, came out like really as transphobic, 1201 01:12:44,360 --> 01:12:46,439 Speaker 1: I could already see the writing on the wall, and 1202 01:12:46,479 --> 01:12:50,120 Speaker 1: I got it covered up because I she she had 1203 01:12:50,120 --> 01:12:54,560 Speaker 1: at that point kind of already started like liking transphobic tweets, 1204 01:12:54,800 --> 01:12:58,040 Speaker 1: which is funny because I used to tweet at her 1205 01:12:58,479 --> 01:13:03,519 Speaker 1: even before there was any even whisperings that she could 1206 01:13:03,520 --> 01:13:06,040 Speaker 1: be a turf. Um I used to tweet at her 1207 01:13:06,080 --> 01:13:09,400 Speaker 1: asking like, what is trans healthcare like in the Wizarding World. 1208 01:13:11,040 --> 01:13:13,360 Speaker 1: I'm sure it was something she was very concerned with. 1209 01:13:14,040 --> 01:13:16,000 Speaker 1: What do you think trans healthcare is like in the 1210 01:13:16,040 --> 01:13:20,800 Speaker 1: Wizarding World? Um, I mean not there is there like 1211 01:13:21,200 --> 01:13:24,679 Speaker 1: is there a hormone replacement therapy potion? Okay, So producer 1212 01:13:24,680 --> 01:13:27,720 Speaker 1: Phoebe has dropped into the chat that that the um 1213 01:13:27,840 --> 01:13:31,920 Speaker 1: Diagon Alley does have like crunchy queer vibes, like kind 1214 01:13:31,960 --> 01:13:34,599 Speaker 1: of like and I feel like maybe the girls got 1215 01:13:34,640 --> 01:13:37,040 Speaker 1: their moans a Diagon Alley, like in the kind of 1216 01:13:37,080 --> 01:13:39,400 Speaker 1: like back and and and like I think it's a 1217 01:13:39,400 --> 01:13:42,559 Speaker 1: lot like how healthcare exists in America, and that there's 1218 01:13:42,600 --> 01:13:46,040 Speaker 1: not a ton of infrastructure for trans healthcare federally from 1219 01:13:46,080 --> 01:13:49,439 Speaker 1: the government, but Mutual Aid has found ways to get 1220 01:13:49,600 --> 01:13:52,200 Speaker 1: healthcare to transgirl. Okay, so maybe they weren't going to 1221 01:13:52,240 --> 01:13:54,800 Speaker 1: Diagon Alley. They were going to Knock Turn Alley, which 1222 01:13:54,840 --> 01:14:00,280 Speaker 1: is like that's like the bad alley, like where you know, 1223 01:14:00,439 --> 01:14:04,479 Speaker 1: like dark magic stuff happens. But Okay, I do agree 1224 01:14:04,920 --> 01:14:07,960 Speaker 1: that maybe at one point trans healthcare in there wasn't 1225 01:14:08,000 --> 01:14:11,720 Speaker 1: in world was like kind of jankie um. But I 1226 01:14:11,760 --> 01:14:15,719 Speaker 1: would say like, let's um, you know, reclaim the narrative 1227 01:14:15,840 --> 01:14:19,320 Speaker 1: and say that it has let's apply some fan fiction type. 1228 01:14:19,320 --> 01:14:22,160 Speaker 1: Thinking I'm a student of Hogwarts. I would just go 1229 01:14:22,280 --> 01:14:26,960 Speaker 1: to Madam Palmfrey um down in the you know, infirmary, 1230 01:14:27,080 --> 01:14:31,240 Speaker 1: and say, Madam Palmfrey, you know I have always seen 1231 01:14:31,240 --> 01:14:35,439 Speaker 1: myself as a woman and I really want to start 1232 01:14:35,479 --> 01:14:39,640 Speaker 1: my medical transition. And she's like, Pip, Pip cheerio, here's 1233 01:14:39,640 --> 01:14:44,200 Speaker 1: here's an est. Madam Palmfreys like the front dust people 1234 01:14:44,200 --> 01:14:46,040 Speaker 1: at callen More, They're like, you're gonna need to make 1235 01:14:46,080 --> 01:14:50,920 Speaker 1: an appointment. No, I don't even need a prescription nothing. 1236 01:14:51,040 --> 01:14:54,240 Speaker 1: She's just like, here you go. Actually, maybe you don't 1237 01:14:54,240 --> 01:14:55,920 Speaker 1: even need to go in. Maybe it's sent to you 1238 01:14:55,960 --> 01:14:59,840 Speaker 1: by OWL because you ordered it online. There's there is 1239 01:15:00,080 --> 01:15:04,160 Speaker 1: or worldwide Web. I feel like, well, actually, I don't know. 1240 01:15:04,520 --> 01:15:07,640 Speaker 1: I'm sure in this version of our reality there's a 1241 01:15:07,680 --> 01:15:13,840 Speaker 1: worldwide Web, or at least a wizarding Worldwide Web www 1242 01:15:14,040 --> 01:15:17,439 Speaker 1: w dot com. You know what I think it's time 1243 01:15:17,479 --> 01:15:19,320 Speaker 1: to do, Fran, what do you think it's time today? 1244 01:15:19,400 --> 01:15:21,360 Speaker 1: I think it's time to take this sorting hot quiz. 1245 01:15:36,840 --> 01:15:39,759 Speaker 1: Fran I found a quiz it claims to be better 1246 01:15:39,800 --> 01:15:42,200 Speaker 1: than the pot or more quiz, which also the pot 1247 01:15:42,280 --> 01:15:44,240 Speaker 1: more quiz takes like an hour. And also we don't 1248 01:15:44,280 --> 01:15:46,439 Speaker 1: want anything sanctioned by she who must not be named, 1249 01:15:46,520 --> 01:15:50,280 Speaker 1: So true, I think what we should do is I'm 1250 01:15:50,280 --> 01:15:52,840 Speaker 1: going to ask you the questions and put your answers 1251 01:15:53,040 --> 01:15:56,000 Speaker 1: into into mine. You're going to do the same thing 1252 01:15:56,040 --> 01:15:57,759 Speaker 1: for me, and then we will be able to surprise 1253 01:15:57,800 --> 01:16:03,479 Speaker 1: each other. And with the house. Okay, France, imagine you 1254 01:16:03,520 --> 01:16:05,840 Speaker 1: have a wand and you can do any magic with it. 1255 01:16:06,360 --> 01:16:08,679 Speaker 1: What do you want it's core to be made of? Come? 1256 01:16:09,360 --> 01:16:12,120 Speaker 1: I'm sorry, Oh, there are options. There are options. This 1257 01:16:12,240 --> 01:16:16,479 Speaker 1: is not a right in quiz um Holly with the 1258 01:16:16,520 --> 01:16:20,719 Speaker 1: phoenix feather core, Chestnut with the phoenix feather core, Cherry 1259 01:16:20,840 --> 01:16:24,840 Speaker 1: with a dragon heartstring core, you with a phoenix feather core, 1260 01:16:25,080 --> 01:16:28,280 Speaker 1: or I'm going to say you with a phoenix feather core. 1261 01:16:29,320 --> 01:16:34,600 Speaker 1: I would say, what's most outstanding portraits? Hanging plants, various paintings. 1262 01:16:34,720 --> 01:16:38,520 Speaker 1: I have stone walls. Well, we know that my apartment 1263 01:16:38,760 --> 01:16:42,400 Speaker 1: is like essentially not decorated at all because I hate it. 1264 01:16:42,680 --> 01:16:46,680 Speaker 1: So I'm gonna say I have stone walls and you portraits. 1265 01:16:47,000 --> 01:16:49,040 Speaker 1: Now I have a lot of art, oh right, right, 1266 01:16:49,120 --> 01:16:53,200 Speaker 1: various paintings, various paintings, failing the best friend. Well, I 1267 01:16:53,240 --> 01:16:57,760 Speaker 1: was confusing, like the idea of portraits, and I have 1268 01:16:57,760 --> 01:17:03,160 Speaker 1: a lot of figurative work. What is your magical transportation model? Apparition, 1269 01:17:03,520 --> 01:17:08,640 Speaker 1: flu network flying or port key flying boots for me 1270 01:17:09,439 --> 01:17:12,280 Speaker 1: and for you? No apparition? I wanna. I want to 1271 01:17:12,320 --> 01:17:15,200 Speaker 1: be popping in and out like that. Okay, cool, I 1272 01:17:15,200 --> 01:17:19,120 Speaker 1: I enjoy the ride, I'll fly. What is your zodiac sign? 1273 01:17:19,960 --> 01:17:23,240 Speaker 1: You're a Taurus and I'm a cancer. What are you 1274 01:17:23,280 --> 01:17:28,360 Speaker 1: curious about the world after we die? I will say that. 1275 01:17:28,400 --> 01:17:35,640 Speaker 1: Actually the quiz says world after the die, Earth, world, evil, plants, 1276 01:17:36,560 --> 01:17:41,960 Speaker 1: magical creatures. I'm I'm concerned with evil. I think that 1277 01:17:42,160 --> 01:17:44,880 Speaker 1: morality is like the crux of a lot of things 1278 01:17:44,880 --> 01:17:48,479 Speaker 1: that take up space in my brain. I'm more curious 1279 01:17:48,520 --> 01:17:52,679 Speaker 1: about the world. So just world or world after the die? 1280 01:17:53,040 --> 01:17:55,800 Speaker 1: I'm not. I don't care about that. Please slop. Okay, 1281 01:17:55,800 --> 01:18:00,880 Speaker 1: So you're evil, I'm world. How do your friends describe you? Well, 1282 01:18:01,000 --> 01:18:03,960 Speaker 1: we can only answer this for each other. Rose recklessness, 1283 01:18:03,960 --> 01:18:10,679 Speaker 1: hard work, wise, mysterious, brave or righteous. I think people 1284 01:18:10,720 --> 01:18:13,720 Speaker 1: that don't know you that well would say brave. I 1285 01:18:13,760 --> 01:18:19,839 Speaker 1: think most of your friends would consider you I'm sorry, 1286 01:18:20,080 --> 01:18:24,000 Speaker 1: I'm gonna say righteous, and I don't say righteous necessarily 1287 01:18:24,080 --> 01:18:26,960 Speaker 1: in the ethical sense. I'm saying righteous and that when 1288 01:18:27,000 --> 01:18:30,200 Speaker 1: you believe something, there's very little that can back you 1289 01:18:30,280 --> 01:18:32,120 Speaker 1: down in a good way. I'm saying that in a 1290 01:18:32,160 --> 01:18:34,599 Speaker 1: positive way. I think of Rose as someone who just 1291 01:18:34,640 --> 01:18:38,000 Speaker 1: really knows what you want. That's kind of righteousness that 1292 01:18:38,080 --> 01:18:42,800 Speaker 1: it was my second runner, I would be recklessness, okay, um, 1293 01:18:42,840 --> 01:18:48,040 Speaker 1: And for you, I think the kind of obvious one 1294 01:18:48,120 --> 01:18:50,519 Speaker 1: also to people who don't know you very well, would 1295 01:18:50,520 --> 01:18:53,880 Speaker 1: be brave. Um. But I'm going to say hard work. 1296 01:18:54,439 --> 01:18:58,639 Speaker 1: I think you're very committed to your work and your 1297 01:18:58,680 --> 01:19:01,720 Speaker 1: friends and your life. From interesting that none of us 1298 01:19:01,800 --> 01:19:06,280 Speaker 1: chose wise for each other. I don't know if people 1299 01:19:06,320 --> 01:19:10,080 Speaker 1: look to me for like wisdom. I think people who 1300 01:19:10,560 --> 01:19:15,040 Speaker 1: subscribe to your newsletter maybe not you, but I do 1301 01:19:15,120 --> 01:19:17,479 Speaker 1: subscribe to it. I just don't read it. I read 1302 01:19:17,479 --> 01:19:19,720 Speaker 1: it sometimes, well, I mostly read it to see if 1303 01:19:19,720 --> 01:19:22,960 Speaker 1: you mentioned me, which I do. Sometimes you do. Sometimes 1304 01:19:22,960 --> 01:19:28,000 Speaker 1: you steal my jokes. And now we're at the final question, 1305 01:19:28,600 --> 01:19:30,720 Speaker 1: what do you typically do when you get together with 1306 01:19:30,760 --> 01:19:34,800 Speaker 1: your friends at home? We celebrate a special event. We 1307 01:19:34,920 --> 01:19:38,840 Speaker 1: usually research and discuss scientific ideas. We usually get together 1308 01:19:38,880 --> 01:19:42,200 Speaker 1: to do our homework, or we deal with our enemies 1309 01:19:42,240 --> 01:19:46,960 Speaker 1: and build special strategies or relaxation. I can only go 1310 01:19:47,320 --> 01:19:51,519 Speaker 1: off of what we do with each other, and I 1311 01:19:51,560 --> 01:19:57,360 Speaker 1: guess relaxation. But also like we do build strategies. Yeah, 1312 01:19:57,360 --> 01:19:59,880 Speaker 1: we do work a lot, we did together, butn't know, 1313 01:20:00,160 --> 01:20:01,840 Speaker 1: it doesn't feel like work, but not to deal with 1314 01:20:01,880 --> 01:20:04,200 Speaker 1: our enemies, which is what this question is about. So 1315 01:20:04,200 --> 01:20:06,880 Speaker 1: I guess, let's say for relaxation, we do both have 1316 01:20:07,160 --> 01:20:10,519 Speaker 1: a lot of nemesses. Yeah, which is important to note. 1317 01:20:10,680 --> 01:20:13,639 Speaker 1: I guess for the sake of the well, a real answer, 1318 01:20:13,720 --> 01:20:15,840 Speaker 1: but like yeah, because we do spend a lot of 1319 01:20:15,840 --> 01:20:21,799 Speaker 1: time processing with each other and and and like you know, conniving. Yeah, okay, 1320 01:20:21,840 --> 01:20:26,200 Speaker 1: so we strategies, special strategy strate. Okay, So now we're 1321 01:20:26,240 --> 01:20:35,360 Speaker 1: going to click the button and get our result surprising 1322 01:20:35,400 --> 01:20:36,880 Speaker 1: no one. Do you want me to tell you who 1323 01:20:36,920 --> 01:20:40,679 Speaker 1: you are? Yeah? Well, can I guess? Yes? You can? 1324 01:20:41,439 --> 01:20:44,120 Speaker 1: My Slytherin. Yeah you're a slitherin. Yeah, yeah, of course 1325 01:20:44,160 --> 01:20:46,400 Speaker 1: you are. Okay, do you want to guess what you are? 1326 01:20:46,920 --> 01:20:49,280 Speaker 1: Does it say I'm a raven claw or no, you're 1327 01:20:49,280 --> 01:20:53,280 Speaker 1: a griffin? Door fuck that I've taken other quizzes that 1328 01:20:53,320 --> 01:20:57,320 Speaker 1: said I was a Slytherin. I had some slitherin answers 1329 01:20:57,320 --> 01:20:59,080 Speaker 1: in there, but I was trying not to throw the quiz. 1330 01:20:59,120 --> 01:21:03,160 Speaker 1: You know, fran I think you're just not a slytherin 1331 01:21:03,320 --> 01:21:05,839 Speaker 1: denial and in denial. But you know what this means 1332 01:21:05,960 --> 01:21:10,960 Speaker 1: that we are not allowing the houses to divide us. 1333 01:21:11,120 --> 01:21:15,559 Speaker 1: That's right, We're having um inter house friendship and we 1334 01:21:15,640 --> 01:21:20,360 Speaker 1: are almost diametrically opposed, and that that's what's what makes 1335 01:21:20,360 --> 01:21:22,880 Speaker 1: our friendship so strong. And I'm going to reach my 1336 01:21:22,960 --> 01:21:25,920 Speaker 1: hand out to you this time. This time, actually we 1337 01:21:25,960 --> 01:21:28,080 Speaker 1: are all this time. You are reciprocate, and I'm not 1338 01:21:28,160 --> 01:21:30,920 Speaker 1: just stretching, and it's definitely you. You're not you're not 1339 01:21:31,000 --> 01:21:32,720 Speaker 1: in the vibe. You're kind of you got a kind 1340 01:21:32,720 --> 01:21:37,439 Speaker 1: of stiff shoulder. But I am also now digging my nails. Yes, 1341 01:21:37,680 --> 01:21:41,280 Speaker 1: you are giving me a little acupuncture here. Well, Rose, 1342 01:21:41,680 --> 01:21:44,760 Speaker 1: it's glad that we confirmed things that everyone already knows 1343 01:21:44,760 --> 01:21:47,760 Speaker 1: about us, which is that I'm a grove indoor and 1344 01:21:47,920 --> 01:21:50,759 Speaker 1: your a Slytherin. But that is what makes this whole 1345 01:21:50,960 --> 01:21:59,400 Speaker 1: story so interesting. So we'll be back next week talking 1346 01:21:59,400 --> 01:22:02,800 Speaker 1: about Taylor Swift's Red album Kennon. Obviously, we're going to 1347 01:22:02,840 --> 01:22:05,000 Speaker 1: do an episode on Not, so y'all can study up 1348 01:22:05,120 --> 01:22:07,360 Speaker 1: or not, you know, come into it cool and that's wine. 1349 01:22:07,840 --> 01:22:09,759 Speaker 1: You can tweet us your takes on this week's episode. 1350 01:22:09,800 --> 01:22:11,920 Speaker 1: I'm actually really excited to know what y'all think of 1351 01:22:11,920 --> 01:22:15,160 Speaker 1: the podcast. Rose. Are you excited? Rose, Yes, but only 1352 01:22:15,240 --> 01:22:19,519 Speaker 1: if it's positive. I'm your co host frand Toronto. You 1353 01:22:19,520 --> 01:22:22,000 Speaker 1: can find me at Franz Squish co on any social 1354 01:22:22,040 --> 01:22:24,320 Speaker 1: media you want. I'm Rose damn You. You can find 1355 01:22:24,320 --> 01:22:27,000 Speaker 1: me out Rose Damn You on Twitter and Instagram. You 1356 01:22:27,040 --> 01:22:29,800 Speaker 1: can subscribe to Like a Virgin anywhere you listen to podcasts, 1357 01:22:29,840 --> 01:22:32,639 Speaker 1: and definitely leave us a review because it helps brand 1358 01:22:32,680 --> 01:22:35,240 Speaker 1: new podcasts quite a lot. Like a Virgin is an 1359 01:22:35,280 --> 01:22:37,960 Speaker 1: I Heeart radio production. Our producer is Phoebe Unter, with 1360 01:22:38,000 --> 01:22:41,760 Speaker 1: support from Lindsay Hoffman, Julian Weller, Jess Crane Chitch and 1361 01:22:42,080 --> 01:22:46,880 Speaker 1: Nikki Etour. Until next week, See you later, Virgins Chow