WEBVTT - Nerdificent Best of 2019 Part 1

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<v Speaker 1>Hey, what's up, nerd fam? How you doing? It is

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<v Speaker 1>December thirty one, New Year's Eve, and I just want

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<v Speaker 1>y'all know we are thinking about you, but also we

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<v Speaker 1>are busy party and traveling, so we're gonna hit you

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<v Speaker 1>with some of the best of this year's ner defficent

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<v Speaker 1>to fill that void before you go party tonight. So enjoy.

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<v Speaker 1>I mean, I guess you will just jump right into it.

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<v Speaker 1>For anybody who's never heard of it or don't know

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<v Speaker 1>what what we're talking about, what is Afro anime? Well, um,

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<v Speaker 1>it's really based on like the first part of the

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<v Speaker 1>word afro, So like when people hear afro enemy, you

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<v Speaker 1>don't want to think about a frow like a hair.

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<v Speaker 1>Afro's more about that inspired by Africa, taking me from

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<v Speaker 1>the African lands. So if you're talking about fighting with

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<v Speaker 1>the Bens, you're gonna look at African weapons. If you're

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<v Speaker 1>talking about martial arts, you're not gonna see uh jiu jitsu,

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<v Speaker 1>You're gonna see like lamb or um some sent other

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<v Speaker 1>Senegal wrestling techniques, You're gonna see African techniques. And that's

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<v Speaker 1>the afro so basically African inspired in terms of lore techniques,

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<v Speaker 1>magic juju in an anime kind of medium, which is

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<v Speaker 1>like you know, when someone's angry, you have that not

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<v Speaker 1>on the head, you know, powering up some of those things.

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<v Speaker 1>It's a you know, we in creating the name, it

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<v Speaker 1>was kind of like it's very much African and die sport,

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<v Speaker 1>but we we also are going to give you know,

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<v Speaker 1>shouts out to the people that kind of you know,

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<v Speaker 1>brought us to the genre, like you know, So it

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<v Speaker 1>wasn't like we're going to create a name that completely

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<v Speaker 1>like disregards the contribution of those who did amazing work

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<v Speaker 1>and anime that got us even thinking about creating stories

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<v Speaker 1>in this media. Um, we're gonna create a name that okay,

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<v Speaker 1>shows show some love, but then very much lets you know,

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<v Speaker 1>this is Afro anime. This is uh, we're gonna tell

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<v Speaker 1>stories through the African lens. Right. So I used to

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<v Speaker 1>always say that, you know, when you're painting, you have

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<v Speaker 1>this like you know, your oils and all that, and

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<v Speaker 1>so anime is kind of like that you have always always,

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<v Speaker 1>But what you're drawing is the continent. You're drawing certain

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<v Speaker 1>themes in the continent Pan African, specifically Nigerian, specifically from Kenya,

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<v Speaker 1>specifically these different ethnic groups spirits. So when you're talking

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<v Speaker 1>about you know, Nato has the nine tails, we have

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<v Speaker 1>a tortoise. You know when we when we you know,

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<v Speaker 1>shout out to a Nancy. You know what's talking about

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<v Speaker 1>when we talk about Nancy, you know what we're talking

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<v Speaker 1>about West African thing, So you know that's sort of

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<v Speaker 1>what Afro anime is. What were some of the because um,

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<v Speaker 1>you both grew up watching anime, what were some of

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<v Speaker 1>the titles? I guess that really got you interested in

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<v Speaker 1>moving into animation. I mean I got it first and foremost.

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<v Speaker 1>Give a shout out to whoever made the decision um

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<v Speaker 1>on Cartoon Network to create. Know, you don't realize how

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<v Speaker 1>you've affected an entire culture of people. I'm talking about

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<v Speaker 1>from hip hop to like animation to even comedy. It's

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<v Speaker 1>so much ingrained into the culture. I just heard this

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<v Speaker 1>new artist, UM don't know, something like that or the Stallion,

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<v Speaker 1>and she had a bar that was like hair yellow

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<v Speaker 1>light go. I was like, see this is what I'm

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<v Speaker 1>talking about, Like we know where this came for us,

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<v Speaker 1>So shout out to Tonomi, like I don't know, we

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<v Speaker 1>used to rush and get our homework done just so

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<v Speaker 1>we can get in at that primetime hour from DBZ,

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<v Speaker 1>from Gundam Wing to Cowboy Beb, Samurai Jack, like Ronie Ketchen.

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<v Speaker 1>That was like like introduction and then we were like

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<v Speaker 1>we started getting on the internet more and we're like,

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<v Speaker 1>wait a minute, there's more. Sometimes you gotta get it.

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<v Speaker 1>But that was the only way we could get it.

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<v Speaker 1>And then getting your family involved, like that's the funny thing.

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<v Speaker 1>That's one thing we made a mistake a little bit.

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<v Speaker 1>Then enduring community is huge, huge, huge. I mean the

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<v Speaker 1>Black dives sport community is huge there they're looking for that.

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<v Speaker 1>This is the time before podcast, this era when we

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<v Speaker 1>did this Kickstarter, this is a time before podcast and

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<v Speaker 1>content push, so it was it was just a different

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<v Speaker 1>time before the Facebook girls even came out and all that.

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<v Speaker 1>So really your community was was critical. Well, if I

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<v Speaker 1>can just jump in for the time you're talking about

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<v Speaker 1>is very interesting because I feel like now black nerdiness

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<v Speaker 1>is very mainstream. But there was a moment not too

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<v Speaker 1>long ago where black people on Twitter figured out that

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<v Speaker 1>we all liked DBS for some reason. We all thought

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<v Speaker 1>we separately liked it, and we didn't. But you had

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<v Speaker 1>the same dudes who was jigging dudes you know who

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<v Speaker 1>were also into d b z yeayeah and so like

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<v Speaker 1>exploded online and right around the time that now we

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<v Speaker 1>hear it in music and all that. But there was

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<v Speaker 1>a time when we all thought it was like our

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<v Speaker 1>little corner and it wasn't as like in Vogue or

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<v Speaker 1>cool to just flaunt your nerdiness. So now we I

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<v Speaker 1>think we are in an era now where people are

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<v Speaker 1>super seeking it out too, especially when you got taste

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<v Speaker 1>of it like Afro Samurai and Boondocks. I know, people,

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<v Speaker 1>there's something you you touched on that I think is

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<v Speaker 1>is really important. I want to highlight because it's something

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<v Speaker 1>we've talked about in the past episodes where Hollywood, especially

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<v Speaker 1>coming from this personal spot in Hollywood, is there is

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<v Speaker 1>a regurgitation of just the same eurocentric stories. And then

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<v Speaker 1>I think you were right. You did see that trend.

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<v Speaker 1>You had Coco, you had Book of Life, and even

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<v Speaker 1>then we're slowly getting but it's slow. It's afraid because

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<v Speaker 1>like because they don't know these stories. So it's either

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<v Speaker 1>they're waiting for a Latinox creator to come and bring

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<v Speaker 1>it or still it. You know what we're saying, Like

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<v Speaker 1>all the way funky. You know, as I get older,

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<v Speaker 1>get a road in age. You know, something you know

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<v Speaker 1>I see among a lot of my you know, ethno

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<v Speaker 1>peers is their relationship with their ethnicity. And you know,

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<v Speaker 1>my mom's from Louisiana, my dad's from Nigeria, and you know,

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<v Speaker 1>my dad gives me what it gives me. But like

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<v Speaker 1>you know, the way I grew up, I was never

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<v Speaker 1>surrounded by a lot of other Nigerians. Like you know,

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<v Speaker 1>we went to the association meetings board out of your mind.

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<v Speaker 1>You gotta break it down. Association. So Nanginian is like

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<v Speaker 1>to meet in big organizations men and women. They call

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<v Speaker 1>associations associations with this so we're very You could be

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<v Speaker 1>three years old and you know how to conduct a

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<v Speaker 1>meeting because you like in no corporate meetings, nothing compared

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<v Speaker 1>to what I have to sit through. You know. Let's

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<v Speaker 1>we've been talking about Afro anime and there are certain

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<v Speaker 1>things that stuck out to people as Afro anime. And

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<v Speaker 1>you know, there's there's something we talked about during the

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<v Speaker 1>break that I want to hear you display for all

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<v Speaker 1>the listeners. But also why I think that's a good

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<v Speaker 1>thing because you almost said it like it was negative,

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<v Speaker 1>but I think it's a good thing. So we're gonna

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<v Speaker 1>talk about Afro Samurai and the Boondocks, which are like

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<v Speaker 1>the two I think closest things people will think of

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<v Speaker 1>if they're like Afro Animates, no doubt. Yeah, that's the problem.

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<v Speaker 1>That's the problem if you google, if you google it,

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<v Speaker 1>but real quick, I will start by saying the good Yeah,

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<v Speaker 1>I'll start by saying the good. Um. Shout out to

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<v Speaker 1>Aaron McGruder. I don't think he realizes what it meant

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<v Speaker 1>to young black kids who had a newspaper in their

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<v Speaker 1>hand and will go to the comics section and see representation.

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<v Speaker 1>Can we just take I'm gonna just take two seconds

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<v Speaker 1>to really land on that, because you are so right.

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<v Speaker 1>I would because I would run into the Sunday Funnies

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<v Speaker 1>and you know, first we had that one. For better

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<v Speaker 1>or worse I think it was. And shout out to

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<v Speaker 1>him too. I'm not gonna talk, but when I saw

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<v Speaker 1>boon Docks, that changed my life because not only was

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<v Speaker 1>it the black Man, but it also had an anime

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<v Speaker 1>style to it. So I was like, I'm in because

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<v Speaker 1>you know, really truly like too, because before that, like Animates,

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<v Speaker 1>me was just you know your dbcs. You show Tinchi

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<v Speaker 1>Muio so to see like an Afro done in an

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<v Speaker 1>anime style. It just opened my eyes to a new world.

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<v Speaker 1>So yes, your I totally know, Like that is the

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<v Speaker 1>good of being Like, oh you change my world. That's

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<v Speaker 1>the best thing I'm gonna say. And then that can

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<v Speaker 1>I start so here you is? So first of all,

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<v Speaker 1>to start with boondogs now, I mean, and I do

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<v Speaker 1>this with African futurism. Now, if you represent just the continent,

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<v Speaker 1>you actually represent the largest amount of black people in

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<v Speaker 1>the world period. So that representation is actually small by buondos,

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<v Speaker 1>actually does not represent the Dia spore. Like if you

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<v Speaker 1>would actually start from continent with perspective just by numbers, game,

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<v Speaker 1>yeah that's number one. Number two is like boom Docks

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<v Speaker 1>had this thing where like like what's that? What's that? One?

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<v Speaker 1>Um dude with the like like like why would I

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<v Speaker 1>create a character give life to an imaginary character that

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<v Speaker 1>hates on his own people? I can't do it? Like no,

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<v Speaker 1>this is very important, Like you got to understand the

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<v Speaker 1>power of media. Yeah, you gotta understand the power of media.

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<v Speaker 1>This already is in our community. It's already there. Now

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<v Speaker 1>we have a name for them. And my my take

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<v Speaker 1>on that is that because you it would do a

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<v Speaker 1>disservice for what Boon Docks was doing, because yeah, we

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<v Speaker 1>created Uncle ruck Is, but we still have Sheriff Clark

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<v Speaker 1>out there. We still got what what about the Ben Carson?

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<v Speaker 1>No this this just hurts to say because he's my man.

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<v Speaker 1>But like right now in this yeah, you know we

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<v Speaker 1>have those. So like I think that put like a

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<v Speaker 1>word because there is this idea it of like you know,

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<v Speaker 1>I know there's this idea that like, you know, I

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<v Speaker 1>feel like it is something to like he was speaking

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<v Speaker 1>to like this type of person that we always see.

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<v Speaker 1>And I think it's because like Boondocks is like specific,

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<v Speaker 1>but I think that still drives home your point that

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<v Speaker 1>it's only covering the small aspect of it. I'm the biggest, biggest, biggest.

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<v Speaker 1>I don't know what I want to say I say,

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<v Speaker 1>I don't want to say. I guess proponent, but I guess,

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<v Speaker 1>like I say this a lot where there's truth to

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<v Speaker 1>let that media you're controlling, and there was a point where,

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<v Speaker 1>like you know, you did have certain folks you know, Um,

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<v Speaker 1>I don't think I need to say which folks who

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<v Speaker 1>would take that character and really like him for the

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<v Speaker 1>wrong reasons. Yeah, yeah, it's that Dave Chappelle off camera left. Yeah, yeah,

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<v Speaker 1>I know what I'm talking about. You know what I'm

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<v Speaker 1>talking about. Yeah, So, so, like I that is extremely valid,

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<v Speaker 1>But that was the main thing, like you said, like

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<v Speaker 1>you have characters that can easily become these like caricatures.

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<v Speaker 1>It got really hyper and like that's what I'm saying,

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<v Speaker 1>Like you know, you had your Hui, but he was

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<v Speaker 1>dipped in Japanese philosophy, you know, Like it was like

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<v Speaker 1>I couldn't like those things, like like we're again having

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<v Speaker 1>this one individual of African descent fully involved in Japan

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<v Speaker 1>full like as if we eables your boss, Uh, how

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<v Speaker 1>about something, how some massaia you can keep going who

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<v Speaker 1>don't have traditions that are really powerful that can help

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<v Speaker 1>you navigate the streets of whatever. And then so a

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<v Speaker 1>lot of those things like they kind of show this

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<v Speaker 1>kind of depiction that to me was very much, very

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<v Speaker 1>close to what's that dude media type individual. Yeah, I

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<v Speaker 1>put that in the and I put in the same

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<v Speaker 1>class because that's the thing is like like the frow

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<v Speaker 1>like like that's it. And and the corn Rows, Like

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<v Speaker 1>there's some just like literally with African futurism and all

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<v Speaker 1>these like what we're trying to do in independent creators

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<v Speaker 1>are trying to do. It's like even hair. Hair is

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<v Speaker 1>the most political thing that literally we have so many

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<v Speaker 1>different styles. Now whenever we try to have a character

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<v Speaker 1>draw draw one of our characters, they draw Kiwe remember

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<v Speaker 1>of that. Yeah, there was just to kind of take

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<v Speaker 1>you back when earlier when I talked about how everyone

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<v Speaker 1>had to go through Obie's regiment of reading African literature.

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<v Speaker 1>We had to deconstruct a lot of our artists, a

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<v Speaker 1>lot of our artists who we worked with, you know,

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<v Speaker 1>they were taught Western styles, maybe Japanese styles, so when

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<v Speaker 1>we brought them to an African story, they would bring

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<v Speaker 1>that with them and we had to literally break that

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<v Speaker 1>because there would be a situation where there's a full

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<v Speaker 1>description of how this character is supposed to look, and

0:12:29.960 --> 0:12:33.840
<v Speaker 1>the artists would come back with this random, uh stock

0:12:33.880 --> 0:12:36.840
<v Speaker 1>African mask, not even African masks, like a tiki mask

0:12:37.200 --> 0:12:39.760
<v Speaker 1>on the arm, and then some Hughey type hair and

0:12:39.760 --> 0:12:42.840
<v Speaker 1>we're like and no shirt, Like wait, that's where did

0:12:42.880 --> 0:12:45.040
<v Speaker 1>you get this from? And they're like, oh, this is like,

0:12:45.080 --> 0:12:47.440
<v Speaker 1>it's an African character, Like did you read the description?

0:12:49.040 --> 0:12:51.960
<v Speaker 1>And then with one of our other characters, we had

0:12:52.000 --> 0:12:55.280
<v Speaker 1>to actually stop one of our artists because we realized

0:12:55.440 --> 0:13:00.520
<v Speaker 1>every scene the character was getting lighter and lighter and lighter,

0:13:00.960 --> 0:13:03.800
<v Speaker 1>to the point where I was like, whoa, bro, what

0:13:03.960 --> 0:13:07.679
<v Speaker 1>is what is going on? And he was like, oh um,

0:13:08.160 --> 0:13:10.800
<v Speaker 1>I don't don't. He couldn't even answer me. He didn't

0:13:10.800 --> 0:13:14.600
<v Speaker 1>he didn't even realize what was just and like what

0:13:14.640 --> 0:13:18.680
<v Speaker 1>was internal? Well, yeah, that's totally systematic, and you see

0:13:18.679 --> 0:13:20.800
<v Speaker 1>it all the docks is part of that system that

0:13:20.880 --> 0:13:24.160
<v Speaker 1>sime and even depiction of black women. Let's talk about

0:13:24.160 --> 0:13:27.080
<v Speaker 1>that Bundogs like like Bundogs is not is not it?

0:13:27.400 --> 0:13:30.280
<v Speaker 1>In terms of like I'm being real, like, like, is

0:13:30.280 --> 0:13:33.280
<v Speaker 1>there any depictions of black women that y'all that y'all

0:13:33.280 --> 0:13:36.360
<v Speaker 1>could like vibe with in Budogs? I have to go

0:13:36.480 --> 0:13:40.800
<v Speaker 1>exactly exactly exactly, you ain't gonna get me before I

0:13:40.840 --> 0:13:44.240
<v Speaker 1>look at I do want to say we've we I mean,

0:13:44.280 --> 0:13:46.520
<v Speaker 1>if he and I have had these conversations that unfortunately

0:13:46.720 --> 0:13:48.640
<v Speaker 1>also a lot of times, when you are the first,

0:13:48.800 --> 0:13:51.600
<v Speaker 1>you bear the weight of your entire community. Well, here's

0:13:51.600 --> 0:13:54.960
<v Speaker 1>the thing is that And here's one where I'm going

0:13:55.000 --> 0:13:57.880
<v Speaker 1>to come in for aaron, just for a bit. We

0:13:59.320 --> 0:14:01.760
<v Speaker 1>are blessed that we we we and we have to

0:14:01.800 --> 0:14:04.600
<v Speaker 1>admit that the three Nigerian sitting at the table, knowing

0:14:04.720 --> 0:14:08.680
<v Speaker 1>like our culture where we from all those things, we

0:14:08.760 --> 0:14:11.440
<v Speaker 1>have to remember that a lot of African Americans aren't

0:14:11.480 --> 0:14:13.960
<v Speaker 1>blessed with that information, and so they have to go

0:14:14.000 --> 0:14:16.160
<v Speaker 1>off of what they grew up doing. And I think

0:14:16.200 --> 0:14:19.560
<v Speaker 1>that's why it's Afros and uh and I think it's

0:14:19.720 --> 0:14:23.560
<v Speaker 1>corn rows and I think like the the the caricature

0:14:23.640 --> 0:14:26.720
<v Speaker 1>nous of it, that whole show is talking very specific

0:14:26.720 --> 0:14:29.120
<v Speaker 1>and I think you're right in due time, especially now

0:14:29.320 --> 0:14:31.000
<v Speaker 1>if you look at that compared to what we see

0:14:31.000 --> 0:14:35.520
<v Speaker 1>in Black Panther, the the diversity in only clothing. Like

0:14:35.600 --> 0:14:39.360
<v Speaker 1>I almost wept when I saw for the first time

0:14:39.440 --> 0:14:42.000
<v Speaker 1>on the big screen the clothes we see growing up

0:14:42.320 --> 0:14:47.840
<v Speaker 1>display that being said, Riley is a specific black person.

0:14:48.320 --> 0:14:51.720
<v Speaker 1>Pewee is a very specific Black verson, even who Cedric

0:14:51.840 --> 0:14:56.920
<v Speaker 1>yarbrowers character uh the like whitewash black Tea. It is

0:14:56.960 --> 0:15:00.720
<v Speaker 1>a show of yeah, I mean and right there in

0:15:00.760 --> 0:15:03.000
<v Speaker 1>the name, it is a show of caricatures. And I

0:15:03.040 --> 0:15:07.320
<v Speaker 1>think that was and I think the I think it

0:15:07.440 --> 0:15:15.160
<v Speaker 1>wasn't for us in the sense of like, like, I

0:15:15.160 --> 0:15:18.000
<v Speaker 1>guess we should have mentioned that this is a spoiler.

0:15:18.160 --> 0:15:20.240
<v Speaker 1>This is going to be spoiler heavy for a Game

0:15:20.280 --> 0:15:22.960
<v Speaker 1>of Thrones if you haven't seen it. It's kind of

0:15:22.960 --> 0:15:25.760
<v Speaker 1>hard to tackle the series as we go into season

0:15:25.840 --> 0:15:29.080
<v Speaker 1>by season without spoiling something. So if that does bother

0:15:29.200 --> 0:15:32.440
<v Speaker 1>you and you're planning to, I don't know, catch it

0:15:32.520 --> 0:15:35.080
<v Speaker 1>and binge it before it comes out this weekend, you

0:15:35.200 --> 0:15:39.080
<v Speaker 1>might wanna take a not a nightcap. You might want

0:15:39.080 --> 0:15:41.280
<v Speaker 1>a nightcap and also rain check. That's the word I

0:15:41.320 --> 0:15:44.000
<v Speaker 1>was looking for. If you're going back to what you

0:15:44.000 --> 0:15:46.760
<v Speaker 1>were saying about having that more mass appeal, I think

0:15:46.800 --> 0:15:48.920
<v Speaker 1>the fact that it is so grounded in kind of

0:15:48.960 --> 0:15:51.720
<v Speaker 1>reality and the politics of it all is what brings

0:15:51.760 --> 0:15:54.280
<v Speaker 1>in your mainstream viewing public, because I think if they

0:15:54.320 --> 0:15:57.200
<v Speaker 1>saw magic and dragons and all that right from the beginning,

0:15:57.560 --> 0:16:00.680
<v Speaker 1>they wouldn't believe it, Whereas now they're all pready invested

0:16:00.680 --> 0:16:03.280
<v Speaker 1>in the reality of that world, so they're more apt

0:16:03.320 --> 0:16:07.360
<v Speaker 1>to believe, oh crap, there's dragons, you know. That's that's

0:16:07.400 --> 0:16:11.120
<v Speaker 1>a good point because there are like I have talked

0:16:11.120 --> 0:16:13.280
<v Speaker 1>to friends who are trying to get their friends into

0:16:13.280 --> 0:16:16.200
<v Speaker 1>the show now, and it's kind of being that same argument.

0:16:16.360 --> 0:16:18.160
<v Speaker 1>Was like, oh, you mean the Dragon Show. And I

0:16:18.240 --> 0:16:21.640
<v Speaker 1>was like to call it the Dragon show when we

0:16:22.160 --> 0:16:25.840
<v Speaker 1>have waited and worked so hard to to to get

0:16:25.880 --> 0:16:30.120
<v Speaker 1>to the dragons. It's like that is true. Well, and

0:16:30.160 --> 0:16:32.080
<v Speaker 1>you know, right before so if we're talking about the

0:16:32.080 --> 0:16:35.440
<v Speaker 1>show right before Game of Thrones, that slot was True

0:16:35.480 --> 0:16:37.800
<v Speaker 1>Blood and I grew up like I was watching True Blood,

0:16:38.080 --> 0:16:42.840
<v Speaker 1>same thing. Yeah, vampires, a lot of sex. Yes, that's

0:16:42.840 --> 0:16:48.320
<v Speaker 1>how they got people in. I mean, wow, wow, first episode. Wow,

0:16:49.680 --> 0:16:51.720
<v Speaker 1>this is how much of a hyper nerd. I was

0:16:51.800 --> 0:16:57.240
<v Speaker 1>just like, oh, you get to see rogues boobs. I mean,

0:16:57.560 --> 0:17:00.680
<v Speaker 1>but I agree because so I remember like every oh yeah,

0:17:00.840 --> 0:17:03.720
<v Speaker 1>everyone in my family watched it. I remember like my

0:17:04.119 --> 0:17:06.040
<v Speaker 1>I would go over and watch it with my cousin

0:17:06.200 --> 0:17:09.000
<v Speaker 1>and her husband and it was like, so, I don't know,

0:17:09.200 --> 0:17:12.480
<v Speaker 1>so raunchy, but like they weren't into sci fi fantasy

0:17:12.480 --> 0:17:14.920
<v Speaker 1>and that type of stuff, like that type of lure.

0:17:15.400 --> 0:17:17.399
<v Speaker 1>And I think because they kind of made it like

0:17:17.400 --> 0:17:19.840
<v Speaker 1>oh no, it's kind of like a soap opera slash

0:17:19.960 --> 0:17:24.520
<v Speaker 1>drama slash just skinn of max essentially is what helps

0:17:24.560 --> 0:17:27.560
<v Speaker 1>get it get it in, and truple had actually comes

0:17:27.600 --> 0:17:29.919
<v Speaker 1>down a bit after that first season. That first season

0:17:30.000 --> 0:17:34.000
<v Speaker 1>is but it got hello magical, but women come yea,

0:17:34.160 --> 0:17:36.359
<v Speaker 1>the sex came down, and then it was like fairies

0:17:36.480 --> 0:17:40.359
<v Speaker 1>and all that. You know, any of those Sukie Stackhouse books,

0:17:40.480 --> 0:17:43.240
<v Speaker 1>so very similar to the Game of Thrones. The books

0:17:43.280 --> 0:17:47.520
<v Speaker 1>are like those books are like you know, you're they're

0:17:47.640 --> 0:17:51.040
<v Speaker 1>very lots of sex scenes, very very into it. Like

0:17:51.119 --> 0:17:54.679
<v Speaker 1>it wasn't quite shades of it wasn't quite there, but

0:17:54.720 --> 0:17:57.800
<v Speaker 1>it definitely was like the book club was like, oh,

0:17:57.880 --> 0:18:00.159
<v Speaker 1>we're gonna read about this type of stuff. And I

0:18:00.200 --> 0:18:03.440
<v Speaker 1>only knew about it because I was funny enough. True

0:18:03.440 --> 0:18:07.560
<v Speaker 1>Blood was deep into my headspace because the person I

0:18:07.640 --> 0:18:09.280
<v Speaker 1>was dating at the time was a big fan of

0:18:09.280 --> 0:18:12.040
<v Speaker 1>the Sukie Stackhouse books, big fan, and you know, she

0:18:12.160 --> 0:18:14.360
<v Speaker 1>was from Utah, so you know, that was real spicy

0:18:14.400 --> 0:18:18.080
<v Speaker 1>out there. They're like, hold up, hold up, We're getting

0:18:18.280 --> 0:18:21.600
<v Speaker 1>getting a little taste there. So yeah, that's and I think, yeah,

0:18:21.680 --> 0:18:24.240
<v Speaker 1>the same thing where you just ground it in enough

0:18:24.320 --> 0:18:27.280
<v Speaker 1>reality and kind of almost in the same way the

0:18:27.359 --> 0:18:29.480
<v Speaker 1>m CU kind of pulls in regular people where you

0:18:29.520 --> 0:18:32.159
<v Speaker 1>just kind of find that other genre. So there is

0:18:32.240 --> 0:18:36.600
<v Speaker 1>this at its core if you eject all of the magic.

0:18:36.640 --> 0:18:38.959
<v Speaker 1>Game of Thrones is a show about politics, and I

0:18:39.000 --> 0:18:41.960
<v Speaker 1>think True Blood was about kind of like a soap

0:18:42.000 --> 0:18:45.320
<v Speaker 1>opera that but like that, I don't. I hate using

0:18:45.359 --> 0:18:48.400
<v Speaker 1>the term because we kind of I want to say,

0:18:48.440 --> 0:18:51.880
<v Speaker 1>like high soap soap opera, because there are like soap

0:18:51.960 --> 0:18:55.600
<v Speaker 1>opera s shows that seem more mainstream than actual soap operas.

0:18:55.760 --> 0:18:57.720
<v Speaker 1>But I think it's you just call it soap opera

0:18:57.800 --> 0:19:00.400
<v Speaker 1>because you know the new thing that was saying with

0:19:00.680 --> 0:19:04.480
<v Speaker 1>movies like Hereditary and and Us, should there be a

0:19:04.560 --> 0:19:06.960
<v Speaker 1>term called elevated horrors? Like no, it's horror. It's the

0:19:07.000 --> 0:19:09.359
<v Speaker 1>same horror. Just because you feel smarter doesn't mean you

0:19:09.400 --> 0:19:12.199
<v Speaker 1>have to char and alienate people when you like it.

0:19:12.320 --> 0:19:14.760
<v Speaker 1>So that's why I was against calling it like high

0:19:14.800 --> 0:19:17.960
<v Speaker 1>soap opera, but like, yeah, that's soap opera. Yeah. But

0:19:18.000 --> 0:19:20.800
<v Speaker 1>you're right, Danny, that that show ended, and it left

0:19:20.800 --> 0:19:23.320
<v Speaker 1>the people that watched True Blood with horn am I

0:19:23.359 --> 0:19:26.240
<v Speaker 1>going to do on Sunday nights? I was one of

0:19:26.240 --> 0:19:27.960
<v Speaker 1>those people. I mean, I watched True Blood to the

0:19:28.040 --> 0:19:29.440
<v Speaker 1>end even though I was like, this show is not

0:19:29.480 --> 0:19:32.040
<v Speaker 1>good anymore, and I don't care. I'm still watching it,

0:19:32.280 --> 0:19:33.679
<v Speaker 1>And yeah, then what am I going to do with

0:19:33.720 --> 0:19:36.359
<v Speaker 1>my Sunday nights boom game of Throat? So moving on

0:19:36.440 --> 0:19:41.840
<v Speaker 1>to season three, pretty brutal, pretty brutal, you know, just

0:19:41.880 --> 0:19:45.040
<v Speaker 1>the Red Wedding, No big deal. So yeah, Season three

0:19:45.040 --> 0:19:47.040
<v Speaker 1>brings the Red Wedding, which I think was another moment

0:19:47.080 --> 0:19:50.359
<v Speaker 1>for people, like Ned's execution, where you're like, oh man,

0:19:50.720 --> 0:19:53.439
<v Speaker 1>they can totally slaughter all the guys and wherever I

0:19:53.480 --> 0:19:56.600
<v Speaker 1>thought this story was going, yes it's not. Oh boy.

0:19:56.720 --> 0:19:59.840
<v Speaker 1>That was one of the most there's nothing better than

0:20:00.000 --> 0:20:04.879
<v Speaker 1>your book smugness, you know when when that because like

0:20:04.960 --> 0:20:07.360
<v Speaker 1>everyone who read the book knew it was coming, and

0:20:07.440 --> 0:20:09.960
<v Speaker 1>so like when people were freaking out over like Nettos,

0:20:11.359 --> 0:20:14.240
<v Speaker 1>you ain't even ready, You ain't even right because even

0:20:14.240 --> 0:20:17.640
<v Speaker 1>in the book it's so it really I didn't I'd

0:20:18.000 --> 0:20:22.000
<v Speaker 1>never watch Red reading. I only read it. Reading it,

0:20:22.000 --> 0:20:24.920
<v Speaker 1>it really sets you up. You really think, oh, this

0:20:25.000 --> 0:20:27.680
<v Speaker 1>is the moment they're coming together, We're about the Vultron

0:20:27.720 --> 0:20:32.359
<v Speaker 1>and take over and everything just goes south. Yeah, and

0:20:32.480 --> 0:20:36.200
<v Speaker 1>I imagine the show set the same thing up, especially

0:20:36.240 --> 0:20:40.160
<v Speaker 1>because once again, the I think the popularity of Game

0:20:40.200 --> 0:20:44.359
<v Speaker 1>of Thrones is it subverts our expectation of how heroes

0:20:44.640 --> 0:20:47.960
<v Speaker 1>fight villains and how it's supposed to work, and the

0:20:48.000 --> 0:20:50.600
<v Speaker 1>Red Wedding is one of the biggest brutal. I think

0:20:50.600 --> 0:20:52.600
<v Speaker 1>it's so cool though, that that will ever be in

0:20:52.680 --> 0:20:56.359
<v Speaker 1>pop culture history, right, wedding even if you're not a

0:20:56.359 --> 0:20:58.000
<v Speaker 1>game of throat, Like you know what it's from and

0:20:58.040 --> 0:21:00.360
<v Speaker 1>you know what it stands for, like what it means.

0:21:00.640 --> 0:21:02.760
<v Speaker 1>I just think that's so cool to have like forever

0:21:02.920 --> 0:21:06.439
<v Speaker 1>altered film and media or like media history. Yeah, the

0:21:06.480 --> 0:21:09.040
<v Speaker 1>Red Wedding is a big freaking deal, and I do

0:21:09.160 --> 0:21:11.439
<v Speaker 1>think that it hit all the show hatchers by sermon.

0:21:11.480 --> 0:21:15.199
<v Speaker 1>It was super fun to because how many people was like,

0:21:15.320 --> 0:21:18.600
<v Speaker 1>I'm never watching, like you ever watching again. I was

0:21:18.640 --> 0:21:20.840
<v Speaker 1>actually watching it with Meg Tourney, who I don't know

0:21:20.880 --> 0:21:22.919
<v Speaker 1>if either of you know Meg, but she was one

0:21:22.920 --> 0:21:25.040
<v Speaker 1>of my old co hosts on Source fed Nerd, and

0:21:25.119 --> 0:21:27.240
<v Speaker 1>she hadn't read the books and I had, and so

0:21:27.320 --> 0:21:29.240
<v Speaker 1>we're watching it and she's like on her phone and

0:21:29.240 --> 0:21:31.840
<v Speaker 1>I'm like, hey, hey, pay attention right now, pay attention.

0:21:31.840 --> 0:21:33.760
<v Speaker 1>You're gonna want to see this. And I wish that

0:21:33.800 --> 0:21:39.400
<v Speaker 1>I had figured reaction because she lost her mind. Um,

0:21:39.440 --> 0:21:41.760
<v Speaker 1>but yeah, that's that's how every was. And I giggled

0:21:41.800 --> 0:21:45.320
<v Speaker 1>like a fool watching people's reactions online because well, because

0:21:45.359 --> 0:21:47.640
<v Speaker 1>I went through it too, I went through years earlier

0:21:47.640 --> 0:21:50.240
<v Speaker 1>when I read it. In the books, there is always

0:21:50.320 --> 0:21:53.080
<v Speaker 1>something too, of like reading something shocking because you're like,

0:21:53.280 --> 0:21:57.240
<v Speaker 1>h turn page. Oh my god, what turn the page.

0:21:57.400 --> 0:21:59.800
<v Speaker 1>What is this? I remember reading it when I was

0:21:59.840 --> 0:22:01.639
<v Speaker 1>on lunch break from a job and I was like

0:22:01.680 --> 0:22:03.200
<v Speaker 1>almost at the end of my thirty minutes, and I

0:22:03.240 --> 0:22:05.639
<v Speaker 1>was like, no, no, I must keep reading. Not done yet.

0:22:06.320 --> 0:22:09.440
<v Speaker 1>And I really want to touch on what Danny said,

0:22:09.480 --> 0:22:11.760
<v Speaker 1>because I think that is true. That is such a

0:22:11.840 --> 0:22:16.320
<v Speaker 1>big moment, and it's something that when you can have

0:22:16.640 --> 0:22:20.639
<v Speaker 1>one phrase or one word that will let everyone know,

0:22:21.119 --> 0:22:23.919
<v Speaker 1>like people who probably don't even watch Game of Thrones

0:22:24.000 --> 0:22:26.280
<v Speaker 1>know what the Red Wedding was because it just blew

0:22:26.359 --> 0:22:29.880
<v Speaker 1>up the internet, so everyone had to find out what

0:22:29.960 --> 0:22:33.800
<v Speaker 1>this thing was. Uh, And moments like that are interesting

0:22:33.840 --> 0:22:37.159
<v Speaker 1>because like I never watched the Star Wars trilogy growing up.

0:22:37.240 --> 0:22:40.600
<v Speaker 1>I just you know, that just wasn't nothing. My dad

0:22:40.840 --> 0:22:44.119
<v Speaker 1>showed me because he never cared about it. And I

0:22:44.200 --> 0:22:47.159
<v Speaker 1>watched it maybe five or six years ago and It

0:22:47.240 --> 0:22:51.560
<v Speaker 1>was interesting watching the movie knowing everything that was gonna

0:22:51.640 --> 0:22:54.520
<v Speaker 1>I knew that Darth Vader was Luke's father. I knew that,

0:22:54.720 --> 0:22:57.119
<v Speaker 1>but to watch it play out it was cool to

0:22:57.280 --> 0:22:59.000
<v Speaker 1>even see things where I was like, oh, that's where

0:22:59.000 --> 0:23:02.920
<v Speaker 1>that's from. Yeah, that is cool. That's super cool. Yeah.

0:23:03.000 --> 0:23:06.000
<v Speaker 1>I mean there's a lot of theories and what some

0:23:06.040 --> 0:23:09.440
<v Speaker 1>people have as expectations for what this season could entail.

0:23:09.680 --> 0:23:12.119
<v Speaker 1>Do either of you have any theories or guesses of

0:23:12.160 --> 0:23:16.000
<v Speaker 1>what you you think John's taking it all and I

0:23:16.080 --> 0:23:18.000
<v Speaker 1>think John's taking it all and it's going to reset

0:23:18.119 --> 0:23:21.560
<v Speaker 1>or we're gonna have one huge apocalyptic event. And my

0:23:21.680 --> 0:23:24.560
<v Speaker 1>big hail Mary is that Brand's gonna go back in

0:23:24.640 --> 0:23:27.400
<v Speaker 1>time and Ned starts going to say, no, I don't

0:23:27.400 --> 0:23:34.920
<v Speaker 1>want to go to King's Landing and nothing. What They're

0:23:34.960 --> 0:23:36.800
<v Speaker 1>going to be able to defend it because Ned, because

0:23:36.840 --> 0:23:39.960
<v Speaker 1>remember Ned believed in protecting the Wall, so they'll they'll

0:23:39.960 --> 0:23:43.040
<v Speaker 1>defend it because Ned will send the required forces. It's

0:23:43.080 --> 0:23:45.639
<v Speaker 1>just gonna reset everything where it's just gonna be like

0:23:45.840 --> 0:23:48.439
<v Speaker 1>you remember what was that one? I forget? It was

0:23:48.480 --> 0:23:50.800
<v Speaker 1>a horror movie where like every time you made her

0:23:50.920 --> 0:23:53.960
<v Speaker 1>wish it would go bad and then like you were

0:23:54.000 --> 0:23:56.199
<v Speaker 1>tortured in the end of the movie where she was like,

0:23:56.400 --> 0:23:59.240
<v Speaker 1>I wish that one driver wasn't drunk on the job

0:23:59.320 --> 0:24:02.639
<v Speaker 1>and nothing ever happened there you go. I mean, we

0:24:02.680 --> 0:24:04.600
<v Speaker 1>could have something like that. There's a big theory that

0:24:04.680 --> 0:24:08.040
<v Speaker 1>Brand is actually the Night King because he tries to

0:24:08.080 --> 0:24:09.920
<v Speaker 1>go back in time to be the guy that is

0:24:09.960 --> 0:24:12.480
<v Speaker 1>the guy that's turned into the Night King um and

0:24:12.520 --> 0:24:15.320
<v Speaker 1>then get stuck in that body and turn into the

0:24:15.400 --> 0:24:18.719
<v Speaker 1>Night King. So there's two brands coexisting simultaneously. But we

0:24:18.800 --> 0:24:22.480
<v Speaker 1>have no reason to believe that two brands can coexist simultaneously,

0:24:22.480 --> 0:24:24.719
<v Speaker 1>which is kind of the debunk for that theory, if

0:24:24.720 --> 0:24:26.320
<v Speaker 1>you will. But there's a lot of people in the

0:24:26.320 --> 0:24:28.800
<v Speaker 1>Brand is the Night King camp or that Brand is

0:24:28.840 --> 0:24:31.680
<v Speaker 1>going to become the Night King, because why is the

0:24:31.760 --> 0:24:33.760
<v Speaker 1>Night King so intent on killing the Three Eyed Raven?

0:24:35.520 --> 0:24:37.280
<v Speaker 1>We don't know. I just don't want anything to happen

0:24:37.280 --> 0:24:39.320
<v Speaker 1>to Danny. I feel very connected to her as we

0:24:39.359 --> 0:24:41.639
<v Speaker 1>share the same name, and I played her in a

0:24:41.680 --> 0:24:45.000
<v Speaker 1>Game of Thrones roast at Meltdown, which I think might

0:24:45.080 --> 0:24:49.920
<v Speaker 1>be up on YouTube somewhere. I hope you're enjoying these

0:24:50.080 --> 0:24:56.280
<v Speaker 1>dope apps. But even when it's a flashback clip episode.

0:24:56.359 --> 0:24:58.920
<v Speaker 1>We still need to pause for a break, so we'll

0:24:58.960 --> 0:25:10.399
<v Speaker 1>see when we get back. All right, welcome back to

0:25:10.680 --> 0:25:14.120
<v Speaker 1>the best of Nerdificent, Part one. I hope you're enjoying it.

0:25:14.280 --> 0:25:19.960
<v Speaker 1>Let's get back to the hits and can you describe what? Yes? Okay? Um,

0:25:19.960 --> 0:25:23.920
<v Speaker 1>So Hector actually has flash cards like trading cards, trading

0:25:23.960 --> 0:25:27.320
<v Speaker 1>cards of every character. I kid you, not every character

0:25:27.359 --> 0:25:30.879
<v Speaker 1>that has ever appeared in the m c U, including

0:25:31.000 --> 0:25:34.480
<v Speaker 1>side people that got killed in three seconds. Um, they're

0:25:34.560 --> 0:25:37.240
<v Speaker 1>all here and he is placing them all out right

0:25:37.280 --> 0:25:43.040
<v Speaker 1>now on our large desk. Um, so this is we

0:25:43.119 --> 0:25:44.679
<v Speaker 1>have the ancient one I'm trying to look for, like

0:25:44.680 --> 0:25:51.960
<v Speaker 1>a in the Alexander here's deceased. Oh yeah, and he

0:25:52.040 --> 0:25:56.040
<v Speaker 1>has decimated next to Peter Parker. Um, that is that

0:25:56.080 --> 0:25:58.679
<v Speaker 1>what we're calling the dustin. That's what Marvel's calling it

0:25:58.760 --> 0:26:02.119
<v Speaker 1>is the decimation. Okay, Well, let's take a quick second

0:26:02.160 --> 0:26:04.760
<v Speaker 1>before we jump into this. There's two things I want

0:26:04.760 --> 0:26:06.960
<v Speaker 1>to do. First. Up top. You might be listening as wondering,

0:26:07.119 --> 0:26:09.240
<v Speaker 1>is this like another recap. It's like no, this is

0:26:09.280 --> 0:26:12.200
<v Speaker 1>more of a hype episode as of right now. This

0:26:12.400 --> 0:26:18.200
<v Speaker 1>Friday question Mark, Well, I will as you're listening to this.

0:26:19.040 --> 0:26:24.080
<v Speaker 1>I saw it last night at the premiere in case

0:26:24.119 --> 0:26:26.359
<v Speaker 1>I died, and this is the last recording of my

0:26:26.440 --> 0:26:30.199
<v Speaker 1>voice I did. I did die out on top. So

0:26:30.320 --> 0:26:33.800
<v Speaker 1>as of right now, this Friday end game is coming

0:26:33.800 --> 0:26:36.680
<v Speaker 1>out and this is just us kind of talking about

0:26:36.680 --> 0:26:39.840
<v Speaker 1>our favorite moments. Really just a hype episode, as you know,

0:26:40.160 --> 0:26:43.560
<v Speaker 1>you know, you don't need a structure to everything. That's

0:26:43.720 --> 0:26:48.520
<v Speaker 1>you know, that's that's that's what what fascist want, uh true,

0:26:49.280 --> 0:26:52.119
<v Speaker 1>this is just a pure hype episode and also just

0:26:52.160 --> 0:26:54.639
<v Speaker 1>to catch up and what better way, this is the

0:26:54.680 --> 0:26:56.920
<v Speaker 1>perfect way to book in the last episode, we did

0:26:56.920 --> 0:26:59.520
<v Speaker 1>what we did, run through each m c U. However,

0:27:00.520 --> 0:27:04.200
<v Speaker 1>there were two movies that happened between the last episode

0:27:04.240 --> 0:27:06.640
<v Speaker 1>we have You and now, so before we even jump

0:27:06.680 --> 0:27:09.119
<v Speaker 1>into our favorite moments, let's kind of talk about what

0:27:09.240 --> 0:27:11.800
<v Speaker 1>happened and how we felt about them. Because because because

0:27:11.840 --> 0:27:14.200
<v Speaker 1>because we're counting Infinity War too, because we didn't guess, yeah,

0:27:14.200 --> 0:27:16.960
<v Speaker 1>we didn't talk about it, so three movies between that.

0:27:17.320 --> 0:27:21.919
<v Speaker 1>So after our episode, Infinity War came out and that

0:27:22.480 --> 0:27:24.920
<v Speaker 1>this was It's funny because I feel like everyone at

0:27:24.960 --> 0:27:28.520
<v Speaker 1>this table had strong emotions about it. I were we

0:27:28.640 --> 0:27:30.920
<v Speaker 1>in the Did we watch it together, Danny, I think

0:27:30.960 --> 0:27:36.400
<v Speaker 1>we watched it together. Yeah, yeah, you watched it before

0:27:36.480 --> 0:27:38.840
<v Speaker 1>me and then again with I feel like I invited

0:27:39.000 --> 0:27:41.680
<v Speaker 1>I have invited you to like every premiere, but you

0:27:41.760 --> 0:27:44.720
<v Speaker 1>were you like had rooms you were writing it. YEA, yeah,

0:27:44.800 --> 0:27:46.520
<v Speaker 1>I know I was busy. I'm not I'm not I'm

0:27:46.560 --> 0:27:48.359
<v Speaker 1>not trying to blast you or anything. I was just

0:27:48.440 --> 0:27:53.800
<v Speaker 1>as asking. So I remember that movie was a wild ride.

0:27:54.040 --> 0:27:56.879
<v Speaker 1>That the Infinity War was the morning I think about.

0:27:56.920 --> 0:28:01.320
<v Speaker 1>It was such a wild ride and everything it introduced.

0:28:01.359 --> 0:28:04.879
<v Speaker 1>I feel like it did flawlessly, and just the ending,

0:28:05.320 --> 0:28:08.399
<v Speaker 1>even though you kind of felt something like that, like

0:28:08.440 --> 0:28:10.680
<v Speaker 1>I didn't know the decimation was gonna happen, but I

0:28:10.720 --> 0:28:14.120
<v Speaker 1>knew something that would be such a huge cliffhanger since

0:28:14.160 --> 0:28:17.240
<v Speaker 1>they was gonna be two parts was gonna happen, and

0:28:18.119 --> 0:28:20.679
<v Speaker 1>it happened, and even the way it happened kind of

0:28:20.760 --> 0:28:24.439
<v Speaker 1>just shook everything up because they really did get us.

0:28:24.440 --> 0:28:27.639
<v Speaker 1>They hit us with the debate there, because you get

0:28:28.160 --> 0:28:31.120
<v Speaker 1>Fanos getting axed and we're like, oh, we actually did

0:28:31.200 --> 0:28:33.440
<v Speaker 1>do it or did it yeah? And then it was

0:28:33.520 --> 0:28:37.800
<v Speaker 1>like gotcha snappy snap. It was Um. That movie is

0:28:37.800 --> 0:28:40.920
<v Speaker 1>amazing and it's such a fun like and then at

0:28:40.920 --> 0:28:43.760
<v Speaker 1>the end gets depressing, but it's still such a fun ride,

0:28:43.840 --> 0:28:45.120
<v Speaker 1>is how you put it. I think it's a perfect

0:28:45.120 --> 0:28:47.240
<v Speaker 1>way to describe it, if because it's just like it's

0:28:47.280 --> 0:28:49.800
<v Speaker 1>just a huge victory lab form Marvel. It's just them

0:28:49.840 --> 0:28:51.840
<v Speaker 1>going look at ten years of characters that we built

0:28:51.920 --> 0:28:54.200
<v Speaker 1>up that like, you care about a talking raccoon, you

0:28:54.280 --> 0:28:56.280
<v Speaker 1>care about Ok, yeah, you just met her in the

0:28:56.360 --> 0:28:58.600
<v Speaker 1>last movie. You just met and Baku in the last movie.

0:28:58.600 --> 0:29:01.120
<v Speaker 1>You're gonna be stoked to see him show up, you know,

0:29:01.240 --> 0:29:04.360
<v Speaker 1>on the field. And and it was it handled. It

0:29:04.440 --> 0:29:08.000
<v Speaker 1>juggled characters and storylines so well. It carried over tones

0:29:08.080 --> 0:29:10.400
<v Speaker 1>from from previous movies like Thor Ragnock, which you finally

0:29:10.400 --> 0:29:12.400
<v Speaker 1>got around to seeing and you did you dig it

0:29:12.720 --> 0:29:15.320
<v Speaker 1>of course great? So like that that ty y t

0:29:15.320 --> 0:29:18.400
<v Speaker 1>t sort of version of Thor pretty much carried through

0:29:18.440 --> 0:29:21.000
<v Speaker 1>into Infinity War. But it was also still like the

0:29:21.080 --> 0:29:23.720
<v Speaker 1>Mighty like it. Not that Ragnock Thor is any different,

0:29:23.760 --> 0:29:25.840
<v Speaker 1>but this was like that Thor. And then all of

0:29:25.840 --> 0:29:27.840
<v Speaker 1>his family gets killed at the beginning, and now now

0:29:27.880 --> 0:29:29.320
<v Speaker 1>what are the stakes and what does he have to

0:29:29.320 --> 0:29:33.240
<v Speaker 1>deal with um? And it was, um, it was mind blowing,

0:29:33.240 --> 0:29:36.520
<v Speaker 1>and then easily became my favorite movie in the franchise

0:29:36.600 --> 0:29:38.680
<v Speaker 1>thus far. Again, I don't think it's the best one.

0:29:39.200 --> 0:29:41.840
<v Speaker 1>But you have to judge these movies on a couple

0:29:41.840 --> 0:29:43.479
<v Speaker 1>of different things, and one of the things you cannot

0:29:43.480 --> 0:29:46.400
<v Speaker 1>ignore is like they're all building on one another. They're

0:29:46.440 --> 0:29:47.960
<v Speaker 1>able to do a thing that not a lot of

0:29:47.960 --> 0:29:50.400
<v Speaker 1>movie franchise is barely any in fact, are able to

0:29:50.440 --> 0:29:53.160
<v Speaker 1>pull off so flawlessly, and even though they have flaws,

0:29:53.160 --> 0:29:55.000
<v Speaker 1>they correct, the course, correct and they just kind of

0:29:55.040 --> 0:29:57.720
<v Speaker 1>keep going. So that yeah, Infinity War is not a

0:29:57.760 --> 0:30:00.400
<v Speaker 1>normal movie. It is a movie that takes place after

0:30:00.520 --> 0:30:03.240
<v Speaker 1>ten years of building one or two or three movies

0:30:03.240 --> 0:30:06.720
<v Speaker 1>a year about audio media on on YouTube, I'm holding

0:30:06.800 --> 0:30:11.240
<v Speaker 1>up a picture of Carol Dann also made a billion dollars.

0:30:11.280 --> 0:30:15.520
<v Speaker 1>A billion dollars. Hector has been punctuating his statements with

0:30:16.080 --> 0:30:17.960
<v Speaker 1>characters that it's not about you, and I held up

0:30:18.000 --> 0:30:19.960
<v Speaker 1>a picture of the ancient one from that no one

0:30:20.000 --> 0:30:25.400
<v Speaker 1>saw it, but yeah, no, this is let's yeah, we

0:30:25.440 --> 0:30:31.400
<v Speaker 1>have one more movie. Homely mom. I was I loved

0:30:31.400 --> 0:30:34.720
<v Speaker 1>it so cool much. I mean, everyone had like certain gripes,

0:30:34.920 --> 0:30:37.040
<v Speaker 1>but there are certain things that made me love it

0:30:37.200 --> 0:30:40.400
<v Speaker 1>so much, Like that moment at the end, I mean,

0:30:40.440 --> 0:30:44.280
<v Speaker 1>at this point, you know we're in sport. Look listen

0:30:45.520 --> 0:30:50.480
<v Speaker 1>where she stands out the moment, which where I think

0:30:50.560 --> 0:30:53.480
<v Speaker 1>the moment after that when that guys like all right

0:30:53.800 --> 0:30:57.120
<v Speaker 1>Mona LiMnO, which is such a classic movie trope, and

0:30:57.200 --> 0:30:59.480
<v Speaker 1>her just blasting him, I'm like, thank you, because every

0:30:59.480 --> 0:31:01.320
<v Speaker 1>time that had in the movie, I just want that

0:31:01.360 --> 0:31:04.240
<v Speaker 1>to happen, and also for it to also have this

0:31:04.320 --> 0:31:07.440
<v Speaker 1>meaning because you know that that was like a spoiler

0:31:07.560 --> 0:31:10.720
<v Speaker 1>that was just definitely mirroring all this, all those like

0:31:10.800 --> 0:31:14.040
<v Speaker 1>all right, guys to AOC's talking about debate me, It's like, no,

0:31:14.200 --> 0:31:16.360
<v Speaker 1>I have nothing to prove to you. I'm in office,

0:31:16.400 --> 0:31:18.720
<v Speaker 1>you're a TV talking head. What what do I get

0:31:18.720 --> 0:31:20.560
<v Speaker 1>out of debating you. I think it's pretty cool to

0:31:20.600 --> 0:31:23.160
<v Speaker 1>see a big movie, superheran movie like this. The past

0:31:23.160 --> 0:31:25.080
<v Speaker 1>couple of movies have provided me with some of my

0:31:25.160 --> 0:31:29.320
<v Speaker 1>favorite movies and favorite moments. Um. I've been rewatching stuff

0:31:29.360 --> 0:31:32.400
<v Speaker 1>like Thor Ragnarok, Black Panther, like these movies are really

0:31:32.640 --> 0:31:34.520
<v Speaker 1>I'm like loving more and more and more. And Captain

0:31:34.520 --> 0:31:36.160
<v Speaker 1>Marvel is going to be one of those where I

0:31:36.160 --> 0:31:37.960
<v Speaker 1>think it's a big deal that we saw a woman

0:31:38.000 --> 0:31:40.680
<v Speaker 1>actually say that in a movie like this, this genre,

0:31:40.800 --> 0:31:42.560
<v Speaker 1>to go, I have nothing to prove to you. To

0:31:42.560 --> 0:31:44.400
<v Speaker 1>say that to a man. That might not be a

0:31:44.400 --> 0:31:46.640
<v Speaker 1>big deal to a lot of dudes, but I feel

0:31:46.640 --> 0:31:47.760
<v Speaker 1>like it's gonna be a big deal to a lot

0:31:47.840 --> 0:31:49.400
<v Speaker 1>of young women to see that, to go, oh, I

0:31:49.440 --> 0:31:52.680
<v Speaker 1>can just say that great. So my biggest issue was

0:31:52.840 --> 0:31:55.560
<v Speaker 1>people comparing it to Wonder Woman. I'm like, they are

0:31:55.720 --> 0:31:57.320
<v Speaker 1>literally not the same at all. They don't have the

0:31:57.360 --> 0:32:00.560
<v Speaker 1>same origin story, they don't have the same like characters,

0:32:00.560 --> 0:32:02.440
<v Speaker 1>Like they're not even from one. Wonder Woman was a

0:32:02.480 --> 0:32:06.840
<v Speaker 1>period piece in my opinion, it was a war movie.

0:32:07.000 --> 0:32:09.960
<v Speaker 1>It's like, not the same at all. And Kevin Faiki said, no,

0:32:10.000 --> 0:32:11.880
<v Speaker 1>we're going to go in with her already with Captain

0:32:11.880 --> 0:32:14.920
<v Speaker 1>Marvel already having her powers, and like it just it

0:32:15.000 --> 0:32:17.480
<v Speaker 1>was so I'm like, that actually shows me that you're

0:32:17.520 --> 0:32:19.840
<v Speaker 1>not as well versed in comics. If you're trying to

0:32:19.840 --> 0:32:22.480
<v Speaker 1>compare to randomly just because they're women, that's the only

0:32:22.480 --> 0:32:24.400
<v Speaker 1>thing you have to compare it. I think I think

0:32:24.400 --> 0:32:27.600
<v Speaker 1>it's a it's a frequent thing um people that are

0:32:27.720 --> 0:32:30.080
<v Speaker 1>upset that the status quo is being challenged. Whether they

0:32:30.080 --> 0:32:32.280
<v Speaker 1>know it or not, they subconsciously do that. They'll pick

0:32:32.320 --> 0:32:34.760
<v Speaker 1>a thing against another thing. I'm a big trekky and

0:32:34.840 --> 0:32:37.080
<v Speaker 1>every time I talk about how I'm really enjoying Star

0:32:37.160 --> 0:32:39.920
<v Speaker 1>Trek Discovery, then you show people always jump in and

0:32:40.000 --> 0:32:41.800
<v Speaker 1>let me know, a it's not as good as The Orville,

0:32:42.040 --> 0:32:44.440
<v Speaker 1>And I'm going, well, then do you really like the Orville?

0:32:44.480 --> 0:32:46.600
<v Speaker 1>Are you really learning lessons on like how to be

0:32:46.640 --> 0:32:48.960
<v Speaker 1>a better person from shows like that or are you

0:32:49.040 --> 0:32:51.320
<v Speaker 1>just trying to dunk on my thing, you know, and

0:32:51.360 --> 0:32:53.719
<v Speaker 1>make yourself feel better about your thing, like by pitting

0:32:53.720 --> 0:32:55.640
<v Speaker 1>two against each other when you don't really have to

0:32:55.680 --> 0:32:57.880
<v Speaker 1>do that. When the new Star Trek show was announced

0:32:57.880 --> 0:32:59.840
<v Speaker 1>and it was going to have a black female lead,

0:33:00.280 --> 0:33:01.840
<v Speaker 1>I saw a lot of people online go, yeah, well

0:33:01.920 --> 0:33:03.440
<v Speaker 1>Deep Space nine did it, and I'm like, yeah, that

0:33:03.520 --> 0:33:06.480
<v Speaker 1>was twenty years ago. We're not done, you know, making

0:33:06.480 --> 0:33:08.479
<v Speaker 1>movies with black leads or making shows with black lead

0:33:08.560 --> 0:33:09.880
<v Speaker 1>just because they did it and it were premiered in

0:33:10.920 --> 0:33:13.840
<v Speaker 1>like Blade movies are done. Blade movies are great, and

0:33:13.880 --> 0:33:16.240
<v Speaker 1>we should give credit to Blade for being the sort

0:33:16.240 --> 0:33:18.760
<v Speaker 1>of the movie that really jump started Hollywood going let's

0:33:18.760 --> 0:33:21.000
<v Speaker 1>make a bunch of superhero comic book movies. But Blade

0:33:21.040 --> 0:33:22.720
<v Speaker 1>is not on my table right now, and that's a problem.

0:33:22.760 --> 0:33:24.360
<v Speaker 1>So we need a new Blade, Like we're not done

0:33:24.440 --> 0:33:27.320
<v Speaker 1>with black superhero characters just because three Blade movies were made.

0:33:27.640 --> 0:33:30.000
<v Speaker 1>You know, for me, it was just like their Carol

0:33:30.120 --> 0:33:33.360
<v Speaker 1>and Diana could not be more different, so to even

0:33:33.440 --> 0:33:36.320
<v Speaker 1>their films shouldn't feel the same period. Their films shouldn't

0:33:36.360 --> 0:33:38.920
<v Speaker 1>be the same. They're not the same character, and they don't.

0:33:39.040 --> 0:33:40.640
<v Speaker 1>They only think the only thing that's the same is

0:33:40.680 --> 0:33:45.200
<v Speaker 1>that they're both the first female character of a respective word.

0:33:45.480 --> 0:33:47.680
<v Speaker 1>That's their thing. But it's like annoying to me that

0:33:47.720 --> 0:33:49.320
<v Speaker 1>one had to be better than the other and all

0:33:49.360 --> 0:33:52.040
<v Speaker 1>these conversations. So the same thing happened with She'sam because

0:33:52.040 --> 0:33:53.960
<v Speaker 1>you know, she Zam used to be Captain Marvel. Oh,

0:33:54.160 --> 0:33:55.840
<v Speaker 1>I like she's a better I like Captain Marvel better.

0:33:55.840 --> 0:33:58.240
<v Speaker 1>It's like, shut up. I'm very happy that they that

0:33:58.320 --> 0:34:00.480
<v Speaker 1>they both exist. I'm happy if they both exist, but

0:34:00.480 --> 0:34:03.160
<v Speaker 1>that they all cheered each other on, like Gal Gadote

0:34:03.200 --> 0:34:07.000
<v Speaker 1>cheered on um, Bree Larson like tweeted about it. You know,

0:34:07.080 --> 0:34:10.640
<v Speaker 1>Brie Larson like cheered on Zachary Levi Zachary Levi cheered

0:34:10.640 --> 0:34:13.880
<v Speaker 1>on Brie Larson, like, they're adults that are making a

0:34:13.920 --> 0:34:15.880
<v Speaker 1>lot of money too, so they don't actually care about

0:34:15.880 --> 0:34:19.720
<v Speaker 1>all of your growth. Yep. I like the bread crumbs,

0:34:19.760 --> 0:34:22.320
<v Speaker 1>but a whole different set of breadcrumbs, because I sniffed

0:34:22.320 --> 0:34:25.560
<v Speaker 1>those Civil War breadcrumbs from the jump, and because you know,

0:34:25.600 --> 0:34:28.279
<v Speaker 1>it was so very similar to what happened in the

0:34:28.320 --> 0:34:31.120
<v Speaker 1>comics Civil War just heroes trying to do some stuff

0:34:31.360 --> 0:34:34.359
<v Speaker 1>causing mass, mass destruction and the government be like yep.

0:34:34.719 --> 0:34:37.239
<v Speaker 1>And one thing I do like about Civil War, both

0:34:37.280 --> 0:34:39.759
<v Speaker 1>in the comics and the movies, is it's the most

0:34:39.920 --> 0:34:43.040
<v Speaker 1>grounded thing to ever happen in comics. Yeah, how long

0:34:43.120 --> 0:34:46.280
<v Speaker 1>would this go down without the government trying to get involved?

0:34:47.040 --> 0:34:51.320
<v Speaker 1>And I think it also flips it on on the

0:34:51.440 --> 0:34:55.120
<v Speaker 1>viewers and the readers because when you on paper, you

0:34:55.320 --> 0:34:57.640
<v Speaker 1>think Cat would be on the side of the government,

0:34:58.280 --> 0:35:00.719
<v Speaker 1>and then it and him not being on the side

0:35:00.719 --> 0:35:05.320
<v Speaker 1>of the government is such a strong message because everyone

0:35:05.400 --> 0:35:08.239
<v Speaker 1>thinks that Cap is this agent of the government. He's like, no,

0:35:08.360 --> 0:35:11.920
<v Speaker 1>he's an agent of good, which means that if the

0:35:12.000 --> 0:35:15.440
<v Speaker 1>government is good, And also the fact that Cap is

0:35:15.440 --> 0:35:18.399
<v Speaker 1>willing to go against the government is the most American

0:35:18.480 --> 0:35:21.160
<v Speaker 1>thing he can do. And I think people often forget that.

0:35:21.200 --> 0:35:25.640
<v Speaker 1>I feel like in the grand scope idea, Yeah, everyone

0:35:25.680 --> 0:35:30.360
<v Speaker 1>thinks that, you know, patriotism is being subservient to whoever's

0:35:30.400 --> 0:35:32.680
<v Speaker 1>in power in the government, and that is not the case.

0:35:33.000 --> 0:35:36.960
<v Speaker 1>We were. We were built on, you know, defiance. So

0:35:37.080 --> 0:35:39.120
<v Speaker 1>like the fact that it's like, no, this isn't right,

0:35:39.480 --> 0:35:42.680
<v Speaker 1>this is not this is this is not good. I

0:35:42.760 --> 0:35:45.680
<v Speaker 1>have to stand against it. And someone like Tony who

0:35:45.719 --> 0:35:50.160
<v Speaker 1>has always been like the opposite where he doesn't like control,

0:35:50.239 --> 0:35:53.280
<v Speaker 1>he doesn't like he is on the side of government

0:35:53.360 --> 0:35:57.000
<v Speaker 1>because he's the status quo. Yeah, it's such a beautiful

0:35:57.280 --> 0:35:59.600
<v Speaker 1>just even when he goes against the status quo, which

0:35:59.600 --> 0:36:01.319
<v Speaker 1>is the first Iron like the beginning of him being

0:36:01.320 --> 0:36:03.160
<v Speaker 1>Iron Man, where he's like, no, the suit and I

0:36:03.360 --> 0:36:05.880
<v Speaker 1>are one. It's me. I don't trust anybody with my

0:36:05.880 --> 0:36:09.640
<v Speaker 1>weapons except for me, he still has this mentality of like, well,

0:36:11.000 --> 0:36:14.120
<v Speaker 1>how can I change the He's not trying to affect

0:36:14.160 --> 0:36:16.920
<v Speaker 1>the status quo, he's just sort of controlling it on

0:36:16.960 --> 0:36:19.279
<v Speaker 1>his own by you know, by his own means, do

0:36:19.320 --> 0:36:20.919
<v Speaker 1>you know what I mean? Like and and in this movie,

0:36:21.000 --> 0:36:22.799
<v Speaker 1>we can just skip aunt Man real quick. This is

0:36:22.800 --> 0:36:25.160
<v Speaker 1>a great film. Aunt Man introduces us to Luise. But

0:36:25.200 --> 0:36:26.520
<v Speaker 1>my favorite moment and aunt Man is where at the

0:36:26.600 --> 0:36:28.000
<v Speaker 1>end of the film he goes, I love you, Cassie

0:36:28.160 --> 0:36:30.520
<v Speaker 1>and then shrinks into the micro verse to kill the

0:36:30.600 --> 0:36:33.320
<v Speaker 1>villain Yellow Jacket, or to destroy him, because then he

0:36:33.360 --> 0:36:35.520
<v Speaker 1>gets trapped in that cool little crazy dimension he has

0:36:35.560 --> 0:36:37.399
<v Speaker 1>to come back. Great little moment, but a little moment

0:36:37.400 --> 0:36:41.000
<v Speaker 1>of self sacrifice from Scott Lang. But back the Civil War. Oh,

0:36:41.040 --> 0:36:43.239
<v Speaker 1>I was just gonna say my question, because Civil War

0:36:43.400 --> 0:36:45.960
<v Speaker 1>the comics came out in like two thousand six. I

0:36:45.960 --> 0:36:49.840
<v Speaker 1>believe Um and Incredibles came out in two thousand four,

0:36:50.520 --> 0:36:53.000
<v Speaker 1>and you're a big brad bird person, and I feel

0:36:53.040 --> 0:36:55.360
<v Speaker 1>like those have similar It's kind of fascinating to me,

0:36:55.600 --> 0:36:58.200
<v Speaker 1>like the government stepping in and saying, you superheroes are

0:36:58.200 --> 0:37:01.160
<v Speaker 1>actually causing more harm than good. No more supers. Yeah, yeah,

0:37:01.200 --> 0:37:03.640
<v Speaker 1>no more super That's also an idea from Watchman Alan

0:37:03.640 --> 0:37:07.320
<v Speaker 1>Moore's six like and I think even in some Marvel,

0:37:07.360 --> 0:37:10.640
<v Speaker 1>in some DC comics, even before Watchman, they sort of

0:37:10.680 --> 0:37:12.600
<v Speaker 1>hinted at and explored at certain stuff. I know that

0:37:12.640 --> 0:37:14.200
<v Speaker 1>maybe it was in the eighties two, but it was

0:37:14.239 --> 0:37:16.640
<v Speaker 1>a superhero group in d C comics in World War

0:37:16.680 --> 0:37:19.520
<v Speaker 1>Two active during World War Two, called the Justice Society

0:37:19.560 --> 0:37:22.880
<v Speaker 1>of America. And then they revealed later that during the fifties,

0:37:23.080 --> 0:37:25.680
<v Speaker 1>McCarthy is m forced them to hang up their cape

0:37:26.040 --> 0:37:28.279
<v Speaker 1>because they didn't want to reveal their secret identities. And

0:37:28.280 --> 0:37:30.560
<v Speaker 1>they were but you know, are you are you Commies?

0:37:30.640 --> 0:37:32.440
<v Speaker 1>Are you Reds? And they're like, you know what this is?

0:37:32.480 --> 0:37:34.680
<v Speaker 1>BS Like, we're gonna We're not gonna work for the government,

0:37:34.719 --> 0:37:37.520
<v Speaker 1>We're gonna retire from being superheroes. So that so that

0:37:37.560 --> 0:37:39.960
<v Speaker 1>idea has kind of been floating around. But really the Incredibles,

0:37:40.440 --> 0:37:43.759
<v Speaker 1>you know, did a great job of mainstreaming it. And

0:37:43.960 --> 0:37:47.840
<v Speaker 1>Civil War the movie is different but similar in spirit

0:37:47.880 --> 0:37:50.080
<v Speaker 1>to the comic book, right, the details are different, the

0:37:50.120 --> 0:37:52.719
<v Speaker 1>details are different. Yeah, Infinity War. I loved all the humor.

0:37:52.719 --> 0:37:55.600
<v Speaker 1>I've said this before, you know, I understand that it

0:37:55.680 --> 0:37:59.279
<v Speaker 1>was upsetting slash traumatic, slash sad for people, but I

0:37:59.440 --> 0:38:02.480
<v Speaker 1>will aught so much through this film that how did

0:38:02.480 --> 0:38:05.080
<v Speaker 1>you react to the end though? Do you remember when

0:38:05.440 --> 0:38:07.960
<v Speaker 1>Fanos did it and then people started to disappear? Were

0:38:07.960 --> 0:38:12.040
<v Speaker 1>you laughing still laughing when when died? I laughed? Okay, listen.

0:38:12.719 --> 0:38:16.080
<v Speaker 1>The worst I didn't laugh listen. I was giggling a

0:38:16.120 --> 0:38:18.200
<v Speaker 1>tiny bit at the person in front of me who

0:38:18.280 --> 0:38:21.520
<v Speaker 1>was freaking out about it happening. And I understand, but

0:38:21.560 --> 0:38:24.440
<v Speaker 1>I just knew it would be okay. Come on, like

0:38:24.440 --> 0:38:27.480
<v Speaker 1>like we know a lot of these characters. I'm more

0:38:27.520 --> 0:38:30.480
<v Speaker 1>concerned with the with endgames. You couldn't let yourself you

0:38:30.680 --> 0:38:35.359
<v Speaker 1>get taken away by those storytelling. I was. I was there,

0:38:35.400 --> 0:38:39.319
<v Speaker 1>but it was a little I wasn't laughing, No, I was.

0:38:39.840 --> 0:38:42.920
<v Speaker 1>I felt for them. The biggest part was Rocket and Groot.

0:38:43.760 --> 0:38:47.520
<v Speaker 1>That was That was the last thing he said, was right.

0:38:47.920 --> 0:38:50.520
<v Speaker 1>The last thing he said was was he said, I

0:38:50.520 --> 0:38:52.640
<v Speaker 1>am group, but you know what that was supposed to have?

0:38:52.800 --> 0:38:57.279
<v Speaker 1>Wait what was it, dad? Oh yes, Oh that's rough.

0:38:58.520 --> 0:39:01.840
<v Speaker 1>Got me. That one was really hard, and of course everybody,

0:39:02.200 --> 0:39:04.840
<v Speaker 1>you know, everybody felt like, I don't want to go.

0:39:04.920 --> 0:39:07.520
<v Speaker 1>It was sad that what I mean, I know that

0:39:07.600 --> 0:39:11.400
<v Speaker 1>he's coming back for summer pictures. But um, okay, it

0:39:11.560 --> 0:39:13.960
<v Speaker 1>was I I get it. I totally get it. I'm

0:39:13.960 --> 0:39:16.200
<v Speaker 1>not saying I loved it. It It was one of my

0:39:16.360 --> 0:39:19.919
<v Speaker 1>favorite Marvel films of all time. I'm not It's hard

0:39:19.960 --> 0:39:22.680
<v Speaker 1>for me to look I'm a Dragon Ball fan. We

0:39:22.719 --> 0:39:25.040
<v Speaker 1>got our we get our heroes wish back all the time,

0:39:25.120 --> 0:39:27.520
<v Speaker 1>so like, it's hard for me to feel those deaths.

0:39:27.560 --> 0:39:29.239
<v Speaker 1>You were sitting there like they're like, did you need

0:39:29.280 --> 0:39:32.799
<v Speaker 1>to collect the balls? And listen, Disney bought Fox, so

0:39:33.200 --> 0:39:37.000
<v Speaker 1>just put the dragon Balls in there. I'm giving you

0:39:37.000 --> 0:39:39.880
<v Speaker 1>a hard time because I didn't cry. I didn't. I

0:39:39.920 --> 0:39:42.799
<v Speaker 1>totally see what you're where you're coming from, because we are,

0:39:42.920 --> 0:39:44.960
<v Speaker 1>we're tapped in, We're aware of what's going to well.

0:39:44.960 --> 0:39:48.920
<v Speaker 1>They literally said part on what the contract was part one,

0:39:48.920 --> 0:39:51.080
<v Speaker 1>And even when in Finnity gaunt Let the comic book

0:39:51.080 --> 0:39:54.359
<v Speaker 1>came out, it was only like a month or two

0:39:54.360 --> 0:39:57.880
<v Speaker 1>weight before everybody got brought back after Thanos actually snapped it.

0:39:58.120 --> 0:40:00.160
<v Speaker 1>This is impressive because it's actually a year like and

0:40:00.200 --> 0:40:02.240
<v Speaker 1>it's it might not be three years again like Empire

0:40:02.239 --> 0:40:04.279
<v Speaker 1>Strikes Back to Return of the Jedi, but but for

0:40:04.320 --> 0:40:06.160
<v Speaker 1>a movie this size, this scale of the scope, I

0:40:06.400 --> 0:40:09.760
<v Speaker 1>will say this. I think that the Infinity Gauntlet Saga,

0:40:09.800 --> 0:40:12.640
<v Speaker 1>the Infinity War movie going into Endgame is going to

0:40:12.719 --> 0:40:15.560
<v Speaker 1>be something that people watch five years from now as

0:40:15.600 --> 0:40:17.960
<v Speaker 1>they're doing their rewatches, or they go back and revisit it,

0:40:18.000 --> 0:40:19.719
<v Speaker 1>or they're gonna show their kids for the first time.

0:40:20.000 --> 0:40:22.319
<v Speaker 1>And when you see Endgame in that context where you're

0:40:22.320 --> 0:40:24.640
<v Speaker 1>just gonna be sitting down and it happened, you know, five, six,

0:40:24.760 --> 0:40:27.520
<v Speaker 1>eight years ago, and you rewatch Endgame or you rewatch

0:40:27.560 --> 0:40:29.640
<v Speaker 1>Infinity War and at the end, everybody snaps. You're gonna

0:40:29.680 --> 0:40:32.239
<v Speaker 1>be like, dang, I know I'm about to pop in

0:40:32.280 --> 0:40:33.960
<v Speaker 1>the next movie and it'll be fine, But dang, my

0:40:34.040 --> 0:40:36.319
<v Speaker 1>kid doesn't know that it's gonna be like, it's good.

0:40:36.400 --> 0:40:38.520
<v Speaker 1>It's It's the same way people now will watch The

0:40:38.560 --> 0:40:41.560
<v Speaker 1>Empire strikes Back and Han Solo gets frozen, and you

0:40:41.600 --> 0:40:43.040
<v Speaker 1>know what I mean, We're like, oh, I see what

0:40:43.080 --> 0:40:45.560
<v Speaker 1>you mean. It'll it will. It will have a different

0:40:45.600 --> 0:40:47.799
<v Speaker 1>meaning and feel and impact when you go back and

0:40:47.960 --> 0:40:50.400
<v Speaker 1>revisit it and what it says in the larger scheme

0:40:50.440 --> 0:40:53.799
<v Speaker 1>of things. And I also think that it will when

0:40:53.800 --> 0:40:55.759
<v Speaker 1>you go back and reflect. Depending on how Endgame is

0:40:55.760 --> 0:40:58.319
<v Speaker 1>gonna shake out, it's gonna be sadder because Endgames not

0:40:58.320 --> 0:41:00.799
<v Speaker 1>about well, we gotta get everybody back, and about the

0:41:00.840 --> 0:41:03.000
<v Speaker 1>rest of the characters and how they're coping and so

0:41:03.400 --> 0:41:06.279
<v Speaker 1>and we haven't seen that movie yet, but actually you have,

0:41:06.360 --> 0:41:08.200
<v Speaker 1>you at the premiere last night, so you saw it.

0:41:08.239 --> 0:41:11.000
<v Speaker 1>But the end game is about the future. It's in

0:41:11.000 --> 0:41:12.799
<v Speaker 1>the future. I want you to know, as I'm recording this,

0:41:12.840 --> 0:41:15.080
<v Speaker 1>I haven't seen it, so I can't technically spoil anything,

0:41:15.080 --> 0:41:17.640
<v Speaker 1>so please don't get mad at me because I haven't

0:41:17.640 --> 0:41:20.160
<v Speaker 1>seen it as of this recording right now at this moment.

0:41:20.640 --> 0:41:24.759
<v Speaker 1>But um, I think I think it will actually be

0:41:24.800 --> 0:41:27.040
<v Speaker 1>sadder because because I don't think some of these characters

0:41:27.080 --> 0:41:29.879
<v Speaker 1>are going to survive. So I think that that will

0:41:29.920 --> 0:41:32.319
<v Speaker 1>be that will be difficult to see even if they

0:41:32.320 --> 0:41:34.640
<v Speaker 1>are brought back, maybe they don't make it or some

0:41:34.680 --> 0:41:36.920
<v Speaker 1>of the ones that did survive don't make it. And

0:41:36.960 --> 0:41:39.239
<v Speaker 1>I think this might be like one of our This

0:41:39.400 --> 0:41:41.359
<v Speaker 1>would be like one of our final films with us

0:41:41.360 --> 0:41:45.520
<v Speaker 1>and essentially go Mora died, he got his next snap

0:41:45.600 --> 0:41:49.400
<v Speaker 1>behind all. Yeah, a bunch of as Guardians like they're gone.

0:41:50.600 --> 0:41:53.440
<v Speaker 1>They We're not dusted. One thing I will say, probably

0:41:53.440 --> 0:41:56.440
<v Speaker 1>the last thing I will say, is the coolest thing

0:41:56.480 --> 0:41:59.640
<v Speaker 1>about finally seeing the trailer that it was like the

0:41:59.680 --> 0:42:02.799
<v Speaker 1>one that I saw was when they were like just

0:42:02.840 --> 0:42:05.880
<v Speaker 1>get all the Infinity Stones, Like that was what was

0:42:05.880 --> 0:42:08.439
<v Speaker 1>crazy because it's like, yeah, that is the solution. That's

0:42:08.440 --> 0:42:11.239
<v Speaker 1>always been the solution. You gotta go find them and

0:42:11.239 --> 0:42:13.879
<v Speaker 1>then you connect them, just like you got to find

0:42:13.920 --> 0:42:16.480
<v Speaker 1>all the dragon balls, you know, like you gotta go,

0:42:16.880 --> 0:42:19.319
<v Speaker 1>you find them, and you bring them back. So I'm

0:42:19.360 --> 0:42:22.760
<v Speaker 1>super excited to see because if it is the fact

0:42:22.760 --> 0:42:26.360
<v Speaker 1>that everyone's gonna go and literally find all of the infinities,

0:42:26.360 --> 0:42:28.880
<v Speaker 1>that we're probably gonna see so many different worlds, so

0:42:28.920 --> 0:42:31.760
<v Speaker 1>many different things. So it's gonna be a wild ride.

0:42:31.880 --> 0:42:36.759
<v Speaker 1>I hope you're enjoying these dope apps. But even when

0:42:36.800 --> 0:42:41.240
<v Speaker 1>it's a flashback clip episode, we still need to pause

0:42:41.280 --> 0:42:43.439
<v Speaker 1>for a break, so we'll see when we get back.

0:42:50.320 --> 0:42:54.719
<v Speaker 1>All right, welcome back to the best of Nerdifficent Part one.

0:42:55.320 --> 0:42:58.760
<v Speaker 1>I hope you're enjoying it. Let's get back to the hits. Yeah,

0:42:58.880 --> 0:43:01.120
<v Speaker 1>so we have a many times have you have you

0:43:01.120 --> 0:43:03.920
<v Speaker 1>seen it once now or I have seen it once?

0:43:04.760 --> 0:43:07.640
<v Speaker 1>But it was a lasting experience and I haven't talked

0:43:07.640 --> 0:43:10.120
<v Speaker 1>about I haven't stopped talking about it since, like even

0:43:10.160 --> 0:43:12.879
<v Speaker 1>Game of Thrones day, I was still talking about Avengers.

0:43:12.960 --> 0:43:15.520
<v Speaker 1>So I feel good about it. I know it really sat.

0:43:15.800 --> 0:43:18.160
<v Speaker 1>I mean it also sat with me as well. It

0:43:18.239 --> 0:43:21.200
<v Speaker 1>was something that honestly even though it was three hours,

0:43:21.280 --> 0:43:23.440
<v Speaker 1>didn't feel like it not at all, didn't feel like

0:43:23.440 --> 0:43:27.000
<v Speaker 1>three hours. UM. So I guess we could just dive

0:43:27.120 --> 0:43:30.239
<v Speaker 1>right into it. And how did you feel, How did

0:43:30.239 --> 0:43:32.040
<v Speaker 1>you feel about it compared to all the other m

0:43:32.040 --> 0:43:35.360
<v Speaker 1>c U films. So I went back and watched most

0:43:35.440 --> 0:43:38.000
<v Speaker 1>of the m c U films before, and then every

0:43:38.040 --> 0:43:40.880
<v Speaker 1>film that was very specifically inside of this film. I

0:43:40.920 --> 0:43:47.200
<v Speaker 1>watched again afterwards, and I felt, so this movie had

0:43:47.560 --> 0:43:50.880
<v Speaker 1>We're wrapping up so many storylines that it has like

0:43:50.920 --> 0:43:54.440
<v Speaker 1>this very like lovely prominent place, like it's the end

0:43:54.440 --> 0:43:59.200
<v Speaker 1>of like the Great Tony Stark, like um emotional daddy

0:43:59.280 --> 0:44:01.680
<v Speaker 1>drama saga, and then also you get the end of

0:44:01.719 --> 0:44:08.600
<v Speaker 1>Captain Marvel's like sacrificial journey. Um. But in the same

0:44:08.600 --> 0:44:10.960
<v Speaker 1>way that I feel like Ultron left people with a

0:44:11.000 --> 0:44:12.759
<v Speaker 1>lot of questions, this movie left me with a lot

0:44:12.760 --> 0:44:16.799
<v Speaker 1>of questions. However, I will say I rewatched Ulchan and

0:44:16.840 --> 0:44:18.839
<v Speaker 1>I have those questions anymore, because ut is setting up

0:44:18.880 --> 0:44:21.799
<v Speaker 1>questions to be answered later. It's hard to judge a

0:44:21.840 --> 0:44:24.800
<v Speaker 1>series in the middle, like as an end of a chapter,

0:44:24.880 --> 0:44:27.960
<v Speaker 1>you're like so good, Like I feel like we got

0:44:28.040 --> 0:44:31.360
<v Speaker 1>where we needed to be. You know of questions about

0:44:31.400 --> 0:44:33.680
<v Speaker 1>some of the deaths, but overall it was like, you know,

0:44:33.920 --> 0:44:36.600
<v Speaker 1>this is a really solid place to land. Um, we'll

0:44:36.600 --> 0:44:38.120
<v Speaker 1>have to see where they pick up some of the

0:44:38.200 --> 0:44:40.399
<v Speaker 1>strands some of the questions later. It's hard to sort

0:44:40.400 --> 0:44:43.799
<v Speaker 1>of judge the film in a series when you don't

0:44:43.800 --> 0:44:45.320
<v Speaker 1>know how it's going to end. Yeah, for me, it

0:44:45.400 --> 0:44:48.000
<v Speaker 1>was great. I think it did a great job closing

0:44:48.040 --> 0:44:53.360
<v Speaker 1>the book on just kind of the the original MCU crew,

0:44:53.600 --> 0:44:56.919
<v Speaker 1>like you know, Cat, you know, wrap that story, which

0:44:56.920 --> 0:44:59.080
<v Speaker 1>is was beautiful to me as a fan of the

0:44:59.120 --> 0:45:02.240
<v Speaker 1>comics because that doesn't happen in the comics. In the comics,

0:45:02.280 --> 0:45:05.480
<v Speaker 1>Cap just keeps fighting, you never he he never gets

0:45:05.520 --> 0:45:07.040
<v Speaker 1>that back. So for him to be able to get

0:45:07.080 --> 0:45:09.520
<v Speaker 1>that back in the movies was like an extra surprise.

0:45:09.560 --> 0:45:11.920
<v Speaker 1>It didn't see coming. Uh, And I like that man.

0:45:11.960 --> 0:45:14.280
<v Speaker 1>It makes sense for him to rest the decision Captain

0:45:14.280 --> 0:45:16.960
<v Speaker 1>in America to make Iron Man, you know, finally getting

0:45:17.000 --> 0:45:19.920
<v Speaker 1>wrapped up, which you know, was great. I think I

0:45:20.000 --> 0:45:21.960
<v Speaker 1>called that. I said they were both couldn't die. I mean,

0:45:22.000 --> 0:45:24.320
<v Speaker 1>they both didn't die, but they both kind of got wrapped,

0:45:24.320 --> 0:45:27.279
<v Speaker 1>their stories wrapped, and you know, it seems like they're

0:45:27.280 --> 0:45:31.400
<v Speaker 1>gonna kind of bunch thor with the Guardians maybe, which

0:45:31.440 --> 0:45:35.680
<v Speaker 1>is which is the interesting thing? Uh Black Widow Dad,

0:45:35.760 --> 0:45:38.080
<v Speaker 1>I think she's gone. I think they they smoked her.

0:45:38.360 --> 0:45:41.120
<v Speaker 1>The the movie that's on the docket is a prequel,

0:45:41.680 --> 0:45:44.960
<v Speaker 1>like that's so they're just gonna do the prequel. It

0:45:45.120 --> 0:45:48.560
<v Speaker 1>does seem weird to do a prequel, but I mean,

0:45:48.719 --> 0:45:52.800
<v Speaker 1>I feel like a prequel coming after time travel, knowing

0:45:52.840 --> 0:45:56.560
<v Speaker 1>that the zones soul stone is an exchange, and that

0:45:56.680 --> 0:45:58.960
<v Speaker 1>Captain went to place all the stones back exactly where

0:45:58.960 --> 0:46:01.560
<v Speaker 1>they picked them up, she could easily pop back up.

0:46:02.480 --> 0:46:06.160
<v Speaker 1>I just don't think that it's necessary, though sometimes I

0:46:06.200 --> 0:46:10.439
<v Speaker 1>feel I sometimes I feel like it's okay too. It's

0:46:10.440 --> 0:46:13.439
<v Speaker 1>like real life. It's okay sometimes to retire or lose

0:46:13.480 --> 0:46:15.879
<v Speaker 1>our heroes that happened in real life. We lose people

0:46:15.920 --> 0:46:18.560
<v Speaker 1>that we care about in real life. And um, it's

0:46:18.600 --> 0:46:21.760
<v Speaker 1>funny that you I know that you wrote for um Playboy.

0:46:21.800 --> 0:46:24.000
<v Speaker 1>I just wrote a thing, a piece for them on

0:46:24.840 --> 0:46:29.319
<v Speaker 1>how Endgame tackles UH failure and mortality and mainly how

0:46:29.480 --> 0:46:32.839
<v Speaker 1>I when I watched this movie, I watched it as

0:46:32.880 --> 0:46:36.680
<v Speaker 1>someone that has depression, seeing how they were put into

0:46:36.760 --> 0:46:41.359
<v Speaker 1>this bleak world where they suddenly found themselves purposeless. They

0:46:41.400 --> 0:46:44.600
<v Speaker 1>suddenly had no purpose anymore. They were so lost and

0:46:44.680 --> 0:46:47.200
<v Speaker 1>didn't didn't know how to Carrey, how do you carry

0:46:47.239 --> 0:46:49.040
<v Speaker 1>on when you feel like you have no more purpose?

0:46:49.040 --> 0:46:50.759
<v Speaker 1>How do you carry on after grief? How do you

0:46:50.800 --> 0:46:54.000
<v Speaker 1>carry on after loss? And so that to me when

0:46:54.000 --> 0:46:55.440
<v Speaker 1>I walked out and everyone's like, how do you like?

0:46:55.480 --> 0:46:56.960
<v Speaker 1>How did you like it? And to me it was like,

0:46:56.960 --> 0:46:59.280
<v Speaker 1>oh my gosh, it spoke to me from that place

0:47:00.000 --> 0:47:04.759
<v Speaker 1>of it was the most vulnerable I had ever seen them.

0:47:05.000 --> 0:47:07.120
<v Speaker 1>That to me is decide that I that I wanted

0:47:07.160 --> 0:47:09.640
<v Speaker 1>to see And yeah, they've all we've had Lost and

0:47:09.719 --> 0:47:12.359
<v Speaker 1>other and other films, but this was the first time

0:47:12.400 --> 0:47:15.640
<v Speaker 1>where it was really like this might not work out.

0:47:16.160 --> 0:47:18.239
<v Speaker 1>Five year jump is what really kind of screws with

0:47:18.280 --> 0:47:20.479
<v Speaker 1>your head at the beginning, because at first it's like, Okay,

0:47:20.480 --> 0:47:24.480
<v Speaker 1>well we're picking up and we're gonna find ho like's nothing.

0:47:24.640 --> 0:47:28.120
<v Speaker 1>That was a great moment, and there were just lots

0:47:28.160 --> 0:47:30.480
<v Speaker 1>of good bread crumbs within all that be like you know,

0:47:30.600 --> 0:47:33.840
<v Speaker 1>Cap saying, how he this is a second loss firm

0:47:33.840 --> 0:47:36.480
<v Speaker 1>because he had that loss, and it really did. There

0:47:36.480 --> 0:47:38.640
<v Speaker 1>were a lot of setups that were great. There was

0:47:38.680 --> 0:47:41.360
<v Speaker 1>something a little heavy handed, like I don't think Tony

0:47:41.400 --> 0:47:43.960
<v Speaker 1>Stark needed to say and don't die in the process.

0:47:44.080 --> 0:47:46.080
<v Speaker 1>I was like, all right, this is, this is but

0:47:46.080 --> 0:47:47.960
<v Speaker 1>but I always say those ones are for the people

0:47:47.960 --> 0:47:51.680
<v Speaker 1>in the back or what's gonna happen. It's like, oh, big,

0:47:51.680 --> 0:47:54.560
<v Speaker 1>big moments if you if you have a daughter, man

0:47:54.920 --> 0:47:57.000
<v Speaker 1>that they really came at you. It was like boom

0:47:57.239 --> 0:47:59.320
<v Speaker 1>right at the top with Scott Lang and his daughters,

0:47:59.360 --> 0:48:02.640
<v Speaker 1>like ouch boom. Then you see I man with his

0:48:02.719 --> 0:48:05.759
<v Speaker 1>daughter's like oh this moment out boom. Then you get

0:48:05.800 --> 0:48:08.840
<v Speaker 1>the moment uh you know Clint when he misses his

0:48:08.920 --> 0:48:13.279
<v Speaker 1>daughter out just back to bed and his daughter on

0:48:13.360 --> 0:48:17.719
<v Speaker 1>you just oh kill me now, like how how how

0:48:17.719 --> 0:48:19.160
<v Speaker 1>do you miss Ita? How do you miss and you

0:48:19.200 --> 0:48:22.400
<v Speaker 1>tore her literally apart like it was crazy. But to

0:48:22.400 --> 0:48:24.680
<v Speaker 1>go back to your earlier point about like the female

0:48:24.760 --> 0:48:27.640
<v Speaker 1>and how like just Gemla Wilson is really that doll

0:48:27.760 --> 0:48:29.799
<v Speaker 1>if you it's probably in appropriate to call her, but

0:48:29.840 --> 0:48:33.400
<v Speaker 1>I'm so sorry, but she she was awesome. She created

0:48:33.440 --> 0:48:36.000
<v Speaker 1>the eight Fource, which is the all female Marvel team

0:48:36.200 --> 0:48:39.440
<v Speaker 1>Super Dope. She Hulk has a really prominent role in

0:48:39.440 --> 0:48:41.239
<v Speaker 1>a lot of characters that we haven't gotten to in

0:48:41.280 --> 0:48:44.680
<v Speaker 1>the Marvel universe. But seeing these women that we've been

0:48:44.719 --> 0:48:47.160
<v Speaker 1>like traveling with and especially you kind of got like

0:48:47.160 --> 0:48:49.440
<v Speaker 1>a little moment of this in Infinity War with the

0:48:50.120 --> 0:48:54.799
<v Speaker 1>Natalie Ako Nikia fight scene. Um no, Scarlett Witch uh

0:48:54.920 --> 0:48:58.239
<v Speaker 1>fight scene. But here like seeing all like six eight

0:48:58.280 --> 0:49:02.640
<v Speaker 1>of them like just tearing ship down, it was amazing.

0:49:03.160 --> 0:49:05.319
<v Speaker 1>They were wonderful. I would see that moment, like I

0:49:05.320 --> 0:49:07.440
<v Speaker 1>really just want to see the fight over and over again. Yeah,

0:49:07.480 --> 0:49:10.920
<v Speaker 1>I mean just that moment we're like Scarlet Witch is

0:49:11.120 --> 0:49:13.319
<v Speaker 1>straight up about to murder. I don't even know who

0:49:13.320 --> 0:49:17.279
<v Speaker 1>you are. Just he was about to die. He was

0:49:17.320 --> 0:49:20.680
<v Speaker 1>about to die until it and but it was so

0:49:20.680 --> 0:49:23.439
<v Speaker 1>funny because like this is where the nerve brain gets

0:49:23.440 --> 0:49:26.160
<v Speaker 1>in my way again, because I'm like, you're still so

0:49:26.280 --> 0:49:29.720
<v Speaker 1>much stronger in the comets. You can literally bit you,

0:49:29.719 --> 0:49:34.560
<v Speaker 1>you can snap without you don't, which is why they

0:49:34.600 --> 0:49:36.879
<v Speaker 1>didn't do it in the movies, because that's that's what

0:49:36.920 --> 0:49:38.960
<v Speaker 1>they do an X men. They make their women too

0:49:38.960 --> 0:49:42.960
<v Speaker 1>powerful and then they have to They're always like, oh man,

0:49:43.000 --> 0:49:45.120
<v Speaker 1>we made them too powerful, we have to kill them off.

0:49:45.960 --> 0:49:47.680
<v Speaker 1>But I feel like the cool thing about the way

0:49:47.800 --> 0:49:49.319
<v Speaker 1>the m C you set up is that we could

0:49:49.360 --> 0:49:53.680
<v Speaker 1>get that snap eventually, like give it like ten to fifteen,

0:49:54.880 --> 0:50:00.480
<v Speaker 1>and they're pissed. I just Scarlet witches. Scarlett Witch. Okay,

0:50:01.000 --> 0:50:02.759
<v Speaker 1>that's at one point, and it eliminates like all of

0:50:02.800 --> 0:50:05.719
<v Speaker 1>everybody with the X GENA. Yeah, she she doesn't even

0:50:05.920 --> 0:50:08.640
<v Speaker 1>she says no more mutants, just speaks the word and

0:50:09.360 --> 0:50:11.920
<v Speaker 1>no more mutants, and almost all of mutants are a

0:50:12.000 --> 0:50:14.600
<v Speaker 1>read It's so good. Read House of Him if you

0:50:14.640 --> 0:50:17.040
<v Speaker 1>haven't read it yet. It leads up to that it's

0:50:17.040 --> 0:50:19.640
<v Speaker 1>so good because it it And that's kind of why,

0:50:19.840 --> 0:50:21.560
<v Speaker 1>like everyone's like, I don't know why you need the

0:50:21.719 --> 0:50:25.200
<v Speaker 1>X Men, uh, but like the stuff like House of

0:50:25.280 --> 0:50:28.080
<v Speaker 1>Him and Avengers versus X Men is you have these

0:50:28.120 --> 0:50:30.520
<v Speaker 1>two super teams, like so far in what we've learned

0:50:30.560 --> 0:50:34.080
<v Speaker 1>in this movie is the Avengers go uncontested, but in

0:50:34.080 --> 0:50:36.560
<v Speaker 1>a world where X Men exists, there's a whole another

0:50:36.600 --> 0:50:39.200
<v Speaker 1>team that if they feel like the Avengers step outline

0:50:39.400 --> 0:50:41.359
<v Speaker 1>could go toe to toe with him. And that's what

0:50:41.400 --> 0:50:44.160
<v Speaker 1>House of m was about. Is Wanda Maximum. She has

0:50:44.200 --> 0:50:48.439
<v Speaker 1>this break from reality and the Angers like, yo, we

0:50:48.840 --> 0:50:55.120
<v Speaker 1>gotta do something about that, and we have to kill

0:50:55.200 --> 0:50:57.759
<v Speaker 1>someone and they're basically having this discussion of whether or

0:50:57.800 --> 0:50:59.319
<v Speaker 1>not to kill her in the X Men or like,

0:50:59.680 --> 0:51:02.719
<v Speaker 1>she's our people, so this is our decision, and they're

0:51:02.760 --> 0:51:06.600
<v Speaker 1>having this fight, and the fight eventually it's it's it's

0:51:06.680 --> 0:51:10.200
<v Speaker 1>very beautiful. It's the rising tensions with that pisses Wanda

0:51:10.320 --> 0:51:13.000
<v Speaker 1>off so much that she's just like you you all

0:51:13.040 --> 0:51:15.560
<v Speaker 1>these problems and everyone's trying to have control over her.

0:51:15.600 --> 0:51:17.959
<v Speaker 1>It's like, like, really looking back on it, it's really

0:51:18.000 --> 0:51:21.480
<v Speaker 1>just a kind of interesting look, like she's just tired

0:51:21.520 --> 0:51:23.400
<v Speaker 1>of all these like people in her life trying to

0:51:23.400 --> 0:51:24.719
<v Speaker 1>tell her what to do, and she's like, no more

0:51:24.800 --> 0:51:28.080
<v Speaker 1>mutants and people lose their powers. I want to say

0:51:28.120 --> 0:51:30.480
<v Speaker 1>it was so I think. I was like, yeah, I

0:51:30.480 --> 0:51:32.600
<v Speaker 1>think that they're going to introduce new characters. And then

0:51:32.640 --> 0:51:35.160
<v Speaker 1>when I saw the roster, like when that final scene happened,

0:51:35.160 --> 0:51:38.000
<v Speaker 1>of just how many characters they had to bring back

0:51:38.080 --> 0:51:39.960
<v Speaker 1>to really wrap this up, I'm like, oh, yeah, so

0:51:40.120 --> 0:51:42.840
<v Speaker 1>it makes sense that they didn't introduce and because like

0:51:42.840 --> 0:51:45.200
<v Speaker 1>maybe they'll slide and I don't know, maybe one of

0:51:45.239 --> 0:51:47.600
<v Speaker 1>the new Avengers, like maybe I don't know who at

0:51:47.600 --> 0:51:50.000
<v Speaker 1>the times, don't bring back Quicksilver, who we really need

0:51:50.440 --> 0:51:53.359
<v Speaker 1>Karen Taylor Johnson back to But I wasn't even like,

0:51:53.480 --> 0:51:55.960
<v Speaker 1>I don't know, maybe America Chavis will show up in here.

0:51:55.960 --> 0:51:59.280
<v Speaker 1>They're trying to get more, you know, um queer representation,

0:51:59.400 --> 0:52:01.319
<v Speaker 1>and I was like maybe, And I just now when

0:52:01.320 --> 0:52:03.200
<v Speaker 1>I looked at the whole, I was like, I don't

0:52:03.200 --> 0:52:05.919
<v Speaker 1>think they were going to do that in endgame, being

0:52:06.239 --> 0:52:10.200
<v Speaker 1>unrightfully dragged by Hector in a previous U episode when

0:52:10.200 --> 0:52:12.919
<v Speaker 1>he pointed out I was complaining about the Civil War.

0:52:13.120 --> 0:52:15.799
<v Speaker 1>My fight. This is what I wanted. That fight when

0:52:15.840 --> 0:52:19.040
<v Speaker 1>they rushed towards each other looked like a comic book spread.

0:52:19.160 --> 0:52:22.480
<v Speaker 1>I was like, this is it. I almost like I

0:52:22.520 --> 0:52:24.959
<v Speaker 1>had all those dad tears and I almost burst into

0:52:25.000 --> 0:52:29.799
<v Speaker 1>tears of just pure nerd happiness, because you know, you're

0:52:29.920 --> 0:52:32.640
<v Speaker 1>the theater of your mind when you read these comics,

0:52:33.560 --> 0:52:37.280
<v Speaker 1>you make something so exciting when you see these pictures

0:52:37.280 --> 0:52:38.960
<v Speaker 1>come to life in your head, and you would think,

0:52:39.000 --> 0:52:40.640
<v Speaker 1>you're like, this would be so cool as a movie,

0:52:40.640 --> 0:52:42.960
<v Speaker 1>but they would never be able to do it. And

0:52:43.000 --> 0:52:46.160
<v Speaker 1>to see it, like to think ten years ago that

0:52:46.280 --> 0:52:49.560
<v Speaker 1>Fanos like like, look, I know Fanos is a household

0:52:49.600 --> 0:52:53.120
<v Speaker 1>name now, but Thanos even in comics was this cosmic

0:52:53.239 --> 0:52:56.279
<v Speaker 1>level hero. Like I was explaining like the levels to

0:52:56.560 --> 0:52:59.840
<v Speaker 1>like Marvel heroes to someone because they're because I was like,

0:53:00.160 --> 0:53:02.880
<v Speaker 1>it's crazy because then it is a cosmic hero and

0:53:02.920 --> 0:53:04.200
<v Speaker 1>they're like, what, cousin. I was like, oh, yeah, no,

0:53:04.200 --> 0:53:06.759
<v Speaker 1>you have cosmic Marvel. That's all space stuff. I was like,

0:53:06.760 --> 0:53:08.480
<v Speaker 1>you get a taste of that from Guardians, but there's

0:53:08.520 --> 0:53:11.040
<v Speaker 1>a whole level of that. Then you got your Avengers level,

0:53:11.080 --> 0:53:13.120
<v Speaker 1>and then you got your street level, which was cool

0:53:13.160 --> 0:53:15.520
<v Speaker 1>because they were building it out with all their Netflix shows.

0:53:15.560 --> 0:53:17.960
<v Speaker 1>You had your street level heroes, then you had the Defenders,

0:53:18.160 --> 0:53:20.000
<v Speaker 1>and then we're gonna see what happens with that, you know,

0:53:20.560 --> 0:53:23.640
<v Speaker 1>uh on Disney Plus in five years, so totally in

0:53:23.680 --> 0:53:26.759
<v Speaker 1>a different form. But Disney Plus about to take over

0:53:26.760 --> 0:53:30.160
<v Speaker 1>every well, and I guess now Sony too, because um,

0:53:30.320 --> 0:53:33.960
<v Speaker 1>Chris Miller and Philip Lord are now doing Marvel TV

0:53:34.000 --> 0:53:35.839
<v Speaker 1>series with Sony. Yeah. They just treated like a nine

0:53:35.840 --> 0:53:38.080
<v Speaker 1>figure deal. I'm hearing rumors that there's gonna be starting

0:53:38.080 --> 0:53:40.839
<v Speaker 1>whole new departments of things over there for that. It's

0:53:40.880 --> 0:53:44.960
<v Speaker 1>going to be wild. I'm so excited. But like looking

0:53:45.360 --> 0:53:48.640
<v Speaker 1>to your earlier point about introducing new characters. When Peter

0:53:48.680 --> 0:53:50.239
<v Speaker 1>went back to high school. I swear I was looking

0:53:50.280 --> 0:53:55.319
<v Speaker 1>for Kamala, like where are you in theround? Maybe she's well,

0:53:55.360 --> 0:53:57.439
<v Speaker 1>I feel like they've really started to establish a group

0:53:57.480 --> 0:54:00.560
<v Speaker 1>of young people can start taking in the lead and

0:54:00.600 --> 0:54:05.680
<v Speaker 1>the next arc. So it'll be interesting to see. Well,

0:54:05.680 --> 0:54:08.680
<v Speaker 1>that's what I feel like. Monica Rambo was that's what

0:54:08.760 --> 0:54:10.480
<v Speaker 1>I feel like she's going to be. When they introduced her,

0:54:10.560 --> 0:54:15.319
<v Speaker 1>I mean she has to be five year time jumped

0:54:15.360 --> 0:54:19.279
<v Speaker 1>to yeah, because she's she's an adult now. And of

0:54:19.320 --> 0:54:22.960
<v Speaker 1>course the scene that everybody can't stop talking about the

0:54:23.000 --> 0:54:25.520
<v Speaker 1>scene that I was at the press screen and you

0:54:25.560 --> 0:54:27.759
<v Speaker 1>know how I have you know how people try and

0:54:27.800 --> 0:54:32.360
<v Speaker 1>be there. I was there at one okay through I

0:54:32.400 --> 0:54:34.239
<v Speaker 1>was at the nine o'clock, but you know, you know

0:54:34.280 --> 0:54:36.920
<v Speaker 1>how people at press screen is trying to be all professional.

0:54:36.960 --> 0:54:39.480
<v Speaker 1>They never never laugh. That did not happen at this

0:54:41.000 --> 0:54:45.920
<v Speaker 1>allowed sobs because in mind, there was no like all

0:54:45.920 --> 0:54:49.040
<v Speaker 1>the funny moments. There was just like like really, yeah,

0:54:49.400 --> 0:54:51.560
<v Speaker 1>there was a dude next to me clacking loud on

0:54:51.640 --> 0:54:54.080
<v Speaker 1>his keyboard, like it was like straight up, yeah, you're

0:54:54.120 --> 0:54:58.279
<v Speaker 1>driving the reveal in the movie. Y yeah. So but

0:54:58.440 --> 0:55:01.600
<v Speaker 1>everyone's trying to be professional. When I say Cap got

0:55:01.600 --> 0:55:06.239
<v Speaker 1>that hammer and everyone just erupted, it just made it

0:55:06.320 --> 0:55:08.399
<v Speaker 1>more I'm glad people were trying to keep it together

0:55:08.400 --> 0:55:11.799
<v Speaker 1>because it made that more powerful. That everyone forgot that

0:55:12.000 --> 0:55:14.080
<v Speaker 1>they were trying to, you know, out here, trying to

0:55:14.120 --> 0:55:18.480
<v Speaker 1>pretend like they're professional. We went wild. Cap grabbing the

0:55:18.520 --> 0:55:22.560
<v Speaker 1>hammer is something. It's crazy to me because I feel

0:55:22.600 --> 0:55:25.120
<v Speaker 1>like I'm working on article right now about what changed

0:55:25.160 --> 0:55:27.279
<v Speaker 1>and Cap that made him worthy to carry the hammer

0:55:27.360 --> 0:55:29.160
<v Speaker 1>versus and a vendor's wine. When they all tried to

0:55:29.160 --> 0:55:31.200
<v Speaker 1>pick up the ham right, it was only Thor who

0:55:31.239 --> 0:55:34.760
<v Speaker 1>was worthy, which sort of makes Thor like the only

0:55:34.880 --> 0:55:38.000
<v Speaker 1>pure hero from the story, which really changed your perspective,

0:55:38.040 --> 0:55:40.759
<v Speaker 1>Like Thor changed so much from Ragnarok to write the

0:55:40.800 --> 0:55:44.120
<v Speaker 1>f now that I feel like there's so much more.

0:55:44.400 --> 0:55:47.680
<v Speaker 1>The character has blossomed so beautifully into himself, And now

0:55:47.719 --> 0:55:51.640
<v Speaker 1>we've had three people carry the hammer, Thor, Captain America,

0:55:51.760 --> 0:55:55.560
<v Speaker 1>and then Vision carrying it for a brief moment in Ultron,

0:55:55.600 --> 0:55:58.920
<v Speaker 1>I think, um, so what what what is your If

0:55:58.920 --> 0:56:02.640
<v Speaker 1>you don't what changed? What do you think changed? He

0:56:02.719 --> 0:56:06.439
<v Speaker 1>was honest with Tony the fact because he knew about

0:56:06.600 --> 0:56:11.600
<v Speaker 1>um the Winter Soldier and killing Tony's parents, and so

0:56:11.840 --> 0:56:13.960
<v Speaker 1>he was lying and keeping a secret. And I think

0:56:14.040 --> 0:56:16.160
<v Speaker 1>that I'm not even sure if the Hammer had a

0:56:16.160 --> 0:56:18.480
<v Speaker 1>problem with it, but I think the cap had a

0:56:18.520 --> 0:56:20.760
<v Speaker 1>problem with it, and could would never have seen himself

0:56:20.800 --> 0:56:23.480
<v Speaker 1>truly worthy um because it was the only it was

0:56:23.520 --> 0:56:25.319
<v Speaker 1>his only secret from the Avengers. It was really his

0:56:25.360 --> 0:56:28.040
<v Speaker 1>only betrayal of the Avengers ever, and every time after

0:56:28.080 --> 0:56:30.880
<v Speaker 1>that he's just very straightforward with him. It literally caused

0:56:30.960 --> 0:56:33.960
<v Speaker 1>the Civil War between that, so that was mess. I

0:56:33.960 --> 0:56:37.160
<v Speaker 1>think him coming clean about that, him kind of restoring

0:56:37.200 --> 0:56:40.200
<v Speaker 1>things with Bucky, which will get to that in a minute.

0:56:41.480 --> 0:56:43.560
<v Speaker 1>I think that his conscience is clear and he's good

0:56:43.560 --> 0:56:46.440
<v Speaker 1>to move forward now. Nic I felt it was. My

0:56:46.480 --> 0:56:49.440
<v Speaker 1>thought was that he's prideful. I feel like, yeah, I

0:56:49.480 --> 0:56:52.800
<v Speaker 1>feel like Captain America has a lot of pride, because

0:56:52.800 --> 0:56:54.800
<v Speaker 1>it takes a certain level of pride for him to

0:56:54.920 --> 0:56:59.719
<v Speaker 1>just like negative thing. I think he like, you know

0:56:59.760 --> 0:57:02.200
<v Speaker 1>how you can be prideful and that's fine, and you

0:57:02.320 --> 0:57:05.200
<v Speaker 1>just have too much pride. There's a confidence. And he

0:57:05.239 --> 0:57:07.480
<v Speaker 1>never took an owl, you know, he never took an owl.

0:57:08.280 --> 0:57:13.399
<v Speaker 1>Frozen at ice for eight years. That's more. That's more

0:57:13.400 --> 0:57:15.239
<v Speaker 1>of a pause, like I mean, he like as far

0:57:15.280 --> 0:57:17.720
<v Speaker 1>as for him, fighting for justice never took an oil,

0:57:18.000 --> 0:57:20.280
<v Speaker 1>and Danos handed him that l and it made him

0:57:20.320 --> 0:57:25.560
<v Speaker 1>reevaluate everything he is. But I like yours better. This

0:57:25.720 --> 0:57:28.440
<v Speaker 1>idea of you going back in time changing things and

0:57:28.520 --> 0:57:32.000
<v Speaker 1>it affecting your future isn't true because that moment where

0:57:32.040 --> 0:57:35.440
<v Speaker 1>you go back in time is now your future, so

0:57:35.440 --> 0:57:38.400
<v Speaker 1>so it is not necessarily creating a new timeline. It's

0:57:38.440 --> 0:57:41.240
<v Speaker 1>almost as if you started it and went back and

0:57:41.320 --> 0:57:44.520
<v Speaker 1>added it to your current timeline. So you experienced everything

0:57:44.600 --> 0:57:47.760
<v Speaker 1>up until that point and came but everything that changes

0:57:48.440 --> 0:57:52.080
<v Speaker 1>is just new if that makes But that timeline is

0:57:52.080 --> 0:57:55.400
<v Speaker 1>still affected, the one that you already lifted. No, the

0:57:55.440 --> 0:57:58.600
<v Speaker 1>one that you pulled more out of, she doesn't exist.

0:57:58.720 --> 0:58:01.800
<v Speaker 1>She's not in teen anymore. If she stays in the

0:58:01.840 --> 0:58:06.840
<v Speaker 1>present day, is there's not still a Goma in According

0:58:06.920 --> 0:58:10.440
<v Speaker 1>to the Hulk the way he said, it already happened,

0:58:11.120 --> 0:58:14.960
<v Speaker 1>So you're just pulling go more into two thousand nineteen.

0:58:15.160 --> 0:58:19.480
<v Speaker 1>But twin all the events are almost destined. They've already happened,

0:58:19.640 --> 0:58:23.439
<v Speaker 1>so you don't interrupt that. So so basically my only

0:58:23.480 --> 0:58:25.800
<v Speaker 1>question was okay, So Peter will still get to have

0:58:26.040 --> 0:58:29.440
<v Speaker 1>a Goma, and he probably will also get this Gomra.

0:58:29.960 --> 0:58:32.120
<v Speaker 1>Like so, I do think that she's gonna this is

0:58:32.160 --> 0:58:34.800
<v Speaker 1>my thing that I'm gonna project that we've talked a

0:58:34.800 --> 0:58:36.880
<v Speaker 1>little bit in discord. I do think she's going to

0:58:36.960 --> 0:58:40.040
<v Speaker 1>pop back up in Guardians. I think that was a

0:58:40.040 --> 0:58:42.120
<v Speaker 1>a little easter egg that they showed when it said

0:58:42.160 --> 0:58:44.880
<v Speaker 1>searching for Gama at the very end, when you know,

0:58:44.880 --> 0:58:48.160
<v Speaker 1>when Thor came onto the ship, um, when Peter was looking,

0:58:48.200 --> 0:58:50.919
<v Speaker 1>that was that he said searching for he was looking

0:58:50.960 --> 0:58:52.680
<v Speaker 1>for Goma. And I think that was an easter egg

0:58:52.680 --> 0:58:54.240
<v Speaker 1>of she's going to pop up. She might not be

0:58:54.400 --> 0:58:57.440
<v Speaker 1>leaving the ship with them with Nebula and Thor and

0:58:57.560 --> 0:58:59.600
<v Speaker 1>Quill and Uh and Rocket and group, but I think

0:58:59.640 --> 0:59:03.160
<v Speaker 1>that she will. I think that was the best way

0:59:03.200 --> 0:59:04.680
<v Speaker 1>for them to be like, oh, she's not dead, how

0:59:04.720 --> 0:59:06.000
<v Speaker 1>are we going to get her back in here? How

0:59:06.040 --> 0:59:08.000
<v Speaker 1>are we gonna, you know, finish out this franchise? And

0:59:08.040 --> 0:59:10.840
<v Speaker 1>I think that was the way. Also. I'd imagine, like

0:59:11.120 --> 0:59:13.680
<v Speaker 1>go mo if you went back to two thousand and fourteen,

0:59:13.720 --> 0:59:17.680
<v Speaker 1>go more and she just got realized that she's in

0:59:17.720 --> 0:59:20.520
<v Speaker 1>the future and she's into this guy she's not going

0:59:20.600 --> 0:59:22.520
<v Speaker 1>to just go back on the ship. I think she's like,

0:59:22.680 --> 0:59:27.880
<v Speaker 1>I'm gonna leave right, don't because like if you I

0:59:28.400 --> 0:59:30.960
<v Speaker 1>go back and watch the Guardians. Like in the first one,

0:59:31.080 --> 0:59:33.000
<v Speaker 1>it's all about like we could be a team, and

0:59:33.040 --> 0:59:34.160
<v Speaker 1>you know, if you want to go after your father,

0:59:34.240 --> 0:59:35.920
<v Speaker 1>that's the thing we could do to like, but like,

0:59:36.000 --> 0:59:37.560
<v Speaker 1>let's just try to figure this out. And then part

0:59:37.560 --> 0:59:39.200
<v Speaker 1>two was all about, like we just have to admit

0:59:39.240 --> 0:59:41.080
<v Speaker 1>that we love each other, Like can we just say

0:59:41.120 --> 0:59:43.360
<v Speaker 1>the words and believe it, It'll be okay. And so

0:59:43.400 --> 0:59:45.480
<v Speaker 1>I think the next one will be about him trying

0:59:45.480 --> 0:59:47.280
<v Speaker 1>to figure out how to get her in a way

0:59:47.320 --> 0:59:49.720
<v Speaker 1>that isn't brought together by tragedy, which will be really

0:59:49.760 --> 0:59:53.160
<v Speaker 1>interesting because More's entire life has just been like one

0:59:53.360 --> 0:59:56.280
<v Speaker 1>long tragic event and now she's on her own and

0:59:56.280 --> 0:59:58.840
<v Speaker 1>she's got this level of independence, and I think that

0:59:58.880 --> 1:00:00.560
<v Speaker 1>Peter is gonna have to come to terms with that

1:00:00.600 --> 1:00:02.200
<v Speaker 1>and give her like space and time to figure out

1:00:02.200 --> 1:00:04.080
<v Speaker 1>what she wants before she could even possibly begin to

1:00:04.080 --> 1:00:06.480
<v Speaker 1>be in a relationship. Like what a crazy thing we

1:00:06.520 --> 1:00:09.280
<v Speaker 1>pulled out of time. Meet your sister, kind of become sisters,

1:00:09.360 --> 1:00:11.560
<v Speaker 1>kill your father together. And then find out you have

1:00:11.640 --> 1:00:14.040
<v Speaker 1>this entire life that you can't remember. It's just I

1:00:14.120 --> 1:00:16.640
<v Speaker 1>just realized that we had two women that killed themselves,

1:00:16.680 --> 1:00:19.720
<v Speaker 1>because Natasha killed herself and Nebula killed herself even though

1:00:19.720 --> 1:00:22.160
<v Speaker 1>it wasn't like her, but she killed the other version

1:00:22.200 --> 1:00:25.200
<v Speaker 1>of herself. I thought the saddest part of that when

1:00:25.240 --> 1:00:27.200
<v Speaker 1>they were like, you know, you can change, and she

1:00:27.320 --> 1:00:29.640
<v Speaker 1>was like, he won't let me, and it was just

1:00:29.760 --> 1:00:34.000
<v Speaker 1>so her Her character arc is just so tragic, it

1:00:34.080 --> 1:00:37.480
<v Speaker 1>really is. And so it's at least exciting even though

1:00:37.480 --> 1:00:41.000
<v Speaker 1>that Nebula didn't survive that this new Nebula with the

1:00:41.040 --> 1:00:43.920
<v Speaker 1>next Guardians, I'm excited to see what will become of

1:00:43.960 --> 1:00:47.320
<v Speaker 1>her character. Yeah, it's cool. It's exciting because like, even

1:00:47.360 --> 1:00:48.920
<v Speaker 1>though she died, she was really just killing off a

1:00:48.920 --> 1:00:51.400
<v Speaker 1>part of herself she never liked anyway. And it's to me,

1:00:51.440 --> 1:00:54.560
<v Speaker 1>it's so much less tragic because it's something that she

1:00:54.680 --> 1:00:57.640
<v Speaker 1>always wanted to shed. Even even the self who's like

1:00:57.640 --> 1:01:01.680
<v Speaker 1>I can't change, desires to want to. And so for

1:01:01.680 --> 1:01:03.880
<v Speaker 1>her to be like, you know, this is gone and

1:01:03.880 --> 1:01:05.640
<v Speaker 1>I'm just gonna be whoever I want to be, it's

1:01:05.640 --> 1:01:07.880
<v Speaker 1>exciting and I hope we like I really like her

1:01:07.920 --> 1:01:10.560
<v Speaker 1>in Guardians two and she's like finally on her own

1:01:10.600 --> 1:01:12.600
<v Speaker 1>and I'm gonna just sell these people and I'm over it.

1:01:12.840 --> 1:01:14.520
<v Speaker 1>She's so badass, and I think we're going to get

1:01:14.560 --> 1:01:17.040
<v Speaker 1>a lot of that kind of like fun, badass Nebula

1:01:17.120 --> 1:01:18.600
<v Speaker 1>that we haven't had a lot of time with. I love,

1:01:18.640 --> 1:01:21.160
<v Speaker 1>aside from the cap first cap fight, the Nebula versus

1:01:21.160 --> 1:01:24.800
<v Speaker 1>Nebula fight and then when she smacks her and um,

1:01:24.880 --> 1:01:26.680
<v Speaker 1>she's like you're weak and she was like I'm you

1:01:27.040 --> 1:01:29.520
<v Speaker 1>and I was like, oh, that's such a good lie.

1:01:30.040 --> 1:01:33.680
<v Speaker 1>That was so like such a put in your face,

1:01:35.000 --> 1:01:37.040
<v Speaker 1>you know. Before we were getting towards the end of this,

1:01:37.120 --> 1:01:39.000
<v Speaker 1>and I do want to wrap up one last thing.

1:01:39.080 --> 1:01:43.160
<v Speaker 1>Another relationship thing that I thought closed up years almost

1:01:43.160 --> 1:01:46.560
<v Speaker 1>got me in my fields was Tony and his dad. Yeah,

1:01:47.520 --> 1:01:52.760
<v Speaker 1>because that was it, Like he just it was years

1:01:52.800 --> 1:01:56.280
<v Speaker 1>of everything he thought about his father being cleared up

1:01:56.640 --> 1:01:59.000
<v Speaker 1>the moment he was like, I will do anything for

1:01:59.040 --> 1:02:02.200
<v Speaker 1>that kid. Yeah, And I'm just so consumed by my

1:02:02.240 --> 1:02:05.520
<v Speaker 1>work that I cannot focus on them. But I do

1:02:05.600 --> 1:02:08.840
<v Speaker 1>love that kid. I was like, oh my god, he

1:02:08.920 --> 1:02:10.840
<v Speaker 1>needed to hear that. Have you rewatched the scene from

1:02:10.840 --> 1:02:13.840
<v Speaker 1>Civil War at the top where he creates. He creates

1:02:13.840 --> 1:02:17.160
<v Speaker 1>a thing called BARF, which is a binary automated something

1:02:17.280 --> 1:02:20.240
<v Speaker 1>or other. Basically, it's the thing he creates that connects

1:02:20.240 --> 1:02:23.320
<v Speaker 1>with hippocampus and it projects his parents, and he gets

1:02:23.320 --> 1:02:25.640
<v Speaker 1>to tell his parents it's the last time he saw

1:02:25.680 --> 1:02:28.280
<v Speaker 1>his parents. It's when they do the young Robert Downey Jr.

1:02:28.640 --> 1:02:31.000
<v Speaker 1>Uh And he gets to tell his parents like what

1:02:31.080 --> 1:02:32.880
<v Speaker 1>he always wanted to say before they died, which was

1:02:32.960 --> 1:02:37.200
<v Speaker 1>essentially Tony's actual words him were like, it's okay, dad,

1:02:37.200 --> 1:02:40.040
<v Speaker 1>you did the best you could. Right, we're getting here.

1:02:40.120 --> 1:02:42.440
<v Speaker 1>The last line he says to his dad is almost identical,

1:02:42.480 --> 1:02:44.560
<v Speaker 1>but instead of just to walk off, his dad gets

1:02:44.600 --> 1:02:47.440
<v Speaker 1>to respond. And if that doesn't just give you the shivers,

1:02:47.480 --> 1:02:49.680
<v Speaker 1>Like I just wrote this article about the legacy of

1:02:49.720 --> 1:02:52.200
<v Speaker 1>Tony Stark because it didn't strike me how much I

1:02:52.240 --> 1:02:54.640
<v Speaker 1>liked the character until his journey ended. Because to me,

1:02:54.680 --> 1:02:58.520
<v Speaker 1>I'm like rich, entitled white douche bag. Like Okay, it's fine,

1:02:58.520 --> 1:03:01.280
<v Speaker 1>Like Robert Downey Juniors is junior, it's infectious. Like you

1:03:01.320 --> 1:03:03.240
<v Speaker 1>love his performance, you want to watch him. He's like

1:03:03.240 --> 1:03:07.400
<v Speaker 1>a wonderful performer. But Tony Stark is constantly just running

1:03:07.440 --> 1:03:11.200
<v Speaker 1>headlong into decisions and making giant mistakes and then really

1:03:11.240 --> 1:03:13.439
<v Speaker 1>getting mad when people are like he wants to clean

1:03:13.520 --> 1:03:15.000
<v Speaker 1>up his own mistakes, but he doesn't want to really

1:03:15.040 --> 1:03:18.400
<v Speaker 1>take responsibility ever. You know, he's he's sorry that it happened,

1:03:18.400 --> 1:03:20.040
<v Speaker 1>but like, I'll correct it and I'll do it by

1:03:20.040 --> 1:03:22.160
<v Speaker 1>myself and it'll all be fine. And that constant like

1:03:22.200 --> 1:03:25.880
<v Speaker 1>tripping over himself is always causing problems, and it's what

1:03:26.080 --> 1:03:30.720
<v Speaker 1>makes his final snap so peak perfect, because one he's

1:03:30.760 --> 1:03:33.760
<v Speaker 1>got the assurance that this is the only way. And

1:03:33.760 --> 1:03:36.680
<v Speaker 1>we've seen Tony constantly through every Iron Man movie, through

1:03:36.720 --> 1:03:38.960
<v Speaker 1>every Avengers movie, put his body on the line. He's

1:03:38.960 --> 1:03:41.400
<v Speaker 1>willing to die for this cause, but it's never really

1:03:41.440 --> 1:03:43.440
<v Speaker 1>been worth it. You didn't ever really have to. You

1:03:43.480 --> 1:03:45.800
<v Speaker 1>were never going to be the leader that Captain America

1:03:45.880 --> 1:03:47.400
<v Speaker 1>just naturally was, but you didn't need to be. You

1:03:47.440 --> 1:03:50.200
<v Speaker 1>were rebel and a patriot. And that is so American

1:03:50.240 --> 1:03:52.680
<v Speaker 1>and so closely ideals that Captain America holds. He his heart.

1:03:52.720 --> 1:03:54.600
<v Speaker 1>It's so close to what your dad was always trying

1:03:54.600 --> 1:03:56.920
<v Speaker 1>to achieve. Like all these heroes that he felt were

1:03:57.040 --> 1:03:59.880
<v Speaker 1>so far away from him gave him the respect, I mean,

1:03:59.880 --> 1:04:01.960
<v Speaker 1>the fact that what Capped does with his life after

1:04:02.040 --> 1:04:05.440
<v Speaker 1>is just value Tony's message and Tony's agenda, and it's like,

1:04:05.480 --> 1:04:07.840
<v Speaker 1>I'm just gonna go and live a simple life because

1:04:08.000 --> 1:04:10.160
<v Speaker 1>we all deserve to have that at some point. It

1:04:10.320 --> 1:04:13.400
<v Speaker 1>is the most miraculous arc like it is. I hope

1:04:13.480 --> 1:04:15.880
<v Speaker 1>that eventually we can get this with all of the characters.

1:04:16.160 --> 1:04:18.520
<v Speaker 1>But the way they did it with Tony was pitch perfect.

1:04:18.600 --> 1:04:20.440
<v Speaker 1>The most I think the thing that made it the

1:04:20.480 --> 1:04:24.120
<v Speaker 1>most perfect, the icing on the top, is the fact

1:04:24.160 --> 1:04:26.960
<v Speaker 1>that Tony ends the way the m C You started,

1:04:27.360 --> 1:04:30.120
<v Speaker 1>the m C You started at the end of Iron

1:04:30.120 --> 1:04:33.240
<v Speaker 1>Man when he says I am iron Man, and the

1:04:33.360 --> 1:04:37.520
<v Speaker 1>last line that Tony Stark says in the m C

1:04:37.720 --> 1:04:42.880
<v Speaker 1>You is I am iron Man. Just all just who

1:04:42.880 --> 1:04:46.200
<v Speaker 1>I gotta breathe a second, or I'm just reaction of it, Okay,

1:04:46.200 --> 1:04:49.360
<v Speaker 1>you could just go. This was another one of those

1:04:49.360 --> 1:04:52.040
<v Speaker 1>like splashes, and this was a horror movie. I was

1:04:52.080 --> 1:04:56.680
<v Speaker 1>centered around you know, black culture, blackness and uh and everything.

1:04:56.720 --> 1:04:59.280
<v Speaker 1>And I remember instead of like I know, there was

1:04:59.320 --> 1:05:02.840
<v Speaker 1>the bloody mare. You can say the name three three times, yeah,

1:05:03.160 --> 1:05:06.080
<v Speaker 1>And people said that for Candy Man, where I grew up,

1:05:06.240 --> 1:05:08.040
<v Speaker 1>Like if you say candy Man in the mirror, he

1:05:08.080 --> 1:05:10.560
<v Speaker 1>comes and he kills you. But it's five times. Yeah,

1:05:10.560 --> 1:05:13.280
<v Speaker 1>it's five times in the actual movie. But but but

1:05:13.360 --> 1:05:15.800
<v Speaker 1>people were like three times in the mirror. Yeah. My

1:05:15.920 --> 1:05:19.200
<v Speaker 1>fiance is still won't say it really still today. Well,

1:05:19.240 --> 1:05:21.000
<v Speaker 1>I was telling her about it yesterday. I was like, yeah,

1:05:21.000 --> 1:05:23.240
<v Speaker 1>so we're doing Candy Man. She was like, you can

1:05:23.280 --> 1:05:26.960
<v Speaker 1>only say that name so many times. I was like,

1:05:27.120 --> 1:05:33.080
<v Speaker 1>it's not gonna She's like, still wrong. Yeah, you know

1:05:33.200 --> 1:05:35.400
<v Speaker 1>it could no one, you know, knowing that I know

1:05:35.480 --> 1:05:39.080
<v Speaker 1>have said it five times. There were some controversy that

1:05:39.120 --> 1:05:43.120
<v Speaker 1>the film was depicting racism and racial stereotypes. This film

1:05:45.760 --> 1:05:48.280
<v Speaker 1>based on that scene you just described, not see what

1:05:48.520 --> 1:05:53.640
<v Speaker 1>the problem is, you know what? Just according to Rose,

1:05:53.840 --> 1:05:56.280
<v Speaker 1>I had to go and have a whole set of

1:05:56.320 --> 1:05:58.800
<v Speaker 1>meetings with the inn double a CP because the producer

1:05:58.840 --> 1:06:01.840
<v Speaker 1>were so worried. And what they said to me was

1:06:02.080 --> 1:06:04.400
<v Speaker 1>they'd read the script. What they said to me when

1:06:04.400 --> 1:06:06.959
<v Speaker 1>they read the script was why are we even having

1:06:07.000 --> 1:06:15.480
<v Speaker 1>this meeting? You know, this is just good fun, just fun. Um.

1:06:15.840 --> 1:06:19.680
<v Speaker 1>This must be the National Advancement the National Association of

1:06:19.720 --> 1:06:26.080
<v Speaker 1>the Advancement of Caucasian People. Their argument was why shouldn't

1:06:26.080 --> 1:06:35.960
<v Speaker 1>a black actor be a ghost? Why should black actor

1:06:36.000 --> 1:06:39.360
<v Speaker 1>play Freddy Krueger adible elector? If you're saying that they

1:06:39.400 --> 1:06:42.640
<v Speaker 1>can't be it's really perverse. This is a horror movie.

1:06:42.920 --> 1:06:46.439
<v Speaker 1>According to Madison, I was and am now worried about

1:06:46.480 --> 1:06:49.760
<v Speaker 1>how people will respond. I don't think uh, I don't

1:06:49.760 --> 1:06:52.680
<v Speaker 1>think Spike Lee will like this film. To his defense,

1:06:52.720 --> 1:07:01.000
<v Speaker 1>he's right, because don't anything like yeah, that's that's a

1:07:01.160 --> 1:07:06.720
<v Speaker 1>that's an easy did I make it? No? Oh my gosh,

1:07:07.040 --> 1:07:10.040
<v Speaker 1>this is great because I want to know how much

1:07:10.040 --> 1:07:12.520
<v Speaker 1>of that is true. I just love to quote why

1:07:12.560 --> 1:07:17.760
<v Speaker 1>shouldn't a black actor be a ghost? It's like, imagine

1:07:17.760 --> 1:07:21.040
<v Speaker 1>how much better Whoopi Goldberg would have been? It'santa Patrick.

1:07:22.040 --> 1:07:25.439
<v Speaker 1>I don't know why was she a ghost? Oh? This

1:07:25.520 --> 1:07:28.600
<v Speaker 1>is Oh, this is already off to the best start,

1:07:28.680 --> 1:07:31.000
<v Speaker 1>because I mean, this is this is the amount of

1:07:31.000 --> 1:07:33.800
<v Speaker 1>gravity to approach this movie. But also it's like it's

1:07:33.840 --> 1:07:36.240
<v Speaker 1>funny because it is like a tin pole in the

1:07:36.240 --> 1:07:40.520
<v Speaker 1>black community. It's important. It's it's important to us because,

1:07:41.200 --> 1:07:43.800
<v Speaker 1>like we said, why shouldn't black people be a ghost

1:07:44.720 --> 1:07:47.160
<v Speaker 1>or a Freddie Grueger? When we're saying a lot of

1:07:47.160 --> 1:07:49.360
<v Speaker 1>funny things, but I'm not joking. And how big of

1:07:49.400 --> 1:07:53.280
<v Speaker 1>an impact candy Man has a black I mean there's nothing.

1:07:53.320 --> 1:07:56.560
<v Speaker 1>What's the other like big black horror movie besides tell

1:07:56.600 --> 1:07:58.960
<v Speaker 1>Us from the Yeah, I think that's it, right, Yeah,

1:07:58.960 --> 1:08:01.800
<v Speaker 1>I think it's candy Man of Us came along and

1:08:01.800 --> 1:08:07.240
<v Speaker 1>and um uh get out. So yeah, there's been nothing

1:08:07.280 --> 1:08:11.840
<v Speaker 1>for us. Yeah, it was either this or acrimony from

1:08:11.880 --> 1:08:22.120
<v Speaker 1>Tyler Perry. Scariest movie for a different reason. Oh oh man,

1:08:22.640 --> 1:08:26.240
<v Speaker 1>so uh so, so we went to Chicago. He was scared.

1:08:26.520 --> 1:08:31.640
<v Speaker 1>Now we're talking such an excellent like now you're caught up,

1:08:32.439 --> 1:08:35.240
<v Speaker 1>caught up. Uh So, Now we get to the casting,

1:08:35.240 --> 1:08:41.759
<v Speaker 1>which is wilder than we were ready for. So Eddie

1:08:41.840 --> 1:08:45.679
<v Speaker 1>Murphy was the original choice for the role of candy Man,

1:08:46.080 --> 1:08:49.200
<v Speaker 1>but his filmmakers could not afford him, which means both

1:08:49.600 --> 1:08:52.040
<v Speaker 1>the film was off to a great start, but also

1:08:52.120 --> 1:08:55.879
<v Speaker 1>he's not the choice like, well, and the biggest comedy

1:08:55.880 --> 1:09:02.080
<v Speaker 1>star is gonna be our horror guy. I'm gonna kill you.

1:09:03.760 --> 1:09:06.160
<v Speaker 1>That's that's how I learned. My Eddie Murphy impression needs

1:09:06.160 --> 1:09:08.639
<v Speaker 1>some tightening up. But you know I got the point.

1:09:09.360 --> 1:09:11.280
<v Speaker 1>I mean, at least you did it. So I didn't.

1:09:12.640 --> 1:09:16.200
<v Speaker 1>Todd negotiated a bonus of one thousand dollars for every

1:09:16.240 --> 1:09:23.719
<v Speaker 1>beasting he suffered well filming, he was stung twenty three times.

1:09:24.360 --> 1:09:28.080
<v Speaker 1>I mean that's smart. He's like, Yo, you gotta pay

1:09:28.120 --> 1:09:30.599
<v Speaker 1>me a rack every time I get stuff. But also like,

1:09:30.640 --> 1:09:32.880
<v Speaker 1>how do you do you just lie or do they

1:09:32.960 --> 1:09:35.639
<v Speaker 1>check you for standing? I know when you're talking money

1:09:35.680 --> 1:09:38.080
<v Speaker 1>like you're talking about a rack. I got stung a million.

1:09:42.000 --> 1:09:45.080
<v Speaker 1>I'm just saying I'm at the doctor right Nowtress. You

1:09:45.120 --> 1:09:46.920
<v Speaker 1>know it's the naughties, so I can't send you like

1:09:46.960 --> 1:09:52.200
<v Speaker 1>a picture. I left my polaroid in my in my catillec,

1:09:53.240 --> 1:09:56.840
<v Speaker 1>so you're gonna have to believe me. I'm calling you

1:09:56.880 --> 1:10:01.479
<v Speaker 1>on a landline. Oh my god, I'm if you wad away.

1:10:01.800 --> 1:10:04.880
<v Speaker 1>Jeff Trammell right over there, we're reading through the plot

1:10:04.880 --> 1:10:06.960
<v Speaker 1>of Candy Man. I'm glad we waited this long ago.

1:10:07.080 --> 1:10:10.240
<v Speaker 1>It I'm glad we got all the making of the

1:10:10.479 --> 1:10:12.759
<v Speaker 1>all that out of the way because the plot itself

1:10:12.800 --> 1:10:15.920
<v Speaker 1>needs to be dived into. Because also another thing to

1:10:16.000 --> 1:10:18.840
<v Speaker 1>remember while we're going through this plot is Key and

1:10:18.840 --> 1:10:21.640
<v Speaker 1>Peele is rebooting this, so it's gonna be keep I

1:10:21.760 --> 1:10:25.639
<v Speaker 1>keep calling Key and people, Jordan, people, my bad. Jordan's yeah,

1:10:25.720 --> 1:10:28.840
<v Speaker 1>y'all together for the rest of my life. Jordan Peele

1:10:28.920 --> 1:10:31.519
<v Speaker 1>is remaking this. It's gonna be fun to see what

1:10:31.600 --> 1:10:33.680
<v Speaker 1>he decides to keep on, what he gets rid of.

1:10:33.880 --> 1:10:40.599
<v Speaker 1>And I think it's gonna be along. It's gonna be

1:10:40.640 --> 1:10:44.240
<v Speaker 1>a lot on the chopping block if it what I'm reading.

1:10:45.720 --> 1:10:51.559
<v Speaker 1>Oh my gosh. All right. Um, So the dog has

1:10:51.600 --> 1:10:57.680
<v Speaker 1>been decapitated and Amory's baby Anthony is missing, and she

1:10:57.760 --> 1:11:00.799
<v Speaker 1>attacks Helen and the mist of defending her self. Helen

1:11:00.880 --> 1:11:04.559
<v Speaker 1>is arrested by the police. Trevor, Helen's husband, bills her

1:11:04.600 --> 1:11:06.840
<v Speaker 1>out of jail, but Candy Man appears to Helen again

1:11:06.920 --> 1:11:09.519
<v Speaker 1>and cuts her neck, causing her to bleed to a

1:11:09.520 --> 1:11:13.080
<v Speaker 1>point of unconsciousness, so she blacks out again. Bernadette appears

1:11:13.120 --> 1:11:15.679
<v Speaker 1>at the apartment and is murdered by candy Man, who

1:11:15.720 --> 1:11:19.639
<v Speaker 1>frames Helen for the murder. Helen is sedated and placed

1:11:19.640 --> 1:11:23.519
<v Speaker 1>in a psychiatric hospital. After a month's stay at the hospital,

1:11:23.560 --> 1:11:27.200
<v Speaker 1>Helen is interviewed by a psychologist in preparation for upcoming trial.

1:11:27.600 --> 1:11:30.439
<v Speaker 1>She attempts to prove her innocence by summoning Candyman, who

1:11:30.560 --> 1:11:35.000
<v Speaker 1>kills the psychologist allows Helen to escape, making it harder

1:11:35.000 --> 1:11:38.559
<v Speaker 1>to prove Wait a minute, wait, wait, wait, wasn't his

1:11:38.720 --> 1:11:41.880
<v Speaker 1>goal to prove that he is a real thing? So

1:11:41.920 --> 1:11:47.280
<v Speaker 1>why is he putting all these murders? I don't understand. Oh,

1:11:47.800 --> 1:11:50.320
<v Speaker 1>I'm starting to remember last time I read this plot,

1:11:50.600 --> 1:11:53.439
<v Speaker 1>and just you ain't ready, That's all I'm gonna say.

1:11:53.640 --> 1:11:56.760
<v Speaker 1>You are not and will never be ready because now

1:11:56.840 --> 1:12:00.640
<v Speaker 1>I'm remembering what happens, and I remember or why it

1:12:01.040 --> 1:12:04.000
<v Speaker 1>raced out of my memory once again, I'm still going

1:12:04.080 --> 1:12:08.200
<v Speaker 1>to revisit. Why if you are back in Civil ware

1:12:08.400 --> 1:12:11.960
<v Speaker 1>War slave times for very you know, I don't even

1:12:11.960 --> 1:12:16.160
<v Speaker 1>know if Kennyman made it juneteenth. Uh, I don't even

1:12:16.200 --> 1:12:18.080
<v Speaker 1>think he made it. Why are you coming back and

1:12:18.160 --> 1:12:20.559
<v Speaker 1>killing black people like you should have died? If that's

1:12:20.720 --> 1:12:23.240
<v Speaker 1>if that's how you handle your your grief. I mean,

1:12:23.240 --> 1:12:26.759
<v Speaker 1>it seems like he would only kill white people, especially

1:12:26.760 --> 1:12:28.640
<v Speaker 1>like white men, right because he was in love with

1:12:28.680 --> 1:12:31.240
<v Speaker 1>a white woman. So yeah, why is he killing and

1:12:31.240 --> 1:12:33.479
<v Speaker 1>then after all these years still fall for a white

1:12:33.479 --> 1:12:37.040
<v Speaker 1>woman who would have learned, didn't even get didn't want

1:12:37.080 --> 1:12:40.519
<v Speaker 1>to try one system could have change your life. I've

1:12:40.560 --> 1:12:45.080
<v Speaker 1>been sitting there eating good. You are running back to

1:12:45.120 --> 1:12:53.360
<v Speaker 1>helln Is this a movie about me? Uh so, here's

1:12:53.400 --> 1:12:57.360
<v Speaker 1>the hard thing we know about the film. In September

1:12:57.400 --> 1:12:59.200
<v Speaker 1>of two thousand and eighteen, it was announced that Jordan

1:12:59.240 --> 1:13:01.360
<v Speaker 1>Peele was in talking to produce the sequel. Oh it's

1:13:01.400 --> 1:13:07.559
<v Speaker 1>a sequel, son, I'm hoping it's a reboot. Yeah, through

1:13:07.640 --> 1:13:11.080
<v Speaker 1>Monkey Pop Production. Uh yeah, it says. Kenny Man is

1:13:11.120 --> 1:13:14.479
<v Speaker 1>revealed to be Daniel Robertaale, son of a slave on

1:13:14.520 --> 1:13:17.400
<v Speaker 1>a plantation in New Orleans. Daniel was chosen by a

1:13:17.479 --> 1:13:21.720
<v Speaker 1>wealthy landauver, so only slaves could take the moniker of

1:13:21.840 --> 1:13:25.080
<v Speaker 1>candy Man. You just pass it down like the flash,

1:13:25.960 --> 1:13:28.679
<v Speaker 1>but but it takes one. Oh you gotta be a slave.

1:13:29.680 --> 1:13:32.040
<v Speaker 1>Uh yeah, he was. And he was also a painter.

1:13:32.120 --> 1:13:34.720
<v Speaker 1>He painted culture of the daughter Caroline, resulting in an

1:13:34.720 --> 1:13:38.400
<v Speaker 1>affair between the two. After Caroline became pregnant, Carlin's father

1:13:38.479 --> 1:13:40.720
<v Speaker 1>organized a lynch mob to hut down Daniel. This is

1:13:40.760 --> 1:13:44.040
<v Speaker 1>just the same movie. Cut off his right hand coat

1:13:44.080 --> 1:13:50.439
<v Speaker 1>of honey from a nearby by hut. It seems like,

1:13:51.080 --> 1:13:57.120
<v Speaker 1>seems like back then, it's only one way to do.

1:14:00.040 --> 1:14:03.800
<v Speaker 1>Black man, who sleeps with your wife? You cut off

1:14:03.840 --> 1:14:07.600
<v Speaker 1>his head. You cover froom it, honey. My father did it,

1:14:07.960 --> 1:14:11.800
<v Speaker 1>my father's father did it, and we're not changing the thing.

1:14:14.479 --> 1:14:18.439
<v Speaker 1>And that is all. Thank you all for listening. We

1:14:18.479 --> 1:14:21.120
<v Speaker 1>could have one more best of episode than it's back

1:14:21.120 --> 1:14:23.840
<v Speaker 1>to your regularly scheduled nerdive sitting. We have some cool

1:14:23.920 --> 1:14:27.439
<v Speaker 1>things cooked up for you next year. But thanks for

1:14:27.479 --> 1:14:30.240
<v Speaker 1>hanging out and hopefully I'm the first to tell you

1:14:30.640 --> 1:14:35.000
<v Speaker 1>Happy New Year. Enjoy It's about to be a great year.

1:14:35.160 --> 1:14:38.120
<v Speaker 1>Happy New Year, Stay nerdy.