1
00:00:05,720 --> 00:00:13,040
Speaker 1: Okay, left or right, me musing ex blob.

2
00:00:14,240 --> 00:00:20,760
Speaker 2: Susan orlean top cheff, it's down to us.

3
00:00:20,800 --> 00:00:23,479
Speaker 1: We are in France or something.

4
00:00:24,920 --> 00:00:32,839
Speaker 2: It's the Judges, the Hugh Hutchison, Yes, just those two

5
00:00:32,920 --> 00:00:33,360
Speaker 2: this time.

6
00:00:33,720 --> 00:00:36,239
Speaker 3: Has anyone's name ever sounded more like a sneeze than

7
00:00:36,360 --> 00:00:37,120
Speaker 3: Hugh Atchison?

8
00:00:37,680 --> 00:00:40,800
Speaker 2: Well, wasn't there in that funny movie there was a

9
00:00:40,920 --> 00:00:45,839
Speaker 2: character named a chu Oh no, but the pants Robinhood,

10
00:00:45,880 --> 00:00:46,520
Speaker 2: the pants Man.

11
00:00:46,840 --> 00:00:50,520
Speaker 3: Oh my gosh, the pants Man. I haven't thought about

12
00:00:50,520 --> 00:00:53,840
Speaker 3: that movie in literally six months. Doesn't it feel good

13
00:00:53,920 --> 00:00:55,440
Speaker 3: to just be thinking about that movie?

14
00:00:55,560 --> 00:00:56,600
Speaker 1: It's been for six months.

15
00:00:56,640 --> 00:00:59,560
Speaker 3: It's been six months since I've thought about that movie,

16
00:00:59,600 --> 00:01:01,360
Speaker 3: all because Halloween.

17
00:01:02,200 --> 00:01:04,280
Speaker 1: It was your Halloween cost.

18
00:01:04,200 --> 00:01:05,080
Speaker 3: I went, is that you?

19
00:01:06,160 --> 00:01:10,039
Speaker 2: And I am getting ready to hear about who is

20
00:01:10,080 --> 00:01:11,400
Speaker 2: the winner and the food?

21
00:01:11,480 --> 00:01:12,120
Speaker 4: Yeah? Yes?

22
00:01:12,959 --> 00:01:15,480
Speaker 2: And I start just I don't know where you're in.

23
00:01:15,600 --> 00:01:19,520
Speaker 2: How your mind does these interesting tricks on you?

24
00:01:19,680 --> 00:01:20,840
Speaker 3: Yeah, it does plays a trick.

25
00:01:21,000 --> 00:01:26,800
Speaker 2: And I started thinking about cescl the Lion Yeah, and

26
00:01:26,959 --> 00:01:31,480
Speaker 2: I am crying so bad. All of a sudden, I

27
00:01:31,520 --> 00:01:35,440
Speaker 2: start to be crying so much just thinking about Sessa

28
00:01:35,440 --> 00:01:38,000
Speaker 2: the liont and all the stuff that he wanted to

29
00:01:38,040 --> 00:01:39,520
Speaker 2: do well.

30
00:01:39,840 --> 00:01:43,000
Speaker 3: Yeah, well you probably knew him better than anyone. Yeah.

31
00:01:43,160 --> 00:01:46,240
Speaker 3: He would confide some of his sort of dreams and goals.

32
00:01:46,640 --> 00:01:50,520
Speaker 3: He wanted to chase a thing, and he wanted to

33
00:01:50,560 --> 00:01:53,800
Speaker 3: lie down and take a big sleepy yeah. And he

34
00:01:53,960 --> 00:01:56,160
Speaker 3: wanted to maybe even climb a tree.

35
00:01:57,120 --> 00:01:57,440
Speaker 5: Uh.

36
00:01:57,600 --> 00:01:59,920
Speaker 1: He was starting to talk about quiet good tree.

37
00:02:00,160 --> 00:02:02,440
Speaker 2: Yes, not that he wanted to do it necessarily, but

38
00:02:02,560 --> 00:02:05,080
Speaker 2: it was the discussion of Clydka.

39
00:02:04,760 --> 00:02:06,800
Speaker 1: Tree and wanted to try.

40
00:02:06,840 --> 00:02:09,360
Speaker 3: Didn't he want to be on Fizzy Boys or something? Yes,

41
00:02:09,440 --> 00:02:11,359
Speaker 3: he was hoping green apples.

42
00:02:11,760 --> 00:02:15,520
Speaker 2: He met Don Finelli at a party and Don Finelli

43
00:02:15,560 --> 00:02:19,240
Speaker 2: said like, oh, you got to come on Fizzy Boys, right,

44
00:02:19,280 --> 00:02:23,239
Speaker 2: And this was when Fizzy Boys was like really you know, yes,

45
00:02:23,800 --> 00:02:28,400
Speaker 2: so to speak, Yeah, I know yeah, And so I

46
00:02:28,440 --> 00:02:34,239
Speaker 2: am crying so much and Hugh was like are you crying?

47
00:02:35,040 --> 00:02:35,720
Speaker 1: You know like that?

48
00:02:36,080 --> 00:02:37,640
Speaker 3: Yeah, he's got that voice.

49
00:02:38,200 --> 00:02:38,480
Speaker 4: Uh.

50
00:02:38,520 --> 00:02:41,640
Speaker 3: And I say no because I don't know. You know,

51
00:02:41,720 --> 00:02:44,200
Speaker 3: I don't want to. You don't want to show weakness

52
00:02:44,200 --> 00:02:47,680
Speaker 3: around Hugh because he is a bit of a lion

53
00:02:47,720 --> 00:02:50,920
Speaker 3: in his own right. Yeah, he will strike. Do you

54
00:02:50,919 --> 00:02:54,359
Speaker 3: remember who won the muse next blob Blob? I think

55
00:02:54,360 --> 00:02:55,280
Speaker 3: I watched that season.

56
00:02:55,400 --> 00:02:59,720
Speaker 2: Yeah, the muse next blob did when he cooked bogogers.

57
00:03:01,080 --> 00:03:02,040
Speaker 3: Hey, welcome to Hollywood.

58
00:03:02,040 --> 00:03:03,919
Speaker 2: I have book and insiders got to kicking by dropping

59
00:03:03,960 --> 00:03:06,160
Speaker 2: names of the red carb lineback always of this industry

60
00:03:06,520 --> 00:03:07,600
Speaker 2: we call showbiz.

61
00:03:08,080 --> 00:03:10,400
Speaker 3: Of course, we have to talk about the SNAPO. Really

62
00:03:10,440 --> 00:03:12,160
Speaker 3: big shoe and.

63
00:03:12,240 --> 00:03:14,840
Speaker 2: It was only nine days ago that this happened, and

64
00:03:14,880 --> 00:03:16,000
Speaker 2: weird is this.

65
00:03:16,520 --> 00:03:21,919
Speaker 3: Really big shoe shoe business, really big shoe shoe business,

66
00:03:22,440 --> 00:03:27,080
Speaker 3: shoe buess it's Phil Knight. Uh, yeah, there, we must

67
00:03:27,160 --> 00:03:29,239
Speaker 3: talk about this. We can't ignore it.

68
00:03:29,240 --> 00:03:32,640
Speaker 2: It only happened nine days ago, and I think it

69
00:03:32,720 --> 00:03:36,040
Speaker 2: is time for us to I finally processed. Yes, I

70
00:03:36,080 --> 00:03:40,160
Speaker 2: finally have an understanding of what happened that I feel

71
00:03:40,160 --> 00:03:43,520
Speaker 2: comfortable talking about it because I zipped my lip when

72
00:03:43,560 --> 00:03:45,480
Speaker 2: it happened and said, we don't have all the facts yet.

73
00:03:45,760 --> 00:03:49,640
Speaker 3: Yeah, let's not report the fake news. Let's wait for

74
00:03:49,720 --> 00:03:54,080
Speaker 3: the real news, which is we have idea to fix this.

75
00:03:54,520 --> 00:03:57,800
Speaker 2: Do you want to say your version of what happened,

76
00:03:58,360 --> 00:04:01,200
Speaker 2: that you're the theory that you've come to about what

77
00:04:01,320 --> 00:04:02,080
Speaker 2: it actually was.

78
00:04:02,200 --> 00:04:04,360
Speaker 3: I finally have a theory that I'm comfortable with.

79
00:04:04,560 --> 00:04:09,680
Speaker 2: Yes, because we chattered information from a lot of different sources,

80
00:04:10,120 --> 00:04:12,440
Speaker 2: the various players involved.

81
00:04:12,440 --> 00:04:14,920
Speaker 3: Oh yeah, I interviewed everybody. I got him on the

82
00:04:14,960 --> 00:04:16,360
Speaker 3: horn and I said, look, and.

83
00:04:16,320 --> 00:04:18,480
Speaker 2: You wrote a personal oral history of it that is

84
00:04:18,520 --> 00:04:21,400
Speaker 2: not to be released, but it does go into your theory,

85
00:04:21,480 --> 00:04:23,360
Speaker 2: which is the following.

86
00:04:24,120 --> 00:04:29,680
Speaker 3: Yeah. So the bus driver from that bus of tourists

87
00:04:29,760 --> 00:04:33,320
Speaker 3: that came in and walked through, if you remember, two

88
00:04:33,320 --> 00:04:37,760
Speaker 3: of the people were black, which Jimmy Kimmel seemed to

89
00:04:38,040 --> 00:04:43,279
Speaker 3: it was interesting. Yeah, uh, you know, and they maybe

90
00:04:43,320 --> 00:04:45,200
Speaker 3: he thought they would have a connection to some of

91
00:04:45,240 --> 00:04:48,240
Speaker 3: the nominees who had names that he was unfamiliar with.

92
00:04:48,279 --> 00:04:51,240
Speaker 3: Some of these names were crazy to him. Yeah, that's all,

93
00:04:51,240 --> 00:04:55,119
Speaker 3: say Ma Hershela. You know. So anyway, the bus driver

94
00:04:55,279 --> 00:05:03,200
Speaker 3: of that bus, uh really he was mad at and

95
00:05:03,920 --> 00:05:13,040
Speaker 3: didn't lie warm Beaty because warm beat he beat him up. Yeah,

96
00:05:13,600 --> 00:05:16,039
Speaker 3: I mean he just you know, that's not his birth name, Beati.

97
00:05:17,279 --> 00:05:20,360
Speaker 3: He got that name of the schoolyard from beating people up. Yeah,

98
00:05:20,400 --> 00:05:22,480
Speaker 3: and he did a big beaty on that bus driver

99
00:05:22,520 --> 00:05:25,800
Speaker 3: when he was a kid just trying to make it

100
00:05:25,839 --> 00:05:28,240
Speaker 3: in the biz, and that guy was gonna be a

101
00:05:28,240 --> 00:05:30,120
Speaker 3: big actor. But Warren Beaty beat him up so bad

102
00:05:30,160 --> 00:05:33,479
Speaker 3: that his face now was not good enough to be

103
00:05:33,520 --> 00:05:36,680
Speaker 3: in the movies, and only he could be driving a bus.

104
00:05:36,920 --> 00:05:38,000
Speaker 1: Yeah.

105
00:05:38,040 --> 00:05:41,880
Speaker 3: So the bus driver, you know, sort of dropped everybody

106
00:05:41,880 --> 00:05:45,480
Speaker 3: off in the stands. And then when Jimmy Kimball was

107
00:05:45,520 --> 00:05:51,000
Speaker 3: doing the lion king thing, yeah uh, everyone sort of

108
00:05:51,080 --> 00:05:53,760
Speaker 3: was looking at the kid being the lion king, and

109
00:05:53,839 --> 00:05:56,279
Speaker 3: that gave this bus driver time to get into the

110
00:05:56,360 --> 00:06:00,039
Speaker 3: back and weave his way in and knock out the

111
00:06:00,120 --> 00:06:04,360
Speaker 3: guards with knockout gas. He did the thing where he

112
00:06:04,440 --> 00:06:06,960
Speaker 3: raised his arms up like in the tuxedo and knockout

113
00:06:07,000 --> 00:06:11,479
Speaker 3: gas shoots out from his arm pits. Yeah yeah, pu stinky,

114
00:06:11,680 --> 00:06:20,160
Speaker 3: you know. So then the guards are out. He then

115
00:06:20,200 --> 00:06:24,640
Speaker 3: gets a briefcase with the envelopes. He's able to pick

116
00:06:24,680 --> 00:06:30,919
Speaker 3: the lock using like just a toothpick and the key

117
00:06:31,040 --> 00:06:34,600
Speaker 3: to the lock. He sort of jams a toothpick in

118
00:06:34,800 --> 00:06:37,240
Speaker 3: and then just gets the key halfway in and then

119
00:06:37,240 --> 00:06:39,039
Speaker 3: has to pull the toothpick out to get the key

120
00:06:39,080 --> 00:06:43,400
Speaker 3: in turn it lock briefcase pops open. He gets the

121
00:06:43,720 --> 00:06:49,119
Speaker 3: envelope and then he gives the envelope to Warren Beatty,

122
00:06:49,120 --> 00:06:51,360
Speaker 3: who of course doesn't recognize him because he beat him

123
00:06:51,400 --> 00:06:53,680
Speaker 3: so bad. His face is different and as a little

124
00:06:53,720 --> 00:06:59,320
Speaker 3: bit of poetic justice. Warren goes out. Warren opens the envelope,

125
00:06:59,360 --> 00:07:03,479
Speaker 3: immediately realizes what's going on, goes, oh, I know what

126
00:07:03,600 --> 00:07:04,360
Speaker 3: happened this guy?

127
00:07:04,520 --> 00:07:08,680
Speaker 1: He's thinking back to his childhood in that moment.

128
00:07:08,720 --> 00:07:10,920
Speaker 3: This is somebody I did a big beaty on. And

129
00:07:10,960 --> 00:07:15,360
Speaker 3: he goes like, and more people were a little bit younger.

130
00:07:15,920 --> 00:07:19,240
Speaker 3: Was sort of the Jamie Kennedy of his time, uh,

131
00:07:19,280 --> 00:07:24,440
Speaker 3: and was exing people left and right. And he goes, well,

132
00:07:24,680 --> 00:07:26,480
Speaker 3: this is supposed to be revenge on me? Is there

133
00:07:26,520 --> 00:07:31,600
Speaker 3: someone I can take revenge on who maybe I think

134
00:07:31,680 --> 00:07:38,080
Speaker 3: needs to be punished? And hopefully it's a woman. Obviously,

135
00:07:38,480 --> 00:07:45,600
Speaker 3: Warren Beatty has been victim too many women's webs. They're

136
00:07:45,640 --> 00:07:49,280
Speaker 3: like spiders. If you saw enemy, They're like spiders and

137
00:07:49,320 --> 00:07:52,120
Speaker 3: they want to trap you. And so he finally has

138
00:07:52,200 --> 00:07:55,119
Speaker 3: them in his trap and he goes ahead and sucks

139
00:07:55,120 --> 00:07:58,200
Speaker 3: their bug guts right out. Now he's the spider and

140
00:07:58,320 --> 00:08:02,880
Speaker 3: he gives it to h they'd done with Elaine McLain,

141
00:08:03,000 --> 00:08:05,520
Speaker 3: Shirley mcclainlane, whatever.

142
00:08:05,360 --> 00:08:05,560
Speaker 1: You know?

143
00:08:06,680 --> 00:08:07,680
Speaker 3: Fucking who is that?

144
00:08:08,640 --> 00:08:08,720
Speaker 4: Like?

145
00:08:08,800 --> 00:08:11,160
Speaker 3: Who was he with? Does anybody know? Yes?

146
00:08:11,240 --> 00:08:13,560
Speaker 1: I don't know what the story is with that.

147
00:08:13,560 --> 00:08:18,240
Speaker 3: But he gives her the envelope and is covering with

148
00:08:18,280 --> 00:08:22,960
Speaker 3: his thumb the part that says that this is wrong. Yes,

149
00:08:23,160 --> 00:08:24,000
Speaker 3: only showing your part.

150
00:08:24,320 --> 00:08:26,040
Speaker 1: They don't read this one.

151
00:08:26,400 --> 00:08:33,960
Speaker 3: Yeah, and then she read it and I didn't really

152
00:08:34,000 --> 00:08:35,120
Speaker 3: see what happened after that.

153
00:08:36,679 --> 00:08:40,000
Speaker 2: It was pretty late. We try to think of a

154
00:08:40,040 --> 00:08:44,000
Speaker 2: way to how can it be different? And it never

155
00:08:44,240 --> 00:08:47,600
Speaker 2: do to fix it? Yeah, yes, And first thing that

156
00:08:47,679 --> 00:08:52,280
Speaker 2: I remember I called you is this was happening, and

157
00:08:53,480 --> 00:08:57,800
Speaker 2: phone rings, remembering and you say hello, Hayes, and I

158
00:08:57,840 --> 00:09:01,920
Speaker 2: say stickers, and you said exactly the same thing. I

159
00:09:02,120 --> 00:09:05,240
Speaker 2: was thinking the exact same things. We need to be

160
00:09:05,360 --> 00:09:09,040
Speaker 2: climing stickers that all over these cards that are so

161
00:09:09,240 --> 00:09:13,400
Speaker 2: big that warrant Beatie's thumb cannot be covering up these

162
00:09:13,840 --> 00:09:14,720
Speaker 2: stickers and.

163
00:09:14,640 --> 00:09:18,520
Speaker 3: The stickers and you what you're doing is stick them

164
00:09:18,520 --> 00:09:23,559
Speaker 3: to presenters the night before. Yeah, so nobody can drive

165
00:09:23,600 --> 00:09:28,000
Speaker 3: a bus in as part of a joke. Yeah, and

166
00:09:28,760 --> 00:09:33,679
Speaker 3: you know, get to change out what the envelope. The

167
00:09:33,760 --> 00:09:37,280
Speaker 3: envelope anybody could carry one, a mailman could have one.

168
00:09:37,520 --> 00:09:40,920
Speaker 1: Yeah, but a sticker, you can't move it.

169
00:09:41,600 --> 00:09:43,640
Speaker 2: And so we say, well, why don't we just make

170
00:09:43,679 --> 00:09:46,160
Speaker 2: some of these stickers for our show, and they can

171
00:09:46,200 --> 00:09:49,480
Speaker 2: be using these as the presenter stickers because it's our idea.

172
00:09:49,840 --> 00:09:52,839
Speaker 3: Will make stickers popular for a year, Yes, and then

173
00:09:53,000 --> 00:09:55,520
Speaker 3: next year when it's time, so that people are not

174
00:09:55,640 --> 00:09:58,280
Speaker 3: resistant to the change, they'll go, Well, everyone's wearing these

175
00:09:58,280 --> 00:10:00,599
Speaker 3: stickers now that say wolf cool or hot dog go

176
00:10:00,640 --> 00:10:03,119
Speaker 3: to bathroom, or it's a sticker of a mouse Skelington,

177
00:10:03,760 --> 00:10:06,760
Speaker 3: and everyone's been wearing these everywhere all over the city

178
00:10:06,840 --> 00:10:09,680
Speaker 3: in the world. Yea, and now it looks cool to

179
00:10:09,720 --> 00:10:12,679
Speaker 3: have a sticker, doesn't it. Yeah, And some people might

180
00:10:12,720 --> 00:10:14,440
Speaker 3: be saying, is this an ad.

181
00:10:14,800 --> 00:10:17,640
Speaker 2: For your Hollywood Handbook? Stud that you've been pretending to

182
00:10:17,679 --> 00:10:21,040
Speaker 2: do the show all along? But it was actually an ad?

183
00:10:21,679 --> 00:10:21,719
Speaker 4: No?

184
00:10:22,200 --> 00:10:26,200
Speaker 3: Is this opening intro segment a commercial? Where so there's

185
00:10:26,240 --> 00:10:29,720
Speaker 3: a very long kind of aimless retelling with no real

186
00:10:29,800 --> 00:10:33,760
Speaker 3: angle of what happened at the oscars that just got

187
00:10:33,800 --> 00:10:37,959
Speaker 3: bailed on and then awkwardly smashed.

188
00:10:37,960 --> 00:10:42,199
Speaker 2: There was an ad before the theme song. Now this

189
00:10:42,600 --> 00:10:46,080
Speaker 2: is seeming to be an ad, and then they're more

190
00:10:46,120 --> 00:10:52,160
Speaker 2: ads later. No, the ads say Hollywood Handbook before them

191
00:10:52,200 --> 00:10:55,560
Speaker 2: the girl is saying Hollywood Handbook. Then it's that, Yeah,

192
00:10:55,640 --> 00:10:58,240
Speaker 2: she hasn't said that, yet it's not the ads yet.

193
00:10:58,400 --> 00:11:01,120
Speaker 2: We are just talking about our stick at store dot

194
00:11:01,160 --> 00:11:05,080
Speaker 2: earwolf dot com, Slash store slash Esoterica Slash one two

195
00:11:05,120 --> 00:11:09,079
Speaker 2: one two nine, slash, Hollywood Dash Handbook, Dash Deco, dash

196
00:11:09,200 --> 00:11:10,439
Speaker 2: set at.

197
00:11:10,559 --> 00:11:13,800
Speaker 3: Landon Demize design these stickers as part of trying to

198
00:11:13,800 --> 00:11:17,240
Speaker 3: help save Hollywood, make stickers popular so that next year

199
00:11:17,280 --> 00:11:20,000
Speaker 3: the oscars are safe and you can watch without being scared.

200
00:11:20,240 --> 00:11:22,960
Speaker 3: And I didn't. Harrison Ford the other day almost meet

201
00:11:23,120 --> 00:11:29,079
Speaker 3: his Landen Demize in the plane and that was viral

202
00:11:29,120 --> 00:11:31,400
Speaker 3: marketing for six days, seven nights, and we see right

203
00:11:31,440 --> 00:11:31,880
Speaker 3: through it.

204
00:11:32,920 --> 00:11:36,439
Speaker 2: Ike is on the show Hollywood Handbook on Hollywood Handbook,

205
00:11:40,200 --> 00:11:42,160
Speaker 2: so it's me.

206
00:11:42,679 --> 00:11:49,760
Speaker 3: It's Merrik Garland and Swim Cash and uh, we're at

207
00:11:49,760 --> 00:11:52,160
Speaker 3: this big, you know, one of these seven Up events

208
00:11:52,200 --> 00:11:55,160
Speaker 3: they're doing all over town where there's like the boulder

209
00:11:55,200 --> 00:11:57,760
Speaker 3: wall and we're doing a little bouldering, you know, and

210
00:11:57,800 --> 00:12:00,079
Speaker 3: then there's the lab set up where you sort of

211
00:12:00,160 --> 00:12:03,600
Speaker 3: like uh, sort of you know, cook the seven up

212
00:12:03,640 --> 00:12:07,240
Speaker 3: and like a bunch and speaker yeah yeah, yeah, and

213
00:12:07,600 --> 00:12:14,640
Speaker 3: uh and Swin's helping America up the wall and her

214
00:12:16,080 --> 00:12:19,640
Speaker 3: fist as she's sort of pushing his butt down, Yeah,

215
00:12:20,480 --> 00:12:28,000
Speaker 3: slides in, you know, in a pretty far up and

216
00:12:28,000 --> 00:12:31,520
Speaker 3: and she can't get him off. Yeah, and he's sort

217
00:12:31,559 --> 00:12:36,440
Speaker 3: of likes it, but doesn't want to look like he

218
00:12:36,600 --> 00:12:37,000
Speaker 3: likes it.

219
00:12:37,240 --> 00:12:38,640
Speaker 1: Yeah, and is.

220
00:12:38,720 --> 00:12:41,200
Speaker 3: So it's a frustrating, you know, it's a hard thing

221
00:12:41,320 --> 00:12:44,000
Speaker 3: to It's a face that he's making that is kind

222
00:12:44,000 --> 00:12:46,280
Speaker 3: of between two faces. And this happened or this is

223
00:12:46,280 --> 00:12:49,440
Speaker 3: a political cartoon. No, this is no, this is the

224
00:12:49,600 --> 00:12:52,400
Speaker 3: this I'm pitching your political cartoon. Okay, yes, all right,

225
00:12:52,520 --> 00:12:55,199
Speaker 3: And so how many because I know the handles are

226
00:12:55,200 --> 00:12:55,840
Speaker 3: these normally?

227
00:12:56,559 --> 00:13:00,439
Speaker 1: Oh I think it's usually just one, like one square?

228
00:13:00,480 --> 00:13:02,680
Speaker 3: Are you sure? Because there's a whole story now where

229
00:13:02,679 --> 00:13:05,240
Speaker 3: I get the seven up fire hose and I blast

230
00:13:05,640 --> 00:13:08,880
Speaker 3: him off her fist okay, you know, and then he

231
00:13:08,960 --> 00:13:11,280
Speaker 3: winds up and he winds up putting hole in the

232
00:13:11,320 --> 00:13:13,400
Speaker 3: American because I know the whole thing of these events

233
00:13:13,440 --> 00:13:16,280
Speaker 3: is to advertise seven up is supposed to be hot.

234
00:13:16,320 --> 00:13:19,880
Speaker 3: It is supposed to be served hot, uh like like

235
00:13:19,880 --> 00:13:22,600
Speaker 3: a messaging campaign about that. So it's a hot hose,

236
00:13:22,720 --> 00:13:25,520
Speaker 3: it's a hot yeah. Yeah, No, I hit him with

237
00:13:25,520 --> 00:13:28,240
Speaker 3: the hot hose and they're also taking the bubbles out,

238
00:13:28,240 --> 00:13:31,439
Speaker 3: which I think is smart because they sting your nose

239
00:13:31,520 --> 00:13:35,160
Speaker 3: like the Dickens, and so I like it's a really

240
00:13:35,520 --> 00:13:38,400
Speaker 3: it's a wise rebranding for them. But yeah, I want

241
00:13:38,440 --> 00:13:39,800
Speaker 3: to I blast him off. He puts a whole in

242
00:13:39,800 --> 00:13:44,320
Speaker 3: the American flag, you know, it's sort of symbolic, like

243
00:13:44,440 --> 00:13:48,559
Speaker 3: what flag doing? Yeah, and the whole winds up looking

244
00:13:48,720 --> 00:13:52,839
Speaker 3: like the spot, the seven up spot. Uh huh yeahs

245
00:13:52,880 --> 00:13:55,839
Speaker 3: he asked, mm hmmmmm. This just makes seven up yours

246
00:13:55,840 --> 00:13:58,040
Speaker 3: great again. I don't know what it means, but hey,

247
00:13:59,800 --> 00:14:01,960
Speaker 3: Sky did kicking button dropping names in the red carpet

248
00:14:01,960 --> 00:14:05,440
Speaker 3: lineback hallways industry we call show. Sometimes we talked to

249
00:14:06,080 --> 00:14:12,360
Speaker 3: a movie star. Amazing, Yes, amazing. It so feels so

250
00:14:12,520 --> 00:14:15,040
Speaker 3: good to be among our own and to have a

251
00:14:15,120 --> 00:14:17,920
Speaker 3: corker of a guest is so nice for us and

252
00:14:18,000 --> 00:14:20,240
Speaker 3: for people listening to the show.

253
00:14:20,960 --> 00:14:22,120
Speaker 1: Baron Holtz is here.

254
00:14:23,760 --> 00:14:27,080
Speaker 3: I thank you for can we get that sniff again?

255
00:14:28,080 --> 00:14:28,400
Speaker 4: Okay?

256
00:14:28,520 --> 00:14:30,240
Speaker 3: Did we get like as Mike was shut off for

257
00:14:30,320 --> 00:14:30,800
Speaker 3: the sniff?

258
00:14:30,840 --> 00:14:34,880
Speaker 4: Did we want to isolate it real quick? Thank you

259
00:14:34,920 --> 00:14:37,040
Speaker 4: for saying Merrek Garland because it could have been a

260
00:14:37,040 --> 00:14:41,680
Speaker 4: different Merrick. Oh yeah, John Merrick, John Merrick, Merrick Schwartz.

261
00:14:42,880 --> 00:14:45,000
Speaker 2: Yeah, from Inside Schwartz.

262
00:14:47,880 --> 00:14:51,400
Speaker 4: I I did two episodes of Inside Schwartz.

263
00:14:51,480 --> 00:14:54,440
Speaker 1: Okay, what what what? What fouls are being called on you?

264
00:14:54,520 --> 00:14:59,880
Speaker 4: In that episode, I was aggressively trying to exit the Friends,

265
00:15:02,400 --> 00:15:06,440
Speaker 4: and then I was unnecessary act breaking.

266
00:15:07,080 --> 00:15:10,400
Speaker 2: Oh wow, Oh so you tried to do an act

267
00:15:10,400 --> 00:15:11,680
Speaker 2: break on the show.

268
00:15:11,800 --> 00:15:14,080
Speaker 3: He sort of took a take right down the barrel.

269
00:15:14,240 --> 00:15:15,960
Speaker 1: One of the referee, well.

270
00:15:15,840 --> 00:15:18,360
Speaker 4: The referee, the referee on the character on the show,

271
00:15:18,400 --> 00:15:19,680
Speaker 4: gave me a ticket for the first one. I got

272
00:15:19,680 --> 00:15:20,920
Speaker 4: a card for the first one. But then like the

273
00:15:20,960 --> 00:15:23,240
Speaker 4: show actually had a referee on set that would like,

274
00:15:23,280 --> 00:15:25,120
Speaker 4: if you try to break one of the norms of TV,

275
00:15:25,160 --> 00:15:26,360
Speaker 4: they would give you a card.

276
00:15:27,040 --> 00:15:30,040
Speaker 3: There's a producer also in a referee uniform. Yeah, yeah

277
00:15:30,440 --> 00:15:30,760
Speaker 3: he was.

278
00:15:31,720 --> 00:15:33,640
Speaker 4: He was one of the Friends writers.

279
00:15:34,280 --> 00:15:38,000
Speaker 3: Woh, one of the guys who got the lawsuit.

280
00:15:38,120 --> 00:15:40,560
Speaker 1: Yeah, he was the guy that he was.

281
00:15:41,280 --> 00:15:45,600
Speaker 4: He was pitching a c story for Ross and he

282
00:15:47,000 --> 00:15:49,240
Speaker 4: drew a picture of David Swimmer on his dick and

283
00:15:49,280 --> 00:15:52,800
Speaker 4: made the writer's assistant shake cancer Swimmer. So when you

284
00:15:52,840 --> 00:15:55,240
Speaker 4: hear in Hollywood like, oh yeah, she shook cancer, we.

285
00:15:55,200 --> 00:15:56,800
Speaker 3: Should be allowed to do this.

286
00:15:57,200 --> 00:16:01,440
Speaker 4: Theative said, we are allowed to do that.

287
00:16:02,000 --> 00:16:03,440
Speaker 3: We're creative. You know.

288
00:16:03,600 --> 00:16:05,040
Speaker 1: You can't put limits on this.

289
00:16:05,200 --> 00:16:08,080
Speaker 4: As long as you can say anything you want. And

290
00:16:08,400 --> 00:16:11,920
Speaker 4: you could be like, I'm gonna fucking kill you and

291
00:16:11,960 --> 00:16:15,120
Speaker 4: your fucking kids, and at their funeral, I'm gonna jerk

292
00:16:15,120 --> 00:16:18,240
Speaker 4: off in the corpses writer's room. If you say writer's

293
00:16:18,280 --> 00:16:24,240
Speaker 4: room at the very end, you're a writer. It's it's

294
00:16:24,240 --> 00:16:25,600
Speaker 4: like calling door knob or safety.

295
00:16:25,960 --> 00:16:29,800
Speaker 3: Safety, right, it's like calling safety. Yeah.

296
00:16:30,160 --> 00:16:32,240
Speaker 4: Do you know Trump says safety when he firts.

297
00:16:34,280 --> 00:16:38,360
Speaker 3: Yeah, that's an interesting thing. I can I say?

298
00:16:38,600 --> 00:16:38,760
Speaker 4: Can?

299
00:16:38,800 --> 00:16:43,120
Speaker 3: I says on the oscar, thank you guys, really big,

300
00:16:43,640 --> 00:16:46,680
Speaker 3: like really cool to see you there. It was.

301
00:16:47,200 --> 00:16:48,560
Speaker 1: It was a great night.

302
00:16:49,760 --> 00:16:53,320
Speaker 4: I started hair and makeup at two am. I hadn't

303
00:16:53,360 --> 00:16:57,280
Speaker 4: eaten any solid food in six weeks, and who needs it?

304
00:16:57,520 --> 00:16:58,000
Speaker 3: Uh.

305
00:16:58,040 --> 00:17:04,760
Speaker 4: The whole time I was periscoping for Smirnov Smirnov's new

306
00:17:06,000 --> 00:17:11,960
Speaker 4: Pina Colada beer. I was periscoping for them. I was

307
00:17:12,000 --> 00:17:14,720
Speaker 4: kind of sponsored by them. They sent a like a

308
00:17:14,920 --> 00:17:17,440
Speaker 4: beautiful like super u out back to kind of drive

309
00:17:17,480 --> 00:17:18,120
Speaker 4: me around. All.

310
00:17:18,320 --> 00:17:21,200
Speaker 3: Yeah, that comes in two leaders, now, am I right?

311
00:17:21,240 --> 00:17:24,600
Speaker 4: It does? Yeah, only in two leaders. And I got

312
00:17:24,600 --> 00:17:27,720
Speaker 4: there and it's so funny because it was just last year.

313
00:17:28,040 --> 00:17:30,159
Speaker 4: I was one of those people outside the Kodak with

314
00:17:30,240 --> 00:17:36,639
Speaker 4: glossies and sharpie's, you know, to sell them. I w

315
00:17:37,000 --> 00:17:39,000
Speaker 4: my what I like to do. Here's my little Hollywood

316
00:17:39,000 --> 00:17:41,200
Speaker 4: trick is I just get blank glossies.

317
00:17:41,440 --> 00:17:41,800
Speaker 3: Yeah.

318
00:17:42,440 --> 00:17:44,320
Speaker 4: I just walk up to people that are attractive and

319
00:17:44,440 --> 00:17:46,359
Speaker 4: ask them to sign it, and then one day, if

320
00:17:46,400 --> 00:17:48,960
Speaker 4: I ever see them somewhere, I'll print their photo out

321
00:17:48,960 --> 00:17:51,280
Speaker 4: and I'll be like, god it. So. I have my

322
00:17:51,400 --> 00:17:56,960
Speaker 4: apartment on Yuka. When you walk in, it's all just

323
00:17:57,600 --> 00:18:01,960
Speaker 4: fucking wall to wall glossies signed by random name.

324
00:18:02,000 --> 00:18:04,399
Speaker 3: Just waiting just be turned into cash.

325
00:18:04,480 --> 00:18:06,359
Speaker 4: It's like a lot of my apartments like La La Land.

326
00:18:07,280 --> 00:18:11,200
Speaker 1: Yukka is really nice. It's really coming up the.

327
00:18:11,240 --> 00:18:13,720
Speaker 3: Yuka renaissances in full of Fat Yukka.

328
00:18:13,760 --> 00:18:15,840
Speaker 4: They're saying, in five years will be the next Wilton.

329
00:18:16,200 --> 00:18:18,399
Speaker 3: Yeah. No, it's honestly on that path.

330
00:18:18,960 --> 00:18:21,600
Speaker 4: They just opened. Oh god, it's so good. They just

331
00:18:22,320 --> 00:18:25,600
Speaker 4: like two days ago, they just opened a it's a

332
00:18:25,640 --> 00:18:30,560
Speaker 4: brand new liquor store, methadone clinic.

333
00:18:30,720 --> 00:18:32,600
Speaker 3: Oh so you can.

334
00:18:32,560 --> 00:18:37,040
Speaker 4: Walk in get your fake heroin by like a you know,

335
00:18:37,080 --> 00:18:39,840
Speaker 4: a little leader of you know Irish whiskey, and then

336
00:18:39,880 --> 00:18:41,800
Speaker 4: you could just go slay in front of the.

337
00:18:41,600 --> 00:18:45,040
Speaker 3: Store Michelobin methodone and then that's how I do it.

338
00:18:46,040 --> 00:18:48,199
Speaker 3: And they finally shut down the jolly Be.

339
00:18:48,320 --> 00:18:51,600
Speaker 4: There they did. They shut down the jolly Bee, but

340
00:18:51,680 --> 00:18:54,320
Speaker 4: there's seventeen more in Korea down so you could go there.

341
00:18:54,800 --> 00:18:57,040
Speaker 4: Jallabi's good because there's so many days where I'm like,

342
00:18:57,080 --> 00:18:57,679
Speaker 4: do I want?

343
00:18:58,080 --> 00:18:58,600
Speaker 3: Do I want?

344
00:18:58,920 --> 00:19:05,520
Speaker 6: Like children's Yeah, a juicy burger, juicy umberger, or like

345
00:19:05,520 --> 00:19:07,919
Speaker 6: like pizza that looks like you got it at like

346
00:19:08,520 --> 00:19:14,560
Speaker 6: the Columbus Science Museum's cafeteria, like right before closing, Like like,

347
00:19:14,880 --> 00:19:15,920
Speaker 6: do you gets any pizza left?

348
00:19:16,119 --> 00:19:19,480
Speaker 4: Man, we're closed. Fuck, my kid's hungry. Hold on, hold on,

349
00:19:19,760 --> 00:19:22,160
Speaker 4: there you go. That's Jollyby. That's a new commercial.

350
00:19:22,240 --> 00:19:27,120
Speaker 3: Finally, we don't have to pick Ike.

351
00:19:28,040 --> 00:19:32,800
Speaker 2: We talk about movie star, right, uh, Ike's in the movies.

352
00:19:33,040 --> 00:19:35,280
Speaker 2: We want to talk about some of your most famous roles.

353
00:19:35,320 --> 00:19:37,040
Speaker 4: I'm in the pictures two.

354
00:19:36,920 --> 00:19:39,080
Speaker 1: Thousand and eight. Let's take us back to two thousand

355
00:19:39,119 --> 00:19:39,360
Speaker 1: and eight.

356
00:19:39,440 --> 00:19:40,160
Speaker 3: Big Year.

357
00:19:41,840 --> 00:19:47,120
Speaker 4: Just had finished a West coast swing campaigning for Palin

358
00:19:47,600 --> 00:19:49,480
Speaker 4: huh and came back.

359
00:19:49,680 --> 00:19:53,280
Speaker 2: Just paling to be president President, Be President.

360
00:19:54,040 --> 00:19:55,680
Speaker 3: Get that guy out of the way. Yeah.

361
00:19:55,800 --> 00:20:00,439
Speaker 4: Yeah, And then I came back to Holly Lowwood and

362
00:20:01,760 --> 00:20:02,560
Speaker 4: my agent.

363
00:20:02,280 --> 00:20:07,000
Speaker 3: Called, that's walk me through that. So I get home

364
00:20:07,480 --> 00:20:09,320
Speaker 3: and I see what is that like?

365
00:20:09,480 --> 00:20:11,240
Speaker 4: What is that like? When it made? This is my

366
00:20:11,359 --> 00:20:14,800
Speaker 4: older agent. God bless him. He he's not even in

367
00:20:14,800 --> 00:20:17,520
Speaker 4: the business where he killed. He killed his neighbor and

368
00:20:17,800 --> 00:20:22,159
Speaker 4: he is in sing sing. It was great though. He

369
00:20:22,240 --> 00:20:24,359
Speaker 4: called me and he at the time had a pager,

370
00:20:25,040 --> 00:20:27,119
Speaker 4: so it was his page number. So I called him

371
00:20:27,240 --> 00:20:30,240
Speaker 4: and then two thousand and eight, and then I knew

372
00:20:30,480 --> 00:20:32,480
Speaker 4: once you paged him, it was just it was about

373
00:20:32,520 --> 00:20:35,679
Speaker 4: eight or nine minutes. So he would run across the

374
00:20:35,760 --> 00:20:38,320
Speaker 4: one on won to the pay phone and then he

375
00:20:38,400 --> 00:20:40,120
Speaker 4: called me back and he was like.

376
00:20:40,680 --> 00:20:45,720
Speaker 5: Oho, Isaac, I got a good he I got a

377
00:20:45,760 --> 00:20:50,520
Speaker 5: good picture. He got a good picture for your star.

378
00:20:50,960 --> 00:20:55,600
Speaker 4: And I was like, okay, what talk talk to me,

379
00:20:55,920 --> 00:21:01,520
Speaker 4: give me the dats and he goes, a parody it's

380
00:21:01,560 --> 00:21:06,159
Speaker 4: a parody film. And I said, I love them. I

381
00:21:06,200 --> 00:21:09,840
Speaker 4: love parody films. I love airplane, love airplane too. He goes,

382
00:21:10,240 --> 00:21:16,239
Speaker 4: this is just like that. He was very ill the

383
00:21:16,400 --> 00:21:16,920
Speaker 4: entire time.

384
00:21:17,040 --> 00:21:19,919
Speaker 3: I dealt with him well, and that's very kind. Of

385
00:21:19,960 --> 00:21:22,919
Speaker 3: you too, you know, uh, to let him help you

386
00:21:22,960 --> 00:21:25,040
Speaker 3: in that way, and that you knew right away, Like

387
00:21:25,080 --> 00:21:28,320
Speaker 3: you're so savvy because I hear parody film. I think

388
00:21:28,440 --> 00:21:33,640
Speaker 3: Paulie with Jay Moore and Buddy Hackett and and I go,

389
00:21:33,840 --> 00:21:36,800
Speaker 3: they already made one of the most parody movies. Yeah

390
00:21:36,840 --> 00:21:40,520
Speaker 3: that's the parody. Yeah, that's the parodi ist. But you

391
00:21:40,600 --> 00:21:43,639
Speaker 3: knew right away, Okay, Airplane.

392
00:21:43,160 --> 00:21:47,919
Speaker 4: Airplane, some of these other sequel hot shots, hot shots,

393
00:21:48,000 --> 00:21:49,359
Speaker 4: part due, part due.

394
00:21:49,480 --> 00:21:49,960
Speaker 1: Yeah.

395
00:21:50,040 --> 00:21:54,359
Speaker 4: And before I knew it, I was I was whisked away,

396
00:21:56,440 --> 00:21:59,879
Speaker 4: just a couple of short bus rides, a little casting

397
00:22:00,040 --> 00:22:03,680
Speaker 4: office on the Brea. Oh, my man, I met to

398
00:22:05,000 --> 00:22:07,840
Speaker 4: uh it was it was now it's a lamp store.

399
00:22:09,000 --> 00:22:10,879
Speaker 1: It was still it was still a lamp plus.

400
00:22:10,920 --> 00:22:13,360
Speaker 4: But they would sometimes they would have meetings in the back,

401
00:22:14,280 --> 00:22:16,000
Speaker 4: and I met the directors, and I fell in love

402
00:22:16,000 --> 00:22:18,320
Speaker 4: with the project. And before I knew it, I was

403
00:22:18,359 --> 00:22:21,320
Speaker 4: on my way to New Orleans, New Orleans.

404
00:22:21,680 --> 00:22:24,160
Speaker 3: Uh oh, the Nola Man.

405
00:22:24,160 --> 00:22:27,360
Speaker 1: And this was not that long post Katrina.

406
00:22:27,840 --> 00:22:30,480
Speaker 4: This was I think it was the day Katrina started.

407
00:22:30,520 --> 00:22:32,520
Speaker 3: During. Yeah, we got there during.

408
00:22:33,080 --> 00:22:34,920
Speaker 4: I remember we were shooting and I was.

409
00:22:34,920 --> 00:22:36,800
Speaker 3: Like able to steal some good shots that week.

410
00:22:37,040 --> 00:22:41,240
Speaker 4: We got some great b roll and I remember thinking like,

411
00:22:42,200 --> 00:22:44,080
Speaker 4: I'd love to knock this scene out, and they were like,

412
00:22:44,920 --> 00:22:49,040
Speaker 4: like a levee just broke, get out, get to high ground.

413
00:22:49,320 --> 00:22:52,520
Speaker 4: And we did. And you know, we shut down production

414
00:22:52,560 --> 00:22:56,240
Speaker 4: for about two years, but we made a commitment to

415
00:22:56,440 --> 00:23:02,399
Speaker 4: making this film. And you know, the minute New Orleans

416
00:23:02,440 --> 00:23:05,640
Speaker 4: was back, you know, we had a big ribbon cutting ceremony.

417
00:23:05,720 --> 00:23:08,720
Speaker 4: Ray Nagan came down and cut the ribbon.

418
00:23:10,560 --> 00:23:16,280
Speaker 2: To celebrate the rebirth of the cultural capital of America,

419
00:23:16,480 --> 00:23:19,159
Speaker 2: America's greatest city arguably besides New York City. Then with

420
00:23:20,040 --> 00:23:22,520
Speaker 2: a ribbon cutting for Meet the Spartans. Is that what

421
00:23:22,600 --> 00:23:23,159
Speaker 2: the movie was?

422
00:23:23,200 --> 00:23:27,399
Speaker 4: That was Meet the Spartans, Yes, which of course was

423
00:23:27,520 --> 00:23:31,800
Speaker 4: a parody of what I thought was Meet the Parents.

424
00:23:31,880 --> 00:23:35,320
Speaker 3: Yeah. Sure, it does sound like from the title that

425
00:23:36,240 --> 00:23:38,320
Speaker 3: Meet the Parents or even Meet the Fuckers.

426
00:23:39,280 --> 00:23:42,120
Speaker 4: No, no, this was a parody of the film three

427
00:23:42,160 --> 00:23:42,720
Speaker 4: zero zero.

428
00:23:46,000 --> 00:23:47,960
Speaker 3: Did you play one character in this movie?

429
00:23:48,320 --> 00:23:51,720
Speaker 4: Well, I kind of, I kind of went around the world. Yeah,

430
00:23:52,000 --> 00:23:57,840
Speaker 4: I did a real assortment. At the time, I was, oh,

431
00:23:57,920 --> 00:24:01,160
Speaker 4: probably the fourth or fifth biggest star on Mad TV,

432
00:24:02,880 --> 00:24:08,440
Speaker 4: which was at the time, you know, Saturday Night Lives

433
00:24:10,000 --> 00:24:13,920
Speaker 4: disabled cousin. And I was a lot of heat off

434
00:24:13,920 --> 00:24:17,800
Speaker 4: that show at a lot of heat and a lot

435
00:24:17,840 --> 00:24:20,440
Speaker 4: of offers, And this one just stuck to me because

436
00:24:20,440 --> 00:24:22,240
Speaker 4: it allowed me to do what I do best. You

437
00:24:22,320 --> 00:24:25,960
Speaker 4: were imitate named Cook. Oh okay, I was sizzling at

438
00:24:25,960 --> 00:24:26,320
Speaker 4: the time.

439
00:24:26,440 --> 00:24:28,520
Speaker 1: Yeah, I love that character. Here you were Miss Swan

440
00:24:28,600 --> 00:24:29,040
Speaker 1: as well.

441
00:24:29,320 --> 00:24:34,440
Speaker 4: I did Miss Swan on Mad TV. I did Cosby

442
00:24:34,640 --> 00:24:39,840
Speaker 4: Cosby and James Brown, I did Stuart. Oh god, we

443
00:24:39,880 --> 00:24:44,440
Speaker 4: did this. We did this character. Man. I did fat

444
00:24:44,480 --> 00:24:47,439
Speaker 4: Black Mammy. It was his character that I did. And wow,

445
00:24:47,600 --> 00:24:55,359
Speaker 4: that's that's inredibly greedy uh older African American woman, very

446
00:24:55,359 --> 00:24:59,359
Speaker 4: greedy and petty and always smoking cigarettes and hitting her grandchildren.

447
00:24:59,400 --> 00:25:04,000
Speaker 4: And I I did that and I won a NAACP

448
00:25:04,080 --> 00:25:07,639
Speaker 4: Image Award for that in a two thousand and five

449
00:25:09,200 --> 00:25:11,240
Speaker 4: But yeah, I was a big part of that show.

450
00:25:11,320 --> 00:25:12,480
Speaker 3: So much range.

451
00:25:12,760 --> 00:25:14,440
Speaker 4: See a lot of range, A lot of range, a

452
00:25:14,480 --> 00:25:15,440
Speaker 4: lot of rangch And.

453
00:25:15,359 --> 00:25:17,400
Speaker 3: That takes us to Disaster Movie.

454
00:25:17,440 --> 00:25:19,280
Speaker 1: Also in two thousand and eight, well.

455
00:25:19,200 --> 00:25:25,520
Speaker 4: Much like de Niro and Scorsese, after Mean Streets, myself

456
00:25:25,560 --> 00:25:29,040
Speaker 4: and the creators, who are truly wonderful men, they said,

457
00:25:29,080 --> 00:25:32,800
Speaker 4: we need our big problem with the last movie was

458
00:25:32,840 --> 00:25:38,800
Speaker 4: that there wasn't you doing enough imitations, so we really

459
00:25:38,840 --> 00:25:42,399
Speaker 4: stepped it up for a disaster movie. We went from

460
00:25:42,600 --> 00:25:47,119
Speaker 4: just Dane Cook and maybe one other person too. I

461
00:25:47,119 --> 00:25:52,359
Speaker 4: mean we did yeah, we did Hellboy, Okay, Yeah, And

462
00:25:52,520 --> 00:25:56,000
Speaker 4: that was funny because it was the fourth time I

463
00:25:56,040 --> 00:25:59,800
Speaker 4: had imitated a Ron Perlman character. I had done Beast,

464
00:26:00,400 --> 00:26:03,280
Speaker 4: I had done hell Boy, I had done his character

465
00:26:03,359 --> 00:26:05,000
Speaker 4: in Pacific rim.

466
00:26:05,400 --> 00:26:08,600
Speaker 1: At that time. At that time, yeah, Pacific.

467
00:26:09,560 --> 00:26:11,760
Speaker 4: Know what he was going to do. I know that

468
00:26:11,800 --> 00:26:14,440
Speaker 4: guy like the back of my hand, and one other

469
00:26:14,480 --> 00:26:21,240
Speaker 4: one and yeah, Anton Sugar from No Country for Old

470
00:26:21,280 --> 00:26:26,119
Speaker 4: Men Batman. I when you know, there's the list of

471
00:26:26,200 --> 00:26:30,160
Speaker 4: people who played Batman in Hollywood, it goes as follows

472
00:26:30,200 --> 00:26:33,360
Speaker 4: in terms of how they how well they stuck the landing.

473
00:26:34,520 --> 00:26:40,760
Speaker 4: Number one, y'all, Kilmer, number two, Me, number three, Adam

474
00:26:40,800 --> 00:26:49,840
Speaker 4: West number four, Cloons number five, Affleck number six, Clunes again,

475
00:26:50,560 --> 00:26:55,960
Speaker 4: number seven, Keaton and I do not acknowledge Christian Bale

476
00:26:55,960 --> 00:26:57,240
Speaker 4: what he did to that character.

477
00:26:56,960 --> 00:27:00,240
Speaker 1: Because it's we're just recovering that.

478
00:27:00,440 --> 00:27:03,520
Speaker 3: Yeah, we're finally starting to pull out of the way.

479
00:27:03,720 --> 00:27:06,879
Speaker 4: He brought way too much integrity to the role and

480
00:27:07,040 --> 00:27:08,080
Speaker 4: made it very.

481
00:27:08,200 --> 00:27:10,040
Speaker 3: That man's supposed to be funny, supposed.

482
00:27:09,680 --> 00:27:13,000
Speaker 4: To be supposed to be fun light, he's supposed to

483
00:27:13,080 --> 00:27:16,199
Speaker 4: say funny thing. Yes, the dark origin of him is

484
00:27:16,200 --> 00:27:18,840
Speaker 4: a cover. He's really he's like a comedian, And I

485
00:27:18,840 --> 00:27:20,920
Speaker 4: thought Christian Bale completely missed.

486
00:27:20,920 --> 00:27:24,359
Speaker 3: That's what's so funny. Is like the Joker, who's like

487
00:27:24,440 --> 00:27:28,760
Speaker 3: his rival, is actually not funny. Batman's the funny one.

488
00:27:28,880 --> 00:27:34,439
Speaker 4: Batman's the funny one. The Joker is one twisted, messed

489
00:27:34,520 --> 00:27:38,240
Speaker 4: up just like completely off rate.

490
00:27:38,440 --> 00:27:42,679
Speaker 3: It's about as sick as it gets. Yeah, that for me, no,

491
00:27:42,840 --> 00:27:45,160
Speaker 3: thank you, not the kind of story I want to hear.

492
00:27:45,520 --> 00:27:47,840
Speaker 3: I would like to see a Batman movie where he's

493
00:27:47,840 --> 00:27:51,720
Speaker 3: not fighting anyone and he's just just cutting up. Yeah,

494
00:27:51,800 --> 00:27:54,399
Speaker 3: where it's just him hanging out with this class, just

495
00:27:54,520 --> 00:27:55,040
Speaker 3: fucking I.

496
00:27:55,160 --> 00:27:59,480
Speaker 4: Always want to see instead of Pete Holmes on crashing Batman.

497
00:27:59,720 --> 00:28:00,440
Speaker 3: Please don't.

498
00:28:00,520 --> 00:28:04,840
Speaker 4: I think I love to talk about how but.

499
00:28:06,480 --> 00:28:07,800
Speaker 3: Of being anyone else?

500
00:28:08,680 --> 00:28:09,040
Speaker 4: Is that?

501
00:28:09,320 --> 00:28:11,080
Speaker 3: To me? Is out of bouts?

502
00:28:12,280 --> 00:28:13,840
Speaker 1: You know, because I do.

503
00:28:14,000 --> 00:28:17,320
Speaker 3: I really yeah. I always say like, oh, wouldn't it

504
00:28:17,320 --> 00:28:18,920
Speaker 3: be interesting? Like this person was up for this role,

505
00:28:19,000 --> 00:28:21,040
Speaker 3: this person was up for that, And think like wouldn't

506
00:28:21,080 --> 00:28:24,919
Speaker 3: that be different. But to even picture changing Pete Home,

507
00:28:25,000 --> 00:28:29,320
Speaker 3: who's perfectly cast as twenty year old Pete Holmes, I

508
00:28:29,359 --> 00:28:31,560
Speaker 3: mean that to me is sacrilege.

509
00:28:32,119 --> 00:28:35,280
Speaker 4: I always thought that it would have been more interesting

510
00:28:35,520 --> 00:28:41,080
Speaker 4: if in Schindler's List, I'm on Good instead of Refines,

511
00:28:41,080 --> 00:28:44,400
Speaker 4: if it was Kevin Dillon. I thought that would be

512
00:28:44,440 --> 00:28:49,040
Speaker 4: a good one. Holy shit, bro fucking Red Russ.

513
00:28:52,640 --> 00:28:53,959
Speaker 3: I could see that really working.

514
00:28:54,360 --> 00:28:56,520
Speaker 4: That could happen. It would be good, it'd be interesting.

515
00:28:56,560 --> 00:28:57,760
Speaker 4: I'd be talking about it.

516
00:28:58,080 --> 00:29:01,440
Speaker 3: You know, we talked about mens in these risks. The

517
00:29:01,520 --> 00:29:03,840
Speaker 3: thing about those movies, movies that you do. I watch

518
00:29:03,920 --> 00:29:07,480
Speaker 3: all other movies and they don't have any of my

519
00:29:07,560 --> 00:29:10,520
Speaker 3: favorite characters in them. They just have the characters that

520
00:29:10,560 --> 00:29:15,000
Speaker 3: are in that movie. And it different. Literally feels like

521
00:29:15,240 --> 00:29:18,320
Speaker 3: half the movies made now only feature the characters from

522
00:29:18,360 --> 00:29:21,640
Speaker 3: that movie. And they're not finding any opportunities to have

523
00:29:22,280 --> 00:29:25,720
Speaker 3: Spider Man show up for the Green Lantern to come

524
00:29:25,760 --> 00:29:28,000
Speaker 3: and break dance with Slim or your.

525
00:29:27,920 --> 00:29:34,360
Speaker 4: Miss Yeah, opportunity, yeah, more mashups. Like DJ figured it out.

526
00:29:34,400 --> 00:29:36,920
Speaker 4: They're like, I'm gonna take like Kid right, the greatest

527
00:29:36,920 --> 00:29:38,880
Speaker 4: song of all time is All Summer Long by Kid

528
00:29:38,920 --> 00:29:42,280
Speaker 4: Rock because he was like smart. He's like, I'm gonna

529
00:29:42,320 --> 00:29:45,680
Speaker 4: take Werewolves of London and Sweet Home, Alabama and just

530
00:29:46,000 --> 00:29:47,440
Speaker 4: mash them up. Smish.

531
00:29:49,880 --> 00:29:51,400
Speaker 3: It's not called a jelly sandwich.

532
00:29:52,880 --> 00:29:55,080
Speaker 1: Songs are just one song. That songs three give.

533
00:29:54,960 --> 00:29:56,720
Speaker 4: Me three songs any day, it's just more.

534
00:29:57,160 --> 00:30:00,480
Speaker 3: It's another it's give me three songs, three songs.

535
00:30:00,560 --> 00:30:03,320
Speaker 4: Yeah, it's just bigger and better, big guys, guys, I'll

536
00:30:03,320 --> 00:30:04,920
Speaker 4: tell you this. Bigger is the new better.

537
00:30:05,560 --> 00:30:08,960
Speaker 2: So we did our own one of these. Yeah, we

538
00:30:10,160 --> 00:30:11,000
Speaker 2: did a spoof.

539
00:30:11,000 --> 00:30:14,320
Speaker 3: We scoured the market and we said what's hot right now,

540
00:30:14,440 --> 00:30:17,280
Speaker 3: which is always the way to approach it, and just said, well,

541
00:30:17,320 --> 00:30:20,680
Speaker 3: it seems like lately, just the past ten years or so,

542
00:30:20,720 --> 00:30:25,640
Speaker 3: there's all these teacher fight movies. You know, there's and

543
00:30:25,960 --> 00:30:28,840
Speaker 3: there's even one now called Fistfight. But they just won't

544
00:30:28,880 --> 00:30:31,640
Speaker 3: stop making these, and so can we come up with

545
00:30:31,800 --> 00:30:35,600
Speaker 3: our version that uses the best stuff from you know,

546
00:30:35,800 --> 00:30:39,360
Speaker 3: six or seven of these teacher fight movies, but also

547
00:30:39,880 --> 00:30:42,240
Speaker 3: is using some stuff from some other movies.

548
00:30:42,360 --> 00:30:45,280
Speaker 4: It's great, Yeah, I mean, it's just this is a

549
00:30:45,440 --> 00:30:46,640
Speaker 4: classic skewering.

550
00:30:48,160 --> 00:30:51,080
Speaker 2: Now, we don't look, we're not here to make fun

551
00:30:51,120 --> 00:30:52,080
Speaker 2: of any of these movies.

552
00:30:52,400 --> 00:30:54,920
Speaker 3: We're not going here to show them.

553
00:30:55,040 --> 00:30:57,280
Speaker 4: Absolutely, I want to make fun of them, just to

554
00:30:57,400 --> 00:31:02,080
Speaker 4: present these characters. Yes, yes, container the movies are just containers.

555
00:31:03,400 --> 00:31:07,400
Speaker 4: What is your guys, teacher fight movie called teacher fight movies? Yeah,

556
00:31:08,200 --> 00:31:11,600
Speaker 4: I got it. It's just it's better don't make them

557
00:31:11,600 --> 00:31:12,240
Speaker 4: guess teacher.

558
00:31:12,760 --> 00:31:15,560
Speaker 3: Can we read this? Can we read it? Oh?

559
00:31:15,640 --> 00:31:19,480
Speaker 4: God, you put me on the spot read teacher fight movie? Yea, yeah, yah?

560
00:31:19,480 --> 00:31:22,200
Speaker 4: I mean you're highlighted here. Do you see the highlights?

561
00:31:22,320 --> 00:31:22,520
Speaker 5: Yeah?

562
00:31:22,640 --> 00:31:23,120
Speaker 3: Stuff.

563
00:31:23,200 --> 00:31:27,160
Speaker 4: It's a lot of characters, guys. Bella Thorne. I'm gonna

564
00:31:27,160 --> 00:31:28,840
Speaker 4: play Bella Thorne. All right, I'll try sure.

565
00:31:28,920 --> 00:31:31,280
Speaker 3: Yeah, she is a character. You think you got the goods? Yep,

566
00:31:31,320 --> 00:31:35,720
Speaker 3: Bella Thorne's in there, and some actors and some some

567
00:31:35,800 --> 00:31:36,600
Speaker 3: character characters.

568
00:31:36,600 --> 00:31:36,960
Speaker 4: Got it.

569
00:31:37,160 --> 00:31:40,360
Speaker 3: Some actors, some characters, and some of the members of

570
00:31:40,440 --> 00:31:41,280
Speaker 3: Fallout Boy.

571
00:31:42,160 --> 00:31:44,040
Speaker 4: I do I can actually do Pete Wins.

572
00:31:44,320 --> 00:31:46,120
Speaker 1: Okay, great, this is gonna be great.

573
00:31:46,520 --> 00:31:53,680
Speaker 3: I'll do stuff. Who is who will you do? Oh? Well,

574
00:31:53,760 --> 00:31:58,280
Speaker 3: I'm gonna do Gump. If you remember the President of

575
00:31:58,280 --> 00:32:00,920
Speaker 3: the United States of America. I saw called Lump and

576
00:32:00,960 --> 00:32:02,320
Speaker 3: then weird all made it Gump.

577
00:32:02,520 --> 00:32:03,880
Speaker 4: You're playing, I'm playing.

578
00:32:03,960 --> 00:32:07,080
Speaker 2: That's our match specifically is the lead singer call up Boy,

579
00:32:07,320 --> 00:32:09,520
Speaker 2: but it's Forrest Gump and his name is Patrick Gump.

580
00:32:09,640 --> 00:32:11,720
Speaker 4: There's a lot of weird al stuff. I see him

581
00:32:11,720 --> 00:32:17,080
Speaker 4: also playing the Florence Henderson part in The Amish Paradise.

582
00:32:17,800 --> 00:32:19,880
Speaker 4: She doesn't even say anything, but I got a couch

583
00:32:20,080 --> 00:32:20,440
Speaker 4: of tragic.

584
00:32:20,720 --> 00:32:23,040
Speaker 2: Yeah, yeah, yeah, Let's get in and I'll do stage

585
00:32:23,080 --> 00:32:27,120
Speaker 2: I'll do stage direction, Cody, are we from a sound perspective?

586
00:32:27,120 --> 00:32:27,640
Speaker 3: Where are we at?

587
00:32:27,720 --> 00:32:34,640
Speaker 4: Yeah? We gotta get this red Buddy nominal okay, nomenal okay, okay?

588
00:32:35,680 --> 00:32:42,520
Speaker 2: Uh interior Uh huh. Star Wars High School. Bella Thorne

589
00:32:43,040 --> 00:32:44,840
Speaker 2: struts her stuff down the hallway.

590
00:32:45,160 --> 00:32:51,160
Speaker 4: Hey Nerds, eat my shit. Oh you got it, mister Bixby,

591
00:32:51,280 --> 00:32:54,600
Speaker 4: I'm gonna turn my test tomorrow. Kelly Tonight, tonight, I'm

592
00:32:54,640 --> 00:32:59,960
Speaker 4: gonna let Mark eat my butt. Oh gross, Here come

593
00:33:00,120 --> 00:33:02,560
Speaker 4: Mitchell Whittaker. Eh, he's in a wheelchair.

594
00:33:03,640 --> 00:33:06,080
Speaker 3: Stimpy comes up in a letterman jacket.

595
00:33:07,840 --> 00:33:13,640
Speaker 7: Hey, Bella, I'm gonna eat my litter box.

596
00:33:14,440 --> 00:33:20,720
Speaker 4: Chomp chomp Tom, Tom, chomp chomp chomp. E crayouts, Uh.

597
00:33:20,920 --> 00:33:22,240
Speaker 1: It's time for her class.

598
00:33:23,120 --> 00:33:28,640
Speaker 3: They go to the class with teacher wreck at Ralph.

599
00:33:28,680 --> 00:33:29,880
Speaker 4: Hello, everybody.

600
00:33:30,640 --> 00:33:37,720
Speaker 8: Today's lesson is all about prom. The first prime took

601
00:33:37,800 --> 00:33:40,480
Speaker 8: place in twenty two hundred.

602
00:33:40,840 --> 00:33:48,160
Speaker 3: Beef Patrick Gumph raises his head. Stupid is as chocolate does.

603
00:33:48,680 --> 00:33:52,920
Speaker 4: Oh god, Patrick shit his pants again. He's disgusting. I

604
00:33:52,960 --> 00:33:53,880
Speaker 4: hate him.

605
00:33:54,440 --> 00:33:58,400
Speaker 8: Patrick, stand up and pull your pants down.

606
00:33:59,480 --> 00:34:01,920
Speaker 3: Life is lack of pants of chocolate.

607
00:34:02,200 --> 00:34:05,720
Speaker 4: Our grouse. Al, He's a fucking grouse. Remember.

608
00:34:06,320 --> 00:34:11,080
Speaker 8: If you don't ask your person to prop bardy end

609
00:34:11,120 --> 00:34:14,040
Speaker 8: of today, you go to prop jail.

610
00:34:15,200 --> 00:34:25,080
Speaker 3: The other teacher comes in. It's freaking snapee little shroublesome students.

611
00:34:25,600 --> 00:34:30,360
Speaker 3: I give this class in order. Who wants to go

612
00:34:30,440 --> 00:34:37,600
Speaker 3: to prom jail? And snippity douga dogs.

613
00:34:37,360 --> 00:34:40,759
Speaker 2: The members of Good Charlotte are here as well, and

614
00:34:40,800 --> 00:34:43,440
Speaker 2: they signed off for us using this song, and so

615
00:34:43,520 --> 00:34:44,000
Speaker 2: they don't.

616
00:34:44,000 --> 00:34:45,400
Speaker 1: We don't get in trouble.

617
00:34:45,120 --> 00:34:48,120
Speaker 2: For using this song for so long when we're really

618
00:34:48,160 --> 00:34:49,760
Speaker 2: supposed to use fifteen seconds.

619
00:34:49,800 --> 00:34:53,200
Speaker 4: Hey, mister snape, check out my new fucking tattoo. It's

620
00:34:53,239 --> 00:34:56,080
Speaker 4: a picture of my brother's face on my back.

621
00:34:56,680 --> 00:34:59,279
Speaker 3: I got drumsticks tattooed on my arms. But I'm the

622
00:34:59,280 --> 00:35:00,320
Speaker 3: one who plays a tar.

623
00:35:00,880 --> 00:35:02,840
Speaker 4: We are so twisted.

624
00:35:05,280 --> 00:35:09,280
Speaker 3: Well, that's bad.

625
00:35:10,560 --> 00:35:12,680
Speaker 1: So this is great, this is starting off good.

626
00:35:12,719 --> 00:35:17,880
Speaker 2: We're setting up some different areas of conflict here because

627
00:35:17,880 --> 00:35:20,239
Speaker 2: we do and eventually need to get to a teacher fight.

628
00:35:20,400 --> 00:35:23,399
Speaker 4: Pro prom Jail is interesting. The movie almost I wish

629
00:35:23,400 --> 00:35:24,759
Speaker 4: it was almost called prom Jail.

630
00:35:24,840 --> 00:35:27,200
Speaker 3: Unfortunately it is called teacher for maybe one movie.

631
00:35:27,200 --> 00:35:29,759
Speaker 4: One right, So we do So, I'm I don't know

632
00:35:29,760 --> 00:35:33,200
Speaker 4: if we've I'm guessing recket Ralph is the first teacher.

633
00:35:33,200 --> 00:35:35,759
Speaker 4: I'm guessing we haven't met the second teacher yet.

634
00:35:36,200 --> 00:35:40,120
Speaker 3: It could be I mean one of the teachers.

635
00:35:40,239 --> 00:35:41,320
Speaker 4: Okay, so but we don't.

636
00:35:41,320 --> 00:35:43,840
Speaker 3: That's not necessarily the teacher's gonna fight at Ralph.

637
00:35:43,840 --> 00:35:46,120
Speaker 4: Snape was gonna be the guy who's like monitoring the

638
00:35:46,160 --> 00:35:48,080
Speaker 4: fight and like he's the guy, And I bet you

639
00:35:48,120 --> 00:35:51,000
Speaker 4: I could scene we were going to meet the teacher

640
00:35:51,239 --> 00:35:53,520
Speaker 4: who reckoned Ralph fights.

641
00:35:54,600 --> 00:35:58,239
Speaker 2: Yeah, we could definitely maybe, I don't know, meet that

642
00:35:58,320 --> 00:36:01,200
Speaker 2: teacher there. Which is there another scene that you want

643
00:36:01,239 --> 00:36:02,040
Speaker 2: to skip because we can't do.

644
00:36:02,120 --> 00:36:04,279
Speaker 3: The whole thing? Is there a scene that you, oh,

645
00:36:04,600 --> 00:36:06,759
Speaker 3: just like want like just to cherry pick one of

646
00:36:06,800 --> 00:36:11,640
Speaker 3: the stronger scenes for us to talk about. Yeah, yeah,

647
00:36:11,719 --> 00:36:14,399
Speaker 3: I guess just the funeral. I mean, like the there's

648
00:36:14,440 --> 00:36:17,279
Speaker 3: a baby's funeral in it, and I think that that

649
00:36:17,320 --> 00:36:21,880
Speaker 3: could be pretty strong. It happens like on the on

650
00:36:21,920 --> 00:36:25,280
Speaker 3: the football field fifty yard line, they bury a baby

651
00:36:25,320 --> 00:36:27,799
Speaker 3: who got like hurt really bad in the teacher fight,

652
00:36:27,800 --> 00:36:29,319
Speaker 3: and they're pretty sure it's going to die, so they

653
00:36:29,360 --> 00:36:31,840
Speaker 3: just want to get it buried. So we are skipping

654
00:36:31,880 --> 00:36:35,320
Speaker 3: the teacher fight. Yeah, the end of the first mostly

655
00:36:35,400 --> 00:36:38,520
Speaker 3: action lines anyway. Yeah, Like, I just don't think.

656
00:36:38,360 --> 00:36:40,360
Speaker 4: I think it's cool too that the movie really doesn't

657
00:36:40,360 --> 00:36:42,279
Speaker 4: focus on the teacher fight and deals with the kind

658
00:36:42,320 --> 00:36:43,320
Speaker 4: of fallout.

659
00:36:42,960 --> 00:36:46,040
Speaker 3: The aftermath of Like, unfortunately these teacher fights. In real life,

660
00:36:46,080 --> 00:36:47,920
Speaker 3: you were having a teacher fight, baby would end up

661
00:36:47,920 --> 00:36:50,759
Speaker 3: getting probably punched, probably and maybe probably die.

662
00:36:50,800 --> 00:36:54,319
Speaker 4: Probably would die. Yeah, this scene is heartbreaking.

663
00:36:55,520 --> 00:36:58,359
Speaker 1: Okay, well, let's let's get into it.

664
00:36:58,440 --> 00:37:01,279
Speaker 4: We'll probably meet the other teacher who's in the fight here.

665
00:37:01,560 --> 00:37:04,560
Speaker 2: I'm guessing right, I'm not sure it's been a while

666
00:37:05,840 --> 00:37:12,120
Speaker 2: taking a look at this, but let's let's read it.

667
00:37:12,800 --> 00:37:18,080
Speaker 2: Fifty yard line of the football field exterior, the King's

668
00:37:18,080 --> 00:37:22,960
Speaker 2: speeches there, he's trying to give the eulogy.

669
00:37:23,880 --> 00:37:26,600
Speaker 4: Now wait wait wait wait wait wait, way way up

670
00:37:27,200 --> 00:37:39,200
Speaker 4: we gather gathered here on this sucker pitch.

671
00:37:47,239 --> 00:37:56,479
Speaker 2: Doug from the Hangover justin Bartha's character, uh uh chimes in, what.

672
00:37:56,400 --> 00:38:14,399
Speaker 3: Do I even sound like you bloody run? Hey wait,

673
00:38:14,960 --> 00:38:17,279
Speaker 3: but the baby comes out of the ground and it's

674
00:38:17,320 --> 00:38:20,200
Speaker 3: a vampire. But Abraham Blake at vampire.

675
00:38:19,800 --> 00:38:26,880
Speaker 4: Hunter his ear four score and seven Mexico, our forefathers

676
00:38:27,360 --> 00:38:28,720
Speaker 4: had a teacher fight.

677
00:38:32,719 --> 00:38:34,160
Speaker 1: Bats fly out of his mouth.

678
00:38:34,760 --> 00:38:35,880
Speaker 4: It says, that's cool.

679
00:38:37,160 --> 00:38:37,880
Speaker 1: That is cool.

680
00:38:38,200 --> 00:38:39,880
Speaker 3: Now do you think it's good that we had the

681
00:38:39,960 --> 00:38:44,959
Speaker 3: vampire hunter sort of be a vampire like I guess

682
00:38:44,960 --> 00:38:48,600
Speaker 3: it's sort of a blade type scenario for him where

683
00:38:49,239 --> 00:38:50,839
Speaker 3: he's got baths coming out of his mouth and that

684
00:38:50,880 --> 00:38:52,800
Speaker 3: makes him hate the vampire baby.

685
00:38:54,480 --> 00:38:56,120
Speaker 4: That was a good scene. I just want to say,

686
00:38:56,120 --> 00:38:58,319
Speaker 4: everyone's in why you were just saying, you're like, this

687
00:38:58,360 --> 00:39:02,600
Speaker 4: is why I'm in this business. No notes, no notes

688
00:39:02,640 --> 00:39:08,080
Speaker 4: on this one. Good to shoot, it's a shoot to cut. Wow, man,

689
00:39:08,120 --> 00:39:08,760
Speaker 4: that's crazy.

690
00:39:08,800 --> 00:39:13,440
Speaker 3: The King's speech, the Kink speech doing the eulogy, it

691
00:39:13,520 --> 00:39:14,319
Speaker 3: was really.

692
00:39:15,200 --> 00:39:18,960
Speaker 2: It's a good use of him. This whole thing is

693
00:39:19,000 --> 00:39:21,120
Speaker 2: giving speeches. It's a kind of speech.

694
00:39:21,000 --> 00:39:23,839
Speaker 3: We didn't mention. But like the artist was also there.

695
00:39:24,320 --> 00:39:27,560
Speaker 4: But like you just can't hear, but he's doing like

696
00:39:27,800 --> 00:39:29,600
Speaker 4: incredibly talented stuff.

697
00:39:30,239 --> 00:39:31,360
Speaker 1: Yeah, dances and stuff.

698
00:39:31,400 --> 00:39:34,480
Speaker 3: There's a dog or something. I don't really remember what

699
00:39:34,560 --> 00:39:37,600
Speaker 3: happens with that movie legendary. Yeah, the dog catches fire.

700
00:39:38,320 --> 00:39:40,359
Speaker 1: Uh what what else should we cover?

701
00:39:41,680 --> 00:39:43,799
Speaker 3: Oh? Just in terms of the teacher fight movie, I mean,

702
00:39:43,840 --> 00:39:47,080
Speaker 3: I guess the scene that you really want to see

703
00:39:47,360 --> 00:39:49,520
Speaker 3: is just them trying to figure out how the fancy

704
00:39:49,520 --> 00:39:51,680
Speaker 3: coffee machine works and the teacher's loude.

705
00:39:52,280 --> 00:39:56,239
Speaker 4: This is a scene that I feel like is very relatable.

706
00:39:57,400 --> 00:39:58,360
Speaker 3: Well, everyone's been in.

707
00:39:58,880 --> 00:40:01,840
Speaker 4: Everyone has been whether you're a teacher and a teacher's lounge.

708
00:40:01,920 --> 00:40:03,279
Speaker 4: The coffee machine is there.

709
00:40:03,400 --> 00:40:05,320
Speaker 3: If you're in principal, if.

710
00:40:05,200 --> 00:40:10,399
Speaker 4: You're if you're an administrator or a nurse. Yeah, it's

711
00:40:11,400 --> 00:40:15,919
Speaker 4: if you're a janitor, genor custodian. The coach a yeah,

712
00:40:16,160 --> 00:40:19,880
Speaker 4: coach or like an assistant coach, if you're like I

713
00:40:19,920 --> 00:40:22,719
Speaker 4: don't know, I don't know, like a like a like

714
00:40:22,760 --> 00:40:25,160
Speaker 4: a foreign exchange teacher or something.

715
00:40:25,840 --> 00:40:27,920
Speaker 3: Right, when they bring the foreign exchange student, they have

716
00:40:28,080 --> 00:40:29,640
Speaker 3: to have the foreign exchange teacher.

717
00:40:29,480 --> 00:40:31,040
Speaker 1: Superintend visiting the school.

718
00:40:31,719 --> 00:40:37,279
Speaker 4: Coming super politician Betsy Devas. There's so many times where

719
00:40:37,320 --> 00:40:39,319
Speaker 4: people have walked into a teacher's lounge and.

720
00:40:39,280 --> 00:40:42,239
Speaker 3: Seen somebody even you could be somebody who got in

721
00:40:42,239 --> 00:40:45,680
Speaker 3: a car accident near to the school. Yeah, and then

722
00:40:45,680 --> 00:40:47,280
Speaker 3: you need to use Yeah.

723
00:40:47,360 --> 00:40:50,919
Speaker 4: Yeah. They brought them in recover and they were like,

724
00:40:51,200 --> 00:40:52,440
Speaker 4: what I really need is a coffee.

725
00:40:52,520 --> 00:40:55,480
Speaker 2: Yeah yeah, but what if it were characters from movies?

726
00:40:55,600 --> 00:41:00,680
Speaker 2: Is sort of the concept, that's why is so memorable. Yeah,

727
00:41:00,719 --> 00:41:08,719
Speaker 2: so let's get into this teacher's lounge inside the sound

728
00:41:08,719 --> 00:41:11,600
Speaker 2: of a coffee machine breaking and half away from loving

729
00:41:11,680 --> 00:41:14,919
Speaker 2: other drugs is there?

730
00:41:15,640 --> 00:41:16,480
Speaker 1: Coffee gets hotter?

731
00:41:17,280 --> 00:41:20,560
Speaker 2: Ah, and she was naked like in the movie.

732
00:41:20,760 --> 00:41:24,560
Speaker 4: Ah my tits alright, burned my tits. Boy, those are

733
00:41:24,600 --> 00:41:25,840
Speaker 4: some sweater puppies.

734
00:41:26,400 --> 00:41:27,720
Speaker 3: I'm Oscar to the grouch.

735
00:41:29,040 --> 00:41:32,359
Speaker 4: Oscar, that's just harassment. You're making this not a good

736
00:41:32,400 --> 00:41:34,440
Speaker 4: workplace to work in. Fuck you.

737
00:41:35,960 --> 00:41:37,360
Speaker 1: The Dictator comes in.

738
00:41:37,440 --> 00:41:39,799
Speaker 2: He's dressed as a coffee machine repair man.

739
00:41:39,960 --> 00:41:46,440
Speaker 4: Hello, did someone in the coffee's broken? Looking at my ballad?

740
00:41:49,600 --> 00:41:54,160
Speaker 2: The hangover Tiger comes in. He's no, sorry, we already

741
00:41:54,160 --> 00:41:56,080
Speaker 2: did the hangover. It's the life of pie Tiger.

742
00:41:56,920 --> 00:42:05,200
Speaker 3: They're great, right, think about it. No, but I'm in

743
00:42:05,280 --> 00:42:06,120
Speaker 3: your mind.

744
00:42:10,239 --> 00:42:15,040
Speaker 4: Right, Yeah, I guess so Tiger. Hey, guys, I really

745
00:42:15,040 --> 00:42:18,240
Speaker 4: could use a cup of coffee. I had a really

746
00:42:18,400 --> 00:42:23,560
Speaker 4: rough night last night. Found out whole family blew up,

747
00:42:24,280 --> 00:42:27,520
Speaker 4: whole family, extended family, everyone, they blew up. And I'm

748
00:42:27,520 --> 00:42:29,920
Speaker 4: having a rough day And all I need is a

749
00:42:29,960 --> 00:42:31,600
Speaker 4: cup of Joe.

750
00:42:31,800 --> 00:42:36,160
Speaker 2: And that was Colin Farrell's character from Total Recall the remake.

751
00:42:38,960 --> 00:42:42,800
Speaker 7: Guys, we gotta run this story in the school paper

752
00:42:42,840 --> 00:42:45,800
Speaker 7: about all the teachers of is molesting the students.

753
00:42:45,840 --> 00:42:55,920
Speaker 3: It's time to run it now from Spotlight. I'm a

754
00:42:55,920 --> 00:42:58,600
Speaker 3: freaking teacher at charge you of doing the school paper.

755
00:42:58,719 --> 00:43:01,600
Speaker 3: And I'm gonna, really, I don't know, to teachers if

756
00:43:01,600 --> 00:43:02,360
Speaker 3: we don't want.

757
00:43:02,200 --> 00:43:07,040
Speaker 4: A story now, And I'm that that one priest from Spotlight. No, no,

758
00:43:07,080 --> 00:43:10,120
Speaker 4: it's okay. I was molested. You don't understand I was

759
00:43:10,160 --> 00:43:10,960
Speaker 4: molested when I.

760
00:43:10,920 --> 00:43:14,080
Speaker 3: Was Why would what does that mean?

761
00:43:14,239 --> 00:43:15,560
Speaker 4: Like? No, it's okay?

762
00:43:15,680 --> 00:43:16,760
Speaker 3: What does that make okay?

763
00:43:16,920 --> 00:43:17,800
Speaker 4: I was molested?

764
00:43:18,120 --> 00:43:19,759
Speaker 3: What how what's okay? Because of that?

765
00:43:19,840 --> 00:43:22,320
Speaker 4: No? No, you don't understand I myself was molested.

766
00:43:23,080 --> 00:43:29,919
Speaker 3: Yeah, but oh another teacher fight. Seems like here comes

767
00:43:29,920 --> 00:43:31,240
Speaker 3: the boom? Should be here.

768
00:43:35,840 --> 00:43:37,760
Speaker 4: Boom?

769
00:43:38,120 --> 00:43:39,359
Speaker 1: Does someone call my name?

770
00:43:41,640 --> 00:43:42,279
Speaker 4: Fuck you?

771
00:43:43,440 --> 00:43:44,640
Speaker 1: That's that's great.

772
00:43:44,680 --> 00:43:47,480
Speaker 2: I am so glad that we you really capture what

773
00:43:47,520 --> 00:43:49,480
Speaker 2: we were trying to capture that seed, which as it

774
00:43:49,520 --> 00:43:55,360
Speaker 2: is okay because the guy was with it himself.

775
00:43:55,920 --> 00:43:57,600
Speaker 3: All these movies have a message.

776
00:43:58,000 --> 00:44:01,680
Speaker 2: I feel like Disaster Movie had a similar thing.

777
00:44:01,960 --> 00:44:04,520
Speaker 3: Did you love?

778
00:44:04,920 --> 00:44:08,440
Speaker 4: Yes, the message for Disaster Movie there was.

779
00:44:08,400 --> 00:44:10,000
Speaker 1: A element there right now.

780
00:44:10,880 --> 00:44:15,280
Speaker 4: All the time, it was Shiva was the hottest story.

781
00:44:15,320 --> 00:44:17,799
Speaker 4: And if you really watch the movie, you can see

782
00:44:17,800 --> 00:44:19,919
Speaker 4: that what the filmmakers, I believe, are trying to say

783
00:44:20,640 --> 00:44:24,920
Speaker 4: is that only only God can end a life. It's

784
00:44:24,960 --> 00:44:27,120
Speaker 4: not the job of a state.

785
00:44:27,280 --> 00:44:28,839
Speaker 1: The title card at the end, and she was looking

786
00:44:28,880 --> 00:44:32,520
Speaker 1: at that balloon, the the.

787
00:44:32,600 --> 00:44:35,440
Speaker 4: Kind of the last thing like when they're putting up

788
00:44:35,440 --> 00:44:39,319
Speaker 4: like the film code is like, oh yeah, if she

789
00:44:39,600 --> 00:44:43,520
Speaker 4: was uh so dead, how come she was drooling? And

790
00:44:43,640 --> 00:44:48,640
Speaker 4: he gets fucking weird. But but I'm glad that they

791
00:44:48,760 --> 00:44:49,680
Speaker 4: said what they had to say.

792
00:44:50,560 --> 00:44:54,960
Speaker 3: Yeah, Marts and Minds was powerful for me. Their job

793
00:44:55,000 --> 00:44:58,799
Speaker 3: as an artist, I mean, as somebody who didn't get

794
00:44:58,840 --> 00:45:02,239
Speaker 3: a lot of traditional a school, I look to the

795
00:45:02,239 --> 00:45:05,239
Speaker 3: theater to be where I get my lessons.

796
00:45:05,600 --> 00:45:08,319
Speaker 4: Yes, I was raised in the theater as well. Yeah, yeah,

797
00:45:08,440 --> 00:45:14,840
Speaker 4: both my parents were junior improv coaches. They were improv coaches.

798
00:45:14,640 --> 00:45:15,960
Speaker 3: Junior improv coaches.

799
00:45:16,000 --> 00:45:19,960
Speaker 4: They were They would coach like students, student classes, not

800
00:45:20,000 --> 00:45:23,160
Speaker 4: really like performance classes. But that's where they had me.

801
00:45:23,560 --> 00:45:28,239
Speaker 4: That's where I didn't leave my improv theater until I

802
00:45:28,280 --> 00:45:28,960
Speaker 4: was like sixteen.

803
00:45:29,040 --> 00:45:31,000
Speaker 3: A lot of kids running around there because it is

804
00:45:31,160 --> 00:45:33,239
Speaker 3: a fuck fest. They'll just say a fuck fest. It's

805
00:45:33,239 --> 00:45:36,000
Speaker 3: a fuck fest. Yeah, And you know, every which way,

806
00:45:36,280 --> 00:45:38,840
Speaker 3: every hole is filled, and you end up being raised

807
00:45:38,880 --> 00:45:41,480
Speaker 3: by just so many parents that want.

808
00:45:41,400 --> 00:45:45,319
Speaker 4: So many alcoholic parents who think they're funny, and you know,

809
00:45:45,640 --> 00:45:48,120
Speaker 4: it's uh. You know, there were times where I really

810
00:45:48,120 --> 00:45:52,839
Speaker 4: wish I had a conventional upbringing. But most days I'm

811
00:45:52,880 --> 00:45:54,920
Speaker 4: just I look back at those times where I would,

812
00:45:55,239 --> 00:46:00,000
Speaker 4: you know, watch some obese nerd do coke, and I

813
00:46:00,120 --> 00:46:02,040
Speaker 4: those are really I think that's kind of why I'm

814
00:46:02,040 --> 00:46:03,279
Speaker 4: here now. Now.

815
00:46:03,320 --> 00:46:08,160
Speaker 3: I do we want to do the post credit blooper reel? Yeah,

816
00:46:09,160 --> 00:46:11,160
Speaker 3: you know, obviously that's something that you have to put

817
00:46:11,160 --> 00:46:13,480
Speaker 3: a lot of time into, like what characters are going

818
00:46:13,480 --> 00:46:15,799
Speaker 3: to flub their lines and who's going to crack up.

819
00:46:16,000 --> 00:46:18,880
Speaker 4: We rehearse the blooper reel for a month. It was

820
00:46:18,920 --> 00:46:20,680
Speaker 4: almost just like we wanted to get it right. We

821
00:46:20,760 --> 00:46:23,160
Speaker 4: knew it's one thing about this blueber reel. It's a wonner.

822
00:46:24,239 --> 00:46:27,760
Speaker 4: It's all in one take. Yeah, those blooper reels are kind.

823
00:46:27,560 --> 00:46:29,960
Speaker 3: Of ye they're cutting around, cutting around.

824
00:46:29,800 --> 00:46:32,759
Speaker 4: And this was like like our the directors looked at this,

825
00:46:32,760 --> 00:46:35,319
Speaker 4: and we want our blooperriel be like like it's like

826
00:46:35,360 --> 00:46:36,240
Speaker 4: the snake eyes.

827
00:46:36,600 --> 00:46:38,920
Speaker 3: Oh yeah, I's going to say the children of men.

828
00:46:39,000 --> 00:46:43,600
Speaker 4: Yeah, men, yeah, or or gravity. We wanted to have

829
00:46:43,640 --> 00:46:46,040
Speaker 4: that kind of magnitude. So it's it's it's it is

830
00:46:46,080 --> 00:46:50,279
Speaker 4: a wonner. And you had to be really sure to

831
00:46:50,480 --> 00:46:51,000
Speaker 4: not fuck up.

832
00:46:51,040 --> 00:46:54,200
Speaker 3: Sucking up mm hmm, yeah, no, it's got Every mistake

833
00:46:54,239 --> 00:46:55,160
Speaker 3: has to be just right.

834
00:46:55,200 --> 00:46:57,040
Speaker 4: It has to be just right because the audience, the

835
00:46:57,040 --> 00:47:01,000
Speaker 4: audience was male phony, and we knew that. We knew

836
00:47:01,000 --> 00:47:03,520
Speaker 4: that if we've screwed this up, they would never forgive us.

837
00:47:03,920 --> 00:47:09,480
Speaker 3: Uh. So let's get into it. Let me finish this

838
00:47:09,840 --> 00:47:11,040
Speaker 3: for Logan.

839
00:47:12,160 --> 00:47:13,600
Speaker 4: No play yeah, yeah, play it.

840
00:47:13,719 --> 00:47:20,479
Speaker 3: I will be seeing that radar. Okay, it's the blooper time,

841
00:47:20,600 --> 00:47:28,319
Speaker 3: interior bloopers. The dude perfect guys are hanging out, the

842
00:47:28,400 --> 00:47:30,640
Speaker 3: trick shot guys in the ruffles.

843
00:47:37,360 --> 00:47:39,160
Speaker 1: They have to screw up somehow.

844
00:47:41,320 --> 00:47:47,520
Speaker 7: Frisbee, Phil What do we do now? I guess we

845
00:47:47,520 --> 00:47:49,640
Speaker 7: should hang ourselves.

846
00:47:50,640 --> 00:47:51,560
Speaker 4: Extreme hanging.

847
00:47:51,719 --> 00:48:06,759
Speaker 1: What betty wop that comes out?

848
00:48:07,600 --> 00:48:09,560
Speaker 4: Trick player? What's up?

849
00:48:09,560 --> 00:48:12,880
Speaker 9: It's all guy here, you all got fight a school fight,

850
00:48:13,040 --> 00:48:16,520
Speaker 9: Teach a fight, teach a fight, school fight. The trap dog,

851
00:48:17,000 --> 00:48:19,360
Speaker 9: trap dog came in now said teach a fight to

852
00:48:19,960 --> 00:48:21,040
Speaker 9: break it.

853
00:48:21,040 --> 00:48:27,719
Speaker 3: It's me bird Man. Live theater is still relevant and

854
00:48:27,840 --> 00:48:29,040
Speaker 3: only a movie can prove it.

855
00:48:29,280 --> 00:48:32,200
Speaker 4: Live theater can fucking suck these nuts. Fucking live theater.

856
00:48:32,880 --> 00:48:34,240
Speaker 3: You better.

857
00:48:39,200 --> 00:48:41,960
Speaker 1: If he likes TV now, I'm man.

858
00:48:42,040 --> 00:48:43,000
Speaker 4: I like his TV.

859
00:48:43,160 --> 00:48:43,359
Speaker 8: Man.

860
00:48:43,400 --> 00:48:46,520
Speaker 9: I'm binge watching Mozart in the fucking jungle ship. That

861
00:48:46,680 --> 00:48:47,800
Speaker 9: show fucking rocks.

862
00:48:48,880 --> 00:48:56,600
Speaker 3: Superhero movies aren't good. Live theater is good. The director

863
00:48:56,600 --> 00:49:02,520
Speaker 3: breaks in. We're using that, we're using that. No, don't

864
00:49:02,560 --> 00:49:02,920
Speaker 3: come on.

865
00:49:03,320 --> 00:49:05,640
Speaker 4: Yeah yeah no, no, I thought this was a bluver reel.

866
00:49:05,680 --> 00:49:08,880
Speaker 3: Man. Oh no, I'm going to be in Paris and

867
00:49:09,040 --> 00:49:09,400
Speaker 3: that's on.

868
00:49:10,120 --> 00:49:10,319
Speaker 4: Yeah.

869
00:49:12,760 --> 00:49:15,480
Speaker 9: No, this is not why I went to Yale Drama School.

870
00:49:17,160 --> 00:49:19,480
Speaker 3: Good blooper reel, that's really good.

871
00:49:19,680 --> 00:49:21,120
Speaker 4: Yeah it was where with the exception of the two

872
00:49:21,280 --> 00:49:25,000
Speaker 4: bros dying. Yeah, it wasn't really any papers almost Yeah,

873
00:49:25,120 --> 00:49:25,839
Speaker 4: in a different way.

874
00:49:25,920 --> 00:49:29,600
Speaker 3: It was like an argument, Yeah, was an argument between

875
00:49:29,600 --> 00:49:32,239
Speaker 3: fetti Wop and bird Man talks about how it's a

876
00:49:32,280 --> 00:49:34,560
Speaker 3: blooper reel a lot, which I guess is kind of

877
00:49:34,560 --> 00:49:38,520
Speaker 3: a blooper itself because it's supposed to be like a

878
00:49:38,640 --> 00:49:39,959
Speaker 3: staged blooper reel.

879
00:49:40,320 --> 00:49:43,200
Speaker 2: Yeah, but maybe that's what makes it such a big blooper.

880
00:49:43,400 --> 00:49:48,279
Speaker 4: Fetti Wab was like fourteen when that movie. Yeah, yeah, yeah,

881
00:49:48,280 --> 00:49:52,000
Speaker 4: that's good. That's good. The Blueberri I was great, guys.

882
00:49:52,160 --> 00:49:57,440
Speaker 3: It was yeah, yeah, teacher fight, teacher fight, the movie one.

883
00:49:57,880 --> 00:50:00,200
Speaker 1: What's happening? Like what are you doing?

884
00:50:00,719 --> 00:50:01,680
Speaker 3: Where are we going?

885
00:50:01,800 --> 00:50:02,000
Speaker 4: Now?

886
00:50:02,520 --> 00:50:05,120
Speaker 3: Like I'm on board, I'm on the train. What's the

887
00:50:05,160 --> 00:50:05,680
Speaker 3: next stop?

888
00:50:05,719 --> 00:50:07,080
Speaker 1: Because we are rooting for you.

889
00:50:07,200 --> 00:50:12,160
Speaker 4: I well, thank you, thank you, guys. I am I

890
00:50:12,200 --> 00:50:17,279
Speaker 4: am writing trying to write the sequel to the film

891
00:50:17,360 --> 00:50:25,120
Speaker 4: Suicide Squad. Yeah, thank you, thank you. Chris Alessandro, my boys.

892
00:50:26,520 --> 00:50:28,200
Speaker 3: I I wanted to spend in the chair for that.

893
00:50:29,080 --> 00:50:33,160
Speaker 4: Uh for me, obviously, my pickup from the hotel was

894
00:50:33,200 --> 00:50:37,920
Speaker 4: one am and port to Portal and then I'm in

895
00:50:38,040 --> 00:50:40,319
Speaker 4: the chair. I leave my hotel at one am. I'm

896
00:50:40,360 --> 00:50:42,160
Speaker 4: in the makeup chair by five thirty because I was

897
00:50:42,160 --> 00:50:44,680
Speaker 4: staying about four and a half hours away from set,

898
00:50:45,280 --> 00:50:48,680
Speaker 4: and then uh yeah, I got another seven or eight

899
00:50:48,719 --> 00:50:51,799
Speaker 4: hours in the chair, and then I would get to

900
00:50:51,880 --> 00:50:54,480
Speaker 4: set and then they were like, we're not shooting you today,

901
00:50:54,800 --> 00:50:57,160
Speaker 4: So I would start to turn around go home about

902
00:50:57,200 --> 00:50:58,840
Speaker 4: four hours in the chair to get to make up

903
00:50:58,880 --> 00:51:01,399
Speaker 4: off four hours. So it's really one whole day.

904
00:51:02,360 --> 00:51:05,759
Speaker 2: Yeah, But but honestly, you were the effect was you

905
00:51:05,880 --> 00:51:07,080
Speaker 2: were the jail police man.

906
00:51:07,320 --> 00:51:10,080
Speaker 1: That was That was they You became the jail boy.

907
00:51:10,160 --> 00:51:12,480
Speaker 3: I thought. I remember leaving the theater and I turned

908
00:51:12,520 --> 00:51:14,080
Speaker 3: to Hates and I thought, I said, I thought I

909
00:51:14,200 --> 00:51:15,000
Speaker 3: was supposed to be in that one.

910
00:51:15,040 --> 00:51:15,640
Speaker 1: Yeah, it was I.

911
00:51:15,800 --> 00:51:16,839
Speaker 4: He disappeared in that one.

912
00:51:16,960 --> 00:51:18,640
Speaker 3: I thought I was going to be in this. Yeah.

913
00:51:18,840 --> 00:51:19,120
Speaker 1: Yeah.

914
00:51:19,160 --> 00:51:21,160
Speaker 4: It was a very listen It was one of my

915
00:51:21,360 --> 00:51:23,719
Speaker 4: kind of one of my more freaky creations.

916
00:51:24,760 --> 00:51:36,440
Speaker 10: But will we be seeing him again in well TUSI

917
00:51:37,400 --> 00:51:38,920
Speaker 10: the TUIs side Squad.

918
00:51:39,400 --> 00:51:43,239
Speaker 4: The thought of my story kind of follows him, and

919
00:51:43,400 --> 00:51:45,279
Speaker 4: I kind of thought, like I liked the movie a lot,

920
00:51:45,320 --> 00:51:49,480
Speaker 4: but I kind of thought that Harley Quinn and dead Shot.

921
00:51:50,400 --> 00:51:54,719
Speaker 4: I thought those characters kind of lost made the movie

922
00:51:54,719 --> 00:51:58,080
Speaker 4: lose focus. Yeah, so my kind of pitch which I

923
00:51:58,120 --> 00:52:01,680
Speaker 4: have not pitched to David ay Or or Warners or

924
00:52:01,760 --> 00:52:04,840
Speaker 4: DC or anyone really, but mine is to really focus

925
00:52:04,880 --> 00:52:08,040
Speaker 4: on my character kind of his day to day life.

926
00:52:09,239 --> 00:52:11,920
Speaker 4: This kind of cold openness I wrote is it is

927
00:52:12,160 --> 00:52:17,759
Speaker 4: seriously twisted. It's like it starts at like a oh God,

928
00:52:17,800 --> 00:52:20,719
Speaker 4: like a Sam's Club. It's me and my wife at

929
00:52:20,760 --> 00:52:21,839
Speaker 4: Sam's Club.

930
00:52:21,960 --> 00:52:22,840
Speaker 3: Looking for deals.

931
00:52:22,960 --> 00:52:25,400
Speaker 4: We're looking for deals. We got there early on a Saturday.

932
00:52:25,400 --> 00:52:28,880
Speaker 4: We're there, I see this new lawnmower. My wife is

933
00:52:29,080 --> 00:52:31,560
Speaker 4: arguing me. She's like, the lawnmower we have is fine.

934
00:52:31,600 --> 00:52:33,840
Speaker 4: I'm like, it's not fine. The blake got nick just

935
00:52:33,920 --> 00:52:37,400
Speaker 4: last week. Shut shut the fuck up, you know, she

936
00:52:37,640 --> 00:52:40,839
Speaker 4: tells me. She fucking pulls out our Wells Fargo app

937
00:52:40,840 --> 00:52:43,120
Speaker 4: and she's like, look how much is in checking? Look

938
00:52:43,160 --> 00:52:47,000
Speaker 4: how much we have been checking. Subtract that, subtract that,

939
00:52:47,040 --> 00:52:49,319
Speaker 4: and mower and tell me how much is left. So

940
00:52:49,360 --> 00:52:51,319
Speaker 4: then I break out my phone and I pull out

941
00:52:51,360 --> 00:52:54,880
Speaker 4: my calculator and calculators real quick, and I crunch numbers

942
00:52:54,880 --> 00:52:57,839
Speaker 4: and I'm like, there's enoughing. That's it's freaky. It's about

943
00:52:57,880 --> 00:53:01,520
Speaker 4: to get freak. Here. I do a quick price compare

944
00:53:02,239 --> 00:53:05,680
Speaker 4: and I see that at best Buy fucking on the

945
00:53:05,760 --> 00:53:08,480
Speaker 4: other side of town, a better deal. But the gas,

946
00:53:10,239 --> 00:53:12,399
Speaker 4: the gas money. This is the thing. My wife says

947
00:53:12,400 --> 00:53:18,440
Speaker 4: to me, you stupid fucking asshole, the gas money.

948
00:53:18,719 --> 00:53:22,160
Speaker 9: And I'm like, shut up, shut up with the gas

949
00:53:22,239 --> 00:53:23,120
Speaker 9: fucking money.

950
00:53:23,400 --> 00:53:25,239
Speaker 4: And we get in the car. We drive all the

951
00:53:25,239 --> 00:53:28,839
Speaker 4: way down there. We get to the fucking best By.

952
00:53:29,080 --> 00:53:30,920
Speaker 3: Yeah it's closed.

953
00:53:31,800 --> 00:53:34,800
Speaker 2: And she wonders, your character is taking such an interest

954
00:53:34,840 --> 00:53:37,280
Speaker 2: in this when she's the one who mows the lawn.

955
00:53:37,600 --> 00:53:40,200
Speaker 4: Yeah, And I'm like, I don't. Yeah, She's like, this

956
00:53:40,360 --> 00:53:42,800
Speaker 4: is me. It's my fucking life for talking about.

957
00:53:43,000 --> 00:53:45,080
Speaker 3: But you know, the blade got nicked up because you

958
00:53:45,080 --> 00:53:47,760
Speaker 3: inspect the blade, you you must have hit a turtle

959
00:53:47,840 --> 00:53:48,240
Speaker 3: or something.

960
00:53:48,320 --> 00:53:50,759
Speaker 4: I literally every Saturday, I wake up and I and

961
00:53:50,840 --> 00:53:53,560
Speaker 4: I take the photos from last week's and I look

962
00:53:53,560 --> 00:53:56,560
Speaker 4: at it and they go one centimeter off. The best

963
00:53:56,640 --> 00:54:00,480
Speaker 4: Buy was closed for an employee's birthday. Yeah, I so,

964
00:54:01,200 --> 00:54:04,160
Speaker 4: I that's like that's just like the first thirty to

965
00:54:04,160 --> 00:54:06,359
Speaker 4: thirty five pages, Yeah, kind of. And I think from

966
00:54:06,440 --> 00:54:08,880
Speaker 4: there we do kind of get back into kind of

967
00:54:09,120 --> 00:54:12,440
Speaker 4: the bad guy, the conventional bad guy, and there's a couple.

968
00:54:12,120 --> 00:54:14,480
Speaker 2: Of k Yeah, you know what I mean, but yeah,

969
00:54:14,600 --> 00:54:17,719
Speaker 2: I remember in an early draft something about once we're done,

970
00:54:18,120 --> 00:54:21,919
Speaker 2: uh again this Slawnmarer, I'm gonna go home and year long.

971
00:54:22,200 --> 00:54:24,600
Speaker 4: Yeah yeah, I my character he says all kinds of

972
00:54:24,640 --> 00:54:26,239
Speaker 4: like yeah, kind of messed up.

973
00:54:26,239 --> 00:54:27,200
Speaker 1: Second, what's that meaning?

974
00:54:27,320 --> 00:54:28,360
Speaker 3: You could take both ways?

975
00:54:28,440 --> 00:54:28,640
Speaker 5: Yeah?

976
00:54:28,760 --> 00:54:31,160
Speaker 4: Yeah, like double entendres. Like I said to her, I

977
00:54:31,239 --> 00:54:34,600
Speaker 4: was like, I have this best ub ondre. Later there's

978
00:54:34,600 --> 00:54:38,720
Speaker 4: another scene later when we're at like a Kroger, m okay,

979
00:54:38,719 --> 00:54:42,440
Speaker 4: and I see this huge you guys, you don't even

980
00:54:42,480 --> 00:54:44,359
Speaker 4: understand how big. In my mind in the script, it's

981
00:54:44,360 --> 00:54:47,239
Speaker 4: like this cucumber and it's so big and unloalk my

982
00:54:47,280 --> 00:54:48,600
Speaker 4: wife and I look at her and I go, want

983
00:54:48,719 --> 00:54:52,600
Speaker 4: you shove this up? You're pussy And she's like, She's like,

984
00:54:52,920 --> 00:54:56,640
Speaker 4: that is not cool that you said that. And then

985
00:54:56,840 --> 00:54:59,840
Speaker 4: the next five pages is us fighting in this Kroger,

986
00:55:00,520 --> 00:55:03,439
Speaker 4: and then the manager comes over and he's like, get

987
00:55:03,480 --> 00:55:07,960
Speaker 4: out of here, bye.

988
00:55:10,040 --> 00:55:11,160
Speaker 1: I'm a horny girl.

989
00:55:11,200 --> 00:55:11,520
Speaker 3: Wolf.

990
00:55:11,880 --> 00:55:15,600
Speaker 4: This has been an Earwolf production, executive produced by Scott Ackerman,

991
00:55:15,760 --> 00:55:17,600
Speaker 4: Colin Anderson, and Chris Bannon.

992
00:55:17,719 --> 00:55:22,160
Speaker 3: For more information and content, visit iarwolf dot com. Ow