1 00:00:00,120 --> 00:00:04,760 Speaker 1: It's kiss Ti whatever you like. Good morning, Ryan Seacrest 2 00:00:04,840 --> 00:00:08,959 Speaker 1: sistany Tanya here. So you know, people are talking about 3 00:00:09,039 --> 00:00:12,720 Speaker 1: the Academy Awards the day after into the day after 4 00:00:12,760 --> 00:00:15,680 Speaker 1: the day after, and today it's interesting because there's just 5 00:00:15,720 --> 00:00:19,520 Speaker 1: as much talk about one of the non actor winners 6 00:00:19,640 --> 00:00:22,799 Speaker 1: as there are the actor actress winners, and that is 7 00:00:22,840 --> 00:00:24,479 Speaker 1: this guy. And I have to tell you. When he 8 00:00:24,520 --> 00:00:26,320 Speaker 1: came up on stage and gave him a very charming 9 00:00:26,320 --> 00:00:28,159 Speaker 1: speech and they cut away to show his wife, I'm like, 10 00:00:28,200 --> 00:00:32,320 Speaker 1: this is a power couple. Yea, Paul Rodgers. People can't 11 00:00:32,320 --> 00:00:34,680 Speaker 1: get enough of the editor from everything everywhere, all at once. 12 00:00:34,800 --> 00:00:37,839 Speaker 1: Paul Rogers. He came up, he held the oscar, he 13 00:00:37,880 --> 00:00:40,519 Speaker 1: gave the speech, and he's a looker, he really is. 14 00:00:40,640 --> 00:00:43,360 Speaker 1: He's a local. He knew we needed him in our 15 00:00:43,360 --> 00:00:45,839 Speaker 1: live until we saw him go up there and do 16 00:00:45,840 --> 00:00:49,360 Speaker 1: it his acceptance speech, and we're like, wow, you are charming. 17 00:00:50,000 --> 00:00:52,720 Speaker 1: So people are talking about it, right, yeah, I mean, 18 00:00:52,720 --> 00:00:54,560 Speaker 1: and it was instant. As soon as he did give 19 00:00:54,600 --> 00:00:57,240 Speaker 1: his acceptance speech, the internet and the tweets just started 20 00:00:57,360 --> 00:00:59,640 Speaker 1: flooding in, and some of the best ones they're just 21 00:00:59,720 --> 00:01:03,200 Speaker 1: kind of lum I'm just gonna say it, Editor Paul 22 00:01:03,280 --> 00:01:07,240 Speaker 1: Rodgers is hot. I'd give that editor everything everywhere. All 23 00:01:07,280 --> 00:01:12,160 Speaker 1: that was really Oh my god, that was aggressive. Editor. 24 00:01:12,240 --> 00:01:15,160 Speaker 1: Paul Rogers makes me believe in straight white men again. 25 00:01:15,440 --> 00:01:18,440 Speaker 1: Paul Rodgers, I didn't know who you were ten seconds ago, 26 00:01:18,480 --> 00:01:20,840 Speaker 1: but I kind of need you. I mean, do you 27 00:01:20,840 --> 00:01:22,880 Speaker 1: think Paul Rodgers is reading those I mean, if you're 28 00:01:22,880 --> 00:01:25,000 Speaker 1: Paul Rodgers, you're doing a reading like I want to 29 00:01:25,000 --> 00:01:27,480 Speaker 1: read that. I think so. But then again, yes, he 30 00:01:27,600 --> 00:01:29,920 Speaker 1: is married, so we all need to settle down a 31 00:01:29,920 --> 00:01:32,360 Speaker 1: little bit. But um, if you remember that this is 32 00:01:32,520 --> 00:01:34,240 Speaker 1: a little part of his speech, I have to sing 33 00:01:34,319 --> 00:01:37,039 Speaker 1: my wife, the most incredible woman in the room. Um, 34 00:01:39,120 --> 00:01:41,480 Speaker 1: my family. My mom is up here somewhere. I don't know, 35 00:01:41,680 --> 00:01:47,400 Speaker 1: she'll scream there. She is like a movie star, so 36 00:01:47,440 --> 00:01:50,040 Speaker 1: comfortable up on stage. Paul Rogers, the editor of everything 37 00:01:50,040 --> 00:01:52,640 Speaker 1: all at once, everything everywhere, all at once. I always 38 00:01:52,640 --> 00:01:54,560 Speaker 1: want to say in between. I don't know why, but 39 00:01:54,640 --> 00:01:57,440 Speaker 1: I want to, yeah, everything all at once, and in 40 00:01:57,440 --> 00:02:01,360 Speaker 1: between him throw it in. But that out, Paul edited out. 41 00:02:02,200 --> 00:02:05,320 Speaker 1: So Paul is uh winning, and people are talking about 42 00:02:05,320 --> 00:02:07,040 Speaker 1: now it's funny when they cut away to his wife 43 00:02:07,400 --> 00:02:10,280 Speaker 1: and he said the most beautiful, wonderful woman in the room. 44 00:02:10,440 --> 00:02:12,800 Speaker 1: I was like, now I want to watch that story. 45 00:02:13,120 --> 00:02:17,120 Speaker 1: Now I want to know how they met. Oh yeah, story, 46 00:02:17,320 --> 00:02:21,000 Speaker 1: another backstory about him. He's come a really long way 47 00:02:21,080 --> 00:02:24,000 Speaker 1: because he was the editor of the music video for 48 00:02:24,120 --> 00:02:27,240 Speaker 1: DJ Snake and Little John's turned down for what turned 49 00:02:27,240 --> 00:02:33,600 Speaker 1: down for what? Ye down? So from that to now 50 00:02:33,680 --> 00:02:36,680 Speaker 1: winning an Oscar for this, however, let's not say such 51 00:02:36,680 --> 00:02:40,400 Speaker 1: a long way. That was a killer track and video. Yeah, yeah, 52 00:02:40,440 --> 00:02:44,720 Speaker 1: so we knew then, Yeah, we knew he had something 53 00:02:44,880 --> 00:02:48,919 Speaker 1: when he edited that. Yeah, the Collective Week. Yeah yeah, 54 00:02:49,520 --> 00:02:52,400 Speaker 1: we're so proud of him. We're so proud of Paul Rodgers, 55 00:02:52,960 --> 00:02:55,480 Speaker 1: the editor from Everything All at Once and Everywhere in between, 56 00:02:56,960 --> 00:03:01,200 Speaker 1: coming back with your four packet Disneyland tickets Net. Congratulations. Seriously, 57 00:03:01,240 --> 00:03:03,760 Speaker 1: Everything Everywhere All at Once is a and do you 58 00:03:03,800 --> 00:03:06,120 Speaker 1: think it the editing of that that is no wonder 59 00:03:06,160 --> 00:03:08,640 Speaker 1: he won the Oscar. Great job. Congrat's Paul and everybody 60 00:03:08,680 --> 00:03:09,959 Speaker 1: who won to on that film.