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Speaker 1: Well, I invited you here, thought I made myself perfectly clear.

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Speaker 1: When you're a guest to my home, you gotta come

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Speaker 1: to me empty. And I said, no, guests, your own

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Speaker 1: presences presence enough. And I already had too much stuff.

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Speaker 1: So how did you dare to surbey me?

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Speaker 2: Welcome to I said, no gifts. I'm Richard Wineger. We're

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Speaker 2: in the backyard, Ah. If you're just tuning in, this

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Speaker 2: is the beginning of the podcast. Here we are. We're

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Speaker 2: excited to be here. The heat is overwhelming, but it's

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Speaker 2: not a weather podcast. We're not going to talk about that.

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Speaker 2: I've got a room temperature water, which I'll be able

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Speaker 2: to enjoy throughout the podcast. And what else is happening?

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Speaker 2: I'm just I was in Utah. I back. I faced

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Speaker 2: some you know, I had to look at some photos

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Speaker 2: of myself from two thousand and seven and I faced that.

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Speaker 2: And so I'm in a different place. Now where are we.

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Speaker 2: I've had my coffee, obviously, I'm having a great time.

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Speaker 2: I love today's guest. I think today's guest is so

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Speaker 2: unbelievably funny. It's Joe Quizala. Hello Joe, what's the latest

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Speaker 2: in tech?

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Speaker 3: What's going On.

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Speaker 2: Yeah.

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Speaker 3: No, they're still disrupting, disrupting, and I'm at the forefront

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Speaker 3: of it. As you know, your listeners don't even need

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Speaker 3: an introduction. They know I am a tech.

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Speaker 2: Guru, mister startup, exact.

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Speaker 3: VC, angel investors, seed money, all of this stuff is

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Speaker 3: you know, my bread and butter.

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Speaker 2: No, I mean, listener, Joe, I mean does invest a

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Speaker 2: lot in the Silicon Valley space. But you know him.

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Speaker 3: We don't need to bore them with those details right now.

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Speaker 2: But like Elon Musk, also a comedian. Uh so, we're

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Speaker 2: so happy to have you here.

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Speaker 3: Thank you. It's funny. I am not because of Elon's

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Speaker 3: interest in comedy, and you may be the same way.

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Speaker 3: I am like probably one degree away from him, because

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Speaker 3: he hired a bunch of Onion writers, yes, like a

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Speaker 3: few years ago, and I knew many of.

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Speaker 2: Them, of course, wonderful people.

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Speaker 3: Yeah, and uh what a And who could forget the

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Speaker 3: publication that they released with Elon Musk. I mean we

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Speaker 3: were reading it every day and we still are.

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Speaker 2: That was such a fascinating journey because we all within

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Speaker 2: comedy watched him kind of dump money into a project

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Speaker 2: for a while.

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Speaker 3: Oh yeah, at least a few years. Yes, took people

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Speaker 3: directly from the Onion, and I, as I re called,

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Speaker 3: those people were ready to leave the Onion. Which is

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Speaker 3: funny to think that, like he would provide shelter for

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Speaker 3: people who felt wronged by a company.

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Speaker 2: Yeah, the last person you would expect to.

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Speaker 3: At the time, he hadn't quite made his public heel turn.

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Speaker 2: Right, We didn't quite know what was going on there.

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Speaker 2: We knew there was money, yes, and that should have

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Speaker 2: been a red flag. Yes, well, well, I feel like

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Speaker 2: at the time we still had a positive or not

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Speaker 2: a positive opinion, but a confused look at Elon. And

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Speaker 2: we didn't hate Grimes yet.

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Speaker 3: No, No, I hadn't.

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Speaker 2: Spent all of her goodwill. Grimes was safe.

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Speaker 3: Grimes was completely safe. We definitely all knew who she was.

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Speaker 3: We all knew who she was, and I would say

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Speaker 3: I still could tell you all of her huge hits.

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Speaker 2: For me, had a great level of respect. People were

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Speaker 2: looking to Grimes as kind of oh, this person we

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Speaker 2: can respect and now a clown.

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Speaker 3: Who Yeah, no, a buffoon truly auf well, because all right,

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Speaker 3: I I and I was tipping my hand here. I

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Speaker 3: know of Grimes as a figure in pop culture, a musician.

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Speaker 3: I am told I can't act cool enough to say that,

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Speaker 3: I like know grimes as music, but seem to be

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Speaker 3: on the indie side of things. Correct, But like indie

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Speaker 3: alt maybe is a better.

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Speaker 2: Word interesting pop, I would say, yeah.

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Speaker 3: And someone who's look an aesthetic certainly was very cool

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Speaker 3: and transcended the normal boundaries of what we consider to

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Speaker 3: be anything.

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Speaker 2: And now people know about her like you know about her. Yes,

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Speaker 2: she married a maniac and then divorced.

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Speaker 3: Yes, and then divorced, but that does not absolve her

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Speaker 3: ever since.

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Speaker 2: No, absolutely not well, and she's certainly not making amends.

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Speaker 2: She continues to do stupid shit all the time.

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Speaker 3: Now if she joined some sort of cause, as though

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Speaker 3: to say I had been, uh, you know, drinking the

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Speaker 3: kool aid, I see what was And listen again, I

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Speaker 3: don't know that she's not doing this. I don't, we're not.

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Speaker 3: I'm not up on my grimes news. But yeah, it doesn't.

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Speaker 3: It does not seem like she's leading any charge. But

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Speaker 3: you know, there's still time. There's time for grimes.

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Speaker 2: Has there ever been a celebrity who didn't commit an

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Speaker 2: actual crime but did some of this garbage? Acted like

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Speaker 2: a moron for a long time and then you know,

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Speaker 2: repentant of it, and then we were like, oh, we're

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Speaker 2: back on your side. I don't know that that's ever

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Speaker 2: actually happened.

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Speaker 3: That's a great question, because I feel like given the

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Speaker 3: sheer number of celebrities, like just odds are it must

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Speaker 3: have happened once. I mean I was thinking recently obviously

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Speaker 3: because of a mission impossible, Tom Cruise's kind of miraculous

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Speaker 3: pull out of the tailspin and he is Maverick and

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Speaker 3: so should we not expect But the fact that like

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Speaker 3: we went on Oprah and was up on the couch

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Speaker 3: and just being like peak weirdo and we were all like, no, thanks,

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Speaker 3: uh uh. And the fact that he is back, maybe

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Speaker 3: more than ever Hollywood's favorite celebrity.

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Speaker 2: Yeah, he's a fascinating one because they're still right there

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Speaker 2: for him to grab dropping scientology and then probably running

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Speaker 2: for president like he would, I mean, we would just

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Speaker 2: let him be president.

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Speaker 3: Yeah, we don't need an election. We all decide to

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Speaker 3: forego that process.

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Speaker 2: Yeah. So I guess it's just he How did that happen?

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Speaker 2: I guess he just got a little more quiet.

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Speaker 3: I think that's definitely part of it.

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Speaker 2: It continued being in these thrilling movies.

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Speaker 3: Good movies because there was a period there where it

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Speaker 3: was like the Jack Reacher movies.

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Speaker 2: And I was like, maybe Night and Day.

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Speaker 3: With uh yeah, with Cameron did yeah, oblivion, oblivion if

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Speaker 3: this is the valley, this is the cruise Valley. But

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Speaker 3: then you know, once because and the Mission Impossibles were

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Speaker 3: happening all throughout, like you know, First Movie ninety.

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Speaker 2: Six, nineteen ninety six is crazy.

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Speaker 3: Yeah, But then like we those movies started to get

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Speaker 3: like really good, and then we turned around Edge of

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Speaker 3: Tomorrow and Tomorrow.

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Speaker 2: Edge of Tomorrow to me feels like because he was

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Speaker 2: swimming from Mission Impossible to Mission impossible, almost drowning every time.

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Speaker 2: Then he had Mission Impossible and Edge of Tomorrow and

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Speaker 2: then we were like, Okay, we're all back on board.

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Speaker 3: Because Edge of Tomorrow bombed, I think because we still

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Speaker 3: thought he was in that mode. Was horrible, not good.

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Speaker 3: Every title I have heard for that movie, which there

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Speaker 3: are several, are all bad. So is based on a

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Speaker 3: book called All You Need Is Kill, which is worse

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Speaker 3: than Edge of Tomorrow. And when it was released on DVD,

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Speaker 3: they almost put the tagline so big you would think

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Speaker 3: that was the title of the movie almost to the

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Speaker 3: point of a rebrand. I don't Nova's official and that

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Speaker 3: title was Live Die Repeat, Oh.

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Speaker 2: Of Course, which which at least explains what's happening in

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Speaker 2: the movie exactly. It's not good.

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Speaker 3: Edge of Tomorrow just a slightly more poetic almost seems

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Speaker 3: like a Star Trek Classic episode title. To me.

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Speaker 2: It seems like a Why novel or something where like

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Speaker 2: one of the kids is sick and they fall in

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Speaker 2: love with each other. That kind of Yeah.

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Speaker 3: No, I mean, because there's there's comparisons to like Edge

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Speaker 3: of seventeen, you know what kind of a coming of

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Speaker 3: age tale. But yeah, it does feel like it could

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Speaker 3: be Paper Towns or what I got about The Spectacular Now?

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Speaker 3: That was another one, right that like genre.

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Speaker 2: All of these titles would work for Edge of Tomorrow.

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Speaker 2: I could have been called the Spectacular Now absolutely.

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Speaker 3: I mean, you're you're not wrong. It was every moment

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Speaker 3: is is now, and it's spectacular because it's restarting.

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Speaker 2: Now, how fascinating. Edge of seventeen, what is that movie

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Speaker 2: about someone going from sixteen to seventeen?

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Speaker 3: I think so. I think you nailed it, pivotal. I

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Speaker 3: think it's just I can't say that I've seen it.

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Speaker 3: I'm a little embarrassed because I've heard it's quite good.

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Speaker 2: Is it really?

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Speaker 3: I watched are you there, God, It's Me Margaret, which

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Speaker 3: was quite good. I've heard it's great, and I believe

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Speaker 3: same director.

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Speaker 2: Oh interesting.

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Speaker 3: It makes me think at just seventeen could be worth

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Speaker 3: a watch.

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Speaker 2: I feel like they must have dropped the ball with

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Speaker 2: Margaret because that movie, I mean, that book is everyone

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Speaker 2: has read it, or at least every woman has definitely.

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Speaker 3: Read wrong ip.

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Speaker 2: Yeah, and I feel like it was really straight to video.

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Speaker 3: It was in theaters. I did see it in theaters,

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Speaker 3: but I know what you mean. It just didn't It

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Speaker 3: didn't make much of an impact.

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Speaker 2: I could not tell you who's in the movie. I

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Speaker 2: never saw a clip of the movie, and I've seen

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Speaker 2: a lot of clips for a lot of movies not

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Speaker 2: my choice.

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Speaker 3: You famously are bombarded by them when you leave the door.

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Speaker 3: It's a reverse paparazzi. They're showing you a camera. Please please,

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Speaker 3: but the parents of Margaret, and Margaret obviously is a

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Speaker 3: child actor, not a name actor. Nobody straight, nobody who

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Speaker 3: gets a shit. Although I think she was in an

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Speaker 3: ant Man as the daughter Rachel McAdams is the mom okay,

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Speaker 3: and a safety.

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Speaker 2: Oh, one of the safeties. I can't Benji Benny. I

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Speaker 2: think it's Benny Safty.

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Speaker 3: And it's, if not him, the other one and the

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Speaker 3: one who tends to be in.

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Speaker 2: Stuff, right, the one that's in their movies.

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Speaker 3: Yeah, right, and is in Oppenheimer.

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Speaker 2: Oh he's an Oppenheimer.

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Speaker 3: Wow have you seen? Have you seen the pictures of.

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Speaker 2: The cast list? They went out, They went out and

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Speaker 2: got everyone they wanted. When you initially said a Safty,

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Speaker 2: I thought you were saying like a as an initial

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Speaker 2: period Andrew Aaron Allison, Oh, that's an interesting but see,

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Speaker 2: I couldn't have told you that.

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Speaker 3: And that's why I'm here kind of to tell you

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Speaker 3: about the cast of movies.

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Speaker 2: In hollywood's allowed to promote anything, but you came.

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Speaker 3: Yes, No, I came just for movies that came and

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Speaker 3: went to let you know some of who I think

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Speaker 3: is in the movie.

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Speaker 2: I feel like child stars should never be a recognizable

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Speaker 2: the kid should never be somebody I know from a

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Speaker 2: previous movie.

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Speaker 3: And that is healthy. Yeah, truly, Like there is an argument, yeah,

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Speaker 3: that child acting should be illegal.

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Speaker 2: It should be illegal, and I'm with I'm I may

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Speaker 2: be with that, or at least if it's illegal. It

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Speaker 2: should be like each kid gets to do one movie.

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Speaker 2: It's almost like a school project. Yeah, where it's like

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Speaker 2: and now it's Deborah's movie. Give her a chance, let her.

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Speaker 3: Have a film, and then no more until she finished.

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Speaker 3: I was gonna, says a team. I'm finish college, right,

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Speaker 3: that child needs.

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Speaker 2: To get them through some higher education. Let them experience

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Speaker 2: life and find themselves. Yes, interesting idea on our part,

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Speaker 2: our child agency.

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Speaker 3: Yeah right, I interact with very few children on a

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Speaker 3: day to day basis. I don't know about you, but

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Speaker 3: I feel like we're qualified regardless.

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Speaker 2: We're excellent. We should be managers. We're the new managers

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Speaker 2: of children. Yeah, I'm weirdly in LA. I feel like

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Speaker 2: I never see kids or teens. And maybe that's just

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Speaker 2: being an adult, but I rarely see that when you.

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Speaker 3: Go to the cheese all the time.

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Speaker 2: So that is strange that it's a ghost towns you.

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Speaker 3: Some say it's abandoned and you're like, no, the door

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Speaker 3: is you have to pry it open with a children here,

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Speaker 3: the lights are always off and I see the rat

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Speaker 3: running around into a hole scampering.

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Speaker 2: No, I don't know what that is. Maybe it's probably

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Speaker 2: just my friend group. Or but when I'm out and about,

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Speaker 2: I'm at the mall, well, I must see kids at

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Speaker 2: the mall. Teens at the mall. It feels like a

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Speaker 2: weird like you never see teens working at like fast

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Speaker 2: food places here?

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Speaker 3: Sure is that true?

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Speaker 2: Or am I making that up?

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Speaker 3: I mean, I'm like, how often do I go into

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Speaker 3: a fast food place?

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Speaker 2: That's an question I went to see.

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Speaker 3: Speaking of movies, I saw Insidious colon the Red Door,

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Speaker 3: the newest Insidious movie, and there were a ton of

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Speaker 3: teens there.

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Speaker 2: Oh interesting, it was fun. Horror movies are, of course,

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Speaker 2: How was the movie?

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Speaker 3: I have not seen any of the Insidious movies? Ok,

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Speaker 3: so I'm coming in a number five I think number

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Speaker 3: five or sake like it's it's a franchise that has

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Speaker 3: been going for a while. But I had a good

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Speaker 3: time because the teens were so into it. Like the

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Speaker 3: teens behind me as like a scary thing is about

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Speaker 3: to happen. You could hear them going and that I

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Speaker 3: was laughing.

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Speaker 2: And then are they shrieking?

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Speaker 3: Yeah? Oh yeah? And then you know, like a guy,

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Speaker 3: a little man comes out and starts crawling around on

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Speaker 3: the floor or whatever and they scream and it's it's

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Speaker 3: it's as fun as a movie like that, right.

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Speaker 2: Yeah, you need for a horror movie for everyone to

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Speaker 2: be scared to death. Otherwise it's just kind of a weird,

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Speaker 2: confusing experience.

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Speaker 3: Yeah, or if it's if it's funny, but then you're like,

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Speaker 3: how much of a horror movie is it?

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Speaker 2: At that point you're too comfortable.

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Speaker 3: I try to get to that place where I'm laughing

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Speaker 3: and having a good time, because when I'm just scared,

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Speaker 3: I do have that thought of like what what am I?

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Speaker 3: What am I doing? Like this isn't I paid to?

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Speaker 3: Because some people like that. I've been told it's ever

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Speaker 3: been a pleasant experience.

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Speaker 2: You don't like to be scared, no, see. But if

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Speaker 2: I go to a horror movie and this is my

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Speaker 2: entire experience at this point with horror movies, I'm never scared,

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Speaker 2: and so I'm like this and horror movies are fine,

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Speaker 2: like at best usually and often bad. So if I'm

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Speaker 2: not scared, I'm now just watching a fine movie, right, Like,

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Speaker 2: occasionally a weird looking creature is in and I need

285
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Speaker 2: to get back to a place of pure horror. Just

286
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Speaker 2: leading the theater and terror. But I feel like the

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Speaker 2: only things that really scare me now are based on

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Speaker 2: a true.

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Speaker 3: Story, Okay, because then the threat is real.

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Speaker 2: Right, Like even now if I watch Zodiac, yeah, you know,

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Speaker 2: at night, I'm scared to death.

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Speaker 3: He's still out there.

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Speaker 2: He's still out there. He's as active as ever.

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Speaker 3: Listen, I've met John Carroll Lynch who plays the.

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Speaker 2: Oh he is the possible yeah, probably Zodia.

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Speaker 3: Probable Zodiac killer. And I'll tell you I've met him,

297
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Speaker 3: So that means he's out there too, and.

298
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Speaker 2: He might get some ideas he's done his research. How

299
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Speaker 2: was he as a person?

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Speaker 3: Lovely, a lovely man.

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Speaker 2: I don't know that I could see past the Zodiac

302
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Speaker 2: at this point?

303
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Speaker 3: Well you know, have you?

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Speaker 2: Yeah?

305
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Speaker 3: I mean like, are the other roles apparent to you?

306
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Speaker 3: Or are they just not strong enough? Because he's in Fargo.

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Speaker 2: He is always greatly husband, a sweet, sweet man Zodiac. Yes,

308
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Speaker 2: so I can see before he's the killing began.

309
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Speaker 3: Yeah, yeah, so it's all movies are a chronological timeline

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Speaker 3: of his life. Right. He's also I think he plays

311
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Speaker 3: a creepy clown in American horror story. So that's okay.

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Speaker 2: I never seen a moment of American Horse Story.

313
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Speaker 3: Me neither, okay, but I'm just aware of his of

314
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Speaker 3: his filmography because he was helping out on a live

315
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Speaker 3: show I used to do where I would have actors

316
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Speaker 3: come by and I would create a game show around

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Speaker 3: their filmography.

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Speaker 2: Oh incredible.

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Speaker 3: So I'd have like people from the audience come up

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Speaker 3: and I'd have these questions and I'd have like a

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Speaker 3: panel of actors.

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Speaker 2: What a great idea for a game thank you?

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Speaker 3: Yeah it was. And he he's been in so much

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Speaker 3: stuff that it was a lot of fun. He was

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Speaker 3: in Bubble Boy.

326
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Speaker 2: Who was the star of Bubble Boy.

327
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Speaker 3: Jake Jollnhall from Zodiac.

328
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Speaker 2: Wow, that's where they met. Yeah, you know, one of

329
00:16:13,800 --> 00:16:16,680
Speaker 2: them gave the other a leg up in the casting process.

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Speaker 3: You know, Jake, we're trying to cast the guy who's

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Speaker 3: probably the Zodiac Killer. Do you have anybody in mind?

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Speaker 3: He's like, well, you know, there was this actor from

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Speaker 3: a little movie called Bubble Boy.

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Speaker 2: Seen bubble Boy?

335
00:16:30,080 --> 00:16:32,600
Speaker 3: Oh you mean from John Carrolllynch of course, from Bubble Boy.

336
00:16:32,720 --> 00:16:35,120
Speaker 3: You know, we were curious if you still talk to him.

337
00:16:35,320 --> 00:16:37,960
Speaker 2: No, he seems like someone who's probably very funny. I

338
00:16:37,960 --> 00:16:39,160
Speaker 2: feel like he does a lot of comedy.

339
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Speaker 3: John kur Lynch, Yeah, yeah, I mean he also he

340
00:16:41,840 --> 00:16:44,840
Speaker 3: played Drew Carey's brother in The Drew Carey Show. He's

341
00:16:44,880 --> 00:16:47,320
Speaker 3: got like three camera sitcom chops too.

342
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Speaker 2: Wow. Yeah, And yet I can't see past zodiac, and

343
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Speaker 2: so it's on me. It is only my problem. We're

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00:16:53,120 --> 00:16:56,720
Speaker 2: discovering that I'm the problem. That's fine. Have him on

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Speaker 2: the show, John, if you're listening. I need to look

346
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Speaker 2: past the zodiac, and there's only one way I can

347
00:17:01,840 --> 00:17:04,120
Speaker 2: do it. You've got to be in my backyard. I'll

348
00:17:04,119 --> 00:17:07,960
Speaker 2: feel threatened the entire time. Joe, I always feel like

349
00:17:07,960 --> 00:17:11,600
Speaker 2: I'm missing at one letter in your last name when

350
00:17:11,640 --> 00:17:12,040
Speaker 2: I say it.

351
00:17:12,560 --> 00:17:15,120
Speaker 3: That's by design. You don't want that sea in there.

352
00:17:15,160 --> 00:17:16,679
Speaker 3: The sea does nothing, The sea is silent.

353
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Speaker 2: What where is this last name from?

354
00:17:19,440 --> 00:17:21,320
Speaker 3: Poland? Poland the mother country.

355
00:17:21,440 --> 00:17:23,000
Speaker 2: I feel like we have bad last names.

356
00:17:23,760 --> 00:17:26,879
Speaker 3: Yeah, tough, Yeah, I mean consonants. Yeah, a lot of

357
00:17:26,920 --> 00:17:31,880
Speaker 3: consonants coming out of Poland. And you know I am

358
00:17:32,280 --> 00:17:33,560
Speaker 3: a perfect example of that.

359
00:17:33,960 --> 00:17:34,560
Speaker 2: Quisala.

360
00:17:34,720 --> 00:17:37,600
Speaker 3: I don't think it's as difficult as you would expect

361
00:17:38,640 --> 00:17:41,239
Speaker 3: looking at it, because I think when people look at it,

362
00:17:41,240 --> 00:17:44,560
Speaker 3: it's a combination of letters that are unfamiliar, which immediately

363
00:17:44,560 --> 00:17:47,120
Speaker 3: throws you off. But then if you okay, you start off,

364
00:17:47,119 --> 00:17:51,000
Speaker 3: you're like, k w A, that'll lot that by itself

365
00:17:51,200 --> 00:17:54,600
Speaker 3: is fine, right, wah easy, right? And then the sea

366
00:17:54,680 --> 00:17:57,919
Speaker 3: and the Z is where people are like loose, I

367
00:17:57,920 --> 00:18:01,359
Speaker 3: don't know, and I get it because should you pronounce

368
00:18:01,359 --> 00:18:03,399
Speaker 3: the C? Is it like czar?

369
00:18:04,320 --> 00:18:04,520
Speaker 2: Oh?

370
00:18:04,560 --> 00:18:07,560
Speaker 3: Which it is like czar exactly like czar. But if

371
00:18:07,560 --> 00:18:11,800
Speaker 3: you're also, if you happen to be attuned to Polish,

372
00:18:12,160 --> 00:18:15,000
Speaker 3: you would go maybe that should be a cha like

373
00:18:15,080 --> 00:18:21,280
Speaker 3: oh interesting, like rightiker, And then you're also is it

374
00:18:21,359 --> 00:18:23,399
Speaker 3: like do you stop in between the sea and the Z?

375
00:18:23,880 --> 00:18:27,119
Speaker 3: Do you go quack and zala? Continue?

376
00:18:27,200 --> 00:18:29,560
Speaker 2: It's too much, yeah, way too much ahead of I

377
00:18:29,600 --> 00:18:31,800
Speaker 2: mean for a long I've known you for a while

378
00:18:31,840 --> 00:18:33,399
Speaker 2: and I knew of you before, and I feel like

379
00:18:33,400 --> 00:18:34,960
Speaker 2: anytime I've ever had to say your last name, I

380
00:18:35,080 --> 00:18:36,639
Speaker 2: just kind of speed through it and mumble it and

381
00:18:36,640 --> 00:18:38,879
Speaker 2: hope that nobody calls me on it.

382
00:18:38,920 --> 00:18:42,080
Speaker 3: And the thing is, I'm never offended, because I understand.

383
00:18:41,720 --> 00:18:43,560
Speaker 2: That's how I feel with my last name. But people

384
00:18:43,560 --> 00:18:45,159
Speaker 2: are very sensitive about last name.

385
00:18:45,040 --> 00:18:48,080
Speaker 3: They are, and I try to be four other people

386
00:18:48,520 --> 00:18:51,760
Speaker 3: knowing the struggle. But yours is really, like you have

387
00:18:51,880 --> 00:18:52,359
Speaker 3: to know.

388
00:18:52,520 --> 00:18:55,840
Speaker 2: Because it looks like vinegar, it's not. It also starts

389
00:18:55,880 --> 00:18:58,240
Speaker 2: with wine, yes, and it's not wine and gar as

390
00:18:58,280 --> 00:18:59,640
Speaker 2: the we're dipping with the e.

391
00:19:01,440 --> 00:19:04,600
Speaker 3: The I in the E could could go a lot

392
00:19:04,640 --> 00:19:09,760
Speaker 3: of ways. Those are versatile letters, so it could be yeah,

393
00:19:09,800 --> 00:19:14,280
Speaker 3: because are and err at the end and then wine

394
00:19:14,280 --> 00:19:17,040
Speaker 3: and when in the beginning You've got a number of

395
00:19:17,080 --> 00:19:17,919
Speaker 3: combinations there.

396
00:19:17,760 --> 00:19:20,040
Speaker 2: Already it's a trap. Yeah, I mean, I feel like

397
00:19:20,080 --> 00:19:23,440
Speaker 2: it is. The The pronunciation is the absolute last possibility

398
00:19:23,440 --> 00:19:24,320
Speaker 2: that people would think of.

399
00:19:24,720 --> 00:19:26,680
Speaker 3: I think I probably thought wineger.

400
00:19:26,840 --> 00:19:27,360
Speaker 2: Oh you did.

401
00:19:27,920 --> 00:19:28,120
Speaker 3: Yeah.

402
00:19:28,119 --> 00:19:30,639
Speaker 2: Well, but you're coming from a you grew up with

403
00:19:30,640 --> 00:19:32,840
Speaker 2: a challenging last name, you know, kind of the field.

404
00:19:33,040 --> 00:19:37,440
Speaker 3: I'm not always coming at it from from the main road,

405
00:19:37,600 --> 00:19:42,760
Speaker 3: you know, I'm driving, I'm backing up into the alley. Yeah.

406
00:19:43,200 --> 00:19:46,200
Speaker 2: Interesting. Well, now, I mean, hopefully the word spreads about

407
00:19:46,240 --> 00:19:50,320
Speaker 2: both of our last names. Telemarketers will be thrilled. Did

408
00:19:50,320 --> 00:19:51,800
Speaker 2: you have trouble with that when you were growing up

409
00:19:51,800 --> 00:19:53,439
Speaker 2: people calling and sing your last name bad? Oh?

410
00:19:53,520 --> 00:19:55,919
Speaker 3: Yeah? Also, I mean the the head of the household,

411
00:19:56,000 --> 00:19:57,520
Speaker 3: my father, his name is.

412
00:19:57,520 --> 00:20:01,440
Speaker 2: Amyl Amyl kuasal Am I is that Polish?

413
00:20:01,680 --> 00:20:03,840
Speaker 3: And yeah, that is Polish.

414
00:20:03,400 --> 00:20:03,520
Speaker 1: Uh.

415
00:20:04,080 --> 00:20:07,080
Speaker 3: His father's name was was Amyl as well, but most

416
00:20:07,080 --> 00:20:10,560
Speaker 3: people would see that name and not pronounce it Amol right,

417
00:20:10,600 --> 00:20:13,800
Speaker 3: and I and even people who have that name would

418
00:20:13,840 --> 00:20:14,919
Speaker 3: maybe pronounce it Emil.

419
00:20:15,200 --> 00:20:16,879
Speaker 2: Right, I would say Emil or.

420
00:20:19,359 --> 00:20:24,480
Speaker 3: Yeah, Emil, like almost like Emily, but stop short. And

421
00:20:24,520 --> 00:20:28,399
Speaker 3: so he and my mom's name is Mary pat which

422
00:20:28,440 --> 00:20:32,560
Speaker 3: is normal except people used to call her Mary growing up,

423
00:20:32,560 --> 00:20:35,520
Speaker 3: which she was like, that's not my name. So she

424
00:20:35,800 --> 00:20:42,600
Speaker 3: combined her name into one name, A R I p At,

425
00:20:42,840 --> 00:20:48,320
Speaker 3: so it looks like marippit like. So, both my parents

426
00:20:48,320 --> 00:20:51,600
Speaker 3: had extremely difficult first names, and they knew they were

427
00:20:51,640 --> 00:20:55,440
Speaker 3: saddling me with a bad one for the last name.

428
00:20:55,560 --> 00:20:57,640
Speaker 3: And that is why I'm named Joe. Wow.

429
00:20:57,760 --> 00:21:00,639
Speaker 2: Do you have siblings John? Wow? They really went for

430
00:21:00,680 --> 00:21:02,320
Speaker 2: it with the straightforward.

431
00:21:01,680 --> 00:21:04,640
Speaker 3: They understood the struggle. Yeah, they were just like, we're

432
00:21:04,640 --> 00:21:08,680
Speaker 3: not going to saddle these kids with the bird. They

433
00:21:08,680 --> 00:21:10,560
Speaker 3: already will have enough with the last name.

434
00:21:12,400 --> 00:21:15,720
Speaker 2: Such a beautiful, elegant Yeah, I know.

435
00:21:15,920 --> 00:21:19,760
Speaker 3: And uh, she did it long enough ago that like

436
00:21:20,760 --> 00:21:25,200
Speaker 3: she didn't have to talk to the government to change

437
00:21:25,200 --> 00:21:27,600
Speaker 3: her name. Oh wow, so's that's just what it is

438
00:21:27,640 --> 00:21:29,800
Speaker 3: on every official document. But that was that's not on

439
00:21:29,880 --> 00:21:33,160
Speaker 3: her birth certificate. Interesting, Mary Patricia on her.

440
00:21:32,800 --> 00:21:34,120
Speaker 2: So there was a while that you could just get

441
00:21:34,160 --> 00:21:35,520
Speaker 2: in there and change your name, will you.

442
00:21:35,600 --> 00:21:38,120
Speaker 3: Nobody nobody's paying attention. They're just like sure or.

443
00:21:38,040 --> 00:21:40,359
Speaker 2: Fine, Now you have to get an attorney. Yeah, the

444
00:21:40,400 --> 00:21:42,200
Speaker 2: whole process.

445
00:21:42,880 --> 00:21:45,359
Speaker 3: For friends of mine who have chosen to change their

446
00:21:45,440 --> 00:21:47,040
Speaker 3: names after marriage, they've told.

447
00:21:46,920 --> 00:21:49,199
Speaker 2: Me like, oh, yeah, it sucks. Yeah, I feel like

448
00:21:49,359 --> 00:21:51,920
Speaker 2: not easy after marriage at this point, don't put yourself

449
00:21:51,960 --> 00:21:52,359
Speaker 2: through it.

450
00:21:52,560 --> 00:21:52,959
Speaker 3: Grow up?

451
00:21:53,000 --> 00:21:57,800
Speaker 2: Maybe grow up. Fairy Tale endings are a lie.

452
00:21:58,320 --> 00:22:01,240
Speaker 3: But like what yeah, kind of what is the point?

453
00:22:01,280 --> 00:22:02,480
Speaker 3: I mean, I guess if you want to do it

454
00:22:02,960 --> 00:22:04,840
Speaker 3: in the sake of like family unity, I.

455
00:22:04,800 --> 00:22:07,840
Speaker 2: Guess yeah, it could be the But then I think

456
00:22:07,960 --> 00:22:10,360
Speaker 2: both parties should have to just settle on a different word.

457
00:22:10,720 --> 00:22:14,159
Speaker 3: Hybrid or just completely brand the names.

458
00:22:14,320 --> 00:22:18,119
Speaker 2: It should be completely unfamiliar to both parties. They just

459
00:22:18,160 --> 00:22:19,880
Speaker 2: have to find a word that is now their last.

460
00:22:20,920 --> 00:22:24,840
Speaker 3: Yeah, and so it's difficult for everybody involved. Everybody has

461
00:22:24,880 --> 00:22:29,200
Speaker 3: to change it, and they've chosen a random word like refrigerator.

462
00:22:29,320 --> 00:22:33,200
Speaker 3: I'm assuming is the kind of nomenclature you're going.

463
00:22:33,040 --> 00:22:37,760
Speaker 2: For yeah, and then you know you lose friends, families confused.

464
00:22:38,160 --> 00:22:39,000
Speaker 2: I think that's fine.

465
00:22:39,200 --> 00:22:41,080
Speaker 3: I would love to see more last names that were

466
00:22:41,119 --> 00:22:41,760
Speaker 3: just objects.

467
00:22:41,840 --> 00:22:43,359
Speaker 2: Oh I love on an object.

468
00:22:43,520 --> 00:22:47,960
Speaker 3: Table for example. We just love that guy last name.

469
00:22:48,000 --> 00:22:50,159
Speaker 3: There must be again, going back to the odds of

470
00:22:50,160 --> 00:22:52,560
Speaker 3: how many people exist in the world, someone's last name

471
00:22:52,600 --> 00:22:54,160
Speaker 3: must be table certainly.

472
00:22:54,359 --> 00:22:56,919
Speaker 2: I mean the rule is, if you've ever thought it,

473
00:22:56,920 --> 00:23:01,280
Speaker 2: it's happened. And so Table is the last name somewhere,

474
00:23:01,440 --> 00:23:04,239
Speaker 2: maybe a pro wrestler or something. They picked that as

475
00:23:04,280 --> 00:23:05,040
Speaker 2: there they picked it.

476
00:23:05,119 --> 00:23:07,960
Speaker 3: I mean, that's that's good, but I would understand why.

477
00:23:07,960 --> 00:23:10,280
Speaker 3: But I mean, like it's our family name.

478
00:23:10,240 --> 00:23:13,840
Speaker 2: Right, They've got a history headed back into who knows where.

479
00:23:14,440 --> 00:23:16,919
Speaker 2: Table feels like a French word tobl Yeah, maybe it

480
00:23:16,920 --> 00:23:21,200
Speaker 2: comes from table. That must be a French last name originally,

481
00:23:21,200 --> 00:23:22,280
Speaker 2: and they invented the table.

482
00:23:22,680 --> 00:23:25,080
Speaker 3: Well there's the famous night, Sir LATV.

483
00:23:26,680 --> 00:23:30,040
Speaker 2: Sorry, Joe's unfortunately leaving the podcast.

484
00:23:30,080 --> 00:23:31,800
Speaker 3: I am I'm riffing my way out of here.

485
00:23:31,880 --> 00:23:34,400
Speaker 2: I do know that Jacuzzie was invented by the Jacuzzis.

486
00:23:34,760 --> 00:23:35,600
Speaker 2: That's a real thing.

487
00:23:35,960 --> 00:23:39,520
Speaker 3: Did you know broccoli is is from the Broccolis.

488
00:23:40,080 --> 00:23:42,040
Speaker 2: This is up for debate. I think, oh, is it

489
00:23:42,080 --> 00:23:44,280
Speaker 2: because I've heard that the people who run the James

490
00:23:44,280 --> 00:23:45,440
Speaker 2: Bond franchise.

491
00:23:46,160 --> 00:23:49,200
Speaker 3: Also the Broccolis of broccoli. I have been told it

492
00:23:49,400 --> 00:23:51,560
Speaker 3: seems crazy, seems too good to be true.

493
00:23:51,680 --> 00:23:56,119
Speaker 2: There is no way that family invented broccoli and James

494
00:23:56,200 --> 00:23:58,359
Speaker 2: Bond and James Bond you can only do one or

495
00:23:58,359 --> 00:24:00,639
Speaker 2: the other. Broccoli is kind of the James Bond of

496
00:24:00,640 --> 00:24:04,120
Speaker 2: the vegetable family. I don't I don't believe that's true.

497
00:24:04,359 --> 00:24:06,080
Speaker 2: I'm here just to dispel the myth.

498
00:24:06,160 --> 00:24:09,000
Speaker 3: Well it's been It's yeah, it's that information is out

499
00:24:09,000 --> 00:24:11,280
Speaker 3: there and now I feel like a fool for having

500
00:24:11,320 --> 00:24:15,320
Speaker 3: believed it. But yeah, I mean, broccoli also is still

501
00:24:15,320 --> 00:24:16,320
Speaker 3: a funny last name.

502
00:24:16,320 --> 00:24:18,880
Speaker 2: Oh, it's an incredible It shouldn't be a last name.

503
00:24:19,000 --> 00:24:21,080
Speaker 3: No, No, I mean what you and if we are

504
00:24:21,119 --> 00:24:24,000
Speaker 3: to believe any of what we've heard, it originated as

505
00:24:24,000 --> 00:24:24,520
Speaker 3: a last.

506
00:24:24,400 --> 00:24:28,320
Speaker 2: Name, right, So somebody did probably originally say that green

507
00:24:28,359 --> 00:24:31,520
Speaker 2: thing is broccoli like me? Yes, like me, they said.

508
00:24:31,560 --> 00:24:33,639
Speaker 3: The person whose last name was like this is like me.

509
00:24:33,840 --> 00:24:36,880
Speaker 2: For now it is broccoli on alice. Have you gotten

510
00:24:36,880 --> 00:24:37,520
Speaker 2: any information?

511
00:24:38,280 --> 00:24:41,080
Speaker 4: I mean, I'm reading an article that's all about essentially

512
00:24:41,119 --> 00:24:46,000
Speaker 4: how they claim that the vegetable was named after them, right, so.

513
00:24:46,480 --> 00:24:47,560
Speaker 2: That simply isn't true.

514
00:24:47,920 --> 00:24:52,200
Speaker 3: I mean they assume it was. Probably we're an ego family,

515
00:24:52,760 --> 00:24:55,359
Speaker 3: certainly someone who's inspired by our family story.

516
00:24:55,440 --> 00:24:58,880
Speaker 4: And I mean, there's a long there's there's so much

517
00:24:58,920 --> 00:25:04,240
Speaker 4: going on here about just like defining, like the word broccoli,

518
00:25:04,520 --> 00:25:07,840
Speaker 4: what it comes from the Italian plural of broccolo, which

519
00:25:07,880 --> 00:25:10,680
Speaker 4: means the flowering crust of a cabbage. There's a lot

520
00:25:10,920 --> 00:25:13,320
Speaker 4: happening here. So all I can say is they claim

521
00:25:13,320 --> 00:25:13,760
Speaker 4: it to be.

522
00:25:13,720 --> 00:25:18,080
Speaker 2: True, all right, which leads us to believe likely you

523
00:25:18,119 --> 00:25:22,400
Speaker 2: can't buy everything broccoli Broccoli family, and I think it's

524
00:25:22,560 --> 00:25:24,679
Speaker 2: just the vegetable and it has nothing to do with

525
00:25:24,720 --> 00:25:26,600
Speaker 2: your family, Especially.

526
00:25:26,320 --> 00:25:28,600
Speaker 3: If we just kind of confirmed that it came from

527
00:25:28,760 --> 00:25:32,200
Speaker 3: an Italian word describing broccoli exactly.

528
00:25:32,440 --> 00:25:35,920
Speaker 2: There's something very fishy about the whole thing. I can't

529
00:25:35,920 --> 00:25:38,320
Speaker 2: even think of a white in for them. No, I'm

530
00:25:38,359 --> 00:25:40,639
Speaker 2: not letting them have it. I have James Bond.

531
00:25:40,920 --> 00:25:45,640
Speaker 3: You're unnoticed, brocles, Broccoli family. Let it be known now

532
00:25:45,680 --> 00:25:46,560
Speaker 3: and forever.

533
00:25:46,840 --> 00:25:48,520
Speaker 2: Broccoli family. If you want me to see past this,

534
00:25:48,600 --> 00:25:51,240
Speaker 2: there's only one way. On the podcast.

535
00:25:51,280 --> 00:25:53,320
Speaker 3: On the pod, come come with John.

536
00:25:53,119 --> 00:25:55,920
Speaker 2: Carrolne and missus Broccoli.

537
00:25:55,600 --> 00:25:58,880
Speaker 3: And miss Yeah. Wow, wouldn't that be something a real

538
00:25:59,560 --> 00:26:01,320
Speaker 3: meeting of the mind's true meeting.

539
00:26:04,160 --> 00:26:08,080
Speaker 2: Joe, Oh, Joe. I was so excited to have you

540
00:26:08,160 --> 00:26:11,359
Speaker 2: here today. I thought, Joe is wonderful. We get along

541
00:26:11,400 --> 00:26:14,520
Speaker 2: so well, he's so funny. He's going to come on

542
00:26:14,560 --> 00:26:16,879
Speaker 2: the podcast. We'll chat for a while. Who knows what

543
00:26:16,960 --> 00:26:18,960
Speaker 2: we'll talk about, but well it'll be a good time.

544
00:26:18,840 --> 00:26:21,480
Speaker 3: Yes, And certainly no vegetables will come up that would

545
00:26:21,520 --> 00:26:22,119
Speaker 3: be weird.

546
00:26:22,600 --> 00:26:25,400
Speaker 2: We will not talk about a dark green vegetable, which

547
00:26:25,400 --> 00:26:26,560
Speaker 2: is the type you need to eat.

548
00:26:27,080 --> 00:26:29,239
Speaker 3: You need the dark green, that's what they tell you.

549
00:26:30,000 --> 00:26:33,879
Speaker 2: So, you know, I was getting ready today, getting my

550
00:26:34,040 --> 00:26:37,680
Speaker 2: drink whatever for the sweltering heat. I see you coming

551
00:26:37,720 --> 00:26:38,440
Speaker 2: up the driveway.

552
00:26:38,760 --> 00:26:40,800
Speaker 3: There comes Joe trotting along.

553
00:26:41,040 --> 00:26:44,600
Speaker 2: Trotting is the only word we can use. Prancing would

554
00:26:44,600 --> 00:26:45,840
Speaker 2: be too light. It was a trot.

555
00:26:45,960 --> 00:26:48,000
Speaker 3: No, there was a there was a weight on my foot.

556
00:26:48,040 --> 00:26:49,520
Speaker 2: There was a clip clop, a.

557
00:26:49,480 --> 00:26:54,200
Speaker 3: Clopping, a trotting. Yeah, maybe even plotting, but yeah, all

558
00:26:54,280 --> 00:26:59,040
Speaker 3: those would would fit given my gait, right, absolutely.

559
00:26:59,720 --> 00:27:02,320
Speaker 2: So I was, you know, I was a little shocked

560
00:27:02,800 --> 00:27:05,439
Speaker 2: the podcast is called I said no gifts. You knew that.

561
00:27:06,240 --> 00:27:06,800
Speaker 2: I knew that.

562
00:27:08,440 --> 00:27:11,960
Speaker 3: I don't know that I did. I'm here because my

563
00:27:12,040 --> 00:27:15,400
Speaker 3: car broke down. That's why I was a sports Yeah,

564
00:27:15,440 --> 00:27:20,040
Speaker 3: you know. I came to be a draft king with

565
00:27:20,080 --> 00:27:24,480
Speaker 3: you start our royal kingdom. A draft kingdom I thought

566
00:27:24,600 --> 00:27:27,720
Speaker 3: was in our future, and I thought to celebrate such

567
00:27:27,720 --> 00:27:30,000
Speaker 3: an occasion. Yeah, I would. I would bring something for you.

568
00:27:30,040 --> 00:27:31,840
Speaker 3: I didn't think it would be like a problem.

569
00:27:31,880 --> 00:27:34,120
Speaker 2: Oh interesting, So this is purely ignorance.

570
00:27:34,760 --> 00:27:37,840
Speaker 3: I mean, I don't love being called ignorant, but the.

571
00:27:38,320 --> 00:27:41,680
Speaker 2: Word stupid if you'd like, you know, yeah, I'm not

572
00:27:41,800 --> 00:27:43,000
Speaker 2: afraid to use stupid.

573
00:27:43,200 --> 00:27:46,480
Speaker 3: I you know, I haven't heard the word ignoramus in

574
00:27:46,560 --> 00:27:49,480
Speaker 3: a while. And so I actually, let's let's go with

575
00:27:49,560 --> 00:27:50,919
Speaker 3: that because I would love.

576
00:27:50,800 --> 00:27:56,080
Speaker 2: To wear that crowns Joe Kuzala, I brought a gift.

577
00:27:56,080 --> 00:27:58,080
Speaker 2: You brought a gift. It's on the table.

578
00:27:58,240 --> 00:28:02,360
Speaker 3: Yeah, and I'm I'm slide it over. You're in a

579
00:28:02,760 --> 00:28:06,000
Speaker 3: spy movie. I'd be facing forward. Did you bring me

580
00:28:06,240 --> 00:28:08,280
Speaker 3: doing something else? And I would just slowly with my

581
00:28:08,359 --> 00:28:11,480
Speaker 3: hand while I maintain my gaze forward, I would slide

582
00:28:11,520 --> 00:28:11,840
Speaker 3: it to you.

583
00:28:12,000 --> 00:28:14,800
Speaker 2: We're on a park bench, yes, hand airing at the

584
00:28:14,840 --> 00:28:16,320
Speaker 2: Capitol building, which.

585
00:28:16,119 --> 00:28:20,800
Speaker 3: That's not conspicuous. We're taking the majesty of the capital

586
00:28:21,000 --> 00:28:24,080
Speaker 3: of our nation's capital. Uh and and a trade off

587
00:28:24,880 --> 00:28:25,280
Speaker 3: is made.

588
00:28:25,280 --> 00:28:28,080
Speaker 2: It happened. Well, we're here, we're putting our feelings aside.

589
00:28:28,080 --> 00:28:29,400
Speaker 2: Should I open it here on the podcast?

590
00:28:29,720 --> 00:28:31,560
Speaker 3: You know, I came all this way.

591
00:28:31,760 --> 00:28:33,120
Speaker 2: You did come all this way in the.

592
00:28:33,080 --> 00:28:35,280
Speaker 3: Heat, and it's boiling.

593
00:28:35,400 --> 00:28:56,720
Speaker 2: It's boiling. My knees are sweating. Okay, I'm opening the gift.

594
00:28:56,760 --> 00:29:01,320
Speaker 2: It's sound like a little jewelry box something we're opening.

595
00:29:02,840 --> 00:29:06,720
Speaker 2: It actually is jewelry, piece of jewelry, which is an

596
00:29:06,720 --> 00:29:12,240
Speaker 2: actual shock. What it's a It's a gold gorgeous gold

597
00:29:12,360 --> 00:29:17,520
Speaker 2: chain necklace with some uh kind of bedazzled or bejeweled

598
00:29:17,720 --> 00:29:18,800
Speaker 2: praying hands.

599
00:29:18,800 --> 00:29:23,160
Speaker 3: Hands absolutely yeah, clasping together as one is the pendant

600
00:29:23,440 --> 00:29:26,640
Speaker 3: upon the gold chain. And U. You know it made

601
00:29:26,640 --> 00:29:29,440
Speaker 3: me think of you. It made me think of you.

602
00:29:29,840 --> 00:29:30,959
Speaker 2: Where did this come from?

603
00:29:31,520 --> 00:29:36,840
Speaker 3: This? Well? You know, I was do I give a

604
00:29:36,840 --> 00:29:37,800
Speaker 3: real answer or.

605
00:29:40,600 --> 00:29:40,760
Speaker 2: Way?

606
00:29:41,000 --> 00:29:46,480
Speaker 3: This was for a shoot? Okay, a video shoot. We

607
00:29:46,560 --> 00:29:49,800
Speaker 3: need a little bit of a jewelry.

608
00:29:49,400 --> 00:29:51,240
Speaker 2: A little flash and dash, uh huh.

609
00:29:51,280 --> 00:29:57,000
Speaker 3: And I can't say I remember I remember how how

610
00:29:57,000 --> 00:30:00,239
Speaker 3: it came into my possession, but we definitely thought it

611
00:30:00,280 --> 00:30:04,720
Speaker 3: was funny. And then you know, as it will happen

612
00:30:04,760 --> 00:30:08,840
Speaker 3: after a shoot, you hold on to a thing, right

613
00:30:09,480 --> 00:30:15,120
Speaker 3: And I was instructed to listen, or was I instructed anyway?

614
00:30:15,640 --> 00:30:19,840
Speaker 3: I wanted, personally, of my own volition, to put my

615
00:30:19,960 --> 00:30:23,280
Speaker 3: gift into a box that could be revealed that was

616
00:30:23,320 --> 00:30:25,640
Speaker 3: already in a box. It's ideal is I my dresser,

617
00:30:25,640 --> 00:30:29,600
Speaker 3: and I thought, what a beautiful reveal to take off

618
00:30:29,640 --> 00:30:35,240
Speaker 3: the little top and to reveal a Christian gift for you.

619
00:30:36,240 --> 00:30:39,440
Speaker 2: This was sitting on your dresser. And how long ago

620
00:30:39,520 --> 00:30:40,360
Speaker 2: did you make the video?

621
00:30:41,040 --> 00:30:44,960
Speaker 3: Must have been late twenty twenty.

622
00:30:45,200 --> 00:30:47,320
Speaker 2: And has this been on the dresser that entire time?

623
00:30:47,680 --> 00:30:51,360
Speaker 3: It has gone from dresser to dresser. It must have,

624
00:30:52,160 --> 00:30:56,200
Speaker 3: because I have a new dresser that was not around

625
00:30:56,280 --> 00:30:59,239
Speaker 3: back then. So but for the most part, yeah, it's

626
00:30:59,280 --> 00:31:02,120
Speaker 3: almost like it's and the dresser changed underneath it.

627
00:31:02,240 --> 00:31:04,000
Speaker 2: This feels like something that would be thrown to the

628
00:31:04,000 --> 00:31:05,040
Speaker 2: bottom of the closet.

629
00:31:05,920 --> 00:31:08,040
Speaker 3: You see something that would be thrown to the bottom

630
00:31:08,080 --> 00:31:11,840
Speaker 3: of the ocean. Well, you're revisiting this, you know your

631
00:31:12,000 --> 00:31:15,680
Speaker 3: memory is on the board the Titanic. No, it's stayed

632
00:31:15,720 --> 00:31:18,760
Speaker 3: on top. I don't know, listen, I don't know why,

633
00:31:18,800 --> 00:31:22,640
Speaker 3: and I'm so glad it did I needed and when

634
00:31:22,680 --> 00:31:23,800
Speaker 3: I needed it, it was there.

635
00:31:24,200 --> 00:31:26,480
Speaker 2: It was the video you were making. You had an

636
00:31:26,480 --> 00:31:29,320
Speaker 2: initial batch of videos that was like thirty is thirty

637
00:31:29,440 --> 00:31:31,640
Speaker 2: thirty one, and then there were like twenty that I

638
00:31:31,720 --> 00:31:32,400
Speaker 2: did it twenty one.

639
00:31:32,640 --> 00:31:34,760
Speaker 3: The idea was I had turned thirty one and I

640
00:31:34,800 --> 00:31:36,960
Speaker 3: was gonna make thirty one videos. Call it thirty one

641
00:31:36,960 --> 00:31:38,960
Speaker 3: for thirty one, as though it's one better than thirty

642
00:31:39,000 --> 00:31:41,360
Speaker 3: for thirty, which I don't think anyone ever thought. Everyone

643
00:31:41,400 --> 00:31:45,320
Speaker 3: just called it thirty for thirty failure of branding, and

644
00:31:45,360 --> 00:31:48,840
Speaker 3: I will take that on my back. And then we

645
00:31:48,880 --> 00:31:50,320
Speaker 3: wanted to do it again, and we were like, what

646
00:31:50,360 --> 00:31:51,680
Speaker 3: about twenty for twenty twenty.

647
00:31:51,880 --> 00:31:54,120
Speaker 2: That is a good ring for it, remember the year.

648
00:31:54,400 --> 00:31:57,200
Speaker 3: But then production was delayed and we're like, well, as

649
00:31:57,200 --> 00:32:00,200
Speaker 3: long as we get it in before twenty twenty is over,

650
00:32:01,320 --> 00:32:05,920
Speaker 3: hopefully nothing will happen that will prevent us with our

651
00:32:05,920 --> 00:32:09,239
Speaker 3: production schedule happening in March twenty twenty, and so then

652
00:32:09,240 --> 00:32:10,800
Speaker 3: we had to delay it, and then we had to

653
00:32:10,920 --> 00:32:14,240
Speaker 3: rethink the brand, the branding of it, and I was

654
00:32:14,280 --> 00:32:17,959
Speaker 3: like it's gonna be twenty twenty one, call it twenty

655
00:32:18,000 --> 00:32:18,880
Speaker 3: one for twenty one.

656
00:32:20,000 --> 00:32:22,840
Speaker 2: Well, for the listener, I'm going to describe this because

657
00:32:22,880 --> 00:32:26,760
Speaker 2: you released all of the two series of videos on

658
00:32:26,800 --> 00:32:29,960
Speaker 2: the same day, Yes, and it was like thirty videos

659
00:32:29,960 --> 00:32:32,680
Speaker 2: were suddenly on the internet. Which yes, at this point,

660
00:32:32,720 --> 00:32:35,600
Speaker 2: like they're like fifty makeup tutorials an hour, So it's

661
00:32:35,640 --> 00:32:38,400
Speaker 2: not like that number doesn't seem that crazy. But what

662
00:32:38,640 --> 00:32:41,840
Speaker 2: is interesting is they're all good or not garbage.

663
00:32:41,840 --> 00:32:45,000
Speaker 3: It's shocking, thank you. No, I mean that was by design.

664
00:32:45,040 --> 00:32:47,760
Speaker 3: That was our hope, you know, is to you know,

665
00:32:47,840 --> 00:32:51,200
Speaker 3: and you and I could make thirty videos on our

666
00:32:51,240 --> 00:32:53,640
Speaker 3: phones right now, but we wanted them to look like

667
00:32:53,680 --> 00:32:56,280
Speaker 3: they could be on TV right you know, And so

668
00:32:57,080 --> 00:33:00,080
Speaker 3: I collaborate with a guy named Daniel Clark. We we

669
00:33:00,120 --> 00:33:04,800
Speaker 3: had benefited from what I would call the twenty fifteen

670
00:33:05,840 --> 00:33:10,680
Speaker 3: mad rush for online comedy. There was a time when

671
00:33:10,800 --> 00:33:13,000
Speaker 3: like Funny or Die.

672
00:33:12,520 --> 00:33:15,920
Speaker 2: There was money. Yes, there was a point weirdly money

673
00:33:15,960 --> 00:33:16,240
Speaker 2: for the.

674
00:33:16,520 --> 00:33:19,760
Speaker 3: Getting a small but enough amount of money to make

675
00:33:20,240 --> 00:33:23,800
Speaker 3: videos online and that was really exciting and so we did.

676
00:33:23,920 --> 00:33:28,239
Speaker 3: We did that, but that well dried up and then

677
00:33:28,280 --> 00:33:31,360
Speaker 3: we found ourselves like two or three years later, having

678
00:33:31,400 --> 00:33:34,720
Speaker 3: made nothing because we just kept pitching to these companies

679
00:33:34,720 --> 00:33:35,680
Speaker 3: that would be gone and.

680
00:33:35,680 --> 00:33:37,880
Speaker 2: We're closing down while their offices.

681
00:33:37,960 --> 00:33:39,400
Speaker 3: Yes, they were asking us to.

682
00:33:39,600 --> 00:33:42,120
Speaker 2: Hold unfortunately no longer.

683
00:33:42,400 --> 00:33:46,720
Speaker 3: Yes, oh my god, yeah all see so, Josh, I

684
00:33:46,720 --> 00:33:48,880
Speaker 3: mean it was pre Quibi, but it Quibbi would have fitted.

685
00:33:48,960 --> 00:33:51,680
Speaker 2: We fit into that, like when you were there for

686
00:33:51,720 --> 00:33:53,680
Speaker 2: their two months of being open, they were like, bring

687
00:33:53,760 --> 00:33:55,760
Speaker 2: us any idea, even if you don't like it, bring it.

688
00:33:56,160 --> 00:33:57,000
Speaker 2: We'll pay for it.

689
00:33:57,080 --> 00:34:00,760
Speaker 3: And I had done something in years past started out

690
00:34:00,800 --> 00:34:04,560
Speaker 3: as a joke on myself that ended up benefiting me,

691
00:34:05,000 --> 00:34:08,120
Speaker 3: which was that when I would be home for the holidays,

692
00:34:08,640 --> 00:34:12,600
Speaker 3: I would pick one day and I would tweet three

693
00:34:12,680 --> 00:34:15,080
Speaker 3: hundred times in one day. And I did it at

694
00:34:15,080 --> 00:34:19,239
Speaker 3: first saying like how many people will unfollow me? Like

695
00:34:19,600 --> 00:34:21,560
Speaker 3: how much of a disaster could this be? Wouldn't that

696
00:34:21,600 --> 00:34:24,719
Speaker 3: be funny? But I did approach it as like each

697
00:34:24,760 --> 00:34:29,280
Speaker 3: tweet was a legit joke, and I ended up gaining

698
00:34:29,280 --> 00:34:32,839
Speaker 3: followers and getting some attention, and I realized that, oh

699
00:34:32,880 --> 00:34:36,360
Speaker 3: I it was a stunt. And I kind of created

700
00:34:36,480 --> 00:34:41,240
Speaker 3: a day long stunt that if anyone logged on Twitter

701
00:34:41,280 --> 00:34:43,359
Speaker 3: and they didn't even know that I was doing it.

702
00:34:44,080 --> 00:34:46,120
Speaker 3: They were going to see a joke that I tweeted

703
00:34:46,400 --> 00:34:48,160
Speaker 3: just because they logged on at any.

704
00:34:47,920 --> 00:34:50,879
Speaker 2: Point website spanning.

705
00:34:50,120 --> 00:34:52,799
Speaker 3: The website, and I was like, how do you elevate that?

706
00:34:53,880 --> 00:34:55,480
Speaker 3: And it's like, well, we haven't made any videos in

707
00:34:55,520 --> 00:34:57,839
Speaker 3: a long time. We need to make up on lost time.

708
00:34:58,480 --> 00:35:02,239
Speaker 3: This day long stunt will I know, will work. And

709
00:35:02,280 --> 00:35:06,360
Speaker 3: then also I had had a how do I describe

710
00:35:06,360 --> 00:35:10,400
Speaker 3: this meeting with a manager cursed meeting with a manager

711
00:35:10,520 --> 00:35:12,840
Speaker 3: who I thought was meeting with me to sign me

712
00:35:13,400 --> 00:35:16,400
Speaker 3: and basically just said, you know, make stuff.

713
00:35:17,360 --> 00:35:19,680
Speaker 2: I've had, I've got that. I had one where she

714
00:35:19,680 --> 00:35:21,720
Speaker 2: said you got to get on Snapchat. It's all bullshit,

715
00:35:21,760 --> 00:35:23,640
Speaker 2: but you gotta do it. I was like, you're just

716
00:35:23,640 --> 00:35:26,920
Speaker 2: telling me to create garbage. What are you talking about? No?

717
00:35:27,160 --> 00:35:29,960
Speaker 3: Yeah, So I had been told by someone who I

718
00:35:30,120 --> 00:35:34,400
Speaker 3: was not pleased with to just, you know, make stuff,

719
00:35:34,680 --> 00:35:36,760
Speaker 3: and so there was an evil part of my brain

720
00:35:36,800 --> 00:35:40,040
Speaker 3: that was like, oh, I'll make stuff. You want to

721
00:35:40,040 --> 00:35:45,960
Speaker 3: see some stuff, Yeah, I'll make thirty one here come stuff. Yeah.

722
00:35:46,239 --> 00:35:49,280
Speaker 3: And so all all those things kind of combined into

723
00:35:49,320 --> 00:35:51,799
Speaker 3: that project, which you know, I would say, for the

724
00:35:51,800 --> 00:35:53,000
Speaker 3: most part was successful.

725
00:35:53,040 --> 00:35:54,040
Speaker 2: It did extremely success.

726
00:35:54,080 --> 00:35:57,280
Speaker 3: It did what I wanted it to do right right.

727
00:35:57,800 --> 00:35:59,520
Speaker 2: It's so impressive. And how long did it take to

728
00:35:59,520 --> 00:36:00,879
Speaker 2: make the INDI thirty.

729
00:36:01,080 --> 00:36:02,040
Speaker 3: Give or take a year?

730
00:36:02,719 --> 00:36:03,080
Speaker 2: Wild?

731
00:36:03,320 --> 00:36:07,839
Speaker 3: Yeah, do you wear jewelry? No, no jewelry. I used

732
00:36:07,840 --> 00:36:11,360
Speaker 3: to wear a ring and a chain necklace when I

733
00:36:11,400 --> 00:36:14,760
Speaker 3: was a kid, and a watch, not like a gaudy watch,

734
00:36:14,800 --> 00:36:18,200
Speaker 3: but like just a cheap watch. I liked having accessories

735
00:36:18,239 --> 00:36:20,200
Speaker 3: as a kid, maybe because it made me feel like

736
00:36:20,239 --> 00:36:22,040
Speaker 3: a cartoon character or something like I wear the same

737
00:36:22,080 --> 00:36:26,320
Speaker 3: thing every day. But at a certain point I I

738
00:36:26,480 --> 00:36:28,000
Speaker 3: fully went the other way. It was just like, I'm

739
00:36:28,000 --> 00:36:29,360
Speaker 3: not no nothing, I don't.

740
00:36:29,160 --> 00:36:30,640
Speaker 2: Know nothing at all. I don't need that it was

741
00:36:30,640 --> 00:36:34,240
Speaker 2: a chain, gold or silver, chailder thin. It's an interesting

742
00:36:34,280 --> 00:36:38,200
Speaker 2: thing that you know, you don't see, like you'll have

743
00:36:38,280 --> 00:36:40,080
Speaker 2: a friend and then you see them at the pool

744
00:36:40,160 --> 00:36:42,920
Speaker 2: or whatever, and if they're wearing a necklace. I'm speaking

745
00:36:42,920 --> 00:36:46,960
Speaker 2: about men, like usually the necklace changes. The chain is like, oh,

746
00:36:47,000 --> 00:36:49,399
Speaker 2: there's a new dimension to your personality that I never

747
00:36:49,440 --> 00:36:50,200
Speaker 2: even considered.

748
00:36:50,320 --> 00:36:53,120
Speaker 3: Yeah right, no, it almost it almost feels like they

749
00:36:53,160 --> 00:36:56,760
Speaker 3: should be at a card table and like a smoke

750
00:36:56,880 --> 00:36:59,520
Speaker 3: in the back room of like a smoky Italian restaurant

751
00:36:59,560 --> 00:37:01,920
Speaker 3: like that. It gives me that vibe of just like

752
00:37:02,480 --> 00:37:05,000
Speaker 3: there's also a masculine thing about a chain.

753
00:37:05,400 --> 00:37:10,080
Speaker 2: Oh yeah, if there's a masculine just divorced thing, yes,

754
00:37:10,120 --> 00:37:13,520
Speaker 2: where it's like you're meeting people in like hotel, hot

755
00:37:13,560 --> 00:37:15,640
Speaker 2: tubs or whatever. That's the feeling I always get from

756
00:37:15,680 --> 00:37:16,800
Speaker 2: a chain necklace.

757
00:37:16,520 --> 00:37:19,000
Speaker 3: Right, And I feel like I mostly see a gold chain,

758
00:37:19,160 --> 00:37:21,960
Speaker 3: gold chain, sure, and sometimes you see that cross and you're.

759
00:37:21,800 --> 00:37:24,919
Speaker 2: Like huh, and there's another dimension all right, and.

760
00:37:24,840 --> 00:37:27,480
Speaker 3: You wonder is it just because that's what was on

761
00:37:27,560 --> 00:37:31,160
Speaker 3: it or is that meaningful? Because I honestly feel like

762
00:37:32,600 --> 00:37:35,320
Speaker 3: I don't know. When I was younger and the chains

763
00:37:35,360 --> 00:37:37,759
Speaker 3: were out, I didn't have a cross. I think I

764
00:37:37,840 --> 00:37:41,799
Speaker 3: was given a cross for my confirmation as a Catholic boy,

765
00:37:42,840 --> 00:37:44,480
Speaker 3: but I never wore it. But you just see like

766
00:37:44,520 --> 00:37:46,680
Speaker 3: a cross, and I would never register it as like, oh,

767
00:37:46,719 --> 00:37:49,480
Speaker 3: this is Christian propaganda.

768
00:37:49,640 --> 00:37:52,240
Speaker 2: Yeah, because it's kind of now transcends in a way

769
00:37:52,400 --> 00:37:54,839
Speaker 2: where it's more of just like it can be a

770
00:37:54,920 --> 00:37:56,880
Speaker 2: kind of Gothic symbol or something.

771
00:37:56,960 --> 00:37:59,279
Speaker 3: You don't know, But I think now if I saw it,

772
00:37:59,320 --> 00:38:02,799
Speaker 3: I would be like interesting, Also, I feel like the

773
00:38:02,880 --> 00:38:04,960
Speaker 3: chains are under their shirt.

774
00:38:05,040 --> 00:38:08,800
Speaker 2: Now, Oh yeah, and that's why the pool the surprise. Yeah,

775
00:38:09,160 --> 00:38:10,680
Speaker 2: that's why you've got to get all of your friends

776
00:38:10,680 --> 00:38:13,160
Speaker 2: in the pool. You've got to invite them, push them

777
00:38:13,160 --> 00:38:13,960
Speaker 2: to do it, because.

778
00:38:13,719 --> 00:38:16,120
Speaker 3: You don't know what they're hiding. You don't know what's

779
00:38:16,160 --> 00:38:18,360
Speaker 3: going on underneath the shirt. And that's you got to.

780
00:38:18,320 --> 00:38:21,920
Speaker 2: See anytime you see your friends any place. Suggest why

781
00:38:21,960 --> 00:38:23,720
Speaker 2: don't we hop in the pools, go to the pool.

782
00:38:24,239 --> 00:38:25,319
Speaker 3: Let's go to the public pool.

783
00:38:25,360 --> 00:38:30,240
Speaker 2: Why don't we ever go to the pool together? I don't,

784
00:38:30,520 --> 00:38:33,359
Speaker 2: I mean, sure, let's ditch this restaurant. We don't need

785
00:38:33,360 --> 00:38:34,439
Speaker 2: to watch the rest of this movie.

786
00:38:34,719 --> 00:38:37,399
Speaker 3: Not hungry anymore? Throw your fork down.

787
00:38:40,400 --> 00:38:42,280
Speaker 2: What was the ring you were wearing as a kid?

788
00:38:42,600 --> 00:38:44,960
Speaker 3: I would wear and I usually be like the type

789
00:38:45,000 --> 00:38:48,640
Speaker 3: of ring you would get on vacation, if that makes sense, sure, right,

790
00:38:49,520 --> 00:38:54,040
Speaker 3: And it would just be like a non descript like

791
00:38:54,120 --> 00:38:57,120
Speaker 3: it wouldn't be God, I don't know exactly what material.

792
00:38:57,160 --> 00:39:00,560
Speaker 3: Maybe it's like ceramic almost it's rsic, like a glossy

793
00:39:00,640 --> 00:39:04,560
Speaker 3: ceramic kind of thing, because it wouldn't be like metallic.

794
00:39:05,400 --> 00:39:08,680
Speaker 3: It would but it wouldn't be like rubbery I don't know.

795
00:39:08,719 --> 00:39:11,160
Speaker 3: I just remember having not quite a mood ring, but

796
00:39:11,239 --> 00:39:12,160
Speaker 3: not far from it.

797
00:39:12,239 --> 00:39:12,959
Speaker 2: Interesting.

798
00:39:13,120 --> 00:39:17,040
Speaker 3: Yeah, I remember having that, and I remember fiddling with

799
00:39:17,080 --> 00:39:19,520
Speaker 3: it once and it fell on the.

800
00:39:19,520 --> 00:39:22,520
Speaker 2: Ground and chatter, it chattered. Yeah, that doesn't seem like

801
00:39:22,560 --> 00:39:24,920
Speaker 2: the material that a ring should. Yeah, I mean that's

802
00:39:24,960 --> 00:39:28,000
Speaker 2: the ring of a prince who never moves, you know exactly.

803
00:39:28,000 --> 00:39:30,080
Speaker 3: It doesn't work delicate, it's delicate, and I did not

804
00:39:30,200 --> 00:39:32,800
Speaker 3: treat it with with the delicacy that it needed.

805
00:39:32,960 --> 00:39:33,560
Speaker 2: A shame.

806
00:39:33,840 --> 00:39:36,680
Speaker 3: Yeah, age were you wearing the sand around ten?

807
00:39:38,120 --> 00:39:40,760
Speaker 2: Ten to twelve? Feels like you're experimenting with looks?

808
00:39:41,080 --> 00:39:43,040
Speaker 3: Who am I? Yeah? What is my identity?

809
00:39:43,120 --> 00:39:43,680
Speaker 2: Will I become?

810
00:39:43,840 --> 00:39:44,120
Speaker 3: Am I?

811
00:39:44,160 --> 00:39:48,680
Speaker 2: A fedoraser is usually no, it's never.

812
00:39:48,640 --> 00:39:51,319
Speaker 3: Well not not at bad age, definitely not.

813
00:39:52,120 --> 00:39:53,880
Speaker 2: That's a real bad age to be in a fedora

814
00:39:53,960 --> 00:39:56,040
Speaker 2: that I actually think that's probably the worst age of

815
00:39:56,080 --> 00:39:58,120
Speaker 2: all because you're.

816
00:39:57,840 --> 00:39:59,719
Speaker 3: Not tall enough. I think it's part of it. Right,

817
00:40:00,239 --> 00:40:03,200
Speaker 3: A fedora looks best on someone who is tall and

818
00:40:03,200 --> 00:40:05,640
Speaker 3: wearing like a trench coat. Right, and it's black and

819
00:40:05,640 --> 00:40:06,200
Speaker 3: white and.

820
00:40:06,080 --> 00:40:09,879
Speaker 2: It's nineteen forty five exactly, someone's meeting with a day.

821
00:40:10,920 --> 00:40:13,840
Speaker 3: Yeah, there's a fem fatale who is in the picture.

822
00:40:14,280 --> 00:40:18,920
Speaker 3: But yeah, no someone who is a tween wearing a

823
00:40:18,960 --> 00:40:22,360
Speaker 3: fedora and you know a vest like that, there's no

824
00:40:22,400 --> 00:40:27,080
Speaker 3: way a vest isn't a part of the ensemble. And yeah,

825
00:40:27,120 --> 00:40:29,839
Speaker 3: and thinking of the era, I guess it could happen now.

826
00:40:29,840 --> 00:40:31,839
Speaker 3: But in my opinion, it comes with.

827
00:40:32,000 --> 00:40:38,160
Speaker 5: Very thin glasses like rectangles like like like they're as

828
00:40:38,360 --> 00:40:43,239
Speaker 5: as big as a large large lego there in the

829
00:40:43,320 --> 00:40:44,680
Speaker 5: same dimensions.

830
00:40:44,160 --> 00:40:47,160
Speaker 2: And they are that felt like well. As a society

831
00:40:47,200 --> 00:40:49,680
Speaker 2: from about two thousand and five to two thousand and eight,

832
00:40:50,200 --> 00:40:52,640
Speaker 2: we kind of went through that as people thought that

833
00:40:52,680 --> 00:40:53,640
Speaker 2: looked good on their face.

834
00:40:53,760 --> 00:40:54,319
Speaker 3: I had a pair.

835
00:40:54,600 --> 00:40:56,800
Speaker 2: I had a pair, and it makes you look scary.

836
00:40:59,440 --> 00:41:01,440
Speaker 2: It looks strange, just unsettling.

837
00:41:01,600 --> 00:41:05,920
Speaker 3: I a few years ago I had lost a pair

838
00:41:06,239 --> 00:41:10,319
Speaker 3: of I had lost two pairs of glasses in a row,

839
00:41:11,040 --> 00:41:15,480
Speaker 3: and so my backup pair were those like from two

840
00:41:15,920 --> 00:41:21,120
Speaker 3: cycles of fashion ago. And it was really funny like

841
00:41:21,600 --> 00:41:23,920
Speaker 3: and it makes those things, it makes you wonder, like

842
00:41:24,760 --> 00:41:29,000
Speaker 3: what was I thinking, like barely covering your eye.

843
00:41:29,480 --> 00:41:32,080
Speaker 2: Yes, it looks like you're in charge of the computers

844
00:41:32,120 --> 00:41:35,920
Speaker 2: at a college library or something. It's not a good look. No,

845
00:41:36,360 --> 00:41:38,279
Speaker 2: but you should hold on to them, because they will

846
00:41:38,320 --> 00:41:41,480
Speaker 2: come back. You know, we tried somebody, a few people

847
00:41:41,480 --> 00:41:43,600
Speaker 2: were trying to bring back the tiny sunglasses and I

848
00:41:43,600 --> 00:41:48,800
Speaker 2: think they might still And I really resisted that. Yeah,

849
00:41:48,840 --> 00:41:51,960
Speaker 2: like the circles like the Matrixy. Yeah, the circles or

850
00:41:52,000 --> 00:41:53,440
Speaker 2: the matrix that are like small.

851
00:41:53,560 --> 00:41:56,160
Speaker 3: Yes, yes, yes, well, because I mean I'm excited to

852
00:41:56,200 --> 00:41:59,080
Speaker 3: see if Oakley's will come back.

853
00:41:59,160 --> 00:42:03,120
Speaker 2: I think that. I mean we're I think they are Insurence. Yes,

854
00:42:03,200 --> 00:42:06,200
Speaker 2: I feel like Oakley is coming back by Oakley.

855
00:42:05,640 --> 00:42:09,400
Speaker 3: Oakley is Oh. I think I said buy like b

856
00:42:09,640 --> 00:42:12,120
Speaker 3: Y like afleet in the Charge, but you meant by Oakley, like,

857
00:42:12,200 --> 00:42:14,880
Speaker 3: let's put our investments in Oakley because.

858
00:42:14,520 --> 00:42:17,440
Speaker 2: You've got to invest in Oakley because you simply must.

859
00:42:17,600 --> 00:42:21,719
Speaker 3: I'm curious if the resurgence will be a new brand.

860
00:42:21,840 --> 00:42:25,240
Speaker 2: Oh interesting, like inspired by Oakley.

861
00:42:25,040 --> 00:42:29,000
Speaker 3: Or if Oakley's just like we've lost our cultural capital.

862
00:42:29,080 --> 00:42:31,920
Speaker 3: There's no going back. We need a new name for

863
00:42:31,960 --> 00:42:35,319
Speaker 3: a new generation, no baggage, and we can we can

864
00:42:35,360 --> 00:42:38,640
Speaker 3: bring this style as though they can't change the style

865
00:42:38,719 --> 00:42:40,880
Speaker 3: of They're just like that's what it has to be.

866
00:42:41,040 --> 00:42:45,839
Speaker 2: Just have to wrap around your head. No, They're they're

867
00:42:45,880 --> 00:42:48,239
Speaker 2: coming back. Oakley is not going to change their name.

868
00:42:49,200 --> 00:42:52,040
Speaker 2: Cool people are I think people much cooler than us

869
00:42:52,280 --> 00:42:54,840
Speaker 2: are probably already wearing Oakleys.

870
00:42:54,239 --> 00:42:56,600
Speaker 3: And too young to to know the bag.

871
00:42:56,760 --> 00:43:00,880
Speaker 2: Right. These teens I'm never seeing. They're in there on

872
00:43:00,920 --> 00:43:06,640
Speaker 2: the roller blades doing whatever they want. Unfortunately, that era

873
00:43:07,080 --> 00:43:11,640
Speaker 2: is screaming back at us. We've got and it's just.

874
00:43:11,560 --> 00:43:13,240
Speaker 3: Like for me for the tips be frosted.

875
00:43:13,760 --> 00:43:15,840
Speaker 2: Oh. I thought only was about to say, oh, Oakley's

876
00:43:15,840 --> 00:43:17,800
Speaker 2: are back. I was like, oh, so it's a fact

877
00:43:17,800 --> 00:43:22,160
Speaker 2: on the internet. Okay, I apologize to every.

878
00:43:22,080 --> 00:43:27,360
Speaker 3: I have a report. Oakley's not only our back, but

879
00:43:27,760 --> 00:43:32,120
Speaker 3: they have they have purchased Amazon. Amazon is now Oakley,

880
00:43:33,239 --> 00:43:34,359
Speaker 3: and I.

881
00:43:34,239 --> 00:43:39,279
Speaker 2: Don't streaming on Oakley's free v.

882
00:43:39,600 --> 00:43:42,920
Speaker 3: I mean there's an idea, put the put the content

883
00:43:43,040 --> 00:43:45,520
Speaker 3: right in the sunglasses. There we go, put them on,

884
00:43:45,760 --> 00:43:46,600
Speaker 3: wrap them around.

885
00:43:47,040 --> 00:43:49,600
Speaker 2: I mean we're headed there again. I feel like we're

886
00:43:49,600 --> 00:43:52,760
Speaker 2: putting technology back in glasses, which I thought the lesson

887
00:43:52,840 --> 00:43:55,440
Speaker 2: was learned that well, there was Google glass.

888
00:43:55,480 --> 00:43:58,440
Speaker 3: Google glass was yeah the big flop right the immediate

889
00:43:58,840 --> 00:44:03,000
Speaker 3: someone recently was like, uh, we're doing it, and everyone's

890
00:44:03,040 --> 00:44:06,080
Speaker 3: like that is Google glass, you fool, But they were

891
00:44:06,120 --> 00:44:09,040
Speaker 3: like no, no, no, this time it'll work. It's different.

892
00:44:09,320 --> 00:44:10,600
Speaker 2: I think Facebook may have tried.

893
00:44:10,600 --> 00:44:11,440
Speaker 3: I think it's meta. Yeah.

894
00:44:11,520 --> 00:44:14,680
Speaker 2: Yeah, because they have released thousands of electronics that no

895
00:44:14,680 --> 00:44:16,640
Speaker 2: one's ever heard of and just let them die.

896
00:44:16,480 --> 00:44:18,160
Speaker 3: On the market, you know, like because they can afford

897
00:44:18,200 --> 00:44:18,440
Speaker 3: to do that.

898
00:44:18,520 --> 00:44:21,000
Speaker 2: Yeah, exactly, Like a total of three people will own them,

899
00:44:21,080 --> 00:44:24,520
Speaker 2: and they're all like family members of the company.

900
00:44:24,239 --> 00:44:26,440
Speaker 3: Right, and they're probably very expensive.

901
00:44:26,680 --> 00:44:31,239
Speaker 2: Yeah, And what is the hope for those is.

902
00:44:31,600 --> 00:44:35,520
Speaker 3: That one will buy random chance hit and then it

903
00:44:35,560 --> 00:44:38,240
Speaker 3: will start a new revolution itself.

904
00:44:38,280 --> 00:44:42,000
Speaker 2: It's like, so I can always be looking at the Internet.

905
00:44:43,560 --> 00:44:46,560
Speaker 3: I wonder if there is a terminator aspect to it

906
00:44:46,719 --> 00:44:49,120
Speaker 3: in the sense of, like there's a bridger.

907
00:44:49,920 --> 00:44:52,600
Speaker 2: Body temperature, Yeah, weaknesses.

908
00:44:53,760 --> 00:44:57,960
Speaker 3: Yeah, so I can destroy you, you know. But yeah,

909
00:44:57,960 --> 00:45:02,560
Speaker 3: I guess if some is watching TV in your home

910
00:45:02,680 --> 00:45:03,759
Speaker 3: and you're in the room and you don't want to

911
00:45:03,800 --> 00:45:07,560
Speaker 3: leave the room, you can just sit back, jaw open,

912
00:45:08,200 --> 00:45:11,359
Speaker 3: turn a screw on your glasses, and then you get

913
00:45:11,360 --> 00:45:13,279
Speaker 3: to watch the thing you wanted to watch without the

914
00:45:13,320 --> 00:45:16,400
Speaker 3: burden of having to go somewhere else or talk to

915
00:45:16,400 --> 00:45:18,680
Speaker 3: another person about some sort of compromise, yeah.

916
00:45:18,560 --> 00:45:20,520
Speaker 2: Or engage in some shape activity.

917
00:45:20,560 --> 00:45:24,360
Speaker 3: And I think, yes, exactly. I think that's what the

918
00:45:24,800 --> 00:45:28,799
Speaker 3: with the new generation and our generation kind of ones

919
00:45:29,040 --> 00:45:33,120
Speaker 3: is demanding. It is just getting to have what you

920
00:45:33,160 --> 00:45:37,080
Speaker 3: want without having to, uh have any conversation or contact

921
00:45:37,120 --> 00:45:37,919
Speaker 3: with anybody.

922
00:45:37,560 --> 00:45:38,880
Speaker 2: Else, no compromising.

923
00:45:39,320 --> 00:45:45,480
Speaker 3: It's Postmates for your eyes face, Postmates for for TV

924
00:45:46,160 --> 00:45:49,520
Speaker 3: in the sense of I just I'm gonna stop describing

925
00:45:49,520 --> 00:45:50,720
Speaker 3: it because I don't.

926
00:45:50,600 --> 00:45:52,960
Speaker 2: Like you're getting onto a really good idea.

927
00:45:53,000 --> 00:45:54,840
Speaker 3: Yeah, and I don't want to give it away. I

928
00:45:54,840 --> 00:45:55,840
Speaker 3: don't want to give it away.

929
00:45:56,040 --> 00:45:59,120
Speaker 2: People are listening for new tech ideas on this podcast.

930
00:45:59,600 --> 00:46:03,160
Speaker 3: Well that's how you started this conversation, is that's what's

931
00:46:03,239 --> 00:46:05,400
Speaker 3: new in tech, and I blew it. I tried to

932
00:46:05,440 --> 00:46:06,520
Speaker 3: act like I didn't know, but.

933
00:46:06,480 --> 00:46:08,800
Speaker 2: I knew that we'll come back and we got the info,

934
00:46:08,960 --> 00:46:13,600
Speaker 2: we got the scoop. Welcome to Gizmoto.

935
00:46:12,480 --> 00:46:16,320
Speaker 3: Ah, that's video games something.

936
00:46:16,400 --> 00:46:19,759
Speaker 2: Yeah, we've got the tech. Websites I've famously at this

937
00:46:19,840 --> 00:46:22,960
Speaker 2: point have no websites to go to anymore. I'm begging

938
00:46:23,000 --> 00:46:25,600
Speaker 2: for new websites to go to. I think they're all shot.

939
00:46:26,200 --> 00:46:27,520
Speaker 3: What are you looking for in a website?

940
00:46:27,760 --> 00:46:32,400
Speaker 2: Just a comfort, like you know, new things but like

941
00:46:32,440 --> 00:46:34,239
Speaker 2: that aren't too stressful.

942
00:46:34,320 --> 00:46:36,319
Speaker 3: You want like a feed of like news and like

943
00:46:37,160 --> 00:46:38,759
Speaker 3: maybe an interview, like is that.

944
00:46:39,480 --> 00:46:41,919
Speaker 2: I want it to be written by people. Okay, great,

945
00:46:42,400 --> 00:46:44,720
Speaker 2: I want it to be I don't want a headline

946
00:46:44,719 --> 00:46:47,440
Speaker 2: that says this happened because of course it did, or

947
00:46:47,719 --> 00:46:51,680
Speaker 2: because Internet we had every website still in the year

948
00:46:51,719 --> 00:46:54,279
Speaker 2: twenty twenty three is using that sort of headline, and

949
00:46:54,320 --> 00:46:55,960
Speaker 2: that sends me into a day long rage.

950
00:46:56,200 --> 00:46:59,000
Speaker 3: There's a there's a funny character and insidious, the red

951
00:46:59,040 --> 00:47:02,200
Speaker 3: Door who said the interwebs and I could not I

952
00:47:02,280 --> 00:47:07,360
Speaker 3: could not believe it. I was I almost like clutched

953
00:47:07,400 --> 00:47:08,080
Speaker 3: my chest.

954
00:47:08,760 --> 00:47:09,920
Speaker 2: That in two thousand and seven.

955
00:47:10,200 --> 00:47:16,759
Speaker 3: Yeah, oh yeah, I mean I really it's it's it

956
00:47:16,800 --> 00:47:19,640
Speaker 3: makes you really think about your life now and what

957
00:47:19,680 --> 00:47:22,080
Speaker 3: people know, and what the things that you took for.

958
00:47:22,080 --> 00:47:24,799
Speaker 2: Great, what in what context I want to I want

959
00:47:24,840 --> 00:47:26,360
Speaker 2: you to have to say the sentence allowed if you

960
00:47:26,440 --> 00:47:29,160
Speaker 2: can remember remotely what the character says.

961
00:47:29,280 --> 00:47:31,799
Speaker 3: So, I mean, this character is the is a new

962
00:47:31,880 --> 00:47:36,680
Speaker 3: character of the franchise, I imagine because it's one of the

963
00:47:36,680 --> 00:47:38,759
Speaker 3: main characters is going to college and this is their

964
00:47:38,800 --> 00:47:44,280
Speaker 3: new roommate. Okay, and this character is Quippi and saying

965
00:47:44,360 --> 00:47:47,839
Speaker 3: things has has a you know, as an attitude and

966
00:47:48,320 --> 00:47:50,840
Speaker 3: saying that they're going to do all sorts of goofy

967
00:47:50,920 --> 00:47:54,279
Speaker 3: stuff and like kind of has a little bit of

968
00:47:54,320 --> 00:47:58,280
Speaker 3: Internet speak in the vernacular, and just at one point

969
00:47:58,320 --> 00:48:01,279
Speaker 3: says like, yeah, okay, bro, I'll look it up on

970
00:48:01,320 --> 00:48:04,279
Speaker 3: the interwebsh like something like something like that.

971
00:48:04,640 --> 00:48:05,960
Speaker 2: You know I'm leaving the theater.

972
00:48:06,200 --> 00:48:09,919
Speaker 3: Yeah, I mean I get a sick pleasure out of it,

973
00:48:10,160 --> 00:48:12,960
Speaker 3: Like I will clutch my girlfriend's arm and look at

974
00:48:12,960 --> 00:48:19,120
Speaker 3: her and go, wow, shocking, because when something like that happens,

975
00:48:19,160 --> 00:48:21,880
Speaker 3: it's it's it is shocking in a way that I

976
00:48:21,920 --> 00:48:23,920
Speaker 3: almost derive a sick pleasure from right, because.

977
00:48:23,680 --> 00:48:27,160
Speaker 2: You think of the amount of hoops that were jumped

978
00:48:27,160 --> 00:48:29,520
Speaker 2: through to get to the screen. Enough adults looked at

979
00:48:29,520 --> 00:48:31,360
Speaker 2: that word and said, if we're going with this one.

980
00:48:31,280 --> 00:48:34,400
Speaker 3: And you just you don't think it's possible anymore, you know,

981
00:48:34,800 --> 00:48:37,160
Speaker 3: you got you gotta believe in the impossible. And that's

982
00:48:37,680 --> 00:48:40,239
Speaker 3: a character in Insidious the Red Door saying interwebs, and

983
00:48:40,239 --> 00:48:43,719
Speaker 3: it inspired me. Yeah, the interwebs. I think we should

984
00:48:43,719 --> 00:48:46,080
Speaker 3: play a game. Oh my goodness, I love games.

985
00:48:46,160 --> 00:48:49,840
Speaker 2: We're gonna play Gonnaly's. I think it's gift master this time.

986
00:48:50,200 --> 00:48:52,520
Speaker 2: I'm trying to be better about doing every other game,

987
00:48:52,560 --> 00:48:55,400
Speaker 2: and I fail constantly, but we're gonna try. I need

988
00:48:55,440 --> 00:48:56,919
Speaker 2: a number between one and ten from you.

989
00:48:57,000 --> 00:48:58,400
Speaker 3: Excellent, I'm gonna say nine.

990
00:48:59,160 --> 00:49:01,959
Speaker 2: Okay, I have to do some light calculating right now.

991
00:49:02,400 --> 00:49:04,280
Speaker 3: You can go too high.

992
00:49:04,640 --> 00:49:07,439
Speaker 2: No, nine is great? Okay, great, I said one and ten.

993
00:49:07,560 --> 00:49:07,960
Speaker 3: You did.

994
00:49:08,200 --> 00:49:10,480
Speaker 2: You didn't say one. That's too low. That doesn't work.

995
00:49:10,560 --> 00:49:13,720
Speaker 2: Sure it might work. I don't know how this anything works.

996
00:49:14,120 --> 00:49:16,000
Speaker 3: And I would also guess, and I listen. Am I

997
00:49:16,040 --> 00:49:17,520
Speaker 3: trying to be contrariant? I bet a lot of people

998
00:49:17,520 --> 00:49:18,160
Speaker 3: would say seven.

999
00:49:19,200 --> 00:49:22,720
Speaker 2: A reader just or a reader a listener just wrote

1000
00:49:22,719 --> 00:49:26,279
Speaker 2: in and said that they had noticed eight is like

1001
00:49:26,360 --> 00:49:29,560
Speaker 2: the most popular number. Interesting, And I didn't look into it.

1002
00:49:29,640 --> 00:49:32,959
Speaker 2: I just trust the listener inherently and take their word

1003
00:49:32,960 --> 00:49:35,160
Speaker 2: for it. Send me whatever you want, I will believe it.

1004
00:49:35,440 --> 00:49:37,640
Speaker 2: But apparently eight, seven, I do think is probably a

1005
00:49:37,640 --> 00:49:38,200
Speaker 2: close section.

1006
00:49:38,320 --> 00:49:42,600
Speaker 3: Seven. I think is let's rank the numbers one through ten.

1007
00:49:43,520 --> 00:49:44,560
Speaker 2: Good. I'm willing to do that.

1008
00:49:44,600 --> 00:49:49,319
Speaker 3: One is eight two seven, But I think that is

1009
00:49:49,360 --> 00:49:52,919
Speaker 3: also like a magician trick of like you asked someone

1010
00:49:52,960 --> 00:49:56,320
Speaker 3: one through ten. Odds are people go for seven more

1011
00:49:56,360 --> 00:49:56,960
Speaker 3: often than not.

1012
00:49:57,000 --> 00:49:59,880
Speaker 2: Thinking about humanity and how people think.

1013
00:50:00,080 --> 00:50:03,359
Speaker 3: Always trying to know the magician's secrets. Take that mic off.

1014
00:50:03,360 --> 00:50:06,120
Speaker 2: I've never been trapped by a musician or a magician.

1015
00:50:06,160 --> 00:50:08,880
Speaker 3: I'm either musician or a magician.

1016
00:50:09,280 --> 00:50:11,759
Speaker 2: I'm starting to say things wrong because I am so

1017
00:50:12,040 --> 00:50:13,120
Speaker 2: unbelievably hot.

1018
00:50:13,960 --> 00:50:15,280
Speaker 3: Yeah, it's warm out here.

1019
00:50:15,560 --> 00:50:18,480
Speaker 2: I am fading so quickly. Okay, we're going to nine

1020
00:50:18,520 --> 00:50:20,080
Speaker 2: and we're gonna play the game. The number is nine.

1021
00:50:20,080 --> 00:50:22,120
Speaker 2: I have to do some light calculating. So right now

1022
00:50:22,160 --> 00:50:24,920
Speaker 2: you can recommend something, promote something. Oh great, you've got

1023
00:50:24,920 --> 00:50:25,160
Speaker 2: the mic.

1024
00:50:25,200 --> 00:50:30,440
Speaker 3: I'll be right back, excellent sou. I have a album

1025
00:50:30,680 --> 00:50:33,960
Speaker 3: of sketches and funny songs coming out that is going

1026
00:50:34,000 --> 00:50:36,319
Speaker 3: to be called Funny Songs and Sketches. I think when

1027
00:50:36,320 --> 00:50:38,600
Speaker 3: this is released, it will not be out yet, but

1028
00:50:38,920 --> 00:50:41,160
Speaker 3: if you want to know when that comes out, you

1029
00:50:41,160 --> 00:50:46,240
Speaker 3: can follow me on Instagram and TikTok joe Quah Joey Kwa,

1030
00:50:46,600 --> 00:50:49,839
Speaker 3: or on Twitter Jok jok, and you will know when

1031
00:50:49,840 --> 00:50:51,920
Speaker 3: that comes out. You can also check out on YouTube

1032
00:50:51,920 --> 00:50:54,920
Speaker 3: my special, which is in the process of being renamed

1033
00:50:55,000 --> 00:50:57,479
Speaker 3: because I guess somebody else had the name I had

1034
00:50:57,600 --> 00:50:59,680
Speaker 3: for my special. I think we are going to be

1035
00:50:59,719 --> 00:51:03,640
Speaker 3: calling it recommended based on your search history, so that

1036
00:51:03,719 --> 00:51:06,440
Speaker 3: might be difficult to search in YouTube. But if you

1037
00:51:06,440 --> 00:51:11,719
Speaker 3: search my name Joe Quasala KWA c z A LA,

1038
00:51:11,880 --> 00:51:14,800
Speaker 3: and then Helium because it's out on the Helium Comedy

1039
00:51:15,320 --> 00:51:18,800
Speaker 3: Studios YouTube page, you will find my full special, whatever

1040
00:51:18,840 --> 00:51:21,040
Speaker 3: it's being called. When this is released, and you can

1041
00:51:21,120 --> 00:51:23,480
Speaker 3: check that out. I'm very proud of it. It's about

1042
00:51:23,600 --> 00:51:27,840
Speaker 3: thirty minutes of stand up and I'm wearing a corriduroy jacket.

1043
00:51:27,960 --> 00:51:30,240
Speaker 3: And if that's not enough to sell you, I don't

1044
00:51:30,239 --> 00:51:31,759
Speaker 3: know what else you freaks want.

1045
00:51:32,320 --> 00:51:36,279
Speaker 2: Beautiful, thank you for this. I could barely hear. I

1046
00:51:36,320 --> 00:51:39,359
Speaker 2: was focusing on my calculating. But you can trust Joe.

1047
00:51:39,680 --> 00:51:42,640
Speaker 2: You can trust Joe. Go find it. You know how

1048
00:51:42,680 --> 00:51:43,719
Speaker 2: to use the internet.

1049
00:51:44,440 --> 00:51:47,319
Speaker 3: And also the aforementioned videos are will be on those

1050
00:51:47,320 --> 00:51:48,280
Speaker 3: places that I mentioned.

1051
00:51:48,480 --> 00:51:50,760
Speaker 2: Yes, of course, I'm trying to think of there's anything

1052
00:51:50,800 --> 00:51:53,200
Speaker 2: I can recommend. I have nothing to recommend right now.

1053
00:51:54,200 --> 00:51:57,880
Speaker 3: Support our SAG and WGA.

1054
00:51:58,040 --> 00:52:00,279
Speaker 2: Go out and do that, and anyone's at on the

1055
00:52:00,280 --> 00:52:00,600
Speaker 2: picket line.

1056
00:52:00,600 --> 00:52:01,640
Speaker 3: I don't know if people know that.

1057
00:52:01,680 --> 00:52:04,640
Speaker 2: Right anybody can show up, get a sign all are

1058
00:52:04,680 --> 00:52:08,680
Speaker 2: welcome and walk around and meet some nice people, have

1059
00:52:08,719 --> 00:52:09,520
Speaker 2: a good time.

1060
00:52:09,840 --> 00:52:12,439
Speaker 3: See some see some stars don't get in their grill.

1061
00:52:12,560 --> 00:52:14,160
Speaker 3: But like for really you want to make.

1062
00:52:14,000 --> 00:52:16,080
Speaker 2: A spy and make weird eye contact?

1063
00:52:16,280 --> 00:52:18,359
Speaker 3: Yeah, see somebody and then you can tell your friends later.

1064
00:52:18,800 --> 00:52:20,719
Speaker 3: You can make that a game. I love. I love

1065
00:52:20,719 --> 00:52:22,080
Speaker 3: a celebrity siting guessing game.

1066
00:52:22,440 --> 00:52:25,600
Speaker 2: Oh interesting, the last celebrity. Wait, how does the guessing

1067
00:52:25,640 --> 00:52:26,040
Speaker 2: game work?

1068
00:52:26,160 --> 00:52:29,279
Speaker 3: It's uh, I saw somebody and then you do yes

1069
00:52:29,360 --> 00:52:31,720
Speaker 3: or no questions. You know, do you just saw somebody recently?

1070
00:52:31,719 --> 00:52:32,239
Speaker 3: Do you want to do it?

1071
00:52:32,160 --> 00:52:32,239
Speaker 2: It?

1072
00:52:32,320 --> 00:52:33,239
Speaker 3: Will that take up too much time?

1073
00:52:33,280 --> 00:52:34,680
Speaker 2: It's not gonna take up too much time? Should we

1074
00:52:34,719 --> 00:52:37,160
Speaker 2: play it? We're gonna play it after this game. Let's

1075
00:52:37,200 --> 00:52:40,000
Speaker 2: circle back to the game, because well, I won't even

1076
00:52:40,000 --> 00:52:43,040
Speaker 2: say anything about celebrity. This is how we're gonna play

1077
00:52:43,080 --> 00:52:45,960
Speaker 2: this game, which also involves celebrities. This is a celebrity

1078
00:52:46,120 --> 00:52:50,520
Speaker 2: culture podcast. Why why weren't we talking about celebrities the

1079
00:52:50,520 --> 00:52:51,399
Speaker 2: whole time I came.

1080
00:52:51,440 --> 00:52:54,160
Speaker 6: I mean we've talked about John Carrolyn'll be talking about crimes. Actually,

1081
00:52:54,200 --> 00:52:57,640
Speaker 6: it is a celebrity podcast. Uh, this is how we

1082
00:52:57,640 --> 00:53:00,719
Speaker 6: play gift Master. There are I'm gonna name threeelebrities. Great,

1083
00:53:00,719 --> 00:53:03,200
Speaker 6: I'm gonna name three gifts, three things you can give away,

1084
00:53:03,400 --> 00:53:05,279
Speaker 6: and you're gonna tell me which celebrity you would give.

1085
00:53:05,200 --> 00:53:06,680
Speaker 2: Which gift and why.

1086
00:53:06,920 --> 00:53:07,320
Speaker 3: Excellent?

1087
00:53:07,320 --> 00:53:10,440
Speaker 2: That makes perfect sad, absolutely Okay, So these are the gifts.

1088
00:53:10,520 --> 00:53:12,640
Speaker 2: This first one is from a listener named William who

1089
00:53:12,719 --> 00:53:17,120
Speaker 2: suggested a sexless marriage. So that's a gift. Okay, I'll

1090
00:53:17,120 --> 00:53:18,600
Speaker 2: be giving away.

1091
00:53:18,600 --> 00:53:19,680
Speaker 3: Can I ask a follow up?

1092
00:53:19,719 --> 00:53:20,120
Speaker 2: Of course?

1093
00:53:20,600 --> 00:53:22,920
Speaker 3: Is it they have to have a sexless marriage or

1094
00:53:22,960 --> 00:53:24,160
Speaker 3: is it a sexless marriage with me?

1095
00:53:26,440 --> 00:53:27,279
Speaker 2: It's up to you.

1096
00:53:27,680 --> 00:53:28,840
Speaker 3: Okay. Interesting, I'm just.

1097
00:53:28,880 --> 00:53:33,400
Speaker 2: Giving you those three words that William rode in and submitted, giving.

1098
00:53:33,200 --> 00:53:36,640
Speaker 3: You the gift of a sexless marriage with me, enjoy.

1099
00:53:38,080 --> 00:53:41,280
Speaker 2: Number two is a chance encounter with an old friend. Okay,

1100
00:53:41,440 --> 00:53:44,680
Speaker 2: that's a nice gift. Number three is an induction range.

1101
00:53:45,200 --> 00:53:47,200
Speaker 2: Do you know what that is? No, that's kind of

1102
00:53:47,239 --> 00:53:50,240
Speaker 2: a you know, a lot of stovetops are gas powered,

1103
00:53:50,239 --> 00:53:52,160
Speaker 2: some are electric. I think this is kind of the

1104
00:53:52,200 --> 00:53:55,239
Speaker 2: future of a stovetop that's like one of those ones

1105
00:53:55,239 --> 00:53:58,280
Speaker 2: that's flat and you turn it on, it's just hot somehow.

1106
00:53:58,440 --> 00:53:59,800
Speaker 3: Okay, I may be.

1107
00:54:00,360 --> 00:54:03,040
Speaker 2: I don't work in the appliance industry. It's just on

1108
00:54:03,120 --> 00:54:03,480
Speaker 2: the dock.

1109
00:54:03,560 --> 00:54:04,000
Speaker 3: We got it.

1110
00:54:04,040 --> 00:54:06,520
Speaker 2: The doc is mysterious. You will be giving it to

1111
00:54:06,600 --> 00:54:11,320
Speaker 2: these these celebrities. Number one Angelica Houston, we love. Number

1112
00:54:11,320 --> 00:54:15,320
Speaker 2: two James Corden. Okay, wow, yeah, I don't have anything

1113
00:54:15,360 --> 00:54:17,960
Speaker 2: to say there, neither. Number three Orlando Bloom.

1114
00:54:18,120 --> 00:54:24,840
Speaker 3: Oh okay, all right. First, first things first, nothing against

1115
00:54:25,120 --> 00:54:28,600
Speaker 3: Orlando Bloom. I would guess. I mean, this is a

1116
00:54:28,640 --> 00:54:33,360
Speaker 3: guy who almost immediately went from being not famous to

1117
00:54:33,440 --> 00:54:36,920
Speaker 3: being in two gigantic franchises, Lord of the Rings and

1118
00:54:36,960 --> 00:54:39,799
Speaker 3: Pirates of the Caribbean. At this pretty much same time,

1119
00:54:39,880 --> 00:54:43,879
Speaker 3: he was swashbuckling. He was, he was Elf and out.

1120
00:54:44,040 --> 00:54:46,040
Speaker 3: I believe he was in Elf. He wasn't in Lord

1121
00:54:46,040 --> 00:54:48,280
Speaker 3: of the Rings and he was. Yeah, he was buckling,

1122
00:54:48,360 --> 00:54:51,799
Speaker 3: some swash guy, yea in Pirates. But you know, a

1123
00:54:51,880 --> 00:54:53,880
Speaker 3: part of it. So what I mean to say is

1124
00:54:53,920 --> 00:54:55,759
Speaker 3: also extremely pretty.

1125
00:54:55,520 --> 00:54:59,680
Speaker 2: Man, maybe too pretty for this world, and extremely famous.

1126
00:54:59,680 --> 00:55:04,000
Speaker 3: Sudden. Yes, I would guess Orlando Bloom had more sex

1127
00:55:04,040 --> 00:55:07,120
Speaker 3: than anyone will ever need in several lifetimes.

1128
00:55:07,200 --> 00:55:07,919
Speaker 2: I hope he did.

1129
00:55:08,040 --> 00:55:08,799
Speaker 3: I hope so too.

1130
00:55:08,880 --> 00:55:10,959
Speaker 2: That was his moment, and I would guess, I would

1131
00:55:10,960 --> 00:55:12,080
Speaker 2: guess absolutely.

1132
00:55:12,640 --> 00:55:15,000
Speaker 3: So, I think we can give a sexless marriage to

1133
00:55:15,080 --> 00:55:17,439
Speaker 3: Orlando Bloom because I don't think it will hurt him,

1134
00:55:17,680 --> 00:55:22,480
Speaker 3: and maybe that's what he wants. He's to quote Rivers Cuomo, tired.

1135
00:55:22,239 --> 00:55:23,040
Speaker 2: Of having sex.

1136
00:55:23,200 --> 00:55:32,760
Speaker 3: Yes, so let Orlando not Bloom but rather keep it in.

1137
00:55:32,760 --> 00:55:33,600
Speaker 2: Shrivel on the bar.

1138
00:55:33,840 --> 00:55:35,360
Speaker 3: Yeah, thank you, thank you.

1139
00:55:35,480 --> 00:55:36,080
Speaker 2: That's exactly.

1140
00:55:37,760 --> 00:55:40,640
Speaker 3: But yeah, Orlando Bloom gets a sexless marriage. Now we've

1141
00:55:40,640 --> 00:55:43,520
Speaker 3: got Angelica Houston and James Cordon, and we are giving

1142
00:55:43,600 --> 00:55:46,480
Speaker 3: away a close uh, an encounter with an old friend

1143
00:55:47,040 --> 00:55:49,040
Speaker 3: and an induction rain.

1144
00:55:49,400 --> 00:55:49,760
Speaker 2: Yes.

1145
00:55:51,360 --> 00:55:55,960
Speaker 3: Angelica Houston has lived a very interesting life. Her father

1146
00:55:56,120 --> 00:56:00,759
Speaker 3: John Houston, very famously with Royalty. Yeah, director, you know

1147
00:56:00,840 --> 00:56:03,919
Speaker 3: she has. She was with Jack Nicholson for a time.

1148
00:56:04,080 --> 00:56:07,040
Speaker 2: She was the Grand Witch and the Witches Witches.

1149
00:56:06,680 --> 00:56:09,760
Speaker 3: And then you know, she kind of having a great

1150
00:56:09,760 --> 00:56:14,040
Speaker 3: film career Preasy's Honor. She won the Academy Award and

1151
00:56:14,040 --> 00:56:16,440
Speaker 3: then many other films. She also then fell into like

1152
00:56:16,480 --> 00:56:19,800
Speaker 3: the Wes Anderson world and did great work in those films.

1153
00:56:19,560 --> 00:56:21,680
Speaker 2: All Presence has had.

1154
00:56:21,520 --> 00:56:24,560
Speaker 3: A long life, has met probably a lot of people.

1155
00:56:24,880 --> 00:56:27,839
Speaker 3: Wouldn't it be nice someone from maybe early in her

1156
00:56:27,880 --> 00:56:30,920
Speaker 3: career or even before she was I mean, she was

1157
00:56:30,960 --> 00:56:33,439
Speaker 3: probably acting pretty young, given the family she was born into.

1158
00:56:33,600 --> 00:56:37,560
Speaker 3: But just somebody from a long time ago that she

1159
00:56:37,840 --> 00:56:39,880
Speaker 3: it just it takes her to a place, a simpler

1160
00:56:39,880 --> 00:56:44,360
Speaker 3: time maybe, and a nice time in her life. I

1161
00:56:44,360 --> 00:56:48,040
Speaker 3: want Angelica Houston to have that encounter with an old friend.

1162
00:56:48,120 --> 00:56:50,719
Speaker 2: Has anybody ever called her ange? Do you think I

1163
00:56:50,760 --> 00:56:53,120
Speaker 2: don't know that that fits for Angelica, Angie? I bet

1164
00:56:53,360 --> 00:56:56,880
Speaker 2: you think, yeah, a bit, Angie. I can't imagine calling

1165
00:56:56,880 --> 00:57:02,879
Speaker 2: her anything against you. Yeah, I don't. I don't see

1166
00:57:02,920 --> 00:57:04,160
Speaker 2: her anything about Angelic.

1167
00:57:05,600 --> 00:57:11,799
Speaker 3: All right, Hey, Angie, that's Jack Nicholson. I can see

1168
00:57:11,840 --> 00:57:12,319
Speaker 3: him doing that.

1169
00:57:12,400 --> 00:57:13,280
Speaker 2: Yeah, I guess Jack.

1170
00:57:13,320 --> 00:57:16,840
Speaker 3: Hey, Angie, babe, come on over here. Can't It's a

1171
00:57:16,840 --> 00:57:17,840
Speaker 3: way more disturbing.

1172
00:57:18,120 --> 00:57:22,600
Speaker 2: He called her mine? Oh called her mind? Jack?

1173
00:57:23,120 --> 00:57:23,440
Speaker 3: Jack?

1174
00:57:23,560 --> 00:57:26,760
Speaker 2: She's mine, She's no name but.

1175
00:57:28,480 --> 00:57:32,080
Speaker 3: Mine, oh mine. I never I do this because I

1176
00:57:32,160 --> 00:57:33,920
Speaker 3: know it's a bad impression. I want the listener to

1177
00:57:33,960 --> 00:57:35,880
Speaker 3: know that I don't think of that, that it's good.

1178
00:57:36,840 --> 00:57:40,400
Speaker 3: And then yeah, James Gordon gets the induction range. No

1179
00:57:40,600 --> 00:57:41,280
Speaker 3: further comment.

1180
00:57:42,560 --> 00:57:44,800
Speaker 2: Does he have an old friend? That's the big question?

1181
00:57:45,320 --> 00:57:45,880
Speaker 3: No comment?

1182
00:57:45,960 --> 00:57:49,800
Speaker 2: Friend, what does he exist as at this point in time?

1183
00:57:50,000 --> 00:57:52,600
Speaker 3: Who knows? We wish him well?

1184
00:57:52,600 --> 00:57:56,120
Speaker 2: You wish him nothing but the best, good luck, new chapter,

1185
00:57:56,400 --> 00:57:59,760
Speaker 2: second chapter, and with his induction range. That's a great

1186
00:57:59,800 --> 00:58:01,600
Speaker 2: thing to give to somebody that you just don't want

1187
00:58:01,600 --> 00:58:03,280
Speaker 2: to say anything to or about.

1188
00:58:03,440 --> 00:58:07,560
Speaker 3: I hope you enjoy this. Yes, everybody I've been hearing.

1189
00:58:07,560 --> 00:58:10,120
Speaker 3: I heard it's the future of the stove stove tops.

1190
00:58:11,400 --> 00:58:13,120
Speaker 3: Someone told me that, and you know I thought of

1191
00:58:13,160 --> 00:58:13,840
Speaker 3: you immediately.

1192
00:58:14,520 --> 00:58:17,280
Speaker 2: It's a tech podcast, it's a celebrity podcast. We do

1193
00:58:17,360 --> 00:58:19,800
Speaker 2: a little bit of everything for the listener. We've got

1194
00:58:19,840 --> 00:58:20,880
Speaker 2: to play your game now.

1195
00:58:20,880 --> 00:58:22,320
Speaker 3: Oh yes, so you saw a celebrity.

1196
00:58:22,440 --> 00:58:24,760
Speaker 2: Okay, how many questions do you get to ask?

1197
00:58:24,920 --> 00:58:31,160
Speaker 3: I mean, I guess Traditionally it's it's twenty but please

1198
00:58:31,280 --> 00:58:34,840
Speaker 3: no release, but you know you can get there rather

1199
00:58:35,200 --> 00:58:43,640
Speaker 3: rather quick mail. Yes. Actor, yes, white, Yes, older than fifty.

1200
00:58:43,760 --> 00:58:44,040
Speaker 2: Yes.

1201
00:58:45,240 --> 00:58:47,320
Speaker 3: Known for movies.

1202
00:58:49,120 --> 00:58:53,440
Speaker 2: Not mostly okay in movies.

1203
00:58:53,560 --> 00:58:55,240
Speaker 3: Mostly known for television.

1204
00:58:55,360 --> 00:58:55,680
Speaker 2: Yes.

1205
00:58:56,960 --> 00:58:59,800
Speaker 3: Is there one show in particular that this actor is

1206
00:59:00,160 --> 00:59:00,840
Speaker 3: most known for him?

1207
00:59:00,920 --> 00:59:01,080
Speaker 2: Yes?

1208
00:59:01,480 --> 00:59:02,240
Speaker 3: Was it a sitcom?

1209
00:59:02,800 --> 00:59:03,040
Speaker 2: No?

1210
00:59:03,160 --> 00:59:07,200
Speaker 3: It was a drama? Yes? Was this drama on?

1211
00:59:07,680 --> 00:59:07,800
Speaker 2: Uh?

1212
00:59:08,920 --> 00:59:12,600
Speaker 3: Was it on network? No? Cable? Yes? HBO?

1213
00:59:12,800 --> 00:59:15,480
Speaker 2: Yes, okay, I love that narrowing down here.

1214
00:59:15,720 --> 00:59:20,280
Speaker 3: Uh Sobrano's No, was it on in the two thousands,

1215
00:59:20,280 --> 00:59:23,720
Speaker 3: like from two thousand and two thousand and nine Okay succession? Yes?

1216
00:59:23,840 --> 00:59:24,480
Speaker 3: Was it Alan Ruck?

1217
00:59:24,680 --> 00:59:24,840
Speaker 2: No?

1218
00:59:25,280 --> 00:59:28,800
Speaker 3: Was it someone from Okay? So? Was it Brian Cox?

1219
00:59:28,920 --> 00:59:29,200
Speaker 2: Yes?

1220
00:59:29,240 --> 00:59:29,479
Speaker 3: Wow?

1221
00:59:31,120 --> 00:59:33,000
Speaker 2: I mean there were some questions there where I the

1222
00:59:33,360 --> 00:59:37,400
Speaker 2: answers were more complicated than a ye, binary of course, right,

1223
00:59:37,440 --> 00:59:40,320
Speaker 2: because like he's known for this show I think most

1224
00:59:40,400 --> 00:59:41,080
Speaker 2: recently has.

1225
00:59:41,000 --> 00:59:44,080
Speaker 3: Become very and I mean and now most famous for

1226
00:59:44,080 --> 00:59:45,160
Speaker 3: being the voice McDonald's.

1227
00:59:45,800 --> 00:59:46,320
Speaker 2: Is that true?

1228
00:59:46,400 --> 00:59:48,920
Speaker 3: Yes? And they are weird commercials because he is like

1229
00:59:50,080 --> 00:59:52,120
Speaker 3: just doing it as Brian Cox and he's just and

1230
00:59:52,280 --> 00:59:53,960
Speaker 3: he at the end he does go bought.

1231
00:59:55,440 --> 00:59:57,840
Speaker 2: What what is he saying about McDonald's the.

1232
00:59:57,880 --> 01:00:01,320
Speaker 3: New French fries od? You know what happened?

1233
01:00:01,360 --> 01:00:01,960
Speaker 2: Like? Who was it that?

1234
01:00:02,120 --> 01:00:06,360
Speaker 3: Just reading copy? I bet it's incredible money. It has

1235
01:00:06,440 --> 01:00:08,160
Speaker 3: to be if it makes his.

1236
01:00:08,240 --> 01:00:10,760
Speaker 2: Unless he has like a really terrible manager. It's like, Brian,

1237
01:00:10,760 --> 01:00:13,120
Speaker 2: you just take take what you can get. Your career

1238
01:00:13,120 --> 01:00:15,160
Speaker 2: has never been worse MacDonald's.

1239
01:00:15,160 --> 01:00:17,120
Speaker 3: Sure. What was the context of seeing Brian Cox.

1240
01:00:17,840 --> 01:00:21,000
Speaker 2: I saw Brian Cox at the Chateau Marmont, and I

1241
01:00:20,840 --> 01:00:22,760
Speaker 2: was explained why I was there because I do not

1242
01:00:22,800 --> 01:00:23,360
Speaker 2: want to be there.

1243
01:00:23,840 --> 01:00:25,520
Speaker 3: I'm curious I'm very curious.

1244
01:00:26,000 --> 01:00:28,880
Speaker 2: Friend is a huge fan of Housewives of Beverly Hills.

1245
01:00:28,920 --> 01:00:30,920
Speaker 2: It was her birthday. She thought this would be kind

1246
01:00:30,960 --> 01:00:33,280
Speaker 2: of the theme of the birthday. We're all sitting there.

1247
01:00:33,600 --> 01:00:38,040
Speaker 2: He comes in, of course, literally everyone notices him immediately,

1248
01:00:38,560 --> 01:00:42,280
Speaker 2: seemed to be alone. Okay, it was a very logan

1249
01:00:42,360 --> 01:00:42,960
Speaker 2: roy energy.

1250
01:00:43,120 --> 01:00:47,240
Speaker 3: Yeah. Interesting, you know, I hope that he is a

1251
01:00:47,280 --> 01:00:50,360
Speaker 3: different man, but that's gotta be somewhere close to the vest.

1252
01:00:50,520 --> 01:00:53,720
Speaker 2: Sure, sure, but yeah, that's who I saw, Brian. I

1253
01:00:53,760 --> 01:00:55,800
Speaker 2: wonder if the listener got there before you. That's the

1254
01:00:55,800 --> 01:00:56,440
Speaker 2: big question.

1255
01:00:56,720 --> 01:00:58,640
Speaker 3: I want to say. I went at a decent clip. Yeah,

1256
01:00:58,640 --> 01:01:00,640
Speaker 3: that was very I mean, I didn't want to waste

1257
01:01:00,680 --> 01:01:02,480
Speaker 3: the time of the listener. The time the listener's time,

1258
01:01:02,560 --> 01:01:04,160
Speaker 3: is you respect most important to me?

1259
01:01:04,320 --> 01:01:07,320
Speaker 2: Well, you came here respecting my listeners, and we love it.

1260
01:01:08,240 --> 01:01:10,200
Speaker 2: This is the final segment of the podcast. It's called

1261
01:01:10,200 --> 01:01:13,120
Speaker 2: I said no Emails. People write in I said no

1262
01:01:13,240 --> 01:01:16,959
Speaker 2: gifts at gmail dot com. They've got questions galore. They're

1263
01:01:17,000 --> 01:01:19,600
Speaker 2: just wondering. They're trying to live their lives and trying

1264
01:01:19,640 --> 01:01:21,480
Speaker 2: to do it the best they can. And so when

1265
01:01:21,480 --> 01:01:24,640
Speaker 2: they write in, I get them back on track. Will

1266
01:01:24,680 --> 01:01:26,240
Speaker 2: you help me answer a question.

1267
01:01:26,400 --> 01:01:30,000
Speaker 3: I gotta go. No, of course, of course it will.

1268
01:01:31,440 --> 01:01:33,440
Speaker 2: I actually would really support that right now, and I

1269
01:01:33,480 --> 01:01:35,120
Speaker 2: just sit here quietly and I answer the question.

1270
01:01:36,160 --> 01:01:36,920
Speaker 3: I'm going away.

1271
01:01:38,960 --> 01:01:43,080
Speaker 2: Okay, this says dearest Bridger and shameful yet since here guest. Okay,

1272
01:01:43,160 --> 01:01:45,240
Speaker 2: So that's complicated and we're going to deal with it.

1273
01:01:46,040 --> 01:01:49,720
Speaker 2: My mother's husband is the most uninteresting man in the world.

1274
01:01:50,040 --> 01:01:53,040
Speaker 2: His only interest is in probiotics and other health topics.

1275
01:01:53,200 --> 01:01:56,560
Speaker 2: That's it, really nothing else. Please do not ask, because

1276
01:01:56,600 --> 01:01:59,280
Speaker 2: I do not know. This man has no hobbies or

1277
01:01:59,360 --> 01:02:02,640
Speaker 2: other interests. And my wonderful, though oblivious at times mother

1278
01:02:03,240 --> 01:02:05,640
Speaker 2: is always pushing me and my siblings to get this

1279
01:02:05,680 --> 01:02:09,560
Speaker 2: guy thoughtful gifts for Christmas and his birthday. He is

1280
01:02:09,600 --> 01:02:12,920
Speaker 2: the most impossible person to buy gifts for. Any idea

1281
01:02:13,040 --> 01:02:17,160
Speaker 2: on what to get this poor guy. Uh that's from Danielle. Okay,

1282
01:02:17,240 --> 01:02:19,600
Speaker 2: so my mother's husband. I hope that it is her dad,

1283
01:02:19,640 --> 01:02:21,440
Speaker 2: and that's just how she refers to the dead. But

1284
01:02:21,600 --> 01:02:23,520
Speaker 2: we assume this is just some guy.

1285
01:02:23,640 --> 01:02:27,640
Speaker 3: Yes, this is yeah, some guy a step dad.

1286
01:02:27,720 --> 01:02:30,480
Speaker 2: Steps and has not done enough work to be called

1287
01:02:30,480 --> 01:02:33,800
Speaker 2: a step dad. Sure, he's just boring everybody to the

1288
01:02:33,840 --> 01:02:37,800
Speaker 2: point that he's mom's husband. Doesn't even have a name, right, Yeah,

1289
01:02:38,200 --> 01:02:41,640
Speaker 2: old cold, very cold email. This person does not like

1290
01:02:41,720 --> 01:02:42,480
Speaker 2: mother's husband.

1291
01:02:43,160 --> 01:02:45,680
Speaker 3: All right, I have I have some ideas. Oh interesting,

1292
01:02:45,760 --> 01:02:48,800
Speaker 3: let's hear first thought, it is expensive. If you can

1293
01:02:48,840 --> 01:02:51,360
Speaker 3: find an off brand, it's not too bad. I feel

1294
01:02:51,400 --> 01:02:53,560
Speaker 3: like anyone can use it. Rumba.

1295
01:02:54,280 --> 01:02:56,680
Speaker 2: Oh and there are a lot of off brand ones

1296
01:02:56,680 --> 01:02:57,080
Speaker 2: at this point.

1297
01:02:58,120 --> 01:02:59,800
Speaker 3: Is the one I think that that we have in

1298
01:02:59,800 --> 01:03:02,440
Speaker 3: our our home and you can find him on sale.

1299
01:03:03,480 --> 01:03:07,480
Speaker 3: That one occurred to me because everyone needs to clean

1300
01:03:07,560 --> 01:03:10,920
Speaker 3: their home, right and I'm thinking, Okay, we don't know

1301
01:03:10,960 --> 01:03:13,840
Speaker 3: what this guy is about. He's maybe not into the

1302
01:03:13,880 --> 01:03:16,680
Speaker 3: process of cleaning. But with a rumba, you're just pressing

1303
01:03:16,720 --> 01:03:20,440
Speaker 3: a button. And even if there is like a brief

1304
01:03:20,600 --> 01:03:22,800
Speaker 3: novel moment when you get it and it's like look

1305
01:03:22,800 --> 01:03:24,479
Speaker 3: at this thing, go and then they never use it again,

1306
01:03:24,520 --> 01:03:25,400
Speaker 3: at least you have that.

1307
01:03:25,280 --> 01:03:28,760
Speaker 2: They had that little spark of joy in their life. Yeah,

1308
01:03:28,800 --> 01:03:30,919
Speaker 2: that seems like a decent gift. Has anybody ever given

1309
01:03:30,960 --> 01:03:33,880
Speaker 2: a dust pan that feels like in the same category

1310
01:03:33,880 --> 01:03:37,480
Speaker 2: if you're on a real budget, yes, right, just.

1311
01:03:37,520 --> 01:03:40,840
Speaker 3: A just a broom and a dustpan get to work

1312
01:03:40,880 --> 01:03:42,120
Speaker 3: Cinderella kind of thing.

1313
01:03:45,480 --> 01:03:49,280
Speaker 2: Mother's Husband is an interesting like stepdad version of Cinderella

1314
01:03:49,320 --> 01:03:51,240
Speaker 2: where the mother's husband is locked away and all of

1315
01:03:51,280 --> 01:03:53,840
Speaker 2: the evil step children hate him and he just wants

1316
01:03:53,880 --> 01:03:54,360
Speaker 2: to get to the.

1317
01:03:54,320 --> 01:03:59,680
Speaker 3: Ball so he can yeah, find animals to skin a

1318
01:03:59,760 --> 01:04:01,800
Speaker 3: rest and make his.

1319
01:04:02,800 --> 01:04:06,080
Speaker 2: Yeah skin alive. What are you talking? I mean, I thought,

1320
01:04:06,200 --> 01:04:07,640
Speaker 2: is that part of the Cinderella store.

1321
01:04:07,680 --> 01:04:09,960
Speaker 3: I was taking it to a new place that involved

1322
01:04:10,000 --> 01:04:12,600
Speaker 3: this guy who we hate. We hate this guy, we

1323
01:04:12,680 --> 01:04:16,640
Speaker 3: hate this guy. I was also starting to seemingly fold

1324
01:04:16,680 --> 01:04:19,760
Speaker 3: in one hundred one Dalmatians. All the Disney villains can

1325
01:04:19,840 --> 01:04:22,320
Speaker 3: kind of come together. But one thing I would say

1326
01:04:22,320 --> 01:04:24,439
Speaker 3: not to get is don't go. Don't go the route

1327
01:04:24,520 --> 01:04:27,480
Speaker 3: of the one interest you have, the probiotic whatever, because

1328
01:04:27,840 --> 01:04:32,439
Speaker 3: in my opinion, you get something, they will immediately be like, no,

1329
01:04:32,680 --> 01:04:35,360
Speaker 3: that's not what I the ex mic Yeah exactly right.

1330
01:04:35,440 --> 01:04:37,240
Speaker 3: Like I don't know if there's anything you enjoy, but

1331
01:04:37,280 --> 01:04:40,360
Speaker 3: like if somebody tries to like for example, and God

1332
01:04:40,400 --> 01:04:43,880
Speaker 3: bless him. But like before I moved to La, one

1333
01:04:43,880 --> 01:04:47,720
Speaker 3: of my mom's friends got me like a book about comedy, right,

1334
01:04:47,960 --> 01:04:50,160
Speaker 3: like how to how to write comedy?

1335
01:04:50,320 --> 01:04:51,360
Speaker 2: That's a hard gift to get.

1336
01:04:51,480 --> 01:04:55,200
Speaker 3: And it was like, like, I see that you know

1337
01:04:55,320 --> 01:04:59,440
Speaker 3: that I do comedy and have been doing comedy in

1338
01:04:59,520 --> 01:05:02,000
Speaker 3: Chicago for a number of years, and you understand that

1339
01:05:02,000 --> 01:05:06,400
Speaker 3: that is my discipline. But like getting close is maybe

1340
01:05:06,520 --> 01:05:10,920
Speaker 3: worse way than going off subject entirely.

1341
01:05:10,600 --> 01:05:13,160
Speaker 2: Because now you have an object you do not want

1342
01:05:13,280 --> 01:05:15,600
Speaker 2: or need, and it kind of reveals that they don't

1343
01:05:15,640 --> 01:05:16,760
Speaker 2: know that much about you.

1344
01:05:17,160 --> 01:05:20,040
Speaker 3: Yep, And I also cannot No one can know I

1345
01:05:20,080 --> 01:05:23,520
Speaker 3: have that book is still embarrassing. I want to say,

1346
01:05:23,560 --> 01:05:27,520
Speaker 3: it's on the bookshelf in my old room at my parents' house.

1347
01:05:27,560 --> 01:05:30,320
Speaker 3: That could ruin you if anyone finds out.

1348
01:05:30,240 --> 01:05:33,400
Speaker 2: If anybody hears about this, you will be destroyed.

1349
01:05:34,600 --> 01:05:38,960
Speaker 3: Joke boo, trick joke. Book. Judy Carter's been ghostwriting his

1350
01:05:39,040 --> 01:05:39,720
Speaker 3: whole set.

1351
01:05:40,160 --> 01:05:42,200
Speaker 2: Of course, he was able to make thirty videos. Look

1352
01:05:42,200 --> 01:05:47,120
Speaker 2: at the book. It's all in there. You're currently in

1353
01:05:47,160 --> 01:05:48,360
Speaker 2: litigation with this one.

1354
01:05:48,720 --> 01:05:51,640
Speaker 3: Yeah she is, uh, yeah, she's a litigious one, but

1355
01:05:51,840 --> 01:05:54,600
Speaker 3: you know she's She's right, I.

1356
01:05:54,640 --> 01:05:57,800
Speaker 2: Stole it all. Probiotics is a tricky stay away from that.

1357
01:05:58,080 --> 01:06:00,560
Speaker 2: Nobody knows about probiotics.

1358
01:06:00,280 --> 01:06:02,560
Speaker 3: No except for this guy, which is why you don't

1359
01:06:02,600 --> 01:06:04,760
Speaker 3: want to test that pre biotics.

1360
01:06:04,760 --> 01:06:06,280
Speaker 2: I just learned about pre biotics.

1361
01:06:06,440 --> 01:06:07,040
Speaker 3: It seems fake.

1362
01:06:07,760 --> 01:06:09,919
Speaker 2: It was on a soda can, so it definitely felt fake,

1363
01:06:10,040 --> 01:06:12,120
Speaker 2: and I was like, this isn't doing anything for my body.

1364
01:06:12,640 --> 01:06:15,840
Speaker 2: Tasted like a good, great flavor, though, which I miss.

1365
01:06:16,200 --> 01:06:20,360
Speaker 3: So you bought it knowing and wanting it to be

1366
01:06:20,440 --> 01:06:22,280
Speaker 3: prebiotic or just was it incidental?

1367
01:06:22,360 --> 01:06:24,760
Speaker 2: It had a good looking can, okay, And a friend said,

1368
01:06:24,880 --> 01:06:26,680
Speaker 2: let me buy you a drink because we're at the

1369
01:06:26,720 --> 01:06:30,800
Speaker 2: grocery store. Jordan, Melissa, two friends. They said, let us

1370
01:06:30,800 --> 01:06:32,640
Speaker 2: buy your drink, and I thought, there's no steaks here,

1371
01:06:32,760 --> 01:06:35,920
Speaker 2: Whole Foods. No. This was in Utah at Smith's Marketplace,

1372
01:06:35,920 --> 01:06:38,680
Speaker 2: which is kind of Utah's Ralph's. Okay, got it, if

1373
01:06:38,720 --> 01:06:42,760
Speaker 2: that makes any sense. Uh Kroger Family brand. But this

1374
01:06:42,840 --> 01:06:44,960
Speaker 2: soda was one of those really nice looking cans that

1375
01:06:45,000 --> 01:06:47,160
Speaker 2: they're doing now that they bring you in with their

1376
01:06:47,200 --> 01:06:50,400
Speaker 2: great graphic design. It was a good, great flavor.

1377
01:06:50,560 --> 01:06:53,960
Speaker 3: I follow a great TikTok account where a guy will,

1378
01:06:54,760 --> 01:06:59,520
Speaker 3: at the request of the commenter's rebrand junk food and

1379
01:06:59,560 --> 01:07:01,600
Speaker 3: like soda and stuff. Oh he like does it for

1380
01:07:01,640 --> 01:07:03,680
Speaker 3: a living, so he's just it'll just be like Coca cola.

1381
01:07:03,720 --> 01:07:05,400
Speaker 3: And he'd be like, all right, that's great, Okay, so

1382
01:07:05,400 --> 01:07:08,800
Speaker 3: what we want to do buzzwords that mean nothing, that

1383
01:07:08,840 --> 01:07:12,560
Speaker 3: you can put on a can all natural, real flavor.

1384
01:07:12,600 --> 01:07:14,240
Speaker 3: Real flavor doesn't mean anything. You can just put it

1385
01:07:14,280 --> 01:07:17,200
Speaker 3: on there. And let's say gluten free, fat free, because

1386
01:07:17,200 --> 01:07:18,800
Speaker 3: that's true as to put that on there, non GM

1387
01:07:19,000 --> 01:07:21,800
Speaker 3: like just all these words that he knows from having

1388
01:07:21,840 --> 01:07:23,720
Speaker 3: done this, Like yeah, they do this all the time.

1389
01:07:24,200 --> 01:07:26,680
Speaker 3: They put or like you know, peanut M and ms

1390
01:07:26,720 --> 01:07:28,400
Speaker 3: and just be like a great source of protein. It's

1391
01:07:28,440 --> 01:07:30,560
Speaker 3: like it has protein. So you can say that legally,

1392
01:07:30,560 --> 01:07:32,520
Speaker 3: you can just kind of do whatever you want. And

1393
01:07:32,560 --> 01:07:34,280
Speaker 3: it's made me feel like a fool because I've definitely

1394
01:07:34,280 --> 01:07:36,880
Speaker 3: looked at stuff and been like natural gatorade or whatever.

1395
01:07:37,680 --> 01:07:39,360
Speaker 2: I fall for that all the time. There's a restaurant

1396
01:07:39,400 --> 01:07:41,400
Speaker 2: opening over here, and I won't say the name of

1397
01:07:41,400 --> 01:07:42,760
Speaker 2: the restaurant. We don't want to shame him too much.

1398
01:07:42,760 --> 01:07:47,720
Speaker 2: But it says free style tacos meaningless that no, there

1399
01:07:47,800 --> 01:07:50,320
Speaker 2: was no one can conceive what that would ever mean.

1400
01:07:50,880 --> 01:07:54,520
Speaker 2: That the word free style. No one even even like

1401
01:07:54,680 --> 01:07:57,600
Speaker 2: with whatever it's associated with. You're like, I don't like snowboarding.

1402
01:07:57,680 --> 01:07:59,480
Speaker 2: Freestyle snowboarding, you get to.

1403
01:08:00,320 --> 01:08:07,000
Speaker 3: Certainly do your things, Certainly you have the ingredients prepared. Yeah,

1404
01:08:07,200 --> 01:08:10,880
Speaker 3: otherwise it's it would not be a true freestyle free

1405
01:08:11,080 --> 01:08:13,720
Speaker 3: the only freestyle you you would have to be like

1406
01:08:13,760 --> 01:08:15,760
Speaker 3: you'd have to have some sort of grill set up

1407
01:08:15,800 --> 01:08:17,840
Speaker 3: in the middle of a grocery store and just be

1408
01:08:17,880 --> 01:08:19,840
Speaker 3: like grabbing stuff off the shelves, not even like thinking

1409
01:08:19,840 --> 01:08:22,160
Speaker 3: about it, and just like and and it can't be

1410
01:08:22,280 --> 01:08:24,120
Speaker 3: a preordained.

1411
01:08:23,680 --> 01:08:25,519
Speaker 2: Thing like a taco No, no, no, you.

1412
01:08:25,479 --> 01:08:27,439
Speaker 3: Do freestyle food and just be like I'm thinking as

1413
01:08:27,479 --> 01:08:29,519
Speaker 3: I'm going, and I'm oh, this is no, I've made

1414
01:08:29,600 --> 01:08:30,400
Speaker 3: a olmlet.

1415
01:08:30,479 --> 01:08:33,280
Speaker 2: It should begin nowhere. Yes, it should be come from

1416
01:08:33,320 --> 01:08:36,800
Speaker 2: a void. And then there's the freestyle coke machine.

1417
01:08:36,600 --> 01:08:40,240
Speaker 3: Yes, which is uh, I'm not a soda guy, so that's.

1418
01:08:40,080 --> 01:08:41,600
Speaker 2: Uh, it's off limits for you.

1419
01:08:41,920 --> 01:08:45,639
Speaker 3: Water water, fill up the bottle I brought.

1420
01:08:45,439 --> 01:08:47,040
Speaker 2: And then you get a water that tastes like every

1421
01:08:47,080 --> 01:08:47,519
Speaker 2: soda on.

1422
01:08:47,520 --> 01:08:51,720
Speaker 3: The planet, Raspberry diet Raspberry.

1423
01:08:53,240 --> 01:08:57,000
Speaker 2: I feel like we answered that question so well. Roomba

1424
01:08:57,240 --> 01:09:05,759
Speaker 2: or dustpan. This guy's gonna be screaming. Mother's husband is screaming. Danielle,

1425
01:09:05,840 --> 01:09:09,559
Speaker 2: thank you for riding in and don't mention it.

1426
01:09:10,040 --> 01:09:13,880
Speaker 3: And you know if you need protection from your mother's husband,

1427
01:09:15,200 --> 01:09:21,200
Speaker 3: right back with a coded message that just says thanks

1428
01:09:21,240 --> 01:09:25,640
Speaker 3: for the hot tip, and then two exclamation points, and

1429
01:09:25,680 --> 01:09:27,200
Speaker 3: then we will know to send.

1430
01:09:27,560 --> 01:09:30,000
Speaker 2: If it's three, it means the gift went, well.

1431
01:09:29,800 --> 01:09:31,880
Speaker 3: It's actually you're actually thanking us for the hot tip.

1432
01:09:31,880 --> 01:09:34,639
Speaker 3: But if it's two exclamation points, message is heard loud

1433
01:09:34,680 --> 01:09:37,519
Speaker 3: and clear. We're coming, We are coming, and we will

1434
01:09:37,560 --> 01:09:37,800
Speaker 3: help you.

1435
01:09:37,960 --> 01:09:42,360
Speaker 2: I'll not let him skin the animals. Joe, I've got

1436
01:09:42,400 --> 01:09:44,160
Speaker 2: my gorgeous necklace.

1437
01:09:44,080 --> 01:09:46,080
Speaker 3: And you know, I feel like it's finally in the

1438
01:09:46,160 --> 01:09:49,840
Speaker 3: right place. It's finally the plures on my dresser just

1439
01:09:50,280 --> 01:09:53,719
Speaker 3: an orphan really and now in your loving bosom.

1440
01:09:55,120 --> 01:09:57,080
Speaker 2: I'm going to reveal this at a pool somewhere.

1441
01:09:57,560 --> 01:09:59,200
Speaker 3: Please do that for real.

1442
01:09:59,280 --> 01:10:01,720
Speaker 2: So many friends, just like, what on earth are you

1443
01:10:01,760 --> 01:10:03,559
Speaker 2: to answer any questions? What do you mean?

1444
01:10:03,640 --> 01:10:04,360
Speaker 3: I always wear this?

1445
01:10:04,479 --> 01:10:07,760
Speaker 2: Yes, become very angry and upset short answers that kind

1446
01:10:07,800 --> 01:10:08,120
Speaker 2: of thing.

1447
01:10:08,400 --> 01:10:10,000
Speaker 3: What are you talking about? I don't know what you're

1448
01:10:10,000 --> 01:10:13,559
Speaker 3: talking about. I don't I always wear this. You've seen this,

1449
01:10:13,600 --> 01:10:17,160
Speaker 3: you see me wear this one hundred times. I want

1450
01:10:17,760 --> 01:10:18,400
Speaker 3: but I bought this.

1451
01:10:20,240 --> 01:10:22,320
Speaker 2: Uh no, I'm thrilled to have it. I've had such

1452
01:10:22,320 --> 01:10:22,880
Speaker 2: a good time.

1453
01:10:22,760 --> 01:10:24,680
Speaker 3: With you, Lovely, I'm so glad to have done it.

1454
01:10:25,439 --> 01:10:27,559
Speaker 2: I mean, I'm just covered in sweat.

1455
01:10:28,120 --> 01:10:29,120
Speaker 3: We're dewey.

1456
01:10:29,600 --> 01:10:34,839
Speaker 2: I'm dewey beyond dewey, listener, You're hopefully dry is a whatever?

1457
01:10:34,840 --> 01:10:37,840
Speaker 2: You can be dry as I'm not going. I don't

1458
01:10:37,880 --> 01:10:38,800
Speaker 2: even need to think about it.

1459
01:10:38,920 --> 01:10:39,840
Speaker 3: You were just in Utah.

1460
01:10:39,960 --> 01:10:42,639
Speaker 2: It was just in Utah, dry as a bone. That's

1461
01:10:42,680 --> 01:10:43,400
Speaker 2: a dry state.

1462
01:10:43,840 --> 01:10:45,240
Speaker 3: Is it truly a dry state?

1463
01:10:45,320 --> 01:10:46,719
Speaker 2: Oh? Very dry desert?

1464
01:10:46,920 --> 01:10:48,519
Speaker 3: But like alcohol dry?

1465
01:10:48,760 --> 01:10:52,719
Speaker 2: Oh that I mean. We could devote another six hours

1466
01:10:52,720 --> 01:10:55,240
Speaker 2: of this podcast of the way people have to drink

1467
01:10:55,240 --> 01:10:58,639
Speaker 2: in Utah, right, and the complicated system.

1468
01:10:58,720 --> 01:11:00,519
Speaker 3: But if you're gonna pick two places that are dry

1469
01:11:00,600 --> 01:11:02,320
Speaker 3: in both senses of the words, you got Utah, I

1470
01:11:02,360 --> 01:11:06,280
Speaker 3: think Utah. There is no other state, no other state. Listener,

1471
01:11:06,360 --> 01:11:08,160
Speaker 3: the podcast is over. I want you to go do

1472
01:11:08,240 --> 01:11:11,479
Speaker 3: something else, find something to do with yourself. We'll be

1473
01:11:11,560 --> 01:11:14,320
Speaker 3: back at another point, probably next week. That's how the

1474
01:11:14,320 --> 01:11:22,679
Speaker 3: podcast works. I love you, goodbye, I said No Gifts

1475
01:11:22,720 --> 01:11:25,880
Speaker 3: is an exactly right production. It's produced by our dear

1476
01:11:25,960 --> 01:11:30,240
Speaker 3: friend Annalise Nilson. And it's beautifully mixed by Leona Squilatchi.

1477
01:11:30,560 --> 01:11:34,280
Speaker 3: And we couldn't do it without our guest booker, Patrick Kottner.

1478
01:11:34,320 --> 01:11:38,160
Speaker 3: The theme song, of course, could only come from miracle

1479
01:11:38,200 --> 01:11:42,200
Speaker 3: worker Amy Mann. You must follow the show on Instagram.

1480
01:11:42,200 --> 01:11:44,000
Speaker 3: At I said, no gifts. I don't want to hear

1481
01:11:44,000 --> 01:11:46,439
Speaker 3: any excuses. That's where you get to see pictures of

1482
01:11:46,479 --> 01:11:48,720
Speaker 3: all these gorgeous gifts I'm getting. And don't you want

1483
01:11:48,720 --> 01:11:49,920
Speaker 3: to see pictures of the gifts?

1484
01:11:52,080 --> 01:11:52,800
Speaker 2: Lievt?

1485
01:11:52,880 --> 01:11:58,839
Speaker 1: Did you hear? Thuna Man myself perfectly clear?

1486
01:12:00,160 --> 01:12:01,920
Speaker 2: But you're a guess to my home.

1487
01:12:04,280 --> 01:12:10,320
Speaker 1: You gotta come to me empty And I said, no, guests,

1488
01:12:10,640 --> 01:12:16,519
Speaker 1: your own presence is presents enough. I already had too

1489
01:12:16,720 --> 01:12:21,360
Speaker 1: much stuff, So how do you dare to surbey me