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Speaker 1: He is drinks chests, motherfucking podcast man.

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Speaker 2: He's a legends every Queens rapper.

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Speaker 1: He ain't agreed that your boy in O R E.

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Speaker 2: He's a Miami hip hop pioneer, put up as d

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Speaker 2: J E f N. Together they drink it up with

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Speaker 2: some of the biggest players you mean, and the most

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Speaker 2: professional unprofessional podcast and your number one source for drunk.

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Speaker 1: Drink chans for every days New Year's e. That's it's

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Speaker 1: time for drink champions. Drink up. Mother would a good

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Speaker 1: be hopeing? He wa? Be that your boy in O

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Speaker 1: R E? What up is DJ E f N milicim crazy?

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Speaker 1: Your Yeah? Yeah yeah, it's dream Champs Street cham where

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Speaker 1: we said you're gonna interview legends.

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Speaker 3: This man, it's a legend, part of a legendary group

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Speaker 3: about to drop a legendary album. In a lot of ways.

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Speaker 3: If it wasn't for him, I wouldn't be here for show.

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Speaker 3: I thought, I think, I thought about his history, I

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Speaker 3: thought about everything.

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Speaker 1: He's a legend, legend, on feats, food.

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Speaker 3: Member, solo, whatever, doing it, been doing it.

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Speaker 1: We're gonna give him his.

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Speaker 3: Motherfucking flowers today, motherfucking h Avoc.

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Speaker 1: Can't forget there chance alumni. That's so, so let me

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Speaker 1: ask you. You got a new album coming out? Yep,

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Speaker 1: we got a new mall deep abum crazy. That's official

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Speaker 1: mab Deep.

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Speaker 4: It's official Prodigy versus having versus.

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Speaker 1: Nah.

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Speaker 4: This hit is official, is done, it is mixed, massive,

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Speaker 4: ready to go.

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Speaker 1: Right.

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Speaker 3: So, and I just was speaking to Alchemists. Alchemists was

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Speaker 3: producing as well.

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Speaker 4: Yeah, absolutely, So Okay, when we first started working on

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Speaker 4: the album, you know what I'm saying.

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Speaker 1: I flew out to l A.

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Speaker 4: You know what I'm saying, started fucking with Alchemists because

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Speaker 4: you know, Alchemists probably got a ton of Prodigy versus.

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Speaker 1: You know what I'm saying, that family.

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Speaker 4: Yeah, absolutely, you know what I'm saying. So you know

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Speaker 4: he has some ship, so it was only right there.

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Speaker 4: You know what I'm saying, Our team though with him

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Speaker 4: because you know, our's family, so you know what I mean,

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Speaker 4: That's how we did that ship.

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Speaker 1: How many songs as part as you on all of them?

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Speaker 1: All them? Crazy?

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Speaker 5: Wow?

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Speaker 1: You know I mean, you know what I'm saying. How

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Speaker 1: many songs? Is it?

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Speaker 6: Shit?

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Speaker 1: Oh?

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Speaker 7: What?

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Speaker 1: Fourteen sixteen? They're not on even recycled verses. Just for

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Speaker 1: people out there, No.

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Speaker 4: These are not recycled versus. These are like versus that

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Speaker 4: was in the stash. What I'm saying that, you know,

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Speaker 4: alchemists had that the family gave me personally.

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Speaker 1: So you know what I mean, it ain't gonna be

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Speaker 1: no ship that nobody heard. All right, that's crazy, man,

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Speaker 1: Let's take a shot to that. Take a shot.

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Speaker 3: Look shit, So so let's talk about the new album. Yes,

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Speaker 3: I've seen you on the studio with nots definitely, yeah, yeah, yeah.

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Speaker 4: So because we're putting out the album on mass appeals,

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Speaker 4: you know what I'm saying. So yeah, So you know,

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Speaker 4: when I was thinking about putting out the album and ship,

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Speaker 4: I was like, you know, who could we fuck with?

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Speaker 8: It?

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Speaker 1: It's unlimited.

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Speaker 4: It's only a handful of people you can fuck with.

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Speaker 4: And you know, Nasen is you know what I'm saying.

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Speaker 4: You know, homie, you know what I'm saying. So who

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Speaker 4: else to fuck with when you know, putting out the project?

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Speaker 4: So and you know, hit nas and he was just

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Speaker 4: happy to have the project, you know what I'm saying.

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Speaker 5: Like, for real, right, were you ever hesitant to do

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Speaker 5: a new mom deep problem?

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Speaker 9: Nah?

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Speaker 1: Hell no, you know what I'm saying.

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Speaker 4: I was really fiending to do a mo all Deep

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Speaker 4: album because I just knew Prodigy had some unfinished business,

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Speaker 4: you know what I mean, And I wanted to you

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Speaker 4: know what I'm saying, let his last words be something

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Speaker 4: that was a concerted effort by you know me, ALC

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Speaker 4: Prodigy's family. You know what I'm saying, because you know,

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Speaker 4: when you got music and it's just sitting in the

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Speaker 4: computer that ship, don't do nobody no good?

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Speaker 1: Right, all right, work, we had to.

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Speaker 3: So let me ask you. The other day, I was

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Speaker 3: right after I spoke to you, I was in Italy.

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Speaker 3: Bleak had hit my phone right after that, right, and

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Speaker 3: Bleik was like, he said to me, He was like, yo,

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Speaker 3: he had just got off the phone with Cam right

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Speaker 3: he was saying, he said, he said, Yo. I always

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Speaker 3: think like what if? Like what if we did this?

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Speaker 3: What if we did that? That made me think of

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Speaker 3: questions to ask you. You know what I'm saying, Like,

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Speaker 3: what do you think life would be like? Right if

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Speaker 3: Prodigy never went to jail? What would life be like

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Speaker 3: if pridid he never went to jail.

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Speaker 1: You know what.

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Speaker 4: It's hard for me to say, you know what I mean,

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Speaker 4: because when he when he went to jail. I just

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Speaker 4: felt like shit was in limbo, you know what I mean.

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Speaker 4: But you know, he got his mind right when he

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Speaker 4: was in jail. You know, if he would have never

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Speaker 4: went to jail, I think he probably would have he

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Speaker 4: would accomplished a little bit more, you know what I mean.

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Speaker 1: I think why he was in jail, it was stagnating anybody.

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Speaker 4: You know what I'm saying. That shit kind of stagnated

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Speaker 4: him a little bit. But he was really the he

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Speaker 4: He really dug when it side deep in siding came out.

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Speaker 4: You know what I'm saying, he was diesus. I think

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Speaker 4: I think he you know what I'm saying. Not to

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Speaker 4: say he needed to sit down or nothing like that,

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Speaker 4: but I mean, you know what I'm saying, he made he.

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Speaker 1: Made use out of it.

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Speaker 3: You know, what do you think life would be like

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Speaker 3: if us Queen's people really stuck together.

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Speaker 10: I just thought about about it, nah right and by

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Speaker 10: Rappertnoyd nature tragedy caught meacka like like I thought about

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Speaker 10: I thought about like real seriously, like I'm talking about

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Speaker 10: we really like because that's what Bleak said the chemist,

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Speaker 10: like you imagine we really like all got And I

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Speaker 10: thought about it I was like.

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Speaker 3: Yo, I thought about it away here, and I was like,

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Speaker 3: if we really stuck together, we're not even even to

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Speaker 3: the south side.

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Speaker 1: Yet we didn't even say about the south side. You

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Speaker 1: know what I'm saying. We're just talking about the train.

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Speaker 3: I like to break down queens, like the trains in

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Speaker 3: the bustles, right, So if you get here in the trains,

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Speaker 3: that's like you would be a story of babies would

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Speaker 3: left rack Corona if you get it to the train,

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Speaker 3: maybe the Sepond train or whatever. But imagine that if

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Speaker 3: we really got together and who the hell we're not

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Speaker 3: to fuck with us like now, we would.

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Speaker 1: Be fucking unstoppable. You know what I'm saying. Because straight

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Speaker 1: up with that, you know what I'm saying, Listen, I'm biased.

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Speaker 4: You know what I'm saying. Queen's got the best of

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Speaker 4: them seeds, that's you.

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Speaker 1: Know what I mean.

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Speaker 4: But real talk, you know what I'm saying, Like, if

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Speaker 4: if us queens niggas stood together, we'd be unstoppable.

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Speaker 3: Just think about just think about it, Like think about

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Speaker 3: if Knives and court Meka never caught nine, like.

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Speaker 1: They just always stayed that Like how powerful that would

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Speaker 1: have been.

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Speaker 4: I mean that ship would be going still today. It

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Speaker 4: would still be going on today because those are two

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Speaker 4: vocal motherfucks, both of them, you know what I'm saying,

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Speaker 4: in their own right powerful work.

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Speaker 1: I mean, you know queens, you know, and they still

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Speaker 1: both you know I'm saying vocal, you know, but take

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Speaker 1: a shot to that. I'm watching you, look, yo, go ahead. Nah.

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Speaker 4: I think if Nas and Mega, you know what I'm saying,

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Speaker 4: didn't have that little friction. I think you know what

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Speaker 4: I'm saying that, it would have went a long day

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Speaker 4: and it's still with the lasted today. But you know

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Speaker 4: they made amends. You did make amends, so you know

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Speaker 4: this is what it is.

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Speaker 1: So what do you guys think went wrong?

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Speaker 5: Because it seemed like y'all were together when you were younger, right,

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Speaker 5: So what went wrong?

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Speaker 1: You know? I don't know.

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Speaker 3: I think egos. I think it's always boys down thinking.

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Speaker 1: Money got in the way.

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Speaker 5: I think.

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Speaker 3: Because you think about it. Cloud, you know, like I

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Speaker 3: tell you, I tell you man, I know, I told

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Speaker 3: you this before. I'm gonna tell you this. One of

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Speaker 3: my best memories in life. You got something you help

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Speaker 3: me do with one of my best memories in life.

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Speaker 1: I came home. Hmm.

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Speaker 3: I know I wanted to rap, but I had and

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Speaker 3: to go to go through and it was a mab

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Speaker 3: Deep show. I believe it was the Palladium. I want

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Speaker 3: to say the Palladium, but n I's had the gold

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Speaker 3: gs Lexus.

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Speaker 1: I remember that.

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Speaker 3: And he drove through and it was like the path

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Speaker 3: opened up and it was done for mall Deep like

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Speaker 3: and I don't remember. I think he just killer was

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Speaker 3: dripping him. It's just killer IDs and he leaned out

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Speaker 3: the window and said, dude, that's what I want. I

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Speaker 3: was like, yo, like I made him. I didn't want

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Speaker 3: to sell drugs and don't.

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Speaker 7: Know.

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Speaker 3: I was like the power of that energy right there.

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Speaker 3: I was like, it's part of my memory and lighte

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Speaker 3: not my best hip hop memory. Do you know how

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Speaker 3: powerful marb Deep was do you know, especially at that time?

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Speaker 4: Like nah, I I really you know what I'm saying,

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Speaker 4: because I just was you know what I'm saying, new

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Speaker 4: want the scene. I ain't really know you what I'm saying.

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Speaker 4: I just was trying to make the best music I

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Speaker 4: could make. I really didn't realize the power that mob

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Speaker 4: Deep had at that time or the impact, you know

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Speaker 4: what I mean, just a producer rapper just trying to

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Speaker 4: make some music. Man.

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Speaker 3: I remember that Queensbridge was so hot. It used to

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Speaker 3: be A and R's on the hill.

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Speaker 1: I was like, Yo, that's crazy. I believe it. I

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Speaker 1: believe you gotta be careful like this. It's like they

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Speaker 1: don't know no better. They just want to look and.

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Speaker 3: See a rap cpher Like that's how hot Queensbridge was.

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Speaker 4: Bro Yo, motherfuckers from overseas just be going to Queensbridge

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Speaker 4: just like like it's like a.

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Speaker 1: Tourist but.

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Speaker 5: Not like Noah.

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Speaker 4: They was doing that in the nineties, like like I'd

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Speaker 4: be running into motherfuckers that be Like, Yo, you know

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Speaker 4: thirty years ago I was in queens Bridge and I

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Speaker 4: just started living out there, Like you know what I'm saying,

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Speaker 4: living out there like.

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Speaker 1: This is crazy taking a shot to that.

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Speaker 3: Yeah, I imagine if we all stuck together and like

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Speaker 3: because because I first thought about it when it was

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Speaker 3: a room of a Queen's tour. I don't know if

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Speaker 3: you remember that. I remember that, and I remember the

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Speaker 3: names was Nas, Marv, Deepega, and I believe mega, oh,

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Speaker 3: I forget maybe nature, you know what I mean, Like

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Speaker 3: you know the crew, and I imagine that like if

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Speaker 3: we did one show together.

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Speaker 1: And when I say do one show together, I don't mean.

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Speaker 3: Like Mark Deep re hearsedtres By themself.

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Speaker 1: I mean we're doing it all like like like one

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Speaker 1: big show, Like one big show. Imagine that like one.

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Speaker 4: Time, you know, a taste of that that we got

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Speaker 4: was what was that that Mally mal regularly.

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Speaker 1: No no, no, that was that was that was? That

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Speaker 1: was QB the QB album.

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Speaker 4: The QB Like that was kind of like it was

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Speaker 4: a taste of it because motherfuckers was in the center

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Speaker 4: doing the video, you know what I'm saying, And that

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Speaker 4: kind of was like what it would be like if

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Speaker 4: you know, Queen's motherfuckers stuck together. But you know, you

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Speaker 4: know what I'm saying. Your guess as good as mine's, Like,

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Speaker 4: why you know what I'm saying, motherfuckers, I guess you

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Speaker 4: know everybody really was just out to make it like

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Speaker 4: you know what I'm saying. Motherfucker's like yo, you know,

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Speaker 4: like they hungry, like they give me, let me get that.

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Speaker 1: You know what I'm saying.

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Speaker 4: So you know, motherfuckers didn't know. I don't think motherfuckers

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Speaker 4: was thinking about the power that we could have had

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Speaker 4: all together, you know what I mean, until now it would.

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Speaker 1: Last even like right, you.

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Speaker 4: Know what I'm saying, Like you were saying, I think

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Speaker 4: a lot of egos was involved.

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Speaker 3: Yeah, because I thought about it, I was like, yo,

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Speaker 3: if we really and then by affiliation that brings a Z,

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Speaker 3: that brings fox.

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Speaker 1: You know what I'm saying, affiliation.

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Speaker 3: I know that's not Queen's but like that, the only

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Speaker 3: if we were together, that would have been a group

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Speaker 3: like Wu tang like only would have been able to

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Speaker 3: do that, you know what I mean, it would have

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Speaker 3: been crazy.

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Speaker 1: I definitely agree. It's not too late to do something. Guys. Yeah,

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Speaker 1: you know, let's get it, you know, let's get it.

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Speaker 3: So when I hit Twitter, one of the people said,

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Speaker 3: I said, you got questions for having They say, what's

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Speaker 3: one of the favorite beats you made?

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Speaker 1: One of the favorite beats that I made? Like a

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Speaker 1: mall deep tak any period, anybody whatever? You My sitter

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Speaker 1: is like clich is, I'm gonna always go with chickle ones.

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Speaker 1: You know, it's just for me. It's just we got

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Speaker 1: to talk about when you were here. Last time you

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Speaker 1: talked about the stove.

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Speaker 4: You went, that's not the way. What is the story listen,

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Speaker 4: I turned on the stove. You know what I'm saying.

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Speaker 4: This is the truth story, you know what I'm saying.

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Speaker 4: I recorded it and then I brought it to the

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Speaker 4: studios and the ENGINEY was like, Yo, that's that sounds

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Speaker 4: like I had So then I put it.

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Speaker 1: In the song.

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Speaker 5: Wow, okay with that was it.

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Speaker 1: But I'm gonna leave it the myth. I'm gonna leave it. Okay, Okay.

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Speaker 3: Did you see where they rated at the greatest hip

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Speaker 3: hop beat of all time? Oh yeah, yeah, yeah.

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Speaker 4: I mean yo, that was That was an honor for sure.

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Speaker 4: I could think of five other beats in my head

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Speaker 4: that deserved that same honor, you know what I mean.

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Speaker 1: So I was just you know, you know what I'm saying.

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Speaker 1: Appreciate it. You know, I'm the beat is fire? Do

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Speaker 1: you own the Masters?

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Speaker 4: Oh yeah, you know a matter of fact, they revert

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Speaker 4: back to you in three yeahs.

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Speaker 7: And we now.

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Speaker 11: Twenty five maybe thirty five years Before they revert back

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Speaker 11: to you have to put in a notice.

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Speaker 1: Oh wow.

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Speaker 4: So yeah, so I put in my notice and then

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Speaker 4: they reverted back to us this year.

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Speaker 1: Okay, wow.

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Speaker 3: Because what's your faith favorite mab Deep album?

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Speaker 1: My favorite mall deep. Let me look on this table.

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Speaker 1: I don't have everything here, but.

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Speaker 4: I'm gonna have to say, uh, the infamous, the infamous, Yeah, yeah, yeah,

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Speaker 4: the information for sure.

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Speaker 5: So sorry, But can we go back to juvenile hell?

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Speaker 5: Because I feel like it's underappreciated and you guys even

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Speaker 5: downplayed it a little bit.

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Speaker 1: But I think people are going back to this record now.

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Speaker 3: Yeah, for sure.

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Speaker 4: I used to down play this shit a lot because

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Speaker 4: that was a tough time for me. You know, when

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Speaker 4: you when you come out with a record, nobody not

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Speaker 4: fucking with you, and you know you want to kind

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Speaker 4: of put that ship behind you, you know. But today,

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Speaker 4: you know, I acknowledge the record to the fullest. It

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Speaker 4: was a It was a you know, a heartfelt attempt

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Speaker 4: by me and p try to break into the game,

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Speaker 4: and we was we will show these holdre you as ship,

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Speaker 4: you know.

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Speaker 1: Sixteen seventeen, yeah, seventeen. Yeah, you know what I'm saying.

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Speaker 1: Seeing Norio on the block, all.

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Speaker 5: Right, Well, I think it's considered a classic now, to

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Speaker 5: be honest with you.

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Speaker 3: So so what made y'all Because like you said, it

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Speaker 3: wasn't a popular album, right, but it was an album

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Speaker 3: that was out and you had a record deal, like

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Speaker 3: most people ain't have record deal.

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Speaker 1: I was seventeen.

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Speaker 3: What made you say, y'all, I want to stick to this?

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Speaker 3: And it's like that sound right there, Juvenile Hell is

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Speaker 3: different from the infamous? So did allmatic drop in between?

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Speaker 12: Then?

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Speaker 1: Yeah?

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Speaker 4: So what happened was I believe that the Juvenile Hell

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Speaker 4: dropped and then Naves came out. It just blew everything

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Speaker 4: out the water, you know what I mean? So that

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Speaker 4: was like, you know what I mean, imagine being in

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Speaker 4: the projects. You drop an album and then you know,

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Speaker 4: one of your people's on the next block drop a

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Speaker 4: album and everybody in the hood.

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Speaker 1: Is playing it and they're not playing your ship.

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Speaker 3: You know that ship for Juvenile Hell.

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Speaker 1: Yeah, but juvene out Hell.

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Speaker 4: So that shit is that's a motivator, you know what

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Speaker 4: I'm saying, That's the motivation for your ass. And you know,

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Speaker 4: I'm happy it happened that way because it was like damn,

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Speaker 4: like you know what I'm saying, Like back to the drum, Yeah,

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Speaker 4: but it definitely lit the flame because you know, Nas

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Speaker 4: was like on the next level. Like, so if you

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Speaker 4: aim to try to be good as him, you're just

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Speaker 4: gonna land somewhere dope.

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Speaker 1: It doesn't matter.

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Speaker 3: You know what I'm saying now, is it true? Tragedy

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Speaker 3: gave you your name?

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Speaker 1: He did? Okay, that bastard.

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Speaker 4: He gave me the name. You know what I'm saying.

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Speaker 4: I appreciate it. He was like my mentor back in

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Speaker 4: the hood. You know what I'm saying.

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Speaker 7: He was.

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Speaker 4: He was a rapper that uh you know I looked

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Speaker 4: up to. He had just came home.

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Speaker 1: You know.

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Speaker 4: I used to follow him around and ship and you know,

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Speaker 4: Havoc was like one of his MC names and yeah,

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Speaker 4: you know his names. Yeah, yeah, it was having trash,

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Speaker 4: tragedy tragic like that one of my names.

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Speaker 1: Yeah, yeah, because I have a name. So he gave

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Speaker 1: me the name and it stuck.

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Speaker 4: But I definitely have to thank him because he was

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Speaker 4: one of those people that stayed on me to write.

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Speaker 1: You know what I mean when I was when I

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Speaker 1: was younger.

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Speaker 4: If when I used to see him, if I didn't

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Speaker 4: have a rhyme, he used to like fuck me up

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Speaker 4: ship like that.

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Speaker 1: My back still hurts to this day. They used to

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Speaker 1: really fuck me up.

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Speaker 4: But you know I give you know what I'm saying,

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Speaker 4: Old praises to Chads for that, right.

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Speaker 1: That's what.

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Speaker 3: So all right, so how did how did Juvenile Hell

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Speaker 3: even like.

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Speaker 1: I wanted to ask, how did you even get discovered

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00:17:26,400 --> 00:17:28,840
Speaker 1: for that? Yeah? Because that that, you know, how that happened.

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Speaker 4: That that that came from me and Peace standing around

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Speaker 4: Death Jam, Russian Associated labels and ship like that, meeting

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Speaker 4: people in the industry, because obviously the first thing that

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Speaker 4: you want to do if you want to get a

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Speaker 4: record deal, let's find out where the record companies that

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00:17:41,000 --> 00:17:43,399
Speaker 4: Like I said, hey, you see the record companies on

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Speaker 4: the back. So death Jam was the popping label back then,

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Speaker 4: you know what I'm saying, in the you know, late eighties,

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Speaker 4: early nineties. So we used to stand in front of

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Speaker 4: death Jam, you know, Prodigy told the story before, and

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Speaker 4: we met.

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Speaker 3: Some people and Juvenile Hell was on Devin Jam.

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Speaker 4: No, no, no, no, it was I wish I wish

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Speaker 4: now actually should have on us, you know what I'm saying. Like,

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Speaker 4: we tried to get a record deal with Russell Simmons

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Speaker 4: while we went to meet him, and he was like, nah,

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Speaker 4: you know your curge too much, and so.

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Speaker 1: He actually he himself turned it down.

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Speaker 4: Yeah he did, he did, but that was the blessing

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Speaker 4: in his eyes. They didn't have on that was like afterwards, like.

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Speaker 1: You know what I'm saying.

401
00:18:20,320 --> 00:18:22,600
Speaker 4: Then then we see them with Onyx and were like

402
00:18:22,920 --> 00:18:26,480
Speaker 4: come on, like you know, like it's all good. But yeah,

403
00:18:26,520 --> 00:18:29,960
Speaker 4: so we met a bunch of people, you know, Chris Lighty,

404
00:18:30,240 --> 00:18:33,520
Speaker 4: Q Tip, you know, the whole the whole office. One

405
00:18:33,520 --> 00:18:36,440
Speaker 4: thing led to another, you know, we we got into

406
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Speaker 4: the Source magazine, people started looking at us.

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Speaker 1: Yeah, Unsigned, hyped and Bones alone.

408
00:18:41,920 --> 00:18:44,520
Speaker 4: I believe he was, uh, you know, working at for

409
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Speaker 4: from Broadway, and they gave us a deal.

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Speaker 1: You know what I'm saying. They gave us a deal

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Speaker 1: and who who is distributed by Alan Alan Record?

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Speaker 5: Yeah all got Actually I think it got all taken into.

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Speaker 1: Dumb jam Universal.

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Speaker 5: Yeah probably, but but the lord when Universal took over everything, the.

415
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Speaker 4: Lord to forth from Broadway back then was that they

416
00:19:08,040 --> 00:19:10,160
Speaker 4: had Eric b and Rock him once upon a time.

417
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Speaker 4: So you know they were just want to sign over there.

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Speaker 3: But now let's talk about the infamous no doubt, Let's

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Speaker 3: talk about that album. That album is probably one of

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Speaker 3: the greatest albums on hip hop or I know we

421
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Speaker 3: talked about strict Ones to be well, let's overall talk

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Speaker 3: about the album and its totality.

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Speaker 1: So where where do y'all at? What studios?

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00:19:40,040 --> 00:19:40,200
Speaker 12: Uh?

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00:19:40,440 --> 00:19:46,840
Speaker 4: Unique Studios, I believe Unique Studios, Platinum Islands Okay, Uh,

426
00:19:47,040 --> 00:19:49,520
Speaker 4: Summer Battery or you know what I mean, shit like that.

427
00:19:49,600 --> 00:19:51,080
Speaker 1: Okay, those three major studios.

428
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Speaker 3: So now y'all start the album off already signed to Loud.

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Speaker 1: How did that Loud? Yeah, how did that Loud connection

430
00:19:59,040 --> 00:19:59,480
Speaker 1: come about?

431
00:19:59,760 --> 00:20:03,680
Speaker 4: Yes, so we got dropped off of for from Boadway, right,

432
00:20:04,160 --> 00:20:05,679
Speaker 4: But you know, there were still a few people that

433
00:20:05,760 --> 00:20:08,560
Speaker 4: believed in us, that had connections to Steve Rifkin that

434
00:20:08,680 --> 00:20:12,280
Speaker 4: just freshly started Loud Records, and we got a meeting

435
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Speaker 4: with Steve Rifkin. At the time, he just had basically

436
00:20:15,040 --> 00:20:18,080
Speaker 4: like a cubicle in r c A, you know what

437
00:20:18,160 --> 00:20:21,040
Speaker 4: I mean. And he had a group called the wool Tang.

438
00:20:21,080 --> 00:20:23,359
Speaker 4: He's like, yo, I got this group Wu Tang. You

439
00:20:23,400 --> 00:20:28,960
Speaker 4: know what I'm saying. I never knew sound. I have

440
00:20:29,080 --> 00:20:30,960
Speaker 4: no idea who they was, you know what I mean.

441
00:20:31,040 --> 00:20:33,000
Speaker 4: But I was like, I just wanted to deal, so

442
00:20:33,040 --> 00:20:34,280
Speaker 4: I ain't give a fuck, you know what I'm saying.

443
00:20:34,320 --> 00:20:36,240
Speaker 4: He was like, Yo, you could do whatever I want to.

444
00:20:36,240 --> 00:20:37,840
Speaker 4: Blah blah blah. He was like, but by the way,

445
00:20:38,119 --> 00:20:40,880
Speaker 4: take this tape Wu Tang you know what I'm saying,

446
00:20:40,920 --> 00:20:41,600
Speaker 4: whatever whatever, So.

447
00:20:41,960 --> 00:20:44,200
Speaker 1: You know, I listened to it and just was like yeah.

448
00:20:44,240 --> 00:20:46,200
Speaker 4: I was like, you know, like kind of like whatever

449
00:20:46,240 --> 00:20:47,400
Speaker 4: because I'm just in.

450
00:20:47,280 --> 00:20:49,080
Speaker 1: My own world. I understand what I'm saying.

451
00:20:49,520 --> 00:20:52,280
Speaker 4: Two weeks later, after we got the deal with Loud,

452
00:20:53,000 --> 00:20:55,240
Speaker 4: everybody in Queensbridge was playing for Teked.

453
00:20:56,840 --> 00:21:00,359
Speaker 1: I was like, yo, I got that. I got that,

454
00:21:00,880 --> 00:21:03,960
Speaker 1: you know what I'm saying. So people know good music,

455
00:21:04,000 --> 00:21:04,520
Speaker 1: you know what I mean?

456
00:21:04,560 --> 00:21:06,960
Speaker 4: And that really made me listen to they ship and

457
00:21:06,960 --> 00:21:12,240
Speaker 4: I was like oh, I was like yeah, this is crazy, Like.

458
00:21:11,080 --> 00:21:15,280
Speaker 3: Okay, but all right, so you make so you already

459
00:21:15,280 --> 00:21:17,960
Speaker 3: signed to LOUD before you make it start making the album.

460
00:21:18,320 --> 00:21:19,280
Speaker 1: No, we didn't.

461
00:21:19,280 --> 00:21:21,520
Speaker 4: We didn't make those songs yet when we signed the LOUD,

462
00:21:21,520 --> 00:21:23,440
Speaker 4: but we had a demo and one of the songs

463
00:21:23,440 --> 00:21:26,359
Speaker 4: on the demo was a black Patty Shop, I don't know.

464
00:21:26,440 --> 00:21:30,240
Speaker 1: The wee spot yeah, twenty fourth Street, Yeah you go,

465
00:21:30,560 --> 00:21:33,639
Speaker 1: I forget well. Yeah. So yeah, so we we did that.

466
00:21:33,720 --> 00:21:35,520
Speaker 4: We gave it to Steve Rifkin. Then he gave us

467
00:21:35,520 --> 00:21:38,159
Speaker 4: a deal. We didn't have no songs, but he said

468
00:21:38,520 --> 00:21:42,120
Speaker 4: Steve Rifkin was like yo, uh y'all could do whatever

469
00:21:42,200 --> 00:21:42,679
Speaker 4: y'all want to do.

470
00:21:42,840 --> 00:21:43,800
Speaker 1: Just do what you want to do, you know what

471
00:21:43,800 --> 00:21:46,640
Speaker 1: I'm saying. And you know, I was a little you.

472
00:21:46,600 --> 00:21:48,719
Speaker 4: Know, I was happy that he said that, but I

473
00:21:48,840 --> 00:21:50,719
Speaker 4: never produced the whole album for myself.

474
00:21:50,720 --> 00:21:52,880
Speaker 1: At the time. I only had a bunch of producers

475
00:21:52,880 --> 00:21:54,480
Speaker 1: on here, right, you know what I mean. And I

476
00:21:54,520 --> 00:21:56,760
Speaker 1: only did like maybe like two songs on that album.

477
00:21:56,800 --> 00:21:57,439
Speaker 1: So that was me.

478
00:21:57,920 --> 00:22:00,159
Speaker 4: If you listen to the two songs that I did

479
00:22:00,240 --> 00:22:03,359
Speaker 4: produce on the Juvenile Hell album, you could hit a

480
00:22:03,400 --> 00:22:07,000
Speaker 4: preview of what the infamous album was gonna sound, because

481
00:22:07,040 --> 00:22:08,000
Speaker 4: that's when I was playing.

482
00:22:08,560 --> 00:22:12,920
Speaker 1: You did the whole Yeah, Primos on.

483
00:22:12,880 --> 00:22:17,800
Speaker 4: Their large professors and these other dudes from Long Island.

484
00:22:17,880 --> 00:22:21,440
Speaker 4: You know, they was dope producers, but it wasn't us though,

485
00:22:21,480 --> 00:22:22,120
Speaker 4: you know what I'm saying.

486
00:22:22,119 --> 00:22:23,040
Speaker 1: It's like, you know what I mean.

487
00:22:23,040 --> 00:22:26,439
Speaker 4: But at the time, I wasn't really confident in, you know,

488
00:22:26,520 --> 00:22:28,840
Speaker 4: my production. I didn't think that I could do it.

489
00:22:28,920 --> 00:22:32,040
Speaker 4: But you know, when Steve was like, yo, just do

490
00:22:32,119 --> 00:22:32,720
Speaker 4: whatever you want.

491
00:22:32,640 --> 00:22:34,360
Speaker 1: To I was like, fuck it. If we're gonna fuck

492
00:22:34,440 --> 00:22:35,879
Speaker 1: up this time, we're gonna suck it up.

493
00:22:36,200 --> 00:22:39,840
Speaker 4: You've already heard Juvenile like I'm sure they played it

494
00:22:39,840 --> 00:22:41,320
Speaker 4: for him, like you know what I'm saying, I'm sure

495
00:22:41,359 --> 00:22:43,760
Speaker 4: they played it for him or whatever. But that demo

496
00:22:43,880 --> 00:22:47,000
Speaker 4: we did, you know what I'm saying, really got his attention,

497
00:22:47,040 --> 00:22:47,480
Speaker 4: you know what I mean.

498
00:22:48,520 --> 00:22:53,000
Speaker 1: And the demo was winded up on the Infamous or no, nah,

499
00:22:51,560 --> 00:22:55,119
Speaker 1: the demo didn't wind up on the Infamous.

500
00:22:55,160 --> 00:23:00,520
Speaker 13: But when we was making the album, we had a

501
00:23:00,720 --> 00:23:03,240
Speaker 13: Q Tip coming and kind of help us, you know

502
00:23:03,280 --> 00:23:06,080
Speaker 13: what I mean, because we we had met him previously.

503
00:23:06,240 --> 00:23:08,960
Speaker 4: Not pew To looked out like you know what I'm saying,

504
00:23:09,000 --> 00:23:12,800
Speaker 4: He really looked out, like show how did that connection happen?

505
00:23:12,840 --> 00:23:14,800
Speaker 4: Is It's just a queen's day, It's a queen's stay,

506
00:23:14,880 --> 00:23:17,480
Speaker 4: you know what I'm saying. Like because I really don't remember,

507
00:23:18,160 --> 00:23:22,439
Speaker 4: I just know, you know, said so long ago that

508
00:23:23,720 --> 00:23:25,760
Speaker 4: you know, just being up at Death Jay, you just

509
00:23:25,800 --> 00:23:27,600
Speaker 4: meet a lot of people, you know what I'm saying.

510
00:23:27,680 --> 00:23:30,679
Speaker 4: And Pewtub was one of those people that you know,

511
00:23:30,800 --> 00:23:34,400
Speaker 4: he he stuck around and when we tapped him to

512
00:23:34,440 --> 00:23:37,520
Speaker 4: help us with the Infamous album, he did it like

513
00:23:37,640 --> 00:23:38,160
Speaker 4: you know what I mean.

514
00:23:38,320 --> 00:23:41,720
Speaker 14: And he produced a couple of songs classic joints too,

515
00:23:41,760 --> 00:23:46,119
Speaker 14: for sure, yeah, uh, drink away the pain class Uh,

516
00:23:46,320 --> 00:23:48,560
Speaker 14: temperatures Rising, Yeah, because.

517
00:23:48,400 --> 00:23:50,960
Speaker 1: I remember having a different version of the type which

518
00:23:51,000 --> 00:23:55,840
Speaker 1: is sample. Yeah, you know what it is.

519
00:23:56,040 --> 00:24:00,200
Speaker 4: Because what happened, it probably didn't clear because I had

520
00:24:00,200 --> 00:24:02,760
Speaker 4: the first one and it had a sample from like

521
00:24:02,800 --> 00:24:05,760
Speaker 4: a Quincy Jones record. It was like the temperatures yeah,

522
00:24:05,840 --> 00:24:09,840
Speaker 4: and it's not surprising it's from Quincy Jones. And I

523
00:24:09,880 --> 00:24:13,320
Speaker 4: guess you know. Q two was like, let's just get somebody.

524
00:24:13,400 --> 00:24:16,000
Speaker 4: We couldn't clear it, I believe, and let's get somebody

525
00:24:16,080 --> 00:24:18,400
Speaker 4: to single. It was Krystuh Johnson, you know what I mean,

526
00:24:19,760 --> 00:24:23,200
Speaker 4: And he did the beat over, so he did the sample,

527
00:24:23,280 --> 00:24:24,880
Speaker 4: but he kind of left it for me to kind

528
00:24:24,880 --> 00:24:27,000
Speaker 4: of like chop a little bit or whatever, like you

529
00:24:27,040 --> 00:24:30,760
Speaker 4: know what I mean. But he produced it and it

530
00:24:30,880 --> 00:24:32,920
Speaker 4: is I think it's one of the best songs on

531
00:24:32,960 --> 00:24:34,240
Speaker 4: the infamous album because.

532
00:24:34,040 --> 00:24:36,840
Speaker 1: It was just a real story. Yeah. Yeah, yeah, yeah, yeah,

533
00:24:36,840 --> 00:24:37,959
Speaker 1: it's just a good collaboration.

534
00:24:38,720 --> 00:24:42,240
Speaker 4: Unlikely too, like yeah, because you when you think about

535
00:24:42,840 --> 00:24:45,280
Speaker 4: you know, chop cot questions, you don't think like you

536
00:24:45,320 --> 00:24:47,119
Speaker 4: know what I'm saying, but you know they from the

537
00:24:47,160 --> 00:24:52,119
Speaker 4: hood of course, of course, So if.

538
00:24:51,960 --> 00:24:52,840
Speaker 1: You had to pick.

539
00:24:54,840 --> 00:25:01,560
Speaker 3: Rapping or producing, producing, producing all that. Yeah, why because

540
00:25:01,600 --> 00:25:03,200
Speaker 3: producers getting paid more than rather.

541
00:25:08,520 --> 00:25:11,720
Speaker 1: But okay, that's it. That's the only reason why. That's

542
00:25:11,760 --> 00:25:15,320
Speaker 1: not the only reason why. Uh, I could be more

543
00:25:15,320 --> 00:25:18,480
Speaker 1: creative without using words, you know what I mean?

544
00:25:20,960 --> 00:25:24,920
Speaker 4: You know, I find I find confident just like keeping

545
00:25:25,000 --> 00:25:27,760
Speaker 4: my fucking mouth Cett and just speaking, letting the beats

546
00:25:27,960 --> 00:25:29,639
Speaker 4: talk for me, you know what I mean, because the

547
00:25:29,640 --> 00:25:31,880
Speaker 4: beat says a lot of shit, you know what I mean,

548
00:25:32,160 --> 00:25:36,159
Speaker 4: it really does, and you know it's it's like my

549
00:25:36,240 --> 00:25:37,840
Speaker 4: quiet place, you know what I'm saying. When you're writing

550
00:25:37,880 --> 00:25:40,840
Speaker 4: and ship, you might offend somebody, you know, like say

551
00:25:40,840 --> 00:25:43,240
Speaker 4: the rough ship, you know what I mean, put to

552
00:25:43,320 --> 00:25:47,359
Speaker 4: see people moving to something that came out of your mind,

553
00:25:47,800 --> 00:25:52,359
Speaker 4: like you know, like a beat. It's a feeling I

554
00:25:52,400 --> 00:25:55,960
Speaker 4: can't fucking describe, you know what It's like, really really fucking.

555
00:25:55,680 --> 00:25:59,000
Speaker 1: Crazy because you guys have work with the best of them. Yeah,

556
00:25:59,080 --> 00:26:01,120
Speaker 1: you know I did. I did.

557
00:26:01,480 --> 00:26:06,680
Speaker 4: I definitely did. You know it brought me a long way,

558
00:26:06,960 --> 00:26:11,520
Speaker 4: you know what I mean. I always, you know, consider

559
00:26:11,560 --> 00:26:16,400
Speaker 4: myself more of an empty than a producer. Really, I did, really,

560
00:26:16,440 --> 00:26:18,400
Speaker 4: like you know, I'd be trying to write my asshof

561
00:26:18,480 --> 00:26:20,320
Speaker 4: you know what I mean. But when you sit next

562
00:26:20,359 --> 00:26:23,359
Speaker 4: to somebody that's the ultimate fucking writer, you know what

563
00:26:23,400 --> 00:26:26,200
Speaker 4: I'm saying, it's easy to be like, Okay, yeah, that's

564
00:26:26,200 --> 00:26:27,880
Speaker 4: cool having pe what'd you say?

565
00:26:27,920 --> 00:26:28,560
Speaker 1: You know what I'm saying.

566
00:26:28,840 --> 00:26:32,320
Speaker 4: And that's dope though, because it really made me get

567
00:26:32,359 --> 00:26:34,560
Speaker 4: into my bag with producing, you know what I mean.

568
00:26:34,720 --> 00:26:37,840
Speaker 4: And you know I noticed that when a lot of

569
00:26:37,840 --> 00:26:41,560
Speaker 4: times when I used to make beats around Prodigy, that

570
00:26:41,640 --> 00:26:44,280
Speaker 4: Nigga would wrap on anything I made, you know what

571
00:26:44,320 --> 00:26:48,560
Speaker 4: I'm saying. And I do believe that certain beats that

572
00:26:48,640 --> 00:26:50,919
Speaker 4: we turned into hits, if I was to give it

573
00:26:50,920 --> 00:26:52,600
Speaker 4: to somebody else, they probably wouldn't even.

574
00:26:52,480 --> 00:26:55,120
Speaker 1: Like to be They'd like whatever. You know what I mean,

575
00:26:55,160 --> 00:26:55,840
Speaker 1: shit like that.

576
00:26:56,040 --> 00:27:00,200
Speaker 3: So what's your favorite drink that you produced that it's

577
00:27:00,240 --> 00:27:00,800
Speaker 3: not made?

578
00:27:01,680 --> 00:27:03,200
Speaker 1: Uh, your hands down.

579
00:27:03,240 --> 00:27:07,080
Speaker 4: I don't have to say why about Ja Jada kits

580
00:27:07,119 --> 00:27:08,720
Speaker 4: ship because.

581
00:27:10,359 --> 00:27:12,120
Speaker 1: He just he he bodied it, you know what I'm saying.

582
00:27:12,160 --> 00:27:13,639
Speaker 4: I didn't know what he was going to do to it,

583
00:27:13,720 --> 00:27:15,880
Speaker 4: you know what I'm saying, and it just turned into

584
00:27:15,880 --> 00:27:16,760
Speaker 4: one of those records.

585
00:27:16,800 --> 00:27:17,840
Speaker 1: It's simple record.

586
00:27:18,320 --> 00:27:21,360
Speaker 4: But you know, nevertheless, you know what I'm saying, it's

587
00:27:21,440 --> 00:27:24,280
Speaker 4: some ship that I produced that it really went far?

588
00:27:24,840 --> 00:27:28,440
Speaker 1: And how about the dat you did it for Big right? Yeah,

589
00:27:28,920 --> 00:27:31,280
Speaker 1: Last Day, Last Days?

590
00:27:31,760 --> 00:27:35,800
Speaker 4: Yeah, I did that, but the original beat got lost

591
00:27:35,840 --> 00:27:40,119
Speaker 4: and ship the originally got lost and then I had

592
00:27:40,160 --> 00:27:40,720
Speaker 4: to do it over.

593
00:27:41,800 --> 00:27:43,199
Speaker 1: So you like the original beat of him?

594
00:27:43,800 --> 00:27:44,159
Speaker 4: I like it.

595
00:27:44,200 --> 00:27:47,240
Speaker 1: I like them both. The originally one popped up online.

596
00:27:46,840 --> 00:27:49,080
Speaker 4: You know what I'm saying somewhere, you know a couple

597
00:27:49,160 --> 00:27:51,160
Speaker 4: of years ago. It's like, you know what I'm saying,

598
00:27:51,160 --> 00:27:54,720
Speaker 4: it's a debate. But the joint, yeah, that was that

599
00:27:54,840 --> 00:27:57,720
Speaker 4: was the first record that people I think heard the

600
00:27:57,760 --> 00:27:58,199
Speaker 4: locks on.

601
00:27:58,440 --> 00:27:59,919
Speaker 1: You know what I'm saying, like the.

602
00:28:00,480 --> 00:28:05,920
Speaker 3: Last Days, Last Days?

603
00:28:06,600 --> 00:28:09,000
Speaker 5: How much has your production style changed since when you

604
00:28:09,040 --> 00:28:10,240
Speaker 5: did Infamous?

605
00:28:10,520 --> 00:28:13,000
Speaker 1: I would like to believe that it didn't change a lot, you.

606
00:28:12,920 --> 00:28:15,879
Speaker 5: Know what I mean, actually the style that you make,

607
00:28:15,960 --> 00:28:17,879
Speaker 5: the way you make the beat, actually what I really mean.

608
00:28:17,920 --> 00:28:21,040
Speaker 1: From juvenile health Oh to the Infamous?

609
00:28:21,480 --> 00:28:24,200
Speaker 3: Oh no, no, from Infamous to now Oh, from Infamous

610
00:28:24,200 --> 00:28:25,560
Speaker 3: to now that.

611
00:28:25,200 --> 00:28:28,399
Speaker 5: Not juvenile I mean, because I'm just saying, he did

612
00:28:28,520 --> 00:28:30,480
Speaker 5: more on this. So I feel like you really got

613
00:28:30,480 --> 00:28:33,600
Speaker 5: your production shops on Infamous, right, so from then on,

614
00:28:33,680 --> 00:28:35,120
Speaker 5: like you already got your style there.

615
00:28:35,720 --> 00:28:37,680
Speaker 1: How much has your style changed the way you make

616
00:28:37,720 --> 00:28:38,080
Speaker 1: the beat?

617
00:28:39,120 --> 00:28:42,040
Speaker 4: You know, to be honest with you, like, my style

618
00:28:42,120 --> 00:28:43,400
Speaker 4: hasn't changed much.

619
00:28:44,040 --> 00:28:44,920
Speaker 1: It's stayed the same.

620
00:28:45,000 --> 00:28:48,680
Speaker 4: And you know sometimes that that could be frustrating, you

621
00:28:48,680 --> 00:28:49,960
Speaker 4: know what I'm saying to me that you know what

622
00:28:50,000 --> 00:28:52,640
Speaker 4: I mean, Like the equipment might change, but my style

623
00:28:52,800 --> 00:28:54,360
Speaker 4: is still the same, Like you know what I mean.

624
00:28:54,360 --> 00:28:56,560
Speaker 4: But I like it because I just want to stay

625
00:28:56,560 --> 00:28:58,560
Speaker 4: in that bag. I really don't want to, you know

626
00:28:58,600 --> 00:29:00,240
Speaker 4: what I mean. Like you know what I say. I

627
00:29:00,320 --> 00:29:03,680
Speaker 4: just want to just do me, Like I don't want

628
00:29:03,720 --> 00:29:06,120
Speaker 4: to like chase hits and ship like that.

629
00:29:06,320 --> 00:29:06,840
Speaker 1: You know what I mean.

630
00:29:06,880 --> 00:29:09,840
Speaker 4: So it's a uh, it's pros and cons to it.

631
00:29:10,360 --> 00:29:13,120
Speaker 4: My style, it's definitely it's the same.

632
00:29:13,280 --> 00:29:16,000
Speaker 1: So the machinery never changes, No, I did, I did?

633
00:29:16,040 --> 00:29:18,200
Speaker 1: You know what I'm saying. You know, I don't funk

634
00:29:18,240 --> 00:29:22,920
Speaker 1: with the NPC no more, but something similar to it,

635
00:29:23,000 --> 00:29:23,480
Speaker 1: you know what I mean.

636
00:29:23,560 --> 00:29:26,440
Speaker 4: Like I still sample, you know, I still use the

637
00:29:26,520 --> 00:29:29,160
Speaker 4: keyboard and ship like that.

638
00:29:31,800 --> 00:29:34,640
Speaker 1: Ready to play quick time? Yeah, let's do it. Bring

639
00:29:34,640 --> 00:29:39,360
Speaker 1: Eli in for that. Okay, you got quick time guys.

640
00:29:39,600 --> 00:29:49,880
Speaker 1: Oh look at you guys. Let's bring in right, I

641
00:29:49,960 --> 00:29:51,080
Speaker 1: got playing them again.

642
00:29:51,120 --> 00:29:53,680
Speaker 5: Yeah, so this is basically this or that type of game.

643
00:29:53,760 --> 00:29:56,360
Speaker 5: Like we're gonna say two things. If you pick one,

644
00:29:56,400 --> 00:29:59,920
Speaker 5: we're not drinking. Pick one, we're not drinking. But if

645
00:29:59,920 --> 00:30:02,160
Speaker 5: you you say both are neither, like you really don't

646
00:30:02,160 --> 00:30:05,760
Speaker 5: want to answer it, then we're all drinking. But it's

647
00:30:05,800 --> 00:30:07,760
Speaker 5: not to this nobody, because people think we're trying to

648
00:30:07,760 --> 00:30:09,960
Speaker 5: pay people. Now, it's just to bring up stories. If

649
00:30:09,960 --> 00:30:11,719
Speaker 5: something comes up with a story with anybody, we talk

650
00:30:11,760 --> 00:30:17,600
Speaker 5: about any place, please let's go into that story. And

651
00:30:17,600 --> 00:30:20,160
Speaker 5: it's whatever criteria in your mind. There could be this

652
00:30:20,160 --> 00:30:22,280
Speaker 5: person made the best spaghetti you ever had in your life.

653
00:30:22,760 --> 00:30:26,000
Speaker 1: It could be anything, you know. Are you ready ready?

654
00:30:27,000 --> 00:30:28,160
Speaker 1: NAS or l ER.

655
00:30:31,360 --> 00:30:35,640
Speaker 4: I'm from QB, so you would think that, you know, automatically,

656
00:30:35,640 --> 00:30:37,480
Speaker 4: I'll say NAS is the homie for life.

657
00:30:37,960 --> 00:30:42,360
Speaker 1: L L just recently says some really dope shit to me. Uh,

658
00:30:42,880 --> 00:30:44,440
Speaker 1: I'm gonna have to take a drink to that. Okay,

659
00:30:44,520 --> 00:30:46,560
Speaker 1: let's take a drink to that. Solid. So does that

660
00:30:46,640 --> 00:30:47,520
Speaker 1: mean same? Both?

661
00:30:47,880 --> 00:30:51,520
Speaker 4: Yeah, cleanse legends absolutely.

662
00:30:53,560 --> 00:30:58,760
Speaker 1: Or too much of a shop for myself Q tip

663
00:30:59,080 --> 00:31:07,800
Speaker 1: or large frog ship both? Both? Damn both? Yeah? Both? Yeah, Okay, damn,

664
00:31:07,840 --> 00:31:11,000
Speaker 1: I'm in tell we need to be up. I need

665
00:31:11,040 --> 00:31:12,080
Speaker 1: another shot over here.

666
00:31:12,480 --> 00:31:16,840
Speaker 3: M he's doing the killer. No, you want to stick

667
00:31:16,880 --> 00:31:18,560
Speaker 3: with the sock the soccer mom.

668
00:31:19,720 --> 00:31:20,120
Speaker 1: I got his.

669
00:31:20,840 --> 00:31:23,600
Speaker 5: This is a family for for y'all know trash or

670
00:31:23,600 --> 00:31:26,400
Speaker 5: compone even know you gotta get him.

671
00:31:27,400 --> 00:31:28,800
Speaker 1: He's a tragic compoone.

672
00:31:29,600 --> 00:31:29,959
Speaker 5: Oh.

673
00:31:30,040 --> 00:31:35,800
Speaker 12: Then they both the Holy Legend with these guys over here.

674
00:31:36,080 --> 00:31:38,240
Speaker 1: Yeah, what do you what do you call that section?

675
00:31:38,320 --> 00:31:39,920
Speaker 1: I don't call it that cocaine section.

676
00:31:40,880 --> 00:31:42,920
Speaker 3: That's the Columbia and Dominican over there, and they go

677
00:31:42,960 --> 00:31:43,560
Speaker 3: over there.

678
00:31:43,600 --> 00:31:46,640
Speaker 1: And they write these questions. You got to take that shot,

679
00:31:46,720 --> 00:31:51,200
Speaker 1: the last shot, this last yeah, okay, Yeah, for me,

680
00:31:51,240 --> 00:31:53,840
Speaker 1: it's both. Okay, I already took the shot for that.

681
00:31:54,040 --> 00:31:54,800
Speaker 1: Then we take the shot.

682
00:31:54,880 --> 00:31:57,160
Speaker 3: I did because I knew. I knew I had to

683
00:31:57,200 --> 00:32:00,800
Speaker 3: say both. I had to say. But sold on.

684
00:32:02,240 --> 00:32:04,360
Speaker 1: Make sure he's got something. Yeah, you might need a

685
00:32:04,400 --> 00:32:07,880
Speaker 1: couple of shot cups there because it is looking bad

686
00:32:07,960 --> 00:32:14,160
Speaker 1: right now. But are lost boys? Oh man, Chris, I'm

687
00:32:14,160 --> 00:32:17,000
Speaker 1: gonna go. I'm gonna go with lost boys. Okay, he picking,

688
00:32:17,880 --> 00:32:25,040
Speaker 1: I'm gonna go both both. Yeah, I think drinks.

689
00:32:25,080 --> 00:32:26,840
Speaker 5: Well, no, it's kind of all of us. It's a

690
00:32:26,880 --> 00:32:32,960
Speaker 5: failure fair. Yeah, oh man, this shann carris one.

691
00:32:33,160 --> 00:32:38,000
Speaker 12: That's easy, that's he said for sure. Come on, guys,

692
00:32:39,240 --> 00:32:40,560
Speaker 12: no shout out to shed.

693
00:32:41,960 --> 00:32:45,720
Speaker 5: Yeah nature a royal flush.

694
00:32:46,360 --> 00:32:46,520
Speaker 12: Man.

695
00:32:46,560 --> 00:32:50,280
Speaker 1: They both the holies. I'm they both the holies.

696
00:32:50,360 --> 00:32:50,520
Speaker 12: Man.

697
00:32:50,560 --> 00:32:53,160
Speaker 1: You know what I mean, I'm gonna go with both.

698
00:32:53,200 --> 00:32:56,280
Speaker 5: I gotta go with Okay, so I gotta and they

699
00:32:56,360 --> 00:32:57,920
Speaker 5: both dope, we gotta go with drinks.

700
00:32:59,480 --> 00:33:02,280
Speaker 1: I'm lower over here. Yeah, yeah, you can make them some.

701
00:33:02,600 --> 00:33:05,960
Speaker 5: Smaller shots for you got to perform to that. We

702
00:33:06,000 --> 00:33:08,120
Speaker 5: do not want to be the reason that performance goes. Hey,

703
00:33:08,120 --> 00:33:12,800
Speaker 5: why yeah, small shots? No, no, no, that's way too much. Yeah,

704
00:33:12,840 --> 00:33:15,200
Speaker 5: smaller shots. You could sip it and do half and half. Okay,

705
00:33:15,240 --> 00:33:16,400
Speaker 5: got you do half and half.

706
00:33:16,480 --> 00:33:16,720
Speaker 12: Yeah.

707
00:33:17,120 --> 00:33:18,640
Speaker 1: We do not want to be the reason that goes.

708
00:33:20,000 --> 00:33:20,800
Speaker 1: I want to do the reason.

709
00:33:23,040 --> 00:33:28,400
Speaker 5: Now you got faith coming out to watching? Were analog

710
00:33:28,480 --> 00:33:29,000
Speaker 5: and digital?

711
00:33:29,080 --> 00:33:32,600
Speaker 1: Oh yeah? Analog? Analog for sure?

712
00:33:33,400 --> 00:33:37,040
Speaker 5: Analog analog on date man, but you're still not but

713
00:33:37,080 --> 00:33:38,080
Speaker 5: you're not analog now?

714
00:33:38,600 --> 00:33:43,960
Speaker 1: Uh run you know what I'm saying.

715
00:33:44,000 --> 00:33:45,680
Speaker 4: I got to you know what I mean, I got

716
00:33:45,680 --> 00:33:48,240
Speaker 4: the turntable going through to the drum machine.

717
00:33:48,280 --> 00:33:50,360
Speaker 5: Would you still go to the SSL board and still

718
00:33:50,360 --> 00:33:52,520
Speaker 5: recorded you won't go real to real that you.

719
00:33:52,520 --> 00:34:05,720
Speaker 1: Won't do no Couljie Wrap slick ricord Man, Damn. I

720
00:34:06,000 --> 00:34:12,440
Speaker 1: fun with them both. Uh both. Remember I got the

721
00:34:12,520 --> 00:34:16,680
Speaker 1: DJ bro and you got to give us a coolie

722
00:34:16,680 --> 00:34:22,800
Speaker 1: wrap store. I know you got a rap story. Are together?

723
00:34:23,920 --> 00:34:24,880
Speaker 1: Yeah you know.

724
00:34:24,960 --> 00:34:27,560
Speaker 4: I wasn't even then when they did that record. Yeah

725
00:34:27,719 --> 00:34:29,920
Speaker 4: the mother, I wasn't even there. I came later and

726
00:34:30,000 --> 00:34:33,239
Speaker 4: I heard that they did this. It was crazy out

727
00:34:33,239 --> 00:34:34,319
Speaker 4: of the little G wrap store.

728
00:34:35,480 --> 00:34:36,959
Speaker 12: I mean, I mean he used to come to the hood,

729
00:34:37,000 --> 00:34:40,040
Speaker 12: you know what I mean. He's like Michael, Yeah, he was.

730
00:34:40,080 --> 00:34:44,880
Speaker 12: He was family of of I think it was Freedom

731
00:34:45,080 --> 00:34:47,000
Speaker 12: was it was it one somebody that Freedom was dating.

732
00:34:49,200 --> 00:34:50,840
Speaker 1: He was family. But he used to come to h

733
00:34:51,120 --> 00:34:52,719
Speaker 1: your block all the time. He used to come through

734
00:34:52,800 --> 00:34:54,799
Speaker 1: us to jump out the call. He has to walk

735
00:34:54,840 --> 00:34:57,240
Speaker 1: through with the sun walk in the joint. He always

736
00:34:57,280 --> 00:35:00,360
Speaker 1: had a little biscuit. That's all I see. Oh ship

737
00:35:01,200 --> 00:35:02,200
Speaker 1: with his kid with him.

738
00:35:02,320 --> 00:35:07,120
Speaker 12: Yeah, it was well back then. Yeah, you're just coming in,

739
00:35:07,200 --> 00:35:09,319
Speaker 12: you know, want to check in. It wasn't wasn't doing nothing,

740
00:35:09,760 --> 00:35:11,840
Speaker 12: you know, I wasn't selling no drugs, wasn't you know,

741
00:35:12,000 --> 00:35:13,439
Speaker 12: just family trip.

742
00:35:14,040 --> 00:35:15,160
Speaker 1: Let's little to the hood.

743
00:35:16,520 --> 00:35:19,920
Speaker 5: Good, let's see where we're at now only built for

744
00:35:19,960 --> 00:35:20,600
Speaker 5: Cuban links.

745
00:35:20,640 --> 00:35:26,520
Speaker 1: Are ready to die? Only built for Cuban links? Yeah? Sure,

746
00:35:28,440 --> 00:35:31,799
Speaker 1: that purple tape is crazy. Just had the anniversary? Was

747
00:35:31,800 --> 00:35:34,560
Speaker 1: it the thirtieth anniversary? Crazy? Yeah?

748
00:35:34,600 --> 00:35:36,600
Speaker 4: Yeah, we're doing the thirtieth anniversary.

749
00:35:36,200 --> 00:35:39,359
Speaker 1: Too, wow together? Yeah yeah right?

750
00:35:39,440 --> 00:35:44,320
Speaker 3: Crazy November November where you're going everywhere?

751
00:35:45,880 --> 00:35:48,720
Speaker 4: We're doing the States. We got eighteen dates in the States,

752
00:35:48,760 --> 00:35:51,000
Speaker 4: you know what I mean. So, yeah, it's gonna be dope.

753
00:35:51,000 --> 00:35:52,400
Speaker 4: We hit hitting all the main spots.

754
00:35:53,040 --> 00:35:56,239
Speaker 1: You're not going to Europe. I we never you never know,

755
00:35:56,280 --> 00:35:58,040
Speaker 1: we might might take it over there, you know what

756
00:35:58,040 --> 00:36:02,400
Speaker 1: I'm saying. Never know? Run DMC or E P M

757
00:36:02,520 --> 00:36:04,799
Speaker 1: D oh man.

758
00:36:05,680 --> 00:36:07,040
Speaker 4: You know we used to want to be like E

759
00:36:07,120 --> 00:36:09,759
Speaker 4: P M D and ship like that. I love E

760
00:36:09,920 --> 00:36:15,280
Speaker 4: P M D. But you know what I mean, run DMC.

761
00:36:15,880 --> 00:36:19,640
Speaker 1: You know what I'm saying. It's like, you know, PMD.

762
00:36:19,400 --> 00:36:22,640
Speaker 4: Without D exactly, So I gotta go with run DMC.

763
00:36:23,800 --> 00:36:27,120
Speaker 5: Yeah, same right, yes, yes, yeah, yeah. Will not leave

764
00:36:27,160 --> 00:36:32,200
Speaker 5: queens for any of these hundred three thousand black thought,

765
00:36:32,520 --> 00:36:33,240
Speaker 5: oh man.

766
00:36:33,160 --> 00:36:35,560
Speaker 4: Black doorp black thought all day. You know what I'm saying,

767
00:36:35,960 --> 00:36:38,839
Speaker 4: I love Andre D thousand, but on black thought, man,

768
00:36:38,840 --> 00:36:41,839
Speaker 4: that is paying games amazing.

769
00:36:42,960 --> 00:36:47,839
Speaker 1: Push up a fab for sure, fab ah man.

770
00:36:49,160 --> 00:36:52,840
Speaker 4: I fuck with them both. Really, you know what I'm saying.

771
00:36:52,840 --> 00:36:57,359
Speaker 4: I do fuck with them both. I fuck with them both.

772
00:36:58,480 --> 00:36:59,719
Speaker 1: If you have a shot, you ain't got to go

773
00:36:59,719 --> 00:37:04,240
Speaker 1: curt anything for you. I never produced nothing for FABA

774
00:37:05,000 --> 00:37:08,239
Speaker 1: or nothing for Push. They both they both slick with

775
00:37:08,320 --> 00:37:08,959
Speaker 1: it right.

776
00:37:10,360 --> 00:37:15,800
Speaker 4: That new Push, that new Push, that new Clipps album

777
00:37:15,840 --> 00:37:18,000
Speaker 4: is yeah, you know what I'm saying.

778
00:37:17,960 --> 00:37:20,880
Speaker 3: Like it sounds like now, it sounds like but now.

779
00:37:21,320 --> 00:37:24,759
Speaker 4: Right right exactly producing this thing on there for sure,

780
00:37:24,880 --> 00:37:27,600
Speaker 4: now that they got their foot on niggas next right

781
00:37:27,600 --> 00:37:29,439
Speaker 4: now with that one, you know what I'm saying.

782
00:37:29,520 --> 00:37:33,239
Speaker 1: And raised new albums crazy too, raised new clothes yet

783
00:37:33,480 --> 00:37:33,799
Speaker 1: I'm going.

784
00:37:36,120 --> 00:37:38,359
Speaker 4: Hip hop hip hop is no, it's a love and

785
00:37:38,400 --> 00:37:42,160
Speaker 4: well hip hop. Cross generation don't matter, man, hip.

786
00:37:42,000 --> 00:37:42,799
Speaker 1: Hop is going crazy.

787
00:37:43,239 --> 00:37:45,920
Speaker 3: Beats is knocking. Heard what push yourself about, y'all? He

788
00:37:45,960 --> 00:37:49,239
Speaker 3: said people, And I had to repost that.

789
00:37:51,440 --> 00:37:55,040
Speaker 4: Na push for that. You know what I'm saying, worried

790
00:37:55,160 --> 00:38:01,440
Speaker 4: up Alchemists of the Ris. I fuck them both. You

791
00:38:01,480 --> 00:38:04,600
Speaker 4: put me in it, put you put me in the tight.

792
00:38:04,520 --> 00:38:05,440
Speaker 1: Boat you feel me.

793
00:38:05,760 --> 00:38:08,640
Speaker 12: Hey, we all got a drink shout that, let's do it.

794
00:38:09,200 --> 00:38:12,839
Speaker 12: Boait Elliott you well, yeah, for sure, both of them.

795
00:38:13,080 --> 00:38:14,120
Speaker 12: I mean that's a tough call.

796
00:38:14,040 --> 00:38:22,760
Speaker 5: Here, okay, Uh, ghost Face and method Man shots.

797
00:38:26,080 --> 00:38:27,839
Speaker 1: Make sure we get the I V ready for having.

798
00:38:33,160 --> 00:38:36,279
Speaker 1: So we were drinking for that. I'm trying to say around.

799
00:38:36,000 --> 00:38:41,200
Speaker 5: Over here, drink already because you're spinning for them.

800
00:38:41,560 --> 00:38:45,560
Speaker 1: Saper's Hills or dog pound. Sabers Hill is a dog pound,

801
00:38:46,360 --> 00:38:55,520
Speaker 1: damn fun I like them both them. You're both type

802
00:38:55,520 --> 00:38:59,880
Speaker 1: of Uh I'm a.

803
00:39:02,480 --> 00:39:04,960
Speaker 5: Damn see when you said I like producing better than

804
00:39:04,960 --> 00:39:07,520
Speaker 5: them scene, because you know what I'm saying, it's.

805
00:39:07,360 --> 00:39:11,920
Speaker 1: Like, just put it. What I'm saying the best. You know,

806
00:39:12,239 --> 00:39:15,879
Speaker 1: you're gonna have to take his time. Let's do it.

807
00:39:16,120 --> 00:39:21,960
Speaker 1: And this is a fucking me up. Now go ahead,

808
00:39:22,080 --> 00:39:24,960
Speaker 1: Scarface of ice Cube. I'm gonna go with ice Cube

809
00:39:26,280 --> 00:39:30,120
Speaker 1: ice Cube all day. You know what I'm saying, scar Face? Okay,

810
00:39:30,400 --> 00:39:31,439
Speaker 1: So not matter either.

811
00:39:34,520 --> 00:39:37,520
Speaker 12: Three Now you know I put this favor for favor

812
00:39:38,000 --> 00:39:39,359
Speaker 12: one doing to produced that.

813
00:39:39,560 --> 00:39:44,640
Speaker 1: You did that scar Faces album? U that? Yeah?

814
00:39:45,239 --> 00:39:51,200
Speaker 12: Yeah really I didn't know that.

815
00:39:50,280 --> 00:39:57,360
Speaker 1: Face on it? Wow wow record beautiful.

816
00:39:58,600 --> 00:40:01,960
Speaker 12: No sample too and it sounds like I said, I

817
00:40:01,960 --> 00:40:04,560
Speaker 12: mean the way you know, I sampled the keyboard after

818
00:40:04,760 --> 00:40:07,960
Speaker 12: after my keyboard player played it, sampled it back end.

819
00:40:08,640 --> 00:40:14,239
Speaker 5: Yo, that's a classic. Man, that's dope. Well this is you,

820
00:40:14,360 --> 00:40:15,080
Speaker 5: this is queen stuff.

821
00:40:15,120 --> 00:40:18,440
Speaker 3: Man, I get I can't svery Queen's guys call to

822
00:40:18,520 --> 00:40:22,200
Speaker 3: see him. Queen said, oh Colisseum, Queen centermore that I

823
00:40:22,360 --> 00:40:23,120
Speaker 3: even see.

824
00:40:24,640 --> 00:40:28,920
Speaker 4: I'm gonna avatar Cols Colosseum.

825
00:40:29,520 --> 00:40:31,120
Speaker 1: Yeah, Colisseum, Coloseium.

826
00:40:30,760 --> 00:40:32,759
Speaker 3: Ain't even in no more, that's not even there no more.

827
00:40:32,800 --> 00:40:37,239
Speaker 3: Bro crazy when yeah, they took it out. Man, I

828
00:40:37,280 --> 00:40:39,239
Speaker 3: don't think that I was close to a couple of

829
00:40:39,320 --> 00:40:44,560
Speaker 3: months ago, like okay, because I remember that I was

830
00:40:44,640 --> 00:40:46,000
Speaker 3: just in there. That's Benny gone.

831
00:40:46,719 --> 00:40:49,719
Speaker 1: Yeah yeah, all that ship is done, so all that

832
00:40:49,760 --> 00:40:54,040
Speaker 1: should have done. It's over probably turn two. So you're

833
00:40:54,600 --> 00:40:55,879
Speaker 1: complex building.

834
00:40:57,200 --> 00:41:01,080
Speaker 3: Colosseum white the coliseum just for one who doesn't understand, you.

835
00:41:01,120 --> 00:41:02,600
Speaker 1: Know, Colosseum is legendary.

836
00:41:02,600 --> 00:41:04,279
Speaker 4: You know what I'm saying. That's where everybody shirt kings

837
00:41:04,360 --> 00:41:06,640
Speaker 4: used to be. That's right, everybody used to get the.

838
00:41:10,120 --> 00:41:10,319
Speaker 1: Queen.

839
00:41:10,400 --> 00:41:13,600
Speaker 12: Since that's what Benny Benny going like he right, No,

840
00:41:14,880 --> 00:41:17,759
Speaker 12: get your first change from Benny all.

841
00:41:17,719 --> 00:41:24,160
Speaker 1: Right, Mike Geronimo or Lloyd Banks Geronimo, Mike Geronimo, that's

842
00:41:24,200 --> 00:41:27,000
Speaker 1: my guy all day. But I'll go with Lloyd Banks,

843
00:41:27,480 --> 00:41:28,080
Speaker 1: thanks for sure.

844
00:41:29,960 --> 00:41:33,479
Speaker 5: Is Lloyd Banks Queens too, Queens queens all day? Okay,

845
00:41:33,560 --> 00:41:35,000
Speaker 5: he stayed Queens. Okay, I just want to make sure

846
00:41:35,000 --> 00:41:38,000
Speaker 5: you were leaving Queens.

847
00:41:39,800 --> 00:41:44,760
Speaker 1: Right now. Swiss beats or Timbaland, Swiss Beats are Timberland.

848
00:41:44,760 --> 00:41:45,880
Speaker 1: I'm gonna go with Swiss beats.

849
00:41:46,080 --> 00:41:51,399
Speaker 5: I'll go with Swissland, Swiss beats, all right, machine ers

850
00:41:51,760 --> 00:41:52,640
Speaker 5: NPC studio.

851
00:41:53,840 --> 00:41:57,920
Speaker 1: Well, I'm I'm hold on you, said m PCs. I mean, look,

852
00:41:58,000 --> 00:42:03,680
Speaker 1: how's the producer? He wrote, the studio Okay, I'm on

853
00:42:03,800 --> 00:42:07,319
Speaker 1: a Renaissance. I'm going with the machine. I'm still going

854
00:42:08,160 --> 00:42:17,160
Speaker 1: like this. Yeah, I'm going with nothing nothing. Yeah, he

855
00:42:17,560 --> 00:42:21,840
Speaker 1: uses the machine. Use the machine, Yeah, the machine, the NBC.

856
00:42:22,239 --> 00:42:26,400
Speaker 12: The Renaissance, the one okay, and then I used that

857
00:42:26,480 --> 00:42:28,440
Speaker 12: f I just got into the FL so I'm kind

858
00:42:28,480 --> 00:42:29,200
Speaker 12: of a little nice with it.

859
00:42:29,239 --> 00:42:30,600
Speaker 1: I don't want to speak about it too much. Like

860
00:42:31,000 --> 00:42:34,560
Speaker 1: what we have that was us, the FL south Side.

861
00:42:34,680 --> 00:42:37,120
Speaker 1: It was using only free loose to make beets. Yeah,

862
00:42:38,400 --> 00:42:40,960
Speaker 1: making a whole lot of money too, right, hey.

863
00:42:40,800 --> 00:42:43,719
Speaker 5: Man, however you make the bet man kick out, however

864
00:42:43,800 --> 00:42:47,880
Speaker 5: you make it. I don't understand why we keep this

865
00:42:48,160 --> 00:42:50,200
Speaker 5: is l A or Miami l.

866
00:42:50,200 --> 00:42:54,920
Speaker 4: A or Miami you know of both places, but you

867
00:42:55,000 --> 00:42:57,320
Speaker 4: know East Coast Miami, Miami old.

868
00:43:00,080 --> 00:43:02,560
Speaker 3: Quick quick from the New York You got to go

869
00:43:02,680 --> 00:43:08,960
Speaker 3: six hours Sha Stadium or City Field, Say stadium, say stadium.

870
00:43:08,800 --> 00:43:09,400
Speaker 1: Yeah, I like to do it.

871
00:43:10,880 --> 00:43:13,200
Speaker 3: You feel it's dope, but it's super commercially right, Like

872
00:43:13,320 --> 00:43:15,640
Speaker 3: it doesn't look the same ye say Stadium was blue.

873
00:43:16,280 --> 00:43:18,200
Speaker 1: You know what I'm saying. That the apple used to

874
00:43:18,200 --> 00:43:19,200
Speaker 1: pop up? Still do that?

875
00:43:19,719 --> 00:43:25,840
Speaker 3: Don't shake, stay closed, saying that city feeling still come up.

876
00:43:26,040 --> 00:43:30,040
Speaker 3: Oh I don't know fly though, bro, it's fly trying

877
00:43:30,040 --> 00:43:33,400
Speaker 3: to put a carbone in there. Really yeah, city Field,

878
00:43:33,640 --> 00:43:37,120
Speaker 3: that's crazy. It's just like growing up with my childhood.

879
00:43:37,440 --> 00:43:40,080
Speaker 3: Like Sha Stadium felt like I was off version of

880
00:43:40,160 --> 00:43:42,000
Speaker 3: like Coney Allen and almost like you know what I'm saying,

881
00:43:42,080 --> 00:43:45,279
Speaker 3: like and like it had ora to it. Like right

882
00:43:45,360 --> 00:43:47,520
Speaker 3: now I don't see it like I mean City Fielders.

883
00:43:47,239 --> 00:43:51,440
Speaker 1: Just it's just fly. It's just up, you know, upgraded.

884
00:43:53,320 --> 00:43:55,960
Speaker 5: The Joe and j podcasts a million dollars worth of game.

885
00:43:57,440 --> 00:44:01,840
Speaker 5: These guys, I them oth.

886
00:44:01,800 --> 00:44:04,520
Speaker 12: The I'll take a shot, got to take a shout

887
00:44:04,680 --> 00:44:05,320
Speaker 12: there because.

888
00:44:05,360 --> 00:44:10,359
Speaker 1: We all podcast family. They started thinking, you guys trying

889
00:44:10,360 --> 00:44:13,879
Speaker 1: to start podcasting. What's going bro, they're trying to start

890
00:44:13,920 --> 00:44:19,480
Speaker 1: that podcast? All right? Loyalty or respect?

891
00:44:20,360 --> 00:44:24,800
Speaker 4: Loyalty or respect? I would go with respect, you know

892
00:44:24,840 --> 00:44:26,640
Speaker 4: what I'm saying, because I would respect. They're not behind

893
00:44:26,640 --> 00:44:28,279
Speaker 4: the loyalty, you know what I mean.

894
00:44:28,960 --> 00:44:31,680
Speaker 1: I respect to that's cool.

895
00:44:32,640 --> 00:44:34,160
Speaker 3: And so that said for a quick time of slamer,

896
00:44:40,280 --> 00:44:43,200
Speaker 3: he like, okay, get you have to get let me

897
00:44:43,360 --> 00:44:46,200
Speaker 3: let me ask right because it's the famous to two

898
00:44:46,320 --> 00:44:50,000
Speaker 3: things that I want to act actually right. One is

899
00:44:50,080 --> 00:44:52,960
Speaker 3: how did you feel when the jay Z thing happened?

900
00:44:53,040 --> 00:44:56,520
Speaker 3: Like like the not jay Z, no, no, no, the

901
00:44:56,640 --> 00:45:00,719
Speaker 3: mall bell deep jay Z?

902
00:45:01,080 --> 00:45:03,640
Speaker 1: And how did this happen? I didn't see this? Yeah,

903
00:45:03,719 --> 00:45:08,919
Speaker 1: I didn't see you for the nas joint right yeah, yeah, yeah,

904
00:45:09,080 --> 00:45:09,560
Speaker 1: almost at.

905
00:45:09,520 --> 00:45:11,680
Speaker 3: The same time, because you know it was ever it

906
00:45:11,840 --> 00:45:13,239
Speaker 3: was that that but that was what you're saying.

907
00:45:13,600 --> 00:45:15,920
Speaker 1: But let's if we put it in the order. I

908
00:45:15,960 --> 00:45:18,480
Speaker 1: think the mom deep should happened first, and then it

909
00:45:18,560 --> 00:45:26,400
Speaker 1: happened because Jay said because that's truthful, the pointing at

910
00:45:26,440 --> 00:45:26,719
Speaker 1: each other.

911
00:45:26,920 --> 00:45:30,080
Speaker 3: Jay said, it's like New York been saw ever since

912
00:45:30,400 --> 00:45:32,640
Speaker 3: Snooper came through and crushed the buildings.

913
00:45:32,520 --> 00:45:36,080
Speaker 1: Right, and and Prodigy took offense to that. He really

914
00:45:36,120 --> 00:45:36,759
Speaker 1: took offense to that.

915
00:45:37,280 --> 00:45:40,720
Speaker 5: You'll responded, but we didn't respond yet, saying you responded

916
00:45:40,760 --> 00:45:44,320
Speaker 5: to the on the buildings, Yeah we did, we did we?

917
00:45:44,840 --> 00:45:50,319
Speaker 1: Yeah? You guys? Yeah, I think we was the only

918
00:45:50,520 --> 00:45:55,280
Speaker 1: but only did you know respond? So only you guys respond,

919
00:45:55,640 --> 00:46:04,919
Speaker 1: That's why you can make us up a jay Z mob? Deep?

920
00:46:05,160 --> 00:46:06,600
Speaker 1: How did that? How did that happen? Like?

921
00:46:07,280 --> 00:46:10,840
Speaker 4: Because because I believe, you know, look not, I believe

922
00:46:10,880 --> 00:46:14,200
Speaker 4: that this is true. Jay Z loved Prodigy, you know

923
00:46:14,239 --> 00:46:14,920
Speaker 4: what I'm saying.

924
00:46:14,760 --> 00:46:17,040
Speaker 1: Like he was I believe he was a Prodigy fan,

925
00:46:17,200 --> 00:46:18,399
Speaker 1: like for sure, right.

926
00:46:18,440 --> 00:46:24,200
Speaker 4: He was p sample looking in my mind, respected, he respected,

927
00:46:24,280 --> 00:46:26,719
Speaker 4: he looked at him, He looked as.

928
00:46:26,640 --> 00:46:28,320
Speaker 1: A as a lyricist, as the top lyricist.

929
00:46:28,680 --> 00:46:33,640
Speaker 4: So when he found out that Prodigy says something about

930
00:46:33,719 --> 00:46:36,319
Speaker 4: him not to his liking, you know what I'm saying

931
00:46:36,560 --> 00:46:40,480
Speaker 4: in a magazine, you know, and he's competitive.

932
00:46:40,600 --> 00:46:43,920
Speaker 1: Yeah, what happened on this magazine? Yeah, basically basic magazine.

933
00:46:43,960 --> 00:46:45,800
Speaker 1: Basically I forgot.

934
00:46:48,520 --> 00:46:52,360
Speaker 4: We're trying to be sure, we're trying to magazine it was,

935
00:46:52,719 --> 00:46:57,000
Speaker 4: but basically Prodigy said, jay Z's the b.

936
00:46:57,120 --> 00:46:58,719
Speaker 1: Ware like you know what I'm saying, Wow, you know

937
00:46:58,760 --> 00:46:59,440
Speaker 1: what I'm saying.

938
00:47:00,239 --> 00:47:03,480
Speaker 4: Because I believe whoever was interviewing people was like, yo,

939
00:47:03,560 --> 00:47:06,160
Speaker 4: what you think about you know jay Z saying New

940
00:47:06,280 --> 00:47:06,880
Speaker 4: York wassoult.

941
00:47:07,640 --> 00:47:10,239
Speaker 1: He took offense to it because it's like what we

942
00:47:10,440 --> 00:47:12,640
Speaker 1: just did? La la, Like you know, how could he

943
00:47:12,719 --> 00:47:13,759
Speaker 1: say that? Like you know what I mean?

944
00:47:13,840 --> 00:47:15,680
Speaker 4: So he was like, oh, you know, I don't think

945
00:47:15,719 --> 00:47:17,600
Speaker 4: he meant it like that, like you know what I'm saying.

946
00:47:17,600 --> 00:47:18,960
Speaker 4: But that's how jay Z took it, you know what

947
00:47:18,960 --> 00:47:20,600
Speaker 4: I'm saying. If he said, oh, man, jay Z's a

948
00:47:21,080 --> 00:47:23,759
Speaker 4: whatever world, you know what I mean? And you know

949
00:47:24,520 --> 00:47:27,200
Speaker 4: jay Z's competitive, he was, I mean, this is at

950
00:47:27,239 --> 00:47:30,160
Speaker 4: everybody's prime, you know what I'm saying, Like, you know, So,

951
00:47:31,360 --> 00:47:33,120
Speaker 4: then he just did that line and then they just

952
00:47:33,239 --> 00:47:36,680
Speaker 4: did the summer gym shit. And we was overseas when

953
00:47:36,680 --> 00:47:39,080
Speaker 4: we found out about that, right, you know, that was

954
00:47:39,480 --> 00:47:41,360
Speaker 4: crazy and it's not.

955
00:47:41,440 --> 00:47:43,800
Speaker 3: Really popular that man, So y'all had to get actual

956
00:47:43,880 --> 00:47:46,320
Speaker 3: phone calls about that, right, right, Okay.

957
00:47:46,160 --> 00:47:48,759
Speaker 1: We didn't have Yeah, we didn't have the internet yet

958
00:47:48,960 --> 00:47:50,920
Speaker 1: after that, so we did get phone calls about that.

959
00:47:51,400 --> 00:47:54,239
Speaker 5: But let me ask a sidebar question. Did jay Z

960
00:47:54,400 --> 00:47:57,160
Speaker 5: respond to to anything with the dog pound or anything.

961
00:47:59,120 --> 00:48:01,320
Speaker 1: Not that I don't with the dog pound? Do you

962
00:48:01,360 --> 00:48:03,000
Speaker 1: think to the to the whole thing that l A

963
00:48:03,160 --> 00:48:03,680
Speaker 1: l A. Yeah.

964
00:48:03,800 --> 00:48:07,879
Speaker 3: No, we're the only ones who just clapped the world

965
00:48:07,960 --> 00:48:18,680
Speaker 3: flushes well world wide word plus you produce that, but

966
00:48:19,000 --> 00:48:19,720
Speaker 3: nobody else.

967
00:48:21,120 --> 00:48:21,480
Speaker 1: I didn't.

968
00:48:21,520 --> 00:48:25,960
Speaker 3: I didn't really realize because that how did that affect

969
00:48:26,280 --> 00:48:27,280
Speaker 3: their problem?

970
00:48:27,360 --> 00:48:30,480
Speaker 1: You know what I mean? Like like did between jay

971
00:48:30,520 --> 00:48:33,440
Speaker 1: Z and like jay Z?

972
00:48:33,560 --> 00:48:36,640
Speaker 3: And because did you feel like that was a mob

973
00:48:36,719 --> 00:48:38,360
Speaker 3: deep beef with jay or you felt like it's a

974
00:48:38,440 --> 00:48:42,240
Speaker 3: prodigy jay Z beef and because.

975
00:48:42,000 --> 00:48:45,640
Speaker 4: It turned into a prodigy jay Z, I mean eventually

976
00:48:45,760 --> 00:48:48,920
Speaker 4: maybe it morphed into that. But the fans don't know

977
00:48:49,000 --> 00:48:50,879
Speaker 4: the difference, you know what I'm saying, Like the fans

978
00:48:50,920 --> 00:48:53,759
Speaker 4: ain't picking like, oh yeah, that's what it's a mob

979
00:48:53,840 --> 00:48:55,800
Speaker 4: Deep and jay Z beef. And even though we know

980
00:48:55,920 --> 00:48:58,319
Speaker 4: it's not real beef. Now when you finally get around

981
00:48:58,360 --> 00:49:00,040
Speaker 4: jay Z, you feel like it's beef, like you know

982
00:49:00,080 --> 00:49:00,480
Speaker 4: what I'm saying.

983
00:49:00,560 --> 00:49:01,560
Speaker 7: So it was.

984
00:49:01,719 --> 00:49:04,239
Speaker 1: I just think it was just some competitiveness ship.

985
00:49:04,480 --> 00:49:06,279
Speaker 4: But you know what I mean, I don't think he

986
00:49:06,960 --> 00:49:09,000
Speaker 4: meant it like that like that, but you know when

987
00:49:09,040 --> 00:49:10,840
Speaker 4: you're talking like that, you know what I'm saying, And

988
00:49:11,560 --> 00:49:12,720
Speaker 4: it's a competitive sport.

989
00:49:13,640 --> 00:49:14,840
Speaker 1: You know, people going to respond.

990
00:49:14,960 --> 00:49:18,440
Speaker 4: But I do see uh Prodigy's point, like you know,

991
00:49:19,120 --> 00:49:22,960
Speaker 4: we was you know seeing then, moms. You know what

992
00:49:22,960 --> 00:49:25,680
Speaker 4: I'm saying, Trash was the only one that really held

993
00:49:25,760 --> 00:49:28,560
Speaker 4: New York down, you know what I'm saying that moment.

994
00:49:29,239 --> 00:49:32,319
Speaker 4: And you know, sometimes you can say we didn't get

995
00:49:32,360 --> 00:49:33,879
Speaker 4: the credit we deserved for that ship.

996
00:49:34,040 --> 00:49:35,960
Speaker 1: You know what I'm saying, Like, you know, everything is

997
00:49:36,040 --> 00:49:38,200
Speaker 1: cool now. Of course I love it. It's beautiful. You

998
00:49:38,239 --> 00:49:41,480
Speaker 1: know what I mean is old historic shit. Yeah, definitely

999
00:49:43,360 --> 00:49:46,520
Speaker 1: there was serious. It was tough, but then you know

1000
00:49:46,680 --> 00:49:47,680
Speaker 1: when people started and.

1001
00:49:48,320 --> 00:49:50,480
Speaker 5: I want to say, it didn't register when you said

1002
00:49:50,560 --> 00:49:52,560
Speaker 5: mob Deep jay Z because I only thought of it

1003
00:49:52,680 --> 00:49:54,680
Speaker 5: as a prodigy Z.

1004
00:49:57,160 --> 00:50:00,960
Speaker 1: Understand fans, I don't think of it that. That's how

1005
00:50:01,000 --> 00:50:04,160
Speaker 1: I registered it. You might say, as a prodigy.

1006
00:50:04,160 --> 00:50:06,719
Speaker 5: Yeah, because how we know what what transpired, you know

1007
00:50:07,600 --> 00:50:10,719
Speaker 5: seven with the things thing, you know, like that's how I.

1008
00:50:10,800 --> 00:50:11,160
Speaker 1: Thought of it.

1009
00:50:11,760 --> 00:50:14,160
Speaker 11: Never thought of it as a mob Deep versus jay

1010
00:50:14,239 --> 00:50:18,600
Speaker 11: Z because that was that was like like you had

1011
00:50:18,640 --> 00:50:24,120
Speaker 11: to always go through like P. Like soops one night

1012
00:50:24,800 --> 00:50:28,840
Speaker 11: and it's like you always you always go through with P.

1013
00:50:29,200 --> 00:50:32,040
Speaker 1: Do you feel like that, Like, I mean, in a

1014
00:50:32,080 --> 00:50:32,560
Speaker 1: funny way.

1015
00:50:32,600 --> 00:50:35,360
Speaker 3: We know, you know our brother's not here, but do

1016
00:50:35,440 --> 00:50:37,160
Speaker 3: you feel like P was always starting shipping?

1017
00:50:37,160 --> 00:50:38,760
Speaker 1: It's just like you were just in there by mistake

1018
00:50:41,680 --> 00:50:46,880
Speaker 1: a partitude. Do you feel like that? Yeah? Man, you

1019
00:50:46,960 --> 00:50:47,560
Speaker 1: know what I'm saying.

1020
00:50:47,640 --> 00:50:50,840
Speaker 4: I do feel like that, Like but taking straight, I

1021
00:50:50,960 --> 00:50:53,040
Speaker 4: definitely was catching straight, you know what I'm saying.

1022
00:50:53,160 --> 00:50:56,200
Speaker 1: But at the same time, you gotta be down for

1023
00:50:56,280 --> 00:50:57,879
Speaker 1: your homie like that. You know what I'm saying.

1024
00:50:57,920 --> 00:50:59,719
Speaker 4: It is what it is like even if I thought

1025
00:50:59,719 --> 00:51:04,680
Speaker 4: he was wrong than anything to him and be like

1026
00:51:05,040 --> 00:51:06,680
Speaker 4: the son, like what the fuck are you doing? Like,

1027
00:51:06,800 --> 00:51:09,360
Speaker 4: but in public, I'm like, yeah, nigga, suck those niggas,

1028
00:51:09,400 --> 00:51:11,080
Speaker 4: like you know what I say, because you gotta you

1029
00:51:11,160 --> 00:51:13,200
Speaker 4: gotta ride with your niggas, you know what I mean.

1030
00:51:14,360 --> 00:51:19,520
Speaker 1: That's how I feel about it. Now, Pop, Let's drop

1031
00:51:19,640 --> 00:51:25,759
Speaker 1: the gym woman right right? I was mad Pocking just

1032
00:51:25,920 --> 00:51:31,799
Speaker 1: me all the time. She wants he wanted you wanted

1033
00:51:31,840 --> 00:51:36,200
Speaker 1: to smoke? I wanted to I'm just saying. They was

1034
00:51:36,239 --> 00:51:39,600
Speaker 1: like give me. It was like this moment. I was

1035
00:51:39,640 --> 00:51:47,719
Speaker 1: like this, but that's what that was like.

1036
00:51:47,960 --> 00:51:51,320
Speaker 3: You know, obviously I'm playing, but it's about the history.

1037
00:51:51,360 --> 00:51:56,759
Speaker 3: But Pop like it's a known thing like if you

1038
00:51:56,880 --> 00:51:59,480
Speaker 3: beef with fifty now right, like you kind of like

1039
00:52:00,040 --> 00:52:02,640
Speaker 3: the audience like he did this audience.

1040
00:52:03,239 --> 00:52:05,399
Speaker 1: It's almost like he likes you if he beats with you. Yeah,

1041
00:52:05,520 --> 00:52:06,239
Speaker 1: that's almost like.

1042
00:52:06,239 --> 00:52:09,360
Speaker 3: What he feels like pop kind of that was that

1043
00:52:09,560 --> 00:52:12,319
Speaker 3: back then? Or did y'all how did how did?

1044
00:52:12,480 --> 00:52:13,759
Speaker 1: How did you? How did y'all feel?

1045
00:52:13,840 --> 00:52:16,800
Speaker 3: Saying you know, pop Pop went at y'all like this

1046
00:52:16,920 --> 00:52:18,920
Speaker 3: is one of the pargas from you know what I mean.

1047
00:52:20,080 --> 00:52:22,680
Speaker 1: I mean you know I was elated, you know what

1048
00:52:22,719 --> 00:52:25,400
Speaker 1: I'm saying. But let's because for people that don't know

1049
00:52:25,680 --> 00:52:28,680
Speaker 1: what we're talking about. Where exactly because all I remember

1050
00:52:28,800 --> 00:52:31,279
Speaker 1: he said because of l A. He talked at the

1051
00:52:31,400 --> 00:52:33,440
Speaker 1: end of it, hit him up right, hit him. He

1052
00:52:33,640 --> 00:52:36,520
Speaker 1: was just talking at the end. Everything is just a blur.

1053
00:52:36,640 --> 00:52:41,000
Speaker 1: I don't know why, you know, he was just saying

1054
00:52:41,040 --> 00:52:44,480
Speaker 1: whatever the l A L l A. I don't know.

1055
00:52:44,920 --> 00:52:47,560
Speaker 4: I believe it was a combination of things, right, Like

1056
00:52:47,640 --> 00:52:52,120
Speaker 4: you know what I'm saying. Okay, So on Survival of

1057
00:52:52,200 --> 00:52:55,160
Speaker 4: the Fit, is we like, uh, Doug, like we still

1058
00:52:55,200 --> 00:52:55,520
Speaker 4: living it?

1059
00:52:56,000 --> 00:52:58,279
Speaker 1: You know what I'm saying. That could be that.

1060
00:52:58,600 --> 00:53:01,120
Speaker 4: And at the time he had the article in the

1061
00:53:01,200 --> 00:53:04,239
Speaker 4: Vibe magazine where he was like, you know, I don't

1062
00:53:04,239 --> 00:53:05,880
Speaker 4: want to do this Doug shit no more, you know,

1063
00:53:06,040 --> 00:53:06,879
Speaker 4: blah blah blah blah.

1064
00:53:07,239 --> 00:53:09,440
Speaker 15: So he probably thought that we was like, like we

1065
00:53:09,560 --> 00:53:12,560
Speaker 15: still living it? Like what he do well, you know

1066
00:53:12,560 --> 00:53:15,799
Speaker 15: what I mean. He was thinking that and piled up

1067
00:53:16,239 --> 00:53:17,480
Speaker 15: on top of l A l A.

1068
00:53:17,680 --> 00:53:19,200
Speaker 1: He like, man, fuck these niggas.

1069
00:53:24,680 --> 00:53:26,640
Speaker 5: Even though when you hear the backstory, now you hear

1070
00:53:26,719 --> 00:53:27,680
Speaker 5: Park was mad at.

1071
00:53:27,800 --> 00:53:31,239
Speaker 1: Snoop and like, no, that was after no but it

1072
00:53:31,360 --> 00:53:34,040
Speaker 1: was but not I hit time. No, yeah, no, I

1073
00:53:34,080 --> 00:53:37,680
Speaker 1: didn't hear that. I heard. I heard he was mad

1074
00:53:37,719 --> 00:53:39,840
Speaker 1: as Snoop, But I heard that was way after.

1075
00:53:39,800 --> 00:53:43,840
Speaker 5: No, after like that timeframe, madam, when he went to

1076
00:53:43,920 --> 00:53:46,640
Speaker 5: the radio station around the same time that they recorded that.

1077
00:53:47,520 --> 00:53:49,920
Speaker 1: Not hit him up, No, no, not hit him up.

1078
00:53:51,080 --> 00:54:01,359
Speaker 1: You trust me. That was like almost years like years later,

1079
00:54:01,400 --> 00:54:03,680
Speaker 1: I'm telling you, bro, Like trust me. I was in

1080
00:54:03,800 --> 00:54:09,360
Speaker 1: there don't my name. I was like, like me and

1081
00:54:09,760 --> 00:54:13,000
Speaker 1: drop a gym on him? Right, that was record? That

1082
00:54:13,239 --> 00:54:15,200
Speaker 1: was the response, But y'all didn't say his name? What

1083
00:54:15,400 --> 00:54:17,600
Speaker 1: was the yea? What was? What was? Was?

1084
00:54:17,680 --> 00:54:20,640
Speaker 4: It was that strategically played because I think that that

1085
00:54:20,840 --> 00:54:23,160
Speaker 4: was the error when the subs.

1086
00:54:22,960 --> 00:54:23,799
Speaker 1: Was was the thing.

1087
00:54:24,560 --> 00:54:28,160
Speaker 4: He wasn't really just saying the actual thing. So we

1088
00:54:28,440 --> 00:54:31,279
Speaker 4: we Yeah, we through the sub but we might have

1089
00:54:31,560 --> 00:54:33,440
Speaker 4: had said his name. That was a good record, was

1090
00:54:33,480 --> 00:54:35,759
Speaker 4: a great it was good for us, But then we

1091
00:54:35,840 --> 00:54:36,640
Speaker 4: had to pull the record.

1092
00:54:36,719 --> 00:54:39,360
Speaker 1: You know what I'm saying. I mean, he died, like

1093
00:54:39,480 --> 00:54:42,759
Speaker 1: you know, you know, but it was subs So why

1094
00:54:42,760 --> 00:54:45,080
Speaker 1: would you have to pull it? I mean, every everybody

1095
00:54:45,160 --> 00:54:49,440
Speaker 1: knew that that was like like come back and it

1096
00:54:49,560 --> 00:54:51,759
Speaker 1: was our first single to our next album. It was

1097
00:54:51,760 --> 00:54:53,759
Speaker 1: to Hell on Earth.

1098
00:54:54,200 --> 00:54:56,960
Speaker 4: We was like we were coming back shots, firing the

1099
00:54:57,040 --> 00:54:59,880
Speaker 4: gym on him that it was going crazy seven to

1100
00:55:00,120 --> 00:55:01,279
Speaker 4: get you know what I'm saying.

1101
00:55:01,400 --> 00:55:03,040
Speaker 16: The next thing, you know, a week later, this nigga

1102
00:55:03,080 --> 00:55:08,279
Speaker 16: gets shot. So we like, damn, I didn't know that

1103
00:55:08,680 --> 00:55:11,520
Speaker 16: and we pulled the record.

1104
00:55:12,080 --> 00:55:14,200
Speaker 1: Yeah, I don't think we understand how we didn't even.

1105
00:55:14,160 --> 00:55:16,760
Speaker 4: We didn't even let the record company, pull the record.

1106
00:55:16,880 --> 00:55:19,960
Speaker 4: We me and Peace said, yo, take that record off.

1107
00:55:20,040 --> 00:55:22,600
Speaker 4: You know what I'm saying, because we we that's not

1108
00:55:23,000 --> 00:55:24,719
Speaker 4: you know what I mean, Like we don't we don't

1109
00:55:25,800 --> 00:55:28,799
Speaker 4: you know, and those are driving somebody getting shot.

1110
00:55:28,880 --> 00:55:30,359
Speaker 5: So let me ask you this, how did you guys

1111
00:55:30,800 --> 00:55:33,520
Speaker 5: feel that at the moment that that you found out

1112
00:55:33,560 --> 00:55:35,280
Speaker 5: he got you know, HEAs.

1113
00:55:35,160 --> 00:55:35,719
Speaker 1: How did I feel?

1114
00:55:36,000 --> 00:55:36,040
Speaker 15: Like?

1115
00:55:36,239 --> 00:55:37,040
Speaker 1: How did that impact?

1116
00:55:37,360 --> 00:55:40,560
Speaker 4: I felt like it was like a wall on rappers,

1117
00:55:40,840 --> 00:55:42,919
Speaker 4: you know what I'm saying, Like if one rapper gets

1118
00:55:42,920 --> 00:55:45,160
Speaker 4: sid like, I feel like we like there's a talking

1119
00:55:45,239 --> 00:55:47,040
Speaker 4: on all of us because we at the end of

1120
00:55:47,080 --> 00:55:48,960
Speaker 4: the day, you know, like, yeah, this is some speciation

1121
00:55:49,120 --> 00:55:51,680
Speaker 4: down the third but we alltist too, you.

1122
00:55:51,680 --> 00:55:52,239
Speaker 1: Know what I'm saying.

1123
00:55:53,080 --> 00:55:55,680
Speaker 4: We just we we we we treaching like but you

1124
00:55:55,760 --> 00:55:59,680
Speaker 4: had camaraderie still exactly Like I believe in my mind

1125
00:56:00,239 --> 00:56:02,840
Speaker 4: if I eventually would store Tupac and we would have

1126
00:56:02,880 --> 00:56:04,839
Speaker 4: been that, you know what I'm saying, Like, that's how

1127
00:56:05,440 --> 00:56:06,960
Speaker 4: like so we you know, we're going to go in

1128
00:56:07,080 --> 00:56:09,200
Speaker 4: each other, you know what I'm saying, as we all

1129
00:56:09,280 --> 00:56:10,080
Speaker 4: should you know what I mean.

1130
00:56:10,160 --> 00:56:15,439
Speaker 1: But yeah, when he said funk all deep, I was out.

1131
00:56:16,120 --> 00:56:22,239
Speaker 1: That was out. I wasn't mad at that all, you

1132
00:56:22,320 --> 00:56:22,400
Speaker 1: know what.

1133
00:56:23,440 --> 00:56:26,319
Speaker 3: Then he went back and then on somewhere else right

1134
00:56:27,320 --> 00:56:30,480
Speaker 3: that ship, there was a mix likeabelly.

1135
00:56:31,040 --> 00:56:34,040
Speaker 1: He said something again, and I was like, yo, I'm

1136
00:56:34,080 --> 00:56:43,040
Speaker 1: head bro, you women that was my record? Should mean

1137
00:56:46,239 --> 00:56:50,520
Speaker 1: he was. He probably looked at Copole Resumes said no,

1138
00:56:50,680 --> 00:56:58,560
Speaker 1: not done. So we were we were not. I thought

1139
00:56:58,600 --> 00:57:04,359
Speaker 1: you just the way he said. He said, I don't

1140
00:57:04,400 --> 00:57:07,880
Speaker 1: know you little niggas he called He said something like

1141
00:57:07,960 --> 00:57:11,319
Speaker 1: mock people. And then mother motherfuckers, like you think you're ready,

1142
00:57:12,920 --> 00:57:14,360
Speaker 1: Why do you want to know? I don't want to.

1143
00:57:14,760 --> 00:57:18,360
Speaker 1: I'm like, okay, I take that. I take that. He

1144
00:57:18,440 --> 00:57:26,600
Speaker 1: acknowledged me a little bit. Yeah, that's shot two parts.

1145
00:57:27,720 --> 00:57:32,640
Speaker 1: Rest in peace, man, I take a full off. Yes, no,

1146
00:57:32,760 --> 00:57:38,280
Speaker 1: I didn't make it. We're doing here so to give you.

1147
00:57:38,680 --> 00:57:42,320
Speaker 3: Flowers, the flowers while they here now way not both

1148
00:57:42,360 --> 00:57:43,200
Speaker 3: for y'all legends.

1149
00:57:43,240 --> 00:57:45,240
Speaker 1: We wanted to give y'all book, y'all fo hours.

1150
00:57:45,080 --> 00:57:54,240
Speaker 6: Than you want to do the flower pat and look

1151
00:57:54,400 --> 00:57:56,440
Speaker 6: and we and we made our prodigy as well.

1152
00:57:57,800 --> 00:58:06,880
Speaker 1: Stamiyah. Yeah, yeah, no, thank you all man.

1153
00:58:08,280 --> 00:58:09,960
Speaker 3: Better than Grammy because it's from his people, you know

1154
00:58:10,000 --> 00:58:10,240
Speaker 3: what I mean.

1155
00:58:12,400 --> 00:58:19,240
Speaker 1: Look at that. So do you realize like how ill

1156
00:58:19,400 --> 00:58:23,240
Speaker 1: that ever was? Man like that.

1157
00:58:27,560 --> 00:58:33,200
Speaker 3: Illmatic that time, that infamous that was a crazy I

1158
00:58:33,240 --> 00:58:36,160
Speaker 3: think became Then it's a war report.

1159
00:58:36,640 --> 00:58:37,800
Speaker 1: I'm about to say, the war report.

1160
00:58:38,320 --> 00:58:41,360
Speaker 3: What I always thought about, bro, Like if that bullshit

1161
00:58:41,400 --> 00:58:44,000
Speaker 3: didn't happen with you upon, you might have produced the.

1162
00:58:44,120 --> 00:58:49,280
Speaker 1: Whole War Report album. Bro, don't, don't you're saying something

1163
00:58:49,320 --> 00:58:52,440
Speaker 1: that we're not understanding what happened. I don't even know

1164
00:58:52,520 --> 00:58:53,920
Speaker 1: what happened. You know what happened.

1165
00:58:54,280 --> 00:58:56,040
Speaker 3: You know this is probaly he wrote in the book,

1166
00:58:56,240 --> 00:58:57,600
Speaker 3: you know what I mean, Like he wrote in the book,

1167
00:58:57,600 --> 00:58:59,680
Speaker 3: I believe he said that you snuffed trash and you

1168
00:58:59,840 --> 00:59:02,840
Speaker 3: just that that that was physically, you know, not possible,

1169
00:59:03,160 --> 00:59:04,160
Speaker 3: but you.

1170
00:59:04,200 --> 00:59:05,800
Speaker 1: Know that's what That's what it is.

1171
00:59:05,920 --> 00:59:08,840
Speaker 3: And but we were like this, bro, Like we were

1172
00:59:08,960 --> 00:59:13,000
Speaker 3: like this, and I always you know when I heard that,

1173
00:59:13,920 --> 00:59:16,560
Speaker 3: like I always like it was a situation that I

1174
00:59:16,680 --> 00:59:18,680
Speaker 3: regretted even being being a part of. You know what

1175
00:59:18,720 --> 00:59:20,920
Speaker 3: I'm saying, Like you know what I'm saying, Like, especially

1176
00:59:21,080 --> 00:59:24,920
Speaker 3: as an older person now, it's like damn, bro, Like,

1177
00:59:25,040 --> 00:59:26,640
Speaker 3: oh what a girl or something shing like that?

1178
00:59:26,880 --> 00:59:29,560
Speaker 1: Like that was that was so like seeing it in

1179
00:59:29,720 --> 00:59:32,720
Speaker 1: math d like you can. It was handed. It felt

1180
00:59:32,760 --> 00:59:34,960
Speaker 1: like from outsiders, it felt hand in hand.

1181
00:59:35,000 --> 00:59:37,600
Speaker 3: Right yeah, bro, Like that's why I said, That's why

1182
00:59:37,600 --> 00:59:38,200
Speaker 3: I said it started.

1183
00:59:38,800 --> 00:59:44,840
Speaker 1: We made some that we made to this day. I

1184
00:59:44,920 --> 00:59:47,600
Speaker 1: walked in, I watched Sweeter of God, Sweeter God. I

1185
00:59:47,720 --> 00:59:48,280
Speaker 1: walked in a.

1186
00:59:50,280 --> 00:59:52,360
Speaker 3: Place in the MafA Coast and they had a drink

1187
00:59:52,400 --> 00:59:54,560
Speaker 3: in there called Parole. So soon as I walked in,

1188
00:59:54,760 --> 00:59:56,440
Speaker 3: I don't even think I didn't even know these motherfuckers

1189
00:59:56,560 --> 00:59:59,880
Speaker 3: knew me. When they played Parole violin, I was like, oh,

1190
01:00:00,040 --> 01:00:00,520
Speaker 3: holy ship.

1191
01:00:00,920 --> 01:00:02,840
Speaker 1: So like just imagine.

1192
01:00:04,040 --> 01:00:08,280
Speaker 3: Like real, mall deeper seeing an album.

1193
01:00:08,120 --> 01:00:11,760
Speaker 1: That that would have been crazy, that would have back

1194
01:00:11,840 --> 01:00:16,240
Speaker 1: then the lyrics. You know what I'm saying. You remember

1195
01:00:16,280 --> 01:00:20,320
Speaker 1: the joint I got on on the Coon album. I

1196
01:00:20,400 --> 01:00:23,120
Speaker 1: Forget how to Go. I'm just listening to it.

1197
01:00:23,400 --> 01:00:26,800
Speaker 3: But us us together, like that ship sounds so good,

1198
01:00:26,920 --> 01:00:31,760
Speaker 3: like holy, Like that's like taking a shot.

1199
01:00:31,880 --> 01:00:35,400
Speaker 1: We got you gotta take. We got to seeing there

1200
01:00:35,440 --> 01:00:41,040
Speaker 1: in mob. Bro, you know what I mean? I know

1201
01:00:41,200 --> 01:00:44,240
Speaker 1: probably is not here, but you guys can still do

1202
01:00:44,400 --> 01:00:48,480
Speaker 1: this ship. Absolutely. You guys are not dead. He's fucking dude.

1203
01:00:48,520 --> 01:00:50,280
Speaker 1: Absolutely yeah.

1204
01:00:50,640 --> 01:00:53,640
Speaker 3: But it's dope to even think of what if you

1205
01:00:53,680 --> 01:00:56,920
Speaker 3: know what I'm saying, like, we can do we can

1206
01:00:57,000 --> 01:00:57,480
Speaker 3: do what's now.

1207
01:00:57,560 --> 01:00:59,000
Speaker 1: You know what I'm saying, we can do what's now?

1208
01:01:00,360 --> 01:01:06,320
Speaker 1: So yeah, yeah, hell yeah, I got two or three

1209
01:01:06,440 --> 01:01:08,720
Speaker 1: beats on it. Let's go, let's go, let's go.

1210
01:01:09,080 --> 01:01:15,280
Speaker 3: So if God came down and said have it, you

1211
01:01:15,440 --> 01:01:22,400
Speaker 3: gotta save Earth. Make one song with one feature, one producer.

1212
01:01:24,240 --> 01:01:27,080
Speaker 3: Who who are you picking? And one feature?

1213
01:01:27,680 --> 01:01:28,280
Speaker 1: One feature?

1214
01:01:28,480 --> 01:01:28,680
Speaker 15: Yeah?

1215
01:01:29,120 --> 01:01:31,120
Speaker 1: And who's gonna produce it? Yeah?

1216
01:01:32,560 --> 01:01:32,920
Speaker 4: All right?

1217
01:01:32,960 --> 01:01:33,800
Speaker 1: Who want to produce it?

1218
01:01:34,720 --> 01:01:34,840
Speaker 5: Uh?

1219
01:01:37,120 --> 01:01:41,400
Speaker 1: Damn? You gotta be a hip hop producer? You want anybody?

1220
01:01:41,880 --> 01:01:54,600
Speaker 1: All right? Quzzy Jones and Michael Jackson you co producing?

1221
01:01:55,120 --> 01:01:56,480
Speaker 1: You're gonna let him take the lead now?

1222
01:02:02,280 --> 01:02:03,000
Speaker 8: No, man, I.

1223
01:02:04,800 --> 01:02:06,880
Speaker 1: Swear I can see that you work with me. You

1224
01:02:06,960 --> 01:02:09,640
Speaker 1: know I sampled this samples.

1225
01:02:11,280 --> 01:02:11,880
Speaker 7: Uh what?

1226
01:02:12,640 --> 01:02:16,840
Speaker 3: Like one time Pharrell called me and was like, man, Michael,

1227
01:02:17,320 --> 01:02:19,200
Speaker 3: Michael Jackson some beasts And Michael was like, I don't

1228
01:02:19,200 --> 01:02:20,160
Speaker 3: given about that ship.

1229
01:02:20,160 --> 01:02:22,080
Speaker 1: I want I want I want that super ship?

1230
01:02:22,440 --> 01:02:26,040
Speaker 3: Like why what is what is the weirdest person that

1231
01:02:26,200 --> 01:02:27,960
Speaker 3: called called you for for beats?

1232
01:02:28,000 --> 01:02:30,320
Speaker 1: They called me the hardiest that you never thought.

1233
01:02:30,840 --> 01:02:33,960
Speaker 4: Oh man, my memory is so fucked up, but a

1234
01:02:34,080 --> 01:02:36,720
Speaker 4: few of them called and I was like, are you serious?

1235
01:02:36,960 --> 01:02:39,800
Speaker 1: Like damn, I can't even think of it? Who called

1236
01:02:39,840 --> 01:02:40,000
Speaker 1: you for?

1237
01:02:41,440 --> 01:02:44,680
Speaker 12: I did all the wed Ship, I did all of

1238
01:02:44,800 --> 01:02:50,920
Speaker 12: the Will Smith j anytime, Will Smith.

1239
01:02:51,040 --> 01:02:56,760
Speaker 1: I did Welcome to Miami and Okay, like last time

1240
01:02:58,960 --> 01:03:01,960
Speaker 1: I wrote that, keep and want to get jiggy with it?

1241
01:03:02,320 --> 01:03:05,360
Speaker 3: You know I was right here he okay, Will Smith

1242
01:03:05,400 --> 01:03:06,520
Speaker 3: trying to say he is the song.

1243
01:03:06,560 --> 01:03:09,760
Speaker 12: I like, well, come on, man, you know that's going

1244
01:03:09,800 --> 01:03:12,040
Speaker 12: with track manuch like, yeah, I did five mines on

1245
01:03:12,120 --> 01:03:14,760
Speaker 12: the album Ship, so you did get jiggy with it.

1246
01:03:14,840 --> 01:03:17,400
Speaker 12: Get jiggy with it, the one with him and left eye,

1247
01:03:17,600 --> 01:03:18,320
Speaker 12: Will and left Eye.

1248
01:03:18,320 --> 01:03:20,800
Speaker 1: That's what now is wrote for Will Okay, and then

1249
01:03:20,880 --> 01:03:21,720
Speaker 1: what else? Man?

1250
01:03:21,760 --> 01:03:26,560
Speaker 3: Welcome to Miami. He's miss favorite record, Welcome to Miami. No, no, no,

1251
01:03:26,960 --> 01:03:30,640
Speaker 3: deny that come on, come on, I mean food lining

1252
01:03:30,640 --> 01:03:33,760
Speaker 3: and and be playing. I'll be that's just popping. But

1253
01:03:37,000 --> 01:03:39,080
Speaker 3: it's a four real mine. God, I don't like.

1254
01:03:39,800 --> 01:03:41,840
Speaker 1: Looking on if the phone call come in, I'm coming

1255
01:03:41,880 --> 01:03:46,840
Speaker 1: to know you, he said, Miami, that's a record. It's

1256
01:03:46,840 --> 01:03:52,040
Speaker 1: a classic, but it's not true. It's not trick. Then,

1257
01:03:52,400 --> 01:03:53,880
Speaker 1: so if you go to a party of the DJ.

1258
01:03:54,000 --> 01:03:55,080
Speaker 1: You ain't going right on.

1259
01:03:55,720 --> 01:03:59,560
Speaker 5: I'm sorry, man, I'm sorry, sorry, I'm never going to people,

1260
01:03:59,600 --> 01:04:02,960
Speaker 5: but Pa, thank you.

1261
01:04:03,800 --> 01:04:07,600
Speaker 1: Shout the will Smith. He's a legendar. So let me

1262
01:04:07,680 --> 01:04:15,720
Speaker 1: ask y'all independent or major? Independent? Independent for sure?

1263
01:04:16,320 --> 01:04:18,440
Speaker 4: I mean especially these days, you know what I mean,

1264
01:04:19,200 --> 01:04:21,760
Speaker 4: because now these days, it's not all about trying to like,

1265
01:04:23,080 --> 01:04:27,200
Speaker 4: you know, make new fans, catering to the ones you have,

1266
01:04:28,000 --> 01:04:30,200
Speaker 4: just you know, keeping them on board and you just

1267
01:04:30,320 --> 01:04:32,880
Speaker 4: keep them happy and you just keep you know what

1268
01:04:32,920 --> 01:04:33,960
Speaker 4: I'm saying, hit them all.

1269
01:04:34,040 --> 01:04:37,680
Speaker 1: So I believe the independent way. How man away as

1270
01:04:37,720 --> 01:04:40,760
Speaker 1: an artist too? For me? Yeah? Independent or to meet?

1271
01:04:40,920 --> 01:04:50,400
Speaker 1: Yeah yeah, yeah, yeah you don't. I just want everybody

1272
01:04:50,520 --> 01:04:52,720
Speaker 1: look how he would answer that question. Look at the shirt,

1273
01:04:53,000 --> 01:04:54,000
Speaker 1: not like the budgets bro.

1274
01:05:00,800 --> 01:05:05,840
Speaker 3: Yeah yeah, you know listen, am, I'm not gonna be

1275
01:05:06,000 --> 01:05:07,080
Speaker 3: I'm gonna be honest.

1276
01:05:07,080 --> 01:05:09,920
Speaker 1: I'm gonna be honest. He's been on it, independent, is

1277
01:05:10,040 --> 01:05:10,360
Speaker 1: you you?

1278
01:05:10,520 --> 01:05:12,760
Speaker 3: Definitely if you could ply it the correct way, you

1279
01:05:12,880 --> 01:05:15,959
Speaker 3: can always make bread do that. But I'm not saying

1280
01:05:16,240 --> 01:05:18,800
Speaker 3: I missed the days with it was just easy like.

1281
01:05:19,280 --> 01:05:23,120
Speaker 1: Check you you came in that check was dead the

1282
01:05:23,200 --> 01:05:27,480
Speaker 1: next straight to the studio to the studio and finish

1283
01:05:27,560 --> 01:05:29,400
Speaker 1: my ship, get my other half of the check, and

1284
01:05:29,600 --> 01:05:32,000
Speaker 1: be cool. Got nothing to worry about. Then when I'm

1285
01:05:32,040 --> 01:05:33,320
Speaker 1: on tour, I don't.

1286
01:05:33,120 --> 01:05:35,680
Speaker 3: Care about the hotels and then booked a Ready you

1287
01:05:35,760 --> 01:05:36,520
Speaker 3: just gotta walk in.

1288
01:05:38,640 --> 01:05:38,760
Speaker 5: One.

1289
01:05:38,880 --> 01:05:45,440
Speaker 1: Right, I'm gonna go back to the services.

1290
01:05:45,480 --> 01:05:48,800
Speaker 3: Man, I'm saying, let me but sometimes going back to

1291
01:05:48,800 --> 01:05:50,600
Speaker 3: the sheriton, go back to arr.

1292
01:05:52,080 --> 01:05:52,240
Speaker 1: Yeah.

1293
01:05:52,280 --> 01:05:54,560
Speaker 3: Well you talking about independent, Yeah, that's what you gotta

1294
01:05:54,600 --> 01:05:57,240
Speaker 3: do independent. It makes no sense to stay at these

1295
01:05:57,400 --> 01:05:58,400
Speaker 3: nice hotels when.

1296
01:05:58,240 --> 01:05:59,600
Speaker 1: You go on that road. It makes it so you

1297
01:05:59,640 --> 01:06:02,120
Speaker 1: would have to like you know what I mean, Like word,

1298
01:06:02,240 --> 01:06:03,080
Speaker 1: that's a whole budget.

1299
01:06:03,280 --> 01:06:08,120
Speaker 3: Yeah. Yeah, the four seasons, boy, that's it's seriously the

1300
01:06:08,160 --> 01:06:09,240
Speaker 3: fourth season man kill.

1301
01:06:09,400 --> 01:06:12,720
Speaker 1: Yeah, you guys find it hard to find like passion

1302
01:06:12,760 --> 01:06:16,320
Speaker 1: to make new music. Yeah, that's a great question. Yeah man,

1303
01:06:16,560 --> 01:06:20,120
Speaker 1: like yeah, Man, it's different.

1304
01:06:21,000 --> 01:06:23,240
Speaker 12: I feel like it's some of the artists that's it's

1305
01:06:23,440 --> 01:06:26,800
Speaker 12: hard because some of the artists that's rapping ain't rapping

1306
01:06:26,880 --> 01:06:28,000
Speaker 12: for what we're trying to make.

1307
01:06:28,240 --> 01:06:38,160
Speaker 17: Alchemist, you live on drink Champs, oh ship. Hey, it's

1308
01:06:38,200 --> 01:06:39,080
Speaker 17: also about.

1309
01:06:44,720 --> 01:06:48,880
Speaker 1: Were waiting for you? Well, can we come and stay

1310
01:06:48,920 --> 01:06:53,880
Speaker 1: with you? Guys on the eighties. Absolutely on the eighteen. Yeah,

1311
01:06:54,280 --> 01:06:58,320
Speaker 1: it's a done dale. Yes. Between everything.

1312
01:06:58,360 --> 01:07:02,720
Speaker 3: In between time and shooting, we usually doing four o'clock,

1313
01:07:03,000 --> 01:07:05,000
Speaker 3: four pm, four four pm.

1314
01:07:06,160 --> 01:07:10,720
Speaker 1: We'll hop on an early fight. Yeah on Monday. Yeah,

1315
01:07:11,520 --> 01:07:13,760
Speaker 1: come stay with you guys. Let's make so.

1316
01:07:18,800 --> 01:07:22,160
Speaker 3: We got we got Yeah, we gotta have it ll yes, yeah,

1317
01:07:22,160 --> 01:07:22,640
Speaker 3: we gotta have it.

1318
01:07:24,200 --> 01:07:28,760
Speaker 1: Yeah. Family, Yeah, we can't wait. We can't wait to

1319
01:07:28,880 --> 01:07:31,160
Speaker 1: make sure that I got some ex So please okay,

1320
01:07:31,240 --> 01:07:33,800
Speaker 1: of course it's done. Deal whatever you need, whatever you need,

1321
01:07:34,200 --> 01:07:36,920
Speaker 1: Thank you so much. Who do you need to contact

1322
01:07:36,960 --> 01:07:38,640
Speaker 1: on my team for the writer and all that kind

1323
01:07:38,680 --> 01:07:39,320
Speaker 1: of Okay.

1324
01:07:39,280 --> 01:07:42,280
Speaker 3: I'm gonna send this to Alchemism right now because I

1325
01:07:42,320 --> 01:07:43,240
Speaker 3: got you live on the show.

1326
01:07:43,280 --> 01:07:45,919
Speaker 1: I don't want to say that over the I'm gonna

1327
01:07:45,920 --> 01:07:48,200
Speaker 1: send it to the text right now. Yes, and my

1328
01:07:48,400 --> 01:07:49,960
Speaker 1: million dollars. You can just put it in.

1329
01:07:50,760 --> 01:07:55,040
Speaker 3: Okay, I got you. Thank y'all so much. We hit

1330
01:07:55,120 --> 01:07:57,280
Speaker 3: you up back yep, Yeah, I love you.

1331
01:07:57,760 --> 01:08:03,640
Speaker 1: Yeah, it is back doing doing what we gotta do.

1332
01:08:04,120 --> 01:08:07,040
Speaker 1: Thank you, Thank you. I was there right now. God

1333
01:08:07,120 --> 01:08:09,880
Speaker 1: damn it, We're gonna make it happen. I'm gonna text

1334
01:08:09,920 --> 01:08:10,160
Speaker 1: you all.

1335
01:08:10,320 --> 01:08:13,960
Speaker 3: I'm gonna text you so all same here, brother, make

1336
01:08:14,040 --> 01:08:14,439
Speaker 3: some noyse.

1337
01:08:20,200 --> 01:08:22,200
Speaker 1: It was hard randomly, you know what I'm saying, random,

1338
01:08:22,280 --> 01:08:22,880
Speaker 1: super random.

1339
01:08:23,160 --> 01:08:26,240
Speaker 3: It seems everybody's doing collab albums now, Yeah for sure.

1340
01:08:26,720 --> 01:08:29,479
Speaker 1: Who would you do a collab album with? Oh Man

1341
01:08:29,640 --> 01:08:30,880
Speaker 1: ship a lot of people?

1342
01:08:31,080 --> 01:08:36,360
Speaker 3: Man uh, Jada, Jada? Now collab with Jada? Like you

1343
01:08:36,520 --> 01:08:38,400
Speaker 3: rhyming or you're just producing his album?

1344
01:08:38,640 --> 01:08:42,040
Speaker 1: I just produce. I just produced on that. You're wanna

1345
01:08:42,080 --> 01:08:50,600
Speaker 1: keep taking the balls cocaine still like he got the

1346
01:08:51,680 --> 01:08:56,880
Speaker 1: think of this ship for days, but you're produce.

1347
01:08:57,000 --> 01:08:59,200
Speaker 4: I will produced definitely for sure, you know what I'm saying.

1348
01:08:59,320 --> 01:09:03,920
Speaker 4: Definitely Ja the album for sure. Okay, that's what som

1349
01:09:03,960 --> 01:09:05,600
Speaker 4: my favorite mc h.

1350
01:09:07,080 --> 01:09:09,240
Speaker 1: That's one of your favorite? Yeah, yeah, it's definitely one

1351
01:09:09,240 --> 01:09:10,559
Speaker 1: of my favorite mcs for sure.

1352
01:09:10,560 --> 01:09:12,400
Speaker 3: Who's somebody you haven't produced for that you would like

1353
01:09:12,479 --> 01:09:13,840
Speaker 3: to produce that I.

1354
01:09:13,880 --> 01:09:16,479
Speaker 1: Haven't produced for it that I like to produce? Mm

1355
01:09:16,600 --> 01:09:23,439
Speaker 1: hmm Jay Yeah, see yeah, I definitely Jake for sure.

1356
01:09:23,560 --> 01:09:26,200
Speaker 1: I could see that. I think that would be crazy.

1357
01:09:27,040 --> 01:09:28,599
Speaker 1: I could see that. I think that would be crazy.

1358
01:09:28,680 --> 01:09:32,679
Speaker 1: I think that should be great. We're taking a shot

1359
01:09:32,760 --> 01:09:32,880
Speaker 1: for that.

1360
01:09:33,400 --> 01:09:35,880
Speaker 3: I feel like it's just appropriate. Yes, today at this point,

1361
01:09:35,920 --> 01:09:40,760
Speaker 3: let's take a shot for that. I got to, Oh,

1362
01:09:40,920 --> 01:09:42,479
Speaker 3: somebody that you ain't produced for that you would like

1363
01:09:42,520 --> 01:09:47,040
Speaker 3: to produce. I would love to produce for J Cole.

1364
01:09:47,479 --> 01:09:51,040
Speaker 3: J Cole, Yeah, I would love to produce for J Cole.

1365
01:09:51,840 --> 01:09:53,760
Speaker 3: I met him one time and he was like real

1366
01:09:53,840 --> 01:09:56,080
Speaker 3: big nas fan, like oh, I was like yes, you

1367
01:09:56,120 --> 01:09:58,280
Speaker 3: turned around like like yo, get him?

1368
01:09:58,720 --> 01:10:00,000
Speaker 1: But you know what I mean. So we chopped it up.

1369
01:10:00,080 --> 01:10:01,559
Speaker 1: But that would be dope.

1370
01:10:03,360 --> 01:10:08,960
Speaker 12: And I've been speaking to your homie, oh poem Oh yeah, okay, because.

1371
01:10:08,680 --> 01:10:11,400
Speaker 1: You know, man, his my pops and his yes, the

1372
01:10:11,479 --> 01:10:13,800
Speaker 1: best friends. Yeah, and you know they didn't umber crew

1373
01:10:14,040 --> 01:10:16,760
Speaker 1: all right, so I got a little they got yeah

1374
01:10:17,000 --> 01:10:17,280
Speaker 1: a little.

1375
01:10:17,360 --> 01:10:17,519
Speaker 7: Yeah.

1376
01:10:17,600 --> 01:10:17,800
Speaker 5: Yeah.

1377
01:10:18,000 --> 01:10:20,519
Speaker 1: So we were speaking okay on the text, I sent

1378
01:10:20,600 --> 01:10:21,200
Speaker 1: him a few things.

1379
01:10:21,240 --> 01:10:25,560
Speaker 3: Okay, okay, hell yeah what up? P Yeah, let me

1380
01:10:25,600 --> 01:10:29,320
Speaker 3: actually something something different, like we said, what right? What

1381
01:10:29,439 --> 01:10:32,720
Speaker 3: do you think it would be like fifty cent and

1382
01:10:32,880 --> 01:10:34,200
Speaker 3: John Rule never had beef?

1383
01:10:34,800 --> 01:10:40,760
Speaker 4: If I never had beef, I think I think they

1384
01:10:40,800 --> 01:10:42,200
Speaker 4: probably would have made records together.

1385
01:10:42,360 --> 01:10:46,280
Speaker 1: But it definitely would have made records. But yeah, that's

1386
01:10:46,760 --> 01:10:49,720
Speaker 1: that's it. You know, it was an awkward moment. Man.

1387
01:10:50,040 --> 01:10:51,679
Speaker 1: He was in the New York New York video?

1388
01:10:52,240 --> 01:10:53,840
Speaker 9: Who when who was in the New York video was

1389
01:10:53,880 --> 01:11:01,400
Speaker 9: in there too? The scheming on you, So get up

1390
01:11:01,439 --> 01:11:05,519
Speaker 9: out of here, you know what I mean? You know

1391
01:11:05,720 --> 01:11:07,479
Speaker 9: it was low he was in the murder as a lot,

1392
01:11:07,520 --> 01:11:09,600
Speaker 9: but you decided to the next week. I was like,

1393
01:11:09,680 --> 01:11:12,479
Speaker 9: listen to I can see this ship wing.

1394
01:11:12,600 --> 01:11:16,240
Speaker 1: I'm gone. He was an arrange robe. I was like, GI,

1395
01:11:16,439 --> 01:11:18,640
Speaker 1: my ship, I got good to my call? Know you

1396
01:11:18,720 --> 01:11:19,720
Speaker 1: remember what I'm talking about?

1397
01:11:20,479 --> 01:11:23,840
Speaker 3: Yeah that it's crazy, But how is that like you

1398
01:11:23,960 --> 01:11:25,320
Speaker 3: actually worked with fifty cent, you.

1399
01:11:25,320 --> 01:11:28,120
Speaker 1: Went on tour? Yeah, yeah, did all that? How is

1400
01:11:28,160 --> 01:11:29,679
Speaker 1: that now that she was dope?

1401
01:11:29,760 --> 01:11:30,280
Speaker 8: You know what I mean?

1402
01:11:30,320 --> 01:11:33,479
Speaker 1: Because after we got you know, dropped from jobs. You

1403
01:11:33,560 --> 01:11:36,160
Speaker 1: know what I'm saying. They gave me a call like yo,

1404
01:11:37,000 --> 01:11:38,760
Speaker 1: I want to sign y'all. And you know what I

1405
01:11:38,840 --> 01:11:41,000
Speaker 1: mean when you say you got drop for job?

1406
01:11:41,880 --> 01:11:43,680
Speaker 3: Is that amical waves where you wanted to be like

1407
01:11:44,160 --> 01:11:46,760
Speaker 3: I wanted to go to or or you want you

1408
01:11:46,840 --> 01:11:47,360
Speaker 3: wanted to stay?

1409
01:11:48,160 --> 01:11:50,960
Speaker 1: I wanted we wanted to go to Because yeah, you know,

1410
01:11:51,200 --> 01:11:53,040
Speaker 1: they didn't really do right by the album.

1411
01:11:53,120 --> 01:11:54,400
Speaker 4: You know what I'm saying. I don't think that they

1412
01:11:54,600 --> 01:11:56,760
Speaker 4: really knew what to do with Mom Deep. But it

1413
01:11:56,880 --> 01:11:58,880
Speaker 4: was just a play that you know, Chris Light he

1414
01:11:58,960 --> 01:12:00,880
Speaker 4: put together. You want to say, It's like, you know, Chris,

1415
01:12:01,000 --> 01:12:02,680
Speaker 4: like you gotta get over there. So it's like you

1416
01:12:02,800 --> 01:12:03,920
Speaker 4: fuck it, you got a deal.

1417
01:12:04,120 --> 01:12:06,880
Speaker 1: Dave, like he had to get over there. It was Chris.

1418
01:12:07,000 --> 01:12:09,320
Speaker 4: It was Chris, Chris, Chris. Chris had to get over there,

1419
01:12:09,640 --> 01:12:12,400
Speaker 4: and he brought us over there with him. And you know,

1420
01:12:12,840 --> 01:12:14,080
Speaker 4: to me, the album did good.

1421
01:12:14,160 --> 01:12:14,720
Speaker 1: You know what I'm saying.

1422
01:12:14,840 --> 01:12:17,439
Speaker 4: To sell one hundred and fifty thousand copies in your

1423
01:12:17,479 --> 01:12:19,320
Speaker 4: first week, that's.

1424
01:12:21,320 --> 01:12:25,040
Speaker 1: The gold automatically, ship gold automatically. Right back then they

1425
01:12:25,200 --> 01:12:28,960
Speaker 1: like that that, you know, that wasn't good job. It's

1426
01:12:29,040 --> 01:12:36,120
Speaker 1: like a pop label Columbia. Yeah, it's like Britney Try Try,

1427
01:12:36,280 --> 01:12:36,639
Speaker 1: That's right.

1428
01:12:37,640 --> 01:12:39,320
Speaker 3: But then let'st's talk about so then you started working

1429
01:12:39,320 --> 01:12:40,280
Speaker 3: with fifty let's talk about that.

1430
01:12:40,479 --> 01:12:43,519
Speaker 4: And yeah, so then we you know, we got pushed

1431
01:12:43,560 --> 01:12:47,439
Speaker 4: into the g Unit movement, which was dope because it

1432
01:12:47,560 --> 01:12:50,000
Speaker 4: was just a bunch of fellas from Queens, you know

1433
01:12:50,000 --> 01:12:52,080
Speaker 4: what I mean, just felt like you know, say, you know,

1434
01:12:52,240 --> 01:12:55,080
Speaker 4: from the outside, yeah, it looked like it was dope

1435
01:12:55,120 --> 01:12:57,880
Speaker 4: because because the energy, the energy was crazy, you know,

1436
01:12:57,920 --> 01:12:59,960
Speaker 4: what I mean, like, you know, mom deep, at that point,

1437
01:13:00,080 --> 01:13:02,240
Speaker 4: we was used to doing venues, you know, like a thousand,

1438
01:13:02,280 --> 01:13:05,560
Speaker 4: two thousand people, maybe three thousand. But then when we

1439
01:13:05,640 --> 01:13:08,960
Speaker 4: started sucking with fifty, we was doing stadiums, you know

1440
01:13:09,000 --> 01:13:10,519
Speaker 4: what I mean, And that that shit was you know,

1441
01:13:10,840 --> 01:13:13,640
Speaker 4: it introduced us to you know, a bigger audience, you

1442
01:13:13,720 --> 01:13:17,160
Speaker 4: know what I mean. You know the fans was like

1443
01:13:17,320 --> 01:13:19,519
Speaker 4: kind of our fans was like kind of coming at us,

1444
01:13:20,280 --> 01:13:23,799
Speaker 4: and I'm like, for what, like you know yeah, because

1445
01:13:23,800 --> 01:13:26,720
Speaker 4: you know, like sometimes people just I think all this

1446
01:13:26,960 --> 01:13:29,800
Speaker 4: two fans are like their children, Like they don't want

1447
01:13:29,800 --> 01:13:30,559
Speaker 4: to see their children.

1448
01:13:37,600 --> 01:13:40,120
Speaker 1: I've never heard it before, but I understand exactly what

1449
01:13:40,200 --> 01:13:41,959
Speaker 1: you're saying. How they feel.

1450
01:13:41,960 --> 01:13:45,200
Speaker 5: They're the parent, you're the children they see.

1451
01:13:46,280 --> 01:13:48,160
Speaker 1: They don't want to see us grow. They don't want

1452
01:13:48,160 --> 01:13:50,559
Speaker 1: to see nothing. They want they baby to state the same.

1453
01:13:51,000 --> 01:14:00,400
Speaker 1: It's like, nah, yeah you got to go. That's but

1454
01:14:00,520 --> 01:14:02,960
Speaker 1: that's that's not what you guys did. On the junior

1455
01:14:03,040 --> 01:14:08,040
Speaker 1: she was dope too. It was very mob deep, not exactly.

1456
01:14:07,720 --> 01:14:09,800
Speaker 4: I mean, it was Queen's you know what I'm saying

1457
01:14:09,840 --> 01:14:12,599
Speaker 4: that that you know what I mean, Like I said,

1458
01:14:12,680 --> 01:14:14,439
Speaker 4: you know what I'm saying, sometimes the fans, man, they

1459
01:14:14,439 --> 01:14:15,160
Speaker 4: don't want to see.

1460
01:14:15,040 --> 01:14:18,280
Speaker 1: The fans was coming at you for me, you know

1461
01:14:18,320 --> 01:14:18,760
Speaker 1: what I'm saying.

1462
01:14:19,120 --> 01:14:20,680
Speaker 4: You know, I don't pay attention to a lot of

1463
01:14:20,720 --> 01:14:24,000
Speaker 4: comments most at the time. But you know, when you

1464
01:14:24,200 --> 01:14:26,960
Speaker 4: sometimes you bump into a lot of like hardcore mob

1465
01:14:27,040 --> 01:14:31,160
Speaker 4: deep fans. You know, they just like they mom deep

1466
01:14:31,360 --> 01:14:33,559
Speaker 4: You understand what I'm saying, and they just don't want

1467
01:14:33,840 --> 01:14:34,320
Speaker 4: they don't care.

1468
01:14:34,560 --> 01:14:35,599
Speaker 1: It could have been with anybody.

1469
01:14:36,040 --> 01:14:37,680
Speaker 5: You don't even know what level of fans they might be,

1470
01:14:37,960 --> 01:14:40,400
Speaker 5: just infamous fans like this is where they stayed.

1471
01:14:40,560 --> 01:14:42,639
Speaker 1: They don't They don't want you to know. They don't

1472
01:14:42,640 --> 01:14:45,519
Speaker 1: want you to with nobody else. They like you all

1473
01:14:45,680 --> 01:14:49,960
Speaker 1: they dirty. I mean, I mean, don't you.

1474
01:14:54,920 --> 01:15:02,320
Speaker 18: Know it's real, It's actually true. I mean you know

1475
01:15:03,000 --> 01:15:05,599
Speaker 18: I was like you in the coach.

1476
01:15:09,760 --> 01:15:13,280
Speaker 1: You want to keep it real. You I'm just saying real.

1477
01:15:13,720 --> 01:15:16,040
Speaker 5: If you're not in that environment, no more keeping it

1478
01:15:16,160 --> 01:15:18,400
Speaker 5: reals where you keep progressing to.

1479
01:15:18,479 --> 01:15:21,519
Speaker 3: Being as I No, but you funked up and you said,

1480
01:15:21,560 --> 01:15:23,960
Speaker 3: no matter how much I'm staying in the projects you.

1481
01:15:29,200 --> 01:15:34,000
Speaker 4: But check it though for real, you know, but think

1482
01:15:34,040 --> 01:15:36,599
Speaker 4: about it. Think about it. Like in nineteen ninety four.

1483
01:15:37,240 --> 01:15:40,120
Speaker 4: In the nineteen ninety five we really felt like that

1484
01:15:40,400 --> 01:15:44,200
Speaker 4: like a course and paid for right. Remember the movie

1485
01:15:45,160 --> 01:15:47,200
Speaker 4: the character he was like, Yo, man, this hall. I'm like,

1486
01:15:47,640 --> 01:15:49,920
Speaker 4: I don't want to go nowhere else. This is this

1487
01:15:49,920 --> 01:15:51,000
Speaker 4: is where I get to love at.

1488
01:15:51,160 --> 01:15:51,800
Speaker 1: It's their world.

1489
01:15:52,120 --> 01:15:54,439
Speaker 4: I was real niggas in the hood could relate to

1490
01:15:54,479 --> 01:15:56,479
Speaker 4: that want to leave out of here.

1491
01:15:57,560 --> 01:15:59,080
Speaker 1: I get to love that, you know what I'm saying.

1492
01:15:59,120 --> 01:16:01,400
Speaker 1: So that's what the line stemmed from. But you know

1493
01:16:01,400 --> 01:16:03,040
Speaker 1: what I'm saying. You start making money, you know.

1494
01:16:03,560 --> 01:16:09,439
Speaker 7: You realize the line. We still love it, We still

1495
01:16:09,520 --> 01:16:13,160
Speaker 7: love it people, But yeah, you want that for the

1496
01:16:13,200 --> 01:16:13,800
Speaker 7: people as well.

1497
01:16:14,080 --> 01:16:15,400
Speaker 1: You want the people to be you know.

1498
01:16:15,560 --> 01:16:20,000
Speaker 8: You know they said ron Uh brought the duplex in

1499
01:16:20,080 --> 01:16:23,519
Speaker 8: the hood and gut it out the upstairs and made the.

1500
01:16:24,040 --> 01:16:35,320
Speaker 12: Apartment complex townhouse like it's like a penhouse street, both.

1501
01:16:35,200 --> 01:16:38,040
Speaker 1: Of them, and like that's how.

1502
01:16:40,320 --> 01:16:41,720
Speaker 3: I'm not gonna lie to you. Let me just tell

1503
01:16:41,720 --> 01:16:46,759
Speaker 3: you something. This is real talk. Some of my funnest

1504
01:16:46,760 --> 01:16:49,640
Speaker 3: times in my life has been in Queensborg because I

1505
01:16:49,680 --> 01:16:53,840
Speaker 3: will keep it a hundred like and it's all night,

1506
01:16:54,680 --> 01:16:57,839
Speaker 3: all nights all just don't sleep in Queensland.

1507
01:16:58,960 --> 01:16:59,840
Speaker 1: You can go to the pub.

1508
01:17:00,920 --> 01:17:03,920
Speaker 3: You're going, You're going Burden, go to Uh. I forgot

1509
01:17:03,960 --> 01:17:08,080
Speaker 3: that we smot uh. Then you Paul Brown and then

1510
01:17:08,120 --> 01:17:10,880
Speaker 3: you can go on Twelfth Street like you go on

1511
01:17:10,960 --> 01:17:14,920
Speaker 3: the hill like this is there's different sections Like you know,

1512
01:17:14,960 --> 01:17:16,519
Speaker 3: I'm I'm I'm, I'm I'm from left.

1513
01:17:16,560 --> 01:17:18,439
Speaker 1: But I'm like I didn't see this type of ship.

1514
01:17:18,479 --> 01:17:19,439
Speaker 1: I was just so open.

1515
01:17:19,880 --> 01:17:21,720
Speaker 3: I love the queens Bridge bro at that time, so

1516
01:17:22,000 --> 01:17:24,040
Speaker 3: I was, yeah, I love love still.

1517
01:17:24,080 --> 01:17:25,840
Speaker 1: An era of hip hop.

1518
01:17:25,920 --> 01:17:30,240
Speaker 3: It's like you really saw like like when they say

1519
01:17:30,280 --> 01:17:32,320
Speaker 3: that hip hop started out on the Dog and I

1520
01:17:32,439 --> 01:17:35,680
Speaker 3: know that, you know, we know we started out and

1521
01:17:36,439 --> 01:17:39,840
Speaker 3: in the Bronx. What I'm saying is river Park is

1522
01:17:39,880 --> 01:17:42,120
Speaker 3: an ill place. They sitting there and they party and

1523
01:17:42,120 --> 01:17:44,599
Speaker 3: they doing hip hop all day, you know what I'm saying.

1524
01:17:44,600 --> 01:17:46,439
Speaker 3: And you're sitting there like, oh okay, I can see

1525
01:17:46,439 --> 01:17:50,000
Speaker 3: where mc shad they can't right for here, like you know,

1526
01:17:50,280 --> 01:17:53,320
Speaker 3: you know what I'm saying, like bolding real hip hop

1527
01:17:53,439 --> 01:17:54,040
Speaker 3: see and it's.

1528
01:17:53,880 --> 01:17:56,720
Speaker 1: A real like other scene. Think about river Park. We

1529
01:17:56,920 --> 01:18:00,640
Speaker 1: was like we had the water we have yeah, you

1530
01:18:01,080 --> 01:18:03,640
Speaker 1: like that was like oh wow, we got to.

1531
01:18:03,600 --> 01:18:06,760
Speaker 12: Get you're there like that's what they got all the money,

1532
01:18:08,400 --> 01:18:11,600
Speaker 12: apartment you know what I mean, or townhouse, that's what

1533
01:18:11,720 --> 01:18:11,960
Speaker 12: it was.

1534
01:18:12,080 --> 01:18:13,639
Speaker 1: It was like we go to the pall, we chill.

1535
01:18:14,400 --> 01:18:19,040
Speaker 3: That's rausic and just that's that's an ill neighborhood.

1536
01:18:19,080 --> 01:18:20,720
Speaker 1: And if you were in the hip hop you into this,

1537
01:18:21,080 --> 01:18:23,280
Speaker 1: try then you just get your thoughts on, you know

1538
01:18:23,320 --> 01:18:25,120
Speaker 1: what I mean. I'm gonna take a strip from Queen

1539
01:18:25,600 --> 01:18:28,479
Speaker 1: for queens Bridge. We should do a drink Champs live

1540
01:18:28,520 --> 01:18:29,160
Speaker 1: in Queensbridge.

1541
01:18:29,160 --> 01:18:34,479
Speaker 3: Oh yeah, no problem, I'm in. And if you poet,

1542
01:18:35,200 --> 01:18:37,360
Speaker 3: that could be crazy, you know what I'm saying. So

1543
01:18:38,120 --> 01:18:39,479
Speaker 3: now that's a great question.

1544
01:18:39,960 --> 01:18:40,080
Speaker 1: Uh.

1545
01:18:42,520 --> 01:18:45,080
Speaker 3: I feel like as far as MC's go, like we

1546
01:18:45,280 --> 01:18:48,960
Speaker 3: just said, I feel like queens has the best MCS,

1547
01:18:49,479 --> 01:18:55,200
Speaker 3: but Queen's Bridge it's different. Right you have mally Ma

1548
01:18:55,920 --> 01:19:06,080
Speaker 3: and she Craig g yes, Craig gnh excuse me, no,

1549
01:19:06,560 --> 01:19:08,760
Speaker 3: black poet, I said that already black?

1550
01:19:11,520 --> 01:19:11,920
Speaker 1: Who else?

1551
01:19:12,000 --> 01:19:15,040
Speaker 3: That was school ball? School ball, that's whatever, that's screwball.

1552
01:19:16,280 --> 01:19:22,120
Speaker 3: Let's go nature, Let's go tragedy. Who mega mega Yeah,

1553
01:19:22,200 --> 01:19:25,519
Speaker 3: I mean it goes deep. Yeah, how is that like?

1554
01:19:25,640 --> 01:19:29,000
Speaker 3: Being from as far as MCS go, like, that's one

1555
01:19:29,040 --> 01:19:30,360
Speaker 3: of the riches.

1556
01:19:30,960 --> 01:19:37,479
Speaker 1: Swan t J Swan. Yeah, was he from the Okay? Yeah,

1557
01:19:38,520 --> 01:19:40,880
Speaker 1: that's the one song of all the older joints. Yeah,

1558
01:19:41,040 --> 01:19:47,479
Speaker 1: okay joint. Okay. How is that being from a hood

1559
01:19:47,600 --> 01:19:49,000
Speaker 1: that basically.

1560
01:19:49,640 --> 01:19:52,840
Speaker 3: Has has kind of nothing but stars that's made from

1561
01:19:52,880 --> 01:19:53,519
Speaker 3: their history.

1562
01:19:53,680 --> 01:19:55,840
Speaker 1: Yeah, history, It's definitely inspiring.

1563
01:19:56,920 --> 01:19:58,840
Speaker 4: Like when you Talers Race when you in school and

1564
01:19:58,920 --> 01:20:00,920
Speaker 4: ship and they were like, yo, like where you're from?

1565
01:20:01,080 --> 01:20:02,760
Speaker 4: I'm like, I'm from Queensbridge, you know what I mean?

1566
01:20:02,880 --> 01:20:08,400
Speaker 4: Like Molly Malayante the first one that made you feel proud.

1567
01:20:08,680 --> 01:20:10,880
Speaker 1: Hell yeah, you know the Bridge the song like you

1568
01:20:11,000 --> 01:20:13,200
Speaker 1: know that as a little kid, you like, you know

1569
01:20:13,240 --> 01:20:15,240
Speaker 1: what I mean, Like that's you know that song? So

1570
01:20:15,520 --> 01:20:17,320
Speaker 1: wherever you go, they like, yo, where you from? You're like,

1571
01:20:17,360 --> 01:20:18,800
Speaker 1: I'm from Queens Bridge, you know what I'm saying.

1572
01:20:18,880 --> 01:20:23,080
Speaker 4: Like it made you proud to be from QB all day.

1573
01:20:23,200 --> 01:20:26,320
Speaker 4: And then it was inspiration to be like, yo, I

1574
01:20:26,439 --> 01:20:28,000
Speaker 4: want to do that ship like you know what I'm saying,

1575
01:20:28,040 --> 01:20:28,920
Speaker 4: Like I want to do that?

1576
01:20:29,160 --> 01:20:33,000
Speaker 12: You know, God damn you and you and you heard

1577
01:20:33,120 --> 01:20:36,000
Speaker 12: Marlly from the if you went on Vernon you heard

1578
01:20:36,080 --> 01:20:37,400
Speaker 12: them making beats all day.

1579
01:20:37,439 --> 01:20:40,080
Speaker 3: So was on the fortiest side of Vernon or the

1580
01:20:40,080 --> 01:20:43,360
Speaker 3: forty first forty first out of Earth and nas is

1581
01:20:43,400 --> 01:20:46,280
Speaker 3: from the forty the side of tragics from.

1582
01:20:46,840 --> 01:20:53,719
Speaker 1: Forty What does all mean? Guys? So it just splits.

1583
01:20:54,040 --> 01:20:57,080
Speaker 3: It's just it's two ten to twelve streets, two tenth

1584
01:20:57,120 --> 01:21:00,479
Speaker 3: streets and it's and it's true world.

1585
01:21:00,360 --> 01:21:03,160
Speaker 5: But nobody, I mean, it's one better than the other

1586
01:21:04,439 --> 01:21:07,519
Speaker 5: in your opinion, splits it.

1587
01:21:07,800 --> 01:21:16,240
Speaker 1: So there's a shopping on the hood, the hood, but it's.

1588
01:21:16,120 --> 01:21:19,880
Speaker 3: Different sides of it, right yeah, I damn, it's so

1589
01:21:20,080 --> 01:21:23,679
Speaker 3: easy to explain. You get this Queen conversation a lost

1590
01:21:23,840 --> 01:21:27,439
Speaker 3: that's Queen's Bridge particular. That is like that they have

1591
01:21:27,840 --> 01:21:33,560
Speaker 3: what is it, ninety six buildings, sixth block, six block.

1592
01:21:34,000 --> 01:21:40,000
Speaker 1: Block, ninety six project building. Yeah, the biggest owner.

1593
01:21:40,760 --> 01:21:45,160
Speaker 3: Say, it's different areas like like see me, I was

1594
01:21:45,240 --> 01:21:47,800
Speaker 3: like like back then you had to be like if

1595
01:21:47,800 --> 01:21:49,519
Speaker 3: you want a Time Street guy, you had to stay

1596
01:21:49,560 --> 01:21:51,880
Speaker 3: on Time Street, right me. I was a Twelfth Street guy,

1597
01:21:52,000 --> 01:21:54,200
Speaker 3: my twelve Street guy from If I say I'm on

1598
01:21:54,360 --> 01:21:56,280
Speaker 3: Queens Bridge, which I'm not from left right, but I

1599
01:21:56,320 --> 01:21:58,760
Speaker 3: would be from Havoc and Component Block they're on the

1600
01:21:58,840 --> 01:22:00,479
Speaker 3: same block, but that's twelve Street.

1601
01:22:00,479 --> 01:22:05,000
Speaker 1: But there's a whole other side of twe Street, the

1602
01:22:05,320 --> 01:22:08,640
Speaker 1: street I might not know. I'm not one person over there, but.

1603
01:22:08,720 --> 01:22:09,680
Speaker 3: I know this is this.

1604
01:22:09,880 --> 01:22:10,639
Speaker 1: I know this flock.

1605
01:22:10,920 --> 01:22:13,320
Speaker 3: So it's a different area if you go there, now,

1606
01:22:13,439 --> 01:22:16,439
Speaker 3: holy ship, you know the whole different town, right, but

1607
01:22:16,600 --> 01:22:17,120
Speaker 3: it's still the.

1608
01:22:17,200 --> 01:22:20,439
Speaker 1: Town and it's still the same block. That's how big

1609
01:22:20,520 --> 01:22:22,559
Speaker 1: it is. And you go to the hill, you see

1610
01:22:22,640 --> 01:22:25,120
Speaker 1: you got anybody from every block? Yeah, every block. That's

1611
01:22:25,160 --> 01:22:27,519
Speaker 1: why I was telling me that earlier. The hill was

1612
01:22:27,560 --> 01:22:29,360
Speaker 1: like the and then that's where the center is at.

1613
01:22:29,400 --> 01:22:30,120
Speaker 1: That's where everyone.

1614
01:22:30,680 --> 01:22:33,599
Speaker 3: And you get Tame Street and tim Street the same

1615
01:22:33,640 --> 01:22:36,240
Speaker 3: thing as twelve Street's two different sizes, and then Vernon

1616
01:22:36,360 --> 01:22:44,599
Speaker 3: is the same thing. But then they got twenty first Street. First,

1617
01:22:44,840 --> 01:22:47,160
Speaker 3: the album that I got from Homie I got out

1618
01:22:47,160 --> 01:22:50,240
Speaker 3: of prison, Little Laky, that's twelve Street. That's twelve Street,

1619
01:22:50,560 --> 01:22:52,800
Speaker 3: twenty first, No, that was a twelve Street album.

1620
01:22:52,920 --> 01:23:05,519
Speaker 1: That was the first forty first and right, I'm taking

1621
01:23:07,120 --> 01:23:09,880
Speaker 1: take a job. Queen's minion.

1622
01:23:13,600 --> 01:23:17,519
Speaker 3: Imagine even that like you know, uh a big up,

1623
01:23:17,600 --> 01:23:20,519
Speaker 3: like he kind of like kind of be an executive. Imagine,

1624
01:23:20,600 --> 01:23:23,240
Speaker 3: like we all stuck together and we supported that.

1625
01:23:23,400 --> 01:23:24,519
Speaker 1: Like you know what I'm saying.

1626
01:23:24,840 --> 01:23:27,360
Speaker 3: You guys did support that. Yeah, but I'm saying, we

1627
01:23:27,400 --> 01:23:29,519
Speaker 3: don't know how. I'm saying, like, imagine, like what did

1628
01:23:29,600 --> 01:23:30,760
Speaker 3: my state that we're at now and.

1629
01:23:32,240 --> 01:23:35,759
Speaker 12: Had their own thing going there old deals with different labels,

1630
01:23:35,800 --> 01:23:37,120
Speaker 12: So you gotta it was hard.

1631
01:23:37,840 --> 01:23:39,360
Speaker 1: You can't forget draws. You know what I'm saying.

1632
01:23:42,360 --> 01:23:47,720
Speaker 8: To do if he he made a breakthrough, he the

1633
01:23:47,800 --> 01:23:51,760
Speaker 8: one who started to done the dude, that's wow.

1634
01:23:51,800 --> 01:23:56,080
Speaker 3: I didn't know he started that though, that you know

1635
01:23:56,320 --> 01:23:57,839
Speaker 3: that's he You fanastic.

1636
01:23:58,479 --> 01:24:02,600
Speaker 1: You guys know you're speaking like, yeah, slow down, so

1637
01:24:03,280 --> 01:24:06,960
Speaker 1: listening myself, I don't even realize that.

1638
01:24:07,840 --> 01:24:08,200
Speaker 5: It was like.

1639
01:24:10,600 --> 01:24:18,120
Speaker 1: Yeah, and I know better you better met Bonic, But yeah.

1640
01:24:19,040 --> 01:24:28,479
Speaker 3: I started talking to my brom bromm not uh drawers

1641
01:24:29,960 --> 01:24:32,920
Speaker 3: all with Jay Rock Yeah yeah.

1642
01:24:32,720 --> 01:24:36,040
Speaker 1: Yeah yeah man, like Queen's Creamy was good to me.

1643
01:24:36,160 --> 01:24:36,519
Speaker 7: Man, like.

1644
01:24:38,479 --> 01:24:41,080
Speaker 1: QB, you'll be I'm just taking another shot.

1645
01:24:41,200 --> 01:24:43,640
Speaker 5: He feels like, he was like, listen, having you need

1646
01:24:43,680 --> 01:24:44,479
Speaker 5: to stop with the shot.

1647
01:24:45,600 --> 01:24:48,080
Speaker 1: It's okay, it's right one. It's not okay, bro, it's

1648
01:24:48,120 --> 01:24:59,880
Speaker 1: not good. This this right one man, like.

1649
01:25:02,479 --> 01:25:05,840
Speaker 3: Anything can do right and said Kendle North. Kendle, all right,

1650
01:25:06,040 --> 01:25:10,240
Speaker 3: you know you don't claim Nazi you ship North. You

1651
01:25:10,280 --> 01:25:15,280
Speaker 3: got bad when we told you, I like, you ain't

1652
01:25:15,320 --> 01:25:15,800
Speaker 3: claiming that.

1653
01:25:16,000 --> 01:25:19,519
Speaker 1: Something like He's like, it's not really good. It's North

1654
01:25:19,600 --> 01:25:26,160
Speaker 1: kidding you. We don't understand that, so break it down.

1655
01:25:26,240 --> 01:25:29,000
Speaker 1: But why is that not Kendle. It's North, it says

1656
01:25:29,120 --> 01:25:34,720
Speaker 1: North Kendle because it's not Kendle. We don't understand. It

1657
01:25:34,800 --> 01:25:39,800
Speaker 1: doesn't the places were performing in North Candle. Leave it

1658
01:25:39,840 --> 01:25:44,760
Speaker 1: at that, North Kendle, it was good or bad? You're good? Yeah,

1659
01:25:45,479 --> 01:25:47,080
Speaker 1: this is good. This is bad.

1660
01:25:49,120 --> 01:25:52,479
Speaker 3: Like the bogie you said, no, it's nothing, all right,

1661
01:25:52,560 --> 01:25:55,400
Speaker 3: So where's the difference. Let us bringing difference. It's just

1662
01:25:55,479 --> 01:25:59,400
Speaker 3: you're North Kendle. It sounds like you don't like North.

1663
01:26:00,080 --> 01:26:04,320
Speaker 1: The family, the family part. Now you're good family. I

1664
01:26:04,439 --> 01:26:10,200
Speaker 1: just want either turn out. Yeah, that's like, that's.

1665
01:26:15,080 --> 01:26:18,479
Speaker 3: What's your favorite place to perform? My favorite place to perform?

1666
01:26:18,680 --> 01:26:19,320
Speaker 7: I have to be.

1667
01:26:20,439 --> 01:26:23,800
Speaker 1: I ain't gonna lie man. I gotta say. Paris was

1668
01:26:24,439 --> 01:26:34,599
Speaker 1: to really yeah, really specific and fucking crazy. Come out

1669
01:26:35,160 --> 01:26:36,960
Speaker 1: and they with you.

1670
01:26:37,280 --> 01:26:42,479
Speaker 3: Really it's not to change, but they what's your Paris? Yeah,

1671
01:26:42,520 --> 01:26:43,200
Speaker 3: that's my boy, that.

1672
01:26:46,160 --> 01:26:50,240
Speaker 1: Paris Paris, that's really it's real hip hop.

1673
01:26:50,280 --> 01:26:53,360
Speaker 4: And not only that it's like that's where mom deep

1674
01:26:53,880 --> 01:26:55,720
Speaker 4: like really for real, for really, like you have to

1675
01:26:55,800 --> 01:26:59,400
Speaker 4: be there to see it get the best response in

1676
01:26:59,520 --> 01:27:02,720
Speaker 4: the world, Like I mean from beginning.

1677
01:27:03,160 --> 01:27:05,559
Speaker 1: How far back did you get that response in Paris?

1678
01:27:05,840 --> 01:27:09,200
Speaker 4: From from from the from the beginning to now infamous

1679
01:27:09,439 --> 01:27:13,120
Speaker 4: or I would say from infamous, you know what I mean?

1680
01:27:13,160 --> 01:27:15,360
Speaker 4: Because we started like kind of like a movement out

1681
01:27:15,400 --> 01:27:19,000
Speaker 4: there with I believe it was Hello Nerve for the

1682
01:27:19,080 --> 01:27:21,599
Speaker 4: Infamous album, Like they really they catered.

1683
01:27:21,640 --> 01:27:25,160
Speaker 1: They sound around that like hip how you guys like

1684
01:27:25,400 --> 01:27:26,560
Speaker 1: impregnated them with that.

1685
01:27:27,160 --> 01:27:30,600
Speaker 4: Yeah, they they fun with it, like really so you

1686
01:27:30,680 --> 01:27:33,880
Speaker 4: know they answer the question Paris man shout out to

1687
01:27:33,920 --> 01:27:35,519
Speaker 4: Paris is one of my favorite places.

1688
01:27:35,600 --> 01:27:42,960
Speaker 3: Sure, yeah, but I ain't gonna lie to you. As

1689
01:27:46,200 --> 01:27:49,840
Speaker 3: like artists when it comes to Paris, I picked I

1690
01:27:49,880 --> 01:27:52,840
Speaker 3: picked up on the over Nori like Nor has that

1691
01:27:52,960 --> 01:27:56,400
Speaker 3: more party scene but that on the ground.

1692
01:27:57,439 --> 01:27:58,960
Speaker 1: See and then they're coming out.

1693
01:28:01,400 --> 01:28:04,719
Speaker 3: By himself, doesn't you know he has a more Hollywood crowd.

1694
01:28:04,920 --> 01:28:08,200
Speaker 1: Godcham Paris, they have the people who wear shoes to

1695
01:28:08,280 --> 01:28:11,280
Speaker 1: the show. All the girls come out with theirs come

1696
01:28:11,320 --> 01:28:13,160
Speaker 1: out like girls.

1697
01:28:15,160 --> 01:28:18,519
Speaker 19: It's not gonna be a lot, but they're gonna but

1698
01:28:18,560 --> 01:28:20,839
Speaker 19: they're gonna come out and they're gonna get their sneakers

1699
01:28:20,920 --> 01:28:24,479
Speaker 19: dirty and they going, yeah, seeing it, seeing it in crowd,

1700
01:28:25,000 --> 01:28:27,200
Speaker 19: the Nord crowd a little more, bug, you know, I

1701
01:28:27,400 --> 01:28:27,519
Speaker 19: like it.

1702
01:28:27,640 --> 01:28:30,519
Speaker 1: The champagne y'all. You know what I mean. He's gonna

1703
01:28:30,680 --> 01:28:33,439
Speaker 1: hate to stay out. You know what I'm saying, like you,

1704
01:28:33,960 --> 01:28:34,679
Speaker 1: And then I got.

1705
01:28:36,760 --> 01:28:38,479
Speaker 20: I got the reggae thorn crowd and the stuff, and

1706
01:28:38,560 --> 01:28:46,000
Speaker 20: get done right. Bro let me see you man, we're

1707
01:28:46,000 --> 01:28:47,160
Speaker 20: still breaking y'all to night.

1708
01:28:47,280 --> 01:28:53,200
Speaker 1: Brother, Damn no, he's still here, Damn you. But I'm

1709
01:28:53,200 --> 01:28:54,760
Speaker 1: gonna tell you something. And this is real talk.

1710
01:28:54,840 --> 01:28:58,040
Speaker 3: Ask everybody here, because you know, ship, we've been knowing

1711
01:28:58,040 --> 01:29:02,639
Speaker 3: each other for twenty years more probably, So I said,

1712
01:29:03,200 --> 01:29:04,920
Speaker 3: Havoc is not coming on time.

1713
01:29:06,360 --> 01:29:08,320
Speaker 1: Said that one hundred percent. He's right.

1714
01:29:08,520 --> 01:29:11,360
Speaker 3: So we bet we bet you guess you guessed we

1715
01:29:11,560 --> 01:29:14,880
Speaker 3: we actually yeah, you guys be bad. But I said,

1716
01:29:16,080 --> 01:29:19,080
Speaker 3: so this is how be basic, based it on what

1717
01:29:19,479 --> 01:29:24,840
Speaker 3: what you order. So if you order Patron, I kind

1718
01:29:24,880 --> 01:29:25,840
Speaker 3: of know where this is going.

1719
01:29:27,840 --> 01:29:32,040
Speaker 1: Hennessy, you know, so we know going tones. I was like,

1720
01:29:32,360 --> 01:29:36,479
Speaker 1: we need him on time. I can tell where the

1721
01:29:37,000 --> 01:29:40,639
Speaker 1: is gonna go based on bigger drink.

1722
01:29:40,680 --> 01:29:42,000
Speaker 3: So I said, you know what, I can get him

1723
01:29:42,040 --> 01:29:44,760
Speaker 3: because this white swine is in a good way again,

1724
01:29:44,920 --> 01:29:47,360
Speaker 3: like because this is like this is like still look

1725
01:29:47,479 --> 01:29:49,760
Speaker 3: like you still live, like you can have a you

1726
01:29:49,840 --> 01:29:52,960
Speaker 3: get out of this and you can be safe. But

1727
01:29:53,000 --> 01:29:57,280
Speaker 3: that's the reason why. Yeah, yeah, that's why puts us

1728
01:29:57,360 --> 01:30:00,360
Speaker 3: onto this. He's like, Yo, you drink this, you don't

1729
01:30:00,400 --> 01:30:03,360
Speaker 3: get met, but you you like you get man, don't

1730
01:30:03,400 --> 01:30:06,240
Speaker 3: go no, no, you get nice, you get.

1731
01:30:07,920 --> 01:30:11,760
Speaker 1: You know was that I forgot? Come on, man, he

1732
01:30:11,840 --> 01:30:16,479
Speaker 1: can't get big. He can he can't get bid. Sorry,

1733
01:30:16,560 --> 01:30:22,680
Speaker 1: but you gotta audience anybody.

1734
01:30:23,800 --> 01:30:25,880
Speaker 3: Who who has to be on point and dealing with

1735
01:30:26,360 --> 01:30:28,439
Speaker 3: egos at off times, it.

1736
01:30:28,439 --> 01:30:29,120
Speaker 1: Should be risen.

1737
01:30:29,520 --> 01:30:33,360
Speaker 3: So if Rizid say yo, man, right, you know, and

1738
01:30:33,400 --> 01:30:35,640
Speaker 3: then you know, I gotta I got a chalcoal. You

1739
01:30:35,720 --> 01:30:38,840
Speaker 3: never charcoal and chow chalcol so you know it takes all.

1740
01:30:39,280 --> 01:30:41,519
Speaker 1: It takes it out. Got the chocolate so you're good.

1741
01:30:42,200 --> 01:30:44,519
Speaker 5: Yeah, you gotta take the charcoal after, you're good, do

1742
01:30:44,560 --> 01:30:45,479
Speaker 5: it before and after.

1743
01:30:45,760 --> 01:30:48,120
Speaker 1: But the charcoal chalk. Ever heard of the chocolate?

1744
01:30:48,360 --> 01:30:48,559
Speaker 12: Yeah?

1745
01:30:49,800 --> 01:31:10,720
Speaker 1: Doing the cheek colde right now, baby cool. I've been

1746
01:31:10,760 --> 01:31:11,439
Speaker 1: doing this for years.

1747
01:31:12,840 --> 01:31:14,559
Speaker 3: Is I'm like.

1748
01:31:26,640 --> 01:31:27,040
Speaker 1: Your trunk.

1749
01:31:27,600 --> 01:31:35,360
Speaker 3: If if let's say, let's let's just let's imagine now

1750
01:31:35,880 --> 01:31:39,000
Speaker 3: you know, I'll see Prodigy mm hmm.

1751
01:31:40,680 --> 01:31:46,920
Speaker 1: In Vegas. You remember we've all seen each other. I was.

1752
01:31:47,080 --> 01:31:50,960
Speaker 3: I was recording my food show. I remember, man, Yeah,

1753
01:31:51,000 --> 01:31:52,120
Speaker 3: I just performed on stage.

1754
01:31:52,120 --> 01:31:53,720
Speaker 1: I didn't get a chance to see prior to that,

1755
01:31:57,840 --> 01:31:59,560
Speaker 1: you in pe ghetto stage.

1756
01:31:59,520 --> 01:32:02,360
Speaker 3: Both I both see y'all, what's up all and getting

1757
01:32:02,360 --> 01:32:06,840
Speaker 3: on stage with honest, so y'all give you with me tonight,

1758
01:32:08,960 --> 01:32:09,760
Speaker 3: and you were like a man.

1759
01:32:10,760 --> 01:32:14,040
Speaker 1: He was like, I feel a little sick, right, some

1760
01:32:14,240 --> 01:32:14,960
Speaker 1: go take care.

1761
01:32:16,360 --> 01:32:18,280
Speaker 3: I had been on tour with y'all so much that

1762
01:32:18,439 --> 01:32:20,760
Speaker 3: when he used to say that, I was so used

1763
01:32:20,800 --> 01:32:26,240
Speaker 3: to it that it didn't seem abnormal to me for

1764
01:32:26,360 --> 01:32:27,760
Speaker 3: him to say that. It was just like something I

1765
01:32:28,000 --> 01:32:35,439
Speaker 3: always heard. Now that night, you were standing right next

1766
01:32:35,520 --> 01:32:38,080
Speaker 3: to him when he said that, right, did you see

1767
01:32:38,120 --> 01:32:41,840
Speaker 3: anything different that night? Or this was like for me,

1768
01:32:42,000 --> 01:32:45,880
Speaker 3: I'm saying like, obviously that's your brother, you know him

1769
01:32:45,960 --> 01:32:49,120
Speaker 3: way better. But me, I didn't see nothing different that night,

1770
01:32:49,200 --> 01:32:50,920
Speaker 3: like when he said, like he wasn't because you know,

1771
01:32:50,960 --> 01:32:53,640
Speaker 3: I've been on tour, like I said, We've done so

1772
01:32:54,080 --> 01:32:59,320
Speaker 3: so many shows together. I didn't see nothing, nothing like that, right,

1773
01:32:59,680 --> 01:33:03,320
Speaker 3: But I can't tell. So was there anything that you saw?

1774
01:33:03,920 --> 01:33:04,080
Speaker 7: Nah?

1775
01:33:04,200 --> 01:33:06,400
Speaker 4: I mean you me and you saw the same thing

1776
01:33:06,680 --> 01:33:09,800
Speaker 4: like when I've seen him get sick a million times.

1777
01:33:09,840 --> 01:33:10,439
Speaker 1: You know what I'm saying.

1778
01:33:10,479 --> 01:33:14,519
Speaker 4: It wasn't nothing different out the ordinary that raised any

1779
01:33:14,720 --> 01:33:17,760
Speaker 4: red flags, right, Yeah, it wasn't no red flags raised.

1780
01:33:17,840 --> 01:33:20,160
Speaker 1: He he told me that he wasn't.

1781
01:33:20,400 --> 01:33:23,679
Speaker 4: He actually was in Miami before he got to Vegas,

1782
01:33:24,120 --> 01:33:27,160
Speaker 4: and so we met up in Vegas, and he had

1783
01:33:27,240 --> 01:33:29,559
Speaker 4: been sick out here in Miami, but he got better

1784
01:33:29,640 --> 01:33:31,800
Speaker 4: so he was able to get on a plane. So

1785
01:33:32,280 --> 01:33:35,040
Speaker 4: when he did finally say after getting off the stage

1786
01:33:35,040 --> 01:33:37,679
Speaker 4: that he wasn't feeling well, it didn't surprise me because

1787
01:33:37,800 --> 01:33:39,880
Speaker 4: I knew that a couple of days before that he

1788
01:33:40,000 --> 01:33:40,720
Speaker 4: wasn't feeling well.

1789
01:33:40,800 --> 01:33:43,320
Speaker 1: Okay, wow, So it wasn't. It wasn't nothing out the blue,

1790
01:33:43,320 --> 01:33:46,439
Speaker 1: and I really really thought it was just some normal ship.

1791
01:33:46,560 --> 01:33:50,120
Speaker 1: Like we went backstage to that little building. We had chill, chilled,

1792
01:33:50,439 --> 01:33:53,679
Speaker 1: I performed, I came back in ghost. We was chilling.

1793
01:33:54,000 --> 01:33:56,639
Speaker 21: Yeah, it was normal. It's just he wasn't there, yeah yeah,

1794
01:33:57,240 --> 01:33:59,680
Speaker 21: oh yeah, no, no, no, So he was there for

1795
01:33:59,680 --> 01:34:01,599
Speaker 21: a second, then he just left to go to the hotel.

1796
01:34:01,960 --> 01:34:07,120
Speaker 21: Then it was yeah, it was just us and people

1797
01:34:07,120 --> 01:34:08,559
Speaker 21: went to the hotel to chill.

1798
01:34:08,640 --> 01:34:11,439
Speaker 1: And our tour manager at the time was like, Yo,

1799
01:34:11,520 --> 01:34:14,360
Speaker 1: I'm gonna take p to the hospital at like two o'clock.

1800
01:34:14,680 --> 01:34:16,720
Speaker 4: But it was like eleven already. I was like, well,

1801
01:34:16,880 --> 01:34:18,200
Speaker 4: just take him now, like you know what I mean.

1802
01:34:18,439 --> 01:34:20,040
Speaker 4: He's like, now, that's what time PE want to go.

1803
01:34:20,160 --> 01:34:22,320
Speaker 4: So I really thought he was just kind of just

1804
01:34:22,439 --> 01:34:25,560
Speaker 4: you know, not feeling well, but he's gonna go. So no,

1805
01:34:25,880 --> 01:34:29,640
Speaker 4: I didn't see nothing, nothing different, you know what I mean.

1806
01:34:30,160 --> 01:34:33,760
Speaker 4: So you know, that's kind of you know, you know,

1807
01:34:34,120 --> 01:34:36,120
Speaker 4: it makes you think, you know what I'm saying, like

1808
01:34:36,400 --> 01:34:36,920
Speaker 4: you know, and.

1809
01:34:36,960 --> 01:34:39,439
Speaker 3: Then you hit conspiracy theories because he used to say

1810
01:34:39,479 --> 01:34:40,920
Speaker 3: Illuminati and you're thinking, like.

1811
01:34:41,400 --> 01:34:44,559
Speaker 1: Right, like you can't not think that right, the whole

1812
01:34:44,600 --> 01:34:47,679
Speaker 1: egg theory egg thing, I mean, and then.

1813
01:34:47,720 --> 01:34:50,320
Speaker 4: We found out that that shi's not true. You understand

1814
01:34:50,360 --> 01:34:54,479
Speaker 4: what I'm saying, So you know, and you know, p

1815
01:34:54,920 --> 01:34:57,320
Speaker 4: he he he used to you know, talk a lot

1816
01:34:57,400 --> 01:34:59,439
Speaker 4: of like you know, he used to be speaking that truth.

1817
01:35:00,320 --> 01:35:04,800
Speaker 3: He went in always because this is a video which

1818
01:35:04,880 --> 01:35:07,760
Speaker 3: I don't know is true, Like they acting like they

1819
01:35:08,240 --> 01:35:11,720
Speaker 3: like like like that Illuminati people was following him or

1820
01:35:11,760 --> 01:35:12,240
Speaker 3: something like that.

1821
01:35:12,360 --> 01:35:15,080
Speaker 4: I don't I don't well, you know, I don't know.

1822
01:35:15,160 --> 01:35:16,920
Speaker 4: I didn't see the video, you know what I'm saying.

1823
01:35:16,960 --> 01:35:18,320
Speaker 1: But I do know that, you know what I mean.

1824
01:35:18,400 --> 01:35:21,160
Speaker 4: He used to be talking that talk like you know

1825
01:35:21,200 --> 01:35:23,000
Speaker 4: what I mean, opening, waking you know what I'm saying,

1826
01:35:23,040 --> 01:35:25,599
Speaker 4: waking the masses up. And you know sometimes when you're

1827
01:35:25,600 --> 01:35:27,599
Speaker 4: speaking like that, that ship is real.

1828
01:35:27,640 --> 01:35:28,880
Speaker 1: You know what I'm saying. You gotta be you gotta

1829
01:35:28,880 --> 01:35:29,880
Speaker 1: be careful, you know what I'm saying.

1830
01:35:29,960 --> 01:35:33,960
Speaker 4: Like, so you know that kind of ship I really

1831
01:35:34,000 --> 01:35:35,680
Speaker 4: don't talk about, you know what I mean, because I

1832
01:35:35,720 --> 01:35:37,360
Speaker 4: don't even like you know what I mean, I don't

1833
01:35:37,400 --> 01:35:39,120
Speaker 4: even want to, you know what I mean, because you

1834
01:35:39,200 --> 01:35:41,679
Speaker 4: know them Odds is watching like you know what I'm saying.

1835
01:35:41,800 --> 01:35:43,920
Speaker 4: So I kind of talked behind seeing some of my

1836
01:35:44,000 --> 01:35:46,160
Speaker 4: people's about that like you know, ship like that.

1837
01:35:47,160 --> 01:35:49,479
Speaker 1: It's just it's real, it's real.

1838
01:35:49,760 --> 01:35:52,640
Speaker 3: Because I remember that day I was showing them a

1839
01:35:52,720 --> 01:35:58,640
Speaker 3: trip Godfather right after we knew and we were just

1840
01:35:58,720 --> 01:36:01,080
Speaker 3: at the bar, and I just remember us.

1841
01:36:01,040 --> 01:36:02,000
Speaker 1: Just not knowing what to say.

1842
01:36:02,840 --> 01:36:05,800
Speaker 3: We were just sitting there like it's just it didn't

1843
01:36:05,800 --> 01:36:07,400
Speaker 3: make sense. But we didn't want to like like you said,

1844
01:36:07,840 --> 01:36:09,200
Speaker 3: we didn't want to go in. It was just like

1845
01:36:09,800 --> 01:36:11,600
Speaker 3: it was, you know what I mean. But you know,

1846
01:36:12,040 --> 01:36:14,360
Speaker 3: regardless Man, rest in peace, Prodigy and r P.

1847
01:36:14,600 --> 01:36:18,519
Speaker 4: Prodigy, you know what I mean, still still with us

1848
01:36:18,600 --> 01:36:21,559
Speaker 4: in the essence, you know what I mean. And that's

1849
01:36:21,560 --> 01:36:24,080
Speaker 4: why that's why putting out this album is so important

1850
01:36:24,080 --> 01:36:24,280
Speaker 4: to me.

1851
01:36:24,800 --> 01:36:27,560
Speaker 1: You know what I mean. We said the name, the

1852
01:36:27,680 --> 01:36:29,519
Speaker 1: name of the album is called The Infinite. You know

1853
01:36:29,600 --> 01:36:31,879
Speaker 1: what I'm saying, Infinite Infinite Infinite.

1854
01:36:31,960 --> 01:36:34,640
Speaker 5: You know if you feel it sounds so cohesive that

1855
01:36:34,840 --> 01:36:37,040
Speaker 5: it's like if y'all win the studio together.

1856
01:36:37,920 --> 01:36:40,439
Speaker 4: It really does sound like that. And we we kind

1857
01:36:40,479 --> 01:36:43,080
Speaker 4: of we we set the album off like that. We

1858
01:36:43,200 --> 01:36:44,920
Speaker 4: set it off like that. So when you hear it,

1859
01:36:46,080 --> 01:36:48,280
Speaker 4: it's just going to be like you know what I'm saying,

1860
01:36:48,360 --> 01:36:50,360
Speaker 4: Like he's like he's head for real, you know what

1861
01:36:50,360 --> 01:36:53,439
Speaker 4: i mean. Like man, and I want to give a

1862
01:36:53,439 --> 01:36:56,519
Speaker 4: shout out to you know, Prodigy's family too, you know

1863
01:36:56,560 --> 01:36:58,240
Speaker 4: what I mean, because they they you know, they've been

1864
01:36:58,320 --> 01:36:58,560
Speaker 4: through it.

1865
01:36:58,560 --> 01:37:00,240
Speaker 1: You know what I'm saying. Losing the loved one is off,

1866
01:37:00,560 --> 01:37:03,280
Speaker 1: you know what I mean, you know, it's you know,

1867
01:37:03,400 --> 01:37:05,599
Speaker 1: make it if it took so long to make the album,

1868
01:37:06,120 --> 01:37:08,640
Speaker 1: so what you know what I mean? They really you know,

1869
01:37:09,360 --> 01:37:13,040
Speaker 1: daughter son los Fall. Can you please get the flowers

1870
01:37:13,080 --> 01:37:14,160
Speaker 1: to the family please.

1871
01:37:14,160 --> 01:37:18,120
Speaker 4: Absolutely, absolutely definitely gonna get this to you know, Santana

1872
01:37:18,200 --> 01:37:19,000
Speaker 4: Fox for sure.

1873
01:37:19,280 --> 01:37:23,960
Speaker 3: That's that's what his daughter, his daughter that wraps, right, Yeah, yeah, yeah, she.

1874
01:37:24,000 --> 01:37:26,240
Speaker 4: Wraps, she makes bees, you know what I mean. And

1875
01:37:26,360 --> 01:37:29,439
Speaker 4: she she's nice. I mean, she really really nice, you

1876
01:37:29,479 --> 01:37:32,600
Speaker 4: know what I mean. So definitely gonna get that to her.

1877
01:37:32,680 --> 01:37:33,720
Speaker 4: She she the next one up.

1878
01:37:34,120 --> 01:37:37,160
Speaker 1: M hmm. Will you produce the album for her? Absolutely

1879
01:37:37,960 --> 01:37:40,160
Speaker 1: anything she wants, you know, understanding, definitely for sure.

1880
01:37:40,680 --> 01:37:43,680
Speaker 3: Let's take a shot to that. Oh, let's take it

1881
01:37:43,720 --> 01:37:49,320
Speaker 3: to to the motherfucking yeah. In now, let me get my.

1882
01:37:54,680 --> 01:37:59,320
Speaker 1: I'm a part of this now or not? Yo. This

1883
01:37:59,400 --> 01:38:16,160
Speaker 1: is called the Always.

1884
01:38:11,320 --> 01:38:14,639
Speaker 5: Drink Champs is a drink Champs ll C production hosts

1885
01:38:14,720 --> 01:38:17,800
Speaker 5: and executive producers n O r E and dj E

1886
01:38:18,040 --> 01:38:18,280
Speaker 5: f f N.

1887
01:38:19,439 --> 01:38:20,280
Speaker 1: Listen to Drink.

1888
01:38:20,160 --> 01:38:24,439
Speaker 5: Champs on Apple Podcast, Amazon Music, Spotify, or wherever you

1889
01:38:24,560 --> 01:38:28,360
Speaker 5: get your podcasts. Thanks for joining us for another episode

1890
01:38:28,360 --> 01:38:31,000
Speaker 5: of Drink Champs hosted by yours truly dj e f

1891
01:38:31,160 --> 01:38:33,280
Speaker 5: N and n O r E. Please make sure to

1892
01:38:33,320 --> 01:38:35,800
Speaker 5: follow us on all our socials that's at Drink Champs

1893
01:38:35,880 --> 01:38:38,840
Speaker 5: across all platforms. At the Real Noria go on, I

1894
01:38:39,040 --> 01:38:42,719
Speaker 5: g at Noriaga on Twitter, Mine is at Who's Crazy

1895
01:38:42,880 --> 01:38:45,759
Speaker 5: on I g at dj E f N on Twitter,

1896
01:38:46,120 --> 01:38:48,679
Speaker 5: And most importantly, stay up to date with the latest releases,

1897
01:38:49,120 --> 01:38:50,760
Speaker 5: news and merch by going

1898
01:38:50,800 --> 01:38:52,280
Speaker 1: To drink Champs dot com