1 00:00:02,040 --> 00:00:05,240 Speaker 1: Welcome back to another episode of Alchemy. This Cold Stratton 2 00:00:05,280 --> 00:00:07,720 Speaker 1: here filling in for Kevin Pollock, who's directing a new 3 00:00:07,760 --> 00:00:14,040 Speaker 1: Garden Herb cooking competition the marvelous Mrs Basil. That will 4 00:00:14,080 --> 00:00:15,120 Speaker 1: be a lot of this. That's would be a lot 5 00:00:15,160 --> 00:00:21,599 Speaker 1: of it. It's it's New Year's Eve, so instead of 6 00:00:21,600 --> 00:00:24,320 Speaker 1: the usual garbage of weird questions that came up with, 7 00:00:24,840 --> 00:00:26,680 Speaker 1: I'd rather introduce the aucumists that go around and find 8 00:00:26,680 --> 00:00:29,400 Speaker 1: out what your new Year's resolutions are, and then a 9 00:00:29,480 --> 00:00:32,519 Speaker 1: year from now we can check in and see what happened. 10 00:00:32,560 --> 00:00:36,959 Speaker 1: So first up, Chris Alvarado, Hey, let's see. Well, I've 11 00:00:36,960 --> 00:00:38,720 Speaker 1: had a lot of time to think about this because 12 00:00:38,840 --> 00:00:42,240 Speaker 1: today's New Year's Eve, so tomorrow I should I should 13 00:00:42,320 --> 00:00:45,479 Speaker 1: be working on it. Um. I think it's going to 14 00:00:45,560 --> 00:00:48,720 Speaker 1: be a general umbrella type resolution with a lot of 15 00:00:48,720 --> 00:00:51,080 Speaker 1: little things underneath it. And I think the goal is 16 00:00:51,120 --> 00:00:53,800 Speaker 1: just to love myself more, because it turns out I'm 17 00:00:53,880 --> 00:00:55,560 Speaker 1: going to therapy and I have a lot of self 18 00:00:55,560 --> 00:00:58,320 Speaker 1: loathing and self I didn't know that though, I was 19 00:00:58,360 --> 00:01:03,120 Speaker 1: surprised to find that out and therapists here today. Wow, 20 00:01:03,680 --> 00:01:06,000 Speaker 1: So there you go, love myself a little bit more. 21 00:01:06,640 --> 00:01:15,920 Speaker 1: Vanessa Raglan let me fuck boys, not men, not man. 22 00:01:16,120 --> 00:01:20,480 Speaker 1: Go back down, make money boys. I think you have 23 00:01:20,520 --> 00:01:24,559 Speaker 1: your new T shirt design Hunter. Yes, that's the DYNA. 24 00:01:27,360 --> 00:01:36,000 Speaker 1: I don't like my That's not a resolution, that's a war. Craig, 25 00:01:36,040 --> 00:01:38,680 Speaker 1: are you gonna make money boys? I want to fun 26 00:01:38,760 --> 00:01:41,840 Speaker 1: boys to men. I've only got two of the four, 27 00:01:42,240 --> 00:01:46,680 Speaker 1: so I'm going to complete the quartet um. I also 28 00:01:46,760 --> 00:01:51,840 Speaker 1: want to to see Chris's therapist and get some bird 29 00:01:51,920 --> 00:01:55,360 Speaker 1: on Chris. That's Craig Atkowsky. By the way, I didn't 30 00:01:55,360 --> 00:01:58,040 Speaker 1: give his last name, could have been Craig Anton or something. 31 00:01:58,080 --> 00:02:00,520 Speaker 1: I I think that's another thing for I'm just gonna 32 00:02:00,560 --> 00:02:03,280 Speaker 1: go by Craig as I think you know those one 33 00:02:03,360 --> 00:02:08,919 Speaker 1: name celebrities seem to do better biz James Haney uh 34 00:02:09,000 --> 00:02:13,960 Speaker 1: for this year coming up, I'd like next year. This. 35 00:02:13,960 --> 00:02:18,480 Speaker 1: This is my New Year's resolution starting tomorrow is going 36 00:02:18,520 --> 00:02:22,440 Speaker 1: to be to use more natural ingredients in your hands, browns, 37 00:02:22,720 --> 00:02:24,960 Speaker 1: just as many in as many things as possible. What 38 00:02:25,000 --> 00:02:27,480 Speaker 1: are the unnatural? What are you using? Well, you know 39 00:02:29,680 --> 00:02:32,160 Speaker 1: sometimes I'll break up some styrofoam to have fake snow 40 00:02:32,200 --> 00:02:38,200 Speaker 1: on the floor. You know those are ingredients, like do 41 00:02:38,280 --> 00:02:40,440 Speaker 1: I and I'm not saying I'm giving up hash browns. 42 00:02:40,720 --> 00:02:43,560 Speaker 1: But do I need to buy frozen premium hash browns? 43 00:02:43,639 --> 00:02:46,160 Speaker 1: Or could I just cut up a potato? Honey, you 44 00:02:46,240 --> 00:02:49,639 Speaker 1: are going to rue the day. I haven't made that 45 00:02:49,720 --> 00:02:52,320 Speaker 1: commitment yet. Have you decided to make hash browns from Scotch? 46 00:02:52,720 --> 00:02:55,040 Speaker 1: I wish I could take. I wish I could take. 47 00:02:56,960 --> 00:03:02,239 Speaker 1: How do you get them packed together? You're report. I 48 00:03:02,280 --> 00:03:05,359 Speaker 1: don't think they're going to be nearly You've grown a 49 00:03:05,480 --> 00:03:10,400 Speaker 1: customer too, sweet friends, No, it's way more expensive to 50 00:03:11,560 --> 00:03:17,360 Speaker 1: maybe Joey Greer. My new year's resolution is to finally 51 00:03:17,400 --> 00:03:20,760 Speaker 1: get the surgery to look exactly like James Keeney. I'm 52 00:03:20,760 --> 00:03:24,120 Speaker 1: going to be a one for one copy allowed to 53 00:03:24,160 --> 00:03:26,120 Speaker 1: do that. The christam a lot. I'm American. I can 54 00:03:26,120 --> 00:03:29,440 Speaker 1: do whatever the hell I want. Yeah, but that's my likeness. Yeah, 55 00:03:29,520 --> 00:03:31,959 Speaker 1: but only in real life. Have you copyrighted it? No? 56 00:03:32,280 --> 00:03:34,160 Speaker 1: But there you go. And I've already patented a lot 57 00:03:34,240 --> 00:03:37,800 Speaker 1: of the things he does. I didn't know you could. Yeah, 58 00:03:37,800 --> 00:03:40,160 Speaker 1: Well there you go. So this has been fun guys, Yeah, 59 00:03:40,360 --> 00:03:42,960 Speaker 1: I think the podcast is over. This is what are 60 00:03:43,000 --> 00:03:52,360 Speaker 1: you doing? I'm gonna make boys and fun money. Nobody nobody, 61 00:03:52,360 --> 00:03:55,640 Speaker 1: and honestly, growth, I think I'm gonna work on saying 62 00:03:55,680 --> 00:03:58,520 Speaker 1: no more because I tend to say yes to everything 63 00:03:58,560 --> 00:03:59,920 Speaker 1: and a lot of things I don't want to do. 64 00:04:00,080 --> 00:04:01,600 Speaker 1: Then I'm like, why do I say yes to that? 65 00:04:01,640 --> 00:04:05,480 Speaker 1: And then I work myself crazy? Are you telling us 66 00:04:07,520 --> 00:04:12,880 Speaker 1: this is what I will always say? Yes? Um? All right, well, 67 00:04:12,880 --> 00:04:14,440 Speaker 1: we'd like to invite you all to become v i 68 00:04:14,480 --> 00:04:17,200 Speaker 1: P members on our new Patreon page. This bonus episode 69 00:04:17,240 --> 00:04:19,360 Speaker 1: is not available to non members as a phone number 70 00:04:19,400 --> 00:04:20,760 Speaker 1: just for v i p s, where you can leave 71 00:04:20,800 --> 00:04:23,520 Speaker 1: a message, be at a question and request whatever you want. 72 00:04:23,600 --> 00:04:25,640 Speaker 1: We'll reply at our new regular video Q and A 73 00:04:25,839 --> 00:04:28,320 Speaker 1: with the Alchemist at Kevin's Place, which are only available 74 00:04:28,360 --> 00:04:30,240 Speaker 1: to v i p s Because all kinds of cool ship, 75 00:04:30,320 --> 00:04:32,640 Speaker 1: So please join our super core fans by going to 76 00:04:32,720 --> 00:04:36,200 Speaker 1: Patreon dot com slash alchemy This. All of today's scene 77 00:04:36,200 --> 00:04:38,960 Speaker 1: suggestions were gathered from our listeners emails. If you'd like 78 00:04:39,000 --> 00:04:41,680 Speaker 1: to submit yours, please write to the podcast at your 79 00:04:41,800 --> 00:04:45,320 Speaker 1: name here at alchemy this dot com. That's your name 80 00:04:45,480 --> 00:04:52,440 Speaker 1: here for our first scene, Hi, Alchemists, it's Jason again, 81 00:04:52,760 --> 00:04:55,479 Speaker 1: the teacher from Australia who offered up the scene suggestion 82 00:04:55,600 --> 00:04:59,159 Speaker 1: child teacher versus adult students. I was excited to see 83 00:04:59,160 --> 00:05:01,360 Speaker 1: how you could interprop really mangle an innocent scene in 84 00:05:01,400 --> 00:05:03,839 Speaker 1: which you didn't disappoint. Well done. You all get a 85 00:05:03,839 --> 00:05:07,080 Speaker 1: gold star since you all can't help yourself to make 86 00:05:07,120 --> 00:05:12,640 Speaker 1: scenes inappropriate, Let's face it, I have another scene suggestion 87 00:05:12,680 --> 00:05:16,440 Speaker 1: to share here. It is a university professor is delivering 88 00:05:16,440 --> 00:05:18,960 Speaker 1: a lecture. Every time he goes to show the class 89 00:05:18,960 --> 00:05:21,560 Speaker 1: of video clip about the topic he's teaching, he accidentally 90 00:05:21,600 --> 00:05:25,320 Speaker 1: plays porn. However, instead of admitting he made a mistake, 91 00:05:25,440 --> 00:05:27,680 Speaker 1: he always attempts to explain why he showed them porn 92 00:05:27,720 --> 00:05:29,800 Speaker 1: on purpose and how it relates to what they're learning. 93 00:05:30,440 --> 00:05:32,480 Speaker 1: You're all amazing, Thanks for the laughs. I look forward 94 00:05:32,480 --> 00:05:35,000 Speaker 1: to many more years of alchemy. Jason Taylor a k 95 00:05:35,240 --> 00:05:38,280 Speaker 1: mr t PS. It is super exciting to hear Kevin 96 00:05:38,320 --> 00:05:41,000 Speaker 1: Pollock reads something I wrote. Although if it happens to 97 00:05:41,040 --> 00:05:46,440 Speaker 1: be Cold Stratton, that's cool too. I guess I'll google him. 98 00:05:46,480 --> 00:05:55,159 Speaker 1: After the episode, Kevin wrote that, Hey, I'm just trying 99 00:05:55,160 --> 00:05:57,719 Speaker 1: to pay attention. Please, I need the notes. I'm trying 100 00:05:57,720 --> 00:06:00,280 Speaker 1: to pay attention. Do you guys keep it down? Yes, 101 00:06:00,480 --> 00:06:03,320 Speaker 1: I'm trying to learn about the Renaissance. We all are. 102 00:06:03,520 --> 00:06:05,000 Speaker 1: I'm asking for notes that we want some notes on 103 00:06:05,040 --> 00:06:09,080 Speaker 1: the Renaissance. You're gonna you're gonna have to Renaissance. Okay, 104 00:06:09,160 --> 00:06:11,280 Speaker 1: question ye can we start there? Maybe the professor is 105 00:06:11,279 --> 00:06:14,479 Speaker 1: going to cover that. Okay, he's wearing a tie today, 106 00:06:14,600 --> 00:06:16,920 Speaker 1: A great. Please stop talking to me, Please stop. Don't 107 00:06:16,920 --> 00:06:27,920 Speaker 1: even trying to tell what we're friends are. Yes, I 108 00:06:21,640 --> 00:06:32,600 Speaker 1: was trailing off Renaissance. That's what we're all gonna talk 109 00:06:32,640 --> 00:06:35,159 Speaker 1: about today. Raise your hands if you know what the 110 00:06:35,240 --> 00:06:40,599 Speaker 1: Renaissance is you? Yeah, what's the Renaissance period in time? Yeah? 111 00:06:40,680 --> 00:06:45,240 Speaker 1: Guys getting high fives? No, alright, so that was pretty good, 112 00:06:45,279 --> 00:06:49,120 Speaker 1: but it just kind of brings a box together. Okay, 113 00:06:49,160 --> 00:06:54,600 Speaker 1: hold on hold, I'm still praising another students generally correct answer. 114 00:06:54,760 --> 00:06:59,320 Speaker 1: Could you specify more what the Renaissance is? Yes, High 115 00:06:59,360 --> 00:07:03,240 Speaker 1: Professor Press Scott, thank you. I've been waiting three semesters 116 00:07:03,279 --> 00:07:05,800 Speaker 1: to take your class. It's hard to get into this class, really, 117 00:07:05,839 --> 00:07:07,840 Speaker 1: I know, I know what it's really excited to be here. 118 00:07:08,120 --> 00:07:14,600 Speaker 1: Renaissance is French for rebirth. Um, that sounds wrong. So 119 00:07:14,640 --> 00:07:17,440 Speaker 1: I did not learn French. I did not learn French. 120 00:07:17,600 --> 00:07:21,640 Speaker 1: But it sounds it sounds authentic. The good news for 121 00:07:21,680 --> 00:07:25,320 Speaker 1: you guys today is I have brought in from the 122 00:07:25,360 --> 00:07:32,200 Speaker 1: Renaissance VHS from the Renaissance. This no, no, this VHS 123 00:07:32,280 --> 00:07:34,120 Speaker 1: tape is going to teach you guys a lot about 124 00:07:34,160 --> 00:07:37,320 Speaker 1: the most important parts of the Renaissce movie. And it's 125 00:07:37,320 --> 00:07:41,720 Speaker 1: got a fantastic, fantastic host. You're gonna love it. Let's 126 00:07:41,720 --> 00:07:45,920 Speaker 1: just pop this in. And what she's showing a video 127 00:07:45,920 --> 00:07:49,680 Speaker 1: on the first day. You know, I'm a great professor. Okay, stop. 128 00:07:50,360 --> 00:07:53,320 Speaker 1: The Renaissance is the time when the world was looking 129 00:07:53,360 --> 00:07:59,640 Speaker 1: to do something. Okay, I gotta stop this. This is 130 00:07:59,640 --> 00:08:04,680 Speaker 1: the wrong tape. Right questions okay, question, question, This is 131 00:08:04,720 --> 00:08:07,680 Speaker 1: actually not an appropriate time. Question question, question question, okay, 132 00:08:07,760 --> 00:08:09,720 Speaker 1: yes you question. Is there any way I can to 133 00:08:09,760 --> 00:08:13,560 Speaker 1: barrow that video? Real quick? Huh, this is the incorrect video. 134 00:08:13,560 --> 00:08:18,280 Speaker 1: It's not gonna happens fine kind of video real quick? Please? 135 00:08:18,320 --> 00:08:24,400 Speaker 1: Please you you I saw something bad? Um? What did 136 00:08:24,440 --> 00:08:29,679 Speaker 1: you see? I don't want to say. You can whisper. 137 00:08:31,760 --> 00:08:33,120 Speaker 1: I don't want to I don't know if it's it 138 00:08:33,200 --> 00:08:34,920 Speaker 1: sounds like it's pretty bad. And I'm the teacher. So 139 00:08:35,040 --> 00:08:41,800 Speaker 1: who somebody's gonna be the word question. It looks like 140 00:08:41,840 --> 00:08:45,440 Speaker 1: on that VHS that you taped over something else. Well, 141 00:08:45,480 --> 00:08:48,200 Speaker 1: sometimes what happens is I'll have the video of one 142 00:08:48,280 --> 00:08:50,520 Speaker 1: thing and I don't know what the problem is, maybe 143 00:08:50,520 --> 00:08:52,280 Speaker 1: the audio cables in the back around, but it'll get 144 00:08:52,280 --> 00:08:54,320 Speaker 1: the audio because there were clearly was a voice over 145 00:08:54,360 --> 00:08:59,599 Speaker 1: about the Renaissance, but then the images were hardcore pornography. Yes, 146 00:08:59,640 --> 00:09:01,280 Speaker 1: I'm sure. I'm so sorry, I'm so sorry. I let 147 00:09:01,280 --> 00:09:03,280 Speaker 1: my car got told and I just why are there 148 00:09:03,280 --> 00:09:08,160 Speaker 1: so many boners? What? Listen? Sit down in a seat. Uh, sorry, 149 00:09:08,360 --> 00:09:10,120 Speaker 1: you're late for classes. I don't know if you know, 150 00:09:10,240 --> 00:09:14,079 Speaker 1: but Professor Prescott does not does not accept you done 151 00:09:14,320 --> 00:09:17,959 Speaker 1: yourself in the third person? You pervert. Well I'm the pervert, 152 00:09:19,400 --> 00:09:22,720 Speaker 1: Professor Prescott. I'm sure there's a logical explanation. I said, 153 00:09:22,760 --> 00:09:26,400 Speaker 1: what we just saw. Surely you can justify that, justify 154 00:09:26,480 --> 00:09:29,320 Speaker 1: what we just saw. Yeah, how it actually was something 155 00:09:29,400 --> 00:09:31,840 Speaker 1: you meant to show us? Well, it was something I 156 00:09:31,880 --> 00:09:35,800 Speaker 1: meant to show you. Um, but the tape didn't have 157 00:09:35,880 --> 00:09:38,319 Speaker 1: the Wait wait what did I mean? What did I 158 00:09:38,679 --> 00:09:42,600 Speaker 1: play it again? Well? You know what you guys, you guys, 159 00:09:42,640 --> 00:09:46,120 Speaker 1: I just got this VHS from class. You got what 160 00:09:46,800 --> 00:09:55,360 Speaker 1: you got? Two vs? Just take you? Is it working? 161 00:09:55,360 --> 00:09:59,480 Speaker 1: A blue right? My heart? Are you got to check 162 00:09:59,520 --> 00:10:02,440 Speaker 1: this fist? Hold on? Hold on him? Great, tim, Actually 163 00:10:02,440 --> 00:10:04,960 Speaker 1: I think we should listen to him. I haven't seen 164 00:10:04,960 --> 00:10:08,120 Speaker 1: his take this hard in a very long time. You're 165 00:10:08,120 --> 00:10:14,600 Speaker 1: telling me this is from class him sus takes. Will 166 00:10:14,679 --> 00:10:21,600 Speaker 1: it work? And blue right? Jam it in? It's working. 167 00:10:24,440 --> 00:10:30,160 Speaker 1: There is the time. Stop stop stopping ship out? Man, 168 00:10:30,360 --> 00:10:34,240 Speaker 1: Oh my god, it's so hot and information by touch 169 00:10:36,960 --> 00:10:40,280 Speaker 1: a sharp part. Ship dude, this is good stuff. Where'd 170 00:10:40,320 --> 00:10:42,920 Speaker 1: you get it? This is the pure pier from Professor 171 00:10:43,000 --> 00:10:46,480 Speaker 1: Professor Prescott. Hey, should all join that class? Takes three 172 00:10:46,520 --> 00:10:50,520 Speaker 1: semesters to get it? Doesn't wait? Jump in a month 173 00:10:50,600 --> 00:10:53,800 Speaker 1: old didn't do anything to my dick. Maybe I need 174 00:10:53,840 --> 00:10:58,480 Speaker 1: to do some soul searching. Yeah, that makes sense. It's fine. 175 00:10:58,559 --> 00:11:00,960 Speaker 1: Whatever you're into is fine. Whatever you're into fine. Maybe 176 00:11:01,000 --> 00:11:03,160 Speaker 1: they'll show some other videos and you know, maybe something 177 00:11:03,200 --> 00:11:05,600 Speaker 1: will flow. Maybe you're not. Maybe you're a pen sexual. 178 00:11:06,600 --> 00:11:10,080 Speaker 1: What time period are you into? I really like the 179 00:11:10,160 --> 00:11:12,880 Speaker 1: Dark Ages and the Age of Enlightenment, Like are two 180 00:11:12,920 --> 00:11:15,040 Speaker 1: things I'm super into. Well, I mean, that's kind of 181 00:11:15,040 --> 00:11:18,400 Speaker 1: like the Age of enlightenment like restaurance. It's nearby, but 182 00:11:18,520 --> 00:11:23,720 Speaker 1: it's like so close, uh, Professor Prescott, question question, question down. 183 00:11:23,720 --> 00:11:26,040 Speaker 1: I know that last week class didn't go the way 184 00:11:26,080 --> 00:11:29,360 Speaker 1: that you wanted it to. Not missing one of my 185 00:11:29,440 --> 00:11:33,400 Speaker 1: favorite tapes. Oh really that tape from last week? Yeah, 186 00:11:33,440 --> 00:11:35,400 Speaker 1: that student took it and never came back. That's one 187 00:11:35,400 --> 00:11:39,120 Speaker 1: of your favorite tips. Well, Professor Prescott, Yes, this is 188 00:11:39,240 --> 00:11:44,160 Speaker 1: the class. This is my class. Yeah, yeah, I can 189 00:11:44,240 --> 00:11:48,240 Speaker 1: smell the come over there and some people over there. 190 00:11:48,240 --> 00:11:51,040 Speaker 1: All right, okay, is there a life sex show going 191 00:11:51,080 --> 00:11:56,520 Speaker 1: on here this class? Listen, You've got to calm down. 192 00:11:56,559 --> 00:11:59,640 Speaker 1: You were in college, notre Do you think that high 193 00:11:59,679 --> 00:12:03,320 Speaker 1: school is the end of education? You're never said that. 194 00:12:03,320 --> 00:12:07,920 Speaker 1: The woman in the video looked sad. She's making happy noises, 195 00:12:07,960 --> 00:12:10,480 Speaker 1: but I saw her eyes and she looked really sad. 196 00:12:11,360 --> 00:12:14,520 Speaker 1: That's what we call in the renaissance, sad eyes. Guys. 197 00:12:14,559 --> 00:12:16,240 Speaker 1: Check it out. I look for its back. There's another 198 00:12:16,320 --> 00:12:23,600 Speaker 1: video in here. It ren assance too, ren ass sauce. 199 00:12:25,440 --> 00:12:28,560 Speaker 1: Do you have a blue ray? I got a game boy? Okay, cool, 200 00:12:28,640 --> 00:12:31,280 Speaker 1: let's put it in there. We gotta take tutres out first, 201 00:12:31,880 --> 00:12:35,680 Speaker 1: Professor Prescott. I'm sorry, I didn't expect anybody to stay 202 00:12:35,679 --> 00:12:39,440 Speaker 1: after class. Um, well, I was pretending to be a student. 203 00:12:39,480 --> 00:12:42,600 Speaker 1: I'm actually you're much too whoa you? Anybody can go 204 00:12:42,640 --> 00:12:46,000 Speaker 1: to college, that's the I'm the dean. Oh my god, 205 00:12:46,000 --> 00:12:49,719 Speaker 1: oh my. I was wearing this Nike baseball cap backwards 206 00:12:49,800 --> 00:12:55,560 Speaker 1: so you would recognize me. Look, I don't mind the 207 00:12:55,600 --> 00:13:00,400 Speaker 1: tapes you're playing. Frankly, what I not? What what do you? 208 00:13:00,480 --> 00:13:03,200 Speaker 1: What do you mean? You don't mind the sex tapes, 209 00:13:03,880 --> 00:13:09,200 Speaker 1: the Renaissance tapes ran ass aunts to ring a bell? 210 00:13:09,520 --> 00:13:12,960 Speaker 1: Yeah that's the sequel. Yeah, okay. What I do mind 211 00:13:13,040 --> 00:13:16,120 Speaker 1: is how you can't seem to get your class under control. 212 00:13:17,480 --> 00:13:19,360 Speaker 1: If you're going to teach this class. I need you 213 00:13:19,440 --> 00:13:22,880 Speaker 1: to teach this class. I don't care if there's boobs. 214 00:13:23,040 --> 00:13:25,199 Speaker 1: I don't care if there's sad eyes. But you need 215 00:13:25,240 --> 00:13:28,720 Speaker 1: to be in control, you understand. I don't think so. 216 00:13:28,800 --> 00:13:34,240 Speaker 1: Actually I don't have a boner. Could okay? Well another drink, professor, Yeah, 217 00:13:34,320 --> 00:13:39,439 Speaker 1: another drink. I don't know. I feel like I might 218 00:13:39,480 --> 00:13:42,160 Speaker 1: just quit. Yeah, that's an option, you know, there's always 219 00:13:42,160 --> 00:13:45,160 Speaker 1: that option. It's just that nobody cares about education anymore. 220 00:13:45,160 --> 00:13:51,400 Speaker 1: I'm trying to honey, I love education. I'm a professor. 221 00:13:51,720 --> 00:14:00,080 Speaker 1: I'm a professor to what because you've never seen are 222 00:14:00,120 --> 00:14:08,680 Speaker 1: your professor? What I teach math? I teach rem assence. 223 00:14:09,360 --> 00:14:16,160 Speaker 1: All right, I'm putting you guys off from another way 224 00:14:16,160 --> 00:14:25,520 Speaker 1: to get me. Guess what I do you get? I 225 00:14:25,600 --> 00:14:33,480 Speaker 1: said how economics is stupid? Missa bitch? Sorry you said math. 226 00:14:33,600 --> 00:14:35,200 Speaker 1: So I hadn't I thought that I was in the 227 00:14:35,240 --> 00:14:41,680 Speaker 1: game to say something really bad. You wouldn't look over there. 228 00:14:41,880 --> 00:14:45,640 Speaker 1: Those are the professors. The professors. Wow, yeah, that's the 229 00:14:45,640 --> 00:14:47,800 Speaker 1: one who brings his sex tapes in. And that lady 230 00:14:47,800 --> 00:14:51,880 Speaker 1: over there, she teaches astrophysics. But dude, she has a 231 00:14:51,920 --> 00:14:54,760 Speaker 1: saying like everybody knows it. Do you know what you're saying? 232 00:14:55,520 --> 00:15:01,640 Speaker 1: Tell me trow film my tip? Oh that's you know 233 00:15:01,760 --> 00:15:04,880 Speaker 1: what that's always interested me. If I was in the science, 234 00:15:08,480 --> 00:15:11,120 Speaker 1: why did you do these little fingers are a pair 235 00:15:11,280 --> 00:15:14,640 Speaker 1: of legs and they walking Look here in their own 236 00:15:14,680 --> 00:15:19,720 Speaker 1: good professor, as if we went to this tranquilizer bar, 237 00:15:19,960 --> 00:15:23,040 Speaker 1: you know the spots. By the way, her saying is 238 00:15:24,760 --> 00:15:29,280 Speaker 1: make money fun boys, which is like, look, you and 239 00:15:29,280 --> 00:15:30,880 Speaker 1: I are men. Now I've been sitting here for what 240 00:15:31,040 --> 00:15:37,120 Speaker 1: she hasn't said that once. Well, watch this, so you 241 00:15:39,360 --> 00:15:43,080 Speaker 1: got a little drule sicle coming down. Sorry, let me 242 00:15:43,160 --> 00:15:46,160 Speaker 1: wipe that offensive the tranquilizers. I don't usually do these. 243 00:15:46,240 --> 00:15:52,240 Speaker 1: Oh I do, yeah, work, it makes my brain go crazy. 244 00:15:52,400 --> 00:15:56,520 Speaker 1: I relax sometimes. You know what I've always been confused 245 00:15:56,520 --> 00:16:02,320 Speaker 1: about with astrophysics? You tell me about the black hole? 246 00:16:04,560 --> 00:16:11,800 Speaker 1: O contray? You try? Okay? Do you know what als 247 00:16:11,840 --> 00:16:18,360 Speaker 1: been confused better than okay? A really easily? It means 248 00:16:18,520 --> 00:16:25,320 Speaker 1: rebirth the French. Wow, guys, just the finals. I can't 249 00:16:25,320 --> 00:16:28,520 Speaker 1: get those notes? Look, no, okay, you get after class? 250 00:16:28,600 --> 00:16:30,960 Speaker 1: All right? Please please let me focus. Can you guys 251 00:16:31,040 --> 00:16:33,800 Speaker 1: keep it down? You're obviously cheating or no, I'm asking 252 00:16:33,800 --> 00:16:36,160 Speaker 1: for talking, do you guys? I realized what the professor 253 00:16:36,200 --> 00:16:39,000 Speaker 1: has been doing this whole time, whispered to us. Okay, 254 00:16:39,120 --> 00:16:43,160 Speaker 1: the feature has been using pornography to try to show 255 00:16:43,240 --> 00:16:46,040 Speaker 1: us how sensational the actual You have a problem with 256 00:16:46,520 --> 00:16:49,160 Speaker 1: information then, like you have a problem like hearing things, 257 00:16:49,160 --> 00:16:51,080 Speaker 1: and like you just need to say it's slower, you know, 258 00:16:51,200 --> 00:16:53,960 Speaker 1: like you thank you, like you just can't. Why don't 259 00:16:53,960 --> 00:16:55,640 Speaker 1: you take what do you hear what I'm saying? Nudity 260 00:16:55,680 --> 00:16:58,520 Speaker 1: then was shocking, right? The human body was shocking. He's 261 00:16:58,560 --> 00:17:03,640 Speaker 1: shocking us now he's been teaching us brilliant. He's so brilliant. 262 00:17:03,880 --> 00:17:06,400 Speaker 1: And her eyes were sad because that's how paintings are. 263 00:17:06,960 --> 00:17:10,280 Speaker 1: So you justified all this. I'm glad someone did. I 264 00:17:10,320 --> 00:17:11,840 Speaker 1: didn't get a thing she said, though, Did you take 265 00:17:11,880 --> 00:17:14,959 Speaker 1: notes on that? I take notes on what she said talking? Well, 266 00:17:15,040 --> 00:17:21,520 Speaker 1: here he comes a whoa? Everybody okay in here, Professor Prescott, 267 00:17:21,520 --> 00:17:26,439 Speaker 1: Why are you nude? Oh? Ship ship I'll be right back. No, 268 00:17:26,760 --> 00:17:32,560 Speaker 1: just kidding. It was part of the class. Let's show 269 00:17:32,600 --> 00:17:36,320 Speaker 1: some solidarity. Let's standards. This is going to be surprised. 270 00:17:36,359 --> 00:17:47,480 Speaker 1: Stand on our dick, Yeah, you're standing on mine? Who stick? 271 00:17:47,560 --> 00:17:56,320 Speaker 1: Do I stand? You choose? Seeing right here? This is amazing. 272 00:17:57,680 --> 00:18:00,280 Speaker 1: I all I wanted to do is show you how 273 00:18:00,480 --> 00:18:06,199 Speaker 1: shocking the renaissance was, and I am shocked. Let me 274 00:18:06,280 --> 00:18:09,680 Speaker 1: just show you the brain. Everybody in class gets me 275 00:18:09,960 --> 00:18:19,640 Speaker 1: when I fuck boy who it's perfect. They made money 276 00:18:19,800 --> 00:18:25,000 Speaker 1: and they fucked boys. The end was that Morgan Freeman, 277 00:18:27,240 --> 00:18:36,880 Speaker 1: Get busy, Dicken, get busy diving seen number two Gratings. 278 00:18:36,920 --> 00:18:40,119 Speaker 1: Alchemists love the show. You're all hilarious, especially Vanessa and 279 00:18:40,160 --> 00:18:43,760 Speaker 1: her gruff. Llillary characters new phone. I love her because 280 00:18:43,800 --> 00:18:47,159 Speaker 1: I think I know her from somewhere. I worked the 281 00:18:47,280 --> 00:18:50,080 Speaker 1: night shift in a nursing home. That's rewarding work, but 282 00:18:50,240 --> 00:18:53,400 Speaker 1: sometimes feels like I'm taking care of sixty Marvin mcughs. 283 00:18:54,119 --> 00:18:56,320 Speaker 1: And while back, one of our while back, one of 284 00:18:56,320 --> 00:18:58,120 Speaker 1: our residents, who was an actor with a few bit 285 00:18:58,160 --> 00:19:00,920 Speaker 1: parts and TV shows in the seventies, hasted away. He 286 00:19:00,960 --> 00:19:03,160 Speaker 1: had no family, and when we were packing his belonging 287 00:19:03,160 --> 00:19:05,560 Speaker 1: as we found a box with hundreds of unsigned black 288 00:19:05,560 --> 00:19:08,000 Speaker 1: and white head shots ready for autographs that will never 289 00:19:08,040 --> 00:19:12,600 Speaker 1: be given. Kind of sad, but it gives me a 290 00:19:12,640 --> 00:19:17,240 Speaker 1: great idea for a seat Hollywood nursing home with third 291 00:19:17,320 --> 00:19:22,080 Speaker 1: rate celebrities. Thanks for keeping me awake through the long nights, Sincerely, Gustavo. 292 00:19:23,960 --> 00:19:27,400 Speaker 1: Lights out, Lights down, twenty minutes. Do you mean do 293 00:19:27,480 --> 00:19:33,360 Speaker 1: you mean that went on shooting today? Are we done shooting? 294 00:19:34,280 --> 00:19:35,720 Speaker 1: Is that a rap for the day? That's what I 295 00:19:35,840 --> 00:19:41,159 Speaker 1: was looking for? Twenty minutes to lights Oh, yes, thank you, 296 00:19:42,160 --> 00:19:46,080 Speaker 1: welcome Hey Steve, Yeah, we talked to you, man um. 297 00:19:46,600 --> 00:19:49,760 Speaker 1: I was thinking, what if we stopped pushing against these 298 00:19:49,800 --> 00:19:54,920 Speaker 1: guys switch blade? Excuse me, excuse me? Were crafty. The 299 00:19:55,119 --> 00:19:57,960 Speaker 1: cafters closed right now, gladys my linning going to need 300 00:19:58,080 --> 00:20:00,320 Speaker 1: something before we wrap for the day. I can bring 301 00:20:00,400 --> 00:20:04,520 Speaker 1: you some yogurt if you'd like. My trailer never showed up, 302 00:20:06,160 --> 00:20:10,040 Speaker 1: never showed up. Fix that in the morning. Showed up. 303 00:20:10,040 --> 00:20:12,440 Speaker 1: We'll fix that in the morning. You get on my 304 00:20:12,480 --> 00:20:19,440 Speaker 1: breast in the I'm so sorry, I'm well, I wander 305 00:20:19,520 --> 00:20:24,040 Speaker 1: over here. All right, I'm saying, you're so sorry, so 306 00:20:24,160 --> 00:20:26,280 Speaker 1: I'll put the knife away. You. You're so good at 307 00:20:26,760 --> 00:20:29,560 Speaker 1: dealing with him, like you really are good. You know, 308 00:20:29,720 --> 00:20:32,919 Speaker 1: I I them, I pushed them around. Yeah, you're violent. 309 00:20:33,160 --> 00:20:36,919 Speaker 1: But here's here's what I'm thinking. What if what if 310 00:20:36,960 --> 00:20:38,920 Speaker 1: we did make a movie? What are you talking about? 311 00:20:39,400 --> 00:20:41,400 Speaker 1: You know? What if we are you talking about using 312 00:20:41,440 --> 00:20:44,840 Speaker 1: this old talent right here? Yeah? I didn't get a 313 00:20:44,840 --> 00:20:48,800 Speaker 1: call sheet for tomorrow. There you'll be woken up at 314 00:20:48,840 --> 00:20:51,680 Speaker 1: six am with a call sheet. Six am, wake up, 315 00:20:51,840 --> 00:20:55,280 Speaker 1: six am, wake up, and then we'll come having had yeah, 316 00:20:55,359 --> 00:20:58,320 Speaker 1: come having had yeah, and then we'll get you at six. 317 00:20:58,359 --> 00:21:00,320 Speaker 1: We'll get you at six. Okay, why don't we sounds 318 00:21:00,320 --> 00:21:02,080 Speaker 1: going to shoot up my alarm? What are you talking 319 00:21:02,080 --> 00:21:03,320 Speaker 1: about that? They don't know? What the hell the doing 320 00:21:03,359 --> 00:21:08,040 Speaker 1: anymore they do question. I'm sorry interrupted, I know, especially 321 00:21:08,080 --> 00:21:12,960 Speaker 1: the directory a bit psificity, but will heron make a 322 00:21:13,040 --> 00:21:16,359 Speaker 1: big providing hair to come to my attention? I do 323 00:21:16,520 --> 00:21:19,280 Speaker 1: not he pulling your hair on? Hair out? Okay, glad 324 00:21:19,280 --> 00:21:23,040 Speaker 1: to stop stop pulling your hair out, makeup. We will 325 00:21:23,040 --> 00:21:27,080 Speaker 1: get you hair. I'm sorry. I'm not sure which pages 326 00:21:27,119 --> 00:21:30,639 Speaker 1: were using, the Golden Rod ones or the Salmon ones. 327 00:21:30,960 --> 00:21:33,879 Speaker 1: I don't know where we are on the draft either 328 00:21:34,000 --> 00:21:38,159 Speaker 1: Napkin either Napkin Sern. Okay, what do you think? I think? Actually, 329 00:21:38,240 --> 00:21:39,639 Speaker 1: you know this is a good idea. We can make 330 00:21:39,640 --> 00:21:41,840 Speaker 1: a ship on the money. I'm sticking tired of being 331 00:21:42,000 --> 00:21:43,919 Speaker 1: work in a nursing home. You know you say this 332 00:21:44,040 --> 00:21:46,440 Speaker 1: every night? Well because I'm a five fucking hand dude. 333 00:21:46,440 --> 00:21:48,440 Speaker 1: I wish I was taking care of younger people, but 334 00:21:48,440 --> 00:21:53,520 Speaker 1: it's just so old. Look, Elliott, do want to run lines? Sure? 335 00:21:54,200 --> 00:22:00,119 Speaker 1: Go ahead? Okay, all right, Hi, how are you hi? 336 00:22:00,200 --> 00:22:04,399 Speaker 1: How are you hi? How are you hill? I'm sorry 337 00:22:04,400 --> 00:22:15,400 Speaker 1: you guys have the golden pageson? Ok strange? All right, Hi? 338 00:22:16,080 --> 00:22:19,200 Speaker 1: Thanks for having us ahead of Fox. Please sit down. 339 00:22:19,200 --> 00:22:22,080 Speaker 1: I don't get a lot of time, so uh okay, 340 00:22:22,359 --> 00:22:24,399 Speaker 1: and I'm going to start this time or on my desk, 341 00:22:25,119 --> 00:22:29,320 Speaker 1: uh and go pitch, pitch its two hour clock you 342 00:22:29,320 --> 00:22:33,439 Speaker 1: have going there, You've got two hours starting now, all right, 343 00:22:33,520 --> 00:22:37,119 Speaker 1: we'll prove it. Start talking. We have a we have 344 00:22:37,160 --> 00:22:40,600 Speaker 1: a actor's home and wow, that that we think would 345 00:22:40,600 --> 00:22:45,360 Speaker 1: be fantastic to film a feature. He's using them. Yeah, yeah, 346 00:22:45,359 --> 00:22:49,080 Speaker 1: and that's it. We just need money, equipment, crew, crew. 347 00:22:49,200 --> 00:22:51,760 Speaker 1: You're telling me that you've got actors in at home 348 00:22:51,800 --> 00:22:53,879 Speaker 1: and all you need is money, equipment of crew, and 349 00:22:54,560 --> 00:22:59,200 Speaker 1: that's it. Yeah, we think we can do this. We've 350 00:22:59,240 --> 00:23:05,240 Speaker 1: laid out our budget here. We need uty million dollars. 351 00:23:05,240 --> 00:23:09,840 Speaker 1: Two thirty million dollars. Happy to adjust, we can do more, alright, No, 352 00:23:09,920 --> 00:23:12,880 Speaker 1: two million dollars. But it's gonna mean you have a 353 00:23:12,880 --> 00:23:18,240 Speaker 1: tight time budget. I need something time budget, tight time budget. Okay, 354 00:23:18,359 --> 00:23:20,639 Speaker 1: we're going to give you a loose budget for money. 355 00:23:21,119 --> 00:23:23,720 Speaker 1: We're gonna need a tight time budget. What are you 356 00:23:23,760 --> 00:23:27,280 Speaker 1: doing in my office? Sorry? Sorry, I was just straightening 357 00:23:27,320 --> 00:23:29,359 Speaker 1: this out and now everything on your desk is cleaned. 358 00:23:29,359 --> 00:23:33,080 Speaker 1: Go ahead? Is this I just I didn't mean it. 359 00:23:33,119 --> 00:23:36,720 Speaker 1: I must have bunched it with my on What the 360 00:23:36,760 --> 00:23:38,639 Speaker 1: fun is going on? I'm sorry? We were here to 361 00:23:38,680 --> 00:23:41,920 Speaker 1: mean with the head of Fox, the head of fix this. 362 00:23:41,920 --> 00:23:46,360 Speaker 1: This woman was still a man. No, he didn't even 363 00:23:46,359 --> 00:23:48,199 Speaker 1: tell us a name. We said the head of who 364 00:23:48,200 --> 00:23:51,280 Speaker 1: it is? He started the timer. Yeah, You've been sadly 365 00:23:51,320 --> 00:23:55,159 Speaker 1: misled by a pervert. I'm so sorry. I am so sorry. 366 00:23:55,240 --> 00:23:59,080 Speaker 1: I got busted. Get back to video village. I'll be back. 367 00:23:59,119 --> 00:24:03,080 Speaker 1: So you're going to keep as a high Listen. This 368 00:24:03,119 --> 00:24:05,800 Speaker 1: city is built on bricks of sin and I can't 369 00:24:05,880 --> 00:24:08,600 Speaker 1: change that in a day. How can I help you? Boys? Well, 370 00:24:08,640 --> 00:24:12,280 Speaker 1: we were just discussing with down, but we have a movie. 371 00:24:12,320 --> 00:24:14,600 Speaker 1: We have actor is no one Donna Ship You never 372 00:24:14,640 --> 00:24:16,480 Speaker 1: met Donna. I never want to hear his name again. 373 00:24:16,560 --> 00:24:20,440 Speaker 1: Starting the time and now go another two hours. Um 374 00:24:20,560 --> 00:24:23,520 Speaker 1: we we uh, we have we have at home with 375 00:24:23,600 --> 00:24:27,480 Speaker 1: actors and we want to film a feature with them. 376 00:24:27,520 --> 00:24:31,040 Speaker 1: We need we just need a budgets. The hook is 377 00:24:31,600 --> 00:24:35,240 Speaker 1: um um, the hook is U there. So they were 378 00:24:35,280 --> 00:24:37,480 Speaker 1: third rate actors. We know that they were yes one 379 00:24:37,560 --> 00:24:40,320 Speaker 1: to three and this is their comeback story exactly right 380 00:24:40,480 --> 00:24:42,680 Speaker 1: right before they die. Have you seen have you seen 381 00:24:42,840 --> 00:24:47,240 Speaker 1: us the penguins? Uh? Yeah, yeah, what what's the one? 382 00:24:47,359 --> 00:24:52,800 Speaker 1: The one millions? But it's gonna be a tight time budget. 383 00:24:52,840 --> 00:24:56,720 Speaker 1: What is the tight time? What million? Come back? And 384 00:24:56,880 --> 00:25:03,920 Speaker 1: we were actually convers though the story is basically our 385 00:25:04,320 --> 00:25:08,680 Speaker 1: story of us, Henry, Henry. Listen to me, Henry, look 386 00:25:08,720 --> 00:25:10,760 Speaker 1: at me. You run at that wall and you break 387 00:25:10,760 --> 00:25:13,960 Speaker 1: through the wall. Okay, all right, that's what you're doing now. 388 00:25:14,480 --> 00:25:18,879 Speaker 1: I had a night with Jeane Kelly. Sit down, all right. 389 00:25:18,960 --> 00:25:21,199 Speaker 1: Can we make sure she's not singing? It's bleeding through 390 00:25:21,840 --> 00:25:27,160 Speaker 1: her through the wall. Oh my god, can you let 391 00:25:27,320 --> 00:25:31,120 Speaker 1: us out of here? Please? Side effects man include drowsiness, dizziness, 392 00:25:32,840 --> 00:25:36,280 Speaker 1: and stop reading the bottle. I'm going I'm reading my life. 393 00:25:36,480 --> 00:25:39,360 Speaker 1: Please stop reading the Excuse me. I'm here to see 394 00:25:39,400 --> 00:25:44,320 Speaker 1: my my father. Who is this guy? Does he is Jerry? 395 00:25:46,600 --> 00:25:49,520 Speaker 1: I'm just my dad lives here, so I'm it's a closer. 396 00:25:49,600 --> 00:25:52,199 Speaker 1: It's a fox that you can't I didn't know anything 397 00:25:52,240 --> 00:25:55,760 Speaker 1: about this being a second on the ground. Who are 398 00:25:55,760 --> 00:25:59,160 Speaker 1: you let my name is? My name is Fred? I said? 399 00:25:59,560 --> 00:26:02,000 Speaker 1: He right, you're pity my back. We'll find it with defeat. 400 00:26:02,000 --> 00:26:09,080 Speaker 1: Grab your jacket, alright, pull it out, okay, sandals, alright, actors. 401 00:26:09,320 --> 00:26:11,399 Speaker 1: As your director, I want to have one quick conversation 402 00:26:11,480 --> 00:26:14,800 Speaker 1: before we continue alright, actor, what are you doing in there? 403 00:26:14,880 --> 00:26:16,760 Speaker 1: I'm just gonna have a quick conversation with him. What 404 00:26:17,240 --> 00:26:18,520 Speaker 1: the hell is this? It was a whole meeting and 405 00:26:18,520 --> 00:26:20,800 Speaker 1: I'm not invited. No, you're of course you're invited. I 406 00:26:20,880 --> 00:26:23,480 Speaker 1: just stumbled onto it. What's going on here? Is this 407 00:26:23,560 --> 00:26:27,760 Speaker 1: a three picture to you? Gladys? What's going on? There's 408 00:26:27,920 --> 00:26:31,600 Speaker 1: we're taking a new direction? Oh wow, Wow, you're still involved. 409 00:26:31,640 --> 00:26:33,640 Speaker 1: You're boxing me out. There's no, you're still involved. You're 410 00:26:33,640 --> 00:26:35,440 Speaker 1: trying to kill me. What this is this? Well, that's 411 00:26:35,680 --> 00:26:41,000 Speaker 1: kind of I need to bind my breast to play younger, Gladys. Jerry, 412 00:26:41,080 --> 00:26:45,560 Speaker 1: am I possibly recurring? Well, the short answer that is no, 413 00:26:46,240 --> 00:26:48,280 Speaker 1: because here's what we're asking, glad it's not buying them 414 00:26:48,280 --> 00:26:54,080 Speaker 1: like straight up, she's binding them straight out. She's clean 415 00:26:54,320 --> 00:26:57,840 Speaker 1: to sixteen. Now I have new pages for your knowledge. 416 00:26:58,760 --> 00:27:03,000 Speaker 1: The last page, as you'll see, has all of you 417 00:27:03,040 --> 00:27:05,320 Speaker 1: taking all of your pills at once. What is this 418 00:27:06,000 --> 00:27:11,040 Speaker 1: you telling about suicide? I'm giving them an opportunity to 419 00:27:11,080 --> 00:27:16,000 Speaker 1: live forever. Oh no, are we making another snuff film? 420 00:27:16,160 --> 00:27:19,080 Speaker 1: You made a snuff film with him? That was happening 421 00:27:19,160 --> 00:27:22,760 Speaker 1: my phone. That was happening my phone weekend. I leave 422 00:27:23,200 --> 00:27:26,200 Speaker 1: a weekend, I leave you make a snuff film. That's 423 00:27:26,200 --> 00:27:28,720 Speaker 1: how Jerry went. His son's in the lobby. I don't 424 00:27:28,760 --> 00:27:39,520 Speaker 1: know what to say to Jerry's dead time day twinkles 425 00:27:39,560 --> 00:27:42,840 Speaker 1: for that. Tell me what you think you're going in 426 00:27:42,920 --> 00:27:47,240 Speaker 1: this goddamn studio, my dad. It's the holiday season. I 427 00:27:47,320 --> 00:27:49,399 Speaker 1: just figured it was a good time to come on 428 00:27:49,520 --> 00:27:52,200 Speaker 1: in and bring there's long time silvers in the back 429 00:27:52,240 --> 00:27:54,560 Speaker 1: over there. We're just gonna have dinner. Oh that cold 430 00:27:54,600 --> 00:27:59,720 Speaker 1: bag there's was it cold when I arrived? Yeah? People 431 00:27:59,840 --> 00:28:04,959 Speaker 1: can make me sick, all right, people like he sick? Right, bro, 432 00:28:05,080 --> 00:28:08,280 Speaker 1: chuck it out. I got this VHS. Apparently they shot 433 00:28:08,280 --> 00:28:12,080 Speaker 1: it here last week. Oh yeah, are you gonna like this? 434 00:28:12,320 --> 00:28:15,040 Speaker 1: A little treat for you, a little reprieve. I'm sorry, Jerry. 435 00:28:15,080 --> 00:28:19,440 Speaker 1: I didn't mean to do this. You gotta you gotta 436 00:28:19,520 --> 00:28:21,280 Speaker 1: take all of them, stop talking to take out. The 437 00:28:21,280 --> 00:28:26,160 Speaker 1: side effects may include vertigo, cancer and lab mice. Holy ship, 438 00:28:26,240 --> 00:28:30,919 Speaker 1: this is really yep. She's in the shot. The booms 439 00:28:30,920 --> 00:28:34,520 Speaker 1: in the shot as well. Everything. I don't feel nothing. 440 00:28:34,600 --> 00:28:40,920 Speaker 1: I don't know what you guys. You were putting pills 441 00:28:40,960 --> 00:28:43,000 Speaker 1: in my dad's mouth. I didn't do that. That was 442 00:28:43,040 --> 00:28:46,920 Speaker 1: another guy, you know that. I want to I want 443 00:28:46,960 --> 00:28:50,040 Speaker 1: to talk to the cops. I'm calling the cops. What 444 00:28:50,400 --> 00:28:53,360 Speaker 1: I'm a cop? Okay, I just saw a video. They 445 00:28:53,360 --> 00:28:55,720 Speaker 1: were forcually a security guard. But we have a lot 446 00:28:55,720 --> 00:28:57,760 Speaker 1: in common. I learned a lot of the same stuff. 447 00:28:57,800 --> 00:29:02,640 Speaker 1: So I think you'll find me f FBI. Your FBI. 448 00:29:02,840 --> 00:29:04,800 Speaker 1: I mean, I'm a security officer here, but you know 449 00:29:05,320 --> 00:29:07,840 Speaker 1: he's FBI. I'm just screezed. I gotta leave. I have 450 00:29:07,920 --> 00:29:11,200 Speaker 1: to go to the real authorities. I'm not getting you 451 00:29:11,200 --> 00:29:12,600 Speaker 1: out of you already saw it happened on this so 452 00:29:12,720 --> 00:29:14,560 Speaker 1: we're not gonna have you sell it over to paramount. 453 00:29:14,600 --> 00:29:17,920 Speaker 1: And I got heart of the FBI on this one. Please. 454 00:29:18,400 --> 00:29:20,760 Speaker 1: My father was a good man and I a decent 455 00:29:20,800 --> 00:29:23,960 Speaker 1: person to just left me your father cold long John 456 00:29:24,080 --> 00:29:28,280 Speaker 1: Silva when I got here, Who is your dad? Jerry? 457 00:29:28,560 --> 00:29:30,880 Speaker 1: The guy that had the pills throw down his throat? 458 00:29:31,560 --> 00:29:35,080 Speaker 1: Oh I didn't Why would you show me that? We 459 00:29:35,120 --> 00:29:38,520 Speaker 1: didn't know? Why? What were the oppost that was the movie? 460 00:29:40,520 --> 00:29:44,440 Speaker 1: I can't tell to you. Yeah, we used his body 461 00:29:44,440 --> 00:29:47,040 Speaker 1: as like just like a throw pillow for the other scenes. 462 00:29:47,880 --> 00:29:51,040 Speaker 1: Oh that, I mean, we desecreated that corpse. It was not. 463 00:29:52,560 --> 00:29:54,160 Speaker 1: I don't think that's going to come down on me, right, 464 00:29:54,320 --> 00:29:57,800 Speaker 1: I'm telling you. I'm just telling you. So the Jerry's 465 00:29:57,840 --> 00:30:01,600 Speaker 1: tape didn't test well with the target audience. Yeah, his 466 00:30:01,720 --> 00:30:05,480 Speaker 1: son gave it a really low review. Okay, okay, So 467 00:30:05,600 --> 00:30:08,240 Speaker 1: you want me to see, Hey, what's going on in here? 468 00:30:08,800 --> 00:30:10,960 Speaker 1: What's up? What's going on? To send me a quick conversation. 469 00:30:11,240 --> 00:30:14,880 Speaker 1: What's going on? You going over atlytics without me? This 470 00:30:15,000 --> 00:30:18,440 Speaker 1: is the studio? What's what's my motivation in this scene? Well, 471 00:30:18,440 --> 00:30:20,600 Speaker 1: it depends are we going to keep going the way? 472 00:30:21,320 --> 00:30:22,920 Speaker 1: This is what I don't know. I mean, it tested 473 00:30:22,960 --> 00:30:25,080 Speaker 1: poorly and that was a pill ending, So maybe we 474 00:30:25,120 --> 00:30:28,960 Speaker 1: need to rethink how this other one ends. Any thoughts, 475 00:30:29,240 --> 00:30:31,640 Speaker 1: It's just a Jerry video. Yeah, people didn't like it, 476 00:30:31,640 --> 00:30:34,560 Speaker 1: did not test well. They didn't laugh. Now if you need, 477 00:30:34,720 --> 00:30:37,600 Speaker 1: if you need to kill me, I'm up for it. Okay. 478 00:30:37,680 --> 00:30:41,120 Speaker 1: But yeah, that's this is good. This is good. Okay. 479 00:30:41,120 --> 00:30:44,360 Speaker 1: I think pills are the expected way for these guys. 480 00:30:44,400 --> 00:30:45,560 Speaker 1: I think we need to do some little out of 481 00:30:45,600 --> 00:30:49,680 Speaker 1: left dogs dogs we just unleash, won't I won't work 482 00:30:49,680 --> 00:30:53,920 Speaker 1: with dogs, never work with children around animals. W c 483 00:30:54,160 --> 00:30:57,440 Speaker 1: fields well before we get to the death scene. Unfortunately, 484 00:30:57,440 --> 00:30:59,880 Speaker 1: we have to get to the gladdys love making scene. 485 00:31:00,320 --> 00:31:02,880 Speaker 1: We have to, we have to she binded her boobs 486 00:31:02,880 --> 00:31:06,640 Speaker 1: and everything. Who cares? Who cares, that's her choice. Don't 487 00:31:06,800 --> 00:31:09,800 Speaker 1: need to do. She kept pressing us for the scenes 488 00:31:09,920 --> 00:31:13,280 Speaker 1: that I am just a stunt cock for you. No, no, no, no, no, no, 489 00:31:13,320 --> 00:31:16,040 Speaker 1: not at all. Are you making the love No? You are? You? 490 00:31:16,120 --> 00:31:18,400 Speaker 1: I am you are? But that's gonna be so sick 491 00:31:18,440 --> 00:31:21,520 Speaker 1: and no one to go ahead, get it shot and 492 00:31:21,560 --> 00:31:24,600 Speaker 1: then I'll test it with her children. Okay, that sounds great, 493 00:31:25,360 --> 00:31:27,040 Speaker 1: all right, you two. You know the setting. You do 494 00:31:27,280 --> 00:31:31,240 Speaker 1: like me to do a little baby girl voice? Uh? 495 00:31:31,680 --> 00:31:35,440 Speaker 1: What the funk was that? What the fuck was that? 496 00:31:35,520 --> 00:31:39,720 Speaker 1: You told us you had news about our mother? Is 497 00:31:39,800 --> 00:31:43,920 Speaker 1: this so okay? Really quick? We paid fifty dollars a 498 00:31:44,000 --> 00:31:49,560 Speaker 1: year for this? Three? How likely are you to recommend 499 00:31:49,560 --> 00:31:55,120 Speaker 1: this film? You know? Zero? Zero zero, I'm not going 500 00:31:55,160 --> 00:31:58,240 Speaker 1: to recommend anyone. I want to make sure you understand. 501 00:31:58,280 --> 00:32:04,800 Speaker 1: Can't see those images. Zero is not like at all likely. 502 00:32:05,320 --> 00:32:10,600 Speaker 1: One is somewhat like is perhaps, three is likely is 503 00:32:10,960 --> 00:32:21,440 Speaker 1: probably so so zero so um it did not resonate 504 00:32:22,120 --> 00:32:24,240 Speaker 1: in the way that we helped it would what's going on? 505 00:32:24,960 --> 00:32:27,440 Speaker 1: Just having me? I told you to kill me and 506 00:32:27,480 --> 00:32:34,640 Speaker 1: you didn't do it without the coffees. I have correct 507 00:32:34,680 --> 00:32:38,880 Speaker 1: the code run binding breasts. Okay, I was doing it wrong. 508 00:32:39,760 --> 00:32:42,480 Speaker 1: It's come to my attention. You don't get them as 509 00:32:42,520 --> 00:32:48,280 Speaker 1: a stock. You go around the robin, not individually at 510 00:32:48,320 --> 00:32:52,320 Speaker 1: the stock. Yeah, they did say my mom's breast look mangled. 511 00:32:52,480 --> 00:32:55,480 Speaker 1: That was a comment, okay, that they had them filled 512 00:32:55,520 --> 00:32:57,520 Speaker 1: things out. I mean they did give feedback, it just 513 00:32:57,600 --> 00:32:59,440 Speaker 1: was not positive. So what are we missing here? What 514 00:32:59,520 --> 00:33:01,520 Speaker 1: is the student of want? I think they want dogs 515 00:33:01,640 --> 00:33:07,520 Speaker 1: running through the finished I thought attacking the elderly. I 516 00:33:07,560 --> 00:33:09,560 Speaker 1: doesn't want to work with dogs. Can't you add them 517 00:33:09,560 --> 00:33:12,080 Speaker 1: with c G I you've got a hundred million dollar budget, 518 00:33:12,320 --> 00:33:16,920 Speaker 1: not anymore. I just find out about the budget. I 519 00:33:16,920 --> 00:33:21,360 Speaker 1: I overhear things, you know, I read the trades. Gardless, 520 00:33:21,400 --> 00:33:22,920 Speaker 1: you have to shoot it today. We are on a 521 00:33:22,960 --> 00:33:30,040 Speaker 1: tight time budget. Why didn't you tell us hold on, 522 00:33:30,080 --> 00:33:31,840 Speaker 1: we haven't started. You can't just cap dance, take your 523 00:33:31,840 --> 00:33:36,440 Speaker 1: clothes trying to get it up here? All right, we're 524 00:33:36,440 --> 00:33:41,000 Speaker 1: not doing another sex thing. We're not doing another dogs. 525 00:33:45,040 --> 00:33:48,120 Speaker 1: Welcome to your ren assance. So we have some reships. 526 00:33:48,160 --> 00:33:49,640 Speaker 1: We'd like you guys to take a look at I 527 00:33:49,680 --> 00:33:53,160 Speaker 1: think your mom is much better than this. No, what 528 00:33:53,200 --> 00:33:56,040 Speaker 1: are you talking about? Just take a look. It's I 529 00:33:56,080 --> 00:34:00,760 Speaker 1: think it's pretty good. Plus there's some unexpected animal work here. 530 00:34:00,800 --> 00:34:06,120 Speaker 1: It is I have a mad little penis to whooped quick? 531 00:34:06,320 --> 00:34:16,560 Speaker 1: What is my mom? Same? Oh my god? Those doctor 532 00:34:16,680 --> 00:34:20,760 Speaker 1: just killing everybody? What the fun is this? So um? 533 00:34:20,800 --> 00:34:24,319 Speaker 1: It actually got slightly better marks. I was just on 534 00:34:24,360 --> 00:34:26,920 Speaker 1: the phone with everyone of the two pizza. What is this? Oh, 535 00:34:26,920 --> 00:34:32,120 Speaker 1: we're just kill me, Please kill me. This body is desecrated. 536 00:34:33,080 --> 00:34:35,400 Speaker 1: I'm still alive. I thought we were using It was 537 00:34:35,440 --> 00:34:37,719 Speaker 1: like a throw pillow with the other body. Look, look, 538 00:34:37,760 --> 00:34:40,480 Speaker 1: I don't know why you're having a meeting without me. Okay, 539 00:34:40,719 --> 00:34:43,640 Speaker 1: very disrespectful, and you just gotta wait. Okay, we're gonna 540 00:34:43,719 --> 00:34:46,160 Speaker 1: use you soon. Okay, I'm number one on the coach. 541 00:34:46,360 --> 00:34:51,320 Speaker 1: You are? You are? Can we check on Gladys she passed? 542 00:34:51,360 --> 00:34:54,560 Speaker 1: Man can check on the state of her body when 543 00:34:54,600 --> 00:34:57,520 Speaker 1: he reshoots. You're gonna you're gonna pump at her. Yeah, 544 00:34:57,520 --> 00:34:59,800 Speaker 1: we're gonna have to tie strings to her wrists and 545 00:35:00,080 --> 00:35:02,480 Speaker 1: make her do that scene again and that's when Weekend 546 00:35:02,480 --> 00:35:06,400 Speaker 1: at Bernese three became the hottest settling film of all time, 547 00:35:06,680 --> 00:35:11,719 Speaker 1: staring Gladys. Unfortunately she didn't survive the film, but we 548 00:35:11,760 --> 00:35:17,920 Speaker 1: all knew that, didn't we She's a star at the 549 00:35:18,000 --> 00:35:24,839 Speaker 1: end of it. That's the most important things wanted. Scene 550 00:35:24,920 --> 00:35:28,120 Speaker 1: three our final scene today. Hey guys, I've been listening 551 00:35:28,120 --> 00:35:30,319 Speaker 1: since the beginning and I've loved every second of it. 552 00:35:30,640 --> 00:35:32,839 Speaker 1: Thanks for bringing more laughter into the world. I'm from 553 00:35:32,920 --> 00:35:35,960 Speaker 1: Kentucky and I've recently gotten married in Hawaii to an 554 00:35:36,000 --> 00:35:39,399 Speaker 1: Australian man whom I met online, and now we're living 555 00:35:39,400 --> 00:35:43,280 Speaker 1: in rural Victoria, Australia. I love to hear any aspect 556 00:35:43,320 --> 00:35:45,759 Speaker 1: of that from your magical minds. The k Y meets 557 00:35:45,800 --> 00:35:48,759 Speaker 1: Australian online, the marriage in Hawaii, the Kentucky and living 558 00:35:48,760 --> 00:35:51,279 Speaker 1: in rural Australia. I know you'll have fun with it. 559 00:35:51,760 --> 00:35:58,200 Speaker 1: Thanks for the last Shelby. It'll be um sixteen two, 560 00:36:00,440 --> 00:36:04,719 Speaker 1: It'll be sixteen Daddy Day can't help, but I can't help. 561 00:36:04,719 --> 00:36:08,279 Speaker 1: But notice you sound like a sophisticated guy. Here's your 562 00:36:08,440 --> 00:36:12,440 Speaker 1: seventeen dollars and you can keep the change. Um, But 563 00:36:12,520 --> 00:36:15,239 Speaker 1: my my my wife and I have a daughter that 564 00:36:15,360 --> 00:36:18,680 Speaker 1: we just can't. He's a line. What's that? There's a 565 00:36:18,719 --> 00:36:22,680 Speaker 1: line behind you? Tell him about her? Well, my daughter really, 566 00:36:23,160 --> 00:36:27,520 Speaker 1: it's just been hard for her in the dating to you. 567 00:36:27,640 --> 00:36:30,840 Speaker 1: Here's her picture. She's a beautiful girl. She won four pageants, 568 00:36:30,880 --> 00:36:33,279 Speaker 1: she's got all her teeth, her shots, her up to date, 569 00:36:33,640 --> 00:36:39,439 Speaker 1: and she's looking to Mary and after my reach. Hey, 570 00:36:39,719 --> 00:36:41,680 Speaker 1: I just need to sell. I need to make this 571 00:36:41,760 --> 00:36:45,319 Speaker 1: deal right now. We've got a sophisticated man here. You're 572 00:36:45,320 --> 00:36:49,560 Speaker 1: looking at give me a daughter? Is he right? Well, 573 00:36:49,600 --> 00:36:56,560 Speaker 1: I'll not give it to not it behind you, just 574 00:36:56,640 --> 00:36:58,720 Speaker 1: move out of the way. I don't know what you're offering. 575 00:36:59,360 --> 00:37:05,800 Speaker 1: Movie alright you never mind? Never here, it got weird. 576 00:37:06,200 --> 00:37:08,680 Speaker 1: I'm gonna slipper picture over here with her number on 577 00:37:08,719 --> 00:37:11,440 Speaker 1: the back. Basically, it's a visa situation. We've got ourselves 578 00:37:11,480 --> 00:37:13,560 Speaker 1: in a pickle. Daddy and I can't help. We gotta 579 00:37:13,640 --> 00:37:16,359 Speaker 1: get out of here. Maybe there's something you can do 580 00:37:16,400 --> 00:37:26,000 Speaker 1: by bye. Alright, it'll be um, mommy, daddy and he 581 00:37:26,120 --> 00:37:28,560 Speaker 1: take us. I want to get out there and make money. 582 00:37:28,560 --> 00:37:31,520 Speaker 1: Fun boys, So what do you guy for me? Is 583 00:37:31,560 --> 00:37:35,120 Speaker 1: it going well? We met this well? Guy, very well, guy, 584 00:37:36,200 --> 00:37:43,480 Speaker 1: Rubop at Rubop, that restaurant, Rubop. That's readion all. You know. 585 00:37:45,280 --> 00:37:52,040 Speaker 1: We were at Rubop getting here. Oh no no, whenever 586 00:37:52,080 --> 00:37:56,680 Speaker 1: the door doalks, I'm so sed. I'll get it. I'll 587 00:37:56,719 --> 00:38:02,640 Speaker 1: get it, I'll get it. Hello, Australian slide department, No 588 00:38:02,840 --> 00:38:06,280 Speaker 1: money test in heaven, Australian season sheep, you'll be short 589 00:38:06,360 --> 00:38:09,399 Speaker 1: made shetally. I'm gonna have to be married, he Mary 590 00:38:09,440 --> 00:38:17,879 Speaker 1: Newnausy almost um soon, I think, thank you, I'm gonna 591 00:38:17,920 --> 00:38:28,040 Speaker 1: get out of here. You're a sign um yea almost trying. 592 00:38:28,120 --> 00:38:35,440 Speaker 1: Then I am Australian night, I'm not Kentuckian marl. Let 593 00:38:35,440 --> 00:38:39,640 Speaker 1: me see some more day right then, let me pull 594 00:38:39,680 --> 00:38:44,920 Speaker 1: it out to me purse. Oh god, Cockney. And that 595 00:38:45,200 --> 00:38:47,959 Speaker 1: is the wonderful story of how these two lovers met. 596 00:38:48,400 --> 00:38:52,480 Speaker 1: We are now gathered here in Hawaii. Hello. That was 597 00:38:52,560 --> 00:38:56,560 Speaker 1: one confusing story. Was confusing. I don't understand. You know, 598 00:38:56,719 --> 00:39:01,480 Speaker 1: she married the guy that killed her parents. That's insane. 599 00:39:02,640 --> 00:39:04,600 Speaker 1: I'm trying to watch the wedding. I understand. We're trying 600 00:39:04,600 --> 00:39:07,760 Speaker 1: to get everything strange matter to fucking wedding. It doesn't 601 00:39:07,760 --> 00:39:10,400 Speaker 1: matter because I'm just trying to connect everything that was happening. 602 00:39:11,800 --> 00:39:15,200 Speaker 1: Mptions if you flipped an invite under my hotel door, 603 00:39:16,520 --> 00:39:19,160 Speaker 1: they have a pa. And we end this ceremony with 604 00:39:20,600 --> 00:39:29,200 Speaker 1: howaii insane of Merry Christmas, which is malakaliki Marca, Merry Christmas, everybody, 605 00:39:30,280 --> 00:39:35,279 Speaker 1: every joint in Christmas. This is the couple's first dance. 606 00:39:39,360 --> 00:39:42,040 Speaker 1: All right, can I get you a cocktail? Cocktail for 607 00:39:42,120 --> 00:39:45,319 Speaker 1: the fret of the wedding? Yeah, I would love a cocktail? 608 00:39:46,160 --> 00:39:49,560 Speaker 1: Oh the bride? Yeah, hello, we have a special cocktail 609 00:39:49,640 --> 00:39:53,640 Speaker 1: for you, just for you. I wonder if it sounded nefarious, 610 00:39:53,680 --> 00:39:57,000 Speaker 1: it's not. It's so we we You requested just a 611 00:39:57,080 --> 00:39:59,640 Speaker 1: rum cocktail, so I have your rum cocktail. Than gi. 612 00:40:00,280 --> 00:40:05,600 Speaker 1: This is a delicious is my tie? It's delicious? This 613 00:40:05,640 --> 00:40:08,320 Speaker 1: is this has been such a wonderful agulation to the bride. 614 00:40:08,520 --> 00:40:11,560 Speaker 1: Thank you, thank you so much. I'm sorry about your father. 615 00:40:12,200 --> 00:40:16,239 Speaker 1: I know me and your mom. I guess did past Yeah, 616 00:40:16,280 --> 00:40:19,040 Speaker 1: well you know it was sad, but you know you 617 00:40:19,080 --> 00:40:22,200 Speaker 1: can't help you. You You love and I am in love 618 00:40:22,520 --> 00:40:24,920 Speaker 1: with my guy. Why did your get so big and 619 00:40:25,040 --> 00:40:27,760 Speaker 1: scared when you said that? Because I'm super in love. 620 00:40:27,960 --> 00:40:29,960 Speaker 1: Oh you're breaking the glass. Hey, everybody, the groom is 621 00:40:29,960 --> 00:40:31,560 Speaker 1: gonna make a speech. The groom is going to make 622 00:40:31,560 --> 00:40:37,080 Speaker 1: a speech, So let's to write our attention to the groom. 623 00:40:37,680 --> 00:40:40,200 Speaker 1: They separated us, they told us to go out, and 624 00:40:40,239 --> 00:40:41,960 Speaker 1: then that those that come back as the grooms. Why 625 00:40:41,960 --> 00:40:47,000 Speaker 1: don't they just give the speeches in order? And yeah, 626 00:40:47,120 --> 00:40:50,080 Speaker 1: quick side note, m our groom obviously has an accent. 627 00:40:51,320 --> 00:40:54,839 Speaker 1: Uh it's a really really good accent. So if you 628 00:40:54,880 --> 00:40:57,160 Speaker 1: can't understand it for some reason, that notes will be 629 00:40:57,160 --> 00:40:59,080 Speaker 1: passed out to each table so you can follow along. 630 00:40:59,239 --> 00:41:01,280 Speaker 1: All right, you know, so he humped a pre written 631 00:41:01,360 --> 00:41:08,839 Speaker 1: speech and lady and gentlemen the groom alright, alright, everybody, 632 00:41:09,120 --> 00:41:12,160 Speaker 1: And I was trying to avoid to speak in the wedding. 633 00:41:14,000 --> 00:41:18,960 Speaker 1: Not my idea of the good time. So I just 634 00:41:19,000 --> 00:41:21,800 Speaker 1: want to talk about how I met my sweet, sweet 635 00:41:21,920 --> 00:41:28,799 Speaker 1: baby love. And I don't think that because they had 636 00:41:28,800 --> 00:41:32,040 Speaker 1: the newspaper article with his picture, that's not him. He 637 00:41:32,080 --> 00:41:37,640 Speaker 1: looked like that guy. So what happens is in my contray. 638 00:41:37,680 --> 00:41:40,720 Speaker 1: But they don't have agent Thompson needs you to pose 639 00:41:40,920 --> 00:41:43,520 Speaker 1: as the as the groom. Okay, what do you mean, 640 00:41:43,680 --> 00:41:47,759 Speaker 1: isn't the real groom there? We're we're good at what 641 00:41:47,840 --> 00:41:50,680 Speaker 1: you need to go we'll detain him. Somebody's gonna do makeup. 642 00:41:50,719 --> 00:41:52,879 Speaker 1: I need to go in. You need you to find 643 00:41:52,960 --> 00:41:55,240 Speaker 1: out exactly what happened with that. It was never solved, 644 00:41:55,480 --> 00:41:57,759 Speaker 1: so you know, get the bride to say something to 645 00:41:57,800 --> 00:42:01,880 Speaker 1: the makeup chair. We're gonna make you look very Australia, right, okay, 646 00:42:02,800 --> 00:42:05,520 Speaker 1: so you look right now, you look totally American. I 647 00:42:05,520 --> 00:42:08,200 Speaker 1: haven't changed in a while. Um, so you look like 648 00:42:08,239 --> 00:42:10,479 Speaker 1: an Australian. Um. Have you worked with a dialect coach? 649 00:42:11,000 --> 00:42:13,160 Speaker 1: Could you help me out? Please? All right? Let me 650 00:42:13,200 --> 00:42:15,040 Speaker 1: die coach and will help you out? All right? Please? 651 00:42:15,080 --> 00:42:18,560 Speaker 1: Are you a tranquilizers? I had a tranquilizer. I'm not 652 00:42:18,640 --> 00:42:21,360 Speaker 1: on tranquilizer. Well, actually, we're gonna ask you to be 653 00:42:21,400 --> 00:42:24,800 Speaker 1: on more tranquilardge. It's gonna help you get into the group. Okay. 654 00:42:24,880 --> 00:42:28,160 Speaker 1: I usually do that when I have any situations sniping, 655 00:42:28,280 --> 00:42:30,480 Speaker 1: you know, stuff like that. Yeah, all right, do me 656 00:42:30,520 --> 00:42:35,200 Speaker 1: a favor, right, goad this? Say this? Oh all right now, 657 00:42:35,239 --> 00:42:38,839 Speaker 1: say well I want that banana? All right, I don't 658 00:42:38,840 --> 00:42:40,239 Speaker 1: know what you made it sound different than I did. 659 00:42:40,239 --> 00:42:42,360 Speaker 1: All right, excuse me, agent, We need you back in 660 00:42:42,400 --> 00:42:45,120 Speaker 1: the makeup trailer. They made you up like an Aboriginal Australia. 661 00:42:46,000 --> 00:42:49,920 Speaker 1: That was just a terrible mistake on our part. Welcome back. Sorry, 662 00:42:49,960 --> 00:42:52,920 Speaker 1: that was my bad little time. So I didn't know 663 00:42:52,920 --> 00:42:56,160 Speaker 1: which part of Australia they were, Okay, I didn't know. 664 00:42:56,200 --> 00:42:58,640 Speaker 1: It's a little can you help me with my accent? 665 00:42:58,800 --> 00:43:00,279 Speaker 1: All right? So say this for me to say this 666 00:43:00,400 --> 00:43:03,680 Speaker 1: to me, my hands clap, My hands clap, now say 667 00:43:03,680 --> 00:43:05,480 Speaker 1: it like me, my hands clap. Are you doing it? 668 00:43:05,719 --> 00:43:08,160 Speaker 1: You don't sound Australia. I don't need to, Okay, my 669 00:43:08,239 --> 00:43:12,200 Speaker 1: hands clap, all right, say this. I'm in Australia right now. 670 00:43:12,280 --> 00:43:14,480 Speaker 1: I mean Australia right now. To say this alright? The 671 00:43:14,480 --> 00:43:16,560 Speaker 1: hell God is a little loud, but just listen up. 672 00:43:16,640 --> 00:43:22,799 Speaker 1: Operation groom is a go. Operation groom is apation. What's 673 00:43:22,800 --> 00:43:31,440 Speaker 1: the one group? Operation groom not room? No, no, no. 674 00:43:32,000 --> 00:43:35,160 Speaker 1: That was the weirdest fucking speech from the chroom. And 675 00:43:35,320 --> 00:43:37,000 Speaker 1: I cannot be the only one freaking out, but I'm 676 00:43:37,080 --> 00:43:40,480 Speaker 1: freaking out. I'm freaking out as well. I shouldn't come down. 677 00:43:40,480 --> 00:43:42,920 Speaker 1: I thought the hotel was putting on a thing. I mean, like, 678 00:43:42,960 --> 00:43:46,480 Speaker 1: what else is What's what's happening? What's actually happening? Honestly, 679 00:43:46,520 --> 00:43:48,440 Speaker 1: I have no idea and I'm freaked out of my ask. 680 00:43:48,520 --> 00:43:51,440 Speaker 1: You know what, it reminds me of Operation Dumbo. Drop 681 00:43:52,000 --> 00:43:54,200 Speaker 1: the movie with Billy Crystal. Love that movie. I love 682 00:43:54,200 --> 00:44:03,960 Speaker 1: that movie. Eyes A speech from the bride again. Hey y'all, 683 00:44:04,080 --> 00:44:09,880 Speaker 1: second time's charm um been magical. Um, I just have 684 00:44:10,040 --> 00:44:13,560 Speaker 1: loved having y'all here, and I'm just so excited to 685 00:44:13,600 --> 00:44:18,760 Speaker 1: be scared. I'm super happy. I'm super happy, I'm super 686 00:44:18,920 --> 00:44:23,160 Speaker 1: love and um I did. I'm so happy y'all here, 687 00:44:23,640 --> 00:44:26,760 Speaker 1: and I'm so happy all be going back to the States. Agent. 688 00:44:26,800 --> 00:44:30,760 Speaker 1: Now was the time. Now was the time. I already 689 00:44:30,800 --> 00:44:33,959 Speaker 1: gave a speech to the fantastical because she does seem 690 00:44:34,040 --> 00:44:37,719 Speaker 1: legitimately happy. I've never seen her so happy. I don't 691 00:44:37,800 --> 00:44:39,560 Speaker 1: know where I got this from the hotel they slipped. 692 00:44:39,719 --> 00:44:42,200 Speaker 1: I don't like I'm not. I was wondering if you 693 00:44:42,200 --> 00:44:45,759 Speaker 1: were from the Kentucky side of the Australian side. I'm 694 00:44:45,760 --> 00:44:47,719 Speaker 1: from the Kentucky said, don't know, but I don't think 695 00:44:47,719 --> 00:44:50,240 Speaker 1: I'm related to her. I'm just from Kentucky. I'm from Chicago. 696 00:44:50,360 --> 00:44:53,319 Speaker 1: I just came out here the wife from vacation and 697 00:44:53,320 --> 00:44:56,600 Speaker 1: now my sweet sweet husband, who I certainly who love. 698 00:44:57,160 --> 00:45:00,000 Speaker 1: We'll have to play the traditional song on the digit 699 00:45:00,040 --> 00:45:04,800 Speaker 1: redo to submit our union, or I'm just gonna put 700 00:45:04,920 --> 00:45:08,880 Speaker 1: us up to my mouth and I'm gonna is this 701 00:45:09,000 --> 00:45:12,200 Speaker 1: not the here we go? It looks like somebody soda 702 00:45:12,239 --> 00:45:15,759 Speaker 1: marsupial pouch under his stomach. Oh my god. Oh it's 703 00:45:15,800 --> 00:45:19,799 Speaker 1: a box job. It looks infecting the ship. I don't know. 704 00:45:19,840 --> 00:45:24,800 Speaker 1: I think he looks pretty. That's so fu up. Actually, 705 00:45:24,920 --> 00:45:28,040 Speaker 1: the mully due playing, and I'm gonna take my wife 706 00:45:28,120 --> 00:45:31,080 Speaker 1: with me and gonna call the marriage and then we'll 707 00:45:31,120 --> 00:45:40,080 Speaker 1: be say that he's gonna here out of here. I 708 00:45:40,080 --> 00:45:42,399 Speaker 1: don't know you have your attention. We are now going 709 00:45:42,440 --> 00:45:46,719 Speaker 1: to watch the briden room, get into the glassroom the 710 00:45:46,719 --> 00:45:52,759 Speaker 1: marriage before you. I got I gotta behind us. You 711 00:45:52,800 --> 00:45:56,080 Speaker 1: don't need to alright now that we're alone, I gotta 712 00:45:56,120 --> 00:45:57,879 Speaker 1: tell you the truth. I'm not who you think I am. 713 00:45:59,320 --> 00:46:03,120 Speaker 1: I know that you know I'm not your husband. It's 714 00:46:03,160 --> 00:46:05,359 Speaker 1: super obvious. I hope he took him somewhere and killed 715 00:46:05,400 --> 00:46:07,799 Speaker 1: the funk out of him. He's a monster. I don't 716 00:46:07,840 --> 00:46:12,880 Speaker 1: want to be with him right now. I know everybody 717 00:46:12,880 --> 00:46:15,200 Speaker 1: can see us having this conversation. He's got a gun 718 00:46:15,200 --> 00:46:18,920 Speaker 1: in them. Our supio pouts ship. We gotta do something. 719 00:46:20,680 --> 00:46:22,920 Speaker 1: Just thought there would be like apps being passed around. 720 00:46:24,600 --> 00:46:26,480 Speaker 1: This is gonna be a snuffing. He killed her folks. 721 00:46:26,600 --> 00:46:31,000 Speaker 1: He's stuff. It's it's it's like a it's like cocaine. 722 00:46:31,239 --> 00:46:33,080 Speaker 1: It's like not really, but it's like that. It's also 723 00:46:33,120 --> 00:46:35,719 Speaker 1: like a snuff is like a silence of killed. I'm 724 00:46:35,719 --> 00:46:40,120 Speaker 1: gonna kill you. It's not. Okay, everybody. We now need 725 00:46:40,160 --> 00:46:42,040 Speaker 1: all the guests to line up in three lines. We 726 00:46:42,080 --> 00:46:45,080 Speaker 1: need the Kentucky side to watch the glass room consummation 727 00:46:45,080 --> 00:46:47,319 Speaker 1: from this side. What if you're from Kentucky but you're not. 728 00:46:47,480 --> 00:46:50,120 Speaker 1: You don't you don't got no ties. Well, let me 729 00:46:50,160 --> 00:46:53,319 Speaker 1: just finish the three options here Kentucky's line over here, 730 00:46:53,600 --> 00:46:56,560 Speaker 1: Australian saide over here, and members and guests of the 731 00:46:56,600 --> 00:46:59,640 Speaker 1: hotel right here. But I am from Kentucky. Man, you 732 00:46:59,640 --> 00:47:02,239 Speaker 1: can stay, you can stand in between both. Okay, that 733 00:47:02,320 --> 00:47:05,319 Speaker 1: makes four lines. This thing is a ship show. When 734 00:47:05,360 --> 00:47:08,080 Speaker 1: does the pig ROAs start? Um? As soon as um 735 00:47:08,200 --> 00:47:11,200 Speaker 1: the red cloth is past. You haven't started the pig roast? 736 00:47:11,440 --> 00:47:14,680 Speaker 1: Does it take hours? I want you talking about you 737 00:47:14,719 --> 00:47:17,360 Speaker 1: haven't started the pig roast. Well, if we have any volunteers, 738 00:47:17,360 --> 00:47:19,080 Speaker 1: you want to dig a pit and I don't want 739 00:47:19,080 --> 00:47:22,840 Speaker 1: to take a pi' goddamn kiss here, sir, are you 740 00:47:22,880 --> 00:47:25,960 Speaker 1: on the Kentucky side Australian side for Chicago? You can 741 00:47:26,040 --> 00:47:29,279 Speaker 1: get behind me because I'm starting on the thing. Look, 742 00:47:29,680 --> 00:47:31,520 Speaker 1: I came to this. There's gonna be free food, free, 743 00:47:31,520 --> 00:47:34,319 Speaker 1: there will, yes, there will. We have to dig a 744 00:47:34,440 --> 00:47:36,839 Speaker 1: pit for a pig. Well, first you need to kill 745 00:47:36,880 --> 00:47:43,239 Speaker 1: the pig. God, oh my god, melick everyone alright, So 746 00:47:44,000 --> 00:47:45,640 Speaker 1: I want you to hold this gun and once we 747 00:47:45,680 --> 00:47:47,400 Speaker 1: get out of here, we're just gonna have to escape 748 00:47:47,400 --> 00:47:50,320 Speaker 1: because if I'm incorrect, tell me. But you were stuck 749 00:47:50,320 --> 00:47:55,000 Speaker 1: in Australia. You need it out that what happened, and 750 00:47:55,080 --> 00:47:57,799 Speaker 1: we did it through marriage. I'm lost. I didn't get 751 00:47:57,880 --> 00:48:00,520 Speaker 1: enough time with Mike. I'm sorry. Did did y'all get 752 00:48:00,560 --> 00:48:03,840 Speaker 1: brief before you went on? A minute? Chopper was loud, 753 00:48:03,840 --> 00:48:05,880 Speaker 1: the choppers coming in. We gotta go, we gotta go, 754 00:48:05,920 --> 00:48:09,840 Speaker 1: come on out. All right, let's let's drop the elephant. 755 00:48:14,400 --> 00:48:17,920 Speaker 1: What going on? What the god? And laid it on 756 00:48:17,960 --> 00:48:24,399 Speaker 1: the glass room before shards of elephant hair. God, Oh 757 00:48:24,440 --> 00:48:28,279 Speaker 1: my fucking god, Oh my god, and cut. That's a 758 00:48:28,320 --> 00:48:30,839 Speaker 1: wrap everyone. I think we've got it. I think we've 759 00:48:30,840 --> 00:48:33,759 Speaker 1: got it. What do you mean we don't have it 760 00:48:33,800 --> 00:48:36,920 Speaker 1: until I focus group it. Okay, yes, so let me 761 00:48:36,960 --> 00:48:39,560 Speaker 1: go take it to the elephant's former owners and see 762 00:48:39,560 --> 00:48:43,279 Speaker 1: what they think. Okay, great, Oh my god, what did 763 00:48:43,360 --> 00:48:46,640 Speaker 1: you do to our elephant? No? What we load you 764 00:48:46,760 --> 00:48:49,319 Speaker 1: that elephant for a week of shooting. Oh she was 765 00:48:49,400 --> 00:48:55,799 Speaker 1: so so sweet? Why did you do this? Billy Crystal movie? 766 00:48:55,880 --> 00:49:00,399 Speaker 1: Double drop? He's not involved at all, Billy Griss, it's 767 00:49:00,440 --> 00:49:04,279 Speaker 1: not Billy Crystal. Why don't we let these howlings come 768 00:49:04,320 --> 00:49:11,040 Speaker 1: to our island? No? No, no, you sick? You sick? Sick? Sick? 769 00:49:11,440 --> 00:49:17,719 Speaker 1: Are you somewhat likely? Likely? Zero? Zero zero? And just 770 00:49:17,760 --> 00:49:20,680 Speaker 1: doing my job? Okay? Yeah, and you just killed our 771 00:49:20,800 --> 00:49:24,360 Speaker 1: job alright. And our family member she was a family member. 772 00:49:24,480 --> 00:49:26,800 Speaker 1: Part well, you know, if you gave it better reviews, 773 00:49:26,840 --> 00:49:28,480 Speaker 1: we wouldn't cut the elephant out. But I don't think 774 00:49:28,480 --> 00:49:31,839 Speaker 1: that her death was a vain so you know that's 775 00:49:32,080 --> 00:49:34,279 Speaker 1: would give it better reviews for you. If it's the 776 00:49:34,320 --> 00:49:36,799 Speaker 1: focus group, well, obviously they're gonna reshoot. We're gonna kill 777 00:49:36,800 --> 00:49:39,759 Speaker 1: another elephant or some other animals. So that's on you. Guys. 778 00:49:39,840 --> 00:49:42,160 Speaker 1: All right, you could have recommended it, but you didn't 779 00:49:42,200 --> 00:49:45,719 Speaker 1: take this data back and whatever happens happens. Okay, that's 780 00:49:45,719 --> 00:49:49,960 Speaker 1: on you. That's on you. Shame on Fox for green 781 00:49:50,040 --> 00:49:57,799 Speaker 1: lighting this and that's our show. Oh boy, let's thank 782 00:49:57,840 --> 00:50:00,560 Speaker 1: gr alchemists. See what they're up to. Chris Oliver, You're 783 00:50:00,600 --> 00:50:06,040 Speaker 1: welcome at Chriss Olparado. Uh. And I don't take back 784 00:50:06,080 --> 00:50:08,960 Speaker 1: my resolution. I still think it's we don't want you to. 785 00:50:16,040 --> 00:50:19,759 Speaker 1: I support chrismas resolution. Let's all just say we love 786 00:50:19,760 --> 00:50:24,520 Speaker 1: you and we'll support you. Christ I don't believe you, 787 00:50:24,560 --> 00:50:27,520 Speaker 1: and that's the problem. Yeah, that's your work to do. 788 00:50:28,360 --> 00:50:34,040 Speaker 1: Um Dynasty typewriter dot com at Dynasty tap writer on Instagram. 789 00:50:34,160 --> 00:50:39,040 Speaker 1: I don't take back my resolution either, Greg Kakowski, it's 790 00:50:39,040 --> 00:50:41,720 Speaker 1: gonna be a big twenty twenty everyone. We're gonna reelect 791 00:50:41,800 --> 00:50:48,680 Speaker 1: Donald Trump. We're gonna mega and at Kikowski on Twitter. 792 00:50:49,520 --> 00:50:52,839 Speaker 1: James C. I just want to say, Lambo Rodriguez has 793 00:50:52,880 --> 00:50:55,800 Speaker 1: it right. He says that this show is not for everyone. 794 00:50:55,840 --> 00:50:59,759 Speaker 1: Five star reviews everyone. In the case that you might 795 00:50:59,760 --> 00:51:02,240 Speaker 1: not enjoy good things, you could listen to the static 796 00:51:02,280 --> 00:51:05,960 Speaker 1: noise between channels on radio station. Give it a try. 797 00:51:06,120 --> 00:51:09,320 Speaker 1: Uh yeah, so that's uh, that was basically what Lambeau 798 00:51:09,440 --> 00:51:14,719 Speaker 1: Rodriguez said, and I I think that's a great review. Nice. 799 00:51:15,200 --> 00:51:18,359 Speaker 1: Joey Greer Bear Sply every second and fourth Wednesday, nine 800 00:51:18,360 --> 00:51:22,400 Speaker 1: o'clock Westie Comedy Theater. Pretty Pretty Pony every first Thursday 801 00:51:22,560 --> 00:51:25,560 Speaker 1: at ten o'clock at west Common Theater. And check out 802 00:51:25,640 --> 00:51:28,480 Speaker 1: good Night if you haven't yet sketch album I did 803 00:51:29,080 --> 00:51:32,560 Speaker 1: listen to. It's on Spotify so sweet. You can find 804 00:51:32,560 --> 00:51:34,640 Speaker 1: me at Stratton Cool or at Cold Stratton A very 805 00:51:34,719 --> 00:51:38,200 Speaker 1: social things. Pretty Pretty Pony, as Joey mentioned. Also, come 806 00:51:38,239 --> 00:51:42,520 Speaker 1: see Alchemy This Live SF Sketch Fest. Go to s 807 00:51:42,520 --> 00:51:44,880 Speaker 1: S sketch Fest dot com from ore Info. It's on 808 00:51:45,160 --> 00:51:49,160 Speaker 1: January Saturday, January at one pm at the Punchline. Come 809 00:51:49,239 --> 00:51:52,480 Speaker 1: see us. It's gonna be a lot of fun. That's 810 00:51:52,520 --> 00:51:55,960 Speaker 1: it for today. Let's thank our engineer and producer Doug Baby, 811 00:51:57,040 --> 00:52:01,600 Speaker 1: our post sound design artist Raphael Brito, and lastly, I 812 00:52:01,880 --> 00:52:06,920 Speaker 1: heart media ship. I encourage I'll of you to write 813 00:52:06,920 --> 00:52:08,799 Speaker 1: a review, tell everyone you've ever met and write to 814 00:52:08,880 --> 00:52:11,600 Speaker 1: us at your name here at alchemy This dot com. 815 00:52:11,600 --> 00:52:16,240 Speaker 1: That's your name here, at Alchemy, this dot com until 816 00:52:16,320 --> 00:52:16,920 Speaker 1: next time.