1
00:00:01,760 --> 00:00:02,880
Speaker 1: Causer Media.

2
00:00:06,760 --> 00:00:10,320
Speaker 2: You're listening to the Away Days podcast on the ground

3
00:00:10,520 --> 00:00:17,279
Speaker 2: outside reporting from the underbelly with me Jake Hanrahan. To

4
00:00:17,320 --> 00:00:22,040
Speaker 2: watch Awaydays documentaries, go to YouTube dot com slash at

5
00:00:22,200 --> 00:00:28,639
Speaker 2: away Days TV. This is part one, No Rules Is

6
00:00:28,720 --> 00:00:34,800
Speaker 2: No Rules, Episode two. This podcast is a production of

7
00:00:35,000 --> 00:00:47,199
Speaker 2: H eleven Studio and Call Zone Media. I leave the

8
00:00:47,200 --> 00:00:49,680
Speaker 2: hotel at eleven pm and jump in the rental card

9
00:00:49,680 --> 00:00:54,000
Speaker 2: that I've got. The guy at the desk said he'd

10
00:00:54,120 --> 00:00:57,240
Speaker 2: upgraded me, given me a much bigger car for camp.

11
00:00:57,880 --> 00:01:00,560
Speaker 2: Turns out the streets and can a very narrow and

12
00:01:00,600 --> 00:01:04,720
Speaker 2: the likelihood of scratching a car increases significantly when said

13
00:01:04,840 --> 00:01:08,959
Speaker 2: car is upgraded to being much bigger. Clearly he was

14
00:01:08,959 --> 00:01:11,960
Speaker 2: looking to pocket the deposit. Let me just tell you

15
00:01:12,120 --> 00:01:15,280
Speaker 2: they really hate Brits here in the south of France.

16
00:01:17,720 --> 00:01:20,560
Speaker 2: I take my time driving through the night, following the

17
00:01:20,600 --> 00:01:23,280
Speaker 2: map to get to the destination this victor fella sent

18
00:01:23,319 --> 00:01:26,880
Speaker 2: me earlier. I drive up steep hills and I can

19
00:01:26,920 --> 00:01:29,400
Speaker 2: see the sparkling lights of the harbor in the distance,

20
00:01:29,640 --> 00:01:33,520
Speaker 2: where celebrity yachts bob up and down. The roads here

21
00:01:33,600 --> 00:01:36,640
Speaker 2: are dark. The few street lights that are installed on

22
00:01:36,680 --> 00:01:40,720
Speaker 2: this steep incline illuminate only big gates with high walls.

23
00:01:41,200 --> 00:01:44,319
Speaker 2: This is a compound type community for people that make

24
00:01:44,480 --> 00:01:49,280
Speaker 2: huge profits. Even in the dark. The area seems quiet, discreete,

25
00:01:49,520 --> 00:01:53,520
Speaker 2: and affluent. After about ten minutes, are pulled to a

26
00:01:53,600 --> 00:01:56,840
Speaker 2: stop at the location. It's a turning circle at the

27
00:01:56,840 --> 00:02:00,800
Speaker 2: top of a hills, surrounded by fenced off wasteland, characteristic

28
00:02:00,880 --> 00:02:03,520
Speaker 2: for the opulence of the rest of this area. A

29
00:02:03,640 --> 00:02:07,920
Speaker 2: message Victor, I'm here. He's seen it. No reply, though

30
00:02:09,040 --> 00:02:13,600
Speaker 2: I sit around waiting. This is surely a ruse. They're

31
00:02:13,639 --> 00:02:16,360
Speaker 2: laughing now about how they tricked the nosy reporter me

32
00:02:16,840 --> 00:02:20,200
Speaker 2: into traveling to can into a rich gated community. No

33
00:02:20,320 --> 00:02:23,639
Speaker 2: less to see a no rules fight on concrete. I'm

34
00:02:23,680 --> 00:02:29,280
Speaker 2: sure of it. I get out the car and wander

35
00:02:29,320 --> 00:02:32,760
Speaker 2: around the street. Lights are dull here, but enough to

36
00:02:32,800 --> 00:02:37,480
Speaker 2: illuminate the Waldorf housing compounds connected to the wasteland. It's

37
00:02:37,520 --> 00:02:39,840
Speaker 2: the tail end of a wealthy street, but with a

38
00:02:39,840 --> 00:02:43,799
Speaker 2: few strangely abandoned buildings on the wasteland, no doubt ready

39
00:02:43,840 --> 00:02:48,920
Speaker 2: to be torn down by developers. My phone buzzes Victor.

40
00:02:49,400 --> 00:02:52,880
Speaker 2: Two minutes. I head back to the car and wait.

41
00:02:55,280 --> 00:02:58,440
Speaker 2: Sure enough, a small black VW pulls up the hill,

42
00:02:59,080 --> 00:03:00,679
Speaker 2: headlights and blur faces.

43
00:03:01,400 --> 00:03:02,680
Speaker 3: Inside. The car is full.

44
00:03:03,120 --> 00:03:05,240
Speaker 2: It pulls to a stop near me, and Lad's dressed

45
00:03:05,240 --> 00:03:08,960
Speaker 2: in all black hop out. They look around. They seem paranoid.

46
00:03:09,440 --> 00:03:12,240
Speaker 2: A few of them are wearing black face masks. One

47
00:03:12,320 --> 00:03:16,840
Speaker 2: has sunglasses on. Past midnight. I exit my car wearily

48
00:03:16,919 --> 00:03:19,720
Speaker 2: and greet them. They nod, say hi, and then two

49
00:03:19,760 --> 00:03:23,200
Speaker 2: of them tell me their names. It's Victor and Leon.

50
00:03:24,040 --> 00:03:27,880
Speaker 2: Thank god, it's not a scam. I'm not allowed to

51
00:03:27,919 --> 00:03:31,440
Speaker 2: record at this point, but in thick French accents, they

52
00:03:31,480 --> 00:03:33,920
Speaker 2: explain in English that they just wanted to meet me

53
00:03:33,960 --> 00:03:37,600
Speaker 2: before the fight tomorrow. They seem more nervous than I am.

54
00:03:38,360 --> 00:03:41,080
Speaker 2: But the fight is actually real and it will be

55
00:03:41,200 --> 00:03:44,040
Speaker 2: taking place in one of the abandoned buildings behind the

56
00:03:44,120 --> 00:03:47,480
Speaker 2: spiked fence of the wasteland. Honestly, I can't think of

57
00:03:47,520 --> 00:03:50,920
Speaker 2: a worse place to hold an illegal underground fight. But

58
00:03:50,960 --> 00:03:54,640
Speaker 2: they explain that not everything in can is Rolex and Hollywood.

59
00:03:55,720 --> 00:03:59,000
Speaker 2: The palm trees, the yachts, the red carpets. That's all

60
00:03:59,040 --> 00:04:02,559
Speaker 2: the rich folk to and can into a playground for themselves.

61
00:04:03,440 --> 00:04:06,600
Speaker 2: They say there's another side to the city. Though that's

62
00:04:06,600 --> 00:04:10,720
Speaker 2: where these guys are from. Lower income, drugs and inequality.

63
00:04:12,360 --> 00:04:14,560
Speaker 2: Due to the ultra wealthy buying up the land and

64
00:04:14,600 --> 00:04:18,719
Speaker 2: the luxury bricks and water can property prices rise even

65
00:04:18,760 --> 00:04:22,159
Speaker 2: for those living below the breadline. The richest ten percent

66
00:04:22,200 --> 00:04:25,159
Speaker 2: of people in France owe nearly half of all the

67
00:04:25,240 --> 00:04:29,080
Speaker 2: money and property in the country. As you can imagine,

68
00:04:29,120 --> 00:04:32,040
Speaker 2: the beauty of the southern French coast is a huge

69
00:04:32,040 --> 00:04:38,120
Speaker 2: magnet for this abundant wealth, and so Leon and Victor

70
00:04:38,200 --> 00:04:40,880
Speaker 2: explained to me that there's a deeper reasoning for them

71
00:04:40,920 --> 00:04:46,080
Speaker 2: to hold an illegal, violent exit society type event inside

72
00:04:46,080 --> 00:04:48,839
Speaker 2: the belly of the Beast. They tell me that this

73
00:04:48,960 --> 00:04:52,680
Speaker 2: is their way of taking back their city. Gentrification and

74
00:04:52,720 --> 00:04:55,120
Speaker 2: movie stars might push them out of their own homes,

75
00:04:55,200 --> 00:04:57,400
Speaker 2: but they won't stop them turning up and taking over

76
00:04:57,440 --> 00:05:00,360
Speaker 2: one of their abandoned buildings for a no rules fight.

77
00:05:01,240 --> 00:05:04,280
Speaker 2: There's some defiance to this, as they explain it, their

78
00:05:04,320 --> 00:05:09,039
Speaker 2: focus isn't necessarily political. It's just a very straightforward fuck

79
00:05:09,080 --> 00:05:11,800
Speaker 2: you to a society that's happy to abandon them.

80
00:05:12,120 --> 00:05:12,920
Speaker 3: I'm not gonna lie.

81
00:05:12,960 --> 00:05:16,600
Speaker 2: I quite like these lads already taking back something unavailable

82
00:05:16,640 --> 00:05:19,760
Speaker 2: to them due to hyper plutocracy, even if just for

83
00:05:19,839 --> 00:05:23,119
Speaker 2: a moment, is quite appealing. I've seen my own town

84
00:05:23,200 --> 00:05:26,680
Speaker 2: back in England become more and more expensive while conditions

85
00:05:26,720 --> 00:05:30,800
Speaker 2: get worse and worse. Why because rich yuppies from London

86
00:05:30,839 --> 00:05:33,160
Speaker 2: are able to buy a nice but cheap houses near

87
00:05:33,200 --> 00:05:36,320
Speaker 2: the train station and commute one hour into the city

88
00:05:36,360 --> 00:05:39,480
Speaker 2: for work. Problem is they spend next to no money

89
00:05:39,480 --> 00:05:41,880
Speaker 2: in our town and simply use it as a place

90
00:05:41,920 --> 00:05:44,520
Speaker 2: to sleep. We got all the negatives of a dying

91
00:05:44,640 --> 00:05:49,520
Speaker 2: town and none of the questionable positives of gentrification. It's

92
00:05:49,560 --> 00:05:53,359
Speaker 2: not exactly the yuppies fault, but it's nonetheless excruciating to

93
00:05:53,400 --> 00:05:56,120
Speaker 2: see the council try to rebrand the shitthole as a

94
00:05:56,160 --> 00:05:59,960
Speaker 2: business hub while working families from the area get poorer

95
00:06:00,200 --> 00:06:03,760
Speaker 2: and poorer. I like the idea of Leon and Victor's

96
00:06:03,839 --> 00:06:06,320
Speaker 2: fight club. I agreed to head back in the morning,

97
00:06:06,720 --> 00:06:09,520
Speaker 2: very early in the morning, though, they said like in

98
00:06:09,640 --> 00:06:12,320
Speaker 2: four hours. They want it to be low key before

99
00:06:12,320 --> 00:06:14,919
Speaker 2: the rich folk wake up. I head back to my

100
00:06:14,960 --> 00:06:34,640
Speaker 2: hotel and set about ten alarms. After a few hours

101
00:06:34,640 --> 00:06:37,720
Speaker 2: of trying to sleep, my first alarm goes off.

102
00:06:39,160 --> 00:06:39,440
Speaker 3: Great.

103
00:06:40,040 --> 00:06:43,440
Speaker 2: I couldn't sleep. Honestly, I'm pretty buzzing to see my

104
00:06:43,520 --> 00:06:47,320
Speaker 2: first properly organized no rules fight club, as opposed to

105
00:06:47,400 --> 00:06:50,839
Speaker 2: just two lads meeting up like Joey and Bashtid. I

106
00:06:50,880 --> 00:06:53,839
Speaker 2: get ready, first down about a pint of coffee, and

107
00:06:53,960 --> 00:06:56,159
Speaker 2: drive up to the gate community where the fight will

108
00:06:56,160 --> 00:06:59,800
Speaker 2: take place. As the sun rises, the beauty of the

109
00:07:00,320 --> 00:07:03,320
Speaker 2: is visible from every corner of the winding roads up

110
00:07:03,360 --> 00:07:06,240
Speaker 2: to the fight area. The view alone must add an

111
00:07:06,240 --> 00:07:09,240
Speaker 2: extra fifty grand to the house prices here must be

112
00:07:09,240 --> 00:07:10,520
Speaker 2: incredible to wake up to that.

113
00:07:10,600 --> 00:07:11,480
Speaker 3: Every morning.

114
00:07:13,320 --> 00:07:16,080
Speaker 2: Drive up the hill and the total and complete contrast

115
00:07:16,200 --> 00:07:20,480
Speaker 2: dawns on me, the safe, sanitized, wealthy neighborhood and the

116
00:07:20,680 --> 00:07:24,920
Speaker 2: organized ultra violence that's about to take place. It's perfect.

117
00:07:25,400 --> 00:07:29,840
Speaker 2: No rules is more than just fighting. I pull up

118
00:07:29,840 --> 00:07:31,720
Speaker 2: to the wasteland and I can see it all now.

119
00:07:32,240 --> 00:07:35,640
Speaker 2: A few broken down buildings behind, a spiked iron fence,

120
00:07:36,080 --> 00:07:40,760
Speaker 2: overgrown shrubbery in every direction, a huge concrete water tower nearby.

121
00:07:41,200 --> 00:07:43,800
Speaker 2: It's a strange mess at the highest point of what's

122
00:07:43,880 --> 00:07:47,960
Speaker 2: otherwise a beautiful place to live. One of the lads

123
00:07:48,000 --> 00:07:51,120
Speaker 2: steps out from the makeshift fight venue, all in black,

124
00:07:51,240 --> 00:07:55,680
Speaker 2: head to toe, balaklava hood up emotions for me to

125
00:07:55,720 --> 00:07:57,960
Speaker 2: come through a bent out gap in the railings. So

126
00:07:58,000 --> 00:08:00,200
Speaker 2: I jump out the car and off I go up.

127
00:08:03,480 --> 00:08:13,000
Speaker 3: How are you doing? No bad? Three? The gap is

128
00:08:13,040 --> 00:08:17,920
Speaker 3: the arena fight over here.

129
00:08:18,000 --> 00:08:24,080
Speaker 2: Yeah, it's a crazy view.

130
00:08:31,080 --> 00:08:33,920
Speaker 3: There's a lot of people who around here. No worry

131
00:08:33,960 --> 00:08:38,680
Speaker 3: about the police. You didn't catch that.

132
00:08:38,760 --> 00:08:41,240
Speaker 2: I said that, you're not worried about the police, and

133
00:08:41,320 --> 00:08:46,600
Speaker 2: Victor said, we're gonna say proper delinquents. As for the building,

134
00:08:46,840 --> 00:08:50,400
Speaker 2: it's a crumbling concrete block with two floors. It's maybe

135
00:08:50,440 --> 00:08:54,240
Speaker 2: an old observation post. Everything is covered wall to wall

136
00:08:54,320 --> 00:08:57,480
Speaker 2: with random graffiti. All the windows are put through and

137
00:08:57,559 --> 00:08:59,959
Speaker 2: some of the stairs are falling down the floor though,

138
00:09:00,000 --> 00:09:03,880
Speaker 2: oh it's spotless. Whilst I was trying to sleep, this

139
00:09:03,920 --> 00:09:07,320
Speaker 2: group of young French terrorways spent last night getting the

140
00:09:07,320 --> 00:09:10,320
Speaker 2: place ready. They swept out the broken glass and piles

141
00:09:10,360 --> 00:09:13,000
Speaker 2: of rubbish and what the concrete ground till it shined.

142
00:09:13,400 --> 00:09:16,200
Speaker 2: They're very proud of it. This is their first proper

143
00:09:16,240 --> 00:09:19,679
Speaker 2: event as the recently formed No Rules Fight Club, which

144
00:09:19,760 --> 00:09:25,920
Speaker 2: now has a name FPVS. What FPVS stands for is

145
00:09:26,160 --> 00:09:30,920
Speaker 2: hard to translate properly into English, but it basically means this,

146
00:09:32,040 --> 00:09:34,559
Speaker 2: don't come around here. Trying to suck our dicks when

147
00:09:34,600 --> 00:09:38,440
Speaker 2: we get big. No, I am not joking. That is

148
00:09:38,480 --> 00:09:43,120
Speaker 2: about the clearest interpretation you can get. Two lads who

149
00:09:43,160 --> 00:09:47,600
Speaker 2: founded FPVS. Victor and Leon are both twenty years old,

150
00:09:48,000 --> 00:09:50,640
Speaker 2: and they look it. Neither of quite grown into their

151
00:09:50,640 --> 00:09:53,439
Speaker 2: frames yet, and they're hardly the typical street fighters you

152
00:09:53,559 --> 00:09:56,640
Speaker 2: might think of. But they're lean, alure and they hold

153
00:09:56,679 --> 00:10:00,280
Speaker 2: themselves in a way that shows they're probably prone to mischief.

154
00:10:01,120 --> 00:10:04,040
Speaker 2: Despite being up all night getting things ready, they're still

155
00:10:04,080 --> 00:10:07,559
Speaker 2: full of energy or cocaine or a mix of both.

156
00:10:08,280 --> 00:10:10,480
Speaker 2: Either way, they cannot wait for the chaos.

157
00:10:10,840 --> 00:10:12,280
Speaker 3: What is it about fighting that you love?

158
00:10:12,880 --> 00:10:17,319
Speaker 1: Sodri and Alindra, You don't have any another problem or

159
00:10:17,360 --> 00:10:20,599
Speaker 1: you're just think to fight, concentrate and we love comportation

160
00:10:20,760 --> 00:10:21,839
Speaker 1: and see who's the best.

161
00:10:22,440 --> 00:10:25,839
Speaker 2: Leon has an air of old school French arrogance about

162
00:10:25,880 --> 00:10:28,240
Speaker 2: him when he speaks, he's quite a lot like the

163
00:10:28,280 --> 00:10:31,760
Speaker 2: guy that upgraded me with the big car. He's aloof

164
00:10:32,000 --> 00:10:35,520
Speaker 2: shrugs a lot, that's just him. Victor is the opposite.

165
00:10:35,920 --> 00:10:39,000
Speaker 2: He can't help but be friendly and candid. They were

166
00:10:39,040 --> 00:10:43,679
Speaker 2: not duo, but it works. Both are well organized, highly motivated,

167
00:10:44,200 --> 00:10:47,160
Speaker 2: and they both love fistfighting in a world that thinks

168
00:10:47,200 --> 00:10:47,800
Speaker 2: they shouldn't.

169
00:10:48,080 --> 00:10:51,920
Speaker 1: I can express myself nothing, the fact to help people,

170
00:10:52,080 --> 00:10:55,320
Speaker 1: in the fact of extra vertin energy inside me. The

171
00:10:55,360 --> 00:10:59,199
Speaker 1: society always you always be counted by people you can't

172
00:10:59,360 --> 00:11:01,920
Speaker 1: really explore. And when there is no one, no rule,

173
00:11:02,040 --> 00:11:04,600
Speaker 1: and no glove, you're just free, like you're just one

174
00:11:04,640 --> 00:11:09,319
Speaker 1: and one, No no knife, no, just and one and one.

175
00:11:09,360 --> 00:11:12,000
Speaker 1: And we see like it's the greatest thing. I think

176
00:11:12,040 --> 00:11:13,520
Speaker 1: it's the best you.

177
00:11:13,520 --> 00:11:16,000
Speaker 2: Feel like you said that, like society is always telling

178
00:11:16,040 --> 00:11:18,240
Speaker 2: you like calm down, calm down. Do you think there's

179
00:11:18,280 --> 00:11:21,720
Speaker 2: something inside you that, like inside everybody that can't always

180
00:11:21,760 --> 00:11:22,079
Speaker 2: do that?

181
00:11:22,200 --> 00:11:25,760
Speaker 1: I think, yeah, I think it's really important because here

182
00:11:25,800 --> 00:11:28,600
Speaker 1: it's in a city where they want to show to

183
00:11:28,679 --> 00:11:31,800
Speaker 1: people who they are. But there are nobody, you know,

184
00:11:32,000 --> 00:11:34,120
Speaker 1: there is rich people in front of the beach.

185
00:11:34,360 --> 00:11:35,079
Speaker 3: There nobody.

186
00:11:35,160 --> 00:11:40,200
Speaker 1: You can't explode, you can't express way hourly inside of you.

187
00:11:40,400 --> 00:11:44,480
Speaker 3: So do you do you prefer it? There is a level? Yeah,

188
00:11:44,559 --> 00:11:45,640
Speaker 3: I think I think.

189
00:11:46,040 --> 00:11:49,440
Speaker 1: I think it's it's grown adrenaline. You know, it's more magical,

190
00:11:49,640 --> 00:11:51,880
Speaker 1: like you see when it's legal, like you need to

191
00:11:51,920 --> 00:11:55,000
Speaker 1: add two A lot of foul, a lot of nile

192
00:11:55,640 --> 00:11:58,120
Speaker 1: of paper. You need to do this to do this. No, no,

193
00:11:58,200 --> 00:12:00,680
Speaker 1: we do what we want, what we want, we do.

194
00:12:00,720 --> 00:12:03,120
Speaker 1: We don't have any restriction.

195
00:12:03,600 --> 00:12:05,320
Speaker 3: We like our.

196
00:12:05,000 --> 00:12:08,920
Speaker 1: Activities, we like our art, and this art it's much

197
00:12:08,960 --> 00:12:11,600
Speaker 1: important if it does right away.

198
00:12:11,960 --> 00:12:15,040
Speaker 3: So you see this as like art. You think this

199
00:12:15,080 --> 00:12:17,440
Speaker 3: is art. Yeah, that's really interesting. You know.

200
00:12:18,440 --> 00:12:20,520
Speaker 1: I don't know the definition of art. But when it's

201
00:12:20,559 --> 00:12:23,400
Speaker 1: beautiful and you like it, you're crave it a little bit.

202
00:12:24,480 --> 00:12:28,520
Speaker 1: You see it, you're happy a little bit. It's it's

203
00:12:28,640 --> 00:12:30,920
Speaker 1: it's a shock for if you want to see people

204
00:12:32,160 --> 00:12:33,800
Speaker 1: the body, but it's art.

205
00:12:34,080 --> 00:12:37,160
Speaker 3: It's I don't like the castle. I like this. You

206
00:12:37,280 --> 00:12:37,800
Speaker 3: like fighting.

207
00:12:38,080 --> 00:12:42,199
Speaker 2: This is art. I don't like Pocasso. I like this

208
00:12:42,720 --> 00:12:46,000
Speaker 2: for young lads like Leon No rules is a kind

209
00:12:46,200 --> 00:12:50,560
Speaker 2: of art. The two lads who will be fighting for

210
00:12:50,720 --> 00:12:55,000
Speaker 2: FPVS today in can I named Louis and Warren. The

211
00:12:55,120 --> 00:12:58,640
Speaker 2: FPVS guys leave me up the stairs to meet them.

212
00:12:58,760 --> 00:13:01,040
Speaker 2: The boys in the early twenty and are up on

213
00:13:01,080 --> 00:13:04,800
Speaker 2: the remains of the abandoned structure's outdoor patio area, the

214
00:13:04,960 --> 00:13:08,400
Speaker 2: shadow boxing, amidst piles of broken glass and concrete debris.

215
00:13:09,120 --> 00:13:11,520
Speaker 2: From here I can see the perfect blue of the

216
00:13:11,559 --> 00:13:15,079
Speaker 2: French Riviera's coastline. In the near distance, the sun has

217
00:13:15,160 --> 00:13:18,319
Speaker 2: risen into a cloudless sky. The famous yachts at the

218
00:13:18,360 --> 00:13:22,560
Speaker 2: harbor are twinkling, reflecting the light from the sun. Directly

219
00:13:22,600 --> 00:13:25,240
Speaker 2: in front of me, though, on the patio, two thrill

220
00:13:25,280 --> 00:13:27,680
Speaker 2: seeking lads are preparing to knock fuck out of each

221
00:13:27,720 --> 00:13:31,360
Speaker 2: other as part of an underground fight scene. Even amidst

222
00:13:31,400 --> 00:13:34,600
Speaker 2: the beauty of the court Desore, the unapologetic ugliness of

223
00:13:34,640 --> 00:13:39,320
Speaker 2: pre arranged violence is most compelling. Several FPVS members, of

224
00:13:39,360 --> 00:13:41,959
Speaker 2: which there are around a dozen, help the two fighters

225
00:13:42,000 --> 00:13:44,920
Speaker 2: get in the zone. They wrap their hands, hold pads,

226
00:13:45,040 --> 00:13:49,119
Speaker 2: g them up. Warren is black, about six foot two, muscular,

227
00:13:49,440 --> 00:13:51,120
Speaker 2: lean and as a fighter's gait.

228
00:13:51,960 --> 00:13:53,920
Speaker 3: Louis is white, about five.

229
00:13:53,840 --> 00:13:57,960
Speaker 2: Nine, skinny, fat, and honestly seems out of his depth.

230
00:13:58,400 --> 00:14:01,280
Speaker 2: I ask Louis why he came here, why he's decided

231
00:14:01,320 --> 00:14:03,120
Speaker 2: to fight in such a hard core manner.

232
00:14:04,040 --> 00:14:07,360
Speaker 3: Why are you going to do this myself?

233
00:14:07,600 --> 00:14:11,439
Speaker 2: To be about the concrete floor, You're not worried about that.

234
00:14:11,520 --> 00:14:25,560
Speaker 2: It's quite dangerous, I know. Luck As for Warren, it

235
00:14:25,600 --> 00:14:30,840
Speaker 2: looks fine, confident, ready to go. Not nervous, Yes, no,

236
00:14:31,520 --> 00:14:33,400
Speaker 2: not nervous.

237
00:14:34,640 --> 00:14:37,040
Speaker 3: First time. Good luck.

238
00:14:38,240 --> 00:14:41,240
Speaker 2: From where I'm standing, the odds don't look great. And

239
00:14:41,320 --> 00:14:43,480
Speaker 2: let me tell you, as a teenager, I got my

240
00:14:43,560 --> 00:14:47,760
Speaker 2: head kicked in plenty of times. I'm speaking from experience.

241
00:14:48,360 --> 00:14:52,160
Speaker 2: This doesn't look great. Warren is shredded head to toe

242
00:14:52,280 --> 00:14:57,200
Speaker 2: and Louis looks entirely uncoordinated without any real conditioning. It's,

243
00:14:57,240 --> 00:15:00,440
Speaker 2: of course true that muscles don't win fights. With no rules,

244
00:15:00,480 --> 00:15:03,840
Speaker 2: anything can happen. But still I feel a bit worried

245
00:15:03,880 --> 00:15:06,360
Speaker 2: for Louis. I asked Leon what he thinks about the

246
00:15:06,400 --> 00:15:10,480
Speaker 2: clear size difference. Indifferently, he just tells me they weigh

247
00:15:10,560 --> 00:15:13,000
Speaker 2: the same. He shrugs it off and reminds me that

248
00:15:13,080 --> 00:15:17,440
Speaker 2: Louis put himself here. He contacted the FPVS guys via telegram.

249
00:15:17,680 --> 00:15:20,400
Speaker 2: He told them he wanted to fight, so now he's

250
00:15:20,440 --> 00:15:23,120
Speaker 2: here to fight. If you can find the right people

251
00:15:23,160 --> 00:15:26,200
Speaker 2: and are genuine about fighting, it can be that simple.

252
00:15:26,960 --> 00:15:30,080
Speaker 2: Warren and Louis are still warming up with the FPVS crew,

253
00:15:30,400 --> 00:15:33,560
Speaker 2: Deryl Mail and all around eighteen to twenty five. There

254
00:15:33,560 --> 00:15:35,960
Speaker 2: are a mix of several different races, and each of

255
00:15:36,000 --> 00:15:38,560
Speaker 2: them is dressed in a black tracksuit with various different

256
00:15:38,560 --> 00:15:42,760
Speaker 2: brands of trainers. They're a blur of night tear Can, Balenciaga,

257
00:15:42,920 --> 00:15:46,520
Speaker 2: Berbery and EA seven. Some of them have specially printed

258
00:15:46,720 --> 00:15:51,080
Speaker 2: FPVS hoodies and T shirts. They mill around helping fighters,

259
00:15:51,160 --> 00:15:53,840
Speaker 2: chatting and rolling splits. So the kind of lads the

260
00:15:53,920 --> 00:15:57,200
Speaker 2: upper class of the Riviera probably crossed the road from

261
00:15:57,640 --> 00:15:59,680
Speaker 2: They seem jovial enough to me, though when I get

262
00:15:59,720 --> 00:16:02,920
Speaker 2: on well with them. Now, I'm obviously an outsider in

263
00:16:02,960 --> 00:16:05,160
Speaker 2: this world, but they're all pretty chilled about it. No

264
00:16:05,200 --> 00:16:07,640
Speaker 2: one has a real issue with me being there. I

265
00:16:07,680 --> 00:16:09,520
Speaker 2: sit chatting to one of the guys as he holds

266
00:16:09,520 --> 00:16:12,680
Speaker 2: pads for Louis, who is throwing wayward punches here and there.

267
00:16:13,560 --> 00:16:16,560
Speaker 2: The FPVS guys cannot wait for the violence to start.

268
00:16:17,400 --> 00:16:19,840
Speaker 2: Then we hear a shout from downstairs.

269
00:16:20,400 --> 00:16:21,040
Speaker 3: It's time.

270
00:16:27,040 --> 00:16:30,120
Speaker 2: Leon gathers the fighters and everyone heads down the half

271
00:16:30,160 --> 00:16:33,560
Speaker 2: collapsed stairs into the main area where fights take place.

272
00:16:34,720 --> 00:16:36,680
Speaker 2: There were two pillars in the center of the room.

273
00:16:37,000 --> 00:16:39,800
Speaker 2: Red and white caution tape is wrapped around them loosely

274
00:16:39,840 --> 00:16:41,920
Speaker 2: as a means to cordon off the area where the

275
00:16:41,920 --> 00:16:43,040
Speaker 2: crowd now stands.

276
00:16:43,400 --> 00:16:44,040
Speaker 3: On the floor.

277
00:16:44,080 --> 00:16:47,480
Speaker 2: In the center, the FPBS logo is spray painted onto

278
00:16:47,520 --> 00:16:51,200
Speaker 2: the concrete. A wolf with red eyes. The air smells

279
00:16:51,240 --> 00:16:54,960
Speaker 2: like weed, smoke and stale sweat. Everyone inside is buzzy.

280
00:16:55,600 --> 00:16:59,040
Speaker 2: Some are Warrent's friends, some are FPBS, and others are

281
00:16:59,120 --> 00:17:02,240
Speaker 2: unaffiliated who guns and street fighters who've just come to

282
00:17:02,320 --> 00:17:07,600
Speaker 2: watch the show is on. Louis looks nervous. Warren calm.

283
00:17:08,240 --> 00:17:10,600
Speaker 2: He cracks his neck and bounces on his toes. Ready

284
00:17:10,600 --> 00:17:13,080
Speaker 2: to go, Louis picks up the wraps on his wrist

285
00:17:13,160 --> 00:17:14,160
Speaker 2: and clenches.

286
00:17:13,760 --> 00:17:16,720
Speaker 3: His hands tight. He looks extremely uncomfortable.

287
00:17:17,520 --> 00:17:19,959
Speaker 2: Leon walks into the center of the concrete room and

288
00:17:20,000 --> 00:17:23,159
Speaker 2: signals that everything's ready. The two fighters join him on

289
00:17:23,200 --> 00:17:26,080
Speaker 2: each side, and before the balling starts, everyone in the

290
00:17:26,160 --> 00:17:29,560
Speaker 2: room sings the French national anthem with their handheld on

291
00:17:29,640 --> 00:17:38,520
Speaker 2: their heart, an unexpected show of unity amidst this underground scene.

292
00:17:39,000 --> 00:17:43,280
Speaker 2: He goes on and on and on. Everyone in the room,

293
00:17:43,320 --> 00:17:47,320
Speaker 2: both masked and not sings along. Everyone but me, of course,

294
00:17:47,480 --> 00:17:50,040
Speaker 2: I am British. I want to be sick now, many

295
00:17:50,119 --> 00:18:06,840
Speaker 2: joking a bit la masse ends. Finally, the two fighters

296
00:18:06,840 --> 00:18:09,280
Speaker 2: bump fists and head to opposite corners of the room.

297
00:18:09,720 --> 00:18:13,040
Speaker 2: Leon signals by nodding at Victor. Victor gives the go ahead.

298
00:18:13,200 --> 00:18:14,520
Speaker 3: It's on. Fight.

299
00:18:15,440 --> 00:18:18,399
Speaker 2: Two fighters meet each other in the center. Louis throws

300
00:18:18,440 --> 00:18:21,200
Speaker 2: a badly timed roundhouse kick. The bounce is clean off

301
00:18:21,200 --> 00:18:24,800
Speaker 2: of Warren's leg. Warren throws two jabs straight into Luis's face,

302
00:18:25,080 --> 00:18:26,720
Speaker 2: catching his chin, his day.

303
00:18:27,040 --> 00:18:27,840
Speaker 3: His guard drops.

304
00:18:28,000 --> 00:18:30,959
Speaker 2: Warren shifts in, grabs Louis, picks him up, drops him

305
00:18:31,000 --> 00:18:34,480
Speaker 2: down to the concrete. Louis tries to throw some defensive punches,

306
00:18:34,480 --> 00:18:36,879
Speaker 2: but Warren is all over him like a dog. He

307
00:18:37,000 --> 00:18:40,840
Speaker 2: rains down elbows into Louis's face. Louis goes feetle covering

308
00:18:40,920 --> 00:18:43,639
Speaker 2: up his head. Leon moves in from the sidelines, ready

309
00:18:43,640 --> 00:18:45,840
Speaker 2: to see if the fight needs to be ended. The

310
00:18:45,880 --> 00:18:49,800
Speaker 2: crowd is wild with excitement. They want blood. Warren continues

311
00:18:49,880 --> 00:18:53,280
Speaker 2: dropping elbows. A few miss, a few smash into Louis's

312
00:18:53,280 --> 00:18:56,439
Speaker 2: forehead and temple. Louis throws up his hands and taps

313
00:18:56,480 --> 00:19:00,840
Speaker 2: the floor. He's done. Leon grabs warr pulls him off

314
00:19:00,880 --> 00:19:01,400
Speaker 2: of Louis.

315
00:19:01,560 --> 00:19:02,840
Speaker 3: The fight is over.

316
00:19:05,880 --> 00:19:09,040
Speaker 2: Louie is helped up offer the concrete by FPVS lads.

317
00:19:09,560 --> 00:19:13,040
Speaker 2: Wilt's bruises and bumps already pat in his face. He's

318
00:19:13,040 --> 00:19:15,919
Speaker 2: got blood at his lips. He's well and truly beaten,

319
00:19:16,280 --> 00:19:20,440
Speaker 2: but he's smiling, so is Warren. The two fighters embraced sincerely,

320
00:19:20,760 --> 00:19:26,960
Speaker 2: and the crowd cheers even Louder win or lose respect

321
00:19:27,000 --> 00:19:28,400
Speaker 2: in this world is essential.

322
00:19:31,280 --> 00:19:31,920
Speaker 3: You're brave man.

323
00:19:33,440 --> 00:19:36,880
Speaker 2: The fight lasted about one minute total. Louis got battered,

324
00:19:37,119 --> 00:19:39,360
Speaker 2: but I'm not sure the outcome really mattered that much

325
00:19:39,359 --> 00:19:41,800
Speaker 2: for him. He showed up, which counts for a lot

326
00:19:41,840 --> 00:19:45,720
Speaker 2: when you consider the stakes. That's part of the notoriety

327
00:19:45,760 --> 00:19:49,560
Speaker 2: of this. There's something uniquely daring about no rules. You

328
00:19:49,600 --> 00:19:53,680
Speaker 2: could end up permanently disfigured, brain damaged, or dead, way

329
00:19:53,760 --> 00:19:58,040
Speaker 2: easier than every other combat sport. No rules isn't sport.

330
00:19:58,920 --> 00:20:02,200
Speaker 2: Ask Louis how he's feeling in as makeshift fpvs. Medics

331
00:20:02,359 --> 00:20:05,760
Speaker 2: whoever's holding the plasters an antiseptic tend to his wounds.

332
00:20:06,359 --> 00:20:08,639
Speaker 2: He tells me he feels good. He says he lost,

333
00:20:08,680 --> 00:20:10,760
Speaker 2: but that's part of it. He's got blood in his

334
00:20:10,800 --> 00:20:13,280
Speaker 2: mouth and knuckles of graze the skin around his eyes.

335
00:20:13,640 --> 00:20:16,119
Speaker 2: Bit will live. Could have been a lot worse. No

336
00:20:16,520 --> 00:20:20,120
Speaker 2: serious damage. I'm joking. I asked what his family might

337
00:20:20,160 --> 00:20:23,040
Speaker 2: think when he comes home with his face backstop. Louis

338
00:20:23,040 --> 00:20:26,399
Speaker 2: pauses for a second, then he laughs and says, don't

339
00:20:26,400 --> 00:20:31,080
Speaker 2: tell my mother. In contrast, Warren is completely unscathed, not

340
00:20:31,320 --> 00:20:34,600
Speaker 2: a mark, He's barely even broken a sweat. He tells

341
00:20:34,640 --> 00:20:37,320
Speaker 2: me he traveled overnight for this and months to fight again.

342
00:20:38,160 --> 00:20:40,960
Speaker 2: He's an ice lad. That both are pretty normal other

343
00:20:41,040 --> 00:20:44,960
Speaker 2: than this, outside of the chaos of clandestine fighting. Warren

344
00:20:45,040 --> 00:20:47,639
Speaker 2: works as a laborer on a building site, and Louis

345
00:20:47,720 --> 00:20:50,640
Speaker 2: is a waiter in a restaurant. These violent young men

346
00:20:50,680 --> 00:20:56,440
Speaker 2: build homes and serve food. They keep the world turning.

347
00:20:56,840 --> 00:21:00,960
Speaker 2: The clandestine FPVS event was success. News of the fight

348
00:21:00,960 --> 00:21:05,159
Speaker 2: club is spreading fast across France, already all across Instagram

349
00:21:05,200 --> 00:21:08,159
Speaker 2: and Telegram. Afterwards, I head down to a pub in

350
00:21:08,200 --> 00:21:11,200
Speaker 2: the city with Leon and Victor, out of one world

351
00:21:11,280 --> 00:21:14,560
Speaker 2: into another. Hours ago we were in the bando watching

352
00:21:14,600 --> 00:21:18,320
Speaker 2: two fighters try to incapacitate one another. Now we're in

353
00:21:18,359 --> 00:21:22,320
Speaker 2: central can amongst Rolex shops, PALMDI or Smam and the

354
00:21:22,400 --> 00:21:27,679
Speaker 2: ugliest Italian sports cars ever built of Aguinness. The FPVS

355
00:21:27,760 --> 00:21:30,159
Speaker 2: lads tell me how they're different to cots and that

356
00:21:30,240 --> 00:21:33,480
Speaker 2: they never pay anyone to fight. No one involved gets

357
00:21:33,480 --> 00:21:37,200
Speaker 2: a penny. If anything, they're in a deficit after preparing

358
00:21:37,200 --> 00:21:42,359
Speaker 2: it all. It's just for sport, they say, somewhat ironically. However,

359
00:21:42,480 --> 00:21:45,159
Speaker 2: Leon and Victor explain to me that whilst they're different

360
00:21:45,200 --> 00:21:49,000
Speaker 2: from Cots, they are of course inspired by them. All

361
00:21:49,080 --> 00:21:52,480
Speaker 2: of the new Noruls fight clubs across Europe wouldn't exist

362
00:21:52,560 --> 00:21:55,480
Speaker 2: if it wasn't for them. All roads lead to King

363
00:21:55,520 --> 00:21:57,560
Speaker 2: of the Streets.

364
00:21:59,320 --> 00:22:01,000
Speaker 3: Before they start King of the Streets.

365
00:22:01,119 --> 00:22:03,800
Speaker 2: Hype Crew was one of many active football who look

366
00:22:03,800 --> 00:22:07,080
Speaker 2: in firms in Europe. They'd meet mostly in the fields

367
00:22:07,080 --> 00:22:10,600
Speaker 2: and forests of Scandinavia, fighting their rivals in pacts of

368
00:22:10,640 --> 00:22:15,520
Speaker 2: ten against ten, six against six, fifteen against twelve, twenty

369
00:22:15,560 --> 00:22:20,159
Speaker 2: five against twenty five, whatever was agreed on between organizers.

370
00:22:21,080 --> 00:22:24,760
Speaker 2: This kind of activity takes place in secret all over

371
00:22:24,800 --> 00:22:29,760
Speaker 2: the continent every single weekend. It's nothing new. Hype Crew, though,

372
00:22:30,240 --> 00:22:33,600
Speaker 2: was when they started fighting. They were unique from the

373
00:22:33,640 --> 00:22:36,920
Speaker 2: get go. They were a football who look in firm without.

374
00:22:36,640 --> 00:22:38,040
Speaker 3: A football team.

375
00:22:38,280 --> 00:22:42,280
Speaker 2: They're just all about the violence. This is not as

376
00:22:42,359 --> 00:22:46,600
Speaker 2: unusual as it sounds amongst the seeing. It's an open secret.

377
00:22:46,600 --> 00:22:49,320
Speaker 2: The plenty of football who logans in Mainland and Europe

378
00:22:49,520 --> 00:22:50,920
Speaker 2: don't actually care that.

379
00:22:51,040 --> 00:22:52,359
Speaker 3: Much about the football.

380
00:22:52,880 --> 00:22:56,360
Speaker 2: It's the aggression, camaraderie, and sense of belonging that they love.

381
00:22:57,440 --> 00:22:59,760
Speaker 2: Football is a base to gather for young men looking

382
00:22:59,800 --> 00:23:03,320
Speaker 2: to be part of something the world over. For hooligans,

383
00:23:03,359 --> 00:23:06,720
Speaker 2: the fight and sets that in stone. No matter how

384
00:23:06,840 --> 00:23:11,480
Speaker 2: advanced or progressive or civilized life gets, it will always

385
00:23:11,520 --> 00:23:15,320
Speaker 2: be true that there is something primordally special about forging

386
00:23:15,359 --> 00:23:19,240
Speaker 2: bonds of friendship through fighting together. People might say they

387
00:23:19,280 --> 00:23:22,240
Speaker 2: have your back, but do they. Perhaps your best friend

388
00:23:22,280 --> 00:23:25,600
Speaker 2: remembers your birthday every year, calls you when you're lonely,

389
00:23:25,880 --> 00:23:28,960
Speaker 2: and supports your endeavors. But would they stand and fight

390
00:23:29,000 --> 00:23:32,160
Speaker 2: if you were attacked? Would they run? Would they abandon

391
00:23:32,200 --> 00:23:35,360
Speaker 2: you to get your head kicked in the first majority

392
00:23:35,359 --> 00:23:37,960
Speaker 2: of people will never have to find out and probably

393
00:23:38,000 --> 00:23:40,200
Speaker 2: don't even think about it. And that's a good thing,

394
00:23:40,240 --> 00:23:43,560
Speaker 2: I guess. But things like this don't matter until they do.

395
00:23:44,400 --> 00:23:48,120
Speaker 2: For hooligans, they already know their friends would stand and

396
00:23:48,160 --> 00:23:51,880
Speaker 2: fight every single time. This is the foundation of their

397
00:23:51,920 --> 00:23:55,080
Speaker 2: bond from the get go. It's almost like the course

398
00:23:55,080 --> 00:23:59,040
Speaker 2: of a friendship in reverse. The most literal form of

399
00:23:59,280 --> 00:24:02,840
Speaker 2: backing your friends is what they begin with. Anything else

400
00:24:03,000 --> 00:24:06,960
Speaker 2: is a bonus to your average law abiding citizen. This

401
00:24:07,119 --> 00:24:10,320
Speaker 2: is a horrible way to live. They have no decorum, etc.

402
00:24:10,640 --> 00:24:11,159
Speaker 3: Et cetera.

403
00:24:11,800 --> 00:24:15,760
Speaker 2: But honestly, who cares They don't They're choosing to live

404
00:24:15,840 --> 00:24:17,080
Speaker 2: outside of society.

405
00:24:17,960 --> 00:24:18,160
Speaker 3: Now.

406
00:24:18,280 --> 00:24:20,800
Speaker 2: My point is, the reason King of the Streets is

407
00:24:20,840 --> 00:24:25,199
Speaker 2: so clandestine, yet so well organized and so influential is

408
00:24:25,359 --> 00:24:28,240
Speaker 2: likely because it started off from this base of arranged

409
00:24:28,320 --> 00:24:32,560
Speaker 2: fighting hooliganism. Some Hype crew members were hooligans for various

410
00:24:32,560 --> 00:24:35,840
Speaker 2: different firms in Sweden before forging their syndicate of what

411
00:24:35,960 --> 00:24:40,040
Speaker 2: is essentially a freelance firm with no loyalty to anything

412
00:24:40,200 --> 00:24:43,640
Speaker 2: but each other. This, I believe is a big part

413
00:24:43,680 --> 00:24:46,520
Speaker 2: of what's kept King of the Streets so consistent and

414
00:24:46,600 --> 00:24:53,160
Speaker 2: so well respected in the underground. When I get back

415
00:24:53,200 --> 00:24:56,199
Speaker 2: home to the UK, the lads from FPVS contact me

416
00:24:56,600 --> 00:24:59,560
Speaker 2: and let me know that everything went well. There haven't

417
00:24:59,560 --> 00:25:02,280
Speaker 2: been a rest. All the fighters are happy and their

418
00:25:02,320 --> 00:25:05,520
Speaker 2: fight club is getting dozens and dozens of new applications

419
00:25:05,560 --> 00:25:09,400
Speaker 2: to fight now that the footage is all across Instagram.

420
00:25:09,600 --> 00:25:12,920
Speaker 2: All in all, despite the pretty basic fight, things were

421
00:25:12,920 --> 00:25:16,800
Speaker 2: a success. It also turns out the word has gotten

422
00:25:16,800 --> 00:25:20,040
Speaker 2: out in the clandestine fighting underground that there's a reporter

423
00:25:20,119 --> 00:25:22,560
Speaker 2: trying to make a film about no rules fighting.

424
00:25:23,119 --> 00:25:23,800
Speaker 3: Let an old me.

425
00:25:24,680 --> 00:25:27,439
Speaker 2: Some don't like it, some don't care, but others are

426
00:25:27,440 --> 00:25:30,880
Speaker 2: pretty interested. It seems in general that these people trust

427
00:25:30,960 --> 00:25:33,879
Speaker 2: what I'm doing and understand they don't have some snitch

428
00:25:34,000 --> 00:25:38,120
Speaker 2: ulterior motive to out them as lunatics or whatever. I'm

429
00:25:38,160 --> 00:25:41,960
Speaker 2: just interested. Also, to be honest with you, I don't

430
00:25:42,000 --> 00:25:44,720
Speaker 2: really see what's wrong with grown adults deciding to fight

431
00:25:44,760 --> 00:25:49,080
Speaker 2: each other consensually in private, in a controlled setting. That's

432
00:25:49,119 --> 00:25:53,639
Speaker 2: their business. Just because it's illegal doesn't mean it's wrong.

433
00:25:55,160 --> 00:25:58,639
Speaker 2: There's also some irony in the way states condemn no rules.

434
00:25:59,160 --> 00:26:03,080
Speaker 2: For example, one fighter who's undefeated on cots was banned

435
00:26:03,080 --> 00:26:06,760
Speaker 2: from fighting in professional mma in his own country for

436
00:26:06,880 --> 00:26:13,399
Speaker 2: doing no rules. The state decided he was too violent. Meanwhile,

437
00:26:13,840 --> 00:26:17,560
Speaker 2: that same government sent millions to a foreign country to

438
00:26:17,640 --> 00:26:20,679
Speaker 2: assist them in carrying out daily war crimes in the

439
00:26:20,680 --> 00:26:24,680
Speaker 2: Middle East. You tell me what's more violent, no rules

440
00:26:24,720 --> 00:26:29,600
Speaker 2: fighting or bombing children. Now, I don't mean to be dramatic,

441
00:26:29,720 --> 00:26:34,000
Speaker 2: but this is something else I find fascinating about no rules.

442
00:26:34,440 --> 00:26:40,960
Speaker 2: It unintentionally exposes human nature's undying connection to violence. No

443
00:26:41,080 --> 00:26:43,960
Speaker 2: rules is just unapologetically honest about it.

444
00:26:50,760 --> 00:26:51,000
Speaker 3: Now.

445
00:26:51,119 --> 00:26:55,639
Speaker 2: As you can probably tell, this is a male dominated scene. However,

446
00:26:55,760 --> 00:26:59,119
Speaker 2: I've got words since returning from can that there's about

447
00:26:59,160 --> 00:27:02,639
Speaker 2: to be the very very first female no Rules fight.

448
00:27:03,440 --> 00:27:07,480
Speaker 2: It will be happening soon in Germany. More on that

449
00:27:07,520 --> 00:27:15,439
Speaker 2: in the next episode. If you've been listening to the

450
00:27:15,480 --> 00:27:20,760
Speaker 2: Away Days podcast next week episode three. To watch independent

451
00:27:20,800 --> 00:27:25,119
Speaker 2: Away Days documentaries, subscribe to our channel at YouTube dot

452
00:27:25,160 --> 00:27:31,159
Speaker 2: com slash at Awaydays TV. Your Wait Days Podcast is

453
00:27:31,160 --> 00:27:37,840
Speaker 2: a production of H eleven Studio for Cool Zone Media. Reporting, producing, writing,

454
00:27:38,240 --> 00:27:43,520
Speaker 2: editing and research by me Jake Hanrahan, co producing by

455
00:27:43,640 --> 00:27:49,320
Speaker 2: Sophie Lichtman, music by Sam Black, sound mixed by Splicing Block,

456
00:27:49,800 --> 00:27:53,920
Speaker 2: Photography by Johnny Pickup and Louis Hollis. Graphic design by

457
00:27:54,000 --> 00:27:56,480
Speaker 2: Laura Adamson and Casey Highfields

458
00:28:02,920 --> 00:28:04,760
Speaker 3: To ass