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Speaker 1: Hey, welcome back to another episode of Alchemy, this COVID

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Speaker 1: nineteen edition. I'm your host, Kevin Moll. I guess that

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Speaker 1: Kevin was that well the time the tooth on side school.

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Speaker 1: But I digress. Let's meet open the order. Please send

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Speaker 1: good morning to Chris Alvarado. Chris not the old g Kringle.

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Speaker 1: Any thoughts on how how you'll ring in the new year? Um, no,

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Speaker 1: no thoughts. Thank you, excellent, appreciate it. Good to see you. Hey,

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Speaker 1: it's James Heeney James and Giant heen what's the latest

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Speaker 1: you were able to stay up as a middle schooler?

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Speaker 1: As a middle schooler, the funk that I just said,

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Speaker 1: I'm sorry, that's such a jarring question. I guess I

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Speaker 1: didn't really have a bed time that I had to

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Speaker 1: go to bed at. I had to probably be in

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Speaker 1: my room after ten o'clock. I don't think anybody ever

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Speaker 1: made me go to bed. No, one never made you

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Speaker 1: go to bed. So you were up as lady as

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Speaker 1: you wanted to on a regular basis. Yeah, but it's

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Speaker 1: I recall I would go to bed at like you know,

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Speaker 1: when I got tired on ten o'clock at night. I

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Speaker 1: just what I was looking for. Was there ever an

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Speaker 1: effort maybe we were together with a cousin or something.

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Speaker 1: I remember some effort to stay up for sure tonight

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Speaker 1: we're gonna stay right? You got anybody? Oh yeah, if

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Speaker 1: I made an effort, I could. James, when did you

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Speaker 1: start drinking coffee? I started drinking coffee when I was

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Speaker 1: probably no. Twelve twelve. When we would go on vacation,

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Speaker 1: my parents would let me have coffee as like like, oh,

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Speaker 1: we're going on vacation, you can have coffee. And I

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Speaker 1: would just pound cups of coffee, you know, because you

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Speaker 1: want to take advantage of the day. So they let

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Speaker 1: you drink coffee in the morning so you had the

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Speaker 1: energy to really get started. And you're saying that was

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Speaker 1: at eighteen, No, No, that was when I was like,

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Speaker 1: you know, a kid, a child. Then that would have

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Speaker 1: been the answer to Joe's question. Look out, it's Greg Kakowski. Kakoo.

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Speaker 1: What authored inspired your days in a media? Academia? The

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Speaker 1: most Achamedia? Acamedia. I could start something called Acamedia, Yeah,

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Speaker 1: because it's a it's a combination of academia and comedy. Yeah,

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Speaker 1: that's pretty much what my college life was like. I

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Speaker 1: pretended to read just about every book they threw at me.

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Speaker 1: There were a few that I read and wrote the

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Speaker 1: paper literally the night before. I think I read Faulkner's

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Speaker 1: Light in August In It's about a five out page book.

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Speaker 1: I think I read it. I wrote the paper in

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Speaker 1: a twenty hour period while remaining up the entire time.

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Speaker 1: And uh, that's more than enough Faulkner for me? And uh,

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Speaker 1: I'm I'm retired. And was it more than enough coffee

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Speaker 1: for you? Also, let's get back to that question, how

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Speaker 1: will you have? Never have drank it? Never will that?

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Speaker 1: Don't touch this stuff. Oh I enjoyed tea, sure, don't

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Speaker 1: get me started one don't. In those days, it was jolt,

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Speaker 1: That's what That's what we were drinking. Was Joel all

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Speaker 1: the sugar and twice the caffeine. He just changed James life. No,

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Speaker 1: I had Joke Cola in high school. I loved joke.

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Speaker 1: Do you ever have a surge? Not until I was older?

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Speaker 1: But yeah, I feel like James is watching another TV

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Speaker 1: show while doing this. Hey there's a tool sing hi

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Speaker 1: Captain Lee's boy thoughts in the latest episode below Deck,

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Speaker 1: Uh going good for me? I think maybe there's people

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Speaker 1: I definitely see online having a little bit of hate

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Speaker 1: for this. I'm I'm having a good time. I'm enjoying it. Uh.

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Speaker 1: I like it when the guests are kind of the

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Speaker 1: issue to deal with and and they're the problem. So

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Speaker 1: I'm having a good time. Sorry, less drama down below,

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Speaker 1: wouldn't you say, Chris, that's true, there's less drama down

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Speaker 1: below this. You know what, just ask he's so crushed,

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Speaker 1: he's had it with this nonsense that I love the betrayal.

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Speaker 1: The betrayal is crystal fucking clear. This is the last,

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Speaker 1: no more chorthole. If you think him late, it's Joey

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Speaker 1: greer um bottom because he's got him. Explained why Tom

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Speaker 1: Selleck isn't didn't I read this last week? That feels

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Speaker 1: old to me. Maybe I wrote it last week. Explain

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Speaker 1: to me why Tom Selleck is insisting I fall for

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Speaker 1: a reverse mortgage? Yeah? That was how fucking weird. I'm

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Speaker 1: not gonna answer that again. Possibly you you thought of

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Speaker 1: the same question a second time to ask him. Nope,

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Speaker 1: I wish it were. Let's do a damn show. All

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Speaker 1: of our scene suggestions gather from your listener emails or

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Speaker 1: from our patron v I p s to come to

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Speaker 1: Patreon supporter of the show and enjoy exclusive content and

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Speaker 1: other purpose. Just head on over to patreon dot com

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Speaker 1: slash alchemy. If you like to set a scene suggestion

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Speaker 1: by an old timey email, I love to read him

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Speaker 1: and gather them for this outing. Please write to the

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Speaker 1: podcast at your name here and I'll give me this

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Speaker 1: dot com. That's your name here. That's perfect. Seen one

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Speaker 1: comes from patron v I P Jana than he gave

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Speaker 1: me a lot of ship, or they gave me a

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Speaker 1: lot of ship last time I mispronounced their name as Jonathan.

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Speaker 1: It is Janathan who wrote, Hey, Kay Paco, do you

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Speaker 1: guys uh nope. Do you think you guys could do

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Speaker 1: a scene where the Geico Geck turns out to be

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Speaker 1: a Russian spot Russian? I don't think we can. That's

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Speaker 1: an American icon, even though he has a British accent. Hey,

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Speaker 1: thanks for coming in. So we're gonna voice Um. I

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Speaker 1: don't know if he got the sides. We're gonna voice

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Speaker 1: the Gecko today. We're gonna try a little something different. Yeah, totally.

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Speaker 1: I was thinking that maybe you know, I was gonna

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Speaker 1: do something a little different. Maybe, Uh, you know, um,

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Speaker 1: I was thinking maybe, um, maybe, I don't know if

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Speaker 1: it's gonna be on camera work, but I can totally

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Speaker 1: do on camera work as well. I'm totally I'm keeping

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Speaker 1: I'm totally happy to do any kind of whatever the whatever.

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Speaker 1: The studios asked, well, I can do. I mean it

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Speaker 1: doesn't I mean, I you tell me, you tell me

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Speaker 1: what we're doing, I'm gonna do it. That's pretty much.

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Speaker 1: I mean, I'm ready to do it. Jimmy, can we

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Speaker 1: can we can just me all all the Jimmy. Can

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Speaker 1: I do that again? Jimmy, do you mind if I

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Speaker 1: do that again? I could do better if I do.

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Speaker 1: How many Joelts have you had today? Joelts? You told

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Speaker 1: me not to drink anymore? I didn't you know? You

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Speaker 1: told me not to have anymore. I so, you know whatever,

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Speaker 1: I drink whatever what I had left so I would.

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Speaker 1: The stash is done no more. I'm gonna give you

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Speaker 1: one shot at this, buddy. Pick any accent, stick with it,

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Speaker 1: read the copy, ready, start when you're ready? Okay, uh

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Speaker 1: m hmm. Do you like cornsurance? No, Jimmy, I'm Jimmy.

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Speaker 1: I'm dropping you as an agent ash Yeah, okay I'm

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Speaker 1: a good agent, roles for yourself. You don't get it, Carl.

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Speaker 1: I'm afraid the agency is no longer need your services.

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Speaker 1: You lost one of our favorite clients, and we see

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Speaker 1: no other course of action other than to let you go.

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Speaker 1: So until you maybe resigned, Jimmy, Um, you know, I

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Speaker 1: guess pack up. You shouldn't be out by know, Carl,

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Speaker 1: what do you mean you're no longer an agent? You

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Speaker 1: were trying to get work as an actor from another

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Speaker 1: actor as an agent as well. I was, yeah, as

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Speaker 1: an agent, and then I had an agent who's helping

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Speaker 1: me out. I don't this doesn't even make sense. Um,

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Speaker 1: I think I don't think you've phoned it. I think

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Speaker 1: it makes sense. I'm sure I think you're not understanding it.

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Speaker 1: Great get around, actors welcome. This is what is preferred

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Speaker 1: to as a cattle call. So a lot of you talented.

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Speaker 1: I'm sure I'm gonna i'm your session run. I'm gonna

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Speaker 1: be very quick with the explana. Okay, my client, my client,

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Speaker 1: they want they want this to be clean, they want

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Speaker 1: this to be a fun experience. Let me, this is

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Speaker 1: a session here, session wruter. So here's what we're looking for.

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Speaker 1: I'm an Asian. Okay, my clients they need they need

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Speaker 1: to have fun, they need to be late, didn't they Look,

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Speaker 1: we know who you are, by the way, Okay, we

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Speaker 1: know you man. We don't like you. The industry doesn't

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Speaker 1: like you calling the name calling the as I was saying.

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Speaker 1: So we're gonna be asking you to uh memorize something

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Speaker 1: other than line. Okay, other than line. So that means um,

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Speaker 1: for me, have an agent. That's why I'm here here,

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Speaker 1: guys here with me. He said, what did you say?

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Speaker 1: They don't go with you to that? What did you say?

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Speaker 1: So that is it? So we will start. Um, we're

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Speaker 1: gonna go. We're gonna be going you sir, Yes, you're

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Speaker 1: right there. Yeah, come on in, come on in behind you.

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Speaker 1: Terrific Okay, no question. Oh good man, thanks thanks for

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Speaker 1: bringing me in this office. Loves you, loves you. I

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Speaker 1: mean that that explanation was pretty It was good, right,

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Speaker 1: it was good because you know what I hate section

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Speaker 1: runners who like bring their own ships to the explanation.

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Speaker 1: Just get to the audition. So the client is a look, okay,

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Speaker 1: so um, yes, to go ahead and pick up that suit,

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Speaker 1: that briefcase. Part of me the briefcase. It'll be a suitcase.

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Speaker 1: But just in the audition, it's a briefcase, you know

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Speaker 1: what I mean. And then, um, give me one second. Hi, Um,

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Speaker 1: so you want him to just pace up and up

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Speaker 1: and down? Is that right? And he and he looks

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Speaker 1: the camera. I want them to the nones America. Okay. Um,

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Speaker 1: we didn't get any copy before sold. Just think I

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Speaker 1: will give you such classify these. You could use euphemisms,

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Speaker 1: that's right, okay, okay, okay. So, um again, it's a client,

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Speaker 1: international client. I'm willing to shave it, by the way, great, great, okay, Yeah,

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Speaker 1: we'll do a slate. Um, So basically, you're gonna denounce America.

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Speaker 1: Have fun with it. Huh, have fun with it, make

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Speaker 1: it my own, make it your own. Very good. Okay, great,

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Speaker 1: So we're gonna slate you. Hi, what's your name? Well?

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Speaker 1: Oh wow, uh Craig you are you will in the shape? Yes? Okay,

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Speaker 1: terrific and uh and tell us something about yourself. Um,

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Speaker 1: just get to the audition, okay, okay, okay. So, so

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Speaker 1: you're gonna start on that's that side of the room

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Speaker 1: and go ahead and just walk across this way. Okay,

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Speaker 1: And oh man, American? Am I right? Oh? What's what's

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Speaker 1: going on? What's the deal? I mean it's uh. I mean,

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Speaker 1: do you think a country it's been around for two years?

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Speaker 1: You know, we get get it. What's up going on

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Speaker 1: with this electoral college? Uh? There's so much missing information

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Speaker 1: out there? Great cut, cut, it's given me one sec.

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Speaker 1: Are you repped? Huh? Are you repped? Are you? Are

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Speaker 1: you too wrapped? Are you too wrapped? I just heard

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Speaker 1: your idea. I mean who you repp by? What's your agent? Well,

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Speaker 1: I'm commercially rep. I am who's your agiatrical representation? T

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Speaker 1: g f D. Those fucking guys are sick as hell? No, no,

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Speaker 1: t g m D. It's just sorry, guys, you can

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Speaker 1: all head home. I booked it. I know. I know

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Speaker 1: that's the joke that everyone makes when they walk out

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Speaker 1: of the room, but I actually they offered it to you.

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Speaker 1: You're in the room for a minute. What the funk?

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Speaker 1: I know? I know? Did you have an agent? Hey? Everybody,

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Speaker 1: I told you already I have an agent. I just

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Speaker 1: want to say thank you so much for coming out today.

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Speaker 1: We Uh, the client decided to go a different direction.

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Speaker 1: Well we have everyone go anyway, just because maybe he

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Speaker 1: didn't see everybody. That's the agent guy didn't see everybody.

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Speaker 1: That guy's got a point for the first time. He

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Speaker 1: didn't see me I have. There are a lot of

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Speaker 1: rooms here. You can write one for yourself and run

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Speaker 1: your own auditions for all I care. All right, the

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Speaker 1: great day, everybody. This is bullshit. I say, we wait

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Speaker 1: till the client comes out, and we just start auditioning

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Speaker 1: for him right now. So, hey, I thought I thought

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Speaker 1: he did a good job. It's really nice to work

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Speaker 1: with you. By the way, we're kind of excited. We

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Speaker 1: don't really know much about your project. We just know

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Speaker 1: it's Internet. Yeah, that's funny. You keep saying that all

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Speaker 1: every time ever since you've been here. Excuse me, guys,

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Speaker 1: I was in I was outside there waiting. I I'd

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Speaker 1: like to do an audition really quick. Whoa, whoa, whoa, whoa.

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Speaker 1: I mean, we just it's up to you. We just

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Speaker 1: coming into Hi. I'm Joy Greer. This guy talent I guestuff.

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Speaker 1: But I hear more from career. Are you willing to

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Speaker 1: shave your bulls already shaved? Well? I know that. I

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Speaker 1: just I've worked with these actus before. I do that.

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Speaker 1: James Heeney. Yeah, he's done a lot of non union spots,

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Speaker 1: but he's recently union and that's kind of exciting. Listen

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Speaker 1: that we're definitely not going to pay for that union fee.

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Speaker 1: But I do need someone to take the hit, if

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Speaker 1: you know what I mean. I can't explain if it's

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Speaker 1: not clear. Jewey Greer has no real commercial success, so

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Speaker 1: he might be the one that you might want to

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Speaker 1: I mean, honestly, there's a lot, there's a weird energy

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Speaker 1: from him. I'm gonna be on this doing is he

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Speaker 1: like I have questions for Greer? Is it alretty? Okay?

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Speaker 1: Will you drink your own? Come? Already? Did this morning

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Speaker 1: when I shot my ball? The hell? Greig? Great? But um,

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Speaker 1: first of all, great audition, man, Oh thanks thanks? Um.

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Speaker 1: Fucking things things kind of change when you when you

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Speaker 1: when you left. Really yeah, James Heeney and Joy Greer

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Speaker 1: just they didn't want to accept that You've got the role.

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Speaker 1: And they went in into the office and um, looks like,

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Speaker 1: now we're gonna do it. We're gonna do a sudden

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Speaker 1: death call back. Oh, a sudden death callback. Yeah, that's

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Speaker 1: a common thing that happens in commercials. Well, you know

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Speaker 1: you work more than I do. That's sure, Yeah, I do.

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Speaker 1: I mean I feel like you've already You've done it twice,

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Speaker 1: you know what I mean, Like two things in the

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Speaker 1: last couple of months, Like yeah, I mean just the

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Speaker 1: fact that I have to audition for commercials. It's still yeah,

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Speaker 1: but but like but you know, but you book them,

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Speaker 1: and it's like it makes me think about, like, you know,

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Speaker 1: what am I doing wrong? And like what's my thing?

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Speaker 1: But ringing Christmas? Phone, Springing Christmas. Hello, all right, Chris,

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Speaker 1: This is Marty over here at all all the actors party, Chris.

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Speaker 1: I'm so sorry about this, but we're gonna have to

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Speaker 1: we'ren have to drop you in the worst Wait wait wait,

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Speaker 1: wait wait wait wait party party. I told you to

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Speaker 1: take all your clothes in your carry Chris. Are you

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Speaker 1: with all the actors the the grocery store slash agency?

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Speaker 1: I was I hello, Marty, Um, I told you I'm

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Speaker 1: in the room now, you know spring bring ring Chris

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Speaker 1: is phone Chris. That's right, right, right, It's a different

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Speaker 1: ring for different people. Yes, Hi, this is Steve Thompson

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Speaker 1: over Vahn's acting And I was just wondering if Um

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Speaker 1: you had representation you were happy with. No, I'm not.

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Speaker 1: I'm not happy with the representation. This could be the

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Speaker 1: phone call, like you know they talked about the phone call. Yeah,

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Speaker 1: that Vons actors. Is this my old speaker? Can you

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Speaker 1: hear this? I can hear yeah. Man, are you gonna

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Speaker 1: move your car? Are you just sitting in your car

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Speaker 1: talking to your phone? You gotta come back to you you.

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Speaker 1: They start telling at four o'clock and two South Lebrea.

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Speaker 1: It looks like you're leaving. So yeah, but good luck.

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Speaker 1: They're going to tell you here's something all right? There

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Speaker 1: is this a bad time? No, this is a great time.

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Speaker 1: This is a great time. This is a great time.

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Speaker 1: He's a great times. That diversity, James, how was your

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Speaker 1: how's your audition? Don't fucking talk to me about it.

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Speaker 1: I gotta go back for sudden death, Okay, getting into

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Speaker 1: getting mad at me? I made you. I'm not mad

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Speaker 1: at you. Fucking don't ask about it. Did daddy have

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Speaker 1: too much coffee? Did daddy have too much coffee? Coffee?

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Speaker 1: Just like I said, he always changed coffee. And it

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Speaker 1: says why okay, this this is I am in a

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Speaker 1: different headspace right now. Okay, I've got to go. Hey,

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Speaker 1: you you start drinking booze again. Please? Hey, um, I

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Speaker 1: know you guys are the clients and I'm the session

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Speaker 1: runner here, but I just want to tell you something new.

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Speaker 1: It's new information. I am now newly wrepped, and I

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Speaker 1: wonder if maybe I can put myself on tape before

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Speaker 1: the three guys come in for the sudden death. I

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Speaker 1: could show you my range. I saw what you want.

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Speaker 1: I can give you what you need. What do you

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Speaker 1: will you shape your back? I don't. I don't have

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Speaker 1: I don't have any back air pretty hairless. Give me

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Speaker 1: a moment, please, So nikolay, what is just a second?

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Speaker 1: What is it? Once you found out that the shading

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Speaker 1: thing was a standard question, you don't ask him for

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Speaker 1: every body? What is this? We don't care. I'm curious.

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Speaker 1: I don't just think it's enough to just shape fits.

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Speaker 1: Obviously you do. But you walk into the bedroom with

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Speaker 1: the theator, watch them shave, and I've seen you collect

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Speaker 1: the hair. What is that that? I'm that curious man.

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Speaker 1: There's just some problem for you A little bit, A

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Speaker 1: little bit. So it's almost four o'clock and you know

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Speaker 1: that that's when towing starts happening. But the three actors

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Speaker 1: are here, James Heney, Craig Atkowski, Joey career and if

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Speaker 1: you want it, and I'm here if you needed that, yeah, sure,

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Speaker 1: I'm sure we'll see you, I guess. Okay, so if

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Speaker 1: there is time, okay, cool. So same exclamation for the guys.

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Speaker 1: Anything new, but you want to see this time? Same Yeah,

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Speaker 1: I'm nervous. I'm nervous. But let's see what they bring this. Okay,

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Speaker 1: give me a one second. Put the guys over away,

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Speaker 1: put the um. I want to shop. So a couple

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Speaker 1: of things, Joey, James Craig. So they want you to

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Speaker 1: just like, you know, have fun. But they said forma

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Speaker 1: for me. Okay, just in bathroom, Just in the bathroom.

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Speaker 1: I heard already. You're ready to go again, actor guy,

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Speaker 1: all my clans are here. Let's do it. He's an

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Speaker 1: Asian actor, no agent, he's an agent actor. Okay, because okay,

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Speaker 1: in a different direction. That's yeah, me too. I got nervous.

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Speaker 1: I got nervous, all right, listen, So here's the thing, guys.

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Speaker 1: Only note is pick up the pace a little bit.

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Speaker 1: Pick up the pace. This is to the death right.

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Speaker 1: Did I miss today? I misunderstood this? I thought this

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Speaker 1: was to the death death Wait, I see these are

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Speaker 1: fucking commercials. Man. I don't even want to be here. Yeah.

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Speaker 1: I feel like he doesn't even want to be None

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Speaker 1: of us want to be here. But it's fun if

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Speaker 1: you are here to get one, you know what I mean?

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Speaker 1: So like for him, the experience is a little better

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Speaker 1: than for most of us. Were like, we go, but

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Speaker 1: we don't get him. Do you know what I mean?

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Speaker 1: For him? I don't want to be here. Okay, okay, okay,

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Speaker 1: um okay. So we're starting here with James heeney uh, James,

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Speaker 1: We're gonna get you a quick slate, real quick ahead.

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Speaker 1: I thought those other guys were going to come in

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Speaker 1: here and kind of okay, so that's your name now,

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Speaker 1: all right, and you know what you do and action.

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Speaker 1: Oh I was I was gonna stay. So think the

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Speaker 1: nuts of the clients. What do you guys think of him?

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Speaker 1: What the perfect is perfect for us? What are you doing?

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Speaker 1: What do you do? Say? This doesn't to meet me

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Speaker 1: around back? Fine, you can shave him, Oh you won't. Look,

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Speaker 1: this is the person that we're going to have the

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Speaker 1: hit them. You know what they mean? Did you see? Yes? Yes, yes,

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Speaker 1: that must I should have a name. Did you with

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Speaker 1: the hair? Do you want the other actors to come

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Speaker 1: in one that has seen one? You will not take

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Speaker 1: that any further. I bet Greg with about that. He

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Speaker 1: did it was his? No, he booked, Oh yeah, it

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Speaker 1: was his. Two counts from Larry, who wrote, hello, thanks

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Speaker 1: so much for reading my email on air, well not

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Speaker 1: really on their I super appreciate it and loved the

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Speaker 1: Black Jello episode. Anybody what happened? I don't know? Great,

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Speaker 1: I feel like, oh I remember, I remember it? What happened?

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Speaker 1: No clue? No, I feel like a real Hollywood type,

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Speaker 1: just like you, Mr Pollock. In all seriousness, I did

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Speaker 1: love the episode. I love you guys and a big

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Speaker 1: fan of the marvelous mrs. Look forward to the next season,

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Speaker 1: which I hope isn't too far away given the current circumstances. Um,

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Speaker 1: I feel it's gonna drop in. I feel pretty confident

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Speaker 1: about that. My scene suggested recurrent training for ghosts. Much love,

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Speaker 1: Larry Stewart. All right, just take a few questions before

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Speaker 1: we head on into the house. What's the difference between

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Speaker 1: what you're name and recurrent? What's your name? Uh? Groblin groin? Okay?

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Speaker 1: Is that groblin with a p. No, all right, what's

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Speaker 1: the question. What's the difference between recurring and recurrent? Has

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Speaker 1: anyone else kinna saw it as a rock? That's a

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Speaker 1: great question. Last time you were here, your questions kind

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Speaker 1: of kind of sucked. Yeah, I remember you saying that, yep,

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Speaker 1: and so you took the criticism tremendously. I feel as

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Speaker 1: you've uped your game. Stop talking to me. I don't

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Speaker 1: thank you, and I'm I'm just glad you're here, and

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Speaker 1: I'm going to ask you to stop. I don't know

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Speaker 1: what he's saying. Uh, search a little more inside, because

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Speaker 1: I think you know the answer to your question. Everyone

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Speaker 1: else in the room does. No. I don't know. That's

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Speaker 1: why I asked, are there any other question? What's wrong? What?

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Speaker 1: What did he say? What he's saying? I don't know

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Speaker 1: he'd answering question, because what the are you doing? You bother?

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Speaker 1: I don't know, man, I'm a Christian can ask a question. Yeah, yes,

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Speaker 1: right over there by the donuts. Yeah, thanks, Uh good

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Speaker 1: donuts by the way. Uh huh. I keep blowing out

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Speaker 1: the candle at the house I'm hunting, and h the

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Speaker 1: tenant who is my brother in law? He keeps saying

382
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Speaker 1: it was the wind, so at no point is he

383
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Speaker 1: thinking it's anything else. So every time I blow it out,

384
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Speaker 1: he's like, oh, that's the wind again, and so how

385
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Speaker 1: can I get better at great question? Great question? Again?

386
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Speaker 1: I think these are tremendous questions, and everyone's done their homework.

387
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Speaker 1: Excuse me, I have a question right there in the

388
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Speaker 1: middle by the wine, yes, so guy, by the donuts,

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Speaker 1: I'm gonna say, light the candle. Try lighting and unlit candle. Yes, sir,

390
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Speaker 1: I think there's been a mistake. I'm I'm alive. You

391
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Speaker 1: are alive and choose to talk like that, talk like

392
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Speaker 1: what there we go. Okay, that's a living person and

393
00:24:05,520 --> 00:24:16,000
Speaker 1: you are ghost. Okay, did you have a question? Question? Okay,

394
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Speaker 1: so welcome to human resources. So you are saying that

395
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Speaker 1: you are actually a living being? Is that correct? Yes,

396
00:24:22,280 --> 00:24:25,840
Speaker 1: there's been some mistake. Okay, Now that happens from time

397
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Speaker 1: to time. So ask a couple of questions here. I'm

398
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Speaker 1: just trying to find my wife and kids. Okay, what

399
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Speaker 1: was your last known address? Last known address Usworth House,

400
00:24:42,720 --> 00:24:48,399
Speaker 1: Bosworth Manner. Oh okay, so you understand this is just

401
00:24:48,440 --> 00:24:50,359
Speaker 1: a couple of questions. This kind of so we can

402
00:24:50,400 --> 00:24:54,120
Speaker 1: place you back into the living zone. It was so

403
00:24:54,200 --> 00:24:58,400
Speaker 1: long ago. Oh how long have you been here? Mm hmm.

404
00:25:01,000 --> 00:25:05,560
Speaker 1: What listen to me. It's kind of obvious you're dead.

405
00:25:06,119 --> 00:25:12,240
Speaker 1: What it's obviously No, I'm I'm alive. Look, we've seen

406
00:25:12,320 --> 00:25:16,920
Speaker 1: this happen before. My advice to you, go back to world.

407
00:25:16,920 --> 00:25:22,399
Speaker 1: I'll begin Bosworth Manna go there, hunt there for a while.

408
00:25:22,400 --> 00:25:32,119
Speaker 1: We're I'm touching you. I'm touching you right now. Oh yeah, Okay, boo, James,

409
00:25:32,160 --> 00:25:33,840
Speaker 1: just listen to me. Okay, why don't you let me

410
00:25:34,040 --> 00:25:36,640
Speaker 1: die for you? Okay, so I know what it's like

411
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Speaker 1: in the A life. I can come back and I

412
00:25:38,240 --> 00:25:39,720
Speaker 1: can think if you want to die or not. Okay,

413
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Speaker 1: I'll let you know if it's if you should be

414
00:25:41,359 --> 00:25:44,399
Speaker 1: dying or not. Okay, just let me do it. Choice

415
00:25:45,440 --> 00:25:48,679
Speaker 1: to make that choice, You're to make your agent. Okay.

416
00:25:48,800 --> 00:25:51,520
Speaker 1: I can do these kind of things. Okay, there's no

417
00:25:51,640 --> 00:25:56,360
Speaker 1: visitors after eight o'clock. I'm not a business I'm a agent, asshole. Okay.

418
00:25:56,720 --> 00:26:01,960
Speaker 1: So nearly killed in a sudden death call back. We're

419
00:26:02,000 --> 00:26:05,320
Speaker 1: doing we're doing everything we can for him, but it's

420
00:26:04,040 --> 00:26:07,560
Speaker 1: very I was there when he stabbed himself all right,

421
00:26:07,800 --> 00:26:11,280
Speaker 1: now look him on, James, what do you need huh r,

422
00:26:14,080 --> 00:26:16,879
Speaker 1: you can't. You can't switch spots. He'll see, he'll be

423
00:26:16,960 --> 00:26:27,400
Speaker 1: here healthy. You're extremely wounded. Oh who co edgy doctor?

424
00:26:27,840 --> 00:26:31,080
Speaker 1: To say the least? You want to deal with this

425
00:26:31,160 --> 00:26:35,200
Speaker 1: boring guy over here? He says no all the time. Uh. Sorry,

426
00:26:35,200 --> 00:26:38,360
Speaker 1: this because we're doing a classic good doctor, bad doctor routine.

427
00:26:39,200 --> 00:26:46,520
Speaker 1: I like him. The Georgs are great, Thank you. You've

428
00:26:46,520 --> 00:26:50,439
Speaker 1: got skinny, hairless legs. You know, it's very hard to

429
00:26:50,480 --> 00:26:52,919
Speaker 1: get muscle to get weight down there. But that's not

430
00:26:52,920 --> 00:26:57,520
Speaker 1: why we're here, is it. You should be read alright, docs,

431
00:26:57,520 --> 00:27:00,800
Speaker 1: So what's the issue you're saying? They can't switch positions. Look,

432
00:27:01,040 --> 00:27:04,320
Speaker 1: this guy is injured and this guy isn't well. Let

433
00:27:04,320 --> 00:27:09,960
Speaker 1: me see come over here, sir, the one who isn't injured. Okay,

434
00:27:10,000 --> 00:27:14,680
Speaker 1: then we have two injured patients, am I right? Look

435
00:27:15,240 --> 00:27:18,280
Speaker 1: if either of you dies here, you're gonna haunt the hospital.

436
00:27:18,320 --> 00:27:20,480
Speaker 1: We already have so many ghosts here because we've loved

437
00:27:20,520 --> 00:27:24,840
Speaker 1: so many patients. Needs cortaining out my arm. Now stick

438
00:27:24,840 --> 00:27:29,560
Speaker 1: those in him. Yeah, Mr Mr Keeney, I've just got

439
00:27:29,600 --> 00:27:34,880
Speaker 1: an update on your condition. They're checking your availability right, Oh,

440
00:27:34,920 --> 00:27:43,160
Speaker 1: really is on the twelfth shoot between the fifteen second

441
00:27:43,800 --> 00:27:52,800
Speaker 1: I'm available as long as second after four. Um, oh,

442
00:27:52,880 --> 00:27:55,520
Speaker 1: thank you so much. You're saying this martini was but

443
00:27:56,040 --> 00:27:58,400
Speaker 1: for me by one of those doctors over there. I'll

444
00:27:58,440 --> 00:28:03,960
Speaker 1: just say thank you. Uh, yes, it was bought by

445
00:28:03,960 --> 00:28:05,840
Speaker 1: one of them. O. My god, just have some emotion,

446
00:28:05,920 --> 00:28:08,160
Speaker 1: for God's sakes. She's just so dead behind the eyes

447
00:28:09,880 --> 00:28:11,400
Speaker 1: in a long day. That's not really what I want

448
00:28:11,400 --> 00:28:16,600
Speaker 1: to do, trying to be an actor but boring. Hello doctors, Hello,

449
00:28:16,840 --> 00:28:18,160
Speaker 1: thank you so much for the drink. Don't know which

450
00:28:18,160 --> 00:28:19,959
Speaker 1: one of you bought it. I'm sure you both split

451
00:28:19,960 --> 00:28:26,600
Speaker 1: the tag? Would you both wealthy talks? Yeah, he bought it. Yeah,

452
00:28:26,680 --> 00:28:32,040
Speaker 1: this guy bought it. What's up you? You bought it?

453
00:28:32,119 --> 00:28:39,360
Speaker 1: Oh you're a doctor? Sure? Um oh I thought it was.

454
00:28:40,560 --> 00:28:49,280
Speaker 1: It's something else, you know. I'm actually I actually I'm

455
00:28:49,320 --> 00:28:56,880
Speaker 1: gonna have to take the drink back. Yeah. So eight,

456
00:28:57,280 --> 00:29:00,480
Speaker 1: So did you get your answers or what? Dude? Did

457
00:29:00,520 --> 00:29:02,479
Speaker 1: you get your answers? When you're asking the questions, did

458
00:29:02,520 --> 00:29:07,800
Speaker 1: you get my room? What about? What do you want?

459
00:29:08,640 --> 00:29:10,920
Speaker 1: I want? I want you to say your best friend,

460
00:29:14,000 --> 00:29:17,600
Speaker 1: why are my arms and legs time, I'm helping to

461
00:29:17,600 --> 00:29:26,400
Speaker 1: make the decision. Man, I was thinking, who do you

462
00:29:26,520 --> 00:29:36,200
Speaker 1: have upstairs? Ryan? Jeez? What is he on about? Dear?

463
00:29:37,040 --> 00:29:41,480
Speaker 1: I think he's masturbating upstairs. Disgusting. This is disgusting. Do

464
00:29:41,520 --> 00:29:45,040
Speaker 1: you hear the How is it disgusting? If he's masturbating?

465
00:29:45,560 --> 00:29:48,680
Speaker 1: Is a He's a healthy young man, not in my house.

466
00:29:49,160 --> 00:29:55,400
Speaker 1: Not tell him to stop crushed. Okay, I'll go up

467
00:29:55,400 --> 00:29:58,280
Speaker 1: and tell him just that. Who do you want? You

468
00:29:58,960 --> 00:30:03,520
Speaker 1: just be my Okay? Okay, okay, okay, okay. So did

469
00:30:03,560 --> 00:30:06,360
Speaker 1: you final the answer? What's the difference between recurrent and recurring?

470
00:30:07,040 --> 00:30:13,600
Speaker 1: I don't know. I don't know. You're not together? Sure, Johnny? Johnny?

471
00:30:13,600 --> 00:30:20,640
Speaker 1: At your father? Are you in there? Yeah? He's staying

472
00:30:20,760 --> 00:30:24,280
Speaker 1: voices again? Can you just keep it down? Your mother?

473
00:30:25,160 --> 00:30:29,400
Speaker 1: I died three years ago, okay, okay, and so I

474
00:30:29,520 --> 00:30:31,880
Speaker 1: stayed here because I didn't want mom to be sad.

475
00:30:31,960 --> 00:30:35,400
Speaker 1: But now you're all down my fucking throat. Yeah. I

476
00:30:35,520 --> 00:30:38,080
Speaker 1: keep trying to explain that you've moved on, and she

477
00:30:38,120 --> 00:30:40,400
Speaker 1: won't let it go. So can we just keep the

478
00:30:40,480 --> 00:30:47,040
Speaker 1: noise down? Yeah, I'm sorry, it's all right. Welcome to

479
00:30:47,080 --> 00:30:52,240
Speaker 1: ghost Resources. So you father and son for having some issues. Um,

480
00:30:52,280 --> 00:30:55,880
Speaker 1: you're both dead, but you both hunting your at the

481
00:30:55,920 --> 00:31:00,680
Speaker 1: home of your wife and your mother. Correct, correct? Yeah,

482
00:31:01,000 --> 00:31:04,400
Speaker 1: all right? And you, sir, you think you're not a ghost?

483
00:31:04,520 --> 00:31:07,440
Speaker 1: Is that correct? I'm not a ghost? Why does everyone

484
00:31:07,480 --> 00:31:10,480
Speaker 1: say I'm a ghost? He died together, he drowned, He

485
00:31:10,600 --> 00:31:14,480
Speaker 1: drowned me. Then he shot himself. But I missed. We

486
00:31:14,480 --> 00:31:18,200
Speaker 1: don't ever talk about those moments. That's that's for human resources.

487
00:31:18,200 --> 00:31:21,000
Speaker 1: Some point, as I missed the point as I missed, Yeah,

488
00:31:21,000 --> 00:31:23,400
Speaker 1: he missed, ricochet. So I live with the grief of

489
00:31:23,480 --> 00:31:26,520
Speaker 1: drowning my son, but I certainly haven't not so upset

490
00:31:26,600 --> 00:31:28,520
Speaker 1: that I would kill myself. We have a saying here.

491
00:31:28,920 --> 00:31:33,920
Speaker 1: If you're exactly in ghost resources, you're a ghost. Okay,

492
00:31:35,200 --> 00:31:39,040
Speaker 1: that's the saying. That's the thing here ghost resources. Yes, okay,

493
00:31:40,120 --> 00:31:43,720
Speaker 1: all right? Does that work if you're recurrently say it again.

494
00:31:43,920 --> 00:31:50,080
Speaker 1: If you're currently in ghost resources, you are a ghost? Yes,

495
00:31:50,240 --> 00:31:54,400
Speaker 1: thank you? Okay, see why I drowned him? Yeah, excuse me?

496
00:31:54,520 --> 00:32:01,080
Speaker 1: Can I order a rusty nail? Please? Oh man, listen,

497
00:32:01,200 --> 00:32:04,520
Speaker 1: scot and boy the drink is? I know how to

498
00:32:04,560 --> 00:32:06,720
Speaker 1: make a rusty? Now? All right? The the the issue is

499
00:32:06,720 --> 00:32:08,080
Speaker 1: the drink is gonna go right through you and then

500
00:32:08,120 --> 00:32:11,360
Speaker 1: I have to clean it up? Mm hmm. Is this

501
00:32:12,120 --> 00:32:16,920
Speaker 1: is this Bosworth manner? Well, yeah, it's used to be.

502
00:32:16,960 --> 00:32:19,120
Speaker 1: Now it's called the Bosworth Bar. That's kind of where

503
00:32:19,120 --> 00:32:21,120
Speaker 1: all the hot meetings happen. This is where all the

504
00:32:21,120 --> 00:32:26,400
Speaker 1: agents hang out. It was once a mansion. Yeah, yeah,

505
00:32:26,440 --> 00:32:32,600
Speaker 1: I know the history. Um, all right, listen, the ghost disappointing. Well,

506
00:32:32,600 --> 00:32:34,280
Speaker 1: the ghost hang out in the back. You can chill

507
00:32:34,320 --> 00:32:37,880
Speaker 1: out there. But this is for humans. I'm not a ghost.

508
00:32:38,400 --> 00:32:42,680
Speaker 1: I am a person. Listen. I don't know what to

509
00:32:42,680 --> 00:32:51,600
Speaker 1: tell anybody, are you? Hey, mr ghost? Not a ghost

510
00:32:51,640 --> 00:32:57,000
Speaker 1: carried by a stranger at drink? Oh? Sure whatever, This

511
00:32:57,120 --> 00:33:01,080
Speaker 1: lady would like making a chaplain so blee all right,

512
00:33:01,120 --> 00:33:07,640
Speaker 1: coming right up, thank you perfect, I've been here for

513
00:33:07,680 --> 00:33:10,680
Speaker 1: a long time. Just a second, I'm sorry, did you

514
00:33:10,680 --> 00:33:16,959
Speaker 1: say pineapple juice? This is Philadelphi sha blye ye there

515
00:33:17,000 --> 00:33:21,240
Speaker 1: you go, oh the Philly shipling. Yes, the white wine

516
00:33:21,280 --> 00:33:24,680
Speaker 1: with a little splash of juice orange and that Do

517
00:33:24,720 --> 00:33:26,800
Speaker 1: I look like someone who's gonna drink a fucking Phillies

518
00:33:26,880 --> 00:33:34,800
Speaker 1: jews wine? Okay, and I'm gonna pause right there, so

519
00:33:34,840 --> 00:33:38,040
Speaker 1: look I'm gonna rewind the tape now listen, I'm gonna

520
00:33:38,040 --> 00:33:41,640
Speaker 1: slow this down. This is you whispering, God, I hate

521
00:33:41,640 --> 00:33:43,760
Speaker 1: this job. I'm play right here. Listen to this part.

522
00:33:43,960 --> 00:33:47,479
Speaker 1: You're taping us, Trevor. Yeah, okay, that is what it's

523
00:33:47,520 --> 00:33:49,320
Speaker 1: all because we're trying to we're trying to find evidence

524
00:33:49,320 --> 00:33:53,080
Speaker 1: of ghosts. Keep the bus board. I know that we

525
00:33:53,120 --> 00:33:55,000
Speaker 1: know this place is haunted, all right, and the more

526
00:33:55,040 --> 00:33:57,080
Speaker 1: evidence we can gather, it's going to prove this, and

527
00:33:57,120 --> 00:33:58,960
Speaker 1: then we can finally get that show I want on

528
00:33:59,000 --> 00:34:01,440
Speaker 1: the Travel Channel. We go to different bars, try to

529
00:34:01,480 --> 00:34:04,920
Speaker 1: rehab the bar, and the bars haunted. We exercise those ghosts.

530
00:34:05,760 --> 00:34:09,759
Speaker 1: It's called give Me. It's well the titles and I

531
00:34:09,760 --> 00:34:11,799
Speaker 1: don't have a title yet, but right now I'm thinking

532
00:34:11,800 --> 00:34:18,360
Speaker 1: of something like I'm scared to drink. Yeah, scared to drink. Okay. So,

533
00:34:18,360 --> 00:34:20,400
Speaker 1: so we need to know that you're on board. And

534
00:34:20,440 --> 00:34:23,440
Speaker 1: when you're whispering things like I hate this job or

535
00:34:23,480 --> 00:34:26,120
Speaker 1: I hate my job, it doesn't look good. It sounds

536
00:34:26,120 --> 00:34:28,440
Speaker 1: like an e v P and electronic voice phenomena that

537
00:34:28,520 --> 00:34:31,000
Speaker 1: we're trying to find on lower registers than people can

538
00:34:31,080 --> 00:34:33,480
Speaker 1: actually hear. So you're not mad that I'm annoyed with

539
00:34:33,520 --> 00:34:38,520
Speaker 1: my job. You're mad that I whispering. Yes, we need

540
00:34:38,560 --> 00:34:42,560
Speaker 1: to clear those channels for actual undead sounds. What did

541
00:34:42,560 --> 00:34:46,000
Speaker 1: you hear the ghosts that was there? Ordering you were whispering?

542
00:34:46,680 --> 00:34:50,000
Speaker 1: You're right, you're right watching this tape, I'm nowhere on it,

543
00:34:50,200 --> 00:34:56,799
Speaker 1: but I remember having the conversation with the boten Yeah. Look,

544
00:34:56,840 --> 00:35:01,200
Speaker 1: this is just more evidence that you are dead. You know,

545
00:35:02,960 --> 00:35:07,359
Speaker 1: I'm just having these recurring meetings by the way, Yeah, yeah, yeah, no,

546
00:35:07,440 --> 00:35:11,440
Speaker 1: it's it's helpful. Look, I'm gonna I'm gonna say something,

547
00:35:11,920 --> 00:35:14,080
Speaker 1: and I don't tell everybody this, but I like you.

548
00:35:14,600 --> 00:35:20,440
Speaker 1: There's only one way to become undead. Yes, yes, please

549
00:35:20,480 --> 00:35:25,120
Speaker 1: please tell me. You got a book, a show, book show.

550
00:35:28,000 --> 00:35:33,600
Speaker 1: If somebody wants to hire you, you will become alive again. Well,

551
00:35:33,600 --> 00:35:36,600
Speaker 1: this is the weird sudden death episode. We've ever seven

552
00:35:36,640 --> 00:35:39,000
Speaker 1: death auditions we've had, James, and you're great, but I

553
00:35:39,040 --> 00:35:41,600
Speaker 1: think we're gonna go with this gentleman right here. Something

554
00:35:41,640 --> 00:35:45,520
Speaker 1: about his voice and his presence, if I may use

555
00:35:45,600 --> 00:35:49,680
Speaker 1: that word, you might you might not be able to

556
00:35:49,680 --> 00:35:52,080
Speaker 1: see him, James, but he is amazing. He's standing right

557
00:35:52,120 --> 00:35:57,239
Speaker 1: next to you. I'm with Trader Joe's talent. You don't

558
00:35:57,280 --> 00:36:00,640
Speaker 1: have to tell us right now, war all right, James,

559
00:36:00,640 --> 00:36:05,399
Speaker 1: So if you can see yourself out out of here, yeah,

560
00:36:05,360 --> 00:36:09,719
Speaker 1: I just hook the car up. Let's tow it out here. Hey, buddies, wait,

561
00:36:09,960 --> 00:36:14,800
Speaker 1: that's my car. Yeah, anymore, buddies, it's mine now, virgin

562
00:36:15,040 --> 00:36:26,840
Speaker 1: hook it belongs to somebody killed that actor. Welcome to

563
00:36:26,840 --> 00:36:33,760
Speaker 1: Ghostree Sources. Without your your name, I gotta James ceeney, James, Okay,

564
00:36:34,000 --> 00:36:36,560
Speaker 1: this is my client. This is my client. Yeah, this

565
00:36:36,640 --> 00:36:38,799
Speaker 1: is my client. I've been waiting for him. Okay, just

566
00:36:38,840 --> 00:36:40,640
Speaker 1: so this way we go over this number one. You're

567
00:36:40,680 --> 00:36:42,960
Speaker 1: both the number two eachmor you're gonna go to orientation

568
00:36:43,640 --> 00:36:46,600
Speaker 1: because we can ask questions. They have donuts that have wine.

569
00:36:46,600 --> 00:36:49,920
Speaker 1: It's all a good time and wine. What what kind

570
00:36:49,920 --> 00:36:53,600
Speaker 1: of mixtures donuts and wine? This sounds disgusting, Well it's fine.

571
00:36:53,640 --> 00:36:55,839
Speaker 1: It's ghost weirl, so just enjoy it. And third thing

572
00:36:55,880 --> 00:36:58,560
Speaker 1: is I'm gonna enjoy that does just do not go

573
00:36:58,800 --> 00:37:02,200
Speaker 1: through humans, that is without their permission. You cannot we

574
00:37:02,200 --> 00:37:04,520
Speaker 1: cannot do that anymore. Okay, Okay, let me tell you

575
00:37:04,520 --> 00:37:06,680
Speaker 1: somewhere now, my client, James, And right, now, it's one

576
00:37:06,719 --> 00:37:10,240
Speaker 1: of the most best ghosts I've ever seen my life. Okay,

577
00:37:10,320 --> 00:37:11,680
Speaker 1: and you're gonna let him do what he needs to

578
00:37:11,719 --> 00:37:15,040
Speaker 1: do to become even better than he is. You're both that.

579
00:37:15,560 --> 00:37:19,759
Speaker 1: I have a good day, all right, James. I thought

580
00:37:19,800 --> 00:37:25,320
Speaker 1: that did not go well. He did not go well.

581
00:37:26,200 --> 00:37:31,200
Speaker 1: I'm gonna step out. Okay, I want to me anymore

582
00:37:31,200 --> 00:37:34,279
Speaker 1: in the afterlife. I'm gonna come on. This is every

583
00:37:34,280 --> 00:37:36,480
Speaker 1: time you hit a roadblock, every time an audition blows

584
00:37:36,560 --> 00:37:38,840
Speaker 1: up because of what you did. I get the flak

585
00:37:38,880 --> 00:37:41,759
Speaker 1: for it. Okay, it's bullshit. I got some you know

586
00:37:41,760 --> 00:37:43,120
Speaker 1: who I got. You know, I got on the hook.

587
00:37:43,160 --> 00:37:46,000
Speaker 1: I got Leonard of the the Cameo. I can work

588
00:37:46,000 --> 00:37:50,640
Speaker 1: with him. Okay, what's already established. I thought you wanted

589
00:37:50,640 --> 00:37:55,160
Speaker 1: to take somebody and bring him up and make them big. James,

590
00:37:55,280 --> 00:37:56,839
Speaker 1: where do you How do you think Van Dillan got

591
00:37:56,840 --> 00:37:59,200
Speaker 1: all those fast in the Furious movies? I don't know,

592
00:37:59,440 --> 00:38:02,600
Speaker 1: I don't know, I don't know. Not in trouble accepting

593
00:38:02,600 --> 00:38:11,680
Speaker 1: your new reality. Hold on this, guys, guy's got a presence. Yeah,

594
00:38:11,960 --> 00:38:15,879
Speaker 1: how did you die? Well? I was trying to talk

595
00:38:15,920 --> 00:38:17,919
Speaker 1: the tow truck drivers and to drop in my car

596
00:38:18,360 --> 00:38:23,480
Speaker 1: and another one just slammed into me. That's got my

597
00:38:23,560 --> 00:38:25,840
Speaker 1: job that I was trying to book. Yes, yes, I

598
00:38:25,920 --> 00:38:31,760
Speaker 1: booked a spot. Are you wrapped? I'm with Trader Joe's

599
00:38:31,800 --> 00:38:42,319
Speaker 1: Talent t J T. You Gotta Be Seen. Three comes

600
00:38:42,320 --> 00:38:45,560
Speaker 1: to us from Patron v I P. Baker Road. First off,

601
00:38:46,160 --> 00:38:49,839
Speaker 1: congrats to Craig for the first ever recorded impersonation of

602
00:38:49,880 --> 00:38:55,280
Speaker 1: Mark Merritt. I'm pretty great. Good to know. My scene

603
00:38:55,320 --> 00:39:05,040
Speaker 1: suggestion is fireworks. Thank you, Beaker. If I could see

604
00:39:05,040 --> 00:39:08,080
Speaker 1: you for just a moment, please, I'm very sorry to interrupt,

605
00:39:08,680 --> 00:39:11,680
Speaker 1: but I believe I have a discovery with your attention.

606
00:39:11,800 --> 00:39:15,239
Speaker 1: Of course, take on the marketplace as soon as possible

607
00:39:15,880 --> 00:39:19,760
Speaker 1: for someone else. You SUPs our efforts totally. Yeah. So anyway,

608
00:39:19,800 --> 00:39:21,759
Speaker 1: you got the you got the fire cats right here,

609
00:39:21,920 --> 00:39:24,040
Speaker 1: and all the sprinklers are on the side on the

610
00:39:24,040 --> 00:39:26,279
Speaker 1: wall right there. So just I'll be right back with you, ok,

611
00:39:28,560 --> 00:39:32,360
Speaker 1: Mr Boss. What's going on? Yes, if you can across

612
00:39:32,360 --> 00:39:35,200
Speaker 1: a discovery that I believe will be with all of

613
00:39:35,239 --> 00:39:37,799
Speaker 1: your time and energy and perhaps something you may want

614
00:39:37,800 --> 00:39:40,880
Speaker 1: to invest in. Totally. Now this this this used to

615
00:39:40,920 --> 00:39:44,279
Speaker 1: be a pawn shop. Again, we sell fireworks, right right,

616
00:39:44,280 --> 00:39:46,480
Speaker 1: So I'm happy to take a look at what you got.

617
00:39:46,640 --> 00:39:48,319
Speaker 1: Let's see if we can't move something. But you know,

618
00:39:48,360 --> 00:39:50,440
Speaker 1: in general, I can't. I can't give out loans anymore.

619
00:39:50,680 --> 00:39:52,959
Speaker 1: It is a film of firework that I believe you'll

620
00:39:52,960 --> 00:39:55,440
Speaker 1: want to invest in. Okay, right then, yeah, I'll definitely

621
00:39:55,440 --> 00:39:57,200
Speaker 1: take a look at what you got. Do you remember

622
00:39:57,200 --> 00:40:01,720
Speaker 1: those the little fireworks called snakes yo? Yeah, the little

623
00:40:01,760 --> 00:40:04,479
Speaker 1: black caps. You would send a fire and they would

624
00:40:04,480 --> 00:40:09,319
Speaker 1: crawl across the sidewalk. Yep, Okay, they got recalled because

625
00:40:09,360 --> 00:40:12,080
Speaker 1: kids were reading them. I thought they would get super

626
00:40:12,120 --> 00:40:13,960
Speaker 1: cold once you let it, which I don't understand. They

627
00:40:14,000 --> 00:40:18,120
Speaker 1: burn their mouths. Well, kids are stupid that we can't

628
00:40:18,120 --> 00:40:24,279
Speaker 1: agree on. So my firework is called a gator, and

629
00:40:24,320 --> 00:40:27,759
Speaker 1: the gator, once you liked it, crawls across the sidewalk

630
00:40:27,880 --> 00:40:30,120
Speaker 1: and eats Holy ship. Is that a real gator in

631
00:40:30,120 --> 00:40:32,920
Speaker 1: that cage? No? No, that's a firework. Okay, Well that

632
00:40:32,960 --> 00:40:34,879
Speaker 1: looks like a moving gator. It looks like a live

633
00:40:34,920 --> 00:40:38,520
Speaker 1: gator in that cage. Isn't it impressive? Okay? What is this?

634
00:40:38,800 --> 00:40:40,560
Speaker 1: What are you doing? You don't have a live gator

635
00:40:40,760 --> 00:40:43,480
Speaker 1: in a fireworks store? That's me just let it out

636
00:40:43,480 --> 00:40:46,960
Speaker 1: of its cage and you mr, Mr, just why don't

637
00:40:46,960 --> 00:40:48,920
Speaker 1: just leave it in there? All right? Well, we just

638
00:40:48,960 --> 00:40:51,160
Speaker 1: leaving there. I trust that this is a firework. Well,

639
00:40:51,239 --> 00:40:52,840
Speaker 1: if you want a demo it, let's go outside the

640
00:40:52,840 --> 00:40:55,600
Speaker 1: demo it. Huh okay, very well, should we go out back?

641
00:40:56,040 --> 00:40:59,200
Speaker 1: Let's go back right, very just so, I'm gonna be

642
00:40:59,239 --> 00:41:01,080
Speaker 1: back in a second. Just keep you could just take

643
00:41:01,080 --> 00:41:03,600
Speaker 1: a look at anything on the side there. I'm done, though,

644
00:41:07,040 --> 00:41:10,200
Speaker 1: I don't just keep looking at that. Just keep on.

645
00:41:10,320 --> 00:41:13,319
Speaker 1: You'll be right backs. Look some money on the counter

646
00:41:15,719 --> 00:41:17,880
Speaker 1: here you are. So I'm going to let the firework

647
00:41:17,920 --> 00:41:19,560
Speaker 1: out of the cage and you're going to see it.

648
00:41:19,640 --> 00:41:22,480
Speaker 1: Eight children. It's the greatest thing ever. Okay, hold on

649
00:41:22,520 --> 00:41:26,080
Speaker 1: a second. It's gonna eat children, Yes, all right. I

650
00:41:26,080 --> 00:41:27,840
Speaker 1: don't know if I want that as a firework. I

651
00:41:27,840 --> 00:41:29,960
Speaker 1: don't know if that's gonna be a hot understand. I

652
00:41:30,080 --> 00:41:34,320
Speaker 1: understand your Could it be candy here? I'm here for

653
00:41:34,400 --> 00:41:37,600
Speaker 1: the candy. That's side little boys right this way? Did

654
00:41:37,640 --> 00:41:41,520
Speaker 1: you learn these kids are kid? Now stand over here,

655
00:41:42,560 --> 00:41:47,320
Speaker 1: look straight up into the sky until you see the lights.

656
00:41:48,520 --> 00:41:53,840
Speaker 1: Keep looking up, children, mr, And now I released the firework.

657
00:41:54,040 --> 00:42:00,839
Speaker 1: You watch the live that's a live here, right o. Good?

658
00:42:02,560 --> 00:42:08,759
Speaker 1: Oh well, like I gotta hand it to your peal.

659
00:42:08,920 --> 00:42:11,359
Speaker 1: Most you know, fireworks fatality as we see here when

660
00:42:11,360 --> 00:42:13,720
Speaker 1: people buy the fireworks, take them out of the shop

661
00:42:13,840 --> 00:42:17,160
Speaker 1: and misuse them at home. Uh. This is the first

662
00:42:17,200 --> 00:42:21,200
Speaker 1: time that somebody's actually uh killed somebody at their own

663
00:42:21,239 --> 00:42:25,200
Speaker 1: fireworks store. Well I didn't kill anybody. I didn't do that.

664
00:42:25,520 --> 00:42:28,719
Speaker 1: Uh yeah, yeah, you keep talking about this mysterious Mr

665
00:42:28,840 --> 00:42:32,960
Speaker 1: bos figure who we have no record. If you look

666
00:42:33,080 --> 00:42:35,480
Speaker 1: at the video the surveillance keep in my shop, you'll

667
00:42:35,480 --> 00:42:39,480
Speaker 1: see me talking to another person. There's the kids that

668
00:42:39,560 --> 00:42:43,160
Speaker 1: you killed, and then you. That's all gonna see. I

669
00:42:43,400 --> 00:42:46,319
Speaker 1: don't just check out, please, I've been here now for

670
00:42:46,360 --> 00:42:50,640
Speaker 1: four hours. Just look at the rack. Okay, look, we're

671
00:42:50,680 --> 00:42:53,520
Speaker 1: gonna keep you open for today while we conduct an investigation.

672
00:42:55,560 --> 00:43:02,360
Speaker 1: But right, what does your burtner say? I said, the

673
00:43:02,440 --> 00:43:06,759
Speaker 1: video footage is pretty damning. You see him too, Yeah, no,

674
00:43:07,280 --> 00:43:11,040
Speaker 1: I you see me, of course he sees me. I'm

675
00:43:11,040 --> 00:43:13,839
Speaker 1: a human being. My partner, My partner was killed two

676
00:43:13,880 --> 00:43:17,680
Speaker 1: years ago due to my own negligence. Okay, and he

677
00:43:17,719 --> 00:43:21,399
Speaker 1: haunts me. He haunts me every day. But he's still

678
00:43:21,400 --> 00:43:28,160
Speaker 1: a damn good cop. Okay, wait a second, Yes, I

679
00:43:28,280 --> 00:43:32,920
Speaker 1: smell another ghost was here? Wait you think it's a ghost.

680
00:43:34,440 --> 00:43:37,879
Speaker 1: He has a superpower to smell other ghosts, ghosts and

681
00:43:38,000 --> 00:43:41,200
Speaker 1: smell photo, says him. I smell photo, says him, all

682
00:43:41,200 --> 00:43:47,040
Speaker 1: over the place here the photo says him. Oh, hi, officer, um,

683
00:43:47,719 --> 00:43:51,759
Speaker 1: is this about my son? He loves candy and he

684
00:43:51,840 --> 00:43:54,120
Speaker 1: was out playing. He hasn't been home yet, is there.

685
00:43:54,360 --> 00:43:57,879
Speaker 1: This is the hardest part of the job. I mean,

686
00:43:57,960 --> 00:43:59,600
Speaker 1: the hardest part of the job would be like tackling

687
00:43:59,680 --> 00:44:04,080
Speaker 1: drug drug addicts. No, that's that's easy. There, that's easy. Yeah,

688
00:44:04,120 --> 00:44:06,560
Speaker 1: they're they're fucked up. They don't have a lot of

689
00:44:06,560 --> 00:44:10,320
Speaker 1: strength to fight back. That makes sense, you mean literally

690
00:44:10,320 --> 00:44:13,279
Speaker 1: tackling them or yeah, we just feel like they're so

691
00:44:13,360 --> 00:44:15,720
Speaker 1: a erratic, you know what I mean. Very easy. Trust

692
00:44:15,840 --> 00:44:19,520
Speaker 1: you might get poked by a needle, but that's scared.

693
00:44:19,760 --> 00:44:25,120
Speaker 1: So yeah, it's the worst case scenario where we're can

694
00:44:25,160 --> 00:44:27,520
Speaker 1: I hold your gun? Is that a thing? Well, you

695
00:44:27,560 --> 00:44:30,880
Speaker 1: can hold it for a second. Should have given her

696
00:44:30,960 --> 00:44:37,960
Speaker 1: my ghost gun? Honestly, table for two Yes, thank you. Oh,

697
00:44:38,000 --> 00:44:41,200
Speaker 1: I wasn't talking to you, so we've been waiting here,

698
00:44:41,960 --> 00:44:46,759
Speaker 1: and what you gonna sit down in the fourer doesn't

699
00:44:46,800 --> 00:44:48,200
Speaker 1: mean you're waiting. I don't know what the hell you're

700
00:44:48,239 --> 00:44:55,160
Speaker 1: doing On the sheet, the sheet said something part of

701
00:44:55,160 --> 00:44:57,719
Speaker 1: you too, Yeah, exactly. You think I'm gonna seat you

702
00:44:57,880 --> 00:45:02,360
Speaker 1: and stop using her WiFi? His name is Urine, asshole. No,

703
00:45:02,520 --> 00:45:08,040
Speaker 1: he just comes in all time. This is my table, dritty,

704
00:45:08,760 --> 00:45:13,120
Speaker 1: Oh you're an asshole? Is here? Oh? Oh uh? It is? Actually?

705
00:45:13,320 --> 00:45:16,880
Speaker 1: Would you mind sitting at the bar? Sir? The buts?

706
00:45:20,560 --> 00:45:24,520
Speaker 1: What do I hate my job? Yeah? It's so weird,

707
00:45:24,560 --> 00:45:28,680
Speaker 1: like like fate artists together, like you knocking so too.

708
00:45:29,080 --> 00:45:31,359
Speaker 1: You forgot why you were there, and then I was like, oh,

709
00:45:31,480 --> 00:45:34,920
Speaker 1: I'm why you're here. We have to follow this instant connection. Yeah,

710
00:45:35,520 --> 00:45:38,680
Speaker 1: you gotta get the help in your poppers here, they're fantastic. Okay,

711
00:45:38,719 --> 00:45:41,920
Speaker 1: say no more, follow me, all right, sure, thank you.

712
00:45:42,040 --> 00:45:45,640
Speaker 1: So what's this rope with the swim across this rope? Yeah,

713
00:45:46,239 --> 00:45:49,240
Speaker 1: it's it's a whole theme restaurant, you know. Oh wow, Okay,

714
00:45:51,920 --> 00:45:56,279
Speaker 1: oh jeez, I've lost my shoe. Follow me. So I

715
00:45:56,320 --> 00:45:59,719
Speaker 1: was thinking, now I know I'm thinking too fast, but

716
00:45:59,800 --> 00:46:03,840
Speaker 1: I want you to meet my son. Oh I remembered.

717
00:46:03,880 --> 00:46:07,040
Speaker 1: I just remember, are you not into kids? You're not? No, no, no, no,

718
00:46:08,200 --> 00:46:12,000
Speaker 1: you just remember you're into people, but totally into people,

719
00:46:12,600 --> 00:46:15,239
Speaker 1: but not into kids. Yeah, let's pick up the base.

720
00:46:15,960 --> 00:46:20,400
Speaker 1: Look after the chuck can these guys just went to circle.

721
00:46:20,960 --> 00:46:23,160
Speaker 1: They just went in big circle. You see that? Follow me?

722
00:46:24,800 --> 00:46:26,759
Speaker 1: Why don't we just put the kids up away? And

723
00:46:26,800 --> 00:46:28,320
Speaker 1: how much is you in meeting it? You know what

724
00:46:28,400 --> 00:46:31,399
Speaker 1: I mean? Try to lose me, Try to lose me. Okay,

725
00:46:31,960 --> 00:46:35,799
Speaker 1: just now, okay, okay, I'll go look you go right,

726
00:46:35,960 --> 00:46:48,040
Speaker 1: all right? Huh uh. Just there's my table ready? Now, yeah,

727
00:46:48,040 --> 00:46:51,239
Speaker 1: I follow me. I will take a seat at the bar.

728
00:46:52,880 --> 00:46:54,239
Speaker 1: Oh you gonna take a spe see at the bar.

729
00:46:54,400 --> 00:46:56,320
Speaker 1: You just spit on the floor when I said that earlier.

730
00:46:57,280 --> 00:47:00,280
Speaker 1: It's so angry. I don't you know what I haven't

731
00:47:00,400 --> 00:47:02,440
Speaker 1: you know? I have an m B A in and

732
00:47:02,560 --> 00:47:06,880
Speaker 1: you have a National Basketball Association? Yes, I have an NBA.

733
00:47:07,239 --> 00:47:12,960
Speaker 1: Do you understand that I do? And I'm here my customers,

734
00:47:13,040 --> 00:47:17,120
Speaker 1: please welcome to We're gonna get I'll have you stake

735
00:47:17,320 --> 00:47:21,480
Speaker 1: with the potatoes. How would you get stake prepared? Bloody

736
00:47:22,400 --> 00:47:25,880
Speaker 1: bloody man after my own heart? And what would you

737
00:47:25,880 --> 00:47:30,400
Speaker 1: like to drink uh arresting him. Of course, Where are

738
00:47:30,440 --> 00:47:34,799
Speaker 1: you from? If you don't, mommy, I'm marketing man from

739
00:47:34,920 --> 00:47:43,200
Speaker 1: Russia to Bruce. Did you hear that? Are you ship? Goddamn?

740
00:47:44,800 --> 00:47:51,759
Speaker 1: Somebody shut You're an asshole. I'm off duty. I'm off duty, right, yeah, no,

741
00:47:51,840 --> 00:47:55,120
Speaker 1: they're good at Somebody take care of it. Hey, guys,

742
00:47:55,600 --> 00:47:58,200
Speaker 1: I'm so I'm taking over for Debora, all right, I'll

743
00:47:58,200 --> 00:48:01,200
Speaker 1: be the new services like her. Yeah, we all do.

744
00:48:01,320 --> 00:48:04,680
Speaker 1: But I'm actually I guess someone shadowing me right now?

745
00:48:04,680 --> 00:48:07,680
Speaker 1: This is Clayton. How to Clayton? I don't see anybody there.

746
00:48:07,840 --> 00:48:11,600
Speaker 1: We don't see anybody. I see Clayton, Clayton's part it's

747
00:48:11,920 --> 00:48:15,480
Speaker 1: it's he's a ghost. Who who are you talking to?

748
00:48:15,680 --> 00:48:18,839
Speaker 1: I'm sorry, I'm talking to my my dead partner. Ted. Yeah,

749
00:48:18,920 --> 00:48:22,560
Speaker 1: there there is somebody shadowing her, and it's it's it's

750
00:48:22,560 --> 00:48:25,319
Speaker 1: a ghost. It's a ghost server. Okay, listen, if you

751
00:48:25,360 --> 00:48:28,000
Speaker 1: don't like me, you can just say that. No, no,

752
00:48:28,120 --> 00:48:32,759
Speaker 1: I like you? Should I come back? No? No? Stay here,

753
00:48:32,840 --> 00:48:36,880
Speaker 1: you stay here, stay you stay here? Okay. Two questions,

754
00:48:37,320 --> 00:48:39,640
Speaker 1: One do you think he likes me? And to what's

755
00:48:39,680 --> 00:48:42,320
Speaker 1: the saddus on that Russian that was shot earlier. Okay,

756
00:48:42,560 --> 00:48:46,480
Speaker 1: number one. Do I think he likes you? Uh? Yeah,

757
00:48:46,640 --> 00:48:49,319
Speaker 1: I really think he does. You know, I appreciate. I

758
00:48:49,360 --> 00:48:52,399
Speaker 1: can definitely tell this is a new egg, still pretty raw,

759
00:48:53,040 --> 00:48:55,440
Speaker 1: you know, the shell hasn't hardened around, and there's definitely

760
00:48:55,440 --> 00:48:57,680
Speaker 1: some cold yolk in the center, if you catch my

761
00:48:58,920 --> 00:49:02,759
Speaker 1: if they want anything to drink, Clayton wants to know

762
00:49:02,800 --> 00:49:07,239
Speaker 1: if you want something to drink? Who's cleanting again? He's

763
00:49:07,239 --> 00:49:13,920
Speaker 1: shadowing me right now? He saw forever. Okay, okay, fine, fine,

764
00:49:13,080 --> 00:49:18,960
Speaker 1: you could a coffee? You want the coffee? Coffee for

765
00:49:19,040 --> 00:49:23,000
Speaker 1: my partner here. I heard that clearly. He heard it.

766
00:49:23,360 --> 00:49:25,160
Speaker 1: You said you don't drink, and hears you. I. I

767
00:49:25,200 --> 00:49:28,359
Speaker 1: don't drink coffee, but Ted doesn't either, but he likes

768
00:49:28,400 --> 00:49:32,200
Speaker 1: just having it nearby. Okay, you know what, oh ship,

769
00:49:32,400 --> 00:49:36,520
Speaker 1: my son, my son? Do you know what crocodiles are?

770
00:49:36,920 --> 00:49:41,920
Speaker 1: I have to go now, I have to go. So

771
00:49:41,920 --> 00:49:43,520
Speaker 1: wait a minute, you're telling me you're on a day

772
00:49:43,560 --> 00:49:47,680
Speaker 1: with this guy and he was talking to his dead partner. Yeah,

773
00:49:47,719 --> 00:49:50,520
Speaker 1: And I was like, just just say you're not interested.

774
00:49:50,880 --> 00:49:54,040
Speaker 1: You know, why make up the story? I don't know.

775
00:49:54,160 --> 00:49:55,600
Speaker 1: So then I was I'm a way to pick up

776
00:49:55,600 --> 00:49:58,279
Speaker 1: Bob Bobby myself. And then I was I'm sorry, can

777
00:49:58,320 --> 00:49:59,960
Speaker 1: I just take this chair if you're not using it?

778
00:50:00,560 --> 00:50:05,000
Speaker 1: Go ahead? Jesus, why don't you even ask alone? So

779
00:50:05,000 --> 00:50:07,160
Speaker 1: I figured I could just take a chair, Yeah, take

780
00:50:07,239 --> 00:50:11,520
Speaker 1: the chair. Go okay, man, you haven't answered me if

781
00:50:11,520 --> 00:50:15,200
Speaker 1: you can I take the chair. I'm sorry, Um, it's

782
00:50:15,239 --> 00:50:17,879
Speaker 1: just been a long night. Tell them you can take

783
00:50:17,920 --> 00:50:23,040
Speaker 1: the chair. Yes, you can have the chair. It's you're right.

784
00:50:23,080 --> 00:50:26,680
Speaker 1: You look like you say it. I look like what

785
00:50:27,760 --> 00:50:34,319
Speaker 1: you look at? Your fucking freak ask by you really

786
00:50:34,360 --> 00:50:38,920
Speaker 1: be talking to the customers that way? Yeah, Cleyton, Okay,

787
00:50:38,920 --> 00:50:43,120
Speaker 1: we roll how any way we want. That's exactly my

788
00:50:43,160 --> 00:50:46,520
Speaker 1: attitude when I was sent over to the other side.

789
00:50:47,320 --> 00:50:58,000
Speaker 1: That sucks? Did sucks? Okay, James, I'll tell you what.

790
00:50:58,080 --> 00:51:01,480
Speaker 1: Why don't we try the scene again? End? At this time,

791
00:51:01,560 --> 00:51:05,640
Speaker 1: you're not sure what a ghost is, Okay, So when

792
00:51:05,640 --> 00:51:09,600
Speaker 1: you come into the room, sure everybody's talking about the

793
00:51:09,640 --> 00:51:11,920
Speaker 1: dead and who's dead and who's not. You don't know

794
00:51:11,920 --> 00:51:15,520
Speaker 1: what they're talking about. Let me see what Dad looks like. Okay,

795
00:51:15,719 --> 00:51:17,560
Speaker 1: all right, we're gonna pick it up on page two,

796
00:51:18,560 --> 00:51:24,400
Speaker 1: page two, Page two, The second page. Jim, give me

797
00:51:24,440 --> 00:51:28,120
Speaker 1: a second. Excuse me, what's going on here? This is

798
00:51:28,120 --> 00:51:33,000
Speaker 1: an ice you. Yeah, I'm just cru in here. I

799
00:51:33,320 --> 00:51:36,759
Speaker 1: need to take care of my patient and we'll be

800
00:51:36,800 --> 00:51:39,080
Speaker 1: out of your hair as quickly as possible. In fact,

801
00:51:39,239 --> 00:51:44,560
Speaker 1: this interaction isn't helping James action. Did somebody say camera, Hey,

802
00:51:44,600 --> 00:51:50,320
Speaker 1: I'm the doctor here. I will say I am SAG

803
00:51:50,520 --> 00:51:53,840
Speaker 1: eligible if that means anything to anybody here who represents

804
00:51:53,880 --> 00:51:59,040
Speaker 1: you currently unrepped new faces right here? Yeah, Montreal went

805
00:51:59,080 --> 00:52:01,959
Speaker 1: there last year. Oh my goodness, don't move, don't please

806
00:52:01,960 --> 00:52:05,160
Speaker 1: stay right where you are. James, ready, I'm going. I

807
00:52:05,200 --> 00:52:09,879
Speaker 1: thought I thought we were already started. God, God, back

808
00:52:09,920 --> 00:52:17,640
Speaker 1: to one everyone. Hey, uh, what's up with the legs?

809
00:52:18,760 --> 00:52:21,240
Speaker 1: Were you wearing? George? And they're much smooth and shine?

810
00:52:21,280 --> 00:52:24,759
Speaker 1: Who are you talking to? What's up? Who are you

811
00:52:24,840 --> 00:52:30,600
Speaker 1: talking to? I'm talking to my self, okay. It's called

812
00:52:30,640 --> 00:52:34,719
Speaker 1: self love. And occasionally my inner voice tells me I

813
00:52:34,880 --> 00:52:41,680
Speaker 1: have unreasonably skinny and shiny legs, okay, and that's why

814
00:52:41,680 --> 00:52:43,640
Speaker 1: I wear these. George, by the way, because I'm not

815
00:52:43,640 --> 00:52:47,440
Speaker 1: gonna run away from the fear. Uh. Mr Heeney or

816
00:52:47,480 --> 00:52:50,080
Speaker 1: your your son is here to see you, by the way,

817
00:52:52,960 --> 00:52:55,280
Speaker 1: but he uh, he said, you also smacked him earlier.

818
00:52:55,360 --> 00:53:03,160
Speaker 1: So excuse are you you hit your son because you're

819
00:53:03,160 --> 00:53:06,600
Speaker 1: a method actor? Well, no, no, I was. I was

820
00:53:06,719 --> 00:53:15,000
Speaker 1: in a headspace where I was going to be Okay, Dad,

821
00:53:15,200 --> 00:53:18,840
Speaker 1: did you get the fireworks? You were gone all day? Uh,

822
00:53:18,880 --> 00:53:22,200
Speaker 1: here's a funny story, all right. I don't like your stories,

823
00:53:22,200 --> 00:53:25,719
Speaker 1: and they're never funny. Fine when in my room, no

824
00:53:25,920 --> 00:53:28,440
Speaker 1: talk to me like that. No one talks to me

825
00:53:28,560 --> 00:53:31,960
Speaker 1: like that. And you should do something about it. Man,

826
00:53:33,080 --> 00:53:34,880
Speaker 1: you guys leave me alone, all right. I know what

827
00:53:34,920 --> 00:53:39,160
Speaker 1: you here. Something about it, man, sit out a couple

828
00:53:39,160 --> 00:53:41,399
Speaker 1: of hands and go deal with your son for fox

829
00:53:41,440 --> 00:53:48,440
Speaker 1: Psyche That chips aren't going just vote, get a vote again?

830
00:53:48,640 --> 00:53:52,839
Speaker 1: Does anybody like my son? Hands up? Hands up, God,

831
00:53:52,960 --> 00:53:57,799
Speaker 1: guse them for kindling. Let's go all right, Phil give

832
00:53:57,840 --> 00:54:04,960
Speaker 1: me your knife, not the blade side? Got it? Got it?

833
00:54:05,040 --> 00:54:14,439
Speaker 1: Got a right? All right? Go away? Nope, I'm coming in, Dad. Yeah,

834
00:54:14,840 --> 00:54:19,560
Speaker 1: I said I needed privacy. Who's this guy dried up

835
00:54:19,560 --> 00:54:30,200
Speaker 1: in your whole? I gotta kill him too now. But

836
00:54:30,360 --> 00:54:36,080
Speaker 1: there's a guy in the closet to uh so much blood?

837
00:54:36,160 --> 00:54:43,240
Speaker 1: Who's the of the bed. Is this Teddy barre Line.

838
00:54:43,280 --> 00:54:50,520
Speaker 1: No good, oh good, Well, it looks like we've been

839
00:54:50,520 --> 00:54:55,360
Speaker 1: called in for another slate of ghost crimes. Ted I

840
00:54:55,440 --> 00:54:58,800
Speaker 1: am pretty sure this one was done by a human. Really.

841
00:55:00,080 --> 00:55:04,520
Speaker 1: I mean, I'm not a sure, but I don't The photos,

842
00:55:04,800 --> 00:55:08,840
Speaker 1: the photoplasms all pretty fresh, as if these ghosts around

843
00:55:08,880 --> 00:55:12,160
Speaker 1: us are new ghosts, not ghosts the committed to crime.

844
00:55:12,360 --> 00:55:15,080
Speaker 1: But that's just my look. You throw around those technical terms.

845
00:55:15,080 --> 00:55:17,080
Speaker 1: It goes right over my head, buddy, But you know,

846
00:55:17,760 --> 00:55:21,239
Speaker 1: I know as a ghost, you know, I I trust your, trust,

847
00:55:21,239 --> 00:55:25,279
Speaker 1: your instincts on these That coffee is going right through you,

848
00:55:27,040 --> 00:55:36,560
Speaker 1: cop Phone Copp. Hey, I don't know if you remember me,

849
00:55:36,600 --> 00:55:41,680
Speaker 1: but we would Marcia, Hi, Yes, Hi. I don't mean

850
00:55:41,719 --> 00:55:45,680
Speaker 1: to be interrupting you. Just my son hasn't come home.

851
00:55:47,120 --> 00:55:50,000
Speaker 1: And it was a reminder that all the men in

852
00:55:50,040 --> 00:55:53,640
Speaker 1: my life I tend to push away, and you're one

853
00:55:53,680 --> 00:55:57,400
Speaker 1: of those men. And I wanted to say I'm sorry,

854
00:55:57,840 --> 00:55:59,520
Speaker 1: and I wanted to see if maybe we could go

855
00:56:00,200 --> 00:56:04,279
Speaker 1: out again. I was trying to explain about crocodiles the

856
00:56:04,480 --> 00:56:07,680
Speaker 1: last time I saw you. Are you moving out of

857
00:56:07,680 --> 00:56:14,200
Speaker 1: that spot because you've been sitting We're police, Okay, we'll still. Okay,

858
00:56:15,000 --> 00:56:22,520
Speaker 1: they're about to tell anyway, I'll go around. Yeah, crocodile tears,

859
00:56:22,640 --> 00:56:25,000
Speaker 1: I get it. I know you're crocodiles. They're like snakes,

860
00:56:25,120 --> 00:56:31,600
Speaker 1: but bigger. Yeah, yeah, I know. I know your kids.

861
00:56:34,080 --> 00:56:37,200
Speaker 1: Oh loves candy, loves candy. It's probably why he's not home.

862
00:56:37,640 --> 00:56:39,400
Speaker 1: I don't have noticed how I used the past tense

863
00:56:41,280 --> 00:56:43,200
Speaker 1: I did. I thought maybe that was your mistake. It's

864
00:56:43,239 --> 00:56:48,239
Speaker 1: not my mistakes. I'm gonna get making a mistake in

865
00:56:48,280 --> 00:56:51,239
Speaker 1: the president. Give me a call. Help me out here,

866
00:56:51,560 --> 00:56:56,160
Speaker 1: an she doesn't even see me. All right, I'll touch

867
00:56:56,200 --> 00:57:00,080
Speaker 1: you later. Okay, Bye. I went around the block and

868
00:57:00,120 --> 00:57:04,560
Speaker 1: you're still here. Okay, we're pulling out. We're pulling out

869
00:57:04,640 --> 00:57:10,400
Speaker 1: right now. All right, who's we dare? Did he say who? We?

870
00:57:10,719 --> 00:57:13,520
Speaker 1: Was a man in the car by himself. Oh that's right,

871
00:57:13,640 --> 00:57:17,959
Speaker 1: that's weird, right, he was just by himself. You should

872
00:57:18,160 --> 00:57:20,400
Speaker 1: we'll take the spot already. Will you should tell that guy?

873
00:57:20,440 --> 00:57:22,160
Speaker 1: You should see what's going on in this car. Tommy,

874
00:57:22,200 --> 00:57:24,160
Speaker 1: you know I let your father pack the dawn car. Yeah,

875
00:57:25,080 --> 00:57:40,000
Speaker 1: we're gonna go after him. Show what the hell are

876
00:57:40,040 --> 00:57:44,040
Speaker 1: you doing? Careful, careful, there's a there's a ghost in

877
00:57:44,120 --> 00:57:49,320
Speaker 1: his back ship. Man in the car, we're that kid

878
00:57:49,440 --> 00:57:54,640
Speaker 1: is dead for sure. Oh fuck, I think I think

879
00:57:54,680 --> 00:58:00,520
Speaker 1: I know what you have. You you can hear ghosts, well,

880
00:58:00,560 --> 00:58:03,640
Speaker 1: I can hear my partner. Yeah, I can hear my

881
00:58:03,680 --> 00:58:07,880
Speaker 1: whole family. They're in my car. Oh wow, wow, you

882
00:58:07,960 --> 00:58:12,320
Speaker 1: killed your family. Uh, this is the guy, This is

883
00:58:12,360 --> 00:58:16,840
Speaker 1: the this is the guy said, yeah, he's the killer.

884
00:58:16,920 --> 00:58:19,000
Speaker 1: He got everybody in his house. I think some of

885
00:58:19,000 --> 00:58:22,000
Speaker 1: them weren't even family. Did you just tell a cop

886
00:58:22,120 --> 00:58:25,920
Speaker 1: you killed your family? No? I thought I kept it

887
00:58:26,040 --> 00:58:29,120
Speaker 1: pretty vague. Tommy, you didn't. You're very clear and direct.

888
00:58:29,240 --> 00:58:31,600
Speaker 1: Did I say the words I killed my family? No?

889
00:58:31,760 --> 00:58:34,480
Speaker 1: He asked. You said, yes, Hey, that guy just admitted

890
00:58:34,520 --> 00:58:38,680
Speaker 1: to killing his family over there him. Good for him.

891
00:58:39,160 --> 00:58:40,800
Speaker 1: You guys are on the curb right third, Why are

892
00:58:40,840 --> 00:58:45,480
Speaker 1: you yelling? Who are you yelling at? Let me just listen, officer.

893
00:58:45,560 --> 00:58:48,919
Speaker 1: I think this is a weird predicament, all right, and

894
00:58:49,040 --> 00:58:52,840
Speaker 1: I shan't let it happen again. Shan't. So I'm gonna

895
00:58:52,840 --> 00:59:00,000
Speaker 1: put huh. I'm forty nine, Okay, all right, I'm gonna

896
00:59:00,000 --> 00:59:03,400
Speaker 1: to walkle. That's cool. My age has proved to you

897
00:59:03,440 --> 00:59:06,720
Speaker 1: that I'm good to go. I'm stepping back. I'm gonna

898
00:59:06,720 --> 00:59:15,000
Speaker 1: get into my crumpled car and I'm gonna drive away fringing. Yeah,

899
00:59:15,000 --> 00:59:20,560
Speaker 1: he's not going anywhere. That car is broken. Alright, Ted,

900
00:59:20,640 --> 00:59:23,440
Speaker 1: you step in and arrest the ghosts, I'll arrest the guy.

901
00:59:23,760 --> 00:59:25,800
Speaker 1: I mean, the ghosts were just murdered. I don't think

902
00:59:25,800 --> 00:59:35,240
Speaker 1: they're arresting. That's ours show. Oh let's thank Dr James

903
00:59:35,240 --> 00:59:38,200
Speaker 1: Heeney first and Farmost. Thank you so much for being here. James,

904
00:59:38,520 --> 00:59:42,200
Speaker 1: where can folks find you should they want to? You know,

905
00:59:42,400 --> 00:59:44,880
Speaker 1: I would really like them to tune in to twitch

906
00:59:44,920 --> 00:59:49,200
Speaker 1: dot tv slash bs comedy. We've been doing a lot

907
00:59:49,280 --> 00:59:52,480
Speaker 1: of fun stuff on Wednesday nights. It usually starts about

908
00:59:52,480 --> 00:59:57,280
Speaker 1: eight pm Pacific Standard time. I love that. Thanks and

909
00:59:57,360 --> 00:59:59,680
Speaker 1: Chris Alberando, thanks so much for being here, buddy boy,

910
01:00:00,040 --> 01:00:02,720
Speaker 1: thanks for having me. I love you guys at christ

911
01:00:02,720 --> 01:00:08,520
Speaker 1: Alvarado Instagram, Chris Dashardo dot com. For a website, yep,

912
01:00:09,160 --> 01:00:13,400
Speaker 1: that's raw. You find a website. That's right. See you

913
01:00:13,440 --> 01:00:18,120
Speaker 1: on the surf. Hey, everybody, thanks thanks for having me.

914
01:00:18,120 --> 01:00:20,920
Speaker 1: I appreciate it. You can find me at a tool time.

915
01:00:21,440 --> 01:00:24,000
Speaker 1: I'm wearing the shirt. I just if you're on the Patreon,

916
01:00:24,080 --> 01:00:26,720
Speaker 1: watching this, says museum prov and it just reminds me

917
01:00:26,760 --> 01:00:28,320
Speaker 1: of the times when I could do that, and that

918
01:00:28,400 --> 01:00:31,320
Speaker 1: was a show that they did. They'll help you evaluate

919
01:00:31,400 --> 01:00:32,920
Speaker 1: and look at art in a different way using it.

920
01:00:33,800 --> 01:00:37,320
Speaker 1: Mm hmm. Wow. And where can they find that now?

921
01:00:37,880 --> 01:00:42,120
Speaker 1: I think it's museum prov dot com. But look, yeah,

922
01:00:42,160 --> 01:00:45,880
Speaker 1: that's it. Thank you, Thank you for half hasting that plot.

923
01:00:46,520 --> 01:00:52,680
Speaker 1: Appreciate that very much. Yeah, about New Year's Eve plans earlier,

924
01:00:52,680 --> 01:00:55,400
Speaker 1: I'm actually doing to two shows on New Year's Eve

925
01:00:55,520 --> 01:00:59,240
Speaker 1: with the cast of The Thrilling Adventure Our Exciting Me,

926
01:00:59,560 --> 01:01:03,360
Speaker 1: Paul Tompkins, Mark Kevin Jackson, Busy Phillips, bunches of other folks.

927
01:01:03,600 --> 01:01:05,800
Speaker 1: We're just gonna play trivia and hang out and drink

928
01:01:05,840 --> 01:01:08,160
Speaker 1: and count down the new year. Go to house Seats

929
01:01:08,200 --> 01:01:11,280
Speaker 1: dot live for more information about that and other live

930
01:01:11,320 --> 01:01:15,560
Speaker 1: streaming shows. And what is that side again again? Dot

931
01:01:15,720 --> 01:01:25,240
Speaker 1: house Seats dot live and look up the beautiful All right,

932
01:01:25,680 --> 01:01:29,880
Speaker 1: Joey Gerstein, you know it, I'm back on the Graham

933
01:01:29,920 --> 01:01:35,000
Speaker 1: at God bless chim Chum. Thanks for happening. And is

934
01:01:35,000 --> 01:01:37,520
Speaker 1: it you? Is it you on on that handle or

935
01:01:37,560 --> 01:01:39,920
Speaker 1: is it that's do with alchemy? This, it's you, and

936
01:01:40,080 --> 01:01:42,480
Speaker 1: you and your thoughts and your photos and what this is.

937
01:01:42,720 --> 01:01:44,640
Speaker 1: Everything on there's me has nothing to do with the

938
01:01:44,640 --> 01:01:51,200
Speaker 1: production company or and what brought your sponsors. Honestly, yes, honestly, awesome,

939
01:01:51,240 --> 01:01:59,080
Speaker 1: my mom. Okay, now I'm honestly it was a neighborhood collision,

940
01:01:59,400 --> 01:02:04,680
Speaker 1: not a coal collision. Collision. Collisions are my favorite. M

941
01:02:05,760 --> 01:02:08,320
Speaker 1: Let's thank our engineering producer with the Stars, Mr Doug Bate.

942
01:02:10,280 --> 01:02:15,400
Speaker 1: Find books that I heart media. I'm your host, Kevin Pollock.

943
01:02:15,880 --> 01:02:18,320
Speaker 1: Thanking each and every damn one of you. Be kind

944
01:02:18,320 --> 01:02:23,520
Speaker 1: to each other. Let's stay healthy, damnit and yeah, be

945
01:02:23,600 --> 01:02:26,280
Speaker 1: kind to each other. Circle back to that it couldn't hurt.

946
01:02:26,680 --> 01:02:28,440
Speaker 1: Keep writing to us, your name here, talking with this

947
01:02:28,480 --> 01:02:29,840
Speaker 1: dot com and love to hear from you. I love

948
01:02:29,920 --> 01:02:32,400
Speaker 1: to read your emails and thanks for all the support

949
01:02:32,440 --> 01:03:04,440
Speaker 1: on the Patreon. Until next time, A football for Pepper