WEBVTT - Episode 469 w/ Havoc

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<v Speaker 1>He is drinks chests, motherfucking podcast man.

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<v Speaker 2>He's a legends every Queens rapper.

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<v Speaker 1>He ain't agreed that your boy in O R E.

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<v Speaker 2>He's a Miami hip hop pioneer, put up as d

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<v Speaker 2>J E f N. Together they drink it up with

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<v Speaker 2>some of the biggest players you mean, and the most

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<v Speaker 2>professional unprofessional podcast and your number one source for drunk.

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<v Speaker 1>Drink chans for every days New Year's e. That's it's

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<v Speaker 1>time for drink champions. Drink up. Mother would a good

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<v Speaker 1>be hopeing? He wa? Be that your boy in O

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<v Speaker 1>R E? What up is DJ E f N milicim crazy?

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<v Speaker 1>Your Yeah? Yeah yeah, it's dream Champs Street cham where

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<v Speaker 1>we said you're gonna interview legends.

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<v Speaker 3>This man, it's a legend, part of a legendary group

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<v Speaker 3>about to drop a legendary album. In a lot of ways.

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<v Speaker 3>If it wasn't for him, I wouldn't be here for show.

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<v Speaker 3>I thought, I think, I thought about his history, I

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<v Speaker 3>thought about everything.

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<v Speaker 1>He's a legend, legend, on feats, food.

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<v Speaker 3>Member, solo, whatever, doing it, been doing it.

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<v Speaker 1>We're gonna give him his.

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<v Speaker 3>Motherfucking flowers today, motherfucking h Avoc.

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<v Speaker 1>Can't forget there chance alumni. That's so, so let me

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<v Speaker 1>ask you. You got a new album coming out? Yep,

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<v Speaker 1>we got a new mall deep abum crazy. That's official

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<v Speaker 1>mab Deep.

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<v Speaker 4>It's official Prodigy versus having versus.

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<v Speaker 1>Nah.

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<v Speaker 4>This hit is official, is done, it is mixed, massive,

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<v Speaker 4>ready to go.

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<v Speaker 1>Right.

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<v Speaker 3>So, and I just was speaking to Alchemists. Alchemists was

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<v Speaker 3>producing as well.

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<v Speaker 4>Yeah, absolutely, So Okay, when we first started working on

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<v Speaker 4>the album, you know what I'm saying.

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<v Speaker 1>I flew out to l A.

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<v Speaker 4>You know what I'm saying, started fucking with Alchemists because

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<v Speaker 4>you know, Alchemists probably got a ton of Prodigy versus.

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<v Speaker 1>You know what I'm saying, that family.

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<v Speaker 4>Yeah, absolutely, you know what I'm saying. So you know

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<v Speaker 4>he has some ship, so it was only right there.

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<v Speaker 4>You know what I'm saying, Our team though with him

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<v Speaker 4>because you know, our's family, so you know what I mean,

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<v Speaker 4>That's how we did that ship.

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<v Speaker 1>How many songs as part as you on all of them?

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<v Speaker 1>All them? Crazy?

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<v Speaker 5>Wow?

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<v Speaker 1>You know I mean, you know what I'm saying. How

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<v Speaker 1>many songs? Is it?

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<v Speaker 6>Shit?

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<v Speaker 1>Oh?

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<v Speaker 7>What?

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<v Speaker 1>Fourteen sixteen? They're not on even recycled verses. Just for

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<v Speaker 1>people out there, No.

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<v Speaker 4>These are not recycled versus. These are like versus that

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<v Speaker 4>was in the stash. What I'm saying that, you know,

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<v Speaker 4>alchemists had that the family gave me personally.

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<v Speaker 1>So you know what I mean, it ain't gonna be

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<v Speaker 1>no ship that nobody heard. All right, that's crazy, man,

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<v Speaker 1>Let's take a shot to that. Take a shot.

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<v Speaker 3>Look shit, So so let's talk about the new album. Yes,

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<v Speaker 3>I've seen you on the studio with nots definitely, yeah, yeah, yeah.

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<v Speaker 4>So because we're putting out the album on mass appeals,

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<v Speaker 4>you know what I'm saying. So yeah, So you know,

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<v Speaker 4>when I was thinking about putting out the album and ship,

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<v Speaker 4>I was like, you know, who could we fuck with?

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<v Speaker 8>It?

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<v Speaker 1>It's unlimited.

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<v Speaker 4>It's only a handful of people you can fuck with.

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<v Speaker 4>And you know, Nasen is you know what I'm saying.

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<v Speaker 4>You know, homie, you know what I'm saying. So who

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<v Speaker 4>else to fuck with when you know, putting out the project?

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<v Speaker 4>So and you know, hit nas and he was just

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<v Speaker 4>happy to have the project, you know what I'm saying.

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<v Speaker 5>Like, for real, right, were you ever hesitant to do

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<v Speaker 5>a new mom deep problem?

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<v Speaker 9>Nah?

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<v Speaker 1>Hell no, you know what I'm saying.

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<v Speaker 4>I was really fiending to do a mo all Deep

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<v Speaker 4>album because I just knew Prodigy had some unfinished business,

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<v Speaker 4>you know what I mean, And I wanted to you

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<v Speaker 4>know what I'm saying, let his last words be something

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<v Speaker 4>that was a concerted effort by you know me, ALC

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<v Speaker 4>Prodigy's family. You know what I'm saying, because you know,

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<v Speaker 4>when you got music and it's just sitting in the

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<v Speaker 4>computer that ship, don't do nobody no good?

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<v Speaker 1>Right, all right, work, we had to.

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<v Speaker 3>So let me ask you. The other day, I was

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<v Speaker 3>right after I spoke to you, I was in Italy.

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<v Speaker 3>Bleak had hit my phone right after that, right, and

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<v Speaker 3>Bleik was like, he said to me, He was like, yo,

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<v Speaker 3>he had just got off the phone with Cam right

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<v Speaker 3>he was saying, he said, he said, Yo. I always

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<v Speaker 3>think like what if? Like what if we did this?

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<v Speaker 3>What if we did that? That made me think of

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<v Speaker 3>questions to ask you. You know what I'm saying, Like,

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<v Speaker 3>what do you think life would be like? Right if

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<v Speaker 3>Prodigy never went to jail? What would life be like

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<v Speaker 3>if pridid he never went to jail.

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<v Speaker 1>You know what.

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<v Speaker 4>It's hard for me to say, you know what I mean,

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<v Speaker 4>because when he when he went to jail. I just

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<v Speaker 4>felt like shit was in limbo, you know what I mean.

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<v Speaker 4>But you know, he got his mind right when he

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<v Speaker 4>was in jail. You know, if he would have never

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<v Speaker 4>went to jail, I think he probably would have he

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<v Speaker 4>would accomplished a little bit more, you know what I mean.

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<v Speaker 1>I think why he was in jail, it was stagnating anybody.

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<v Speaker 4>You know what I'm saying. That shit kind of stagnated

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<v Speaker 4>him a little bit. But he was really the he

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<v Speaker 4>He really dug when it side deep in siding came out.

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<v Speaker 4>You know what I'm saying, he was diesus. I think

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<v Speaker 4>I think he you know what I'm saying. Not to

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<v Speaker 4>say he needed to sit down or nothing like that,

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<v Speaker 4>but I mean, you know what I'm saying, he made he.

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<v Speaker 1>Made use out of it.

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<v Speaker 3>You know, what do you think life would be like

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<v Speaker 3>if us Queen's people really stuck together.

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<v Speaker 10>I just thought about about it, nah right and by

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<v Speaker 10>Rappertnoyd nature tragedy caught meacka like like I thought about

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<v Speaker 10>I thought about like real seriously, like I'm talking about

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<v Speaker 10>we really like because that's what Bleak said the chemist,

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<v Speaker 10>like you imagine we really like all got And I

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<v Speaker 10>thought about it I was like.

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<v Speaker 3>Yo, I thought about it away here, and I was like,

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<v Speaker 3>if we really stuck together, we're not even even to

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<v Speaker 3>the south side.

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<v Speaker 1>Yet we didn't even say about the south side. You

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<v Speaker 1>know what I'm saying. We're just talking about the train.

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<v Speaker 3>I like to break down queens, like the trains in

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<v Speaker 3>the bustles, right, So if you get here in the trains,

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<v Speaker 3>that's like you would be a story of babies would

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<v Speaker 3>left rack Corona if you get it to the train,

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<v Speaker 3>maybe the Sepond train or whatever. But imagine that if

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<v Speaker 3>we really got together and who the hell we're not

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<v Speaker 3>to fuck with us like now, we would.

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<v Speaker 1>Be fucking unstoppable. You know what I'm saying. Because straight

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<v Speaker 1>up with that, you know what I'm saying, Listen, I'm biased.

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<v Speaker 4>You know what I'm saying. Queen's got the best of

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<v Speaker 4>them seeds, that's you.

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<v Speaker 1>Know what I mean.

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<v Speaker 4>But real talk, you know what I'm saying, Like, if

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<v Speaker 4>if us queens niggas stood together, we'd be unstoppable.

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<v Speaker 3>Just think about just think about it, Like think about

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<v Speaker 3>if Knives and court Meka never caught nine, like.

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<v Speaker 1>They just always stayed that Like how powerful that would

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<v Speaker 1>have been.

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<v Speaker 4>I mean that ship would be going still today. It

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<v Speaker 4>would still be going on today because those are two

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<v Speaker 4>vocal motherfucks, both of them, you know what I'm saying,

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<v Speaker 4>in their own right powerful work.

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<v Speaker 1>I mean, you know queens, you know, and they still

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<v Speaker 1>both you know I'm saying vocal, you know, but take

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<v Speaker 1>a shot to that. I'm watching you, look, yo, go ahead. Nah.

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<v Speaker 4>I think if Nas and Mega, you know what I'm saying,

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<v Speaker 4>didn't have that little friction. I think you know what

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<v Speaker 4>I'm saying that, it would have went a long day

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<v Speaker 4>and it's still with the lasted today. But you know

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<v Speaker 4>they made amends. You did make amends, so you know

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<v Speaker 4>this is what it is.

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<v Speaker 1>So what do you guys think went wrong?

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<v Speaker 5>Because it seemed like y'all were together when you were younger, right,

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<v Speaker 5>So what went wrong?

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<v Speaker 1>You know? I don't know.

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<v Speaker 3>I think egos. I think it's always boys down thinking.

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<v Speaker 1>Money got in the way.

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<v Speaker 5>I think.

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<v Speaker 3>Because you think about it. Cloud, you know, like I

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<v Speaker 3>tell you, I tell you man, I know, I told

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<v Speaker 3>you this before. I'm gonna tell you this. One of

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<v Speaker 3>my best memories in life. You got something you help

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<v Speaker 3>me do with one of my best memories in life.

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<v Speaker 1>I came home. Hmm.

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<v Speaker 3>I know I wanted to rap, but I had and

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<v Speaker 3>to go to go through and it was a mab

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<v Speaker 3>Deep show. I believe it was the Palladium. I want

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<v Speaker 3>to say the Palladium, but n I's had the gold

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<v Speaker 3>gs Lexus.

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<v Speaker 1>I remember that.

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<v Speaker 3>And he drove through and it was like the path

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<v Speaker 3>opened up and it was done for mall Deep like

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<v Speaker 3>and I don't remember. I think he just killer was

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<v Speaker 3>dripping him. It's just killer IDs and he leaned out

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<v Speaker 3>the window and said, dude, that's what I want. I

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<v Speaker 3>was like, yo, like I made him. I didn't want

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<v Speaker 3>to sell drugs and don't.

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<v Speaker 7>Know.

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<v Speaker 3>I was like the power of that energy right there.

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<v Speaker 3>I was like, it's part of my memory and lighte

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<v Speaker 3>not my best hip hop memory. Do you know how

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<v Speaker 3>powerful marb Deep was do you know, especially at that time?

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<v Speaker 4>Like nah, I I really you know what I'm saying,

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<v Speaker 4>because I just was you know what I'm saying, new

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<v Speaker 4>want the scene. I ain't really know you what I'm saying.

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<v Speaker 4>I just was trying to make the best music I

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<v Speaker 4>could make. I really didn't realize the power that mob

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<v Speaker 4>Deep had at that time or the impact, you know

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<v Speaker 4>what I mean, just a producer rapper just trying to

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<v Speaker 4>make some music. Man.

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<v Speaker 3>I remember that Queensbridge was so hot. It used to

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<v Speaker 3>be A and R's on the hill.

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<v Speaker 1>I was like, Yo, that's crazy. I believe it. I

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<v Speaker 1>believe you gotta be careful like this. It's like they

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<v Speaker 1>don't know no better. They just want to look and.

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<v Speaker 3>See a rap cpher Like that's how hot Queensbridge was.

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<v Speaker 4>Bro Yo, motherfuckers from overseas just be going to Queensbridge

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<v Speaker 4>just like like it's like a.

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<v Speaker 1>Tourist but.

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<v Speaker 5>Not like Noah.

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<v Speaker 4>They was doing that in the nineties, like like I'd

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<v Speaker 4>be running into motherfuckers that be Like, Yo, you know

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<v Speaker 4>thirty years ago I was in queens Bridge and I

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<v Speaker 4>just started living out there, Like you know what I'm saying,

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<v Speaker 4>living out there like.

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<v Speaker 1>This is crazy taking a shot to that.

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<v Speaker 3>Yeah, I imagine if we all stuck together and like

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<v Speaker 3>because because I first thought about it when it was

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<v Speaker 3>a room of a Queen's tour. I don't know if

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<v Speaker 3>you remember that. I remember that, and I remember the

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<v Speaker 3>names was Nas, Marv, Deepega, and I believe mega, oh,

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<v Speaker 3>I forget maybe nature, you know what I mean, Like

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<v Speaker 3>you know the crew, and I imagine that like if

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<v Speaker 3>we did one show together.

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<v Speaker 1>And when I say do one show together, I don't mean.

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<v Speaker 3>Like Mark Deep re hearsedtres By themself.

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<v Speaker 1>I mean we're doing it all like like like one

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<v Speaker 1>big show, Like one big show. Imagine that like one.

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<v Speaker 4>Time, you know, a taste of that that we got

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<v Speaker 4>was what was that that Mally mal regularly.

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<v Speaker 1>No no, no, that was that was that was? That

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<v Speaker 1>was QB the QB album.

0:11:02.080 --> 0:11:04.640
<v Speaker 4>The QB Like that was kind of like it was

0:11:04.679 --> 0:11:06.600
<v Speaker 4>a taste of it because motherfuckers was in the center

0:11:07.120 --> 0:11:09.040
<v Speaker 4>doing the video, you know what I'm saying, And that

0:11:09.120 --> 0:11:12.439
<v Speaker 4>kind of was like what it would be like if

0:11:13.080 --> 0:11:16.679
<v Speaker 4>you know, Queen's motherfuckers stuck together. But you know, you

0:11:16.679 --> 0:11:18.480
<v Speaker 4>know what I'm saying. Your guess as good as mine's, Like,

0:11:19.040 --> 0:11:21.200
<v Speaker 4>why you know what I'm saying, motherfuckers, I guess you

0:11:21.240 --> 0:11:23.880
<v Speaker 4>know everybody really was just out to make it like

0:11:23.920 --> 0:11:25.640
<v Speaker 4>you know what I'm saying. Motherfucker's like yo, you know,

0:11:25.679 --> 0:11:28.480
<v Speaker 4>like they hungry, like they give me, let me get that.

0:11:28.400 --> 0:11:29.040
<v Speaker 1>You know what I'm saying.

0:11:29.080 --> 0:11:33.280
<v Speaker 4>So you know, motherfuckers didn't know. I don't think motherfuckers

0:11:33.320 --> 0:11:35.680
<v Speaker 4>was thinking about the power that we could have had

0:11:36.000 --> 0:11:39.199
<v Speaker 4>all together, you know what I mean, until now it would.

0:11:39.080 --> 0:11:40.560
<v Speaker 1>Last even like right, you.

0:11:40.559 --> 0:11:42.600
<v Speaker 4>Know what I'm saying, Like you were saying, I think

0:11:42.640 --> 0:11:44.000
<v Speaker 4>a lot of egos was involved.

0:11:45.040 --> 0:11:46.840
<v Speaker 3>Yeah, because I thought about it, I was like, yo,

0:11:46.840 --> 0:11:49.880
<v Speaker 3>if we really and then by affiliation that brings a Z,

0:11:50.240 --> 0:11:51.000
<v Speaker 3>that brings fox.

0:11:51.400 --> 0:11:52.760
<v Speaker 1>You know what I'm saying, affiliation.

0:11:52.840 --> 0:11:55.400
<v Speaker 3>I know that's not Queen's but like that, the only

0:11:55.600 --> 0:11:57.240
<v Speaker 3>if we were together, that would have been a group

0:11:57.320 --> 0:11:59.839
<v Speaker 3>like Wu tang like only would have been able to

0:11:59.880 --> 0:12:01.079
<v Speaker 3>do that, you know what I mean, it would have

0:12:01.120 --> 0:12:01.600
<v Speaker 3>been crazy.

0:12:02.040 --> 0:12:05.040
<v Speaker 1>I definitely agree. It's not too late to do something. Guys. Yeah,

0:12:05.240 --> 0:12:08.640
<v Speaker 1>you know, let's get it, you know, let's get it.

0:12:08.920 --> 0:12:11.320
<v Speaker 3>So when I hit Twitter, one of the people said,

0:12:12.040 --> 0:12:14.280
<v Speaker 3>I said, you got questions for having They say, what's

0:12:14.280 --> 0:12:15.720
<v Speaker 3>one of the favorite beats you made?

0:12:16.320 --> 0:12:18.120
<v Speaker 1>One of the favorite beats that I made? Like a

0:12:18.240 --> 0:12:22.480
<v Speaker 1>mall deep tak any period, anybody whatever? You My sitter

0:12:22.559 --> 0:12:25.520
<v Speaker 1>is like clich is, I'm gonna always go with chickle ones.

0:12:25.520 --> 0:12:28.440
<v Speaker 1>You know, it's just for me. It's just we got

0:12:28.520 --> 0:12:32.079
<v Speaker 1>to talk about when you were here. Last time you

0:12:32.240 --> 0:12:33.240
<v Speaker 1>talked about the stove.

0:12:34.080 --> 0:12:39.720
<v Speaker 4>You went, that's not the way. What is the story listen,

0:12:41.400 --> 0:12:43.400
<v Speaker 4>I turned on the stove. You know what I'm saying.

0:12:43.559 --> 0:12:46.120
<v Speaker 4>This is the truth story, you know what I'm saying.

0:12:46.160 --> 0:12:48.400
<v Speaker 4>I recorded it and then I brought it to the

0:12:48.400 --> 0:12:51.560
<v Speaker 4>studios and the ENGINEY was like, Yo, that's that sounds

0:12:51.600 --> 0:12:53.400
<v Speaker 4>like I had So then I put it.

0:12:53.320 --> 0:12:53.760
<v Speaker 1>In the song.

0:12:53.960 --> 0:13:00.040
<v Speaker 5>Wow, okay with that was it.

0:12:59.679 --> 0:13:04.600
<v Speaker 1>But I'm gonna leave it the myth. I'm gonna leave it. Okay, Okay.

0:13:04.720 --> 0:13:06.520
<v Speaker 3>Did you see where they rated at the greatest hip

0:13:06.520 --> 0:13:17.120
<v Speaker 3>hop beat of all time? Oh yeah, yeah, yeah.

0:13:13.760 --> 0:13:17.319
<v Speaker 4>I mean yo, that was That was an honor for sure.

0:13:17.960 --> 0:13:20.320
<v Speaker 4>I could think of five other beats in my head

0:13:20.360 --> 0:13:22.800
<v Speaker 4>that deserved that same honor, you know what I mean.

0:13:22.800 --> 0:13:25.160
<v Speaker 1>So I was just you know, you know what I'm saying.

0:13:25.200 --> 0:13:29.360
<v Speaker 1>Appreciate it. You know, I'm the beat is fire? Do

0:13:29.400 --> 0:13:30.719
<v Speaker 1>you own the Masters?

0:13:30.840 --> 0:13:33.960
<v Speaker 4>Oh yeah, you know a matter of fact, they revert

0:13:34.040 --> 0:13:35.440
<v Speaker 4>back to you in three yeahs.

0:13:35.880 --> 0:13:36.480
<v Speaker 7>And we now.

0:13:37.960 --> 0:13:42.520
<v Speaker 11>Twenty five maybe thirty five years Before they revert back

0:13:42.520 --> 0:13:43.880
<v Speaker 11>to you have to put in a notice.

0:13:44.040 --> 0:13:44.520
<v Speaker 1>Oh wow.

0:13:44.559 --> 0:13:47.280
<v Speaker 4>So yeah, so I put in my notice and then

0:13:47.320 --> 0:13:48.800
<v Speaker 4>they reverted back to us this year.

0:13:48.920 --> 0:13:49.520
<v Speaker 1>Okay, wow.

0:13:50.080 --> 0:13:58.240
<v Speaker 3>Because what's your faith favorite mab Deep album?

0:13:58.679 --> 0:14:01.320
<v Speaker 1>My favorite mall deep. Let me look on this table.

0:14:02.400 --> 0:14:03.760
<v Speaker 1>I don't have everything here, but.

0:14:05.240 --> 0:14:10.080
<v Speaker 4>I'm gonna have to say, uh, the infamous, the infamous, Yeah, yeah, yeah,

0:14:10.080 --> 0:14:11.120
<v Speaker 4>the information for sure.

0:14:11.800 --> 0:14:15.440
<v Speaker 5>So sorry, But can we go back to juvenile hell?

0:14:15.520 --> 0:14:18.560
<v Speaker 5>Because I feel like it's underappreciated and you guys even

0:14:18.559 --> 0:14:20.160
<v Speaker 5>downplayed it a little bit.

0:14:20.400 --> 0:14:22.320
<v Speaker 1>But I think people are going back to this record now.

0:14:22.400 --> 0:14:23.040
<v Speaker 3>Yeah, for sure.

0:14:23.120 --> 0:14:25.000
<v Speaker 4>I used to down play this shit a lot because

0:14:25.680 --> 0:14:27.440
<v Speaker 4>that was a tough time for me. You know, when

0:14:27.440 --> 0:14:29.800
<v Speaker 4>you when you come out with a record, nobody not

0:14:29.880 --> 0:14:32.880
<v Speaker 4>fucking with you, and you know you want to kind

0:14:32.880 --> 0:14:35.600
<v Speaker 4>of put that ship behind you, you know. But today,

0:14:36.000 --> 0:14:38.280
<v Speaker 4>you know, I acknowledge the record to the fullest. It

0:14:38.320 --> 0:14:40.960
<v Speaker 4>was a It was a you know, a heartfelt attempt

0:14:41.000 --> 0:14:43.280
<v Speaker 4>by me and p try to break into the game,

0:14:44.120 --> 0:14:47.880
<v Speaker 4>and we was we will show these holdre you as ship,

0:14:48.240 --> 0:14:48.400
<v Speaker 4>you know.

0:14:48.800 --> 0:14:52.360
<v Speaker 1>Sixteen seventeen, yeah, seventeen. Yeah, you know what I'm saying.

0:14:52.720 --> 0:14:56.120
<v Speaker 1>Seeing Norio on the block, all.

0:14:56.040 --> 0:14:58.520
<v Speaker 5>Right, Well, I think it's considered a classic now, to

0:14:58.560 --> 0:14:59.000
<v Speaker 5>be honest with you.

0:14:59.160 --> 0:15:02.520
<v Speaker 3>So so what made y'all Because like you said, it

0:15:02.560 --> 0:15:04.720
<v Speaker 3>wasn't a popular album, right, but it was an album

0:15:04.720 --> 0:15:06.200
<v Speaker 3>that was out and you had a record deal, like

0:15:06.400 --> 0:15:07.640
<v Speaker 3>most people ain't have record deal.

0:15:07.680 --> 0:15:08.240
<v Speaker 1>I was seventeen.

0:15:08.480 --> 0:15:10.440
<v Speaker 3>What made you say, y'all, I want to stick to this?

0:15:10.600 --> 0:15:13.320
<v Speaker 3>And it's like that sound right there, Juvenile Hell is

0:15:13.360 --> 0:15:18.240
<v Speaker 3>different from the infamous? So did allmatic drop in between?

0:15:18.280 --> 0:15:18.400
<v Speaker 12>Then?

0:15:19.600 --> 0:15:19.880
<v Speaker 1>Yeah?

0:15:20.120 --> 0:15:24.400
<v Speaker 4>So what happened was I believe that the Juvenile Hell

0:15:24.600 --> 0:15:28.040
<v Speaker 4>dropped and then Naves came out. It just blew everything

0:15:28.040 --> 0:15:29.600
<v Speaker 4>out the water, you know what I mean? So that

0:15:29.720 --> 0:15:32.000
<v Speaker 4>was like, you know what I mean, imagine being in

0:15:32.000 --> 0:15:35.040
<v Speaker 4>the projects. You drop an album and then you know,

0:15:35.560 --> 0:15:37.400
<v Speaker 4>one of your people's on the next block drop a

0:15:37.400 --> 0:15:38.800
<v Speaker 4>album and everybody in the hood.

0:15:38.680 --> 0:15:40.680
<v Speaker 1>Is playing it and they're not playing your ship.

0:15:40.760 --> 0:15:45.320
<v Speaker 3>You know that ship for Juvenile Hell.

0:15:45.480 --> 0:15:46.840
<v Speaker 1>Yeah, but juvene out Hell.

0:15:46.960 --> 0:15:49.320
<v Speaker 4>So that shit is that's a motivator, you know what

0:15:49.360 --> 0:15:52.440
<v Speaker 4>I'm saying, That's the motivation for your ass. And you know,

0:15:52.440 --> 0:15:55.640
<v Speaker 4>I'm happy it happened that way because it was like damn,

0:15:55.760 --> 0:15:58.720
<v Speaker 4>like you know what I'm saying, Like back to the drum, Yeah,

0:15:58.720 --> 0:16:02.440
<v Speaker 4>but it definitely lit the flame because you know, Nas

0:16:02.560 --> 0:16:04.600
<v Speaker 4>was like on the next level. Like, so if you

0:16:04.800 --> 0:16:06.560
<v Speaker 4>aim to try to be good as him, you're just

0:16:06.560 --> 0:16:07.680
<v Speaker 4>gonna land somewhere dope.

0:16:07.840 --> 0:16:08.440
<v Speaker 1>It doesn't matter.

0:16:08.480 --> 0:16:12.760
<v Speaker 3>You know what I'm saying now, is it true? Tragedy

0:16:12.880 --> 0:16:13.560
<v Speaker 3>gave you your name?

0:16:13.720 --> 0:16:16.040
<v Speaker 1>He did? Okay, that bastard.

0:16:17.960 --> 0:16:19.760
<v Speaker 4>He gave me the name. You know what I'm saying.

0:16:20.240 --> 0:16:23.440
<v Speaker 4>I appreciate it. He was like my mentor back in

0:16:23.440 --> 0:16:24.400
<v Speaker 4>the hood. You know what I'm saying.

0:16:24.440 --> 0:16:24.960
<v Speaker 7>He was.

0:16:25.000 --> 0:16:27.240
<v Speaker 4>He was a rapper that uh you know I looked

0:16:27.280 --> 0:16:28.720
<v Speaker 4>up to. He had just came home.

0:16:29.360 --> 0:16:29.520
<v Speaker 1>You know.

0:16:29.560 --> 0:16:31.800
<v Speaker 4>I used to follow him around and ship and you know,

0:16:32.240 --> 0:16:37.080
<v Speaker 4>Havoc was like one of his MC names and yeah,

0:16:37.120 --> 0:16:40.360
<v Speaker 4>you know his names. Yeah, yeah, it was having trash,

0:16:40.480 --> 0:16:47.520
<v Speaker 4>tragedy tragic like that one of my names.

0:16:47.640 --> 0:16:50.200
<v Speaker 1>Yeah, yeah, because I have a name. So he gave

0:16:50.200 --> 0:16:52.080
<v Speaker 1>me the name and it stuck.

0:16:52.160 --> 0:16:56.400
<v Speaker 4>But I definitely have to thank him because he was

0:16:56.400 --> 0:16:58.320
<v Speaker 4>one of those people that stayed on me to write.

0:16:58.520 --> 0:16:59.800
<v Speaker 1>You know what I mean when I was when I

0:16:59.840 --> 0:17:00.280
<v Speaker 1>was younger.

0:17:00.280 --> 0:17:03.400
<v Speaker 4>If when I used to see him, if I didn't

0:17:03.440 --> 0:17:05.240
<v Speaker 4>have a rhyme, he used to like fuck me up

0:17:05.480 --> 0:17:06.000
<v Speaker 4>ship like that.

0:17:06.080 --> 0:17:08.040
<v Speaker 1>My back still hurts to this day. They used to

0:17:08.119 --> 0:17:09.000
<v Speaker 1>really fuck me up.

0:17:09.640 --> 0:17:12.760
<v Speaker 4>But you know I give you know what I'm saying,

0:17:12.800 --> 0:17:15.000
<v Speaker 4>Old praises to Chads for that, right.

0:17:14.920 --> 0:17:15.320
<v Speaker 1>That's what.

0:17:19.720 --> 0:17:22.520
<v Speaker 3>So all right, so how did how did Juvenile Hell

0:17:22.600 --> 0:17:23.600
<v Speaker 3>even like.

0:17:24.520 --> 0:17:26.360
<v Speaker 1>I wanted to ask, how did you even get discovered

0:17:26.400 --> 0:17:28.840
<v Speaker 1>for that? Yeah? Because that that, you know, how that happened.

0:17:28.880 --> 0:17:31.200
<v Speaker 4>That that that came from me and Peace standing around

0:17:31.240 --> 0:17:35.280
<v Speaker 4>Death Jam, Russian Associated labels and ship like that, meeting

0:17:35.280 --> 0:17:37.520
<v Speaker 4>people in the industry, because obviously the first thing that

0:17:37.560 --> 0:17:38.600
<v Speaker 4>you want to do if you want to get a

0:17:38.600 --> 0:17:40.639
<v Speaker 4>record deal, let's find out where the record companies that

0:17:41.000 --> 0:17:43.399
<v Speaker 4>Like I said, hey, you see the record companies on

0:17:43.400 --> 0:17:46.080
<v Speaker 4>the back. So death Jam was the popping label back then,

0:17:46.200 --> 0:17:48.960
<v Speaker 4>you know what I'm saying, in the you know, late eighties,

0:17:49.480 --> 0:17:51.440
<v Speaker 4>early nineties. So we used to stand in front of

0:17:51.480 --> 0:17:53.919
<v Speaker 4>death Jam, you know, Prodigy told the story before, and

0:17:54.440 --> 0:17:55.280
<v Speaker 4>we met.

0:17:55.160 --> 0:17:58.440
<v Speaker 3>Some people and Juvenile Hell was on Devin Jam.

0:17:58.800 --> 0:18:01.760
<v Speaker 4>No, no, no, no, it was I wish I wish

0:18:01.920 --> 0:18:04.439
<v Speaker 4>now actually should have on us, you know what I'm saying. Like,

0:18:04.480 --> 0:18:06.960
<v Speaker 4>we tried to get a record deal with Russell Simmons

0:18:07.160 --> 0:18:08.960
<v Speaker 4>while we went to meet him, and he was like, nah,

0:18:09.080 --> 0:18:10.880
<v Speaker 4>you know your curge too much, and so.

0:18:10.800 --> 0:18:12.520
<v Speaker 1>He actually he himself turned it down.

0:18:12.600 --> 0:18:14.760
<v Speaker 4>Yeah he did, he did, but that was the blessing

0:18:14.800 --> 0:18:17.679
<v Speaker 4>in his eyes. They didn't have on that was like afterwards, like.

0:18:19.760 --> 0:18:20.320
<v Speaker 1>You know what I'm saying.

0:18:20.320 --> 0:18:22.600
<v Speaker 4>Then then we see them with Onyx and were like

0:18:22.920 --> 0:18:26.480
<v Speaker 4>come on, like you know, like it's all good. But yeah,

0:18:26.520 --> 0:18:29.960
<v Speaker 4>so we met a bunch of people, you know, Chris Lighty,

0:18:30.240 --> 0:18:33.520
<v Speaker 4>Q Tip, you know, the whole the whole office. One

0:18:33.520 --> 0:18:36.440
<v Speaker 4>thing led to another, you know, we we got into

0:18:36.480 --> 0:18:39.000
<v Speaker 4>the Source magazine, people started looking at us.

0:18:39.920 --> 0:18:41.840
<v Speaker 1>Yeah, Unsigned, hyped and Bones alone.

0:18:41.920 --> 0:18:44.520
<v Speaker 4>I believe he was, uh, you know, working at for

0:18:44.640 --> 0:18:46.920
<v Speaker 4>from Broadway, and they gave us a deal.

0:18:47.160 --> 0:18:49.080
<v Speaker 1>You know what I'm saying. They gave us a deal

0:18:49.240 --> 0:18:54.000
<v Speaker 1>and who who is distributed by Alan Alan Record?

0:18:54.040 --> 0:18:58.040
<v Speaker 5>Yeah all got Actually I think it got all taken into.

0:18:57.920 --> 0:18:59.920
<v Speaker 1>Dumb jam Universal.

0:19:00.119 --> 0:19:04.560
<v Speaker 5>Yeah probably, but but the lord when Universal took over everything, the.

0:19:04.600 --> 0:19:08.000
<v Speaker 4>Lord to forth from Broadway back then was that they

0:19:08.040 --> 0:19:10.160
<v Speaker 4>had Eric b and Rock him once upon a time.

0:19:10.240 --> 0:19:15.160
<v Speaker 4>So you know they were just want to sign over there.

0:19:19.240 --> 0:19:22.120
<v Speaker 3>But now let's talk about the infamous no doubt, Let's

0:19:22.119 --> 0:19:24.199
<v Speaker 3>talk about that album. That album is probably one of

0:19:24.200 --> 0:19:31.080
<v Speaker 3>the greatest albums on hip hop or I know we

0:19:31.119 --> 0:19:34.320
<v Speaker 3>talked about strict Ones to be well, let's overall talk

0:19:34.320 --> 0:19:35.800
<v Speaker 3>about the album and its totality.

0:19:36.280 --> 0:19:38.520
<v Speaker 1>So where where do y'all at? What studios?

0:19:40.040 --> 0:19:40.200
<v Speaker 12>Uh?

0:19:40.440 --> 0:19:46.840
<v Speaker 4>Unique Studios, I believe Unique Studios, Platinum Islands Okay, Uh,

0:19:47.040 --> 0:19:49.520
<v Speaker 4>Summer Battery or you know what I mean, shit like that.

0:19:49.600 --> 0:19:51.080
<v Speaker 1>Okay, those three major studios.

0:19:52.680 --> 0:19:56.080
<v Speaker 3>So now y'all start the album off already signed to Loud.

0:19:56.080 --> 0:19:58.959
<v Speaker 1>How did that Loud? Yeah, how did that Loud connection

0:19:59.040 --> 0:19:59.480
<v Speaker 1>come about?

0:19:59.760 --> 0:20:03.680
<v Speaker 4>Yes, so we got dropped off of for from Boadway, right,

0:20:04.160 --> 0:20:05.679
<v Speaker 4>But you know, there were still a few people that

0:20:05.760 --> 0:20:08.560
<v Speaker 4>believed in us, that had connections to Steve Rifkin that

0:20:08.680 --> 0:20:12.280
<v Speaker 4>just freshly started Loud Records, and we got a meeting

0:20:12.320 --> 0:20:15.000
<v Speaker 4>with Steve Rifkin. At the time, he just had basically

0:20:15.040 --> 0:20:18.080
<v Speaker 4>like a cubicle in r c A, you know what

0:20:18.160 --> 0:20:21.040
<v Speaker 4>I mean. And he had a group called the wool Tang.

0:20:21.080 --> 0:20:23.359
<v Speaker 4>He's like, yo, I got this group Wu Tang. You

0:20:23.400 --> 0:20:28.960
<v Speaker 4>know what I'm saying. I never knew sound. I have

0:20:29.080 --> 0:20:30.960
<v Speaker 4>no idea who they was, you know what I mean.

0:20:31.040 --> 0:20:33.000
<v Speaker 4>But I was like, I just wanted to deal, so

0:20:33.040 --> 0:20:34.280
<v Speaker 4>I ain't give a fuck, you know what I'm saying.

0:20:34.320 --> 0:20:36.240
<v Speaker 4>He was like, Yo, you could do whatever I want to.

0:20:36.240 --> 0:20:37.840
<v Speaker 4>Blah blah blah. He was like, but by the way,

0:20:38.119 --> 0:20:40.880
<v Speaker 4>take this tape Wu Tang you know what I'm saying,

0:20:40.920 --> 0:20:41.600
<v Speaker 4>whatever whatever, So.

0:20:41.960 --> 0:20:44.200
<v Speaker 1>You know, I listened to it and just was like yeah.

0:20:44.240 --> 0:20:46.200
<v Speaker 4>I was like, you know, like kind of like whatever

0:20:46.240 --> 0:20:47.400
<v Speaker 4>because I'm just in.

0:20:47.280 --> 0:20:49.080
<v Speaker 1>My own world. I understand what I'm saying.

0:20:49.520 --> 0:20:52.280
<v Speaker 4>Two weeks later, after we got the deal with Loud,

0:20:53.000 --> 0:20:55.240
<v Speaker 4>everybody in Queensbridge was playing for Teked.

0:20:56.840 --> 0:21:00.359
<v Speaker 1>I was like, yo, I got that. I got that,

0:21:00.880 --> 0:21:03.960
<v Speaker 1>you know what I'm saying. So people know good music,

0:21:04.000 --> 0:21:04.520
<v Speaker 1>you know what I mean?

0:21:04.560 --> 0:21:06.960
<v Speaker 4>And that really made me listen to they ship and

0:21:06.960 --> 0:21:12.240
<v Speaker 4>I was like oh, I was like yeah, this is crazy, Like.

0:21:11.080 --> 0:21:15.280
<v Speaker 3>Okay, but all right, so you make so you already

0:21:15.280 --> 0:21:17.960
<v Speaker 3>signed to LOUD before you make it start making the album.

0:21:18.320 --> 0:21:19.280
<v Speaker 1>No, we didn't.

0:21:19.280 --> 0:21:21.520
<v Speaker 4>We didn't make those songs yet when we signed the LOUD,

0:21:21.520 --> 0:21:23.440
<v Speaker 4>but we had a demo and one of the songs

0:21:23.440 --> 0:21:26.359
<v Speaker 4>on the demo was a black Patty Shop, I don't know.

0:21:26.440 --> 0:21:30.240
<v Speaker 1>The wee spot yeah, twenty fourth Street, Yeah you go,

0:21:30.560 --> 0:21:33.639
<v Speaker 1>I forget well. Yeah. So yeah, so we we did that.

0:21:33.720 --> 0:21:35.520
<v Speaker 4>We gave it to Steve Rifkin. Then he gave us

0:21:35.520 --> 0:21:38.159
<v Speaker 4>a deal. We didn't have no songs, but he said

0:21:38.520 --> 0:21:42.120
<v Speaker 4>Steve Rifkin was like yo, uh y'all could do whatever

0:21:42.200 --> 0:21:42.679
<v Speaker 4>y'all want to do.

0:21:42.840 --> 0:21:43.800
<v Speaker 1>Just do what you want to do, you know what

0:21:43.800 --> 0:21:46.640
<v Speaker 1>I'm saying. And you know, I was a little you.

0:21:46.600 --> 0:21:48.719
<v Speaker 4>Know, I was happy that he said that, but I

0:21:48.840 --> 0:21:50.719
<v Speaker 4>never produced the whole album for myself.

0:21:50.720 --> 0:21:52.880
<v Speaker 1>At the time. I only had a bunch of producers

0:21:52.880 --> 0:21:54.480
<v Speaker 1>on here, right, you know what I mean. And I

0:21:54.520 --> 0:21:56.760
<v Speaker 1>only did like maybe like two songs on that album.

0:21:56.800 --> 0:21:57.439
<v Speaker 1>So that was me.

0:21:57.920 --> 0:22:00.159
<v Speaker 4>If you listen to the two songs that I did

0:22:00.240 --> 0:22:03.359
<v Speaker 4>produce on the Juvenile Hell album, you could hit a

0:22:03.400 --> 0:22:07.000
<v Speaker 4>preview of what the infamous album was gonna sound, because

0:22:07.040 --> 0:22:08.000
<v Speaker 4>that's when I was playing.

0:22:08.560 --> 0:22:12.920
<v Speaker 1>You did the whole Yeah, Primos on.

0:22:12.880 --> 0:22:17.800
<v Speaker 4>Their large professors and these other dudes from Long Island.

0:22:17.880 --> 0:22:21.440
<v Speaker 4>You know, they was dope producers, but it wasn't us though,

0:22:21.480 --> 0:22:22.120
<v Speaker 4>you know what I'm saying.

0:22:22.119 --> 0:22:23.040
<v Speaker 1>It's like, you know what I mean.

0:22:23.040 --> 0:22:26.439
<v Speaker 4>But at the time, I wasn't really confident in, you know,

0:22:26.520 --> 0:22:28.840
<v Speaker 4>my production. I didn't think that I could do it.

0:22:28.920 --> 0:22:32.040
<v Speaker 4>But you know, when Steve was like, yo, just do

0:22:32.119 --> 0:22:32.720
<v Speaker 4>whatever you want.

0:22:32.640 --> 0:22:34.360
<v Speaker 1>To I was like, fuck it. If we're gonna fuck

0:22:34.440 --> 0:22:35.879
<v Speaker 1>up this time, we're gonna suck it up.

0:22:36.200 --> 0:22:39.840
<v Speaker 4>You've already heard Juvenile like I'm sure they played it

0:22:39.840 --> 0:22:41.320
<v Speaker 4>for him, like you know what I'm saying, I'm sure

0:22:41.359 --> 0:22:43.760
<v Speaker 4>they played it for him or whatever. But that demo

0:22:43.880 --> 0:22:47.000
<v Speaker 4>we did, you know what I'm saying, really got his attention,

0:22:47.040 --> 0:22:47.480
<v Speaker 4>you know what I mean.

0:22:48.520 --> 0:22:53.000
<v Speaker 1>And the demo was winded up on the Infamous or no, nah,

0:22:51.560 --> 0:22:55.119
<v Speaker 1>the demo didn't wind up on the Infamous.

0:22:55.160 --> 0:23:00.520
<v Speaker 13>But when we was making the album, we had a

0:23:00.720 --> 0:23:03.240
<v Speaker 13>Q Tip coming and kind of help us, you know

0:23:03.280 --> 0:23:06.080
<v Speaker 13>what I mean, because we we had met him previously.

0:23:06.240 --> 0:23:08.960
<v Speaker 4>Not pew To looked out like you know what I'm saying,

0:23:09.000 --> 0:23:12.800
<v Speaker 4>He really looked out, like show how did that connection happen?

0:23:12.840 --> 0:23:14.800
<v Speaker 4>Is It's just a queen's day, It's a queen's stay,

0:23:14.880 --> 0:23:17.480
<v Speaker 4>you know what I'm saying. Like because I really don't remember,

0:23:18.160 --> 0:23:22.439
<v Speaker 4>I just know, you know, said so long ago that

0:23:23.720 --> 0:23:25.760
<v Speaker 4>you know, just being up at Death Jay, you just

0:23:25.800 --> 0:23:27.600
<v Speaker 4>meet a lot of people, you know what I'm saying.

0:23:27.680 --> 0:23:30.679
<v Speaker 4>And Pewtub was one of those people that you know,

0:23:30.800 --> 0:23:34.400
<v Speaker 4>he he stuck around and when we tapped him to

0:23:34.440 --> 0:23:37.520
<v Speaker 4>help us with the Infamous album, he did it like

0:23:37.640 --> 0:23:38.160
<v Speaker 4>you know what I mean.

0:23:38.320 --> 0:23:41.720
<v Speaker 14>And he produced a couple of songs classic joints too,

0:23:41.760 --> 0:23:46.119
<v Speaker 14>for sure, yeah, uh, drink away the pain class Uh,

0:23:46.320 --> 0:23:48.560
<v Speaker 14>temperatures Rising, Yeah, because.

0:23:48.400 --> 0:23:50.960
<v Speaker 1>I remember having a different version of the type which

0:23:51.000 --> 0:23:55.840
<v Speaker 1>is sample. Yeah, you know what it is.

0:23:56.040 --> 0:24:00.200
<v Speaker 4>Because what happened, it probably didn't clear because I had

0:24:00.200 --> 0:24:02.760
<v Speaker 4>the first one and it had a sample from like

0:24:02.800 --> 0:24:05.760
<v Speaker 4>a Quincy Jones record. It was like the temperatures yeah,

0:24:05.840 --> 0:24:09.840
<v Speaker 4>and it's not surprising it's from Quincy Jones. And I

0:24:09.880 --> 0:24:13.320
<v Speaker 4>guess you know. Q two was like, let's just get somebody.

0:24:13.400 --> 0:24:16.000
<v Speaker 4>We couldn't clear it, I believe, and let's get somebody

0:24:16.080 --> 0:24:18.400
<v Speaker 4>to single. It was Krystuh Johnson, you know what I mean,

0:24:19.760 --> 0:24:23.200
<v Speaker 4>And he did the beat over, so he did the sample,

0:24:23.280 --> 0:24:24.880
<v Speaker 4>but he kind of left it for me to kind

0:24:24.880 --> 0:24:27.000
<v Speaker 4>of like chop a little bit or whatever, like you

0:24:27.040 --> 0:24:30.760
<v Speaker 4>know what I mean. But he produced it and it

0:24:30.880 --> 0:24:32.920
<v Speaker 4>is I think it's one of the best songs on

0:24:32.960 --> 0:24:34.240
<v Speaker 4>the infamous album because.

0:24:34.040 --> 0:24:36.840
<v Speaker 1>It was just a real story. Yeah. Yeah, yeah, yeah, yeah,

0:24:36.840 --> 0:24:37.959
<v Speaker 1>it's just a good collaboration.

0:24:38.720 --> 0:24:42.240
<v Speaker 4>Unlikely too, like yeah, because you when you think about

0:24:42.840 --> 0:24:45.280
<v Speaker 4>you know, chop cot questions, you don't think like you

0:24:45.320 --> 0:24:47.119
<v Speaker 4>know what I'm saying, but you know they from the

0:24:47.160 --> 0:24:52.119
<v Speaker 4>hood of course, of course, So if.

0:24:51.960 --> 0:24:52.840
<v Speaker 1>You had to pick.

0:24:54.840 --> 0:25:01.560
<v Speaker 3>Rapping or producing, producing, producing all that. Yeah, why because

0:25:01.600 --> 0:25:03.200
<v Speaker 3>producers getting paid more than rather.

0:25:08.520 --> 0:25:11.720
<v Speaker 1>But okay, that's it. That's the only reason why. That's

0:25:11.760 --> 0:25:15.320
<v Speaker 1>not the only reason why. Uh, I could be more

0:25:15.320 --> 0:25:18.480
<v Speaker 1>creative without using words, you know what I mean?

0:25:20.960 --> 0:25:24.920
<v Speaker 4>You know, I find I find confident just like keeping

0:25:25.000 --> 0:25:27.760
<v Speaker 4>my fucking mouth Cett and just speaking, letting the beats

0:25:27.960 --> 0:25:29.639
<v Speaker 4>talk for me, you know what I mean, because the

0:25:29.640 --> 0:25:31.880
<v Speaker 4>beat says a lot of shit, you know what I mean,

0:25:32.160 --> 0:25:36.159
<v Speaker 4>it really does, and you know it's it's like my

0:25:36.240 --> 0:25:37.840
<v Speaker 4>quiet place, you know what I'm saying. When you're writing

0:25:37.880 --> 0:25:40.840
<v Speaker 4>and ship, you might offend somebody, you know, like say

0:25:40.840 --> 0:25:43.240
<v Speaker 4>the rough ship, you know what I mean, put to

0:25:43.320 --> 0:25:47.359
<v Speaker 4>see people moving to something that came out of your mind,

0:25:47.800 --> 0:25:52.359
<v Speaker 4>like you know, like a beat. It's a feeling I

0:25:52.400 --> 0:25:55.960
<v Speaker 4>can't fucking describe, you know what It's like, really really fucking.

0:25:55.680 --> 0:25:59.000
<v Speaker 1>Crazy because you guys have work with the best of them. Yeah,

0:25:59.080 --> 0:26:01.120
<v Speaker 1>you know I did. I did.

0:26:01.480 --> 0:26:06.680
<v Speaker 4>I definitely did. You know it brought me a long way,

0:26:06.960 --> 0:26:11.520
<v Speaker 4>you know what I mean. I always, you know, consider

0:26:11.560 --> 0:26:16.400
<v Speaker 4>myself more of an empty than a producer. Really, I did, really,

0:26:16.440 --> 0:26:18.400
<v Speaker 4>like you know, I'd be trying to write my asshof

0:26:18.480 --> 0:26:20.320
<v Speaker 4>you know what I mean. But when you sit next

0:26:20.359 --> 0:26:23.359
<v Speaker 4>to somebody that's the ultimate fucking writer, you know what

0:26:23.400 --> 0:26:26.200
<v Speaker 4>I'm saying, it's easy to be like, Okay, yeah, that's

0:26:26.200 --> 0:26:27.880
<v Speaker 4>cool having pe what'd you say?

0:26:27.920 --> 0:26:28.560
<v Speaker 1>You know what I'm saying.

0:26:28.840 --> 0:26:32.320
<v Speaker 4>And that's dope though, because it really made me get

0:26:32.359 --> 0:26:34.560
<v Speaker 4>into my bag with producing, you know what I mean.

0:26:34.720 --> 0:26:37.840
<v Speaker 4>And you know I noticed that when a lot of

0:26:37.840 --> 0:26:41.560
<v Speaker 4>times when I used to make beats around Prodigy, that

0:26:41.640 --> 0:26:44.280
<v Speaker 4>Nigga would wrap on anything I made, you know what

0:26:44.320 --> 0:26:48.560
<v Speaker 4>I'm saying. And I do believe that certain beats that

0:26:48.640 --> 0:26:50.919
<v Speaker 4>we turned into hits, if I was to give it

0:26:50.920 --> 0:26:52.600
<v Speaker 4>to somebody else, they probably wouldn't even.

0:26:52.480 --> 0:26:55.120
<v Speaker 1>Like to be They'd like whatever. You know what I mean,

0:26:55.160 --> 0:26:55.840
<v Speaker 1>shit like that.

0:26:56.040 --> 0:27:00.200
<v Speaker 3>So what's your favorite drink that you produced that it's

0:27:00.240 --> 0:27:00.800
<v Speaker 3>not made?

0:27:01.680 --> 0:27:03.200
<v Speaker 1>Uh, your hands down.

0:27:03.240 --> 0:27:07.080
<v Speaker 4>I don't have to say why about Ja Jada kits

0:27:07.119 --> 0:27:08.720
<v Speaker 4>ship because.

0:27:10.359 --> 0:27:12.120
<v Speaker 1>He just he he bodied it, you know what I'm saying.

0:27:12.160 --> 0:27:13.639
<v Speaker 4>I didn't know what he was going to do to it,

0:27:13.720 --> 0:27:15.880
<v Speaker 4>you know what I'm saying, and it just turned into

0:27:15.880 --> 0:27:16.760
<v Speaker 4>one of those records.

0:27:16.800 --> 0:27:17.840
<v Speaker 1>It's simple record.

0:27:18.320 --> 0:27:21.360
<v Speaker 4>But you know, nevertheless, you know what I'm saying, it's

0:27:21.440 --> 0:27:24.280
<v Speaker 4>some ship that I produced that it really went far?

0:27:24.840 --> 0:27:28.440
<v Speaker 1>And how about the dat you did it for Big right? Yeah,

0:27:28.920 --> 0:27:31.280
<v Speaker 1>Last Day, Last Days?

0:27:31.760 --> 0:27:35.800
<v Speaker 4>Yeah, I did that, but the original beat got lost

0:27:35.840 --> 0:27:40.119
<v Speaker 4>and ship the originally got lost and then I had

0:27:40.160 --> 0:27:40.720
<v Speaker 4>to do it over.

0:27:41.800 --> 0:27:43.199
<v Speaker 1>So you like the original beat of him?

0:27:43.800 --> 0:27:44.159
<v Speaker 4>I like it.

0:27:44.200 --> 0:27:47.240
<v Speaker 1>I like them both. The originally one popped up online.

0:27:46.840 --> 0:27:49.080
<v Speaker 4>You know what I'm saying somewhere, you know a couple

0:27:49.160 --> 0:27:51.160
<v Speaker 4>of years ago. It's like, you know what I'm saying,

0:27:51.160 --> 0:27:54.720
<v Speaker 4>it's a debate. But the joint, yeah, that was that

0:27:54.840 --> 0:27:57.720
<v Speaker 4>was the first record that people I think heard the

0:27:57.760 --> 0:27:58.199
<v Speaker 4>locks on.

0:27:58.440 --> 0:27:59.919
<v Speaker 1>You know what I'm saying, like the.

0:28:00.480 --> 0:28:05.920
<v Speaker 3>Last Days, Last Days?

0:28:06.600 --> 0:28:09.000
<v Speaker 5>How much has your production style changed since when you

0:28:09.040 --> 0:28:10.240
<v Speaker 5>did Infamous?

0:28:10.520 --> 0:28:13.000
<v Speaker 1>I would like to believe that it didn't change a lot, you.

0:28:12.920 --> 0:28:15.879
<v Speaker 5>Know what I mean, actually the style that you make,

0:28:15.960 --> 0:28:17.879
<v Speaker 5>the way you make the beat, actually what I really mean.

0:28:17.920 --> 0:28:21.040
<v Speaker 1>From juvenile health Oh to the Infamous?

0:28:21.480 --> 0:28:24.200
<v Speaker 3>Oh no, no, from Infamous to now Oh, from Infamous

0:28:24.200 --> 0:28:25.560
<v Speaker 3>to now that.

0:28:25.200 --> 0:28:28.399
<v Speaker 5>Not juvenile I mean, because I'm just saying, he did

0:28:28.520 --> 0:28:30.480
<v Speaker 5>more on this. So I feel like you really got

0:28:30.480 --> 0:28:33.600
<v Speaker 5>your production shops on Infamous, right, so from then on,

0:28:33.680 --> 0:28:35.120
<v Speaker 5>like you already got your style there.

0:28:35.720 --> 0:28:37.680
<v Speaker 1>How much has your style changed the way you make

0:28:37.720 --> 0:28:38.080
<v Speaker 1>the beat?

0:28:39.120 --> 0:28:42.040
<v Speaker 4>You know, to be honest with you, like, my style

0:28:42.120 --> 0:28:43.400
<v Speaker 4>hasn't changed much.

0:28:44.040 --> 0:28:44.920
<v Speaker 1>It's stayed the same.

0:28:45.000 --> 0:28:48.680
<v Speaker 4>And you know sometimes that that could be frustrating, you

0:28:48.680 --> 0:28:49.960
<v Speaker 4>know what I'm saying to me that you know what

0:28:50.000 --> 0:28:52.640
<v Speaker 4>I mean, Like the equipment might change, but my style

0:28:52.800 --> 0:28:54.360
<v Speaker 4>is still the same, Like you know what I mean.

0:28:54.360 --> 0:28:56.560
<v Speaker 4>But I like it because I just want to stay

0:28:56.560 --> 0:28:58.560
<v Speaker 4>in that bag. I really don't want to, you know

0:28:58.600 --> 0:29:00.240
<v Speaker 4>what I mean. Like you know what I say. I

0:29:00.320 --> 0:29:03.680
<v Speaker 4>just want to just do me, Like I don't want

0:29:03.720 --> 0:29:06.120
<v Speaker 4>to like chase hits and ship like that.

0:29:06.320 --> 0:29:06.840
<v Speaker 1>You know what I mean.

0:29:06.880 --> 0:29:09.840
<v Speaker 4>So it's a uh, it's pros and cons to it.

0:29:10.360 --> 0:29:13.120
<v Speaker 4>My style, it's definitely it's the same.

0:29:13.280 --> 0:29:16.000
<v Speaker 1>So the machinery never changes, No, I did, I did?

0:29:16.040 --> 0:29:18.200
<v Speaker 1>You know what I'm saying. You know, I don't funk

0:29:18.240 --> 0:29:22.920
<v Speaker 1>with the NPC no more, but something similar to it,

0:29:23.000 --> 0:29:23.480
<v Speaker 1>you know what I mean.

0:29:23.560 --> 0:29:26.440
<v Speaker 4>Like I still sample, you know, I still use the

0:29:26.520 --> 0:29:29.160
<v Speaker 4>keyboard and ship like that.

0:29:31.800 --> 0:29:34.640
<v Speaker 1>Ready to play quick time? Yeah, let's do it. Bring

0:29:34.640 --> 0:29:39.360
<v Speaker 1>Eli in for that. Okay, you got quick time guys.

0:29:39.600 --> 0:29:49.880
<v Speaker 1>Oh look at you guys. Let's bring in right, I

0:29:49.960 --> 0:29:51.080
<v Speaker 1>got playing them again.

0:29:51.120 --> 0:29:53.680
<v Speaker 5>Yeah, so this is basically this or that type of game.

0:29:53.760 --> 0:29:56.360
<v Speaker 5>Like we're gonna say two things. If you pick one,

0:29:56.400 --> 0:29:59.920
<v Speaker 5>we're not drinking. Pick one, we're not drinking. But if

0:29:59.920 --> 0:30:02.160
<v Speaker 5>you you say both are neither, like you really don't

0:30:02.160 --> 0:30:05.760
<v Speaker 5>want to answer it, then we're all drinking. But it's

0:30:05.800 --> 0:30:07.760
<v Speaker 5>not to this nobody, because people think we're trying to

0:30:07.760 --> 0:30:09.960
<v Speaker 5>pay people. Now, it's just to bring up stories. If

0:30:09.960 --> 0:30:11.719
<v Speaker 5>something comes up with a story with anybody, we talk

0:30:11.760 --> 0:30:17.600
<v Speaker 5>about any place, please let's go into that story. And

0:30:17.600 --> 0:30:20.160
<v Speaker 5>it's whatever criteria in your mind. There could be this

0:30:20.160 --> 0:30:22.280
<v Speaker 5>person made the best spaghetti you ever had in your life.

0:30:22.760 --> 0:30:26.000
<v Speaker 1>It could be anything, you know. Are you ready ready?

0:30:27.000 --> 0:30:28.160
<v Speaker 1>NAS or l ER.

0:30:31.360 --> 0:30:35.640
<v Speaker 4>I'm from QB, so you would think that, you know, automatically,

0:30:35.640 --> 0:30:37.480
<v Speaker 4>I'll say NAS is the homie for life.

0:30:37.960 --> 0:30:42.360
<v Speaker 1>L L just recently says some really dope shit to me. Uh,

0:30:42.880 --> 0:30:44.440
<v Speaker 1>I'm gonna have to take a drink to that. Okay,

0:30:44.520 --> 0:30:46.560
<v Speaker 1>let's take a drink to that. Solid. So does that

0:30:46.640 --> 0:30:47.520
<v Speaker 1>mean same? Both?

0:30:47.880 --> 0:30:51.520
<v Speaker 4>Yeah, cleanse legends absolutely.

0:30:53.560 --> 0:30:58.760
<v Speaker 1>Or too much of a shop for myself Q tip

0:30:59.080 --> 0:31:07.800
<v Speaker 1>or large frog ship both? Both? Damn both? Yeah? Both? Yeah, Okay, damn,

0:31:07.840 --> 0:31:11.000
<v Speaker 1>I'm in tell we need to be up. I need

0:31:11.040 --> 0:31:12.080
<v Speaker 1>another shot over here.

0:31:12.480 --> 0:31:16.840
<v Speaker 3>M he's doing the killer. No, you want to stick

0:31:16.880 --> 0:31:18.560
<v Speaker 3>with the sock the soccer mom.

0:31:19.720 --> 0:31:20.120
<v Speaker 1>I got his.

0:31:20.840 --> 0:31:23.600
<v Speaker 5>This is a family for for y'all know trash or

0:31:23.600 --> 0:31:26.400
<v Speaker 5>compone even know you gotta get him.

0:31:27.400 --> 0:31:28.800
<v Speaker 1>He's a tragic compoone.

0:31:29.600 --> 0:31:29.959
<v Speaker 5>Oh.

0:31:30.040 --> 0:31:35.800
<v Speaker 12>Then they both the Holy Legend with these guys over here.

0:31:36.080 --> 0:31:38.240
<v Speaker 1>Yeah, what do you what do you call that section?

0:31:38.320 --> 0:31:39.920
<v Speaker 1>I don't call it that cocaine section.

0:31:40.880 --> 0:31:42.920
<v Speaker 3>That's the Columbia and Dominican over there, and they go

0:31:42.960 --> 0:31:43.560
<v Speaker 3>over there.

0:31:43.600 --> 0:31:46.640
<v Speaker 1>And they write these questions. You got to take that shot,

0:31:46.720 --> 0:31:51.200
<v Speaker 1>the last shot, this last yeah, okay, Yeah, for me,

0:31:51.240 --> 0:31:53.840
<v Speaker 1>it's both. Okay, I already took the shot for that.

0:31:54.040 --> 0:31:54.800
<v Speaker 1>Then we take the shot.

0:31:54.880 --> 0:31:57.160
<v Speaker 3>I did because I knew. I knew I had to

0:31:57.200 --> 0:32:00.800
<v Speaker 3>say both. I had to say. But sold on.

0:32:02.240 --> 0:32:04.360
<v Speaker 1>Make sure he's got something. Yeah, you might need a

0:32:04.400 --> 0:32:07.880
<v Speaker 1>couple of shot cups there because it is looking bad

0:32:07.960 --> 0:32:14.160
<v Speaker 1>right now. But are lost boys? Oh man, Chris, I'm

0:32:14.160 --> 0:32:17.000
<v Speaker 1>gonna go. I'm gonna go with lost boys. Okay, he picking,

0:32:17.880 --> 0:32:25.040
<v Speaker 1>I'm gonna go both both. Yeah, I think drinks.

0:32:25.080 --> 0:32:26.840
<v Speaker 5>Well, no, it's kind of all of us. It's a

0:32:26.880 --> 0:32:32.960
<v Speaker 5>failure fair. Yeah, oh man, this shann carris one.

0:32:33.160 --> 0:32:38.000
<v Speaker 12>That's easy, that's he said for sure. Come on, guys,

0:32:39.240 --> 0:32:40.560
<v Speaker 12>no shout out to shed.

0:32:41.960 --> 0:32:45.720
<v Speaker 5>Yeah nature a royal flush.

0:32:46.360 --> 0:32:46.520
<v Speaker 12>Man.

0:32:46.560 --> 0:32:50.280
<v Speaker 1>They both the holies. I'm they both the holies.

0:32:50.360 --> 0:32:50.520
<v Speaker 12>Man.

0:32:50.560 --> 0:32:53.160
<v Speaker 1>You know what I mean, I'm gonna go with both.

0:32:53.200 --> 0:32:56.280
<v Speaker 5>I gotta go with Okay, so I gotta and they

0:32:56.360 --> 0:32:57.920
<v Speaker 5>both dope, we gotta go with drinks.

0:32:59.480 --> 0:33:02.280
<v Speaker 1>I'm lower over here. Yeah, yeah, you can make them some.

0:33:02.600 --> 0:33:05.960
<v Speaker 5>Smaller shots for you got to perform to that. We

0:33:06.000 --> 0:33:08.120
<v Speaker 5>do not want to be the reason that performance goes. Hey,

0:33:08.120 --> 0:33:12.800
<v Speaker 5>why yeah, small shots? No, no, no, that's way too much. Yeah,

0:33:12.840 --> 0:33:15.200
<v Speaker 5>smaller shots. You could sip it and do half and half. Okay,

0:33:15.240 --> 0:33:16.400
<v Speaker 5>got you do half and half.

0:33:16.480 --> 0:33:16.720
<v Speaker 12>Yeah.

0:33:17.120 --> 0:33:18.640
<v Speaker 1>We do not want to be the reason that goes.

0:33:20.000 --> 0:33:20.800
<v Speaker 1>I want to do the reason.

0:33:23.040 --> 0:33:28.400
<v Speaker 5>Now you got faith coming out to watching? Were analog

0:33:28.480 --> 0:33:29.000
<v Speaker 5>and digital?

0:33:29.080 --> 0:33:32.600
<v Speaker 1>Oh yeah? Analog? Analog for sure?

0:33:33.400 --> 0:33:37.040
<v Speaker 5>Analog analog on date man, but you're still not but

0:33:37.080 --> 0:33:38.080
<v Speaker 5>you're not analog now?

0:33:38.600 --> 0:33:43.960
<v Speaker 1>Uh run you know what I'm saying.

0:33:44.000 --> 0:33:45.680
<v Speaker 4>I got to you know what I mean, I got

0:33:45.680 --> 0:33:48.240
<v Speaker 4>the turntable going through to the drum machine.

0:33:48.280 --> 0:33:50.360
<v Speaker 5>Would you still go to the SSL board and still

0:33:50.360 --> 0:33:52.520
<v Speaker 5>recorded you won't go real to real that you.

0:33:52.520 --> 0:34:05.720
<v Speaker 1>Won't do no Couljie Wrap slick ricord Man, Damn. I

0:34:06.000 --> 0:34:12.440
<v Speaker 1>fun with them both. Uh both. Remember I got the

0:34:12.520 --> 0:34:16.680
<v Speaker 1>DJ bro and you got to give us a coolie

0:34:16.680 --> 0:34:22.800
<v Speaker 1>wrap store. I know you got a rap story. Are together?

0:34:23.920 --> 0:34:24.880
<v Speaker 1>Yeah you know.

0:34:24.960 --> 0:34:27.560
<v Speaker 4>I wasn't even then when they did that record. Yeah

0:34:27.719 --> 0:34:29.920
<v Speaker 4>the mother, I wasn't even there. I came later and

0:34:30.000 --> 0:34:33.239
<v Speaker 4>I heard that they did this. It was crazy out

0:34:33.239 --> 0:34:34.319
<v Speaker 4>of the little G wrap store.

0:34:35.480 --> 0:34:36.959
<v Speaker 12>I mean, I mean he used to come to the hood,

0:34:37.000 --> 0:34:40.040
<v Speaker 12>you know what I mean. He's like Michael, Yeah, he was.

0:34:40.080 --> 0:34:44.880
<v Speaker 12>He was family of of I think it was Freedom

0:34:45.080 --> 0:34:47.000
<v Speaker 12>was it was it one somebody that Freedom was dating.

0:34:49.200 --> 0:34:50.840
<v Speaker 1>He was family. But he used to come to h

0:34:51.120 --> 0:34:52.719
<v Speaker 1>your block all the time. He used to come through

0:34:52.800 --> 0:34:54.799
<v Speaker 1>us to jump out the call. He has to walk

0:34:54.840 --> 0:34:57.240
<v Speaker 1>through with the sun walk in the joint. He always

0:34:57.280 --> 0:35:00.360
<v Speaker 1>had a little biscuit. That's all I see. Oh ship

0:35:01.200 --> 0:35:02.200
<v Speaker 1>with his kid with him.

0:35:02.320 --> 0:35:07.120
<v Speaker 12>Yeah, it was well back then. Yeah, you're just coming in,

0:35:07.200 --> 0:35:09.319
<v Speaker 12>you know, want to check in. It wasn't wasn't doing nothing,

0:35:09.760 --> 0:35:11.840
<v Speaker 12>you know, I wasn't selling no drugs, wasn't you know,

0:35:12.000 --> 0:35:13.439
<v Speaker 12>just family trip.

0:35:14.040 --> 0:35:15.160
<v Speaker 1>Let's little to the hood.

0:35:16.520 --> 0:35:19.920
<v Speaker 5>Good, let's see where we're at now only built for

0:35:19.960 --> 0:35:20.600
<v Speaker 5>Cuban links.

0:35:20.640 --> 0:35:26.520
<v Speaker 1>Are ready to die? Only built for Cuban links? Yeah? Sure,

0:35:28.440 --> 0:35:31.799
<v Speaker 1>that purple tape is crazy. Just had the anniversary? Was

0:35:31.800 --> 0:35:34.560
<v Speaker 1>it the thirtieth anniversary? Crazy? Yeah?

0:35:34.600 --> 0:35:36.600
<v Speaker 4>Yeah, we're doing the thirtieth anniversary.

0:35:36.200 --> 0:35:39.359
<v Speaker 1>Too, wow together? Yeah yeah right?

0:35:39.440 --> 0:35:44.320
<v Speaker 3>Crazy November November where you're going everywhere?

0:35:45.880 --> 0:35:48.720
<v Speaker 4>We're doing the States. We got eighteen dates in the States,

0:35:48.760 --> 0:35:51.000
<v Speaker 4>you know what I mean. So, yeah, it's gonna be dope.

0:35:51.000 --> 0:35:52.400
<v Speaker 4>We hit hitting all the main spots.

0:35:53.040 --> 0:35:56.239
<v Speaker 1>You're not going to Europe. I we never you never know,

0:35:56.280 --> 0:35:58.040
<v Speaker 1>we might might take it over there, you know what

0:35:58.040 --> 0:36:02.400
<v Speaker 1>I'm saying. Never know? Run DMC or E P M

0:36:02.520 --> 0:36:04.799
<v Speaker 1>D oh man.

0:36:05.680 --> 0:36:07.040
<v Speaker 4>You know we used to want to be like E

0:36:07.120 --> 0:36:09.759
<v Speaker 4>P M D and ship like that. I love E

0:36:09.920 --> 0:36:15.280
<v Speaker 4>P M D. But you know what I mean, run DMC.

0:36:15.880 --> 0:36:19.640
<v Speaker 1>You know what I'm saying. It's like, you know, PMD.

0:36:19.400 --> 0:36:22.640
<v Speaker 4>Without D exactly, So I gotta go with run DMC.

0:36:23.800 --> 0:36:27.120
<v Speaker 5>Yeah, same right, yes, yes, yeah, yeah. Will not leave

0:36:27.160 --> 0:36:32.200
<v Speaker 5>queens for any of these hundred three thousand black thought,

0:36:32.520 --> 0:36:33.240
<v Speaker 5>oh man.

0:36:33.160 --> 0:36:35.560
<v Speaker 4>Black doorp black thought all day. You know what I'm saying,

0:36:35.960 --> 0:36:38.839
<v Speaker 4>I love Andre D thousand, but on black thought, man,

0:36:38.840 --> 0:36:41.839
<v Speaker 4>that is paying games amazing.

0:36:42.960 --> 0:36:47.839
<v Speaker 1>Push up a fab for sure, fab ah man.

0:36:49.160 --> 0:36:52.840
<v Speaker 4>I fuck with them both. Really, you know what I'm saying.

0:36:52.840 --> 0:36:57.359
<v Speaker 4>I do fuck with them both. I fuck with them both.

0:36:58.480 --> 0:36:59.719
<v Speaker 1>If you have a shot, you ain't got to go

0:36:59.719 --> 0:37:04.240
<v Speaker 1>curt anything for you. I never produced nothing for FABA

0:37:05.000 --> 0:37:08.239
<v Speaker 1>or nothing for Push. They both they both slick with

0:37:08.320 --> 0:37:08.959
<v Speaker 1>it right.

0:37:10.360 --> 0:37:15.800
<v Speaker 4>That new Push, that new Push, that new Clipps album

0:37:15.840 --> 0:37:18.000
<v Speaker 4>is yeah, you know what I'm saying.

0:37:17.960 --> 0:37:20.880
<v Speaker 3>Like it sounds like now, it sounds like but now.

0:37:21.320 --> 0:37:24.759
<v Speaker 4>Right right exactly producing this thing on there for sure,

0:37:24.880 --> 0:37:27.600
<v Speaker 4>now that they got their foot on niggas next right

0:37:27.600 --> 0:37:29.439
<v Speaker 4>now with that one, you know what I'm saying.

0:37:29.520 --> 0:37:33.239
<v Speaker 1>And raised new albums crazy too, raised new clothes yet

0:37:33.480 --> 0:37:33.799
<v Speaker 1>I'm going.

0:37:36.120 --> 0:37:38.359
<v Speaker 4>Hip hop hip hop is no, it's a love and

0:37:38.400 --> 0:37:42.160
<v Speaker 4>well hip hop. Cross generation don't matter, man, hip.

0:37:42.000 --> 0:37:42.799
<v Speaker 1>Hop is going crazy.

0:37:43.239 --> 0:37:45.920
<v Speaker 3>Beats is knocking. Heard what push yourself about, y'all? He

0:37:45.960 --> 0:37:49.239
<v Speaker 3>said people, And I had to repost that.

0:37:51.440 --> 0:37:55.040
<v Speaker 4>Na push for that. You know what I'm saying, worried

0:37:55.160 --> 0:38:01.440
<v Speaker 4>up Alchemists of the Ris. I fuck them both. You

0:38:01.480 --> 0:38:04.600
<v Speaker 4>put me in it, put you put me in the tight.

0:38:04.520 --> 0:38:05.440
<v Speaker 1>Boat you feel me.

0:38:05.760 --> 0:38:08.640
<v Speaker 12>Hey, we all got a drink shout that, let's do it.

0:38:09.200 --> 0:38:12.839
<v Speaker 12>Boait Elliott you well, yeah, for sure, both of them.

0:38:13.080 --> 0:38:14.120
<v Speaker 12>I mean that's a tough call.

0:38:14.040 --> 0:38:22.760
<v Speaker 5>Here, okay, Uh, ghost Face and method Man shots.

0:38:26.080 --> 0:38:27.839
<v Speaker 1>Make sure we get the I V ready for having.

0:38:33.160 --> 0:38:36.279
<v Speaker 1>So we were drinking for that. I'm trying to say around.

0:38:36.000 --> 0:38:41.200
<v Speaker 5>Over here, drink already because you're spinning for them.

0:38:41.560 --> 0:38:45.560
<v Speaker 1>Saper's Hills or dog pound. Sabers Hill is a dog pound,

0:38:46.360 --> 0:38:55.520
<v Speaker 1>damn fun I like them both them. You're both type

0:38:55.520 --> 0:38:59.880
<v Speaker 1>of Uh I'm a.

0:39:02.480 --> 0:39:04.960
<v Speaker 5>Damn see when you said I like producing better than

0:39:04.960 --> 0:39:07.520
<v Speaker 5>them scene, because you know what I'm saying, it's.

0:39:07.360 --> 0:39:11.920
<v Speaker 1>Like, just put it. What I'm saying the best. You know,

0:39:12.239 --> 0:39:15.879
<v Speaker 1>you're gonna have to take his time. Let's do it.

0:39:16.120 --> 0:39:21.960
<v Speaker 1>And this is a fucking me up. Now go ahead,

0:39:22.080 --> 0:39:24.960
<v Speaker 1>Scarface of ice Cube. I'm gonna go with ice Cube

0:39:26.280 --> 0:39:30.120
<v Speaker 1>ice Cube all day. You know what I'm saying, scar Face? Okay,

0:39:30.400 --> 0:39:31.439
<v Speaker 1>So not matter either.

0:39:34.520 --> 0:39:37.520
<v Speaker 12>Three Now you know I put this favor for favor

0:39:38.000 --> 0:39:39.359
<v Speaker 12>one doing to produced that.

0:39:39.560 --> 0:39:44.640
<v Speaker 1>You did that scar Faces album? U that? Yeah?

0:39:45.239 --> 0:39:51.200
<v Speaker 12>Yeah really I didn't know that.

0:39:50.280 --> 0:39:57.360
<v Speaker 1>Face on it? Wow wow record beautiful.

0:39:58.600 --> 0:40:01.960
<v Speaker 12>No sample too and it sounds like I said, I

0:40:01.960 --> 0:40:04.560
<v Speaker 12>mean the way you know, I sampled the keyboard after

0:40:04.760 --> 0:40:07.960
<v Speaker 12>after my keyboard player played it, sampled it back end.

0:40:08.640 --> 0:40:14.239
<v Speaker 5>Yo, that's a classic. Man, that's dope. Well this is you,

0:40:14.360 --> 0:40:15.080
<v Speaker 5>this is queen stuff.

0:40:15.120 --> 0:40:18.440
<v Speaker 3>Man, I get I can't svery Queen's guys call to

0:40:18.520 --> 0:40:22.200
<v Speaker 3>see him. Queen said, oh Colisseum, Queen centermore that I

0:40:22.360 --> 0:40:23.120
<v Speaker 3>even see.

0:40:24.640 --> 0:40:28.920
<v Speaker 4>I'm gonna avatar Cols Colosseum.

0:40:29.520 --> 0:40:31.120
<v Speaker 1>Yeah, Colisseum, Coloseium.

0:40:30.760 --> 0:40:32.759
<v Speaker 3>Ain't even in no more, that's not even there no more.

0:40:32.800 --> 0:40:37.239
<v Speaker 3>Bro crazy when yeah, they took it out. Man, I

0:40:37.280 --> 0:40:39.239
<v Speaker 3>don't think that I was close to a couple of

0:40:39.320 --> 0:40:44.560
<v Speaker 3>months ago, like okay, because I remember that I was

0:40:44.640 --> 0:40:46.000
<v Speaker 3>just in there. That's Benny gone.

0:40:46.719 --> 0:40:49.719
<v Speaker 1>Yeah yeah, all that ship is done, so all that

0:40:49.760 --> 0:40:54.040
<v Speaker 1>should have done. It's over probably turn two. So you're

0:40:54.600 --> 0:40:55.879
<v Speaker 1>complex building.

0:40:57.200 --> 0:41:01.080
<v Speaker 3>Colosseum white the coliseum just for one who doesn't understand, you.

0:41:01.120 --> 0:41:02.600
<v Speaker 1>Know, Colosseum is legendary.

0:41:02.600 --> 0:41:04.279
<v Speaker 4>You know what I'm saying. That's where everybody shirt kings

0:41:04.360 --> 0:41:06.640
<v Speaker 4>used to be. That's right, everybody used to get the.

0:41:10.120 --> 0:41:10.319
<v Speaker 1>Queen.

0:41:10.400 --> 0:41:13.600
<v Speaker 12>Since that's what Benny Benny going like he right, No,

0:41:14.880 --> 0:41:17.759
<v Speaker 12>get your first change from Benny all.

0:41:17.719 --> 0:41:24.160
<v Speaker 1>Right, Mike Geronimo or Lloyd Banks Geronimo, Mike Geronimo, that's

0:41:24.200 --> 0:41:27.000
<v Speaker 1>my guy all day. But I'll go with Lloyd Banks,

0:41:27.480 --> 0:41:28.080
<v Speaker 1>thanks for sure.

0:41:29.960 --> 0:41:33.479
<v Speaker 5>Is Lloyd Banks Queens too, Queens queens all day? Okay,

0:41:33.560 --> 0:41:35.000
<v Speaker 5>he stayed Queens. Okay, I just want to make sure

0:41:35.000 --> 0:41:38.000
<v Speaker 5>you were leaving Queens.

0:41:39.800 --> 0:41:44.760
<v Speaker 1>Right now. Swiss beats or Timbaland, Swiss Beats are Timberland.

0:41:44.760 --> 0:41:45.880
<v Speaker 1>I'm gonna go with Swiss beats.

0:41:46.080 --> 0:41:51.399
<v Speaker 5>I'll go with Swissland, Swiss beats, all right, machine ers

0:41:51.760 --> 0:41:52.640
<v Speaker 5>NPC studio.

0:41:53.840 --> 0:41:57.920
<v Speaker 1>Well, I'm I'm hold on you, said m PCs. I mean, look,

0:41:58.000 --> 0:42:03.680
<v Speaker 1>how's the producer? He wrote, the studio Okay, I'm on

0:42:03.800 --> 0:42:07.319
<v Speaker 1>a Renaissance. I'm going with the machine. I'm still going

0:42:08.160 --> 0:42:17.160
<v Speaker 1>like this. Yeah, I'm going with nothing nothing. Yeah, he

0:42:17.560 --> 0:42:21.840
<v Speaker 1>uses the machine. Use the machine, Yeah, the machine, the NBC.

0:42:22.239 --> 0:42:26.400
<v Speaker 12>The Renaissance, the one okay, and then I used that

0:42:26.480 --> 0:42:28.440
<v Speaker 12>f I just got into the FL so I'm kind

0:42:28.480 --> 0:42:29.200
<v Speaker 12>of a little nice with it.

0:42:29.239 --> 0:42:30.600
<v Speaker 1>I don't want to speak about it too much. Like

0:42:31.000 --> 0:42:34.560
<v Speaker 1>what we have that was us, the FL south Side.

0:42:34.680 --> 0:42:37.120
<v Speaker 1>It was using only free loose to make beets. Yeah,

0:42:38.400 --> 0:42:40.960
<v Speaker 1>making a whole lot of money too, right, hey.

0:42:40.800 --> 0:42:43.719
<v Speaker 5>Man, however you make the bet man kick out, however

0:42:43.800 --> 0:42:47.880
<v Speaker 5>you make it. I don't understand why we keep this

0:42:48.160 --> 0:42:50.200
<v Speaker 5>is l A or Miami l.

0:42:50.200 --> 0:42:54.920
<v Speaker 4>A or Miami you know of both places, but you

0:42:55.000 --> 0:42:57.320
<v Speaker 4>know East Coast Miami, Miami old.

0:43:00.080 --> 0:43:02.560
<v Speaker 3>Quick quick from the New York You got to go

0:43:02.680 --> 0:43:08.960
<v Speaker 3>six hours Sha Stadium or City Field, Say stadium, say stadium.

0:43:08.800 --> 0:43:09.400
<v Speaker 1>Yeah, I like to do it.

0:43:10.880 --> 0:43:13.200
<v Speaker 3>You feel it's dope, but it's super commercially right, Like

0:43:13.320 --> 0:43:15.640
<v Speaker 3>it doesn't look the same ye say Stadium was blue.

0:43:16.280 --> 0:43:18.200
<v Speaker 1>You know what I'm saying. That the apple used to

0:43:18.200 --> 0:43:19.200
<v Speaker 1>pop up? Still do that?

0:43:19.719 --> 0:43:25.840
<v Speaker 3>Don't shake, stay closed, saying that city feeling still come up.

0:43:26.040 --> 0:43:30.040
<v Speaker 3>Oh I don't know fly though, bro, it's fly trying

0:43:30.040 --> 0:43:33.400
<v Speaker 3>to put a carbone in there. Really yeah, city Field,

0:43:33.640 --> 0:43:37.120
<v Speaker 3>that's crazy. It's just like growing up with my childhood.

0:43:37.440 --> 0:43:40.080
<v Speaker 3>Like Sha Stadium felt like I was off version of

0:43:40.160 --> 0:43:42.000
<v Speaker 3>like Coney Allen and almost like you know what I'm saying,

0:43:42.080 --> 0:43:45.279
<v Speaker 3>like and like it had ora to it. Like right

0:43:45.360 --> 0:43:47.520
<v Speaker 3>now I don't see it like I mean City Fielders.

0:43:47.239 --> 0:43:51.440
<v Speaker 1>Just it's just fly. It's just up, you know, upgraded.

0:43:53.320 --> 0:43:55.960
<v Speaker 5>The Joe and j podcasts a million dollars worth of game.

0:43:57.440 --> 0:44:01.840
<v Speaker 5>These guys, I them oth.

0:44:01.800 --> 0:44:04.520
<v Speaker 12>The I'll take a shot, got to take a shout

0:44:04.680 --> 0:44:05.320
<v Speaker 12>there because.

0:44:05.360 --> 0:44:10.359
<v Speaker 1>We all podcast family. They started thinking, you guys trying

0:44:10.360 --> 0:44:13.879
<v Speaker 1>to start podcasting. What's going bro, they're trying to start

0:44:13.920 --> 0:44:19.480
<v Speaker 1>that podcast? All right? Loyalty or respect?

0:44:20.360 --> 0:44:24.800
<v Speaker 4>Loyalty or respect? I would go with respect, you know

0:44:24.840 --> 0:44:26.640
<v Speaker 4>what I'm saying, because I would respect. They're not behind

0:44:26.640 --> 0:44:28.279
<v Speaker 4>the loyalty, you know what I mean.

0:44:28.960 --> 0:44:31.680
<v Speaker 1>I respect to that's cool.

0:44:32.640 --> 0:44:34.160
<v Speaker 3>And so that said for a quick time of slamer,

0:44:40.280 --> 0:44:43.200
<v Speaker 3>he like, okay, get you have to get let me

0:44:43.360 --> 0:44:46.200
<v Speaker 3>let me ask right because it's the famous to two

0:44:46.320 --> 0:44:50.000
<v Speaker 3>things that I want to act actually right. One is

0:44:50.080 --> 0:44:52.960
<v Speaker 3>how did you feel when the jay Z thing happened?

0:44:53.040 --> 0:44:56.520
<v Speaker 3>Like like the not jay Z, no, no, no, the

0:44:56.640 --> 0:45:00.719
<v Speaker 3>mall bell deep jay Z?

0:45:01.080 --> 0:45:03.640
<v Speaker 1>And how did this happen? I didn't see this? Yeah,

0:45:03.719 --> 0:45:08.919
<v Speaker 1>I didn't see you for the nas joint right yeah, yeah, yeah,

0:45:09.080 --> 0:45:09.560
<v Speaker 1>almost at.

0:45:09.520 --> 0:45:11.680
<v Speaker 3>The same time, because you know it was ever it

0:45:11.840 --> 0:45:13.239
<v Speaker 3>was that that but that was what you're saying.

0:45:13.600 --> 0:45:15.920
<v Speaker 1>But let's if we put it in the order. I

0:45:15.960 --> 0:45:18.480
<v Speaker 1>think the mom deep should happened first, and then it

0:45:18.560 --> 0:45:26.400
<v Speaker 1>happened because Jay said because that's truthful, the pointing at

0:45:26.440 --> 0:45:26.719
<v Speaker 1>each other.

0:45:26.920 --> 0:45:30.080
<v Speaker 3>Jay said, it's like New York been saw ever since

0:45:30.400 --> 0:45:32.640
<v Speaker 3>Snooper came through and crushed the buildings.

0:45:32.520 --> 0:45:36.080
<v Speaker 1>Right, and and Prodigy took offense to that. He really

0:45:36.120 --> 0:45:36.759
<v Speaker 1>took offense to that.

0:45:37.280 --> 0:45:40.720
<v Speaker 5>You'll responded, but we didn't respond yet, saying you responded

0:45:40.760 --> 0:45:44.320
<v Speaker 5>to the on the buildings, Yeah we did, we did we?

0:45:44.840 --> 0:45:50.319
<v Speaker 1>Yeah? You guys? Yeah, I think we was the only

0:45:50.520 --> 0:45:55.280
<v Speaker 1>but only did you know respond? So only you guys respond,

0:45:55.640 --> 0:46:04.919
<v Speaker 1>That's why you can make us up a jay Z mob? Deep?

0:46:05.160 --> 0:46:06.600
<v Speaker 1>How did that? How did that happen? Like?

0:46:07.280 --> 0:46:10.840
<v Speaker 4>Because because I believe, you know, look not, I believe

0:46:10.880 --> 0:46:14.200
<v Speaker 4>that this is true. Jay Z loved Prodigy, you know

0:46:14.239 --> 0:46:14.920
<v Speaker 4>what I'm saying.

0:46:14.760 --> 0:46:17.040
<v Speaker 1>Like he was I believe he was a Prodigy fan,

0:46:17.200 --> 0:46:18.399
<v Speaker 1>like for sure, right.

0:46:18.440 --> 0:46:24.200
<v Speaker 4>He was p sample looking in my mind, respected, he respected,

0:46:24.280 --> 0:46:26.719
<v Speaker 4>he looked at him, He looked as.

0:46:26.640 --> 0:46:28.320
<v Speaker 1>A as a lyricist, as the top lyricist.

0:46:28.680 --> 0:46:33.640
<v Speaker 4>So when he found out that Prodigy says something about

0:46:33.719 --> 0:46:36.319
<v Speaker 4>him not to his liking, you know what I'm saying

0:46:36.560 --> 0:46:40.480
<v Speaker 4>in a magazine, you know, and he's competitive.

0:46:40.600 --> 0:46:43.920
<v Speaker 1>Yeah, what happened on this magazine? Yeah, basically basic magazine.

0:46:43.960 --> 0:46:45.800
<v Speaker 1>Basically I forgot.

0:46:48.520 --> 0:46:52.360
<v Speaker 4>We're trying to be sure, we're trying to magazine it was,

0:46:52.719 --> 0:46:57.000
<v Speaker 4>but basically Prodigy said, jay Z's the b.

0:46:57.120 --> 0:46:58.719
<v Speaker 1>Ware like you know what I'm saying, Wow, you know

0:46:58.760 --> 0:46:59.440
<v Speaker 1>what I'm saying.

0:47:00.239 --> 0:47:03.480
<v Speaker 4>Because I believe whoever was interviewing people was like, yo,

0:47:03.560 --> 0:47:06.160
<v Speaker 4>what you think about you know jay Z saying New

0:47:06.280 --> 0:47:06.880
<v Speaker 4>York wassoult.

0:47:07.640 --> 0:47:10.239
<v Speaker 1>He took offense to it because it's like what we

0:47:10.440 --> 0:47:12.640
<v Speaker 1>just did? La la, Like you know, how could he

0:47:12.719 --> 0:47:13.759
<v Speaker 1>say that? Like you know what I mean?

0:47:13.840 --> 0:47:15.680
<v Speaker 4>So he was like, oh, you know, I don't think

0:47:15.719 --> 0:47:17.600
<v Speaker 4>he meant it like that, like you know what I'm saying.

0:47:17.600 --> 0:47:18.960
<v Speaker 4>But that's how jay Z took it, you know what

0:47:18.960 --> 0:47:20.600
<v Speaker 4>I'm saying. If he said, oh, man, jay Z's a

0:47:21.080 --> 0:47:23.759
<v Speaker 4>whatever world, you know what I mean? And you know

0:47:24.520 --> 0:47:27.200
<v Speaker 4>jay Z's competitive, he was, I mean, this is at

0:47:27.239 --> 0:47:30.160
<v Speaker 4>everybody's prime, you know what I'm saying, Like, you know, So,

0:47:31.360 --> 0:47:33.120
<v Speaker 4>then he just did that line and then they just

0:47:33.239 --> 0:47:36.680
<v Speaker 4>did the summer gym shit. And we was overseas when

0:47:36.680 --> 0:47:39.080
<v Speaker 4>we found out about that, right, you know, that was

0:47:39.480 --> 0:47:41.360
<v Speaker 4>crazy and it's not.

0:47:41.440 --> 0:47:43.800
<v Speaker 3>Really popular that man, So y'all had to get actual

0:47:43.880 --> 0:47:46.320
<v Speaker 3>phone calls about that, right, right, Okay.

0:47:46.160 --> 0:47:48.759
<v Speaker 1>We didn't have Yeah, we didn't have the internet yet

0:47:48.960 --> 0:47:50.920
<v Speaker 1>after that, so we did get phone calls about that.

0:47:51.400 --> 0:47:54.239
<v Speaker 5>But let me ask a sidebar question. Did jay Z

0:47:54.400 --> 0:47:57.160
<v Speaker 5>respond to to anything with the dog pound or anything.

0:47:59.120 --> 0:48:01.320
<v Speaker 1>Not that I don't with the dog pound? Do you

0:48:01.360 --> 0:48:03.000
<v Speaker 1>think to the to the whole thing that l A

0:48:03.160 --> 0:48:03.680
<v Speaker 1>l A. Yeah.

0:48:03.800 --> 0:48:07.879
<v Speaker 3>No, we're the only ones who just clapped the world

0:48:07.960 --> 0:48:18.680
<v Speaker 3>flushes well world wide word plus you produce that, but

0:48:19.000 --> 0:48:19.720
<v Speaker 3>nobody else.

0:48:21.120 --> 0:48:21.480
<v Speaker 1>I didn't.

0:48:21.520 --> 0:48:25.960
<v Speaker 3>I didn't really realize because that how did that affect

0:48:26.280 --> 0:48:27.280
<v Speaker 3>their problem?

0:48:27.360 --> 0:48:30.480
<v Speaker 1>You know what I mean? Like like did between jay

0:48:30.520 --> 0:48:33.440
<v Speaker 1>Z and like jay Z?

0:48:33.560 --> 0:48:36.640
<v Speaker 3>And because did you feel like that was a mob

0:48:36.719 --> 0:48:38.360
<v Speaker 3>deep beef with jay or you felt like it's a

0:48:38.440 --> 0:48:42.240
<v Speaker 3>prodigy jay Z beef and because.

0:48:42.000 --> 0:48:45.640
<v Speaker 4>It turned into a prodigy jay Z, I mean eventually

0:48:45.760 --> 0:48:48.920
<v Speaker 4>maybe it morphed into that. But the fans don't know

0:48:49.000 --> 0:48:50.879
<v Speaker 4>the difference, you know what I'm saying, Like the fans

0:48:50.920 --> 0:48:53.759
<v Speaker 4>ain't picking like, oh yeah, that's what it's a mob

0:48:53.840 --> 0:48:55.800
<v Speaker 4>Deep and jay Z beef. And even though we know

0:48:55.920 --> 0:48:58.319
<v Speaker 4>it's not real beef. Now when you finally get around

0:48:58.360 --> 0:49:00.040
<v Speaker 4>jay Z, you feel like it's beef, like you know

0:49:00.080 --> 0:49:00.480
<v Speaker 4>what I'm saying.

0:49:00.560 --> 0:49:01.560
<v Speaker 7>So it was.

0:49:01.719 --> 0:49:04.239
<v Speaker 1>I just think it was just some competitiveness ship.

0:49:04.480 --> 0:49:06.279
<v Speaker 4>But you know what I mean, I don't think he

0:49:06.960 --> 0:49:09.000
<v Speaker 4>meant it like that like that, but you know when

0:49:09.040 --> 0:49:10.840
<v Speaker 4>you're talking like that, you know what I'm saying, And

0:49:11.560 --> 0:49:12.720
<v Speaker 4>it's a competitive sport.

0:49:13.640 --> 0:49:14.840
<v Speaker 1>You know, people going to respond.

0:49:14.960 --> 0:49:18.440
<v Speaker 4>But I do see uh Prodigy's point, like you know,

0:49:19.120 --> 0:49:22.960
<v Speaker 4>we was you know seeing then, moms. You know what

0:49:22.960 --> 0:49:25.680
<v Speaker 4>I'm saying, Trash was the only one that really held

0:49:25.760 --> 0:49:28.560
<v Speaker 4>New York down, you know what I'm saying that moment.

0:49:29.239 --> 0:49:32.319
<v Speaker 4>And you know, sometimes you can say we didn't get

0:49:32.360 --> 0:49:33.879
<v Speaker 4>the credit we deserved for that ship.

0:49:34.040 --> 0:49:35.960
<v Speaker 1>You know what I'm saying, Like, you know, everything is

0:49:36.040 --> 0:49:38.200
<v Speaker 1>cool now. Of course I love it. It's beautiful. You

0:49:38.239 --> 0:49:41.480
<v Speaker 1>know what I mean is old historic shit. Yeah, definitely

0:49:43.360 --> 0:49:46.520
<v Speaker 1>there was serious. It was tough, but then you know

0:49:46.680 --> 0:49:47.680
<v Speaker 1>when people started and.

0:49:48.320 --> 0:49:50.480
<v Speaker 5>I want to say, it didn't register when you said

0:49:50.560 --> 0:49:52.560
<v Speaker 5>mob Deep jay Z because I only thought of it

0:49:52.680 --> 0:49:54.680
<v Speaker 5>as a prodigy Z.

0:49:57.160 --> 0:50:00.960
<v Speaker 1>Understand fans, I don't think of it that. That's how

0:50:01.000 --> 0:50:04.160
<v Speaker 1>I registered it. You might say, as a prodigy.

0:50:04.160 --> 0:50:06.719
<v Speaker 5>Yeah, because how we know what what transpired, you know

0:50:07.600 --> 0:50:10.719
<v Speaker 5>seven with the things thing, you know, like that's how I.

0:50:10.800 --> 0:50:11.160
<v Speaker 1>Thought of it.

0:50:11.760 --> 0:50:14.160
<v Speaker 11>Never thought of it as a mob Deep versus jay

0:50:14.239 --> 0:50:18.600
<v Speaker 11>Z because that was that was like like you had

0:50:18.640 --> 0:50:24.120
<v Speaker 11>to always go through like P. Like soops one night

0:50:24.800 --> 0:50:28.840
<v Speaker 11>and it's like you always you always go through with P.

0:50:29.200 --> 0:50:32.040
<v Speaker 1>Do you feel like that, Like, I mean, in a

0:50:32.080 --> 0:50:32.560
<v Speaker 1>funny way.

0:50:32.600 --> 0:50:35.360
<v Speaker 3>We know, you know our brother's not here, but do

0:50:35.440 --> 0:50:37.160
<v Speaker 3>you feel like P was always starting shipping?

0:50:37.160 --> 0:50:38.760
<v Speaker 1>It's just like you were just in there by mistake

0:50:41.680 --> 0:50:46.880
<v Speaker 1>a partitude. Do you feel like that? Yeah? Man, you

0:50:46.960 --> 0:50:47.560
<v Speaker 1>know what I'm saying.

0:50:47.640 --> 0:50:50.840
<v Speaker 4>I do feel like that, Like but taking straight, I

0:50:50.960 --> 0:50:53.040
<v Speaker 4>definitely was catching straight, you know what I'm saying.

0:50:53.160 --> 0:50:56.200
<v Speaker 1>But at the same time, you gotta be down for

0:50:56.280 --> 0:50:57.879
<v Speaker 1>your homie like that. You know what I'm saying.

0:50:57.920 --> 0:50:59.719
<v Speaker 4>It is what it is like even if I thought

0:50:59.719 --> 0:51:04.680
<v Speaker 4>he was wrong than anything to him and be like

0:51:05.040 --> 0:51:06.680
<v Speaker 4>the son, like what the fuck are you doing? Like,

0:51:06.800 --> 0:51:09.360
<v Speaker 4>but in public, I'm like, yeah, nigga, suck those niggas,

0:51:09.400 --> 0:51:11.080
<v Speaker 4>like you know what I say, because you gotta you

0:51:11.160 --> 0:51:13.200
<v Speaker 4>gotta ride with your niggas, you know what I mean.

0:51:14.360 --> 0:51:19.520
<v Speaker 1>That's how I feel about it. Now, Pop, Let's drop

0:51:19.640 --> 0:51:25.759
<v Speaker 1>the gym woman right right? I was mad Pocking just

0:51:25.920 --> 0:51:31.799
<v Speaker 1>me all the time. She wants he wanted you wanted

0:51:31.840 --> 0:51:36.200
<v Speaker 1>to smoke? I wanted to I'm just saying. They was

0:51:36.239 --> 0:51:39.600
<v Speaker 1>like give me. It was like this moment. I was

0:51:39.640 --> 0:51:47.719
<v Speaker 1>like this, but that's what that was like.

0:51:47.960 --> 0:51:51.320
<v Speaker 3>You know, obviously I'm playing, but it's about the history.

0:51:51.360 --> 0:51:56.759
<v Speaker 3>But Pop like it's a known thing like if you

0:51:56.880 --> 0:51:59.480
<v Speaker 3>beef with fifty now right, like you kind of like

0:52:00.040 --> 0:52:02.640
<v Speaker 3>the audience like he did this audience.

0:52:03.239 --> 0:52:05.399
<v Speaker 1>It's almost like he likes you if he beats with you. Yeah,

0:52:05.520 --> 0:52:06.239
<v Speaker 1>that's almost like.

0:52:06.239 --> 0:52:09.360
<v Speaker 3>What he feels like pop kind of that was that

0:52:09.560 --> 0:52:12.319
<v Speaker 3>back then? Or did y'all how did how did?

0:52:12.480 --> 0:52:13.759
<v Speaker 1>How did you? How did y'all feel?

0:52:13.840 --> 0:52:16.800
<v Speaker 3>Saying you know, pop Pop went at y'all like this

0:52:16.920 --> 0:52:18.920
<v Speaker 3>is one of the pargas from you know what I mean.

0:52:20.080 --> 0:52:22.680
<v Speaker 1>I mean you know I was elated, you know what

0:52:22.719 --> 0:52:25.400
<v Speaker 1>I'm saying. But let's because for people that don't know

0:52:25.680 --> 0:52:28.680
<v Speaker 1>what we're talking about. Where exactly because all I remember

0:52:28.800 --> 0:52:31.279
<v Speaker 1>he said because of l A. He talked at the

0:52:31.400 --> 0:52:33.440
<v Speaker 1>end of it, hit him up right, hit him. He

0:52:33.640 --> 0:52:36.520
<v Speaker 1>was just talking at the end. Everything is just a blur.

0:52:36.640 --> 0:52:41.000
<v Speaker 1>I don't know why, you know, he was just saying

0:52:41.040 --> 0:52:44.480
<v Speaker 1>whatever the l A L l A. I don't know.

0:52:44.920 --> 0:52:47.560
<v Speaker 4>I believe it was a combination of things, right, Like

0:52:47.640 --> 0:52:52.120
<v Speaker 4>you know what I'm saying. Okay, So on Survival of

0:52:52.200 --> 0:52:55.160
<v Speaker 4>the Fit, is we like, uh, Doug, like we still

0:52:55.200 --> 0:52:55.520
<v Speaker 4>living it?

0:52:56.000 --> 0:52:58.279
<v Speaker 1>You know what I'm saying. That could be that.

0:52:58.600 --> 0:53:01.120
<v Speaker 4>And at the time he had the article in the

0:53:01.200 --> 0:53:04.239
<v Speaker 4>Vibe magazine where he was like, you know, I don't

0:53:04.239 --> 0:53:05.880
<v Speaker 4>want to do this Doug shit no more, you know,

0:53:06.040 --> 0:53:06.879
<v Speaker 4>blah blah blah blah.

0:53:07.239 --> 0:53:09.440
<v Speaker 15>So he probably thought that we was like, like we

0:53:09.560 --> 0:53:12.560
<v Speaker 15>still living it? Like what he do well, you know

0:53:12.560 --> 0:53:15.799
<v Speaker 15>what I mean. He was thinking that and piled up

0:53:16.239 --> 0:53:17.480
<v Speaker 15>on top of l A l A.

0:53:17.680 --> 0:53:19.200
<v Speaker 1>He like, man, fuck these niggas.

0:53:24.680 --> 0:53:26.640
<v Speaker 5>Even though when you hear the backstory, now you hear

0:53:26.719 --> 0:53:27.680
<v Speaker 5>Park was mad at.

0:53:27.800 --> 0:53:31.239
<v Speaker 1>Snoop and like, no, that was after no but it

0:53:31.360 --> 0:53:34.040
<v Speaker 1>was but not I hit time. No, yeah, no, I

0:53:34.080 --> 0:53:37.680
<v Speaker 1>didn't hear that. I heard. I heard he was mad

0:53:37.719 --> 0:53:39.840
<v Speaker 1>as Snoop, But I heard that was way after.

0:53:39.800 --> 0:53:43.840
<v Speaker 5>No, after like that timeframe, madam, when he went to

0:53:43.920 --> 0:53:46.640
<v Speaker 5>the radio station around the same time that they recorded that.

0:53:47.520 --> 0:53:49.920
<v Speaker 1>Not hit him up, No, no, not hit him up.

0:53:51.080 --> 0:54:01.359
<v Speaker 1>You trust me. That was like almost years like years later,

0:54:01.400 --> 0:54:03.680
<v Speaker 1>I'm telling you, bro, Like trust me. I was in

0:54:03.800 --> 0:54:09.360
<v Speaker 1>there don't my name. I was like, like me and

0:54:09.760 --> 0:54:13.000
<v Speaker 1>drop a gym on him? Right, that was record? That

0:54:13.239 --> 0:54:15.200
<v Speaker 1>was the response, But y'all didn't say his name? What

0:54:15.400 --> 0:54:17.600
<v Speaker 1>was the yea? What was? What was? Was?

0:54:17.680 --> 0:54:20.640
<v Speaker 4>It was that strategically played because I think that that

0:54:20.840 --> 0:54:23.160
<v Speaker 4>was the error when the subs.

0:54:22.960 --> 0:54:23.799
<v Speaker 1>Was was the thing.

0:54:24.560 --> 0:54:28.160
<v Speaker 4>He wasn't really just saying the actual thing. So we

0:54:28.440 --> 0:54:31.279
<v Speaker 4>we Yeah, we through the sub but we might have

0:54:31.560 --> 0:54:33.440
<v Speaker 4>had said his name. That was a good record, was

0:54:33.480 --> 0:54:35.759
<v Speaker 4>a great it was good for us, But then we

0:54:35.840 --> 0:54:36.640
<v Speaker 4>had to pull the record.

0:54:36.719 --> 0:54:39.360
<v Speaker 1>You know what I'm saying. I mean, he died, like

0:54:39.480 --> 0:54:42.759
<v Speaker 1>you know, you know, but it was subs So why

0:54:42.760 --> 0:54:45.080
<v Speaker 1>would you have to pull it? I mean, every everybody

0:54:45.160 --> 0:54:49.440
<v Speaker 1>knew that that was like like come back and it

0:54:49.560 --> 0:54:51.759
<v Speaker 1>was our first single to our next album. It was

0:54:51.760 --> 0:54:53.759
<v Speaker 1>to Hell on Earth.

0:54:54.200 --> 0:54:56.960
<v Speaker 4>We was like we were coming back shots, firing the

0:54:57.040 --> 0:54:59.880
<v Speaker 4>gym on him that it was going crazy seven to

0:55:00.120 --> 0:55:01.279
<v Speaker 4>get you know what I'm saying.

0:55:01.400 --> 0:55:03.040
<v Speaker 16>The next thing, you know, a week later, this nigga

0:55:03.080 --> 0:55:08.279
<v Speaker 16>gets shot. So we like, damn, I didn't know that

0:55:08.680 --> 0:55:11.520
<v Speaker 16>and we pulled the record.

0:55:12.080 --> 0:55:14.200
<v Speaker 1>Yeah, I don't think we understand how we didn't even.

0:55:14.160 --> 0:55:16.760
<v Speaker 4>We didn't even let the record company, pull the record.

0:55:16.880 --> 0:55:19.960
<v Speaker 4>We me and Peace said, yo, take that record off.

0:55:20.040 --> 0:55:22.600
<v Speaker 4>You know what I'm saying, because we we that's not

0:55:23.000 --> 0:55:24.719
<v Speaker 4>you know what I mean, Like we don't we don't

0:55:25.800 --> 0:55:28.799
<v Speaker 4>you know, and those are driving somebody getting shot.

0:55:28.880 --> 0:55:30.359
<v Speaker 5>So let me ask you this, how did you guys

0:55:30.800 --> 0:55:33.520
<v Speaker 5>feel that at the moment that that you found out

0:55:33.560 --> 0:55:35.280
<v Speaker 5>he got you know, HEAs.

0:55:35.160 --> 0:55:35.719
<v Speaker 1>How did I feel?

0:55:36.000 --> 0:55:36.040
<v Speaker 15>Like?

0:55:36.239 --> 0:55:37.040
<v Speaker 1>How did that impact?

0:55:37.360 --> 0:55:40.560
<v Speaker 4>I felt like it was like a wall on rappers,

0:55:40.840 --> 0:55:42.919
<v Speaker 4>you know what I'm saying, Like if one rapper gets

0:55:42.920 --> 0:55:45.160
<v Speaker 4>sid like, I feel like we like there's a talking

0:55:45.239 --> 0:55:47.040
<v Speaker 4>on all of us because we at the end of

0:55:47.080 --> 0:55:48.960
<v Speaker 4>the day, you know, like, yeah, this is some speciation

0:55:49.120 --> 0:55:51.680
<v Speaker 4>down the third but we alltist too, you.

0:55:51.680 --> 0:55:52.239
<v Speaker 1>Know what I'm saying.

0:55:53.080 --> 0:55:55.680
<v Speaker 4>We just we we we we treaching like but you

0:55:55.760 --> 0:55:59.680
<v Speaker 4>had camaraderie still exactly Like I believe in my mind

0:56:00.239 --> 0:56:02.840
<v Speaker 4>if I eventually would store Tupac and we would have

0:56:02.880 --> 0:56:04.839
<v Speaker 4>been that, you know what I'm saying, Like, that's how

0:56:05.440 --> 0:56:06.960
<v Speaker 4>like so we you know, we're going to go in

0:56:07.080 --> 0:56:09.200
<v Speaker 4>each other, you know what I'm saying, as we all

0:56:09.280 --> 0:56:10.080
<v Speaker 4>should you know what I mean.

0:56:10.160 --> 0:56:15.439
<v Speaker 1>But yeah, when he said funk all deep, I was out.

0:56:16.120 --> 0:56:22.239
<v Speaker 1>That was out. I wasn't mad at that all, you

0:56:22.320 --> 0:56:22.400
<v Speaker 1>know what.

0:56:23.440 --> 0:56:26.319
<v Speaker 3>Then he went back and then on somewhere else right

0:56:27.320 --> 0:56:30.480
<v Speaker 3>that ship, there was a mix likeabelly.

0:56:31.040 --> 0:56:34.040
<v Speaker 1>He said something again, and I was like, yo, I'm

0:56:34.080 --> 0:56:43.040
<v Speaker 1>head bro, you women that was my record? Should mean

0:56:46.239 --> 0:56:50.520
<v Speaker 1>he was. He probably looked at Copole Resumes said no,

0:56:50.680 --> 0:56:58.560
<v Speaker 1>not done. So we were we were not. I thought

0:56:58.600 --> 0:57:04.359
<v Speaker 1>you just the way he said. He said, I don't

0:57:04.400 --> 0:57:07.880
<v Speaker 1>know you little niggas he called He said something like

0:57:07.960 --> 0:57:11.319
<v Speaker 1>mock people. And then mother motherfuckers, like you think you're ready,

0:57:12.920 --> 0:57:14.360
<v Speaker 1>Why do you want to know? I don't want to.

0:57:14.760 --> 0:57:18.360
<v Speaker 1>I'm like, okay, I take that. I take that. He

0:57:18.440 --> 0:57:26.600
<v Speaker 1>acknowledged me a little bit. Yeah, that's shot two parts.

0:57:27.720 --> 0:57:32.640
<v Speaker 1>Rest in peace, man, I take a full off. Yes, no,

0:57:32.760 --> 0:57:38.280
<v Speaker 1>I didn't make it. We're doing here so to give you.

0:57:38.680 --> 0:57:42.320
<v Speaker 3>Flowers, the flowers while they here now way not both

0:57:42.360 --> 0:57:43.200
<v Speaker 3>for y'all legends.

0:57:43.240 --> 0:57:45.240
<v Speaker 1>We wanted to give y'all book, y'all fo hours.

0:57:45.080 --> 0:57:54.240
<v Speaker 6>Than you want to do the flower pat and look

0:57:54.400 --> 0:57:56.440
<v Speaker 6>and we and we made our prodigy as well.

0:57:57.800 --> 0:58:06.880
<v Speaker 1>Stamiyah. Yeah, yeah, no, thank you all man.

0:58:08.280 --> 0:58:09.960
<v Speaker 3>Better than Grammy because it's from his people, you know

0:58:10.000 --> 0:58:10.240
<v Speaker 3>what I mean.

0:58:12.400 --> 0:58:19.240
<v Speaker 1>Look at that. So do you realize like how ill

0:58:19.400 --> 0:58:23.240
<v Speaker 1>that ever was? Man like that.

0:58:27.560 --> 0:58:33.200
<v Speaker 3>Illmatic that time, that infamous that was a crazy I

0:58:33.240 --> 0:58:36.160
<v Speaker 3>think became Then it's a war report.

0:58:36.640 --> 0:58:37.800
<v Speaker 1>I'm about to say, the war report.

0:58:38.320 --> 0:58:41.360
<v Speaker 3>What I always thought about, bro, Like if that bullshit

0:58:41.400 --> 0:58:44.000
<v Speaker 3>didn't happen with you upon, you might have produced the.

0:58:44.120 --> 0:58:49.280
<v Speaker 1>Whole War Report album. Bro, don't, don't you're saying something

0:58:49.320 --> 0:58:52.440
<v Speaker 1>that we're not understanding what happened. I don't even know

0:58:52.520 --> 0:58:53.920
<v Speaker 1>what happened. You know what happened.

0:58:54.280 --> 0:58:56.040
<v Speaker 3>You know this is probaly he wrote in the book,

0:58:56.240 --> 0:58:57.600
<v Speaker 3>you know what I mean, Like he wrote in the book,

0:58:57.600 --> 0:58:59.680
<v Speaker 3>I believe he said that you snuffed trash and you

0:58:59.840 --> 0:59:02.840
<v Speaker 3>just that that that was physically, you know, not possible,

0:59:03.160 --> 0:59:04.160
<v Speaker 3>but you.

0:59:04.200 --> 0:59:05.800
<v Speaker 1>Know that's what That's what it is.

0:59:05.920 --> 0:59:08.840
<v Speaker 3>And but we were like this, bro, Like we were

0:59:08.960 --> 0:59:13.000
<v Speaker 3>like this, and I always you know when I heard that,

0:59:13.920 --> 0:59:16.560
<v Speaker 3>like I always like it was a situation that I

0:59:16.680 --> 0:59:18.680
<v Speaker 3>regretted even being being a part of. You know what

0:59:18.720 --> 0:59:20.920
<v Speaker 3>I'm saying, Like you know what I'm saying, Like, especially

0:59:21.080 --> 0:59:24.920
<v Speaker 3>as an older person now, it's like damn, bro, Like,

0:59:25.040 --> 0:59:26.640
<v Speaker 3>oh what a girl or something shing like that?

0:59:26.880 --> 0:59:29.560
<v Speaker 1>Like that was that was so like seeing it in

0:59:29.720 --> 0:59:32.720
<v Speaker 1>math d like you can. It was handed. It felt

0:59:32.760 --> 0:59:34.960
<v Speaker 1>like from outsiders, it felt hand in hand.

0:59:35.000 --> 0:59:37.600
<v Speaker 3>Right yeah, bro, Like that's why I said, That's why

0:59:37.600 --> 0:59:38.200
<v Speaker 3>I said it started.

0:59:38.800 --> 0:59:44.840
<v Speaker 1>We made some that we made to this day. I

0:59:44.920 --> 0:59:47.600
<v Speaker 1>walked in, I watched Sweeter of God, Sweeter God. I

0:59:47.720 --> 0:59:48.280
<v Speaker 1>walked in a.

0:59:50.280 --> 0:59:52.360
<v Speaker 3>Place in the MafA Coast and they had a drink

0:59:52.400 --> 0:59:54.560
<v Speaker 3>in there called Parole. So soon as I walked in,

0:59:54.760 --> 0:59:56.440
<v Speaker 3>I don't even think I didn't even know these motherfuckers

0:59:56.560 --> 0:59:59.880
<v Speaker 3>knew me. When they played Parole violin, I was like, oh,

1:00:00.040 --> 1:00:00.520
<v Speaker 3>holy ship.

1:00:00.920 --> 1:00:02.840
<v Speaker 1>So like just imagine.

1:00:04.040 --> 1:00:08.280
<v Speaker 3>Like real, mall deeper seeing an album.

1:00:08.120 --> 1:00:11.760
<v Speaker 1>That that would have been crazy, that would have back

1:00:11.840 --> 1:00:16.240
<v Speaker 1>then the lyrics. You know what I'm saying. You remember

1:00:16.280 --> 1:00:20.320
<v Speaker 1>the joint I got on on the Coon album. I

1:00:20.400 --> 1:00:23.120
<v Speaker 1>Forget how to Go. I'm just listening to it.

1:00:23.400 --> 1:00:26.800
<v Speaker 3>But us us together, like that ship sounds so good,

1:00:26.920 --> 1:00:31.760
<v Speaker 3>like holy, Like that's like taking a shot.

1:00:31.880 --> 1:00:35.400
<v Speaker 1>We got you gotta take. We got to seeing there

1:00:35.440 --> 1:00:41.040
<v Speaker 1>in mob. Bro, you know what I mean? I know

1:00:41.200 --> 1:00:44.240
<v Speaker 1>probably is not here, but you guys can still do

1:00:44.400 --> 1:00:48.480
<v Speaker 1>this ship. Absolutely. You guys are not dead. He's fucking dude.

1:00:48.520 --> 1:00:50.280
<v Speaker 1>Absolutely yeah.

1:00:50.640 --> 1:00:53.640
<v Speaker 3>But it's dope to even think of what if you

1:00:53.680 --> 1:00:56.920
<v Speaker 3>know what I'm saying, like, we can do we can

1:00:57.000 --> 1:00:57.480
<v Speaker 3>do what's now.

1:00:57.560 --> 1:00:59.000
<v Speaker 1>You know what I'm saying, we can do what's now?

1:01:00.360 --> 1:01:06.320
<v Speaker 1>So yeah, yeah, hell yeah, I got two or three

1:01:06.440 --> 1:01:08.720
<v Speaker 1>beats on it. Let's go, let's go, let's go.

1:01:09.080 --> 1:01:15.280
<v Speaker 3>So if God came down and said have it, you

1:01:15.440 --> 1:01:22.400
<v Speaker 3>gotta save Earth. Make one song with one feature, one producer.

1:01:24.240 --> 1:01:27.080
<v Speaker 3>Who who are you picking? And one feature?

1:01:27.680 --> 1:01:28.280
<v Speaker 1>One feature?

1:01:28.480 --> 1:01:28.680
<v Speaker 15>Yeah?

1:01:29.120 --> 1:01:31.120
<v Speaker 1>And who's gonna produce it? Yeah?

1:01:32.560 --> 1:01:32.920
<v Speaker 4>All right?

1:01:32.960 --> 1:01:33.800
<v Speaker 1>Who want to produce it?

1:01:34.720 --> 1:01:34.840
<v Speaker 5>Uh?

1:01:37.120 --> 1:01:41.400
<v Speaker 1>Damn? You gotta be a hip hop producer? You want anybody?

1:01:41.880 --> 1:01:54.600
<v Speaker 1>All right? Quzzy Jones and Michael Jackson you co producing?

1:01:55.120 --> 1:01:56.480
<v Speaker 1>You're gonna let him take the lead now?

1:02:02.280 --> 1:02:03.000
<v Speaker 8>No, man, I.

1:02:04.800 --> 1:02:06.880
<v Speaker 1>Swear I can see that you work with me. You

1:02:06.960 --> 1:02:09.640
<v Speaker 1>know I sampled this samples.

1:02:11.280 --> 1:02:11.880
<v Speaker 7>Uh what?

1:02:12.640 --> 1:02:16.840
<v Speaker 3>Like one time Pharrell called me and was like, man, Michael,

1:02:17.320 --> 1:02:19.200
<v Speaker 3>Michael Jackson some beasts And Michael was like, I don't

1:02:19.200 --> 1:02:20.160
<v Speaker 3>given about that ship.

1:02:20.160 --> 1:02:22.080
<v Speaker 1>I want I want I want that super ship?

1:02:22.440 --> 1:02:26.040
<v Speaker 3>Like why what is what is the weirdest person that

1:02:26.200 --> 1:02:27.960
<v Speaker 3>called called you for for beats?

1:02:28.000 --> 1:02:30.320
<v Speaker 1>They called me the hardiest that you never thought.

1:02:30.840 --> 1:02:33.960
<v Speaker 4>Oh man, my memory is so fucked up, but a

1:02:34.080 --> 1:02:36.720
<v Speaker 4>few of them called and I was like, are you serious?

1:02:36.960 --> 1:02:39.800
<v Speaker 1>Like damn, I can't even think of it? Who called

1:02:39.840 --> 1:02:40.000
<v Speaker 1>you for?

1:02:41.440 --> 1:02:44.680
<v Speaker 12>I did all the wed Ship, I did all of

1:02:44.800 --> 1:02:50.920
<v Speaker 12>the Will Smith j anytime, Will Smith.

1:02:51.040 --> 1:02:56.760
<v Speaker 1>I did Welcome to Miami and Okay, like last time

1:02:58.960 --> 1:03:01.960
<v Speaker 1>I wrote that, keep and want to get jiggy with it?

1:03:02.320 --> 1:03:05.360
<v Speaker 3>You know I was right here he okay, Will Smith

1:03:05.400 --> 1:03:06.520
<v Speaker 3>trying to say he is the song.

1:03:06.560 --> 1:03:09.760
<v Speaker 12>I like, well, come on, man, you know that's going

1:03:09.800 --> 1:03:12.040
<v Speaker 12>with track manuch like, yeah, I did five mines on

1:03:12.120 --> 1:03:14.760
<v Speaker 12>the album Ship, so you did get jiggy with it.

1:03:14.840 --> 1:03:17.400
<v Speaker 12>Get jiggy with it, the one with him and left eye,

1:03:17.600 --> 1:03:18.320
<v Speaker 12>Will and left Eye.

1:03:18.320 --> 1:03:20.800
<v Speaker 1>That's what now is wrote for Will Okay, and then

1:03:20.880 --> 1:03:21.720
<v Speaker 1>what else? Man?

1:03:21.760 --> 1:03:26.560
<v Speaker 3>Welcome to Miami. He's miss favorite record, Welcome to Miami. No, no, no,

1:03:26.960 --> 1:03:30.640
<v Speaker 3>deny that come on, come on, I mean food lining

1:03:30.640 --> 1:03:33.760
<v Speaker 3>and and be playing. I'll be that's just popping. But

1:03:37.000 --> 1:03:39.080
<v Speaker 3>it's a four real mine. God, I don't like.

1:03:39.800 --> 1:03:41.840
<v Speaker 1>Looking on if the phone call come in, I'm coming

1:03:41.880 --> 1:03:46.840
<v Speaker 1>to know you, he said, Miami, that's a record. It's

1:03:46.840 --> 1:03:52.040
<v Speaker 1>a classic, but it's not true. It's not trick. Then,

1:03:52.400 --> 1:03:53.880
<v Speaker 1>so if you go to a party of the DJ.

1:03:54.000 --> 1:03:55.080
<v Speaker 1>You ain't going right on.

1:03:55.720 --> 1:03:59.560
<v Speaker 5>I'm sorry, man, I'm sorry, sorry, I'm never going to people,

1:03:59.600 --> 1:04:02.960
<v Speaker 5>but Pa, thank you.

1:04:03.800 --> 1:04:07.600
<v Speaker 1>Shout the will Smith. He's a legendar. So let me

1:04:07.680 --> 1:04:15.720
<v Speaker 1>ask y'all independent or major? Independent? Independent for sure?

1:04:16.320 --> 1:04:18.440
<v Speaker 4>I mean especially these days, you know what I mean,

1:04:19.200 --> 1:04:21.760
<v Speaker 4>because now these days, it's not all about trying to like,

1:04:23.080 --> 1:04:27.200
<v Speaker 4>you know, make new fans, catering to the ones you have,

1:04:28.000 --> 1:04:30.200
<v Speaker 4>just you know, keeping them on board and you just

1:04:30.320 --> 1:04:32.880
<v Speaker 4>keep them happy and you just keep you know what

1:04:32.920 --> 1:04:33.960
<v Speaker 4>I'm saying, hit them all.

1:04:34.040 --> 1:04:37.680
<v Speaker 1>So I believe the independent way. How man away as

1:04:37.720 --> 1:04:40.760
<v Speaker 1>an artist too? For me? Yeah? Independent or to meet?

1:04:40.920 --> 1:04:50.400
<v Speaker 1>Yeah yeah, yeah, yeah you don't. I just want everybody

1:04:50.520 --> 1:04:52.720
<v Speaker 1>look how he would answer that question. Look at the shirt,

1:04:53.000 --> 1:04:54.000
<v Speaker 1>not like the budgets bro.

1:05:00.800 --> 1:05:05.840
<v Speaker 3>Yeah yeah, you know listen, am, I'm not gonna be

1:05:06.000 --> 1:05:07.080
<v Speaker 3>I'm gonna be honest.

1:05:07.080 --> 1:05:09.920
<v Speaker 1>I'm gonna be honest. He's been on it, independent, is

1:05:10.040 --> 1:05:10.360
<v Speaker 1>you you?

1:05:10.520 --> 1:05:12.760
<v Speaker 3>Definitely if you could ply it the correct way, you

1:05:12.880 --> 1:05:15.959
<v Speaker 3>can always make bread do that. But I'm not saying

1:05:16.240 --> 1:05:18.800
<v Speaker 3>I missed the days with it was just easy like.

1:05:19.280 --> 1:05:23.120
<v Speaker 1>Check you you came in that check was dead the

1:05:23.200 --> 1:05:27.480
<v Speaker 1>next straight to the studio to the studio and finish

1:05:27.560 --> 1:05:29.400
<v Speaker 1>my ship, get my other half of the check, and

1:05:29.600 --> 1:05:32.000
<v Speaker 1>be cool. Got nothing to worry about. Then when I'm

1:05:32.040 --> 1:05:33.320
<v Speaker 1>on tour, I don't.

1:05:33.120 --> 1:05:35.680
<v Speaker 3>Care about the hotels and then booked a Ready you

1:05:35.760 --> 1:05:36.520
<v Speaker 3>just gotta walk in.

1:05:38.640 --> 1:05:38.760
<v Speaker 5>One.

1:05:38.880 --> 1:05:45.440
<v Speaker 1>Right, I'm gonna go back to the services.

1:05:45.480 --> 1:05:48.800
<v Speaker 3>Man, I'm saying, let me but sometimes going back to

1:05:48.800 --> 1:05:50.600
<v Speaker 3>the sheriton, go back to arr.

1:05:52.080 --> 1:05:52.240
<v Speaker 1>Yeah.

1:05:52.280 --> 1:05:54.560
<v Speaker 3>Well you talking about independent, Yeah, that's what you gotta

1:05:54.600 --> 1:05:57.240
<v Speaker 3>do independent. It makes no sense to stay at these

1:05:57.400 --> 1:05:58.400
<v Speaker 3>nice hotels when.

1:05:58.240 --> 1:05:59.600
<v Speaker 1>You go on that road. It makes it so you

1:05:59.640 --> 1:06:02.120
<v Speaker 1>would have to like you know what I mean, Like word,

1:06:02.240 --> 1:06:03.080
<v Speaker 1>that's a whole budget.

1:06:03.280 --> 1:06:08.120
<v Speaker 3>Yeah. Yeah, the four seasons, boy, that's it's seriously the

1:06:08.160 --> 1:06:09.240
<v Speaker 3>fourth season man kill.

1:06:09.400 --> 1:06:12.720
<v Speaker 1>Yeah, you guys find it hard to find like passion

1:06:12.760 --> 1:06:16.320
<v Speaker 1>to make new music. Yeah, that's a great question. Yeah man,

1:06:16.560 --> 1:06:20.120
<v Speaker 1>like yeah, Man, it's different.

1:06:21.000 --> 1:06:23.240
<v Speaker 12>I feel like it's some of the artists that's it's

1:06:23.440 --> 1:06:26.800
<v Speaker 12>hard because some of the artists that's rapping ain't rapping

1:06:26.880 --> 1:06:28.000
<v Speaker 12>for what we're trying to make.

1:06:28.240 --> 1:06:38.160
<v Speaker 17>Alchemist, you live on drink Champs, oh ship. Hey, it's

1:06:38.200 --> 1:06:39.080
<v Speaker 17>also about.

1:06:44.720 --> 1:06:48.880
<v Speaker 1>Were waiting for you? Well, can we come and stay

1:06:48.920 --> 1:06:53.880
<v Speaker 1>with you? Guys on the eighties. Absolutely on the eighteen. Yeah,

1:06:54.280 --> 1:06:58.320
<v Speaker 1>it's a done dale. Yes. Between everything.

1:06:58.360 --> 1:07:02.720
<v Speaker 3>In between time and shooting, we usually doing four o'clock,

1:07:03.000 --> 1:07:05.000
<v Speaker 3>four pm, four four pm.

1:07:06.160 --> 1:07:10.720
<v Speaker 1>We'll hop on an early fight. Yeah on Monday. Yeah,

1:07:11.520 --> 1:07:13.760
<v Speaker 1>come stay with you guys. Let's make so.

1:07:18.800 --> 1:07:22.160
<v Speaker 3>We got we got Yeah, we gotta have it ll yes, yeah,

1:07:22.160 --> 1:07:22.640
<v Speaker 3>we gotta have it.

1:07:24.200 --> 1:07:28.760
<v Speaker 1>Yeah. Family, Yeah, we can't wait. We can't wait to

1:07:28.880 --> 1:07:31.160
<v Speaker 1>make sure that I got some ex So please okay,

1:07:31.240 --> 1:07:33.800
<v Speaker 1>of course it's done. Deal whatever you need, whatever you need,

1:07:34.200 --> 1:07:36.920
<v Speaker 1>Thank you so much. Who do you need to contact

1:07:36.960 --> 1:07:38.640
<v Speaker 1>on my team for the writer and all that kind

1:07:38.680 --> 1:07:39.320
<v Speaker 1>of Okay.

1:07:39.280 --> 1:07:42.280
<v Speaker 3>I'm gonna send this to Alchemism right now because I

1:07:42.320 --> 1:07:43.240
<v Speaker 3>got you live on the show.

1:07:43.280 --> 1:07:45.919
<v Speaker 1>I don't want to say that over the I'm gonna

1:07:45.920 --> 1:07:48.200
<v Speaker 1>send it to the text right now. Yes, and my

1:07:48.400 --> 1:07:49.960
<v Speaker 1>million dollars. You can just put it in.

1:07:50.760 --> 1:07:55.040
<v Speaker 3>Okay, I got you. Thank y'all so much. We hit

1:07:55.120 --> 1:07:57.280
<v Speaker 3>you up back yep, Yeah, I love you.

1:07:57.760 --> 1:08:03.640
<v Speaker 1>Yeah, it is back doing doing what we gotta do.

1:08:04.120 --> 1:08:07.040
<v Speaker 1>Thank you, Thank you. I was there right now. God

1:08:07.120 --> 1:08:09.880
<v Speaker 1>damn it, We're gonna make it happen. I'm gonna text

1:08:09.920 --> 1:08:10.160
<v Speaker 1>you all.

1:08:10.320 --> 1:08:13.960
<v Speaker 3>I'm gonna text you so all same here, brother, make

1:08:14.040 --> 1:08:14.439
<v Speaker 3>some noyse.

1:08:20.200 --> 1:08:22.200
<v Speaker 1>It was hard randomly, you know what I'm saying, random,

1:08:22.280 --> 1:08:22.880
<v Speaker 1>super random.

1:08:23.160 --> 1:08:26.240
<v Speaker 3>It seems everybody's doing collab albums now, Yeah for sure.

1:08:26.720 --> 1:08:29.479
<v Speaker 1>Who would you do a collab album with? Oh Man

1:08:29.640 --> 1:08:30.880
<v Speaker 1>ship a lot of people?

1:08:31.080 --> 1:08:36.360
<v Speaker 3>Man uh, Jada, Jada? Now collab with Jada? Like you

1:08:36.520 --> 1:08:38.400
<v Speaker 3>rhyming or you're just producing his album?

1:08:38.640 --> 1:08:42.040
<v Speaker 1>I just produce. I just produced on that. You're wanna

1:08:42.080 --> 1:08:50.600
<v Speaker 1>keep taking the balls cocaine still like he got the

1:08:51.680 --> 1:08:56.880
<v Speaker 1>think of this ship for days, but you're produce.

1:08:57.000 --> 1:08:59.200
<v Speaker 4>I will produced definitely for sure, you know what I'm saying.

1:08:59.320 --> 1:09:03.920
<v Speaker 4>Definitely Ja the album for sure. Okay, that's what som

1:09:03.960 --> 1:09:05.600
<v Speaker 4>my favorite mc h.

1:09:07.080 --> 1:09:09.240
<v Speaker 1>That's one of your favorite? Yeah, yeah, it's definitely one

1:09:09.240 --> 1:09:10.559
<v Speaker 1>of my favorite mcs for sure.

1:09:10.560 --> 1:09:12.400
<v Speaker 3>Who's somebody you haven't produced for that you would like

1:09:12.479 --> 1:09:13.840
<v Speaker 3>to produce that I.

1:09:13.880 --> 1:09:16.479
<v Speaker 1>Haven't produced for it that I like to produce? Mm

1:09:16.600 --> 1:09:23.439
<v Speaker 1>hmm Jay Yeah, see yeah, I definitely Jake for sure.

1:09:23.560 --> 1:09:26.200
<v Speaker 1>I could see that. I think that would be crazy.

1:09:27.040 --> 1:09:28.599
<v Speaker 1>I could see that. I think that would be crazy.

1:09:28.680 --> 1:09:32.679
<v Speaker 1>I think that should be great. We're taking a shot

1:09:32.760 --> 1:09:32.880
<v Speaker 1>for that.

1:09:33.400 --> 1:09:35.880
<v Speaker 3>I feel like it's just appropriate. Yes, today at this point,

1:09:35.920 --> 1:09:40.760
<v Speaker 3>let's take a shot for that. I got to, Oh,

1:09:40.920 --> 1:09:42.479
<v Speaker 3>somebody that you ain't produced for that you would like

1:09:42.520 --> 1:09:47.040
<v Speaker 3>to produce. I would love to produce for J Cole.

1:09:47.479 --> 1:09:51.040
<v Speaker 3>J Cole, Yeah, I would love to produce for J Cole.

1:09:51.840 --> 1:09:53.760
<v Speaker 3>I met him one time and he was like real

1:09:53.840 --> 1:09:56.080
<v Speaker 3>big nas fan, like oh, I was like yes, you

1:09:56.120 --> 1:09:58.280
<v Speaker 3>turned around like like yo, get him?

1:09:58.720 --> 1:10:00.000
<v Speaker 1>But you know what I mean. So we chopped it up.

1:10:00.080 --> 1:10:01.559
<v Speaker 1>But that would be dope.

1:10:03.360 --> 1:10:08.960
<v Speaker 12>And I've been speaking to your homie, oh poem Oh yeah, okay, because.

1:10:08.680 --> 1:10:11.400
<v Speaker 1>You know, man, his my pops and his yes, the

1:10:11.479 --> 1:10:13.800
<v Speaker 1>best friends. Yeah, and you know they didn't umber crew

1:10:14.040 --> 1:10:16.760
<v Speaker 1>all right, so I got a little they got yeah

1:10:17.000 --> 1:10:17.280
<v Speaker 1>a little.

1:10:17.360 --> 1:10:17.519
<v Speaker 7>Yeah.

1:10:17.600 --> 1:10:17.800
<v Speaker 5>Yeah.

1:10:18.000 --> 1:10:20.519
<v Speaker 1>So we were speaking okay on the text, I sent

1:10:20.600 --> 1:10:21.200
<v Speaker 1>him a few things.

1:10:21.240 --> 1:10:25.560
<v Speaker 3>Okay, okay, hell yeah what up? P Yeah, let me

1:10:25.600 --> 1:10:29.320
<v Speaker 3>actually something something different, like we said, what right? What

1:10:29.439 --> 1:10:32.720
<v Speaker 3>do you think it would be like fifty cent and

1:10:32.880 --> 1:10:34.200
<v Speaker 3>John Rule never had beef?

1:10:34.800 --> 1:10:40.760
<v Speaker 4>If I never had beef, I think I think they

1:10:40.800 --> 1:10:42.200
<v Speaker 4>probably would have made records together.

1:10:42.360 --> 1:10:46.280
<v Speaker 1>But it definitely would have made records. But yeah, that's

1:10:46.760 --> 1:10:49.720
<v Speaker 1>that's it. You know, it was an awkward moment. Man.

1:10:50.040 --> 1:10:51.679
<v Speaker 1>He was in the New York New York video?

1:10:52.240 --> 1:10:53.840
<v Speaker 9>Who when who was in the New York video was

1:10:53.880 --> 1:11:01.400
<v Speaker 9>in there too? The scheming on you, So get up

1:11:01.439 --> 1:11:05.519
<v Speaker 9>out of here, you know what I mean? You know

1:11:05.720 --> 1:11:07.479
<v Speaker 9>it was low he was in the murder as a lot,

1:11:07.520 --> 1:11:09.600
<v Speaker 9>but you decided to the next week. I was like,

1:11:09.680 --> 1:11:12.479
<v Speaker 9>listen to I can see this ship wing.

1:11:12.600 --> 1:11:16.240
<v Speaker 1>I'm gone. He was an arrange robe. I was like, GI,

1:11:16.439 --> 1:11:18.640
<v Speaker 1>my ship, I got good to my call? Know you

1:11:18.720 --> 1:11:19.720
<v Speaker 1>remember what I'm talking about?

1:11:20.479 --> 1:11:23.840
<v Speaker 3>Yeah that it's crazy, But how is that like you

1:11:23.960 --> 1:11:25.320
<v Speaker 3>actually worked with fifty cent, you.

1:11:25.320 --> 1:11:28.120
<v Speaker 1>Went on tour? Yeah, yeah, did all that? How is

1:11:28.160 --> 1:11:29.679
<v Speaker 1>that now that she was dope?

1:11:29.760 --> 1:11:30.280
<v Speaker 8>You know what I mean?

1:11:30.320 --> 1:11:33.479
<v Speaker 1>Because after we got you know, dropped from jobs. You

1:11:33.560 --> 1:11:36.160
<v Speaker 1>know what I'm saying. They gave me a call like yo,

1:11:37.000 --> 1:11:38.760
<v Speaker 1>I want to sign y'all. And you know what I

1:11:38.840 --> 1:11:41.000
<v Speaker 1>mean when you say you got drop for job?

1:11:41.880 --> 1:11:43.680
<v Speaker 3>Is that amical waves where you wanted to be like

1:11:44.160 --> 1:11:46.760
<v Speaker 3>I wanted to go to or or you want you

1:11:46.840 --> 1:11:47.360
<v Speaker 3>wanted to stay?

1:11:48.160 --> 1:11:50.960
<v Speaker 1>I wanted we wanted to go to Because yeah, you know,

1:11:51.200 --> 1:11:53.040
<v Speaker 1>they didn't really do right by the album.

1:11:53.120 --> 1:11:54.400
<v Speaker 4>You know what I'm saying. I don't think that they

1:11:54.600 --> 1:11:56.760
<v Speaker 4>really knew what to do with Mom Deep. But it

1:11:56.880 --> 1:11:58.880
<v Speaker 4>was just a play that you know, Chris Light he

1:11:58.960 --> 1:12:00.880
<v Speaker 4>put together. You want to say, It's like, you know, Chris,

1:12:01.000 --> 1:12:02.680
<v Speaker 4>like you gotta get over there. So it's like you

1:12:02.800 --> 1:12:03.920
<v Speaker 4>fuck it, you got a deal.

1:12:04.120 --> 1:12:06.880
<v Speaker 1>Dave, like he had to get over there. It was Chris.

1:12:07.000 --> 1:12:09.320
<v Speaker 4>It was Chris, Chris, Chris. Chris had to get over there,

1:12:09.640 --> 1:12:12.400
<v Speaker 4>and he brought us over there with him. And you know,

1:12:12.840 --> 1:12:14.080
<v Speaker 4>to me, the album did good.

1:12:14.160 --> 1:12:14.720
<v Speaker 1>You know what I'm saying.

1:12:14.840 --> 1:12:17.439
<v Speaker 4>To sell one hundred and fifty thousand copies in your

1:12:17.479 --> 1:12:19.320
<v Speaker 4>first week, that's.

1:12:21.320 --> 1:12:25.040
<v Speaker 1>The gold automatically, ship gold automatically. Right back then they

1:12:25.200 --> 1:12:28.960
<v Speaker 1>like that that, you know, that wasn't good job. It's

1:12:29.040 --> 1:12:36.120
<v Speaker 1>like a pop label Columbia. Yeah, it's like Britney Try Try,

1:12:36.280 --> 1:12:36.639
<v Speaker 1>That's right.

1:12:37.640 --> 1:12:39.320
<v Speaker 3>But then let'st's talk about so then you started working

1:12:39.320 --> 1:12:40.280
<v Speaker 3>with fifty let's talk about that.

1:12:40.479 --> 1:12:43.519
<v Speaker 4>And yeah, so then we you know, we got pushed

1:12:43.560 --> 1:12:47.439
<v Speaker 4>into the g Unit movement, which was dope because it

1:12:47.560 --> 1:12:50.000
<v Speaker 4>was just a bunch of fellas from Queens, you know

1:12:50.000 --> 1:12:52.080
<v Speaker 4>what I mean, just felt like you know, say, you know,

1:12:52.240 --> 1:12:55.080
<v Speaker 4>from the outside, yeah, it looked like it was dope

1:12:55.120 --> 1:12:57.880
<v Speaker 4>because because the energy, the energy was crazy, you know,

1:12:57.920 --> 1:12:59.960
<v Speaker 4>what I mean, like, you know, mom deep, at that point,

1:13:00.080 --> 1:13:02.240
<v Speaker 4>we was used to doing venues, you know, like a thousand,

1:13:02.280 --> 1:13:05.560
<v Speaker 4>two thousand people, maybe three thousand. But then when we

1:13:05.640 --> 1:13:08.960
<v Speaker 4>started sucking with fifty, we was doing stadiums, you know

1:13:09.000 --> 1:13:10.519
<v Speaker 4>what I mean, And that that shit was you know,

1:13:10.840 --> 1:13:13.640
<v Speaker 4>it introduced us to you know, a bigger audience, you

1:13:13.720 --> 1:13:17.160
<v Speaker 4>know what I mean. You know the fans was like

1:13:17.320 --> 1:13:19.519
<v Speaker 4>kind of our fans was like kind of coming at us,

1:13:20.280 --> 1:13:23.799
<v Speaker 4>and I'm like, for what, like you know yeah, because

1:13:23.800 --> 1:13:26.720
<v Speaker 4>you know, like sometimes people just I think all this

1:13:26.960 --> 1:13:29.800
<v Speaker 4>two fans are like their children, Like they don't want

1:13:29.800 --> 1:13:30.559
<v Speaker 4>to see their children.

1:13:37.600 --> 1:13:40.120
<v Speaker 1>I've never heard it before, but I understand exactly what

1:13:40.200 --> 1:13:41.959
<v Speaker 1>you're saying. How they feel.

1:13:41.960 --> 1:13:45.200
<v Speaker 5>They're the parent, you're the children they see.

1:13:46.280 --> 1:13:48.160
<v Speaker 1>They don't want to see us grow. They don't want

1:13:48.160 --> 1:13:50.559
<v Speaker 1>to see nothing. They want they baby to state the same.

1:13:51.000 --> 1:14:00.400
<v Speaker 1>It's like, nah, yeah you got to go. That's but

1:14:00.520 --> 1:14:02.960
<v Speaker 1>that's that's not what you guys did. On the junior

1:14:03.040 --> 1:14:08.040
<v Speaker 1>she was dope too. It was very mob deep, not exactly.

1:14:07.720 --> 1:14:09.800
<v Speaker 4>I mean, it was Queen's you know what I'm saying

1:14:09.840 --> 1:14:12.599
<v Speaker 4>that that you know what I mean, Like I said,

1:14:12.680 --> 1:14:14.439
<v Speaker 4>you know what I'm saying, sometimes the fans, man, they

1:14:14.439 --> 1:14:15.160
<v Speaker 4>don't want to see.

1:14:15.040 --> 1:14:18.280
<v Speaker 1>The fans was coming at you for me, you know

1:14:18.320 --> 1:14:18.760
<v Speaker 1>what I'm saying.

1:14:19.120 --> 1:14:20.680
<v Speaker 4>You know, I don't pay attention to a lot of

1:14:20.720 --> 1:14:24.000
<v Speaker 4>comments most at the time. But you know, when you

1:14:24.200 --> 1:14:26.960
<v Speaker 4>sometimes you bump into a lot of like hardcore mob

1:14:27.040 --> 1:14:31.160
<v Speaker 4>deep fans. You know, they just like they mom deep

1:14:31.360 --> 1:14:33.559
<v Speaker 4>You understand what I'm saying, and they just don't want

1:14:33.840 --> 1:14:34.320
<v Speaker 4>they don't care.

1:14:34.560 --> 1:14:35.599
<v Speaker 1>It could have been with anybody.

1:14:36.040 --> 1:14:37.680
<v Speaker 5>You don't even know what level of fans they might be,

1:14:37.960 --> 1:14:40.400
<v Speaker 5>just infamous fans like this is where they stayed.

1:14:40.560 --> 1:14:42.639
<v Speaker 1>They don't They don't want you to know. They don't

1:14:42.640 --> 1:14:45.519
<v Speaker 1>want you to with nobody else. They like you all

1:14:45.680 --> 1:14:49.960
<v Speaker 1>they dirty. I mean, I mean, don't you.

1:14:54.920 --> 1:15:02.320
<v Speaker 18>Know it's real, It's actually true. I mean you know

1:15:03.000 --> 1:15:05.599
<v Speaker 18>I was like you in the coach.

1:15:09.760 --> 1:15:13.280
<v Speaker 1>You want to keep it real. You I'm just saying real.

1:15:13.720 --> 1:15:16.040
<v Speaker 5>If you're not in that environment, no more keeping it

1:15:16.160 --> 1:15:18.400
<v Speaker 5>reals where you keep progressing to.

1:15:18.479 --> 1:15:21.519
<v Speaker 3>Being as I No, but you funked up and you said,

1:15:21.560 --> 1:15:23.960
<v Speaker 3>no matter how much I'm staying in the projects you.

1:15:29.200 --> 1:15:34.000
<v Speaker 4>But check it though for real, you know, but think

1:15:34.040 --> 1:15:36.599
<v Speaker 4>about it. Think about it. Like in nineteen ninety four.

1:15:37.240 --> 1:15:40.120
<v Speaker 4>In the nineteen ninety five we really felt like that

1:15:40.400 --> 1:15:44.200
<v Speaker 4>like a course and paid for right. Remember the movie

1:15:45.160 --> 1:15:47.200
<v Speaker 4>the character he was like, Yo, man, this hall. I'm like,

1:15:47.640 --> 1:15:49.920
<v Speaker 4>I don't want to go nowhere else. This is this

1:15:49.920 --> 1:15:51.000
<v Speaker 4>is where I get to love at.

1:15:51.160 --> 1:15:51.800
<v Speaker 1>It's their world.

1:15:52.120 --> 1:15:54.439
<v Speaker 4>I was real niggas in the hood could relate to

1:15:54.479 --> 1:15:56.479
<v Speaker 4>that want to leave out of here.

1:15:57.560 --> 1:15:59.080
<v Speaker 1>I get to love that, you know what I'm saying.

1:15:59.120 --> 1:16:01.400
<v Speaker 1>So that's what the line stemmed from. But you know

1:16:01.400 --> 1:16:03.040
<v Speaker 1>what I'm saying. You start making money, you know.

1:16:03.560 --> 1:16:09.439
<v Speaker 7>You realize the line. We still love it, We still

1:16:09.520 --> 1:16:13.160
<v Speaker 7>love it people, But yeah, you want that for the

1:16:13.200 --> 1:16:13.800
<v Speaker 7>people as well.

1:16:14.080 --> 1:16:15.400
<v Speaker 1>You want the people to be you know.

1:16:15.560 --> 1:16:20.000
<v Speaker 8>You know they said ron Uh brought the duplex in

1:16:20.080 --> 1:16:23.519
<v Speaker 8>the hood and gut it out the upstairs and made the.

1:16:24.040 --> 1:16:35.320
<v Speaker 12>Apartment complex townhouse like it's like a penhouse street, both.

1:16:35.200 --> 1:16:38.040
<v Speaker 1>Of them, and like that's how.

1:16:40.320 --> 1:16:41.720
<v Speaker 3>I'm not gonna lie to you. Let me just tell

1:16:41.720 --> 1:16:46.759
<v Speaker 3>you something. This is real talk. Some of my funnest

1:16:46.760 --> 1:16:49.640
<v Speaker 3>times in my life has been in Queensborg because I

1:16:49.680 --> 1:16:53.840
<v Speaker 3>will keep it a hundred like and it's all night,

1:16:54.680 --> 1:16:57.839
<v Speaker 3>all nights all just don't sleep in Queensland.

1:16:58.960 --> 1:16:59.840
<v Speaker 1>You can go to the pub.

1:17:00.920 --> 1:17:03.920
<v Speaker 3>You're going, You're going Burden, go to Uh. I forgot

1:17:03.960 --> 1:17:08.080
<v Speaker 3>that we smot uh. Then you Paul Brown and then

1:17:08.120 --> 1:17:10.880
<v Speaker 3>you can go on Twelfth Street like you go on

1:17:10.960 --> 1:17:14.920
<v Speaker 3>the hill like this is there's different sections Like you know,

1:17:14.960 --> 1:17:16.519
<v Speaker 3>I'm I'm I'm, I'm I'm from left.

1:17:16.560 --> 1:17:18.439
<v Speaker 1>But I'm like I didn't see this type of ship.

1:17:18.479 --> 1:17:19.439
<v Speaker 1>I was just so open.

1:17:19.880 --> 1:17:21.720
<v Speaker 3>I love the queens Bridge bro at that time, so

1:17:22.000 --> 1:17:24.040
<v Speaker 3>I was, yeah, I love love still.

1:17:24.080 --> 1:17:25.840
<v Speaker 1>An era of hip hop.

1:17:25.920 --> 1:17:30.240
<v Speaker 3>It's like you really saw like like when they say

1:17:30.280 --> 1:17:32.320
<v Speaker 3>that hip hop started out on the Dog and I

1:17:32.439 --> 1:17:35.680
<v Speaker 3>know that, you know, we know we started out and

1:17:36.439 --> 1:17:39.840
<v Speaker 3>in the Bronx. What I'm saying is river Park is

1:17:39.880 --> 1:17:42.120
<v Speaker 3>an ill place. They sitting there and they party and

1:17:42.120 --> 1:17:44.599
<v Speaker 3>they doing hip hop all day, you know what I'm saying.

1:17:44.600 --> 1:17:46.439
<v Speaker 3>And you're sitting there like, oh okay, I can see

1:17:46.439 --> 1:17:50.000
<v Speaker 3>where mc shad they can't right for here, like you know,

1:17:50.280 --> 1:17:53.320
<v Speaker 3>you know what I'm saying, like bolding real hip hop

1:17:53.439 --> 1:17:54.040
<v Speaker 3>see and it's.

1:17:53.880 --> 1:17:56.720
<v Speaker 1>A real like other scene. Think about river Park. We

1:17:56.920 --> 1:18:00.640
<v Speaker 1>was like we had the water we have yeah, you

1:18:01.080 --> 1:18:03.640
<v Speaker 1>like that was like oh wow, we got to.

1:18:03.600 --> 1:18:06.760
<v Speaker 12>Get you're there like that's what they got all the money,

1:18:08.400 --> 1:18:11.600
<v Speaker 12>apartment you know what I mean, or townhouse, that's what

1:18:11.720 --> 1:18:11.960
<v Speaker 12>it was.

1:18:12.080 --> 1:18:13.639
<v Speaker 1>It was like we go to the pall, we chill.

1:18:14.400 --> 1:18:19.040
<v Speaker 3>That's rausic and just that's that's an ill neighborhood.

1:18:19.080 --> 1:18:20.720
<v Speaker 1>And if you were in the hip hop you into this,

1:18:21.080 --> 1:18:23.280
<v Speaker 1>try then you just get your thoughts on, you know

1:18:23.320 --> 1:18:25.120
<v Speaker 1>what I mean. I'm gonna take a strip from Queen

1:18:25.600 --> 1:18:28.479
<v Speaker 1>for queens Bridge. We should do a drink Champs live

1:18:28.520 --> 1:18:29.160
<v Speaker 1>in Queensbridge.

1:18:29.160 --> 1:18:34.479
<v Speaker 3>Oh yeah, no problem, I'm in. And if you poet,

1:18:35.200 --> 1:18:37.360
<v Speaker 3>that could be crazy, you know what I'm saying. So

1:18:38.120 --> 1:18:39.479
<v Speaker 3>now that's a great question.

1:18:39.960 --> 1:18:40.080
<v Speaker 1>Uh.

1:18:42.520 --> 1:18:45.080
<v Speaker 3>I feel like as far as MC's go, like we

1:18:45.280 --> 1:18:48.960
<v Speaker 3>just said, I feel like queens has the best MCS,

1:18:49.479 --> 1:18:55.200
<v Speaker 3>but Queen's Bridge it's different. Right you have mally Ma

1:18:55.920 --> 1:19:06.080
<v Speaker 3>and she Craig g yes, Craig gnh excuse me, no,

1:19:06.560 --> 1:19:08.760
<v Speaker 3>black poet, I said that already black?

1:19:11.520 --> 1:19:11.920
<v Speaker 1>Who else?

1:19:12.000 --> 1:19:15.040
<v Speaker 3>That was school ball? School ball, that's whatever, that's screwball.

1:19:16.280 --> 1:19:22.120
<v Speaker 3>Let's go nature, Let's go tragedy. Who mega mega Yeah,

1:19:22.200 --> 1:19:25.519
<v Speaker 3>I mean it goes deep. Yeah, how is that like?

1:19:25.640 --> 1:19:29.000
<v Speaker 3>Being from as far as MCS go, like, that's one

1:19:29.040 --> 1:19:30.360
<v Speaker 3>of the riches.

1:19:30.960 --> 1:19:37.479
<v Speaker 1>Swan t J Swan. Yeah, was he from the Okay? Yeah,

1:19:38.520 --> 1:19:40.880
<v Speaker 1>that's the one song of all the older joints. Yeah,

1:19:41.040 --> 1:19:47.479
<v Speaker 1>okay joint. Okay. How is that being from a hood

1:19:47.600 --> 1:19:49.000
<v Speaker 1>that basically.

1:19:49.640 --> 1:19:52.840
<v Speaker 3>Has has kind of nothing but stars that's made from

1:19:52.880 --> 1:19:53.519
<v Speaker 3>their history.

1:19:53.680 --> 1:19:55.840
<v Speaker 1>Yeah, history, It's definitely inspiring.

1:19:56.920 --> 1:19:58.840
<v Speaker 4>Like when you Talers Race when you in school and

1:19:58.920 --> 1:20:00.920
<v Speaker 4>ship and they were like, yo, like where you're from?

1:20:01.080 --> 1:20:02.760
<v Speaker 4>I'm like, I'm from Queensbridge, you know what I mean?

1:20:02.880 --> 1:20:08.400
<v Speaker 4>Like Molly Malayante the first one that made you feel proud.

1:20:08.680 --> 1:20:10.880
<v Speaker 1>Hell yeah, you know the Bridge the song like you

1:20:11.000 --> 1:20:13.200
<v Speaker 1>know that as a little kid, you like, you know

1:20:13.240 --> 1:20:15.240
<v Speaker 1>what I mean, Like that's you know that song? So

1:20:15.520 --> 1:20:17.320
<v Speaker 1>wherever you go, they like, yo, where you from? You're like,

1:20:17.360 --> 1:20:18.800
<v Speaker 1>I'm from Queens Bridge, you know what I'm saying.

1:20:18.880 --> 1:20:23.080
<v Speaker 4>Like it made you proud to be from QB all day.

1:20:23.200 --> 1:20:26.320
<v Speaker 4>And then it was inspiration to be like, yo, I

1:20:26.439 --> 1:20:28.000
<v Speaker 4>want to do that ship like you know what I'm saying,

1:20:28.040 --> 1:20:28.920
<v Speaker 4>Like I want to do that?

1:20:29.160 --> 1:20:33.000
<v Speaker 12>You know, God damn you and you and you heard

1:20:33.120 --> 1:20:36.000
<v Speaker 12>Marlly from the if you went on Vernon you heard

1:20:36.080 --> 1:20:37.400
<v Speaker 12>them making beats all day.

1:20:37.439 --> 1:20:40.080
<v Speaker 3>So was on the fortiest side of Vernon or the

1:20:40.080 --> 1:20:43.360
<v Speaker 3>forty first forty first out of Earth and nas is

1:20:43.400 --> 1:20:46.280
<v Speaker 3>from the forty the side of tragics from.

1:20:46.840 --> 1:20:53.719
<v Speaker 1>Forty What does all mean? Guys? So it just splits.

1:20:54.040 --> 1:20:57.080
<v Speaker 3>It's just it's two ten to twelve streets, two tenth

1:20:57.120 --> 1:21:00.479
<v Speaker 3>streets and it's and it's true world.

1:21:00.360 --> 1:21:03.160
<v Speaker 5>But nobody, I mean, it's one better than the other

1:21:04.439 --> 1:21:07.519
<v Speaker 5>in your opinion, splits it.

1:21:07.800 --> 1:21:16.240
<v Speaker 1>So there's a shopping on the hood, the hood, but it's.

1:21:16.120 --> 1:21:19.880
<v Speaker 3>Different sides of it, right yeah, I damn, it's so

1:21:20.080 --> 1:21:23.679
<v Speaker 3>easy to explain. You get this Queen conversation a lost

1:21:23.840 --> 1:21:27.439
<v Speaker 3>that's Queen's Bridge particular. That is like that they have

1:21:27.840 --> 1:21:33.560
<v Speaker 3>what is it, ninety six buildings, sixth block, six block.

1:21:34.000 --> 1:21:40.000
<v Speaker 1>Block, ninety six project building. Yeah, the biggest owner.

1:21:40.760 --> 1:21:45.160
<v Speaker 3>Say, it's different areas like like see me, I was

1:21:45.240 --> 1:21:47.800
<v Speaker 3>like like back then you had to be like if

1:21:47.800 --> 1:21:49.519
<v Speaker 3>you want a Time Street guy, you had to stay

1:21:49.560 --> 1:21:51.880
<v Speaker 3>on Time Street, right me. I was a Twelfth Street guy,

1:21:52.000 --> 1:21:54.200
<v Speaker 3>my twelve Street guy from If I say I'm on

1:21:54.360 --> 1:21:56.280
<v Speaker 3>Queens Bridge, which I'm not from left right, but I

1:21:56.320 --> 1:21:58.760
<v Speaker 3>would be from Havoc and Component Block they're on the

1:21:58.840 --> 1:22:00.479
<v Speaker 3>same block, but that's twelve Street.

1:22:00.479 --> 1:22:05.000
<v Speaker 1>But there's a whole other side of twe Street, the

1:22:05.320 --> 1:22:08.640
<v Speaker 1>street I might not know. I'm not one person over there, but.

1:22:08.720 --> 1:22:09.680
<v Speaker 3>I know this is this.

1:22:09.880 --> 1:22:10.639
<v Speaker 1>I know this flock.

1:22:10.920 --> 1:22:13.320
<v Speaker 3>So it's a different area if you go there, now,

1:22:13.439 --> 1:22:16.439
<v Speaker 3>holy ship, you know the whole different town, right, but

1:22:16.600 --> 1:22:17.120
<v Speaker 3>it's still the.

1:22:17.200 --> 1:22:20.439
<v Speaker 1>Town and it's still the same block. That's how big

1:22:20.520 --> 1:22:22.559
<v Speaker 1>it is. And you go to the hill, you see

1:22:22.640 --> 1:22:25.120
<v Speaker 1>you got anybody from every block? Yeah, every block. That's

1:22:25.160 --> 1:22:27.519
<v Speaker 1>why I was telling me that earlier. The hill was

1:22:27.560 --> 1:22:29.360
<v Speaker 1>like the and then that's where the center is at.

1:22:29.400 --> 1:22:30.120
<v Speaker 1>That's where everyone.

1:22:30.680 --> 1:22:33.599
<v Speaker 3>And you get Tame Street and tim Street the same

1:22:33.640 --> 1:22:36.240
<v Speaker 3>thing as twelve Street's two different sizes, and then Vernon

1:22:36.360 --> 1:22:44.599
<v Speaker 3>is the same thing. But then they got twenty first Street. First,

1:22:44.840 --> 1:22:47.160
<v Speaker 3>the album that I got from Homie I got out

1:22:47.160 --> 1:22:50.240
<v Speaker 3>of prison, Little Laky, that's twelve Street. That's twelve Street,

1:22:50.560 --> 1:22:52.800
<v Speaker 3>twenty first, No, that was a twelve Street album.

1:22:52.920 --> 1:23:05.519
<v Speaker 1>That was the first forty first and right, I'm taking

1:23:07.120 --> 1:23:09.880
<v Speaker 1>take a job. Queen's minion.

1:23:13.600 --> 1:23:17.519
<v Speaker 3>Imagine even that like you know, uh a big up,

1:23:17.600 --> 1:23:20.519
<v Speaker 3>like he kind of like kind of be an executive. Imagine,

1:23:20.600 --> 1:23:23.240
<v Speaker 3>like we all stuck together and we supported that.

1:23:23.400 --> 1:23:24.519
<v Speaker 1>Like you know what I'm saying.

1:23:24.840 --> 1:23:27.360
<v Speaker 3>You guys did support that. Yeah, but I'm saying, we

1:23:27.400 --> 1:23:29.519
<v Speaker 3>don't know how. I'm saying, like, imagine, like what did

1:23:29.600 --> 1:23:30.760
<v Speaker 3>my state that we're at now and.

1:23:32.240 --> 1:23:35.759
<v Speaker 12>Had their own thing going there old deals with different labels,

1:23:35.800 --> 1:23:37.120
<v Speaker 12>So you gotta it was hard.

1:23:37.840 --> 1:23:39.360
<v Speaker 1>You can't forget draws. You know what I'm saying.

1:23:42.360 --> 1:23:47.720
<v Speaker 8>To do if he he made a breakthrough, he the

1:23:47.800 --> 1:23:51.760
<v Speaker 8>one who started to done the dude, that's wow.

1:23:51.800 --> 1:23:56.080
<v Speaker 3>I didn't know he started that though, that you know

1:23:56.320 --> 1:23:57.839
<v Speaker 3>that's he You fanastic.

1:23:58.479 --> 1:24:02.600
<v Speaker 1>You guys know you're speaking like, yeah, slow down, so

1:24:03.280 --> 1:24:06.960
<v Speaker 1>listening myself, I don't even realize that.

1:24:07.840 --> 1:24:08.200
<v Speaker 5>It was like.

1:24:10.600 --> 1:24:18.120
<v Speaker 1>Yeah, and I know better you better met Bonic, But yeah.

1:24:19.040 --> 1:24:28.479
<v Speaker 3>I started talking to my brom bromm not uh drawers

1:24:29.960 --> 1:24:32.920
<v Speaker 3>all with Jay Rock Yeah yeah.

1:24:32.720 --> 1:24:36.040
<v Speaker 1>Yeah yeah man, like Queen's Creamy was good to me.

1:24:36.160 --> 1:24:36.519
<v Speaker 7>Man, like.

1:24:38.479 --> 1:24:41.080
<v Speaker 1>QB, you'll be I'm just taking another shot.

1:24:41.200 --> 1:24:43.640
<v Speaker 5>He feels like, he was like, listen, having you need

1:24:43.680 --> 1:24:44.479
<v Speaker 5>to stop with the shot.

1:24:45.600 --> 1:24:48.080
<v Speaker 1>It's okay, it's right one. It's not okay, bro, it's

1:24:48.120 --> 1:24:59.880
<v Speaker 1>not good. This this right one man, like.

1:25:02.479 --> 1:25:05.840
<v Speaker 3>Anything can do right and said Kendle North. Kendle, all right,

1:25:06.040 --> 1:25:10.240
<v Speaker 3>you know you don't claim Nazi you ship North. You

1:25:10.280 --> 1:25:15.280
<v Speaker 3>got bad when we told you, I like, you ain't

1:25:15.320 --> 1:25:15.800
<v Speaker 3>claiming that.

1:25:16.000 --> 1:25:19.519
<v Speaker 1>Something like He's like, it's not really good. It's North

1:25:19.600 --> 1:25:26.160
<v Speaker 1>kidding you. We don't understand that, so break it down.

1:25:26.240 --> 1:25:29.000
<v Speaker 1>But why is that not Kendle. It's North, it says

1:25:29.120 --> 1:25:34.720
<v Speaker 1>North Kendle because it's not Kendle. We don't understand. It

1:25:34.800 --> 1:25:39.800
<v Speaker 1>doesn't the places were performing in North Candle. Leave it

1:25:39.840 --> 1:25:44.760
<v Speaker 1>at that, North Kendle, it was good or bad? You're good? Yeah,

1:25:45.479 --> 1:25:47.080
<v Speaker 1>this is good. This is bad.

1:25:49.120 --> 1:25:52.479
<v Speaker 3>Like the bogie you said, no, it's nothing, all right,

1:25:52.560 --> 1:25:55.400
<v Speaker 3>So where's the difference. Let us bringing difference. It's just

1:25:55.479 --> 1:25:59.400
<v Speaker 3>you're North Kendle. It sounds like you don't like North.

1:26:00.080 --> 1:26:04.320
<v Speaker 1>The family, the family part. Now you're good family. I

1:26:04.439 --> 1:26:10.200
<v Speaker 1>just want either turn out. Yeah, that's like, that's.

1:26:15.080 --> 1:26:18.479
<v Speaker 3>What's your favorite place to perform? My favorite place to perform?

1:26:18.680 --> 1:26:19.320
<v Speaker 7>I have to be.

1:26:20.439 --> 1:26:23.800
<v Speaker 1>I ain't gonna lie man. I gotta say. Paris was

1:26:24.439 --> 1:26:34.599
<v Speaker 1>to really yeah, really specific and fucking crazy. Come out

1:26:35.160 --> 1:26:36.960
<v Speaker 1>and they with you.

1:26:37.280 --> 1:26:42.479
<v Speaker 3>Really it's not to change, but they what's your Paris? Yeah,

1:26:42.520 --> 1:26:43.200
<v Speaker 3>that's my boy, that.

1:26:46.160 --> 1:26:50.240
<v Speaker 1>Paris Paris, that's really it's real hip hop.

1:26:50.280 --> 1:26:53.360
<v Speaker 4>And not only that it's like that's where mom deep

1:26:53.880 --> 1:26:55.720
<v Speaker 4>like really for real, for really, like you have to

1:26:55.800 --> 1:26:59.400
<v Speaker 4>be there to see it get the best response in

1:26:59.520 --> 1:27:02.720
<v Speaker 4>the world, Like I mean from beginning.

1:27:03.160 --> 1:27:05.559
<v Speaker 1>How far back did you get that response in Paris?

1:27:05.840 --> 1:27:09.200
<v Speaker 4>From from from the from the beginning to now infamous

1:27:09.439 --> 1:27:13.120
<v Speaker 4>or I would say from infamous, you know what I mean?

1:27:13.160 --> 1:27:15.360
<v Speaker 4>Because we started like kind of like a movement out

1:27:15.400 --> 1:27:19.000
<v Speaker 4>there with I believe it was Hello Nerve for the

1:27:19.080 --> 1:27:21.599
<v Speaker 4>Infamous album, Like they really they catered.

1:27:21.640 --> 1:27:25.160
<v Speaker 1>They sound around that like hip how you guys like

1:27:25.400 --> 1:27:26.560
<v Speaker 1>impregnated them with that.

1:27:27.160 --> 1:27:30.600
<v Speaker 4>Yeah, they they fun with it, like really so you

1:27:30.680 --> 1:27:33.880
<v Speaker 4>know they answer the question Paris man shout out to

1:27:33.920 --> 1:27:35.519
<v Speaker 4>Paris is one of my favorite places.

1:27:35.600 --> 1:27:42.960
<v Speaker 3>Sure, yeah, but I ain't gonna lie to you. As

1:27:46.200 --> 1:27:49.840
<v Speaker 3>like artists when it comes to Paris, I picked I

1:27:49.880 --> 1:27:52.840
<v Speaker 3>picked up on the over Nori like Nor has that

1:27:52.960 --> 1:27:56.400
<v Speaker 3>more party scene but that on the ground.

1:27:57.439 --> 1:27:58.960
<v Speaker 1>See and then they're coming out.

1:28:01.400 --> 1:28:04.719
<v Speaker 3>By himself, doesn't you know he has a more Hollywood crowd.

1:28:04.920 --> 1:28:08.200
<v Speaker 1>Godcham Paris, they have the people who wear shoes to

1:28:08.280 --> 1:28:11.280
<v Speaker 1>the show. All the girls come out with theirs come

1:28:11.320 --> 1:28:13.160
<v Speaker 1>out like girls.

1:28:15.160 --> 1:28:18.519
<v Speaker 19>It's not gonna be a lot, but they're gonna but

1:28:18.560 --> 1:28:20.839
<v Speaker 19>they're gonna come out and they're gonna get their sneakers

1:28:20.920 --> 1:28:24.479
<v Speaker 19>dirty and they going, yeah, seeing it, seeing it in crowd,

1:28:25.000 --> 1:28:27.200
<v Speaker 19>the Nord crowd a little more, bug, you know, I

1:28:27.400 --> 1:28:27.519
<v Speaker 19>like it.

1:28:27.640 --> 1:28:30.519
<v Speaker 1>The champagne y'all. You know what I mean. He's gonna

1:28:30.680 --> 1:28:33.439
<v Speaker 1>hate to stay out. You know what I'm saying, like you,

1:28:33.960 --> 1:28:34.679
<v Speaker 1>And then I got.

1:28:36.760 --> 1:28:38.479
<v Speaker 20>I got the reggae thorn crowd and the stuff, and

1:28:38.560 --> 1:28:46.000
<v Speaker 20>get done right. Bro let me see you man, we're

1:28:46.000 --> 1:28:47.160
<v Speaker 20>still breaking y'all to night.

1:28:47.280 --> 1:28:53.200
<v Speaker 1>Brother, Damn no, he's still here, Damn you. But I'm

1:28:53.200 --> 1:28:54.760
<v Speaker 1>gonna tell you something. And this is real talk.

1:28:54.840 --> 1:28:58.040
<v Speaker 3>Ask everybody here, because you know, ship, we've been knowing

1:28:58.040 --> 1:29:02.639
<v Speaker 3>each other for twenty years more probably, So I said,

1:29:03.200 --> 1:29:04.920
<v Speaker 3>Havoc is not coming on time.

1:29:06.360 --> 1:29:08.320
<v Speaker 1>Said that one hundred percent. He's right.

1:29:08.520 --> 1:29:11.360
<v Speaker 3>So we bet we bet you guess you guessed we

1:29:11.560 --> 1:29:14.880
<v Speaker 3>we actually yeah, you guys be bad. But I said,

1:29:16.080 --> 1:29:19.080
<v Speaker 3>so this is how be basic, based it on what

1:29:19.479 --> 1:29:24.840
<v Speaker 3>what you order. So if you order Patron, I kind

1:29:24.880 --> 1:29:25.840
<v Speaker 3>of know where this is going.

1:29:27.840 --> 1:29:32.040
<v Speaker 1>Hennessy, you know, so we know going tones. I was like,

1:29:32.360 --> 1:29:36.479
<v Speaker 1>we need him on time. I can tell where the

1:29:37.000 --> 1:29:40.639
<v Speaker 1>is gonna go based on bigger drink.

1:29:40.680 --> 1:29:42.000
<v Speaker 3>So I said, you know what, I can get him

1:29:42.040 --> 1:29:44.760
<v Speaker 3>because this white swine is in a good way again,

1:29:44.920 --> 1:29:47.360
<v Speaker 3>like because this is like this is like still look

1:29:47.479 --> 1:29:49.760
<v Speaker 3>like you still live, like you can have a you

1:29:49.840 --> 1:29:52.960
<v Speaker 3>get out of this and you can be safe. But

1:29:53.000 --> 1:29:57.280
<v Speaker 3>that's the reason why. Yeah, yeah, that's why puts us

1:29:57.360 --> 1:30:00.360
<v Speaker 3>onto this. He's like, Yo, you drink this, you don't

1:30:00.400 --> 1:30:03.360
<v Speaker 3>get met, but you you like you get man, don't

1:30:03.400 --> 1:30:06.240
<v Speaker 3>go no, no, you get nice, you get.

1:30:07.920 --> 1:30:11.760
<v Speaker 1>You know was that I forgot? Come on, man, he

1:30:11.840 --> 1:30:16.479
<v Speaker 1>can't get big. He can he can't get bid. Sorry,

1:30:16.560 --> 1:30:22.680
<v Speaker 1>but you gotta audience anybody.

1:30:23.800 --> 1:30:25.880
<v Speaker 3>Who who has to be on point and dealing with

1:30:26.360 --> 1:30:28.439
<v Speaker 3>egos at off times, it.

1:30:28.439 --> 1:30:29.120
<v Speaker 1>Should be risen.

1:30:29.520 --> 1:30:33.360
<v Speaker 3>So if Rizid say yo, man, right, you know, and

1:30:33.400 --> 1:30:35.640
<v Speaker 3>then you know, I gotta I got a chalcoal. You

1:30:35.720 --> 1:30:38.840
<v Speaker 3>never charcoal and chow chalcol so you know it takes all.

1:30:39.280 --> 1:30:41.519
<v Speaker 1>It takes it out. Got the chocolate so you're good.

1:30:42.200 --> 1:30:44.519
<v Speaker 5>Yeah, you gotta take the charcoal after, you're good, do

1:30:44.560 --> 1:30:45.479
<v Speaker 5>it before and after.

1:30:45.760 --> 1:30:48.120
<v Speaker 1>But the charcoal chalk. Ever heard of the chocolate?

1:30:48.360 --> 1:30:48.559
<v Speaker 12>Yeah?

1:30:49.800 --> 1:31:10.720
<v Speaker 1>Doing the cheek colde right now, baby cool. I've been

1:31:10.760 --> 1:31:11.439
<v Speaker 1>doing this for years.

1:31:12.840 --> 1:31:14.559
<v Speaker 3>Is I'm like.

1:31:26.640 --> 1:31:27.040
<v Speaker 1>Your trunk.

1:31:27.600 --> 1:31:35.360
<v Speaker 3>If if let's say, let's let's just let's imagine now

1:31:35.880 --> 1:31:39.000
<v Speaker 3>you know, I'll see Prodigy mm hmm.

1:31:40.680 --> 1:31:46.920
<v Speaker 1>In Vegas. You remember we've all seen each other. I was.

1:31:47.080 --> 1:31:50.960
<v Speaker 3>I was recording my food show. I remember, man, Yeah,

1:31:51.000 --> 1:31:52.120
<v Speaker 3>I just performed on stage.

1:31:52.120 --> 1:31:53.720
<v Speaker 1>I didn't get a chance to see prior to that,

1:31:57.840 --> 1:31:59.560
<v Speaker 1>you in pe ghetto stage.

1:31:59.520 --> 1:32:02.360
<v Speaker 3>Both I both see y'all, what's up all and getting

1:32:02.360 --> 1:32:06.840
<v Speaker 3>on stage with honest, so y'all give you with me tonight,

1:32:08.960 --> 1:32:09.760
<v Speaker 3>and you were like a man.

1:32:10.760 --> 1:32:14.040
<v Speaker 1>He was like, I feel a little sick, right, some

1:32:14.240 --> 1:32:14.960
<v Speaker 1>go take care.

1:32:16.360 --> 1:32:18.280
<v Speaker 3>I had been on tour with y'all so much that

1:32:18.439 --> 1:32:20.760
<v Speaker 3>when he used to say that, I was so used

1:32:20.800 --> 1:32:26.240
<v Speaker 3>to it that it didn't seem abnormal to me for

1:32:26.360 --> 1:32:27.760
<v Speaker 3>him to say that. It was just like something I

1:32:28.000 --> 1:32:35.439
<v Speaker 3>always heard. Now that night, you were standing right next

1:32:35.520 --> 1:32:38.080
<v Speaker 3>to him when he said that, right, did you see

1:32:38.120 --> 1:32:41.840
<v Speaker 3>anything different that night? Or this was like for me,

1:32:42.000 --> 1:32:45.880
<v Speaker 3>I'm saying like, obviously that's your brother, you know him

1:32:45.960 --> 1:32:49.120
<v Speaker 3>way better. But me, I didn't see nothing different that night,

1:32:49.200 --> 1:32:50.920
<v Speaker 3>like when he said, like he wasn't because you know,

1:32:50.960 --> 1:32:53.640
<v Speaker 3>I've been on tour, like I said, We've done so

1:32:54.080 --> 1:32:59.320
<v Speaker 3>so many shows together. I didn't see nothing, nothing like that, right,

1:32:59.680 --> 1:33:03.320
<v Speaker 3>But I can't tell. So was there anything that you saw?

1:33:03.920 --> 1:33:04.080
<v Speaker 7>Nah?

1:33:04.200 --> 1:33:06.400
<v Speaker 4>I mean you me and you saw the same thing

1:33:06.680 --> 1:33:09.800
<v Speaker 4>like when I've seen him get sick a million times.

1:33:09.840 --> 1:33:10.439
<v Speaker 1>You know what I'm saying.

1:33:10.479 --> 1:33:14.519
<v Speaker 4>It wasn't nothing different out the ordinary that raised any

1:33:14.720 --> 1:33:17.760
<v Speaker 4>red flags, right, Yeah, it wasn't no red flags raised.

1:33:17.840 --> 1:33:20.160
<v Speaker 1>He he told me that he wasn't.

1:33:20.400 --> 1:33:23.679
<v Speaker 4>He actually was in Miami before he got to Vegas,

1:33:24.120 --> 1:33:27.160
<v Speaker 4>and so we met up in Vegas, and he had

1:33:27.240 --> 1:33:29.559
<v Speaker 4>been sick out here in Miami, but he got better

1:33:29.640 --> 1:33:31.800
<v Speaker 4>so he was able to get on a plane. So

1:33:32.280 --> 1:33:35.040
<v Speaker 4>when he did finally say after getting off the stage

1:33:35.040 --> 1:33:37.679
<v Speaker 4>that he wasn't feeling well, it didn't surprise me because

1:33:37.800 --> 1:33:39.880
<v Speaker 4>I knew that a couple of days before that he

1:33:40.000 --> 1:33:40.720
<v Speaker 4>wasn't feeling well.

1:33:40.800 --> 1:33:43.320
<v Speaker 1>Okay, wow, So it wasn't. It wasn't nothing out the blue,

1:33:43.320 --> 1:33:46.439
<v Speaker 1>and I really really thought it was just some normal ship.

1:33:46.560 --> 1:33:50.120
<v Speaker 1>Like we went backstage to that little building. We had chill, chilled,

1:33:50.439 --> 1:33:53.679
<v Speaker 1>I performed, I came back in ghost. We was chilling.

1:33:54.000 --> 1:33:56.639
<v Speaker 21>Yeah, it was normal. It's just he wasn't there, yeah yeah,

1:33:57.240 --> 1:33:59.680
<v Speaker 21>oh yeah, no, no, no, So he was there for

1:33:59.680 --> 1:34:01.599
<v Speaker 21>a second, then he just left to go to the hotel.

1:34:01.960 --> 1:34:07.120
<v Speaker 21>Then it was yeah, it was just us and people

1:34:07.120 --> 1:34:08.559
<v Speaker 21>went to the hotel to chill.

1:34:08.640 --> 1:34:11.439
<v Speaker 1>And our tour manager at the time was like, Yo,

1:34:11.520 --> 1:34:14.360
<v Speaker 1>I'm gonna take p to the hospital at like two o'clock.

1:34:14.680 --> 1:34:16.720
<v Speaker 4>But it was like eleven already. I was like, well,

1:34:16.880 --> 1:34:18.200
<v Speaker 4>just take him now, like you know what I mean.

1:34:18.439 --> 1:34:20.040
<v Speaker 4>He's like, now, that's what time PE want to go.

1:34:20.160 --> 1:34:22.320
<v Speaker 4>So I really thought he was just kind of just

1:34:22.439 --> 1:34:25.560
<v Speaker 4>you know, not feeling well, but he's gonna go. So no,

1:34:25.880 --> 1:34:29.640
<v Speaker 4>I didn't see nothing, nothing different, you know what I mean.

1:34:30.160 --> 1:34:33.760
<v Speaker 4>So you know, that's kind of you know, you know,

1:34:34.120 --> 1:34:36.120
<v Speaker 4>it makes you think, you know what I'm saying, like

1:34:36.400 --> 1:34:36.920
<v Speaker 4>you know, and.

1:34:36.960 --> 1:34:39.439
<v Speaker 3>Then you hit conspiracy theories because he used to say

1:34:39.479 --> 1:34:40.920
<v Speaker 3>Illuminati and you're thinking, like.

1:34:41.400 --> 1:34:44.559
<v Speaker 1>Right, like you can't not think that right, the whole

1:34:44.600 --> 1:34:47.679
<v Speaker 1>egg theory egg thing, I mean, and then.

1:34:47.720 --> 1:34:50.320
<v Speaker 4>We found out that that shi's not true. You understand

1:34:50.360 --> 1:34:54.479
<v Speaker 4>what I'm saying, So you know, and you know, p

1:34:54.920 --> 1:34:57.320
<v Speaker 4>he he he used to you know, talk a lot

1:34:57.400 --> 1:34:59.439
<v Speaker 4>of like you know, he used to be speaking that truth.

1:35:00.320 --> 1:35:04.800
<v Speaker 3>He went in always because this is a video which

1:35:04.880 --> 1:35:07.760
<v Speaker 3>I don't know is true, Like they acting like they

1:35:08.240 --> 1:35:11.720
<v Speaker 3>like like like that Illuminati people was following him or

1:35:11.760 --> 1:35:12.240
<v Speaker 3>something like that.

1:35:12.360 --> 1:35:15.080
<v Speaker 4>I don't I don't well, you know, I don't know.

1:35:15.160 --> 1:35:16.920
<v Speaker 4>I didn't see the video, you know what I'm saying.

1:35:16.960 --> 1:35:18.320
<v Speaker 1>But I do know that, you know what I mean.

1:35:18.400 --> 1:35:21.160
<v Speaker 4>He used to be talking that talk like you know

1:35:21.200 --> 1:35:23.000
<v Speaker 4>what I mean, opening, waking you know what I'm saying,

1:35:23.040 --> 1:35:25.599
<v Speaker 4>waking the masses up. And you know sometimes when you're

1:35:25.600 --> 1:35:27.599
<v Speaker 4>speaking like that, that ship is real.

1:35:27.640 --> 1:35:28.880
<v Speaker 1>You know what I'm saying. You gotta be you gotta

1:35:28.880 --> 1:35:29.880
<v Speaker 1>be careful, you know what I'm saying.

1:35:29.960 --> 1:35:33.960
<v Speaker 4>Like, so you know that kind of ship I really

1:35:34.000 --> 1:35:35.680
<v Speaker 4>don't talk about, you know what I mean, because I

1:35:35.720 --> 1:35:37.360
<v Speaker 4>don't even like you know what I mean, I don't

1:35:37.400 --> 1:35:39.120
<v Speaker 4>even want to, you know what I mean, because you

1:35:39.200 --> 1:35:41.679
<v Speaker 4>know them Odds is watching like you know what I'm saying.

1:35:41.800 --> 1:35:43.920
<v Speaker 4>So I kind of talked behind seeing some of my

1:35:44.000 --> 1:35:46.160
<v Speaker 4>people's about that like you know, ship like that.

1:35:47.160 --> 1:35:49.479
<v Speaker 1>It's just it's real, it's real.

1:35:49.760 --> 1:35:52.640
<v Speaker 3>Because I remember that day I was showing them a

1:35:52.720 --> 1:35:58.640
<v Speaker 3>trip Godfather right after we knew and we were just

1:35:58.720 --> 1:36:01.080
<v Speaker 3>at the bar, and I just remember us.

1:36:01.040 --> 1:36:02.000
<v Speaker 1>Just not knowing what to say.

1:36:02.840 --> 1:36:05.800
<v Speaker 3>We were just sitting there like it's just it didn't

1:36:05.800 --> 1:36:07.400
<v Speaker 3>make sense. But we didn't want to like like you said,

1:36:07.840 --> 1:36:09.200
<v Speaker 3>we didn't want to go in. It was just like

1:36:09.800 --> 1:36:11.600
<v Speaker 3>it was, you know what I mean. But you know,

1:36:12.040 --> 1:36:14.360
<v Speaker 3>regardless Man, rest in peace, Prodigy and r P.

1:36:14.600 --> 1:36:18.519
<v Speaker 4>Prodigy, you know what I mean, still still with us

1:36:18.600 --> 1:36:21.559
<v Speaker 4>in the essence, you know what I mean. And that's

1:36:21.560 --> 1:36:24.080
<v Speaker 4>why that's why putting out this album is so important

1:36:24.080 --> 1:36:24.280
<v Speaker 4>to me.

1:36:24.800 --> 1:36:27.560
<v Speaker 1>You know what I mean. We said the name, the

1:36:27.680 --> 1:36:29.519
<v Speaker 1>name of the album is called The Infinite. You know

1:36:29.600 --> 1:36:31.879
<v Speaker 1>what I'm saying, Infinite Infinite Infinite.

1:36:31.960 --> 1:36:34.640
<v Speaker 5>You know if you feel it sounds so cohesive that

1:36:34.840 --> 1:36:37.040
<v Speaker 5>it's like if y'all win the studio together.

1:36:37.920 --> 1:36:40.439
<v Speaker 4>It really does sound like that. And we we kind

1:36:40.479 --> 1:36:43.080
<v Speaker 4>of we we set the album off like that. We

1:36:43.200 --> 1:36:44.920
<v Speaker 4>set it off like that. So when you hear it,

1:36:46.080 --> 1:36:48.280
<v Speaker 4>it's just going to be like you know what I'm saying,

1:36:48.360 --> 1:36:50.360
<v Speaker 4>Like he's like he's head for real, you know what

1:36:50.360 --> 1:36:53.439
<v Speaker 4>i mean. Like man, and I want to give a

1:36:53.439 --> 1:36:56.519
<v Speaker 4>shout out to you know, Prodigy's family too, you know

1:36:56.560 --> 1:36:58.240
<v Speaker 4>what I mean, because they they you know, they've been

1:36:58.320 --> 1:36:58.560
<v Speaker 4>through it.

1:36:58.560 --> 1:37:00.240
<v Speaker 1>You know what I'm saying. Losing the loved one is off,

1:37:00.560 --> 1:37:03.280
<v Speaker 1>you know what I mean, you know, it's you know,

1:37:03.400 --> 1:37:05.599
<v Speaker 1>make it if it took so long to make the album,

1:37:06.120 --> 1:37:08.640
<v Speaker 1>so what you know what I mean? They really you know,

1:37:09.360 --> 1:37:13.040
<v Speaker 1>daughter son los Fall. Can you please get the flowers

1:37:13.080 --> 1:37:14.160
<v Speaker 1>to the family please.

1:37:14.160 --> 1:37:18.120
<v Speaker 4>Absolutely, absolutely definitely gonna get this to you know, Santana

1:37:18.200 --> 1:37:19.000
<v Speaker 4>Fox for sure.

1:37:19.280 --> 1:37:23.960
<v Speaker 3>That's that's what his daughter, his daughter that wraps, right, Yeah, yeah, yeah, she.

1:37:24.000 --> 1:37:26.240
<v Speaker 4>Wraps, she makes bees, you know what I mean. And

1:37:26.360 --> 1:37:29.439
<v Speaker 4>she she's nice. I mean, she really really nice, you

1:37:29.479 --> 1:37:32.600
<v Speaker 4>know what I mean. So definitely gonna get that to her.

1:37:32.680 --> 1:37:33.720
<v Speaker 4>She she the next one up.

1:37:34.120 --> 1:37:37.160
<v Speaker 1>M hmm. Will you produce the album for her? Absolutely

1:37:37.960 --> 1:37:40.160
<v Speaker 1>anything she wants, you know, understanding, definitely for sure.

1:37:40.680 --> 1:37:43.680
<v Speaker 3>Let's take a shot to that. Oh, let's take it

1:37:43.720 --> 1:37:49.320
<v Speaker 3>to to the motherfucking yeah. In now, let me get my.

1:37:54.680 --> 1:37:59.320
<v Speaker 1>I'm a part of this now or not? Yo. This

1:37:59.400 --> 1:38:16.160
<v Speaker 1>is called the Always.

1:38:11.320 --> 1:38:14.639
<v Speaker 5>Drink Champs is a drink Champs ll C production hosts

1:38:14.720 --> 1:38:17.800
<v Speaker 5>and executive producers n O r E and dj E

1:38:18.040 --> 1:38:18.280
<v Speaker 5>f f N.

1:38:19.439 --> 1:38:20.280
<v Speaker 1>Listen to Drink.

1:38:20.160 --> 1:38:24.439
<v Speaker 5>Champs on Apple Podcast, Amazon Music, Spotify, or wherever you

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<v Speaker 5>get your podcasts. Thanks for joining us for another episode

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<v Speaker 5>of Drink Champs hosted by yours truly dj e f

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