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Now here's a highlight from 19 00:01:02,160 --> 00:01:05,959 Speaker 1: Coast to Coast am on iHeart Radio and welcome back 20 00:01:05,959 --> 00:01:08,000 Speaker 1: to Coast to Coast George Nori with you. What a 21 00:01:08,040 --> 00:01:10,600 Speaker 1: great guest we have for you this hour. Pat Boone 22 00:01:10,640 --> 00:01:14,160 Speaker 1: has become a legend. Of course. His titles of movie star, 23 00:01:14,480 --> 00:01:20,119 Speaker 1: gold record producing artist, best selling author, Broadway show headliner, 24 00:01:20,480 --> 00:01:24,759 Speaker 1: television star qualify him as that Charles Eugene. Pat Boone 25 00:01:24,760 --> 00:01:28,800 Speaker 1: has sold more than forty five million records, thirteen gold discs, 26 00:01:28,840 --> 00:01:32,240 Speaker 1: two gold albums, and a platinum record. Fifteen of his 27 00:01:32,319 --> 00:01:34,800 Speaker 1: songs have hit the top ten, and his song love 28 00:01:34,880 --> 00:01:37,479 Speaker 1: Letters in the Sand was on the charts for Get 29 00:01:37,560 --> 00:01:41,600 Speaker 1: This thirty four consecutive weeks, longer than Hey, Jude or 30 00:01:41,640 --> 00:01:44,240 Speaker 1: Don't Be Cruel. Pat has gone about as far as 31 00:01:44,280 --> 00:01:47,000 Speaker 1: you can go from Nashville, Tennessee, where he grew up 32 00:01:47,520 --> 00:01:50,480 Speaker 1: and he planned to teach high school and graduated magna 33 00:01:50,560 --> 00:01:54,320 Speaker 1: cum latte from Columbia University in New York. Another career 34 00:01:54,400 --> 00:01:57,200 Speaker 1: intervened and those plans when he appeared on the Ted 35 00:01:57,320 --> 00:01:59,920 Speaker 1: mac Amateur Hour that's a long time ago, when he 36 00:02:00,440 --> 00:02:04,120 Speaker 1: three times in landing a recording contract. He has appeared 37 00:02:04,120 --> 00:02:07,680 Speaker 1: in fifteen feature films, one of my favorites, of course, 38 00:02:07,960 --> 00:02:10,440 Speaker 1: Journey to the Center of the Earth, and here he 39 00:02:10,520 --> 00:02:12,880 Speaker 1: is back on coast to coast. Pat always a pleasure 40 00:02:12,880 --> 00:02:16,320 Speaker 1: of my friend. How are you great, George, I'm doing great, 41 00:02:16,400 --> 00:02:21,000 Speaker 1: and I listen, I you're such a phenomenon. I was 42 00:02:21,080 --> 00:02:25,320 Speaker 1: just trying to think of anybody on any any area 43 00:02:25,360 --> 00:02:29,640 Speaker 1: of communication who has done so well so long as you. 44 00:02:29,880 --> 00:02:33,200 Speaker 1: I mean, gosh, you you are. Let you say call 45 00:02:33,280 --> 00:02:36,240 Speaker 1: me a legend. You're a legend in your own time. Well, 46 00:02:36,360 --> 00:02:38,840 Speaker 1: let me tell you have. If I can be half 47 00:02:38,840 --> 00:02:42,959 Speaker 1: as successful as you, Mr Boone, I would be considered happy. 48 00:02:44,080 --> 00:02:46,800 Speaker 1: Believe me. I mean, you keep going, You're never going 49 00:02:46,880 --> 00:02:49,400 Speaker 1: to retire, and I hope you don't, will you? Well, 50 00:02:49,840 --> 00:02:52,400 Speaker 1: I keep trying. I mean I think of it. My 51 00:02:52,440 --> 00:02:55,960 Speaker 1: wife begs me too. I I keep thinking I'm going 52 00:02:56,040 --> 00:02:57,919 Speaker 1: to retire. But I have not been able to get 53 00:02:57,960 --> 00:03:01,840 Speaker 1: the hang of it because people keep inviting me to 54 00:03:01,880 --> 00:03:04,400 Speaker 1: do things and to be I've done three faith based 55 00:03:04,400 --> 00:03:08,440 Speaker 1: films the last eighteen months, and these films are a 56 00:03:08,440 --> 00:03:11,640 Speaker 1: new kind of trend in the movie business, films that 57 00:03:11,680 --> 00:03:15,799 Speaker 1: are family features and and some have faith elements in them. 58 00:03:16,200 --> 00:03:20,120 Speaker 1: I did An Old Man and God's Not Dead too 59 00:03:20,480 --> 00:03:23,200 Speaker 1: on a walker. I'm not. I don't use a walker. 60 00:03:23,240 --> 00:03:27,520 Speaker 1: In fact, I play tennis single fennis with our friend 61 00:03:27,680 --> 00:03:32,440 Speaker 1: Ed Lubin. But but I played a granddaddy of to 62 00:03:33,160 --> 00:03:37,320 Speaker 1: Melissa Heart in this film on a faith question about 63 00:03:37,320 --> 00:03:42,160 Speaker 1: whether a teacher can actually answer a question, legitimate, innocent 64 00:03:42,240 --> 00:03:45,160 Speaker 1: question from a school kid and a little rock Arkansas 65 00:03:45,680 --> 00:03:50,000 Speaker 1: about whether Martin Luther King quoted Jesus. Well, of course 66 00:03:50,000 --> 00:03:54,400 Speaker 1: he did. And when she says so, her the atheist 67 00:03:54,400 --> 00:03:57,840 Speaker 1: student who tells his atheist parents and plays a tape 68 00:03:57,840 --> 00:04:00,520 Speaker 1: of what she said in the classroom, and they come 69 00:04:00,520 --> 00:04:03,280 Speaker 1: and they want her to be fired. The school tries 70 00:04:03,320 --> 00:04:05,520 Speaker 1: to defend with the A C O. You gets involved. 71 00:04:05,560 --> 00:04:09,760 Speaker 1: It becomes a national cause celeb and I'm the granddaddy 72 00:04:09,840 --> 00:04:12,040 Speaker 1: at home on his walk or trying to get my 73 00:04:12,120 --> 00:04:15,720 Speaker 1: teacher daughter. And so the film is very successful. But 74 00:04:16,839 --> 00:04:20,400 Speaker 1: when these things keep coming up, even though the casting directors, 75 00:04:20,440 --> 00:04:23,599 Speaker 1: I think in Hollywood now has put the word out 76 00:04:23,640 --> 00:04:26,000 Speaker 1: that if if you want an eighty year old who 77 00:04:26,000 --> 00:04:30,240 Speaker 1: can still remember his lines, get bat and he'll act 78 00:04:30,320 --> 00:04:32,400 Speaker 1: well in a walker, even though he doesn't use one 79 00:04:32,440 --> 00:04:35,400 Speaker 1: in real life. I love it. Well. You have done 80 00:04:35,440 --> 00:04:38,719 Speaker 1: something in your career that not a lot of people 81 00:04:38,760 --> 00:04:41,200 Speaker 1: have done, and they're surely not doing it now, Pat, 82 00:04:41,279 --> 00:04:47,119 Speaker 1: and that is you developed yourself successfully without getting down 83 00:04:47,120 --> 00:04:50,840 Speaker 1: in the gutter. You. You don't use profanity, your your 84 00:04:50,920 --> 00:04:55,400 Speaker 1: You have kept it wholesome your entire career, and that's 85 00:04:55,600 --> 00:04:59,240 Speaker 1: really unheard of nowadays. There may be a few artists 86 00:04:59,320 --> 00:05:03,240 Speaker 1: today that will do that, but by and large you 87 00:05:03,279 --> 00:05:05,680 Speaker 1: know that they do things that I wouldn't put on 88 00:05:05,720 --> 00:05:10,280 Speaker 1: this radio show. And and you succeeded. Would you succeed 89 00:05:10,360 --> 00:05:14,120 Speaker 1: today in this kind of environment, with the kind of 90 00:05:14,120 --> 00:05:17,640 Speaker 1: wholesomeness that you bring to the table, Well, George, I 91 00:05:17,680 --> 00:05:21,200 Speaker 1: have to answer it this way. Only if I did it, 92 00:05:21,240 --> 00:05:22,440 Speaker 1: if I could do it the way I did the 93 00:05:22,480 --> 00:05:25,800 Speaker 1: first time, I believed and I do now that God 94 00:05:25,880 --> 00:05:29,279 Speaker 1: opened doors for me. I often advise young people when 95 00:05:29,279 --> 00:05:30,960 Speaker 1: they ask how I can get how they can get 96 00:05:31,000 --> 00:05:34,240 Speaker 1: ahead and show business I heard to say, I say, don't. 97 00:05:34,760 --> 00:05:38,640 Speaker 1: It's a tricky, treacherous, unfair business. There's no guarantee even 98 00:05:38,680 --> 00:05:41,039 Speaker 1: if you've got great talent and you work hard, that 99 00:05:41,160 --> 00:05:44,400 Speaker 1: you'll succeed as you might in some other field. Don't 100 00:05:44,400 --> 00:05:47,600 Speaker 1: do it if you can possibly do anything else. But 101 00:05:47,600 --> 00:05:50,520 Speaker 1: but if you're gonna do it, make God your agent. 102 00:05:51,360 --> 00:05:53,440 Speaker 1: And by that I mean an agent is one who 103 00:05:53,480 --> 00:05:58,000 Speaker 1: opens doors, who creates, who creates opportunity and if you 104 00:05:58,000 --> 00:06:00,520 Speaker 1: get an opportunity, tries to help if you make the 105 00:06:00,600 --> 00:06:04,280 Speaker 1: most of it, and and uh, and support you in it. 106 00:06:04,920 --> 00:06:07,360 Speaker 1: And I said, by the way, like most agents, God 107 00:06:07,440 --> 00:06:12,880 Speaker 1: demands ten percent. But that was my the reason I 108 00:06:12,920 --> 00:06:17,040 Speaker 1: was able to wade through the very strong temptations and 109 00:06:17,080 --> 00:06:20,840 Speaker 1: the not just personal but I mean to do roles 110 00:06:21,560 --> 00:06:23,720 Speaker 1: that I just felt I couldn't do. As you may know, 111 00:06:24,480 --> 00:06:26,600 Speaker 1: I turned down a film when I was under direct 112 00:06:26,640 --> 00:06:30,600 Speaker 1: contract with twenty century Fox with Marilyn Monroe. I mean, 113 00:06:30,640 --> 00:06:33,440 Speaker 1: the head of the studio wanted me to do this film, 114 00:06:33,480 --> 00:06:35,000 Speaker 1: and of course I would love to have made a 115 00:06:35,000 --> 00:06:37,239 Speaker 1: movie with Marilyn Monro, but when I read the script, 116 00:06:37,680 --> 00:06:39,800 Speaker 1: I realized I couldn't do it. It was about a 117 00:06:39,839 --> 00:06:42,680 Speaker 1: young kid having an affair with a still beautiful but 118 00:06:42,760 --> 00:06:45,800 Speaker 1: older woman and and uh. And I told the head 119 00:06:45,800 --> 00:06:47,680 Speaker 1: of the studio when I told him I couldn't do 120 00:06:47,760 --> 00:06:52,240 Speaker 1: this film, that I had millions of young fans who 121 00:06:52,320 --> 00:06:54,839 Speaker 1: in some way or other might imitate me and be 122 00:06:54,920 --> 00:06:58,400 Speaker 1: influenced and I couldn't do that. And he said, well, 123 00:06:58,400 --> 00:07:01,600 Speaker 1: this is medieval, this is this is dark age. As 124 00:07:01,680 --> 00:07:04,760 Speaker 1: why this is a good role. You don't have to 125 00:07:05,200 --> 00:07:07,520 Speaker 1: you know, play just things that you live yourself. I said, 126 00:07:07,560 --> 00:07:10,800 Speaker 1: I understand, but this there's an influence here that I 127 00:07:10,800 --> 00:07:13,400 Speaker 1: think I just can't be part of. He said, we 128 00:07:13,440 --> 00:07:16,520 Speaker 1: can suspend you, you know, and you'll be out of work. 129 00:07:16,600 --> 00:07:19,240 Speaker 1: I said, well, do whatever you have to do, Mr Adlers, 130 00:07:19,280 --> 00:07:23,320 Speaker 1: Buddy Adler, but I've got to follow my own conscience. 131 00:07:23,320 --> 00:07:26,480 Speaker 1: So they went ahead and did that film We're Not 132 00:07:26,560 --> 00:07:29,800 Speaker 1: with me and Marilyn Monroe but Joanne Woodward and Richard Beemer. 133 00:07:30,160 --> 00:07:33,160 Speaker 1: It was a total colossal flop, but they put me 134 00:07:33,200 --> 00:07:35,200 Speaker 1: into Journey to the Center of the Earth, and I 135 00:07:35,280 --> 00:07:37,280 Speaker 1: love that film. It was a giant hit, so it 136 00:07:37,360 --> 00:07:41,880 Speaker 1: worked out very well. I remember watching that as a kid. 137 00:07:41,920 --> 00:07:44,600 Speaker 1: Not that I'm aging you by any means, but I 138 00:07:44,600 --> 00:07:48,360 Speaker 1: mean I just thought that movie was so good, and 139 00:07:48,760 --> 00:07:51,000 Speaker 1: it was. It was really well done and sort of 140 00:07:51,320 --> 00:07:53,400 Speaker 1: it was not like anything else that was going on 141 00:07:53,520 --> 00:07:56,480 Speaker 1: right then, and for that reason I tried not to 142 00:07:56,520 --> 00:07:59,000 Speaker 1: do it. Can you believe it? I I wanted to 143 00:07:59,000 --> 00:08:02,080 Speaker 1: do movie mu cicles, just like being Crosby, who was 144 00:08:02,560 --> 00:08:05,600 Speaker 1: my role model at the time, and this was a 145 00:08:05,680 --> 00:08:09,560 Speaker 1: science fiction Jules Verne story. But they, the head of 146 00:08:09,560 --> 00:08:11,600 Speaker 1: the studio, said, look, we'll put music in it, you 147 00:08:11,600 --> 00:08:14,600 Speaker 1: can sing, and I said, it's still science fiction. But 148 00:08:14,640 --> 00:08:18,680 Speaker 1: they talked me into it finally in my agents by 149 00:08:18,720 --> 00:08:21,880 Speaker 1: giving me a piece of the film. George and I 150 00:08:21,920 --> 00:08:24,120 Speaker 1: didn't think that would ever amount to anything because of 151 00:08:24,160 --> 00:08:27,920 Speaker 1: the way they studios do their books. But it turned 152 00:08:27,960 --> 00:08:30,680 Speaker 1: out the film was much bigger than they expected, and 153 00:08:30,720 --> 00:08:33,600 Speaker 1: then it kept coming back and being rereleased. Of course, 154 00:08:34,240 --> 00:08:38,400 Speaker 1: they hadn't even thought about DVDs and TV and video tapes. 155 00:08:38,920 --> 00:08:43,520 Speaker 1: So it has been a very lucrative um turn out 156 00:08:43,559 --> 00:08:46,280 Speaker 1: for me and it all it wouldn't have happened if 157 00:08:46,320 --> 00:08:49,480 Speaker 1: I had done the story with Marilyn Monroe. Do those 158 00:08:49,640 --> 00:08:52,680 Speaker 1: royalty still keep coming in from from films like that? 159 00:08:52,720 --> 00:08:55,920 Speaker 1: They do? They sure do. I had a percentage of 160 00:08:56,280 --> 00:09:00,720 Speaker 1: profits after they reached there, you know, there their budget, 161 00:09:00,800 --> 00:09:04,000 Speaker 1: after they had recouped their budget, and they, you know, 162 00:09:04,679 --> 00:09:06,720 Speaker 1: a science fiction film which they spent a lot of 163 00:09:06,760 --> 00:09:10,360 Speaker 1: money on big sets and all kinds of special effects 164 00:09:10,360 --> 00:09:12,679 Speaker 1: and all of that. They went whole hog to make 165 00:09:12,720 --> 00:09:16,000 Speaker 1: it great, and they did, but they did it did 166 00:09:16,120 --> 00:09:19,600 Speaker 1: earn its money back. In fact, George, nobody knows to 167 00:09:19,640 --> 00:09:23,719 Speaker 1: except an executive at twenty who told me that that 168 00:09:23,840 --> 00:09:28,040 Speaker 1: film saved twenty century Fox. They were going under because 169 00:09:29,720 --> 00:09:34,199 Speaker 1: at Cleopatra, Richard Burton and Lizabeth Burton Burton were filming 170 00:09:34,200 --> 00:09:36,120 Speaker 1: at that time, and they were going off to Spain 171 00:09:36,679 --> 00:09:40,920 Speaker 1: pursuing their affair and their personal interests, leaving hundreds and 172 00:09:41,000 --> 00:09:45,000 Speaker 1: hundreds of extras, and the whole movie company stranded in Rome, 173 00:09:45,840 --> 00:09:49,080 Speaker 1: and and and and the banks were getting fed up 174 00:09:49,120 --> 00:09:50,760 Speaker 1: with it, and they were going to pull the plug 175 00:09:50,800 --> 00:09:55,680 Speaker 1: and shut twenty century Fox down. But Journey to the 176 00:09:55,720 --> 00:09:57,600 Speaker 1: Center of the Earth came out and took off at 177 00:09:57,640 --> 00:10:00,240 Speaker 1: the box office in a big way. And because thence 178 00:10:00,320 --> 00:10:05,400 Speaker 1: the bankers to play along with twentie and Cleopatra a 179 00:10:05,440 --> 00:10:09,520 Speaker 1: little longer twenty. I mean, Cleopatra never did recoup its budget, 180 00:10:10,360 --> 00:10:13,160 Speaker 1: but but at least it did well enough that that 181 00:10:13,320 --> 00:10:19,120 Speaker 1: twenty could stay afloat. So my decision to do only 182 00:10:19,200 --> 00:10:22,160 Speaker 1: to follow my own conscience was not only good for me, 183 00:10:22,240 --> 00:10:25,559 Speaker 1: it was good for twenty paid off. I remember when 184 00:10:25,640 --> 00:10:28,120 Speaker 1: Andy Williams passed away, the great singer, and I had 185 00:10:28,160 --> 00:10:30,640 Speaker 1: you on to talk about him, and you had told 186 00:10:30,720 --> 00:10:34,880 Speaker 1: us that incredible story how you were offered Moon River, 187 00:10:35,200 --> 00:10:38,680 Speaker 1: that great song, had turned it down. Yeah, that shows 188 00:10:38,720 --> 00:10:42,320 Speaker 1: I don't make all the right moves. Henry Mancine. He 189 00:10:42,360 --> 00:10:45,920 Speaker 1: came to my house on a sunny afternoon. He had 190 00:10:46,280 --> 00:10:50,360 Speaker 1: recorded a choral version of a song he'd written for 191 00:10:50,559 --> 00:10:54,040 Speaker 1: breakfast at Tiffany's. And uh, he said, I think this. 192 00:10:54,160 --> 00:10:57,199 Speaker 1: This has a nice lyric written by Johnny Mercer, and 193 00:10:57,200 --> 00:10:59,040 Speaker 1: and a male sing or ought to sing this. Would 194 00:10:59,080 --> 00:11:02,160 Speaker 1: you be interested? And I listened to it, I said, 195 00:11:02,480 --> 00:11:06,840 Speaker 1: Hank Mancini. I said, that's really beautiful. But you know 196 00:11:06,920 --> 00:11:10,360 Speaker 1: it's not a love song. It's about a river, Moon River, 197 00:11:10,720 --> 00:11:14,560 Speaker 1: you know, wider than a mile. I mean, there's other 198 00:11:14,640 --> 00:11:18,040 Speaker 1: movies river songs like Old Man River Up the Lazy River, 199 00:11:18,840 --> 00:11:21,000 Speaker 1: and and I don't think the song can be a 200 00:11:21,000 --> 00:11:24,240 Speaker 1: big hit because it's not a love song. So he 201 00:11:24,280 --> 00:11:27,480 Speaker 1: was disappointed, and he went over to see Andy Williams, 202 00:11:27,480 --> 00:11:31,440 Speaker 1: and he liked it and thanked me. He was grateful 203 00:11:31,480 --> 00:11:33,560 Speaker 1: to be the rest of his life. It was like 204 00:11:33,679 --> 00:11:37,040 Speaker 1: his theme song, wasn't it was in his theme song. 205 00:11:37,120 --> 00:11:40,240 Speaker 1: He named his very successful theater in Branson the Moon 206 00:11:40,360 --> 00:11:43,960 Speaker 1: River Theater. And yeah, I mean, and you know what 207 00:11:44,040 --> 00:11:46,600 Speaker 1: he did, George, which I had not occurred to me, 208 00:11:47,280 --> 00:11:49,680 Speaker 1: was singing the song even though it was about a river, 209 00:11:50,400 --> 00:11:53,040 Speaker 1: sing it like a love song, and that's what he did. 210 00:11:53,840 --> 00:11:56,720 Speaker 1: Listen to more Coast to Coast a m. Every weeknight 211 00:11:56,920 --> 00:11:59,400 Speaker 1: at one a m. Eastern, and go to Coast to 212 00:11:59,400 --> 00:12:01,160 Speaker 1: Coast am dot com for more